1 00:00:00,240 --> 00:00:04,560 Speaker 1: Now here's a highlight from Coast to coast am on iHeartRadio. 2 00:00:04,720 --> 00:00:07,360 Speaker 2: There's lots of science in science fiction. And you brought 3 00:00:07,440 --> 00:00:10,280 Speaker 2: up Isaac Asimov and he seemed to be a good 4 00:00:10,720 --> 00:00:14,680 Speaker 2: seventy eighty years before the trend, right, he was part 5 00:00:14,720 --> 00:00:15,920 Speaker 2: of what we actual reality. 6 00:00:16,840 --> 00:00:19,279 Speaker 3: Well, he's what we call first fandom in science fiction, 7 00:00:19,400 --> 00:00:23,040 Speaker 3: and it means a group of people writing science fiction 8 00:00:23,400 --> 00:00:30,360 Speaker 3: back in the nineteen thirties as they were growing into adulthood. 9 00:00:30,760 --> 00:00:33,239 Speaker 3: And so he's looked at an awful lot of that 10 00:00:33,280 --> 00:00:34,680 Speaker 3: sort of thing. But you can take a look at 11 00:00:34,680 --> 00:00:38,240 Speaker 3: almost any science fiction writer who has predicted something. 12 00:00:38,360 --> 00:00:38,840 Speaker 4: Arthur C. 13 00:00:38,840 --> 00:00:44,159 Speaker 3: Clark predicted the communications satellite, for example, and I think 14 00:00:44,200 --> 00:00:47,280 Speaker 3: Clifford Y Simec did a lot of things. They predicted 15 00:00:47,520 --> 00:00:49,040 Speaker 3: where we were going to go. So we look at 16 00:00:49,080 --> 00:00:52,680 Speaker 3: all of that sort of thing. In that respect, time 17 00:00:52,720 --> 00:00:55,800 Speaker 3: travel has always been kind of problematic. I just watched 18 00:00:56,400 --> 00:00:58,440 Speaker 3: Somewhere in Time and there's. 19 00:00:58,240 --> 00:00:59,880 Speaker 2: Oh, you know what I wrote that down to bring 20 00:01:00,080 --> 00:01:02,320 Speaker 2: up to you. This is a this isn't made for 21 00:01:02,440 --> 00:01:04,600 Speaker 2: TV movie actually with Christopher Reeves. 22 00:01:05,000 --> 00:01:07,280 Speaker 4: No, it was theatrically released. 23 00:01:07,400 --> 00:01:11,360 Speaker 2: It was okay, well, maybe in the n I saw it. Okay, 24 00:01:11,360 --> 00:01:13,120 Speaker 2: maybe I just saw it when it was on TV. 25 00:01:13,160 --> 00:01:14,720 Speaker 2: At some point I thought it was a made for 26 00:01:14,760 --> 00:01:17,440 Speaker 2: TV movie that just took off. But you know, at 27 00:01:17,440 --> 00:01:19,840 Speaker 2: the Grand Hotel and all that, that is such a 28 00:01:20,520 --> 00:01:23,080 Speaker 2: that's a really good love story, but when you throw 29 00:01:23,120 --> 00:01:26,160 Speaker 2: the time travel on it, it's really heartbreaking, isn't it. 30 00:01:26,600 --> 00:01:28,840 Speaker 3: Well, certainly, certainly is. But there's a major flaw in 31 00:01:28,920 --> 00:01:30,440 Speaker 3: it that I always wanted to talk about. 32 00:01:30,560 --> 00:01:34,480 Speaker 4: Oh, let's go, where the hell did the watch come from? 33 00:01:37,880 --> 00:01:42,440 Speaker 3: She gives it to Christopher Reeve, he takes it back 34 00:01:42,480 --> 00:01:47,039 Speaker 3: to nineteen twelve, he gives it to her. Where does 35 00:01:47,080 --> 00:01:52,480 Speaker 3: it come from? Where was it manufactured? And that's one 36 00:01:52,480 --> 00:01:54,200 Speaker 3: of the problems. And that's one of the problems with 37 00:01:54,320 --> 00:01:57,600 Speaker 3: time travel. You you you can get into those kind 38 00:01:57,640 --> 00:02:03,240 