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Speaker 1: On the Beck dol Cast, the questions asked if movies

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Speaker 1: have women and um are all their discussions just boyfriends

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Speaker 1: and husbands or do they have individualism? The patriarchy? Zef

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Speaker 1: and best start changing it with the beck del Cast.

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Speaker 1: Hello and welcome to the Bechtel Cast. I'm your host,

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Speaker 1: Caitlin Durante. Our other wonderful host, Jamie Loftus, is on

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Speaker 1: her way. She is stuck in traffic, but it pales

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Speaker 1: in comparison to the story about her being trapped on

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Speaker 1: a gray hump bus. I will let her share that

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Speaker 1: when she gets here, but we wanted to get started,

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Speaker 1: so it's not to waste the time of our wonderful guest,

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Speaker 1: Jack you kin, Thank you so much for being here.

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Speaker 1: Thank you. I can't wait to hear the bus story.

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Speaker 1: Oh my god, it's terrific. So we are talking about

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Speaker 1: the movie Groundhog Day? Are we talking about the movie

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Speaker 1: Groundhog Day? We are? Could you? Oh? Hello and welcome

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Speaker 1: to the Bechtel Cast. My name is Caitlin Durante. Your host,

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Speaker 1: Jamie Loftus is on her way. That joke is on

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Speaker 1: the table. You couldn't just leave it there. You gotta

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Speaker 1: do that joke over. You gotta do it? What do you?

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Speaker 1: What do you made a stone? Yeah, so we are here.

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Speaker 1: The what this podcast is about is that we talked

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Speaker 1: about the portrayal of female characters in movies for against

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Speaker 1: I'm against women being in movies. I hate them. Right,

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Speaker 1: dress men up in dresses like Shakespeare did? Why do

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Speaker 1: we bother? Why do we even? Women should be in

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Speaker 1: the kitchen changed to a wall. Change with just a

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Speaker 1: leash that could get into the stove, get her to

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Speaker 1: the fridge, and that is it. We shouldn't be allowed

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Speaker 1: to learn to read and not all the way to

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Speaker 1: the fridge because then they'll get fat. So one of

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Speaker 1: my I was talking to somebody last night and one

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Speaker 1: of my first ever jokes, Oh it's lame, um, was

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Speaker 1: that men belong in the in the kitchen barefoot and

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Speaker 1: erect with a with a frisbee on his head so

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Speaker 1: I can put my beer in his head. That's very pross,

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Speaker 1: wasn't it. Yeah, it's a it's the image doesn't even

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Speaker 1: entirely work because you have to then go, oh, he's needling.

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Speaker 1: But some people don't go it's such a dumb joke.

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Speaker 1: But it was a hundred years ago. So it has

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Speaker 1: that advantage that I've written new jokes since then. My

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Speaker 1: early jokes are also not very good. Who's our that

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Speaker 1: that was? We did a round robin of of our

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Speaker 1: early jokes, and boy was there some crap being discussed.

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Speaker 1: It was yeah, well, uh, but I'm happy to be

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Speaker 1: here and I love Groundhog Day genuinely. So yeah, tell

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Speaker 1: us about when you first saw this movie. Well, it

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Speaker 1: came out in what nine? Uh that sounds right. Yeah,

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Speaker 1: I saw it, Okay, So I saw it in the

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Speaker 1: theater and it was a delight because it is um

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Speaker 1: who's in it? Who's yep, it's her name is God,

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Speaker 1: I've already forgotten. Uh, Chris Elliott, Oh, just the man,

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Speaker 1: Welcome to the Bechtel past. We can only remember the

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Speaker 1: men's names. And classic problem character. His name is Rita.

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Speaker 1: I don't know why. It's Oh Andy McDowell, that's it.

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Speaker 1: It's Andy McDowell, that's right. But I couldn't remember either,

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Speaker 1: so I I we both failed the Becktel test. We

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Speaker 1: both failed the Betel test. And uh but the yeah,

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Speaker 1: it was yeah, Bill Murray and Annie McDowell and it

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Speaker 1: was and dan Ackroid No, no, no, dan Ackroid was

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Speaker 1: in something else that year he was still working in

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Speaker 1: front of the camera, which is an error, but um,

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Speaker 1: the Yeah, and and Chris Elliot, who he was one

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Speaker 1: of my favorite characters that Chris Elliott. Did he just

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Speaker 1: refer to himself in the third Did he just call

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Speaker 1: himself as the talent? The talent? Oh? Yeah, some great line,

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Speaker 1: it really does. And but I saw it in the theater,

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Speaker 1: and I think I saw more than once in the

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Speaker 1: theater just because it made me laugh to see it again,

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Speaker 1: because it's such it's because that's the joke. Yes, I

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Speaker 1: saw it, not in the theater. I would have been

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Speaker 1: probably seven years old, but I didn't. I saw it

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Speaker 1: not long after that like earlier early years. Yeah, I

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Speaker 1: saw it mid nineties. Yeah, on VHS. My grandma had

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Speaker 1: it and then my mom bought it eventually and we

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Speaker 1: had the reason for that is that I actually grew

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Speaker 1: up very close to pont Sitani, Pennsylvania. My mom is

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Speaker 1: from there, so that's why my grandma had it, who

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Speaker 1: is like a very ultra conservative, militant Christian woman who

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Speaker 1: I think he sounds like a probably to hang out.

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Speaker 1: Oh yep, I haven't spoken to about a decade um.

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Speaker 1: But yeah, this movie I'm sure is a bit lost

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Speaker 1: on her, especially because they make fun of like small

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Speaker 1: town culture in it a lot. And she was just like, Oh,

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Speaker 1: this movie takes place where I live right now. How cool?

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Speaker 1: Well and luckily though, is it was you have that movie?

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Speaker 1: I grew up only movies that take place in Wisconsin.

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Speaker 1: There's like freaking Bird on a Wire, which is a

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Speaker 1: I think Goldie Hawn and the guy who hates Jews

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Speaker 1: a lethal enforcer, lethal weapon, Mel Gibson, There we go

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Speaker 1: and um the so Mel it was? And Goldie Hawn

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Speaker 1: screams through the entire movie. And at one point on

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Speaker 1: Bird on a Wire they have a chase scene through

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Speaker 1: the chinatown of Racine, Wisconsin. Let me tell you that

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Speaker 1: that does not exist. There is like one place that

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Speaker 1: has a buffet and that buffet has pudding. So that

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Speaker 1: is not. But oh you do not need to that

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Speaker 1: is not. That's not. And I like Mel Gibson's movies

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Speaker 1: and Jews together so and apart and so um, but yeah,

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Speaker 1: Bird on a Wire is not a movie that anyone

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Speaker 1: needs to see. All right, I shall I shall not.

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Speaker 1: You know what movie you guys should do? Though? Pardon me?

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Speaker 1: Will I totally weed off is a Private Benjamin. I have, Alison,

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Speaker 1: never seen that movie saving Private Bench. That is actually

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Speaker 1: not the name of the Private Benjamin. I wonder about

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Speaker 1: the Bechtel Test with Private Benjamin. I only the only

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Speaker 1: thing I know about it is what I remember from

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Speaker 1: like the like the VHS cover of it, because it

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Speaker 1: was always it was like prominently displayed in the video

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Speaker 1: store where I grew up, and I just remember, like

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Speaker 1: a woman with long blondish hair gold is that it's

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Speaker 1: going on. I didn't even know. I didn't even like

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Speaker 1: I didn't recognize her at the time, so I didn't

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Speaker 1: like even make the connection. And I think she might

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Speaker 1: be wearing like fatigues and helmet or something like that. Yeah,

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Speaker 1: she's worried because she she's a socialite, much like Overboard.

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Speaker 1: She is a fancy socialite lady, but who joins the army.

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Speaker 1: And uh. I was going to college when Private Benjamin

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Speaker 1: came out, and my friends and I used to constantly

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Speaker 1: quote the I want to go shopping. I would have

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Speaker 1: out to lunch. I want to be normal again. All

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Speaker 1: through through through Basic it was essentially Private Benjamin, I

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Speaker 1: think came out. It was like the the Um riding

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Speaker 1: on the back end coattails of Stripes. So another movie

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Speaker 1: I've never seen. Oh really, Stripes may or may parts

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Speaker 1: of it hold up parts of it do not. Harold Ramis,

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Speaker 1: I love you dearly. Yeah. He directed and co wrote

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Speaker 1: this movie Groundhog Day. Yes he did, and he did

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Speaker 1: vital work because this movie is great. Yes. Uh one

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Speaker 1: of my favorite animals. Yeah, it really does. Although we'll

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Speaker 1: talk about this later on, but there's I have some

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Speaker 1: problems with the ending that I didn't have before. Only

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Speaker 1: on this recent revisit only the third time you saw

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Speaker 1: it this week? Right, Okay, I've seen it every day

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Speaker 1: every day of my life, over and over. I lived

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Speaker 1: the same day over and over again. Um, there's other

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Speaker 1: days that you could be reliving over and over again,

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Speaker 1: great days, great days where you're on a beach somewhere

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Speaker 1: into EATI yeah, yeah, yeah, Well i'd have to do

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Speaker 1: that first and then and then relive that. Yeah. I

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Speaker 1: still haven't done that. Uh. So yeah, you said, do

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Speaker 1: you watch this movie every year? Once a year, right

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Speaker 1: at the end of Christmas. It's the it's the last

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Speaker 1: of my Christmas movies. I always I watch it goes

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Speaker 1: from holiday and to Groundhog Day, Holiday and is every holiday,

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Speaker 1: and now it goes holiday in Deadpool, which is every

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Speaker 1: holiday all the way to um groundhog Day, and so

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Speaker 1: um this year was weird because I was traveling so much.

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Speaker 1: I didn't get to watch most of the Christmas movies

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Speaker 1: I got to watch because I I get home and

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Speaker 1: I would just sleep forever. But and so I haven't

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Speaker 1: actually seen Groundhog Day this year. So I last time

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Speaker 1: I saw it was one year ago. But but Groundhog

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Speaker 1: Day is coming up, it is, so I can I

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Speaker 1: can watch to release in this episode. Well, we're such

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Speaker 1: genius marketing people. You guys know how to do it,

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Speaker 1: you guys. Oh yeah, you don't have a Valentine's Day

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Speaker 1: coming up here? Movie? Well we were. I think we're

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Speaker 1: going to do Titanic for Valentine's Day. Oh my god,

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Speaker 1: that would involve you watching Titanic. I love Titanic. We

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Speaker 1: talked engine it maybe once an episode on this podcast.

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Speaker 1: It's covered now, it's covered now, really Titanic. You know,

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Speaker 1: there's always I've always had a friend of mine has

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Speaker 1: a great and he and he's not he's he makes

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Speaker 1: video games. So if anyone makes this movie, please give

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Speaker 1: all the money to Brian Upton as creator. But this

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Speaker 1: is the greatest TV show idea that I've ever heard,

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Speaker 1: based on Titanic. It would be set on the Titanic.

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Speaker 1: It will be one hour long, and every episode the

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Speaker 1: Titanic sinks, and every episode you follow a different person

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Speaker 1: or family, right, and then much like Groundhog Day, you

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Speaker 1: would see them in the background. And what you could

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Speaker 1: do is you every scene every episode could at least

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Speaker 1: have one scene with the band, right, because the band

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Speaker 1: made everything altogether. They tie everything all together, and you're like, hey,

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Speaker 1: that guy died in the last episode. Hey that woman

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Speaker 1: lived in the last episode or whatever. Right, So it

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Speaker 1: would be at least how many people were on the

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Speaker 1: Titanic A thousand. I closer to three thousand episodes. You

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Speaker 1: guys are three hundred episodes, right, if we're talking couples

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Speaker 1: and families. I would definitely watch. Oh I think you would.

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Speaker 1: I think you would. But wouldn't it be great? Like

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Speaker 1: because you would follow somebody and you're like, how did

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Speaker 1: they do they live? And you'll find out at the end,

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Speaker 1: At the end of every episode, you'd find out whether

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Speaker 1: the people you followed, whether they were dirt bags or

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Speaker 1: they were you know, hard, hard working in steerage whatever

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Speaker 1: they were doing. Oh, that's a great idea. I will

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Speaker 1: give it them all my money. Which is and groundhog

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Speaker 1: right right and ground and it's Groundhog Day adjacent as

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Speaker 1: a topic. Hey, welcome to the Back Toel cast. This

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Speaker 1: is Caitlin Durante. I'm doing the joke again. We're just

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Speaker 1: the song. Do you remember what the song was? Yes? Uh,

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Speaker 1: sunny and share right. Yeah, that's right. There ain't no

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Speaker 1: Hiler mountain we can climb. It's important that I made

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Speaker 1: you sing. I resent you for it a lot. I

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Speaker 1: have the worst singing voice in the world, and also

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Speaker 1: the worst voice period. I don't know why anyone listens

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Speaker 1: to this. I hate the sound of Welcome to the podcast,

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Speaker 1: where it does not enjoy your own voice. No, it

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Speaker 1: feels a need to speak out loud repeatedly. Gone back

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Speaker 1: and listen to different episodes, and I'm just like, holy crap,

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Speaker 1: I'm the slowest talker in the world. I use so

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Speaker 1: many vocal fillers. I think I say okay, so yeah, um,

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Speaker 1: so yeah that whole bit. Oh. I have been mocked

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Speaker 1: openly for here's the thing. So I got off stage

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Speaker 1: in Australia one time. I'm yeah, I've been to Australia

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Speaker 1: as whole Jackie anyway. So um, but I got off

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Speaker 1: stage in one of the women producer Women says, twenty

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Speaker 1: six times you said here's the thing twenty six times

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Speaker 1: in a twenty five minutes set, and I was like, wow,

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Speaker 1: that's one more than minutes. And I said, this's a

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Speaker 1: lot of new material. And I'd say here's the thing.

