1 00:00:07,440 --> 00:00:11,880 Speaker 1: What's that at the bed. It's spooky, Hey jooky. 2 00:00:12,119 --> 00:00:13,400 Speaker 2: I'm pretty sure it's dead. 3 00:00:13,680 --> 00:00:14,960 Speaker 1: It's coming this way. 4 00:00:15,400 --> 00:00:22,840 Speaker 2: Wait a minute, I'm ghosted. I los nandaz. 5 00:00:24,760 --> 00:00:25,440 Speaker 1: Plase. 6 00:00:26,360 --> 00:00:32,720 Speaker 2: Hey boo, it's me Roz and welcome to Ghosted by 7 00:00:32,960 --> 00:00:36,760 Speaker 2: Roz Hernandez, the podcast where I talk to people that 8 00:00:36,800 --> 00:00:42,760 Speaker 2: I like about the baron normal. Oh my god, Paul's 9 00:00:42,760 --> 00:00:50,279 Speaker 2: sheer is on the show. Paul freaking' Sheer And guess what, 10 00:00:50,440 --> 00:00:56,240 Speaker 2: it's twenty twenty six. Now, Wow, we've made it. I 11 00:00:56,280 --> 00:00:59,720 Speaker 2: hope everyone's having a wonderful new year. We're starting off 12 00:01:00,000 --> 00:01:02,320 Speaker 2: that's wrong. And just wait till you see who we 13 00:01:02,400 --> 00:01:05,480 Speaker 2: got next week. This is going to be the year 14 00:01:05,520 --> 00:01:08,160 Speaker 2: of ghost it. I just know it. Oh, let me 15 00:01:08,200 --> 00:01:11,480 Speaker 2: tell you something else. I gave myself a nice Christmas 16 00:01:11,480 --> 00:01:17,600 Speaker 2: present this year. I got a shipment of Sylvia Brown books. 17 00:01:18,200 --> 00:01:20,520 Speaker 2: I saw them on eBay. I typed in Sylvia Brown 18 00:01:20,560 --> 00:01:22,200 Speaker 2: Books on eBay. I was like, you know what what 19 00:01:22,440 --> 00:01:26,480 Speaker 2: row's like for Christmas this year? And I found a 20 00:01:26,520 --> 00:01:34,360 Speaker 2: whole a lot of them. I think there's let's see one, two, three, four, five, six, seven, eight, nine, ten, 21 00:01:34,520 --> 00:01:40,400 Speaker 2: eleven to twelve Sylvia Brown books with everything ranging from 22 00:01:40,560 --> 00:01:47,319 Speaker 2: Adventures of a Psychic Psychic Children the Mystical Life of Jesus, 23 00:01:47,680 --> 00:01:51,480 Speaker 2: oh so many. You know, I should do some bibliomancy. 24 00:01:51,680 --> 00:01:54,680 Speaker 2: Do you know what that means? That's when you just 25 00:01:54,720 --> 00:01:56,840 Speaker 2: sort of like open a book and wherever it lands, 26 00:01:56,880 --> 00:02:00,000 Speaker 2: that's the message. You have to sort of interpret that message. 27 00:02:00,240 --> 00:02:04,320 Speaker 2: Let's do some bibliomancy with Sylvia Brown. Okay. This is 28 00:02:04,760 --> 00:02:08,520 Speaker 2: going to be from her book called Exploring the Levels 29 00:02:08,520 --> 00:02:12,240 Speaker 2: of Creation, And there's a gorgeous photo of her on 30 00:02:12,280 --> 00:02:16,320 Speaker 2: the cover. She's just sort of looking a little Mona 31 00:02:16,360 --> 00:02:21,400 Speaker 2: Lisa smile and there's stars behind her. You can tell 32 00:02:21,440 --> 00:02:25,160 Speaker 2: she's looking at this photographer going, you know your your 33 00:02:25,240 --> 00:02:30,760 Speaker 2: sister's missing. Okay, so let's see. Okay, bibliomancy Sylvia, what 34 00:02:30,960 --> 00:02:33,760 Speaker 2: message would you like us to have for twenty twenty six? 35 00:02:34,520 --> 00:02:39,560 Speaker 2: All right, right here it says, I know that communicating 36 00:02:39,639 --> 00:02:44,799 Speaker 2: with children in this age group is never easy because 37 00:02:44,840 --> 00:02:49,640 Speaker 2: of the hormonal changes that are occurring. Most of the time, 38 00:02:50,040 --> 00:02:52,480 Speaker 2: the young people in question don't even know what their 39 00:02:52,520 --> 00:02:56,320 Speaker 2: own bodies are doing. Wait, what the hell? As my 40 00:02:56,400 --> 00:03:00,800 Speaker 2: thirteen year old granddaughter told me the other night, Bagda 41 00:03:01,639 --> 00:03:05,120 Speaker 2: that's her name for me. Sometimes I just cry for 42 00:03:05,200 --> 00:03:08,440 Speaker 2: no reason at all. Okay, Well that's the message that 43 00:03:08,520 --> 00:03:13,880 Speaker 2: we got from Sylvia Brown that you know, it's going 44 00:03:13,919 --> 00:03:17,280 Speaker 2: to be a year of us being in our adolescence 45 00:03:17,840 --> 00:03:21,680 Speaker 2: having hormonal changes and sometimes we're just gonna cry for 46 00:03:21,760 --> 00:03:26,720 Speaker 2: no reason. Thank you, Bagda for giving us that message. 47 00:03:27,400 --> 00:03:31,239 Speaker 2: All right, let's go to this conversation with Paul shere. 48 00:03:31,320 --> 00:03:36,320 Speaker 2: This this conversation's got it all, honey. He's just he's 49 00:03:36,320 --> 00:03:39,560 Speaker 2: such a pro. This guy knows how to talk and 50 00:03:39,600 --> 00:03:43,600 Speaker 2: it's good stuff every time. So let's go to our 51 00:03:43,640 --> 00:03:53,839 Speaker 2: conversation now with Paul Sheare and with the show. Oh 52 00:03:53,880 --> 00:03:57,680 Speaker 2: my god, I'm joined by I feel like it's appropriate 53 00:03:57,720 --> 00:04:02,200 Speaker 2: to say, uh, podcasting, you know. 54 00:04:02,720 --> 00:04:04,520 Speaker 1: I'll take it. If you say it, I'll take it 55 00:04:04,560 --> 00:04:05,160 Speaker 1: because when. 56 00:04:05,000 --> 00:04:08,200 Speaker 2: You think about it, it's like that's that's an art 57 00:04:08,280 --> 00:04:11,720 Speaker 2: form that like is in our lifetime and you've been 58 00:04:11,760 --> 00:04:12,560 Speaker 2: there the whole time. 59 00:04:13,160 --> 00:04:16,320 Speaker 3: Yeah, I mean, I think that this business that we're in, 60 00:04:16,360 --> 00:04:19,279 Speaker 3: you know, when you're performing, you are always trying to 61 00:04:19,279 --> 00:04:23,559 Speaker 3: find things you have control over. And for the longest time, 62 00:04:24,120 --> 00:04:26,920 Speaker 3: I'd be performing it, UCB. I still perform, you know, 63 00:04:27,200 --> 00:04:30,480 Speaker 3: out on stage, but podcasting was like the closest way 64 00:04:30,560 --> 00:04:33,039 Speaker 3: of having that outlet to just get. 65 00:04:32,920 --> 00:04:34,160 Speaker 1: Up and do something. 66 00:04:34,400 --> 00:04:38,200 Speaker 3: And in the beginning, no one was listening, which was 67 00:04:38,279 --> 00:04:40,240 Speaker 3: kind of really fun. You just had this kind of 68 00:04:40,240 --> 00:04:42,320 Speaker 3: core group and it's grown and grown and grown, and 69 00:04:42,320 --> 00:04:44,200 Speaker 3: now it's become this giant business. But I feel like 70 00:04:44,240 --> 00:04:47,360 Speaker 3: it's just another part of Yeah, you're an actor, you're 71 00:04:47,360 --> 00:04:49,839 Speaker 3: a comedian, you're a podcast or you direct. Like it's 72 00:04:50,080 --> 00:04:53,599 Speaker 3: it's just another like tool that you need to have. 73 00:04:53,800 --> 00:04:56,440 Speaker 2: When did you start in podcasting. 74 00:04:56,000 --> 00:04:56,800 Speaker 1: Fifteen years ago? 75 00:04:57,240 --> 00:05:00,479 Speaker 3: I know that because this is the this month is 76 00:05:00,520 --> 00:05:04,320 Speaker 3: the fifteenth anniversary of how did this get made? Which 77 00:05:04,360 --> 00:05:08,599 Speaker 3: is insane to think about because in the beginning, when 78 00:05:08,600 --> 00:05:09,640 Speaker 3: we started. 79 00:05:09,680 --> 00:05:11,880 Speaker 1: You know, people will be like, wait, what's a podcast? 80 00:05:12,040 --> 00:05:13,680 Speaker 3: Of course, oh well, you got to go on the 81 00:05:13,720 --> 00:05:17,120 Speaker 3: Apple Store and download the podcast app. It wasn't already 82 00:05:17,480 --> 00:05:19,400 Speaker 3: in your phone, and then you'd have to search for 83 00:05:19,440 --> 00:05:22,200 Speaker 3: the show. And then people weren't listening to it like 84 00:05:22,560 --> 00:05:25,320 Speaker 3: on their phone, they were listening to it like at 85 00:05:25,320 --> 00:05:28,200 Speaker 3: their computers at work. Right, So it felt like you 86 00:05:28,240 --> 00:05:30,800 Speaker 3: were doing a show and a black box speeder. Like 87 00:05:31,200 --> 00:05:33,000 Speaker 3: it just felt like, oh, we can say whatever we 88 00:05:33,000 --> 00:05:35,800 Speaker 3: want and it's just a good chance to hang out 89 00:05:35,800 --> 00:05:40,080 Speaker 3: with friends and do bits. So I love it. I mean, 90 00:05:40,120 --> 00:05:41,919 Speaker 3: I don't look at it like it's a job. I 91 00:05:41,920 --> 00:05:44,039 Speaker 3: don't look at it like it's anything more than getting 92 00:05:44,040 --> 00:05:47,120 Speaker 3: a chance to hang out and I don't know, just 93 00:05:47,200 --> 00:05:50,920 Speaker 3: perform it. Like again, especially in this moment where I 94 00:05:50,960 --> 00:05:53,680 Speaker 3: feel like, if you know anything about this industry, it's 95 00:05:53,680 --> 00:05:55,560 Speaker 3: in this moment of people are like, oh, it's contracting, 96 00:05:55,600 --> 00:05:58,560 Speaker 3: it's this, it's that, But you get to go make something. 97 00:05:58,600 --> 00:06:01,440 Speaker 3: It's the equivalent of like a short film or comedy 98 00:06:01,440 --> 00:06:04,400 Speaker 3: album that you're making every single week, which is awesome. 99 00:06:04,680 --> 00:06:05,240 Speaker 1: It really is. 100 00:06:05,640 --> 00:06:07,920 Speaker 2: I love it. It's like I love it, like truly 101 00:06:07,960 --> 00:06:10,400 Speaker 2: my favorite. Well because I'm a phone talker, so I. 102 00:06:10,800 --> 00:06:12,719 Speaker 1: Just like, I just like this taw me too. 103 00:06:12,760 --> 00:06:16,000 Speaker 3: I realized also it's like where your life kind of 104 00:06:16,040 --> 00:06:18,920 Speaker 3: like things change up for you too. So it's like, yeah, 105 00:06:19,120 --> 00:06:22,880 Speaker 3: I've had more conversations oddly on air of course, than 106 00:06:23,560 --> 00:06:25,680 Speaker 3: probably I've had on the phone in the last ten years. 107 00:06:25,680 --> 00:06:28,240 Speaker 2: Well, it's always like, wait, did I was I have? 108 00:06:28,400 --> 00:06:30,800 Speaker 2: Were people listening when I had that conversation or was 109 00:06:30,839 --> 00:06:32,000 Speaker 2: that one a private one? 110 00:06:32,279 --> 00:06:34,280 Speaker 1: Well? Did you? Somebody made this joke? It made me 111 00:06:34,400 --> 00:06:35,200 Speaker 1: laugh so hard. 112 00:06:35,279 --> 00:06:40,360 Speaker 3: Like now that they've added like voice memos on your phone, 113 00:06:40,839 --> 00:06:42,720 Speaker 3: you're essentially like, well, now I have to listen to 114 00:06:42,800 --> 00:06:43,880 Speaker 3: your podcast. 115 00:06:43,520 --> 00:06:45,440 Speaker 1: Like when you gave me a message. Yeah, it really does. 116 00:06:45,600 --> 00:06:46,839 Speaker 1: People get to that cadence. 117 00:06:46,880 --> 00:06:48,479 Speaker 3: It's like all right, So anyway, I'm thinking, like, wow, 118 00:06:48,480 --> 00:06:50,840 Speaker 3: it's like a three minute long I'm not even used 119 00:06:50,880 --> 00:06:53,000 Speaker 3: to holding the phone to my ear that long. 120 00:06:52,880 --> 00:06:55,000 Speaker 2: To hear the voice smells. Brought to you by. 121 00:06:56,480 --> 00:07:01,560 Speaker 3: My wife, who is the best or I would say 122 00:07:01,600 --> 00:07:06,120 Speaker 3: easily probably over fifteen years, has never allowed you to 123 00:07:06,200 --> 00:07:09,560 Speaker 3: leave a voicemail on her phone. It's always full, and 124 00:07:09,600 --> 00:07:11,000 Speaker 3: she's like, I don't I don't want it, I don't 125 00:07:11,040 --> 00:07:13,800 Speaker 3: need it. I will never listen to it. So no 126 00:07:13,840 --> 00:07:17,360 Speaker 3: matter what, there's been moments of things that I needed 127 00:07:17,400 --> 00:07:19,280 Speaker 3: to get in touch with her, and it's like voicemail 128 00:07:19,400 --> 00:07:22,120 Speaker 3: is full, and I'm like, that's it, And in a 129 00:07:22,160 --> 00:07:25,120 Speaker 3: weird way, she's right, like a text, she'll get the text. 130 00:07:25,360 --> 00:07:27,240 Speaker 2: I don't need the voicemail and you can see that 131 00:07:27,280 --> 00:07:29,480 Speaker 2: someone called exactly. 132 00:07:29,480 --> 00:07:31,600 Speaker 3: And it used to irritate me so much. I'm like, 133 00:07:31,640 --> 00:07:33,640 Speaker 3: why can't I get in touch with you? But I 134 00:07:33,640 --> 00:07:37,160 Speaker 3: guess you are and I don't know. I love that 135 00:07:37,200 --> 00:07:39,200 Speaker 3: she has just shut down the voicemail option. 136 00:07:39,720 --> 00:07:42,000 Speaker 2: I'm remembering right now. The last time I saw you 137 00:07:42,280 --> 00:07:46,840 Speaker 2: was we were doing Doug Benson's show at Dynasty's Typeria. 138 00:07:46,480 --> 00:07:48,960 Speaker 3: Dush during the night of the storm and that fire 139 00:07:49,240 --> 00:07:51,520 Speaker 3: started the fire that was. 140 00:07:51,680 --> 00:07:54,760 Speaker 2: LA, which was still in twenty twenty five, which is 141 00:07:54,800 --> 00:07:56,120 Speaker 2: crazy wow. 142 00:07:56,640 --> 00:07:58,840 Speaker 1: And I had to leave a little bit early from 143 00:07:58,920 --> 00:07:59,720 Speaker 1: that show. 144 00:08:00,240 --> 00:08:02,160 Speaker 2: Because all of our phones were getting blown up by 145 00:08:02,160 --> 00:08:05,040 Speaker 2: people that were like, this is real, this is bad. 146 00:08:05,120 --> 00:08:07,360 Speaker 2: And I remember driving home and all the traffic lights 147 00:08:07,360 --> 00:08:07,760 Speaker 2: were out. 148 00:08:08,040 --> 00:08:08,960 Speaker 1: Yes, it was. 149 00:08:09,080 --> 00:08:11,280 Speaker 3: It was scary because at that point it was more 150 00:08:11,320 --> 00:08:14,080 Speaker 3: of the windstorm part of the fire. 151 00:08:14,200 --> 00:08:14,520 Speaker 1: It was. 152 00:08:15,080 --> 00:08:18,360 Speaker 3: It was weird. I remember driving to the theater. There's 153 00:08:18,400 --> 00:08:21,680 Speaker 3: like two nights where I remember like just dead La, 154 00:08:21,800 --> 00:08:23,760 Speaker 3: but that idea of like driving to the theater and 155 00:08:23,760 --> 00:08:26,160 Speaker 3: it didn't feel right and we were in there and 156 00:08:26,160 --> 00:08:27,800 Speaker 3: I was like, Okay, we're going to do this show. 157 00:08:28,360 --> 00:08:30,440 Speaker 3: But again I felt like all the audience really did 158 00:08:30,440 --> 00:08:32,480 Speaker 3: not show up that night. It was a pretty empty 159 00:08:32,559 --> 00:08:35,679 Speaker 3: house and that's a big, like telltale sound. But then 160 00:08:35,679 --> 00:08:37,640 Speaker 3: you were like, at least in my mind, I'm like, well, 161 00:08:37,640 --> 00:08:40,280 Speaker 3: they're here, like they deserve a show, like they were 162 00:08:40,320 --> 00:08:42,240 Speaker 3: not mad at the people who didn't show up, like 163 00:08:42,640 --> 00:08:44,160 Speaker 3: embrace it. But my wife is like, why are you 164 00:08:44,160 --> 00:08:47,120 Speaker 3: doing the show? Why are you leaving? Shit's going down, 165 00:08:47,160 --> 00:08:49,640 Speaker 3: Like you need to be at home, not doing this show. 166 00:08:49,679 --> 00:08:53,240 Speaker 3: And of course I did the show, and until it 167 00:08:53,280 --> 00:08:55,040 Speaker 3: got to the point where my wife's like, everything is 168 00:08:55,080 --> 00:08:55,679 Speaker 3: out in the house. 