WEBVTT - The Manuscript 

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<v Speaker 1>Campsite media.

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<v Speaker 2>When I looked back over my past, all that dead time,

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<v Speaker 2>all that anguish, all the waste of my life that

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<v Speaker 2>I could see there, I felt as if I was

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<v Speaker 2>bursting with a fierce compulsion to fill the ugly void

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<v Speaker 2>with something meaningful, so that the mirror would quit accusing

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<v Speaker 2>me of being a total failure. That is why I

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<v Speaker 2>habitually returned to crime upon each release from prison, not

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<v Speaker 2>really for the money, but like a compulsive gambler who

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<v Speaker 2>tries to recoup his losses the only way he knows

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<v Speaker 2>how to prove that he wasn't a fool once and

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<v Speaker 2>for all. There lies the proverbial carot that keeps the

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<v Speaker 2>prisons of the world overpopulated.

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<v Speaker 1>Roger had lost a lot of years, but one thing

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<v Speaker 1>he hadn't experienced yet was losing years of his work.

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<v Speaker 1>Imagine the gut hunch of losing that manuscript, close to

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<v Speaker 1>eight years of his work, of his therapy, of his

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<v Speaker 1>hope for the future, literally thrown in the garbage. But

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<v Speaker 1>when the manuscript was miraculously returned to him, after everything

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<v Speaker 1>he'd been through, after everything he'd done, how could he

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<v Speaker 1>not interpret it as a balancing of his fortunes? When

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<v Speaker 1>the teacher accidentally found Roger's discarded manuscript in the ruins

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<v Speaker 1>of the Kingston pen and then a few months later,

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<v Speaker 1>the twenty five years he'd been sentenced to was overturned

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<v Speaker 1>in appeals court. It would have made sense if this

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<v Speaker 1>was the sign for Roger, the thing that made him

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<v Speaker 1>think I need to finally turn my life around, to

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<v Speaker 1>walk down this new path. Someone or something was clearly

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<v Speaker 1>saying to Roger, here is your manuscript, Here is your freedom.

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<v Speaker 1>Do I need to spell out for you what you're

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<v Speaker 1>destined to do next? But, like they say, old habits

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<v Speaker 1>die hard. From iHeart Podcasts and Campsite Media, I'm Sam

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<v Speaker 1>Moens and this is Go Boy, episode six. The manuscript.

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<v Speaker 3>Roger, still wearing his inmate clothes, was riding shotgun in

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<v Speaker 3>a Volkswagen as it tore toward the US border. It

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<v Speaker 3>wasn't his first choice to still be wearing his prisoner clothes.

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<v Speaker 3>It wasn't ideal that the he just stole was bright red,

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<v Speaker 3>or that it had raccoon tail hanging from each of

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<v Speaker 3>the area antennas off the back.

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<v Speaker 1>It wasn't optimal that he had brought with him on

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<v Speaker 1>this escape a green twenty year old who'd never attempted

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<v Speaker 1>a prison break or even a bank robbery. But here

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<v Speaker 1>he was, and here they were. When you bust out

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<v Speaker 1>of prison, the last thing you want to do is

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<v Speaker 1>speed toward the federal agents of another country at a

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<v Speaker 1>border crossing. But given what they'd just done, it was

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<v Speaker 1>the best of their bad options. Back at the Brockville jail,

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<v Speaker 1>Roger and his cellmate, a kid named Doug, had just

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<v Speaker 1>cut the bars to their cell and left three tied

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<v Speaker 1>up guards in their wake. They emerged in the parking

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<v Speaker 1>lot as the storm opened up. Roger and Doug scanned

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<v Speaker 1>the staff lot to determine which of these vehicles corresponded

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<v Speaker 1>with the VW keys they'd taken from the trembling hand

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<v Speaker 1>of the guard. But then they spotted it. The car

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<v Speaker 1>was about as inconspicuous as Santa's slay, but they needed

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<v Speaker 1>to jack wrap it, so they climbed in.

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<v Speaker 4>I said to Doug, okay, I never go both brighten.

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<v Speaker 4>So he gets in, cran up and go. You know,

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<v Speaker 4>it's so old and is shaky.

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<v Speaker 1>But when Doug went to put it in gear, something

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<v Speaker 1>was wrong with the gearbox.

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<v Speaker 5>Couldn't find and reverse tried it like say come on, dog, dear,

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<v Speaker 5>don't get his car back.

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<v Speaker 4>Couldn't find reverse on the job, one thing, don't.

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<v Speaker 1>As Doug continued grinding the transmission, Roger looked back at

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<v Speaker 1>the jail windows in a panic, convinced that at any

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<v Speaker 1>moment one of the guards he'd left behind would suddenly

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<v Speaker 1>appear or call the police. They needed to get this

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<v Speaker 1>thing on the road in whatever way possible, even if,

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<v Speaker 1>as Roger claims, they needed to literally lift one end

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<v Speaker 1>of the car off the ground to swivel it to

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<v Speaker 1>the right direction.

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<v Speaker 4>We picked it up, he turned it.

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<v Speaker 1>There's no going back now, literally get it because the

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<v Speaker 1>car doesn't go in reverse anyway. They knew the provincial

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<v Speaker 1>police would have roadblocks all over eastern Ontario and bulletins

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<v Speaker 1>out everywhere warning the public of two armed and dangerous

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<v Speaker 1>jail breakers, so they opted to roll the dice at

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<v Speaker 1>the border, and if they made it through, they'd then

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<v Speaker 1>find a place to ditch this apple bong on wheels.

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<v Speaker 1>As they approached the crossing, they had no way of

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<v Speaker 1>knowing if the guards they left tied up had been discovered,

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<v Speaker 1>yet no way of knowing if just around the corner

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<v Speaker 1>there'd be a gang of armed border agents waiting for

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<v Speaker 1>them behind the wheel. Doug, who'd never been in a

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<v Speaker 1>situation like this, seemed to be having second thoughts as

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<v Speaker 1>the suspension bridge came into view.

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<v Speaker 4>And pull across me see this big ridge and Doug's

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<v Speaker 4>just so scared.

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<v Speaker 5>Got Ahola's arms and pull it Dugs just three You

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<v Speaker 5>never did any of this?

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<v Speaker 4>Stuck in form it's liking, won't freeze.

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<v Speaker 1>Oning up, Doug brought the red VW to a shaky

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<v Speaker 1>stop at the line as Roger discreetly scanned the scene

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<v Speaker 1>to see if they were in the clear. The bright

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<v Speaker 1>red Volkswagen wasn't ideal for their getaway in general, but

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<v Speaker 1>when the border agent approached, Roger realized that, ironically, for

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<v Speaker 1>this moment, it was the right car for the job.

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<v Speaker 1>In tandem with their mismatched, shabby clothes, the car was

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<v Speaker 1>participating in an inadvertent disguise.

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<v Speaker 4>It looked like a couple of university students said where

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<v Speaker 4>yous going and say we're going to see the girls

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<v Speaker 4>across the bride.

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<v Speaker 1>Ah, the girls across the bridge.

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<v Speaker 3>Eh.

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<v Speaker 1>Doug shifted nervously in his prison attire as Roger smiled

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<v Speaker 1>with confidence.

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<v Speaker 4>See any stranger would bring me some back. He said, yeah, sure, okay,

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<v Speaker 4>right on.

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<v Speaker 1>The border agent waved them through without even asking to

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<v Speaker 1>see their ideas. So our two runaway bandits whooped it

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<v Speaker 1>up the whole way across the Saint Lawrence.

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<v Speaker 5>We went all along with Saint Orn Turver and we

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<v Speaker 5>finally got to see New York.

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<v Speaker 4>And I said, Doug, we can't go another while in

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<v Speaker 4>this crazy car. When we first elucted the park and

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<v Speaker 4>you've gone almost on your files. You got to get

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<v Speaker 4>rid of it.

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<v Speaker 1>So after doing a lab, they ditched their car in

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<v Speaker 1>a parking lot that just happened to belong to the

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<v Speaker 1>police station. From there, they ducked into a local tavern

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<v Speaker 1>and called a cab to take them to their agreed

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<v Speaker 1>upon next destination.

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<v Speaker 5>We called a taxi, and we do the money we

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<v Speaker 5>took in the bus stake and all the guard We

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<v Speaker 5>took a taxi in New York City.

