WEBVTT - Adam Rippon on Persistence, Failure, and Spinning

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<v Speaker 1>My name is Jeffreys Z Carrion, and you're listening to

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<v Speaker 1>four Courses with Jeffrey Zarrian from I Heart Radio and

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<v Speaker 1>four Courses. I'll be taking you along for the ride

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<v Speaker 1>while I talk with the top talent of our time.

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<v Speaker 1>In each conversation, I focus on four different areas from

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<v Speaker 1>my guests life and career. And during those four courses,

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<v Speaker 1>I'm going to dig deep and uncover new insights and

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<v Speaker 1>inspirations that we can all use to fuel ourselves to

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<v Speaker 1>push forward. My guest for this episode is a world

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<v Speaker 1>class athlete an Olympian figure skater. He won the bronze

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<v Speaker 1>medal in the two thousand eighteen Olympic Winner Games and

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<v Speaker 1>was the first openly gay man to qualify for the U.

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<v Speaker 1>S team. Since retiring from competitive skating, he's been on

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<v Speaker 1>Dancing with the Stars and co host a comedy show

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<v Speaker 1>with none other than Snooky. Without further delay, let's get

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<v Speaker 1>into my conversation with Adam Rippon. Jeffrey. This is my

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<v Speaker 1>honor and my pleasure. The only thing that I'm mad

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<v Speaker 1>about is that I can't have a cigar with you.

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<v Speaker 1>You like cigars, no, but I would. I would still

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<v Speaker 1>have one with you. Are you kidding? For a first course,

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<v Speaker 1>I wanted to ask Adam about overcoming some serious challenges

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<v Speaker 1>as a kid. He was born nearly deaf at birth,

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<v Speaker 1>his appendix burst when he was just five, and he

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<v Speaker 1>struggled with a severe respiratory condition. I wanted to know

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<v Speaker 1>how in the world did he turn all that into

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<v Speaker 1>an incredible skating career. So I had to ask you.

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<v Speaker 1>I was reading about your mom and your upbringing, and

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<v Speaker 1>I was, you know, I always think about like, I'm

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<v Speaker 1>very much in a nutrition and health and obviously this

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<v Speaker 1>we we talked food too on the show, but you know,

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<v Speaker 1>you had some really serious challenges as as a kid

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<v Speaker 1>growing up with your health, and then you got into

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<v Speaker 1>the most why. I was just watching at two thousand

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<v Speaker 1>and eight Olympics. I watched it a couple of times,

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<v Speaker 1>and we'll come in on that later, but I was

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<v Speaker 1>watching the physicality. I'm like, how in God's name did

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<v Speaker 1>you go from how you started to be in such shape?

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<v Speaker 1>You know, you're already thirty one, so there's not like

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<v Speaker 1>I mean, at the point where you were skating. You

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<v Speaker 1>were skating that could probably like you know, in your

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<v Speaker 1>early teens, a late teens, and this how did that?

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<v Speaker 1>How did you recover all those things? I mean, that's

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<v Speaker 1>just amazing. Well, I think, um, when I was young,

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<v Speaker 1>like when I was super young, I was always sick,

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<v Speaker 1>and um, I was in and out of the hospital.

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<v Speaker 1>I mean for a really young kid, it felt pretty often.

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<v Speaker 1>So like I remember like missing chunks of preschool in

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<v Speaker 1>kindergarten because I was in the hospital. But like a

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<v Speaker 1>good Irish immigrant from Scranton, Pennsylvania, I was resilient. And

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<v Speaker 1>I said no, I said, listen, those freeze dried potatoes

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<v Speaker 1>I've been eating for the past five years. They are

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<v Speaker 1>going to kind of get me through this. And they did.

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<v Speaker 1>And I actually, by the time I was six, I

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<v Speaker 1>was a body made of canned green beans and fish sticks.

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<v Speaker 1>And that's kind of what really got me through to

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<v Speaker 1>where I am today. And is that why your mom,

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<v Speaker 1>Kelly was was that because of all the travel you

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<v Speaker 1>did to practice what was dining like, I mean, what

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<v Speaker 1>what happened in the kitchen at your house? I mean,

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<v Speaker 1>so Okay, by the time I was fifteen, I wasn't

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<v Speaker 1>living at home anymore. I was living with like different

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<v Speaker 1>families and stuff. So I mean, I think it's funny

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<v Speaker 1>to think about like what dinners were like in the

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<v Speaker 1>early nineties when I was like growing up, because you know,

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<v Speaker 1>they we had like a lot of Hamburger helper and

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<v Speaker 1>so many of the like iconic nineties dinners stuff. I'm

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<v Speaker 1>one of six, I'm the oldest, so like they were

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<v Speaker 1>always like young babies around when I was growing up.

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<v Speaker 1>So my mom it was like truly like getting a

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<v Speaker 1>cafeteria together when we would have dinner. And then when

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<v Speaker 1>I started moving around, I lived with a lot of

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<v Speaker 1>different families and got to kind of experience what their

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<v Speaker 1>cuisine was like. And then I lived with my Russian

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<v Speaker 1>coach for a while. Also I lived with her for

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<v Speaker 1>a few years, and so then I was really having

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<v Speaker 1>a lot of like different like Russian dishes that like

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<v Speaker 1>now when I see them, I get that like, oh

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<v Speaker 1>my god, those are my childhood dishes. So which ones

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<v Speaker 1>which dishes? And stuffed cabbage, yeah, stuffed cabbage, the parogis

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<v Speaker 1>and then all of these. A lot of soups and

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<v Speaker 1>I think that like good, yes, and like every soup

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<v Speaker 1>had like a grain or something in it and to

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<v Speaker 1>make it heavier, and you could tell like this is

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<v Speaker 1>like Soviet, like we need to make it all, they

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<v Speaker 1>have the biggest punch, and so there's so many different

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<v Speaker 1>like vegetable soups. There's one vegetable soup. I can't remember

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<v Speaker 1>what it was. It was my favorite. So like that's

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<v Speaker 1>a tragedy for me that I can't remember, but it's

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<v Speaker 1>how I realized that beats are good because I would

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<v Speaker 1>have borsh My mom was Polish and Russian, and I

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<v Speaker 1>remember the soup shues to make, and she made beats soup.

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<v Speaker 1>She made barley soup. And I also remember that they

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<v Speaker 1>were just as good cold as they were hot, so

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<v Speaker 1>if the thing ever cooled down, there was no problem.

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<v Speaker 1>It would just so like it would fill you up.

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<v Speaker 1>And I imagine when you were having practice that Elena

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<v Speaker 1>would like, you need, you need my soup. You have

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<v Speaker 1>practice four hours she would There was a time, and

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<v Speaker 1>I think that you will appreciate this that I was

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<v Speaker 1>making this effort that like Elena, my first big coach,

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<v Speaker 1>she made this one soup. I can't remember what it was,

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<v Speaker 1>but it was delicious, and I was watching very carefully

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<v Speaker 1>how she did it, and I was like, when I

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<v Speaker 1>go home, I'm going to make it for everyone. So

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<v Speaker 1>I started boiling, like the vegetables and I was like

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<v Speaker 1>making a stock and I just kind of came to

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<v Speaker 1>this crossroads of like I couldn't remember if I was

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<v Speaker 1>just supposed to boil the vegetables because like they just

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<v Speaker 1>needed to get softer or like what I just I

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<v Speaker 1>blinked and I well, you know, I'll say I cracked

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<v Speaker 1>and I couldn't handle the pressure of making this soup

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<v Speaker 1>because I took the vegetables and I was like, okay,

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<v Speaker 1>the vegetables, they were just supposed to be soft. So

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<v Speaker 1>I took the whole stock and just dumped the whole

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<v Speaker 1>stock out, which I think I needed it, because when

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<v Speaker 1>I tasted the soup it was bad. I'll be honest.

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<v Speaker 1>But you're hearing great shape now. So something worked, right?

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<v Speaker 1>Something work? Yes, yea? So from from from TV dinners

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<v Speaker 1>to Russian staples to what is your favorite right now?

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<v Speaker 1>So you're like, what is your grab and go? What

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<v Speaker 1>is your dinner? When you go out? Where do you go?

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<v Speaker 1>I mean it's endless, right l A as greatest food? Yes,

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<v Speaker 1>it does. I think here in l A like fish

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<v Speaker 1>is so good, it's always so fresh. But like I

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<v Speaker 1>think also like I never liked fish growing up, but

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<v Speaker 1>you know when you eat fish, like from the Midwest,

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<v Speaker 1>and it's just like it's it's basically fish sticks or

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<v Speaker 1>it's like jerking. You're like, how is this? This is?

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<v Speaker 1>This is really tough. And when you have really good

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<v Speaker 1>fish for the first time, it's it's really good. So

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<v Speaker 1>that's always my favorite thing to like. If I if

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<v Speaker 1>I'm like, oh, we don't know what to go or

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<v Speaker 1>where to get food, always get fish. And I think

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<v Speaker 1>wherever you live, you end up staying in like that

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<v Speaker 1>pocket for like when you want to go out and stuff.

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<v Speaker 1>So I used to live on the West Side, but

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<v Speaker 1>now I live on the East side live. I live

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<v Speaker 1>in Pasadena. Now, I obviously like I love Hilstone restaurants,

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<v Speaker 1>so like I live right near Houston's. I can't I

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<v Speaker 1>can't beat it. It's so good. I went the first

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<v Speaker 1>time I ever went to Houston's. I went, oh my god,

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<v Speaker 1>this is like adult version of out Back Steakhouse. This

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<v Speaker 1>is adult yes, because like he knows, out Back Steakhouse

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<v Speaker 1>is the Scranton to Los Angeles. Wow, right, that is perfect.

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<v Speaker 1>Get a pen right, I have one right here, right,

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<v Speaker 1>I write in pencilone lay. We come from similar backgrounds.

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<v Speaker 1>I think a little eater in life, obviously, But Scranton,

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<v Speaker 1>Pennsylvania and Worcester, Massachusetts really sort of have the same,

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<v Speaker 1>you know, vowelistic ring to them. Don't you think? I agree?

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<v Speaker 1>And they think? I think they both give me the

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<v Speaker 1>same visceral reaction. Yeah, so what is your reaction? Okay, well,

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<v Speaker 1>I know that this isn't a visual medium, but when

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<v Speaker 1>you said, yeah, I just want to paint a picture

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<v Speaker 1>for the viewer that you're all of your teeth all

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<v Speaker 1>perfectly white, We're gritting against each other, and I could

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<v Speaker 1>hear it in my microphone and that's the same visceral

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<v Speaker 1>reaction that I have, like ah, like an ouch ouch. Yeah,

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<v Speaker 1>Worster wester was you know, I guess it's good because right,

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<v Speaker 1>I think it was so limiting, and I think baby

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<v Speaker 1>Scranton was for you too. I don't know, but it

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<v Speaker 1>was so limiting. It was limitless and kind of a

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<v Speaker 1>funny way. Yeah, and was sure is because this is

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<v Speaker 1>a cooking podcast. Is a great sauce to sauce. We

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<v Speaker 1>don't even say Shire anymore, which is not Worcester sauce. No,

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<v Speaker 1>we dropped it, and we collectively the cooking community that

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<v Speaker 1>I'm a part of now. I mean it's so you're like, well,

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<v Speaker 1>you have the Houston's thing, but the Houston is probably

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<v Speaker 1>the Americana part of it. So that you have it's

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<v Speaker 1>a Scranton in you to your Scranton l A, but

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<v Speaker 1>Scranton with an asterisk, which is Houston over the Scranton. Yeah, exactly.

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<v Speaker 1>In our second course, I had to understand how Adam

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<v Speaker 1>managed to become a world class figure skater as a

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<v Speaker 1>kid growing up in a small town Scranton. He told

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<v Speaker 1>me about the sacrifices that he, his mother, and his

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<v Speaker 1>siblings all made and the personal growth that came as

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<v Speaker 1>a result. So I was right. I was like, I

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<v Speaker 1>was trying to imagine your mom cooking for you and

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<v Speaker 1>driving you all those miles and hours with your other

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<v Speaker 1>siblings to go to practice. Why may I ask that

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<v Speaker 1>you take all the siblings? Was to set an example

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<v Speaker 1>for the siblings in your in your determination and your

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<v Speaker 1>your practice or was it because she had to Well,

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<v Speaker 1>it's like not everyone all at once, so it would

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<v Speaker 1>be like everything needed to be coordinated with everyone's schedule.

