WEBVTT - Don't Put All Your Eggs in One Basket

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<v Speaker 1>It's nine O Genegen with Jenny Garth and Tory Spelling.

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<v Speaker 2>Oh boy, you guys, we are here with another episode

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<v Speaker 2>of nine O two one O MG. And Toy's here,

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<v Speaker 2>Amy's here, Jenny's here, We're all here.

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<v Speaker 3>We're here, We're here.

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<v Speaker 1>Sometimes I wish everyone listening could get them behind the

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<v Speaker 1>scenes like I get.

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<v Speaker 2>Well, they basically do because we have not a lot

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<v Speaker 2>of filters, so what goes on in the next hour

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<v Speaker 2>is basically behind the scenes.

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<v Speaker 3>I'm welcome what we just got to view your hot pants? Joy,

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<v Speaker 3>So everybody and Jen? What were they?

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<v Speaker 2>Amy, just for the record, has taken this podcasting casual

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<v Speaker 2>apparel to the next level. And she's wearing hot pants.

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<v Speaker 2>That's right, hot pants, but they have a dalmation pattern

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<v Speaker 2>on them, which I.

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<v Speaker 1>Look normal on top, but I was running into the

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<v Speaker 1>room and the camera was on.

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<v Speaker 3>Jesus, you guys don't weary my pajamas on the bottom.

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<v Speaker 3>I'm just wearing underwear. That's okay.

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<v Speaker 4>We both said hotpants, but I feel like that's our generation.

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<v Speaker 3>The booty shorts they called their back too. I know.

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<v Speaker 1>What's crazy is how much of the fashion in this

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<v Speaker 1>season is back.

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<v Speaker 3>Yes, because the crop tops, it's so good.

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<v Speaker 1>What what Donna Ward of the fraternity party.

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<v Speaker 3>Now we haven't already introduced the episode yet. Good lord woman,

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<v Speaker 3>there's an order. I think hot pants.

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<v Speaker 2>You need a gavel, like you need a gvel, So

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<v Speaker 2>you know what, I have a gavel?

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<v Speaker 3>Oh my god? Oh yeah, that would be good.

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<v Speaker 4>Get it.

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<v Speaker 3>And when we go off track, you coop, I know

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<v Speaker 3>I gotta fight Jenn. He brings out dad's gavel. He

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<v Speaker 3>was a teacher and he had a gavel on his desk. Oh,

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<v Speaker 3>that'spen I need that. Brandon was aggressive with that.

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<v Speaker 2>Yeah the ex Okay, okay, guys, guys, guys go back.

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<v Speaker 2>Season five, episode four, Life After Death aired September twenty eighth,

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<v Speaker 2>nineteen ninety four.

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<v Speaker 4>Synopsis. Brandon is devastated by Josh's death, and Kelly can't

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<v Speaker 4>seem to make him feel better. Dylan and Valerie bond

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<v Speaker 4>over the loss of their dads. Claire starts falling for David,

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<v Speaker 4>but has no idea he's done his former love yikes. Meanwhile,

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<v Speaker 4>missus Martin sets Donna up on a blind date with

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<v Speaker 4>the boy she already had her eyes on, and Steve

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<v Speaker 4>gets saved by Brandon after the cops show up at

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<v Speaker 4>his frat party.

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<v Speaker 3>This was an action packed episode. I will say this.

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<v Speaker 3>I mean not like you know.

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<v Speaker 2>This was the aftermath of Josh dying, so there was

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<v Speaker 2>no big blow ups or big things that really happened, But.

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<v Speaker 3>There was just a lot of stories going on.

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<v Speaker 1>Yes, half of which were amazing and then half of

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<v Speaker 1>which were a little bit snoozy, snoozy little yeah.

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<v Speaker 3>I don't know. It had me all feeling nine O

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<v Speaker 3>two one OHI yeah, yes, yeah, it was a real

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<v Speaker 3>it last week.

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<v Speaker 5>This is.

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<v Speaker 3>Full on. I really liked the writing in this episode.

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<v Speaker 2>Wait and I didn't even say It was directed by

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<v Speaker 2>James Whitmore Junior and written by Jessica Klein and Steve Wasserman.

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<v Speaker 2>So that explains that because there were our faves, Yes, totally.

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<v Speaker 4>There was the banter perspective and a femaletive.

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<v Speaker 1>Yeah, there was the witty, sort of cheesy banter which

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<v Speaker 1>I got a lot of messages that people love.

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<v Speaker 3>The double Icondre, even though I was like it's barf.

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<v Speaker 3>A lot of people loved that.

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<v Speaker 1>They do really, yes, oh yes, there's a lot of

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<v Speaker 1>Valerie Dylan people.

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<v Speaker 3>We oh, okay say more. Yeah, they just think it's

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<v Speaker 3>great and that I was wrong, which, okay, sure, I.

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<v Speaker 2>Don't like that all that sex banter either that all

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<v Speaker 2>that you know, dirty in your windows.

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<v Speaker 3>There we have some of it again, and so I

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<v Speaker 3>tried to be more open minded to it. Well we

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<v Speaker 3>can get to it. But she definitely it wasn't.

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<v Speaker 2>Crazy y, no, big, Clearly you want to jump in

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<v Speaker 2>and talk about Val and Dylan.

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<v Speaker 3>So let's just do it. I mean, I'm kind of

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<v Speaker 3>down to do it.

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<v Speaker 4>I didn't remember what may may I just bring this up?

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<v Speaker 4>What should we however, maybe start with Josh so we

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<v Speaker 4>get the sad part out of the way and then

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<v Speaker 4>can go fun.

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<v Speaker 3>Okay, fine, because it does idea.

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<v Speaker 4>Actually I'm just saying, I'm just saying, well, we can't

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<v Speaker 4>really start with Josh because Josh is dead.

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<v Speaker 3>Go okay, we're done.

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<v Speaker 4>And next storyline.

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<v Speaker 3>I know, I have a few thoughts Kelly.

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<v Speaker 1>Kelly is aware that she doesn't always say quite the

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<v Speaker 1>right thing, because we've seen almost that exact moment play out.

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<v Speaker 3>But then yet she does find a way to say

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<v Speaker 3>exactly the right thing.

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<v Speaker 5>I know.

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<v Speaker 2>I feel like this is another example when she's like

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<v Speaker 2>in a situation she doesn't really know how to handle it,

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<v Speaker 2>so she just gets quiet, like she doesn't say anything,

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<v Speaker 2>and that's kind of seen as not understanding or not compassionate.

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<v Speaker 3>But she doesn't know what to say or do. I mean,

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<v Speaker 3>who knows, especially at that age, what to say or

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<v Speaker 3>do in this situation when your boyfriend's just had this

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<v Speaker 3>happen to him.

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<v Speaker 4>True, but I thought it was a really nice build

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<v Speaker 4>from the beginning of where she didn't know what to

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<v Speaker 4>say and how it was misinterpreted by Brandon to the

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<v Speaker 4>end scene, which you were brilliant in.

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<v Speaker 3>I love that scene.

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<v Speaker 2>Yeah, I was happy that she went to talk to

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<v Speaker 2>Andrea and those two. You know, Andrea kind of does

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<v Speaker 2>that with Donna, she does it with all the characters,

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<v Speaker 2>really give them that sage advice, just like she does

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<v Speaker 2>in real life gab So it works. And I always

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<v Speaker 2>love those cutes because it's it's like the dynamics of

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<v Speaker 2>us in real life.

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<v Speaker 3>Wait, that's cute.

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<v Speaker 1>So is that you kind of would go to Gabrielle

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<v Speaker 1>for that same kind of advice, wisdom.

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<v Speaker 3>Calm, go to I was gonna say the same explain

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<v Speaker 3>like she was just there, or she would she would

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<v Speaker 3>be willing to give the advice. She's just there. In

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<v Speaker 3>your moment of need.

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<v Speaker 2>And she is just very she knows when to speak

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<v Speaker 2>and when you need to hear something.

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<v Speaker 4>Yeah, in a mature way that when we were young

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<v Speaker 4>and we didn't know what to say to each other,

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<v Speaker 4>she would just step in and give her opinion. She

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<v Speaker 4>was married by now, I mean, but yeah, just.

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<v Speaker 3>Like literally literally yeah, But I I felt like that.

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<v Speaker 2>I did enjoy the build between Brandon and Kelly, the

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<v Speaker 2>way he was just searching and so lost. And I

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<v Speaker 2>really loved his acting in this episode, Jason's acting. I

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<v Speaker 2>didn't love that that the show started on the eulogy,

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<v Speaker 2>and and I didn't love the way his eulogy was written,

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<v Speaker 2>just because it felt very like a political guy, like

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<v Speaker 2>I don't know, it wasn't like real talk. Yeah, but

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<v Speaker 2>the emotional roller that he went through throughout the whole

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<v Speaker 2>episode was really fun to watch and touching and real,

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<v Speaker 2>you know, because it took him a while to just

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<v Speaker 2>sort of I mean, by no means is he over

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<v Speaker 2>the grieving process, but you got to see effects of

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<v Speaker 2>something and how.

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<v Speaker 3>It you know, he tried to rally for Steve. He

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<v Speaker 3>tried to go to that party. Yep, yep, so insensitive

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<v Speaker 3>Steve by the way Steve's.

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<v Speaker 1>I'm focused on mine's hair, was Iron's a bit I mean,

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<v Speaker 1>sorry not Ian Steve. Pardon me is always about about Steve.

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<v Speaker 1>At the end of the day, he does have a

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<v Speaker 1>little of that.

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<v Speaker 2>But I love that that that's the way that character

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<v Speaker 2>is written because that's how people are. That's exactly there's

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<v Speaker 2>something especially in college.

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<v Speaker 4>Yeah, is it just me or did I was gonna

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<v Speaker 4>say Jason, But did Brandon Walsh look especially sexy this episode?

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<v Speaker 3>Like that's different from last episode?

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<v Speaker 5>Yeah?

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<v Speaker 3>You know what it is? I think his maypy his

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<v Speaker 3>I don't know. I don't know if it's the neck,

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<v Speaker 3>but he just felt grounded. He felt like.

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<v Speaker 2>There was a quiet sexiness about him in this episode

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<v Speaker 2>and it was not over and it was not like chomping,

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<v Speaker 2>and it was just like I like that, like meaningful, thoughtful,

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<v Speaker 2>mindful Brandon.

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<v Speaker 1>Yeah, because he had to play it like he was

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<v Speaker 1>more going through this heavy stuff in this episodeode, Can.

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<v Speaker 3>I ask a question? I love Yes, I love that.