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<v Speaker 1>And you'd think that, given how insanely well their escape

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<v Speaker 1>had gone, that Roger would be the happiest man in

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<v Speaker 1>New York. You'd think he'd be all chuffed, reveling in

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<v Speaker 1>the masterpiece he just painted, cut bars, gagged guards, grand

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<v Speaker 1>theft auto and a border crossing these are a few

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<v Speaker 1>of my favorite things, right, Roger. But instead he felt

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<v Speaker 1>like the dog who had caught the car and was

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<v Speaker 1>consumed by a strange new feeling paranoia. Roger was afraid

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<v Speaker 1>to leave the room, afraid to show his face on

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<v Speaker 1>the street, and most of all, he was afraid of

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<v Speaker 1>what he and Doug would have to do next. Because

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<v Speaker 1>it didn't take long for them to burn through the

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<v Speaker 1>money they'd stolen from the guards in their daring escape,

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<v Speaker 1>and it was only a matter of time before they'd

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<v Speaker 1>need to go get some more.

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<v Speaker 4>And so thirty one days later, we're running out of money.

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<v Speaker 4>We've just got a few dollars left.

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<v Speaker 5>In fact, they eleven eleven dollars with my pocket. He

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<v Speaker 5>Ducks said, if you go to rob a bank, showed

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<v Speaker 5>me out a rock bank, and it was the only

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<v Speaker 5>thing I knew how to do.

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<v Speaker 1>But they couldn't do it here. So they got out

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<v Speaker 1>of the city and headed to Indiana, I'm guessing, a

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<v Speaker 1>state for which Roger's main association was that Dillinger was

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<v Speaker 1>from there. Dillinger was a figure that loomed large, not

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<v Speaker 1>just in Roger's mind, but in Roger's whole generation of

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<v Speaker 1>bank robber he was a legend and was considered accurately

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<v Speaker 1>or not to be a Robin Hood type. But Roger

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<v Speaker 1>rolled into the Dillinger State in the midst of a

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<v Speaker 1>full blown existential crisis. He walked into a gun shop

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<v Speaker 1>to purchase a couple of tools of the trade, but

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<v Speaker 1>when the shop owner placed the handgun in Roger's palm,

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<v Speaker 1>he started to tremble.

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<v Speaker 3>The gun felt in his hand like a slithering snake.

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<v Speaker 3>He put it down on the counter and walked out

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<v Speaker 3>of the store.

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<v Speaker 4>I walked out a store. It even park at you

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<v Speaker 4>ever paying off for carme? Haven't? I said, I don't know,

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<v Speaker 4>dugas is I have to cut that gun? And I

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<v Speaker 4>just realized that I hurt anybody anymore, and I don't

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<v Speaker 4>want to get hurt.

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<v Speaker 1>I don't want any more to the youthful invincibility he'd

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<v Speaker 1>always felt walking into a stick up that he'd always

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<v Speaker 1>counted on just wasn't there. This time. The well of

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<v Speaker 1>mindless confidence had run dry. Even though he had had

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<v Speaker 1>a few weeks to work through the feeling, Roger couldn't

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<v Speaker 1>shake the inevitability that something really bad was going to happen,

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<v Speaker 1>and he kept having these visions.

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<v Speaker 4>I kept seeing at least everywhere.

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<v Speaker 6>And I was convinced that my record was so devastating

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<v Speaker 6>that the police I'm going to take a chance with me.

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<v Speaker 4>They're going to use me in an example.

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<v Speaker 5>And I thought, insist, what all my life is boiling

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<v Speaker 5>down to an auto mike parade, dead and an hourly.

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<v Speaker 1>But he just didn't seem to have any options. He

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<v Speaker 1>didn't know where else to go or what else to do.

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<v Speaker 1>They didn't need to go on a spree or anything.

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<v Speaker 1>They just needed to hit one bank so Roger could

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<v Speaker 1>buy himself some more time to clear his head. Saturday,

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<v Speaker 1>September two, nineteen seventy two, near Indianapolis, Indianaerug arrived at

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<v Speaker 1>a big, modern shopping plaza in the suburbs where they

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<v Speaker 1>first set eyes on their target, the centerpiece of the plaza,

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<v Speaker 1>the bank. The shopping complex was plunked right in the

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<v Speaker 1>middle of some farmland. On all sides were cornfields, tall

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<v Speaker 1>and ready for harvest. Roger had spent the morning checking

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<v Speaker 1>out the immediate surroundings and getting a feel for the place.

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<v Speaker 1>He then went to a toy store to grab one

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<v Speaker 1>last thing they needed.

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<v Speaker 4>Walk in a block five dollar toy pistol dur plastic

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<v Speaker 4>jurdan rug.

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<v Speaker 1>Doug was like a plastic gun. Roger smiled confidently and said,

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<v Speaker 1>don't worry about it. They won't be able to tell

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<v Speaker 1>the only thing they didn't have was a getaway car,

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<v Speaker 1>and they were far enough into the suburbs that a

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<v Speaker 1>car would be essential.

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<v Speaker 4>So I said to double Kate, you're you know a

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<v Speaker 4>little bit about car steal a car.

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<v Speaker 1>So as soon as Doug secured a ride for them,

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<v Speaker 1>it was go time. Roger had burst into a bank

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<v Speaker 1>many times before, but he was mindful that this was

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<v Speaker 1>Doug's first time, and frankly, he seemed scared. He seemed

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<v Speaker 1>unsure of himself as they strode past all the shoppers

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<v Speaker 1>and would be witnesses in broad daylight. As they approached

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<v Speaker 1>the bank, Roger noticed Doug eyeing up a group of

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<v Speaker 1>teenage boys who were lingering near the entrance fighting.

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<v Speaker 4>Other teenagers playing in front of the bank.

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<v Speaker 6>So I said, think, Doug, you don't worry about it,

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<v Speaker 6>and you just concentrate on the teller's cagy all take

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<v Speaker 6>You'll take care of they all take care.

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<v Speaker 4>Of the customer.

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<v Speaker 1>Roger gripped the toy gun tightly as he let his

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<v Speaker 1>muscle memory take over.

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<v Speaker 5>He placed in the bank on Yon and everybody's landing

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<v Speaker 5>on the floor and ducks roving onto all the cage.

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<v Speaker 4>The three vacational.

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<v Speaker 1>As Doug is stuffing the case with cash, Roger was

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<v Speaker 1>on crowd control, a role not unfamiliar to him. But

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<v Speaker 1>as Roger stood there with his toy gun, he started

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<v Speaker 1>noticing the expression of the bystanders, the people on the floor,

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<v Speaker 1>and they looked terrified, scared to death. Some of them

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<v Speaker 1>were crying. And this observation caused Roger to have almost

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<v Speaker 1>an out of body experience.

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<v Speaker 5>And the first thing, all my bank are obsation, think, oh,

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<v Speaker 5>I'm not hurting anybody.

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<v Speaker 4>I wouldn't take any hostages.

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<v Speaker 5>I died before I'd heard a child or a lady

0:13:28.200 --> 0:13:30.640
<v Speaker 5>or something like that, and all a fella reading noble.

0:13:31.120 --> 0:13:33.400
<v Speaker 4>Just as James and Allett and Brodie Clyde.

0:13:33.720 --> 0:13:36.000
<v Speaker 1>Roger had always believed that when he stuck up a place,

0:13:36.559 --> 0:13:41.200
<v Speaker 1>that he was committing a victimless crime, that at worst

0:13:41.760 --> 0:13:44.440
<v Speaker 1>he was just giving the bystanders a good story from

0:13:44.440 --> 0:13:47.439
<v Speaker 1>when they got home to their loved ones. But in

0:13:47.600 --> 0:13:51.679
<v Speaker 1>this bank, on this day, looking at these faces, something clicked.

0:13:52.520 --> 0:13:54.679
<v Speaker 4>I'm looking to stand here all of a sudden, all

0:13:54.800 --> 0:13:58.000
<v Speaker 4>these ladies, a beautiful lady. I think I used to

0:13:58.040 --> 0:14:00.199
<v Speaker 4>think myself with the protector of ladies and that. And

0:14:00.280 --> 0:14:03.280
<v Speaker 4>they're crying just like I was. An escape gorilla from

0:14:03.320 --> 0:14:06.160
<v Speaker 4>this never terrified me. And all of a sudden, I

0:14:06.240 --> 0:14:09.240
<v Speaker 4>feel like apologize. I feel like say, hey, this isn't

0:14:09.240 --> 0:14:10.319
<v Speaker 4>even a real good.

