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Speaker 2: Theccown is yours.

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Speaker 3: Wake that ass up. Come on the Breakfast Club.

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Speaker 1: Everybody is DJ and B Jess, Hilary Charlamagne, the guy

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Speaker 1: We are the Breakfast Club. Jess is out today, and

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Speaker 1: we got some special guests in the building. Ladies and gentlemen.

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Speaker 3: We have Will pack up what's happening, and we have

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Speaker 3: Kevin Kevin Hart, he's here.

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Speaker 4: We have Kevin Hard So it's allowed for you.

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Speaker 3: So Kevin was supposed to be here. I'll tell you

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Speaker 3: the irony of this, right. Kev's hungover right now.

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Speaker 5: But if you read the first chapter in Will Packer's book,

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Speaker 5: he has a chapter called We're Gonna Die tonight, right,

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Speaker 5: and it's essentially this story. This isn't what you were

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Speaker 5: worried about, Will, you were concerned about.

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Speaker 6: Listen, brother, he almost ruined both our careers. This is

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Speaker 6: not This is not the first time.

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Speaker 3: Listen. See.

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Speaker 6: The difference is that Kevin is at a point now

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Speaker 6: he can get away with the ship.

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Speaker 3: You know what I'm saying.

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Speaker 6: He's Kevin Hart, right, so you know people will just

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Speaker 6: wait and bend over backwards and all that. There was

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Speaker 6: a time when it was the biggest movie of both

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Speaker 6: of our career. He was absolutely right along with ice Cube,

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Speaker 6: and we had done things like a man. That was

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Speaker 6: the one that really kind of caltuposed to Kevin, and

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Speaker 6: everybody was like, Okay, what's gonna do next? Like, what

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Speaker 6: what are they going to do next? So this was

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Speaker 6: the one the biggest budget of our careers. Everything, and Kevin, you.

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Speaker 2: Remember what happened? Did I? Like?

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Speaker 3: Absolutely?

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Speaker 7: Did we get what we were supposed to get? And

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Speaker 7: did we get back to where we were supposed to.

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Speaker 3: Be so Envy were shooting?

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Speaker 7: Did we get back to where we were supposed to be?

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Speaker 3: We barely got back?

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Speaker 7: Why are you bitch all the time?

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Speaker 6: You see this? This is people want to know what

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Speaker 6: a producer does. Right, They asked me, this is what

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Speaker 6: a producer does.

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Speaker 3: You see it?

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Speaker 6: You see him smelling the coffee, trying to get you're

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Speaker 6: trying to come back to life.

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Speaker 3: This is what it looks like.

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Speaker 1: So Kevin was supposed to be I was supposed to be

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Speaker 1: here three hours early, four hours.

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Speaker 2: Early, boy, what issue? Tell me?

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Speaker 3: Tell me the people on.

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Speaker 2: Radio need to know that it's radio. So you think

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Speaker 2: they need a fucking breakdown? Four hours?

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Speaker 1: And they said keV can't make it because he's sick,

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Speaker 1: and we all said, bullshit, he was drunk because he

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Speaker 1: went out last night.

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Speaker 2: I did not go out last night. So let's let's.

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Speaker 3: That's actually true. I go out last night.

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Speaker 2: By the way. I do not go out.

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Speaker 7: I'm forty five years old. I don't go to fucking clubs.

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Speaker 7: I don't go to parties. I was working, I did promo.

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Speaker 7: It's my weekend. I own the fucking weekend. And then

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Speaker 7: I have to show face. I have to be there.

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Speaker 3: My weekend. I got we have clubs.

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Speaker 2: I gotta show face. So you don't go to the club.

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Speaker 3: No, well, yes.

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Speaker 2: No, on all seriouss.

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Speaker 7: So last night, uh, you know, we're doing promo and

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Speaker 7: everything for Fight Night, rolling out all of the carpet

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Speaker 7: of the carpets, so before the actual premiere, we announced it.

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Speaker 7: But I had to leave because I had to do

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Speaker 7: Seth Myers and Seth Myers has a segment called Drinking

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Speaker 7: with Seth, and you you go to a bar and

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Speaker 7: Seth makes these drinks or whatever, and it's like, you know,

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Speaker 7: for an hour, and after two hours, you're drinking throughout

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Speaker 7: the interview. And you know, I don't drink anything outside

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Speaker 7: of my fucking tequila at this point in my life,

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Speaker 7: so you know, anything else, anything else I'm very unfamiliar with.

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Speaker 7: And Sys said, let's close it out with your tequila,

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Speaker 7: but let's start it with everything. So he threw it

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Speaker 7: all at me like I'm talking. It's Jaegermeister and wild Turkey.

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Speaker 2: I mean we were brown, we were.

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Speaker 3: Dark, but.

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Speaker 6: You can.

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Speaker 7: But you have to understand the beauty of good television.

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Speaker 7: And it was a good conversation, great interview, and while

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Speaker 7: we're drinking for good reason behind the answers, and.

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Speaker 2: We we finished it. What's kill it?

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Speaker 7: We went through a lot and I just don't remember

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Speaker 7: the back half of the time. And that's why I

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Speaker 7: didn't show up to the after party.

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Speaker 2: I missed that.

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Speaker 7: And this morning is six am. I would have been here.

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Speaker 5: Bro, Why couldn't you miss the after party after the

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Speaker 5: garden that night? So y'all could have just got back

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Speaker 5: to you know, we weren't drinking.

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Speaker 2: That's why I want say, why he's being a bitch.

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Speaker 3: It was our money.

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Speaker 7: We weren't fucked up like oh man, where's my jacket?

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Speaker 2: We weren't just out. I had a show, the.

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Speaker 3: Biggest movie of our career, right, okay, where.

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Speaker 6: Jesus Christ books a show at Madison Square Garden. He

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Speaker 6: takes a comedy special in the middle of our movie.

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Speaker 7: I tore while filming a movie. Faithfully he does, which

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Speaker 7: is not a good thing.

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Speaker 6: Boys and girls like you looking at how to be successful, like,

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Speaker 6: don't overbook yourself. That one thing about my friend here,

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Speaker 6: do it because I'm a bad example.

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Speaker 3: Nobody's going over working. I'm a bad work. Don't do it. Kevin,

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Speaker 3: look at his career.

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Speaker 2: He's been doing it wrong this whole time. It's show.

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Speaker 2: Oh I'm sorry, kids.

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Speaker 7: Kevin booked the fucking showing Madison Square Garden take the

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Speaker 7: special and got to work and on time for the

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Speaker 7: biggest movie in his career.

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Speaker 6: I was gonna say, people that are listening, no, it's

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Speaker 6: because you have people around you who will save you.

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Speaker 6: You have folks that will save you that and that's

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Speaker 6: what happened. He booked it right, and so he left

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Speaker 6: the show in the middle of it, right, the biggest

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Speaker 6: moves for Universe Studios.

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Speaker 3: He leaves.

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Speaker 6: But you know what he does, because this is the

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Speaker 6: evil genius of Kevin Hart. He goes, hey, man, I

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Speaker 6: gotta do this show. It's next week, you know, he

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Speaker 6: tells me a week before he goes, hey, you know

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Speaker 6: what you and Tim story did break like, He's like,

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Speaker 6: I got the jet, you know what, bring bring the wine.

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Speaker 3: So my dumb ass, I'm like you know what he

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Speaker 3: brought them, and you know what he said.

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Speaker 6: He said that way you can make sure that we

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Speaker 6: get back on time, because I knew we had to

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Speaker 6: shoot the next day.

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Speaker 3: So we're shooting one day.

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Speaker 6: He's gonna go do the show that night, and then

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Speaker 6: we had to shoot the next morning on a location

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Speaker 6: we can only get that day.

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Speaker 3: He's like, come with me, let.

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Speaker 7: Us driver in Aliabi. So Toget's absolutely right.

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Speaker 3: Absolutely absolutely think I was a professional.

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Speaker 2: Because direct the producer for me. You can't think I'm

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Speaker 2: an asshole.

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Speaker 3: They would be.

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Speaker 6: Kevin has an amazing show of massive square guard. All

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Speaker 6: the celebts come out afterwards and after party, he did

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Speaker 6: not tell me about I'm in there with Carmelo Anthony

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Speaker 6: buying bottles, going, oh.

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Speaker 3: We dying tonight? We turning up tonight? Why wars power?

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Speaker 2: Why are we going to die tonight? This is what?

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Speaker 2: Well we're gonna die to That means we're having a

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Speaker 2: good down and you're choosing to die over life. How

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Speaker 2: good of a time is that?

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Speaker 3: Last night?

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Speaker 2: I didn't say we're gonna die to night. I was like, oh,

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Speaker 2: this is work.

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Speaker 6: When I was in that club and I saw my

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Speaker 6: career flash before my eyes because I realized there was

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Speaker 6: no way we're gonna be able to.

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Speaker 3: Get back in time.

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Speaker 6: I had that moment because I'm sitting there the at

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Speaker 6: keV and I realized we're not gonna make it.

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Speaker 3: And keV looks at me, he goes, well, we tried,

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Speaker 3: We tried.

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Speaker 6: That was remember in Usual Suspects when he realized that

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Speaker 6: k was sitting in front the whole time.

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Speaker 3: I looked at Kevin Hart and I realized it.

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Speaker 6: He had convinced me, the producer and director of the movie,

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Speaker 6: to get on a jet with him, so that when

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Speaker 6: Universal called and said, why are y'all over budget and

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Speaker 6: not able to finish the movie? And they say, well,

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Speaker 6: Kevin Hart, Will Packer and Tim's story were there, so

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Speaker 6: the producer went with him.

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Speaker 3: It would be on me. I was complicit. I realized

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Speaker 3: that was his evil plan all in along.

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Speaker 5: You called him a diabolical rascal, spawn of Satan.

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Speaker 3: That's true. I love him, but that's truer words never spoken, sir.

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Speaker 7: I will ask you and your listeners, what is a

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Speaker 7: life without a great story. It's something that can't be

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Speaker 7: talked about.

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Speaker 2: It's untold.

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Speaker 7: A life without stories is nothing you need fucking stories,

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Speaker 7: good and the bad.

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Speaker 2: He's bitching about a great story. And by the way

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Speaker 2: that story did.

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Speaker 7: What amplified our relationship? And look at where we are

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Speaker 7: now fright night, we're talking about something else that we're

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Speaker 7: yet in business and we produced and developed together.

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Speaker 2: Do we get here without that moment?

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Speaker 7: No?

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Speaker 2: We do not. So why did you still want to

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Speaker 2: be his friend after that? After you figured that out?

