WEBVTT - Episode 275 w/ Dame Grease

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I Heart Radio and it's Drink chas motherfucking podcast.

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<v Speaker 1>He's a legendary queen's rapper. He's like Green is your

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<v Speaker 1>Boy in No R He's a Miami hippop pioneer. Up

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<v Speaker 1>is d J e f N. Together they drink it

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<v Speaker 1>up with some of the biggest players in the most

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<v Speaker 1>professional unprofessional podcast. And your number one sorts for drunk

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<v Speaker 1>drink is New year Z. That's time for Drink Champs.

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<v Speaker 1>Drink up for the would it could be hopeully' would

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<v Speaker 1>see me? It's your boy and what up is d

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<v Speaker 1>J e f N And it's drink Chance. Motherfucker Yapia

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<v Speaker 1>makes up now the sky here has been putting in

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<v Speaker 1>a tremendous, tremendous, tremendous amount of work. I always say

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<v Speaker 1>he doesn't get the credit he deserves, but from the streets,

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<v Speaker 1>he does get the credit he deserves. The streets recognize them.

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<v Speaker 1>They recognized for the brilliance that he's been a part of.

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<v Speaker 1>Phenomenal people's career is like the late, great legendary DMX.

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<v Speaker 1>I believe he created the wave as well. Uh, he

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<v Speaker 1>definitely smokes our these doesn't caught the body with me

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<v Speaker 1>and we threw the body in the drunk uh form

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<v Speaker 1>likes of Cameron to Mace to or whatever, baking a

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<v Speaker 1>lot of music. You know in the nineties when you

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<v Speaker 1>were out that ship meant something. That ship was it was.

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<v Speaker 1>It was an error. And then for him to keep going,

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<v Speaker 1>him to still be here, still be the person that

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<v Speaker 1>he has he is. We are gonna get all in

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<v Speaker 1>his business today. We're gonna ask about anything, you know

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<v Speaker 1>what I'm mean, from the wave to whatever whatever to

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<v Speaker 1>And in case you don't know who we talked about,

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<v Speaker 1>we talked about motherfucking Dame. Now let's take it from

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<v Speaker 1>the beginning, because when we first get at Me Dogs,

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<v Speaker 1>is you produce get at Me Dog? Yeah? Okay, okay,

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<v Speaker 1>So for the first time we've seen DMX get at

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<v Speaker 1>Me Dog. You described describe that situation, um, but actually

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<v Speaker 1>kind of go back a little bit. Okay, Um, Mary

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<v Speaker 1>had told Puff about the locks. Okay, you know what

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<v Speaker 1>I'm saying. That's when the Locks got signed a bad

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<v Speaker 1>boy and me and Mace came from from from Hall

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<v Speaker 1>up to Yonkers because why I kept trying to get

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<v Speaker 1>me with my beats up to Yonkers for the Locks

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<v Speaker 1>of Excellent ship, you know what I'm saying. And then

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<v Speaker 1>boom they got signed. And then I saw him. He

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<v Speaker 1>was like the young Niggers and bad Boy running around

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<v Speaker 1>and Big was like in the next room. He was

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<v Speaker 1>doing this one to Ductor who you know what I'm saying, Yeah, yeah, yeah,

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<v Speaker 1>you know what I'm saying. So he like, you know,

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<v Speaker 1>he was, you know, locks just got signed. He's just

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<v Speaker 1>got signed. Dog was running them around like he always said,

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<v Speaker 1>robbing with the dog. You know what I'm saying. That ship.

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<v Speaker 1>So um, we was like we was young and a

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<v Speaker 1>puffers dick in the beach, you know what I'm saying.

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<v Speaker 1>So um, we was in there locks to the joint

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<v Speaker 1>with Big with Biggie, you know what I'm saying. And

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<v Speaker 1>he was like, oh, we're getting close, We're getting close.

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<v Speaker 1>And then um, I think Pocket put Off hit him

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<v Speaker 1>up and we was just fun. It's like, oh fuck,

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<v Speaker 1>he was in bad Boy. Studios were saying yeah man,

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<v Speaker 1>Like he was like, damn man, we ain't gonna make it. Yeah.

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<v Speaker 1>But it was the older Jeeves, you know, and you

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<v Speaker 1>know all the Brooklyn you know what I'm saying. So

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<v Speaker 1>they was all we was like the little niggas like

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<v Speaker 1>now you know what I'm saying. But we actually happened

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<v Speaker 1>to fly out there with them and ship um when

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<v Speaker 1>Big I did get killed, you know what I'm saying, Yeah,

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<v Speaker 1>CALLI you know, and when we came back, that's when

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<v Speaker 1>we maybe always a love Bi Papa, you know what

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<v Speaker 1>I'm saying. We had did the record first and then um,

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<v Speaker 1>we was like, we can't put this out. We don't want,

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<v Speaker 1>you know, for the family think we try to monopolize

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<v Speaker 1>on trash situation. So we gave the record of Pup first,

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<v Speaker 1>you know what I'm saying, and it was like that

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<v Speaker 1>we always loved Big Papa Papa. Then Puff heard it

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<v Speaker 1>and ship him and on there was crying. It was like, yo,

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<v Speaker 1>thank you, okay, people do so I love Big That

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<v Speaker 1>was my ready first record. Let's make some choice for

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<v Speaker 1>that because at the time we heard it at Me Dog,

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<v Speaker 1>it was so much of a new sound, so much

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<v Speaker 1>of a new style, right that I thought that that

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<v Speaker 1>was your first record that I've been used before. It's

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<v Speaker 1>used season what I'm saying, Yeah, you know so, um,

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<v Speaker 1>all right, all right, um this record get at Me Dog?

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<v Speaker 1>You produced it. Yes, you noticed as a monster. Yeah,

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<v Speaker 1>now because I don't tell you. I knew it was

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<v Speaker 1>crazy because I get the little pre stories with the story. Okay,

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<v Speaker 1>first of its niggers to start of someone to mix

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<v Speaker 1>sape like locks, Mason, Dog, you know what I'm saying.

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<v Speaker 1>It was like, yeah, we're gonna eat these things. And

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<v Speaker 1>then we attempted to recreate it. Not recreated, but we're like,

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<v Speaker 1>we're gonna do another post cut. And that was getting

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<v Speaker 1>at me dog. The first version, the first version actually

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<v Speaker 1>had Chic on there. No, the first show was all

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<v Speaker 1>all of them. It was all the locks and X.

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<v Speaker 1>He did a whole another white label. Yeah, she'd we

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<v Speaker 1>put it and put it as a remix. But it's

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<v Speaker 1>a very original version. And I saw eating the clue tapes.

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<v Speaker 1>She was like, we got these that he wanted to

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<v Speaker 1>go do lo Yeah now not right there, right right.

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<v Speaker 1>And then it came see boom. Then EARV got the

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<v Speaker 1>position at death gym boom and herb. It's like yo, leo,

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<v Speaker 1>he got to sign this nigger boom boom boom, and

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<v Speaker 1>the momentum was going so crazy with dogs on four

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<v Speaker 1>three to know it was twenty fours. A little first,

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<v Speaker 1>that was the right live right, and that was eating

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<v Speaker 1>them niggas like, oh my god, he got in the mud.

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<v Speaker 1>He was the only one who got the money right.

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<v Speaker 1>Else stay pretty money. He in the right. He was different.

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<v Speaker 1>So that yeah, so it's like boom we started doing that.

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<v Speaker 1>It was like shoot the momentum, the momentum like yo,

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<v Speaker 1>hit three verses only get at Me Dog beat? All right,

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<v Speaker 1>so we're the same beat and that's to get at

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<v Speaker 1>me Dog. That you know. I'm not gonna lie to you. Um,

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<v Speaker 1>that was my that's my year, best year in my life,

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<v Speaker 1>seven gold. Yeah, best year in my life. All that

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<v Speaker 1>set up that you're saying that was happening. I saw

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<v Speaker 1>none of that. I saw none of that. All I

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<v Speaker 1>saw was what the fund is that get at Me Dog?

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<v Speaker 1>When that ship dropped. And then the fact is, I

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<v Speaker 1>don't know whose idea was was The video was black

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<v Speaker 1>and white, so I think it was definit chairing my hype.

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<v Speaker 1>I was pissed about the video. Listen, listen, I'm not

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<v Speaker 1>gonna lie. I got a video bad from TV. I

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<v Speaker 1>hate band from TV video, But it actually does work

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<v Speaker 1>right at least you can see get at Me Dog.

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<v Speaker 1>You can't even see bad from TV you, but I

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<v Speaker 1>learned like like like making it look funke up like that.

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<v Speaker 1>So so when I see the actual video, I said,

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<v Speaker 1>hype Whims did because it's not doing a cheap video,

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<v Speaker 1>it's that it was black and white. So right now,

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<v Speaker 1>I heard you say that earliest you when you see

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<v Speaker 1>the video, you're like fuck yeah. I'm like, you can't

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<v Speaker 1>see me, you can't see nobody. But I get it though.

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<v Speaker 1>Over the years, I'm like, oh, it was the electricity. Yeah, like, oh,

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<v Speaker 1>I got it. I think the videos would help carry

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<v Speaker 1>the record EVENU because the visual to go with the sound, right,

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<v Speaker 1>he made it look electric. And this is the time

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<v Speaker 1>missy videos he's shooting Bustard come out with you like, damn,

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<v Speaker 1>this is there's nothing, it's just the time of black. Yeah.

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<v Speaker 1>He did what he was supposed to do. So now

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<v Speaker 1>this whole first album, when I look at the credits,

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<v Speaker 1>it's mostly you, p K Swiss, am I missing somebody

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<v Speaker 1>or earth her. Okay, all right, so you're creating this album,

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<v Speaker 1>describe to describe to us what's going on? Okay, Um,

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<v Speaker 1>quick little flashback. The reason why I'm like, wow, you

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<v Speaker 1>know he came down to home. To nine. He was like, Yo, man,

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<v Speaker 1>we need job beasts with these you know, with these cats.

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<v Speaker 1>We got the yarkh who's coming down? He said, Okay, yeah,

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<v Speaker 1>I knew why Kim first. Okay, we just know him

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<v Speaker 1>as why he's hitting. He's like, Marsha, we don't know,

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<v Speaker 1>you know, Marsha, I love minem to. He showed us

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<v Speaker 1>it was poor white people in the world, especially from

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<v Speaker 1>New York. It's like, exactly why I came down, and yeah,

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<v Speaker 1>why I came down to the block. He used to

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<v Speaker 1>come a couple of times like yo, man, get down

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<v Speaker 1>with us. Man. I'm like, now out and were getting home.

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<v Speaker 1>You're getting money, you know what I'm saying. And then

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<v Speaker 1>he came down one time It's like, Yo, you better

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<v Speaker 1>get down with us. Oh ship click, you know what

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<v Speaker 1>I'm saying. That big spak we pulled out. You know

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<v Speaker 1>what I'm saying. He's like, Yo, chilling. And then I

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<v Speaker 1>was like, yeo, this thing is crazy. You you would

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<v Speaker 1>get shot to get me the yunkers wo me a

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<v Speaker 1>big sense said Yo, let's go to young. Then that's

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<v Speaker 1>the Locks came out first with Casino, so always there

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<v Speaker 1>was for them. You know what I'm saying. He came out,

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<v Speaker 1>can't can't, can't get me a bit like he's niggas

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<v Speaker 1>is fired. You know what I'm saying. He kept saying,

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<v Speaker 1>Now we got to find a big dog. He's out

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<v Speaker 1>doing crazy. Ship. We gotta find him. And was always

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<v Speaker 1>the big stuff. They knew that locks the pups, know

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<v Speaker 1>what I'm saying. Right then, Um, then about tom Dog

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<v Speaker 1>came to the the studio. You know, you know you had

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<v Speaker 1>knew the dog before. They don't know. So this is

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<v Speaker 1>your first time meeting the dog. You have a dog

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<v Speaker 1>with him at that time. I don't know. I don't

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<v Speaker 1>know because why dog Grudge was always around and if

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<v Speaker 1>dog did have a dog, it was because Grudge was

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<v Speaker 1>one of them. Like I'm talking about him sitting down

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<v Speaker 1>his towering over this motherfucker, big big Brooklyn dog. Now

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<v Speaker 1>he's just looking a ship like over there. Yeah, you know

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<v Speaker 1>know what I'm saying. So be a cat person to

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<v Speaker 1>be down with rough riders. It got to be official, officiated.

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<v Speaker 1>It can't be no running dog's not no fucking skinny

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<v Speaker 1>as big And if you don't lose the fight, he

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<v Speaker 1>got to get dirty cool. But at the same time

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<v Speaker 1>and ship, you know what I'm saying he came to shooting.

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<v Speaker 1>He was super hyphi. You know what I'm saying. He

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<v Speaker 1>had books and books and books and books and books

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<v Speaker 1>and wraps. You know why with all the books, all

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<v Speaker 1>the books, he will move every time with the whole library.

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<v Speaker 1>He wasn't like like I'm going somewhere, I'm taking a book. No,

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<v Speaker 1>he moved with the library, probably to the company with

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<v Speaker 1>all his crates exactly, you know, because he from the

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<v Speaker 1>ever what I'm saying out it with all that ship

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<v Speaker 1>what I'm saying, so boom he had come and then

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<v Speaker 1>like he like, you know, while I was like, you

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<v Speaker 1>spit that one from him? This, I'm like, cool, and

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<v Speaker 1>he's spitting that for you. Yeah, okay, I'm like, who

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<v Speaker 1>spit that one for him? Do? Do? Do they? I'm like, oh,

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<v Speaker 1>probably two verse. I'm like, hold on, say that to this.

