1 00:00:00,240 --> 00:00:05,520 Speaker 1: It's nine O Genegen with Jenny Garth and Tory Spelling. 2 00:00:09,880 --> 00:00:14,560 Speaker 2: Oh boy, you guys, we are here with another episode 3 00:00:14,560 --> 00:00:18,680 Speaker 2: of nine O two one O MG. And Toy's here, 4 00:00:18,760 --> 00:00:20,640 Speaker 2: Amy's here, Jenny's here, We're all here. 5 00:00:20,760 --> 00:00:21,640 Speaker 3: We're here, We're here. 6 00:00:23,000 --> 00:00:25,840 Speaker 1: Sometimes I wish everyone listening could get them behind the 7 00:00:25,880 --> 00:00:26,880 Speaker 1: scenes like I get. 8 00:00:28,720 --> 00:00:31,920 Speaker 2: Well, they basically do because we have not a lot 9 00:00:31,960 --> 00:00:35,320 Speaker 2: of filters, so what goes on in the next hour 10 00:00:35,440 --> 00:00:36,720 Speaker 2: is basically behind the scenes. 11 00:00:37,560 --> 00:00:42,720 Speaker 3: I'm welcome what we just got to view your hot pants? Joy, 12 00:00:42,840 --> 00:00:46,040 Speaker 3: So everybody and Jen? What were they? 13 00:00:46,400 --> 00:00:51,360 Speaker 2: Amy, just for the record, has taken this podcasting casual 14 00:00:52,240 --> 00:00:56,600 Speaker 2: apparel to the next level. And she's wearing hot pants. 15 00:00:56,800 --> 00:01:00,840 Speaker 2: That's right, hot pants, but they have a dalmation pattern 16 00:01:00,920 --> 00:01:03,040 Speaker 2: on them, which I. 17 00:01:02,920 --> 00:01:06,080 Speaker 1: Look normal on top, but I was running into the 18 00:01:06,200 --> 00:01:07,560 Speaker 1: room and the camera was on. 19 00:01:08,080 --> 00:01:14,440 Speaker 3: Jesus, you guys don't weary my pajamas on the bottom. 20 00:01:14,319 --> 00:01:18,160 Speaker 3: I'm just wearing underwear. That's okay. 21 00:01:18,160 --> 00:01:21,720 Speaker 4: We both said hotpants, but I feel like that's our generation. 22 00:01:22,840 --> 00:01:28,160 Speaker 3: The booty shorts they called their back too. I know. 23 00:01:29,720 --> 00:01:32,360 Speaker 1: What's crazy is how much of the fashion in this 24 00:01:32,400 --> 00:01:34,120 Speaker 1: season is back. 25 00:01:35,640 --> 00:01:38,720 Speaker 3: Yes, because the crop tops, it's so good. 26 00:01:39,760 --> 00:01:43,640 Speaker 1: What what Donna Ward of the fraternity party. 27 00:01:42,840 --> 00:01:48,120 Speaker 3: Now we haven't already introduced the episode yet. Good lord woman, 28 00:01:48,200 --> 00:01:50,600 Speaker 3: there's an order. I think hot pants. 29 00:01:51,840 --> 00:01:56,200 Speaker 2: You need a gavel, like you need a gvel, So 30 00:01:56,360 --> 00:01:58,280 Speaker 2: you know what, I have a gavel? 31 00:01:58,560 --> 00:02:00,800 Speaker 3: Oh my god? Oh yeah, that would be good. 32 00:02:00,880 --> 00:02:01,240 Speaker 4: Get it. 33 00:02:01,320 --> 00:02:03,840 Speaker 3: And when we go off track, you coop, I know 34 00:02:03,920 --> 00:02:06,120 Speaker 3: I gotta fight Jenn. He brings out dad's gavel. He 35 00:02:06,240 --> 00:02:09,280 Speaker 3: was a teacher and he had a gavel on his desk. Oh, 36 00:02:09,440 --> 00:02:12,560 Speaker 3: that'spen I need that. Brandon was aggressive with that. 37 00:02:12,960 --> 00:02:17,160 Speaker 2: Yeah the ex Okay, okay, guys, guys, guys go back. 38 00:02:17,320 --> 00:02:21,079 Speaker 2: Season five, episode four, Life After Death aired September twenty eighth, 39 00:02:21,160 --> 00:02:21,919 Speaker 2: nineteen ninety four. 40 00:02:22,760 --> 00:02:26,280 Speaker 4: Synopsis. Brandon is devastated by Josh's death, and Kelly can't 41 00:02:26,280 --> 00:02:28,799 Speaker 4: seem to make him feel better. Dylan and Valerie bond 42 00:02:28,880 --> 00:02:32,240 Speaker 4: over the loss of their dads. Claire starts falling for David, 43 00:02:32,639 --> 00:02:36,640 Speaker 4: but has no idea he's done his former love yikes. Meanwhile, 44 00:02:36,800 --> 00:02:38,799 Speaker 4: missus Martin sets Donna up on a blind date with 45 00:02:38,840 --> 00:02:40,880 Speaker 4: the boy she already had her eyes on, and Steve 46 00:02:40,960 --> 00:02:43,000 Speaker 4: gets saved by Brandon after the cops show up at 47 00:02:43,040 --> 00:02:43,640 Speaker 4: his frat party. 48 00:02:44,960 --> 00:02:47,720 Speaker 3: This was an action packed episode. I will say this. 49 00:02:48,240 --> 00:02:49,639 Speaker 3: I mean not like you know. 50 00:02:50,080 --> 00:02:52,239 Speaker 2: This was the aftermath of Josh dying, so there was 51 00:02:52,280 --> 00:02:55,560 Speaker 2: no big blow ups or big things that really happened, But. 52 00:02:55,600 --> 00:02:57,200 Speaker 3: There was just a lot of stories going on. 53 00:02:58,000 --> 00:03:00,799 Speaker 1: Yes, half of which were amazing and then half of 54 00:03:01,000 --> 00:03:04,880 Speaker 1: which were a little bit snoozy, snoozy little yeah. 55 00:03:06,120 --> 00:03:08,560 Speaker 3: I don't know. It had me all feeling nine O 56 00:03:08,639 --> 00:03:12,720 Speaker 3: two one OHI yeah, yes, yeah, it was a real 57 00:03:13,880 --> 00:03:14,480 Speaker 3: it last week. 58 00:03:15,160 --> 00:03:15,560 Speaker 5: This is. 59 00:03:17,440 --> 00:03:22,079 Speaker 3: Full on. I really liked the writing in this episode. 60 00:03:25,840 --> 00:03:27,800 Speaker 2: Wait and I didn't even say It was directed by 61 00:03:27,880 --> 00:03:30,480 Speaker 2: James Whitmore Junior and written by Jessica Klein and Steve Wasserman. 62 00:03:30,720 --> 00:03:37,200 Speaker 2: So that explains that because there were our faves, Yes, totally. 63 00:03:37,320 --> 00:03:40,600 Speaker 4: There was the banter perspective and a femaletive. 64 00:03:40,640 --> 00:03:44,160 Speaker 1: Yeah, there was the witty, sort of cheesy banter which 65 00:03:45,040 --> 00:03:47,760 Speaker 1: I got a lot of messages that people love. 66 00:03:47,680 --> 00:03:50,600 Speaker 3: The double Icondre, even though I was like it's barf. 67 00:03:51,280 --> 00:03:52,440 Speaker 3: A lot of people loved that. 68 00:03:52,920 --> 00:03:57,720 Speaker 1: They do really, yes, oh yes, there's a lot of 69 00:03:58,400 --> 00:04:00,360 Speaker 1: Valerie Dylan people. 70 00:04:00,920 --> 00:04:06,160 Speaker 3: We oh, okay say more. Yeah, they just think it's 71 00:04:06,320 --> 00:04:11,520 Speaker 3: great and that I was wrong, which, okay, sure, I. 72 00:04:11,840 --> 00:04:15,520 Speaker 2: Don't like that all that sex banter either that all 73 00:04:15,640 --> 00:04:18,039 Speaker 2: that you know, dirty in your windows. 74 00:04:18,120 --> 00:04:22,320 Speaker 3: There we have some of it again, and so I 75 00:04:22,520 --> 00:04:24,560 Speaker 3: tried to be more open minded to it. Well we 76 00:04:24,920 --> 00:04:28,440 Speaker 3: can get to it. But she definitely it wasn't. 77 00:04:29,000 --> 00:04:34,720 Speaker 2: Crazy y, no, big, Clearly you want to jump in 78 00:04:34,800 --> 00:04:36,680 Speaker 2: and talk about Val and Dylan. 79 00:04:36,760 --> 00:04:40,400 Speaker 3: So let's just do it. I mean, I'm kind of 80 00:04:40,440 --> 00:04:41,040 Speaker 3: down to do it. 81 00:04:41,520 --> 00:04:45,800 Speaker 4: I didn't remember what may may I just bring this up? 82 00:04:46,080 --> 00:04:48,760 Speaker 4: What should we however, maybe start with Josh so we 83 00:04:48,880 --> 00:04:50,560 Speaker 4: get the sad part out of the way and then 84 00:04:50,600 --> 00:04:51,080 Speaker 4: can go fun. 85 00:04:51,279 --> 00:04:53,640 Speaker 3: Okay, fine, because it does idea. 86 00:04:53,760 --> 00:04:55,960 Speaker 4: Actually I'm just saying, I'm just saying, well, we can't 87 00:04:56,000 --> 00:04:57,800 Speaker 4: really start with Josh because Josh is dead. 88 00:04:58,160 --> 00:05:01,120 Speaker 3: Go okay, we're done. 89 00:05:03,120 --> 00:05:04,160 Speaker 4: And next storyline. 90 00:05:04,360 --> 00:05:07,400 Speaker 3: I know, I have a few thoughts Kelly. 91 00:05:08,240 --> 00:05:12,560 Speaker 1: Kelly is aware that she doesn't always say quite the 92 00:05:12,680 --> 00:05:17,600 Speaker 1: right thing, because we've seen almost that exact moment play out. 93 00:05:17,960 --> 00:05:20,839 Speaker 3: But then yet she does find a way to say 94 00:05:20,920 --> 00:05:22,000 Speaker 3: exactly the right thing. 95 00:05:23,480 --> 00:05:23,720 Speaker 5: I know. 96 00:05:23,800 --> 00:05:26,680 Speaker 2: I feel like this is another example when she's like 97 00:05:26,839 --> 00:05:29,520 Speaker 2: in a situation she doesn't really know how to handle it, 98 00:05:29,880 --> 00:05:34,800 Speaker 2: so she just gets quiet, like she doesn't say anything, 99 00:05:34,920 --> 00:05:39,960 Speaker 2: and that's kind of seen as not understanding or not compassionate. 100 00:05:40,040 --> 00:05:42,000 Speaker 3: But she doesn't know what to say or do. I mean, 101 00:05:42,360 --> 00:05:44,560 Speaker 3: who knows, especially at that age, what to say or 102 00:05:44,640 --> 00:05:47,880 Speaker 3: do in this situation when your boyfriend's just had this 103 00:05:48,000 --> 00:05:48,640 Speaker 3: happen to him. 104 00:05:49,920 --> 00:05:52,440 Speaker 4: True, but I thought it was a really nice build 105 00:05:53,040 --> 00:05:54,840 Speaker 4: from the beginning of where she didn't know what to 106 00:05:54,920 --> 00:05:57,600 Speaker 4: say and how it was misinterpreted by Brandon to the 107 00:05:57,760 --> 00:05:59,680 Speaker 4: end scene, which you were brilliant in. 108 00:05:59,920 --> 00:06:01,000 Speaker 3: I love that scene. 