1 00:00:00,240 --> 00:00:03,040 Speaker 1: Hello, and welcome to movie Mike's Movie Podcast. I am 2 00:00:03,040 --> 00:00:06,200 Speaker 1: a movie Mike on Twitter and Instagram at Mike Destro 3 00:00:06,440 --> 00:00:09,400 Speaker 1: that's Mike d E E. S t r oh. And 4 00:00:09,480 --> 00:00:13,400 Speaker 1: today I am talking about the greatest musical scenes in movies, 5 00:00:13,520 --> 00:00:15,880 Speaker 1: according to me, because of what happened to me is 6 00:00:15,920 --> 00:00:17,560 Speaker 1: I heard a song on the radio the other day 7 00:00:17,800 --> 00:00:19,959 Speaker 1: and immediately I didn't think of the artist. I didn't 8 00:00:19,960 --> 00:00:21,720 Speaker 1: think of the actual song. I thought of the movie 9 00:00:21,760 --> 00:00:23,640 Speaker 1: I associated with. So what I did is I went 10 00:00:23,640 --> 00:00:26,439 Speaker 1: through a lot of my favorite movies and picked songs 11 00:00:26,480 --> 00:00:29,400 Speaker 1: that I thought were just used so well in the 12 00:00:29,440 --> 00:00:32,199 Speaker 1: movie that I identify them with the movie more so 13 00:00:32,240 --> 00:00:34,479 Speaker 1: than the actual song. So I'll get into that. I 14 00:00:34,520 --> 00:00:37,199 Speaker 1: also have the top five highest grossing movie franchises of 15 00:00:37,200 --> 00:00:40,120 Speaker 1: all time because I am currently rewatching all of the 16 00:00:40,159 --> 00:00:43,000 Speaker 1: Star Wars movies and I just kind of realized just 17 00:00:43,600 --> 00:00:46,479 Speaker 1: how well done those movies were for being released back 18 00:00:46,520 --> 00:00:49,000 Speaker 1: in like the seventies and eighties, and how they just 19 00:00:49,280 --> 00:00:51,800 Speaker 1: crushed it at the box office. So I just wanted 20 00:00:51,800 --> 00:00:54,360 Speaker 1: to see overall where they ranked on the top five 21 00:00:54,560 --> 00:00:56,920 Speaker 1: movie franchises of all time. I also tell you what 22 00:00:57,080 --> 00:00:59,920 Speaker 1: my favorites are and I will get into my review 23 00:01:00,040 --> 00:01:02,440 Speaker 1: of Little Women, which was the last on my list 24 00:01:02,560 --> 00:01:05,520 Speaker 1: of Best Picture nominees to see and probably the one 25 00:01:05,640 --> 00:01:07,880 Speaker 1: I waited the longest to see just because I didn't 26 00:01:07,920 --> 00:01:10,080 Speaker 1: think I would like it that much, so I would 27 00:01:10,080 --> 00:01:12,280 Speaker 1: give my thoughts on that. Again. Just thanks for hitting 28 00:01:12,280 --> 00:01:15,360 Speaker 1: planned a podcast. Um, thanks for tagging me in your 29 00:01:15,360 --> 00:01:17,880 Speaker 1: Instagram stories. But if you don't mind, after you listen 30 00:01:17,880 --> 00:01:20,600 Speaker 1: to this episode, if you're listening on Apple podcasts, just 31 00:01:20,640 --> 00:01:23,320 Speaker 1: go through scrolls to the bottom and leave a five 32 00:01:23,360 --> 00:01:26,080 Speaker 1: star review, right a little something, because that helps so 33 00:01:26,160 --> 00:01:28,480 Speaker 1: much for me to get bumped up there so other 34 00:01:28,520 --> 00:01:31,160 Speaker 1: people can just when they're scrolling through looking at podcasts 35 00:01:31,160 --> 00:01:33,360 Speaker 1: there like hey, hey, what's this podcast? I'll check this out. 36 00:01:33,400 --> 00:01:35,360 Speaker 1: So if you leave a review, hit those five stars, 37 00:01:35,360 --> 00:01:37,319 Speaker 1: it just helps other people come on board and be 38 00:01:37,400 --> 00:01:40,080 Speaker 1: a part of the podcast. So let's get into this 39 00:01:40,080 --> 00:01:43,760 Speaker 1: week's episode without further ado. Let's get started. In a 40 00:01:43,800 --> 00:01:47,480 Speaker 1: world where everyone and their mother has a podcast, one 41 00:01:47,520 --> 00:01:51,440 Speaker 1: man stands to infiltrate the ears of listeners like never 42 00:01:51,480 --> 00:01:55,520 Speaker 1: before in a movie podcast, A man with so much 43 00:01:55,560 --> 00:01:59,440 Speaker 1: movie knowledge. He's basically like a walking on it MTV, 44 00:01:59,640 --> 00:02:06,360 Speaker 1: which rise from the Nashville Podcast Network Movie Movie Podcast. 45 00:02:07,000 --> 00:02:08,880 Speaker 1: So today I wanted to share with you guys, but 46 00:02:09,080 --> 00:02:12,400 Speaker 1: I think are the greatest musical scenes in movies ever. 47 00:02:12,440 --> 00:02:14,480 Speaker 1: So this is all of my own personal taste. There's 48 00:02:14,480 --> 00:02:17,120 Speaker 1: no statistics in this really because the other day I 49 00:02:17,200 --> 00:02:19,200 Speaker 1: was driving and I heard this song come on the radio, 50 00:02:19,240 --> 00:02:20,799 Speaker 1: and I'll get to it later in my list, but 51 00:02:21,280 --> 00:02:25,519 Speaker 1: immediately I associated with a movie rather than the actual band, 52 00:02:25,880 --> 00:02:29,080 Speaker 1: and I just thought this scene was just so iconic 53 00:02:29,120 --> 00:02:32,560 Speaker 1: in this movie. And I found it interesting that this 54 00:02:32,600 --> 00:02:34,639 Speaker 1: song wasn't written for the movie. It was just a 55 00:02:34,720 --> 00:02:37,440 Speaker 1: song they picked for this scene. So what I did 56 00:02:37,600 --> 00:02:40,320 Speaker 1: was I compiled this entire list of just songs that 57 00:02:40,360 --> 00:02:43,400 Speaker 1: were used in movies not written for the movie, because 58 00:02:43,400 --> 00:02:45,600 Speaker 1: there is a difference because their songs like um Lose 59 00:02:45,639 --> 00:02:53,359 Speaker 1: Yourself is by Eminem, So that song was written by 60 00:02:53,440 --> 00:02:57,079 Speaker 1: Eminem for the movie eight Mile, or Selene Dion my lot, 61 00:02:57,360 --> 00:03:03,799 Speaker 1: my heart will go on, excuse me, that song was 62 00:03:03,840 --> 00:03:08,040 Speaker 1: written specifically for Titanic, or even something like I've Had 63 00:03:08,040 --> 00:03:18,280 Speaker 1: the Time of my Life, which was in Dirty Dancing, 64 00:03:18,400 --> 00:03:20,640 Speaker 1: And they came to those songwriters and was like, we 65 00:03:20,720 --> 00:03:23,519 Speaker 1: had this movie called Dirty Dancing, we want you to 66 00:03:23,600 --> 00:03:26,440 Speaker 1: write a song for it could potentially change your life. 67 00:03:26,480 --> 00:03:28,880 Speaker 1: They wrote that song, made a demo for it. It 68 00:03:28,960 --> 00:03:31,080 Speaker 1: got put into like a stack of demos that they 69 00:03:31,080 --> 00:03:32,840 Speaker 1: were going through picking songs for the movie, and they 70 00:03:32,880 --> 00:03:35,240 Speaker 1: filmed that entire movie out of sequence. So actually the 71 00:03:35,280 --> 00:03:37,800 Speaker 1: final scene in that which where this song is playing, 72 00:03:39,160 --> 00:03:41,480 Speaker 1: it was the first thing they ended up filming didn't 73 00:03:41,520 --> 00:03:43,240 Speaker 1: have the song at the time, and then they used 74 00:03:43,240 --> 00:03:45,520 Speaker 1: that demo and we're like, it was the last thing 75 00:03:46,400 --> 00:03:48,960 Speaker 1: that they found in a stack of just all these tapes, 76 00:03:49,960 --> 00:03:52,840 Speaker 1: and they were like, that's perfect. But that song was 77 00:03:52,880 --> 00:03:54,880 Speaker 1: written with the attention of it being in a movie 78 00:03:54,880 --> 00:03:59,360 Speaker 1: called Dirty Dancing. So what I took was songs famously 79 00:03:59,480 --> 00:04:02,400 Speaker 1: used in movie bes and big scenes that we weren't 80 00:04:02,400 --> 00:04:05,280 Speaker 1: written for it. They just happened to be placed into 81 00:04:05,320 --> 00:04:08,080 Speaker 1: the movie and later gained popularity because of the movie. 