Speaker 1: Yo Boulet Cavs show special guests in here. A lot
Speaker 1: of people are saying he has the song of the summer.
Speaker 1: Mm hmm, Capella Gray. If you're in New York, it's
Speaker 1: definitely the song of the summer, you know. Crazy Mahomie Uh.
Speaker 1: Shout out to Bodega Fleet. He told me about your
Speaker 1: record pretty early and then he was like, Yo, this
Speaker 1: is the one, and then like I feel like a
Speaker 1: month later it finally got over here and I was like, Okay,
Speaker 1: what was like for you with this record? When what
Speaker 1: was the moment where you realized this was like a
Speaker 1: real thing? Went to People from out of state, from
Speaker 1: out of town started you know what I'm saying, tapping in,
Speaker 1: tagging me and ship. I was like, you're cursing everything. Yeah.
Speaker 1: As soon as all the other states started tapping in
Speaker 1: and stuff, I was like, yeah, we're out of here.
Speaker 1: And did you originally drop this independently? So you went
Speaker 1: from independent to sign and obviously off this record, but
Speaker 1: like what what? Uh? It was going crazy in the
Speaker 1: city for the months before I got months before I
Speaker 1: got picked up all over the country on Stupid. It
Speaker 1: was number one on Jazam nationwide before way before the deal,
Speaker 1: before the deal, before the deal, number one on Hizam
Speaker 1: number one. So it starts getting obviously heats up in
Speaker 1: the club first, no outside TikTok and nah, so like
Speaker 1: I don't know, I don't make songs for TikTok. No,
Speaker 1: I'm saying it's not a TikTok record. But you know, bro,
Speaker 1: there's no like no one knows what a TikTok song
Speaker 1: is anymore. There's ship that goes wild that you would
Speaker 1: never even know. That's a fact. I'm not gonna lie.
Speaker 1: So but when Vietnam with this song, it was it
Speaker 1: was just real organic. It was in the streets first,
Speaker 1: like people were just playing outside the streets in New
Speaker 1: York on they party. It's a little different, like you know,
Speaker 1: sometimes we'll be in the club and stuff. Sometimes it's
Speaker 1: just outside barbecues and stuff like that, like just wordy
Speaker 1: of out just moving around the city. And then the
Speaker 1: clubs picked it up and then it was over. It
Speaker 1: was a rap and the Forrest Radio we was on
Speaker 1: the radio rotation before the deal or anything like that.
Speaker 1: It was just who was the first DJ to play
Speaker 1: your song on the radio? The first DJ to play
Speaker 1: it was DJ will probably want for sure, and then
Speaker 1: it was not this someone, and then everybody else picked up. Wow,
Speaker 1: that's big man. Congrats Bro. It's though too because it's
Speaker 1: like a very it's like a national or a very
Speaker 1: worldwide sounding record. We think in New York, you know
Speaker 1: what I'm saying. Sometimes she comes out of New York
Speaker 1: and it's like, this shit is cool. Same thing with La.
Speaker 1: There'll be some shit that's popping out here, but we'll
Speaker 1: be like, man, this shit is cool for La. Or
Speaker 1: in New York. You go to New York and hear
Speaker 1: some shit in the club, he be like, man, this
Speaker 1: shit is fied, but it's probably not gonna get out
Speaker 1: of this area. But your shit is like, Bro's got
Speaker 1: that international sound or something like that. Yeah, I like
Speaker 1: this like that, even though because I didn't like It's
Speaker 1: not like I was on purpose trying to create some
Speaker 1: kind of crazy international sound. I feel like the sound
Speaker 1: of New York is, especially when we do it the
Speaker 1: right way, it's a it's appealing enough, so it was
Speaker 1: gonna go international, you know what I'm saying. You know facts, man,
Speaker 1: you're from the Bronx, right, it's a uptown, uptown baby
Speaker 1: shout out to the Bronx. Hey man, Uh, the Bronx
Speaker 1: is like one of those burrows doesn't get enough love.
Speaker 1: All things considered. It to where hip hop was birthed.
Speaker 1: It is literally where hip hop started. Fact, you know,
Speaker 1: I think like obviously some of the greatest rivers of
Speaker 1: all time come out to bron shot out the punch
Speaker 1: out to karras One, Yeah, Joey Crack. But like I
Speaker 1: feel like lately, like you know, ron SUNO's doing this
Speaker 1: thing you do, hey boogies. Of course, man shouts to
Speaker 1: high Bridge. But like in general, do you feel like
Speaker 1: the Bronx has somehow become like the most slept on
Speaker 1: brown New York easily? Like, and it's weird because it's
Speaker 1: where hip hop started. Yeah, but you know, Brooklyn was
Speaker 1: making noise for a while, queens outside, you know what
Speaker 1: I'm saying. Harlem is definitely Harlem is always going Harlem.
Speaker 1: I feel like the Bronx just slept on for a while.
Speaker 1: But I feel like we got it. It's it's back,
Speaker 1: We're back. I'm not gonna lie the spotlight. We always
Speaker 1: had the vibe. We just need a spotlight now you
Speaker 1: got it? Yeah, Yeah, definitely a great energy uptown right now?
Speaker 1: Are you? I don't know, this is probably after your generation,
Speaker 1: but are you gonna? I mean, kress One's got a
Speaker 1: verses with Big Daddy Kane mm hmm. And Kris Won
Speaker 1: a lot of people just thinks he's the greatest of
Speaker 1: all time. He's from the Bronx. You know what I'm saying, Like,
Speaker 1: you're gonna, You're gonna, You're gonna. Are you? Are you
Speaker 1: looking forward to that versus or is that some ship
Speaker 1: where you're like this just for the coach? I am, yeah, man,
Speaker 1: So I'm definitely. I make sure I'm dead too. You
Speaker 1: know what I'm saying, Like, I'm really a fan of like,
Speaker 1: so you're gonna be there. I have to be there.
Speaker 1: Hey man, were you, like, did you ever listen to
Speaker 1: carras one like trying to catch up on his older ship.
Speaker 1: So I have to like go back and do more
Speaker 1: research because of this whole versus thing. It wou presented
Speaker 1: the opportunity for me to go back and do my
Speaker 1: research and all that stuff like that. So yeah, Yo,
Speaker 1: Cares held it down for the whole borough. Yeah he was.
Speaker 1: He was actually versus mc sean man. Wow, Queen's Bridge.
Speaker 1: It was what was Queen's Bridge versus the Bronx. Shout
Speaker 1: out to Kress now that just should be forty year
Speaker 1: olds and up and hip hop are very excited. I'm
Speaker 1: not quite there. I'm thirty four, and I know all
Speaker 1: my like Brian Samson's old asses excited. I'm sure Neil
Speaker 1: was excited. He's like, hell yeah, add krs we out here, yo.
Speaker 1: I'm sure that like hell of people were trying to
Speaker 1: probably approach you. Did anyone approach you to do the remix?