109 00:06:02,160 --> 00:06:03,840 Speaker 2: Yeah, I was happy that she went to talk to 110 00:06:03,960 --> 00:06:07,920 Speaker 2: Andrea and those two. You know, Andrea kind of does 111 00:06:07,960 --> 00:06:10,040 Speaker 2: that with Donna, she does it with all the characters, 112 00:06:10,120 --> 00:06:12,960 Speaker 2: really give them that sage advice, just like she does 113 00:06:13,040 --> 00:06:16,960 Speaker 2: in real life gab So it works. And I always 114 00:06:17,040 --> 00:06:20,440 Speaker 2: love those cutes because it's it's like the dynamics of 115 00:06:20,680 --> 00:06:21,720 Speaker 2: us in real life. 116 00:06:22,200 --> 00:06:23,039 Speaker 3: Wait, that's cute. 117 00:06:23,080 --> 00:06:25,760 Speaker 1: So is that you kind of would go to Gabrielle 118 00:06:26,120 --> 00:06:29,080 Speaker 1: for that same kind of advice, wisdom. 119 00:06:29,040 --> 00:06:33,719 Speaker 3: Calm, go to I was gonna say the same explain 120 00:06:33,960 --> 00:06:36,320 Speaker 3: like she was just there, or she would she would 121 00:06:36,320 --> 00:06:40,480 Speaker 3: be willing to give the advice. She's just there. In 122 00:06:40,640 --> 00:06:41,560 Speaker 3: your moment of need. 123 00:06:41,960 --> 00:06:47,520 Speaker 2: And she is just very she knows when to speak 124 00:06:47,640 --> 00:06:49,599 Speaker 2: and when you need to hear something. 125 00:06:50,880 --> 00:06:54,000 Speaker 4: Yeah, in a mature way that when we were young 126 00:06:54,080 --> 00:06:55,600 Speaker 4: and we didn't know what to say to each other, 127 00:06:55,800 --> 00:07:00,680 Speaker 4: she would just step in and give her opinion. She 128 00:07:00,839 --> 00:07:06,599 Speaker 4: was married by now, I mean, but yeah, just. 129 00:07:06,640 --> 00:07:13,720 Speaker 3: Like literally literally yeah, But I I felt like that. 130 00:07:14,240 --> 00:07:19,560 Speaker 2: I did enjoy the build between Brandon and Kelly, the 131 00:07:19,640 --> 00:07:22,640 Speaker 2: way he was just searching and so lost. And I 132 00:07:22,800 --> 00:07:26,720 Speaker 2: really loved his acting in this episode, Jason's acting. I 133 00:07:26,800 --> 00:07:30,320 Speaker 2: didn't love that that the show started on the eulogy, 134 00:07:30,680 --> 00:07:34,640 Speaker 2: and and I didn't love the way his eulogy was written, 135 00:07:34,800 --> 00:07:37,480 Speaker 2: just because it felt very like a political guy, like 136 00:07:37,520 --> 00:07:41,520 Speaker 2: I don't know, it wasn't like real talk. Yeah, but 137 00:07:41,760 --> 00:07:45,080 Speaker 2: the emotional roller that he went through throughout the whole 138 00:07:45,120 --> 00:07:48,640 Speaker 2: episode was really fun to watch and touching and real, 139 00:07:48,840 --> 00:07:51,480 Speaker 2: you know, because it took him a while to just 140 00:07:51,800 --> 00:07:53,960 Speaker 2: sort of I mean, by no means is he over 141 00:07:54,040 --> 00:07:58,200 Speaker 2: the grieving process, but you got to see effects of 142 00:07:58,280 --> 00:07:59,520 Speaker 2: something and how. 143 00:07:59,560 --> 00:08:01,920 Speaker 3: It you know, he tried to rally for Steve. He 144 00:08:02,000 --> 00:08:04,840 Speaker 3: tried to go to that party. Yep, yep, so insensitive 145 00:08:05,080 --> 00:08:07,720 Speaker 3: Steve by the way Steve's. 146 00:08:09,000 --> 00:08:15,000 Speaker 1: I'm focused on mine's hair, was Iron's a bit I mean, 147 00:08:15,080 --> 00:08:19,520 Speaker 1: sorry not Ian Steve. Pardon me is always about about Steve. 148 00:08:20,720 --> 00:08:22,240 Speaker 1: At the end of the day, he does have a 149 00:08:22,280 --> 00:08:22,720 Speaker 1: little of that. 150 00:08:23,360 --> 00:08:25,360 Speaker 2: But I love that that that's the way that character 151 00:08:25,440 --> 00:08:28,560 Speaker 2: is written because that's how people are. That's exactly there's 152 00:08:28,560 --> 00:08:30,640 Speaker 2: something especially in college. 153 00:08:31,240 --> 00:08:35,560 Speaker 4: Yeah, is it just me or did I was gonna 154 00:08:35,559 --> 00:08:40,360 Speaker 4: say Jason, But did Brandon Walsh look especially sexy this episode? 155 00:08:40,520 --> 00:08:42,240 Speaker 3: Like that's different from last episode? 156 00:08:43,040 --> 00:08:43,240 Speaker 5: Yeah? 157 00:08:43,400 --> 00:08:45,760 Speaker 3: You know what it is? I think his maypy his 158 00:08:46,360 --> 00:08:48,719 Speaker 3: I don't know. I don't know if it's the neck, 159 00:08:48,760 --> 00:08:52,080 Speaker 3: but he just felt grounded. He felt like. 160 00:08:54,440 --> 00:08:57,360 Speaker 2: There was a quiet sexiness about him in this episode 161 00:08:57,400 --> 00:08:59,880 Speaker 2: and it was not over and it was not like chomping, 162 00:09:00,520 --> 00:09:05,280 Speaker 2: and it was just like I like that, like meaningful, thoughtful, 163 00:09:05,360 --> 00:09:06,360 Speaker 2: mindful Brandon. 164 00:09:07,080 --> 00:09:10,280 Speaker 1: Yeah, because he had to play it like he was 165 00:09:10,440 --> 00:09:15,400 Speaker 1: more going through this heavy stuff in this episodeode, Can. 166 00:09:15,320 --> 00:09:17,679 Speaker 3: I ask a question? I love Yes, I love that. 167 00:09:17,760 --> 00:09:20,040 Speaker 3: I mean I I just was all about the physical, 168 00:09:20,360 --> 00:09:23,559 Speaker 3: but yes, it came from inside. 169 00:09:24,840 --> 00:09:28,280 Speaker 1: I do feel like Kelly ends up with men that 170 00:09:28,440 --> 00:09:30,640 Speaker 1: are a little bit not totally in touch with. 171 00:09:30,960 --> 00:09:32,960 Speaker 3: What they're really experiencing. 172 00:09:33,160 --> 00:09:34,280 Speaker 1: Do you know what I'm saying, Like, you know, in 173 00:09:34,360 --> 00:09:38,000 Speaker 1: the bedroom. Yes, when he it just reminded me of 174 00:09:38,120 --> 00:09:40,280 Speaker 1: like I've seen this before with Dylan. 175 00:09:40,840 --> 00:09:42,240 Speaker 3: So he comes in. 176 00:09:42,480 --> 00:09:45,679 Speaker 1: He obviously didn't want to be alone, and you're like 177 00:09:46,320 --> 00:09:49,439 Speaker 1: trying your best, You're still just a twenty something. Do 178 00:09:49,480 --> 00:09:51,160 Speaker 1: you want to get in the bed? Do you want 179 00:09:51,160 --> 00:09:51,520 Speaker 1: to talk? 180 00:09:51,840 --> 00:09:55,040 Speaker 3: And then they get so huffy, like y, I just 181 00:09:55,320 --> 00:09:57,199 Speaker 3: maybe I do want to be alone, and it's like 182 00:09:58,679 --> 00:10:02,840 Speaker 3: you didn't do anything. She's got patience, man to deal 183 00:10:02,880 --> 00:10:07,079 Speaker 3: with these drama queens. You know what it is like? 184 00:10:07,200 --> 00:10:09,719 Speaker 4: I feel like people drive really far to get to 185 00:10:09,800 --> 00:10:13,120 Speaker 4: that beach house and they leave real quick. So like Brandon, 186 00:10:13,240 --> 00:10:14,160 Speaker 4: that was a far drive. 187 00:10:14,440 --> 00:10:18,120 Speaker 3: It's close. We'll cut later with David. Yeah, no, it's 188 00:10:18,200 --> 00:10:20,480 Speaker 3: so true. People don't just stop in when you live 189 00:10:21,120 --> 00:10:25,480 Speaker 3: and you know, where does that Huntington Beach? Except for David, 190 00:10:25,559 --> 00:10:27,480 Speaker 3: he came in and right so for sake of the show, 191 00:10:27,520 --> 00:10:28,520 Speaker 3: it was probably Malibu. 192 00:10:28,679 --> 00:10:29,040 Speaker 4: I don't know. 193 00:10:29,720 --> 00:10:34,920 Speaker 3: Yeah, they've been yeah, yeah, but. 194 00:10:35,040 --> 00:10:37,800 Speaker 1: Yeah, Kelly always ends up with men, and I don't 195 00:10:37,800 --> 00:10:42,160 Speaker 1: want to say always, but there are similarities between Brandon 196 00:10:42,240 --> 00:10:47,559 Speaker 1: dealing with emotions and Dylan. They just aren't quite evolved 197 00:10:47,679 --> 00:10:50,560 Speaker 1: to like realize, Oh wait, I'm not really mad at 198 00:10:50,640 --> 00:10:51,080 Speaker 1: you or. 199 00:10:51,120 --> 00:10:52,199 Speaker 3: Even upset at you. 200 00:10:52,360 --> 00:10:58,160 Speaker 1: I'm just devastated by this situations. 201 00:10:56,280 --> 00:10:59,360 Speaker 4: Like all young twenty year old boys. 202 00:10:59,760 --> 00:11:02,400 Speaker 3: Yeah, yeah, that's actually written pretty accurately. 203 00:11:02,559 --> 00:11:04,599 Speaker 4: I just tried to do like the history check in 204 00:11:04,679 --> 00:11:05,520 Speaker 4: the roster check. 205 00:11:06,120 --> 00:11:08,120 Speaker 3: Does that pan out? Does she? Wait? 206 00:11:08,720 --> 00:11:10,960 Speaker 4: I'm trying to think of all the boyfriends Kelly had 207 00:11:11,160 --> 00:11:15,160 Speaker 4: and Steve, they were all well, he wasn't unemotionally attached. 208 00:11:16,400 --> 00:11:18,360 Speaker 3: Well, later she gets some bad dudes. 209 00:11:19,120 --> 00:11:21,400 Speaker 4: I went straight from Brandon to Matt Dirning and that. 210 00:11:21,520 --> 00:11:22,680 Speaker 4: There's there's more in between. 211 00:11:22,920 --> 00:11:25,160 Speaker 3: There's so many more. The only ones I can remember 212 00:11:25,200 --> 00:11:27,680 Speaker 3: are Dylan and Brandon at this point. Oh what about 213 00:11:27,679 --> 00:11:31,120 Speaker 3: the one that gets into drugs? Oh, Colin John Sears, 214 00:11:31,400 --> 00:11:34,200 Speaker 3: But he wasn't a boy John J. Sears. Yuck. 215 00:11:36,080 --> 00:11:38,559 Speaker 4: I didn't even leave a blanket down for you. 216 00:11:39,240 --> 00:11:44,000 Speaker 1: I don't think people were appropriately dressed at that eulogy funeral. 217 00:11:45,160 --> 00:11:48,160 Speaker 4: Okay, agreed, Like I went first of all, I called 218 00:11:48,200 --> 00:11:50,040 Speaker 4: it out, like in my brain, I was like, wait, 219 00:11:50,120 --> 00:11:52,120 Speaker 4: Steve's wearing a polo to a funeral. 220 00:11:52,400 --> 00:11:54,480 Speaker 3: But then I was like wait, is it on the 221 00:11:54,840 --> 00:11:55,640 Speaker 3: campus right? 