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<v Speaker 3>I mean I I just was all about the physical,

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<v Speaker 3>but yes, it came from inside.

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<v Speaker 1>I do feel like Kelly ends up with men that

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<v Speaker 1>are a little bit not totally in touch with.

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<v Speaker 3>What they're really experiencing.

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<v Speaker 1>Do you know what I'm saying, Like, you know, in

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<v Speaker 1>the bedroom. Yes, when he it just reminded me of

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<v Speaker 1>like I've seen this before with Dylan.

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<v Speaker 3>So he comes in.

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<v Speaker 1>He obviously didn't want to be alone, and you're like

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<v Speaker 1>trying your best, You're still just a twenty something. Do

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<v Speaker 1>you want to get in the bed? Do you want

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<v Speaker 1>to talk?

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<v Speaker 3>And then they get so huffy, like y, I just

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<v Speaker 3>maybe I do want to be alone, and it's like

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<v Speaker 3>you didn't do anything. She's got patience, man to deal

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<v Speaker 3>with these drama queens. You know what it is like?

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<v Speaker 4>I feel like people drive really far to get to

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<v Speaker 4>that beach house and they leave real quick. So like Brandon,

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<v Speaker 4>that was a far drive.

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<v Speaker 3>It's close. We'll cut later with David. Yeah, no, it's

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<v Speaker 3>so true. People don't just stop in when you live

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<v Speaker 3>and you know, where does that Huntington Beach? Except for David,

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<v Speaker 3>he came in and right so for sake of the show,

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<v Speaker 3>it was probably Malibu.

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<v Speaker 4>I don't know.

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<v Speaker 3>Yeah, they've been yeah, yeah, but.

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<v Speaker 1>Yeah, Kelly always ends up with men, and I don't

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<v Speaker 1>want to say always, but there are similarities between Brandon

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<v Speaker 1>dealing with emotions and Dylan. They just aren't quite evolved

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<v Speaker 1>to like realize, Oh wait, I'm not really mad at

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<v Speaker 1>you or.

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<v Speaker 3>Even upset at you.

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<v Speaker 1>I'm just devastated by this situations.

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<v Speaker 4>Like all young twenty year old boys.

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<v Speaker 3>Yeah, yeah, that's actually written pretty accurately.

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<v Speaker 4>I just tried to do like the history check in

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<v Speaker 4>the roster check.

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<v Speaker 3>Does that pan out? Does she? Wait?

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<v Speaker 4>I'm trying to think of all the boyfriends Kelly had

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<v Speaker 4>and Steve, they were all well, he wasn't unemotionally attached.

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<v Speaker 3>Well, later she gets some bad dudes.

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<v Speaker 4>I went straight from Brandon to Matt Dirning and that.

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<v Speaker 4>There's there's more in between.

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<v Speaker 3>There's so many more. The only ones I can remember

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<v Speaker 3>are Dylan and Brandon at this point. Oh what about

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<v Speaker 3>the one that gets into drugs? Oh, Colin John Sears,

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<v Speaker 3>But he wasn't a boy John J. Sears. Yuck.

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<v Speaker 4>I didn't even leave a blanket down for you.

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<v Speaker 1>I don't think people were appropriately dressed at that eulogy funeral.

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<v Speaker 4>Okay, agreed, Like I went first of all, I called

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<v Speaker 4>it out, like in my brain, I was like, wait,

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<v Speaker 4>Steve's wearing a polo to a funeral.

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<v Speaker 3>But then I was like wait, is it on the

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<v Speaker 3>campus right?

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<v Speaker 1>Yeah, it was like maybe it was just the campus

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<v Speaker 1>memorial and what is Oh okay, it was a.

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<v Speaker 4>Weird look when we looked at one of his memorials

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<v Speaker 4>there was a lot of flowers there, and purple ones

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<v Speaker 4>growing out of Brandon's head. I was very distracted.

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<v Speaker 1>Sorry the al many flowers and a lot of stained

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<v Speaker 1>glass in this episode. I didn't realize the Martins also

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<v Speaker 1>have stained green glass and koyfish.

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<v Speaker 3>Remember the koyfish John by the entry? Oh no, inside

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<v Speaker 3>the Foyers.

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<v Speaker 2>Yeah.

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<v Speaker 3>Oh did they show the coopisode? Not in this episode,

0:12:32.480 --> 0:12:35.600
<v Speaker 3>but oh I would have loved to see that. What wait,

0:12:35.760 --> 0:12:38.280
<v Speaker 3>we should just I mean, are we done talking about

0:12:38.320 --> 0:12:38.880
<v Speaker 3>Brandon or no?

0:12:39.840 --> 0:12:42.680
<v Speaker 4>Let me think, well, we have to talk about Josh's

0:12:42.920 --> 0:12:43.959
<v Speaker 4>Joshua was sister.

0:12:44.120 --> 0:12:47.600
<v Speaker 3>Oh yeah, and the I Love you I think there

0:12:47.679 --> 0:12:52.720
<v Speaker 3>was a very poignant I love you there. Nancy Sorell

0:12:53.120 --> 0:13:00.800
<v Speaker 3>played Gloria Richland and she was great. Yeah, that was good.

0:13:01.400 --> 0:13:04.040
<v Speaker 3>I mean it was like, what do you really do

0:13:04.240 --> 0:13:08.839
<v Speaker 3>with that role? But be the grieving sister.

0:13:09.760 --> 0:13:13.920
<v Speaker 1>Only was a little confused how the letter that Josh

0:13:14.040 --> 0:13:17.000
<v Speaker 1>sent got to the mom with the photo and then

0:13:17.120 --> 0:13:20.640
<v Speaker 1>all the way back to Beverly Hills in like a

0:13:20.960 --> 0:13:21.439
<v Speaker 1>stop it.

0:13:22.440 --> 0:13:27.360
<v Speaker 3>But I was willing to sacrifice the impossibility of that.

0:13:28.040 --> 0:13:30.199
<v Speaker 1>I was like, okay, maybe the facts the letter was

0:13:30.320 --> 0:13:34.240
<v Speaker 1>faxed back because it was all typed, but then the photo.

0:13:34.600 --> 0:13:39.440
<v Speaker 4>Got back, so that is where the whole thing was going.

0:13:39.600 --> 0:13:41.840
<v Speaker 4>I thought it was building to something. It was going

0:13:41.920 --> 0:13:44.679
<v Speaker 4>to be like plot twist and then no, just a

0:13:44.760 --> 0:13:45.480
<v Speaker 4>grieving sister.

0:13:47.200 --> 0:13:50.520
<v Speaker 2>But her whole point was to deliver that letter so

0:13:50.640 --> 0:13:54.960
<v Speaker 2>that BRANDI could then come to terms with his relationship

0:13:55.880 --> 0:13:57.800
<v Speaker 2>because he was I think he was feeling so guilty

0:13:57.920 --> 0:14:01.079
<v Speaker 2>and he was, you know, he didn't know how to

0:14:01.480 --> 0:14:04.880
<v Speaker 2>mourn because he was feeling guilty himself for not being

0:14:04.920 --> 0:14:07.679
<v Speaker 2>a better friend or for for all the things. And

0:14:07.760 --> 0:14:11.959
<v Speaker 2>then that kind of helped him get through that phase

0:14:12.040 --> 0:14:12.199
<v Speaker 2>of it.

0:14:12.720 --> 0:14:15.560
<v Speaker 3>He hated that dude. You both did for quite a while.

0:14:15.800 --> 0:14:16.679
<v Speaker 3>What did you say to him?

0:14:16.800 --> 0:14:20.840
<v Speaker 1>Remember at the camp out thing, you had some line

0:14:20.920 --> 0:14:23.360
<v Speaker 1>to Josh. It was like it was kind of like

0:14:23.480 --> 0:14:25.440
<v Speaker 1>make like a treely.

0:14:25.360 --> 0:14:28.840
<v Speaker 3>Josh, Yeah, that's right, it was kind of like that.

0:14:29.040 --> 0:14:31.720
<v Speaker 3>She told him. We'd have a question.

0:14:31.920 --> 0:14:34.920
<v Speaker 4>Do you think the blue sweater from Josh toa Brandon

0:14:35.160 --> 0:14:38.600
<v Speaker 4>will come back in a future episode or the sweater

0:14:38.760 --> 0:14:42.920
<v Speaker 4>will meet the faith of Emily Valentine, just never come, never,

0:14:43.160 --> 0:14:43.960
<v Speaker 4>never seen again.

0:14:44.280 --> 0:14:45.800
<v Speaker 3>Yeah, just asking for a friend.

0:14:45.880 --> 0:14:48.680
<v Speaker 2>Okay, yeah, he buried that in his time capsule along

0:14:48.720 --> 0:14:54.360
<v Speaker 2>with Emily Valentine. Excellent, but yeah, Amy to your point

0:14:55.120 --> 0:14:58.080
<v Speaker 2>the end. Then we'll wrap this one up up the

0:14:58.480 --> 0:15:02.480
<v Speaker 2>end with Kelly Brandon. I love the way Kelly is

0:15:02.560 --> 0:15:04.720
<v Speaker 2>just in her room a lot in this episode, and

0:15:04.840 --> 0:15:10.880
<v Speaker 2>it's very decorated. It's very moody red and very yeah, like.

0:15:10.960 --> 0:15:15.320
<v Speaker 1>I don't know many wine apartments that have that much

0:15:15.480 --> 0:15:16.560
<v Speaker 1>decor at the dark.

0:15:16.640 --> 0:15:18.240
<v Speaker 3>And then did you guys notice there's.

0:15:18.120 --> 0:15:20.480
<v Speaker 4>A shelf on the wall, pillar candle, Yes, the.

0:15:20.560 --> 0:15:23.040
<v Speaker 1>Pillar candles, shelf on the wall with a photo on it.

0:15:23.080 --> 0:15:24.440
<v Speaker 1>And I tried so hard to zoom in.

0:15:24.640 --> 0:15:27.920
<v Speaker 3>Is that Brandon? There's a photo of just one person.

0:15:29.360 --> 0:15:32.920
<v Speaker 3>I don't know, I didn't see. It's it's very what

0:15:33.080 --> 0:15:34.160
<v Speaker 3>would we call that?

0:15:34.680 --> 0:15:37.840
<v Speaker 4>Maybe it's a signed photo from Brandon to Kelly, like

0:15:38.080 --> 0:15:39.160
<v Speaker 4>Dylan wrote to Brenda.

