WEBVTT - Mini Crush #138

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday. Noel in

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<v Speaker 1>the hissy in his hissym not in my hissy. Yeah,

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<v Speaker 1>it's drive. I mean, I've been there. It's a nice hissy,

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<v Speaker 1>but I got my own. This is the new way.

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<v Speaker 1>Get out of my hissy, get out of my head.

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<v Speaker 1>Are you fully accustomed to your new home, Noel. Yeah,

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<v Speaker 1>there's a couple of little bits and Bob's that I

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<v Speaker 1>need to deal with, you know that, Just like a

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<v Speaker 1>couple of boxes that I just haven't messed with, or

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<v Speaker 1>I've seen a shove in the attic. It's just something

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<v Speaker 1>I just need to deal with. But also my studio.

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<v Speaker 1>I want to get some acoustic panels, but I haven't

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<v Speaker 1>gotten to that yet, and I've got a few pieces

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<v Speaker 1>of are I don't want to hang in here? But yeah,

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<v Speaker 1>mainly love it. Yes, it feels very cozy. Are there

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<v Speaker 1>any ghosts? Um No, But I will say this, there's

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<v Speaker 1>like when I first moved in, there was this like

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<v Speaker 1>dead animal smell and it went away and I was like,

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<v Speaker 1>what is this. It's like that's something into the house

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<v Speaker 1>that died. And then it like really briefly, came back

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<v Speaker 1>and then went away really quickly. So you do have

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<v Speaker 1>a ghost. If there were a proper rotting animal, it

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<v Speaker 1>wouldn't just go away quickly. It would linger until the

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<v Speaker 1>thing was just disappeared. You know. Yeah, that's concerning. There

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<v Speaker 1>is a cross space. Yes, you might have a dead

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<v Speaker 1>human under their knoll. I think it's possible, or at

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<v Speaker 1>the very least some sort of ghoul. You should call

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<v Speaker 1>up a um ghost hunter, an animal removal person, and

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<v Speaker 1>a mortuary attendant. So I should assemble a crack team

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<v Speaker 1>of of of a ragtag band of yes you know, yeah, Okay,

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<v Speaker 1>I got it, and they should They should all be brothers,

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<v Speaker 1>they should be triplets. I support this, John, I think

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<v Speaker 1>this is a great idea. And then we'll make a

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<v Speaker 1>TV show about it. Let's do it. Count me in

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<v Speaker 1>all right. Now, we're gonna start it off this week

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<v Speaker 1>with a movie Crushers bit, because you know, those Crushers

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<v Speaker 1>got some good stuff going every now and then, like

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<v Speaker 1>meaning every day. And this one comes and asked for

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<v Speaker 1>his permission. He said yes, so you can't sue me

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<v Speaker 1>for the no money that the show makes. But Jonathan

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<v Speaker 1>and I'm gonna do my best here, But Nol. This

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<v Speaker 1>is one of those names that starts out with one, two, three,

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<v Speaker 1>four consonants in a row? What which ones? What are they?

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<v Speaker 1>Which one? I can't even picture this scenario. S z

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<v Speaker 1>c z. That's just a sound. I'm sure Jonathan's having

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<v Speaker 1>fun with this, but I'm just gonna go with Jonathan.

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<v Speaker 1>P uh Zapanski, I'm just canceling out the s s

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<v Speaker 1>in the season, going with the zs only. I bet

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<v Speaker 1>that's right. I think I think it is. There's no

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<v Speaker 1>way it's scissors Zepansky. No, no, I was wrong. I

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<v Speaker 1>was dead wrong. It's a great name, though, Jonathan, I

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<v Speaker 1>love that. Zapansky, Bryant, Brown, boring, Nol. That's what we are. Boring,

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<v Speaker 1>we're at. We shouldn't even exist. Your name has only

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<v Speaker 1>got nearly interesting enough. Too dumb syllables. What's your name?

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<v Speaker 1>You could? You could fart that sound that name out, NOL. Jeez, Chuck,

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<v Speaker 1>you can't fart sharing my legacy here, You can't fart,

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<v Speaker 1>Jonathan P. Sabanski, Well, Charles W. Chuck Bryant's pretty cool.

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<v Speaker 1>It's a lot of syllables there, Yeah, but I just

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<v Speaker 1>that's what we're counting. I guess he did up. I'm

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<v Speaker 1>just chuck. Okay, fair enough, you are just chucked, and

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<v Speaker 1>you can fart that out easily, you can. That's what

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<v Speaker 1>my farts all sound like, is just the chuck chuck, chuck. Alright, nol.

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<v Speaker 1>So this is what Jonathan said, and this is a

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<v Speaker 1>good one. This jumps off. You're prett woman review. He said,

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<v Speaker 1>after listening to many Crush number one thirty five, it

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<v Speaker 1>reminded me how long it took me to quote, forgive

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<v Speaker 1>end quote Jason Alexander for that role. And I couldn't

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<v Speaker 1>separate him from that character in that movie. You know

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<v Speaker 1>that happens a lot. He said. Are there any actors

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<v Speaker 1>that you hold their roles against them? And I think

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<v Speaker 1>we've all been down this road before a hole, And

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<v Speaker 1>I'm gonna go ahead and name one. I have to

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<v Speaker 1>look up his name now because I can't remember. It

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<v Speaker 1>is Tony Goldwin. And this is a movie I didn't

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<v Speaker 1>even like. It's not even one of my favorite movies,

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<v Speaker 1>but the movie Ghost with Demi Moore and Patrick Swayze

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<v Speaker 1>Tony Goldman was the worst. And every time I saw

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<v Speaker 1>that guy in any movie for a long time, I

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<v Speaker 1>was just like, oh, that motherfucker. What else was he in?

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<v Speaker 1>He's been in a bunch of stuff. I mean he

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<v Speaker 1>was He's kind of played the bad guy in a

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<v Speaker 1>couple of things. But you know character actor. He was

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<v Speaker 1>in a movie called Scandal. You know, I know him.

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<v Speaker 1>He's he has kind of the sunken, ghoulish face, which

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<v Speaker 1>I think makes him pretty well suited for for the

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<v Speaker 1>for the battie, Yeah, kiss the girls. You know. That's

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<v Speaker 1>as much as I'll say about that divirgent Pelican brief.

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<v Speaker 1>He's been a lot of stuff, but he's one of

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<v Speaker 1>those guys that every time he turned up for a

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<v Speaker 1>while after that, I just wanted to punch him because

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<v Speaker 1>of what he did. And ghost. Oh, he's in the

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<v Speaker 1>new Lovecraft Country and he plays a ghoulish cult leader. Interview. Yeah,

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<v Speaker 1>I think you should give it a shot. It's interesting

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<v Speaker 1>and Okay, this isn't a spoiler. I'm I'm just gonna

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<v Speaker 1>three to one non spoiler spoiler. It's the sort of

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<v Speaker 1>a secret anthology series like every appod Like you don't

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<v Speaker 1>know that at first, but then you realize, like it's

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<v Speaker 1>a little bit of like a it's Scooby Doo kind

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<v Speaker 1>of Monster of the week and it's cool. I need

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<v Speaker 1>to get back into it. It threw me for a

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<v Speaker 1>loop because I didn't think it was at first. And

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<v Speaker 1>the second episode is just such a climax. It feels

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<v Speaker 1>like a season finale. And I was just like, wait

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<v Speaker 1>what they threw so much at the wall and like,

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<v Speaker 1>I don't understand where this is going. And then I realized, oh,

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<v Speaker 1>that was the culmination of this a story, and then

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<v Speaker 1>there's like a B story and at Centers. Yeah, that's

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<v Speaker 1>on the list. All right. Now we're gonna start it

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<v Speaker 1>off with we're going top down, but I'm gonna get

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<v Speaker 1>through as many as he's as I can. Uh. Monica

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<v Speaker 1>Elizabeth says, not a movie. And I didn't see much

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<v Speaker 1>of this show, as you know. But noel I think

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<v Speaker 1>we can all agree that Jack Gleeson as Jeoffrey Barratian

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<v Speaker 1>will never be able to live that roll down. Well,

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<v Speaker 1>he knows that and he left. He quit acting basically

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<v Speaker 1>because of it. He really Oh my god, ye should

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<v Speaker 1>I feel bad for him? I mean, look, it's the

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<v Speaker 1>role of a lifetime. Maybe he wasn't that into acting

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<v Speaker 1>in the first place. You mean, you could have fooled me.

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<v Speaker 1>He's fucking incredible, but yeah, he's such a little ship.