169 00:08:55,760 --> 00:08:57,760 Speaker 1: I can't find the flashlights. You need to come home. 170 00:08:57,800 --> 00:09:01,480 Speaker 2: And I was like, Okay, are you like a vibe person? 171 00:09:01,800 --> 00:09:02,600 Speaker 2: Are you like, uh? 172 00:09:03,120 --> 00:09:06,000 Speaker 3: I think so, yeah, I mean in like what way 173 00:09:06,040 --> 00:09:08,480 Speaker 3: to like in the in the sense that like, I 174 00:09:08,559 --> 00:09:09,640 Speaker 3: definitely get vibes. 175 00:09:09,920 --> 00:09:10,760 Speaker 1: I feel vibes. 176 00:09:10,800 --> 00:09:13,199 Speaker 3: I feel like that's like and you can get the 177 00:09:13,280 --> 00:09:14,680 Speaker 3: vibe of somebody very quickly. 178 00:09:14,720 --> 00:09:15,600 Speaker 1: I feel like that's me. 179 00:09:15,880 --> 00:09:18,600 Speaker 2: I feel like like from person to person it's one thing. 180 00:09:18,640 --> 00:09:20,319 Speaker 2: But like, do you go into a place in your 181 00:09:20,360 --> 00:09:23,080 Speaker 2: leg bad vibes? Weird about this room? 182 00:09:23,600 --> 00:09:29,360 Speaker 3: I think that room based vibes harder for me to 183 00:09:29,440 --> 00:09:33,200 Speaker 3: get sure, But if I walk into a party, I'm like, 184 00:09:33,760 --> 00:09:36,120 Speaker 3: bad vibes. I can get that. I can get the 185 00:09:36,240 --> 00:09:40,800 Speaker 3: energy of people more than the energy of places. Okay, 186 00:09:41,160 --> 00:09:44,559 Speaker 3: now that being said, I mean I feel like we're 187 00:09:44,559 --> 00:09:46,280 Speaker 3: talking about the same thing, which is like, what's the 188 00:09:46,400 --> 00:09:48,960 Speaker 3: energy coming off of And maybe the energy is coming 189 00:09:49,000 --> 00:09:50,120 Speaker 3: off of supernatural people. 190 00:09:50,360 --> 00:09:51,920 Speaker 2: Yeah, what if it's invisible people. 191 00:09:52,600 --> 00:09:53,840 Speaker 1: I'm down. I'm not. 192 00:09:54,040 --> 00:09:57,520 Speaker 3: I am not against it at all. As a matter 193 00:09:57,559 --> 00:10:01,920 Speaker 3: of fact, for my friend's bachelor party, we hired ghost 194 00:10:02,000 --> 00:10:09,160 Speaker 3: hunters to do a ghost rob Yes he was on 195 00:10:09,200 --> 00:10:12,680 Speaker 3: the show, Okay, yeah, so for his bachelor party, that's 196 00:10:12,720 --> 00:10:13,640 Speaker 3: what we did. 197 00:10:13,920 --> 00:10:15,040 Speaker 1: I well me I did. 198 00:10:15,120 --> 00:10:21,280 Speaker 3: I hired this mother and son ghost hunter in OHI 199 00:10:22,000 --> 00:10:24,200 Speaker 3: and we walked around this house, this big air and 200 00:10:24,240 --> 00:10:27,160 Speaker 3: b that Airbnb that we rented and. 201 00:10:27,240 --> 00:10:29,240 Speaker 2: Was it supposed to be haunted or no? 202 00:10:29,280 --> 00:10:32,040 Speaker 3: But we you know, it was like, you know, the 203 00:10:32,080 --> 00:10:34,880 Speaker 3: thought was maybe we'll figure some stuff out. Now, I'll 204 00:10:34,880 --> 00:10:36,640 Speaker 3: tell you the theory that this ghost hunter had, and 205 00:10:36,679 --> 00:10:38,880 Speaker 3: I want to hear your theory on it, because obviously 206 00:10:39,160 --> 00:10:42,120 Speaker 3: you have a much larger point of view about it. 207 00:10:42,679 --> 00:10:47,680 Speaker 3: This ghost hunter was saying that if you personally have 208 00:10:48,640 --> 00:10:51,760 Speaker 3: well this that you personally have a ghost that is 209 00:10:51,840 --> 00:10:55,000 Speaker 3: with you at all times. So yeah, you might be 210 00:10:55,120 --> 00:10:57,800 Speaker 3: in a space, but that ghost that is with you 211 00:10:58,080 --> 00:11:00,720 Speaker 3: is always with you. So that's what she was working 212 00:11:00,720 --> 00:11:03,960 Speaker 3: off of the idea, like not that not that like 213 00:11:04,360 --> 00:11:07,360 Speaker 3: the spaces contained the ghost but the people contain the ghosts. 214 00:11:07,440 --> 00:11:14,240 Speaker 2: Yeah, there's a clip of Sylvia Brown doeeh, I won't 215 00:11:14,240 --> 00:11:15,400 Speaker 2: make you pull it up. 216 00:11:15,640 --> 00:11:17,839 Speaker 1: Look, I'm a huge Sylvia Brown. 217 00:11:17,720 --> 00:11:20,080 Speaker 2: Fan and everything she says goes for me. 218 00:11:20,400 --> 00:11:21,839 Speaker 1: I mean I came home. 219 00:11:22,040 --> 00:11:25,600 Speaker 3: I was watching Dona Hu Montell Williams, Sally Jesse Rafael. 220 00:11:25,679 --> 00:11:28,520 Speaker 1: I mean she was on and she feels to me. 221 00:11:29,240 --> 00:11:31,080 Speaker 3: I grew up on Long Island, and she has a 222 00:11:31,200 --> 00:11:33,400 Speaker 3: very Long Island energy, like a very like give me 223 00:11:33,440 --> 00:11:36,200 Speaker 3: a cigarette, I'm gonna tell you, like cigarettes and light 224 00:11:36,320 --> 00:11:39,839 Speaker 3: beer with a real there's a surliness to her that. 225 00:11:39,920 --> 00:11:42,000 Speaker 2: Yeah, but Long Island you have the Long Island medium. 226 00:11:42,400 --> 00:11:45,240 Speaker 2: Oh yeah, you can't get more Long Island than that. 227 00:11:45,360 --> 00:11:50,040 Speaker 3: Now, the Long Island medium is pretty special. It's interesting though, 228 00:11:50,160 --> 00:11:55,120 Speaker 3: right because I'm like, I'm so, here's it. I'll tell 229 00:11:55,160 --> 00:11:57,360 Speaker 3: you a little bit of a ghost story that I 230 00:11:57,400 --> 00:12:00,920 Speaker 3: heard from a medium in Long Island, not the but 231 00:12:00,960 --> 00:12:02,880 Speaker 3: not the law. Well, you see, you've taken over the 232 00:12:02,920 --> 00:12:04,679 Speaker 3: Long I mean that, you know, it's really see. 233 00:12:04,720 --> 00:12:06,480 Speaker 2: I think about that all the time, Like I used 234 00:12:06,520 --> 00:12:10,120 Speaker 2: to be a drag queen that wasn't en route Paul's 235 00:12:10,160 --> 00:12:15,120 Speaker 2: Drag Race. So I was like in the field that 236 00:12:15,679 --> 00:12:18,520 Speaker 2: people only know like the one reality show. 237 00:12:18,720 --> 00:12:19,439 Speaker 1: Yes, and I. 238 00:12:19,480 --> 00:12:22,520 Speaker 2: Used to say, it feels like being one of the 239 00:12:22,559 --> 00:12:24,640 Speaker 2: other psychics on Long Island. 240 00:12:24,760 --> 00:12:25,640 Speaker 1: I hear what you're saying. 241 00:12:25,720 --> 00:12:29,960 Speaker 2: Yeah, right, everyone's like, we know, we know the lady, 242 00:12:30,280 --> 00:12:33,240 Speaker 2: but you know who's busy, Theresa Caputo. 243 00:12:34,040 --> 00:12:36,880 Speaker 3: Right, and that it kind of like devalues you in 244 00:12:36,920 --> 00:12:38,839 Speaker 3: a way because it's like you're not the you know, 245 00:12:38,880 --> 00:12:42,040 Speaker 3: it better to be the Baltimore medium, Like move to Baltimore. 246 00:12:42,120 --> 00:12:43,240 Speaker 1: Right, That's the thing they got. 247 00:12:43,400 --> 00:12:46,079 Speaker 2: If you live in a city where a medium gets 248 00:12:46,120 --> 00:12:48,520 Speaker 2: a reality show, go to another city, you gotta move. 249 00:12:48,640 --> 00:12:52,000 Speaker 3: You got to move because you're never going to be 250 00:12:52,200 --> 00:12:55,520 Speaker 3: the You'll either you'll always be the other, right. I mean, now, 251 00:12:55,559 --> 00:12:57,640 Speaker 3: by the way, that's a great reality show, the other 252 00:12:57,880 --> 00:12:58,840 Speaker 3: Long Island medium. 253 00:12:58,880 --> 00:13:00,360 Speaker 2: That's what I want to know, because you know there's 254 00:13:00,400 --> 00:13:02,880 Speaker 2: other ones, and you know they got opinions about her. 255 00:13:03,200 --> 00:13:04,040 Speaker 1: Oh of course they do. 256 00:13:04,200 --> 00:13:08,280 Speaker 3: I mean, like this is my theory and all right, 257 00:13:08,360 --> 00:13:11,080 Speaker 3: so we're going in because I need to hear, okay, 258 00:13:11,160 --> 00:13:14,360 Speaker 3: yes about the what did the psychic in Long Island 259 00:13:14,440 --> 00:13:14,679 Speaker 3: tell you? 260 00:13:14,800 --> 00:13:17,319 Speaker 1: Okay, I have two interesting things and I and we'll 261 00:13:17,400 --> 00:13:20,320 Speaker 1: we're talking about it, all right, so all of it, 262 00:13:20,280 --> 00:13:20,840 Speaker 1: it's fine. 263 00:13:20,920 --> 00:13:26,319 Speaker 3: So she was doing a reading for a friend of mine, 264 00:13:26,800 --> 00:13:29,960 Speaker 3: all right, and so it was a one on one reading. 265 00:13:30,240 --> 00:13:33,360 Speaker 3: They were having a conversation. But in the middle of 266 00:13:33,400 --> 00:13:38,040 Speaker 3: that reading, the psychic said, oh, by the way, your sister, 267 00:13:38,559 --> 00:13:43,680 Speaker 3: this is a message to your sister from your your mom, 268 00:13:44,080 --> 00:13:45,480 Speaker 3: who's already passed away. 269 00:13:45,760 --> 00:13:46,960 Speaker 1: So the psychic was. 270 00:13:46,880 --> 00:13:50,839 Speaker 3: Like throwing something to someone that was not in the room, 271 00:13:50,880 --> 00:13:54,240 Speaker 3: which I never really had heard about like that. You're like, oh, 272 00:13:54,240 --> 00:13:57,319 Speaker 3: by the way, as I'm having this conversation, they're telling 273 00:13:57,360 --> 00:13:59,480 Speaker 3: me pass some information down the. 274 00:13:59,440 --> 00:14:01,760 Speaker 2: Line that pissed me off. I'm like, I'm paying. 275 00:14:01,760 --> 00:14:03,920 Speaker 3: Right, well, that's what I'm that. But then it makes 276 00:14:03,920 --> 00:14:06,760 Speaker 3: me go, do I believe it more? Do I believe 277 00:14:06,760 --> 00:14:08,960 Speaker 3: it more? Because it's like, yeah, you're paying me, And 278 00:14:09,000 --> 00:14:10,960 Speaker 3: I'm like, I'm so sorry. I gotta tell you. 279 00:14:10,960 --> 00:14:13,680 Speaker 1: You got to talk to your neighbor about using lawn 280 00:14:13,679 --> 00:14:15,720 Speaker 1: mower equipment. I'm not here for that, okay. 281 00:14:15,760 --> 00:14:19,320 Speaker 3: And now I will say that the other medium experience 282 00:14:19,360 --> 00:14:21,480 Speaker 3: I had was yes, I did buy a ticket for 283 00:14:21,520 --> 00:14:23,120 Speaker 3: Tyler Henry Stop. 284 00:14:23,400 --> 00:14:26,880 Speaker 2: Yes, yes, you are the second person in a row 285 00:14:26,920 --> 00:14:29,200 Speaker 2: that I have talked to that bought a ticket to 286 00:14:29,200 --> 00:14:31,520 Speaker 2: see Tyler Henry. My last guest said that too. 287 00:14:31,560 --> 00:14:33,280 Speaker 1: Bought a tickets is Tyler Henry. 288 00:14:33,600 --> 00:14:34,240 Speaker 2: I love him. 289 00:14:34,400 --> 00:14:35,760 Speaker 1: I love Tyler Henry. 290 00:14:35,920 --> 00:14:38,400 Speaker 3: Tyler Henry is interesting and I find Long Island Medium 291 00:14:38,440 --> 00:14:40,200 Speaker 3: interesting for the same reason, which is. 292 00:14:40,520 --> 00:14:42,280 Speaker 1: You have to make a show, right are you? 293 00:14:42,440 --> 00:14:45,720 Speaker 3: Are you inundated that much like I would almost prefer 294 00:14:46,280 --> 00:14:49,280 Speaker 3: a show that like, hey, when I get enough, I'll 295 00:14:49,760 --> 00:14:51,920 Speaker 3: get another episode out, but like you have to do 296 00:14:51,960 --> 00:14:56,400 Speaker 3: it week after week. But then I met up with Moby, 297 00:14:56,400 --> 00:14:57,840 Speaker 3: and I say that like in a way that I'm 298 00:14:57,840 --> 00:14:59,160 Speaker 3: not ever meeting up with Moby. 299 00:14:59,400 --> 00:15:00,960 Speaker 1: And this is a very rare occasion. 300 00:15:01,160 --> 00:15:03,440 Speaker 3: Occasionally Moby and I have been in the same space, 301 00:15:03,800 --> 00:15:07,120 Speaker 3: and I would say that our level of noticing each 302 00:15:07,120 --> 00:15:09,480 Speaker 3: other because we're both bald men, bald white men, and 303 00:15:09,480 --> 00:15:11,880 Speaker 3: we have a connection just in general it's bald white men. 304 00:15:12,040 --> 00:15:13,960 Speaker 3: We have a secret society that we look at each other, 305 00:15:14,000 --> 00:15:15,120 Speaker 3: we understand what we've been through. 306 00:15:15,600 --> 00:15:18,440 Speaker 2: Wait is Joe Rogan and this though, no, he's a 307 00:15:18,480 --> 00:15:19,760 Speaker 2: different one, he's a different piece. 308 00:15:20,960 --> 00:15:22,840 Speaker 1: He doesn't have a bald energy. 309 00:15:22,880 --> 00:15:24,520 Speaker 3: It's funny when you say, Joe Rogan, I don't think 310 00:15:24,520 --> 00:15:25,840 Speaker 3: of him as a bald man. I think of him 311 00:15:25,880 --> 00:15:29,440 Speaker 3: as a shaved headman. Oh a different thing. 312 00:15:29,760 --> 00:15:30,520 Speaker 2: Yeah, that's not. 313 00:15:30,600 --> 00:15:32,040 Speaker 3: I mean, he is a bald man. But I don't 314 00:15:32,120 --> 00:15:34,600 Speaker 3: I don't, mom, be curious with your audience thincts. I 315 00:15:34,640 --> 00:15:36,640 Speaker 3: don't think that people would assume that Joe Rogan is bald. 316 00:15:36,720 --> 00:15:39,120 Speaker 3: He is bald, but when you think of a pantheon 317 00:15:39,160 --> 00:15:41,360 Speaker 3: of bald men, like I don't think of the Rock 318 00:15:41,440 --> 00:15:42,000 Speaker 3: as bald. 319 00:15:42,480 --> 00:15:46,200 Speaker 2: Oh right, well, also if you get famous not bald, 320 00:15:46,360 --> 00:15:47,800 Speaker 2: I do think that that's different. 321 00:15:48,640 --> 00:15:50,920 Speaker 1: That is true. That is true, right, that's our memory 322 00:15:50,960 --> 00:15:52,480 Speaker 1: of that person. Interesting. 323 00:15:53,080 --> 00:15:57,440 Speaker 3: So that was in this interaction with Moby. I believe 324 00:15:57,440 --> 00:16:00,320 Speaker 3: it's at the wolves connection. This is the most saying. 