82 00:04:08,280 --> 00:04:11,240 Speaker 1: So the song I heard on the radio was the Pixies. 83 00:04:11,360 --> 00:04:14,080 Speaker 1: Where is My Mind? Here's a little bit of the Pixies. 84 00:04:22,560 --> 00:04:24,680 Speaker 1: So I hear this song come on and immediately I 85 00:04:24,720 --> 00:04:27,240 Speaker 1: think of the movie Fight Globe. So this is the 86 00:04:27,279 --> 00:04:32,640 Speaker 1: song and here it is used in the movie Fight Club. 87 00:04:32,800 --> 00:04:48,960 Speaker 1: Trust Me, Everything's gonna be fun. You met me had 88 00:04:49,000 --> 00:04:53,920 Speaker 1: a very strange time in my life. We didn't see 89 00:04:57,240 --> 00:04:59,799 Speaker 1: such a great scene. If you haven't seen Fight Club, 90 00:05:00,240 --> 00:05:03,040 Speaker 1: I mean, it's a cult classic. You got Edward Norton, 91 00:05:03,920 --> 00:05:07,040 Speaker 1: Brad Pitt, and this scene is just I think one 92 00:05:07,080 --> 00:05:10,000 Speaker 1: of the best scenes ever paired with the song. And 93 00:05:10,080 --> 00:05:13,960 Speaker 1: it was written on and released on the band's first album, 94 00:05:14,000 --> 00:05:16,440 Speaker 1: and it was never released as a single, but after 95 00:05:16,520 --> 00:05:18,039 Speaker 1: it was used in this scene in the movie, it 96 00:05:18,120 --> 00:05:20,640 Speaker 1: kind of helped the Pixies be introduced to a whole 97 00:05:20,640 --> 00:05:22,320 Speaker 1: new audience because they're like kind of like me. When 98 00:05:22,320 --> 00:05:24,000 Speaker 1: I heard the song, I was like, who is that band? 99 00:05:24,360 --> 00:05:26,360 Speaker 1: And then I started listening to the Pixies after that. 100 00:05:26,839 --> 00:05:29,640 Speaker 1: You just look at one frame of this scene, um 101 00:05:29,640 --> 00:05:32,839 Speaker 1: with the scene of Edward Norton and Helen Bombham Carter 102 00:05:33,040 --> 00:05:36,360 Speaker 1: like holding hands where the entire world is just collapsing 103 00:05:36,400 --> 00:05:37,920 Speaker 1: in front of him, and I could just see that 104 00:05:38,000 --> 00:05:41,080 Speaker 1: picture and immediately associate that song with this movie. So 105 00:05:41,560 --> 00:05:53,800 Speaker 1: that's why I throw it in here. We didn't another one. 106 00:05:53,839 --> 00:05:56,239 Speaker 1: I was thinking of one of my favorite Martin scores 107 00:05:56,240 --> 00:05:58,839 Speaker 1: aging movies as Good Fellas, which he had The Irishman 108 00:05:58,960 --> 00:06:00,800 Speaker 1: last year. It's up for some of words, but I 109 00:06:00,839 --> 00:06:03,080 Speaker 1: think Good Fellows is just his masterpiece. But there's a 110 00:06:03,120 --> 00:06:04,480 Speaker 1: scene in the movie where they just pull off this 111 00:06:04,640 --> 00:06:07,960 Speaker 1: huge heist and then there's like this falling aftermath action 112 00:06:08,640 --> 00:06:38,000 Speaker 1: and this song plays. Jimmy was cutting every link between 113 00:06:38,040 --> 00:06:40,480 Speaker 1: himself and the robbery, but it had nothing to do 114 00:06:40,560 --> 00:06:51,400 Speaker 1: with me. So Martin Scorsese he actually planned out this 115 00:06:51,600 --> 00:06:54,080 Speaker 1: entire sequence, like with this song specifically in mind, but 116 00:06:54,120 --> 00:06:56,240 Speaker 1: it wasn't written for the movie, and he even like 117 00:06:56,320 --> 00:06:59,040 Speaker 1: synchronized like every single part of this scene to the song. 118 00:06:59,360 --> 00:07:01,880 Speaker 1: The weird thing about this song though, is also the 119 00:07:01,960 --> 00:07:08,239 Speaker 1: part we know is this piano part. Like it's actually 120 00:07:08,279 --> 00:07:10,560 Speaker 1: a much more rocking song. So it's written by Eric 121 00:07:10,560 --> 00:07:13,600 Speaker 1: Clapton and Jim Gordon and it was released by Derek 122 00:07:13,640 --> 00:07:15,840 Speaker 1: and the Domino. So what the song sounds like from 123 00:07:15,880 --> 00:07:23,600 Speaker 1: the beginning is this. So it's a pretty straightforward rock 124 00:07:23,720 --> 00:07:26,640 Speaker 1: song and then it kind of gets into this piano breakdown. 125 00:07:26,880 --> 00:07:29,160 Speaker 1: Martin Scores says, you to hear this song and to know, like, 126 00:07:29,280 --> 00:07:32,040 Speaker 1: I want that breakdown piano part to be in the movie. 127 00:07:32,080 --> 00:07:47,000 Speaker 1: So here's where it breaks down in the song, and 128 00:07:47,040 --> 00:07:50,200 Speaker 1: there it is the part we know, and Goodfellas just 129 00:07:50,360 --> 00:07:53,000 Speaker 1: right there, like maybe four minutes to the song, because 130 00:07:53,000 --> 00:07:58,560 Speaker 1: it's like a seven minute song. I just thought that's 131 00:07:58,600 --> 00:08:00,920 Speaker 1: interesting in a really great use of music in a movie. 132 00:08:01,040 --> 00:08:04,560 Speaker 1: And that scene is pretty iconic just because it's the 133 00:08:04,640 --> 00:08:08,200 Speaker 1: really the fall and the aftermath in that movie from 134 00:08:08,200 --> 00:08:11,120 Speaker 1: When All the Times Are Good. Um, if you don't know, 135 00:08:11,320 --> 00:08:14,120 Speaker 1: good Fellow's about based on a true story about Henry 136 00:08:14,200 --> 00:08:17,280 Speaker 1: Hill and his involvement with organized crime, and at the 137 00:08:17,320 --> 00:08:20,480 Speaker 1: point where this song plays is where everything starts going wrong. 