WEBVTT - Detransition, Lana (feat. Shon Faye)

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<v Speaker 1>Wasn't another one of her boyfriends a cop. That's very dregs,

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<v Speaker 1>that's very dress. She's she any non not my name, yo,

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<v Speaker 1>yo yo? What is your childhood brother? Yo? Going down

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<v Speaker 1>the floor like j So. Welcome to Like a Virgin,

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<v Speaker 1>the show where we give yesterday's pop culture today's takes.

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<v Speaker 1>I'm Rose dam you and I'm Fran Toronto and we

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<v Speaker 1>just got off of a very exciting Google meeting talking

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<v Speaker 1>about our live show happening in Brooklyn this weekend. Oh

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<v Speaker 1>my god, I am so stoked. We're pulling this together

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<v Speaker 1>very last minute, and that is going to be the vibe.

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<v Speaker 1>It's going to be the essence um Peyton Dicks, the

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<v Speaker 1>essence of beauty. Payton Dix, famed bisexual, has famously never

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<v Speaker 1>seen a single episode of Sex in the City or

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<v Speaker 1>but she has seen the entirety of ants like that

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<v Speaker 1>which is fucked us, which is so fucked up. We

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<v Speaker 1>will be discussing. But anyways, this weekend, Saturday, only a

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<v Speaker 1>one night event, we will be live viewing the bisexual

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<v Speaker 1>episode of Sex and the City, which is one of

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<v Speaker 1>some would say the most problematic episode of of Sex

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<v Speaker 1>in the City. Not me, I would definitely put it

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<v Speaker 1>in the top three top four most problematic episodes. Well,

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<v Speaker 1>we'll debate, we'll debate. Well, we'll debate if you're in

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<v Speaker 1>New York City. If you're in New York City, you

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<v Speaker 1>will have to be there to see how that debate goes.

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<v Speaker 1>Um And there are tickets now live on both of

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<v Speaker 1>our instagrams on the Like a Virgin burner account at

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<v Speaker 1>Like a Virgin for twenty sixty nine. They are cheaper

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<v Speaker 1>if you buy the minut advance versus at the door,

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<v Speaker 1>so look at them now. We also will have some

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<v Speaker 1>merch at the show to buy, so women to be shopping. Bradshaw.

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<v Speaker 1>And if you are a diva who likes to sit,

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<v Speaker 1>please come early. Okay, seating there will be limited, limited seating.

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<v Speaker 1>And it's small venue. It's a very cozy, intimate venue.

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<v Speaker 1>That's how we like it. We like intimate venues the

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<v Speaker 1>way Madonna what wait, what tour did she go to

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<v Speaker 1>where she had the intimate, the intimate the Madam concerts? Yeah,

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<v Speaker 1>that her Madam. It will it will be this era,

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<v Speaker 1>yeah with the show. That's yeah, this is our this

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<v Speaker 1>is our weekends with adele Um. But it's only one weekend.

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<v Speaker 1>Come this Saturday. It's gonna be so much fun. And also,

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<v Speaker 1>you know, while we're doing some housekeeping, make sure that

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<v Speaker 1>you subscribe to our patreon for weekly exclusive bonus episodes.

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<v Speaker 1>But yeah, without all out of the way, how the

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<v Speaker 1>hell are you fran so good? Rose? Um? I you know,

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<v Speaker 1>pulled myself out of a nap so that I could

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<v Speaker 1>go see a screening of Scream six at the AMC

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<v Speaker 1>Village and uh it was. It was good. Yeah, I

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<v Speaker 1>saw it last week as well, so we um and

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<v Speaker 1>we I didn't I thought you weren't going to see it.

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<v Speaker 1>I know our periods are sinked. Well, I told you

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<v Speaker 1>that I didn't want to. I only would do it

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<v Speaker 1>if I could put it on my AMCs stubbs List

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<v Speaker 1>rewards member whatever the fuck it's called, um because I

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<v Speaker 1>actually haven't used my membership in like a month and

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<v Speaker 1>a half and so, you know, just trying to be

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<v Speaker 1>cost effective. But um, I I still got to sit

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<v Speaker 1>in my recliner chairs. I was very happy with my

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<v Speaker 1>viewing experience. What did you think of the beginning? The

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<v Speaker 1>first five minutes I think were a bit of a doozy. Yeah,

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<v Speaker 1>I really liked the the cold open um. It was

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<v Speaker 1>a sort of a departure for a screen movie, and

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<v Speaker 1>that not just one person was killed. There was not

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<v Speaker 1>not really a fake out. It was more of like

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<v Speaker 1>a like a narrative moment like this professor gets killed

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<v Speaker 1>and then the killers get killed. So I thought that

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<v Speaker 1>was interesting. And you know, it's trying to do like

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<v Speaker 1>what Scream does best, which is this like meta commentary

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<v Speaker 1>on horror, and as the Scream movies have progressed, they

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<v Speaker 1>have more become a meta commentary on Scream movies than

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<v Speaker 1>on horror in general, unfortunately. I mean overall, I really

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<v Speaker 1>liked the movie up until the killer reveal, and then

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<v Speaker 1>I thought it was very dumb. Okay, so I mean

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<v Speaker 1>spoiler alerts vision, why didn't you like the killer reveal

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<v Speaker 1>because I felt it was anticlimactic. Yeah, it was sort

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<v Speaker 1>of a mix of things Scream has done before, where

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<v Speaker 1>it's you know, a family member of a past killer

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<v Speaker 1>or someone who's really obsessed with the whole Scream ghost

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<v Speaker 1>Faces narrative, and it did both, and I thought the

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<v Speaker 1>reveal was one that was like far too easy to predict,

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<v Speaker 1>like obviously as soon as that as um Dylan McDermott show,

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<v Speaker 1>where is that Dermott moroney, I can never, I can never.

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<v Speaker 1>It's it's Dermott moment, it's the other one. Okay. As

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<v Speaker 1>soon as he showed up, I was like, okay, he's

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<v Speaker 1>the killer. Yeah. And and then obviously also like the

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<v Speaker 1>one odd guy out in their group who's like, of course,

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<v Speaker 1>but I bet you all think I'm the Killer's like okay,

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<v Speaker 1>well obviously he's the killer too, And they just did that.

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<v Speaker 1>They just did that as well. And the yeah, where

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<v Speaker 1>it was like the obvious one was the one. It

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<v Speaker 1>was just so unsatisfying. And I also felt like their

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<v Speaker 1>justification for why they were the killers was super lame.

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<v Speaker 1>She was reaching your honor. Yeah. Also like why did

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<v Speaker 1>it take place in New York when it was entirely

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<v Speaker 1>shot in Montreal? It looked like it was shot in Montreal.

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<v Speaker 1>And also I mean, I guess they were there because

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<v Speaker 1>Jennet Ortega was going to NYU or whatever. But here's what, Okay,

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<v Speaker 1>I lead with the negatives because had a ball and

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<v Speaker 1>I enjoyed this scream more too. I did. I did too.

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<v Speaker 1>I thought this scream was so much better than the

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<v Speaker 1>last one and um and so big improvement they gave

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<v Speaker 1>that main girly some acting lessons because she was rotted

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<v Speaker 1>in the last Yeah, Melissa Guero definitely is like giving

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<v Speaker 1>final doll um. And I actually thought they were. I

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<v Speaker 1>thought for a second that they really were going to

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<v Speaker 1>kill her because they had alluded to it, and because

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<v Speaker 1>I was like, oh, if they made Jenna Ortega the

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<v Speaker 1>true protagonist of this franchise, that actually would be such

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<v Speaker 1>a serve. I'm not gonna lie, but well, I think

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<v Speaker 1>that's what's going to happen because and I think that

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<v Speaker 1>in the next movie, Melissa of this movie is going

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<v Speaker 1>to become the killer. Like I think she's snapped. She's

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<v Speaker 1>she's gonna be the Scream. She's gonna be the Scream.

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<v Speaker 1>She's gonna be screams screaming to scream. Yeah, so as

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<v Speaker 1>she as you know, the killer is famously called Scream, Scream,

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<v Speaker 1>Scream yeah. Um. So Anyways, the thing for me is like,

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<v Speaker 1>there should have been more hijinks with Scream, Like I

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<v Speaker 1>wanted more. I wanted Scream in New York. I wanted

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<v Speaker 1>Scream getting a hot dog. I wanted to know. I

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<v Speaker 1>wanted Scream getting to like, yeah, going to see a

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<v Speaker 1>Hamilton matinee. Scream in Central Park. Yes, well that crying

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<v Speaker 1>on the subway. That's the thing is, none of that

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<v Speaker 1>happened because it wasn't actually shot in New York and

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<v Speaker 1>the most and I thought that some of my favorite

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<v Speaker 1>parts of the film were the ones were it tried

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<v Speaker 1>to approximate being in New York. Like the scene on

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<v Speaker 1>the subway was genuinely so good and thrilling. Um. The

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<v Speaker 1>scene in the bodega was also really amazing. And I

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<v Speaker 1>don't understand why, if you're gonna do it in New York,

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<v Speaker 1>just fucking shoot it in New York. Yeah. I didn't

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<v Speaker 1>get that either, because yeah, but I am. I love that.

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<v Speaker 1>I love those scenes specific those are definitely two of

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<v Speaker 1>my favorite scenes as well. I thought that in those

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<v Speaker 1>scenes and throughout the movie, the relationship built on the

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<v Speaker 1>two sisters was so much stronger. So towards the end

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<v Speaker 1>when they were like fending off you know, the screams,

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<v Speaker 1>I was just like, I was, just like work Diva's

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<v Speaker 1>like they're gonna be like, you know, a ragtag duo

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<v Speaker 1>of like you know, murdery girls, and like I was,

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<v Speaker 1>I'm kind of like I want that form of the franchise.

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<v Speaker 1>Kirby's return was pretty gaggy and funny. I love that

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<v Speaker 1>she died like three times, but I hate that she's

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<v Speaker 1>a cop because I love I love Herbie, and she

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<v Speaker 1>is one of the high points of Scream four, which

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<v Speaker 1>I do think is one of the better films having

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<v Speaker 1>rewatched it recently. But it just sucks they made her

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<v Speaker 1>a cop. Yeah, and also it sucks that they put

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<v Speaker 1>her in that wig because she they were like, I'm thirty,

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<v Speaker 1>and I was like, honey, with that wig, you look

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<v Speaker 1>like you're thirty. Yeah, Mason, Mason Gooding Man that you are.

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<v Speaker 1>Oh god god. I mean, first of all, it's funny

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<v Speaker 1>that he's playing a college freshman when he's about, you know,

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<v Speaker 1>thirty two. Yeah, he looks like a college freshman. And

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<v Speaker 1>he also looks like a Chad, which I love he does.

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<v Speaker 1>He's so hot it's insane. It makes no Okay. That's

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<v Speaker 1>another complaint of mine is that I think that the

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<v Speaker 1>tension m M, no, what am I trying to say?

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<v Speaker 1>I think that I would have loved more of the

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<v Speaker 1>b plot, Like I felt like the romance between him

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<v Speaker 1>and Jenna Ortega like could have had some like little

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<v Speaker 1>like you know, college hijinks, twisty something like I wish

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<v Speaker 1>I had seen more of Jenna Ortega's life and its

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<v Speaker 1>relation and the stakes, like in you know, his survival,

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<v Speaker 1>Mason Goodding Survival. I would have liked that, specifically to

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<v Speaker 1>the end of making us believe that he could be

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<v Speaker 1>the killer. Yeah, that's what I wanted more of, was

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<v Speaker 1>more breadcrumbs of faking us out, because that's the thing.

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<v Speaker 1>It's like, the reveal of who Scream was was not

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<v Speaker 1>only disappointing because it was lame, but because there wasn't

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<v Speaker 1>a ton of mystery. I wasn't. I didn't spend the

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<v Speaker 1>movie trying to guess who Scream was, and I should

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<v Speaker 1>have been. There should have been people being sus and

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<v Speaker 1>they really weren't. Although I guess like the main Girlie's

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<v Speaker 1>boyfriend was supposed to be the biggest fake out just

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<v Speaker 1>because he's like some random dude, but even that wasn't

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<v Speaker 1>like very compelling, and there was no moment where it

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<v Speaker 1>was sort of like a gotcha that he had like

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<v Speaker 1>a knife in his bag or whatever, although he was

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<v Speaker 1>part of one of the other most thrilling scenes where

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<v Speaker 1>they're locked in the apartment with Scream and have to

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<v Speaker 1>walk across the ladder on the air shot. That was good,

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<v Speaker 1>so good. That was great. The action in this movie

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<v Speaker 1>was really fun. It's just, you know, not very good killers. Yeah,

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<v Speaker 1>I'm not very good killers. And um, I think that

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<v Speaker 1>the reveal. The problem with the reveal is that it

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<v Speaker 1>was just trying too hard to tie us back into

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<v Speaker 1>stories that I personally had already forgot about and didn't

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<v Speaker 1>care about anymore. Stories are so powerful. I don't know

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<v Speaker 1>if you. Stories are really powerful matter not. Everyone should

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<v Speaker 1>have survived, like the whole four four. That's the point

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<v Speaker 1>of screen movies is that the characters that you like die.

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<v Speaker 1>I like, I love Gail. Gail should have died, like

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<v Speaker 1>Mason Gooding's hot as he is should have died. Gail

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<v Speaker 1>Weather No, wait, Gail Weathers survived. Yeah, at the end,

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<v Speaker 1>they had the moment where they were like, oh, yeah,

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<v Speaker 1>Gail's at the hospital, Gail and Kirby are fine. That

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<v Speaker 1>doesn't make any sense. I thought she was I thought

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<v Speaker 1>she was dead. I totally missed that she was still alive.

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<v Speaker 1>Stobbed so many times, so many times. And also, okay,

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<v Speaker 1>I'm sorry, I'm sorry to do this, but like, why

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<v Speaker 1>is there not but a lick of I makeup on

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<v Speaker 1>Courtney Cox. She looks dead. I thought she looked I

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<v Speaker 1>thought she looked fab but she was still iconic. Of

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<v Speaker 1>course she she was and rip to her hot boyfriend

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<v Speaker 1>who had no lines and just died. Oh yeah, that

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<v Speaker 1>was so bizarre. Again, this is what I'm saying about

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<v Speaker 1>the b plots is like I almost wanted. Obviously, when

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<v Speaker 1>you have a big ensemble, you can't like do a

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<v Speaker 1>ton with like character development. But like, I don't know,

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<v Speaker 1>there there could have been so many more interesting ways

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<v Speaker 1>for the killer reveal to go down if we had

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<v Speaker 1>more stakes in like what the characters were doing. But

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<v Speaker 1>it doesn't. You know, the action was amazing though, So yeah,

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<v Speaker 1>you know, I guess I would plain. I guess I

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<v Speaker 1>was hoping that the killer reveal would have more to

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<v Speaker 1>do with the whole idea of the main girl whatever

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<v Speaker 1>her name is in the movie, Um, like the conspiracy

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<v Speaker 1>theory that she was the actual killer. Like I know

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<v Speaker 1>that the killers were the ones who planted that, but

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<v Speaker 1>I think that could have been a better part of

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<v Speaker 1>the sort of meta commentary that it was doing, like

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<v Speaker 1>about victimhood and you know, they just like didn't really

0:13:15.480 --> 0:13:19.920
<v Speaker 1>chase that that rabbit. So but yeah, still very enjoyable

0:13:19.960 --> 0:13:23.360
<v Speaker 1>moviegoing experience. I had a lot of fun watching it,

0:13:23.559 --> 0:13:27.680
<v Speaker 1>and I will be seated for every scream that's it's

0:13:27.720 --> 0:13:32.400
<v Speaker 1>I just will. Okay, let's let's move on from from Scream,

0:13:32.520 --> 0:13:37.520
<v Speaker 1>both the movie and the titular killer. Yeah. Two, we're

0:13:37.559 --> 0:13:41.000
<v Speaker 1>going from New York to Ocean Boulevard right now. Yes

0:13:41.160 --> 0:13:44.240
<v Speaker 1>to Lana del Rey, who also is the topic of

0:13:45.120 --> 0:13:47.160
<v Speaker 1>I mean she is the overarching topic of this whole

0:13:47.160 --> 0:13:50.000
<v Speaker 1>episode because after this we'll have a conversation about her

0:13:50.080 --> 0:13:56.640
<v Speaker 1>with Sean Fay, noted author and um Lana del Rey historian.