0:15:39.840 --> 0:15:43.520
<v Speaker 3>Very very good point. Could be, could be it's z

0:15:43.800 --> 0:15:47.120
<v Speaker 3>gallery wrong to describe that room as a no. No,

0:15:47.600 --> 0:15:52.320
<v Speaker 3>that feels more pure one imports mm hmm. Sure, very

0:15:52.720 --> 0:15:53.640
<v Speaker 3>very decorated.

0:15:54.360 --> 0:15:57.120
<v Speaker 2>The gallery was too cool for Kelly at that time.

0:15:58.280 --> 0:16:00.920
<v Speaker 2>But I really felt like at the end in that

0:16:01.080 --> 0:16:07.680
<v Speaker 2>scene when he he can receive her help and love

0:16:08.480 --> 0:16:10.280
<v Speaker 2>and he says I love you, I was like, Oh,

0:16:11.000 --> 0:16:17.720
<v Speaker 2>now I see Kelly and Brandon relationship, Like it became

0:16:17.800 --> 0:16:19.680
<v Speaker 2>really clear that they're so good together.

0:16:20.520 --> 0:16:23.520
<v Speaker 1>Yes, I almost I'm going to say such a controversial thing.

0:16:24.360 --> 0:16:29.120
<v Speaker 1>Sometimes I like them better than Dylan and Kelly me too.

0:16:30.000 --> 0:16:32.400
<v Speaker 3>They for each other. I think so.

0:16:45.080 --> 0:16:47.760
<v Speaker 4>In this episode, you guys remind me like if I

0:16:47.840 --> 0:16:49.800
<v Speaker 4>didn't know you guys, I'd be like, are they a

0:16:49.880 --> 0:16:52.760
<v Speaker 4>couple in real life? Because it's so real, the tention,

0:16:53.480 --> 0:16:58.200
<v Speaker 4>the love, like it's like a knowing love, so good,

0:16:58.720 --> 0:16:59.040
<v Speaker 4>so good.

0:16:59.240 --> 0:17:03.600
<v Speaker 2>Yeah, you are super close like brother sister close, right,

0:17:04.160 --> 0:17:10.000
<v Speaker 2>And I think that that was just a natural relationship

0:17:10.080 --> 0:17:11.040
<v Speaker 2>for us to have on camera.

0:17:11.720 --> 0:17:13.480
<v Speaker 1>Yeah you know, Okay, so this is what I'm sort

0:17:13.520 --> 0:17:19.080
<v Speaker 1>of There might be more chemistry between Helly and Dylan

0:17:19.280 --> 0:17:23.720
<v Speaker 1>or Jenny and Luke, like kind of like it's sexier almost,

0:17:24.040 --> 0:17:25.240
<v Speaker 1>and correct me if I'm wrong.

0:17:25.480 --> 0:17:27.080
<v Speaker 3>This is just I'm spit balling with you guys.

0:17:27.480 --> 0:17:32.200
<v Speaker 1>It's sexy, right, like it's hot. Whereas Brandon and Helly

0:17:32.480 --> 0:17:35.080
<v Speaker 1>to me is like marriage material.

0:17:36.359 --> 0:17:41.840
<v Speaker 2>Yeah, it feels like love. Yeah love there speaking in

0:17:42.000 --> 0:17:47.399
<v Speaker 2>love versus love or no love. I feel like they

0:17:47.440 --> 0:17:50.680
<v Speaker 2>have loved you love Yeah. And I still have love

0:17:50.720 --> 0:17:52.359
<v Speaker 2>for for Brandon slash Jason.

0:17:52.440 --> 0:17:55.040
<v Speaker 1>You know, don't we already have more I love yous

0:17:55.080 --> 0:17:57.160
<v Speaker 1>between the two of them than we really ever had

0:17:57.240 --> 0:17:58.840
<v Speaker 1>between Kelly and Dylan.

0:17:59.119 --> 0:18:01.200
<v Speaker 3>Did they ever say I love you killing I don't.

0:18:01.560 --> 0:18:03.240
<v Speaker 3>I don't quite remember it off the top of my

0:18:03.320 --> 0:18:03.840
<v Speaker 3>head right now.

0:18:04.400 --> 0:18:06.119
<v Speaker 4>It was some sort of someone tell us.

0:18:06.800 --> 0:18:07.879
<v Speaker 3>Yeah, I'm sure people know.

0:18:08.400 --> 0:18:11.359
<v Speaker 2>They must y'all know, tell us because I don't feel

0:18:11.520 --> 0:18:13.280
<v Speaker 2>like I remember seeing that.

0:18:14.960 --> 0:18:20.399
<v Speaker 3>It's I don't remember it. But speaking of love, Hello,

0:18:20.840 --> 0:18:26.040
<v Speaker 3>enter Casper van Deem Oh my gosh, oh what hello?

0:18:26.280 --> 0:18:28.200
<v Speaker 3>Griffin Stone.

0:18:32.960 --> 0:18:36.680
<v Speaker 1>Did not remember obviously, I you know, Casper Vandien is

0:18:36.760 --> 0:18:39.879
<v Speaker 1>so hot, right, I knew he was on nine o two,

0:18:39.920 --> 0:18:45.040
<v Speaker 1>and now he looks the same but young.

0:18:45.920 --> 0:18:48.200
<v Speaker 3>It was weird, like my brain was doing so many

0:18:48.320 --> 0:18:48.800
<v Speaker 3>weird things.

0:18:48.880 --> 0:18:50.960
<v Speaker 2>Now, that's weird how that works. Ay, people look the

0:18:51.040 --> 0:18:53.639
<v Speaker 2>same but younger when you see them.

0:18:53.680 --> 0:18:56.680
<v Speaker 3>But there's some things about you guys that is the

0:18:56.800 --> 0:18:57.399
<v Speaker 3>same to me.

0:18:57.800 --> 0:19:01.080
<v Speaker 1>I don't know why, but when I see it she's

0:19:01.960 --> 0:19:05.159
<v Speaker 1>over there, and not that he looks old now, he

0:19:05.280 --> 0:19:06.040
<v Speaker 1>looks great now.

0:19:06.080 --> 0:19:10.159
<v Speaker 3>He just looks slightly different. He does. I don't know

0:19:10.280 --> 0:19:13.879
<v Speaker 3>that's feeling like. I mean, I know, I'm the.

0:19:13.960 --> 0:19:16.800
<v Speaker 4>Starship Troopers before that movie.

0:19:17.200 --> 0:19:20.440
<v Speaker 3>Yeah, what in the world?

0:19:20.560 --> 0:19:24.639
<v Speaker 1>Okay, I'm sorry, but talk to me about the bikini scene.

0:19:25.040 --> 0:19:28.960
<v Speaker 1>I was like, am I watching Tory trying to make

0:19:29.160 --> 0:19:32.399
<v Speaker 1>David jealous? Or am I watching Donna trying to make

0:19:32.440 --> 0:19:35.119
<v Speaker 1>I'm sorry, Tory trying to make Ran jealous?

0:19:35.720 --> 0:19:38.880
<v Speaker 3>Or Donna trying to make David jealous? I just heard

0:19:38.920 --> 0:19:40.560
<v Speaker 3>those names. I was like, wait, who what? Who?

0:19:40.720 --> 0:19:45.440
<v Speaker 1>What? It just seemed a little it seemed so whoa.

0:19:46.600 --> 0:19:50.160
<v Speaker 1>They were at the beach, but she puts his hand,

0:19:50.720 --> 0:19:52.639
<v Speaker 1>You put your hand on his chest.

0:19:53.119 --> 0:19:56.920
<v Speaker 3>You both look great. You hold hands as you go off,

0:19:57.359 --> 0:20:03.159
<v Speaker 3>and I'm like, this is juicy, Like what what's happening?

0:20:03.400 --> 0:20:06.879
<v Speaker 4>While that scene took place later in the episode, that

0:20:07.040 --> 0:20:10.800
<v Speaker 4>was actually the first scene that I ever shot with Casper.

0:20:11.440 --> 0:20:11.600
<v Speaker 1>Oh.

0:20:12.240 --> 0:20:14.200
<v Speaker 3>She was like, nice to meet you. Here's my bikini.

0:20:14.600 --> 0:20:16.480
<v Speaker 3>Here I am in a read bikini. Yeah.

0:20:17.160 --> 0:20:21.960
<v Speaker 4>So met him that day and was like, oh my gosh,

0:20:22.840 --> 0:20:29.200
<v Speaker 4>wow so hot, and then had to wear a bikini

0:20:29.520 --> 0:20:33.320
<v Speaker 4>and obviously awkward scene you guys, because.

0:20:33.080 --> 0:20:34.359
<v Speaker 3>It's me and.

0:20:36.000 --> 0:20:39.040
<v Speaker 4>My wink wink on screen, off screen whatever that was.

0:20:42.600 --> 0:20:46.960
<v Speaker 4>And then this new hot guy and I had to

0:20:47.000 --> 0:20:50.119
<v Speaker 4>wear a bikini. I just remember having to choose that

0:20:50.200 --> 0:20:53.639
<v Speaker 4>bikini and Kathleen being instrumental, and I think that was

0:20:53.680 --> 0:20:56.000
<v Speaker 4>the start of our friendship because I was like really

0:20:56.240 --> 0:20:58.159
<v Speaker 4>nervous and she was like, you look so hot and

0:20:58.160 --> 0:21:01.600
<v Speaker 4>I was like, are you sure? And funny it's red,

0:21:01.800 --> 0:21:04.320
<v Speaker 4>like who wore the red dress while the red bikini?

0:21:04.920 --> 0:21:08.280
<v Speaker 3>And yeah, you look great.

0:21:09.200 --> 0:21:12.240
<v Speaker 1>Poor Casper van Dien because I'm thinking of him, as

0:21:12.680 --> 0:21:16.159
<v Speaker 1>you know, he became very famous. He's still recognizable, but

0:21:16.280 --> 0:21:18.560
<v Speaker 1>at the time he's just a regular old dude like

0:21:18.600 --> 0:21:22.760
<v Speaker 1>he wasn't he'd come from a famous guest star, right, Like, no,

0:21:23.000 --> 0:21:23.479
<v Speaker 1>we know him.

0:21:23.520 --> 0:21:25.720
<v Speaker 3>Now this guy has to show up with all of

0:21:25.800 --> 0:21:29.280
<v Speaker 3>you and be sure this like right out the gate.

0:21:29.680 --> 0:21:32.440
<v Speaker 2>So his first scene, he's just like, he doesn't really

0:21:32.520 --> 0:21:34.960
<v Speaker 2>strike me as the type to worry about that.

0:21:36.760 --> 0:21:41.480
<v Speaker 4>I mean, look at him, so wait, very confident, were

0:21:41.520 --> 0:21:41.880
<v Speaker 4>you guys?

