1 00:00:00,120 --> 00:00:02,480 Speaker 1: Hey discos, you can listen to an extended version of 2 00:00:02,520 --> 00:00:06,240 Speaker 1: this after Party episode by becoming a member of Disgraceland 3 00:00:06,440 --> 00:00:11,360 Speaker 1: All Access. Just go to disgracelandpod dot com slash membership 4 00:00:11,400 --> 00:00:14,800 Speaker 1: for more details and to sign up. Hey guys, Disgraceland 5 00:00:14,840 --> 00:00:16,919 Speaker 1: is brought to you by Double Elvis. This week, we 6 00:00:17,079 --> 00:00:19,520 Speaker 1: have part one of our Peter Tosh story in the 7 00:00:19,560 --> 00:00:23,720 Speaker 1: Disgraceland feed And don't forget about that exclusive Hunter S. 8 00:00:23,760 --> 00:00:27,720 Speaker 1: Thompson episode that's available to our All Access members in 9 00:00:27,760 --> 00:00:34,280 Speaker 1: our Patreon and Apple subscription feeds. Hey discos, need a 10 00:00:34,280 --> 00:00:37,200 Speaker 1: little more Disgraceland in your life, just to touch. 11 00:00:37,120 --> 00:00:40,400 Speaker 2: To get you through? Yeah, me too. This is the 12 00:00:40,400 --> 00:00:42,400 Speaker 2: podcast that comes after the podcast. 13 00:00:42,840 --> 00:01:01,840 Speaker 1: Welcome to Disgraceland, the after Party. Welcome to the Disgraceland 14 00:01:01,880 --> 00:01:04,399 Speaker 1: bonus episode, a little thing we'd like to call the 15 00:01:04,480 --> 00:01:07,319 Speaker 1: after Party. This is the show after the show, the 16 00:01:07,360 --> 00:01:09,080 Speaker 1: party after the party, the bridge to get from one 17 00:01:09,080 --> 00:01:11,319 Speaker 1: full episode of disgrace clent to the other, the backyard 18 00:01:11,319 --> 00:01:13,880 Speaker 1: to dig into the dirt. On this episode, we are 19 00:01:14,040 --> 00:01:17,600 Speaker 1: talking about our new Peter Tosh episode of Disgraceland that 20 00:01:17,640 --> 00:01:20,240 Speaker 1: is in your feeds right now, Part one of two. 21 00:01:20,520 --> 00:01:22,840 Speaker 1: We're talking about the sources that went into the creation 22 00:01:22,920 --> 00:01:26,240 Speaker 1: of our Tosh episode, including the source that got us 23 00:01:26,360 --> 00:01:29,720 Speaker 1: that juicy tidbit on how Peter Tosh funded an album 24 00:01:29,760 --> 00:01:32,600 Speaker 1: by smuggling drugs. But that's for later, and of course 25 00:01:32,640 --> 00:01:35,680 Speaker 1: your voicemails, text dms and more, and as always, a 26 00:01:35,720 --> 00:01:39,640 Speaker 1: whole lot of rosie. Alright, just goes. Let's get into it, 27 00:01:50,360 --> 00:01:52,080 Speaker 1: all right. I have this thing that really annoys me, 28 00:01:52,160 --> 00:01:54,120 Speaker 1: and it's been someone from the corporate world, or any 29 00:01:54,160 --> 00:01:56,800 Speaker 1: professional world for that matter, any world other than the 30 00:01:56,880 --> 00:01:59,480 Speaker 1: music industry, when they refer to someone as a rock 31 00:01:59,520 --> 00:02:02,480 Speaker 1: star like some sort of reward, you know, like Danny 32 00:02:02,480 --> 00:02:04,400 Speaker 1: from accounting got all his work done and stayed laid 33 00:02:04,400 --> 00:02:05,000 Speaker 1: over the weekend. 34 00:02:05,000 --> 00:02:05,720 Speaker 2: What a rock star? 35 00:02:05,840 --> 00:02:08,720 Speaker 1: Or Shila down the street she pulled in our garbage 36 00:02:08,760 --> 00:02:10,720 Speaker 1: bins for us while we were on vacation, what a 37 00:02:10,800 --> 00:02:13,440 Speaker 1: rock star? Or did he see that Craig there? He 38 00:02:13,520 --> 00:02:15,680 Speaker 1: scored us tickets for that game? What a rock star? 39 00:02:16,639 --> 00:02:19,280 Speaker 1: I know now that I'm being kind of a prick 40 00:02:19,320 --> 00:02:22,280 Speaker 1: about this, but Danny, Sheila, and Craig they. 41 00:02:22,120 --> 00:02:23,120 Speaker 2: Are not rock stars. 42 00:02:23,680 --> 00:02:28,280 Speaker 1: If what was said about them didn't concern accounting, garbage 43 00:02:28,280 --> 00:02:31,360 Speaker 1: pails and sporting event tickets and instead went something like this, 44 00:02:31,760 --> 00:02:33,799 Speaker 1: Danny got a seventeen year old babysit or pregnant. 45 00:02:33,840 --> 00:02:34,520 Speaker 2: What a rock star? 46 00:02:34,600 --> 00:02:37,320 Speaker 1: Sheila overdosed on crack cocaine she brought from her neighbor Craig. 