0:13:57.480 --> 0:14:00.520
<v Speaker 1>So did you know that there's a tunnel under Ocean Boulevard?

0:14:00.600 --> 0:14:04.600
<v Speaker 1>Was released on Friday? And what do we think? Fran

0:14:05.200 --> 0:14:08.360
<v Speaker 1>Um love it, Love love love it. I am like

0:14:08.640 --> 0:14:12.800
<v Speaker 1>feeling like, you know, it's bringing us back to Norman Rockwell, Launa.

0:14:13.520 --> 0:14:16.720
<v Speaker 1>I feel like it's also going to like SoundCloud Laana.

0:14:17.240 --> 0:14:21.360
<v Speaker 1>It reminds me like something like Peppers. I think reminds

0:14:21.400 --> 0:14:26.200
<v Speaker 1>me a lot of her SoundCloud song with Asap Rocky Riding.

0:14:26.400 --> 0:14:30.640
<v Speaker 1>That's like so like very Lizzy Grant. Yes, it's Lizzy Grant.

0:14:30.760 --> 0:14:34.040
<v Speaker 1>It's like, I you know, trap beat from like garage band,

0:14:34.280 --> 0:14:37.960
<v Speaker 1>like you know iOS six, You know what I mean,

0:14:38.080 --> 0:14:40.800
<v Speaker 1>Like it was it's like fun and funny and dirty,

0:14:40.880 --> 0:14:43.800
<v Speaker 1>and I don't know, she really is such a producer,

0:14:44.000 --> 0:14:46.920
<v Speaker 1>and I think that's something like I think I loved

0:14:46.960 --> 0:14:50.920
<v Speaker 1>and respected her more as a songwriter and asked a

0:14:50.960 --> 0:14:54.040
<v Speaker 1>producer on this album than I had in previous albums.

0:14:54.120 --> 0:14:58.920
<v Speaker 1>What about You. Yeah, the songwriting on this is really beautiful,

0:14:59.200 --> 0:15:03.160
<v Speaker 1>and I really feel myself drawn to some of the

0:15:03.200 --> 0:15:06.720
<v Speaker 1>tracks that almost are the ones that I feel like

0:15:06.760 --> 0:15:11.960
<v Speaker 1>she'll never perform live, Like something like something like Fingertips,

0:15:12.040 --> 0:15:15.280
<v Speaker 1>which like is almost more of just a poem set

0:15:15.320 --> 0:15:20.240
<v Speaker 1>to music, and like something that I like imagine is

0:15:20.600 --> 0:15:23.360
<v Speaker 1>she like just recorded to like have it live as

0:15:23.400 --> 0:15:27.720
<v Speaker 1>a song and it's not necessarily something she'll ever perform live.

0:15:29.680 --> 0:15:32.280
<v Speaker 1>You know, I agree. I think in a lot of ways,

0:15:32.360 --> 0:15:37.000
<v Speaker 1>this is a return to a sound that she maybe

0:15:37.040 --> 0:15:41.840
<v Speaker 1>didn't do on Blue Banisters or or chem Trails, Like

0:15:41.880 --> 0:15:43.960
<v Speaker 1>there is a little bit more of that like hip

0:15:44.000 --> 0:15:48.440
<v Speaker 1>hop influence on some of the songs, but I feel

0:15:48.480 --> 0:15:51.200
<v Speaker 1>like what she's writing about has evolved a lot. Like

0:15:51.240 --> 0:15:57.680
<v Speaker 1>there's so much reckoning with mortality on this record, like

0:15:57.680 --> 0:16:00.760
<v Speaker 1>like the death that she's experienced in her family, like

0:16:01.320 --> 0:16:04.800
<v Speaker 1>the the knowledge of the mortality of the people she loves,

0:16:04.800 --> 0:16:09.240
<v Speaker 1>and also like the idea of I think she's thinking

0:16:09.280 --> 0:16:12.440
<v Speaker 1>a lot about the legacy she's going to leave behind.

0:16:12.880 --> 0:16:17.160
<v Speaker 1>Um and what you know, imprint her music has on

0:16:17.240 --> 0:16:20.400
<v Speaker 1>the world, which is really beautiful. And I mean some

0:16:20.440 --> 0:16:24.239
<v Speaker 1>of the imagery on this album, like um in Kintsugie

0:16:24.320 --> 0:16:27.000
<v Speaker 1>when she's talking about you know, like the cracks letting

0:16:27.040 --> 0:16:32.680
<v Speaker 1>the light come in is really lovely and yeah, I

0:16:32.760 --> 0:16:36.120
<v Speaker 1>just I just think it's really beautiful. It sounds very Um.

0:16:36.160 --> 0:16:38.800
<v Speaker 1>A lot of the songs have that sort of like

0:16:39.200 --> 0:16:43.840
<v Speaker 1>old school Disney quality to the like the the orchestration

0:16:44.760 --> 0:16:48.400
<v Speaker 1>and um, I mean like some of them just like

0:16:48.440 --> 0:16:52.720
<v Speaker 1>the the like swelling of the music if so emotional,

0:16:52.800 --> 0:16:56.480
<v Speaker 1>like the the Grandfather song Grandfather, Please Stand on the

0:16:56.480 --> 0:17:01.240
<v Speaker 1>Shoulders of My Father? I think is oh my Father

0:17:01.360 --> 0:17:07.399
<v Speaker 1>as something. Yeah, it's so beautiful. Um fish Tails also

0:17:07.520 --> 0:17:12.359
<v Speaker 1>really lovely and then um, I also really like Margaret

0:17:12.359 --> 0:17:15.919
<v Speaker 1>the song with Bleachers. I really like Candy Necklace. I

0:17:16.000 --> 0:17:21.040
<v Speaker 1>do think the standouts, the real standouts are the singles

0:17:21.040 --> 0:17:23.919
<v Speaker 1>that she's already released, Like yeah, I do think I

0:17:24.040 --> 0:17:25.920
<v Speaker 1>do think A and W is the best song on

0:17:26.000 --> 0:17:29.480
<v Speaker 1>the album A and W did you Know There's a tunnel? Um?

0:17:29.520 --> 0:17:32.879
<v Speaker 1>I also love that she's like in conversation with the

0:17:32.960 --> 0:17:37.920
<v Speaker 1>music she's already released, like on Um the Taco Truck,

0:17:38.000 --> 0:17:41.760
<v Speaker 1>Venico Taco Truck, Venice Bitch. It's like I gasped, when

0:17:42.160 --> 0:17:48.040
<v Speaker 1>so good, so self referential. It reminded me of Sissa

0:17:48.119 --> 0:17:51.520
<v Speaker 1>sampling herself in her last album and like bringing us

0:17:51.560 --> 0:17:54.359
<v Speaker 1>back to these like iconic moments from their career and

0:17:54.400 --> 0:17:57.320
<v Speaker 1>then putting it in a completely new context. That almost

0:17:57.320 --> 0:18:01.000
<v Speaker 1>like it's like Lana kind of evaluating her self, which

0:18:01.000 --> 0:18:03.440
<v Speaker 1>I feel like she has been doing a lot over

0:18:03.480 --> 0:18:06.919
<v Speaker 1>the last few albums because when like when Laana like

0:18:06.920 --> 0:18:09.800
<v Speaker 1>emerged on the scene, you know, she was the complete package.

0:18:09.800 --> 0:18:13.520
<v Speaker 1>She had an aesthetic, she had a vibe, she presented

0:18:13.600 --> 0:18:17.359
<v Speaker 1>like you know who, she was pretty unapologetically, and now

0:18:17.440 --> 0:18:20.760
<v Speaker 1>like these more recent albums, it's like her looking back

0:18:20.800 --> 0:18:23.760
<v Speaker 1>at her own archetype and seeing what she's going to

0:18:23.840 --> 0:18:26.760
<v Speaker 1>take and what she's gonna leave. I'm gonna take mine

0:18:26.760 --> 0:18:30.800
<v Speaker 1>of view with me, etc. Etc. So, like what you

0:18:30.880 --> 0:18:37.080
<v Speaker 1>said about you know, her self referencing and in something

0:18:37.119 --> 0:18:39.720
<v Speaker 1>like Venice Bitch, I think it just she she's doing

0:18:39.880 --> 0:18:42.520
<v Speaker 1>something that she does so well on this album in general,

0:18:42.920 --> 0:18:46.719
<v Speaker 1>which is take off a whole language of like you know,

0:18:46.840 --> 0:18:50.840
<v Speaker 1>Laana isms and pull them back and give them a

0:18:50.920 --> 0:18:53.840
<v Speaker 1>completely new meaning, Like Venice Bitch had a new meaning

0:18:54.600 --> 0:18:57.920
<v Speaker 1>at the end of this album and this song, and

0:18:57.960 --> 0:19:02.720
<v Speaker 1>that I really appreciated. Same thing with Peppers. To me,

0:19:03.400 --> 0:19:06.119
<v Speaker 1>I mean the trope of letting the light in and

0:19:06.640 --> 0:19:09.639
<v Speaker 1>is like I think, really a beautiful kind of theme

0:19:09.760 --> 0:19:14.640
<v Speaker 1>like thematic device throughout this album. Um. With Kinsugi specifically,

0:19:14.880 --> 0:19:18.880
<v Speaker 1>I mean Kintsugi, like that is such a stumble upon

0:19:19.040 --> 0:19:21.840
<v Speaker 1>thing like that is such a like tumbler girl discovers

0:19:21.920 --> 0:19:24.800
<v Speaker 1>like what Kintsugi is and like it's her whole personality

0:19:24.880 --> 0:19:27.640
<v Speaker 1>for like three months. Um. But like that's what Lana does.

0:19:27.680 --> 0:19:32.720
<v Speaker 1>So Will is like is take this like the most

0:19:33.040 --> 0:19:38.640
<v Speaker 1>basic ass behavior and elevate it into an art form.

0:19:39.000 --> 0:19:44.560
<v Speaker 1>Yes literally like basic into like actually like translatable like

0:19:45.160 --> 0:19:50.720
<v Speaker 1>megamind art star. Um. I will say. The Father John

0:19:50.760 --> 0:19:55.600
<v Speaker 1>Misty song is giving youth group. I could not I

0:19:55.640 --> 0:19:57.640
<v Speaker 1>could not really I could not really get on it.

0:19:57.720 --> 0:20:01.640
<v Speaker 1>I felt like part of me wanted songs like that

0:20:01.680 --> 0:20:05.680
<v Speaker 1>to like No, I just wish there were more songs

0:20:05.680 --> 0:20:08.480
<v Speaker 1>like A ANDW that was like my only thing, Like

0:20:08.520 --> 0:20:13.160
<v Speaker 1>I wanted a little more grit, grit and glamor see.

0:20:13.200 --> 0:20:16.080
<v Speaker 1>I felt that way with the interludes, which if you

0:20:16.119 --> 0:20:19.520
<v Speaker 1>do a little digging, are are from this like church

0:20:19.720 --> 0:20:25.720
<v Speaker 1>that she sometimes attends and their sermons from the pastor

0:20:25.840 --> 0:20:29.160
<v Speaker 1>and like that I didn't really vibe with. And I

0:20:29.200 --> 0:20:32.720
<v Speaker 1>was with my friend Hilton yesterday and they were saying,

0:20:32.800 --> 0:20:36.760
<v Speaker 1>like that those songs are gonna ruin the experience of

0:20:36.840 --> 0:20:39.639
<v Speaker 1>having just Launa on shuffle, and like one of those

0:20:39.760 --> 0:20:42.240
<v Speaker 1>comes on, So maybe those will be songs that I

0:20:42.280 --> 0:20:48.840
<v Speaker 1>have to block on Spotify. Yeah, but I do really

0:20:49.840 --> 0:20:52.359
<v Speaker 1>think when placed in context with the rest of La

0:20:52.800 --> 0:20:56.760
<v Speaker 1>Launa's discography, like this just makes so much sense and

0:20:56.800 --> 0:21:01.400
<v Speaker 1>it's such a logical next step an evolution for her.

0:21:01.720 --> 0:21:05.560
<v Speaker 1>And yeah, I wish I wish this album had been

0:21:05.560 --> 0:21:08.520
<v Speaker 1>out before our conversation with Sean, But I also think

0:21:08.960 --> 0:21:13.679
<v Speaker 1>we had a really good experience of like talking about

0:21:15.200 --> 0:21:19.760
<v Speaker 1>who Lana is as this album was about to be released,

0:21:20.520 --> 0:21:24.080
<v Speaker 1>and like where where she stands in the culture and

0:21:24.280 --> 0:21:27.280
<v Speaker 1>with all of us specifically. So I still think it's

0:21:27.320 --> 0:21:32.080
<v Speaker 1>like a very It was. It was a great conversation. Well,

0:21:32.119 --> 0:21:37.560
<v Speaker 1>happy Lana Day, Happy Happy Lana Weekend, Happy Lana week month, whatever. Um,

0:21:37.840 --> 0:21:41.760
<v Speaker 1>there are some things that we that I know are

0:21:41.840 --> 0:21:44.359
<v Speaker 1>like out in the culture that we just um that

0:21:44.400 --> 0:21:46.960
<v Speaker 1>we're not going to talk about today. Neither Fran or

0:21:47.000 --> 0:21:50.240
<v Speaker 1>I have watched the first episode of the new season

0:21:50.320 --> 0:21:56.440
<v Speaker 1>of Yellow Jackets, and we might hold that for the Patreon,

0:21:56.680 --> 0:21:58.520
<v Speaker 1>So if you want to hear our thoughts, you're going

0:21:58.560 --> 0:22:02.200
<v Speaker 1>to have to subscribe Patreon on tom Slush like a virgin. Also,

0:22:02.720 --> 0:22:06.200
<v Speaker 1>I have been spending the last couple months catching up

0:22:06.240 --> 0:22:11.200
<v Speaker 1>on Succession and I'm almost I'm like midway through season three.