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Speaker 1: You could have said, you know what, this relationship no

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Speaker 1: longer happens.

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Speaker 2: You know what I'm saying, you.

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Speaker 3: Need it to envy.

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Speaker 6: I'm so afraid that if I leave Kevin Harts Like

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Speaker 6: he'll just get close right he just burn up on

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Speaker 6: the spot.

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Speaker 3: I just don't know what he did.

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Speaker 7: With It's close to being over.

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Speaker 4: It brought you to that work so well, because even

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Speaker 4: like just here with you guys in person, it's like

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Speaker 4: I could I could listen to this back.

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Speaker 6: Of a fall day long really talk with each other's

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Speaker 6: most frequent collaborators.

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Speaker 3: Kept done a ton of movies. I've done a ton

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Speaker 3: of movies, TV projects.

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Speaker 6: We haven't worked with anybody else more than we work

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Speaker 6: with each other.

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Speaker 2: I'll give it. I'll give will of this on.

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Speaker 7: Air and half of it is because I'm still drunk

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Speaker 7: and by the way of.

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Speaker 2: Some of the best fucking to kill it in the market.

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Speaker 7: He's kind of commercial, but it's.

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Speaker 2: Just a time to let people know move taste. And

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Speaker 2: it comes to it. You got to understand what and.

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Speaker 7: Why Grand Cormino is that and has been that, which

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Speaker 7: is why I drink it at the level that I do.

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Speaker 7: But it's not about that right now. It's not about

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Speaker 7: the product. It's about the passion. Let's get to that

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Speaker 7: and we'll toast it that after with Grand Cormino.

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Speaker 2: But I would say this is about Will.

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Speaker 7: I don't say it enough if people don't understand it,

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Speaker 7: and I think they should. Uh, I don't get to

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Speaker 7: where I got in career or business without the information

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Speaker 7: and relationship of Will Packer, you know what I mean.

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Speaker 7: Like when it came to producing and when it came

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Speaker 7: to development, or it came to packaging, Will Packer is

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Speaker 7: the guy that was the definition of what that was.

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Speaker 2: So from the early days of think.

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Speaker 7: Like a man, he was the producer that came to

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Speaker 7: me and said, Hey, I got this thing, I want

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Speaker 7: to do this thing, and I think you're the guy.

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Speaker 7: And those are words. Words without action are just that

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Speaker 7: he put action behind the words. Everything he said he

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Speaker 7: would do he did. He got the people he wrangered, wrangled,

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Speaker 7: the directors, the actors, the actresses, the producer partners, writers, etc.

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Speaker 7: He can figured a way to formulate and activate. And

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Speaker 7: I was like, goddamn man, like, how do you do that?

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Speaker 7: And he taught me. Will taught me how to do it.

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Speaker 7: And as I progressed, I never forgot who he was

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Speaker 7: and what he was. So our relationship today is based

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Speaker 7: off of never forget, like you don't you don't forget

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Speaker 7: the real side of like success attached to just care.

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Speaker 7: He gave a fuck about me, then he gives more

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Speaker 7: fuck about me. Now in return, I doubled down on

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Speaker 7: my level of give a fuck about him.

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Speaker 2: So I don't I don't want to win if I

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Speaker 2: can't figure out a way to win with my brothers.

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Speaker 7: So the commitment that we made was, hey, man, let's

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Speaker 7: figure out a way to continue all though keV you're

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Speaker 7: doing and you have, but how do we still do?

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Speaker 7: And I love the fact that we still are, uh,

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Speaker 7: and we're committed to figure out more ways to do more.

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Speaker 7: And what you're seeing today is a definition of what

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Speaker 7: we want people to follow through with like, we are

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Speaker 7: no egos. We are help your brother so he can

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Speaker 7: help you. We are that And I think it's the

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Speaker 7: best story in Hollywood if people were more privy to

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Speaker 7: how deep and like in depth it actually.

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Speaker 2: Is facts, right.

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Speaker 5: The Fight Night TV show, right, it shows these characters

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Speaker 5: operating within a black world where they all hold power.

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Speaker 5: So to your point, keV, how effective has that concept

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Speaker 5: been for you both in the world of Hollywood.

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Speaker 7: I think I think it hasn't been effective enough. And

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Speaker 7: I think you know when you look at the ice

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Speaker 7: cube and Kevin Hart of it all or the middle

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Speaker 7: common denominator packering. All right, guys, let's do this, but

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Speaker 7: let's make it and cube come in and like, there's

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Speaker 7: always a through line of connectivity and that person has

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Speaker 7: to be willing to go above and beyond. Fin Night

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Speaker 7: is the definition of going above and beyond, all right, keV.

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Speaker 7: I got this idea. The idea came after I was

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Speaker 7: supposed to do Uptown Saturday Night. Uptown Saturday Night was

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Speaker 7: going to be me and Chadwick Boseman rest in Peace

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Speaker 7: to the legend himself.

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Speaker 2: Fuck, oh my god, I had no idea. Well, I

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Speaker 2: don't want to do this anymore.

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Speaker 7: I can't do that without Chadwick. That project is dead.

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Speaker 2: To me.

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Speaker 7: Will had the actual rights, the original story, the true story.

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Speaker 7: So Will came to me. I said, well, I can't

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Speaker 7: do a comedy because of this. Can it be serious?

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Speaker 7: Can we do it in a way to where it's

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Speaker 7: like a lot deeper raw real? He said, Kevin, absolutely, Hey,

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Speaker 7: the podcast was points me to the podcast that he

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Speaker 7: was a part of, that understood, etc. All right, shit,

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Speaker 7: this is like real information now.

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Speaker 2: Real knowledge. Will. I'm a fuck with it because of you.

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Speaker 7: But let's make sure that we try to go above

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Speaker 7: and beyond to package it correctly.

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Speaker 2: How do we do a premium.

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Speaker 7: A premium cultural piece of IP that has the bandwidth

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Speaker 7: to live forever? And you can't do that with our

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Speaker 7: big stars. To get big stars, you need real relationships.

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Speaker 7: So the leverage of understanding that we both shared and

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Speaker 7: that we had at the top of get the studio's commitment,

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Speaker 7: get the studio to back and support, then go get

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Speaker 7: the talent.

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Speaker 2: I gotta be honest with you.

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Speaker 7: My guy was a big part of all of that conversation,

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Speaker 7: and I followed the lead of most and I think

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Speaker 7: where we were collaborative was dope as fuck and the

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Speaker 7: outcome was amazing. Talent configuration and now an example of

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Speaker 7: what the business should follow through with, which is collaboration. Collaboration,

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Speaker 7: you can win more together, you win less as an individual.

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Speaker 7: How do you put yourself in a position to collaborate more?

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Speaker 7: So if we can be the example of hopefully most

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Speaker 7: will follow through and hopefully we can do more. And

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Speaker 7: people will say, oh, that's great because they do dope shit,

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Speaker 7: and here's an example of it. Do some dope shit

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Speaker 7: with them. That's where I'm at in my career now.

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Speaker 7: I could care less about the individual star of Kevin Hart.

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Speaker 7: I'm looking for the moments. I'm looking for the IP

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Speaker 7: and I'm looking for the evergreen like material. You can't

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Speaker 7: do that.

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Speaker 3: That part is true.

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Speaker 6: I will tell you that, Like Kevi's definitely reached a

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Speaker 6: part in his career, a moment in his career where

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Speaker 6: you know you've had success and it's like, how do

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Speaker 6: you grow? How do you work with people that you respect,

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Speaker 6: and how do you build a machine that then empowers others.

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Speaker 6: It's interest in Charlotte Mayne, you talked about like the

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Speaker 6: world of fight Night.

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Speaker 3: Fight Night is really about a.

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Speaker 6: Group of hustlers, dreamers, entrepreneurs who are trying to take

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Speaker 6: Atlanta and turn it into something. It's back in nineteen seventy, right,

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Speaker 6: Martin Luther King had just been.

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Speaker 3: Shot a couple of years earlier.

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Speaker 6: Atlanta was like seen as a small country town that

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Speaker 6: you know, had a couple of civil rights folks. Like

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Speaker 6: people didn't know if it was going to be the

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Speaker 6: next Charlotte or Birmingham, and nothing wrong in those cities,

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Speaker 6: but it definitely wasn't looked at on the level of

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Speaker 6: global superpower or New York, Chicago, La. You know, it

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Speaker 6: was Atlanta and it was not respected. But you had

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Speaker 6: a group of folks, which is not unlike how Black

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Speaker 6: Hollywood is right now, where you got a group of

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Speaker 6: dreamers trying to figure out how do we work together now.

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Speaker 6: Of course in Fight Night, you got you know, a

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Speaker 6: character who's Kevin's character. He's a hustler.

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Speaker 3: He's going YO, give me a shot, give me a chance.

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Speaker 3: I can just turn it Lanta into something great. Chicken Man,

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Speaker 3: Chicken Man.

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Speaker 6: Weirdly, Sam Jackson, who plays the big gangster the Black

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Speaker 6: Godfather in the show, he actually also got a dream too, right,

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Speaker 6: even though he's a big gangster.

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Speaker 3: He's running black mafia.

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Speaker 6: His dream is saying, you know what, the white man's

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Speaker 6: been holding me down for a very long time. If

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Speaker 6: y'all give me a shot and an opportunity, I can

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Speaker 6: take over Atland. I could turn it Land into a

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Speaker 6: black mecca. Oddly, even though like Kevin, Sam's characters are

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Speaker 6: odds for most of the series, the reality is that

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Speaker 6: they have the same kind of a dream. That's kind

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Speaker 6: of how it is right now in terms of like

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Speaker 6: folks like us in Hollywood in real life, who are

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Speaker 6: all trying.

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Speaker 3: To work together.

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Speaker 5: Is it true that Samuel Jackson was really there in

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Speaker 5: Atlanta or right there?

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Speaker 3: Dog he was at more House sham old as fuck.

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Speaker 3: I would have said like that.

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Speaker 7: I remember we were We're on a call with Sam

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Speaker 7: at the start of with Sam said like, yo, he

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Speaker 7: liked it, he would do it.

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Speaker 2: We were on a call.

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Speaker 7: We're going through the materials seeing with Sam said about

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Speaker 7: the character, sims. Yeah, man, y'all got to change a

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Speaker 7: lot of the ship because more happened then.

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Speaker 2: You know, I think we got the story, you.

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Speaker 7: Know, because we you know, the podcast and everything.

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Speaker 2: We got the real information. Motherfucker. I was there. What

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Speaker 2: do you mean by that? Mother happened?