47 00:02:37,360 --> 00:02:37,919 Speaker 2: What a rock star. 48 00:02:38,000 --> 00:02:40,440 Speaker 1: Craig's doing twenty to life out of conquered MCI for 49 00:02:40,480 --> 00:02:42,320 Speaker 1: selling Shila that rock What a rock star? 50 00:02:43,200 --> 00:02:43,440 Speaker 2: Listen? 51 00:02:43,600 --> 00:02:47,920 Speaker 1: Music history is littered with illicit relationships with illegal and 52 00:02:48,080 --> 00:02:50,440 Speaker 1: sometimes deadly drug use. You know, we know this from 53 00:02:50,440 --> 00:02:53,880 Speaker 1: listening to this podcast. So many more transgressions, so much 54 00:02:53,919 --> 00:02:57,240 Speaker 1: more bad behavior. My point is that rock star behavior 55 00:02:57,400 --> 00:03:00,360 Speaker 1: should not be lauded. It shouldn't be celebrated, to be 56 00:03:00,360 --> 00:03:03,240 Speaker 1: treated like some sort of badge of honor, unless, of course, 57 00:03:03,520 --> 00:03:05,959 Speaker 1: you're some kind of degenerate hooligan with a twisted sense 58 00:03:06,000 --> 00:03:07,960 Speaker 1: of humor, which I have a feeling most of you, 59 00:03:08,120 --> 00:03:10,320 Speaker 1: like me, either are or were at one point. And 60 00:03:10,360 --> 00:03:13,440 Speaker 1: if you're not anymore and you say live the respectable 61 00:03:13,520 --> 00:03:16,600 Speaker 1: family life, a part of you still identifies with these 62 00:03:16,720 --> 00:03:20,720 Speaker 1: rock star heathens and is highly entertained by their behavior, 63 00:03:21,000 --> 00:03:23,639 Speaker 1: which of course is why we are all here. Also, 64 00:03:23,800 --> 00:03:25,720 Speaker 1: and this is the biggest part of the pet peeve 65 00:03:25,720 --> 00:03:31,600 Speaker 1: here equating just going the extra mile in a civilian life, 66 00:03:31,880 --> 00:03:34,080 Speaker 1: you know, being a good accountant, being a good friend, 67 00:03:34,160 --> 00:03:37,760 Speaker 1: being a good neighbor. Let's not get it twisted. Let's 68 00:03:37,800 --> 00:03:40,800 Speaker 1: not elevate that to rock star behavior. That is not 69 00:03:40,840 --> 00:03:43,320 Speaker 1: what that is. Clearly we know this, and I know, 70 00:03:43,600 --> 00:03:45,280 Speaker 1: like I said, I know I'm being a prick about this, 71 00:03:45,840 --> 00:03:49,320 Speaker 1: But why the hair across my ass? Okay, why about 72 00:03:49,480 --> 00:03:52,480 Speaker 1: Danny from accounting being a rock star. I don't know, 73 00:03:53,280 --> 00:03:56,160 Speaker 1: I guess to my point, I just made it cheapens 74 00:03:56,200 --> 00:03:59,120 Speaker 1: what rock stars actually do, staying late to work on 75 00:03:59,160 --> 00:04:02,520 Speaker 1: TPS reports over a tech It hardly compares with squatting 76 00:04:02,560 --> 00:04:05,600 Speaker 1: and Keith Richard's Jamaican vacation home as Peter Tosh did, 77 00:04:05,960 --> 00:04:08,440 Speaker 1: and refusing to leave by thread of your machine gun. 78 00:04:08,960 --> 00:04:13,160 Speaker 1: Peter Tosh was a rock star, and so was Keith Richards. 79 00:04:13,680 --> 00:04:16,560 Speaker 1: But here's where I'm a hypocrite. Just as I despise 80 00:04:16,680 --> 00:04:19,520 Speaker 1: the overuse and or misuse I should say of the 81 00:04:19,600 --> 00:04:24,320 Speaker 1: term rock star, I overuse and misuse the word badass 82 00:04:24,400 --> 00:04:26,760 Speaker 1: or the phrase badass, because that's what Keith Richards was, 83 00:04:27,040 --> 00:04:28,240 Speaker 1: a real badass. 84 00:04:28,360 --> 00:04:29,600 Speaker 2: Balls the size. 85 00:04:29,320 --> 00:04:32,520 Speaker 1: Of big whatever fruit kind of fruit they grow in Jamaica, 86 00:04:32,560 --> 00:04:35,680 Speaker 1: I don't know, mangoes whatever. Keith Richards had them to 87 00:04:35,800 --> 00:04:39,000 Speaker 1: stare down Peter Tosh and to get the armed to 88 00:04:39,080 --> 00:04:41,359 Speaker 1: the teeth Jamaican musician out of his place so that 89 00:04:41,560 --> 00:04:43,839 Speaker 1: Keith rich Justs can move back in. As the story goes, 90 00:04:44,200 --> 00:04:49,560 Speaker 1: you need mango size balls. You need to be a badass, okay, 91 00:04:49,839 --> 00:04:51,160 Speaker 1: a real badass. 92 00:04:51,880 --> 00:04:52,560 Speaker 2: But here's the thing. 