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Speaker 1: You don't think you think that's gonna be tough for Haney.

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Speaker 1: I don't think hany gonna take that. I mean, let

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Speaker 1: me take this. He's one of those wily veterans, you

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Speaker 1: know what I mean. But I think Haney sho win that.

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Speaker 1: I don't think so, Bro. I think I think morning

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Speaker 1: everybody is DJ m V Charlemagne the guy. We all

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Speaker 1: the breakfast club. We got a special guests in the

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Speaker 1: building to talk in New York right to you. NET

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Speaker 1: had to bring it back right. Whatever you feeling, brother,

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Speaker 1: I'm feeling good man running around one y'all show. I

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Speaker 1: feel like you got a second win, yo, like it's

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Speaker 1: been a second win, third win. Yeah. I mean, you know,

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Speaker 1: I'll see the way fifty work and I'm like, yo

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Speaker 1: when he always be like Yo, y'all are lazy. Y'all

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Speaker 1: are lazy. And I'm just realizing, like I thought I

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Speaker 1: was working when I wasn't. So during the COVID it

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Speaker 1: was just like a tough time, Like I'm sitting back,

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Speaker 1: wasn't those tours. I'm like, y'all gotta figure out other

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Speaker 1: things to do. So I started doing the music and

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Speaker 1: then I started, you know, messing with flash black TV,

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Speaker 1: and I just started realizing when you put your presence

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Speaker 1: out there to all these younger generations, the new kids

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Speaker 1: that really don't know us, they know g Unit or

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Speaker 1: some people do remember, like when I go on tour,

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Speaker 1: it'd be like, yeah, my father used to play or

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Speaker 1: my mom's used to play Unit. So it passed down

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Speaker 1: to that generation. So I'm going on my own tours

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Speaker 1: and you know, I'm just making myself valuable. Man putting

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Speaker 1: that work in that. Did that upset you when you

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Speaker 1: heard you said you're always lazy? Nah? Not even that

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Speaker 1: motivates you, because at a point sometimes you do get lazy.

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Speaker 1: Our careers. We was kind of spoil you think about it.

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Speaker 1: We had fifty where he was doing everything for us

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Speaker 1: so asked for Like when we was coming out, you

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Speaker 1: had the young guns for instance. I remember Holvain saying

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Speaker 1: Jay is not gonna do what fifty does for young guns.

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Speaker 1: He was saying it in front of their face, like

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Speaker 1: I was right there. I think we was at Hovain

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Speaker 1: the whole No, not Horvain. Uh, my man had passed

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Speaker 1: away from interscope at a woman, Harvain, excuse me, Harvain

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Speaker 1: and resu peace Hovoy rest in peace Hovain too, because

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Speaker 1: you know that was bank Sky too before he passed

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Speaker 1: away and let me get back on track. And I

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Speaker 1: remember him saying, like y'all got fifty, Like fifty was

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Speaker 1: you know, help us being the videos second back for

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Speaker 1: that when he dropped he when he showed eleven million records,

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Speaker 1: he dropped bag for mercy. Yeah, you know what I'm saying.

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Speaker 1: I was in jail, you know him, and Eminem was

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Speaker 1: shouting me out. So I always showed my love to him.

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Speaker 1: I know how fifty is he? You know, y'all the

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Speaker 1: same sign, y'all crazy, you know what? Good? It's all good,

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Speaker 1: you know. But it just motivated me to work because

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Speaker 1: I see how he worked. Will be on tour, He'll

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Speaker 1: leave tour to Gonne movie set, go back, go to

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Speaker 1: the gym twice a day. I'm tired, you know. I mean,

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Speaker 1: the free AO movement was a movement within itself, Like

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Speaker 1: I don't think we talked about about that, and if

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Speaker 1: I don't know why. Randomly, I was thinking the other

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Speaker 1: day about when they shouted you out of I think

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Speaker 1: it was the Grand it was Eminem, and that's why

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Speaker 1: I always shot out Eminem. You know what I'm saying

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Speaker 1: because he didn't have to do that. I was on

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Speaker 1: right because islands see seventy three too low? How is that?

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Speaker 1: When when he shouted you out and you on the island,

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Speaker 1: I'm shout that was crazy because you know, I was

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Speaker 1: like yo that day. You know you can get crazy

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Speaker 1: on the island. I'm like, yo, I gotta watch the

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Speaker 1: Grammys today, you know what I'm saying. I was up

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Speaker 1: to dudes in the house like yo, because you know,

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Speaker 1: you get stabbed over TV, newspaper on right, shout to everybody,

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Speaker 1: or right, is it getting crazy? So it was experienced

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Speaker 1: for me like he wore a shirt and I was like,

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Speaker 1: and Shady caught me. It's like, you're something got a

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Speaker 1: surprise for you. Watch the Grammys. I mean Tracy new

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Speaker 1: shout to her and it was a crazy It was

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Speaker 1: crazy for me. It was big. I felt like Tupaca

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Speaker 1: a little Wayne in jail at that point. Now this

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Speaker 1: move right here, this this hand in front of the face.

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Speaker 1: Where did that move come from? Because you know, of

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Speaker 1: course we've known you doing that for years. Where did

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Speaker 1: that come to? That really came because I was on

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Speaker 1: the run, like I was at that point when we

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Speaker 1: was in the club. I was running like fifty was

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Speaker 1: like yo, he said to me, you know we had

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Speaker 1: this judge, Judge Wong and Queen's everybody know no joke

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Speaker 1: and he was like, Yo, what are you gonna do.

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Speaker 1: You're gonna go to court or go on tour and

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Speaker 1: we're blowing up now mixtapes are crazy boots playing us everywhere.

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Speaker 1: I'm like, yo, I'm running. So you know I could

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Speaker 1: say it now because I got convicted for it. The

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Speaker 1: passport fraud. I went in the passport agency and was

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Speaker 1: acting like my brother and him look alike, and I

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Speaker 1: wentn't got a passport, was traveling the world and went

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Speaker 1: to Brazil all these places and I was on the run,

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Speaker 1: you know, and it was it was crazy. But how

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Speaker 1: did they how did they finally catch you? Well, I

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Speaker 1: mean as soon as you come back to New York.

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Speaker 1: We did the Coca Cabanna. We got caught up. We

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Speaker 1: had some security guards with us. We called them gun

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Speaker 1: in the box because they always had the gun in

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Speaker 1: the box. I never understood that, but they had their license.

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Speaker 1: And we got caught up going to the Cocoa Banna

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Speaker 1: hip hop police. You know, they was on there. If

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Speaker 1: my police was like, on fifty crazy, did you ever

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Speaker 1: plan on turning yourself in? I don't know. Nobody want

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Speaker 1: to go to jail, man, like shout to everybody locked up,

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Speaker 1: but everybody asked in jail. Don't want to be in jail.

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Speaker 1: And I tell my young brothers all the time, like, yo, bro,

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Speaker 1: don't get in trouble with cameras everywhere. All the police

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Speaker 1: doing the fence does watch y'all do crimes on camera

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Speaker 1: and the fens come get you later. You the second

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Speaker 1: rapper I heard say that. I remember ghost Face said

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Speaker 1: he was on the run, but he wore the That's

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Speaker 1: why he wore the mask. Yeah. When I heard you

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Speaker 1: say that, I was like, oh, I heard ghost Yeah,

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Speaker 1: I was on the run. I had the passport. So

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Speaker 1: when I was in the club video, I was like,

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Speaker 1: let me just cover my face because this is getting

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Speaker 1: kind of crazy. I'm going to run. I can't really

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Speaker 1: be in videos like that. So when you John Cena,

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Speaker 1: just I guess Jacket John, give you credit. John Cena

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Speaker 1: said his little brother, I believe did it, and and

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Speaker 1: his his little brother did him to do it, and

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Speaker 1: I guess he did it in the match, And it

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Speaker 1: just got crazy when you see rees do it, what

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Speaker 1: did you did? Oh? She made it. She took it

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Speaker 1: to a whole other level. She brought it back, had

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Speaker 1: me trending for shelter. She had me trending for you know,

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Speaker 1: the whole week, and then Kay did it before her, right, Yeah,

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Speaker 1: So it was just like I mean, with that situation

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Speaker 1: was crazy because, like you said, a black girl did

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Speaker 1: it and it was a problem. Then when yeah, it

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Speaker 1: was a problem. So I addressed that, you know what

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Speaker 1: I mean. I talked about that too. That's crazy because

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Speaker 1: when we playing ball in the hood, you know, it's competitive.

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Speaker 1: Whatever you do, when you do your car shows, you're

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Speaker 1: in competition, That's right. I see you go at people here.

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Speaker 1: Y'all got the best car shows in the world. None,

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Speaker 1: y'all commissed with me. I don't know how you're getting

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Speaker 1: all these cars. But I told fifty, you might as

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Speaker 1: well just leave all his calls with you. Brother. You know,

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Speaker 1: Fifth calls me and he'd be like, I want to

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Speaker 1: let me get the call and I'll get him back

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Speaker 1: his call. You know. I used to have his lamb

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Speaker 1: Bow or his Rose Royce and he driving for one

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Speaker 1: day and then it sits and then he loses the

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Speaker 1: key and then I gotta go get it again. I

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Speaker 1: meant to ask too, right, I want to go back right?

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Speaker 1: I know, yeah, y'o A long time. Where do you

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Speaker 1: think in your career happened where you didn't go to

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Speaker 1: that next level? Right? And I asked Fifty that and

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Speaker 1: he said he thinks it was the picking of the

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Speaker 1: wrong single. What do you what do you think it

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Speaker 1: was interesting? I think it was just a lot of

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Speaker 1: drama when Interscope when I came home, you know what

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Speaker 1: I mean? You had fifty he was Curtis from Curtis Interscope, Jackson,

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Speaker 1: you know, and Jimmy Irveen. You know, you had game

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Speaker 1: flipping and like it was just confusing to me because

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Speaker 1: I was on game album and then you know, the

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Speaker 1: game thing happened, and it was like, yo, he's on

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Speaker 1: the same label as us, so why are they not

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Speaker 1: just getting rid of him? You know, fifty so more

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Speaker 1: reconiss than the mode whatever. It was like, it was

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Speaker 1: like it was like a war in our own house

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Speaker 1: because you had you had Yes, I had so saduct

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Speaker 1: don't love I had I know you don't love me

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Speaker 1: and pimping, right, but you gotta remember I came in

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Speaker 1: the midst of the fifty cent in the Scope drama

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Speaker 1: con was Jimmy Ivan. Yeah, I'm my own boss, you

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Speaker 1: know how to you know, get so I think sometimes

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Speaker 1: and at that point we had so many enemies. It

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Speaker 1: was like we wasn't getting a feature or nothing like

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Speaker 1: you wasn't like we came to a point where we

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Speaker 1: never used anybody, like it was just me, Banks and fifty.