222 00:11:55,840 --> 00:11:57,880 Speaker 1: Yeah, it was like maybe it was just the campus 223 00:11:58,080 --> 00:12:02,160 Speaker 1: memorial and what is Oh okay, it was a. 224 00:12:02,240 --> 00:12:06,959 Speaker 4: Weird look when we looked at one of his memorials 225 00:12:07,000 --> 00:12:10,360 Speaker 4: there was a lot of flowers there, and purple ones 226 00:12:10,440 --> 00:12:13,079 Speaker 4: growing out of Brandon's head. I was very distracted. 227 00:12:14,080 --> 00:12:16,680 Speaker 1: Sorry the al many flowers and a lot of stained 228 00:12:16,760 --> 00:12:19,360 Speaker 1: glass in this episode. I didn't realize the Martins also 229 00:12:19,520 --> 00:12:23,560 Speaker 1: have stained green glass and koyfish. 230 00:12:23,600 --> 00:12:27,160 Speaker 3: Remember the koyfish John by the entry? Oh no, inside 231 00:12:27,200 --> 00:12:28,360 Speaker 3: the Foyers. 232 00:12:28,559 --> 00:12:28,719 Speaker 2: Yeah. 233 00:12:28,800 --> 00:12:32,439 Speaker 3: Oh did they show the coopisode? Not in this episode, 234 00:12:32,480 --> 00:12:35,600 Speaker 3: but oh I would have loved to see that. What wait, 235 00:12:35,760 --> 00:12:38,280 Speaker 3: we should just I mean, are we done talking about 236 00:12:38,320 --> 00:12:38,880 Speaker 3: Brandon or no? 237 00:12:39,840 --> 00:12:42,680 Speaker 4: Let me think, well, we have to talk about Josh's 238 00:12:42,920 --> 00:12:43,959 Speaker 4: Joshua was sister. 239 00:12:44,120 --> 00:12:47,600 Speaker 3: Oh yeah, and the I Love you I think there 240 00:12:47,679 --> 00:12:52,720 Speaker 3: was a very poignant I love you there. Nancy Sorell 241 00:12:53,120 --> 00:13:00,800 Speaker 3: played Gloria Richland and she was great. Yeah, that was good. 242 00:13:01,400 --> 00:13:04,040 Speaker 3: I mean it was like, what do you really do 243 00:13:04,240 --> 00:13:08,839 Speaker 3: with that role? But be the grieving sister. 244 00:13:09,760 --> 00:13:13,920 Speaker 1: Only was a little confused how the letter that Josh 245 00:13:14,040 --> 00:13:17,000 Speaker 1: sent got to the mom with the photo and then 246 00:13:17,120 --> 00:13:20,640 Speaker 1: all the way back to Beverly Hills in like a 247 00:13:20,960 --> 00:13:21,439 Speaker 1: stop it. 248 00:13:22,440 --> 00:13:27,360 Speaker 3: But I was willing to sacrifice the impossibility of that. 249 00:13:28,040 --> 00:13:30,199 Speaker 1: I was like, okay, maybe the facts the letter was 250 00:13:30,320 --> 00:13:34,240 Speaker 1: faxed back because it was all typed, but then the photo. 251 00:13:34,600 --> 00:13:39,440 Speaker 4: Got back, so that is where the whole thing was going. 252 00:13:39,600 --> 00:13:41,840 Speaker 4: I thought it was building to something. It was going 253 00:13:41,920 --> 00:13:44,679 Speaker 4: to be like plot twist and then no, just a 254 00:13:44,760 --> 00:13:45,480 Speaker 4: grieving sister. 255 00:13:47,200 --> 00:13:50,520 Speaker 2: But her whole point was to deliver that letter so 256 00:13:50,640 --> 00:13:54,960 Speaker 2: that BRANDI could then come to terms with his relationship 257 00:13:55,880 --> 00:13:57,800 Speaker 2: because he was I think he was feeling so guilty 258 00:13:57,920 --> 00:14:01,079 Speaker 2: and he was, you know, he didn't know how to 259 00:14:01,480 --> 00:14:04,880 Speaker 2: mourn because he was feeling guilty himself for not being 260 00:14:04,920 --> 00:14:07,679 Speaker 2: a better friend or for for all the things. And 261 00:14:07,760 --> 00:14:11,959 Speaker 2: then that kind of helped him get through that phase 262 00:14:12,040 --> 00:14:12,199 Speaker 2: of it. 263 00:14:12,720 --> 00:14:15,560 Speaker 3: He hated that dude. You both did for quite a while. 264 00:14:15,800 --> 00:14:16,679 Speaker 3: What did you say to him? 265 00:14:16,800 --> 00:14:20,840 Speaker 1: Remember at the camp out thing, you had some line 266 00:14:20,920 --> 00:14:23,360 Speaker 1: to Josh. It was like it was kind of like 267 00:14:23,480 --> 00:14:25,440 Speaker 1: make like a treely. 268 00:14:25,360 --> 00:14:28,840 Speaker 3: Josh, Yeah, that's right, it was kind of like that. 269 00:14:29,040 --> 00:14:31,720 Speaker 3: She told him. We'd have a question. 270 00:14:31,920 --> 00:14:34,920 Speaker 4: Do you think the blue sweater from Josh toa Brandon 271 00:14:35,160 --> 00:14:38,600 Speaker 4: will come back in a future episode or the sweater 272 00:14:38,760 --> 00:14:42,920 Speaker 4: will meet the faith of Emily Valentine, just never come, never, 273 00:14:43,160 --> 00:14:43,960 Speaker 4: never seen again. 274 00:14:44,280 --> 00:14:45,800 Speaker 3: Yeah, just asking for a friend. 275 00:14:45,880 --> 00:14:48,680 Speaker 2: Okay, yeah, he buried that in his time capsule along 276 00:14:48,720 --> 00:14:54,360 Speaker 2: with Emily Valentine. Excellent, but yeah, Amy to your point 277 00:14:55,120 --> 00:14:58,080 Speaker 2: the end. Then we'll wrap this one up up the 278 00:14:58,480 --> 00:15:02,480 Speaker 2: end with Kelly Brandon. I love the way Kelly is 279 00:15:02,560 --> 00:15:04,720 Speaker 2: just in her room a lot in this episode, and 280 00:15:04,840 --> 00:15:10,880 Speaker 2: it's very decorated. It's very moody red and very yeah, like. 281 00:15:10,960 --> 00:15:15,320 Speaker 1: I don't know many wine apartments that have that much 282 00:15:15,480 --> 00:15:16,560 Speaker 1: decor at the dark. 283 00:15:16,640 --> 00:15:18,240 Speaker 3: And then did you guys notice there's. 284 00:15:18,120 --> 00:15:20,480 Speaker 4: A shelf on the wall, pillar candle, Yes, the. 285 00:15:20,560 --> 00:15:23,040 Speaker 1: Pillar candles, shelf on the wall with a photo on it. 286 00:15:23,080 --> 00:15:24,440 Speaker 1: And I tried so hard to zoom in. 287 00:15:24,640 --> 00:15:27,920 Speaker 3: Is that Brandon? There's a photo of just one person. 288 00:15:29,360 --> 00:15:32,920 Speaker 3: I don't know, I didn't see. It's it's very what 289 00:15:33,080 --> 00:15:34,160 Speaker 3: would we call that? 290 00:15:34,680 --> 00:15:37,840 Speaker 4: Maybe it's a signed photo from Brandon to Kelly, like 291 00:15:38,080 --> 00:15:39,160 Speaker 4: Dylan wrote to Brenda. 292 00:15:39,840 --> 00:15:43,520 Speaker 3: Very very good point. Could be, could be it's z 293 00:15:43,800 --> 00:15:47,120 Speaker 3: gallery wrong to describe that room as a no. No, 294 00:15:47,600 --> 00:15:52,320 Speaker 3: that feels more pure one imports mm hmm. Sure, very 295 00:15:52,720 --> 00:15:53,640 Speaker 3: very decorated. 296 00:15:54,360 --> 00:15:57,120 Speaker 2: The gallery was too cool for Kelly at that time. 297 00:15:58,280 --> 00:16:00,920 Speaker 2: But I really felt like at the end in that 298 00:16:01,080 --> 00:16:07,680 Speaker 2: scene when he he can receive her help and love 299 00:16:08,480 --> 00:16:10,280 Speaker 2: and he says I love you, I was like, Oh, 300 00:16:11,000 --> 00:16:17,720 Speaker 2: now I see Kelly and Brandon relationship, Like it became 301 00:16:17,800 --> 00:16:19,680 Speaker 2: really clear that they're so good together. 302 00:16:20,520 --> 00:16:23,520 Speaker 1: Yes, I almost I'm going to say such a controversial thing. 303 00:16:24,360 --> 00:16:29,120 Speaker 1: Sometimes I like them better than Dylan and Kelly me too. 304 00:16:30,000 --> 00:16:32,400 Speaker 3: They for each other. I think so. 305 00:16:45,080 --> 00:16:47,760 Speaker 4: In this episode, you guys remind me like if I 306 00:16:47,840 --> 00:16:49,800 Speaker 4: didn't know you guys, I'd be like, are they a 307 00:16:49,880 --> 00:16:52,760 Speaker 4: couple in real life? Because it's so real, the tention, 308 00:16:53,480 --> 00:16:58,200 Speaker 4: the love, like it's like a knowing love, so good, 309 00:16:58,720 --> 00:16:59,040 Speaker 4: so good. 310 00:16:59,240 --> 00:17:03,600 Speaker 2: Yeah, you are super close like brother sister close, right, 311 00:17:04,160 --> 00:17:10,000 Speaker 2: And I think that that was just a natural relationship 312 00:17:10,080 --> 00:17:11,040 Speaker 2: for us to have on camera. 313 00:17:11,720 --> 00:17:13,480 Speaker 1: Yeah you know, Okay, so this is what I'm sort 314 00:17:13,520 --> 00:17:19,080 Speaker 1: of There might be more chemistry between Helly and Dylan 315 00:17:19,280 --> 00:17:23,720 Speaker 1: or Jenny and Luke, like kind of like it's sexier almost, 316 00:17:24,040 --> 00:17:25,240 Speaker 1: and correct me if I'm wrong. 317 00:17:25,480 --> 00:17:27,080 Speaker 3: This is just I'm spit balling with you guys. 318 00:17:27,480 --> 00:17:32,200 Speaker 1: It's sexy, right, like it's hot. Whereas Brandon and Helly 319 00:17:32,480 --> 00:17:35,080 Speaker 1: to me is like marriage material. 320 00:17:36,359 --> 00:17:41,840 Speaker 2: Yeah, it feels like love. Yeah love there speaking in 321 00:17:42,000 --> 00:17:47,399 Speaker 2: love versus love or no love. I feel like they 322 00:17:47,440 --> 00:17:50,680 Speaker 2: have loved you love Yeah. And I still have love 323 00:17:50,720 --> 00:17:52,359 Speaker 2: for for Brandon slash Jason. 324 00:17:52,440 --> 00:17:55,040 Speaker 1: You know, don't we already have more I love yous 325 00:17:55,080 --> 00:17:57,160 Speaker 1: between the two of them than we really ever had 326 00:17:57,240 --> 00:17:58,840 Speaker 1: between Kelly and Dylan. 327 00:17:59,119 --> 00:18:01,200 Speaker 3: Did they ever say I love you killing I don't. 328 00:18:01,560 --> 00:18:03,240 Speaker 3: I don't quite remember it off the top of my 329 00:18:03,320 --> 00:18:03,840 Speaker 3: head right now. 330 00:18:04,400 --> 00:18:06,119 Speaker 4: It was some sort of someone tell us. 331 00:18:06,800 --> 00:18:07,879 Speaker 3: Yeah, I'm sure people know. 332 00:18:08,400 --> 00:18:11,359 Speaker 2: They must y'all know, tell us because I don't feel 333 00:18:11,520 --> 00:18:13,280 Speaker 2: like I remember seeing that. 334 00:18:14,960 --> 00:18:20,399 Speaker 3: It's I don't remember it. But speaking of love, Hello, 335 00:18:20,840 --> 00:18:26,040 Speaker 3: enter Casper van Deem Oh my gosh, oh what hello? 