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Speaker 1: When I'm nervous, more than if it's a new joke,

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Speaker 1: I'll swear or say here's the thing more uh. And

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Speaker 1: then because I'm trying to desperately get to the punchline

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Speaker 1: and so it is filler though. Yeah, yeah, I get it.

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Speaker 1: I'm trying. I'm like trying to make better habits. I

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Speaker 1: also do this clicking thing with my mouth a lot.

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Speaker 1: I'm trying to get rid of that. Oh God, so

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Speaker 1: bear with me, audience of the Backel all growing together,

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Speaker 1: we're growing beautiful. So so we so can we talk

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Speaker 1: about the movie? I guess yeah, I mean she'll show

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Speaker 1: up and then again and that'll be that'll be fun. Um.

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Speaker 1: I yeah, I grew up in the area, so this

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Speaker 1: movie was a huge part of my life and from

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Speaker 1: an early age. Yeah. Uh, and I have seen it

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Speaker 1: probably twenty five times and I love it a lot. Uh.

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Speaker 1: We usually start off the discussion by me, to everyone's dismay,

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Speaker 1: giving a recap of the story. Let me get oh yes,

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Speaker 1: so get your pop garn and everyone, uh and buckle

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Speaker 1: in for Caitlin's famous recaps. Um. We meet Bill Murray.

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Speaker 1: He's a weather man. Uh. He has to go to

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Speaker 1: Punksitani every year for Groundhog Day to cover the story

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Speaker 1: for uh. For that it's starting off so well so far.

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Speaker 1: And then his producer, this woman named Rita, goes with

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Speaker 1: him as well as like a cameraman Larry, and they're

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Speaker 1: all there and he really hates this town. He hates

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Speaker 1: punks Tony, he hates this Groundhog Day tradition. Uh. And

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Speaker 1: he gets there and he does it and everything's fine,

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Speaker 1: except they can't leave because there's a blizzard, so they're

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Speaker 1: stuck there. And then the next morning he wakes up

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Speaker 1: and it's the same day over again. It's Groundhog Day again,

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Speaker 1: and only he is reliving this day and he relives

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Speaker 1: it over and over and over again. And it's really

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Speaker 1: just a story about his sort of personal growth and

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Speaker 1: character arc about how he starts out being this very mean,

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Speaker 1: total dick uh cynical, selfish guy, and he has to learn.

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Speaker 1: Over the course of the story, he falls in love

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Speaker 1: with Rita, and he has to learn that to be

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Speaker 1: able to both get her and then also kind of

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Speaker 1: move on with his life, and in have to live

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Speaker 1: Groundhog Day over and over again. He has to like uh,

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Speaker 1: grow and become live in the moment, in the moment,

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Speaker 1: and he has one day too. If you had one

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Speaker 1: day to live, what would it be? How would you

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Speaker 1: would you go? Rob? Would you would you sleep with

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Speaker 1: as many people in that town as you could? Every again?

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Speaker 1: Somebody interviewed Harold Raymis one time and asked him how

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Speaker 1: many days they thought it took the Bill Murray character

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Speaker 1: to grow, and Harold Ramis said it was over a

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Speaker 1: thousand days, a thousand times or something like that, So

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Speaker 1: it checks out. I've heard different numbers. I've heard someone's

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Speaker 1: like ten thousand years, Like no way, but it's at

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Speaker 1: least long enough for him to master the piano. Which sculpture?

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Speaker 1: Have you seen it? Aristotle has not seen ground outside Gyes.

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Speaker 1: What February six, Why don't you explain for our international

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Speaker 1: listeners what Groundhog Day is? So many international listening time.

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Speaker 1: Actually shout out to my good friend British Martha who

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Speaker 1: is in the UK at least one at least one Um,

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Speaker 1: so hey Martha, but yes, explain groundhog Day to the period.

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Speaker 1: Hog Day is a holiday that takes place in Punkstani,

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Speaker 1: Pennsylvania every year where a literal groundhog, which is a

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Speaker 1: giant rat rodent squirrel thing uh is pulled out of

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Speaker 1: a ground and he's whether like, if he sees his shadow,

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Speaker 1: that means there's going to be six more weeks of

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Speaker 1: winter if he does not see a show. It's based

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Speaker 1: on this weird old wives tale or old like. I

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Speaker 1: don't know if it's international, if it's worldwide wherever there

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Speaker 1: are groundhogs, um, but supposedly it's it is a future

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Speaker 1: teller of how much more winters there's going to be

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Speaker 1: because of some weird ground squirrel. As Bill Murray would say,

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Speaker 1: a clairvoyant rodent knows whether or not there's an early

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Speaker 1: spring happening. So it's a very dumb holiday. I grew

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Speaker 1: like I said, I grew up about twenty miles away

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Speaker 1: from punk Satani in a town called Brookville, Pennsylvania. Go Rockets.

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Speaker 1: What was the it's much more racist than that. We

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Speaker 1: were the Raiders. Our mascot was like an Indian chief.

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Speaker 1: Interesting chief. You would have thought they would have been.

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Speaker 1: I mean, raiders could be anybody, right, it could be yeah,

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Speaker 1: like they could be pirates, but they went with the

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Speaker 1: Native American motif of raider. Yeah. Interesting, interesting, the interesting

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Speaker 1: and would have been zoro. Yeah. I trold them a

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Speaker 1: lot on my high school's Twitter account and they never respond.

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Speaker 1: Are you muted? Do you think maybe because you're not blocked?

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Speaker 1: But I don't even think they understand what they're doing

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Speaker 1: is racist, And it's maybe that that's what it is.

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Speaker 1: Pick a different like, what's the Oakland Raider logo? Isn't

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Speaker 1: that more of a like a pirraty? Oh? I think so?

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Speaker 1: Aristotle nodding, But I'm like their version of Raider is

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Speaker 1: more like the Redskins, where it's like, oh, look at

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Speaker 1: these raiders and raping and pillager Indian. So yeah, it's

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Speaker 1: very racist and I don't like that town and I

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Speaker 1: never go back. But I know so my sister says

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Speaker 1: that about our town. She's like, I can't believe you

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Speaker 1: have any nostalgia about this town. Can't you see what

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Speaker 1: this town needs. And I said what she said, uh, um,

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Speaker 1: a propellant a match. It was like some sort of

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Speaker 1: like a like a like a neat Chicago fire is

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Speaker 1: what she wants it to happen? And she says it

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Speaker 1: can't you see what this stone needs, like some sort

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Speaker 1: of propellant in a match? So well, I pulled out

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Speaker 1: the election results for Jefferson County, Pennsylvania, which is where

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Speaker 1: both Brookville and punk Saitani are located. How do they do?

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Speaker 1: How they do? Uh? Poorly? Fifteen thousand people slash seventy

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Speaker 1: seven percent voted for Trump. Uhift thousand out of the

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Speaker 1: like sixty thousand who lived there. Yeah, I mean it's

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Speaker 1: very small. Nice work. Everybody in the Pennsylvania people voted

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Speaker 1: for Clinton and that was only voted for Trump. Uh yeah,

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Speaker 1: excellently excellent. It's uh, this is those are the same

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Speaker 1: people who are always complaining whatever. There's like a riot

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Speaker 1: in a poor neighborhood. They're like, they're breaking their own stuff,

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Speaker 1: And I'm like, you're breaking America because you've got a

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Speaker 1: temper tan from because you're not being handed twenties under

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Speaker 1: the table. Um, grow up, right? So what were we

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Speaker 1: talking about? Groundhog Day Day. There we go. Let's move forward.

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Speaker 1: So that town is it? Does it look like the

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Speaker 1: town in the movie actually do a nice job. They

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Speaker 1: don't shoot on location. I think they shot in uh,

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Speaker 1: like different small towns in Illinois. I want to say, Um,

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Speaker 1: I think they got a few like establishing shots actually

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Speaker 1: in Punksatani, Pennsylvania. But it's mostly not shot there. But

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Speaker 1: it does resemble it quite a bit. Um My dentist

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Speaker 1: was in punk Cy. That's what we call it. Nice,

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Speaker 1: that's the cool kids called so I went there a

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Speaker 1: couple of times. That's what the locals call it. Um.

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Speaker 1: So we So then we jump into a discussion about

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Speaker 1: who the characters are. We've got Rita is the main

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Speaker 1: female character, player Andy McDowell, whose name we now know,

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Speaker 1: we know and I can forget it later exactly we

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Speaker 1: so she is pretty much the only primary female character.

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Speaker 1: And then we have a few like secondary ones, which

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Speaker 1: are Mrs Lancaster, she runs the bed and Breakfast, right, yeah,

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Speaker 1: we have her. We have Nancy, who is the woman

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Speaker 1: that uh Phil Connors Murray like kind of seduces in

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Speaker 1: a very manipulative way by being like, Hey, who's your

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Speaker 1: English teacher? Who was where'd you go to high school?

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Speaker 1: He spends a week asking her backstory and then pretending

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Speaker 1: to go to high school with yeah. Yeah, And it's

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Speaker 1: very manipulative, but and it doesn't end up working, and

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Speaker 1: they like make out a little bit. But then I

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Speaker 1: don't know if they had because Squirrel noises when yeah yeah,

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Speaker 1: when she has an orgasm, which means that he does

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Speaker 1: care about the enjoyment of his partner in the sack.

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Speaker 1: That is important. Good. That's the only redeeming quality of

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Speaker 1: Bill Murray at this point in that character. Uh, there's her,

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Speaker 1: there's his piano teacher who gets not very much screen time,

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Speaker 1: and that's and then like the waitress at the diner

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Speaker 1: that they the tall lady you want Doris who wants

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Speaker 1: to go to Paris, Yes, exactly, Okay, And then uh,

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Speaker 1: we have Phil Connors that Kate. Bill Murray's our our

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Speaker 1: leading man. And then the other sort of secondary male

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Speaker 1: characters are Larry Ak, Chris Elliott, the camera guy, Ned Ryerson,

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Speaker 1: ned Ryerson, Ned the Nose, needle Nose, Ned Ned the

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Speaker 1: Head and the Head. Also Buster Green and his like

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Speaker 1: other ground Hug Dave Cronies, all those guys who wear

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Speaker 1: the tuxes and pull the ground hug out of the

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Speaker 1: ground and stuff. Um, so it's races. I like those

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Speaker 1: two drunks from the Bowling Out. One of them is

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Speaker 1: played by Rick Overton, who I had the pleasure of

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Speaker 1: doing a show with recently. Wit is that Rick Overton? Yeah,

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Speaker 1: the guy who plays Ralph who wants the flapjacks. Yeah, yeah,

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Speaker 1: that's Rick Overton. Didn't didn't, Nope, nope. I whenever I

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Speaker 1: see Rick Overton, all I can think of is Willow. Anyway,

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Speaker 1: I didn't. You never saw Willow us the wand Willow

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Speaker 1: will use the wand anyway. It's essentially um Lord of

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Speaker 1: the Rings, um done correctly in an hour. And it's

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Speaker 1: because it's just it's Ron Howard. Ron Howard directed it.

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Speaker 1: And it's crantastic sword and sorcery. Uh, it's it's the

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Speaker 1: it's a it's a sort of a princess bride. But hey,

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Speaker 1: listen to that episode of the Bechtel Cast everyone with

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Speaker 1: Princess Brad. Yeah we did did. Yeah, Mike Kaplan was

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Speaker 1: our guest. You might like Willow because I'll tell you something.

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Speaker 1: It does pass the Bechtel test. Willow does that's interesting

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Speaker 1: or does it now, maybe not. Most movies don't. Most

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Speaker 1: movies don't, and if they do it, they do it

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Speaker 1: like very half acidly right all of a sudden they're

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Speaker 1: talking about lunch or something. Right, Okay, fair enough. I

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Speaker 1: have been recommended Willow, though I think I would like

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Speaker 1: it based my own Willow. People, um what when when

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Speaker 1: Lord of the Rings came out, I was un popular

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Speaker 1: opinion was that Lord of the Rings was a very

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Speaker 1: very long version of Willow because people hate Willow, and

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Speaker 1: they're wrong, by the way, Willow is a delight and

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Speaker 1: the Lord of the Rings is beautiful, but way too long.

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Speaker 1: It's nine it's nine hours long and doesn't stay true

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Speaker 1: to the book. So you have to pretend you haven't

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Speaker 1: read the book to enjoy Lord of the Rings. I

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Speaker 1: do enjoy Lord of the Rings, but I also have

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Speaker 1: not read the book book right. As an action movie,

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Speaker 1: it is excellent, a little long, but excellent. And as

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Speaker 1: a person who's read the book, it's a different movie.