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Speaker 1: You know, fifty never looked to do features with nobody,

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Speaker 1: So you know how it is, it felt like everybody

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Speaker 1: was a getting stuff at that point because nobody really

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Speaker 1: messed with fifty in industry like that, I'll mess with us,

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Speaker 1: Let's be serious. Did it feel better now because I

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Speaker 1: saw you out and about the other day and like

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Speaker 1: you and Pistol Pete and Uncle Murder, Yeah, it feel better.

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Speaker 1: It feel it feel good to have no drama with

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Speaker 1: Fat Joe because Fat Joe I was I was always

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Speaker 1: a fan of Fat Joe. Jealous wants to envy, you know,

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Speaker 1: he was a real one. Pistol Pe he cooled. So

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Speaker 1: it's like you get old and a lot of stuff

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Speaker 1: was just just hip hop. And I thought you said

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Speaker 1: that was the realest beef g unit. Yeah fat Joe,

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Speaker 1: yeah job. I guess you call that a compliment, but

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Speaker 1: that's like big compliment. I don't I don't look at

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Speaker 1: the jar Route thing. It's like real. But y'all have

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Speaker 1: screep beef. Get the y'all have beef with Yeah, I

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Speaker 1: look at them. I look at like the prems the world.

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Speaker 1: I look at those kind of guys or like the

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Speaker 1: real beefs, the Jimmy Henchman schools with like the real

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Speaker 1: beefs where it got real with the street guys. But

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Speaker 1: industry wise, you said art squar Yeah, industry wise terrast squard. Okay,

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Speaker 1: why what makes that? What makes it? Because I don't know.

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Speaker 1: It's just a whole bunch of crazy Spanish dudes. Man. Yeah,

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Speaker 1: I'm saying you just know, you just know what it is. Man,

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Speaker 1: Like the Bronx, it get real. I'm Spanish dudes in

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Speaker 1: the Bronx. I told my Dominicans, Puerto Ricans, Ecuadorians, Mexicans,

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Speaker 1: that just get real. Man. It's the crazy story that

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Speaker 1: you was like, we might not make it out of here. Um.

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Speaker 1: I think the Sugar Runnings was always crazy for me,

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Speaker 1: you know what I mean? Because you always heard of

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Speaker 1: Shug Night, but you never got to see him. So

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Speaker 1: I think it was the UM. I wouldn't say we

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Speaker 1: were scared, but I could say it was the Vibe

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Speaker 1: Awards when we see Shook Knight and Earth Gotti and

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Speaker 1: they walked past the trailer. So it is what it is.

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Speaker 1: We in New York, but we in LA. You know

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Speaker 1: what I'm saying. We New York dudes were in LA.

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Speaker 1: You know what I'm saying. So you see Shook Knight.

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Speaker 1: You always heard about this guy, you know TV magazines,

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Speaker 1: but you know I never had in the club was

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Speaker 1: the first running, but this was the second. So he

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Speaker 1: walks past the trailer with Earth and fifty. Just look

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Speaker 1: at um, James Cruise. James Cruise, you know, shout out

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Speaker 1: to him. He was a little James Cruise is always

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Speaker 1: in a situation industry guy. He got to run around

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Speaker 1: with fifty bullerpoof fesses. You know how Chris Lighty was

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Speaker 1: in the trenches. It's crazy. So he just tapped James

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Speaker 1: Cruise and say, yo, go by twenty knobs, go by

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Speaker 1: twenty knobs. Yeah, just go to the hardware store. I'm like,

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Speaker 1: because what we're gonna do just seem you know, it

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Speaker 1: might get crazy. It was about twenty to fifteen or

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Speaker 1: something like that, so he's like, yo, go by twenty

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Speaker 1: knobs something like that. So James Cruise goes to Hallway

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Speaker 1: store by twenty knives. He gives the bags fifty handing

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Speaker 1: them out, and then you know, when we got there,

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Speaker 1: we had beef with Fat Joe at that point, we

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Speaker 1: had beef with we Doctor Dre's there, so you know

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Speaker 1: that's obviously a beef with Sugar Knights. Sugar Knight got

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Speaker 1: like some crazy looking Compton looking dudes with him, you

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Speaker 1: know what I'm saying. So it just you felt the

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Speaker 1: energy to where we had our chairs like this, like

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Speaker 1: we had the chairs like this watching everything wasn't like

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Speaker 1: watching like this. You felt the energy like you felt

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Speaker 1: someone's gonna go down. And that's when you know one

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Speaker 1: of the dudes hit. There wasn't no we wasn't taking

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Speaker 1: pictures back then, so I guess he has Dre for

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Speaker 1: the autograph pops on Dre. Dre falls, but he already

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Speaker 1: might have to get up start popping on him, and

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Speaker 1: it just got crazy. Nab started coming from everywhere, and

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Speaker 1: that's when you know one of the dudes got stabbed.

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Speaker 1: So my question is if there was twenty knives, I'll

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Speaker 1: come only young Buck didn't stabbing. Yep, Now that that

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Speaker 1: dude got stabbed in the chest, Young Bucks stabbed him

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Speaker 1: with a funk. I don't know where that came. I

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Speaker 1: don't know where you just came with the fault. Nobody

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Speaker 1: gave Buck a knife. Nah, but no, that's why I

253
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Speaker 1: was tripping. I know I had one. Anybody else, did

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Speaker 1: you know what I'm saying? But Buck, a matter of fact,

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Speaker 1: him in Banks was backstage, it was about to perform,

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Speaker 1: and he just came with the fun as soon as

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Speaker 1: they started talking that time, when they started, we went

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Speaker 1: back to the mansion after that happened because the kid

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Speaker 1: got stabbed in the chest. He collapsed everything. The funk

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Speaker 1: wasn't nothing. And we got back to the mansion and

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Speaker 1: it was on the news. It was like attempted murder

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Speaker 1: young Buck. Young Buck was like, I didn't do that.

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Speaker 1: Mite switch up when that time, That's why I'll be

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Speaker 1: staying out of truck. Was like, I didn't do that, mate,

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Speaker 1: Because y'all Buck hit him with the fuck. He ain't

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Speaker 1: stabbed him in the chest. He kind of ran with

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Speaker 1: the story though, didn't. I mean, you know, come on, man,

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Speaker 1: rapp us man the story. You know. The thing that

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Speaker 1: gets lost in that the fact that Dre had hands.

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Speaker 1: No Dre was pound Tray was like he was He's

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Speaker 1: a big dude. So he was just boot boop boo

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Speaker 1: tagging him up because dude violated. He had his wife there.

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Speaker 1: You know what I'm saying, he violated in New York,

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Speaker 1: jumped on and we rap packed them boom. Do you

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Speaker 1: sleep good meeting? I mean, I know you're doing well

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Speaker 1: in life, but do you feel like, okay, none of

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Speaker 1: that old beef forever come back to Hume? Nah? I

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Speaker 1: always look over my back. I mean I just feel

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Speaker 1: like I feel like, you know, once your public property

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Speaker 1: because fifty when we signed that deals, he says, you

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Speaker 1: know your public property. And you know what, I can

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Speaker 1: say what they want to say. You know, get out

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Speaker 1: of here. You watch whatever your public property, and you

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Speaker 1: will target. I believe we all target most people. See

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Speaker 1: you know what I mean? You know how this You

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Speaker 1: just gotta move militant out here because it's crazy out here.

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Speaker 1: Like I like the jury, but I don't I don't

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Speaker 1: wear it all the time like I ain't gonna go

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Speaker 1: to the middle of Compton, or or the middle or

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Speaker 1: the BX with a whole bunch of jury on and

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Speaker 1: Merry Christmas. You know what I mean. I'm moved militant

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Speaker 1: because we had somebody around us that, you know, Fifth

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Speaker 1: told us like, yo, when you know somebody kill you

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Speaker 1: for that? Watch right? You see it every day people

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Speaker 1: getting killed over nothing, man, nothing out here? Whatever? What

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Speaker 1: for people that don't know there was a time when

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Speaker 1: when y'all were all strained right, unit wasn't talking to

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Speaker 1: fifty fifty. Wasn't talking to what happened during that time

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Speaker 1: and then what got your back together? I'm always talking

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Speaker 1: to fifty fifty. Just I'm used to fifties character because

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Speaker 1: he's he's a crazy cancer like Charlotte Magne, so I'm

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Speaker 1: used to him. He used to be on the block,

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Speaker 1: you know. I remember one day fifty Willian he fell

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Speaker 1: off his bike and told yo. He was like yo,

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Speaker 1: nobody better laugh. Everybody started laughing. Nobody been laughing me.

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Speaker 1: I'm punch yall on your face. So I know, being

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Speaker 1: on the block, I don't know him better than anybody

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Speaker 1: from Queens. Come on, man, you from Queens, you know

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Speaker 1: what it is, bro, You was outside, so it's like

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Speaker 1: legendary queens, Like I know Fifth better than anybody was

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Speaker 1: on the block together. Banks is a little younger, so

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Speaker 1: Banks was, you know, high school. He went to August Marten.

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Speaker 1: Buck is from Cashville and Game is from la. But

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Speaker 1: once money and ego get involved, you know how dude

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Speaker 1: start acting, you know, boo boo. Yeah, So it used

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Speaker 1: to be like, Yo, this is team Lloyd Banks team.

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Speaker 1: This is Hunger for More team, this is the thoughts

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Speaker 1: of a predicate team, this is Buck got the cash

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Speaker 1: real team. Everybody's their own boss in the way and

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Speaker 1: sometimes to get to their head. For me, it was different.

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Speaker 1: I got out of jail and I'm like, you're all

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Speaker 1: live in Battery Park. I could see the statue Liberty,

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Speaker 1: so I'm open. I'm like, wow, Ranker's allen to this.

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Speaker 1: Thanks Fifth. Because a lot of artists couldn't afford to

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Speaker 1: give that kind of money to somebody to move them

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Speaker 1: out the hood. That's why they got killed in the hood.

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Speaker 1: So I always had that loyalty because I'm coming fresh

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Speaker 1: out of jail, like yo, we we blew up. You

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Speaker 1: also never seem to have a sensive entitlement. Nah, I don't.