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<v Speaker 1>Yeah that's tough. Uh. Old pal Andrea do pui. Uh.

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<v Speaker 1>Crease says Denzel in Training Day. That was tough because

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<v Speaker 1>we love Denzel and then to see him it's such

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<v Speaker 1>a monster in movie. You know, that was hard. I

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<v Speaker 1>was mad at him. He's great in that though, I said,

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<v Speaker 1>I'm sure, you know, he's so used to playing like

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<v Speaker 1>the righteous kind of good guy. I'm sure that was

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<v Speaker 1>a lot of fun for her. Oh yeah, I bet

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<v Speaker 1>he had a good time on that. Grant Woody, one

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<v Speaker 1>of her old friends, says, I disliked Joaquin Phoenix for

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<v Speaker 1>interrrationally long time after Gladiator. Yeah he was bad, bad man,

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<v Speaker 1>but good at it. So good? Yeah, very good at it.

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<v Speaker 1>Um Okay, Randy Rodriguez says, my wife and Kevin Bacon,

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<v Speaker 1>she said she was such Uh. She said he was

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<v Speaker 1>such a creep in that movie Whitewater Summer. Uh was

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<v Speaker 1>it Whitewater Summer. I think the River wild maybe what

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<v Speaker 1>he's thinking. Although I haven't seen Whitewater Summer. I thought

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<v Speaker 1>that was sort of a fun movie. River Wilde is

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<v Speaker 1>when he played the creep. Whitewater Summer sounds like a

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<v Speaker 1>lot of fun. Does want to have a movie about

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<v Speaker 1>a water park and all the long lasting friendships you

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<v Speaker 1>made over that one faithful summer. I haven't seen that

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<v Speaker 1>Action Park documentary yet, but that's on the list too.

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<v Speaker 1>I can't wait to see that. If you heard called

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<v Speaker 1>class actions Traction Park was another fun name for that

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<v Speaker 1>park back then. Yeah, because it was all just mega

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<v Speaker 1>unsafe like water slides and rides and people just got

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<v Speaker 1>totally really jacked up there. There was a loop, a

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<v Speaker 1>water slide that went in a full loop. Knoll. Oh,

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<v Speaker 1>that seems like a great idea. There's no way that

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<v Speaker 1>can go wrong. Uh. Sarah Stapleton says I cannot separate

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<v Speaker 1>Lorraine Toussaint from the character she played in Orange is

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<v Speaker 1>the New Black. Every time I see her in something else,

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<v Speaker 1>I just want to scream at all the other characters

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<v Speaker 1>to not trust her. Yeah. I watched Oranges the New

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<v Speaker 1>Black for the first couple of seasons and then we stopped.

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<v Speaker 1>But I liked it. I think it just kind of

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<v Speaker 1>overstate it's welcome in my opinion, kind of like Weeds.

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<v Speaker 1>I never saw Weeds. Yeah, that was like an eighteen

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<v Speaker 1>seasons right, didn't that show go over it? Was a

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<v Speaker 1>lot and just you know, and it was never like

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<v Speaker 1>a great show to begin with. It was just fun.

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<v Speaker 1>And then the character uh whatever, Nancy whatever her name

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<v Speaker 1>is um played by the lovely Sarah Jessica No, uh,

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<v Speaker 1>Jennifer Jason Lee. No, who plays her? You mean the lead? Yeah?

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<v Speaker 1>What's her name? It was Mary Louise Parker. Louise Parker,

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<v Speaker 1>one of those three names gals. Yes, yes, she becomes

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<v Speaker 1>just like the just at first, she's just quirky and

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<v Speaker 1>kind of like, oh, I'm just doing this thing to

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<v Speaker 1>like take care of my family, and then she just

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<v Speaker 1>becomes progressively more and more irresponsible and brings her kids

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<v Speaker 1>into the situation. It's it's like that, but like not

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<v Speaker 1>even the steaks are low because it's just sort of

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<v Speaker 1>a comedy. So it's just you just kind of can't

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<v Speaker 1>stand here because she's just sort of really selfish and

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<v Speaker 1>makes really stupid decisions. Looks like Weeds ran for eight seasons. Uh,

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<v Speaker 1>the great Kevin Nealon, isn't that. Oh Yeah, Yeah, he's great.

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<v Speaker 1>He's funny. He's the best thing about it. He plays

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<v Speaker 1>there like bungling lawyer kind of guy. Yeah, he's good.

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<v Speaker 1>He's like that show um Phyllis Martin Talent says, I've

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<v Speaker 1>heard more than one person say Mary Tyler Moore is

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<v Speaker 1>not a nice person because of her role in Ordinary People.

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<v Speaker 1>He never mind that she was sweet Laurie Petrie or

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<v Speaker 1>Mary Richards for so many years. Yeah, that's true. Ordinary people,

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<v Speaker 1>ordinary people. It's good, it's tough. It's a divorce movie,

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<v Speaker 1>sort of through the lens of the child. Got it

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<v Speaker 1>very hard. Mike Sam's, one of her old friends, says,

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<v Speaker 1>it took me a long time to disassociate Rachel McAdams

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<v Speaker 1>from Regina George. Uh. And I still have issues with

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<v Speaker 1>David Strathern for his role in Dolores Claiborne. Yeah, I

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<v Speaker 1>hear that. Uh. Megan Broyle says, I used to loathe

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<v Speaker 1>you and McGregor, but I have no idea why. Okay,

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<v Speaker 1>that's a different kind of answer. Did you see uh

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<v Speaker 1>of Pray or whatever it was called, the Harley Quinn

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<v Speaker 1>movie Not Interested? Well, you and McGregor is in and

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<v Speaker 1>he plays like a battye and it's fun because he

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<v Speaker 1>doesn't get to do that very often. And uh, yeah,

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<v Speaker 1>I enjoyed it all right. Amy Roberts says, James Spader

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<v Speaker 1>will always be Steph and pretty and pink, and as

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<v Speaker 1>an office fan, it was really hard for me to

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<v Speaker 1>like him. Yeah, pretty and pink. He was not a

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<v Speaker 1>good guy in that. Uh let me see here. John

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<v Speaker 1>Stockton says Steve Carrell because of Michael Scott, Jake gillen Hall,

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<v Speaker 1>because of how he was portrayed an entourage, Jake Jillen Hall.

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<v Speaker 1>Did he play himself? Was he like one of those

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<v Speaker 1>like over the top versions of himself? I don't. I

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<v Speaker 1>don't recall him being an entourage. I don't know, man,

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<v Speaker 1>I don't think so someone's gonna have to clear that

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<v Speaker 1>up for me. Stockton, Come on, Stockton, let me know

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<v Speaker 1>what's up. Uh, let me see here. Batia Randy says

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<v Speaker 1>Brad Pitt and thumb On Louise Yeah, I was on

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<v Speaker 1>a nice thing he did. Nicole Curly says, I'm still

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<v Speaker 1>kind of afraid of Anthony Hopkins. I don't know if

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<v Speaker 1>I'll ever be able to separate him from Hannibal Lector.

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<v Speaker 1>That is true. Christine Taylor is Marsha Brady. That's from

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<v Speaker 1>Keith Edward. She looks so much like Marsha Brady. It

0:12:16.760 --> 0:12:18.880
<v Speaker 1>was just hard to not think she was Marsha Brady,

0:12:19.559 --> 0:12:22.960
<v Speaker 1>great casting, perfect casting. Were you a Brady Bunch guy?

0:12:23.040 --> 0:12:24.960
<v Speaker 1>Did it? Was that like important to you growing up?

0:12:25.120 --> 0:12:27.400
<v Speaker 1>Not that you were, that would have been before your time,

0:12:27.400 --> 0:12:30.080
<v Speaker 1>but reruns I'm sure right, No, old Brady Bunch was

0:12:30.160 --> 0:12:33.640
<v Speaker 1>very important to me. Yes, yeah, yeah, I watched that

0:12:33.720 --> 0:12:36.559
<v Speaker 1>movie religiously in reruns. It was part of this like

0:12:37.080 --> 0:12:39.680
<v Speaker 1>group of shows that was before my time but played

0:12:40.120 --> 0:12:45.320
<v Speaker 1>forever on like WTBS and stuff like I was watching

0:12:45.480 --> 0:12:48.960
<v Speaker 1>Green Acres and Petticoat Junction and like all these old

0:12:48.960 --> 0:12:52.520
<v Speaker 1>black and white Gilligan's Island Dude Doobe gillis Man, Mr.

