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Speaker 1: I'm here to.

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Speaker 2: Not finish but continue the saga of the squeaky shoe.

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Speaker 3: Okay.

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Speaker 1: So I finally was like, I really can't put up

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Speaker 1: with this. I'm gonna do it.

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Speaker 2: I'm gonna reach out to the company find out what

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Speaker 2: you know. And they're like, well, okay, you know, we

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Speaker 2: could resold the shoe, but it's probably gonna cost you money,

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Speaker 2: but you can send send us the shoes. And I

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Speaker 2: was like, okay, So it just feels weird to box

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Speaker 2: up jus shoes and send them off. And I literally

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Speaker 2: get three phone calls, not one, but three phone calls

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Speaker 2: until I finally connect. And I'm like, why they keep

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Speaker 2: calling me? And you know, the guy keeps leaving me

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Speaker 2: a message. You're like, this is a you know nick

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Speaker 2: up here, and I just wanted to talk to about shoes.

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Speaker 2: I was like, okay, you know, I finally call them back,

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Speaker 2: and I finally I connect with them.

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Speaker 1: It's like talking to a mechanic about your car.

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Speaker 2: I was just like, all right, well, I got your

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Speaker 2: shoes here, and I'm looking at them right now. I'm

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Speaker 2: about to take them out on the floor, and you know,

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Speaker 2: but I need them on the lift. I need you

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Speaker 2: to give me the go ahead on the shoes. I'm like,

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Speaker 2: what do you need two hundred and fifty dollars to

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Speaker 2: resole them?

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Speaker 1: Okay? Is there an option? I was like, is there

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Speaker 1: anything else?

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Speaker 3: How much are the shoes to buy new?

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Speaker 2: It was over five hundred dollars okay, And I'm like, don't.

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Speaker 1: Touch them at all. I'm going to take them to

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Speaker 1: another cobbler. Okay, that's mechanics. Don't don't touch it.

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Speaker 2: I know I should have done the Daniel visually and

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Speaker 2: get three estimates the lowest in the middle. No, But

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Speaker 2: I was like, you have my shoes, you can't just like,

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Speaker 2: can you test them?

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Speaker 1: Find the squeak and like it out? What a man?

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Speaker 1: But it was so and I was like, yeah, go ahead.

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Speaker 1: He's like, all right, you want to pay me now

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Speaker 1: or pay me when it's I'm like, this is what.

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Speaker 2: Okay, here's my credit card, just just charge.

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Speaker 3: To give the shoes an ekg oh my god.

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Speaker 2: But the worst part while this is happening, I put

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Speaker 2: on my other boots that I don't wear as much.

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Speaker 1: They cost me less, but they look good. You guess

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Speaker 1: what develops? No squeaze the same spot on the same shoe.

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Speaker 2: So it's it's a problems something about the way I walk.

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Speaker 3: Your foot. Something's wrong with my foot, the left toppet foot.

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Speaker 1: I have a question. You need to update my wiki

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Speaker 1: thing page able to put a warning. Make sure that

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Speaker 1: your foot is not squeaking at this point. It might

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Speaker 1: just be your foot.

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Speaker 2: I never walked barefoot because I would never inflict my

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Speaker 2: bare feet on the world, so I will never know.

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Speaker 1: I will never ri.

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Speaker 3: You need my barefoot shoes?

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Speaker 1: Oh oh god, have you thought of dew shoes? They

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Speaker 1: can work? Oh my god, I know.

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Speaker 2: But yeah, So now I have a squeak on my

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Speaker 2: other shoes, and I'm like, I guess this is just

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Speaker 2: you know, I did get the shoes back.

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Speaker 1: I'm wearing them right now. They are not squeaking. They're fine.

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Speaker 1: I've now spent over seven hundred dollars on, oh my god,

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Speaker 1: a diagnostic machine. And the guy's like typing in the

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Speaker 1: computer as it's doing all the print outs. It's it's

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Speaker 1: like the Iron Man creating a suit. He's like blowing

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Speaker 1: it up in front of him and spinning the shoe

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Speaker 1: around and.

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Speaker 3: Squeak, hacky sack marks and petuli smell coming from the

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Speaker 3: that's definitely.

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Speaker 1: What's happening here? Oh it's squeaking because there's a proverb

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Speaker 1: from David Hume tag into the toe.

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Speaker 3: Hey, I've found that pin.

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Speaker 1: It's calling out for the leather jacket. That's what's happening.

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Speaker 3: They're all looking for the lost of leather jacket.

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Speaker 1: The question would you buy this same pair of boots again?

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Speaker 1: Would you buy from this company again? Or no? I

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Speaker 1: kind of love them. Yeah, they're like the greatest.

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Speaker 2: Yeah, I mean they're like real quality, heavy duty Pacific

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Speaker 2: Northwest Boots.

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Speaker 1: There's like this.

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Speaker 2: Whole category of there's if you look online and a

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Speaker 2: lot of them take like like over six months. You

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Speaker 2: order a pair of shoes and takes over six months

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Speaker 2: to get them. It's like a whole Yeah, it's a

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Speaker 2: whole culture.

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Speaker 1: The squeaky clown knows what the hell is the point?

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Speaker 2: And you, well, the whole point is that you buy

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Speaker 2: one and like they last you your whole life, except

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Speaker 2: you have to resole them eventually.

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Speaker 1: But it's they're amazing. They're so heavy duty and I

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Speaker 1: do love them so Danielle and I. In our neighborhood,

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Speaker 1: there is actually a cobbler, like an old school leather

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Speaker 1: working cobbler, you can go and have stuff fixed.

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Speaker 2: And but see, I get scared because I did that

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Speaker 2: in New York. I took a pair of boots that

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Speaker 2: I had to a shoe guy in New York or

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Speaker 2: a cobbler in New York, and I was like, oh,

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Speaker 2: can you just put new soles on this? And you

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Speaker 2: put like the worst, like normal shoe soles and like

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Speaker 2: completely ruined the boots, and like when I got them back,

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Speaker 2: I was like, oh, thank you. And you know I

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Speaker 2: was only like twenty years old, right, you didn't want

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Speaker 2: to stand up for yourself.

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Speaker 1: Yeah, exactly was.

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Speaker 2: I was just like, I guess I'll just take these

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Speaker 2: awful looking, horrible walking.

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Speaker 1: Out like a Nike swish on it.

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Speaker 2: Such a bad So I've always been scared of kler,

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Speaker 2: Like how did you not know to put like a

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Speaker 2: boot sole that matched what.

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Speaker 1: We already had? I mean, I just yeah, I made

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Speaker 1: I got screwed. But it sounds very Grim's fairy tale.

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Speaker 1: That's why I've always been afraid of the cobbler.

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Speaker 3: One time in New York.

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Speaker 2: New York.

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Speaker 3: Welcome to pod Meets World. I'm Danielle Official.

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Speaker 2: I'm rather strong, and I'm Wilfordell.

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Speaker 3: Welcome to today's episode recap. We are starting with season six,

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Speaker 3: episode sixteen, My Baby Valentine. It originally aired February twelfth,

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Speaker 3: nineteen ninety nine, and the synopsis is while hoping to

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Speaker 3: focus on just to Panga, Corey tries to throw his

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Speaker 3: mom a surprise baby shower on Valentine's Day, only for

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Speaker 3: her to be rushed to the hospital with an emergency labor. Also,

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Speaker 3: Jack and Rachel's relationship continues to develop. It was directed

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Speaker 3: by David Kendall, Dave One and Only producer director Extraordinary.

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Speaker 3: It was written by Lara Olson and Patty Carr. And

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Speaker 3: before I jump into our guest stars, did you guys

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Speaker 3: have any overall thoughts man.

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Speaker 2: We haven't, Like I watched the show for a while.

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Speaker 2: It's been like, a yeah, it's been a while, very

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Speaker 2: very weird.

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Speaker 1: This episode felt weird.

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Speaker 2: I didn't you know, I had no memories because I

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Speaker 2: clearly this is the smallest part I've ever had in

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Speaker 2: an episode of Boy Meets World. You had that one

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Speaker 2: phone call, and I always pre taped it and like

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Speaker 2: otherwise I was so I feel like I'd never I

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Speaker 2: don't even know if I read the script like I

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Speaker 2: was so not.

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Speaker 3: Why was it this? Were you out of town? Were

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Speaker 3: you gone?

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Speaker 2: I mean, I know the road trip. Yeah no, I

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Speaker 2: think I was just they think they just decided to,

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Speaker 2: you know, get Sean out of there. But so it

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Speaker 2: felt weird to like be just kind of watching a

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Speaker 2: show that I will say I way more invested in

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Speaker 2: the Rachel Jack storyline than I ever thought I would be.

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Speaker 1: I was like, this is actually, this is good.

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Speaker 2: Matt's great, and like I just was like, oh, this

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Speaker 2: is a cool Like I was like, oh, yeah, that's

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Speaker 2: that's a storyline that I didn't even remember happening. Yeah,

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Speaker 2: So it was cool to just watch that, But I

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Speaker 2: don't know, I felt rushed, felt weird. I didn't like

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Speaker 2: it felt like.

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Speaker 3: I believe we're already at the baby being born.

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Speaker 2: Yeah, but it just felt like like a couple of

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Speaker 2: different episodes crammed into one. It was like one about

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Speaker 2: Corey's anxiety and Valentine's Day and then it like really

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Speaker 2: obviously doesn't become about that, and I don't know if

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Speaker 2: he actually learned anything. So I don't know, it just

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Speaker 2: felt like a kind of like it felt like a

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Speaker 2: couple different episodes got crammed together and they just rushed

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Speaker 2: this one out.

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Speaker 3: Yeah, there were like three full storylines between the baby, Rachel,

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Speaker 3: Jack and Eric and Tipangan, Corey Valentine's drama.

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Speaker 1: Yeah, will Yeah, it wasn't my favorite. Now it was.

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Speaker 1: This episode was there's so much with it that was

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Speaker 1: I don't know. I hated Corey, but I think you're

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Speaker 1: supposed to do. Yeah, but he was just the worst

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Speaker 1: version of Cory you'll ever see ever. It's just terrible.

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Speaker 1: I didn't particularly like my performance. I thought I was

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Speaker 1: pushing a lot in this episode. Yeah. And then they

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Speaker 1: had a premature baby that was thirty seven pounds at birth,

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Speaker 1: which is also interesting. She's like, here's your child. Oh

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Speaker 1: my god, it's only seven and a half months, Like,

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Speaker 1: here you go. It took two people to wheel the

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Speaker 1: kid in so yet. No, I don't know. Maybe I

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Speaker 1: was in a weird mood, but I really did not

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Speaker 1: like this episode. Also remembered nothing of this episode, like writer,

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Speaker 1: nothing whatsoever. Yeah, just it wasn't my favorite. I also

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Speaker 1: have a theory we'll get into with mister Feenie but

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Speaker 1: actually Bill that we'll get into a little bit later.

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Speaker 1: But yeah, Phoenie was Bill was I thought hysterical, like

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Speaker 1: he's him. It was so refreshing, just happy. Bill is

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Speaker 1: my favorite. But he wasn't, remember was it because again

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Speaker 1: it's been a while, was it the last episode that

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Speaker 1: we did that he wasn't in it? And we're like,

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Speaker 1: did Bill have finals? Yeah? He was. As he was

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Speaker 1: laughing in this episode, he was covering a cough. You

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Speaker 1: could tell. And I'm thinking the week before he was sick.

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Speaker 1: That's why he wasn't in the episode, because remember we

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Speaker 1: were like, this should have been a scene with Rusty

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Speaker 1: and Bill and why did that not happen? And you

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Speaker 1: can hear he's got something bronchial going on, and I

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Speaker 1: think the prior week he was sick. That's my guest.

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Speaker 1: After hearing this one fun you know, happy Feenie, great Phoenie.

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Speaker 1: That's really fun. The rest of the episode, I was,

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Speaker 1: I was, and you're right. Matt and Maitland were great

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Speaker 1: and they have this chemistry between the two of them,

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Speaker 1: and even the kissing works. It was a little much,

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Speaker 1: but the kissing works like they seem like they go

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Speaker 1: well together. But overall the episode I wasn't a fan of.

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Speaker 3: Yeah, Danielle, I no, I agree. I you know, this

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Speaker 3: is definitely the worst of the worst version of Corey

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Speaker 3: I think we've ever seen consistently through an entire episode,

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Speaker 3: so much so that like the way he grabs Tapega's shoulder,

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Speaker 3: and like you can hear in my voice when I'm

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Speaker 3: because I'm talking, I'm whatever it is that I'm saying,

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Speaker 3: and he grabs me by the shoulder, and you can

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Speaker 3: hear that there's enough force in it that it changes

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Speaker 3: the way the words are coming out of my mouth,

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Speaker 3: like my breath changes, and I it's just it's not

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Speaker 3: a good Corey. And I know that people have warned

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Speaker 3: us like, oh just wait. But truthfully, for the majority

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Speaker 3: of season six there have been some moments, But for

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Speaker 3: the majority of season six, it's been a lot of

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Speaker 3: our favorite type of Corey. Yeah yeah, And then every

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Speaker 3: now and then they throw in an episode like this

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Speaker 3: where it's just yeah, and I'm not sure he did

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Speaker 3: ever learn anything to Pega said to him, I don't

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Speaker 3: know four times and even just the first scene. Sometimes

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Speaker 3: plans change, Corey, sometimes things change, and at the end,

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Speaker 3: he still doesn't seem like anything's landed on him. I wish,

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Speaker 3: I wish there were and I don't know, because I'm

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Speaker 3: trying not to be the person who says I wish

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Speaker 3: there could have been some more comedy in the Rachel

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Speaker 3: and Jack needing to tell Eric's storyline. But then when

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Speaker 3: I really think about that and I think about what

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Speaker 3: they would have done, I probably would have complained about

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Speaker 3: that too, And I don't want to be that person who's, like,

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Speaker 3: you know, says I would have been happy another way,

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Speaker 3: and then but really would I have been?

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Speaker 1: So I don't know.

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Speaker 3: I don't have a good answer for how to improve

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Speaker 3: this aspect of their story. I like the idea that

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Speaker 3: we've reached the point now where okay, there are real

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Speaker 3: feelings here, we are going to be in a relationship,

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Speaker 3: and now we really do have to talk to Eric.

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Speaker 3: I like that.

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Speaker 2: I but then Eric just reveals that he knows he knows,

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Speaker 2: and thank you that idiots with Eric again where it's

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Speaker 2: like he's known the whole time, and it's kind of like, okay, yeah, it.

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Speaker 1: Would have been more interesting had he really not know.

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Speaker 3: No, you're exactly right. It definitely would have been more

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Speaker 3: interesting to see him learn that information and make the

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Speaker 3: reveal or the decision that you're going to move out

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Speaker 3: in another episode. We have enough bombshells in this one episode,

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Speaker 3: you finding out and us seeing your real reaction to

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Speaker 3: that news, and then later there being the storyline may

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Speaker 3: have been better, so that that was a that's probably

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Speaker 3: a pretty good fix.

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Speaker 1: Yeah. I think what they were going for, or at

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Speaker 1: least what they should have kind of shot for a

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Speaker 1: little more, even if they had to bracket it to

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Speaker 1: the point where it was like, Okay, we get it

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Speaker 1: is everybody. Everybody has their own thing going on that

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Speaker 1: they think is super important until this baby is born

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Speaker 1: and may die and that everybody realizes, wow, there's way

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Speaker 1: more important things going on in the world than us.

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Speaker 1: I think that's kind of like what they were going

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Speaker 1: It didn't feel like that. I'm like that that sounds

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Speaker 1: like a good yeah, like Corey is supposed to realize, wow,

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Speaker 1: this all my all. My ispor been like, yeah, they're

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Speaker 1: in love now and that's really upsetting me. But my

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Speaker 1: little like that, Fienie, I'm in love. All that could

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Speaker 1: have meant none of that matters. This is what matters.

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Speaker 1: But I think that that's what they were going for.

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Speaker 1: It didn't really land very well.

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Speaker 3: Though, Yeah, And I think part of the reason it

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Speaker 3: didn't land very well is because everyone handled their own

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Speaker 3: news very dramatically instead of being like, honestly, just life

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Speaker 3: is short, you know, be happy or tanga Valentine's Day.

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Speaker 3: It isn't about the day tomorrow. I'll celebrate you tomorrow.

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Speaker 3: I'll celebrate us the next day, like if had the

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Speaker 3: message turned out that way, but instead everyone's like this

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Speaker 3: baby's dying and my life sucks.

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Speaker 1: Yeah, And then they went the opposite way with Eric,

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Speaker 1: where Eric's like we're together. He's like, I know, I

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Speaker 1: know it'll be great.

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Speaker 3: I'm moving out and I'm moving out. Nothing will ever

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Speaker 3: be the same again. It's not I did not read

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Speaker 3: it as you being okay, it's great.

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Speaker 1: See I did I read it. I play. I feel

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Speaker 1: like I played it like no, it's never going to

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Speaker 1: be the same again, and that's okay, Like you guys

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Speaker 1: go explore and I'm going to move out.

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Speaker 3: Well, there's definitely you saying it's going to be okay,

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Speaker 3: but it feels very much like it's okay that you've

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Speaker 3: broken my heart and our friendship is like that. That's

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Speaker 3: how that's all it came across to me, Like so

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Speaker 3: I don't know, well, jumping into our guest stars. We

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Speaker 3: have Gwen McGee as a nurse. She's a peace in

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Speaker 3: movies like New Jersey Drive and Coach Carter and TV

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Speaker 3: shows like Days of Our Lives and Seinfeld. Yeah, well

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Speaker 3: she was Janine in the Fatigues.

