WEBVTT - The Last of Us, Vampires + the Writer’s Strike

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<v Speaker 1>Now really.

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<v Speaker 2>Really no, really, Hi, I'm Jason Alexander.

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<v Speaker 3>I'm here with my palent, Peter Tilden, and this is

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<v Speaker 3>our little podcast called.

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<v Speaker 2>Really No, Really, where we.

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<v Speaker 3>Explore things that make us say really no, really really

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<v Speaker 3>yes exactly all right?

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<v Speaker 2>So if I made this sound, what would you think? Oh?

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<v Speaker 2>What would you think? You make that sound all the time?

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<v Speaker 2>You need to hear some next, you make that all

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<v Speaker 2>the time? What do you make if you make that

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<v Speaker 2>sound every day? Are here.

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<v Speaker 3>And you take out the sound the soundtrack of every

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<v Speaker 3>zombie movie?

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<v Speaker 2>Is that sucking question mark? That the dentist? You know

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<v Speaker 2>what else? I heard too? That's you just brought my

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<v Speaker 2>grandfather back.

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<v Speaker 3>So today we're gonna be talking about in essence, horror

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<v Speaker 3>and zombies and a very popular show.

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<v Speaker 2>But I really know, really of the day is I am?

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<v Speaker 3>It was and continue to be a big fan of

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<v Speaker 3>the Last of Us, the wonderful sci fi show on HBO.

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<v Speaker 3>And in the show, the world or much of the

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<v Speaker 3>world is suffering from a fictional brain infection that experts

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<v Speaker 3>say is inspired by a very real set of fungi

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<v Speaker 3>that can hijack their hosts and turn them into zombies.

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<v Speaker 3>The infection is inspired by this reality cortyceps thing that exists, right,

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<v Speaker 3>and particularly the story that I've heard and they talk

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<v Speaker 3>about in the first episode of the Last of Us.

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<v Speaker 3>It infects It's a parasitic thing that infects ants, and

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<v Speaker 3>it sort of takes over their minds, It controls their bodies,

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<v Speaker 3>and eventually it drives them to the top of trees

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<v Speaker 3>where they cling on and it spores out of their head, which,

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<v Speaker 3>by the way, disgusting, and the spores go everywhere and

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<v Speaker 3>they are zombieans. And then in the Last of Us,

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<v Speaker 3>the people who are infect by these spores become in

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<v Speaker 3>essence zombified and made into crazy. And for reasons I

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<v Speaker 3>don't understand, since this is all spore based.

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<v Speaker 2>If they bite you, you get it. I don't know

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<v Speaker 2>how to right, we'll find it makes no sense.

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<v Speaker 1>Ard.

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<v Speaker 3>We're going to find out how it makes when we

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<v Speaker 3>found out the real thing, real thing, realation.

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<v Speaker 2>And I need more stuff to worry about, right, so

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<v Speaker 2>we go right.

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<v Speaker 3>Now, I gotta worry that in my salad, I'm meeting

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<v Speaker 3>a mushroom that's going to grow out of my head.

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<v Speaker 2>And make me do things. Yeah, and by the way,

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<v Speaker 2>we with in thousands spores every time you take a breath.

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<v Speaker 2>You know it's correct a wrong sport gets in there.

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<v Speaker 2>I know if a wrong sport gets in there, you're

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<v Speaker 2>season two of Last of Us. Special guest. I heard

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<v Speaker 2>season two is a soup. Somebody has a suit.

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<v Speaker 3>By the way, I'm going to find out why Nick

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<v Speaker 3>Offerman and not Jason Alexander. I'm going to find out

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<v Speaker 3>because our guest today is none other than the show

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<v Speaker 3>r Under the producer and director. Truly a remarkable man,

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<v Speaker 3>mister Craig Mason, who, among other things, is is a writer,

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<v Speaker 3>a producer, a director. Uh Chernobyl? Did you see Chernobyl

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<v Speaker 3>the HBO series?

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<v Speaker 2>A minute?

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<v Speaker 3>Then I ran out and read the book and you

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<v Speaker 3>know what, same ending. He's the he's co creating, his

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<v Speaker 3>co writing, executive producing the Last of Us, this big,

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<v Speaker 3>wonderful hit on HBO. He's won two prime Time Emmy Awards,

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<v Speaker 3>but they're primetime, but they're the real Emmy Awards.

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<v Speaker 2>Got the daytime. They separated the daytime show from like

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<v Speaker 2>a virus, so I was in prime time. I didn't

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<v Speaker 2>win an Emmy for that. They keep the daytime and

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<v Speaker 2>nighttime separate so that they don't instruct each other.

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<v Speaker 3>That's you might also know him for such comedy films

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<v Speaker 3>A Scary Movie, three, Scary Movie, for Scary momentes seven, nine, twelve,

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<v Speaker 3>and eleven, hang Over Part two, Hangover Part three.

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<v Speaker 2>He's never the first guy. He's always in after you

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<v Speaker 2>know what. We're not even two or three, So don't

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<v Speaker 2>knock the guy.

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<v Speaker 3>You know an identity theft most importantly went to Freehold

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<v Speaker 3>High School, which is I almost if I had lived

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<v Speaker 3>another couple.

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<v Speaker 2>Of blocks, I might have gone to Freehold High School

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<v Speaker 2>and fascinating.

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<v Speaker 3>We would have been best fascinating thanks for bonded, and

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<v Speaker 3>I might have been nick Offerman instead of nickoff.

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<v Speaker 2>Oh, we already started. We're already starting with the hello

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<v Speaker 2>to Craig Mason. Ladies and gentlemen, how are you, sir?

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<v Speaker 1>I'm just bowled over by the introduction. It was the most.

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<v Speaker 2>Beautiful you never hear one like that again.

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<v Speaker 4>The prime numbered versions of Scary Movie. I got very excited.

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<v Speaker 2>You've done amazing things. And and by the way, getting

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<v Speaker 2>to the topic at hand, let's start with fun. Guy.

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<v Speaker 2>You were such a huge fan of the game that

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<v Speaker 2>you you went to them, and so I mean they

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<v Speaker 2>were they were into you. Because of how into it

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<v Speaker 2>you were, and but writing something to come from comedy

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<v Speaker 2>to something serious and drama, it's based on this. I'm

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<v Speaker 2>sure you had a ton of research, and I think

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<v Speaker 2>I read that you had a fungus expert on staff

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<v Speaker 2>at the show.

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<v Speaker 4>Well, not on staff, but I certainly had quite a

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<v Speaker 4>few discussions with more than more than a few micologists, right,

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<v Speaker 4>So that's there, that's their.

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<v Speaker 2>Own look at himnologists. That's what they don't know the terms.

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<v Speaker 4>Just to make you, guys feel even dumber than you

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<v Speaker 4>already felt.

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<v Speaker 2>Oh you can you can't do.

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<v Speaker 1>Yeah, let's see, I'm gonna try.

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<v Speaker 4>Yeah, yeah, but it is the funky are kind of

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<v Speaker 4>amazing and and uh it's a it's a silly word

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<v Speaker 4>and it makes us laugh. And yet also they're remarkable.

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<v Speaker 4>And the more I talked with these folks, the more

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<v Speaker 4>startled I was by the what they can achieve. I mean,

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<v Speaker 4>of course, every single my collegist I spoke with also said,

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<v Speaker 4>by the way, you know that this whole thing is

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<v Speaker 4>not that's not real, like what happens in the last.

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<v Speaker 2>Ones, I I cannot have.

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<v Speaker 4>Well, it can't happen like that. That is not to

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<v Speaker 4>say that fungi can't infect us and cause a lot

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<v Speaker 4>of serious problems. So can they take us over completely

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<v Speaker 4>and start growing out of our heads? It's unlikely. Can

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<v Speaker 4>they infect us and cause both serious disease and death,

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<v Speaker 4>no question? Can they infect us and also mess with

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<v Speaker 4>our brains? Absolutely, And we knew that already because we

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<v Speaker 4>have a lot of very famous drugs that are derived

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<v Speaker 4>from fungi, including things like LSD and psilocybin and so forth.

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<v Speaker 3>But Creig make you make a compelling scene and therefore

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<v Speaker 3>point right at the beginning of the show where somebody says,

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<v Speaker 3>why can't this I'm maybe paraphrasing, why can't this infect humans?

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<v Speaker 3>And they said, because it can't exist at the temperature

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<v Speaker 3>of over I think in ninety four degrees and our

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<v Speaker 3>bodies are basically ninety eight point six. And somebody says, well,

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<v Speaker 3>what if a climate event happened and these fung guy

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<v Speaker 3>were able to adapt to warmer temperatures. And the guy

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<v Speaker 3>gets very serious and says, that would be very bad

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<v Speaker 3>for us.

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<v Speaker 1>Yeah.

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<v Speaker 4>Basically yeah, he says, we lose. And the truth is

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<v Speaker 4>that that is happening already.

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<v Speaker 2>It's happening.

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<v Speaker 4>Fungi are adapting, They are getting better at surviving higher temperatures,

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<v Speaker 4>and we are seeing an increase in fungal infections, and

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<v Speaker 4>fungal infections are very serious. And the theory of this

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<v Speaker 4>show the science fiction proposition and says, Okay, if this happens,

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<v Speaker 4>then bungie will take our brain's over and turn us

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<v Speaker 4>into zombies. But the thing that's worse than that would

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<v Speaker 4>be just death. And that is real, that's real. If

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<v Speaker 4>fungi get much much better at infecting human beings, then

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<v Speaker 4>yes they can cause death, and that I dare say

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<v Speaker 4>it would be the worst outcome of them all.

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<v Speaker 3>Well, I can only tell you from the one that's

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<v Speaker 3>been on my big toe for two years.

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<v Speaker 2>And I'm using everything.

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<v Speaker 3>I'm using everything, the tea tree, the eucalypt is, the jubilea,

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<v Speaker 3>the whole everything, And can I tell you.

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<v Speaker 4>It sounds you're using everything that doesn't work. Basically, that's

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<v Speaker 4>a great list of stuff that doesn't work.

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<v Speaker 2>Doesn't work.

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<v Speaker 1>Have you been to a medical doctor, I have good question.

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<v Speaker 3>They turned me on to most of this stuff and

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<v Speaker 3>they said, no. The only thing I haven't.

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<v Speaker 2>Done seriously is apparently there's a pill.

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<v Speaker 3>You can say, but the pill is not benign.

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<v Speaker 2>So you know, I'm a little aware and what we

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<v Speaker 2>will do.

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<v Speaker 3>To you, Well, if you have you know, it affects

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<v Speaker 3>your liver, it can affect it.

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<v Speaker 2>You know, it's.

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<v Speaker 4>With fighting fungi. Yeah, the medicines that we have are

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<v Speaker 4>I'm not going to say they like chemotherapy, but they're

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<v Speaker 4>kind of in that same world of, Hey, this thing

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<v Speaker 4>is so hard to kill. In order to kill it,

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<v Speaker 4>we're gonna have to kill also a bunch of you. Yeah,

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<v Speaker 4>and that's why some fungal infections are almost impossible to treat.

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<v Speaker 2>I'm curious with the show, even though it's a drama

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<v Speaker 2>and it's based on something that we know can't happen,

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<v Speaker 2>although the adjacent stuff can happen that we're talking about.

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<v Speaker 2>It's always interesting what mail, what emails, what stuff have

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<v Speaker 2>you gotten from people who were attached the show in

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<v Speaker 2>a way you never anticipated because of that, maybe because

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<v Speaker 2>of the funds that you went, wow, this came out

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<v Speaker 2>of nowhere. I didn't realize that this affected people that way.

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<v Speaker 1>Well we do.