0:22:11.480 --> 0:22:14.560
<v Speaker 1>So we will talk about Succession. I don't know if

0:22:14.560 --> 0:22:17.800
<v Speaker 1>we'll do it here or on the patron, but I'm

0:22:18.359 --> 0:22:22.920
<v Speaker 1>I'm like, I'm like full successionista now. I season. Yeah,

0:22:22.960 --> 0:22:26.200
<v Speaker 1>I was gonna ask got me Yeah. It was very

0:22:26.240 --> 0:22:28.199
<v Speaker 1>hard for me to get into it first. I was

0:22:28.280 --> 0:22:31.680
<v Speaker 1>really bored through the most of season one, and then

0:22:31.720 --> 0:22:35.119
<v Speaker 1>the end of season one like got me hooked, and

0:22:35.160 --> 0:22:40.000
<v Speaker 1>I just like plowed through season two really quickly, and

0:22:40.160 --> 0:22:43.720
<v Speaker 1>I'm I'm fully obsessed now. I said this on the pod.

0:22:43.800 --> 0:22:45.879
<v Speaker 1>I think I tried to watch the first episode of

0:22:45.920 --> 0:22:49.600
<v Speaker 1>Succession like four times because every time I was so

0:22:49.720 --> 0:22:53.200
<v Speaker 1>bored and I turned it off. But once you're in it, Steva,

0:22:53.280 --> 0:22:57.439
<v Speaker 1>you're in it. Yeah. I just I love I love Shiv,

0:22:58.080 --> 0:23:01.120
<v Speaker 1>I love Tom and Greg. I also love how none

0:23:01.160 --> 0:23:03.520
<v Speaker 1>of them are using iPhones because they're all villains and

0:23:03.640 --> 0:23:07.320
<v Speaker 1>we know that rule that Apple has. Yeah, yeah, yeah yeah. Um.

0:23:07.359 --> 0:23:10.200
<v Speaker 1>I also love um what's her face? The mom the

0:23:10.560 --> 0:23:14.359
<v Speaker 1>mean mommy, mean mommy, who like Don Lawyer, called Jerry

0:23:15.840 --> 0:23:21.080
<v Speaker 1>Jerry Jerry Jerry. I also love um. I love Cherry

0:23:21.160 --> 0:23:24.959
<v Speaker 1>Jones and Holly Hunter. Cherry Jones plays the you know,

0:23:25.000 --> 0:23:30.040
<v Speaker 1>like the matriarch of the other so companies perfect arch

0:23:30.119 --> 0:23:34.399
<v Speaker 1>nemesis yea. And Holly Hunter with her fucking bangs. Holly

0:23:34.480 --> 0:23:39.280
<v Speaker 1>Hunter is crazy in this show. Oh my god. Um okay, yeah,

0:23:39.359 --> 0:23:41.880
<v Speaker 1>let's do a Patreon discussion. I can't wait to deep die. Yeah.

0:23:42.000 --> 0:23:45.119
<v Speaker 1>Maybe we'll maybe we'll have to bring um back a

0:23:45.240 --> 0:23:48.840
<v Speaker 1>previous guest to do like a proper Succession episode we have,

0:23:49.080 --> 0:23:52.800
<v Speaker 1>And I wonder who that I wonder who that could be? Yeah?

0:23:52.840 --> 0:23:57.240
<v Speaker 1>Who who has been on the show like loves Succession

0:23:57.400 --> 0:24:04.640
<v Speaker 1>very publicly. We'll see, We'll see, Okay, without further ado yeah,

0:24:05.960 --> 0:24:10.040
<v Speaker 1>my pussy tastes like pepsicola. It doesn't. It'd be like

0:24:10.040 --> 0:24:31.200
<v Speaker 1>a diet home flavorying diamond two baby, New York City, Sean,

0:24:31.359 --> 0:24:36.240
<v Speaker 1>what's your earliest memory of Lana? Like? When? When were you?

0:24:36.359 --> 0:24:40.600
<v Speaker 1>When was your cherry pop? Have you been there since

0:24:40.640 --> 0:24:42.800
<v Speaker 1>the beginning? I have been there, of course, have been

0:24:42.800 --> 0:24:45.440
<v Speaker 1>there since the beginning. I was like a gay boy

0:24:45.760 --> 0:24:52.760
<v Speaker 1>on Tumblr. M I actually video games. I wasn't as

0:24:52.840 --> 0:24:55.480
<v Speaker 1>I wasn't like right there at the beginning of video games,

0:24:55.520 --> 0:24:59.560
<v Speaker 1>before that breakout moment. I think Born to Die the

0:24:59.600 --> 0:25:02.760
<v Speaker 1>song with the Flower Crown and the Throne is like

0:25:02.880 --> 0:25:07.200
<v Speaker 1>my strongest memory of like the first song of lambdor

0:25:07.280 --> 0:25:10.240
<v Speaker 1>Rays that I became obsessed with, and then I went

0:25:10.320 --> 0:25:14.520
<v Speaker 1>back to video games. But I was there from pretty

0:25:14.560 --> 0:25:17.920
<v Speaker 1>early on, Like I have only ever seen Lana live

0:25:17.960 --> 0:25:20.320
<v Speaker 1>and that was twenty thirteen and it was the Born

0:25:20.440 --> 0:25:25.240
<v Speaker 1>to Die Paradise edition era. So yeah, I'm a Flower

0:25:25.280 --> 0:25:32.200
<v Speaker 1>crown Erastan. Okay, Well, my stand um does predate yours

0:25:32.240 --> 0:25:40.040
<v Speaker 1>just a little bit. Okay, this ship, yes, one of tranship.

0:25:41.400 --> 0:25:44.000
<v Speaker 1>So I was I was having a party at my

0:25:44.080 --> 0:25:46.920
<v Speaker 1>old apartment in Bushwick and my friend pulled me into

0:25:46.920 --> 0:25:50.320
<v Speaker 1>my bedroom to do coke, and while we were doing it,

0:25:50.720 --> 0:25:52.399
<v Speaker 1>she pulled out her phone and was like, you have

0:25:52.440 --> 0:25:54.240
<v Speaker 1>to watch this music video of this girl that I

0:25:54.280 --> 0:25:56.639
<v Speaker 1>was in AA with, and she pulled it out and

0:25:56.640 --> 0:26:02.880
<v Speaker 1>put on video. It's not Miss Lana would be honestly

0:26:02.960 --> 0:26:06.440
<v Speaker 1>so proud of your Internet Alana, Like that is so befitting.

0:26:06.640 --> 0:26:08.600
<v Speaker 1>I mean, you were in Brooklyn, not in you know,

0:26:08.680 --> 0:26:12.440
<v Speaker 1>southern California or whatever, so that's like the only you know, misalignment.

0:26:12.480 --> 0:26:14.520
<v Speaker 1>But like, I think she would love that, you know,

0:26:14.600 --> 0:26:17.240
<v Speaker 1>you were doing coke in a bedroom and talking about

0:26:17.359 --> 0:26:20.520
<v Speaker 1>you know, a yeah. Well she think she would. She

0:26:20.840 --> 0:26:23.639
<v Speaker 1>would because she's she is. She's always been kind of

0:26:23.640 --> 0:26:25.679
<v Speaker 1>a sober icon. Like she's been quite open about being

0:26:25.680 --> 0:26:28.639
<v Speaker 1>sober from the beginning. But she also like likes to

0:26:28.680 --> 0:26:30.240
<v Speaker 1>hark back to the glory. She's like one of those

0:26:30.240 --> 0:26:32.680
<v Speaker 1>sober people that likes to talk about when they used

0:26:32.720 --> 0:26:34.760
<v Speaker 1>to do coke. So she'd be glad that, like people

0:26:34.760 --> 0:26:40.000
<v Speaker 1>are bombing over coke, do you know what I mean? Yeah? Yeah, absolutely, friend?

0:26:40.040 --> 0:26:43.359
<v Speaker 1>What was your intro to Lana? So much like Shanna,

0:26:43.480 --> 0:26:46.879
<v Speaker 1>I also used to be a gay boy on Tumblr

0:26:47.119 --> 0:26:49.840
<v Speaker 1>and I have said on this podcast that Lana is

0:26:50.520 --> 0:26:54.639
<v Speaker 1>the most successful pop star to like emerge from the

0:26:54.680 --> 0:26:58.160
<v Speaker 1>indie sleeves era, specifically on Tumblr, and that was definitely

0:26:58.800 --> 0:27:02.119
<v Speaker 1>my um exposure to her as well. I definitely found

0:27:02.119 --> 0:27:05.479
<v Speaker 1>out about her on Tumblr, like in the twenty tens,

0:27:05.600 --> 0:27:10.200
<v Speaker 1>like her like gifts and images and like and just

0:27:10.240 --> 0:27:12.560
<v Speaker 1>like you know, the tracks when tumbler could like put

0:27:12.600 --> 0:27:15.280
<v Speaker 1>any track on the blog and you could listen to

0:27:15.280 --> 0:27:18.840
<v Speaker 1>all the really unreleased shit like that was my kind

0:27:18.880 --> 0:27:22.199
<v Speaker 1>of first impression. And I actually don't really remember what

0:27:22.320 --> 0:27:26.040
<v Speaker 1>the first song I heard was, but obviously the first

0:27:26.080 --> 0:27:29.880
<v Speaker 1>thing that stuck to me was the gangster Nancy Sinatra thing,

0:27:29.960 --> 0:27:34.320
<v Speaker 1>because at the time I was going in college, I

0:27:34.359 --> 0:27:37.400
<v Speaker 1>was going through a big Nancy Sinatra phase and then

0:27:37.520 --> 0:27:40.280
<v Speaker 1>Lana just happened to emerge on the scene or in

0:27:40.320 --> 0:27:43.200
<v Speaker 1>my life, and I was like, oh, like she I mean,

0:27:43.240 --> 0:27:48.560
<v Speaker 1>I hate the kind of epithet gangster Nancy Sinatra. However

0:27:49.040 --> 0:27:51.960
<v Speaker 1>she does sound she has it. She sounds like Nancy Sinatra,

0:27:52.440 --> 0:27:55.919
<v Speaker 1>and I latched onto first and foremost that like the

0:27:56.040 --> 0:27:59.440
<v Speaker 1>aesthetic world that she built immediately on arrival, I mean,

0:27:59.440 --> 0:28:02.480
<v Speaker 1>her second arrival when she rebranded after Lizzie Grant, but

0:28:02.560 --> 0:28:05.920
<v Speaker 1>like that was like I just remember seeing the full

0:28:05.960 --> 0:28:10.639
<v Speaker 1>picture of her as this like sixties Los Angeles batty

0:28:10.800 --> 0:28:14.320
<v Speaker 1>and I was like, I get it, yes, and excuse

0:28:14.440 --> 0:28:18.720
<v Speaker 1>us for dead names, but you know, she does seem

0:28:18.760 --> 0:28:21.800
<v Speaker 1>to be comfortable with the fact that we all know

0:28:21.920 --> 0:28:25.360
<v Speaker 1>shece was Lizzie Grant, so I think it's okay. Yeah,

0:28:27.000 --> 0:28:31.399
<v Speaker 1>So I actually like I was never in the Lizzie

0:28:31.400 --> 0:28:35.680
<v Speaker 1>Grant era. I don't know much about that era, y'all. No,

0:28:35.920 --> 0:28:40.200
<v Speaker 1>not really. I mean the music has definitely endured, Like

0:28:40.800 --> 0:28:45.560
<v Speaker 1>you know, her unreleased songs are legendary and the real

0:28:46.080 --> 0:28:48.960
<v Speaker 1>real stands, like even deeper stands than I am have

0:28:49.200 --> 0:28:53.280
<v Speaker 1>like an encyclopedic knowledge of them. I'm more aware of

0:28:53.640 --> 0:28:56.800
<v Speaker 1>the visuals of that era, like her with the Blonde.

0:28:57.520 --> 0:29:01.120
<v Speaker 1>It's very much Yeah, it's very much thing when Katy

0:29:01.200 --> 0:29:08.760
<v Speaker 1>Perry was Katherine Hudson and she was a Christian rock musician, right, yeah,

0:29:06.800 --> 0:29:11.600
<v Speaker 1>it are there other examples of that, Like, yeah, Katie

0:29:11.600 --> 0:29:15.200
<v Speaker 1>Perry is one of like other other big names with

0:29:15.320 --> 0:29:18.960
<v Speaker 1>pre eras that we've kind of like memory hold. I'm

0:29:18.960 --> 0:29:25.240
<v Speaker 1>trying to think, like, um, Shakira was Shakira was like

0:29:25.400 --> 0:29:27.680
<v Speaker 1>in the Spanish language, was kind of like an alanist.

0:29:27.680 --> 0:29:33.280
<v Speaker 1>Morrisset like sing a songwriter Gabriel Garcia marqueza that if

0:29:33.320 --> 0:29:35.120
<v Speaker 1>one hundred Years of Solitude was ever going to be

0:29:35.120 --> 0:29:37.240
<v Speaker 1>turned into a film, he would want Shakira to write

0:29:37.400 --> 0:29:42.120
<v Speaker 1>the entire musical score. And then she was like I'm

0:29:42.120 --> 0:29:46.600
<v Speaker 1>going to really she Wolf, well, I guess let me,

0:29:46.680 --> 0:29:50.080
<v Speaker 1>let me get on my la and wasn't there. Also

0:29:50.160 --> 0:29:52.760
<v Speaker 1>didn't Mariah reveal that she at one point had a

0:29:52.840 --> 0:29:56.320
<v Speaker 1>sort of like emo grunge moment that she like wrote

0:29:56.320 --> 0:30:01.080
<v Speaker 1>a whole kind of pop rock album. Yeah, you know,

0:30:01.160 --> 0:30:05.360
<v Speaker 1>everyone's everyone's had different eras. Madonna of Us is another one. Yeah,

0:30:05.600 --> 0:30:07.800
<v Speaker 1>Donna was the front runner. Who was the front woman

0:30:07.840 --> 0:30:09.920
<v Speaker 1>of a band. I'm trying to think of others. Well, Pink,

0:30:09.960 --> 0:30:13.000
<v Speaker 1>Pink had that first album where she was black as well.

0:30:13.120 --> 0:30:17.520
<v Speaker 1>There was that. I mean, it's so good as well.

0:30:17.520 --> 0:30:19.440
<v Speaker 1>I was listening to that. Thank you, thank you so

0:30:19.520 --> 0:30:22.320
<v Speaker 1>much for bringing up Pink because we really needed to

0:30:22.360 --> 0:30:24.480
<v Speaker 1>invoke her on this podcast. We need to do a

0:30:24.520 --> 0:30:28.200
<v Speaker 1>Pink episode at some point. We absolutely do not need

0:30:28.280 --> 0:30:31.400
<v Speaker 1>to do a Pink episode. I don't think you need

0:30:31.400 --> 0:30:35.280
<v Speaker 1>to Pink episode. But my big theory is that stupid girls.

0:30:35.320 --> 0:30:37.880
<v Speaker 1>Do you remember that song that's that's a turf anothing,

0:30:38.240 --> 0:30:42.800
<v Speaker 1>that's a turf anthem, that tour of anthem. You're so right.

0:30:43.080 --> 0:30:47.440
<v Speaker 1>I mean, I think Pink has has rad found vibe. Yeah,

0:30:47.480 --> 0:30:52.640
<v Speaker 1>she's got radigal feminists like you know, I didn't you know,

0:30:52.720 --> 0:30:55.600
<v Speaker 1>women didn't fight for your right to wear heels and

0:30:55.680 --> 0:30:57.920
<v Speaker 1>Panda to the male gaze. It's got that kind of

0:30:57.960 --> 0:31:01.000
<v Speaker 1>those teas. But I think I must be in the banks.