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Speaker 1: I'm like, I'm good. I got a couple of houses,

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Speaker 1: I made some good money, I traveled the world. I'm

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Speaker 1: like on my fourth fifth passport, I'm humble. You know,

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Speaker 1: I ain't got as much cause as envy, but I

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00:14:50,560 --> 00:14:53,000
Speaker 1: got a few and that a few, you know. But

335
00:14:53,000 --> 00:14:55,160
Speaker 1: but for me, I'm like, yo, we all make money.

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00:14:55,200 --> 00:14:58,080
Speaker 1: I didn't seem fifth like, for instance, I don't want

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00:14:58,080 --> 00:15:00,760
Speaker 1: to say too many names, but you know, like I'm

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00:15:00,760 --> 00:15:04,080
Speaker 1: gonna say it, buck like Buckle go on tour. You

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00:15:04,080 --> 00:15:05,960
Speaker 1: know what I'm saying. We wasn't familiar with money, how

340
00:15:06,000 --> 00:15:08,760
Speaker 1: to save money with black dudes from from the hood.

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00:15:09,240 --> 00:15:13,040
Speaker 1: You know, like you're going toward your spend two fifty, right,

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Speaker 1: and then later on you have that grace period because

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Speaker 1: you're in another tax bracket, right, so you'll be you

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Speaker 1: out to pay that with maybe a year and a half,

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Speaker 1: maybe two years later that money and I might not

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Speaker 1: be there. Your fifth cant ball to fifty. I got

347
00:15:24,320 --> 00:15:27,200
Speaker 1: a tax problem. But how many times you think a

348
00:15:27,280 --> 00:15:29,600
Speaker 1: person's gonna do that for you? Guys? Now I've seen

349
00:15:29,680 --> 00:15:32,680
Speaker 1: Fifth saved a lot of people, and not just I

350
00:15:32,720 --> 00:15:35,840
Speaker 1: could just imagine when people for let Me Ball quarter millions.

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00:15:36,680 --> 00:15:41,800
Speaker 1: I've seen fifth Sage DJ's regular people artists, like movie people, actors,

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Speaker 1: and it's funny that people you know see him as

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Speaker 1: a mean guy. But I'm like, if y'all really knew

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Speaker 1: that how much he's helped people, you'd be surprised. And

355
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Speaker 1: the people that you think got it, that you feel

356
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Speaker 1: got it, they don't really got it. All of them

357
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Speaker 1: actors on Power Rappers, us me Banks, Buck Game Game

358
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Speaker 1: put game in a lovely game had the best situation

359
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Speaker 1: because he had Dre right there on deck. Yea, we

360
00:16:04,000 --> 00:16:06,280
Speaker 1: need a West Coast dude. Now, what you think when

361
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Speaker 1: in the studio we got a New Year doctor Dre

362
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Speaker 1: blowing up a New York dude. What you think? Um

363
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Speaker 1: them dudes in the studio saying West Coast the best

364
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Speaker 1: coast because we need we need, we need the West

365
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Speaker 1: Coast dude. So game was in a perfect situation because

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Speaker 1: Dre had to do that. You had to blow up

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Speaker 1: a West Coast dude. Now. I always wonder how people

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Speaker 1: around y'all felt about that, like especially people from New York,

369
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Speaker 1: Like because Bucks from the Stuth Games from the West,

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Speaker 1: y'all was red hot. They didn't feel like yallhould have

371
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Speaker 1: been leaning in the more New York artist at the time. Well,

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Speaker 1: Buck came because I went to jail and he had

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Speaker 1: you know, he had a situation where he was around Fifth,

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Speaker 1: you know, because of Juvie and a couple of other things.

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Speaker 1: You know what I'm saying. He was really really around

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00:16:43,000 --> 00:16:44,600
Speaker 1: like that, like Fifth rocked with him, you know what

377
00:16:44,640 --> 00:16:46,880
Speaker 1: I'm saying, where they even did the record Blood How

378
00:16:46,960 --> 00:16:49,840
Speaker 1: Bucker is a talented artist. I love Buck, but at

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Speaker 1: that point he came. The only reason why Buck came

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Speaker 1: along because I went to jail, Fifth snatched him up. Yeah,

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00:16:54,560 --> 00:16:55,920
Speaker 1: come on, Buck, come with us because he lied a

382
00:16:55,960 --> 00:16:57,800
Speaker 1: liking to him. But the people around y'all, how did

383
00:16:57,800 --> 00:17:00,200
Speaker 1: they feel about that? Seeing y'all put energy into those

384
00:17:00,200 --> 00:17:02,920
Speaker 1: other guys. At that point, nobody wanted to be a rapper.

385
00:17:02,960 --> 00:17:06,119
Speaker 1: Everybody wanted to be a gangster. Now everybody wanted to

386
00:17:06,160 --> 00:17:08,320
Speaker 1: be a rapper, like a lot of people, and that

387
00:17:08,440 --> 00:17:11,240
Speaker 1: was in our entourage or like rappers now. So at

388
00:17:11,280 --> 00:17:14,000
Speaker 1: that point, I ain't no rapper about ain't no rapper

389
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Speaker 1: who wanted to be the street dude in the background

390
00:17:16,080 --> 00:17:18,639
Speaker 1: with the name. But now the game changed everybody rapped.

391
00:17:18,640 --> 00:17:21,320
Speaker 1: Now it's like, all ain't cool. The one thing I

392
00:17:21,359 --> 00:17:23,159
Speaker 1: think Fifty dropping the ball with you? Yeah, it was

393
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Speaker 1: why you ain't in none of these TV shows. Man,

394
00:17:26,119 --> 00:17:30,480
Speaker 1: you just got that natural personality. You know what. No,

395
00:17:30,560 --> 00:17:32,199
Speaker 1: I want to do it, but I looked at it

396
00:17:32,280 --> 00:17:34,800
Speaker 1: like this. If he put all his friends in power,

397
00:17:34,880 --> 00:17:38,920
Speaker 1: it wouldn't be Yeah, all right, cool? Good? Let yeah

398
00:17:39,160 --> 00:17:42,960
Speaker 1: see watch this? Fifth put me in something? Yeah? Have

399
00:17:43,040 --> 00:17:45,800
Speaker 1: you ever asked? No? No, I don't be pressing fifty.

400
00:17:45,880 --> 00:17:48,359
Speaker 1: Done enough for me? You know what I'm saying, Like,

401
00:17:49,000 --> 00:17:51,000
Speaker 1: i'n't going to fifth year. I need a half a million, Bro,

402
00:17:52,200 --> 00:17:56,439
Speaker 1: I got you quarter a million, bron, got you? Come on, bro,

403
00:17:56,640 --> 00:18:00,080
Speaker 1: I can't keep pressing them half a million? Yeah, if

404
00:18:00,080 --> 00:18:02,320
Speaker 1: I need a half a man, Bro, I've seen him

405
00:18:02,320 --> 00:18:04,480
Speaker 1: do it for Buck too. You're Buck. I need I

406
00:18:04,520 --> 00:18:08,080
Speaker 1: need a quarter you Yeah, man, I got it? Got you?

407
00:18:08,440 --> 00:18:11,040
Speaker 1: What's your relationship with Banks? Banks is my brother? I

408
00:18:11,119 --> 00:18:13,840
Speaker 1: talk to him the other day. Are they ever gonna

409
00:18:13,880 --> 00:18:17,159
Speaker 1: mend that I'll stay, I'll stay honest used to it

410
00:18:17,320 --> 00:18:19,800
Speaker 1: because Fifth is you know, Fifth is Fifth? Fifth is crazy.

411
00:18:19,840 --> 00:18:21,200
Speaker 1: I just know how to deal with him, you know

412
00:18:21,240 --> 00:18:23,400
Speaker 1: what I'm saying, from South Jamaica. He'd been like that,

413
00:18:23,440 --> 00:18:26,240
Speaker 1: like you gotta think, on a block, twelve years old,

414
00:18:26,640 --> 00:18:29,800
Speaker 1: never knew who his father was. Mom's got killed. He's

415
00:18:29,840 --> 00:18:33,240
Speaker 1: selling drugs with all the dudes twice his age, these

416
00:18:33,280 --> 00:18:35,960
Speaker 1: dudes like eighteen nineteen. You know what I'm saying. So

417
00:18:36,000 --> 00:18:38,080
Speaker 1: he came up different. I had a mother and father.

418
00:18:38,320 --> 00:18:40,400
Speaker 1: You know, I was supposed to be a good kid. Actually,

419
00:18:40,960 --> 00:18:43,320
Speaker 1: but you know the streets, my neighborhood, every there was

420
00:18:43,359 --> 00:18:46,199
Speaker 1: no role models. Everybody so drugs. I mean that's how

421
00:18:46,240 --> 00:18:48,960
Speaker 1: you got the name. Yeah, being on a block. My

422
00:18:49,000 --> 00:18:51,080
Speaker 1: father used to chase me off the block. Haitian parents,

423
00:18:51,119 --> 00:18:53,720
Speaker 1: you know, don't play Island parents don't play chase me

424
00:18:53,760 --> 00:18:55,840
Speaker 1: off the plot. I always wanted his Fifty gets so

425
00:18:55,880 --> 00:18:57,640
Speaker 1: mad at them because he got such a big heart,

426
00:18:57,920 --> 00:19:00,440
Speaker 1: and he's you know, he's cancer the overly loyal. So

427
00:19:00,440 --> 00:19:03,320
Speaker 1: when they feel like they've been slighted in anyway, it's

428
00:19:03,680 --> 00:19:05,920
Speaker 1: you're listen, man. People think Fifth is a bad guy,

429
00:19:05,960 --> 00:19:11,000
Speaker 1: like you said Omari Ghosts. Remember he said I didn't

430
00:19:11,000 --> 00:19:14,560
Speaker 1: get paid enough. Fifty made you a star. Brother. Everybody

431
00:19:14,640 --> 00:19:17,280
Speaker 1: on that show, from Real Timmy to Michael Rainey Gianni,

432
00:19:17,320 --> 00:19:20,280
Speaker 1: they all stars. Now little Meach took him put them

433
00:19:20,320 --> 00:19:23,040
Speaker 1: in the acting school, I believe at eighteen, you know.

434
00:19:23,320 --> 00:19:25,359
Speaker 1: And there's a lot of behind the scenes stuff that

435
00:19:25,359 --> 00:19:28,960
Speaker 1: people don't know about. Fifty help people with lawyers in situations.

436
00:19:29,720 --> 00:19:32,200
Speaker 1: A lot of people, some people that are not even

437
00:19:32,240 --> 00:19:34,480
Speaker 1: really June it affiliate, helped them with lawyers, helped them

438
00:19:34,520 --> 00:19:37,720
Speaker 1: get their money right, like he helps a lot of people.