325 00:16:00,720 --> 00:16:03,000 Speaker 3: The wolf connection is like a place where they a 326 00:16:03,000 --> 00:16:06,320 Speaker 3: lot of people I guess like adopt young wolves and 327 00:16:06,480 --> 00:16:08,360 Speaker 3: they're very cute, and then all of a sudden they 328 00:16:08,520 --> 00:16:11,400 Speaker 3: like mature and then they become incredibly violent animals that 329 00:16:11,440 --> 00:16:13,480 Speaker 3: you're not supposed to keep in an apartment. And so 330 00:16:13,560 --> 00:16:16,680 Speaker 3: they kind of rescue these wolves and they're like therapy 331 00:16:16,720 --> 00:16:18,960 Speaker 3: wolves and they're up in the mountains. I've heard about this, Yes, 332 00:16:19,000 --> 00:16:24,400 Speaker 3: A beautiful organization. But we met and I said, I 333 00:16:24,520 --> 00:16:28,320 Speaker 3: saw your episode of Tyler Henry and I guess what 334 00:16:28,360 --> 00:16:31,120 Speaker 3: I was saying was is it bullshit right? Because like 335 00:16:31,680 --> 00:16:33,360 Speaker 3: he's doing celebrities, let me let. 336 00:16:33,320 --> 00:16:33,880 Speaker 1: Me check in. 337 00:16:34,160 --> 00:16:41,040 Speaker 3: Yeah, And Moby in his episode was a skeptic and 338 00:16:41,200 --> 00:16:45,000 Speaker 3: had certain secrets that no one knew, and Tyler Henry 339 00:16:45,040 --> 00:16:47,440 Speaker 3: was able to sust the mountain. When I talked to Moby, 340 00:16:47,640 --> 00:16:50,520 Speaker 3: who was like, it was when you talk to someone 341 00:16:50,520 --> 00:16:52,960 Speaker 3: who is it's like, oh, yeah, I've had an alien encounter, 342 00:16:53,120 --> 00:16:53,960 Speaker 3: like you see on their face. 343 00:16:54,000 --> 00:16:54,640 Speaker 1: It's not a lie. 344 00:16:54,720 --> 00:16:58,600 Speaker 3: It's like it is, it's there, it's real. And that 345 00:16:58,680 --> 00:17:02,480 Speaker 3: made me believe in Tyler Henry more because then I came. 346 00:17:02,280 --> 00:17:03,800 Speaker 1: Home and I watch an episode with the kid from 347 00:17:03,840 --> 00:17:04,680 Speaker 1: Breaking Bad. 348 00:17:06,000 --> 00:17:08,240 Speaker 3: And he's like, I got nothing, got nothing for you, 349 00:17:08,359 --> 00:17:09,520 Speaker 3: And I was like, that's what I want to see. 350 00:17:09,840 --> 00:17:11,720 Speaker 2: Really he did do that, Okay that I like. 351 00:17:11,800 --> 00:17:14,720 Speaker 3: I like, I think I need enough of I got 352 00:17:14,720 --> 00:17:15,719 Speaker 3: nothing for you. 353 00:17:15,720 --> 00:17:19,720 Speaker 2: See. I do a ghost hunting show on YouTube where 354 00:17:19,760 --> 00:17:22,840 Speaker 2: I go to haunted hotel rooms and sometimes I go 355 00:17:22,880 --> 00:17:26,479 Speaker 2: to them and nothing happens, and I'm like, it's so 356 00:17:26,760 --> 00:17:32,520 Speaker 2: tempting to just be like like whatever. But I do 357 00:17:32,600 --> 00:17:35,439 Speaker 2: think it makes it way more impactful when something really 358 00:17:35,600 --> 00:17:38,399 Speaker 2: does happen that I can't explain if I if I 359 00:17:38,440 --> 00:17:39,840 Speaker 2: don't fake it, you know. 360 00:17:40,000 --> 00:17:40,679 Speaker 1: I think so. 361 00:17:40,800 --> 00:17:43,199 Speaker 3: I think you have to have the it has to 362 00:17:44,160 --> 00:17:46,199 Speaker 3: If you see it all the time, I think it 363 00:17:46,240 --> 00:17:49,800 Speaker 3: loses its luster. I think it's actually more impressive. I 364 00:17:49,840 --> 00:17:53,720 Speaker 3: think that's why magicians building fails. Like you know, it's like, oh, 365 00:17:53,720 --> 00:17:57,000 Speaker 3: he didn't get it, and then it's like, but I did. Yeah, 366 00:17:58,280 --> 00:18:01,240 Speaker 3: Like you need to have levels because sometimes when you 367 00:18:01,320 --> 00:18:05,040 Speaker 3: watch somebody that's so good, you forget, like it's like 368 00:18:05,080 --> 00:18:08,680 Speaker 3: you forget to applaud or you forget to be impressed 369 00:18:08,680 --> 00:18:10,480 Speaker 3: with it because well, I'm now I'm just watching someone 370 00:18:10,560 --> 00:18:10,960 Speaker 3: be very. 371 00:18:10,920 --> 00:18:11,280 Speaker 1: Very good. 372 00:18:11,280 --> 00:18:15,160 Speaker 3: Like I have a theory that before every Olympic event, 373 00:18:15,640 --> 00:18:19,240 Speaker 3: you need to have a normal, n shape person compete 374 00:18:19,320 --> 00:18:22,760 Speaker 3: in the town. Let me see what the normal person 375 00:18:23,040 --> 00:18:26,760 Speaker 3: could do. Yeah, and then let me be impressed by 376 00:18:26,800 --> 00:18:29,360 Speaker 3: Because I'm watching people off a diving board, I'm like, well, yeah, 377 00:18:29,400 --> 00:18:30,600 Speaker 3: these are the best in the world. 378 00:18:30,680 --> 00:18:32,200 Speaker 1: How am I knowing better or worse? 379 00:18:32,400 --> 00:18:32,800 Speaker 4: Whatever? 380 00:18:33,520 --> 00:18:36,000 Speaker 3: Give me let me get in there. Yeah, show me 381 00:18:36,040 --> 00:18:37,800 Speaker 3: a person who's good dive. I'm not saying just put 382 00:18:37,840 --> 00:18:40,800 Speaker 3: like some you know, some shmow up. There is never dove. 383 00:18:41,320 --> 00:18:44,600 Speaker 3: Give me like a fair to you know, an average 384 00:18:44,640 --> 00:18:46,560 Speaker 3: an average, give me an average diver, Give me an 385 00:18:46,600 --> 00:18:47,240 Speaker 3: average runner. 386 00:18:47,920 --> 00:18:49,239 Speaker 1: See what the average is. 387 00:18:49,640 --> 00:18:52,200 Speaker 2: That's fascinating. Yeah, they should do that with a lot 388 00:18:52,240 --> 00:18:55,720 Speaker 2: of things, like yeah, have like an opener for Broadway shows, 389 00:18:55,760 --> 00:19:00,399 Speaker 2: have like a community theater and then and then you realize, Okay, 390 00:19:00,440 --> 00:19:01,400 Speaker 2: these people are good. 391 00:19:01,520 --> 00:19:05,359 Speaker 3: That's I would love that before you go see like 392 00:19:05,880 --> 00:19:09,320 Speaker 3: a classic musical. So that's the that's before the overture. 393 00:19:09,400 --> 00:19:11,920 Speaker 3: It's just someone doing a very good job at its 394 00:19:11,920 --> 00:19:13,879 Speaker 3: like again, it's not it's not about like it's not 395 00:19:14,000 --> 00:19:16,240 Speaker 3: like watching high school production. It's like, this is probably 396 00:19:16,240 --> 00:19:18,560 Speaker 3: the best person this community theater has seen. 397 00:19:18,400 --> 00:19:21,640 Speaker 1: For twenty years. Yeah. Sure, but it's not gonna be 398 00:19:22,080 --> 00:19:23,080 Speaker 1: Patti laplon. 399 00:19:23,240 --> 00:19:27,760 Speaker 2: Fe you are I mean, imagine Patti Lapone and Sylvia Brown. Oh, 400 00:19:27,800 --> 00:19:29,119 Speaker 2: they would have been prayed together. 401 00:19:29,280 --> 00:19:31,160 Speaker 1: She should play her and then musical. 402 00:19:31,400 --> 00:19:35,440 Speaker 2: That's not a bad idea, Like that Sylvia the musical. 403 00:19:35,480 --> 00:19:38,320 Speaker 3: And that she does interactions with the audience, and then 404 00:19:38,359 --> 00:19:40,560 Speaker 3: we have Patty like improvising with the audience. 405 00:19:40,560 --> 00:19:42,800 Speaker 2: Well she does that anyway, whether it's in the script 406 00:19:42,880 --> 00:19:43,080 Speaker 2: or not. 407 00:19:45,320 --> 00:19:47,879 Speaker 1: Way I took you way off, and I apologize for 408 00:19:47,920 --> 00:19:48,280 Speaker 1: all of them. 409 00:19:48,320 --> 00:19:55,280 Speaker 2: No, it's it's good. This is a good problem to have. Okay, 410 00:19:55,359 --> 00:19:58,520 Speaker 2: what I was gonna say about Tyler Henry is I 411 00:19:58,600 --> 00:20:04,080 Speaker 2: also from hearing people firsthand, like your experience with MOBI. 412 00:20:04,400 --> 00:20:07,080 Speaker 2: I've talked to several people on this show and just 413 00:20:07,160 --> 00:20:10,000 Speaker 2: in life. Trust me, anytime I meet someone that I knows, 414 00:20:10,000 --> 00:20:12,359 Speaker 2: ben to Tyler Henry, if I'm at a party or something, 415 00:20:12,400 --> 00:20:13,800 Speaker 2: I'm like, tell me about. 416 00:20:13,560 --> 00:20:15,800 Speaker 1: It, be line over to it. I want to hear 417 00:20:15,840 --> 00:20:16,280 Speaker 1: the whole thing. 418 00:20:16,359 --> 00:20:20,520 Speaker 2: And they tell me, yeah, of course, it's longer, right. 419 00:20:20,600 --> 00:20:22,639 Speaker 2: And this is the thing. I did a show with 420 00:20:23,119 --> 00:20:27,960 Speaker 2: three psychics, and I remember thinking, like, it's such a 421 00:20:27,960 --> 00:20:30,320 Speaker 2: bummer because a show, a TV show, you know, it 422 00:20:30,320 --> 00:20:33,040 Speaker 2: has to be forty three minutes or whatever, and so 423 00:20:33,760 --> 00:20:36,359 Speaker 2: you're only going to see the highlights. So if people 424 00:20:36,440 --> 00:20:39,600 Speaker 2: were to go to these people for a session afterwards, 425 00:20:39,640 --> 00:20:43,919 Speaker 2: they're going to be like, on TV, it's right, right, right, right, 426 00:20:44,040 --> 00:20:48,040 Speaker 2: But like in reality, it's longer and there's some misses, 427 00:20:48,200 --> 00:20:52,200 Speaker 2: you know, they have to throw. I have a very 428 00:20:52,480 --> 00:20:56,120 Speaker 2: strong belief that no psychic is one hundred percent right 429 00:20:56,160 --> 00:20:58,919 Speaker 2: all the time. If they were, they would you know, 430 00:20:59,119 --> 00:21:01,440 Speaker 2: they'd rule the world. They'd be are right. 431 00:21:01,480 --> 00:21:04,440 Speaker 3: Well, I think it's a it's an interesting thing because 432 00:21:04,640 --> 00:21:08,680 Speaker 3: you want to I think that the want to get 433 00:21:08,800 --> 00:21:11,879 Speaker 3: connection is strong. And I think that we are in 434 00:21:11,920 --> 00:21:14,840 Speaker 3: a world, you know, I'm a I like entered into 435 00:21:14,880 --> 00:21:18,639 Speaker 3: this like performance space through improv. And improv is the 436 00:21:18,680 --> 00:21:20,879 Speaker 3: whole idea of like the root of it is like 437 00:21:20,960 --> 00:21:23,960 Speaker 3: yes and right, whatever you say, I'm saying yes to 438 00:21:24,080 --> 00:21:25,720 Speaker 3: and I'm adding to it and I. 439 00:21:25,840 --> 00:21:30,640 Speaker 2: And that's Sylvia. Sylvia has good improv. 440 00:21:30,720 --> 00:21:32,120 Speaker 1: Oh, she's a great at improv. 441 00:21:32,240 --> 00:21:34,879 Speaker 3: And here's what I will say about Sylvia that I 442 00:21:34,920 --> 00:21:38,320 Speaker 3: love is that she is quick, I mean, which is 443 00:21:38,359 --> 00:21:41,840 Speaker 3: the best part, but also doesn't waiver. Like there's a 444 00:21:41,920 --> 00:21:46,040 Speaker 3: thing where a woman was like my father called from 445 00:21:46,040 --> 00:21:49,280 Speaker 3: an airport. He was in Miami, and you know, and 446 00:21:49,640 --> 00:21:51,440 Speaker 3: he he said he was coming home. But then he 447 00:21:51,520 --> 00:21:53,400 Speaker 3: never came home. And we've we've searched and we can't 448 00:21:53,440 --> 00:21:55,560 Speaker 3: find him, and you know, and where is he And 449 00:21:55,560 --> 00:21:59,560 Speaker 3: he's like, he's alive. He's in Minnesota. And next and 450 00:21:59,560 --> 00:22:01,600 Speaker 3: then and she goes and then like the host like 451 00:22:01,680 --> 00:22:04,880 Speaker 3: does that make sense? And the woman goes no, and 452 00:22:04,920 --> 00:22:07,399 Speaker 3: it's like, but yeah, but I think like, and she 453 00:22:07,440 --> 00:22:09,320 Speaker 3: doesn't give that much time to follow up, you know, 454 00:22:09,359 --> 00:22:10,080 Speaker 3: so I feel like. 455 00:22:10,200 --> 00:22:13,000 Speaker 2: She makes choices, strong choices. 456 00:22:13,119 --> 00:22:17,480 Speaker 3: I I sometimes I coach and sometimes referee my kids 457 00:22:17,600 --> 00:22:22,560 Speaker 3: soccer games, and my rule whenever I talk to a 458 00:22:22,640 --> 00:22:24,600 Speaker 3: ref that's coming in like, oh, I'm so nervous, I'm like, 459 00:22:24,880 --> 00:22:29,080 Speaker 3: don't be nervous. Just be quick with your decision and 460 00:22:29,200 --> 00:22:32,040 Speaker 3: that's it and move on, because it's like the minute 461 00:22:32,080 --> 00:22:34,119 Speaker 3: you hesitate, like that was out of bounds or that 462 00:22:34,200 --> 00:22:36,280 Speaker 3: was you made a decision and you go And I 463 00:22:36,280 --> 00:22:38,520 Speaker 3: feel like there it's a good life lesson to be like, 464 00:22:38,920 --> 00:22:42,520 Speaker 3: I made it. I'm not wavering. Let's move forward. Sure, 465 00:22:42,760 --> 00:22:44,199 Speaker 3: it's like, you know, it's the only way to be, 466 00:22:45,160 --> 00:22:47,480 Speaker 3: but yeah, Tyler Henry And that's but I also feel 467 00:22:47,480 --> 00:22:50,399 Speaker 3: like people want to hear, they want to connect, and 468 00:22:50,440 --> 00:22:53,480 Speaker 3: when you go to the show, obviously it's like you. 469 00:22:53,240 --> 00:22:54,960 Speaker 1: You don't want to do the hits right. 470 00:22:55,000 --> 00:22:56,520 Speaker 3: You want to like, you know, you want to be 471 00:22:56,560 --> 00:22:58,840 Speaker 3: like hopefully he's somebody is trying to get to me. 472 00:22:59,359 --> 00:23:02,480 Speaker 3: And I watch this, you know, I watched this happen 473 00:23:03,160 --> 00:23:05,720 Speaker 3: where you know he's doing his thing. He's like, I 474 00:23:05,760 --> 00:23:07,919 Speaker 3: see this person. It's a truck driver. It's a this 475 00:23:08,320 --> 00:23:10,199 Speaker 3: you know. People are standing up, so it's almost like 476 00:23:10,560 --> 00:23:13,560 Speaker 3: he's whack a mulling them down like okay, but they're 477 00:23:13,600 --> 00:23:15,720 Speaker 3: like you sit. 478 00:23:15,680 --> 00:23:18,320 Speaker 2: When they're like, oh, I know a truck driver, right. 479 00:23:18,080 --> 00:23:18,400 Speaker 1: And it's. 480 00:23:20,080 --> 00:23:23,160 Speaker 3: And it normally gets down to about three, and that 481 00:23:23,359 --> 00:23:26,720 Speaker 3: is when it gets really specific and goes and for 482 00:23:26,760 --> 00:23:28,880 Speaker 3: a while that the two are up there and then 483 00:23:29,160 --> 00:23:31,040 Speaker 3: and then one, and then it gets down to one. 484 00:23:31,840 --> 00:23:33,479 Speaker 1: At least that's the way of that. I'm remembering it. 485 00:23:33,720 --> 00:23:37,320 Speaker 3: And there's a moment where there were two and they 486 00:23:37,359 --> 00:23:39,280 Speaker 3: were both kind of fighting. Know it's me, it's me, 487 00:23:39,359 --> 00:23:43,840 Speaker 3: it's me, and and Tyler deb it's actually not you, 488 00:23:44,320 --> 00:23:47,240 Speaker 3: it's that other person. And he was wonderful with the person. 