138 00:08:20,720 --> 00:08:23,000 Speaker 1: So pretty cool to know how that song sync up 139 00:08:23,000 --> 00:08:25,480 Speaker 1: with that movie and how they took just the middle 140 00:08:25,520 --> 00:08:28,760 Speaker 1: of that song and made it so iconic. Next up 141 00:08:28,800 --> 00:08:31,280 Speaker 1: on my list is a song that the only reason 142 00:08:31,320 --> 00:08:33,760 Speaker 1: I know this song is because of this movie. Probably 143 00:08:34,200 --> 00:08:36,880 Speaker 1: I would say one of the saddest scenes ever in 144 00:08:36,920 --> 00:08:41,319 Speaker 1: a movie. Now I am Mexican American, and maybe it's 145 00:08:41,320 --> 00:08:43,800 Speaker 1: because the character and this is also a Mexican American 146 00:08:43,880 --> 00:08:45,800 Speaker 1: that I kind of identify more with this movie than 147 00:08:45,840 --> 00:08:48,360 Speaker 1: anybody else. But I would have to encourage you if 148 00:08:48,400 --> 00:08:51,040 Speaker 1: you haven't seen this movie. It is on Netflix now. 149 00:08:51,400 --> 00:08:53,600 Speaker 1: And every time I hear this song, I get sad, 150 00:08:53,679 --> 00:08:56,480 Speaker 1: even if it's out of context from this movie. But 151 00:08:56,679 --> 00:08:58,439 Speaker 1: it's a scene that still gets me. While I was 152 00:08:58,520 --> 00:09:01,720 Speaker 1: even loading the clip for this podcast, I generally got 153 00:09:01,720 --> 00:09:04,880 Speaker 1: sad again. Um, the song gets called Sleepwalk and it's 154 00:09:04,920 --> 00:09:07,680 Speaker 1: by Santo and Johnny. It's an instrumental and here it is. 155 00:09:15,640 --> 00:09:18,120 Speaker 1: But the movie is La Bamba, which is about the 156 00:09:18,200 --> 00:09:25,360 Speaker 1: life of Richie Valence. It gets me right there, but 157 00:09:25,440 --> 00:09:27,439 Speaker 1: here it is used in the movie. I'm gonna try 158 00:09:27,440 --> 00:09:34,360 Speaker 1: to not cry while this clip is playing. No not rich, 159 00:09:36,760 --> 00:09:53,120 Speaker 1: never stop Rich. I am weeping in the studio right now. 160 00:09:53,200 --> 00:09:55,400 Speaker 1: But this song was written by Santo and Johnny as 161 00:09:55,440 --> 00:09:58,320 Speaker 1: an instrumental, and they had like lyrics for this song, 162 00:09:58,360 --> 00:10:00,480 Speaker 1: but they decided just not to use them because that, 163 00:10:00,640 --> 00:10:04,560 Speaker 1: I mean, just that still guitar in that is really 164 00:10:04,600 --> 00:10:07,120 Speaker 1: what kind of just it's so sad, and the acoustic 165 00:10:07,160 --> 00:10:12,319 Speaker 1: guitars in this it gets you. But that song, crazily enough, 166 00:10:12,400 --> 00:10:15,480 Speaker 1: an instrumental went to number one on the Billboard Top 167 00:10:15,559 --> 00:10:19,040 Speaker 1: forty back in August of nineteen fifty nine. I've never 168 00:10:19,080 --> 00:10:24,800 Speaker 1: really heard of an instrumental going number one. But of course, 169 00:10:24,840 --> 00:10:28,360 Speaker 1: the most heartbreaking part in this entire sequence is when 170 00:10:28,400 --> 00:10:32,200 Speaker 1: his brother Bob breaks down and screamed the name of 171 00:10:32,200 --> 00:10:46,079 Speaker 1: his brother and that is a lot of bombay ladies 172 00:10:46,080 --> 00:10:49,160 Speaker 1: and gentlemen. Again one of my favorite movies and just overall, 173 00:10:49,200 --> 00:10:53,440 Speaker 1: I think one of the saddest scenes ever in a movie. 174 00:10:53,800 --> 00:10:56,400 Speaker 1: R I p ritchie Vallens. Alright, So next up on 175 00:10:56,440 --> 00:10:59,040 Speaker 1: my list is a little movie called Wayne's World. You 176 00:10:59,080 --> 00:11:00,840 Speaker 1: know the song but he Me and rap City from 177 00:11:00,920 --> 00:11:15,640 Speaker 1: Queen This real is this just fatside escape from reality? 178 00:11:15,880 --> 00:11:17,880 Speaker 1: And here it is used in the movie. I think 179 00:11:17,920 --> 00:11:20,920 Speaker 1: we'll go with a little Bohemian rhapsody gentlemen, good call, 180 00:11:28,960 --> 00:11:45,839 Speaker 1: I see a little silhouette of a man, So there 181 00:11:45,840 --> 00:11:49,319 Speaker 1: it is. The song originally came out in nineteen seventy five, 182 00:11:49,960 --> 00:11:55,120 Speaker 1: and it gained popularity again with this movie in because 183 00:11:55,200 --> 00:11:58,559 Speaker 1: once it hit theaters like the song re entered the 184 00:11:58,559 --> 00:12:01,240 Speaker 1: Billboard Hot one hundred and it ended up peeking at 185 00:12:01,320 --> 00:12:04,560 Speaker 1: number two, just behind Jumped by Criss Cross. But it 186 00:12:04,640 --> 00:12:08,560 Speaker 1: did it again in when the movie Boheman Raptidi came out. 187 00:12:08,880 --> 00:12:11,040 Speaker 1: So it's one of the only songs that is peaked 188 00:12:11,040 --> 00:12:14,200 Speaker 1: in three different decades and the seventies, the nineties, and 189 00:12:14,240 --> 00:12:17,079 Speaker 1: again in the tense. Crazy thing Also about the scene 190 00:12:17,080 --> 00:12:19,240 Speaker 1: in the movie is that if you watch close enough. 191 00:12:19,400 --> 00:12:22,640 Speaker 1: Dana Carvey, who plays Garth, he doesn't know the lyrics 192 00:12:22,720 --> 00:12:25,360 Speaker 1: to this song, so whenever they kind of moved to 193 00:12:25,480 --> 00:12:28,600 Speaker 1: him in some like parts, he's just kind of moving 194 00:12:28,640 --> 00:12:31,280 Speaker 1: his lips and like banging his head along because he 195 00:12:31,280 --> 00:12:33,960 Speaker 1: didn't learn the lyrics before they filmed the scene. So again, 196 00:12:34,000 --> 00:12:36,080 Speaker 1: the opening scene in the movie took a total of 197 00:12:36,160 --> 00:12:39,360 Speaker 1: ten hours, mainly because he didn't know the lyrics. And 198 00:12:39,400 --> 00:12:41,400 Speaker 1: then by the end of it, all the actors complained 199 00:12:41,440 --> 00:12:43,679 Speaker 1: that they had nick pain because their head banging throughout 200 00:12:43,679 --> 00:12:46,200 Speaker 1: the entire scene. So um, they had to do so 201 00:12:46,240 --> 00:12:48,559 Speaker 1: many takes just to get that right. But I kind 202 00:12:48,559 --> 00:12:50,920 Speaker 1: of went back and watched it and I do pick 203 00:12:51,040 --> 00:12:52,600 Speaker 1: up on it. I also noticed a lot that they 204 00:12:52,679 --> 00:12:55,040 Speaker 1: kind of just showed the car driving, so I wonder 205 00:12:55,080 --> 00:12:56,679 Speaker 1: if a lot of it was just done in editing 206 00:12:56,720 --> 00:12:58,880 Speaker 1: because they couldn't really get the lyrics to sink up 207 00:12:59,040 --> 00:13:01,120 Speaker 1: very well. And I have one more on my list, 208 00:13:01,200 --> 00:13:03,200 Speaker 1: and what I think is just a very underrated movie 209 00:13:03,240 --> 00:13:06,000 Speaker 1: starring Ryan Gosling. It's called Drive, where he plays like 210 00:13:06,000 --> 00:13:10,240 Speaker 1: a getaway driver who gets into like a really bad situation. Um, 211 00:13:10,280 --> 00:13:13,320 Speaker 1: he gets this girlfriend who has a kid, and I 212 00:13:13,360 --> 00:13:15,880 Speaker 1: think one of the most underrated movies of like the 213 00:13:15,960 --> 00:13:18,640 Speaker 1: last ten years or so. It came out inn and 214 00:13:18,679 --> 00:13:20,560 Speaker 1: there's a scene in the movie where all he does 215 00:13:20,840 --> 00:13:23,720 Speaker 1: is takes his girlfriend and their kid for a drive. 