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Speaker 1: It's a different movie than the book, and you're like,

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Speaker 1: I see what you're doing here. Same with the Hobbit. Oh,

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Speaker 1: the Hobbit, I can't get behind it all. Oh. I

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Speaker 1: actually the movie trilogy that they chapter book for kids,

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Speaker 1: right something that was eight chapters. They turned into three

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Speaker 1: movies and then the last one was a little brutal anyway. Yeah,

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Speaker 1: I didn't care for any of them really, but um

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Speaker 1: and because it's Tolking doesn't even have a shot at

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Speaker 1: the Betel of course. Yeah, there you go, we have.

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Speaker 1: So those are our characters. Uh so I guess we

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Speaker 1: focus on Rita who I like Rita. I don't necessarily

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Speaker 1: like Andy McDonald that much. Uh And I think I'm

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Speaker 1: basing this on the fact that I hated Four Weddings

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Speaker 1: and a Funeral so much it was not my movie

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Speaker 1: of choice either, but I grant I yeah, I think

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Speaker 1: I can't. I don't remember. But I like her and

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Speaker 1: I like her character in this movie because she's pretty

420
00:24:00,400 --> 00:24:04,240
Speaker 1: much the only character who's not depicted as being a

421
00:24:04,280 --> 00:24:09,200
Speaker 1: total fuddy duddy apart from Bill Murray Watch your language.

422
00:24:09,240 --> 00:24:14,040
Speaker 1: What do you mean they're funny duddy just like a baffling,

423
00:24:14,080 --> 00:24:19,680
Speaker 1: bumbling buffoon alliteration baby like an idiot? Yeah? Okay, so yeah,

424
00:24:19,720 --> 00:24:21,960
Speaker 1: because almost everyone is not what a funny duddy is?

425
00:24:22,000 --> 00:24:24,639
Speaker 1: What's a funny duddy? Wrong? Yeah, I think a funny

426
00:24:24,680 --> 00:24:28,560
Speaker 1: Duddy is more stuffy, is more pompous and kind of

427
00:24:28,560 --> 00:24:31,439
Speaker 1: self righteous and funny Duddy than I don't know what

428
00:24:31,480 --> 00:24:35,080
Speaker 1: words are, but you very easily could be right now,

429
00:24:35,080 --> 00:24:36,800
Speaker 1: I could be wrong. But I will say this is

430
00:24:36,840 --> 00:24:38,960
Speaker 1: that she is not an idiot. I will say that

431
00:24:39,040 --> 00:24:43,480
Speaker 1: she the every other character is kind of dumb, even

432
00:24:43,520 --> 00:24:47,359
Speaker 1: the gay waiter, he's the only he's he literally seems

433
00:24:47,400 --> 00:24:49,560
Speaker 1: like this one line. He's one line. He seems to

434
00:24:49,560 --> 00:24:52,400
Speaker 1: be the smartest second person in that movie. He did

435
00:24:52,440 --> 00:24:54,080
Speaker 1: go to Penn State. Hey baby, I went to Penn

436
00:24:54,119 --> 00:24:59,920
Speaker 1: State too, Right, So, now that I think about it,

437
00:25:00,040 --> 00:25:02,919
Speaker 1: he is genuinely the second smartest person the next past.

438
00:25:03,480 --> 00:25:09,080
Speaker 1: That's hilarious. But yeah, she's she's like, she's sick, she's smart.

439
00:25:09,240 --> 00:25:12,440
Speaker 1: She doesn't like take anyone's ship, she doesn't take anyone ship,

440
00:25:12,480 --> 00:25:16,320
Speaker 1: but she has compassion and she she's like, no, I'm

441
00:25:16,320 --> 00:25:18,000
Speaker 1: not going to be mean for the sake of being mean,

442
00:25:18,080 --> 00:25:20,280
Speaker 1: but you also cannot be mean to me. Yeah, so

443
00:25:20,640 --> 00:25:23,199
Speaker 1: she's like a person. Everybody else is a little bit

444
00:25:23,200 --> 00:25:26,879
Speaker 1: of a caricature. Yeah, totally. And he's a disaster. The

445
00:25:27,560 --> 00:25:31,359
Speaker 1: Phil Phil Connors character, that guy is a um. He

446
00:25:31,600 --> 00:25:34,639
Speaker 1: deserves ten thousand days of that's not much time he

447
00:25:34,680 --> 00:25:38,720
Speaker 1: needs to like not be an asshole. Yeah, she kind

448
00:25:38,720 --> 00:25:41,160
Speaker 1: of nails it on the first day, and she and

449
00:25:41,200 --> 00:25:43,560
Speaker 1: he's just like, well, I don't know how to be

450
00:25:43,840 --> 00:25:47,800
Speaker 1: a person in the world. Um so yeah, I didn't

451
00:25:47,840 --> 00:25:51,040
Speaker 1: necessarily pay that much attention to her character before these

452
00:25:51,119 --> 00:25:55,800
Speaker 1: like this rewatch, but um, she's she's good at her

453
00:25:55,880 --> 00:26:01,160
Speaker 1: job too. I mean, she's competent producer. She and she's

454
00:26:01,200 --> 00:26:04,400
Speaker 1: just a strong, smart you could kind of like who

455
00:26:04,440 --> 00:26:06,600
Speaker 1: wrote it. It wasn't Harold Ramis who wrote it, wasn't

456
00:26:06,640 --> 00:26:09,359
Speaker 1: Danny Rubin, Okay, it's like story and then he has

457
00:26:09,440 --> 00:26:13,399
Speaker 1: a written by credit. Okay, yeah, because whoever, Like whatever,

458
00:26:13,440 --> 00:26:16,600
Speaker 1: you watch a movie that's written and the in the

459
00:26:16,640 --> 00:26:21,560
Speaker 1: main woman character is sort of sane and not shrill

460
00:26:21,880 --> 00:26:26,399
Speaker 1: or just I mean, she was like she she just

461
00:26:26,400 --> 00:26:30,960
Speaker 1: seemed super competent and yet still attractive and still you

462
00:26:31,000 --> 00:26:34,240
Speaker 1: know all and then and Bill Murray making cracks about

463
00:26:34,240 --> 00:26:36,080
Speaker 1: how well you want to be with me? You know,

464
00:26:36,440 --> 00:26:38,639
Speaker 1: you just I mean, that's that's what women have to

465
00:26:38,720 --> 00:26:41,040
Speaker 1: deal with in the workplace, where he was like, oh,

466
00:26:41,080 --> 00:26:43,600
Speaker 1: the hilarity, the hilarity of we're trying to get some

467
00:26:43,640 --> 00:26:45,560
Speaker 1: work done over here. Why do you have to mention

468
00:26:45,600 --> 00:26:48,680
Speaker 1: the fact that we're never going to have sex. Yeah,

469
00:26:48,800 --> 00:26:52,720
Speaker 1: that's so, that's what kind of bugged me about this

470
00:26:52,760 --> 00:26:56,480
Speaker 1: movie on this rewatch about specifically the end, because if

471
00:26:56,480 --> 00:27:00,160
Speaker 1: you think about it, they spend, as far as she knows,

472
00:27:01,240 --> 00:27:05,320
Speaker 1: until the very last scene, they spend two days together.

473
00:27:05,600 --> 00:27:08,560
Speaker 1: It's a bunch of different days for him on Groundhog

474
00:27:08,600 --> 00:27:12,399
Speaker 1: Day February, but she's still every single day that they

475
00:27:12,440 --> 00:27:15,560
Speaker 1: see each other as far as she started. Yeah, it's

476
00:27:15,560 --> 00:27:18,000
Speaker 1: pretty because they spend a day. There's day one where

477
00:27:18,000 --> 00:27:22,080
Speaker 1: they leave Pittsburgh and drive to Punksitani. There's day two

478
00:27:22,080 --> 00:27:25,400
Speaker 1: where they wake up and do the weather broadcast thing,

479
00:27:26,480 --> 00:27:28,200
Speaker 1: and then so it's that second day where they spend

480
00:27:28,200 --> 00:27:30,679
Speaker 1: most of the time. But by the end, he's like,

481
00:27:31,200 --> 00:27:34,320
Speaker 1: I love you, I'm happy. This is the happiest ever been.

482
00:27:34,359 --> 00:27:36,879
Speaker 1: And she's like, I think I'm happy too, and they

483
00:27:36,960 --> 00:27:42,240
Speaker 1: like she like totally bought like him yesterday, right, Yeah,

484
00:27:42,280 --> 00:27:44,280
Speaker 1: he has spent all this time falling in love with

485
00:27:44,280 --> 00:27:46,920
Speaker 1: you and getting to know you. But still you didn't

486
00:27:46,920 --> 00:27:50,240
Speaker 1: know this guy from Adam right yesterday. It's a clear

487
00:27:50,320 --> 00:27:53,040
Speaker 1: sign that every and this isn't just women. But I

488
00:27:53,040 --> 00:27:54,719
Speaker 1: think it is a clear sign that people are just

489
00:27:54,840 --> 00:27:57,160
Speaker 1: drawn to the fact that like, oh my god, this

490
00:27:57,440 --> 00:28:01,640
Speaker 1: person loves everything about me. I love me, and look

491
00:28:01,680 --> 00:28:05,040
Speaker 1: how interested they are in me. And so it doesn't

492
00:28:05,080 --> 00:28:08,080
Speaker 1: actually bode well for her personality either or her character,

493
00:28:08,119 --> 00:28:11,760
Speaker 1: not especially, but well they show it. He tries that earlier.

494
00:28:11,800 --> 00:28:15,919
Speaker 1: He like, she's in his bed and breakfast room. He's like,

495
00:28:15,960 --> 00:28:18,160
Speaker 1: I've got ice cream on the window, sill I love you,

496
00:28:18,280 --> 00:28:20,440
Speaker 1: and she's like, you love me, you don't even know me,

497
00:28:21,240 --> 00:28:23,000
Speaker 1: and then she loves him in the face and leaves.

498
00:28:23,600 --> 00:28:25,359
Speaker 1: It happens again later in the movie. This time it

499
00:28:25,359 --> 00:28:28,359
Speaker 1: works because he's like, I love you and she's like, yeah, okay,

500
00:28:28,440 --> 00:28:32,480
Speaker 1: let's okay, let's live here. Yeah, and let's let's live

501
00:28:32,480 --> 00:28:35,600
Speaker 1: in Punky. That's like one of the last lines in

502
00:28:35,640 --> 00:28:39,320
Speaker 1: the movie, which is the knife in your heart. Oh hey,

503
00:28:39,800 --> 00:28:46,320
Speaker 1: guess who's here. It's Jamie Loftus. Hello, good to see you, guys. Hello,

504
00:28:47,040 --> 00:28:50,600
Speaker 1: we've been talking about groundhog Day. Hello, and welcome to

505
00:28:50,760 --> 00:28:54,480
Speaker 1: the Bechtel cast. Is Yeah, it's like we've actually just

506
00:28:54,520 --> 00:28:57,480
Speaker 1: been shooting the ship for we have done some of that.

507
00:28:57,600 --> 00:29:00,520
Speaker 1: We we pretty much just got into talking about Rita

508
00:29:01,160 --> 00:29:03,920
Speaker 1: I'll read okay, cool, Yeah, I love I love Frida

509
00:29:04,040 --> 00:29:06,000
Speaker 1: read It's pretty good, right. I was having like a

510
00:29:06,000 --> 00:29:08,959
Speaker 1: lot of groundhog Day style thoughts on the way over here,

511
00:29:09,040 --> 00:29:13,400
Speaker 1: just like what what could I have done differently if

512
00:29:13,400 --> 00:29:16,120
Speaker 1: you had, if you had a thousand days to learn

513
00:29:16,160 --> 00:29:19,080
Speaker 1: to play the piano? And I sculpt and I love

514
00:29:19,240 --> 00:29:22,160
Speaker 1: the choices poetry because like, you know what, these are

515
00:29:22,200 --> 00:29:25,120
Speaker 1: the things that I've been wanting to do this whole time,

516
00:29:25,240 --> 00:29:27,160
Speaker 1: But they weren't the things he wanted to do. There

517
00:29:27,160 --> 00:29:30,480
Speaker 1: were things wanted for him or like wanted out of

518
00:29:30,520 --> 00:29:32,520
Speaker 1: a man, and then he just sort of molded himself

519
00:29:32,520 --> 00:29:36,280
Speaker 1: into that. That's true. Talk about a dream come true, ladies,

520
00:29:36,400 --> 00:29:39,760
Speaker 1: I like to see. I'm not opposed to that, just

521
00:29:39,840 --> 00:29:43,920
Speaker 1: having a man change everything about himself, every whim take

522
00:29:43,960 --> 00:29:47,120
Speaker 1: all the time they needed, text me when you're great

523
00:29:47,160 --> 00:29:51,360
Speaker 1: at all my interests. We were just talking about how

524
00:29:51,440 --> 00:29:54,120
Speaker 1: interested he wasn't her, and how much we love that

525
00:29:54,200 --> 00:29:57,040
Speaker 1: when someone is interesting in us. Oh my gosh, I

526
00:29:57,080 --> 00:30:00,640
Speaker 1: love it. See. I have the more like uh Groucho

527
00:30:00,720 --> 00:30:03,800
Speaker 1: marks approach to romance where I'm like, oh, you like me,

528
00:30:04,600 --> 00:30:06,720
Speaker 1: you want to be my boyfriend? I would never want

529
00:30:06,800 --> 00:30:09,760
Speaker 1: to be boyfriends with someone who would want me as

530
00:30:09,760 --> 00:30:13,200
Speaker 1: a girl. And then you stomp away. That'll show him.