0:14:10.320 --> 0:14:10.880
<v Speaker 7>No good.

0:14:11.240 --> 0:14:13.040
<v Speaker 4>I just felt really bad, like you know.

0:14:13.520 --> 0:14:17.079
<v Speaker 1>Suddenly Doug appeared, snapping Roger out of his days.

0:14:17.440 --> 0:14:19.440
<v Speaker 4>My partner showed up in front of me. He owes

0:14:19.480 --> 0:14:22.680
<v Speaker 4>the sack and he says, I got it off. I okay, Doug,

0:14:22.840 --> 0:14:24.440
<v Speaker 4>give you ten seconds. I start to.

0:14:24.480 --> 0:14:27.240
<v Speaker 1>Assure a quick escape. Roger told Doug to leave the

0:14:27.320 --> 0:14:30.200
<v Speaker 1>car idling in the parking lot so they wouldn't waste

0:14:30.240 --> 0:14:33.720
<v Speaker 1>a single second before putting this place in their rear view.

0:14:35.040 --> 0:14:38.160
<v Speaker 4>And now something happened that no other bankrupt.

0:14:38.200 --> 0:14:40.040
<v Speaker 5>I don't care whether or bank I ret tell you,

0:14:40.200 --> 0:14:42.840
<v Speaker 5>no one is that it's experienced, not in a movie,

0:14:43.160 --> 0:14:45.480
<v Speaker 5>not anywhere a director would even write.

0:14:45.280 --> 0:14:46.040
<v Speaker 4>About in the screen.

0:14:46.120 --> 0:14:48.200
<v Speaker 5>By Rease day act to Corn and deck Cauld, never

0:14:48.320 --> 0:14:51.560
<v Speaker 5>happened while I'm in the bank, didn't by kids store

0:14:51.600 --> 0:14:52.320
<v Speaker 5>or get away car.

0:14:54.200 --> 0:15:03.640
<v Speaker 1>Goddamn teenagers. Roger and Doug stood for a moment in

0:15:03.680 --> 0:15:07.520
<v Speaker 1>disbelief as they could hear the police sirens getting closer,

0:15:08.160 --> 0:15:10.960
<v Speaker 1>and it was suddenly every man for himself.

0:15:11.240 --> 0:15:13.640
<v Speaker 4>I turned around to get away target.

0:15:13.680 --> 0:15:14.440
<v Speaker 3>I have gone that way.

0:15:14.640 --> 0:15:15.680
<v Speaker 4>My partner's gone that way.

0:15:16.000 --> 0:15:18.320
<v Speaker 5>Three cruiser just pulling out the big callut of desk

0:15:18.400 --> 0:15:20.440
<v Speaker 5>and tunning all the machine guns to the knight them

0:15:20.680 --> 0:15:22.720
<v Speaker 5>and you're yelling at him to a bullarm.

0:15:22.480 --> 0:15:23.360
<v Speaker 4>Put your hands up.

0:15:23.480 --> 0:15:27.120
<v Speaker 1>No, Roger had been having a premonition for weeks. This

0:15:27.800 --> 0:15:31.240
<v Speaker 1>was how it was going to end. Gun down, holding

0:15:31.320 --> 0:15:35.640
<v Speaker 1>a gun left in an alley somewhere. Put your hands up,

0:15:36.120 --> 0:15:36.880
<v Speaker 1>they yelled again.

0:15:37.640 --> 0:15:39.680
<v Speaker 4>And time stand, you're at a toy gun. I looked

0:15:39.720 --> 0:15:41.960
<v Speaker 4>at my left and there's all these rolls, a shot

0:15:42.000 --> 0:15:42.440
<v Speaker 4>in class.

0:15:42.720 --> 0:15:44.720
<v Speaker 5>I looked at my right, Oh, Rose is shot in

0:15:44.800 --> 0:15:46.840
<v Speaker 5>plasss and in front of these places the house you

0:15:46.920 --> 0:15:47.400
<v Speaker 5>know where to go.

0:15:47.680 --> 0:15:48.760
<v Speaker 4>And I said, they're gonna kill me.

0:15:49.240 --> 0:15:53.200
<v Speaker 1>But then Roger notices the front door of a beauty.

0:15:52.960 --> 0:15:56.520
<v Speaker 4>Partner from all these ladies with herders and sheets around

0:15:56.560 --> 0:15:57.120
<v Speaker 4>and looking.

0:15:56.960 --> 0:15:59.680
<v Speaker 1>Through the window, and Roger thinks that'll do.

0:16:00.480 --> 0:16:03.320
<v Speaker 4>And I first into the beauty cower before the pups

0:16:03.320 --> 0:16:03.960
<v Speaker 4>can get a shot.

0:16:05.320 --> 0:16:08.040
<v Speaker 1>Everyone was screaming and diving out of the way as

0:16:08.160 --> 0:16:09.920
<v Speaker 1>Roger weaved his way to the back.

0:16:10.560 --> 0:16:13.920
<v Speaker 5>I got the ladies all nicely agitated, all excited, you know,

0:16:14.360 --> 0:16:16.000
<v Speaker 5>so that by timely hit the back door and the

0:16:16.080 --> 0:16:18.040
<v Speaker 5>police were coming in the front door. The ladies were

0:16:18.080 --> 0:16:20.920
<v Speaker 5>throwing sheets over their heads and hanging around the stowing

0:16:20.960 --> 0:16:23.000
<v Speaker 5>down to their progressisting enough to get me out.

0:16:22.840 --> 0:16:23.360
<v Speaker 4>Of the back door.

0:16:23.560 --> 0:16:26.920
<v Speaker 5>And then I opened the back and all cornfields, miles

0:16:26.960 --> 0:16:29.200
<v Speaker 5>and miles of corn fields seven feet high.

0:16:29.760 --> 0:16:33.000
<v Speaker 1>Hearing the police closing in behind him, Roger bolted for

0:16:33.080 --> 0:16:36.360
<v Speaker 1>the corn sprinting into the stalks as fast as he could.

0:16:36.840 --> 0:16:39.400
<v Speaker 1>When he heard the first gun shots ring out.

0:16:39.480 --> 0:16:43.960
<v Speaker 4>Behind him, I first into the cornfield. All of a sudden,

0:16:44.480 --> 0:16:47.880
<v Speaker 4>a corner in front of me boom over my head

0:16:47.880 --> 0:16:49.400
<v Speaker 4>and I said, oh right, you're good.

0:16:49.440 --> 0:16:51.320
<v Speaker 2>I die, You know you die.

0:16:52.040 --> 0:16:54.000
<v Speaker 5>The corn was stepty high. I can't hear if the

0:16:54.080 --> 0:16:57.120
<v Speaker 5>police are underfeet behind me or a fright pepin. I'm

0:16:57.160 --> 0:16:59.040
<v Speaker 5>my old it's gonna blow out the shoulder, and I'm

0:16:59.240 --> 0:17:01.200
<v Speaker 5>running and I'm run a real bow boy, you know,

0:17:01.360 --> 0:17:02.000
<v Speaker 5>go go go.

0:17:02.880 --> 0:17:03.600
<v Speaker 4>You always hear the.

0:17:03.640 --> 0:17:05.800
<v Speaker 5>Canad of the guys in the reformentory. You own, go boy,

0:17:05.840 --> 0:17:08.040
<v Speaker 5>go boy. Bullets are going on and.

0:17:08.160 --> 0:17:10.240
<v Speaker 4>Finally if you got red quiet and I stopped. I

0:17:10.320 --> 0:17:11.480
<v Speaker 4>looked down these rolls.

0:17:11.720 --> 0:17:15.000
<v Speaker 5>I don't see anything, but you're the sirens everywhere you go,

0:17:15.280 --> 0:17:17.200
<v Speaker 5>and I must have rann Able four miles.

0:17:16.960 --> 0:17:17.800
<v Speaker 4>Through the cornfield.

