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Speaker 1: Motherfucking Mini Your Sol Mini episode, motherfucking Mini Your Sol.

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Speaker 2: Welcome, Welcome, Welcome to another episode of My Mama Told.

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Speaker 3: Me, the podcast where we dive deep, deep into the

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Speaker 3: pockets of black conspiracy theories and.

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Speaker 2: We worked to prove the theories of you, the listener.

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Speaker 3: Stupid, stupid ass, dumb ass, you dumb motherfucker. You thought

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Speaker 3: we wouldn't gonna make fun of your bitch ass.

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Speaker 2: So I didn't notice that you're wearing Team Jordan's and

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Speaker 2: I saw. I told everybody.

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Speaker 3: They and it don't matter which Team Jordan it is.

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Speaker 3: You know you did the wrong thing.

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Speaker 2: It's team kill yourself, as are those of Blake Griffins.

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Speaker 2: Cut it out. What is wrong? What are you thinking?

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Speaker 2: David boy?

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Speaker 3: I'm like sin Kerrman and and we're so happy you're here.

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Speaker 3: We're so excited that you're here because we're we're going

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Speaker 3: to we're going to do another dive into your conspiracy theories,

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Speaker 3: the ones you send us to, the to the email

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Speaker 3: which has been doing really well. We want to say

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Speaker 3: I think we should thank you for everyone who's been

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Speaker 3: contacting us. We we love hearing from you. We would

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Speaker 3: love to hear from you more. Often so, so if

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Speaker 3: you've been sending, send more, and if you've never sent,

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Speaker 3: do that ship. And also, hey, leave me the fuck

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Speaker 3: alone in my uh in my d MS, I don't

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Speaker 3: I don't want conspiracy theories in my dams. Just send

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Speaker 3: it to the email that I'm constantly repeating every time.

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Speaker 3: Sometimes motherfuckers will send me a whole voice memo in

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Speaker 3: my DMS and it's like, bro, I came here to

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Speaker 3: reflect on, yeah, all my problems.

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Speaker 2: Oh, I go in there to look at butts I

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Speaker 2: would never see on the street.

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Speaker 3: I like, uh, there was a point, there was this

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Speaker 3: magic moment in my history. Now, a lot of my

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Speaker 3: Explore page has turned into like titties and anime. It's

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Speaker 3: it's a lot of that. But there was a really

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Speaker 3: sweet spot about like a year and a half two

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Speaker 3: years ago on Instagram where I would go on my

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Speaker 3: Explore page and it was strictly like bad bitches and

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Speaker 3: whale videos.

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Speaker 2: Oh wow, that was some time I had, I know

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Speaker 2: what you mean. Sometimes like sometimes yeah, the Explore page

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Speaker 2: will hit a righteous level of you, Like sometimes the

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Speaker 2: Explore page will be the you that you want to be.

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Speaker 3: Yeah, it was so at peace and it was a very.

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Speaker 3: It was mostly whale videos and then a very occasional

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Speaker 3: bad bitch. It was like the the exact right curation

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Speaker 3: of like, you know, I just want to be watching

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Speaker 3: a fucking a fucking humpback like breach the water and

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Speaker 3: then every once in a while titties. Yeah that's tight.

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Speaker 2: My export page now is it's so scary. Yeah, it's

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Speaker 2: just like but and then like little boozy and then

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Speaker 2: like and then like somebody popping a pimple on the back,

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Speaker 2: and then as an adult, like it's like it's like

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Speaker 2: a problem.

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Speaker 3: Yeah, you got you got a lot of violence.

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Speaker 2: You're you're some violence.

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Speaker 3: It's one of I don't mean I don't mean physical violence.

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Speaker 3: I mean there's an emotional violence so like transpiring in

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Speaker 3: your Explorer page at all times.

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Speaker 2: Well you know what I figured out because Instagram recently,

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Speaker 2: I like, I like, like the only word I can

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Speaker 2: use is smut, Like I like very. I thought it.

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Speaker 3: I thought it'd be a softer word if I'm being honest.

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Speaker 2: No, No, I like watching ship that's like crap.

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Speaker 3: Fig Yeah, I thought I thought when you looked up

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Speaker 3: at the sky, you were like the only word I

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Speaker 3: can use. You were sort of finding the softest way

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Speaker 3: to articulate what you're talking about. But you were like, no,

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Speaker 3: what's the root word.

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Speaker 2: No, I'm giving you. I'm telling you the real It's gross. Yeah,

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Speaker 2: it's not even growth, it's just raw. It's just I

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Speaker 2: just like graphic shit. It's I blame the Internet. I

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Speaker 2: don't know. Maybe I don't know because you just saw

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Speaker 2: my mom. She's sweet.

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Speaker 3: I don't know where she she ain't looking that smut.

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Speaker 2: No, no, no, I bet her instagram is like I

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Speaker 2: bet you, it's like a lot of like Monique and

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Speaker 2: like smart outfits. Man, I can't imagine what else her

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Speaker 2: instagram Monique and smart outfits. My mom loves Monique. She

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Speaker 2: when I was a kid, we used to watch The

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Speaker 2: Parkers and I don't know what it is, but you

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Speaker 2: would just be like, I think Monique is so beautiful. Mmm,

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Speaker 2: she just loves Monique.

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Speaker 3: I will say that Monique. Monique is very beautiful. Monique,

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Speaker 3: especially young, I think was was like a very cute lady.

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Speaker 3: And and now she's a bit of a grumpy gus.

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Speaker 3: But but but that's that's okay. She had a thriving

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Speaker 3: career and.

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Speaker 4: She she's she's a bit of a grumpy gus and

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Speaker 4: she's got she's got a few problems that that always

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Speaker 4: seemed to follow her way.

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Speaker 3: It's hard to know whose fault it is.

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Speaker 2: She's only got one problem begin either way.

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Speaker 3: Still still very pretty, still very pretty.

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Speaker 2: Still. So we we.

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Speaker 3: Got an email, Yeah, we got an email from somebody

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Speaker 3: named Jerry. Jerry sent us an email, and Jay, if

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Speaker 3: it was g I wouldn't read it. I think I

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Speaker 3: think I deleted it and and flagged as spam.

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Speaker 2: You know what I mean?

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Speaker 3: If if a I'll say that, if it's a girl

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Speaker 3: and she's British, fine, I'll live with this. But if

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Speaker 3: it's a man with G E R R Y contacting me, sir,

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Speaker 3: we need not speak anymore.

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Speaker 2: We have nothing to talk about.

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Speaker 3: I don't wish, I don't wish any ill will on

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Speaker 3: you I do.

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Speaker 2: How'd you get this number? How do you get.

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Speaker 3: This goddamn email?

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Speaker 2: Jerry? What do you? What are you contacting me for?