439
00:19:37,800 --> 00:19:42,240
Speaker 1: Bro Shan Money, Like Shan Money had eighteen cars, two houses,

440
00:19:42,320 --> 00:19:44,920
Speaker 1: Like I'm quite sure he was getting like probably over

441
00:19:45,040 --> 00:19:47,359
Speaker 1: half a million a year working at Unit and you know,

442
00:19:47,440 --> 00:19:50,719
Speaker 1: we were smoking blunts in the office. Brother, We was working,

443
00:19:50,800 --> 00:19:54,000
Speaker 1: but we could have worked more. And now sometimes I

444
00:19:54,080 --> 00:19:57,120
Speaker 1: understand what he's saying, and I'm not saying he's not crazy. Sometimes,

445
00:19:57,640 --> 00:20:00,679
Speaker 1: you know, fifty he gets crazy crazy. But at this

446
00:20:00,880 --> 00:20:03,119
Speaker 1: end of the day, he helped everybody from game to

447
00:20:03,160 --> 00:20:05,880
Speaker 1: buck to meet Thanks everybody, Did you really want to rap?

448
00:20:06,680 --> 00:20:08,720
Speaker 1: That was he saw he saw working for Fifty's like,

449
00:20:08,760 --> 00:20:10,560
Speaker 1: you know, I'm gonna try. Yeah, you know, I mean

450
00:20:10,600 --> 00:20:12,439
Speaker 1: I was on the block and you know I used

451
00:20:12,480 --> 00:20:14,080
Speaker 1: to be in the parties with my man Fat Shot

452
00:20:14,160 --> 00:20:17,159
Speaker 1: DJ Roughhans and we used to go, you know, freaky

453
00:20:17,200 --> 00:20:19,080
Speaker 1: tiers from my hood. So we used to always get

454
00:20:19,080 --> 00:20:21,560
Speaker 1: on the mic and play around in freestyle in my

455
00:20:21,600 --> 00:20:24,119
Speaker 1: man basement, and you know, I just started rapping. But

456
00:20:24,320 --> 00:20:26,520
Speaker 1: you know, I never thought fifty was gonna sell eleven

457
00:20:26,560 --> 00:20:29,560
Speaker 1: million records. We be in the house listening to get Richard.

458
00:20:29,560 --> 00:20:31,439
Speaker 1: I trying, dude, just like you know what I was like,

459
00:20:32,119 --> 00:20:34,040
Speaker 1: But I always seen a vision. I'm like, no, this

460
00:20:34,160 --> 00:20:37,280
Speaker 1: is five fifties the next one. You know, I'm I'm

461
00:20:37,320 --> 00:20:38,879
Speaker 1: a music guy. Like I used to go to the

462
00:20:38,880 --> 00:20:42,800
Speaker 1: as and buy Envy tapes, Clue tapes, Dog Tim Griendmaster Vic,

463
00:20:43,240 --> 00:20:45,639
Speaker 1: all of it because cleans his music. People really used

464
00:20:45,680 --> 00:20:49,720
Speaker 1: to buy MV tapes. Yes, okay, don't even I don't

465
00:20:49,720 --> 00:20:56,280
Speaker 1: even do that. Don't even don legend. No, people were

466
00:20:56,320 --> 00:20:58,280
Speaker 1: hot Wax. He know. We used to go to Hot

467
00:20:58,320 --> 00:21:00,760
Speaker 1: Wax get the tapes. He don't know. You know, because

468
00:21:00,760 --> 00:21:03,080
Speaker 1: you gotta remember, Clue and Envy went from it went

469
00:21:03,200 --> 00:21:05,639
Speaker 1: from blends because we used to every it used to

470
00:21:05,680 --> 00:21:08,600
Speaker 1: be all about Blends, Grimaster, Victor Time, Dirty Harry, and

471
00:21:08,720 --> 00:21:12,359
Speaker 1: then they just went it went to playing exclusives and

472
00:21:12,440 --> 00:21:14,640
Speaker 1: that was you and Clue. That's how they changed the game.

473
00:21:14,720 --> 00:21:17,680
Speaker 1: Him and Clue played exclusive records like a NADS freestyle

474
00:21:17,760 --> 00:21:19,680
Speaker 1: or this freestyle that you ever got mad at them

475
00:21:19,680 --> 00:21:22,280
Speaker 1: for leaking in the yall records? Nah, because the bootleggers

476
00:21:22,359 --> 00:21:25,200
Speaker 1: made us at that point, the DJs made us because

477
00:21:25,200 --> 00:21:28,119
Speaker 1: we was getting played everywhere we go to bootleggers. You know,

478
00:21:28,320 --> 00:21:30,280
Speaker 1: sometimes dudes, I want to beat up the bootleggers and

479
00:21:30,320 --> 00:21:32,000
Speaker 1: fifty be like, Nah, why are you doing that? It

480
00:21:32,160 --> 00:21:34,560
Speaker 1: spread in the world. We had mixtapes everywhere you go,

481
00:21:35,640 --> 00:21:39,159
Speaker 1: mixtapes everywhere. You know, the conversation nobody asked. You know,

482
00:21:39,640 --> 00:21:41,159
Speaker 1: we know what Dirty Harry and all of them did,

483
00:21:41,200 --> 00:21:43,840
Speaker 1: and we know what y'all did, but the artist like

484
00:21:43,960 --> 00:21:46,040
Speaker 1: what gun It did, and they were the first hip

485
00:21:46,320 --> 00:21:48,280
Speaker 1: did in the locks. They took the mixtape game to

486
00:21:48,359 --> 00:21:51,200
Speaker 1: another level. What y'all started doing mixtapes right, But we

487
00:21:51,600 --> 00:21:54,320
Speaker 1: wasn't stopping. We just we had a mixtape every week.

488
00:21:54,960 --> 00:21:57,440
Speaker 1: Remember I remember when Ja Rule dissed us and we

489
00:21:57,640 --> 00:22:00,440
Speaker 1: was an eminem studio and we just send me automatic

490
00:22:00,520 --> 00:22:03,560
Speaker 1: gunfire and that like that, like killed Jaw that that tape,

491
00:22:03,600 --> 00:22:06,320
Speaker 1: whole tape killing Jar shout out to jau killed him,

492
00:22:06,359 --> 00:22:10,639
Speaker 1: still killing him and um he still kill him. And

493
00:22:11,000 --> 00:22:13,680
Speaker 1: have you ever ran in the job Nah? Never Nah,

494
00:22:13,960 --> 00:22:16,359
Speaker 1: only only when you know the situation in the studio

495
00:22:17,359 --> 00:22:18,840
Speaker 1: that was that way back and I had like a

496
00:22:18,880 --> 00:22:21,639
Speaker 1: cut on my head. I was like years ago to me,

497
00:22:22,800 --> 00:22:25,119
Speaker 1: to me, you gotta understand when you think of queens,

498
00:22:25,760 --> 00:22:28,439
Speaker 1: like I was in the streets for real, like I'm

499
00:22:28,440 --> 00:22:30,720
Speaker 1: gonna keep it real, Like I don't know what Jaw

500
00:22:30,880 --> 00:22:33,760
Speaker 1: was doing. I'm not from his neighborhood. My baby moms

501
00:22:33,760 --> 00:22:37,280
Speaker 1: just from his neighborhood. Pop over there in um Woodhall, right,

502
00:22:37,720 --> 00:22:40,960
Speaker 1: But as for like seeing Niles come to the block

503
00:22:41,000 --> 00:22:44,720
Speaker 1: with black just um e money bags coming through, Like

504
00:22:44,880 --> 00:22:47,280
Speaker 1: my block was legendary one three four on Guy Bru.

505
00:22:47,800 --> 00:22:50,600
Speaker 1: It was legendary where everybody was outside. I never really

506
00:22:51,040 --> 00:22:53,359
Speaker 1: I was outside, so I never They said IRV Gotti

507
00:22:53,440 --> 00:22:55,720
Speaker 1: was a DJ, but I never been to a party

508
00:22:55,760 --> 00:22:58,399
Speaker 1: where he DJ. I know the Rockaway Twins, I know

509
00:22:58,880 --> 00:23:03,760
Speaker 1: gold Fingers, tape master that brings the system everywhere, um

510
00:23:04,119 --> 00:23:10,399
Speaker 1: friend Master Vic. Like I've never seen earth Like do

511
00:23:10,520 --> 00:23:12,159
Speaker 1: a party, and I haven't been the parties on the

512
00:23:12,240 --> 00:23:16,200
Speaker 1: North Side, south Side everywhere. I've never really seen them outside.

513
00:23:16,560 --> 00:23:21,040
Speaker 1: Like Jahru wasn't known as a figure in the neighborhood,

514
00:23:21,080 --> 00:23:24,800
Speaker 1: in any neighborhood, no disrespect. But now I want to ask,

515
00:23:24,920 --> 00:23:27,000
Speaker 1: you know, they've been trying to beat me up here

516
00:23:27,080 --> 00:23:32,879
Speaker 1: the last two three weeks right in fifty and Wayne

517
00:23:32,880 --> 00:23:36,440
Speaker 1: didn't ask him. You gonna ask Tony Yo that he

518
00:23:36,520 --> 00:23:38,520
Speaker 1: gonna have an objective opinion on it. I think I

519
00:23:38,600 --> 00:23:40,560
Speaker 1: think it's gonna be good. But I mean, you know,

520
00:23:41,160 --> 00:23:43,919
Speaker 1: Wayne got a catalog to and Fifth got a catalog.

521
00:23:44,600 --> 00:23:46,119
Speaker 1: See now, I will say this, so a lot of

522
00:23:46,160 --> 00:23:48,840
Speaker 1: records that they both have, So I mean it'll be

523
00:23:48,960 --> 00:23:51,560
Speaker 1: a dog fight. It'll be good. Say that, y'all don't

524
00:23:51,600 --> 00:23:54,600
Speaker 1: say he said catalog. I find disrespectful if they say

525
00:23:54,920 --> 00:23:58,159
Speaker 1: get rich or just take out Wayne's whole cat we

526
00:23:58,240 --> 00:24:03,200
Speaker 1: gotta go back. I played eight songs off just I

527
00:24:03,280 --> 00:24:05,320
Speaker 1: can't play eight songs off get rich to trying because

528
00:24:05,440 --> 00:24:07,800
Speaker 1: because Wayne does have a lot of songs. Way, Wayne

529
00:24:08,080 --> 00:24:10,159
Speaker 1: is nice, He's dead nice, He's a legend, he's a

530
00:24:10,160 --> 00:24:11,800
Speaker 1: Goud'm gonna telling people what you say behind the scenes

531
00:24:11,800 --> 00:24:14,320
Speaker 1: if you don't stop this stupid ship. But I always

532
00:24:14,359 --> 00:24:16,960
Speaker 1: say no, you can say I say Wayne is a

533
00:24:17,080 --> 00:24:19,959
Speaker 1: bigger artist when it comes to a rapper. Way, it's

534
00:24:20,000 --> 00:24:25,000
Speaker 1: been doing it since. But when it comes to cultural influence,

535
00:24:25,560 --> 00:24:28,560
Speaker 1: you can't bigger than art. I don't think. I don't

536
00:24:28,600 --> 00:24:32,960
Speaker 1: think nothing was bigger than un Eminem and Doctor Dreke.