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Speaker 1: She was And you know who the other guy was

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Speaker 1: in the Fatigues. It's her and the guy who plays

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Speaker 1: the trailer park crazy guy, bald headed who's like, you

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Speaker 1: shouldn't be bringing them around here, you know. Yeah, yeah,

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Speaker 1: so that's the other guy from that same episode. Yeah, yeah,

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Speaker 1: Multiple Boy Meets Rollers.

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Speaker 3: And then we have McNally Sagel as doctor, another veteran

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Speaker 3: actor seen in movies like Pleasantville, Coneheads and SLC Punk

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Speaker 3: and TV shows like er House and Lucifer. And then

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Speaker 3: we have Brendan Wentworth as pizza guy. Brendan had already

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Speaker 3: appeared on Guiding Light and Derma and Greg by the

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Speaker 3: time he got to Boy Meets World. Then he stopped

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Speaker 3: acting in two thousand and two, apparently popping back up

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Speaker 3: sixteen years later in TV shows like Cipher and All

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Speaker 3: American just last year. I uh that that scene with

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Speaker 3: him with Corey calling a stripper, it's quite a move,

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Speaker 3: quite a move.

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Speaker 1: It's really funny, though, I know, so ridiculous that it's

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Speaker 1: like my mom's having a baby shower next to my

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Speaker 1: eleven year old sister.

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Speaker 3: Huh.

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Speaker 1: And I'm gonna call a stripper yep.

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Speaker 3: So then, so to start off our recap, we are

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Speaker 3: in the Matthews living room. Corey appears to be on

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Speaker 3: the phone facting with Tapanga. He explains how important this

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Speaker 3: Valentine's Day is. It's the first one since they broke

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Speaker 3: up and the last one before they're married. Corey says

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Speaker 3: he'll be wearing a turtleneck and then asks what she'll

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Speaker 3: be wearing. But to our surprise, on the other end

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Speaker 3: of the line, it's Sean. He is on a payphone

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Speaker 3: and says he's sporting jeans, the same shirt he's been

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Speaker 3: wearing for a week, and Tommy Hill figure socks. Sean

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Speaker 3: tells him that Valentine's Day isn't very important to him,

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Speaker 3: so he'd rather not talk about it. Corey wonders, because

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Speaker 3: you miss Angela, Sean clarifies, because I'm at a payphone

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Speaker 3: and there are cowboys around on cue. A crowd of

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Speaker 3: cowboys lines up behind him for the phone. Corey says

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Speaker 3: he misses him, and Sean turns to the cowboys before responding, Okay, fine,

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Speaker 3: Corey shocked. Aren't you gonna say it? Sean stammers, no,

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Speaker 3: I'm not gonna say it. Corey wins, you don't miss

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00:16:21,840 --> 00:16:25,760
Speaker 3: me through gritted teeth. Sean says, let's not talk about

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Speaker 3: this right now. How do the How does Sean think

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Speaker 3: these cowboys know who he's on the phone with.

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Speaker 2: Why could be talking Why Sean is never bothered by Like,

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Speaker 2: that's never I'm Corey, I'm Sean, your Corey.

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Speaker 1: That's all you know. He's like the point of Sean

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Speaker 1: is that he doesn't give a crap. It's coy.

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Speaker 3: I can see how maybe Sean on the road alone

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Speaker 3: in a in an unfamiliar place, I could see how

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Speaker 3: that could change things a little bit. But like, I'm sorry,

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Speaker 3: I could never get past the idea that no one

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Speaker 3: should know who you're on the the end of No

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Speaker 3: one should know who's on the other line. It's not

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Speaker 3: like they can see the split screen.

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Speaker 1: Like yeah, by the way, it seemed like they radar

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Speaker 1: At first, I was like, oh my, they're radar riling

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Speaker 1: rider what because darling right, he tried to say that Radar,

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Speaker 1: O'Reilly Rider, ing Rider Ring.

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Speaker 3: Okay, so Rader O'Riley ing Rider.

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Speaker 1: Yes, that's what I was trying to mean. So this

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Speaker 1: is the rumor. I could be completely wrong, but I

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Speaker 1: don't think I am. Towards the end of Gary Bergos

359
00:17:34,080 --> 00:17:37,440
Speaker 1: Run on Mash the eighth season in he wanted to leave.

360
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Speaker 1: He was not getting along with the cast. The cast

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Speaker 1: was not getting along with them. They were not working

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Speaker 1: well together. So he was always on R and R

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Speaker 1: and Tokyo and they would cut to him on the

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Speaker 1: phone talking to somebody at MASH.

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Speaker 3: That's how they incorporated him in the episode, but he didn't.

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Speaker 1: Three episodes in a row. He's just in a hotel

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Speaker 1: room in Tokyo by himself, going like, why are you

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Speaker 1: calling me Clinger? And then they cut back to the

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Speaker 1: rest of MASH like maybe they're firing Rider and we

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Speaker 1: just don't know about it. Yeah, it's possible this Rider's

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Speaker 1: last episode and we don't know.

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Speaker 3: He's like, are you writing me off? Are you guys

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Speaker 3: going to run? Can I can I shoot this truck

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Speaker 3: stop phone call from anywhere in the world?

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Speaker 1: Yes, Rider, O'Reilly, that's the new one, writer, O'Reilly.

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Speaker 2: Yeah, I feel like this was you know that the

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Speaker 2: idea for this scene was kind of like a callback

378
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Speaker 2: to that great phone scene and to forget, so they're

379
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Speaker 2: just trying to.

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Speaker 3: Like well, I also thought it's a callback to when

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Speaker 3: Chet was on the road and Chet calls like which

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Speaker 3: is kind of the more in theme with what you're doing.

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Speaker 3: You are on the same type of.

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Speaker 1: Father Yeah, yeah, but do you think you found another

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Speaker 1: all girl band in that bar? Every place you stop,

386
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Speaker 1: there's just these random like boy and girl bands everywhere.

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Speaker 1: You are just pop bands.

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Speaker 3: One of the cowboys chimes in, there ain't nothing wrong

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Speaker 3: with wishing another man a happy Valentine's Day, right, boys.

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00:19:00,480 --> 00:19:03,680
Speaker 3: The cowboys agree. In fact, his friend reveals a Valentine's

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Speaker 3: Day gift he got just for him, a heart box

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Speaker 3: filled with chocolates. Sean grins and finally says it Happy

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Speaker 3: Valentine's Day, Corey. Corey wishes him the same and hangs up.

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Speaker 3: Then Panga walks in, asking if Sean's still on his

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Speaker 3: quest for self discovery. You can tell I walk in

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Speaker 3: and immediately take off my jacket because you can't act

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Speaker 3: in a jacket. And at this point I knew I

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Speaker 3: had to get it off. I have officially decided I

399
00:19:31,160 --> 00:19:35,760
Speaker 3: have traced it back to this scene. In particular, this

400
00:19:35,840 --> 00:19:41,840
Speaker 3: is where my very strong hatred of button down shirts

401
00:19:41,880 --> 00:19:42,439
Speaker 3: came from.

402
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Speaker 1: I okay, please stand them.

403
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Speaker 3: On me on other people always so cute. I cannot

404
00:19:52,119 --> 00:19:55,480
Speaker 3: wear them. They don't fit. They don't fit me. Well,

405
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Speaker 3: I am I'm not the right proportions for buttons.

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Speaker 2: Interesting, there's a proportion, yes, because fine zippers seems.

407
00:20:09,160 --> 00:20:11,960
Speaker 1: Possibly toggles to never hurt anybody.

408
00:20:12,160 --> 00:20:14,240
Speaker 3: Or how about just a crew neck or a V neck,

409
00:20:14,320 --> 00:20:16,600
Speaker 3: something with no buttons or clasps or toggles or zippers

410
00:20:16,680 --> 00:20:21,560
Speaker 3: or anything. I truly and I've tried. I I've I've

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00:20:21,640 --> 00:20:23,879
Speaker 3: It's kind of like turtlenecks. I I've also bought a

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Speaker 3: couple of turtlenecks in my day. I don't have a

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Speaker 3: very long neck. So when I put a turtleneck on

414
00:20:28,440 --> 00:20:31,000
Speaker 3: I my neck looks like it's this short. But I

415
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Speaker 3: see them on other people Susan, for example. No one

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00:20:34,080 --> 00:20:36,600
Speaker 3: rocks a turtle neck like Susan. Yeah, And I'll see

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00:20:36,600 --> 00:20:38,520
Speaker 3: Susan in a turtle neck and agle I gotta get

418
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Speaker 3: that sweater. And then I get that sweater and I'm like,

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Speaker 3: I'm just gonna give this one to Susan because I

420
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Speaker 3: don't like the same way with button down shirts. Can't

421
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Speaker 3: wear them, don't wear them. I trace it back to

422
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Speaker 3: this moment, can't stand it looks terrible?

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Speaker 1: Can you act in a button down?

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Speaker 3: I mean yeah, actually, well, actually, to be fair, maybe

425
00:20:57,720 --> 00:21:01,200
Speaker 3: you guys don't the scene. Do you like this scene

426
00:21:01,280 --> 00:21:04,520
Speaker 3: for me? I actually think this scene for me? Yeah,

427
00:21:04,560 --> 00:21:06,919
Speaker 3: I actually think for you. There's some moments in this

428
00:21:07,000 --> 00:21:11,359
Speaker 3: scene where it's the Topanga and Corey. It's the version

429
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Speaker 3: of like when Corey's being neurotic and Topanga actually she

430
00:21:14,400 --> 00:21:16,360
Speaker 3: gets it and she's eye rolly, but she knows how

431
00:21:16,359 --> 00:21:18,480
Speaker 3: to respond to him, and she kind of makes fun

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Speaker 3: of him a little bit later when he says like,

433
00:21:20,119 --> 00:21:21,480
Speaker 3: do you want to know what I think about that?

434
00:21:21,520 --> 00:21:23,879
Speaker 3: And I respond now the same way he said no,

435
00:21:24,600 --> 00:21:28,800
Speaker 3: Like I that makes that makes me like Tapanga more

436
00:21:28,880 --> 00:21:32,000
Speaker 3: because it's very apparent that how well she knows him.

437
00:21:34,080 --> 00:21:38,960
Speaker 1: What is the end anxiety? Like? What does he want? Exactly?

438
00:21:39,680 --> 00:21:43,199
Speaker 3: We want a wonderful Valentine's Day night with Tapega. That

439
00:21:43,280 --> 00:21:47,560
Speaker 3: makes us essentially forget last year's Valentine's Day, which we

440
00:21:47,640 --> 00:21:50,359
Speaker 3: didn't spend together because he had kissed Lauren.

441
00:21:51,240 --> 00:21:55,160
Speaker 1: I mean that is so convoluted. I guess, like, why

442
00:21:55,160 --> 00:21:59,240
Speaker 1: can't it just be dinner like or sex or whatever?

443
00:21:59,280 --> 00:21:59,719
Speaker 1: I want this?

444
00:22:00,000 --> 00:22:01,800
Speaker 2: And instead it's like, like what you just said is

445
00:22:01,840 --> 00:22:04,320
Speaker 2: like four sentences long to try and it's like, well,

446
00:22:04,359 --> 00:22:06,400
Speaker 2: hold on, and we have to get all this out,

447
00:22:06,440 --> 00:22:08,679
Speaker 2: and it's like there's no immediate and so it's so.

448
00:22:08,800 --> 00:22:11,200
Speaker 1: It also gets worse because at the end he says,

449
00:22:11,520 --> 00:22:14,720
Speaker 1: I want I want us to be the most important

450
00:22:14,720 --> 00:22:16,720
Speaker 1: things to each other forever, no matter what else is

451
00:22:16,720 --> 00:22:20,200
Speaker 1: going The world could be on fire, right, we have

452
00:22:20,280 --> 00:22:23,320
Speaker 1: to be the most important things every single second, even

453
00:22:23,320 --> 00:22:24,399
Speaker 1: if something else is going on.

454
00:22:24,560 --> 00:22:29,400
Speaker 2: So it's it's and it's not really understandable, Like it's

455
00:22:29,440 --> 00:22:33,080
Speaker 2: not you can't wrap your head around that abstract version

456
00:22:33,160 --> 00:22:35,159
Speaker 2: of how humans don't think like that.

457
00:22:35,840 --> 00:22:38,399
Speaker 1: It's abcessity to the point of mental illness. In this episode,

458
00:22:38,440 --> 00:22:40,840
Speaker 1: it really is where you're like, what the hell is

459
00:22:40,880 --> 00:22:43,880
Speaker 1: wrong with this man that she should be running from?

460
00:22:43,880 --> 00:22:47,159
Speaker 1: This guy? It was it was a bad Corey, like

461
00:22:47,200 --> 00:22:49,080
Speaker 1: a really bad Corey. Yeah.

462
00:22:49,119 --> 00:22:52,359
Speaker 3: Well, Corey demands they forget about Sean because this Valentine's

463
00:22:52,440 --> 00:22:55,639
Speaker 3: Day is all about them, ring a ding ding to

464
00:22:55,720 --> 00:22:58,560
Speaker 3: Panga is much less enthused. I know how important this

465
00:22:58,600 --> 00:23:01,560
Speaker 3: holiday is to you, Corey ring A ding ding. Corey

466
00:23:01,600 --> 00:23:04,400
Speaker 3: mentions last year, but Tapega quickly tries to change the subject,

467
00:23:04,680 --> 00:23:07,800
Speaker 3: ignoring her request. He begins, last year we were, I

468
00:23:07,840 --> 00:23:11,040
Speaker 3: mean you and I were. I can't even talk about it.

469
00:23:11,280 --> 00:23:14,960
Speaker 3: Tapega finishes his sentence broken up because you kissed another girl.

470
00:23:15,240 --> 00:23:18,399
Speaker 3: Cory has taken aback like an elephant, the memory on

471
00:23:18,440 --> 00:23:21,600
Speaker 3: this one. You know what about you? You kissed that

472
00:23:21,800 --> 00:23:32,080
Speaker 3: soap opera guy little Meta to Penga corrects him, you

473
00:23:32,160 --> 00:23:36,080
Speaker 3: mean the artist. He rolls his eyes whatever. He asks

474
00:23:36,119 --> 00:23:38,440
Speaker 3: where Tapega was all day? They were supposed to talk

475
00:23:38,480 --> 00:23:44,840
Speaker 3: about their Valentine's Day plans tomorrow, and she knew that, so.

476
00:23:44,800 --> 00:23:47,560
Speaker 2: He wants her to talk about the plans that they're not.

477
00:23:47,600 --> 00:23:51,600
Speaker 3: Only is Valentine's Day the day the day before?

478
00:23:52,080 --> 00:23:53,399
Speaker 1: We need to be a Valentine's Day.

479
00:23:53,800 --> 00:24:01,199
Speaker 3: Yes, exactly, of course everyone's favorite holiday. Topenga explains that

480
00:24:01,280 --> 00:24:03,879
Speaker 3: Morgan called her she needed a ride home from school.

481
00:24:04,280 --> 00:24:07,360
Speaker 3: On cue, Morgan walks in and Corey has questions, why

482
00:24:07,359 --> 00:24:10,280
Speaker 3: didn't you call mom? You know, today's the day before

483
00:24:10,400 --> 00:24:13,280
Speaker 3: Valentine's Day and I'm trying to get the focus back

484
00:24:13,359 --> 00:24:17,600
Speaker 3: on Corey and Topanga. What Morgan throws her arms in

485
00:24:17,640 --> 00:24:20,199
Speaker 3: the air. Mom forgot about me again, just like she

486
00:24:20,240 --> 00:24:22,240
Speaker 3: forgot to buy the Valentines for me to hand out

487
00:24:22,240 --> 00:24:24,760
Speaker 3: at school, which is why Bobby Porterfield thinks I don't

488
00:24:24,840 --> 00:24:26,520
Speaker 3: like him, which is why he didn't invite me to

489
00:24:26,560 --> 00:24:29,080
Speaker 3: his party tomorrow night. I'm very sad about this.

490
00:24:29,440 --> 00:24:31,199
Speaker 2: I had this moment looking at her, I was like,

491
00:24:31,440 --> 00:24:34,560
Speaker 2: oh wow, this is Corey in season one. Yeah, yeah,

492
00:24:34,640 --> 00:24:37,760
Speaker 2: being neglected by the family exactly forgot not getting picked

493
00:24:37,840 --> 00:24:40,480
Speaker 2: up at school schedule child yea.

494
00:24:42,000 --> 00:24:45,160
Speaker 3: Then Topeka gets an idea. Corey immediately tries to shut

495
00:24:45,200 --> 00:24:47,280
Speaker 3: it down, but it's too late. Topega suggests they invite

496
00:24:47,320 --> 00:24:50,240
Speaker 3: Morgan to spend Valentine's Day with them. Corey is continuously

497
00:24:50,280 --> 00:24:53,360
Speaker 3: shouting now in the background, and by the time Tapega finishes,

498
00:24:53,400 --> 00:24:55,439
Speaker 3: he asks, you want to know what my answer is?

499
00:24:55,600 --> 00:24:59,560
Speaker 3: And Topega shouts back, Now, does everyone at this point

500
00:24:59,600 --> 00:25:01,680
Speaker 3: know without us having to say it, that this no

501
00:25:02,560 --> 00:25:05,840
Speaker 3: was a Michael Jacob's impression, of course, a direct line

502
00:25:05,840 --> 00:25:08,120
Speaker 3: reading for Ben to say no, just like him.

503
00:25:08,560 --> 00:25:09,440
Speaker 1: No.

504
00:25:09,440 --> 00:25:09,480
Speaker 4: No.

505
00:25:11,840 --> 00:25:14,439
Speaker 3: Then reminds him, this party was very important to your sister.