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<v Speaker 4>I mean, certainly people were impacted by the emotional storylines

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<v Speaker 4>and the characters more than anything else, I think, But

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<v Speaker 4>when it came to the science I did get quite

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<v Speaker 4>a few emails from scientists who are just grateful that

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<v Speaker 4>we depicted scientists in a way that wasn't I guess

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<v Speaker 4>the role that they often fulfill is the jerk who

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<v Speaker 4>thinks they know everything and is wrong until Bruce Willis

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<v Speaker 4>comes and explains how it really works. And you know,

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<v Speaker 4>we treat scientists, at least over here in my little world,

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<v Speaker 4>with a lot of respect. And my feeling is that

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<v Speaker 4>when scientists are scared, that's the scariest thing of it

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<v Speaker 4>of all. I showed that insurable, and I showed it

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<v Speaker 4>again in the Last of Us, not more than once,

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<v Speaker 4>because I do believe that there are people who spend

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<v Speaker 4>their lives studying these things and have no vested interest

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<v Speaker 4>other than being honest. They don't get paid a lot,

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<v Speaker 4>they're not trying to sell you anything. They're just telling

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<v Speaker 4>you the truth. Yeah, and we like to do and

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<v Speaker 4>we have this anti intellectual strain in our society that

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<v Speaker 4>wants to question every scientists say and do because they're

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<v Speaker 4>eggheads and they don't know they do they.

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<v Speaker 2>Know being the people who know.

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<v Speaker 3>Because Last of Us is a game based franchise in

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<v Speaker 3>a very successful game.

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<v Speaker 2>You know, I always hear the guys who are.

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<v Speaker 3>Doing the Marvel films, there's a whole bunch of cooks

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<v Speaker 3>in the kitchen going, well, you can't do that. That

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<v Speaker 3>plays with the legacy of this and the mythology of that.

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<v Speaker 3>How much of what you were able to do with

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<v Speaker 3>the show was, Dick, Did you have those those you know,

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<v Speaker 3>the sort of guardrails from the game company, or were

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<v Speaker 3>you able to create out a whole cloth or you know?

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<v Speaker 4>I was very free. I mean the nice thing is

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<v Speaker 4>that the company so there is it's a big company.

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<v Speaker 4>It's called Naughty Dog. They're the company that makes the game.

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<v Speaker 4>Naughty Dog themselves are owned by Sony, which is a

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<v Speaker 4>small Japanese business concern. And yet I had enormous freedom

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<v Speaker 4>because I was working with Neil Druckman, who is the

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<v Speaker 4>man at Naughty Dog who create the story for the

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<v Speaker 4>Last of Us and runs the show over there and

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<v Speaker 4>also made the Last of Us Part two. So when

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<v Speaker 4>I came to Neil, I said, look this, I love

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<v Speaker 4>this game, I love this story. My interest is not

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<v Speaker 4>to change stuff just because I feel like changing things.

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<v Speaker 4>The things that we need to change are really more

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<v Speaker 4>about adaptation because we're moving from one medium to another,

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<v Speaker 4>so we have opportunities. Like a simple example is in

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<v Speaker 4>a video game, you are nailed to one person's perspective.

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<v Speaker 4>That's the person you're playing. In the Last of Us,

0:11:29.480 --> 0:11:31.319
<v Speaker 4>for the great majority of it, it's the character of

0:11:31.360 --> 0:11:35.000
<v Speaker 4>Joel that means we can't just leave and go meet

0:11:35.080 --> 0:11:37.080
<v Speaker 4>other characters who are separate from Joel and have and

0:11:37.160 --> 0:11:39.680
<v Speaker 4>hear them talk. That obviously is a huge part of

0:11:39.720 --> 0:11:42.960
<v Speaker 4>how narrative would function in television. So there are all

0:11:43.000 --> 0:11:46.280
<v Speaker 4>these opportunities to do different things. But also, you know,

0:11:46.360 --> 0:11:47.800
<v Speaker 4>there were times where I said, I'm going to want

0:11:47.800 --> 0:11:50.320
<v Speaker 4>to do it almost exactly the way it was in

0:11:50.360 --> 0:11:53.440
<v Speaker 4>the game, because there are these wonderfully cinematic moments, and

0:11:53.559 --> 0:11:58.000
<v Speaker 4>Neil was the best possible partner. It was like working

0:11:58.000 --> 0:12:01.959
<v Speaker 4>with a novelist who was excit I did about changing things. Yeah,

0:12:02.120 --> 0:12:03.920
<v Speaker 4>sometimes I was the one who had to say, but

0:12:04.080 --> 0:12:05.600
<v Speaker 4>I really actually just want to do it the way

0:12:05.640 --> 0:12:08.880
<v Speaker 4>you did it before. And we had a great relationship

0:12:08.920 --> 0:12:11.800
<v Speaker 4>in that regard, and I think, you know, the reaction

0:12:11.960 --> 0:12:15.760
<v Speaker 4>from the fans was great by and large, and then

0:12:15.800 --> 0:12:17.400
<v Speaker 4>all the people that saw it that hadn't played the game,

0:12:17.400 --> 0:12:21.840
<v Speaker 4>I assume you guys would qualify. They were also pretty pleased,

0:12:21.840 --> 0:12:23.559
<v Speaker 4>so I think we did a good job.

0:12:23.559 --> 0:12:24.760
<v Speaker 2>They had no idea about the game.

0:12:25.200 --> 0:12:28.720
<v Speaker 3>I think I heard you say somewhere that one of

0:12:28.760 --> 0:12:32.319
<v Speaker 3>the challenges was when you're playing the game. Certainly, my

0:12:33.040 --> 0:12:37.160
<v Speaker 3>son Noah knows the game very very well, and he

0:12:37.440 --> 0:12:41.160
<v Speaker 3>liked the show very very much and echoed something that

0:12:41.200 --> 0:12:42.880
<v Speaker 3>I think you said, which was, when you play the

0:12:42.960 --> 0:12:49.200
<v Speaker 3>game the zombies, fighting the zombies is ninety percent of

0:12:49.240 --> 0:12:51.960
<v Speaker 3>the thing you're doing, but in the show it is

0:12:52.000 --> 0:12:55.120
<v Speaker 3>actually a very small percentage of what's going on. And

0:12:56.440 --> 0:13:00.360
<v Speaker 3>was that a conscious decision to do that to yes, Yeah, yes.

0:13:00.240 --> 0:13:05.120
<v Speaker 4>It was well because gameplay is the first time you

0:13:05.320 --> 0:13:09.959
<v Speaker 4>encounter these infected people running around. It's very scary and

0:13:10.000 --> 0:13:13.560
<v Speaker 4>it's very intense. But when you die, you get sent

0:13:13.640 --> 0:13:16.720
<v Speaker 4>back to the beginning of that section, right, That's not

0:13:16.760 --> 0:13:19.680
<v Speaker 4>how it works in TV. When you die. You did

0:13:20.200 --> 0:13:23.640
<v Speaker 4>so right off the bat. The way we treated violence

0:13:23.679 --> 0:13:27.000
<v Speaker 4>and the permanence of injury. Even the fact that Joel

0:13:27.480 --> 0:13:30.440
<v Speaker 4>punches a man in episode one and we see his

0:13:30.520 --> 0:13:34.600
<v Speaker 4>knuckles battered and bruised in episode two in and of itself,

0:13:34.720 --> 0:13:38.959
<v Speaker 4>is slightly revolutionary, but we treated we wanted to really

0:13:39.040 --> 0:13:41.720
<v Speaker 4>deal with violence as something that was far more permanent

0:13:41.720 --> 0:13:44.720
<v Speaker 4>and far more impactful. And we also knew that because

0:13:44.720 --> 0:13:46.960
<v Speaker 4>of the nature of gameplay, because you can go back

0:13:46.960 --> 0:13:51.240
<v Speaker 4>and start that section over again if you fail. The infected,

0:13:51.679 --> 0:13:55.520
<v Speaker 4>the zombies, the bad guys become more of a puzzle

0:13:55.559 --> 0:13:58.920
<v Speaker 4>to solve than a visceral experience that is about that

0:13:59.000 --> 0:14:03.280
<v Speaker 4>is reflecting relation and character. So we wanted all of

0:14:03.320 --> 0:14:06.440
<v Speaker 4>our action moments to reflect relationship and character. We wanted

0:14:06.480 --> 0:14:09.520
<v Speaker 4>those action moments to change the way the relationships between

0:14:09.559 --> 0:14:13.360
<v Speaker 4>the characters functioned and have lasting impact. So there were

0:14:13.480 --> 0:14:16.040
<v Speaker 4>far fewer of them in the show than in the game.

0:14:16.360 --> 0:14:17.920
<v Speaker 4>That's not to say that we might not ramp it

0:14:18.000 --> 0:14:20.840
<v Speaker 4>up for season two, because we also learned some interesting

0:14:20.880 --> 0:14:24.400
<v Speaker 4>things about how to better deliver that experience. It's a

0:14:24.440 --> 0:14:26.480
<v Speaker 4>tricky thing when you're doing anything for the first time.

0:14:26.520 --> 0:14:29.640
<v Speaker 4>I mean, the first season of any show is fascinating

0:14:29.680 --> 0:14:33.920
<v Speaker 4>to watch. It's you can see everybody slowly moving towards

0:14:34.040 --> 0:14:37.400
<v Speaker 4>what that very comfortable shape and experience will eventually be.

0:14:38.120 --> 0:14:40.000
<v Speaker 4>I think we got there kind of quickly, but yeah,

0:14:40.040 --> 0:14:43.080
<v Speaker 4>we learned some interesting lessons. That's not to say that

0:14:43.080 --> 0:14:45.720
<v Speaker 4>we're going to drown people in action for season two either.

0:14:46.400 --> 0:14:48.440
<v Speaker 4>But yeah, it was pretty intentional.

0:14:49.280 --> 0:14:52.480
<v Speaker 2>So you're doing a thing about an epidemic during an epidemic.

0:14:53.360 --> 0:14:54.160
<v Speaker 1>Yeah, that was weird.

0:14:54.320 --> 0:14:56.560
<v Speaker 2>That must have been really bizarre. You're wearing masks, you're

0:14:56.640 --> 0:14:59.560
<v Speaker 2>spreading illnesses, people are testing positive every day. Why you're

0:14:59.600 --> 0:15:03.520
<v Speaker 2>doing a show strange about people who have an infection.

0:15:03.240 --> 0:15:05.600
<v Speaker 4>And are doing well, Because ultimately, it wasn't a show

0:15:05.600 --> 0:15:07.960
<v Speaker 4>about having an infection and die, you know, that's the

0:15:08.000 --> 0:15:10.320
<v Speaker 4>thing it was. It was a show that had infections

0:15:10.320 --> 0:15:13.480
<v Speaker 4>in it, and it had dying in it. But you know,

0:15:13.520 --> 0:15:17.560
<v Speaker 4>I remember saying to Neil, the thing is, even if

0:15:17.600 --> 0:15:20.760
<v Speaker 4>COVID had never happened, we would all still be getting infections,

0:15:21.200 --> 0:15:27.120
<v Speaker 4>and regardless of that, also dying. So death and taxes

0:15:27.600 --> 0:15:33.160
<v Speaker 4>and the story ultimately is about love. And my feeling

0:15:33.280 --> 0:15:37.720
<v Speaker 4>was as long as we acknowledged in the beginning of

0:15:38.000 --> 0:15:42.000
<v Speaker 4>the series that we were aware as filmmakers that COVID

0:15:42.000 --> 0:15:46.000
<v Speaker 4>occurred in our sneaky way, then I think we would

0:15:46.040 --> 0:15:49.280
<v Speaker 4>be okay. And so in the very first scene of

0:15:49.320 --> 0:15:53.040
<v Speaker 4>the series, it takes place in the late nineteen sixties

0:15:53.120 --> 0:15:55.280
<v Speaker 4>or early seventies, I can't remember the exact year, and

0:15:55.760 --> 0:15:59.400
<v Speaker 4>it's basically a Dick Cavit show, and there's a scientist saying,

0:15:59.480 --> 0:16:02.120
<v Speaker 4>oh no, no viruses. I mean, yeah, they kill people and

0:16:02.120 --> 0:16:05.280
<v Speaker 4>they're bad, but there's actually something worse, which is our

0:16:05.320 --> 0:16:08.960
<v Speaker 4>way of saying, we know we're coming, we're doing We're

0:16:09.000 --> 0:16:11.400
<v Speaker 4>not drafting off of COVID, we're not exploiting COVID to

0:16:11.400 --> 0:16:13.040
<v Speaker 4>make you feel scared. We're here to tell you there's

0:16:13.040 --> 0:16:18.280
<v Speaker 4>something worse than that. And from there things took off.

0:16:18.360 --> 0:16:20.200
<v Speaker 2>Can you confront this? I looked this at this, and

0:16:20.240 --> 0:16:23.240
<v Speaker 2>I saw it and I said, is this really right? That?