336 00:18:26,280 --> 00:18:28,200 Speaker 3: Griffin Stone. 337 00:18:32,960 --> 00:18:36,680 Speaker 1: Did not remember obviously, I you know, Casper Vandien is 338 00:18:36,760 --> 00:18:39,879 Speaker 1: so hot, right, I knew he was on nine o two, 339 00:18:39,920 --> 00:18:45,040 Speaker 1: and now he looks the same but young. 340 00:18:45,920 --> 00:18:48,200 Speaker 3: It was weird, like my brain was doing so many 341 00:18:48,320 --> 00:18:48,800 Speaker 3: weird things. 342 00:18:48,880 --> 00:18:50,960 Speaker 2: Now, that's weird how that works. Ay, people look the 343 00:18:51,040 --> 00:18:53,639 Speaker 2: same but younger when you see them. 344 00:18:53,680 --> 00:18:56,680 Speaker 3: But there's some things about you guys that is the 345 00:18:56,800 --> 00:18:57,399 Speaker 3: same to me. 346 00:18:57,800 --> 00:19:01,080 Speaker 1: I don't know why, but when I see it she's 347 00:19:01,960 --> 00:19:05,159 Speaker 1: over there, and not that he looks old now, he 348 00:19:05,280 --> 00:19:06,040 Speaker 1: looks great now. 349 00:19:06,080 --> 00:19:10,159 Speaker 3: He just looks slightly different. He does. I don't know 350 00:19:10,280 --> 00:19:13,879 Speaker 3: that's feeling like. I mean, I know, I'm the. 351 00:19:13,960 --> 00:19:16,800 Speaker 4: Starship Troopers before that movie. 352 00:19:17,200 --> 00:19:20,440 Speaker 3: Yeah, what in the world? 353 00:19:20,560 --> 00:19:24,639 Speaker 1: Okay, I'm sorry, but talk to me about the bikini scene. 354 00:19:25,040 --> 00:19:28,960 Speaker 1: I was like, am I watching Tory trying to make 355 00:19:29,160 --> 00:19:32,399 Speaker 1: David jealous? Or am I watching Donna trying to make 356 00:19:32,440 --> 00:19:35,119 Speaker 1: I'm sorry, Tory trying to make Ran jealous? 357 00:19:35,720 --> 00:19:38,880 Speaker 3: Or Donna trying to make David jealous? I just heard 358 00:19:38,920 --> 00:19:40,560 Speaker 3: those names. I was like, wait, who what? Who? 359 00:19:40,720 --> 00:19:45,440 Speaker 1: What? It just seemed a little it seemed so whoa. 360 00:19:46,600 --> 00:19:50,160 Speaker 1: They were at the beach, but she puts his hand, 361 00:19:50,720 --> 00:19:52,639 Speaker 1: You put your hand on his chest. 362 00:19:53,119 --> 00:19:56,920 Speaker 3: You both look great. You hold hands as you go off, 363 00:19:57,359 --> 00:20:03,159 Speaker 3: and I'm like, this is juicy, Like what what's happening? 364 00:20:03,400 --> 00:20:06,879 Speaker 4: While that scene took place later in the episode, that 365 00:20:07,040 --> 00:20:10,800 Speaker 4: was actually the first scene that I ever shot with Casper. 366 00:20:11,440 --> 00:20:11,600 Speaker 1: Oh. 367 00:20:12,240 --> 00:20:14,200 Speaker 3: She was like, nice to meet you. Here's my bikini. 368 00:20:14,600 --> 00:20:16,480 Speaker 3: Here I am in a read bikini. Yeah. 369 00:20:17,160 --> 00:20:21,960 Speaker 4: So met him that day and was like, oh my gosh, 370 00:20:22,840 --> 00:20:29,200 Speaker 4: wow so hot, and then had to wear a bikini 371 00:20:29,520 --> 00:20:33,320 Speaker 4: and obviously awkward scene you guys, because. 372 00:20:33,080 --> 00:20:34,359 Speaker 3: It's me and. 373 00:20:36,000 --> 00:20:39,040 Speaker 4: My wink wink on screen, off screen whatever that was. 374 00:20:42,600 --> 00:20:46,960 Speaker 4: And then this new hot guy and I had to 375 00:20:47,000 --> 00:20:50,119 Speaker 4: wear a bikini. I just remember having to choose that 376 00:20:50,200 --> 00:20:53,639 Speaker 4: bikini and Kathleen being instrumental, and I think that was 377 00:20:53,680 --> 00:20:56,000 Speaker 4: the start of our friendship because I was like really 378 00:20:56,240 --> 00:20:58,159 Speaker 4: nervous and she was like, you look so hot and 379 00:20:58,160 --> 00:21:01,600 Speaker 4: I was like, are you sure? And funny it's red, 380 00:21:01,800 --> 00:21:04,320 Speaker 4: like who wore the red dress while the red bikini? 381 00:21:04,920 --> 00:21:08,280 Speaker 3: And yeah, you look great. 382 00:21:09,200 --> 00:21:12,240 Speaker 1: Poor Casper van Dien because I'm thinking of him, as 383 00:21:12,680 --> 00:21:16,159 Speaker 1: you know, he became very famous. He's still recognizable, but 384 00:21:16,280 --> 00:21:18,560 Speaker 1: at the time he's just a regular old dude like 385 00:21:18,600 --> 00:21:22,760 Speaker 1: he wasn't he'd come from a famous guest star, right, Like, no, 386 00:21:23,000 --> 00:21:23,479 Speaker 1: we know him. 387 00:21:23,520 --> 00:21:25,720 Speaker 3: Now this guy has to show up with all of 388 00:21:25,800 --> 00:21:29,280 Speaker 3: you and be sure this like right out the gate. 389 00:21:29,680 --> 00:21:32,440 Speaker 2: So his first scene, he's just like, he doesn't really 390 00:21:32,520 --> 00:21:34,960 Speaker 2: strike me as the type to worry about that. 391 00:21:36,760 --> 00:21:41,480 Speaker 4: I mean, look at him, so wait, very confident, were 392 00:21:41,520 --> 00:21:41,880 Speaker 4: you guys? 393 00:21:42,040 --> 00:21:44,040 Speaker 3: Like who is this hottie? Like what were you? 394 00:21:44,160 --> 00:21:47,240 Speaker 1: Can anybody remember when he joined because he's here for 395 00:21:47,359 --> 00:21:47,640 Speaker 1: a bit. 396 00:21:48,040 --> 00:21:49,440 Speaker 3: So I don't know if you knew that or not 397 00:21:50,280 --> 00:21:50,800 Speaker 3: at the time. 398 00:21:52,720 --> 00:21:58,560 Speaker 4: I do remember, and yeah, now that you're saying that, 399 00:21:58,760 --> 00:22:00,680 Speaker 4: I don't think I was like, oh my gosh, nice 400 00:22:00,720 --> 00:22:03,600 Speaker 4: to meet you. I think I probably had seen a 401 00:22:03,800 --> 00:22:05,960 Speaker 4: headshot of his which they would put up in like 402 00:22:06,080 --> 00:22:09,840 Speaker 4: wardrobe for the guest cast coming and being like, oh 403 00:22:09,840 --> 00:22:11,359 Speaker 4: my god, this is the guy that's cast is my 404 00:22:11,440 --> 00:22:15,800 Speaker 4: boyfriend because it's really Donna's first boyfriend besides David, because 405 00:22:15,840 --> 00:22:16,240 Speaker 4: he's he. 406 00:22:16,359 --> 00:22:21,840 Speaker 3: Is there for a while guy at the ski place, Peppergate, yep, 407 00:22:23,040 --> 00:22:23,680 Speaker 3: bepper Gate. 408 00:22:25,240 --> 00:22:28,280 Speaker 5: Yes, did you guys know him from around or was 409 00:22:28,320 --> 00:22:33,360 Speaker 5: he really actually shows up and stays until Jamie walters, yeah, 410 00:22:33,359 --> 00:22:35,600 Speaker 5: there's a duel for Donnas. 411 00:22:35,720 --> 00:22:42,840 Speaker 3: That's right. Oh but I yes, thought he was really 412 00:22:43,040 --> 00:22:46,080 Speaker 3: super hot. Wait, Jen, you know the story right? What 413 00:22:46,359 --> 00:22:47,280 Speaker 3: what story? 414 00:22:47,480 --> 00:22:47,640 Speaker 2: Well? 415 00:22:50,160 --> 00:22:51,920 Speaker 3: Tell me, well, i'll tell you if I know it. 416 00:22:52,359 --> 00:22:57,040 Speaker 3: What the Casper thing? Tell me again? Refresh my mems. 417 00:22:57,840 --> 00:23:07,600 Speaker 3: What Casper thing? So we met here and flirted and 418 00:23:08,280 --> 00:23:12,880 Speaker 3: ended up dating? Do you and Casper Van Deen? Correct? 419 00:23:13,400 --> 00:23:17,719 Speaker 3: I didn't know that. I mean I probably did. Oh 420 00:23:17,760 --> 00:23:19,160 Speaker 3: my god, she's gonna say something. 421 00:23:19,600 --> 00:23:23,439 Speaker 4: No, I'm trying to remember if you knew it at 422 00:23:23,480 --> 00:23:26,800 Speaker 4: that time because Okay, so after this scene, the scene 423 00:23:26,880 --> 00:23:29,320 Speaker 4: in the red bikini, which was at the beach apartment 424 00:23:29,359 --> 00:23:31,440 Speaker 4: they had just come back from the beach, was actually 425 00:23:31,560 --> 00:23:33,720 Speaker 4: shot as the last scene of the day at night 426 00:23:33,880 --> 00:23:38,400 Speaker 4: and lit for day. So it was like on a Friday, Yes, 427 00:23:38,640 --> 00:23:41,920 Speaker 4: a Friday night, And I just remember afterwards, I made 428 00:23:41,960 --> 00:23:44,320 Speaker 4: Kathleen stay with me and we like hung out with 429 00:23:44,480 --> 00:23:49,600 Speaker 4: him and talked and then yeah, he and I dated. 430 00:23:49,520 --> 00:23:58,000 Speaker 3: For a bit, like kissed, yes, more than no, well 431 00:23:58,040 --> 00:24:00,760 Speaker 3: they dated for amount of time. 432 00:24:01,160 --> 00:24:03,680 Speaker 1: Wait, so you meet so you guys did not know 433 00:24:03,840 --> 00:24:07,920 Speaker 1: him from like around Hollywood, as they say, like somebody 434 00:24:07,920 --> 00:24:10,520 Speaker 1: ever stunning in your circles because you know how sometimes oh, 435 00:24:10,680 --> 00:24:13,480 Speaker 1: Brian's friend plays a part or Jason's friend plays a part. 436 00:24:13,800 --> 00:24:15,920 Speaker 3: So this guy was just new cas just to play 437 00:24:15,960 --> 00:24:16,280 Speaker 3: this part. 438 00:24:16,760 --> 00:24:20,320 Speaker 4: And at the time I remember thinking like this was 439 00:24:20,440 --> 00:24:23,320 Speaker 4: new for me, like dating someone that you meet once 440 00:24:23,400 --> 00:24:27,560 Speaker 4: you become famous on a TV show. And also I'm 441 00:24:27,560 --> 00:24:29,960 Speaker 4: on a TV show that my dad produces, so in 442 00:24:30,040 --> 00:24:31,800 Speaker 4: my mind, I'm like, no one's ever gonna want to 443 00:24:31,880 --> 00:24:37,120 Speaker 4: date me? And yes, and very nice guy and very 444 00:24:38,400 --> 00:24:41,320 Speaker 4: he's a very conservative PC guy. 445 00:24:41,600 --> 00:24:44,680 Speaker 3: That's all I said, like, he's a gentleman. 