WEBVTT - The Rock Ampersand Roll Hall of Fame

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<v Speaker 1>Welcome to Stuff you should know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles w Lix Bryant and Jerry's over there, and

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<v Speaker 1>this is stuff you should know. The Rock and Roll

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<v Speaker 1>Hall of Fame edition Tata or as was it Skinner

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<v Speaker 1>that said rock and or Rolling? Yes, it was. It's

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<v Speaker 1>a good one. I'm glad you said that, because every

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<v Speaker 1>time we walk past something one of the Simpsons characters

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<v Speaker 1>said and their nine hundred million seasons, somebody writes and

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<v Speaker 1>it's like, how could you possibly not say this? You dummies?

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<v Speaker 1>Remember that time we got to go to a Simpson's

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<v Speaker 1>table read probably second or third best day of either

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<v Speaker 1>one of our lives. Yes, absolutely, that's always what I

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<v Speaker 1>respond back with. I was like, oh, I'm sorry. Were

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<v Speaker 1>you at the table Marie we were at when we

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<v Speaker 1>met Matt Graening and he drew Simpsons characters on our

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<v Speaker 1>autograph scripts, which I still have. I don't. I don't

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<v Speaker 1>know if you still have yours. I still have mine, Kidney. Yes,

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<v Speaker 1>I am kidding you. I can know I tossed it.

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<v Speaker 1>So you're like, I don't have room for this. Yeah. Um,

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<v Speaker 1>so Chuck, we are talking about the Rock and Roll

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<v Speaker 1>Hall of Fame today. We've already talked about the Simpsons

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<v Speaker 1>on an official episode before too of them. Actually, this

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<v Speaker 1>one's a little different. This is about rock and roll,

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<v Speaker 1>the musical genre, which is way more encompassing than a

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<v Speaker 1>lot of people would like to admit. It turns out. Yeah,

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<v Speaker 1>we'll get into that. There's a lot there, We definitely will.

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<v Speaker 1>I it smacks a lot of our remember our disco episode. Yeah,

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<v Speaker 1>smacks a lot of that. And I now we've talked

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<v Speaker 1>about this. I don't think you've been. Have you to

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<v Speaker 1>the Rock and Roll Hall of Fame? No? I haven't. Actually,

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<v Speaker 1>I'm sorry, Cleveland. I'm sorry, but I settled down. I

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<v Speaker 1>have not. I have not been yet now, and I

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<v Speaker 1>actually have to say, I don't know that I care to.

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<v Speaker 1>I know that there are plenty of people out there

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<v Speaker 1>who love would love to go to that and should,

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<v Speaker 1>But for me personally, I just I don't care. Yeah,

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<v Speaker 1>it's not your kind of place. Really, No, it's not.

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<v Speaker 1>It's not meant for losers like me. No, I don't

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<v Speaker 1>think that's it. It's it's meant for losers like me.

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<v Speaker 1>I went, you know, my family or Emily's families from Akron,

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<v Speaker 1>and so we when they were all living there, we

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<v Speaker 1>spent Christmas Is there and other holidays there. So we

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<v Speaker 1>did all the Cleveland things and this was one of them.

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<v Speaker 1>And um, definitely, it's definitely one of the Cleveland things

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<v Speaker 1>to do. For sure. It's one of the Cleveland things. Um,

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<v Speaker 1>it's a place that I want to go back to.

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<v Speaker 1>I love this in the in the museum in Seattle,

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<v Speaker 1>like the pop Culture Museum. I can't remember what it's called.

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<v Speaker 1>What's called the Museum of Popular Culture? Awesome? Yeah, and

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<v Speaker 1>there's but there's more and then they name. But I

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<v Speaker 1>love standing and looking at uh, the the original pad

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<v Speaker 1>of paper where the original lyrics to Purple Hazer written.

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<v Speaker 1>See that's what I'm saying. I like listening to Purple

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<v Speaker 1>I couldn't it was originally written on Like I get

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<v Speaker 1>what people are getting out of this. It just doesn't

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<v Speaker 1>hit me that way, No, I hear you. I had

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<v Speaker 1>a bunch of other things I was gonna say I love,

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<v Speaker 1>But are you gonna say you don't love them? After

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<v Speaker 1>every one of them? Let's let's find out. I love

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<v Speaker 1>looking at the outfit that Bruce Springsteen were on the

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<v Speaker 1>board in the USA cover right in front of me.

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<v Speaker 1>I love looking it. I could see how you would

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<v Speaker 1>like that. I don't care about that outfit. I love

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<v Speaker 1>standing in front of Prince's tiny little purple jumpsuit, cool

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<v Speaker 1>guitar or Mick Jaggers Uh tiny little ten year old

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<v Speaker 1>boy sized jeans leather pants so small. They're also small.

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<v Speaker 1>I thought Mick Jagger was, you know, not point size.

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<v Speaker 1>Really Okay, I knew Prince was small, but I didn't

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<v Speaker 1>know that Mick Jagger was as well. That's and we've

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<v Speaker 1>talked about this. That's why they learned to be musicians,

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<v Speaker 1>because they can't they're trying to get girls. Well, Prince

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<v Speaker 1>was a great basketball player too. I don't know about

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<v Speaker 1>Mick Jagger, but he was show Yes, it's true, so

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<v Speaker 1>that he played basketball in high school too. Oh man, yeah, no,

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<v Speaker 1>he for his size, he was a good athlete, I think.

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<v Speaker 1>But uh, the point is, I really really love seeing

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<v Speaker 1>that stuff in Seattle. I love seeing Kurt Cobain striped

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<v Speaker 1>sweater from the video and the broken drumsticks of Dave

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<v Speaker 1>Grohl and and Chris Cornell's Gibson guitar. Like I loved

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<v Speaker 1>knowing that that's and this is not just rock and

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<v Speaker 1>roll memorabilia. Like I like any museum where I'm like, oh,

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<v Speaker 1>that's the real thing. That's the Declaration of Independence I'm

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<v Speaker 1>looking at. It's not a copy, that's the one. Um.

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<v Speaker 1>I really get a lot out of seeing the thing

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<v Speaker 1>in person, and the Rock and Roll Hall of Fame

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<v Speaker 1>has a lot of things to look at in person.

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<v Speaker 1>So I don't want to come off like some rube

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<v Speaker 1>who doesn't care about museums. Like I care deeply about museums.

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<v Speaker 1>It's just some like pop culture memorabilia doesn't do it.

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<v Speaker 1>It's as simple as that. I think we've established that, Okay,

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<v Speaker 1>but I just do. A lot of people would be

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<v Speaker 1>like joshly and like museums would have dummy. No, we

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<v Speaker 1>know you like museums. You got engaged in a museum.

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<v Speaker 1>You like museums so much. That's absolutely true. Thanks for that.

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<v Speaker 1>I appreciate the backup, chuck. Yeah, and you like like

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<v Speaker 1>you'll see uh uh the Scream and a million art

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<v Speaker 1>websites and art history books. But to stand in front

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<v Speaker 1>of the screen is a different thing because it's the

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<v Speaker 1>real thing. All right, let's talk about the Rock and

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<v Speaker 1>Roll Hall of fame itself. Shall we Yes? I think

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<v Speaker 1>we should start talking first about this because this really

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<v Speaker 1>kind of summarizes a lot of some people hate the

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<v Speaker 1>rock and Roll Hall of Fame, not just because they're

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<v Speaker 1>not into pop culture museums, but they hate the idea

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<v Speaker 1>and they think it the least rock and thing you

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<v Speaker 1>can do is vote people into a Hall of Fame, Yeah,

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<v Speaker 1>which is a real criticism of it. And it's really

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<v Speaker 1>something that um, from what I've read, the rock and

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<v Speaker 1>Roll Hall of Fame, this the rock hall. The people

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<v Speaker 1>who are in the know, um have has never fully

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<v Speaker 1>figured out how to how to deal with that paradox,

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<v Speaker 1>because it is a paradox, like to take like what

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<v Speaker 1>is rock and roll, which is you know, like in

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<v Speaker 1>your face, your parents hate it. Um, It's it's like

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<v Speaker 1>it doesn't follow the rules, and then just like put

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<v Speaker 1>it behind incredibly expensive like recessed lighting with and protecting

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<v Speaker 1>it with plexiglass at all that that is the opposite

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<v Speaker 1>of that, and they've just they just had to move

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<v Speaker 1>forward as a paradox basically. Yeah. And I should point

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<v Speaker 1>out too that my love for this stuff is like

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<v Speaker 1>it doesn't have to be behind glass, Like I love

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<v Speaker 1>being and I'm going to Woodstock, New York in November.

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<v Speaker 1>I'm gonna drive by Big Pink, where Bob Dylan and

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<v Speaker 1>the band lived. And I like being at the places

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<v Speaker 1>is where the things really existed. There's an energy to it.

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<v Speaker 1>I think, I get why you're going to drive by

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<v Speaker 1>that house, but I don't care about that. You gotta stop.

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<v Speaker 1>But this all comes back to Johnny Rotten, Uh, the

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<v Speaker 1>leader of the Sex Pistols. They were inducted. He wrote, uh,

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<v Speaker 1>scribbled out on a piece of paper. Didn't go obviously,

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<v Speaker 1>and he said, next to the Sex Pistols, rock and

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<v Speaker 1>roll and that Hall of Fame is a pis stain

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<v Speaker 1>your museum, urine in wine. We're not coming, We're not

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<v Speaker 1>your monkeys. And so what that was it was a

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<v Speaker 1>great read. So that's sort of the thing though, That

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<v Speaker 1>is how some people feel. But to me, the Rock

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<v Speaker 1>and Roll Hall of Fame is rock and roll because

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<v Speaker 1>they read that on stage rather than just burying it,

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<v Speaker 1>you know what I mean, Like that's rock and roll, ye,

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<v Speaker 1>And I mean it's had such an enormous impact on

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<v Speaker 1>world culture, on human culture that like, of course it

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<v Speaker 1>deserves a museum. And then if you're gonna do like

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<v Speaker 1>a world class museum. There's just certain things you have

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<v Speaker 1>to do, and yes, that doesn't fit with rock and roll,

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<v Speaker 1>but it doesn't mean that you shouldn't have a rock

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<v Speaker 1>and roll museum. It's just like, yeah, we took this

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<v Speaker 1>rock and roll stuff and put it under plexiglass, and

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<v Speaker 1>that's just what you do when you create a museum.

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<v Speaker 1>That's right. Uh, But we'll talk about more of that

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<v Speaker 1>stuff later. But let's talk about the history, shall we. Yeah,

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<v Speaker 1>because the whole thing opened up on September, but it

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<v Speaker 1>had been brewing since the early eighties. I think thanks

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<v Speaker 1>to a dude named Ama aired again er Errigen. I

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<v Speaker 1>think it's air again. I got it the first time

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<v Speaker 1>and then I doubted myself, but I still got it.

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<v Speaker 1>That's the point, that's right. So air Again was the

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<v Speaker 1>co founder of Atlantic Records, UM the biggest name in

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<v Speaker 1>records in sort of at a certain time. And there

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<v Speaker 1>it's a yeah, a couple of certain times. He was

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<v Speaker 1>the son of a um, a Turkish ambassador, but love music. Uh.