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<v Speaker 1>I'm like, oh, we got something, we got something, right,

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<v Speaker 1>I said, say that other one to this beat boom,

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<v Speaker 1>Oh we got something that other one said to this

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<v Speaker 1>beat boom. I'm like, oh, yeah, we aren't here now,

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<v Speaker 1>we're in the pocket. We're in the pocket. Because my

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<v Speaker 1>beast was always theatric and he's theatric so it was

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<v Speaker 1>like a match like the hip hoppy hoppy hoppy ship,

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<v Speaker 1>you know what I'm saying. He rhymed to it on

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<v Speaker 1>freestyles and coming up, but it came with that gothic

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<v Speaker 1>you know what I'm saying, you're not a body and

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<v Speaker 1>the trump what I'm saying, it's like gothic in Metropolitan.

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<v Speaker 1>When he came with them balls and I came with that,

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<v Speaker 1>it was like, oh, ship got him, you know what

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<v Speaker 1>I'm saying. Then EARV got the fucking position. It was like,

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<v Speaker 1>oh we in the IRV. I ain't going I gotta

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<v Speaker 1>give hervos props to should he give he tap dance?

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<v Speaker 1>And I think he almost got fired trying to get get,

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<v Speaker 1>trying to get dogs like you ain't signing my quick

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<v Speaker 1>and you was like, damn this students passionate, come on,

0:13:14.000 --> 0:13:15.559
<v Speaker 1>it's going to yonkers. And that's when Dog had a

0:13:15.600 --> 0:13:18.080
<v Speaker 1>broken jaw and you were there that day. I was

0:13:18.080 --> 0:13:22.080
<v Speaker 1>playing the beats. Oh Nix was trying to leave my

0:13:22.160 --> 0:13:27.760
<v Speaker 1>name out of ship out here with all that, you

0:13:27.800 --> 0:13:29.959
<v Speaker 1>know what I'm saying. So I'm playing the joints. He

0:13:30.000 --> 0:13:34.720
<v Speaker 1>cutting down, cutting, could only the old meal and ship

0:13:35.040 --> 0:13:38.400
<v Speaker 1>for months, Wired, Yeah, Wired he was the first he

0:13:38.559 --> 0:13:40.400
<v Speaker 1>was to wire. Yeah, he was the first one. He

0:13:40.559 --> 0:13:43.880
<v Speaker 1>was breaking a little bit and get a little more. Yeah,

0:13:43.200 --> 0:13:49.040
<v Speaker 1>thats crazy. Yeah, it's just amazing. Like I feel like

0:13:49.040 --> 0:13:50.959
<v Speaker 1>I was there. I heard it from lear heard it

0:13:51.000 --> 0:13:57.200
<v Speaker 1>from I'm playing cutting cut. I don't even know that

0:13:57.200 --> 0:14:00.880
<v Speaker 1>he was used to or he was just it's dope.

0:14:00.960 --> 0:14:03.240
<v Speaker 1>You know, you'll you'll catch it all right, Like it

0:14:03.360 --> 0:14:05.199
<v Speaker 1>was a beat playing right now and I'm gonna fucking

0:14:05.200 --> 0:14:09.280
<v Speaker 1>he kicks some ship. Yeah. I think DMX like me more.

0:14:09.320 --> 0:14:17.079
<v Speaker 1>When I stopped rapping, you became non competition at school.

0:14:18.480 --> 0:14:20.560
<v Speaker 1>I think that's how much of a competition guy. You know,

0:14:20.640 --> 0:14:24.080
<v Speaker 1>I'm not gonna lie like it was a little different.

0:14:24.120 --> 0:14:26.800
<v Speaker 1>It's hard for me to have friends and ship. You know.

0:14:26.840 --> 0:14:30.520
<v Speaker 1>I'm around in prim time because we get nobody, no beats,

0:14:30.520 --> 0:14:37.600
<v Speaker 1>something like naked. I gotta move around a little bit,

0:14:37.680 --> 0:14:41.080
<v Speaker 1>like come on, you know what I'm saying. That portfolio Yeah, like,

0:14:41.240 --> 0:14:43.240
<v Speaker 1>you know, come on, man, I love the squad, but

0:14:43.320 --> 0:14:49.800
<v Speaker 1>I kind of here. I had to come to Queens. Yeah,

0:14:46.120 --> 0:14:53.040
<v Speaker 1>that's all right. When I googled you, something amazing came

0:14:53.120 --> 0:14:55.880
<v Speaker 1>up and said Harlem. But it's that born in the Bronx.

0:14:56.080 --> 0:14:58.440
<v Speaker 1>Yeah is that the truth? Okay, Yeah, I'm boring. Okay,

0:14:58.440 --> 0:15:01.760
<v Speaker 1>born in the Boston Bridge project. Okay, my mom s

0:15:02.680 --> 0:15:08.560
<v Speaker 1>CARDI from projects. That gives me a little extra primeness. Okay, yeah,

0:15:08.600 --> 0:15:10.920
<v Speaker 1>you know what I'm saying. You know, we will be flash,

0:15:11.200 --> 0:15:16.600
<v Speaker 1>but I still wanna like a little more me and

0:15:16.600 --> 0:15:19.000
<v Speaker 1>cousin to talk about that and ship. So you might

0:15:19.000 --> 0:15:22.640
<v Speaker 1>be richer than the still might get stuck. So so

0:15:23.000 --> 0:15:26.040
<v Speaker 1>during the during the course of time, I started to

0:15:26.080 --> 0:15:28.000
<v Speaker 1>think of something the other day, knowing that if I

0:15:28.040 --> 0:15:30.000
<v Speaker 1>had you here, and I just want to be straight

0:15:30.040 --> 0:15:32.640
<v Speaker 1>up and just asked the question right like, I don't

0:15:32.680 --> 0:15:36.040
<v Speaker 1>remember seeing you and Swiss in the same room, and

0:15:36.240 --> 0:15:40.520
<v Speaker 1>over ten years, only time I can think of you

0:15:40.640 --> 0:15:43.320
<v Speaker 1>and Swiss being in the same room. Was it like

0:15:43.360 --> 0:15:48.120
<v Speaker 1>at that time? Yeah, And I don't know. This is

0:15:48.120 --> 0:15:50.800
<v Speaker 1>a question. I seriously don't know. Like I know, I'm

0:15:50.800 --> 0:15:54.080
<v Speaker 1>close to both sides, so I should know, but I

0:15:54.280 --> 0:15:56.440
<v Speaker 1>seriously don't know this. I swear to go. I swear

0:15:56.440 --> 0:15:59.040
<v Speaker 1>to go if if you want to take my fingers

0:15:59.040 --> 0:16:01.480
<v Speaker 1>not crossed, none of that, you know that funny? I

0:16:01.480 --> 0:16:03.720
<v Speaker 1>swear I don't know the answer to this. Why is

0:16:03.800 --> 0:16:08.800
<v Speaker 1>that though like, okay, I did well, it was a

0:16:08.800 --> 0:16:11.360
<v Speaker 1>little big paper I did. If you think I'm jiggie,

0:16:11.440 --> 0:16:14.720
<v Speaker 1>five cuts from the money per respect boom, I didn't

0:16:14.720 --> 0:16:18.920
<v Speaker 1>get out me dog, numerous cuts and corpro duce on

0:16:19.080 --> 0:16:24.440
<v Speaker 1>like these thirteen cuts on uh, it's Alcohelo's hot. They

0:16:24.520 --> 0:16:27.360
<v Speaker 1>with the keen time for flushing my flesh the blood

0:16:27.400 --> 0:16:30.480
<v Speaker 1>the blood, right, you know what I'm saying. I was

0:16:30.560 --> 0:16:33.640
<v Speaker 1>getting kind of veto okay, but I was getting kind

0:16:33.640 --> 0:16:36.480
<v Speaker 1>of blocked. Yeah, I was getting kind of blocked because

0:16:36.560 --> 0:16:38.760
<v Speaker 1>rough outs with my management. I wasn't a rough frauther

0:16:38.800 --> 0:16:41.120
<v Speaker 1>of producer, you know what I'm saying. So at the

0:16:41.160 --> 0:16:43.360
<v Speaker 1>same time, like my phone call stopped coming through the

0:16:43.440 --> 0:16:48.040
<v Speaker 1>office on I'm like, yo, I got just so seven

0:16:48.120 --> 0:16:50.800
<v Speaker 1>million records collectively a matter of fact. But on you

0:16:50.960 --> 0:16:52.720
<v Speaker 1>it's a little bit popular beast sign and miss you

0:16:52.720 --> 0:16:56.160
<v Speaker 1>know it's like six million money properly respecting from one

0:16:56.200 --> 0:17:00.560
<v Speaker 1>point five Dog went about three out the gate all

0:17:00.600 --> 0:17:03.680
<v Speaker 1>that underwear management, you know what I'm saying. So I'm

0:17:04.119 --> 0:17:07.200
<v Speaker 1>at the beginning of them starting flesh of my flesh

0:17:07.240 --> 0:17:09.719
<v Speaker 1>felt Vito, I think you said, yeah, Like my phone

0:17:09.720 --> 0:17:13.280
<v Speaker 1>calls wasn't coming through from you, the management. Yeah, so

0:17:13.320 --> 0:17:15.480
<v Speaker 1>I had to go a little deep cover. Okay, you

0:17:15.480 --> 0:17:17.000
<v Speaker 1>know what I'm saying. I spoke to I think I

0:17:17.040 --> 0:17:19.240
<v Speaker 1>spoke to so so death. There was like, yo, he says,

0:17:19.240 --> 0:17:24.679
<v Speaker 1>you're not doing be some more, hold on, hold on, okay,

0:17:24.680 --> 0:17:29.119
<v Speaker 1>and then they're insinuated this is coming from your camp exactly. Okay,

0:17:29.320 --> 0:17:31.600
<v Speaker 1>from my management. Okay, Wow, you know what I'm saying.

0:17:31.640 --> 0:17:35.080
<v Speaker 1>So the same time, and it actually it's written in blood,

0:17:35.680 --> 0:17:38.240
<v Speaker 1>you know what I'm saying, the same time I'm doing

0:17:38.240 --> 0:17:40.280
<v Speaker 1>flesh your flesh, if you know the Swiss of the

0:17:40.280 --> 0:17:44.320
<v Speaker 1>majority of flesh my flesh and different things. And I

0:17:44.400 --> 0:17:47.760
<v Speaker 1>did one song It's called Dogs for Life, you know

0:17:47.800 --> 0:17:50.560
<v Speaker 1>what I'm saying the same time, and Dog was catching

0:17:50.600 --> 0:17:56.320
<v Speaker 1>the the the the vibes. He just made the song

0:17:56.400 --> 0:17:58.840
<v Speaker 1>for me. Robert still with your dog nink it would

0:17:58.920 --> 0:18:01.200
<v Speaker 1>right to me, think blood, you know what I'm saying.

0:18:01.240 --> 0:18:03.639
<v Speaker 1>So with the one song that they don't flesh my flesh,

0:18:03.680 --> 0:18:06.800
<v Speaker 1>Dog just you made it for me. Okay. You know

0:18:06.840 --> 0:18:08.440
<v Speaker 1>what I'm saying that. You know Greece, Nick, I'm here.

0:18:08.960 --> 0:18:10.679
<v Speaker 1>You know what I'm saying. Besides, with the politics is

0:18:10.960 --> 0:18:13.200
<v Speaker 1>you know what I'm saying, but actually Swiss is successful

0:18:13.200 --> 0:18:14.520
<v Speaker 1>to it. Let's not get it to us right right?

0:18:14.760 --> 0:18:17.159
<v Speaker 1>No word? Yeah yeah, yeah, Actually was the best thing

0:18:17.200 --> 0:18:19.760
<v Speaker 1>to happen to me. You're not being a part of flesh,

0:18:19.760 --> 0:18:21.600
<v Speaker 1>of my flesh as much as you wanted to be. Na.

0:18:21.920 --> 0:18:24.879
<v Speaker 1>Just really it made me to an individual producer. Okay,

0:18:25.000 --> 0:18:29.639
<v Speaker 1>like yeah, it made me to like iron grease, you

0:18:29.720 --> 0:18:33.399
<v Speaker 1>know what I'm saying. That came after that, Yeah, came out.

0:18:33.560 --> 0:18:36.040
<v Speaker 1>They focused say okay, let's set over. Okay, all right,

0:18:36.080 --> 0:18:39.159
<v Speaker 1>I said, that's my flesh. You're feeling a little crazy.

0:18:39.200 --> 0:18:42.160
<v Speaker 1>But you don't get word. You get word from social death.

0:18:42.440 --> 0:18:44.159
<v Speaker 1>But did you add a goal to your management and

0:18:44.200 --> 0:18:51.920
<v Speaker 1>say what's going on here? Like? Um, not quite? Okay,

0:18:52.320 --> 0:18:55.240
<v Speaker 1>now quite he took so so no no no no

0:18:55.240 --> 0:18:56.960
<v Speaker 1>no no no no no no no. I got it

0:18:57.040 --> 0:19:00.280
<v Speaker 1>from the office downtown, Michael say, specific name is up

0:19:00.280 --> 0:19:02.880
<v Speaker 1>with the ladies working there. It's so funny ship going on.

0:19:03.680 --> 0:19:06.760
<v Speaker 1>They're sending your phone calls. So another producer, so it's

0:19:06.840 --> 0:19:10.720
<v Speaker 1>forth like, oh but the cap all this up pulled

0:19:10.760 --> 0:19:12.760
<v Speaker 1>up to jay Z. Clip jay Z said the loll

0:19:12.880 --> 0:19:15.440
<v Speaker 1>in one shot. Okay, what clip is that? And clip

0:19:15.480 --> 0:19:17.840
<v Speaker 1>that jay Z put up because actually I'm so glad

0:19:17.960 --> 0:19:21.000
<v Speaker 1>Jay did. I'm like, I gotta tell this storry numbred.