0:31:01.560 --> 0:31:03.960
<v Speaker 1>It's the kind of Kate Gosling Bank that's going to

0:31:04.040 --> 0:31:06.000
<v Speaker 1>be like the new era of turf Banks is actually

0:31:06.040 --> 0:31:08.440
<v Speaker 1>going to be the Pink Swoop. Yeah, grown out, a

0:31:08.440 --> 0:31:13.440
<v Speaker 1>bit pushed to the side. Yeah, she does. In fairness though,

0:31:14.040 --> 0:31:17.520
<v Speaker 1>the reason that I think Pink uh like has kind

0:31:17.520 --> 0:31:20.680
<v Speaker 1>of now managed to escape any anything like about her

0:31:20.800 --> 0:31:24.959
<v Speaker 1>turf song and her sort of like racially ambiguous problematic

0:31:24.960 --> 0:31:27.080
<v Speaker 1>eras that she hates both of them, where she hates

0:31:27.120 --> 0:31:30.000
<v Speaker 1>stupid girls and she's always hated it and she's always

0:31:30.040 --> 0:31:32.040
<v Speaker 1>hated that first album, so that you can't really be

0:31:32.120 --> 0:31:37.640
<v Speaker 1>like m your first album you Yeah, so much like podcasts,

0:31:37.760 --> 0:31:42.040
<v Speaker 1>Pink is Pink is uncancellable. M fran I do think

0:31:42.080 --> 0:31:44.560
<v Speaker 1>you hit on like some of the things that really

0:31:44.680 --> 0:31:48.600
<v Speaker 1>characterized Lana's early fame, and I think what people latched onto,

0:31:48.600 --> 0:31:51.920
<v Speaker 1>which was that she literally sounded like she was from

0:31:51.960 --> 0:31:56.840
<v Speaker 1>another era, and she also was like mashing the esthetics

0:31:56.920 --> 0:32:01.400
<v Speaker 1>of a bygone time with very like girl internet like

0:32:01.800 --> 0:32:05.520
<v Speaker 1>um soft grunge like she was. I don't know if

0:32:05.520 --> 0:32:08.480
<v Speaker 1>there's ever been an artist that was more perfect to

0:32:08.760 --> 0:32:13.440
<v Speaker 1>be tumbler famous like she just was what all the

0:32:13.520 --> 0:32:17.680
<v Speaker 1>girlies wanted to be. Um. I mean, Sean, like, what

0:32:17.800 --> 0:32:22.400
<v Speaker 1>did you what did you latch onto about her? I

0:32:22.440 --> 0:32:25.160
<v Speaker 1>think what I latched onto, Look, I was just thinking

0:32:25.320 --> 0:32:27.320
<v Speaker 1>obviously I just said Born to Die was my first

0:32:27.320 --> 0:32:30.120
<v Speaker 1>experience with her. But where I really feel like it

0:32:30.320 --> 0:32:33.440
<v Speaker 1>popped off for me in terms of my obsession with

0:32:33.480 --> 0:32:38.080
<v Speaker 1>her was Ride and the Ride monologue, because I don't know,

0:32:38.200 --> 0:32:41.960
<v Speaker 1>it was the kind of like campy but also deeply earnest,

0:32:43.560 --> 0:32:46.400
<v Speaker 1>like lines like you know, I was in the winter

0:32:46.480 --> 0:32:47.920
<v Speaker 1>of my life and the men I met along the

0:32:47.960 --> 0:32:50.720
<v Speaker 1>road were my only summer and at that time, I

0:32:50.760 --> 0:32:54.240
<v Speaker 1>think that was probably my peak grinder era of like

0:32:54.760 --> 0:33:00.000
<v Speaker 1>pre transition. Trying to so I feel like Lana Delay

0:33:00.080 --> 0:33:07.960
<v Speaker 1>came aroung at the right time for me to self narrativize. Yeah,

0:33:08.040 --> 0:33:11.360
<v Speaker 1>like I guess a kind of certain self homy interest

0:33:11.520 --> 0:33:16.920
<v Speaker 1>in men. I mean, look, that will do it, honestly.

0:33:17.800 --> 0:33:21.520
<v Speaker 1>I Yeah, the monologue is so iconic. My friend Willie

0:33:21.560 --> 0:33:26.360
<v Speaker 1>Norris has this incredible performance of it. I strongly recommend

0:33:26.360 --> 0:33:28.480
<v Speaker 1>if if anybody, if any of the Virgins, can find

0:33:28.520 --> 0:33:32.320
<v Speaker 1>like a video of it. Yeah, there's something about that

0:33:32.400 --> 0:33:36.640
<v Speaker 1>monologue and just about the extremely cinematic, which I think

0:33:36.720 --> 0:33:38.240
<v Speaker 1>is like I use that word all the time, but

0:33:38.280 --> 0:33:41.040
<v Speaker 1>I think it's very befitting for Lona is that she

0:33:41.480 --> 0:33:44.760
<v Speaker 1>was writing songs as if they were movies, Like so

0:33:44.880 --> 0:33:47.760
<v Speaker 1>much of her aesthetic was entwined in Hollywood, and I

0:33:47.800 --> 0:33:50.720
<v Speaker 1>think that, you know, when you listen to her songs

0:33:51.160 --> 0:33:54.840
<v Speaker 1>sometimes you know, this is less true of like the

0:33:54.880 --> 0:33:57.240
<v Speaker 1>first two albums, but like sometimes their songs kind of

0:33:57.240 --> 0:34:00.640
<v Speaker 1>blend together as this like backdrop or landscape for the

0:34:00.680 --> 0:34:03.320
<v Speaker 1>world that she lives in. And like, uh, yeah, but

0:34:03.360 --> 0:34:06.800
<v Speaker 1>that but that monologue just like painted a character that

0:34:07.040 --> 0:34:09.239
<v Speaker 1>we just like got to know more and more in

0:34:09.280 --> 0:34:12.680
<v Speaker 1>all of its problems and LORI you know, but it's

0:34:12.680 --> 0:34:15.839
<v Speaker 1>also ridiculous, isn't it. I remember, like around the first

0:34:15.840 --> 0:34:17.680
<v Speaker 1>album time, a friend of mine used to always joke

0:34:17.760 --> 0:34:24.640
<v Speaker 1>that Lana Darey's favorite book was the Wikipedia summary of Lolita,

0:34:25.200 --> 0:34:28.080
<v Speaker 1>which is kind of like true. Yeah, there's like something

0:34:28.120 --> 0:34:31.200
<v Speaker 1>about the fact that it's like, I don't know, the flickering,

0:34:31.280 --> 0:34:35.759
<v Speaker 1>the Americana of it all is like very like like

0:34:35.840 --> 0:34:40.600
<v Speaker 1>I don't know, like slightly vacuous as well. Um, yeah, well,

0:34:40.719 --> 0:34:45.200
<v Speaker 1>it's like her her idea of America is like you

0:34:45.239 --> 0:34:48.360
<v Speaker 1>can find It's it's like what you can find for sale,

0:34:48.480 --> 0:34:52.239
<v Speaker 1>like at a gas station. You know. It's it's like

0:34:52.280 --> 0:34:56.080
<v Speaker 1>she is like cherry picking these very kind of like

0:34:56.160 --> 0:35:02.319
<v Speaker 1>superficial um images of what America is and kind of

0:35:02.320 --> 0:35:06.040
<v Speaker 1>working backwards from there and like trying to make them profound,

0:35:06.600 --> 0:35:10.600
<v Speaker 1>and it really works. Yeah, I think that they're I mean,

0:35:10.920 --> 0:35:13.359
<v Speaker 1>it is, there's a lot of it that is superficial.

0:35:13.400 --> 0:35:15.640
<v Speaker 1>But I also think that, you know, the gas station

0:35:15.800 --> 0:35:18.440
<v Speaker 1>girlie that she is. I can't even remember, there's an

0:35:18.480 --> 0:35:20.720
<v Speaker 1>unreleased song about her at a gas station or something,

0:35:21.320 --> 0:35:24.279
<v Speaker 1>and that really is her esthetic and that really is

0:35:24.400 --> 0:35:28.200
<v Speaker 1>actually I think, like a segment of California that exists,

0:35:28.280 --> 0:35:31.759
<v Speaker 1>and I think that like her weird conservatism and like

0:35:32.239 --> 0:35:35.680
<v Speaker 1>her complete like I don't give a fuckery about like

0:35:35.760 --> 0:35:39.440
<v Speaker 1>whatever she's doing. I think is that's a real culture,

0:35:39.600 --> 0:35:41.040
<v Speaker 1>you know, like a thought a culture I want to

0:35:41.080 --> 0:35:43.120
<v Speaker 1>hang out with, but like that's a real culture, that's

0:35:43.160 --> 0:35:46.040
<v Speaker 1>like a real group of people I think in America

0:35:46.400 --> 0:35:50.480
<v Speaker 1>that I think she acutely identified. You know. I love

0:35:50.520 --> 0:35:52.920
<v Speaker 1>that we mentioned Lolita though, because like the first thing

0:35:52.960 --> 0:35:55.560
<v Speaker 1>I thought it was when Azalea called her little what

0:35:55.719 --> 0:35:58.760
<v Speaker 1>you called her, like little Lolita Chola cosplay or something

0:35:58.800 --> 0:36:02.239
<v Speaker 1>like that. So well, they do it. They do have

0:36:02.520 --> 0:36:05.879
<v Speaker 1>epic beef. I mean, Lana and Azalia, I actually think

0:36:06.320 --> 0:36:12.960
<v Speaker 1>do kind of encapsulate two of the you know, different

0:36:13.040 --> 0:36:17.120
<v Speaker 1>sides of the tumbler girl aesthetic that that existed at

0:36:17.120 --> 0:36:19.880
<v Speaker 1>that time. And so of course, like they had to

0:36:20.239 --> 0:36:23.720
<v Speaker 1>have beef at some point. Yeah, that beef was so

0:36:23.760 --> 0:36:26.520
<v Speaker 1>specific to early Twitter days too. Oh yeah, it was it.

0:36:27.000 --> 0:36:30.440
<v Speaker 1>What was it? Lana said something like pull up? That

0:36:30.520 --> 0:36:35.000
<v Speaker 1>was her like pull up, but I wouldn't. Yeah, the

0:36:35.000 --> 0:36:36.600
<v Speaker 1>thing is is that I was just thinking about that

0:36:36.760 --> 0:36:38.920
<v Speaker 1>because I feel like a little bit I feel bad

0:36:38.960 --> 0:36:41.279
<v Speaker 1>that I've just said that, like on some level it

0:36:41.320 --> 0:36:44.640
<v Speaker 1>was a bit vacuous because at the same time, I

0:36:44.680 --> 0:36:47.480
<v Speaker 1>think like at that early stage around the first album,

0:36:47.840 --> 0:36:50.000
<v Speaker 1>and it's something that she's spoken about a lot, like

0:36:50.920 --> 0:36:54.800
<v Speaker 1>Lana got savaged by critics who basically didn't get it.

0:36:55.080 --> 0:36:57.200
<v Speaker 1>She felt that the music had been made poppier than

0:36:57.280 --> 0:36:59.880
<v Speaker 1>she was expecting. She's just said that in a covering

0:37:00.040 --> 0:37:03.360
<v Speaker 1>of view for Rolling Stone UK. She revisited that that

0:37:03.920 --> 0:37:06.120
<v Speaker 1>the album ended up poppier than she expected it and

0:37:06.160 --> 0:37:09.960
<v Speaker 1>then critics kind of didn't get her, and that there

0:37:10.000 --> 0:37:12.120
<v Speaker 1>was a lot to do with at the time, her esthetics,

0:37:12.600 --> 0:37:15.920
<v Speaker 1>the like suspicions that she'd had plastic surgery, the slightly

0:37:16.000 --> 0:37:20.760
<v Speaker 1>like retro styling. Was that it was around the time

0:37:20.800 --> 0:37:23.200
<v Speaker 1>where like Beyonce was about to drop her kind of

0:37:23.239 --> 0:37:26.719
<v Speaker 1>feminist album with Self, like everyone was becoming like it

0:37:26.760 --> 0:37:29.759
<v Speaker 1>was becoming popular to say you were a feminist in

0:37:29.840 --> 0:37:33.080
<v Speaker 1>pop culture, and she just seemed to be out of

0:37:33.200 --> 0:37:37.040
<v Speaker 1>step with the direction of travel. And I think she

0:37:37.239 --> 0:37:42.960
<v Speaker 1>has felt quite traumatized ever since by that response that

0:37:43.000 --> 0:37:46.759
<v Speaker 1>she had at least critics she is kind of a

0:37:46.800 --> 0:37:49.880
<v Speaker 1>woman out of time and like you're so right, and

0:37:50.000 --> 0:37:54.799
<v Speaker 1>that she was so misunderstood, And I think she has

0:37:55.080 --> 0:37:58.120
<v Speaker 1>carried that feeling with her throughout her career, sometimes to

0:37:58.200 --> 0:38:01.279
<v Speaker 1>her detriment, like with the question for the culture of

0:38:01.320 --> 0:38:04.239
<v Speaker 1>it all, but like, I mean, was there a more

0:38:04.560 --> 0:38:08.600
<v Speaker 1>unifying pop culture event than Lana on SNL? Like, I

0:38:08.680 --> 0:38:13.720
<v Speaker 1>don't know. That was one of the early memes, especially

0:38:13.719 --> 0:38:19.000
<v Speaker 1>on Tumblr, the little PNG gift of her twirling on everything.

0:38:20.239 --> 0:38:22.560
<v Speaker 1>It's so good. I mean sometimes it still comes up

0:38:22.560 --> 0:38:24.960
<v Speaker 1>on my Instagram feed and there's never a time I

0:38:25.000 --> 0:38:27.839
<v Speaker 1>won't stop and watch that. And there's like so much

0:38:27.880 --> 0:38:33.000
<v Speaker 1>you can do with the captions, and I think the like, also,

0:38:33.080 --> 0:38:35.600
<v Speaker 1>do you think that that, Like I feel like that

0:38:35.680 --> 0:38:39.160
<v Speaker 1>whole response, especially the way that like it was kind

0:38:39.200 --> 0:38:41.040
<v Speaker 1>of you brought up the question for the culture, but

0:38:41.080 --> 0:38:44.759
<v Speaker 1>the misogynistic element of her esthetic and the fact that

0:38:44.800 --> 0:38:50.000
<v Speaker 1>people male critics seemed obsessed with, you know, her appearance

0:38:50.080 --> 0:38:52.840
<v Speaker 1>and surgery and stuff like that. I feel like that's

0:38:53.400 --> 0:38:57.000
<v Speaker 1>that there's some there's some trends identification films that I

0:38:57.040 --> 0:39:01.080
<v Speaker 1>have absolutely, absolutely the thing about Lana is that she

0:39:01.280 --> 0:39:04.960
<v Speaker 1>is like she is a plinth upon which to project

0:39:05.600 --> 0:39:10.960
<v Speaker 1>like whatever your thing is, and so in that way,

0:39:11.000 --> 0:39:13.799
<v Speaker 1>to me, she is a very transfer Yeah, she is.