0:16:23.480 --> 0:16:26.920
<v Speaker 2>The show, first of all, was the largest television doctor

0:16:26.920 --> 0:16:29.600
<v Speaker 2>in Canadian history and generated about two hundred million in

0:16:29.640 --> 0:16:33.480
<v Speaker 2>revenue for Alberta, but sources suggest the budget was between

0:16:33.520 --> 0:16:37.000
<v Speaker 2>ten million and fifteen million, and bigger than the budget

0:16:37.000 --> 0:16:39.360
<v Speaker 2>exceeded the first five seasons of Game Thrones. As far

0:16:39.360 --> 0:16:41.040
<v Speaker 2>as budget, I thought, WHOA.

0:16:40.800 --> 0:16:45.360
<v Speaker 4>Yeah, yeah, well things have gotten more expensive. I mean,

0:16:45.720 --> 0:16:48.880
<v Speaker 4>it's true, people, it's funny. People forget the first few

0:16:48.920 --> 0:16:52.240
<v Speaker 4>seasons of Game of Thrones. It wasn't yet Game of Thrones, right,

0:16:52.280 --> 0:16:54.920
<v Speaker 4>and so in I think it's the very first season

0:16:54.960 --> 0:16:58.520
<v Speaker 4>they're supposed to be this massive battle and instead Peter

0:16:58.600 --> 0:17:01.920
<v Speaker 4>Dinklic gets bunked on the head and falls, goes unconscious

0:17:01.920 --> 0:17:05.520
<v Speaker 4>and wakes up and they're like, it happened, It was crazy.

0:17:06.000 --> 0:17:08.440
<v Speaker 4>Oh my god, you should have been there. Anyway, we won.

0:17:09.480 --> 0:17:11.280
<v Speaker 4>So all this stuff happens off screen because they didn't

0:17:11.280 --> 0:17:13.959
<v Speaker 4>have money for it, and the budget eventually got up

0:17:13.960 --> 0:17:18.480
<v Speaker 4>and up and up. Things have changed, obviously in the

0:17:18.560 --> 0:17:21.840
<v Speaker 4>way we make television, and a lot of it is

0:17:21.920 --> 0:17:24.320
<v Speaker 4>kind of in this weird feedback loop that's caused some

0:17:24.400 --> 0:17:26.760
<v Speaker 4>of the problems in our business and it's why there strikes.

0:17:27.400 --> 0:17:32.040
<v Speaker 4>But it was a huge bet, a huge financial bet

0:17:32.080 --> 0:17:32.679
<v Speaker 4>by HBO.

0:17:32.840 --> 0:17:34.480
<v Speaker 1>It was a bet on me. It was a bet

0:17:34.480 --> 0:17:38.440
<v Speaker 1>on the material, and I was aware of that every day.

0:17:38.480 --> 0:17:41.160
<v Speaker 4>And it's a very strange thing to on the one

0:17:41.160 --> 0:17:43.919
<v Speaker 4>hand think, oh my god, I cannot believe they're trusting

0:17:43.960 --> 0:17:47.119
<v Speaker 4>me with all this money, and then one minute later go,

0:17:48.080 --> 0:17:50.800
<v Speaker 4>why won't they give me more money? I need more money,

0:17:51.280 --> 0:17:54.960
<v Speaker 4>and you because of the scale of what we're trying

0:17:54.960 --> 0:17:58.800
<v Speaker 4>to deliver it ultimately they supported us completely. I mean,

0:17:58.840 --> 0:18:02.560
<v Speaker 4>they just went all in on this, and I was very,

0:18:03.520 --> 0:18:05.120
<v Speaker 4>very grateful that it paid off.

0:18:05.560 --> 0:18:08.200
<v Speaker 3>Well I'm sure they are too, because it's it's it's

0:18:08.200 --> 0:18:20.240
<v Speaker 3>a brilliant show. You you made your bones in comedy,

0:18:21.000 --> 0:18:22.520
<v Speaker 3>and I think you said to me when we when

0:18:22.560 --> 0:18:25.040
<v Speaker 3>we met that you know your aspirations were all about

0:18:25.119 --> 0:18:29.439
<v Speaker 3>being a comedy writer. And you know, arguably some of

0:18:29.480 --> 0:18:32.760
<v Speaker 3>your biggest projects have I mean, between this and Chernobyl,

0:18:32.800 --> 0:18:38.040
<v Speaker 3>they're they're devastating. Promise, Why the Switch? How the switch?

0:18:38.240 --> 0:18:40.760
<v Speaker 3>Do you enjoy the switch? Do you miss working on

0:18:40.840 --> 0:18:41.640
<v Speaker 3>the funny stuff?

0:18:42.480 --> 0:18:44.080
<v Speaker 2>How did it all well?

0:18:44.400 --> 0:18:45.960
<v Speaker 1>This? I think?

0:18:46.840 --> 0:18:48.480
<v Speaker 4>Well, first of all, I'm sure there are quite a

0:18:48.480 --> 0:18:51.280
<v Speaker 4>few critics who are like, finally, he's no longer trying.

0:18:55.080 --> 0:19:02.040
<v Speaker 4>But I I always I loved comedy. I loved the

0:19:02.359 --> 0:19:04.600
<v Speaker 4>difficulty factor, especially in movies.

0:19:04.640 --> 0:19:06.040
<v Speaker 1>It's really difficult. In movies.

0:19:07.000 --> 0:19:08.800
<v Speaker 4>You're going to gather a bunch of people in a room,

0:19:08.880 --> 0:19:11.960
<v Speaker 4>there is no laugh track, they can't go anywhere, and

0:19:11.960 --> 0:19:15.480
<v Speaker 4>they're all together and they have to laugh out loud

0:19:15.760 --> 0:19:19.199
<v Speaker 4>a lot. It's really hard to do. And when it

0:19:19.320 --> 0:19:22.240
<v Speaker 4>works there it's the closest you can get to feeling

0:19:22.280 --> 0:19:24.240
<v Speaker 4>like a rock star in our business as a writer,

0:19:24.359 --> 0:19:28.200
<v Speaker 4>because it's there's this thing happening in a crowd. It's remarkable.

0:19:28.560 --> 0:19:31.640
<v Speaker 4>So I got really addicted to that, and I loved it.

0:19:32.720 --> 0:19:35.320
<v Speaker 4>But as I got older, I started to feel a

0:19:35.320 --> 0:19:37.919
<v Speaker 4>little bit like I was kind of just being asked

0:19:37.960 --> 0:19:41.520
<v Speaker 4>to replicate a process and to do the same thing

0:19:41.560 --> 0:19:44.439
<v Speaker 4>over and over, because it's a very outcome oriented gig

0:19:44.840 --> 0:19:48.760
<v Speaker 4>get laughs. And also I was getting older, and I

0:19:48.800 --> 0:19:54.800
<v Speaker 4>think it's natural to start to disconnect from the churning

0:19:55.040 --> 0:19:58.600
<v Speaker 4>center of culture, you know, because I remember being in

0:19:58.600 --> 0:20:03.480
<v Speaker 4>my twenties and you know, working with David Zucker and

0:20:03.480 --> 0:20:06.679
<v Speaker 4>and thinking, you know, I would occasionally like to say, David,

0:20:06.800 --> 0:20:10.399
<v Speaker 4>I'm sure that was once funny in the Lyndon Johnson administration,

0:20:10.680 --> 0:20:15.280
<v Speaker 4>Wow it is not now, and here is why, and

0:20:15.280 --> 0:20:17.080
<v Speaker 4>and and then David in his like, oh yes, yes,

0:20:17.119 --> 0:20:20.000
<v Speaker 4>of course, yes, of course. And now I'm the age

0:20:20.000 --> 0:20:24.040
<v Speaker 4>that he was when I met him, and I don't

0:20:24.080 --> 0:20:26.720
<v Speaker 4>want to be I never want to be the person

0:20:26.760 --> 0:20:30.040
<v Speaker 4>going I don't understand why are they Why wouldn't they

0:20:30.080 --> 0:20:33.640
<v Speaker 4>see this as funny anymore? And I wanted to try

0:20:33.680 --> 0:20:36.800
<v Speaker 4>new things. I was always interested in these other aspects.

0:20:37.119 --> 0:20:41.600
<v Speaker 4>I just I always said, like writing feature comedy is

0:20:41.680 --> 0:20:45.159
<v Speaker 4>like being a left handed pitcher in the major leagues.

0:20:45.240 --> 0:20:48.040
<v Speaker 4>You might want to be something else, but they don't care.

0:20:48.200 --> 0:20:51.040
<v Speaker 4>They need you to pitch out of the bullpen to

0:20:51.080 --> 0:20:53.520
<v Speaker 4>face the left if they just don't have enough of

0:20:53.560 --> 0:20:56.080
<v Speaker 4>you to let you do anything else. So it was

0:20:57.200 --> 0:20:59.439
<v Speaker 4>it was a I guess, a big swing on my

0:20:59.480 --> 0:21:01.159
<v Speaker 4>part to try and see if I could do it,

0:21:01.400 --> 0:21:04.520
<v Speaker 4>and I by dori it.

0:21:04.800 --> 0:21:05.919
<v Speaker 1>I just love working like that.

0:21:05.960 --> 0:21:08.240
<v Speaker 4>And I still you know, there's still bits of comedy

0:21:08.280 --> 0:21:11.639
<v Speaker 4>and moments, but there's no Yeah. I mean, look, you

0:21:11.640 --> 0:21:17.200
<v Speaker 4>guys know the brutal pressure of not only not flopping

0:21:17.240 --> 0:21:20.280
<v Speaker 4>but actually getting that like kind of roll series of

0:21:20.400 --> 0:21:22.320
<v Speaker 4>laughs is is.

0:21:22.240 --> 0:21:23.919
<v Speaker 1>The hardest thing to do in our business. And I

0:21:24.080 --> 0:21:25.040
<v Speaker 1>just maintained.

0:21:24.680 --> 0:21:29.800
<v Speaker 4>That every award should only be won by a comedy.

0:21:30.960 --> 0:21:31.400
<v Speaker 1>Comedies.

0:21:31.800 --> 0:21:33.800
<v Speaker 2>It gets no it gets no respect. So was your

0:21:33.800 --> 0:21:36.040
<v Speaker 2>next level? Is your next level combining comedy in a

0:21:36.119 --> 0:21:38.359
<v Speaker 2>chernobyl like they did life that they did Life of Stalin,

0:21:38.960 --> 0:21:41.399
<v Speaker 2>where they took that which is a serious thing and

0:21:41.440 --> 0:21:44.280
<v Speaker 2>made it completely So I figured you would.

0:21:44.800 --> 0:21:46.560
<v Speaker 1>I mean that movie is called the Death of Stuff.

0:21:46.600 --> 0:21:48.320
<v Speaker 1>The Life of Style would just be too lovely.

0:21:49.520 --> 0:21:53.000
<v Speaker 2>You can keep it in right, I've got a lot

0:21:53.080 --> 0:21:53.560
<v Speaker 2>on my mind.

0:21:53.600 --> 0:21:56.000
<v Speaker 4>Okay, I hear you get it, By the way, I

0:21:56.000 --> 0:21:58.520
<v Speaker 4>don't I don't know what you have in your you

0:21:58.560 --> 0:21:59.680
<v Speaker 4>got time, I can give it to you.

0:22:01.640 --> 0:22:04.000
<v Speaker 2>But that's hard to do. That must be even harder

0:22:04.000 --> 0:22:05.040
<v Speaker 2>to do, right.

0:22:05.200 --> 0:22:06.840
<v Speaker 1>Well, I mean so.

0:22:08.280 --> 0:22:10.720
<v Speaker 4>Mister Ryan Ucci is sort of like amazing at that

0:22:10.840 --> 0:22:14.119
<v Speaker 4>walking that weird tonal line. There are people who just

0:22:14.160 --> 0:22:17.280
<v Speaker 4>invent their own tones, and like Larry David's one of

0:22:17.280 --> 0:22:21.639
<v Speaker 4>them where you're like, who does that? And I'm sure

0:22:21.960 --> 0:22:24.200
<v Speaker 4>you know the first time. I actually I feel like

0:22:24.240 --> 0:22:25.879
<v Speaker 4>I know this. The first time that he was like,

0:22:26.040 --> 0:22:28.920
<v Speaker 4>this is what I want to do, people were like, no,

0:22:28.920 --> 0:22:29.440
<v Speaker 4>nobody does.