Speaker 3: of I guess, paradoxical loops where you know, there's always 39 00:02:03,280 --> 00:02:07,800 Speaker 3: the great joke, if time travel exists, I will meet 40 00:02:07,840 --> 00:02:10,760 Speaker 3: those people at this place at this time to see 41 00:02:10,760 --> 00:02:13,560 Speaker 3: how it works. And there was a wonderful science fiction 42 00:02:13,680 --> 00:02:16,080 Speaker 3: story where people were looking for other time travelers and 43 00:02:16,120 --> 00:02:19,760 Speaker 3: where do you go? And they end up literally hundreds 44 00:02:19,760 --> 00:02:23,239 Speaker 3: of them at the crucifixion of Christ. Because that's such 45 00:02:23,280 --> 00:02:26,520 Speaker 3: a point in history that they kind of congregate there. 46 00:02:26,600 --> 00:02:28,440 Speaker 3: So I mean, you can take a look at all 47 00:02:28,440 --> 00:02:31,720 Speaker 3: of that sort of thing, but I don't think travel 48 00:02:31,760 --> 00:02:33,920 Speaker 3: into the past is going to be possible. But we 49 00:02:34,000 --> 00:02:37,200 Speaker 3: are all traveling into the future at. 50 00:02:37,919 --> 00:02:39,480 Speaker 4: One minute per minute. 51 00:02:40,840 --> 00:02:45,360 Speaker 3: But if you move closer to relativistic speeds towards the 52 00:02:45,360 --> 00:02:48,040 Speaker 3: speed of light, then time slows down, so you move 53 00:02:48,080 --> 00:02:52,680 Speaker 3: into the future literally faster than the people on Earth 54 00:02:52,720 --> 00:02:56,640 Speaker 3: where would be moving. So there's a theoretical possibility of 55 00:02:56,639 --> 00:02:59,000 Speaker 3: that sort of time travel, but you can't get back 56 00:02:59,000 --> 00:02:59,960 Speaker 3: to your original point. 57 00:03:00,560 --> 00:03:03,600 Speaker 2: Well, you're sort of a rare breather of air because 58 00:03:03,639 --> 00:03:07,639 Speaker 2: you've got all this military experience in your background, and 59 00:03:07,720 --> 00:03:11,680 Speaker 2: you've got the science fiction writer in you in your 60 00:03:11,720 --> 00:03:14,320 Speaker 2: background too, so you can see things. You're like a 61 00:03:14,400 --> 00:03:16,280 Speaker 2: day walker. You're like a vampire that could walk during 62 00:03:16,320 --> 00:03:19,120 Speaker 2: the day. You have all these extra powers. You're like 63 00:03:19,120 --> 00:03:21,360 Speaker 2: a little bit of a superhero in my book. And 64 00:03:21,440 --> 00:03:23,920 Speaker 2: I remember listening back in a day it was a 65 00:03:23,960 --> 00:03:27,200 Speaker 2: classic interview. In fact, we played it not too far 66 00:03:28,760 --> 00:03:32,040 Speaker 2: in the past on Art Bell where hein on Terrence 67 00:03:32,080 --> 00:03:36,520 Speaker 2: McKenna and Art Bell was saying asking Terrence McKenna about 68 00:03:36,640 --> 00:03:40,000 Speaker 2: time travel, and his answer was, well, I don't think 69 00:03:40,000 --> 00:03:44,520 Speaker 2: they've invented the time machine yet because nobody's traveled back 70 00:03:44,520 --> 00:03:47,440 Speaker 2: here to tell us about it. And I don't know 71 00:03:47,680 --> 00:03:50,440 Speaker 2: that that's necessarily true, because a lot of people have 72 00:03:50,600 --> 00:03:54,520 Speaker 2: claimed to have been from the future in coming back. 73 00:03:54,520 --> 00:03:57,040 Speaker 2: In fact, I don't know. Maybe it's the algorithm that's 74 00:03:57,040 --> 00:03:59,320 Speaker 2: happened on my