WEBVTT - Bethenny Frankel vs Bravo

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<v Speaker 1>Hey rain Drops. Yes, so I finally got merch. That's right.

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<v Speaker 1>Welcome to Reality with the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality

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<v Speaker 2>television with over ten years of production experience. Once a

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<v Speaker 2>week on Reality with the King, we'll sit down with

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<v Speaker 2>my friends across the entertainment industry, recap our favorite reality shows,

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<v Speaker 2>and revisit unforgettable moments that we are still talking and

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<v Speaker 2>tweeting about me.

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<v Speaker 1>Hey, rain Drops, yahs.

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<v Speaker 2>On today's Reality with the King episode, I am reunited

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<v Speaker 2>with my friend, my girl fan favorite the rain Drops

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<v Speaker 2>love her. Yes, I'm talking about see Amazing Kase. We

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<v Speaker 2>have to do a deep dive into the Bethany Verses

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<v Speaker 2>Bravo Saga in addition to and My Bethany Boys, the

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<v Speaker 2>number one worldwide podcast in the world. Her interview with

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<v Speaker 2>the artists formerly known as ray Quel, Rachel and the

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<v Speaker 2>backlash she received.

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<v Speaker 1>So let's get started.

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<v Speaker 2>Bethany Frankel, a former Real Housewives of New York City housewife,

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<v Speaker 2>a former pal of Andy Cohen, allegedly has taken upon

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<v Speaker 2>herself to hire two high powered attorneys and what she

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<v Speaker 2>is calling reality reckoning, which means she is as of

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<v Speaker 2>now focusing on NBC Universal slash Bravo. In terms of

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<v Speaker 2>getting the reality stars, what she feels like is they

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<v Speaker 2>just do everything from She wants them compensated for using merchandise.

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<v Speaker 2>She wants them to have some of the same rights

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<v Speaker 2>as a sac after union workers. In addition to she

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<v Speaker 2>wants them to get higher pay, and she also wants

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<v Speaker 2>them which I was like, ooh girl, Bethany, what are

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<v Speaker 2>we doing sis? She also wants retroactive pay for these

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<v Speaker 2>reality stars and some of the things that her and

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<v Speaker 2>her turnings are alleging is out of this world. But

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<v Speaker 2>before we get into the documents, when you first heard

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<v Speaker 2>about this, Kate, what was your reaction.

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<v Speaker 3>I think of myself as a very measured person. I

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<v Speaker 3>like to have all of the information before I kind

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<v Speaker 3>of decide on something. I actually was just on Mark

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<v Speaker 3>Jerragos's show. He's one of the attorneys, and I was

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<v Speaker 3>asking some of the questions about it too, because I

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<v Speaker 3>think for the lay person it can be a little

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<v Speaker 3>bit confusing. And so you have the scripted world and

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<v Speaker 3>the unscripted world, and unscripted has has not been included

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<v Speaker 3>in this strike discussion talks even that pre date this year.

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<v Speaker 3>For context, people should understand that reality shows really exploded

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<v Speaker 3>in the early two thousands with like Survivor and a

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<v Speaker 3>lot of the competition shows. Then when there was a

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<v Speaker 3>strike two thousand and seven, two thousand and eight, there

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<v Speaker 3>really was a reality explosion because those shows were easier

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<v Speaker 3>to make smaller budgets, quicker timelines. So over time, unscripted,

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<v Speaker 3>as you know, has exploded. And so now here we

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<v Speaker 3>are in twenty twenty three and there are all of

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<v Speaker 3>these nuances are that are being discussed for the scripted world,

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<v Speaker 3>and rightly so, I think people in unscripted feel as

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<v Speaker 3>if they have been overlooked. And I do think all

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<v Speaker 3>of this stuff these are great conversations to have because

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<v Speaker 3>ultimately people should be treated equally and be compensated for

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<v Speaker 3>the work that they do. So now, as far as

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<v Speaker 3>how this will all work out, I'm still kind of

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<v Speaker 3>finding myself trying to understand all the moving parts. I

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<v Speaker 3>have the list of the ten things that she is suggesting.

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<v Speaker 3>You've mentioned some of them. They include unscripted talent with

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<v Speaker 3>shows that make it to air. Minimum should be five

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<v Speaker 3>thousand dollars per episode. Talent should receive a ten percent

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<v Speaker 3>raise each season. If the show is a huge success

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<v Speaker 3>and ratings have increased, then it's subject to negotiation. The

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<v Speaker 3>talent can walk away. Talent gets ten percent of their

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<v Speaker 3>last negotiated talent fee for additional seicles. Any additional streamer

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<v Speaker 3>airing that season will also pay ten percent on shooting

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<v Speaker 3>promotional days. Talent gets a per diem of one hundred

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<v Speaker 3>dollars a day for series talent they've been that have

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<v Speaker 3>not been paid. For shows that have continued to air,

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<v Speaker 3>they should receive five thousand dollars per season retroactively from

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<v Speaker 3>each distributor. Talent is not required to give any proceeds

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<v Speaker 3>of their business to any network or streamer. Talent should

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<v Speaker 3>not be prohibited from promoting special brands on their social

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<v Speaker 3>media so that the networks and streamers can try to

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<v Speaker 3>garner the income for themselves. And lastly, talent should receive

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<v Speaker 3>a percentage of gross proceeds from antllar EMRCH. So I

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<v Speaker 3>was eager to kind of talk to you about this

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<v Speaker 3>because you, of course are on the production part of it.

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<v Speaker 3>Now it seems as if, thus far most of the

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<v Speaker 3>conversations that I'm hearing are in regard to just the talent.

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<v Speaker 3>So what can you tell me about any discussions that

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<v Speaker 3>are happening in unscripted when it comes to the production

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<v Speaker 3>side of it. Are they eager to have changes made also?

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<v Speaker 3>And of those things? Because you also are someone who

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<v Speaker 3>makes a show that was interested to hear what you

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<v Speaker 3>think about some of these terms, because, as I mentioned,

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<v Speaker 3>the thing about unscripted is it's notoriously easier to make

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<v Speaker 3>than a scripted show, as one could expect, right, And

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<v Speaker 3>what the lay person may not understand is that typically

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<v Speaker 3>with unscripted contracts, you get paid the longer you're on

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<v Speaker 3>a show. So my first question is what do you

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<v Speaker 3>think about discussions with regard to unionizing compensation and also

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<v Speaker 3>what do you think that The second part of it

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<v Speaker 3>is as somebody who makes these shows about the terms

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<v Speaker 3>that she has suggested.

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<v Speaker 4>So that's in two parts.

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<v Speaker 2>Well, first starts I agree with you in the sense

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<v Speaker 2>of look to be a reality star is one of

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<v Speaker 2>the toughest, if not toughest job in the entertainment industry

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<v Speaker 2>when you think about on camera talent, right, actors, they

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<v Speaker 2>are able to hide behind a character, a role they play.

