1 00:00:00,760 --> 00:00:18,440 Speaker 1: I Am all In. I Am all In with Scott 2 00:00:18,440 --> 00:00:22,960 Speaker 1: Patterson and I Heart Radio podcast Everybody's Scott Patterson, I 3 00:00:23,000 --> 00:00:25,439 Speaker 1: Am all and podcast I Heart Radio one of lem productions. 4 00:00:25,480 --> 00:00:29,360 Speaker 1: You were here with Tara s for our Mini Soaked 5 00:00:30,200 --> 00:00:34,240 Speaker 1: for they shoot Gilmore's, don't they? Tara take it away? 6 00:00:34,920 --> 00:00:37,920 Speaker 1: All right? So let's start with Luke saying, oh hey, look, 7 00:00:38,040 --> 00:00:42,640 Speaker 1: there goes Tommy Tune. Tommy Tune is an American actor, dancer, singer, 8 00:00:42,720 --> 00:00:46,720 Speaker 1: theater director, producer, and choreographer. Over the course of his career, 9 00:00:46,840 --> 00:00:50,240 Speaker 1: he has won ten Tony Awards and the National Medal 10 00:00:50,280 --> 00:00:52,280 Speaker 1: of Arts, and has his own star on the Hollywood 11 00:00:52,280 --> 00:00:55,760 Speaker 1: Walk of Fame. Ironically, his height of six ft nine inches, 12 00:00:55,760 --> 00:00:59,240 Speaker 1: which he thought might be a hindrance, helped him to 13 00:00:59,400 --> 00:01:01,720 Speaker 1: gain his first part on Broadway as one of the 14 00:01:01,760 --> 00:01:04,280 Speaker 1: three tall men in the chorus of the musical Baker 15 00:01:04,319 --> 00:01:07,720 Speaker 1: Street And by the way, let me introduce Sammy Sugarman 16 00:01:07,800 --> 00:01:10,360 Speaker 1: as well and Daniel Romo. I didn't know that you 17 00:01:10,400 --> 00:01:13,080 Speaker 1: were going to stay on. I didn't mean to make 18 00:01:13,120 --> 00:01:17,399 Speaker 1: you feel left out or trying to push you to sure. 19 00:01:18,560 --> 00:01:22,440 Speaker 1: Everybody's got squirrel issues and you know, uh, sorry, guys, 20 00:01:22,440 --> 00:01:27,520 Speaker 1: I usually don't click out or do you You are 21 00:01:27,600 --> 00:01:31,520 Speaker 1: so famous now that they just know that's what it is. 22 00:01:33,880 --> 00:01:37,480 Speaker 1: You need no introduction. You know who the other two are. Anyway, 23 00:01:37,520 --> 00:01:42,320 Speaker 1: go ahead, alright, let's jump twin. Taylor says the Tennessee 24 00:01:42,319 --> 00:01:45,480 Speaker 1: Williams look like contest last month put us right over 25 00:01:45,560 --> 00:01:49,480 Speaker 1: the top. So. Tennessee Williams was an American playwright and screenwriter, 26 00:01:49,720 --> 00:01:52,800 Speaker 1: and he's considered among the three foremost playwrights of the 27 00:01:52,840 --> 00:01:57,200 Speaker 1: twentieth century American drama. Um. He's a fan of Meryl Streep, 28 00:01:57,240 --> 00:01:59,520 Speaker 1: and he once said if Hollywood were to remake a 29 00:01:59,560 --> 00:02:02,960 Speaker 1: street a named Desire, he would prefer Meryl Streep to 30 00:02:03,040 --> 00:02:09,799 Speaker 1: play Blanche Dubos du Bois. Sorry, guys, Um, I don't 31 00:02:09,800 --> 00:02:13,160 Speaker 1: know that's not good casting. I don't think. I mean 32 00:02:13,280 --> 00:02:15,520 Speaker 1: Vivianly it was perfect because she was like that nervous 33 00:02:17,000 --> 00:02:20,680 Speaker 1: kind of crazy bird, you know, very light, light, airy 34 00:02:20,960 --> 00:02:24,320 Speaker 1: kind of a personality. I'm sure Maryle could do it. 35 00:02:25,120 --> 00:02:31,160 Speaker 1: Ye can