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<v Speaker 1>Co founded Atlantic and with Jerry Wexler and started out

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<v Speaker 1>in the R and B game. Yeah, did they signed

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<v Speaker 1>the Drifters, Ray Charles Aretha Franklin, all of whom were

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<v Speaker 1>like unknown at the time. So that alone is like

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<v Speaker 1>worth celebrating, Like that's an amazing record label just to start.

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<v Speaker 1>And then in the sixties they shifted over to rock

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<v Speaker 1>um and signed Zeppelin and the Rolling Stones and Cream

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<v Speaker 1>and UM. So just these two incarnations over two decades,

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<v Speaker 1>Um kind of put Atlantic on the map. I think,

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<v Speaker 1>like you said, it kept going right, Like, is is

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<v Speaker 1>Atlantic still around? Oh? It's got to be. I mean

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<v Speaker 1>it's probably owned by Disney or something, but sure, sure,

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<v Speaker 1>but it's a storied record label and for good reason,

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<v Speaker 1>that's right. And so he first hatched the idea of

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<v Speaker 1>having a museum and a rock and roll Hall of Fame,

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<v Speaker 1>and he was like, well, of course it will be

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<v Speaker 1>in New York City, because that's just where you do it.

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<v Speaker 1>What he didn't know was that, uh, there were these

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<v Speaker 1>businessmen in Cleveland, Ohio that we're already planning their own

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<v Speaker 1>rock and roll Hall of Fame in Cleveland. Yes, And

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<v Speaker 1>when uh Amma Urdigens heard that, he shuddered. I was like,

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<v Speaker 1>all right, why Cleveland? And I said, well, hold on,

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<v Speaker 1>Like Cleveland actually has a lot of claim to rock

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<v Speaker 1>and roll cred for one the local DJ. Allen Freed

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<v Speaker 1>is widely considered as the person who coined the term

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<v Speaker 1>rock and roll. That guy came up with it and

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<v Speaker 1>he was at Cleveland DJ and Eric Agan said, Okay,

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<v Speaker 1>I'm listening. What else you got? And he said, well,

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<v Speaker 1>you know it was a very the radio station. Uh

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<v Speaker 1>w j W that Freed DJ. Dat broke a lot

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<v Speaker 1>of big acts. You kind of had to make it

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<v Speaker 1>in Cleveland. Not had to, but making in Cleveland could

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<v Speaker 1>break you. David Bowie was broke there Rush and we

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<v Speaker 1>gotta thank Dave Rouse for putting this together. And I

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<v Speaker 1>also want to thank Dave Russe for saying Bruce Springstein. Yeah,

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<v Speaker 1>I noticed that. Now. I know it's a type of

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<v Speaker 1>Dave and you're listening, but it was fun to read

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<v Speaker 1>He's like, no, I mean the much less known bring

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<v Speaker 1>Bruce Springstein. Uh. Joe Walsh is from Cleveland. Trin resumes

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<v Speaker 1>from Cleveland, Ohio. You know I've talked about before in

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<v Speaker 1>Emily's hometown of Akron, her high school, Firestone is where

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<v Speaker 1>Devo was from. And Chrissy Hynes keys, Yeah, like that's

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<v Speaker 1>a heck of a roster to come out of a

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<v Speaker 1>single high school. Yes, plus also like um, even back

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<v Speaker 1>long before Divo was around, that same guy Alan Freed,

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<v Speaker 1>the DJ he uh, He organized and hosted what's also

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<v Speaker 1>considered the first rock and roll show, the Moondog Coronation Ball,

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<v Speaker 1>way back in nineteen two. So, and we've talked about

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<v Speaker 1>it before. I could not figure out what we've talked

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<v Speaker 1>about the Coronation Ball. Yeah, because we've we've definitely covered it.

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<v Speaker 1>I'm almost positive anyway. Yes, So Eveland has like some

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<v Speaker 1>rock and roll credit, so it would make sense that

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<v Speaker 1>they would be considering rock and Roll Hall of Fame.

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<v Speaker 1>And it would also make sense that Eric again and

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<v Speaker 1>and the rest of the Rock and Roll Hall of

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<v Speaker 1>Fame Foundation said Okay, well we'll think about this. They

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<v Speaker 1>were skeptical at first, but then they said, how about this.

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<v Speaker 1>We'll open this whole thing up to voting is to

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<v Speaker 1>where the site should be. UM, and we'll say Cleveland's

0:12:24.080 --> 0:12:27.840
<v Speaker 1>one of a number of different cities, Memphis, New Orleans, Philadelphia,

0:12:28.080 --> 0:12:31.000
<v Speaker 1>San Francisco, and of course New York, which everybody knows

0:12:31.000 --> 0:12:33.480
<v Speaker 1>New York is going to win. And just whoever gets

0:12:33.520 --> 0:12:36.240
<v Speaker 1>the most votes will will say that's the city that

0:12:36.280 --> 0:12:38.760
<v Speaker 1>gets the Rock and Roll Hall of Fame. Yeah, I

0:12:38.800 --> 0:12:40.559
<v Speaker 1>get the feeling it was that it was like, Hey,

0:12:40.600 --> 0:12:41.800
<v Speaker 1>we know we're gonna put it in New York, but

0:12:41.840 --> 0:12:44.600
<v Speaker 1>this will drum up a lot of publicity, get everyone

0:12:44.600 --> 0:12:47.079
<v Speaker 1>excited all around the country, even though they're gonna lose.

0:12:47.840 --> 0:12:53.760
<v Speaker 1>But I think he underestimated two things, the the passion

0:12:53.920 --> 0:12:58.960
<v Speaker 1>of Midwesterners and the pride of Clevelanders, and o'hien's two

0:12:59.400 --> 0:13:02.160
<v Speaker 1>put their their city on the map a little bit

0:13:02.200 --> 0:13:06.040
<v Speaker 1>more than it even was then. And the disinterest of

0:13:06.080 --> 0:13:09.280
<v Speaker 1>your average New Yorker to take place in a poll

0:13:09.480 --> 0:13:14.040
<v Speaker 1>or a vote or a petition or a ah to

0:13:14.040 --> 0:13:17.080
<v Speaker 1>sign their name on something. Yeah, and don't forget this

0:13:17.120 --> 0:13:19.839
<v Speaker 1>was around the time of balloon Fest eight six, so

0:13:20.000 --> 0:13:22.480
<v Speaker 1>like Cleveland was really trying. They were trying to find

0:13:22.559 --> 0:13:25.199
<v Speaker 1>something that that let the world know Cleveland was great.

0:13:25.760 --> 0:13:29.160
<v Speaker 1>So they actually collected six hundred and fifty thousand signatures,

0:13:29.200 --> 0:13:32.160
<v Speaker 1>which was more than the population of Cleveland at the time.

0:13:32.840 --> 0:13:36.480
<v Speaker 1>They got a lot of people behind this idea. Um,

0:13:36.559 --> 0:13:40.480
<v Speaker 1>and I guess USA today ran a pole in January six, right,

0:13:40.480 --> 0:13:42.719
<v Speaker 1>and they said, Okay, which are these cities should the

0:13:42.800 --> 0:13:46.000
<v Speaker 1>Rock and Wall Hall of Fame be in? That's right,

0:13:46.120 --> 0:13:49.079
<v Speaker 1>And I'm sure they had a colorful graph to declare

0:13:49.160 --> 0:13:52.199
<v Speaker 1>Cleveland the winner by a landslide a hundred and ten

0:13:52.200 --> 0:13:55.200
<v Speaker 1>thousand votes in first place. Second place went to Memphis

0:13:55.520 --> 0:13:58.720
<v Speaker 1>was seventy two hundred. So Cleveland they know how to

0:13:58.760 --> 0:14:03.439
<v Speaker 1>get people motivated, uh, for civic pride, I will say that, yes.

0:14:03.720 --> 0:14:07.840
<v Speaker 1>But the thing that probably really got the Foundation's attention

0:14:08.440 --> 0:14:13.040
<v Speaker 1>was that Cleveland also simultaneously raised twenty six million dollars

0:14:13.559 --> 0:14:16.640
<v Speaker 1>for the museum to basically say, hey, we're we're quite

0:14:16.640 --> 0:14:19.200
<v Speaker 1>serious about this. And it would turn out later that

0:14:19.240 --> 0:14:22.120
<v Speaker 1>the whole thing cost about a hundred million, but Cleveland

0:14:22.200 --> 0:14:25.240
<v Speaker 1>footed the bill for the whole thing. Yeah, so it

0:14:25.320 --> 0:14:29.600
<v Speaker 1>was actually, as we'll see, a pretty good choice. Um.

0:14:29.680 --> 0:14:33.760
<v Speaker 1>And finally it was announced that okay, fine, yes it

0:14:33.800 --> 0:14:36.840
<v Speaker 1>will be in Cleveland. That's right. But they did not

0:14:36.920 --> 0:14:38.960
<v Speaker 1>wait for the building to be built to have their

0:14:38.960 --> 0:14:43.000
<v Speaker 1>first Hall of Fame class voted on and inducted. They

0:14:43.000 --> 0:14:47.200
<v Speaker 1>did that in New York City, Chuck Berry, James Brown, Ray, Charles,

0:14:47.200 --> 0:14:52.000
<v Speaker 1>Sam Cook, Fats Domino, the Everly Brothers, Buddy Holly, Jeley, Lewis, Elvis,

0:14:52.280 --> 0:14:55.680
<v Speaker 1>and Little Richard. And then on the non performance idea

0:14:55.720 --> 0:14:59.160
<v Speaker 1>had Sam Phillips and Allen Freed. Uh, you had early

0:14:59.320 --> 0:15:03.080
<v Speaker 1>influencer is Jimmy Rodgers and Jimmy Yancey. And the lifetime

0:15:03.080 --> 0:15:06.560
<v Speaker 1>achievement that year went to John Hammond, who it didn't

0:15:06.560 --> 0:15:13.240
<v Speaker 1>look up, but that's got to be the Hammond Organ. Yes, okay. So, um,

0:15:13.280 --> 0:15:16.040
<v Speaker 1>there was this great quote that day found that really

0:15:16.080 --> 0:15:19.120
<v Speaker 1>kind of got across, Like even at the outset of

0:15:19.160 --> 0:15:21.320
<v Speaker 1>the criticism of the Rock and Roll Hall of Fame,

0:15:21.720 --> 0:15:24.720
<v Speaker 1>it said that, um, rock and roll is now so

0:15:24.880 --> 0:15:28.160
<v Speaker 1>middle class, it was accorded to most civilized honor. It

0:15:28.280 --> 0:15:31.400
<v Speaker 1>was given a dinner for when writing about the Rock

0:15:31.440 --> 0:15:35.360
<v Speaker 1>and Roll Hall of Fame, first class induction in you

0:15:35.400 --> 0:15:39.920
<v Speaker 1>know that that reporter was like, right after they type,

0:15:40.800 --> 0:15:45.440
<v Speaker 1>I'm so self satisfied, gosh, all right, we're gonna take

0:15:45.440 --> 0:15:47.760
<v Speaker 1>a break now and we're gonna talk about the building

0:15:47.760 --> 0:15:52.640
<v Speaker 1>itself and how you get in that thing besides paying

0:15:52.640 --> 0:16:15.280
<v Speaker 1>money to buy a ticket. Right after this, so Chuck,

0:16:15.320 --> 0:16:17.960
<v Speaker 1>everywhere I've read is that you have to show that

0:16:18.040 --> 0:16:20.520
<v Speaker 1>you've signed your name in blood in the Book of

0:16:20.560 --> 0:16:23.520
<v Speaker 1>Satan to get into the Rock and Roll Hall of

0:16:23.520 --> 0:16:29.880
<v Speaker 1>Fame and pay thirty dollars, right, is it still thirty bucks.