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<v Speaker 2>They get to go home and not have to deal

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<v Speaker 2>with people judging the character.

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<v Speaker 1>Right.

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<v Speaker 2>An athlete, they leave everything out on the field, the court, whatever,

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<v Speaker 2>right when it comes to sports, they get to go

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<v Speaker 2>home and no one's really judging their everyday lives because

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<v Speaker 2>they're not seeing it.

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<v Speaker 1>Same with the actors.

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<v Speaker 2>So when it comes to reality stars, I always felt

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<v Speaker 2>that the reality star were definitely the step children of

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<v Speaker 2>this industry, the forgotten child, if you will, and they

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<v Speaker 2>give the most to the show.

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<v Speaker 1>Who patres rupt but stay tuned for more.

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<v Speaker 2>the King, and I'm Carlos King. Let's get back into

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<v Speaker 2>the show. I'm curious what you think. I think anybody

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<v Speaker 2>in this industry who wants to be a disruptor, that's fine.

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<v Speaker 2>I consider myself a disruptor, and by disruptor, I mean

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<v Speaker 2>that I go against the grain of the systemic blueprint

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<v Speaker 2>that was laid out before me. I applaud anybody who's

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<v Speaker 2>able to do that. The one thing that people are

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<v Speaker 2>having a hard time grasping Kate with the intention. What

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<v Speaker 2>is Bethany's intention here? Look, I don't know Bethany personally.

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<v Speaker 2>I met her once. I had an overall deal at

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<v Speaker 2>this production company in Los Angeles, and Bethany also had

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<v Speaker 2>to deal with them too. And Bethany was accepting pitches

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<v Speaker 2>of ideas from the production companies who.

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<v Speaker 1>Were a part of this bigger corporation.

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<v Speaker 2>Long story short, we had a lunch meeting at the

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<v Speaker 2>Beverly Hills Hotel.

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<v Speaker 1>In California. Everybody and she came in.

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<v Speaker 2>She is everything you see on television, everything like I've spoken, energy,

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<v Speaker 2>all of those things. What was funny about the the

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<v Speaker 2>meeting is she loved my idea. She said, you gave

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<v Speaker 2>me the best idea since I've been here. I love it,

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<v Speaker 2>I love it, I love it. And she kept saying,

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<v Speaker 2>do me a favor and elevate this elevated more like

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<v Speaker 2>she was talking like that.

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<v Speaker 1>Kate elevated, elevated more. But I like this.

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<v Speaker 2>As she was talking to one of the presidents of

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<v Speaker 2>the company, I like this.

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<v Speaker 1>This is good. So I'm like, Okay, Wow, I may

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<v Speaker 1>actually have a show with Bethany. Long story short sister.

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<v Speaker 2>She left that company maybe a month or two after

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<v Speaker 2>the meeting, so the show never came about, right, So

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<v Speaker 2>I'll have that to say.

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<v Speaker 1>When I met her, she was very nice. She was

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<v Speaker 1>everything you saw.

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<v Speaker 2>There's other people, thought Kate, who believe that she doesn't

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<v Speaker 2>do anything without getting something out of it, and they

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<v Speaker 2>think this reality reckoning, as she puts it, is a

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<v Speaker 2>way for her to give a big middle finger to

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<v Speaker 2>Andy Cohen and Bravo.

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<v Speaker 3>What could have happened for her to feed that out

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<v Speaker 3>angry at Andy Cohen and one specific network though.

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<v Speaker 1>That's the million dollar question.

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<v Speaker 2>Now if you go down the rabbit hole on social

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<v Speaker 2>media like I do. People are saying that when Bethany

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<v Speaker 2>created her rewives podcast where Bethany, and again her words,

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<v Speaker 2>a big celebrity would rewatch a Housewives episode and recap

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<v Speaker 2>it and talk about it, she went on Andy Cohen

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<v Speaker 2>show to promote it because Andy days prior to her

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<v Speaker 2>appearance on Watch What Happens Live, Andy did an interview

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<v Speaker 2>where he says something along the lines of he was

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<v Speaker 2>surprised she was doing the podcast because all she does

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<v Speaker 2>is shit talk.

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<v Speaker 1>The brand.

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<v Speaker 2>He goes on Watch What Happens Live is Andy and

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<v Speaker 2>Jeff Lewis, and Bethany has said she felt ambushed because Jeff,

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<v Speaker 2>as we all know, was going there when it came

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<v Speaker 2>to like, why are you doing this? You hate the show,

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<v Speaker 2>you talk so much shit about it. Why are you

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<v Speaker 2>doing this? You don't think this is a copycat of

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<v Speaker 2>what the other Housewives podcast are And then Andy started

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<v Speaker 2>engaging in the conversation. Bethany, as you know, can defend herself,

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<v Speaker 2>but and I thought she did a good job defending herself. However,

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<v Speaker 2>she left that studio and said she felt ambushed and

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<v Speaker 2>she doesn't know why.

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<v Speaker 1>Andy is mad because she's able to.

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<v Speaker 2>Do whatever she wants because she was on Housewives, and

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<v Speaker 2>they believe by day, the fans, they believe that was

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<v Speaker 2>the first sign that there was a rook.

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<v Speaker 3>In their friendship. Well, I think what you have there

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<v Speaker 3>is a notoriously independent person, right, and there's someone who

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<v Speaker 3>has centered their career around these shows. So of course

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<v Speaker 3>he's going to take offense if she leaves the show

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<v Speaker 3>and says things that are negative, right, So one I

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<v Speaker 3>could see both both sides of that, you know how

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<v Speaker 3>they both could feel. Unfortunately, I think it's the other

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<v Speaker 3>people around them that probably fan, the flames probably meane

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<v Speaker 3>it a lot worse, right.

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<v Speaker 1>Oh yeah, oh yeah. And this is the tricky part.

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<v Speaker 2>Bethany and Andy were very close, very close. They would

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<v Speaker 2>spend time in the Hamptons together and they're separate homes,

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<v Speaker 2>of course, and you could tell they had a great relationship.

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<v Speaker 2>I think Andy said in his book he went to

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<v Speaker 2>like a Bethany party, you know, after she left the show,

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<v Speaker 2>and that's when he mentioned coming back to Housewives. She said,

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<v Speaker 2>let's talk about this, you know, in a day or

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<v Speaker 2>two without tons of people at my party. She mentioned

0:15:05.560 --> 0:15:10.960
<v Speaker 2>he went over her apartment and set her down and said,

0:15:11.000 --> 0:15:13.400
<v Speaker 2>please come back to the show. She said, you cannot

0:15:13.440 --> 0:15:16.680
<v Speaker 2>afford me, and he said, give me a number.

0:15:17.360 --> 0:15:17.880
<v Speaker 1>She said.

