WEBVTT - Starring KayCee Stroh as Martha Cox in “High School Musical”

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<v Speaker 1>Welcome back everybody to this Park Hopper episode of Magical

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<v Speaker 1>Rewind and we are pretty excited because we're all in

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<v Speaker 1>this together. We know that we've known that now from

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<v Speaker 1>the beginning. We know that doubly now because, of course

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<v Speaker 1>we are here to cover the best sequel in the

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<v Speaker 1>history of the world, My Date with the President's Daughter

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<v Speaker 1>to Halle's Revenge. No, I'm kidding, that is not not

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<v Speaker 1>what it is at all. We are here to talk

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<v Speaker 1>to somebody who is part of the biggest franchise I

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<v Speaker 1>mean arguably the biggest well the biggest movie anyway on

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<v Speaker 1>the channel so far to date. Geez, I know, I

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<v Speaker 1>mean just a Juggernaut Monster House. Of course, we are

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<v Speaker 1>talking about High School Musical two, which we've already covered.

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<v Speaker 1>It is twice the singing and dancing, so man, I

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<v Speaker 1>was twice as happy because everybody knows how much I love.

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<v Speaker 2>That bore my thing.

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<v Speaker 1>Everybody knows they're my jam. That's just when people randomly

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<v Speaker 1>break into song that there's no possible way they could

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<v Speaker 1>know how to the lyrics of the dance I'm in.

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<v Speaker 1>But yes, of course this is the one. This is

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<v Speaker 1>the one. Though This and Cheetah Girls are really starting

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<v Speaker 1>to change my mind. But then we got into zombies,

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<v Speaker 1>and then of course I was wearing the zombie shirt

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<v Speaker 1>and dressing as for it. We're all good, but there's

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<v Speaker 1>no more ado to happen here because somebody pretty fabulous

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<v Speaker 1>is joining us today, So can you please help us

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<v Speaker 1>welcome cast member from one and two. I don't know.

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<v Speaker 1>Maybe she's in three. I have no idea because I

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<v Speaker 1>haven't seen it yet. I don't know. I don't. Part

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<v Speaker 1>of me wants to know, part of me doesn't want

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<v Speaker 1>to know, So I have no idea. You know already,

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<v Speaker 1>don't you, and you're not gonna tell me anything.

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<v Speaker 2>I don't actually know. I knew she was in both

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<v Speaker 2>of them, but I'm not quite sure about three because

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<v Speaker 2>I don't I have never seen three.

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<v Speaker 1>She's right, she's also like firmly in your wheelhouse of

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<v Speaker 1>oh Man.

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<v Speaker 2>She known so much for obviously her role in this,

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<v Speaker 2>but what she's doing now. She is on TikTok on Instagram.

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<v Speaker 2>I mean, this girl does not stop dancing. I love it.

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<v Speaker 2>I'm here for it, and I cannot wait to do

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<v Speaker 2>this interview. It's going to be such a good one.

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<v Speaker 1>That is so much fun, So please everyone help us.

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<v Speaker 1>Welcome Casey Strow. Hello, Hello, thank you so much for

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<v Speaker 1>joining us.

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<v Speaker 3>Yes, no, thank you for having me.

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<v Speaker 1>We are just so excited to talk to you because

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<v Speaker 1>we just recapped the phenomenon that is High School Musical two.

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<v Speaker 1>No joke. I am a recent transfer to East High

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<v Speaker 1>I had never seen it before.

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<v Speaker 3>Oh, welcome to the families.

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<v Speaker 1>So I know we're all in this together, but I

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<v Speaker 1>had it took it took a while to get there

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<v Speaker 1>for me. So just thank you for joining us to

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<v Speaker 1>talk to us about how this juggernaut came to be.

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<v Speaker 1>This is absolutely incredible. I think we just start with

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<v Speaker 1>the basic how did you first hear about school Musical one?

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<v Speaker 1>We'll get to two, but we got to start at

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<v Speaker 1>the beginning, right, How did you hear about this? How

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<v Speaker 1>did you get the role? What did you have to

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<v Speaker 1>do to get the role? And your tree looks gorgeous?

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<v Speaker 3>Just for the record, Oh, thank you, thank you. I

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<v Speaker 3>know I love all holidays.

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<v Speaker 4>I have a crazy obsession with decorating, so thank you

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<v Speaker 4>for noticing.

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<v Speaker 3>I appreciate that.

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<v Speaker 4>But yes, my story is really a crazy one and

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<v Speaker 4>very very unique. I grew up in the dance world

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<v Speaker 4>as a dancer from a really young age. I started

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<v Speaker 4>dancing at like age two because my big sisters were

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<v Speaker 4>at the dance studio all the time. So yeah, I

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<v Speaker 4>grew up in the competitive dance world, hardcore, and then

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<v Speaker 4>about like fourth grade, I tried out for Dorothy and

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<v Speaker 4>the Wizard of Oz and that was the first time

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<v Speaker 4>that I.

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<v Speaker 3>Ever discovered that you could act, dancing and dance at

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<v Speaker 3>the same time. And it was like my life's mission.

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<v Speaker 3>So that's like where it started for me.

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<v Speaker 4>And then I ran in I was like eighteen nineteen

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<v Speaker 4>at the time, and I ran into an old choreographer,

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<v Speaker 4>the wonderful Bonnie Story, who had done a piece at

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<v Speaker 4>my dance studio, and she said, you know, I've been

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<v Speaker 4>hired to do this little Disney project. It's untitled, but

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<v Speaker 4>they did mention that they wanted, you know, people to

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<v Speaker 4>audition of all shapes and sizes and colors and everything

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<v Speaker 4>to be backup dancers.

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<v Speaker 3>And that's so rare as you can imagine growing up,

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<v Speaker 3>you know, a thicker girl, a plus sized girl in

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<v Speaker 3>the dance industry.

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<v Speaker 4>It was not always welcoming, you know, and even in

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<v Speaker 4>theater it roles were very limited.

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<v Speaker 3>And so at the time I was teaching dance.

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<v Speaker 4>I was teaching dances like a few different studios around

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<v Speaker 4>Salt Lake Valley, and.

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<v Speaker 3>I just had a feeling.

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<v Speaker 4>I was like what if, Like what if this could

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<v Speaker 4>finally be the way that I that I break in.

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<v Speaker 4>And I took my students to the audition to get

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<v Speaker 4>them like a real true experience, and I was like,

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<v Speaker 4>I mean, I think I I think I look young enough.

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<v Speaker 4>I'm going to give it a shot. So I took

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<v Speaker 4>my headshot and my resume and I walked in and

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<v Speaker 4>I was one of five hundred there that.

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<v Speaker 3>Day to audition just to be backup dancers. Just wow.

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<v Speaker 2>So it was just like an open call that they

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<v Speaker 2>had for anyone that wanted to come out, just an

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<v Speaker 2>open call.

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<v Speaker 4>I was literally the last group to go, and I

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<v Speaker 4>had like this life changing moment. After I auditioned, Kenny

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<v Speaker 4>Ortega stopped the music and he walked over to me

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<v Speaker 4>and he grabbed my hand and he said, I love you.

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<v Speaker 3>You're different, and I was it, like that was it.

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<v Speaker 3>And then he was like do you sing?

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<v Speaker 4>Do you act?

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<v Speaker 5>Like yeah, yeah, I look at my resume here, I

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<v Speaker 5>did all this local this local work in theater, you know,

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<v Speaker 5>And he was like I have looked all over for

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<v Speaker 5>our Martha.

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<v Speaker 3>We We've audished in LA, We've audished in New York.

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<v Speaker 4>And I just didn't feel like we founder and I

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<v Speaker 4>think you were hiding here in little Utah. And so yeah,

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<v Speaker 4>that is how I ended up auditioning for the part.

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<v Speaker 4>And they brought me into casting. They they literally handed

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<v Speaker 4>me script. I had like four minutes with.

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<v Speaker 2>It, Oh my gosh.

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<v Speaker 3>And then and then they put me on tape and

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<v Speaker 3>so the original like pop and lock and jam and.

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<v Speaker 4>Break was just me like ad libbat oh wow, Like

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<v Speaker 4>I didn't know what movement they wanted.

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<v Speaker 3>And then they handed me the song like a little

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<v Speaker 3>CD player.

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<v Speaker 4>I got to listen to it for like five minutes

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<v Speaker 4>and they're like, all right, we're gonna record it and

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<v Speaker 4>send it to Disney.

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<v Speaker 2>Oh my gosh.

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<v Speaker 3>I was like, oh my god, wow, my life. So yeah,

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<v Speaker 3>I was like a baptism by this.

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<v Speaker 1>All in one day. You came into Okay, okay.

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<v Speaker 3>So I did.

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<v Speaker 4>Yeah, callback was at least, you know, I had some time.

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<v Speaker 4>In fact, it was almost painful. I had too much time.

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<v Speaker 4>It was like two weeks and I was like, why did.

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<v Speaker 2>They calling back?

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<v Speaker 4>I was like, why did I might have this like

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<v Speaker 4>life altering moment of like, yeah, I'm different for a

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<v Speaker 4>reason and it was all meant to be and then

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<v Speaker 4>like cricket, cricket.

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<v Speaker 1>Yeah, welcome industry, Yeah exactly.

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<v Speaker 3>So it's super painful.

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<v Speaker 4>But then yeah, I ended up being the very last

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<v Speaker 4>person cast because of it, and I was like three

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<v Speaker 4>days everything was like locked and loaded and signed, and

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<v Speaker 4>then I was on set after like after that.

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<v Speaker 2>So this was the dream for you. I mean, this

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<v Speaker 2>was something that you had on vision boards. You like,

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<v Speaker 2>you thought about it, you talked about it with your friends,

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<v Speaker 2>everyone at your studio, that kind of idea. You've seen

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<v Speaker 2>it in movies, you know, go into that perfect audition

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<v Speaker 2>and damn you like you lived in.

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<v Speaker 4>Them.

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<v Speaker 3>Was like grab a pillow and scream at a pillow moments. Man,

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<v Speaker 3>I just know how.

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<v Speaker 4>It would like happen for me living in Utah, and

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<v Speaker 4>I'm very like family.

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<v Speaker 3>Oriented, and I well, yeah, how am I gonna?

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<v Speaker 1>Like?

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<v Speaker 4>Am I the person that's brave enough to pack up

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<v Speaker 4>my crap and move to l A. I was always

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<v Speaker 4>so scared of that.

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<v Speaker 1>And then it was we'll come to you. Don't worry

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<v Speaker 1>about it, We'll come to you.

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<v Speaker 2>What's amazing is there's just a huge industry of dance

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<v Speaker 2>out in Utah. There really was, and it was untapped, yes,

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<v Speaker 2>for years, until I feel like it was like, so

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<v Speaker 2>you think you could dance? And there just started becoming

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<v Speaker 2>so many, so many amazing everything.

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<v Speaker 1>Disney we noticed this shot in Utah.

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<v Speaker 2>Yeah, but they had not really done a lot of

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<v Speaker 2>dance stuff in Utah. Okay, high school musical, I mean

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<v Speaker 2>between high school musical and like I said, so you

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<v Speaker 2>think you can dance if you look at so many

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<v Speaker 2>of the top people that end up even going from

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<v Speaker 2>that to dancing with the stars and being the pro.

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<v Speaker 4>Dancers, the Julianne Julianne, Derek Huff.

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<v Speaker 2>Whitney, I mean, there's Jennie.

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<v Speaker 1>You're saying all these names I've never heard.

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<v Speaker 2>It's like, you know, okay with the Stars bros.

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<v Speaker 4>But ye will, it's a whole nother world. It is

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<v Speaker 4>entertainment business. And then there's the entertainment business of dancers

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<v Speaker 4>as well.

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<v Speaker 3>And it's just yeah, Utah really has put themselves on

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<v Speaker 3>the map.

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<v Speaker 4>Asing these dancing and performing machines. And I always love

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<v Speaker 4>it when we surprise people and it's like, you know,

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<v Speaker 4>Derek Huff can sing.

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<v Speaker 3>Julianne can sing like Casey Stars, not just a dancer

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<v Speaker 3>like I act and sing. And I think that's really

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<v Speaker 3>really fun and was really unheard of.