0:22:29.480 --> 0:22:31.760
<v Speaker 1>That's not a thing anyone does. We don't do that.

0:22:32.400 --> 0:22:36.840
<v Speaker 4>And then he defined this space that he does. I

0:22:36.880 --> 0:22:41.359
<v Speaker 4>think I'm probably a little too conventional to define my

0:22:41.400 --> 0:22:43.480
<v Speaker 4>own weird comedy drama hybrid.

0:22:43.600 --> 0:22:48.320
<v Speaker 1>I'm at this point now, I'm just it's funny.

0:22:48.359 --> 0:22:54.120
<v Speaker 4>It's also television, like the ability to spread out narratively

0:22:54.880 --> 0:22:57.280
<v Speaker 4>is such a joy, like when you're writing a movie.

0:22:58.160 --> 0:23:00.439
<v Speaker 4>I mean, on page three, I'm already wedding that I'm

0:23:00.520 --> 0:23:09.280
<v Speaker 4>running out of space. Television, we did a good job

0:23:09.320 --> 0:23:11.720
<v Speaker 4>telling the story and it's so funny. I forgot first

0:23:11.720 --> 0:23:14.679
<v Speaker 4>episode watching him with my life and that punch that

0:23:14.760 --> 0:23:17.840
<v Speaker 4>you said and the hand being damaged. I said to

0:23:17.880 --> 0:23:20.480
<v Speaker 4>my wife, I think this is the first show you watched, Stevens.

0:23:20.480 --> 0:23:22.480
<v Speaker 4>All these guys get hit with a computer. You hit

0:23:22.520 --> 0:23:24.720
<v Speaker 4>me with a computer. I'm in the hospital for seven months.

0:23:25.320 --> 0:23:28.600
<v Speaker 4>Nobody in these shows, realistically, they get knocked down.

0:23:28.600 --> 0:23:31.440
<v Speaker 2>They got you knocked me down. First of all, I'm

0:23:31.480 --> 0:23:33.119
<v Speaker 2>not getting up for a while. Second of all, I'm

0:23:33.160 --> 0:23:34.880
<v Speaker 2>shocked that you knocked me down. And third of all,

0:23:35.160 --> 0:23:38.720
<v Speaker 2>have you ever punched the guy? I have? I punched

0:23:38.720 --> 0:23:41.840
<v Speaker 2>the guy once. It hurts and my hand had glass.

0:23:41.960 --> 0:23:44.119
<v Speaker 2>It was the worst I remember. That stood out, not

0:23:44.280 --> 0:23:46.399
<v Speaker 2>that the rest of the series didn't stand out, but

0:23:46.440 --> 0:23:48.560
<v Speaker 2>I said, these guys are taking a little bit of

0:23:48.640 --> 0:23:52.880
<v Speaker 2>time to look at stuff and take moments because that's repercussion.

0:23:53.240 --> 0:23:57.159
<v Speaker 2>That's reality. That's it's not heightened reality. They're doing kind

0:23:57.200 --> 0:23:59.920
<v Speaker 2>of a different reality. So what else is going to

0:24:00.040 --> 0:24:02.680
<v Speaker 2>fault in that area where they're can respond in a

0:24:02.760 --> 0:24:06.280
<v Speaker 2>much more naturalistic way and what happens? Yeah, it was

0:24:06.359 --> 0:24:09.040
<v Speaker 2>really really you're talking about reality.

0:24:10.000 --> 0:24:12.359
<v Speaker 3>Can we talk for a minute, because you're going to

0:24:12.400 --> 0:24:15.800
<v Speaker 3>be our resident expert about the whole zombie thing, because

0:24:15.800 --> 0:24:18.320
<v Speaker 3>Peter and I have we have questions we have not

0:24:18.359 --> 0:24:22.639
<v Speaker 3>necessarily your zombies, but zombies zombie in general. And I

0:24:22.680 --> 0:24:25.120
<v Speaker 3>started to talk to Kirkman about this when I did

0:24:25.200 --> 0:24:29.240
<v Speaker 3>Talking Dead. So there's a horde of zombies, a horde,

0:24:29.280 --> 0:24:32.320
<v Speaker 3>a thousand of them, and they descend on one guy.

0:24:33.240 --> 0:24:35.560
<v Speaker 3>Only six of them are eating anything because the others

0:24:35.600 --> 0:24:36.880
<v Speaker 3>can't get right.

0:24:37.160 --> 0:24:38.800
<v Speaker 2>And then they move on.

0:24:39.280 --> 0:24:42.280
<v Speaker 3>But the ones that ate don't seem any better off

0:24:42.320 --> 0:24:45.720
<v Speaker 3>than the ones that didn't. They're still disintegrating, they're still

0:24:45.840 --> 0:24:49.000
<v Speaker 3>rotting their arms. Just a wait, eat, don't eat, doesn't

0:24:49.000 --> 0:24:51.000
<v Speaker 3>seem to matter point.

0:24:50.000 --> 0:24:53.320
<v Speaker 1>But it's almost like they're mindless zombies.

0:24:53.880 --> 0:24:57.320
<v Speaker 2>Yes, yes, yes.

0:24:57.240 --> 0:25:01.560
<v Speaker 4>They yes, zombies tend to be highly irrational, even more

0:25:01.560 --> 0:25:06.159
<v Speaker 4>irrational than we are. It's whatever drives them. I mean,

0:25:06.200 --> 0:25:09.320
<v Speaker 4>in our case, we're implying that they are trying to

0:25:09.680 --> 0:25:12.119
<v Speaker 4>spread an infection, but even in the spread of infection,

0:25:12.400 --> 0:25:15.240
<v Speaker 4>they're not they're not experts at it. Sometimes they go

0:25:15.280 --> 0:25:17.040
<v Speaker 4>too far and they just end up killing the person

0:25:17.640 --> 0:25:20.720
<v Speaker 4>because it's a very blunt tool. I mean, fungi or smart,

0:25:20.720 --> 0:25:23.920
<v Speaker 4>but they're not that smart. And I have no idea

0:25:24.080 --> 0:25:27.720
<v Speaker 4>what's going on with supernatural zombies. I'm not I don't

0:25:27.800 --> 0:25:32.160
<v Speaker 4>understand and the virus zombies similarly like just cough on everybody?

0:25:32.440 --> 0:25:38.040
<v Speaker 2>Why not? Why what's the bid? And also, okay, why

0:25:38.040 --> 0:25:39.800
<v Speaker 2>don't they have a thing that comes out of their eyes?

0:25:41.000 --> 0:25:43.080
<v Speaker 5>You did the kiss? You did the kiss? That was

0:25:43.119 --> 0:25:46.560
<v Speaker 5>so good, that was really good. So what was going

0:25:46.600 --> 0:25:50.760
<v Speaker 5>on there? So the idea is in the game, it's

0:25:50.800 --> 0:25:53.240
<v Speaker 5>spread by sports, and we were gonna we were gonna

0:25:53.240 --> 0:25:56.000
<v Speaker 5>do that. But the thing is it works in the game.

0:25:56.040 --> 0:25:58.800
<v Speaker 5>In reality, spores are heard to film their heart to

0:25:58.800 --> 0:26:02.120
<v Speaker 5>make look real. And also, I feel like if it's

0:26:02.160 --> 0:26:05.360
<v Speaker 5>spread in the air, who's making it out?

0:26:07.119 --> 0:26:07.840
<v Speaker 1>You can't fight the air.

0:26:07.920 --> 0:26:10.720
<v Speaker 4>So we were looking at this other thing that that

0:26:11.560 --> 0:26:15.919
<v Speaker 4>when a fungus like Cordyceps infects an ant, it starts

0:26:15.920 --> 0:26:19.280
<v Speaker 4>to move through the ant circulatory system with this fiber.

0:26:19.400 --> 0:26:22.720
<v Speaker 4>These they form fibers called my celium, and that's this,

0:26:22.800 --> 0:26:25.680
<v Speaker 4>these fungal strands, And we like the idea that that

0:26:25.840 --> 0:26:31.560
<v Speaker 4>for whatever reason, this brand of Cortyceps would would need

0:26:31.600 --> 0:26:34.399
<v Speaker 4>to get its strand into you as opposed to a spore, right,

0:26:34.520 --> 0:26:38.560
<v Speaker 4>so it's a slightly more advanced, you know, structure. And

0:26:38.640 --> 0:26:43.480
<v Speaker 4>then the thought was they're gonna get this into you however,

0:26:44.160 --> 0:26:47.760
<v Speaker 4>they can if you're running away, if you're fighting, they're

0:26:47.760 --> 0:26:52.200
<v Speaker 4>gonna get violent. But if you just stand there, maybe

0:26:52.400 --> 0:26:55.560
<v Speaker 4>they take their time. Maybe it's not violent. They don't

0:26:55.640 --> 0:26:58.280
<v Speaker 4>need to rip you apart. In fact, the more people

0:26:58.320 --> 0:27:00.639
<v Speaker 4>they rip apart, the fewer people are going to be

0:27:00.680 --> 0:27:02.240
<v Speaker 4>successfully in fact, because a bunch of them are going

0:27:02.320 --> 0:27:07.280
<v Speaker 4>to die. But I mean, listen, the the zombie like

0:27:07.359 --> 0:27:10.439
<v Speaker 4>Game of Thrones, my ending, this is what I wanted for.

0:27:10.440 --> 0:27:13.120
<v Speaker 1>The end of Game of Thrones. I wanted the Night

0:27:13.240 --> 0:27:13.880
<v Speaker 1>King to win.

0:27:14.880 --> 0:27:19.920
<v Speaker 4>Everybody gets turned into a white a zombie, right, everyone,

0:27:20.520 --> 0:27:23.080
<v Speaker 4>And when the last living person is turned into zombie,

0:27:23.119 --> 0:27:25.639
<v Speaker 4>they all look at each other and kind of go.

0:27:27.320 --> 0:27:29.440
<v Speaker 1>Oh, and then they just stand there.

0:27:29.880 --> 0:27:32.520
<v Speaker 4>And that's the last thirty minutes is just them kind

0:27:32.520 --> 0:27:35.280
<v Speaker 4>of shuffling, sadly, going we won.

0:27:37.080 --> 0:27:39.920
<v Speaker 1>Sure, Yeah, what's the point.

0:27:40.840 --> 0:27:43.920
<v Speaker 2>Yeah, I'm so glad he was not the showrunner on

0:27:44.040 --> 0:27:48.160
<v Speaker 2>Game of Standing. Thirty minutes of Standing, my original pittis fascinating.

0:27:48.320 --> 0:27:51.640
<v Speaker 3>That's that's worse than the kid in the wheelchair becoming

0:27:51.680 --> 0:27:52.040
<v Speaker 3>the guy.

0:27:52.240 --> 0:27:54.720
<v Speaker 2>That's worse. Thirty minutes. I would have watched that. If

0:27:54.720 --> 0:27:56.520
<v Speaker 2>people would have watched come Back on You, it would

0:27:56.560 --> 0:27:58.440
<v Speaker 2>call friends, they can believe this. The numbers would have

0:27:58.440 --> 0:28:02.080
<v Speaker 2>gone up. I don't believe John watching zombies go if

0:28:02.119 --> 0:28:04.520
<v Speaker 2>you have to the Cohonies to do it. But you

0:28:04.560 --> 0:28:07.240
<v Speaker 2>know what, He's exactly right, because I would have been

0:28:07.280 --> 0:28:11.040
<v Speaker 2>I've never stick everything starting live tweeting. It would have

0:28:11.080 --> 0:28:12.760
<v Speaker 2>been I can't believe it still standing real and a

0:28:12.800 --> 0:28:16.240
<v Speaker 2>couple of zombie struggling, a couple of zombies doing what

0:28:16.480 --> 0:28:16.720
<v Speaker 2>this is?

0:28:16.760 --> 0:28:22.439
<v Speaker 4>It are at NYU the next day. The brilliance of

0:28:22.480 --> 0:28:23.000
<v Speaker 4>this end.

0:28:22.920 --> 0:28:28.000
<v Speaker 2>I'm in the longer it lasts, It's like the longer last.