216 00:13:23,800 --> 00:13:25,760 Speaker 1: So here it is used in the movie I want 217 00:13:25,800 --> 00:13:42,640 Speaker 1: to see something. Yeah, okay, but it's just such a 218 00:13:42,679 --> 00:13:46,760 Speaker 1: like calming, peaceful scene and what Otherwise it's kind of 219 00:13:46,760 --> 00:13:51,800 Speaker 1: a crazy, chaotic, kind of ominous movie. Um and just 220 00:13:51,840 --> 00:13:54,880 Speaker 1: this scene kind of ties it together and creates a 221 00:13:54,920 --> 00:13:59,760 Speaker 1: really special moment. So the song is by College featuring 222 00:13:59,800 --> 00:14:01,920 Speaker 1: a electric youth, and here it is from the start 223 00:14:01,960 --> 00:14:14,600 Speaker 1: of the hook. So what they're saying in the chorus 224 00:14:14,679 --> 00:14:17,960 Speaker 1: here is a real human being and a real hero. 225 00:14:18,920 --> 00:14:22,560 Speaker 1: And it's because this song was actually inspired by Captain 226 00:14:22,600 --> 00:14:31,880 Speaker 1: Sully and him landing that plane on the Hudson. And 227 00:14:31,920 --> 00:14:34,800 Speaker 1: there are other lyrics in the song that kind of 228 00:14:35,040 --> 00:14:37,000 Speaker 1: revealed that I didn't know that about this song until 229 00:14:37,000 --> 00:14:38,640 Speaker 1: I was doing some research on it. But there's another 230 00:14:38,680 --> 00:14:42,000 Speaker 1: part where the lyrics are a pilot, a pilot on 231 00:14:42,040 --> 00:14:45,560 Speaker 1: a cold morning, fifty five people on board. Would you 232 00:14:45,600 --> 00:14:50,960 Speaker 1: just straight up about that incident? So what it was 233 00:14:51,000 --> 00:14:54,200 Speaker 1: is he had a conversation with his grandfather and who 234 00:14:54,320 --> 00:14:56,360 Speaker 1: was telling him about Captain Sully and how he thought 235 00:14:56,400 --> 00:15:05,920 Speaker 1: he was just the hero, and there's the line. So yeah, 236 00:15:05,920 --> 00:15:07,920 Speaker 1: he just had a conversation with his grandfather who was 237 00:15:08,000 --> 00:15:11,800 Speaker 1: just so kind of in awe of the heroic thing 238 00:15:11,840 --> 00:15:14,240 Speaker 1: that Captain Sully did. And then he took that and 239 00:15:14,320 --> 00:15:16,600 Speaker 1: made that song about it. So the song wasn't written 240 00:15:16,600 --> 00:15:19,080 Speaker 1: for the movie Drive. It was put out maybe two 241 00:15:19,160 --> 00:15:22,160 Speaker 1: years before the movie came out. Ryan Gosling and one 242 00:15:22,200 --> 00:15:25,280 Speaker 1: of the editors on the movie approached the Drive director 243 00:15:25,400 --> 00:15:27,520 Speaker 1: with this song and like, hey, we should feature this 244 00:15:27,560 --> 00:15:29,920 Speaker 1: song into the movie. So they eventually used it in 245 00:15:29,920 --> 00:15:32,080 Speaker 1: that sequence and what they ended up doing in that 246 00:15:32,120 --> 00:15:35,280 Speaker 1: movie was like a really scent heavy, kind of eighties 247 00:15:35,320 --> 00:15:47,560 Speaker 1: feel on all the music in it. So again, a 248 00:15:47,600 --> 00:15:50,280 Speaker 1: really cool movie, a really great musical moment that I 249 00:15:50,320 --> 00:15:52,840 Speaker 1: thought and still think about all the time just how 250 00:15:52,880 --> 00:15:56,040 Speaker 1: perfectly that fit in that scene. Also just the movie 251 00:15:56,040 --> 00:15:57,800 Speaker 1: I kind of recommend you go and watch if you're 252 00:15:57,800 --> 00:15:59,840 Speaker 1: a fan of Ryan Gosling. I think one of his 253 00:16:00,000 --> 00:16:03,640 Speaker 1: wrongest movies. There's also a recent musical moment that I 254 00:16:03,680 --> 00:16:05,760 Speaker 1: was going to include in this list, and it was 255 00:16:05,840 --> 00:16:08,600 Speaker 1: one that actually kind of got some backlash on So 256 00:16:08,720 --> 00:16:11,000 Speaker 1: you might know the song called rock and Roll apart two. 257 00:16:15,320 --> 00:16:19,280 Speaker 1: It's by Gary Glitter, who is actually a pretty awful 258 00:16:19,360 --> 00:16:22,680 Speaker 1: human being. He's currently serving sixteen years in prison for 259 00:16:22,840 --> 00:16:25,880 Speaker 1: abusing three girls. And the movie that used it was 260 00:16:26,000 --> 00:16:29,320 Speaker 1: Joker in the scene where he's like dancing down the stairs, 261 00:16:29,680 --> 00:16:31,680 Speaker 1: one of the most iconic scenes in film history, I 262 00:16:31,720 --> 00:16:37,720 Speaker 1: would say recently, and they kind of got some backlash 263 00:16:37,800 --> 00:16:40,360 Speaker 1: just because of how bad a guy, this Gary Glitter 264 00:16:40,400 --> 00:16:43,600 Speaker 1: guy is and using his song in a really big 265 00:16:43,640 --> 00:16:48,960 Speaker 1: movie was just seen as a little untasteful, which I agree. 266 00:16:49,000 --> 00:16:51,440 Speaker 1: You could probably pick a different song for this movie 267 00:16:51,520 --> 00:16:53,840 Speaker 1: just given the context of it. But what I do 268 00:16:53,960 --> 00:16:56,720 Speaker 1: like about it is that it's at a point in 269 00:16:56,720 --> 00:16:59,160 Speaker 1: the movie. Again I'm not gonna spoil anything, but it's 270 00:16:59,200 --> 00:17:02,120 Speaker 1: kind of when he comes the Joker, and I think 271 00:17:02,120 --> 00:17:05,240 Speaker 1: the contrast of how dramatic that scene is to where 272 00:17:05,240 --> 00:17:08,520 Speaker 1: how kind of uplifting this song is. It is a 273 00:17:08,600 --> 00:17:11,080 Speaker 1: tactic I really like to see us in movies where 274 00:17:11,080 --> 00:17:14,160 Speaker 1: it's just really sad in a down in the dumps 275 00:17:14,240 --> 00:17:16,240 Speaker 1: kind of part of the movie, but you put an 276 00:17:16,359 --> 00:17:19,439 Speaker 1: uplifting song under it, and it just creates like this 277 00:17:19,520 --> 00:17:23,479 Speaker 1: whole iconic scene of like, oh man, this is really 278 00:17:23,840 --> 00:17:26,840 Speaker 1: a disturbed guy to where he just committed a really 279 00:17:26,880 --> 00:17:30,120 Speaker 1: awful crime, but in his head he hears a cheerful 280 00:17:30,119 --> 00:17:36,480 Speaker 1: song like this and feels like dancing. So again, I 281 00:17:36,520 --> 00:17:39,040 Speaker 1: think they probably could have picked a different song, but 282 00:17:39,119 --> 00:17:41,720 Speaker 1: I do like just the contrast and the moment it 283 00:17:41,800 --> 00:17:44,639 Speaker 1: created in the movie. Um, it's a movie. It's a 284 00:17:44,640 --> 00:17:46,840 Speaker 1: song now that I kind of associate with that movie 285 00:17:47,480 --> 00:17:50,080 Speaker 1: because of that recent controversy. But again, they probably could 286 00:17:50,080 --> 00:17:52,280 Speaker 1: have picked a different song because Gary Glitter not a 287 00:17:52,320 --> 00:17:55,679 Speaker 1: good dude. He's saying prison for a re a long time. Alright. 