93 00:04:53,279 --> 00:04:55,800 Speaker 1: I call people badass all the time, people who weren't 94 00:04:55,839 --> 00:05:00,360 Speaker 1: really badass. Okay, not in the truest sense of the term. 95 00:05:00,560 --> 00:05:00,880 Speaker 3: All right. 96 00:05:00,920 --> 00:05:03,480 Speaker 1: I've even considered myself to be a badass on occasion, 97 00:05:03,480 --> 00:05:06,479 Speaker 1: but I assure you I am not Keith Richards level badass. 98 00:05:06,520 --> 00:05:08,840 Speaker 1: Like I even have to mention that that is a 99 00:05:09,000 --> 00:05:10,800 Speaker 1: special kind of crazy. 100 00:05:11,200 --> 00:05:13,760 Speaker 2: And you know what I am talking about. 101 00:05:13,920 --> 00:05:18,799 Speaker 1: This is why these subjects, whether they're musicians, whether they're cooks, 102 00:05:19,200 --> 00:05:22,839 Speaker 1: whether they're artists, this is why they're so interesting. So 103 00:05:22,920 --> 00:05:25,240 Speaker 1: I don't want to dilute that, okay, and I don't 104 00:05:25,279 --> 00:05:27,560 Speaker 1: think any of us should want to dilute that. But 105 00:05:27,600 --> 00:05:29,359 Speaker 1: what I do think we should know is start to 106 00:05:29,360 --> 00:05:32,400 Speaker 1: get a sense of who from the world of music 107 00:05:32,400 --> 00:05:36,520 Speaker 1: and culture in general, who are the real badasses, those 108 00:05:36,560 --> 00:05:39,119 Speaker 1: who wouldn't back down, who won't back down, those who've 109 00:05:39,120 --> 00:05:42,799 Speaker 1: demonstrated real bravery, real craziness in the face of fear, 110 00:05:42,839 --> 00:05:47,200 Speaker 1: in the face of intimidation. Keith Richards definitely, Steve McQueen absolutely, 111 00:05:47,240 --> 00:05:50,240 Speaker 1: Michael Jackson, probably not, Marlon Brando, I don't think so. 112 00:05:50,360 --> 00:05:53,400 Speaker 1: Marilyn Monroe, I would say so one thousand percent. 113 00:05:53,520 --> 00:05:54,120 Speaker 2: Yes, who else? 114 00:05:54,160 --> 00:05:57,960 Speaker 1: Six one seven nine oh six six six three eight 115 00:05:58,200 --> 00:06:00,839 Speaker 1: To let me know who the most bad as musicians 116 00:06:01,040 --> 00:06:03,839 Speaker 1: and cultural figures are from history, and give me some 117 00:06:03,920 --> 00:06:06,520 Speaker 1: examples of their badass behavior, and I'll be back in 118 00:06:06,520 --> 00:06:07,120 Speaker 1: a moment. 119 00:06:27,640 --> 00:06:27,960 Speaker 3: All right. 120 00:06:27,960 --> 00:06:30,320 Speaker 1: As I said earlier, this week's episode on Peter Tosh 121 00:06:30,480 --> 00:06:33,680 Speaker 1: is part one of two. We've done a bunch of 122 00:06:33,800 --> 00:06:36,839 Speaker 1: two part episodes in the past here in Disgraceland, Guns n' Roses, 123 00:06:37,120 --> 00:06:40,719 Speaker 1: Willie Nelson, the Sex Pistols, Kurt and Courtney, the Beach Boys. 124 00:06:40,800 --> 00:06:44,520 Speaker 1: John Lennon was the first one. John and the way 125 00:06:44,560 --> 00:06:47,040 Speaker 1: this happened was the John Lennon episode. I researched it 126 00:06:47,440 --> 00:06:49,840 Speaker 1: and then I wrote it, and I wrote it as 127 00:06:49,880 --> 00:06:52,080 Speaker 1: one episode and I finished it and I. 128 00:06:52,000 --> 00:06:53,960 Speaker 2: Was like, Fuck, this is long. 129 00:06:54,120 --> 00:06:56,960 Speaker 1: How am I going to do this, and I just said, oh, 130 00:06:56,960 --> 00:06:59,000 Speaker 1: I'll just do two and that was it. And then 131 00:06:59,040 --> 00:07:00,960 Speaker 1: we sort of got into like, like, Okay, how do 132 00:07:00,960 --> 00:07:03,960 Speaker 1: we structure two episodes? How do we make them fit 133 00:07:04,080 --> 00:07:08,240 Speaker 1: and feel right and make sense? But you know, I'm 134 00:07:08,279 --> 00:07:11,800 Speaker 1: thinking this Peter Tosh episode, this might be our last 135 00:07:11,960 --> 00:07:15,800 Speaker 1: two parter for a while. And it's you know, in part, 136 00:07:15,880 --> 00:07:17,880 Speaker 1: just to be totally honest, we've been using it as 137 00:07:17,880 --> 00:07:21,800 Speaker 1: a crutch to not do the proper amount of editing 138 00:07:22,240 --> 00:07:26,440 Speaker 1: and outlining that we should. And and it's not crutch 139 00:07:26,520 --> 00:07:29,760 Speaker 1: is probably too harsh of a word, because it's also 140 00:07:29,800 --> 00:07:31,440 Speaker 1: a good thing