531
00:30:13,520 --> 00:30:20,200
Speaker 1: Wait a minute, anybody anything, anybody just gone yeah, so wait,

532
00:30:20,240 --> 00:30:22,280
Speaker 1: what were you thinking about on the way over here? Oh?

533
00:30:22,480 --> 00:30:25,440
Speaker 1: Just different ways that that didn't have That couldn't have

534
00:30:25,440 --> 00:30:28,320
Speaker 1: happened because you were your cars in the shop and

535
00:30:28,400 --> 00:30:30,760
Speaker 1: you had to take well know, I ended up I

536
00:30:30,880 --> 00:30:33,440
Speaker 1: ended up arguing my way back into getting my car

537
00:30:34,160 --> 00:30:37,080
Speaker 1: back today because there I went to get an oil

538
00:30:37,160 --> 00:30:39,200
Speaker 1: chance and they're like, actually, everything is wrong with it.

539
00:30:39,560 --> 00:30:41,120
Speaker 1: I was like, well, in that case, I'll just take

540
00:30:41,160 --> 00:30:44,840
Speaker 1: it back, and then I and then I was waiting,

541
00:30:44,880 --> 00:30:47,200
Speaker 1: and then the mechanic was like, doing what are you

542
00:30:47,240 --> 00:30:50,959
Speaker 1: doing tonight? I was like, I'm going to be in

543
00:30:51,000 --> 00:30:54,640
Speaker 1: my car far away from here. Um oh that's that

544
00:30:54,760 --> 00:31:01,240
Speaker 1: seemed that's interesting. Yeah. It was a very smooth transition

545
00:31:01,320 --> 00:31:03,640
Speaker 1: from me being very frustrated that he's still led in

546
00:31:03,640 --> 00:31:06,920
Speaker 1: my car, just like maybe just stay forever, right like

547
00:31:06,960 --> 00:31:09,120
Speaker 1: punks of to maybe you were going to move to

548
00:31:10,600 --> 00:31:14,120
Speaker 1: maybe you lease first. It wasn't ye what you could

549
00:31:14,120 --> 00:31:15,440
Speaker 1: have said when he was like, hey, what are you

550
00:31:15,480 --> 00:31:17,480
Speaker 1: doing tonight? You could be like you could still steal

551
00:31:18,680 --> 00:31:21,120
Speaker 1: Bill Murray's line and just be like something else. That's

552
00:31:21,120 --> 00:31:25,800
Speaker 1: what he says to Yeah, something else. I would love

553
00:31:25,840 --> 00:31:28,240
Speaker 1: to have the confidence to actually flat out say that

554
00:31:28,280 --> 00:31:31,280
Speaker 1: to someone, just like I don't want to I don't

555
00:31:31,280 --> 00:31:34,120
Speaker 1: want you, Yeah, I don't want to hang out. Instead,

556
00:31:34,160 --> 00:31:37,520
Speaker 1: it's like, let me just be quiet you. If I

557
00:31:37,520 --> 00:31:42,000
Speaker 1: am silent, you will eventually go away, exactly. Except the

558
00:31:42,080 --> 00:31:44,480
Speaker 1: people who don't leave when you're silent, those are the

559
00:31:44,480 --> 00:31:47,040
Speaker 1: scary ones. Yeah, that's terrifying. They're like, I can wait. Yeah,

560
00:31:47,080 --> 00:31:50,000
Speaker 1: you gotta use your words. It's a confrontation is super scary,

561
00:31:50,000 --> 00:31:51,960
Speaker 1: but eventually you just have to go I need a

562
00:31:52,120 --> 00:31:55,760
Speaker 1: raise and and then they look at you. And the

563
00:31:55,800 --> 00:31:57,840
Speaker 1: first time I ever asked for a raise, my boss said,

564
00:31:58,280 --> 00:31:59,920
Speaker 1: you're not good at this at all. And I said,

565
00:32:00,360 --> 00:32:02,320
Speaker 1: uh's first time I'm doing it. It doesn't matter if

566
00:32:02,320 --> 00:32:04,280
Speaker 1: I'm good at it or not. I need a race.

567
00:32:04,800 --> 00:32:08,200
Speaker 1: And he was like wow, And I said, yeah, so

568
00:32:08,320 --> 00:32:10,840
Speaker 1: what do you How should I have asked? And can

569
00:32:10,880 --> 00:32:15,400
Speaker 1: I have a race? And did you get it? I did? Oh,

570
00:32:15,440 --> 00:32:19,120
Speaker 1: that's great. He just powered through, is what I'm telling you.

571
00:32:19,320 --> 00:32:21,360
Speaker 1: At the age of nineteen, I did. I did that

572
00:32:21,440 --> 00:32:24,360
Speaker 1: once last year. I won't say the name of the employer,

573
00:32:24,400 --> 00:32:26,040
Speaker 1: but I think you know who. I went to Disney.

574
00:32:26,320 --> 00:32:28,840
Speaker 1: It was it was I used to be the CEO

575
00:32:29,160 --> 00:32:31,959
Speaker 1: of Roy Disney. You asked Roy Disney, I'm gonna need

576
00:32:32,000 --> 00:32:34,960
Speaker 1: a golden parachute. And then I went and I was like, hey,

577
00:32:35,000 --> 00:32:38,200
Speaker 1: I think that maybe I should get enough money to

578
00:32:38,240 --> 00:32:40,640
Speaker 1: pay for the place I live in. And I like

579
00:32:40,640 --> 00:32:42,400
Speaker 1: didn't make any eye contact, and I was like, maybe

580
00:32:42,440 --> 00:32:44,760
Speaker 1: you know this is gonna sound crazy, And then he

581
00:32:44,800 --> 00:32:48,000
Speaker 1: looked he made eye contact with me, and he was like, Jamie,

582
00:32:48,360 --> 00:32:52,680
Speaker 1: come on. And I was like, but here's the thing.

583
00:32:52,720 --> 00:32:56,200
Speaker 1: I would love to have a home and and he

584
00:32:56,320 --> 00:33:00,120
Speaker 1: was like, uh, we'll discuss it. And then later on

585
00:33:00,320 --> 00:33:04,360
Speaker 1: I got like a Starbucks gift card. It didn't work. Work,

586
00:33:04,440 --> 00:33:06,480
Speaker 1: But the thing is is you you took the first

587
00:33:06,560 --> 00:33:09,520
Speaker 1: step because the next time you go in make eye

588
00:33:09,520 --> 00:33:13,000
Speaker 1: contact as hard as it goes and goes. I and

589
00:33:13,000 --> 00:33:15,520
Speaker 1: and and if because when he said come on, he

590
00:33:15,560 --> 00:33:17,640
Speaker 1: was essentially saying what my T shirt boss was saying,

591
00:33:17,640 --> 00:33:19,640
Speaker 1: which was not good at this at all. And like

592
00:33:20,000 --> 00:33:22,440
Speaker 1: just go, yeah, I don't have to be good at it.

593
00:33:22,480 --> 00:33:26,560
Speaker 1: We're doing this right. The conversation has begun. Yes, we're

594
00:33:26,560 --> 00:33:28,440
Speaker 1: not going to talk about it. We're talking about to

595
00:33:28,480 --> 00:33:32,640
Speaker 1: summon the strength for a follow up question or an ultimatum. Yeah,

596
00:33:32,680 --> 00:33:35,560
Speaker 1: I mean that's the I mean that's Ultimatums are the worst.

597
00:33:35,920 --> 00:33:39,560
Speaker 1: I'm so terrible at ultimatums because I don't want to

598
00:33:39,600 --> 00:33:43,920
Speaker 1: follow through with them. What do you mean? No, I

599
00:33:43,920 --> 00:33:48,120
Speaker 1: guess I said I would leave me. I'm gonna need

600
00:33:48,160 --> 00:33:52,440
Speaker 1: another job before I say I'm gonna leave. We were

601
00:33:52,440 --> 00:33:55,480
Speaker 1: talking to yeah, I'm sorry to just know I'm not

602
00:33:55,560 --> 00:34:01,280
Speaker 1: having to have here. We were talking about how uh.

603
00:34:01,760 --> 00:34:06,200
Speaker 1: Part Way into the movie, um, Phil Connors is like, Rita,

604
00:34:06,320 --> 00:34:09,640
Speaker 1: I love you, and she's like, I'm not falling you, creep?

605
00:34:09,680 --> 00:34:11,399
Speaker 1: How could you love me? You don't even know who

606
00:34:11,440 --> 00:34:13,880
Speaker 1: I am? But glad did you ask all my friends

607
00:34:13,880 --> 00:34:16,919
Speaker 1: and ask him what I like? Weirdo? And I would

608
00:34:17,000 --> 00:34:19,839
Speaker 1: argue that that's kind of weird to call someone's friends

609
00:34:19,840 --> 00:34:22,080
Speaker 1: and be like, hey, that is weird, but that's and

610
00:34:22,120 --> 00:34:24,399
Speaker 1: that's what she called him on right. But then just

611
00:34:24,480 --> 00:34:29,960
Speaker 1: an hour later or ten thousand days later, he's like,

612
00:34:30,280 --> 00:34:34,000
Speaker 1: I love you and she's like and she believes him

613
00:34:34,000 --> 00:34:37,760
Speaker 1: this time, because yes, he's problem he is a better

614
00:34:37,800 --> 00:34:42,080
Speaker 1: person now. Well not even that she believe. Well, I

615
00:34:42,120 --> 00:34:45,319
Speaker 1: mean again, she met him the day before, but she

616
00:34:45,400 --> 00:34:48,920
Speaker 1: did watch him do like crazy ass like people coming up.

617
00:34:48,920 --> 00:34:51,120
Speaker 1: But he's got wrestling tickets for the guy and he

618
00:34:51,239 --> 00:34:55,120
Speaker 1: played the piano really well. See, I don't know the

619
00:34:55,200 --> 00:34:57,960
Speaker 1: rules of this movie, and like how the world works

620
00:34:58,480 --> 00:35:01,520
Speaker 1: are pretty vague, so I don't know. In theory, we're

621
00:35:01,520 --> 00:35:04,879
Speaker 1: getting the same uh rita every day with the same

622
00:35:04,920 --> 00:35:07,520
Speaker 1: approach to everything. But I could see myself on certain

623
00:35:07,640 --> 00:35:10,880
Speaker 1: days being told that by an almost complete stranger of

624
00:35:10,960 --> 00:35:16,279
Speaker 1: being like gross, I hate it. And then it just

625
00:35:16,320 --> 00:35:19,759
Speaker 1: depends why Moody catch me. I didn't think about that.

626
00:35:20,040 --> 00:35:24,239
Speaker 1: I'm just so cynical that and the pitch exact, Yeah,

627
00:35:24,960 --> 00:35:28,919
Speaker 1: he does change it up pharatic. What do you guys

628
00:35:28,920 --> 00:35:30,839
Speaker 1: think about the injustice of the fact that he learns

629
00:35:30,840 --> 00:35:32,960
Speaker 1: how to play the piano super well for just a

630
00:35:33,040 --> 00:35:37,120
Speaker 1: thousand dollars, Like he every day he gives that woman

631
00:35:37,160 --> 00:35:39,080
Speaker 1: that thousand dollars, and then at the end of those

632
00:35:39,080 --> 00:35:42,239
Speaker 1: ten thousand days he's an amazing pianist and at the

633
00:35:42,280 --> 00:35:45,200
Speaker 1: next when he breaks the curse, he should definitely give

634
00:35:45,200 --> 00:35:47,920
Speaker 1: her like at least five or six more. Yeah, just

635
00:35:48,080 --> 00:35:50,919
Speaker 1: even though she won't know, she'll never know. She sunk

636
00:35:50,960 --> 00:35:53,520
Speaker 1: a ton of time into it. She has no idea

637
00:35:53,560 --> 00:35:57,640
Speaker 1: that she's an amazing his first lesson what Yeah, he

638
00:35:57,719 --> 00:36:02,240
Speaker 1: has a gift. I wish I learned to play the piano,

639
00:36:02,480 --> 00:36:05,680
Speaker 1: me too, Yeah you learned that? Was it? The elbow? Yeah,

640
00:36:05,680 --> 00:36:08,200
Speaker 1: I've got my elbow in my car right now. Could

641
00:36:08,239 --> 00:36:10,640
Speaker 1: keep it there just in case. It's a real good ambisher.

642
00:36:11,480 --> 00:36:14,280
Speaker 1: It's a great ambisher. Yeah. Yeah, it's got those double

643
00:36:14,280 --> 00:36:17,960
Speaker 1: read thing. Yeah. I played a clarinet poorly. Poorly. I

644
00:36:17,960 --> 00:36:20,279
Speaker 1: actually played the clarinet, yeah, and then trumpet when I

645
00:36:20,320 --> 00:36:21,759
Speaker 1: wanted to be a marching band and there were too

646
00:36:21,760 --> 00:36:25,560
Speaker 1: many clarinetists and I was like, trumpets shiny or anyway,

647
00:36:25,680 --> 00:36:29,560
Speaker 1: so they're tricky, amisher, Yeah, yeah, you mix it up up.