Speaker 1: I'm not talk about the actual like Chris Brown or
Speaker 1: popcor but where there's like people who hit you trying
Speaker 1: to do a remix? Yeah, hell yeah. The whole industry remixes,
Speaker 1: That's what's Yeah, it's like the whole industry. I kind
Speaker 1: of piphed the vibes under so like fab did a
Speaker 1: remix from Tory Cranium, Jada Kingdom, Busta Rhymes like It's
Speaker 1: it Got create a boogie did a remix, and these
Speaker 1: fave Like the list is low key, kind of crazy
Speaker 1: people their own remixes. Just like yo, if you're a DJ,
Speaker 1: just pick what remix you like the most. Yeah, it's
Speaker 1: like a yeah, it's like a collectible or something like that. So,
Speaker 1: like the different DJs are playing it in different regions,
Speaker 1: they're playing different remixes in different regions. What's the biggest,
Speaker 1: biggest remix. It's not the official remix. You think the
Speaker 1: biggestars like what you hear the most when you're out.
Speaker 1: I'm not gonna lie. I can't even do that because
Speaker 1: there's like I go to certain places, like certain cities,
Speaker 1: they're only going to play like certain like you go
Speaker 1: certain place, they're going to play the A B one
Speaker 1: and like the French Montana one that's in the same
Speaker 1: there's got to be a French one. I didn't know
Speaker 1: there was crazy shout out the French sir, you tap
Speaker 1: Jan Roy Woods, every bro. Crazy You getting Chris Brown
Speaker 1: and Popcorn to fit for the official one? Obviously Chris
Speaker 1: Brown feels like a no brainer. Man. Yeah, that's not
Speaker 1: even like, yeah it's Chris Brown. Yeah. He bought it
Speaker 1: for like for R and B, for just the culture
Speaker 1: periods like that. That goes signs O D with your project,
Speaker 1: like the music that you're working on right now. Would
Speaker 1: you say that, like your sound in general is in
Speaker 1: tune with this record or do you have other pockets
Speaker 1: you get in, I get in some different pockets. So
Speaker 1: like even if you hear like the rest of the tape,
Speaker 1: it's just real New York, but you could tell that
Speaker 1: it's definitely inspired by a Caribbean upbringing as well. And
Speaker 1: just it just has I just have mad different vibes
Speaker 1: on this table, like it's it's what was the music
Speaker 1: like you say, your Caribbean upbringing? What was the music
Speaker 1: like in the household period? So we were listening to
Speaker 1: it like a lot of gospel, were listening to a
Speaker 1: lot of like Marley just just it was if you,
Speaker 1: if you, if you finish at Jamaican, there's like a
Speaker 1: playlist like it's a certain plate list, like it's just
Speaker 1: you guys, was to everything right right, right right right.
Speaker 1: So but I feel like that that inspired like a
Speaker 1: lot of the cadences and a lot of the melodies
Speaker 1: and harmonies and everything that's in my music right now.
Speaker 1: So for you have it like sometimes when you come
Speaker 1: out and your first record is this big, it could
Speaker 1: be a gift and a curse. Sometimes that happens, and
Speaker 1: like you know, the song, your first song will be
Speaker 1: bigger than you as an artist forever. It's happened with
Speaker 1: you know a lot of artists. You know, I don't
Speaker 1: want to name drop sh it on nobody, but you
Speaker 1: know it's happened. It happens all the time. Is that
Speaker 1: something that you're conscious of, like trying to make sure
Speaker 1: that your music isn't bigger than you if that makes sense. Yeah,
Speaker 1: I'm not worried about that because I know, like I
Speaker 1: don't want to sound no way, but there's no where
Speaker 1: that came from, like I'm that guy. No, there's a
Speaker 1: whole lot more. You gotta really understand. Yalous is a freestyle.
Speaker 1: It is a minute forty five second long freestyle with
Speaker 1: no hook, no bridge, no verse, no nothing. So let
Speaker 1: me get this straight, because when you say freestyle for
Speaker 1: people like who aren't in the studio a lot, like
Speaker 1: there's freestyles and then there's like yeah, like punching off
Speaker 1: the top of your head. I'm not talking about just
Speaker 1: like a freestyle where it's like I just went in
Speaker 1: one take and just there's different types of restoules with that.
Speaker 1: I'm talking about freestyle terms like just the style of
Speaker 1: the record itself, so like there's no real structure to
Speaker 1: there's no real structure. I basically prove that point with this.
Speaker 1: There's no rules to this music shit. So like with
Speaker 1: the structure of a record, you know it's supposed to
Speaker 1: be hook, verse, hook, bridge, whatever it is. You know
Speaker 1: what I'm saying that that certain standard of how you
Speaker 1: set up your songs. Again, like I said with Yallus,
Speaker 1: there's no hook, no bridge, no verse, no Nathan, It's
Speaker 1: just a series of moments back to back like a
Speaker 1: DJ or something. And you're saying, like, we got, we got,
Speaker 1: you got a lot more where that came from. You're
Speaker 1: not worried about it, yeah, bro, because like, all right,
Speaker 1: we have that joint, right, But then I'm a musician
Speaker 1: musician for real, I play instruments and all that. I'm
Speaker 1: really singing singing for real. But I'm really a fan
Speaker 1: of hip hop hip for real. I'm really produced, like
Speaker 1: I produced Giallus and everything. I really we really do this.
Speaker 1: There's way more where it comes from. You keep all
Speaker 1: the money, that's what you're saying, Make the beat, write
Speaker 1: the song, mixed it, mixed the record everything. Damn. You're
Speaker 1: like the Bronx Russ kind of wow, and you heard
Speaker 1: the song that we did that Russ drop. No, I
Speaker 1: did not you have dropped the joint two weeks ago.
Speaker 1: Close Seduce is going crazy right now. Number you know,
Speaker 1: Russ drops the song every week, so it's hard for
Speaker 1: me to keep up at this point. Well, he puts
Speaker 1: a lot of music out. Well, the seduced one, the
Speaker 1: one that we got is going stupid right now. That's
Speaker 1: all I know. How did you? How did how did
Speaker 1: the rust connection happen? He reached out because he just
Speaker 1: seemed energy, especially on Instagram and everything like that, like
Speaker 1: just once you tap in and see how I move,
Speaker 1: like we kind of moved, saying he produces a lot
Speaker 1: of his stuff, He engineers a lot of his stuff.
Speaker 1: I do the same. We both talk because you understand
Speaker 1: when you do it yourself, you don't have to lower
Speaker 1: your voice or lefe for no jokes that aren't funny.
Speaker 1: It's a whole real energy. So with me and me
Speaker 1: to him, people like Tory, there's certain people that are
Speaker 1: just like once we tap in, I'm learning too much
Speaker 1: from them to drive in too much Jewels, it's too far.
Speaker 1: So once we connected, it was it was like nothing.