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<v Speaker 1>So sometimes it would be like two of my siblings

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<v Speaker 1>would come to this practice because they would need to

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<v Speaker 1>do something right after or one or none. And when

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<v Speaker 1>I was like training a lot when I was young

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<v Speaker 1>and still at home and going between Scranton and Philadelphia,

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<v Speaker 1>which is like a two hour drive. Like, yeah, so

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<v Speaker 1>my mom had just had a baby, so she was

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<v Speaker 1>bringing like my newborn brother and one of the younger

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<v Speaker 1>siblings under that who wasn't old enough to be in school.

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<v Speaker 1>So it wasn't everybody, but like there was a lot.

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<v Speaker 1>I mean, there was like three of us. So how

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<v Speaker 1>do you that's so much work? It is so much

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<v Speaker 1>where I mean went in retrospect when I like think

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<v Speaker 1>back at it, what one I'm thirty one, and so

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<v Speaker 1>my mom was like when she had me, and I'm like,

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<v Speaker 1>I could not imagine having two kids, Jeffrey, No, I'd

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<v Speaker 1>be it'd be over for me. I had three and

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<v Speaker 1>over fifty I had them. Wow. Yeah, okay, young gun, Wow,

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<v Speaker 1>I said, it's just amazing. But I I know what

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<v Speaker 1>it takes. And you know, obviously she was a coach,

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<v Speaker 1>so she knew too. She knew like, all right, this

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<v Speaker 1>is this is the game plan. Everybody, Just get out

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<v Speaker 1>of the way. We need to figure this out. I've

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<v Speaker 1>got it figured out. This is how you're going to

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<v Speaker 1>be great because she noticed one sort of natural pivot

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<v Speaker 1>or balanced that you must have had that she said,

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<v Speaker 1>something's here. I think that. Like I was always like

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<v Speaker 1>a smaller kid and so every and I did a

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<v Speaker 1>little bit of everything, and I liked everything, but there

0:11:48.120 --> 0:11:50.400
<v Speaker 1>was just always a point where I just completely lost

0:11:50.400 --> 0:11:53.120
<v Speaker 1>interest in it. But I really liked skating. And I

0:11:53.600 --> 0:11:56.319
<v Speaker 1>realized I really liked skating because I was taking tennis

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<v Speaker 1>lessons at the same time, and our ten this coach

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<v Speaker 1>was like, who's the best tennis player in the world?

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<v Speaker 1>And I was like, you are, and he was like,

0:12:07.360 --> 0:12:09.480
<v Speaker 1>know who really is? And I was like, I have

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<v Speaker 1>no idea. And he said this thing where he was like,

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<v Speaker 1>if you really love something, you'll learn all about it.

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<v Speaker 1>You'll know everything, You'll know all the people who play it.

0:12:19.240 --> 0:12:20.920
<v Speaker 1>And I remembered that and I was like, I have

0:12:21.320 --> 0:12:25.880
<v Speaker 1>no clue who plays tennis. And then when I started skating,

0:12:26.040 --> 0:12:28.280
<v Speaker 1>I wanted to know everything about it. And that's when

0:12:28.280 --> 0:12:30.040
<v Speaker 1>it really clicked for me. I was like, oh my god,

0:12:30.120 --> 0:12:32.200
<v Speaker 1>what my tennis coach said. He was right, when you

0:12:32.240 --> 0:12:35.320
<v Speaker 1>love something, like, you'll be so entranced by it that

0:12:35.360 --> 0:12:38.240
<v Speaker 1>you'll want to learn everything, and that's when I really

0:12:38.360 --> 0:12:41.840
<v Speaker 1>knew that I loved skating, and um, you know, my

0:12:41.920 --> 0:12:44.480
<v Speaker 1>mom was always like if there was something that we

0:12:44.640 --> 0:12:48.000
<v Speaker 1>really liked, we had to show her and prove that

0:12:48.040 --> 0:12:50.400
<v Speaker 1>we would do like whatever it took to make that happen.

0:12:50.520 --> 0:12:53.080
<v Speaker 1>Like I remember to go to the rink in the morning,

0:12:53.360 --> 0:12:54.839
<v Speaker 1>you know, my mom was like, everybody needs to get

0:12:54.840 --> 0:12:56.719
<v Speaker 1>ready for school. I can't just take you. So I

0:12:56.720 --> 0:13:00.839
<v Speaker 1>would wake everyone up at like four thirty in the morning. Um,

0:13:00.960 --> 0:13:03.280
<v Speaker 1>but I would like panic them and be like, you're

0:13:03.360 --> 0:13:06.000
<v Speaker 1>late for school, and like I would make everybody get

0:13:06.080 --> 0:13:07.720
<v Speaker 1>up and like get them all dressed to make sure

0:13:07.760 --> 0:13:09.720
<v Speaker 1>all their lunches were made, so that it would be

0:13:09.800 --> 0:13:12.920
<v Speaker 1>like five o'clock five fifteen, and I'd wake my mom

0:13:13.000 --> 0:13:14.439
<v Speaker 1>up and be like, can you take me to the rink?

0:13:14.520 --> 0:13:16.920
<v Speaker 1>Everybody's already ready for school, and they were just like

0:13:16.920 --> 0:13:20.360
<v Speaker 1>watching TV. Everybody's ready, but like can we go? So

0:13:20.440 --> 0:13:22.880
<v Speaker 1>I would do like things like that all the time,

0:13:22.920 --> 0:13:24.719
<v Speaker 1>just to make sure that there was no reason why

0:13:24.720 --> 0:13:26.360
<v Speaker 1>I wouldn't be able to go to the rink. And

0:13:26.360 --> 0:13:29.360
<v Speaker 1>then by the time I was like twelve or thirteen,

0:13:29.400 --> 0:13:31.920
<v Speaker 1>I was taking the Greyhound bus because I needed to

0:13:31.960 --> 0:13:36.080
<v Speaker 1>go to Philadelphia for the entire week instead of for

0:13:36.200 --> 0:13:38.120
<v Speaker 1>just like a day or two when my mom would

0:13:38.200 --> 0:13:40.360
<v Speaker 1>drive me, like on a Tuesday or Thursday, and so

0:13:40.440 --> 0:13:42.840
<v Speaker 1>you know, my mom couldn't just leave everyone. So I

0:13:42.880 --> 0:13:46.080
<v Speaker 1>would take the Greyhound bus in downtown Scranton and then

0:13:46.120 --> 0:13:47.840
<v Speaker 1>I would take it all the way to Philadelphia and

0:13:47.880 --> 0:13:49.800
<v Speaker 1>someone would pick me up where I would like walk

0:13:49.880 --> 0:13:52.880
<v Speaker 1>to a rink and then um, I would like be

0:13:52.960 --> 0:13:54.520
<v Speaker 1>with the family for the rest of the week. So

0:13:54.559 --> 0:13:56.160
<v Speaker 1>it was just like if you wanted to do it,

0:13:56.520 --> 0:13:59.680
<v Speaker 1>you needed to you know, be brave and like do

0:13:59.800 --> 0:14:02.880
<v Speaker 1>these things. So yeah, it was always kind of instilled.

0:14:03.000 --> 0:14:04.680
<v Speaker 1>You know, you have to make it work. Can you

0:14:04.800 --> 0:14:07.880
<v Speaker 1>describe this sort of temperament you have to have to

0:14:08.440 --> 0:14:10.839
<v Speaker 1>skate at that hour and so many hours in the

0:14:11.040 --> 0:14:14.280
<v Speaker 1>stamina and the cold, and just describe sort of what

0:14:14.559 --> 0:14:18.000
<v Speaker 1>it's like and how it's so easy just to say,

0:14:18.040 --> 0:14:19.560
<v Speaker 1>you know, it's just just just too cold. I don't

0:14:19.560 --> 0:14:21.760
<v Speaker 1>want to do this. It is. Listen, if I were

0:14:21.800 --> 0:14:23.800
<v Speaker 1>to describe it, it sounds like something I would never

0:14:23.880 --> 0:14:27.680
<v Speaker 1>want to do, because like you're you're tired. Like there

0:14:27.720 --> 0:14:30.320
<v Speaker 1>were little tricks that I would do, like every morning

0:14:30.320 --> 0:14:33.040
<v Speaker 1>where it was like somehow, like if you would go

0:14:33.120 --> 0:14:35.680
<v Speaker 1>out to the rink and you'd have to skip for

0:14:35.720 --> 0:14:38.120
<v Speaker 1>at least five minutes, and then you could get off

0:14:38.120 --> 0:14:39.720
<v Speaker 1>of the ice and go back into the lobby where

0:14:39.760 --> 0:14:42.280
<v Speaker 1>it was warm and just sit for five minutes. Somehow,

0:14:42.320 --> 0:14:44.480
<v Speaker 1>when you got back out there, it didn't feel as

0:14:44.520 --> 0:14:47.600
<v Speaker 1>cold cold, So that would be the first trick. Next

0:14:47.600 --> 0:14:50.400
<v Speaker 1>trick would be, once I'm like halfway through, get off

0:14:50.440 --> 0:14:52.880
<v Speaker 1>the ice and like run my hands into like hot water,

0:14:53.360 --> 0:14:55.560
<v Speaker 1>then like put your gloves back on, go back out

0:14:55.600 --> 0:14:58.480
<v Speaker 1>and you feel a little bit warmer. But it was horrible,

0:14:58.680 --> 0:15:01.080
<v Speaker 1>Like it's horrible, but like at the end of the day,

0:15:01.120 --> 0:15:03.560
<v Speaker 1>you love it. It's something that's fun, it's enjoyable, but

0:15:03.600 --> 0:15:06.040
<v Speaker 1>there's like a lot and when you're young, it's always

0:15:06.040 --> 0:15:08.560
<v Speaker 1>in the morning because you have to go before school

0:15:08.600 --> 0:15:12.160
<v Speaker 1>and after school. But when I started to become more

0:15:12.280 --> 0:15:15.240
<v Speaker 1>serious and like a higher level, usually I would practice

0:15:15.320 --> 0:15:18.320
<v Speaker 1>during the day. So it was I'll tell you, being

0:15:18.840 --> 0:15:22.680
<v Speaker 1>tired and cold is the worst combination on planet Earth.

0:15:23.960 --> 0:15:25.880
<v Speaker 1>It really is. And so when did you know? What

0:15:26.000 --> 0:15:29.160
<v Speaker 1>was that moment that you said you knew that, like,

0:15:29.360 --> 0:15:32.160
<v Speaker 1>I'm really good at this. I think there's there might

0:15:32.160 --> 0:15:34.960
<v Speaker 1>be a little you know, they were like I called

0:15:35.000 --> 0:15:37.920
<v Speaker 1>tragic moments, were like, all right, I didn't I missed that,

0:15:38.000 --> 0:15:41.720
<v Speaker 1>but my miss was much better than most people's hit. Yeah.

0:15:41.880 --> 0:15:44.840
<v Speaker 1>I think that there were like little moments where I'm like, oh,

0:15:44.880 --> 0:15:47.280
<v Speaker 1>I might be good at this. And I think it

0:15:47.360 --> 0:15:49.480
<v Speaker 1>was like when I first started, I was like doing

0:15:49.560 --> 0:15:51.960
<v Speaker 1>things that everybody else was kind of doing, only I

0:15:51.960 --> 0:15:55.040
<v Speaker 1>had just started and I was like, oh, I I

0:15:55.120 --> 0:15:58.080
<v Speaker 1>might be kind of good at this. And then I

0:15:58.120 --> 0:16:00.720
<v Speaker 1>think I really didn't have like a moment of oh,

0:16:00.760 --> 0:16:04.080
<v Speaker 1>I'm really good until maybe I was like maybe once

0:16:04.120 --> 0:16:06.120
<v Speaker 1>when I was like fifteen, when I started to land

0:16:06.160 --> 0:16:09.480
<v Speaker 1>some triple jumps, and then maybe when again when I

0:16:09.520 --> 0:16:12.880
<v Speaker 1>was like eighteen, when I won a world junior title,

0:16:13.240 --> 0:16:14.800
<v Speaker 1>and I think that's when I was like, Okay, wait,

0:16:14.840 --> 0:16:17.920
<v Speaker 1>I might actually be able to like do this. And

0:16:17.920 --> 0:16:19.840
<v Speaker 1>I think that's when everything started to feel a little

0:16:19.840 --> 0:16:22.360
<v Speaker 1>bit more real rather than just like we were you

0:16:22.480 --> 0:16:25.880
<v Speaker 1>try training with rough I at that time, your your coach.

