WEBVTT - One on One: Background Actor, Erik Valdez

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<v Speaker 1>I Am all in.

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<v Speaker 2>You.

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<v Speaker 3>I Am all In with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>I Am Scott Patterson. This is the I Am All

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<v Speaker 1>In Podcast, one on one interview, one of them productions

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<v Speaker 1>iHeart Radio. We have a very special guest, Eric Valdez,

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<v Speaker 1>and I am joined by Tara Suit and Tara, I

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<v Speaker 1>understand that you are acquainted with Eric.

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<v Speaker 4>Yeah, I'm not Eric for I don't know, like six

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<v Speaker 4>seven years.

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<v Speaker 3>It's a long time. Yeah, and I met my wife.

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<v Speaker 5>Who's really good friends with their Yeah, Cannie and I

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<v Speaker 5>have been together for almost eleven years.

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<v Speaker 1>It's been a while.

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<v Speaker 3>Yeah.

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<v Speaker 4>I worked with Candace when I was working at Radio

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<v Speaker 4>Disney and then met Eric.

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<v Speaker 1>Come there, Well, you're from Lubbock, Texas. You're born there,

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<v Speaker 1>your mom and dad, Miguel and Karen. You're Mexican, Spanish

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<v Speaker 1>and Native American, which tribe.

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<v Speaker 3>Well.

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<v Speaker 5>On my mom's side, her grandmother was full blood Cherokee,

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<v Speaker 5>and my dad's side of the family, my grandmother, it

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<v Speaker 5>depends on how you want to look at it.

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<v Speaker 3>She grew up in a village called Tecolo.

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<v Speaker 5>In New Mexico, but that was Mexico prior to the

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<v Speaker 5>Border movie. So she's both Mexican and Native American, depending

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<v Speaker 5>on how you want.

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<v Speaker 3>To look at it. So that was I want to

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<v Speaker 3>say Peblo tribe.

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<v Speaker 5>I can't remember exactly, but but yeah, so I've I've

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<v Speaker 5>got a little bit of a little bit of a

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<v Speaker 5>lot of things in me.

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<v Speaker 3>There you go.

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<v Speaker 1>So you were in theater for years in high school

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<v Speaker 1>and then you pursued acting film in television. You moved

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<v Speaker 1>to Los Angeles in two thousand and four. He debuted

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<v Speaker 1>as Chad in three episodes of Gilmore Girls. You made

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<v Speaker 1>a guest appearance in television shows including CSI, Miami nine

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<v Speaker 1>to two and Zero Numbers and Mistresses, best known for

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<v Speaker 1>his role as Trey Mitchell, and soap opera General Hospital,

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<v Speaker 1>Carlo Carlito Solano Junior in the drama television series Graceland

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<v Speaker 1>twenty fourteen fifteen, Kyle Cushing in the superhero television series

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<v Speaker 1>Superman and Lowist twenty twenty one to present, and your

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<v Speaker 1>bona fides on Gilmore You appeared in three episodes Chad in.

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<v Speaker 3>C three episodes. Yeah, there's a there's some really good

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<v Speaker 3>story to all of that.

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<v Speaker 1>Well, we're here to hear it.

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<v Speaker 5>So, yeah, to your point, it essentially is a glorified

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<v Speaker 5>extra that role. But it all happened thanks to a

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<v Speaker 5>guy by the name of Kenny or tagup Sure who

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<v Speaker 5>you probably remember. So long story short, Yeah, I grew

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<v Speaker 5>up doing theater in Texas and everything knew I wanted

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<v Speaker 5>to come out to LA at some point. It took

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<v Speaker 5>me a while to get out there, and in the

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<v Speaker 5>interim kind of a you know, a daytime job, so

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<v Speaker 5>to speak.

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<v Speaker 3>For about three and a half years, and from ninety

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<v Speaker 3>nine to like two thousand and four there thereabouts, I

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<v Speaker 3>worked for Southwest Airlines.

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<v Speaker 5>I was a flight attendant and that helped me get

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<v Speaker 5>to and from LA when I wasn't living that was

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<v Speaker 5>in Arizona at the time, had a little bit of

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<v Speaker 5>a flexible schedule and allowed me to audition, et cetera.

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<v Speaker 5>And all that ties into this because on a plane

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<v Speaker 5>one day from Vegas to Burbank was after the Billboard

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<v Speaker 5>Music Awards, you know, hype crowd.

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<v Speaker 3>They just got through with an award show.

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<v Speaker 5>Half of them were probably hung over, et cetera, but

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<v Speaker 5>they were all in good moods. And you know, thirty

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<v Speaker 5>minute flight, short flight. You give me a captive audience

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<v Speaker 5>and an aluminum tube and I'm going to entertain people.

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<v Speaker 1>That's what I've always said.

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<v Speaker 5>Yeah, And so all of that is to say that

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<v Speaker 5>as we're deeplaning and burbank, everybody's getting off, this one

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<v Speaker 5>guy's kind of standing there and as everybody leaves, he

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<v Speaker 5>waits at the front of the plane. He's like, I

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<v Speaker 5>just have to ask you a question. He goes, are

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<v Speaker 5>you an actor? I said I am. He's like, I

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<v Speaker 5>should know you. And I had no idea who this

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<v Speaker 5>guy was at the time, and said, yeah, sure, I'm

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<v Speaker 5>friendly to everybody. Was really nice guy and wrote down

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<v Speaker 5>his number on a card and said, if you're in

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<v Speaker 5>LA for an extended period of time, give me a shout.

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<v Speaker 3>Blah blah blah.

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<v Speaker 5>So did wrote his name down, and I went home

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<v Speaker 5>that night. And this is two thousand and two, two

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<v Speaker 5>thousand and one, I don't know what it was, probably

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<v Speaker 5>two thousand and two, So infancy of Google, all right.

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<v Speaker 5>So I went home and I googled the name Kenny Ortega,

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<v Speaker 5>and the first thing that popped up was a picture

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<v Speaker 5>of him and I think Oprah Winfrey. It was holding

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<v Speaker 5>some Emmy awards he had won for like choreographing the

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<v Speaker 5>opening and closing ceremonies of.

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<v Speaker 3>The Salt Lake City Olympicus. I think it was.

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<v Speaker 5>And I'm like, okay, this is legit because back then,

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<v Speaker 5>if you appeared in a Google search like you were somebody,

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<v Speaker 5>because it was, it was very new.

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<v Speaker 3>And so I did. I ended up reaching out to him.

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<v Speaker 5>It's a long story about toll keep it somewhat short,

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<v Speaker 5>and we had dinner. He asked me what I wanted

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<v Speaker 5>to do career wise. I told him and kind of

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<v Speaker 5>talked me in the move in to La earlier than expected.

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<v Speaker 5>It was always in the books, always a plant, and

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<v Speaker 5>at the time I really had nothing else going on.

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<v Speaker 3>I was racing cars as well.

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<v Speaker 5>I was pursuing motorsports and entertainment at the same time,

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<v Speaker 5>and living in Arizona working at the bonder On Schools

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<v Speaker 5>and instructor working at Southwest Airlines, trying to make all

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<v Speaker 5>this stuff work.

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<v Speaker 1>So so you're telling us you're extremely risk averse at

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<v Speaker 1>I mean, you don't like to take chances at all,

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<v Speaker 1>do you? Yeah?

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<v Speaker 3>Yeah, no.

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<v Speaker 5>It's two really stupid career choices to pursue, but one

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<v Speaker 5>of them worked out, so no, I uh, I ended

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<v Speaker 5>up moving to La. Fast forward a bit in the

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<v Speaker 5>story and Kenny kind of created this little opportunity on

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<v Speaker 5>Gilmore Girls. He was erecting a handful of episodes back

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<v Speaker 5>then and he said, look, I'm gonna I'm gonna bring

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<v Speaker 5>you in on this.

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<v Speaker 3>I said, cool.

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<v Speaker 5>It was my very first time stepping on the Warner

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<v Speaker 5>Brothers a lot doing anything in television.

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<v Speaker 3>It was really cool, And yeah.

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<v Speaker 5>I was technically I think I had one line cumulatively

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<v Speaker 5>over three episodes or something.

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<v Speaker 3>But it got me. They tapped heart lead me, so

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<v Speaker 3>it got me.

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<v Speaker 5>In the union and it just got me around, you know,

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<v Speaker 5>the whole the whole being on set thing, which was

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<v Speaker 5>all new to me, and all that is thanks to

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<v Speaker 5>to Kenny and and it all started it. And you

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<v Speaker 5>know they're in Stars Hollow, which is which is pretty cool.

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<v Speaker 1>That is a nice story. That is a nice man

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<v Speaker 1>doing a nice thing for a Yeah, for a for

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<v Speaker 1>a young actor. I love hearing those stories. Kenny is

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<v Speaker 1>a favorite of ours on this show.

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<v Speaker 3>He's a pretty amazing human.

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<v Speaker 1>We love his episodes. They are they really sparkle, you know,

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<v Speaker 1>they really stand out. You can always tell it's a

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<v Speaker 1>Kenny Ortega directed episode. There's something always very special and

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<v Speaker 1>everything jumps out at you when it's supposed to. So

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<v Speaker 1>what do you remember about your first day on set?

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<v Speaker 1>Who did you meet, who'd you interact with.

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<v Speaker 5>I remember vividly walking onto set and seeing the water tow.

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<v Speaker 5>That was, you know, growing up. I think all of

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<v Speaker 5>us have seen that water tower on TV or promos

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<v Speaker 5>or whatever, and it was just kind of a really

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<v Speaker 5>cool moment to see that and be on this, this

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<v Speaker 5>real life.