0:17:18.480 --> 0:17:21.040
<v Speaker 1>Roger spotted a big farmhouse with a nice car in

0:17:21.119 --> 0:17:25.320
<v Speaker 1>the driveway, so he ran in, still wielding the toy gun,

0:17:25.400 --> 0:17:28.040
<v Speaker 1>of course, and scared the hell out of the woman

0:17:28.080 --> 0:17:30.639
<v Speaker 1>who lived there when he showed up in her kitchen.

0:17:30.960 --> 0:17:33.280
<v Speaker 4>I won burst in the doors your room. Looked at you.

0:17:34.320 --> 0:17:36.800
<v Speaker 4>I said, just you coo. He says you own the

0:17:36.840 --> 0:17:40.520
<v Speaker 4>carne run She said, I said, do you hear sirens?

0:17:42.000 --> 0:17:43.760
<v Speaker 4>A lot of people up the are gonna meet your

0:17:43.800 --> 0:17:44.440
<v Speaker 4>guards went on.

0:17:45.440 --> 0:17:47.720
<v Speaker 1>She was too shocked to help with the car keys,

0:17:48.160 --> 0:17:51.520
<v Speaker 1>but Roger spotted them hanging on hooks near the front door.

0:17:52.000 --> 0:17:54.320
<v Speaker 1>He leapt into the car and was out of there

0:17:54.560 --> 0:17:56.159
<v Speaker 1>before anyone could catch him.

0:17:59.480 --> 0:17:59.960
<v Speaker 4>Got out of it.

0:18:00.920 --> 0:18:04.480
<v Speaker 6>I got into Ohio, and then I got to Detroit

0:18:04.600 --> 0:18:06.200
<v Speaker 6>and stuck on to sty at ETOs.

0:18:06.240 --> 0:18:08.640
<v Speaker 4>Coming back to Canada. At least for you don't steal

0:18:08.680 --> 0:18:09.840
<v Speaker 4>your getaway cards. Certain.

0:18:10.400 --> 0:18:14.000
<v Speaker 1>Roger pulled into Detroit, just across the river from Canada,

0:18:14.520 --> 0:18:17.760
<v Speaker 1>and checked into a CD motel, But when he turned

0:18:17.840 --> 0:18:20.720
<v Speaker 1>on the TV, he was given a fright when he

0:18:20.800 --> 0:18:24.000
<v Speaker 1>saw his own face on the screen looking back at him.

0:18:24.520 --> 0:18:26.399
<v Speaker 4>Nil most wanted future of out of.

0:18:26.359 --> 0:18:29.040
<v Speaker 1>The state, Roger learned that his partner, Doug, had been

0:18:29.160 --> 0:18:33.640
<v Speaker 1>arrested already, whereas Roger was now a celebrity and being

0:18:33.800 --> 0:18:38.080
<v Speaker 1>hunted by the FBI. After a lifetime of languishing in

0:18:38.160 --> 0:18:42.439
<v Speaker 1>Canadian obscurity, it seemed he had graduated to the big leagues.

0:18:43.560 --> 0:18:46.840
<v Speaker 1>The next morning, Roger came across the Ambassador Bridge on

0:18:46.960 --> 0:18:50.720
<v Speaker 1>a bus and made his way to Toronto. If he

0:18:50.840 --> 0:18:52.200
<v Speaker 1>was going to have to spend the rest of his

0:18:52.320 --> 0:18:56.080
<v Speaker 1>life behind bars, they might as well be Canadian bars.

0:18:58.040 --> 0:19:00.800
<v Speaker 1>They eventually caught him in a motel room, and a

0:19:00.880 --> 0:19:04.560
<v Speaker 1>few weeks later Roger found himself standing before a judge.

0:19:05.920 --> 0:19:08.960
<v Speaker 1>You didn't need a law degree to understand how this

0:19:09.200 --> 0:19:11.639
<v Speaker 1>was going to go for Roger. I think the Latin

0:19:11.680 --> 0:19:17.560
<v Speaker 1>word to describe what Roger was is fucked and it's up.

0:19:17.600 --> 0:19:20.760
<v Speaker 5>And you said your says, I my playing as the

0:19:20.800 --> 0:19:23.280
<v Speaker 5>worst criminal record than any of us in our career.

0:19:23.320 --> 0:19:26.800
<v Speaker 4>I've ever seen her. That's my lawyer, you know.

0:19:28.640 --> 0:19:31.439
<v Speaker 1>When it was the Crown Prosecutor's turn, he held up

0:19:31.520 --> 0:19:35.400
<v Speaker 1>Roger's rap sheet and called him a psychopath, a man

0:19:35.560 --> 0:19:36.560
<v Speaker 1>without conscience.

0:19:37.320 --> 0:19:39.360
<v Speaker 4>I'm not an a million I love the conscience. I'm

0:19:39.400 --> 0:19:41.359
<v Speaker 4>not a criminal. Stuck at fact. That's what kept getting

0:19:41.359 --> 0:19:43.280
<v Speaker 4>any trouble is I thought, a conscience, you don't.

0:19:43.560 --> 0:19:47.040
<v Speaker 1>Even the judge had things like, I've tried to find

0:19:47.119 --> 0:19:49.919
<v Speaker 1>something that would give me some hope for your rehabilitation,

0:19:50.680 --> 0:19:54.159
<v Speaker 1>but I certainly haven't been able to see anything, et cetera,

0:19:54.520 --> 0:19:57.400
<v Speaker 1>et cetera. But then, in the middle of this very

0:19:57.680 --> 0:20:02.720
<v Speaker 1>cut and dry trial, something surprising that would change Roger's life.

0:20:03.119 --> 0:20:05.440
<v Speaker 4>Well, boy said, just a minute to your argum, He said,

0:20:05.560 --> 0:20:07.560
<v Speaker 4>just a minute, and he said, can I talk to you?

0:20:07.720 --> 0:20:07.920
<v Speaker 8>Braver.

0:20:08.240 --> 0:20:10.359
<v Speaker 1>Roger's lawyer had come to learn that for the past

0:20:10.720 --> 0:20:13.879
<v Speaker 1>eight years his client had been working on a manuscript

0:20:13.960 --> 0:20:17.280
<v Speaker 1>about his life in the penal system, and since he

0:20:17.320 --> 0:20:20.760
<v Speaker 1>had almost no other defense to put forward, he figured

0:20:20.920 --> 0:20:22.639
<v Speaker 1>it was worth a shot to at least share with

0:20:22.720 --> 0:20:26.400
<v Speaker 1>the judge some of the highlights from the manuscript before sentencing.

0:20:26.560 --> 0:20:27.760
<v Speaker 4>They had hers, so.

0:20:28.640 --> 0:20:30.440
<v Speaker 6>They had jured it came back to judge to look

0:20:30.480 --> 0:20:32.240
<v Speaker 6>through it all over an hour and he called back,

0:20:32.320 --> 0:20:35.199
<v Speaker 6>he said, he said, boy, he said, pop until an

0:20:35.240 --> 0:20:36.520
<v Speaker 6>hour a boy, he said, I'm going to give you

0:20:36.560 --> 0:20:39.000
<v Speaker 6>a life sentence, he said, but I'm looking through your

0:20:39.040 --> 0:20:41.520
<v Speaker 6>manuscript is stead things and never going to get probablished,

0:20:41.520 --> 0:20:42.120
<v Speaker 6>too primitive.

0:20:42.320 --> 0:20:44.159
<v Speaker 4>But he says, I can see a lot of insight.

0:20:44.280 --> 0:20:46.240
<v Speaker 4>I said, see a lot of hope. I can understand

0:20:46.280 --> 0:20:46.920
<v Speaker 4>you a little better.

0:20:47.920 --> 0:20:51.360
<v Speaker 1>Roger couldn't believe the tone change from just an hour earlier,

0:20:51.960 --> 0:20:53.879
<v Speaker 1>and then when it was time for the judge to

0:20:54.000 --> 0:20:57.480
<v Speaker 1>share his final decision, he said, I sent it to

0:20:57.480 --> 0:21:00.920
<v Speaker 1>you the twenty year twenty years nineteen and a half

0:21:01.000 --> 0:21:04.840
<v Speaker 1>to be exact. Now, nearly twenty years might seem like

0:21:04.880 --> 0:21:07.640
<v Speaker 1>a long time, but you need to remember the judge's

0:21:07.680 --> 0:21:11.560
<v Speaker 1>first instinct was to put him away for life. But

0:21:11.720 --> 0:21:15.159
<v Speaker 1>this was twenty years. Twenty years. Roger could do.