0:16:26.120 --> 0:16:28.640
<v Speaker 1>So from Philadelphia, there were a few years of like

0:16:28.760 --> 0:16:31.120
<v Speaker 1>where I was in Toronto, and then I was in Detroit,

0:16:31.280 --> 0:16:34.720
<v Speaker 1>and then I was with Rafael. The last six years

0:16:34.800 --> 0:16:38.640
<v Speaker 1>of my career, so I wasn't with Rafael at this

0:16:38.720 --> 0:16:41.280
<v Speaker 1>point yet, but you know Rafael, he kind of I

0:16:41.320 --> 0:16:43.920
<v Speaker 1>started working with him at like a interesting time in

0:16:43.960 --> 0:16:48.680
<v Speaker 1>my career because things weren't going great. And he is

0:16:48.760 --> 0:16:52.160
<v Speaker 1>this like Armenian guy. He's very funny in he's one

0:16:52.160 --> 0:16:55.360
<v Speaker 1>of my favorite people on the earth. But he always

0:16:55.400 --> 0:16:58.920
<v Speaker 1>says like these skaters always come to me like it's

0:16:59.000 --> 0:17:03.800
<v Speaker 1>the e er like emergency, they need help before before

0:17:03.840 --> 0:17:06.160
<v Speaker 1>they die. And I'm like, yeah, that's how I came

0:17:06.160 --> 0:17:10.679
<v Speaker 1>to you, like like e R level before I died. Well,

0:17:10.480 --> 0:17:13.920
<v Speaker 1>who recommended him to you? It was a friend of mine.

0:17:14.200 --> 0:17:15.600
<v Speaker 1>How do you get how do you get a coach?

0:17:15.640 --> 0:17:18.720
<v Speaker 1>How do you just and you if you literally the

0:17:19.040 --> 0:17:22.280
<v Speaker 1>craziest thing about skating, which is why I think sometimes

0:17:22.280 --> 0:17:24.400
<v Speaker 1>the parents can be really intense and all of that.

0:17:24.440 --> 0:17:28.240
<v Speaker 1>Well they have to be because it's like you're asking

0:17:28.280 --> 0:17:31.199
<v Speaker 1>somebody who has no experience in a field to be

0:17:31.320 --> 0:17:33.879
<v Speaker 1>an expert, and to not only be an expert, to

0:17:33.920 --> 0:17:38.639
<v Speaker 1>like manage somebody's entire career, so like an emotion and

0:17:38.720 --> 0:17:41.359
<v Speaker 1>emotions right, Oh yes, So if you wanted to like

0:17:41.440 --> 0:17:44.520
<v Speaker 1>work with Raphael, you yourself, I could give you his

0:17:44.560 --> 0:17:46.240
<v Speaker 1>phone number, and you could be like I want a

0:17:46.320 --> 0:17:48.159
<v Speaker 1>lesson and he would see if he has time and

0:17:48.200 --> 0:17:52.800
<v Speaker 1>just schedule you. It's like that. It's and sometimes it's

0:17:52.800 --> 0:17:56.040
<v Speaker 1>like building the connections to other people to get that

0:17:56.640 --> 0:17:59.920
<v Speaker 1>contact or like meeting them or doing a seminar or something.

0:18:00.400 --> 0:18:03.080
<v Speaker 1>But it can be as like unceremonious, as like Hi,

0:18:03.240 --> 0:18:09.560
<v Speaker 1>I found your number. Do you have to? But so

0:18:09.680 --> 0:18:13.320
<v Speaker 1>I'm looking at all these practices and all this roadwork

0:18:13.359 --> 0:18:18.680
<v Speaker 1>and changes in cold and sort of barbaric, you know, workouts.

0:18:19.440 --> 0:18:21.320
<v Speaker 1>How do you have a social life? How did your

0:18:21.359 --> 0:18:24.640
<v Speaker 1>social life sort of interacting and how did you sort

0:18:24.640 --> 0:18:27.520
<v Speaker 1>of bring that to like and I watch you skate,

0:18:27.600 --> 0:18:30.639
<v Speaker 1>and you're so expressive, and it looks like you've been

0:18:30.640 --> 0:18:33.000
<v Speaker 1>around people your entire life all the time. Looks like

0:18:33.040 --> 0:18:35.919
<v Speaker 1>you've done nothing but like socialized. But here you are

0:18:35.960 --> 0:18:39.760
<v Speaker 1>a product of like hours in a cold rink completely alone,

0:18:39.960 --> 0:18:41.880
<v Speaker 1>or on a bus or driving for six or eight

0:18:41.880 --> 0:18:44.719
<v Speaker 1>hours a day. How does that happen? I think that

0:18:44.800 --> 0:18:47.800
<v Speaker 1>it was like life experience because I think one of

0:18:47.800 --> 0:18:49.800
<v Speaker 1>the things that was so helpful is that and something

0:18:49.840 --> 0:18:53.440
<v Speaker 1>that is so isolating, I needed to put myself out

0:18:53.480 --> 0:18:56.480
<v Speaker 1>there all the time. If you're on the bus and

0:18:56.560 --> 0:18:58.560
<v Speaker 1>you fall asleep and you're on the gray Hund bus,

0:18:58.600 --> 0:19:00.639
<v Speaker 1>you need to walk up to the driver and go

0:19:00.760 --> 0:19:04.480
<v Speaker 1>like what stop are we at? Or like you have

0:19:04.520 --> 0:19:07.160
<v Speaker 1>to get on the bus and hey, is that seat taken?

0:19:07.240 --> 0:19:09.320
<v Speaker 1>Can I sit there with like all your bags on

0:19:09.359 --> 0:19:11.879
<v Speaker 1>your seat? And or like there's a lot of like

0:19:11.960 --> 0:19:15.119
<v Speaker 1>little things. And then like when I got older and

0:19:15.160 --> 0:19:18.800
<v Speaker 1>I was living in California, I was, you know, trying

0:19:18.800 --> 0:19:21.879
<v Speaker 1>to pay for all of my skating. They're really uncomfortable

0:19:21.920 --> 0:19:24.040
<v Speaker 1>conversations that I needed to have with people I was

0:19:24.080 --> 0:19:26.760
<v Speaker 1>working with, like, hey, do you mind if I pay

0:19:26.800 --> 0:19:30.080
<v Speaker 1>this bill later? I will prove to you that like

0:19:30.119 --> 0:19:33.440
<v Speaker 1>I'm worth my word and everything, like is there something

0:19:33.440 --> 0:19:35.320
<v Speaker 1>we can do? Like can I work something out with

0:19:35.359 --> 0:19:37.320
<v Speaker 1>you or something? So there are a lot of like

0:19:37.480 --> 0:19:41.119
<v Speaker 1>really uncomfortable conversations, but I think that you grow a

0:19:41.160 --> 0:19:45.520
<v Speaker 1>lot from those of being put in those really odd

0:19:45.720 --> 0:19:49.399
<v Speaker 1>and sometimes really uncomfortable places that they really help you

0:19:49.440 --> 0:19:52.399
<v Speaker 1>to like firmly stand on your own two feet of

0:19:52.440 --> 0:19:54.320
<v Speaker 1>like Okay, I have to just like suck it up

0:19:54.359 --> 0:19:57.040
<v Speaker 1>and do this right now. Yeah, And it's really it's

0:19:57.080 --> 0:19:59.560
<v Speaker 1>a great life experience. I tell people like fail and

0:19:59.600 --> 0:20:03.000
<v Speaker 1>go through chaos and confront chaos head on. Yes, And

0:20:03.000 --> 0:20:07.919
<v Speaker 1>and somehow confronting reality gives you a mastery of reality. Right.

0:20:07.920 --> 0:20:11.119
<v Speaker 1>You can't confront reality from sitting at home on your Instagram.

0:20:11.520 --> 0:20:13.000
<v Speaker 1>You gotta ask you go out there and get and

0:20:13.000 --> 0:20:16.280
<v Speaker 1>get pelted and figure out reality. And then you get

0:20:16.320 --> 0:20:18.280
<v Speaker 1>really good at figuring out reality. And guess what, you

0:20:18.280 --> 0:20:19.960
<v Speaker 1>get better at going through life and you don't be

0:20:20.000 --> 0:20:22.840
<v Speaker 1>afraid anymore, and then guess what, it brings stuff to

0:20:22.920 --> 0:20:26.439
<v Speaker 1>you from the universe. Totally, yes. I even think in

0:20:26.520 --> 0:20:29.679
<v Speaker 1>sports were very often and commonly asked like, what's a

0:20:29.720 --> 0:20:33.000
<v Speaker 1>defining moment in your career? And I have two of them,

0:20:33.200 --> 0:20:36.080
<v Speaker 1>and the both of them are like times where I

0:20:36.119 --> 0:20:39.800
<v Speaker 1>was the worst and I just skated so bad and

0:20:39.840 --> 0:20:42.679
<v Speaker 1>I felt so embarrassed and so at my lowest in

0:20:42.720 --> 0:20:46.800
<v Speaker 1>those moments, but like they were my career defining moments

0:20:46.800 --> 0:20:51.119
<v Speaker 1>of like when I changed my perspective. I grew from them.

0:20:51.200 --> 0:20:53.040
<v Speaker 1>And there was one where I was like sixteen and

0:20:53.080 --> 0:20:55.560
<v Speaker 1>I did really badly at the nationals, and then the

0:20:56.000 --> 0:20:59.040
<v Speaker 1>other really defining moment was like missing an Olympic team

0:20:59.080 --> 0:21:03.359
<v Speaker 1>for the second time. Those two moments really changed my

0:21:03.400 --> 0:21:07.560
<v Speaker 1>whole perspective of who I was, not immediately obviously, because

0:21:07.640 --> 0:21:11.560
<v Speaker 1>like in the moment, I'm like this is terrible, But

0:21:11.760 --> 0:21:14.119
<v Speaker 1>in hindsight, like I look back and I'm like, the

0:21:14.200 --> 0:21:16.720
<v Speaker 1>reason I like am who I am today is because

0:21:16.720 --> 0:21:20.320
<v Speaker 1>of those moments where I failed absolutely and I was,

0:21:20.480 --> 0:21:24.159
<v Speaker 1>you know, watching his skate. I'm like, wow, every single

0:21:25.280 --> 0:21:29.680
<v Speaker 1>people sixty thousand eyeballs and they're all looking for flaws.

0:21:31.400 --> 0:21:34.120
<v Speaker 1>You're all waiting. No, that's all. It's like, okay, I'm

0:21:34.160 --> 0:21:37.919
<v Speaker 1>out here, pick me, apart, destroy me. It's just I

0:21:38.000 --> 0:21:40.280
<v Speaker 1>watch it. I'm like, oh my good lord, you must

0:21:40.359 --> 0:21:43.320
<v Speaker 1>have such a constitution just says saying I'm going to

0:21:43.440 --> 0:21:45.960
<v Speaker 1>lay it all that you doesn't matter. It just doesn't matter.

0:21:46.000 --> 0:21:48.920
<v Speaker 1>At some point, I think it's important to just think.

0:21:48.960 --> 0:21:52.240
<v Speaker 1>It's like, it's okay, I just doesn't matter. It's tough.

0:21:52.480 --> 0:21:55.480
<v Speaker 1>I think like there's I think the closest sport I

0:21:55.480 --> 0:21:57.800
<v Speaker 1>can think. I think gymnastics is a bit like it,

0:21:58.040 --> 0:22:00.480
<v Speaker 1>and I think golf is a lot like it, where

0:22:00.480 --> 0:22:03.359
<v Speaker 1>it's like it's going to say that it's so much

0:22:03.440 --> 0:22:07.359
<v Speaker 1>like golf, where it's like everybody is just watching you

0:22:07.440 --> 0:22:09.960
<v Speaker 1>and you're doing this one thing. That takes less than

0:22:10.119 --> 0:22:13.199
<v Speaker 1>half a second, and you have to be like smart

0:22:13.320 --> 0:22:15.639
<v Speaker 1>enough to know what's going on and dumb enough to

0:22:15.760 --> 0:22:20.760
<v Speaker 1>not care. And it's that perfect balance of being reckless

0:22:20.800 --> 0:22:24.960
<v Speaker 1>and being brave. Yeah, no, you're getting chaos in order,

0:22:25.400 --> 0:22:27.919
<v Speaker 1>but in a way that it seems that it's workable.