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<v Speaker 4>I feel like before that's like dancers just stay in

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<v Speaker 4>the dance lane.

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<v Speaker 2>Right, Yeah, not a lot of triple threats, not a

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<v Speaker 2>lot of kind.

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<v Speaker 1>Well, that's also I think a lot of that has

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<v Speaker 1>to do with the entire industry changing too, thankfully, because

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<v Speaker 1>even back in the day, it was if you're a

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<v Speaker 1>television actor, you're a television actor.

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<v Speaker 3>Yes.

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<v Speaker 1>If you're in movies, you do movies. If you're a dancer,

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<v Speaker 1>you do dancer yees? Commercial yeah yeah, commercial commercial. Now

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<v Speaker 1>it's they nobody wants to hire nine different people to

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<v Speaker 1>do one thing, so they go, how what can you do?

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<v Speaker 1>Can you do work? Oh? You can do everything? Awesome,

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<v Speaker 1>We're gonna do with that right.

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<v Speaker 2>On the channel. Had you been a dcom fan before

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<v Speaker 2>you auditioned for this, was this where you would like

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<v Speaker 2>just a lover of that like Friday night d coom situation.

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<v Speaker 4>So that's what's really funny for me is I wasn't

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<v Speaker 4>because I literally like threw my.

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<v Speaker 3>Full life into like acting and seeing and dancing. You guys.

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<v Speaker 4>Every day after school, I went straight from school to

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<v Speaker 4>like the studio or to acting.

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<v Speaker 3>And I was there till like nine o'clock at night.

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<v Speaker 2>Wow.

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<v Speaker 4>And so I remember when it came out and I

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<v Speaker 4>was like thrust into this Disney Channel world. I remember

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<v Speaker 4>watching it for the first time and being like, oh wow,

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<v Speaker 4>that's that's really wholesome and cheesy.

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<v Speaker 3>I'm wonderful. I wonder if I'll ever work again.

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<v Speaker 2>That's so true, that's funny.

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<v Speaker 4>But but then it like was this beautiful world that

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<v Speaker 4>was unlocked to me. And I went and I watched

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<v Speaker 4>like Halloween Town and I watched like all these.

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<v Speaker 3>Like classic you know, Disney Channel movies.

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<v Speaker 4>I'm like, what, I was sleeping on all of that, right,

0:11:38.559 --> 0:11:42.480
<v Speaker 4>and you had all this joy and she's in my life.

0:11:42.960 --> 0:11:45.160
<v Speaker 1>What is when you're stuck in your the world? I'm

0:11:45.200 --> 0:11:48.599
<v Speaker 1>starting to notice, especially the entertainment industry, it's all microworlds.

0:11:49.120 --> 0:11:51.319
<v Speaker 1>So when you're stuck in your own microworld, whether it's

0:11:51.400 --> 0:11:53.840
<v Speaker 1>dance or sitcom, whatever it is, you don't often see

0:11:53.880 --> 0:11:56.000
<v Speaker 1>what's going on in some of the other little microworlds

0:11:56.000 --> 0:11:58.200
<v Speaker 1>around you. And then when you jump ship into a

0:11:58.240 --> 0:12:01.120
<v Speaker 1>new one, it's it just opens its own. We're doing

0:12:01.120 --> 0:12:03.040
<v Speaker 1>that now with these dcoms where I'm like, look, a

0:12:03.120 --> 0:12:05.880
<v Speaker 1>little kid can turn into a mermaid. I didn't know that.

0:12:05.880 --> 0:12:08.600
<v Speaker 1>That's yeah, it's brilliant.

0:12:08.920 --> 0:12:11.360
<v Speaker 2>Wow. So when did you get a chance to be

0:12:11.440 --> 0:12:14.199
<v Speaker 2>able to meet the rest of your cast then? Was

0:12:14.240 --> 0:12:17.240
<v Speaker 2>it just at the rehearsals or were you Were you

0:12:17.320 --> 0:12:20.080
<v Speaker 2>ever flown to la to do anything prior to the

0:12:20.120 --> 0:12:21.359
<v Speaker 2>shooting of the film.

0:12:21.840 --> 0:12:25.080
<v Speaker 4>I was not, No, nothing, nothing like that. And so

0:12:25.160 --> 0:12:29.120
<v Speaker 4>it was like, literally i walk on set and I'm like,

0:12:29.240 --> 0:12:33.000
<v Speaker 4>with all of these child actors who have been doing

0:12:33.040 --> 0:12:36.720
<v Speaker 4>this since they came out of the womb, and I'm nineteen,

0:12:36.880 --> 0:12:39.480
<v Speaker 4>and although I had had tons of experience, like with

0:12:39.600 --> 0:12:42.240
<v Speaker 4>stage and theater and stuff like that, you know, when

0:12:42.559 --> 0:12:46.000
<v Speaker 4>a camera's in your face, it's a whole different world. Yeah,

0:12:46.240 --> 0:12:50.319
<v Speaker 4>and yeah, I'm nineteen and like Zachamanessa are like fifteen,

0:12:50.480 --> 0:12:55.200
<v Speaker 4>and they're crushing it. I'm like, just follow everybody's lead,

0:12:55.480 --> 0:13:00.400
<v Speaker 4>don't panic, don't be faking it to make it baby,

0:13:00.400 --> 0:13:00.680
<v Speaker 4>that's what.

0:13:01.760 --> 0:13:04.720
<v Speaker 2>What was the first scene that you filmed? Was it

0:13:04.760 --> 0:13:05.880
<v Speaker 2>the cafeteria scene?

0:13:06.160 --> 0:13:06.360
<v Speaker 3>Yes?

0:13:06.520 --> 0:13:06.920
<v Speaker 2>Was that the.

0:13:06.960 --> 0:13:10.800
<v Speaker 1>Very big, huge dance numbers? The first thing you did

0:13:10.880 --> 0:13:13.920
<v Speaker 1>Welcome to the Show kid, Yeah, exactly. That was like

0:13:14.559 --> 0:13:15.160
<v Speaker 1>day one.

0:13:15.720 --> 0:13:18.400
<v Speaker 4>So once again a lot of things for me that

0:13:18.640 --> 0:13:21.160
<v Speaker 4>you know, the fans love and are so iconic. We're

0:13:21.240 --> 0:13:24.840
<v Speaker 4>actually in the moment improv things and it was like

0:13:25.200 --> 0:13:27.480
<v Speaker 4>come up with your own choreography on the table, Casey,

0:13:27.640 --> 0:13:29.120
<v Speaker 4>like just throw it out.

0:13:28.960 --> 0:13:32.439
<v Speaker 3>There, you know. Uh yeah, and then I'm like singing

0:13:33.240 --> 0:13:34.680
<v Speaker 3>live and I'm miked.

0:13:34.640 --> 0:13:37.040
<v Speaker 4>In front of all these in front of all these

0:13:37.080 --> 0:13:40.160
<v Speaker 4>new people. So yeah, pressure was like really on, it

0:13:40.200 --> 0:13:40.720
<v Speaker 4>was really hot.

0:13:40.760 --> 0:13:43.240
<v Speaker 1>Well, you're singing, so you're actually singing live as you're

0:13:43.280 --> 0:13:45.400
<v Speaker 1>doing all the dancing, You're you're you're not singing to

0:13:45.440 --> 0:13:47.679
<v Speaker 1>a track. You're actually singing, you're not lip syncing.

0:13:47.800 --> 0:13:48.600
<v Speaker 3>So we are.

0:13:48.760 --> 0:13:52.679
<v Speaker 4>We were singing to a track, but Kenny also likes

0:13:52.720 --> 0:13:54.679
<v Speaker 4>to just sing why you're.

0:13:54.520 --> 0:13:57.719
<v Speaker 3>Doing it and live and everything, So yeah, I know

0:13:57.840 --> 0:13:59.520
<v Speaker 3>it was it was really great.

0:13:59.600 --> 0:14:02.640
<v Speaker 4>And that was supposed to be it for my character Martha,

0:14:02.920 --> 0:14:06.320
<v Speaker 4>like it was just that was her moment, that was it,

0:14:06.720 --> 0:14:09.600
<v Speaker 4>and then I'm gonna I'm gonna age myself right now.

0:14:09.840 --> 0:14:17.280
<v Speaker 3>They sent in the dailies, they fed him, yes, yes,

0:14:17.720 --> 0:14:18.600
<v Speaker 3>so they so.

0:14:18.640 --> 0:14:21.200
<v Speaker 4>They send in the dailies and Disney was like, oh

0:14:21.240 --> 0:14:25.200
<v Speaker 4>my goodness, we love her. We wish we would have

0:14:25.240 --> 0:14:28.680
<v Speaker 4>booked her sooner, and that she was throughout the show more.

0:14:29.520 --> 0:14:33.360
<v Speaker 4>And so after we wrapped on that scene, I got

0:14:33.360 --> 0:14:35.920
<v Speaker 4>a phone call a little bit later and they were like, Hey,

0:14:36.840 --> 0:14:38.120
<v Speaker 4>there's this dance that they.

0:14:37.960 --> 0:14:39.920
<v Speaker 3>Do at the end called raw This Together.

0:14:40.680 --> 0:14:43.360
<v Speaker 4>If I just send you Bonnie's story like doing it,

0:14:43.400 --> 0:14:46.000
<v Speaker 4>can you learn the dance quick and show up tomorrow

0:14:46.120 --> 0:14:48.280
<v Speaker 4>and we're gonna throw you in the finale.

0:14:48.520 --> 0:14:49.360
<v Speaker 3>And I'm like, what.

0:14:51.360 --> 0:14:55.040
<v Speaker 2>Take Yeah, tell her what time. I'll be an hour early. Guys,

0:14:55.120 --> 0:14:55.760
<v Speaker 2>I'll be there.

0:14:56.920 --> 0:15:03.000
<v Speaker 3>I will preport that man nice. So yeah, so and

0:15:02.840 --> 0:15:05.200
<v Speaker 3>and Kenny was so kind to me.

0:15:05.480 --> 0:15:09.880
<v Speaker 4>He always was very strategic with his placement and he

0:15:10.040 --> 0:15:11.720
<v Speaker 4>always just loved.

0:15:11.440 --> 0:15:13.720
<v Speaker 3>That I was a strong dancer. And he was like,

0:15:13.760 --> 0:15:16.840
<v Speaker 3>I know, if I put her like right by Zach

0:15:16.920 --> 0:15:20.360
<v Speaker 3>and Vanessa or like right by them, like she'll be

0:15:20.440 --> 0:15:24.400
<v Speaker 3>fine right and I won't have to worry about her

0:15:24.440 --> 0:15:25.440
<v Speaker 3>bess at the shop.

0:15:26.640 --> 0:15:28.880
<v Speaker 2>Okay, I got so you so we I mean, we've

0:15:29.080 --> 0:15:34.160
<v Speaker 2>we all love Kenny. He's just a legend. And obviously

0:15:34.200 --> 0:15:36.880
<v Speaker 2>you being a dancer, and you had to have known

0:15:36.920 --> 0:15:40.120
<v Speaker 2>about this icon prior to even seeing him at this

0:15:40.320 --> 0:15:43.320
<v Speaker 2>at this audition, which I'm sure made it that much

0:15:43.360 --> 0:15:46.080
<v Speaker 2>more nerve racking, But what was it like for you

0:15:46.200 --> 0:15:47.240
<v Speaker 2>on set with him?

0:15:47.280 --> 0:15:50.040
<v Speaker 4>So actually, that's a that's a story. That's a story,

0:15:50.040 --> 0:15:52.520
<v Speaker 4>so Brita right there, that's his story in itself. So

0:15:52.920 --> 0:15:56.720
<v Speaker 4>I get there. Nobody's told me it's Kenny Artega. Oh no,

0:15:56.880 --> 0:15:58.800
<v Speaker 4>at that audition, I had no idea.

0:15:59.040 --> 0:16:01.520
<v Speaker 1>Oh my god, no idea.

0:16:01.640 --> 0:16:04.960
<v Speaker 3>So I am like trying to keep myself calm. I'm like,

0:16:05.040 --> 0:16:05.880
<v Speaker 3>you got this.

0:16:06.120 --> 0:16:08.880
<v Speaker 4>You've done ten bazillion dance auditions in your life.