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Speaker 2: It's not good. No, we ain't got nothing to talk about.

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Speaker 3: Jerry, but a regular Jerry sent us an email, uh

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Speaker 3: where they said, Hey, Langston and David, I sent a

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Speaker 3: conspiracy theory in before and have another one for you.

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Speaker 3: Everybody's mad about their conspiracy theories not not being addressed.

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Speaker 3: Maybe I did address Jerry and I'm just not remembering.

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Speaker 3: I mean, listen, you got you saw the last one.

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Speaker 2: I don't know. Smile.

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Speaker 3: You think you think I'm skipping my mom's phone calls

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Speaker 3: so I can rush to your email.

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Speaker 2: Yeah, so I can talk to Jerry. Get out of here. Right.

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Speaker 3: You may not be a g Jerry, but you're still

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Speaker 3: a Jerry guy.

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Speaker 2: Yeah. Yeah, don't forget. You're named after a cartoon mouse.

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Speaker 3: Or a pedophilic comedian. You name which Wanna and.

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Speaker 2: She was seventeen. We all knew it. I don't know

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Speaker 2: how he got away with that.

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Speaker 3: He got away with it, Scott free is a move

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Speaker 3: and then kept telling jokes about like how how apples

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Speaker 3: are weird or whatever it is that that comedy is about.

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Speaker 2: That's who you need to look at. As these weirdos

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Speaker 2: talking about apples on stage. I will say, there's a

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Speaker 2: reason they don't want to discuss sex, because they're doing

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Speaker 2: it weird. Look dog.

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Speaker 3: The people who are like the most like innocuous, I

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Speaker 3: ain't talking about nothing always end up pretty odd.

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Speaker 2: They seem to have no like conflict any comedian who

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Speaker 2: seems to have no conflict actually within their act, like

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Speaker 2: no like existential crisis or nothing like that. Don't trust them.

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Speaker 2: I don't give a fuck. Who'll say what blood? Oh crap?

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Speaker 3: Yeah, like it truly like it's it's it's you don't

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Speaker 3: even It's not that you have to be like and

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Speaker 3: that's when I did this and murdered that or whatever

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Speaker 3: the fuck it is, but like, you truly gotta at

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Speaker 3: least be like, hey, my dad was weird.

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Speaker 2: Yeah, like yeah, or something bad things sometimes or something.

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Speaker 3: Yeah, you gotta some there's gotta be a little bite

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Speaker 3: otherwise you've you do some biting elsewhere, and that's that's

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Speaker 3: not good. So Jerry's that Heylanson and David I sent

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Speaker 3: the conspiracy and before and I have another one for you.

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Speaker 3: My mama told me that music and artists put hidden

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Speaker 3: messages in their music, not to rainwashed folks, but just

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Speaker 3: subtle messages that would not be easily picked up if

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Speaker 3: we weren't paying attention to The song at the top

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Speaker 3: of the list, Candy by Cameo, is supposed to be

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Speaker 3: about doing cocaine. There are a few others, like Pretty

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Speaker 3: Wings being about someone dying although that seems obvious. I

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Speaker 3: mean sodas candy, hm hmm, being about cocaine.

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Speaker 2: Yeah, have you heard that? Yes, cocaine, you idiot, that

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Speaker 2: whole song you can You didn't.

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Speaker 3: Hear that dude grinding his teeth between takes on that

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Speaker 3: on that song. I will say.

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Speaker 2: O that ship was that was very apparent.

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Speaker 3: Yeah, he's definitely talking about drugs and or but and

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Speaker 3: probably both.

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Speaker 2: I would like to think.

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Speaker 3: Yeah, it's like it's like how twenty one Savage mixes

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Speaker 3: between murder and sex, like between bars. Imagine that's what

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Speaker 3: the cameo song was doing, where it's like this this

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Speaker 3: line's about ass, but this line that's cocaine.

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Speaker 2: Yeah, it's but it's all, it's all. It's a similar

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Speaker 2: d compulsion. Yeah, for sure.

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Speaker 3: But to Jerry's question, is there a possibility, let's expand

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Speaker 3: it because I do think that Jerry's examples might not

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Speaker 3: be sort of the most like elusive ones, right, they

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Speaker 3: feel a little front facing.

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Speaker 2: But do your songs about Chicago?

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Speaker 3: When he's talking about Wendy. When Kanye is talking about Wendy,

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Speaker 3: he's actually talking about the city of wind Chicago.

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Speaker 2: I was just with my friend ray Sean longtime listener,

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Speaker 2: and she said she did not know that that was

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Speaker 2: what that song was about.

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Speaker 3: Get the fuck out of here.

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Speaker 2: He says, I'm talking about Shia. He said, is it?

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Speaker 2: At the end? Also, nobody says no one's name is

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Speaker 2: Wendy it?

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Speaker 3: But wait because when I listened to the song, one

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Speaker 3: of the things that infuriates me the most about it

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Speaker 3: is the moment when he goes and just so you know,

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Speaker 3: this whole song's about Chicago.

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Speaker 2: Yes, if you couldn't tell, I could tell from the

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Speaker 2: first one.

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Speaker 3: It's literally in like the first couple of lines. But

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Speaker 3: like then he's like, just to be clear, I the

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Speaker 3: metaphor was Chicago.

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Speaker 2: This was the craziest part. She was like, I was

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Speaker 2: so used to hearing that song when I was partying

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Speaker 2: that I never caught that part. And I was like,

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Speaker 2: you were partying to I'm only saying this all out

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Speaker 2: because she's gonna listen to this and text me, But yeah,

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Speaker 2: I was like, you were partying to Kanye west't Adam Levine? Yeah, no,

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Speaker 2: it was Chris Martin.

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Speaker 1: It was.

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Speaker 3: Fair enough. Chris Martin cheated on Gwyneth Paltrow, Adam Levine

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Speaker 3: cheated on a much less famous Gwyneth Paltrow. I imagine what

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Speaker 3: band is Chris martin Man cold Play.

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Speaker 2: Oh I don't like that.

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Speaker 3: Oh that he featured a British dude on his song

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Speaker 3: about ut. Oh you don't like you don't like nothing

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Speaker 3: they do. Oh that's not fair, that's not And I.

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Speaker 2: Don't like Radiohead.

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Speaker 4: Damn.

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Speaker 2: Well, I know people get upset about me about the Radiohead.

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Speaker 2: It sounds like, oh, it sounds like nothing. I can't

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Speaker 2: explain it.

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Speaker 3: That's an but that's an insane comparison.

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Speaker 2: Well, these are just two things they don't like. I

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Speaker 2: don't mean that they're related, Okay, I just think.