for us when we when we get 141 00:07:31,440 --> 00:07:34,440 Speaker 1: two episodes out of out of one batch of research 142 00:07:34,760 --> 00:07:37,240 Speaker 1: in a way where we're doubling the amount of value 143 00:07:37,280 --> 00:07:39,960 Speaker 1: that we get from the work we've done. But at 144 00:07:40,000 --> 00:07:43,680 Speaker 1: the same time, you know, it's just there's so many 145 00:07:43,680 --> 00:07:45,600 Speaker 1: people we need to talk about here, and I can 146 00:07:45,720 --> 00:07:48,520 Speaker 1: already hear the criticism from some of you who, despite 147 00:07:48,560 --> 00:07:52,240 Speaker 1: what we love or think about Peter Tosh, You're you're 148 00:07:52,280 --> 00:07:54,679 Speaker 1: gonna sit there and you go, oh, really, Peter Tosh 149 00:07:54,720 --> 00:07:57,320 Speaker 1: gets two episodes, But you know, I don't know, the 150 00:07:57,400 --> 00:07:59,360 Speaker 1: Ramons get one. You know what I mean, Like, you 151 00:07:59,720 --> 00:08:01,440 Speaker 1: can make that argument over and over again about a 152 00:08:01,440 --> 00:08:04,080 Speaker 1: gazillion different subjects that we've covered, and we have this 153 00:08:04,160 --> 00:08:07,640 Speaker 1: new vision, this new Icon series we're doing, and it 154 00:08:08,200 --> 00:08:09,880 Speaker 1: just adds to the amount of people that we want 155 00:08:09,920 --> 00:08:12,240 Speaker 1: to talk about. It's a long list to cover, and 156 00:08:12,360 --> 00:08:14,000 Speaker 1: you know, we're taking up too much space with these 157 00:08:14,000 --> 00:08:16,360 Speaker 1: two partners, and we should be better at our jobs. 158 00:08:16,360 --> 00:08:20,000 Speaker 1: We should be better at coming up with concise, impactful, 159 00:08:20,200 --> 00:08:24,160 Speaker 1: hard hitting single episodes on one subject that really blow 160 00:08:24,200 --> 00:08:27,520 Speaker 1: your socks off. Not that the Tosh episodes aren't blowing 161 00:08:27,560 --> 00:08:29,560 Speaker 1: your socks off, I know they are. There's is so 162 00:08:29,760 --> 00:08:32,560 Speaker 1: much drama here. It made a lot of sense to 163 00:08:32,600 --> 00:08:35,120 Speaker 1: do this as two parts because it allowed us to 164 00:08:35,160 --> 00:08:39,280 Speaker 1: focus on his assassination and the conspiracy theories around the 165 00:08:39,280 --> 00:08:42,560 Speaker 1: assassination almost entirely in episode two. But I'm getting ahead 166 00:08:42,559 --> 00:08:44,280 Speaker 1: of myself, just giving you guys an update on a 167 00:08:44,280 --> 00:08:46,040 Speaker 1: little bit of the behind the scenes here, how we 168 00:08:46,040 --> 00:08:48,080 Speaker 1: made this episode and what we're thinking about future episodes 169 00:08:48,080 --> 00:08:50,000 Speaker 1: that we're going to make. This week's episode the part 170 00:08:50,000 --> 00:08:53,440 Speaker 1: one on the Peter Tosh story. Some fascinating research went 171 00:08:53,440 --> 00:08:56,120 Speaker 1: into this. The main biography that we use for research 172 00:08:56,160 --> 00:08:58,440 Speaker 1: for this is called Stepen Razor The Life of Peter 173 00:08:58,559 --> 00:09:01,960 Speaker 1: Tosh by John Missouri. Can only find this book as 174 00:09:01,960 --> 00:09:05,520 Speaker 1: an ebook. If it does exist in physical form, we 175 00:09:05,520 --> 00:09:08,520 Speaker 1: couldn't track it down. This covers Tosh's life in great detail, 176 00:09:09,080 --> 00:09:11,600 Speaker 1: including some super crucial stuff about why he decided to 177 00:09:11,679 --> 00:09:14,080 Speaker 1: leave the Whalers and that a big reason for his 178 00:09:14,200 --> 00:09:17,400 Speaker 1: leaving the Whalers was that Chris Blackwell, founder of Island Records, 179 00:09:17,720 --> 00:09:21,079 Speaker 1: was grooming Toash's bandmate Bob Murley for superstardom and not 180 00:09:21,120 --> 00:09:24,120 Speaker 1: Peter Tosh. Another great resource for this week's episode was 181 00:09:24,160 --> 00:09:27,400 Speaker 1: a documentary called Stepping Razor Red X. This is a 182 00:09:27,400 --> 00:09:30,320 Speaker 1: film from nineteen ninety two, super cool. It uses these 183 00:09:30,400 --> 00:09:33,000 Speaker 1: audio tapes that Tosh made of himself talking about his life, 184 00:09:33,000 --> 00:09:35,560 Speaker 1: his views, his music, talking about everything. Tapes that he 185 00:09:35,600 --> 00:09:37,840 Speaker 1: made shortly before he was murdered. So basically it's like 186 00:09:37,880 --> 00:09:40,319 Speaker 1: Peter Tosh is narrating a film about his own life, 187 00:09:40,440 --> 00:09:42,319 Speaker 1: even though it was put together a few years after 188 00:09:42,360 --> 00:09:43,920 Speaker 1: he died. This is the source where I got the 189 00:09:44,000 --> 00:09:46,800 Speaker 1: quote it is dangerous to have the truth in your possession. 