do anything. She's the queen. Vivian Lee was, 36 00:02:31,400 --> 00:02:35,919 Speaker 1: you know, Laurence Olivier's wife. She was right up there. Um, 37 00:02:36,040 --> 00:02:42,120 Speaker 1: I don't know. These are all very old timing references. Yeah, yeah, 38 00:02:42,560 --> 00:02:45,880 Speaker 1: Also Tennessee Williams in a near death experience. Rita Ora 39 00:02:45,919 --> 00:02:47,840 Speaker 1: would have been great. I think Rita Ora would have 40 00:02:47,840 --> 00:02:50,720 Speaker 1: been great. Yeah, Rihanna that she should have been great. 41 00:02:51,040 --> 00:02:56,200 Speaker 1: She would be great in that part you know slicker 42 00:02:56,480 --> 00:03:00,480 Speaker 1: X you know see Charlie x SA. She'd be great. Yeah. 43 00:03:00,600 --> 00:03:07,640 Speaker 1: Now we're up to day. What's its Charlie x X. 44 00:03:11,160 --> 00:03:13,440 Speaker 1: Oh my gosh, I let's move to the next one. 45 00:03:13,520 --> 00:03:16,200 Speaker 1: Taylor says, you would kick Tiny Tim's crutch out from 46 00:03:16,240 --> 00:03:19,480 Speaker 1: under him, wouldn't you. Tiny Tim is a fictional character 47 00:03:19,919 --> 00:03:24,440 Speaker 1: from the eight novella A Christmas Carol by Charles Dickens, 48 00:03:24,520 --> 00:03:27,440 Speaker 1: who was a crippled boy. His quote at the end 49 00:03:27,440 --> 00:03:30,320 Speaker 1: of A Christmas Carol saying God bless us everyone, is 50 00:03:30,320 --> 00:03:32,160 Speaker 1: one of the most famous quotes of all time from 51 00:03:32,160 --> 00:03:35,640 Speaker 1: a play. Um I AMDB list more than a hundred 52 00:03:35,720 --> 00:03:38,720 Speaker 1: versions of A Christmas Carol, including a video game nine 53 00:03:39,320 --> 00:03:44,360 Speaker 1: eight short starring um Tom Ricketts, and also a two 54 00:03:44,400 --> 00:03:48,600 Speaker 1: thousand fifteen TV movie A Christmas Carol and Zombies. M hmm, 55 00:03:49,200 --> 00:03:52,680 Speaker 1: just old timey, old timey, old time now that I'm 56 00:03:52,720 --> 00:03:59,280 Speaker 1: reading through them like out loud, Christmas Carol, Merole really 57 00:03:59,280 --> 00:04:09,080 Speaker 1: should have played a boy, Charlie X people oh Man. 58 00:04:09,160 --> 00:04:11,080 Speaker 1: All right, so Maxille and Lorel, I says, with a 59 00:04:11,120 --> 00:04:14,840 Speaker 1: little encouragement, I could have been the seor Winces of 60 00:04:15,040 --> 00:04:19,920 Speaker 1: the vegetable set. Senor winzes Marino was a Spanish ventriloquist 61 00:04:19,960 --> 00:04:24,280 Speaker 1: and comedian. His popularity grew with his frequent television appearances 62 00:04:24,360 --> 00:04:27,880 Speaker 1: on CBS is At Sullivan Show during the nineteen fifties 63 00:04:27,920 --> 00:04:31,240 Speaker 1: and sixties. Later, he became popular with another generation of 64 00:04:31,240 --> 00:04:35,919 Speaker 1: fans on The Muppets Show. Can anyone talk without moving 65 00:04:35,960 --> 00:04:50,200 Speaker 1: their their mouth? I don't know, can you? M hmmm good? 66 00:04:51,600 --> 00:05:05,200 Speaker 1: Decided to have on il later on I a cloggety good? 67 00:05:05,279 --> 00:05:09,040 Speaker 1: Why is it so hard to watch? He's just not moving. 