0:19:21.600 --> 0:19:24.639
<v Speaker 1>But Jay was like, um for one of his albums, like, yo,

0:19:24.720 --> 0:19:28.040
<v Speaker 1>I went to the dude doing all them records, Uh,

0:19:28.280 --> 0:19:31.560
<v Speaker 1>Dame Crease that produced the stock and hell of Shot

0:19:32.080 --> 0:19:39.600
<v Speaker 1>and then um, that's just smelled good too, right then? Um,

0:19:39.840 --> 0:19:42.440
<v Speaker 1>J was like, you know, I wanted I wanted Dame

0:19:42.520 --> 0:19:45.080
<v Speaker 1>Crease and then he sent me the Nephew, but now

0:19:45.119 --> 0:19:47.159
<v Speaker 1>I want to Crease. I'm like, nah, I can't be

0:19:47.200 --> 0:19:50.119
<v Speaker 1>sitting what you're doing, you know what I'm saying. So

0:19:50.200 --> 0:19:53.240
<v Speaker 1>at the same time, you know what I'm saying. You know,

0:19:53.359 --> 0:19:55.280
<v Speaker 1>Jay kept the Fisher like not but mean enough for

0:19:55.359 --> 0:19:56.639
<v Speaker 1>We did some hits, you know what I'm seeing. We

0:19:56.680 --> 0:19:58.399
<v Speaker 1>did some ship you know what I'm saying. But I

0:19:58.440 --> 0:20:02.600
<v Speaker 1>can't front. I went to work with Fat Nigger. So

0:20:02.800 --> 0:20:05.600
<v Speaker 1>that was one of the phone calls that got redistributed.

0:20:06.080 --> 0:20:07.639
<v Speaker 1>Did you ever get a chance to work with the

0:20:07.680 --> 0:20:17.040
<v Speaker 1>whole one song? Okay, um Freeway, big Spender, Hey, big Spender.

0:20:18.359 --> 0:20:20.680
<v Speaker 1>You know what I'm saying. Okay, that was the only time.

0:20:20.880 --> 0:20:23.760
<v Speaker 1>It's the only time. But we actually we always have great,

0:20:23.840 --> 0:20:26.480
<v Speaker 1>good dialog, especially on the toys with dog and everything.

0:20:26.880 --> 0:20:29.040
<v Speaker 1>Great dollargue there always give me a lot of great insight.

0:20:29.440 --> 0:20:32.080
<v Speaker 1>So this is for people that don't know, and obviously me,

0:20:32.160 --> 0:20:34.040
<v Speaker 1>I'm a part of that and they don't know. So

0:20:34.880 --> 0:20:38.439
<v Speaker 1>flush of my flesh comes out. Another successful he has

0:20:38.480 --> 0:20:41.199
<v Speaker 1>too number one albums in one year. You guys know

0:20:41.280 --> 0:20:43.640
<v Speaker 1>each other from back then. You did feel a little

0:20:43.720 --> 0:20:46.600
<v Speaker 1>Vito like you said, how do you black ball? Black ball?

0:20:47.119 --> 0:20:49.200
<v Speaker 1>So how do you amend this? Like how do y'all

0:20:49.200 --> 0:20:53.520
<v Speaker 1>come back together? No dog? Dog never ever ever dog.

0:20:54.119 --> 0:21:00.200
<v Speaker 1>You never saw it as him. Dog never ever love

0:21:00.320 --> 0:21:04.959
<v Speaker 1>my nig. He always kept it to billion with me.

0:21:05.680 --> 0:21:09.880
<v Speaker 1>Always crease some new album, pull up if nobody else

0:21:09.880 --> 0:21:13.480
<v Speaker 1>wanted me to. His movie scores Greece. I'm doing a

0:21:13.560 --> 0:21:15.720
<v Speaker 1>movie called X and wounds, come through the score, the

0:21:15.880 --> 0:21:18.280
<v Speaker 1>whole score on that, Greece. I'm doing a movie called

0:21:18.280 --> 0:21:20.520
<v Speaker 1>Credit to the Grave, Come through the score and that

0:21:21.440 --> 0:21:24.560
<v Speaker 1>you know what I'm saying, and all the main things.

0:21:24.600 --> 0:21:26.800
<v Speaker 1>So he will always keep me involved. But all his

0:21:26.960 --> 0:21:29.960
<v Speaker 1>projects or anything he was doing, but yourself. But earlier

0:21:29.960 --> 0:21:32.160
<v Speaker 1>he said you felt black ball. You can't feel black

0:21:32.200 --> 0:21:37.280
<v Speaker 1>ball that they're doing scores no, no, I was black

0:21:37.320 --> 0:21:39.760
<v Speaker 1>ball in the almost society in your own camp. You're saying, no,

0:21:40.000 --> 0:21:42.919
<v Speaker 1>you know from the rough fry of situation was a

0:21:42.920 --> 0:21:45.600
<v Speaker 1>little yeah, it was a little like, uh, I don't know,

0:21:45.680 --> 0:21:51.199
<v Speaker 1>but from X there's DMX. Let me just ask you

0:21:51.280 --> 0:21:53.800
<v Speaker 1>thought it was Swiss himself saying no, I don't know.

0:21:53.920 --> 0:21:58.160
<v Speaker 1>Never no never never, I never never never never never.

0:21:58.240 --> 0:22:01.280
<v Speaker 1>I'm actually actually quite proud of Swiss. Okay, but ye's

0:22:01.280 --> 0:22:03.880
<v Speaker 1>just having beat competition. That's what everyone had at that time.

0:22:04.080 --> 0:22:08.000
<v Speaker 1>Not quite what's I didn't always having to beat competitions. Okay,

0:22:08.119 --> 0:22:11.960
<v Speaker 1>I'm just cranking and doing dope shit. I don't know.

0:22:12.040 --> 0:22:17.120
<v Speaker 1>It was, uh, competition and the door behind you ships coming,

0:22:17.560 --> 0:22:20.400
<v Speaker 1>it's always coming. No, I just got just do dope shit.

0:22:21.119 --> 0:22:22.719
<v Speaker 1>I ain't know. It was like getting the closest door

0:22:22.720 --> 0:22:26.919
<v Speaker 1>behind you. It's times sometimes yeah, you know, it happens

0:22:26.920 --> 0:22:28.879
<v Speaker 1>like that. I don't say sometimes it is like that,

0:22:28.960 --> 0:22:32.720
<v Speaker 1>but sometimes it happens like right right, Wow, this is interesting,

0:22:33.000 --> 0:22:34.920
<v Speaker 1>this is interesting. Now I just don't through. Man, it's dope.

0:22:35.119 --> 0:22:38.120
<v Speaker 1>It's still a movie still filming. So so what's part

0:22:38.160 --> 0:22:40.159
<v Speaker 1>of the un d MX is going back together on

0:22:40.280 --> 0:22:42.480
<v Speaker 1>his albums because I know you said that the soundtracks

0:22:42.520 --> 0:22:45.199
<v Speaker 1>the third album. The third album was X Okay, you

0:22:45.200 --> 0:22:48.800
<v Speaker 1>know what I'm saying, Uh, that album is super successful too.

0:22:49.400 --> 0:22:52.399
<v Speaker 1>When I came in on, came in on d XL

0:22:53.160 --> 0:22:56.800
<v Speaker 1>with the locks and drag and damn what the record

0:22:56.880 --> 0:23:03.280
<v Speaker 1>on that faint my you know what I'm saying. Yeah,

0:23:03.320 --> 0:23:05.480
<v Speaker 1>it came in on Area boom. You know what I'm saying.

0:23:05.520 --> 0:23:10.119
<v Speaker 1>That was a third album. Okay, fast board to the

0:23:10.119 --> 0:23:17.240
<v Speaker 1>new album Excellence. Yeah, that's it right, excedus right there, right, yes, um,

0:23:17.359 --> 0:23:20.760
<v Speaker 1>would you on there? Okay, what did you think about

0:23:20.760 --> 0:23:28.359
<v Speaker 1>the album? It was politically correct. That's a politically correct answer.

0:23:29.520 --> 0:23:30.720
<v Speaker 1>You know what I'm saying. I don't. I don't have

0:23:30.800 --> 0:23:33.120
<v Speaker 1>to know he loved the album. Yeah, I don't. I don't.

0:23:33.160 --> 0:23:36.199
<v Speaker 1>I don't like and trust me like social media and

0:23:36.320 --> 0:23:39.440
<v Speaker 1>all that ship. You ain't know what are your beach

0:23:39.480 --> 0:23:42.360
<v Speaker 1>is the harder sould accident everything. You know what I'm saying.

0:23:42.400 --> 0:23:43.880
<v Speaker 1>I need to had to put up a post. It's

0:23:43.960 --> 0:23:47.600
<v Speaker 1>like if I'm on this album but not support my

0:23:47.640 --> 0:23:51.480
<v Speaker 1>motherfucking nigger, I'm not with all that that that that ship.

0:23:51.920 --> 0:23:53.480
<v Speaker 1>You know what I'm saying. I know it's kids but

0:23:53.520 --> 0:23:57.080
<v Speaker 1>why are you saying family correct? Um, you got to

0:23:57.119 --> 0:24:00.720
<v Speaker 1>think about it. Actually, Swisses as a a it's a

0:24:00.960 --> 0:24:06.800
<v Speaker 1>good name and uh a good brand, so it's only

0:24:07.000 --> 0:24:09.560
<v Speaker 1>right for him to push it and put things together

0:24:10.240 --> 0:24:12.920
<v Speaker 1>to get what you know what I'm saying. It could

0:24:12.960 --> 0:24:16.320
<v Speaker 1>be you know, gotten gone and even bringing all the

0:24:16.359 --> 0:24:20.200
<v Speaker 1>celebrities evolved to supporting and different things. It's done real good,

0:24:20.280 --> 0:24:22.840
<v Speaker 1>you know what I'm saying. But politically correct, that's that's

0:24:22.920 --> 0:24:29.320
<v Speaker 1>like something different. I mean I was expected hot cool, No,

0:24:29.480 --> 0:24:30.919
<v Speaker 1>I mean it's hot, you know what I'm saying. But

0:24:31.000 --> 0:24:33.960
<v Speaker 1>I'm saying, like what literally correct means? Not only am

0:24:33.960 --> 0:24:36.040
<v Speaker 1>I producing ship? You know what I'm saying, I'm the

0:24:36.080 --> 0:24:38.760
<v Speaker 1>president too, So I'm gonna look at things like and

0:24:38.760 --> 0:24:41.040
<v Speaker 1>even if I'm not producing on it, I'm gonna look

0:24:41.080 --> 0:24:43.480
<v Speaker 1>at things like, Okay, the marketing on this ships eight plus,

0:24:43.560 --> 0:24:45.800
<v Speaker 1>I like the way the cook down. Okay, these things

0:24:45.960 --> 0:24:48.040
<v Speaker 1>right here. So it's I learned that from check. You

0:24:48.040 --> 0:24:50.880
<v Speaker 1>know what I'm saying, Just the things just to make

0:24:50.920 --> 0:24:52.720
<v Speaker 1>sure things selling and get to where they need to

0:24:52.760 --> 0:24:55.040
<v Speaker 1>be without the ego of just me being on it.

0:24:56.880 --> 0:24:59.320
<v Speaker 1>I asked you something else in that vein what do

0:24:59.359 --> 0:25:01.280
<v Speaker 1>you think that album would have sounded like had X

0:25:01.400 --> 0:25:06.240
<v Speaker 1>been here, because I think he was heard a lot

0:25:06.280 --> 0:25:09.000
<v Speaker 1>of it, but now it was different. Yeah, it was different.

0:25:09.040 --> 0:25:14.680
<v Speaker 1>It was was completed. The ALBUMA came out. It's not

0:25:14.760 --> 0:25:17.919
<v Speaker 1>the Zach version, and he was working on I know

0:25:17.960 --> 0:25:20.000
<v Speaker 1>there was a record that he talked about that never

0:25:20.359 --> 0:25:23.040
<v Speaker 1>made the car all the record spoke about one Champs

0:25:23.400 --> 0:25:26.480
<v Speaker 1>actually made it. But there was a record that everybody

0:25:26.560 --> 0:25:29.960
<v Speaker 1>kept saying, Yeah, the pop Smoke record. Oh pop smoke Okay,

0:25:30.320 --> 0:25:33.439
<v Speaker 1>yeah that was probably yeah, Okay, damn, that's right. I

0:25:33.480 --> 0:25:43.240
<v Speaker 1>forgot that, Okay, Yeah, I smocused on that beat. But

0:25:43.320 --> 0:25:46.840
<v Speaker 1>for the most part, like I heard, I heard it.

0:25:47.080 --> 0:25:48.919
<v Speaker 1>I didn't hear when loud Wayne was on the record,

0:25:48.920 --> 0:25:51.199
<v Speaker 1>and I didn't hear the Nas and the Jay record,

0:25:51.600 --> 0:25:54.480
<v Speaker 1>Like I didn't hear that at all record for like

0:25:54.560 --> 0:25:57.040
<v Speaker 1>four couple of years. It sounds you know, it sounds

0:25:57.080 --> 0:26:02.760
<v Speaker 1>like locks joint. Know that this is what my dogs

0:26:02.000 --> 0:26:04.560
<v Speaker 1>and you know what I'm saying, Actually, I see you.

0:26:04.640 --> 0:26:09.400
<v Speaker 1>Bront So. You even did an album with riff Raff. Yeah,

0:26:09.920 --> 0:26:13.040
<v Speaker 1>was that bag? Like that was it was independent? It

0:26:13.080 --> 0:26:16.520
<v Speaker 1>was independent still a back Yeah, it was half on

0:26:16.600 --> 0:26:19.400
<v Speaker 1>an independence. Um we did as a mix sape. First.