190 00:09:46,880 --> 00:09:49,280 Speaker 1: You can be found guilty and sentenced to death, which, 191 00:09:49,320 --> 00:09:52,520 Speaker 1: of course is a very poignant quote considering what happens 192 00:09:52,520 --> 00:09:55,240 Speaker 1: to Peter Tosh. Also, it's also where I got the 193 00:09:55,280 --> 00:09:57,440 Speaker 1: story that opens the episode about Tosh running to the 194 00:09:57,440 --> 00:09:59,360 Speaker 1: sounds of his parents and nearly getting blinded when he 195 00:09:59,440 --> 00:10:02,800 Speaker 1: runs into wire, which is just so painful to think about. 196 00:10:03,080 --> 00:10:06,319 Speaker 1: Maybe though, the craziest anecdote that we discovered came from 197 00:10:06,360 --> 00:10:08,880 Speaker 1: a book called Bob Marley in the Whalers nineteen seventy 198 00:10:08,880 --> 00:10:11,360 Speaker 1: three to nineteen seventy six, co written by Lee Jaffe, 199 00:10:11,360 --> 00:10:13,720 Speaker 1: who is one of Peter Tosh's associates back in the day. 200 00:10:14,000 --> 00:10:17,720 Speaker 1: This book is only available in French, so of course 201 00:10:17,760 --> 00:10:20,360 Speaker 1: I didn't get to read it, but I read a 202 00:10:20,360 --> 00:10:22,959 Speaker 1: lot about it, and there's this anecdote that comes from 203 00:10:22,960 --> 00:10:26,679 Speaker 1: this book that people were talking about that Peter Tosh 204 00:10:27,040 --> 00:10:29,439 Speaker 1: raised most of the money to make his album Legalize 205 00:10:29,440 --> 00:10:32,599 Speaker 1: It from you got a shipment of marijuana that was 206 00:10:32,640 --> 00:10:34,640 Speaker 1: illegally flown from Jamaica to the United States. 207 00:10:34,679 --> 00:10:35,440 Speaker 2: As you're going to hear in the. 208 00:10:35,440 --> 00:10:39,000 Speaker 1: Episode, this story is fucking nuts. This is the type 209 00:10:39,000 --> 00:10:42,120 Speaker 1: of story that is at the heart of Disgraceland. This 210 00:10:42,320 --> 00:10:45,720 Speaker 1: type of research that we do brings these stories out, 211 00:10:45,840 --> 00:10:48,240 Speaker 1: puts them in this new medium of podcasting. For you, 212 00:10:48,440 --> 00:10:51,400 Speaker 1: it's why you love the show. This to me is 213 00:10:52,240 --> 00:10:55,319 Speaker 1: next to the Keith Richards home invasion thing, the most 214 00:10:55,360 --> 00:10:57,360 Speaker 1: interesting part of the Peter Tosh story. If I was 215 00:10:57,400 --> 00:11:00,439 Speaker 1: hanging out, I was eighteen years old, only with my 216 00:11:00,480 --> 00:11:03,200 Speaker 1: boys at a party, drinking beers whatever. This is the 217 00:11:03,200 --> 00:11:05,960 Speaker 1: story about Peter Tosh that I would talk about. What 218 00:11:06,080 --> 00:11:08,640 Speaker 1: is the story about Peter Tosh that you would talk about? 219 00:11:08,840 --> 00:11:10,520 Speaker 1: Is this it? What do you think of this story 220 00:11:10,520 --> 00:11:15,000 Speaker 1: about using illegal shipment of dope flown from Jamaica to 221 00:11:15,000 --> 00:11:17,800 Speaker 1: the United States back in the seventies to fund what 222 00:11:17,960 --> 00:11:21,240 Speaker 1: is I guess probably his biggest record. I should know 223 00:11:21,280 --> 00:11:25,000 Speaker 1: this probably probably Peter Tosh's biggest album Legalize it? 224 00:11:25,360 --> 00:11:26,680 Speaker 2: Uh wild story? 225 00:11:26,760 --> 00:11:28,600 Speaker 1: Right, let me know what you think the wildest story 226 00:11:28,640 --> 00:11:32,680 Speaker 1: is six one seven nine oh six six six three eight. Also, 227 00:11:32,840 --> 00:11:35,040 Speaker 1: you got thoughts on the Bob Marley rewind episode that's 228 00:11:35,040 --> 00:11:36,600 Speaker 1: coming your way this week, you can hit me up 229 00:11:36,640 --> 00:11:38,880 Speaker 1: six one seven nine oh six six six three eight. 