0:15:17.920 --> 0:15:19.760
<v Speaker 2>She gave him a number that she thought would be

0:15:19.840 --> 0:15:23.520
<v Speaker 2>like no way, Jose, and they made it work and

0:15:23.520 --> 0:15:26.080
<v Speaker 2>that's how she came back on the show. So the

0:15:26.280 --> 0:15:31.160
<v Speaker 2>problem is this, I believe that Bethany knows too much.

0:15:32.400 --> 0:15:34.040
<v Speaker 4>She knows how the sausage is made.

0:15:34.800 --> 0:15:41.120
<v Speaker 2>Yes, because if you're that close with an executive who

0:15:41.160 --> 0:15:45.760
<v Speaker 2>knows what type of conversations you're having over Ramona Singer's

0:15:45.800 --> 0:15:47.000
<v Speaker 2>Pano Grigio.

0:15:46.920 --> 0:15:49.520
<v Speaker 4>Well, I think that that's why Andy.

0:15:49.880 --> 0:15:52.960
<v Speaker 3>I mean, I don't know Andy personally, but from things

0:15:53.000 --> 0:15:56.640
<v Speaker 3>he said, he doesn't really have friendships with them. I

0:15:56.680 --> 0:15:59.360
<v Speaker 3>mean text messaging is one thing, but like they come

0:15:59.360 --> 0:16:03.200
<v Speaker 3>over to his own home, they know deep and personal things.

0:16:03.200 --> 0:16:07.000
<v Speaker 3>You've got to set a boundary because I think there

0:16:07.040 --> 0:16:09.720
<v Speaker 3>has to be some sort of line there. I don't

0:16:09.760 --> 0:16:12.480
<v Speaker 3>think you could be on a show as a housewife

0:16:13.360 --> 0:16:16.560
<v Speaker 3>and then be privy to conversations and then go back

0:16:17.120 --> 0:16:20.200
<v Speaker 3>right back into the den, you know, because it puts

0:16:20.280 --> 0:16:22.840
<v Speaker 3>you an unfair advantage with the other cast And I

0:16:22.880 --> 0:16:25.400
<v Speaker 3>presume that probably is what happened once she went back.

0:16:25.760 --> 0:16:28.880
<v Speaker 3>It creates friction, as you would I would assume you

0:16:29.000 --> 0:16:31.680
<v Speaker 3>have had to deal with in the past, not on

0:16:31.760 --> 0:16:34.440
<v Speaker 3>just one show but others. But if there's another cast

0:16:34.480 --> 0:16:37.560
<v Speaker 3>member that feels like they're in bed so to speak

0:16:37.600 --> 0:16:40.800
<v Speaker 3>with the network or the producers or any contact at

0:16:40.800 --> 0:16:45.800
<v Speaker 3>the network, that there is a power dynamic that is unfair.

0:16:46.520 --> 0:16:49.480
<v Speaker 3>So I think it probably was a recipe for disaster

0:16:49.840 --> 0:16:52.200
<v Speaker 3>for her to go back. But I can also see

0:16:52.200 --> 0:16:57.160
<v Speaker 3>why he felt offended if she said anything negative. He's like,

0:16:57.200 --> 0:17:00.480
<v Speaker 3>I did everything I good to bring you back. And

0:17:00.600 --> 0:17:03.880
<v Speaker 3>also this is a big, huge part of my career

0:17:04.680 --> 0:17:05.919
<v Speaker 3>and you're like shitting on it.

0:17:06.040 --> 0:17:07.520
<v Speaker 4>So I don't know.

0:17:07.760 --> 0:17:09.840
<v Speaker 3>I think I can see all sides of it. I

0:17:09.840 --> 0:17:15.000
<v Speaker 3>think the problem is you can't really in this industry.

0:17:15.600 --> 0:17:18.840
<v Speaker 3>I would assume it's too difficult to have a deep

0:17:18.880 --> 0:17:22.639
<v Speaker 3>friendship with someone when there's a power dynamic, like someone

0:17:22.760 --> 0:17:25.280
<v Speaker 3>is in the network and you are a cast member,

0:17:25.320 --> 0:17:28.240
<v Speaker 3>like I just probably, I think it's probably impossible.

0:17:28.640 --> 0:17:32.840
<v Speaker 2>Oh, it absolutely is, because, like you said, the power dynamic,

0:17:32.920 --> 0:17:34.879
<v Speaker 2>I mean we talk about that based on the me

0:17:34.960 --> 0:17:40.240
<v Speaker 2>too movement and relationships that you know, women who may

0:17:40.280 --> 0:17:44.040
<v Speaker 2>have with these powerful male executives, that the power dynamic

0:17:44.240 --> 0:17:48.360
<v Speaker 2>may be an issue in terms of having an office romance,

0:17:48.400 --> 0:17:49.919
<v Speaker 2>that you have to look at it deeper than just

0:17:49.960 --> 0:17:52.600
<v Speaker 2>we're attracted to each other. So I do think you're

0:17:52.680 --> 0:17:55.159
<v Speaker 2>right in the sense of, look, is it fun to

0:17:55.359 --> 0:17:59.080
<v Speaker 2>like hang out with a network exec?

0:17:59.240 --> 0:18:02.680
<v Speaker 1>Absolutely? Absolutely, But does.

0:18:02.480 --> 0:18:06.240
<v Speaker 2>That mean in your mind you think you two are

0:18:06.320 --> 0:18:11.840
<v Speaker 2>closer than what it appears? And I think Andy is

0:18:12.040 --> 0:18:16.920
<v Speaker 2>shocked disappointed that Bethany will go too far.

0:18:18.960 --> 0:18:19.840
<v Speaker 1>They tuned for.

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<v Speaker 2>rocketmoney dot com slash r wtk. That's rocketmoney dot com

0:19:41.680 --> 0:19:49.640
<v Speaker 2>slash r w t k. This is Reality with the King,

0:19:49.880 --> 0:19:53.240
<v Speaker 2>and I'm Carlos King. Let's get back into the show.

0:19:55.560 --> 0:19:58.800
<v Speaker 2>I don't understand the.

0:20:00.200 --> 0:20:02.400
<v Speaker 1>Goal. I mean, I think the end goal obviously.

0:20:03.880 --> 0:20:06.040
<v Speaker 2>Once again, she says she wants to call it the

0:20:06.080 --> 0:20:10.960
<v Speaker 2>Bethany clause. So she wants to eradicate all of this,

0:20:11.160 --> 0:20:14.920
<v Speaker 2>in her words, old school traditions and add new to it,

0:20:15.400 --> 0:20:18.720
<v Speaker 2>but she wants it to be called the Bethany clause.