0:21:42.040 --> 0:21:44.040
<v Speaker 3>Like who is this hottie? Like what were you?

0:21:44.160 --> 0:21:47.240
<v Speaker 1>Can anybody remember when he joined because he's here for

0:21:47.359 --> 0:21:47.640
<v Speaker 1>a bit.

0:21:48.040 --> 0:21:49.440
<v Speaker 3>So I don't know if you knew that or not

0:21:50.280 --> 0:21:50.800
<v Speaker 3>at the time.

0:21:52.720 --> 0:21:58.560
<v Speaker 4>I do remember, and yeah, now that you're saying that,

0:21:58.760 --> 0:22:00.680
<v Speaker 4>I don't think I was like, oh my gosh, nice

0:22:00.720 --> 0:22:03.600
<v Speaker 4>to meet you. I think I probably had seen a

0:22:03.800 --> 0:22:05.960
<v Speaker 4>headshot of his which they would put up in like

0:22:06.080 --> 0:22:09.840
<v Speaker 4>wardrobe for the guest cast coming and being like, oh

0:22:09.840 --> 0:22:11.359
<v Speaker 4>my god, this is the guy that's cast is my

0:22:11.440 --> 0:22:15.800
<v Speaker 4>boyfriend because it's really Donna's first boyfriend besides David, because

0:22:15.840 --> 0:22:16.240
<v Speaker 4>he's he.

0:22:16.359 --> 0:22:21.840
<v Speaker 3>Is there for a while guy at the ski place, Peppergate, yep,

0:22:23.040 --> 0:22:23.680
<v Speaker 3>bepper Gate.

0:22:25.240 --> 0:22:28.280
<v Speaker 5>Yes, did you guys know him from around or was

0:22:28.320 --> 0:22:33.360
<v Speaker 5>he really actually shows up and stays until Jamie walters, yeah,

0:22:33.359 --> 0:22:35.600
<v Speaker 5>there's a duel for Donnas.

0:22:35.720 --> 0:22:42.840
<v Speaker 3>That's right. Oh but I yes, thought he was really

0:22:43.040 --> 0:22:46.080
<v Speaker 3>super hot. Wait, Jen, you know the story right? What

0:22:46.359 --> 0:22:47.280
<v Speaker 3>what story?

0:22:47.480 --> 0:22:47.640
<v Speaker 2>Well?

0:22:50.160 --> 0:22:51.920
<v Speaker 3>Tell me, well, i'll tell you if I know it.

0:22:52.359 --> 0:22:57.040
<v Speaker 3>What the Casper thing? Tell me again? Refresh my mems.

0:22:57.840 --> 0:23:07.600
<v Speaker 3>What Casper thing? So we met here and flirted and

0:23:08.280 --> 0:23:12.880
<v Speaker 3>ended up dating? Do you and Casper Van Deen? Correct?

0:23:13.400 --> 0:23:17.719
<v Speaker 3>I didn't know that. I mean I probably did. Oh

0:23:17.760 --> 0:23:19.160
<v Speaker 3>my god, she's gonna say something.

0:23:19.600 --> 0:23:23.439
<v Speaker 4>No, I'm trying to remember if you knew it at

0:23:23.480 --> 0:23:26.800
<v Speaker 4>that time because Okay, so after this scene, the scene

0:23:26.880 --> 0:23:29.320
<v Speaker 4>in the red bikini, which was at the beach apartment

0:23:29.359 --> 0:23:31.440
<v Speaker 4>they had just come back from the beach, was actually

0:23:31.560 --> 0:23:33.720
<v Speaker 4>shot as the last scene of the day at night

0:23:33.880 --> 0:23:38.400
<v Speaker 4>and lit for day. So it was like on a Friday, Yes,

0:23:38.640 --> 0:23:41.920
<v Speaker 4>a Friday night, And I just remember afterwards, I made

0:23:41.960 --> 0:23:44.320
<v Speaker 4>Kathleen stay with me and we like hung out with

0:23:44.480 --> 0:23:49.600
<v Speaker 4>him and talked and then yeah, he and I dated.

0:23:49.520 --> 0:23:58.000
<v Speaker 3>For a bit, like kissed, yes, more than no, well

0:23:58.040 --> 0:24:00.760
<v Speaker 3>they dated for amount of time.

0:24:01.160 --> 0:24:03.680
<v Speaker 1>Wait, so you meet so you guys did not know

0:24:03.840 --> 0:24:07.920
<v Speaker 1>him from like around Hollywood, as they say, like somebody

0:24:07.920 --> 0:24:10.520
<v Speaker 1>ever stunning in your circles because you know how sometimes oh,

0:24:10.680 --> 0:24:13.480
<v Speaker 1>Brian's friend plays a part or Jason's friend plays a part.

0:24:13.800 --> 0:24:15.920
<v Speaker 3>So this guy was just new cas just to play

0:24:15.960 --> 0:24:16.280
<v Speaker 3>this part.

0:24:16.760 --> 0:24:20.320
<v Speaker 4>And at the time I remember thinking like this was

0:24:20.440 --> 0:24:23.320
<v Speaker 4>new for me, like dating someone that you meet once

0:24:23.400 --> 0:24:27.560
<v Speaker 4>you become famous on a TV show. And also I'm

0:24:27.560 --> 0:24:29.960
<v Speaker 4>on a TV show that my dad produces, so in

0:24:30.040 --> 0:24:31.800
<v Speaker 4>my mind, I'm like, no one's ever gonna want to

0:24:31.880 --> 0:24:37.120
<v Speaker 4>date me? And yes, and very nice guy and very

0:24:38.400 --> 0:24:41.320
<v Speaker 4>he's a very conservative PC guy.

0:24:41.600 --> 0:24:44.680
<v Speaker 3>That's all I said, like, he's a gentleman.

0:24:44.560 --> 0:24:46.440
<v Speaker 4>A gentleman, complete gentleman.

0:24:46.600 --> 0:24:49.520
<v Speaker 1>Now was there paparazzi at the time or would they

0:24:49.600 --> 0:24:52.680
<v Speaker 1>have not captured it? Because he wasn't what we like.

0:24:53.359 --> 0:24:56.760
<v Speaker 1>He became famous as this continued, so like would you

0:24:56.840 --> 0:24:59.200
<v Speaker 1>get would paparazzi follow you if you went on a

0:24:59.280 --> 0:24:59.880
<v Speaker 1>date with someone?

0:25:01.119 --> 0:25:01.159
<v Speaker 3>No?

0:25:01.320 --> 0:25:03.120
<v Speaker 4>And I feel like we just you know, when you're young,

0:25:03.200 --> 0:25:05.520
<v Speaker 4>you hang out, so like Kathleen was there most of

0:25:05.560 --> 0:25:09.000
<v Speaker 4>the time. We were friends and I were alone at

0:25:09.040 --> 0:25:12.480
<v Speaker 4>some point. But he was a really good guy. And

0:25:12.560 --> 0:25:14.400
<v Speaker 4>this is when I was getting out of that bad

0:25:14.520 --> 0:25:18.840
<v Speaker 4>boyfriend relationship, and he was very concerned and just a

0:25:19.000 --> 0:25:21.280
<v Speaker 4>gentleman and helped talk me through it as a friend.

0:25:21.480 --> 0:25:23.119
<v Speaker 4>And then we dated a little bit.

0:25:23.480 --> 0:25:28.240
<v Speaker 3>That's all. Oh I like that story. He's a nice guy,

0:25:28.520 --> 0:25:31.600
<v Speaker 3>but I don't remember it. But he got me out

0:25:31.640 --> 0:25:32.760
<v Speaker 3>of a really bad thing.

0:25:32.840 --> 0:25:35.560
<v Speaker 4>Because after that bad boyfriend, I was like, oh my gosh,

0:25:35.600 --> 0:25:38.800
<v Speaker 4>feeling really bad about myself. And then there's this hot guy,

0:25:39.720 --> 0:25:43.639
<v Speaker 4>smart and funny and nice. First nice guy and I

0:25:43.800 --> 0:25:45.280
<v Speaker 4>was like, oh my gosh, so.

0:25:45.560 --> 0:25:46.120
<v Speaker 3>He's a good guy.

0:25:46.400 --> 0:25:49.480
<v Speaker 2>I mean, you really it had him stacked against you

0:25:49.640 --> 0:25:53.879
<v Speaker 2>because Folice even you're on camera, Mom is telling you

0:25:54.000 --> 0:25:56.640
<v Speaker 2>things like, Donna, you better marry a very rich man

0:25:56.800 --> 0:25:59.520
<v Speaker 2>so he can support you in the way in which

0:25:59.520 --> 0:26:00.440
<v Speaker 2>you're a cuss them too.

0:26:01.560 --> 0:26:05.440
<v Speaker 4>I was like, hey, Mom, take it, take it. And

0:26:05.520 --> 0:26:09.000
<v Speaker 4>the love that I said to her, though I could

0:26:09.040 --> 0:26:10.720
<v Speaker 4>do laundry. Were you laughing at that?

0:26:11.080 --> 0:26:15.639
<v Speaker 3>Yeah? Oh, sweet dogs, how to do laundry? Yeah, I

0:26:15.720 --> 0:26:17.560
<v Speaker 3>can't do it. Elise is a problem.

0:26:18.320 --> 0:26:18.639
<v Speaker 5>She is.

0:26:19.080 --> 0:26:22.080
<v Speaker 3>She says, Donna, don't be a pill. Yeah she's so.

0:26:24.280 --> 0:26:27.399
<v Speaker 4>We have some fat free muffins and man, the all

0:26:27.520 --> 0:26:31.320
<v Speaker 4>benifery wrinkled blazer that back that blazer was Renkal.

0:26:31.480 --> 0:26:34.640
<v Speaker 3>Those ladies were dressed up. Yeah, that was lady's luncheon.

0:26:35.280 --> 0:26:37.200
<v Speaker 3>But in the in the scene before when she tells

0:26:37.200 --> 0:26:39.160
<v Speaker 3>you to marry a rich man or else you're you're

0:26:39.200 --> 0:26:39.760
<v Speaker 3>just gonna die.

0:26:40.840 --> 0:26:43.760
<v Speaker 2>You had that funny little uh the gene role that

0:26:43.840 --> 0:26:44.960
<v Speaker 2>we talked about last week.

0:26:45.960 --> 0:26:48.159
<v Speaker 3>But it wasn't just the unbuttoned jeans. It was a

0:26:48.359 --> 0:26:53.560
<v Speaker 3>full role. Like, yeah, that that was that. Yeah, that

0:26:53.840 --> 0:26:56.800
<v Speaker 3>was a trend. That was a tread I remember doing that. Yeah,

0:26:56.920 --> 0:26:59.160
<v Speaker 3>that was that was definitely a trend.