68 00:05:09,760 --> 00:05:12,839 Speaker 1: It's creepy, though, except trying to say bes his lips 69 00:05:12,920 --> 00:05:16,960 Speaker 1: kind of did I get the job? Did I get 70 00:05:16,960 --> 00:05:19,400 Speaker 1: the job? Did I get the job? You got the job? 71 00:05:23,440 --> 00:05:25,400 Speaker 1: All right? So this is the next one where Laura 72 00:05:25,440 --> 00:05:33,520 Speaker 1: anything from the current century. I'm just wondering, Yes, God 73 00:05:33,520 --> 00:05:45,840 Speaker 1: to work, work work, work, work, ark work lark. I mean, 74 00:05:45,880 --> 00:05:49,800 Speaker 1: you can say Rihanna is some kind of adventuloquist herself, right, 75 00:05:50,440 --> 00:05:54,159 Speaker 1: because she's she's sort of she's just like a major 76 00:05:54,200 --> 00:05:57,480 Speaker 1: super vessel for all the great old timey singers right 77 00:05:57,839 --> 00:06:01,120 Speaker 1: coming through her. I mean, this is a sound she. 78 00:06:01,240 --> 00:06:03,120 Speaker 1: I mean when she opens her mouth and the sound 79 00:06:03,200 --> 00:06:07,240 Speaker 1: that comes out, it's like wow, right, that's why she's 80 00:06:07,240 --> 00:06:10,560 Speaker 1: a superstar. Yeah, she's got this voice. It is like 81 00:06:10,760 --> 00:06:14,280 Speaker 1: no one's ever heard before. It's like, geez, listen to this, right? 82 00:06:14,279 --> 00:06:17,640 Speaker 1: Am I wrong? Cool? Rihanna is just so right. But 83 00:06:17,680 --> 00:06:19,400 Speaker 1: I mean that comes out in her voice. It's like 84 00:06:19,600 --> 00:06:25,600 Speaker 1: it's like whoa, yeah you and everything about her huh. 85 00:06:28,360 --> 00:06:31,279 Speaker 1: So the next one is when Lorela realizes that she 86 00:06:31,279 --> 00:06:33,640 Speaker 1: doesn't have a dance partner anymore, and she says, miss 87 00:06:33,680 --> 00:06:35,479 Speaker 1: Patty showed his wife a picture of me, and she 88 00:06:35,520 --> 00:06:38,279 Speaker 1: thinks I look like Elizabeth Taylor, which makes her Debbie 89 00:06:38,360 --> 00:06:41,240 Speaker 1: Reynolds and him Eddie Fisher. He's no Eddie Fisher, trust 90 00:06:41,240 --> 00:06:45,800 Speaker 1: me Fisher Stevens maybe Stevens. I like Fisher Stevens. I 91 00:06:45,800 --> 00:06:51,080 Speaker 1: thought that was an uncalled for dig. She digs people. 92 00:06:51,240 --> 00:06:54,680 Speaker 1: You know. Sure Stevens was married to Michelle Peiffer, so like, 93 00:06:54,800 --> 00:06:59,440 Speaker 1: guess what whatever he's doing pretty well, yeah he's not married. 94 00:06:59,480 --> 00:07:03,600 Speaker 1: To tell you my Michelle Fifer story, give it to 95 00:07:03,720 --> 00:07:07,600 Speaker 1: us again, just for another time. That'll be a whole 96 00:07:07,600 --> 00:07:09,800 Speaker 1: episode that's gonna be, that's gonna take time. Was it 97 00:07:09,840 --> 00:07:14,360 Speaker 1: in the Greece to Michelle Phifer Era or the Fabulous 98 00:07:14,440 --> 00:07:18,240 Speaker 1: Baker Boys? Michelle? This is this is this is post 99 00:07:18,800 --> 00:07:27,200 Speaker 1: um dangerous liaisons. So we're talking like nine. Maybe it 100 00:07:27,240 --> 00:07:30,720 Speaker 1: was called the Fabulous Baker Boys. Yeah, pardon me, I 101 00:07:30,760 --> 00:07:36,760 Speaker 1: called him brothers, the Fabulous Baker Boys. Yeah, again not 102 00:07:36,960 --> 00:07:42,440 Speaker 1: a current pop culture reference with Eddie Fisher Debbie Reynolds, 103 00:07:42,480 --> 00:07:44,960 Speaker 1: but I love it. This was this was a juicy 104 00:07:45,000 --> 00:07:47,800 Speaker 1: one back this one. The next one we actually referenced 105 00:07:47,840 --> 00:07:51,040 Speaker 1: in our other episode. Lizabeth. Elizabeth Taylor used to get 106 00:07:51,040 --> 00:07:53,400 Speaker 1: married like she was changing her shoes, you know what 107 00:07:53,440 --> 00:07:57,640 Speaker 1: I mean, back in the day. And that was dramatic 108 00:07:57,640 --> 00:08:00,280 Speaker 1: because she was married to She was married to Richard Burton. 