Speaker 1: We dropped the joint like a week after we recorded,
Speaker 1: and now it's going stupid. Wow, rest stuff was that
Speaker 1: someone who you like actually fucked with prior to like
Speaker 1: him reaching out because like, oh yeah, you know, I
Speaker 1: think Russ is like has been giving people so much
Speaker 1: free game for so long and like showing people the
Speaker 1: way on so many different things. Like but he always
Speaker 1: for some reason, motherfucker's like really like the SoundCloud era
Speaker 1: of hip hop hated him for whatever reason because their
Speaker 1: haters and there because he kept telling people where he
Speaker 1: would shoot from and say, Yo, stop me, I'm going
Speaker 1: to shoot from there, to stop me, and then he
Speaker 1: would shoot from there and take it every time, every
Speaker 1: single time, I'm going to sell out the Stable Center.
Speaker 1: Sold out the Stable Center, right, because when you when
Speaker 1: when you say I'm going to sell out the Stable Center,
Speaker 1: it's he's being cocky, he's being arrogant until he sells
Speaker 1: out the Stable Center. Then it just stop speaking. It's
Speaker 1: all now, you guys just have to right. That's why
Speaker 1: I appreciate this gallous run. I was gonna say, like
Speaker 1: you were you said earlier. When you record yourself, it's
Speaker 1: a different vibe because you know, sometimes when you're in
Speaker 1: the studio, like you said, you gotta sometimes it's hard
Speaker 1: to control the vibe. If there's too many variables that
Speaker 1: pull pull up, come through. Maybe the producer brings a homie,
Speaker 1: maybe the engineer brings you know what I'm saying, No,
Speaker 1: because the producer brings homely file one day he got it. Anyway,
Speaker 1: So with my sessions, I feel like it's two different
Speaker 1: types of sessions. Sometimes I might want, like some of
Speaker 1: my sessions, like if you see my blocks and stuff,
Speaker 1: it be it'd be mad people in there just be
Speaker 1: a vibe, mad producers, engineers, mad just different, right, just
Speaker 1: pople just you know what I'm saying. But like some
Speaker 1: of my other sessions, it might just be me and
Speaker 1: the piano and the lap chob just creating and stuff
Speaker 1: like that. So it's just it varies. But either way
Speaker 1: that the environment is always controlled though, I'm not gonna
Speaker 1: have people freestyling my session. I saw you just were
Speaker 1: I believe it today. You were in the Hit Boy
Speaker 1: Yeah kind of. Well then like that shout out to
Speaker 1: hit Boy, shout out to hit one of the greatest
Speaker 1: of all time. Yeah, definitely the goal. So it was
Speaker 1: hit Boy and shawing in with you. So what's that
Speaker 1: is that for your ship or for their ship? I'm
Speaker 1: just you know what I'm saying, just moving around, staying
Speaker 1: this decade. It's a little Wayne t Pain runner and
Speaker 1: be on everybody's so like you're about to go on
Speaker 1: that kind of run. Everybody hooked, everybody bridge, everybody verse.
Speaker 1: I might produce to beat, I might write it for you.
Speaker 1: I might be the one on the boards. That's That's
Speaker 1: a good goal to have because when T Pain and
Speaker 1: Lil Wayne had that run, it was like for programmers
Speaker 1: on the radio side, it was a lot. It was like, Yo,
Speaker 1: we can't do no artists, separation everyone this fucking ta
Speaker 1: pains on everyone's hook. That's that's the Goalah, absolutely ambush.
Speaker 1: You know what's crazy is that on the West Coast
Speaker 1: we have Blast, who's kind of like the other guy
Speaker 1: doing that. Right, have you guys connected or broke in Brooklyn?
Speaker 1: That's crazy? So you and so have you? Blast is
Speaker 1: another guy who does everything himself. He records himself, makes
Speaker 1: the beat, does all that. You guys work on any music.
Speaker 1: Just just knows that be a good decade. Just know,
Speaker 1: so you and Blast got music together. You know what
Speaker 1: I'm saying. It's just a lot going on. So that means, yes,
Speaker 1: nice who made the beat though, if both you guys
Speaker 1: make the beat, like you guys both make beats, so
Speaker 1: who made them? Who made the beat? Did you handle
Speaker 1: the beat? Or did the Blast handle the beat? It's
Speaker 1: a lot going on. I can't wait until everybody sees
Speaker 1: what's in store for this decade, you understand, man? I
Speaker 1: like how you talking in decades? Yeah? Absolutely, because it's
Speaker 1: not because I'm not here for for this record, here
Speaker 1: for this year, right, I'm taking the decade at a time.
Speaker 1: That Bro, most people don't look at shit that way.
Speaker 1: They're just trying to They're just trying to get to tomorrow. Yeah.
Speaker 1: I feel like that's how you fuck up the longevity though,
Speaker 1: because you make stupid, short minded decisions and then you know,
Speaker 1: two years from now, you ain't ship, You're you're relevant,
Speaker 1: you know what I mean, You're gone. Yeah. Nah, you
Speaker 1: gotta come up with this energy because you know what
Speaker 1: I'm saying, even though I'm very grateful to be here,
Speaker 1: it's not just happy to be energy. You gotta be ready.
Speaker 1: I'm ready. So a new new Russ and Capella Grade
Speaker 1: joint project coming soon. Executive produced. Uh my Blast. I
Speaker 1: feel like there's a couple of people in the industry
Speaker 1: that I'm meeting that I'm I feel like it's it's unpleasant,
Speaker 1: not pleasantly surprised. That sounds crazy, but I'm just really
Speaker 1: grateful that they're really nice at what they do. Like
Speaker 1: meeting Rust in person, he's really dumb nice, Like he's
Speaker 1: a dumb nice in person. Meeting Cranium in person, like
Speaker 1: when he was recording Gather Makes Another all the other music,
Speaker 1: he's really nice. Like it's not like a team. I'm
Speaker 1: thinking I'm about to walk in as a team of
Speaker 1: writers and a team that's always disappointing. Man. I've had
Speaker 1: a couple of you know what I'm saying, Like I'm
Speaker 1: just seeing the who who is who? And I'm like,
Speaker 1: who actually, Like, you know, especially with producers, you'll be thinking,
Speaker 1: like a producer is so crazy and you're getting the
Speaker 1: studio with them, and you'll be like, oh no, they're
Speaker 1: just putting their tag on it. And they got like
Speaker 1: three little homies that make the beats and ship and
Speaker 1: then and then you getting with hit boy and hit
Speaker 1: Boy will be nah. But I just going crazy though
Speaker 1: in the same breath though, just you know what I'm
Speaker 1: saying in the same breath, Then you respect them more
Speaker 1: as businessmen too, because even though you're disappointed on the
Speaker 1: creative side, then you understand, all right, cool, yeah, you
Speaker 1: put it on artists, and it's not like those artists
Speaker 1: aren't getting credit or or getting their pub anything. That
Speaker 1: whole sound is from the hand of that literally from
Speaker 1: the hand. But sometimes it's like puff where it's like
Speaker 1: the record might be your brain shot, where it's like,
Speaker 1: all right, I want something that has the vibe of this,
Speaker 1: I want snaps in this, I want this type of vibe,
Speaker 1: this whatever. So you're still producing the record. I guess
Speaker 1: you know what I'm saying. It's just not pressing the button.