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Speaker 7: He's very adamant about telling you where he was, what

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Speaker 7: he knows. So the story of fight night got better.

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Speaker 7: It got so much better as we went on. Oh

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Speaker 7: my god, she is the best by the way, you

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Speaker 7: and me, I mean since the joke with the little Mike,

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Speaker 7: we have never left that stage.

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Speaker 2: You're the best.

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Speaker 3: Uh walking on?

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Speaker 2: She gave out much answer them all this right here,

399
00:18:01,680 --> 00:18:05,119
Speaker 2: got hear whatever? This right here? I need Greece.

400
00:18:05,200 --> 00:18:08,040
Speaker 7: Brother, there's a chance right now I may not make

401
00:18:08,080 --> 00:18:09,960
Speaker 7: it to the end of the Internet. I'm giving you

402
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Speaker 7: everything I got to try to always makes it.

403
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Speaker 2: Yes, it's gonna fall off to.

404
00:18:21,480 --> 00:18:27,480
Speaker 3: Did you did you see your you know? We fish?

405
00:18:28,400 --> 00:18:30,520
Speaker 3: Look at this man? I mean and is that cha?

406
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Speaker 3: Sam and Chadwick and Ca Wow.

407
00:18:34,800 --> 00:18:37,359
Speaker 7: On the scale will as far as cap size.

408
00:18:37,320 --> 00:18:42,359
Speaker 3: Because he'd small photo having you crazy?

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Speaker 7: He just told that story. Story is one thousand percent accurate.

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Speaker 2: Wow.

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Speaker 7: For the listeners, if you guys, go watch Don't Funk

412
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Speaker 7: This Up, which is a document to documentary documented on

413
00:18:55,119 --> 00:18:58,399
Speaker 7: that documentary on Netflix about when I went through like

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Speaker 7: some of my worst times in the business and the

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Speaker 7: things that I was juggling during the duration of that time,

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Speaker 7: you'll see me and Chadwick actively meeting about uptown Saturday night,

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Speaker 7: Me and Chadwick before before us going to the final stages,

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Speaker 7: we wanted to make sure that we were on the

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Speaker 7: same page with the characters, the story, and the development.

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Speaker 7: And Chadwick was an active producer in it. He had

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Speaker 7: his partners there. You'll see it, and don't funk this up.

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Speaker 6: So the fact that y'all got a mural right with him,

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Speaker 6: with keV Hart and Chadwick and then Sam Jackson, who

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Speaker 6: he ended up making that same project with, that's insane.

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Speaker 7: That's insane, you know what, man, And and I don't

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Speaker 7: do this often, but I'm going to drink a shot

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Speaker 7: of Grand Cormino to that.

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Speaker 2: It's a moment.

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Speaker 7: It's a moment of understanding. It's a moment of understanding,

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Speaker 7: and it's a moment of celebration. Man, that right there

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Speaker 7: is celebratory.

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Speaker 3: That's awesome.

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Speaker 2: And I just want to take a shot to get let's.

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Speaker 1: Do we all need to shot you? And you and

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Speaker 1: come on, you said that your feet didn't touch the ground.

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Speaker 1: Now with Charlote is the chair I'm selling a chair?

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Speaker 7: I'm sorry, I never said I said, I never said

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Speaker 7: anything about my feet.

439
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Speaker 3: I'm sorry. He said it wasn't to scale. It's not

440
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Speaker 3: just scale. Like I said, yes HBC.

441
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Speaker 1: I knew this anytime will pack come because he always

442
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Speaker 1: stays family.

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Speaker 3: So I put in camp the university. You know, it's crazy.

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Speaker 7: A lot of old niggas that can let college go,

445
00:20:28,359 --> 00:20:30,920
Speaker 7: A lot of old niggas that refused to just accept

446
00:20:30,920 --> 00:20:31,600
Speaker 7: this over.

447
00:20:31,560 --> 00:20:33,400
Speaker 3: Envy when you when.

448
00:20:33,240 --> 00:20:35,760
Speaker 6: You with a cat that never went to any school

449
00:20:35,880 --> 00:20:38,760
Speaker 6: at all, he didn't go to a historically, I tell

450
00:20:38,760 --> 00:20:39,480
Speaker 6: you what I.

451
00:20:39,440 --> 00:20:41,800
Speaker 7: Didn't, and this is why, like you guys are the

452
00:20:41,880 --> 00:20:43,360
Speaker 7: example of what you don't want to be.

453
00:20:43,960 --> 00:20:45,040
Speaker 2: It's over your culture.

454
00:20:45,119 --> 00:20:46,840
Speaker 7: When you went to HBC, you don't let it go.

455
00:20:47,040 --> 00:20:49,679
Speaker 3: Come on, let it be. Know why did you go?

456
00:20:50,520 --> 00:20:50,960
Speaker 2: She didn't?

457
00:20:52,240 --> 00:20:54,800
Speaker 3: I thought I was trying to university there you go.

458
00:20:55,720 --> 00:21:03,320
Speaker 1: Let me know, Delaware shy, that's just a bunch of nick.

459
00:21:06,600 --> 00:21:12,280
Speaker 3: Delaware. You know what I wanted to ask you?

460
00:21:12,359 --> 00:21:15,240
Speaker 5: Yes, sir, how do you manage all these big personalities?

461
00:21:16,280 --> 00:21:20,000
Speaker 3: Roger B. Hench, Samuel Jackson? How do you do it?

462
00:21:20,080 --> 00:21:20,320
Speaker 6: Yes?

463
00:21:20,520 --> 00:21:25,400
Speaker 3: Yes, cheers. First, let me you know, did you drink?

464
00:21:26,280 --> 00:21:26,960
Speaker 3: What are you doing?

465
00:21:29,119 --> 00:21:29,440
Speaker 7: I was.

466
00:21:34,800 --> 00:21:38,199
Speaker 3: I'm a Christian. That can't be Jesus with the family.

467
00:21:39,200 --> 00:21:41,960
Speaker 3: This is not whine, This is not Jesus. Can't turn

468
00:21:42,040 --> 00:21:44,879
Speaker 3: this and then Nothing't you We're not gonna do it

469
00:21:44,880 --> 00:21:49,280
Speaker 3: on the air. Don't you don't. I'm a Christian man,

470
00:21:49,280 --> 00:21:56,240
Speaker 3: I'm a Christian. Kevin, don't do it. Drink the Lord.

471
00:21:58,280 --> 00:21:59,439
Speaker 3: Don't you want to do live?

472
00:21:59,600 --> 00:22:05,879
Speaker 2: Don't look at mister impulse. Let me see I never

473
00:22:06,440 --> 00:22:08,320
Speaker 2: him one.

474
00:22:08,680 --> 00:22:17,040
Speaker 6: Look at that, yo, real, I take care of that.

475
00:22:17,359 --> 00:22:19,600
Speaker 3: You don't know what you do to me every day.

476
00:22:19,640 --> 00:22:20,160
Speaker 3: Take him down.

477
00:22:20,200 --> 00:22:21,640
Speaker 4: I didn't pour him a shot, so he ain't taking

478
00:22:21,680 --> 00:22:22,240
Speaker 4: nothing right.

479
00:22:22,520 --> 00:22:27,840
Speaker 6: Really, I'm saying as punishment shot you don't like I do.

480
00:22:28,000 --> 00:22:33,080
Speaker 3: Like my brother is working man. All right, I'm with you. Listen.

481
00:22:33,359 --> 00:22:34,720
Speaker 3: You talked about the big person out.

482
00:22:34,800 --> 00:22:36,960
Speaker 6: That's that is the hardest part of the job as

483
00:22:36,960 --> 00:22:39,200
Speaker 6: a producer, you know what I mean? And in real talk,

484
00:22:39,359 --> 00:22:42,040
Speaker 6: it's it's aesome when you got somebody like keV who

485
00:22:42,040 --> 00:22:43,960
Speaker 6: gets it, who understands at.

486
00:22:43,880 --> 00:22:45,320
Speaker 3: The end of the day with the bigger pictures. But

487
00:22:45,359 --> 00:22:45,760
Speaker 3: a lot of.

488
00:22:45,720 --> 00:22:49,199
Speaker 6: Times, o'kay, if it's you know Hollywood music, you know

489
00:22:49,359 --> 00:22:50,720
Speaker 6: stock market, whatever it.

490
00:22:50,600 --> 00:22:55,240
Speaker 3: Is people say, you say, hit right on air, Can.

491
00:22:56,840 --> 00:22:58,960
Speaker 2: Said, So you argue with kem though, because he seems

492
00:22:58,960 --> 00:22:59,680
Speaker 2: like he's a lot.

493
00:23:00,680 --> 00:23:01,520
Speaker 3: Let me tell you something.

494
00:23:02,720 --> 00:23:04,680
Speaker 2: The least problem that you ever.

495
00:23:04,560 --> 00:23:07,840
Speaker 7: Have in any work environment, that's unproblematic.

496
00:23:07,880 --> 00:23:08,440
Speaker 3: He's a problem.

497
00:23:08,560 --> 00:23:08,760
Speaker 2: I mean.

498
00:23:08,800 --> 00:23:12,080
Speaker 3: The challenge with Kevin is that he will overdo things right.

499
00:23:12,080 --> 00:23:13,720
Speaker 6: He would do things like have a show a massive

500
00:23:13,720 --> 00:23:15,679
Speaker 6: square garden at the same time that we have a

501
00:23:15,680 --> 00:23:18,760
Speaker 6: big scene in our movie. Now, he's definitely he's not

502
00:23:18,960 --> 00:23:21,240
Speaker 6: He's not a moderation guy, you know what I mean,

503
00:23:21,359 --> 00:23:24,119
Speaker 6: that's part of the chance. That's why I'm here on

504
00:23:24,160 --> 00:23:26,760
Speaker 6: the breakfast club. You're eating this this turkey sayingwich trying

505
00:23:26,800 --> 00:23:28,320
Speaker 6: to get some grease in his cut.

506
00:23:28,680 --> 00:23:30,800
Speaker 3: It didn't burn you at least let it cool a

507
00:23:30,840 --> 00:23:33,280
Speaker 3: little bit. Come on, animal, this is what I needed.

508
00:23:34,040 --> 00:23:37,119
Speaker 3: This is what Hollywood. I can't take him.

509
00:23:37,440 --> 00:23:39,960
Speaker 5: The phenomenal job is Chicken Man, but I can't take

510
00:23:40,040 --> 00:23:42,560
Speaker 5: him serious and dramas because it just always seems.

511
00:23:42,240 --> 00:23:46,080
Speaker 3: Like always jokes. But can't tell you something real talk.