0:16:08.960 --> 0:16:09.480
<v Speaker 3>You're fine.

0:16:10.200 --> 0:16:13.880
<v Speaker 4>And some little twerp looks over at me and is like,

0:16:14.400 --> 0:16:17.280
<v Speaker 4>I can't believe we're gonna dance for the man who

0:16:17.280 --> 0:16:20.400
<v Speaker 4>did Newsies, And I was like.

0:16:21.800 --> 0:16:27.160
<v Speaker 2>My Christian Bale, where's Christian?

0:16:27.400 --> 0:16:29.800
<v Speaker 3>My soul up my body, my soul up my body?

0:16:29.800 --> 0:16:30.280
<v Speaker 3>And then she's like.

0:16:30.320 --> 0:16:33.000
<v Speaker 4>Yeah, and hocus Pocus and like everything, and I was like,

0:16:33.520 --> 0:16:35.200
<v Speaker 4>are you freaking kidding me? These are the shows like

0:16:35.280 --> 0:16:40.640
<v Speaker 4>I grew up on dreaming of reviving musicals and you

0:16:40.800 --> 0:16:42.920
<v Speaker 4>just tell me that, and I've gotta walk in like

0:16:43.160 --> 0:16:44.360
<v Speaker 4>right now to this guy.

0:16:44.400 --> 0:16:46.880
<v Speaker 3>I was like, I could have gone a lifetime without

0:16:46.920 --> 0:16:47.440
<v Speaker 3>knowing that in.

0:16:48.920 --> 0:16:53.400
<v Speaker 2>Man, that person was trying to psych you out, casey right,

0:16:54.080 --> 0:16:55.240
<v Speaker 2>just that little.

0:16:58.600 --> 0:16:59.720
<v Speaker 3>I know.

0:17:02.160 --> 0:17:05.359
<v Speaker 4>But yeah, so then of course knowing that now after

0:17:05.400 --> 0:17:08.600
<v Speaker 4>the audition to answer your question, Yeah, like walking in

0:17:08.640 --> 0:17:11.359
<v Speaker 4>on set, like the stakes were so high for me,

0:17:12.280 --> 0:17:16.280
<v Speaker 4>and it was just like all my hard work.

0:17:16.560 --> 0:17:19.679
<v Speaker 3>Since I was two years old, and all these dreams,

0:17:19.920 --> 0:17:23.080
<v Speaker 3>everything I had wanted so bad. It was like, here's

0:17:23.119 --> 0:17:24.560
<v Speaker 3>your one shot girl.

0:17:24.359 --> 0:17:28.359
<v Speaker 4>Like shine, you gotta shine. And I was just so grateful.

0:17:28.520 --> 0:17:33.240
<v Speaker 4>I'm so blessed that Kenny loved it, Disney loved it,

0:17:33.320 --> 0:17:36.800
<v Speaker 4>and then even more shockingly, after it came out, the.

0:17:36.800 --> 0:17:42.960
<v Speaker 3>Fans loved my character. And that's really who got me back.

0:17:43.080 --> 0:17:45.720
<v Speaker 3>That's who got me back in high school. Usical two

0:17:45.760 --> 0:17:46.520
<v Speaker 3>and three.

0:17:46.400 --> 0:17:48.280
<v Speaker 1>And so you are in three. I haven't seen it yet.

0:17:48.320 --> 0:17:50.080
<v Speaker 1>I'm going in order. I haven't seen it. Okay, you

0:17:50.119 --> 0:17:52.080
<v Speaker 1>are in three, aren't good? I said that to Sabrie.

0:17:52.119 --> 0:17:54.200
<v Speaker 1>I'm like she had three. She's like, I'm not saying anything.

0:17:54.200 --> 0:17:58.920
<v Speaker 4>I was like, okay, okay, you'll have to watch will,

0:17:58.960 --> 0:18:02.359
<v Speaker 4>but I will tell you that get even better as

0:18:02.400 --> 0:18:02.800
<v Speaker 4>they go.

0:18:04.480 --> 0:18:04.640
<v Speaker 3>Two.

0:18:05.359 --> 0:18:07.879
<v Speaker 2>Yeah, we saw that with number two. I love it.

0:18:07.920 --> 0:18:10.359
<v Speaker 2>I love that they are developing your stories as you go,

0:18:10.480 --> 0:18:14.040
<v Speaker 2>which is one of the things I love about Kenny's

0:18:14.080 --> 0:18:18.880
<v Speaker 2>work is he really goes into your character development and

0:18:18.960 --> 0:18:21.320
<v Speaker 2>where you would in this in a second movie, where

0:18:21.359 --> 0:18:24.159
<v Speaker 2>you would be now you know since time is passed.

0:18:24.080 --> 0:18:26.120
<v Speaker 1>Well, it's part of it. They've really made a team.

0:18:26.160 --> 0:18:28.240
<v Speaker 1>There's like part of a team now and there's six

0:18:28.320 --> 0:18:30.240
<v Speaker 1>or seven members of the team. You're part of the team,

0:18:30.280 --> 0:18:32.760
<v Speaker 1>and it's just that's what you see.

0:18:33.040 --> 0:18:34.760
<v Speaker 2>See even a lot of the dancers. I mean, like

0:18:34.800 --> 0:18:38.199
<v Speaker 2>obviously Chucky is his right hand man assistant choreographer, but

0:18:38.320 --> 0:18:41.240
<v Speaker 2>like Chucky seemed like he seems like his own character.

0:18:41.320 --> 0:18:44.560
<v Speaker 2>He never talks, but he's in it.

0:18:45.240 --> 0:18:46.840
<v Speaker 1>Yes, who's which one's Chucky?

0:18:46.960 --> 0:18:48.560
<v Speaker 3>Chucky was the other choreographer.

0:18:48.640 --> 0:18:51.119
<v Speaker 2>Yeah, he's another choreographer that has worked with Kenny forever.

0:18:51.119 --> 0:18:53.160
<v Speaker 2>He also worked on Chetah Girls too with us. He

0:18:53.160 --> 0:18:57.359
<v Speaker 2>helps choreograph and place. But in high school musical, he's

0:18:57.480 --> 0:18:59.520
<v Speaker 2>in it, and he's in gets you ahead in the game.

0:18:59.560 --> 0:19:02.080
<v Speaker 2>He's in it all the big Okay, So if you

0:19:02.119 --> 0:19:04.240
<v Speaker 2>saw a picture of Checky and we're trying to get Chucky,

0:19:04.240 --> 0:19:05.680
<v Speaker 2>we want to do an interview with CHECKI.

0:19:05.560 --> 0:19:09.320
<v Speaker 1>For sure, I'll get you Chucky gets Chucky, get us

0:19:09.440 --> 0:19:11.520
<v Speaker 1>Chucky tonight.

0:19:11.640 --> 0:19:14.399
<v Speaker 2>Yes, we want to do it, just because he's really

0:19:14.520 --> 0:19:18.080
<v Speaker 2>essentially a huge part of the creative you know, team

0:19:18.200 --> 0:19:22.080
<v Speaker 2>and the creative you know, momentum of the movie. But

0:19:22.160 --> 0:19:25.840
<v Speaker 2>he's actually to me, I feel like Chuckie's his own character,

0:19:25.960 --> 0:19:27.560
<v Speaker 2>just doesn't have a name or an he doesn't talk,

0:19:27.720 --> 0:19:30.680
<v Speaker 2>but he's in every major It's amazing.

0:19:30.720 --> 0:19:31.679
<v Speaker 3>It's so true.

0:19:31.760 --> 0:19:34.600
<v Speaker 4>And it's amazing that the fans like fell in love

0:19:34.680 --> 0:19:37.800
<v Speaker 4>with you, didn't like yeah, with Chucky, with like the

0:19:37.840 --> 0:19:41.640
<v Speaker 4>principal dancers, they all have like these backstories of who

0:19:41.720 --> 0:19:43.320
<v Speaker 4>they think those characters are.

0:19:44.119 --> 0:19:45.600
<v Speaker 1>It's incredible.

0:19:46.040 --> 0:19:48.280
<v Speaker 3>It is such a cool thing.

0:19:55.640 --> 0:19:58.040
<v Speaker 1>Now I have a technical question. Now, yes, when you

0:19:58.080 --> 0:20:01.000
<v Speaker 1>started the interview, so you were dancing since you were two,

0:20:01.119 --> 0:20:02.920
<v Speaker 1>and then you said something about competitive dancing. Were you

0:20:03.000 --> 0:20:04.520
<v Speaker 1>competitive dancing at that age?

0:20:05.040 --> 0:20:07.920
<v Speaker 3>I did my first competition at age.

0:20:07.640 --> 0:20:10.000
<v Speaker 1>Two two years ago. Okay, well that's I.

0:20:10.760 --> 0:20:15.200
<v Speaker 3>Walked down a very special moment in a production.

0:20:14.960 --> 0:20:17.639
<v Speaker 4>Number where I put my hands on my head and

0:20:17.680 --> 0:20:19.200
<v Speaker 4>I shook my little tish.

0:20:19.000 --> 0:20:25.359
<v Speaker 3>And okay, so the history I'm going to save raise

0:20:25.440 --> 0:20:26.000
<v Speaker 3>the dancer.

0:20:26.480 --> 0:20:29.160
<v Speaker 1>So how different since this was the first time you said,

0:20:29.160 --> 0:20:30.919
<v Speaker 1>they put a camera in your face, and it's so different.

0:20:31.080 --> 0:20:33.800
<v Speaker 1>How different is dancing in something like a competition or

0:20:33.840 --> 0:20:37.119
<v Speaker 1>a studio or whatever, and then dancing with cameras in

0:20:37.119 --> 0:20:39.840
<v Speaker 1>your face? I mean, are you doing the entire dance?

0:20:39.840 --> 0:20:42.000
<v Speaker 1>Are you just doing sections of the dance so they

0:20:42.040 --> 0:20:43.880
<v Speaker 1>can film it? I mean, how different is that?

0:20:44.359 --> 0:20:47.840
<v Speaker 3>Yeah, it's a very very different process, and especially because

0:20:47.880 --> 0:20:51.200
<v Speaker 3>as a performer live you're always taught to keep your

0:20:51.320 --> 0:20:53.200
<v Speaker 3>eyes on the audience or connect with.

0:20:53.160 --> 0:20:54.440
<v Speaker 4>The judges and things.

0:20:54.240 --> 0:20:56.399
<v Speaker 3>Like that, and then you have a camera right in

0:20:56.400 --> 0:20:59.359
<v Speaker 3>your face and don't look at it. Look at that camera.

0:21:00.680 --> 0:21:02.240
<v Speaker 1>I'm pretty it's right here in front of your face

0:21:02.240 --> 0:21:04.679
<v Speaker 1>with a giant X on it. Do not look at it.

0:21:04.359 --> 0:21:08.200
<v Speaker 3>It's just gonna slide right across her face. But God forbid,

0:21:08.320 --> 0:21:12.680
<v Speaker 3>don't look, oh man. So that's a big part of it.

0:21:12.760 --> 0:21:16.320
<v Speaker 4>And then with Kenny, I think the reason why he

0:21:16.480 --> 0:21:19.520
<v Speaker 4>is such a creative genius is he's very passionate and

0:21:19.560 --> 0:21:25.639
<v Speaker 4>he's a perfectionist. So with every dance scene, it took

0:21:26.760 --> 0:21:28.520
<v Speaker 4>ten million takes to get.

0:21:28.320 --> 0:21:29.719
<v Speaker 3>The one that he loved.

0:21:30.400 --> 0:21:33.240
<v Speaker 4>And yes, we would do it in chunks, but many

0:21:33.280 --> 0:21:36.600
<v Speaker 4>times he wanted to get like the one shot, you know,

0:21:36.880 --> 0:21:39.320
<v Speaker 4>or a long shot, And so we were doing those

0:21:39.400 --> 0:21:41.520
<v Speaker 4>dances over and over. There was a lot of blood,

0:21:41.520 --> 0:21:43.000
<v Speaker 4>sweat and tears, and let's just want.

0:21:42.840 --> 0:21:45.200
<v Speaker 1>To say, how does your body hold up for something

0:21:45.359 --> 0:21:47.399
<v Speaker 1>like this over and over and over again?