0:26:19.400 --> 0:26:21.119
<v Speaker 1>You know what I'm saying, we did see Now that

0:26:21.280 --> 0:26:27.960
<v Speaker 1>was See that's different. Okay, Yo producing locks and x

0:26:28.359 --> 0:26:33.880
<v Speaker 1>YO fan base comprise. What are you doing? Oh my god? Yeah,

0:26:34.080 --> 0:26:35.919
<v Speaker 1>oh yeah, I could imagine they was shooting me up

0:26:35.960 --> 0:26:41.280
<v Speaker 1>like crazy. See I met Riff, you know what I'm saying,

0:26:41.760 --> 0:26:47.840
<v Speaker 1>but Andy Midical Lockers and I'm probably yeah, probably you know,

0:26:48.560 --> 0:26:55.399
<v Speaker 1>dirt Nasty, Yeah, the White Weird three amigos, and I

0:26:55.400 --> 0:26:58.680
<v Speaker 1>did the track for them. Riff was like, you got

0:26:58.680 --> 0:27:00.879
<v Speaker 1>more of those? I'm like, yeah, you know, so, I

0:27:00.920 --> 0:27:03.040
<v Speaker 1>wasn't really aware of his fan base. I saw to

0:27:03.080 --> 0:27:04.760
<v Speaker 1>do some reach like that because they got like a

0:27:04.760 --> 0:27:07.920
<v Speaker 1>cult following. He got some whole ship w w F

0:27:08.040 --> 0:27:12.760
<v Speaker 1>type of So I'm like, you know what, now I'm

0:27:12.880 --> 0:27:15.960
<v Speaker 1>gonna go in. I shocked the shut on me. You

0:27:16.040 --> 0:27:18.399
<v Speaker 1>started doing an album and he was just like going

0:27:18.720 --> 0:27:22.320
<v Speaker 1>ham and his way him. I'm like, oh he is,

0:27:23.840 --> 0:27:25.919
<v Speaker 1>And I was listening like Yo. He looked at a

0:27:25.960 --> 0:27:29.119
<v Speaker 1>lot of TV as a kid, you looked at a

0:27:29.160 --> 0:27:31.080
<v Speaker 1>lot of You could tell he was just in in

0:27:31.160 --> 0:27:35.080
<v Speaker 1>the crib looking at MTV, looking at I'm going Connie

0:27:35.080 --> 0:27:38.439
<v Speaker 1>like Chung spitting on the type of wild bars and

0:27:38.480 --> 0:27:40.960
<v Speaker 1>Ship and then um, when the project came out, you

0:27:40.960 --> 0:27:44.520
<v Speaker 1>know a lot of people was like, yo, Greece, how

0:27:44.600 --> 0:27:48.040
<v Speaker 1>you do that? You know the Locks and X fans,

0:27:48.080 --> 0:27:49.879
<v Speaker 1>you know, how you do that? How you make me

0:27:49.960 --> 0:27:56.159
<v Speaker 1>like him? In fact? How you do that? What I'm saying?

0:27:56.640 --> 0:28:00.879
<v Speaker 1>And it just was a whole different uh music, you

0:28:00.920 --> 0:28:03.200
<v Speaker 1>know that. It was like it was cool, you know

0:28:03.200 --> 0:28:05.040
<v Speaker 1>what it was differently Ship because I mean, like, you know,

0:28:05.080 --> 0:28:07.880
<v Speaker 1>we're dog in the lock. We killed everybody, killed half

0:28:07.880 --> 0:28:10.600
<v Speaker 1>of the world, catching kill them in And I'm like,

0:28:10.800 --> 0:28:15.200
<v Speaker 1>let me do so. How do y'all tip through the group?

0:28:15.760 --> 0:28:20.040
<v Speaker 1>Through that group? Yeah? Okay, Actually I'm honking saying, um,

0:28:20.359 --> 0:28:22.720
<v Speaker 1>my man, Big Chuck, Phoenix, Server soon and Ship. You

0:28:22.720 --> 0:28:24.440
<v Speaker 1>know what I'm saying. He throw the shows, He got

0:28:24.440 --> 0:28:27.000
<v Speaker 1>the store out there, and he hooked it up. I was,

0:28:27.359 --> 0:28:28.800
<v Speaker 1>I was, well, you know, I was living the Phoenix

0:28:28.840 --> 0:28:31.520
<v Speaker 1>for I was like, Yo, I'm hooky over with dirt.

0:28:31.960 --> 0:28:33.879
<v Speaker 1>I was living out the X to right. Yeah. I

0:28:33.920 --> 0:28:36.160
<v Speaker 1>first went out there weeks and like that little living

0:28:36.280 --> 0:28:42.600
<v Speaker 1>mad White Boys listen excellent day about Gona some snakes

0:28:42.600 --> 0:28:45.440
<v Speaker 1>like hold on, buddy, it's not it's not a normal city. Ship.

0:28:45.480 --> 0:28:49.920
<v Speaker 1>What the Phoenix and you'll just changed the snakes and

0:28:50.280 --> 0:28:52.479
<v Speaker 1>like that. Come on, funny, I saw rad coons right

0:28:52.680 --> 0:28:56.360
<v Speaker 1>right now, coons get I'm not going to say that

0:28:56.360 --> 0:28:58.760
<v Speaker 1>because there might be some type of law. Now, I

0:28:58.760 --> 0:29:02.120
<v Speaker 1>don't think about no raccoons. I want to be honest.

0:29:02.400 --> 0:29:04.360
<v Speaker 1>I got a friend named raccoon. No one cares about him.

0:29:07.480 --> 0:29:11.640
<v Speaker 1>So we're gonna hunting raccoons, Holy ship. No, no, that's

0:29:11.640 --> 0:29:14.680
<v Speaker 1>where I live now. You don't eat raccoons though, right, No, no, no,

0:29:14.800 --> 0:29:19.000
<v Speaker 1>motherfucker's at the rattle snaks. I eat it the raccoons. No, no, no,

0:29:19.000 --> 0:29:24.280
<v Speaker 1>no raccoons, okay, two different coats. Okay, where I live now,

0:29:24.320 --> 0:29:28.440
<v Speaker 1>there's raccoons and DIDs now living in Phoenix, the Carolinas

0:29:28.480 --> 0:29:33.960
<v Speaker 1>or somewhere. Okay, they're all living in Phoenix. Stopians, rattle

0:29:34.040 --> 0:29:42.080
<v Speaker 1>snakes East the raccoons. No, it's no, it's no rash bad.

0:29:42.280 --> 0:29:52.880
<v Speaker 1>I'm sorry. Are we gonna get the motherfucker's okay? Moving

0:29:52.880 --> 0:29:56.960
<v Speaker 1>them on? We flop floating around? Another thing that that

0:29:56.960 --> 0:30:01.640
<v Speaker 1>that that that was interesting. I think one day I

0:30:02.120 --> 0:30:06.720
<v Speaker 1>was in the w hotel and Max b walks in

0:30:08.040 --> 0:30:10.880
<v Speaker 1>and you walk in Frenchman trying to walk in and

0:30:10.920 --> 0:30:12.760
<v Speaker 1>I forget the name of this point star kicked. I

0:30:12.760 --> 0:30:15.080
<v Speaker 1>wouldn't deploy a name off. I don't remember her name is.

0:30:15.360 --> 0:30:17.880
<v Speaker 1>But they came down. This is a long time ago. Obviously.

0:30:17.960 --> 0:30:20.080
<v Speaker 1>It was a lot of poinn stars that Max B

0:30:20.520 --> 0:30:23.200
<v Speaker 1>and at the Long State mine because they've seen this

0:30:23.280 --> 0:30:34.920
<v Speaker 1>porn star Tip Roxley Stad crazy for Roxy so himnful

0:30:35.120 --> 0:30:37.719
<v Speaker 1>and I hadn't here. I am like, I'm I'm like

0:30:37.880 --> 0:30:39.720
<v Speaker 1>when I jerk go up, I just regular jerky, like

0:30:39.720 --> 0:30:41.120
<v Speaker 1>you know what I'm saying that you need the internet

0:30:41.120 --> 0:30:43.240
<v Speaker 1>and got it like they knew my name all that,

0:30:43.440 --> 0:30:48.240
<v Speaker 1>so I like what, I don't need the end. You

0:30:48.320 --> 0:30:53.240
<v Speaker 1>got a great imagination, amund gotta picture you got it.

0:30:53.680 --> 0:30:56.520
<v Speaker 1>So but they were so into that, So I say,

0:30:56.640 --> 0:31:00.760
<v Speaker 1>let's just let's subscribe Max Be. For people who never

0:31:00.800 --> 0:31:08.320
<v Speaker 1>met Max B. Subscribe Max B if you can't, I motherfucker,

0:31:09.040 --> 0:31:12.400
<v Speaker 1>that's my little bro man. I love him, manum now

0:31:12.680 --> 0:31:20.440
<v Speaker 1>Max Man. She's like he he put the whole prestorring, yes,

0:31:20.640 --> 0:31:24.880
<v Speaker 1>pre storing, okay, and you got something to do with

0:31:24.880 --> 0:31:26.800
<v Speaker 1>this pre starker, I believe, So I got something to

0:31:26.800 --> 0:31:29.280
<v Speaker 1>do with everything, right, you actually a matter of fact,

0:31:29.640 --> 0:31:32.280
<v Speaker 1>just to go back after the black ball Okay, you know,

0:31:32.320 --> 0:31:33.920
<v Speaker 1>the nigga's first thing is to fun with me, right

0:31:34.920 --> 0:31:45.080
<v Speaker 1>with you made trunk? I was in Queens, yes, and

0:31:45.240 --> 0:31:49.040
<v Speaker 1>I am, but I boom uh all right. It was

0:31:49.280 --> 0:31:51.680
<v Speaker 1>two thousand and six seven. And by the way, I

0:31:51.680 --> 0:31:53.240
<v Speaker 1>don't think he was black balled. I'm gonna be honest.

0:31:53.240 --> 0:31:55.840
<v Speaker 1>I don't know. It wasn't it was. It was not

0:31:56.000 --> 0:31:59.480
<v Speaker 1>my phone calls coming through, okay, through my management. So

0:31:59.520 --> 0:32:01.080
<v Speaker 1>I had to get out there on my own and

0:32:01.560 --> 0:32:04.960
<v Speaker 1>find my own way, okay, and it worked out pretty spectacular,

0:32:05.120 --> 0:32:10.040
<v Speaker 1>thank you, right, not two dours of six, well seven,

0:32:10.400 --> 0:32:13.880
<v Speaker 1>and just as New York, we're getting Clawbert. Now, I

0:32:13.920 --> 0:32:16.000
<v Speaker 1>love all music, you know, if you see my catalog,

0:32:16.280 --> 0:32:19.080
<v Speaker 1>I'll work with Yeah, I ain gonna say everybody, but

0:32:19.200 --> 0:32:23.880
<v Speaker 1>just the night's over here, buging how much animated artists?

0:32:23.880 --> 0:32:25.800
<v Speaker 1>You what I'm saying. So, but you meet back to

0:32:26.120 --> 0:32:28.520
<v Speaker 1>thand and six. Right now, we're getting closer, Like I'm

0:32:28.520 --> 0:32:32.000
<v Speaker 1>sure about New York, like God and the hes just

0:32:32.000 --> 0:32:34.800
<v Speaker 1>trying to hate these songs. We're bringing New York back.

0:32:34.880 --> 0:32:40.400
<v Speaker 1>Oh my god, everybody doing the and all that. Just then,

0:32:40.720 --> 0:32:46.440
<v Speaker 1>no niggers in the city's saying. You know what I'm

0:32:46.440 --> 0:32:48.960
<v Speaker 1>saying that I signed in the crib, right, and this

0:32:49.040 --> 0:32:50.760
<v Speaker 1>is gonna suck you up a little bit. I'm in

0:32:50.800 --> 0:32:53.760
<v Speaker 1>the crib like, yo, man, I kind of make something

0:32:53.800 --> 0:32:57.960
<v Speaker 1>that's on meat. Okay, I'm not an artist, but I

0:32:58.000 --> 0:33:01.480
<v Speaker 1>just I know what I need and I pulled the

0:33:01.680 --> 0:33:14.880
<v Speaker 1>piano and I'm like, fuck it, we're smoking side that

0:33:15.040 --> 0:33:17.840
<v Speaker 1>I sent it to you. Then I send it the

0:33:17.840 --> 0:33:21.040
<v Speaker 1>styles and y'all put verses on it and we shot

0:33:21.040 --> 0:33:24.400
<v Speaker 1>it and it started bringing the city back because we

0:33:24.480 --> 0:33:27.280
<v Speaker 1>had the weed from New York that was clicking. It

0:33:27.520 --> 0:33:31.320
<v Speaker 1>was from New York, New York, New York side with

0:33:31.360 --> 0:33:37.000
<v Speaker 1>diesel everywhere, right, gangster and fun song at the same time,

0:33:37.720 --> 0:33:40.200
<v Speaker 1>and then it was dead. And then you brought me

0:33:40.240 --> 0:33:42.640
<v Speaker 1>for the song and you put it off reality. It's okay,

0:33:43.360 --> 0:33:50.400
<v Speaker 1>it's probably me what I'm saying, wrought me for You're right,

0:33:50.480 --> 0:33:56.120
<v Speaker 1>and that was me put me bay. That was crazy

0:33:56.360 --> 0:34:01.720
<v Speaker 1>like that at each other to be before something. Listen.

0:34:01.800 --> 0:34:03.680
<v Speaker 1>I'm like, he's like, yo, know, I got this verse

0:34:04.600 --> 0:34:06.600
<v Speaker 1>um that you that you did, so I'm trying to

0:34:06.680 --> 0:34:09.520
<v Speaker 1>clear it and I'm like, your maphis mad high and

0:34:09.560 --> 0:34:12.760
<v Speaker 1>they're like how I never did a verse for Mathis

0:34:13.040 --> 0:34:15.200
<v Speaker 1>so I'm not putting together as Greece who gave it

0:34:15.280 --> 0:34:17.160
<v Speaker 1>to him? So then they finally play it for me,

0:34:17.200 --> 0:34:20.520
<v Speaker 1>I'm like, Yo, maphis an ill, how did you get that?

0:34:20.960 --> 0:34:23.080
<v Speaker 1>Got it? And he turned out of this Greece. Let's

0:34:23.080 --> 0:34:24.960
<v Speaker 1>get back to your story, you know what I'm saying.