0:39:13.840 --> 0:39:16.120
<v Speaker 1>And I don't know whether or not she's she's very

0:39:16.239 --> 0:39:19.879
<v Speaker 1>like I feel like white trends woman vibes as well,

0:39:19.920 --> 0:39:21.960
<v Speaker 1>because she's obviously just very white woman of being like

0:39:22.120 --> 0:39:25.880
<v Speaker 1>slightly affronted and kind of a little bit narcissistic in

0:39:25.920 --> 0:39:29.880
<v Speaker 1>the sense that she's really wronged by society, which is

0:39:29.960 --> 0:39:34.839
<v Speaker 1>kind of giving very specifically white trans woman. I can

0:39:34.920 --> 0:39:37.840
<v Speaker 1>think I can think of a few, yeah, And I

0:39:38.760 --> 0:39:41.279
<v Speaker 1>think in that like trans that this kind of like

0:39:42.000 --> 0:39:45.439
<v Speaker 1>this like trans reading like to me, I always talk

0:39:45.480 --> 0:39:48.640
<v Speaker 1>about it's so annoying, but like the bimbification of our

0:39:48.680 --> 0:39:51.400
<v Speaker 1>generation and how we're all just like everybody should be

0:39:51.400 --> 0:39:54.560
<v Speaker 1>a bimbo now, like Lana predated that, a lot of

0:39:54.600 --> 0:39:58.080
<v Speaker 1>pop stars predated that obviously, But you know, Sean, like

0:39:58.200 --> 0:40:01.880
<v Speaker 1>earlier you were talking about just um, you know, the

0:40:01.920 --> 0:40:04.759
<v Speaker 1>word vacuous and like you know whether you know using

0:40:04.760 --> 0:40:07.120
<v Speaker 1>that word to describe Lane. And I do think that,

0:40:07.719 --> 0:40:12.480
<v Speaker 1>especially in that SNL performance, vacuousness is the aesthetic like

0:40:12.840 --> 0:40:15.879
<v Speaker 1>and why can it? Why can't it? And I think

0:40:15.920 --> 0:40:19.760
<v Speaker 1>that like if Lana, if Lana word emerge in twenty

0:40:19.800 --> 0:40:22.239
<v Speaker 1>twenty three or whatever, I think it would have been.

0:40:22.280 --> 0:40:24.719
<v Speaker 1>I mean, obviously it would be there would be so

0:40:24.800 --> 0:40:26.839
<v Speaker 1>much different context. But like that we would be having

0:40:26.840 --> 0:40:29.520
<v Speaker 1>different conversations about her, right, Like we wouldn't we would

0:40:29.520 --> 0:40:32.719
<v Speaker 1>be like honoring and commending her vacuousness, which I think

0:40:32.760 --> 0:40:36.040
<v Speaker 1>Tumbler did, do you know, Like we did love that

0:40:36.400 --> 0:40:40.640
<v Speaker 1>she was like distant and weird and awkward and empty. Well,

0:40:40.680 --> 0:40:43.200
<v Speaker 1>it also left a lot of room for people to

0:40:44.080 --> 0:40:49.600
<v Speaker 1>fill the gaps in and like make her deeper than

0:40:49.640 --> 0:40:53.520
<v Speaker 1>maybe she even meant to be until she actually started

0:40:53.560 --> 0:40:56.480
<v Speaker 1>meeting them there and like became kind of a very deep,

0:40:56.520 --> 0:40:59.520
<v Speaker 1>introspective person. Yeah, And I think like also like that

0:40:59.600 --> 0:41:03.560
<v Speaker 1>one are the aspects of the trans reading for me,

0:41:03.640 --> 0:41:06.680
<v Speaker 1>which is what I said earlier about the ride monologue,

0:41:06.719 --> 0:41:09.480
<v Speaker 1>but about that, like at that time, I was literally

0:41:09.520 --> 0:41:13.520
<v Speaker 1>just trying to like fit in with mostly gay men

0:41:13.680 --> 0:41:15.880
<v Speaker 1>that I was friends with at the time by on

0:41:15.960 --> 0:41:17.680
<v Speaker 1>Grinder and stuff like that, So it was it was

0:41:17.680 --> 0:41:22.040
<v Speaker 1>a kind of appropriate, um, I don't know, accompaniment to that,

0:41:22.160 --> 0:41:25.680
<v Speaker 1>but with a specifically like trans feminine reading. I think

0:41:25.719 --> 0:41:29.000
<v Speaker 1>it's because there's a lot right from the beginning with

0:41:29.080 --> 0:41:32.960
<v Speaker 1>Anna Delay about like um, like seeing yourself through how

0:41:33.080 --> 0:41:35.680
<v Speaker 1>men see you, and about this idea of like her

0:41:35.760 --> 0:41:39.279
<v Speaker 1>gaze being like projected into male gaze. I can is

0:41:39.320 --> 0:41:41.040
<v Speaker 1>it off to the races where she's like, he likes

0:41:41.040 --> 0:41:43.920
<v Speaker 1>to watch me in the glassroom, perfume kanyet lie, Like

0:41:44.000 --> 0:41:47.399
<v Speaker 1>whatever is that? Like it's her singing about a man

0:41:47.520 --> 0:41:49.319
<v Speaker 1>looking at her, So it's her gaze on a man

0:41:49.440 --> 0:41:55.080
<v Speaker 1>looking at her, which I think is very trans woman totally.

0:41:55.239 --> 0:41:58.799
<v Speaker 1>I mean, I can only speak for myself, but in

0:41:58.840 --> 0:42:03.440
<v Speaker 1>the early years of my transition, like, um, male validation

0:42:04.400 --> 0:42:09.000
<v Speaker 1>was one of the things that validated my gender, Like

0:42:09.480 --> 0:42:12.359
<v Speaker 1>being called on the street. As awful as it was,

0:42:12.560 --> 0:42:17.000
<v Speaker 1>also like made me feel super cunty because I was like, Okay, well,

0:42:17.719 --> 0:42:21.279
<v Speaker 1>if they're you know, like, um, you know, yelling at me,

0:42:21.520 --> 0:42:23.480
<v Speaker 1>then at least that means they like think I'm a

0:42:23.480 --> 0:42:25.800
<v Speaker 1>woman and they want to fuck me, and that is

0:42:25.960 --> 0:42:28.720
<v Speaker 1>very langel Ray code that this would get me canceled

0:42:28.719 --> 0:42:31.040
<v Speaker 1>in the UK. No, I think I think that's true.

0:42:31.160 --> 0:42:32.880
<v Speaker 1>I mean, and I think, I mean, I love that

0:42:32.880 --> 0:42:35.080
<v Speaker 1>you said in me because we like we're around the

0:42:35.120 --> 0:42:38.239
<v Speaker 1>same age biologically, and also we transitioned around the same time.

0:42:38.280 --> 0:42:40.000
<v Speaker 1>And I was like, I love that she's saying in

0:42:40.040 --> 0:42:41.880
<v Speaker 1>my early transition because I was like, that was me

0:42:41.920 --> 0:42:49.360
<v Speaker 1>a month ago. Yeah, yeah, in my early transition. I

0:42:49.440 --> 0:43:10.080
<v Speaker 1>use men for validation. There was a really I can't

0:43:10.080 --> 0:43:13.120
<v Speaker 1>remember who looking for days. I remember a few years ago,

0:43:13.160 --> 0:43:16.520
<v Speaker 1>like a lesbian writer wrote specifically about how Lana del

0:43:16.560 --> 0:43:19.520
<v Speaker 1>Rey helped her understand like what her straight women friends

0:43:19.520 --> 0:43:23.719
<v Speaker 1>were talking about because she's so obsessed with, like I

0:43:23.760 --> 0:43:27.040
<v Speaker 1>don't know that, like the sort of inherent humiliations of

0:43:27.160 --> 0:43:30.880
<v Speaker 1>being a woman in heterosexuality in a way that I

0:43:30.920 --> 0:43:34.120
<v Speaker 1>think is like you don't really like she almost sings

0:43:34.160 --> 0:43:38.719
<v Speaker 1>about heterosexuality like she's an outsider to it because she

0:43:38.920 --> 0:43:41.239
<v Speaker 1>really sort of like it doesn't seem natural to her.

0:43:41.280 --> 0:43:44.839
<v Speaker 1>It's something that she is constantly analyzing. And like I said,

0:43:44.880 --> 0:43:47.120
<v Speaker 1>like when when everyone else in that time where the

0:43:47.160 --> 0:43:51.520
<v Speaker 1>early twenty tens were starting to become like yeah, feminism,

0:43:51.640 --> 0:43:55.840
<v Speaker 1>she was actually singing some pretty regressive things that clearly

0:43:55.880 --> 0:43:58.080
<v Speaker 1>a lot I think now we could probably accept that

0:43:58.160 --> 0:44:00.200
<v Speaker 1>quite a lot of women still feel and struggle with

0:44:01.280 --> 0:44:06.200
<v Speaker 1>inviolation to men, and thank God for that we need it.

0:44:06.200 --> 0:44:09.120
<v Speaker 1>It's very motivating. M Yeah, I mean, I am but

0:44:09.239 --> 0:44:12.080
<v Speaker 1>a baby trans but like I feel like, you know,

0:44:12.520 --> 0:44:15.960
<v Speaker 1>there is this kind of like moment somewhere along the

0:44:15.960 --> 0:44:19.960
<v Speaker 1>way where you're like, oh, like I have like workshopped

0:44:20.280 --> 0:44:24.799
<v Speaker 1>and created like my femininity around like what men want,

0:44:25.080 --> 0:44:28.280
<v Speaker 1>and that's like embarrassing, you know. I think that there's

0:44:28.320 --> 0:44:30.680
<v Speaker 1>like a I think that there's like, you know, I

0:44:31.200 --> 0:44:33.480
<v Speaker 1>wonder if, like Lana, I feel like, you know, when

0:44:33.520 --> 0:44:36.120
<v Speaker 1>we're talking about the different eras of Lana, I wonder

0:44:36.160 --> 0:44:39.920
<v Speaker 1>if Lana ever had this kind of realization where or

0:44:40.000 --> 0:44:42.520
<v Speaker 1>rather like, I'm not a Laana scholars, so I'm actually asking, like,

0:44:42.719 --> 0:44:45.000
<v Speaker 1>do you think that there was like a pivotal moment

0:44:45.120 --> 0:44:49.160
<v Speaker 1>where Lana was like, I'm a different artist now post

0:44:49.280 --> 0:44:52.280
<v Speaker 1>video games? She wanted to like take herself more seriously

0:44:52.320 --> 0:44:55.880
<v Speaker 1>and you know, release all these like slow ballads and

0:44:55.920 --> 0:44:59.800
<v Speaker 1>a new era of like deeper raw music or I

0:45:00.000 --> 0:45:02.360
<v Speaker 1>I don't, I don't know. I think she's always taken

0:45:02.400 --> 0:45:05.279
<v Speaker 1>herself very seriously. That I think that's kind of the

0:45:05.360 --> 0:45:10.160
<v Speaker 1>thing with Lana. I do believe that there was a

0:45:10.200 --> 0:45:16.840
<v Speaker 1>certain point where she decided to make music that interested

0:45:16.920 --> 0:45:19.040
<v Speaker 1>her and she didn't really care what anyone else thought

0:45:19.040 --> 0:45:23.040
<v Speaker 1>about it, And that actually, to me, is when she

0:45:23.080 --> 0:45:25.920
<v Speaker 1>started making her best music. Like I think probably Norman

0:45:25.960 --> 0:45:30.480
<v Speaker 1>fucking Rockwell is like her at her most introspective and

0:45:30.520 --> 0:45:34.040
<v Speaker 1>That's why I think it's her best album and like

0:45:34.160 --> 0:45:37.480
<v Speaker 1>her creative peak in a lot of ways. I kind

0:45:37.480 --> 0:45:40.640
<v Speaker 1>of agree with Raise completely. It's my favorite of her albums,

0:45:40.680 --> 0:45:42.680
<v Speaker 1>and I do think it's her peak today, although I

0:45:42.680 --> 0:45:47.239
<v Speaker 1>think the New One has the potential too. I saw

0:45:47.280 --> 0:45:49.239
<v Speaker 1>a really good meme about the new one racing It's

0:45:49.280 --> 0:45:52.280
<v Speaker 1>not like thank you for saving my life meme where

0:45:52.600 --> 0:45:54.960
<v Speaker 1>and it was too. Do you know there's a ton

0:45:54.960 --> 0:45:57.400
<v Speaker 1>of on Derosion Boulevard and the album to Soundswering Batman

0:45:57.480 --> 0:46:01.960
<v Speaker 1>I'm not even released yet. Yeah, yeah, it does. It

0:46:02.000 --> 0:46:06.759
<v Speaker 1>does feel like a return. I think tom music that

0:46:06.800 --> 0:46:10.160
<v Speaker 1>she hasn't been making for a little bit, um like

0:46:10.239 --> 0:46:12.480
<v Speaker 1>A and W and we we talked about this recently,

0:46:12.760 --> 0:46:17.480
<v Speaker 1>that ANW does feel a little spiritually closer to some

0:46:17.560 --> 0:46:20.800
<v Speaker 1>of her earlier work. Yeah, you know, I think Norman

0:46:20.880 --> 0:46:24.200
<v Speaker 1>Fucking Rockwell is her best album. It's not my favorite

0:46:24.200 --> 0:46:29.319
<v Speaker 1>album just because Ultra Violence was so formative for me

0:46:29.600 --> 0:46:32.839
<v Speaker 1>and I spent so much time with it, and like

0:46:32.880 --> 0:46:36.120
<v Speaker 1>the summer that Ultra Violence came out, whenever I went

0:46:36.120 --> 0:46:38.200
<v Speaker 1>to someone's apartment, I would be like, turn on your

0:46:38.239 --> 0:46:41.719
<v Speaker 1>AC and turn on Ultra Violence, and not with just Well.

0:46:41.840 --> 0:46:45.200
<v Speaker 1>It was never not being listened to and it's fucking music.

0:46:45.480 --> 0:46:48.920
<v Speaker 1>Norman fucking wrote Well was a breakup album for me

0:46:49.560 --> 0:46:53.040
<v Speaker 1>after I had had like it was my biggest attempt

0:46:53.080 --> 0:46:56.240
<v Speaker 1>at assimilating into heterosexuality. It was just before the pandemic

0:46:56.280 --> 0:46:58.440
<v Speaker 1>and I had like a straight boyfriend and stuff like that,

0:46:58.480 --> 0:47:02.040
<v Speaker 1>and then in the end the irreconcilable differences of the

0:47:02.040 --> 0:47:03.960
<v Speaker 1>fact that he just basically wanted me to be like

0:47:04.120 --> 0:47:08.000
<v Speaker 1>his like cis girlfriend and like settled down and get

0:47:08.000 --> 0:47:09.759
<v Speaker 1>married and have kids, and I realized I couldn't do that,

0:47:09.800 --> 0:47:13.640
<v Speaker 1>so I left him, and then Norman fucking Rockwell came out,

0:47:13.640 --> 0:47:15.440
<v Speaker 1>and I feel like that's it's such a mood as

0:47:15.440 --> 0:47:20.239
<v Speaker 1>a breakup album to be like a goddamn near sociopath

0:47:20.280 --> 0:47:22.360
<v Speaker 1>and like Sylvia, I mean, I was just I was

0:47:22.480 --> 0:47:24.440
<v Speaker 1>living and then we and then we went into like

0:47:24.520 --> 0:47:27.200
<v Speaker 1>Quarantine and I just listened to it all the time.