Speaker 1: So either way, what do you produce your beats? On? Logic?
Speaker 1: Logic all the vocals everything, So you do everything through logic.
Speaker 1: You don't need pro tools. No, I just haven't entered
Speaker 1: that yet yet. I soon learned all the those. But hey, man,
Speaker 1: logic is a lot you know, quiets kept a lot
Speaker 1: of people only use logic, Like Mike Posner only uses logic. Yeah,
Speaker 1: I know, te Pain uses logic. He was using garage,
Speaker 1: but he was making mad hits like on garage. Man,
Speaker 1: A lot of it says are like on garage. That's
Speaker 1: wild to think for people who don't know. That's like
Speaker 1: the free software that comes on your your very limited capabilities.
Speaker 1: Like he was making like platinum hits off of that,
Speaker 1: and like with yeah, with logic, with Yells, I did
Speaker 1: everything logic, the vocals recorded right into it, right, everything
Speaker 1: that's huge, like the workflow. Did you did you have
Speaker 1: a moment at Summer Jam this year? I wasn't there.
Speaker 1: I was before I performed twice though. Who brought you out?
Speaker 1: A book? Game making? Right? Oh? Nice? Like that? What
Speaker 1: was the third? Third time? You're supposed to? What happened
Speaker 1: with the third time? Always create another moment with the
Speaker 1: same vibe? So good? You know what I'm saying, that's
Speaker 1: going to create the biggest moments in hip. What was
Speaker 1: that like? Though? Like crazy? Because I've been to Summer
Speaker 1: Jam three times and it's like people don't who've never been.
Speaker 1: It's like the energy's crazy. It's like, I've never been
Speaker 1: to Summer Jam before this time. I said, just as
Speaker 1: an artist thing that I was writing and producers, So
Speaker 1: in my head, I was just like I don't even
Speaker 1: want to go to Summer Jam unless like I'm maybe
Speaker 1: you hear your ship that you produced her or you're
Speaker 1: performing you know what I'm saying, or something like that. Yeah,
Speaker 1: So like with some especially as a New Yorker summer gym,
Speaker 1: that's like that's like the Grammys, that's like the Holy
Speaker 1: grail Man, you know what I'm saying. And it was
Speaker 1: like rainy as fuck, right, it was stupid rainy. That's
Speaker 1: why to perform the third time, And that's why it
Speaker 1: was fired because when it rained, the festival stage got
Speaker 1: canced the one outside, right yeah, and everybody was like,
Speaker 1: oh man, so it's over if it was any because
Speaker 1: I wasn't. It wasn't no advertising that I was going
Speaker 1: to perform. Everybody thought I was gonna perform at all.
Speaker 1: So when the rain started and they canceled the festival stage,
Speaker 1: everybody thought it was clipped for that I was the
Speaker 1: main stage. So that was definitely a good vibe. Let
Speaker 1: me ask you this, because you seem like somebody who's
Speaker 1: who's got your head on your shoulders. With the music ship,
Speaker 1: with the business ship, what I'm sure you could have.
Speaker 1: I mean, I'm sure obviously having a record as big
Speaker 1: as this, you probably had crazy leverage with the label situation.
Speaker 1: What made you want to actually do the major label
Speaker 1: things you really probably didn't need to. Like what made
Speaker 1: you do that? There was just certain things from them
Speaker 1: that I wanted and it was just that's why it's
Speaker 1: a joint venture. It was just it was just certain
Speaker 1: things that by the way, off of one record, not
Speaker 1: a lot of people are getting joint ventures. It doesn't
Speaker 1: very rare, if ever, But I mean, you know a
Speaker 1: lot once you hear some of the other stuff, like
Speaker 1: when you here the follow up, I'm telling you yealous
Speaker 1: like it's dope, But just the intro, just to just
Speaker 1: to taste were like a lot, and I gave a
Speaker 1: little preview kind of of what you're about to do
Speaker 1: it because you heard a little bit. A lot of
Speaker 1: people's favorite part of Galous is a little three bars
Speaker 1: where I'm rapping snugget in there. I feel like she sleeps.
Speaker 1: There's gonna be a lot more rapping. Not a lot,
Speaker 1: but you know what I'm saying when I feel like
Speaker 1: and now people understand that I can tap in when
Speaker 1: I feel like that, Man, that's dope. I mean, because
Speaker 1: you can kind of just do what that you could do.
Speaker 1: You could do your own hooks and then wrap the
Speaker 1: verses or wrap the hook and single verses, we could
Speaker 1: do whatever, and I feel like we're kind of breaking
Speaker 1: all the rules now, Like hey man, like you said earlier,
Speaker 1: and I think that the last few years has proved this.
Speaker 1: There is zero rules to what makes a hit record anymore,
Speaker 1: absolutely like zero, Like there used to be like, uh,
Speaker 1: something that you would hear record but that don't sound
Speaker 1: like a single. And it's like sometimes that doesn't even
Speaker 1: matter anymore, you know what I'm saying. We're just trying
Speaker 1: to again, like I said, I'm trying to create just
Speaker 1: the biggest moments in hip hop history this decade. So
Speaker 1: it's like whether who want to call it a record
Speaker 1: or whatever like that, Like right now, Gallous is a
Speaker 1: big It's a big moment, a moment. Sure, people are
Speaker 1: running it back four or five times like that. For
Speaker 1: my next single, it's going to be another the moment.
Speaker 1: I'm trying to do that with Slow. So what were
Speaker 1: some of those moments for you growing up? Like that
Speaker 1: you remember like hip hop moments and it was like, yo,
Speaker 1: that was I remember that the way that felt when
Speaker 1: it know, it's so crazy. I wasn't I wasn't allowed
Speaker 1: to be like out like during like those big times,
Speaker 1: like those big, huge moments, I wasn't really allowed to
Speaker 1: be outside. I was. I was able to go to
Speaker 1: a couple of boogie concerts that was like I was.
Speaker 1: That was a pretty big but I wasn't. I wasn't around.
Speaker 1: I wasn't outside for like the like I was around
Speaker 1: for the tunnel and those type of things that I
Speaker 1: see those from like the documentaries. So I'm trying to
Speaker 1: I'm trying to bring moments like that because I feel
Speaker 1: like I want to see that on my generation, to
Speaker 1: see that in person. So, yeah, we all just hear
Speaker 1: about the tunnel. But yeah, I'm too. Yeah I wasn't.
Speaker 1: I mean obviously not that I'm not. I'm not. I'm
Speaker 1: probably older than you, but I ain't that old. You
Speaker 1: know what I'm saying, Neil, you've been in the tunnel? Never? Okay,
Speaker 1: should I heard the tunnel? Yeah, that's where it was
Speaker 1: breaking regularly like that. There's no like place right now
Speaker 1: where you go if you want to hear like the
Speaker 1: the New Fire, there's no like one place. Yeah. Well,
Speaker 1: I mean, from what I understand, the New York club
Speaker 1: scene is kind of weird since COVID, right like because
Speaker 1: a lot of didn't a lot of places like not
Speaker 1: make it like yeah, but it just made the place
Speaker 1: that did make it more problem fair enough. I mean,
Speaker 1: it just is COVID is so weird because it's terribly
Speaker 1: unfortunately got all the disclaimer, you know what I'm saying.