512
00:23:46,200 --> 00:23:49,640
Speaker 6: Chicken Man is his best work yet I'm not telling you.

513
00:23:49,640 --> 00:23:51,720
Speaker 6: You look at what he's doing with his eyes, and

514
00:23:51,760 --> 00:23:53,240
Speaker 6: you know a lot of people, you know, it's known

515
00:23:53,280 --> 00:23:56,760
Speaker 6: that comedians. They pulled from pain, right, and that's how

516
00:23:56,800 --> 00:23:58,960
Speaker 6: they deflect, and that's where a lot of the comedy

517
00:23:59,000 --> 00:23:59,440
Speaker 6: comes from.

518
00:23:59,520 --> 00:24:00,760
Speaker 3: Kevin no exception.

519
00:24:01,320 --> 00:24:03,720
Speaker 6: But the reality is that when he said we gotta

520
00:24:03,760 --> 00:24:05,360
Speaker 6: do this as a drama, that was a big risk

521
00:24:05,440 --> 00:24:07,800
Speaker 6: because people say, all right, fight not Kevin Hart starring there,

522
00:24:07,880 --> 00:24:09,880
Speaker 6: let's go. I'm ready to laugh, like you said, Charlotte Main.

523
00:24:10,160 --> 00:24:12,679
Speaker 6: But the reality is that this is serious. Now you

524
00:24:12,720 --> 00:24:15,560
Speaker 6: have moments of levity, but the tone make no mistake

525
00:24:15,800 --> 00:24:17,840
Speaker 6: is dramatic, like it goes there.

526
00:24:18,000 --> 00:24:20,439
Speaker 7: I don't want to sound like an asshole, but this

527
00:24:20,560 --> 00:24:25,120
Speaker 7: may sound asshole ish, right, it may sound asshole.

528
00:24:25,320 --> 00:24:28,960
Speaker 3: You gave it to him.

529
00:24:29,040 --> 00:24:32,879
Speaker 7: It's a big jump to the audience that watches of

530
00:24:32,920 --> 00:24:35,280
Speaker 7: what a talent is doing. If you're not used to it.

531
00:24:35,880 --> 00:24:38,520
Speaker 7: A talent knows what's in their fucking bag. You know

532
00:24:38,560 --> 00:24:40,440
Speaker 7: what you can wrang well, you know who you can call,

533
00:24:40,800 --> 00:24:43,360
Speaker 7: you know what you can package and do. The operation

534
00:24:43,480 --> 00:24:46,960
Speaker 7: at task to drama is project based. You give me

535
00:24:47,000 --> 00:24:50,000
Speaker 7: a great project, and in the project, I'm supposed to

536
00:24:50,080 --> 00:24:52,959
Speaker 7: be serious and I'm supposed to have a cadence of

537
00:24:53,160 --> 00:24:55,639
Speaker 7: and it is such a great piece of material that

538
00:24:55,680 --> 00:24:57,720
Speaker 7: I choose to do. I'll do it the best of

539
00:24:57,720 --> 00:25:00,679
Speaker 7: my ability. That's called the talent. That's a talent choice

540
00:25:00,840 --> 00:25:04,400
Speaker 7: in the town's decision, it's what are you What are

541
00:25:04,440 --> 00:25:08,840
Speaker 7: you fucking factoring in to you making the decision. I'm

542
00:25:08,880 --> 00:25:11,560
Speaker 7: not doing it in an environment where it won't be cool,

543
00:25:11,680 --> 00:25:15,560
Speaker 7: collective and fucking like dope. If I can't work with

544
00:25:15,640 --> 00:25:19,119
Speaker 7: great people, I can't work with great directors, great producers,

545
00:25:19,160 --> 00:25:21,520
Speaker 7: great writers, then I don't want to do it. I'm

546
00:25:21,560 --> 00:25:24,000
Speaker 7: at a point in my life where it's about having

547
00:25:24,040 --> 00:25:30,560
Speaker 7: a good time. This project is relationship based. Every aspect

548
00:25:30,680 --> 00:25:33,359
Speaker 7: of this project is formulated off a relationship.

549
00:25:33,359 --> 00:25:36,639
Speaker 6: That's really by the way, everybody said that too. Sorry,

550
00:25:36,760 --> 00:25:39,040
Speaker 6: I was just gonna say because cast stunk, Like a

551
00:25:39,080 --> 00:25:41,399
Speaker 6: lot of people ask, oh, with that cast, you had

552
00:25:41,400 --> 00:25:43,840
Speaker 6: to back up the truck, right, And by.

553
00:25:43,680 --> 00:25:44,840
Speaker 3: The way, you do right.

554
00:25:44,960 --> 00:25:48,159
Speaker 6: These folks deserve you know, and I'm very proud of

555
00:25:48,200 --> 00:25:50,560
Speaker 6: the fact that you know, as a black producer the business,

556
00:25:50,600 --> 00:25:52,920
Speaker 6: I definitely take care of folks that look like us

557
00:25:52,920 --> 00:25:56,080
Speaker 6: and make sure that I paid them on par with

558
00:25:56,200 --> 00:25:59,240
Speaker 6: their counterparts and their peers. But Kevin's absolutely right. You

559
00:25:59,280 --> 00:26:02,000
Speaker 6: don't do a show like this unless you want to, right.

560
00:26:02,080 --> 00:26:04,440
Speaker 6: Sam Jackson is not doing it for the check, right,

561
00:26:04,520 --> 00:26:07,600
Speaker 6: and Don Chetuo's not doing it because he's available. They

562
00:26:07,640 --> 00:26:09,960
Speaker 6: do it because they want to work with certain people

563
00:26:10,000 --> 00:26:12,359
Speaker 6: because it's subject matter that speaks to them, and that

564
00:26:12,480 --> 00:26:14,720
Speaker 6: is very, very important. And the other thing, you know,

565
00:26:14,800 --> 00:26:16,400
Speaker 6: Charlotte Mane, you brought a good point that I want

566
00:26:16,400 --> 00:26:18,480
Speaker 6: to just hit on real quick in terms of like

567
00:26:18,520 --> 00:26:20,439
Speaker 6: the egos and all of that. You got to make

568
00:26:20,480 --> 00:26:24,760
Speaker 6: sure that everybody understands that the ultimate goal is everybody's goals.

569
00:26:24,800 --> 00:26:27,040
Speaker 6: Because once people start thinking, Okay, this is for me,

570
00:26:27,080 --> 00:26:29,280
Speaker 6: and I got to be focused on my own goal

571
00:26:29,359 --> 00:26:32,160
Speaker 6: and not the greater good, then you will never win.

572
00:26:32,240 --> 00:26:33,840
Speaker 6: You got to get people to working as a team.

573
00:26:33,840 --> 00:26:35,479
Speaker 6: That's why as a producer you're like a coach, you're

574
00:26:35,520 --> 00:26:37,520
Speaker 6: like a general manager. You got to get everybody to

575
00:26:37,600 --> 00:26:40,480
Speaker 6: understand that their goals aligned with your goals. By the way,

576
00:26:40,680 --> 00:26:43,280
Speaker 6: that is true in any industry, not just Hollywood.

577
00:26:43,320 --> 00:26:49,200
Speaker 7: But you also need, respectfully, you also need you need

578
00:26:49,240 --> 00:26:53,840
Speaker 7: a collaborative figure at the top to say, I'm gonna

579
00:26:53,880 --> 00:26:57,040
Speaker 7: make sure that no matter what I'm I'm on a

580
00:26:57,160 --> 00:27:00,440
Speaker 7: layer and level where everybody can understand they were all

581
00:27:00,440 --> 00:27:04,600
Speaker 7: the same like I'm not coming into a project on

582
00:27:04,720 --> 00:27:06,480
Speaker 7: my dick on the table. For lack of a better word,

583
00:27:06,560 --> 00:27:06,840
Speaker 7: I'm not.

584
00:27:07,280 --> 00:27:13,800
Speaker 2: Yeah, y'all know what I am. I don't do that.

585
00:27:13,880 --> 00:27:16,800
Speaker 2: I'm saying, I'm about the greater good for all.

586
00:27:17,280 --> 00:27:20,120
Speaker 7: So I come in head in hand, and I bow

587
00:27:20,240 --> 00:27:23,720
Speaker 7: down to all talent on the set because I'm so

588
00:27:23,840 --> 00:27:27,320
Speaker 7: grateful that the talent is fucking choosing to do whatever

589
00:27:27,400 --> 00:27:29,879
Speaker 7: the project is that I'm a part of. So for

590
00:27:30,000 --> 00:27:34,600
Speaker 7: Sam Jackson, I bow down. Goddamn legend, you should get

591
00:27:34,600 --> 00:27:38,000
Speaker 7: the respect that you deserve. Don Cheetle, I bow down Toaji.

592
00:27:38,200 --> 00:27:42,200
Speaker 7: I bowed downward. I mean, listen, I mean.

593
00:27:46,320 --> 00:27:51,200
Speaker 3: Place. Kevin Hart is down. We call it down woman, right,

594
00:27:51,280 --> 00:27:52,320
Speaker 3: she is his right hand.

595
00:27:52,800 --> 00:27:55,800
Speaker 6: She is also his mistress, and so there is a

596
00:27:55,880 --> 00:27:59,560
Speaker 6: scene worded better well, she's a down.

597
00:28:04,119 --> 00:28:08,680
Speaker 7: What I'm saying is I have no problem with being equal,

598
00:28:09,000 --> 00:28:11,520
Speaker 7: and I think, once again, I'm gonna I'm gonna highlight

599
00:28:11,560 --> 00:28:15,399
Speaker 7: this as much as I possibly can. That's the version

600
00:28:15,400 --> 00:28:17,520
Speaker 7: of the example that I want to get out there.

601
00:28:18,200 --> 00:28:21,520
Speaker 7: I want the collaborative side of our culture connecting. I

602
00:28:21,560 --> 00:28:24,760
Speaker 7: want us to understand we are so much better together.

603
00:28:24,920 --> 00:28:28,960
Speaker 7: I want us understand the premium factor of us doing

604
00:28:29,080 --> 00:28:31,960
Speaker 7: things together is so much better than the individual trying

605
00:28:32,000 --> 00:28:32,560
Speaker 7: to be one.

606
00:28:32,960 --> 00:28:36,480
Speaker 1: You challenge yourself to do things outside of this comedy said,

607
00:28:36,480 --> 00:28:37,960
Speaker 1: I just don't want this comedic role. I want this

608
00:28:38,000 --> 00:28:40,000
Speaker 1: serious role. Do you challenge yourself or do you just

609
00:28:40,040 --> 00:28:40,760
Speaker 1: take roles that come?