506
00:25:14,560 --> 00:25:18,000
Speaker 3: With the new baby coming, she's feeling very excluded. Corey retorts,

507
00:25:18,040 --> 00:25:21,240
Speaker 3: you know who else feels excluded me? Tapega reminds him,

508
00:25:21,280 --> 00:25:24,000
Speaker 3: this is your sister. Corey responds, that's why I never

509
00:25:24,040 --> 00:25:26,600
Speaker 3: asked her on a date. Now, does our first engaged

510
00:25:26,680 --> 00:25:30,280
Speaker 3: Valentine's Day mean nothing to you? To Pega reiterates that

511
00:25:30,320 --> 00:25:32,800
Speaker 3: it's important, but sometimes there are other things that are

512
00:25:32,840 --> 00:25:35,520
Speaker 3: more important than the two of them. Corey snaps back,

513
00:25:35,560 --> 00:25:37,679
Speaker 3: what's more important than you and me? Except me?

514
00:25:39,920 --> 00:25:43,160
Speaker 1: You're not even hiding it anymore. They're literally not He's

515
00:25:43,240 --> 00:25:45,440
Speaker 1: saying the things you're supposed to keep in your head,

516
00:25:45,520 --> 00:25:47,679
Speaker 1: he's just saying saying them out loud.

517
00:25:48,560 --> 00:25:50,840
Speaker 2: I mean, I guess it's supposed to be funny that

518
00:25:50,920 --> 00:25:54,320
Speaker 2: he's this selfish, So it's really not.

519
00:25:54,560 --> 00:25:57,600
Speaker 1: It's just not funny. It's just buffled, yah is there?

520
00:25:58,119 --> 00:26:00,439
Speaker 2: It's so it's such a fine line looking when is

521
00:26:00,800 --> 00:26:04,080
Speaker 2: Corey being selfish and neurotic hysterical and when is it

522
00:26:04,720 --> 00:26:06,199
Speaker 2: just really unlikable?

523
00:26:06,280 --> 00:26:07,359
Speaker 1: And what is it like?

524
00:26:07,960 --> 00:26:10,760
Speaker 3: I mean, it's I think there's a there's a real

525
00:26:10,920 --> 00:26:16,919
Speaker 3: selfishness that it's not funny, Like being out straightforwardly selfish

526
00:26:17,200 --> 00:26:20,639
Speaker 3: to the detriment of everyone around you, everyone that you

527
00:26:20,680 --> 00:26:24,920
Speaker 3: say you love around you. Isn't comedy him Actually when

528
00:26:24,920 --> 00:26:27,200
Speaker 3: he's a lot of times when he's neurotic, he's neurotic

529
00:26:27,320 --> 00:26:29,880
Speaker 3: in a loving sense about the people around him. I'm

530
00:26:29,920 --> 00:26:32,080
Speaker 3: so worried about Sean. What are they going to do?

531
00:26:32,280 --> 00:26:34,800
Speaker 3: I got to protect him? Oh to Panga, I need to.

532
00:26:34,840 --> 00:26:35,720
Speaker 3: I wanted to know.

533
00:26:36,119 --> 00:26:38,720
Speaker 2: I was thinking, like, isn't curb your enthusiasm just him

534
00:26:38,760 --> 00:26:41,080
Speaker 2: being an awful person, Like, isn't that the point? But

535
00:26:41,119 --> 00:26:43,399
Speaker 2: it always comes from a place of weakness, right, like

536
00:26:43,520 --> 00:26:46,479
Speaker 2: he's he can't help himself, he's gonna and it's when

537
00:26:46,480 --> 00:26:48,600
Speaker 2: everybody's good time or still Yeah, it's cringe right.

538
00:26:48,640 --> 00:26:49,480
Speaker 1: This isn't like.

539
00:26:49,560 --> 00:26:52,439
Speaker 3: It's pay that way. Yeah no, no, this is played

540
00:26:52,440 --> 00:26:55,120
Speaker 3: like look how adorable I am.

541
00:26:55,320 --> 00:26:58,359
Speaker 1: Yeah. They want to make him the hero anti hero

542
00:26:58,680 --> 00:27:01,560
Speaker 1: and it doesn't work. You can't just switch it from

543
00:27:01,560 --> 00:27:04,360
Speaker 1: episode to episode. Is the strange thing, and it's so

544
00:27:04,400 --> 00:27:06,879
Speaker 1: self centered and it's to the detriment of everyone around him.

545
00:27:06,960 --> 00:27:08,480
Speaker 1: It's like, this isn't fun I think it would be.

546
00:27:08,480 --> 00:27:10,639
Speaker 2: Funny if it was something completely like if he was

547
00:27:10,680 --> 00:27:13,520
Speaker 2: being so petty, like he was so obsessed over one thing,

548
00:27:13,640 --> 00:27:16,119
Speaker 2: like we have to have this meal, or we have

549
00:27:16,160 --> 00:27:18,280
Speaker 2: to exchange these notes. I don't know what it is,

550
00:27:18,480 --> 00:27:20,840
Speaker 2: but it's like it's so obvious that he's obsessing over this.

551
00:27:21,119 --> 00:27:22,560
Speaker 1: But when he's obsessing over.

552
00:27:22,440 --> 00:27:24,680
Speaker 2: The abstract concept of we have to be the most

553
00:27:24,680 --> 00:27:26,760
Speaker 2: important people, it's like you just can't.

554
00:27:27,440 --> 00:27:32,080
Speaker 1: It's it's not understandable. Every Valentine's Day they did one

555
00:27:32,200 --> 00:27:34,959
Speaker 1: specific thing, and last year they didn't because they were

556
00:27:34,960 --> 00:27:36,919
Speaker 1: broken up. So he wants to get them back on

557
00:27:36,960 --> 00:27:40,000
Speaker 1: track the one thing they did. Yeah, I mean something

558
00:27:40,040 --> 00:27:40,320
Speaker 1: like that.

559
00:27:41,359 --> 00:27:43,240
Speaker 2: Just a certain thing on them, right, we have to

560
00:27:43,280 --> 00:27:45,639
Speaker 2: exchange that at a certain time, and it's ridicule.

561
00:27:45,640 --> 00:27:47,399
Speaker 1: We go back to the playground something we do. We

562
00:27:47,720 --> 00:27:51,000
Speaker 1: do this every year, mouse, I mean something.

563
00:27:51,200 --> 00:27:54,040
Speaker 3: Also, there's if we because we've seen this before and

564
00:27:54,080 --> 00:27:56,200
Speaker 3: we have thought it was funny. If there's a thing

565
00:27:56,240 --> 00:27:59,800
Speaker 3: that he wants and he's understanding when a thing comes

566
00:27:59,880 --> 00:28:02,920
Speaker 3: up that you know, Okay, oh my sister needed to write. Okay,

567
00:28:02,920 --> 00:28:05,760
Speaker 3: that's understandable. Well, now we can have the conversation. Another

568
00:28:05,800 --> 00:28:09,280
Speaker 3: thing happens, Oh gosh, okay, another thing happens. Okay, well

569
00:28:09,280 --> 00:28:10,960
Speaker 3: that's okay, that of course, what are we going to do.

570
00:28:10,960 --> 00:28:13,240
Speaker 3: We're we're still going to have our Valentine's Day and

571
00:28:13,280 --> 00:28:15,200
Speaker 3: it just and then it just keeps getting shut down.

572
00:28:15,280 --> 00:28:19,119
Speaker 3: Then you feel for Corey because even though his wants

573
00:28:19,119 --> 00:28:21,240
Speaker 3: and his desires are maybe less important than all the

574
00:28:21,280 --> 00:28:23,919
Speaker 3: stuff going around, he just keeps getting the shaft. So

575
00:28:24,000 --> 00:28:27,119
Speaker 3: you feel you feel bad for him. In this case,

576
00:28:27,200 --> 00:28:31,280
Speaker 3: it's like your sister was stranded at school and creating,

577
00:28:32,160 --> 00:28:35,240
Speaker 3: and you're upset because we were supposed to talk about

578
00:28:35,240 --> 00:28:37,080
Speaker 3: our valunt and you're then you're mad at the sister.

579
00:28:37,280 --> 00:28:40,320
Speaker 3: It's and at your fiance. It's like, that's not really,

580
00:28:40,480 --> 00:28:41,719
Speaker 3: that's not Nobody loves that.

581
00:28:42,160 --> 00:28:46,280
Speaker 1: He's still pissed when he's in the hospital. You're literally

582
00:28:46,320 --> 00:28:48,560
Speaker 1: in the hospital and you're still.

583
00:28:48,200 --> 00:28:52,640
Speaker 3: Mad to Penga says, sometimes things come up and Corey shouts,

584
00:28:52,680 --> 00:28:54,920
Speaker 3: I hate it, I hate that things come up. Then

585
00:28:54,960 --> 00:28:57,680
Speaker 3: it's still pregnant. Amy walks in, huffing and puffing, Oh

586
00:28:57,720 --> 00:29:00,360
Speaker 3: I forgot about how awful all this is. Ellan and

587
00:29:00,480 --> 00:29:03,120
Speaker 3: Eric trail end behind her. She tells her husband, don't

588
00:29:03,120 --> 00:29:06,400
Speaker 3: look at me if I repulse you. Alan clarifies that

589
00:29:06,440 --> 00:29:10,440
Speaker 3: he never said repulsed, and Amy rolls her eyes. You

590
00:29:10,560 --> 00:29:12,600
Speaker 3: laughed at me when I tried on the orange dress.

591
00:29:12,920 --> 00:29:15,560
Speaker 3: Eric grins, you look like the great pumpkin Charlie Brown.

592
00:29:16,040 --> 00:29:19,360
Speaker 3: Alan sternly tells his son, your mother is enormous for

593
00:29:19,480 --> 00:29:20,080
Speaker 3: a reason.

594
00:29:23,440 --> 00:29:27,840
Speaker 2: Amy questions fourth time being pregnant, she's like surprised by

595
00:29:27,920 --> 00:29:28,720
Speaker 2: what's happening.

596
00:29:28,960 --> 00:29:31,200
Speaker 1: I know, anybody who's.

597
00:29:30,920 --> 00:29:33,120
Speaker 2: Had more than one kid is like by the second one, like,

598
00:29:33,520 --> 00:29:34,320
Speaker 2: my body's a mess.

599
00:29:34,640 --> 00:29:39,600
Speaker 3: Yeah, exactly. Crue Also he's surprised it's his fourth baby too.

600
00:29:39,600 --> 00:29:43,240
Speaker 3: He's seen her pregnant three other times. And she also

601
00:29:44,160 --> 00:29:51,520
Speaker 3: is not even close to enormous. She's like tiny everywhere.

602
00:29:52,120 --> 00:29:53,920
Speaker 1: But it's also you know, one of the things I

603
00:29:53,960 --> 00:29:57,800
Speaker 1: think it is, at least for me, is that one

604
00:29:57,840 --> 00:29:59,880
Speaker 1: of the reasons I love this show and going back

605
00:29:59,880 --> 00:30:01,600
Speaker 1: in watching it, and I think we've talked about this before,

606
00:30:01,640 --> 00:30:05,480
Speaker 1: is it doesn't do the stereotypical sitcom stuff and then

607
00:30:05,960 --> 00:30:09,280
Speaker 1: does it's really jarring where it's like, oh, the typical

608
00:30:09,400 --> 00:30:12,480
Speaker 1: the pregnant lady's fat, and what's the husband gonna do?

609
00:30:12,800 --> 00:30:16,280
Speaker 1: And he says the wrong thing every time? And it

610
00:30:16,680 --> 00:30:19,040
Speaker 1: really does when when it feels just hits the ear

611
00:30:19,080 --> 00:30:22,120
Speaker 1: wrong on our show, when it does the typical sitcom stuff.

612
00:30:23,320 --> 00:30:25,960
Speaker 3: Eric nods vigorously while Alan asks what do you want

613
00:30:25,960 --> 00:30:28,640
Speaker 3: me to say? Amy tells them I am seven and

614
00:30:28,680 --> 00:30:29,760
Speaker 3: a half months pregnant.

615
00:30:29,800 --> 00:30:30,400
Speaker 1: I waddle.

616
00:30:30,520 --> 00:30:33,320
Speaker 3: I can hear my thighs rub together like a human cricket.

617
00:30:33,800 --> 00:30:36,960
Speaker 3: Eric's face sours ew my mommy said, thighs rub together?

618
00:30:37,080 --> 00:30:41,440
Speaker 3: E Amy asks do you still love me? And Eric

619
00:30:41,480 --> 00:30:43,280
Speaker 3: swiftly answers no.

620
00:30:43,280 --> 00:30:43,360
Speaker 2: No.

621
00:30:44,880 --> 00:30:47,240
Speaker 3: Alan waves his son off, of course, I love you.

622
00:30:47,360 --> 00:30:49,280
Speaker 3: Look what I got you. He pulls out a heart

623
00:30:49,280 --> 00:30:51,640
Speaker 3: shaped box of chocolates and hands it to her. The

624
00:30:51,680 --> 00:30:54,880
Speaker 3: audience awes, but Amy opens the box to reveal something

625
00:30:54,880 --> 00:30:59,640
Speaker 3: that is not chocolate. You got me dried fruit. Alan

626
00:30:59,680 --> 00:31:03,840
Speaker 3: ex will I thought, because it's fat free. Amy chucks

627
00:31:03,880 --> 00:31:05,840
Speaker 3: the dried fruit at him and shouts, why don't you

628
00:31:05,920 --> 00:31:08,440
Speaker 3: just paint Goodyear on my button? Fly me over the

629
00:31:08,480 --> 00:31:12,200
Speaker 3: super Bowl to Panga steps in and tells Amy she's beautiful.

630
00:31:12,520 --> 00:31:15,320
Speaker 3: Amy finally calms down, just in time for Topanga to

631
00:31:15,360 --> 00:31:18,560
Speaker 3: get another idea. Corey tries to stop her again as

632
00:31:18,600 --> 00:31:22,960
Speaker 3: she suggests, why don't we have a Valentine's Day baby shower.

633
00:31:23,520 --> 00:31:25,400
Speaker 3: Corey size, why don't we not?

634
00:31:25,760 --> 00:31:28,200
Speaker 1: What is this? Just think about that concept?

635
00:31:28,600 --> 00:31:32,120
Speaker 2: What I know, just have a baby shower, but you

636
00:31:32,200 --> 00:31:33,640
Speaker 2: can do it on Valentine's Day?

637
00:31:33,680 --> 00:31:36,240
Speaker 1: What for this to be the conflict?

638
00:31:36,480 --> 00:31:38,680
Speaker 3: Why are you just now thinking about the baby shower?

639
00:31:39,240 --> 00:31:41,920
Speaker 2: I think different episodes that they just were like, well,

640
00:31:41,920 --> 00:31:44,400
Speaker 2: we could just make them one or three different episodes.

641
00:31:44,440 --> 00:31:48,560
Speaker 3: It's so weird, it's a lot. It's just unnecessary.

642
00:31:48,600 --> 00:31:50,760
Speaker 1: Let's have a Valentine's Day Christmas baby shower.

643
00:31:51,720 --> 00:31:54,440
Speaker 3: That's crazy, takes Christmas Eve.

644
00:31:54,320 --> 00:32:00,280
Speaker 1: Day Valentine's baby shower. We also mentioned the great i'mkin

645
00:32:00,400 --> 00:32:02,960
Speaker 1: Charlie Brown, so we can throw Let's make it Halloween.

646
00:32:03,240 --> 00:32:03,880
Speaker 1: I love it.

647
00:32:04,320 --> 00:32:07,800
Speaker 3: Corey siys, why don't we not? Tapanga tells Morgan she

648
00:32:07,840 --> 00:32:10,120
Speaker 3: can help plan the party and it'll just be the girls.

649
00:32:10,240 --> 00:32:13,120
Speaker 3: Corey changes his tune and shouts, that's discriminatory and I

650
00:32:13,160 --> 00:32:16,480
Speaker 3: won't stand for it. Amy admits it does sound very nice,

651
00:32:16,680 --> 00:32:19,640
Speaker 3: So Corey asks his fiance, what's wrong with you? Huh?

652
00:32:19,680 --> 00:32:21,840
Speaker 3: Why do you always have to help everybody? You're a

653
00:32:21,920 --> 00:32:28,040
Speaker 3: sick little girl. Alan declares baby shower it is and

654
00:32:28,120 --> 00:32:31,200
Speaker 3: motions to the boys, we're going bowling. Tapanga tells Eric

655
00:32:31,200 --> 00:32:33,520
Speaker 3: to invite Rachel as well, and he nods, oh cool,

656
00:32:33,560 --> 00:32:35,320
Speaker 3: because I know she doesn't have a date, and Jack

657
00:32:35,360 --> 00:32:36,800
Speaker 3: and I have been meaning to do a little guy

658
00:32:36,880 --> 00:32:40,640
Speaker 3: bonding since the incident. Then he gets an idea all

659
00:32:40,720 --> 00:32:45,040
Speaker 3: guy card game my house Valentine's Day. Alan semi excited

660
00:32:45,040 --> 00:32:47,480
Speaker 3: about bowling in cards he'll feel like a man again.

661
00:32:47,960 --> 00:32:50,840
Speaker 3: Corey thinks this is a runaway train. He reminds Tepanga

662
00:32:50,840 --> 00:32:53,920
Speaker 3: that he made dinner reservations a year in advance. Alan

663
00:32:53,960 --> 00:32:56,880
Speaker 3: grabs his son this will make his mother happy, and

664
00:32:56,920 --> 00:33:00,360
Speaker 3: he needs his mother to be happy. Corey complain that

665
00:33:00,400 --> 00:33:03,720
Speaker 3: his grip is hurting his shoulder. To Pega promises Corey

666
00:33:03,760 --> 00:33:05,840
Speaker 3: that this won't interfere with their plans, but he just

667
00:33:05,920 --> 00:33:08,600
Speaker 3: tells her blather to Pega assures him they will have

668
00:33:08,640 --> 00:33:12,440
Speaker 3: a wonderful evening. After the shower is over, Corey grabs

669
00:33:12,480 --> 00:33:17,040
Speaker 3: her pretty hard and whispers, I want insurance. She gives

670
00:33:17,080 --> 00:33:19,560
Speaker 3: him her word, but he calmly states back, your word

671
00:33:19,600 --> 00:33:22,840
Speaker 3: means nothing. When Tapega asks what he wants, he whispers,

672
00:33:22,920 --> 00:33:26,080
Speaker 3: I want to throw the shower. That this doesn't it

673
00:33:26,120 --> 00:33:26,960
Speaker 3: doesn't make any sense.

