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Speaker 1: The nick A Gliser Podcast Nick Glaser pos Hey everyone,

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Speaker 1: it's me Nicki Glazer.

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Speaker 2: Welcome to the show.

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Speaker 1: It's Nicky Glazer Podcast Special Edition, Taylor Swift, Torture Posts,

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Speaker 1: Apartment gush Fest Part two. We're gonna try to get

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Speaker 1: through as many songs as we can today, but you know,

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Speaker 1: we get a rambling. We also have to like just

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Speaker 1: cover stuff that's come up with the other songs that

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Speaker 1: we covered last week because like we have new feelings

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Speaker 1: about them as always, and by always I mean one

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Speaker 1: other time. I am joined by the only woman in

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Speaker 1: my life, person in my life who loves Taylor Swift

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Speaker 1: as much as me. Nor Hadidi comedian nor Hadidi, Welcome

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Speaker 1: back to the show.

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Speaker 2: Nor.

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Speaker 3: It is an honor and a privilege to be here

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Speaker 3: and serve my country this way.

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Speaker 2: Yeah, your country being Canada.

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Speaker 3: Yes, yes, you're my country being Swifty Swift dejastination Swift Nation.

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Speaker 2: There we go, yes, yeah, well do okay.

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Speaker 1: I want to talk about your life because you are

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Speaker 1: the only one in my life who like there's a

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Speaker 1: maybe a couple no, you like are the top spot,

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Speaker 1: like if we're talking about like rankings, like you're my

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Speaker 1: boy breaks his favorite toys and then like I have

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Speaker 1: other people that are like down bad, which is like

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Speaker 1: very high up there in terms of like liking Taylor Swift.

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Speaker 1: But it's not like it's my boy only breaks his

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Speaker 1: favorite toys. Is so far above you. You are, like,

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Speaker 1: you're swifty on the level that I am. Do you

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Speaker 1: have the swifties in your personal life?

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Speaker 3: You're You're at that are level, You're at Nikki, it's

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Speaker 3: only you.

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Speaker 2: Really, what did you do before me?

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Speaker 3: Like?

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Speaker 2: What did we do before each other?

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Speaker 3: Okay, so a few years ago, this was pre pandemic,

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Speaker 3: I put on I never told you this. I put

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Speaker 3: on a Taylor Swift show on her birthday for her,

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Speaker 3: so I know. It was on.

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Speaker 4: December THIRTI like a comedy show.

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Speaker 3: Yeah, it was a talk show, and I had a

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Speaker 3: co host named Adele, so her and I would message

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Speaker 3: a lot. And I had a bunch of comics who

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Speaker 3: love her, who wrote material about her for the show.

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Speaker 3: So there's a comic Olivia Stadler, she was also on it.

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Speaker 3: I know her, you know her? Yeah, I feel I

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Speaker 3: feel like you would know her. So yeah, I had

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Speaker 3: some people I could reach out to and talk to,

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Speaker 3: but not at this level.

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Speaker 2: Like what Are you on the subreddits?

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Speaker 4: Yes, I'm on the sub are you?

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Speaker 1: That's where you get where I get the like, that's

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Speaker 1: where I get the Okay, I'm not alone in this obsession,

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Speaker 1: Like before I met someone personally who was at the

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Speaker 1: same level as me, because it just it's a disappointment

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Speaker 1: when you see people in Taylor Swift merge and you

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Speaker 1: try to strike up a conversation like the way that

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Speaker 1: we want to have and they just aren't picking it up,

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Speaker 1: you know, and and they don't want to go there,

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Speaker 1: and they're kind of a little bit like, oh, I

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Speaker 1: don't know about that or like, so it's it's rare

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Speaker 1: to find someone, especially someone who's a comedian, especially someone

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Speaker 1: who I just met through someone else. Like it's not

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Speaker 1: like we found each other because of Taylor Swift. It

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Speaker 1: was just so exciting.

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Speaker 3: But one of the reasons, like one of the reasons

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Speaker 3: I wanted to meet you so much was because I knew.

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Speaker 4: We both had a love for her.

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Speaker 3: I even because you did this really cool thing where

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Speaker 3: you had a dance party during the pandemic and you

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Speaker 3: dated all the money to an animal shelter, and I

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Speaker 3: bought a ticket and I danced the whole night and

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Speaker 3: I was like, oh, I.

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Speaker 4: Just want to meet her. She's so cool. You just

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Speaker 4: get you know, Yeah, thank you.

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Speaker 2: That was so fun. Yeah, I was.

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Speaker 1: That was when when my obsession was peaking, and obviously

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Speaker 1: it was before Folklore and evermore, and it was just yeah,

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Speaker 1: it was like fresh COVID and yeah I did.

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Speaker 2: A dance party.

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Speaker 1: Yeah, I remember staying at my parents' house and man

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Speaker 1: that when that song came out. It like, first of all,

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Speaker 1: when Folklock came out, they had a Saint Louis mentioned

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Speaker 1: within the second track, and then they had to the

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Speaker 1: damn season soon after that, where it was like staying

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Speaker 1: at my parents' house and I was like, wait a second,

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Speaker 1: on the same page here it was released. I think

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Speaker 1: everyone finds little things like that in her songs.

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Speaker 4: That wait, what she's reading my mind reference.

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Speaker 1: Rebecca showed up Bie afternoon train. It was sunny, her

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Speaker 1: saltback house on the coast took her mind off Saint Louis,

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Speaker 1: And so we always get really excited when it's just like,

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Speaker 1: oh my god, she's mentioning the city I'm from. It's

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Speaker 1: I'd imagine, I imagine how it feels to be a

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Speaker 1: Chloe Sophia or Marcus.

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Speaker 2: Or a Era or a Hannah.

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Speaker 1: Not really not those anyway. So Torture Poet's Department. We

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Speaker 1: are now a week and half out of it feels

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Speaker 1: like it's been a month because I've spent so much

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Speaker 1: time with it. Are you having this thing where you're

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Speaker 1: having to take breaks? Because it's not it doesn't it's

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Speaker 1: hitting different, Like it's not. I don't have the Limerens

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Speaker 1: thing going on, which is that like drug related type

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Speaker 1: feeling that courses through your veins when you are first

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Speaker 1: falling in love with a song, like it's starting the

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Speaker 1: drugs aren't getting me high anymore? Like obviously I love

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Speaker 1: the song, there's no question, but I'm not getting high

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Speaker 1: from them. Are you having that and want to find

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Speaker 1: for me? It's like maybe not necessarily the high, but

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Speaker 1: because she pulls me in so emotionally, I find that

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Speaker 1: I'm depleted after listening to the album, like because I'll

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Speaker 1: put it on once requests and then I'm like I can't,

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Speaker 1: Like this has just taken so much out of me.

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Speaker 1: I need if you listening to the album and like

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Speaker 1: all together, like you like go through it? You yeahs

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Speaker 1: slight man, Okay, we're different kind of swifty because I

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Speaker 1: know about you, guys. I hear about you on the

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Speaker 1: subred It's like you're listening to the album and you're

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Speaker 1: being drained emotionally, Like I don't know what that is.

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Speaker 1: You must be in an extreme mpath.

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Speaker 2: Is that something that.

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Speaker 3: Maybe my sister is? So maybe I think I'm not

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Speaker 3: to the extent as her, But I do feel things

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Speaker 3: like and on this album more so than all of

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Speaker 3: her other previous albums, because the the lyrics are what

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Speaker 3: really shine through, right, Like the action I don't want

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Speaker 3: to say feels the same because it's different for each song,

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Speaker 3: but it's not like Midnights where we're getting a different

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Speaker 3: kind of song one after the other. I find that

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Speaker 3: in all yeah, like from the same emotional place and melancholic.

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Speaker 1: Yes, And I don't know if I said this before,

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Speaker 1: but like that whole argument that this all sounds the same,

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Speaker 1: like I probably did. I'm so sorry if I repeat myself.

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Speaker 1: I talk about Taylor swif constantly, so I don't know

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Speaker 1: where I said each thing, So there might be some

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Speaker 1: things repeated in this episode. And you can just like

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Speaker 1: press the skip, you know, like go thirty seconds ahead

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Speaker 1: and then I'll be done saying the thing.

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Speaker 2: I just said.

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Speaker 1: But for people saying this sounds the same if it

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Speaker 1: sounded to Midnights, I remember the discourse around that was

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Speaker 1: it wasn't cohesive enough, oh sounding too different. So it's

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Speaker 1: like I remember that being a criticism of it. It

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Speaker 1: wasn't a cohesive album, which is always like a word

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Speaker 1: that music critics use to talk about albums, like it

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Speaker 1: doesn't have a similar theme, And it's like, and now

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Speaker 1: this one does, and people are like, it doesn't have

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Speaker 1: any kind of nuanced it's not We're not on a

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Speaker 1: roller coaster. It's like, but you complained last time that

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Speaker 1: she did that, so kind of as the you know,

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Speaker 1: I've said it before, but it's the point she makes

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Speaker 1: about if you uh have enough fat on you to

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Speaker 1: have an ass, you have a tummy, and if you

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Speaker 1: don't have a tummy, then you're not gonna have an ass,

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Speaker 1: and people will criticize you for that.

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Speaker 2: So it's like you can't It's almost like you can't

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Speaker 2: fucking win.

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Speaker 1: Yes, so such is the life of Taylor Swift. But

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Speaker 1: and yes, you're right, I guess I'm not drained emotionally

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Speaker 1: from this album as much as I've been hearing other

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Speaker 1: people like I definitely am feeling things and I think

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Speaker 1: I just I'm sorry, Taylor, if you're listening, I don't

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Speaker 1: think about your life as much as I think about

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Speaker 1: my life, and like I I will, I'm obviously like

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Speaker 1: I know you're happy now because of so high school

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Speaker 1: and the Alchemy, and like I'm so I'm like, Okay,

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Speaker 1: she's she's good and because this album's success, and I mean,

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Speaker 1: and I don't know she's happy, by the way, that's

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Speaker 1: me being Uh, she can do it with a broken heart.

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Speaker 1: I can read her mind. She's having the time of

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Speaker 1: her life. She could be not right now. We know

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Speaker 1: that from I can do it with the broken heart

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Speaker 1: because she can fool us. Yeah, because she's a fucking.

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Speaker 4: Pro, because she's a master. But I am not.

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Speaker 1: I'm not like, oh my god, I can't believe she

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Speaker 1: went through this, Like I'm I'm sad that she did,

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Speaker 1: of course, but I'm not. Like when we got off

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Speaker 1: the podcast last week, you kind of blew my mind

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Speaker 1: with how you were saying, like it really like it,

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Speaker 1: like it makes you sad, Like you're sad after listening

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Speaker 1: to songs like you get depressed wait, you don't. I

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Speaker 1: don't relate to that at all. If anything, it like

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Speaker 1: is a nurturing blanket. It's like someone like crazy, Like

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Speaker 1: it's like laying in my grandmother's lap and her like

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Speaker 1: gently like rubbing my hair and like drawing animals on

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Speaker 1: my back. And I can guess what like the most

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Speaker 1: comforting feeling. It feels buzzy. It feels like a narcotic.

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Speaker 1: I'm not kidding you. I feel like I could just

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Speaker 1: you could see me on skid row and like you

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Speaker 1: know those memes where it's like someone's mainlining an iPod

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Speaker 1: into their and that's that's torture Poets for me right now.

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Speaker 1: Of like you know, probably seven of the songs last night,

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Speaker 1: I learned Love of my Life on the guitar, which

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Speaker 1: is very very simple, if you, if anyone here wants

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Speaker 1: to learn guitar, it's very very easy. And it's and

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Speaker 1: that's like and I was almost like making myself cry

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Speaker 1: because of how like I was singing it.

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Speaker 2: Like that was a that was really a cathartic moment

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Speaker 2: for me.

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Speaker 1: But I'm not having like, oh I'm so set, like

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Speaker 1: I need to like someone to pick me up. If anything,

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Speaker 1: I put this album on to like get me out

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Speaker 1: of those moods that have nothing to do with her.

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Speaker 3: So my question is, do you think because you have

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Speaker 3: a musical background that's the reason, because I don't. I like,

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Speaker 3: I'm like Taylor does what she's background? What are you

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Speaker 3: talking about?

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Speaker 1: I started playing, I started playing, but I sang in

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Speaker 1: choir in high school. But I started singing and playing

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Speaker 1: music only four years ago, less than.

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Speaker 4: But you're incredible and your voice is amazing.

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Speaker 2: That is really debatable. But thank you so much.

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Speaker 4: Oh but I don't.

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Speaker 1: I don't think I approach it from like I see

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Speaker 1: that like I have synesthesia see it musically. I think

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Speaker 1: it's just we're This is what I like about Taylor Swift.

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Speaker 1: Our favorites, which we've ranked them, are so different the

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Speaker 1: way we that she her music makes us feel. But

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Speaker 1: why would you want to listen to it if it

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Speaker 1: makes you sad? Is my point?

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Speaker 2: Is my question for you?

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Speaker 3: Oh my god, it's almost like because I've been listening

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Speaker 3: to her music since I was nineteen, and it's like

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Speaker 3: she's opening up her diary.

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Speaker 4: And how can I not is the question? How can

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Speaker 4: I not.

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Speaker 2: Like morbid curiosity?

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Speaker 3: It's a connection I have to her. It's hard to explain.

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Speaker 3: It's like I've been I've listened to every single song

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Speaker 3: she's put out since two thousand and nine. I'm not

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Speaker 3: going to stop now her.

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Speaker 1: Even though it hurts. But does it feel good? And

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Speaker 1: there has to be some component of it that makes

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Speaker 1: you feel good? Why would you do it? You're you're

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Speaker 1: just doing it because you're a fan.

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Speaker 3: And you have to no, Well, you know what it's

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Speaker 3: like when you're trying. You love a new song and

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Speaker 3: you like even though whatever emotions it makes you feel,

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Speaker 3: you still want to know the lyrics right. You want

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Speaker 3: to get to a point where you know what the

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Speaker 3: bridge is, you know what. So that's what keeps me listening.

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Speaker 3: I think, is I wanted?

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Speaker 1: You're trying to memorize it even though it makes you sad,

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Speaker 1: Well listen, hold on. Who am I to judge you

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Speaker 1: for doing something that ultimately makes you sad because that's

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Speaker 1: literally everything I do is like it feels but at

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Speaker 1: first it feels good at least, you know, like if

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Speaker 1: I use drugs, if I drink, if I engage in

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Speaker 1: texting people I should in or whatever whatever, Like you know,

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Speaker 1: thing we do in our life that gives us a

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Speaker 1: momentary surge like a drug. There is a depressing thing afterwards,

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Speaker 1: and that's what I'm feeling with. It's just not hitting

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Speaker 1: the same way where I'm like I need now, I

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Speaker 1: need well. Thank God there's thirty one fucking songs because

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Speaker 1: the second my boy only breaks his favorite toys. I

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Speaker 1: haven't listened to that song in five days because I

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Speaker 1: need to recalibrate. It's not like I need to build

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Speaker 1: up my tolerance again. And so when it comes on,

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Speaker 1: I go, oh my god, this song, you know, like

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Speaker 1: I need to get it back. Music is one hundred

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Speaker 1: percent like a drug for me. There's such correlations to it.

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Speaker 1: And and and I was gonna say it's like having

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Speaker 1: a crush on a guy like I said last week,

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Speaker 1: like I was feeling like this weird feeling come over

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Speaker 1: me of like oh my god, when I go home,

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Speaker 1: I get to like text a boy I like, which

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Speaker 1: I haven't been doing that for so long I'm in

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Speaker 1: a relationship. But then I was realized it was the album.

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Speaker 1: It was like, it gives me this look up the

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Speaker 1: word limerence I had. I have limerens with these albums.

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Speaker 1: But that's also a drug, like love falling in love

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Speaker 1: with someone that kind of early stage. So this it

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Speaker 1: and I mean it's so fitting because this album is

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Speaker 1: about like using love as a drug to get over something,

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Speaker 1: you know, to get over Joe, which everyone says this

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Speaker 1: album is not about Joe, but it is because Maddie

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Speaker 1: is a response to Joe.

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Speaker 2: That is, it is about Joe.

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Speaker 3: I don't think Maddie I did agree with it because

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Speaker 3: it's she well she even says I took the miracle

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Speaker 3: move on drug.

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Speaker 2: The effects were temporary. Why does she need a drug

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Speaker 2: to move on? If?

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Speaker 1: If she's fine about Joe?

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Speaker 3: I thought she said that she took the drug to

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Speaker 3: get all over Maddie.

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Speaker 2: Oh you think, Oh you think I think Maddie is

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Speaker 2: the drug.

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Speaker 4: I'll tell you. I'll tell you my thesis.

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Speaker 1: Interesting, Okay, we when.

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Speaker 3: Jack Antonoff posted brand Yeah, when Jack Antonoff posted the

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Speaker 3: photo of her counting the raisins and said.

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Speaker 2: Yes losing the night they recorded You're Losing Me.

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Speaker 4: That was years ago.

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Speaker 3: So she's been on and off and on and off

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Speaker 3: and Midnight right, well, like you said, was the breakup

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Speaker 3: album with Maroon, Right, it's different, you know, like and

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Speaker 3: on Midnight Sweet Sweet, Nothing exactly the.

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Speaker 1: Jeweled best believe I'm still a bit jeweled. And when

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Speaker 1: the when I when I meet the band, they asked

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Speaker 1: do you have a man?

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Speaker 2: What man? Do you think? That was the night?

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Speaker 1: I think it was the nineteen seventy five I'll say,

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Speaker 1: I don't remember, like that is. When I heard that lyric,

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Speaker 1: I go, what, oh, who is this about? We're not

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Speaker 1: dealing with characters anymore in folklore. You know this is you, girl,

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Speaker 1: And if I loved.

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Speaker 4: It, maybe so bold.

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Speaker 3: Both question and glitch are about Maddie and they were.

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Speaker 2: On now this is midnights.

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Speaker 1: Yes, well, she might have been talking to him when

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Speaker 1: they were on little breaks, because as someone who has

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Speaker 1: been in a relationship that ends and then gets back

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Speaker 1: together and ends and get back together during those breaks,

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Speaker 1: you often go back to someone who you possibly could

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Speaker 1: have been talking to before you got together with that person,

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Speaker 1: which is what we know from a lot of reconnaissance

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Speaker 1: about Maddie. And so this is all speculating and we

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Speaker 1: are definitely being Sarah's Hannahs right now. So I apologize

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Speaker 1: to Taylor Swift for speculating. But girl, like I said

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Speaker 1: last week, this is what you do to us and

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Speaker 1: I'm sorry if it feels invasive. And I love you

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Speaker 1: so much and I do the same things, and so

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Speaker 1: that's why I love talking about it. Nothing you've done

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Speaker 1: has ever been like I would never do that. I

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Speaker 1: do all of it, and it makes me feel seen.

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Speaker 3: I saw this incredible. I wish I knew who the

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Speaker 3: creator was. It was a real on Instagram and you know,

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Speaker 3: the one is also about Maddie and it says, what yes,

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Speaker 3: yes girl?

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Speaker 1: And why is she going to get out of the

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Speaker 1: set list when she broke up with Joe? We all

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Speaker 1: thought that was because I remove one not missing on

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Speaker 1: thee She removed invisible string and put the one on

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Speaker 1: because one invisible string. She sorry, sorry, she moved invisible string.

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Speaker 1: You're right, I'm so sorry. I got those two mixed up.

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Speaker 2: Forgive me sat It's okay, okay.

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Speaker 3: Yes, So there was an incredible Swift who's like, can

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Speaker 3: I ask you a question?

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Speaker 4: Uh?

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Speaker 3: Like?

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Speaker 1: Because we all, I mean literally, whenever a question comes

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Speaker 1: up on subreddit where it's like, if you got to

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Speaker 1: ask Taylor Swift one question, what would be I'm always like,

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Speaker 1: what does question mean?

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Speaker 2: That's always gonna be?

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Speaker 1: My question to her is like when I beco friends

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Speaker 1: with her, I'm gonna be girl. Let's talk about question.

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Speaker 3: Yeah, so the one in question or inter related, like

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Speaker 3: there's a breakdown of how if one thing had been different,

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Speaker 3: would everything be different? And the expansion of that lyric

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Speaker 3: from one is all of question, like okay, uh question?

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Speaker 1: Yeah, has anyone ever kissed you in a crowded room

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Speaker 1: and all of your friends were making fun of you?

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Speaker 1: And fifteen seconds later they were laughing to then what

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Speaker 1: would you do? Okay? I thought question was about Harry styles.

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Speaker 1: Do you know why, because in the beginning of the

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Speaker 1: song goes I Remember, and it's about I mean, that's

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Speaker 1: a callback to Out of the Woods, which we all

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Speaker 1: know is about Harry. So at the very end he

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Speaker 1: goes I Remember, and so I was like, Okay, that's

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Speaker 1: definitely why would she put that in there? So there's

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Speaker 1: a lot of that going on. Here's the thing about Taylor.

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Speaker 1: It's like, until I become friends with her, I won't

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Speaker 1: have these answers. Ever, we will never know concretely what

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Speaker 1: is really going on, because there are there are songs.

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Speaker 1: Let me talk about love of my Life first a second.

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Speaker 1: I mean, we'll get into it, but there I don't

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Speaker 1: know who that's about, because that has both Maddie, that

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Speaker 1: has everyone in it, you know, like you can't really

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Speaker 1: pin it down. So she's she's she's being vague enough,

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Speaker 1: but then and then you get to thank you Amy,

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Speaker 1: and you're like, well, this is very clear. So there's

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Speaker 1: times where she's like so vague and other times are

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Speaker 1: she's spot on. Okay, So before we get into it,

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Speaker 1: which I obviously we're well in, but before we get

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Speaker 1: back to the track we got through last week fresh

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Speaker 1: out of the slammer, now, I just want to go

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Speaker 1: back one second and say that I realized an amazing thing.

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Speaker 1: And but Daddy, I love him. That, Like it's it's

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Speaker 1: definitely about Maddie. And it's another one of these like, oh,

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Speaker 1: she uses a music sample that sounds like the guy

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Speaker 1: she's talking about. She did it and dear John with

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Speaker 1: like the kind of like whiny like guitar bern now

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00:18:01,040 --> 00:18:02,240
Speaker 1: you know, and we're like, oh my god, that's a

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Speaker 1: John Mayer guitar. And so she does that. So but Daddy,

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Speaker 1: I love him. There's some drums at the very end

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Speaker 1: that I want to play, and then we're gonna hear

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00:18:11,560 --> 00:18:14,439
Speaker 1: those drums somewhere else. Now I'm gonna play these drums.

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Speaker 1: I'm not gonna play longer than fifteen seconds, so we

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Speaker 1: don't get copyright. Oh wait, no, I'm sorry. It's my

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Speaker 1: boy only breaks his favorite toys. Sorry about that, you guys.

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Speaker 1: And if anyone thinks this is about Joe, you're wrong.

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Speaker 1: Not that you would. Okay, sorry, keeping it one second

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Speaker 1: here it comes. Listen to the drums, okay. Now, listen

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Speaker 1: to the drums on the song the City, which is

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Speaker 1: the song that she played and I got very much

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Speaker 1: into because she played.