446 00:24:44,560 --> 00:24:46,440 Speaker 4: A gentleman, complete gentleman. 447 00:24:46,600 --> 00:24:49,520 Speaker 1: Now was there paparazzi at the time or would they 448 00:24:49,600 --> 00:24:52,680 Speaker 1: have not captured it? Because he wasn't what we like. 449 00:24:53,359 --> 00:24:56,760 Speaker 1: He became famous as this continued, so like would you 450 00:24:56,840 --> 00:24:59,200 Speaker 1: get would paparazzi follow you if you went on a 451 00:24:59,280 --> 00:24:59,880 Speaker 1: date with someone? 452 00:25:01,119 --> 00:25:01,159 Speaker 3: No? 453 00:25:01,320 --> 00:25:03,120 Speaker 4: And I feel like we just you know, when you're young, 454 00:25:03,200 --> 00:25:05,520 Speaker 4: you hang out, so like Kathleen was there most of 455 00:25:05,560 --> 00:25:09,000 Speaker 4: the time. We were friends and I were alone at 456 00:25:09,040 --> 00:25:12,480 Speaker 4: some point. But he was a really good guy. And 457 00:25:12,560 --> 00:25:14,400 Speaker 4: this is when I was getting out of that bad 458 00:25:14,520 --> 00:25:18,840 Speaker 4: boyfriend relationship, and he was very concerned and just a 459 00:25:19,000 --> 00:25:21,280 Speaker 4: gentleman and helped talk me through it as a friend. 460 00:25:21,480 --> 00:25:23,119 Speaker 4: And then we dated a little bit. 461 00:25:23,480 --> 00:25:28,240 Speaker 3: That's all. Oh I like that story. He's a nice guy, 462 00:25:28,520 --> 00:25:31,600 Speaker 3: but I don't remember it. But he got me out 463 00:25:31,640 --> 00:25:32,760 Speaker 3: of a really bad thing. 464 00:25:32,840 --> 00:25:35,560 Speaker 4: Because after that bad boyfriend, I was like, oh my gosh, 465 00:25:35,600 --> 00:25:38,800 Speaker 4: feeling really bad about myself. And then there's this hot guy, 466 00:25:39,720 --> 00:25:43,639 Speaker 4: smart and funny and nice. First nice guy and I 467 00:25:43,800 --> 00:25:45,280 Speaker 4: was like, oh my gosh, so. 468 00:25:45,560 --> 00:25:46,120 Speaker 3: He's a good guy. 469 00:25:46,400 --> 00:25:49,480 Speaker 2: I mean, you really it had him stacked against you 470 00:25:49,640 --> 00:25:53,879 Speaker 2: because Folice even you're on camera, Mom is telling you 471 00:25:54,000 --> 00:25:56,640 Speaker 2: things like, Donna, you better marry a very rich man 472 00:25:56,800 --> 00:25:59,520 Speaker 2: so he can support you in the way in which 473 00:25:59,520 --> 00:26:00,440 Speaker 2: you're a cuss them too. 474 00:26:01,560 --> 00:26:05,440 Speaker 4: I was like, hey, Mom, take it, take it. And 475 00:26:05,520 --> 00:26:09,000 Speaker 4: the love that I said to her, though I could 476 00:26:09,040 --> 00:26:10,720 Speaker 4: do laundry. Were you laughing at that? 477 00:26:11,080 --> 00:26:15,639 Speaker 3: Yeah? Oh, sweet dogs, how to do laundry? Yeah, I 478 00:26:15,720 --> 00:26:17,560 Speaker 3: can't do it. Elise is a problem. 479 00:26:18,320 --> 00:26:18,639 Speaker 5: She is. 480 00:26:19,080 --> 00:26:22,080 Speaker 3: She says, Donna, don't be a pill. Yeah she's so. 481 00:26:24,280 --> 00:26:27,399 Speaker 4: We have some fat free muffins and man, the all 482 00:26:27,520 --> 00:26:31,320 Speaker 4: benifery wrinkled blazer that back that blazer was Renkal. 483 00:26:31,480 --> 00:26:34,640 Speaker 3: Those ladies were dressed up. Yeah, that was lady's luncheon. 484 00:26:35,280 --> 00:26:37,200 Speaker 3: But in the in the scene before when she tells 485 00:26:37,200 --> 00:26:39,160 Speaker 3: you to marry a rich man or else you're you're 486 00:26:39,200 --> 00:26:39,760 Speaker 3: just gonna die. 487 00:26:40,840 --> 00:26:43,760 Speaker 2: You had that funny little uh the gene role that 488 00:26:43,840 --> 00:26:44,960 Speaker 2: we talked about last week. 489 00:26:45,960 --> 00:26:48,159 Speaker 3: But it wasn't just the unbuttoned jeans. It was a 490 00:26:48,359 --> 00:26:53,560 Speaker 3: full role. Like, yeah, that that was that. Yeah, that 491 00:26:53,840 --> 00:26:56,800 Speaker 3: was a trend. That was a tread I remember doing that. Yeah, 492 00:26:56,920 --> 00:26:59,160 Speaker 3: that was that was definitely a trend. 493 00:26:59,600 --> 00:27:02,600 Speaker 4: Wait I did known as a lot of people though 494 00:27:03,119 --> 00:27:05,800 Speaker 4: a lot of our listeners were saying the unbutton of 495 00:27:05,960 --> 00:27:09,200 Speaker 4: Tiffany's jeans last week. That was on trend as well. 496 00:27:10,119 --> 00:27:11,280 Speaker 3: I'd like to put back. 497 00:27:11,520 --> 00:27:14,560 Speaker 1: Because I got a new one teaspoon Do you guys 498 00:27:14,600 --> 00:27:17,680 Speaker 1: know one teaspoon jean shorts? And I literally thought of 499 00:27:17,760 --> 00:27:20,560 Speaker 1: you all because they fit except for that top button. 500 00:27:22,280 --> 00:27:23,240 Speaker 3: You can't get it closed. 501 00:27:24,000 --> 00:27:24,320 Speaker 5: I can. 502 00:27:24,480 --> 00:27:28,000 Speaker 3: I just doesn't feel comfortable. You can just use a 503 00:27:28,040 --> 00:27:32,880 Speaker 3: hair tie. Oh and then like stretch it. Oh yeah, 504 00:27:33,359 --> 00:27:37,359 Speaker 3: I used to do that during yeah pregnancy, didn't you. Yeah? Yeah, okay, 505 00:27:37,440 --> 00:27:39,200 Speaker 3: that is how you do it. I think when you're 506 00:27:39,240 --> 00:27:39,679 Speaker 3: like maturn. 507 00:27:39,800 --> 00:27:39,960 Speaker 1: Yeah. 508 00:27:41,520 --> 00:27:44,520 Speaker 3: What else can we talk about? I feel like so much, 509 00:27:45,160 --> 00:27:47,159 Speaker 3: there's so much to talk about the party. Should we 510 00:27:47,160 --> 00:27:48,200 Speaker 3: talk about the KEG party? 511 00:27:48,680 --> 00:27:50,320 Speaker 2: I just kind of we need to point out again 512 00:27:50,359 --> 00:27:54,119 Speaker 2: that how convenient is it that Claire has moved it. Claire, 513 00:27:55,040 --> 00:27:58,600 Speaker 2: Claire from Brandon's storyline, moves into Kelly and Donna's world 514 00:27:58,760 --> 00:28:02,760 Speaker 2: in their storyline, then magically meets David randomly at a 515 00:28:02,880 --> 00:28:06,400 Speaker 2: giant school full of people and then wants to date him, 516 00:28:07,040 --> 00:28:09,120 Speaker 2: and then he says, wait, you live in my old room. 517 00:28:09,320 --> 00:28:14,280 Speaker 2: It's just so like incredibly infilarry. Like, but I guess 518 00:28:14,400 --> 00:28:17,840 Speaker 2: I'm here for it because I want the I want 519 00:28:18,080 --> 00:28:21,760 Speaker 2: these interrelational Ennarians. 520 00:28:21,800 --> 00:28:27,320 Speaker 4: You know, until now the Claire and David dated, and 521 00:28:27,440 --> 00:28:30,640 Speaker 4: I had to check myself to see if I felt jealousy, 522 00:28:31,760 --> 00:28:35,560 Speaker 4: and I felt like I r l yeah, because remember 523 00:28:35,560 --> 00:28:37,320 Speaker 4: I would say when girls would come on, I'd feel 524 00:28:37,359 --> 00:28:42,520 Speaker 4: jaloused because my friend I felt nothing perfect because literally 525 00:28:42,640 --> 00:28:45,640 Speaker 4: in that scene with all of them, it was my bestie, 526 00:28:46,080 --> 00:28:49,760 Speaker 4: my ex, and my crushy and like we all moved on. 527 00:28:50,480 --> 00:28:53,800 Speaker 2: Yeah, that didn't hurt that your crushy looked like he looked. 528 00:28:54,360 --> 00:28:57,160 Speaker 2: Can we talk about like girl code? Is that a 529 00:28:57,320 --> 00:29:00,200 Speaker 2: little bit of a a sort of a. 530 00:29:00,760 --> 00:29:03,640 Speaker 4: Yes, that's wrong. Kelly would never do that to Donna. Yes, 531 00:29:04,040 --> 00:29:08,240 Speaker 4: and gets away with it, like you don't feel threatened, 532 00:29:08,320 --> 00:29:08,920 Speaker 4: you know what I mean. 533 00:29:09,520 --> 00:29:12,520 Speaker 1: I guess she's new, but I was like, if I 534 00:29:12,680 --> 00:29:14,800 Speaker 1: was the new roommate, I'm certainly not going to just 535 00:29:14,840 --> 00:29:20,840 Speaker 1: start dating the roommate's X and then having him come 536 00:29:21,040 --> 00:29:23,880 Speaker 1: over host is clear, Like it was just seemed a 537 00:29:23,920 --> 00:29:26,480 Speaker 1: little bit like, wait a minute, is this a jerk movie? 538 00:29:26,560 --> 00:29:30,640 Speaker 3: I don't feel like Claire has many scruples. Is that 539 00:29:30,800 --> 00:29:33,520 Speaker 3: the right word? Yeah, scruples. 540 00:29:33,960 --> 00:29:37,000 Speaker 4: She's scrupled on a care like if that's your first love, 541 00:29:37,200 --> 00:29:40,280 Speaker 4: like you still care somewhere inside. She's just fine with. 542 00:29:40,360 --> 00:29:46,200 Speaker 3: It again, Casper Vandy, do you right? She says, I'm 543 00:29:46,280 --> 00:29:49,760 Speaker 3: not good at being good or whatever she says. Claire 544 00:29:49,800 --> 00:29:54,200 Speaker 3: does right, I'm not very good at being good. Yeah. 545 00:29:54,600 --> 00:29:58,280 Speaker 1: I think they're cute together, like when they were working 546 00:29:58,360 --> 00:29:59,160 Speaker 1: on the computer. 547 00:30:00,240 --> 00:30:01,960 Speaker 3: But I'm also like, y'all. 548 00:30:01,720 --> 00:30:05,440 Speaker 4: Ares arm around her, his arm around her, platonic. 549 00:30:06,160 --> 00:30:09,320 Speaker 3: Hmmm, so weird. So I guess they're going to become 550 00:30:09,320 --> 00:30:11,600 Speaker 3: a couple. Is that what's happening here? I forgot? 551 00:30:11,880 --> 00:30:14,880 Speaker 2: Yeah, wow, okay, kind and just like I forgot that 552 00:30:15,800 --> 00:30:19,280 Speaker 2: the val goes after Dylan for the first you know, 553 00:30:19,360 --> 00:30:22,560 Speaker 2: that's her first like conquest in the man Chain. 