288 00:17:55,720 --> 00:17:58,080 Speaker 1: So that is what I think are the greatest musical 289 00:17:58,119 --> 00:18:00,439 Speaker 1: scenes in movies. If you want to hit me with 290 00:18:00,480 --> 00:18:02,879 Speaker 1: your own what you think it's the best use of 291 00:18:02,880 --> 00:18:05,200 Speaker 1: a song and one of your favorite movies, just send 292 00:18:05,200 --> 00:18:08,040 Speaker 1: me a tweet or send me an Instagram message at 293 00:18:08,080 --> 00:18:14,960 Speaker 1: Mike Distro. Alright, So now I want to get into 294 00:18:14,960 --> 00:18:18,720 Speaker 1: the list of the top five highest grossing movie franchises 295 00:18:18,760 --> 00:18:20,880 Speaker 1: of all time. I thought about this because right now 296 00:18:20,920 --> 00:18:23,240 Speaker 1: I am rewatching all of the Star Wars movies. I 297 00:18:23,320 --> 00:18:26,440 Speaker 1: just got through Return of the Jedi. It just kind 298 00:18:26,440 --> 00:18:29,800 Speaker 1: of occurred to me how big of an impact those 299 00:18:29,840 --> 00:18:32,840 Speaker 1: movies had at that time, and how they just dominated 300 00:18:32,880 --> 00:18:36,160 Speaker 1: the box office unlike anything before and until recently, we're 301 00:18:36,200 --> 00:18:39,320 Speaker 1: like the highest grossing movies until another franchise came along, 302 00:18:39,320 --> 00:18:41,520 Speaker 1: which I'll get into. I wanted to kind of take 303 00:18:41,560 --> 00:18:44,399 Speaker 1: a look at what ranks up there with those movies. 304 00:18:44,400 --> 00:18:47,160 Speaker 1: So at number five it is Batman, with a total 305 00:18:47,280 --> 00:18:50,439 Speaker 1: number of eleven movies and a gross in the United 306 00:18:50,480 --> 00:18:53,679 Speaker 1: States of three point five billion dollars as about three 307 00:18:54,080 --> 00:18:56,760 Speaker 1: and twenty million dollars per movie. The biggest movie in 308 00:18:56,760 --> 00:19:00,320 Speaker 1: this franchise was The Dark Night. So this includes all 309 00:19:00,359 --> 00:19:03,840 Speaker 1: of the Batman movies, the original ones, the Dark Knight series, 310 00:19:03,880 --> 00:19:06,359 Speaker 1: and even like the spinoffs now with like Suicide Squad 311 00:19:06,359 --> 00:19:08,520 Speaker 1: and all that kind of stuff. It's kind of interesting 312 00:19:08,520 --> 00:19:11,480 Speaker 1: to see the evolution of Batman because he started out 313 00:19:11,920 --> 00:19:14,720 Speaker 1: really comic book heavy. Those movies were just a little 314 00:19:14,800 --> 00:19:18,160 Speaker 1: more cartoony, aside from the very first one with Jack 315 00:19:18,240 --> 00:19:20,080 Speaker 1: Nicholson as a joker, like there was the use of 316 00:19:20,119 --> 00:19:23,000 Speaker 1: guns in that movie, a little more violent, but in 317 00:19:23,080 --> 00:19:25,480 Speaker 1: like the nineties, they were just more comic book style 318 00:19:26,080 --> 00:19:27,960 Speaker 1: and even like a little more goofy with like Jim 319 00:19:28,000 --> 00:19:30,760 Speaker 1: Carey as the Riddler. But it wasn't until like Christopher 320 00:19:30,800 --> 00:19:33,359 Speaker 1: Nolan came around and started directing the you know, The 321 00:19:33,440 --> 00:19:36,119 Speaker 1: Dark Knight series that really just changed the game, not 322 00:19:36,200 --> 00:19:38,600 Speaker 1: only for Batman, but for comic book movies as a whole, 323 00:19:38,600 --> 00:19:41,120 Speaker 1: because they were really just taken more seriously. So it's 324 00:19:41,119 --> 00:19:43,480 Speaker 1: just kind of cool to see how they really legitimized 325 00:19:43,760 --> 00:19:46,320 Speaker 1: the comic book movie, where some movies you don't even 326 00:19:46,400 --> 00:19:49,080 Speaker 1: see them as the comic book movie, like The Dark Knight. 327 00:19:49,119 --> 00:19:51,760 Speaker 1: That's just a great movie all around. And I'm interested 328 00:19:51,800 --> 00:19:54,680 Speaker 1: to see how Robert Pattinson kind of takes on playing Batman. 329 00:19:55,240 --> 00:19:58,280 Speaker 1: Hopefully they get that right. At number four, you got 330 00:19:58,280 --> 00:20:00,639 Speaker 1: Harry Potter with a total gross in the United States 331 00:20:00,640 --> 00:20:04,399 Speaker 1: if three point five nine billion total number of eleven movies, 332 00:20:04,440 --> 00:20:08,040 Speaker 1: which is about three twenty six point five million per movie, 333 00:20:08,680 --> 00:20:10,880 Speaker 1: and the biggest movie in that was the first one, 334 00:20:11,040 --> 00:20:14,560 Speaker 1: Harry Potter. And The Sorcerer's Stone comes from the book series, 335 00:20:14,600 --> 00:20:17,560 Speaker 1: which the book on its own was just a global phenomenon. 336 00:20:17,920 --> 00:20:21,760 Speaker 1: Who J. K. Rowling was at one point nearly homeless, 337 00:20:21,800 --> 00:20:24,680 Speaker 1: like living in her car, and became the highest paid 338 00:20:24,720 --> 00:20:29,359 Speaker 1: author in the world. And these movies really reison resonated 339 00:20:29,400 --> 00:20:32,399 Speaker 1: with me because I was a kid when these movies 340 00:20:32,400 --> 00:20:34,280 Speaker 1: were coming out, and I kind of grew up with 341 00:20:34,320 --> 00:20:37,399 Speaker 1: the characters and the whole like Wizarding World of Harry 342 00:20:37,400 --> 00:20:39,800 Speaker 1: Potter is just like a really big escape for kids 343 00:20:39,800 --> 00:20:42,919 Speaker 1: and almost nostalgic now. And I'm kind of curious to 344 00:20:42,960 --> 00:20:46,760 Speaker 1: see how they kind of continue this franchise on because 345 00:20:46,800 --> 00:20:50,280 Speaker 1: aside from the other franchise in this list, they're not 346 00:20:50,480 --> 00:20:53,359 Speaker 1: making new Harry Potter movies. They're doing like some prequels 347 00:20:53,359 --> 00:20:55,840 Speaker 1: with like The Fantastic Beasts, which also are included in 348 00:20:55,840 --> 00:20:59,439 Speaker 1: this total. But I'm curious to when the discussion begins 349 00:20:59,520 --> 00:21:02,919 Speaker 1: of a rebooting the original Harry Potter movies because the 350 00:21:02,920 --> 00:21:05,400 Speaker 1: first one came out in two thousand one, and now 351 00:21:05,400 --> 00:21:08,960 Speaker 1: we're in nineteen years after that, and right now you 352 00:21:08,960 --> 00:21:12,040 Speaker 1: have just movies being made all the freaking time, and 353 00:21:12,080 --> 00:21:13,679 Speaker 1: I just think it's a matter of time before they 354 00:21:13,720 --> 00:21:15,960 Speaker 1: kind of like maybe approached Dake careality of like, hey, 355 00:21:16,000 --> 00:21:18,199 Speaker 1: what do you think about rebooting this series? Which I 356 00:21:18,200 --> 00:21:20,960 Speaker 1: don't really know what a reboot of this would look like, 357 00:21:21,000 --> 00:21:22,800 Speaker 1: but it just seems like there's so much money kind 358 00:21:22,840 --> 00:21:26,480 Speaker 1: of being lost here or untapped to where I just 359 00:21:26,480 --> 00:21:28,600 Speaker 1: think they're going to have to do something eventually, a 360 00:21:28,680 --> 00:21:32,040 Speaker 1: retelling of the stories, or maybe just a prequel with 361 00:21:32,160 --> 00:21:35,000 Speaker 1: Harry Potter based on the books. I would like to 362 00:21:35,040 --> 00:21:37,720 Speaker 1: see that a number three. You got the James Bond 363 00:21:37,760 --> 00:21:40,359 Speaker 1: franchise with the total growth of five point eight nine 364 00:21:40,400 --> 00:21:43,240 Speaker 1: billion dollars in the United States, a total number of 365 00:21:43,280 --> 00:21:46,159 Speaker 1: twenty five movies, which is an average of two and 366 00:21:46,200 --> 00:21:49,359 Speaker 1: thirty five point six million per movie, the biggest movie 367 00:21:49,359 --> 00:21:52,840 Speaker 1: in the franchise being Thunderball. And for me, the James 368 00:21:52,840 --> 00:21:55,680 Speaker 1: Bond movies is really a franchise that I just don't 369 00:21:56,160 --> 00:21:59,840 Speaker 1: really get. They're not really for me. Um, I just 370 00:22:00,000 --> 00:22:04,920 Speaker 1: o seeymore James Bond now with the video game Golden I, 371 00:22:05,040 --> 00:22:07,520 Speaker 1: which was on Nintendo sixty four, which was where I 372 00:22:07,560 --> 00:22:10,399 Speaker 1: spent most of my time with anything with James Bond. 373 00:22:11,119 --> 00:22:13,399 Speaker 1: But even like the new ones, UM, No Time to 374 00:22:13,480 --> 00:22:15,480 Speaker 1: Die comes out on April ten, which will be Daniel 375 00:22:15,520 --> 00:22:18,240 Speaker 1: Craig's last time playing James Bond, and there's plans to 376 00:22:18,240 --> 00:22:21,399 Speaker 1: do more after him. Overall, I just think it's not 377 00:22:21,480 --> 00:22:23,840 Speaker 1: that great of a franchise, mainly because so many of 378 00:22:23,840 --> 00:22:27,119 Speaker 1: these came out in like the sixties and seventies, so 379 00:22:27,200 --> 00:22:29,879 Speaker 1: a little before my time, and I didn't really find 380 00:22:29,880 --> 00:22:32,040 Speaker 1: the reboots with Daniel Craig to be that great to me. 381 00:22:32,280 --> 00:22:34,440 Speaker 1: So with everything in the top five, I think this 382 00:22:34,480 --> 00:22:36,879 Speaker 1: is one that's not really worth investing a lot of 383 00:22:36,920 --> 00:22:39,960 Speaker 1: time in, especially with twenty five movies in this And 384 00:22:40,000 --> 00:22:42,639 Speaker 1: then at number two you get The Star Wars making 385 00:22:42,720 --> 00:22:45,760 Speaker 1: six point eight seven billion dollars in the United States 386 00:22:45,880 --> 00:22:48,560 Speaker 1: with a total number of eleven movies, which comes out 387 00:22:48,600 --> 00:22:51,360 Speaker 1: to about six hundred and twenty four point seven million 388 00:22:51,400 --> 00:22:55,120 Speaker 1: dollars per movie, the biggest movie being The First School 389 00:22:55,160 --> 00:22:57,760 Speaker 1: in Star Wars and New Hope Now the original one 390 00:22:57,840 --> 00:23:00,719 Speaker 1: was released in nineteen seventies seven, and I rewatching all 391 00:23:00,760 --> 00:23:04,040 Speaker 1: these right now, which really holds up not only story 392 00:23:04,080 --> 00:23:07,040 Speaker 1: wise but visually, like the special effects and it don't 393 00:23:07,119 --> 00:23:09,320 Speaker 1: look like they are from the seventies. I like that 394 00:23:09,359 --> 00:23:12,680 Speaker 1: they really used real props, they made real puppets for 395 00:23:12,720 --> 00:23:15,280 Speaker 1: the movie, and it doesn't feel like I'm watching a 396 00:23:15,320 --> 00:23:17,680 Speaker 1: movie from the seventies, even the acting and the characters 397 00:23:17,680 --> 00:23:19,560 Speaker 1: in it. I feel like you can kind of put 398 00:23:19,560 --> 00:23:21,719 Speaker 1: that out maybe ten years ago and you wouldn't really 399 00:23:21,760 --> 00:23:24,600 Speaker 1: notice the difference. So I just finished Return of the Jedi, 400 00:23:24,640 --> 00:23:26,600 Speaker 1: where they kind of get a little more ambitious with 401 00:23:26,600 --> 00:23:28,080 Speaker 1: the c g I and kind of go away a 402 00:23:28,080 --> 00:23:30,440 Speaker 1: little bit more from using puppets. So the next Star 403 00:23:30,480 --> 00:23:33,600 Speaker 1: Wars movie won't come out until two and that's about 404 00:23:33,640 --> 00:23:35,840 Speaker 1: all that we know about it. I'm am curious to 405 00:23:35,880 --> 00:23:38,760 Speaker 1: where they take the franchise from here on out and 406 00:23:38,800 --> 00:23:41,080 Speaker 1: if they will ever come close to being in that 407 00:23:41,160 --> 00:23:44,880 Speaker 1: top slot again. Because at number one, the highest grossing 408 00:23:44,880 --> 00:23:48,760 Speaker 1: movie franchise is the Marvel Cinematic Universe, with a total 409 00:23:48,800 --> 00:23:51,840 Speaker 1: gross of eight point eight billion dollars in the United States, 410 00:23:52,080 --> 00:23:54,719 Speaker 1: a total number of twenty three movies, which is an 411 00:23:54,760 --> 00:23:57,879 Speaker 1: average growth of three and eighty five point nine million 412 00:23:57,920 --> 00:24:01,840 Speaker 1: dollars per movie, the biggest movie being Avengers End Game. 413 00:24:02,280 --> 00:24:03,960 Speaker 1: So there's a bit of a distinction you need to 414 00:24:04,000 --> 00:24:06,960 Speaker 1: make here. So the Marvel Cinematic Universe is all the 415 00:24:07,000 --> 00:24:10,439 Speaker 1: Avengers movies, Iron Man thor so. Anybody you see in 416 00:24:10,440 --> 00:24:13,320 Speaker 1: an Avengers movie is who's falls under the umbrella of 417 00:24:13,359 --> 00:24:16,359 Speaker 1: the m c U. But there are actually other Marvel 418 00:24:16,440 --> 00:24:18,720 Speaker 1: franchises that make the top ten list, because at number 419 00:24:18,760 --> 00:24:21,520 Speaker 1: seven you have X Men, and at number six you 420 00:24:21,600 --> 00:24:25,400 Speaker 1: have Spider Man, which are franchises within themselves because what 421 00:24:25,480 --> 00:24:29,880 Speaker 1: Marvel did initially is they license out their comic book 422 00:24:29,960 --> 00:24:33,560 Speaker 1: characters to other movie studios. So they sold the rights 423 00:24:33,600 --> 00:24:36,080 Speaker 1: of X Men to Fox, and they initially sold the 424 00:24:36,160 --> 00:24:39,240 Speaker 1: rights to Spider Man to Sony. So all of the 425 00:24:39,480 --> 00:24:43,600 Speaker 1: X Men movies and stuff like Fantastic Four, those movies 426 00:24:43,640 --> 00:24:48,119 Speaker 1: all fall with under their their Marvel comics, but the 427 00:24:48,320 --> 00:24:50,200 Speaker 1: rights are sold to Fox. So that's why you would 428 00:24:50,200 --> 00:24:54,920 Speaker 1: never see Wolverine in the Avengers, and while a lot 429 00:24:54,960 --> 00:24:56,960 Speaker 1: of the battle right now going on with Spider Man 430 00:24:57,160 --> 00:25:00,720 Speaker 1: because Sony still owns Spider Man and they licensed him 431 00:25:00,720 --> 00:25:03,120 Speaker 1: to the m c U a k a. Disney once 432 00:25:03,240 --> 00:25:06,040 Speaker 1: Disney bought them to use him in the Marvel movies. 