109 00:08:01,560 --> 00:08:05,040 Speaker 1: He was married to Eddie Fisher. And then there was 110 00:08:05,680 --> 00:08:08,320 Speaker 1: it like got broken up by Elizabeth Taylor, right, do 111 00:08:08,440 --> 00:08:11,400 Speaker 1: I have that right? Eddie Reynolds was married to Eddie Fisher, 112 00:08:11,440 --> 00:08:14,360 Speaker 1: Carrie Fisher's dad, and Debbie Roynolds is the mom, and 113 00:08:14,400 --> 00:08:19,680 Speaker 1: then the drama was with Elizabeth Taylor. Taylor was yeah, yeah, 114 00:08:19,680 --> 00:08:21,960 Speaker 1: we have it right. Apparently she had very pretty eyes. 115 00:08:24,640 --> 00:08:27,760 Speaker 1: They're amazing. You look at a photo. Look at the photo. 116 00:08:27,840 --> 00:08:30,520 Speaker 1: Show your squirrel the photo. Maybe the squirrel like stop, 117 00:08:31,000 --> 00:08:33,760 Speaker 1: like you can catch them, stun him with the eyes 118 00:08:33,760 --> 00:08:38,440 Speaker 1: of Elizabeth Taylor. That's a good idea, Thank you. Who had? 119 00:08:38,720 --> 00:08:41,200 Speaker 1: Oh god, there's a really funny Taylor's head shot for 120 00:08:41,240 --> 00:08:43,400 Speaker 1: pest control. There you go. There's a really funny Emma 121 00:08:43,440 --> 00:08:45,800 Speaker 1: Stone story where she thought she was talking to Elizabeth 122 00:08:45,800 --> 00:08:48,280 Speaker 1: Taylor and it wasn't Elizabeth Taylor. I don't even think 123 00:08:48,320 --> 00:08:51,280 Speaker 1: Elizabeth Taylor was alive at the time. Who guys have 124 00:08:51,320 --> 00:08:54,720 Speaker 1: to watch anyway, go ahead. So the next one we 125 00:08:54,840 --> 00:08:57,720 Speaker 1: referenced in our other episode where Paris says Madeleine or 126 00:08:57,760 --> 00:09:01,960 Speaker 1: may I call you Spaccoli Speccoli is a fictional character 127 00:09:02,040 --> 00:09:05,920 Speaker 1: played by Sean Penn and Fast Times at Ridgemont High Um. 128 00:09:05,920 --> 00:09:11,720 Speaker 1: He's known as the Quin's attention Quincy Quintessential Quintessential You guys, 129 00:09:11,720 --> 00:09:19,520 Speaker 1: I'm like tongue twisting day quint Quintessential High School. During 130 00:09:19,559 --> 00:09:22,160 Speaker 1: shooting of the film, Sean Penn got so into character 131 00:09:22,280 --> 00:09:24,760 Speaker 1: that he only answered as Speccoli. In fact, the door 132 00:09:24,800 --> 00:09:27,920 Speaker 1: in his dressing room was labeled Speccoli instead. Of Sean Penn. 133 00:09:29,559 --> 00:09:39,200 Speaker 1: Kind of like that. That explains a lot, all right. 134 00:09:39,240 --> 00:09:42,120 Speaker 1: So the next one, Rory says, my mother, the Howard 135 00:09:42,200 --> 00:09:46,080 Speaker 1: Rourke of Stars Hollow, These are really old, tiny reference. 