0:26:59.600 --> 0:27:02.600
<v Speaker 4>Wait I did known as a lot of people though

0:27:03.119 --> 0:27:05.800
<v Speaker 4>a lot of our listeners were saying the unbutton of

0:27:05.960 --> 0:27:09.200
<v Speaker 4>Tiffany's jeans last week. That was on trend as well.

0:27:10.119 --> 0:27:11.280
<v Speaker 3>I'd like to put back.

0:27:11.520 --> 0:27:14.560
<v Speaker 1>Because I got a new one teaspoon Do you guys

0:27:14.600 --> 0:27:17.680
<v Speaker 1>know one teaspoon jean shorts? And I literally thought of

0:27:17.760 --> 0:27:20.560
<v Speaker 1>you all because they fit except for that top button.

0:27:22.280 --> 0:27:23.240
<v Speaker 3>You can't get it closed.

0:27:24.000 --> 0:27:24.320
<v Speaker 5>I can.

0:27:24.480 --> 0:27:28.000
<v Speaker 3>I just doesn't feel comfortable. You can just use a

0:27:28.040 --> 0:27:32.880
<v Speaker 3>hair tie. Oh and then like stretch it. Oh yeah,

0:27:33.359 --> 0:27:37.359
<v Speaker 3>I used to do that during yeah pregnancy, didn't you. Yeah? Yeah, okay,

0:27:37.440 --> 0:27:39.200
<v Speaker 3>that is how you do it. I think when you're

0:27:39.240 --> 0:27:39.679
<v Speaker 3>like maturn.

0:27:39.800 --> 0:27:39.960
<v Speaker 1>Yeah.

0:27:41.520 --> 0:27:44.520
<v Speaker 3>What else can we talk about? I feel like so much,

0:27:45.160 --> 0:27:47.159
<v Speaker 3>there's so much to talk about the party. Should we

0:27:47.160 --> 0:27:48.200
<v Speaker 3>talk about the KEG party?

0:27:48.680 --> 0:27:50.320
<v Speaker 2>I just kind of we need to point out again

0:27:50.359 --> 0:27:54.119
<v Speaker 2>that how convenient is it that Claire has moved it. Claire,

0:27:55.040 --> 0:27:58.600
<v Speaker 2>Claire from Brandon's storyline, moves into Kelly and Donna's world

0:27:58.760 --> 0:28:02.760
<v Speaker 2>in their storyline, then magically meets David randomly at a

0:28:02.880 --> 0:28:06.400
<v Speaker 2>giant school full of people and then wants to date him,

0:28:07.040 --> 0:28:09.120
<v Speaker 2>and then he says, wait, you live in my old room.

0:28:09.320 --> 0:28:14.280
<v Speaker 2>It's just so like incredibly infilarry. Like, but I guess

0:28:14.400 --> 0:28:17.840
<v Speaker 2>I'm here for it because I want the I want

0:28:18.080 --> 0:28:21.760
<v Speaker 2>these interrelational Ennarians.

0:28:21.800 --> 0:28:27.320
<v Speaker 4>You know, until now the Claire and David dated, and

0:28:27.440 --> 0:28:30.640
<v Speaker 4>I had to check myself to see if I felt jealousy,

0:28:31.760 --> 0:28:35.560
<v Speaker 4>and I felt like I r l yeah, because remember

0:28:35.560 --> 0:28:37.320
<v Speaker 4>I would say when girls would come on, I'd feel

0:28:37.359 --> 0:28:42.520
<v Speaker 4>jaloused because my friend I felt nothing perfect because literally

0:28:42.640 --> 0:28:45.640
<v Speaker 4>in that scene with all of them, it was my bestie,

0:28:46.080 --> 0:28:49.760
<v Speaker 4>my ex, and my crushy and like we all moved on.

0:28:50.480 --> 0:28:53.800
<v Speaker 2>Yeah, that didn't hurt that your crushy looked like he looked.

0:28:54.360 --> 0:28:57.160
<v Speaker 2>Can we talk about like girl code? Is that a

0:28:57.320 --> 0:29:00.200
<v Speaker 2>little bit of a a sort of a.

0:29:00.760 --> 0:29:03.640
<v Speaker 4>Yes, that's wrong. Kelly would never do that to Donna. Yes,

0:29:04.040 --> 0:29:08.240
<v Speaker 4>and gets away with it, like you don't feel threatened,

0:29:08.320 --> 0:29:08.920
<v Speaker 4>you know what I mean.

0:29:09.520 --> 0:29:12.520
<v Speaker 1>I guess she's new, but I was like, if I

0:29:12.680 --> 0:29:14.800
<v Speaker 1>was the new roommate, I'm certainly not going to just

0:29:14.840 --> 0:29:20.840
<v Speaker 1>start dating the roommate's X and then having him come

0:29:21.040 --> 0:29:23.880
<v Speaker 1>over host is clear, Like it was just seemed a

0:29:23.920 --> 0:29:26.480
<v Speaker 1>little bit like, wait a minute, is this a jerk movie?

0:29:26.560 --> 0:29:30.640
<v Speaker 3>I don't feel like Claire has many scruples. Is that

0:29:30.800 --> 0:29:33.520
<v Speaker 3>the right word? Yeah, scruples.

0:29:33.960 --> 0:29:37.000
<v Speaker 4>She's scrupled on a care like if that's your first love,

0:29:37.200 --> 0:29:40.280
<v Speaker 4>like you still care somewhere inside. She's just fine with.

0:29:40.360 --> 0:29:46.200
<v Speaker 3>It again, Casper Vandy, do you right? She says, I'm

0:29:46.280 --> 0:29:49.760
<v Speaker 3>not good at being good or whatever she says. Claire

0:29:49.800 --> 0:29:54.200
<v Speaker 3>does right, I'm not very good at being good. Yeah.

0:29:54.600 --> 0:29:58.280
<v Speaker 1>I think they're cute together, like when they were working

0:29:58.360 --> 0:29:59.160
<v Speaker 1>on the computer.

0:30:00.240 --> 0:30:01.960
<v Speaker 3>But I'm also like, y'all.

0:30:01.720 --> 0:30:05.440
<v Speaker 4>Ares arm around her, his arm around her, platonic.

0:30:06.160 --> 0:30:09.320
<v Speaker 3>Hmmm, so weird. So I guess they're going to become

0:30:09.320 --> 0:30:11.600
<v Speaker 3>a couple. Is that what's happening here? I forgot?

0:30:11.880 --> 0:30:14.880
<v Speaker 2>Yeah, wow, okay, kind and just like I forgot that

0:30:15.800 --> 0:30:19.280
<v Speaker 2>the val goes after Dylan for the first you know,

0:30:19.360 --> 0:30:22.560
<v Speaker 2>that's her first like conquest in the man Chain.

0:30:23.560 --> 0:30:27.800
<v Speaker 3>We talked about the eggs. Why would he just be

0:30:27.920 --> 0:30:30.680
<v Speaker 3>peeling eggs? First of all? And that's got a.

0:30:30.680 --> 0:30:36.120
<v Speaker 4>Stink, imagine, but it's kind of funny, like it's.

0:30:37.640 --> 0:30:41.920
<v Speaker 1>Why why would anyone pick eggs? And then port Valerie

0:30:41.960 --> 0:30:46.080
<v Speaker 1>Tiffany has to twice what big old.

0:30:45.960 --> 0:30:48.880
<v Speaker 4>Bite and then she took like a mini bite of

0:30:49.080 --> 0:30:51.880
<v Speaker 4>the both kind of egg she could have gone for it.

0:30:52.200 --> 0:30:56.200
<v Speaker 2>I am so anti eating eggs, y'all. Like, I can't

0:30:56.400 --> 0:31:05.600
<v Speaker 2>eat eggs because what U eggs? No eggs, uh, because

0:31:05.640 --> 0:31:08.200
<v Speaker 2>they come out of the chickens, little tushi, and I'm

0:31:08.240 --> 0:31:12.520
<v Speaker 2>not interested in eating that. Okay, First of all, I

0:31:12.640 --> 0:31:16.440
<v Speaker 2>did not know that they put that chicken eggs. Well,

0:31:16.560 --> 0:31:20.360
<v Speaker 2>it's not the pooper, it's the neighbor, the vagina, it's

0:31:20.400 --> 0:31:26.320
<v Speaker 2>the egg hole. I don't know the proper terms for

0:31:26.880 --> 0:31:29.200
<v Speaker 2>chicken automics anatomy, but.

0:31:30.680 --> 0:31:34.480
<v Speaker 3>Didn't you have a farm? I love chickens. You didn't.

0:31:34.800 --> 0:31:37.280
<v Speaker 4>She's trying to put it nicely about where it comes at.

0:31:37.320 --> 0:31:42.000
<v Speaker 3>Oh yeah, and I know, yeah, it's gross.

0:31:42.040 --> 0:31:43.920
<v Speaker 2>I can't handle it. And then when I saw those

0:31:43.960 --> 0:31:45.600
<v Speaker 2>eggs and I knew somebody was going to eat an

0:31:45.600 --> 0:31:47.520
<v Speaker 2>egg in that scene, and then she did, I lost it.

0:32:00.080 --> 0:32:03.240
<v Speaker 4>But I got to say, only Luke Perry could look

0:32:03.640 --> 0:32:07.080
<v Speaker 4>super sexy eating eggs and peeling them. He didn't really.

0:32:08.440 --> 0:32:11.000
<v Speaker 3>It was so it was just like, this is comical

0:32:11.400 --> 0:32:12.000
<v Speaker 3>but sexy.

0:32:12.120 --> 0:32:14.320
<v Speaker 1>And he cracked it on the table and then was

0:32:14.520 --> 0:32:16.880
<v Speaker 1>peeling it and it looked hard to peel. He was like,

0:32:17.720 --> 0:32:19.560
<v Speaker 1>you know how when sometimes you don't getting a good

0:32:19.600 --> 0:32:20.800
<v Speaker 1>peel and it's coming off.

0:32:20.680 --> 0:32:22.800
<v Speaker 3>And right it's not, and he's got to act and

0:32:22.920 --> 0:32:25.240
<v Speaker 3>deliver the speech and she's.