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<v Speaker 3>Movie set, so to speak.

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<v Speaker 5>Because again, as a kid from Texas, you know, theater

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<v Speaker 5>is cool. I still love theater. I haven't done much

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<v Speaker 5>of that in years. Kind of want to get back

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<v Speaker 5>to that. But you know, I'd never been on a

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<v Speaker 5>movie set. I've never been on a back lit. I've

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<v Speaker 5>never seen any of this, so it was a lot

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<v Speaker 5>to take in.

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<v Speaker 3>It was really cool.

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<v Speaker 5>And then yeah, I just, you know, with Kenny kind

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<v Speaker 5>of being the you know, the friend, et cetera, I

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<v Speaker 5>got to hang with him, and so I wasn't you know,

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<v Speaker 5>in the in the you know, background tint or anything.

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<v Speaker 5>I was kind of sitting in a chair behind him

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<v Speaker 5>watching some of the scenes, and you know, I was

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<v Speaker 5>I was in and out throughout the day the first day,

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<v Speaker 5>but I stayed there all day and just kind of

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<v Speaker 5>visited with him and kind of watched them. I'm a

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<v Speaker 5>big observer. I think as actors we kind of all

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<v Speaker 5>are inherently We're always kind of looking at surroundings and

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<v Speaker 5>take and things. Man, And for me, it was just

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<v Speaker 5>it was a really cool moment. And I can't remember.

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<v Speaker 3>If it was if it was who all was there

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<v Speaker 3>that day.

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<v Speaker 5>I definitely worked alongside you because I had some I

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<v Speaker 5>didn't do any scenes that you were in, but I

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<v Speaker 5>remember might have been day Warner or soon after you

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<v Speaker 5>guys were shooting something in the cafe there and they

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<v Speaker 5>were waiting for some setup, setting up some shots, and

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<v Speaker 5>I remember saying, yeah.

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<v Speaker 3>We got to Scott Patterson flying in blah blah blah.

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<v Speaker 5>And literally as naive as I was like is he

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<v Speaker 5>like coming in on a helicopter?

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<v Speaker 3>Like what does that mean? Flying in?

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<v Speaker 1>As I would come in a helicopter frequently.

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<v Speaker 3>I was like, this dude is a baller. This is awesome.

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<v Speaker 1>And they just sort of tell me to jump out,

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<v Speaker 1>you know, go ahead and jump out, They'll catch you.

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<v Speaker 1>I stopped trusting them after a couple of surgeries.

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<v Speaker 5>Yeah, I remember that, and you know, just kind of

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<v Speaker 5>getting to I stayed back.

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<v Speaker 3>I didn't want to, you know, interfere with.

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<v Speaker 5>The process obviously, but I just I really watched you

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<v Speaker 5>guys and and and you know, everybody who had been

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<v Speaker 5>on the show at this point, Like you said, I

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<v Speaker 5>think it was season five, so y'all kind of had

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<v Speaker 5>this this family, you know, And now fast forward to

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<v Speaker 5>this part of my career, I have experienced that and

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<v Speaker 5>like getting you know, you get to know your crew

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<v Speaker 5>and your cast mates and everybody to a level that's

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<v Speaker 5>in some ways deeper than your own blood family because

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<v Speaker 5>you spend so much time with them. And I remember

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<v Speaker 5>watching that and watching you guys interact and watching this

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<v Speaker 5>this dance that happens in between setups and then you know,

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<v Speaker 5>the stuff that you guys bring to life, you know.

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<v Speaker 5>George Anthony Bell was another you know, friend of mine.

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<v Speaker 5>I think he was a script supervisor at the time,

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<v Speaker 5>really really sweet guy that I got introduced to through

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<v Speaker 5>through Kenny, and I would sit there and watch what

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<v Speaker 5>he did and you know, just kind of observe everything,

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<v Speaker 5>and it was man, it's it's the best, like, you know,

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<v Speaker 5>form of boot camp that that you could ever be

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<v Speaker 5>thrown into.

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<v Speaker 3>Just to get the opportunity to watch something not just a.

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<v Speaker 5>TV show, but at the time like one of the

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<v Speaker 5>most successful TV sho shows out there.

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<v Speaker 3>Uh So, I don't take that lightly. It was a

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<v Speaker 3>huge blessing.

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<v Speaker 1>So what was was there a difficult part to it?

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<v Speaker 1>There was what was the hardest part about being an

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<v Speaker 1>extra in the background.

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<v Speaker 5>That was the only time I did that, and it

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<v Speaker 5>was the hardest part for me. Again, and it wasn't

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<v Speaker 5>even as I wasn't treated. I don't want to say

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<v Speaker 5>extras are treated poorly. You know, they can be, which

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<v Speaker 5>is a really sad thing, but they are you know,

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<v Speaker 5>kind of putting their own little area in their own tents.

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<v Speaker 5>They're told where to go, when to go, et cetera.

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<v Speaker 5>And it is more mechanical than anything. I had a

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<v Speaker 5>different experience obviously, you know, getting to kind of hang

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<v Speaker 5>with Kenny.

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<v Speaker 3>Et cetera.

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<v Speaker 5>But during setups and you know, then during the scenes

0:10:47.040 --> 0:10:49.880
<v Speaker 5>that we would shoot and everything like that, Kenny made

0:10:49.880 --> 0:10:51.679
<v Speaker 5>sure I was on camera and I was, you know,

0:10:52.480 --> 0:10:55.680
<v Speaker 5>hanging with I think technically this chat which was like

0:10:55.760 --> 0:10:58.840
<v Speaker 5>made up name, I guess, I don't even think it

0:10:58.880 --> 0:11:04.200
<v Speaker 5>was really credited, but he was Matt Schuckery at the time,

0:11:04.400 --> 0:11:07.480
<v Speaker 5>was Rory's new love interest on the show, and and

0:11:07.559 --> 0:11:09.560
<v Speaker 5>I was one of his like frat boys, right, So

0:11:10.000 --> 0:11:13.679
<v Speaker 5>it was like this featured frat fraternity brother type things.

0:11:13.800 --> 0:11:15.680
<v Speaker 5>So I would be in some certain scenes with him,

0:11:15.720 --> 0:11:17.920
<v Speaker 5>and I think the hardest part of it for me,

0:11:18.800 --> 0:11:22.640
<v Speaker 5>you know, was not not that I need to be

0:11:22.720 --> 0:11:25.120
<v Speaker 5>the star by any means, but but as an actor,

0:11:25.200 --> 0:11:27.040
<v Speaker 5>like you want to act, you want you know, you

0:11:27.080 --> 0:11:28.640
<v Speaker 5>want to be out there and you want to create,

0:11:28.679 --> 0:11:30.440
<v Speaker 5>and you want to be in these scenes and interact

0:11:30.520 --> 0:11:34.600
<v Speaker 5>with everybody. And as a background actor, you know, oftentimes

0:11:34.600 --> 0:11:37.760
<v Speaker 5>you're you're just you're there for the ambiance and you contribute,

0:11:37.920 --> 0:11:41.600
<v Speaker 5>but it's not as fulfilling as as you kind of

0:11:41.600 --> 0:11:42.760
<v Speaker 5>wanted to be, you know.

0:11:43.679 --> 0:11:45.439
<v Speaker 1>What was So what do you remember the scenes he

0:11:45.480 --> 0:11:46.480
<v Speaker 1>did with Matt.

0:11:46.400 --> 0:11:49.800
<v Speaker 5>There was one, there was one out in the field

0:11:51.000 --> 0:11:52.720
<v Speaker 5>man all this I haven't talked about this in forever,

0:11:52.760 --> 0:11:55.560
<v Speaker 5>and all of it's kind of coming back. I think, Uh,

0:11:55.600 --> 0:11:58.440
<v Speaker 5>what's his name? Eric the stunt who was your stunt

0:11:58.480 --> 0:11:59.280
<v Speaker 5>coordinator at the time.

0:11:59.400 --> 0:12:00.840
<v Speaker 3>Eric. His dad's.

0:12:02.880 --> 0:12:05.200
<v Speaker 1>Super famous too, Eric, Eric the stunt guy?

0:12:06.160 --> 0:12:07.960
<v Speaker 3>He was, he was a stunt coordinator for a while.

0:12:08.080 --> 0:12:10.240
<v Speaker 1>Eric. I don't, I don't.

0:12:10.400 --> 0:12:13.920
<v Speaker 5>Yeah, either way, he he was doing something and I

0:12:14.000 --> 0:12:16.680
<v Speaker 5>kind of got roped into this stunt thing out in

0:12:16.720 --> 0:12:21.360
<v Speaker 5>the field where I think Matt's character jumped from this

0:12:22.800 --> 0:12:23.560
<v Speaker 5>with the umbrella.

0:12:23.760 --> 0:12:26.599
<v Speaker 4>Yeah, that's an iconic episode.

0:12:26.640 --> 0:12:27.559
<v Speaker 3>It was.

0:12:27.840 --> 0:12:29.600
<v Speaker 5>And I don't I don't even know if I if

0:12:29.600 --> 0:12:31.640
<v Speaker 5>you can even see me in that scene, to be honest,

0:12:31.679 --> 0:12:32.199
<v Speaker 5>I can't.

0:12:32.320 --> 0:12:33.640
<v Speaker 3>I haven't watched the episode forever.