648
00:36:29,560 --> 00:36:31,520
Speaker 1: My sister loved the French horn. She played the French

649
00:36:31,880 --> 00:36:34,399
Speaker 1: She was violinist, though she went violent viola and then

650
00:36:34,400 --> 00:36:37,880
Speaker 1: she went French horn and trombone. I love, and she

651
00:36:38,040 --> 00:36:41,360
Speaker 1: liked all of the instruments I played, including her own instruments,

652
00:36:41,440 --> 00:36:44,160
Speaker 1: so she was I hid in a book, She hid

653
00:36:44,200 --> 00:36:46,839
Speaker 1: in a pile of instruments, and in our child, which

654
00:36:46,840 --> 00:36:49,640
Speaker 1: is a more which is a more effective hiding. Uh,

655
00:36:49,719 --> 00:36:53,000
Speaker 1: it's louder. Yeah, hers is a lot louder. So I

656
00:36:53,040 --> 00:36:56,400
Speaker 1: always think about my parents allowing encouraging us to have instruments.

657
00:36:56,760 --> 00:36:59,680
Speaker 1: Anyone who would encourage their child learned violin. You're like,

658
00:37:00,120 --> 00:37:03,000
Speaker 1: you got a year and a half of Yeah, and

659
00:37:03,040 --> 00:37:05,399
Speaker 1: you're paying for that, and you're paying for that to happen.

660
00:37:05,719 --> 00:37:08,480
Speaker 1: It feels like good parenting in retrospect. Yeah, it's like

661
00:37:08,680 --> 00:37:12,920
Speaker 1: that's someone who cares, someone who's more patient than I am.

662
00:37:13,120 --> 00:37:15,640
Speaker 1: They're volunteering. Yeah, I never practiced my obo, and I

663
00:37:15,640 --> 00:37:19,200
Speaker 1: think my parents were like kind of grateful, like, you

664
00:37:19,239 --> 00:37:24,600
Speaker 1: know what, there's no way this ends well. So but music, music, music,

665
00:37:24,800 --> 00:37:26,759
Speaker 1: the gift of music. Yeah. And if you're a man

666
00:37:26,800 --> 00:37:30,280
Speaker 1: and you play music, you're gonna get all the chicks,

667
00:37:30,360 --> 00:37:37,120
Speaker 1: because chick especially if you play the uh, they get

668
00:37:37,160 --> 00:37:40,880
Speaker 1: a ton of ass. It's wild. It goes just me

669
00:37:40,960 --> 00:37:46,160
Speaker 1: and and two other very quiet girls. Right, you will date,

670
00:37:46,320 --> 00:37:47,799
Speaker 1: You will find a nice que if you like a

671
00:37:47,880 --> 00:37:51,200
Speaker 1: nice quiet girl play the obo young, Yeah, you'll you'll

672
00:37:51,239 --> 00:37:53,640
Speaker 1: be sitting right next to them and they will be sweating.

673
00:37:56,320 --> 00:38:00,239
Speaker 1: They will also need action. Yes, and everybody needs love.

674
00:38:00,320 --> 00:38:06,359
Speaker 1: They're very horny and quiet, quietly wanting a little bit

675
00:38:06,400 --> 00:38:13,120
Speaker 1: sinister too. Um God day, Hello and welcome to the

676
00:38:13,160 --> 00:38:15,359
Speaker 1: Bectel Casts. On your host, Calin drowns, like, I keep

677
00:38:15,400 --> 00:38:22,480
Speaker 1: doing this joke over everyone has a hot bit. Uh

678
00:38:22,680 --> 00:38:28,120
Speaker 1: what was I saying? I said yes to that mechanic? Okay,

679
00:38:28,280 --> 00:38:31,000
Speaker 1: well you could have met him somewhere for coffee or something.

680
00:38:31,239 --> 00:38:34,279
Speaker 1: That's true. It's being so nice, and I was just like,

681
00:38:34,760 --> 00:38:37,520
Speaker 1: but what I gotta go, I gotta go. You could

682
00:38:37,520 --> 00:38:40,080
Speaker 1: have just said, well, you seem nice. We could meet

683
00:38:40,360 --> 00:38:43,279
Speaker 1: for coffee and give him your email address instead of

684
00:38:43,280 --> 00:38:47,040
Speaker 1: your phone number, and then you could it could be less.

685
00:38:47,200 --> 00:38:49,879
Speaker 1: I'll see tomorrow. Oh there you go that you want

686
00:38:49,880 --> 00:38:55,719
Speaker 1: to go inside Sears. Inside, there's gotta be a Starbucks

687
00:38:55,760 --> 00:38:57,560
Speaker 1: right by Sears that you could be there you go.

688
00:38:57,920 --> 00:38:59,960
Speaker 1: It's it's sort of like it's sort of like an

689
00:39:00,000 --> 00:39:03,640
Speaker 1: innet date, but in real life. I don't understand what's happened.

690
00:39:03,640 --> 00:39:06,920
Speaker 1: Here is a gentleman who has seen you alive walking

691
00:39:06,960 --> 00:39:11,000
Speaker 1: around has said, I like, whatever this is that sounds perverted.

692
00:39:11,120 --> 00:39:12,560
Speaker 1: It does seem to be a little weird at the

693
00:39:12,640 --> 00:39:15,120
Speaker 1: state late date, but you could at least talk to

694
00:39:15,160 --> 00:39:17,200
Speaker 1: him for an hour and then you could find out.

695
00:39:17,239 --> 00:39:20,279
Speaker 1: You're like, yeah, this didn't work, but I bet I

696
00:39:20,280 --> 00:39:23,520
Speaker 1: would get a discount on my car. Oh well, I'll

697
00:39:23,520 --> 00:39:29,480
Speaker 1: show a business minded move. Interesting, interesting life choice. You

698
00:39:29,520 --> 00:39:34,359
Speaker 1: could find a coupon a Sears coupon groundhog days. I

699
00:39:34,360 --> 00:39:40,160
Speaker 1: want this to just keep playing over every day. This

700
00:39:40,239 --> 00:39:43,080
Speaker 1: is the day that I want. This is the day

701
00:39:43,120 --> 00:39:47,400
Speaker 1: when she gets hit on every day strong arms or

702
00:39:47,440 --> 00:39:49,960
Speaker 1: way out of the sears. I want that for you

703
00:39:50,000 --> 00:39:53,200
Speaker 1: every day. Thank you so much, And looks how evolved

704
00:39:53,239 --> 00:39:55,080
Speaker 1: I am. I didn't even need like I want something

705
00:39:55,120 --> 00:39:57,280
Speaker 1: for someone else. I don't even want something for myself.

706
00:39:57,400 --> 00:40:01,200
Speaker 1: That is nice. Now, I'm not going to be put

707
00:40:01,239 --> 00:40:04,960
Speaker 1: off when you say that you love me, Oh Jamie,

708
00:40:05,040 --> 00:40:09,440
Speaker 1: I love you nice. Did you just did you just

709
00:40:09,480 --> 00:40:14,319
Speaker 1: give someone wrestling tickets? If so? Right? And then you

710
00:40:14,640 --> 00:40:17,680
Speaker 1: I'm like, maneuvered, dude, I would It would be hard

711
00:40:17,760 --> 00:40:20,520
Speaker 1: for me to tell someone who had just done a

712
00:40:20,560 --> 00:40:25,279
Speaker 1: series of pretty kind things like funck off. You know,

713
00:40:25,920 --> 00:40:28,760
Speaker 1: even if he's a boy who's falling out of a tree,

714
00:40:28,960 --> 00:40:31,040
Speaker 1: he doesn't. She doesn't know about that one though, she

715
00:40:31,120 --> 00:40:34,560
Speaker 1: doesn't She's not even doesn't know that's the like the

716
00:40:34,600 --> 00:40:38,560
Speaker 1: sexiest one. Well and then the old guy with the soup.

717
00:40:39,520 --> 00:40:43,200
Speaker 1: Oh yeah's life he tried and there was like a

718
00:40:43,360 --> 00:40:47,120
Speaker 1: people die. Sometimes he was like, not today, not this

719
00:40:47,200 --> 00:40:52,600
Speaker 1: day that I have to relive over. Uh. I will

720
00:40:52,640 --> 00:40:54,960
Speaker 1: say a few things. Having grown up very close to

721
00:40:55,360 --> 00:41:00,439
Speaker 1: punksy p a. Uh, this movie I think has more

722
00:41:00,560 --> 00:41:04,200
Speaker 1: black people in it than the actual town of punk Satani.

723
00:41:05,560 --> 00:41:10,440
Speaker 1: The extremely Yeah, totally, but no speaking parts. They know

724
00:41:10,680 --> 00:41:16,040
Speaker 1: the woman, the nurse or I don't know why. The

725
00:41:16,080 --> 00:41:18,560
Speaker 1: hospital people, Yeah, one of those as a black woman.

726
00:41:18,960 --> 00:41:23,160
Speaker 1: The bartender at the hotel I think is a black

727
00:41:23,360 --> 00:41:27,160
Speaker 1: man says some stuff. I mean it was nice that

728
00:41:27,200 --> 00:41:29,279
Speaker 1: they got they I mean, that's what I do. Like

729
00:41:29,280 --> 00:41:31,719
Speaker 1: what Harold Ramos is that he does Pepper all of

730
00:41:31,800 --> 00:41:36,040
Speaker 1: his movies with a lot of characters so that everybody

731
00:41:36,040 --> 00:41:38,760
Speaker 1: gets some work. He's like, everyone needs to make scale

732
00:41:38,800 --> 00:41:41,680
Speaker 1: this year. See if I can help twenty people make

733
00:41:41,719 --> 00:41:45,319
Speaker 1: scale makeup. He's doing his part. Yeah, he really did.

734
00:41:46,440 --> 00:41:50,279
Speaker 1: So you've been to Oh yeah, I grew up twenty

735
00:41:50,320 --> 00:41:53,600
Speaker 1: miles away from there. Is it fun? It's a ship,

736
00:41:55,280 --> 00:41:58,719
Speaker 1: she said, It's just a pile of drump supporters, like

737
00:41:58,760 --> 00:42:01,800
Speaker 1: in the file and would be nice because then we

738
00:42:01,800 --> 00:42:08,000
Speaker 1: could get a propellant. Yeah, or just like yeah, uh yeah.

739
00:42:08,120 --> 00:42:10,759
Speaker 1: My my dentist was there, so I had to go there.

740
00:42:11,719 --> 00:42:13,919
Speaker 1: You have good tea. Thank you did a nice job.

741
00:42:14,000 --> 00:42:17,839
Speaker 1: Nice job you did well. Tiny punks. Punks is what

742
00:42:17,880 --> 00:42:22,440
Speaker 1: they what they call it. We already talked about Titanic today,

743
00:42:22,800 --> 00:42:24,759
Speaker 1: Jackie and I, right, because that's going to be your

744
00:42:24,760 --> 00:42:28,520
Speaker 1: next one. We did not mention anything about steampunk, which

745
00:42:28,719 --> 00:42:33,160
Speaker 1: is the other thing I was struggling to find steampunk.

746
00:42:33,239 --> 00:42:36,239
Speaker 1: There's no steam punk imagery in which is the mark

747
00:42:36,239 --> 00:42:38,719
Speaker 1: of a great movie. Yeah, no steampunk. So there was

748
00:42:38,760 --> 00:42:44,600
Speaker 1: no giant typewriter or possibly a dirigible with somebody wearing

749
00:42:44,600 --> 00:42:49,759
Speaker 1: a bustle. Just gears, just a pile of gears and

750
00:42:49,840 --> 00:42:52,240
Speaker 1: the I have an Amelia air hat that I bought

751
00:42:52,640 --> 00:42:57,160
Speaker 1: at California Adventure. Yeah, that's the right place to get it, though.

752
00:42:57,200 --> 00:42:59,880
Speaker 1: I saw. I was in San Francisco over the weekend

753
00:43:00,120 --> 00:43:04,600
Speaker 1: and I was triggered by the most flagrant display of

754
00:43:04,640 --> 00:43:08,319
Speaker 1: steampunk culture I've ever seen. It was like this this

755
00:43:08,480 --> 00:43:12,440
Speaker 1: street performer, and people were loving it. It was he

756
00:43:12,600 --> 00:43:15,319
Speaker 1: was like he had these stilts that he'd made out

757
00:43:15,320 --> 00:43:19,680
Speaker 1: of like accordions and he was wearing like two suede

758
00:43:19,760 --> 00:43:23,960
Speaker 1: vests and and singing like a song and had all

759
00:43:24,000 --> 00:43:28,200
Speaker 1: these coins that weren't American crecy. It was a horrible

760
00:43:29,440 --> 00:43:33,280
Speaker 1: I would got genuinely upset and like circle back around

761
00:43:33,280 --> 00:43:36,080
Speaker 1: the block and I was like, he's still there. People

762
00:43:36,120 --> 00:43:39,520
Speaker 1: are still loving his work. I hate it. I'm sorry.