Instagram and my YouTube, but I see 75 00:03:59,320 --> 00:04:01,840 Speaker 2: it quite a bit, and quite a few of them 76 00:04:01,840 --> 00:04:04,640 Speaker 2: are hoaxes. Some of them, you know, provide video. I've 77 00:04:04,640 --> 00:04:07,760 Speaker 2: seen this great video of somebody who says he's a 78 00:04:07,800 --> 00:04:10,800 Speaker 2: time traveler in the future, and he said, unfortunately there 79 00:04:10,880 --> 00:04:13,960 Speaker 2: was nobody around, and he's walking through this empty building 80 00:04:14,400 --> 00:04:17,880 Speaker 2: and showing video and you find out that it's all 81 00:04:17,920 --> 00:04:21,039 Speaker 2: from a science fiction film that was shot somewhere in Germany, 82 00:04:21,839 --> 00:04:24,760 Speaker 2: like in the nineties, that that video is to fake. 83 00:04:25,200 --> 00:04:28,599 Speaker 2: So I've seen lots of fakes. I've seen lots of debunks. 84 00:04:28,960 --> 00:04:31,800 Speaker 2: But let's let me ask you this. Do you think 85 00:04:31,960 --> 00:04:34,039 Speaker 2: time travel is real? 86 00:04:35,279 --> 00:04:38,080 Speaker 3: Well, once again, we are traveling in time, yes, and 87 00:04:38,160 --> 00:04:41,360 Speaker 3: I think I think theoretically we can travel into the future, 88 00:04:42,160 --> 00:04:44,799 Speaker 3: but I don't think we can travel into the past. 89 00:04:45,080 --> 00:04:47,799 Speaker 3: The past has already sat. This is my own personal opinion. 90 00:04:48,000 --> 00:04:50,640 Speaker 3: I've written science fiction stories where they're doing traveling in 91 00:04:50,680 --> 00:04:52,839 Speaker 3: the past. I just published a book called On the 92 00:04:52,880 --> 00:04:55,120 Speaker 3: Second Tuesday of Next Week, which is sort of a 93 00:04:55,200 --> 00:05:00,000 Speaker 3: science fiction war novel, and the premise is that there's 94 00:05:00,000 --> 00:05:03,400 Speaker 3: there was a big battle between forces of Earth and 95 00:05:03,440 --> 00:05:09,560 Speaker 3: an invading alien race out near the Pluto, and our 96 00:05:09,640 --> 00:05:13,600 Speaker 3: forces win, and when some of the people get back 97 00:05:13,600 --> 00:05:16,880 Speaker 3: to the Mars headquarters, they found that they've lost, and 98 00:05:17,000 --> 00:05:19,839 Speaker 3: the gag is the other side knows time travel, so 99 00:05:19,880 --> 00:05:22,800 Speaker 3: they know the stakes were made so they could fix it. 100 00:05:23,040 --> 00:05:25,320 Speaker 3: And then our guys say, well, if time travel is possible, 101 00:05:25,360 --> 00:05:27,120 Speaker 3: we should do that, And so they get into a 102 00:05:27,120 --> 00:05:30,359 Speaker 3: big fight over changing this one battle back and forth 103 00:05:30,720 --> 00:05:37,960 Speaker 3: to the see who to win the battle repeatedly, so 104 00:05:38,040 --> 00:05:39,840 Speaker 3: they have to come up with a way to end 105 00:05:39,880 --> 00:05:40,680 Speaker 3: it permanently. 106 00:05:41,200 --> 00:05:43,679 Speaker 2: Well, I hope make that a movie. That's gonna be awesome. 107 00:05:45,240 --> 00:05:48,200 Speaker 2: I suppose the Avengers do a little bit of that 108 00:05:48,320 --> 00:05:50,120 Speaker 2: in the Marvel movies. I don't know if you've seen that, 109 00:05:50,120 --> 00:05:51,960 Speaker 2: where they pull off out what they call a time heist. 