0:34:25.080 --> 0:34:27.080
<v Speaker 1>So let's go hold on because I want to get

0:34:27.080 --> 0:34:28.719
<v Speaker 1>this sour for a separate part. But I wanted to

0:34:28.719 --> 0:34:30.960
<v Speaker 1>get like when you first I knew that Max b

0:34:31.239 --> 0:34:33.879
<v Speaker 1>was like because he was a different type of artist,

0:34:34.000 --> 0:34:35.160
<v Speaker 1>Like I think you were saying that's why you were

0:34:35.160 --> 0:34:36.880
<v Speaker 1>saying New York was getting crised. Yeah, you know what

0:34:36.920 --> 0:34:40.080
<v Speaker 1>I'm saying. See, the thing was, it was right off

0:34:40.160 --> 0:34:44.479
<v Speaker 1>the the the Burg game. I was about to ask

0:34:44.480 --> 0:34:48.720
<v Speaker 1>you for the game, right and Max brother my nigga,

0:34:48.719 --> 0:34:50.520
<v Speaker 1>Mike Murder shout to Mike Murder. You know what I'm saying.

0:34:50.560 --> 0:34:52.560
<v Speaker 1>He was like, Chris, get this nigger. You know what

0:34:52.600 --> 0:34:55.080
<v Speaker 1>I'm saying to him to leave burgag say no he was.

0:34:55.560 --> 0:34:57.960
<v Speaker 1>They had the frictional. Yeah, I don't know what the

0:34:57.960 --> 0:34:59.640
<v Speaker 1>fun was. That's why you see that come up video.

0:34:59.680 --> 0:35:02.319
<v Speaker 1>I'm like, what you think about it and I don't

0:35:02.360 --> 0:35:04.160
<v Speaker 1>think nothing about it. That's they shipped, and they know

0:35:04.239 --> 0:35:06.319
<v Speaker 1>they ship. You know what I'm saying. Boom, So they say,

0:35:06.360 --> 0:35:08.479
<v Speaker 1>you ain't not gonna get me. The ain't a little nigger,

0:35:08.560 --> 0:35:10.520
<v Speaker 1>you know what I'm saying. So at the same time,

0:35:12.000 --> 0:35:14.040
<v Speaker 1>Max Brother was like, get the snicker man, Get the

0:35:14.080 --> 0:35:16.080
<v Speaker 1>snigger man. They're gonna kill a snigger man. They I'm

0:35:16.120 --> 0:35:19.440
<v Speaker 1>telling you, get this nigger because it was the music

0:35:19.520 --> 0:35:21.719
<v Speaker 1>in the street streets, you know what I'm saying. So

0:35:21.760 --> 0:35:24.319
<v Speaker 1>it's like, all right, cool, and then you know, I'm like, yeah,

0:35:24.960 --> 0:35:34.960
<v Speaker 1>bring He's like, no, Greece, get him please, oh, bring

0:35:35.040 --> 0:35:38.000
<v Speaker 1>him up. So he came up boom and was like yo,

0:35:38.080 --> 0:35:40.600
<v Speaker 1>man where we didn't even get getting you know, just

0:35:40.680 --> 0:35:44.920
<v Speaker 1>like dog, but in a different way. Another ray animated artists,

0:35:44.920 --> 0:35:47.680
<v Speaker 1>you know what I'm saying. And then um he started

0:35:47.840 --> 0:35:52.360
<v Speaker 1>going I'm like, damn, this nigga is different, you know

0:35:52.360 --> 0:35:54.600
<v Speaker 1>what I'm saying. So we started, you know, shouting young

0:35:54.640 --> 0:35:57.120
<v Speaker 1>little young lowers. The U was doing a lot of beats,

0:35:57.200 --> 0:35:58.960
<v Speaker 1>a lot of beats, and they saw it coming up

0:35:59.000 --> 0:36:01.120
<v Speaker 1>to you want to tell me that you want to

0:36:01.160 --> 0:36:05.120
<v Speaker 1>go to come to me like this? This is different.

0:36:05.640 --> 0:36:07.759
<v Speaker 1>You know what I'm saying, like, oh, this is this

0:36:07.840 --> 0:36:11.200
<v Speaker 1>is groovy. You know what I'm saying that. I'm like, Okay,

0:36:11.360 --> 0:36:13.879
<v Speaker 1>well I'm coming to dude. Let me turn the temple up.

0:36:15.560 --> 0:36:18.640
<v Speaker 1>Dude in that Sunday, Monday, Tuesday. And then we just

0:36:18.640 --> 0:36:21.000
<v Speaker 1>started doing it from there, and then we just saw

0:36:21.080 --> 0:36:23.800
<v Speaker 1>the grooving and and then that's when French came on.

0:36:24.040 --> 0:36:27.920
<v Speaker 1>French came with the Cocaine City DVDs. He French was

0:36:28.000 --> 0:36:30.319
<v Speaker 1>young French. First come up DVD was Dorkey Diamonds. When

0:36:30.320 --> 0:36:33.640
<v Speaker 1>you said earlier, I mainly through the French Montana. I

0:36:33.640 --> 0:36:37.120
<v Speaker 1>was out of live Dorky Diamonds. That was DVD Dorgy Diamonds.

0:36:37.120 --> 0:36:39.200
<v Speaker 1>And I believe I got the other guy named, but

0:36:39.719 --> 0:36:44.239
<v Speaker 1>it was cocaine. What Cocaine Cocaine City was was French

0:36:44.320 --> 0:36:49.400
<v Speaker 1>Montenda DVD. And and he was still he was coming

0:36:49.400 --> 0:36:53.600
<v Speaker 1>out of beings when the Coke Boy drew pop right there,

0:36:53.600 --> 0:36:55.040
<v Speaker 1>Bank Bank. You know what I'm saying, he was coming

0:36:55.040 --> 0:36:57.719
<v Speaker 1>out of being young French. Okay, when I was just

0:36:57.800 --> 0:37:00.440
<v Speaker 1>ratting names like French Montana now you know, saying, so

0:37:00.560 --> 0:37:03.080
<v Speaker 1>boom him and Max Star doing the tape and we

0:37:03.080 --> 0:37:04.880
<v Speaker 1>did the Colke Wave tape or three of Us and

0:37:04.960 --> 0:37:08.640
<v Speaker 1>Ship with the DVD. You know what the v game

0:37:09.560 --> 0:37:12.719
<v Speaker 1>So Boom did that Ship. That's just a pu you

0:37:12.760 --> 0:37:14.360
<v Speaker 1>know what I'm saying. A matter of fact, even winded

0:37:14.360 --> 0:37:18.960
<v Speaker 1>a little bit after the Solar Dasy. You got the

0:37:18.960 --> 0:37:22.200
<v Speaker 1>baby grind situation. Then I got the baby grind situation.

0:37:22.280 --> 0:37:25.160
<v Speaker 1>I did Google music, so when I was doing Google Music,

0:37:25.200 --> 0:37:27.520
<v Speaker 1>I was still on that beginning Claubert. I just got

0:37:27.520 --> 0:37:30.479
<v Speaker 1>to do something, So I made the whole mix sape

0:37:30.520 --> 0:37:33.400
<v Speaker 1>just hard me wrapping on everything and songs for I'm like,

0:37:33.440 --> 0:37:35.320
<v Speaker 1>I don't care nigs like me or not that I

0:37:35.400 --> 0:37:39.359
<v Speaker 1>had Max come through one song Connecticut cutsh Connecticut. Yeah,

0:37:39.440 --> 0:37:43.520
<v Speaker 1>that's just said Boom Blue, and he was like, yo,

0:37:43.680 --> 0:37:47.000
<v Speaker 1>I hear what you're doing. We didn't talk about nothing,

0:37:47.160 --> 0:37:49.680
<v Speaker 1>but he felt the vibe was like I'm Achilles Niggers.

0:37:50.120 --> 0:37:52.959
<v Speaker 1>I'm not the artist, but I'm still with Akillings because

0:37:52.960 --> 0:37:54.799
<v Speaker 1>I know the wave limps. You know what I'm saying.

0:37:54.840 --> 0:37:56.399
<v Speaker 1>It's like Greece, I got it, let me do it.

0:37:57.440 --> 0:37:59.719
<v Speaker 1>I'm like, go ahead. And then that's why I did

0:37:59.719 --> 0:38:02.000
<v Speaker 1>the mix, said boom Is at one point five. It's

0:38:02.040 --> 0:38:05.880
<v Speaker 1>just said Pune after that, then we did Coke Wave.

0:38:06.040 --> 0:38:08.600
<v Speaker 1>So did you ever get like any slack from like

0:38:08.640 --> 0:38:11.279
<v Speaker 1>the dip set side, because you know you're being hall

0:38:11.400 --> 0:38:16.480
<v Speaker 1>and related him. I'm pretty sure, Okay, I'm pretty sure

0:38:16.520 --> 0:38:20.200
<v Speaker 1>somebody certain way that's what it is. Who well, hey, whatever,

0:38:20.800 --> 0:38:22.719
<v Speaker 1>you know what I'm saying. Nobody never said nothing to me,

0:38:23.520 --> 0:38:27.040
<v Speaker 1>all right, right, okay, So now let's move on to

0:38:27.160 --> 0:38:33.719
<v Speaker 1>French for a second. We're seeing French announcing projects where

0:38:33.760 --> 0:38:37.520
<v Speaker 1>Harry Fraud. Yes, we see it, and we know it's nothing.

0:38:37.560 --> 0:38:39.960
<v Speaker 1>But does that feel weird? Do you see you're seeing

0:38:40.000 --> 0:38:45.360
<v Speaker 1>that sometimes? Um, not quite frenchman worker Harry Fraud. Actually

0:38:45.360 --> 0:38:47.640
<v Speaker 1>I was working for it too. Actually I wrapped to

0:38:47.640 --> 0:38:54.600
<v Speaker 1>a couple of Spece sues um a while ago. Funny

0:38:54.600 --> 0:38:58.120
<v Speaker 1>servant Harry for it too. Let's get to it, pretty,

0:38:58.280 --> 0:39:02.040
<v Speaker 1>Let's get to it and into that's what we're here for,

0:39:02.160 --> 0:39:06.440
<v Speaker 1>all right. I think it might be a mad I

0:39:06.440 --> 0:39:09.640
<v Speaker 1>don't care, my boy dre right. I think, yeah, purchased

0:39:09.680 --> 0:39:13.200
<v Speaker 1>some of have you fraud equipment back then, Yeah, purchased

0:39:13.280 --> 0:39:17.040
<v Speaker 1>or perks have even purchased what I'm saying. And so

0:39:17.080 --> 0:39:20.480
<v Speaker 1>at the same time, I think, um, happy Frauda, probably

0:39:20.760 --> 0:39:23.520
<v Speaker 1>because some of a lot of producers double beats up.

0:39:24.200 --> 0:39:27.239
<v Speaker 1>That's one thing to give the same year. It's one

0:39:27.280 --> 0:39:30.600
<v Speaker 1>thing I never dine in my whole twenties something damn

0:39:30.680 --> 0:39:35.080
<v Speaker 1>the thirty career. I never gave an artist to artists

0:39:35.080 --> 0:39:38.600
<v Speaker 1>same people would be the pro and doing that though,

0:39:40.440 --> 0:39:43.840
<v Speaker 1>I mean, besides obviously getting paid twice being greedy. But

0:39:44.239 --> 0:39:47.160
<v Speaker 1>if one person takes off of the record legitimately, then

0:39:47.360 --> 0:39:50.360
<v Speaker 1>the other one is canceled out and somebody owe some

0:39:50.360 --> 0:39:53.160
<v Speaker 1>money and somebody got some hard feelings, which I'm getting

0:39:53.160 --> 0:39:56.520
<v Speaker 1>to the hard feelings right. So I think the bro

0:39:56.719 --> 0:40:01.520
<v Speaker 1>Dre came in, um took hold equip right, not London

0:40:01.560 --> 0:40:06.279
<v Speaker 1>Dre right, London Dre Okay cool. I can't even want

0:40:06.280 --> 0:40:07.879
<v Speaker 1>to say that part. Okay cool, but you know that's

0:40:07.880 --> 0:40:10.399
<v Speaker 1>what it is. Came you know, and took all the ship.

0:40:10.440 --> 0:40:12.200
<v Speaker 1>So I have you called me up? I was like, yo, man,

0:40:13.440 --> 0:40:17.520
<v Speaker 1>good give dud damn like man, because I'm a producer,

0:40:17.560 --> 0:40:21.359
<v Speaker 1>producer and trip from you know what I've been doing.

0:40:22.040 --> 0:40:24.560
<v Speaker 1>So I'm like Dre, I call it drading. Negotiate with Dre.

0:40:24.760 --> 0:40:27.960
<v Speaker 1>That's my good guy too. I'm like, Drey, get it

0:40:28.080 --> 0:40:35.400
<v Speaker 1>guys stuff increase this nigger you get the accident, I'm like,

0:40:36.320 --> 0:40:40.280
<v Speaker 1>have you give them six extra beats? Make it work?

0:40:40.719 --> 0:40:42.719
<v Speaker 1>All right, I'm gonna work with dre Bo boom. You

0:40:42.719 --> 0:40:45.120
<v Speaker 1>want to get this equipment back. I had to come

0:40:45.120 --> 0:40:51.840
<v Speaker 1>to negotiate. God makes noise with Christ. So you know,

0:40:52.920 --> 0:40:55.200
<v Speaker 1>it's stories and pre stories with a lot of things.

0:40:55.200 --> 0:40:58.640
<v Speaker 1>But even going back to the virginal French working solely

0:40:58.640 --> 0:41:01.319
<v Speaker 1>but happy for aud on his hip hoppy type ship.

0:41:01.760 --> 0:41:03.839
<v Speaker 1>You know what I'm saying now, it's not nothing okay

0:41:03.920 --> 0:41:08.720
<v Speaker 1>cool because it's just like that. So I'm proud of everybody.