0:21:47.480 --> 0:21:50.920
<v Speaker 2>Will will we saw? Well, you've got to remember too,

0:21:50.960 --> 0:21:55.120
<v Speaker 2>you're like talking, I mean anywhere from like fourteen fifteen

0:21:55.240 --> 0:22:00.240
<v Speaker 2>to twenty two probably are the dancers. They're in their prime.

0:22:00.440 --> 0:22:03.800
<v Speaker 2>I mean they are so condish to do that over

0:22:03.840 --> 0:22:07.680
<v Speaker 2>and over again. And let me tell you, Kenny Ortega

0:22:07.760 --> 0:22:11.120
<v Speaker 2>walks on set, You're doing nothing but full out. You

0:22:11.160 --> 0:22:14.840
<v Speaker 2>are going to the night every time that music starts

0:22:15.480 --> 0:22:16.800
<v Speaker 2>and finishing.

0:22:16.359 --> 0:22:21.280
<v Speaker 3>It speaking truth and she knows that you.

0:22:20.320 --> 0:22:25.120
<v Speaker 2>Even think about marking a second of those eight counts.

0:22:25.160 --> 0:22:28.640
<v Speaker 2>So it's and you're like, that's the dream. Like you've

0:22:28.680 --> 0:22:30.760
<v Speaker 2>been wanting to do this in front of someone like

0:22:30.840 --> 0:22:34.959
<v Speaker 2>Kenny Ortega forever and so you're just stoked. Your body's

0:22:35.040 --> 0:22:39.200
<v Speaker 2>just like on complete adrenaline. Like, yeah, you're tired later,

0:22:39.359 --> 0:22:40.760
<v Speaker 2>but in the moment you are.

0:22:41.320 --> 0:22:45.400
<v Speaker 4>Yes, Like it's like if all you have for three months,

0:22:45.440 --> 0:22:49.200
<v Speaker 4>you can die after, yes, exactly over dead after, but

0:22:49.280 --> 0:22:51.080
<v Speaker 4>by you're going to push through for.

0:22:51.080 --> 0:22:53.800
<v Speaker 2>This, be honest in this industry because that might be

0:22:53.880 --> 0:22:54.560
<v Speaker 2>all you got.

0:22:55.080 --> 0:22:59.680
<v Speaker 4>That's right, Yeah, you never you do, so do it right,

0:23:00.320 --> 0:23:03.439
<v Speaker 4>geez Amen's sister Amen.

0:23:03.840 --> 0:23:07.280
<v Speaker 1>Okay, So the first the first movie comes out. It's

0:23:07.359 --> 0:23:10.199
<v Speaker 1>obviously nobody expected because we've talked to, you know, other

0:23:10.200 --> 0:23:13.679
<v Speaker 1>people involvement project. Nobody expected. How could you what it

0:23:13.760 --> 0:23:17.160
<v Speaker 1>was going to become? How does your life change from

0:23:17.359 --> 0:23:19.760
<v Speaker 1>pre high school musical to post high school musical.

0:23:20.000 --> 0:23:23.919
<v Speaker 3>It was pretty wild. It came out, and then I

0:23:24.000 --> 0:23:26.399
<v Speaker 3>was still just like teaching dance in the basement of

0:23:26.480 --> 0:23:29.040
<v Speaker 3>the mall and like all these different dance studios.

0:23:29.280 --> 0:23:32.479
<v Speaker 4>And it was about a week later I received a

0:23:32.520 --> 0:23:37.720
<v Speaker 4>call from Ashley Tisdale's manager, Bill Perlman, and he was like, Hey,

0:23:38.040 --> 0:23:40.560
<v Speaker 4>I saw you on set and I watched you do

0:23:40.720 --> 0:23:44.080
<v Speaker 4>your stick to the status quo, and I really think

0:23:44.119 --> 0:23:47.200
<v Speaker 4>there's something special there. I think you're You're really unique.

0:23:47.240 --> 0:23:50.919
<v Speaker 4>I don't have anyone like you that I represent, And

0:23:50.960 --> 0:23:52.919
<v Speaker 4>it like, is this really your dream? And I'm like,

0:23:53.000 --> 0:23:55.680
<v Speaker 4>oh yeah, since I was like a baby, like this

0:23:55.760 --> 0:23:58.560
<v Speaker 4>is my dream. And he's like, well, grab your parents

0:23:58.600 --> 0:24:02.000
<v Speaker 4>obviously come out to Beverly Hills and meet me and.

0:24:01.920 --> 0:24:04.879
<v Speaker 3>Like see if you you know, if this is a

0:24:04.920 --> 0:24:08.000
<v Speaker 3>good fit. I mean I'm like, oh my gosh, like

0:24:08.119 --> 0:24:12.080
<v Speaker 3>a manager. And it was truly one of the funniest

0:24:12.200 --> 0:24:15.679
<v Speaker 3>stories of my life. Like my mom and my sister

0:24:15.760 --> 0:24:19.080
<v Speaker 3>actually came with. We packed up our car. It was

0:24:19.119 --> 0:24:21.720
<v Speaker 3>like the Clampets heading the Beverly Hills.

0:24:22.359 --> 0:24:24.879
<v Speaker 4>We like, we spent all this money to get a

0:24:24.880 --> 0:24:27.080
<v Speaker 4>really nice hotel because we're like, oh, we were never

0:24:27.119 --> 0:24:28.920
<v Speaker 4>going to do this again, like what if this never

0:24:29.000 --> 0:24:32.159
<v Speaker 4>happens again? And little did I know, I roll up

0:24:32.160 --> 0:24:34.720
<v Speaker 4>to this hotel. I'm like in my county's like road trip,

0:24:34.800 --> 0:24:36.920
<v Speaker 4>you know, and we're like, hey, where do we park.

0:24:36.920 --> 0:24:37.560
<v Speaker 3>They're like it's.

0:24:37.480 --> 0:24:43.840
<v Speaker 4>Valet, only we've stopped at like Walmart to get groceries

0:24:43.880 --> 0:24:45.439
<v Speaker 4>to save money on the trip.

0:24:46.560 --> 0:24:51.720
<v Speaker 3>They're carrying out like yeah, that so much. That's awesome.

0:24:51.960 --> 0:24:54.800
<v Speaker 3>I mean that that is yeah, but it was such

0:24:54.800 --> 0:24:56.000
<v Speaker 3>a cool experience. I met with.

0:24:56.040 --> 0:25:00.720
<v Speaker 4>Bill and I'm literally in his living room, you know,

0:25:00.880 --> 0:25:03.960
<v Speaker 4>talking about the logistics of this, and he gets a

0:25:03.960 --> 0:25:07.359
<v Speaker 4>phone call from one of his other clients and he's like.

0:25:07.240 --> 0:25:08.639
<v Speaker 3>You know why I have you on the phone. Do

0:25:08.640 --> 0:25:11.040
<v Speaker 3>you remember that girl in high school musical who like

0:25:11.200 --> 0:25:13.120
<v Speaker 3>got up on the table and she popped and locked

0:25:13.119 --> 0:25:14.960
<v Speaker 3>and stuff. She's like, oh my gosh, I loved her.

0:25:15.359 --> 0:25:17.000
<v Speaker 3>She was like one of my favorites. She's like, well,

0:25:17.040 --> 0:25:20.040
<v Speaker 3>she's in my living room right now, and I think

0:25:20.040 --> 0:25:22.960
<v Speaker 3>I'm going to represent her, Like do you have any

0:25:22.960 --> 0:25:26.040
<v Speaker 3>interest in like looking at her, like with your agency

0:25:26.080 --> 0:25:27.880
<v Speaker 3>and stuff like that, and she's like, yeah, tell her

0:25:27.880 --> 0:25:28.760
<v Speaker 3>to come on down.

0:25:29.480 --> 0:25:32.440
<v Speaker 4>And it was like, within like two days of being

0:25:32.440 --> 0:25:35.800
<v Speaker 4>in La, like I had like a manager and an agent.

0:25:37.240 --> 0:25:39.400
<v Speaker 1>This is after just walking into a dance audition where

0:25:39.400 --> 0:25:41.280
<v Speaker 1>they said we're going to make the part bigger because

0:25:41.480 --> 0:25:46.840
<v Speaker 1>so essentially you've just been killing the industry from the seconds.

0:25:46.400 --> 0:25:50.040
<v Speaker 2>Silent Killer, A silent killer from Utah just.

0:25:50.040 --> 0:25:53.600
<v Speaker 1>Come and slain a manager agent. Then I was at

0:25:53.640 --> 0:25:55.720
<v Speaker 1>my agency and they just handed me a bucket full

0:25:55.760 --> 0:25:58.040
<v Speaker 1>of cash. I know.

0:25:58.200 --> 0:26:00.320
<v Speaker 2>It really was like he gave us a new car

0:26:00.359 --> 0:26:00.960
<v Speaker 2>to drive home.

0:26:03.080 --> 0:26:04.280
<v Speaker 1>It's so great.

0:26:04.880 --> 0:26:07.879
<v Speaker 3>I wish, I wish, but isn't it wild? Like so

0:26:07.920 --> 0:26:10.000
<v Speaker 3>then it's hard when people are like, oh, I want

0:26:10.000 --> 0:26:11.879
<v Speaker 3>your advice on how to get do the industry. And

0:26:11.920 --> 0:26:13.000
<v Speaker 3>I was like, well.

0:26:14.440 --> 0:26:16.720
<v Speaker 1>Be and God smiled upon me.

0:26:16.840 --> 0:26:20.120
<v Speaker 3>So like sorry, I don't know how to explain it.

0:26:20.560 --> 0:26:23.240
<v Speaker 4>So but then, like you know, you know, the industry.

0:26:23.240 --> 0:26:25.879
<v Speaker 4>The hard knocks came after that, when I like shocked.

0:26:25.560 --> 0:26:27.440
<v Speaker 3>Up and I moved down and everything.

0:26:27.520 --> 0:26:30.040
<v Speaker 4>But I was really blessed and being part of the

0:26:30.080 --> 0:26:33.240
<v Speaker 4>Disney family already, I was able, like to book a

0:26:33.280 --> 0:26:36.040
<v Speaker 4>recurring role on the Sweet Life of Zack and Cody

0:26:36.680 --> 0:26:39.520
<v Speaker 4>and get some more experience on said and things like.

0:26:40.040 --> 0:26:43.760
<v Speaker 2>The buddy work with Ashley. That's all yeah, okay.

0:26:43.520 --> 0:26:47.280
<v Speaker 3>So yeah, I was just very very blessed.

0:26:47.320 --> 0:26:49.480
<v Speaker 4>But then like it was really funny when they called

0:26:49.480 --> 0:26:51.720
<v Speaker 4>me back for High School Musical too, because then now

0:26:51.720 --> 0:26:54.720
<v Speaker 4>I'm living in LA I've got Thereat Life of Zack

0:26:54.800 --> 0:26:58.040
<v Speaker 4>and Cody, and I got totally robbed blind.

0:26:58.160 --> 0:27:01.160
<v Speaker 3>I had no representation on the first film, like.

0:27:01.119 --> 0:27:04.399
<v Speaker 4>I think I made like a couple grand you know,

0:27:04.600 --> 0:27:06.359
<v Speaker 4>and then I'm like, oh, you'd like me.

0:27:06.280 --> 0:27:07.680
<v Speaker 3>For High School Musical two?

0:27:07.720 --> 0:27:11.600
<v Speaker 1>Would you please speak to my manager and my agent?

0:27:11.840 --> 0:27:13.760
<v Speaker 1>Thank you very much, Thank.

0:27:13.640 --> 0:27:16.040
<v Speaker 3>You for making me. Did you're going to charge you

0:27:16.080 --> 0:27:16.640
<v Speaker 3>a lot more?

0:27:16.720 --> 0:27:17.840
<v Speaker 4>Now? Yeah?

0:27:18.040 --> 0:27:21.320
<v Speaker 2>So this is the thing because back then, you guys

0:27:21.320 --> 0:27:23.960
<v Speaker 2>didn't do a two movie deal, like you know, the

0:27:24.400 --> 0:27:26.600
<v Speaker 2>The Descendants. I think zombies.