110 00:05:52,400 --> 00:05:53,200 Speaker 2: Have you have you seen? 111 00:05:54,200 --> 00:05:54,440 Speaker 4: No? 112 00:05:54,600 --> 00:05:57,680 Speaker 2: No, they lose a big battle, so they decide to 113 00:05:57,760 --> 00:06:00,560 Speaker 2: kind of go into the quantum realm to to go 114 00:06:00,600 --> 00:06:03,120 Speaker 2: back and reverse that, and you know the thing that 115 00:06:03,120 --> 00:06:05,720 Speaker 2: that split decision that they made that ended up, you know, 116 00:06:05,800 --> 00:06:08,839 Speaker 2: losing half of every living thing. They try to go 117 00:06:08,960 --> 00:06:11,880 Speaker 2: back and reverse that moment so that that doesn't happen, 118 00:06:12,480 --> 00:06:14,839 Speaker 2: and so they're trying to go and pull off a 119 00:06:14,880 --> 00:06:16,840 Speaker 2: time heist, if you will so. 120 00:06:16,960 --> 00:06:19,400 Speaker 3: Well, my friend, my friend Bob Cornette and I did 121 00:06:19,400 --> 00:06:22,040 Speaker 3: a series of books starting with Remember to the Alamo, 122 00:06:22,120 --> 00:06:24,240 Speaker 3: where we send mercenaries back to win the Battle of 123 00:06:24,279 --> 00:06:30,760 Speaker 3: the Alamo, and then that affects the time sequences and 124 00:06:30,800 --> 00:06:32,599 Speaker 3: they end up having to go fix the Battle of 125 00:06:32,600 --> 00:06:37,000 Speaker 3: Gettysburg because the rebel forces win there, and they get 126 00:06:37,040 --> 00:06:38,640 Speaker 3: that fixed, and they end up at the Little Big 127 00:06:38,640 --> 00:06:41,039 Speaker 3: Horn trying to fix that as well, put it back 128 00:06:41,080 --> 00:06:43,279 Speaker 3: the way it's supposed to be. They have to keep changing, 129 00:06:43,839 --> 00:06:48,840 Speaker 3: trying to change it back because of their influences in time, 130 00:06:48,880 --> 00:06:52,280 Speaker 3: and their influences turned out and usually to be negative. 131 00:06:53,000 --> 00:06:55,640 Speaker 2: Have you read the book or it was actually a 132 00:06:55,720 --> 00:06:58,040 Speaker 2: Hulu show too, but the book was much better. Stephen 133 00:06:58,120 --> 00:07:00,640 Speaker 2: King's nineteen sixty three. 134 00:07:00,600 --> 00:07:04,560 Speaker 3: Oh yeah, yes, yes, yes, I absolutely love that story. 135 00:07:05,440 --> 00:07:08,839 Speaker 2: There's a there's a really cool premise, an extra time 136 00:07:09,760 --> 00:07:12,960 Speaker 2: travel premise in there. So, I mean, the ridiculous thing 137 00:07:13,040 --> 00:07:16,080 Speaker 2: is there's a like a diner that when you walk 138 00:07:16,120 --> 00:07:19,320 Speaker 2: into the freezer, you can go back to nineteen sixty one. 139 00:07:20,080 --> 00:07:23,240 Speaker 3: Yeah, absolutely, well, yeah, you always end up the same 140 00:07:23,280 --> 00:07:24,720 Speaker 3: place in nineteen sixty one. 141 00:07:25,600 --> 00:07:26,560 Speaker 4: So now his. 142 00:07:27,080 --> 00:07:29,400 Speaker 2: Thing was the guy who went before him kept going 143 00:07:29,480 --> 00:07:32,640 Speaker 2: back because he thought if he could save Kennedy from 144 00:07:32,680 --> 00:07:36,840 Speaker 2: being assassinated, then the world would be a much better place. 145 00:07:37,440 --> 00:07:37,640 Speaker 1: Now. 146 00:07:37,720 --> 00:07:40,640 Speaker 2: The premise of this book that was really interesting is 147 00:07:40,680 --> 00:07:44,320 Speaker 2: that time itself, just the nature of things. Once you 148 00:07:44,400 --> 00:07:47,280 Speaker 2: go back into time, it does not want to change. 