763
00:43:40,000 --> 00:43:42,200
Speaker 1: So what is your love? You have love of steampunk,

764
00:43:42,280 --> 00:43:46,320
Speaker 1: you have your steampunk snobs. What's happening? And deeply triggered

765
00:43:46,320 --> 00:43:49,000
Speaker 1: by steampunk? Called like he didn't know what it was

766
00:43:49,480 --> 00:43:52,040
Speaker 1: hate until I started doing this podcast and then we

767
00:43:52,160 --> 00:43:58,719
Speaker 1: talked about free time, and now I just hate steampunk.

768
00:43:58,920 --> 00:44:01,200
Speaker 1: You've never, I mean, you have never given it a chance.

769
00:44:01,239 --> 00:44:04,239
Speaker 1: I went to a steampunk festival once. Sure, I've been

770
00:44:04,280 --> 00:44:07,720
Speaker 1: to almost all conventions like Comic Conee kind of stuff.

771
00:44:07,800 --> 00:44:11,600
Speaker 1: But yeah, there's the commiest steampunk. Yeah, because people love

772
00:44:11,800 --> 00:44:16,319
Speaker 1: to wear layers of fake velvet and God love them.

773
00:44:16,480 --> 00:44:19,080
Speaker 1: There's a no, you know, here's a book you should

774
00:44:19,120 --> 00:44:21,880
Speaker 1: never read, The Finishing School Young Adults series by a

775
00:44:21,880 --> 00:44:24,840
Speaker 1: woman by the name of Gail Carriger G A. R.

776
00:44:24,920 --> 00:44:29,279
Speaker 1: It's spelled like Carriager and uh it's it's literally everything

777
00:44:29,960 --> 00:44:32,759
Speaker 1: It's like she's taken all the things and put them

778
00:44:32,760 --> 00:44:36,160
Speaker 1: in a blender and go, will this sell? Yes, it will.

779
00:44:36,560 --> 00:44:40,480
Speaker 1: And I it's Gail, It's the Finishing School series and

780
00:44:40,520 --> 00:44:43,680
Speaker 1: there are it's a it's a steampunk world where there

781
00:44:43,719 --> 00:44:49,319
Speaker 1: are vampires and werewolves and and get this. So I

782
00:44:49,360 --> 00:44:51,960
Speaker 1: read the first one and I had interviewed her for

783
00:44:51,960 --> 00:44:56,520
Speaker 1: The Dork Forest, my other podcast, and um, and I

784
00:44:56,560 --> 00:44:58,680
Speaker 1: said the thing that people have said to me about

785
00:44:58,719 --> 00:45:01,279
Speaker 1: stand up comedy and it isn't cool. And she took

786
00:45:01,320 --> 00:45:03,480
Speaker 1: it very well as I have taken it from others.

787
00:45:03,520 --> 00:45:06,040
Speaker 1: I said, this is better written than it has to be,

788
00:45:07,040 --> 00:45:09,200
Speaker 1: because it could have been poorly written and it would

789
00:45:09,200 --> 00:45:13,439
Speaker 1: also have sold. But it's actually very well written and well.

790
00:45:13,560 --> 00:45:16,200
Speaker 1: And the Finishing School series is better than the adult

791
00:45:16,400 --> 00:45:19,560
Speaker 1: there's an adult series set in the same world. I

792
00:45:19,600 --> 00:45:23,880
Speaker 1: like the young adults world. It has better plot points

793
00:45:23,920 --> 00:45:27,120
Speaker 1: so far, and there's only four books and it's um,

794
00:45:27,160 --> 00:45:31,480
Speaker 1: it's lovely, but you you would hate it. So if

795
00:45:31,520 --> 00:45:34,120
Speaker 1: anybody's fighting the good fight out in a vecdo Land,

796
00:45:34,640 --> 00:45:39,280
Speaker 1: who wants to like steampunk against your wishes, I would

797
00:45:39,360 --> 00:45:42,279
Speaker 1: love to really spar with someone who felt strongly about

798
00:45:42,320 --> 00:45:45,520
Speaker 1: steampunk all want to watch that. I would love to

799
00:45:45,560 --> 00:45:48,160
Speaker 1: do it. I wait, I had another steampunk that for

800
00:45:48,640 --> 00:45:50,880
Speaker 1: if if the Dark Forest were about what you hated,

801
00:45:50,960 --> 00:45:54,680
Speaker 1: I would have you to talk about to take him down. Oh,

802
00:45:54,760 --> 00:45:56,839
Speaker 1: I had an idea, but I don't think that will

803
00:45:56,840 --> 00:45:58,680
Speaker 1: never execute, so I don't mind saying it. I wanted

804
00:45:58,719 --> 00:46:01,560
Speaker 1: to start. When I do stand up, start, just just

805
00:46:01,640 --> 00:46:03,960
Speaker 1: have like a zip tire two in my back pocket.

806
00:46:04,360 --> 00:46:06,720
Speaker 1: And then if I see someone in the audience who's

807
00:46:06,760 --> 00:46:10,120
Speaker 1: wearing steampunk culture style clothing, just call him up and

808
00:46:10,440 --> 00:46:13,360
Speaker 1: place him under citizen's arrest and make them just you

809
00:46:13,400 --> 00:46:16,000
Speaker 1: could be the citizen's arrest comic. Yeah, it's like everyone

810
00:46:16,000 --> 00:46:17,759
Speaker 1: needs to find their thing. I think I'm really find

811
00:46:17,760 --> 00:46:20,000
Speaker 1: in my voice where I keep placing people into arrest.

812
00:46:20,800 --> 00:46:23,239
Speaker 1: Have you ever been placed under citizen's arrest? No? I

813
00:46:23,280 --> 00:46:26,400
Speaker 1: saw the manager of a bookstore I worked at attempt

814
00:46:26,480 --> 00:46:29,200
Speaker 1: to place someone out of under citizen's arrest and failed

815
00:46:29,200 --> 00:46:34,359
Speaker 1: to the putting shops down his pants. We you don't

816
00:46:34,400 --> 00:46:36,440
Speaker 1: have two citizens arrest that person. You can arrest. You

817
00:46:36,440 --> 00:46:38,680
Speaker 1: can call a cop and arrest arrest of that person, right,

818
00:46:38,800 --> 00:46:40,640
Speaker 1: But I guess he called the cops and they're like

819
00:46:40,840 --> 00:46:43,279
Speaker 1: we're not you know, if we're not coming. Yeah, And

820
00:46:43,320 --> 00:46:45,239
Speaker 1: the guy seemed like he knew, like they like they

821
00:46:45,280 --> 00:46:48,960
Speaker 1: were far away or whatever. And and so my my

822
00:46:49,040 --> 00:46:51,200
Speaker 1: boss was like, you know what, I'm just gonna do it.

823
00:46:51,239 --> 00:46:53,719
Speaker 1: And he took a zip tie from the desk and

824
00:46:53,800 --> 00:46:56,120
Speaker 1: went over and was like, sir, I'm placing you under

825
00:46:56,120 --> 00:46:59,440
Speaker 1: citizens arrest and long story shirt. The guy kind of

826
00:46:59,480 --> 00:47:01,640
Speaker 1: just took the record out of his pants and left.

827
00:47:02,440 --> 00:47:06,120
Speaker 1: It worked well, at least he didn't. I got some

828
00:47:06,600 --> 00:47:10,520
Speaker 1: homeless gentleman tried to place mender citizens arrest, place me

829
00:47:10,719 --> 00:47:13,520
Speaker 1: under I wasn't doing I was ringing a doorbell outside

830
00:47:14,520 --> 00:47:17,319
Speaker 1: of there was a kiddie corner from the Hollywood one

831
00:47:17,320 --> 00:47:20,640
Speaker 1: on one diner. I don't know, I'm Franklin whatever. Yeah,

832
00:47:20,680 --> 00:47:23,440
Speaker 1: so I'm there's a very There was a woman that

833
00:47:23,480 --> 00:47:25,480
Speaker 1: I was in an acting class with who I was

834
00:47:25,480 --> 00:47:27,520
Speaker 1: going to meet, and I was ringing the bell for

835
00:47:27,560 --> 00:47:29,520
Speaker 1: her and she answered, and there was a homeless guy

836
00:47:29,520 --> 00:47:31,360
Speaker 1: who had been following me for a little bit and

837
00:47:31,400 --> 00:47:34,359
Speaker 1: he came up and he was like, uh, let me

838
00:47:34,400 --> 00:47:36,800
Speaker 1: in when she lets you in, And I said, no, no,

839
00:47:37,400 --> 00:47:40,400
Speaker 1: I'm very sorry, I can't do that, and uh and

840
00:47:40,440 --> 00:47:41,839
Speaker 1: then he started yelling at me, and then he started

841
00:47:41,920 --> 00:47:46,120
Speaker 1: yelling citizens arrest, Citizens arrest. And then the person from

842
00:47:46,120 --> 00:47:48,320
Speaker 1: my acting class answer and she was like, hey, Jackie's

843
00:47:48,360 --> 00:47:49,480
Speaker 1: at you. Should I let you up? And I said,

844
00:47:49,480 --> 00:47:52,239
Speaker 1: don't do it. Giantman, giantman standing next to me. Who

845
00:47:52,239 --> 00:47:54,239
Speaker 1: will come in next to me? And she was like what?

846
00:47:54,600 --> 00:47:56,080
Speaker 1: And then she went away, and I thought, oh, that

847
00:47:56,200 --> 00:47:59,759
Speaker 1: was my only lifeline. What have I done? And then

848
00:47:59,760 --> 00:48:01,479
Speaker 1: all of a sudden, the sort of the door guy

849
00:48:01,800 --> 00:48:04,120
Speaker 1: comes to the door and that and so she called

850
00:48:04,200 --> 00:48:06,440
Speaker 1: downstairs and talked to it like I don't know a

851
00:48:06,480 --> 00:48:12,239
Speaker 1: real person who was like, sir, you can't EVERYONEE was safe? Yeah,

852
00:48:12,440 --> 00:48:14,800
Speaker 1: and then I and then it wasn't killed you guys, Yeah,

853
00:48:15,200 --> 00:48:17,560
Speaker 1: that would have been truly selfless if you had been killed.

854
00:48:17,560 --> 00:48:19,399
Speaker 1: You're like, I saved my friend. I saved my friend.

855
00:48:19,440 --> 00:48:21,400
Speaker 1: I said, now you're not gonna want to let us

856
00:48:21,440 --> 00:48:24,480
Speaker 1: both in, You're just gonna want together. You just on

857
00:48:24,680 --> 00:48:26,560
Speaker 1: on the on the camera. You can watch me be

858
00:48:26,640 --> 00:48:29,759
Speaker 1: killed by this guy. But I wasn't. So speaking of

859
00:48:29,840 --> 00:48:32,160
Speaker 1: being killed, Bill Murray kills himself a bunch of times

860
00:48:32,160 --> 00:48:34,280
Speaker 1: in this movie. So I'm just trying to get please

861
00:48:34,560 --> 00:48:38,160
Speaker 1: please do. How crazy is that? And and and the

862
00:48:38,200 --> 00:48:40,120
Speaker 1: thing is is the first time he did it right

863
00:48:40,440 --> 00:48:43,680
Speaker 1: on the train track, you think to yourself, Oh, he's

864
00:48:43,760 --> 00:48:49,520
Speaker 1: genuinely he he's been driven there by Yeah. Yeah. I

865
00:48:49,520 --> 00:48:53,359
Speaker 1: thought it was interesting. How how early on relatively in

866
00:48:53,400 --> 00:48:57,160
Speaker 1: like the one thousand like that that happened, How quickly

867
00:48:57,160 --> 00:49:00,440
Speaker 1: he gave up. Yeah, like he gave up. I mean,

868
00:49:00,440 --> 00:49:02,960
Speaker 1: I guess that if you really feel like there's no

869
00:49:03,000 --> 00:49:05,359
Speaker 1: other option, and he doesn't know that, within you know,

870
00:49:05,440 --> 00:49:08,800
Speaker 1: eighty minutes, his deal will be older. You know, you

871
00:49:08,880 --> 00:49:10,799
Speaker 1: might be driven to that. But I was the first

872
00:49:10,800 --> 00:49:12,200
Speaker 1: time I saw it too, I was like, well, that's

873
00:49:12,239 --> 00:49:16,040
Speaker 1: kind of fast. Well, he that he's still at this

874
00:49:16,120 --> 00:49:25,240
Speaker 1: like very you know, self loathing, cynical asshole life. Yeah, Uh,

875
00:49:25,280 --> 00:49:28,200
Speaker 1: it takes him a much longer for him to realize

876
00:49:28,200 --> 00:49:31,560
Speaker 1: that there's more to life than just hating yourself and

877
00:49:31,600 --> 00:49:35,000
Speaker 1: everything around you like pianos and sculptures. Does Rita ever

878
00:49:35,080 --> 00:49:39,040
Speaker 1: even talk to another woman? Uh? There? And it does

879
00:49:39,120 --> 00:49:43,800
Speaker 1: pass the tests technically, there's it's another one of those

880
00:49:44,080 --> 00:49:46,719
Speaker 1: by the skin of its teeth kind of passes well

881
00:49:46,760 --> 00:49:49,520
Speaker 1: because there's there's five different women in the cast total.

882
00:49:49,719 --> 00:49:54,239
Speaker 1: Right if you include the doctor nurse lady. Um. But uh,

883
00:49:54,320 --> 00:49:57,440
Speaker 1: they don't really interact with each other at all, right, no, barely.