0:12:52.880 --> 0:12:54.760
<v Speaker 1>I watched all that ship on Nick at Night Like

0:12:54.840 --> 0:12:57.400
<v Speaker 1>that was huge for me. Yeah, pre Nick at Night.

0:12:57.440 --> 0:13:01.079
<v Speaker 1>It was just on the superstation. Uh Lynn Carlson one

0:13:01.080 --> 0:13:03.920
<v Speaker 1>of our oldest friends, he says Christian Bale. Because of

0:13:03.960 --> 0:13:07.120
<v Speaker 1>American Psycho. He played the role of sleazy Wall Street

0:13:07.200 --> 0:13:13.920
<v Speaker 1>upper class douche too. Well, it's very good. Dermott Kennif

0:13:14.160 --> 0:13:18.040
<v Speaker 1>says Jude Law because of quite a few asshole roles,

0:13:18.080 --> 0:13:22.400
<v Speaker 1>but mostly because of Wild. I don't think I saw that, No,

0:13:22.480 --> 0:13:25.840
<v Speaker 1>I'd neither. Is that the Oscar Wild movie? Maybe he

0:13:25.880 --> 0:13:28.000
<v Speaker 1>did not play is spelled with an E on the end.

0:13:28.080 --> 0:13:31.560
<v Speaker 1>It is indeed, nol, Then that's what it's gotta be.

0:13:31.559 --> 0:13:34.440
<v Speaker 1>Ben Master says Glenn Close from World. According to Garb,

0:13:34.520 --> 0:13:36.880
<v Speaker 1>her character, her character was so off putting it took

0:13:36.920 --> 0:13:39.520
<v Speaker 1>me a long time to come to appreciate her other performances.

0:13:40.520 --> 0:13:42.600
<v Speaker 1>I feel bad for these people. Sometimes they're so good

0:13:42.600 --> 0:13:45.360
<v Speaker 1>in something and being bad that people dislike them in

0:13:45.400 --> 0:13:50.559
<v Speaker 1>real life. You know, they're acting. Yeah, it's interesting. I mean,

0:13:50.880 --> 0:13:53.240
<v Speaker 1>you know, it's it's like, here's a good example, like

0:13:53.280 --> 0:13:56.040
<v Speaker 1>that kid from the Harry Potter movies, that shitty little

0:13:56.080 --> 0:13:59.720
<v Speaker 1>blonde kid. Don't he plays, you know, Malfoy or whatever.

0:14:00.000 --> 0:14:02.240
<v Speaker 1>Have no idea like yeah, exactly, Well I thought you

0:14:02.240 --> 0:14:06.880
<v Speaker 1>were a huge Harry Potter. Stand I'm gonna read those

0:14:06.880 --> 0:14:09.000
<v Speaker 1>one day, nol. You know everyone's saying Ruby's gonna get

0:14:09.000 --> 0:14:10.719
<v Speaker 1>to an age where I can't avoid it. So I'm

0:14:10.720 --> 0:14:15.080
<v Speaker 1>just waiting on that day with abated breath. Even just

0:14:15.160 --> 0:14:19.320
<v Speaker 1>blasted right past that period. She has zero interests, all anime,

0:14:19.480 --> 0:14:21.680
<v Speaker 1>all the time. That's her thing. Well, maybe that'll happen

0:14:21.720 --> 0:14:25.480
<v Speaker 1>for me. Jamie Irman says, Jason Patrick and your friends

0:14:25.480 --> 0:14:28.040
<v Speaker 1>and neighbors, Oh yeah, dude is creepy and always tends

0:14:28.080 --> 0:14:31.120
<v Speaker 1>to have the creepy roles. Yeah, that was He was

0:14:31.200 --> 0:14:34.880
<v Speaker 1>such a fucking asshole in that movie champ Razado. One

0:14:34.880 --> 0:14:37.200
<v Speaker 1>of orl Pau says, j K. Simmons is a great actor,

0:14:37.840 --> 0:14:39.600
<v Speaker 1>but it took a lot of roles before I was

0:14:39.640 --> 0:14:43.200
<v Speaker 1>able to not see him as Schillinger. What is that

0:14:43.280 --> 0:14:50.080
<v Speaker 1>from Schillinger? Chilling? That's the joke. Yeah, he he always

0:14:50.120 --> 0:14:53.160
<v Speaker 1>everyone always pronounces it Schillinger and he always corrects them

0:14:53.200 --> 0:14:56.320
<v Speaker 1>chilling her. But yeah, he is. He's this neo Nazi

0:14:56.680 --> 0:14:59.680
<v Speaker 1>uh like leader who's been locked up and has control

0:14:59.720 --> 0:15:05.400
<v Speaker 1>over all these uh insane you know, racist white supremacists

0:15:05.400 --> 0:15:07.840
<v Speaker 1>in the prison, and he goes to war with this

0:15:07.920 --> 0:15:11.880
<v Speaker 1>one character and like has his does horrible things to

0:15:11.960 --> 0:15:14.760
<v Speaker 1>his family outside of the prison, and like, you know,

0:15:15.120 --> 0:15:17.800
<v Speaker 1>it's it's just yeah, he is a That is one

0:15:17.840 --> 0:15:22.200
<v Speaker 1>of the most um what's the word just despicable characters

0:15:22.200 --> 0:15:24.560
<v Speaker 1>in all of television, I would say, which is interesting

0:15:24.560 --> 0:15:26.960
<v Speaker 1>because j K. Simmons is generally I think plays a

0:15:26.960 --> 0:15:30.800
<v Speaker 1>pretty good dude. Although he didn't in Whip Flash either.

0:15:30.840 --> 0:15:32.720
<v Speaker 1>He was pretty tough in that one. Did you like

0:15:32.800 --> 0:15:35.760
<v Speaker 1>that movie? I fucking loved Whip Flash. Someone told me

0:15:35.800 --> 0:15:37.960
<v Speaker 1>the other day that they hated it, and I was

0:15:38.000 --> 0:15:40.520
<v Speaker 1>really confused. It was it was kind of a film

0:15:40.560 --> 0:15:44.880
<v Speaker 1>snob person, so they may have had their issues, but

0:15:45.080 --> 0:15:46.640
<v Speaker 1>I haven't seen it. Isn't that the guy that did

0:15:46.760 --> 0:15:51.840
<v Speaker 1>um La La Land was not the same. Yeah, I

0:15:51.840 --> 0:15:54.880
<v Speaker 1>think so Chazelle was. Yeah. I think it was like

0:15:54.920 --> 0:15:59.400
<v Speaker 1>his first big oscar bait. It was Damien Giselle. I

0:15:59.440 --> 0:16:02.320
<v Speaker 1>really thought Whiplash was great, like I got it, really

0:16:02.880 --> 0:16:04.600
<v Speaker 1>loved it. Oh you did not see Whip Player. I

0:16:04.720 --> 0:16:06.680
<v Speaker 1>I haven't seene Whiplash now, Oh you should. It's right

0:16:06.720 --> 0:16:08.720
<v Speaker 1>up pure alley as a music A Yeah, I've seen

0:16:08.760 --> 0:16:11.040
<v Speaker 1>some clips like there's just leewards like his hands were

0:16:11.040 --> 0:16:13.040
<v Speaker 1>bleeding or whatever because he's like playing the drums so

0:16:13.080 --> 0:16:16.360
<v Speaker 1>hard or whatever. Drummond so hard, so hard, so hard.

0:16:16.600 --> 0:16:20.240
<v Speaker 1>All Right, We're gonna finish with Earl pal. Austin Debski

0:16:20.640 --> 0:16:22.800
<v Speaker 1>says Wayne Knight in Jurassic Park, he will always be

0:16:22.840 --> 0:16:26.320
<v Speaker 1>Dennis Nedder to me. It's true. He's he's he's newman.

0:16:27.400 --> 0:16:28.960
<v Speaker 1>But it's funny you say that shucks to him. I

0:16:29.000 --> 0:16:33.600
<v Speaker 1>saw Jurassic Park before I ever saw Seinfeld. So he

0:16:33.680 --> 0:16:36.040
<v Speaker 1>was neddury to me as well, even once I knew

0:16:36.080 --> 0:16:37.720
<v Speaker 1>him as Newman. But now over time I think of

0:16:37.800 --> 0:16:41.640
<v Speaker 1>him as Newman. Yeah, and not Neger. No, they're close

0:16:41.920 --> 0:16:54.840
<v Speaker 1>Newman Nidri, It's true. All right, Now we're gonna finish up, well,

0:16:54.840 --> 0:16:56.680
<v Speaker 1>why don't you announce what we're gonna finish up with?