0:22:28.040 --> 0:22:29.680
<v Speaker 1>And I think I don't think a lot of people

0:22:29.760 --> 0:22:32.199
<v Speaker 1>understand the amount of time and hours that people have

0:22:32.359 --> 0:22:36.520
<v Speaker 1>to work at getting good at their craft. And once

0:22:36.600 --> 0:22:39.920
<v Speaker 1>you get good at getting good at your craft, it's

0:22:40.080 --> 0:22:42.119
<v Speaker 1>it's it gets in you and you can't let it go.

0:22:42.280 --> 0:22:44.920
<v Speaker 1>And I think that even if the craft is even,

0:22:44.920 --> 0:22:47.399
<v Speaker 1>you're changing your craft and you're doing acting and doing

0:22:47.440 --> 0:22:50.760
<v Speaker 1>all this other stuff now, but it's the same craft.

0:22:51.520 --> 0:22:54.160
<v Speaker 1>You notice, what you're doing is the crafting of your

0:22:54.200 --> 0:22:58.439
<v Speaker 1>crafting from the past. Well, it's all like, it's interesting

0:22:58.520 --> 0:23:03.199
<v Speaker 1>how I feel everything from like my skating career and

0:23:03.240 --> 0:23:07.359
<v Speaker 1>my like from being an athlete. Everything has translated, and

0:23:07.400 --> 0:23:09.879
<v Speaker 1>it's taken me a while to figure out how it has,

0:23:10.080 --> 0:23:12.720
<v Speaker 1>but everything's translated. So like when I do things that

0:23:12.760 --> 0:23:16.160
<v Speaker 1>are like more in the comedy space, I think, like

0:23:16.280 --> 0:23:20.600
<v Speaker 1>the being able to perform is so vital, and I

0:23:20.640 --> 0:23:23.199
<v Speaker 1>think like the one thing about skating where it's like

0:23:23.359 --> 0:23:25.560
<v Speaker 1>you you like start in your position and you just

0:23:25.680 --> 0:23:28.160
<v Speaker 1>if you go and if you feel awful, like you'll

0:23:28.160 --> 0:23:32.000
<v Speaker 1>be awful. But like if you're talking in front of people,

0:23:32.520 --> 0:23:34.480
<v Speaker 1>I think that that can be a little bit more

0:23:34.520 --> 0:23:37.720
<v Speaker 1>like living and breathing, where you can change course, you

0:23:37.760 --> 0:23:39.960
<v Speaker 1>can change you know the way that things are going.

0:23:40.040 --> 0:23:42.639
<v Speaker 1>You can kind of feel the energy around you and

0:23:42.680 --> 0:23:45.120
<v Speaker 1>how people are responding to things. Like when you're skating,

0:23:45.119 --> 0:23:49.320
<v Speaker 1>it's like you have what you have planned and you

0:23:49.320 --> 0:23:51.960
<v Speaker 1>know it's just like sometimes you're just like the three

0:23:52.040 --> 0:23:55.359
<v Speaker 1>violinists on the Titanic and you're just like, I guess

0:23:55.480 --> 0:24:10.960
<v Speaker 1>this is how we're going down for our third course.

0:24:11.359 --> 0:24:13.959
<v Speaker 1>I got to ask Adam about his amazing performance at

0:24:13.960 --> 0:24:16.920
<v Speaker 1>the two thousand eighteen Olympics. I wanted to know how

0:24:16.960 --> 0:24:19.639
<v Speaker 1>he managed to make figure skating looks so elegant and

0:24:19.720 --> 0:24:22.320
<v Speaker 1>yet so powerful, and hear what it takes to compete

0:24:22.400 --> 0:24:26.760
<v Speaker 1>at that elite level. I read your I read a

0:24:26.760 --> 0:24:28.800
<v Speaker 1>lot about you, and then I went and I watched

0:24:29.320 --> 0:24:34.320
<v Speaker 1>the eighteen performance and what I saw it. Obviously, you

0:24:34.359 --> 0:24:37.480
<v Speaker 1>get colored when you read stuff, but I I wanted

0:24:37.520 --> 0:24:39.600
<v Speaker 1>to just express this because I think it's really important

0:24:39.640 --> 0:24:42.960
<v Speaker 1>for the story. First of all, Part one is that

0:24:43.119 --> 0:24:47.480
<v Speaker 1>five or six minute performance you did was so choreographed,

0:24:47.560 --> 0:24:50.160
<v Speaker 1>yet it looked so natural. And people don't realize that

0:24:50.440 --> 0:24:54.880
<v Speaker 1>the hours that every single second has a different motion

0:24:54.960 --> 0:24:58.199
<v Speaker 1>to it a and how you have to practice that

0:24:58.240 --> 0:24:59.879
<v Speaker 1>and do it over and over again. It's almost that

0:25:00.040 --> 0:25:03.399
<v Speaker 1>you must be so sick of that song hearing this

0:25:03.560 --> 0:25:05.320
<v Speaker 1>so are you're never gonna listen to it again. It's

0:25:05.359 --> 0:25:08.280
<v Speaker 1>like Frank. It's like Frank Sinatra singing My Way. He

0:25:08.400 --> 0:25:10.880
<v Speaker 1>used to hate. He said he hated this song because

0:25:10.880 --> 0:25:12.800
<v Speaker 1>he had to sing it, but everybody loved that song,

0:25:12.880 --> 0:25:15.960
<v Speaker 1>so he had to keep singing it. That was number one.

0:25:16.080 --> 0:25:21.400
<v Speaker 1>Number two was I was profoundly affected by how you

0:25:22.359 --> 0:25:26.639
<v Speaker 1>got out of those turns without getting dizzy. And I'm like,

0:25:26.800 --> 0:25:29.640
<v Speaker 1>how does he go from being dizzy to this graceful

0:25:30.760 --> 0:25:34.280
<v Speaker 1>sort of other movement without like spinning in his brain?

0:25:34.400 --> 0:25:37.560
<v Speaker 1>How does that happen? So, Jeffrey, let me teach you

0:25:37.680 --> 0:25:41.360
<v Speaker 1>about this. So because I know that when I drink

0:25:41.400 --> 0:25:44.320
<v Speaker 1>too much, the next time, spinning a different. Sometimes when

0:25:44.359 --> 0:25:46.439
<v Speaker 1>you drink too much, you get less dizzy if you

0:25:46.480 --> 0:25:51.239
<v Speaker 1>think about it, I do, for one so how does

0:25:51.280 --> 0:25:54.240
<v Speaker 1>that happen? I I don't know. So the reason that

0:25:54.400 --> 0:25:58.719
<v Speaker 1>a skater can spin so fast and then you like

0:25:58.880 --> 0:26:01.240
<v Speaker 1>get out of it and they look not dizzy, You

0:26:01.320 --> 0:26:07.280
<v Speaker 1>are dizzy. Like the speed at which somebody who has

0:26:07.480 --> 0:26:11.920
<v Speaker 1>repeatedly this is true, repeatedly put their brain through the

0:26:12.040 --> 0:26:17.000
<v Speaker 1>trauma of the spin. The brain can recover faster. And

0:26:17.040 --> 0:26:21.440
<v Speaker 1>it's the same training that they put astronauts through. So

0:26:22.400 --> 0:26:25.520
<v Speaker 1>it's like the g for us with the face like, yes,

0:26:25.640 --> 0:26:28.680
<v Speaker 1>it is completely that. So like if you like there's

0:26:28.720 --> 0:26:31.000
<v Speaker 1>a this training thing where like you know, you've seen

0:26:31.000 --> 0:26:33.560
<v Speaker 1>it where they put the astronaut in the chair and

0:26:33.560 --> 0:26:36.840
<v Speaker 1>they spin the chair around. Yes, if they do it

0:26:36.880 --> 0:26:40.600
<v Speaker 1>with someone who isn't like trained, and there's like a

0:26:40.680 --> 0:26:43.680
<v Speaker 1>camera right in front of them, the astronaut, their eyes

0:26:43.760 --> 0:26:46.400
<v Speaker 1>will just go like back and forth like this, back

0:26:46.400 --> 0:26:47.879
<v Speaker 1>and forth, back and forth, back and forth, and then

0:26:47.920 --> 0:26:51.480
<v Speaker 1>they'll settle quickly. And if it's somebody who isn't trained

0:26:51.560 --> 0:26:54.920
<v Speaker 1>and does is not used to that like trauma, their

0:26:54.960 --> 0:26:59.080
<v Speaker 1>eyes like jet all over the place trying to find balance.

0:26:59.359 --> 0:27:04.640
<v Speaker 1>But it's something try. Yes, the body naturally will learn

0:27:04.680 --> 0:27:08.080
<v Speaker 1>how to find its balance faster, and that's how a

0:27:08.160 --> 0:27:11.879
<v Speaker 1>skater can spin and they don't look dizzy. You are

0:27:11.960 --> 0:27:14.720
<v Speaker 1>dizzy and you don't know, Yes, you don't know where

0:27:14.720 --> 0:27:18.399
<v Speaker 1>you are, but you're balanced. And when you're when you

0:27:18.560 --> 0:27:20.800
<v Speaker 1>can have you, you don't lose your balance, and that's

0:27:20.840 --> 0:27:23.119
<v Speaker 1>the biggest thing. So it's like I if I would

0:27:23.119 --> 0:27:25.040
<v Speaker 1>get out of something and it like looks really nice,

0:27:25.240 --> 0:27:29.480
<v Speaker 1>about three seconds later, I'm not dizzy at all anymore. Wow,

0:27:29.520 --> 0:27:33.240
<v Speaker 1>But I am immediately after Yes, wow, I mean, and

0:27:33.359 --> 0:27:36.040
<v Speaker 1>now I'm noticing that with everything, Like now that you're

0:27:36.040 --> 0:27:37.720
<v Speaker 1>going to say that, I'm noticing it. It's sort of

0:27:37.720 --> 0:27:38.960
<v Speaker 1>the same thing when you're on a boat and you

0:27:38.960 --> 0:27:41.000
<v Speaker 1>don't want to get seasick, and they said, never look

0:27:41.840 --> 0:27:44.639
<v Speaker 1>at an object and try to try to stop it.

0:27:44.840 --> 0:27:46.840
<v Speaker 1>You just gotta keep going with it. If you look

0:27:46.840 --> 0:27:48.800
<v Speaker 1>at the horizon and try to stop the boat, you're

0:27:48.840 --> 0:27:51.679
<v Speaker 1>gonna get seasick right away. Because we also don't we

0:27:51.880 --> 0:27:54.600
<v Speaker 1>like in skating, we don't spot so a lot of like,

0:27:54.720 --> 0:27:58.000
<v Speaker 1>which is basically like if you have have one focal

0:27:58.080 --> 0:28:00.280
<v Speaker 1>point and you always like turn your head to find

0:28:00.359 --> 0:28:04.160
<v Speaker 1>that because like we do so many rotations, So like

0:28:04.200 --> 0:28:06.199
<v Speaker 1>a trick that I would always do is like you

0:28:06.280 --> 0:28:10.560
<v Speaker 1>find something that's like stationary, which if you're spinning would

0:28:10.600 --> 0:28:12.520
<v Speaker 1>be like maybe a hand in front of you or

0:28:12.600 --> 0:28:15.960
<v Speaker 1>like your knee, so you don't focus on like everything

0:28:15.960 --> 0:28:18.520
<v Speaker 1>being every day around you. Yes, and then like when

0:28:18.520 --> 0:28:20.720
<v Speaker 1>you get out of it, you look for some really

0:28:20.880 --> 0:28:24.919
<v Speaker 1>key thing that's also around you, like a sign on

0:28:24.960 --> 0:28:28.880
<v Speaker 1>the dasherboards or like a specific like judge in the corner.