537
00:24:33,119 --> 00:24:35,840
Speaker 1: But but you gotta understand the element of everything was crazy.

538
00:24:35,920 --> 00:24:38,440
Speaker 1: It was crazy, like we have video games that was selling.

539
00:24:39,000 --> 00:24:42,359
Speaker 1: We had clothes that was selling. Right, do we have Syreal, Adam,

540
00:24:42,440 --> 00:24:44,199
Speaker 1: do we have Syrial? I think we had Syrial. Lot

541
00:24:44,280 --> 00:24:48,159
Speaker 1: was selling. We had everything, socks like, everything was selling.

542
00:24:48,680 --> 00:24:53,119
Speaker 1: And Eminem was what at so sixty million, fifty so

543
00:24:53,400 --> 00:24:56,200
Speaker 1: eleven million. It was crazy. Like I don't think that

544
00:24:56,480 --> 00:24:58,919
Speaker 1: one thing is Wayne has the Nicki Minas, he has

545
00:24:58,960 --> 00:25:00,920
Speaker 1: the Drakes, he has the young money, he has a

546
00:25:01,119 --> 00:25:06,000
Speaker 1: huge kid Drake and d But when it comes to

547
00:25:06,119 --> 00:25:09,720
Speaker 1: those cultural hits, I don't think there's nothing bigger than

548
00:25:10,040 --> 00:25:12,119
Speaker 1: the record that that that you played for fifthy. Like

549
00:25:12,119 --> 00:25:14,000
Speaker 1: I said, you could pick any Wayne record and I

550
00:25:14,160 --> 00:25:17,160
Speaker 1: will destroy that one record with the record. Pick one record.

551
00:25:17,600 --> 00:25:20,560
Speaker 1: We had the street. We had the street. You gotta

552
00:25:20,640 --> 00:25:22,680
Speaker 1: know I'm talking about I'm talking about the mixtape where

553
00:25:22,720 --> 00:25:27,000
Speaker 1: every nothing was playing. But Jane no, I understand, yeah,

554
00:25:27,160 --> 00:25:29,920
Speaker 1: act like Wayne didn't have this, But I'm just saying

555
00:25:29,920 --> 00:25:32,479
Speaker 1: that when it comes to that cultural influence of how

556
00:25:32,520 --> 00:25:35,120
Speaker 1: a record feels, I don't. I don't. I don't, I don't.

557
00:25:35,520 --> 00:25:38,240
Speaker 1: I don't think we had kids win bulletproof vests in

558
00:25:38,280 --> 00:25:42,439
Speaker 1: the suburbs, man, Wayne, kids wearing the rock star jeans

559
00:25:42,560 --> 00:25:45,399
Speaker 1: and mis right, it's right, the dress. Wayne is the legend.

560
00:25:46,119 --> 00:25:50,399
Speaker 1: He started right. But you gotta remember this. We was

561
00:25:50,440 --> 00:25:53,119
Speaker 1: on a little Wayne tour back in the days. We started.

562
00:25:53,200 --> 00:25:55,480
Speaker 1: He started way ahead of us. And that's what I said,

563
00:25:55,480 --> 00:25:58,720
Speaker 1: Wayne started to start started. If they be people forget

564
00:25:58,760 --> 00:26:01,240
Speaker 1: about that way the I pitching your vitamin water or

565
00:26:01,240 --> 00:26:03,400
Speaker 1: something like, Oh yeah, I remember that one. They cool?

566
00:26:03,480 --> 00:26:06,560
Speaker 1: Now though, what about that stabbing when you talk you

567
00:26:06,600 --> 00:26:09,680
Speaker 1: mentioned it briefly though. Oh and Sony, yeah, was it

568
00:26:09,760 --> 00:26:13,159
Speaker 1: a real stabbing? Um? It was a really was It

569
00:26:13,320 --> 00:26:15,480
Speaker 1: was a real stabbing. I'm gonna tell you what happened. Man.

570
00:26:16,560 --> 00:26:19,000
Speaker 1: We was in the studio and that was that Sony. Right,

571
00:26:19,920 --> 00:26:22,040
Speaker 1: Sony remember they had the one across the street and

572
00:26:22,080 --> 00:26:24,160
Speaker 1: they had the big building, big builders where that everybody

573
00:26:24,200 --> 00:26:26,399
Speaker 1: would say Michael Jackson would take all the rooms, right right.

574
00:26:26,720 --> 00:26:30,320
Speaker 1: So we um walking in and at that time, UM,

575
00:26:30,560 --> 00:26:32,560
Speaker 1: I think we've seen y Cleff and you know, I

576
00:26:32,640 --> 00:26:36,399
Speaker 1: think I think Scooter was there. I think was Haitian

577
00:26:36,440 --> 00:26:38,680
Speaker 1: Shack there, Haitian Jack. We see them in the lobby.

578
00:26:39,160 --> 00:26:43,200
Speaker 1: It's just me and fifty. Yeah, you know back Yeah,

579
00:26:43,240 --> 00:26:45,200
Speaker 1: they was all in the lobby with Cleff. We've seen

580
00:26:45,280 --> 00:26:49,240
Speaker 1: Cleff and um I think Priswell was there too or whatever.

581
00:26:49,520 --> 00:26:51,920
Speaker 1: So you know, we go upstairs, but we're not worried

582
00:26:51,960 --> 00:26:54,000
Speaker 1: about Fifth. I Swart fifth guy. I don't got nothing

583
00:26:54,040 --> 00:26:56,520
Speaker 1: on me, fifth out of four fifth, no safety on them.

584
00:26:57,440 --> 00:27:00,840
Speaker 1: We go upstairs. We got a session. So Clark Kent

585
00:27:01,960 --> 00:27:04,960
Speaker 1: his nephew end up being a DJ GIDS. But Gigs

586
00:27:05,080 --> 00:27:07,240
Speaker 1: was not really a street dude. He was just a

587
00:27:07,359 --> 00:27:09,399
Speaker 1: cool dude, you know, shout out the Clark Kent. He

588
00:27:09,480 --> 00:27:11,320
Speaker 1: was just like, yo, here, fifty, I got a DJ

589
00:27:11,480 --> 00:27:14,280
Speaker 1: for you. Right. So we go in the studio we're

590
00:27:14,280 --> 00:27:17,159
Speaker 1: supposed to record. Now, the studio is small. It's a

591
00:27:17,240 --> 00:27:20,680
Speaker 1: small room and it's a small hallway. So in the

592
00:27:20,800 --> 00:27:24,240
Speaker 1: next room is um toning poked. They're working on beats

593
00:27:24,800 --> 00:27:27,360
Speaker 1: and me fifteen Gigs is in the room with the engineer.

594
00:27:27,640 --> 00:27:31,400
Speaker 1: Forgot what fifty was working on, So I guess I'm

595
00:27:31,400 --> 00:27:35,200
Speaker 1: gonna keep it real. I don't signing, Sony. I think

596
00:27:35,359 --> 00:27:37,720
Speaker 1: in my mind, I think prize Well said something like

597
00:27:38,280 --> 00:27:40,080
Speaker 1: I don't know why, like he must you know what

598
00:27:41,119 --> 00:27:43,399
Speaker 1: we he I think he said something to keep it real.

599
00:27:43,440 --> 00:27:47,720
Speaker 1: I don't think he was trust me. That was the

600
00:27:47,800 --> 00:27:50,159
Speaker 1: information that was you know what I mean that prize

601
00:27:50,200 --> 00:27:54,440
Speaker 1: Well said something to jah ruined him. So we're in

602
00:27:54,520 --> 00:27:57,880
Speaker 1: the room. You just hear boo boo boo commotion. These

603
00:27:57,960 --> 00:27:59,920
Speaker 1: dudes come in like it's a movie, like what's up?

604
00:28:00,440 --> 00:28:03,359
Speaker 1: But they ain't. It's no guns, nothing, it's nothing. Really.

605
00:28:03,400 --> 00:28:06,359
Speaker 1: All you see is crutches and like like stuff picked

606
00:28:06,400 --> 00:28:08,679
Speaker 1: up from the studio. And I guess one of them

607
00:28:08,760 --> 00:28:11,600
Speaker 1: had like a kitchen knight. So it was was Earth

608
00:28:11,720 --> 00:28:14,880
Speaker 1: there and it was Earth brother, it was I think

609
00:28:14,880 --> 00:28:20,000
Speaker 1: it was black Chat at that point, Ji, I think

610
00:28:20,080 --> 00:28:23,320
Speaker 1: somebody else. But so we started to get it on.

611
00:28:24,440 --> 00:28:26,240
Speaker 1: Nobody turned off the light while we're getting it on.