230 00:11:39,080 --> 00:11:40,800 Speaker 1: And I want to know, this is an honest to 231 00:11:40,840 --> 00:11:41,720 Speaker 1: god question. 232 00:11:42,440 --> 00:11:43,680 Speaker 2: You can only listen to one. 233 00:11:44,080 --> 00:11:47,160 Speaker 1: Who's it going to be? Bob Marley or Peter Tosh? 234 00:11:47,320 --> 00:11:49,360 Speaker 1: Six one seven nine oh six six six three eight, 235 00:11:49,400 --> 00:11:50,920 Speaker 1: And I want to know why. That's where you leave 236 00:11:50,960 --> 00:11:53,080 Speaker 1: a voicemail for me. That's where you leave me a text. 237 00:11:53,520 --> 00:11:53,640 Speaker 3: Uh. 238 00:11:53,760 --> 00:11:57,000 Speaker 1: Speaking of voicemails, let's check this one out from Barry 239 00:11:57,120 --> 00:11:57,960 Speaker 1: in the nine oh four. 240 00:11:58,679 --> 00:12:04,080 Speaker 3: Barry from the nine four Jake, Oh my gosh, I 241 00:12:04,120 --> 00:12:09,200 Speaker 3: love all Access all Access and it's five dollars for 242 00:12:09,360 --> 00:12:12,520 Speaker 3: five dollars. You should be ashamed if you can't afford 243 00:12:12,760 --> 00:12:15,600 Speaker 3: five dollars a month for what you're offering for the 244 00:12:15,640 --> 00:12:23,320 Speaker 3: price of two Mike's harder Limonade tall Boys weed for 245 00:12:23,480 --> 00:12:25,800 Speaker 3: a hand job. And so I'm back out for only 246 00:12:25,880 --> 00:12:29,800 Speaker 3: five dollars. You get so much, and you get to 247 00:12:29,880 --> 00:12:34,520 Speaker 3: interact with Demand himself and the rest of the discos 248 00:12:34,920 --> 00:12:37,760 Speaker 3: in your own chat channel, which I've already fucked up 249 00:12:38,160 --> 00:12:40,960 Speaker 3: by not replying to a message just typing in my 250 00:12:41,240 --> 00:12:45,959 Speaker 3: who's my generation? It's amazing, Jake, love it. I'm a member, man. 251 00:12:46,000 --> 00:12:48,760 Speaker 3: I've been listening to your stuff from like almost day one, 252 00:12:49,400 --> 00:12:51,920 Speaker 3: so it's cool to get on board to the all 253 00:12:51,960 --> 00:12:54,839 Speaker 3: access membership on leap day. 254 00:12:55,760 --> 00:12:58,880 Speaker 1: That's it, Barry in the nine of four, Thanks for 255 00:12:58,880 --> 00:13:02,640 Speaker 1: that message, man, listen to you guys, I love Barry Love. 256 00:13:02,679 --> 00:13:04,720 Speaker 1: I appreciate the message, and I appreciate that you sign 257 00:13:04,760 --> 00:13:07,240 Speaker 1: up for all access, but nobody should be ashamed if 258 00:13:07,240 --> 00:13:08,800 Speaker 1: they can't afford the five dollars a month. 259 00:13:08,840 --> 00:13:09,560 Speaker 2: You should be ashamed. 260 00:13:09,559 --> 00:13:11,160 Speaker 1: However, if you're getting a hand job in a back 261 00:13:11,200 --> 00:13:13,160 Speaker 1: alley with that five dollars instead of using it for 262 00:13:13,200 --> 00:13:16,600 Speaker 1: an all access membership, because I can guarantee that you 263 00:13:16,640 --> 00:13:19,400 Speaker 1: will get more value out of the disgrace Land all 264 00:13:19,440 --> 00:13:22,400 Speaker 1: access membership than you will from a back Alli hand job. 265 00:13:22,960 --> 00:13:25,480 Speaker 1: Not knowing anything really about back Ali hand jobs myself, 266 00:13:25,520 --> 00:13:27,920 Speaker 1: I can't speak to that experience directly. 267 00:13:28,240 --> 00:13:30,839 Speaker 2: It just doesn't sound that compelling to me. 268 00:13:30,960 --> 00:13:33,880 Speaker 1: However, you have all the discos and the Patreon chat 269 00:13:34,160 --> 00:13:38,200 Speaker 1: in there, the real heads talking stuff, talking music, talking 270 00:13:38,240 --> 00:13:42,679 Speaker 1: Disgraceland episodes, talking crazy stories about crazy people from history. 271 00:13:43,000 --> 00:13:44,000 Speaker 2: Get in here, Get. 272 00:13:43,800 --> 00:13:46,160 Speaker 1: In here with us, get the full version of this 273 00:13:46,240 --> 00:13:49,520 Speaker 1: after party, get an extra episode per month, and get 274 00:13:49,559 --> 00:13:52,760 Speaker 1: ad free listening, all for the cost of, as Barry 275 00:13:52,760 --> 00:13:55,320 Speaker 1: put it, a back Alli hand job. All right, let's 276 00:13:55,360 --> 00:13:57,800 Speaker 1: do a text here from the two to five. Oh Hey, hey, Jake, 277 00:13:57,840 --> 00:14:00,000 Speaker 1: I'm looking to be a better supporter and currently subscribe 278 00:14:00,040 --> 00:14:01,599 Speaker 1: to most platforms, which. 