489 00:23:47,320 --> 00:23:49,720 Speaker 3: He's like, I know you're upset. I know, and I'm 490 00:23:49,800 --> 00:23:51,920 Speaker 3: just not it's not it's not for you. It's not 491 00:23:52,119 --> 00:23:53,200 Speaker 3: it's not coming for you. 492 00:23:53,240 --> 00:23:53,480 Speaker 1: See. 493 00:23:53,480 --> 00:23:56,720 Speaker 2: That's what bums me out is that my people never 494 00:23:56,800 --> 00:23:58,919 Speaker 2: want to talk to a psychic. I go to so 495 00:23:59,000 --> 00:24:03,320 Speaker 2: many psychics and I'm like, where's my relatives. They're like 496 00:24:05,480 --> 00:24:07,320 Speaker 2: they said, bye, Well, this is. 497 00:24:07,440 --> 00:24:10,399 Speaker 3: My whole thing is I don't like terrat cards. I 498 00:24:10,440 --> 00:24:13,600 Speaker 3: don't like psychics. I believe in ghosts, I can believe 499 00:24:13,600 --> 00:24:15,120 Speaker 3: in aliens, I can do all this sort of stuff. 500 00:24:15,200 --> 00:24:19,200 Speaker 3: But psychics scare me because I I don't want to 501 00:24:19,240 --> 00:24:22,840 Speaker 3: be told something that will get in my head in 502 00:24:22,880 --> 00:24:25,960 Speaker 3: the wrong way, right, yeah, and I and I and 503 00:24:25,960 --> 00:24:29,760 Speaker 3: and not that I'm susceptible, but you know, maybe it's true. 504 00:24:29,800 --> 00:24:30,560 Speaker 1: Maybe it's true, you know. 505 00:24:30,560 --> 00:24:35,240 Speaker 3: I remember like at one point my mom had seen 506 00:24:35,280 --> 00:24:38,880 Speaker 3: a psychic and she came back and she said, oh, 507 00:24:38,920 --> 00:24:39,640 Speaker 3: psychic said that. 508 00:24:39,600 --> 00:24:40,320 Speaker 1: You're going to be. 509 00:24:41,760 --> 00:24:43,320 Speaker 3: You're gonna be writing a lot, and you're going to 510 00:24:43,400 --> 00:24:48,720 Speaker 3: be on airplanes a lot. And even that it's vague, right, 511 00:24:49,000 --> 00:24:54,440 Speaker 3: I'm writing, I'm on airplanes, two things that are true. Ish, Well, yeah, 512 00:24:54,480 --> 00:24:56,520 Speaker 3: they both are true there, But I. 513 00:24:56,440 --> 00:25:01,600 Speaker 1: Hate it even being funneled into like any kind of bracket. 514 00:25:01,760 --> 00:25:04,200 Speaker 3: I felt like it took away my own free will 515 00:25:04,280 --> 00:25:06,399 Speaker 3: and not and not that because it's like it's in 516 00:25:06,440 --> 00:25:09,800 Speaker 3: my head. Well tell me I was gonna write and 517 00:25:09,800 --> 00:25:11,479 Speaker 3: be on planes. I guess, yeah, you know, and then 518 00:25:11,520 --> 00:25:13,359 Speaker 3: you're fighting. And that's what I think. I have that 519 00:25:13,520 --> 00:25:17,239 Speaker 3: issue with making like goal oriented lists for me. I'm 520 00:25:17,240 --> 00:25:20,880 Speaker 3: like my goal oriented lists are less about specific things, 521 00:25:20,880 --> 00:25:23,359 Speaker 3: are more about general things. Okay, I mean that's at 522 00:25:23,400 --> 00:25:25,119 Speaker 3: least I don't know. How do you feel about that? 523 00:25:25,160 --> 00:25:27,080 Speaker 3: Do you want to be told like you're on the 524 00:25:27,160 --> 00:25:29,080 Speaker 3: right path, You're not on the right path. 525 00:25:30,080 --> 00:25:33,840 Speaker 2: I've been to psychics so many times. Yeah, mainly because 526 00:25:33,880 --> 00:25:35,800 Speaker 2: I need something to talk about. I've been doing this 527 00:25:35,920 --> 00:25:39,440 Speaker 2: one for six seven years. I got I gotta talk 528 00:25:39,440 --> 00:25:41,679 Speaker 2: about some Yeah, So I go to these psychics all 529 00:25:41,680 --> 00:25:45,959 Speaker 2: the time. And yeah, part of part of what I 530 00:25:46,000 --> 00:25:49,480 Speaker 2: want is like when I have gone before where I'm 531 00:25:49,720 --> 00:25:51,600 Speaker 2: first of all, never gone when I'm in a great 532 00:25:51,640 --> 00:25:52,800 Speaker 2: place of life. 533 00:25:52,520 --> 00:25:54,880 Speaker 1: Right, oh, right, there you go, right, of course you want. Yeah, 534 00:25:54,880 --> 00:25:56,320 Speaker 1: there you're wrestling with something. 535 00:25:56,160 --> 00:25:58,800 Speaker 2: And I'll go to them and I'm just like what 536 00:25:58,920 --> 00:26:01,960 Speaker 2: should I do? Like I've gone a few times where 537 00:26:01,960 --> 00:26:05,639 Speaker 2: I'm like up for a job and I'm and you know, 538 00:26:05,720 --> 00:26:10,159 Speaker 2: those things are so there's there's so many opportunities. I 539 00:26:10,160 --> 00:26:12,280 Speaker 2: don't like to ever be like this is if this 540 00:26:12,359 --> 00:26:15,360 Speaker 2: one doesn't happen, my life's over. Like I definitely don't 541 00:26:15,359 --> 00:26:17,840 Speaker 2: feel that way, but I'm sometimes I'm just like, am 542 00:26:17,880 --> 00:26:19,760 Speaker 2: I getting her or not? Because I got other plans? 543 00:26:20,040 --> 00:26:21,760 Speaker 1: Right, I need to make some choices. 544 00:26:21,920 --> 00:26:23,879 Speaker 2: Yeah, I got Yeah, I need to I need to 545 00:26:23,920 --> 00:26:26,480 Speaker 2: take this other thing or whatever. So I've got the 546 00:26:26,480 --> 00:26:29,960 Speaker 2: psychics before and they'll just be like, no, you're not 547 00:26:30,000 --> 00:26:32,200 Speaker 2: going to get it or whatever, and then I'm like, okay, great, 548 00:26:32,200 --> 00:26:34,719 Speaker 2: then I'm gonna stop stressing about it. However, I went 549 00:26:34,760 --> 00:26:37,960 Speaker 2: to a very famous psychic one time and I did 550 00:26:38,000 --> 00:26:39,800 Speaker 2: that exact same thing, and she said, you're not going 551 00:26:39,880 --> 00:26:41,760 Speaker 2: to get it, and I did, Well. 552 00:26:41,600 --> 00:26:42,240 Speaker 1: That's the thing. 553 00:26:42,320 --> 00:26:46,000 Speaker 3: Now, can I going back to your first question about vibes, right, 554 00:26:46,080 --> 00:26:49,159 Speaker 3: and vibes of ghosts or vibes of people, do you 555 00:26:49,400 --> 00:26:52,199 Speaker 3: think that on some level? Well, I guess I have 556 00:26:52,200 --> 00:26:54,919 Speaker 3: two questions for you. Number one, do you think that 557 00:26:54,960 --> 00:26:58,359 Speaker 3: everybody that you've gone to has the ability? I think 558 00:26:58,400 --> 00:27:02,159 Speaker 3: everyone does ire with that, yeah, And I guess the 559 00:27:02,240 --> 00:27:06,240 Speaker 3: question is what you're bringing into that meeting. I think 560 00:27:06,280 --> 00:27:09,440 Speaker 3: part of it is about reading people. And I don't 561 00:27:09,440 --> 00:27:11,600 Speaker 3: think that I'm not saying that to undercut that they 562 00:27:11,760 --> 00:27:14,040 Speaker 3: can see something, but it is about like where you're 563 00:27:14,080 --> 00:27:16,960 Speaker 3: carrying yourself, Like if you felt like I am not 564 00:27:17,000 --> 00:27:19,440 Speaker 3: going to get this job, or I don't feel good 565 00:27:19,520 --> 00:27:22,280 Speaker 3: about this, or I'm concerned about this. They're almost reading 566 00:27:22,320 --> 00:27:24,159 Speaker 3: that to be like, you're not going to get it 567 00:27:24,200 --> 00:27:26,840 Speaker 3: because you're almost you're almost shading it. 568 00:27:26,880 --> 00:27:28,679 Speaker 1: In that way. It's like when you carry yourself in 569 00:27:28,720 --> 00:27:30,800 Speaker 1: a certain way. That's my thought. 570 00:27:30,840 --> 00:27:32,480 Speaker 3: And so I think that some psychics may be really 571 00:27:32,480 --> 00:27:35,320 Speaker 3: good at reading people. Some psychics may be really good 572 00:27:35,320 --> 00:27:38,320 Speaker 3: at reading the future. Now, my wife went to a 573 00:27:38,359 --> 00:27:42,560 Speaker 3: psychic who like predicted something about my book that came true. 574 00:27:42,560 --> 00:27:46,280 Speaker 3: But again it was it was funneled, it was funneled around. 575 00:27:46,600 --> 00:27:49,280 Speaker 3: It wasn't asked about it. It came in a different direction. 576 00:27:49,440 --> 00:27:51,280 Speaker 2: See, if a say did that to me. 577 00:27:51,680 --> 00:27:53,520 Speaker 1: You'd be like, stick to the script here, it's about 578 00:27:53,600 --> 00:27:54,000 Speaker 1: me and you. 579 00:27:54,080 --> 00:27:56,400 Speaker 2: Oh I've had that. I've had a problem before where 580 00:27:56,440 --> 00:27:58,439 Speaker 2: a psychic that just want to talk about other stuff 581 00:27:58,600 --> 00:28:00,080 Speaker 2: and I'm like, babe, it's. 582 00:28:00,080 --> 00:28:02,000 Speaker 1: By the menut right yeah yeah yeah no. 583 00:28:02,119 --> 00:28:03,800 Speaker 2: But to me, I think I'm gonna start doing this 584 00:28:03,840 --> 00:28:05,000 Speaker 2: to people. I'm gonna be like I went to a 585 00:28:05,000 --> 00:28:06,760 Speaker 2: psych it she tell me something about you. 586 00:28:06,920 --> 00:28:09,560 Speaker 1: Five bucks, that's what you need you need to I 587 00:28:09,600 --> 00:28:10,520 Speaker 1: need to get it back. 588 00:28:11,000 --> 00:28:11,480 Speaker 2: Pay off. 589 00:28:11,560 --> 00:28:14,280 Speaker 1: Yeah, I paid you a minute that was your you're 590 00:28:14,280 --> 00:28:15,280 Speaker 1: paying for their minute. 591 00:28:15,680 --> 00:28:17,840 Speaker 2: But I want to go way back to answer your 592 00:28:17,880 --> 00:28:24,320 Speaker 2: question about the bachelorette parties. Uh, ghost hunters, which, by 593 00:28:24,320 --> 00:28:26,439 Speaker 2: the way, I should do bachelorette parties. I'm adding that 594 00:28:26,480 --> 00:28:26,760 Speaker 2: to my. 595 00:28:27,119 --> 00:28:27,840 Speaker 1: It would be great. 596 00:28:27,840 --> 00:28:30,280 Speaker 3: And it was so much fun because like, like we 597 00:28:30,280 --> 00:28:32,040 Speaker 3: were trying to be like, what would be a fun 598 00:28:32,080 --> 00:28:34,960 Speaker 3: thing that doesn't make anybody feel bad, like you know, 599 00:28:34,960 --> 00:28:37,119 Speaker 3: it's we just want to like have a nice time. 600 00:28:37,640 --> 00:28:40,680 Speaker 3: And it was fun. It was fun in a weird way. 601 00:28:40,720 --> 00:28:42,840 Speaker 3: It was like a great like. It was a great like. Uh, 602 00:28:43,480 --> 00:28:45,800 Speaker 3: it made the whole weekend a blast. That was a 603 00:28:45,800 --> 00:28:47,920 Speaker 3: weird thing that happened. Yeah, there was also pools and 604 00:28:47,920 --> 00:28:49,800 Speaker 3: we had a great time and good dinners and whatever. 605 00:28:50,040 --> 00:28:53,240 Speaker 2: Now what if you would have conjured up some ghost strippers? 606 00:28:53,760 --> 00:28:56,840 Speaker 3: Well that you know, she really felt the pressure to 607 00:28:56,960 --> 00:28:59,160 Speaker 3: be at the bachelorette party, so she was trying to 608 00:28:59,240 --> 00:29:03,240 Speaker 3: like lean into I am, hey, we're gonna do stripper stuff, 609 00:29:03,320 --> 00:29:05,000 Speaker 3: and we're like, oh no, no, you don't. 610 00:29:05,160 --> 00:29:06,600 Speaker 1: They don't have to wait. 611 00:29:06,640 --> 00:29:08,640 Speaker 2: She won't hire a ghost center to start stripping. 612 00:29:08,720 --> 00:29:10,280 Speaker 3: Well, she was like, I got the whip cream or 613 00:29:10,680 --> 00:29:14,080 Speaker 3: no bits, no bits please? You know, we didn't need 614 00:29:14,080 --> 00:29:16,200 Speaker 3: the bit because she with her son like. 615 00:29:17,840 --> 00:29:18,160 Speaker 1: It was. 616 00:29:18,200 --> 00:29:21,520 Speaker 3: It was all she was in good fun trying to 617 00:29:21,520 --> 00:29:23,840 Speaker 3: do it. But it was like, yeah, now go strippers. 618 00:29:24,000 --> 00:29:26,040 Speaker 3: Well I guess do you believe that like objects like 619 00:29:26,160 --> 00:29:26,760 Speaker 3: this object? 620 00:29:26,800 --> 00:29:26,920 Speaker 2: Right? 621 00:29:27,080 --> 00:29:33,200 Speaker 3: This could like could this ant be Anna build? Oh yeah, okay, 622 00:29:33,200 --> 00:29:33,840 Speaker 3: see you think so? 623 00:29:34,000 --> 00:29:34,280 Speaker 1: All right? 624 00:29:34,680 --> 00:29:39,200 Speaker 3: See I So I bumped into Matt Rife and be 625 00:29:39,400 --> 00:29:40,120 Speaker 3: lined to him. 626 00:29:40,120 --> 00:29:42,880 Speaker 2: I don't know it Annabel or he bought? What did 627 00:29:42,880 --> 00:29:45,960 Speaker 2: he buy? You know, he's like her guardian. 628 00:29:46,400 --> 00:29:49,880 Speaker 3: Well he bought the house with all the objects in it, 629 00:29:49,960 --> 00:29:53,920 Speaker 3: the you know, the what could go wrong? So again 630 00:29:54,440 --> 00:29:56,560 Speaker 3: be lined right up to him, like this is what 631 00:29:56,640 --> 00:29:59,240 Speaker 3: I will tell you why. It was my introductory question. 632 00:29:59,720 --> 00:30:02,240 Speaker 3: I was like, are you touching that thing? Are you 633 00:30:02,360 --> 00:30:05,400 Speaker 3: like fucking with Annabel? Like I But I didn't say that. 634 00:30:05,400 --> 00:30:06,880 Speaker 3: That wasn't my entry point, but it was like that 635 00:30:06,960 --> 00:30:11,000 Speaker 3: was my thought, like do you respect Annabel enough like 636 00:30:11,080 --> 00:30:13,920 Speaker 3: to have this responsible it's a huge responsibility if if 637 00:30:13,960 --> 00:30:17,160 Speaker 3: Annabel is she's a big star, giant star, and she 638 00:30:17,360 --> 00:30:20,360 Speaker 3: needs a guardian, I mean, she needs a proper guardian. 639 00:30:20,880 --> 00:30:23,360 Speaker 3: And everyone who's been involved with Annabel has reached an 640 00:30:23,440 --> 00:30:26,600 Speaker 3: untimely demise, you know, So these are questions I needed 641 00:30:26,600 --> 00:30:28,760 Speaker 3: to ask, and I will tell you that again. Like 642 00:30:28,800 --> 00:30:33,760 Speaker 3: that person I spoke to you, Moby uh, you see 643 00:30:33,800 --> 00:30:37,640 Speaker 3: it in their eyes he had a respect for Annabel. 644 00:30:37,720 --> 00:30:39,760 Speaker 3: I mean it's also he's also doing ghost other stuff. 645 00:30:39,760 --> 00:30:43,520 Speaker 3: He's doing a lot of good and that's where I'm like, good, now, 646 00:30:43,560 --> 00:30:45,920 Speaker 3: I'm more on board. You gotta respect for You're not 647 00:30:46,080 --> 00:30:47,280 Speaker 3: You're not opening up that case. 648 00:30:47,600 --> 00:30:48,680 Speaker 1: Good all right now? 649 00:30:48,680 --> 00:30:50,400 Speaker 2: But can Annabel do crowd work? 650 00:30:51,200 --> 00:30:54,880 Speaker 1: I mean that's we'll see. I mean, here's a thing. 651 00:30:55,720 --> 00:30:58,920 Speaker 3: You should come to the show with good things because 652 00:30:59,120 --> 00:31:01,600 Speaker 3: Annabel might come out after you. Now is Annabel like 653 00:31:01,640 --> 00:31:02,040 Speaker 3: trying to. 654 00:31:02,080 --> 00:31:04,680 Speaker 2: She's back backstage being like you butter not right. 