0:27:26.840 --> 0:27:28.680
<v Speaker 1>Well, it's because no one knew what High School Musical

0:27:28.680 --> 0:27:30.200
<v Speaker 1>was going to be. They would have signed these kids

0:27:30.280 --> 0:27:32.800
<v Speaker 1>until twenty ninety two if they had known what it

0:27:32.840 --> 0:27:33.240
<v Speaker 1>was going to be.

0:27:33.400 --> 0:27:35.959
<v Speaker 2>The damn what an idea that they would end up

0:27:36.000 --> 0:27:38.520
<v Speaker 2>doing a sequel. They just didn't know. But there was

0:27:39.040 --> 0:27:39.720
<v Speaker 2>talks about it.

0:27:39.760 --> 0:27:41.240
<v Speaker 1>Oh really before it even started.

0:27:41.840 --> 0:27:46.560
<v Speaker 2>Yeah, because again remember like the timeline goes Cheetah Girls

0:27:46.640 --> 0:27:49.760
<v Speaker 2>one while we were doing Cheatah Girls too, was when

0:27:49.800 --> 0:27:52.119
<v Speaker 2>the first one was premiering and they were already talking

0:27:52.119 --> 0:27:54.679
<v Speaker 2>about a second one. Oh okay, isn't it wild to

0:27:54.760 --> 0:27:59.320
<v Speaker 2>think now? Like Descendants Zombies, like they're when they're getting hired,

0:27:59.359 --> 0:28:03.359
<v Speaker 2>they're doing without being known, two movie deals, and it's like,

0:28:03.680 --> 0:28:05.240
<v Speaker 2>what do you think about?

0:28:05.480 --> 0:28:07.920
<v Speaker 1>That's normal. I mean when I started Boy Mets World,

0:28:07.960 --> 0:28:10.199
<v Speaker 1>I had to sign a seven year contract. So it

0:28:10.359 --> 0:28:13.800
<v Speaker 1>was oh, of course, of course that's what we had

0:28:13.840 --> 0:28:17.919
<v Speaker 1>to sign for seven years before we ever entered the

0:28:17.960 --> 0:28:21.199
<v Speaker 1>final audition. You were signed and the contract is done

0:28:21.480 --> 0:28:23.880
<v Speaker 1>before you can audition, and you had to sign essentially

0:28:23.920 --> 0:28:28.080
<v Speaker 1>for the entire series, god willing. So these that's standards. Yeah,

0:28:28.160 --> 0:28:31.800
<v Speaker 1>that's it's six with an option for seven that's standard. Yeah, no,

0:28:31.840 --> 0:28:33.720
<v Speaker 1>that's a total scom.

0:28:33.440 --> 0:28:35.840
<v Speaker 2>Deal and you can't do it. You guys weren't able

0:28:35.880 --> 0:28:37.360
<v Speaker 2>to renegotiate anything.

0:28:37.560 --> 0:28:39.760
<v Speaker 1>No. I mean it's Hollywood, so you can renegotiate all

0:28:39.800 --> 0:28:42.040
<v Speaker 1>the time. But they can always say we're gonna hold

0:28:42.080 --> 0:28:44.240
<v Speaker 1>this to you. I hold you to this. But if

0:28:44.280 --> 0:28:46.200
<v Speaker 1>the show takes off and does something, then hey, I

0:28:46.200 --> 0:28:47.560
<v Speaker 1>want a little more. I want this, I want that.

0:28:47.560 --> 0:28:50.520
<v Speaker 1>They're usually pretty cool with that, but you're not going anywhere.

0:28:50.600 --> 0:28:54.600
<v Speaker 1>You're You're you're signed. So I mean the idea when

0:28:54.640 --> 0:28:57.720
<v Speaker 1>I hear two movies, I'm like, that's fourteen weeks or

0:28:57.760 --> 0:29:00.440
<v Speaker 1>whatever shooting is. We signed for seven years?

0:29:01.600 --> 0:29:03.440
<v Speaker 3>Will you were iron class?

0:29:03.640 --> 0:29:03.840
<v Speaker 1>Yeah?

0:29:04.320 --> 0:29:05.520
<v Speaker 3>You were stuck with those.

0:29:05.640 --> 0:29:08.000
<v Speaker 2>They were like, do you give this the remainder of

0:29:08.200 --> 0:29:11.160
<v Speaker 2>your childhood and into your twenties.

0:29:11.200 --> 0:29:13.640
<v Speaker 1>Thank god I became best friends with the people on

0:29:13.680 --> 0:29:15.720
<v Speaker 1>that show. Or that really would have sucked.

0:29:15.800 --> 0:29:18.120
<v Speaker 3>Because it's like a total nightmare.

0:29:18.280 --> 0:29:20.440
<v Speaker 1>Yes, your strat's what happens. You could be strapped to

0:29:20.480 --> 0:29:23.239
<v Speaker 1>people for years you don't really like. Okay, so then

0:29:23.400 --> 0:29:25.560
<v Speaker 1>High School Musical one comes out, it is what it is.

0:29:25.600 --> 0:29:27.400
<v Speaker 1>They now call you to do High School Musical two.

0:29:27.920 --> 0:29:31.400
<v Speaker 1>What are the differences between the productions that you noticed

0:29:31.400 --> 0:29:35.120
<v Speaker 1>from the small movie that no one knew about to now, okay,

0:29:35.120 --> 0:29:37.080
<v Speaker 1>we know what this is going to be. What was

0:29:37.120 --> 0:29:39.640
<v Speaker 1>shooting the second one, like is in comparison to the first.

0:29:39.920 --> 0:29:43.040
<v Speaker 4>Yeah, you know, it was really fun because I feel

0:29:43.040 --> 0:29:46.440
<v Speaker 4>like we knew, like budget was going up, so we

0:29:46.520 --> 0:29:47.160
<v Speaker 4>could go.

0:29:47.240 --> 0:29:50.280
<v Speaker 3>A little bit more all out with our production and

0:29:50.320 --> 0:29:54.800
<v Speaker 3>we had longer rehearsal times and things like that, where

0:29:54.800 --> 0:29:57.280
<v Speaker 3>they were able to pay us for that rehearsal time,

0:29:57.680 --> 0:30:00.280
<v Speaker 3>where before I felt like it was like, let's just

0:30:00.320 --> 0:30:01.400
<v Speaker 3>do some rehearsals and wing this.

0:30:01.960 --> 0:30:02.160
<v Speaker 4>Yeah.

0:30:03.360 --> 0:30:06.040
<v Speaker 3>God, So it was really nice.

0:30:06.080 --> 0:30:08.520
<v Speaker 4>We were able to be a lot more prepared and

0:30:09.080 --> 0:30:12.160
<v Speaker 4>costumes were more you know, thought out, and of course,

0:30:12.200 --> 0:30:15.080
<v Speaker 4>like Sabrina said, with Kenny involved, like the arc in

0:30:15.160 --> 0:30:18.560
<v Speaker 4>our characters, it is so fun. And when I look

0:30:18.560 --> 0:30:22.240
<v Speaker 4>at the arc from the first to the third, it

0:30:22.360 --> 0:30:26.160
<v Speaker 4>was almost like Kenny like knew what my message to

0:30:26.200 --> 0:30:28.640
<v Speaker 4>the world, what I wanted to give to the world,

0:30:29.120 --> 0:30:32.760
<v Speaker 4>and he was so kind and he like wove it

0:30:32.840 --> 0:30:36.520
<v Speaker 4>in too, like Martha's story. So that was a big

0:30:36.560 --> 0:30:38.400
<v Speaker 4>part for me too, where it's like I had like

0:30:38.440 --> 0:30:39.920
<v Speaker 4>a few lines in the first one, and then the

0:30:39.920 --> 0:30:41.280
<v Speaker 4>second I was like one.

0:30:41.080 --> 0:30:41.640
<v Speaker 3>Of the team.

0:30:41.800 --> 0:30:44.400
<v Speaker 4>I was one of the crew. I was talking about

0:30:44.600 --> 0:30:46.800
<v Speaker 4>you know, summer jobs and.

0:30:46.680 --> 0:30:51.000
<v Speaker 3>Things like that. So very very big difference for me,

0:30:51.280 --> 0:30:54.360
<v Speaker 3>and I feel like High School Musical two was the

0:30:54.560 --> 0:30:58.160
<v Speaker 3>closest that I've ever been like with the cast, I

0:30:58.160 --> 0:30:59.720
<v Speaker 3>feel like that's when we really.

0:30:59.480 --> 0:31:03.000
<v Speaker 2>Like to ask, how did you guys stay in touch

0:31:03.040 --> 0:31:03.600
<v Speaker 2>with each other?

0:31:03.760 --> 0:31:03.840
<v Speaker 1>Like?

0:31:03.960 --> 0:31:05.600
<v Speaker 2>Was there even group chats back then?

0:31:05.840 --> 0:31:08.520
<v Speaker 1>Like it was it was everyone sitting in a room

0:31:08.520 --> 0:31:10.520
<v Speaker 1>and chatting sidekicks?

0:31:10.520 --> 0:31:12.000
<v Speaker 2>Did you guys all have sidekicks?

0:31:12.000 --> 0:31:15.280
<v Speaker 4>Say you had the little messaging table reads?

0:31:15.640 --> 0:31:18.480
<v Speaker 2>Okay, right, sorry, I'm kidding.

0:31:18.440 --> 0:31:19.200
<v Speaker 1>No, you are right.

0:31:19.640 --> 0:31:21.880
<v Speaker 3>That actually brought back like flashbacks for me because I

0:31:21.920 --> 0:31:26.479
<v Speaker 3>remember like Ashley and Vanessa having sidekicks sidekicks and being like, whoa,

0:31:26.520 --> 0:31:28.880
<v Speaker 3>those are the coolest things I have ever seen in

0:31:28.920 --> 0:31:30.880
<v Speaker 3>my life. I don't even know where you get one

0:31:30.920 --> 0:31:31.400
<v Speaker 3>of those.

0:31:31.800 --> 0:31:33.640
<v Speaker 2>But tea mobile.

0:31:35.040 --> 0:31:38.200
<v Speaker 3>Team mobile baby. I feel an ad coming on.

0:31:40.400 --> 0:31:42.720
<v Speaker 1>So, I mean Zach and Vanessa at this point too,

0:31:42.720 --> 0:31:46.000
<v Speaker 1>were kind of like the the giants. Yeah, not only that,

0:31:46.080 --> 0:31:48.960
<v Speaker 1>but the tabloids were kind of home after them a

0:31:49.000 --> 0:31:51.080
<v Speaker 1>little bit. And I mean this was been a whole

0:31:51.080 --> 0:31:52.840
<v Speaker 1>different kind of set than the first one.

0:31:52.920 --> 0:31:56.080
<v Speaker 4>Right, Oh, yes, we had we had a love affair

0:31:56.240 --> 0:31:57.800
<v Speaker 4>going on, and.

0:31:59.320 --> 0:32:07.160
<v Speaker 3>Sometimes we'd have some arguments and it was just normal drama,

0:32:07.320 --> 0:32:11.080
<v Speaker 3>you know. But it was like watching the soap opera.

0:32:11.160 --> 0:32:12.000
<v Speaker 3>It was really great.

0:32:14.520 --> 0:32:15.120
<v Speaker 1>No, they were.

0:32:15.200 --> 0:32:18.680
<v Speaker 4>They were very sweet and good and very professional. But yeah,

0:32:19.120 --> 0:32:24.480
<v Speaker 4>everything was just so different, and relationships had formed, and

0:32:24.960 --> 0:32:27.840
<v Speaker 4>there were crushes and dating and all sorts of things,

0:32:27.920 --> 0:32:31.400
<v Speaker 4>and lots of different people and dancers mixing with main

0:32:31.560 --> 0:32:37.280
<v Speaker 4>cast y'all. It was it was gonna it was everyone

0:32:37.440 --> 0:32:38.200
<v Speaker 4>was everybody an.

0:32:38.080 --> 0:32:40.240
<v Speaker 1>Adult by this point, everybody over eighteen is No one's

0:32:40.280 --> 0:32:43.160
<v Speaker 1>doing school or any of that kind of Oh no, no,

0:32:43.200 --> 0:32:46.400
<v Speaker 1>they still under age, okay, yeah, yeah.