136 00:09:47,200 --> 00:09:49,400 Speaker 1: Howard Rourke is a fictional character from the Book of 137 00:09:49,400 --> 00:09:52,800 Speaker 1: the fountain Head. His character is a brilliant young architect 138 00:09:53,720 --> 00:09:57,160 Speaker 1: whose bold and innovative designs are rejected by large segments 139 00:09:57,160 --> 00:10:00,720 Speaker 1: of society. Work was based on the legendary architect Frank 140 00:10:00,840 --> 00:10:06,160 Speaker 1: Lloyd Right. Frank Lloyd Right loves loves cars. Um Right 141 00:10:06,320 --> 00:10:08,560 Speaker 1: is said to have owned more than fifty cars in 142 00:10:08,600 --> 00:10:12,120 Speaker 1: his adult life, staggering number considering he was born two 143 00:10:12,120 --> 00:10:15,520 Speaker 1: decades before the invention of the automobile. His love for 144 00:10:15,600 --> 00:10:20,480 Speaker 1: cars informed the ramp design of his final project, The 145 00:10:20,520 --> 00:10:25,560 Speaker 1: Gun Googenheim A musing him in New York City. You 146 00:10:25,559 --> 00:10:29,560 Speaker 1: guys like, I just can't with these salts references. But 147 00:10:29,720 --> 00:10:32,400 Speaker 1: so that was that one. Let's move to the next one, 148 00:10:32,440 --> 00:10:36,240 Speaker 1: where Andrew says you went out with Liam Neeson. Liam 149 00:10:36,280 --> 00:10:39,000 Speaker 1: Neeson is the Oscar nominated actor known for his work 150 00:10:39,040 --> 00:10:42,200 Speaker 1: in Schindler's List and the Taken franchise. I love taking 151 00:10:42,480 --> 00:10:47,440 Speaker 1: taking such as wasn't that great? Under the bed, and 152 00:10:47,480 --> 00:10:49,679 Speaker 1: he's like, keep the phone on as long as you can. 153 00:10:49,920 --> 00:10:53,720 Speaker 1: And at about thirty seconds there, like the scariest thing 154 00:10:53,720 --> 00:10:55,960 Speaker 1: ever is going to happen. You need to because you 155 00:10:55,960 --> 00:10:58,800 Speaker 1: need to focus right the five ten seconds to determine 156 00:10:58,800 --> 00:11:01,480 Speaker 1: the rest of your life. Now focus, these men are 157 00:11:01,480 --> 00:11:05,360 Speaker 1: going him to take you described shout out to me 158 00:11:05,800 --> 00:11:13,080 Speaker 1: anything tattoos, marking, hair color, shoes. Um William Neason expected 159 00:11:13,120 --> 00:11:15,280 Speaker 1: the film to bomb, but he signed on in order 160 00:11:15,320 --> 00:11:20,079 Speaker 1: to spend four months in Paris and learned karate right, 161 00:11:25,000 --> 00:11:27,480 Speaker 1: like anything good possible, Believe me better. I just turned 162 00:11:27,480 --> 00:11:31,400 Speaker 1: into and like not only ironically it was like the 163 00:11:31,440 --> 00:11:33,760 Speaker 1: film was a massive hit but created a new on 164 00:11:33,880 --> 00:11:38,199 Speaker 1: screen image for him as an action hero. Fun fact, 165 00:11:38,240 --> 00:11:42,800 Speaker 1: did you know he's a fly fishing enthusiast? Yeah? Somebody 166 00:11:42,800 --> 00:11:49,839 Speaker 1: else who Henry Winkler. Oh, very calming, very peaceful, nice 167 00:11:51,120 --> 00:11:53,720 Speaker 1: al right. The next one, Rory says, yeah, he's a regular. 168 00:11:53,840 --> 00:11:58,199 Speaker 1: Martha Graham Martha Graham was an American modern dancer and choreographer. 169 00:11:58,200 --> 00:12:01,640 Speaker 1: Her style, the Graham technique, shaped American dance and is 170 00:12:01,679 --> 00:12:04,720 Speaker 1: still taught worldwide. She was the first dancer to perform 171 00:12:04,760 --> 00:12:07,480 Speaker 1: at the White House and she got a presidential Medal 172 00:12:07,520 --> 00:12:11,000 Speaker 1: of Freedom and Dance and choreographed for more than seventy years. 