0:32:25.200 --> 0:32:28.959
<v Speaker 2>That had to open James Whitmore Junior the director's idea,

0:32:29.240 --> 0:32:31.760
<v Speaker 2>Like he read that scene and thought, oh, this is

0:32:31.800 --> 0:32:34.840
<v Speaker 2>a great thing. I'm gonna have Dylan peeling eggs so

0:32:34.960 --> 0:32:37.360
<v Speaker 2>they can get to the egg conversation at.

0:32:37.320 --> 0:32:39.920
<v Speaker 3>That But it was so random and then he makes

0:32:39.920 --> 0:32:43.120
<v Speaker 3>an egg solid crack. I'm just like, yeah, I just

0:32:43.240 --> 0:32:45.160
<v Speaker 3>love that. That made me hungry I have.

0:32:45.520 --> 0:32:47.960
<v Speaker 2>I felt like they were relating on the dad dead

0:32:48.080 --> 0:32:51.160
<v Speaker 2>dad thing, and I liked that for a second in

0:32:51.320 --> 0:32:51.800
<v Speaker 2>that character.

0:32:52.120 --> 0:32:54.360
<v Speaker 3>But then she turned bad again and then I was like, oh, no, no, no,

0:32:54.520 --> 0:32:57.480
<v Speaker 3>she is a bad egg and that's what she will

0:32:57.520 --> 0:33:01.960
<v Speaker 3>always be. How about what I don't believe in anything?

0:33:02.240 --> 0:33:06.160
<v Speaker 1>Like she's so I understand she's totally dark, but it's yeah,

0:33:06.720 --> 0:33:09.280
<v Speaker 1>and then he says my dad was blown up by

0:33:09.360 --> 0:33:11.680
<v Speaker 1>a bomb in a car, and then they kind of

0:33:11.760 --> 0:33:13.200
<v Speaker 1>chuck feeling just peeling.

0:33:14.800 --> 0:33:17.280
<v Speaker 4>I did feel like when she told the story of

0:33:17.360 --> 0:33:20.840
<v Speaker 4>how her dad died, it was yeah, they're both on

0:33:20.960 --> 0:33:24.640
<v Speaker 4>the hint of like not laughing, but like it was

0:33:24.840 --> 0:33:26.160
<v Speaker 4>very dark, very.

0:33:26.800 --> 0:33:29.920
<v Speaker 2>Dark, and I thought, oh, they work together, this is good.

0:33:30.160 --> 0:33:31.960
<v Speaker 2>Vallon Dillon should maybe they should be together.

0:33:33.200 --> 0:33:37.840
<v Speaker 3>It's dark comedy because there was comedy in there. Mm hmm.

0:33:38.560 --> 0:33:43.680
<v Speaker 3>Can I throw another food flag out? Yeah, the guacamole

0:33:45.440 --> 0:33:50.200
<v Speaker 3>looked so bad. Well, store guacamole always looks bad.

0:33:50.560 --> 0:33:52.520
<v Speaker 1>At first, when he said guacamole, I was like, it's

0:33:52.520 --> 0:33:56.280
<v Speaker 1>sour cream, and onion did because it looked so not green.

0:33:57.000 --> 0:33:58.920
<v Speaker 1>And then they zoom in a little bit more on

0:33:58.960 --> 0:34:00.600
<v Speaker 1>it and you're like, oh, yeah, that's it's literally like

0:34:00.880 --> 0:34:07.080
<v Speaker 1>Safeway worse than Safeway walk like like Costco gualker.

0:34:08.960 --> 0:34:11.800
<v Speaker 3>Look it. There's a lot of our listeners that like costcoqualk.

0:34:12.000 --> 0:34:15.400
<v Speaker 3>So now I got some more haters. But watch closely.

0:34:15.680 --> 0:34:18.520
<v Speaker 1>You take a chip like you're going to eat the

0:34:18.680 --> 0:34:22.440
<v Speaker 1>chip as you walk off, and you walk off and

0:34:22.600 --> 0:34:26.120
<v Speaker 1>the chip is still whole up by your mouth as

0:34:26.200 --> 0:34:29.000
<v Speaker 1>you walk off screen, and you never bit the chip.

0:34:29.320 --> 0:34:33.880
<v Speaker 3>I don't want to eat that thieves finger in the

0:34:34.000 --> 0:34:39.200
<v Speaker 3>gualk that he licks off. Come on, boys are gross,

0:34:39.719 --> 0:34:43.480
<v Speaker 3>so so gross. What about the party?

0:34:43.640 --> 0:34:47.080
<v Speaker 2>Okay, at the party, since we're prepping for the party,

0:34:47.120 --> 0:34:48.440
<v Speaker 2>then we go to the party, and that's where you

0:34:49.480 --> 0:34:51.920
<v Speaker 2>lay eyes on Casper. I want to save Casper, but

0:34:52.040 --> 0:34:57.160
<v Speaker 2>his random is great outfit Griffin Stone, Gryffin Stone, so

0:34:57.320 --> 0:34:59.480
<v Speaker 2>soap opera, it is, it really is. Then you lay

0:34:59.480 --> 0:35:01.239
<v Speaker 2>on it thought him, and then there's then you guys

0:35:01.280 --> 0:35:03.719
<v Speaker 2>start dancing. And I don't know what it is about

0:35:03.760 --> 0:35:06.439
<v Speaker 2>watching a dancing scene like that. It makes me feel

0:35:06.520 --> 0:35:10.560
<v Speaker 2>so uncomfy. Uh, And it's like some sort of weird

0:35:10.800 --> 0:35:13.560
<v Speaker 2>I'm liking watching National Geographic with like some sort of

0:35:14.120 --> 0:35:17.080
<v Speaker 2>bird mating dance ritual that's.

0:35:17.239 --> 0:35:19.359
<v Speaker 3>Going on, and I just was like, oh my god,

0:35:19.440 --> 0:35:21.879
<v Speaker 3>I don't like this. Oh my gosh.

0:35:21.920 --> 0:35:24.400
<v Speaker 4>All I could think is if that was you'd be

0:35:24.440 --> 0:35:26.520
<v Speaker 4>like too close, You're too close, You're breathing on me,

0:35:26.680 --> 0:35:26.960
<v Speaker 4>like it was.

0:35:27.239 --> 0:35:28.680
<v Speaker 3>They were so close, I know.

0:35:28.800 --> 0:35:30.560
<v Speaker 2>And then I felt like Donna was getting a little

0:35:30.640 --> 0:35:34.720
<v Speaker 2>viby with him, like giving him some some you know, viby.

0:35:35.040 --> 0:35:38.320
<v Speaker 2>She's give him some hints and then he takes the

0:35:38.400 --> 0:35:40.240
<v Speaker 2>hints and then you'd turn.

0:35:40.120 --> 0:35:41.600
<v Speaker 3>All a time and you're like breaked.

0:35:41.880 --> 0:35:44.120
<v Speaker 2>Not the kind of girl for you, which is good,

0:35:44.560 --> 0:35:46.879
<v Speaker 2>but I was like, hey, Donna, why are you being

0:35:47.000 --> 0:35:51.279
<v Speaker 2>all sexy kitty with him? If you don't that's not

0:35:51.400 --> 0:35:52.200
<v Speaker 2>what your goal is.

0:35:53.560 --> 0:35:56.960
<v Speaker 4>I felt like it was she was a little bit

0:35:57.000 --> 0:35:57.799
<v Speaker 4>of a tease there.

0:35:58.000 --> 0:35:59.120
<v Speaker 3>Yeah, yeah, teas That's.

0:35:59.160 --> 0:36:03.640
<v Speaker 4>What I'm gonna try to think back to that moment.

0:36:04.160 --> 0:36:09.520
<v Speaker 4>And probably if he wasn't so hot and I did

0:36:09.640 --> 0:36:12.160
<v Speaker 4>want to vibe with him, I probably would have played

0:36:12.239 --> 0:36:16.400
<v Speaker 4>that scene differently. Maybe, So I think I was understandable

0:36:16.440 --> 0:36:18.719
<v Speaker 4>full advantage, and so is he that we were both like,

0:36:18.800 --> 0:36:21.200
<v Speaker 4>oh yeah, we get to touch each other's slow dance,

0:36:21.280 --> 0:36:22.319
<v Speaker 4>be real close to each other.

0:36:22.719 --> 0:36:25.359
<v Speaker 3>Yeah, that makes sense. He was a nice gentleman too.

0:36:25.520 --> 0:36:27.640
<v Speaker 3>He was sort of playing along and then you freaked

0:36:27.680 --> 0:36:29.120
<v Speaker 3>and he's like, I'd like to get to know you

0:36:29.280 --> 0:36:32.600
<v Speaker 3>better indoors. He just doesn't tell you that your mothers

0:36:32.640 --> 0:36:37.239
<v Speaker 3>are friends. He kind of you know, pulled the wool.

0:36:37.040 --> 0:36:41.040
<v Speaker 1>Over, as they said, fun reveal and am I correct

0:36:41.080 --> 0:36:43.640
<v Speaker 1>in saying there was no probably no music going while

0:36:43.640 --> 0:36:44.240
<v Speaker 1>you're dancing.

0:36:44.600 --> 0:36:46.279
<v Speaker 3>I heard when you have those scenes in a.

0:36:46.320 --> 0:36:48.920
<v Speaker 1>TV show, they can't really play the music because it

0:36:49.040 --> 0:36:50.720
<v Speaker 1>messes up the talking.

0:36:51.160 --> 0:36:56.680
<v Speaker 3>So you're just dancing to like what's nothing? Yeah, yeah,

0:36:57.280 --> 0:36:57.959
<v Speaker 3>it's so hard.

0:36:58.600 --> 0:37:01.520
<v Speaker 2>It is hard, and all those extra when there's dialogue,

0:37:01.560 --> 0:37:03.640
<v Speaker 2>they can't play the music because they won't be able

0:37:03.719 --> 0:37:06.400
<v Speaker 2>to have your clean dialogue tracks. So what they usually

0:37:06.520 --> 0:37:09.360
<v Speaker 2>do in a scene like that is they play the

0:37:09.560 --> 0:37:14.800
<v Speaker 2>music like before they call action, and everybody hears it

0:37:15.000 --> 0:37:17.399
<v Speaker 2>and you know, starts dancing to the beat, and then

0:37:17.440 --> 0:37:19.600
<v Speaker 2>they cut it off and then they say action.

0:37:19.960 --> 0:37:20.840
<v Speaker 3>Then they do the scene.