674
00:33:27,080 --> 00:33:28,719
Speaker 1: I don't understand this. I thought he was gonna say,

675
00:33:28,720 --> 00:33:31,280
Speaker 1: I want to touch something, or I want you know, yeah,

676
00:33:31,640 --> 00:33:34,800
Speaker 1: where the special night ground. I don't know where that

677
00:33:34,840 --> 00:33:38,040
Speaker 1: thing you won't let me touch? Ye, I don't get

678
00:33:38,080 --> 00:33:38,840
Speaker 1: the idea.

679
00:33:39,080 --> 00:33:42,920
Speaker 3: I want to throw the shower to Pega reminds him

680
00:33:42,960 --> 00:33:45,959
Speaker 3: it's for women. He doesn't even belong there. Corey chuckles,

681
00:33:46,000 --> 00:33:47,960
Speaker 3: I don't care. I belong with you, and I want

682
00:33:48,000 --> 00:33:50,280
Speaker 3: my mother to have a joyous day and everybody out

683
00:33:50,320 --> 00:33:53,400
Speaker 3: by noon. Amy tells her son that he doesn't have

684
00:33:53,480 --> 00:33:55,800
Speaker 3: to do this, but all encounters, Oh, yes, he does.

685
00:33:55,960 --> 00:33:58,840
Speaker 3: I want you fat and happy. He promises that that's

686
00:33:58,920 --> 00:33:59,720
Speaker 3: just an expression.

687
00:34:00,000 --> 00:34:01,560
Speaker 2: It would have been so easy if it was if

688
00:34:01,560 --> 00:34:05,000
Speaker 2: the shower was Corey's idea to try and make up

689
00:34:05,000 --> 00:34:06,560
Speaker 2: for how awful he wasn't the first half of the

690
00:34:06,600 --> 00:34:08,480
Speaker 2: scene and then he's, you know to Panga says, why

691
00:34:08,520 --> 00:34:10,359
Speaker 2: don't you think about somebody else? And then he's like,

692
00:34:10,400 --> 00:34:13,680
Speaker 2: I'll throw the shower and everybody's like, whoa, it's a

693
00:34:13,719 --> 00:34:15,799
Speaker 2: woman thing, and he's like, no, no, you then, but

694
00:34:15,960 --> 00:34:16,719
Speaker 2: instead it's like.

695
00:34:16,680 --> 00:34:19,640
Speaker 1: He's still just digging in his same point. Is he

696
00:34:19,800 --> 00:34:22,839
Speaker 1: doing it? Is he supposed to take over to purposely

697
00:34:22,880 --> 00:34:24,600
Speaker 1: make it as awful as possible.

698
00:34:24,960 --> 00:34:29,000
Speaker 3: Quin, I want everyone out at noon.

699
00:34:29,280 --> 00:34:31,759
Speaker 1: Such a negative motivation. That's just on top of that

700
00:34:32,880 --> 00:34:33,319
Speaker 1: he could have.

701
00:34:33,760 --> 00:34:36,200
Speaker 3: The whole thing is solved by him by her saying, listen,

702
00:34:36,239 --> 00:34:38,640
Speaker 3: we'll do a morning shower. I'll have the entire rest

703
00:34:38,680 --> 00:34:40,879
Speaker 3: of the afternoon for you. He doesn't need to throw

704
00:34:40,920 --> 00:34:42,520
Speaker 3: the shower for it to be over at noon.

705
00:34:43,680 --> 00:34:46,799
Speaker 1: Also, who spends the entire Valentine's Day together? You go

706
00:34:46,840 --> 00:34:48,680
Speaker 1: out to dinner, you have the night do you need?

707
00:34:48,920 --> 00:34:50,759
Speaker 1: I mean that's what you don't go to dinner on

708
00:34:50,840 --> 00:34:57,439
Speaker 1: Valentine's Day? By the way, I do, thank you.

709
00:34:58,640 --> 00:35:01,280
Speaker 3: Tapanga asks Cory what do he knows about baby showers anyway,

710
00:35:01,320 --> 00:35:04,320
Speaker 3: and Corey laughs everything. What's not to know about baby showers?

711
00:35:04,360 --> 00:35:07,160
Speaker 3: I am a baby shower machine. Amy gives her son

712
00:35:07,200 --> 00:35:09,800
Speaker 3: a big hug, and Penga jokingly points a threatening finger

713
00:35:09,840 --> 00:35:11,920
Speaker 3: in his face. Alan does the same, but Corey just

714
00:35:11,920 --> 00:35:14,759
Speaker 3: smiles and points right back at him. Now alone, Eric

715
00:35:14,800 --> 00:35:16,760
Speaker 3: asks his little brother, what do you really know about

716
00:35:16,760 --> 00:35:19,759
Speaker 3: baby showers? Corey admits I never even heard of one.

717
00:35:20,320 --> 00:35:23,520
Speaker 3: And then we're at the apartment. Jack and Rachel are

718
00:35:23,600 --> 00:35:26,359
Speaker 3: making out on the couch. When Rachel pulls away, boy

719
00:35:26,400 --> 00:35:27,160
Speaker 3: are they going at it?

720
00:35:27,239 --> 00:35:30,200
Speaker 2: And they are going all this scene is may out

721
00:35:30,239 --> 00:35:31,600
Speaker 2: stop make out again?

722
00:35:31,680 --> 00:35:34,600
Speaker 3: Yeah? Yeah, Rachel pulls away to remind him this is

723
00:35:34,640 --> 00:35:38,279
Speaker 3: strictly platonic. Jack nods in agreement. We're just friends. Then

724
00:35:38,320 --> 00:35:40,480
Speaker 3: they go back to making out while reiterating how good

725
00:35:40,480 --> 00:35:42,960
Speaker 3: of friends they are. Rachel realizes they need to tell

726
00:35:43,040 --> 00:35:45,520
Speaker 3: Eric about this, and Jack agrees. In fact, he's the

727
00:35:45,520 --> 00:35:47,800
Speaker 3: one who needs to tell him because he is Eric's

728
00:35:47,800 --> 00:35:50,799
Speaker 3: best friend. Jack goes back to passionately kissing Rachel's neck,

729
00:35:50,840 --> 00:35:53,439
Speaker 3: but she pulls away they should stop and till Eric knows.

730
00:35:53,800 --> 00:35:55,920
Speaker 3: Jack agrees with her, but then after a few seconds

731
00:35:55,960 --> 00:35:58,840
Speaker 3: she asks one more big one and then they resume

732
00:35:58,960 --> 00:35:59,920
Speaker 3: their makeout session.

733
00:36:00,239 --> 00:36:05,040
Speaker 1: I have to say, because they're lying down on the couch,

734
00:36:05,560 --> 00:36:08,480
Speaker 1: I would argue this is more intense than love. And

735
00:36:08,480 --> 00:36:12,040
Speaker 1: I'm making out in the hallway because we were standing up. Yeah,

736
00:36:12,080 --> 00:36:14,600
Speaker 1: so they're lying down, he's on top of her, They're

737
00:36:14,640 --> 00:36:16,920
Speaker 1: really making out. He's then going for her neck. I

738
00:36:16,920 --> 00:36:18,680
Speaker 1: would say this could be the most passionate one of

739
00:36:18,719 --> 00:36:22,840
Speaker 1: the show. We're supposed to have just met and you're like,

740
00:36:22,840 --> 00:36:26,200
Speaker 1: can I kiss you? I don't think I even asked

741
00:36:26,680 --> 00:36:30,080
Speaker 1: for America. I think he just went in. But this

742
00:36:30,160 --> 00:36:33,080
Speaker 1: is I think for passion, Like, wow, big makeout thing.

743
00:36:33,120 --> 00:36:35,399
Speaker 1: I think this would be the biggest one we've had

744
00:36:35,440 --> 00:36:37,600
Speaker 1: so far because they're like going at it on the couch.

745
00:36:37,920 --> 00:36:40,080
Speaker 3: Yeah, quite possibly. I would say it's at least right

746
00:36:40,160 --> 00:36:42,319
Speaker 3: up there. Because Love also had to talk while you

747
00:36:42,320 --> 00:36:44,520
Speaker 3: were kissing her neck and she was like out of breath.

748
00:36:44,560 --> 00:36:46,319
Speaker 3: It's very similar. But you're right that they are laying

749
00:36:46,360 --> 00:36:48,560
Speaker 3: down and you guys were standing, but you don't know.

750
00:36:48,640 --> 00:36:51,400
Speaker 1: Ours was also a fantasy episode, whereas this is supposed

751
00:36:51,400 --> 00:36:52,080
Speaker 1: to be a real life.

752
00:36:52,320 --> 00:37:04,560
Speaker 4: Yeah.

753
00:37:04,640 --> 00:37:07,000
Speaker 3: So now we're at Amy's baby shower in the Matthew's house.

754
00:37:07,040 --> 00:37:08,919
Speaker 3: The women are gathered around the living room while Corey

755
00:37:08,920 --> 00:37:11,520
Speaker 3: and Tapega shout at each other. Corey yells, I'm just

756
00:37:11,560 --> 00:37:14,040
Speaker 3: trying to liven up the party, but Topeka explains no

757
00:37:14,040 --> 00:37:16,840
Speaker 3: one wants to play guess the weight of the pregnant lady.

758
00:37:17,200 --> 00:37:20,719
Speaker 3: Corey doesn't get it, but there's prizes. Lady prizes went

759
00:37:20,760 --> 00:37:24,440
Speaker 3: to the bra door. Angela admits this baby shower stinks

760
00:37:24,719 --> 00:37:27,240
Speaker 3: to Pega agrees it's because Corey thinks a baby shower

761
00:37:27,320 --> 00:37:30,680
Speaker 3: is a bachelor party for pregnant ladies. Corey scoffs, this

762
00:37:30,880 --> 00:37:33,600
Speaker 3: is about a blessed event, which I treat with deep respect.

763
00:37:34,040 --> 00:37:37,800
Speaker 3: Then on cue, there's a knock at the door. Cory smirks, oh, oh.

764
00:37:38,480 --> 00:37:41,440
Speaker 1: Who could this chickens in the hallway.

765
00:37:44,760 --> 00:37:48,280
Speaker 3: He opens the door and robotically observes, oh, the pizza

766
00:37:48,320 --> 00:37:51,439
Speaker 3: delivery man. I didn't order any pizza. Did you order

767
00:37:51,480 --> 00:37:55,800
Speaker 3: any pizza? Let's see what he wants. The man seductively says,

768
00:37:56,000 --> 00:37:59,879
Speaker 3: I got a hot slice for missus Matthews. Corey points

769
00:38:00,080 --> 00:38:04,279
Speaker 3: to his mom and giggles, there she is. The pizza man.

770
00:38:04,440 --> 00:38:07,560
Speaker 3: Stripper turns on his boom box and rips his jacket off.

771
00:38:07,880 --> 00:38:11,280
Speaker 3: Amy shields Morgan's eyes and to Pega watches on in horror.

772
00:38:11,360 --> 00:38:15,960
Speaker 3: Corey braggs it only costs forty nine bucks. The man

773
00:38:16,000 --> 00:38:18,799
Speaker 3: begins to strip, and to Pega says Amy looks humiliated,

774
00:38:18,960 --> 00:38:21,279
Speaker 3: but Cory is too busy watching the male stripper to care.

775
00:38:21,960 --> 00:38:24,200
Speaker 3: Amy maneuvers her way to turn off the boombox and

776
00:38:24,200 --> 00:38:26,640
Speaker 3: begs the stripper to stop. He admits this has never

777
00:38:26,719 --> 00:38:29,319
Speaker 3: happened before, and Amy tells him to get out, but

778
00:38:29,480 --> 00:38:30,240
Speaker 3: leave the pizza.

779
00:38:30,760 --> 00:38:34,960
Speaker 1: Did you see Lindsay. No, Lindsay was hysterical, so Betsy

780
00:38:35,000 --> 00:38:37,440
Speaker 1: covers her eyes and as they cut back, Lindsay is

781
00:38:37,760 --> 00:38:39,600
Speaker 1: holding her hand up so she's just like this and

782
00:38:39,640 --> 00:38:41,880
Speaker 1: she's just staring at the stripper as he's stripping. It

783
00:38:42,360 --> 00:38:43,160
Speaker 1: was actually very.

784
00:38:43,000 --> 00:38:47,319
Speaker 3: Funny, cute. His eyes widened. Lady, the last thing you

785
00:38:47,360 --> 00:38:52,440
Speaker 3: need is a pizza. As he leaves, Amy tells everyone

786
00:38:52,520 --> 00:38:55,400
Speaker 3: the party's over. She half heartedly thanks her son. She

787
00:38:55,480 --> 00:38:58,560
Speaker 3: just needs to be by herself. Corey happily waves goodbye

788
00:38:58,560 --> 00:39:00,680
Speaker 3: to everyone and then turns his attention to Tapanga and

789
00:39:00,680 --> 00:39:04,680
Speaker 3: tells her to get on her Valentine's Day clothes, but

790
00:39:04,760 --> 00:39:07,839
Speaker 3: Tapega shakes her head. I'm not going out. All I

791
00:39:07,840 --> 00:39:10,640
Speaker 3: wanted to do was something nice for your family. Corey

792
00:39:10,680 --> 00:39:13,360
Speaker 3: asks why, and she reminds him because they're going to

793
00:39:13,360 --> 00:39:16,080
Speaker 3: be my family to someday. Corey nods, they're going to

794
00:39:16,120 --> 00:39:17,799
Speaker 3: be your family too, someday. And you want to know

795
00:39:17,840 --> 00:39:20,439
Speaker 3: why me, you want to get to them, you go

796
00:39:20,480 --> 00:39:21,040
Speaker 3: through me.

797
00:39:22,320 --> 00:39:27,080
Speaker 2: That gets a wuf's horribleful And also like now Topeka's

798
00:39:27,120 --> 00:39:30,120
Speaker 2: motivated by something that we haven't heard about before, Like

799
00:39:30,280 --> 00:39:31,600
Speaker 2: I well.

800
00:39:31,520 --> 00:39:34,000
Speaker 3: Topega made a deal about them being her family in

801
00:39:34,040 --> 00:39:35,680
Speaker 3: the in the when we were talking about running away

802
00:39:35,680 --> 00:39:38,600
Speaker 3: in eloping, like sure, they're going to be my family too,

803
00:39:38,640 --> 00:39:41,959
Speaker 3: and you know, I mean that does that doesn't really

804
00:39:41,960 --> 00:39:44,840
Speaker 3: surprise None of that surprises me. That that's what Tapanga

805
00:39:44,840 --> 00:39:48,440
Speaker 3: feels like it. What's weird is that it feels like

806
00:39:48,560 --> 00:39:51,440
Speaker 3: Topanga would have always wanted to do this, like before

807
00:39:51,480 --> 00:39:53,520
Speaker 3: they were engaged to Panga would have also wanted to

808
00:39:53,560 --> 00:39:56,120
Speaker 3: make them feel special. But I guess it's just adding

809
00:39:56,120 --> 00:39:57,600
Speaker 3: that other layer on top of it.

810
00:39:57,680 --> 00:39:58,520
Speaker 1: So okay.

811
00:39:58,719 --> 00:40:01,400
Speaker 3: He starts to rant about Hanga's behavior and she simply

812
00:40:01,440 --> 00:40:04,120
Speaker 3: walks upstairs. She stops halfway up the stairs to tell

813
00:40:04,200 --> 00:40:09,040
Speaker 3: him sometimes plans change. Corey. The crowd ooh, and Morgan

814
00:40:09,120 --> 00:40:11,719
Speaker 3: opens the door, telling the screw up to take a hike.

815
00:40:12,120 --> 00:40:16,920
Speaker 3: Corey obliges. Do you guys think some that last? Sometimes

816
00:40:16,960 --> 00:40:22,160
Speaker 3: plans change. Corey from Tapanga is insinuating that even their

817
00:40:22,480 --> 00:40:24,560
Speaker 3: engagement could change.

818
00:40:24,840 --> 00:40:26,280
Speaker 1: It got a new which.

819
00:40:28,280 --> 00:40:30,880
Speaker 3: It wasn't just talking about Valentine's Day.

820
00:40:32,560 --> 00:40:34,319
Speaker 1: Like if you continue to be a dick, I'm going

821
00:40:34,360 --> 00:40:37,319
Speaker 1: to leave you, but she would just talk.

822
00:40:37,480 --> 00:40:41,160
Speaker 2: Yes, it's just like it again, the baby's gonna happen,

823
00:40:41,280 --> 00:40:43,240
Speaker 2: and we're going to have to change our plans.

824
00:40:43,360 --> 00:40:46,839
Speaker 3: Yeah, we're back at the apartment. Eric's getting everything set

825
00:40:46,880 --> 00:40:48,520
Speaker 3: up for the card game, and he tells Jack, this

826
00:40:48,640 --> 00:40:50,520
Speaker 3: is going to be so great, you and me hanging

827
00:40:50,520 --> 00:40:53,000
Speaker 3: out together like we used to, just like old times

828
00:40:53,040 --> 00:40:56,960
Speaker 3: before the incident. Jack gives him a half smile. I

829
00:40:57,000 --> 00:40:58,839
Speaker 3: don't want to bring you down before the party, and

830
00:40:59,000 --> 00:41:00,640
Speaker 3: this is something that's a little hard for me to

831
00:41:00,680 --> 00:41:03,759
Speaker 3: talk about. Eric feels bad. Oh, man, I am so

832
00:41:03,920 --> 00:41:06,960
Speaker 3: insensitive here. You are still grieving the loss of your

833
00:41:06,960 --> 00:41:09,319
Speaker 3: father and I'm throwing a party. Let's forget about the

834
00:41:09,320 --> 00:41:12,160
Speaker 3: party and go to the cemetery. Jack ashures him that's

835
00:41:12,200 --> 00:41:15,279
Speaker 3: not it. Eric guesses, oh, I know what it is.