0:21:15.480 --> 0:21:17.480
<v Speaker 4>That was okay to be twenty years. He was delighted

0:21:17.680 --> 0:21:18.120
<v Speaker 4>end of the time.

0:21:18.480 --> 0:21:21.920
<v Speaker 1>But the very important thing about this lenient sentence is

0:21:21.960 --> 0:21:27.120
<v Speaker 1>that it led to an epiphany for Roger about his writing. Yes,

0:21:27.560 --> 0:21:31.200
<v Speaker 1>the near decade of writing had been incredibly therapeutic, and yes,

0:21:31.400 --> 0:21:33.560
<v Speaker 1>He was thrilled by the thought that one day he

0:21:33.680 --> 0:21:35.720
<v Speaker 1>might be able to get one of his stories in

0:21:35.800 --> 0:21:40.359
<v Speaker 1>a magazine or a memoir published. But one thing Roger

0:21:40.560 --> 0:21:44.480
<v Speaker 1>had not considered until that day in the courtroom was

0:21:44.560 --> 0:21:49.639
<v Speaker 1>that his writing could quite literally get him out of prison.

0:21:50.680 --> 0:21:53.600
<v Speaker 1>And I don't know if you've heard, but getting out

0:21:53.640 --> 0:21:57.240
<v Speaker 1>of prison is a hobby of Roger Kuran's.

0:21:57.600 --> 0:22:00.240
<v Speaker 4>So I met the court group, I went to no

0:22:00.359 --> 0:22:03.960
<v Speaker 4>had in jail, and I started right he's writing.

0:22:18.160 --> 0:22:22.200
<v Speaker 1>Roger had tried escaping from prison with grappling hooks and

0:22:22.400 --> 0:22:27.680
<v Speaker 1>self made mannequins. He'd tried tunneling, bar cutting, He'd torn

0:22:27.840 --> 0:22:32.280
<v Speaker 1>himself to pieces climbing over barbed wire. He'd helped stage

0:22:32.400 --> 0:22:36.080
<v Speaker 1>in elaborate distractions so he could try walking out. But

0:22:37.200 --> 0:22:41.280
<v Speaker 1>one thing that he hadn't tried yet was writing his

0:22:41.440 --> 0:22:45.280
<v Speaker 1>way out. And unlike most of his past escapes, he

0:22:45.400 --> 0:22:47.480
<v Speaker 1>knew that if he was going to pull off this one,

0:22:48.160 --> 0:22:49.400
<v Speaker 1>he was going to need some help.

0:22:50.080 --> 0:22:52.720
<v Speaker 9>The first time I met Roger, who was at Collins Bay.

0:22:53.160 --> 0:22:54.199
<v Speaker 1>This is David Schlake.

0:22:54.800 --> 0:22:57.639
<v Speaker 8>I was a teacher of English at St. Lawrence College

0:22:57.680 --> 0:23:02.240
<v Speaker 8>in Kingston, and we volunteered workshop seminars.

0:23:03.040 --> 0:23:03.440
<v Speaker 9>One day.

0:23:03.480 --> 0:23:07.960
<v Speaker 8>I was doing a workshop about creative writing, and Roger

0:23:08.080 --> 0:23:10.040
<v Speaker 8>bounced in at the end of the session.

0:23:10.600 --> 0:23:13.240
<v Speaker 9>And he was remarkable in a couple of ways.

0:23:13.359 --> 0:23:15.440
<v Speaker 8>One of them was he was he didn't have a

0:23:15.480 --> 0:23:19.080
<v Speaker 8>shirt on, and I noticed instantly a lot of the

0:23:19.200 --> 0:23:23.640
<v Speaker 8>lacerations and scar tissue on his arms and on his back.

0:23:23.840 --> 0:23:26.440
<v Speaker 9>And he had a manuscript with him.

0:23:26.840 --> 0:23:33.520
<v Speaker 8>This manuscript was in a grocery bag, brown paper grocery bag,

0:23:34.080 --> 0:23:36.800
<v Speaker 8>and it was very thick. He had many, many pages.

0:23:37.280 --> 0:23:39.920
<v Speaker 8>And he said, I got this manuscript, and what do

0:23:39.960 --> 0:23:42.920
<v Speaker 8>you think. I said, well, I'm glad to look at it.

0:23:43.080 --> 0:23:46.119
<v Speaker 8>And he said, well, he can't take it now. I

0:23:47.040 --> 0:23:48.000
<v Speaker 8>have to get your copy.

0:23:48.320 --> 0:23:51.280
<v Speaker 1>Roger had already lost his work once and he wasn't

0:23:51.320 --> 0:23:53.040
<v Speaker 1>keen on that ever happening again.

0:23:53.240 --> 0:23:55.520
<v Speaker 9>He would not let the manuscript out of his site

0:23:56.400 --> 0:23:57.920
<v Speaker 9>that was guarded leave me.

0:23:58.600 --> 0:24:00.920
<v Speaker 1>The next time Roger saw Dave, he was able to

0:24:00.960 --> 0:24:04.159
<v Speaker 1>get him some stuff that he could take home. About

0:24:04.240 --> 0:24:06.880
<v Speaker 1>sixty pages the first day, but there was a lot

0:24:07.000 --> 0:24:08.280
<v Speaker 1>more where that came from.

0:24:08.760 --> 0:24:11.119
<v Speaker 9>The first time I saw it, it was a stack.

0:24:11.400 --> 0:24:11.720
<v Speaker 9>He said.

0:24:11.760 --> 0:24:15.359
<v Speaker 8>There were fifteen hundred pages. There were scribbler books that

0:24:15.440 --> 0:24:19.159
<v Speaker 8>were marked with number twelve number nineteen, and then there

0:24:19.160 --> 0:24:21.639
<v Speaker 8>would be pages, and then another scribbler and so on.

0:24:22.200 --> 0:24:24.440
<v Speaker 9>It was pretty robust. He had done a lot of work.

0:24:24.720 --> 0:24:27.480
<v Speaker 1>It didn't take much time with the pages for David

0:24:27.600 --> 0:24:30.960
<v Speaker 1>to discover that Roger's story had real potential.

0:24:31.400 --> 0:24:33.480
<v Speaker 8>And my impression of the manuscript when I did read

0:24:33.520 --> 0:24:38.560
<v Speaker 8>it initially was that it was it needed a restructuring,

0:24:38.640 --> 0:24:41.040
<v Speaker 8>as he would jump around a lot, but there was

0:24:41.280 --> 0:24:45.280
<v Speaker 8>real energy in the story. As far as memoirs go,

0:24:45.440 --> 0:24:49.000
<v Speaker 8>it was very intense, and I was impressed with the gusto.

0:24:51.520 --> 0:24:54.800
<v Speaker 1>It was unlike anything he'd ever read in its drive

0:24:55.480 --> 0:24:58.760
<v Speaker 1>and in its willingness to go to dark places.

0:24:59.400 --> 0:25:01.760
<v Speaker 9>What I recall was the.

0:25:03.280 --> 0:25:05.720
<v Speaker 8>Sad accounts of when he was really young, like the

0:25:06.160 --> 0:25:10.280
<v Speaker 8>really bruising, blisteringly sad times he had as a teenager,

0:25:10.680 --> 0:25:11.440
<v Speaker 8>and I thought.

0:25:11.359 --> 0:25:13.400
<v Speaker 9>Boy, that's a rough time.

0:25:13.880 --> 0:25:15.840
<v Speaker 1>David is the type of person that would have been

0:25:16.200 --> 0:25:19.960
<v Speaker 1>willing to help any inmate with their creative pursuits. But

0:25:20.119 --> 0:25:24.880
<v Speaker 1>he could sense that Rogers carried an urgency and in importance,

0:25:25.560 --> 0:25:27.560
<v Speaker 1>so he was keen to do whatever he could to

0:25:27.680 --> 0:25:31.399
<v Speaker 1>help Roger get his book into reader's hands, and it

0:25:31.400 --> 0:25:36.920
<v Speaker 1>would take everything from restructuring to spell checking lots of

0:25:37.080 --> 0:25:37.840
<v Speaker 1>spell checking.

0:25:38.119 --> 0:25:40.800
<v Speaker 8>He would double up on some consonants all the time,

0:25:40.920 --> 0:25:43.000
<v Speaker 8>and I would always circle them and say, Roger business

0:25:43.040 --> 0:25:44.880
<v Speaker 8>has three s's not four.