655 00:31:04,960 --> 00:31:08,320 Speaker 3: Anyone who like fucks up this set? Is Annabel protecting 656 00:31:08,320 --> 00:31:11,960 Speaker 3: the owner. I would think that potentially don't wrong, don't wrong, 657 00:31:12,040 --> 00:31:15,040 Speaker 3: Matt and or the Wrath. 658 00:31:15,200 --> 00:31:17,080 Speaker 1: That's a scary Annabel. 659 00:31:19,520 --> 00:31:24,800 Speaker 2: Yeah. Well, so do humans have ghosts that stick around 660 00:31:24,800 --> 00:31:27,200 Speaker 2: with them? I think a lot of people say yes there. 661 00:31:27,240 --> 00:31:29,520 Speaker 2: But there is a Sylvia Brown clip where a woman 662 00:31:29,920 --> 00:31:32,840 Speaker 2: is very sincere and she's like, I keep feeling like 663 00:31:32,880 --> 00:31:35,960 Speaker 2: there's like someone inside of me, and she's like going 664 00:31:35,960 --> 00:31:38,720 Speaker 2: on and on about this, hoping that Syvia is gonna 665 00:31:38,720 --> 00:31:41,640 Speaker 2: be like, yes, there's a person in you or whatever, 666 00:31:42,120 --> 00:31:46,440 Speaker 2: and Sovia just goes that doesn't happen to people. She goes, 667 00:31:46,520 --> 00:31:48,720 Speaker 2: you need to go to a specialist. 668 00:31:48,680 --> 00:31:51,520 Speaker 3: You see, Like in a weird way, I think that 669 00:31:51,560 --> 00:31:54,120 Speaker 3: she's right, that's probably the best advice that this person needs, 670 00:31:54,600 --> 00:31:55,640 Speaker 3: maybe therapy. 671 00:31:56,480 --> 00:31:59,320 Speaker 2: What is this ghost story I heard that you have 672 00:31:59,480 --> 00:32:01,480 Speaker 2: from a from childhood? 673 00:32:01,920 --> 00:32:04,800 Speaker 3: So you know, it's always interesting. Did I see a ghost? 674 00:32:04,800 --> 00:32:08,239 Speaker 3: Have I had ghostly interactions? And I feel like you 675 00:32:08,240 --> 00:32:11,160 Speaker 3: know very much. You know I'm coming to you. Obviously 676 00:32:11,160 --> 00:32:14,160 Speaker 3: you have a lot of experience in this field. But 677 00:32:14,240 --> 00:32:19,040 Speaker 3: I remember this thing so vividly, so clearly, and has 678 00:32:19,040 --> 00:32:21,240 Speaker 3: a two part to it. When I was a kid, 679 00:32:21,280 --> 00:32:23,840 Speaker 3: I love camping out. I loved like camping out to 680 00:32:23,880 --> 00:32:25,320 Speaker 3: me was like I'm going to sleep in the living room. 681 00:32:25,320 --> 00:32:27,880 Speaker 3: I'm going to sleep over here, sleeping out wherever it was, 682 00:32:27,960 --> 00:32:31,320 Speaker 3: but primarily in the house. It wasn't like camping outside. 683 00:32:31,360 --> 00:32:33,080 Speaker 3: It was camping out in that I'm going to set 684 00:32:33,160 --> 00:32:36,400 Speaker 3: up a bed over here. And so one night, in 685 00:32:36,440 --> 00:32:38,640 Speaker 3: the many camp outs I did my own house, I 686 00:32:38,720 --> 00:32:41,680 Speaker 3: set up a sleeping bag in the hallway. Now there 687 00:32:41,720 --> 00:32:45,880 Speaker 3: was a hallway that was leading to my room, and 688 00:32:45,920 --> 00:32:48,760 Speaker 3: on the other end of the hallway was my parents' room. 689 00:32:48,920 --> 00:32:52,440 Speaker 3: No one would ever walk through that hallway because you'd 690 00:32:52,480 --> 00:32:54,479 Speaker 3: only be going to my room. That would be it. 691 00:32:54,560 --> 00:32:56,400 Speaker 3: And I didn't have any brothers or sisters. I just 692 00:32:56,400 --> 00:33:00,760 Speaker 3: had my mom, my stepdad, and and me. 693 00:33:00,960 --> 00:33:01,200 Speaker 1: That was it. 694 00:33:01,320 --> 00:33:04,120 Speaker 3: That was the house. And I'm out camping out in 695 00:33:04,160 --> 00:33:07,080 Speaker 3: the hallway. And I woke up and I see this 696 00:33:07,520 --> 00:33:13,080 Speaker 3: image that was from my feet above me, and it 697 00:33:13,160 --> 00:33:19,200 Speaker 3: was very very peaceful, just looking down on me. And 698 00:33:19,400 --> 00:33:20,200 Speaker 3: I saw a face. 699 00:33:20,400 --> 00:33:23,719 Speaker 1: It was a woman's face. It was a blue aura. 700 00:33:24,040 --> 00:33:26,920 Speaker 3: And I'm gonna save some of this and then and 701 00:33:27,040 --> 00:33:29,600 Speaker 3: white and she was like draped in like a white thing. 702 00:33:29,680 --> 00:33:32,600 Speaker 3: I guess the closest example I could give you to 703 00:33:32,640 --> 00:33:35,720 Speaker 3: what she looked like was like Roman Catholic versions of 704 00:33:35,760 --> 00:33:40,440 Speaker 3: like Mary like that. So like that kind of an image, 705 00:33:40,520 --> 00:33:43,840 Speaker 3: and I just opened my eyes. I didn't freak out. 706 00:33:43,880 --> 00:33:48,320 Speaker 3: I wasn't afraid. I felt very peaceful, and we just 707 00:33:48,360 --> 00:33:52,160 Speaker 3: sat there or I laid there as she was over me, 708 00:33:52,760 --> 00:33:57,360 Speaker 3: and we just were in that moment. And then I 709 00:33:57,440 --> 00:34:00,560 Speaker 3: like kind of rose to just get up, not again, 710 00:34:00,640 --> 00:34:01,960 Speaker 3: not out of afraid, but I don't even know if 711 00:34:02,000 --> 00:34:03,400 Speaker 3: it was to touch or whatever. It was just to 712 00:34:03,480 --> 00:34:07,880 Speaker 3: kind of like see and then disappeared. And that image, 713 00:34:07,920 --> 00:34:10,560 Speaker 3: that image of that face, that image of has been 714 00:34:10,800 --> 00:34:12,799 Speaker 3: with me. And I guess you can say, oh, well 715 00:34:12,840 --> 00:34:15,040 Speaker 3: sleep or this whatever, that image has been with me 716 00:34:15,080 --> 00:34:16,040 Speaker 3: for a very very long time. 717 00:34:16,280 --> 00:34:16,440 Speaker 1: Now. 718 00:34:16,480 --> 00:34:20,920 Speaker 3: I'm talking about probably twenty five to thirty years later. 719 00:34:21,480 --> 00:34:26,439 Speaker 3: I'm on set for what I was shooting NTSFSDSUV, which 720 00:34:26,440 --> 00:34:27,719 Speaker 3: is this adult swim show that I did for a 721 00:34:27,760 --> 00:34:30,600 Speaker 3: couple of years that I created, which had an amazing cast, 722 00:34:30,640 --> 00:34:35,200 Speaker 3: great people. And this grip comes by and the script 723 00:34:35,640 --> 00:34:38,759 Speaker 3: was not always on the show, but sometimes on the. 724 00:34:38,680 --> 00:34:42,440 Speaker 1: Show, and he said to me, He's like, I can 725 00:34:42,520 --> 00:34:45,560 Speaker 1: ask you a question. Yeah, He's like, you believe in ghosts? 726 00:34:45,880 --> 00:34:47,960 Speaker 1: And I said I do. Actually, you know, I don't 727 00:34:47,960 --> 00:34:49,319 Speaker 1: have much experience with it, but I do. 728 00:34:49,360 --> 00:34:52,480 Speaker 3: And he goes, did you ever see and he describes 729 00:34:52,960 --> 00:34:56,520 Speaker 3: this image he and I go, oh my god, I've 730 00:34:56,560 --> 00:34:58,680 Speaker 3: never talked about this image. I never said it. It's 731 00:34:58,719 --> 00:35:03,319 Speaker 3: like this woman in blue and with white and described 732 00:35:03,520 --> 00:35:08,000 Speaker 3: this image perfectly me and I go, yeah, what what 733 00:35:08,000 --> 00:35:09,600 Speaker 3: do you mean. It's like, well, she's right here. 734 00:35:09,880 --> 00:35:11,160 Speaker 2: And I was like, she was on set. 735 00:35:11,320 --> 00:35:11,799 Speaker 1: She was on. 736 00:35:11,800 --> 00:35:14,440 Speaker 3: Set, and I was like, what, He's like, Yeah, I 737 00:35:14,520 --> 00:35:17,000 Speaker 3: just I'm He's like, I I feel like I have 738 00:35:17,120 --> 00:35:23,239 Speaker 3: this mpath thing. I see it what you saw, and yeah, 739 00:35:23,239 --> 00:35:25,960 Speaker 3: I just wanted to tell you that she's here. Now 740 00:35:26,480 --> 00:35:29,319 Speaker 3: that I can only say, No money was exchanged, No 741 00:35:29,480 --> 00:35:32,040 Speaker 3: I wasn't. This wasn't a part of a larger conversation. Yeah, 742 00:35:32,120 --> 00:35:37,399 Speaker 3: he saw the image that I saw. It blew my mind. 743 00:35:37,560 --> 00:35:40,040 Speaker 2: So is this woman always with you? You think? 744 00:35:40,200 --> 00:35:42,440 Speaker 1: I wonder? I wonder now because I. 745 00:35:42,400 --> 00:35:45,000 Speaker 2: Was wondering who that lady is, I thought publish this. 746 00:35:45,640 --> 00:35:49,680 Speaker 3: So that's to me the closest I've come to something. 747 00:35:49,719 --> 00:35:52,239 Speaker 3: And I feel like the version of it from a 748 00:35:52,360 --> 00:35:54,799 Speaker 3: kid was interesting, and I'm sure you could write that 749 00:35:54,840 --> 00:35:58,480 Speaker 3: off in a million different ways. But the kicker of 750 00:35:58,520 --> 00:36:03,799 Speaker 3: it is this almost stranger describing something that I'd never said, 751 00:36:04,480 --> 00:36:07,399 Speaker 3: and like maybe to a handful of people. 752 00:36:07,560 --> 00:36:09,960 Speaker 2: You never said it in your years of podcast, ever, 753 00:36:10,080 --> 00:36:13,480 Speaker 2: I don't talk about it. So do you think that 754 00:36:13,480 --> 00:36:16,680 Speaker 2: that house was haunted or do you think was the 755 00:36:16,680 --> 00:36:17,959 Speaker 2: ghost attached to you? 756 00:36:18,400 --> 00:36:20,480 Speaker 3: Well, that's the question that I think I'm trying to 757 00:36:20,520 --> 00:36:24,359 Speaker 3: wrestle with, Like it's not of anyone in my life 758 00:36:24,440 --> 00:36:27,640 Speaker 3: that I can imagine at that point in my life. 759 00:36:28,280 --> 00:36:30,920 Speaker 3: You know, my parents are alive, they're show live now. 760 00:36:31,480 --> 00:36:33,120 Speaker 3: My grandparents were alive. 761 00:36:33,680 --> 00:36:36,439 Speaker 2: Did you ever ask any of them about this? Yeah? 762 00:36:36,600 --> 00:36:40,520 Speaker 3: No, my mom told me a story. And this is interesting. 763 00:36:40,680 --> 00:36:43,600 Speaker 3: We became born again Christians. So then there's a lot 764 00:36:43,719 --> 00:36:48,120 Speaker 3: of like Catholic ghosts in the mix. You know, like 765 00:36:48,200 --> 00:36:50,759 Speaker 3: there were like you know, speaking in tongues like that 766 00:36:50,800 --> 00:36:53,160 Speaker 3: whole idea, like the spirit of the Holy Ghost is 767 00:36:53,200 --> 00:36:54,920 Speaker 3: inside of you and it's kind of come out and 768 00:36:54,960 --> 00:36:58,360 Speaker 3: you're like, well, you know, like like that idea is 769 00:36:58,400 --> 00:37:02,279 Speaker 3: like you are letting a ghost speak for you, which 770 00:37:02,320 --> 00:37:05,680 Speaker 3: would contradict you know, Sylvia saying that no ghost can 771 00:37:05,719 --> 00:37:09,440 Speaker 3: be inside. But like that, like you're opening yourself to 772 00:37:10,480 --> 00:37:11,400 Speaker 3: the Holy Spirit. 773 00:37:11,480 --> 00:37:12,680 Speaker 1: Now what kind of ghost it is? 774 00:37:12,680 --> 00:37:12,719 Speaker 2: That? 775 00:37:12,840 --> 00:37:15,040 Speaker 1: The same ghost as it? One ghost? I don't know. 776 00:37:15,600 --> 00:37:17,560 Speaker 3: So there were things about that, and then there was 777 00:37:17,560 --> 00:37:21,080 Speaker 3: a lot of stories in church about you know, my 778 00:37:21,160 --> 00:37:25,879 Speaker 3: mom tells the story about being on a couch. Now 779 00:37:25,920 --> 00:37:27,960 Speaker 3: this as I describe it to you. Sometimes I do 780 00:37:28,040 --> 00:37:29,640 Speaker 3: this where I'll start to tell a story from my 781 00:37:29,719 --> 00:37:31,600 Speaker 3: child and I'm like, wait a second, that makes no sense. 782 00:37:31,600 --> 00:37:34,200 Speaker 3: But it's was told to me. My mom was on 783 00:37:34,239 --> 00:37:36,680 Speaker 3: a couch saying on one end, and she believed a 784 00:37:36,719 --> 00:37:41,239 Speaker 3: ghost in the other end. The couch seesawed like it 785 00:37:41,560 --> 00:37:45,560 Speaker 3: would lift it. Now, I don't know what possible world 786 00:37:45,600 --> 00:37:46,240 Speaker 3: that could possible. 787 00:37:46,320 --> 00:37:48,680 Speaker 2: She went up or she went up. Well that's a 788 00:37:48,719 --> 00:37:49,640 Speaker 2: heavy ghost. 789 00:37:49,320 --> 00:37:51,799 Speaker 3: I mean, I was gonna say, is it seems like 790 00:37:51,880 --> 00:37:54,759 Speaker 3: a very corporeal thing. You know, it doesn't even like 791 00:37:54,800 --> 00:37:57,160 Speaker 3: ghosts carry weight. I don't know. And again, if you 792 00:37:57,160 --> 00:37:58,960 Speaker 3: are a ghost out there dealing with weight issues, I 793 00:37:59,120 --> 00:38:01,399 Speaker 3: have no no issues with you at all. 794 00:38:02,360 --> 00:38:05,600 Speaker 2: I saw something only one time in my in my 795 00:38:06,200 --> 00:38:12,320 Speaker 2: few years of ghost huntressing, I saw a coffee pod 796 00:38:12,680 --> 00:38:15,400 Speaker 2: like those like kr rig little things. I saw one 797 00:38:15,440 --> 00:38:19,720 Speaker 2: of those get thrown, And so that makes me like, Okay, 798 00:38:19,760 --> 00:38:24,080 Speaker 2: I guess ghosts can like do things. They can like touch, 799 00:38:24,320 --> 00:38:27,040 Speaker 2: which always makes you think, well, then if they can 800 00:38:27,120 --> 00:38:30,560 Speaker 2: lift a couch with their fat ass, they can sit 801 00:38:30,640 --> 00:38:33,560 Speaker 2: on top of me and squish me. They could pick 802 00:38:33,640 --> 00:38:36,520 Speaker 2: up a knife and chop me up. Okay, Okay, so 803 00:38:36,560 --> 00:38:37,520 Speaker 2: now I'm scared of goes. 804 00:38:38,960 --> 00:38:40,920 Speaker 3: Now you've opened up a big world to me, obviously, 805 00:38:40,920 --> 00:38:45,080 Speaker 3: Annabel is gonna I mean Annabelle is a ghost inhabiting 806 00:38:45,680 --> 00:38:46,160 Speaker 3: the body. 807 00:38:46,719 --> 00:38:48,880 Speaker 2: To warn your friend, Matt Rife. 808 00:38:48,760 --> 00:38:53,560 Speaker 3: Didn't say yes, okay, close friends, I'm Matt. I wanted 809 00:38:53,600 --> 00:38:57,000 Speaker 3: to make sure because if this is the power of 810 00:38:57,480 --> 00:39:00,000 Speaker 3: Hell incarnate, we gotta make sure it is being handled. 811 00:39:00,440 --> 00:39:02,759 Speaker 2: Do you believe in annabel I mean, now that you've 812 00:39:02,760 --> 00:39:05,680 Speaker 2: met him, do I believe in it? Well, you certainly 813 00:39:05,719 --> 00:39:07,200 Speaker 2: believe he believes it, right. 