433 00:25:06,119 --> 00:25:09,399 Speaker 1: But why also, White Spider Man probably won't stay with 434 00:25:09,440 --> 00:25:12,720 Speaker 1: the Marvel forever because it's pretty expensive to keep him around. 435 00:25:13,000 --> 00:25:15,440 Speaker 1: But there it is. Those are the top five highest 436 00:25:15,440 --> 00:25:18,159 Speaker 1: grossing movie franchises of all time. If I had to 437 00:25:18,160 --> 00:25:21,800 Speaker 1: pick a favorite, it would easily be the Marvel Cinematic Universe, 438 00:25:22,200 --> 00:25:24,280 Speaker 1: just because there's twenty three movies to pick from, and 439 00:25:24,320 --> 00:25:26,560 Speaker 1: I'm a big Marvel fan. I've seen every single one 440 00:25:26,600 --> 00:25:29,520 Speaker 1: start to finish. But if I had to go number two. Now, 441 00:25:29,560 --> 00:25:32,280 Speaker 1: I don't consider myself a Star Wars fan, but kind 442 00:25:32,280 --> 00:25:34,399 Speaker 1: of going back and watching these movies, it's kind of 443 00:25:34,440 --> 00:25:37,000 Speaker 1: reigniting my love for Star Wars. And I think I 444 00:25:37,040 --> 00:25:39,240 Speaker 1: would still be unfair for me to call myself a 445 00:25:39,240 --> 00:25:42,760 Speaker 1: true diehard Star Wars fan, But seeing these original movies again, 446 00:25:42,840 --> 00:25:45,800 Speaker 1: it kind of gives you that feeling of like, oh man, 447 00:25:45,840 --> 00:25:47,879 Speaker 1: this is so brand new, this is cool. They were 448 00:25:47,920 --> 00:25:51,040 Speaker 1: so innovative at this time. I would easily rank that 449 00:25:51,080 --> 00:25:54,440 Speaker 1: as my top two franchise, and then what I would 450 00:25:54,480 --> 00:25:57,440 Speaker 1: probably put as number three would be the Harry Potter movies. 451 00:25:57,840 --> 00:26:00,000 Speaker 1: But anyway, yeah, those are the top five highest gross 452 00:26:00,160 --> 00:26:02,840 Speaker 1: movie franchises of all time. All Right, I want to 453 00:26:02,840 --> 00:26:05,359 Speaker 1: get into my movie review now of Little Women, which 454 00:26:05,400 --> 00:26:07,639 Speaker 1: is up for six Oscars, and it was the last 455 00:26:07,680 --> 00:26:10,280 Speaker 1: movie on my list of Best Picture nominees to see, 456 00:26:10,520 --> 00:26:11,960 Speaker 1: and I just put it off for a while just 457 00:26:12,040 --> 00:26:15,160 Speaker 1: because I didn't know that the movie would be for me. Um. 458 00:26:15,359 --> 00:26:16,840 Speaker 1: So I'll get into that here in a second. But 459 00:26:16,920 --> 00:26:21,080 Speaker 1: it's directed by Greta Gerwig based on the novel Little Women. Um. 460 00:26:21,119 --> 00:26:24,840 Speaker 1: She also did Ladybirds, so you'll see searcher Ronan, who's 461 00:26:24,840 --> 00:26:27,040 Speaker 1: also in this movie, was in Ladybird if you've seen that. 462 00:26:27,280 --> 00:26:30,760 Speaker 1: But here is a clip of Little Women. I'm holy 463 00:26:30,800 --> 00:26:35,119 Speaker 1: and I'm awkward, and and you'd be ashamed of and 464 00:26:35,160 --> 00:26:37,480 Speaker 1: we would quarrel because we can't help it. Even now, 465 00:26:37,680 --> 00:26:41,080 Speaker 1: I'd hate elegant society. You'd hate my scribbling, and we 466 00:26:41,080 --> 00:26:43,600 Speaker 1: would be unhappy and we wish we hadn't done it, 467 00:26:43,680 --> 00:26:46,320 Speaker 1: and everything will be horrid. So right away, going into 468 00:26:46,320 --> 00:26:48,240 Speaker 1: this movie, I knew that the cast was pretty stacked. 469 00:26:48,280 --> 00:26:52,000 Speaker 1: You got Searcher Ronan, Timothy Shalomi who plays the neighbor 470 00:26:52,040 --> 00:26:54,280 Speaker 1: in this Emma Watson from the Harry Potter movies, and 471 00:26:54,320 --> 00:26:57,000 Speaker 1: a bunch of other stuff. Laura Dern plays the mom, 472 00:26:57,119 --> 00:26:59,640 Speaker 1: Meryl Street plays the ont and you got Bob oden Kirk. 473 00:26:59,760 --> 00:27:01,800 Speaker 1: Just a bunch of people in this movie was really 474 00:27:01,880 --> 00:27:05,520 Speaker 1: just strong acting talent, and I thought the story was great. 475 00:27:05,960 --> 00:27:08,920 Speaker 1: Started a little bit slow. So basically what it does 476 00:27:08,960 --> 00:27:13,119 Speaker 1: is it follows the life of this poor family during 477 00:27:13,400 --> 00:27:15,920 Speaker 1: the Civil War, so it kind of goes through all 478 00:27:16,040 --> 00:27:18,920 Speaker 1: four of the sisters who get their own plot line 479 00:27:18,960 --> 00:27:22,480 Speaker 1: throughout the movie, and it overall just felt really real 480 00:27:22,560 --> 00:27:25,480 Speaker 1: and authentic. The thing about it, though, is it feels 481 00:27:25,600 --> 00:27:28,119 Speaker 1: kind of like a play, which this movie was. You know, 482 00:27:28,160 --> 00:27:31,119 Speaker 1: it's been done in play for him before, and I 483 00:27:31,119 --> 00:27:34,880 Speaker 1: don't think that it's overly dramatic, but it's very theatrical, 484 00:27:35,000 --> 00:27:36,919 Speaker 1: and I think that for me kind of takes a 485 00:27:36,920 --> 00:27:39,480 Speaker 1: little bit away from it because when I see like 486 00:27:39,520 --> 00:27:42,760 Speaker 1: just theatrical acting, it's harder for me to connect with 487 00:27:42,800 --> 00:27:46,119 Speaker 1: the characters because I kind of am aware that they're acting. 488 00:27:46,640 --> 00:27:49,320 Speaker 1: And it's also just a little bit confusing because throughout 489 00:27:49,359 --> 00:27:53,840 Speaker 1: the movie it shifts chronologically. It goes from present day 490 00:27:54,240 --> 00:27:57,680 Speaker 1: to kind of back into their lives, so it'll happen 491 00:27:57,680 --> 00:27:59,520 Speaker 1: whatever is happening now in their lives, it will go 492 00:27:59,600 --> 00:28:01,320 Speaker 1: to a scene and maybe like a few years ago, 493 00:28:01,720 --> 00:28:04,119 Speaker 1: which was a little confusing for me because it's kind 494 00:28:04,119 --> 00:28:07,120 Speaker 1: of hard to distinguish um aside from like, oh they 495 00:28:07,119 --> 00:28:09,560 Speaker 1: look slightly different or maybe they kind of changed the 496 00:28:09,640 --> 00:28:11,800 Speaker 1: tone or the feel of the look at the movie, 497 00:28:11,880 --> 00:28:13,960 Speaker 1: so it's a little bit hard to pick up on 498 00:28:14,040 --> 00:28:16,640 Speaker 1: while you're watching. So maybe about halfway through I felt 499 00:28:16,640 --> 00:28:19,480 Speaker 1: this movie really just started to shine through where the 500 00:28:19,560 --> 00:28:21,639 Speaker 1: story just kind of grabbed me because it's about like 501 00:28:21,680 --> 00:28:25,600 Speaker 1: the struggles of women during that time and their ability 502 00:28:25,720 --> 00:28:29,239 Speaker 1: to live their lives kind of without a man, and 