0:12:33.760 --> 0:12:36.160
<v Speaker 5>But that was like the first time I was kind

0:12:36.160 --> 0:12:39.839
<v Speaker 5>of roped into something beyond the background realm and and

0:12:40.000 --> 0:12:41.000
<v Speaker 5>can he introduce.

0:12:40.679 --> 0:12:41.120
<v Speaker 3>Me to Eric?

0:12:41.160 --> 0:12:43.360
<v Speaker 5>And I ended up doing some pseudo stunt thing. I

0:12:43.360 --> 0:12:45.520
<v Speaker 5>don't even know what it was. It was like carrying

0:12:45.520 --> 0:12:46.280
<v Speaker 5>something and jumping.

0:12:46.360 --> 0:12:51.080
<v Speaker 3>It wasn't anything big, but that that was one interaction

0:12:51.240 --> 0:12:51.640
<v Speaker 3>with him.

0:12:51.960 --> 0:12:55.160
<v Speaker 5>Another one was some scene where there was a bunch

0:12:55.160 --> 0:12:57.480
<v Speaker 5>of roses and we all kind of get on our say,

0:12:57.559 --> 0:13:00.439
<v Speaker 5>picked me, pick me to to I think it was

0:13:00.480 --> 0:13:03.920
<v Speaker 5>a Valentine's Stay thing or something. Almost twenty years ago

0:13:03.920 --> 0:13:06.920
<v Speaker 5>at this point. But yeah, there was a couple of

0:13:06.920 --> 0:13:10.280
<v Speaker 5>those types of scenes with with him. And I did

0:13:10.280 --> 0:13:12.240
<v Speaker 5>get to talk to Matt, and I talked to Jared

0:13:12.440 --> 0:13:15.760
<v Speaker 5>kind of like he you know, a bit, just really

0:13:15.840 --> 0:13:19.040
<v Speaker 5>nice guys, and I really enjoyed I remember watching Matt

0:13:19.080 --> 0:13:21.720
<v Speaker 5>work and I really I really liked what he did

0:13:21.840 --> 0:13:24.240
<v Speaker 5>as a as an actor and with the character.

0:13:23.920 --> 0:13:25.840
<v Speaker 1>And everybody did that stuck out to you?

0:13:26.960 --> 0:13:29.839
<v Speaker 5>His Again, this was like first time being on set

0:13:30.200 --> 0:13:32.440
<v Speaker 5>in a TV show, so it's different than you know,

0:13:32.559 --> 0:13:36.080
<v Speaker 5>theater preparation, et cetera. And watching him kind of it

0:13:36.120 --> 0:13:38.280
<v Speaker 5>wasn't It wasn't like he went into some sort of

0:13:38.360 --> 0:13:41.560
<v Speaker 5>method thing by any means, but like watching him prepare

0:13:42.000 --> 0:13:45.640
<v Speaker 5>while set up was happening, to go into filming a scene,

0:13:46.000 --> 0:13:48.200
<v Speaker 5>you could tell like he put us all into it.

0:13:48.240 --> 0:13:51.200
<v Speaker 5>He wasn't, you know, he had fun and everything, but

0:13:51.200 --> 0:13:53.480
<v Speaker 5>but it was it was still when it came time

0:13:53.520 --> 0:13:55.839
<v Speaker 5>to work and came time to film, his work ethic

0:13:55.960 --> 0:13:58.720
<v Speaker 5>was really what stood out to me. And then you know,

0:13:58.760 --> 0:14:01.400
<v Speaker 5>he would bring this character of life in such a

0:14:01.520 --> 0:14:03.360
<v Speaker 5>natural way that.

0:14:04.080 --> 0:14:05.760
<v Speaker 3>I don't know why, but that always kind of stuck

0:14:05.800 --> 0:14:06.080
<v Speaker 3>with me.

0:14:06.160 --> 0:14:09.080
<v Speaker 5>And I haven't talked to him since, so you know,

0:14:09.880 --> 0:14:12.839
<v Speaker 5>you know, I have no interaction beyond those few times

0:14:12.840 --> 0:14:15.440
<v Speaker 5>we quote unquote worked together. But it was just really

0:14:15.440 --> 0:14:18.199
<v Speaker 5>cool to watch him work and kind of watch his

0:14:18.280 --> 0:14:19.120
<v Speaker 5>process and everything.

0:14:19.120 --> 0:14:22.280
<v Speaker 3>As as a young actor not knowing much about things.

0:14:22.840 --> 0:14:25.440
<v Speaker 1>You know, it's it's it's it's amazing what you can

0:14:25.440 --> 0:14:26.720
<v Speaker 1>pick up just by observing.

0:14:27.440 --> 0:14:28.120
<v Speaker 3>Yeah, it really is.

0:14:28.720 --> 0:14:34.080
<v Speaker 1>It's it's value, very very valuable experience. So when was

0:14:34.080 --> 0:14:38.120
<v Speaker 1>the last time you watched the episode that you're actually

0:14:38.120 --> 0:14:40.880
<v Speaker 1>the episodes that you're in, She's sad, all the all

0:14:40.920 --> 0:14:43.000
<v Speaker 1>the did you did you watch them twenty years ago?

0:14:43.480 --> 0:14:45.440
<v Speaker 5>Of course, at the time, it was like, you know,

0:14:45.760 --> 0:14:48.240
<v Speaker 5>my parents and every and everybody thought it was the

0:14:48.240 --> 0:14:50.640
<v Speaker 5>coolest thing in the world because I appeared for you know,

0:14:50.680 --> 0:14:52.520
<v Speaker 5>two seconds at a time here and there on a

0:14:52.560 --> 0:14:55.640
<v Speaker 5>TV show and again as a kid from Texas, that's

0:14:55.640 --> 0:14:57.800
<v Speaker 5>more than a lot of people ever get.

0:14:57.600 --> 0:14:59.520
<v Speaker 3>To do in television and film.

0:14:59.560 --> 0:15:01.800
<v Speaker 5>And so we watched it at the time and it

0:15:01.840 --> 0:15:04.680
<v Speaker 5>was you know, my parents are very proud still and

0:15:04.960 --> 0:15:07.920
<v Speaker 5>always have been supportive and everything, and I remember that,

0:15:08.360 --> 0:15:10.280
<v Speaker 5>you know, but I don't think I've ever really gone

0:15:10.360 --> 0:15:14.800
<v Speaker 5>back to watch definitely not to like single my episodes out,

0:15:14.840 --> 0:15:17.400
<v Speaker 5>because it wasn't you know, it wasn't anything.

0:15:17.920 --> 0:15:19.760
<v Speaker 3>There's no performance there to kind.

0:15:19.600 --> 0:15:22.320
<v Speaker 1>Of the ones that you were in were the best

0:15:22.360 --> 0:15:23.280
<v Speaker 1>episodes there.

0:15:23.640 --> 0:15:26.600
<v Speaker 3>I mean, I wasn't going to say, let's just agree.

0:15:26.200 --> 0:15:29.160
<v Speaker 1>On that, like holding the keg is not easy. Come on,

0:15:31.200 --> 0:15:32.280
<v Speaker 1>did you come in with the keg?

0:15:32.840 --> 0:15:34.400
<v Speaker 3>I did come in with the Was you.

0:15:34.960 --> 0:15:40.440
<v Speaker 1>Going into the wake into That's right, that's what that was. Yeah,

0:15:40.440 --> 0:15:40.960
<v Speaker 1>it was awake.

0:15:41.880 --> 0:15:43.680
<v Speaker 4>Do you get people who like do you get people

0:15:43.680 --> 0:15:46.560
<v Speaker 4>who are binging? And then they're like, oh, I saw

0:15:46.560 --> 0:15:47.880
<v Speaker 4>you in an episode? Like do you get that?

0:15:47.960 --> 0:15:48.040
<v Speaker 3>Like?

0:15:49.040 --> 0:15:51.480
<v Speaker 5>Which is which is really strange to me because again,

0:15:51.520 --> 0:15:54.440
<v Speaker 5>the screen time was minimal. But you know, I think

0:15:54.520 --> 0:15:57.400
<v Speaker 5>once you it's like any actor and by no means

0:15:57.440 --> 0:15:59.800
<v Speaker 5>Tom Cruise at this point, but I've been in enough

0:15:59.840 --> 0:16:01.080
<v Speaker 5>thing is where people.

0:16:00.800 --> 0:16:06.480
<v Speaker 1>Have not yet yet not yet, but uh, you.

0:16:06.360 --> 0:16:08.240
<v Speaker 5>Know when you get to the point where people have

0:16:08.440 --> 0:16:10.640
<v Speaker 5>kind of seen some of your body of work and everything,

0:16:10.680 --> 0:16:12.600
<v Speaker 5>and then they go back and revisit, you know, a

0:16:12.640 --> 0:16:15.800
<v Speaker 5>show like this, and I've had people literally hit up

0:16:15.800 --> 0:16:17.640
<v Speaker 5>myself for my wife and be like, wait a minute,

0:16:17.760 --> 0:16:19.160
<v Speaker 5>was was that was that?

0:16:19.240 --> 0:16:19.480
<v Speaker 3>You?

0:16:19.520 --> 0:16:21.680
<v Speaker 5>And the like you know have to rewind and like

0:16:21.760 --> 0:16:23.560
<v Speaker 5>send me a little screenshot or whatever.

0:16:23.400 --> 0:16:25.160
<v Speaker 1>And I'm like, yeah, that's what I did.