0:16:57.160 --> 0:17:00.880
<v Speaker 1>Oh boy, we're gonna finish up with a little edition

0:17:01.160 --> 0:17:09.960
<v Speaker 1>of Trucks. Hey. Nice work. Okay, Yes, I worked really

0:17:09.960 --> 0:17:12.400
<v Speaker 1>hard on this list, Chuck. I would. I didn't want

0:17:12.400 --> 0:17:14.440
<v Speaker 1>it to be too I didn't want to like totally

0:17:14.520 --> 0:17:17.800
<v Speaker 1>humiliate you. Um. I also, you know, didn't want to

0:17:17.840 --> 0:17:20.800
<v Speaker 1>like insult your intelligence. So it was like a kind

0:17:20.840 --> 0:17:23.439
<v Speaker 1>of a delicate balance. And that's why I sent it

0:17:23.480 --> 0:17:28.040
<v Speaker 1>to Casey. Um vetted it, vetted for me a little bit.

0:17:28.119 --> 0:17:32.679
<v Speaker 1>And uh, I stand by this list. Um, this is

0:17:33.520 --> 0:17:39.640
<v Speaker 1>Chuck's holes weirdo foreign art house a dish. Oh Jesus,

0:17:39.880 --> 0:17:42.600
<v Speaker 1>all right, No, do you have the technology to keep score?

0:17:43.400 --> 0:17:45.920
<v Speaker 1>Meaning a pencil and a piece of paper? If by

0:17:46.000 --> 0:17:50.240
<v Speaker 1>technology you mean yes, I will absolutely uh keep score.

0:17:50.320 --> 0:17:53.560
<v Speaker 1>Do you need uh a few hours to figure out

0:17:53.920 --> 0:17:57.200
<v Speaker 1>I need? I need some grid paper and a compass

0:17:57.320 --> 0:18:02.399
<v Speaker 1>and uh t square pretty yeah, yeah, actually you know

0:18:02.440 --> 0:18:04.960
<v Speaker 1>what I got? I need my notepad open and then

0:18:04.960 --> 0:18:07.480
<v Speaker 1>I need something analog to write with. I wish everyone

0:18:07.520 --> 0:18:09.440
<v Speaker 1>could see this and all was just so flustered, you guys.

0:18:09.480 --> 0:18:12.920
<v Speaker 1>Anytime score keeping is happening just sends him into it dizzy.

0:18:13.480 --> 0:18:15.960
<v Speaker 1>I'm I'm more flustered than I don't have a pencil

0:18:16.119 --> 0:18:18.439
<v Speaker 1>right at arm's reach. Give me one second, sure, and

0:18:18.480 --> 0:18:21.119
<v Speaker 1>you know what, No, while you're off doing that, I

0:18:21.200 --> 0:18:25.439
<v Speaker 1>want to give my book a plug. The Stuff you

0:18:25.440 --> 0:18:29.760
<v Speaker 1>Should Know Book, Stuff you Should Know, colon and incomplete

0:18:29.760 --> 0:18:34.639
<v Speaker 1>compendium of mostly interesting things you guys, Between you and me,

0:18:35.440 --> 0:18:37.280
<v Speaker 1>the book isn't selling as well as they would like,

0:18:37.520 --> 0:18:41.520
<v Speaker 1>and uh we really needed to sell better. So if

0:18:41.560 --> 0:18:44.160
<v Speaker 1>you have it in your heart after all this great

0:18:44.160 --> 0:18:46.760
<v Speaker 1>free content over the years, to jump in in pre order,

0:18:46.800 --> 0:18:49.960
<v Speaker 1>it would mean a lot. Really, trust me, it would

0:18:50.000 --> 0:18:52.760
<v Speaker 1>mean a big deal because we need to sell books

0:18:52.920 --> 0:18:54.480
<v Speaker 1>and we are not selling books. And I know it's

0:18:54.480 --> 0:18:56.680
<v Speaker 1>a tough time. But if you can manage to do so,

0:18:57.119 --> 0:18:59.840
<v Speaker 1>pre order the book. Support black owned bookstores by going

0:18:59.880 --> 0:19:03.280
<v Speaker 1>to you bit dot lee slash s y s k

0:19:03.400 --> 0:19:06.560
<v Speaker 1>b l M. The very least support indie bookstores by

0:19:06.560 --> 0:19:09.240
<v Speaker 1>going to indie bound dot org and pre ordering the stuff.

0:19:09.240 --> 0:19:12.679
<v Speaker 1>You should know book nol was back and I've pre

0:19:12.800 --> 0:19:16.040
<v Speaker 1>ordered mine. Did you really? Yeah, of course I appreciate

0:19:16.080 --> 0:19:19.080
<v Speaker 1>that I should actually buy one two that would help,

0:19:20.720 --> 0:19:24.520
<v Speaker 1>every every little bit help. So yeah, look at this.

0:19:24.560 --> 0:19:26.560
<v Speaker 1>Look at this cool little I got a little little

0:19:26.560 --> 0:19:29.240
<v Speaker 1>diary with it's even got it's from Moogie. You ever

0:19:29.240 --> 0:19:31.879
<v Speaker 1>been to Moogie, New York. It's like it's sort of

0:19:31.920 --> 0:19:35.720
<v Speaker 1>like Japanese Ikea. They still stationary and cool, like stuff

0:19:35.760 --> 0:19:38.560
<v Speaker 1>for the home and you know, duvet covers and ship.

0:19:38.600 --> 0:19:40.879
<v Speaker 1>But it's a really fun little store. So I have

0:19:41.000 --> 0:19:44.760
<v Speaker 1>my Moogie notepad and a pen that I've confirmed works.

0:19:45.680 --> 0:19:49.160
<v Speaker 1>And actually it's appropriate that I'm using this Moogie notepad

0:19:49.200 --> 0:19:52.280
<v Speaker 1>because a lot of Asian cinema represents it. In my

0:19:52.359 --> 0:19:55.399
<v Speaker 1>last here and chuck, but not so much that it's egregious.

0:19:55.400 --> 0:19:58.280
<v Speaker 1>I tried to split it up. Um are you ready, sir?

0:19:58.640 --> 0:20:04.440
<v Speaker 1>This episode brought to you by Mouji, by Mougie. Yeah, dude,

0:20:04.480 --> 0:20:06.760
<v Speaker 1>to send us like once some of those cute little

0:20:06.760 --> 0:20:09.760
<v Speaker 1>toothbrush holders or when they have It's it's a fun store.

0:20:10.359 --> 0:20:14.080
<v Speaker 1>I always enjoyed going in there. Yeah, all right, I'm

0:20:14.080 --> 0:20:19.800
<v Speaker 1>ready nol okayes in the category of it's a Chuck's holes,

0:20:19.920 --> 0:20:23.760
<v Speaker 1>weirdo foreign art house, a dish, and I try to

0:20:23.880 --> 0:20:27.280
<v Speaker 1>keep it pretty weirdo and not just like asembled I'm

0:20:27.320 --> 0:20:29.640
<v Speaker 1>gonna get killed now. I I think there's something here

0:20:29.640 --> 0:20:32.280
<v Speaker 1>that No. Look, let's just okay. So we'll start off

0:20:32.280 --> 0:20:36.480
<v Speaker 1>with a little movie called The Holy Mountain. I have

0:20:36.640 --> 0:20:39.880
<v Speaker 1>not seen Holy Mountain. You're familiar with Holy Mountain. Yeah,

0:20:39.960 --> 0:20:42.440
<v Speaker 1>I haven't seen it. It's yeah, it's great, it's uh,

0:20:42.480 --> 0:20:45.000
<v Speaker 1>it's it's one of the weirdest what's that director's name,

0:20:45.000 --> 0:20:48.640
<v Speaker 1>He did El Topo and and all that stuff. Hang

0:20:48.680 --> 0:20:52.520
<v Speaker 1>on me. Some people can look him up him do Yeah,

0:20:52.600 --> 0:20:55.680
<v Speaker 1>Holy Mountains on the list. I've heard. It's quite a film. Yeah,

0:20:55.760 --> 0:20:58.240
<v Speaker 1>it's from the seventies and you sent me three. It's

0:20:58.359 --> 0:21:01.239
<v Speaker 1>categorized as a fantasy drama, but it's really just like

0:21:01.280 --> 0:21:05.000
<v Speaker 1>a like a cinematic performance art piece. It's and then

0:21:05.160 --> 0:21:13.760
<v Speaker 1>beautifully shot. The director is um Alejandro Jodorowski, who famously

0:21:13.800 --> 0:21:17.000
<v Speaker 1>had a version of Doune that he did with the