0:20:19.920 --> 0:20:22.680
<v Speaker 3>Well, I'll tell you, like I said, I think with

0:20:22.920 --> 0:20:25.000
<v Speaker 3>a lot of things, some good could come out of it,

0:20:25.280 --> 0:20:29.000
<v Speaker 3>some of the terms that she puts out here with

0:20:29.080 --> 0:20:33.879
<v Speaker 3>regard to how talent should be compensated, etc. One of

0:20:33.920 --> 0:20:35.480
<v Speaker 3>the good things that I think can come out of

0:20:35.480 --> 0:20:37.880
<v Speaker 3>this is it now that people are kind of more

0:20:37.920 --> 0:20:43.119
<v Speaker 3>privy to the commitment, the sacrifice you make if you

0:20:43.160 --> 0:20:46.000
<v Speaker 3>want to be a reality star. Is that a lot

0:20:46.000 --> 0:20:47.800
<v Speaker 3>of people that get caught up in I want to

0:20:47.800 --> 0:20:51.919
<v Speaker 3>be famous, maybe this is the escalator to success that

0:20:52.040 --> 0:20:54.560
<v Speaker 3>I want to be the face of something. I want

0:20:54.560 --> 0:20:56.480
<v Speaker 3>to be an influencer, but I don't want to make

0:20:56.640 --> 0:20:58.960
<v Speaker 3>content for two years with the hopes that somebody will

0:20:59.000 --> 0:21:01.919
<v Speaker 3>find me and if I'm on a reality show, this

0:21:02.040 --> 0:21:04.080
<v Speaker 3>is what's going to work, because it certainly has work

0:21:04.119 --> 0:21:10.439
<v Speaker 3>for many people. But I think that raising all of

0:21:10.480 --> 0:21:15.200
<v Speaker 3>this discussion will make them possibly rethink what it really

0:21:15.200 --> 0:21:17.680
<v Speaker 3>takes to be a reality star. And I thought about

0:21:17.680 --> 0:21:21.520
<v Speaker 3>this a lot listening to her interviews with Rachel.

0:21:21.440 --> 0:21:23.280
<v Speaker 1>The artist Pumbing None. That's Brakale.

0:21:25.000 --> 0:21:25.840
<v Speaker 4>I have to say this.

0:21:26.240 --> 0:21:28.880
<v Speaker 3>I think if anybody wants to be a reality star,

0:21:29.240 --> 0:21:32.200
<v Speaker 3>they need to think about this. If you are going

0:21:32.240 --> 0:21:35.679
<v Speaker 3>to consider it, you must do a couple things. You

0:21:35.760 --> 0:21:38.760
<v Speaker 3>have to have long conversations with the production company and

0:21:38.800 --> 0:21:40.439
<v Speaker 3>the people that want you to be part of the

0:21:40.440 --> 0:21:42.840
<v Speaker 3>show about the direction of the show and why they

0:21:42.880 --> 0:21:45.320
<v Speaker 3>think you are a good fit. You have to have

0:21:45.359 --> 0:21:48.280
<v Speaker 3>a great entertainment lawyer who will go through your contract

0:21:48.600 --> 0:21:53.639
<v Speaker 3>with a fine tooth comb. Don't be quick to sign

0:21:53.640 --> 0:21:56.560
<v Speaker 3>a contract because you so badly just want to use

0:21:56.600 --> 0:22:00.359
<v Speaker 3>it as an opportunity to become famous or as a

0:22:00.359 --> 0:22:01.920
<v Speaker 3>stepping stone to something else.

0:22:02.520 --> 0:22:06.840
<v Speaker 4>Really look through the language of the contract. That's really important.

0:22:07.520 --> 0:22:10.679
<v Speaker 3>Have people in your life who are not going to

0:22:10.720 --> 0:22:14.199
<v Speaker 3>be sick evinced, people who are going to tell you

0:22:14.280 --> 0:22:16.920
<v Speaker 3>the truth about the monster that you may or may

0:22:16.960 --> 0:22:20.119
<v Speaker 3>not become. That this is not going to be the

0:22:20.160 --> 0:22:22.320
<v Speaker 3>center of your life. There was a life before this,

0:22:22.400 --> 0:22:25.359
<v Speaker 3>there will be a life after that. You have to

0:22:25.480 --> 0:22:29.280
<v Speaker 3>have a good set of a sense of who you

0:22:29.320 --> 0:22:32.480
<v Speaker 3>are in the direction you want to go in the world,

0:22:33.200 --> 0:22:36.399
<v Speaker 3>and make peace with the fact that this may not

0:22:36.480 --> 0:22:40.359
<v Speaker 3>be what you think it is. In other words, you

0:22:40.520 --> 0:22:43.520
<v Speaker 3>are joining whatever show. It may be a dating show,

0:22:43.720 --> 0:22:47.720
<v Speaker 3>an ensemble show, or a competition show. And you may

0:22:47.760 --> 0:22:53.320
<v Speaker 3>have these unrealistic expectations of how famous you're going to

0:22:53.359 --> 0:22:56.960
<v Speaker 3>be and how much money you're going to make, because

0:22:57.000 --> 0:23:00.320
<v Speaker 3>there are very few people Bethany is one of them

0:23:00.400 --> 0:23:05.119
<v Speaker 3>who really make quite a bit of money, become household names,

0:23:05.520 --> 0:23:09.520
<v Speaker 3>and use it to create all these opportunities. So have

0:23:09.600 --> 0:23:14.840
<v Speaker 3>realistic expectations and finally have some sort of plan in place,

0:23:15.280 --> 0:23:18.360
<v Speaker 3>with the help of maybe a business manager, an accountant,

0:23:18.440 --> 0:23:21.400
<v Speaker 3>or whatever it may be, to figure out how are

0:23:21.400 --> 0:23:24.959
<v Speaker 3>you going to use this to do other things? Because

0:23:24.960 --> 0:23:29.879
<v Speaker 3>if your goal is to just become the greatest star

0:23:30.000 --> 0:23:34.040
<v Speaker 3>of XYZ, there are other people waiting in a line,

0:23:34.119 --> 0:23:37.960
<v Speaker 3>a very long line behind you, and you're expendable. So

0:23:38.200 --> 0:23:41.360
<v Speaker 3>is funny, as your family and friends tell you you are,

0:23:42.040 --> 0:23:44.639
<v Speaker 3>there is someone right around the corner that can replace you.

0:23:44.760 --> 0:23:46.800
<v Speaker 3>And make peace with that. So you have to have

0:23:46.840 --> 0:23:49.240
<v Speaker 3>some sort of plan what are you going to do

0:23:49.359 --> 0:23:52.719
<v Speaker 3>with this opportunity. So if you don't have all of

0:23:52.760 --> 0:23:55.560
<v Speaker 3>those things in line, you should not be on a

0:23:55.560 --> 0:23:59.800
<v Speaker 3>reality show. And I thought also of that interview that

0:23:59.800 --> 0:24:03.320
<v Speaker 3>she with Rachel is that Rachel was not cut out

0:24:03.440 --> 0:24:04.880
<v Speaker 3>ever to be a reality star.

0:24:05.520 --> 0:24:06.240
<v Speaker 4>There are very.

0:24:06.200 --> 0:24:09.520
<v Speaker 3>Few people meeting. You've got to be honest with yourself.