0:25:45.520 --> 0:25:49.040
<v Speaker 1>Anyway, through their work on the manuscript, David got to

0:25:49.119 --> 0:25:50.359
<v Speaker 1>know Roger well and.

0:25:50.480 --> 0:25:51.840
<v Speaker 9>I nicknamed him.

0:25:51.840 --> 0:25:54.280
<v Speaker 8>I used to call him Immer and he'd say, what's immer?

0:25:54.680 --> 0:25:57.040
<v Speaker 8>I said, well, in German it means always, but it's

0:25:57.359 --> 0:25:59.879
<v Speaker 8>im r and that's from theater, and it means in

0:26:00.080 --> 0:26:01.840
<v Speaker 8>media race in the middle of things.

0:26:02.080 --> 0:26:04.720
<v Speaker 9>You're just you just bounce into the middle of things.

0:26:04.800 --> 0:26:07.280
<v Speaker 8>And so I called Roger Immer. He was always in

0:26:07.320 --> 0:26:09.399
<v Speaker 8>the middle of something and he'd draw you right into it.

0:26:09.880 --> 0:26:13.480
<v Speaker 1>This was a time of unimaginable drive, even for Roger.

0:26:14.240 --> 0:26:16.480
<v Speaker 1>There have been so many periods where he was laser

0:26:16.600 --> 0:26:19.760
<v Speaker 1>focused on making his story as compelling as he could.

0:26:20.640 --> 0:26:23.600
<v Speaker 1>But he could feel how close it was getting, and

0:26:23.720 --> 0:26:26.600
<v Speaker 1>the feedback that David was giving him made him believe

0:26:27.040 --> 0:26:29.280
<v Speaker 1>that he really would be able to get this thing

0:26:29.720 --> 0:26:31.040
<v Speaker 1>out into the world.

0:26:32.560 --> 0:26:35.040
<v Speaker 9>He thought that it would. He's very lucky.

0:26:35.080 --> 0:26:36.639
<v Speaker 8>He might have a pulp novel and I said, no,

0:26:36.800 --> 0:26:39.800
<v Speaker 8>this is a this is a bound hardback copy coming Roger.

0:26:40.160 --> 0:26:43.800
<v Speaker 1>A hardback. Roger was drunk with the idea that if

0:26:43.840 --> 0:26:46.040
<v Speaker 1>he got a book like that out into the world,

0:26:46.600 --> 0:26:49.840
<v Speaker 1>it could help bring him into the world with it.

0:26:50.400 --> 0:26:52.200
<v Speaker 9>He just wanted it out of the system. He wanted

0:26:52.200 --> 0:26:52.680
<v Speaker 9>to be free.

0:26:53.080 --> 0:26:56.960
<v Speaker 1>Roger wanted that manuscript to find its way to a publisher.

0:26:57.560 --> 0:26:59.679
<v Speaker 1>So when it was time to finally start sending out

0:26:59.760 --> 0:27:02.480
<v Speaker 1>let to everyone he could think of to ask for

0:27:02.600 --> 0:27:05.920
<v Speaker 1>publishing help, Nadia Sunic came to mind.

0:27:06.359 --> 0:27:09.359
<v Speaker 7>Quite frankly. I was a busy young lawyer and a

0:27:10.280 --> 0:27:14.800
<v Speaker 7>busy young person doing many things, and often not peddling

0:27:14.920 --> 0:27:16.040
<v Speaker 7>Roger's manuscript.

0:27:16.359 --> 0:27:18.919
<v Speaker 1>Nadia was a young lawyer who was working with Roger's

0:27:19.000 --> 0:27:22.800
<v Speaker 1>main attorney and was a person Roger had become friendly with.

0:27:23.400 --> 0:27:26.440
<v Speaker 1>She was bright, impressive, and she seemed like the type

0:27:26.480 --> 0:27:28.520
<v Speaker 1>of person who might know people.

0:27:29.480 --> 0:27:32.720
<v Speaker 2>Nadia, I am in the process of rewriting a new outline,

0:27:32.840 --> 0:27:35.840
<v Speaker 2>one that is more presentable, more concise. I am convinced

0:27:35.880 --> 0:27:38.200
<v Speaker 2>that within six months to one year after my book

0:27:38.280 --> 0:27:40.600
<v Speaker 2>is launched that I could regain my freedom on parole.

0:27:41.200 --> 0:27:44.119
<v Speaker 2>My penchant for escaping goes heavily against me, so I

0:27:44.200 --> 0:27:47.119
<v Speaker 2>must give prison officials something concrete to prove that I

0:27:47.200 --> 0:27:50.919
<v Speaker 2>am rehabilitated. And that my future is secure, so secure

0:27:51.000 --> 0:27:52.639
<v Speaker 2>that I would not be tempted to escape.

0:27:54.359 --> 0:27:58.680
<v Speaker 1>Step one was lending Nadia a manuscript to read, which.

0:27:58.560 --> 0:28:00.800
<v Speaker 10>May actually still be in my garage.

0:28:01.119 --> 0:28:03.440
<v Speaker 1>Nadia, No, you were supposed to give it back to

0:28:03.560 --> 0:28:04.640
<v Speaker 1>Roger when you were done.

0:28:04.920 --> 0:28:07.560
<v Speaker 7>He was annoyed that there were too many copies of

0:28:07.720 --> 0:28:12.320
<v Speaker 7>the manuscript floating around. Anyway, was so intent on getting

0:28:12.359 --> 0:28:15.840
<v Speaker 7>it published, and he gave it to me, and I

0:28:16.200 --> 0:28:18.640
<v Speaker 7>was to, you know, pedle.

0:28:18.359 --> 0:28:19.600
<v Speaker 10>It and get it published.

0:28:20.320 --> 0:28:23.399
<v Speaker 1>Nadia remembers well reading it for the first time. She

0:28:23.560 --> 0:28:25.640
<v Speaker 1>was at the beach with her husband and some friends,

0:28:26.000 --> 0:28:29.440
<v Speaker 1>sunning herself on an air mattress when suddenly.

0:28:29.680 --> 0:28:32.800
<v Speaker 7>I remember, I started to say, oh my god, Oh

0:28:32.880 --> 0:28:36.359
<v Speaker 7>my god. And my husband said, what's the matter, And

0:28:36.440 --> 0:28:40.040
<v Speaker 7>I said, you know, he's describing this bank robbery.

0:28:40.600 --> 0:28:45.120
<v Speaker 1>Get detail, a robbery that Roger claimed he had nothing

0:28:45.240 --> 0:28:45.680
<v Speaker 1>to do with.

0:28:46.280 --> 0:28:50.000
<v Speaker 10>You know, we just finish working. You say he didn't

0:28:50.040 --> 0:28:51.040
<v Speaker 10>do it, and look at this.

0:28:51.400 --> 0:28:56.520
<v Speaker 7>I still remember lying on that mattress, thinking, wait a minute, here, Roger,

0:28:56.720 --> 0:28:57.560
<v Speaker 7>wait a minute.

0:28:58.960 --> 0:29:02.520
<v Speaker 1>Every cat in every bag was about to be let out.

0:29:03.480 --> 0:29:08.120
<v Speaker 1>Roger started mailing letters to every publisher, magazine, and industry

0:29:08.280 --> 0:29:10.280
<v Speaker 1>adjacent person he could think of.

0:29:11.640 --> 0:29:11.880
<v Speaker 4>Editor.

0:29:12.200 --> 0:29:14.880
<v Speaker 2>Please help me regain my position in society once more

0:29:14.920 --> 0:29:18.800
<v Speaker 2>as a functional, respected human being. Please help me regain.

0:29:18.560 --> 0:29:19.760
<v Speaker 1>My position in society.

0:29:21.040 --> 0:29:23.440
<v Speaker 2>What's my bag? I used to be a bank robber.

0:29:23.920 --> 0:29:27.000
<v Speaker 2>I am now a changed man, no longer abandoned, and

0:29:27.080 --> 0:29:30.800
<v Speaker 2>a jail writer. I've spent the past ten years writing

0:29:30.840 --> 0:29:35.160
<v Speaker 2>my autobiography. I've nursed my book manuscript from prison to prison.