Speaker 1: It was a rough year for all of Everyone had
Speaker 1: a rough year. People divey yes, low key for the industry.
Speaker 1: At least for me on my side, it was like
Speaker 1: just the best period that it just because the best
Speaker 1: thing that could have happened for like my career, because
Speaker 1: the whole industry was in the crib yep. And then
Speaker 1: because a lot of things shut down, it just gave
Speaker 1: opportunity for just new things to arise, fast systems, new
Speaker 1: new ways of doing things. Now it's like the old
Speaker 1: way of doing things that we've been doing for mad long,
Speaker 1: things that didn't make sense that we were just doing
Speaker 1: just based off a tradition and just you know what
Speaker 1: I'm saying. Now it's like, Okay, let's do would make
Speaker 1: sense now and now we're wild and now I feel
Speaker 1: like this new this decade we're about to go into
Speaker 1: for music, it's about to be crazy. I think too,
Speaker 1: like guys like yourself, who like handle so much of
Speaker 1: the workload themselves. It's kind of like gotta be the
Speaker 1: new wave man, because like I think, like when you
Speaker 1: think about how many rappers were really fucking hurting because
Speaker 1: they couldn't get show money and they only had so
Speaker 1: much to do with their actual songs, you know what
Speaker 1: I mean, It's like there's so many other revenue streams
Speaker 1: if you're handling the beat, if you're handling writing, if
Speaker 1: you're handling all these other things, where hey, if shit
Speaker 1: shuts down and you don't got to hit the you know,
Speaker 1: the shows, you still got bread coming in sink licenses.
Speaker 1: Once you learn the business of this music stuff, it's
Speaker 1: like a big ass game. So it's like then you
Speaker 1: start learning like what real leverage you have by doing
Speaker 1: certain things or whatever. Like it's just prior to this record,
Speaker 1: what was your buzz, like, like what was your like,
Speaker 1: like how long had you been making music up until it?
Speaker 1: For a while, But I was a writer and producer
Speaker 1: for that long, Like I was behind it. You were
Speaker 1: behind the scenes, like like who was you writing? Like
Speaker 1: anybody would know that you were producing and writing for eventually,
Speaker 1: you know what I'm saying it's not time yet right now.
Speaker 1: I was there. I like that abode fuck because of
Speaker 1: Gallus for right now. But but yeah, I was definitely
Speaker 1: moving and shaking and stuff like that in the back
Speaker 1: and behind the scenes for a while. But like twenty twenty,
Speaker 1: I decided to be an artist myself, so I put
Speaker 1: together a lot of songs I was writing for other people.
Speaker 1: I used to do them together and put out like
Speaker 1: a quick tape real quick, and then a job Gallus
Speaker 1: and then now some movie. So those other records that
Speaker 1: you were writing, if we like look up the credits, well,
Speaker 1: your name will beyond those records. You got your pup
Speaker 1: rite on those some some some of them and some others.
Speaker 1: Just so we could all just go search. We could
Speaker 1: just go search for the credits on a bunch of albums.
Speaker 1: Are you still interested in like handling production for other artists? Yeah,
Speaker 1: Like someone wants to hit you, like, yeah, I need to.
Speaker 1: I need to beat bro Like let's let's let's lock
Speaker 1: in and figure it out. Let's make it makes sense,
Speaker 1: because you know, every time like producer turned rapper really
Speaker 1: starts to pop or someone who does both, like I
Speaker 1: remember when Cole first came out he was giving Kendrick
Speaker 1: beats Big Krit first came out, Krit was passing beats
Speaker 1: off to people, Kanye obviously, you know, and then like
Speaker 1: they slowly, we slowly stopped hearing their production. I mean,
Speaker 1: I understand what people because right now it's you know
Speaker 1: what I'm saying, it's it's a good period where you
Speaker 1: know what I'm saying, I'm getting to connect with everybody,
Speaker 1: and it's all you know what I'm saying, it's dope,
Speaker 1: but it's a collab and you know all that. And
Speaker 1: then I understand why eventually in your career you might
Speaker 1: start making music just solely, just like you want to
Speaker 1: produce to help tell your story. You want to do everything,
Speaker 1: just you know what I'm saying. So I understand it
Speaker 1: why they wouldn't want to give away after a while.
Speaker 1: But right right now where I'm at my career, I'm
Speaker 1: trying to with everybody, so including Big Sean and hit Boy.
Speaker 1: For Big Sean's album De Troy three coming out, I'm
Speaker 1: I'm pointing, it's all good. No, those guys are always
Speaker 1: like literally, I feel like Big Sean and hip Boy
Speaker 1: just live there and then Nas comes over sometimes and
Speaker 1: then they just make albums and yo, I don't know.
Speaker 1: All I know is hip like that chemistry is O
Speaker 1: D and they haven't really missed it's crazy. So who's
Speaker 1: your favorite rapper? Ever? My favorite rapper is probably it's
Speaker 1: weird because I like different rappers for different reasons because
Speaker 1: I'm not gonna give me three of them Andred thousand,
Speaker 1: Biggie Wayne all elite or you know, see, just different reasons.
Speaker 1: What's okay? Give me the reason for each one. Andre
Speaker 1: D thousand is like storytelling and like how it like
Speaker 1: it'd be sounded like he's just talking facts like he
Speaker 1: just he's just talking telling the story and it's like
Speaker 1: every Just what's your favorite Outcast album? I don't have
Speaker 1: a favorite Outcast album? You know what's so crazy? I
Speaker 1: like feature Andre D thousand, but like album oh yeah,
Speaker 1: You're wild, I hear. I understand you, and I understand
Speaker 1: why people would would argue with that too. You've listened
Speaker 1: to a Quemini bro just I've listened to a lot
Speaker 1: of his music. I want to make sure that I
Speaker 1: really like. So I'm like, man, I love that Walking
Speaker 1: Out remix that DJ on verse, Man, that shit was crazy.
Speaker 1: Well have you heard of Quemini. Now nah, this certain
Speaker 1: artist was like features. They just kind of just be Wow,
Speaker 1: you give him sixteen in the topic and they just there, Dude,
Speaker 1: that Kanye Andre song that didn't come out on Donda
Speaker 1: would have been the best song on Donda. Did you
Speaker 1: hear that record that leaked? I did. I thought that
Speaker 1: shit was gas. That shit was a great Andre verse.
Speaker 1: That just was. I was like, fuck, man, was that was?
Speaker 1: That was? That was? You know what I'm saying an
Speaker 1: interesting decision by Kanye. It was a terrible decision, maybe
Speaker 1: because maybe the album did what it did because of
Speaker 1: the final product that it came out with. You know what,
Speaker 1: though I appreciate about Kanye is like you never know,
Speaker 1: we might wake up tomorrow and he'll be like, I
Speaker 1: added seven new songs to Donda and it's everything we want.