836
00:41:15,560 --> 00:41:18,080
Speaker 3: She's not that good a kiss her. Jack admits, no,

837
00:41:18,440 --> 00:41:21,920
Speaker 3: she's a good kisser. Eric wonders, you don't feel comfortable

838
00:41:21,920 --> 00:41:24,359
Speaker 3: around her? You don't like girls. Eric says he kind

839
00:41:24,360 --> 00:41:26,120
Speaker 3: of thought that was the case, but Jack assures him

840
00:41:26,160 --> 00:41:29,280
Speaker 3: neither of those things are true. Then he finally admits

841
00:41:29,280 --> 00:41:32,440
Speaker 3: that he likes Rachel. Eric asks, well, then, what do

842
00:41:32,480 --> 00:41:34,279
Speaker 3: you want to say to me? But on cue, there's

843
00:41:34,280 --> 00:41:37,360
Speaker 3: a knock at the door. It's Feenie and Alan. Phoene

844
00:41:37,440 --> 00:41:41,200
Speaker 3: seems more overjoyed than usual. What is more delightful than Philadelphia?

845
00:41:41,280 --> 00:41:47,040
Speaker 3: In February, Alan scornfully responds, nine months is too damn long.

846
00:41:48,440 --> 00:41:51,960
Speaker 3: Phoeney continues with his toxic positivity. He pulls Eric in

847
00:41:52,000 --> 00:41:53,799
Speaker 3: for a hug and thanks him for the invite. He

848
00:41:53,840 --> 00:41:57,600
Speaker 3: proclaims he loves Eric like a son. Eric is freaked out.

849
00:41:58,160 --> 00:42:01,239
Speaker 3: What's wrong with Feanne? Alan responds on the way over,

850
00:42:01,320 --> 00:42:05,319
Speaker 3: he said, I look spiffy, but phoene doubles down. You

851
00:42:05,360 --> 00:42:08,840
Speaker 3: look spiffy, He admits, I don't know what's come over me.

852
00:42:08,960 --> 00:42:13,440
Speaker 3: I woke up smiling, laughing, humming little tunes. It's very disconcerting.

853
00:42:14,400 --> 00:42:17,160
Speaker 3: Eric watches on in horror. That is not his feenie.

854
00:42:17,960 --> 00:42:20,759
Speaker 3: Jack asks, can't you see the man's in love? Eric

855
00:42:20,800 --> 00:42:22,560
Speaker 3: doesn't get it, and just as Jack is about to

856
00:42:22,600 --> 00:42:25,520
Speaker 3: calmly explain, Eric cuts him off. Hey Phoene, you got

857
00:42:25,520 --> 00:42:29,279
Speaker 3: that love thing. Phoene was coming.

858
00:42:29,400 --> 00:42:33,319
Speaker 1: You saw the lobster this time? No, where's it? Are you?

859
00:42:33,560 --> 00:42:35,759
Speaker 1: It's hanging on the fridge. It's like right over our

860
00:42:35,840 --> 00:42:38,160
Speaker 1: shoulders as we're talking. It's like right, It's like a

861
00:42:38,200 --> 00:42:40,680
Speaker 1: free shot for God's sake, it's I can't believe someday

862
00:42:40,719 --> 00:42:42,120
Speaker 1: you're gonna see the long I was like, I'm not

863
00:42:42,120 --> 00:42:43,719
Speaker 1: even gonna bring it up because of course they saw

864
00:42:43,719 --> 00:42:46,319
Speaker 1: it this time. It's like he's not anymore. I hope

865
00:42:46,320 --> 00:42:47,279
Speaker 1: you got to keep bringing it up.

866
00:42:47,360 --> 00:42:49,520
Speaker 3: I've been watching it on my phone. Maybe that's part

867
00:42:49,520 --> 00:42:51,960
Speaker 3: of the problem is I'm watching it on a smaller screen.

868
00:42:52,000 --> 00:42:55,440
Speaker 3: I haven't been watching it on TV. So Phoene responds, no,

869
00:42:55,760 --> 00:42:59,080
Speaker 3: you think that's it, No, that emotion. I haven't been

870
00:42:59,080 --> 00:43:01,440
Speaker 3: familiar with it for so long that I couldn't possibly.

871
00:43:01,920 --> 00:43:04,799
Speaker 3: He breaks out into hysterical laughter and admits I think

872
00:43:04,840 --> 00:43:07,680
Speaker 3: I'm crazy. Eric puts his hands on his hips and

873
00:43:07,719 --> 00:43:09,879
Speaker 3: we get it so damn good, like so good.

874
00:43:09,920 --> 00:43:13,360
Speaker 2: He's a really ridiculous scene, right, I mean, this is

875
00:43:13,360 --> 00:43:16,239
Speaker 2: a ridiculous thing to have to play, and yet I

876
00:43:16,280 --> 00:43:19,080
Speaker 2: totally believe it. And it's fun to watch because he's

877
00:43:19,160 --> 00:43:21,920
Speaker 2: just so committed and he's working on a different level.

878
00:43:21,960 --> 00:43:24,839
Speaker 1: Also, he's just so good. It's just want to watch

879
00:43:24,880 --> 00:43:28,480
Speaker 1: him do anything. It's amazing, so good. Never seen him

880
00:43:28,480 --> 00:43:30,680
Speaker 1: not commit to a beat. Never, No matter what the

881
00:43:30,719 --> 00:43:33,520
Speaker 1: beat is, he's gonna he's gonna hit the wall one

882
00:43:33,560 --> 00:43:36,680
Speaker 1: hundred miles an hours yep.

883
00:43:38,120 --> 00:43:39,759
Speaker 3: Eric puts his hands on his hips and we get

884
00:43:39,760 --> 00:43:43,520
Speaker 3: a Phoene call Phoenix. Phoene's in love with who. Phoene

885
00:43:43,560 --> 00:43:47,120
Speaker 3: turns away, but Eric immediately guesses it Phoenie and the Dane.

886
00:43:47,560 --> 00:43:50,160
Speaker 3: That's why she won't go out with me. She likes you.

887
00:43:56,680 --> 00:43:59,480
Speaker 1: Multiple times.

888
00:44:00,760 --> 00:44:03,360
Speaker 3: Jack asks if this is true, and Phoene denies it. No,

889
00:44:03,560 --> 00:44:05,880
Speaker 3: although I have to admit that I do find the woman.

890
00:44:06,280 --> 00:44:10,160
Speaker 3: He hums the tune again and joyfully pats Alan. Phoeney questions, Jack,

891
00:44:10,520 --> 00:44:13,160
Speaker 3: you think I'm in love? Jack nervously responds as he

892
00:44:13,200 --> 00:44:17,399
Speaker 3: looks at Eric, h well, sometimes two people are drawn

893
00:44:17,440 --> 00:44:20,080
Speaker 3: to each other for reasons even they don't understand. But

894
00:44:20,480 --> 00:44:22,560
Speaker 3: love is a sacred thing, and your best friend should

895
00:44:22,560 --> 00:44:26,120
Speaker 3: try to understand. He's clearly talking about Rachel, not the Dean,

896
00:44:26,640 --> 00:44:29,239
Speaker 3: and just then Corey bursts through the door. I am

897
00:44:29,320 --> 00:44:33,160
Speaker 3: never throwing a baby shower for those broads again. Alan

898
00:44:33,280 --> 00:44:36,440
Speaker 3: asks it didn't go well. Corey angrily explains, no, I

899
00:44:36,480 --> 00:44:38,520
Speaker 3: go to all this trouble to find this great looking

900
00:44:38,520 --> 00:44:41,680
Speaker 3: to guy to strip for mommy, and they're angry at

901
00:44:41,719 --> 00:44:45,200
Speaker 3: men love that I know it's stripped for Mommy's money

902
00:44:45,440 --> 00:44:49,360
Speaker 3: is strip for mommy, to his surprise. The men are disturbed.

903
00:44:49,560 --> 00:44:51,840
Speaker 3: Alan stares at his son in disbelief, and Corey says,

904
00:44:52,080 --> 00:44:56,320
Speaker 3: there's a face. And then we're back at the Matthew's house. Rachel, Angela,

905
00:44:56,320 --> 00:44:59,160
Speaker 3: and Topanga join Amy and Morgan on the couch. Rachel

906
00:44:59,200 --> 00:45:02,360
Speaker 3: offers Amy a cheese poofy, but Amy says they'll just

907
00:45:02,400 --> 00:45:06,040
Speaker 3: make her fatter. Then she happily eats them anyway. Topanga

908
00:45:06,080 --> 00:45:10,279
Speaker 3: suggests Amy open her presence. Amy sighs Corey probably gave

909
00:45:10,320 --> 00:45:14,160
Speaker 3: me a moo moo. Amy unwraps a red silk slip

910
00:45:14,239 --> 00:45:17,439
Speaker 3: and gasps with admiration. Topanga tells her it's for after

911
00:45:17,440 --> 00:45:21,120
Speaker 3: the baby's born, something special for mommy. Angela corrects her,

912
00:45:21,239 --> 00:45:24,680
Speaker 3: more like for daddy. Rachel agrees that is very sexy,

913
00:45:24,719 --> 00:45:27,600
Speaker 3: Missus Matthews. Amy admits she can't believe she'll ever fit

914
00:45:27,640 --> 00:45:30,640
Speaker 3: into something like that again. To Panka insists, you're gonna

915
00:45:30,640 --> 00:45:33,040
Speaker 3: be so sexy. Mister Matthews is going to get you

916
00:45:33,160 --> 00:45:36,360
Speaker 3: pregnant all over again. Yeah, I don't want any of

917
00:45:36,400 --> 00:45:37,279
Speaker 3: this needs to be going on.

918
00:45:38,120 --> 00:45:40,880
Speaker 1: This is the baby shower that's going on. After the

919
00:45:40,880 --> 00:45:41,480
Speaker 1: baby shower.

920
00:45:41,600 --> 00:45:43,360
Speaker 3: Yeah, this is what I guess the baby shower was

921
00:45:43,360 --> 00:45:44,080
Speaker 3: supposed to be.

922
00:45:44,520 --> 00:45:50,120
Speaker 1: Yeah, Corey's baby shower after dark Brohl was Angela in

923
00:45:50,120 --> 00:45:51,000
Speaker 1: the last baby shower?

924
00:45:51,120 --> 00:45:53,200
Speaker 3: Yeah, oh yes, she said. She said the line this

925
00:45:53,239 --> 00:45:54,280
Speaker 3: baby's shower stinks.

926
00:45:54,560 --> 00:45:57,600
Speaker 1: Okay, and it was it was jarring, but I got

927
00:45:57,600 --> 00:45:59,799
Speaker 1: that there was supposed to be a time lapse, but

928
00:45:59,840 --> 00:46:03,920
Speaker 1: they cut right from Rachel and Jack on the couch

929
00:46:03,920 --> 00:46:06,279
Speaker 1: making out to then Rachel standing in the back of

930
00:46:06,360 --> 00:46:09,440
Speaker 1: the party like the next scene was, and it was like, oh, she's.

931
00:46:09,280 --> 00:46:09,879
Speaker 3: There, she's there.

932
00:46:10,600 --> 00:46:15,040
Speaker 1: Yeah, so but now they're yes, well, because right, that's

933
00:46:15,080 --> 00:46:16,720
Speaker 1: what I mean. But it was it was just jarring

934
00:46:16,719 --> 00:46:18,759
Speaker 1: because there was I got there was a passage of time,

935
00:46:18,760 --> 00:46:19,839
Speaker 1: but it was like, oh, she was just.

936
00:46:19,800 --> 00:46:24,880
Speaker 3: In the apartment. Amy counters, I hope not. Morgan warns

937
00:46:24,880 --> 00:46:27,319
Speaker 3: her mom she probably won't like her gift. Just as

938
00:46:27,360 --> 00:46:30,719
Speaker 3: Amy unwraps a yellow baby sweater. It's the sweater she

939
00:46:30,760 --> 00:46:32,840
Speaker 3: wore when they brought Morgan home from the hospital.

940
00:46:33,040 --> 00:46:34,960
Speaker 1: Amy, so was she four when they brought her home.

941
00:46:35,640 --> 00:46:39,200
Speaker 1: I'm just curious because the sweater was enormous. We just

942
00:46:39,239 --> 00:46:43,880
Speaker 1: had our grandson, who there these tiny, tiny little things

943
00:46:43,920 --> 00:46:46,319
Speaker 1: like the diapers are this big. So when she's like,

944
00:46:46,360 --> 00:46:48,000
Speaker 1: I got my sweater from when you brought me home,

945
00:46:48,000 --> 00:46:49,120
Speaker 1: It's like, wait, what what? I know?

946
00:46:49,160 --> 00:46:51,080
Speaker 3: She looks like so sweater she god have worn last year.

947
00:46:51,440 --> 00:46:54,319
Speaker 3: It was It's so funny. I know. I just saw

948
00:46:54,600 --> 00:46:57,480
Speaker 3: in Adler's little drawer where I keep some of his,

949
00:46:57,640 --> 00:47:00,160
Speaker 3: like the only couple little baby items. He held up

950
00:47:00,600 --> 00:47:03,279
Speaker 3: the little my favorite baby onesie of his and he

951
00:47:03,400 --> 00:47:05,440
Speaker 3: was like, what's this? And I said, you used to

952
00:47:05,560 --> 00:47:10,080
Speaker 3: wear that. It's like this bit for all believe it.

953
00:47:10,840 --> 00:47:11,040
Speaker 1: Don't.

954
00:47:11,080 --> 00:47:13,200
Speaker 3: Let's not get right or talking about it right. Writer's

955
00:47:13,200 --> 00:47:17,200
Speaker 3: got baby fever, he does, I do. Amy smiles, I remember,

956
00:47:17,440 --> 00:47:20,239
Speaker 3: why are you giving this up? Morgan explains it's a

957
00:47:20,239 --> 00:47:23,680
Speaker 3: baby sweater. I'm not the baby anymore, but Amy insists

958
00:47:23,840 --> 00:47:27,479
Speaker 3: you will always be my baby. Morgan replies, thanks, mom,

959
00:47:27,680 --> 00:47:30,120
Speaker 3: but I'm old enough to know that I won't. Amy

960
00:47:30,160 --> 00:47:31,680
Speaker 3: promises her, I'm sorry.

961
00:47:32,400 --> 00:47:36,000
Speaker 1: At this moment, I wanted to go back and rewrite

962
00:47:36,000 --> 00:47:39,320
Speaker 1: the entire episode and do the whole thing from Morgan's

963
00:47:39,360 --> 00:47:41,319
Speaker 1: point of Yes, me too, That's what I was saying.

964
00:47:41,360 --> 00:47:43,440
Speaker 2: It's like, it's a boy meets World episode and it's

965
00:47:43,440 --> 00:47:46,719
Speaker 2: an opportunity to have Morgan be forgotten and neglected and.

966
00:47:47,080 --> 00:47:48,399
Speaker 3: Just like a Season one Oliver again.

967
00:47:48,520 --> 00:47:52,840
Speaker 2: Yeah, and having somehow sympathetic to her because he's finally

968
00:47:52,880 --> 00:47:56,560
Speaker 2: like he gets it. Yes, and started with her on

969
00:47:56,600 --> 00:47:59,320
Speaker 2: a park bench, Yes, all by yourself, waiting, looking around

970
00:47:59,440 --> 00:48:00,400
Speaker 2: and waiting to be picked out.

971
00:48:00,719 --> 00:48:03,280
Speaker 3: This needed to be a Valentine's Day episode.

972
00:48:04,920 --> 00:48:06,880
Speaker 1: Trying to save his sister from going through what he

973
00:48:06,920 --> 00:48:09,480
Speaker 1: went through, and it hysterical, and it would have been

974
00:48:09,880 --> 00:48:12,239
Speaker 1: incredible and kept the Bet story exactly the way the

975
00:48:12,239 --> 00:48:14,279
Speaker 1: Bee story is, the whole Jack and Eric thing, but

976
00:48:14,360 --> 00:48:16,440
Speaker 1: it's about the forgotten kid again and now she's a

977
00:48:16,480 --> 00:48:19,040
Speaker 1: forgotten kid, and it would have been such a good episode.

978
00:48:19,160 --> 00:48:22,319
Speaker 3: Yeah, really really smart. Amy promises her daughter that for

979
00:48:22,360 --> 00:48:25,080
Speaker 3: the next six weeks until the baby comes, she and

980
00:48:25,120 --> 00:48:28,880
Speaker 3: Morgan will be inseparable. But then Amy gasps and holds

981
00:48:28,880 --> 00:48:33,319
Speaker 3: her belly. She shakily says, whoa, and then quick cut

982
00:48:33,360 --> 00:48:35,640
Speaker 3: back to the apartment. Jack, Feenie, and Eric are playing

983
00:48:35,640 --> 00:48:38,520
Speaker 3: cards while Corey complains to his dad, this day was

984
00:48:38,560 --> 00:48:41,560
Speaker 3: important to me. Tapega knew that. Alan reminds him it

985
00:48:41,600 --> 00:48:44,040
Speaker 3: was a very important day for his mother too, but

986
00:48:44,120 --> 00:48:47,080
Speaker 3: Corey argues it didn't have to be today. Tapega said,

987
00:48:47,080 --> 00:48:49,680
Speaker 3: sometimes things come up, but what came up. His mom

988
00:48:49,680 --> 00:48:52,280
Speaker 3: will still be pregnant tomorrow, but this was their first

989
00:48:52,320 --> 00:48:56,360
Speaker 3: engaged Valentine's Day. Alan says Amy needed this, but Corey rebukes,

990
00:48:56,480 --> 00:48:59,040
Speaker 3: I needed to be with Tapanga on Valentine's Day. I

991
00:48:59,080 --> 00:49:02,680
Speaker 3: needed to make up for last year. Alan calls Corey selfish,

992
00:49:02,680 --> 00:49:05,600
Speaker 3: but Corey rhetorically asks, I'm being selfish because I wanted

993
00:49:05,640 --> 00:49:07,719
Speaker 3: to spend the one day you're supposed to spend with

994
00:49:07,800 --> 00:49:09,360
Speaker 3: your girlfriend with my girlfriend.