612
00:28:26,480 --> 00:28:30,119
Speaker 1: The light like turn off because you know, somebody bumping

613
00:28:30,160 --> 00:28:32,639
Speaker 1: to the switch. So we're fighting. Everything is dark. You

614
00:28:32,640 --> 00:28:34,639
Speaker 1: don't know what's going on. You just hit Melee, so

615
00:28:35,040 --> 00:28:38,000
Speaker 1: all your get the gun. You know, Fifth bluffed them

616
00:28:38,000 --> 00:28:39,520
Speaker 1: because the gun was in the other room. That's why

617
00:28:39,520 --> 00:28:41,920
Speaker 1: I say JA ruined. He wouldn't even be here. He

618
00:28:42,000 --> 00:28:45,000
Speaker 1: would have been gone, Like our careers would have been

619
00:28:45,080 --> 00:28:47,720
Speaker 1: totally different if that gun was in that room. And

620
00:28:47,760 --> 00:28:49,720
Speaker 1: I swear on my dad father, like, I'm telling you

621
00:28:49,800 --> 00:28:52,280
Speaker 1: the truth. The gun was in the other room. I've

622
00:28:52,360 --> 00:28:55,560
Speaker 1: seen it. I'm seeing with my own two eyes. They

623
00:28:55,640 --> 00:28:57,240
Speaker 1: come in, we get it on boom boom boom, and

624
00:28:57,240 --> 00:28:59,120
Speaker 1: get the gun. They run out fifth to or speak

625
00:28:59,160 --> 00:29:00,520
Speaker 1: at one of them. Niggas. Don't know if it was

626
00:29:00,840 --> 00:29:03,400
Speaker 1: Earth brother or whoever. I see him through speaking get

627
00:29:03,440 --> 00:29:06,040
Speaker 1: the gun. Once they heard get the gun, everybody started

628
00:29:06,120 --> 00:29:08,280
Speaker 1: running out. But the gun was in the other room,

629
00:29:08,480 --> 00:29:10,080
Speaker 1: and that was it. Fifty had to scratch on his

630
00:29:10,200 --> 00:29:12,880
Speaker 1: back right and I got stabbed in my hands and

631
00:29:13,320 --> 00:29:15,520
Speaker 1: my finger was like cut right head. So look it

632
00:29:15,640 --> 00:29:18,120
Speaker 1: looked crazy because it was hanging a little bit, but

633
00:29:18,280 --> 00:29:21,760
Speaker 1: look this is all I got that and that that

634
00:29:21,920 --> 00:29:23,880
Speaker 1: was it. The way that wasn't every When they started

635
00:29:23,960 --> 00:29:25,880
Speaker 1: trying to say that, you know you had all the protection,

636
00:29:25,920 --> 00:29:29,000
Speaker 1: and bro, come on, bro, people are always gonna make

637
00:29:29,120 --> 00:29:31,880
Speaker 1: up stuff. Yo. They snitches, they rats. When you number

638
00:29:31,920 --> 00:29:33,680
Speaker 1: one and you on top, people gonna make up stuff.

639
00:29:33,680 --> 00:29:37,400
Speaker 1: Where's the paperwork. Where's the paperwork? And now people go

640
00:29:37,480 --> 00:29:39,040
Speaker 1: to the point where they go on YouTube and make

641
00:29:39,080 --> 00:29:41,800
Speaker 1: fake paperwork about you. Yeah, and the paperwork they had

642
00:29:41,920 --> 00:29:46,880
Speaker 1: was fake. That was proven twenty times, you know, and

643
00:29:47,000 --> 00:29:48,640
Speaker 1: we end up getting the chain laid on. It was

644
00:29:48,680 --> 00:29:50,760
Speaker 1: always just a long thing with y'all. Rue. I didn't

645
00:29:50,760 --> 00:29:53,160
Speaker 1: even know the guy. Yeah. When people talk about y'all ever,

646
00:29:53,400 --> 00:29:55,520
Speaker 1: you know, squashing that beef, I'm like, I think too

647
00:29:55,600 --> 00:29:59,520
Speaker 1: much violence happened. I don't think beef never gets squashed.

648
00:29:59,520 --> 00:30:03,040
Speaker 1: I think it get old. M Now, y'all squashed the

649
00:30:03,120 --> 00:30:06,440
Speaker 1: beef fat? I mean fat Joe's differently fat fat Joe.

650
00:30:06,560 --> 00:30:10,120
Speaker 1: That was more of a Chris Lightdy thing. When you

651
00:30:10,160 --> 00:30:11,960
Speaker 1: look at the Henchman thing, people look at oh he

652
00:30:12,040 --> 00:30:16,440
Speaker 1: slapped the kid. No, Henchman didn't like Chris Ldy. That's

653
00:30:16,480 --> 00:30:18,959
Speaker 1: what it came down to. Chris Leighty was more successful

654
00:30:19,240 --> 00:30:21,720
Speaker 1: than Jimmy Henchman, and Jimmy Henchman wanted to move on

655
00:30:21,760 --> 00:30:23,760
Speaker 1: the same block as him, and he wanted all the

656
00:30:23,960 --> 00:30:26,600
Speaker 1: artists and he wanted problems. Why because he didn't like

657
00:30:26,720 --> 00:30:29,680
Speaker 1: Chris Leightdy. That's where that came from. I never start

658
00:30:29,800 --> 00:30:32,160
Speaker 1: like I'm never, I don't know jo rule, I justification

659
00:30:32,200 --> 00:30:33,720
Speaker 1: to slap the kid though you know I didn't. But

660
00:30:33,760 --> 00:30:37,640
Speaker 1: I didn't slap the kids. See I didn't. I didn't

661
00:30:37,640 --> 00:30:40,000
Speaker 1: slapped the kids. Somebody else did. And that person got

662
00:30:40,040 --> 00:30:42,920
Speaker 1: shot at the day before. We got my car got

663
00:30:43,000 --> 00:30:45,520
Speaker 1: shot up the day before. So people look at things

664
00:30:45,600 --> 00:30:48,320
Speaker 1: in one way. You know what I'm saying now, Now

665
00:30:48,400 --> 00:30:50,160
Speaker 1: when you look at the Jimmy Henchman, and I don't

666
00:30:50,160 --> 00:30:52,440
Speaker 1: like to talk bad about nobody in jail, but like

667
00:30:52,560 --> 00:30:54,800
Speaker 1: I don't care, but you know, and when you look

668
00:30:54,800 --> 00:30:58,000
Speaker 1: at that situation, Chris Lighty lived on was on twenty fifth,

669
00:30:58,320 --> 00:31:03,440
Speaker 1: Jimmy Henchman came to twenty fifth. Chris Ldy had um fifty,

670
00:31:03,880 --> 00:31:05,800
Speaker 1: I gotta get game? Where do you think on? The

671
00:31:05,920 --> 00:31:10,880
Speaker 1: drama came from Henchman because fifty had come in the

672
00:31:10,960 --> 00:31:13,640
Speaker 1: room like these guys be super street ogs. But fifty

673
00:31:13,680 --> 00:31:15,120
Speaker 1: had come in the room and be like, I don't

674
00:31:15,120 --> 00:31:19,160
Speaker 1: get who he is. And they didn't like that because

675
00:31:19,200 --> 00:31:21,960
Speaker 1: sometimes you know, a lot of artists friendly extortion, like

676
00:31:22,040 --> 00:31:23,880
Speaker 1: when you look at Ja ruined prem come on, bro,

677
00:31:24,360 --> 00:31:27,640
Speaker 1: dudes was in their pockets. But you had movies, movies,

678
00:31:27,880 --> 00:31:30,840
Speaker 1: what was that movie? Black Gangster. It never came out

679
00:31:30,960 --> 00:31:33,800
Speaker 1: right then prem with somebody get like a half a million,

680
00:31:34,280 --> 00:31:36,960
Speaker 1: then gets they got some money. The movie never came

681
00:31:37,000 --> 00:31:39,040
Speaker 1: out Black Gangster. It's like it was, oh, we seem

682
00:31:39,120 --> 00:31:41,800
Speaker 1: friendly extortion early, bro, come on, we around you, Come on,

683
00:31:42,320 --> 00:31:43,959
Speaker 1: You've been in this game for a long time. Now

684
00:31:44,040 --> 00:31:46,280
Speaker 1: you can't do it. Dudes gonna call the cops, call

685
00:31:46,360 --> 00:31:48,640
Speaker 1: the cops, get them away from me. That's it, or

686
00:31:48,920 --> 00:31:51,160
Speaker 1: dudes can't do it's not gonna work. I never understood.

687
00:31:51,760 --> 00:31:54,880
Speaker 1: I don't want to say allowd but how was Jimmy

688
00:31:54,920 --> 00:31:57,320
Speaker 1: has been managing Game and Game was signed to gield it.

689
00:31:57,520 --> 00:32:00,200
Speaker 1: That just seemed like a negative negative, That's what I'm

690
00:32:00,200 --> 00:32:03,960
Speaker 1: saying because and that's where all the whole drama comes from.

691
00:32:04,440 --> 00:32:08,520
Speaker 1: Chris Lighty and Jimmy Henchman, y'all got fifty all right, y'all?

692
00:32:08,600 --> 00:32:10,640
Speaker 1: Game he got in game here, Yo, you don't need him.

693
00:32:10,680 --> 00:32:14,480
Speaker 1: You're bigger than him. June was here, you're here he started.

694
00:32:14,560 --> 00:32:18,160
Speaker 1: That's where all the poison started coming from a competition.

695
00:32:18,200 --> 00:32:20,200
Speaker 1: And then I looked that game like, Yo, this dude

696
00:32:20,240 --> 00:32:22,080
Speaker 1: set up pot. You're from the West Coast. You got

697
00:32:22,160 --> 00:32:25,000
Speaker 1: two pots tattered on you why you even care to

698
00:32:25,120 --> 00:32:27,600
Speaker 1: even be with him. But at that point game was young,

699
00:32:27,640 --> 00:32:29,960
Speaker 1: and I understand, and you know, Henchman had a name,

700
00:32:30,360 --> 00:32:32,640
Speaker 1: but that was the poison that messed up a lot

701
00:32:32,720 --> 00:32:36,040
Speaker 1: of money. I'd rather game what has been signed with

702
00:32:36,160 --> 00:32:40,080
Speaker 1: Chris Ldy then then he's in games, so way won't

703
00:32:40,080 --> 00:32:41,920
Speaker 1: records than me. I was on his first album, like

704
00:32:42,040 --> 00:32:45,720
Speaker 1: I know, bad Blood in my Body towards Nobody in Junior.

705
00:32:45,760 --> 00:32:47,880
Speaker 1: We made history together. But what I'm saying to you

706
00:32:48,000 --> 00:32:50,080
Speaker 1: is I wish he would have signed with Chris Lighty

707
00:32:50,200 --> 00:32:54,160
Speaker 1: or somebody else then Henchman, because I was the poison Henchman.