610
00:28:40,960 --> 00:28:42,160
Speaker 2: None of it is a challenge.

611
00:28:42,240 --> 00:28:45,880
Speaker 7: By the way I'm developing the things that I do.

612
00:28:46,360 --> 00:28:49,200
Speaker 7: Nothing is coming to me. I'm creating the things, or

613
00:28:49,200 --> 00:28:51,400
Speaker 7: I'm a part of the process of how it gets

614
00:28:51,440 --> 00:28:54,040
Speaker 7: to the final stages. I'm at that point. But I

615
00:28:54,080 --> 00:28:57,200
Speaker 7: have no desire for the star of Kevin Hart to

616
00:28:57,200 --> 00:29:02,640
Speaker 7: get bigger. I don't give a fuck's that's.

617
00:29:01,240 --> 00:29:02,600
Speaker 2: So gone and done with.

618
00:29:03,080 --> 00:29:06,240
Speaker 7: I'm more about the success of others, the success of

619
00:29:06,240 --> 00:29:09,880
Speaker 7: the entity, the success of the brand, and more importantly,

620
00:29:10,040 --> 00:29:12,480
Speaker 7: the success of what we represent and what we can

621
00:29:12,520 --> 00:29:15,120
Speaker 7: look back and say we did. That's bigger now than

622
00:29:15,120 --> 00:29:16,760
Speaker 7: a conversation of myself.

623
00:29:16,360 --> 00:29:18,560
Speaker 2: I did it. I'm done. What else am I going

624
00:29:18,600 --> 00:29:21,520
Speaker 2: to do? At this points? To go in two minutes five?

625
00:29:21,880 --> 00:29:24,520
Speaker 3: Actually we got to geo. I want to I want

626
00:29:24,520 --> 00:29:26,040
Speaker 3: to have both of them do this well.

627
00:29:26,040 --> 00:29:28,560
Speaker 5: They're hard to find someone to play Muhammad Ali and

628
00:29:28,600 --> 00:29:30,000
Speaker 5: did you ever consider Will Smith?

629
00:29:33,000 --> 00:29:39,080
Speaker 6: Very very challenging, right, And I think that you got

630
00:29:39,120 --> 00:29:41,800
Speaker 6: to understand, you know, obviously that's an icon.

631
00:29:41,880 --> 00:29:44,240
Speaker 3: He's been portrayed before. Uh.

632
00:29:44,280 --> 00:29:46,719
Speaker 6: For us, it was about finding a newcomer that wouldn't

633
00:29:46,760 --> 00:29:48,840
Speaker 6: pull you out because these other characters you didn't know.

634
00:29:48,880 --> 00:29:52,040
Speaker 6: Nobody knew Chicken Man Kevin Hart's character, or or Vivian

635
00:29:52,080 --> 00:29:55,560
Speaker 6: to Rja's character, or Frank Moulton, you know Sam's character, but.

636
00:29:55,800 --> 00:29:57,240
Speaker 3: You know everybody knows Muhammad Ali.

637
00:29:57,400 --> 00:29:59,880
Speaker 6: So I think to have somebody in that role who

638
00:30:00,080 --> 00:30:02,560
Speaker 6: you had some familiarity with and who you associated with

639
00:30:02,640 --> 00:30:05,080
Speaker 6: something else would have pulled you out. And we really

640
00:30:05,120 --> 00:30:07,120
Speaker 6: wanted to immerse you even with these big stars. We

641
00:30:07,200 --> 00:30:09,160
Speaker 6: really wanted to take you to a time period right

642
00:30:09,200 --> 00:30:11,240
Speaker 6: fifty years ago and really drop you in and be

643
00:30:11,280 --> 00:30:14,120
Speaker 6: as authentic as possible. And we've paid a lot of

644
00:30:14,120 --> 00:30:16,480
Speaker 6: attention to the detail and the nuances.

645
00:30:15,960 --> 00:30:17,040
Speaker 3: To try to get this thing right.

646
00:30:18,240 --> 00:30:18,360
Speaker 2: Right.

647
00:30:18,640 --> 00:30:20,800
Speaker 6: Yeah, come on, man, this cast and by the way,

648
00:30:20,840 --> 00:30:24,600
Speaker 6: not just the big names that you know, like Oh Dexter,

649
00:30:24,680 --> 00:30:27,600
Speaker 6: Dark Dexter, You're gonna be hearing a lot from him.

650
00:30:27,640 --> 00:30:30,400
Speaker 6: There's some young gunners in this cast that you're gonna

651
00:30:30,400 --> 00:30:32,920
Speaker 6: be hearing that. I predict you're gonna look back and

652
00:30:32,960 --> 00:30:35,520
Speaker 6: go Yo. Remember when so and so went toe to

653
00:30:35,600 --> 00:30:40,400
Speaker 6: toed with with Kevin Hard and Sam Jackson. Yes, Melvin Gregg,

654
00:30:40,600 --> 00:30:45,280
Speaker 6: Miles Bullet, Koe Bailey does her thing, yet Lloyd Harvey

655
00:30:45,360 --> 00:30:47,320
Speaker 6: jumps in the future.

656
00:30:47,960 --> 00:30:49,040
Speaker 3: Yeah, my wife said that.

657
00:30:49,080 --> 00:30:50,360
Speaker 2: I was like, I don't think that's lad because you

658
00:30:50,800 --> 00:30:51,800
Speaker 2: look so different.

659
00:30:52,000 --> 00:30:58,680
Speaker 7: Yes, but I think I think that you're you're singing

660
00:30:58,800 --> 00:31:01,960
Speaker 7: amazing and example of baton passing.

661
00:31:02,120 --> 00:31:03,040
Speaker 2: You're you're looking.

662
00:31:02,840 --> 00:31:06,240
Speaker 7: At people that are established, have been established for so long,

663
00:31:06,440 --> 00:31:11,120
Speaker 7: and Sam and Taraji and Terrence and Don and then

664
00:31:11,160 --> 00:31:14,840
Speaker 7: you also have the second tier of talent that is

665
00:31:14,880 --> 00:31:17,520
Speaker 7: a valuable piece of this puzzle where they're toe to

666
00:31:17,560 --> 00:31:21,480
Speaker 7: toe with the big names and you don't blink an eye.

667
00:31:21,680 --> 00:31:25,480
Speaker 7: You understand why everybody is there, and you respect the

668
00:31:25,560 --> 00:31:26,960
Speaker 7: talent on screen.

669
00:31:26,680 --> 00:31:29,360
Speaker 2: And you still respect the story. You're never taken outside

670
00:31:29,360 --> 00:31:29,800
Speaker 2: of the story.

671
00:31:29,920 --> 00:31:33,200
Speaker 7: So I think that for that younger generation that we

672
00:31:33,200 --> 00:31:36,800
Speaker 7: were able to on board, it's a great example of

673
00:31:36,840 --> 00:31:39,800
Speaker 7: what we want to do. We want to be the

674
00:31:39,920 --> 00:31:43,960
Speaker 7: example for the next generation, the bridge. We want to

675
00:31:44,000 --> 00:31:47,960
Speaker 7: be the example for global success for or the new

676
00:31:48,080 --> 00:31:51,360
Speaker 7: star that popped on. If we're part of those stories,

677
00:31:51,680 --> 00:31:54,080
Speaker 7: how dope is that? Like, that's the biggest side of

678
00:31:54,080 --> 00:31:55,400
Speaker 7: the conversation of.

679
00:31:55,360 --> 00:31:57,880
Speaker 3: On Reese a celest Jalen Hall. These are names. You

680
00:31:57,960 --> 00:32:00,440
Speaker 3: gonna know your age.

681
00:32:01,280 --> 00:32:04,400
Speaker 4: I got a zoo zooming here.

682
00:32:04,440 --> 00:32:07,240
Speaker 2: I'll be like you were. You can't mean.

683
00:32:08,960 --> 00:32:09,280
Speaker 8: What I'm.

684
00:32:10,840 --> 00:32:11,560
Speaker 3: Telling you.

685
00:32:12,800 --> 00:32:18,160
Speaker 6: Why I mean it's like this have actually age, You're

686
00:32:18,160 --> 00:32:21,160
Speaker 6: going back on a big start actual age.

687
00:32:22,400 --> 00:32:24,160
Speaker 3: Now, well, I don't know if you know you don't

688
00:32:24,240 --> 00:32:26,200
Speaker 3: kicked me out of one show. He kicked you out

689
00:32:26,200 --> 00:32:28,880
Speaker 3: of it. You had your phone kick me out. They

690
00:32:28,960 --> 00:32:29,400
Speaker 3: threw me out.

691
00:32:29,440 --> 00:32:31,560
Speaker 1: And as they're throwing me out, I'm yelling, cav is

692
00:32:31,640 --> 00:32:33,120
Speaker 1: me because I know what you can buy.

693
00:32:34,200 --> 00:32:35,360
Speaker 2: That's why we should have kicked you out.

694
00:32:36,440 --> 00:32:38,920
Speaker 3: Brother, Come on, that's the Hampston family and kids.

695
00:32:38,960 --> 00:32:40,680
Speaker 1: So you know, sometimes you gotta check your phone to

696
00:32:40,680 --> 00:32:42,560
Speaker 1: make sure you're good to.

697
00:32:42,560 --> 00:32:44,800
Speaker 3: Show you knew. Come on, I gotta I gotta side

698
00:32:44,840 --> 00:32:46,400
Speaker 3: with ca on this, brother, Come on, man.

699
00:32:46,360 --> 00:32:49,240
Speaker 2: Come into a common is an intentative environment.

700
00:32:49,400 --> 00:32:51,560
Speaker 7: And by the way, my acting my age tour, it's

701
00:32:51,640 --> 00:32:54,520
Speaker 7: a very dope fucking thing going on right now. It's

702
00:32:54,520 --> 00:32:56,880
Speaker 7: a premium ticket with a dope experience and in that

703
00:32:56,960 --> 00:32:58,840
Speaker 7: experience for an hour and a half.

704
00:32:59,560 --> 00:33:01,760
Speaker 2: Check out check out a last.

705
00:33:01,520 --> 00:33:02,600
Speaker 3: Did you see it was in me? Did you know

706
00:33:02,640 --> 00:33:06,000
Speaker 3: it was him? I'm saying.

707
00:33:06,080 --> 00:33:08,920
Speaker 7: What I'm saying to you is people people killed me,

708
00:33:09,080 --> 00:33:11,520
Speaker 7: Like when you act as if rules don't exist for

709
00:33:11,560 --> 00:33:15,000
Speaker 7: a dope reason. Phones are a bad experience. Phones are

710
00:33:15,040 --> 00:33:18,280
Speaker 7: taking over the intimate appeal of.