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Speaker 2: Them at.

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00:18:56,440 --> 00:18:59,280
Speaker 1: It is the same drum. It is the same drum

402
00:18:59,320 --> 00:19:01,880
Speaker 1: in the city. Let me play it her by boilin

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Speaker 1: Brigs's favorite toys again. Now that that drum.

404
00:19:10,119 --> 00:19:15,320
Speaker 2: Okay, one more time. The City. It's the same fucking drum,

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Speaker 2: you guys.

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Speaker 1: So that The City is the song that she played

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Speaker 1: in January of twenty twenty three at the seventy five show.

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Speaker 1: It is also a song that she was singing to

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Speaker 1: in a video from like twenty fourteen when she went

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Speaker 1: to one of their concerts, like she loves that song.

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Speaker 1: I thought maybe it was probably like back when she

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Speaker 1: went to his concert in January of last year when

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Speaker 1: Joe and her were still together. I'm not gonna lie.

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Speaker 1: I kind of knew things something was because I just

415
00:19:44,520 --> 00:19:46,440
Speaker 1: I knew that she had like talked to him before,

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Speaker 1: and I'm just like, we got this Midnight's album. I

417
00:19:49,720 --> 00:19:52,399
Speaker 1: was feeling like Joe was not like I think that

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00:19:52,440 --> 00:19:54,920
Speaker 1: there were some little clues that things with Joe weren't good.

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00:19:55,359 --> 00:19:58,119
Speaker 1: The Bejeweled line all of a sudden made sense about

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Speaker 1: like a band, even though that album came out before

421
00:20:00,720 --> 00:20:03,720
Speaker 1: she went to go see them, And then I knew

422
00:20:03,720 --> 00:20:07,399
Speaker 1: she was like just them hanging out and I was

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Speaker 1: just and so I remember getting into the city and

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Speaker 1: being like, is this about her?

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Speaker 2: Like is she singing?

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00:20:11,960 --> 00:20:14,800
Speaker 1: Because how bad ass would it be if you if

427
00:20:14,800 --> 00:20:17,000
Speaker 1: a guy ten years ago wrote a song about you

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00:20:17,240 --> 00:20:19,600
Speaker 1: and then ten years later when you're in another relationship

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Speaker 1: and you're just friends or whatever, Because that's what I

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Speaker 1: kind of thought it was going on. But I thought

431
00:20:22,920 --> 00:20:26,440
Speaker 1: maybe she is the who knows. I go, how badass

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00:20:26,440 --> 00:20:27,800
Speaker 1: would it be to walk out on stage get a

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Speaker 1: bigger response than even the person that they're there to see.

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Speaker 1: Then you play there the song that he wrote about you,

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Speaker 1: And I gotta say I like her version that she

436
00:20:38,000 --> 00:20:40,520
Speaker 1: does acoustically. If you guys haven't heard it, you're missing

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00:20:40,560 --> 00:20:41,320
Speaker 1: out so much.

438
00:20:41,440 --> 00:20:41,960
Speaker 2: Her version.

439
00:20:42,160 --> 00:20:44,280
Speaker 1: It's one of my favorite songs out. I love their version,

440
00:20:44,280 --> 00:20:46,000
Speaker 1: but I think I like hers more, maybe because I

441
00:20:46,000 --> 00:20:48,480
Speaker 1: heard it first, but I just love her acoustic version

442
00:20:48,520 --> 00:20:52,560
Speaker 1: of it. And so that is a huge hidden piece

443
00:20:52,600 --> 00:20:54,440
Speaker 1: that I wanted to reveal that I don't think I've

444
00:20:54,480 --> 00:20:58,800
Speaker 1: seen any tiktoks about or anything. So that was I

445
00:20:58,800 --> 00:21:00,520
Speaker 1: wanted to go back and do that before war. And

446
00:21:00,560 --> 00:21:07,000
Speaker 1: then I wanted to also say I'm okay, so I'm

447
00:21:07,119 --> 00:21:08,480
Speaker 1: really into.

448
00:21:10,359 --> 00:21:13,080
Speaker 2: Okay. No, we'll get into that later. Let's pick back.

449
00:21:13,240 --> 00:21:15,480
Speaker 1: Is there anything you want to say about the tracks

450
00:21:15,600 --> 00:21:16,760
Speaker 1: that we've all been over?

451
00:21:18,400 --> 00:21:19,240
Speaker 4: Even though my.

452
00:21:19,200 --> 00:21:21,520
Speaker 1: Boilely breaks his favorite toys? Can I ask you why

453
00:21:21,560 --> 00:21:22,680
Speaker 1: that is in your bottom?

454
00:21:23,920 --> 00:21:25,160
Speaker 4: It's not in my bottom?

455
00:21:25,280 --> 00:21:26,200
Speaker 2: Is it?

456
00:21:26,240 --> 00:21:29,200
Speaker 4: Wasn't it? No? I love that song?

457
00:21:30,200 --> 00:21:31,160
Speaker 2: Okay good, okay good.

458
00:21:31,400 --> 00:21:33,080
Speaker 1: And by the way, even if songs are in your

459
00:21:33,359 --> 00:21:36,359
Speaker 1: our bottoms, we don't not like them, like that's the

460
00:21:36,359 --> 00:21:39,320
Speaker 1: thing about Taylor Swift rankings like feel sad when you

461
00:21:39,359 --> 00:21:42,439
Speaker 1: see a song its number. He was my other friend Brenna,

462
00:21:42,560 --> 00:21:45,280
Speaker 1: my friend Brenna who is also for those of you.

463
00:21:45,280 --> 00:21:48,000
Speaker 2: You know Brenna if you're listening to the podcast regularly.

464
00:21:48,040 --> 00:21:52,160
Speaker 1: Andrew's fiance Brenna is also a major swiftye and her

465
00:21:52,320 --> 00:21:54,280
Speaker 1: she is my boilely breaks his favorite toys at the

466
00:21:54,280 --> 00:21:57,400
Speaker 1: bottom and she and her my bottoms are on her top.

467
00:21:57,440 --> 00:21:59,280
Speaker 1: And that was so fascinating to us as we were

468
00:21:59,280 --> 00:22:03,080
Speaker 1: talking about yesterday. Hey, Swifty besties, I'm back again. Here

469
00:22:03,119 --> 00:22:05,359
Speaker 1: comes another commercial break, but we'll be back after it.

470
00:22:05,400 --> 00:22:15,880
Speaker 1: Don't you even worry about it. Okay, let's pick back up.

471
00:22:16,000 --> 00:22:17,040
Speaker 1: We are starting with.

472
00:22:18,520 --> 00:22:19,119
Speaker 2: Florida.

473
00:22:19,600 --> 00:22:21,200
Speaker 4: Oh my god.

474
00:22:20,800 --> 00:22:25,200
Speaker 1: Any exclamation points? Okay, featuring Florence and the Machine. Now

475
00:22:25,480 --> 00:22:27,520
Speaker 1: Florence and the Machine. Does that mean it's featuring the

476
00:22:27,520 --> 00:22:29,880
Speaker 1: whole band? Because I thought it was just featuring Florence.

477
00:22:29,880 --> 00:22:31,960
Speaker 1: But I guess the whole band is there? Or is

478
00:22:31,960 --> 00:22:32,880
Speaker 1: that what she goes by?

479
00:22:33,000 --> 00:22:35,040
Speaker 4: Maybe that's what she's going by.

480
00:22:35,160 --> 00:22:37,960
Speaker 1: Yeah, okay, I thought her name was Florence Welch, but

481
00:22:38,040 --> 00:22:40,120
Speaker 1: I guess that's what she goes by.

482
00:22:40,480 --> 00:22:42,800
Speaker 2: Nor what are your feelings on this track?

483
00:22:42,880 --> 00:22:46,240
Speaker 4: I mean, I love Florida.

484
00:22:46,359 --> 00:22:51,560
Speaker 3: I'm obsessed with the production, with the lyrics, with with

485
00:22:51,720 --> 00:22:54,160
Speaker 3: Florence on it. It is one of my faves. It's

486
00:22:54,200 --> 00:22:57,960
Speaker 3: in my top five. I love Florida.

487
00:22:58,359 --> 00:23:02,000
Speaker 1: Really Okay, it's definitely a bottom five. It is definitely

488
00:23:02,960 --> 00:23:06,080
Speaker 1: maybe it's it. It goes number thirty one on my rankings.

489
00:23:06,320 --> 00:23:08,359
Speaker 1: I have to say, I don't know what's wrong with me.

490
00:23:09,520 --> 00:23:12,240
Speaker 1: I was on a swifty subreddit and not one of

491
00:23:12,280 --> 00:23:15,320
Speaker 1: the bad ones. Let me just say swifty subreddit, I'm

492
00:23:15,640 --> 00:23:19,280
Speaker 1: I do. I no longer participate in, definitely no longer

493
00:23:19,320 --> 00:23:21,639
Speaker 1: participate in one that starts with a G, and I

494
00:23:21,720 --> 00:23:25,600
Speaker 1: definitely no longer participate in the one that's swifty neutral,

495
00:23:25,640 --> 00:23:27,679
Speaker 1: which is like people that are like, you know what,

496
00:23:27,760 --> 00:23:30,160
Speaker 1: we're not gonna like just be sick of fans about her.

497
00:23:30,200 --> 00:23:33,480
Speaker 1: We're actually gonna it is the most negative space. They

498
00:23:33,520 --> 00:23:35,600
Speaker 1: are all obsessed with her, but they can't admit it

499
00:23:35,600 --> 00:23:38,360
Speaker 1: to themselves and so and they're almost embarrassed that they're

500
00:23:38,359 --> 00:23:40,600
Speaker 1: obsessed with her, so they have to take her down.

501
00:23:40,640 --> 00:23:43,560
Speaker 1: But it's like that is an obsession in and of itself,

502
00:23:43,640 --> 00:23:46,040
Speaker 1: and they just like to make fun of us. They

503
00:23:46,119 --> 00:23:47,840
Speaker 1: like they're just it's the most And I used to

504
00:23:47,920 --> 00:23:50,760
Speaker 1: just dabble in it just to see what people were

505
00:23:50,840 --> 00:23:53,160
Speaker 1: up to that were on the other side of what

506
00:23:53,200 --> 00:23:56,320
Speaker 1: I am like, you know, just be open to the

507
00:23:57,000 --> 00:24:01,040
Speaker 1: you know, the don't closure or bipartisanship, like open your

508
00:24:01,080 --> 00:24:03,200
Speaker 1: mind to their side so you can empathize with them

509
00:24:03,200 --> 00:24:05,680
Speaker 1: even though you'll never agree. And I just I got

510
00:24:05,680 --> 00:24:09,680
Speaker 1: out of it. I started, I got I'm unsubscribed because

511
00:24:09,680 --> 00:24:12,159
Speaker 1: it was so negative, because it just is whether or

512
00:24:12,200 --> 00:24:15,040
Speaker 1: not you agree with them. Just following a subreddit that

513
00:24:15,119 --> 00:24:18,080
Speaker 1: only talks shit, which is so many subreddits, is bad

514
00:24:18,160 --> 00:24:20,240
Speaker 1: for your health. And if you're a regular listening to

515
00:24:20,320 --> 00:24:22,239
Speaker 1: the podcast, you know that I'm trying to avoid just

516
00:24:22,320 --> 00:24:25,040
Speaker 1: like criticism and shit talking in any way, even though

517
00:24:25,080 --> 00:24:27,520
Speaker 1: it's one of my favorite things to do. But they

518
00:24:27,680 --> 00:24:29,879
Speaker 1: then read it just like starts like showing you posts

519
00:24:29,920 --> 00:24:31,600
Speaker 1: from it, being like you might like this, and I

520
00:24:32,040 --> 00:24:34,159
Speaker 1: muted them because I just want out of that. I

521
00:24:34,200 --> 00:24:37,520
Speaker 1: just don't want any more negativity. But I did find

522
00:24:37,520 --> 00:24:41,680
Speaker 1: something within the There's True Swifties, which are mega mega Swifties,

523
00:24:41,720 --> 00:24:43,560
Speaker 1: and then there's the Tailor Swift subredd But if you

524
00:24:43,600 --> 00:24:45,480
Speaker 1: want to if you want like nothing but gushy love

525
00:24:45,520 --> 00:24:48,560
Speaker 1: all the time, True Swifties is a good one. But

526
00:24:49,040 --> 00:24:50,879
Speaker 1: in Taylor Swift someone was talking about the album and

527
00:24:50,880 --> 00:24:54,440
Speaker 1: they said Florida made them feel nauseous, and I think

528
00:24:54,560 --> 00:24:56,160
Speaker 1: it does that to me too, but I think it's

529
00:24:56,320 --> 00:24:59,959
Speaker 1: meant to because it's like it's like and Florida is.

530
00:25:00,000 --> 00:25:02,600
Speaker 1: It's like the way she described this song is like

531
00:25:02,600 --> 00:25:05,080
Speaker 1: that's where you go to like get away from the

532
00:25:05,200 --> 00:25:08,680
Speaker 1: law after you've done something bad, and there's your bearing

533
00:25:08,840 --> 00:25:12,800
Speaker 1: things and there's just it just it just makes me

534
00:25:12,880 --> 00:25:15,880
Speaker 1: feel kind of I feel uneasy, even though I do

535
00:25:15,960 --> 00:25:16,959
Speaker 1: recognize that it is.

536
00:25:17,119 --> 00:25:19,520
Speaker 2: I mean, immediately when I saw the title, I'm like.

537
00:25:19,480 --> 00:25:23,879
Speaker 1: Florida, like it's so catchy. I don't tend to like

538
00:25:24,359 --> 00:25:28,520
Speaker 1: her like getting together with people and singing. I just

539
00:25:28,560 --> 00:25:30,680
Speaker 1: like want her to sing the whole thing. If I think,

540
00:25:30,920 --> 00:25:33,560
Speaker 1: and I love Florence in the Machine, I really am

541
00:25:33,560 --> 00:25:36,719
Speaker 1: a fan, but I it's like two positives to make

542
00:25:36,760 --> 00:25:39,359
Speaker 1: a negative to me. I just want Taylor when I

543
00:25:39,400 --> 00:25:41,359
Speaker 1: want Taylor, and if she sang this whole song, I

544
00:25:41,400 --> 00:25:43,080
Speaker 1: bet it would not be thirty one for me. But

545
00:25:43,119 --> 00:25:46,320
Speaker 1: that but Florence only makes Florence's voice is amazing on it.

546
00:25:46,320 --> 00:25:50,160
Speaker 1: It's so ghostly and kind of fits the vibe of it.

547
00:25:50,240 --> 00:25:52,399
Speaker 1: Like I have no complaints. I don't know why, but

548
00:25:52,440 --> 00:25:55,000
Speaker 1: it's just not my song yet. What is your favorite

549
00:25:55,119 --> 00:25:55,840
Speaker 1: parts about it?

550
00:25:58,720 --> 00:25:58,880
Speaker 4: Well?

551
00:25:58,920 --> 00:26:00,920
Speaker 3: When I first listened to the it's the one song

552
00:26:00,960 --> 00:26:07,520
Speaker 3: I kept playing on repeat. Oh yeah, I think it's everything.

553
00:26:07,119 --> 00:26:07,679
Speaker 4: Really like.

554
00:26:09,680 --> 00:26:16,199
Speaker 3: Her, the lyrics, the instrumentation, the drums with the pump up.

555
00:26:18,400 --> 00:26:21,400
Speaker 1: Yes, I mean there's references. I like how this it's

556
00:26:21,480 --> 00:26:23,600
Speaker 1: cross reference. I mean we hear about Florida first in

557
00:26:23,680 --> 00:26:28,520
Speaker 1: Fortnite and then yeah, I don't know if Florida comes

558
00:26:28,560 --> 00:26:31,520
Speaker 1: up again, but there's we all thought that Florida. This

559
00:26:31,640 --> 00:26:34,760
Speaker 1: track was gonna be about her breakup with Joe that happened,

560
00:26:34,800 --> 00:26:36,879
Speaker 1: probably in Florida, because she was in Florida when we

561
00:26:36,960 --> 00:26:41,640
Speaker 1: all kind of thought it happened. Yes, does Maddie represent Florida?

562
00:26:41,760 --> 00:26:45,160
Speaker 2: Is that who Maddie is? Where you go after you.

563
00:26:45,560 --> 00:26:48,280
Speaker 1: To get away from something, to escape pain, to escape

564
00:26:48,320 --> 00:26:49,720
Speaker 1: some like is he Florida?

565
00:26:50,160 --> 00:26:52,400
Speaker 3: I like that analogy. I can see that, Like what's

566
00:26:52,440 --> 00:26:53,520
Speaker 3: your obsession with Florida?

567
00:26:53,560 --> 00:26:53,639
Speaker 4: Like?

568
00:26:53,680 --> 00:26:56,360
Speaker 1: Why what is she trying to tell us in this?

569
00:26:56,920 --> 00:27:00,480
Speaker 1: I think trying to tell dolls there? Yeah, well, yeah, I.

570
00:27:00,440 --> 00:27:03,919
Speaker 3: Really love the lines that both her and Florence have

571
00:27:04,040 --> 00:27:07,440
Speaker 3: where little did you know your hometown's only a place

572
00:27:07,480 --> 00:27:10,840
Speaker 3: you're just a guest in, and then a Florence line,

573
00:27:10,880 --> 00:27:12,960
Speaker 3: little did you know your hometown's only the place you'll

574
00:27:12,960 --> 00:27:13,720
Speaker 3: get arrested?

575
00:27:14,560 --> 00:27:15,680
Speaker 4: So I kind of like.

576
00:27:15,680 --> 00:27:20,240
Speaker 3: That, Yeah, that, like where you live is actually what

577
00:27:20,280 --> 00:27:24,119
Speaker 3: you think is permanent is only it's going to feel

578
00:27:24,160 --> 00:27:29,000
Speaker 3: temporary when you, you know, make this big decision and decide

579
00:27:29,080 --> 00:27:31,240
Speaker 3: that you have to go down to Florida. So maybe

580
00:27:31,280 --> 00:27:35,520
Speaker 3: that's what it is like with Maddie, Like, yeah, I'm

581
00:27:35,760 --> 00:27:39,600
Speaker 3: he's my Florida, this six year relationship that I've had,

582
00:27:40,320 --> 00:27:41,600
Speaker 3: I'm only a guest in it.

583
00:27:43,320 --> 00:27:47,320
Speaker 1: Oh fuck, Okay, can I just say my favorite lyric?

584
00:27:47,359 --> 00:27:49,680
Speaker 1: I think I'm coming around on this song, oh way,

585
00:27:50,240 --> 00:27:52,480
Speaker 1: Because I'm looking at the lyrics, I'm like, wait a second,

586
00:27:52,480 --> 00:27:54,880
Speaker 1: I think I love the song all of the bodies

587
00:27:54,920 --> 00:27:57,359
Speaker 1: that have ever been on my body like that is

588
00:27:57,840 --> 00:27:59,480
Speaker 1: I know that part. People might make fun of that

589
00:27:59,600 --> 00:28:01,480
Speaker 1: lyric and be like, Okay, you're just saying body a lot,

590
00:28:01,520 --> 00:28:03,159
Speaker 1: But like, if you were gonna make fun of that,

591
00:28:03,200 --> 00:28:05,320
Speaker 1: you should make fun of to the left, to the left,

592
00:28:05,600 --> 00:28:07,800
Speaker 1: everything you own in a box to the left, Like

593
00:28:08,040 --> 00:28:11,640
Speaker 1: you're allowed to say words a lot, yes, and.

594
00:28:11,800 --> 00:28:13,000
Speaker 2: But that one is so funny.

595
00:28:13,160 --> 00:28:15,600
Speaker 1: All of the bodies that have been on my body,

596
00:28:15,680 --> 00:28:17,639
Speaker 1: like I want I want to hear Taylor saying that

597
00:28:17,720 --> 00:28:22,200
Speaker 1: so badly. Even though it's a Florin's line and it's

598
00:28:22,240 --> 00:28:25,200
Speaker 1: one hell of a drug. I love that it's one

599
00:28:25,359 --> 00:28:27,439
Speaker 1: hell of a drug. Like, I like how it opens

600
00:28:27,520 --> 00:28:30,240
Speaker 1: up at the end really big. Okay, I'm I'm a

601
00:28:30,280 --> 00:28:31,240
Speaker 1: Florida stand now.

602
00:28:31,119 --> 00:28:32,200
Speaker 2: It's yeah, top five.

603
00:28:32,359 --> 00:28:34,960
Speaker 1: I really do like it, oh, because I know what

604
00:28:35,440 --> 00:28:37,640
Speaker 1: this is what I do. Like, I'm open to being

605
00:28:37,680 --> 00:28:39,239
Speaker 1: like I don't like things and then I look at

606
00:28:39,280 --> 00:28:41,719
Speaker 1: them and I go, why why don't you like it?

607
00:28:41,760 --> 00:28:43,720
Speaker 1: And then I really don't have any evidence to back

608
00:28:43,720 --> 00:28:45,080
Speaker 1: it up. So I like Florida.

609
00:28:45,360 --> 00:28:45,880
Speaker 2: I'm back in.

610
00:28:46,240 --> 00:28:49,560
Speaker 1: We're going to get to my my number thirty one song,

611
00:28:49,600 --> 00:28:51,640
Speaker 1: my new number thirty one song in a second, but

612
00:28:51,880 --> 00:28:54,880
Speaker 1: not yet, because we're moving on to Guilty as Sin,

613
00:28:55,400 --> 00:28:56,040
Speaker 1: which is.

614
00:28:58,040 --> 00:29:00,000
Speaker 2: What I think it ranked pretty high up there.

615
00:29:00,120 --> 00:29:02,200
Speaker 1: For me, it's so funny because you'll be like, oh,

616
00:29:02,240 --> 00:29:04,200
Speaker 1: I think that's my top that's my number two songs,

617
00:29:04,200 --> 00:29:05,840
Speaker 1: and then you go, oh shit, I have a lot

618
00:29:05,880 --> 00:29:07,920
Speaker 1: of songs that are favorites, which is that's what this

619
00:29:08,000 --> 00:29:11,160
Speaker 1: album is about. So for me, Wow, it doesn't even

620
00:29:11,240 --> 00:29:12,760
Speaker 1: rank in top ten for me, and it's one of

621
00:29:12,800 --> 00:29:13,560
Speaker 1: my favorites.

622
00:29:13,680 --> 00:29:16,640
Speaker 2: I'm looking at my top ten list. I don't, I god,

623
00:29:16,680 --> 00:29:20,240
Speaker 2: where is it for me? Where?

624
00:29:20,360 --> 00:29:22,880
Speaker 1: Oh it's number eleven. Okay, so it's it's nearly there.