0:16:29.920 --> 0:16:33.240
<v Speaker 1>I didn't look that up. I believe, Yes, I think

0:16:33.320 --> 0:16:36.600
<v Speaker 1>that's about right. Yes, And they have different stuff too,

0:16:36.640 --> 0:16:40.200
<v Speaker 1>Like like any museum, they'll have temporary exhibits. So if

0:16:40.240 --> 0:16:43.720
<v Speaker 1>you've been once, I don't think you can't go again, right,

0:16:43.920 --> 0:16:45.960
<v Speaker 1>they'll let you back in, especially if you're willing to

0:16:46.040 --> 0:16:48.800
<v Speaker 1>pay another thirty dollars. Yeah, and you'll see new stuff,

0:16:48.840 --> 0:16:52.200
<v Speaker 1>but supposedly, um, you should not expect to see everything

0:16:52.920 --> 0:16:56.520
<v Speaker 1>in an hour even too, um and really be able

0:16:56.520 --> 0:16:58.120
<v Speaker 1>to soak it in. Like I've read that you can

0:16:58.200 --> 0:17:01.080
<v Speaker 1>zip through the museum and maybe two and a half hours,

0:17:01.200 --> 0:17:03.320
<v Speaker 1>but you're not getting that much out of it. It

0:17:03.400 --> 0:17:05.720
<v Speaker 1>depends on how much you want to read the placards

0:17:05.760 --> 0:17:09.840
<v Speaker 1>and stare it that Jimi Hendrix is purple haze lyrics. Well. Yeah,

0:17:09.840 --> 0:17:12.760
<v Speaker 1>and there's also lots and lots of videos and archival

0:17:12.800 --> 0:17:15.760
<v Speaker 1>footage and stuff like that that you can really add

0:17:15.920 --> 0:17:18.240
<v Speaker 1>a lot to your visit to to sit and watch

0:17:18.280 --> 0:17:20.960
<v Speaker 1>and listen to. That's right. So when they went to

0:17:20.960 --> 0:17:24.480
<v Speaker 1>build the building, uh, they enlisted the services of one

0:17:24.720 --> 0:17:28.240
<v Speaker 1>I am pay Is it pay or pay pay? I

0:17:28.280 --> 0:17:33.800
<v Speaker 1>am pay um, the architect who just happened to design

0:17:33.840 --> 0:17:38.040
<v Speaker 1>the expansion of the Louver, which didn't even take that long.

0:17:39.320 --> 0:17:43.200
<v Speaker 1>It didn't didn't that the second time I've referenced signed

0:17:43.280 --> 0:17:45.919
<v Speaker 1>that same Seinfeld thing in the last few weeks. No,

0:17:46.200 --> 0:17:49.560
<v Speaker 1>remember when George pretended to be an architect. Yeah, yeah,

0:17:49.840 --> 0:17:51.320
<v Speaker 1>and they said he designed the new thing in the

0:17:51.320 --> 0:17:54.080
<v Speaker 1>Googgenheim and he didn't really even take that long. Yeah

0:17:54.119 --> 0:17:57.000
<v Speaker 1>I do. I don't remember you referencing it again. I've

0:17:57.040 --> 0:17:58.800
<v Speaker 1>referenced it recently. I thought it was to you, but

0:17:58.840 --> 0:18:01.320
<v Speaker 1>it's hard to tell real life. I'm totally with you

0:18:01.400 --> 0:18:05.439
<v Speaker 1>man these chats these days. But yeah, so he you know,

0:18:05.720 --> 0:18:09.919
<v Speaker 1>I am pay had a great resume design that glass

0:18:09.960 --> 0:18:13.520
<v Speaker 1>pyramid at the Louver, and uh went to a few

0:18:13.560 --> 0:18:17.240
<v Speaker 1>concerts to sort of, you know, get the the gist

0:18:17.320 --> 0:18:19.880
<v Speaker 1>of what this whole rock and roll thing was all about. Yeah,

0:18:19.960 --> 0:18:25.240
<v Speaker 1>and apparently, um, he was on acid with lou Reid

0:18:25.320 --> 0:18:28.520
<v Speaker 1>at the bon Jovis show at the meadow Lands and

0:18:28.560 --> 0:18:31.080
<v Speaker 1>when he stood up and he said, I've got it.

0:18:31.640 --> 0:18:34.560
<v Speaker 1>Another triangle is what I'm going to do. Another pyramid,

0:18:35.240 --> 0:18:38.280
<v Speaker 1>pyramid And he did. It was a it's a pretty

0:18:38.440 --> 0:18:42.160
<v Speaker 1>iconic building in and of itself. Um, and the pyramid, though,

0:18:42.520 --> 0:18:44.520
<v Speaker 1>if you hear that he also did the pyramid at

0:18:44.520 --> 0:18:46.920
<v Speaker 1>the louver, You're like, oh, come on, there's other shapes,

0:18:47.840 --> 0:18:51.560
<v Speaker 1>but this one is meant to evoke. Especially if you

0:18:51.600 --> 0:18:54.439
<v Speaker 1>look at the logo or the letter head for the

0:18:54.520 --> 0:18:57.119
<v Speaker 1>Rock and Roll Hall of Fame. Um, they have a

0:18:57.160 --> 0:18:59.879
<v Speaker 1>pyramid in that, and you see very clearly that the

0:19:00.040 --> 0:19:04.520
<v Speaker 1>two meant to evoke guitar neck vanishing off into the distance,

0:19:04.640 --> 0:19:06.680
<v Speaker 1>like you're looking up the neck of a guitar from

0:19:06.680 --> 0:19:10.120
<v Speaker 1>the body. Yeah. I mean, there's a couple of cool

0:19:10.160 --> 0:19:14.080
<v Speaker 1>things about it. There's also this central tower and then

0:19:14.080 --> 0:19:16.240
<v Speaker 1>in front of it a big sixty five thousand square

0:19:16.280 --> 0:19:20.240
<v Speaker 1>foot um circular plaza, and if you look from above, um,

0:19:20.280 --> 0:19:21.639
<v Speaker 1>it's really neat. You can look at a picture of

0:19:21.640 --> 0:19:24.239
<v Speaker 1>it looks like a record uh. And then on that

0:19:24.320 --> 0:19:27.520
<v Speaker 1>plaza there's like the arm of the record player and

0:19:27.560 --> 0:19:30.120
<v Speaker 1>the needle uh, and it looks like a turntable, which

0:19:30.160 --> 0:19:32.919
<v Speaker 1>is really cool. Yeah, it is very cool. So, and

0:19:33.000 --> 0:19:36.720
<v Speaker 1>it's also like it's a very literal building as far

0:19:36.760 --> 0:19:38.680
<v Speaker 1>as like what it's supposed to look like goes, But

0:19:38.800 --> 0:19:41.880
<v Speaker 1>it's also enormous and very nice. It's one of those

0:19:41.880 --> 0:19:43.560
<v Speaker 1>things where if you research the rock and Roll Hall

0:19:43.600 --> 0:19:48.119
<v Speaker 1>of Fame. You either come across Cleveland dot Com articles

0:19:48.800 --> 0:19:55.840
<v Speaker 1>UM rock music um uh, journalism articles or architectural articles.

0:19:55.960 --> 0:19:58.399
<v Speaker 1>Those are the three groups that basically lay claim to

0:19:58.440 --> 0:20:00.760
<v Speaker 1>the Rock and Roll Hall of Fame. And You're like,

0:20:01.000 --> 0:20:03.480
<v Speaker 1>I'd fly over it, but I'm not going in. It's

0:20:03.520 --> 0:20:05.720
<v Speaker 1>not like I wouldn't go in. I don't. I would.

0:20:05.840 --> 0:20:07.720
<v Speaker 1>I would go in. I just wouldn't get as much

0:20:07.720 --> 0:20:11.280
<v Speaker 1>out of it as you. Okay, all right, we're getting places. Yeah,

0:20:11.320 --> 0:20:14.480
<v Speaker 1>it's not like I'm and I certainly don't begrudge anybody going.

0:20:14.520 --> 0:20:16.280
<v Speaker 1>I'm I'm just saying I won't get as much out

0:20:16.320 --> 0:20:18.639
<v Speaker 1>of it as you will. It's not like I didn't

0:20:18.720 --> 0:20:21.200
<v Speaker 1>understand it. I guess what I'm trying to say is,

0:20:21.280 --> 0:20:22.879
<v Speaker 1>let me see if I'm even put it in different tips.

0:20:23.080 --> 0:20:27.359
<v Speaker 1>I just I just don't care. I know that's not true.

0:20:27.359 --> 0:20:33.440
<v Speaker 1>I care. We'll we're gonna crack this code by the end. Okay.

0:20:34.320 --> 0:20:38.919
<v Speaker 1>Uh So they broke ground opened in ve with a

0:20:39.080 --> 0:20:42.680
<v Speaker 1>six hour concert. I saw seven and a half. Oh

0:20:42.760 --> 0:20:48.120
<v Speaker 1>well Springs sign was involved. He did it again? There

0:20:48.119 --> 0:20:51.080
<v Speaker 1>it is again? Did he really Dave did? Oh? My gosh,

0:20:51.280 --> 0:20:59.000
<v Speaker 1>did David? It's Springsteen. Oh, that's no TYPEO because I

0:20:59.000 --> 0:21:02.480
<v Speaker 1>see other ease like his e button isn't broken. It's true,

0:21:02.520 --> 0:21:05.240
<v Speaker 1>there's one that comes right before the eye. And Bruce Springstein,

0:21:05.840 --> 0:21:09.000
<v Speaker 1>I can't wait to get his email. Uh. So they

0:21:09.000 --> 0:21:13.320
<v Speaker 1>have that concert at Cleveland Muni Stadium with Chuck Berry

0:21:13.520 --> 0:21:16.320
<v Speaker 1>and who is still around played with Springstein and Johnny

0:21:16.320 --> 0:21:22.840
<v Speaker 1>Cash and Johnny Coogs, Aretha al Green, lou Reid. It

0:21:22.960 --> 0:21:27.359
<v Speaker 1>was quite an event. Uh. And then I guess we

0:21:27.359 --> 0:21:29.359
<v Speaker 1>should talk about how you get in because this is

0:21:29.359 --> 0:21:32.439
<v Speaker 1>where it takes on a lot of heat. Um. Some

0:21:32.440 --> 0:21:34.280
<v Speaker 1>people say there should be no such thing because rock

0:21:34.320 --> 0:21:36.560
<v Speaker 1>and roll shouldn't be in a museum, But then other