0:47:27.680 --> 0:47:32.960
<v Speaker 1>What a like that is? Like so like, I'm sorry

0:47:33.000 --> 0:47:35.200
<v Speaker 1>that you experienced that breakup, but you're so lucky that

0:47:35.360 --> 0:47:37.600
<v Speaker 1>Norman fucking rock or was it like that must have

0:47:37.640 --> 0:47:41.560
<v Speaker 1>felt so cathar Like you must have been wallowing and

0:47:41.719 --> 0:47:45.520
<v Speaker 1>laying around and so sad and like it's a dangerous

0:47:45.560 --> 0:47:47.480
<v Speaker 1>thing for a woman like me to have. But I

0:47:47.560 --> 0:47:51.360
<v Speaker 1>have it. But I have it, But I have it period.

0:47:52.600 --> 0:47:58.560
<v Speaker 1>She has had it. Um god, um wait, Rose, did

0:47:58.600 --> 0:48:00.880
<v Speaker 1>you ever have like a Lana breakup era or like

0:48:00.920 --> 0:48:06.920
<v Speaker 1>a Lana heartbreak era? I think, um, yeah, yeah, you're

0:48:06.960 --> 0:48:09.480
<v Speaker 1>like none that I want to talk about. Um, I

0:48:09.560 --> 0:48:13.280
<v Speaker 1>mean Lana For me, I do tend to visit Lana

0:48:13.360 --> 0:48:16.080
<v Speaker 1>more when I'm feeling slutty than when I'm feeling sad

0:48:16.440 --> 0:48:20.960
<v Speaker 1>or when I'm feeling like the perfect mix of both. Yeah,

0:48:22.080 --> 0:48:28.680
<v Speaker 1>just when I'm binary? What a binary? I'm I'm non binary,

0:48:28.880 --> 0:48:34.839
<v Speaker 1>I'm slutty, I'm sad often yeah same um yeah um.

0:48:35.320 --> 0:48:37.319
<v Speaker 1>We should also say for the Virgins unsure of when

0:48:37.360 --> 0:48:39.719
<v Speaker 1>this episode is coming out, but as of record, we

0:48:39.800 --> 0:48:43.280
<v Speaker 1>only have a n W out as her most recent release.

0:48:43.719 --> 0:48:47.360
<v Speaker 1>And like I also am excited for this era, Like

0:48:47.440 --> 0:48:50.120
<v Speaker 1>I do think it has the potential just from this

0:48:50.239 --> 0:48:53.040
<v Speaker 1>that one song to be something that is like greater

0:48:53.120 --> 0:48:56.000
<v Speaker 1>than Norman fucking Rockwell. And just as Rose said, like

0:48:56.160 --> 0:48:58.920
<v Speaker 1>her earlier era, there's something about n W that is

0:48:59.280 --> 0:49:02.520
<v Speaker 1>distinctly sound cloudy, you know what I mean, Like it

0:49:02.760 --> 0:49:06.799
<v Speaker 1>sounds like a little like grungy roddy. It sounds kind

0:49:06.800 --> 0:49:08.879
<v Speaker 1>of tinny at the end, like it sounds like it's

0:49:09.000 --> 0:49:12.000
<v Speaker 1>you know, pumping through like a laptop speaker or something

0:49:12.120 --> 0:49:15.720
<v Speaker 1>like I really one of those old white MacBooks. Yeah,

0:49:15.719 --> 0:49:17.680
<v Speaker 1>it sounds like it's coming out of that. It kind

0:49:17.719 --> 0:49:20.520
<v Speaker 1>of the end of it kind of gives unreleased Lizzy

0:49:20.600 --> 0:49:26.000
<v Speaker 1>Grant track. Yeah, It's like I wasn't just a nice

0:49:26.040 --> 0:49:29.360
<v Speaker 1>seven minute like the sort of like egregious ego of

0:49:29.440 --> 0:49:31.799
<v Speaker 1>road dropping like a seven minute song. I just feel

0:49:31.800 --> 0:49:34.200
<v Speaker 1>like we haven't seen the like in years. I mean,

0:49:34.320 --> 0:49:37.560
<v Speaker 1>it's giving like I don't know, like a since since

0:49:37.640 --> 0:49:40.279
<v Speaker 1>I goistic, but it's a yeah, no I know, but

0:49:40.360 --> 0:49:43.480
<v Speaker 1>like I do, I do kind of miss you know.

0:49:43.520 --> 0:49:45.240
<v Speaker 1>I was just thinking the other day in when Gaga

0:49:45.280 --> 0:49:48.319
<v Speaker 1>would just release like insanely long music videos and then

0:49:48.400 --> 0:49:50.640
<v Speaker 1>like we all became white fatigued by it, and then

0:49:50.680 --> 0:49:52.319
<v Speaker 1>and then they went back to normal length. I think

0:49:52.320 --> 0:49:55.919
<v Speaker 1>it's just time for like stupidly long songs and maybe

0:49:56.000 --> 0:49:59.080
<v Speaker 1>even a return to long music videos. Well now, but

0:49:59.239 --> 0:50:02.680
<v Speaker 1>like absolutely well now that every song is like TikTok length,

0:50:02.719 --> 0:50:07.000
<v Speaker 1>I think we really crave like longer songs that you know,

0:50:07.239 --> 0:50:11.120
<v Speaker 1>dare to defy the Spotify algorithm. You know, we talked

0:50:11.160 --> 0:50:14.080
<v Speaker 1>a lot about like Ethel Kaine and like when she

0:50:14.680 --> 0:50:17.120
<v Speaker 1>you're you know, her album, you know, mixed reviews, but

0:50:17.160 --> 0:50:19.520
<v Speaker 1>a lot of people hated that Thoroughfare is nine minutes,

0:50:19.560 --> 0:50:21.919
<v Speaker 1>that all these songs are seven minutes or whatever. And

0:50:22.040 --> 0:50:24.840
<v Speaker 1>Ethel Caine has like cited Lana as like her favorite

0:50:24.920 --> 0:50:29.200
<v Speaker 1>artist of all time, and I just like, like why not,

0:50:29.560 --> 0:50:33.000
<v Speaker 1>you know, like I personally, you know, seven to nine

0:50:33.000 --> 0:50:34.960
<v Speaker 1>minute songs are like a lot of them are usually

0:50:34.960 --> 0:50:37.520
<v Speaker 1>they feel like experiments, so they don't feel finished or

0:50:37.520 --> 0:50:39.359
<v Speaker 1>they like drag on. But like I would much rather

0:50:39.480 --> 0:50:42.880
<v Speaker 1>someone try to do it and dare to like experiment,

0:50:43.160 --> 0:50:47.279
<v Speaker 1>experiment or make something that's like kind of all the

0:50:47.320 --> 0:50:51.320
<v Speaker 1>way out there, you know. Ethelcaine. Ethel Caine who dated

0:50:51.560 --> 0:50:59.160
<v Speaker 1>Lana's bisexual porn star boyfriend. H yeah did you Yeah?

0:50:59.200 --> 0:51:02.319
<v Speaker 1>This guy has like bit has made the rounds with

0:51:02.360 --> 0:51:05.719
<v Speaker 1>the girls I wanted to do I want to do

0:51:05.800 --> 0:51:09.520
<v Speaker 1>it where it was his Instagram drop his ig So

0:51:10.200 --> 0:51:14.640
<v Speaker 1>he's so hot in the grossest way possible. Oh no,

0:51:14.800 --> 0:51:19.560
<v Speaker 1>does he look like super unemployable? Yes? Yeah, that is

0:51:19.600 --> 0:51:22.200
<v Speaker 1>my type two. Okay, we need we need the ig dropped?

0:51:22.600 --> 0:51:24.560
<v Speaker 1>Do you know I didn't. I didn't know. I was

0:51:24.640 --> 0:51:26.680
<v Speaker 1>listening to the eel Kan album all of last year.

0:51:26.680 --> 0:51:30.120
<v Speaker 1>I only found out she's trans like a month ago.

0:51:31.840 --> 0:51:35.759
<v Speaker 1>How did I miss that? You know? The trans pop

0:51:35.840 --> 0:51:38.560
<v Speaker 1>girlies are are, you know, coming in stealth? Like I

0:51:38.600 --> 0:51:41.799
<v Speaker 1>feel like when Kim Petris emerged on the scene, so

0:51:41.840 --> 0:51:44.680
<v Speaker 1>many of my friends had no idea she was trans.

0:51:44.800 --> 0:51:47.360
<v Speaker 1>And I think that's amazing, you know, I think Ethel

0:51:47.480 --> 0:51:49.640
<v Speaker 1>it's not never something that she hid. The same thing

0:51:49.640 --> 0:51:52.279
<v Speaker 1>with Kim. It's like never something she hid. But it's like,

0:51:53.560 --> 0:51:56.240
<v Speaker 1>you know, it's like just like a kind of thread

0:51:56.320 --> 0:51:59.319
<v Speaker 1>in the fabric of her life, I think. And I

0:51:59.320 --> 0:52:03.400
<v Speaker 1>can't wait for Lana to come out as trans f

0:52:03.560 --> 0:52:08.319
<v Speaker 1>to f trans woman. She kind of is. She is

0:52:08.440 --> 0:52:12.680
<v Speaker 1>like Liddy Grant is. Yeah, is before I was going

0:52:12.760 --> 0:52:14.759
<v Speaker 1>to actually just talk about that. It is. Also what

0:52:14.840 --> 0:52:18.160
<v Speaker 1>is funny is that Lana Delray has somewhat detransitioned in

0:52:18.239 --> 0:52:20.360
<v Speaker 1>terms of her femininity from this like heart like the

0:52:20.440 --> 0:52:22.960
<v Speaker 1>esthetic of the beginning, which obviously is to do as

0:52:22.960 --> 0:52:26.000
<v Speaker 1>well with the fact that she obviously was like horrifically

0:52:26.000 --> 0:52:29.040
<v Speaker 1>pressured to like lose loads of weight and so she's

0:52:29.040 --> 0:52:31.879
<v Speaker 1>become more I guess, more comfortable. But there's all this

0:52:31.920 --> 0:52:35.239
<v Speaker 1>discourse around the fact that her style is that she

0:52:35.320 --> 0:52:37.560
<v Speaker 1>just dresses like a regular person and that like this

0:52:37.719 --> 0:52:43.640
<v Speaker 1>like higher target. Yeah, so that like this highly kind

0:52:43.680 --> 0:52:47.520
<v Speaker 1>of um, I don't know, like manicured esthetic of the

0:52:47.560 --> 0:52:50.920
<v Speaker 1>first like album or two. It's clearly something that she

0:52:51.080 --> 0:52:53.279
<v Speaker 1>never really was that comfortable with. And I think it's

0:52:53.360 --> 0:52:55.759
<v Speaker 1>kind of great that she's like able able to just

0:52:55.840 --> 0:52:59.280
<v Speaker 1>dress like a normal now and yet and yet that esthetic,

0:52:59.800 --> 0:53:04.320
<v Speaker 1>the aesthetic of your is kind of what her music

0:53:04.400 --> 0:53:06.960
<v Speaker 1>has bred in the people who listen to it. Like

0:53:07.000 --> 0:53:10.959
<v Speaker 1>I was, I have my sisters who are twenty, they're

0:53:11.040 --> 0:53:13.720
<v Speaker 1>visiting and they're staying with me, and I was mentioning

0:53:13.800 --> 0:53:16.359
<v Speaker 1>Lana Delray to them, and like they're super familiar with her.

0:53:16.680 --> 0:53:18.720
<v Speaker 1>They have friends who love her and listen to her,

0:53:19.080 --> 0:53:22.200
<v Speaker 1>but they're friends who love her. And I think a

0:53:22.239 --> 0:53:24.680
<v Speaker 1>lot of the girls who are still like very enamored

0:53:24.719 --> 0:53:27.680
<v Speaker 1>with her and the whole low leader vibe, like are

0:53:27.920 --> 0:53:31.359
<v Speaker 1>still like like seeing her as this pinnacle of like

0:53:31.719 --> 0:53:36.080
<v Speaker 1>a high of like an internet high fem persona, when

0:53:36.120 --> 0:53:39.600
<v Speaker 1>that like aesthetic is so completely divorced from who Laana

0:53:39.840 --> 0:53:43.239
<v Speaker 1>is irl, And it's just fascinating to me the way

0:53:43.280 --> 0:53:48.120
<v Speaker 1>that Laana has endured as this high fem Internet icon

0:53:48.680 --> 0:53:53.400
<v Speaker 1>for so long while not actually giving that so much

0:53:53.480 --> 0:54:16.640
<v Speaker 1>in her like literal aesthetic. I either we've just cut,

0:54:16.640 --> 0:54:19.160
<v Speaker 1>we haven't even bothered talking about Lust for Life, No

0:54:19.160 --> 0:54:28.839
<v Speaker 1>one does. Yeah, I mean for me, there are like Honeymoon.