625
00:29:22,880 --> 00:29:24,960
Speaker 1: But that's that seems crazy. I think my ranking's fucked

626
00:29:25,000 --> 00:29:27,040
Speaker 1: up because Guilty a Sin is so good. I listened

627
00:29:27,040 --> 00:29:31,160
Speaker 1: to it Saturday night. I had a claw Foot bathsub

628
00:29:31,160 --> 00:29:34,240
Speaker 1: in my really nice I guess was Sunday night. Yeah,

629
00:29:34,280 --> 00:29:36,760
Speaker 1: Sunday night at claw Foot bathsub in my hotel room

630
00:29:36,800 --> 00:29:43,200
Speaker 1: in Omaha, And after my oh, Maha, I drew a

631
00:29:43,240 --> 00:29:45,040
Speaker 1: bath and I like put on Guilty of Sin and

632
00:29:45,080 --> 00:29:48,760
Speaker 1: I like pretended I was her in a relationship and

633
00:29:48,840 --> 00:29:51,640
Speaker 1: like dreaming about a boy, and like I did not masturbate,

634
00:29:51,680 --> 00:29:53,600
Speaker 1: but this is the song to do that too, because

635
00:29:53,640 --> 00:29:55,600
Speaker 1: it's so funny. I was telling Anya about this song,

636
00:29:56,080 --> 00:29:57,400
Speaker 1: and I was like, oh, you know, she wrote a

637
00:29:57,440 --> 00:29:59,600
Speaker 1: song about masturbating to someone else when you're in a

638
00:29:59,600 --> 00:30:02,239
Speaker 1: relationship and feeling bad about it, or not feeling bad

639
00:30:02,280 --> 00:30:03,600
Speaker 1: about it, but yeah, feeling guilty of sin.

640
00:30:04,240 --> 00:30:05,000
Speaker 2: And Antia goes.

641
00:30:05,040 --> 00:30:07,480
Speaker 1: Do you think other people like look into these songs

642
00:30:07,520 --> 00:30:09,240
Speaker 1: as much as you do, and I go, no, this

643
00:30:09,280 --> 00:30:11,600
Speaker 1: is not me just like putting a spin on it.

644
00:30:11,680 --> 00:30:14,240
Speaker 2: This is this is very clear.

645
00:30:14,360 --> 00:30:16,600
Speaker 1: I mean, I will say when I did the first

646
00:30:16,640 --> 00:30:19,120
Speaker 1: live listen to this album the night it came out,

647
00:30:19,520 --> 00:30:21,920
Speaker 1: I remember people in the chat being like, Guilty of

648
00:30:21,960 --> 00:30:24,600
Speaker 1: Sin is about her masturbating, and I instantly went to it.

649
00:30:24,640 --> 00:30:25,800
Speaker 2: I was like, I can't.

650
00:30:25,840 --> 00:30:27,520
Speaker 1: I don't think I think it was coming up next,

651
00:30:27,520 --> 00:30:28,960
Speaker 1: but I was like that was like, I want to

652
00:30:28,960 --> 00:30:30,520
Speaker 1: get to it now. I didn't skip to get to

653
00:30:30,520 --> 00:30:31,800
Speaker 1: it because I want to listen in order, but I

654
00:30:31,840 --> 00:30:36,080
Speaker 1: wanted to immediately because I mean, what what a subject.

655
00:30:36,200 --> 00:30:38,640
Speaker 1: I mean, this is I remember when Britney Spears wrote

656
00:30:38,640 --> 00:30:42,000
Speaker 1: a song about masturbating and it was wild, and now

657
00:30:42,000 --> 00:30:44,360
Speaker 1: we got Taylor Swift for writing one and because that's what

658
00:30:44,440 --> 00:30:45,280
Speaker 1: it is, right nor.

659
00:30:45,720 --> 00:30:48,240
Speaker 3: Absolutely, I just you're so funny. I just thought of

660
00:30:48,280 --> 00:30:51,160
Speaker 3: the Brittany one, like, uh uh, I wanna go. So

661
00:30:51,280 --> 00:30:52,720
Speaker 3: this one's like that one's.

662
00:30:52,480 --> 00:30:54,520
Speaker 1: W that's not even the one. The Touch of My

663
00:30:54,640 --> 00:30:58,000
Speaker 1: Hand is the name of the song. Oh and it

664
00:30:58,080 --> 00:30:59,800
Speaker 1: is legit about her master.

665
00:31:00,120 --> 00:31:01,760
Speaker 2: It's called the Touch. I think it's called the Touch

666
00:31:01,760 --> 00:31:02,360
Speaker 2: of My Hand.

667
00:31:02,400 --> 00:31:05,560
Speaker 1: But I'm sure she is a lot, but that came

668
00:31:05,560 --> 00:31:08,479
Speaker 1: out kind of like I think, probably earlier than uh uh,

669
00:31:08,720 --> 00:31:10,400
Speaker 1: I want to go go But touch on my hand

670
00:31:10,440 --> 00:31:12,560
Speaker 1: was like I was in high school and I was like,

671
00:31:12,840 --> 00:31:15,080
Speaker 1: or maybe early college, like whoa, I think it was

672
00:31:15,160 --> 00:31:18,200
Speaker 1: early college, being like, man, this girl's talking about masturbation,

673
00:31:18,280 --> 00:31:19,840
Speaker 1: like I don't even know how to do that yet,

674
00:31:19,880 --> 00:31:21,000
Speaker 1: And I think it was the first time I got

675
00:31:21,080 --> 00:31:24,640
Speaker 1: kind of curious into it. But Guilty of Sin Drowning

676
00:31:24,640 --> 00:31:27,960
Speaker 1: in the Blue Nile, which is a album from or Sorry,

677
00:31:28,080 --> 00:31:32,080
Speaker 1: is a band who has a song called Downtown Lights.

678
00:31:32,080 --> 00:31:34,440
Speaker 1: So she's drowning in the Blue House. She's already listening

679
00:31:34,480 --> 00:31:38,520
Speaker 1: to it. He sent me Downtown Lots. I hadn't heard

680
00:31:38,560 --> 00:31:40,720
Speaker 1: it in a while. My boredom's bone deep, so she's

681
00:31:40,720 --> 00:31:43,440
Speaker 1: bored in a relationship. This cage, we're talking about cages,

682
00:31:43,440 --> 00:31:45,880
Speaker 1: which we heard about in but Daddy, I love him.

683
00:31:46,240 --> 00:31:48,760
Speaker 1: This cage was what's just fine? Am I allowed to cry?

684
00:31:49,400 --> 00:31:52,040
Speaker 1: By the way, I can't even believe am I allowed

685
00:31:52,080 --> 00:31:56,840
Speaker 1: to cry? I wrote a song that is coming out

686
00:31:57,440 --> 00:32:00,840
Speaker 1: May eighth, I think called some and You'll Die, And

687
00:32:00,920 --> 00:32:03,280
Speaker 1: I have a song about crying in the bathtub, and

688
00:32:03,400 --> 00:32:07,200
Speaker 1: I struggled for so long to come up with the

689
00:32:07,320 --> 00:32:09,920
Speaker 1: perfect lyric for it, because it was about like trying

690
00:32:10,000 --> 00:32:12,400
Speaker 1: to cry but not being able to kind of thing

691
00:32:13,280 --> 00:32:15,960
Speaker 1: and fucking Taylor Swift nails. That's the what I was

692
00:32:16,000 --> 00:32:18,920
Speaker 1: trying to do, is like, am I like I she

693
00:32:19,120 --> 00:32:21,480
Speaker 1: was able to? Because I ended up just using the

694
00:32:21,600 --> 00:32:23,160
Speaker 1: lyric like why can't I cry?

695
00:32:23,760 --> 00:32:23,920
Speaker 4: Right?

696
00:32:23,960 --> 00:32:27,000
Speaker 1: But that was the same thing of like why why

697
00:32:27,040 --> 00:32:30,120
Speaker 1: can't I cry? But she answers my question, I can't

698
00:32:30,120 --> 00:32:32,200
Speaker 1: cry because I don't know if I'm allowed to? And

699
00:32:32,240 --> 00:32:35,920
Speaker 1: I'm like, wow, is that's twenty years of songwriting ahead

700
00:32:35,920 --> 00:32:38,600
Speaker 1: of me? Like her a like twenty years ago she

701
00:32:38,680 --> 00:32:40,440
Speaker 1: might have written my version, which.

702
00:32:40,320 --> 00:32:42,840
Speaker 2: Was can't I can't cry? Simple?

703
00:32:43,640 --> 00:32:47,080
Speaker 1: I like, like just it's fine, it's fine. But that

704
00:32:47,240 --> 00:32:50,720
Speaker 1: was that's the poetic mastery that she's achieved, Like as

705
00:32:50,760 --> 00:32:54,640
Speaker 1: someone who is trying to convey the same image she

706
00:32:54,720 --> 00:32:56,880
Speaker 1: conveyed it, that is so much more.

707
00:32:58,360 --> 00:32:59,920
Speaker 2: Interesting to me. Am I allowed to?

708
00:33:00,280 --> 00:33:00,360
Speaker 3: Then?

709
00:33:00,400 --> 00:33:01,320
Speaker 2: Why can't I cry?

710
00:33:01,440 --> 00:33:01,600
Speaker 4: You know?

711
00:33:01,680 --> 00:33:04,520
Speaker 2: Like I think why can't I Cry? Is debut? And

712
00:33:04,600 --> 00:33:06,320
Speaker 2: am I allowed to cry? As Torchure poets?

713
00:33:06,360 --> 00:33:09,400
Speaker 1: That just shows like her elevation and songwriting, which is fine.

714
00:33:09,400 --> 00:33:11,960
Speaker 1: I am debut, like I just started playing music, like

715
00:33:12,040 --> 00:33:15,080
Speaker 1: I'm even less than debut. I'm like her like little CD.

716
00:33:15,160 --> 00:33:17,320
Speaker 1: She used to bring them out into radio stations before debut,

717
00:33:17,360 --> 00:33:19,520
Speaker 1: like that's where I'm at in my journey, not even there.

718
00:33:19,560 --> 00:33:21,080
Speaker 2: She wrote way more. I'm like her.

719
00:33:21,600 --> 00:33:23,720
Speaker 1: When she was twelve and got a she probably write

720
00:33:23,760 --> 00:33:26,200
Speaker 1: three songs before four PM when she got her first

721
00:33:26,240 --> 00:33:28,360
Speaker 1: guitar for Christmas. Have you ever seen that video where

722
00:33:28,400 --> 00:33:29,720
Speaker 1: she gets the guitar for Christmas?

723
00:33:29,800 --> 00:33:34,960
Speaker 4: Yesh, so cute, happy, she says that she's so cute.

724
00:33:35,040 --> 00:33:35,560
Speaker 4: I love it.

725
00:33:35,720 --> 00:33:38,600
Speaker 1: Okay, I'm dreaming of cracking locks. Okay, we see that

726
00:33:38,680 --> 00:33:43,680
Speaker 1: imagery in the music video for Fortnite, throwing my life

727
00:33:43,720 --> 00:33:45,760
Speaker 1: to the wolves or the ocean rocks. Okay, we heard

728
00:33:45,920 --> 00:33:51,040
Speaker 1: about ocean rocks in uh the Rebecca wrote up on

729
00:33:51,080 --> 00:33:53,800
Speaker 1: them where she's like, oh yeah, tossing herself onto the

730
00:33:54,000 --> 00:33:56,680
Speaker 1: pacing the rocks and the men. And then she's and

731
00:33:56,720 --> 00:33:59,880
Speaker 1: also in My Tears Ricochet falling like you know, she's

732
00:34:00,200 --> 00:34:02,520
Speaker 1: she's jumping off of very tall somethings in a lot

733
00:34:02,520 --> 00:34:06,280
Speaker 1: of songs, crashing into him tonight. He's a paradox. I'm

734
00:34:06,280 --> 00:34:10,319
Speaker 1: seeing visions, am I bad or mad or wise? And

735
00:34:10,360 --> 00:34:13,840
Speaker 1: then what if he's written mine on my upper side

736
00:34:13,920 --> 00:34:16,640
Speaker 1: only in my mind? I mean that is, I would

737
00:34:16,680 --> 00:34:18,359
Speaker 1: have dropped my mic if it didn't cost a lot.

738
00:34:19,239 --> 00:34:20,960
Speaker 1: I can't even handle this lyric.

739
00:34:21,760 --> 00:34:25,719
Speaker 3: It's so hot and the melody of it, the melody

740
00:34:26,080 --> 00:34:26,720
Speaker 3: so interesting.

741
00:34:26,880 --> 00:34:29,480
Speaker 2: God, what if he's.

742
00:34:29,360 --> 00:34:34,040
Speaker 4: Written man on my upper thigh only ma ma?

743
00:34:36,560 --> 00:34:39,319
Speaker 1: And then my favorite part, want slip and down the

744
00:34:39,480 --> 00:34:43,080
Speaker 1: fu like that. Dun't dunt duntd That is so interesting

745
00:34:43,160 --> 00:34:46,000
Speaker 1: and I cannot get There's a video of post Malone

746
00:34:46,080 --> 00:34:48,840
Speaker 1: dancing that someone put to this song.

747
00:34:48,960 --> 00:34:52,200
Speaker 2: And every time I hear want slip and fallen.

748
00:34:51,960 --> 00:34:55,359
Speaker 1: Back into the hedge maze, I always picture him going

749
00:34:55,440 --> 00:34:58,480
Speaker 1: damn dump and dancing. That is. I want to dance

750
00:34:58,520 --> 00:35:00,400
Speaker 1: to this song so badly. I can't not wait to

751
00:35:00,400 --> 00:35:01,960
Speaker 1: go to a Swifty single long. I cannot wait to

752
00:35:02,000 --> 00:35:03,920
Speaker 1: go to aristour and maybe she plays this, but I

753
00:35:04,040 --> 00:35:07,360
Speaker 1: doubt we'll get this one. Yeah, but who knows. I

754
00:35:07,480 --> 00:35:10,160
Speaker 1: keep recalling things we never did. I mean, who can't

755
00:35:10,160 --> 00:35:12,799
Speaker 1: relate to that where you're like, this is Limerens, dude.

756
00:35:12,800 --> 00:35:15,120
Speaker 1: I've been talking about Limerens on the podcast so much.

757
00:35:15,560 --> 00:35:19,000
Speaker 1: She is a limberhead just like me, Just like you

758
00:35:19,040 --> 00:35:23,160
Speaker 1: probably where you have fantasies about someone and you go

759
00:35:23,400 --> 00:35:25,600
Speaker 1: so far in your head that it becomes better than

760
00:35:25,640 --> 00:35:28,560
Speaker 1: anything it could ever be between you two, like you

761
00:35:28,600 --> 00:35:30,319
Speaker 1: closing your eyes at night to go to sleep, you

762
00:35:30,360 --> 00:35:33,879
Speaker 1: on a plane. My friend Taylor has limerens too.

763
00:35:33,920 --> 00:35:34,520
Speaker 2: She does it.

764
00:35:34,520 --> 00:35:37,759
Speaker 1: It's like a drug that people do where they just

765
00:35:37,880 --> 00:35:40,200
Speaker 1: fantasize and you don't jack off to it, but it's

766
00:35:40,239 --> 00:35:43,080
Speaker 1: like you're just in your You're just it feels buzzy

767
00:35:43,120 --> 00:35:46,080
Speaker 1: and warm. I think it's really bad for you.

768
00:35:46,400 --> 00:35:49,120
Speaker 3: It's a coping mechanism, right, Like, Yeah, I used to

769
00:35:49,200 --> 00:35:51,960
Speaker 3: daydream a lot as a kid, and I used to

770
00:35:52,040 --> 00:35:55,080
Speaker 3: romanticize so much when I was a teenager, especially because

771
00:35:55,080 --> 00:35:59,279
Speaker 3: I never had an experience, so I would just like

772
00:35:59,280 --> 00:36:01,520
Speaker 3: like build it up in my mind or do things

773
00:36:01,520 --> 00:36:05,040
Speaker 3: that I wanted without having to actually like be vulnerable

774
00:36:05,040 --> 00:36:05,719
Speaker 3: in real life.

775
00:36:06,480 --> 00:36:09,000
Speaker 1: Right, whatever made you do stand up comedy? Like what

776
00:36:09,160 --> 00:36:11,440
Speaker 1: made you stop fantasizing about that? Because I think a

777
00:36:11,440 --> 00:36:15,320
Speaker 1: lot of people have fantasies of doing something like being

778
00:36:15,440 --> 00:36:18,400
Speaker 1: famous or like and you actually went and pursued it,

779
00:36:18,440 --> 00:36:20,759
Speaker 1: like because I wasn't really a daydreamy kid I was.

780
00:36:21,080 --> 00:36:25,200
Speaker 1: I've actually really didn't like daydreaming until recently because and

781
00:36:25,239 --> 00:36:27,920
Speaker 1: I still only daydream about things that I think I

782
00:36:27,960 --> 00:36:32,879
Speaker 1: can actually achieve. It's never something that it is unachievable. Ever, ever, ever, ever,

783
00:36:32,920 --> 00:36:35,360
Speaker 1: I would never fantasize. Now in my life, I have

784
00:36:35,440 --> 00:36:37,880
Speaker 1: kind of access to famous people, So if I was

785
00:36:37,880 --> 00:36:40,319
Speaker 1: a daydream about Brad Pitt, I'm like, well, maybe that

786
00:36:40,360 --> 00:36:43,080
Speaker 1: could actually happen. But when I was in middle school,

787
00:36:43,120 --> 00:36:46,200
Speaker 1: I was not daydreaming about you know, right or Strong

788
00:36:46,239 --> 00:36:48,040
Speaker 1: because I'm like, I have no access to him. So

789
00:36:48,080 --> 00:36:51,000
Speaker 1: I daydream about maybe someone in my class that I

790
00:36:51,040 --> 00:36:52,400
Speaker 1: but even in my class, I was like, I'm such

791
00:36:52,440 --> 00:36:53,760
Speaker 1: a dork. I don't have a chance with that person.

792
00:36:53,800 --> 00:36:55,520
Speaker 1: It would only I would only allow it if I

793
00:36:55,520 --> 00:36:56,760
Speaker 1: could actually make it happen.

794
00:36:57,000 --> 00:37:00,520
Speaker 4: Wow, So what made you.

795
00:37:00,200 --> 00:37:02,359
Speaker 2: Be able to do stand up comedy? Because I'm guessing

796
00:37:02,400 --> 00:37:03,600
Speaker 2: that's something you day dreamed about.

797
00:37:04,600 --> 00:37:08,320
Speaker 3: Yes, I daydreamed about everything I wanted, I think because

798
00:37:08,840 --> 00:37:11,239
Speaker 3: what made me want to do stand up is I

799
00:37:11,480 --> 00:37:14,560
Speaker 3: just was obsessed with it, Nikki, Like, I didn't know

800
00:37:14,640 --> 00:37:15,480
Speaker 3: it was an art.

801
00:37:15,320 --> 00:37:18,000
Speaker 4: Form until I was in my obsessed shut up.

802
00:37:19,400 --> 00:37:22,719
Speaker 1: I'm just like, of course, of course when you were obsessed,

803
00:37:22,800 --> 00:37:27,360
Speaker 1: like we are obsesses. Yeah, yeah, but you were obsessed

804
00:37:27,360 --> 00:37:28,520
Speaker 1: with it before you did it.

805
00:37:29,360 --> 00:37:31,439
Speaker 3: Yeah, because I didn't know it was an art form

806
00:37:31,520 --> 00:37:34,120
Speaker 3: until I got to undergrad. It in my dorm room,

807
00:37:34,320 --> 00:37:37,040
Speaker 3: my dormmate was like, do you here, let's watch some

808
00:37:37,120 --> 00:37:39,239
Speaker 3: stand up. I didn't know you could just talk into

809
00:37:39,239 --> 00:37:42,400
Speaker 3: a mic and tell jokes like Jordither.

810
00:37:43,120 --> 00:37:47,160
Speaker 2: Okay, okay, so you really didn't know. Okay, you grew

811
00:37:47,200 --> 00:37:48,360
Speaker 2: up here until when.

812
00:37:49,000 --> 00:37:53,040
Speaker 1: High school, so like, okay, comedy really didn't.

813
00:37:52,719 --> 00:37:58,880
Speaker 3: Know was sit coms, sitcoms and comedy movies like Steve Martin,

814
00:37:59,520 --> 00:38:04,000
Speaker 3: you know, yeah, prety sure, like mad about you, fresh parents.

815
00:38:03,960 --> 00:38:06,880
Speaker 1: You and you're friends with Marty I like they called Marty.

816
00:38:07,160 --> 00:38:07,959
Speaker 4: Yeah, I would.

817
00:38:09,440 --> 00:38:12,120
Speaker 3: I would die if I met Martin. It's incredible.

818
00:38:12,160 --> 00:38:15,359
Speaker 2: I cried before I get though.

819
00:38:15,400 --> 00:38:17,200
Speaker 1: I have this thing where when I meet famous people,

820
00:38:17,239 --> 00:38:19,279
Speaker 1: I black out and where I met them because it's

821
00:38:19,280 --> 00:38:22,480
Speaker 1: just too much for my brain. It's very bizarre, it's happened.

822
00:38:22,560 --> 00:38:25,240
Speaker 1: It's happened so frequently that it's just it is of note,

823
00:38:25,280 --> 00:38:27,720
Speaker 1: like there's something wrong with me that people that I'm

824
00:38:27,880 --> 00:38:31,680
Speaker 1: really admiring of because I know I've met him no,

825
00:38:31,840 --> 00:38:35,239
Speaker 1: you know what, Chris met him. Chris did Beauty and

826
00:38:35,280 --> 00:38:38,640
Speaker 1: the Beast live and he played Loumire and he was

827
00:38:38,640 --> 00:38:41,279
Speaker 1: in a meeting with him and David Allen Greer and

828
00:38:41,360 --> 00:38:43,399
Speaker 1: it came out that he was my boyfriend and they

829
00:38:43,440 --> 00:38:45,719
Speaker 1: were both huge fans. And he came home to tell

830
00:38:45,760 --> 00:38:47,319
Speaker 1: me Martin Short knew who I was, and I was

831
00:38:47,400 --> 00:38:49,880
Speaker 1: just like, and I met Martin Short another time. I

832
00:38:49,960 --> 00:38:53,600
Speaker 1: just shook his hand really briefly. They were like doing

833
00:38:53,640 --> 00:38:55,799
Speaker 1: a sound check at the Beacon Theater for their show,

834
00:38:55,880 --> 00:38:57,640
Speaker 1: and Amy Schumer was friends with them, so we went

835
00:38:57,880 --> 00:38:59,520
Speaker 1: and just watched from the audience, and I think we

836
00:38:59,560 --> 00:39:03,120
Speaker 1: may have like shook their hand, but but anyway, that's

837
00:39:04,040 --> 00:39:06,120
Speaker 1: that's really that's the same way I felt about stand up.

838
00:39:06,120 --> 00:39:08,520
Speaker 2: I didn't know that it was.

839
00:39:09,600 --> 00:39:11,200
Speaker 1: I mean, I knew about it because I grew up

840
00:39:11,320 --> 00:39:12,799
Speaker 1: and I saw it on TV and stuff. And I

841
00:39:12,800 --> 00:39:16,280
Speaker 1: have really a lot of intense memories of my dad

842
00:39:16,360 --> 00:39:19,000
Speaker 1: laughing at Wendy Leeman a joke she did.

843
00:39:19,120 --> 00:39:22,319
Speaker 4: Oh my god, I love Wendy Leeman so much.