0:37:21.320 --> 0:37:26.160
<v Speaker 4>Yeah, and during rehearsal, the director's like, okay, well just

0:37:26.280 --> 0:37:28.600
<v Speaker 4>dance so we know like where you're going to be

0:37:28.800 --> 0:37:30.680
<v Speaker 4>and how it's going to look on camera. And you

0:37:30.800 --> 0:37:35.640
<v Speaker 4>feel so uncomfortable and you're like, you know, I was

0:37:35.680 --> 0:37:37.640
<v Speaker 4>trying like maybe in my eyes, like, oh, I'll do

0:37:37.719 --> 0:37:38.280
<v Speaker 4>it on camera.

0:37:40.440 --> 0:37:41.440
<v Speaker 3>Do you feel about dorky?

0:37:42.120 --> 0:37:49.840
<v Speaker 2>Yes, it's kind of like at guy, why did Kelly, Donna,

0:37:49.840 --> 0:37:54.160
<v Speaker 2>and Claire all have the same hairdoo oh my now,

0:37:54.320 --> 0:37:55.160
<v Speaker 2>the same eyebrows.

0:37:57.360 --> 0:37:59.359
<v Speaker 3>It's as if they all came out of the same

0:37:59.400 --> 0:38:05.200
<v Speaker 3>makeup and hair trailer. Who's wearing it best? Each of

0:38:05.280 --> 0:38:07.080
<v Speaker 3>them individually looks great.

0:38:08.239 --> 0:38:11.560
<v Speaker 1>Yeah, and this is a bit shorter, but she can

0:38:11.719 --> 0:38:14.000
<v Speaker 1>rock a red lip. There was a scene where she

0:38:14.080 --> 0:38:17.120
<v Speaker 1>looked really great. Yeah, red lip.

0:38:18.160 --> 0:38:19.759
<v Speaker 3>She's cute and she.

0:38:20.160 --> 0:38:23.160
<v Speaker 4>Really started that well, at least from what I saw,

0:38:23.360 --> 0:38:26.040
<v Speaker 4>like that, what was it not the mesh top, but

0:38:26.160 --> 0:38:26.680
<v Speaker 4>what were those?

0:38:28.400 --> 0:38:31.719
<v Speaker 3>It was? It was a polo she wore, but it

0:38:31.840 --> 0:38:33.680
<v Speaker 3>was made of not mesh, but you know what I mean,

0:38:35.920 --> 0:38:41.480
<v Speaker 3>almost but knit cotton, nit cruchet.

0:38:42.800 --> 0:38:45.640
<v Speaker 4>Because it's it's almost see through. You wear your braw underknee.

0:38:45.800 --> 0:38:49.520
<v Speaker 3>They have nowadays mesh mesh mesh.

0:38:50.719 --> 0:38:54.520
<v Speaker 4>I remember her like asking for those and they brought

0:38:54.560 --> 0:38:57.880
<v Speaker 4>them on and that was like her character's thing. And

0:38:58.760 --> 0:39:01.160
<v Speaker 4>I remember it first, kind of saying to her like,

0:39:01.520 --> 0:39:03.400
<v Speaker 4>oh my god, like making fun of her in a

0:39:03.480 --> 0:39:06.720
<v Speaker 4>funny way, and she liked she had her own distinct

0:39:06.760 --> 0:39:09.040
<v Speaker 4>style and she totally added that to the character, like

0:39:09.160 --> 0:39:12.920
<v Speaker 4>she created that style, and then it became huge, and

0:39:13.360 --> 0:39:17.279
<v Speaker 4>of course I copied. But yeah, that was like not

0:39:17.400 --> 0:39:18.000
<v Speaker 4>a thing yet.

0:39:18.680 --> 0:39:21.640
<v Speaker 3>Wait. I was confused by one of her lines. She says.

0:39:23.000 --> 0:39:25.840
<v Speaker 2>To David, I think there are three sides to every story,

0:39:27.239 --> 0:39:29.000
<v Speaker 2>and then there's the truth. And I was like, wait,

0:39:29.200 --> 0:39:31.480
<v Speaker 2>I thought it was there are two sides side and

0:39:31.600 --> 0:39:33.560
<v Speaker 2>then there's a two, so three being the total.

0:39:33.920 --> 0:39:35.320
<v Speaker 3>Wait, what's the third side?

0:39:35.560 --> 0:39:35.600
<v Speaker 5>Is?

0:39:36.080 --> 0:39:41.600
<v Speaker 3>She saying, David, Donna, and Claire. I'm making I guess,

0:39:41.680 --> 0:39:44.759
<v Speaker 3>so no guesses. I have no idea. There's three people

0:39:44.840 --> 0:39:48.799
<v Speaker 3>in that story, so I guess triangle. But I could

0:39:48.840 --> 0:39:51.440
<v Speaker 3>be wrong, I'm used to the two sided story because

0:39:51.440 --> 0:39:52.560
<v Speaker 3>I'm not into triangles.

0:39:54.360 --> 0:39:56.880
<v Speaker 1>Can I also bring up a line and not to

0:39:56.960 --> 0:39:59.160
<v Speaker 1>be mean because I know it was a eulogy at

0:39:59.200 --> 0:40:02.480
<v Speaker 1>a memorial when Steve says there wasn't a dry eye

0:40:02.560 --> 0:40:03.440
<v Speaker 1>in the place.

0:40:03.440 --> 0:40:05.440
<v Speaker 3>And I wanted to be like, there was only a

0:40:05.480 --> 0:40:09.720
<v Speaker 3>dry eyes, like no one was crying, not one person,

0:40:10.280 --> 0:40:13.479
<v Speaker 3>not one person. That's so true. When they panned around

0:40:13.520 --> 0:40:16.400
<v Speaker 3>the audience a lot, they all just looked sort of stoic.

0:40:17.040 --> 0:40:20.360
<v Speaker 3>We were hearing that is that is how it goes.

0:40:20.640 --> 0:40:23.560
<v Speaker 3>There's there's not a dry eye in the place. Well,

0:40:23.600 --> 0:40:27.919
<v Speaker 3>there's three sides to everything. Are You're still in a story? Okay,

0:40:28.719 --> 0:40:31.840
<v Speaker 3>that's how side in the truth? But she says, she.

0:40:31.960 --> 0:40:34.080
<v Speaker 2>Says there are three sides in every story, and then

0:40:34.160 --> 0:40:34.840
<v Speaker 2>there's the truth.

0:40:35.600 --> 0:40:36.239
<v Speaker 3>Oh she said.

0:40:36.280 --> 0:40:38.319
<v Speaker 4>And then instead do you think she just said it wrong?

0:40:38.360 --> 0:40:42.440
<v Speaker 4>And they were like, oh, it's cute leaving in no

0:40:42.520 --> 0:40:43.480
<v Speaker 4>one caught it, so you caught it.

0:40:44.120 --> 0:40:50.359
<v Speaker 3>Also, I was zero has discovered computers and they are

0:40:50.840 --> 0:40:56.640
<v Speaker 3>that laptop, Oh, Felice's laptop. Felice's laptop type type type.

0:40:56.960 --> 0:41:00.360
<v Speaker 3>Claire's at the in the like computer lab or something.

0:41:00.480 --> 0:41:03.680
<v Speaker 1>And then there's the computer at the beach house, like

0:41:04.120 --> 0:41:09.400
<v Speaker 1>we've definitely found computers now and tiny tiers.

0:41:09.560 --> 0:41:12.800
<v Speaker 2>I mean, the world was looking to this show to

0:41:13.040 --> 0:41:16.400
<v Speaker 2>see like what what was up? You know, like the

0:41:16.520 --> 0:41:19.160
<v Speaker 2>world was watching Beverly Hills for the first time, they

0:41:19.200 --> 0:41:22.239
<v Speaker 2>were watching teenage Lives for the first time. So the

0:41:22.320 --> 0:41:25.040
<v Speaker 2>show had a huge responsibility to be progressive and have

0:41:25.360 --> 0:41:29.240
<v Speaker 2>like cell phones and all, you know, all the gadgets everything,

0:41:29.480 --> 0:41:31.800
<v Speaker 2>so that they looked current. I think that was probably

0:41:31.960 --> 0:41:32.800
<v Speaker 2>very just totally.

0:41:33.520 --> 0:41:36.640
<v Speaker 4>I have must questions started my eBay account and beanie

0:41:36.680 --> 0:41:38.000
<v Speaker 4>babies in my dressing room.

0:41:38.840 --> 0:41:42.440
<v Speaker 3>Can we talk about the paint the pant I liked it.

0:41:45.120 --> 0:41:48.960
<v Speaker 3>Do you remember painting? Which did they know? Did that stay?

0:41:49.040 --> 0:41:51.879
<v Speaker 3>I don't think what did they choose? Really? They left

0:41:51.920 --> 0:41:55.160
<v Speaker 3>it like all artsy in this episode, but then does

0:41:55.239 --> 0:41:57.600
<v Speaker 3>it maybe in the next episode we'll see. I don't

0:41:57.600 --> 0:41:59.880
<v Speaker 3>think it's fair. Did they finish the painting shop or

0:42:00.080 --> 0:42:00.400
<v Speaker 3>think so?

0:42:02.200 --> 0:42:05.759
<v Speaker 1>Also, Missus Teasley gets a shout out, although I think

0:42:05.800 --> 0:42:07.799
<v Speaker 1>you said miss Teasley, so I was conn used if

0:42:07.840 --> 0:42:09.240
<v Speaker 1>she was Missus or Miss Teasley.

0:42:10.440 --> 0:42:13.520
<v Speaker 3>Brenda gets a shout out with her ice cream. I

0:42:13.680 --> 0:42:16.320
<v Speaker 3>think it was Missus because I thought she was missus

0:42:16.480 --> 0:42:20.839
<v Speaker 3>missus t yeah, tea. And then did you guys see

0:42:20.840 --> 0:42:24.279
<v Speaker 3>the random girl playing guitar? Just how could you miss it?

0:42:24.760 --> 0:42:30.520
<v Speaker 3>What do you mean? Wait? It does Andrea take her

0:42:30.600 --> 0:42:34.920
<v Speaker 3>baby to school? Everywhere? She takes that baby everywhere? It

0:42:35.080 --> 0:42:37.160
<v Speaker 3>was I didn't know what to ask, but that is

0:42:37.239 --> 0:42:40.080
<v Speaker 3>a lot, Like how what is that protocol? Well, she

0:42:40.200 --> 0:42:42.400
<v Speaker 3>was mad about the daycare. She couldn't do it, so

0:42:42.560 --> 0:42:46.759
<v Speaker 3>I guess she's just bringing her I would have liked that.