708
00:32:54,240 --> 00:32:57,040
Speaker 1: Never liked Chris Lydy. Bro never never inrest in peace

709
00:32:57,080 --> 00:32:59,320
Speaker 1: to Chris Lydy because that was somebody that I looked

710
00:32:59,400 --> 00:33:01,320
Speaker 1: up to and always looked up to me. And I

711
00:33:01,440 --> 00:33:04,040
Speaker 1: know what he did as for the company too, he

712
00:33:04,120 --> 00:33:05,680
Speaker 1: did with fifty and how he blew, how he had

713
00:33:05,760 --> 00:33:09,840
Speaker 1: Foxy And we used to be there, you see State Property,

714
00:33:10,640 --> 00:33:13,040
Speaker 1: Miss Kate Slay. We go to this office. So that's

715
00:33:13,160 --> 00:33:17,440
Speaker 1: that's what I knew, you know, James cruising there, Claudine

716
00:33:19,920 --> 00:33:21,800
Speaker 1: Mona Scott. Yeah, this is what I knew. I was

717
00:33:21,920 --> 00:33:24,160
Speaker 1: learning from me watching these people, and I was like, Yo,

718
00:33:24,600 --> 00:33:26,680
Speaker 1: this is crazy. This violated thing is crazy. What do

719
00:33:26,720 --> 00:33:28,360
Speaker 1: you want to think about how blessed y'all are? Because

720
00:33:28,400 --> 00:33:30,520
Speaker 1: I think about all the violence y'all escape, because well,

721
00:33:30,520 --> 00:33:33,040
Speaker 1: I ain't never even heard about the shooting that happened

722
00:33:33,040 --> 00:33:36,000
Speaker 1: before the young man got slapped, right, No, but it's

723
00:33:36,040 --> 00:33:38,440
Speaker 1: after that in your motherhouse. Yeah, yeah, it's cool. But

724
00:33:38,480 --> 00:33:40,160
Speaker 1: I always looked at it like this, bro, if I

725
00:33:40,240 --> 00:33:42,280
Speaker 1: slapped your kid or your kid, what are you gonna

726
00:33:43,040 --> 00:33:45,600
Speaker 1: You're gonna you got the right, it's all gloves off

727
00:33:45,680 --> 00:33:48,600
Speaker 1: and it's all good. But then y'all unit officers got

728
00:33:48,640 --> 00:33:50,640
Speaker 1: shot up before. Yes, y'all missed a lot of bullets,

729
00:33:50,720 --> 00:33:55,400
Speaker 1: is what I'm saying. You know, it's crazy. And I

730
00:33:55,440 --> 00:33:57,640
Speaker 1: always think God, like I always see my prayers before

731
00:33:57,680 --> 00:33:59,560
Speaker 1: I left the house, because I remember one day I

732
00:33:59,680 --> 00:34:01,680
Speaker 1: had a plaque and people won't even bleed his story

733
00:34:01,920 --> 00:34:04,120
Speaker 1: and a bullet fell out of it and my father

734
00:34:04,240 --> 00:34:05,880
Speaker 1: found it. He was staying with me at the time,

735
00:34:06,440 --> 00:34:09,080
Speaker 1: And the next day my mom's crib got shot up,

736
00:34:09,160 --> 00:34:11,160
Speaker 1: or could have been the same day, like when my

737
00:34:11,200 --> 00:34:12,840
Speaker 1: mom's crib got shot up. So I mean, you know,

738
00:34:12,960 --> 00:34:15,840
Speaker 1: God is good brouet a bullet Like I had a

739
00:34:15,880 --> 00:34:18,840
Speaker 1: fifty cent plaque and it got bullets in it and

740
00:34:18,920 --> 00:34:21,279
Speaker 1: it's above my door, and my father found it. He's like,

741
00:34:21,320 --> 00:34:22,960
Speaker 1: if somebody shot the house up, and I'm like, Noah

742
00:34:22,960 --> 00:34:26,040
Speaker 1: to fell off the plaque. And the next day my

743
00:34:26,160 --> 00:34:28,640
Speaker 1: mom's crib got shot up. So you get signs, you know,

744
00:34:28,760 --> 00:34:30,359
Speaker 1: to be low and you gotta move right, because one

745
00:34:30,440 --> 00:34:32,759
Speaker 1: thing about us is we knew how to move, Like,

746
00:34:32,800 --> 00:34:36,000
Speaker 1: all right, cool, if it's hot, cool, I'm good. Like

747
00:34:36,080 --> 00:34:37,879
Speaker 1: when my mom's crib got shot up, I went out

748
00:34:37,920 --> 00:34:40,319
Speaker 1: there and was looking to do stuff in fifty called

749
00:34:40,360 --> 00:34:43,239
Speaker 1: me like, yo, bro, you're outside, you got something more

750
00:34:43,239 --> 00:34:45,799
Speaker 1: on you? You're bugging out, bro use your brain. Bro,

751
00:34:46,239 --> 00:34:49,439
Speaker 1: it's chest, not checkers. And every time we have money

752
00:34:49,480 --> 00:34:51,560
Speaker 1: on our head, I always respect fifth because he'll laugh

753
00:34:51,560 --> 00:34:54,279
Speaker 1: about it. Yeah, they got twenty on your head, they

754
00:34:54,360 --> 00:34:56,920
Speaker 1: got eighty on my head. I don't even worry about it. Man,

755
00:34:57,200 --> 00:34:58,640
Speaker 1: It ain't because we know how to move. We got

756
00:34:58,680 --> 00:35:01,799
Speaker 1: the bulletproofs. We moved low. We're moving militant. Is there

757
00:35:01,800 --> 00:35:03,719
Speaker 1: anything you ever let go? Like when that's happened to

758
00:35:03,760 --> 00:35:05,080
Speaker 1: your mom's out, you said, you know, I'm gonna let

759
00:35:05,120 --> 00:35:07,160
Speaker 1: that go because because of what happened, I know, I

760
00:35:07,280 --> 00:35:10,719
Speaker 1: know what caused that. Yeah, definitely it humbles you. It's

761
00:35:10,760 --> 00:35:12,960
Speaker 1: real out here, like playing with this Internet and playing

762
00:35:13,160 --> 00:35:16,080
Speaker 1: you know whatever in music and whatever. It gets real.

763
00:35:16,719 --> 00:35:19,080
Speaker 1: It's real. And now then it was back then, like

764
00:35:19,200 --> 00:35:21,440
Speaker 1: you see how these kids a get knocked up every day.

765
00:35:22,080 --> 00:35:24,080
Speaker 1: That's why I say, you know, it must have been

766
00:35:24,120 --> 00:35:27,000
Speaker 1: like seven eight years ago to see you in fifty

767
00:35:27,920 --> 00:35:31,200
Speaker 1: enjoying what ya didn't have before. I mean, because they

768
00:35:31,280 --> 00:35:33,560
Speaker 1: couldn't go to the clubs and experienced the records like

769
00:35:33,760 --> 00:35:36,080
Speaker 1: y'all should have. That couldn't go to these events and

770
00:35:36,160 --> 00:35:38,000
Speaker 1: go to these things. And it wasn't because of the rappers.

771
00:35:38,040 --> 00:35:39,719
Speaker 1: It was mainly because of the hip hop police. Because

772
00:35:39,719 --> 00:35:42,359
Speaker 1: there was times whatever be like no genue, no dip

773
00:35:42,400 --> 00:35:44,880
Speaker 1: set in the clubs, all the clubs in Manhattan. So

774
00:35:45,200 --> 00:35:47,719
Speaker 1: hip hop police. You remember Curley Top, he's retired. Now

775
00:35:48,120 --> 00:35:50,239
Speaker 1: hip hop police, they all retired. There's all new ones

776
00:35:50,320 --> 00:35:53,480
Speaker 1: now for dudes that will follow TJ and all these

777
00:35:53,560 --> 00:35:55,839
Speaker 1: dudes in the city and all the young dudes now.

778
00:35:56,280 --> 00:35:59,239
Speaker 1: But all them dudes are retired. But them dudes, you

779
00:35:59,280 --> 00:36:01,120
Speaker 1: should tell us you can't come to this club. You

780
00:36:01,160 --> 00:36:04,080
Speaker 1: know how much money we missed out on. It's good.

781
00:36:04,520 --> 00:36:07,480
Speaker 1: It's definitely good to see that. Man. Yeah yeah, it

782
00:36:07,520 --> 00:36:12,000
Speaker 1: could grat on the Welcome to the Coach. I've seen

783
00:36:12,040 --> 00:36:14,000
Speaker 1: you in you screaming on math Ho for what what

784
00:36:14,080 --> 00:36:16,200
Speaker 1: happened with that? No? Ho for them is good. I

785
00:36:16,280 --> 00:36:18,400
Speaker 1: just feel like sometimes like when you go online and

786
00:36:18,560 --> 00:36:21,680
Speaker 1: just be like it just felt like clickbait, Like you

787
00:36:21,800 --> 00:36:24,560
Speaker 1: asking me, can I pick up the phone? If for

788
00:36:24,680 --> 00:36:26,640
Speaker 1: banks and fifties around they're both my friends. I'm a

789
00:36:26,719 --> 00:36:29,160
Speaker 1: grown ass, you know, man, what are you talking about?

790
00:36:29,440 --> 00:36:31,279
Speaker 1: And then you asked me about like six nine and

791
00:36:31,360 --> 00:36:33,440
Speaker 1: I don't want to. You know, I know dudes that

792
00:36:33,520 --> 00:36:35,920
Speaker 1: got locked up over that, so I'm just like, I

793
00:36:36,320 --> 00:36:39,200
Speaker 1: don't want to. Just felt like clickbait. And you know

794
00:36:39,280 --> 00:36:43,440
Speaker 1: we was drinking it. You know how I get why

795
00:36:43,480 --> 00:36:46,359
Speaker 1: you got bit by a dog? Man? Why you got um?

796
00:36:46,960 --> 00:36:49,040
Speaker 1: You know, I love dogs. I got pit bows and

797
00:36:49,120 --> 00:36:50,760
Speaker 1: my man, I'm about to get one of them dogs.

798
00:36:50,880 --> 00:36:52,759
Speaker 1: And UM, I just was like, yo, let me try it.

799
00:36:52,800 --> 00:36:56,520
Speaker 1: He was like, Yo, it's not that bad. I was

800
00:36:56,600 --> 00:36:59,360
Speaker 1: like to put I put the suit on. So I

801
00:36:59,440 --> 00:37:01,080
Speaker 1: wanted to sit out with it because I know you

802
00:37:01,120 --> 00:37:02,919
Speaker 1: gotta gonna do it again. You wanna come out my cravy.

803
00:37:03,160 --> 00:37:05,160
Speaker 1: I'm good with your dog. I never do it again. Bro,

804
00:37:05,200 --> 00:37:06,360
Speaker 1: I thought it was I didn't think it was got

805
00:37:06,440 --> 00:37:08,800
Speaker 1: a punk as dog. Nah, man, his dog is crazy.

806
00:37:08,840 --> 00:37:10,960
Speaker 1: I've seen his dog on line. Man. I had a

807
00:37:11,040 --> 00:37:13,239
Speaker 1: German just like that and ethic, but she passed away.