844
00:39:23,280 --> 00:39:26,640
Speaker 1: Me too, Like, and she's still cranking out amazing jokes

845
00:39:26,640 --> 00:39:28,840
Speaker 1: on Instagram, Like she's one of the best joke writers

846
00:39:28,880 --> 00:39:30,920
Speaker 1: like her joke that is so subtle that you can

847
00:39:31,040 --> 00:39:32,560
Speaker 1: roll your eyes at and be like, well, that's not

848
00:39:32,600 --> 00:39:34,839
Speaker 1: that simple, or that's not that hard.

849
00:39:34,880 --> 00:39:35,560
Speaker 2: It is hard.

850
00:39:36,360 --> 00:39:39,080
Speaker 1: She perfected what I do so much now, which is

851
00:39:39,160 --> 00:39:40,719
Speaker 1: just throw in one word at the very end and

852
00:39:40,760 --> 00:39:42,439
Speaker 1: it changes the whole meaning of the joke. I don't

853
00:39:42,440 --> 00:39:43,719
Speaker 1: know if she was the first to do it, but

854
00:39:43,760 --> 00:39:46,319
Speaker 1: she's the first that popularized it. I believe her and

855
00:39:46,360 --> 00:39:48,399
Speaker 1: Kevin Neelan and a little bit of David Spade on

856
00:39:48,400 --> 00:39:52,719
Speaker 1: on you know SNL like I I saw the I

857
00:39:52,719 --> 00:39:56,360
Speaker 1: saw the Body God this weekend and I want my

858
00:39:56,440 --> 00:39:59,360
Speaker 1: money back or you know. But even like that's not

859
00:39:59,360 --> 00:40:01,719
Speaker 1: even the perfect example. But her joke that my dad

860
00:40:01,800 --> 00:40:06,800
Speaker 1: laughed at was you guys, I just quit smoking crack

861
00:40:07,000 --> 00:40:08,560
Speaker 1: and she just said it like, you know, just that

862
00:40:08,760 --> 00:40:10,239
Speaker 1: and then all of a sudden, it's like, oh my god,

863
00:40:10,239 --> 00:40:14,320
Speaker 1: this will that little line. I just she's just amazing.

864
00:40:14,400 --> 00:40:16,520
Speaker 1: I met my husband online.

865
00:40:16,719 --> 00:40:20,960
Speaker 2: At the grocery store. You're like just adding those little things.

866
00:40:21,120 --> 00:40:26,799
Speaker 3: Oh yeah, she's a kind off stage like I got

867
00:40:27,000 --> 00:40:28,759
Speaker 3: and it meant so much to me, and she was

868
00:40:28,880 --> 00:40:33,160
Speaker 3: so kind, like, yeah, I will never.

869
00:40:33,719 --> 00:40:39,880
Speaker 1: Every female comic who is truly great is really well, okay,

870
00:40:39,880 --> 00:40:40,279
Speaker 1: I'm taking it.

871
00:40:42,520 --> 00:40:44,959
Speaker 2: I just was like, just like I actually do really

872
00:40:45,000 --> 00:40:47,400
Speaker 2: love some people that are totally not nice.

873
00:40:47,640 --> 00:40:51,320
Speaker 1: Yeah okay, but okay, so back, And I want to

874
00:40:51,360 --> 00:40:53,560
Speaker 1: say that actually Taylor Swift does the same thing that

875
00:40:53,560 --> 00:40:56,200
Speaker 1: Wendy Lehman does a lot of, like just changing something

876
00:40:56,239 --> 00:40:59,120
Speaker 1: at the very end, uh, loss of my Life. I

877
00:40:59,120 --> 00:41:00,879
Speaker 1: think we all got hit over the head for that,

878
00:41:01,000 --> 00:41:02,359
Speaker 1: Like we all thought it was love of my Life

879
00:41:02,360 --> 00:41:03,840
Speaker 1: and then she switched it at the end and like,

880
00:41:03,880 --> 00:41:06,319
Speaker 1: oh my god, through you know, but Daddy, I love him.

881
00:41:06,400 --> 00:41:08,560
Speaker 1: No I'm not, you know, like that's not exactly it.

882
00:41:08,600 --> 00:41:11,000
Speaker 1: But just leading us somewhere and then pulling us back

883
00:41:11,120 --> 00:41:12,920
Speaker 1: is a really great device that she has used a

884
00:41:12,960 --> 00:41:16,040
Speaker 1: lot in this album. But this song can I just

885
00:41:16,080 --> 00:41:19,200
Speaker 1: interpret because some besties wrote to me being like, we

886
00:41:19,280 --> 00:41:22,760
Speaker 1: need to hear your thoughts and guilty of said, I

887
00:41:22,800 --> 00:41:24,000
Speaker 1: am so obsessed with this song.

888
00:41:24,040 --> 00:41:25,680
Speaker 2: It is so hot, is so sexy.

889
00:41:26,120 --> 00:41:28,400
Speaker 1: All of these memes that are like Taylor Swift's written

890
00:41:28,520 --> 00:41:31,439
Speaker 1: a thousand, eleven hundred songs about boys breaking up with her,

891
00:41:31,520 --> 00:41:33,120
Speaker 1: but none about giving blowjobs.

892
00:41:33,480 --> 00:41:34,840
Speaker 2: Maybe is there a problem?

893
00:41:34,880 --> 00:41:36,640
Speaker 1: Like people send me that one all the time because

894
00:41:36,640 --> 00:41:38,640
Speaker 1: it's like it's one of the dumbest things that has

895
00:41:38,680 --> 00:41:41,880
Speaker 1: ever been written. It's funny, I guess, like I you know,

896
00:41:42,000 --> 00:41:45,959
Speaker 1: like if you it's the joke is she's getting broken

897
00:41:46,000 --> 00:41:47,600
Speaker 1: up with because she doesn't give blowjobs, But like, who

898
00:41:47,680 --> 00:41:51,400
Speaker 1: writes songs about blowjobs? Like besides my MILKSHAKEE brings all

899
00:41:51,400 --> 00:41:53,200
Speaker 1: the boy Like is that even a blowjob joke? I

900
00:41:53,239 --> 00:41:57,200
Speaker 1: don't know, but but it's the dumbest meme. But I

901
00:41:57,239 --> 00:42:00,880
Speaker 1: will say Taylor Swift is very sexual and you can

902
00:42:00,880 --> 00:42:04,759
Speaker 1: post all of her awkward dancing you want and say, oh,

903
00:42:04,800 --> 00:42:07,840
Speaker 1: this girl doesn't have sex appeal. She one hundred percent

904
00:42:07,920 --> 00:42:09,200
Speaker 1: does you have no idea?

905
00:42:09,239 --> 00:42:09,880
Speaker 2: In this song?

906
00:42:11,280 --> 00:42:13,520
Speaker 1: She's into some of the same stuff I think I'm into,

907
00:42:13,600 --> 00:42:15,480
Speaker 1: And obviously I'm projecting and I want her to be

908
00:42:15,640 --> 00:42:17,000
Speaker 1: just like me, and I want to be just like her,

909
00:42:17,000 --> 00:42:20,040
Speaker 1: So I'm gonna find any way I can. So just

910
00:42:20,120 --> 00:42:23,080
Speaker 1: know that I know that, guys, But what if he's

911
00:42:23,120 --> 00:42:25,680
Speaker 1: written mine on my upper thigh? That is some bead

912
00:42:26,000 --> 00:42:28,000
Speaker 1: sm stuff. And I'm not saying that she's into that.

913
00:42:28,080 --> 00:42:31,040
Speaker 1: I'm not making any I'm just saying as someone who

914
00:42:31,120 --> 00:42:33,680
Speaker 1: is into that stuff, who does like to be the

915
00:42:33,719 --> 00:42:37,000
Speaker 1: sub and who does like people to like own me

916
00:42:37,320 --> 00:42:40,160
Speaker 1: and be like you're gonna do this writing mine on

917
00:42:40,160 --> 00:42:42,640
Speaker 1: someone's upper thigh, which is a very sexy area. It's

918
00:42:42,640 --> 00:42:44,280
Speaker 1: like pretty much your vagina.

919
00:42:46,400 --> 00:42:47,560
Speaker 2: Is so hot.

920
00:42:47,600 --> 00:42:49,839
Speaker 1: And writing on someone, I mean that is something I

921
00:42:49,920 --> 00:42:53,360
Speaker 1: only really see in pornography when they write on women

922
00:42:53,480 --> 00:42:55,960
Speaker 1: and write things and it's just hot.

923
00:42:56,080 --> 00:42:56,920
Speaker 2: It's ownership.

924
00:42:56,960 --> 00:43:02,440
Speaker 1: It's like it's it's that subdom kind of Vie And and.

925
00:43:03,080 --> 00:43:05,879
Speaker 2: Her song mine is you know, like I thought about

926
00:43:05,920 --> 00:43:06,319
Speaker 2: that too.

927
00:43:06,640 --> 00:43:12,160
Speaker 1: Oh, like it's reframing that a little bit.

928
00:43:12,280 --> 00:43:14,399
Speaker 2: Like and she writes on herself all the time.

929
00:43:14,440 --> 00:43:16,920
Speaker 1: We know that she's always written lyrics on her arms,

930
00:43:17,000 --> 00:43:19,120
Speaker 1: she writes thirteen on her hands, Like this isn't like

931
00:43:19,160 --> 00:43:21,280
Speaker 1: out of the realm for her, so like, of course,

932
00:43:21,320 --> 00:43:24,640
Speaker 1: our girl is using that kind of same fun thing

933
00:43:24,680 --> 00:43:28,440
Speaker 1: of like writing on yourself in a sexual way. And

934
00:43:29,040 --> 00:43:31,840
Speaker 1: let me just say, what if he's only written mine

935
00:43:32,160 --> 00:43:34,840
Speaker 1: on his She goes, if she didn't say he only

936
00:43:34,880 --> 00:43:38,640
Speaker 1: has but what if like what does that mean to you?

937
00:43:38,719 --> 00:43:41,960
Speaker 1: Like what if he's like why didn't she say, you know,

938
00:43:42,400 --> 00:43:44,479
Speaker 1: he's only written mine on my upper side?

939
00:43:44,719 --> 00:43:46,040
Speaker 2: Only in my mind? Or whatever?

940
00:43:46,080 --> 00:43:47,680
Speaker 1: Like she could have just stated that, but she's like

941
00:43:48,680 --> 00:43:52,040
Speaker 1: did it happen? And I maybe a miss Like to me,

942
00:43:52,160 --> 00:43:55,360
Speaker 1: it sounds like did this only happen in my mind?

943
00:43:55,560 --> 00:43:56,440
Speaker 2: Or did this happen?

944
00:43:56,520 --> 00:44:00,799
Speaker 1: Could this have happened? Did it happen? Maybe? Like you know,

945
00:44:00,840 --> 00:44:02,959
Speaker 1: she's imagining things they never did. So it's not saying

946
00:44:03,000 --> 00:44:04,640
Speaker 1: that it's one of those things it could have been.

947
00:44:04,680 --> 00:44:06,080
Speaker 1: I just don't know. What do you think, Nore?

948
00:44:06,480 --> 00:44:07,279
Speaker 4: I agree with you.

949
00:44:07,320 --> 00:44:10,640
Speaker 3: I think it's like in her, in her head, she

950
00:44:10,800 --> 00:44:14,520
Speaker 3: wants it, she's fantasizing about it, and she's saying it.

951
00:44:14,600 --> 00:44:17,920
Speaker 3: And anyone who's like, why doesn't she write songs about blowjobs? Like,

952
00:44:18,000 --> 00:44:21,200
Speaker 3: first of all, this is an artist putting art out there.

953
00:44:21,560 --> 00:44:23,960
Speaker 3: She does not need to do anything for you. All

954
00:44:24,000 --> 00:44:26,799
Speaker 3: she needs to do is create art that comes out

955
00:44:26,800 --> 00:44:29,200
Speaker 3: of her. That is her only job, whether you like

956
00:44:29,280 --> 00:44:31,719
Speaker 3: it or not. It is not up for criticism or

957
00:44:32,280 --> 00:44:35,000
Speaker 3: you know, when when I write a joke or I

958
00:44:35,040 --> 00:44:37,959
Speaker 3: write an hour, I don't have like I work.

959
00:44:38,120 --> 00:44:39,879
Speaker 4: I typically work clean.

960
00:44:40,000 --> 00:44:43,400
Speaker 3: It's not a constructive criticism in any way to be like, well,

961
00:44:43,440 --> 00:44:47,239
Speaker 3: why don't you write about that? Like the comedy that

962
00:44:47,280 --> 00:44:49,080
Speaker 3: comes out of me, the music that comes.

963
00:44:48,920 --> 00:44:50,120
Speaker 4: Out of her is her art.

964
00:44:50,320 --> 00:44:52,279
Speaker 3: We don't get to judge it like that. We don't

965
00:44:52,280 --> 00:44:54,319
Speaker 3: get to say you didn't do this, didn't do that.

966
00:44:55,440 --> 00:44:59,200
Speaker 1: That's interesting because I definitely give her that. Like when

967
00:44:59,239 --> 00:45:01,640
Speaker 1: I listen to her, I'm never like she owes me anything.

968
00:45:02,239 --> 00:45:05,759
Speaker 1: Don't ever feel like and I've been really adamant about that.

969
00:45:05,800 --> 00:45:08,160
Speaker 1: She literally owes us nothing. She could put out of,

970
00:45:08,560 --> 00:45:11,279
Speaker 1: you know, a album of whale sounds, and we would

971
00:45:11,320 --> 00:45:12,920
Speaker 1: all be like, okay, well not for me, but like

972
00:45:12,960 --> 00:45:14,560
Speaker 1: you know, she could do the hundred three thousand things

973
00:45:14,560 --> 00:45:16,200
Speaker 1: of like putting out a flute album, and it's like,

974
00:45:16,200 --> 00:45:17,799
Speaker 1: maybe not for us, but it's what she wanted to do.

975
00:45:17,880 --> 00:45:21,520
Speaker 1: Then fuck it, like no complaints and you can just

976
00:45:21,520 --> 00:45:23,719
Speaker 1: say it's not for you, but she's allowed to do

977
00:45:23,719 --> 00:45:26,080
Speaker 1: whatever she wants. Yea, I will say, don't allow myself

978
00:45:26,080 --> 00:45:28,440
Speaker 1: that same grace. I feel like a lot of times

979
00:45:28,520 --> 00:45:32,040
Speaker 1: and and it isn't It isn't nice to do yourself

980
00:45:32,080 --> 00:45:33,640
Speaker 1: as an artist of being like I need to be

981
00:45:33,680 --> 00:45:35,719
Speaker 1: more like this person. Man, I should have written a

982
00:45:35,800 --> 00:45:38,520
Speaker 1: joke like that, like you know, I used to hear

983
00:45:38,640 --> 00:45:40,680
Speaker 1: like Nikki, you only told a little bit of the joke.

984
00:45:40,719 --> 00:45:42,600
Speaker 1: We want to hear more and there's something to that,

985
00:45:42,600 --> 00:45:45,080
Speaker 1: but I always feel this pressure. Like this weekend, I

986
00:45:45,120 --> 00:45:49,440
Speaker 1: was performing in Saint Louis, and I know based on

987
00:45:50,400 --> 00:45:53,160
Speaker 1: you know, every indication. I get that when you go

988
00:45:53,200 --> 00:45:55,560
Speaker 1: to a town, if you have jokes about the town,

989
00:45:55,960 --> 00:45:57,839
Speaker 1: they love them more than anything else.

990
00:45:57,880 --> 00:45:58,239
Speaker 2: You'll say.

991
00:45:58,239 --> 00:46:00,439
Speaker 1: That night, you can have a closer that you've worked

992
00:46:00,440 --> 00:46:05,440
Speaker 1: on for ten years and you're finally debuting it in

993
00:46:05,480 --> 00:46:07,919
Speaker 1: the way that people haven't heard it before, and it's

994
00:46:08,040 --> 00:46:10,879
Speaker 1: so perfect and people will not remember it as much

995
00:46:10,880 --> 00:46:13,920
Speaker 1: as you making a little comment about how their drivers

996
00:46:13,960 --> 00:46:16,200
Speaker 1: are bad on this so and so road, and everyone's

997
00:46:16,200 --> 00:46:19,919
Speaker 1: excited because this person knows. They know about that road,

998
00:46:20,360 --> 00:46:23,239
Speaker 1: they know about King's Highway, Boulevard or whatever it is.

999
00:46:23,520 --> 00:46:27,600
Speaker 1: And so this weekend in Saint Louis, I especially my

1000
00:46:27,640 --> 00:46:30,279
Speaker 1: hometown show. It's a forty five hundred seat venue, which

1001
00:46:30,320 --> 00:46:32,480
Speaker 1: is bigger than anything I've ever played on my own

1002
00:46:32,520 --> 00:46:36,160
Speaker 1: anywhere really, and it was sold out. It was incredible.

1003
00:46:36,280 --> 00:46:38,320
Speaker 1: Thank you so much to everyone who came. So many Swifties,

1004
00:46:38,360 --> 00:46:41,239
Speaker 1: there's so many Swifties. But I felt such pressure because

1005
00:46:41,239 --> 00:46:43,319
Speaker 1: also my dad's there. My dad is always like, why

1006
00:46:43,320 --> 00:46:45,759
Speaker 1: don't you ever see anything about the tone. People love that,

1007
00:46:45,840 --> 00:46:48,640
Speaker 1: and I'm like, because I am, I don't care. That's

1008
00:46:48,640 --> 00:46:50,200
Speaker 1: not the kind of comedy I do.

1009
00:46:50,320 --> 00:46:50,880
Speaker 2: Like, I don't.

1010
00:46:51,239 --> 00:46:53,759
Speaker 1: I'm kind of like living life with blinders on when

1011
00:46:53,760 --> 00:46:55,719
Speaker 1: I go. When I land somewhere, I don't like look

1012
00:46:55,760 --> 00:46:58,440
Speaker 1: around like. It's not because I don't care, it's just

1013
00:46:58,480 --> 00:47:00,680
Speaker 1: the way my brain is. Like I don't really noticed

1014
00:47:00,719 --> 00:47:05,920
Speaker 1: differences in cities. I'm not interested in cultural differences or architecture.

1015
00:47:05,960 --> 00:47:06,879
Speaker 2: I'm just it's just.

1016
00:47:06,840 --> 00:47:08,640
Speaker 1: Not what I'm into. I'd like to go to my

1017
00:47:08,640 --> 00:47:10,359
Speaker 1: hotel room and sleep. And so for me to write

1018
00:47:10,400 --> 00:47:13,120
Speaker 1: jokes about a town, it stresses me out, even though

1019
00:47:13,160 --> 00:47:15,280
Speaker 1: I know it's what people want and I know, based

1020
00:47:15,320 --> 00:47:17,359
Speaker 1: on reading Subred and stuff O the comedians like when

1021
00:47:17,360 --> 00:47:21,920
Speaker 1: comedians joke about a town, it also shows agility and

1022
00:47:22,080 --> 00:47:25,560
Speaker 1: appliability of you being able to just come up with

1023
00:47:25,640 --> 00:47:27,359
Speaker 1: something on the spot. And that really stresses me out

1024
00:47:27,360 --> 00:47:29,600
Speaker 1: because I don't think of myself as like an improv person.

1025
00:47:30,120 --> 00:47:33,040
Speaker 1: But for this weekend in Saint Louis, I felt so

1026
00:47:33,239 --> 00:47:35,719
Speaker 1: much pressure to do Saint Louis jokes because I'm from there, Like,

1027
00:47:35,760 --> 00:47:37,279
Speaker 1: you don't get to excuse yourself and be like I

1028
00:47:37,320 --> 00:47:39,399
Speaker 1: just got into town today, Like I need jokes about

1029
00:47:39,400 --> 00:47:39,920
Speaker 1: Saint Louis.

1030
00:47:39,960 --> 00:47:40,799
Speaker 2: I don't have them.

1031
00:47:40,960 --> 00:47:42,840
Speaker 1: I have opinions about Saint Louis, but they're not like

1032
00:47:42,920 --> 00:47:46,799
Speaker 1: fully formed jokes yet. And so I decided to take

1033
00:47:46,880 --> 00:47:49,600
Speaker 1: the anti Hero song, which I know very well on guitar,

1034
00:47:50,040 --> 00:47:52,759
Speaker 1: and I pretty much just memorized her version of it

1035
00:47:52,800 --> 00:47:54,600
Speaker 1: that she played at the nineteen seventy five show. It's

1036
00:47:54,640 --> 00:47:57,200
Speaker 1: one of the it's the best acoustic. She's just incredible

1037
00:47:57,200 --> 00:48:02,719
Speaker 1: acoustic performances. Her guitar styling is simple, but it's not

1038
00:48:02,800 --> 00:48:05,799
Speaker 1: at all. It's like it's really hard to learn, like

1039
00:48:06,120 --> 00:48:08,200
Speaker 1: if you're a guitarist and you know your shit, Like

1040
00:48:08,640 --> 00:48:11,520
Speaker 1: people who don't know their shit say, like's they don't

1041
00:48:11,520 --> 00:48:13,239
Speaker 1: think she's a good guitarist because she uses a.

1042
00:48:13,280 --> 00:48:16,680
Speaker 2: Kpo or whatever it is. But her styling is just

1043
00:48:17,080 --> 00:48:18,560
Speaker 2: in it's off the charts.

1044
00:48:18,640 --> 00:48:21,799
Speaker 1: And I mean, this bitch learned guitar on a twelve

1045
00:48:21,840 --> 00:48:23,480
Speaker 1: string guitar because someone made fun of her and said,

1046
00:48:23,480 --> 00:48:25,160
Speaker 1: you can't do it twelve string, that's too much for you,

1047
00:48:25,200 --> 00:48:26,759
Speaker 1: and she goes, actually, I'm gonna get a twelve string

1048
00:48:26,760 --> 00:48:28,880
Speaker 1: and she was like fourteen years old, this is so

1049
00:48:29,000 --> 00:48:31,000
Speaker 1: hard to play anyway, She's incredible.

1050
00:48:31,080 --> 00:48:32,040
Speaker 2: I learned that version.

1051
00:48:32,280 --> 00:48:35,200
Speaker 1: I wrote new lyrics to ants I hear about Saint Louis,

1052
00:48:35,719 --> 00:48:37,200
Speaker 1: so I was able to make all and so I

1053
00:48:37,280 --> 00:48:38,960
Speaker 1: just was able to sing that song and get it

1054
00:48:38,960 --> 00:48:40,080
Speaker 1: out of the way so I don't have to mention

1055
00:48:40,120 --> 00:48:40,840
Speaker 1: Saint Louis.

1056
00:48:40,600 --> 00:48:42,440
Speaker 2: Ever again, and I can just do my act. And

1057
00:48:42,480 --> 00:48:43,839
Speaker 2: that was literally only the.

1058
00:48:43,800 --> 00:48:46,279
Speaker 1: Reason I did it was because I just obviously I

1059
00:48:46,320 --> 00:48:48,200
Speaker 1: like to sing and all those things. I just wanted

1060
00:48:48,440 --> 00:48:50,960
Speaker 1: to give the people what they wanted, right, Like I

1061
00:48:51,000 --> 00:48:52,080
Speaker 1: wanted to do it with.