149 00:07:47,360 --> 00:07:51,000 Speaker 2: So the more of a significant thing that you try 150 00:07:51,040 --> 00:07:54,440 Speaker 2: to stop from happening, the more time itself pushes back 151 00:07:54,480 --> 00:07:57,200 Speaker 2: on you the person who's trying to change the time. So, 152 00:07:57,640 --> 00:07:59,160 Speaker 2: you know, if you have to be somewhere by, you know, 153 00:07:59,160 --> 00:08:01,080 Speaker 2: three o'clock in the after doon to stop somebody from 154 00:08:01,120 --> 00:08:03,360 Speaker 2: shooting somebody, you're gonna get in the car wreck, You're 155 00:08:03,360 --> 00:08:07,080 Speaker 2: gonna get arrested. Like the forces of the forces of 156 00:08:07,160 --> 00:08:09,600 Speaker 2: chaos that made that bad thing happen that you're going 157 00:08:09,680 --> 00:08:12,800 Speaker 2: to try to stop. Those forces are strong and they 158 00:08:12,840 --> 00:08:14,760 Speaker 2: push back on you, which I thought was a really 159 00:08:14,760 --> 00:08:16,200 Speaker 2: intriguing premise in that book. 160 00:08:16,960 --> 00:08:18,400 Speaker 4: Oh yeah, that was absolutely great. 161 00:08:18,440 --> 00:08:22,640 Speaker 3: And he actually does prevent the Kennedy assassination, but in 162 00:08:22,680 --> 00:08:26,360 Speaker 3: the process for those of you have not read the 163 00:08:26,360 --> 00:08:28,920 Speaker 3: book or seeing the program, tune out now. But he 164 00:08:29,000 --> 00:08:33,680 Speaker 3: goes when he saves Kennedy, his girlfriend gets killed, and 165 00:08:33,720 --> 00:08:37,800 Speaker 3: then he comes back to his life in the in 166 00:08:37,840 --> 00:08:40,600 Speaker 3: the future and it's utterly changed as well. 167 00:08:40,640 --> 00:08:42,439 Speaker 4: It's really degraded into. 168 00:08:43,840 --> 00:08:46,680 Speaker 3: Dystopian world, and he has to go back and try 169 00:08:46,679 --> 00:08:50,280 Speaker 3: to fix all of that by allowing Kennedy to be assassinated. 170 00:08:51,200 --> 00:08:54,920 Speaker 2: It's a pretty crazy story. That's a that's a very 171 00:08:54,960 --> 00:08:57,280 Speaker 2: good time like. I don't know why that didn't get 172 00:08:57,320 --> 00:08:59,760 Speaker 2: more play. I mean, I know they made a series 173 00:08:59,840 --> 00:09:02,520 Speaker 2: of it on Hulu. I wish it would have been 174 00:09:02,559 --> 00:09:04,120 Speaker 2: a little better, because the book was great. 175 00:09:05,160 --> 00:09:05,360 Speaker 1: You know. 176 00:09:05,440 --> 00:09:07,320 Speaker 2: The the one that I can't find a lot of 177 00:09:07,320 --> 00:09:09,640 Speaker 2: fault in as far as TV shows and movies go, 178 00:09:09,880 --> 00:09:11,960 Speaker 2: and you're gonna laugh at me, but don't laugh is 179 00:09:12,000 --> 00:09:14,160 Speaker 2: Bill and Ted's excellent adventure. I think at the time 180 00:09:14,160 --> 00:09:17,599 Speaker 2: travel thing pretty but they looked for all the continuity 181 00:09:17,640 --> 00:09:18,480 Speaker 2: and they kind of got it right. 