0:28:29.240 --> 0:28:31.080
<v Speaker 1>But you do it so that you can adjust really

0:28:31.160 --> 0:28:35.159
<v Speaker 1>quickly and you're never liked disorients it. So the third

0:28:35.480 --> 0:28:37.200
<v Speaker 1>out of part three, out of the four things that

0:28:37.400 --> 0:28:41.200
<v Speaker 1>I reckon, I saw was the physicality and the strength

0:28:42.200 --> 0:28:45.440
<v Speaker 1>of your your legs, in your your core, which is

0:28:45.480 --> 0:28:48.000
<v Speaker 1>everything now is core, right, It's a whole world talks

0:28:48.000 --> 0:28:51.240
<v Speaker 1>about core. What did you do? Did you work out

0:28:51.280 --> 0:28:54.040
<v Speaker 1>every day, did you do legs, did you lift weights?

0:28:54.040 --> 0:28:57.360
<v Speaker 1>How did you keep that core and those and your

0:28:57.440 --> 0:29:01.600
<v Speaker 1>legs so strong? So so much of the training is

0:29:01.760 --> 0:29:06.520
<v Speaker 1>like on the ice um. That being said, like everything

0:29:06.520 --> 0:29:10.120
<v Speaker 1>that we do is like one direction. So if we

0:29:10.120 --> 0:29:12.440
<v Speaker 1>we land and we do all of these jumps and

0:29:12.480 --> 0:29:14.960
<v Speaker 1>everything will like land on the right side. So like

0:29:15.080 --> 0:29:18.719
<v Speaker 1>a typical skater, if like they were working with a therapist,

0:29:18.880 --> 0:29:22.120
<v Speaker 1>their whole for me because like I would I was right.

0:29:22.280 --> 0:29:24.760
<v Speaker 1>If you were like right handed or right side dominant,

0:29:24.800 --> 0:29:29.240
<v Speaker 1>you'll jump one direction and left side vice versa. So

0:29:29.320 --> 0:29:31.800
<v Speaker 1>I was right side dominant, so I would land on

0:29:31.840 --> 0:29:34.640
<v Speaker 1>my right legs. So when I would work with a

0:29:34.720 --> 0:29:36.680
<v Speaker 1>therapist who had never worked with me before, it would

0:29:36.680 --> 0:29:38.560
<v Speaker 1>always be like, huh, this is interesting, where like the

0:29:38.560 --> 0:29:41.080
<v Speaker 1>whole right side of my body is like over developed

0:29:41.080 --> 0:29:44.560
<v Speaker 1>and more developed than the left. So a big important

0:29:44.560 --> 0:29:46.800
<v Speaker 1>thing to do when we were off the ice would

0:29:46.840 --> 0:29:50.479
<v Speaker 1>be too Yes, we would lift and do all of

0:29:50.480 --> 0:29:52.760
<v Speaker 1>that stuff to like you know, gain you know, just

0:29:52.840 --> 0:29:56.520
<v Speaker 1>more strength, but we would also do a lot of

0:29:56.560 --> 0:30:00.560
<v Speaker 1>things that were just to do our best to equal

0:30:00.600 --> 0:30:03.560
<v Speaker 1>out because when there is a big imbalance, you are

0:30:03.680 --> 0:30:06.800
<v Speaker 1>more prone to injury, which is crazy because it's like

0:30:06.880 --> 0:30:09.280
<v Speaker 1>our whole we spend our whole life as a skater

0:30:09.600 --> 0:30:11.920
<v Speaker 1>over developing one side and so then you have to

0:30:12.000 --> 0:30:13.760
<v Speaker 1>kind of go off the ice and try to find

0:30:13.800 --> 0:30:17.960
<v Speaker 1>that balance. So it is it is interesting, like like

0:30:18.000 --> 0:30:21.240
<v Speaker 1>in that respect that everything was. So you noticed that

0:30:21.360 --> 0:30:23.480
<v Speaker 1>Rafael nidel Is left side of his arm is like this,

0:30:23.600 --> 0:30:25.880
<v Speaker 1>He's like the Hulk and his other arm is like

0:30:26.160 --> 0:30:28.440
<v Speaker 1>and I'm like, how does that happen? You know, and

0:30:28.480 --> 0:30:31.680
<v Speaker 1>then you notice what happened. It's really obvious. Yes, And

0:30:31.720 --> 0:30:34.160
<v Speaker 1>so another thing for like us is that like we're

0:30:34.600 --> 0:30:38.840
<v Speaker 1>so like bottom heavy that like our legs are really developed,

0:30:38.840 --> 0:30:41.840
<v Speaker 1>but we need to be so slight and so like

0:30:41.920 --> 0:30:45.360
<v Speaker 1>as light as possible. That like our upper bodies are

0:30:45.440 --> 0:30:50.240
<v Speaker 1>like dried out raisins and it looks like all the

0:30:50.320 --> 0:30:56.200
<v Speaker 1>juice just went down. So you still need you still

0:30:56.200 --> 0:31:01.240
<v Speaker 1>need this this structure to support. Basically you need the core,

0:31:01.440 --> 0:31:03.880
<v Speaker 1>but like your upper body, like as a skater, when

0:31:03.920 --> 0:31:07.400
<v Speaker 1>I was skating, it was like no chest, no arms.

0:31:07.720 --> 0:31:10.760
<v Speaker 1>Arms do not help you. They're like directional. They can

0:31:10.800 --> 0:31:13.400
<v Speaker 1>put it, they can put move your shoulders, they can

0:31:13.640 --> 0:31:17.000
<v Speaker 1>like help you tilt and lean, but like arms strength

0:31:17.200 --> 0:31:21.080
<v Speaker 1>doesn't serve you at all. So it's sort of like

0:31:21.280 --> 0:31:24.400
<v Speaker 1>a ballerina. The digolottage is beautiful and it's like this,

0:31:24.440 --> 0:31:27.080
<v Speaker 1>but it's really it's the waist down that is really

0:31:27.120 --> 0:31:31.120
<v Speaker 1>controlling everything. Yes, because like we can use our arms

0:31:31.160 --> 0:31:33.920
<v Speaker 1>to help us and move us and gain momentum. But

0:31:34.000 --> 0:31:37.320
<v Speaker 1>like they're like an exercise that people would do, like

0:31:37.400 --> 0:31:39.280
<v Speaker 1>on the ice would be like you would do things

0:31:39.280 --> 0:31:41.080
<v Speaker 1>and you'd like cross your arms and not move them

0:31:41.080 --> 0:31:43.320
<v Speaker 1>at all or not even use them, and you can

0:31:43.320 --> 0:31:46.360
<v Speaker 1>still do elements. It's much harder because like that momentum

0:31:46.400 --> 0:31:49.920
<v Speaker 1>is still helpful, but like they aren't. The biggest thing

0:31:50.000 --> 0:31:52.640
<v Speaker 1>is like don't let them get in your way. So

0:31:52.720 --> 0:31:54.720
<v Speaker 1>the last part of this is when I watched that

0:31:55.040 --> 0:31:57.320
<v Speaker 1>was the first This is the last part that I'm

0:31:57.360 --> 0:31:58.720
<v Speaker 1>going to talk about what it was. The first thing

0:31:58.720 --> 0:32:02.400
<v Speaker 1>that I noticed, and this is, I guess a reverse compliment.

0:32:03.160 --> 0:32:06.040
<v Speaker 1>I didn't notice that technique it was flawless. I didn't

0:32:06.120 --> 0:32:08.760
<v Speaker 1>notice the workout or the practice it was flaw with

0:32:08.800 --> 0:32:13.880
<v Speaker 1>all this. What I noticed was the incredible symmetry with

0:32:13.960 --> 0:32:17.040
<v Speaker 1>the music and the and the the dance. It was

0:32:17.160 --> 0:32:23.480
<v Speaker 1>extraordinarily theatrical and dance like versus a skating. I didn't

0:32:23.480 --> 0:32:25.600
<v Speaker 1>even I didn't notice she was skating until halfway in

0:32:25.600 --> 0:32:28.400
<v Speaker 1>that when you started the twirl. So it was like

0:32:29.040 --> 0:32:33.520
<v Speaker 1>I really saw this uh sort of entertainment, theat theatrical

0:32:33.760 --> 0:32:35.920
<v Speaker 1>dance part of it, more than I've ever seen, and

0:32:37.040 --> 0:32:39.840
<v Speaker 1>a lot of dancers, and it seems to me that

0:32:39.920 --> 0:32:42.520
<v Speaker 1>it's something that you're doing right now, which seems very

0:32:42.600 --> 0:32:45.920
<v Speaker 1>exciting to you. There's a sense of like this theatricality,

0:32:45.960 --> 0:32:48.960
<v Speaker 1>this entertainment, this lifestyle, this sort of like really loving

0:32:49.000 --> 0:32:52.040
<v Speaker 1>It's almost like you're you're dancing for us instead of

0:32:52.080 --> 0:32:54.800
<v Speaker 1>skating for us. And that's what I noticed right off

0:32:54.840 --> 0:32:58.640
<v Speaker 1>the bat. Does that make any sense? It makes total sense.

0:32:58.960 --> 0:33:02.640
<v Speaker 1>I think, like I I as a competitor, I needed

0:33:02.680 --> 0:33:05.280
<v Speaker 1>to figure out like what made me feel comfortable in

0:33:05.400 --> 0:33:11.040
<v Speaker 1>like that space, and I am I'm really competitive, but

0:33:11.160 --> 0:33:14.600
<v Speaker 1>like I needed to find which how that served me.

0:33:14.720 --> 0:33:17.080
<v Speaker 1>So I would be really competitive if I knew that

0:33:17.160 --> 0:33:20.440
<v Speaker 1>I could put on like the best performance. So I

0:33:20.480 --> 0:33:23.640
<v Speaker 1>always focused on everything that like everything was like a show.

0:33:23.760 --> 0:33:26.720
<v Speaker 1>It was all entertainment, and my main focus always had

0:33:26.760 --> 0:33:30.520
<v Speaker 1>to be like I had to entertain everyone, which when

0:33:30.920 --> 0:33:34.480
<v Speaker 1>the things that I do now has translated very well

0:33:34.520 --> 0:33:36.360
<v Speaker 1>and it's helped me a lot and all of these

0:33:36.360 --> 0:33:38.880
<v Speaker 1>other things, because like that's always my main focus of like,

0:33:39.120 --> 0:33:42.120
<v Speaker 1>and when I was at home and practice, I would

0:33:42.120 --> 0:33:45.000
<v Speaker 1>make sure that I was like performing full out every

0:33:45.280 --> 0:33:47.959
<v Speaker 1>day so that like when I went to a competition,

0:33:48.080 --> 0:33:50.560
<v Speaker 1>it was just normal. It was like the way that

0:33:50.600 --> 0:33:52.320
<v Speaker 1>I had just done it. It wasn't like I needed

0:33:52.320 --> 0:33:55.800
<v Speaker 1>to do anything special. And I think doing that every

0:33:55.880 --> 0:33:59.840
<v Speaker 1>day is really exhausting, but it creates this muscle of

0:34:00.200 --> 0:34:02.440
<v Speaker 1>being able to like be there when you need to

0:34:02.440 --> 0:34:04.240
<v Speaker 1>be there and like turn it on right away and

0:34:04.560 --> 0:34:07.160
<v Speaker 1>or or you know, be able to do things where

0:34:07.200 --> 0:34:09.919
<v Speaker 1>it looks like it's full of emotion when really you're

0:34:09.960 --> 0:34:18.440
<v Speaker 1>just like dead inside, which I am. I I hardly

0:34:18.480 --> 0:34:20.400
<v Speaker 1>think that, but I I just thought it was such

0:34:20.440 --> 0:34:24.480
<v Speaker 1>a reserved I was so wonderful you. I could tell

0:34:24.480 --> 0:34:26.839
<v Speaker 1>you a holding back in a way that really made

0:34:26.840 --> 0:34:29.319
<v Speaker 1>it so powerfully interesting. It was like, wow, this this

0:34:29.440 --> 0:34:31.839
<v Speaker 1>is like he's on six, this is not even ten,

0:34:32.400 --> 0:34:35.560
<v Speaker 1>but the dancing and the entertainment is like on twelve.