1062
00:48:52,040 --> 00:48:52,719
Speaker 2: A broken heart.

1063
00:48:52,920 --> 00:48:55,040
Speaker 1: Not that I was broken hearted about it, but I

1064
00:48:55,120 --> 00:48:56,239
Speaker 1: just wanted to get that out of the way, give

1065
00:48:56,239 --> 00:48:59,160
Speaker 1: my dad what he wants. But Daddy, I love you.

1066
00:48:59,239 --> 00:49:01,680
Speaker 1: And here's the song, here's all the things about Saint Louis.

1067
00:49:02,040 --> 00:49:04,240
Speaker 1: And I went a little too hard, I think, because

1068
00:49:04,280 --> 00:49:06,719
Speaker 1: I called Saint Louis racist a lot, which it is.

1069
00:49:06,760 --> 00:49:08,439
Speaker 1: It's a very very racist town.

1070
00:49:08,760 --> 00:49:09,120
Speaker 2: I am not.

1071
00:49:09,239 --> 00:49:11,000
Speaker 1: I don't park take in that, and like I know

1072
00:49:11,000 --> 00:49:14,200
Speaker 1: most Saint Louis's don't, but you gotta admit it's weird.

1073
00:49:14,560 --> 00:49:16,440
Speaker 2: And then I also made fun of some high.

1074
00:49:16,320 --> 00:49:20,600
Speaker 1: Schools and and and just you know, I maybe went

1075
00:49:20,600 --> 00:49:22,080
Speaker 1: a little too hard on us, but people seem to

1076
00:49:22,120 --> 00:49:24,279
Speaker 1: like it. But it was me doing what I don't

1077
00:49:24,280 --> 00:49:26,839
Speaker 1: ever expect of Taylor, which is like, give me, give

1078
00:49:26,880 --> 00:49:29,239
Speaker 1: the people what they want, which obviously she does. She

1079
00:49:29,360 --> 00:49:32,799
Speaker 1: delivers all the time. But getting back into this song

1080
00:49:32,800 --> 00:49:36,440
Speaker 1: Guilty of Sin, I mean, my favorite part, I mean

1081
00:49:36,480 --> 00:49:39,600
Speaker 1: it's one of my favorites parts just melodically in the

1082
00:49:39,600 --> 00:49:42,040
Speaker 1: whole album. There's so many so I'll say this twenty times,

1083
00:49:42,080 --> 00:49:48,200
Speaker 1: but where she goes, uh, these fatal fantasies.

1084
00:49:47,400 --> 00:49:49,239
Speaker 2: Like the way she's just like in the it's kind of.

1085
00:49:49,239 --> 00:49:52,960
Speaker 1: Like like it's just so sexy that delivery like that

1086
00:49:53,080 --> 00:49:56,799
Speaker 1: is I'm not someone who knows how to talk about

1087
00:49:56,880 --> 00:50:00,399
Speaker 1: music theory, but there's something very interesting and different her

1088
00:50:00,640 --> 00:50:04,160
Speaker 1: voice in these songs, like she's really some different like

1089
00:50:04,239 --> 00:50:06,480
Speaker 1: she's just doing things with her voice she hasn't done before,

1090
00:50:06,480 --> 00:50:09,200
Speaker 1: but these fatal fantasies, and by the way, her range

1091
00:50:09,280 --> 00:50:12,279
Speaker 1: is out of control. I was, oh no, I was

1092
00:50:12,280 --> 00:50:16,759
Speaker 1: at the dentist on Friday and my mouth is open,

1093
00:50:16,800 --> 00:50:21,400
Speaker 1: there are instruments inside of it, and the hygienist and

1094
00:50:21,440 --> 00:50:23,560
Speaker 1: the dentist were talking about the woman that was in

1095
00:50:23,600 --> 00:50:26,080
Speaker 1: the chair before me, which is some old woman who

1096
00:50:26,239 --> 00:50:28,920
Speaker 1: was complaining about the music that was playing because she

1097
00:50:29,120 --> 00:50:31,759
Speaker 1: really likes opera music. And so my dentist was like,

1098
00:50:31,800 --> 00:50:34,239
Speaker 1: why didn't you just ask, you know, Alexa put on

1099
00:50:34,280 --> 00:50:35,840
Speaker 1: some opera music, and she was like, well, because I

1100
00:50:35,840 --> 00:50:38,040
Speaker 1: don't know, it could be like a kind she doesn't like,

1101
00:50:38,080 --> 00:50:39,920
Speaker 1: I don't know opera, so I just didn't so I

1102
00:50:39,960 --> 00:50:43,399
Speaker 1: just kept it playing. And then something she said something

1103
00:50:43,400 --> 00:50:46,319
Speaker 1: about She was like, oh, and she said that, you know,

1104
00:50:46,560 --> 00:50:48,520
Speaker 1: and we were talking about Taylor Swift and she was like,

1105
00:50:48,920 --> 00:50:51,000
Speaker 1: you know, saying like, you know, that girl can't sing,

1106
00:50:51,040 --> 00:50:56,800
Speaker 1: and fucking assholes, this old dumb bitch who is obviously

1107
00:50:56,960 --> 00:50:59,480
Speaker 1: very accomplished. She's an opera singer. The woman was like,

1108
00:50:59,520 --> 00:51:02,920
Speaker 1: an an opera singer or something. She thinks Taylor doesn't

1109
00:51:02,920 --> 00:51:05,239
Speaker 1: have range. You are so wrong. Have you not seen

1110
00:51:05,280 --> 00:51:08,239
Speaker 1: the tiktoks about Taylor's range? Yeah, it's insane. And not

1111
00:51:08,280 --> 00:51:10,520
Speaker 1: only does she have range, from what we've seen in

1112
00:51:10,520 --> 00:51:14,000
Speaker 1: different songs and we collected all together, she will go

1113
00:51:14,080 --> 00:51:17,120
Speaker 1: from very low to very high in the same song.

1114
00:51:17,239 --> 00:51:20,800
Speaker 1: She's her voice is so nuanced. She worked her ass

1115
00:51:20,800 --> 00:51:22,359
Speaker 1: off to get her voice to where it is. She

1116
00:51:22,400 --> 00:51:24,920
Speaker 1: already was a naturally very talented singer, as you can

1117
00:51:24,960 --> 00:51:29,279
Speaker 1: hear in her rendition of There's No Way to hud

1118
00:51:29,400 --> 00:51:32,120
Speaker 1: when she pushed my Love aside. She sings that like

1119
00:51:32,480 --> 00:51:34,560
Speaker 1: Sandy's song from Grease. There's like a recording of her

1120
00:51:34,600 --> 00:51:36,200
Speaker 1: singing when she was very young, and her.

1121
00:51:36,160 --> 00:51:37,040
Speaker 2: Voice is sick.

1122
00:51:37,120 --> 00:51:39,160
Speaker 1: Dude, it's so good. And that was before she had

1123
00:51:39,200 --> 00:51:40,719
Speaker 1: all this training. I mean, she probably had a little

1124
00:51:40,719 --> 00:51:43,920
Speaker 1: bit of training then, but after she performed at the

1125
00:51:44,040 --> 00:51:46,319
Speaker 1: Grammys and got panned by that guy who she wrote

1126
00:51:46,320 --> 00:51:50,080
Speaker 1: the song mean about, she did intense vocal training. And

1127
00:51:50,160 --> 00:51:53,440
Speaker 1: this girl, if you I've done I do vocal training.

1128
00:51:54,000 --> 00:51:57,240
Speaker 1: I know all the I look at Tiktoks constantly about singing.

1129
00:51:58,040 --> 00:52:02,120
Speaker 1: She has perfect tongue placement, perfect mouth opening, perfect breathwork.

1130
00:52:02,200 --> 00:52:05,759
Speaker 1: Like she you don't understand what doing that stuff is like.

1131
00:52:05,840 --> 00:52:10,440
Speaker 1: It is like you know, like you have to control

1132
00:52:10,520 --> 00:52:12,520
Speaker 1: so many different things and it's all mental right, like

1133
00:52:12,560 --> 00:52:14,879
Speaker 1: you're it's so much work. She's now at a place

1134
00:52:14,880 --> 00:52:16,719
Speaker 1: where she can just do it naturally, but to get

1135
00:52:16,760 --> 00:52:20,080
Speaker 1: herself there with so much work, I can't even do it.

1136
00:52:20,080 --> 00:52:22,360
Speaker 1: I'm a very hard work and I'm really struggling to

1137
00:52:22,360 --> 00:52:24,520
Speaker 1: do it. So she's you know, she's next level and

1138
00:52:24,560 --> 00:52:27,239
Speaker 1: her voice should not be fucked with. Like, no one

1139
00:52:27,280 --> 00:52:29,120
Speaker 1: can talk shit about her voice. You literally don't have

1140
00:52:29,120 --> 00:52:30,960
Speaker 1: a leg to stand on because it's incredible. And what

1141
00:52:31,040 --> 00:52:34,160
Speaker 1: she does in this album with her voice, the nuance

1142
00:52:34,200 --> 00:52:37,960
Speaker 1: and the emotion that she conveys, I don't I don't

1143
00:52:38,000 --> 00:52:41,480
Speaker 1: give a fuck about comparing her to Beyonce or Ariana Grande. Honestly,

1144
00:52:42,320 --> 00:52:44,520
Speaker 1: you can be a belter. You can have all this

1145
00:52:44,760 --> 00:52:49,240
Speaker 1: range and all these different slides and like all these things.

1146
00:52:49,719 --> 00:52:53,080
Speaker 1: It sounds great. It's so impressive. Especially looks impressive when

1147
00:52:53,120 --> 00:52:54,719
Speaker 1: you move your mouth around and you go and you

1148
00:52:54,800 --> 00:52:57,960
Speaker 1: put your hand on your ear. That's all performative. Taylor

1149
00:52:58,000 --> 00:53:01,160
Speaker 1: could do that too. I guarantee you Taylor can do

1150
00:53:01,200 --> 00:53:03,640
Speaker 1: it too. She doesn't do it because she doesn't need to.

1151
00:53:04,239 --> 00:53:07,880
Speaker 1: And also, those women obviously are the best singers in

1152
00:53:07,920 --> 00:53:11,800
Speaker 1: the world. But I find a lot more emotion in

1153
00:53:12,040 --> 00:53:14,640
Speaker 1: Taylor's voice than I have in their voices. And that's

1154
00:53:14,680 --> 00:53:17,360
Speaker 1: just my experience. People definitely feel differently, but that's the

1155
00:53:17,400 --> 00:53:20,040
Speaker 1: way I feel. And good singing does not mean you're

1156
00:53:20,080 --> 00:53:22,800
Speaker 1: just good at belting just because you're Leah Michelle doesn't

1157
00:53:22,880 --> 00:53:25,040
Speaker 1: like it's it's all over the place. Bob Dylan's a

1158
00:53:25,040 --> 00:53:26,960
Speaker 1: good singer, so shut the fuck up everyone, And I

1159
00:53:27,000 --> 00:53:28,719
Speaker 1: know no one listening to those things Taylor supposed to

1160
00:53:28,719 --> 00:53:30,960
Speaker 1: bad singer. I'm just talking into a fucking no.

1161
00:53:31,280 --> 00:53:33,880
Speaker 3: There was a TikTok or like an Instagram reel that

1162
00:53:34,040 --> 00:53:36,840
Speaker 3: was like, yeah, she's like not a and it's not

1163
00:53:36,880 --> 00:53:39,640
Speaker 3: even comparing her. It's like the way she sings is

1164
00:53:39,680 --> 00:53:42,879
Speaker 3: so emotional and makes you feel so connected, and if

1165
00:53:42,880 --> 00:53:45,120
Speaker 3: that's not the point of listening to music, then what

1166
00:53:45,280 --> 00:53:47,040
Speaker 3: is I mean?

1167
00:53:48,520 --> 00:53:51,319
Speaker 1: So I say this because when she had she had

1168
00:53:51,360 --> 00:53:53,120
Speaker 1: instruments in my mouth and she's talking to the dust

1169
00:53:53,160 --> 00:53:55,000
Speaker 1: and she goes she says her range isn't very good.

1170
00:53:55,040 --> 00:53:56,040
Speaker 2: I don't her.

1171
00:53:57,239 --> 00:53:58,239
Speaker 4: And I literally have to.

1172
00:53:58,400 --> 00:54:01,520
Speaker 1: I go, it's it actually is really really impressive range.

1173
00:54:01,680 --> 00:54:03,160
Speaker 2: That woman didn't know what she's going on. And they

1174
00:54:03,160 --> 00:54:04,520
Speaker 2: were like, are you a swifty?

1175
00:54:04,600 --> 00:54:06,319
Speaker 1: And I go, can you not tell by my hat

1176
00:54:06,360 --> 00:54:07,760
Speaker 1: and sweatshirt and earrings?

1177
00:54:08,000 --> 00:54:10,200
Speaker 2: And they were like and.

1178
00:54:10,120 --> 00:54:12,200
Speaker 1: Then the dental hygienist ended up being a major swifty.

1179
00:54:12,239 --> 00:54:13,680
Speaker 1: I kind of like asked her a little more questions.

1180
00:54:13,719 --> 00:54:16,480
Speaker 1: I'm like, bitch, what not bitch bitch lovingly because you're

1181
00:54:16,480 --> 00:54:19,520
Speaker 1: probably listening. But I was like, wait, why didn't you

1182
00:54:19,560 --> 00:54:21,279
Speaker 1: stand up to this woman because she's a client, Like

1183
00:54:21,320 --> 00:54:24,040
Speaker 1: you can't you can't be like, actually, she's a even

1184
00:54:24,040 --> 00:54:25,879
Speaker 1: though I would and I'd get fired right away. By

1185
00:54:25,880 --> 00:54:28,919
Speaker 1: the way, I do have torture poets merch. I got

1186
00:54:28,920 --> 00:54:32,320
Speaker 1: my sweatshirt, black sweatshirt, I got my I got earrings,

1187
00:54:32,320 --> 00:54:36,080
Speaker 1: which I'm obsessed with, their studs that say TTPD and

1188
00:54:36,120 --> 00:54:38,839
Speaker 1: then I got a hat and which I love as well.

1189
00:54:39,000 --> 00:54:40,840
Speaker 1: And let me just tell you, thank you, Taylor Swift

1190
00:54:40,880 --> 00:54:43,920
Speaker 1: dot com. You have stepped up the merch. This sweater

1191
00:54:44,120 --> 00:54:46,799
Speaker 1: on honest or this sweatshirt. I got a sweater for

1192
00:54:46,880 --> 00:54:51,120
Speaker 1: nor who's Canadian. It seriously got so many compliments this weekend.

1193
00:54:51,120 --> 00:54:53,840
Speaker 1: My boyfriend, who is like obsessed with aesthetics and obsessed

1194
00:54:53,880 --> 00:54:57,040
Speaker 1: with sweatshirts especially, and like the vibe of them was

1195
00:54:57,120 --> 00:55:00,279
Speaker 1: like he thought it was like Balenciaga. It's it's such

1196
00:55:00,640 --> 00:55:03,040
Speaker 1: a nice like it's and it's so nice. I'm never

1197
00:55:03,040 --> 00:55:04,640
Speaker 1: watching it because I just don't want it to lose.

1198
00:55:05,000 --> 00:55:08,759
Speaker 1: I've been just tied penning it constantly. But she really

1199
00:55:08,800 --> 00:55:10,880
Speaker 1: stepped up her merch. I think she read the complaints

1200
00:55:10,920 --> 00:55:14,719
Speaker 1: about like fading things and like, and I don't think

1201
00:55:14,760 --> 00:55:16,680
Speaker 1: we're paying more for it. I think she is probably

1202
00:55:16,719 --> 00:55:19,720
Speaker 1: taking a hit to make better, better made stuff. Because

1203
00:55:19,760 --> 00:55:22,920
Speaker 1: this this batch of merch was incredible and these earrings

1204
00:55:22,920 --> 00:55:25,319
Speaker 1: are amazing, and I'm dying to get the bracelet. I'm

1205
00:55:25,360 --> 00:55:27,880
Speaker 1: gonna get the necklace, and I want to get the shorts.

1206
00:55:28,000 --> 00:55:29,800
Speaker 1: I want it all. I want it all. Did you

1207
00:55:29,840 --> 00:55:32,560
Speaker 1: get anything you were like on stage right when it

1208
00:55:32,640 --> 00:55:33,319
Speaker 1: dropped or something.

1209
00:55:33,600 --> 00:55:35,480
Speaker 4: I'm so sad. I was literally.

1210
00:55:35,400 --> 00:55:37,720
Speaker 2: Sucks, I know, right when it drops.

1211
00:55:37,840 --> 00:55:39,960
Speaker 4: I know, and I wasn't paying attention to my food.

1212
00:55:39,960 --> 00:55:41,640
Speaker 4: I was literally on stage for twenty minutes.

1213
00:55:42,160 --> 00:55:45,120
Speaker 3: And then there's like I don't know, like I don't know,

1214
00:55:45,280 --> 00:55:47,160
Speaker 3: just like sit down, watched a little bit of the

1215
00:55:47,200 --> 00:55:48,120
Speaker 3: comic after me.

1216
00:55:49,400 --> 00:55:51,279
Speaker 4: Uh, because like, as a comic, you want to.

1217
00:55:51,239 --> 00:55:53,239
Speaker 1: Say, this is an argument to be addicted to your

1218
00:55:53,280 --> 00:55:55,399
Speaker 1: phone because you're going to miss these drops and you

1219
00:55:55,440 --> 00:55:58,360
Speaker 1: can't you can't get anything. Yeah, you can get the

1220
00:55:58,360 --> 00:56:00,719
Speaker 1: bracelet in the extra large right now. I can't do that.

1221
00:56:01,000 --> 00:56:01,080
Speaker 4: No.

1222
00:56:01,360 --> 00:56:04,720
Speaker 3: Even there was this really incredible jacket, the black jacket.

1223
00:56:04,760 --> 00:56:07,719
Speaker 3: Did you see that there was this jacket that had

1224
00:56:07,760 --> 00:56:10,360
Speaker 3: two patches on it. You could put the patches wherever,

1225
00:56:10,440 --> 00:56:11,800
Speaker 3: and that was sold out too.

1226
00:56:11,840 --> 00:56:12,319
Speaker 1: Damn it.

1227
00:56:12,920 --> 00:56:15,040
Speaker 2: No, it was back to the song.

1228
00:56:15,280 --> 00:56:18,120
Speaker 4: Yes, uh, my.

1229
00:56:18,120 --> 00:56:23,640
Speaker 1: Bed sheets are ablaze. I've screamed his name. The giving

1230
00:56:23,680 --> 00:56:26,320
Speaker 1: into the moons? Where's the moones? Thing? Giving way to

1231
00:56:26,400 --> 00:56:29,680
Speaker 1: labored breath? Labor breath is orgasm like, it's just it's

1232
00:56:29,800 --> 00:56:34,680
Speaker 1: so good, I can't I choose you and me.

1233
00:56:34,800 --> 00:56:38,360
Speaker 2: Religiously, there's a lot of our religious.

1234
00:56:37,960 --> 00:56:40,759
Speaker 4: Stuff going on, very false Gattie right from Lover.

1235
00:56:41,760 --> 00:56:43,080
Speaker 2: Oh, yeah, it really is.

1236
00:56:43,320 --> 00:56:47,360
Speaker 1: But I will say there's a lot of Catholic imagery

1237
00:56:47,360 --> 00:56:49,400
Speaker 1: that comes up later on. And I was like, is

1238
00:56:49,520 --> 00:56:52,160
Speaker 1: Joe Catholic? And he indeed is, And so I think

1239
00:56:52,200 --> 00:56:53,960
Speaker 1: we need to look into that a little bit. I

1240
00:56:54,000 --> 00:56:56,200
Speaker 1: think remember when she went to that funeral and she

1241
00:56:56,280 --> 00:56:59,240
Speaker 1: was like caught on a camera like on zoom like people,

1242
00:56:59,400 --> 00:57:02,319
Speaker 1: there's a tiny camera of her and she's resting her

1243
00:57:02,320 --> 00:57:05,520
Speaker 1: head on his is his uncle's funeral and his uncle

1244
00:57:05,600 --> 00:57:07,080
Speaker 1: was like this like kind of high up in the

1245
00:57:07,080 --> 00:57:10,080
Speaker 1: Catholic church. So he's Catholic. So I think there's I

1246
00:57:10,120 --> 00:57:13,359
Speaker 1: think there's someone should make a link to that. Hey,

1247
00:57:13,400 --> 00:57:24,760
Speaker 1: swifty Besties. One more commercial break, here we go. Okay,

1248
00:57:24,880 --> 00:57:26,680
Speaker 1: let's move on to Who's afraid of Little Old Me?

1249
00:57:26,960 --> 00:57:30,360
Speaker 1: Which is climbing my ranking so so much. I mean

1250
00:57:30,400 --> 00:57:32,080
Speaker 1: I am late to this. Everyone was on board with

1251
00:57:32,080 --> 00:57:33,800
Speaker 1: Who's afraid of Little Old Me from the get go.

1252
00:57:34,760 --> 00:57:35,880
Speaker 1: How are you feeling about it?

1253
00:57:35,880 --> 00:57:39,840
Speaker 3: It's in my top five for sure? Okay, yes, it's

1254
00:57:39,920 --> 00:57:40,760
Speaker 3: number two for me.

1255
00:57:41,240 --> 00:57:44,720
Speaker 2: So this is like, is it about Kim? Is it

1256
00:57:44,800 --> 00:57:45,440
Speaker 2: about like.

1257
00:57:46,960 --> 00:57:49,320
Speaker 1: The scandal was contained, the bullet had just grazed it

1258
00:57:49,400 --> 00:57:51,360
Speaker 1: all costs. Keep your good name. You don't get to

1259
00:57:51,400 --> 00:57:53,920
Speaker 1: tell me you feel bad. I mean, this is about

1260
00:57:54,080 --> 00:57:59,520
Speaker 1: someone in the industry. This is about her talk like

1261
00:57:59,640 --> 00:58:02,440
Speaker 1: her beeping from the gallows and levitating down the street,

1262
00:58:02,520 --> 00:58:05,400
Speaker 1: crashing the party like a record scratch as I scream

1263
00:58:05,400 --> 00:58:07,600
Speaker 1: Who's afraid of Little Old Meat? I mean, if you

1264
00:58:07,640 --> 00:58:09,600
Speaker 1: don't know that is a reference to like a witch

1265
00:58:09,720 --> 00:58:12,240
Speaker 1: being like Who's afraid of Little Old Me? It's like

1266
00:58:12,520 --> 00:58:15,320
Speaker 1: she's again being this like I'm lurch I'm a monster

1267
00:58:15,480 --> 00:58:18,000
Speaker 1: lurching towards your favorite city. It's like putting Taylor in

1268
00:58:18,040 --> 00:58:20,880
Speaker 1: this kind of like goblin esque like imagery of her

1269
00:58:20,920 --> 00:58:23,560
Speaker 1: being like ah and everyone's like kind of scared of her,

1270
00:58:23,840 --> 00:58:26,160
Speaker 1: And then I love the turn of you should be,

1271
00:58:26,160 --> 00:58:28,680
Speaker 1: because who's afraid of little me? Is a sarcastic thing,

1272
00:58:28,760 --> 00:58:31,640
Speaker 1: like who's like it's kind of saying it, like are

1273
00:58:31,680 --> 00:58:32,720
Speaker 1: you a scared of little old me?