173 00:12:13,720 --> 00:12:16,640 Speaker 1: Then we moved to lane saying no one asked for 174 00:12:16,640 --> 00:12:22,760 Speaker 1: a Tony Minnaro want to be to drop by? Was 175 00:12:22,800 --> 00:12:26,440 Speaker 1: that what Tony Manaro? West Side stories? John Travalta's character, 176 00:12:29,400 --> 00:12:31,760 Speaker 1: It works so hard on the hair. My hair don't 177 00:12:31,800 --> 00:12:38,160 Speaker 1: touch the hair, but my in my hair, right, thank you. 178 00:12:39,880 --> 00:12:42,400 Speaker 1: John Travalta ran two miles a day and dance for 179 00:12:42,480 --> 00:12:45,080 Speaker 1: three hours daily to get in shape with a film. 180 00:12:45,120 --> 00:12:48,880 Speaker 1: In the end, he dropped twenty pounds and the white 181 00:12:48,880 --> 00:12:52,760 Speaker 1: polyester suit worn by Travolta, um auctioned off for a 182 00:12:52,800 --> 00:12:55,840 Speaker 1: hundred and forty five thousand dollars, was purchased by movie 183 00:12:55,880 --> 00:13:02,000 Speaker 1: critic Jeane Cisco, cid, how do you not know Ebert 184 00:13:02,000 --> 00:13:06,560 Speaker 1: and Cisco? Yeah, how do you not know the order 185 00:13:06,600 --> 00:13:16,120 Speaker 1: of their names? I correct a corrector? Correct correct? That 186 00:13:17,320 --> 00:13:25,480 Speaker 1: needs to be our new catch for corrector and as 187 00:13:25,520 --> 00:13:33,840 Speaker 1: we do it constantly. Suit was discovered in London after 188 00:13:33,960 --> 00:13:37,520 Speaker 1: international search by Victoria and Albert Museum. It was confirmed 189 00:13:37,559 --> 00:13:42,560 Speaker 1: and authenticated as the real suit. All right, the next one. 190 00:13:42,600 --> 00:13:45,440 Speaker 1: We talked about this many times. Greece girl, myself, I 191 00:13:45,480 --> 00:13:48,320 Speaker 1: am too. To be honest, Amy's favorite reference coming in 192 00:13:48,440 --> 00:13:51,880 Speaker 1: hot Ready and Shane says, who are you? Bobby Brady? 193 00:13:51,960 --> 00:13:56,360 Speaker 1: Get a life line of the episode. I've seen every 194 00:13:56,360 --> 00:13:58,320 Speaker 1: episode of The Brady Bunch almost as many times as 195 00:13:58,320 --> 00:14:00,920 Speaker 1: I've seen I think too, I probably seen them more 196 00:14:00,920 --> 00:14:03,200 Speaker 1: because they were thirty thirty minutes, so they really Have 197 00:14:03,240 --> 00:14:06,920 Speaker 1: you seen the movies like those Weirds? First of all, 198 00:14:07,480 --> 00:14:10,600 Speaker 1: they're great. I can't look at Christine Taylor, you know, 199 00:14:10,640 --> 00:14:16,120 Speaker 1: Ben still Stiller's wife without just thinking Marsha Marsham. When 200 00:14:16,280 --> 00:14:19,320 Speaker 1: when I was doing Little Big League in Minneapolis and 201 00:14:19,480 --> 00:14:22,360 Speaker 1: Chicago and Boston and all that, it was my first 202 00:14:23,520 --> 00:14:25,240 Speaker 1: it was a big movie. Yeah, it was supposed to 203 00:14:25,240 --> 00:14:27,880 Speaker 1: be some big movie, but it tanked because they released 204 00:14:27,880 --> 00:14:33,800 Speaker 1: it in in between um, the Lion King and Forrest Gump. 205 00:14:34,240 --> 00:14:37,080 Speaker 1: Who was in it? Was it kids, It's like Jason Robards, 206 00:14:37,120 --> 00:14:40,960 Speaker 1: Timothy Bussfield, Yeah it was. It was like, it's