884
00:49:57,760 --> 00:50:00,440
Speaker 1: There's a scene where um philon Rita or in the

885
00:50:00,640 --> 00:50:04,120
Speaker 1: diner endors the server comes up and she's like more coffee,

886
00:50:04,200 --> 00:50:06,279
Speaker 1: hunt and she's like and we're just like, oh yes

887
00:50:06,320 --> 00:50:08,040
Speaker 1: please or no, just the check and then she's like,

888
00:50:08,239 --> 00:50:12,000
Speaker 1: these sticky buns are heaven. So they talk about food.

889
00:50:12,120 --> 00:50:17,600
Speaker 1: They talk about food and its favorite passes, because that's

890
00:50:17,640 --> 00:50:20,399
Speaker 1: like the stock, Like, what is the least you could

891
00:50:20,400 --> 00:50:23,600
Speaker 1: possibly do? How how few words can we say to

892
00:50:23,680 --> 00:50:27,279
Speaker 1: each other to get these sticky buns are heaven. That's

893
00:50:27,280 --> 00:50:30,879
Speaker 1: a fun flourish but it's the least you could do, right,

894
00:50:33,320 --> 00:50:35,440
Speaker 1: you know? I always wanted there to be in the

895
00:50:35,520 --> 00:50:45,480
Speaker 1: last Avengers movie, the there Tony Stark's girlfriend and UM

896
00:50:45,520 --> 00:50:48,560
Speaker 1: and Thor's girlfriend are not at this big party and

897
00:50:48,640 --> 00:50:57,040
Speaker 1: that's played by UM Gwyneth Paltrow and um Amidala. What's yeah?

898
00:50:57,160 --> 00:51:00,359
Speaker 1: So um, neither of them could obviously be a ordered

899
00:51:00,400 --> 00:51:02,719
Speaker 1: in this good jillion dollars things. So neither of them

900
00:51:02,719 --> 00:51:05,160
Speaker 1: are at this meeting, and Marvel has been doing these

901
00:51:05,200 --> 00:51:08,160
Speaker 1: one shots, these short things. It would be just awesome.

902
00:51:08,200 --> 00:51:11,120
Speaker 1: If during that party they did a one shot where

903
00:51:11,160 --> 00:51:12,880
Speaker 1: the two of them were they could just call it

904
00:51:12,960 --> 00:51:15,279
Speaker 1: the Bechtel tests, and where the two of them were

905
00:51:15,320 --> 00:51:17,640
Speaker 1: at dinner going, hey, are you going to the party now, Well,

906
00:51:17,719 --> 00:51:19,080
Speaker 1: let's go out to dinner. And then they went out

907
00:51:19,120 --> 00:51:23,200
Speaker 1: to dinner and talked about science and business because they're

908
00:51:23,239 --> 00:51:27,600
Speaker 1: they're like the brains and and and behind those two lives. Yes, yeah,

909
00:51:27,680 --> 00:51:30,880
Speaker 1: gone to a dinner even like women in stem. Let's

910
00:51:30,960 --> 00:51:35,320
Speaker 1: talk about it. But they never made that one shot.

911
00:51:34,800 --> 00:51:37,399
Speaker 1: They have dropped the ball. They have missed him. They've

912
00:51:37,440 --> 00:51:39,040
Speaker 1: left money on the time. That's the only thing they've

913
00:51:39,040 --> 00:51:43,200
Speaker 1: ever done. Everything else, everything else, they nailed it, stuck

914
00:51:43,239 --> 00:51:45,520
Speaker 1: the landing. Yeah, let me look through my notes and

915
00:51:45,560 --> 00:51:49,880
Speaker 1: see what the other things I wanted to talk about.

916
00:51:49,920 --> 00:51:51,920
Speaker 1: First I was like, oh man, he just keeps being

917
00:51:51,960 --> 00:51:55,799
Speaker 1: a dicked all these poor small town lady characters. But

918
00:51:55,960 --> 00:52:01,959
Speaker 1: he actually treats the men and women pretty equally. He's

919
00:52:02,000 --> 00:52:06,239
Speaker 1: just a genuinely bad person. He does call his like

920
00:52:06,440 --> 00:52:09,279
Speaker 1: co anchor or whatever. At the very beginning hair do.

921
00:52:09,480 --> 00:52:12,080
Speaker 1: He's like, all right, hair do, for your information, does

922
00:52:12,120 --> 00:52:15,320
Speaker 1: he call my hair do? Will not use Oh he

923
00:52:15,640 --> 00:52:18,920
Speaker 1: calls her yeah okay, and I was like, that's is

924
00:52:18,960 --> 00:52:21,719
Speaker 1: he calling the guys cucks? Is that? Did he invent that?

925
00:52:21,840 --> 00:52:26,239
Speaker 1: Nonc So it took me so long to figure out

926
00:52:26,960 --> 00:52:30,040
Speaker 1: just by hearing that word in context what it actually meant.

927
00:52:30,320 --> 00:52:32,520
Speaker 1: I never got it in context. I had to actually

928
00:52:32,560 --> 00:52:34,160
Speaker 1: look it up and I was like, I see what

929
00:52:34,200 --> 00:52:36,920
Speaker 1: you've done. It still doesn't make any sense. Whatever. Why

930
00:52:37,000 --> 00:52:39,200
Speaker 1: is everybody like to say it now? It makes me sad.

931
00:52:39,480 --> 00:52:42,600
Speaker 1: I learned what calding was when I watched a documentary

932
00:52:42,640 --> 00:52:48,839
Speaker 1: about birds. I don't know why that's so hilarious because

933
00:52:48,840 --> 00:52:54,839
Speaker 1: you so exciting, that's why. Another it was narrated by

934
00:52:55,000 --> 00:52:58,879
Speaker 1: Richard Attenborrow or is it David Edinburgh? I get them confused,

935
00:52:59,280 --> 00:53:03,479
Speaker 1: so they're yeah, anyway. It was a good documentaries called

936
00:53:03,480 --> 00:53:08,200
Speaker 1: Life of Birds. There's a scene that kind of upset

937
00:53:08,239 --> 00:53:11,360
Speaker 1: me where it's towards the end at the bachelor auction

938
00:53:11,440 --> 00:53:15,680
Speaker 1: at the Groundhog Yes, and Chris Elliott is up for

939
00:53:15,960 --> 00:53:19,320
Speaker 1: being auctioned off and no one wants him except those

940
00:53:19,360 --> 00:53:22,600
Speaker 1: like old ladies, and she's like twenty five cents and

941
00:53:22,640 --> 00:53:25,680
Speaker 1: then he looks to see who won him, and it's

942
00:53:25,680 --> 00:53:29,000
Speaker 1: an old lady and he's like, oh, gross, because you know,

943
00:53:30,120 --> 00:53:34,520
Speaker 1: women past a certain age are disgusting. Yeah, so that

944
00:53:34,640 --> 00:53:36,960
Speaker 1: was a little upsetting. I have ribbon candy in my

945
00:53:37,239 --> 00:53:43,719
Speaker 1: in my vagina, it's just old cobwebs, and that's like

946
00:53:43,760 --> 00:53:48,520
Speaker 1: instead of counting rings, like what kind of novelty items

947
00:53:48,520 --> 00:53:53,080
Speaker 1: are in there? Where? Isn't that the name of my

948
00:53:53,200 --> 00:53:59,439
Speaker 1: next album? My vagina ribbon candy, It's just a party bag.

949
00:54:00,040 --> 00:54:02,120
Speaker 1: And I'm going to get off topic, but there's a

950
00:54:02,200 --> 00:54:06,280
Speaker 1: joke and arrested development where they're talking about a cabin,

951
00:54:06,400 --> 00:54:08,919
Speaker 1: an old cabin and job or someone's like, who would

952
00:54:08,960 --> 00:54:10,920
Speaker 1: want to go into that musty old clap chap and

953
00:54:10,960 --> 00:54:14,120
Speaker 1: I think they think they're talking about the seal and

954
00:54:14,160 --> 00:54:20,280
Speaker 1: he's like, oh, the cabin, that's great. Uh. There's another

955
00:54:20,320 --> 00:54:24,640
Speaker 1: scene where towards again, towards the end, uh, Marita is

956
00:54:24,680 --> 00:54:28,279
Speaker 1: in bed with Phil and she's like falling asleep and

957
00:54:28,280 --> 00:54:30,359
Speaker 1: he's like, it's okay, you can fall asleep. I won't

958
00:54:30,400 --> 00:54:36,920
Speaker 1: touch you much. And it's pretty rapy, really funny. Here's

959
00:54:36,920 --> 00:54:40,800
Speaker 1: the weird thing about rape comments like that. It's it's

960
00:54:40,840 --> 00:54:44,160
Speaker 1: the weird like when okay, I'm all married, right, I

961
00:54:44,200 --> 00:54:47,280
Speaker 1: got a fellow it's all nice. So we were dating

962
00:54:47,400 --> 00:54:49,880
Speaker 1: and then he saw me do a show and he

963
00:54:50,000 --> 00:54:52,359
Speaker 1: showed up. I was I was doing out a run through.

964
00:54:52,440 --> 00:54:54,600
Speaker 1: I have no idea why he came to a run

965
00:54:54,600 --> 00:54:58,719
Speaker 1: through of my solo show in two thousand and three,

966
00:54:59,320 --> 00:55:01,040
Speaker 1: because he liked to me and it was this and

967
00:55:01,040 --> 00:55:03,680
Speaker 1: it was um it was the it was a half

968
00:55:03,719 --> 00:55:05,799
Speaker 1: hour and it was the second part of a three

969
00:55:05,840 --> 00:55:08,799
Speaker 1: part solo show I was working on. And in two

970
00:55:08,800 --> 00:55:12,279
Speaker 1: thousand three, that's when that's when one person shows we're

971
00:55:12,360 --> 00:55:15,600
Speaker 1: getting really brutal. Everybody had cancer and they were poignant,

972
00:55:16,200 --> 00:55:18,800
Speaker 1: but mine was not. But but this was the first draft,

973
00:55:18,840 --> 00:55:21,319
Speaker 1: so it was a little more poignant than funny. And

974
00:55:21,400 --> 00:55:23,960
Speaker 1: so he saw this first draft kind of situation. And

975
00:55:24,000 --> 00:55:27,520
Speaker 1: then he shows up an hour later afterwards, like you know,

976
00:55:27,719 --> 00:55:30,759
Speaker 1: essentially we drove separately. And then so he shows up

977
00:55:30,760 --> 00:55:34,400
Speaker 1: at my apartment like an hour later, and he knocks

978
00:55:34,440 --> 00:55:36,120
Speaker 1: on the door and he goes, I thought I would

979
00:55:36,200 --> 00:55:38,480
Speaker 1: just leave these flowers, And then I thought, that's weird.

980
00:55:39,239 --> 00:55:41,320
Speaker 1: Is it weird that I've shown up with the flowers

981
00:55:41,320 --> 00:55:43,880
Speaker 1: in hand? What I just I would love the show

982
00:55:44,480 --> 00:55:46,640
Speaker 1: and you were great. And then he gave me these flowers,

983
00:55:46,640 --> 00:55:48,839
Speaker 1: and I was like, that is so beautiful. But if

984
00:55:48,880 --> 00:55:51,480
Speaker 1: I didn't like him, I would have thought it was creepy.

985
00:55:52,080 --> 00:55:56,479
Speaker 1: So well, you have to sort of and and how

986
00:55:56,600 --> 00:55:58,840
Speaker 1: is how is a person to know to some extent,

987
00:55:58,920 --> 00:56:00,960
Speaker 1: like if you like a guy and you're like, I'm

988
00:56:01,000 --> 00:56:06,520
Speaker 1: willing to drive drunk for you, and that's not okay, stick,

989
00:56:07,600 --> 00:56:12,000
Speaker 1: that's what was my yard. But I mean, but so

990
00:56:12,040 --> 00:56:15,120
Speaker 1: I think she liked him enough that that was it

991
00:56:15,200 --> 00:56:18,880
Speaker 1: sounds rapey except for that she liked him enough that

992
00:56:18,960 --> 00:56:20,480
Speaker 1: she was like, oh, he's I'm sure it's not going

993
00:56:20,480 --> 00:56:23,400
Speaker 1: to touch. Yeah, he's not really gonna be weird and

994
00:56:24,120 --> 00:56:27,320
Speaker 1: start poking at my bits just because I'm asleep, because

995
00:56:27,320 --> 00:56:30,880
Speaker 1: I that first of all, would wake her true true,

996
00:56:31,360 --> 00:56:35,000
Speaker 1: And she was like I thought it was midnight. Yeah, man,

997
00:56:35,160 --> 00:56:39,719
Speaker 1: Like basic lack of understanding of not just the female body,

998
00:56:39,800 --> 00:56:42,759
Speaker 1: but bodies in general, because whenever you spoke anybody when

999
00:56:42,800 --> 00:56:46,120
Speaker 1: they're sleeping, they're gonna jump. They're gonna wake that person

1000
00:56:46,200 --> 00:56:49,799
Speaker 1: up so real fast. Uh. It does pass the Bactel test.