0:28:28.040 --> 0:28:29.639
<v Speaker 2>It's like a joke that keeps going and going, like

0:28:29.680 --> 0:28:31.600
<v Speaker 2>a good of godfig joke. Do you laugh, then you

0:28:31.640 --> 0:28:33.520
<v Speaker 2>don't laugh, then you can't believe he's still going, and

0:28:33.560 --> 0:28:35.720
<v Speaker 2>then you laugh again, and you get angry, and then

0:28:35.760 --> 0:28:37.840
<v Speaker 2>you get angry. I mean, he just this is I

0:28:37.840 --> 0:28:40.400
<v Speaker 2>didn't realize that break now I just got his narrowing.

0:28:40.560 --> 0:28:42.640
<v Speaker 3>The only way would work is if the last line

0:28:42.680 --> 0:28:44.360
<v Speaker 3>of the episode was one of the white stands the

0:28:44.400 --> 0:28:46.320
<v Speaker 3>other and goes, well you want to get coffee?

0:28:46.800 --> 0:28:49.080
<v Speaker 2>Yes, that would have been should we get a coffee?

0:28:49.160 --> 0:28:51.360
<v Speaker 2>I don't have a stomach. I don't have a stomach smug.

0:28:51.120 --> 0:28:53.440
<v Speaker 4>Should hear like somebody that's lost the ability to use

0:28:53.520 --> 0:28:55.760
<v Speaker 4>language still struggle to form the words.

0:28:55.960 --> 0:28:58.160
<v Speaker 1>So do you want to get coffee?

0:29:05.040 --> 0:29:08.760
<v Speaker 2>There you go, cup of shoe? I see another daytime,

0:29:08.800 --> 0:29:10.880
<v Speaker 2>Emmy coming my way. But that's the other thing. The

0:29:10.920 --> 0:29:13.560
<v Speaker 2>other thing that zombies and movies and stories that bothers me.

0:29:14.200 --> 0:29:16.600
<v Speaker 2>Where are the kids? You should see thousands of zombie kids.

0:29:16.600 --> 0:29:18.680
<v Speaker 2>You don't see. Where is all the body parts and

0:29:18.720 --> 0:29:21.280
<v Speaker 2>the bones? Where the maggots and the flies? You need

0:29:21.280 --> 0:29:25.200
<v Speaker 2>a circulatory system to move your leg Yeah, you would

0:29:25.240 --> 0:29:27.320
<v Speaker 2>do rigamort if that ain't happen. And the animals, where

0:29:27.360 --> 0:29:30.320
<v Speaker 2>are all the animals? The animals? It's like, really, come on,

0:29:30.440 --> 0:29:33.760
<v Speaker 2>you're absolutely are there any other sport animals? And I

0:29:33.800 --> 0:29:35.040
<v Speaker 2>don't see? We know.

0:29:35.080 --> 0:29:38.400
<v Speaker 4>We decided that this particular brand was human Longus was

0:29:38.480 --> 0:29:41.040
<v Speaker 4>human only and only worked with human brains. Otherwise you

0:29:41.080 --> 0:29:43.440
<v Speaker 4>were going to have just the biggest problem you'd be

0:29:43.480 --> 0:29:48.920
<v Speaker 4>dealing with is just courtyceps deer constantly running at you.

0:29:49.440 --> 0:29:52.280
<v Speaker 4>It's like, oh no, not strong, it's not strong drama.

0:29:53.520 --> 0:29:57.800
<v Speaker 4>But we did show We showed kids and people and

0:29:57.880 --> 0:29:59.719
<v Speaker 4>they're alive. That's the other thing is that are are

0:29:59.720 --> 0:30:01.640
<v Speaker 4>in fa to people are they're sick, but they're alive,

0:30:01.840 --> 0:30:04.840
<v Speaker 4>so we don't deal with, you know the fact that

0:30:06.000 --> 0:30:10.040
<v Speaker 4>death means that your body is gonna fall apart within days.

0:30:10.280 --> 0:30:11.800
<v Speaker 4>That's the only part of like Walking Dead where I'm like,

0:30:11.800 --> 0:30:15.880
<v Speaker 4>they're all bloated and gross. So there's decomposition in yes, somehow.

0:30:15.440 --> 0:30:20.880
<v Speaker 2>Yeah, somehow, he's smells. I didn't go the ears didn't wait,

0:30:21.040 --> 0:30:22.880
<v Speaker 2>here's how are your ears? Come on? Come on, you

0:30:22.960 --> 0:30:26.160
<v Speaker 2>know you're smelling? What just those muscles? Yeah? Thank you?

0:30:26.480 --> 0:30:28.719
<v Speaker 3>And he's and their show is tricky because they got

0:30:28.720 --> 0:30:30.840
<v Speaker 3>they got the slow clickers in the fast you know.

0:30:31.160 --> 0:30:31.640
<v Speaker 2>I like that.

0:30:31.800 --> 0:30:33.960
<v Speaker 3>I like the slow zombies myself because I was I

0:30:33.960 --> 0:30:36.400
<v Speaker 3>remember in Night of the Living Dead when they're interviewing

0:30:36.440 --> 0:30:39.480
<v Speaker 3>the sheriff, and the sheriff I was surrounded by six

0:30:39.560 --> 0:30:41.200
<v Speaker 3>or seven of these things. Would I be in trouble?

0:30:41.240 --> 0:30:43.800
<v Speaker 3>He goes, Oh, no, they're dead, they're all messed up.

0:30:43.840 --> 0:30:45.960
<v Speaker 3>You just get you get something, hit them in the head,

0:30:46.040 --> 0:30:47.040
<v Speaker 3>Just whack them in the head.

0:30:47.040 --> 0:30:49.360
<v Speaker 2>You'll be fine. I like those kind of zombies.

0:30:49.400 --> 0:30:52.520
<v Speaker 3>You're you're fast clickers, like I don't like, we got

0:30:52.600 --> 0:30:54.240
<v Speaker 3>we gotta blend the others.

0:30:54.280 --> 0:30:56.800
<v Speaker 2>My grandmother could go off a brisk walk, it would

0:30:56.840 --> 0:30:59.440
<v Speaker 2>still be Let me ask you something you realize in

0:30:59.440 --> 0:31:02.440
<v Speaker 2>the world today, divided as we are, and it's fragment.

0:31:02.560 --> 0:31:05.240
<v Speaker 2>We are sign for seventeen to twenty million people watching

0:31:05.280 --> 0:31:11.200
<v Speaker 2>the finale, so nobody's nobody. What do I have to

0:31:11.720 --> 0:31:13.920
<v Speaker 2>Jerry see to Larry King? You right now?

0:31:14.040 --> 0:31:15.160
<v Speaker 1>These were the network days.

0:31:16.280 --> 0:31:18.120
<v Speaker 2>I think we had sixteen yeah, right, yeah.

0:31:18.120 --> 0:31:20.200
<v Speaker 1>But the point is super Bowl numbers.

0:31:20.080 --> 0:31:21.760
<v Speaker 2>Super Bowl numbers, we don't have that anymore. And I

0:31:21.760 --> 0:31:25.240
<v Speaker 2>started thinking, being infected, like the COVID infection is one

0:31:25.240 --> 0:31:27.560
<v Speaker 2>of the last levels of real community we have left,

0:31:27.600 --> 0:31:29.560
<v Speaker 2>which is really weird to shared experience.

0:31:30.160 --> 0:31:32.640
<v Speaker 4>Well, you know what, I'll tell you what's interesting, And

0:31:32.760 --> 0:31:36.880
<v Speaker 4>we did not expect this. By last count, something like

0:31:37.040 --> 0:31:39.880
<v Speaker 4>forty six million people have watched the first episode of

0:31:39.880 --> 0:31:43.160
<v Speaker 4>the Last of Us. So it's it's it's not it's

0:31:43.160 --> 0:31:46.120
<v Speaker 4>not you know, signfold, it's never going to be.

0:31:45.840 --> 0:31:48.360
<v Speaker 3>No one's that's huge.

0:31:48.520 --> 0:31:49.760
<v Speaker 1>Yeah, but it was.

0:31:50.360 --> 0:31:53.200
<v Speaker 4>That's the part that was really startling to us because

0:31:53.200 --> 0:31:55.000
<v Speaker 4>we were kind of expecting that we would have to

0:31:55.000 --> 0:31:58.560
<v Speaker 4>come up with interesting metaphors for a large community, and

0:31:58.600 --> 0:32:01.720
<v Speaker 4>we actually got a large community, which is scary because

0:32:01.960 --> 0:32:04.200
<v Speaker 4>you know to an extent as somebody that does it.

0:32:04.320 --> 0:32:06.800
<v Speaker 4>Now you feel the weight of all those eyeballs, right

0:32:07.240 --> 0:32:09.280
<v Speaker 4>for season two where you didn't season one.

0:32:09.960 --> 0:32:10.840
<v Speaker 1>Who else, maybe no one.

0:32:10.800 --> 0:32:14.560
<v Speaker 4>Will watch, it doesn't matter, So that that was pretty

0:32:15.040 --> 0:32:19.280
<v Speaker 4>pretty remarkable. But we do have You're absolutely right, A,

0:32:19.840 --> 0:32:25.160
<v Speaker 4>there's a shared language around epidemic and isolation from each other.

0:32:25.200 --> 0:32:27.840
<v Speaker 4>There are things we've learned. I mean, who knew that

0:32:27.960 --> 0:32:30.920
<v Speaker 4>toilet paper would be the thing? I didn't know, you know,

0:32:31.120 --> 0:32:35.920
<v Speaker 4>toilet paper. So now we've learned things about what happens

0:32:35.960 --> 0:32:37.960
<v Speaker 4>when the world ends. The very first thing we do

0:32:38.040 --> 0:32:40.920
<v Speaker 4>is panic about wiping our asses. Then apparently we go

0:32:40.960 --> 0:32:42.320
<v Speaker 4>to the next thing, which is food.

0:32:43.360 --> 0:32:49.400
<v Speaker 3>Yeah, yeah, it is the I don't mean this the

0:32:49.400 --> 0:32:53.239
<v Speaker 3>way it sounds, because I know, you know, you're a

0:32:53.280 --> 0:32:55.040
<v Speaker 3>member of every guild that's on strike.

0:32:55.520 --> 0:32:56.800
<v Speaker 2>This is at this point, yep.

0:32:59.560 --> 0:33:02.880
<v Speaker 3>It's a huge disruption into everybody's lives and certainly the

0:33:02.880 --> 0:33:05.680
<v Speaker 3>lives of our colleagues. But to the extent that it

0:33:05.720 --> 0:33:09.880
<v Speaker 3>affects your show, how devastating is it right now?

0:33:10.840 --> 0:33:11.120
<v Speaker 2>Well?

0:33:11.720 --> 0:33:11.800
<v Speaker 1>Not.

0:33:13.240 --> 0:33:17.320
<v Speaker 4>We had kind of an interesting circumstance for planned for

0:33:17.320 --> 0:33:20.800
<v Speaker 4>the second season where we needed to start shooting not

0:33:20.960 --> 0:33:23.480
<v Speaker 4>right away, in part because well A, it took a

0:33:23.520 --> 0:33:25.280
<v Speaker 4>long time to make the show and to put it

0:33:25.320 --> 0:33:28.680
<v Speaker 4>through post production. We don't finished post production before the

0:33:28.720 --> 0:33:30.760
<v Speaker 4>show airs. We finished it in the middle of the run,

0:33:31.520 --> 0:33:34.560
<v Speaker 4>so the last episodes, the VFX and the sound were

0:33:34.600 --> 0:33:39.080
<v Speaker 4>happening kind of while the show was running. But we

0:33:39.160 --> 0:33:42.400
<v Speaker 4>also there's certain weather requirements we have because we shoot

0:33:42.400 --> 0:33:47.000
<v Speaker 4>across seasons. We want real spring, we want real winter.

0:33:47.760 --> 0:33:49.640
<v Speaker 4>So the way our schedule has sort of been laid

0:33:49.640 --> 0:33:52.760
<v Speaker 4>out and lined up, I'll tell you if it if

0:33:52.760 --> 0:33:56.120
<v Speaker 4>the strike should end real soon, I think we get

0:33:56.160 --> 0:33:59.840
<v Speaker 4>to stay on track. Who knows if it will. If

0:33:59.880 --> 0:34:01.600
<v Speaker 4>it goes much longer, then we're going to have to

0:34:01.640 --> 0:34:03.960
<v Speaker 4>push it. Yeah, I mean we're right up against it right.