0:34:36.239 --> 0:34:38.960
<v Speaker 1>And I was like, wow, this is like real, like

0:34:39.000 --> 0:34:41.560
<v Speaker 1>a real entertainer. And I don't mean that in any

0:34:41.560 --> 0:34:46.040
<v Speaker 1>way other than like that is brilliant entertaining. And it

0:34:46.080 --> 0:34:48.600
<v Speaker 1>was almost like the skating was secondary. It was almost

0:34:48.640 --> 0:34:52.040
<v Speaker 1>like you're inhabiting two bodies. Well, that's very sweet of you,

0:34:52.160 --> 0:34:54.640
<v Speaker 1>thank you, And but I do want to compliment you

0:34:54.680 --> 0:34:58.520
<v Speaker 1>and say that that's a very great analyzation of the

0:34:58.560 --> 0:35:00.920
<v Speaker 1>way that I truly felt like I would because like

0:35:01.040 --> 0:35:04.400
<v Speaker 1>if I tried to go out of ten, it was

0:35:04.520 --> 0:35:07.600
<v Speaker 1>too like I felt like I don't think anyone can.

0:35:08.560 --> 0:35:12.719
<v Speaker 1>But like it was just being like present enough to

0:35:12.840 --> 0:35:17.000
<v Speaker 1>be like at because Okay, when I would train at

0:35:17.040 --> 0:35:19.839
<v Speaker 1>home and not everybody is like this, I would have

0:35:19.960 --> 0:35:23.960
<v Speaker 1>to train at one percent. So that like if when

0:35:24.000 --> 0:35:26.480
<v Speaker 1>I went to competition, for me to feel in control,

0:35:27.080 --> 0:35:32.640
<v Speaker 1>I would compete at But if you're going a hundred

0:35:32.719 --> 0:35:36.040
<v Speaker 1>every day, what your version of eight five is is

0:35:36.160 --> 0:35:38.279
<v Speaker 1>so much higher than it would be if you were

0:35:38.320 --> 0:35:43.080
<v Speaker 1>training at seventy every day. So I always needed to

0:35:43.120 --> 0:35:45.320
<v Speaker 1>take it down a notch because I would get really

0:35:45.360 --> 0:35:48.120
<v Speaker 1>into it or like overcompensate in different ways. So like

0:35:48.160 --> 0:35:50.640
<v Speaker 1>when I was at home, it was like balls to

0:35:50.680 --> 0:35:53.479
<v Speaker 1>the wall, but when I'd be in competition, it needed

0:35:53.520 --> 0:35:56.319
<v Speaker 1>to just be a little bit more coy and a

0:35:56.320 --> 0:35:59.040
<v Speaker 1>little bit more like in on myself of like okay,

0:35:59.239 --> 0:36:02.319
<v Speaker 1>you've got it, like you this is it was. It

0:36:02.320 --> 0:36:05.279
<v Speaker 1>becomes like a little bit more fun. It's also you

0:36:05.280 --> 0:36:07.960
<v Speaker 1>know when you when you I guess are doing anything.

0:36:07.960 --> 0:36:09.920
<v Speaker 1>When you run a restaurant and you walk into the restaurant,

0:36:09.920 --> 0:36:11.959
<v Speaker 1>the lighting is great, the music is beautiful, the person

0:36:12.000 --> 0:36:14.279
<v Speaker 1>at the desk is great, takes care of you, You

0:36:14.320 --> 0:36:16.560
<v Speaker 1>get your drink for us. Everything's grown great, and the

0:36:16.560 --> 0:36:18.719
<v Speaker 1>food is really good. It's not the best food you've

0:36:18.760 --> 0:36:21.640
<v Speaker 1>ever had, but the whole experience is like I'm coming

0:36:21.680 --> 0:36:24.279
<v Speaker 1>back here again, and it's like it's that it's like

0:36:24.360 --> 0:36:26.800
<v Speaker 1>you can't be perfect at everything. It's just not possible

0:36:26.800 --> 0:36:29.640
<v Speaker 1>and it's not human and real and people don't respond

0:36:29.680 --> 0:36:33.960
<v Speaker 1>to it. Those people responded to your your the words.

0:36:34.400 --> 0:36:39.000
<v Speaker 1>You know, it's sort almost there's almost cinematography, cinematography and

0:36:39.000 --> 0:36:44.120
<v Speaker 1>in a and how you danced that was so captivating, right,

0:36:44.320 --> 0:36:46.560
<v Speaker 1>And it wasn't that we're waiting for this big twill

0:36:46.600 --> 0:36:47.799
<v Speaker 1>and will you make it? Will you make it? Will

0:36:47.800 --> 0:36:50.080
<v Speaker 1>you fall? I wasn't thinking that. I was like, this

0:36:50.120 --> 0:36:54.200
<v Speaker 1>is just fantastic to watch. It was like so it

0:36:54.280 --> 0:36:56.200
<v Speaker 1>was so connected and it was like it made so

0:36:56.280 --> 0:37:00.440
<v Speaker 1>much sense, and I was like, wow, I've noticed difference

0:37:00.480 --> 0:37:04.560
<v Speaker 1>between other skaters who it's like hit hit this, hit two,

0:37:04.680 --> 0:37:07.440
<v Speaker 1>hit six, hit five hits. It's rinse and repeat more music,

0:37:07.520 --> 0:37:11.040
<v Speaker 1>bring it up, crescendo down, Hello, And that's what I'm

0:37:11.120 --> 0:37:14.319
<v Speaker 1>used to because it's it's what's fed a lot of

0:37:14.360 --> 0:37:19.400
<v Speaker 1>the the unequaistic sort of performance skating. Yeah, I mean,

0:37:19.400 --> 0:37:21.439
<v Speaker 1>we should get you on a judging panel. And it's

0:37:21.440 --> 0:37:25.399
<v Speaker 1>a shame and mine at the Olympics because I really

0:37:25.440 --> 0:37:29.880
<v Speaker 1>could have used some of this hype twelve and whatever

0:37:29.920 --> 0:37:32.319
<v Speaker 1>the hell it has, there's a twelve. I would have

0:37:32.320 --> 0:37:35.440
<v Speaker 1>put it up. And this guy's good. Everybody come over here,

0:37:35.480 --> 0:37:38.759
<v Speaker 1>this guy is. Look at this guy. I would have

0:37:38.800 --> 0:37:41.560
<v Speaker 1>loved that. I would have loved that, and I could

0:37:41.560 --> 0:37:46.160
<v Speaker 1>have used that. But hindsight, everything, everything is going as

0:37:46.200 --> 0:37:49.480
<v Speaker 1>it should be. The universe agreed right place for you

0:37:49.640 --> 0:38:00.480
<v Speaker 1>right now. For our fourth and final core, I caught

0:38:00.520 --> 0:38:03.040
<v Speaker 1>up with anim about life in l A with competitive

0:38:03.080 --> 0:38:05.800
<v Speaker 1>skating officially in his rear view mirror, he seems to

0:38:05.840 --> 0:38:09.040
<v Speaker 1>have traditioned well into life outside the rink, with a

0:38:09.080 --> 0:38:12.760
<v Speaker 1>published memoir, to new TV shows, and a finished fiance.

0:38:13.680 --> 0:38:16.320
<v Speaker 1>You're so busy, So tell me you're you're newly engaged,

0:38:16.560 --> 0:38:19.000
<v Speaker 1>you have a show on MTV, you wrote a book.

0:38:19.360 --> 0:38:21.880
<v Speaker 1>Is there anything you're not doing? Did I miss something? No,

0:38:22.480 --> 0:38:25.520
<v Speaker 1>that's that's everything. Yeah, let us in on all this

0:38:25.600 --> 0:38:26.920
<v Speaker 1>a little bit, just a little bit, you know, have

0:38:26.960 --> 0:38:30.320
<v Speaker 1>to say a lot. Okay, I I'm engaged. My fiance

0:38:30.480 --> 0:38:35.120
<v Speaker 1>he's so great, so funny. Like listen, one day when

0:38:35.160 --> 0:38:36.799
<v Speaker 1>I come and I visit you in Florida because now

0:38:36.840 --> 0:38:39.480
<v Speaker 1>I'm going to do it. You gotta come. Yeah, I'm

0:38:39.480 --> 0:38:42.399
<v Speaker 1>gonna come. You'll meet JP. You'll love JP. I'm sure

0:38:42.600 --> 0:38:45.399
<v Speaker 1>I can already tell. So how do you pronounce his name?

0:38:45.440 --> 0:38:47.520
<v Speaker 1>I was trying to pronounce what I decided, not making

0:38:47.520 --> 0:38:51.279
<v Speaker 1>myself an idiot and just trying to say it. Let

0:38:51.320 --> 0:38:53.440
<v Speaker 1>me go, I'm gonna try. Okay, please, yes, And I

0:38:54.000 --> 0:38:59.120
<v Speaker 1>think you're going to be right. You're cee pekaala. That's

0:38:59.360 --> 0:39:02.959
<v Speaker 1>very that's very close. So his like his it would

0:39:02.960 --> 0:39:07.120
<v Speaker 1>just be like you see peca okay. So, so it's

0:39:07.239 --> 0:39:10.840
<v Speaker 1>I was questioning because sometimes the U was silent or

0:39:11.239 --> 0:39:14.480
<v Speaker 1>sharp in different countries. Yes, you know what I'm saying,

0:39:14.600 --> 0:39:16.880
<v Speaker 1>and they put two us to say you see and

0:39:16.920 --> 0:39:19.719
<v Speaker 1>this one they put two s s. So you see

0:39:19.719 --> 0:39:25.880
<v Speaker 1>peca color ka ka kayala kayala. So what is this?

0:39:26.400 --> 0:39:28.799
<v Speaker 1>Is it? J K? Is that his nickname? Come on? Yeah,

0:39:28.840 --> 0:39:32.520
<v Speaker 1>I just call him JP because that you see, it's

0:39:32.600 --> 0:39:35.239
<v Speaker 1>like that's like if it were like an English name,

0:39:35.280 --> 0:39:38.520
<v Speaker 1>it'd be like Mary Teresa, Like it's like it's a

0:39:38.560 --> 0:39:41.840
<v Speaker 1>full name. First names. Okay. So let's go So Finland,

0:39:41.920 --> 0:39:45.200
<v Speaker 1>and how are you are you in this l a together.

0:39:45.640 --> 0:39:47.920
<v Speaker 1>So okay, this is so. We met when I was

0:39:47.960 --> 0:39:50.600
<v Speaker 1>at a competition I think almost like five years ago

0:39:50.680 --> 0:39:52.920
<v Speaker 1>at this point, and I was on Tinder, so I

0:39:52.960 --> 0:39:56.600
<v Speaker 1>was obviously very focused on the competition at hand. Yeah,

0:39:56.760 --> 0:39:59.440
<v Speaker 1>and so we were looking for Houston's to go to dinner.

0:39:59.680 --> 0:40:02.799
<v Speaker 1>I needed to go to Houston's in Helsinki, which I

0:40:02.840 --> 0:40:08.560
<v Speaker 1>still haven't been, yeah, exactly. And so we we matched,

0:40:08.560 --> 0:40:11.920
<v Speaker 1>but we never met talked for months and then he

0:40:11.960 --> 0:40:14.960
<v Speaker 1>came and he visited me. We hit it off, um

0:40:15.000 --> 0:40:18.839
<v Speaker 1>really well, and so, uh, we were planning to get

0:40:18.880 --> 0:40:22.640
<v Speaker 1>married last summer. We're also just like going to a courthouse,

0:40:22.760 --> 0:40:24.960
<v Speaker 1>like I know that, Like I'm in this like room

0:40:24.960 --> 0:40:28.719
<v Speaker 1>with like a mug shop behind me. But uh, we

0:40:28.880 --> 0:40:31.040
<v Speaker 1>just wanted to just go to a courthouse. And then

0:40:31.040 --> 0:40:34.879
<v Speaker 1>with the pandemic and everything, I didn't pan out. So

0:40:34.920 --> 0:40:39.200
<v Speaker 1>we applied for k one visa for him because he's finished. Uh,

0:40:39.320 --> 0:40:42.080
<v Speaker 1>and so that process usually takes about like nine to

0:40:42.440 --> 0:40:44.960
<v Speaker 1>nine months to a year, but with everything, it's been

0:40:45.000 --> 0:40:48.960
<v Speaker 1>about a year and a half. Um, so I've seen

0:40:49.040 --> 0:40:52.439
<v Speaker 1>him twice in the last year and a half. It's

0:40:52.440 --> 0:40:56.080
<v Speaker 1>been you know, it's been difficult at times, but like

0:40:56.239 --> 0:41:00.680
<v Speaker 1>we've both really have stayed focused on like one, I

0:41:00.719 --> 0:41:02.960
<v Speaker 1>think like knowing that like this will come to an

0:41:03.080 --> 0:41:05.520
<v Speaker 1>end soon, and like there's a light at the end

0:41:05.560 --> 0:41:08.680
<v Speaker 1>of the tunnel for our like him living far that

0:41:08.840 --> 0:41:11.840
<v Speaker 1>like we've that's been really helpful. And like we've all

0:41:12.000 --> 0:41:14.360
<v Speaker 1>we both like have really focused on like our own

0:41:15.000 --> 0:41:19.120
<v Speaker 1>careers and things so that like when we're able to

0:41:19.200 --> 0:41:22.560
<v Speaker 1>like live together, it'll be really nice. And we've put

0:41:22.600 --> 0:41:24.680
<v Speaker 1>a lot of time into ourselves, which has been great.