0:41:09.680 --> 0:41:13.759
<v Speaker 1>Is it a level up? Sometimes like I would still

0:41:13.760 --> 0:41:21.200
<v Speaker 1>always have SEVENI four million soulton counting because he's like,

0:41:21.239 --> 0:41:23.120
<v Speaker 1>you know that. You know what happens is when we

0:41:23.200 --> 0:41:26.279
<v Speaker 1>when we uh we do this, I tweet, I tweet out,

0:41:26.360 --> 0:41:28.399
<v Speaker 1>r so, I tweet out. I say, yo, we got

0:41:28.400 --> 0:41:30.480
<v Speaker 1>grease on. I'll say we got suth to such on.

0:41:30.920 --> 0:41:34.200
<v Speaker 1>One of the main things is that's saying does grease

0:41:34.239 --> 0:41:37.120
<v Speaker 1>feel away? Like it seems like once French bleue like

0:41:37.239 --> 0:41:41.080
<v Speaker 1>he didn't come back have that wave no more together

0:41:41.200 --> 0:41:44.040
<v Speaker 1>like you him And this is from the people. You

0:41:44.040 --> 0:41:46.720
<v Speaker 1>know what I got this. This is with drink champions

0:41:46.760 --> 0:41:50.800
<v Speaker 1>for so I got out. It's about the people being quietly.

0:41:51.800 --> 0:41:54.480
<v Speaker 1>That was they see it, you know, That's what I'm saying.

0:41:54.480 --> 0:41:57.040
<v Speaker 1>That was the most asked question was what does he

0:41:57.080 --> 0:42:00.560
<v Speaker 1>feel away about French working with Harry Fordon and as like,

0:42:00.960 --> 0:42:03.279
<v Speaker 1>does he feel away that when French went to a

0:42:03.280 --> 0:42:09.000
<v Speaker 1>certain level that seemed like y'all stopped working together. Um Na, man,

0:42:09.160 --> 0:42:17.480
<v Speaker 1>now all or some ship? Yeah, it could be some

0:42:18.000 --> 0:42:20.120
<v Speaker 1>fun life involved, but you know what I'm saying. But

0:42:20.280 --> 0:42:24.480
<v Speaker 1>to me where I'm at in time, actually I needed

0:42:24.480 --> 0:42:28.240
<v Speaker 1>to take some cool breaks off I had, like especially

0:42:28.280 --> 0:42:30.000
<v Speaker 1>with Dog and all that I had like a fucking

0:42:30.000 --> 0:42:37.279
<v Speaker 1>consecutive years of mashing all his beers of French out there.

0:42:38.239 --> 0:42:40.520
<v Speaker 1>That's for him, you know what I'm saying. I had

0:42:40.520 --> 0:42:42.520
<v Speaker 1>to take a break off, Like I said, I'll smoke

0:42:42.640 --> 0:42:45.840
<v Speaker 1>or drinking more, different things and ship, kids has grown

0:42:45.880 --> 0:42:49.080
<v Speaker 1>and different things. Just really, uh, take time for me,

0:42:49.760 --> 0:42:52.800
<v Speaker 1>you know I'm saying. Different ship beside. Yeah, running this

0:42:52.920 --> 0:42:55.320
<v Speaker 1>fucking race for so many fucking years and ship, you

0:42:55.320 --> 0:42:57.600
<v Speaker 1>know what I'm saying. So I don't feel no way.

0:42:57.680 --> 0:43:00.560
<v Speaker 1>Actually I took time off to get a lot of

0:43:00.640 --> 0:43:04.440
<v Speaker 1>spiritual healing and get very closer to my family. And

0:43:04.719 --> 0:43:10.120
<v Speaker 1>Dad's sitting still. Did you said, no, Dad's sitting still still? Yeah,

0:43:10.239 --> 0:43:15.840
<v Speaker 1>Dad is home. I'm not outside. I'm home, you know

0:43:16.040 --> 0:43:20.000
<v Speaker 1>something like I've been outside bumping to you that is

0:43:20.000 --> 0:43:22.960
<v Speaker 1>that I come my uncle house in the Bronx nor like,

0:43:23.000 --> 0:43:29.880
<v Speaker 1>how does looping back? Going back backwards now on some

0:43:30.000 --> 0:43:34.200
<v Speaker 1>Harlem ship. Did you have any interactions with big El? Yeah?

0:43:34.320 --> 0:43:36.960
<v Speaker 1>And what give us something else? Though? Man, big El,

0:43:37.080 --> 0:43:40.959
<v Speaker 1>that's my guy, guy guy, you gotta understand um going

0:43:41.000 --> 0:43:43.000
<v Speaker 1>no way back. My crew and I being sure from

0:43:43.000 --> 0:43:45.480
<v Speaker 1>the corn. We had a big gas battle saying that

0:43:45.600 --> 0:43:51.120
<v Speaker 1>Paul cam blood shot everybody mace. Wow, we cut him

0:43:53.600 --> 0:43:55.880
<v Speaker 1>and I'll beat niggas some black I was big staying

0:43:56.040 --> 0:43:59.719
<v Speaker 1>me no, my Nika pelleah and I'll be niggas a

0:43:59.760 --> 0:44:02.399
<v Speaker 1>black He was on they were children a card. Yeah,

0:44:02.520 --> 0:44:06.640
<v Speaker 1>but we just was on some black hoodie guns and bracklets.

0:44:08.080 --> 0:44:11.840
<v Speaker 1>You know what I'm saying. But m L was the

0:44:12.000 --> 0:44:17.880
<v Speaker 1>first person our Age range to get signed, so we

0:44:17.920 --> 0:44:22.000
<v Speaker 1>signed Sony. He was with d I T. C. He

0:44:22.120 --> 0:44:27.160
<v Speaker 1>was with Columbia. Yeah, that was you know what I'm saying. Well,

0:44:27.200 --> 0:44:29.440
<v Speaker 1>no is this only Columbia has always been on the SNY.

0:44:29.520 --> 0:44:31.600
<v Speaker 1>It wasn't. I don't think Columbia ever stood on his own.

0:44:31.680 --> 0:44:33.400
<v Speaker 1>I don't know. I think so No, I think it's

0:44:33.440 --> 0:44:36.880
<v Speaker 1>always been on the SNY. Bro whatever he was okay,

0:44:37.040 --> 0:44:38.920
<v Speaker 1>So I was like the first person out of all

0:44:38.960 --> 0:44:44.320
<v Speaker 1>of us to yeah, you know, I'm pretty sure. Kim

0:44:44.360 --> 0:44:46.759
<v Speaker 1>and Mace was like, oh, ship, that's right there. He

0:44:46.840 --> 0:44:49.120
<v Speaker 1>was like, oh, that's right there. You know what I'm saying.

0:44:49.160 --> 0:44:52.800
<v Speaker 1>You know, far as the young generation, ham Teddy Roley

0:44:53.000 --> 0:44:54.759
<v Speaker 1>grew up from the block where I grew up back

0:44:55.440 --> 0:44:59.200
<v Speaker 1>raw base was on the projects and your projects to

0:44:59.480 --> 0:45:06.200
<v Speaker 1>make thinks. Kumo d was I'm Hunt nine Hunt twenty

0:45:06.280 --> 0:45:09.080
<v Speaker 1>nine Street did he had a little glasses always always

0:45:10.520 --> 0:45:14.160
<v Speaker 1>superstars Yeah, and then all the DJs Bruce CB what

0:45:14.200 --> 0:45:16.000
<v Speaker 1>I'm saying. So it was always a lot of ship

0:45:16.160 --> 0:45:21.160
<v Speaker 1>going on in the hood, but different levels and generations.

0:45:22.120 --> 0:45:24.879
<v Speaker 1>Niggas wrapping, rapping, rapping, spin L was the first one.

0:45:25.600 --> 0:45:28.319
<v Speaker 1>L got signed and we knew it was close and

0:45:28.520 --> 0:45:33.879
<v Speaker 1>just like theoretically my studio I was on twenty ninth

0:45:33.920 --> 0:45:38.239
<v Speaker 1>Street right before L got killed. He would come to

0:45:38.320 --> 0:45:43.080
<v Speaker 1>my studio all the time. I kept it in the

0:45:43.120 --> 0:45:44.719
<v Speaker 1>hood as long as I could. I had to get

0:45:44.760 --> 0:45:46.319
<v Speaker 1>funk out of there, you know what I'm saying. But

0:45:47.960 --> 0:45:50.200
<v Speaker 1>L would come to the studio and this is after

0:45:50.200 --> 0:45:52.000
<v Speaker 1>he had the singles with everything out. He was doing

0:45:52.000 --> 0:45:53.680
<v Speaker 1>a party from Oh and he was just like Yo,

0:45:53.719 --> 0:45:55.160
<v Speaker 1>creething oft the b C D And he was just

0:45:55.239 --> 0:45:58.279
<v Speaker 1>going down the second floor and just right right right.

0:45:58.320 --> 0:46:01.200
<v Speaker 1>And even when he got um, we gotta killed his

0:46:01.480 --> 0:46:06.080
<v Speaker 1>his uh flyers from the club sending the studio. You

0:46:06.160 --> 0:46:08.000
<v Speaker 1>got the bag with the whole thick of flyers and

0:46:08.040 --> 0:46:11.600
<v Speaker 1>ship what I'm saying. So it was like fuck, you

0:46:11.640 --> 0:46:15.000
<v Speaker 1>know what I'm saying. But L is the legend of

0:46:15.160 --> 0:46:19.120
<v Speaker 1>our age range, especially your hall. He was, you know,

0:46:19.760 --> 0:46:21.719
<v Speaker 1>and it seemed like he was about to get I

0:46:21.760 --> 0:46:23.560
<v Speaker 1>mean he was supposed to get sign the rocket Feller

0:46:23.880 --> 0:46:26.560
<v Speaker 1>around your time, right, yeah, and it would have been crazy.

0:46:26.920 --> 0:46:29.319
<v Speaker 1>Jay was sounding like up a little bit too, he said,

0:46:29.360 --> 0:46:33.120
<v Speaker 1>he was sounding like the girl A lot of people

0:46:33.320 --> 0:46:38.280
<v Speaker 1>sounded like big. Yeah. He was coming like with original

0:46:38.360 --> 0:46:42.440
<v Speaker 1>style becomes some original style, was like, that's the new wave.

0:46:43.200 --> 0:46:48.000
<v Speaker 1>Ye yeah, I mean, yeah, we're gonna do quick time

0:46:48.000 --> 0:46:51.279
<v Speaker 1>with Slim. Usually this time we take shots. But you're

0:46:51.280 --> 0:46:54.320
<v Speaker 1>not taking shots. So we're just we're just we'll just

0:46:54.440 --> 0:46:56.799
<v Speaker 1>we'll just no no, no weak shot. We'll just we'll

0:46:56.840 --> 0:46:58.680
<v Speaker 1>just ride with it that one of your homies want

0:46:58.719 --> 0:47:01.240
<v Speaker 1>to step in for you? On your homies, wanna stepping

0:47:01.239 --> 0:47:05.320
<v Speaker 1>in for you? Do you want to stepping No? No, no, no,

0:47:05.400 --> 0:47:08.960
<v Speaker 1>no no, you gotta take You gotta take the whole game,

0:47:09.400 --> 0:47:11.600
<v Speaker 1>the whole game. You got your own ship, Like, all right,

0:47:11.680 --> 0:47:14.880
<v Speaker 1>come on, I like you got your own ship, Tracy,

0:47:14.920 --> 0:47:16.200
<v Speaker 1>you help the bole. You're gonna take the shot. You

0:47:16.239 --> 0:47:20.759
<v Speaker 1>gotta bring your own patrol, bring up with yeah. Yeah yeah, yeah, yeah, yeah,

0:47:20.840 --> 0:47:27.440
<v Speaker 1>yeah yeah yeah, we got we got on my shot glass.

0:47:30.840 --> 0:47:33.160
<v Speaker 1>I'm so shoot my water. Yeah, this this is kind

0:47:33.160 --> 0:47:38.080
<v Speaker 1>of easy, man, it's my step. I'll talk about this. Yeah,

0:47:38.080 --> 0:47:45.000
<v Speaker 1>because did him Okay, yeah, some of these are good.

0:47:45.640 --> 0:47:47.919
<v Speaker 1>Some of these are good. Hi. You ready? You only

0:47:48.000 --> 0:47:51.840
<v Speaker 1>take the shot if he says neither or if he

0:47:51.960 --> 0:47:55.600
<v Speaker 1>says both. If he doesn't say neither both, you know,

0:47:55.960 --> 0:47:58.839
<v Speaker 1>but it's it's it's prayer question, all right. So this one,

0:47:58.880 --> 0:48:01.160
<v Speaker 1>I know, I kind of know he's gonna go. Um,

0:48:01.520 --> 0:48:04.799
<v Speaker 1>it's quick to have a slide uh nahs or jay,

0:48:09.120 --> 0:48:18.440
<v Speaker 1>I'm fucking technical man, J what aspect No, it's just

0:48:18.560 --> 0:48:21.640
<v Speaker 1>any aspect one, whatever it is. Don't don't be toothings.

0:48:21.680 --> 0:48:24.000
<v Speaker 1>Don't worry about it if you want to. It's hard

0:48:24.080 --> 0:48:29.040
<v Speaker 1>because I didn't take a shot there. It's okay, both

0:48:29.040 --> 0:48:32.640
<v Speaker 1>of them. It's two lates. I was, I would say,

0:48:32.960 --> 0:48:39.000
<v Speaker 1>J on the oporneal and doing different things. But quietly, no,

0:48:39.160 --> 0:48:42.440
<v Speaker 1>it's got a lot of different right both to me, sir,

0:48:43.520 --> 0:48:45.799
<v Speaker 1>I'm saying it sounds like both to me. That's been

0:48:45.960 --> 0:48:49.040
<v Speaker 1>just a right cool All right, now this one, I

0:48:49.120 --> 0:48:51.600
<v Speaker 1>pretty much know where're gonna go with this one. DMX

0:48:51.680 --> 0:48:58.440
<v Speaker 1>with Tupac. I love Tupac. Okay, but you're going with X.