0:24:09.560 --> 0:24:11.959
<v Speaker 3>Do you have thick skin or not? I think somebody

0:24:12.040 --> 0:24:13.920
<v Speaker 3>like La La Kent has very thick skin.

0:24:14.760 --> 0:24:15.119
<v Speaker 1>Yes.

0:24:15.400 --> 0:24:17.960
<v Speaker 4>I think a lot of housewives have very thick skin.

0:24:18.520 --> 0:24:18.879
<v Speaker 1>Yes.

0:24:19.600 --> 0:24:23.840
<v Speaker 3>However, Rachel said in the interview, in the first part

0:24:23.880 --> 0:24:25.240
<v Speaker 3>of it.

0:24:24.600 --> 0:24:25.199
<v Speaker 4>It struck me.

0:24:25.280 --> 0:24:28.760
<v Speaker 3>She said, I'm someone who has always struggled with social

0:24:28.800 --> 0:24:31.920
<v Speaker 3>anxiety and judgment. Why are you on a reality show?

0:24:32.160 --> 0:24:34.120
<v Speaker 3>This was some She was a woman who had been

0:24:34.160 --> 0:24:37.679
<v Speaker 3>in pageants. She pursued a relationship with a guy on

0:24:37.720 --> 0:24:41.560
<v Speaker 3>a reality show. She pursued the relationship in order to

0:24:41.720 --> 0:24:43.879
<v Speaker 3>get access to other people in the reality show with

0:24:43.920 --> 0:24:47.360
<v Speaker 3>the hope of being on a reality show. And if

0:24:47.400 --> 0:24:53.320
<v Speaker 3>you do not have the mental strength to handle what

0:24:53.480 --> 0:24:55.879
<v Speaker 3>will come with being on a reality show, you should

0:24:56.080 --> 0:24:59.120
<v Speaker 3>never sign up for one. And I think people get

0:24:59.200 --> 0:25:03.639
<v Speaker 3>really caught up in fame and the attention, and that

0:25:03.680 --> 0:25:05.760
<v Speaker 3>you get invited to these things and you're going to

0:25:05.800 --> 0:25:09.280
<v Speaker 3>be at this event, and they really don't have an

0:25:09.320 --> 0:25:12.760
<v Speaker 3>honest conversation with themselves. In fact, I think maybe what

0:25:12.880 --> 0:25:16.080
<v Speaker 3>they should those terms should include. Before you sign the

0:25:16.080 --> 0:25:18.119
<v Speaker 3>contract for a reality show, you have to have a

0:25:18.160 --> 0:25:22.080
<v Speaker 3>certain amount of sessions with a mental health professional about

0:25:22.080 --> 0:25:25.080
<v Speaker 3>how this might completely change not only your life, the

0:25:25.119 --> 0:25:28.200
<v Speaker 3>lives of the people in your family. I don't know,

0:25:28.280 --> 0:25:32.159
<v Speaker 3>but I think that again, good things may come out

0:25:32.200 --> 0:25:34.600
<v Speaker 3>of this. It may make a lot of people who

0:25:34.640 --> 0:25:39.280
<v Speaker 3>thought reality shows were in their life plan to rethink it,

0:25:39.480 --> 0:25:42.960
<v Speaker 3>because I don't think people understand how difficult it is

0:25:43.040 --> 0:25:47.119
<v Speaker 3>for talent to do these shows.

0:25:47.160 --> 0:25:49.360
<v Speaker 4>I think it's a really really hard hard thing.

0:25:50.240 --> 0:25:51.639
<v Speaker 1>It's very hard. It's very hard.

0:25:51.680 --> 0:25:56.040
<v Speaker 2>And no, you're right, if you are socially awkward and

0:25:56.200 --> 0:25:59.800
<v Speaker 2>have a fear of judgment, you need to not step

0:25:59.840 --> 0:26:05.040
<v Speaker 2>on anyone's casting zoom an audition to be a part

0:26:05.119 --> 0:26:10.160
<v Speaker 2>of a reality show, especially one where on Badapump Rules,

0:26:10.320 --> 0:26:13.520
<v Speaker 2>it's friends who have known each other for years. Some

0:26:13.600 --> 0:26:16.040
<v Speaker 2>of them have slept with each other, They read each other,

0:26:16.440 --> 0:26:18.000
<v Speaker 2>throw dreams, got slapped.

0:26:18.040 --> 0:26:19.240
<v Speaker 1>It's an intense program.

0:26:19.600 --> 0:26:22.119
<v Speaker 3>You mentioned somebody who says I have a fear of

0:26:22.160 --> 0:26:25.840
<v Speaker 3>social anxiety and judgment signing up for Real Housewives of

0:26:25.840 --> 0:26:32.160
<v Speaker 3>Atlanta or for f Boy Island or Survivor like that's

0:26:32.200 --> 0:26:33.400
<v Speaker 3>a recipe for disaster.

0:26:33.720 --> 0:26:36.240
<v Speaker 2>You can't survive on the island of the Real Housewives

0:26:36.240 --> 0:26:37.119
<v Speaker 2>if you're that person.

0:26:37.640 --> 0:26:38.680
<v Speaker 1>And that's the reason why.

0:26:39.080 --> 0:26:42.159
<v Speaker 2>You know, as somebody who hire reality stars to be

0:26:42.240 --> 0:26:43.800
<v Speaker 2>one of my shows.

0:26:43.560 --> 0:26:46.359
<v Speaker 1>I look for that can you handle it? And listen?

0:26:46.560 --> 0:26:49.399
<v Speaker 2>Some appear they can, and after the first season, no

0:26:49.440 --> 0:26:52.320
<v Speaker 2>one can because you're not understanding what you're getting into.

0:26:52.840 --> 0:26:55.879
<v Speaker 1>But after the first season they normally are like, Okay,

0:26:55.920 --> 0:26:57.639
<v Speaker 1>we got it. You got it. It's like being a

0:26:57.640 --> 0:26:58.560
<v Speaker 1>freshman in college.

0:26:59.000 --> 0:27:02.119
<v Speaker 2>You go through your freshman you know, you're sort of like,

0:27:02.320 --> 0:27:04.240
<v Speaker 2>what is this, I'm confused.

0:27:04.240 --> 0:27:05.280
<v Speaker 1>I want to go back home.

0:27:05.480 --> 0:27:07.719
<v Speaker 2>You go back home every weekend because you miss your

0:27:07.720 --> 0:27:12.199
<v Speaker 2>old life, right, yes, But in your sophomore year, you're like,

0:27:12.240 --> 0:27:14.560
<v Speaker 2>you know what, girl, I got it. That's what it's

0:27:14.560 --> 0:27:16.680
<v Speaker 2>like to be a reality star in your sophomore year

0:27:16.760 --> 0:27:17.520
<v Speaker 2>reality TV.

0:27:18.160 --> 0:27:23.000
<v Speaker 1>You're good. I hate to interrupt, but stay tuned for more.