supposed 207 00:14:40,960 --> 00:14:44,360 Speaker 1: to be a PG rated, sweet little baseball movie, right, 208 00:14:44,520 --> 00:14:46,520 Speaker 1: and they kind of made it a little too precious 209 00:14:46,560 --> 00:14:49,240 Speaker 1: for its own good. Um, the original script was really 210 00:14:49,280 --> 00:14:51,200 Speaker 1: kind of edgy and fun and funny and all that stuff, 211 00:14:51,200 --> 00:14:53,400 Speaker 1: but they kind of was sit out the main character 212 00:14:53,400 --> 00:14:56,440 Speaker 1: a little boy and hair teeth. But one one of 213 00:14:56,440 --> 00:14:59,600 Speaker 1: the assistants for the director Andrew Scheinman, is Deborah Capham. 214 00:14:59,640 --> 00:15:03,200 Speaker 1: Debreakh Kaplan wrote with her her writing partner, the first 215 00:15:03,280 --> 00:15:07,120 Speaker 1: Brady Bunch film and went on to become a very 216 00:15:07,120 --> 00:15:12,120 Speaker 1: successful screenwriter. Isn't it interesting? And she would talk about 217 00:15:12,160 --> 00:15:18,120 Speaker 1: the writing of we're doing this thing spoofy s so 218 00:15:18,400 --> 00:15:22,360 Speaker 1: this other thing. This was in the maybe nineties early aughts, 219 00:15:22,520 --> 00:15:26,880 Speaker 1: as they say, uh, they did this stage play of 220 00:15:26,960 --> 00:15:29,760 Speaker 1: The Brady Bunch, and I remember going in Westwood. They 221 00:15:29,760 --> 00:15:34,080 Speaker 1: would read word for word the Brady Bunch script these actors, 222 00:15:34,120 --> 00:15:37,040 Speaker 1: but the way they would act it, it was word 223 00:15:37,080 --> 00:15:40,600 Speaker 1: for word, but it was so hilarious, like so it's just, 224 00:15:41,000 --> 00:15:44,560 Speaker 1: you know, six eight actors recreating the exact word for 225 00:15:44,600 --> 00:15:46,160 Speaker 1: word script of the Brady Bunch. And it was called 226 00:15:46,160 --> 00:15:49,440 Speaker 1: like the real Brady Bunches, Like, oh my god. The 227 00:15:49,480 --> 00:15:51,680 Speaker 1: scripts are actually kind of hilarious because they're sort of 228 00:15:51,800 --> 00:15:56,320 Speaker 1: so unbelievable on a great show. What a great show, 229 00:15:57,840 --> 00:16:03,520 Speaker 1: a great show, and movies are hysterical, they really are. 230 00:16:04,880 --> 00:16:09,120 Speaker 1: He's my favorite Brady, though, Peter is my favorite Brady. 231 00:16:09,200 --> 00:16:13,560 Speaker 1: Peter totally I don't get Greg makes, I don't know Peter. 232 00:16:16,440 --> 00:16:19,280 Speaker 1: All right, let's move into the last one, where Jackson 233 00:16:19,280 --> 00:16:22,120 Speaker 1: says that does anyone here understand that a man has 234 00:16:22,160 --> 00:16:24,520 Speaker 1: a right to not have his personal life debated in 235 00:16:24,560 --> 00:16:29,680 Speaker 1: a public forum? I'm not Winona writer ouch Burn, which 236 00:16:31,880 --> 00:16:39,160 Speaker 1: was because of the shop lifting. Yeah, yeah, yeah. And 237 00:16:39,240 --> 00:16:42,120 Speaker 1: she's best known actress, best known for her roles in Beetlejuice, 238 00:16:42,800 --> 00:16:45,920 Speaker 1: Scissor Hands and more. And she dated Johnny things. Hello, 239 00:16:45,960 --> 00:16:48,240 Speaker 1: I know Johnny Depp probably didn't. He should have taken 240 00:16:48,240 --> 00:16:50,760 Speaker 1: a lesson to that back then and said, well, don't 241 00:16:50,800 --> 00:16:53,720 Speaker 1: put your whole life out there. Although the best show 242 00:16:53,720 --> 00:16:55,920 Speaker 1: on television right now is the Johnny Depp Ammer. I 243 00:16:55,960 --> 00:17:01,240 Speaker 1: mean it's back, no question, no question. I went to yogurt. 