0:32:46.040 --> 0:32:48.400
<v Speaker 2>And like you said, and the first one they were

0:32:48.440 --> 0:32:52.360
<v Speaker 2>like what fifteen ish? Yeah, and your guys just turn around,

0:32:52.440 --> 0:32:55.520
<v Speaker 2>especially with like Hollywood standards that to the second movie?

0:32:55.560 --> 0:32:58.000
<v Speaker 2>How quick was that? Wasn't there not a very big

0:32:58.040 --> 0:32:59.320
<v Speaker 2>time gap between finish?

0:32:59.440 --> 0:33:04.240
<v Speaker 4>There wasn't, And yeah it was I can't remember exact years.

0:33:04.280 --> 0:33:08.160
<v Speaker 4>It's all a blurk I but but yeah, no, it wasn't.

0:33:07.920 --> 0:33:11.320
<v Speaker 2>Like a very long two year situation in between. No,

0:33:11.440 --> 0:33:14.360
<v Speaker 2>because they look I mean, the only thing that looks

0:33:14.360 --> 0:33:19.400
<v Speaker 2>different to me is Vanessa's hair is shorter. Other than that,

0:33:19.480 --> 0:33:21.120
<v Speaker 2>she looks exactly the same.

0:33:22.840 --> 0:33:26.440
<v Speaker 1>Teenagers. You've got to shoot as fast because you guys, know,

0:33:26.640 --> 0:33:28.440
<v Speaker 1>you can't shoot five years later and say you're still

0:33:28.440 --> 0:33:29.080
<v Speaker 1>in high school.

0:33:29.320 --> 0:33:32.160
<v Speaker 2>There was definitely a bigger gap between High School Musical

0:33:32.200 --> 0:33:35.040
<v Speaker 2>two and the third one, right, and that had a

0:33:35.120 --> 0:33:38.240
<v Speaker 2>lot to do with them. A lot of it it

0:33:38.320 --> 0:33:41.880
<v Speaker 2>was contracts, because I remember hearing being in the channel

0:33:42.000 --> 0:33:47.240
<v Speaker 2>and going and there was so much controversy over new

0:33:47.320 --> 0:33:49.680
<v Speaker 2>contracts for the third one. There was times where some

0:33:49.720 --> 0:33:52.240
<v Speaker 2>of the cast members didn't want to do it. Really,

0:33:52.320 --> 0:33:55.080
<v Speaker 2>they weren't sure right and they were yeah, like I'll

0:33:55.160 --> 0:33:57.040
<v Speaker 2>only do it if it's this or that and whatever.

0:33:57.320 --> 0:33:59.320
<v Speaker 4>Yes, yeah, and only if I get so many songs

0:33:59.360 --> 0:34:00.760
<v Speaker 4>and only if I do this right.

0:34:01.560 --> 0:34:04.360
<v Speaker 3>Like, there was like a lot of logistics.

0:34:03.760 --> 0:34:06.560
<v Speaker 2>Going on, and rightfully so, because at that point, you

0:34:06.600 --> 0:34:10.240
<v Speaker 2>guys were all giants. I mean, you guys were all huge.

0:34:10.520 --> 0:34:14.239
<v Speaker 4>Yes, this was now a well oiled machine, and and

0:34:14.320 --> 0:34:17.440
<v Speaker 4>the fans wanted us back, and Disney wanted us.

0:34:17.280 --> 0:34:20.120
<v Speaker 3>Back, and so yeah, everyone was you know right in

0:34:20.160 --> 0:34:20.680
<v Speaker 3>their moment.

0:34:20.920 --> 0:34:24.480
<v Speaker 1>Yeah, it's the driver's seat. I mean, that's the way

0:34:24.520 --> 0:34:27.040
<v Speaker 1>it is. And we've we've said this before. We could

0:34:27.080 --> 0:34:29.000
<v Speaker 1>all say this, and I don't think this we're talking

0:34:29.040 --> 0:34:31.680
<v Speaker 1>out of school at all. Working for Disney or the

0:34:31.760 --> 0:34:36.279
<v Speaker 1>Channel or just Disney in general is a wonderful thing there, absolutely,

0:34:36.320 --> 0:34:38.839
<v Speaker 1>it's it is like a family. They do take care

0:34:38.880 --> 0:34:40.680
<v Speaker 1>of you. You get to do some things you'd never

0:34:40.719 --> 0:34:44.480
<v Speaker 1>get a chance to do. But they're very frugal. That's

0:34:44.600 --> 0:34:47.200
<v Speaker 1>the way they're gonna pinch. They're gonna scream a cord

0:34:47.400 --> 0:34:49.360
<v Speaker 1>or you know, pinch a quarter until the eagle screams

0:34:49.360 --> 0:34:51.600
<v Speaker 1>as they say. They're just that's what they're gonna do.

0:34:51.680 --> 0:34:54.400
<v Speaker 1>That's what Disney has always been about. And it is

0:34:54.440 --> 0:34:57.200
<v Speaker 1>a bit of smoke and mirrors because you're at Disneyland

0:34:57.200 --> 0:34:58.680
<v Speaker 1>and Disney World and you don't have to wait in

0:34:58.760 --> 0:35:00.759
<v Speaker 1>line and it's the coolest thing the world. And then

0:35:00.760 --> 0:35:02.200
<v Speaker 1>they don't pay you for your movie.

0:35:02.239 --> 0:35:05.280
<v Speaker 3>So yeah, exactly, part of the parade and your name's

0:35:05.760 --> 0:35:07.600
<v Speaker 3>on the back of the car and you're waving to

0:35:07.719 --> 0:35:11.000
<v Speaker 3>fans and all these things, and then yeah, will you

0:35:11.000 --> 0:35:11.840
<v Speaker 3>said it perfectly.

0:35:11.880 --> 0:35:14.600
<v Speaker 4>It's like I always was like, well, I've got the same,

0:35:14.800 --> 0:35:15.719
<v Speaker 4>but not really the.

0:35:15.719 --> 0:35:18.920
<v Speaker 1>Fourth Yeah, that's the which again it's as when you're

0:35:18.960 --> 0:35:21.440
<v Speaker 1>a young actor, it's you. You are. You can be

0:35:21.520 --> 0:35:23.759
<v Speaker 1>dazzled by the lights, which is not the worst thing

0:35:23.760 --> 0:35:25.719
<v Speaker 1>in the world, because they are a ton of fun

0:35:25.800 --> 0:35:26.359
<v Speaker 1>to work with.

0:35:26.760 --> 0:35:29.480
<v Speaker 4>They are they are amazing, and they've started so many

0:35:29.480 --> 0:35:33.399
<v Speaker 4>incredible careers and it's like, I will always forever be.

0:35:33.600 --> 0:35:37.160
<v Speaker 3>Grateful, you know, to them, as I know we all

0:35:37.200 --> 0:35:40.799
<v Speaker 3>we all are so. But yeah, it's definitely something that

0:35:40.960 --> 0:35:45.040
<v Speaker 3>it's not everyone from the outside understands. So like, oh,

0:35:45.040 --> 0:35:47.880
<v Speaker 3>I assume you live in a.

0:35:47.040 --> 0:35:50.400
<v Speaker 4>Multimillion dollar mansion and I'm like, I bought a house

0:35:50.440 --> 0:35:53.560
<v Speaker 4>that's fifteen hundred square feet in California.

0:35:53.640 --> 0:35:56.640
<v Speaker 1>That's the way. When do you take your golden jet

0:35:56.840 --> 0:35:59.960
<v Speaker 1>to your other home in Paris? Like Nope, nope, not

0:36:00.080 --> 0:36:00.760
<v Speaker 1>how that works.

0:36:01.200 --> 0:36:05.560
<v Speaker 2>I know you got all I guess one hundred percent

0:36:05.560 --> 0:36:08.640
<v Speaker 2>of you guys that the cast wasn't like over eighteen,

0:36:08.760 --> 0:36:12.240
<v Speaker 2>But we did hear about some of those real life

0:36:12.239 --> 0:36:16.080
<v Speaker 2>pool parties and those one am dinners at Denny's, Like,

0:36:16.239 --> 0:36:16.880
<v Speaker 2>can you tell me.

0:36:17.000 --> 0:36:19.160
<v Speaker 3>A little bit of dinners?

0:36:19.760 --> 0:36:20.000
<v Speaker 4>Oh?

0:36:20.440 --> 0:36:22.480
<v Speaker 3>That like, oh the nostalgia for me?

0:36:23.160 --> 0:36:27.680
<v Speaker 4>Oh yeah, so we really would like, oh, it was

0:36:27.719 --> 0:36:30.720
<v Speaker 4>so great you guys not filming. That was so special

0:36:30.760 --> 0:36:34.120
<v Speaker 4>because we would like, after you've been filming all day,

0:36:34.760 --> 0:36:38.279
<v Speaker 4>we're exhausted, but we're hungry, and the only place in

0:36:38.360 --> 0:36:40.000
<v Speaker 4>Saint George, Utah is Denny's.

0:36:40.120 --> 0:36:43.360
<v Speaker 3>It's open, so we'd sneak off to Denny's.

0:36:43.400 --> 0:36:47.000
<v Speaker 4>And you'd always have those people that were just like

0:36:47.000 --> 0:36:50.000
<v Speaker 4>like mouth drop and like the whole cast of high

0:36:50.000 --> 0:36:53.919
<v Speaker 4>school Musical Oason, like you have misteak and eggs please.

0:36:54.400 --> 0:36:55.640
<v Speaker 1>Well, they're expecting they're not going to be able to

0:36:55.640 --> 0:36:57.120
<v Speaker 1>finish their meal because you're all going to break into

0:36:57.200 --> 0:36:59.840
<v Speaker 1>dances and push the plates off the table and come on,

0:37:03.040 --> 0:37:04.719
<v Speaker 1>like no, wait, come on, don't do that.

0:37:04.880 --> 0:37:05.399
<v Speaker 2>Don't do that.

0:37:05.480 --> 0:37:08.160
<v Speaker 3>Man, isn't that where what we do everywhere we are?

0:37:08.160 --> 0:37:11.840
<v Speaker 3>Don't exact? Wasn't that your high school?

0:37:11.920 --> 0:37:15.600
<v Speaker 1>It was much more smoking cigarettes in the bathroom in

0:37:15.600 --> 0:37:17.359
<v Speaker 1>mine than in high school musical, that's for ship.

0:37:24.640 --> 0:37:27.200
<v Speaker 2>Was there any kind of like pressure, well, you guys,

0:37:27.239 --> 0:37:29.000
<v Speaker 2>I mean it sounds like you guys it was just

0:37:29.040 --> 0:37:31.680
<v Speaker 2>like kind of a long reunion for all of you

0:37:31.760 --> 0:37:35.280
<v Speaker 2>to be able to be together and keep developing your friendships.

0:37:35.280 --> 0:37:37.719
<v Speaker 2>But was there like a sense of pressure like high

0:37:37.719 --> 0:37:41.799
<v Speaker 2>school musical was so mega on that second movie. Did

0:37:41.800 --> 0:37:44.399
<v Speaker 2>it feel like I mean, the stakes are.

0:37:44.360 --> 0:37:49.000
<v Speaker 4>High, absolutely, And I think we felt that the most,

0:37:49.080 --> 0:37:52.160
<v Speaker 4>Like in rehearsals, Okay, we were like learning the dances

0:37:52.239 --> 0:37:54.759
<v Speaker 4>and everything, and I remember like Zach wicking over at

0:37:54.760 --> 0:37:55.640
<v Speaker 4>me at one point and he's.

0:37:55.520 --> 0:37:58.080
<v Speaker 3>Like, oh, dear, these dances are a little harder.

0:38:00.120 --> 0:38:03.480
<v Speaker 2>Yeah. I did notice that it did seem like the

0:38:03.600 --> 0:38:04.640
<v Speaker 2>dances were a lot more.

0:38:04.719 --> 0:38:06.560
<v Speaker 3>Yeah, the dances were harder.

0:38:07.000 --> 0:38:07.480
<v Speaker 2>Yeah.

0:38:07.600 --> 0:38:08.880
<v Speaker 3>The songs were really beautiful.