808
00:37:13,320 --> 00:37:15,520
Speaker 1: Now I gotta pit. I gotta train that dog. But

809
00:37:15,640 --> 00:37:18,080
Speaker 1: why why you had to get bit? I don't know.

810
00:37:18,200 --> 00:37:19,840
Speaker 1: I just wanted to try. I didn't think it was

811
00:37:19,880 --> 00:37:21,279
Speaker 1: gonna be that bad. They like, put the suit on,

812
00:37:21,320 --> 00:37:23,040
Speaker 1: they ain't gonna be bad. My man, city do it

813
00:37:23,080 --> 00:37:25,160
Speaker 1: all the time, you know. So I was just like,

814
00:37:25,400 --> 00:37:28,880
Speaker 1: all right, cool, I put it on. I ain't gone

815
00:37:28,880 --> 00:37:30,440
Speaker 1: I want to job one time too. But then when

816
00:37:30,520 --> 00:37:32,439
Speaker 1: when the lady took off the dude took off the suit,

817
00:37:32,480 --> 00:37:34,480
Speaker 1: I see his arm. I'm like, nah, I thought, I

818
00:37:34,520 --> 00:37:36,320
Speaker 1: ain't think it was gonna be like that. Trust me,

819
00:37:36,400 --> 00:37:38,800
Speaker 1: Charlott Man, I ain't think that you don't want to

820
00:37:38,800 --> 00:37:42,040
Speaker 1: do music. Yeah, I just dropped the mixtape. Layer dropped

821
00:37:42,200 --> 00:37:44,000
Speaker 1: what do you want to do it? Because I feel

822
00:37:44,040 --> 00:37:47,799
Speaker 1: like your personality it's so big. You probably can make

823
00:37:47,880 --> 00:37:50,680
Speaker 1: this money doing that now. Yeah, I mean I do

824
00:37:50,880 --> 00:37:52,759
Speaker 1: like talking to people. I do. I do like I

825
00:37:52,880 --> 00:37:55,480
Speaker 1: do like what like what what you do? You know?

826
00:37:55,840 --> 00:37:58,000
Speaker 1: And what Envy do? And the breakfast club do. So

827
00:37:58,120 --> 00:37:59,880
Speaker 1: I mean I think now the game is changing, Like

828
00:38:00,520 --> 00:38:03,600
Speaker 1: these podcasts be fun, like you see podcast radio shows

829
00:38:03,640 --> 00:38:05,840
Speaker 1: like it's going to YouTube now. People want to you

830
00:38:05,880 --> 00:38:08,040
Speaker 1: know know, they want to know my personality. They want

831
00:38:08,040 --> 00:38:10,960
Speaker 1: to know your personality. I'm like a sponge. I just

832
00:38:11,080 --> 00:38:13,160
Speaker 1: like to I watch your guys all the time and

833
00:38:13,280 --> 00:38:15,080
Speaker 1: just soak up game, you know what I mean? Like

834
00:38:15,160 --> 00:38:17,360
Speaker 1: how you got the books, if you got the car shows.

835
00:38:17,400 --> 00:38:19,279
Speaker 1: It's all a hustle for me, you know what I mean?

836
00:38:19,360 --> 00:38:22,359
Speaker 1: Like I see y'all hustling. You got about three shows, man,

837
00:38:22,520 --> 00:38:25,920
Speaker 1: Yeah we're working three four shows. This guy got about

838
00:38:25,960 --> 00:38:29,359
Speaker 1: three four shows going on. Car show, got the reality show,

839
00:38:29,560 --> 00:38:32,120
Speaker 1: got the the house show, right the real estate. So

840
00:38:32,239 --> 00:38:33,880
Speaker 1: it's just I don't know, it's just like a hustle

841
00:38:33,920 --> 00:38:36,920
Speaker 1: for me. I just want to hustle music podcast like

842
00:38:37,000 --> 00:38:39,560
Speaker 1: Welcome to the Coach. I'm gonna will go crazy with

843
00:38:39,600 --> 00:38:42,239
Speaker 1: the production this year. Um, I got the Passport to

844
00:38:42,280 --> 00:38:44,359
Speaker 1: the future. I'm trying to do things for the kids.

845
00:38:44,480 --> 00:38:47,200
Speaker 1: This year. Um, I got the clothes of course on

846
00:38:47,320 --> 00:38:50,120
Speaker 1: passport boys dot com. What else I got going on

847
00:38:50,320 --> 00:38:54,640
Speaker 1: Sony Theater on the twenty six UM and more tours coming. Man,

848
00:38:54,719 --> 00:38:58,320
Speaker 1: shout out the fifty, shout the Banks. Yeah, back on

849
00:38:58,400 --> 00:39:03,040
Speaker 1: the road. Noah, not Banks. Shout uncle murder. Murder. Shout

850
00:39:03,080 --> 00:39:06,320
Speaker 1: the murder. Yeah, shout uncle murder. No disrespected Banks. But

851
00:39:07,120 --> 00:39:09,400
Speaker 1: you know, you know fifty is crazy, isn't that? You

852
00:39:09,480 --> 00:39:11,680
Speaker 1: know that's something that Banks got up. You know, workout me.

853
00:39:11,840 --> 00:39:14,160
Speaker 1: I just know fifty for a long time off the

854
00:39:14,200 --> 00:39:17,279
Speaker 1: block before Banks, So I'm kind of note. You know,

855
00:39:17,400 --> 00:39:21,279
Speaker 1: he might say something crazy and it's just like you.

856
00:39:21,400 --> 00:39:23,600
Speaker 1: I heard him say some crazy stuff in life. Bro. Now,

857
00:39:23,640 --> 00:39:25,399
Speaker 1: we used to hit them stories with fifty with swing

858
00:39:25,480 --> 00:39:31,399
Speaker 1: on wool Kid and Swing on Kid. I think one

859
00:39:31,440 --> 00:39:34,400
Speaker 1: time was the craziest store was we backstage? This is

860
00:39:34,440 --> 00:39:36,960
Speaker 1: the craziest one though, And I hope nobody getting mad

861
00:39:36,960 --> 00:39:40,040
Speaker 1: about this. Um and fifty said to James Cruise because

862
00:39:40,080 --> 00:39:43,640
Speaker 1: he always messed always so this day, I don't know why,

863
00:39:43,880 --> 00:39:46,600
Speaker 1: but he said to James Cruise, we Mayweather. It's the

864
00:39:46,680 --> 00:39:49,120
Speaker 1: may Weather. I don't know, we mayweather mad people's back

865
00:39:49,160 --> 00:39:53,319
Speaker 1: then he goes Yo, man, that man fifty Like, I'm like, Yo,

866
00:39:54,920 --> 00:40:01,759
Speaker 1: in front of people, did he touch your butt? I

867
00:40:01,840 --> 00:40:03,920
Speaker 1: was like, no, disrespect to them, but I was like, Yo,

868
00:40:04,000 --> 00:40:06,960
Speaker 1: this dude is crazy crazy, So I know why everybody

869
00:40:07,040 --> 00:40:10,080
Speaker 1: hate me. I understand, man, but that's my guy, bro. Crazy.

870
00:40:10,239 --> 00:40:12,560
Speaker 1: What did everybody stay when? Yo? The whole room just

871
00:40:12,640 --> 00:40:17,560
Speaker 1: stopped like, man, man, man Chip, you know what I'm saying.

872
00:40:18,200 --> 00:40:21,040
Speaker 1: James Crew, he was no, he's a cool dude. That's

873
00:40:21,080 --> 00:40:24,719
Speaker 1: my guy. You never know what he gonna say. Man,

874
00:40:25,280 --> 00:40:26,920
Speaker 1: So while we're on the road, I stay away from

875
00:40:26,960 --> 00:40:29,120
Speaker 1: I give him a space. Man. I get with you

876
00:40:29,239 --> 00:40:32,240
Speaker 1: later on the showtime bro fifth it's crazy man, jesus.

877
00:40:32,320 --> 00:40:34,520
Speaker 1: Oh right, well, we appreciate you for joining us. Check

878
00:40:34,560 --> 00:40:39,040
Speaker 1: out the podcast podcast It's Tony Ao. You made it,

879
00:40:39,120 --> 00:40:42,040
Speaker 1: MoMA the Breakfast Club. He've been up here before, yeah,

880
00:40:42,080 --> 00:40:44,960
Speaker 1: but I'm by myself now. It's the Breakfast Club. Good morning,

881
00:40:50,760 --> 00:40:55,839
Speaker 1: old him in the room. Everybody just got quiet. I'm like, oh, man, oh,

882
00:40:56,120 --> 00:41:04,759
Speaker 1: that's funny that when you say, I don't know, we

883
00:41:04,800 --> 00:41:18,279
Speaker 1: gonna do it over head, Okay, let's go. We gotta

884
00:41:18,280 --> 00:41:24,160
Speaker 1: do it one of these one time, first thing, first

885
00:41:28,040 --> 00:41:35,759
Speaker 1: one whenever you're ready, okay, all right, keep it going.

886
00:41:36,560 --> 00:41:42,959
Speaker 1: All right, we'll one. We're doing the same things, all right, one, two, three.

887
00:41:45,360 --> 00:41:47,680
Speaker 1: You're not getting on the comment, Sibney, I don't know

888
00:41:47,719 --> 00:41:49,359
Speaker 1: what you want to sit? Are we gonna get in now?

889
00:41:50,880 --> 00:41:52,800
Speaker 1: She wants us to do something on the TikTok, but

890
00:41:52,880 --> 00:41:55,440
Speaker 1: I don't get it because I'm I don't do this.

891
00:41:56,200 --> 00:41:59,600
Speaker 1: Let's do so we gotta Yeah. So there's there's just

892
00:42:00,280 --> 00:42:03,640
Speaker 1: basically where like I took it up and all you

893
00:42:03,760 --> 00:42:10,280
Speaker 1: do was this, this is all you why you're doing that? Shock? Thanks?

894
00:42:10,719 --> 00:42:23,040
Speaker 1: Oh thank you picture. I'm so sorry. I didn't know

895
00:42:23,080 --> 00:42:25,759
Speaker 1: what was the behind his surprise, and I was so

896
00:42:28,680 --> 00:42:30,520
Speaker 1: I thought it was like a planned thing. So when

897
00:42:30,600 --> 00:42:34,200
Speaker 1: she said to one, I'm like, no, Nala got in

898
00:42:35,360 --> 00:42:38,279
Speaker 1: you get me? Thank you, okay, thank you. I mean

899
00:42:43,600 --> 00:42:57,720
Speaker 1: it was a good I know it did surprise perfect