554 00:30:23,560 --> 00:30:27,800 Speaker 3: We talked about the eggs. Why would he just be 555 00:30:27,920 --> 00:30:30,680 Speaker 3: peeling eggs? First of all? And that's got a. 556 00:30:30,680 --> 00:30:36,120 Speaker 4: Stink, imagine, but it's kind of funny, like it's. 557 00:30:37,640 --> 00:30:41,920 Speaker 1: Why why would anyone pick eggs? And then port Valerie 558 00:30:41,960 --> 00:30:46,080 Speaker 1: Tiffany has to twice what big old. 559 00:30:45,960 --> 00:30:48,880 Speaker 4: Bite and then she took like a mini bite of 560 00:30:49,080 --> 00:30:51,880 Speaker 4: the both kind of egg she could have gone for it. 561 00:30:52,200 --> 00:30:56,200 Speaker 2: I am so anti eating eggs, y'all. Like, I can't 562 00:30:56,400 --> 00:31:05,600 Speaker 2: eat eggs because what U eggs? No eggs, uh, because 563 00:31:05,640 --> 00:31:08,200 Speaker 2: they come out of the chickens, little tushi, and I'm 564 00:31:08,240 --> 00:31:12,520 Speaker 2: not interested in eating that. Okay, First of all, I 565 00:31:12,640 --> 00:31:16,440 Speaker 2: did not know that they put that chicken eggs. Well, 566 00:31:16,560 --> 00:31:20,360 Speaker 2: it's not the pooper, it's the neighbor, the vagina, it's 567 00:31:20,400 --> 00:31:26,320 Speaker 2: the egg hole. I don't know the proper terms for 568 00:31:26,880 --> 00:31:29,200 Speaker 2: chicken automics anatomy, but. 569 00:31:30,680 --> 00:31:34,480 Speaker 3: Didn't you have a farm? I love chickens. You didn't. 570 00:31:34,800 --> 00:31:37,280 Speaker 4: She's trying to put it nicely about where it comes at. 571 00:31:37,320 --> 00:31:42,000 Speaker 3: Oh yeah, and I know, yeah, it's gross. 572 00:31:42,040 --> 00:31:43,920 Speaker 2: I can't handle it. And then when I saw those 573 00:31:43,960 --> 00:31:45,600 Speaker 2: eggs and I knew somebody was going to eat an 574 00:31:45,600 --> 00:31:47,520 Speaker 2: egg in that scene, and then she did, I lost it. 575 00:32:00,080 --> 00:32:03,240 Speaker 4: But I got to say, only Luke Perry could look 576 00:32:03,640 --> 00:32:07,080 Speaker 4: super sexy eating eggs and peeling them. He didn't really. 577 00:32:08,440 --> 00:32:11,000 Speaker 3: It was so it was just like, this is comical 578 00:32:11,400 --> 00:32:12,000 Speaker 3: but sexy. 579 00:32:12,120 --> 00:32:14,320 Speaker 1: And he cracked it on the table and then was 580 00:32:14,520 --> 00:32:16,880 Speaker 1: peeling it and it looked hard to peel. He was like, 581 00:32:17,720 --> 00:32:19,560 Speaker 1: you know how when sometimes you don't getting a good 582 00:32:19,600 --> 00:32:20,800 Speaker 1: peel and it's coming off. 583 00:32:20,680 --> 00:32:22,800 Speaker 3: And right it's not, and he's got to act and 584 00:32:22,920 --> 00:32:25,240 Speaker 3: deliver the speech and she's. 585 00:32:25,200 --> 00:32:28,959 Speaker 2: That had to open James Whitmore Junior the director's idea, 586 00:32:29,240 --> 00:32:31,760 Speaker 2: Like he read that scene and thought, oh, this is 587 00:32:31,800 --> 00:32:34,840 Speaker 2: a great thing. I'm gonna have Dylan peeling eggs so 588 00:32:34,960 --> 00:32:37,360 Speaker 2: they can get to the egg conversation at. 589 00:32:37,320 --> 00:32:39,920 Speaker 3: That But it was so random and then he makes 590 00:32:39,920 --> 00:32:43,120 Speaker 3: an egg solid crack. I'm just like, yeah, I just 591 00:32:43,240 --> 00:32:45,160 Speaker 3: love that. That made me hungry I have. 592 00:32:45,520 --> 00:32:47,960 Speaker 2: I felt like they were relating on the dad dead 593 00:32:48,080 --> 00:32:51,160 Speaker 2: dad thing, and I liked that for a second in 594 00:32:51,320 --> 00:32:51,800 Speaker 2: that character. 595 00:32:52,120 --> 00:32:54,360 Speaker 3: But then she turned bad again and then I was like, oh, no, no, no, 596 00:32:54,520 --> 00:32:57,480 Speaker 3: she is a bad egg and that's what she will 597 00:32:57,520 --> 00:33:01,960 Speaker 3: always be. How about what I don't believe in anything? 598 00:33:02,240 --> 00:33:06,160 Speaker 1: Like she's so I understand she's totally dark, but it's yeah, 599 00:33:06,720 --> 00:33:09,280 Speaker 1: and then he says my dad was blown up by 600 00:33:09,360 --> 00:33:11,680 Speaker 1: a bomb in a car, and then they kind of 601 00:33:11,760 --> 00:33:13,200 Speaker 1: chuck feeling just peeling. 602 00:33:14,800 --> 00:33:17,280 Speaker 4: I did feel like when she told the story of 603 00:33:17,360 --> 00:33:20,840 Speaker 4: how her dad died, it was yeah, they're both on 604 00:33:20,960 --> 00:33:24,640 Speaker 4: the hint of like not laughing, but like it was 605 00:33:24,840 --> 00:33:26,160 Speaker 4: very dark, very. 606 00:33:26,800 --> 00:33:29,920 Speaker 2: Dark, and I thought, oh, they work together, this is good. 607 00:33:30,160 --> 00:33:31,960 Speaker 2: Vallon Dillon should maybe they should be together. 608 00:33:33,200 --> 00:33:37,840 Speaker 3: It's dark comedy because there was comedy in there. Mm hmm. 609 00:33:38,560 --> 00:33:43,680 Speaker 3: Can I throw another food flag out? Yeah, the guacamole 610 00:33:45,440 --> 00:33:50,200 Speaker 3: looked so bad. Well, store guacamole always looks bad. 611 00:33:50,560 --> 00:33:52,520 Speaker 1: At first, when he said guacamole, I was like, it's 612 00:33:52,520 --> 00:33:56,280 Speaker 1: sour cream, and onion did because it looked so not green. 613 00:33:57,000 --> 00:33:58,920 Speaker 1: And then they zoom in a little bit more on 614 00:33:58,960 --> 00:34:00,600 Speaker 1: it and you're like, oh, yeah, that's it's literally like 615 00:34:00,880 --> 00:34:07,080 Speaker 1: Safeway worse than Safeway walk like like Costco gualker. 616 00:34:08,960 --> 00:34:11,800 Speaker 3: Look it. There's a lot of our listeners that like costcoqualk. 617 00:34:12,000 --> 00:34:15,400 Speaker 3: So now I got some more haters. But watch closely. 618 00:34:15,680 --> 00:34:18,520 Speaker 1: You take a chip like you're going to eat the 619 00:34:18,680 --> 00:34:22,440 Speaker 1: chip as you walk off, and you walk off and 620 00:34:22,600 --> 00:34:26,120 Speaker 1: the chip is still whole up by your mouth as 621 00:34:26,200 --> 00:34:29,000 Speaker 1: you walk off screen, and you never bit the chip. 622 00:34:29,320 --> 00:34:33,880 Speaker 3: I don't want to eat that thieves finger in the 623 00:34:34,000 --> 00:34:39,200 Speaker 3: gualk that he licks off. Come on, boys are gross, 624 00:34:39,719 --> 00:34:43,480 Speaker 3: so so gross. What about the party? 625 00:34:43,640 --> 00:34:47,080 Speaker 2: Okay, at the party, since we're prepping for the party, 626 00:34:47,120 --> 00:34:48,440 Speaker 2: then we go to the party, and that's where you 627 00:34:49,480 --> 00:34:51,920 Speaker 2: lay eyes on Casper. I want to save Casper, but 628 00:34:52,040 --> 00:34:57,160 Speaker 2: his random is great outfit Griffin Stone, Gryffin Stone, so 629 00:34:57,320 --> 00:34:59,480 Speaker 2: soap opera, it is, it really is. Then you lay 630 00:34:59,480 --> 00:35:01,239 Speaker 2: on it thought him, and then there's then you guys 631 00:35:01,280 --> 00:35:03,719 Speaker 2: start dancing. And I don't know what it is about 632 00:35:03,760 --> 00:35:06,439 Speaker 2: watching a dancing scene like that. It makes me feel 633 00:35:06,520 --> 00:35:10,560 Speaker 2: so uncomfy. Uh, And it's like some sort of weird 634 00:35:10,800 --> 00:35:13,560 Speaker 2: I'm liking watching National Geographic with like some sort of 635 00:35:14,120 --> 00:35:17,080 Speaker 2: bird mating dance ritual that's. 636 00:35:17,239 --> 00:35:19,359 Speaker 3: Going on, and I just was like, oh my god, 637 00:35:19,440 --> 00:35:21,879 Speaker 3: I don't like this. Oh my gosh. 638 00:35:21,920 --> 00:35:24,400 Speaker 4: All I could think is if that was you'd be 639 00:35:24,440 --> 00:35:26,520 Speaker 4: like too close, You're too close, You're breathing on me, 640 00:35:26,680 --> 00:35:26,960 Speaker 4: like it was. 641 00:35:27,239 --> 00:35:28,680 Speaker 3: They were so close, I know. 642 00:35:28,800 --> 00:35:30,560 Speaker 2: And then I felt like Donna was getting a little 643 00:35:30,640 --> 00:35:34,720 Speaker 2: viby with him, like giving him some some you know, viby. 644 00:35:35,040 --> 00:35:38,320 Speaker 2: She's give him some hints and then he takes the 645 00:35:38,400 --> 00:35:40,240 Speaker 2: hints and then you'd turn. 646 00:35:40,120 --> 00:35:41,600 Speaker 3: All a time and you're like breaked. 647 00:35:41,880 --> 00:35:44,120 Speaker 2: Not the kind of girl for you, which is good, 648 00:35:44,560 --> 00:35:46,879 Speaker 2: but I was like, hey, Donna, why are you being 649 00:35:47,000 --> 00:35:51,279 Speaker 2: all sexy kitty with him? If you don't that's not 650 00:35:51,400 --> 00:35:52,200 Speaker 2: what your goal is. 651 00:35:53,560 --> 00:35:56,960 Speaker 4: I felt like it was she was a little bit 652 00:35:57,000 --> 00:35:57,799 Speaker 4: of a tease there. 653 00:35:58,000 --> 00:35:59,120 Speaker 3: Yeah, yeah, teas That's. 654 00:35:59,160 --> 00:36:03,640 Speaker 4: What I'm gonna try to think back to that moment. 655 00:36:04,160 --> 00:36:09,520 Speaker 4: And probably if he wasn't so hot and I did 656 00:36:09,640 --> 00:36:12,160 Speaker 4: want to vibe with him, I probably would have played 657 00:36:12,239 --> 00:36:16,400 Speaker 4: that scene differently. Maybe, So I think I was understandable 658 00:36:16,440 --> 00:36:18,719 Speaker 4: full advantage, and so is he that we were both like, 659 00:36:18,800 --> 00:36:21,200 Speaker 4: oh yeah, we get to touch each other's slow dance, 660 00:36:21,280 --> 00:36:22,319 Speaker 4: be real close to each other. 