0:16:25.280 --> 0:16:29.200
<v Speaker 4>I was like, I was like, I think we made

0:16:29.240 --> 0:16:32.640
<v Speaker 4>it to the episode ericson because we watched we watch

0:16:32.720 --> 0:16:35.640
<v Speaker 4>episode by episode and it's been you know, five seasons now, so,

0:16:36.360 --> 0:16:38.280
<v Speaker 4>but I think this was your first and I think

0:16:38.280 --> 0:16:40.160
<v Speaker 4>the other ones are coming up right after.

0:16:40.080 --> 0:16:41.760
<v Speaker 3>So there's somewhere in there.

0:16:41.840 --> 0:16:44.800
<v Speaker 1>Yeah, well that's amazing. Yeah, I thought you stole the scene.

0:16:44.840 --> 0:16:48.080
<v Speaker 1>My eye went right to you. That's how I remembered it.

0:16:48.160 --> 0:16:51.320
<v Speaker 1>Keg came in, so I went, yeah, that's the guy.

0:16:51.560 --> 0:16:52.440
<v Speaker 1>That's the guy you did.

0:16:52.480 --> 0:16:55.520
<v Speaker 3>Remember you did remember I did. I was iconic.

0:17:00.600 --> 0:17:02.840
<v Speaker 2>Did you guys already dig into all sort of the

0:17:02.920 --> 0:17:06.680
<v Speaker 2>like nuances of being a background actor on Gilmore?

0:17:06.840 --> 0:17:08.480
<v Speaker 1>I mean we could, we could dig a little more.

0:17:08.520 --> 0:17:11.800
<v Speaker 1>You bring up particular type of spade and shovel.

0:17:11.960 --> 0:17:15.760
<v Speaker 2>I gat question for Eric from back then because obviously

0:17:15.800 --> 0:17:18.520
<v Speaker 2>not now now you're doing much more. But did you

0:17:18.600 --> 0:17:22.000
<v Speaker 2>do background acting on other shows? And was there a

0:17:22.080 --> 0:17:25.560
<v Speaker 2>difference between when you were on Gilmore Girls and other shows.

0:17:26.200 --> 0:17:28.480
<v Speaker 5>No, And I mentioned this a little bit earlier, this

0:17:28.600 --> 0:17:30.600
<v Speaker 5>was the only time I ever did any sort of

0:17:30.640 --> 0:17:35.840
<v Speaker 5>background work. Really, it wasn't something I wanted to do.

0:17:36.240 --> 0:17:37.879
<v Speaker 5>Mind you, it's it's a great you know, it's a

0:17:37.920 --> 0:17:40.600
<v Speaker 5>great way to experience set and everything like that. But

0:17:40.640 --> 0:17:43.960
<v Speaker 5>for me, just uh, I think the kind of what

0:17:44.000 --> 0:17:45.439
<v Speaker 5>I mentioned the Scott a while ago, I think the

0:17:47.160 --> 0:17:50.720
<v Speaker 5>watching everything happen and as kind of an observer, and

0:17:51.359 --> 0:17:56.000
<v Speaker 5>you know, sometimes a glorified prop is not as fulfilling

0:17:56.280 --> 0:18:00.240
<v Speaker 5>as as I wanted it to be. And so for me,

0:18:00.320 --> 0:18:03.320
<v Speaker 5>it wasn't really an avenue I wanted to go around.

0:18:03.359 --> 0:18:06.080
<v Speaker 5>I did value the experience being on set, but you know,

0:18:06.080 --> 0:18:09.040
<v Speaker 5>I kind of mentioned to him it's a great point.

0:18:09.200 --> 0:18:12.240
<v Speaker 2>So for someone listening, how does someone go from Because

0:18:12.280 --> 0:18:14.440
<v Speaker 2>if someone wants to be an actor, right, they don't

0:18:14.440 --> 0:18:17.240
<v Speaker 2>even know where to begin, and background acting does seem

0:18:17.280 --> 0:18:19.800
<v Speaker 2>like the logical thing. So how do you make that jump?

0:18:19.800 --> 0:18:21.960
<v Speaker 2>That's something I've never asked Scott either. It's like, how

0:18:21.960 --> 0:18:25.440
<v Speaker 2>do you make that jump where people take you know,

0:18:25.440 --> 0:18:29.080
<v Speaker 2>know that you have enough experience to have an act,

0:18:29.160 --> 0:18:31.639
<v Speaker 2>you know, five lines or whatever it is. How do

0:18:31.720 --> 0:18:33.719
<v Speaker 2>you Maybe that's a good question for both of you.

0:18:33.920 --> 0:18:35.200
<v Speaker 2>How do you do that?

0:18:35.359 --> 0:18:37.960
<v Speaker 1>Well, there's a couple of there's a couple of different paths,

0:18:38.000 --> 0:18:40.800
<v Speaker 1>you know, there's I mean, I was in New York,

0:18:40.840 --> 0:18:44.040
<v Speaker 1>so I did a lot of theater. So my whole

0:18:44.080 --> 0:18:46.680
<v Speaker 1>thing was to be seen, you know, come see the work,

0:18:47.080 --> 0:18:49.639
<v Speaker 1>casting directors or agents or whatever, come see the work.

0:18:50.160 --> 0:18:52.040
<v Speaker 1>And if you're lucky enough to get a good review

0:18:52.160 --> 0:18:56.320
<v Speaker 1>or even be reviewed by any reputable critic in the city.

0:18:57.040 --> 0:19:00.920
<v Speaker 1>You know, that's that's just plus. And then you can

0:19:00.960 --> 0:19:04.880
<v Speaker 1>do it the Eric's way, where you get on sets

0:19:05.440 --> 0:19:08.439
<v Speaker 1>and you start making connections and you see how it

0:19:08.480 --> 0:19:12.480
<v Speaker 1>all works, because then it's just so much easier to

0:19:12.560 --> 0:19:15.160
<v Speaker 1>go in in an audition for your next job, right Eric,

0:19:15.240 --> 0:19:17.679
<v Speaker 1>because now you've been there, you know the lay of

0:19:17.680 --> 0:19:20.280
<v Speaker 1>the land. You're not going to get overwhelmed your first

0:19:20.320 --> 0:19:23.000
<v Speaker 1>day on the set anymore. You see how it is,

0:19:23.520 --> 0:19:26.359
<v Speaker 1>and you know, you saw how great Matt was. You

0:19:26.920 --> 0:19:30.840
<v Speaker 1>saw me drop out of a helicopter and face plant,

0:19:31.160 --> 0:19:33.359
<v Speaker 1>and so you know how it goes. So it's not

0:19:33.520 --> 0:19:36.080
<v Speaker 1>going to be so intimidating for you, so you'll be

0:19:36.080 --> 0:19:39.400
<v Speaker 1>able to relax and do your work. So, yeah, there's

0:19:39.440 --> 0:19:41.040
<v Speaker 1>a couple of different paths, or you know, you do

0:19:41.080 --> 0:19:43.920
<v Speaker 1>a student film or something and you get seen by somebody,

0:19:44.000 --> 0:19:44.600
<v Speaker 1>that kind of thing.

0:19:44.720 --> 0:19:47.399
<v Speaker 5>So I think for me, you know again, it was

0:19:47.520 --> 0:19:52.480
<v Speaker 5>it was such a unique opportunity having having Kenny and

0:19:52.680 --> 0:19:55.040
<v Speaker 5>you weren't here for this, but Kenny Ortega is kind

0:19:55.080 --> 0:19:57.160
<v Speaker 5>of how all this happened, and yeah.

0:19:57.000 --> 0:19:58.560
<v Speaker 2>It's amazing.

0:19:58.560 --> 0:20:00.960
<v Speaker 5>He was like my confidant, and he got me, you know,

0:20:01.040 --> 0:20:04.760
<v Speaker 5>taptheart Lee thanks to this gig on Gilmore Girls. And

0:20:04.800 --> 0:20:07.359
<v Speaker 5>then beyond that, you know, part of the reason I

0:20:07.359 --> 0:20:10.400
<v Speaker 5>didn't do any other background work, et cetera is Canny

0:20:10.440 --> 0:20:14.120
<v Speaker 5>also introduced me to several casting directors say hey, keep

0:20:14.160 --> 0:20:15.879
<v Speaker 5>this kid on your radar, blah blah blah, and so

0:20:15.960 --> 0:20:16.240
<v Speaker 5>I could.

0:20:16.280 --> 0:20:18.040
<v Speaker 3>I would get in rooms that.

0:20:18.440 --> 0:20:21.560
<v Speaker 5>Most people don't get in for a while, unless you

0:20:21.800 --> 0:20:23.720
<v Speaker 5>like Scott's point, unless you're doing a you know, a

0:20:23.920 --> 0:20:26.400
<v Speaker 5>play and somebody comes and sees it, or you've done

0:20:26.400 --> 0:20:28.280
<v Speaker 5>a student film where you did your own short film

0:20:28.359 --> 0:20:31.000
<v Speaker 5>and put it out there and whatnot. And so for me,

0:20:31.119 --> 0:20:32.440
<v Speaker 5>I kind of, I don't want to say had it,

0:20:33.080 --> 0:20:35.080
<v Speaker 5>I had it. I was lucky, per se, but there

0:20:35.160 --> 0:20:37.720
<v Speaker 5>is a little element of that, and it was I

0:20:37.800 --> 0:20:39.880
<v Speaker 5>had a little bit of an easier time than most,

0:20:40.000 --> 0:20:42.360
<v Speaker 5>at least getting my foot in the door. And then

0:20:42.359 --> 0:20:45.440
<v Speaker 5>I think that transition for me again, since I didn't

0:20:45.480 --> 0:20:48.119
<v Speaker 5>do very much of the background stuff, I made the

0:20:48.160 --> 0:20:51.560
<v Speaker 5>most of what I had with these few episodes on

0:20:51.760 --> 0:20:54.359
<v Speaker 5>Gilmore Girls and just observed. And that way when I

0:20:54.440 --> 0:20:57.680
<v Speaker 5>did go into a room and you know, audition I

0:20:57.760 --> 0:21:00.600
<v Speaker 5>already kind of knew how a certain scene play out,

0:21:00.760 --> 0:21:03.440
<v Speaker 5>and that would help me, you know, create whatever it was.