0:29:35.320 --> 0:29:38.000
<v Speaker 2>I fought and bled over it. It kept me sane

0:29:38.280 --> 0:29:40.720
<v Speaker 2>during lengthy stays in solitary confinements.

0:29:41.560 --> 0:29:43.680
<v Speaker 10>He pursued it, and he was determined.

0:29:44.040 --> 0:29:46.120
<v Speaker 1>Roger's sister sue again.

0:29:46.480 --> 0:29:48.240
<v Speaker 10>There's an old thing. He did nothing to lose and

0:29:48.280 --> 0:29:50.560
<v Speaker 10>everything the game, and he was just driven.

0:29:51.360 --> 0:29:55.120
<v Speaker 1>He wrote to all the most reputable publishing houses in Canada,

0:29:55.800 --> 0:29:58.840
<v Speaker 1>and he wasn't above writing the more pedestrian options either.

0:29:59.040 --> 0:30:00.080
<v Speaker 1>I have read every.

0:30:00.080 --> 0:30:03.840
<v Speaker 2>Reissue of Playboy magazine since its inception in nineteen fifty four,

0:30:03.960 --> 0:30:06.320
<v Speaker 2>and I am convinced that my story is slanted to

0:30:06.360 --> 0:30:09.760
<v Speaker 2>the adult male who reads Playboy. You wouldn't happen to

0:30:09.800 --> 0:30:11.880
<v Speaker 2>know a publisher or editor in the market for a

0:30:12.200 --> 0:30:15.400
<v Speaker 2>gutsy prison manuscript, would you. I'm told it reads like

0:30:15.560 --> 0:30:17.800
<v Speaker 2>corn liquor being slashed down a virgin's throat.

0:30:18.520 --> 0:30:20.520
<v Speaker 1>Roger was really feeling himself now.

0:30:21.080 --> 0:30:23.520
<v Speaker 10>He felt, I'm going to win this. I'm going to

0:30:23.560 --> 0:30:25.000
<v Speaker 10>win this. I'm going to do it.

0:30:25.400 --> 0:30:28.600
<v Speaker 1>But after his first flurry of letters, he was surprised

0:30:28.720 --> 0:30:31.080
<v Speaker 1>when people weren't getting back to him right away.

0:30:31.280 --> 0:30:33.920
<v Speaker 7>I would have spoken to him on the phone when

0:30:33.960 --> 0:30:37.640
<v Speaker 7>he was keen to know exactly what was happening. And

0:30:37.840 --> 0:30:42.040
<v Speaker 7>of course nothing was happening because I wasn't paying as

0:30:42.120 --> 0:30:44.360
<v Speaker 7>much attention to it as I probably should have.

0:30:44.400 --> 0:30:48.160
<v Speaker 1>Been, and the people who were writing back were writing

0:30:48.400 --> 0:30:49.240
<v Speaker 1>with bad news.

0:30:52.720 --> 0:30:54.400
<v Speaker 3>We have decided against publishing it.

0:30:54.720 --> 0:30:56.920
<v Speaker 11>There's a chance we may publish it, and as a

0:30:57.040 --> 0:30:57.680
<v Speaker 11>chance we may not.

0:30:58.240 --> 0:31:01.320
<v Speaker 10>I just want to prepare you for either. God knows

0:31:01.360 --> 0:31:03.400
<v Speaker 10>there's a room for a good book about our prison system,

0:31:03.480 --> 0:31:05.360
<v Speaker 10>but I don't feel that this is going to be

0:31:05.440 --> 0:31:10.000
<v Speaker 10>in Incidentally, your spelling is appalling. He got very discouraged.

0:31:10.080 --> 0:31:10.680
<v Speaker 10>Many times.

0:31:11.240 --> 0:31:14.200
<v Speaker 1>He'd been feeling so confident in the beginning, but his

0:31:14.320 --> 0:31:18.720
<v Speaker 1>wish list had written back with a resounding not interested.

0:31:19.560 --> 0:31:21.880
<v Speaker 1>It had been a good try, but it didn't look

0:31:22.240 --> 0:31:23.560
<v Speaker 1>like he was going to get published.

0:31:24.360 --> 0:31:26.800
<v Speaker 10>And I'd say to him well, just read up Roger

0:31:26.880 --> 0:31:28.720
<v Speaker 10>on gone with the Win and see how many times

0:31:28.800 --> 0:31:31.360
<v Speaker 10>that was turned down. I couldn't tell him one hundred

0:31:31.360 --> 0:31:33.800
<v Speaker 10>percent it's going to happen. I mean, I can't tell

0:31:33.840 --> 0:31:37.360
<v Speaker 10>him that, but I sure pushed because I felt this

0:31:37.600 --> 0:31:41.080
<v Speaker 10>was good for him. No matter what, whatever the outcome,

0:31:41.600 --> 0:31:42.640
<v Speaker 10>this was good for him.

0:31:46.120 --> 0:31:49.280
<v Speaker 1>One of Roger's best qualities is that when he's knocked down,

0:31:49.720 --> 0:31:53.160
<v Speaker 1>he doesn't stay down. Because he came to learn that

0:31:53.520 --> 0:31:56.920
<v Speaker 1>he just hadn't written to the right person yet. He

0:31:57.040 --> 0:32:01.240
<v Speaker 1>needed a champion, and he was about to find one.

0:32:01.840 --> 0:32:03.920
<v Speaker 10>That's where Pierre Burton came into the picture.

0:32:04.320 --> 0:32:08.280
<v Speaker 1>Pierre Burton was one of Canada's foremost intellectuals and most

0:32:08.320 --> 0:32:09.360
<v Speaker 1>prolific authors.

0:32:09.720 --> 0:32:11.600
<v Speaker 10>There's a little saying you want something done, go to

0:32:11.680 --> 0:32:12.479
<v Speaker 10>the head of the class.

0:32:13.680 --> 0:32:15.960
<v Speaker 1>Burton was known for being a bit of a rebel,

0:32:16.400 --> 0:32:21.040
<v Speaker 1>a pot smoking liberal, at the forefront of starting conversations

0:32:21.080 --> 0:32:27.080
<v Speaker 1>about LGBTQ issues and the rights of Canada's incarcerated. So

0:32:27.240 --> 0:32:30.040
<v Speaker 1>Roger told David he was thinking about reaching out to him.

0:32:30.240 --> 0:32:33.840
<v Speaker 8>He had heard that Pierre Burton, who was at the time,

0:32:35.240 --> 0:32:37.840
<v Speaker 8>I think one either on the board of or maybe

0:32:37.920 --> 0:32:40.880
<v Speaker 8>the chair of the prison Arts Foundation and very supportive

0:32:40.920 --> 0:32:44.240
<v Speaker 8>of adults and custody who were doing creative things. And

0:32:44.440 --> 0:32:50.200
<v Speaker 8>writing really appealed to Pierre Burton, and adults and custody

0:32:50.240 --> 0:32:53.320
<v Speaker 8>inmates who were writing was something that Roger knew Peter

0:32:53.360 --> 0:32:55.200
<v Speaker 8>Burton would pay attention to us. I said, I don't

0:32:55.200 --> 0:32:57.320
<v Speaker 8>know him personally, but I'm pretty sure we could get

0:32:57.440 --> 0:32:58.120
<v Speaker 8>something to him.

0:32:58.320 --> 0:33:00.760
<v Speaker 10>Roger went for the long shot that a lot in

0:33:00.840 --> 0:33:01.480
<v Speaker 10>his life, and.

0:33:01.560 --> 0:33:03.840
<v Speaker 5>That's when I wrote a letter in mister Burton, I wrote,

0:33:03.840 --> 0:33:06.360
<v Speaker 5>and i's more less said help, And just.

0:33:06.400 --> 0:33:09.400
<v Speaker 1>Like Roger hoped, Burton heard the call and said he'd

0:33:09.440 --> 0:33:12.480
<v Speaker 1>be willing to read the manuscript. So Roger was like,

0:33:12.880 --> 0:33:16.000
<v Speaker 1>holy carow, Pierre Burton had better type this thing up

0:33:16.120 --> 0:33:16.720
<v Speaker 1>real nice.

0:33:17.000 --> 0:33:19.840
<v Speaker 8>And Roger was really eager to get that manuscript in

0:33:20.280 --> 0:33:23.000
<v Speaker 8>a form that was professional enough, and he did.