0:54:28.960 --> 0:54:35.960
<v Speaker 1>Lust for Life and Honeymoon are my least favorite Lana offerings. Um,

0:54:36.200 --> 0:54:41.759
<v Speaker 1>they're the most skippable to me. Yeah, I concur I

0:54:41.760 --> 0:54:44.440
<v Speaker 1>mean I actually think as well. This is what's strange,

0:54:44.480 --> 0:54:46.960
<v Speaker 1>isn't it is that I feel like there are the

0:54:47.160 --> 0:54:51.000
<v Speaker 1>like albums with the capitol A and then the albums

0:54:51.040 --> 0:54:53.239
<v Speaker 1>with the kind of lowercase A, and so like for me,

0:54:53.320 --> 0:54:56.840
<v Speaker 1>the big Alblana albums are like Born to Die, Paradise Edition,

0:54:57.360 --> 0:55:02.920
<v Speaker 1>Ultra Violence, Norman Fucking rock Quell, And then now I've

0:55:03.120 --> 0:55:05.239
<v Speaker 1>sensed that it will be the case with did you

0:55:05.239 --> 0:55:08.000
<v Speaker 1>know there's a Tunnel under Ocean Boulevard? Because also with

0:55:08.239 --> 0:55:12.239
<v Speaker 1>chem Trails over the country Club and Blue Banisters. I mean,

0:55:12.280 --> 0:55:13.640
<v Speaker 1>I guess she was trying to do a little like

0:55:13.800 --> 0:55:16.719
<v Speaker 1>Miss Taylor Swift vibe of like dropping two albums in

0:55:16.719 --> 0:55:19.759
<v Speaker 1>the Pandemic that was so close together, but I just

0:55:19.840 --> 0:55:23.080
<v Speaker 1>felt like they, as I say, the Pandemic was so

0:55:23.160 --> 0:55:27.600
<v Speaker 1>overshadowed by my obsession with Norman fucking Rockwell that I

0:55:27.680 --> 0:55:29.759
<v Speaker 1>just feel like I do like chem Trails over the

0:55:29.800 --> 0:55:31.520
<v Speaker 1>Country club Work. I like the song, and I like

0:55:31.640 --> 0:55:36.439
<v Speaker 1>Jesus Tells a Freak and is so good. I think

0:55:36.440 --> 0:55:38.920
<v Speaker 1>it's one of her best songs. Yeah it is, But

0:55:39.120 --> 0:55:43.440
<v Speaker 1>I just feel like the two albums and Blue Banisters

0:55:43.600 --> 0:55:46.239
<v Speaker 1>is really good, but it's just like I just feel

0:55:46.280 --> 0:55:49.080
<v Speaker 1>like they were too jam packed together and they weren't

0:55:49.080 --> 0:55:52.319
<v Speaker 1>given enough room to breathe. And I do think I

0:55:52.400 --> 0:55:56.160
<v Speaker 1>know that like Taylor Swift with Folklore and Evermore managed

0:55:56.200 --> 0:55:59.160
<v Speaker 1>to get away with that, but I do just think

0:55:59.160 --> 0:56:01.040
<v Speaker 1>in general, that's an section to the rule, and I

0:56:01.040 --> 0:56:05.799
<v Speaker 1>think I think like releasing like custers of albums like that,

0:56:06.239 --> 0:56:09.200
<v Speaker 1>especially probably in a time where I don't know, I

0:56:09.239 --> 0:56:13.200
<v Speaker 1>felt somewhat distracted and so soon after such a huge

0:56:13.680 --> 0:56:16.520
<v Speaker 1>landmark album like Norman fucking wrote, Well, they just I

0:56:16.560 --> 0:56:19.719
<v Speaker 1>feel have always been a bit like Tier two for

0:56:19.800 --> 0:56:23.640
<v Speaker 1>me in comparison. Yeah. Well, I mean, first of all,

0:56:23.840 --> 0:56:26.840
<v Speaker 1>Taylor did get away with Folklore and Evermore, but evermore

0:56:26.880 --> 0:56:31.359
<v Speaker 1>still kind of is folklore B sides. And I say

0:56:31.400 --> 0:56:34.279
<v Speaker 1>that as a big Taylor Swift fan, but I read

0:56:34.280 --> 0:56:37.080
<v Speaker 1>something interesting recently. So Lana has been doing a lot

0:56:37.080 --> 0:56:39.880
<v Speaker 1>of press around her new album, and she said that

0:56:40.239 --> 0:56:43.920
<v Speaker 1>her last couple albums have been much more personal and

0:56:44.000 --> 0:56:48.480
<v Speaker 1>like specifically about her family. And one thing she said

0:56:48.480 --> 0:56:51.879
<v Speaker 1>about Blue Banisters was that she made it because she

0:56:52.040 --> 0:56:55.680
<v Speaker 1>felt that she had to and she didn't really care

0:56:56.000 --> 0:56:59.719
<v Speaker 1>about so much about releasing it, and in fact, that's

0:56:59.719 --> 0:57:02.480
<v Speaker 1>why she did basically no promo for it and why

0:57:02.520 --> 0:57:05.759
<v Speaker 1>she made that like you know Microsoft paint cover that

0:57:05.800 --> 0:57:09.080
<v Speaker 1>we all joked about, and she said, I don't know,

0:57:09.160 --> 0:57:11.000
<v Speaker 1>I don't have the exact quote, but she said something

0:57:11.040 --> 0:57:14.320
<v Speaker 1>like she wanted it to be there in case anyone

0:57:14.400 --> 0:57:17.960
<v Speaker 1>needed to go and like look it up and reference

0:57:18.000 --> 0:57:21.800
<v Speaker 1>it and kind of investigate her and have more context

0:57:21.920 --> 0:57:25.080
<v Speaker 1>for who she is as a person, and not really

0:57:25.160 --> 0:57:28.760
<v Speaker 1>that she needed to have this big moment of like

0:57:28.920 --> 0:57:34.919
<v Speaker 1>offering something to the world artistically. It's her finst Oh

0:57:35.000 --> 0:57:40.560
<v Speaker 1>my god, you're so right, Blue Banisters, and maybe like, okay,

0:57:40.640 --> 0:57:43.680
<v Speaker 1>here's here's what it is. Cam Trails is her close

0:57:43.720 --> 0:57:49.400
<v Speaker 1>friends and Blue Banisters is her finstuff. This is one.

0:57:49.520 --> 0:57:51.240
<v Speaker 1>This is just one for people that want a little

0:57:51.240 --> 0:57:57.520
<v Speaker 1>bit more context. Um, what what is your what's what

0:57:57.640 --> 0:58:00.080
<v Speaker 1>is your distinction between? Because do you think like a

0:58:00.120 --> 0:58:03.840
<v Speaker 1>Finster is like Close Friends is like here's stuff that

0:58:03.920 --> 0:58:06.320
<v Speaker 1>I'm going to share that's I wouldn't put on Maine,

0:58:06.520 --> 0:58:09.360
<v Speaker 1>but like it's still if you screenshot it, my name

0:58:09.440 --> 0:58:10.640
<v Speaker 1>is still there. So it's got to be okay a

0:58:10.680 --> 0:58:15.720
<v Speaker 1>certain level. Whereas Finster is full mass. Yes, Finster is

0:58:16.000 --> 0:58:22.440
<v Speaker 1>Finster is like top secret. Um, Finster is like I mean,

0:58:22.480 --> 0:58:28.200
<v Speaker 1>I don't even really use my Finster anymore. Um, very

0:58:28.440 --> 0:58:32.040
<v Speaker 1>miss Rose, bring it back. I used I used to

0:58:32.080 --> 0:58:34.520
<v Speaker 1>love your Finster. There was some I used to I've

0:58:34.520 --> 0:58:36.760
<v Speaker 1>gone back for it onto your Finster so many times,

0:58:37.400 --> 0:58:41.920
<v Speaker 1>every every time that I've been prescribed prep there you

0:58:42.040 --> 0:58:45.680
<v Speaker 1>had on your Finster like a girl with like a

0:58:45.720 --> 0:58:48.840
<v Speaker 1>little like tank top that said bare back Princess. And

0:58:48.920 --> 0:58:52.360
<v Speaker 1>I would go every time, screenshot it and then send

0:58:52.400 --> 0:58:57.000
<v Speaker 1>it to Gaze. I'm so glad that I'm glad that

0:58:57.040 --> 0:59:03.400
<v Speaker 1>it exists as a community resource well exactly like weibnisters. Yeah. Close,

0:59:03.520 --> 0:59:05.840
<v Speaker 1>I would say that Close Friends has more. I utilize

0:59:05.840 --> 0:59:12.000
<v Speaker 1>it more. Now is like farming for like opinions from

0:59:12.320 --> 0:59:16.120
<v Speaker 1>people that I actually know IRL or I guess, okay,

0:59:16.160 --> 0:59:20.160
<v Speaker 1>here's by close friends. I will only add to it

0:59:20.440 --> 0:59:23.840
<v Speaker 1>people who I actually know in real life or like

0:59:23.960 --> 0:59:28.120
<v Speaker 1>Internet friends that I feel comfortable sharing like a slightly

0:59:28.200 --> 0:59:32.680
<v Speaker 1>more personal level of my social media experience with. And

0:59:32.720 --> 0:59:37.800
<v Speaker 1>then Finster is like for the girls, and that's it.

0:59:37.880 --> 0:59:41.640
<v Speaker 1>Like I have to have actually like spent time with

0:59:41.680 --> 0:59:45.440
<v Speaker 1>you in real life and like be somewhat confident that

0:59:45.480 --> 0:59:48.040
<v Speaker 1>you would not share my personal information with someone. Well

0:59:48.400 --> 0:59:51.320
<v Speaker 1>what realistically for me with Finsters and with close friends,

0:59:51.680 --> 0:59:56.200
<v Speaker 1>I have to be convinced that you are mentally ill

0:59:56.240 --> 1:00:01.040
<v Speaker 1>like I am. Yes, actually to be the same kind

1:00:01.040 --> 1:00:03.800
<v Speaker 1>of like you know, atypical, you know, like I feel

1:00:03.840 --> 1:00:08.200
<v Speaker 1>like I feel like, um, there's a for me like

1:00:08.240 --> 1:00:10.720
<v Speaker 1>close friends. I hate it that it's called close friends

1:00:10.760 --> 1:00:13.320
<v Speaker 1>because it's not my close friends. No French. I use

1:00:13.360 --> 1:00:17.840
<v Speaker 1>it definitely as like a control almost like a controlled audience.

1:00:17.920 --> 1:00:20.560
<v Speaker 1>Like I don't really love posting things to like, you know,

1:00:20.680 --> 1:00:23.720
<v Speaker 1>thirty thousand people, fifty thousand people or whatever, and so

1:00:23.960 --> 1:00:28.640
<v Speaker 1>I think it's more like everyday like shit posting kind

1:00:28.680 --> 1:00:32.440
<v Speaker 1>of like embarrassing date thing that happened that I'll share

1:00:32.640 --> 1:00:35.440
<v Speaker 1>on close friends to a lot of people that I

1:00:35.640 --> 1:00:38.040
<v Speaker 1>maybe have not met but like I know are good

1:00:38.080 --> 1:00:42.000
<v Speaker 1>like Internet sisters, and then finstas like I'm posting my

1:00:42.480 --> 1:00:48.160
<v Speaker 1>completely unsharable like dank memes like and like also I

1:00:48.160 --> 1:00:51.000
<v Speaker 1>think I go there to like talk shit, because usually,

1:00:51.720 --> 1:00:53.640
<v Speaker 1>like I don't want stuff on close friends if it

1:00:53.680 --> 1:00:57.960
<v Speaker 1>can like travel, you know the I don't know if

1:00:57.960 --> 1:00:59.440
<v Speaker 1>either of you have done this, but I'm going to

1:00:59.440 --> 1:01:03.720
<v Speaker 1>confess it here. The most unwell use of my close

1:01:03.800 --> 1:01:06.840
<v Speaker 1>friends ever is when I've taken all of my actual

1:01:07.520 --> 1:01:11.400
<v Speaker 1>friends off close friends, put one person that I think

1:01:11.520 --> 1:01:14.280
<v Speaker 1>is hot, and then put like basically a semi news

1:01:17.760 --> 1:01:22.919
<v Speaker 1>that's diabolical Stan very Lana. I was going to ask, y'all,

1:01:23.320 --> 1:01:27.040
<v Speaker 1>so what is it about Norman fucking Rockwell? I mean,

1:01:27.080 --> 1:01:30.480
<v Speaker 1>I think lyrically, I mean like lyrically it is like stunning,

1:01:30.480 --> 1:01:32.000
<v Speaker 1>Like I mean the fact that like it just the

1:01:32.120 --> 1:01:35.840
<v Speaker 1>opening like opening with goddamn Manchild, you fuck me so good.

1:01:35.840 --> 1:01:37.520
<v Speaker 1>I thought I almost said, I love you, like what

1:01:37.640 --> 1:01:41.240
<v Speaker 1>an opening to an album, But also like Mariner's Apartment

1:01:41.320 --> 1:01:44.720
<v Speaker 1>Complex is like one of the I just think one

1:01:44.720 --> 1:01:46.840
<v Speaker 1>of the most gorgeous songs that I can think of,

1:01:47.320 --> 1:01:51.200
<v Speaker 1>you know, of this century that's been written like um right,

1:01:51.480 --> 1:01:53.560
<v Speaker 1>like it makes me want to cry. I was it like, um,

1:01:54.920 --> 1:01:57.200
<v Speaker 1>you're lost at sea, our command your boat to me

1:01:57.240 --> 1:02:00.360
<v Speaker 1>again if I misquoted that anyway, Like it's just pretely

1:02:00.400 --> 1:02:01.800
<v Speaker 1>butchered that when I've been it's one of the most

1:02:01.840 --> 1:02:05.120
<v Speaker 1>beautiful lyrics. But yeah, it's just I just think it's

1:02:05.160 --> 1:02:11.440
<v Speaker 1>like lyrically, it's just gorgeous and it's sonically lush. It

1:02:11.560 --> 1:02:18.040
<v Speaker 1>feels extremely vulnerable in a way that this artist, who

1:02:18.480 --> 1:02:23.120
<v Speaker 1>I think started her career as being like a heightened

1:02:23.440 --> 1:02:27.120
<v Speaker 1>like version of herself, like created this sort of persona.

1:02:27.280 --> 1:02:29.720
<v Speaker 1>It feels very stripped back. It's very like my most

1:02:29.760 --> 1:02:34.480
<v Speaker 1>personal album yet vibes, but like it actually was, and

1:02:34.680 --> 1:02:38.480
<v Speaker 1>yet you can plug into it so easily. It really

1:02:38.720 --> 1:02:41.760
<v Speaker 1>is some of the best things she's ever had to

1:02:41.840 --> 1:02:48.240
<v Speaker 1>say about womanhood in like the Perfect Vehicle. Yeah, I

1:02:48.280 --> 1:02:51.840
<v Speaker 1>mean from that, it's like everything on Norman fucking Rockwell too.

1:02:52.200 --> 1:02:54.640
<v Speaker 1>This is the experience of being an American whore, Like

1:02:54.680 --> 1:03:00.160
<v Speaker 1>there is just like holding hands they go together, I

1:03:00.200 --> 1:03:03.160
<v Speaker 1>mean American. It's the experience of being an American horror.