0:21:36.600 --> 0:21:43.160
<v Speaker 1>people say the like the voting process and the vagueness

0:21:43.240 --> 0:21:48.160
<v Speaker 1>of qualifications to be considered are just weird. And it's

0:21:48.160 --> 0:21:51.679
<v Speaker 1>a popularity contest, and it's gotten a lot of criticism

0:21:51.680 --> 0:21:56.679
<v Speaker 1>over the years because basically, you have to be at

0:21:56.760 --> 0:22:00.119
<v Speaker 1>least twenty five years out from your debut album m

0:22:01.440 --> 0:22:08.960
<v Speaker 1>and you need to have demonstrated unquestionable musical excellence, which

0:22:09.000 --> 0:22:11.560
<v Speaker 1>is not it's not really great guidance, but it is

0:22:11.640 --> 0:22:13.280
<v Speaker 1>kind of rock if you think about it, it's kind

0:22:13.280 --> 0:22:14.840
<v Speaker 1>of rock and roll to be that way, I think,

0:22:14.920 --> 0:22:18.920
<v Speaker 1>you know, Um, but yeah, that definitely is so subjective

0:22:18.960 --> 0:22:22.200
<v Speaker 1>that of course it's opened up to you know, accusations

0:22:22.200 --> 0:22:27.199
<v Speaker 1>of favoritism, sexism, which which definitely seems to be legit

0:22:27.280 --> 0:22:29.320
<v Speaker 1>only eight percent of the inductees and the Rock and

0:22:29.400 --> 0:22:31.440
<v Speaker 1>Roll Hall of Fame or women, and there's definitely way

0:22:31.480 --> 0:22:35.800
<v Speaker 1>more than eight percent of women rockers or women contributors

0:22:35.840 --> 0:22:41.080
<v Speaker 1>to rock and roll. So um, it's not that these

0:22:41.960 --> 0:22:48.000
<v Speaker 1>these allegations or suggestions are just totally off base necessarily, Um,

0:22:48.040 --> 0:22:52.399
<v Speaker 1>they may be quite accurate. Yeah, I mean, here's my deal.

0:22:53.080 --> 0:22:55.119
<v Speaker 1>I kind of think it has to be that vague

0:22:55.240 --> 0:22:58.399
<v Speaker 1>because they would they would get probably more complaints if

0:22:58.440 --> 0:23:01.439
<v Speaker 1>it was the numbers, if there was an algorithm like

0:23:01.520 --> 0:23:03.640
<v Speaker 1>you need to have had this many number one singles

0:23:04.320 --> 0:23:09.000
<v Speaker 1>won this Mini Grammys, which are also subjected by the way, Um,

0:23:09.119 --> 0:23:11.680
<v Speaker 1>I don't think it can be based on record sales,

0:23:12.400 --> 0:23:15.520
<v Speaker 1>like it be weird to design an algorithm. I think

0:23:15.520 --> 0:23:18.240
<v Speaker 1>it has to be kind of vague. Uh. To me,

0:23:18.320 --> 0:23:23.640
<v Speaker 1>it's a it's an award of longevity in a way, uh,

0:23:23.680 --> 0:23:26.879
<v Speaker 1>which I do like because you know, twenty five years on,

0:23:27.160 --> 0:23:29.159
<v Speaker 1>unless you died young, you can still get in like

0:23:29.280 --> 0:23:32.639
<v Speaker 1>Buddy Holly obviously and people that died young. But you

0:23:32.680 --> 0:23:35.520
<v Speaker 1>can't have a record that came out twenty five years

0:23:35.520 --> 0:23:39.160
<v Speaker 1>ago and still be a performer who is not very

0:23:39.200 --> 0:23:45.400
<v Speaker 1>popular and get in, you know what I mean. Yeah, yeah,

0:23:45.480 --> 0:23:47.760
<v Speaker 1>you have to have withstood the test of time. And

0:23:48.240 --> 0:23:51.720
<v Speaker 1>it's easy to pooh pooh this stuff. But like, dude,

0:23:51.720 --> 0:23:54.760
<v Speaker 1>if there's ever a podcasting Hall of Fame, you bet

0:23:54.800 --> 0:23:57.560
<v Speaker 1>your sweet. But I want us to be in there,

0:23:58.040 --> 0:24:01.280
<v Speaker 1>you know what I'm saying. Yeah, And We'll be standing

0:24:01.320 --> 0:24:05.000
<v Speaker 1>at our our own little display with the microphones and

0:24:05.000 --> 0:24:08.280
<v Speaker 1>our headphones. I'll be like, I don't care about the

0:24:08.359 --> 0:24:12.120
<v Speaker 1>microphone and our headphone, and every and most people be going,

0:24:12.480 --> 0:24:14.920
<v Speaker 1>who are those guys right right now? See that logo?

0:24:15.000 --> 0:24:16.879
<v Speaker 1>But who are there? You'll find me hanging out at

0:24:16.880 --> 0:24:19.280
<v Speaker 1>the display being like this one's pretty great. Hey, I'm

0:24:19.359 --> 0:24:21.600
<v Speaker 1>Josh Clark. It's good to meet you. Thanks for coming.

0:24:23.800 --> 0:24:27.080
<v Speaker 1>Uh So, Yeah, the vagaries around induction has definitely been

0:24:27.080 --> 0:24:30.239
<v Speaker 1>a criticism. They come up with a staff comes up

0:24:30.240 --> 0:24:33.400
<v Speaker 1>with the list of nominees each year. Uh they send

0:24:33.440 --> 0:24:38.040
<v Speaker 1>that out to a thousand musicians and members of the

0:24:38.080 --> 0:24:41.960
<v Speaker 1>record industry, historians, music historians, and then they vote for

0:24:42.000 --> 0:24:44.720
<v Speaker 1>the top picks, and then if you receive at least

0:24:45.440 --> 0:24:48.760
<v Speaker 1>of the vote, which is five votes, then you were inducted.

0:24:48.880 --> 0:24:52.840
<v Speaker 1>And that's usually between five and seven performers each year, right,

0:24:53.000 --> 0:24:57.240
<v Speaker 1>And so the induction process is basically like a museum,

0:24:57.359 --> 0:25:00.880
<v Speaker 1>the museum version of the hundred greatest bands of all time,

0:25:01.119 --> 0:25:03.639
<v Speaker 1>hundred greatest albums of all time, and all of like

0:25:03.720 --> 0:25:07.479
<v Speaker 1>the arguments that that starts. Yeah, that's basically the voting

0:25:07.480 --> 0:25:10.920
<v Speaker 1>and induction process every single year. Why is this person

0:25:10.960 --> 0:25:13.399
<v Speaker 1>on this list? Why isn't this person on this list?

0:25:13.720 --> 0:25:16.680
<v Speaker 1>Why haven't you inducted this person? This doesn't even count

0:25:16.680 --> 0:25:19.800
<v Speaker 1>as that kind of music. That is exacts the induction

0:25:19.800 --> 0:25:25.119
<v Speaker 1>process every single year, and everybody's right, Yeah, And I

0:25:25.160 --> 0:25:27.040
<v Speaker 1>think the Hall of Fame itself is kind of like

0:25:27.880 --> 0:25:29.639
<v Speaker 1>I don't think they're trying to solve that anymore. I

0:25:29.680 --> 0:25:32.280
<v Speaker 1>think they're just like, yeah, that's just comes with the

0:25:32.400 --> 0:25:35.560
<v Speaker 1>territory and stick it in your butt if you don't

0:25:35.600 --> 0:25:38.960
<v Speaker 1>like it. Probably the wisest thing they could do is

0:25:39.000 --> 0:25:41.840
<v Speaker 1>approach it from that way. There is a fan vote now,

0:25:41.880 --> 0:25:45.159
<v Speaker 1>which is great. Um, I don't know if they've always

0:25:45.160 --> 0:25:49.359
<v Speaker 1>had it, but you can vote online and pick your

0:25:49.400 --> 0:25:52.240
<v Speaker 1>top five, and the winner of the fan vote is

0:25:52.280 --> 0:25:55.840
<v Speaker 1>on a fan ballot. And I believe that kind of

0:25:55.920 --> 0:26:00.280
<v Speaker 1>change things because you know, bands like Rush in Cheap

0:26:00.320 --> 0:26:03.200
<v Speaker 1>Trick finally getting in the last couple of years, there

0:26:03.200 --> 0:26:05.159
<v Speaker 1>were a couple of the big ones where people were like,

0:26:05.240 --> 0:26:07.640
<v Speaker 1>why are they not in there? Like they might may

0:26:07.640 --> 0:26:11.399
<v Speaker 1>not be the most popular band across all demographics, but

0:26:11.480 --> 0:26:13.840
<v Speaker 1>like they have some of the most devoted fan bases

0:26:14.400 --> 0:26:17.720
<v Speaker 1>and have been doing it for you know, thirty years. Yeah. No,

0:26:17.840 --> 0:26:20.600
<v Speaker 1>there's tons and tons of people that you can say, like,

0:26:20.640 --> 0:26:25.040
<v Speaker 1>why aren't they in there? Um? Yeah, for sure. But

0:26:25.160 --> 0:26:27.120
<v Speaker 1>I don't know that the fan vote is actually having

0:26:27.200 --> 0:26:29.760
<v Speaker 1>much of an impact because I saw that it's added

0:26:29.880 --> 0:26:32.399
<v Speaker 1>to the other thousand votes, like all of the fant

0:26:32.480 --> 0:26:35.919
<v Speaker 1>allies adds up to one extra vote. It's not like

0:26:35.960 --> 0:26:38.520
<v Speaker 1>they can vote in people. No. And I learned that

0:26:38.560 --> 0:26:41.160
<v Speaker 1>from Dee Snyder, who we were actually on a TV

0:26:41.280 --> 0:26:44.680
<v Speaker 1>set with at the same time, the lead singer Twisted Sister.