0:42:47.000 --> 0:42:48.600
<v Speaker 3>Seemed like I would have liked to have seen her

0:42:48.640 --> 0:42:51.239
<v Speaker 3>work that out with the school system. Yeah, that would

0:42:51.239 --> 0:42:53.600
<v Speaker 3>have been interesting for her to have a storyline, not

0:42:53.719 --> 0:42:56.359
<v Speaker 3>just show up with a baby and everything. Also, did

0:42:56.400 --> 0:42:59.040
<v Speaker 3>you guys see they went to the Ed Vincent School

0:42:59.080 --> 0:43:00.439
<v Speaker 3>of Communication? Yeah?

0:43:00.480 --> 0:43:00.880
<v Speaker 5>What was that?

0:43:01.320 --> 0:43:03.400
<v Speaker 3>Isn't that your dad's partner.

0:43:03.320 --> 0:43:04.080
<v Speaker 4>Duke Vincent?

0:43:04.360 --> 0:43:10.120
<v Speaker 3>Yes, uncle Duke. Did he work on nine O two

0:43:10.160 --> 0:43:13.360
<v Speaker 3>and zero? Mm hm, Well, I mean he was was he.

0:43:13.360 --> 0:43:16.480
<v Speaker 1>Your dad's partner at Spelling Productions or what was he

0:43:16.719 --> 0:43:18.120
<v Speaker 1>he was on all these shows?

0:43:18.840 --> 0:43:22.040
<v Speaker 3>Oh, it's his dynasty and everything. Not his partner but

0:43:22.239 --> 0:43:28.200
<v Speaker 3>like uh executive, like his executive producer right below him?

0:43:29.400 --> 0:43:30.919
<v Speaker 3>M hm oh.

0:43:31.080 --> 0:43:33.960
<v Speaker 2>All very felt felt like this is a pretty good episode.

0:43:34.000 --> 0:43:39.319
<v Speaker 2>I enjoyed the college of it all. But I can

0:43:39.400 --> 0:43:41.600
<v Speaker 2>see Amy how you said maybe it was a little

0:43:41.719 --> 0:43:42.480
<v Speaker 2>slow at times.

0:43:42.600 --> 0:43:44.759
<v Speaker 3>Yeah, I hear's what I think.

0:43:45.440 --> 0:43:49.120
<v Speaker 1>It wasn't that different for me than the episode before.

0:43:50.040 --> 0:43:55.279
<v Speaker 1>They were very similar. Other than Griffin mm hmm. It

0:43:55.440 --> 0:43:58.440
<v Speaker 1>was like one kind of long thing, which I'm not

0:43:58.840 --> 0:44:01.040
<v Speaker 1>mad about. It just was like, I'm ready for a

0:44:01.320 --> 0:44:01.919
<v Speaker 1>little bit.

0:44:01.920 --> 0:44:05.279
<v Speaker 3>More so be drama me too.

0:44:06.200 --> 0:44:09.120
<v Speaker 2>John's like, no, well, maybe that'll come next week. I

0:44:09.200 --> 0:44:10.920
<v Speaker 2>have no idea what's going to happen, you guys, this

0:44:11.000 --> 0:44:11.720
<v Speaker 2>is so exciting.

0:44:12.239 --> 0:44:15.719
<v Speaker 3>Next week we have what's on deck? What's on deck?

0:44:16.400 --> 0:44:21.640
<v Speaker 3>Rave on? Well not rave on? Rave On?

0:44:22.800 --> 0:44:26.000
<v Speaker 4>Literally was like, who's rave on? I don't remember rave on?

0:44:28.200 --> 0:44:28.600
<v Speaker 3>Rave on?

0:44:28.920 --> 0:44:33.719
<v Speaker 2>Season five, episode five. That's y'all's homework for next week.

0:44:33.840 --> 0:44:37.879
<v Speaker 3>Just wait, rate it, rate it, give me your ratings. Oh,

0:44:38.040 --> 0:44:39.520
<v Speaker 3>what did you give last week? You gave a four

0:44:39.520 --> 0:44:40.640
<v Speaker 3>and then you changed it to a six.

0:44:40.800 --> 0:44:45.440
<v Speaker 4>Rightly, gave it three and then I felt bad, super embarrassing.

0:44:45.560 --> 0:44:47.279
<v Speaker 4>I did. I felt embarrassed and changed it to a six.

0:44:47.400 --> 0:44:51.680
<v Speaker 3>Yes, right, okay, So what do you give this week? Okay? Wait?

0:44:51.760 --> 0:44:52.520
<v Speaker 3>Can I ask you guys?

0:44:52.560 --> 0:44:57.600
<v Speaker 4>A friend question, of course, did I really love this

0:44:57.760 --> 0:45:02.080
<v Speaker 4>episode because I had a big more fun parts, or

0:45:02.160 --> 0:45:06.279
<v Speaker 4>did I really liked this episode I can't tell in

0:45:06.400 --> 0:45:08.239
<v Speaker 4>it right or are.

0:45:08.160 --> 0:45:10.880
<v Speaker 1>You coming back to fond memories and like you're crush

0:45:11.040 --> 0:45:13.080
<v Speaker 1>and like the whole thing that you're like blurring?

0:45:13.200 --> 0:45:15.040
<v Speaker 3>Felt like I was really like loose on camera.

0:45:15.440 --> 0:45:18.279
<v Speaker 4>Nope, not loose. Well, Donna is a little too loose

0:45:18.320 --> 0:45:22.200
<v Speaker 4>on camera, but I felt frear to be me. I

0:45:22.280 --> 0:45:26.160
<v Speaker 4>felt like I was more tory in this episode than Donna.

0:45:27.000 --> 0:45:29.839
<v Speaker 4>And they did a drinking competition every time I put

0:45:29.880 --> 0:45:33.920
<v Speaker 4>my hand on my hips. Did you notice that it

0:45:34.080 --> 0:45:34.799
<v Speaker 4>was way too much?

0:45:34.920 --> 0:45:38.279
<v Speaker 3>I noticed the clippies. I noticed the clippies.

0:45:38.760 --> 0:45:42.320
<v Speaker 4>Okay, wait at the I'm embarrassed, big party.

0:45:42.480 --> 0:45:48.880
<v Speaker 3>Two little clipp eight. Oh, I give it an you

0:45:49.000 --> 0:45:51.120
<v Speaker 3>meat eight clippies. I was like, no, you just had two.

0:45:51.400 --> 0:45:54.239
<v Speaker 3>I give it an eight too. I'll give it a

0:45:54.320 --> 0:45:54.719
<v Speaker 3>point five.

0:45:55.200 --> 0:45:57.080
<v Speaker 2>All right, all right, it's a good one. It's a

0:45:57.320 --> 0:46:00.279
<v Speaker 2>little bit stronger than last week. Let's it's hope the

0:46:00.320 --> 0:46:02.240
<v Speaker 2>next one goes to the same direction.

0:46:03.040 --> 0:46:05.520
<v Speaker 4>I don't want to see Valerie and Steve go on

0:46:05.560 --> 0:46:07.520
<v Speaker 4>a date or anything like. That's not going to happen.

0:46:07.600 --> 0:46:11.120
<v Speaker 3>Can you assure me? Can you shure us? Amy sles Sorr,

0:46:11.160 --> 0:46:15.319
<v Speaker 3>I fell asleep If that happens, that really hurts when

0:46:15.360 --> 0:46:16.760
<v Speaker 3>you hit your four out of the microphone.

0:46:18.200 --> 0:46:23.239
<v Speaker 2>Yeah, thanks, I don't think now again, ste He's gonna

0:46:23.239 --> 0:46:26.239
<v Speaker 2>get played and he's gonna hate Dylan even more.

0:46:27.080 --> 0:46:29.040
<v Speaker 3>Your same storyline over over.

0:46:30.920 --> 0:46:32.759
<v Speaker 4>They're just not meant to be friends.

0:46:32.840 --> 0:46:35.080
<v Speaker 3>Oh, shout out to nat though we need to get

0:46:35.120 --> 0:46:37.600
<v Speaker 3>mad a shadow. Don't talk about that. Yeah, he really,

0:46:38.560 --> 0:46:44.920
<v Speaker 3>he really did the right thing with Brandon, Yes he did.

0:46:45.080 --> 0:46:48.800
<v Speaker 3>He did such a nice job of giving him advice.

0:46:49.280 --> 0:46:52.960
<v Speaker 4>Yeah, and some fries and he'll stay fansome in that scene.

0:46:53.200 --> 0:46:56.160
<v Speaker 3>We really did. Yeah, that was a sweet scene and

0:46:56.560 --> 0:46:59.560
<v Speaker 3>he was Yeah, that was great. Had some good girls

0:46:59.600 --> 0:47:03.880
<v Speaker 3>and bad girls, some fun girls all around it. Some

0:47:04.000 --> 0:47:07.080
<v Speaker 3>egg peeling. I can't wait to see if Dylan's chopp And.

0:47:09.200 --> 0:47:11.960
<v Speaker 4>They smell like that's why you don't like them. Also

0:47:12.280 --> 0:47:13.200
<v Speaker 4>because they smell.

0:47:13.719 --> 0:47:19.919
<v Speaker 3>They do smell. They do smell. They smell because creek wait,

0:47:20.040 --> 0:47:21.839
<v Speaker 3>do I know why? No, because it doesn't come out

0:47:21.880 --> 0:47:25.560
<v Speaker 3>of the come out of the hooter. No, not hooter, cooter,

0:47:25.760 --> 0:47:30.800
<v Speaker 3>no cooter know. Yeah, but I never knew that. I

0:47:30.960 --> 0:47:32.240
<v Speaker 3>never knew the it's just gross.

0:47:32.320 --> 0:47:35.240
<v Speaker 2>Have you ever Okay, well, if you've ever had chickens

0:47:35.320 --> 0:47:37.200
<v Speaker 2>and you've seen them lay eggs and then you look

0:47:37.239 --> 0:47:39.960
<v Speaker 2>at the egg, you wouldn't eat the egg. People just

0:47:40.040 --> 0:47:43.840
<v Speaker 2>saying they get washed before they go to the grocery store.

0:47:44.160 --> 0:47:49.040
<v Speaker 4>Well, based on the sound they make while they're having ling.

0:47:49.200 --> 0:47:53.719
<v Speaker 3>Okay, no, it's they make us sound when they're laying

0:47:53.800 --> 0:48:03.479
<v Speaker 3>the eggs. It hurts, no, legs, legs and eggs being laid. Yeah,

0:48:05.200 --> 0:48:07.520
<v Speaker 3>it doesn't. It's not a it's not a fun thing

0:48:07.719 --> 0:48:12.400
<v Speaker 3>to do. Apparently. Oh my god. Oh okay, guys, I

0:48:12.480 --> 0:48:13.919
<v Speaker 3>gotta go. We gotta go, We gotta