1:03:03.480 --> 1:03:06.680
<v Speaker 1>That line it's like such a like Lana del Rey

1:03:06.800 --> 1:03:10.000
<v Speaker 1>algorithm generated like lyric and yet like as as so

1:03:10.040 --> 1:03:12.880
<v Speaker 1>many are, and yet it works so well. Like and

1:03:13.360 --> 1:03:17.760
<v Speaker 1>you know, the aesthetic through line of Norman Ruckle is

1:03:17.760 --> 1:03:20.760
<v Speaker 1>just perfect for her. It's like classic Americana to the

1:03:20.840 --> 1:03:25.400
<v Speaker 1>point of like a kind of weird chooginess, like almost

1:03:25.400 --> 1:03:28.840
<v Speaker 1>like a dystopian like happy nuclear family kind of thing

1:03:28.920 --> 1:03:31.640
<v Speaker 1>that I don't know, it just it just worked so

1:03:31.760 --> 1:03:33.920
<v Speaker 1>well when I when it was announced and when I

1:03:33.960 --> 1:03:38.840
<v Speaker 1>was listening to it. It is a crystallization of everything

1:03:39.000 --> 1:03:42.520
<v Speaker 1>she's ever done. I remember in like twenty twelve when

1:03:42.560 --> 1:03:45.600
<v Speaker 1>she was first round. I remember my a really good

1:03:45.600 --> 1:03:48.520
<v Speaker 1>friend of mine at the time saying they're not my

1:03:48.560 --> 1:03:53.160
<v Speaker 1>friend anymore because of this. No they they said something like, oh,

1:03:53.200 --> 1:03:56.880
<v Speaker 1>I really like how long could she keep basically this up,

1:03:57.160 --> 1:04:00.640
<v Speaker 1>like this kind of nostalgic but this idea that she

1:04:00.640 --> 1:04:03.120
<v Speaker 1>would be kind of like on one album Wonder And

1:04:03.480 --> 1:04:07.840
<v Speaker 1>it always I always think of it about like, actually,

1:04:07.920 --> 1:04:12.560
<v Speaker 1>how the longevity in her career and the idea that like,

1:04:12.960 --> 1:04:14.800
<v Speaker 1>I guess it returns to my earlier point about how

1:04:14.800 --> 1:04:16.760
<v Speaker 1>she was received, but this idea that it was a

1:04:16.800 --> 1:04:18.560
<v Speaker 1>stick that was going to come to an end, when

1:04:18.560 --> 1:04:21.800
<v Speaker 1>in fact she's really only kind of deepened it. There's

1:04:21.800 --> 1:04:24.360
<v Speaker 1>been like full arcs within it where she's returned. But

1:04:24.440 --> 1:04:29.080
<v Speaker 1>also like we haven't really mentioned Billy Eilish, but like

1:04:29.520 --> 1:04:32.240
<v Speaker 1>the very fat that there are so many, there's so

1:04:32.320 --> 1:04:36.040
<v Speaker 1>much Lana del Rey progeny now that like these artists

1:04:37.160 --> 1:04:41.840
<v Speaker 1>raised Billy Eilish. You know, there would be no Billy

1:04:41.920 --> 1:04:45.920
<v Speaker 1>Irelish without Lana del Ray, which Billy said in that

1:04:46.000 --> 1:04:52.600
<v Speaker 1>interview magazine interview when she interviewed Lana, I didn't know that. Yeah, okay,

1:04:52.680 --> 1:04:59.000
<v Speaker 1>question for the culture. Fuck Mary, kill Lana albums, Lana albums,

1:04:59.080 --> 1:05:02.680
<v Speaker 1>Lana Eras. Sorry, I'll sorry, Yeah, okay, you go, Mary

1:05:03.760 --> 1:05:11.840
<v Speaker 1>Norman fucking rock Well, fuck ultra violence kill lust for life. Okay,

1:05:11.560 --> 1:05:13.760
<v Speaker 1>I won't do this. I won't do the same as

1:05:13.800 --> 1:05:17.560
<v Speaker 1>you and Mary. I would. I would realistically, I would

1:05:17.560 --> 1:05:21.080
<v Speaker 1>marry Um Norman fucking rock Well too, But let's say

1:05:22.440 --> 1:05:24.680
<v Speaker 1>because I would maybe fuck Born to Die. I love

1:05:24.760 --> 1:05:28.320
<v Speaker 1>Born to Die. I love I love cocaine and old

1:05:28.440 --> 1:05:37.400
<v Speaker 1>cock as a kind of motif. Um not not not

1:05:37.440 --> 1:05:42.040
<v Speaker 1>literally anymore, but I I Yeah, so I feel like

1:05:42.080 --> 1:05:45.080
<v Speaker 1>I still find the kind of glamor, of Born to Die,

1:05:45.160 --> 1:05:47.000
<v Speaker 1>like it's often one that I will still put on

1:05:47.040 --> 1:05:49.800
<v Speaker 1>when I'm putting on my makeup. So I would probably

1:05:49.840 --> 1:05:53.080
<v Speaker 1>fuck that. I would probably I have to marry Norman

1:05:53.120 --> 1:05:56.040
<v Speaker 1>fucking rock Well. It was my breakup album, and then

1:05:56.240 --> 1:06:01.320
<v Speaker 1>I would kill Lust for life. Like I'm sorry, I

1:06:01.360 --> 1:06:03.200
<v Speaker 1>don't I don't think. I don't think I've ever like

1:06:03.240 --> 1:06:05.000
<v Speaker 1>apart from when it like maybe the first month that

1:06:05.080 --> 1:06:08.480
<v Speaker 1>came out, I never returned to her. Yeah, doing us

1:06:08.560 --> 1:06:11.400
<v Speaker 1>duet with the Weekend is the kiss of death for me.

1:06:13.000 --> 1:06:15.120
<v Speaker 1>That makes me so sad. Well, do you know what

1:06:15.320 --> 1:06:18.080
<v Speaker 1>we haven't Also is that I actually secretly also love

1:06:18.120 --> 1:06:21.160
<v Speaker 1>This is quite trashy, maybe for like pure like pure

1:06:21.880 --> 1:06:26.440
<v Speaker 1>Lizzy grandstands is I still love her old covers like

1:06:26.520 --> 1:06:29.760
<v Speaker 1>she did for the Maleficent Disney Live action film. She

1:06:29.880 --> 1:06:33.440
<v Speaker 1>did the same upon a Dream. I still love that.

1:06:33.480 --> 1:06:36.280
<v Speaker 1>I love her cover of blue velvet, and I love

1:06:36.360 --> 1:06:38.680
<v Speaker 1>Young and Beauty, and I love Young and Beautiful for

1:06:38.720 --> 1:06:41.920
<v Speaker 1>the Great Gatsby film. They're all stunning. Yeah, especially the

1:06:42.880 --> 1:06:46.240
<v Speaker 1>full orchestra version is so gorgeous. Yeah, when I go

1:06:46.280 --> 1:06:50.000
<v Speaker 1>to heaven, was it like, please let me take my man.

1:06:50.280 --> 1:06:56.040
<v Speaker 1>The codependent tease. I love it. Um Okay, Fran we

1:06:56.120 --> 1:06:59.120
<v Speaker 1>need your fuck Mary Kill. It's it's that cinematic quality.

1:06:59.160 --> 1:07:01.800
<v Speaker 1>I think to her music that it's like she's perfect

1:07:01.840 --> 1:07:04.360
<v Speaker 1>actually for soundtracks in general. She needs to do more

1:07:04.400 --> 1:07:10.560
<v Speaker 1>soundtracks except for them the Charlie's Angels Charlie's Angels verse

1:07:10.720 --> 1:07:18.200
<v Speaker 1>on the Remember Okay, I would I'm cheating a little bit.

1:07:18.560 --> 1:07:26.240
<v Speaker 1>I would kill Kim Trails. Sorry. I would marry Dealer

1:07:26.440 --> 1:07:30.880
<v Speaker 1>from Blue Banisters specifically because that is a vibe that

1:07:30.920 --> 1:07:32.680
<v Speaker 1>I could listen to for the rest of my life.

1:07:32.680 --> 1:07:35.560
<v Speaker 1>And I feel like there's so much about that song

1:07:35.720 --> 1:07:40.440
<v Speaker 1>that just like I connected with spirit. It's definitely probably

1:07:41.200 --> 1:07:44.960
<v Speaker 1>top five Lana songs for me, just because it came

1:07:45.200 --> 1:07:46.840
<v Speaker 1>I think the right time in my life or whatever.

1:07:47.640 --> 1:07:50.560
<v Speaker 1>And I think I would fuck like her SoundCloud tumbler era,

1:07:50.720 --> 1:07:54.560
<v Speaker 1>like I I'm thinking of. She has this song with

1:07:54.800 --> 1:08:00.120
<v Speaker 1>Asap Rocky called Ryden. I think that I was obsets

1:08:00.320 --> 1:08:02.480
<v Speaker 1>with in the first in my first year's moving to

1:08:02.560 --> 1:08:06.920
<v Speaker 1>New York. And I think that that song Pale Moonlight,

1:08:07.600 --> 1:08:11.120
<v Speaker 1>driving cars with boys dumb dumb, like that is like

1:08:11.280 --> 1:08:13.720
<v Speaker 1>the era that I want to like fuck forever. I

1:08:13.760 --> 1:08:19.440
<v Speaker 1>think Asap Rocky is so Hot in the National Anthem

1:08:19.520 --> 1:08:24.280
<v Speaker 1>music video Lana's videos, do you have a favorite Lana video?

1:08:24.479 --> 1:08:28.400
<v Speaker 1>Because you know those I think those are so like

1:08:28.600 --> 1:08:32.080
<v Speaker 1>so woven in with her music. Yeah, I mean, ride

1:08:32.360 --> 1:08:36.760
<v Speaker 1>is It's not my favorite song, but it probably is

1:08:36.760 --> 1:08:39.200
<v Speaker 1>one of my favorite video. It's just because it, like

1:08:39.320 --> 1:08:43.400
<v Speaker 1>remarked it's now so it's so genuinely nostalgiic because it's

1:08:43.439 --> 1:08:45.640
<v Speaker 1>like ten years old, and it was such a specific

1:08:45.720 --> 1:08:48.720
<v Speaker 1>time where like we're like the gift and like, you know,

1:08:48.760 --> 1:08:54.839
<v Speaker 1>you get like the BuzzFeed breakdown of of it a well, honey,

1:08:55.680 --> 1:08:59.480
<v Speaker 1>but Lana was keeping BuzzFeed's light build on, like fought catalog,

1:08:59.720 --> 1:09:02.639
<v Speaker 1>Like the girlies would not have had jobs if Lana

1:09:02.720 --> 1:09:05.479
<v Speaker 1>did not give them, you know, content to write about

1:09:05.920 --> 1:09:08.559
<v Speaker 1>her such a specific era of media like that, when

1:09:08.600 --> 1:09:12.920
<v Speaker 1>like Jezebel was kind of the apex of like feminist

1:09:13.040 --> 1:09:14.560
<v Speaker 1>journalism or whatever. This is what I was going to

1:09:14.600 --> 1:09:17.000
<v Speaker 1>say about the feminist of because I mentioned earlier about

1:09:17.040 --> 1:09:21.240
<v Speaker 1>how obviously like she was a like, Lana was criticized

1:09:21.280 --> 1:09:24.840
<v Speaker 1>a lot for the misogyny or the internalized misogyny rather

1:09:24.920 --> 1:09:28.000
<v Speaker 1>of her lyrics. At this time when as I say

1:09:28.000 --> 1:09:31.519
<v Speaker 1>it became popular for like more sort of mainstream female

1:09:31.560 --> 1:09:33.880
<v Speaker 1>pop artists to have to identify as feminists, whereast it

1:09:33.920 --> 1:09:36.080
<v Speaker 1>wasn't in the two thousands, really a cool thing to be.

1:09:36.680 --> 1:09:38.400
<v Speaker 1>And what I love is that I feel like I

1:09:38.439 --> 1:09:40.920
<v Speaker 1>don't know, we don't know whether or not, because she's

1:09:40.920 --> 1:09:44.040
<v Speaker 1>always had this sort of persecuted, I misunderstood thing. But

1:09:44.160 --> 1:09:46.719
<v Speaker 1>I feel my reading of it always is that Lana

1:09:46.760 --> 1:09:49.040
<v Speaker 1>went through a phase of trolling. She's always kind of

1:09:49.080 --> 1:09:52.280
<v Speaker 1>trolled media back. So there's some really like great headlines

1:09:52.280 --> 1:09:54.280
<v Speaker 1>that there was one where she was asked about feminism

1:09:54.280 --> 1:09:56.200
<v Speaker 1>and she was like, it really doesn't interest me at all.

1:09:56.520 --> 1:10:00.000
<v Speaker 1>I'm much more interested in Tesla and our intergalactic possibility

1:10:00.040 --> 1:10:05.600
<v Speaker 1>a taste, because you can't if you got it if

1:10:05.640 --> 1:10:09.320
<v Speaker 1>you're focusing on one. I just, I mean, I kind

1:10:09.360 --> 1:10:12.240
<v Speaker 1>of it's me when I get asked in press into

1:10:12.280 --> 1:10:15.080
<v Speaker 1>these here about about the Harry Potter lady. Can we

1:10:15.120 --> 1:10:19.559
<v Speaker 1>talk about our intercalactic possibilities? Not feminism? Yeah? That's such

1:10:19.560 --> 1:10:24.000
<v Speaker 1>a And the other good headline that she gave, which

1:10:24.080 --> 1:10:26.360
<v Speaker 1>was again it was a British interview, was The Guardian.

1:10:26.479 --> 1:10:30.080
<v Speaker 1>Here it's Lana del Rey Colon I wish I was

1:10:30.160 --> 1:10:35.719
<v Speaker 1>dead already love say, oh my god, she was so

1:10:35.880 --> 1:10:39.040
<v Speaker 1>real for that. I mean that of that, That's why

1:10:39.160 --> 1:10:42.280
<v Speaker 1>Dealer was so good. She's on there shrieking like I

1:10:42.280 --> 1:10:45.000
<v Speaker 1>don't want to live, and I'm like, yes, like or

1:10:45.120 --> 1:10:49.160
<v Speaker 1>of us these like you know lexapro bops Okay, like

1:10:49.760 --> 1:10:51.840
<v Speaker 1>did you know there's a tunnel under Ocean Boulevard? Fucked

1:10:51.880 --> 1:10:57.599
<v Speaker 1>me to death? Yes? Please now too dead. It's giving

1:10:57.720 --> 1:11:09.800
<v Speaker 1>dissociated slay slide into our dms at Like a Virgin

1:11:09.840 --> 1:11:11.840
<v Speaker 1>for twenty sixty nine to let us know what's your

1:11:11.840 --> 1:11:15.800
<v Speaker 1>favorite Lana song album? Are you feeling so Lana del

1:11:15.840 --> 1:11:19.519
<v Speaker 1>Rey Vinyl right now? Also, make sure that you become

1:11:19.560 --> 1:11:23.040
<v Speaker 1>a patron at patreon dot com slash like a Virgin.

1:11:23.240 --> 1:11:28.440
<v Speaker 1>Also buy our merch You can find the links anywhere.

1:11:28.800 --> 1:11:31.280
<v Speaker 1>Do you follow us, It's very easy to find. We

1:11:31.360 --> 1:11:35.519
<v Speaker 1>have lots of cute stuff for you to where to

1:11:35.680 --> 1:11:41.760
<v Speaker 1>show your virgivity or lack thereof. Next week we have

1:11:42.080 --> 1:11:45.200
<v Speaker 1>honestly like one of I think one of our best

1:11:45.240 --> 1:11:50.320
<v Speaker 1>episodes yet with special guest Frankie Grande, who we will

1:11:50.360 --> 1:11:54.320
<v Speaker 1>be talking about Star Wars with and a lot of

1:11:54.479 --> 1:11:57.840
<v Speaker 1>nerd shit. Oh yes, It is definitely an episode for

1:11:58.280 --> 1:12:02.679
<v Speaker 1>gay nerds everywhere. It's it's an episode for gay nerds,

1:12:02.760 --> 1:12:10.040
<v Speaker 1>it's an episode for arinators, it's an episode for people. Yes, yes,

1:12:11.080 --> 1:12:14.240
<v Speaker 1>so don't miss don't miss that. In the meantime, follow

1:12:14.320 --> 1:12:16.559
<v Speaker 1>us at Like a Virgin four twenty sixteen nine. I'm

1:12:16.600 --> 1:12:18.479
<v Speaker 1>your co host Rose Damn. You. You can follow me

1:12:18.479 --> 1:12:21.720
<v Speaker 1>anywhere online at Rose Damnu and I'm Fran. You can

1:12:21.720 --> 1:12:24.479
<v Speaker 1>find me at France, squish Goo anywhere you like. Like

1:12:24.560 --> 1:12:27.880
<v Speaker 1>a virginus my heart Radio production. Our producer is Huge

1:12:27.960 --> 1:12:31.679
<v Speaker 1>Pinter was supporting from Lindsay Hoffman and Micky Tour until

1:12:31.760 --> 1:12:43.600
<v Speaker 1>next week. Bye