0:27:29.680 --> 0:27:32.320
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0:27:32.400 --> 0:27:36.120
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0:27:36.160 --> 0:27:39.560
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0:28:15.760 --> 0:28:17.720
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<v Speaker 2>Made for sponsoring this episode Reality with the King, and

0:30:01.560 --> 0:30:06.960
<v Speaker 2>I'm Carlos King. Let's get back into the show. The

0:30:07.080 --> 0:30:11.080
<v Speaker 2>artist formerly known as Raquel Rachel. She said on Bethany's

0:30:11.120 --> 0:30:16.160
<v Speaker 2>podcast that well, not only she mentioned this, Alex Baskin,

0:30:16.800 --> 0:30:20.120
<v Speaker 2>the executive producer of vand the Pump Rules, who I

0:30:20.160 --> 0:30:24.480
<v Speaker 2>know is in front of yours. Kate Rachel and Alex

0:30:24.800 --> 0:30:30.640
<v Speaker 2>did confirm separately that the show Vanda Pump Rules was

0:30:30.680 --> 0:30:33.600
<v Speaker 2>on the verge of cancelation before scanned.

0:30:33.640 --> 0:30:36.240
<v Speaker 3>Of all, he said on my show too, for people

0:30:36.240 --> 0:30:38.480
<v Speaker 3>that don't watch the show, I think that the reason

0:30:38.520 --> 0:30:41.760
<v Speaker 3>that it exploded this year was because it reminds a

0:30:41.760 --> 0:30:45.120
<v Speaker 3>lot of older people, older older than twenty five, of

0:30:45.200 --> 0:30:48.440
<v Speaker 3>the time in their life where they had less responsibilities. Right,

0:30:48.760 --> 0:30:51.320
<v Speaker 3>you could just go out all night, maybe you worked.

0:30:51.080 --> 0:30:51.520
<v Speaker 1>At a bar.

0:30:51.920 --> 0:30:55.800
<v Speaker 3>So obviously a lot of women enjoyed The Bachelor and

0:30:56.280 --> 0:31:00.000
<v Speaker 3>Real Housewives, but in my experience, a lot of men

0:31:00.040 --> 0:31:02.200
<v Speaker 3>will say to me, oh, I love Vanner Pump Roules.

0:31:02.040 --> 0:31:05.840
<v Speaker 3>It's a show that couples can watch, that friends can

0:31:05.880 --> 0:31:08.040
<v Speaker 3>watch and all text each other. It's both men and

0:31:08.040 --> 0:31:10.840
<v Speaker 3>women watch it. I think they were so struck by

0:31:10.920 --> 0:31:15.800
<v Speaker 3>this because Rachel up At had this at this point,

0:31:16.000 --> 0:31:20.400
<v Speaker 3>had seemed like a like a like a very kind hearted,

0:31:20.400 --> 0:31:23.480
<v Speaker 3>sweet and gentle person. And I think the audience felt

0:31:23.560 --> 0:31:27.200
<v Speaker 3>had that they were scammed by her because he or

0:31:27.200 --> 0:31:31.360
<v Speaker 3>she was carrying on this affair with a very close

0:31:31.400 --> 0:31:36.200
<v Speaker 3>friend someone argued, best friend with her partner. And I

0:31:36.240 --> 0:31:38.520
<v Speaker 3>think that struck a lot of the audience. They probably

0:31:38.520 --> 0:31:41.200
<v Speaker 3>have known someone or been cheated on, and so they

0:31:41.240 --> 0:31:44.400
<v Speaker 3>have this visceral reaction to that. And then the last

0:31:44.440 --> 0:31:46.760
<v Speaker 3>layer of it is you're watching it all or not

0:31:46.800 --> 0:31:51.240
<v Speaker 3>all unfold, but part of it unfold. Because basically the

0:31:51.280 --> 0:31:55.480
<v Speaker 3>affair wasn't revealed until well after they had finished filming,

0:31:56.200 --> 0:31:58.080
<v Speaker 3>so a lot of the grievances that have come up

0:31:58.240 --> 0:32:01.720
<v Speaker 3>those were things that were filmed or were not filmed.

0:32:01.760 --> 0:32:06.600
<v Speaker 3>They were off camera, So in going back and watching

0:32:06.600 --> 0:32:10.640
<v Speaker 3>the footage, people can see that there's this menacing quality

0:32:10.680 --> 0:32:13.920
<v Speaker 3>to her, Like there's this one scene where she's asking

0:32:14.080 --> 0:32:18.480
<v Speaker 3>Arianna about the level of intimacy she has with Tom

0:32:19.000 --> 0:32:22.000
<v Speaker 3>and you know now as a viewer, that she's sleeping

0:32:22.040 --> 0:32:24.280
<v Speaker 3>with them the whole time, and that, I'm sorry, is

0:32:24.280 --> 0:32:29.360
<v Speaker 3>a diabolical thing. That's diabolical to ask a woman about

0:32:29.360 --> 0:32:32.400
<v Speaker 3>the level of intimacy that she's sharing with the man

0:32:32.520 --> 0:32:37.000
<v Speaker 3>she's with and you're secretly sleeping with him. So that

0:32:37.160 --> 0:32:40.720
<v Speaker 3>is why people went bananas this season watching it because.

0:32:40.440 --> 0:32:41.360
<v Speaker 4>Of those two things.

0:32:42.480 --> 0:32:44.520
<v Speaker 3>So, yeah, a lot of us that has been said,

0:32:44.600 --> 0:32:49.200
<v Speaker 3>like why wasn't this coboard or a lot of the

0:32:49.280 --> 0:32:54.360
<v Speaker 3>stuff that was happening happened after they had filmed. All

0:32:54.560 --> 0:32:57.000
<v Speaker 3>the story coming out about the affair happened after they

0:32:57.240 --> 0:32:59.600
<v Speaker 3>finished filming. So then they got the cameras back up

0:32:59.600 --> 0:33:01.520
<v Speaker 3>and they filed for a film for a little bit

0:33:01.840 --> 0:33:03.720
<v Speaker 3>to kind of tie the story with a loose end

0:33:03.800 --> 0:33:08.040
<v Speaker 3>and then they had their reunion. Yeah, so that is

0:33:08.080 --> 0:33:11.280
<v Speaker 3>why people got so caught up in all of this.