0:21:17.080 --> 0:21:19.679
<v Speaker 1>artist Mobius that was like gonna be made, but then

0:21:19.720 --> 0:21:22.400
<v Speaker 1>it didn't. Happen. And there's actually a documentary called Jodorowski's

0:21:22.440 --> 0:21:25.639
<v Speaker 1>Dune that's very good. Okay, I uh, my friend, by

0:21:25.640 --> 0:21:28.120
<v Speaker 1>the way, I have that DVD because my very good

0:21:28.119 --> 0:21:32.760
<v Speaker 1>friend Ryan McNeil sent me the Holy Mountain DVD. So

0:21:32.840 --> 0:21:34.560
<v Speaker 1>you have this. You just haven't watched it. I just

0:21:34.560 --> 0:21:37.280
<v Speaker 1>haven't watched it yet. Okay, Well I don't. You almost

0:21:37.280 --> 0:21:39.120
<v Speaker 1>should get have a point for owning it, but never

0:21:39.560 --> 0:21:43.960
<v Speaker 1>right now, okay. Uh. The next one is a very

0:21:44.000 --> 0:21:50.000
<v Speaker 1>popular Japanese surrealist film called How Su or a k

0:21:50.200 --> 0:21:54.400
<v Speaker 1>A House. Yes, I did see that, actually, uh huh, yeah,

0:21:54.480 --> 0:21:57.120
<v Speaker 1>it's what were your impressions of How Sue? Well, it's

0:21:57.119 --> 0:22:00.600
<v Speaker 1>been a long time, but I do remember seeing that

0:22:00.640 --> 0:22:03.600
<v Speaker 1>movie back in the day. It's written it's almost like

0:22:03.640 --> 0:22:06.080
<v Speaker 1>a child wrote it or something, and if I'm not mistaken,

0:22:06.119 --> 0:22:09.000
<v Speaker 1>it was the director of the creators. Children sort of

0:22:09.080 --> 0:22:11.840
<v Speaker 1>pieced together like this narrative of a dream they had

0:22:11.880 --> 0:22:14.080
<v Speaker 1>and that was the kind of fodder for like the

0:22:14.119 --> 0:22:16.439
<v Speaker 1>script or it may have even been more direct than that,

0:22:16.440 --> 0:22:18.760
<v Speaker 1>where they actually wrote some of it. But it's like

0:22:18.800 --> 0:22:20.359
<v Speaker 1>you think it's going to be a horror movie, and

0:22:20.400 --> 0:22:22.920
<v Speaker 1>it kind of is, but it's really just a weirdest

0:22:22.920 --> 0:22:27.760
<v Speaker 1>surrealist kind of fantasy comedy ROMP. Very very interesting movie. Okay,

0:22:27.800 --> 0:22:29.680
<v Speaker 1>so you've seen how so we've gotta we gotta check

0:22:29.920 --> 0:22:32.919
<v Speaker 1>for house in the in the left column. How do

0:22:32.920 --> 0:22:37.880
<v Speaker 1>you spell that? H A U s U. Yeah, I'm

0:22:37.920 --> 0:22:41.760
<v Speaker 1>I'm looking now, just to uh the images iconic. It's

0:22:41.760 --> 0:22:45.040
<v Speaker 1>like a cat like kind of like a crazy orange cat.

0:22:45.480 --> 0:22:47.280
<v Speaker 1>I saw that when I in college, when I worked

0:22:47.280 --> 0:22:49.359
<v Speaker 1>at that video store, when we got watching more weird

0:22:49.359 --> 0:22:53.119
<v Speaker 1>stuff like that. Some of these might be from those days. Um, Okay,

0:22:53.119 --> 0:22:55.160
<v Speaker 1>this next one, it's a little bit of a this

0:22:55.240 --> 0:22:58.320
<v Speaker 1>is a low blow, but um. It's even this director

0:22:58.359 --> 0:23:00.760
<v Speaker 1>who's very prolific and you've seen some of his films,

0:23:00.800 --> 0:23:02.440
<v Speaker 1>I know, but this one is someone that people don't

0:23:02.600 --> 0:23:05.440
<v Speaker 1>often talk about. But it's called The Happiness of the

0:23:05.520 --> 0:23:09.320
<v Speaker 1>Kata kuris never heard of it. It is from the

0:23:09.359 --> 0:23:12.440
<v Speaker 1>director of Audition, which I know you've seen and are

0:23:12.560 --> 0:23:15.800
<v Speaker 1>a fan of. But it's like a musical that is

0:23:15.800 --> 0:23:19.040
<v Speaker 1>somewhere between Bollywood and like the sound of music, but

0:23:19.080 --> 0:23:21.719
<v Speaker 1>it's all based around these murderers that keep happening in

0:23:21.760 --> 0:23:26.400
<v Speaker 1>this like mountain inn that this family opens. Um and

0:23:26.440 --> 0:23:28.200
<v Speaker 1>there's like supposed to be a highway that's going to

0:23:28.240 --> 0:23:31.760
<v Speaker 1>be built. But it has claymation at times. Uh, it

0:23:31.840 --> 0:23:36.399
<v Speaker 1>has hardcore violence and it also has songs and uh

0:23:36.520 --> 0:23:41.200
<v Speaker 1>it's a beautiful, surreal little little movie. All right, okay,

0:23:42.040 --> 0:23:49.520
<v Speaker 1>all right. Um. Next we have the movie Fantastic Planet. No, no,

0:23:49.640 --> 0:23:53.280
<v Speaker 1>you've clearly designed this list to skunk me and and

0:23:53.320 --> 0:23:56.040
<v Speaker 1>I will remember just say just keep moving. I don't

0:23:56.080 --> 0:23:58.119
<v Speaker 1>I don't know that movie. Never heard of it. It's this,

0:23:58.240 --> 0:24:01.040
<v Speaker 1>it's the sixties animated movie. It's like kind of like

0:24:01.080 --> 0:24:05.640
<v Speaker 1>alien creatures. It's it's it's it's pretty popular. Um okay. Uh.

0:24:05.760 --> 0:24:09.960
<v Speaker 1>Next we have eight and a half. Yes, I did

0:24:09.960 --> 0:24:14.320
<v Speaker 1>see that, the Fellini Filtain. I think that that qualifies

0:24:14.440 --> 0:24:19.240
<v Speaker 1>as a weirdo art house or an art house. All right, um.

0:24:19.359 --> 0:24:26.200
<v Speaker 1>Next we have a movie called Tetsuo the Iron Man. Yes,

0:24:26.320 --> 0:24:30.159
<v Speaker 1>I did see that same college years. Uh. That movie

0:24:30.240 --> 0:24:35.520
<v Speaker 1>was fucked up. Yeah. It's like all black and white,

0:24:35.680 --> 0:24:40.400
<v Speaker 1>like crazy body horror metamorphosis into this like weird monster

0:24:40.560 --> 0:24:43.080
<v Speaker 1>with this dude who was like a businessman and he

0:24:43.200 --> 0:24:47.200
<v Speaker 1>becomes this like aberration with tubes coming out of his body.

0:24:47.800 --> 0:24:50.440
<v Speaker 1>But it's it's it doesn't have a plot exactly. It's

0:24:50.440 --> 0:24:53.600
<v Speaker 1>it's almost like a weird nine inch Nails video or something. Yeah,

0:24:53.720 --> 0:24:57.560
<v Speaker 1>the Brothers Quay come to mind very much. So okay,

0:24:57.880 --> 0:25:02.760
<v Speaker 1>that's a good segue there. Next is a movie, one

0:25:02.760 --> 0:25:04.679
<v Speaker 1>of the only there's a few, but one of the

0:25:04.720 --> 0:25:09.399
<v Speaker 1>few full feature link movies from a an animator and artist,

0:25:09.560 --> 0:25:13.560
<v Speaker 1>very in line with the Brothers Quay. Uh named um

0:25:13.600 --> 0:25:18.040
<v Speaker 1>oh gosh, why am I forgetting his names? I did?

0:25:18.160 --> 0:25:21.920
<v Speaker 1>I did the set up so well Brown, Oh stop,

0:25:21.960 --> 0:25:26.240
<v Speaker 1>it's it's uh he's uh, he's he's he's Scandinaviy and

0:25:26.280 --> 0:25:28.400
<v Speaker 1>he he did him. His name is Jan svenk Meyer

0:25:29.000 --> 0:25:31.720
<v Speaker 1>is his name. And the movie is called Alice and

0:25:31.800 --> 0:25:34.880
<v Speaker 1>it's like Alice in Wonderland, but with like stop motion

0:25:35.320 --> 0:25:41.320
<v Speaker 1>kind of weirdness. Um no, definitely, now it's good. I'd recommend.