1274
00:58:33,040 --> 00:58:33,120
Speaker 3: Like?

1275
00:58:33,400 --> 00:58:34,960
Speaker 2: And then her being like you should.

1276
00:58:34,720 --> 00:58:38,640
Speaker 1: Be is like really creepy and really fun. And I

1277
00:58:38,680 --> 00:58:40,720
Speaker 1: was tame. I was gentle till the circus life made

1278
00:58:40,760 --> 00:58:43,800
Speaker 1: me mean. Okay, so she's admitting she is mean. She

1279
00:58:43,880 --> 00:58:46,360
Speaker 1: can be mean sometimes because guess what, her life is

1280
00:58:46,440 --> 00:58:50,919
Speaker 1: fucking crazy and no one else live or dead really

1281
00:58:50,960 --> 00:58:54,440
Speaker 1: can compare their lives to her. I mean maybe Michael

1282
00:58:54,480 --> 00:58:56,880
Speaker 1: Jackson at one point, you know, like it just there's

1283
00:58:57,720 --> 00:59:02,080
Speaker 1: it's just her. The circus, the industry has made her

1284
00:59:02,120 --> 00:59:05,520
Speaker 1: who she is. We took out all her teeth. I mean,

1285
00:59:07,240 --> 00:59:09,520
Speaker 1: who took out our who took out our teeth? I'm

1286
00:59:09,560 --> 00:59:10,760
Speaker 1: wondering what that is.

1287
00:59:10,840 --> 00:59:12,960
Speaker 3: Well, at first it was the record labels, who are like,

1288
00:59:13,000 --> 00:59:15,240
Speaker 3: you can't be political, right, you can't say anything about

1289
00:59:15,280 --> 00:59:18,560
Speaker 3: Polico yep. So it's like the muzzle that they put

1290
00:59:18,600 --> 00:59:21,520
Speaker 3: on her that she said she removed, and I remember

1291
00:59:21,600 --> 00:59:24,000
Speaker 3: reading on like you know that serious XM channel that

1292
00:59:24,080 --> 00:59:27,160
Speaker 3: she has that. This is a song about how society

1293
00:59:27,160 --> 00:59:29,440
Speaker 3: treats its artists, like what we do to them, we

1294
00:59:29,520 --> 00:59:32,760
Speaker 3: make them. We love to see them in pain because

1295
00:59:32,800 --> 00:59:34,439
Speaker 3: we want to see the art that they make when

1296
00:59:34,440 --> 00:59:35,520
Speaker 3: they are in that state.

1297
00:59:36,200 --> 00:59:38,800
Speaker 4: Yeah, I don't even know.

1298
00:59:38,720 --> 00:59:40,720
Speaker 1: That it's that, you know, it's probably a little bit

1299
00:59:40,720 --> 00:59:43,560
Speaker 1: of that, Like I don't there's there's a sick part

1300
00:59:43,560 --> 00:59:45,880
Speaker 1: of me that's like, oh Taylor went through this breakup,

1301
00:59:45,880 --> 00:59:47,240
Speaker 1: Oh my god, I can't wait for the album.

1302
00:59:47,280 --> 00:59:48,840
Speaker 2: We all have that a little bit of that in us.

1303
00:59:49,480 --> 00:59:51,880
Speaker 4: It's I think it's like we just like to see.

1304
00:59:51,560 --> 00:59:53,640
Speaker 1: We are all so miserable. We like to see people

1305
00:59:53,680 --> 00:59:55,600
Speaker 1: that we think are golden and have it so perfect.

1306
00:59:55,680 --> 00:59:57,480
Speaker 1: We like to see them suffer too, and it makes

1307
00:59:57,520 --> 00:59:59,680
Speaker 1: us feel less bad about not being as successful as

1308
00:59:59,680 --> 01:00:02,760
Speaker 1: they are. Like I think we like we build people

1309
01:00:02,880 --> 01:00:05,360
Speaker 1: up because we love to look at someone who's so

1310
01:00:05,800 --> 01:00:08,000
Speaker 1: glamorous in who we can kind of fantasize about having

1311
01:00:08,040 --> 01:00:10,960
Speaker 1: their life. But ultimately we are so jealous of them.

1312
01:00:11,000 --> 01:00:12,960
Speaker 1: We want to take them. We just we don't want

1313
01:00:12,960 --> 01:00:15,600
Speaker 1: them to be happy because we're so jealous, Like why

1314
01:00:15,600 --> 01:00:16,200
Speaker 1: can't that be me?

1315
01:00:16,240 --> 01:00:16,640
Speaker 2: At least?

1316
01:00:16,640 --> 01:00:18,840
Speaker 1: I that kind of resonates with a really dark part

1317
01:00:18,880 --> 01:00:22,680
Speaker 1: of my soul. Right, but I love the bridge, so

1318
01:00:22,760 --> 01:00:24,280
Speaker 1: tell me everything is not about me?

1319
01:00:24,640 --> 01:00:25,919
Speaker 4: But what if it is?

1320
01:00:26,680 --> 01:00:27,000
Speaker 2: Okay?

1321
01:00:27,640 --> 01:00:31,200
Speaker 1: You know, I heard some complaints in some you know,

1322
01:00:31,200 --> 01:00:35,439
Speaker 1: I was listening to some review that was negative, and

1323
01:00:35,440 --> 01:00:37,800
Speaker 1: I'm sorry I even gave it a view.

1324
01:00:37,360 --> 01:00:37,520
Speaker 4: But.

1325
01:00:38,960 --> 01:00:42,400
Speaker 1: It was saying like how how Like it was kind

1326
01:00:42,400 --> 01:00:44,440
Speaker 1: of making fun of her for saying this, of like

1327
01:00:45,440 --> 01:00:48,400
Speaker 1: you're such a narcissist, like you know, but she kind

1328
01:00:48,400 --> 01:00:51,600
Speaker 1: of admits. First of all, she admits to being a narcissist. She's,

1329
01:00:51,800 --> 01:00:55,920
Speaker 1: uh my, did you hear my covert narcissism? And then

1330
01:00:55,960 --> 01:01:00,840
Speaker 1: she says it again in You're losing me? I would

1331
01:01:00,880 --> 01:01:05,200
Speaker 1: maybe me either a pathological people, please are you know,

1332
01:01:05,920 --> 01:01:08,480
Speaker 1: kind of like giving into those narcissist vibes of like,

1333
01:01:08,600 --> 01:01:12,440
Speaker 1: there's something wrong with me a little bit at this party.

1334
01:01:13,880 --> 01:01:15,800
Speaker 1: I'm the best thing at this party. By the way,

1335
01:01:15,840 --> 01:01:19,640
Speaker 1: you definitely are tailor, there's no question. But I love

1336
01:01:19,680 --> 01:01:23,960
Speaker 1: that line. I love it because it also hearkens my god.

1337
01:01:24,080 --> 01:01:26,000
Speaker 1: I love how every lyric of hers I'm like, oh,

1338
01:01:26,000 --> 01:01:28,560
Speaker 1: it reminds me of this other one of you're on

1339
01:01:28,640 --> 01:01:31,320
Speaker 1: your own kid, of like you know, as search the

1340
01:01:31,360 --> 01:01:34,120
Speaker 1: party of better bodies and realized.

1341
01:01:35,480 --> 01:01:37,720
Speaker 2: My feelings aren't rare, or you know, you didn't care.

1342
01:01:38,480 --> 01:01:42,600
Speaker 1: But guess what when she's saying everything is not me

1343
01:01:42,960 --> 01:01:45,760
Speaker 1: or they said they didn't do it to hurt me,

1344
01:01:45,840 --> 01:01:48,600
Speaker 1: but what if they did? Everything kind of is about her,

1345
01:01:48,720 --> 01:01:51,880
Speaker 1: Like she's not crazy to read into things absolutely, and

1346
01:01:51,920 --> 01:01:54,440
Speaker 1: it gives me a little validation to read into her

1347
01:01:54,800 --> 01:01:57,240
Speaker 1: lyrics as much as I do, because I feel like

1348
01:01:57,280 --> 01:01:59,040
Speaker 1: I'm the person that's like, but what if this is

1349
01:01:59,080 --> 01:01:59,920
Speaker 1: about this?

1350
01:02:00,000 --> 01:02:02,400
Speaker 2: This isn't about Maddie, But what if it is?

1351
01:02:02,480 --> 01:02:06,080
Speaker 1: Like it's okay for me to actually go there too, Like, yeah,

1352
01:02:06,080 --> 01:02:08,400
Speaker 1: it's not And I can read all into it all day.

1353
01:02:08,440 --> 01:02:10,320
Speaker 1: She's kind of like giving us a little shout out here,

1354
01:02:10,360 --> 01:02:13,280
Speaker 1: I think, or at least empathizing with us making these

1355
01:02:13,440 --> 01:02:16,800
Speaker 1: wild assumptions. Yeah, and you wouldn't less an hour in

1356
01:02:16,840 --> 01:02:18,000
Speaker 1: the sylum that they raised me.

1357
01:02:18,040 --> 01:02:20,800
Speaker 4: Oh that one killed me. That line.

1358
01:02:22,560 --> 01:02:25,760
Speaker 3: It's like all the young female well you sent me

1359
01:02:25,800 --> 01:02:27,760
Speaker 3: a really great text that a friend sent you, which

1360
01:02:27,840 --> 01:02:31,280
Speaker 3: is like, what if this is about Olivia Rodrigo, right,

1361
01:02:31,440 --> 01:02:34,840
Speaker 3: And it's like all Olivia and all these other young

1362
01:02:35,320 --> 01:02:38,600
Speaker 3: female singers would not last an hour in the like

1363
01:02:38,960 --> 01:02:44,480
Speaker 3: toxic media landscape she had to come up in as

1364
01:02:44,480 --> 01:02:45,920
Speaker 3: a young woman.

1365
01:02:46,440 --> 01:02:49,280
Speaker 1: Which is so I think it's you don't know one

1366
01:02:49,320 --> 01:02:53,160
Speaker 1: would you know? Like yeah, And you know, first of all,

1367
01:02:53,240 --> 01:02:55,760
Speaker 1: a lot of women didn't didn't did come up in

1368
01:02:55,800 --> 01:02:57,800
Speaker 1: this and didn't make it out. I mean, like we

1369
01:02:58,160 --> 01:03:02,680
Speaker 1: know of Starlet's currently who are not doing well because

1370
01:03:02,720 --> 01:03:05,800
Speaker 1: they came up in this asylum. And so you know,

1371
01:03:06,280 --> 01:03:10,959
Speaker 1: Taylor is a very strong person. She's superhuman for sure,

1372
01:03:11,120 --> 01:03:15,400
Speaker 1: mentally physically like someone you know. Her trainer just posted

1373
01:03:15,440 --> 01:03:18,000
Speaker 1: about her workout and said anyone usually would do this

1374
01:03:18,000 --> 01:03:20,360
Speaker 1: would throw up every time, and she just doesn't, you know,

1375
01:03:20,440 --> 01:03:23,800
Speaker 1: like she really is. It's next level this girl. There's

1376
01:03:23,840 --> 01:03:26,080
Speaker 1: really nothing she can't do. I truly believe that if

1377
01:03:26,080 --> 01:03:27,720
Speaker 1: she wants to do, she could do anything she wants

1378
01:03:27,760 --> 01:03:29,560
Speaker 1: to do. I hope she never tries to stand up.

1379
01:03:29,600 --> 01:03:32,360
Speaker 1: I'll be so humiliated and how good she is at it,

1380
01:03:33,560 --> 01:03:37,800
Speaker 1: but yeah, like she I loved that. Monica Lewinsky posted

1381
01:03:37,840 --> 01:03:39,520
Speaker 1: a picture of the White House and wrote, you wouldn't

1382
01:03:39,600 --> 01:03:41,480
Speaker 1: last an hour in the asylum where they raised me

1383
01:03:41,680 --> 01:03:43,040
Speaker 1: under it and it's so good.

1384
01:03:43,160 --> 01:03:43,960
Speaker 2: That went viral.

1385
01:03:44,000 --> 01:03:47,360
Speaker 1: This weekend and then she goes I think this is

1386
01:03:47,400 --> 01:03:51,280
Speaker 1: where I was kind of thinking about Kim, because she's like,

1387
01:03:51,320 --> 01:03:53,160
Speaker 1: I'll sue you if you step on my lawn. Then

1388
01:03:53,200 --> 01:03:55,760
Speaker 1: I'm fearsome and I'm wretched and I'm wrong. Putting a

1389
01:03:55,800 --> 01:03:59,360
Speaker 1: cart narcotics into all of my songs like she got

1390
01:03:59,400 --> 01:04:01,640
Speaker 1: it kind of harkens to Thank You Amy, where it's

1391
01:04:01,640 --> 01:04:03,600
Speaker 1: like I wrote a thousand songs that you think are

1392
01:04:03,680 --> 01:04:07,000
Speaker 1: uncool and like, yeah, those things that people are.

1393
01:04:06,840 --> 01:04:09,200
Speaker 2: Like, why does everyone like her so much?

1394
01:04:09,520 --> 01:04:10,760
Speaker 4: What these like?

1395
01:04:10,960 --> 01:04:12,120
Speaker 2: What's what's going on?

1396
01:04:12,160 --> 01:04:15,439
Speaker 1: What is people really are like? Is there something going

1397
01:04:15,480 --> 01:04:17,600
Speaker 1: on that is more than the music? It's like, no,

1398
01:04:17,800 --> 01:04:20,959
Speaker 1: it's just good. Why she didn't trick us in any way? Yeah,

1399
01:04:21,000 --> 01:04:24,200
Speaker 1: that's so insulting to think that we like Taylor Swift

1400
01:04:24,240 --> 01:04:27,760
Speaker 1: because she's like manipulating us or something. She is a mastermind,

1401
01:04:27,760 --> 01:04:30,560
Speaker 1: So I mean, fine, manipulate me all day long.

1402
01:04:30,640 --> 01:04:31,760
Speaker 2: It feels real good.

1403
01:04:32,440 --> 01:04:34,520
Speaker 3: And here's the other thing, is like going back to

1404
01:04:34,560 --> 01:04:37,160
Speaker 3: what you said of well, when she's going through a breakup,

1405
01:04:37,200 --> 01:04:39,360
Speaker 3: we all know we're gonna have a good album. It's like, well,

1406
01:04:39,680 --> 01:04:43,240
Speaker 3: she writes things that we're and she conveys emotions We're

1407
01:04:43,240 --> 01:04:45,439
Speaker 3: not gonna get anywhere else in life. We're not gonna

1408
01:04:45,440 --> 01:04:47,200
Speaker 3: go to a movie, we're not gonna listen to another

1409
01:04:47,320 --> 01:04:51,080
Speaker 3: artist describe their feelings in the same way she does.

1410
01:04:51,600 --> 01:04:54,200
Speaker 3: So it's just for like a breath of fresh air,

1411
01:04:54,240 --> 01:04:57,160
Speaker 3: and it's relatable, and it's like, finally someone sees me

1412
01:04:57,360 --> 01:05:00,800
Speaker 3: and sees what I'm going through and puts it in

1413
01:05:00,920 --> 01:05:04,080
Speaker 3: such a lovely, melodically incredible song.

1414
01:05:05,960 --> 01:05:08,000
Speaker 2: Yes, I love the song.

1415
01:05:08,080 --> 01:05:11,720
Speaker 1: It's probably gonna be one of my favorites at some point. Okay,

1416
01:05:11,760 --> 01:05:13,600
Speaker 1: next up, I can fix him. No, really, I can.

1417
01:05:14,320 --> 01:05:16,840
Speaker 1: I was not feeling this song at all to the

1418
01:05:16,880 --> 01:05:18,680
Speaker 1: point where I like was every time it came on

1419
01:05:18,760 --> 01:05:21,080
Speaker 1: it was a skip for me. It's too slow. I

1420
01:05:21,120 --> 01:05:23,400
Speaker 1: need things that like get my fucking heart rate going.

1421
01:05:23,440 --> 01:05:25,280
Speaker 1: I want to feel stressed out, I want to feel anxious.

1422
01:05:25,280 --> 01:05:27,880
Speaker 1: It's too slow. Then someone really talked to me about

1423
01:05:27,880 --> 01:05:30,600
Speaker 1: it and convinced me that I should get into it,

1424
01:05:31,040 --> 01:05:36,360
Speaker 1: and I am probably halfway there. But it's it's it's

1425
01:05:36,440 --> 01:05:39,080
Speaker 1: not it doesn't. It doesn't grip me the way that

1426
01:05:39,560 --> 01:05:42,640
Speaker 1: it has other people. But I mad respect on this one.

1427
01:05:42,680 --> 01:05:43,480
Speaker 1: How do you feel about it?

1428
01:05:43,480 --> 01:05:44,040
Speaker 4: I love it?

1429
01:05:44,160 --> 01:05:47,280
Speaker 3: I love it and I like that she's saying. It's

1430
01:05:47,320 --> 01:05:49,880
Speaker 3: like a reply to everyone saying, oh this guy, your

1431
01:05:49,920 --> 01:05:52,400
Speaker 3: dating is horrible. And when she said, but your good

1432
01:05:52,400 --> 01:05:57,720
Speaker 3: Lord doesn't need to lift a finger, that line is incredible, right, And.

1433
01:05:58,360 --> 01:05:59,880
Speaker 2: I like that, Like, can we talk about that line

1434
01:05:59,920 --> 01:06:00,440
Speaker 2: for second?

1435
01:06:00,480 --> 01:06:00,720
Speaker 4: Hmm.

1436
01:06:01,040 --> 01:06:05,040
Speaker 1: That tells me Taylor Swift is not religious because your

1437
01:06:05,120 --> 01:06:09,760
Speaker 1: good Lord, Like it's not like she I'm sure she's spiritual,

1438
01:06:09,800 --> 01:06:12,720
Speaker 1: but it it made me feel good that, like, because

1439
01:06:12,720 --> 01:06:14,840
Speaker 1: I'm not someone who talks about the good Lord and

1440
01:06:14,840 --> 01:06:16,600
Speaker 1: stuff like, it made me feel good that she's talking

1441
01:06:16,600 --> 01:06:17,800
Speaker 1: about their good Lord.

1442
01:06:17,880 --> 01:06:18,120
Speaker 2: It does.

1443
01:06:18,200 --> 01:06:20,840
Speaker 1: It's not hers because our she would maybe say our

1444
01:06:20,880 --> 01:06:23,840
Speaker 1: good Lord if she was buying into this like pray

1445
01:06:23,920 --> 01:06:26,280
Speaker 1: for me bullshit. And I believe in prayer. I believe

1446
01:06:26,320 --> 01:06:28,120
Speaker 1: in a higher power and stuff. But I feel like

1447
01:06:28,160 --> 01:06:32,720
Speaker 1: Taylor's not like into you know, organized religion, and that

1448
01:06:32,840 --> 01:06:35,320
Speaker 1: kind of that lyric saying your good Lord kind of

1449
01:06:35,320 --> 01:06:37,880
Speaker 1: made me feel that. I don't know if she intended that,

1450
01:06:38,000 --> 01:06:39,919
Speaker 1: but I love I love that line as well.

1451
01:06:40,640 --> 01:06:44,040
Speaker 3: Yeah, and to me, it's also like you have God

1452
01:06:44,120 --> 01:06:47,120
Speaker 3: on your side. Great, I don't even need God. I'm

1453
01:06:47,160 --> 01:06:50,400
Speaker 3: gonna do it myself, like I know, how to fix

1454
01:06:50,520 --> 01:06:50,960
Speaker 3: this man?

1455
01:06:52,480 --> 01:06:55,880
Speaker 1: Uh huh, and the narcissism coming out again, which she

1456
01:06:56,080 --> 01:06:58,560
Speaker 1: definitely knows what she's saying here, which is like she

1457
01:06:58,640 --> 01:07:00,880
Speaker 1: gets to it, No, maybe I can't, And boy does

1458
01:07:00,920 --> 01:07:03,240
Speaker 1: she wait to hit that tee on the cant at

1459
01:07:03,240 --> 01:07:05,560
Speaker 1: the very end. I've listened to it so much because

1460
01:07:05,880 --> 01:07:08,520
Speaker 1: it she must have. She probably did it in one take.

1461
01:07:08,560 --> 01:07:11,360
Speaker 1: But that is a masterful that she does. Not just no,

1462
01:07:11,480 --> 01:07:15,520
Speaker 1: really I can't, like she goes can't. Yeah, but it

1463
01:07:15,520 --> 01:07:18,120
Speaker 1: doesn't sound like she's trying to hold it. It's just perfect.

1464
01:07:18,240 --> 01:07:20,240
Speaker 1: But I love how she goes on a six lade

1465
01:07:20,480 --> 01:07:24,840
Speaker 1: tix is ow way like I love it, like you know,

1466
01:07:24,920 --> 01:07:29,160
Speaker 1: the western drawl she's getting into. And then I also

1467
01:07:29,360 --> 01:07:32,640
Speaker 1: love his hands so calloused from his pistols, softly trace

1468
01:07:32,680 --> 01:07:34,240
Speaker 1: his hearts on my face for that For a second

1469
01:07:34,280 --> 01:07:36,040
Speaker 1: he was tracing hearts with his pistol, and I was like,

1470
01:07:36,080 --> 01:07:40,360
Speaker 1: that is so fucking crazy, but then obviously not and

1471
01:07:40,400 --> 01:07:44,520
Speaker 1: then yeah, I uh, I love it.

1472
01:07:44,600 --> 01:07:45,120
Speaker 2: I love it.

1473
01:07:45,160 --> 01:07:49,600
Speaker 1: Dopamine she's talking about, which is that's uh, yeah, she's

1474
01:07:49,640 --> 01:07:51,880
Speaker 1: a dopem She chases dopamine too clearly.

1475
01:07:52,360 --> 01:07:52,480
Speaker 4: Uh.

1476
01:07:52,560 --> 01:07:54,440
Speaker 1: Let's move right along to love of my life. Lo

1477
01:07:54,440 --> 01:07:58,800
Speaker 1: oml is really what the title is called. I love

1478
01:07:58,840 --> 01:08:04,600
Speaker 1: the song so much. It's so sad, it's uh yeah,

1479
01:08:04,640 --> 01:08:06,480
Speaker 1: it's just it's so great. It gripped me right away.

1480
01:08:06,480 --> 01:08:11,080
Speaker 1: It's a slow song, but it's just so sweet. And uh,

1481
01:08:11,600 --> 01:08:15,800
Speaker 1: I think it's about I think it's about m I

1482
01:08:15,880 --> 01:08:20,120
Speaker 1: really do I think that. And people and I've seen

1483
01:08:20,160 --> 01:08:22,439
Speaker 1: all of these lists of like this is about Jay,

1484
01:08:22,520 --> 01:08:24,639
Speaker 1: this is about em And I'm like, no, like you're

1485
01:08:24,640 --> 01:08:27,719
Speaker 1: getting these wrong. This is this is about em because

1486
01:08:28,200 --> 01:08:32,160
Speaker 1: mister steel your girl, then make her cry talking rings

1487
01:08:32,200 --> 01:08:34,400
Speaker 1: and talking cradles. I mean, I'm sure Joe talked about

1488
01:08:34,400 --> 01:08:39,600
Speaker 1: that stuff with her, but something counterfeit is dead. I

1489
01:08:39,600 --> 01:08:42,480
Speaker 1: don't think we were getting anything about Joe being counterfeit.