182 00:09:19,960 --> 00:09:21,160 Speaker 4: Well, it's interesting in there, and. 183 00:09:21,080 --> 00:09:24,079 Speaker 3: They're doing all this so they can pass their history 184 00:09:24,120 --> 00:09:27,560 Speaker 3: coil class and get out of high school too. So, yeah, 185 00:09:27,600 --> 00:09:29,920 Speaker 3: what did you think of that we're going we're going 186 00:09:29,920 --> 00:09:31,920 Speaker 3: back to the past and we're gonna gather all these 187 00:09:32,160 --> 00:09:36,040 Speaker 3: historical figures and that way we can finish our high 188 00:09:36,040 --> 00:09:39,520 Speaker 3: school career and become what the Wild Stallions band, I 189 00:09:39,559 --> 00:09:40,160 Speaker 3: think it was. 190 00:09:40,600 --> 00:09:44,000 Speaker 2: That's right, And you know, Back to the Future seems 191 00:09:44,000 --> 00:09:46,760 Speaker 2: to get it. They seem to be pretty pretty dialed 192 00:09:46,760 --> 00:09:51,080 Speaker 2: in on their their rules of time travel too. What 193 00:09:51,080 --> 00:09:53,360 Speaker 2: what about that movie you think kind of holds up 194 00:09:53,360 --> 00:09:55,920 Speaker 2: in these science fiction theory and then what would you 195 00:09:55,960 --> 00:09:58,040 Speaker 2: totally blast a hole in like somewhere in time? 196 00:10:00,000 --> 00:10:01,680 Speaker 3: It really blasted a hole in somewhere in time. I 197 00:10:01,720 --> 00:10:03,920 Speaker 3: just want to know where the watch came from. I 198 00:10:04,200 --> 00:10:07,840 Speaker 3: thought that was an important point. But all the time 199 00:10:07,880 --> 00:10:12,480 Speaker 3: travel movies make sort of the mistakes because, uh, it's 200 00:10:12,480 --> 00:10:14,079 Speaker 3: hard to keep everything consistent. 201 00:10:14,160 --> 00:10:16,320 Speaker 4: You've created a new world. 202 00:10:16,559 --> 00:10:20,199 Speaker 3: And yet you're moving through it with knowledge of the 203 00:10:20,240 --> 00:10:23,719 Speaker 3: future and things like that. Uh, so it's it's kind 204 00:10:23,760 --> 00:10:28,720 Speaker 3: of problematic. But the I like the first movie and 205 00:10:28,760 --> 00:10:30,400 Speaker 3: I kind of liked the second movie. I wasn't so 206 00:10:30,480 --> 00:10:33,720 Speaker 3: thrilled with the third version of it, where he's back 207 00:10:33,760 --> 00:10:34,680 Speaker 3: in the Old West. 208 00:10:34,880 --> 00:10:38,720 Speaker 2: But uh, yeah, that one didn't land as hard as 209 00:10:38,760 --> 00:10:42,200 Speaker 2: the first two. Yeah, the first two were really brilliant, 210 00:10:42,559 --> 00:10:43,960 Speaker 2: Robert Sims brilliant. 211 00:10:44,080 --> 00:10:46,080 Speaker 4: Yeah, they were. They were very good. 212 00:10:46,200 --> 00:10:48,240 Speaker 3: And there's not a lot to fault in it if 213 00:10:48,240 --> 00:10:51,880 Speaker 3: you grant the premise of time travel. And I've always 214 00:10:51,880 --> 00:10:54,280 Speaker 3: been you know, there's always the big paradox. Well, if 215 00:10:54,320 --> 00:10:57,119 Speaker 3: you go back in time you and kill your grandfather, 216 00:10:57,200 --> 00:10:59,079 Speaker 3: then you won't exist. So how can you go back 217 00:10:59,080 --> 00:11:01,520 Speaker 3: in time and kill your great And my answer has 218 00:11:01,559 --> 00:11:04,200 Speaker 3: always been, because you're the instrument of change. 219 00:11:04,320 --> 00:11:05,520 Speaker 4: You have to exist. 220 00:11:06,000 --> 00:11:07,880 Speaker 3: If you go back and kill your grandfather, you may 221 00:11:07,920 --> 00:11:10,360 Speaker 3: wipe out your whole family at that point, but you 222 00:11:10,400 --> 00:11:13,240 Speaker 3: will still exist because you are the instrument of the change. 