995
00:49:11,200 --> 00:49:14,879
Speaker 1: It's here on Tuesday. But how hard as that? Oh?

996
00:49:15,320 --> 00:49:18,400
Speaker 3: Alan says, they spend every day together. Corey asks what

997
00:49:18,480 --> 00:49:21,319
Speaker 3: are you saying? Then the phone rings. Eric goes to

998
00:49:21,320 --> 00:49:23,680
Speaker 3: pick it up while Alan and Corey continue to argue.

999
00:49:23,920 --> 00:49:26,000
Speaker 3: Alan fights back, I'm saying that you can be in

1000
00:49:26,040 --> 00:49:28,279
Speaker 3: love with somebody, but the world still goes on around you.

1001
00:49:28,360 --> 00:49:32,279
Speaker 3: Tapega knows that you don't. Phoene deadpans to Jack, this

1002
00:49:32,400 --> 00:49:36,080
Speaker 3: is a lovely party. Eric says, it's Tapanga on the line.

1003
00:49:36,239 --> 00:49:38,960
Speaker 3: Corey boasts, oh, and now she can't be without me.

1004
00:49:39,200 --> 00:49:40,160
Speaker 3: I'm right, you're wrong.

1005
00:49:40,280 --> 00:49:40,360
Speaker 1: Ha.

1006
00:49:41,000 --> 00:49:43,879
Speaker 3: Eric clarifies for dad. He hands the phone to Alan,

1007
00:49:43,920 --> 00:49:46,680
Speaker 3: who repeats ha right back at his son. We get

1008
00:49:46,719 --> 00:49:50,600
Speaker 3: some real rusty facting here as he asks the water broke,

1009
00:49:50,960 --> 00:49:53,960
Speaker 3: what does that mean? Eric butts in, oh, dude, that

1010
00:49:54,000 --> 00:49:55,960
Speaker 3: means like whoosh.

1011
00:49:55,560 --> 00:49:59,160
Speaker 1: Ignoring me. We've talked about this well.

1012
00:49:58,960 --> 00:50:02,440
Speaker 3: In his expert thanks for our pregnancy, I love it

1013
00:50:02,480 --> 00:50:05,719
Speaker 3: so much. Ignoring his son, Alan returns to Tapanga. The

1014
00:50:05,760 --> 00:50:08,279
Speaker 3: baby isn't due for another six weeks. Can't they put

1015
00:50:08,320 --> 00:50:11,000
Speaker 3: the water back in? Put some new water in? Tapega

1016
00:50:11,000 --> 00:50:14,759
Speaker 3: says something and Alan responds, oh, well that's that. Then

1017
00:50:15,239 --> 00:50:17,919
Speaker 3: he thanks Topanga and hangs up. Everyone in the room

1018
00:50:17,960 --> 00:50:21,680
Speaker 3: sits in anticipation. Alan simply states, well, we're having a

1019
00:50:21,719 --> 00:50:24,799
Speaker 3: baby and walks toward the door, but then just as

1020
00:50:24,840 --> 00:50:27,520
Speaker 3: he gets to the exit, he screams baby time and

1021
00:50:27,600 --> 00:50:32,439
Speaker 3: everyone runs out. Then we're at the hospital. Alan runs

1022
00:50:32,480 --> 00:50:34,319
Speaker 3: up to the nearest nurse. I'm having a baby. I

1023
00:50:34,360 --> 00:50:36,600
Speaker 3: need my wife. Thankfully, the girls are in the waiting

1024
00:50:36,680 --> 00:50:39,520
Speaker 3: room and Topanga overhears him. She explains that Amy is

1025
00:50:39,520 --> 00:50:41,680
Speaker 3: getting prepped for her sea section and leads him toward

1026
00:50:41,760 --> 00:50:44,239
Speaker 3: the operating room. He starts to ask another question, but

1027
00:50:44,280 --> 00:50:46,239
Speaker 3: she beats him to the punch. They already page the

1028
00:50:46,280 --> 00:50:49,640
Speaker 3: doctor and Amy's waiting. Topanga happily adds, hang in there, Dad,

1029
00:50:50,120 --> 00:50:54,040
Speaker 3: Alan's caught off guard, Dad, I like you calling me Dad?

1030
00:50:54,360 --> 00:50:56,680
Speaker 3: Keep it up to Pega grins to herself.

1031
00:50:57,080 --> 00:51:00,960
Speaker 1: A couple things first, We just I love that Topanga

1032
00:51:01,000 --> 00:51:03,160
Speaker 1: has taken charge. I think that's really cool. But we

1033
00:51:03,320 --> 00:51:06,200
Speaker 1: just did an episode where Rusty took charge and showed

1034
00:51:06,239 --> 00:51:08,640
Speaker 1: how calm, cool and collected he was with all bazy

1035
00:51:08,680 --> 00:51:13,120
Speaker 1: stuff right. Literally was the whole storyline was him, and

1036
00:51:13,200 --> 00:51:14,680
Speaker 1: then he's like when it comes he's like, no, we're

1037
00:51:14,680 --> 00:51:17,640
Speaker 1: gonna do this, We're gonna do that. So interesting. I

1038
00:51:17,680 --> 00:51:20,400
Speaker 1: also when I don't know if it was your reading

1039
00:51:20,440 --> 00:51:24,239
Speaker 1: of Dad or the way it was written, but I

1040
00:51:24,280 --> 00:51:28,360
Speaker 1: didn't get that you were calling him dad. I wasn't.

1041
00:51:28,920 --> 00:51:31,200
Speaker 3: I wasn't. I'm just saying, like dad because he's.

1042
00:51:31,120 --> 00:51:32,640
Speaker 1: About to have going to be the dad.

1043
00:51:32,920 --> 00:51:35,359
Speaker 3: When it came out of my mouth and it's it's

1044
00:51:35,719 --> 00:51:37,719
Speaker 3: liked it. Yeah, he just liked it, and he was like,

1045
00:51:37,920 --> 00:51:41,160
Speaker 3: you can keep calling me dad if you want, gotcha, Okay, Yeah,

1046
00:51:41,160 --> 00:51:43,520
Speaker 3: because it wasn't that. I wasn't supposed to be saying like,

1047
00:51:43,800 --> 00:51:46,160
Speaker 3: because you're going to be my dad, it was also

1048
00:51:46,280 --> 00:51:47,200
Speaker 3: the dad in the situation.

1049
00:51:47,400 --> 00:51:49,120
Speaker 1: That's okay. Good, So then I read it right, okay,

1050
00:51:49,120 --> 00:51:51,040
Speaker 1: because I was like, is she calling him dad? She's

1051
00:51:51,080 --> 00:51:51,680
Speaker 1: calling him dad?

1052
00:51:51,719 --> 00:51:54,440
Speaker 3: Okay, wasn't got to Pega grins to herself and then

1053
00:51:54,440 --> 00:51:57,399
Speaker 3: turns to find Corey behind her. He asks, took care

1054
00:51:57,440 --> 00:51:59,879
Speaker 3: of everything? Huh? To Pega nods both of his parents

1055
00:51:59,880 --> 00:52:03,959
Speaker 3: are okay, so that's everything that matters. Corey calmly responds, yeah,

1056
00:52:04,000 --> 00:52:07,319
Speaker 3: that's everything that matters. Topeka asks what's wrong, and Corey

1057
00:52:07,320 --> 00:52:09,680
Speaker 3: admits nothing. I mean, can't we at least go get

1058
00:52:09,680 --> 00:52:12,560
Speaker 3: a cup of coffee together or something. Topega is shocked

1059
00:52:12,560 --> 00:52:14,640
Speaker 3: that in this moment, he's still only thinking about the

1060
00:52:14,719 --> 00:52:19,160
Speaker 3: two of them. Cory unapologetically says yeah. Meanwhile, Rachel and

1061
00:52:19,239 --> 00:52:22,120
Speaker 3: Jack stand behind Eric cooing at the newborn babies in

1062
00:52:22,160 --> 00:52:25,120
Speaker 3: their little nursery beds. She asks Jack if he's told

1063
00:52:25,239 --> 00:52:28,319
Speaker 3: Eric yet. Jack admits sort of. I'm not sure he

1064
00:52:28,360 --> 00:52:31,640
Speaker 3: gets it. Rachel doesn't understand. Then we see Eric with

1065
00:52:31,680 --> 00:52:34,680
Speaker 3: his mouth pressed against the glass, saying, gooo to the

1066
00:52:34,680 --> 00:52:36,120
Speaker 3: babies inside.

1067
00:52:35,920 --> 00:52:36,880
Speaker 1: Do funny stuff.

1068
00:52:37,360 --> 00:52:41,200
Speaker 5: I just like, well do somebody, Well, here's here's a window.

1069
00:52:41,239 --> 00:52:47,200
Speaker 5: Go I'm pretty good at window acting. Yeah, whack acting, whackting.

1070
00:52:47,280 --> 00:52:48,200
Speaker 5: I'm pretty good at acting.

1071
00:52:48,280 --> 00:52:49,279
Speaker 1: If I'm honest, it.

1072
00:52:49,239 --> 00:52:51,160
Speaker 3: Could be Yeah, it'd have to be acting.

1073
00:52:51,640 --> 00:52:55,920
Speaker 1: Whacky w acting. Whacky wacting, wacking sounds a little sexual,

1074
00:52:56,120 --> 00:53:00,759
Speaker 1: I know, just acting really? I mean, yes, it's true too.

1075
00:53:00,840 --> 00:53:02,840
Speaker 3: Yeah, so I was swapping you guys are we're facting

1076
00:53:02,880 --> 00:53:03,279
Speaker 3: all night?

1077
00:53:03,360 --> 00:53:12,480
Speaker 1: Man? It was I lived till the fact it and

1078
00:53:12,520 --> 00:53:14,440
Speaker 1: on the nights I can factor because she's not around.

1079
00:53:14,600 --> 00:53:15,160
Speaker 1: I'm whackeding.

1080
00:53:21,160 --> 00:53:27,400
Speaker 3: Oh god, oh my god. You see Eric with his

1081
00:53:27,480 --> 00:53:29,719
Speaker 3: mouth pressed against the glass, saying goo goo to the

1082
00:53:29,719 --> 00:53:33,720
Speaker 3: baby's inside. Rachel realizes there is a possibility he doesn't

1083
00:53:33,719 --> 00:53:36,520
Speaker 3: get it. Jack siys he can't do it, but Rachel

1084
00:53:36,520 --> 00:53:39,160
Speaker 3: says that isn't really an option. Jack questions if it's

1085
00:53:39,160 --> 00:53:41,160
Speaker 3: really worth breaking up a friendship over since it was

1086
00:53:41,200 --> 00:53:43,600
Speaker 3: only one kiss, what what are they talking about? It

1087
00:53:43,760 --> 00:53:47,000
Speaker 3: was kiss and from what are they even talking about?

1088
00:53:47,600 --> 00:53:49,560
Speaker 3: But then there was a second kiss and some hugging.

1089
00:53:49,640 --> 00:53:52,160
Speaker 3: As he explains the evolution, they're starting to get closer

1090
00:53:52,200 --> 00:53:54,279
Speaker 3: and tell Jack finally tells her to come here, but

1091
00:53:54,400 --> 00:53:56,399
Speaker 3: Rachel quickly snaps out of it. They can't do this here.

1092
00:53:56,960 --> 00:53:59,200
Speaker 3: Rachel comes to the realization that maybe she should be

1093
00:53:59,200 --> 00:54:01,520
Speaker 3: the one to tell Eric, and so Rachel approaches Eric

1094
00:54:01,520 --> 00:54:03,800
Speaker 3: and asks what he's doing. He explains that he's getting

1095
00:54:03,800 --> 00:54:06,600
Speaker 3: to know the neighbors. He points to an empty bassinette

1096
00:54:06,600 --> 00:54:08,400
Speaker 3: and says that's where the new baby, Matthews is going

1097
00:54:08,480 --> 00:54:11,480
Speaker 3: to go. Then Eric introduces all the other babies to

1098
00:54:11,520 --> 00:54:13,959
Speaker 3: his other best friend, Rachel, who is spending this most

1099
00:54:14,000 --> 00:54:16,520
Speaker 3: joyous day with him. He admits that he's really just

1100
00:54:16,560 --> 00:54:18,880
Speaker 3: glad that her and Jack are there to spend this

1101
00:54:18,960 --> 00:54:21,160
Speaker 3: day with him. Then he turns back to the babies

1102
00:54:21,160 --> 00:54:24,239
Speaker 3: and asks them, how great are my friends? Huh? Oh?

1103
00:54:24,280 --> 00:54:26,520
Speaker 3: And one more thing, I think they're in love with

1104
00:54:26,560 --> 00:54:29,960
Speaker 3: each other. Rachel and Jack stare at him in shock,

1105
00:54:30,000 --> 00:54:31,760
Speaker 3: while Eric just knowingly smiled.

1106
00:54:31,760 --> 00:54:32,799
Speaker 1: I don't think it.

1107
00:54:32,800 --> 00:54:35,760
Speaker 2: It's a resolution that it was never a problem.

1108
00:54:37,320 --> 00:54:40,880
Speaker 3: To me. It is a problem.

1109
00:54:41,120 --> 00:54:43,840
Speaker 1: Yeah, he's moving. I guess they're trying to make it so.

1110
00:54:44,000 --> 00:54:46,880
Speaker 1: Eric is actually very aware of what's going on around him,

1111
00:54:46,880 --> 00:54:48,920
Speaker 1: even though he's a kind of you know, he's starting

1112
00:54:48,920 --> 00:54:49,279
Speaker 1: to get dumb.

1113
00:54:49,520 --> 00:54:51,440
Speaker 3: Every whole episode he pretended he didn't.

1114
00:54:53,080 --> 00:54:55,759
Speaker 1: Has the moment of him finding out that they are

1115
00:54:55,800 --> 00:54:59,320
Speaker 1: still hooking up behind his back. That's the moment you want?

1116
00:54:59,560 --> 00:55:02,480
Speaker 1: Is that that? Oh my god, you betrayed me? And

1117
00:55:02,480 --> 00:55:05,239
Speaker 1: then is it really betrayal if you are in love

1118
00:55:05,280 --> 00:55:07,319
Speaker 1: with somebody, and how do you deny feeling? There's so

1119
00:55:07,400 --> 00:55:09,640
Speaker 1: much to mine there and they're just like, no, Eric knows,

1120
00:55:10,000 --> 00:55:10,759
Speaker 1: really he does?

1121
00:55:11,239 --> 00:55:11,520
Speaker 3: I know?

1122
00:55:11,680 --> 00:55:12,520
Speaker 1: Yeah, I don't know.

1123
00:55:12,760 --> 00:55:14,840
Speaker 3: And then you deliver it to a room full of

1124
00:55:14,960 --> 00:55:18,439
Speaker 3: beds between glass toward camera.

1125
00:55:18,640 --> 00:55:20,960
Speaker 1: And not, well, it's my acting isn't good in this

1126
00:55:21,040 --> 00:55:22,879
Speaker 1: scene at all. It's like, I turn around, like I

1127
00:55:22,960 --> 00:55:24,240
Speaker 1: know what you're talking about.

1128
00:55:24,239 --> 00:55:26,719
Speaker 3: It's not that your acting isn't good. It's that's that

1129
00:55:26,840 --> 00:55:31,960
Speaker 3: the dramatic beat of it landing doesn't land because it's dramatic.

1130
00:55:31,840 --> 00:55:34,600
Speaker 1: That the acting is not good. The second I turn

1131
00:55:34,640 --> 00:55:36,600
Speaker 1: away from the window and I'm no longer whackting, I'm

1132
00:55:36,640 --> 00:55:38,120
Speaker 1: just acting. It's not great.

1133
00:55:38,719 --> 00:55:42,040
Speaker 3: So, yeah, no, it was better.

1134
00:55:42,360 --> 00:55:48,040
Speaker 1: I've had more practice. Yeah, no, it's yeah. This whole

1135
00:55:48,120 --> 00:55:50,279
Speaker 1: scene was just strange to me.

1136
00:56:02,160 --> 00:56:04,400
Speaker 3: Well, we're in the delivery room. Amy's all prepped for

1137
00:56:04,440 --> 00:56:06,920
Speaker 3: her sea section when Alan walks in wearing his hairnet

1138
00:56:07,000 --> 00:56:09,640
Speaker 3: and gown. He kisses Amy and squeezes her hand before

1139
00:56:09,640 --> 00:56:12,319
Speaker 3: walking over to her lower half. The doctor reminds him

1140
00:56:12,360 --> 00:56:14,719
Speaker 3: this one's a sea section. You go up there. He

1141
00:56:14,800 --> 00:56:16,880
Speaker 3: asks the doctor a nurse if there's anything he can do,

1142
00:56:16,920 --> 00:56:19,200
Speaker 3: and the doctor says, when you fink that way and

1143
00:56:19,280 --> 00:56:22,600
Speaker 3: motions away from her. Alan asks why she anticipates him fainting.