Speaker 1: That's why I was so worried when he did all
Speaker 1: the listening parties, and each time he do the listening party,
Speaker 1: like the last time, all the ship that like like
Speaker 1: jay Z's Verse he didn't play, and then the Style
Speaker 1: ship was gone or the other Lock ship and all
Speaker 1: the Grizela ship was missing, and I was like, but
Speaker 1: he put the album out and it just all was.
Speaker 1: It was like the main it was like a triple
Speaker 1: disc album or some ship. Like you know what I'm saying.
Speaker 1: I like the fact that Kanye just does whatever he wants.
Speaker 1: I agree with all their toes because we don't know
Speaker 1: what he's going to do next. A lot of artists,
Speaker 1: we get bored with them because they are so predictable.
Speaker 1: We know exactly where they're about to do next. Okay,
Speaker 1: single single album, we get cool ep. Kanye, he just
Speaker 1: just doing whatever. Even with the sound. We don't even
Speaker 1: know what sound to expect from him for the next album.
Speaker 1: That's some real ship. We really like, we really get
Speaker 1: we really get this. Like with that right there, we
Speaker 1: saw the evolution of Kanye, whereas a lot of artists
Speaker 1: they age in the game. And Kanye is my favorite.
Speaker 1: He's He's not my favorite rapper ever, he's my favorite
Speaker 1: artist ever, artists artists wise. I think he's got the
Speaker 1: best discography. And you know what's so crazy is like
Speaker 1: Jesus is probably like my third favorite Kanye album, and
Speaker 1: everyone always ships on that album. I'm like, Bro, this
Speaker 1: ship was ahead of his time. Bro's third. Yeah, Jesus
Speaker 1: is facts. Jesus is a perfect album is that the
Speaker 1: one that had doing with Charlie Wilson had black skin
Speaker 1: head on it and they had blood on the leaves.
Speaker 1: The Nina Simone sample. Bro, he just hold my liquor.
Speaker 1: Come on, man, he's finding different because we know we
Speaker 1: know hip hop, we know sampling, we know the drums
Speaker 1: that's going to people, cars, speakers, we know this certain
Speaker 1: standard of hip hop. With him, he's finding different ways
Speaker 1: of using samples. He's just finding different ways of using
Speaker 1: sense and all this. He's experimenting with it. I also
Speaker 1: think he'd be sampling people, yeah, like the people he
Speaker 1: keeps around him, like you'll think about aways and heartbreaks.
Speaker 1: He was hanging out with Kid Cuddy kind of sampled
Speaker 1: Cutty's whole ship inspired but no, but I mean sampled
Speaker 1: like in the respectful way. Chance was hanging out during
Speaker 1: the t L O P. You know what I'm saying,
Speaker 1: and we got like some gospel. Like I really think
Speaker 1: he's like mastered that and there's like a talent in
Speaker 1: that to where because't growth. I feel like, but I
Speaker 1: think what's dope is like he kind of is like
Speaker 1: the think about yuses, Like he was around Travis a
Speaker 1: lot before we knew the fuck Travis was during those times,
Speaker 1: and it's like he kind of like introduces sounds to
Speaker 1: people and they almost got to come through him for
Speaker 1: them to be commercially acceptable, at least at a certain point.
Speaker 1: They did something like that. Okay, okay, yes, you think
Speaker 1: about like a kidnamed Cuddy mixtape came out and like
Speaker 1: it did it staying, but it was like underground as fuck,
Speaker 1: like it was cool. Cuddy was rapping more on that.
Speaker 1: But then Ata Waits and Heartbreaks comes out and it
Speaker 1: just kind of made it okay for everyone to use
Speaker 1: auto tune again because people are off auto tune. People
Speaker 1: are people are shitting on t Pain And after Aight
Speaker 1: o eights, which is, oh, wait, comes Drake, comes, Cuddy, comes,
Speaker 1: Man on the Moon, comes all this ship that's like
Speaker 1: just like a tree from a of course, so at
Speaker 1: Eights was two thousand and eight, Okay, so far Gone
Speaker 1: was nine? Okay? When was T Pain's album that was
Speaker 1: like a death of auto tune? Was? Oh, that's death
Speaker 1: of Voter's seven six. That's that's that's that's j But
Speaker 1: what I'm saying is after j that T Pain did
Speaker 1: with Circus, that joint, Yeah, I can't do it. I
Speaker 1: think Circus was six ro O seven seven. Look that
Speaker 1: because was that the beginning of that run? Because that
Speaker 1: t paint run like, I feel like that's Kanye j.
Speaker 1: It was a cool It was a it was a
Speaker 1: cool little alley. But nah, but went in to when
Speaker 1: wit and heartbreaks happened. That was Hey, what up? Man?
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Speaker 1: back to the interview. Ato eights came at a time
Speaker 1: when people were off the autotune shit because everyone thought
Speaker 1: it was like do you remember when Ron Brows did
Speaker 1: pop Champagne? Of course that ship. I was in New
Speaker 1: York at the time that ship was hold. There was
Speaker 1: ways to use auto tune that were fire, and that
Speaker 1: wasn't one of them, you see. And that's what I'm saying,
Speaker 1: that's the fan. That's just because I'm not gonna lie everything.
Speaker 1: I'm sure it was a moment. No, I'm sure it was.
Speaker 1: I mean it was a record that I played on
Speaker 1: the radio in Phoenix. No, it wasn't just a hot
Speaker 1: record after that period. There's a lot of people in
Speaker 1: New York that was sounding like that. So it was
Speaker 1: like it was just that sound. We liked how he
Speaker 1: kind of used it. So it was you mentioned Biggie.
Speaker 1: Why Biggie. I like his cadences, So he he was
Speaker 1: one of the first people I heard use like almost
Speaker 1: Jamaican cadences and flows in a rap. But he just
Speaker 1: with our lingo, just with the New York lingo, but
Speaker 1: just the cadences that you hear and like reggae and
Speaker 1: stuff like that. You heard it in his wrap that
Speaker 1: you love, like just the certain flows that he was using.
Speaker 1: It was just like, I feel like his flow. He
Speaker 1: was just skating on songs, and I feel like he
Speaker 1: kind of said he has the best flow ever. That
Speaker 1: was It's not it's butter Man, you know who I
Speaker 1: think is only the only person who comes close as
Speaker 1: far as this Buttery flows man the way Rose be
Speaker 1: skating on some ship, Rick Ross ship be sounding. So
Speaker 1: I'm putting Biggie first still, but he Biggie's first, for sure,
Speaker 1: not and he does. But Ross is the only person
Speaker 1: who like sometimes he'll you'll hear him on some shit
Speaker 1: be like God damn, it's just so he's different. And
Speaker 1: then you said, Wayne, yeah, because he just just pieing it.