0:21:03.560 --> 0:21:06.240
<v Speaker 5>It wasn't because the auditioning for theater is way different

0:21:06.320 --> 0:21:09.040
<v Speaker 5>than than television, and that's all I had really done

0:21:09.119 --> 0:21:09.640
<v Speaker 5>to this point.

0:21:09.960 --> 0:21:11.360
<v Speaker 3>So I had that in the back of my mind.

0:21:11.400 --> 0:21:13.480
<v Speaker 5>And then when I did get my first few gigs

0:21:13.520 --> 0:21:15.320
<v Speaker 5>here and there, where you get a you know, you're

0:21:15.400 --> 0:21:17.320
<v Speaker 5>under fives, and then you start to get a day

0:21:17.359 --> 0:21:21.080
<v Speaker 5>player stuff, and you know, I felt I.

0:21:21.119 --> 0:21:23.920
<v Speaker 3>Felt more confident at least going there.

0:21:24.480 --> 0:21:26.680
<v Speaker 5>Not not cocky by any means, but I didn't feel

0:21:26.680 --> 0:21:30.119
<v Speaker 5>like an outsider stepping on to like in front of

0:21:30.160 --> 0:21:32.760
<v Speaker 5>the camera and exactly so you know, I didn't. I

0:21:33.080 --> 0:21:35.520
<v Speaker 5>wasn't wondering, Okay, where do I need to stand? Or

0:21:35.760 --> 0:21:37.840
<v Speaker 5>why are these guys lighting over here? What are the

0:21:37.960 --> 0:21:39.120
<v Speaker 5>what are the grips doing there?

0:21:39.200 --> 0:21:39.639
<v Speaker 3>What? You know?

0:21:39.920 --> 0:21:42.560
<v Speaker 5>I knew how that that whole dance worked, and so

0:21:42.720 --> 0:21:44.200
<v Speaker 5>for me, I just I went and I did my

0:21:44.320 --> 0:21:46.040
<v Speaker 5>job and I was where I needed to be. And

0:21:46.480 --> 0:21:48.119
<v Speaker 5>I think the other part too, is just you know,

0:21:48.200 --> 0:21:50.879
<v Speaker 5>my work ethic has always been really strong, regardless of

0:21:51.240 --> 0:21:54.240
<v Speaker 5>what I'm doing, whether it be acting, you know, the

0:21:54.320 --> 0:21:57.120
<v Speaker 5>other jobs I've had throughout the years, and I think

0:21:57.280 --> 0:22:00.080
<v Speaker 5>when you do that, you know, this business there's you

0:22:00.200 --> 0:22:02.639
<v Speaker 5>obviously have to have talent to succeed in this business,

0:22:02.720 --> 0:22:05.960
<v Speaker 5>but nobody wants to work with a you know, not

0:22:06.160 --> 0:22:09.840
<v Speaker 5>nice person, right, And I think and or somebody.

0:22:09.560 --> 0:22:11.600
<v Speaker 3>Who's lazy and makes everybody else's day harder.

0:22:11.640 --> 0:22:14.440
<v Speaker 5>The last thing the crew wants when they're working, you know,

0:22:14.560 --> 0:22:18.080
<v Speaker 5>fourteen fifteen, eighteen hours sometimes is for some actor to

0:22:18.160 --> 0:22:21.480
<v Speaker 5>come in and not be prepared or you know, not

0:22:21.840 --> 0:22:24.560
<v Speaker 5>not arrive when they're ready. They set everything up and

0:22:24.600 --> 0:22:26.680
<v Speaker 5>they got to wait another five minutes for you to finish.

0:22:27.080 --> 0:22:30.760
<v Speaker 5>You know, whatever you're doing, nobody wants that. So as

0:22:30.800 --> 0:22:33.440
<v Speaker 5>long as you're not that person and you have some talent,

0:22:34.320 --> 0:22:36.960
<v Speaker 5>that's the magic, you know equation. I think there's still

0:22:37.000 --> 0:22:39.480
<v Speaker 5>some luck and other things that are needed, but I

0:22:39.560 --> 0:22:41.320
<v Speaker 5>think that really helps for career wise.

0:22:41.760 --> 0:22:44.439
<v Speaker 2>That's what Scott always says about Gilmore Girls, that everybody

0:22:44.640 --> 0:22:52.040
<v Speaker 2>from Lauren to the smallest background actor, from the executive

0:22:52.040 --> 0:22:57.760
<v Speaker 2>producer down to the whoever craft services, everybody gave it

0:22:57.840 --> 0:22:59.000
<v Speaker 2>one hundred and ten percent.

0:22:59.760 --> 0:23:02.879
<v Speaker 5>Yeah, And I think that's you know, the show is

0:23:02.920 --> 0:23:06.160
<v Speaker 5>also one of the best written shows ever. I think

0:23:06.240 --> 0:23:09.359
<v Speaker 5>it's it's still you know, such a well well written,

0:23:09.440 --> 0:23:11.600
<v Speaker 5>well acted, well rounded show, which is why people are

0:23:11.640 --> 0:23:16.160
<v Speaker 5>revisiting again. But you know, for example, now with Superman

0:23:16.240 --> 0:23:18.719
<v Speaker 5>and Lois, we have that, like I've I've never had

0:23:18.720 --> 0:23:20.440
<v Speaker 5>a really bad experience in Hollywood.

0:23:20.480 --> 0:23:23.000
<v Speaker 3>I've been pretty lucky to work on you know, work

0:23:23.040 --> 0:23:24.040
<v Speaker 3>with good people, et cetera.

0:23:24.160 --> 0:23:27.119
<v Speaker 5>But we've now you know, we started this show in

0:23:27.160 --> 0:23:29.399
<v Speaker 5>the middle of the pandemic where we just finished filming

0:23:29.480 --> 0:23:32.920
<v Speaker 5>season three, and it's you know, it could have gone

0:23:33.040 --> 0:23:35.960
<v Speaker 5>really bad, especially when everybody was in that bubble of

0:23:36.160 --> 0:23:38.440
<v Speaker 5>you know, the COVID bubble, trying to get things going

0:23:38.680 --> 0:23:40.880
<v Speaker 5>in the middle of the pandemic, and like Warner Brothers

0:23:40.920 --> 0:23:44.440
<v Speaker 5>didn't want us interacting with anybody outside of they didn't

0:23:44.440 --> 0:23:46.840
<v Speaker 5>even want us cast members early on to interact with

0:23:46.880 --> 0:23:49.400
<v Speaker 5>each other outside of being on set.

0:23:50.119 --> 0:23:53.560
<v Speaker 3>And you know, we as humans, you need interact.

0:23:53.600 --> 0:23:56.280
<v Speaker 5>And so shortly after we started filming and we had

0:23:56.320 --> 0:23:58.800
<v Speaker 5>this rapport with each other, we we became a family.

0:23:58.880 --> 0:24:01.200
<v Speaker 5>And then as things warmed up a bit more, you know,

0:24:01.280 --> 0:24:05.040
<v Speaker 5>our crew are just phenomenal and like you don't always

0:24:05.119 --> 0:24:08.160
<v Speaker 5>get that good of a scenario and so it's when

0:24:08.200 --> 0:24:10.640
<v Speaker 5>you do have it, I think, A it makes going

0:24:10.720 --> 0:24:13.879
<v Speaker 5>to work better and B it's part of making good television.

0:24:13.920 --> 0:24:16.800
<v Speaker 5>You know, if regardless of how strong the writing is

0:24:16.920 --> 0:24:19.920
<v Speaker 5>or how strong a performance is, stuff comes through. Like

0:24:20.040 --> 0:24:22.399
<v Speaker 5>if the vibes on set are not good and people

0:24:22.440 --> 0:24:24.679
<v Speaker 5>are not happy and the directors and the producers are

0:24:24.760 --> 0:24:28.359
<v Speaker 5>the rating to crew members or actors, it's going to

0:24:28.440 --> 0:24:31.000
<v Speaker 5>show up and it's going to manifest itself in weird ways.

0:24:31.080 --> 0:24:34.920
<v Speaker 3>So that's what I love, the collaboration. That is what

0:24:35.080 --> 0:24:35.280
<v Speaker 3>we do.

0:24:35.920 --> 0:24:38.440
<v Speaker 1>Well, where are you? Where are you Europe? In Vancouver?

0:24:39.520 --> 0:24:41.399
<v Speaker 3>Uh, that's where we film right now. I'm out in Texas.

0:24:41.440 --> 0:24:42.560
<v Speaker 3>We have a little lake house out here.

0:24:42.720 --> 0:24:45.840
<v Speaker 1>But where you shoot where you shoot the lowest and

0:24:46.119 --> 0:24:48.280
<v Speaker 1>Vancouver and lowest, Yeah, you're Vancouver.