0:48:59.400 --> 0:49:02.359
<v Speaker 1>Gotta keep you roll roll some of these I'm ill give.

0:49:03.680 --> 0:49:06.600
<v Speaker 1>Just pass me back to product the thing, dump it

0:49:06.640 --> 0:49:09.759
<v Speaker 1>out because I'm still trying to promote. Yeah, yeah, get

0:49:09.880 --> 0:49:12.160
<v Speaker 1>back the case. Yeah there you go. Hey, you want

0:49:12.200 --> 0:49:15.000
<v Speaker 1>this one too? You get him everything? Yeah? Yeah, I

0:49:16.960 --> 0:49:20.480
<v Speaker 1>like I wrote about Molly's yea throwing back old okay,

0:49:21.960 --> 0:49:27.239
<v Speaker 1>all right, Sunny catch it, okay, I didn't know what

0:49:27.320 --> 0:49:32.080
<v Speaker 1>you got with this, come on, okay, all right, Ace

0:49:32.160 --> 0:49:36.440
<v Speaker 1>hood or currency comes okay, that's you got a lot

0:49:36.440 --> 0:49:41.120
<v Speaker 1>of drinks and currency spy, virginal godless original style that

0:49:41.200 --> 0:49:44.320
<v Speaker 1>does virginal groove. There, that's what I funk with Derek

0:49:44.400 --> 0:49:47.279
<v Speaker 1>currency figure all right, nineties or two thousand of hip hop?

0:49:48.640 --> 0:49:52.239
<v Speaker 1>Rusk said to two thousand's two thousands? Oh ship, I

0:49:52.320 --> 0:49:58.640
<v Speaker 1>am alright cool. Damnever considered two thousands or was nineties?

0:49:59.280 --> 0:50:04.759
<v Speaker 1>That one? That's true because it bleeds. It bleeds what

0:50:04.840 --> 0:50:08.840
<v Speaker 1>I'm saying like Semon could like it could be radio

0:50:09.200 --> 0:50:18.400
<v Speaker 1>podcasts were in the future now okay, uh better up podcast.

0:50:18.520 --> 0:50:21.520
<v Speaker 1>That's cool looking at it, still the same semi song. Okay,

0:50:21.920 --> 0:50:25.080
<v Speaker 1>I know Scarface or ice Cube, he gonna take a shot.

0:50:29.840 --> 0:50:32.359
<v Speaker 1>I gotta go with Uncle Face. Okay, Okay, I love

0:50:33.280 --> 0:50:36.480
<v Speaker 1>God Uncle Facing al Right, this one he's definitely gonna

0:50:36.520 --> 0:50:46.880
<v Speaker 1>take a shot to. He should almost Biggie or Big Gul. Damn,

0:50:47.320 --> 0:50:52.720
<v Speaker 1>that's a shot. See see that's the ship that sucks

0:50:52.800 --> 0:50:55.239
<v Speaker 1>me up. It sounds like a shot. Just gotta pick

0:50:55.320 --> 0:50:58.279
<v Speaker 1>both because yeah, I'm gonna say both. Yeah, because the

0:50:58.400 --> 0:51:01.400
<v Speaker 1>one thing, like you know what I'm saying, course, l bro,

0:51:01.719 --> 0:51:05.560
<v Speaker 1>you know what I'm saying. But that's the legacy. But

0:51:05.719 --> 0:51:10.440
<v Speaker 1>I just be a little with big. It just was

0:51:10.560 --> 0:51:14.160
<v Speaker 1>the one thing that. I wish I was a little

0:51:14.280 --> 0:51:18.680
<v Speaker 1>older we were doing it. I would have had them

0:51:18.760 --> 0:51:23.239
<v Speaker 1>do more songs, just more, just keep going, all right.

0:51:23.560 --> 0:51:26.000
<v Speaker 1>But at the same time, the amount of songs is

0:51:26.080 --> 0:51:30.399
<v Speaker 1>a legacy, right, Okay, DJ Mogs or Alchemists m hmm,

0:51:32.719 --> 0:51:37.279
<v Speaker 1>name from the same did lineage? Did Monks produce um

0:51:37.880 --> 0:51:42.440
<v Speaker 1>at Cypress Hill? No? The single which one time for

0:51:42.600 --> 0:51:45.520
<v Speaker 1>some action? I know that's Redman hook. But now you're

0:51:45.560 --> 0:51:47.640
<v Speaker 1>talking about if I could just kill a man, Yeah,

0:51:49.520 --> 0:51:52.480
<v Speaker 1>I got it. Damn Alchemists fire too. I gotta go

0:51:52.560 --> 0:51:56.879
<v Speaker 1>with Moms. Yeah, because because because you know what I'm saying,

0:51:56.880 --> 0:51:59.960
<v Speaker 1>I can just kill him. That's part of the influence.

0:52:00.719 --> 0:52:02.600
<v Speaker 1>What's got part of us here? You know what I'm saying?

0:52:02.680 --> 0:52:10.960
<v Speaker 1>So all right? Yeah, not taking when alcoms dope? No analog?

0:52:11.360 --> 0:52:20.919
<v Speaker 1>Did you? Oh? I don't know. Go both. I'm gonna

0:52:20.920 --> 0:52:29.879
<v Speaker 1>go both because somebody both. We got a drink were

0:52:30.320 --> 0:52:32.560
<v Speaker 1>all the way? Yeah? Are you going right there? Here?

0:52:32.840 --> 0:52:36.239
<v Speaker 1>You're driving? Right? Okay? All right? What was that? I

0:52:36.320 --> 0:52:43.400
<v Speaker 1>was ana long digital? I agree with that. Um I

0:52:43.520 --> 0:52:46.160
<v Speaker 1>learned the Seeker from Dr Dre and The Lord in Digital. Okay,

0:52:46.200 --> 0:52:50.879
<v Speaker 1>but hold on, we gotta got MP three NPC two

0:52:50.960 --> 0:52:54.400
<v Speaker 1>thousand or the SP twelve hundred. What about the three thousand?

0:52:55.200 --> 0:52:58.759
<v Speaker 1>That's not dead brother ship. I didn't want to put

0:52:58.800 --> 0:53:01.920
<v Speaker 1>that one, and I'm going have to say specause I

0:53:01.920 --> 0:53:04.839
<v Speaker 1>don't like to some thousand at all. Okay to digit

0:53:07.040 --> 0:53:10.080
<v Speaker 1>reason times f L studio reason our f L studio.

0:53:13.880 --> 0:53:19.640
<v Speaker 1>What's that reason? It's record, that's all right? The ship

0:53:19.719 --> 0:53:35.279
<v Speaker 1>that okay, major or indie m that's kind of both. Sorry, yeah,

0:53:35.640 --> 0:53:39.160
<v Speaker 1>just go ahead. Don't go to the tequila. Come on, yeah, yeah,

0:53:39.520 --> 0:53:41.880
<v Speaker 1>you're good, right there, you're good. That's a that we

0:53:41.960 --> 0:53:51.640
<v Speaker 1>all have that. Okay, the rules n how many halfway through?

0:53:51.719 --> 0:53:55.560
<v Speaker 1>I think we halfway through? Okay, pro tools or logic

0:53:59.480 --> 0:54:03.600
<v Speaker 1>pro tools okay, yeah, because I um I use ableton

0:54:05.920 --> 0:54:11.279
<v Speaker 1>ableton That just sounds like some witch scientists like he

0:54:11.400 --> 0:54:16.200
<v Speaker 1>definitely made glasses like you. He looked like you, so

0:54:16.400 --> 0:54:20.680
<v Speaker 1>able tonight, So you're going pro tools protels okay to me,

0:54:20.760 --> 0:54:23.200
<v Speaker 1>people who wear glasses smarter. I'm just saying, just want

0:54:23.239 --> 0:54:32.279
<v Speaker 1>to throw that out. Yeah l A or Miami l

0:54:32.320 --> 0:54:36.040
<v Speaker 1>A because I do movies, okay, in video games, Okay,

0:54:36.440 --> 0:54:41.120
<v Speaker 1>I know I love Miami. I love y'all. Please don't Joe,

0:54:42.400 --> 0:54:48.120
<v Speaker 1>you can make more money we got okay, or Mace.

0:54:50.239 --> 0:54:53.520
<v Speaker 1>That's just was on the text with Mace earlier. That's

0:54:53.560 --> 0:54:57.600
<v Speaker 1>the pros both. It's not me, brother, it's the way

0:54:57.640 --> 0:55:02.320
<v Speaker 1>the game got expect. Okay, Tracy is right there. You

0:55:02.360 --> 0:55:06.320
<v Speaker 1>know everybody, Okay, all right, we're gonna waiting to finish.

0:55:07.880 --> 0:55:13.640
<v Speaker 1>It's part of the game. He had more questions. No, no, no, no,

0:55:13.800 --> 0:55:18.120
<v Speaker 1>it's all here. No banks on the mess. I'm not

0:55:18.239 --> 0:55:22.040
<v Speaker 1>even in sports, but I'm not gonna do both. Alright,

0:55:22.040 --> 0:55:26.120
<v Speaker 1>I don't do my Grandpap's and uncle's. We're from the Bronx,

0:55:27.160 --> 0:55:31.680
<v Speaker 1>so that he die hard. Okay, correct, same, Okay, Papa,

0:55:31.760 --> 0:55:40.919
<v Speaker 1>Daddy or Dre. That's gonna be tough. Dre is most

0:55:40.960 --> 0:55:44.560
<v Speaker 1>of my influence and Puff is my first Chet sounds

0:55:44.600 --> 0:55:53.759
<v Speaker 1>like both, damn Tracy both and I work with both

0:55:53.760 --> 0:55:55.880
<v Speaker 1>of them personally. You know what I'm saying, Oh, this

0:55:56.120 --> 0:56:03.480
<v Speaker 1>is fire because you don't know by the way, Yeah, uh,

0:56:03.719 --> 0:56:09.279
<v Speaker 1>we'll wait. Okay, Swiss, Swiss or Timberland. You're going after this.

0:56:11.920 --> 0:56:16.200
<v Speaker 1>Swiss is extended family. But I gotta go with Timberland. Okay, sure,

0:56:16.239 --> 0:56:25.520
<v Speaker 1>you're okay, I'm going Timberland. Okay, come on, m Luck

0:56:25.560 --> 0:56:28.920
<v Speaker 1>the way he said that, Come on, Marb deeper outcast.

0:56:28.960 --> 0:56:32.000
<v Speaker 1>I don't know where you're going with this one. That's

0:56:32.080 --> 0:56:34.920
<v Speaker 1>kind of fucking crazy because they're like two of them

0:56:34.920 --> 0:56:40.960
<v Speaker 1>are at the young boy. Yeah, look outside. You gotta

0:56:41.000 --> 0:56:46.279
<v Speaker 1>go both. You know what you want. Just don't don't

0:56:46.320 --> 0:56:49.839
<v Speaker 1>go with the mom. I'm going with them, all right.

0:56:50.640 --> 0:56:52.080
<v Speaker 1>This is one. I know, Rose is one of my

0:56:52.120 --> 0:56:54.600
<v Speaker 1>favorite records all the time. But you know that man

0:56:54.960 --> 0:57:12.120
<v Speaker 1>or Jada Kiss. Yeah, I'm gonna both New York. You

0:57:12.160 --> 0:57:16.400
<v Speaker 1>gotta understand. I got multiple songs with anybody, and I

0:57:16.480 --> 0:57:18.760
<v Speaker 1>got a song with Meth and coming. It's only three left,

0:57:18.840 --> 0:57:22.880
<v Speaker 1>It's only three left, Only three shots. Letter. This is

0:57:23.000 --> 0:57:24.160
<v Speaker 1>up in the air. This is up in the air.

0:57:24.480 --> 0:57:28.959
<v Speaker 1>This one. I'm pretty sure he's good. Three three more shots.

0:57:29.000 --> 0:57:35.360
<v Speaker 1>You're gonna even Foxy Brown. I gotta go with Eve, Okay.

0:57:36.440 --> 0:57:38.600
<v Speaker 1>You know I work with even when she was even destruction.

0:57:39.160 --> 0:57:42.200
<v Speaker 1>I worked even she was even destruction as well. After that,

0:57:42.600 --> 0:57:44.640
<v Speaker 1>I went to Philly to do it too. I'm with

0:57:44.680 --> 0:57:54.440
<v Speaker 1>the l a Um common Ground, Coolgi wrap A Big

0:57:54.520 --> 0:57:59.600
<v Speaker 1>Daddy Came, I love Came, but I'm about to go

0:57:59.680 --> 0:58:01.520
<v Speaker 1>to Cool. You wrap on the Gangster Ship and I

0:58:01.600 --> 0:58:04.640
<v Speaker 1>got a COUCHI rap single coming up, So you're gonna

0:58:04.720 --> 0:58:08.280
<v Speaker 1>Cuchi rap. I love Kano, but I'm gonna cut rap

0:58:09.320 --> 0:58:17.040
<v Speaker 1>Gangster French Montana or a SAP Rocky French. I didn't

0:58:17.040 --> 0:58:20.480
<v Speaker 1>really hear too many of a SAP records that Rocky record.

0:58:20.720 --> 0:58:22.600
<v Speaker 1>I know, No, I didn't real it. Right now, let's

0:58:22.600 --> 0:58:32.040
<v Speaker 1>get a negat some that's enough his record. Shout out

0:58:32.080 --> 0:58:36.120
<v Speaker 1>to shout out to a sapping for because I cleared

0:58:36.160 --> 0:58:39.120
<v Speaker 1>the Pups record. I cleared the Pups record for them. Okay, Ship,

0:58:40.040 --> 0:58:41.640
<v Speaker 1>you gotta go back to what you said about dre

0:58:41.760 --> 0:58:46.840
<v Speaker 1>about teaching you the analog, did you Okay? So with

0:58:46.960 --> 0:58:57.560
<v Speaker 1>the analog, when I will work with Yah, you know

0:58:57.560 --> 0:58:59.160
<v Speaker 1>what I'm saying that. But when I work with Drake

0:58:59.200 --> 0:59:02.520
<v Speaker 1>beause I work with a thousand times one was even

0:59:02.600 --> 0:59:07.200
<v Speaker 1>destruction before she was out of the East. Um another artist,

0:59:07.360 --> 0:59:11.920
<v Speaker 1>Amy Tavern Brazilian singing artists, but m we would track

0:59:12.160 --> 0:59:17.000
<v Speaker 1>the drums analog. All drums stay analog and all that

0:59:17.120 --> 0:59:20.840
<v Speaker 1>sounds digital. So we used two inch and pro tools.