0:26:45.240 --> 0:26:50.240
<v Speaker 1>He yeah, great guy. Um. He was trying to rally

0:26:50.359 --> 0:26:53.199
<v Speaker 1>the public to support Iron Maiden this past year, and

0:26:53.400 --> 0:26:57.320
<v Speaker 1>Maiden got passed up, which is agreed ridiculous, but apparently

0:26:57.359 --> 0:27:00.760
<v Speaker 1>metal acts like just routinely know by the Rock and

0:27:00.840 --> 0:27:02.640
<v Speaker 1>Roll Hall of Fame so much so that you would

0:27:02.680 --> 0:27:04.800
<v Speaker 1>probably be like, what is going on, Why do you

0:27:04.840 --> 0:27:09.480
<v Speaker 1>not like metal? Metal is definitely rock and roll for sure. Yeah,

0:27:09.560 --> 0:27:11.600
<v Speaker 1>I mean yeah, well, we'll get to more of that later,

0:27:11.640 --> 0:27:13.840
<v Speaker 1>because it is very strange that Judas Priest is not

0:27:13.880 --> 0:27:16.760
<v Speaker 1>in the Rock and Roll Hall of Fame. Uh. They

0:27:16.800 --> 0:27:20.520
<v Speaker 1>also hand out other awards, the Ahmed Urigan Award. Um

0:27:20.560 --> 0:27:23.520
<v Speaker 1>it was the Lifetime Achievement award originally in this for

0:27:23.640 --> 0:27:26.280
<v Speaker 1>non performers who have had a major influence on the

0:27:26.320 --> 0:27:31.760
<v Speaker 1>development of rock and roll. So we're talking, uh, Brian Epstein,

0:27:32.440 --> 0:27:37.800
<v Speaker 1>not Brian Epstein. I think it is Epstein. Uh managed

0:27:37.840 --> 0:27:41.639
<v Speaker 1>the Beatles, Dick Clark is in lou Adler, Leo Finder,

0:27:42.080 --> 0:27:45.080
<v Speaker 1>Phil Specter, people like that. Yeah. There's also the Early

0:27:45.160 --> 0:27:48.600
<v Speaker 1>Influence Award, which is basically like, you're not rock and roll,

0:27:48.680 --> 0:27:51.600
<v Speaker 1>but you definitely influenced a lot of people who play

0:27:51.680 --> 0:27:54.520
<v Speaker 1>rock and roll, So people get inducted in that way,

0:27:54.560 --> 0:27:58.760
<v Speaker 1>like Woody Guthrie definitely not a rocker, but he certainly did,

0:27:59.040 --> 0:28:02.639
<v Speaker 1>um he influence like Bob Dylan, who's considered a rocker,

0:28:02.720 --> 0:28:04.520
<v Speaker 1>you know what I mean. So, yeah, it's a good

0:28:04.520 --> 0:28:06.960
<v Speaker 1>way to get in is to just travel in time,

0:28:07.040 --> 0:28:09.199
<v Speaker 1>release a bunch of records in the nineteen twenties and

0:28:09.240 --> 0:28:13.160
<v Speaker 1>sit back and wait for your induction after your long day. Uh.

0:28:13.240 --> 0:28:16.399
<v Speaker 1>Louis Armstrong, Billy Holliday, Robert Johnson, our own les Paul,

0:28:17.400 --> 0:28:20.800
<v Speaker 1>aren't less Paul like we own him. He's with us. Uh.

0:28:20.880 --> 0:28:22.879
<v Speaker 1>Then there's the Award for Musical Excellent. This is the

0:28:22.960 --> 0:28:26.639
<v Speaker 1>artist of musicians and songwriters and producers who was originality

0:28:26.680 --> 0:28:30.200
<v Speaker 1>and influenced creating music have had a dramatic impact. Only

0:28:30.240 --> 0:28:33.480
<v Speaker 1>twenty two. They don't do this every year. Um Ringo

0:28:33.560 --> 0:28:39.720
<v Speaker 1>star Leon Russell, now Rogers the Street Band without Bruce Springstein.

0:28:39.880 --> 0:28:42.000
<v Speaker 1>Nile Rogers is in there. He was. I was reading

0:28:42.040 --> 0:28:44.840
<v Speaker 1>about him. He's had one of the most amazing careers

0:28:44.840 --> 0:28:48.360
<v Speaker 1>of all time. Yeah yeah, I mean if he just

0:28:48.360 --> 0:28:52.680
<v Speaker 1>did Chic alone, that would be fine. Yep, But he's

0:28:52.720 --> 0:28:54.240
<v Speaker 1>got you know. That was just a small part of

0:28:54.240 --> 0:28:56.680
<v Speaker 1>his career. Yes it was. I mean the most recent

0:28:56.720 --> 0:28:58.680
<v Speaker 1>thing he did was win three Grammys for working with

0:28:58.760 --> 0:29:01.680
<v Speaker 1>Daft Punk on their most recent album, I guess their

0:29:01.760 --> 0:29:05.280
<v Speaker 1>last album, There You go. So, there's some things about

0:29:05.320 --> 0:29:09.120
<v Speaker 1>being inducted um that are kind of anomalous and interesting

0:29:09.360 --> 0:29:11.400
<v Speaker 1>in in that like you can be inducted more than

0:29:11.480 --> 0:29:15.240
<v Speaker 1>once in different capacities, right, yeah, yeah, if you're a

0:29:15.280 --> 0:29:19.160
<v Speaker 1>solo performer and you're in a band like Stevie Nicks

0:29:19.160 --> 0:29:21.280
<v Speaker 1>is the only woman to be inducted two times as

0:29:21.320 --> 0:29:24.880
<v Speaker 1>a solo performer and is a member of Fleetwood Back. No, Tina,

0:29:25.000 --> 0:29:29.160
<v Speaker 1>Tina was inducted twice, and so is Carol King. Well,

0:29:29.240 --> 0:29:32.600
<v Speaker 1>they are being inducted this year, so technically I got

0:29:32.680 --> 0:29:35.520
<v Speaker 1>two more weeks before us. I should have known better, Chuck,

0:29:35.560 --> 0:29:39.560
<v Speaker 1>I'm sorry. I think October thirty is so. Carol King

0:29:39.640 --> 0:29:41.520
<v Speaker 1>was in there as a songwriter, I guess, yeah, I

0:29:41.560 --> 0:29:46.000
<v Speaker 1>believe so. And Tina with with Nina, Yeah, I had

0:29:46.040 --> 0:29:48.520
<v Speaker 1>to be yes. Can you believe it they inducted her

0:29:48.760 --> 0:29:52.000
<v Speaker 1>with Ike before they inducted her as their solo career.

0:29:52.480 --> 0:29:55.440
<v Speaker 1>Give me a break. I believe that chronologically, But it

0:29:55.520 --> 0:29:58.320
<v Speaker 1>doesn't have to go chronic chronologically. It says nothing about

0:29:58.360 --> 0:30:01.600
<v Speaker 1>chronological order. But we'll let me ask you this. When

0:30:01.640 --> 0:30:03.720
<v Speaker 1>you think Tina Turner, do you think rolling on the

0:30:03.800 --> 0:30:08.560
<v Speaker 1>river or do you think private dancer private, okay, you

0:30:08.600 --> 0:30:15.239
<v Speaker 1>think sexy, sweaty saxophone. Yes, solos, yes, totally, alright, fair enough,

0:30:15.280 --> 0:30:18.000
<v Speaker 1>I'm thinking about one right now, which is why she's

0:30:18.000 --> 0:30:21.840
<v Speaker 1>in there twice. Eric Clapton's in there three times, not once,

0:30:21.920 --> 0:30:25.880
<v Speaker 1>not twice, but thrice obviously, Yardbirds Cream and it's a

0:30:25.880 --> 0:30:29.160
<v Speaker 1>solo guy. All the Beatles are in twice. Yeah, all

0:30:29.200 --> 0:30:33.080
<v Speaker 1>it's they're the only band all inducted as solo artists. Yeah.

0:30:33.080 --> 0:30:37.080
<v Speaker 1>I can't think of another band that might hit that mark.

0:30:37.800 --> 0:30:43.560
<v Speaker 1>Um um. I can't either, because not many people are

0:30:43.560 --> 0:30:45.720
<v Speaker 1>going to be just as big as a solo performer. No,

0:30:45.800 --> 0:30:48.480
<v Speaker 1>it's very rare, for sure. Um. And I think it's

0:30:48.560 --> 0:30:50.680
<v Speaker 1>nice that they gave Ringo his own two in two

0:30:50.720 --> 0:30:53.720
<v Speaker 1>thousand seventeen. That was great. That was a very nice ceremony.

0:30:53.760 --> 0:30:57.560
<v Speaker 1>I watched it every year, the ceremonies. Oh sure, I

0:30:57.640 --> 0:31:01.080
<v Speaker 1>love it. It's it's fun because you know they induct

0:31:01.160 --> 0:31:04.960
<v Speaker 1>the people. Someone who loves that person is inducting them,

0:31:05.000 --> 0:31:09.440
<v Speaker 1>so that's always great. And it's always you know, like, uh,

0:31:09.520 --> 0:31:13.120
<v Speaker 1>somebody might not expect like Harry Styles inducted Stevie Nicks

0:31:13.160 --> 0:31:15.600
<v Speaker 1>and like I didn't even know Harry styles like Stevie Nicks.

0:31:15.640 --> 0:31:18.360
<v Speaker 1>In turns out he loves Stevie Nicks. So it's stuff

0:31:18.400 --> 0:31:20.720
<v Speaker 1>like that. And then they give their speech which is

0:31:20.760 --> 0:31:25.440
<v Speaker 1>great or a complete uh disaster, which is also fun.

0:31:25.920 --> 0:31:31.760
<v Speaker 1>So this is from Amanda Patrucius Patrucius, sorry, Amanda um

0:31:31.800 --> 0:31:34.520
<v Speaker 1>from the New Yorker back in two thousand seventeen, and

0:31:34.560 --> 0:31:38.640
<v Speaker 1>she said, the televised ceremony proceeded about is expected. Gentlemen

0:31:38.720 --> 0:31:42.959
<v Speaker 1>with exacting hairstyles, wore sunglasses inside, hugged each other reluctantly,

0:31:43.200 --> 0:31:48.080
<v Speaker 1>and squinted at a teleprompter. Was like, he just took

0:31:48.120 --> 0:31:51.200
<v Speaker 1>me there to the induction. Well, what's funny is some

0:31:51.280 --> 0:31:54.080
<v Speaker 1>of these some of the speeches are really nice and awesome. Uh,

0:31:54.120 --> 0:31:57.480
<v Speaker 1>and then some of them are uh. Some people are

0:31:57.480 --> 0:32:00.200
<v Speaker 1>like up there with bands that they broke up with

0:32:00.240 --> 0:32:02.680
<v Speaker 1>and like they hated each other. Yeah, Like, oh my god,

0:32:02.720 --> 0:32:07.240
<v Speaker 1>have you seen the acceptance speech for Blondie? I know

0:32:07.400 --> 0:32:09.080
<v Speaker 1>I saw it live, but I don't remember what was

0:32:09.120 --> 0:32:11.720
<v Speaker 1>What would happen? Blondie wouldn't let like three or four

0:32:11.720 --> 0:32:15.400
<v Speaker 1>of the original members play at the ceremony. Debbie Harry

0:32:15.440 --> 0:32:19.360
<v Speaker 1>wouldn't know, yes, sorry, Debbie Harry would not and one

0:32:19.400 --> 0:32:23.720
<v Speaker 1>of the original guys begged her on the microphone during

0:32:23.720 --> 0:32:26.200
<v Speaker 1>his speech, and she said no and kept saying no.

0:32:26.320 --> 0:32:28.480
<v Speaker 1>It was like no, we're not no, you're not playing tonight,

0:32:29.040 --> 0:32:34.200
<v Speaker 1>and um, it was really deeply uncomfortable. Fifteen years later

0:32:34.280 --> 0:32:36.840
<v Speaker 1>watching it on YouTube, I was like, I'm gonna throw up.