0:33:23.200 --> 0:33:25.880
<v Speaker 10>Pierre Burton liked what he read. He'd liked what he

0:33:26.000 --> 0:33:27.720
<v Speaker 10>heard for some reason.

0:33:27.920 --> 0:33:31.360
<v Speaker 2>Last fall I started corresponding with mister Pierre Burton, and

0:33:31.480 --> 0:33:33.880
<v Speaker 2>since then he has read my book and liked what

0:33:33.960 --> 0:33:34.640
<v Speaker 2>I accomplished.

0:33:35.080 --> 0:33:36.040
<v Speaker 1>Without asking, he.

0:33:36.080 --> 0:33:39.320
<v Speaker 2>Has volunteered to write a preface and generally endorse my work.

0:33:39.800 --> 0:33:41.880
<v Speaker 2>It was a fantastic break for me, and I deeply

0:33:41.960 --> 0:33:43.800
<v Speaker 2>appreciate everything he is doing for me.

0:33:44.400 --> 0:33:47.040
<v Speaker 1>Pierre Burton understood it for what it was going to be,

0:33:47.760 --> 0:33:51.280
<v Speaker 1>a thrilling scream from the darkness. There's going to captivate

0:33:51.400 --> 0:33:54.440
<v Speaker 1>a nation. He told Roger that he would do everything

0:33:54.520 --> 0:33:57.960
<v Speaker 1>he could to get this thing published, including sharing it

0:33:58.160 --> 0:33:59.320
<v Speaker 1>with his own publisher.

0:34:00.640 --> 0:34:04.560
<v Speaker 10>The publishing company that Peer Burton was with turned it down,

0:34:05.800 --> 0:34:07.880
<v Speaker 10>and Peter Burton was not a happy camera about it.

0:34:09.280 --> 0:34:11.920
<v Speaker 11>I'm sorry to tell you that the editorial board has

0:34:12.000 --> 0:34:16.760
<v Speaker 11>decided against undertaking publication. It was felt that the editorial

0:34:16.920 --> 0:34:20.320
<v Speaker 11>work involved was simply too great for our editors to handle.

0:34:20.440 --> 0:34:23.120
<v Speaker 1>At this time, Burton was like, did you not hear

0:34:23.200 --> 0:34:26.040
<v Speaker 1>what I just said? This book is going to be huge.

0:34:26.600 --> 0:34:30.239
<v Speaker 10>They didn't go for it. I'm sure they lived to

0:34:30.360 --> 0:34:31.000
<v Speaker 10>regret it for.

0:34:31.000 --> 0:34:31.719
<v Speaker 9>A long time.

0:34:32.320 --> 0:34:36.840
<v Speaker 1>I write this letter with sincere personal regret Roger, and

0:34:37.000 --> 0:34:42.279
<v Speaker 1>wish you every success. CC Pierre Burton. This was a

0:34:42.360 --> 0:34:46.320
<v Speaker 1>new disappointment for Roger. Even with the perfect champion, he

0:34:46.520 --> 0:34:48.640
<v Speaker 1>still couldn't get this thing printed.

0:34:49.160 --> 0:34:52.680
<v Speaker 10>Peer Burton was so sure that his company was going

0:34:52.760 --> 0:34:55.680
<v Speaker 10>to take it, and Roger had such a high there

0:34:56.440 --> 0:34:58.560
<v Speaker 10>he was, you know, he felt like it was a

0:34:58.680 --> 0:35:02.879
<v Speaker 10>fair complete and that was a down or for him,

0:35:02.960 --> 0:35:03.839
<v Speaker 10>that was whoa.

0:35:04.680 --> 0:35:09.439
<v Speaker 1>But unbeknownst to Roger, Burton wasn't giving up. And then

0:35:10.600 --> 0:35:11.120
<v Speaker 1>it sold.

0:35:12.040 --> 0:35:14.440
<v Speaker 5>Our company in Sydney will be importing Go Boy for

0:35:14.640 --> 0:35:16.120
<v Speaker 5>Australia New Zealand market.

0:35:16.360 --> 0:35:17.240
<v Speaker 3>Congratulations.

0:35:17.600 --> 0:35:19.640
<v Speaker 10>French rights on Go Boys sold to Bushima.

0:35:19.960 --> 0:35:21.920
<v Speaker 9>They will publish this fall partiest.

0:35:22.040 --> 0:35:22.920
<v Speaker 2>Congratulations.

0:35:27.160 --> 0:35:30.239
<v Speaker 10>My first feeling was good for you because I think

0:35:30.280 --> 0:35:32.680
<v Speaker 10>we all need to accomplish something in life that we

0:35:32.800 --> 0:35:35.520
<v Speaker 10>feel good about. And I really think that this is

0:35:35.600 --> 0:35:38.600
<v Speaker 10>the first thing that he felt, you know, except for

0:35:38.760 --> 0:35:41.960
<v Speaker 10>catching wild animals and whatnot. He really felt accomplished in that,

0:35:42.520 --> 0:35:45.920
<v Speaker 10>you know. But this is something he worked so hard for.

0:35:46.760 --> 0:35:52.560
<v Speaker 9>But the truth is it was really single minded hard work.

0:35:53.000 --> 0:35:56.320
<v Speaker 1>The kid with almost no schooling or training to speak of,

0:35:56.800 --> 0:36:00.840
<v Speaker 1>who'd grown up behind bars, who'd been beaten, paddle shocked,

0:36:01.160 --> 0:36:04.239
<v Speaker 1>shot at punch, who had been buried in solitary for

0:36:04.320 --> 0:36:09.239
<v Speaker 1>an unfathomable amount of time, was going to be published

0:36:09.560 --> 0:36:14.520
<v Speaker 1>by a real publishing house. The world had no idea

0:36:14.880 --> 0:36:19.520
<v Speaker 1>who Roger Karan was, but they were about to find out.

0:36:47.680 --> 0:36:51.120
<v Speaker 3>Go Boy is a production from Campside Media in partnership

0:36:51.160 --> 0:36:56.080
<v Speaker 3>with iHeart Podcasts. Listen on the iHeartRadio app, Apple Podcasts,

0:36:56.520 --> 0:37:00.320
<v Speaker 3>or wherever you get your podcasts. Go Boy was written

0:37:00.360 --> 0:37:04.160
<v Speaker 3>and hosted by me Sam Wellens. Our producer is Rob

0:37:04.239 --> 0:37:08.680
<v Speaker 3>Lindsay of Paradox Pictures. Laine Rose is our senior producer.

0:37:09.480 --> 0:37:14.160
<v Speaker 3>Sound design, mix and engineering by Garrett Tiedeman. Original music

0:37:14.520 --> 0:37:20.120
<v Speaker 3>by Garrett tiedemant fact checking by Michael Kenyon Meyer. Selected

0:37:20.239 --> 0:37:24.560
<v Speaker 3>archival clips are from CBC Licensing. The book Go Boy

0:37:24.800 --> 0:37:29.839
<v Speaker 3>was written by Roger Kuran. iHeart Podcasts executive producers are

0:37:29.920 --> 0:37:35.080
<v Speaker 3>Lindsay Hoffman and Jennifer Bassett. Special thanks to Ashley Anne Crigbaum,

0:37:35.480 --> 0:37:40.200
<v Speaker 3>Spencer Rose, Doug Slaywin, and Shoshy Schmullivans for voicing Roger

0:37:40.280 --> 0:37:45.000
<v Speaker 3>Kuran's publishing correspondence in this episode. Excerpts from Roger Kuran's

0:37:45.000 --> 0:37:49.800
<v Speaker 3>book Go Boy, read by Jamie Cavanaugh. Campside Media's executive

0:37:49.840 --> 0:37:54.880
<v Speaker 3>producers are Josh Dean Vanessa, Gregoriatis, Adam hoff and Matt

0:37:55.120 --> 0:37:59.840
<v Speaker 3>cher A. Special thanks to our operations team, Doug Slaywyn, I,

0:38:00.000 --> 0:38:04.720
<v Speaker 3>Ashley Lawren, Sabina Marra, and Destiny Dingle. If you enjoyed

0:38:04.800 --> 0:38:07.800
<v Speaker 3>Go Boy, please rate and review the show wherever you

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<v Speaker 3>get your podcasts.

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<v Speaker 1>Thanks for listening.