661 00:36:22,719 --> 00:36:25,359 Speaker 3: Yeah, that makes sense. He was a nice gentleman too. 662 00:36:25,520 --> 00:36:27,640 Speaker 3: He was sort of playing along and then you freaked 663 00:36:27,680 --> 00:36:29,120 Speaker 3: and he's like, I'd like to get to know you 664 00:36:29,280 --> 00:36:32,600 Speaker 3: better indoors. He just doesn't tell you that your mothers 665 00:36:32,640 --> 00:36:37,239 Speaker 3: are friends. He kind of you know, pulled the wool. 666 00:36:37,040 --> 00:36:41,040 Speaker 1: Over, as they said, fun reveal and am I correct 667 00:36:41,080 --> 00:36:43,640 Speaker 1: in saying there was no probably no music going while 668 00:36:43,640 --> 00:36:44,240 Speaker 1: you're dancing. 669 00:36:44,600 --> 00:36:46,279 Speaker 3: I heard when you have those scenes in a. 670 00:36:46,320 --> 00:36:48,920 Speaker 1: TV show, they can't really play the music because it 671 00:36:49,040 --> 00:36:50,720 Speaker 1: messes up the talking. 672 00:36:51,160 --> 00:36:56,680 Speaker 3: So you're just dancing to like what's nothing? Yeah, yeah, 673 00:36:57,280 --> 00:36:57,959 Speaker 3: it's so hard. 674 00:36:58,600 --> 00:37:01,520 Speaker 2: It is hard, and all those extra when there's dialogue, 675 00:37:01,560 --> 00:37:03,640 Speaker 2: they can't play the music because they won't be able 676 00:37:03,719 --> 00:37:06,400 Speaker 2: to have your clean dialogue tracks. So what they usually 677 00:37:06,520 --> 00:37:09,360 Speaker 2: do in a scene like that is they play the 678 00:37:09,560 --> 00:37:14,800 Speaker 2: music like before they call action, and everybody hears it 679 00:37:15,000 --> 00:37:17,399 Speaker 2: and you know, starts dancing to the beat, and then 680 00:37:17,440 --> 00:37:19,600 Speaker 2: they cut it off and then they say action. 681 00:37:19,960 --> 00:37:20,840 Speaker 3: Then they do the scene. 682 00:37:21,320 --> 00:37:26,160 Speaker 4: Yeah, and during rehearsal, the director's like, okay, well just 683 00:37:26,280 --> 00:37:28,600 Speaker 4: dance so we know like where you're going to be 684 00:37:28,800 --> 00:37:30,680 Speaker 4: and how it's going to look on camera. And you 685 00:37:30,800 --> 00:37:35,640 Speaker 4: feel so uncomfortable and you're like, you know, I was 686 00:37:35,680 --> 00:37:37,640 Speaker 4: trying like maybe in my eyes, like, oh, I'll do 687 00:37:37,719 --> 00:37:38,280 Speaker 4: it on camera. 688 00:37:40,440 --> 00:37:41,440 Speaker 3: Do you feel about dorky? 689 00:37:42,120 --> 00:37:49,840 Speaker 2: Yes, it's kind of like at guy, why did Kelly, Donna, 690 00:37:49,840 --> 00:37:54,160 Speaker 2: and Claire all have the same hairdoo oh my now, 691 00:37:54,320 --> 00:37:55,160 Speaker 2: the same eyebrows. 692 00:37:57,360 --> 00:37:59,359 Speaker 3: It's as if they all came out of the same 693 00:37:59,400 --> 00:38:05,200 Speaker 3: makeup and hair trailer. Who's wearing it best? Each of 694 00:38:05,280 --> 00:38:07,080 Speaker 3: them individually looks great. 695 00:38:08,239 --> 00:38:11,560 Speaker 1: Yeah, and this is a bit shorter, but she can 696 00:38:11,719 --> 00:38:14,000 Speaker 1: rock a red lip. There was a scene where she 697 00:38:14,080 --> 00:38:17,120 Speaker 1: looked really great. Yeah, red lip. 698 00:38:18,160 --> 00:38:19,759 Speaker 3: She's cute and she. 699 00:38:20,160 --> 00:38:23,160 Speaker 4: Really started that well, at least from what I saw, 700 00:38:23,360 --> 00:38:26,040 Speaker 4: like that, what was it not the mesh top, but 701 00:38:26,160 --> 00:38:26,680 Speaker 4: what were those? 702 00:38:28,400 --> 00:38:31,719 Speaker 3: It was? It was a polo she wore, but it 703 00:38:31,840 --> 00:38:33,680 Speaker 3: was made of not mesh, but you know what I mean, 704 00:38:35,920 --> 00:38:41,480 Speaker 3: almost but knit cotton, nit cruchet. 705 00:38:42,800 --> 00:38:45,640 Speaker 4: Because it's it's almost see through. You wear your braw underknee. 706 00:38:45,800 --> 00:38:49,520 Speaker 3: They have nowadays mesh mesh mesh. 707 00:38:50,719 --> 00:38:54,520 Speaker 4: I remember her like asking for those and they brought 708 00:38:54,560 --> 00:38:57,880 Speaker 4: them on and that was like her character's thing. And 709 00:38:58,760 --> 00:39:01,160 Speaker 4: I remember it first, kind of saying to her like, 710 00:39:01,520 --> 00:39:03,400 Speaker 4: oh my god, like making fun of her in a 711 00:39:03,480 --> 00:39:06,720 Speaker 4: funny way, and she liked she had her own distinct 712 00:39:06,760 --> 00:39:09,040 Speaker 4: style and she totally added that to the character, like 713 00:39:09,160 --> 00:39:12,920 Speaker 4: she created that style, and then it became huge, and 714 00:39:13,360 --> 00:39:17,279 Speaker 4: of course I copied. But yeah, that was like not 715 00:39:17,400 --> 00:39:18,000 Speaker 4: a thing yet. 716 00:39:18,680 --> 00:39:21,640 Speaker 3: Wait. I was confused by one of her lines. She says. 717 00:39:23,000 --> 00:39:25,840 Speaker 2: To David, I think there are three sides to every story, 718 00:39:27,239 --> 00:39:29,000 Speaker 2: and then there's the truth. And I was like, wait, 719 00:39:29,200 --> 00:39:31,480 Speaker 2: I thought it was there are two sides side and 720 00:39:31,600 --> 00:39:33,560 Speaker 2: then there's a two, so three being the total. 721 00:39:33,920 --> 00:39:35,320 Speaker 3: Wait, what's the third side? 722 00:39:35,560 --> 00:39:35,600 Speaker 5: Is? 723 00:39:36,080 --> 00:39:41,600 Speaker 3: She saying, David, Donna, and Claire. I'm making I guess, 724 00:39:41,680 --> 00:39:44,759 Speaker 3: so no guesses. I have no idea. There's three people 725 00:39:44,840 --> 00:39:48,799 Speaker 3: in that story, so I guess triangle. But I could 726 00:39:48,840 --> 00:39:51,440 Speaker 3: be wrong, I'm used to the two sided story because 727 00:39:51,440 --> 00:39:52,560 Speaker 3: I'm not into triangles. 728 00:39:54,360 --> 00:39:56,880 Speaker 1: Can I also bring up a line and not to 729 00:39:56,960 --> 00:39:59,160 Speaker 1: be mean because I know it was a eulogy at 730 00:39:59,200 --> 00:40:02,480 Speaker 1: a memorial when Steve says there wasn't a dry eye 731 00:40:02,560 --> 00:40:03,440 Speaker 1: in the place. 732 00:40:03,440 --> 00:40:05,440 Speaker 3: And I wanted to be like, there was only a 733 00:40:05,480 --> 00:40:09,720 Speaker 3: dry eyes, like no one was crying, not one person, 734 00:40:10,280 --> 00:40:13,479 Speaker 3: not one person. That's so true. When they panned around 735 00:40:13,520 --> 00:40:16,400 Speaker 3: the audience a lot, they all just looked sort of stoic. 736 00:40:17,040 --> 00:40:20,360 Speaker 3: We were hearing that is that is how it goes. 737 00:40:20,640 --> 00:40:23,560 Speaker 3: There's there's not a dry eye in the place. Well, 738 00:40:23,600 --> 00:40:27,919 Speaker 3: there's three sides to everything. Are You're still in a story? Okay, 739 00:40:28,719 --> 00:40:31,840 Speaker 3: that's how side in the truth? But she says, she. 740 00:40:31,960 --> 00:40:34,080 Speaker 2: Says there are three sides in every story, and then 741 00:40:34,160 --> 00:40:34,840 Speaker 2: there's the truth. 742 00:40:35,600 --> 00:40:36,239 Speaker 3: Oh she said. 743 00:40:36,280 --> 00:40:38,319 Speaker 4: And then instead do you think she just said it wrong? 744 00:40:38,360 --> 00:40:42,440 Speaker 4: And they were like, oh, it's cute leaving in no 745 00:40:42,520 --> 00:40:43,480 Speaker 4: one caught it, so you caught it. 746 00:40:44,120 --> 00:40:50,359 Speaker 3: Also, I was zero has discovered computers and they are 747 00:40:50,840 --> 00:40:56,640 Speaker 3: that laptop, Oh, Felice's laptop. Felice's laptop type type type. 748 00:40:56,960 --> 00:41:00,360 Speaker 3: Claire's at the in the like computer lab or something. 749 00:41:00,480 --> 00:41:03,680 Speaker 1: And then there's the computer at the beach house, like 750 00:41:04,120 --> 00:41:09,400 Speaker 1: we've definitely found computers now and tiny tiers. 751 00:41:09,560 --> 00:41:12,800 Speaker 2: I mean, the world was looking to this show to 752 00:41:13,040 --> 00:41:16,400 Speaker 2: see like what what was up? You know, like the 753 00:41:16,520 --> 00:41:19,160 Speaker 2: world was watching Beverly Hills for the first time, they 754 00:41:19,200 --> 00:41:22,239 Speaker 2: were watching teenage Lives for the first time. So the 755 00:41:22,320 --> 00:41:25,040 Speaker 2: show had a huge responsibility to be progressive and have 756 00:41:25,360 --> 00:41:29,240 Speaker 2: like cell phones and all, you know, all the gadgets everything, 757 00:41:29,480 --> 00:41:31,800 Speaker 2: so that they looked current. I think that was probably 758 00:41:31,960 --> 00:41:32,800 Speaker 2: very just totally. 759 00:41:33,520 --> 00:41:36,640 Speaker 4: I have must questions started my eBay account and beanie 760 00:41:36,680 --> 00:41:38,000 Speaker 4: babies in my dressing room. 761 00:41:38,840 --> 00:41:42,440 Speaker 3: Can we talk about the paint the pant I liked it. 762 00:41:45,120 --> 00:41:48,960 Speaker 3: Do you remember painting? Which did they know? Did that stay? 763 00:41:49,040 --> 00:41:51,879 Speaker 3: I don't think what did they choose? Really? They left 764 00:41:51,920 --> 00:41:55,160 Speaker 3: it like all artsy in this episode, but then does 765 00:41:55,239 --> 00:41:57,600 Speaker 3: it maybe in the next episode we'll see. I don't 766 00:41:57,600 --> 00:41:59,880 Speaker 3: think it's fair. Did they finish the painting shop or 767 00:42:00,080 --> 00:42:00,400 Speaker 3: think so? 768 00:42:02,200 --> 00:42:05,759 Speaker 1: Also, Missus Teasley gets a shout out, although I think 769 00:42:05,800 --> 00:42:07,799 Speaker 1: you said miss Teasley, so I was conn used if 770 00:42:07,840 --> 00:42:09,240 Speaker 1: she was Missus or Miss Teasley. 