0:32:36.880 --> 0:32:40.960
<v Speaker 1>I'm so so uncomfortable right now. Well, you know, sometimes

0:32:40.960 --> 0:32:43.280
<v Speaker 1>people don't show up, like Paul McCartney didn't show up

0:32:43.600 --> 0:32:47.120
<v Speaker 1>for the Beatles induction because supposedly he was in a

0:32:47.160 --> 0:32:51.760
<v Speaker 1>lawsuit at the time with Yoko and Ringo about something. Um,

0:32:51.800 --> 0:32:54.240
<v Speaker 1>the Talking Heads managed to get together and play together,

0:32:54.360 --> 0:32:56.240
<v Speaker 1>like that's the other thing, you know, that's where I

0:32:56.240 --> 0:32:58.560
<v Speaker 1>was headed. You have your speech and then you play together,

0:32:59.720 --> 0:33:04.480
<v Speaker 1>usually as the original band. Sometimes if it's like like

0:33:04.520 --> 0:33:06.920
<v Speaker 1>a journey, you know, Steve Perry didn't sing, but he

0:33:06.960 --> 0:33:10.440
<v Speaker 1>gave his blessing for the new guy to sing. Sometimes

0:33:10.440 --> 0:33:13.480
<v Speaker 1>they'll have both, like you know, Guns and Roses will

0:33:13.520 --> 0:33:17.440
<v Speaker 1>have the two drummers there and they'll take turns Axel

0:33:17.520 --> 0:33:21.680
<v Speaker 1>wasn't there, you know, not mid song. Uh. And then

0:33:21.720 --> 0:33:23.960
<v Speaker 1>sometimes people can't get it together at all and they're

0:33:23.960 --> 0:33:26.640
<v Speaker 1>just like, no, we hate each other. We're not playing,

0:33:26.680 --> 0:33:30.239
<v Speaker 1>we're not showing up. Um. Sometimes Mike Love will get

0:33:30.320 --> 0:33:31.840
<v Speaker 1>up there as a member of the Beach Boys and

0:33:31.880 --> 0:33:35.040
<v Speaker 1>be a crazy freak. Uh just watch his speech if

0:33:35.040 --> 0:33:39.040
<v Speaker 1>you want to see something very deeply uncomfortable. I can't.

0:33:39.680 --> 0:33:43.120
<v Speaker 1>He like flat out challenged people on stage. He just

0:33:43.160 --> 0:33:45.520
<v Speaker 1>got really salty, like halfway through and he's like, I'd

0:33:45.560 --> 0:33:48.360
<v Speaker 1>love to see I'd love to see the mop Tops

0:33:48.520 --> 0:33:50.400
<v Speaker 1>the Beatles get up and do a hundred and eighties

0:33:50.400 --> 0:33:52.920
<v Speaker 1>shows a year, or I'd like to see Mick Jagger

0:33:52.960 --> 0:33:54.840
<v Speaker 1>get up on stage and do what I do. And

0:33:55.760 --> 0:33:58.080
<v Speaker 1>it was just and he's a legendary jerk, but it

0:33:58.120 --> 0:34:00.800
<v Speaker 1>was it was really something else he does not live

0:34:00.880 --> 0:34:03.720
<v Speaker 1>up to. But to me, that's sort of the fun

0:34:03.760 --> 0:34:06.760
<v Speaker 1>of watching the ceremony is all these really deeply personal

0:34:07.400 --> 0:34:12.160
<v Speaker 1>relationships of these people that are suddenly thrust back together. Uh,

0:34:12.160 --> 0:34:14.239
<v Speaker 1>and do they work it out and are they amicable

0:34:14.239 --> 0:34:17.480
<v Speaker 1>and cool or not? Bunny Carlos played with cheap Trick,

0:34:17.480 --> 0:34:20.720
<v Speaker 1>which is cool, they're drummer that left um. But sometimes

0:34:21.320 --> 0:34:25.080
<v Speaker 1>like Axel Rose in a full on legally statement that

0:34:25.920 --> 0:34:27.640
<v Speaker 1>not only didn't say like I don't want to come,

0:34:28.040 --> 0:34:30.360
<v Speaker 1>but he was like, no one is allowed to induct me.

0:34:30.480 --> 0:34:32.200
<v Speaker 1>No one is allowed to speak for me. I think

0:34:32.280 --> 0:34:34.680
<v Speaker 1>we have to read it. Chuck, Yeah, read it. It's

0:34:34.680 --> 0:34:38.080
<v Speaker 1>pretty graty. This was from Axel Rose. I strongly request

0:34:38.120 --> 0:34:41.160
<v Speaker 1>that I not be inducted in absentia, and please know

0:34:41.239 --> 0:34:44.320
<v Speaker 1>that no one is authorized, nor may anyone be permitted

0:34:44.360 --> 0:34:47.880
<v Speaker 1>to accept any induction for me or speak on my behalf.

0:34:48.280 --> 0:34:52.080
<v Speaker 1>Neither former members, label representatives, nor the Rock and Roll

0:34:52.120 --> 0:34:55.480
<v Speaker 1>Hall of Fame should imply, whether directly, indirectly or biomission,

0:34:55.719 --> 0:34:58.760
<v Speaker 1>that I am included in any purported induction of Guns

0:34:58.760 --> 0:35:02.880
<v Speaker 1>and Roses. Oh man, he really did want to take part,

0:35:03.320 --> 0:35:05.640
<v Speaker 1>and yet they got back together and they're playing again

0:35:05.680 --> 0:35:09.280
<v Speaker 1>and seemingly enjoying themselves. What's his problem with Guns and Roses?

0:35:09.320 --> 0:35:11.080
<v Speaker 1>I mean, I knew they broke up or whatever, but

0:35:11.080 --> 0:35:14.280
<v Speaker 1>why does he like hate Slash or what's the problem?

0:35:14.400 --> 0:35:17.960
<v Speaker 1>Oh yeah, he and Slash had problems, and I don't

0:35:18.000 --> 0:35:20.560
<v Speaker 1>know they worked it all out, but they hugged it out.

0:35:21.040 --> 0:35:24.960
<v Speaker 1>Who knows what goes on behind these closed green room doors?

0:35:24.960 --> 0:35:29.600
<v Speaker 1>You know? Wasn't that the song No One Knows what

0:35:29.680 --> 0:35:31.960
<v Speaker 1>goes on behind green rooms doors? I think? Is that

0:35:32.000 --> 0:35:35.040
<v Speaker 1>a bob Seekers song. I think so maybe we should

0:35:35.040 --> 0:35:36.920
<v Speaker 1>take a break. All right, let's do that. All right,

0:35:36.960 --> 0:35:38.600
<v Speaker 1>We'll be right back and we're gonna wrap this thing up,

0:35:58.239 --> 0:36:02.480
<v Speaker 1>all right. Should we talk about some of the famous snubs? Yes, definitely,

0:36:02.560 --> 0:36:05.520
<v Speaker 1>we can just do that for the rest of the show. Well,

0:36:05.560 --> 0:36:07.160
<v Speaker 1>I mean, I'm looking at the list. I'm gonna go

0:36:07.200 --> 0:36:12.759
<v Speaker 1>ahead and throw out Alison Chains and Big Star, like

0:36:12.800 --> 0:36:14.960
<v Speaker 1>throw them out like you don't include them, throw them

0:36:14.960 --> 0:36:17.919
<v Speaker 1>out like they should be in and they're not. How

0:36:18.000 --> 0:36:24.680
<v Speaker 1>about wait for this one, Uh, Dick Dale, that's just nuts.

0:36:24.680 --> 0:36:30.120
<v Speaker 1>That's we talked about that in the Gibson Fender episode.

0:36:30.360 --> 0:36:33.880
<v Speaker 1>How about the Smiths or m C five, I know,

0:36:34.520 --> 0:36:36.640
<v Speaker 1>I mean, it gets, it gets weird. It's like, who'sker

0:36:36.719 --> 0:36:39.920
<v Speaker 1>do to me? Belongs in there? But like they were

0:36:39.920 --> 0:36:42.440
<v Speaker 1>a very small band in excess was a huge band.

0:36:42.640 --> 0:36:44.840
<v Speaker 1>Jane's addictions not in the Jane's addiction not being in

0:36:44.840 --> 0:36:49.480
<v Speaker 1>there's pretty surprising and just objectively wrong for sure. I

0:36:49.560 --> 0:36:54.520
<v Speaker 1>totally agree. Uh Motorhead, well, Motley Crue, it gets. It's

0:36:54.520 --> 0:36:57.640
<v Speaker 1>so subjective, it gets so weird because people poo poo

0:36:57.680 --> 0:37:02.520
<v Speaker 1>stuff like disco and they poopoo stuff like uh like

0:37:02.560 --> 0:37:05.680
<v Speaker 1>Ozzy Osbourne or metal like he should be in there,

0:37:05.800 --> 0:37:08.120
<v Speaker 1>Yeah for sure. But that's I mean, that's that kind

0:37:08.120 --> 0:37:10.040
<v Speaker 1>of gets at the heart of why a lot of

0:37:10.040 --> 0:37:13.680
<v Speaker 1>people are like, wait a minute, what's going on here? Um,

0:37:13.719 --> 0:37:18.600
<v Speaker 1>Because like hip hop acts have started to be inducted

0:37:18.640 --> 0:37:21.200
<v Speaker 1>into it starting in two thousand and seventeen, UM or

0:37:21.440 --> 0:37:23.799
<v Speaker 1>two thousand seven, I'm sorry with Grandmaster Flash in the

0:37:23.840 --> 0:37:27.839
<v Speaker 1>Furious five. I think one of the most recent one

0:37:27.920 --> 0:37:32.640
<v Speaker 1>was jay Z and is that right? And we said

0:37:32.680 --> 0:37:34.880
<v Speaker 1>earlier that it hadn't happened yet by the time this

0:37:34.960 --> 0:37:37.719
<v Speaker 1>is out, it will have already. Okay, so this year

0:37:37.760 --> 0:37:40.839
<v Speaker 1>part of this class, Okay, Tupac got inducted. I think,

0:37:40.840 --> 0:37:43.239
<v Speaker 1>what do you what do you think about that? One?

0:37:43.280 --> 0:37:46.279
<v Speaker 1>More Failakuti was nominated this year, but he didn't make it.

0:37:47.520 --> 0:37:51.960
<v Speaker 1>So there's this guy that um Dave turned up that

0:37:52.040 --> 0:37:54.319
<v Speaker 1>I think makes a really great case. His name is

0:37:54.360 --> 0:37:57.080
<v Speaker 1>Troy L. Smith. He works for Cleveland dot Com, one

0:37:57.120 --> 0:37:59.839
<v Speaker 1>of the triumvirate of writing about the Rock and Roll

0:37:59.840 --> 0:38:03.759
<v Speaker 1>Hall of Fame and um. He says, look, man, if

0:38:03.800 --> 0:38:07.360
<v Speaker 1>you are talking about rock and roll, of course it

0:38:07.360 --> 0:38:09.439
<v Speaker 1>would include hip hop just as much as it would

0:38:09.440 --> 0:38:12.799
<v Speaker 1>include like alternative or new wave or punk, like they're

0:38:12.840 --> 0:38:15.880
<v Speaker 1>all branching off the same tree. Because if rock and

0:38:15.960 --> 0:38:18.480
<v Speaker 1>roll is the trunk, if you go a little further down,

0:38:18.920 --> 0:38:22.719
<v Speaker 1>the roots of that tree are like blues, jazz, gospel,

0:38:22.840 --> 0:38:26.120
<v Speaker 1>boogie woogie do walk, like all this stuff combined to

0:38:26.160 --> 0:38:29.040
<v Speaker 1>make rock and roll. And if you're saying like rock

0:38:29.080 --> 0:38:31.600
<v Speaker 1>and roll is just a white guy with a guitar

0:38:32.200 --> 0:38:36.760
<v Speaker 1>somewhere between nineteen sixty seven and nineteen nine, you're talking

0:38:36.800 --> 0:38:40.279
<v Speaker 1>specifically about rock, and that's actually different than rock and roll.