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Speaker 3: I just think in the future, let's put a little

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Speaker 3: distance between cold Play and Radiohead. I think, I think

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Speaker 3: whatever we feel about the bands, and I respect you

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Speaker 3: not liking their music, they're they're not You're you're mixing

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Speaker 3: dark and light liquors in all day.

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Speaker 2: I understand. You know that was a that was a

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Speaker 2: coconut rum whiskey situation.

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Speaker 3: Yeah, and in a way that like one of those

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Speaker 3: you were talking about, like a fifteen year old Scotch

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Speaker 3: and the other one you're talking about fucking like those

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Speaker 3: little high balls they sell at the front of the

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Speaker 3: liquor store.

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Speaker 2: You know which one is the Scotch, which one is

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Speaker 2: the shooter.

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Speaker 3: Radiohead is amazing, truly like one of the greatest bands

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Speaker 3: to ever do. Band stuff, if that's what you're into, Yeah,

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Speaker 3: it gets it.

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Speaker 2: Band stuff.

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Speaker 3: Yeah, I don't. I'm not a musician.

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Speaker 2: I just and Maroon five is trash.

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Speaker 3: No, you see, you don't even remember what band you're

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Speaker 3: talking about.

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Speaker 2: Oh yeah, sorry.

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Speaker 3: And cold Play, I would say, has had a number

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Speaker 3: of hits, but also is sometimes just making noise, okay,

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Speaker 3: and it's it's hard to tell which one they're doing

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Speaker 3: at which time, right, But they've got some they got

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Speaker 3: some jams. But I respect that you don't like either.

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Speaker 2: Yeah, and this isn't the same. I feel like people

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Speaker 2: always often I like white music. I just I don't

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Speaker 2: like those two bad. I like white people's music.

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Speaker 3: I think, what's your go to white white group or

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Speaker 3: or or Stolly Parton Okay, you're a Dolly man mm

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Speaker 3: hmmm go.

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Speaker 2: To I don't know. It's just it really depends because

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Speaker 2: there's so much of it. It just really depends on

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Speaker 2: the day. Mmm, you know what I mean?

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Speaker 3: Sure, So you you're not just a one a one

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Speaker 3: and done shooter.

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Speaker 5: You're you're more like and I like you got some

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Speaker 5: people you like? I listen, Yeah, I like. I like

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Speaker 5: punk rock music as well. It just it just really depends.

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Speaker 5: But I don't like cold Play or Radiohead, and I

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Speaker 5: know that Radiohead is like very different on different albums,

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Speaker 5: but it doesn't matter. It could be kid A, it

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Speaker 5: could be whatever. I just don't.

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Speaker 3: Yeah, So no cold Play, no Radiohead, and clearly no

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Speaker 3: Maroon five because.

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Speaker 2: No Maroon five is kind of because it's very rhythmic.

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Speaker 3: Oh you like Maroon five, I don't hate it.

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Speaker 6: Whoa, there's very raised what's ro walking down the street? Yeah,

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Speaker 6: that's that's that's all. More than five more five has

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Speaker 6: a black.

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Speaker 2: Guy in it. Now they've changed? Is that? No? They

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Speaker 2: have not gotten.

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Speaker 3: They have not become a better band over you know what.

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Speaker 2: I found out. I saw a picture, come to find out.

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Speaker 2: You know there's more black people than white people in

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Speaker 2: the Dave Matthews band. Yeah, they're always has been. What

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Speaker 2: are we gonna do about this? When are we gonna

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Speaker 2: stand up to this injustice? I saw a picture. I

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Speaker 2: was like, you all let him get away with scatting.

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Speaker 3: It's wild it's and what's crazy is and I'm not

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Speaker 3: a Dave Matthews fan, so I don't I don't have

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Speaker 3: the names to be able to pair this up, but

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Speaker 3: everybody I've ever spoken to has almost like made it up.

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Speaker 3: Even people who are fans of his ship are like, yeah, objectively,

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Speaker 3: he is the worst member of the band. Like it's

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Speaker 3: not even close that like the fucking fiddlest and the

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Speaker 3: guitar guy or whoever, the all those black dudes with

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Speaker 3: blonde dreads that he's been employing for years are insanely

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Speaker 3: like some of the most gifted musicians on the planet.

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Speaker 3: And then he's just okay, and.

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Speaker 2: He put his name on it. Imagine if everybody hated

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Speaker 2: cool and loved the gang. That's upside down.

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Speaker 3: Yeah, no, it's it surely doesn't make sense, but that

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Speaker 3: is in fact what he did, and clearly nobody's fighting it.

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Speaker 3: Did you know that when when bands sign to a

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Speaker 3: record label, only the lead singer signs.

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Speaker 2: So like if what, so, let's say I go in

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Speaker 2: to Island def Jam, They're only gonna sign two in,

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Speaker 2: not the mateles.

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Speaker 3: That's right, That's exactly that's I think that is true,

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Speaker 3: which is why it's always the uh the lead singer

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Speaker 3: is like branching off to go. Do you know it's

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Speaker 3: justin Timberlake. Is Lee is going to do a solo

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Speaker 3: album within sync until he Yeah, the other guys just

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Speaker 3: got to chill.

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Speaker 2: And I've said this a lot of times on this podcast.

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Speaker 2: That's why Zap and Roger were so smart. Ah right

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Speaker 2: they separated. Yeah? Yeah, Also I think one killed the other.

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Speaker 2: Is that true. I'm pretty sure Zap killed Roger. Maybe

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Speaker 2: the other way around. They were WHOA, that's a dark story.

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Speaker 3: Was it a was it an affair or was it

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Speaker 3: like I just don't fuck with you know, Mike.

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Speaker 2: I can't remember. It was just one of those times

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Speaker 2: I was just on Wikipedia Wiland. Whoa.

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Speaker 3: He was like, you stole my voice machine. I'm gonna

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Speaker 3: murder you.

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Speaker 1: Yeah.

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Speaker 2: It was something weird because I think the brothers there's

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Speaker 2: Zapp and Roger Troutman, right, fuck, I don't know, we

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Speaker 2: have an email. I'm sure.

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Speaker 3: All right, Roger try In an updated Polblicity photo, probably

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Speaker 3: from the early eighties, Troutman, a musician and leader of

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Speaker 3: the band Zapp, was shot and killed by his brother

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Speaker 3: Larry Troutman.

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Speaker 2: So it wasn't Roger was Larry.

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Speaker 3: Yeah, Larry apparently Roger and the band.

329
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Speaker 2: Everybody knows his piece of band, but I'm the talent Larry.

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Speaker 3: Roger was killed by Larry in nineteen ninety nine. April

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Speaker 3: twenty fifth, nineteen ninety nine.