0:34:04.080 --> 0:34:05.720
<v Speaker 2>What are you hearing? By the way, you know you

0:34:05.760 --> 0:34:07.400
<v Speaker 2>were You're in the board of directors of the writers go

0:34:07.560 --> 0:34:09.920
<v Speaker 2>for a while many years. Are you hearing this? It

0:34:10.000 --> 0:34:15.160
<v Speaker 2>seems so. What seems so daunting, Greg is the focus

0:34:15.520 --> 0:34:19.240
<v Speaker 2>is content and ownership of content and trying to figure

0:34:19.280 --> 0:34:22.239
<v Speaker 2>out if if AI is going to be pulling from

0:34:22.280 --> 0:34:24.960
<v Speaker 2>scripts that exist, and how do people get credit and

0:34:25.000 --> 0:34:27.440
<v Speaker 2>what are they going to do with actors and making

0:34:27.480 --> 0:34:32.240
<v Speaker 2>them AI and again shows are being produced really differently,

0:34:32.440 --> 0:34:34.319
<v Speaker 2>very very differently than they were in the past. I mean,

0:34:34.320 --> 0:34:36.520
<v Speaker 2>I was a story editor years ago when I came

0:34:36.520 --> 0:34:39.640
<v Speaker 2>out here and probably wouldn't get paid what I got

0:34:39.680 --> 0:34:42.680
<v Speaker 2>then now, and there'll probably only be eight episodes. And

0:34:42.719 --> 0:34:44.279
<v Speaker 2>then on top of that, all the below the line

0:34:44.280 --> 0:34:46.640
<v Speaker 2>people are dying right now, all the craft services people,

0:34:46.680 --> 0:34:49.680
<v Speaker 2>all the wardrobe people, all those people whose jobs depend

0:34:49.760 --> 0:34:52.919
<v Speaker 2>on production. Are you hearing anything or do you hear

0:34:53.520 --> 0:34:55.560
<v Speaker 2>are daunting this is or have they figured out a

0:34:55.600 --> 0:34:58.080
<v Speaker 2>way to address it well?

0:34:58.120 --> 0:35:01.160
<v Speaker 4>In terms of the impact the strike has had on everyone, Yeah,

0:35:01.160 --> 0:35:05.799
<v Speaker 4>it's been brutal. And if it weren't so necessary, I

0:35:05.840 --> 0:35:07.800
<v Speaker 4>think we would have done anything we could to avoid it.

0:35:07.840 --> 0:35:10.200
<v Speaker 4>I think we did do everything we could to avoid it.

0:35:10.200 --> 0:35:13.840
<v Speaker 4>It does take a terrible toll, especially on below the

0:35:13.880 --> 0:35:16.920
<v Speaker 4>line folks we think about all the time who have

0:35:17.000 --> 0:35:21.279
<v Speaker 4>had especially here in southern California. They've had such a

0:35:21.280 --> 0:35:24.680
<v Speaker 4>bad run of it for so long because the production

0:35:24.840 --> 0:35:29.240
<v Speaker 4>just doesn't happen here the way it used to. And yeah,

0:35:29.320 --> 0:35:32.240
<v Speaker 4>everyone is suffering, and the great majority of the Writers

0:35:32.280 --> 0:35:34.280
<v Speaker 4>Guild and the great majority of the screen actors Guild,

0:35:34.880 --> 0:35:39.760
<v Speaker 4>Dash AFTRA are not wealthy. They are either middle class

0:35:39.920 --> 0:35:43.920
<v Speaker 4>or they're just kind of breaking into the business trying

0:35:43.960 --> 0:35:46.880
<v Speaker 4>to get something going, and the way that they have

0:35:46.920 --> 0:35:51.000
<v Speaker 4>all been treated is pretty awful. And this is I

0:35:51.040 --> 0:35:54.239
<v Speaker 4>think something the companies are only finally now at day

0:35:54.280 --> 0:35:58.680
<v Speaker 4>one oh whatever, is starting to understand that this is

0:35:58.920 --> 0:36:03.720
<v Speaker 4>weirdly the circuit break of our business, that there are whatever,

0:36:03.719 --> 0:36:05.880
<v Speaker 4>maybe two hundred people in the writer's skill that the

0:36:05.880 --> 0:36:08.200
<v Speaker 4>companies are like, we'll give you millions to do stuff,

0:36:09.040 --> 0:36:12.240
<v Speaker 4>but if they mistreat everybody else, this is how everybody

0:36:12.280 --> 0:36:14.160
<v Speaker 4>else gets them by saying, hey, you know what, we vote.

0:36:15.239 --> 0:36:16.600
<v Speaker 1>This is a democracy in the guild.

0:36:16.880 --> 0:36:19.200
<v Speaker 4>We vote, and we're voting to go on strike because

0:36:19.239 --> 0:36:23.760
<v Speaker 4>you can't just ignore us. And I support the strike.

0:36:23.920 --> 0:36:27.239
<v Speaker 4>I think it was absolutely necessary to do. I don't

0:36:27.360 --> 0:36:31.440
<v Speaker 4>like strikes at all. Who does. But this time with

0:36:31.800 --> 0:36:34.799
<v Speaker 4>the amount of stuff that had a changed recently, like

0:36:34.880 --> 0:36:38.160
<v Speaker 4>AI's very recent for us to be concerned about, and

0:36:38.200 --> 0:36:40.600
<v Speaker 4>then the stuff that it was just legacy stuff that

0:36:40.800 --> 0:36:43.400
<v Speaker 4>had been kind of swept under the rug. COVID was

0:36:43.440 --> 0:36:44.759
<v Speaker 4>sort of like, h we can't go on strike in

0:36:44.800 --> 0:36:47.399
<v Speaker 4>the middle of COVID and all that it finally caught

0:36:47.480 --> 0:36:49.719
<v Speaker 4>up with everybody. This had to happen, and you know,

0:36:50.800 --> 0:36:53.440
<v Speaker 4>all I know is this strike won't stop until they

0:36:53.440 --> 0:36:55.600
<v Speaker 4>take care of these issues in a significant way. We're

0:36:55.640 --> 0:36:57.799
<v Speaker 4>not going to get everything we asked for. If we did,

0:36:57.840 --> 0:37:02.520
<v Speaker 4>we didn't ask for enough. But I think we're gonna

0:37:02.560 --> 0:37:04.680
<v Speaker 4>get a lot of it the stuff we need.

0:37:04.920 --> 0:37:08.680
<v Speaker 3>Speaking of that on a very serious note, what does

0:37:08.760 --> 0:37:10.000
<v Speaker 3>nickol Ferman have that I don't have?

0:37:10.080 --> 0:37:13.920
<v Speaker 2>What's going on? This coming? Forgot answer?

0:37:17.800 --> 0:37:19.000
<v Speaker 1>I don't want to go over.

0:37:19.160 --> 0:37:21.080
<v Speaker 2>But he prepared.

0:37:24.480 --> 0:37:27.560
<v Speaker 1>A podcast I don't know. He does not need, but

0:37:27.640 --> 0:37:29.040
<v Speaker 1>he does some lovely woodworking.

0:37:29.160 --> 0:37:31.400
<v Speaker 2>Yes, I think he's gonna make me a canoe. You

0:37:31.440 --> 0:37:33.200
<v Speaker 2>can't do that my luck.

0:37:33.200 --> 0:37:34.760
<v Speaker 3>He's gonna call me and go we got a party

0:37:34.800 --> 0:37:36.000
<v Speaker 3>on the show. I'm gonna go up there and he's

0:37:36.040 --> 0:37:39.000
<v Speaker 3>gonna wrap me in clicker makeup and I'm gonna be.

0:37:40.480 --> 0:37:42.319
<v Speaker 2>Assist. I'm gonna be sitting in a.

0:37:44.160 --> 0:37:46.040
<v Speaker 4>You'll find out when the call she says you have

0:37:46.080 --> 0:37:47.080
<v Speaker 4>to get there at three three.

0:37:47.160 --> 0:37:51.239
<v Speaker 2>Yeas right, because of the makeup. We congratulations, that's what

0:37:51.280 --> 0:37:53.840
<v Speaker 2>a what an accomplishment today's world where I just said,

0:37:54.480 --> 0:37:56.960
<v Speaker 2>we don't have shared experiences that's a pretty big shared experience,

0:37:57.000 --> 0:38:01.080
<v Speaker 2>and it resonated. And like I said, everybody can who

0:38:01.320 --> 0:38:04.880
<v Speaker 2>the zombie and the virus and the spores and an

0:38:04.960 --> 0:38:08.040
<v Speaker 2>infection because we've all it could be us. And do

0:38:08.080 --> 0:38:09.680
<v Speaker 2>you are you one of those Gus just said year

0:38:09.719 --> 0:38:11.480
<v Speaker 2>three and we're out, We're done. I know how many

0:38:11.560 --> 0:38:12.799
<v Speaker 2>years is going to go. I know where I want

0:38:12.840 --> 0:38:14.280
<v Speaker 2>to do, and I I we'll tell you.

0:38:14.400 --> 0:38:16.200
<v Speaker 4>I won't tell you the year, but but I will

0:38:16.200 --> 0:38:18.480
<v Speaker 4>say that, yes, there is an end. We have a

0:38:18.600 --> 0:38:21.840
<v Speaker 4>built in ending. I don't know how to write narrative

0:38:21.920 --> 0:38:26.719
<v Speaker 4>that has no end. I don't I admire it. I

0:38:26.760 --> 0:38:27.880
<v Speaker 4>just don't know how to do it. I need to

0:38:27.880 --> 0:38:28.440
<v Speaker 4>know what the end is.

0:38:28.520 --> 0:38:31.480
<v Speaker 3>So yes, we have everybody, everybody standing around going, well,

0:38:32.239 --> 0:38:33.879
<v Speaker 3>he's going to He's not going to do.

0:38:35.840 --> 0:38:38.920
<v Speaker 2>You have to read between the laws, between the lines.

0:38:39.040 --> 0:38:41.480
<v Speaker 3>Thank you so much, sir, God bless you. And by

0:38:41.520 --> 0:38:44.879
<v Speaker 3>the way, no small thing. Congratulations on creating a show

0:38:44.880 --> 0:38:47.040
<v Speaker 3>that is a phenomena in this day and age when

0:38:47.200 --> 0:38:50.080
<v Speaker 3>when it's very hard to do that. To get forty

0:38:50.080 --> 0:38:52.360
<v Speaker 3>six million people to watch anything.

0:38:52.520 --> 0:38:53.120
<v Speaker 1>It is.

0:39:01.360 --> 0:39:04.440
<v Speaker 2>Fascinating, fascinating. What do you million people watched that? Wow?

0:39:05.000 --> 0:39:05.200
<v Speaker 1>Wow?

0:39:05.960 --> 0:39:07.680
<v Speaker 2>I'm sorry. I didn't know I got the numbers wrong

0:39:07.719 --> 0:39:12.000
<v Speaker 2>in this sorry stuff. Yeah. Sorry. By the way, just

0:39:12.000 --> 0:39:14.239
<v Speaker 2>to freak everybody out, Warman temperatures in the Arctic are

0:39:14.280 --> 0:39:17.880
<v Speaker 2>thawing the region's permafrost, a frozen layer of soil beneath

0:39:17.920 --> 0:39:21.640
<v Speaker 2>the ground, potentially stirring viruses that we we have no

0:39:21.640 --> 0:39:25.879
<v Speaker 2>no immunity too. And also that's my next series that

0:39:25.960 --> 0:39:27.839
<v Speaker 2>by the way, that wouldn't be a bad series, right

0:39:27.920 --> 0:39:33.080
<v Speaker 2>to do that. It's permafrost. Yeah, permafrost heroes. I mean, well,

0:39:33.080 --> 0:39:34.919
<v Speaker 2>but they did that with a horror movie, the thing

0:39:35.160 --> 0:39:39.239
<v Speaker 2>where they buried under the absolutely. But they've brought back now,

0:39:39.239 --> 0:39:42.800
<v Speaker 2>they've brought back the viruses from hundreds of thousands of

0:39:42.880 --> 0:39:44.880
<v Speaker 2>years ago that their testing. This is a whole area

0:39:45.200 --> 0:39:47.160
<v Speaker 2>that makes me nervous. But I laughed at you because

0:39:47.200 --> 0:39:50.200
<v Speaker 2>we were talking yesterday about the zombie thing. Zombies cracked

0:39:50.200 --> 0:39:52.160
<v Speaker 2>me up because part of the appeal of zombie it

0:39:52.200 --> 0:39:54.000
<v Speaker 2>could be us, it could be any one of us,

0:39:55.680 --> 0:39:57.800
<v Speaker 2>and you can be a hero. But it's also the zombie.