814 00:39:07,160 --> 00:39:10,719 Speaker 3: Yes, What I don't believe in is that family you're 815 00:39:10,760 --> 00:39:14,600 Speaker 3: talking about, the Warren f Yeah. I feel like that 816 00:39:14,840 --> 00:39:17,719 Speaker 3: might be because here's the thing, if you really do 817 00:39:17,760 --> 00:39:21,160 Speaker 3: your research on annabel there's nothing to back up any 818 00:39:21,280 --> 00:39:23,520 Speaker 3: of those stories. The same way with like the conjuring, 819 00:39:24,000 --> 00:39:26,799 Speaker 3: like what went on there, there's no like, as a 820 00:39:26,800 --> 00:39:30,440 Speaker 3: matter of fact, there's proof, definitive proof that all of 821 00:39:30,480 --> 00:39:33,520 Speaker 3: it is made up. Like you know that the woman 822 00:39:33,560 --> 00:39:35,800 Speaker 3: who was the ghost didn't kill herself, that she was 823 00:39:35,840 --> 00:39:38,759 Speaker 3: actually a farm woman who had children was over there. 824 00:39:38,760 --> 00:39:41,440 Speaker 1: I'm missing some of the things. Yeah, exactly. 825 00:39:41,640 --> 00:39:43,920 Speaker 3: So this whole idea of like, oh, who are these 826 00:39:43,920 --> 00:39:46,759 Speaker 3: sorority girls that had this doll? Why didn't they ever come? 827 00:39:47,080 --> 00:39:47,719 Speaker 2: Don't their name? 828 00:39:47,840 --> 00:39:48,840 Speaker 1: We don't have anything. 829 00:39:49,160 --> 00:39:53,120 Speaker 3: Yeah, so there is a part of me that and 830 00:39:53,200 --> 00:39:55,840 Speaker 3: this is the world. I think two things can be true. 831 00:39:56,200 --> 00:39:59,240 Speaker 3: There can be Charlatan's and there can be people who 832 00:39:59,800 --> 00:40:04,239 Speaker 3: are are out there doing it and having it, and 833 00:40:04,280 --> 00:40:07,160 Speaker 3: then there can be people who are kind of eating 834 00:40:07,160 --> 00:40:09,319 Speaker 3: from both sides, which is like yeah, yeah, like a 835 00:40:09,400 --> 00:40:12,400 Speaker 3: Tyler Henry, like I'm gonna get paid, but I'm also 836 00:40:13,080 --> 00:40:16,080 Speaker 3: I'm also legit, right, Like it's like, you know, it's. 837 00:40:15,920 --> 00:40:17,160 Speaker 2: Like, well, I think that was. I think there's a 838 00:40:17,160 --> 00:40:19,640 Speaker 2: lot of people that succumb to the pressure of like, 839 00:40:20,239 --> 00:40:23,479 Speaker 2: oh shit, I have to always deliver, so I'm going 840 00:40:23,520 --> 00:40:26,239 Speaker 2: to Okay, maybe I will make something up a little bit, right, 841 00:40:26,560 --> 00:40:32,440 Speaker 2: But like I think that there it originates with like, oh, okay, 842 00:40:32,480 --> 00:40:36,319 Speaker 2: I was. I was really psychic a lot of the time. 843 00:40:36,520 --> 00:40:39,319 Speaker 2: But I have to like, you know, well do you. 844 00:40:39,239 --> 00:40:42,560 Speaker 3: Have like this is the psychic issues that I deal with, 845 00:40:43,080 --> 00:40:47,280 Speaker 3: which is I will have a very vivid dream weeks 846 00:40:47,320 --> 00:40:48,440 Speaker 3: before an event happens. 847 00:40:48,600 --> 00:40:50,600 Speaker 1: Oh that's cool, and that's something. 848 00:40:50,320 --> 00:40:53,239 Speaker 3: That I have had my entire life and it comes 849 00:40:53,280 --> 00:40:55,480 Speaker 3: true and it comes true and it's but it's not 850 00:40:55,560 --> 00:40:57,400 Speaker 3: like I won the lotto in my dream and I 851 00:40:57,400 --> 00:40:59,960 Speaker 3: won the lotto. It's it's just a person and interact 852 00:41:00,160 --> 00:41:04,399 Speaker 3: in a place. It's very fragmented. It's I guess what 853 00:41:04,600 --> 00:41:07,680 Speaker 3: deja vu is to a certain degree, and that is 854 00:41:07,719 --> 00:41:11,080 Speaker 3: always wild because it feels so real in the dream 855 00:41:11,120 --> 00:41:12,919 Speaker 3: that then when it happens in real life, I'm like, wow, 856 00:41:13,280 --> 00:41:15,719 Speaker 3: and I can I can find that connection, Like I 857 00:41:15,760 --> 00:41:20,480 Speaker 3: remember the dream and then I feel that connection. I'm like, 858 00:41:20,560 --> 00:41:23,000 Speaker 3: whoa that Like, like there's moments that gets me. 859 00:41:23,080 --> 00:41:25,160 Speaker 2: I feel like that just means you're on the right path, 860 00:41:25,280 --> 00:41:27,319 Speaker 2: Like you're going where you're supposed to be. 861 00:41:27,440 --> 00:41:28,440 Speaker 1: I'm already taking it in. 862 00:41:28,960 --> 00:41:33,920 Speaker 2: I think it's good. So annabel is an industry planned 863 00:41:34,640 --> 00:41:39,040 Speaker 2: I agree Annabelle, Like, there's this story I'm obsessed with about. 864 00:41:39,360 --> 00:41:41,680 Speaker 2: It's kind of like something that inspired show Girls, one 865 00:41:41,680 --> 00:41:44,000 Speaker 2: of my favorite movies all the time. One of the 866 00:41:44,000 --> 00:41:47,840 Speaker 2: casinos was like, you know, instead of paying for some 867 00:41:47,920 --> 00:41:49,959 Speaker 2: big celebrity to start on one of our shows, let's 868 00:41:50,000 --> 00:41:52,279 Speaker 2: just like come up with a lady and be like 869 00:41:52,640 --> 00:41:55,520 Speaker 2: this lady she's coming. Everyone like put her on all 870 00:41:55,560 --> 00:41:57,640 Speaker 2: the billboards. Like I think this was in the early nineties. 871 00:41:57,640 --> 00:41:59,719 Speaker 2: I can't think where her name was, but they were like, 872 00:41:59,800 --> 00:42:02,000 Speaker 2: you know, oh, you gotta see her and she's just 873 00:42:02,040 --> 00:42:02,439 Speaker 2: like some. 874 00:42:02,440 --> 00:42:03,480 Speaker 1: Lady, okay. 875 00:42:03,600 --> 00:42:05,840 Speaker 2: And then so then people started coming to buy tickets, 876 00:42:06,360 --> 00:42:09,160 Speaker 2: and I feel like, could Annibal be like that where 877 00:42:09,200 --> 00:42:14,319 Speaker 2: they're like that, like this raggedy andl uh and you know, 878 00:42:14,400 --> 00:42:16,360 Speaker 2: the more you just start talking about put her in 879 00:42:16,400 --> 00:42:19,359 Speaker 2: a box and then just be like, she trusts me, 880 00:42:19,560 --> 00:42:20,719 Speaker 2: you don't want to mess with her. 881 00:42:20,719 --> 00:42:22,440 Speaker 3: Well, I mean there's a famous story and I don't 882 00:42:22,440 --> 00:42:25,640 Speaker 3: know how familiar are with this person. But Steven Sagal, 883 00:42:26,080 --> 00:42:29,640 Speaker 3: oh you know right, Steven Sagall was a trainer, like 884 00:42:29,719 --> 00:42:33,640 Speaker 3: a karate instructor to Mike Ovitz, and Mike Ovitz a 885 00:42:33,719 --> 00:42:37,840 Speaker 3: very big Hollywood agent at the time, probably one of 886 00:42:37,840 --> 00:42:40,320 Speaker 3: the biggest, like when you think about like mid eighties, 887 00:42:40,800 --> 00:42:44,279 Speaker 3: he is controlling Hollywood, and there's a lore or a 888 00:42:44,320 --> 00:42:47,000 Speaker 3: legend to it, being like I can make anyone a star. 889 00:42:47,480 --> 00:42:50,200 Speaker 3: I will make my karate teacher a star. 890 00:42:50,600 --> 00:42:53,040 Speaker 2: Oh and so he did it as a challenge, as 891 00:42:53,080 --> 00:42:54,440 Speaker 2: a challenge that's fun. 892 00:42:54,760 --> 00:42:57,319 Speaker 3: And you know that's why, like Steven Sagal's like backstory 893 00:42:57,920 --> 00:42:59,960 Speaker 3: is ever evolving, like it was like in the beigin 894 00:43:00,200 --> 00:43:02,919 Speaker 3: it's like, oh, yeah, this guy was former CIA, He's 895 00:43:02,960 --> 00:43:05,719 Speaker 3: not you know, he did do this. He didn't, you know, 896 00:43:05,800 --> 00:43:08,440 Speaker 3: It's like, like, like what. The only thing that you 897 00:43:08,680 --> 00:43:11,280 Speaker 3: that he was was he was very good at aketo 898 00:43:11,680 --> 00:43:14,400 Speaker 3: and he trained in Japan. That's the that's the truth. 899 00:43:14,840 --> 00:43:17,200 Speaker 3: And then he moved to La not trying to be 900 00:43:17,239 --> 00:43:22,000 Speaker 3: an actor, just teaching a keto to very wealthy, rich people. 901 00:43:22,400 --> 00:43:22,920 Speaker 1: And there you go. 902 00:43:23,120 --> 00:43:24,480 Speaker 2: I need someone to do this to me. 903 00:43:25,000 --> 00:43:26,239 Speaker 1: I got it would be the best thing. 904 00:43:26,440 --> 00:43:29,200 Speaker 2: Okay, wait, I have to show you. Can I show 905 00:43:29,200 --> 00:43:30,239 Speaker 2: you a haunted doll? 906 00:43:30,400 --> 00:43:31,680 Speaker 1: I would love to see haunted doll. 907 00:43:32,000 --> 00:43:36,520 Speaker 2: So here's the thing about annabel since she's you know, 908 00:43:36,600 --> 00:43:41,240 Speaker 2: she's like that girl, she's the Taylor Swift. Okay, she's 909 00:43:41,520 --> 00:43:45,760 Speaker 2: the haunted doll. A lot of these girls out there 910 00:43:45,800 --> 00:43:50,160 Speaker 2: trying to be Annabelle. It's just natural and so on. eBay. 911 00:43:50,680 --> 00:43:55,560 Speaker 2: There are thousands of haunted dolls at all times, and 912 00:43:55,600 --> 00:43:59,799 Speaker 2: they come with backstories. They range and I've seen him 913 00:43:59,800 --> 00:44:03,600 Speaker 2: as cheap as ten bucks. I've seen some for tens 914 00:44:03,600 --> 00:44:07,279 Speaker 2: of thousands, who they come with photos, they come with backstories, 915 00:44:07,320 --> 00:44:10,000 Speaker 2: and we feature one every week. It is time for 916 00:44:10,680 --> 00:44:16,440 Speaker 2: the dolls are living, Okay. So I would like for 917 00:44:16,480 --> 00:44:19,520 Speaker 2: you today to meet Gloria and Gloria is going for 918 00:44:19,640 --> 00:44:23,239 Speaker 2: thirty five dollars show us Gloria got it? 919 00:44:24,719 --> 00:44:27,120 Speaker 1: Yes, whoa that looks a little bit like my wife. 920 00:44:28,239 --> 00:44:34,120 Speaker 2: She's definitely gorgeous. So who Gloria is? This is actually 921 00:44:34,280 --> 00:44:37,440 Speaker 2: a Linda Evans dolls. 922 00:44:38,400 --> 00:44:39,680 Speaker 1: Dynallasty oh Dynasty. 923 00:44:39,680 --> 00:44:44,000 Speaker 2: Sorry, yeah, so that is who she is and the 924 00:44:44,080 --> 00:44:46,799 Speaker 2: backstory with Gloria. Now you have to keep in mind 925 00:44:46,840 --> 00:44:49,880 Speaker 2: this is the ghost that is now inside of this 926 00:44:50,040 --> 00:44:55,399 Speaker 2: Linda Avanca. The doll is like Chucky possessed. Sure, yes, 927 00:44:55,600 --> 00:44:57,680 Speaker 2: Charles Lee Ray is now inside of. 928 00:44:57,680 --> 00:44:59,760 Speaker 1: Chuck Do well that you were able to get Charleslee Ray. 929 00:44:59,600 --> 00:45:04,320 Speaker 2: My dog's it was Chuckie. I love Chuckie. Tiffany's my hero. Okay, 930 00:45:04,760 --> 00:45:07,719 Speaker 2: So let me read you what it says about Gloria. 931 00:45:08,239 --> 00:45:11,920 Speaker 2: This is Gloria. She is fifty two years old and 932 00:45:12,520 --> 00:45:16,640 Speaker 2: here is her story from me and previous owners. Gloria 933 00:45:16,800 --> 00:45:20,400 Speaker 2: loved Linda Evans. She loved Dynasty and would watch it 934 00:45:20,480 --> 00:45:23,120 Speaker 2: every time it was on. She had this doll of 935 00:45:23,200 --> 00:45:27,640 Speaker 2: Crystal Carrington and loved it. Gloria was a good woman. 936 00:45:27,800 --> 00:45:30,160 Speaker 2: She would go to church anytime the doors were open. 937 00:45:30,800 --> 00:45:33,840 Speaker 2: She lived with her husband, Robert, and they were married 938 00:45:33,880 --> 00:45:38,360 Speaker 2: since they were nineteen. They had that kind of relationship 939 00:45:38,400 --> 00:45:42,480 Speaker 2: that everyone envies. One day, her husband wasn't feeling well, 940 00:45:42,560 --> 00:45:47,040 Speaker 2: but Gloria wasn't. Missing church. Robert decided to stay home 941 00:45:47,080 --> 00:45:50,640 Speaker 2: while she went to church alone. While she was gone, 942 00:45:50,920 --> 00:45:54,120 Speaker 2: Robert had a massive heart attack and unfortunately passed away. 943 00:45:54,600 --> 00:45:57,480 Speaker 2: When she came home from church, she found him. She 944 00:45:57,640 --> 00:46:01,839 Speaker 2: tried everything she could and got the paramedics there, but 945 00:46:02,000 --> 00:46:06,120 Speaker 2: it was too late. She was heartbroken and she never 946 00:46:06,160 --> 00:46:10,600 Speaker 2: went a whole day without him. After his death, Gloria's 947 00:46:10,600 --> 00:46:14,000 Speaker 2: health started declining. She started missing church and wouldn't leave 948 00:46:14,040 --> 00:46:16,640 Speaker 2: the house. The only thing that would cheer her up 949 00:46:16,800 --> 00:46:20,759 Speaker 2: was watching Dynasty. She ended up passing away due to 950 00:46:20,760 --> 00:46:25,120 Speaker 2: a broken heart. So since I've had this doll, I've 951 00:46:25,160 --> 00:46:29,400 Speaker 2: noticed a lot of activity when I put Dynasty on, Okay, 952 00:46:29,800 --> 00:46:33,160 Speaker 2: I will hear clicks and pops near the TV. And 953 00:46:33,360 --> 00:46:36,280 Speaker 2: I've also felt her touch my shoulder when her show 954 00:46:36,400 --> 00:46:39,359 Speaker 2: was playing. One time I was playing her show and 955 00:46:39,400 --> 00:46:41,840 Speaker 2: I was getting tired, so I turned off the TV. 956 00:46:42,239 --> 00:46:44,920 Speaker 2: I heard this loud bang, like someone hit the TV 957 00:46:45,120 --> 00:46:47,560 Speaker 2: stad So I turned it back on and I let 958 00:46:47,600 --> 00:46:50,520 Speaker 2: it play all night. I do feel a feeling of 959 00:46:50,600 --> 00:46:54,960 Speaker 2: dread sometimes when holding her doll, I feel really depressed 960 00:46:55,080 --> 00:46:58,680 Speaker 2: and it even makes me tear up. Sometimes she is 961 00:46:58,719 --> 00:47:02,239 Speaker 2: a sweet spirit, she's just been hurt. I'll play her 962 00:47:02,280 --> 00:47:06,080 Speaker 2: show once a day just to cheer her up. So 963 00:47:06,239 --> 00:47:10,360 Speaker 2: that's basically it so feels like this feels like a 964 00:47:10,400 --> 00:47:11,720 Speaker 2: marketing thing for Dynastic. 965 00:47:11,760 --> 00:47:13,200 Speaker 3: I mean it feels a little bit like a yeah, 966 00:47:13,360 --> 00:47:18,279 Speaker 3: like look, you know it's your forcing streams. Basically, I 967 00:47:18,360 --> 00:47:20,680 Speaker 3: think I really it's like a peacock. 968 00:47:20,880 --> 00:47:22,560 Speaker 2: I think Glinda Evans is behind this. 969 00:47:23,160 --> 00:47:24,120 Speaker 1: Here's my thought. 