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Speaker 2: Yeah, I mean, I think Larry was short for His

333
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Speaker 2: nickname was Zap. I'll be was like, I'm a zapio ass,

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Speaker 2: Larry zap troutman. Larry's zap troutman. God damn well for

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Speaker 2: all our zapp fans that have been listening, I'm sorry

336
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Speaker 2: to break the news to you, but Roger's dead. Roger's

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Speaker 2: been dead.

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Speaker 3: For almost thirty years now. Yeah. I think at its

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Speaker 3: core there may be some hidden messages that are that

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Speaker 3: are often put into music, and I think maybe looking

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Speaker 3: more towards some of the more elusive writers might help

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Speaker 3: to to ground some of it. Like I think about

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Speaker 3: like Frank Ocean right like, he has songs that feel

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Speaker 3: like they're about something without ever really being about something.

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Speaker 2: If that's sometimes like themed albums and.

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Speaker 3: Right yeah, where like if you listen enough throughout, you

347
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Speaker 3: will gather a general story of what he's talking about,

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Speaker 3: but you're not necessarily sitting and tracking like a start

349
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Speaker 3: to finish narrative, not like right, yeah, No, it's nothing

350
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Speaker 3: like that. It's closer to like to pimple butterfly frank.

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Speaker 2: Right, Okay, yeah, I think there's I think there's merit

352
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Speaker 2: to this, like, yeah, definitely. I think that's writing, right,

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Speaker 2: That's why, that's why writing is so great. Like I

354
00:20:03,560 --> 00:20:06,639
Speaker 2: was just read man, I don't want to sound like

355
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Speaker 2: a nerd after fucking Casmo my face off. I was

356
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Speaker 2: reading are you still hurting from when you?

357
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Speaker 1: Yeah?

358
00:20:13,400 --> 00:20:17,000
Speaker 2: I had to go underwater for a little bit. I

359
00:20:17,080 --> 00:20:21,000
Speaker 2: was reading JD. Salinger has this book and this like,

360
00:20:21,119 --> 00:20:24,040
Speaker 2: he has this book called Nine Stories and this one Clownfish.

361
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Speaker 2: Have you ever read that?

362
00:20:25,440 --> 00:20:26,280
Speaker 3: No, I've never read.

363
00:20:26,480 --> 00:20:27,160
Speaker 2: The only JD.

364
00:20:27,280 --> 00:20:30,240
Speaker 3: Salinger I've read is uh catching a Rye.

365
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Speaker 2: Well, if you read Nine Stories, I think you'll like him,

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Speaker 2: maybe even more. But I like. I read it and

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Speaker 2: then I read it. I had read it again because

368
00:20:38,680 --> 00:20:40,760
Speaker 2: it's a short story, and I had read it again

369
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Speaker 2: and I was like, I don't think I know what's

370
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Speaker 2: going on here, and I went online and looked it

371
00:20:44,640 --> 00:20:46,480
Speaker 2: up and then I was like, Oh, this is this

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00:20:46,600 --> 00:20:51,239
Speaker 2: whole guy who's like telling his war trauma to this

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Speaker 2: child on the beach. Y. I just mean it's like

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Speaker 2: it's like a regular trick that in literature and writing

375
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Speaker 2: that people will use, like disguised messages and stuff like that.

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Speaker 3: Yeah, I think, yeah, to your point, it just is

377
00:21:05,920 --> 00:21:07,640
Speaker 3: how you make writing more interest.

378
00:21:07,680 --> 00:21:07,800
Speaker 2: Thing.

379
00:21:07,880 --> 00:21:11,000
Speaker 3: If we all are just explicitly stating the thing that

380
00:21:11,119 --> 00:21:15,480
Speaker 3: happened to us, it gets a little bland after exactly.

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Speaker 2: That's that's the that's the that's the fun of it,

382
00:21:18,200 --> 00:21:20,040
Speaker 2: that's the flourish, right double yeah.

383
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Speaker 3: I think about uh that that OJ song Brandy. I

384
00:21:25,280 --> 00:21:27,639
Speaker 3: don't know if you you ever heard this when you

385
00:21:27,680 --> 00:21:30,600
Speaker 3: were younger, but but there are some who believe that

386
00:21:30,600 --> 00:21:34,000
Speaker 3: that song is about a woman. Obviously it sounds like

387
00:21:34,040 --> 00:21:36,159
Speaker 3: he's singing about a woman who left him. But there

388
00:21:36,160 --> 00:21:38,320
Speaker 3: are a lot who argue that that song is about

389
00:21:38,320 --> 00:21:42,479
Speaker 3: his dog who who ran away and it really and

390
00:21:42,520 --> 00:21:45,280
Speaker 3: it's just the whole thing either ran away or died.

391
00:21:45,320 --> 00:21:48,119
Speaker 3: I can't remember if Brandy is dead or just not

392
00:21:48,240 --> 00:21:51,240
Speaker 3: with us and you know, not nearby, but either way,

393
00:21:51,280 --> 00:21:53,240
Speaker 3: it's about the dog, not about a lady.

394
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Speaker 2: See. And I always thought that song was about how

395
00:21:55,640 --> 00:21:57,080
Speaker 2: he has to quit drinking ian J.

396
00:22:02,000 --> 00:22:05,520
Speaker 3: Yeah, this it's just him with a massive hangover, being like,

397
00:22:06,560 --> 00:22:09,440
Speaker 3: I really miss you, Brandy.

398
00:22:10,040 --> 00:22:10,800
Speaker 2: I gotta let you go.

399
00:22:13,720 --> 00:22:15,760
Speaker 3: Well, if you know for sure, if you're in if

400
00:22:15,760 --> 00:22:19,520
Speaker 3: you're in touch with UH, Who's daddy was that?

401
00:22:19,520 --> 00:22:22,600
Speaker 2: That was? Uh? From OJS? Yeah?

402
00:22:22,640 --> 00:22:24,240
Speaker 3: From the leads from the ojys.

403
00:22:24,280 --> 00:22:25,320
Speaker 2: It was a fuck.

404
00:22:26,040 --> 00:22:29,359
Speaker 3: Jerald Levert's daddy, I think is the lead singer of

405
00:22:29,400 --> 00:22:32,200
Speaker 3: the OJS. But anyway, if you're in touch with Jerald

406
00:22:32,240 --> 00:22:34,679
Speaker 3: Levert's daddy, you contact him and you find out if

407
00:22:34,680 --> 00:22:38,280
Speaker 3: that song is about the dog or about his unhealthy

408
00:22:38,320 --> 00:22:40,960
Speaker 3: relationship with Ian j or if.

409
00:22:40,800 --> 00:22:43,800
Speaker 2: You're in contact with Jerald LeVert or really any of

410
00:22:43,840 --> 00:22:46,520
Speaker 2: the members of Lavert Sweat Gil, let him know I'm

411
00:22:46,520 --> 00:22:47,280
Speaker 2: thinking about him.