711
00:33:18,280 --> 00:33:19,240
Speaker 2: Life and lifestyle.

712
00:33:20,320 --> 00:33:23,320
Speaker 7: Like your phone has checked you out of every experience,

713
00:33:23,480 --> 00:33:24,160
Speaker 7: or the concerts.

714
00:33:24,400 --> 00:33:26,680
Speaker 2: People watch the concert through the phone.

715
00:33:27,240 --> 00:33:29,840
Speaker 6: You're looking at the concert for an artist that's trying

716
00:33:29,880 --> 00:33:32,080
Speaker 6: to put out new content, right, and then everybody can

717
00:33:32,120 --> 00:33:33,160
Speaker 6: just watch it on YouTube.

718
00:33:33,720 --> 00:33:37,680
Speaker 3: It totally diminishes respect.

719
00:33:38,520 --> 00:33:39,480
Speaker 2: Just like come.

720
00:33:41,200 --> 00:33:43,080
Speaker 7: To put your phones off, you walk them up in

721
00:33:43,160 --> 00:33:46,840
Speaker 7: that moment and you're such a dope.

722
00:33:48,520 --> 00:33:53,160
Speaker 3: You had that privilege, had just that life scare privilege.

723
00:33:53,160 --> 00:33:55,600
Speaker 3: See you thought he was like a mvy. You did that.

724
00:33:55,960 --> 00:34:00,840
Speaker 2: I don't even know what a couple of He's lightest.

725
00:34:03,280 --> 00:34:12,160
Speaker 7: Vous right of expectation, is one of the lightest operators

726
00:34:12,239 --> 00:34:12,759
Speaker 7: of the path.

727
00:34:13,160 --> 00:34:15,040
Speaker 2: Sometimes you like you're not white.

728
00:34:15,120 --> 00:34:33,080
Speaker 8: Yeah, yeah, he Envy is the guy you believe they're doing.

729
00:34:33,719 --> 00:34:36,759
Speaker 4: Monique and Lee Daniels just sit the deliverance. Are we

730
00:34:36,800 --> 00:34:38,759
Speaker 4: ever going to see a reconciliation with you and her

731
00:34:38,840 --> 00:34:39,719
Speaker 4: because she I.

732
00:34:39,680 --> 00:34:41,640
Speaker 7: Don't know that there's no problem.

733
00:34:42,400 --> 00:34:44,399
Speaker 4: No, but she has said that, like I know when

734
00:34:44,400 --> 00:34:47,080
Speaker 4: she was doing club and they talked about it and

735
00:34:47,120 --> 00:34:49,359
Speaker 4: she was talking about the phone call that happened from

736
00:34:49,360 --> 00:34:51,800
Speaker 4: your team or whatever. Right, is there ever going to

737
00:34:51,840 --> 00:34:54,120
Speaker 4: be a conversation that we hear you talk about where

738
00:34:54,160 --> 00:34:56,240
Speaker 4: y'all to have another conversation about that and move forward.

739
00:34:56,280 --> 00:34:58,080
Speaker 2: I'll challenge your question with a better question.

740
00:34:58,120 --> 00:35:02,600
Speaker 7: Go ahead, hear me talk about anyone. Do you ever

741
00:35:02,640 --> 00:35:04,239
Speaker 7: hear anything bad come from me?

742
00:35:05,440 --> 00:35:05,680
Speaker 2: No?

743
00:35:06,160 --> 00:35:10,200
Speaker 7: So information can be one sided. A perception can never

744
00:35:10,239 --> 00:35:14,160
Speaker 7: be one sided. It's always a duality. It's it's your

745
00:35:14,440 --> 00:35:17,360
Speaker 7: side versus another. And if there's not a common ground,

746
00:35:17,560 --> 00:35:20,680
Speaker 7: that means that means one hasn't been attempted to like

747
00:35:21,480 --> 00:35:25,160
Speaker 7: be met. So there's no problem between me and Monique,

748
00:35:25,160 --> 00:35:27,279
Speaker 7: there never will be. There's no problem between me and

749
00:35:27,280 --> 00:35:29,920
Speaker 7: anybody else. There's nothing to reconcile, there's.

750
00:35:29,680 --> 00:35:32,280
Speaker 2: No there's no problem. So all these.

751
00:35:32,120 --> 00:35:35,840
Speaker 7: Problems that have been attached to Kevin Hart, they're one sided.

752
00:35:36,080 --> 00:35:38,560
Speaker 2: I don't have a problem with anybody I.

753
00:35:38,560 --> 00:35:42,880
Speaker 6: Agree with that people right to have a conflict, because

754
00:35:42,920 --> 00:35:45,040
Speaker 6: that's the reality. I can tell you that, Like there's

755
00:35:45,080 --> 00:35:47,719
Speaker 6: a perception that like if somebody comes out and says

756
00:35:47,719 --> 00:35:48,359
Speaker 6: something that.

757
00:35:48,360 --> 00:35:52,080
Speaker 3: Like, you know, me and Kevis behind the scenes said.

758
00:35:51,880 --> 00:35:54,840
Speaker 6: That we're not doing that.

759
00:35:53,960 --> 00:35:55,440
Speaker 2: That's what it has.

760
00:35:56,640 --> 00:35:59,680
Speaker 7: Social media has fucked us up to the point of

761
00:35:59,719 --> 00:36:02,640
Speaker 7: what you hear is what you're forced to believe.

762
00:36:02,840 --> 00:36:03,719
Speaker 2: Gotcha, you do.

763
00:36:03,680 --> 00:36:06,760
Speaker 7: Not understand, Like the common ground for truth is always

764
00:36:06,760 --> 00:36:09,520
Speaker 7: a conversation. And if there ever is a conversation, do

765
00:36:09,600 --> 00:36:13,480
Speaker 7: you're not forward facing in a public statement ever, Like

766
00:36:13,880 --> 00:36:16,920
Speaker 7: I didn't say anything about what I did or what

767
00:36:16,960 --> 00:36:19,600
Speaker 7: I did for Monique or my gestures, you never would

768
00:36:19,640 --> 00:36:19,920
Speaker 7: have heard.

769
00:36:19,960 --> 00:36:21,560
Speaker 2: It's it's a one.

770
00:36:21,440 --> 00:36:25,359
Speaker 7: Sided version or reason for and by the way I've

771
00:36:25,480 --> 00:36:29,040
Speaker 7: overbuttled to it, I stand on the side of I'm

772
00:36:29,080 --> 00:36:31,960
Speaker 7: unproblematic and if me and Moe want.

773
00:36:31,800 --> 00:36:34,040
Speaker 2: To do or could do or would do, we will.

774
00:36:34,080 --> 00:36:37,120
Speaker 7: But that's a me and mo thing, like this new

775
00:36:37,160 --> 00:36:39,319
Speaker 7: thing that people are like, let me.

776
00:36:39,239 --> 00:36:43,319
Speaker 2: Tell you something, world that's like that. I want to

777
00:36:43,360 --> 00:36:45,240
Speaker 2: be honest, I'm forty five years old.

778
00:36:47,320 --> 00:36:51,440
Speaker 7: By the way, team or not, it's not hard to

779
00:36:51,520 --> 00:36:52,400
Speaker 7: fucking find me.

780
00:36:52,719 --> 00:36:56,680
Speaker 2: Like, you know what my schedule is online.

781
00:36:56,120 --> 00:36:56,960
Speaker 4: So she hasn't hit you.

782
00:36:57,000 --> 00:36:58,040
Speaker 2: Since all of that stuff, me.

783
00:36:57,960 --> 00:37:00,960
Speaker 7: And Monique have had conversation, and those are me and

784
00:37:01,000 --> 00:37:05,600
Speaker 7: Monique's conversations before and after. That's called adulting. I don't

785
00:37:05,640 --> 00:37:09,319
Speaker 7: I don't unadult So all of these new ways of

786
00:37:09,440 --> 00:37:14,960
Speaker 7: conversation and finger pointing, it's very easy. You know what

787
00:37:15,360 --> 00:37:17,160
Speaker 7: Corminos is in because I'm gonna say some dope ship,

788
00:37:17,320 --> 00:37:21,640
Speaker 7: all right, Everybody points to the fucking moon because nobody

789
00:37:21,640 --> 00:37:23,360
Speaker 7: knows what it's like to be at the moon and

790
00:37:23,400 --> 00:37:26,239
Speaker 7: for the moon to look down. Everybody sees it this way,

791
00:37:26,719 --> 00:37:29,120
Speaker 7: but nobody sees it the other. There's only a couple

792
00:37:29,120 --> 00:37:31,279
Speaker 7: of people that have been down here and looked at

793
00:37:31,320 --> 00:37:34,000
Speaker 7: the moon and said I'm going and went and looked

794
00:37:34,040 --> 00:37:37,080
Speaker 7: down from So if you don't stand the version of

795
00:37:37,160 --> 00:37:40,320
Speaker 7: eyesight from both sides, but then you're near side, you

796
00:37:40,360 --> 00:37:43,200
Speaker 7: got you got one vision. I don't have tunnel vision.

797
00:37:43,920 --> 00:37:46,680
Speaker 7: I have an equal vision of understanding. But if you

798
00:37:46,840 --> 00:37:51,400
Speaker 7: can't understand the moon side, how do you speak as

799
00:37:51,440 --> 00:37:56,040
Speaker 7: if you do, that's not that's not life, that's not adulting.

800
00:37:56,560 --> 00:38:13,840
Speaker 2: So I've done for you.

801
00:38:14,160 --> 00:38:16,920
Speaker 7: There's only fucking how many astronauts that have walked on

802
00:38:16,960 --> 00:38:19,120
Speaker 7: the moon. But everybody speaks if they know what the

803
00:38:19,120 --> 00:38:21,520
Speaker 7: fuck is on the move. Everybody talks like they know

804
00:38:21,560 --> 00:38:23,600
Speaker 7: it's up there. You don't know what's up there. You

805
00:38:23,640 --> 00:38:25,799
Speaker 7: never walked up there. You don't know what it's like

806
00:38:25,840 --> 00:38:27,719
Speaker 7: to be up there and look down and see what

807
00:38:27,760 --> 00:38:29,839
Speaker 7: Earth is like from there. So it's only a couple

808
00:38:29,840 --> 00:38:32,920
Speaker 7: of people that do. When you are on a different

809
00:38:32,960 --> 00:38:35,200
Speaker 7: side of life and you speak to those that are

810
00:38:35,239 --> 00:38:37,480
Speaker 7: on that side, is if you know what they're doing,

811
00:38:37,520 --> 00:38:40,799
Speaker 7: you know why they did it. You're one sided. You

812
00:38:40,840 --> 00:38:44,799
Speaker 7: can't speak on my fucking reasons as if you know

813
00:38:44,920 --> 00:38:47,480
Speaker 7: what my reasons are for, you can't speak on my

814
00:38:47,560 --> 00:38:52,840
Speaker 7: business choice, my business choices, professional choices, more importantly, lifestyle choices,

815
00:38:52,960 --> 00:38:53,719
Speaker 7: if you don't know.