Speaker 1: He just changed again, like he just really did. What
Speaker 1: you want, what's your favorite little Wayne album? I probably
Speaker 1: ask you that, right. I want to say Carter Carter three,
Speaker 1: And I hate saying because I know that's like everybody
Speaker 1: like you know what I'm saying. But that album is
Speaker 1: really low key o D low key. It was actually
Speaker 1: obviously it's over a million in the first week, but
Speaker 1: but you do a million. I like Carter too. I'm
Speaker 1: a Carter two guy. This is a good album. I
Speaker 1: love Carter toon man Carter two. But you know what,
Speaker 1: I'll take all the mixtape weezy shit over all his albums.
Speaker 1: If I had to make a trade, give me all
Speaker 1: the mixtapes, keep all the albums. I'm good because I
Speaker 1: think the last like I don't know how many Carter
Speaker 1: two was great. I mean the first three Carters were amazing,
Speaker 1: Like fatherlike Son is very slept on Birdman. Wayne's album
Speaker 1: was crazy. It was outside of that. I just I'm
Speaker 1: not crazy about like any of that. I am not
Speaker 1: a human beings or the fucking revolver shit or I
Speaker 1: thought Carter four was some straight mid If I'm being honest,
Speaker 1: he had better work. Carter five was. You know, you
Speaker 1: could tell, like, man, Carter five was. There was like
Speaker 1: maybe a handful of songs that were cool, but like
Speaker 1: still a little disappointed. Obviously I did one a little
Speaker 1: bit more out of Carter five for sure. So then
Speaker 1: all right, said, I'm thinking about the initial statement with
Speaker 1: the mixtape. I'm not gonna lie, and maybe my thing
Speaker 1: with Wayne is the last time that I really thoroughly
Speaker 1: enjoyed a Wayne project was nine and that was the
Speaker 1: first No Ceilings and then I think ever since then, Yeah,
Speaker 1: I mean, tell me the albums after nine, give me
Speaker 1: the project after nine, because because Carter three came out
Speaker 1: in Oha, no Ceilings was nine, and then it was
Speaker 1: like revolver, and I mean there was like moments versus singles.
Speaker 1: There were singles that were cool, like Wayne had some
Speaker 1: fucking great singles, But like I'm just thinking of the
Speaker 1: body of work that I really fucking functioned with. It
Speaker 1: really was. There was really not another body of work
Speaker 1: that I was like, man, this ship is crazy. There
Speaker 1: was record and then I'm thinking about it because you
Speaker 1: definitely opened a different perspectives and then you might be right.
Speaker 1: But overall as an artist though, as a rapper, he
Speaker 1: has to be he like, he has to be like
Speaker 1: in my top three because of how no. I mean,
Speaker 1: of course, you know, he He's the reason while everybody
Speaker 1: rap body wrap fair enough, either him or Keith. Yeah,
Speaker 1: I think you know, it's so crazy. I feel like
Speaker 1: it might sleeps on the influence of the future, Chief Key, Future,
Speaker 1: Yeah and Wayne, Like I feel like this whole generation
Speaker 1: it's like Chief Key Future and Wayne kids and a
Speaker 1: little bit and a little bit of Drake. But basically yeah, yeah, yeah, yeah, yeah,
Speaker 1: shout out to Drake. I remember those are paid for
Speaker 1: like two years where everybody would sounding like take care Drake,
Speaker 1: I was just doing the singing what do you call it?
Speaker 1: Over the film. I hear that. I hear generic Drake
Speaker 1: want to be his every single Like, dude, you know
Speaker 1: how many times like people come here play me records
Speaker 1: and I'm just like, bro, what the fuck are you doing? Yeah,
Speaker 1: this ship is like you should write songs because write
Speaker 1: songs for Drake, because this is you trying to do Drake. Like,
Speaker 1: That's why I say it's gonna be a good decade.
Speaker 1: Because I feel like everybody right now is really priding
Speaker 1: themselves on just the like individual sounds like I feel
Speaker 1: like we're about to get I feel like we're slipping
Speaker 1: into a an error like and yes, I'm staying behind
Speaker 1: this too. I'm standing behind this where I feel like
Speaker 1: tag eventually people are going to stop putting tags on beads.
Speaker 1: I think that that would be great. Yes, because you're
Speaker 1: sat now people aren't gonna know you by your tag.
Speaker 1: They have to know you by your sounds. So now
Speaker 1: your sound has to be unique or you're gonna well. Also,
Speaker 1: it opens up the lane for producers to actually get
Speaker 1: some looks to deserve it because right now, like I see,
Speaker 1: especially with these major labels, Bro, I see you with
Speaker 1: my own eyes, like these motherfuckers are trying to push
Speaker 1: you to go he yo, you got to get in
Speaker 1: with take Keith, you gotta. And I'm not saying that
Speaker 1: these guys are all incredible, right, but what if there's
Speaker 1: another guy who's your boy, who's got pro opportunity that
Speaker 1: has nothing to do with the tag because they had
Speaker 1: they were playing favorites in the nineties. Two This is
Speaker 1: you know what you're right? The error though, when you
Speaker 1: were like, you hear Timbaland, but you know it is
Speaker 1: a Timberlin beat you knew was Alba or Scott Storcheb.
Speaker 1: You would know because it's the keys. So I feel
Speaker 1: like people are gonna now make their signature be the
Speaker 1: sound as opposed to just the tag. Mustard had that too, Yes, Mustard.
Speaker 1: I actually think Mustard is the only person that's had
Speaker 1: that in a long time because everyone else's should I
Speaker 1: think is they're all hard, but they could be interchangeable.
Speaker 1: So yes, Mustard has had his own sound where he
Speaker 1: didn't have to put his tag. He just did so
Speaker 1: and shout out to the League of Stars. Low key
Speaker 1: they had that sound together, but Mustard was bigger. He
Speaker 1: had a bigger record. They're from l A. They had
Speaker 1: some they did r I P by g Z. They
Speaker 1: did a bunch of records, but they don't get enough
Speaker 1: like love. Got to show them love because they were
Speaker 1: doing some shit. When's your album coming out soon? I
Speaker 1: don't have a date on it yet because I'm really
Speaker 1: trying to make sure that it's is right first before.
Speaker 1: Even this feels like a type of record Drake would
Speaker 1: have gotten on g Yeah, it just feels like As
Speaker 1: soon as I heard it, I was like, wow, this
Speaker 1: is dre here comes just when happened. I mean a
Speaker 1: there'll be other records and be he did what he
Speaker 1: did practice with the same sample. What was like, what
Speaker 1: do you think? Like, you know, obviously Drake dabbles in
Speaker 1: the Jamaican accents m quite convincingly, but I mean, you
Speaker 1: know what his face. At first I was I was
Speaker 1: on some like oh yeah, Drake doing his fake accent thing,
Speaker 1: until like you start meeting people from Canada, well Toronto,
Speaker 1: people don't realize how much of a melting pot just
Speaker 1: Toronto is. Like they sound like they sound like Harlem
Speaker 1: featuring Jamaica writing some other like so so it's like
Speaker 1: you told to other people from Toronto, you'll be like,
Speaker 1: oh he talks like the city, right, Yeah. I think
Speaker 1: that people. I think when people put that label on him,
Speaker 1: like yo, man, you're fucking appropriate, Like man, you've never
Speaker 1: been to Toronto? Yeah no. In fact, like if you're not,
Speaker 1: if you're not a part of that coature, you're not
Speaker 1: gonna understand it. And no matter how much he tried
Speaker 1: to shine a light on Toronto, we still only saw Drake,
Speaker 1: so we didn't also I'd like to point out Drake
Speaker 1: does a good job of like helping bring up people
Speaker 1: from whoever. Like of course, you know what I'm saying,
Speaker 1: Come on, everybody gets the Drake Cole sign and goes crazy.