412
00:22:47,600 --> 00:22:51,160
Speaker 3: Well, unfortunately, Jeral LeVert is no longer with us, but

413
00:22:51,600 --> 00:22:54,800
Speaker 3: Jeral dead. Jeral Levert's been dead for quite a while.

414
00:22:55,040 --> 00:23:00,560
Speaker 2: I had no idea. Yeah, no, he's gone. He was

415
00:23:00,600 --> 00:23:03,719
Speaker 2: that the whole time. But I think probably he was

416
00:23:03,760 --> 00:23:04,280
Speaker 2: like he was.

417
00:23:05,600 --> 00:23:09,639
Speaker 3: I do think he had a pretty tragic like a

418
00:23:09,800 --> 00:23:12,399
Speaker 3: heart or a brain thing. I remember, it was not

419
00:23:12,600 --> 00:23:15,840
Speaker 3: it was a big surprise kind of vibe that Gerald

420
00:23:15,880 --> 00:23:19,000
Speaker 3: Avert suddenly was dead. Okay, I didn't I didn't know

421
00:23:19,119 --> 00:23:22,520
Speaker 3: even I had no idea. Yeah, but Keith Sweat still

422
00:23:22,560 --> 00:23:27,359
Speaker 3: out here, Keith Sweat doesn't even age bro forever, I

423
00:23:27,520 --> 00:23:31,400
Speaker 3: fucking man, you know. You know that's his real name, Sweat. Yeah,

424
00:23:31,600 --> 00:23:34,600
Speaker 3: it's a family name. Yeah what he gotta change his

425
00:23:34,680 --> 00:23:36,640
Speaker 3: name for the industry changed for him.

426
00:23:36,880 --> 00:23:46,639
Speaker 7: His mother's name is Janita Sweat anyways, And that's not

427
00:23:46,720 --> 00:23:50,840
Speaker 7: a metaphor, that's just straight up that's what you're telling people,

428
00:23:50,880 --> 00:23:53,159
Speaker 7: who who the fuck you are when your name is

429
00:23:53,160 --> 00:23:54,160
Speaker 7: Watanita Sweat.

430
00:23:57,359 --> 00:24:00,000
Speaker 2: So yes, I do think. I also do think.

431
00:24:00,440 --> 00:24:02,639
Speaker 3: I think there are a lot of great examples of

432
00:24:02,680 --> 00:24:06,960
Speaker 3: where like metaphor sort of like does exist, And obviously

433
00:24:07,000 --> 00:24:11,040
Speaker 3: it is with the intention sometimes of swaying us. I

434
00:24:11,080 --> 00:24:13,600
Speaker 3: would say, like I and we didn't talk about this yet,

435
00:24:13,640 --> 00:24:15,800
Speaker 3: but when I read this email, one of the things

436
00:24:15,840 --> 00:24:18,399
Speaker 3: that I thought about is if this is dangerous, And

437
00:24:18,440 --> 00:24:20,760
Speaker 3: I do think there are times where it does get dangerous,

438
00:24:21,119 --> 00:24:25,879
Speaker 3: where the hidden messages, as they were, are not so

439
00:24:26,119 --> 00:24:30,320
Speaker 3: much about a story device or a thing that you've experienced,

440
00:24:30,320 --> 00:24:33,600
Speaker 3: but more about a brand that they want us to

441
00:24:33,600 --> 00:24:37,240
Speaker 3: to sort of be like remembering or committing to or

442
00:24:37,280 --> 00:24:40,680
Speaker 3: whatever the fuck. And I imagine now more than ever,

443
00:24:40,840 --> 00:24:44,240
Speaker 3: people are rapping about shit that also they are selling

444
00:24:44,880 --> 00:24:47,560
Speaker 3: or being told to sell or what makes.

445
00:24:47,440 --> 00:24:50,000
Speaker 2: Me satis I don't think they even aren't actually selling it.

446
00:24:50,040 --> 00:24:52,240
Speaker 2: A lot of times, I think they're just I don't

447
00:24:52,240 --> 00:24:54,840
Speaker 2: want to get into this, but materialism is the whole thing.

448
00:24:55,320 --> 00:24:58,760
Speaker 3: Oh you think it's just vanity, and then subsequently we

449
00:24:58,800 --> 00:25:01,959
Speaker 3: become victims of their vanity. I think that's most of it.

450
00:25:02,000 --> 00:25:04,720
Speaker 3: I don't think blood Siago has given out that many checks.

451
00:25:05,040 --> 00:25:07,080
Speaker 3: Well here's the thing or whoever not, you know what

452
00:25:07,080 --> 00:25:07,400
Speaker 3: I mean.

453
00:25:07,920 --> 00:25:08,520
Speaker 2: This is what.

454
00:25:08,480 --> 00:25:10,879
Speaker 3: Makes me think that it's it's a little more complicated

455
00:25:10,920 --> 00:25:15,000
Speaker 3: than just their vanity. Is I learned that music videos

456
00:25:15,040 --> 00:25:18,240
Speaker 3: are one paid for by the artists, right that like,

457
00:25:18,880 --> 00:25:22,440
Speaker 3: there's there's no version of like, oh the record labels

458
00:25:22,800 --> 00:25:25,520
Speaker 3: paying for this. What they do is they allot you

459
00:25:25,560 --> 00:25:29,600
Speaker 3: a certain amount of money for like, you know, promotions, media,

460
00:25:29,680 --> 00:25:31,760
Speaker 3: whatever the fuck it is, and you can spend some

461
00:25:31,920 --> 00:25:37,719
Speaker 3: of your money that they've allotted towards your music video, whatever, whatever, whatever.

462
00:25:38,040 --> 00:25:40,679
Speaker 3: But then I've also now learned that part of the

463
00:25:40,680 --> 00:25:43,600
Speaker 3: way that artists recoup the bread that they've been spending

464
00:25:44,240 --> 00:25:47,840
Speaker 3: is by adding branding into the music videos and like

465
00:25:48,200 --> 00:25:51,920
Speaker 3: wearing specific shoes or driving a specific car, or drinking

466
00:25:51,960 --> 00:25:55,320
Speaker 3: a specific drink in order to do the thing right.

467
00:25:55,760 --> 00:26:00,240
Speaker 3: And so subsequently that makes me feel like it's very

468
00:26:00,040 --> 00:26:04,320
Speaker 3: very likely that that is also true for music that

469
00:26:04,400 --> 00:26:08,200
Speaker 3: you're writing, that you're performing connecting to you know what

470
00:26:08,240 --> 00:26:08,520
Speaker 3: I mean.