503 00:28:29,280 --> 00:28:31,520 Speaker 1: how it was so hard for them just to struggle 504 00:28:31,640 --> 00:28:35,159 Speaker 1: to find a career to where they could support themselves 505 00:28:35,359 --> 00:28:38,520 Speaker 1: and without worrying about having to marry somebody who's going 506 00:28:38,560 --> 00:28:40,360 Speaker 1: to make enough money to be able to live a 507 00:28:40,400 --> 00:28:43,680 Speaker 1: comfortable lifestyle at that time. And the main character, Searchernin, 508 00:28:43,800 --> 00:28:46,600 Speaker 1: is kind of just battling this idea of being kind 509 00:28:46,600 --> 00:28:49,040 Speaker 1: of lonely because she doesn't want to, you know, just 510 00:28:49,080 --> 00:28:51,560 Speaker 1: do what everybody says and be only fit for a 511 00:28:51,640 --> 00:28:54,360 Speaker 1: marriage and love, and she didn't want her worth to 512 00:28:54,400 --> 00:28:57,160 Speaker 1: be measured by who she finds as a husband. And 513 00:28:57,200 --> 00:28:59,120 Speaker 1: I felt overall this movie was just a little bit 514 00:28:59,160 --> 00:29:02,000 Speaker 1: sad too unexpectedly, there was a lot of sobs in 515 00:29:02,000 --> 00:29:04,560 Speaker 1: the theater. There is some humor in it, but again, 516 00:29:04,600 --> 00:29:07,920 Speaker 1: like I said, the acting is just so theatrical that 517 00:29:08,000 --> 00:29:10,160 Speaker 1: I didn't find it really funny. I didn't laugh throughout 518 00:29:10,160 --> 00:29:12,600 Speaker 1: this movie. Other people were laughing, and it just wasn't 519 00:29:12,600 --> 00:29:15,520 Speaker 1: my kind of sense of humor. Um. I thought it 520 00:29:15,600 --> 00:29:19,480 Speaker 1: was shot beautifully, the cinematography and this is great. It's 521 00:29:19,480 --> 00:29:24,120 Speaker 1: just overall a very artsy movie, maybe too arty for me, 522 00:29:24,320 --> 00:29:27,640 Speaker 1: maybe my taste just isn't refined enough to really enjoy 523 00:29:27,720 --> 00:29:30,840 Speaker 1: this movie. It's very dramatic, which I liked. It's just 524 00:29:31,120 --> 00:29:34,080 Speaker 1: the talking sometimes the accents kind of takes me away 525 00:29:34,120 --> 00:29:37,400 Speaker 1: from connecting with the characters. So it's not that it's 526 00:29:37,440 --> 00:29:39,800 Speaker 1: a it's not a bad movie. It's a really great story. 527 00:29:39,840 --> 00:29:42,440 Speaker 1: It's really well done. I just think specifically for me, 528 00:29:42,960 --> 00:29:46,120 Speaker 1: I like the story that we're connected with with women 529 00:29:46,440 --> 00:29:49,120 Speaker 1: and the struggles of just everyday people in that time period. 530 00:29:49,200 --> 00:29:51,240 Speaker 1: How they also kind of reflect the times of now. 531 00:29:51,400 --> 00:29:54,040 Speaker 1: I really like that part an element of this movie. 532 00:29:54,600 --> 00:29:57,400 Speaker 1: I think just the overall artsiness of it made me 533 00:29:57,480 --> 00:29:59,200 Speaker 1: kind of loose that a little bit on this movie. 534 00:29:59,240 --> 00:30:01,400 Speaker 1: So I give it three point five out of five 535 00:30:01,440 --> 00:30:03,760 Speaker 1: course sets, and I will stick to my idea that 536 00:30:03,800 --> 00:30:05,960 Speaker 1: I don't think it will win for Best Picture, although 537 00:30:05,960 --> 00:30:09,000 Speaker 1: it's nominated. I think Greta Gerwig is a great director 538 00:30:09,040 --> 00:30:11,440 Speaker 1: and she should have been nominated for Best Director this 539 00:30:11,560 --> 00:30:13,840 Speaker 1: year because I really loved all the characters in this here. 540 00:30:13,880 --> 00:30:17,360 Speaker 1: Sharonin was great, Timothy Shallow may what a dreamy guy, 541 00:30:17,400 --> 00:30:19,400 Speaker 1: and Emma Watson was also really good in it. But 542 00:30:19,440 --> 00:30:21,960 Speaker 1: I think maybe just way down the line where it's 543 00:30:22,000 --> 00:30:24,960 Speaker 1: streaming and watch it then. So those are my thoughts 544 00:30:24,960 --> 00:30:27,840 Speaker 1: and review on Little Women. All right, and that's the 545 00:30:27,840 --> 00:30:29,600 Speaker 1: episode for this week. Before I hop out of here, 546 00:30:29,600 --> 00:30:31,680 Speaker 1: I gotta give my Instagram shout out of the week 547 00:30:32,080 --> 00:30:35,280 Speaker 1: to at Gizelle eighty, who tagged me in her Instagram 548 00:30:35,280 --> 00:30:37,840 Speaker 1: story that she was listening to the podcast bright and 549 00:30:37,960 --> 00:30:40,760 Speaker 1: early on Monday morning, So that means a lot to me. Again, 550 00:30:40,800 --> 00:30:42,440 Speaker 1: if you want to Instagram shot out, all you have 551 00:30:42,480 --> 00:30:44,959 Speaker 1: to do is just screenshot wherever you're listening to this 552 00:30:45,040 --> 00:30:47,680 Speaker 1: podcast and then post that on your Instagram story and 553 00:30:47,720 --> 00:30:50,040 Speaker 1: tag me at my destro and I'll repost a bunch 554 00:30:50,080 --> 00:30:52,280 Speaker 1: of those and give a shout out next week. Also, 555 00:30:52,320 --> 00:30:54,200 Speaker 1: watch out on my Instagram store because the week of 556 00:30:54,200 --> 00:30:56,840 Speaker 1: the Oscars they come up on February nine, So that 557 00:30:56,920 --> 00:30:59,600 Speaker 1: week I'm starting a contest where all you have to 558 00:30:59,640 --> 00:31:02,800 Speaker 1: do is screenshot this image that I've made with um 559 00:31:02,800 --> 00:31:05,680 Speaker 1: what I have of the top list of Oscar dominees 560 00:31:05,880 --> 00:31:09,320 Speaker 1: and you right on there. You pick all your picks 561 00:31:09,800 --> 00:31:12,120 Speaker 1: and see how they fare against mine, and tag me 562 00:31:12,120 --> 00:31:14,160 Speaker 1: in Instagram story and it will enter you to win 563 00:31:14,520 --> 00:31:17,400 Speaker 1: a fifty dollar movie gift card and a little movie 564 00:31:17,400 --> 00:31:19,680 Speaker 1: price pack that I'll put together so again, So that 565 00:31:19,760 --> 00:31:22,320 Speaker 1: contest will start on February three, and it'll cut off 566 00:31:22,440 --> 00:31:25,880 Speaker 1: right before the Oscars on February nine. So on February three, 567 00:31:25,920 --> 00:31:27,960 Speaker 1: watch out on my Instagram story on how to enter 568 00:31:28,000 --> 00:31:30,520 Speaker 1: with that. But it'll be really easy. You just put 569 00:31:30,520 --> 00:31:32,920 Speaker 1: it in your story, you swipe through and use X 570 00:31:32,960 --> 00:31:35,080 Speaker 1: off all your picks and then tag me in it 571 00:31:35,120 --> 00:31:37,880 Speaker 1: and then it enters you to win. It'll be that easy, alright. 572 00:31:38,080 --> 00:31:40,040 Speaker 1: I hope you enjoyed this week's episode. I'll talk to 573 00:31:40,040 --> 00:31:43,000 Speaker 1: you again next Monday right here on Movie Mix Movie Podcast. 574 00:31:43,440 --> 00:31:44,920 Speaker 1: I will see you later