0:38:08.960 --> 0:38:10.759
<v Speaker 4>Now that I look back on them, I'm like, wow,

0:38:10.800 --> 0:38:13.319
<v Speaker 4>these were like really good, like really emotional or like

0:38:13.360 --> 0:38:14.520
<v Speaker 4>some really good bangers.

0:38:14.680 --> 0:38:15.240
<v Speaker 2>Oh yeah.

0:38:15.320 --> 0:38:15.640
<v Speaker 3>Yeah.

0:38:15.760 --> 0:38:17.920
<v Speaker 4>And but it was cool because not only did we

0:38:17.960 --> 0:38:21.440
<v Speaker 4>have that time and like rehearsal to bond and just

0:38:21.640 --> 0:38:24.800
<v Speaker 4>forget about that pressure, but then when we were filming

0:38:24.800 --> 0:38:28.480
<v Speaker 4>in Saint George, Utah, we were in these like little casitas,

0:38:28.760 --> 0:38:32.279
<v Speaker 4>and the main cast we were all attached so our

0:38:32.320 --> 0:38:36.600
<v Speaker 4>doors like attached, oh cool to each other, and that

0:38:36.760 --> 0:38:38.799
<v Speaker 4>was really cool. I feel like that helped take some

0:38:38.840 --> 0:38:41.680
<v Speaker 4>of the pressure off. Is us really feeling like we

0:38:41.719 --> 0:38:44.520
<v Speaker 4>were bonding? We were away at summer camps?

0:38:46.160 --> 0:38:50.680
<v Speaker 2>Oh my god, it comes around there, it is, We

0:38:50.719 --> 0:38:54.040
<v Speaker 2>got it.

0:38:54.480 --> 0:38:55.919
<v Speaker 1>That's what it is.

0:38:57.680 --> 0:39:00.920
<v Speaker 3>That's what it is. You nailed it. That was the moment.

0:39:03.560 --> 0:39:05.360
<v Speaker 1>Okay. So I'm going to put you on the spot

0:39:05.400 --> 0:39:07.520
<v Speaker 1>for two questions that I'm not happy to ask him.

0:39:07.520 --> 0:39:08.880
<v Speaker 1>You're not gonna be happy to answer him, because I've

0:39:08.920 --> 0:39:11.920
<v Speaker 1>got to We've got it, what you think? So, first

0:39:11.960 --> 0:39:15.000
<v Speaker 1>of all, favorite High School Musical movie?

0:39:15.760 --> 0:39:15.960
<v Speaker 2>Oh?

0:39:16.680 --> 0:39:19.520
<v Speaker 4>Okay, So, like I'm saying, High School Musical two was

0:39:19.560 --> 0:39:21.040
<v Speaker 4>my favorite to film.

0:39:21.160 --> 0:39:24.279
<v Speaker 1>Okay, but to watch back.

0:39:24.080 --> 0:39:27.920
<v Speaker 4>My favorite is High School Musical three. Once again, I

0:39:27.960 --> 0:39:32.080
<v Speaker 4>feel like we had those just the sky was the limit.

0:39:32.239 --> 0:39:35.160
<v Speaker 4>The sky was the limit for us with all the

0:39:35.400 --> 0:39:39.239
<v Speaker 4>with all the production value and all the costumes. And

0:39:39.280 --> 0:39:41.480
<v Speaker 4>then for me, like I said, the arc of my

0:39:41.640 --> 0:39:46.320
<v Speaker 4>character Martha, I went from the first film being shy

0:39:46.480 --> 0:39:49.480
<v Speaker 4>and insecure and wanting to tell my secret, and then

0:39:49.560 --> 0:39:53.560
<v Speaker 4>in the third film, Kenny had this genius idea to

0:39:53.760 --> 0:39:59.359
<v Speaker 4>have Martha be head cheerleader and my wow, yeah, and

0:39:59.400 --> 0:40:03.120
<v Speaker 4>so it was like this coming of ages, like I

0:40:03.160 --> 0:40:05.480
<v Speaker 4>spoke my truth and now look at me, I'm like

0:40:05.520 --> 0:40:09.480
<v Speaker 4>a natural born leader and I'm like confident and and

0:40:09.520 --> 0:40:13.239
<v Speaker 4>it was like very much similar to my story and

0:40:13.320 --> 0:40:16.360
<v Speaker 4>to what I wanted to leave Young Girls with that,

0:40:16.800 --> 0:40:19.640
<v Speaker 4>you know, and I love that my body was never

0:40:19.760 --> 0:40:20.879
<v Speaker 4>mentioned ever.

0:40:21.080 --> 0:40:23.960
<v Speaker 3>I was never the brunt of a joke. I was

0:40:24.040 --> 0:40:25.880
<v Speaker 3>never And that is what I.

0:40:25.800 --> 0:40:28.640
<v Speaker 4>Want on television and film for our young girls. And

0:40:28.680 --> 0:40:30.920
<v Speaker 4>it's so rare to find those roles, and so I

0:40:30.960 --> 0:40:35.000
<v Speaker 4>love that, like Kenny did that. So the third just

0:40:35.040 --> 0:40:37.080
<v Speaker 4>has like kind of a special place in my heart

0:40:37.200 --> 0:40:40.280
<v Speaker 4>for that and for Martha and her message, but also

0:40:40.480 --> 0:40:41.240
<v Speaker 4>just thank you guys.

0:40:41.480 --> 0:40:42.880
<v Speaker 3>I can't wait for you to watch it. Well. I

0:40:43.280 --> 0:40:47.759
<v Speaker 3>expect a text message after because I think you'll see

0:40:47.760 --> 0:40:48.120
<v Speaker 3>what I'm.

0:40:48.040 --> 0:40:51.160
<v Speaker 4>Talking about with like the numbers are so flashy, that

0:40:51.239 --> 0:40:55.439
<v Speaker 4>costumes are so big, like we could just go all out.

0:40:55.520 --> 0:41:02.600
<v Speaker 1>Okay, So there's first question. Second question, singing, dancing or acting.

0:41:02.800 --> 0:41:05.160
<v Speaker 1>You're only allowed to do one for the rest of

0:41:05.200 --> 0:41:06.959
<v Speaker 1>your life. What do you pick?

0:41:07.680 --> 0:41:11.279
<v Speaker 3>Oh, my gosh, I would die. I would die.

0:41:13.120 --> 0:41:13.400
<v Speaker 4>Gosh.

0:41:13.680 --> 0:41:14.399
<v Speaker 3>That's really hard.

0:41:15.719 --> 0:41:16.080
<v Speaker 5>Oh.

0:41:16.160 --> 0:41:18.600
<v Speaker 4>I would probably have to say just because it's like

0:41:18.640 --> 0:41:21.080
<v Speaker 4>born and bred into me, I'd have to say dance.

0:41:21.160 --> 0:41:24.319
<v Speaker 3>Yeah, because it like it really was my therapy growing up.

0:41:24.400 --> 0:41:27.040
<v Speaker 4>And I'm also like a choreographer, and that's a lot

0:41:27.040 --> 0:41:30.360
<v Speaker 4>of how I like do my stort, like storytelling and

0:41:30.400 --> 0:41:30.960
<v Speaker 4>things like that.

0:41:31.040 --> 0:41:31.320
<v Speaker 1>Sure.

0:41:31.400 --> 0:41:35.080
<v Speaker 4>So if I couldn't use like acting and skits and

0:41:35.120 --> 0:41:37.440
<v Speaker 4>like social media, which I love now, then I.

0:41:37.440 --> 0:41:39.640
<v Speaker 3>Would have to I'd have to pick dance.

0:41:39.719 --> 0:41:41.879
<v Speaker 1>Well.

0:41:42.440 --> 0:41:45.800
<v Speaker 2>Dance is cool though, because like, you can act without

0:41:45.840 --> 0:41:48.120
<v Speaker 2>having a smidge of dance, but you can't really dance

0:41:48.160 --> 0:41:51.160
<v Speaker 2>without having a smidge of music and acting, you know

0:41:51.200 --> 0:41:54.640
<v Speaker 2>what I mean. I feel like dance is the best

0:41:54.760 --> 0:41:58.960
<v Speaker 2>choice because you're still getting to do both aspects, just

0:41:59.000 --> 0:42:02.400
<v Speaker 2>maybe not as predominant as you are moving your body.

0:42:02.480 --> 0:42:04.200
<v Speaker 2>So I love that, and I do.

0:42:04.560 --> 0:42:07.080
<v Speaker 4>I will say one of my favorite compliments I ever

0:42:07.120 --> 0:42:10.319
<v Speaker 4>received from a judge at a dance competition because they

0:42:10.320 --> 0:42:14.080
<v Speaker 4>were like, wow, you are one of the best storytellers

0:42:14.239 --> 0:42:18.920
<v Speaker 4>I have ever seen, and she compared me to Debbie Reynolds.

0:42:19.440 --> 0:42:22.359
<v Speaker 3>I was like, well, I can die a happy a

0:42:22.400 --> 0:42:24.640
<v Speaker 3>happy girl. But it was because I was doing a

0:42:24.680 --> 0:42:28.920
<v Speaker 3>tap dance and my tap shoe flew off. I lost a.

0:42:29.000 --> 0:42:32.640
<v Speaker 4>Shoe and it literally landed on the judge's table.

0:42:33.080 --> 0:42:36.560
<v Speaker 3>This is how God keeps me humble guys for days,

0:42:36.600 --> 0:42:40.040
<v Speaker 3>for days, I swear. I don't know if it's Murphy's

0:42:40.080 --> 0:42:42.600
<v Speaker 3>Well all with me, but I'm like every time I

0:42:42.640 --> 0:42:46.200
<v Speaker 3>think I'm maybe getting cool I to get humbled, real

0:42:46.280 --> 0:42:48.719
<v Speaker 3>bad happened, but yeah, and so I had to like

0:42:48.760 --> 0:42:50.840
<v Speaker 3>play off this whole tap dance with one shoe and

0:42:50.840 --> 0:42:53.560
<v Speaker 3>they were like, oh, you are such a phenomenal like storyteller.

0:42:53.600 --> 0:42:54.920
<v Speaker 3>And then when the shoe came off, I was like,

0:42:54.960 --> 0:42:57.120
<v Speaker 3>I'm watching Debbie Reynolds, like this is great.

0:43:00.160 --> 0:43:03.440
<v Speaker 1>Okay, well, thank you so much for joining us here,

0:43:04.080 --> 0:43:05.960
<v Speaker 1>and can we I mean, I don't want to say

0:43:05.960 --> 0:43:07.600
<v Speaker 1>count on you, but can we hope that you'll come

0:43:07.640 --> 0:43:09.000
<v Speaker 1>back after we watch the third one?

0:43:09.200 --> 0:43:09.799
<v Speaker 3>Absolutely?

0:43:09.800 --> 0:43:11.919
<v Speaker 1>Okay, good, okay, good, okay.

0:43:11.680 --> 0:43:15.279
<v Speaker 4>Good, all right, I will come back anytime. I love

0:43:15.280 --> 0:43:17.120
<v Speaker 4>what you guys are doing, and I think this is

0:43:17.160 --> 0:43:21.880
<v Speaker 4>the sweetest and most genius podcast, so I will be

0:43:22.200 --> 0:43:24.560
<v Speaker 4>there with bells on my Yes.

0:43:24.760 --> 0:43:27.520
<v Speaker 1>We're gonna go watch. Hopefully they're singing and dancing in

0:43:27.560 --> 0:43:29.759
<v Speaker 1>the third one, and I'm in.

0:43:30.000 --> 0:43:32.960
<v Speaker 2>You gotta tell everyone where to find you because your tiktoks,

0:43:32.960 --> 0:43:38.200
<v Speaker 2>your ig like you are continuously dancing, creating the most

0:43:38.320 --> 0:43:42.200
<v Speaker 2>fun content for people that not just love high school

0:43:42.239 --> 0:43:45.680
<v Speaker 2>musical but love dance and entertainment in general. So please

0:43:45.719 --> 0:43:47.279
<v Speaker 2>let them know where they can find you.

0:43:47.880 --> 0:43:49.840
<v Speaker 4>Thank you, Sabrina that that means the world to me.

0:43:50.000 --> 0:43:52.400
<v Speaker 4>I love creating, I love doing little skits.