970 00:47:24,239 --> 00:47:27,000 Speaker 3: It seems like this woman who is so committed to 971 00:47:27,000 --> 00:47:29,719 Speaker 3: her husband really just is now committed to Dynasty. Like 972 00:47:29,760 --> 00:47:31,880 Speaker 3: does not seem like the husband is a factoring of 973 00:47:32,160 --> 00:47:35,200 Speaker 3: Like we're adding to her depression. We're basically keeping her 974 00:47:35,239 --> 00:47:39,080 Speaker 3: in her hoarder's nest. We're just saying, like, just relax, 975 00:47:39,200 --> 00:47:42,320 Speaker 3: watch Dynasty, don't go out, don't go beyond, don't leave that. 976 00:47:42,640 --> 00:47:43,640 Speaker 1: Yes, your husband's gone. 977 00:47:43,680 --> 00:47:45,520 Speaker 2: And that's what I think a ghost is is like 978 00:47:45,800 --> 00:47:49,359 Speaker 2: they're here because they're not dealing with they're shit. Like 979 00:47:49,600 --> 00:47:52,120 Speaker 2: if you go to the light, if you accept that 980 00:47:52,239 --> 00:47:54,480 Speaker 2: you're dad, and like all of that. Usually a ghost 981 00:47:54,600 --> 00:47:58,239 Speaker 2: is stuck on earth because of like trauma that they're 982 00:47:58,280 --> 00:47:59,040 Speaker 2: not dealing with. 983 00:47:59,239 --> 00:48:03,640 Speaker 3: Do you feel like, if you know, if my husband 984 00:48:03,800 --> 00:48:05,439 Speaker 3: dies of a heart attack, my love of my life, 985 00:48:05,880 --> 00:48:07,359 Speaker 3: and I get a chance to go to the light, 986 00:48:07,800 --> 00:48:11,440 Speaker 3: I'm going to light because that's where my husband would be. 987 00:48:11,520 --> 00:48:13,799 Speaker 2: But here's the thing. She was given the option of 988 00:48:14,040 --> 00:48:16,000 Speaker 2: being inside of a Linda Evans dall. 989 00:48:16,200 --> 00:48:18,280 Speaker 3: And do you think she took like the easy path? 990 00:48:18,320 --> 00:48:20,640 Speaker 3: I guy, Oh, I'll just do that. That'd be fun. 991 00:48:20,719 --> 00:48:23,440 Speaker 2: I mean, this woman's obsessed with dynasty. She has a 992 00:48:23,480 --> 00:48:26,320 Speaker 2: Linda Evans dall. She's like, what would be better? Heaven 993 00:48:26,680 --> 00:48:30,480 Speaker 2: or being Linda Evans? And I think that's what she's chose. 994 00:48:30,880 --> 00:48:35,400 Speaker 3: But I mean, Linda Evans doll, it's not really yeah, right, 995 00:48:35,480 --> 00:48:36,840 Speaker 3: you got to possess Linda Evans. 996 00:48:37,320 --> 00:48:40,200 Speaker 1: It's only Evans still with us. I don't know, but 997 00:48:40,320 --> 00:48:43,360 Speaker 1: it's knowing. But but I will. 998 00:48:43,120 --> 00:48:44,960 Speaker 3: Say that it's the name I haven't heard in a 999 00:48:44,960 --> 00:48:47,760 Speaker 3: long time, and I thought she was a wonderful presence. 1000 00:48:48,120 --> 00:48:51,719 Speaker 2: Linda Evans she is still kicking. She's a retired Norwegian 1001 00:48:51,719 --> 00:48:58,160 Speaker 2: American actress. She's eighty three. Yeah, Linda Evans is behind 1002 00:48:58,160 --> 00:49:00,160 Speaker 2: this whole operation to get more. 1003 00:49:00,120 --> 00:49:02,920 Speaker 3: People to watch the dinostse so we'll say, uh, you know, 1004 00:49:04,000 --> 00:49:06,760 Speaker 3: by thirty five dollars a bargain a steal if you will. 1005 00:49:06,640 --> 00:49:08,080 Speaker 2: Yeah, it's only thirty five bucks. 1006 00:49:08,120 --> 00:49:10,279 Speaker 3: It doesn't seem like she's a nice spirit. She's a 1007 00:49:10,320 --> 00:49:13,040 Speaker 3: depressed spirit. But you throw in a stack of like 1008 00:49:13,400 --> 00:49:16,160 Speaker 3: Dynasty season two, maybe I'm gonna buy that. I mean, 1009 00:49:16,200 --> 00:49:17,839 Speaker 3: you know, now, you know, like give me a give 1010 00:49:17,880 --> 00:49:19,040 Speaker 3: me a little incentive here. 1011 00:49:19,160 --> 00:49:21,600 Speaker 2: Yeah, you should include that with I mean they should 1012 00:49:21,600 --> 00:49:25,320 Speaker 2: throw in some blue rays and some yeah, some blu rays. Also, 1013 00:49:25,840 --> 00:49:28,399 Speaker 2: make sure you're keeping an eye on when the Blu 1014 00:49:28,520 --> 00:49:31,600 Speaker 2: ray is coming to the end, right, because if it 1015 00:49:31,719 --> 00:49:35,200 Speaker 2: stops without you putting another one on, well that she 1016 00:49:35,280 --> 00:49:36,320 Speaker 2: will throw your TV. 1017 00:49:36,520 --> 00:49:38,440 Speaker 3: I mean, is this the thing that we have to Now? 1018 00:49:38,480 --> 00:49:42,719 Speaker 3: It seems like she's okay with one a day because. 1019 00:49:42,480 --> 00:49:45,279 Speaker 2: They're weaning her off. I think you kind of have to. 1020 00:49:45,640 --> 00:49:48,480 Speaker 3: But I do feel like at this point if she 1021 00:49:48,560 --> 00:49:50,680 Speaker 3: was watching Dynasty in this prime, she's watched a lot 1022 00:49:50,680 --> 00:49:51,840 Speaker 3: of dynastyes, She's she's. 1023 00:49:51,640 --> 00:49:52,840 Speaker 2: Seen almost every word. 1024 00:49:53,840 --> 00:49:58,239 Speaker 3: But I guess the question is, hmm, I don't know. 1025 00:49:58,320 --> 00:50:02,560 Speaker 3: I am I it's a responsibility. It's like a dog 1026 00:50:02,600 --> 00:50:04,000 Speaker 3: I have to feed I have to feed this. 1027 00:50:04,080 --> 00:50:06,000 Speaker 2: Oh yeah, You're not just getting a doll. You have 1028 00:50:06,080 --> 00:50:06,920 Speaker 2: to take care of it. 1029 00:50:08,440 --> 00:50:11,040 Speaker 3: This is the thing I'm not quite understand. Do I 1030 00:50:11,120 --> 00:50:14,280 Speaker 3: want that responsibility? And why would I take that responsibility? 1031 00:50:14,360 --> 00:50:18,320 Speaker 2: Because some people, you know, they get lonely. You've got kids, 1032 00:50:18,360 --> 00:50:20,480 Speaker 2: you've got a wife, you got a career. There's some 1033 00:50:20,560 --> 00:50:22,120 Speaker 2: of these people that are just like. 1034 00:50:22,640 --> 00:50:24,040 Speaker 1: But you want to take it. You want to take 1035 00:50:24,040 --> 00:50:26,839 Speaker 1: a haunted haunted Yeah, yeah, all right. 1036 00:50:26,800 --> 00:50:29,200 Speaker 2: Because you know what if she gets to be too much, 1037 00:50:29,440 --> 00:50:32,880 Speaker 2: throw her back up on eBay? Ask forty do. 1038 00:50:32,880 --> 00:50:34,560 Speaker 3: You imagine what's going on right now? Do you think 1039 00:50:34,560 --> 00:50:37,400 Speaker 3: that in her heart she knows, Like I'm on eBay, 1040 00:50:37,560 --> 00:50:38,399 Speaker 3: I'm just sitting there. 1041 00:50:38,800 --> 00:50:41,640 Speaker 2: That's what I think about all the time is Yeah, 1042 00:50:41,719 --> 00:50:45,440 Speaker 2: does Gloria, who's in this doll? What would she? How 1043 00:50:45,440 --> 00:50:48,120 Speaker 2: would she feel if she found this posting? 1044 00:50:48,800 --> 00:50:51,120 Speaker 3: I mean, I like that she's not just throwing Gloria 1045 00:50:51,160 --> 00:50:53,560 Speaker 3: in the trash now, by the way, Oh yeah, no, 1046 00:50:53,920 --> 00:50:55,799 Speaker 3: I'd love to see a toy story five or six 1047 00:50:56,120 --> 00:50:57,960 Speaker 3: where we have a Gloria. 1048 00:50:58,160 --> 00:50:59,560 Speaker 2: Well, this is what toy story is. 1049 00:51:00,440 --> 00:51:02,800 Speaker 1: Then everybody is a ghost and toy sters. Yes, okay, 1050 00:51:02,800 --> 00:51:03,359 Speaker 1: I like this. 1051 00:51:03,400 --> 00:51:05,120 Speaker 2: And I think it's the same thing with these dolls 1052 00:51:05,120 --> 00:51:07,840 Speaker 2: because you never really see them walking around the house 1053 00:51:08,160 --> 00:51:11,480 Speaker 2: right video of that. So I I do think that 1054 00:51:11,560 --> 00:51:13,640 Speaker 2: it's like, you know, they do that thing. And then 1055 00:51:13,680 --> 00:51:14,480 Speaker 2: when people. 1056 00:51:14,480 --> 00:51:18,320 Speaker 3: Write like this is all right, so not as scary 1057 00:51:18,320 --> 00:51:18,920 Speaker 3: as Annabelle. 1058 00:51:19,600 --> 00:51:22,360 Speaker 2: No, I take Gloria any day. But you know, no 1059 00:51:22,400 --> 00:51:24,640 Speaker 2: one wants to buy tickets to see. 1060 00:51:24,480 --> 00:51:29,400 Speaker 3: Gloria unless you advertise her appropriately beforehand. Yeah, like, now 1061 00:51:29,440 --> 00:51:30,319 Speaker 3: if you start, if. 1062 00:51:30,280 --> 00:51:32,600 Speaker 2: You Matt Rive's not buying Gloria. 1063 00:51:33,000 --> 00:51:36,680 Speaker 3: If you started a subtle thing, Gloria, this is the 1064 00:51:37,080 --> 00:51:39,000 Speaker 3: Dynasty ghost and you start talking about that, then all of 1065 00:51:39,040 --> 00:51:42,239 Speaker 3: a sudden that probably is gonna But there's a shirt 1066 00:51:42,280 --> 00:51:44,719 Speaker 3: that we sold on how did this get made? That 1067 00:51:44,880 --> 00:51:48,840 Speaker 3: never sold? It was a shirt that was like patently vulgar, 1068 00:51:49,480 --> 00:51:51,120 Speaker 3: and I couldn't believe that we made it. And one 1069 00:51:51,120 --> 00:51:53,080 Speaker 3: person once wrote in and said, as a matter of fact, 1070 00:51:53,360 --> 00:51:56,320 Speaker 3: I bought that shirt and was told ticket off on 1071 00:51:56,360 --> 00:51:56,960 Speaker 3: an airplane. 1072 00:51:57,239 --> 00:51:58,879 Speaker 1: Now have you taught her to say? So? 1073 00:51:59,120 --> 00:52:01,400 Speaker 3: It was a movie with Matt Damon called The Great Wall. 1074 00:52:01,840 --> 00:52:03,839 Speaker 3: There's something that came up in the show and we're 1075 00:52:03,880 --> 00:52:07,600 Speaker 3: talking about like like a senor Frog's style poster for 1076 00:52:07,640 --> 00:52:09,600 Speaker 3: the Great Wall, but like Senor Frogs, they had like 1077 00:52:09,640 --> 00:52:11,920 Speaker 3: these posters where like the frogs are fucking each other 1078 00:52:11,920 --> 00:52:12,760 Speaker 3: in different positions. 1079 00:52:12,880 --> 00:52:14,000 Speaker 1: So we created a Great. 1080 00:52:13,760 --> 00:52:16,840 Speaker 3: Wallposter which is just aliens fucking each other in different positions, 1081 00:52:16,880 --> 00:52:19,120 Speaker 3: spelling out the Great Wall. So it's just basically aliens 1082 00:52:19,120 --> 00:52:23,160 Speaker 3: and sex positions and and and ever since I talk 1083 00:52:23,160 --> 00:52:24,640 Speaker 3: about it the show saying this is the ship that 1084 00:52:24,680 --> 00:52:28,080 Speaker 3: never sold and people couldn't wear it out sales skyrocket. 1085 00:52:28,239 --> 00:52:31,239 Speaker 3: So I do believe that idea that you you lean 1086 00:52:31,320 --> 00:52:34,200 Speaker 3: into something all of a sudden, Gloria could be the 1087 00:52:34,200 --> 00:52:36,040 Speaker 3: next Annabel. It could be the animal that we want. 1088 00:52:36,320 --> 00:52:36,600 Speaker 1: I know. 1089 00:52:36,840 --> 00:52:40,400 Speaker 2: See, I think that I should like Stephen Sagoles. 1090 00:52:41,000 --> 00:52:43,640 Speaker 1: Yeah, you should Stephen Saghall Gloria. 1091 00:52:43,760 --> 00:52:46,320 Speaker 2: Yeah. I like how I just called him Stephen Sogol 1092 00:52:46,920 --> 00:52:53,080 Speaker 2: like it's okay, kind of like a seagull but fancy goal. Okay, wait, okay, 1093 00:52:53,160 --> 00:52:54,840 Speaker 2: one last thing. You're so easy to talk to you. 1094 00:52:54,880 --> 00:52:57,759 Speaker 2: I feel like it's almost time to leave. Can I 1095 00:52:57,760 --> 00:52:59,040 Speaker 2: play you some ghost voices? 1096 00:52:59,080 --> 00:53:02,040 Speaker 3: I loved I So I have a ghost voice that 1097 00:53:02,080 --> 00:53:03,799 Speaker 3: I am obsessed with when a ghost tour that I 1098 00:53:03,920 --> 00:53:05,080 Speaker 3: went on what. 1099 00:53:05,360 --> 00:53:05,879 Speaker 1: Yeah, I want. 1100 00:53:05,920 --> 00:53:08,879 Speaker 3: I whenever I go to a city and I try 1101 00:53:08,880 --> 00:53:10,080 Speaker 3: to find a ghost tour, and I go on those 1102 00:53:10,080 --> 00:53:13,320 Speaker 3: ghost tours and I and I do have one ghost voice. 1103 00:53:13,400 --> 00:53:14,359 Speaker 2: Where where would you go? 1104 00:53:15,480 --> 00:53:19,480 Speaker 1: This one was in what's the city in the Garden 1105 00:53:19,480 --> 00:53:22,440 Speaker 1: of Good and Evil? That city? That's a Savannah. Yeah, Savannah. 1106 00:53:22,440 --> 00:53:24,200 Speaker 1: That's right, that's right, I did it. 1107 00:53:24,480 --> 00:53:25,320 Speaker 2: You know, it's so weird. 1108 00:53:25,560 --> 00:53:26,840 Speaker 1: That's the city. I believe it is haunted. 1109 00:53:27,040 --> 00:53:29,400 Speaker 2: This is This was such an opportunity for me to 1110 00:53:29,440 --> 00:53:32,720 Speaker 2: pretend I'm psychic because I was going to say Savannah, 1111 00:53:32,760 --> 00:53:35,200 Speaker 2: like before you even said the city. But yeah, because 1112 00:53:35,200 --> 00:53:37,240 Speaker 2: when I think of haunt, when I think of ghosts 1113 00:53:37,800 --> 00:53:40,120 Speaker 2: cities to go on tours, I think it's Savannah. But 1114 00:53:40,400 --> 00:53:43,040 Speaker 2: there's okay, damn it. I should have done I should 1115 00:53:43,080 --> 00:53:45,520 Speaker 2: have just said it. I love Savannah. Wait, so you 1116 00:53:45,560 --> 00:53:47,080 Speaker 2: were you were there and you heard a ghost? 1117 00:53:47,120 --> 00:53:49,000 Speaker 1: Yeah, I have the recording of it. Well, because I 1118 00:53:49,040 --> 00:53:49,719 Speaker 1: was on a ghost tour. 1119 00:53:49,800 --> 00:53:50,279 Speaker 2: Where is it? 1120 00:53:50,560 --> 00:53:52,080 Speaker 1: I mean, it's pull it up. 1121 00:53:52,239 --> 00:53:54,359 Speaker 3: I mean I can well, as I listened to yours, 1122 00:53:54,360 --> 00:53:55,360 Speaker 3: I can see if I can find it. 1123 00:53:55,400 --> 00:53:55,680 Speaker 1: I can. 1124 00:53:55,760 --> 00:53:58,279 Speaker 3: I can because you know, the phones are easier now 1125 00:53:58,320 --> 00:54:01,600 Speaker 3: to to navigate. I know that's a video, okays, Avan, 1126 00:54:01,680 --> 00:54:02,840 Speaker 3: I so see if I can find that. 1127 00:54:03,239 --> 00:54:10,200 Speaker 2: Okay, cool, it works. Okay, it's time for EVP or 1128 00:54:10,760 --> 00:54:17,399 Speaker 2: ev pase. So in the business we call those EVPs 1129 00:54:17,719 --> 00:54:19,520 Speaker 2: electronic voice phenomena. 1130 00:54:19,840 --> 00:54:22,919 Speaker 1: I am a big fan. I understand it. I love 1131 00:54:22,960 --> 00:54:24,200 Speaker 1: it a lot of times. 1132 00:54:24,480 --> 00:54:30,000 Speaker 2: It's an ev police. Now I go to YouTube. I 1133 00:54:30,040 --> 00:54:33,840 Speaker 2: find two EVPs that have been posted. I want you 1134 00:54:33,920 --> 00:54:35,560 Speaker 2: to listen, and I want you to tell me what 1135 00:54:35,680 --> 00:54:38,560 Speaker 2: you hear. Okay, and then I'll give you some options 1136 00:54:38,600 --> 00:54:41,759 Speaker 2: abc D, one of them being what the person that 1137 00:54:41,880 --> 00:54:42,880 Speaker 2: posted it believes. 1138 00:54:42,960 --> 00:54:44,120 Speaker 1: Okay, I got it. I can't wait. 1139 00:54:44,480 --> 00:54:49,640 Speaker 2: This first one is from Chicago Paranormal Investigators and it 1140 00:54:49,800 --> 00:54:56,760 Speaker 2: was recorded at the John Humphrey House in Orland Park, Illinois. Okay, 1141 00:54:57,200 --> 00:54:59,719 Speaker 2: what is this ghost saying? 