0:39:57.840 --> 0:40:00.719
<v Speaker 2>It's like it typifies your death. I get up, I

0:40:00.760 --> 0:40:05.160
<v Speaker 2>have cereal, I do my work, I come home. Yeah,

0:40:05.160 --> 0:40:08.360
<v Speaker 2>that's kind of right, it's that monotony of zombie. And

0:40:08.360 --> 0:40:11.600
<v Speaker 2>also when I was looking at the appeal of zombies,

0:40:11.640 --> 0:40:14.640
<v Speaker 2>the other part is in a zombie apocalypse, you don't

0:40:14.640 --> 0:40:18.839
<v Speaker 2>have stuff. Everything is gone. It's a simpler life. You're

0:40:18.880 --> 0:40:21.560
<v Speaker 2>not you're not doing with a lot of stuff. The survivors, right,

0:40:21.760 --> 0:40:24.680
<v Speaker 2>I can't the survivors who has given up stuff. Sure,

0:40:24.800 --> 0:40:27.880
<v Speaker 2>it's much simplistically. Yeah, you just have to worry about me.

0:40:28.040 --> 0:40:30.319
<v Speaker 2>Good day, I didn't get eaten. You just have to

0:40:30.360 --> 0:40:32.839
<v Speaker 2>make it. You just have to make it to the store.

0:40:32.840 --> 0:40:34.080
<v Speaker 2>Would you ever? Honest?

0:40:34.120 --> 0:40:36.520
<v Speaker 3>So this was something when I was watching Walking Dead,

0:40:36.560 --> 0:40:38.439
<v Speaker 3>This was a question I had all the time because

0:40:38.440 --> 0:40:41.560
<v Speaker 3>their lives are so miserable. They're constantly scared, they're running.

0:40:41.800 --> 0:40:44.600
<v Speaker 3>The humans are despicable. The zombies are out to eat you.

0:40:45.640 --> 0:40:48.759
<v Speaker 3>It's a zombie apocalypse. For the real thing you want

0:40:48.800 --> 0:40:51.440
<v Speaker 3>to be a survivor running around in that is.

0:40:51.400 --> 0:40:53.839
<v Speaker 2>That you know you say this to you, it's really weird.

0:40:53.840 --> 0:40:55.880
<v Speaker 2>Do you say that? Because I love zombie I love harmony.

0:40:55.960 --> 0:40:57.440
<v Speaker 3>This is the same thing as people go, you know,

0:40:57.520 --> 0:41:00.359
<v Speaker 3>I want to be able to survive the doom. Thank guys,

0:41:00.360 --> 0:41:02.560
<v Speaker 3>I want to be able to survive the nuclear attack? Really,

0:41:02.719 --> 0:41:03.400
<v Speaker 3>what's that world?

0:41:03.400 --> 0:41:05.680
<v Speaker 2>So God saying that I can't be because that's a

0:41:05.719 --> 0:41:07.960
<v Speaker 2>really interesting thing you ask. I love harmon. I've always

0:41:07.960 --> 0:41:09.399
<v Speaker 2>loved the horror movie since I'm a kid. And we'll

0:41:09.400 --> 0:41:11.080
<v Speaker 2>talk about a in the minute, because there's a horror

0:41:11.080 --> 0:41:14.839
<v Speaker 2>paradox about where we like horror movies. But anytime I'm

0:41:14.840 --> 0:41:17.960
<v Speaker 2>watching Walking Dead or something like that, that comes up

0:41:18.040 --> 0:41:21.640
<v Speaker 2>in my head right and I go, I think, I

0:41:21.760 --> 0:41:23.239
<v Speaker 2>just throw myself in there and get the hell of

0:41:23.320 --> 0:41:25.759
<v Speaker 2>it with what do I want to do this every day?

0:41:26.080 --> 0:41:28.680
<v Speaker 2>Try and find something to eat and yell at this

0:41:28.760 --> 0:41:32.160
<v Speaker 2>guy and and have them against the fence, and I

0:41:32.239 --> 0:41:34.560
<v Speaker 2>know other people we go, I would do everything I

0:41:34.600 --> 0:41:36.279
<v Speaker 2>can to live as long as guy. Now, I would

0:41:36.320 --> 0:41:42.000
<v Speaker 2>protect my family. But that said, my sense of you

0:41:42.000 --> 0:41:45.960
<v Speaker 2>your face is like I wouldn't. No. I mean, that's

0:41:46.000 --> 0:41:46.959
<v Speaker 2>that's certainly a reason.

0:41:46.960 --> 0:41:49.759
<v Speaker 3>But I also look, I'm thinking about if it happened tomorrow,

0:41:50.040 --> 0:41:51.200
<v Speaker 3>am I the go to.

0:41:50.960 --> 0:41:53.480
<v Speaker 2>To protect my family? I think my family's gonna wind

0:41:53.560 --> 0:41:55.319
<v Speaker 2>up having to protect me? Okay, are you the guy

0:41:55.360 --> 0:41:58.960
<v Speaker 2>that like dad's walking a little slow? I would like

0:41:59.040 --> 0:42:01.759
<v Speaker 2>to also think that I'm the guy that goes all right,

0:42:03.120 --> 0:42:07.799
<v Speaker 2>don't look back. I'm going to distract them. Run. Am

0:42:07.840 --> 0:42:11.080
<v Speaker 2>I that guy? I think I'd like to be that guy,

0:42:11.440 --> 0:42:16.920
<v Speaker 2>But I think i'd be the guy going I'm that guy.

0:42:17.000 --> 0:42:19.919
<v Speaker 3>If I strap on a suicide fest. I don't want

0:42:19.920 --> 0:42:23.480
<v Speaker 3>to my way out. I don't want like nine people.

0:42:23.960 --> 0:42:25.279
<v Speaker 3>I don't want to be. I don't want to be

0:42:25.360 --> 0:42:26.520
<v Speaker 3>the buffet table for now.

0:42:26.600 --> 0:42:28.480
<v Speaker 2>Okay, the other thing I asked you if I can

0:42:28.560 --> 0:42:32.239
<v Speaker 2>take out fifty of them. The other thing is it

0:42:32.320 --> 0:42:34.759
<v Speaker 2>doesn't make sense. We went through a litany of dumb

0:42:34.840 --> 0:42:37.560
<v Speaker 2>zombies stuf right, Yeah, Like the thing's been deteriorating for

0:42:37.600 --> 0:42:40.080
<v Speaker 2>eight eight months now, and yet it has superhuman strength.

0:42:41.000 --> 0:42:42.920
<v Speaker 2>But boy can wrestling All of a sudden it's got

0:42:42.920 --> 0:42:44.680
<v Speaker 2>superhuman strength. And I'm going to how are you to

0:42:44.719 --> 0:42:48.919
<v Speaker 2>have barely here? Look at you? How are you figure

0:42:48.960 --> 0:42:50.480
<v Speaker 2>out how to get up a curb? How are you?

0:42:50.680 --> 0:42:54.520
<v Speaker 2>How are you possibly doing this? But but this the

0:42:54.560 --> 0:42:56.920
<v Speaker 2>thing that drives me crazy. But the stuff is so

0:42:57.200 --> 0:42:59.879
<v Speaker 2>you can put on blood and whatever and walk among

0:43:01.160 --> 0:43:03.600
<v Speaker 2>and they don't know that's a walking dead. But that's okay,

0:43:03.680 --> 0:43:08.120
<v Speaker 2>walking you're there. Wouldn't that be in your well?

0:43:08.200 --> 0:43:09.960
<v Speaker 3>That's the other thing that was my thing I talked

0:43:09.960 --> 0:43:12.200
<v Speaker 3>to you about un Walking Dead. They shoot them in

0:43:12.200 --> 0:43:14.279
<v Speaker 3>the head, the head explodes, They blow them up, they

0:43:14.400 --> 0:43:17.360
<v Speaker 3>kill them. They got the zombie MoU zombie is like

0:43:17.440 --> 0:43:19.880
<v Speaker 3>dry humping them and they stab it in the eye

0:43:20.200 --> 0:43:24.399
<v Speaker 3>and things are dripping into their eyes, dripping into their mouth.

0:43:24.440 --> 0:43:26.839
<v Speaker 3>They're covered and think the only way if a gouy,

0:43:26.920 --> 0:43:29.320
<v Speaker 3>If a zombie bites you, you're infected. But if he

0:43:29.400 --> 0:43:34.880
<v Speaker 3>basically secretes into your mouth, prints and spit, I don't understand.

0:43:35.280 --> 0:43:36.480
<v Speaker 2>Well, but that's the other thing.

0:43:36.760 --> 0:43:40.600
<v Speaker 3>You got rotting corpses everywhere in this apocalyptic world.

0:43:40.760 --> 0:43:45.000
<v Speaker 2>The amount of to get the zombies with diphtheria. You know,

0:43:47.280 --> 0:43:50.200
<v Speaker 2>I'm gonna rub rub a zombie on your head and

0:43:50.200 --> 0:43:51.600
<v Speaker 2>go to them all for daddy. Oh my god.

0:43:53.480 --> 0:43:56.359
<v Speaker 3>In episode two of The Walking Dead, they realize if

0:43:56.360 --> 0:44:00.480
<v Speaker 3>you shmear zombie guts on you, you're invisible to the zombies.

0:44:00.600 --> 0:44:10.719
<v Speaker 3>I would put on a zombie unitard and live my life.

0:44:08.120 --> 0:44:11.920
<v Speaker 2>And half found a turkey form and a right. So

0:44:12.000 --> 0:44:14.640
<v Speaker 2>the horror paradox is interesting why we like horror. The

0:44:14.680 --> 0:44:18.800
<v Speaker 2>horror paradox, even though you intellectually understand that it's a movie,

0:44:19.000 --> 0:44:22.200
<v Speaker 2>it still gives you that fight and fight syndrome thing,

0:44:22.480 --> 0:44:24.400
<v Speaker 2>so that you come out energized. So if you're in

0:44:24.400 --> 0:44:26.560
<v Speaker 2>a date later and that lasts for a while, so

0:44:26.600 --> 0:44:28.920
<v Speaker 2>there's that excitement to that. There's also that where we

0:44:28.960 --> 0:44:31.640
<v Speaker 2>pass an accident, we want to look, I want to see.

0:44:31.880 --> 0:44:34.640
<v Speaker 2>We're trying to make sense of stuff, and it's a

0:44:34.680 --> 0:44:37.480
<v Speaker 2>survival instinct to see what's going on there, what's going

0:44:37.480 --> 0:44:39.520
<v Speaker 2>on there? So it's a fascinating phenomenal.

0:44:39.640 --> 0:44:42.160
<v Speaker 3>You know, there are so many genres of horror, and

0:44:42.200 --> 0:44:46.239
<v Speaker 3>my cousin Jonathan Penner has a wonderful lecture that he

0:44:46.280 --> 0:44:49.960
<v Speaker 3>does about why we are attracted, most of us to

0:44:50.120 --> 0:44:53.880
<v Speaker 3>the different genres of horror, Like when you see things

0:44:54.000 --> 0:44:57.719
<v Speaker 3>like body modification, it's because that's one of our great

0:44:57.760 --> 0:45:00.960
<v Speaker 3>fears about what if I lost a leg, body was changed,

0:45:01.000 --> 0:45:03.640
<v Speaker 3>what if I had what if I was sick? What

0:45:03.680 --> 0:45:07.200
<v Speaker 3>if in the fly? What if my fingernails were setting?

0:45:07.200 --> 0:45:08.640
<v Speaker 3>And it has to do with your own sense of

0:45:08.680 --> 0:45:12.720
<v Speaker 3>aging and mortality, and you confront that the stranger danger

0:45:12.800 --> 0:45:15.560
<v Speaker 3>thing of what you know, what what would I do

0:45:16.200 --> 0:45:16.759
<v Speaker 3>in this fleet?