0:25:41.640 --> 0:25:44.600
<v Speaker 1>There's a lot of like taxidermy little critters in it

0:25:44.680 --> 0:25:49.840
<v Speaker 1>that he animates. It's it's very surreal. Okay, how about

0:25:50.119 --> 0:25:54.359
<v Speaker 1>Holy Motors. Have not seen that one yet, that's on

0:25:54.400 --> 0:25:58.800
<v Speaker 1>the list. That was the Justin McElroy that was on

0:25:58.880 --> 0:26:01.520
<v Speaker 1>his list to cover, but we ended up doing the

0:26:01.560 --> 0:26:05.320
<v Speaker 1>other movie instead. But Motor is cool. I've only seen

0:26:05.320 --> 0:26:06.800
<v Speaker 1>it once. Sinces been a while. I'd like to see

0:26:06.840 --> 0:26:08.960
<v Speaker 1>it again, but i'd really be I think you would

0:26:08.960 --> 0:26:10.600
<v Speaker 1>dig it. It would really be interested to hear your

0:26:10.640 --> 0:26:15.160
<v Speaker 1>take on that. Um okay, moving on. We have the

0:26:15.200 --> 0:26:19.840
<v Speaker 1>Saddest Music in the world. Never heard of it. It's

0:26:19.840 --> 0:26:23.000
<v Speaker 1>a Canadian movie with Isabella Roussellini in it, and um,

0:26:23.920 --> 0:26:27.640
<v Speaker 1>it's saddest, can't It's not super old. It came out

0:26:27.720 --> 0:26:30.960
<v Speaker 1>maybe in like the early two thousands, and it's about

0:26:31.000 --> 0:26:35.680
<v Speaker 1>this competition, um to create the saddest music in the world.

0:26:37.040 --> 0:26:41.240
<v Speaker 1>And there's a part where, like her characters leg is

0:26:41.320 --> 0:26:45.400
<v Speaker 1>made out of a giant glass like beer. It's full

0:26:45.400 --> 0:26:48.440
<v Speaker 1>of beer. Like she's got like this false leg that's

0:26:48.480 --> 0:26:51.520
<v Speaker 1>full of beer. It's very very strange. Who else is in?

0:26:51.560 --> 0:26:53.920
<v Speaker 1>His name is Guy Madden? And I believe he did

0:26:53.960 --> 0:26:58.959
<v Speaker 1>The Cook, the Thief, the Wife? Oh sure, maybe that

0:26:59.000 --> 0:27:02.159
<v Speaker 1>movie did he do? That? Was that was Peter No? No,

0:27:02.280 --> 0:27:04.800
<v Speaker 1>that was Peter Greenaway. You're absolutely right, but I I

0:27:04.880 --> 0:27:06.919
<v Speaker 1>kind of connect them for some reason. He did a

0:27:06.920 --> 0:27:09.640
<v Speaker 1>movie called The Forbidden Room. What else did he do

0:27:09.720 --> 0:27:14.000
<v Speaker 1>that was really well known? Sounds familiar? He sure does.

0:27:14.320 --> 0:27:17.440
<v Speaker 1>And it's been a minute since I've seen this. I'm

0:27:17.440 --> 0:27:22.280
<v Speaker 1>trying to see what else he did. Okay, he's got

0:27:22.359 --> 0:27:26.639
<v Speaker 1>a lot of like like shorts and stuff. Um anyway, okay,

0:27:26.640 --> 0:27:29.840
<v Speaker 1>moving on. I'm sorry, Chuck, I didn't mean just I

0:27:29.880 --> 0:27:33.520
<v Speaker 1>didn't mean to Okay, this is not my genre, but

0:27:33.760 --> 0:27:36.360
<v Speaker 1>uh yeah, let's let's march on. Okay, al right, here

0:27:36.400 --> 0:27:40.560
<v Speaker 1>we go. How about the Science of Sleep? Oh sure, yeah, yeah,

0:27:40.800 --> 0:27:44.080
<v Speaker 1>that's the one of the lesser one of the lesser

0:27:44.240 --> 0:27:48.439
<v Speaker 1>known I think, Uh, what's Michelle Gondry films? Yes, but

0:27:48.480 --> 0:27:51.160
<v Speaker 1>a movie people have heard of, so I do appreciate that, Yeah,

0:27:51.200 --> 0:27:52.639
<v Speaker 1>for sure. And it's you know, and it had a

0:27:52.840 --> 0:27:55.920
<v Speaker 1>good theatrical run. Most of these have. Um, okay, here

0:27:55.920 --> 0:28:01.720
<v Speaker 1>we go. How about Suspiria? Yes, yeah, the original, the original. Yeah,

0:28:01.800 --> 0:28:04.760
<v Speaker 1>I covered that on this very show. Oh whose movie

0:28:04.840 --> 0:28:08.280
<v Speaker 1>was that? Joe Garden came back on for a second appearance,

0:28:08.359 --> 0:28:10.880
<v Speaker 1>or maybe that was his first appearance. Uh to do

0:28:11.200 --> 0:28:13.439
<v Speaker 1>Uh you know, Joe comes on in October to do

0:28:13.520 --> 0:28:17.840
<v Speaker 1>scary movies because he is a It was our Gento's

0:28:17.840 --> 0:28:21.040
<v Speaker 1>birthday a couple of days ago. Actually, Um, that's a

0:28:21.160 --> 0:28:23.439
<v Speaker 1>that's a really special movie. It's interesting because it's like

0:28:23.680 --> 0:28:26.240
<v Speaker 1>a lot of his movies are very cheesy, and this

0:28:26.280 --> 0:28:31.240
<v Speaker 1>one it succeeds despite sort of the canned the campiness

0:28:31.280 --> 0:28:34.919
<v Speaker 1>of the acting. It's just a really beautifully shot designed movie.

0:28:34.960 --> 0:28:38.720
<v Speaker 1>Are on our score and our number? Five? And how

0:28:38.720 --> 0:28:42.800
<v Speaker 1>many have we? Where are we on the let's we've

0:28:42.880 --> 0:28:45.840
<v Speaker 1>done one? Three? Sorry I went out of order a

0:28:45.880 --> 0:28:56.360
<v Speaker 1>little bit, one to three, four, five, six, seven, eight ships.

0:28:56.520 --> 0:28:59.880
<v Speaker 1>I should have gone in order I needed. How do

0:28:59.920 --> 0:29:02.320
<v Speaker 1>you across these? So you're clearly not You don't have

0:29:02.320 --> 0:29:05.360
<v Speaker 1>a no column. You just have a yes column. Right,

0:29:06.280 --> 0:29:08.640
<v Speaker 1>you have a scenic column and not a not. Yeah. O, yeah,

0:29:08.720 --> 0:29:11.840
<v Speaker 1>you're right. Fuck. I did screw it up, didn't I?

0:29:12.000 --> 0:29:13.960
<v Speaker 1>This is great. You put me on the spot with

0:29:14.000 --> 0:29:18.240
<v Speaker 1>the scoring stuff. Chuck, this isn't my well we we

0:29:18.240 --> 0:29:22.360
<v Speaker 1>we we we got this, okay, Um, we're getting close. Uh. Next,

0:29:22.440 --> 0:29:26.800
<v Speaker 1>we have a very uh well known and respected animated

0:29:26.960 --> 0:29:33.840
<v Speaker 1>Japanese anime film, uh called Akira. I never saw a Kira, Chuck,

0:29:33.880 --> 0:29:36.720
<v Speaker 1>you gotta see a Kira. I haven't seen any anime

0:29:36.880 --> 0:29:40.080
<v Speaker 1>really really, Yeah, there's something you know. There's the thing

0:29:40.120 --> 0:29:42.040
<v Speaker 1>about anime like it's it can be so niche and

0:29:42.080 --> 0:29:45.040
<v Speaker 1>so like some of it's really a little twee and

0:29:45.120 --> 0:29:47.320
<v Speaker 1>kind of like you know, over the over the top

0:29:47.360 --> 0:29:49.960
<v Speaker 1>and sort of silly, and you know there's huge fandoms

0:29:50.000 --> 0:29:51.760
<v Speaker 1>surrounding it, but there's a there's a handful that are

0:29:51.760 --> 0:29:54.760
<v Speaker 1>just classics, like all the Miyazaki pictures, which are all

0:29:54.760 --> 0:29:57.760
<v Speaker 1>on HBO Max. Now, by the way, would really recommend