0:24:48.640 --> 0:24:50.399
<v Speaker 2>I have one last question before you guys go, and

0:24:50.440 --> 0:24:52.639
<v Speaker 2>then you guys can ask whatever. But is there We

0:24:52.640 --> 0:24:54.720
<v Speaker 2>always talk about the one that brung you. It's like,

0:24:54.840 --> 0:24:59.399
<v Speaker 2>what was your the part where you realized obviously it

0:24:59.480 --> 0:25:02.920
<v Speaker 2>wasn't Caring the King, but the one where you realize like, Okay,

0:25:03.040 --> 0:25:04.520
<v Speaker 2>I actually am going to be able to do this

0:25:04.680 --> 0:25:08.000
<v Speaker 2>as a career, Like was there after Gilmore Girls? Was

0:25:08.040 --> 0:25:11.480
<v Speaker 2>there under five or five more where you were like,

0:25:11.640 --> 0:25:13.639
<v Speaker 2>this is actually gonna happen for me?

0:25:14.720 --> 0:25:18.359
<v Speaker 5>I think For me, that's kind of a two part answer.

0:25:18.440 --> 0:25:22.760
<v Speaker 5>I think I always, I always. I'm a big risk taker,

0:25:22.800 --> 0:25:25.200
<v Speaker 5>and I'm a big believer in putting in the work

0:25:25.359 --> 0:25:27.920
<v Speaker 5>and putting in the work myself. And I never really

0:25:28.000 --> 0:25:31.280
<v Speaker 5>doubted myself. And that's not a cocky statement by any means.

0:25:31.280 --> 0:25:33.880
<v Speaker 5>I'm not saying I'm the most talented person in the world,

0:25:33.920 --> 0:25:36.960
<v Speaker 5>But I never doubted my abilities as an actor or

0:25:37.320 --> 0:25:39.680
<v Speaker 5>as a human being in terms of ease to work with,

0:25:39.760 --> 0:25:41.879
<v Speaker 5>et cetera. So for me, it was it was never

0:25:41.960 --> 0:25:44.440
<v Speaker 5>a matter of is this going to happen. It was

0:25:44.480 --> 0:25:46.680
<v Speaker 5>just a matter of, okay, you got to ride ride

0:25:46.720 --> 0:25:49.840
<v Speaker 5>this out, you know, literally the waves that come. And

0:25:50.640 --> 0:25:54.040
<v Speaker 5>for me, like I remember two thousand and eight, it

0:25:54.160 --> 0:25:57.080
<v Speaker 5>was a combination of eerily similar to what we're about

0:25:57.119 --> 0:25:57.440
<v Speaker 5>to go through.

0:25:57.480 --> 0:25:57.640
<v Speaker 3>Here.

0:25:57.680 --> 0:26:00.800
<v Speaker 5>You have the writers' strike, you know, the nomy crashed,

0:26:00.920 --> 0:26:02.760
<v Speaker 5>all sorts of stuff happened, and at that point I

0:26:02.800 --> 0:26:05.640
<v Speaker 5>had done a few under fives. This and that that had,

0:26:06.080 --> 0:26:07.840
<v Speaker 5>you know, kept me in the game. I was I

0:26:08.080 --> 0:26:10.040
<v Speaker 5>wasn't ready to throw in the towel because I still

0:26:10.119 --> 0:26:12.000
<v Speaker 5>knew that something was going to happen for me. Right

0:26:12.080 --> 0:26:14.400
<v Speaker 5>then we get to two thousand and eight, I'm about

0:26:14.440 --> 0:26:16.400
<v Speaker 5>thirty grand in debt and I have about five hundred

0:26:16.400 --> 0:26:18.440
<v Speaker 5>dollars to my name, and I ended up sleeping in

0:26:18.480 --> 0:26:20.840
<v Speaker 5>my Mini Cooper for like two weeks because I couldn't

0:26:20.840 --> 0:26:24.360
<v Speaker 5>afford rent. And my parents, you know, were like, hey,

0:26:24.760 --> 0:26:27.000
<v Speaker 5>you can come back home. You know that that option

0:26:27.160 --> 0:26:29.159
<v Speaker 5>is always here, come back to Texas. And I was like,

0:26:29.640 --> 0:26:32.480
<v Speaker 5>I'm not done. I'm just this isn't this isn't over

0:26:32.560 --> 0:26:35.760
<v Speaker 5>for me. And I think, call that stubbornness, call that drive,

0:26:35.880 --> 0:26:38.480
<v Speaker 5>whatever you want to call it. That kept me in

0:26:38.600 --> 0:26:41.000
<v Speaker 5>the game. And then shortly after I came out of

0:26:41.080 --> 0:26:43.520
<v Speaker 5>that funk, I ended up doing a couple of commercials

0:26:43.560 --> 0:26:45.719
<v Speaker 5>which got me out of debt at least. And then

0:26:45.920 --> 0:26:49.360
<v Speaker 5>like the big break, so to speak, was General Hospital.

0:26:49.560 --> 0:26:52.080
<v Speaker 5>I'd never thought I would do a soap opera. Nothing

0:26:52.160 --> 0:26:54.639
<v Speaker 5>against it, it just wasn't creatively where I wanted to go.

0:26:55.280 --> 0:26:57.880
<v Speaker 5>And then I had this opportunity through a relationship I'd

0:26:57.920 --> 0:27:00.960
<v Speaker 5>made with Mark Teshner over the years, casting director there.

0:27:01.440 --> 0:27:03.240
<v Speaker 5>He called me up one day and then he said

0:27:03.240 --> 0:27:05.359
<v Speaker 5>I got this role for you. I want you to

0:27:05.400 --> 0:27:05.639
<v Speaker 5>come in.

0:27:05.760 --> 0:27:07.440
<v Speaker 3>You know, you still opt auditioned for it, but I

0:27:08.400 --> 0:27:11.520
<v Speaker 3>am really pushing for you. I said, cool, go in.

0:27:11.680 --> 0:27:13.000
<v Speaker 3>I do that and next you know, I do one

0:27:13.080 --> 0:27:16.240
<v Speaker 3>hundred episodes or song over two and a half years.

0:27:16.400 --> 0:27:19.000
<v Speaker 3>And that was kind of the the launching pad, so

0:27:19.160 --> 0:27:19.560
<v Speaker 3>to speak.

0:27:19.760 --> 0:27:22.960
<v Speaker 5>Yeah, and so yeah, it's it's it's been a it's

0:27:23.000 --> 0:27:25.960
<v Speaker 5>been a ride, but it's I wouldn't I wouldn't change

0:27:26.040 --> 0:27:26.320
<v Speaker 5>much of it.

0:27:27.440 --> 0:27:28.680
<v Speaker 1>Yeah, that's what it takes.

0:27:28.760 --> 0:27:28.920
<v Speaker 3>You know.

0:27:29.119 --> 0:27:32.200
<v Speaker 1>My son is a it's just got his purple belt

0:27:32.359 --> 0:27:38.920
<v Speaker 1>and in tang sudo and and he you know, and

0:27:39.040 --> 0:27:44.159
<v Speaker 1>now now all of my analogies are karate related. So

0:27:44.240 --> 0:27:47.080
<v Speaker 1>it's like auditioning is like, you know, you're gonna get

0:27:47.119 --> 0:27:51.199
<v Speaker 1>beat up. It's like sparring. You're gonna get beat up,

0:27:51.240 --> 0:27:53.080
<v Speaker 1>and but you're gonna that's the only way to learn,

0:27:54.080 --> 0:27:56.399
<v Speaker 1>you know. And you're gonna walk in there as a

0:27:56.440 --> 0:27:58.680
<v Speaker 1>white belt or a yellow belt or even a purple belt,

0:27:58.720 --> 0:28:00.439
<v Speaker 1>and you're gonna face a red belt, going to face

0:28:00.480 --> 0:28:01.800
<v Speaker 1>a green belt, and they're going to beat you up

0:28:01.800 --> 0:28:05.440
<v Speaker 1>pretty bad. And you just got to hang in and

0:28:06.000 --> 0:28:10.160
<v Speaker 1>keep working, keep studying, and then one day you're gonna

0:28:10.280 --> 0:28:15.440
<v Speaker 1>you're gonna start winning those sparring sessions one day, and

0:28:15.520 --> 0:28:17.119
<v Speaker 1>it might it might not happen for a while, but

0:28:17.200 --> 0:28:20.320
<v Speaker 1>you can't be discouraged, you know. And that's what auditioning

0:28:20.400 --> 0:28:21.600
<v Speaker 1>is like, because you have to do it for a

0:28:21.720 --> 0:28:22.280
<v Speaker 1>long time.

0:28:23.600 --> 0:28:23.760
<v Speaker 3>You know.

0:28:24.400 --> 0:28:27.720
<v Speaker 5>Some people, some people everything just falls into place earlier

0:28:27.760 --> 0:28:30.240
<v Speaker 5>than others. Everybody's timeline is different. But kind of back

0:28:30.240 --> 0:28:34.240
<v Speaker 5>to what am that's kind of it is for those

0:28:34.359 --> 0:28:36.720
<v Speaker 5>that they do watch the podcast and listen to it

0:28:36.800 --> 0:28:39.760
<v Speaker 5>that are, you know, at the background level or still

0:28:39.840 --> 0:28:41.680
<v Speaker 5>trying to figure out a way into the industry.

0:28:41.760 --> 0:28:43.400
<v Speaker 3>Like I get that question all the time, you know,

0:28:43.520 --> 0:28:45.320
<v Speaker 3>how can I? How can I do what you do?