1490
01:08:42,640 --> 01:08:46,160
Speaker 3: No, And remember how I texted you about Glitch. Glitch

1491
01:08:46,200 --> 01:08:49,679
Speaker 3: has the word counterfeit in it, and Glitch is about him.

1492
01:08:50,479 --> 01:08:52,120
Speaker 2: And Glitch is about why do we know that Glitch

1493
01:08:52,200 --> 01:08:52,680
Speaker 2: is about him?

1494
01:08:52,720 --> 01:08:57,120
Speaker 3: Again, She's like, you don't live in my part of

1495
01:08:57,200 --> 01:09:01,400
Speaker 3: town because he lives in London, like and you know,

1496
01:09:01,560 --> 01:09:06,639
Speaker 3: and then situationship I'm in or depending what's in my system.

1497
01:09:06,840 --> 01:09:10,200
Speaker 3: It's like there have been in a ten year long situationship,

1498
01:09:10,840 --> 01:09:13,240
Speaker 3: and I think there's been a glitch. We were only

1499
01:09:13,240 --> 01:09:15,559
Speaker 3: supposed to be friends. Now I'm fascinating myself.

1500
01:09:15,560 --> 01:09:16,320
Speaker 2: I found another one.

1501
01:09:16,680 --> 01:09:21,400
Speaker 1: What nights just so storry? And then she goes, I

1502
01:09:21,400 --> 01:09:24,040
Speaker 1: thought I was better safe than Starry. I'd we're getting

1503
01:09:24,080 --> 01:09:30,679
Speaker 1: Starry twice, both in glitch and this. Yes, I love

1504
01:09:30,880 --> 01:09:33,519
Speaker 1: it's just you low down boy, you stand up guy.

1505
01:09:33,560 --> 01:09:35,040
Speaker 1: I like that, she says, stand up. I feel like

1506
01:09:35,080 --> 01:09:37,240
Speaker 1: it's the same feeling I got when she said Saint Louis.

1507
01:09:37,320 --> 01:09:38,000
Speaker 2: I'm just like, oh.

1508
01:09:40,400 --> 01:09:42,200
Speaker 1: You holy ghost, you told me I'm the love of

1509
01:09:42,240 --> 01:09:46,920
Speaker 1: your life. Okay, when, oh my god, my favorite lyric

1510
01:09:47,000 --> 01:09:51,160
Speaker 1: I think I just love. My favorite melody is Santa

1511
01:09:51,400 --> 01:09:55,599
Speaker 1: Phile in Black and White. All those plot twists Dinah

1512
01:09:55,680 --> 01:09:58,640
Speaker 1: might mister steel your girl then make her cry? But

1513
01:09:58,680 --> 01:10:03,840
Speaker 1: then I love, oh god, where is it? Oh?

1514
01:10:03,840 --> 01:10:04,080
Speaker 2: Where?

1515
01:10:04,120 --> 01:10:06,000
Speaker 1: She says, what a bland goodbye?

1516
01:10:06,360 --> 01:10:06,639
Speaker 2: Woof?

1517
01:10:06,800 --> 01:10:09,360
Speaker 1: And we we know he ghosted her. That's what we

1518
01:10:09,439 --> 01:10:11,400
Speaker 1: at least we don't know this, but that's kind of

1519
01:10:11,400 --> 01:10:14,519
Speaker 1: what we think. A bland goodbye that makes me think

1520
01:10:14,520 --> 01:10:17,080
Speaker 1: of ghosting and just the bland goodbye.

1521
01:10:17,200 --> 01:10:18,360
Speaker 2: She's so disappointed.

1522
01:10:18,600 --> 01:10:22,479
Speaker 1: Her her voice is just conveys so much disappointment, and

1523
01:10:22,560 --> 01:10:24,639
Speaker 1: just like, what the fuckness in this song?

1524
01:10:24,680 --> 01:10:25,880
Speaker 2: I love it so much.

1525
01:10:27,120 --> 01:10:31,639
Speaker 1: I'll never leave never mind like she's coming through all

1526
01:10:31,640 --> 01:10:35,720
Speaker 1: the lies. It's just so good. And then let's finish

1527
01:10:35,840 --> 01:10:38,360
Speaker 1: this pod on. I can do it with a broken heart.

1528
01:10:38,520 --> 01:10:41,120
Speaker 4: Oh what a good one.

1529
01:10:41,560 --> 01:10:43,439
Speaker 1: This is my number one right now, the bop of

1530
01:10:43,479 --> 01:10:46,200
Speaker 1: the whole album. Yeah, you know, it's giving us the

1531
01:10:46,240 --> 01:10:49,879
Speaker 1: beats per minute that we need. And it gets chaotic

1532
01:10:49,920 --> 01:10:51,920
Speaker 1: at the end. It turns into like a fun house

1533
01:10:53,120 --> 01:10:54,600
Speaker 1: Like I'm looking at the chords to play it on

1534
01:10:54,600 --> 01:10:57,080
Speaker 1: the guitar and it just changes into chords you've never

1535
01:10:57,120 --> 01:11:00,240
Speaker 1: even like see sharp major seventh and I'm just like,

1536
01:11:00,479 --> 01:11:03,640
Speaker 1: I can't even like. The song gets so insane at

1537
01:11:03,640 --> 01:11:08,200
Speaker 1: the end. But I love this song so much. Obviously

1538
01:11:08,200 --> 01:11:11,360
Speaker 1: it's about performing when she was feeling sad. It's obviously

1539
01:11:11,360 --> 01:11:13,400
Speaker 1: something that I sensed when I went to Aristur in

1540
01:11:13,520 --> 01:11:15,799
Speaker 1: June and July. I even said it on my podcast.

1541
01:11:15,840 --> 01:11:18,880
Speaker 1: There is like evidence to prove that I definitely thought

1542
01:11:18,920 --> 01:11:20,760
Speaker 1: she was a little bit sad during before she met

1543
01:11:20,800 --> 01:11:25,240
Speaker 1: Travis and post June early June break up with Maddie,

1544
01:11:26,080 --> 01:11:29,599
Speaker 1: and even probably when before Mattie even though I think

1545
01:11:29,640 --> 01:11:32,920
Speaker 1: she jumped kind of right into Mattie after Joe. I

1546
01:11:32,960 --> 01:11:35,040
Speaker 1: would just guess, because I think he was kind of,

1547
01:11:35,560 --> 01:11:36,360
Speaker 1: you know, on deck.

1548
01:11:36,920 --> 01:11:40,280
Speaker 3: They were already dating. By by April eighth, when the

1549
01:11:40,280 --> 01:11:42,760
Speaker 3: news broke that she and Joe had broken up, she

1550
01:11:42,800 --> 01:11:44,439
Speaker 3: and Maddie had already been dating.

1551
01:11:45,720 --> 01:11:48,559
Speaker 1: Yeah, yeah, so she which is a very common thing.

1552
01:11:49,080 --> 01:11:51,880
Speaker 1: There's no part of me that's like, wait, what, how

1553
01:11:51,920 --> 01:11:54,000
Speaker 1: did you go to him so fast? Yeah, because that's

1554
01:11:54,040 --> 01:11:56,720
Speaker 1: what happens when relationships and you find something else. My

1555
01:11:56,840 --> 01:11:59,000
Speaker 1: old therapist used to say, sometimes you just need another

1556
01:11:59,000 --> 01:12:00,760
Speaker 1: lily pad to get you get out of the thing

1557
01:12:00,800 --> 01:12:03,280
Speaker 1: that otherwise you'll stay forever. Some people need it. Doesn't

1558
01:12:03,320 --> 01:12:05,400
Speaker 1: make you a bad person, you just need it. So

1559
01:12:07,479 --> 01:12:09,439
Speaker 1: if by any chance, she was talking to Maddie at

1560
01:12:09,439 --> 01:12:11,840
Speaker 1: the end of her relationship with Joe, usually relationships do

1561
01:12:11,920 --> 01:12:14,400
Speaker 1: not end until they've actually been dead for kind of

1562
01:12:14,439 --> 01:12:17,439
Speaker 1: like a couple months at least, So I don't fault

1563
01:12:17,439 --> 01:12:20,519
Speaker 1: anyone for finding people in that those months where people

1564
01:12:20,640 --> 01:12:22,880
Speaker 1: it's dead beforehand. I know it's not on paper a

1565
01:12:22,880 --> 01:12:24,800
Speaker 1: good thing to do, but I literally don't care at

1566
01:12:24,800 --> 01:12:26,560
Speaker 1: all when people do it. It's what they need to

1567
01:12:26,600 --> 01:12:28,720
Speaker 1: do to leave. It's too hard to leave someone, so like,

1568
01:12:29,800 --> 01:12:31,800
Speaker 1: I have no judgment if that's what happened. I'm not

1569
01:12:31,840 --> 01:12:33,960
Speaker 1: saying that's what happened. I literally have no clue, but

1570
01:12:34,360 --> 01:12:36,719
Speaker 1: I will say that there was no lily Pad after

1571
01:12:37,000 --> 01:12:39,360
Speaker 1: Matt Maddie jumped out, and then we had about a

1572
01:12:39,400 --> 01:12:41,320
Speaker 1: month and a half before she I think got into

1573
01:12:41,360 --> 01:12:43,479
Speaker 1: it with Travis and he you know, made the friendship

1574
01:12:43,479 --> 01:12:47,080
Speaker 1: placelets and everything. But this song, I just love watching

1575
01:12:47,120 --> 01:12:50,280
Speaker 1: the lyric video for it on YouTube that she made

1576
01:12:50,320 --> 01:12:53,519
Speaker 1: because it's just all footage from eras and it's really

1577
01:12:53,520 --> 01:12:55,840
Speaker 1: well done. I recommend it. It's like a music video

1578
01:12:55,880 --> 01:12:58,120
Speaker 1: for it because it's not like repeating the same thing

1579
01:12:58,120 --> 01:13:01,720
Speaker 1: as most of her lyric videos do, and it's just

1580
01:13:01,760 --> 01:13:02,639
Speaker 1: all like these classics.

1581
01:13:04,360 --> 01:13:06,080
Speaker 3: I haven't watched that. I'm gonna watch that.

1582
01:13:06,400 --> 01:13:08,960
Speaker 1: Yeah, it's not it's not like just repeating the same

1583
01:13:09,320 --> 01:13:14,880
Speaker 1: you know, you know, fucking grass by a Lake swaying

1584
01:13:14,920 --> 01:13:18,400
Speaker 1: back and forth, which I love her lyric videos, no shade,

1585
01:13:19,080 --> 01:13:21,200
Speaker 1: but this one has different footage the whole time.

1586
01:13:21,240 --> 01:13:22,040
Speaker 2: It's really fun.

1587
01:13:22,439 --> 01:13:26,160
Speaker 1: And yeah, I mean, who doesn't really, I think everyone's

1588
01:13:26,200 --> 01:13:27,960
Speaker 1: been like Nikki, you must relate to the song so much,

1589
01:13:27,960 --> 01:13:29,840
Speaker 1: And yes I do, because I perform with a broken

1590
01:13:29,880 --> 01:13:31,559
Speaker 1: heart a lot, and not just broken heart, just like

1591
01:13:31,600 --> 01:13:34,800
Speaker 1: depressed or like whatever things. But this and and this

1592
01:13:34,840 --> 01:13:37,120
Speaker 1: reminds me of that moment in the Katy Perry documentary

1593
01:13:37,160 --> 01:13:39,040
Speaker 1: where Russell Brand breaks up with her and she's about

1594
01:13:39,040 --> 01:13:41,759
Speaker 1: to go out to perform for sixty thousand people in Brazil,

1595
01:13:41,840 --> 01:13:44,439
Speaker 1: like it's like a big, big show, and she's just

1596
01:13:44,479 --> 01:13:46,559
Speaker 1: like crying in the wings, like under the stage, and

1597
01:13:46,560 --> 01:13:48,240
Speaker 1: then all of a sudden, she like comes up in

1598
01:13:48,240 --> 01:13:51,240
Speaker 1: the lights and she's got like these swirling like whipped

1599
01:13:51,240 --> 01:13:53,560
Speaker 1: cream on her tints, and it's just so funny. But

1600
01:13:53,640 --> 01:13:56,080
Speaker 1: she's like crying with this ridiculous outfit on and then

1601
01:13:56,120 --> 01:13:58,200
Speaker 1: she just like lights up. It is like you know,

1602
01:13:58,800 --> 01:14:01,519
Speaker 1: California Girls or what. And she can do it with

1603
01:14:01,520 --> 01:14:03,439
Speaker 1: the broken heart. So some people have put that song

1604
01:14:03,479 --> 01:14:06,000
Speaker 1: over that moment, which I thought was really funny. Yeah,

1605
01:14:06,240 --> 01:14:10,000
Speaker 1: but yeah, this is she's don't worry about her. She

1606
01:14:10,040 --> 01:14:12,479
Speaker 1: can She'll always be able to give us the show,

1607
01:14:12,760 --> 01:14:14,920
Speaker 1: you know what I would have. I just want to

1608
01:14:14,960 --> 01:14:18,200
Speaker 1: know if she's able to like forget about her broken

1609
01:14:18,200 --> 01:14:20,639
Speaker 1: heart when she's up there, Like does the adrenaline make

1610
01:14:20,680 --> 01:14:23,040
Speaker 1: her have a really good time, because I do believe

1611
01:14:23,080 --> 01:14:25,160
Speaker 1: she's having a great time, but that doesn't And as

1612
01:14:25,200 --> 01:14:28,280
Speaker 1: a performer myself, when I'm really depressed and going through something,

1613
01:14:28,320 --> 01:14:30,439
Speaker 1: I think the adrenaline will take me out of it.

1614
01:14:30,560 --> 01:14:34,240
Speaker 1: Especially when I'm in shoe pain. My shoes will hurt

1615
01:14:34,320 --> 01:14:36,840
Speaker 1: so much off stage. I walk on stage for an

1616
01:14:36,840 --> 01:14:38,360
Speaker 1: hour and a half, they do not hurt at all,

1617
01:14:38,560 --> 01:14:40,240
Speaker 1: and then the second I step into the wings, they

1618
01:14:40,240 --> 01:14:44,040
Speaker 1: start fucking throbbing like I have to kick them off violently.

1619
01:14:44,280 --> 01:14:46,920
Speaker 1: And just two minutes, two seconds before, I was like,

1620
01:14:47,120 --> 01:14:49,040
Speaker 1: didn't feel them at all. So you can numb out

1621
01:14:49,080 --> 01:14:51,439
Speaker 1: on stage and have a really good time. I wonder

1622
01:14:51,520 --> 01:14:53,800
Speaker 1: if she's able to do that or if she's just

1623
01:14:53,880 --> 01:14:55,280
Speaker 1: truly faking it the whole time.

1624
01:14:56,160 --> 01:14:56,720
Speaker 4: I don't know.

1625
01:14:57,080 --> 01:15:00,720
Speaker 3: Yeah, I mean I can't tell, that's the thing. The

1626
01:15:00,800 --> 01:15:03,000
Speaker 3: only times I can tell is when she does the

1627
01:15:03,040 --> 01:15:05,639
Speaker 3: surprise songs and then we see a bit of emotion there.

1628
01:15:05,720 --> 01:15:06,960
Speaker 2: Oh, and then we see it breakthrough.

1629
01:15:07,120 --> 01:15:10,960
Speaker 3: Yeah, like when she sang what's that song she has

1630
01:15:11,000 --> 01:15:11,799
Speaker 3: with Zade Malick.

1631
01:15:14,439 --> 01:15:15,679
Speaker 2: I was there for that song?

1632
01:15:19,320 --> 01:15:24,680
Speaker 1: Yes, oh yeah, that one. Yeah, we all know it.

1633
01:15:24,920 --> 01:15:27,960
Speaker 3: The emotion she's in the green dress and it's like

1634
01:15:28,000 --> 01:15:29,040
Speaker 3: she's gonna cry.

1635
01:15:30,240 --> 01:15:34,120
Speaker 1: So think that one was probably June or July post

1636
01:15:34,200 --> 01:15:36,519
Speaker 1: Matthie Poor Travis, because I was there and that was

1637
01:15:36,560 --> 01:15:40,519
Speaker 1: like the month I was going a ton and yeah, okay,

1638
01:15:40,600 --> 01:15:45,040
Speaker 1: so we're let's finish on this. I have some questions

1639
01:15:45,080 --> 01:15:48,759
Speaker 1: from besties that I thought we could have just address.

1640
01:15:48,800 --> 01:15:52,880
Speaker 1: People wanted to hit these topics. Someone said, we need

1641
01:15:52,960 --> 01:15:55,439
Speaker 1: you to go through every album now, Yes, we totally

1642
01:15:55,520 --> 01:15:58,080
Speaker 1: want to do that. Someone said, how does Taylor have

1643
01:15:58,080 --> 01:16:00,160
Speaker 1: this many feelings for Mattie Healy if they dated for

1644
01:16:00,200 --> 01:16:02,200
Speaker 1: like two months. I think we all know the answer

1645
01:16:02,280 --> 01:16:07,040
Speaker 1: to that. It's like, I mean, I I could write

1646
01:16:07,160 --> 01:16:09,400
Speaker 1: so many songs about the two week thing that I

1647
01:16:09,439 --> 01:16:12,560
Speaker 1: went through because it was just so heightened and it

1648
01:16:12,600 --> 01:16:14,800
Speaker 1: went away so fast, and it was so disruptive.

1649
01:16:14,840 --> 01:16:16,400
Speaker 2: It was like it's like a car crash.

1650
01:16:16,520 --> 01:16:19,400
Speaker 1: Car crashes happened in like zero point two five seconds,

1651
01:16:20,120 --> 01:16:25,760
Speaker 1: and the immense damage can be done. But and you know,

1652
01:16:26,280 --> 01:16:29,080
Speaker 1: we got lover out of her love for Joe, and

1653
01:16:30,200 --> 01:16:32,840
Speaker 1: we got a lot of good love songs. But the

1654
01:16:32,840 --> 01:16:35,720
Speaker 1: there's just something, you know, I think it makes sense

1655
01:16:35,760 --> 01:16:37,880
Speaker 1: if you've been through it. I think everyone's talked about

1656
01:16:37,880 --> 01:16:42,280
Speaker 1: the sad nauseum online, but of course short things are

1657
01:16:42,280 --> 01:16:45,840
Speaker 1: going to bring illicit more emotions than long, steady, secure things.

1658
01:16:45,960 --> 01:16:48,840
Speaker 3: And over so many songs, she said it was like

1659
01:16:48,880 --> 01:16:52,439
Speaker 3: a meteor rise, and she's felt that she's never felt

1660
01:16:52,439 --> 01:16:55,400
Speaker 3: that before that one thing with him, and we know

1661
01:16:55,479 --> 01:16:57,400
Speaker 3: that it was a ten year thing, and she kept

1662
01:16:57,439 --> 01:17:00,280
Speaker 3: going back to him and comparing everyone she dated, that

1663
01:17:00,320 --> 01:17:03,400
Speaker 3: little stint she had dating him in twenty fourteen, and

1664
01:17:03,520 --> 01:17:05,280
Speaker 3: I it's the same thing. It's like, we can all

1665
01:17:05,280 --> 01:17:09,519
Speaker 3: relate to someone who, like you, felt so many emotions

1666
01:17:09,560 --> 01:17:12,479
Speaker 3: with it, went over it and died quickly. But it

1667
01:17:12,479 --> 01:17:17,800
Speaker 3: doesn't mean that it wasn't meaningful or didn't, like you know,

1668
01:17:18,160 --> 01:17:18,920
Speaker 3: mean as much.

1669
01:17:19,720 --> 01:17:23,360
Speaker 1: Honestly, it's just and again it doesn't matter it just

1670
01:17:23,720 --> 01:17:26,840
Speaker 1: because it did, because it was more. It just stirred

1671
01:17:26,880 --> 01:17:30,120
Speaker 1: up more emotions, because that's just sometimes there's not an explanation.

1672
01:17:30,240 --> 01:17:32,360
Speaker 1: Because it did, I can't help my feelings. I would

1673
01:17:32,439 --> 01:17:35,160
Speaker 1: also say that, like, you can't help what you feel

1674
01:17:35,160 --> 01:17:37,320
Speaker 1: if you don't understand that yet, Like you really need

1675
01:17:37,360 --> 01:17:39,120
Speaker 1: to go to therapy because it helped. It took me

1676
01:17:39,200 --> 01:17:41,679
Speaker 1: so long to figure out that my feelings weren't wrong

1677
01:17:41,960 --> 01:17:44,800
Speaker 1: that you literally have. Yeah, people try to go like,

1678
01:17:44,880 --> 01:17:45,920
Speaker 1: why do you feel that way?

1679
01:17:46,439 --> 01:17:46,960
Speaker 2: I don't.

1680
01:17:47,240 --> 01:17:49,960
Speaker 1: I don't really care about people's opinions about my feelings anymore.

1681
01:17:49,960 --> 01:17:51,920
Speaker 1: If I cry, I could. I get embarrassed some times,

1682
01:17:51,920 --> 01:17:53,400
Speaker 1: if I cry, if I get upset, if I get

1683
01:17:53,400 --> 01:17:56,840
Speaker 1: angry about something, but I'm not I can't help them.

1684
01:17:56,880 --> 01:17:59,040
Speaker 1: I'm not choosing to be sad right now. I'm not

1685
01:17:59,120 --> 01:18:01,160
Speaker 1: choosing to be depressed. I'm not like, no one would

1686
01:18:01,240 --> 01:18:03,840
Speaker 1: choose that. So you got you gotta really understand you

1687
01:18:03,840 --> 01:18:05,880
Speaker 1: can't help your feelings. It's not you can't help your thoughts.

1688
01:18:05,920 --> 01:18:09,240
Speaker 1: There's not something you're in control of, so stop trying

1689
01:18:09,280 --> 01:18:11,000
Speaker 1: to analyze it and stop trying to make yourself feel

1690
01:18:11,040 --> 01:18:12,880
Speaker 1: bad about why you feel this. Why did I feel

1691
01:18:12,880 --> 01:18:14,559
Speaker 1: so strongly about this guy that was only two weeks?

1692
01:18:14,880 --> 01:18:18,240
Speaker 1: Because you did, and because you're not in control up there, whatever,

1693
01:18:18,280 --> 01:18:20,160
Speaker 1: your feelings are not in your control. If they were,

1694
01:18:20,200 --> 01:18:23,040
Speaker 1: we would all be a lot like more secure and

1695
01:18:23,080 --> 01:18:24,120
Speaker 1: steady in our lives.

1696
01:18:24,160 --> 01:18:24,720
Speaker 2: But they're just not.