1144
00:56:22,800 --> 00:56:27,400
Speaker 1: Yes, I have a birth question. Okay, seven and a

1145
00:56:27,440 --> 00:56:31,000
Speaker 1: half months is it's it's early, but it's not dangerously early.

1146
00:56:31,120 --> 00:56:33,759
Speaker 1: It's pretty dangerous that the kid is. Then why is

1147
00:56:33,880 --> 00:56:36,200
Speaker 1: nobody really mentioned? I mean they mentioned, They're all like,

1148
00:56:36,239 --> 00:56:38,880
Speaker 1: we're having a baby, but nobody's really bringing up that

1149
00:56:39,320 --> 00:56:42,400
Speaker 1: the kid is really premature, right, I mean, how is

1150
00:56:42,440 --> 00:56:43,280
Speaker 1: this not mentioned?

1151
00:56:43,920 --> 00:56:46,120
Speaker 3: It should be? And I do think they tried to

1152
00:56:46,120 --> 00:56:49,000
Speaker 3: get it across a little bit when he when in

1153
00:56:49,040 --> 00:56:50,680
Speaker 3: the last scene where he finds out that the water

1154
00:56:50,760 --> 00:56:52,920
Speaker 3: broke and he's like, well, could they put more water in?

1155
00:56:52,960 --> 00:56:55,680
Speaker 3: Because it is a very disorder. You're like, well, this

1156
00:56:55,719 --> 00:56:58,920
Speaker 3: seems like an emergency, right, but I don't want the

1157
00:56:58,920 --> 00:57:01,000
Speaker 3: birth of my child to be in emergency? So can

1158
00:57:01,040 --> 00:57:03,680
Speaker 3: how do we fix this? Like and then when he's like, oh,

1159
00:57:03,680 --> 00:57:06,359
Speaker 3: well that's that then and then he says we're having

1160
00:57:06,400 --> 00:57:08,880
Speaker 3: a baby, and every like they tried to get it

1161
00:57:08,920 --> 00:57:11,239
Speaker 3: across like this is not this is early, which means

1162
00:57:11,239 --> 00:57:12,240
Speaker 3: something might be wrong.

1163
00:57:12,360 --> 00:57:13,480
Speaker 1: But why not just say that?

1164
00:57:13,880 --> 00:57:14,239
Speaker 3: I know?

1165
00:57:14,360 --> 00:57:17,080
Speaker 2: Why not just say and even with the sea section,

1166
00:57:17,240 --> 00:57:19,680
Speaker 2: like I'm assuming the reason they're having a sea section

1167
00:57:19,840 --> 00:57:21,080
Speaker 2: is because it's early.

1168
00:57:21,040 --> 00:57:22,600
Speaker 1: Why not just say that now?

1169
00:57:22,720 --> 00:57:25,480
Speaker 2: It's like I think they wanted to save it as

1170
00:57:25,520 --> 00:57:26,760
Speaker 2: a dramatical.

1171
00:57:27,040 --> 00:57:31,320
Speaker 3: Though, the sea section because it's early because her water broke,

1172
00:57:31,720 --> 00:57:34,960
Speaker 3: so she was probably sometime and then you're having contractions.

1173
00:57:35,480 --> 00:57:39,480
Speaker 3: She could have naturally delivered, not vaginally delivered. I don't

1174
00:57:39,520 --> 00:57:41,800
Speaker 3: want to say naturally because giving birth would however you

1175
00:57:41,800 --> 00:57:44,640
Speaker 3: give birth is natural, but vaginally delivered unless maybe she

1176
00:57:44,680 --> 00:57:47,440
Speaker 3: had a sea section before, in which case then, especially

1177
00:57:47,480 --> 00:57:49,320
Speaker 3: thirty years ago, it wasn't as popular to have a

1178
00:57:49,360 --> 00:57:51,200
Speaker 3: vaginal birth after you've already had a sea See.

1179
00:57:51,200 --> 00:57:52,600
Speaker 2: Maybe they just didn't want to get into the weeds

1180
00:57:52,600 --> 00:57:53,880
Speaker 2: of everything that we just got into.

1181
00:57:54,280 --> 00:58:00,000
Speaker 3: But my point is to will like it is odd. Yeah,

1182
00:58:00,080 --> 00:58:02,120
Speaker 3: if if the idea that she's having a sea section

1183
00:58:02,240 --> 00:58:05,360
Speaker 3: is because it's an emergency, you would have assumed someone

1184
00:58:05,360 --> 00:58:06,880
Speaker 3: would have said, wait, why a sea section?

1185
00:58:07,880 --> 00:58:10,520
Speaker 2: I mean, just you know what it should have been

1186
00:58:10,560 --> 00:58:13,120
Speaker 2: is that like Corey brings it up, like Corey says,

1187
00:58:13,200 --> 00:58:15,560
Speaker 2: this is too early, and then everyone's like turns on him, like,

1188
00:58:15,760 --> 00:58:18,360
Speaker 2: don't be a downer, don't you know, Like because you're

1189
00:58:18,360 --> 00:58:23,280
Speaker 2: doing your thing again, Corey, you're thinking I take control,

1190
00:58:23,360 --> 00:58:24,880
Speaker 2: which was a fine scene.

1191
00:58:24,960 --> 00:58:27,120
Speaker 1: It's the doctor that meets him there and goes and

1192
00:58:27,160 --> 00:58:29,479
Speaker 1: he's like, not, this is early, and he's like She's like, look,

1193
00:58:29,520 --> 00:58:31,320
Speaker 1: it should be fine. It's early. We're going to do

1194
00:58:31,360 --> 00:58:33,040
Speaker 1: a sea set. I mean yeah, could have been more

1195
00:58:33,120 --> 00:58:34,800
Speaker 1: dramatic that way, and then you could still have the

1196
00:58:34,840 --> 00:58:36,600
Speaker 1: turn of like the heartbeat, isn't I mean whatever?

1197
00:58:36,640 --> 00:58:39,200
Speaker 3: And I think the whole the whole reason they didn't

1198
00:58:39,240 --> 00:58:41,400
Speaker 3: do any of that is they wanted it to just

1199
00:58:41,520 --> 00:58:44,080
Speaker 3: be a total surprise.

1200
00:58:44,040 --> 00:58:45,480
Speaker 1: Slam at the end of it. But it can't be

1201
00:58:45,520 --> 00:58:47,520
Speaker 1: a surprise the other.

1202
00:58:47,640 --> 00:58:49,520
Speaker 3: Because there is that there is a little bit of

1203
00:58:49,560 --> 00:58:54,160
Speaker 3: a feeling of like the water broke instead.

1204
00:58:53,800 --> 00:58:56,320
Speaker 1: Of what how did a baby.

1205
00:58:55,920 --> 00:58:58,480
Speaker 3: And everyone just pretending it's all joyous.

1206
00:58:59,080 --> 00:59:02,160
Speaker 1: This is strange? Was they just kind of mulled by it,

1207
00:59:02,200 --> 00:59:03,560
Speaker 1: like seven and a half months, let's go have a

1208
00:59:03,640 --> 00:59:05,920
Speaker 1: kid like that doesn't seem like character.

1209
00:59:05,920 --> 00:59:07,520
Speaker 2: Bring it up and everyone else be like, well, let's

1210
00:59:07,520 --> 00:59:10,360
Speaker 2: not worry about that now. Let's just right now, Yeah,

1211
00:59:10,400 --> 00:59:10,960
Speaker 2: just get it out.

1212
00:59:12,360 --> 00:59:15,360
Speaker 3: Alan asks why she anticipates him fainting, and she responds,

1213
00:59:15,400 --> 00:59:17,200
Speaker 3: because you're going to look over the drape while and

1214
00:59:17,280 --> 00:59:19,440
Speaker 3: making the incision, even though I advise you not to.

1215
00:59:19,800 --> 00:59:22,840
Speaker 3: Sure enough, that's exactly what he does. He admits that's

1216
00:59:22,880 --> 00:59:24,480
Speaker 3: going to be a tough image to get rid of.

1217
00:59:25,040 --> 00:59:27,200
Speaker 3: Back in the hospital waiting room, Foenie is walking through

1218
00:59:27,240 --> 00:59:29,000
Speaker 3: the halls with a big smile on his face. What

1219
00:59:29,040 --> 00:59:32,720
Speaker 3: a glorious experience, He asks Morgan if she's very excited

1220
00:59:32,720 --> 00:59:35,480
Speaker 3: about this new baby, and she smiles back, I guess,

1221
00:59:35,960 --> 00:59:40,280
Speaker 3: then forcefully pops a balloon with a pencil and walks away. Rachel,

1222
00:59:40,360 --> 00:59:42,680
Speaker 3: Jack and Eric are sitting together when Jack asks what

1223
00:59:42,720 --> 00:59:45,560
Speaker 3: they should do. Eric asks, do you guys want me

1224
00:59:45,600 --> 00:59:48,280
Speaker 3: to move out? Or Rachel quickly answers no, we don't

1225
00:59:48,320 --> 00:59:50,040
Speaker 3: want that. This is really new to us and it's

1226
00:59:50,040 --> 00:59:51,680
Speaker 3: not like Jack and I are ready to live together.

1227
00:59:52,120 --> 00:59:55,520
Speaker 3: Eric laughs, you do live together. Jack clarifies that they

1228
00:59:55,560 --> 00:59:58,520
Speaker 3: don't want anything to change, and Rachel agrees, but Eric

1229
00:59:58,560 --> 01:00:02,520
Speaker 3: states the obvious, yourselves, it has changed. It will never

1230
01:00:02,600 --> 01:00:05,520
Speaker 3: be the same again. I'm going to move out, and

1231
01:00:05,600 --> 01:00:07,520
Speaker 3: I did not get the fact that you were trying

1232
01:00:07,520 --> 01:00:09,120
Speaker 3: to say, like, this is all totally fine.

1233
01:00:09,240 --> 01:00:12,840
Speaker 1: I was like, oh, this was a good scene. This

1234
01:00:12,960 --> 01:00:16,400
Speaker 1: was actually, I thought, much better than the window scene.

1235
01:00:16,400 --> 01:00:20,560
Speaker 2: Frankly, yeah, I kind of read it as that much tension.

1236
01:00:20,600 --> 01:00:22,560
Speaker 1: I'm just like, that's what I didn't just move out, dude.

1237
01:00:22,600 --> 01:00:25,520
Speaker 2: It's not that big of it, you know, the like

1238
01:00:26,040 --> 01:00:28,640
Speaker 2: the fact that it's like going to be the loss

1239
01:00:28,640 --> 01:00:30,520
Speaker 2: of something like the loss of a friendship.

1240
01:00:30,560 --> 01:00:31,680
Speaker 1: I just don't feel that bad.

1241
01:00:31,680 --> 01:00:33,640
Speaker 2: I'm like, great, they're in love. Ericson moving out, like,

1242
01:00:33,680 --> 01:00:34,440
Speaker 2: what is the problem?

1243
01:00:34,720 --> 01:00:38,240
Speaker 1: Like, I don't like, well, yeah, the problem should have

1244
01:00:38,240 --> 01:00:41,280
Speaker 1: been the betrayal, which they glossed over because Eric was like,

1245
01:00:41,360 --> 01:00:43,360
Speaker 1: I think you're in love with each other, and it's like,

1246
01:00:43,400 --> 01:00:44,520
Speaker 1: why why do that?

1247
01:00:44,880 --> 01:00:46,680
Speaker 2: Eric was like, no, no, I'm fine, I'm moving out

1248
01:00:46,680 --> 01:00:47,800
Speaker 2: and I'm never going to talk to you, either of

1249
01:00:47,840 --> 01:00:50,400
Speaker 2: you again. Then I'd be like, oh, oh god, this

1250
01:00:50,480 --> 01:00:52,000
Speaker 2: is going to linger into the next episode. But as

1251
01:00:52,040 --> 01:00:53,840
Speaker 2: it is, he's like, no, it's fine, I'm gonna move out,

1252
01:00:53,840 --> 01:00:55,480
Speaker 2: and I'm like, yeah, that's probably what you should do.

1253
01:00:56,160 --> 01:00:57,680
Speaker 1: I think this is where we end up in bed

1254
01:00:57,720 --> 01:01:01,600
Speaker 1: together Danielle. Oh god, I think the next episode it's

1255
01:01:01,760 --> 01:01:03,240
Speaker 1: where you just get into your dorm room.

1256
01:01:03,240 --> 01:01:06,040
Speaker 3: Ben and I need to take care of course family,

1257
01:01:06,160 --> 01:01:10,200
Speaker 3: they're gonna have too, However, I can help you.

1258
01:01:10,240 --> 01:01:10,560
Speaker 4: Guys.

1259
01:01:11,560 --> 01:01:16,920
Speaker 1: Nice, nice, excellent, no red flags, the red flags at all.

1260
01:01:17,880 --> 01:01:20,480
Speaker 3: I don't know. I really did pick up on tension.

1261
01:01:20,680 --> 01:01:22,760
Speaker 3: I apparently am the only one I picked up on

1262
01:01:22,840 --> 01:01:26,000
Speaker 3: tension coming from Eric, and obviously Jack and Rachel are

1263
01:01:26,040 --> 01:01:27,120
Speaker 3: not happy about that either.

1264
01:01:27,000 --> 01:01:29,560
Speaker 1: But I didn't either. I was like writer, I did.

1265
01:01:29,680 --> 01:01:31,040
Speaker 1: I felt like it was just kind of like, no,

1266
01:01:31,120 --> 01:01:33,360
Speaker 1: I'm moving out. We're good, like little see ya.

1267
01:01:33,800 --> 01:01:37,520
Speaker 2: There's this tendency that Boy Meets World has often and

1268
01:01:37,680 --> 01:01:41,960
Speaker 2: definitely and Girl Meets World to do the obvious storyline,

1269
01:01:42,000 --> 01:01:44,120
Speaker 2: like to do the thing, but then to write against it,

1270
01:01:44,200 --> 01:01:46,560
Speaker 2: like to like pull back in the dialogue. And I

1271
01:01:46,560 --> 01:01:49,560
Speaker 2: feel like the obvious storyline is that there's conflict and

1272
01:01:49,720 --> 01:01:52,800
Speaker 2: tension and revealed to Eric and dramatic turn and they

1273
01:01:52,880 --> 01:01:55,200
Speaker 2: just like kind of twist it, you know, and so

1274
01:01:55,240 --> 01:01:57,800
Speaker 2: it's like he already knew exacting, but.

1275
01:01:57,760 --> 01:01:59,680
Speaker 1: It's like, but you also took away the whole point

1276
01:01:59,680 --> 01:01:59,960
Speaker 1: of the store.

1277
01:02:00,360 --> 01:02:03,120
Speaker 2: So just it happens often where I'm like, we're writing

1278
01:02:03,160 --> 01:02:06,920
Speaker 2: against the actual conflict. We're writing away from it to

1279
01:02:07,000 --> 01:02:08,880
Speaker 2: be more clever, or to be smarter, or to be

1280
01:02:08,920 --> 01:02:11,720
Speaker 2: above the conflict than a way, And sometimes it really works,

1281
01:02:11,720 --> 01:02:14,800
Speaker 2: Like sometimes it's you know, it creates a paradoxical like, oh,

1282
01:02:14,800 --> 01:02:16,800
Speaker 2: the story's going one way, but the characters.

1283
01:02:16,480 --> 01:02:17,400
Speaker 1: Are aware of it.

1284
01:02:17,480 --> 01:02:19,400
Speaker 2: But other times like this, I feel like it just

1285
01:02:19,440 --> 01:02:21,880
Speaker 2: completely deflates the whole thing and it's like it's not

1286
01:02:21,920 --> 01:02:22,680
Speaker 2: a story anymore.

1287
01:02:22,880 --> 01:02:24,360
Speaker 1: Yeah, agreed.

1288
01:02:24,760 --> 01:02:27,320
Speaker 3: We're in the delivery room. The doctor preps Amy for

1289
01:02:27,360 --> 01:02:30,080
Speaker 3: the next step, and then real quick after, we hear

1290
01:02:30,120 --> 01:02:33,160
Speaker 3: a crying baby. Alan excitedly tells her it's a boy.

1291
01:02:33,600 --> 01:02:36,120
Speaker 3: The nurses have him cut the cord. Then they take

1292
01:02:36,160 --> 01:02:39,240
Speaker 3: the baby away to be bathed so Amy can hold him.

1293
01:02:39,720 --> 01:02:42,040
Speaker 3: Alan looks at their new son and says he's perfect,

1294
01:02:42,200 --> 01:02:44,720
Speaker 3: just like his mother. Then the nurse informs the doctor

1295
01:02:44,720 --> 01:02:47,160
Speaker 3: that the baby is breathing as a regular They quickly

1296
01:02:47,200 --> 01:02:49,360
Speaker 3: remove the baby from Alan's arms to take him to

1297
01:02:49,360 --> 01:02:52,000
Speaker 3: the ICU. Alan tries to tell them there's nothing wrong

1298
01:02:52,000 --> 01:02:54,080
Speaker 3: with him, and Amy nervously asks if he's going to

1299
01:02:54,080 --> 01:02:56,960
Speaker 3: be okay. The doctor assures them it's just a precaution.

1300
01:02:57,280 --> 01:03:00,800
Speaker 3: They're taking him to the neonatal ice. You nervously asks

1301
01:03:00,920 --> 01:03:04,800
Speaker 3: intensive care. Alan tries to be reassuring he's gonna be okay.

1302
01:03:04,840 --> 01:03:07,720
Speaker 3: He's in good hands, he suggests. Amy tried to decide

1303
01:03:07,760 --> 01:03:10,800
Speaker 3: on a name while he chases after Their baby felt

1304
01:03:10,840 --> 01:03:15,840
Speaker 3: a little uh lot, a little triggered watching Yeah, not

1305
01:03:16,080 --> 01:03:21,080
Speaker 3: like not massively, didn't have a C section, but I

1306
01:03:21,320 --> 01:03:24,120
Speaker 3: delivered in with a triage. In the room, we had

1307
01:03:24,160 --> 01:03:26,240
Speaker 3: a bunch of nurses. There was a helicopter on the roof.