0:43:52.440 --> 0:43:54.160
<v Speaker 3>I love dancing. I love that I can do in

0:43:54.239 --> 0:43:54.919
<v Speaker 3>my living room.

0:43:55.160 --> 0:43:57.080
<v Speaker 2>I love that your husband gets involved in them too.

0:43:57.160 --> 0:43:57.920
<v Speaker 2>That's really fun.

0:43:59.600 --> 0:44:04.240
<v Speaker 4>Lesson Tart, you're getting nice and he's got two daughters

0:44:04.280 --> 0:44:04.759
<v Speaker 4>to deal with.

0:44:05.520 --> 0:44:07.040
<v Speaker 1>He is number.

0:44:09.600 --> 0:44:11.000
<v Speaker 3>Less Ben Higginson.

0:44:11.920 --> 0:44:15.560
<v Speaker 4>But yeah, everyone please follow me on Instagram. It's just

0:44:15.840 --> 0:44:19.480
<v Speaker 4>Case Strow k A y C S t r O H.

0:44:19.560 --> 0:44:22.160
<v Speaker 4>I know that's weird, but it's my nickname Case. And

0:44:22.239 --> 0:44:25.640
<v Speaker 4>of course because I got on social media after high

0:44:25.640 --> 0:44:26.840
<v Speaker 4>school musical, so.

0:44:27.880 --> 0:44:30.880
<v Speaker 2>I have not in mind because of the same and

0:44:30.920 --> 0:44:33.960
<v Speaker 2>they will not give it back. No, I know, Manytimes,

0:44:33.960 --> 0:44:35.600
<v Speaker 2>I ask, I know.

0:44:35.840 --> 0:44:40.360
<v Speaker 4>It's so it's Case Strow on Instagram and on TikTok

0:44:40.520 --> 0:44:44.239
<v Speaker 4>and on YouTube, and I love. I love being able

0:44:44.280 --> 0:44:47.520
<v Speaker 4>to connect with with fans and just spread a little

0:44:47.560 --> 0:44:48.799
<v Speaker 4>sunshine in a dark wall.

0:44:48.920 --> 0:44:49.880
<v Speaker 3>So I thank you.

0:44:49.920 --> 0:44:52.319
<v Speaker 2>We got to get together and do one together because

0:44:52.360 --> 0:44:53.960
<v Speaker 2>that's I want to see that.

0:44:55.120 --> 0:44:58.239
<v Speaker 3>I want to, Yes, Sabrina, I am going to hold

0:44:58.280 --> 0:44:59.920
<v Speaker 3>you to that. Well you're doing him.

0:45:00.000 --> 0:45:01.480
<v Speaker 1>I don't social media.

0:45:02.080 --> 0:45:04.360
<v Speaker 2>He doesn't have social media, but he loves dancing.

0:45:04.400 --> 0:45:05.080
<v Speaker 3>It doesn't matter.

0:45:05.239 --> 0:45:05.520
<v Speaker 4>I do.

0:45:06.000 --> 0:45:07.319
<v Speaker 3>It doesn't matter to dance.

0:45:07.440 --> 0:45:09.240
<v Speaker 1>I also want to point out you're wearing your cheeateadh

0:45:09.280 --> 0:45:11.640
<v Speaker 1>girl top tonight. I noticed that.

0:45:11.920 --> 0:45:14.799
<v Speaker 3>Thank you very much, so glad you caught it.

0:45:14.840 --> 0:45:17.960
<v Speaker 2>Will I feel like I wear my wild Cat like

0:45:18.080 --> 0:45:21.480
<v Speaker 2>sweater that I would wear on the typical Monday at

0:45:21.520 --> 0:45:24.439
<v Speaker 2>the Wildcat Gymnasium for a basketball game.

0:45:24.640 --> 0:45:25.520
<v Speaker 4>I would be wearing this.

0:45:26.120 --> 0:45:30.680
<v Speaker 3>I love that. Well girls, girl supporting girl everyone.

0:45:30.960 --> 0:45:33.279
<v Speaker 4>I love it and I love you guys, so thank

0:45:33.320 --> 0:45:34.319
<v Speaker 4>you so much for having me.

0:45:34.360 --> 0:45:37.040
<v Speaker 1>Thank you so much. Cases so appreciate it, and we

0:45:37.080 --> 0:45:39.680
<v Speaker 1>will see you for high school musical three sounds awesome.

0:45:39.880 --> 0:45:44.040
<v Speaker 1>Seeya bye bye.

0:45:44.960 --> 0:45:45.480
<v Speaker 2>So funny.

0:45:45.480 --> 0:45:49.080
<v Speaker 1>Well, she's unpleasant to talk to. Yeah, right, she's like

0:45:49.120 --> 0:45:52.680
<v Speaker 1>an interview of sweetest, nicest person every I know.

0:45:52.920 --> 0:45:57.280
<v Speaker 2>And how I mean, what amazing humble beginnings and finding

0:45:57.360 --> 0:46:02.799
<v Speaker 2>your way to such an a big project in the

0:46:03.280 --> 0:46:06.440
<v Speaker 2>any anyone that is a dancer in the industry. What

0:46:06.680 --> 0:46:09.640
<v Speaker 2>she experienced is the dream.

0:46:09.719 --> 0:46:11.640
<v Speaker 1>Yeah, I mean it sounds like it's perfect. It's yeah,

0:46:11.719 --> 0:46:12.680
<v Speaker 1>you go into.

0:46:12.400 --> 0:46:15.479
<v Speaker 2>A cattle call, she's saying, a cattle call where there's

0:46:15.600 --> 0:46:19.120
<v Speaker 2>five hundred kids and you get pulled out to then

0:46:19.160 --> 0:46:20.719
<v Speaker 2>not just read a little bit of line, but to

0:46:20.760 --> 0:46:24.360
<v Speaker 2>eventually have like a character that gets developed over three movies.

0:46:24.520 --> 0:46:26.680
<v Speaker 1>Yeah by Kenny Ortega.

0:46:26.960 --> 0:46:29.920
<v Speaker 2>By Keny Early points you out, holds your hand and

0:46:29.960 --> 0:46:32.480
<v Speaker 2>says you are special, you are different, and you were amazing,

0:46:32.480 --> 0:46:33.000
<v Speaker 2>you were everything.

0:46:33.200 --> 0:46:36.719
<v Speaker 1>And then managers calling you, managers and agents going like, hey, yeah,

0:46:36.760 --> 0:46:38.160
<v Speaker 1>you should come to Beverly Hills.

0:46:38.239 --> 0:46:41.120
<v Speaker 2>You're not begging, you're not taking you, just please give

0:46:41.160 --> 0:46:43.319
<v Speaker 2>me five minutes to talk to you know. They're like,

0:46:43.360 --> 0:46:45.120
<v Speaker 2>please let me represent you. And by the way, I'm

0:46:45.120 --> 0:46:47.239
<v Speaker 2>going to find you an agent. Yeah. Right o. Guess

0:46:47.280 --> 0:46:48.640
<v Speaker 2>what someone's calling me here you go.

0:46:48.760 --> 0:46:51.759
<v Speaker 1>Yeah, Hollywood Dream, Hollywood Dream, right dream.

0:46:51.800 --> 0:46:52.719
<v Speaker 2>That's amazing.

0:46:52.880 --> 0:46:55.359
<v Speaker 1>Oh wow, Well, thank you for joining us on our

0:46:55.360 --> 0:46:57.560
<v Speaker 1>little Hollywood dream right here, which is of course the

0:46:57.560 --> 0:47:00.760
<v Speaker 1>magical rewind Pod. So yes, thank you so much, Casey

0:47:00.760 --> 0:47:03.520
<v Speaker 1>Strow for for joining us here talking to us, telling

0:47:03.640 --> 0:47:06.040
<v Speaker 1>us everything about the joy that is High School Musical.

0:47:06.160 --> 0:47:10.240
<v Speaker 1>I now have to like maybe drink myself into, you know, blackout,

0:47:10.280 --> 0:47:11.919
<v Speaker 1>because I don't want to remember anything she told about

0:47:11.960 --> 0:47:17.520
<v Speaker 1>High School Musical three Like I already no, I don't

0:47:17.560 --> 0:47:20.280
<v Speaker 1>want to know. I don't want to know. But it's great.

0:47:20.680 --> 0:47:23.440
<v Speaker 1>That they finish her character story arc and all that

0:47:23.520 --> 0:47:26.000
<v Speaker 1>kind of just totally cool. So and of course go

0:47:26.160 --> 0:47:29.000
<v Speaker 1>for to follow her on all of her TikTok Instagrammy,

0:47:29.280 --> 0:47:32.560
<v Speaker 1>she's the stuff I've kept hearing from everybody at iHeart, like,

0:47:32.600 --> 0:47:34.600
<v Speaker 1>oh my god, she's got the biggest following and she's

0:47:34.640 --> 0:47:36.760
<v Speaker 1>a huge dancer and all that good kind of stuff.

0:47:36.800 --> 0:47:38.920
<v Speaker 1>So has she done Dancing with the Stars?

0:47:39.360 --> 0:47:42.880
<v Speaker 2>No, she no, she has it.

0:47:42.880 --> 0:47:43.920
<v Speaker 1>It's like perfect for her.

0:47:43.960 --> 0:47:46.839
<v Speaker 2>She would do incredible on it. She would incredible, They

0:47:46.840 --> 0:47:47.680
<v Speaker 2>would love her.

0:47:47.920 --> 0:47:50.920
<v Speaker 1>Yeah, she seems like she is just absolutely made for

0:47:51.000 --> 0:47:51.399
<v Speaker 1>that show.

0:47:51.600 --> 0:47:54.200
<v Speaker 2>We disser a bit because she is considered a dancer,

0:47:54.280 --> 0:47:56.000
<v Speaker 2>and a lot of people on the show don't think

0:47:56.600 --> 0:47:59.520
<v Speaker 2>dancers should go on Dancing with the Stars. But you

0:47:59.719 --> 0:48:02.759
<v Speaker 2>didn't anyway, I know, but a lot of us that

0:48:02.840 --> 0:48:06.040
<v Speaker 2>have dancing background. That is a big backlash when you

0:48:06.080 --> 0:48:11.080
<v Speaker 2>go against somebody who is a tennis player or you know,

0:48:11.360 --> 0:48:14.680
<v Speaker 2>has no no dance background, you do get a little

0:48:14.680 --> 0:48:17.000
<v Speaker 2>bit of a backlash a lot actually from the fans

0:48:17.040 --> 0:48:17.359
<v Speaker 2>of this show.

0:48:17.360 --> 0:48:18.960
<v Speaker 1>Well, then she should be one of the dance one

0:48:19.000 --> 0:48:23.160
<v Speaker 1>of the professional dancers. Yeah that man, Well, I have

0:48:23.280 --> 0:48:26.560
<v Speaker 1>none of that dance dance quality. So thank you everybody

0:48:26.640 --> 0:48:28.600
<v Speaker 1>once again for joining us on this Park Copper episode,

0:48:28.600 --> 0:48:30.279
<v Speaker 1>and thank you Casey for joining us and letting us

0:48:30.280 --> 0:48:34.640
<v Speaker 1>into the world that is East High. Wow so crazy.

0:48:34.760 --> 0:48:37.040
<v Speaker 1>But join us next time when we're gonna be watching

0:48:37.080 --> 0:48:37.600
<v Speaker 1>Go Figure.

0:48:37.719 --> 0:48:40.280
<v Speaker 2>Yes, I think you're right, which I think.

0:48:40.239 --> 0:48:42.839
<v Speaker 1>Is just somebody sitting there going hmm, But no, it's

0:48:42.880 --> 0:48:44.520
<v Speaker 1>not actually that. I think it's a figure skating movie.

0:48:44.520 --> 0:48:47.200
<v Speaker 1>If i'm I am assuming it is too. But again,

0:48:47.280 --> 0:48:48.880
<v Speaker 1>I keep going back to thirteenth year. We thought it

0:48:48.920 --> 0:48:51.160
<v Speaker 1>was about a bar mitzvah and it just wasn't. So

0:48:51.520 --> 0:49:06.240
<v Speaker 1>thank you everybody, and we will see you next time. Bye.