0:45:16.800 --> 0:45:18.600
<v Speaker 2>Can I trust this person next to me?

0:45:18.680 --> 0:45:18.880
<v Speaker 1>Do it?

0:45:18.880 --> 0:45:23.319
<v Speaker 2>Should I distress? Horror is cathartic in many ways big time.

0:45:23.360 --> 0:45:26.160
<v Speaker 2>We can play out so we can't do in real life. Absolutely.

0:45:27.000 --> 0:45:28.759
<v Speaker 2>The funny thing is you move to the undead and

0:45:28.880 --> 0:45:31.319
<v Speaker 2>you move the vampire, which is a whole different thing.

0:45:31.400 --> 0:45:35.200
<v Speaker 2>Zombies are a group group. Vampires are solo. They don't

0:45:35.200 --> 0:45:38.400
<v Speaker 2>rely on anybody. They don't need stick. It's just my teeth.

0:45:38.560 --> 0:45:40.880
<v Speaker 2>The only thing about a vampire that bothers me is

0:45:40.880 --> 0:45:42.719
<v Speaker 2>the cape because you're never fitting in with the cape.

0:45:42.719 --> 0:45:45.400
<v Speaker 2>Well you're doing dragu Doku. But then I then I

0:45:45.480 --> 0:45:47.080
<v Speaker 2>realized they can't see how it looking in a cape

0:45:47.080 --> 0:45:48.600
<v Speaker 2>because they can't see the imagine the mirror. So that

0:45:48.840 --> 0:45:50.120
<v Speaker 2>cape looks great, that's.

0:45:50.040 --> 0:45:51.960
<v Speaker 3>Why, but they can't that's why they keep wearing the cape.

0:45:51.960 --> 0:45:54.520
<v Speaker 3>The cape is great, but I don't see them in

0:45:54.600 --> 0:45:57.360
<v Speaker 3>the cape look like a schmuck. And the they just

0:45:57.400 --> 0:45:59.400
<v Speaker 3>they can never they can never do. But that's the

0:45:59.400 --> 0:46:02.080
<v Speaker 3>same thing with on what we do in the shadows.

0:46:02.160 --> 0:46:06.080
<v Speaker 3>The mean he felt to think a line in what

0:46:06.120 --> 0:46:08.240
<v Speaker 3>we do in the shower. She's standing the vampire.

0:46:08.280 --> 0:46:09.919
<v Speaker 2>She's on the roof with the vampire, and they're getting

0:46:09.960 --> 0:46:11.799
<v Speaker 2>ready to turn into bats, right, and he looks at

0:46:11.800 --> 0:46:14.080
<v Speaker 2>her and she's getting naked. He goes, what are you doing?

0:46:14.160 --> 0:46:16.960
<v Speaker 2>She goes taking off for clothes so I can turn.

0:46:17.800 --> 0:46:19.440
<v Speaker 2>But how do we have closed at the other end?

0:46:19.440 --> 0:46:22.080
<v Speaker 2>And he looked at her and went, we don't discuss that,

0:46:23.040 --> 0:46:24.319
<v Speaker 2>so you know what.

0:46:24.400 --> 0:46:26.480
<v Speaker 3>But here's the other thing about zombies though that now

0:46:26.560 --> 0:46:30.160
<v Speaker 3>seriously to bring it into the real world, this notion

0:46:30.239 --> 0:46:34.400
<v Speaker 3>of we are kind of living in a zombie culture

0:46:34.520 --> 0:46:38.000
<v Speaker 3>right now, because in a way, and I don't mean

0:46:38.000 --> 0:46:41.120
<v Speaker 3>to present this comedically, but in a way, we are

0:46:41.160 --> 0:46:45.359
<v Speaker 3>so divided with each other that half of us think

0:46:45.400 --> 0:46:48.799
<v Speaker 3>the other half is essentially brain dead, that they don't

0:46:48.800 --> 0:46:51.520
<v Speaker 3>get it. They're inhuman, they don't feel what we feel,

0:46:51.560 --> 0:46:54.359
<v Speaker 3>they don't think the way we think, and we vilify them,

0:46:54.560 --> 0:46:56.839
<v Speaker 3>and in many ways some of them go, I want

0:46:56.880 --> 0:46:57.239
<v Speaker 3>them dead.

0:46:57.520 --> 0:46:59.000
<v Speaker 2>You know, I got to get rid of them.

0:46:59.040 --> 0:47:01.080
<v Speaker 3>The only way to get the way to bring the

0:47:01.120 --> 0:47:03.200
<v Speaker 3>world back is to get rid of them. There's something

0:47:03.200 --> 0:47:06.840
<v Speaker 3>about I almost feel like we have been infected.

0:47:13.760 --> 0:47:16.000
<v Speaker 2>You got Google time to wrap things ups? Yes, David,

0:47:16.000 --> 0:47:17.440
<v Speaker 2>what did we forget? What do we need to know?

0:47:18.160 --> 0:47:18.399
<v Speaker 1>Yeah?

0:47:18.440 --> 0:47:22.400
<v Speaker 6>Well, it was really embarrassing guys on the last of us.

0:47:22.440 --> 0:47:26.560
<v Speaker 6>They don't have zombies. You kept saying the zombies flickers.

0:47:26.600 --> 0:47:27.719
<v Speaker 2>They call them clickers.

0:47:28.040 --> 0:47:32.279
<v Speaker 7>They're called the infected, and they never it was it

0:47:32.360 --> 0:47:34.799
<v Speaker 7>was a thing on set, even when they were producing it.

0:47:34.880 --> 0:47:37.920
<v Speaker 7>You were not allowed to call them zombies.

0:47:38.400 --> 0:47:42.600
<v Speaker 2>Now, wow, you know what, let's throw the whole thing is.

0:47:42.640 --> 0:47:48.120
<v Speaker 2>I don't want to appear stupid. That's a lot of

0:47:48.160 --> 0:47:50.520
<v Speaker 2>throwing out, Laurie, it's a lot of deleting you're going

0:47:50.600 --> 0:47:53.799
<v Speaker 2>to be doing. You're absolutely right. They don't call them zombies. God,

0:47:53.840 --> 0:47:59.400
<v Speaker 2>I feel so horrible. There not not Okay, that's.

0:47:59.239 --> 0:47:59.879
<v Speaker 6>Really all I got.

0:47:59.880 --> 0:48:03.320
<v Speaker 7>I we had some some origins of of zombies and vampires.

0:48:03.320 --> 0:48:04.440
<v Speaker 6>I don't know if we want to get into that,

0:48:04.480 --> 0:48:04.719
<v Speaker 6>but the.

0:48:06.880 --> 0:48:11.480
<v Speaker 7>Nod absolutely not, not nowhere even near. That's that's actually

0:48:11.480 --> 0:48:15.520
<v Speaker 7>one of the interesting things. The vampire legend has actually

0:48:15.560 --> 0:48:17.799
<v Speaker 7>been around for over a thousand years, but it was

0:48:17.920 --> 0:48:19.640
<v Speaker 7>located in a very small.

0:48:19.320 --> 0:48:22.960
<v Speaker 6>Area of what's now Bulgaria. It was a Slavic legend.

0:48:23.040 --> 0:48:23.400
<v Speaker 1>Okay.

0:48:23.840 --> 0:48:29.319
<v Speaker 7>The vampire actually loosely translated means ghost monster, and the

0:48:29.440 --> 0:48:33.120
<v Speaker 7>original vampires were absolutely nothing.

0:48:32.920 --> 0:48:35.959
<v Speaker 6>Like what we understand as a vampire. There was no blood.

0:48:35.640 --> 0:48:38.279
<v Speaker 7>Sucking, there was no capes, there was no turning into

0:48:38.280 --> 0:48:38.680
<v Speaker 7>a bat.

0:48:39.040 --> 0:48:40.640
<v Speaker 1>They were actually more.

0:48:40.600 --> 0:48:43.399
<v Speaker 6>Like a ghost instead of the blood thing.

0:48:43.440 --> 0:48:48.000
<v Speaker 7>There were more bringers of plague, in disease and destruction.

0:48:50.120 --> 0:48:59.960
<v Speaker 7>That's more where they came from.

0:49:00.120 --> 0:49:02.040
<v Speaker 2>It is amazing that as far as back this dozen

0:49:02.080 --> 0:49:05.400
<v Speaker 2>years that we had to develop stories. They frightened us,

0:49:05.640 --> 0:49:09.919
<v Speaker 2>and that assigned a reason for things to happen. There's

0:49:09.920 --> 0:49:12.279
<v Speaker 2>always a higher source. There's always an entity that we

0:49:12.320 --> 0:49:14.320
<v Speaker 2>don't understand it. We got to make it something, We

0:49:14.400 --> 0:49:15.320
<v Speaker 2>got to give it a hot.

0:49:15.239 --> 0:49:19.600
<v Speaker 3>Also, you know, it's I hate when these great old

0:49:19.680 --> 0:49:22.160
<v Speaker 3>legends and these great stories they get monkeyed with. So

0:49:22.239 --> 0:49:24.000
<v Speaker 3>it used to be you hold up a crucifix, the

0:49:24.040 --> 0:49:26.239
<v Speaker 3>vampire can't look at it. Now I've seen movies where

0:49:26.239 --> 0:49:28.640
<v Speaker 3>they go f you and they turn it into flame.

0:49:29.000 --> 0:49:31.600
<v Speaker 3>Then that you steak in the heart, they're dead. Now

0:49:31.600 --> 0:49:33.879
<v Speaker 3>it has to be a certain wood from the land

0:49:33.920 --> 0:49:36.400
<v Speaker 3>that they came from, and you go, hey, you know,

0:49:36.640 --> 0:49:37.480
<v Speaker 3>the kids need.

0:49:37.320 --> 0:49:41.080
<v Speaker 2>More exciting the kids need more exciting stories. And then

0:49:41.120 --> 0:49:43.480
<v Speaker 2>holding up a crucifix in a little bit of water, okay,

0:49:43.920 --> 0:49:44.719
<v Speaker 2>doesn't work. Doesn't work.

0:49:45.200 --> 0:49:46.799
<v Speaker 3>Here's the final thing I'm going to ask you. Are

0:49:46.800 --> 0:49:49.719
<v Speaker 3>you ready You're gonna eat mushrooms.

0:49:50.880 --> 0:49:54.879
<v Speaker 2>I love mushrooms. We just turn the whole thing. Could

0:49:56.080 --> 0:49:59.480
<v Speaker 2>right now, any moment, a moment the mushroom. You go

0:49:59.520 --> 0:50:00.879
<v Speaker 2>out in the wood. Did you just need any mush

0:50:01.560 --> 0:50:03.759
<v Speaker 2>I don't need anything from the woods? An idiot, right?

0:50:03.840 --> 0:50:05.960
<v Speaker 2>You don't pick you don't pick anything up in the woods.

0:50:06.440 --> 0:50:08.160
<v Speaker 2>I'm be an idiot. I eat from the woods. No,

0:50:08.560 --> 0:50:10.560
<v Speaker 2>you don't even going. It's nice for being with us.

0:50:11.440 --> 0:50:13.560
<v Speaker 2>Go in the woods? What do you no? You don't

0:50:13.560 --> 0:50:15.560
<v Speaker 2>go in the in the woods. You don't go in

0:50:15.560 --> 0:50:17.879
<v Speaker 2>the woods. You don't know me, I don't know you

0:50:18.440 --> 0:50:20.680
<v Speaker 2>see you next time? Woods?

0:50:24.520 --> 0:50:29.920
<v Speaker 1>Now, really really No.

0:50:30.400 --> 0:50:33.200
<v Speaker 6>Thank you Craig Mason for coming on to discuss all

0:50:33.280 --> 0:50:34.759
<v Speaker 6>the crazy real life.

0:50:34.480 --> 0:50:37.800
<v Speaker 7>Fungie out there, and of course your award winning Last

0:50:37.800 --> 0:50:42.000
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0:50:42.040 --> 0:50:46.960
<v Speaker 7>at reallynoreally dot com. We're also on Instagram, YouTube, TikTok,

0:50:47.040 --> 0:50:48.560
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0:50:48.480 --> 0:50:53.000
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0:50:53.040 --> 0:50:54.319
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0:50:54.719 --> 0:50:57.719
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0:51:04.120 --> 0:51:07.320
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