244 00:17:01,240 --> 00:17:03,520 Speaker 1: I went to the yogurt plays in San Francisco and 245 00:17:03,560 --> 00:17:06,480 Speaker 1: the tip jar there was two tip jars, and one 246 00:17:06,520 --> 00:17:10,280 Speaker 1: said Amber heard, and one said Johnny depth. And Amber 247 00:17:10,320 --> 00:17:13,080 Speaker 1: doesn't even have like a penny. Yeah, the Starbucks by 248 00:17:13,160 --> 00:17:19,920 Speaker 1: me has that. That's great, brilliant funny. You shouldn't joke 249 00:17:20,000 --> 00:17:24,280 Speaker 1: because it is serious. It is serious, but also you 250 00:17:24,320 --> 00:17:27,280 Speaker 1: can't also like his reactions in court are just like 251 00:17:27,840 --> 00:17:30,240 Speaker 1: you can't you just kind of it's like a very 252 00:17:30,280 --> 00:17:34,239 Speaker 1: serious thing. So we understand that. But then also the 253 00:17:34,280 --> 00:17:37,960 Speaker 1: TikTok's people are making giving me life. I mean when 254 00:17:38,000 --> 00:17:40,919 Speaker 1: they recreate what she's saying, well, and then when he 255 00:17:40,960 --> 00:17:42,760 Speaker 1: walks into the courtroom and then they play like the 256 00:17:42,800 --> 00:17:51,360 Speaker 1: Sexies or Saturday Night Life spoofed it. I haven't watched yet. 257 00:17:51,359 --> 00:17:54,800 Speaker 1: I need to watch that. Well, that's it for pop culture. 258 00:17:56,520 --> 00:18:02,240 Speaker 1: I love the current ones. It's harder for old rough 259 00:18:02,920 --> 00:18:05,159 Speaker 1: it was just very old time because I'm like, I 260 00:18:05,200 --> 00:18:08,960 Speaker 1: don't know who these people are. That's that's why we're here. 261 00:18:09,000 --> 00:18:11,440 Speaker 1: Now we have and I'm like forty eight, so it's like, 262 00:18:11,520 --> 00:18:15,280 Speaker 1: think of these twenty year old they probably are like what, Actually, 263 00:18:15,280 --> 00:18:19,000 Speaker 1: there is an Instagram message from someone saying people do 264 00:18:19,160 --> 00:18:21,360 Speaker 1: know the older references. I need to find that Instagram 265 00:18:21,400 --> 00:18:26,600 Speaker 1: message they do. There's look, there's people of all ages 266 00:18:26,680 --> 00:18:29,640 Speaker 1: watch the show. They really do, and if they don't 267 00:18:29,680 --> 00:18:33,119 Speaker 1: know somebody, they'll look them up. They're very stutid stute 268 00:18:33,240 --> 00:18:35,520 Speaker 1: is also or they just listened to our pop culture. 269 00:18:36,560 --> 00:18:39,120 Speaker 1: I know all they need to know. They just hit play. 270 00:18:39,160 --> 00:18:43,240 Speaker 1: They don't need Yeah, we got your back. Everyone listening. 271 00:18:43,280 --> 00:18:46,760 Speaker 1: We got you right man. That is it for this 272 00:18:47,000 --> 00:18:50,800 Speaker 1: pop culture miniso. Thank you ladies. Always good to get 273 00:18:50,840 --> 00:18:54,600 Speaker 1: together and chew the fat, chew the Gilmore fat a 274 00:18:54,600 --> 00:18:58,879 Speaker 1: little bit with y'all. So all the best and we'll 275 00:18:59,040 --> 00:19:03,920 Speaker 1: see you next time. Stay say everyone. H