816
00:38:53,680 --> 00:38:54,799
Speaker 2: What the fuck my life is.

817
00:38:54,960 --> 00:38:56,359
Speaker 5: But you know, that's what I like about the movie

818
00:38:56,400 --> 00:38:58,799
Speaker 5: Fighting That right, because it seems like they show each

819
00:38:58,920 --> 00:39:01,479
Speaker 5: character in the movie as a hero in their own

820
00:39:01,480 --> 00:39:05,000
Speaker 5: story with a villain in somebody else's different.

821
00:39:05,600 --> 00:39:08,920
Speaker 6: It's a super complicated narrative, which are my favorite kinds

822
00:39:08,960 --> 00:39:13,240
Speaker 6: because you're protagonist, right, Your quote unquote heroes are very

823
00:39:13,239 --> 00:39:16,000
Speaker 6: gray and are very flawed like in real life and

824
00:39:16,040 --> 00:39:18,600
Speaker 6: you're antagonists, are people that you root for.

825
00:39:19,200 --> 00:39:21,320
Speaker 3: Those are my favorite kinds of narratives.

826
00:39:21,320 --> 00:39:23,200
Speaker 6: I love that because we all know the world is

827
00:39:23,200 --> 00:39:25,600
Speaker 6: not black and white, right, and so you're absolutely right,

828
00:39:25,640 --> 00:39:29,359
Speaker 6: it's about complex people at a complex time. And that's

829
00:39:29,360 --> 00:39:30,239
Speaker 6: really what the show was.

830
00:39:30,719 --> 00:39:32,239
Speaker 2: What was your thing successful?

831
00:39:32,239 --> 00:39:34,680
Speaker 7: Now, before you do that, I just want the world

832
00:39:34,680 --> 00:39:38,920
Speaker 7: to get to a better place of understanding, like, stop

833
00:39:38,960 --> 00:39:39,680
Speaker 7: taking the bait.

834
00:39:41,360 --> 00:39:44,440
Speaker 2: It's bait. Bait is unnecessary.

835
00:39:44,560 --> 00:39:47,680
Speaker 7: Like if people really have problems, they talk amongst themselves.

836
00:39:48,120 --> 00:39:49,600
Speaker 2: There are no conversations among.

837
00:39:49,480 --> 00:39:51,560
Speaker 7: Themselves, and it's not real problems.

838
00:39:51,640 --> 00:39:52,920
Speaker 2: Yeah, that simple.

839
00:39:53,000 --> 00:39:55,319
Speaker 6: No, Kevin's right, I mean, and Kevin's big and a

840
00:39:55,320 --> 00:39:57,440
Speaker 6: lot of us are on real interactions, you know what

841
00:39:57,440 --> 00:39:58,759
Speaker 6: I mean. And you got a lot of people out

842
00:39:58,800 --> 00:40:00,520
Speaker 6: there right now, they trying to win internet.

843
00:40:00,840 --> 00:40:02,439
Speaker 3: You know, I just w when the internet.

844
00:40:02,440 --> 00:40:03,839
Speaker 6: I got the most clicks, I got the most likes,

845
00:40:03,880 --> 00:40:06,240
Speaker 6: and you know, let's win real life.

846
00:40:06,320 --> 00:40:07,759
Speaker 3: Let's focus on real things.

847
00:40:07,880 --> 00:40:10,160
Speaker 6: So whatever conversation he may have, I may have, somebody

848
00:40:10,160 --> 00:40:12,160
Speaker 6: else may have, and it doesn't have to be for this.

849
00:40:13,000 --> 00:40:14,840
Speaker 7: You told me a while ago, he said, and you

850
00:40:14,840 --> 00:40:15,480
Speaker 7: shut the fuck up.

851
00:40:15,719 --> 00:40:27,160
Speaker 2: Well, I'll tell you a lot I don't.

852
00:40:28,880 --> 00:40:33,240
Speaker 7: I told you that because he's like, you're explaining yourself

853
00:40:33,280 --> 00:40:34,080
Speaker 7: to who like?

854
00:40:34,480 --> 00:40:37,120
Speaker 2: Who listened? By the way, is like, who are you

855
00:40:37,160 --> 00:40:37,560
Speaker 2: talking to?

856
00:40:37,680 --> 00:40:41,439
Speaker 7: Like when you there's nothing that annoys me more when

857
00:40:43,400 --> 00:40:46,080
Speaker 7: people do this right here, everybody been asking, so let

858
00:40:46,160 --> 00:40:58,959
Speaker 7: me go in. I'm saying the order you get starting

859
00:40:59,000 --> 00:41:02,319
Speaker 7: to realize man's.

860
00:41:02,760 --> 00:41:06,080
Speaker 6: Box that matters, and we obsessed on the negative. I

861
00:41:06,120 --> 00:41:09,160
Speaker 6: hate to say that, but you'll be you post something

862
00:41:09,160 --> 00:41:09,840
Speaker 6: and get one.

863
00:41:09,760 --> 00:41:12,839
Speaker 3: Hundred positive comments. Man, you walking down you look good,

864
00:41:12,880 --> 00:41:14,760
Speaker 3: but it'd be three people.

865
00:41:14,840 --> 00:41:18,520
Speaker 6: That'll say something sideways and no visa one. Those will

866
00:41:18,560 --> 00:41:21,520
Speaker 6: be the ones that you respond to, that you obsess over,

867
00:41:21,600 --> 00:41:24,080
Speaker 6: that you focus on right, not the other.

868
00:41:24,719 --> 00:41:28,200
Speaker 7: It's not a bigger supporter for the movement of people

869
00:41:28,239 --> 00:41:34,479
Speaker 7: doing good shit and Monique Lee Daniels reconciling that relationship. However,

870
00:41:34,520 --> 00:41:37,600
Speaker 7: it happened Great dope for them, did a movie together

871
00:41:37,680 --> 00:41:40,879
Speaker 7: after great story Dope for them. I want to see

872
00:41:40,920 --> 00:41:44,799
Speaker 7: more keep doing great shit. The conversation of anything else

873
00:41:44,880 --> 00:41:47,920
Speaker 7: negative attached to a person's and their reservations and feelings.

874
00:41:47,920 --> 00:41:51,120
Speaker 7: To me, I want to see nothing but good for all.

875
00:41:51,320 --> 00:41:53,480
Speaker 7: Like I would love to see us all win. I

876
00:41:53,520 --> 00:41:55,200
Speaker 7: would love to see us all at the table where

877
00:41:55,239 --> 00:41:58,560
Speaker 7: we all can do. If it happens, great, If it doesn't,

878
00:41:58,680 --> 00:41:59,719
Speaker 7: I guess it wasn't meant to be.

879
00:42:00,160 --> 00:42:02,560
Speaker 2: But you can't have a.

880
00:42:02,600 --> 00:42:07,839
Speaker 7: Fucking stance of negativity and like also like a real

881
00:42:07,920 --> 00:42:13,120
Speaker 7: fucking initiative to move forward and like motivate, inspire or

882
00:42:13,120 --> 00:42:15,560
Speaker 7: create or do whatever. You can't be both. So it's

883
00:42:15,560 --> 00:42:17,640
Speaker 7: either like you're one or the other. And if you

884
00:42:17,680 --> 00:42:25,439
Speaker 7: are a part of creativity, inspiration, collaboration, motivation, connectivity, then

885
00:42:25,600 --> 00:42:28,760
Speaker 7: that has to be it. And whatever you gather along

886
00:42:28,800 --> 00:42:31,560
Speaker 7: the way, and whoever you align yourself with along the way,

887
00:42:31,920 --> 00:42:34,319
Speaker 7: well y'all all a part of the same story. If

888
00:42:34,360 --> 00:42:37,960
Speaker 7: things fall apart through the duration of it wasn't meant

889
00:42:38,000 --> 00:42:40,520
Speaker 7: to be. On that train. Some people miss a train.

890
00:42:41,320 --> 00:42:44,279
Speaker 7: It's just life. Some people don't make it and time

891
00:42:44,280 --> 00:42:47,120
Speaker 7: to catch the train. And the train that's gonna go

892
00:42:47,280 --> 00:42:50,200
Speaker 7: is going to go. Why do you think trains can't

893
00:42:50,239 --> 00:42:51,120
Speaker 7: stop fast?

894
00:42:51,600 --> 00:42:55,120
Speaker 2: They're moving. So either you're on the train, but you're not.

895
00:42:55,800 --> 00:42:58,520
Speaker 7: And if you didn't catch the next train, that's life.

896
00:42:58,600 --> 00:43:00,279
Speaker 6: Feel like we went back to the moon because it

897
00:43:00,520 --> 00:43:03,520
Speaker 6: was something about my guy, My guy, you want to

898
00:43:03,560 --> 00:43:06,920
Speaker 6: talk about some impressive words, my guy, Kevin, you put

899
00:43:07,000 --> 00:43:07,560
Speaker 6: some words on.

900
00:43:10,160 --> 00:43:11,200
Speaker 3: What makes it successful?

901
00:43:11,239 --> 00:43:14,280
Speaker 1: Because you know, Hollywood and changed before it was blockbuster movies,

902
00:43:14,320 --> 00:43:16,400
Speaker 1: but now, I mean, there's so many other platforms to

903
00:43:16,400 --> 00:43:17,200
Speaker 1: put your movie on.

904
00:43:17,320 --> 00:43:19,080
Speaker 3: So what is successful for?

905
00:43:19,719 --> 00:43:22,719
Speaker 6: But you know there's still quant quantitative metrics that they

906
00:43:22,840 --> 00:43:29,960
Speaker 6: use to determine quantitative learn that brother, just just what

907
00:43:30,239 --> 00:43:31,120
Speaker 6: is it?

908
00:43:31,239 --> 00:43:31,600
Speaker 3: Uh?