0:29:57.760 --> 0:29:59.760
<v Speaker 1>watching some of those with Ruby, even as one called

0:29:59.800 --> 0:30:02.520
<v Speaker 1>p you know, sort of a retelling of the Little Mermaid,

0:30:02.720 --> 0:30:06.280
<v Speaker 1>and it's just that one really great. But Akira is

0:30:06.360 --> 0:30:09.880
<v Speaker 1>like when people talk about cyberpunk, you know, like that

0:30:10.000 --> 0:30:12.680
<v Speaker 1>is a Kira. It along with I would say Ridley

0:30:12.720 --> 0:30:16.080
<v Speaker 1>Scott and Blade Runner kind of established the whole vibe

0:30:16.160 --> 0:30:21.480
<v Speaker 1>of like that cyberpunk neo Tokyo kind of situation. You know. Um,

0:30:21.520 --> 0:30:25.600
<v Speaker 1>really important movie for for that kind of style. Um, okay, cool,

0:30:25.760 --> 0:30:29.560
<v Speaker 1>we're getting close. Um we've got okay, how about un

0:30:29.680 --> 0:30:35.040
<v Speaker 1>Chien and Deliu? Uh No, I never saw that. I

0:30:35.080 --> 0:30:37.440
<v Speaker 1>haven't either, But have you seen at least the slicing

0:30:37.520 --> 0:30:43.360
<v Speaker 1>up eyeballs ye worth their snuff? At least has seen

0:30:43.400 --> 0:30:46.280
<v Speaker 1>that clip. We're we're putting that in a yes because

0:30:46.280 --> 0:30:48.239
<v Speaker 1>that's all you need. Oh no, no, no, don't put

0:30:48.280 --> 0:30:50.400
<v Speaker 1>any yes. I haven't seen it. Well, I haven't seen

0:30:50.440 --> 0:30:52.720
<v Speaker 1>it either, but I still feel like I've seen enough

0:30:52.760 --> 0:30:55.280
<v Speaker 1>of it to say that I've seen it. But um,

0:30:55.440 --> 0:30:59.360
<v Speaker 1>you're right, okay, Uh, let's see. Now. We have a

0:30:59.440 --> 0:31:04.640
<v Speaker 1>movie called Cash, a French film that was was one

0:31:04.680 --> 0:31:06.720
<v Speaker 1>of Connall's big faves. I think he came on the

0:31:06.760 --> 0:31:10.800
<v Speaker 1>show to talk about it one time. Cache is super cool. Okay,

0:31:10.840 --> 0:31:14.720
<v Speaker 1>what's that director's name? Oh, to do like the White

0:31:14.800 --> 0:31:19.680
<v Speaker 1>Ribbon and stuff and Michael, uh what's his name is

0:31:19.760 --> 0:31:24.960
<v Speaker 1>Michael something? Let's see it is Michael haneke hannecky hannek. Yeah,

0:31:25.000 --> 0:31:27.880
<v Speaker 1>he's German, that's right. Um. And yeah, the White Ribbon

0:31:27.960 --> 0:31:29.440
<v Speaker 1>is also great. I need to get more into his

0:31:29.480 --> 0:31:33.320
<v Speaker 1>catalog because that's a really cool movie. Cache. It's sort

0:31:33.320 --> 0:31:35.400
<v Speaker 1>of like Hitchcock e in where there's like a kind

0:31:35.440 --> 0:31:38.640
<v Speaker 1>of paranoid you know, perspective where you don't quite know

0:31:38.640 --> 0:31:40.880
<v Speaker 1>who the killer is and you keep kind of they

0:31:40.920 --> 0:31:44.440
<v Speaker 1>keep second guessing you, and um, it's about surveillance and

0:31:44.520 --> 0:31:46.920
<v Speaker 1>sort of being like watched, and there's that. It's it's

0:31:47.040 --> 0:31:51.240
<v Speaker 1>very very well done. I really love Cash. Okay, great good?

0:31:51.520 --> 0:31:54.600
<v Speaker 1>Um yeah, okay, okay, where are we at? Uh? So?

0:31:54.840 --> 0:31:58.080
<v Speaker 1>Let's do Okay, how about this a movie, a Greek

0:31:58.280 --> 0:32:01.960
<v Speaker 1>movie that was the first movie by this filmmaker who's

0:32:02.040 --> 0:32:06.640
<v Speaker 1>now become much more well known, called dog Tooth. Uh

0:32:06.760 --> 0:32:09.560
<v Speaker 1>did not see dog Tooth? Did you see his others? Though?

0:32:09.600 --> 0:32:14.960
<v Speaker 1>Like you're speaking of Lanthamos Lanthemos, your goes Lanthemos one

0:32:15.000 --> 0:32:18.760
<v Speaker 1>of the best names in cinema. Yeah, the favorite, go

0:32:18.840 --> 0:32:21.280
<v Speaker 1>back to dog Tooth. Yet, Yeah, dog Tooth is good.

0:32:21.440 --> 0:32:23.640
<v Speaker 1>It's a it's it's an interesting setup. It's like this

0:32:23.760 --> 0:32:27.000
<v Speaker 1>family that lives off the grid and and they don't

0:32:27.040 --> 0:32:30.560
<v Speaker 1>know about normal things, and they have the different words

0:32:30.600 --> 0:32:33.960
<v Speaker 1>for things like television and toothbrushes, and it's that's weird,

0:32:34.040 --> 0:32:37.800
<v Speaker 1>isolated kind of thing. But it's it's what they call

0:32:38.360 --> 0:32:41.720
<v Speaker 1>um oh gosh, I can't remember exactly, but dog like

0:32:41.920 --> 0:32:45.560
<v Speaker 1>when you get your dog teeth, the dog tooth, it's

0:32:45.600 --> 0:32:51.040
<v Speaker 1>like becoming an adult or something like that. It's it's yeah, exactly,

0:32:51.120 --> 0:32:55.720
<v Speaker 1>that's exactly right. And there's a part where I think

0:32:55.800 --> 0:32:59.280
<v Speaker 1>the character like pulls out her teeth because she doesn't

0:32:59.360 --> 0:33:03.280
<v Speaker 1>want to grow up. Yeah, it's it's it's pretty intense. Alright,

0:33:03.440 --> 0:33:05.400
<v Speaker 1>we're almost we're almost done, and then I'll do the tally.

0:33:05.560 --> 0:33:07.680
<v Speaker 1>We can edit it out. I'll make it faster than

0:33:07.680 --> 0:33:11.680
<v Speaker 1>the magic of editing. Um. Okay, how about a movie

0:33:11.840 --> 0:33:16.360
<v Speaker 1>called Salo Nope, I never heard of it. Salo is

0:33:16.360 --> 0:33:19.760
<v Speaker 1>is Uh. It's like based on the Marquet dissad stuff

0:33:19.800 --> 0:33:22.440
<v Speaker 1>and it's like supposed to be what it's like. There's

0:33:22.440 --> 0:33:25.160
<v Speaker 1>a Criterion release of it. It's supposed to be one

0:33:25.200 --> 0:33:29.240
<v Speaker 1>of the most disturbing movies ever where there's like really

0:33:29.520 --> 0:33:35.400
<v Speaker 1>like sadistic kind of hedonistic behavior and sex. I know, yeah,

0:33:35.440 --> 0:33:38.800
<v Speaker 1>I know what you're talking about. Now. I definitely didn't

0:33:38.800 --> 0:33:40.560
<v Speaker 1>see this, but I have heard about it. It's supposed

0:33:40.600 --> 0:33:44.000
<v Speaker 1>to be good. Christ, Now, why would anyone see this movie? Exactly?