0:41:24.840 --> 0:41:27.399
<v Speaker 1>And yeah, and I guess the other big thing was that,

0:41:27.480 --> 0:41:30.840
<v Speaker 1>like I have the show on MTV. It's called Messiness.

0:41:31.600 --> 0:41:33.360
<v Speaker 1>I Try. I asked my producer. I'm like, okay, so

0:41:33.400 --> 0:41:36.080
<v Speaker 1>what's what's tell me what it is? He said, well,

0:41:36.160 --> 0:41:39.040
<v Speaker 1>it was like, right, show ridiculous And I'm like, well,

0:41:39.080 --> 0:41:40.839
<v Speaker 1>what was that. I was like, come on, I'm gonna

0:41:40.880 --> 0:41:46.160
<v Speaker 1>let him tell me. Okay, So okay. So Messiness is

0:41:46.200 --> 0:41:50.520
<v Speaker 1>a spinoff of Ridiculousness, which was a show where like

0:41:50.600 --> 0:41:53.799
<v Speaker 1>they would play these clips and there's just kind of

0:41:53.840 --> 0:41:56.960
<v Speaker 1>like a back and forth of the panelists. I think

0:41:56.960 --> 0:41:59.600
<v Speaker 1>what makes Messiness a little bit different is that on

0:41:59.640 --> 0:42:03.399
<v Speaker 1>the show, it's me Nicole Polizzi, who's famously known as

0:42:03.480 --> 0:42:06.680
<v Speaker 1>Snooky is the host, Tori Spelling. And then there's a

0:42:06.719 --> 0:42:09.279
<v Speaker 1>comedian his name is Teddy Ray, who is one of

0:42:09.280 --> 0:42:11.920
<v Speaker 1>the funniest people I've ever met. Where do you film it?

0:42:12.000 --> 0:42:15.360
<v Speaker 1>We film it here in Los Angeles at haven Hurst

0:42:15.480 --> 0:42:19.120
<v Speaker 1>Studios and Van Eyes and uh so we we film

0:42:19.160 --> 0:42:21.400
<v Speaker 1>it out there. And basically it's it's sort of it

0:42:21.440 --> 0:42:24.200
<v Speaker 1>was started out as like the brainchild of ridiculousness, but

0:42:24.239 --> 0:42:26.040
<v Speaker 1>because it's the four of us up there were like

0:42:26.719 --> 0:42:31.440
<v Speaker 1>four complete idiots and we just go back and forth

0:42:31.480 --> 0:42:34.600
<v Speaker 1>and we just like have tell really great stories and

0:42:34.600 --> 0:42:36.440
<v Speaker 1>we like make each other laugh the whole time. So

0:42:36.480 --> 0:42:38.759
<v Speaker 1>we have so much fun filming it. And um, we

0:42:38.840 --> 0:42:40.920
<v Speaker 1>had our first ten episodes come out a little while ago.

0:42:41.000 --> 0:42:43.680
<v Speaker 1>We'll have the next ten come out soon. But like

0:42:43.719 --> 0:42:46.759
<v Speaker 1>we it's I've I've even enjoyed watching it, which like

0:42:46.840 --> 0:42:49.880
<v Speaker 1>I don't sometimes sometimes sometimes I'm like I don't know

0:42:49.920 --> 0:42:52.760
<v Speaker 1>if I can watch myself. But like sometimes I'll watch

0:42:52.800 --> 0:42:55.200
<v Speaker 1>the show and I'll be like, it is actually fun.

0:42:56.160 --> 0:42:59.040
<v Speaker 1>So that's my endorsement of my own show. It's actually fun.

0:42:59.719 --> 0:43:02.960
<v Speaker 1>It's so the first season is it out? It's come out, Yes,

0:43:03.440 --> 0:43:06.359
<v Speaker 1>it's half out. So it's twenty episodes, so like our

0:43:06.560 --> 0:43:08.480
<v Speaker 1>our first tenor out in our second ten will be

0:43:08.520 --> 0:43:11.919
<v Speaker 1>out in probably a month or two. Congratulations on that.

0:43:11.920 --> 0:43:14.520
<v Speaker 1>That's incredible. Uh, And you're hosting there, you're a host

0:43:14.560 --> 0:43:19.799
<v Speaker 1>with Snookie. Yes, she's our main host, she's our president basically,

0:43:20.120 --> 0:43:23.840
<v Speaker 1>and we will do whatever she says, for better or worse,

0:43:23.920 --> 0:43:28.960
<v Speaker 1>which I think sometimes it is worse. I mean, I

0:43:29.120 --> 0:43:31.719
<v Speaker 1>you know, I remember Snooky from a long time ago,

0:43:31.800 --> 0:43:34.040
<v Speaker 1>and everyone said that show is never gonna last, and

0:43:34.080 --> 0:43:36.439
<v Speaker 1>look what happens, you know. Just I mean, I will

0:43:36.480 --> 0:43:41.719
<v Speaker 1>say she's exactly who you think she is. And with that,

0:43:41.800 --> 0:43:44.840
<v Speaker 1>I'll say she is one of the I'm dead serious.

0:43:45.160 --> 0:43:48.400
<v Speaker 1>She's one of the most professional people I've ever worked

0:43:48.440 --> 0:43:51.959
<v Speaker 1>with on time shows up to do like the job,

0:43:52.120 --> 0:43:54.920
<v Speaker 1>she does it really well. She's fully present, she's so

0:43:55.000 --> 0:43:58.440
<v Speaker 1>nice to everyone. I mean, it makes sense. Listen, if

0:43:58.480 --> 0:44:01.440
<v Speaker 1>you can be like arrested on the beach as a

0:44:02.280 --> 0:44:04.080
<v Speaker 1>twenty one year old girl and you can make a

0:44:04.080 --> 0:44:07.120
<v Speaker 1>career out of it, like you've had to have done

0:44:07.200 --> 0:44:10.640
<v Speaker 1>a few things like to like grow up and like

0:44:10.760 --> 0:44:14.800
<v Speaker 1>really like do well for yourself. And she is, I

0:44:14.840 --> 0:44:17.279
<v Speaker 1>dead serious, one of the most professional people ever ever

0:44:17.320 --> 0:44:21.040
<v Speaker 1>worked with. Couldn't I could say enough good things about her.

0:44:21.400 --> 0:44:24.839
<v Speaker 1>I call people like that conscious because they're very few

0:44:24.880 --> 0:44:28.600
<v Speaker 1>people are actually conscious about life. They just not. And

0:44:28.640 --> 0:44:32.160
<v Speaker 1>when they beat them, they like they they come down

0:44:32.200 --> 0:44:34.120
<v Speaker 1>the street and they're like shining because they're like, this

0:44:34.200 --> 0:44:36.799
<v Speaker 1>is a conscious person. I would like this person, we're

0:44:36.800 --> 0:44:39.240
<v Speaker 1>gonna get along. So tell me about the book Beautiful

0:44:39.239 --> 0:44:42.480
<v Speaker 1>on the Outside. So I wrote this book right after

0:44:42.600 --> 0:44:46.880
<v Speaker 1>the Olympics, and I think I knew that I wanted

0:44:46.920 --> 0:44:51.000
<v Speaker 1>to write it because it felt like the only way

0:44:51.040 --> 0:44:54.319
<v Speaker 1>I was going to sit down and really process what

0:44:54.480 --> 0:44:59.200
<v Speaker 1>had happened. Because the Olympics is like whiplash. It's something

0:44:59.239 --> 0:45:02.480
<v Speaker 1>that you like wait your entire life for and then

0:45:02.600 --> 0:45:05.440
<v Speaker 1>in the course of two weeks it happens. It's over,

0:45:05.520 --> 0:45:07.879
<v Speaker 1>and then all of a sudden, like you feel like

0:45:08.160 --> 0:45:11.160
<v Speaker 1>that big, what have I've been doing for two years exactly?

0:45:11.400 --> 0:45:15.759
<v Speaker 1>Like it's so crazy. So I um had this opportunity

0:45:15.800 --> 0:45:17.200
<v Speaker 1>to write the book, and I was like, I have

0:45:17.280 --> 0:45:18.680
<v Speaker 1>to do it because I think it will be like

0:45:18.719 --> 0:45:21.960
<v Speaker 1>the only way I actually, like really think about everything

0:45:22.000 --> 0:45:25.760
<v Speaker 1>that's happened in my whole career and life to this point.

0:45:26.400 --> 0:45:29.160
<v Speaker 1>How was you gonna say until the next book exactly,

0:45:29.160 --> 0:45:32.319
<v Speaker 1>because it's going to be a series of memoirs, has

0:45:32.400 --> 0:45:35.640
<v Speaker 1>to be at thirty one. I think you route at

0:45:35.680 --> 0:45:37.600
<v Speaker 1>twenty nine. I think get thirty one. There's at least

0:45:37.600 --> 0:45:41.440
<v Speaker 1>two or three more books, at least at least, So

0:45:41.520 --> 0:45:43.839
<v Speaker 1>you're sitting at home in l A and Pasadena. So

0:45:43.960 --> 0:45:47.440
<v Speaker 1>how are you maintaining yours? I know, how you're maintaining

0:45:47.440 --> 0:45:51.560
<v Speaker 1>your psychic health by making shows with Snooky, that's obvious.

0:45:51.960 --> 0:45:55.359
<v Speaker 1>How are you maintaining your physically your physical being? How

0:45:55.400 --> 0:45:57.960
<v Speaker 1>are you working on your body and your nutrition? And

0:45:58.280 --> 0:46:01.440
<v Speaker 1>you cooking at home yourself or do you strictly go

0:46:01.520 --> 0:46:04.680
<v Speaker 1>out or you do a balanced balance of that? Are you?

0:46:04.760 --> 0:46:07.640
<v Speaker 1>Are you? You know what? How do you come up

0:46:07.680 --> 0:46:10.880
<v Speaker 1>with a regiment that you started basically at thirty? I

0:46:10.920 --> 0:46:13.000
<v Speaker 1>mean at thirty like people are just like in their

0:46:13.040 --> 0:46:15.839
<v Speaker 1>normal life and it's it's it's you're like, stop doing

0:46:15.880 --> 0:46:18.400
<v Speaker 1>one thing that was very specific, and now how do

0:46:18.440 --> 0:46:22.920
<v Speaker 1>you continue while keeping your your your your head together?

0:46:23.760 --> 0:46:27.600
<v Speaker 1>I mean physically. This is totally a great point because

0:46:27.960 --> 0:46:31.319
<v Speaker 1>what I did was so specific to what I was

0:46:31.400 --> 0:46:34.600
<v Speaker 1>doing at the time, So like, I mean, it was

0:46:34.719 --> 0:46:38.440
<v Speaker 1>just like be really slight. What I ate was super limited,

0:46:38.640 --> 0:46:40.400
<v Speaker 1>and I was working out all the time, and so

0:46:40.480 --> 0:46:43.000
<v Speaker 1>from the time this is a little bit nuts to

0:46:43.080 --> 0:46:46.080
<v Speaker 1>think about, but from what I weighed at the Olympics too,

0:46:46.080 --> 0:46:50.680
<v Speaker 1>now I'm twenty pounds heavier, even though I'm still like

0:46:50.840 --> 0:46:53.680
<v Speaker 1>you really might not be able to like see it

0:46:53.719 --> 0:46:57.440
<v Speaker 1>on me. It's just how quickly, like not quite. I

0:46:57.480 --> 0:46:59.480
<v Speaker 1>mean it took it was like three years, but I

0:46:59.520 --> 0:47:02.800
<v Speaker 1>was like very light and then probably too thin at

0:47:02.880 --> 0:47:07.200
<v Speaker 1>that at that for that for a normal yes, it's existent.