1308
01:03:26,920 --> 01:03:28,440
Speaker 3: Oh my, because they didn't know I fa there was

1309
01:03:28,440 --> 01:03:30,080
Speaker 3: gonna be breathing at all, and he needed to be

1310
01:03:30,440 --> 01:03:34,680
Speaker 3: rushed to children's hospital. And they said, so, we don't

1311
01:03:34,720 --> 01:03:36,760
Speaker 3: know if you'll get to do any timmy time. We

1312
01:03:36,800 --> 01:03:39,480
Speaker 3: don't know if we may have to immediately take him

1313
01:03:39,520 --> 01:03:44,160
Speaker 3: to the helicopter. And then he came out and he

1314
01:03:44,400 --> 01:03:47,720
Speaker 3: was breathing, which was great, and I got to hold

1315
01:03:47,800 --> 01:03:49,720
Speaker 3: him for like about thirty seconds, maybe as much as

1316
01:03:49,720 --> 01:03:51,080
Speaker 3: a minute, and then they had to take him to

1317
01:03:51,080 --> 01:03:54,360
Speaker 3: the Nike you and it was exactly the same thing.

1318
01:03:54,360 --> 01:03:56,480
Speaker 3: It was like, okay, bye. Jensen kissed me goodbye and

1319
01:03:56,640 --> 01:04:00,960
Speaker 3: ran after Adler in the little thing and you know, you're.

1320
01:04:00,880 --> 01:04:03,760
Speaker 1: Just was was he premature.

1321
01:04:03,760 --> 01:04:07,160
Speaker 3: At Yeah, my water broke at thirty five to five,

1322
01:04:07,480 --> 01:04:11,280
Speaker 3: so just over four weeks and it's supposed to be

1323
01:04:11,320 --> 01:04:14,000
Speaker 3: forty weeks exactly, okay, And so if there was all

1324
01:04:14,040 --> 01:04:16,240
Speaker 3: I mean also, then it wasn't just that he was

1325
01:04:16,320 --> 01:04:17,680
Speaker 3: pre mey. It was that then when I went in

1326
01:04:17,720 --> 01:04:20,880
Speaker 3: when my water broke, and they did an ultrasound. When

1327
01:04:20,880 --> 01:04:22,960
Speaker 3: I got to the hospital, they realized there was fluid

1328
01:04:23,000 --> 01:04:26,040
Speaker 3: around his lungs, right, and so they knew there was

1329
01:04:26,080 --> 01:04:29,040
Speaker 3: a problem and that he may not breathe. But like

1330
01:04:29,080 --> 01:04:31,560
Speaker 3: the human body is, it's just amazing. Like when I

1331
01:04:31,600 --> 01:04:37,320
Speaker 3: delivered Adler, my doctor said to me when he was crowning,

1332
01:04:37,880 --> 01:04:40,280
Speaker 3: hold him there, don't push, don't push anymore, which you're

1333
01:04:40,280 --> 01:04:41,640
Speaker 3: in all of your body.

1334
01:04:41,360 --> 01:04:43,520
Speaker 1: Is telling me push, push, push.

1335
01:04:43,400 --> 01:04:47,880
Speaker 3: And she said, don't. Your contractions are squeezing his chest

1336
01:04:48,440 --> 01:04:50,560
Speaker 3: and will help expel some of the fluid.

1337
01:04:51,040 --> 01:04:53,840
Speaker 1: Oh my god. So it's like you're doing compressions exactly

1338
01:04:53,920 --> 01:04:55,560
Speaker 1: your Oh my god.

1339
01:04:55,480 --> 01:04:58,000
Speaker 3: Yes, so strong, like the strongest key goals you could

1340
01:04:58,040 --> 01:05:01,360
Speaker 3: possibly imagine. And yeah, so she had me hold him

1341
01:05:01,400 --> 01:05:03,480
Speaker 3: there for as long as I could physically stand it.

1342
01:05:06,240 --> 01:05:08,640
Speaker 3: Squeeze out as much fluid from as long as possible.

1343
01:05:08,760 --> 01:05:12,080
Speaker 1: God, wow, I had a really bad cold last month.

1344
01:05:14,160 --> 01:05:17,320
Speaker 1: Very similar, very similar to what you went through. Men

1345
01:05:17,360 --> 01:05:19,840
Speaker 1: and women, we go through the same stuff all the time.

1346
01:05:21,080 --> 01:05:23,560
Speaker 3: But I don't know how much of it was because

1347
01:05:23,560 --> 01:05:26,240
Speaker 3: of that or whatever. But Adler was born with kylothorax

1348
01:05:26,640 --> 01:05:30,240
Speaker 3: and never needed to be tapped. So usually when a

1349
01:05:30,240 --> 01:05:33,000
Speaker 3: baby has kylo thorax, they have to jam a needle

1350
01:05:33,040 --> 01:05:37,120
Speaker 3: through their checks and drain all of the fluid and

1351
01:05:37,160 --> 01:05:39,320
Speaker 3: then they have like a scar, they have like a

1352
01:05:39,480 --> 01:05:41,880
Speaker 3: you know, a an area where you can tell that

1353
01:05:41,920 --> 01:05:43,920
Speaker 3: there was a port or stuff some kind of get

1354
01:05:43,920 --> 01:05:45,920
Speaker 3: the fluid out. And Adler never needed to be tapped.

1355
01:05:45,920 --> 01:05:48,200
Speaker 3: It eventually like got we got rid of it on

1356
01:05:48,280 --> 01:05:51,480
Speaker 3: its own over the next six months. But anyway, yes,

1357
01:05:51,720 --> 01:05:57,040
Speaker 3: watching of watching a berth where the baby comes and

1358
01:05:57,120 --> 01:05:59,440
Speaker 3: is crying and then there's complications and the baby has

1359
01:05:59,440 --> 01:06:02,040
Speaker 3: to be taken away and there's that feeling, and you know.

1360
01:06:02,080 --> 01:06:04,360
Speaker 3: We were then the hospital where I delivered Adler. We

1361
01:06:04,360 --> 01:06:06,920
Speaker 3: were there for twelve days and then we did the ambulance.

1362
01:06:07,040 --> 01:06:09,880
Speaker 3: Eventually have to go to children's hospital. He wasn't getting

1363
01:06:10,040 --> 01:06:11,920
Speaker 3: better there and so we did have to take an

1364
01:06:11,920 --> 01:06:15,040
Speaker 3: ambulance ride birth.

1365
01:06:15,080 --> 01:06:17,360
Speaker 2: Man, it's just like such a razor's edge, right, It's

1366
01:06:17,400 --> 01:06:18,960
Speaker 2: like everything could.

1367
01:06:18,840 --> 01:06:22,760
Speaker 3: Just be and it's so natural, And on the other hand,

1368
01:06:22,920 --> 01:06:24,640
Speaker 3: is still a medical emergency.

1369
01:06:24,760 --> 01:06:25,240
Speaker 1: Life or death.

1370
01:06:25,280 --> 01:06:27,560
Speaker 2: It's like life or death right there, just yeah, and

1371
01:06:27,600 --> 01:06:31,440
Speaker 2: it's yeah, yeah, yeah, it's really it's really a strange.

1372
01:06:31,760 --> 01:06:32,120
Speaker 1: God.

1373
01:06:32,360 --> 01:06:34,600
Speaker 3: So we're in the hospital waiting room. Corey and Topanga

1374
01:06:34,640 --> 01:06:36,720
Speaker 3: are sitting next to each other and Corey lets out

1375
01:06:36,720 --> 01:06:39,400
Speaker 3: a dramatic sigh. When it doesn't get her attention, he

1376
01:06:39,480 --> 01:06:43,200
Speaker 3: repeats it and Topanga rolls her eyes. Corey, you transparent, moron.

1377
01:06:43,320 --> 01:06:45,680
Speaker 3: If you sigh one more time, I'm going to give

1378
01:06:45,720 --> 01:06:49,320
Speaker 3: you something to sigh about. Corey responds, not for one

1379
01:06:49,400 --> 01:06:52,120
Speaker 3: minute on this nationally recognized day of love, did I

1380
01:06:52,160 --> 01:06:54,120
Speaker 3: not think about you and want to be with you

1381
01:06:56,600 --> 01:06:58,080
Speaker 3: for a very important reason.

1382
01:06:59,640 --> 01:07:01,440
Speaker 1: I just wanted a button that you could press that.

1383
01:07:01,520 --> 01:07:03,720
Speaker 1: A hand just comes in and punches him in the face.

1384
01:07:03,920 --> 01:07:09,840
Speaker 1: It's just the worst, Corey ever. Oh awful, I know.

1385
01:07:11,840 --> 01:07:15,040
Speaker 3: Tapanga emphasizes that they are here for a very important reason,

1386
01:07:15,040 --> 01:07:16,920
Speaker 3: and believe it or not, there are other things in

1387
01:07:16,960 --> 01:07:20,200
Speaker 3: this world more important than them. Corey argues, I don't

1388
01:07:20,200 --> 01:07:22,360
Speaker 3: believe it. That's why we're getting married, because there is

1389
01:07:22,360 --> 01:07:25,400
Speaker 3: nothing more important than us. And just then Alan walks

1390
01:07:25,400 --> 01:07:27,520
Speaker 3: into the waiting room, wiping tears from his face and

1391
01:07:27,560 --> 01:07:30,600
Speaker 3: exposing a boom mic above him. He shapefully tells them

1392
01:07:30,880 --> 01:07:34,919
Speaker 3: I only got to hold him for a seconds. He's

1393
01:07:34,960 --> 01:07:37,680
Speaker 3: not breathing on his own. They've got him on a respirator.

1394
01:07:38,200 --> 01:07:40,680
Speaker 3: Alan looks at his kids and starts to cry. He's

1395
01:07:40,760 --> 01:07:43,520
Speaker 3: just so small, so helpless. I don't know how I'm

1396
01:07:43,520 --> 01:07:45,920
Speaker 3: going to tell your mother, he sighs, before leaving them

1397
01:07:45,960 --> 01:07:46,720
Speaker 3: to go back to Amy.

1398
01:07:47,760 --> 01:07:49,320
Speaker 2: She's in a Boy meets Think about. This is a

1399
01:07:49,320 --> 01:07:53,160
Speaker 2: second time we've had hospital waiting room drama. Somebody coming

1400
01:07:53,200 --> 01:07:55,240
Speaker 2: in crying and walk Oh my god.

1401
01:07:55,600 --> 01:07:57,000
Speaker 3: Yeah, that's just so. It's a lot.

1402
01:07:57,200 --> 01:07:58,640
Speaker 1: It's a lot. Boy meets World.

1403
01:07:58,760 --> 01:08:01,440
Speaker 3: And then went we end in the hospital room. Amy's

1404
01:08:01,440 --> 01:08:04,080
Speaker 3: in bed reading a book on baby names. Alan enters,

1405
01:08:04,080 --> 01:08:07,040
Speaker 3: and she admits she can't decide between Joshua or Daniel,

1406
01:08:07,960 --> 01:08:09,880
Speaker 3: two of Michael Jacob's kids names.

1407
01:08:10,160 --> 01:08:13,320
Speaker 1: Yep, I have I have another birth question. I have

1408
01:08:13,400 --> 01:08:17,479
Speaker 1: another birth question. After you've had a c section and

1409
01:08:17,560 --> 01:08:19,880
Speaker 1: everything going on, would you be that alert where you're

1410
01:08:19,880 --> 01:08:21,800
Speaker 1: sitting up in bed and reading a book, like, I

1411
01:08:21,840 --> 01:08:23,519
Speaker 1: wonder what we're going to I mean, it seems like

1412
01:08:23,520 --> 01:08:25,600
Speaker 1: they just took the kid away. Wouldn't she still be

1413
01:08:25,680 --> 01:08:28,160
Speaker 1: kind of like really out of it and there'd still

1414
01:08:28,200 --> 01:08:30,960
Speaker 1: be people around and she's just kind of like lying

1415
01:08:31,000 --> 01:08:32,360
Speaker 1: in bed like reading a book, like.

1416
01:08:32,320 --> 01:08:36,479
Speaker 3: Hey, I know, it's probably been a couple hours at

1417
01:08:36,520 --> 01:08:38,280
Speaker 3: this point, and I don't know because I didn't have

1418
01:08:38,320 --> 01:08:40,200
Speaker 3: a sea section, so I don't. I don't know.

1419
01:08:40,400 --> 01:08:42,760
Speaker 1: But she doesn't yet know that the kid, that there

1420
01:08:42,800 --> 01:08:44,479
Speaker 1: was any problem with the kids. So would it be

1421
01:08:44,600 --> 01:08:47,639
Speaker 1: hours later? I mean, wouldn't they have told her kind

1422
01:08:47,680 --> 01:08:49,639
Speaker 1: of in theory that something's wrong.

1423
01:08:49,479 --> 01:08:51,000
Speaker 3: Her to be the doctors would be coming in to

1424
01:08:51,080 --> 01:08:54,040
Speaker 3: check on her, and she would have asked them, So, yeah,

1425
01:08:54,080 --> 01:08:57,040
Speaker 3: you're right, it's probably not ours. I don't really know,

1426
01:08:57,240 --> 01:08:59,639
Speaker 3: to be honest, I have absolutely no idea what kind

1427
01:08:59,680 --> 01:09:03,840
Speaker 3: of recovery you have after a C section, So I

1428
01:09:03,880 --> 01:09:04,160
Speaker 3: don't know.

1429
01:09:04,479 --> 01:09:07,040
Speaker 2: I mean, you actually probably aren't in any pain because

1430
01:09:07,120 --> 01:09:09,760
Speaker 2: you don't feel anything below your waist, but you would

1431
01:09:09,800 --> 01:09:12,000
Speaker 2: still be like hooked up probably to a lot of stuff,

1432
01:09:12,000 --> 01:09:19,360
Speaker 2: and be rightly yeah, and probably out of it. Tired, tired. Yeah.

1433
01:09:19,520 --> 01:09:21,960
Speaker 3: When she realizes Alan has come back empty handed, she

1434
01:09:22,000 --> 01:09:25,160
Speaker 3: worriedly asks where's the baby. Alan grabs her hand and

1435
01:09:25,240 --> 01:09:27,080
Speaker 3: kisses it, and she stares at him for an answer.

1436
01:09:27,960 --> 01:09:31,920
Speaker 1: Not a romp, No, not a rop at all, less

1437
01:09:32,240 --> 01:09:37,920
Speaker 1: a man, I got a baby, got alog next week?

1438
01:09:38,160 --> 01:09:43,280
Speaker 2: Oh boy, baby, it's my monologue to baby Joshua.

1439
01:09:43,360 --> 01:09:43,559
Speaker 3: Yeah.

1440
01:09:43,600 --> 01:09:47,040
Speaker 2: I come back just in time to to give them

1441
01:09:47,240 --> 01:09:47,719
Speaker 2: the rousing.

1442
01:09:48,040 --> 01:09:49,680
Speaker 1: Do you what does Sean have to do with the kid?

1443
01:09:50,560 --> 01:09:52,879
Speaker 2: I tell him that this family is important and that

1444
01:09:53,000 --> 01:09:55,679
Speaker 2: these are good people, and that he should back from

1445
01:09:55,960 --> 01:09:56,439
Speaker 2: the dead.

1446
01:09:56,880 --> 01:10:00,280
Speaker 3: Okay, well, at least your prayers work for somebody. Didn't

1447
01:10:00,280 --> 01:10:02,240
Speaker 3: work for mister Turner, but saves.

1448
01:10:01,880 --> 01:10:06,720
Speaker 1: Baby fiftan Baton five hundred.

1449
01:10:07,320 --> 01:10:10,920
Speaker 3: So our next episode will be season six, episode seventeen,

1450
01:10:11,520 --> 01:10:19,720
Speaker 3: Resurrection Wow Literally, aired February nineteenth, nineteen ninety nine. Thank

1451
01:10:19,760 --> 01:10:21,800
Speaker 3: you all for joining us for this episode of Podmeets World.

1452
01:10:21,800 --> 01:10:23,880
Speaker 3: As always, you can follow us on Instagram pod meets

1453
01:10:23,880 --> 01:10:26,320
Speaker 3: World Show. You can send us your emails podmeets World

1454
01:10:26,360 --> 01:10:29,280
Speaker 3: Show at gmail dot com. And we've got merch.

1455
01:10:30,160 --> 01:10:33,160
Speaker 1: She passed the mucus plug. She's fully effaced merch.

1456
01:10:35,640 --> 01:10:39,839
Speaker 3: Pod meets Worldshow dot com writer send us out.

1457
01:10:39,880 --> 01:10:41,760
Speaker 1: We love you all, pod dismissed.

1458
01:10:43,600 --> 01:10:46,280
Speaker 2: Pod Meets World is an iHeart podcast producer hosted by

1459
01:10:46,360 --> 01:10:50,360
Speaker 2: Danielle Fischel, Wilfredell and Ryder Straw Executive producers Jensen Carp

1460
01:10:50,360 --> 01:10:53,559
Speaker 2: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1461
01:10:53,760 --> 01:10:57,599
Speaker 2: producer and editor, Tarasubach, producer, Maddie Moore, engineer and Boy

1462
01:10:57,640 --> 01:11:00,679
Speaker 2: Meets World Superman Easton Allen Our themes song is by

1463
01:11:00,760 --> 01:11:04,120
Speaker 2: Kyle Morton of Typhoon. Follow us on Instagram at podmets

1464
01:11:04,120 --> 01:11:11,479
Speaker 2: World Show, or email us at podmeetsworldshowat gmail dot com.

1465
01:11:11,080 --> 01:11:11,120
Speaker 1: M