0:38:40.600 --> 0:38:42.840
<v Speaker 1>And this isn't the rock Hall of Fame. This is

0:38:42.880 --> 0:38:46.279
<v Speaker 1>the rock and roll Hall of Fame. So yeah, you

0:38:46.320 --> 0:38:49.040
<v Speaker 1>could make a really strong case to include not just

0:38:49.239 --> 0:38:53.320
<v Speaker 1>hip hop but also like R and b um world

0:38:53.440 --> 0:38:58.200
<v Speaker 1>music like Failey, Cooties, afrobeats, stuff like, like all these

0:38:58.200 --> 0:39:01.520
<v Speaker 1>people were influenced by the same tree. And that's what

0:39:01.600 --> 0:39:03.880
<v Speaker 1>Troy Smith is seen. And I gotta say I agree

0:39:03.880 --> 0:39:06.960
<v Speaker 1>with them on that one. I just have mixed feelings.

0:39:07.000 --> 0:39:10.440
<v Speaker 1>I do agree, but it's um. Then just call it

0:39:10.480 --> 0:39:12.920
<v Speaker 1>the Music Hall of Fame, maybe because it's some people.

0:39:13.880 --> 0:39:17.120
<v Speaker 1>It's weird that like Willie Nelson's not in there, but

0:39:17.280 --> 0:39:20.560
<v Speaker 1>like another country artist might be like Williams is in there,

0:39:20.640 --> 0:39:24.520
<v Speaker 1>Johnny Cash. Yeah, like they'll include jazz and now hip hop,

0:39:24.600 --> 0:39:27.600
<v Speaker 1>but like not metal. It's just I don't know, man,

0:39:27.719 --> 0:39:30.840
<v Speaker 1>that it starts to sort of fall apart in a

0:39:30.880 --> 0:39:33.480
<v Speaker 1>way the more you expand it. Because there is a

0:39:33.480 --> 0:39:36.600
<v Speaker 1>country music Hall of Fame that there's probably I don't

0:39:36.640 --> 0:39:39.840
<v Speaker 1>know if there's a jazz hall of Fame is there somewhere?

0:39:40.000 --> 0:39:41.719
<v Speaker 1>I mean like like should everyone have their own hall

0:39:41.760 --> 0:39:44.320
<v Speaker 1>of fame like every genre? But then where do you stop?

0:39:44.480 --> 0:39:47.359
<v Speaker 1>Is it like is new way the genre like it is?

0:39:47.440 --> 0:39:50.080
<v Speaker 1>But is it under the more all inclusive banner of

0:39:50.160 --> 0:39:54.400
<v Speaker 1>rock and roll? It just it gets really like a

0:39:54.520 --> 0:39:56.879
<v Speaker 1>cat chasing its own tail at some point. So there

0:39:56.960 --> 0:40:01.160
<v Speaker 1>was this kind of Twitter just Russian, which means a

0:40:01.200 --> 0:40:05.240
<v Speaker 1>flame war between ice Cube and Gene Simmons from Kiss

0:40:05.280 --> 0:40:08.719
<v Speaker 1>when n w A was being abducted. Gene Simmons was

0:40:08.719 --> 0:40:12.160
<v Speaker 1>pooh pooing the whole thing and ice Cube was defending it,

0:40:12.200 --> 0:40:15.480
<v Speaker 1>and ice Cube had a pretty good point. He said, Um,

0:40:15.600 --> 0:40:17.719
<v Speaker 1>the question is are we rock and roll? Rock and

0:40:17.800 --> 0:40:19.560
<v Speaker 1>roll is not an instrument. Rock and roll is not

0:40:19.640 --> 0:40:21.920
<v Speaker 1>even a style of music. Rock and roll is a spirit.

0:40:22.560 --> 0:40:25.319
<v Speaker 1>It's not conforming, it's outside the box. And then he

0:40:25.360 --> 0:40:27.799
<v Speaker 1>finishes with rock and rolls in w A, which I

0:40:27.800 --> 0:40:30.080
<v Speaker 1>could not have read that more squarely than I did.

0:40:30.840 --> 0:40:33.200
<v Speaker 1>But if you go a little further and read Gene

0:40:33.239 --> 0:40:36.560
<v Speaker 1>Simmons is retort too. He's saying, like, yes, he's criticizing

0:40:36.640 --> 0:40:39.600
<v Speaker 1>hip hop is not like actual music because they sample

0:40:39.680 --> 0:40:42.080
<v Speaker 1>and they talk, rather than saying so therefore it's not rock.

0:40:42.239 --> 0:40:45.120
<v Speaker 1>I disagree with that. But he also says, I'll tell

0:40:45.200 --> 0:40:48.080
<v Speaker 1>you what, when led Zeppelin gets inducted into the Rap

0:40:48.120 --> 0:40:50.280
<v Speaker 1>Hall of Fame, then you will have proven your point.

0:40:50.680 --> 0:40:53.520
<v Speaker 1>And he makes a good case in that situation as well.

0:40:53.680 --> 0:40:56.000
<v Speaker 1>But it kind of dove tails in with your idea,

0:40:56.120 --> 0:40:59.560
<v Speaker 1>like should each of them, each genre of music have

0:40:59.719 --> 0:41:02.440
<v Speaker 1>its own hall of Fame? I don't think so. I

0:41:02.480 --> 0:41:05.040
<v Speaker 1>think the rock and roll Hall of Fame is a

0:41:05.120 --> 0:41:08.000
<v Speaker 1>wide enough umbrella that it includes hip hop and other

0:41:08.080 --> 0:41:12.200
<v Speaker 1>stuff that's not rock. Yeah, that's not a great look

0:41:12.239 --> 0:41:14.440
<v Speaker 1>to say stuff like that either, though, No, I know,

0:41:14.520 --> 0:41:17.080
<v Speaker 1>and like like you know, of course there's allegations of

0:41:17.160 --> 0:41:24.440
<v Speaker 1>racism and sexism and and um homophobism is that a word? Sure? Umho?

0:41:24.800 --> 0:41:29.680
<v Speaker 1>I think of course, dude, of course, But Um, Amanda, Patricia,

0:41:30.160 --> 0:41:35.399
<v Speaker 1>I'm sorry, Amanda. Um. She says that. Um. She points out,

0:41:35.440 --> 0:41:39.400
<v Speaker 1>like how much this this ties into that same hatred

0:41:39.760 --> 0:41:43.120
<v Speaker 1>of disco by the same people who are into rock.

0:41:43.440 --> 0:41:45.680
<v Speaker 1>But at the time when rock was new, these are

0:41:45.680 --> 0:41:48.399
<v Speaker 1>the same people who never aged out of that. It's

0:41:48.400 --> 0:41:51.239
<v Speaker 1>all rock. It's all white guy with the guitar from

0:41:51.400 --> 0:41:55.640
<v Speaker 1>nine six seven, and that's rock, and that's rock and roll.

0:41:55.680 --> 0:41:57.839
<v Speaker 1>And that's just not true. That's a type of rock

0:41:57.920 --> 0:42:01.080
<v Speaker 1>and roll. That's not the all and I'll be all

0:42:01.120 --> 0:42:04.920
<v Speaker 1>of rock and roll. Yes, that's my take on it.

0:42:04.960 --> 0:42:06.640
<v Speaker 1>I'll stop saying it. I know I've said it at

0:42:06.680 --> 0:42:11.279
<v Speaker 1>least twice now, but it's just so true it is. Uh.

0:42:11.400 --> 0:42:13.000
<v Speaker 1>He saw who was coming in this year. I thought

0:42:13.040 --> 0:42:16.640
<v Speaker 1>that might get you excited. Who. Well, in the in

0:42:16.680 --> 0:42:19.880
<v Speaker 1>the performer it's Tina Turner, Carol King, the go Goes Amazing,

0:42:20.719 --> 0:42:23.160
<v Speaker 1>jay Z Foo Fighters, and Todd Rundgren. But the Early

0:42:23.200 --> 0:42:27.640
<v Speaker 1>Influence Award, my friend craft work. Oh really they're getting

0:42:27.680 --> 0:42:30.600
<v Speaker 1>in Huh, they're getting in his early influence along with

0:42:30.680 --> 0:42:36.360
<v Speaker 1>Charlie Patton and uh and legendary jazz poet Gil Scott Heron,

0:42:36.440 --> 0:42:42.040
<v Speaker 1>who I totally think Whyatt's Senac should play in a biopic.

0:42:42.239 --> 0:42:45.920
<v Speaker 1>Oh yeah, you mean a biopic. In a biopic, I

0:42:45.920 --> 0:42:49.120
<v Speaker 1>think why it would crush that role. And I think

0:42:49.160 --> 0:42:51.719
<v Speaker 1>I've even told him that. Oh yeah, what was his response?

0:42:52.200 --> 0:42:53.799
<v Speaker 1>I don't think I've told him that, because he would

0:42:53.800 --> 0:42:55.440
<v Speaker 1>probably be like, I don't need career advice from me.

0:42:55.520 --> 0:42:59.400
<v Speaker 1>But that's right, zip it why it's famous for saying

0:43:00.040 --> 0:43:03.080
<v Speaker 1>Musical Excellent Award this year is local j Billy Preston

0:43:03.200 --> 0:43:07.319
<v Speaker 1>and Randy Rhodes, not bad. Ozzy's not even in there.

0:43:07.719 --> 0:43:12.160
<v Speaker 1>And then Clarence Avant is getting the Ahmet Ernigan Award,

0:43:12.239 --> 0:43:14.319
<v Speaker 1>and I don't know who that is, and I feel

0:43:14.360 --> 0:43:17.719
<v Speaker 1>like I should. I don't either, So so Chuck, they

0:43:17.760 --> 0:43:21.000
<v Speaker 1>have um purple haze lyrics. I think we've established that

0:43:21.120 --> 0:43:23.920
<v Speaker 1>multiple times. What else do they have at the Rock

0:43:23.920 --> 0:43:26.120
<v Speaker 1>and Hall of Fame that would be worth paying thirty

0:43:26.120 --> 0:43:30.719
<v Speaker 1>dollars to go see? By the way, Clarence uh Avant

0:43:31.000 --> 0:43:35.399
<v Speaker 1>is known as the Black Godfather, entrepreneur, executive and film

0:43:35.400 --> 0:43:39.160
<v Speaker 1>producer and American music executive. So I gotta shout him out.