1142 00:55:04,320 --> 00:55:09,520 Speaker 3: Let me hear one more time? It does sound like 1143 00:55:09,600 --> 00:55:12,239 Speaker 3: somebody on the phone in the other room. If I'm 1144 00:55:12,280 --> 00:55:15,040 Speaker 3: living in an apartment, That's what I'm That's what I'm hearing. 1145 00:55:18,080 --> 00:55:18,360 Speaker 2: It's a. 1146 00:55:19,960 --> 00:55:23,920 Speaker 3: It sounds like something's ordering or talking about ordering some 1147 00:55:24,000 --> 00:55:24,600 Speaker 3: Chinese food. 1148 00:55:28,560 --> 00:55:29,840 Speaker 1: Well, yes, do they. 1149 00:55:29,719 --> 00:55:32,919 Speaker 2: Think it was a Ask me again and I'll tell 1150 00:55:32,960 --> 00:55:36,400 Speaker 2: you now. Oh sassy, do they think it was b 1151 00:55:37,600 --> 00:55:42,719 Speaker 2: angry all the time. C I'm great, How are you? 1152 00:55:44,200 --> 00:55:44,560 Speaker 1: Or D? 1153 00:55:45,800 --> 00:55:49,279 Speaker 2: I'd like the Chow Mayne with the Kung pound chicken. 1154 00:55:50,080 --> 00:55:51,719 Speaker 1: I would lean towards D. But I think it is 1155 00:55:51,760 --> 00:55:53,480 Speaker 1: a Ask me again, I'll tell you no. That's what 1156 00:55:53,560 --> 00:55:55,120 Speaker 1: I heard. Now, when you say it like that, I 1157 00:55:55,160 --> 00:55:55,360 Speaker 1: hear it. 1158 00:55:55,520 --> 00:55:58,080 Speaker 3: Ask me again, tell me, I'll tell you no. 1159 00:56:00,120 --> 00:56:02,760 Speaker 2: They think it is angry all the time. 1160 00:56:03,480 --> 00:56:08,560 Speaker 1: Wait a second, I hearing I hear, I hear the 1161 00:56:08,600 --> 00:56:09,040 Speaker 1: first one. 1162 00:56:09,080 --> 00:56:12,120 Speaker 2: Yeah, I hear more words. But it sounds like something 1163 00:56:12,200 --> 00:56:12,799 Speaker 2: good for you. 1164 00:56:13,000 --> 00:56:15,759 Speaker 1: So I'm gonna say it's EVP Yeah, why not? Why not? 1165 00:56:15,880 --> 00:56:18,800 Speaker 3: I mean I also it could be just a person 1166 00:56:18,840 --> 00:56:21,640 Speaker 3: talking in a nearby I mean again, where is it happening? 1167 00:56:21,680 --> 00:56:24,719 Speaker 1: I don't know at the John Humphrey House. Okay, well, yeah, okay, 1168 00:56:24,719 --> 00:56:25,080 Speaker 1: there it is. 1169 00:56:25,239 --> 00:56:29,320 Speaker 2: Okay, here's the next one. This one is from Creatures 1170 00:56:29,360 --> 00:56:33,920 Speaker 2: of the Night paranormal and I'm not really sure the location. Okay, 1171 00:56:33,920 --> 00:56:35,640 Speaker 2: but what is this one saying? 1172 00:56:39,840 --> 00:56:44,359 Speaker 3: That's it? Is it a grass grasshopper? I that is 1173 00:56:45,160 --> 00:56:48,759 Speaker 3: that's hard? That is not that's an evy please all right, wait, 1174 00:56:48,800 --> 00:56:56,560 Speaker 3: it's very faint. Okay, nothing, I'm getting nothing. 1175 00:56:56,239 --> 00:57:00,920 Speaker 2: From this, well, let me give you some options. Sure, please, 1176 00:57:01,760 --> 00:57:04,440 Speaker 2: it puts things in your mind that maybe I don't know. 1177 00:57:05,200 --> 00:57:07,000 Speaker 1: I want to please put things in my mind. 1178 00:57:07,200 --> 00:57:15,800 Speaker 4: Is it A I'm whispering, B you get back, C 1179 00:57:17,280 --> 00:57:23,600 Speaker 4: you're just mad? Or D what are your brown hounds? 1180 00:57:25,640 --> 00:57:27,600 Speaker 1: I mean, I would love it if it's I'm just whispering. 1181 00:57:30,200 --> 00:57:33,480 Speaker 2: Okay, they believe it's C you're just mad, but okay, 1182 00:57:33,520 --> 00:57:35,520 Speaker 2: I can kind of. It's very faint. 1183 00:57:35,600 --> 00:57:40,920 Speaker 1: Okay, Okay, I don't hear it. I don't, I don't. 1184 00:57:43,600 --> 00:57:45,680 Speaker 2: Yeah, it's definitely not one of the best ones I've 1185 00:57:45,680 --> 00:57:48,720 Speaker 2: ever heard. But good for you, Creatures of the Night paranormal. 1186 00:57:48,760 --> 00:57:52,960 Speaker 2: You keep doing it. I found my Okay, okay, okay, 1187 00:57:53,080 --> 00:57:55,400 Speaker 2: this is this is insane. It is very rare that 1188 00:57:55,440 --> 00:57:57,240 Speaker 2: we have a guest to bring their own. 1189 00:57:57,520 --> 00:57:57,880 Speaker 1: All right. 1190 00:57:58,000 --> 00:58:00,840 Speaker 3: So this clip the I'm about to play you is 1191 00:58:00,880 --> 00:58:04,360 Speaker 3: a clip from a ghost tour that was on in Savannah, Georgia. 1192 00:58:04,960 --> 00:58:15,520 Speaker 3: The ghost tour person he is playing back and filtering recordings. 1193 00:58:13,680 --> 00:58:21,920 Speaker 2: Okay, so this tour guy he had captured this arrest. 1194 00:58:21,800 --> 00:58:22,560 Speaker 1: He had captured it. 1195 00:58:28,000 --> 00:58:30,760 Speaker 3: We went around and he was recording and trying to 1196 00:58:30,760 --> 00:58:32,400 Speaker 3: get stuff, and then he would go and kind of 1197 00:58:32,520 --> 00:58:34,400 Speaker 3: edit it and try to find a thing that. 1198 00:58:34,360 --> 00:58:36,160 Speaker 1: Was not so that was in the moment, that was 1199 00:58:36,200 --> 00:58:36,760 Speaker 1: in the moment. 1200 00:58:38,000 --> 00:58:40,280 Speaker 3: Because I'm looking that I've actually cut down that clip 1201 00:58:40,880 --> 00:58:43,520 Speaker 3: from a minute thirty to this. 1202 00:58:43,920 --> 00:58:44,800 Speaker 2: Okay, that's great. 1203 00:58:44,800 --> 00:58:46,480 Speaker 1: So that was I mean, you know, I'm not dead. 1204 00:58:46,600 --> 00:58:50,240 Speaker 2: I'm not dead. Okay, I thought it was I had 1205 00:58:50,280 --> 00:58:51,080 Speaker 2: to die. 1206 00:58:51,440 --> 00:58:53,080 Speaker 1: Oh you see, there you go or something. Now. 1207 00:58:53,160 --> 00:58:54,520 Speaker 3: I mean, I like the way that he did the 1208 00:58:54,640 --> 00:58:58,120 Speaker 3: VP because he repeated it multiple times, so you start 1209 00:58:58,160 --> 00:59:01,160 Speaker 3: to a cadence rhythm to it. But if I was 1210 00:59:01,560 --> 00:59:04,800 Speaker 3: I'm not dead, I'm not. And I thought, oh, that's interesting. 1211 00:59:05,160 --> 00:59:06,760 Speaker 3: This ghost doesn't know that they're dead. 1212 00:59:06,920 --> 00:59:08,560 Speaker 2: This ghost is a major denial. 1213 00:59:08,720 --> 00:59:12,800 Speaker 3: And like our Linda Carrington ghost may not know that 1214 00:59:12,880 --> 00:59:16,560 Speaker 3: she's dead because maybe she died when her husband died. Mentally, 1215 00:59:16,840 --> 00:59:20,080 Speaker 3: she's atrophine. She may still think she's at home watching Dynasty. 1216 00:59:20,120 --> 00:59:22,040 Speaker 2: She's watching Dynasty. She's like, why is the person turning 1217 00:59:22,040 --> 00:59:24,960 Speaker 2: off my Dynasty? And how come I can't turn it 1218 00:59:25,000 --> 00:59:25,320 Speaker 2: back on? 1219 00:59:25,560 --> 00:59:26,560 Speaker 1: Right? Yeah? 1220 00:59:26,640 --> 00:59:28,560 Speaker 2: I think that there is definitely a type of ghost 1221 00:59:28,640 --> 00:59:31,640 Speaker 2: that doesn't know that they're dead. But it's like, okay, 1222 00:59:32,200 --> 00:59:34,560 Speaker 2: can't you put the clues together. There's a ghost tour 1223 00:59:34,680 --> 00:59:35,760 Speaker 2: coming to your right. 1224 00:59:35,800 --> 00:59:37,840 Speaker 1: I guess there's people walking by all the time. 1225 00:59:37,880 --> 00:59:40,800 Speaker 2: Don't you wonder why there's ghost tours? And they're not 1226 00:59:40,880 --> 00:59:45,200 Speaker 2: wearing Bruce Wils didn't know, but especially these Savannah ones. 1227 00:59:45,240 --> 00:59:48,280 Speaker 2: It's like, honey, no one's got on a top hat anymore. 1228 00:59:49,480 --> 00:59:50,160 Speaker 1: Yeah, haven't you seen? 1229 00:59:50,200 --> 00:59:51,600 Speaker 3: But we don't know. We don't know that. It's like 1230 00:59:51,840 --> 00:59:54,160 Speaker 3: I'm not dead because I was. That could have been 1231 00:59:54,560 --> 00:59:55,200 Speaker 3: mid nineties. 1232 00:59:55,560 --> 00:59:59,360 Speaker 2: True. Well, this has been fun, what a. 1233 00:59:59,320 --> 01:00:02,040 Speaker 3: Blast, and we we didn't even broach aliens. But if 1234 01:00:02,080 --> 01:00:05,720 Speaker 3: you want, if you want, there's a great new documentary out. 1235 01:00:05,920 --> 01:00:06,560 Speaker 2: I hear about it. 1236 01:00:06,680 --> 01:00:07,720 Speaker 1: Yes, it's really good. 1237 01:00:07,840 --> 01:00:11,400 Speaker 3: It's expensive to buy, it's like twenty five bucks on Amazon, 1238 01:00:11,480 --> 01:00:16,120 Speaker 3: but it's a yes, it's uh. I think it's it's 1239 01:00:16,200 --> 01:00:16,800 Speaker 3: eye opening. 1240 01:00:17,160 --> 01:00:19,840 Speaker 2: Yeah, so you watch this and you're like, they're coming. 1241 01:00:20,080 --> 01:00:20,480 Speaker 1: I don't think. 1242 01:00:20,800 --> 01:00:23,959 Speaker 3: I don't know if it's their coming. There's thoughts, there's 1243 01:00:23,960 --> 01:00:26,000 Speaker 3: definitely thoughts, but again that's a whole other you know, 1244 01:00:26,000 --> 01:00:27,440 Speaker 3: I don't want to pull us down in the rabbit hole. 1245 01:00:27,440 --> 01:00:30,360 Speaker 3: Maybe we should both watch and and re you know, reassess. 1246 01:00:30,680 --> 01:00:34,320 Speaker 2: I love this. Okay, Well, it's time. 1247 01:00:34,280 --> 01:00:35,480 Speaker 1: All right, we did it. 1248 01:00:35,640 --> 01:00:38,040 Speaker 2: We got to go tell people where they can find. 1249 01:00:37,800 --> 01:00:40,880 Speaker 3: You can find me wherever you get social media or 1250 01:00:40,880 --> 01:00:43,120 Speaker 3: anything like that. I currently have a show with Rob 1251 01:00:43,120 --> 01:00:44,800 Speaker 3: people called The Dark Web Where We Go. 1252 01:00:45,160 --> 01:00:46,840 Speaker 2: Didn't you watch Sylvia Brown clips on. 1253 01:00:46,760 --> 01:00:48,480 Speaker 3: That, Yes, we did as a matter of fact, so 1254 01:00:49,080 --> 01:00:51,520 Speaker 3: you know, and in the lore of our show, we 1255 01:00:51,600 --> 01:00:54,080 Speaker 3: have been trapped in the woods because our studio burnt 1256 01:00:54,120 --> 01:00:56,439 Speaker 3: down from a haunted doll. 1257 01:00:57,200 --> 01:00:58,040 Speaker 1: That is true. 1258 01:00:58,240 --> 01:01:03,320 Speaker 3: So Rob was at a was at a like a 1259 01:01:03,360 --> 01:01:07,080 Speaker 3: flea market and he bought this doll and the person said, 1260 01:01:07,080 --> 01:01:08,960 Speaker 3: this doll is haunted. It when you look at it 1261 01:01:09,000 --> 01:01:11,520 Speaker 3: is a haunted doll. I'm just remembering all this right now. 1262 01:01:12,080 --> 01:01:13,480 Speaker 3: And so in the lore of the show, which is 1263 01:01:13,480 --> 01:01:17,520 Speaker 3: not real, we uh, we said that the doll had 1264 01:01:17,520 --> 01:01:20,440 Speaker 3: burnt down our studio. We were we were and after Halloween, 1265 01:01:20,680 --> 01:01:23,240 Speaker 3: and so now we've been out in the wilderness literally 1266 01:01:23,400 --> 01:01:27,160 Speaker 3: shooting episodes outdoors and now the story continues. 1267 01:01:27,440 --> 01:01:31,920 Speaker 1: So yeah, that's where we're at. But the name the haunted. 1268 01:01:31,600 --> 01:01:35,440 Speaker 3: Doll, well, we we call it Baby put my Pants. 1269 01:01:35,840 --> 01:01:38,520 Speaker 3: Uh that's you know, there was a little certificate, but 1270 01:01:38,560 --> 01:01:39,480 Speaker 3: I call it Baby Boo. 1271 01:01:39,760 --> 01:01:40,920 Speaker 2: Does she survive the fire? 1272 01:01:41,600 --> 01:01:41,840 Speaker 1: Uh. 1273 01:01:42,280 --> 01:01:45,400 Speaker 3: Yeah, well the doll has not been with us since 1274 01:01:45,520 --> 01:01:48,400 Speaker 3: the fire so so I don't think so. 1275 01:01:49,000 --> 01:01:51,120 Speaker 2: I think she walked away in slow motion. 1276 01:01:52,000 --> 01:01:55,040 Speaker 1: Like uh like from uh what's that movie? Uh? 1277 01:01:55,240 --> 01:01:59,600 Speaker 3: Not Living out Loud, but uh it's as like fire Starter, 1278 01:02:00,040 --> 01:02:03,040 Speaker 3: whoever Angela Bassett throws the match and the car blows up. 1279 01:02:03,120 --> 01:02:04,880 Speaker 1: Yeah, that's that's what's happening there. 1280 01:02:05,080 --> 01:02:07,439 Speaker 2: I love it. Well, you're so cool. Thanks for doing 1281 01:02:07,480 --> 01:02:07,919 Speaker 2: the best. 1282 01:02:08,280 --> 01:02:08,760 Speaker 1: You so much. 1283 01:02:09,160 --> 01:02:09,960 Speaker 2: I'm not dead. 1284 01:02:10,440 --> 01:02:11,080 Speaker 1: I'm not dead. 1285 01:02:13,600 --> 01:02:16,800 Speaker 2: Thank you so much. To Paul Shecher. Oh we got 1286 01:02:16,800 --> 01:02:20,280 Speaker 2: to have him back. That was so fun. So thank 1287 01:02:20,320 --> 01:02:23,800 Speaker 2: you all so much for listening. I love you all, 1288 01:02:24,280 --> 01:02:26,960 Speaker 2: both living and dead. But if I didn't ask you 1289 01:02:27,040 --> 01:02:37,840 Speaker 2: to haunt me, don't haunt me. Hey bye. This has 1290 01:02:37,920 --> 01:02:41,600 Speaker 2: been an exactly right production. Want to share your paranormal 1291 01:02:41,640 --> 01:02:45,120 Speaker 2: experience on the podcast. I read stories out loud and 1292 01:02:45,280 --> 01:02:49,400 Speaker 2: sometimes I'll even call you, so email me at ghosted 1293 01:02:49,480 --> 01:02:52,480 Speaker 2: by Roz at gmail dot com. You can send a 1294 01:02:52,560 --> 01:02:56,360 Speaker 2: DM or voice message to the show's Instagram at ghosted 1295 01:02:56,480 --> 01:02:59,480 Speaker 2: by Roz. Give us a follow while you're there, and 1296 01:02:59,560 --> 01:03:04,160 Speaker 2: follow me Roz on Instagram at roz Hernandez and on 1297 01:03:04,240 --> 01:03:09,000 Speaker 2: TikTok and Twitter at It's Roz Hernandez. My senior producer 1298 01:03:09,240 --> 01:03:14,200 Speaker 2: is the startling Jiha Lee. Associate producer is the alarming 1299 01:03:14,560 --> 01:03:19,280 Speaker 2: Christina Chamberlain. This episode was mixed and sound designed by 1300 01:03:19,320 --> 01:03:24,360 Speaker 2: the eerie Edson Choi. My guest booker is the petrifying 1301 01:03:24,600 --> 01:03:29,160 Speaker 2: Patrick Kuttner. My theme music is by the spine chilling 1302 01:03:29,400 --> 01:03:36,800 Speaker 2: Brendan Lynch Salomon. Artwork by the spooky Vanessa Lilac. Photography 1303 01:03:36,880 --> 01:03:42,720 Speaker 2: by the terrifying Elizabeth Karen. Executive produced by the chilling 1304 01:03:43,080 --> 01:03:49,160 Speaker 2: Karen Kilgariff, the spooky Georgia hart Stark, and the frightening 1305 01:03:49,600 --> 01:03:54,960 Speaker 2: Danielle Kramer. Listen to Ghosted by Roz Hernandez on the 1306 01:03:55,120 --> 01:04:00,880 Speaker 2: iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.