0:33:11.600 --> 0:33:13.720
<v Speaker 3>And now she said in the interview too, she was

0:33:13.800 --> 0:33:18.240
<v Speaker 3>very frustrated that they had all had monetized. But again,

0:33:18.400 --> 0:33:21.720
<v Speaker 3>this is the nature of a very brutal entertainment industry,

0:33:21.800 --> 0:33:25.320
<v Speaker 3>and this is true for scripted too, is that you

0:33:25.400 --> 0:33:28.160
<v Speaker 3>have to strike the iron while it's hot. Right, So

0:33:28.520 --> 0:33:31.320
<v Speaker 3>when this all happened, she went to a mental health facility,

0:33:31.440 --> 0:33:34.240
<v Speaker 3>which I applaud her for. I thought that was the

0:33:34.320 --> 0:33:38.360
<v Speaker 3>right decision to make, and a lot of them the

0:33:38.400 --> 0:33:41.240
<v Speaker 3>show was airing, and so they struck the iron while

0:33:41.280 --> 0:33:45.760
<v Speaker 3>it's hot. They had merchandise things done to kind of

0:33:46.240 --> 0:33:50.000
<v Speaker 3>make money for themselves. So now she's left the facility

0:33:50.680 --> 0:33:55.320
<v Speaker 3>and she's frustrated that they made all this money. Well,

0:33:55.400 --> 0:34:00.320
<v Speaker 3>I think that what she should have done is weighted year,

0:34:00.440 --> 0:34:04.160
<v Speaker 3>if not more, to do any interviews, to have gone

0:34:04.280 --> 0:34:07.560
<v Speaker 3>off the grid, gone back into a career that she

0:34:07.880 --> 0:34:10.719
<v Speaker 3>was interested in before. I know that she had studied kinesiology.

0:34:10.800 --> 0:34:13.760
<v Speaker 3>She talked about wanting to be an occupational therapist for children,

0:34:14.080 --> 0:34:18.680
<v Speaker 3>specifically in pediatrics. That is fantastic, gone and done, that

0:34:18.840 --> 0:34:21.840
<v Speaker 3>got off television, because in my experience, the most interesting

0:34:21.880 --> 0:34:24.520
<v Speaker 3>interviews are people that have had some sort of life

0:34:24.600 --> 0:34:30.000
<v Speaker 3>experience outside of television got far more centered and then

0:34:30.040 --> 0:34:35.680
<v Speaker 3>they have much more interest like introspection and insight not

0:34:35.719 --> 0:34:38.760
<v Speaker 3>only just about who they are, but how they participated

0:34:38.800 --> 0:34:41.640
<v Speaker 3>in this moment in television. Right, But she didn't give

0:34:41.640 --> 0:34:45.280
<v Speaker 3>herself much space to do that. I'm and I worry

0:34:45.360 --> 0:34:48.920
<v Speaker 3>that she's sort of lost her voice in this because

0:34:49.880 --> 0:34:52.600
<v Speaker 3>I don't know when she's going to have some time

0:34:52.680 --> 0:34:56.960
<v Speaker 3>and space to really think about how she participated in

0:34:56.960 --> 0:35:00.239
<v Speaker 3>this crazy story. And now she had mentioned she wants

0:35:00.280 --> 0:35:02.640
<v Speaker 3>to do a podcast, and she thinks that there's this

0:35:02.680 --> 0:35:06.400
<v Speaker 3>on top market of the of people telling the story

0:35:06.440 --> 0:35:08.240
<v Speaker 3>of like what it's like to be the other woman?

0:35:09.200 --> 0:35:12.520
<v Speaker 3>Now you're branding yourself. Would you want to walk away

0:35:12.520 --> 0:35:13.239
<v Speaker 3>from that after this?

0:35:14.600 --> 0:35:17.560
<v Speaker 1>And that's a thing. Let me go backwards a bit.

0:35:18.760 --> 0:35:22.680
<v Speaker 2>Not everybody is meant to host a podcast.

0:35:22.800 --> 0:35:27.160
<v Speaker 1>Ray, Rachel. I'm sorry, Rachel, I love you.

0:35:27.160 --> 0:35:30.520
<v Speaker 2>You're nobody's host, and it's fine, and it's like, that's

0:35:30.600 --> 0:35:33.120
<v Speaker 2>number one. You don't need to host anything, girl, So

0:35:33.320 --> 0:35:34.840
<v Speaker 2>let's not do a podcast, my sweetpee.

0:35:35.800 --> 0:35:36.600
<v Speaker 1>That's number one.

0:35:36.840 --> 0:35:40.879
<v Speaker 2>Number two You're right, Kate, Why would you if all

0:35:40.920 --> 0:35:44.160
<v Speaker 2>of this has traumatized you? And I believe it has.

0:35:44.600 --> 0:35:46.799
<v Speaker 2>I believe it has one hundred percent. You can look

0:35:46.800 --> 0:35:50.839
<v Speaker 2>at her eyes and till it's traumatizing. You can't continue

0:35:51.000 --> 0:35:55.640
<v Speaker 2>taking the drug that has caused you to be put

0:35:55.680 --> 0:36:00.279
<v Speaker 2>in rehab. You just you have to be so to

0:36:00.280 --> 0:36:03.120
<v Speaker 2>walk away and be sober from it. So the drug

0:36:03.360 --> 0:36:09.400
<v Speaker 2>is the stamp that's on your back, essentially.

0:36:09.480 --> 0:36:12.160
<v Speaker 1>Which is the other woman. Why talk about it?

0:36:12.200 --> 0:36:14.800
<v Speaker 2>All that is going to do is remind you every

0:36:14.880 --> 0:36:19.160
<v Speaker 2>time you talk to somebody of the scandal situation.

0:36:19.560 --> 0:36:20.840
<v Speaker 4>So she had two decisions.

0:36:20.840 --> 0:36:22.840
<v Speaker 3>You could either not go to a mental health facility

0:36:22.840 --> 0:36:25.439
<v Speaker 3>and you can make merchandise that say you know, I'm

0:36:25.440 --> 0:36:28.960
<v Speaker 3>a mistress or whatever, But like, don't you want to

0:36:29.120 --> 0:36:29.840
<v Speaker 3>move on from that?

0:36:30.239 --> 0:36:33.640
<v Speaker 2>Bethany received a lot of back lad from her interview

0:36:33.840 --> 0:36:39.280
<v Speaker 2>with Rachel. These people k are reading Bethany for filth.

0:36:39.719 --> 0:36:46.680
<v Speaker 2>They're saying, you talk about exploitation. You exploited Rachel all

0:36:46.719 --> 0:36:50.239
<v Speaker 2>over again. You did not compensate her for the interview,

0:36:51.239 --> 0:36:54.320
<v Speaker 2>You did not do your research watching the show.

0:36:55.200 --> 0:36:56.600
<v Speaker 1>You talked over her the.

0:36:56.760 --> 0:37:01.000
<v Speaker 2>Entire time, and a lot of people weren't into it.

0:37:01.400 --> 0:37:05.920
<v Speaker 2>Bethany clapped back and said, all you haters, whatever, I

0:37:06.000 --> 0:37:09.560
<v Speaker 2>have the number one worldwide podcast in the world, and

0:37:09.760 --> 0:37:11.920
<v Speaker 2>you guys are just jealous. How do you know what

0:37:12.000 --> 0:37:15.040
<v Speaker 2>I'm not doing for Rachel? You guys don't know. But

0:37:15.120 --> 0:37:17.560
<v Speaker 2>I love engagement. What are your thoughts on that.