0:47:07.360 --> 0:47:09.840
<v Speaker 1>I think, like to be really elite, there are a

0:47:09.880 --> 0:47:12.799
<v Speaker 1>lot of crazy things that aren't very healthy that you

0:47:12.880 --> 0:47:15.680
<v Speaker 1>end up that end up feeling like very normal to you.

0:47:15.760 --> 0:47:18.680
<v Speaker 1>So like eating and things like that, Like really I

0:47:18.719 --> 0:47:21.440
<v Speaker 1>needed to relearn it, and I'm still like relearning it

0:47:21.480 --> 0:47:25.319
<v Speaker 1>and finding things that I like and trying things, and

0:47:25.560 --> 0:47:28.439
<v Speaker 1>so it's been like kind of rediscovering what that is.

0:47:28.600 --> 0:47:31.600
<v Speaker 1>And also like I did not work out for like

0:47:31.680 --> 0:47:33.959
<v Speaker 1>two years, Like I could not go to the gym

0:47:34.000 --> 0:47:35.520
<v Speaker 1>because it was like I didn't know how to just

0:47:35.640 --> 0:47:39.000
<v Speaker 1>like go and just feel good about myself and the

0:47:39.000 --> 0:47:42.000
<v Speaker 1>gym because it was like I couldn't go there and

0:47:42.000 --> 0:47:45.120
<v Speaker 1>not feel like I was like training for the Olympics. Yeah,

0:47:45.280 --> 0:47:47.759
<v Speaker 1>so now you go, Now I go. And I think

0:47:47.760 --> 0:47:49.759
<v Speaker 1>the best thing was was that like I worked with

0:47:49.920 --> 0:47:52.960
<v Speaker 1>I've been really lucky because there there's this like little

0:47:53.000 --> 0:47:56.320
<v Speaker 1>private gym at the rink that I used to train at.

0:47:56.640 --> 0:47:58.719
<v Speaker 1>So I don't skate very often anymore, but I'll go

0:47:58.800 --> 0:48:01.040
<v Speaker 1>down to the rink and work with like one of

0:48:01.080 --> 0:48:04.279
<v Speaker 1>the trainers. And I think what's been so great is

0:48:04.320 --> 0:48:06.480
<v Speaker 1>like I've never been able to do like upper body stuff.

0:48:06.480 --> 0:48:09.000
<v Speaker 1>It's always been like lower lower legs. So it's like

0:48:09.000 --> 0:48:11.080
<v Speaker 1>I've been learning a lot more about that and it's

0:48:11.080 --> 0:48:14.000
<v Speaker 1>been I've I've I've learned to really love being in

0:48:14.040 --> 0:48:17.040
<v Speaker 1>the gym, and I think getting back into it and

0:48:17.120 --> 0:48:21.400
<v Speaker 1>like learning more about like the switching up my nutrition

0:48:21.640 --> 0:48:23.920
<v Speaker 1>has like really been great. And I would say it

0:48:24.000 --> 0:48:26.000
<v Speaker 1>only got into it, and like in this last year.

0:48:26.120 --> 0:48:28.360
<v Speaker 1>This last year is probably the first time I feel like, Okay,

0:48:28.360 --> 0:48:31.040
<v Speaker 1>I have like my feet more on the ground. Because

0:48:31.280 --> 0:48:33.080
<v Speaker 1>once you get into it and you get into the

0:48:33.160 --> 0:48:35.480
<v Speaker 1>nutrition and then working it's like addictive. Then you're like,

0:48:35.480 --> 0:48:38.239
<v Speaker 1>oh my god, this is fantastic, and then your brain

0:48:38.320 --> 0:48:41.600
<v Speaker 1>sort of clears up and ways that it didn't before

0:48:42.719 --> 0:48:44.680
<v Speaker 1>doing something you probably will never ever do. You might

0:48:44.760 --> 0:48:46.680
<v Speaker 1>actually take up golf or something like that, because that

0:48:46.760 --> 0:48:49.960
<v Speaker 1>might mirror the skating, but without that stress in that

0:48:50.280 --> 0:48:55.440
<v Speaker 1>like you know, yeah, and spinning, the constant spinning, the trauma.

0:48:56.040 --> 0:49:02.480
<v Speaker 1>That trauma is trauma. I think the biggest thing is

0:49:02.560 --> 0:49:05.680
<v Speaker 1>just like I think, like from being an athlete to

0:49:05.960 --> 0:49:09.520
<v Speaker 1>like working in entertainment, the biggest difference is that, like

0:49:09.560 --> 0:49:14.440
<v Speaker 1>as an athlete, like if if you and myself were

0:49:14.480 --> 0:49:16.680
<v Speaker 1>to sit down and you're like, Okay, we're going to

0:49:16.760 --> 0:49:19.320
<v Speaker 1>get ready for the next Olympics, I could say okay,

0:49:19.360 --> 0:49:21.279
<v Speaker 1>and I would let you know every event you were

0:49:21.280 --> 0:49:23.080
<v Speaker 1>going to be doing, and I would let you know

0:49:23.160 --> 0:49:26.080
<v Speaker 1>your whole entire schedule for the next four years. You

0:49:26.080 --> 0:49:28.840
<v Speaker 1>would know everything. You'd be able to plan out every vacation,

0:49:29.040 --> 0:49:32.759
<v Speaker 1>every day off and um. An entertainment, you can be

0:49:32.800 --> 0:49:36.040
<v Speaker 1>doing nothing for four months and then you can be

0:49:36.080 --> 0:49:39.840
<v Speaker 1>working every day for three weeks, and then after that

0:49:39.880 --> 0:49:42.600
<v Speaker 1>three weeks, it's like more chunks of time. So it

0:49:42.680 --> 0:49:46.440
<v Speaker 1>was like learning yes, and and learning how to like

0:49:46.719 --> 0:49:49.960
<v Speaker 1>manage your time and learning how to like fill those

0:49:49.960 --> 0:49:53.240
<v Speaker 1>spaces of like how am I because I'm still an athlete,

0:49:53.239 --> 0:49:55.719
<v Speaker 1>like at heart, like how do how do I keep

0:49:55.760 --> 0:49:59.040
<v Speaker 1>improving without knowing that those things are coming? So it

0:49:59.120 --> 0:50:01.480
<v Speaker 1>was just like learning how to do that, which it's

0:50:01.480 --> 0:50:03.600
<v Speaker 1>fun and I feel like now more prepared for when

0:50:03.640 --> 0:50:08.680
<v Speaker 1>I do anything. Wow, what's an incredible story. Thank you

0:50:08.680 --> 0:50:10.360
<v Speaker 1>for sharing with me. I mean, I we could go

0:50:10.400 --> 0:50:12.799
<v Speaker 1>on and on, but that that's that's one book. You

0:50:12.880 --> 0:50:15.799
<v Speaker 1>got at least three more books. I mean, I'll tell

0:50:15.840 --> 0:50:18.600
<v Speaker 1>the publisher, I'll give you something too. I mean, these

0:50:18.600 --> 0:50:21.400
<v Speaker 1>shows are incredible. I can't I can't wait to watch

0:50:21.400 --> 0:50:23.399
<v Speaker 1>one of them. And I'm glad I learned that this one.

0:50:23.719 --> 0:50:26.040
<v Speaker 1>Did I miss anything? And is there another show you're

0:50:26.080 --> 0:50:30.600
<v Speaker 1>doing as well? Or is it just uh, it's the messiness,

0:50:32.120 --> 0:50:35.400
<v Speaker 1>it's messiness. And then I I sold a scripted comedy

0:50:35.440 --> 0:50:37.680
<v Speaker 1>to NBC that we're working on with them, and I

0:50:37.680 --> 0:50:41.200
<v Speaker 1>wrote it with two other really fabulous like writers. It

0:50:41.320 --> 0:50:43.279
<v Speaker 1>was it was really great. When I wrote the book,

0:50:43.320 --> 0:50:45.680
<v Speaker 1>I really fell in love with like writing. I always

0:50:45.680 --> 0:50:48.000
<v Speaker 1>have loved like being funny with everyone, but like, I

0:50:48.040 --> 0:50:49.800
<v Speaker 1>didn't know what I was going to how to write

0:50:49.840 --> 0:50:53.440
<v Speaker 1>a book. So I worked with a ghost writer at

0:50:53.480 --> 0:50:55.879
<v Speaker 1>first because I was like, Okay, I'll talk with them

0:50:55.880 --> 0:50:58.600
<v Speaker 1>and they'll help me write it. And then I basically

0:50:58.640 --> 0:51:00.800
<v Speaker 1>I think it was it turned into like a course

0:51:00.840 --> 0:51:03.080
<v Speaker 1>on how to write, where like they would help me

0:51:03.160 --> 0:51:07.840
<v Speaker 1>like like set up how to build the story, and

0:51:07.880 --> 0:51:09.799
<v Speaker 1>then I would go and I would like basically like

0:51:10.040 --> 0:51:12.440
<v Speaker 1>rewrite everything and then send it back to them and

0:51:12.480 --> 0:51:14.520
<v Speaker 1>they'd be like, change these few things. And it was like,

0:51:14.719 --> 0:51:17.000
<v Speaker 1>honestly was like going to school and it was the

0:51:17.040 --> 0:51:19.719
<v Speaker 1>best thing, and and it really helped me. So like

0:51:19.719 --> 0:51:22.239
<v Speaker 1>when we wanted to write this show, I felt like

0:51:22.400 --> 0:51:25.280
<v Speaker 1>very confident that I was able to like write and

0:51:25.280 --> 0:51:28.160
<v Speaker 1>and be funny like in written word on paper. So

0:51:28.280 --> 0:51:30.040
<v Speaker 1>like that it was. It was great. I loved it.

0:51:30.080 --> 0:51:33.839
<v Speaker 1>I writing is a lot of fun too. I want

0:51:33.840 --> 0:51:36.080
<v Speaker 1>to thank you so much. She was great, great talking

0:51:36.120 --> 0:51:39.359
<v Speaker 1>to you. Have a wonderful day there in Pasadena. Thank you,

0:51:39.520 --> 0:51:42.239
<v Speaker 1>and I'll come visit soon. Thank you Jeffrey so much.

0:51:43.719 --> 0:51:46.760
<v Speaker 1>Thanks very much for listening to Four Courses with Jeffreys

0:51:46.800 --> 0:51:49.400
<v Speaker 1>Z Carrion, a production of I Heart Radio and Corner

0:51:49.440 --> 0:51:53.280
<v Speaker 1>Table Entertainment. Four Courses is created by Jeffers Z Carrion,

0:51:53.480 --> 0:51:58.280
<v Speaker 1>Margaret Secarrion, Jared Kelly, and Tara Helper, our executive producer

0:51:58.360 --> 0:52:03.040
<v Speaker 1>is Christopher Hesiotis. Four Courses is produced by Jonathan Hawes Dressler.

0:52:03.400 --> 0:52:07.080
<v Speaker 1>Our research is conducted by Jescelyn Shields. Our talent booking

0:52:07.160 --> 0:52:11.080
<v Speaker 1>is by Pamela Bauer at Dogtown Talent. This episode was

0:52:11.239 --> 0:52:15.000
<v Speaker 1>edited and written by Priya Mahadevan and mixed by Joe Tistle.

0:52:15.440 --> 0:52:18.560
<v Speaker 1>Special thanks to Katie Fellman and Adam Rippon for help

0:52:18.600 --> 0:52:22.040
<v Speaker 1>as recording engineers. For more podcasts from My Heart Radio,

0:52:22.320 --> 0:52:25.480
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:52:25.560 --> 0:52:27.240
<v Speaker 1>you listen to your favorite shows.