223 00:11:13,640 --> 00:11:15,760 Speaker 2: Oh wow, that okay, I gotta sit in that for 224 00:11:15,760 --> 00:11:19,080 Speaker 2: a second. That's pretty deep. The grandfather paradox were calling this. 225 00:11:19,240 --> 00:11:24,880 Speaker 2: So if you go back in time to eliminate your grandfather, 226 00:11:25,720 --> 00:11:27,600 Speaker 2: the fact that you were able to go back in 227 00:11:27,679 --> 00:11:31,240 Speaker 2: time and eliminate your grandfather means that other people in 228 00:11:31,280 --> 00:11:33,520 Speaker 2: your family won't exist, but you still will because you're 229 00:11:33,520 --> 00:11:34,600 Speaker 2: the agent of change. 230 00:11:35,200 --> 00:11:39,040 Speaker 3: Absolutely, you have to exist to make the change. Why 231 00:11:39,120 --> 00:11:41,640 Speaker 3: did a science fiction novel too? I'm now a short 232 00:11:41,640 --> 00:11:45,680 Speaker 3: story I think quite a long time ago where they 233 00:11:45,720 --> 00:11:48,560 Speaker 3: go back in time to kill Hitler, which, of course 234 00:11:48,600 --> 00:11:51,120 Speaker 3: everybody that's the premise. Everybody does, let's go back and 235 00:11:51,200 --> 00:11:55,200 Speaker 3: kill Hitler. But in this one, because they Hitler was killed, 236 00:11:55,880 --> 00:11:59,040 Speaker 3: the Germans win World War two and it changes the 237 00:11:59,080 --> 00:12:01,840 Speaker 3: whole future, and so they're going to go back and 238 00:12:01,880 --> 00:12:05,040 Speaker 3: try to fix that. But I guess it would be 239 00:12:05,040 --> 00:12:07,880 Speaker 3: the Gestapo arrest all the people were involved in the 240 00:12:08,040 --> 00:12:10,319 Speaker 3: time travel hope, so they can't go back and fix 241 00:12:11,080 --> 00:12:13,439 Speaker 3: fix history the way it's supposed to be, with the 242 00:12:13,880 --> 00:12:16,800 Speaker 3: Nazis losing the Second World War because Hitler was a 243 00:12:16,840 --> 00:12:25,160 Speaker 3: problem with the battlefield instructions and making just disastrous and catastrophic. 244 00:12:26,400 --> 00:12:29,040 Speaker 4: Orders about how they're supposed to act, and. 245 00:12:29,000 --> 00:12:33,120 Speaker 3: Without him in the way, the German high command is 246 00:12:33,160 --> 00:12:35,280 Speaker 3: able to take the war in a different direction. 247 00:12:36,559 --> 00:12:41,880 Speaker 2: I know that from watching Ancient Aliens that there was 248 00:12:42,480 --> 00:12:47,400 Speaker 2: a pretty big search in a scientific exploration by the 249 00:12:47,440 --> 00:12:50,559 Speaker 2: Germans during World War two to build the time machine, 250 00:12:50,840 --> 00:12:54,240 Speaker 2: and it seems like from their estimation, they thought that 251 00:12:54,240 --> 00:12:56,880 Speaker 2: they could build one within about ten years or so 252 00:12:57,000 --> 00:12:58,880 Speaker 2: for that very reason that if they lost the battle, 253 00:12:58,880 --> 00:13:00,920 Speaker 2: they could go back a little bit and do it 254 00:13:00,920 --> 00:13:04,080 Speaker 2: again until they won. Is there any truth out or 255 00:13:04,160 --> 00:13:05,800 Speaker 2: is that? Does that mean just getting sucked in by 256 00:13:05,800 --> 00:13:06,560 Speaker 2: ecient aliens? 