0:28:45.520 --> 0:28:47.520
<v Speaker 5>And it all comes down to putting in the work

0:28:47.560 --> 0:28:50.760
<v Speaker 5>and determination and getting back up and you know, and

0:28:50.880 --> 0:28:55.760
<v Speaker 5>realizing the time it's it's if you don't end up

0:28:55.960 --> 0:28:58.880
<v Speaker 5>booking something, even if you think nailed the audition or

0:28:58.920 --> 0:29:01.600
<v Speaker 5>whatever has nothing to do with you or your performance.

0:29:01.680 --> 0:29:04.240
<v Speaker 5>There's so many other factors that go into this that

0:29:04.320 --> 0:29:07.240
<v Speaker 5>people don't realize. And in as long as you're doing

0:29:07.360 --> 0:29:10.720
<v Speaker 5>your job, it will happen. It's just may take a

0:29:10.760 --> 0:29:13.440
<v Speaker 5>little bit longer than you hope it will. Yeah.

0:29:13.480 --> 0:29:17.920
<v Speaker 1>I think the takeaway is always it's not personal. If

0:29:17.960 --> 0:29:22.200
<v Speaker 1>you don't get the offer, it's not personal. It's just

0:29:23.600 --> 0:29:26.400
<v Speaker 1>there's a million reasons why people don't get jobs, and

0:29:27.280 --> 0:29:30.000
<v Speaker 1>often times it has nothing to do with how great

0:29:30.040 --> 0:29:33.400
<v Speaker 1>their audition was. Because you could give the best audition

0:29:33.920 --> 0:29:37.280
<v Speaker 1>that anyone has ever seen and you're still slightly not

0:29:37.520 --> 0:29:40.680
<v Speaker 1>right for the part for some reason and you don't

0:29:40.680 --> 0:29:42.320
<v Speaker 1>know what that is, and you'll never know what that is.

0:29:42.960 --> 0:29:46.040
<v Speaker 1>But you've made a fan with the casting people, you've

0:29:46.080 --> 0:29:48.120
<v Speaker 1>made a fan with the director. You've you know, and

0:29:48.200 --> 0:29:51.320
<v Speaker 1>they'll they remember those great auditions and they'll bring you

0:29:51.400 --> 0:29:53.080
<v Speaker 1>back in for other things. So you've got to keep

0:29:53.080 --> 0:29:53.560
<v Speaker 1>your head up.

0:29:54.240 --> 0:29:54.680
<v Speaker 3>That's key.

0:29:54.960 --> 0:29:57.600
<v Speaker 5>Yeah, I mean I remember, you know, there's there's several

0:29:57.720 --> 0:29:59.800
<v Speaker 5>roles that I auditioned for that I thought I was

0:30:00.000 --> 0:30:02.560
<v Speaker 5>picked for and I thought I nailed and didn't didn't

0:30:02.800 --> 0:30:05.560
<v Speaker 5>get the job, but the casting directors remembered. And I

0:30:05.640 --> 0:30:08.120
<v Speaker 5>think if you're getting called back for certain roles and

0:30:08.160 --> 0:30:10.280
<v Speaker 5>then you're getting called in for other ones, you're.

0:30:10.120 --> 0:30:11.080
<v Speaker 3>Already doing your job.

0:30:11.480 --> 0:30:13.640
<v Speaker 5>And then on the flip side, there's certain things that

0:30:13.720 --> 0:30:15.960
<v Speaker 5>I'd get the script and I get the you know,

0:30:16.240 --> 0:30:18.520
<v Speaker 5>the breakdown and be like this is this is not

0:30:18.760 --> 0:30:21.200
<v Speaker 5>me at all, but cool, I'm still gonna do what

0:30:21.320 --> 0:30:23.840
<v Speaker 5>I do. And you know, one of those roles was

0:30:24.000 --> 0:30:26.000
<v Speaker 5>was Carlito on Graceland, which is one of my favorite

0:30:26.040 --> 0:30:29.440
<v Speaker 5>characters I've I've played the guys like this, bisexual, like

0:30:29.640 --> 0:30:33.720
<v Speaker 5>psychotic drug lorder, right, and and it was just you

0:30:33.800 --> 0:30:36.120
<v Speaker 5>look at the breakdown how they initially described him, and

0:30:36.200 --> 0:30:38.240
<v Speaker 5>I'm like, well, I can I can play this. I

0:30:38.400 --> 0:30:41.200
<v Speaker 5>don't know if it's I don't know what this is

0:30:41.280 --> 0:30:42.800
<v Speaker 5>gonna how this is gonna go, but I'm gonna do

0:30:42.880 --> 0:30:44.760
<v Speaker 5>what I do. And I think that's the other part

0:30:45.160 --> 0:30:47.960
<v Speaker 5>is never trying to figure out what you think somebody

0:30:48.000 --> 0:30:51.080
<v Speaker 5>else wants. Like, as an actor, you bring to the

0:30:51.160 --> 0:30:54.320
<v Speaker 5>table what whatever it is inside you and your interpretation

0:30:54.440 --> 0:30:57.680
<v Speaker 5>of these these words on a page and this breakdown

0:30:57.760 --> 0:30:58.400
<v Speaker 5>and you do what you do.

0:30:58.480 --> 0:31:01.120
<v Speaker 1>And in that case, that's the uniqueiness that you can offer.

0:31:01.120 --> 0:31:01.640
<v Speaker 3>It is you.

0:31:02.040 --> 0:31:04.800
<v Speaker 5>And in that particular case, that was one where I

0:31:04.920 --> 0:31:06.200
<v Speaker 5>was like, well, I'm gonna do what I do and

0:31:06.520 --> 0:31:08.320
<v Speaker 5>then walk away because I don't think this is going

0:31:08.360 --> 0:31:10.800
<v Speaker 5>my way. There was no callback, there was nothing on

0:31:10.880 --> 0:31:13.520
<v Speaker 5>that one. It was immediately like you're our guy, and

0:31:13.760 --> 0:31:16.120
<v Speaker 5>I'm flying to Florida to go film. It was supposed

0:31:16.120 --> 0:31:18.480
<v Speaker 5>to be I think three episodes and I ended up

0:31:18.520 --> 0:31:21.960
<v Speaker 5>doing two seasons. So it's you know, you never know.

0:31:22.160 --> 0:31:24.960
<v Speaker 5>You just you have to to That's that's why you

0:31:25.080 --> 0:31:27.760
<v Speaker 5>have to be really passionate about anything you do. I

0:31:27.840 --> 0:31:29.600
<v Speaker 5>tell people that all the time. You don't go into

0:31:29.640 --> 0:31:31.520
<v Speaker 5>this business to become famous or to make a lot

0:31:31.600 --> 0:31:34.840
<v Speaker 5>of money. It's like you wouldn't go into anything without

0:31:35.200 --> 0:31:37.640
<v Speaker 5>some sort of passion. And so it doesn't matter if

0:31:37.680 --> 0:31:39.760
<v Speaker 5>you want to own a hot dog cart in Times Square,

0:31:39.920 --> 0:31:43.160
<v Speaker 5>you want to you know, become a billionaire CEO, you

0:31:43.240 --> 0:31:46.200
<v Speaker 5>put the same amount of work into it and the

0:31:46.200 --> 0:31:47.160
<v Speaker 5>same amount of passion.

0:31:47.240 --> 0:31:50.040
<v Speaker 3>And that's you know, that's that's what gets you where

0:31:50.040 --> 0:31:50.400
<v Speaker 3>you want to go.

0:31:50.480 --> 0:31:53.360
<v Speaker 1>And that's the work. It's about the work. It's got

0:31:53.480 --> 0:31:55.720
<v Speaker 1>to be about the work, the passion for the work

0:31:55.760 --> 0:31:58.640
<v Speaker 1>and making it great hundred percent, and that's all. That's what.

0:32:00.240 --> 0:32:00.400
<v Speaker 3>You know.

0:32:00.560 --> 0:32:02.720
<v Speaker 1>You couldn't have said it better. I mean, I've said

0:32:02.760 --> 0:32:06.280
<v Speaker 1>this many times. If you're in the business for fame

0:32:06.440 --> 0:32:08.680
<v Speaker 1>or money, get out of the business because you're not

0:32:08.800 --> 0:32:11.280
<v Speaker 1>gonna You're not going to succeed. You're in it for

0:32:11.320 --> 0:32:12.680
<v Speaker 1>the wrong reasons right away.

0:32:12.840 --> 0:32:13.520
<v Speaker 3>Wrong reasons.

0:32:13.800 --> 0:32:17.360
<v Speaker 1>Yeah, So you know it's got to be it's got

0:32:17.480 --> 0:32:19.480
<v Speaker 1>to be a positive. It's got to be a respect

0:32:19.600 --> 0:32:24.360
<v Speaker 1>for the work and pursuing that knowledge and being a

0:32:24.440 --> 0:32:28.840
<v Speaker 1>great craftsman. Well this has been uh, and you know,

0:32:29.000 --> 0:32:31.120
<v Speaker 1>I I did the whole two weeks and a sleeping

0:32:31.200 --> 0:32:34.600
<v Speaker 1>in a car routine myself, So I know I've been there, buddy.

0:32:34.760 --> 0:32:38.600
<v Speaker 1>You know's and you gotta it's that self belief. It's like,

0:32:39.520 --> 0:32:44.280
<v Speaker 1>nothing's gonna stop me. Just keep going. It's going to

0:32:44.320 --> 0:32:46.880
<v Speaker 1>take time. It's for me. It was always a marathon,

0:32:47.000 --> 0:32:50.520
<v Speaker 1>it was never a sprint. Uh. There were highs and lows.