279 00:14:01,360 --> 00:14:03,040 Speaker 2: Provides you with the greatest cut. 280 00:14:03,200 --> 00:14:07,520 Speaker 1: Would rather support directly, but understand that all business needs 281 00:14:07,559 --> 00:14:10,120 Speaker 1: to generate money. Well two five, Oh, I really appreciate 282 00:14:10,120 --> 00:14:12,600 Speaker 1: the question. The answer to your question is all the 283 00:14:12,600 --> 00:14:16,080 Speaker 1: platforms treat it equally. Okay, So whether you're subscribed on 284 00:14:16,120 --> 00:14:19,960 Speaker 1: Apple or Spotify or Amazon or iHeart, it doesn't matter. 285 00:14:20,720 --> 00:14:23,920 Speaker 1: But if you want to put money directly into our pocket, 286 00:14:24,000 --> 00:14:27,720 Speaker 1: you can do so by going to disgraceland pod dot 287 00:14:27,760 --> 00:14:31,840 Speaker 1: com slash membership and signing up for our actual subscription 288 00:14:31,920 --> 00:14:35,000 Speaker 1: for five dollars a month that Barry was just talking about, 289 00:14:35,320 --> 00:14:37,360 Speaker 1: and you get a whole bunch with that that I 290 00:14:37,400 --> 00:14:40,640 Speaker 1: just mentioned. Okay, that's a way to directly sponsor the show. 291 00:14:40,680 --> 00:14:43,320 Speaker 1: Ask for which platform you subscribe on, it doesn't really matter. 292 00:14:43,360 --> 00:14:45,920 Speaker 1: Just keep listening, all right. A tow to Oz writes 293 00:14:45,960 --> 00:14:49,920 Speaker 1: in Anthony Bourdain a classic episode Chef's Kiss, I'm not crying, 294 00:14:50,040 --> 00:14:52,640 Speaker 1: You're crying. Fell in love after reading his nonfiction in 295 00:14:52,680 --> 00:14:55,000 Speaker 1: the odds. Thank you so much for that. Just bought 296 00:14:55,080 --> 00:14:58,160 Speaker 1: medium raw. Thanks for the recommendation. You got it a 297 00:14:58,240 --> 00:15:00,920 Speaker 1: two eight. Yeah, guys, we've got a lot of I 298 00:15:00,920 --> 00:15:03,520 Speaker 1: don't mean to keep pimping out this Patreon chat. But 299 00:15:03,520 --> 00:15:06,120 Speaker 1: there's a lot going on over there, including book recommendations, 300 00:15:06,120 --> 00:15:08,880 Speaker 1: and those are happening over on our Instagram as well 301 00:15:08,920 --> 00:15:10,960 Speaker 1: at disgrace lampod. I'm going to take a quick break 302 00:15:11,000 --> 00:15:13,200 Speaker 1: back in a flash with more voicemails, more texts, and 303 00:15:13,280 --> 00:15:29,880 Speaker 1: a whole lot of rosie. All Right, we are back, 304 00:15:29,920 --> 00:15:32,320 Speaker 1: and we are approaching the end of this week's after party. 305 00:15:32,360 --> 00:15:35,080 Speaker 1: But if you, like me, don't want the after party 306 00:15:35,080 --> 00:15:36,640 Speaker 1: to end just yet. If you need more of this, 307 00:15:36,720 --> 00:15:39,080 Speaker 1: more behind the scenes stuff, more holy shit moments, more 308 00:15:39,120 --> 00:15:42,840 Speaker 1: engagement and interaction, more voicemails, more texts, I got you covered. 309 00:15:42,960 --> 00:15:44,640 Speaker 1: You can hear more of this week's after party by 310 00:15:44,640 --> 00:15:47,320 Speaker 1: becoming a member of the disgrace Land All Access Club. 311 00:15:47,320 --> 00:15:47,960 Speaker 2: How do you do that? 312 00:15:48,000 --> 00:15:50,240 Speaker 1: It's easy, Like I said, go to disgrace lampod dot 313 00:15:50,280 --> 00:15:53,120 Speaker 1: com slash membership and for five bucks a month, even 314 00:15:53,160 --> 00:15:55,000 Speaker 1: less if you sign up for an annual membership, You're 315 00:15:55,000 --> 00:15:56,840 Speaker 1: not only going to get an extended version of this 316 00:15:56,880 --> 00:15:59,000 Speaker 1: after party every week, like this one right here that 317 00:15:59,000 --> 00:16:00,680 Speaker 1: you're about to hear if you go sign up, but 318 00:16:00,760 --> 00:16:04,200 Speaker 1: one exclusive, fully scripted episode of Disgraceland every month as well, 319 00:16:04,680 --> 00:16:06,760 Speaker 1: Hunter S. Thompson that we just released. We've got an 320 00:16:06,800 --> 00:16:09,840 Speaker 1: exclusive episode coming up for the