471
00:26:08,600 --> 00:26:10,840
Speaker 2: It's also like product placement in videos. The older we

472
00:26:10,880 --> 00:26:14,800
Speaker 2: get has been has been more and more apparent.

473
00:26:14,520 --> 00:26:18,720
Speaker 3: Right, Yeah, I feel that way even with like sports too,

474
00:26:18,840 --> 00:26:23,360
Speaker 3: Like I don't remember Coming to America.

475
00:26:24,160 --> 00:26:25,960
Speaker 2: Movie was did you see the Newest One?

476
00:26:26,440 --> 00:26:26,640
Speaker 8: Yeah?

477
00:26:26,680 --> 00:26:29,200
Speaker 2: It was a fucking commercial. It was like, oh man,

478
00:26:29,400 --> 00:26:33,119
Speaker 2: thank god I got this Sarack Obama to cool me

479
00:26:33,200 --> 00:26:36,040
Speaker 2: off on this hot, hot damn branded hat.

480
00:26:36,560 --> 00:26:43,159
Speaker 8: You africant so crazy? Yeah, it truly was a it was.

481
00:26:43,240 --> 00:26:47,919
Speaker 8: It was great ass commercial for Rick Ross's house. I

482
00:26:47,920 --> 00:26:51,040
Speaker 8: think just everything Rick Ross was connected to.

483
00:26:52,000 --> 00:26:56,359
Speaker 3: But but I think at its core we're talking about

484
00:26:56,359 --> 00:26:59,800
Speaker 3: the same thing. We're saying that there's a possibility that like, yeah,

485
00:27:00,119 --> 00:27:02,760
Speaker 3: you're rapping, you know, you're rapping about some fly ship,

486
00:27:03,160 --> 00:27:07,600
Speaker 3: but Balinciaga specifically is sponsoring some of that fly ship.

487
00:27:07,720 --> 00:27:11,199
Speaker 3: So yeah, I'm gonna say Balenciaga instead of just like

488
00:27:11,320 --> 00:27:14,560
Speaker 3: leaving it at you know, Gucci or Fantee or whatever

489
00:27:14,640 --> 00:27:18,000
Speaker 3: the fuck you're actually wearing or interested in.

490
00:27:18,040 --> 00:27:20,919
Speaker 2: Blah blah blah blah blah. No, that's a yeah, No,

491
00:27:21,000 --> 00:27:22,879
Speaker 2: that's fair. I think it's like, I just don't think

492
00:27:22,880 --> 00:27:24,880
Speaker 2: it's going anywhere. I think it's entails all his time.

493
00:27:24,920 --> 00:27:28,879
Speaker 2: It always will be so oftentimes and oftentimes, And to

494
00:27:28,920 --> 00:27:31,320
Speaker 2: be fair to this point is like, sometimes I'll see

495
00:27:31,320 --> 00:27:34,040
Speaker 2: some shit that's actually about another some other ship, and

496
00:27:34,080 --> 00:27:37,600
Speaker 2: I'll get like excited. But you've never seen that movie,

497
00:27:37,960 --> 00:27:39,280
Speaker 2: the Legend of Bagadvance.

498
00:27:39,840 --> 00:27:43,239
Speaker 3: I have never sat down, and I thought it was

499
00:27:43,320 --> 00:27:44,320
Speaker 3: just a coon movie.

500
00:27:44,640 --> 00:27:48,240
Speaker 2: And then it turns out it's it's the Bagaika, the

501
00:27:48,320 --> 00:27:54,560
Speaker 2: Hindu text. Oh far less.

502
00:27:53,720 --> 00:27:58,520
Speaker 3: So wait, this is a like a Hindu story that

503
00:27:58,520 --> 00:27:59,840
Speaker 3: they're adapting with.

504
00:28:00,080 --> 00:28:02,560
Speaker 2: That's the story of the warrior king or whatever. Yeah,

505
00:28:02,920 --> 00:28:04,480
Speaker 2: somebody they taught me that in high school.

506
00:28:04,880 --> 00:28:08,439
Speaker 3: But then they adapted into Matt Damon plays golf with

507
00:28:08,560 --> 00:28:09,200
Speaker 3: Will Smith.

508
00:28:09,440 --> 00:28:12,040
Speaker 2: Yeah, that's why they have all these weird sounding names

509
00:28:12,080 --> 00:28:15,240
Speaker 2: like Ranulph Juna. That's an Indian.

510
00:28:14,960 --> 00:28:18,040
Speaker 3: Name though, whoa, that's crazy.

511
00:28:18,640 --> 00:28:20,359
Speaker 2: Well, that's just what my high school teacher told me.

512
00:28:20,359 --> 00:28:25,080
Speaker 2: It might be wrong. I remember, yeah, we we we

513
00:28:25,080 --> 00:28:28,359
Speaker 2: we we we we terrorized her. I remember this girl, Sasha.

514
00:28:28,520 --> 00:28:30,359
Speaker 2: She asked her she was a virgin. Is the funniest

515
00:28:30,359 --> 00:28:33,040
Speaker 2: thing I've ever seen in high school. She raised her

516
00:28:33,080 --> 00:28:35,840
Speaker 2: hand and she she was like Sasha, and she was like,

517
00:28:36,119 --> 00:28:37,359
Speaker 2: mister gear, you a virgin.

518
00:28:38,760 --> 00:28:43,239
Speaker 3: I've had a student do that to me. And and

519
00:28:43,320 --> 00:28:45,880
Speaker 3: I will say, I've never wanted to fight a person

520
00:28:45,920 --> 00:28:46,680
Speaker 3: more than.

521
00:28:50,280 --> 00:28:50,440
Speaker 1: You know.

522
00:28:50,480 --> 00:28:52,400
Speaker 2: It's the funniest thing you could do to a teacher

523
00:28:52,440 --> 00:28:53,160
Speaker 2: as a child.

524
00:28:53,680 --> 00:28:57,719
Speaker 3: He and he what made it so obnoxious was that

525
00:28:57,800 --> 00:29:00,840
Speaker 3: he was sort of like this very meek, very sort

526
00:29:00,840 --> 00:29:04,720
Speaker 3: of like not that that wild ass kid that you

527
00:29:04,720 --> 00:29:07,280
Speaker 3: would expect to be the one doing it. And so

528
00:29:07,360 --> 00:29:11,520
Speaker 3: it made it more like he sincerely didn't know. But

529
00:29:11,600 --> 00:29:13,760
Speaker 3: I feel like he was just fucking with me, you

530
00:29:13,800 --> 00:29:17,440
Speaker 3: know what I mean. Like it wasn't to steal on. Yeah,

531
00:29:17,560 --> 00:29:20,960
Speaker 3: he just was like, this will fix my my awkward

532
00:29:21,480 --> 00:29:25,280
Speaker 3: high school experience if I air out this motherfucker all

533
00:29:25,320 --> 00:29:25,920
Speaker 3: my peers.