909
00:43:31,760 --> 00:43:33,960
Speaker 6: Because reality is that you still have ways that you

910
00:43:34,000 --> 00:43:37,560
Speaker 6: can determine how, you know, how many people watched it,

911
00:43:37,640 --> 00:43:39,800
Speaker 6: if the audience was into it, if they were engaged,

912
00:43:39,800 --> 00:43:42,240
Speaker 6: and that stuff is important and so that is definitely

913
00:43:42,320 --> 00:43:46,120
Speaker 6: a part of what we do. Honestly though right now

914
00:43:46,239 --> 00:43:48,120
Speaker 6: it's about I just want people to feel stuff, you

915
00:43:48,120 --> 00:43:49,359
Speaker 6: know what I mean. I want to feel like we're

916
00:43:49,400 --> 00:43:51,080
Speaker 6: touching the culture, you know. I want to feel like

917
00:43:51,120 --> 00:43:54,080
Speaker 6: whatever it is that we do, we don't have people

918
00:43:54,120 --> 00:43:55,319
Speaker 6: feel like we wasted their time.

919
00:43:55,600 --> 00:43:56,719
Speaker 3: That's that's the point.

920
00:43:56,480 --> 00:43:56,840
Speaker 7: That we have.

921
00:43:58,400 --> 00:43:59,920
Speaker 3: Got to get. We gotta get it.

922
00:44:00,520 --> 00:44:02,960
Speaker 5: Do you have colors you like to use? Asklee Daniel

923
00:44:03,320 --> 00:44:05,040
Speaker 5: as a producer. And when I say colors, I mean

924
00:44:05,080 --> 00:44:07,600
Speaker 5: like artists are. There's certain artists you like to use

925
00:44:07,640 --> 00:44:10,719
Speaker 5: because they're, like you amused, they help you paint the picture.

926
00:44:10,800 --> 00:44:12,880
Speaker 3: That you would use within it within a piece.

927
00:44:15,239 --> 00:44:15,520
Speaker 2: Film.

928
00:44:16,360 --> 00:44:20,440
Speaker 6: I think I think that, well, obviously is the director.

929
00:44:20,440 --> 00:44:26,399
Speaker 6: I'm a producer. Yeah, absolutely, I think that setting the

930
00:44:26,440 --> 00:44:30,040
Speaker 6: mood and the theme thematically, it's very important to have

931
00:44:30,280 --> 00:44:32,000
Speaker 6: first of all, everybody be on the same page about

932
00:44:32,040 --> 00:44:34,320
Speaker 6: what the vision is going to be right, and also

933
00:44:34,360 --> 00:44:38,800
Speaker 6: to make sure that the ultimate vision fits the execution

934
00:44:39,280 --> 00:44:41,719
Speaker 6: and so you know, like for instance, in Fight Night,

935
00:44:41,760 --> 00:44:48,160
Speaker 6: we wanted it to look a certain way, right light, that's.

936
00:45:00,080 --> 00:45:01,600
Speaker 1: Gotta break it down because Kevin, they're coming here to

937
00:45:01,680 --> 00:45:02,719
Speaker 1: drag your ass.

938
00:45:04,840 --> 00:45:06,680
Speaker 2: We're done, We're good.

939
00:45:06,760 --> 00:45:08,040
Speaker 3: We appreciate it. Real talk.

940
00:45:08,080 --> 00:45:10,520
Speaker 6: We appreciate y'all like real talk. We appreciate you. The

941
00:45:10,560 --> 00:45:14,279
Speaker 6: malleability that that's another word, malleability. What means that they

942
00:45:14,320 --> 00:45:17,000
Speaker 6: were flexible, that they worked with us, they weren't rigid.

943
00:45:19,080 --> 00:45:19,839
Speaker 2: Well, i'll tell you what.

944
00:45:20,160 --> 00:45:22,920
Speaker 7: The HSBC us that you both went to are better

945
00:45:22,920 --> 00:45:33,759
Speaker 7: without you. Alusion inclusion. The big takeaways for audience are

946
00:45:33,880 --> 00:45:34,839
Speaker 7: very simple, man.

947
00:45:35,320 --> 00:45:35,440
Speaker 8: Uh.

948
00:45:35,640 --> 00:45:38,560
Speaker 7: The first one, of course, is Fighting Night now now

949
00:45:38,680 --> 00:45:42,520
Speaker 7: streaming on Peacock. Do yourself a service and us a favor,

950
00:45:42,840 --> 00:45:47,560
Speaker 7: go watch it. A very good fucking show. An amazing

951
00:45:47,680 --> 00:45:50,319
Speaker 7: story that I think should have been told a long

952
00:45:50,360 --> 00:45:52,680
Speaker 7: time ago, but for the city of Atlanta that we

953
00:45:52,760 --> 00:45:55,000
Speaker 7: all know in Love is a great highlight of how

954
00:45:55,000 --> 00:45:57,440
Speaker 7: Alanda got to be what it is now, understanding the

955
00:45:57,440 --> 00:46:00,719
Speaker 7: early stages of it, understanding the origin for us all,

956
00:46:00,920 --> 00:46:04,399
Speaker 7: especially people of color culture, we need to know. It's

957
00:46:04,440 --> 00:46:05,400
Speaker 7: a great story.

958
00:46:05,560 --> 00:46:09,239
Speaker 6: Eight parts eight part limits is three parts out right now,

959
00:46:09,800 --> 00:46:11,080
Speaker 6: dropping one per week.

960
00:46:11,400 --> 00:46:13,279
Speaker 3: If you're like a lot of us, you're looking for,

961
00:46:13,320 --> 00:46:15,319
Speaker 3: what's that next series I can really get into and

962
00:46:15,360 --> 00:46:16,200
Speaker 3: really get into.

963
00:46:16,000 --> 00:46:19,080
Speaker 6: The characters and follow it. We're challenging you. Let this

964
00:46:19,160 --> 00:46:20,000
Speaker 6: be a next series.

965
00:46:20,040 --> 00:46:24,279
Speaker 7: I would say, that's that's thing one, thing two yo,

966
00:46:25,000 --> 00:46:31,120
Speaker 7: God's collaboration, egos, et cetera. Ask yourself, what version are you?

967
00:46:31,400 --> 00:46:33,200
Speaker 7: What side are you on? Are you on the side

968
00:46:33,200 --> 00:46:34,759
Speaker 7: of that? Are you on the side of this?

969
00:46:35,360 --> 00:46:35,799
Speaker 2: Pick one?

970
00:46:36,400 --> 00:46:38,920
Speaker 7: Pick one and be that or identify what you are

971
00:46:38,960 --> 00:46:41,000
Speaker 7: and make a change right the other side.

972
00:46:41,440 --> 00:46:44,239
Speaker 2: Hey, man, in and that shit is getting out of control.

973
00:46:44,440 --> 00:46:47,719
Speaker 7: It's fucking like it's out of control, just from an

974
00:46:47,800 --> 00:46:53,360
Speaker 7: understanding of real versus not real reality and like false reality.

975
00:46:53,840 --> 00:46:57,799
Speaker 7: Ask yourself, which version are you on? Are you click bait?

976
00:46:58,200 --> 00:47:02,120
Speaker 7: Are you fucking real and for real relationships, there's real communication.

977
00:47:02,880 --> 00:47:07,520
Speaker 7: Without that, nothing else matters, Nothing else matters. I didn't

978
00:47:07,600 --> 00:47:10,799
Speaker 7: fucking not tell them to contact or not do Hey, man,

979
00:47:10,840 --> 00:47:11,600
Speaker 7: I'm gonna push you back.

980
00:47:11,600 --> 00:47:12,399
Speaker 2: I'm fucked up.

981
00:47:13,560 --> 00:47:16,920
Speaker 7: The false communication would be I can't man, just do whatever.

982
00:47:17,680 --> 00:47:20,000
Speaker 7: You figure out what it is and what and then

983
00:47:20,080 --> 00:47:22,879
Speaker 7: the relationship kind of falls apart based off of an

984
00:47:22,880 --> 00:47:26,080
Speaker 7: idea that you are giving yourself a moment to create.

985
00:47:26,520 --> 00:47:27,120
Speaker 2: Stop it.

986
00:47:27,560 --> 00:47:32,400
Speaker 7: Let's get back to a place of understanding relationships. Relationship.

987
00:47:32,719 --> 00:47:34,960
Speaker 7: It's my fucking brother, and I love the fact that

988
00:47:35,000 --> 00:47:37,399
Speaker 7: me and my brother are great examples of what dope

989
00:47:37,440 --> 00:47:40,520
Speaker 7: relationships should be. We will continue to do what we do,

990
00:47:40,560 --> 00:47:42,560
Speaker 7: and we'll do it at a high level. And I

991
00:47:42,640 --> 00:47:45,520
Speaker 7: can't wait for the world to see not only this,

992
00:47:45,920 --> 00:47:47,680
Speaker 7: but what the things in the future will be.

993
00:47:47,840 --> 00:47:51,279
Speaker 6: Bam, that's what I want you tote.

994
00:47:51,440 --> 00:47:52,480
Speaker 3: That's the last thing I was saying.

995
00:47:52,480 --> 00:47:54,360
Speaker 6: I'll tell you to vote for but we will be

996
00:47:54,360 --> 00:47:56,200
Speaker 6: REMISSI we don't get on this platform and say that

997
00:47:56,239 --> 00:47:58,920
Speaker 6: it's real. It's real, and these are challenging times to

998
00:47:58,920 --> 00:48:01,440
Speaker 6: make your voice heard one way or another, it matters.

999
00:48:01,520 --> 00:48:05,800
Speaker 6: You can tell me your Kamal, no question, I appreciate

1000
00:48:05,800 --> 00:48:07,680
Speaker 6: that black man because we need more of us saying that.

1001
00:48:08,040 --> 00:48:09,799
Speaker 3: But that's my choice, that's what I choose to do.

1002
00:48:10,440 --> 00:48:19,080
Speaker 2: I need everybody's public vote.

1003
00:48:20,760 --> 00:48:24,920
Speaker 3: Start cleaning up. But you would agree with the poort

1004
00:48:24,960 --> 00:48:25,600
Speaker 3: the vote right care.

1005
00:48:25,719 --> 00:48:27,480
Speaker 6: You would agree that it was like right, I'll say

1006
00:48:27,760 --> 00:48:32,000
Speaker 6: that time I go, they pulling me out here, Well,

1007
00:48:32,520 --> 00:48:33,799
Speaker 6: thank you, family, you appreciate you.

1008
00:48:34,040 --> 00:48:37,960
Speaker 3: It's the breakfast Club. Wake that answer up in the morning.

1009
00:48:38,120 --> 00:48:39,120
Speaker 3: The Breakfast Club