Speaker 1: That's that's like he did a lot for the UK
Speaker 1: music scene, you know what I mean. Like between Drake
Speaker 1: and Chris Brown, they put on everybody Drake, I mean,
Speaker 1: Kanye Kanye and put on Travis put what I mean,
Speaker 1: and even a lot of people you have put on
Speaker 1: Chancellor and chances already that motherfucker has like a big five.
Speaker 1: It's like it's his strong five. Yeah yeah, yeah, yeah,
Speaker 1: But Drake's got like a fucking He's got a whole
Speaker 1: forest of trees. Yeah yeah, you're right, You're right. Now,
Speaker 1: Drake's got the you know what's crazy about Drake because
Speaker 1: he's put on a lot of one hit wonders. Like
Speaker 1: if you think of like, by the way, shout out
Speaker 1: to mcconaan because I think mccona is a great writer,
Speaker 1: great artists, But like if you think of like the
Speaker 1: amount of artists like Drake just decided to just tap
Speaker 1: in on a record with and then like what happened,
Speaker 1: Like I mean it's it's it's weird. They their biggest
Speaker 1: song might be this song with Drake, but he definitely
Speaker 1: I'm waiting to see what happens with Smiley. They can
Speaker 1: a little crazy, even with the Maconaan guy that I love.
Speaker 1: The club going up on a Tuesday. No, he's no.
Speaker 1: He had what was the record that I don't sell
Speaker 1: Molly no more? That ship was fire. I think Wiz
Speaker 1: was on the remix. Now he has some joints. But
Speaker 1: I just mean like they're going like he did. He
Speaker 1: gives them the care package. They go crazy and then
Speaker 1: they do what they do. Their biggest song might be
Speaker 1: thee with Drake, so we might say damn they fell
Speaker 1: off because they don't have another song to that magnitude,
Speaker 1: but it's the Drake song. No, for sure, we'll listen. Man.
Speaker 1: I can't wait to hear your album. It's gonna get crazy.
Speaker 1: I can't wait to hear these because I'm gonna just
Speaker 1: hit hit Boy and be like, yeah, I'm gonna come
Speaker 1: to Challis and go see what what this record sounds like? Crazy?
Speaker 1: You and Blast have a whole album coming out together.
Speaker 1: He's dope, fuddy, that's manifesting. He's going crazy blast fifty
Speaker 1: percent of the beats. He'll do fifty percent of the
Speaker 1: beat sound a great idea. Blast. You guys are joint tour.
Speaker 1: It'll be New York to l a big for our coach.
Speaker 1: That's big for the coachre fucking what not? Yeah like that.
Speaker 1: Drake's gonna be on the album. Yeah, manifest at all
Speaker 1: We here, Yeah, yeah, shit me board, I'm here for it. Yeah,
Speaker 1: that'd be big for the coature. We gotta do something crazy.
Speaker 1: We got to create the biggest moments in hip hop
Speaker 1: history period. I like the way you talk, man, the
Speaker 1: way you're talking about moments in decades. I love that energy.
Speaker 1: You have to, bro, have to listen the coach you needed.
Speaker 1: This is what we need. Yeah, man, that shit is big, bro.
Speaker 1: So hopefully we are. The follow up singles that coming
Speaker 1: sooner than I mean there, terribly soon. It's called talk Nice,
Speaker 1: Talk Nice, so nice. That's tough. Trust me, when you hear,
Speaker 1: you're gonna be like, Okay, I understand. You know what's crazy.
Speaker 1: We haven't had a record like this out of New York.
Speaker 1: I feel like since Like I Like that was like
Speaker 1: the number one song in the club since Panda. It's
Speaker 1: the last time, right, Since New York had the number
Speaker 1: one song in the club all over the country, I'm
Speaker 1: not talking about in New York Welcome to the Party.
Speaker 1: It was not the number one song in LA. It
Speaker 1: wasn't respectfully Big Drip dow York maybe no, no, no no,
Speaker 1: Big Drip was not the York. Might have been it
Speaker 1: low key, no disrespect. I left out Fat Joe all
Speaker 1: the way up, All the way up was crazy like that.
Speaker 1: I didn't I didn't know. I didn't really think about
Speaker 1: I don't know why I didn't think about it. That
Speaker 1: was a fucking missile. Missile You still play all the
Speaker 1: way up now at like eleven forty five and get
Speaker 1: it off early and everyone crazy. Yeah, so I would
Speaker 1: say Dior all the way up then Panda yeah, and
Speaker 1: Gyellous Yeah. I'm glad to be part of conversation. Yeah,
Speaker 1: and watch don't we draft the next giant. I'm telling you,
Speaker 1: I'm well and okay, we're gonna say, hey, man, I
Speaker 1: believe you. Now. Not everyone comes up here and talks
Speaker 1: like this. All right, we're gonna see this guy for
Speaker 1: the next ten years, at least, at minimum, at minimum
Speaker 1: the next ten years, he's gonna be the new Nate Dog,
Speaker 1: the new team Pain, the new Puff, the new Tyler Perry,
Speaker 1: the new Master p. You heard all that. He's gonna
Speaker 1: be a fucking billionaire opening a movie studio in the Bronx.
Speaker 1: They're gonna in the Bronx after him. Come on, she's
Speaker 1: like that and like that. He's going to be at
Speaker 1: the battle jumping out on stage of kress One doing
Speaker 1: Joala's you know, yeah, yeah, what I'm saying so good? Now,
Speaker 1: that's so good. We don't get put that good o
Speaker 1: the Caucasian pronunciation. So good. You're actually going to the battle.
Speaker 1: I'm a thousand percent. Have you met carras One? I haven't.
Speaker 1: Guys me just post that picture. Please get the photo
Speaker 1: with kress Oh, of course, let me, but you it both.
Speaker 1: Karris One Temple of hip hop. Man, he's a legend, bro.
Speaker 1: You know he's different him and Big Dad. You know
Speaker 1: Big Daddy Kane used to fuck Madonna, bro. Really, he
Speaker 1: was piping Madonna. Madonna like that was like his bitch
Speaker 1: for like a little bit, and she's in the pop.
Speaker 1: He was fucking Madonna when she was like the biggest
Speaker 1: lady in the world as a rap that's dope. I'm not.
Speaker 1: He was giving her that cane bro smooth operator bro
Speaker 1: shout out to shout out to the guy Daddy Caine,
Speaker 1: a legend too, Yes, sir, anyway, man and you're and
Speaker 1: you're a legend. Capella Gray, Yes, sir, we're here. Boom