534
00:29:26,200 --> 00:29:29,640
Speaker 2: Yeah, and it, to be honest, it might have worked.

535
00:29:29,880 --> 00:29:33,040
Speaker 3: He got the wrong one. What was the reaction I

536
00:29:34,080 --> 00:29:36,440
Speaker 3: aired him? I heard, I shot back, baby, are you

537
00:29:36,520 --> 00:29:44,240
Speaker 3: a virgin? What we're doing what's up? I was like, nah,

538
00:29:44,320 --> 00:29:46,959
Speaker 3: are you you know what I mean? Like, I'm I

539
00:29:47,000 --> 00:29:50,320
Speaker 3: ain't not for a second am I sitting in that feeling?

540
00:29:52,800 --> 00:29:56,520
Speaker 2: Yeah, come on, big dog, I made it through high school.

541
00:29:56,600 --> 00:29:59,000
Speaker 2: You ain't about to get me. It might be your dad.

542
00:29:59,480 --> 00:30:03,800
Speaker 3: You're right, because because the fear that they're they're hoping

543
00:30:03,800 --> 00:30:05,960
Speaker 3: I'm gonna play in is be like, well, I can't

544
00:30:06,000 --> 00:30:10,800
Speaker 3: reply because this is sexualizing a teen or or putting

545
00:30:10,800 --> 00:30:14,480
Speaker 3: a you know, na, look he what's up?

546
00:30:15,280 --> 00:30:21,800
Speaker 2: Who you fucking? Who you fucking? Who you be with?

547
00:30:25,520 --> 00:30:28,320
Speaker 3: Because no, I'm not just gonna sit in that feeling

548
00:30:28,400 --> 00:30:31,800
Speaker 3: and if my job is on the line afterwards, so

549
00:30:32,120 --> 00:30:33,120
Speaker 3: goddamn be it.

550
00:30:35,120 --> 00:30:38,280
Speaker 2: And then all the students were like, hey, mister Kerman, yeah,

551
00:30:38,600 --> 00:30:43,520
Speaker 2: like you have like some cool Nah, I couldn't do it.

552
00:30:43,680 --> 00:30:44,480
Speaker 2: I just.

553
00:30:46,160 --> 00:30:50,400
Speaker 3: Yeah, in part because I was much younger than everybody

554
00:30:50,800 --> 00:30:53,960
Speaker 3: on the status. Yeah, And so in that way I

555
00:30:54,000 --> 00:30:56,880
Speaker 3: think they were they were worried that like if I

556
00:30:56,920 --> 00:31:00,480
Speaker 3: became too familiar, it would sort of it was already

557
00:31:00,480 --> 00:31:02,640
Speaker 3: a challenge, sort of like not you.

558
00:31:03,200 --> 00:31:05,000
Speaker 2: I'm not saying you, but that's how people end up

559
00:31:05,000 --> 00:31:05,760
Speaker 2: fucking students.

560
00:31:06,080 --> 00:31:09,320
Speaker 3: I think, So you become too like too much of

561
00:31:09,360 --> 00:31:09,840
Speaker 3: a friend.

562
00:31:09,880 --> 00:31:11,640
Speaker 2: And then it's happened in my high school. I've seen it.

563
00:31:12,080 --> 00:31:14,800
Speaker 3: Yeah, I never wanted to be their friends.

564
00:31:15,040 --> 00:31:18,480
Speaker 2: Oh man, their teens. I didn't fuck the teacher. No

565
00:31:18,640 --> 00:31:21,040
Speaker 2: good for you. I mean I would have had the

566
00:31:21,080 --> 00:31:22,520
Speaker 2: opportunity arisen.

567
00:31:22,880 --> 00:31:24,480
Speaker 3: To fuck one of your teachers.

568
00:31:24,720 --> 00:31:26,560
Speaker 2: Yeah, I would have, But I don't think it would

569
00:31:26,560 --> 00:31:29,480
Speaker 2: have gone because here's what happened. Is like a student

570
00:31:29,520 --> 00:31:31,040
Speaker 2: in my high school did it. And it was the

571
00:31:31,080 --> 00:31:35,800
Speaker 2: little brother of somebody that I was close to. It

572
00:31:35,840 --> 00:31:39,000
Speaker 2: was a boy girls, It wasn't a male teacher having

573
00:31:39,240 --> 00:31:41,200
Speaker 2: It was a female teacher having stess with a man,

574
00:31:41,480 --> 00:31:43,360
Speaker 2: the one that you always think is cool. But then

575
00:31:43,400 --> 00:31:46,560
Speaker 2: when it happened, when it happened the way it shook out,

576
00:31:46,600 --> 00:31:49,800
Speaker 2: I was like, oh this is yeah, she she's that

577
00:31:49,920 --> 00:31:53,000
Speaker 2: was that was That was abuse, and it ruined his life.

578
00:31:53,000 --> 00:31:54,600
Speaker 2: It really fucked up that little boy's life.

579
00:31:55,040 --> 00:31:58,080
Speaker 3: Yeah, no, I don't think. I don't think it's ever

580
00:31:58,680 --> 00:32:01,400
Speaker 3: as cool as we am iagined it would be true.

581
00:32:02,760 --> 00:32:05,959
Speaker 3: I was wishing, Oh I would have happily done it

582
00:32:06,000 --> 00:32:10,640
Speaker 3: in in high school and and never looked back at

583
00:32:10,640 --> 00:32:16,320
Speaker 3: my therapist. Yeah, I would have looked back at my therapist.

584
00:32:16,440 --> 00:32:18,959
Speaker 3: As I'm leaving, I would say, am I gonna be okay?

585
00:32:19,080 --> 00:32:21,560
Speaker 3: And she'd have been like, I don't know, it's gonna

586
00:32:21,560 --> 00:32:24,120
Speaker 3: be a rough road. See you next week, big man.

587
00:32:27,600 --> 00:32:30,080
Speaker 3: She called me big man because there's the closeness.

588
00:32:30,080 --> 00:32:33,200
Speaker 2: Now. Yeah, no, I understand. Listen, we're all in too

589
00:32:33,280 --> 00:32:36,680
Speaker 2: deep anyways. Secret messages and music. I believe it.

590
00:32:37,040 --> 00:32:39,800
Speaker 3: Yeah, I think that. I think that's one hundred percent possible.

591
00:32:40,000 --> 00:32:42,280
Speaker 3: I think there is. In fact, it's more than likely

592
00:32:42,360 --> 00:32:45,560
Speaker 3: that there are secret messages, some more harmful than others.