0:33:44.040 --> 0:33:46.160
<v Speaker 1>I haven't seen it. I just I was looking at

0:33:46.280 --> 0:33:49.479
<v Speaker 1>surrealist cinema on the list and this one came up,

0:33:49.480 --> 0:33:52.360
<v Speaker 1>and I definitely remember it's called Salo or the one

0:33:52.760 --> 0:33:57.040
<v Speaker 1>and twenty Days of Sodom. There you have it, all right,

0:33:57.880 --> 0:34:00.120
<v Speaker 1>I did a bad job, Chuck, how you're here? A

0:34:00.120 --> 0:34:02.360
<v Speaker 1>googe one we've talked about on the show before, the

0:34:02.440 --> 0:34:07.640
<v Speaker 1>Tarkovski film Stalker. Yes, I did see Stalker, saying college

0:34:08.480 --> 0:34:12.360
<v Speaker 1>visit video. Oh gosh, Yeah, that's vision video is huge

0:34:12.360 --> 0:34:15.839
<v Speaker 1>for me. R I P. All of those locations are

0:34:15.840 --> 0:34:20.319
<v Speaker 1>not close. It is sad um Okay, we're almost done here,

0:34:20.600 --> 0:34:23.640
<v Speaker 1>we have just a few more um and you know,

0:34:23.719 --> 0:34:25.560
<v Speaker 1>he's the thing to chuck, i'd reckon. All of these

0:34:25.560 --> 0:34:27.920
<v Speaker 1>are movies that were important to me kind of as

0:34:27.960 --> 0:34:30.880
<v Speaker 1>I was getting more into weird cinema and then a

0:34:30.880 --> 0:34:33.839
<v Speaker 1>lot of Asian cinema. So I would I would stand

0:34:33.840 --> 0:34:35.920
<v Speaker 1>by all of these except for the few that I

0:34:35.960 --> 0:34:37.359
<v Speaker 1>haven't seen that I just threw in to fill off

0:34:37.400 --> 0:34:39.360
<v Speaker 1>the list. But this one in particular was one that

0:34:39.440 --> 0:34:42.040
<v Speaker 1>I discovered when I was going through my kind of

0:34:42.239 --> 0:34:46.960
<v Speaker 1>Korean and Japanese cinema period. And it's called Save the

0:34:47.000 --> 0:34:50.640
<v Speaker 1>Green Planet. Never heard of it, okay. It's a Chinese

0:34:50.640 --> 0:34:54.319
<v Speaker 1>movie about like aliens kind of coming to Earth, but

0:34:54.480 --> 0:34:57.520
<v Speaker 1>also like is the guy just insane? Does he really

0:34:57.560 --> 0:35:00.000
<v Speaker 1>know the aliens are coming? Or is he like absolutely

0:35:00.040 --> 0:35:02.200
<v Speaker 1>lee out of his mind? And then you kind of

0:35:02.320 --> 0:35:05.160
<v Speaker 1>decide whether he is or isn't. And it's a lot

0:35:05.160 --> 0:35:09.040
<v Speaker 1>of environmental kind of bent to it and conservation. But

0:35:09.080 --> 0:35:14.560
<v Speaker 1>it's very funny, very very interesting movie. Save the Green Planet. Okay.

0:35:14.840 --> 0:35:18.120
<v Speaker 1>Um last but not Okay, we got a couple more

0:35:18.520 --> 0:35:24.480
<v Speaker 1>uh eachy The Killer It is another uh movie by

0:35:24.480 --> 0:35:27.000
<v Speaker 1>the guy that made Audition. It's like a comic book

0:35:27.040 --> 0:35:31.040
<v Speaker 1>kind of you know, like it's action, but it's also

0:35:31.320 --> 0:35:34.120
<v Speaker 1>like super heavy on the gore and like you know,

0:35:34.280 --> 0:35:38.360
<v Speaker 1>splattery kind of stuff. Very much like a Tarantino style movie,

0:35:38.440 --> 0:35:42.680
<v Speaker 1>but like even more bonkers. Um, it's not for everybody,

0:35:42.760 --> 0:35:45.320
<v Speaker 1>but it's it's it's one that this kind of makes

0:35:45.360 --> 0:35:48.400
<v Speaker 1>the list of like a lot of interesting Japanese movies

0:35:48.440 --> 0:35:52.600
<v Speaker 1>from the early two thousands. Um. And finally we have

0:35:54.280 --> 0:36:02.960
<v Speaker 1>a movie called Survive Style five plus Never al Right,

0:36:03.120 --> 0:36:08.760
<v Speaker 1>I think that's it five Style five five plus. Yeah,

0:36:08.880 --> 0:36:11.359
<v Speaker 1>it's it's it's it's really good. It's sort of like

0:36:11.480 --> 0:36:14.880
<v Speaker 1>almost like it's one of those movies where there's all

0:36:14.880 --> 0:36:17.560
<v Speaker 1>these different weird characters that sort of come come together

0:36:17.680 --> 0:36:21.520
<v Speaker 1>and cross paths in interesting ways, and it's really stylized,

0:36:21.520 --> 0:36:24.200
<v Speaker 1>and it's like there's like a lion tamer character and

0:36:24.239 --> 0:36:26.920
<v Speaker 1>there's like a like a wealthy kind of couple, and

0:36:26.960 --> 0:36:29.120
<v Speaker 1>there's all these like different and it's it's definitely got

0:36:29.160 --> 0:36:32.400
<v Speaker 1>like some surrealist qualities to it, but it's it's ultimately

0:36:32.520 --> 0:36:34.080
<v Speaker 1>it doesn't sound It's not what it sounds like. It

0:36:34.080 --> 0:36:36.239
<v Speaker 1>sounds like it would be like Battle Royale or some

0:36:36.360 --> 0:36:39.919
<v Speaker 1>kind of like you know, uh, murderer movie, and it's

0:36:39.920 --> 0:36:42.560
<v Speaker 1>not at all. It's very much like an interesting, weird,

0:36:42.760 --> 0:36:47.440
<v Speaker 1>kind of hyper edited, uh kind of story about Japan,

0:36:48.239 --> 0:36:49.920
<v Speaker 1>very interesting movie. I got a lot of work to do. No,

0:36:50.080 --> 0:36:53.800
<v Speaker 1>how do mean? Guys? Yeah, you did? You did seven?

0:36:54.360 --> 0:36:58.720
<v Speaker 1>Seven got seven out of twenty. Look, I didn't design

0:36:58.760 --> 0:37:03.000
<v Speaker 1>this to fail. I designed to to to engender conversation. Never,

0:37:03.160 --> 0:37:05.800
<v Speaker 1>You're never gonna ask me to do this segment ever again.

0:37:07.120 --> 0:37:10.600
<v Speaker 1>I totally will. It's that I don't mind failing miserably null.

0:37:11.760 --> 0:37:13.759
<v Speaker 1>I can. I can take it on the chin. So

0:37:13.880 --> 0:37:16.439
<v Speaker 1>don't don't you feel bad? Okay, I don't. But I've

0:37:16.480 --> 0:37:18.120
<v Speaker 1>I've I've never been a few that you've thrown at

0:37:18.120 --> 0:37:21.080
<v Speaker 1>me that I've that I've whipped on as well. But you,

0:37:21.080 --> 0:37:23.759
<v Speaker 1>you do tended to be a little more forgiving, and

0:37:23.800 --> 0:37:26.360
<v Speaker 1>I was trying to. I was trying to just you know,

0:37:26.480 --> 0:37:28.000
<v Speaker 1>these are movies that are important to me, and I

0:37:28.480 --> 0:37:30.879
<v Speaker 1>think you did almost all of them. I think even

0:37:30.920 --> 0:37:34.480
<v Speaker 1>the ones that that that seem a little intense um

0:37:35.200 --> 0:37:36.440
<v Speaker 1>because I think we have a lot of stuff in

0:37:36.440 --> 0:37:39.359
<v Speaker 1>common in terms of our musical well musical but also

0:37:39.640 --> 0:37:44.359
<v Speaker 1>cinematic obviously taste total agree, my friend. All right, all right,

0:37:44.440 --> 0:37:46.680
<v Speaker 1>well that is it for this week. Everyone. I love

0:37:46.719 --> 0:37:48.880
<v Speaker 1>that we got some new games going with that Casey

0:37:48.880 --> 0:37:51.960
<v Speaker 1>game last week and now filling up some chuck holes.

0:37:52.160 --> 0:37:53.680
<v Speaker 1>I got a lot of holes to fill down thele

0:37:54.280 --> 0:37:56.520
<v Speaker 1>I need to chuck. I think we all do. And

0:37:56.560 --> 0:37:58.960
<v Speaker 1>thank you for listening everyone, and we'll see you next week.

0:38:00.239 --> 0:38:02.920
<v Speaker 1>This movie, Crash is produced and written by Charles Bryant

0:38:02.920 --> 0:38:06.320
<v Speaker 1>and Meel Brown, edited and engineered by Seth Nicholas Johnson,

0:38:06.520 --> 0:38:09.160
<v Speaker 1>and scored by Noel Brown here in our home studio

0:38:09.200 --> 0:38:13.040
<v Speaker 1>at Pontsty Market, Atlanta, Georgia. For iHeart Radio. For more

0:38:13.080 --> 0:38:15.600
<v Speaker 1>podcasts for my heart Radio, visit the i Heart Radio app,

0:38:15.719 --> 0:38:18.480
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.