771 00:42:10,440 --> 00:42:13,520 Speaker 3: Brenda gets a shout out with her ice cream. I 772 00:42:13,680 --> 00:42:16,320 Speaker 3: think it was Missus because I thought she was missus 773 00:42:16,480 --> 00:42:20,839 Speaker 3: missus t yeah, tea. And then did you guys see 774 00:42:20,840 --> 00:42:24,279 Speaker 3: the random girl playing guitar? Just how could you miss it? 775 00:42:24,760 --> 00:42:30,520 Speaker 3: What do you mean? Wait? It does Andrea take her 776 00:42:30,600 --> 00:42:34,920 Speaker 3: baby to school? Everywhere? She takes that baby everywhere? It 777 00:42:35,080 --> 00:42:37,160 Speaker 3: was I didn't know what to ask, but that is 778 00:42:37,239 --> 00:42:40,080 Speaker 3: a lot, Like how what is that protocol? Well, she 779 00:42:40,200 --> 00:42:42,400 Speaker 3: was mad about the daycare. She couldn't do it, so 780 00:42:42,560 --> 00:42:46,759 Speaker 3: I guess she's just bringing her I would have liked that. 781 00:42:47,000 --> 00:42:48,600 Speaker 3: Seemed like I would have liked to have seen her 782 00:42:48,640 --> 00:42:51,239 Speaker 3: work that out with the school system. Yeah, that would 783 00:42:51,239 --> 00:42:53,600 Speaker 3: have been interesting for her to have a storyline, not 784 00:42:53,719 --> 00:42:56,359 Speaker 3: just show up with a baby and everything. Also, did 785 00:42:56,400 --> 00:42:59,040 Speaker 3: you guys see they went to the Ed Vincent School 786 00:42:59,080 --> 00:43:00,439 Speaker 3: of Communication? Yeah? 787 00:43:00,480 --> 00:43:00,880 Speaker 5: What was that? 788 00:43:01,320 --> 00:43:03,400 Speaker 3: Isn't that your dad's partner. 789 00:43:03,320 --> 00:43:04,080 Speaker 4: Duke Vincent? 790 00:43:04,360 --> 00:43:10,120 Speaker 3: Yes, uncle Duke. Did he work on nine O two 791 00:43:10,160 --> 00:43:13,360 Speaker 3: and zero? Mm hm, Well, I mean he was was he. 792 00:43:13,360 --> 00:43:16,480 Speaker 1: Your dad's partner at Spelling Productions or what was he 793 00:43:16,719 --> 00:43:18,120 Speaker 1: he was on all these shows? 794 00:43:18,840 --> 00:43:22,040 Speaker 3: Oh, it's his dynasty and everything. Not his partner but 795 00:43:22,239 --> 00:43:28,200 Speaker 3: like uh executive, like his executive producer right below him? 796 00:43:29,400 --> 00:43:30,919 Speaker 3: M hm oh. 797 00:43:31,080 --> 00:43:33,960 Speaker 2: All very felt felt like this is a pretty good episode. 798 00:43:34,000 --> 00:43:39,319 Speaker 2: I enjoyed the college of it all. But I can 799 00:43:39,400 --> 00:43:41,600 Speaker 2: see Amy how you said maybe it was a little 800 00:43:41,719 --> 00:43:42,480 Speaker 2: slow at times. 801 00:43:42,600 --> 00:43:44,759 Speaker 3: Yeah, I hear's what I think. 802 00:43:45,440 --> 00:43:49,120 Speaker 1: It wasn't that different for me than the episode before. 803 00:43:50,040 --> 00:43:55,279 Speaker 1: They were very similar. Other than Griffin mm hmm. It 804 00:43:55,440 --> 00:43:58,440 Speaker 1: was like one kind of long thing, which I'm not 805 00:43:58,840 --> 00:44:01,040 Speaker 1: mad about. It just was like, I'm ready for a 806 00:44:01,320 --> 00:44:01,919 Speaker 1: little bit. 807 00:44:01,920 --> 00:44:05,279 Speaker 3: More so be drama me too. 808 00:44:06,200 --> 00:44:09,120 Speaker 2: John's like, no, well, maybe that'll come next week. I 809 00:44:09,200 --> 00:44:10,920 Speaker 2: have no idea what's going to happen, you guys, this 810 00:44:11,000 --> 00:44:11,720 Speaker 2: is so exciting. 811 00:44:12,239 --> 00:44:15,719 Speaker 3: Next week we have what's on deck? What's on deck? 812 00:44:16,400 --> 00:44:21,640 Speaker 3: Rave on? Well not rave on? Rave On? 813 00:44:22,800 --> 00:44:26,000 Speaker 4: Literally was like, who's rave on? I don't remember rave on? 814 00:44:28,200 --> 00:44:28,600 Speaker 3: Rave on? 815 00:44:28,920 --> 00:44:33,719 Speaker 2: Season five, episode five. That's y'all's homework for next week. 816 00:44:33,840 --> 00:44:37,879 Speaker 3: Just wait, rate it, rate it, give me your ratings. Oh, 817 00:44:38,040 --> 00:44:39,520 Speaker 3: what did you give last week? You gave a four 818 00:44:39,520 --> 00:44:40,640 Speaker 3: and then you changed it to a six. 819 00:44:40,800 --> 00:44:45,440 Speaker 4: Rightly, gave it three and then I felt bad, super embarrassing. 820 00:44:45,560 --> 00:44:47,279 Speaker 4: I did. I felt embarrassed and changed it to a six. 821 00:44:47,400 --> 00:44:51,680 Speaker 3: Yes, right, okay, So what do you give this week? Okay? Wait? 822 00:44:51,760 --> 00:44:52,520 Speaker 3: Can I ask you guys? 823 00:44:52,560 --> 00:44:57,600 Speaker 4: A friend question, of course, did I really love this 824 00:44:57,760 --> 00:45:02,080 Speaker 4: episode because I had a big more fun parts, or 825 00:45:02,160 --> 00:45:06,279 Speaker 4: did I really liked this episode I can't tell in 826 00:45:06,400 --> 00:45:08,239 Speaker 4: it right or are. 827 00:45:08,160 --> 00:45:10,880 Speaker 1: You coming back to fond memories and like you're crush 828 00:45:11,040 --> 00:45:13,080 Speaker 1: and like the whole thing that you're like blurring? 829 00:45:13,200 --> 00:45:15,040 Speaker 3: Felt like I was really like loose on camera. 830 00:45:15,440 --> 00:45:18,279 Speaker 4: Nope, not loose. Well, Donna is a little too loose 831 00:45:18,320 --> 00:45:22,200 Speaker 4: on camera, but I felt frear to be me. I 832 00:45:22,280 --> 00:45:26,160 Speaker 4: felt like I was more tory in this episode than Donna. 833 00:45:27,000 --> 00:45:29,839 Speaker 4: And they did a drinking competition every time I put 834 00:45:29,880 --> 00:45:33,920 Speaker 4: my hand on my hips. Did you notice that it 835 00:45:34,080 --> 00:45:34,799 Speaker 4: was way too much? 836 00:45:34,920 --> 00:45:38,279 Speaker 3: I noticed the clippies. I noticed the clippies. 837 00:45:38,760 --> 00:45:42,320 Speaker 4: Okay, wait at the I'm embarrassed, big party. 838 00:45:42,480 --> 00:45:48,880 Speaker 3: Two little clipp eight. Oh, I give it an you 839 00:45:49,000 --> 00:45:51,120 Speaker 3: meat eight clippies. I was like, no, you just had two. 840 00:45:51,400 --> 00:45:54,239 Speaker 3: I give it an eight too. I'll give it a 841 00:45:54,320 --> 00:45:54,719 Speaker 3: point five. 842 00:45:55,200 --> 00:45:57,080 Speaker 2: All right, all right, it's a good one. It's a 843 00:45:57,320 --> 00:46:00,279 Speaker 2: little bit stronger than last week. Let's it's hope the 844 00:46:00,320 --> 00:46:02,240 Speaker 2: next one goes to the same direction. 845 00:46:03,040 --> 00:46:05,520 Speaker 4: I don't want to see Valerie and Steve go on 846 00:46:05,560 --> 00:46:07,520 Speaker 4: a date or anything like. That's not going to happen. 847 00:46:07,600 --> 00:46:11,120 Speaker 3: Can you assure me? Can you shure us? Amy sles Sorr, 848 00:46:11,160 --> 00:46:15,319 Speaker 3: I fell asleep If that happens, that really hurts when 849 00:46:15,360 --> 00:46:16,760 Speaker 3: you hit your four out of the microphone. 850 00:46:18,200 --> 00:46:23,239 Speaker 2: Yeah, thanks, I don't think now again, ste He's gonna 851 00:46:23,239 --> 00:46:26,239 Speaker 2: get played and he's gonna hate Dylan even more. 852 00:46:27,080 --> 00:46:29,040 Speaker 3: Your same storyline over over. 853 00:46:30,920 --> 00:46:32,759 Speaker 4: They're just not meant to be friends. 854 00:46:32,840 --> 00:46:35,080 Speaker 3: Oh, shout out to nat though we need to get 855 00:46:35,120 --> 00:46:37,600 Speaker 3: mad a shadow. Don't talk about that. Yeah, he really, 856 00:46:38,560 --> 00:46:44,920 Speaker 3: he really did the right thing with Brandon, Yes he did. 857 00:46:45,080 --> 00:46:48,800 Speaker 3: He did such a nice job of giving him advice. 858 00:46:49,280 --> 00:46:52,960 Speaker 4: Yeah, and some fries and he'll stay fansome in that scene. 859 00:46:53,200 --> 00:46:56,160 Speaker 3: We really did. Yeah, that was a sweet scene and 860 00:46:56,560 --> 00:46:59,560 Speaker 3: he was Yeah, that was great. Had some good girls 861 00:46:59,600 --> 00:47:03,880 Speaker 3: and bad girls, some fun girls all around it. Some 862 00:47:04,000 --> 00:47:07,080 Speaker 3: egg peeling. I can't wait to see if Dylan's chopp And. 863 00:47:09,200 --> 00:47:11,960 Speaker 4: They smell like that's why you don't like them. Also 864 00:47:12,280 --> 00:47:13,200 Speaker 4: because they smell. 865 00:47:13,719 --> 00:47:19,919 Speaker 3: They do smell. They do smell. They smell because creek wait, 866 00:47:20,040 --> 00:47:21,839 Speaker 3: do I know why? No, because it doesn't come out 867 00:47:21,880 --> 00:47:25,560 Speaker 3: of the come out of the hooter. No, not hooter, cooter, 868 00:47:25,760 --> 00:47:30,800 Speaker 3: no cooter know. Yeah, but I never knew that. I 869 00:47:30,960 --> 00:47:32,240 Speaker 3: never knew the it's just gross. 870 00:47:32,320 --> 00:47:35,240 Speaker 2: Have you ever Okay, well, if you've ever had chickens 871 00:47:35,320 --> 00:47:37,200 Speaker 2: and you've seen them lay eggs and then you look 872 00:47:37,239 --> 00:47:39,960 Speaker 2: at the egg, you wouldn't eat the egg. People just 873 00:47:40,040 --> 00:47:43,840 Speaker 2: saying they get washed before they go to the grocery store. 874 00:47:44,160 --> 00:47:49,040 Speaker 4: Well, based on the sound they make while they're having ling. 875 00:47:49,200 --> 00:47:53,719 Speaker 3: Okay, no, it's they make us sound when they're laying 876 00:47:53,800 --> 00:48:03,479 Speaker 3: the eggs. It hurts, no, legs, legs and eggs being laid. Yeah, 877 00:48:05,200 --> 00:48:07,520 Speaker 3: it doesn't. It's not a it's not a fun thing 878 00:48:07,719 --> 00:48:12,400 Speaker 3: to do. Apparently. Oh my god. Oh okay, guys, I 879 00:48:12,480 --> 00:48:13,919 Speaker 3: gotta go. We gotta go, We gotta