0:37:17.880 --> 0:37:20.240
<v Speaker 4>I don't think she cares what I think or anyone

0:37:20.280 --> 0:37:21.440
<v Speaker 4>else think. So who cares?

0:37:21.520 --> 0:37:25.000
<v Speaker 1>Well? I care Kate Casey, and so does my rain drops.

0:37:25.600 --> 0:37:30.319
<v Speaker 3>I'll say this, I would hope that people appreciate that

0:37:30.360 --> 0:37:32.759
<v Speaker 3>when I interview them, I do the work and I

0:37:32.880 --> 0:37:36.000
<v Speaker 3>watch the show, and I've really invest myself in their

0:37:36.040 --> 0:37:36.920
<v Speaker 3>personal stories.

0:37:43.840 --> 0:37:47.800
<v Speaker 1>Drop Mike, I mean Mike, drop, Mike drop.

0:37:48.320 --> 0:37:52.160
<v Speaker 2>And I will also add to that to Kate, you

0:37:52.480 --> 0:37:55.040
<v Speaker 2>actually are invested.

0:37:55.760 --> 0:37:57.480
<v Speaker 1>In the subject matter.

0:37:57.880 --> 0:38:02.400
<v Speaker 2>You actually you want to know, you want to get

0:38:02.440 --> 0:38:05.799
<v Speaker 2>into the psyche of your subjects, and really walk away

0:38:05.880 --> 0:38:10.600
<v Speaker 2>saying I learned something after this interview and when it

0:38:10.640 --> 0:38:15.400
<v Speaker 2>came to Rachel. Look, I have not yet listened to

0:38:15.680 --> 0:38:23.560
<v Speaker 2>the three part conversation because I listened to Bethany and

0:38:23.640 --> 0:38:30.279
<v Speaker 2>Jail reunion conversation and Bethany was over talking Jill the

0:38:30.320 --> 0:38:35.080
<v Speaker 2>whole time, and I had to no, Shay, turn it off.

0:38:35.640 --> 0:38:44.440
<v Speaker 2>But you know, for Rachel, I just couldn't stop maach

0:38:44.480 --> 0:38:46.279
<v Speaker 2>another over talking conversation.

0:38:46.680 --> 0:38:51.200
<v Speaker 3>Okay, Casey, Well, I think there's something to it. I did,

0:38:51.200 --> 0:38:54.840
<v Speaker 3>but I think there's something about Bethany. You know, Listen,

0:38:54.920 --> 0:38:57.000
<v Speaker 3>everybody gets to choose who they want to interview them

0:38:58.080 --> 0:39:02.759
<v Speaker 3>and I think that it sounds as if Rachel's mother,

0:39:03.000 --> 0:39:08.200
<v Speaker 3>who has a huge influence in her life, has felt

0:39:08.200 --> 0:39:11.279
<v Speaker 3>a connection to Bethany. And I think that's everyone as

0:39:11.320 --> 0:39:14.680
<v Speaker 3>a prerogative about who they want to interview. So that's

0:39:14.719 --> 0:39:16.799
<v Speaker 3>the great thing about having a million different shows and

0:39:16.840 --> 0:39:20.719
<v Speaker 3>a million different hosts. I hope that she felt like

0:39:20.840 --> 0:39:22.960
<v Speaker 3>her story was told in the way that she wanted

0:39:23.000 --> 0:39:26.640
<v Speaker 3>it to be told. And like I said, my advice

0:39:26.680 --> 0:39:29.400
<v Speaker 3>would be for her to have waited and to waited

0:39:29.480 --> 0:39:32.359
<v Speaker 3>for a year if she wants to wait a year.

0:39:32.680 --> 0:39:34.640
<v Speaker 3>Some of the questions I would like to ask her

0:39:34.719 --> 0:39:40.000
<v Speaker 3>are about why she even pursued being in pageants, because

0:39:40.040 --> 0:39:42.800
<v Speaker 3>I think if you start there, you can really start

0:39:42.800 --> 0:39:45.680
<v Speaker 3>to unravel it and get to the heart of it.

0:39:46.000 --> 0:39:47.879
<v Speaker 1>No, you're absolutely right about that.

0:39:47.960 --> 0:39:51.359
<v Speaker 2>So look, it remains to be seen what the outcome

0:39:51.800 --> 0:39:56.839
<v Speaker 2>is going to be. With Bethany's Reality Reckoning and one

0:39:56.880 --> 0:40:00.719
<v Speaker 2>thing for Sure in my Lisa Rena boys, you better.

0:40:00.440 --> 0:40:03.440
<v Speaker 1>Believe k and I are going to talk about it.

0:40:03.800 --> 0:40:06.040
<v Speaker 2>Thank you Kate for coming on the program I love

0:40:06.080 --> 0:40:07.799
<v Speaker 2>and let the world know where they can find you,

0:40:07.880 --> 0:40:11.120
<v Speaker 2>Follow you and support your top podcast.

0:40:11.239 --> 0:40:14.799
<v Speaker 3>Oh thank you Reality Life with kick Case everywhere where

0:40:14.840 --> 0:40:17.479
<v Speaker 3>you get podcasts, six episodes a week, a must watch

0:40:17.520 --> 0:40:22.280
<v Speaker 3>list available at kikc dot substock dot com, and Patreon.

0:40:22.320 --> 0:40:26.279
<v Speaker 4>Bonus episodes too.

0:40:27.400 --> 0:40:30.279
<v Speaker 2>Thank you for listening to Reality with the King. New

0:40:30.360 --> 0:40:37.080
<v Speaker 2>episodes drop every Tuesday, Share, comment, follow and subscribe to

0:40:37.200 --> 0:40:41.000
<v Speaker 2>Reality with the King. Wherever you get your podcast, visit

0:40:41.239 --> 0:40:44.600
<v Speaker 2>Reality withthe King dot com and be sure to follow

0:40:44.680 --> 0:40:49.799
<v Speaker 2>me at the Carlos King Underscore on Instagram, Twitter, TikTok

0:40:49.880 --> 0:40:52.799
<v Speaker 2>and Yes Baby my YouTube channel where you can get

0:40:52.840 --> 0:40:57.040
<v Speaker 2>all of my visuals, baby, my expressions. Yeah, and don't

0:40:57.040 --> 0:41:00.279
<v Speaker 2>forget tweet me your thoughts and hot takes of about

0:41:00.280 --> 0:41:02.040
<v Speaker 2>this episode using.

0:41:01.800 --> 0:41:04.680
<v Speaker 1>The hashtag Reality with the King.

0:41:05.040 --> 0:41:09.120
<v Speaker 2>Reality with the King is a production of Kingdom Reign Entertainment.

0:41:09.920 --> 0:41:14.280
<v Speaker 2>It is produced by Sierra Spragley Rix An executive produced

0:41:14.400 --> 0:41:27.680
<v Speaker 2>by me Carlos King, Kingdom Reign entertainment, baby