1001
00:56:49,800 --> 00:56:52,360
Speaker 1: There's a couple of other scenes where it's again super

1002
00:56:52,440 --> 00:56:55,520
Speaker 1: bare minimum, like the scene where the three old women

1003
00:56:55,560 --> 00:56:57,760
Speaker 1: are in the car, and they get a flat tire

1004
00:56:58,120 --> 00:57:00,520
Speaker 1: and they're like, are you total to Oh, it's an

1005
00:57:00,520 --> 00:57:03,560
Speaker 1: earthquake whenever he starts like, then that thing ends with

1006
00:57:03,600 --> 00:57:06,799
Speaker 1: them talking about about him. So it passes for a

1007
00:57:06,840 --> 00:57:09,920
Speaker 1: second and then doesn't pass anymore. Um. And then a

1008
00:57:09,960 --> 00:57:13,760
Speaker 1: few scenes were like Ptil introduces Rita to someone, another

1009
00:57:13,800 --> 00:57:16,360
Speaker 1: woman and they say hi to each other. It lasts

1010
00:57:16,440 --> 00:57:21,120
Speaker 1: for half a second on screen, but feminism. And then

1011
00:57:22,160 --> 00:57:25,120
Speaker 1: also wrote in my notes and all caps, white people

1012
00:57:25,200 --> 00:57:30,240
Speaker 1: dancing so painful. There's a dance. God, this is bleak.

1013
00:57:30,680 --> 00:57:36,720
Speaker 1: It's horrendous. Bleak is such a perfect word. Um. But yeah,

1014
00:57:37,400 --> 00:57:39,880
Speaker 1: otherwise I say we we rate the movie. We have

1015
00:57:39,920 --> 00:57:44,800
Speaker 1: a rating scale of zero to five because we're so

1016
00:57:46,680 --> 00:57:58,360
Speaker 1: body for work, not body backwards, having bodies, but tired.

1017
00:57:58,480 --> 00:58:01,560
Speaker 1: I hated just being like cloud of like a theory,

1018
00:58:01,880 --> 00:58:05,760
Speaker 1: just like a floating consciousness. Honestly though, that does sound

1019
00:58:05,760 --> 00:58:10,240
Speaker 1: like my ideal would love to just float. Yeah, that

1020
00:58:10,280 --> 00:58:13,200
Speaker 1: does sound pretty nice. All right, Um, I give it. Uh.

1021
00:58:13,640 --> 00:58:15,320
Speaker 1: I love this movie. I think it's terrific. It is

1022
00:58:15,360 --> 00:58:18,800
Speaker 1: so well written, but in terms of its treatment of

1023
00:58:19,320 --> 00:58:22,240
Speaker 1: female characters. But Rita is good and she's a pretty

1024
00:58:22,240 --> 00:58:25,080
Speaker 1: well developed character. But just because they're so she's like

1025
00:58:25,120 --> 00:58:27,040
Speaker 1: the love interest and that's pretty much how she is.

1026
00:58:27,200 --> 00:58:29,120
Speaker 1: And then there's just like not many other women for

1027
00:58:29,120 --> 00:58:30,720
Speaker 1: her to talk to, her hang out with. I'm going

1028
00:58:30,760 --> 00:58:35,160
Speaker 1: to give it like a too, I guess, well harsh.

1029
00:58:35,280 --> 00:58:38,640
Speaker 1: It feels harsh, does I know? Because I would like otherwise.

1030
00:58:38,680 --> 00:58:40,440
Speaker 1: I give this movie five out of five because I

1031
00:58:40,440 --> 00:58:44,680
Speaker 1: love it so much. Five out of five totally, But

1032
00:58:44,720 --> 00:58:48,000
Speaker 1: of its treatment of women, you're probably right with a two. Yeah,

1033
00:58:48,280 --> 00:58:52,040
Speaker 1: just because he's such a disaster and he's him and

1034
00:58:52,080 --> 00:58:54,760
Speaker 1: the him in the manipulative, with the with the high

1035
00:58:54,760 --> 00:59:00,040
Speaker 1: school that is very many. Preso tries it on on

1036
00:59:00,200 --> 00:59:04,360
Speaker 1: Rita for a while, doesn't I mean, yeah, it's and

1037
00:59:04,400 --> 00:59:07,000
Speaker 1: who else? Who knows who else he slept through the

1038
00:59:07,000 --> 00:59:10,000
Speaker 1: hole the things we saw on screen. I'm going to

1039
00:59:10,080 --> 00:59:15,120
Speaker 1: give it three because he does end up completely changing

1040
00:59:15,200 --> 00:59:18,480
Speaker 1: himself for a woman. Oh my god, I didn't you

1041
00:59:18,480 --> 00:59:22,840
Speaker 1: even think about respect someone's willingness to do that. That's

1042
00:59:22,840 --> 00:59:24,760
Speaker 1: sure he did put in the butt in the time

1043
00:59:24,840 --> 00:59:27,440
Speaker 1: he could have become, he could have been the devil.

1044
00:59:27,680 --> 00:59:31,600
Speaker 1: He could have spent like ten thousand forever days just

1045
00:59:31,600 --> 00:59:34,160
Speaker 1: just deciding that he was going to rape every person

1046
00:59:34,280 --> 00:59:36,320
Speaker 1: in that town were deciding that he was going to

1047
00:59:36,480 --> 00:59:40,000
Speaker 1: kill everyder now has five nipples. Did he did he

1048
00:59:40,040 --> 00:59:42,760
Speaker 1: only do it out of necessity because he's like, well,

1049
00:59:42,800 --> 00:59:44,360
Speaker 1: I got nothing else to do with my time, I

1050
00:59:44,440 --> 00:59:46,800
Speaker 1: better just become a nice person. Or did you do it?

1051
00:59:46,840 --> 00:59:50,240
Speaker 1: Because I think he didn't. I think he actually changed,

1052
00:59:50,280 --> 00:59:52,280
Speaker 1: because remember when he was sitting with her and he said,

1053
00:59:52,600 --> 00:59:55,200
Speaker 1: I'm not God, but I'm not the God. I'm a

1054
00:59:55,360 --> 00:59:59,400
Speaker 1: gud And at that point you're like, well, you could

1055
00:59:59,440 --> 01:00:01,360
Speaker 1: be a good odd or you could be a bad god.

1056
01:00:01,440 --> 01:00:03,440
Speaker 1: And he chose to be a good guy. Yeah, And

1057
01:00:03,480 --> 01:00:07,040
Speaker 1: I think like he was taking enough, like actual genuine

1058
01:00:07,040 --> 01:00:09,560
Speaker 1: pleasure in the activities he was doing. After a while

1059
01:00:09,600 --> 01:00:11,120
Speaker 1: that I was like, oh, it seems like he's actually

1060
01:00:11,160 --> 01:00:14,240
Speaker 1: happy to be there. So anyways, I would encourage anyone

1061
01:00:14,280 --> 01:00:17,640
Speaker 1: to do that for anyone. Change if you're a douche,

1062
01:00:17,680 --> 01:00:23,480
Speaker 1: bad guy about yourself exactly. You can email us at

1063
01:00:23,480 --> 01:00:25,640
Speaker 1: the Bechtel Cast at gmail if you want to go

1064
01:00:25,680 --> 01:00:28,080
Speaker 1: on a date after you've changed yourself. Yeah, make sure

1065
01:00:28,080 --> 01:00:32,520
Speaker 1: you're totally different. Yeah, you're not like they're listening to

1066
01:00:32,600 --> 01:00:36,360
Speaker 1: this because they're like, wait, I'm bad. It's probably better

1067
01:00:36,720 --> 01:00:39,600
Speaker 1: things myself. This is gonna work. I love this podcast,

1068
01:00:39,680 --> 01:00:44,120
Speaker 1: by the way, the minutia of a movie I love

1069
01:00:44,960 --> 01:00:47,000
Speaker 1: and sorry Jamie that you missed about half of it.

1070
01:00:47,200 --> 01:00:49,720
Speaker 1: I'm sorry that you can go back and listen to

1071
01:00:50,000 --> 01:00:53,360
Speaker 1: the idea for the Titanic. The TV show Oh yeah

1072
01:00:53,600 --> 01:00:58,280
Speaker 1: you um anyway, Jackie thinks so much for being Oh

1073
01:00:58,320 --> 01:00:59,480
Speaker 1: do you have? Do you want to rate it on

1074
01:00:59,520 --> 01:01:01,560
Speaker 1: a nipple scale? I think I'm gonna go two and

1075
01:01:01,560 --> 01:01:04,280
Speaker 1: a half. I chose to you went three. I'm gonna

1076
01:01:04,280 --> 01:01:07,400
Speaker 1: go right in the middle because I'm pandering because I

1077
01:01:07,920 --> 01:01:10,240
Speaker 1: but I know what you're saying, because he did change

1078
01:01:10,400 --> 01:01:15,000
Speaker 1: and yet um, his initial the treatment of it makes

1079
01:01:15,040 --> 01:01:19,360
Speaker 1: me think that, um that Harold Ramos is probably and wow,

1080
01:01:19,440 --> 01:01:21,439
Speaker 1: nobody wants to hear what middle aged white ladies say.

1081
01:01:21,440 --> 01:01:26,280
Speaker 1: This word uh is not entirely woke. Yeah, it's just

1082
01:01:26,280 --> 01:01:28,840
Speaker 1: like on his way, but he's not there. Yeah, not completely,

1083
01:01:28,880 --> 01:01:32,000
Speaker 1: but who amongst us? His first usually the word work.

1084
01:01:32,760 --> 01:01:37,120
Speaker 1: That's not always an error with the co opting. So

1085
01:01:38,960 --> 01:01:41,200
Speaker 1: I love it. You hit the k oh, yeah, I

1086
01:01:41,240 --> 01:01:43,040
Speaker 1: hit it. I had it and did you hear the

1087
01:01:43,120 --> 01:01:46,640
Speaker 1: silent uh? I remember most of the nineties when I

1088
01:01:46,680 --> 01:01:51,240
Speaker 1: didn't understand what hood was short for neighborhood. It turns out, Grandma,

1089
01:01:51,280 --> 01:01:55,440
Speaker 1: how's it going? Well? Thanks for being here. Where can

1090
01:01:55,480 --> 01:01:58,840
Speaker 1: people find you online? People can find me at all

1091
01:01:58,840 --> 01:02:01,520
Speaker 1: The at Jacucation is in the world. Occasion is spelled

1092
01:02:01,600 --> 01:02:04,120
Speaker 1: K S H I N. And then I have two podcasts.

1093
01:02:04,400 --> 01:02:06,800
Speaker 1: One is on this very network, the Nernice network. We're

1094
01:02:06,840 --> 01:02:09,360
Speaker 1: not on the Nertice one network. We just reduced this studio.

1095
01:02:09,440 --> 01:02:13,640
Speaker 1: Don't tell anyone, Oh no, but sort yeah. So it's

1096
01:02:13,760 --> 01:02:15,880
Speaker 1: but it's called The Jackie Lorie Show and it's just Lori,

1097
01:02:16,000 --> 01:02:17,920
Speaker 1: Kilmartin and I bitching about stand up comedy. If you

1098
01:02:18,000 --> 01:02:20,760
Speaker 1: enjoy that, recommend it. It's such a good podcast. And

1099
01:02:20,760 --> 01:02:23,760
Speaker 1: then The Dork Forest is on all Things Comedy dot com.

1100
01:02:24,000 --> 01:02:27,840
Speaker 1: Uh their network, and that is Al Madrigal and Bilber's

1101
01:02:27,920 --> 01:02:31,120
Speaker 1: podcast network, and it is uh, I just interview people

1102
01:02:31,120 --> 01:02:32,880
Speaker 1: about what they really really love. Look. Today I did

1103
01:02:32,920 --> 01:02:37,360
Speaker 1: an episode with the guy who um loves motorcycles and

1104
01:02:37,600 --> 01:02:39,720
Speaker 1: I didn't. I don't know anything about motorcycles. My mom

1105
01:02:39,800 --> 01:02:42,160
Speaker 1: was killed on one. Uh, she actually fell off and

1106
01:02:42,160 --> 01:02:44,920
Speaker 1: then died. But that's that was supposed to be a

1107
01:02:45,000 --> 01:02:50,800
Speaker 1: laugh line. Possibly too soon. Forty years later or so.

1108
01:02:51,280 --> 01:02:54,840
Speaker 1: But yeah, but anyway, dork forest dot com or jacucation

1109
01:02:54,880 --> 01:02:57,360
Speaker 1: dot com or family pet Ancestry dot com because it

1110
01:02:57,400 --> 01:03:00,280
Speaker 1: made me laugh and uh, there you go. Well, you

1111
01:03:00,320 --> 01:03:03,520
Speaker 1: can also follow us at Bechtel Cast. You can find

1112
01:03:04,000 --> 01:03:07,600
Speaker 1: you can find me on pet finder dot com. You

1113
01:03:07,600 --> 01:03:11,440
Speaker 1: can look at my profile neo pets. Do you remember

1114
01:03:11,440 --> 01:03:16,640
Speaker 1: that pets? Don't? Yeah? I better not because we gotta go.

1115
01:03:17,000 --> 01:03:20,000
Speaker 1: I'm sorry. Also, hello, and welcome to the Becktel Cast.

1116
01:03:20,040 --> 01:03:24,840
Speaker 1: This iste Um nope, sorry that I keep doing that. Okay,

1117
01:03:24,840 --> 01:03:27,440
Speaker 1: by everyone. I