593
00:32:45,800 --> 00:32:48,720
Speaker 3: And the best thing we can do is, uh is,

594
00:32:48,840 --> 00:32:51,080
Speaker 3: just listen to the messages from people we like.

595
00:32:51,400 --> 00:32:52,360
Speaker 2: You know, m.

596
00:32:54,240 --> 00:33:01,520
Speaker 3: Yeah, hug your loved ones while while future sings to

597
00:33:01,520 --> 00:33:05,200
Speaker 3: you about why Gucci is the best of all the brands.

598
00:33:05,640 --> 00:33:08,400
Speaker 2: If she catching cheating, catch me cheating, I will never

599
00:33:08,520 --> 00:33:16,920
Speaker 2: tell her. Sorry. Yeah, I was that not militarizing the population. Bro,

600
00:33:17,080 --> 00:33:18,040
Speaker 2: he is an animal.

601
00:33:19,520 --> 00:33:23,040
Speaker 3: If that's not the secret message that makes you a

602
00:33:23,120 --> 00:33:27,520
Speaker 3: fucking the type of person that slips a puppy's throat.

603
00:33:27,320 --> 00:33:31,440
Speaker 2: I don't know that. Man. God damn, he raps like

604
00:33:31,480 --> 00:33:32,640
Speaker 2: he doesn't have a mom.

605
00:33:33,280 --> 00:33:37,760
Speaker 3: Yeah, it's like, bro, you have in your family you

606
00:33:37,800 --> 00:33:39,920
Speaker 3: have so many kids, there has to be a daughter

607
00:33:40,000 --> 00:33:40,920
Speaker 3: in there someway.

608
00:33:41,080 --> 00:33:41,160
Speaker 1: Ye.

609
00:33:41,240 --> 00:33:43,640
Speaker 2: Yeah, it's really wild.

610
00:33:43,600 --> 00:33:45,880
Speaker 3: And not that it should require a daughter for you

611
00:33:45,960 --> 00:33:49,640
Speaker 3: to be even remotely humane. But but at the same time,

612
00:33:50,520 --> 00:33:51,400
Speaker 3: god damn.

613
00:33:51,800 --> 00:33:55,440
Speaker 2: Yeah. Yeah. His music makes me feel like a prude sometimes,

614
00:33:55,680 --> 00:33:57,960
Speaker 2: you know, like sometimes you listen to Super Gangster Rapp

615
00:33:58,000 --> 00:34:01,440
Speaker 2: and you're like, oh, I'm not I'm not like Benny

616
00:34:01,520 --> 00:34:07,000
Speaker 2: the Butcher. Yeah, that's not feel the future. My heart

617
00:34:07,080 --> 00:34:08,839
Speaker 2: longs for love. Yeah.

618
00:34:09,120 --> 00:34:12,640
Speaker 3: No, I know everybody is always judgmental of things, but

619
00:34:12,680 --> 00:34:15,920
Speaker 3: I've never related to jay Z more than four four

620
00:34:16,000 --> 00:34:18,279
Speaker 3: four where I was like, Oh, this is just a

621
00:34:18,320 --> 00:34:21,560
Speaker 3: man who goes to work and trying to do better.

622
00:34:21,920 --> 00:34:25,160
Speaker 2: I get that, man. That's that's that's the longevity. I'm

623
00:34:25,160 --> 00:34:25,719
Speaker 2: looking for it.

624
00:34:26,040 --> 00:34:28,680
Speaker 3: When he was talking about cocaine, I didn't get that

625
00:34:28,719 --> 00:34:29,680
Speaker 3: motherfucker at all.

626
00:34:30,040 --> 00:34:31,160
Speaker 2: I told my friends I did.

627
00:34:31,600 --> 00:34:33,880
Speaker 3: Yeah, No, I pretended to, and.

628
00:34:33,160 --> 00:34:35,040
Speaker 2: I tried tried as hard as I could.

629
00:34:35,120 --> 00:34:37,680
Speaker 3: But and I enjoyed trying. I can't think of an

630
00:34:37,719 --> 00:34:41,200
Speaker 3: artist I enjoyed trying with more. But but did I

631
00:34:41,280 --> 00:34:41,600
Speaker 3: get it?

632
00:34:41,719 --> 00:34:41,759
Speaker 1: No?

633
00:34:41,880 --> 00:34:43,680
Speaker 3: I didn't get it. But when he when he got

634
00:34:43,719 --> 00:34:46,560
Speaker 3: to being like, hey, man, I just wanna. I just

635
00:34:46,600 --> 00:34:49,000
Speaker 3: want to learn to stretch in the morning and and

636
00:34:49,760 --> 00:34:52,759
Speaker 3: check check stocks. It was like, yeah, jay Z, I

637
00:34:52,800 --> 00:34:55,440
Speaker 3: get it. I like this relatable.

638
00:34:55,800 --> 00:35:02,879
Speaker 2: I also eat grapefruit with a spoon the little no

639
00:35:02,960 --> 00:35:05,080
Speaker 2: I eat it. I eat the wedges because I'm still

640
00:35:05,320 --> 00:35:10,800
Speaker 2: I'm still out here. I feel it like an orange uncle. Fuck.

641
00:35:11,320 --> 00:35:16,360
Speaker 3: I love that for you. Well, Jerry with the Jay,

642
00:35:15,960 --> 00:35:19,800
Speaker 3: I believe this should have answered your question. There definitely

643
00:35:19,880 --> 00:35:23,360
Speaker 3: are conspiracy theories. Next time you come to us, you

644
00:35:23,440 --> 00:35:27,280
Speaker 3: come with something better than the very coked out band

645
00:35:27,440 --> 00:35:32,640
Speaker 3: cameo talking about candy as a reference to cocaine.

646
00:35:32,719 --> 00:35:36,080
Speaker 2: People call it nose candy. They just cut off one word.

647
00:35:36,480 --> 00:35:39,800
Speaker 3: Jesus Christ, Jerry, you've made a fool of yourself.

648
00:35:39,520 --> 00:35:43,480
Speaker 2: Again yet again. This is quite.

649
00:35:43,360 --> 00:35:46,560
Speaker 3: Possibly your second time around the Bend, and this is

650
00:35:46,600 --> 00:35:49,439
Speaker 3: what the fuck you came back with. Jerry, you make

651
00:35:49,560 --> 00:35:56,720
Speaker 3: us sick. Fucking Well, that's about it, by bitch.

652
00:36:00,400 --> 00:36:05,920
Speaker 1: While the fucking minnie ye a Sew mini episode, will

653
00:36:05,960 --> 00:36:12,399
Speaker 1: the fucking mini ever Sew Well, the fucking mini ever

654
00:36:12,520 --> 00:36:18,040
Speaker 1: Sew mini episode. Will the fucking mini ever sel