257 00:13:06,920 --> 00:13:09,160 Speaker 3: I think as you getting sucked in by each an alien, 258 00:13:10,000 --> 00:13:13,520 Speaker 3: But no, I haven't. But I also say that that 259 00:13:13,920 --> 00:13:15,880 Speaker 3: one of the things you have to look at is 260 00:13:16,640 --> 00:13:20,040 Speaker 3: the Nazis. The Germans were really into the New Age 261 00:13:20,120 --> 00:13:23,120 Speaker 3: type stuff too. They were they were really looking for 262 00:13:23,240 --> 00:13:26,520 Speaker 3: Noah's arc, not no as arc, but the ark of 263 00:13:26,520 --> 00:13:29,960 Speaker 3: the Covenant arc in the Covenant, Thank You. And they 264 00:13:30,000 --> 00:13:34,040 Speaker 3: were into a lot of psychic phenomenon as well, which 265 00:13:34,120 --> 00:13:36,600 Speaker 3: didn't pan out for them, but but they were. They 266 00:13:36,600 --> 00:13:39,040 Speaker 3: were doing a lot of research into that. The Soviets 267 00:13:39,080 --> 00:13:41,200 Speaker 3: were doing the same thing as were we doing the 268 00:13:41,240 --> 00:13:44,600 Speaker 3: same thing in the in the eighties and nineties, trying 269 00:13:44,640 --> 00:13:48,480 Speaker 3: to trying to develop these psychic I guess psychic powers 270 00:13:48,559 --> 00:13:51,560 Speaker 3: would be the way they to put it. I'm not 271 00:13:51,600 --> 00:13:53,960 Speaker 3: sure that a whole lot came from it. But on 272 00:13:54,000 --> 00:13:55,320 Speaker 3: the other side of the corner, I think all of 273 00:13:55,360 --> 00:13:57,480 Speaker 3: us can take a look back at our lives and 274 00:13:57,559 --> 00:14:02,079 Speaker 3: think there were points in our life where we had 275 00:14:02,120 --> 00:14:03,559 Speaker 3: a prediction that came true. 276 00:14:04,880 --> 00:14:06,200 Speaker 4: Some of it was based on the NAJE. 277 00:14:06,240 --> 00:14:07,880 Speaker 3: I used to do a radio show in El Paso, 278 00:14:07,960 --> 00:14:12,880 Speaker 3: Texas on KTSM Radio and we had Irene Hughes, I 279 00:14:12,920 --> 00:14:15,679 Speaker 3: think was the big psychic at the time, and Brad 280 00:14:15,679 --> 00:14:17,400 Speaker 3: Steiger actually helped her help. 281 00:14:17,320 --> 00:14:19,200 Speaker 4: Me get her on the show. And it was a 282 00:14:19,320 --> 00:14:21,280 Speaker 4: time just before the Super Bowl. 283 00:14:21,320 --> 00:14:24,360 Speaker 3: There were four teams left in the playoffs, and so 284 00:14:24,400 --> 00:14:26,600 Speaker 3: we asked I asked her who's going to win the 285 00:14:26,640 --> 00:14:28,600 Speaker 3: Super Bowl? And she told me the two teams were 286 00:14:28,600 --> 00:14:31,320 Speaker 3: going to be in it. And after I signed off 287 00:14:31,320 --> 00:14:33,720 Speaker 3: from that part of those segment, I said, you know, 288 00:14:33,800 --> 00:14:35,920 Speaker 3: she's completely wrong, because we know it's going to be 289 00:14:35,960 --> 00:14:38,520 Speaker 3: the Cowboys and the Steelers, and the Cowboys are going 290 00:14:38,560 --> 00:14:41,480 Speaker 3: to win by ten points. I got the teams right 291 00:14:41,520 --> 00:14:45,040 Speaker 3: and called the spread. Basically, she got the two teams wrong. 292 00:14:45,840 --> 00:14:48,200 Speaker 3: So I thought that was kind of interesting, but I 293 00:14:48,240 --> 00:14:50,960 Speaker 3: think it was based on knowing more about football than 294 00:14:51,240 --> 00:14:52,800 Speaker 3: Irene Hughes might have known about. 295 00:14:54,560 --> 00:14:57,840 Speaker 1: Listen to more Coast to Coast AM every weeknight at 296 00:14:57,840 --> 00:15:00,720 Speaker 1: one am Eastern and go to Coast Tocoast a m 297 00:15:00,840 --> 00:15:01,880 Speaker 1: dot com for more