1697
01:18:25,200 --> 01:18:29,320
Speaker 1: And the Taylor doesn't have control over them either. Okay,

1698
01:18:29,360 --> 01:18:34,600
Speaker 1: so someone said, we'll get to the prophecy. How do

1699
01:18:34,640 --> 01:18:37,120
Speaker 1: you think this will fit into the Aras tour and

1700
01:18:37,160 --> 01:18:40,799
Speaker 1: this was written. These questions were written before obviously the

1701
01:18:40,920 --> 01:18:44,920
Speaker 1: Easter egg came out. In her video, her reel this

1702
01:18:45,000 --> 01:18:48,519
Speaker 1: Weekend or on her stories, we saw a torture to

1703
01:18:48,560 --> 01:18:54,040
Speaker 1: poet's department, thing on like a railing. I have to say,

1704
01:18:54,080 --> 01:18:56,360
Speaker 1: I think she's going but Daddy, I love him, little

1705
01:18:56,360 --> 01:18:59,120
Speaker 1: old me, No I can do with a broken heart

1706
01:18:59,160 --> 01:19:01,280
Speaker 1: would be hilarious. Yes, for her to sing at Eras,

1707
01:19:01,320 --> 01:19:03,439
Speaker 1: but I think she might go there. And I think

1708
01:19:03,479 --> 01:19:06,680
Speaker 1: my boy breaks is only his toys. What songs do

1709
01:19:06,720 --> 01:19:08,320
Speaker 1: you think? I think she's going with kind of my

1710
01:19:08,400 --> 01:19:09,360
Speaker 1: top three or four?

1711
01:19:10,439 --> 01:19:13,839
Speaker 3: Well there was. She added four or five songs from

1712
01:19:14,600 --> 01:19:18,080
Speaker 3: Tortured Poets to those Apple Music playlists, so people are

1713
01:19:18,120 --> 01:19:20,519
Speaker 3: saying that those songs that she added could be the

1714
01:19:20,560 --> 01:19:23,479
Speaker 3: ones that she's playing. I think she'll play Fortnite because

1715
01:19:23,520 --> 01:19:28,040
Speaker 3: it's the lead single, my boy only breaks his favorite toys.

1716
01:19:28,320 --> 01:19:34,880
Speaker 3: I think she'll sang down bad but Daddy, I love him, and.

1717
01:19:36,280 --> 01:19:39,280
Speaker 4: Hold on? Was there one more I can do?

1718
01:19:39,280 --> 01:19:41,559
Speaker 2: It would be really fun.

1719
01:19:41,800 --> 01:19:45,240
Speaker 4: Yes, yes, those are my prediction.

1720
01:19:46,520 --> 01:19:48,880
Speaker 1: Someone said so high school guilty oft in what other

1721
01:19:48,960 --> 01:19:52,400
Speaker 1: songs are about? Travis guilty est In is not about Travis.

1722
01:19:53,160 --> 01:19:56,120
Speaker 1: It's about Maddie. Yeah, I would bet everything on that.

1723
01:19:57,400 --> 01:20:00,400
Speaker 1: I think Alchemy is about Travis. Is there any debate

1724
01:20:00,439 --> 01:20:00,880
Speaker 1: about that?

1725
01:20:01,120 --> 01:20:04,080
Speaker 4: Nor? Not that I know. No. I think it's been.

1726
01:20:04,760 --> 01:20:07,679
Speaker 1: Touched down let me she says touchdown.

1727
01:20:07,720 --> 01:20:08,439
Speaker 2: Let's yes.

1728
01:20:08,680 --> 01:20:13,000
Speaker 1: And the trophy I don't know the yeah in the

1729
01:20:13,040 --> 01:20:14,920
Speaker 1: trophy and then the end of but Daddy, I Love

1730
01:20:15,000 --> 01:20:16,000
Speaker 1: Him is also about Travis.

1731
01:20:16,000 --> 01:20:18,040
Speaker 2: As we covered on last time's episode.

1732
01:20:19,640 --> 01:20:23,680
Speaker 1: Do you think we are getting a third version of

1733
01:20:23,720 --> 01:20:25,840
Speaker 1: this album on May third?

1734
01:20:26,160 --> 01:20:26,479
Speaker 2: Nor?

1735
01:20:26,640 --> 01:20:29,000
Speaker 3: I don't know, Nikki. I know I'm supposed to have

1736
01:20:29,080 --> 01:20:31,960
Speaker 3: an opinion. I'm just so scared of this woman in

1737
01:20:32,000 --> 01:20:35,720
Speaker 3: her mind and what she puts us through that I

1738
01:20:35,800 --> 01:20:39,200
Speaker 3: think something is gonna happen on Friday, May third. I

1739
01:20:39,280 --> 01:20:42,200
Speaker 3: just don't know what it is. What do you think?

1740
01:20:42,320 --> 01:20:42,679
Speaker 2: Okay?

1741
01:20:43,520 --> 01:20:46,240
Speaker 1: I think so because this girl knows no limits and

1742
01:20:46,640 --> 01:20:50,000
Speaker 1: there is we have not still gotten the acceptance part

1743
01:20:50,120 --> 01:20:52,920
Speaker 1: of the Stages of Grief. Someone had written that out

1744
01:20:52,960 --> 01:20:54,360
Speaker 1: and was like, there's no acceptance part.

1745
01:20:55,080 --> 01:20:56,599
Speaker 2: I think I.

1746
01:20:56,479 --> 01:20:59,280
Speaker 1: Can't imagine that she's written more songs. But yes, I can,

1747
01:20:59,400 --> 01:21:00,320
Speaker 1: of course she has.

1748
01:21:00,400 --> 01:21:00,880
Speaker 2: I don't.

1749
01:21:01,479 --> 01:21:04,200
Speaker 1: It just doesn't feel like all the evidence that people

1750
01:21:04,240 --> 01:21:07,640
Speaker 1: are presenting does not seem overt enough, and Taylor is

1751
01:21:07,720 --> 01:21:11,120
Speaker 1: not She's cryptic, for sure, but I think that some

1752
01:21:11,160 --> 01:21:13,360
Speaker 1: people read into things a little too much and she's

1753
01:21:13,400 --> 01:21:16,960
Speaker 1: not that cryptic, Like she's not like everyone should be

1754
01:21:17,000 --> 01:21:18,680
Speaker 1: able to break the codes that she's doing, and some

1755
01:21:18,720 --> 01:21:21,160
Speaker 1: people are going really hard. I'm like, but there's a

1756
01:21:21,160 --> 01:21:23,519
Speaker 1: picture of her with him, and there's three of them,

1757
01:21:23,560 --> 01:21:26,080
Speaker 1: so that means there's a third. I'm like, no, I

1758
01:21:26,280 --> 01:21:29,360
Speaker 1: just don't see that kind of stuff. So I'm hoping

1759
01:21:29,640 --> 01:21:32,720
Speaker 1: I'm fingers crossed that there's more because I would just

1760
01:21:32,840 --> 01:21:35,960
Speaker 1: love for people to be like so like more, really

1761
01:21:36,040 --> 01:21:38,080
Speaker 1: like people who don't like her to just be like

1762
01:21:38,439 --> 01:21:40,920
Speaker 1: more because they're so jealous that they could never do

1763
01:21:41,040 --> 01:21:43,080
Speaker 1: what she's doing, which is put out three albums like

1764
01:21:43,120 --> 01:21:45,640
Speaker 1: they're just everyone's so anyone who talks about her is

1765
01:21:45,680 --> 01:21:47,679
Speaker 1: so fucking jealous, do you think?

1766
01:21:47,720 --> 01:21:49,360
Speaker 2: And I like seeing people get upset.

1767
01:21:49,400 --> 01:21:52,160
Speaker 3: What are the chances that'll be a reputation re record

1768
01:21:52,200 --> 01:21:52,839
Speaker 3: on Friday?

1769
01:21:54,760 --> 01:21:56,160
Speaker 2: That's a good chance.

1770
01:21:56,360 --> 01:21:58,640
Speaker 1: Although I don't think she would like lump this at like,

1771
01:21:58,720 --> 01:22:01,600
Speaker 1: let's give this why would she given take away this

1772
01:22:01,720 --> 01:22:06,040
Speaker 1: moment from this album? It's just came out right. I

1773
01:22:06,360 --> 01:22:07,760
Speaker 1: want her to wait on that because I want to

1774
01:22:07,760 --> 01:22:10,800
Speaker 1: have fun with that. You know, it's a even though

1775
01:22:10,800 --> 01:22:13,040
Speaker 1: this album does really remind people of reputation a lot,

1776
01:22:13,080 --> 01:22:14,960
Speaker 1: and we kind of be staying with similar themes.

1777
01:22:15,000 --> 01:22:17,960
Speaker 2: I'm guessing, but I don't. I don't know.

1778
01:22:18,000 --> 01:22:20,479
Speaker 1: I just I can't take it. Someone just asked, what

1779
01:22:20,560 --> 01:22:22,120
Speaker 1: is the most part of the I can do it

1780
01:22:22,160 --> 01:22:25,439
Speaker 1: with the broken Heart? What lyric resonates with you the most?

1781
01:22:25,479 --> 01:22:27,400
Speaker 1: Do you feel this way too? You get depressed? You

1782
01:22:27,479 --> 01:22:28,600
Speaker 1: can perform with press.

1783
01:22:28,360 --> 01:22:32,760
Speaker 3: I'm so depressed diect like it's my birthday every day?

1784
01:22:32,960 --> 01:22:35,000
Speaker 2: Okay, what do you What do you think about that lyric?

1785
01:22:35,040 --> 01:22:35,800
Speaker 2: What does that mean to you?

1786
01:22:36,479 --> 01:22:40,040
Speaker 3: It means you're so it's living with depression but having

1787
01:22:40,120 --> 01:22:43,439
Speaker 3: to go on stage and make people laugh and live a.

1788
01:22:43,520 --> 01:22:45,800
Speaker 4: Life and be on social media.

1789
01:22:46,120 --> 01:22:47,519
Speaker 2: But what does the birthday part mean?

1790
01:22:47,560 --> 01:22:49,280
Speaker 1: Like, is she acting like it's a birthday to get

1791
01:22:49,280 --> 01:22:51,040
Speaker 1: out of depression or is she acting like it's a

1792
01:22:51,040 --> 01:22:53,160
Speaker 1: birthday because she has to perform and that looks like, oh,

1793
01:22:53,160 --> 01:22:53,879
Speaker 1: it's my birthday.

1794
01:22:53,920 --> 01:22:55,400
Speaker 2: Yes, it's that one right, yes exactly.

1795
01:22:55,479 --> 01:22:57,479
Speaker 1: That's what people I think are confused about about that. Lyric,

1796
01:22:57,520 --> 01:22:59,639
Speaker 1: and I want to actually say I agree with that.

1797
01:23:00,280 --> 01:23:05,439
Speaker 1: When you are performing, everyone's looking at you, everyone's admiring you,

1798
01:23:05,439 --> 01:23:08,879
Speaker 1: You're all dressed up, and it does feel like your birthday.

1799
01:23:08,880 --> 01:23:11,040
Speaker 1: That's why I don't like to celebrate my birthday because

1800
01:23:11,040 --> 01:23:13,200
Speaker 1: I get it so often. That's why I don't like.

1801
01:23:13,600 --> 01:23:15,479
Speaker 1: I don't want a wedding. I don't want I don't

1802
01:23:15,520 --> 01:23:18,160
Speaker 1: like parties that aren't like me performing because I'm like,

1803
01:23:18,479 --> 01:23:21,000
Speaker 1: I don't deserve this. I didn't I'm not doing anything

1804
01:23:21,080 --> 01:23:23,519
Speaker 1: so and every night does feel like my birthday.

1805
01:23:23,560 --> 01:23:24,719
Speaker 2: I get so much attention.

1806
01:23:24,800 --> 01:23:26,519
Speaker 1: So I think that's what she's talking about when she

1807
01:23:26,520 --> 01:23:27,839
Speaker 1: says I act like it's my birthday.

1808
01:23:27,960 --> 01:23:28,760
Speaker 2: It could be her.

1809
01:23:29,000 --> 01:23:31,400
Speaker 1: She really likes birthdays though, so it could be her

1810
01:23:31,479 --> 01:23:33,320
Speaker 1: being like trying to get her out of it, like, Okay,

1811
01:23:33,360 --> 01:23:35,160
Speaker 1: I'm trying to act like it's my birthday every day,

1812
01:23:35,560 --> 01:23:37,760
Speaker 1: but I think it's for me I at least relate to.

1813
01:23:38,640 --> 01:23:40,360
Speaker 1: I have to put on a dress and get all

1814
01:23:40,360 --> 01:23:42,640
Speaker 1: gussied up, the way I see girls on Instagram do

1815
01:23:42,760 --> 01:23:45,040
Speaker 1: only on their birthdays or special occasions when the girls

1816
01:23:45,040 --> 01:23:46,679
Speaker 1: are going out. I had to do that three times

1817
01:23:46,720 --> 01:23:51,000
Speaker 1: a week, yes, and say Hi to everyone, and like,

1818
01:23:51,000 --> 01:23:54,080
Speaker 1: oh my god, welcome to my party, which is a great,

1819
01:23:54,240 --> 01:23:56,479
Speaker 1: great thing to do, and it's so much fun because

1820
01:23:56,479 --> 01:23:57,920
Speaker 1: who doesn't want us to be the birthday three days

1821
01:23:57,920 --> 01:23:59,880
Speaker 1: a week? But that is what I think that is.

1822
01:24:01,400 --> 01:24:07,120
Speaker 1: And because I'm miserable and nobody even knows, I love that.

1823
01:24:07,720 --> 01:24:09,599
Speaker 1: I don't relate to that because people do know I'm

1824
01:24:09,600 --> 01:24:11,679
Speaker 1: miserable because I talk about it a lot, And now

1825
01:24:11,720 --> 01:24:14,360
Speaker 1: we know that Taylor is miserable. So like, I think

1826
01:24:14,400 --> 01:24:16,240
Speaker 1: this is a little bit reminds me of Thank You, Amy,

1827
01:24:16,280 --> 01:24:18,519
Speaker 1: where it's like she's saying a thing that we maybe

1828
01:24:18,600 --> 01:24:21,000
Speaker 1: used to assume but now we definitely know, Like where

1829
01:24:21,000 --> 01:24:23,160
Speaker 1: she's saying, like your daughter will come home and sing

1830
01:24:23,200 --> 01:24:25,200
Speaker 1: a song that only you and I know is about you,

1831
01:24:25,240 --> 01:24:28,280
Speaker 1: and it's like, no, everyone knows now, But I think

1832
01:24:28,320 --> 01:24:30,719
Speaker 1: previously that lyric would have been true. When she wrote

1833
01:24:30,760 --> 01:24:32,680
Speaker 1: it, it was true, but now that it's out, it's no

1834
01:24:32,760 --> 01:24:33,439
Speaker 1: longer true.

1835
01:24:33,479 --> 01:24:35,439
Speaker 2: We do know now now we can.

1836
01:24:35,960 --> 01:24:37,839
Speaker 1: I still think she'll be able to hide being miserable

1837
01:24:37,840 --> 01:24:40,599
Speaker 1: and we'll all assume she's doing great because she's so good.

1838
01:24:41,200 --> 01:24:44,200
Speaker 1: But I related to that as well, and I'm so

1839
01:24:44,360 --> 01:24:47,559
Speaker 1: obsessed with him, but he avoids me. That is crazy

1840
01:24:47,600 --> 01:24:49,559
Speaker 1: that she could be obsessed with someone and they avoid her.

1841
01:24:49,720 --> 01:24:52,160
Speaker 1: I mean, it's just that doesn't make you feel seen

1842
01:24:52,200 --> 01:24:54,400
Speaker 1: as a woman who's he felt like kind of ghosted

1843
01:24:54,560 --> 01:24:56,800
Speaker 1: or like been like he won't write back to me.

1844
01:24:57,160 --> 01:25:00,080
Speaker 1: Taylor Swift is like looking at her text being like

1845
01:25:00,120 --> 01:25:02,400
Speaker 1: when is he writing me back? I and getting these

1846
01:25:02,439 --> 01:25:04,400
Speaker 1: dopamine hits when she does see his name, like she's

1847
01:25:04,439 --> 01:25:04,840
Speaker 1: just like.

1848
01:25:04,800 --> 01:25:06,000
Speaker 4: Us, yes exactly.

1849
01:25:06,080 --> 01:25:07,760
Speaker 1: I liked so hard when I was at Eras in

1850
01:25:07,800 --> 01:25:10,559
Speaker 1: Melbourne because I was with my friend who we were

1851
01:25:10,640 --> 01:25:13,360
Speaker 1: you know, we were all gushing about Travis, and at

1852
01:25:13,360 --> 01:25:15,839
Speaker 1: one point she like, you know, Taylor left the stage

1853
01:25:15,840 --> 01:25:18,920
Speaker 1: to transition to the next era, and my friend was like,

1854
01:25:18,920 --> 01:25:21,280
Speaker 1: do you think she's backstage texting Travis like it's going

1855
01:25:21,320 --> 01:25:25,000
Speaker 1: really well? Which makes me laugh so hard because like

1856
01:25:25,000 --> 01:25:26,639
Speaker 1: when is it not going well for her? But like

1857
01:25:26,680 --> 01:25:28,519
Speaker 1: can you imagine her like someone handing her phone and

1858
01:25:28,560 --> 01:25:30,840
Speaker 1: she's like, we're just about to get to speak now,

1859
01:25:30,840 --> 01:25:34,479
Speaker 1: it's going really great, like like like like I would

1860
01:25:34,479 --> 01:25:36,519
Speaker 1: about something I was doing one time, you know, Like

1861
01:25:36,920 --> 01:25:39,120
Speaker 1: It's just that made me laugh so hard to picture

1862
01:25:39,160 --> 01:25:41,639
Speaker 1: her going like it's going so well tonight, even though

1863
01:25:41,680 --> 01:25:44,200
Speaker 1: I do this fucking three times a week and I've

1864
01:25:44,200 --> 01:25:46,040
Speaker 1: never once stumbled, and when I did, it was the

1865
01:25:46,080 --> 01:25:49,360
Speaker 1: cutest stumble ever. Like, I like those the Errors Tours

1866
01:25:49,439 --> 01:25:51,920
Speaker 1: compilations because they're so adorable.

1867
01:25:52,000 --> 01:25:53,479
Speaker 2: She fucking never fucks up.

1868
01:25:53,520 --> 01:25:56,200
Speaker 1: When she does, she just like says like my space

1869
01:25:56,280 --> 01:25:59,240
Speaker 1: instead of my face, and everyone's like whoa. It's like

1870
01:25:59,720 --> 01:26:02,960
Speaker 1: I she's just so flawless. Even her errors are like

1871
01:26:03,040 --> 01:26:04,240
Speaker 1: spot on and perfect.

1872
01:26:04,280 --> 01:26:07,400
Speaker 3: I've watched that video like maybe a hundred times the

1873
01:26:07,479 --> 01:26:11,000
Speaker 3: MySpace and then she giggles yeah and the dancers giggle.

1874
01:26:11,280 --> 01:26:12,080
Speaker 4: It's so good.

1875
01:26:12,240 --> 01:26:17,240
Speaker 1: Oh, And I've watched the first time she did uh

1876
01:26:17,360 --> 01:26:20,320
Speaker 1: he's he's on the guy on the Chiefs coming straight

1877
01:26:20,400 --> 01:26:22,840
Speaker 1: home to me. Like each of the dancers like sees

1878
01:26:22,920 --> 01:26:24,599
Speaker 1: her doing like realize, like hears it.

1879
01:26:24,560 --> 01:26:27,280
Speaker 2: And goes like oh shit, and they like, I'll react.

1880
01:26:27,320 --> 01:26:28,960
Speaker 1: That is such a fun one to watch too. Yeah,

1881
01:26:29,000 --> 01:26:31,240
Speaker 1: And when she like I hate watching her fuck up.

1882
01:26:31,280 --> 01:26:31,720
Speaker 2: I just don't.

1883
01:26:31,760 --> 01:26:34,920
Speaker 1: I don't enjoy. I literally kind of avoid them if

1884
01:26:34,920 --> 01:26:37,640
Speaker 1: I can. I don't want to see her, you know,

1885
01:26:37,720 --> 01:26:40,080
Speaker 1: step over words or whatever. And she never does. But

1886
01:26:40,120 --> 01:26:42,519
Speaker 1: there's that one where she's like, I keep this sut

1887
01:26:42,680 --> 01:26:44,639
Speaker 1: and she does that like sidestep and she slips because

1888
01:26:44,640 --> 01:26:47,799
Speaker 1: it's like raining and it's so cute and she fixes

1889
01:26:47,840 --> 01:26:49,720
Speaker 1: it perfectly and she just like kind of laughs at

1890
01:26:49,720 --> 01:26:51,840
Speaker 1: herself and it's just so cute. And then when her

1891
01:26:52,080 --> 01:26:54,880
Speaker 1: fucking heel fell off and she's walking around like it's

1892
01:26:54,880 --> 01:26:57,120
Speaker 1: still on, no one even noticed. That was amazing. And

1893
01:26:57,120 --> 01:26:59,000
Speaker 1: she threw that heel into the audience. I can't believe

1894
01:26:59,000 --> 01:27:00,960
Speaker 1: that heel hasn't surfaced and someone hasn't made like a

1895
01:27:01,040 --> 01:27:01,559
Speaker 1: video with it.

1896
01:27:01,600 --> 01:27:05,759
Speaker 4: But we got to go, okay, just so he does.

1897
01:27:05,840 --> 01:27:07,559
Speaker 4: He does, and he's never selling it.

1898
01:27:09,320 --> 01:27:11,160
Speaker 1: Oh good, I've never seen it. Okay, you got to

1899
01:27:11,200 --> 01:27:14,160
Speaker 1: send me that. Yeah, everyone, thank you for listening to

1900
01:27:14,200 --> 01:27:15,519
Speaker 1: this one. If you made it this far, you are

1901
01:27:15,640 --> 01:27:19,880
Speaker 1: true swifty. Keep sending me, you know, reels and memes

1902
01:27:19,880 --> 01:27:21,280
Speaker 1: that you see on Instagram.

1903
01:27:21,320 --> 01:27:22,800
Speaker 2: I love when you guys DM me those.

1904
01:27:22,920 --> 01:27:24,680
Speaker 1: I don't always have the time to watch them all,

1905
01:27:24,680 --> 01:27:27,320
Speaker 1: but I love any kind of Taylor Swift thing that

1906
01:27:27,360 --> 01:27:29,080
Speaker 1: you might you think that I might not have seen.

1907
01:27:29,160 --> 01:27:31,560
Speaker 1: Same with Nor follow Nor and oh you are h

1908
01:27:31,680 --> 01:27:36,320
Speaker 1: A d I d I Nora Hadid on Instagram. Thanks

1909
01:27:36,360 --> 01:27:38,600
Speaker 1: so much, Nor we'll we'll pick back up where we

1910
01:27:38,720 --> 01:27:41,320
Speaker 1: left off and continue on the next episode with the

1911
01:27:41,320 --> 01:27:42,759
Speaker 1: smallest man who ever lived.

1912
01:27:43,080 --> 01:27:43,720
Speaker 2: We'll see then.

1913
01:27:43,800 --> 01:27:46,000
Speaker 1: This was the Taylor Swift Gushfest, Part two.