0:32:50.560 --> 0:32:54.160
<v Speaker 1>I would get really frustrated sometimes because I'd been auditioning

0:32:54.280 --> 0:32:57.080
<v Speaker 1>and killing auditions for a year, two years in a row,

0:32:57.120 --> 0:32:58.840
<v Speaker 1>and I wasn't getting anything. And you just got to

0:32:58.920 --> 0:33:01.680
<v Speaker 1>keep your the grindstent. You just kind of keep going

0:33:01.760 --> 0:33:03.560
<v Speaker 1>at it. And you're a testament to that. So thanks

0:33:03.600 --> 0:33:09.160
<v Speaker 1>for coming on, Sharon. You're very very fascinating, an inspiring story.

0:33:11.000 --> 0:33:14.120
<v Speaker 1>Thank you, and good luck with everything. I hope the

0:33:14.240 --> 0:33:17.240
<v Speaker 1>writer's strike doesn't affect you guys. Will it affect you guys,

0:33:17.280 --> 0:33:19.080
<v Speaker 1>will you shut down if there's a writer strike.

0:33:19.960 --> 0:33:22.160
<v Speaker 3>We it depends on how long it goes. Our room,

0:33:22.800 --> 0:33:24.720
<v Speaker 3>you know, our room will come back or.

0:33:24.760 --> 0:33:27.520
<v Speaker 5>Scheduled to come back in July typically, so it depends

0:33:27.560 --> 0:33:29.680
<v Speaker 5>on how long it goes. And it also, you know,

0:33:29.760 --> 0:33:32.160
<v Speaker 5>as you know, with this industry where the show's doing

0:33:32.280 --> 0:33:35.080
<v Speaker 5>really well. But we haven't officially been picked up yet anyway,

0:33:35.160 --> 0:33:37.200
<v Speaker 5>so who knows what all is going to happen.

0:33:42.400 --> 0:33:45.360
<v Speaker 1>So listen, I'm going to invite you to the next segment.

0:33:45.400 --> 0:33:47.560
<v Speaker 1>It's called rapid Fire. Would you like to participate? You

0:33:47.600 --> 0:33:50.760
<v Speaker 1>really don't have a choice, just say yes, sure, let's

0:33:50.800 --> 0:33:50.960
<v Speaker 1>do it.

0:33:52.520 --> 0:33:54.280
<v Speaker 3>You ready, let's go.

0:33:54.440 --> 0:33:55.960
<v Speaker 1>How many cups of coffee do you have in a day?

0:33:57.080 --> 0:33:58.880
<v Speaker 3>I do a quad shot of espresso every morning.

0:33:59.080 --> 0:34:00.760
<v Speaker 1>Nice quad shot.

0:34:00.840 --> 0:34:03.160
<v Speaker 3>I like that. Uh, a little bit of oat milk?

0:34:03.640 --> 0:34:05.880
<v Speaker 1>Are you team Logan, Team Jess or Team Dean?

0:34:07.520 --> 0:34:09.720
<v Speaker 3>Ooh Logan?

0:34:10.400 --> 0:34:13.480
<v Speaker 1>Oh there you go? Who is your favorite Gilmore girl's character?

0:34:15.200 --> 0:34:17.000
<v Speaker 3>If I if I don't say Luke, am I gonna

0:34:17.040 --> 0:34:17.800
<v Speaker 3>get in trouble here? No?

0:34:17.920 --> 0:34:20.000
<v Speaker 1>No, no, no, you need to be honest?

0:34:20.960 --> 0:34:21.719
<v Speaker 3>Uh you No?

0:34:21.920 --> 0:34:25.960
<v Speaker 5>I I really, I mean Rory was just always such

0:34:26.000 --> 0:34:29.840
<v Speaker 5>a fascinating young woman and watching her journey it was incredible, So.

0:34:29.880 --> 0:34:30.400
<v Speaker 3>It has to be.

0:34:31.040 --> 0:34:33.320
<v Speaker 1>Is she a terrific actress? Just so so natural?

0:34:34.160 --> 0:34:36.080
<v Speaker 3>Yeah, she's she's from Texas to it.

0:34:37.520 --> 0:34:44.040
<v Speaker 1>Yeah, Jared, and uh and and and Alexis Yeah born Brett.

0:34:44.200 --> 0:34:44.279
<v Speaker 3>Uh.

0:34:44.800 --> 0:34:46.640
<v Speaker 1>What would you order it? Lukes dinner even though you

0:34:46.680 --> 0:34:49.799
<v Speaker 1>don't think Luke's your favorite character? Unbelievable.

0:34:50.040 --> 0:34:53.000
<v Speaker 5>Well, it'd probably be something like a croissant and a

0:34:53.200 --> 0:34:55.040
<v Speaker 5>quad shot of espresso with a little bit oat milk.

0:34:55.080 --> 0:34:56.680
<v Speaker 3>Was oat milk even a thing back then? I don't

0:34:56.719 --> 0:34:57.160
<v Speaker 3>think it was.

0:34:57.440 --> 0:34:58.680
<v Speaker 1>I don't know that he carried it.

0:34:59.000 --> 0:34:59.120
<v Speaker 5>Uh.

0:34:59.800 --> 0:35:02.359
<v Speaker 1>And if you said quad shot to him, man, he'd

0:35:02.400 --> 0:35:03.080
<v Speaker 1>probably toss you.

0:35:03.760 --> 0:35:06.880
<v Speaker 3>Yeah, it'd probably have to be a drip coffee. That's

0:35:06.920 --> 0:35:07.239
<v Speaker 3>about it.

0:35:08.480 --> 0:35:11.879
<v Speaker 1>Go on, would you rather go on a road trip

0:35:11.960 --> 0:35:13.360
<v Speaker 1>with Taylor or Michelle?

0:35:14.360 --> 0:35:18.960
<v Speaker 3>It's a tough one, Michelle. Why.

0:35:20.960 --> 0:35:23.239
<v Speaker 5>There's no real reason. I just that was the first

0:35:23.239 --> 0:35:25.800
<v Speaker 5>thing that came to mind. Either one would be interesting,

0:35:25.920 --> 0:35:26.479
<v Speaker 5>that's for sure.

0:35:26.719 --> 0:35:28.640
<v Speaker 1>Tell you you need a baseball bet to show to

0:35:28.680 --> 0:35:31.080
<v Speaker 1>either of them up about ten hours into the trip anyway,

0:35:31.120 --> 0:35:34.000
<v Speaker 1>So it's all the same. Uh, finish the lyric and

0:35:34.160 --> 0:35:38.280
<v Speaker 1>where you lead I will follow dot dot dot.

0:35:41.239 --> 0:35:43.080
<v Speaker 3>Blinking, I will follow.

0:35:45.719 --> 0:35:48.040
<v Speaker 1>I'm on that anywhere.

0:35:49.800 --> 0:35:54.120
<v Speaker 3>That you you go. Tell me to Why am I

0:35:54.200 --> 0:35:54.840
<v Speaker 3>blinking on this?

0:35:55.360 --> 0:35:58.440
<v Speaker 1>You just you don't know, that's all right, Jackson's Vegetables

0:35:58.520 --> 0:36:00.200
<v Speaker 1>or Suki's Baked Goods.

0:36:00.840 --> 0:36:01.880
<v Speaker 3>Dookie's Baked Goods.

0:36:02.280 --> 0:36:05.400
<v Speaker 1>Would you rather listen to Drella's Harp or The Troubadours

0:36:05.480 --> 0:36:12.160
<v Speaker 1>cover Songs, Discover Songs, Chilton Prep or Stars Hollow High,

0:36:13.680 --> 0:36:14.480
<v Speaker 1>Stars Hollow High.

0:36:14.840 --> 0:36:15.000
<v Speaker 3>Eric.

0:36:15.520 --> 0:36:20.880
<v Speaker 1>It has been an insanely great pleasure. Good luck, continued

0:36:20.920 --> 0:36:25.520
<v Speaker 1>success on your journey. Thank you, and hope to have

0:36:25.680 --> 0:36:30.720
<v Speaker 1>you back on telling us more tales of you slaying

0:36:31.239 --> 0:36:33.080
<v Speaker 1>Hollywood dragons left and right.

0:36:33.280 --> 0:36:36.480
<v Speaker 3>So anytime, man, thank you for having.

0:36:36.320 --> 0:36:40.200
<v Speaker 1>Me all the best you enjoy your downtime in beautiful Texas,

0:36:41.640 --> 0:36:44.160
<v Speaker 1>will and we'll hopefully talk soon.

0:36:44.200 --> 0:37:17.560
<v Speaker 3>Okay, take care, all right, take care all right. Hi guys, Hey.

0:37:17.440 --> 0:37:20.640
<v Speaker 1>Everybody, and don't forget Follow us on Instagram at I

0:37:20.920 --> 0:37:24.960
<v Speaker 1>Am All In podcast and email us at Gilmore at

0:37:25.160 --> 0:37:28.920
<v Speaker 1>iHeartRadio dot com. Oh you're Gilmore friends. If you're looking

0:37:28.960 --> 0:37:30.680
<v Speaker 1>for the best cup of coffee in the world, go

0:37:30.840 --> 0:37:34.719
<v Speaker 1>to my website from my company Scottip dot com. S

0:37:34.760 --> 0:37:37.359
<v Speaker 1>C O T T y P dot com, scottip dot

0:37:37.440 --> 0:37:40.320
<v Speaker 1>com Grade one Specialty Coffee,