0:43:39.600 --> 0:43:41.520
<v Speaker 1>You know, they got they got the instruments, they got

0:43:41.520 --> 0:43:44.440
<v Speaker 1>the out, they got a whole room of clothing and

0:43:44.719 --> 0:43:49.360
<v Speaker 1>legendary outfits. Uh, they have the handwritten lyrics, They have

0:43:50.280 --> 0:43:54.960
<v Speaker 1>archival like original master tapes where in listening rooms. They

0:43:54.960 --> 0:43:56.759
<v Speaker 1>have this really cool thing now that just opened a

0:43:56.800 --> 0:43:59.360
<v Speaker 1>couple of years ago called the Garage, where it's literally

0:43:59.400 --> 0:44:01.400
<v Speaker 1>like a garage just set up with a full band

0:44:02.000 --> 0:44:03.360
<v Speaker 1>and you can go in there. You don't have to

0:44:03.360 --> 0:44:04.800
<v Speaker 1>know what you're doing, and they'll try and teach you

0:44:04.840 --> 0:44:07.279
<v Speaker 1>how to play instruments. I just want to wash your

0:44:07.280 --> 0:44:10.319
<v Speaker 1>hands afterwards. Yeah, well you do now for sure, and

0:44:10.360 --> 0:44:13.880
<v Speaker 1>you're like or always um and you know, they have

0:44:13.920 --> 0:44:16.840
<v Speaker 1>a great music education program with working with the schools

0:44:16.880 --> 0:44:20.279
<v Speaker 1>in Ohio and in Cleveland, so like, like they do

0:44:20.320 --> 0:44:22.520
<v Speaker 1>a lot of cool outreach and hands on stuff to

0:44:22.560 --> 0:44:25.440
<v Speaker 1>get people involved. And if you go to the garage

0:44:26.200 --> 0:44:28.560
<v Speaker 1>the website for the garage and you see like these,

0:44:28.680 --> 0:44:31.239
<v Speaker 1>you know sort of people you who can tell have

0:44:31.320 --> 0:44:34.279
<v Speaker 1>never picked up an instrument before playing the drums or

0:44:34.320 --> 0:44:36.759
<v Speaker 1>playing the bass just a little bit, and like the

0:44:36.800 --> 0:44:40.200
<v Speaker 1>delight on their faces. It's pretty cool. That's where the

0:44:40.320 --> 0:44:44.400
<v Speaker 1>museum staff who transgressed are punished. They have to go

0:44:44.520 --> 0:44:48.040
<v Speaker 1>hang out at the garage and watch that. Oh you

0:44:48.120 --> 0:44:54.799
<v Speaker 1>get this now they're teaching them the teachers I got. Well.

0:44:54.840 --> 0:44:56.640
<v Speaker 1>The only other thing I want to point out is

0:44:56.680 --> 0:45:00.600
<v Speaker 1>the if you're looking for highlights from over the years,

0:45:00.600 --> 0:45:02.239
<v Speaker 1>that you know, in the end, they had this all

0:45:02.280 --> 0:45:05.000
<v Speaker 1>Star jam where a bunch of people come on stage

0:45:05.040 --> 0:45:08.239
<v Speaker 1>and play some songs, and I think probably the most

0:45:08.320 --> 0:45:10.880
<v Speaker 1>legendary moment that's ever happened, and it was passed along.

0:45:11.520 --> 0:45:15.000
<v Speaker 1>Uh more recently after his death was that George Harrison's

0:45:15.560 --> 0:45:19.480
<v Speaker 1>posthumous induction and all Star jam. They were playing while

0:45:19.560 --> 0:45:22.200
<v Speaker 1>my guitar gently weeps and prints, comes out of the

0:45:22.239 --> 0:45:25.920
<v Speaker 1>shadows and destroys the stage with a guitar solo that

0:45:26.080 --> 0:45:30.680
<v Speaker 1>like is unlike anything I've ever seen. It's amazing, and

0:45:31.080 --> 0:45:33.600
<v Speaker 1>he's just the coolest dude on the planet. He finishes

0:45:33.600 --> 0:45:36.480
<v Speaker 1>his solo, takes his guitar up and throws it up

0:45:36.480 --> 0:45:39.120
<v Speaker 1>in the air, and there's, uh, you don't know this,

0:45:39.160 --> 0:45:41.160
<v Speaker 1>but his guys out there to catch the guitar. But

0:45:41.640 --> 0:45:43.799
<v Speaker 1>and he struts off stage and Tom Petty's and Jeff

0:45:43.880 --> 0:45:46.239
<v Speaker 1>Lynn are just standing there like and Danny Harrison like,

0:45:46.280 --> 0:45:48.680
<v Speaker 1>oh my god, what just happened. That's pretty cool, man,

0:45:48.920 --> 0:45:51.840
<v Speaker 1>It's amazing. Um, so one long and last thing that

0:45:51.960 --> 0:45:53.760
<v Speaker 1>the Rock and Roll Hall of Fame tried to expand

0:45:53.840 --> 0:45:56.160
<v Speaker 1>they finally tried to open something in New York and

0:45:56.200 --> 0:46:04.160
<v Speaker 1>they did, uh and I think um two thousand eight. Yes,

0:46:05.000 --> 0:46:07.439
<v Speaker 1>So they finally got that New York outpost, right, chuck,

0:46:07.520 --> 0:46:09.680
<v Speaker 1>And then within two years it was closed, And they

0:46:09.680 --> 0:46:11.920
<v Speaker 1>tried another one in Tokyo in two thousand and seventeen.

0:46:12.080 --> 0:46:15.080
<v Speaker 1>It closed in five months later, and Dave Rouse nails

0:46:15.120 --> 0:46:19.200
<v Speaker 1>it with this last line. I guess Cleveland really was

0:46:19.320 --> 0:46:23.680
<v Speaker 1>the right choice after all, wink emoji. Yeah. I mean

0:46:23.680 --> 0:46:26.200
<v Speaker 1>they need to keep expanding Cleveland because you've only got

0:46:26.239 --> 0:46:29.640
<v Speaker 1>so much space, you know, Yeah, for sure, but I mean,

0:46:29.680 --> 0:46:31.799
<v Speaker 1>like it's that was the place to do it. It

0:46:31.800 --> 0:46:34.560
<v Speaker 1>turns out that that was absolutely correct, So that's good.

0:46:34.719 --> 0:46:37.160
<v Speaker 1>Sometimes big decisions don't always work out, and this was

0:46:37.239 --> 0:46:40.960
<v Speaker 1>one that did. And by God, God bless you, Cleveland.

0:46:41.600 --> 0:46:44.319
<v Speaker 1>We gotta get Jane's addiction in there, sure. I think

0:46:44.400 --> 0:46:46.839
<v Speaker 1>we also really even more so, maybe need to get

0:46:46.880 --> 0:46:49.400
<v Speaker 1>like Iron Maiden in there or Judas Priests or both.

0:46:50.000 --> 0:46:55.239
<v Speaker 1>James was nominated once, uh and didn't get in the

0:46:55.440 --> 0:46:59.080
<v Speaker 1>war has been nominated three times and hasn't gotten And

0:46:59.360 --> 0:47:01.920
<v Speaker 1>I don't. That's oh no, no, no, no. Chic has

0:47:01.920 --> 0:47:04.759
<v Speaker 1>been nominated eleven times and hasn't gotten in that just

0:47:04.800 --> 0:47:09.000
<v Speaker 1>because it's disco, that is ridiculous. I saw I read

0:47:09.040 --> 0:47:12.080
<v Speaker 1>an article making the case for weird Al, but then

0:47:12.120 --> 0:47:14.080
<v Speaker 1>also saying why weird Al will never make it in

0:47:14.440 --> 0:47:22.600
<v Speaker 1>because he makes seventeen years uh snubbed, never nominated. Maybe

0:47:22.719 --> 0:47:24.879
<v Speaker 1>someday weird Al. But I also get the impression weird

0:47:24.880 --> 0:47:30.200
<v Speaker 1>Al doesn't care. Yeah, well maybe he does steep down. No,

0:47:30.280 --> 0:47:33.680
<v Speaker 1>I don't think so. Okay. Um, since we said weird

0:47:33.719 --> 0:47:36.839
<v Speaker 1>Al doesn't care, obviously, that means that it is time

0:47:36.880 --> 0:47:43.480
<v Speaker 1>for a listener. Now. Uh, let me see here, which

0:47:43.480 --> 0:47:48.200
<v Speaker 1>one should I read? I'm gonna call this lemon song. Um,

0:47:48.239 --> 0:47:49.880
<v Speaker 1>every morning is to get ready for work. Guys, I

0:47:49.960 --> 0:47:51.600
<v Speaker 1>like to throw on an episode of stuff. You should know.

0:47:51.640 --> 0:47:54.400
<v Speaker 1>The excitement that came over me this morning and to

0:47:54.640 --> 0:47:59.000
<v Speaker 1>my favorite things briefly combined into one is indescribable. Josh's

0:47:59.040 --> 0:48:01.000
<v Speaker 1>mix up on the lemons and gave me a good chuckle,

0:48:01.440 --> 0:48:03.759
<v Speaker 1>only because Squeeze my Lemon is of course from the

0:48:03.840 --> 0:48:06.279
<v Speaker 1>women song, and I can only guess that the song

0:48:06.840 --> 0:48:09.760
<v Speaker 1>about friendship that he's speaking about is the song friends

0:48:10.480 --> 0:48:14.480
<v Speaker 1>on led Zeppelin three maybe Uh. As soon as I

0:48:14.520 --> 0:48:16.719
<v Speaker 1>heard the beginning of the episode toquinently send quickly sent

0:48:16.800 --> 0:48:19.560
<v Speaker 1>a text over to my dad. He's the reason I'm

0:48:19.600 --> 0:48:22.520
<v Speaker 1>such a big Zeppelin fan. We both got matching Zeppelin

0:48:22.560 --> 0:48:25.759
<v Speaker 1>tattoos when I graduated from college, and I am the

0:48:25.760 --> 0:48:28.520
<v Speaker 1>reason he is a Stuff you Should Know fan. While

0:48:28.520 --> 0:48:30.560
<v Speaker 1>we don't live close, I'm in Denver and he's in Phoenix,

0:48:30.560 --> 0:48:33.759
<v Speaker 1>a small moment like this is something that gave us

0:48:33.800 --> 0:48:35.880
<v Speaker 1>both a good laugh and a reason to chat this morning.

0:48:36.280 --> 0:48:39.439
<v Speaker 1>And that is from Lauren and Denver. Nice Lauren, thank

0:48:39.440 --> 0:48:41.720
<v Speaker 1>you very much for that. We love bringing families together,

0:48:41.760 --> 0:48:46.440
<v Speaker 1>don't we chuck and splitting them apart in evil Factory.

0:48:47.000 --> 0:48:48.479
<v Speaker 1>If you want to let us not how we brought

0:48:48.480 --> 0:48:51.839
<v Speaker 1>your family together or split you asunder uh, you can

0:48:51.880 --> 0:48:55.320
<v Speaker 1>email it to us to stuff podcast at iHeart radio

0:48:55.480 --> 0:49:00.759
<v Speaker 1>dot com. Stuff you Should Know is a production of

0:49:00.760 --> 0:49:04.080
<v Speaker 1>I Heart Radio. For more podcasts my heart Radio, visit

0:49:04.120 --> 0:49:06.960
<v Speaker 1>the I heart Radio app, Apple Podcasts, or wherever you

0:49:07.000 --> 0:49:11.160
<v Speaker 1>listen to your favorite shows. H