All Access members on Lane, 321 00:16:09,880 --> 00:16:13,160 Speaker 1: stay of Alice in Chains, another on Chris Cornell, another 322 00:16:13,200 --> 00:16:16,320 Speaker 1: on Basquiacht, And like I said, if you sign up 323 00:16:16,680 --> 00:16:19,360 Speaker 1: via Patreon, you get access to the always on chat 324 00:16:19,680 --> 00:16:21,760 Speaker 1: with me and all the other cool kids. All right, 325 00:16:21,960 --> 00:16:25,080 Speaker 1: get in here disgracelandpod dot com slash membership, and again 326 00:16:25,080 --> 00:16:27,280 Speaker 1: you're gonna be able to hear this extended version of 327 00:16:27,320 --> 00:16:30,240 Speaker 1: this after party where I will be talking more about 328 00:16:30,240 --> 00:16:31,960 Speaker 1: that huge ship in a weed that was falling over 329 00:16:32,000 --> 00:16:34,880 Speaker 1: from Jamaica to the United States that funded Peter Tosh's album, 330 00:16:35,360 --> 00:16:37,520 Speaker 1: not to mention some other deeper revelations about the Peter 331 00:16:37,600 --> 00:16:40,680 Speaker 1: Tosh story, and talking more with all of you your voicemails, 332 00:16:40,720 --> 00:17:01,280 Speaker 1: more texts, emails, etc. Okay, all right, back in flash. 333 00:17:01,560 --> 00:17:05,160 Speaker 1: All right, let's recap, shall we one. There's more afterparty 334 00:17:05,200 --> 00:17:07,280 Speaker 1: to listen to right now. All you got to do 335 00:17:07,320 --> 00:17:09,639 Speaker 1: is go to disgrace lampod dot com slash membership and 336 00:17:09,680 --> 00:17:11,600 Speaker 1: sign up and become an all Access member. But if 337 00:17:11,640 --> 00:17:13,639 Speaker 1: that ain't your bag, then number two right now in 338 00:17:13,680 --> 00:17:15,440 Speaker 1: your feed, we got a brand new episode on Peter 339 00:17:15,520 --> 00:17:18,159 Speaker 1: Tosh number three coming tomorrow, a rewind episode on Peter's 340 00:17:18,200 --> 00:17:20,800 Speaker 1: former bandmate Bob Marley. Four Over in the Badlands Feed. 341 00:17:20,880 --> 00:17:23,159 Speaker 1: We've got episodes from the archive on Evil Knevil and 342 00:17:23,240 --> 00:17:25,520 Speaker 1: the dating game Killer five. Next week in the disgrace 343 00:17:25,600 --> 00:17:27,480 Speaker 1: Land Feed. Part two of our two part episode on 344 00:17:27,520 --> 00:17:30,800 Speaker 1: Peter Tosh six my number six one seven nine oh 345 00:17:30,800 --> 00:17:33,240 Speaker 1: six six six three eight call me on the telephone 346 00:17:33,359 --> 00:17:35,280 Speaker 1: or text me number seven. Remember no one cares about 347 00:17:35,280 --> 00:17:36,720 Speaker 1: the music you love more than you do, and well 348 00:17:36,800 --> 00:17:40,960 Speaker 1: that is a disgrace. And now my moment of bliss 349 00:17:41,000 --> 00:17:43,159 Speaker 1: and honor of this week's episode on Peter Tosh me 350 00:17:43,359 --> 00:17:45,520 Speaker 1: reading you. The Billboard Hot one hundred from the week 351 00:17:45,520 --> 00:17:48,600 Speaker 1: of June nineteenth, nineteen seventy six, when Peter Tosh released 352 00:17:48,640 --> 00:17:54,120 Speaker 1: his debut solo album, Legalize It. Number one Silly Love 353 00:17:54,200 --> 00:17:59,720 Speaker 1: Songs Wings last week one, peak position one weeks on 354 00:17:59,800 --> 00:18:04,360 Speaker 1: Show are eleven, number two Get Up and Boogie That's Right, 355 00:18:04,840 --> 00:18:10,040 Speaker 1: Silver Convention, last week two, peak position two weeks on 356 00:18:10,160 --> 00:18:16,360 Speaker 1: chart fifteen, Number three Misty Blue Dorothy Moore, last week three, 357 00:18:16,600 --> 00:18:22,720 Speaker 1: peak position three weeks on Chart fourteen, number four Love 358 00:18:22,880 --> 00:18:27,800 Speaker 1: Hangover Diana Ross last week four. Peak position last week 359 00:18:27,840 --> 00:18:33,560 Speaker 1: one weeks on Charts twelve number five. Sarah Smiled Arryl 360 00:18:33,600 --> 00:18:39,359 Speaker 1: Hall just last week pet peak position weeks on Church 361 00:18:39,680 --> 00:18:41,680 Speaker 1: twenty chart weeks on number six. 362 00:18:42,119 --> 00:18:44,640 Speaker 2: Shannon Henry Rose last. 363 00:18:44,480 --> 00:18:50,280 Speaker 1: Week six peak position six peaks on Shark seventeen number one. 364 00:18:50,880 --> 00:18:53,400 Speaker 2: Quit talking and start mixing