0:59:22.440 --> 0:59:26.920
<v Speaker 1>The reels are the drums and then everything else is digital.

0:59:27.280 --> 0:59:30.000
<v Speaker 1>For the warmth especially come out to three thousand and ship.

0:59:30.720 --> 0:59:34.000
<v Speaker 1>That's why I picked the two thousand too crispy, That's

0:59:34.000 --> 0:59:37.240
<v Speaker 1>why I went with hunted and we got were kind

0:59:37.240 --> 0:59:38.960
<v Speaker 1>of described it for people who don't understand what the

0:59:38.960 --> 0:59:48.240
<v Speaker 1>hell we're talking. Actually, people don't know. No, no, no,

0:59:48.320 --> 0:59:52.200
<v Speaker 1>the real the real ship, you know, that's the drums

0:59:52.240 --> 0:59:54.840
<v Speaker 1>on the reel and everything else would be digitally recorded.

0:59:54.840 --> 0:59:57.400
<v Speaker 1>It's like holding a little person. So the first I

0:59:57.480 --> 1:00:02.360
<v Speaker 1>don't know, but okay, that's a little crazy. The two

1:00:02.400 --> 1:00:09.280
<v Speaker 1>inch real I'm talking about yo, listens. Sorry to sound

1:00:09.320 --> 1:00:12.240
<v Speaker 1>like the old hen and the Landies used to have

1:00:12.400 --> 1:00:15.439
<v Speaker 1>a two inch real and you literally could not send

1:00:15.480 --> 1:00:19.120
<v Speaker 1>a verse like Buster RBS do a verse. Nobs is

1:00:19.160 --> 1:00:20.720
<v Speaker 1>doing the first for you have to come to your

1:00:20.800 --> 1:00:23.560
<v Speaker 1>studio because in order not on even that, in order

1:00:23.600 --> 1:00:26.160
<v Speaker 1>to punch in that they would they would literally have

1:00:26.200 --> 1:00:29.080
<v Speaker 1>to put tape on the actual ship, like you have

1:00:29.160 --> 1:00:36.320
<v Speaker 1>to cut tape. Yeah, cut the tape that sorry. Look

1:00:36.360 --> 1:00:38.080
<v Speaker 1>at these guys, these guys like this, they make a

1:00:38.120 --> 1:00:43.560
<v Speaker 1>record in two minutes. Hey, I'm looking like fun. Took

1:00:43.640 --> 1:00:47.360
<v Speaker 1>us hours like just to just to track the beat. Remember,

1:00:47.400 --> 1:00:51.320
<v Speaker 1>they had to track out the soul. Sorry, but the

1:00:51.400 --> 1:00:53.880
<v Speaker 1>sounds like what you're saying that warms. You can't get it,

1:00:55.080 --> 1:00:58.320
<v Speaker 1>especially for the drums. You know what I'm saying. He

1:00:58.440 --> 1:01:01.200
<v Speaker 1>used to we call the drums an analog and everything

1:01:01.280 --> 1:01:04.440
<v Speaker 1>else did here. And when I record or make beats

1:01:04.600 --> 1:01:08.120
<v Speaker 1>for aftermfractive things, I would record my drums too much

1:01:08.200 --> 1:01:15.080
<v Speaker 1>reels analog and all it sounds keep makingthing. Wow, that's crazy. Goddamn,

1:01:15.160 --> 1:01:26.040
<v Speaker 1>that's crazy. At one point you started to become a

1:01:26.120 --> 1:01:28.280
<v Speaker 1>part of your project. He was laying versus you. I

1:01:28.360 --> 1:01:30.720
<v Speaker 1>think people had a singing album or something and you

1:01:30.800 --> 1:01:37.320
<v Speaker 1>were singing, awesome ship. It was Blanket Jackson. That okay, okay,

1:01:37.880 --> 1:01:45.120
<v Speaker 1>And so you know, you go back to the incredible name.

1:01:45.760 --> 1:01:47.920
<v Speaker 1>You go back to the Michael Jackson song when it

1:01:48.040 --> 1:01:50.720
<v Speaker 1>was like the kid ain't mine. That was me. Okay,

1:01:50.960 --> 1:01:54.520
<v Speaker 1>you're the kid. Yeah, that was you know what I'm saying,

1:01:55.360 --> 1:02:01.080
<v Speaker 1>checking the mail Michael Jackson. So you know that's Blakey

1:02:01.200 --> 1:02:03.440
<v Speaker 1>Jackson is Oh, I get it, Jackson even get the

1:02:03.520 --> 1:02:05.960
<v Speaker 1>Jackson just speaking all of us. Name is Jackson somewhere,

1:02:06.160 --> 1:02:08.840
<v Speaker 1>you know what, Let's find out he really is the kid.

1:02:10.720 --> 1:02:13.720
<v Speaker 1>That's hilarious. When it came actually came on the mix, sape.

1:02:13.800 --> 1:02:15.840
<v Speaker 1>I think when the goomi at one point five, I

1:02:15.960 --> 1:02:20.520
<v Speaker 1>just did a fucking uh uh skit. I'm like with

1:02:20.600 --> 1:02:23.040
<v Speaker 1>the auto tune, fucking around like Blake could he used

1:02:23.080 --> 1:02:27.479
<v Speaker 1>to being honey out and blue and red star, blue

1:02:27.560 --> 1:02:32.240
<v Speaker 1>red Staux. Know what blue red Staux? The pills? Yeah,

1:02:32.320 --> 1:02:36.200
<v Speaker 1>oh yeah, I know some of the drink blue red stalls.

1:02:36.320 --> 1:02:38.840
<v Speaker 1>Like where was I for that one? Okay? I was

1:02:38.840 --> 1:02:47.080
<v Speaker 1>here for the pills. Still over the pills. I speak

1:02:47.400 --> 1:02:50.120
<v Speaker 1>up front with our fans over right, It's okay, he pills.

1:02:50.280 --> 1:02:58.360
<v Speaker 1>Here's something the pills. So this guy all right, so

1:02:59.560 --> 1:03:02.680
<v Speaker 1>me Max Frend's reasonly fucked up. So that's how you

1:03:02.800 --> 1:03:07.960
<v Speaker 1>made music with a pill? Put the guyline on it

1:03:08.480 --> 1:03:13.480
<v Speaker 1>only want to get to the point already. I can

1:03:13.560 --> 1:03:26.520
<v Speaker 1>tell you I did the skit. You know what I'm saying.

1:03:27.080 --> 1:03:28.920
<v Speaker 1>And that's like to turn the tune on. Fuck it,

1:03:29.880 --> 1:03:39.400
<v Speaker 1>Blanket Blanket Jackson of all those Michael Michael Jackson hit

1:03:39.560 --> 1:03:44.400
<v Speaker 1>right now, like yo, that's dope. The skits aw going crazy.

1:03:44.400 --> 1:03:48.240
<v Speaker 1>I'm like, word, put a beat on, did that on

1:03:48.320 --> 1:03:51.840
<v Speaker 1>the beat, put another one on. She just saw the

1:03:51.880 --> 1:03:54.000
<v Speaker 1>catching and saw the catching. That did the mixtape Ship

1:03:54.080 --> 1:03:59.320
<v Speaker 1>Club Music, which is all blanket featuring increase featuring yourself.

1:03:59.400 --> 1:04:02.200
<v Speaker 1>Well not really. Yeah, there's a couple of over there.

1:04:03.480 --> 1:04:06.320
<v Speaker 1>Sorry to be bouncing around, but listen, right when we

1:04:07.200 --> 1:04:09.840
<v Speaker 1>interview people, we want to listen to their catalog or

1:04:09.880 --> 1:04:11.720
<v Speaker 1>the ship. So we come here earlier. I can't here

1:04:11.760 --> 1:04:13.600
<v Speaker 1>way too early today. I don't know why I was

1:04:13.680 --> 1:04:16.720
<v Speaker 1>here before. Everybody like there wasn't even a thing right here,

1:04:17.120 --> 1:04:19.000
<v Speaker 1>Like he was just here, the lady said. The lady

1:04:19.000 --> 1:04:21.680
<v Speaker 1>looked at me and said, norm me, like you never

1:04:21.800 --> 1:04:24.120
<v Speaker 1>hear at this time anyway. So that was a great

1:04:24.160 --> 1:04:27.600
<v Speaker 1>thing because I could go through your catalog. But pause,

1:04:28.600 --> 1:04:32.400
<v Speaker 1>you really have how many songs to have to record?

1:04:32.520 --> 1:04:34.160
<v Speaker 1>Like you really, Paul, I don't want to say that

1:04:34.280 --> 1:04:38.320
<v Speaker 1>you have a long ass catalog like like you know,

1:04:38.600 --> 1:04:42.000
<v Speaker 1>pauls like that's like you said, three thousand songs made

1:04:42.560 --> 1:04:47.000
<v Speaker 1>a pride over gaggerated or probably around there. You just

1:04:47.080 --> 1:04:48.600
<v Speaker 1>try to get nine the County Ship. You know what

1:04:48.600 --> 1:04:51.480
<v Speaker 1>I'm saying that it's like the school of Tupacat. Yeah,

1:04:52.080 --> 1:04:53.840
<v Speaker 1>that's what you're saying. You wish Big would have cranked

1:04:53.840 --> 1:04:58.040
<v Speaker 1>out more records, because you're telling from me, Big had

1:04:58.120 --> 1:05:01.200
<v Speaker 1>one beat of mind. He was writing to one beat

1:05:01.720 --> 1:05:04.520
<v Speaker 1>and Puff now Puff wild into action. I mean, you

1:05:04.600 --> 1:05:07.640
<v Speaker 1>know Puff Puff is super regular in the studio, boxing

1:05:08.320 --> 1:05:10.840
<v Speaker 1>basketball shorts or whatever. He's a hut Okay, I don't

1:05:10.840 --> 1:05:16.120
<v Speaker 1>know that puff though, all right, I'm just you know, yeah, yeah,

1:05:17.080 --> 1:05:18.919
<v Speaker 1>but he was like, your big right to this joint, crease,

1:05:19.000 --> 1:05:21.400
<v Speaker 1>let me take your the room. And that's the only

1:05:21.560 --> 1:05:24.240
<v Speaker 1>one time I met Bigger Stark here at the La Moon.

1:05:25.280 --> 1:05:30.560
<v Speaker 1>He's like, yo, you made this, like yeah, killless dope

1:05:30.720 --> 1:05:32.240
<v Speaker 1>and this is this is very to die big or

1:05:32.280 --> 1:05:34.919
<v Speaker 1>this is life after that band, that double album Big, Okay,

1:05:34.960 --> 1:05:40.480
<v Speaker 1>that's after death. You know. I had to maintain my excitement.

1:05:41.200 --> 1:05:45.520
<v Speaker 1>I'm like, okay, dope in my head, like, oh I'm

1:05:45.520 --> 1:05:50.000
<v Speaker 1>about to get a big record. It was the beat

1:05:50.080 --> 1:05:53.880
<v Speaker 1>was crazy. I don't even got any more. Who was somebody?

1:05:54.160 --> 1:05:56.720
<v Speaker 1>You did? You did you would like to work with?

1:05:59.600 --> 1:06:01.720
<v Speaker 1>I just broke with Snoop. I always like Snoop, never

1:06:01.840 --> 1:06:04.400
<v Speaker 1>work with Snoop. I never walk Stoop because I like

1:06:04.640 --> 1:06:09.040
<v Speaker 1>I like, I like artists with their own character personality.

1:06:10.160 --> 1:06:16.880
<v Speaker 1>How about Buster? How about from Wow? No, I never

1:06:16.960 --> 1:06:19.400
<v Speaker 1>work with Bust. That's what you know what I'm saying,

1:06:19.680 --> 1:06:23.720
<v Speaker 1>It's just you know what I'm saying. I don't like

1:06:23.800 --> 1:06:25.760
<v Speaker 1>to work with artists sounds like other people. I can't

1:06:25.800 --> 1:06:27.760
<v Speaker 1>do that. Oh yeah, you can't work with nobody new

1:06:27.840 --> 1:06:33.880
<v Speaker 1>right now? That for the Meals is the folks you're

1:06:34.240 --> 1:06:36.680
<v Speaker 1>working with the Meals recently? No, no, I will Okay,

1:06:39.120 --> 1:06:42.520
<v Speaker 1>they're original to me, like the New Ways, Yeah to me.

1:06:43.120 --> 1:06:45.280
<v Speaker 1>To me, there the original of that style. Now there's

1:06:45.280 --> 1:06:46.920
<v Speaker 1>a lot of people who silite the Megals, but to

1:06:47.000 --> 1:06:50.880
<v Speaker 1>be hands down the Megs, and you know, I like that.

1:06:51.240 --> 1:06:54.520
<v Speaker 1>I like their tightness, like you know, like the fact

1:06:54.560 --> 1:06:58.680
<v Speaker 1>that the Locks because you know all these years and

1:06:59.720 --> 1:07:03.480
<v Speaker 1>her styles p this Jada. I've never heard Jada this year.

1:07:03.960 --> 1:07:06.400
<v Speaker 1>And I've never heard Offset just take off and take

1:07:06.440 --> 1:07:10.160
<v Speaker 1>off this on Crabo. I've never heard that. And they

1:07:10.240 --> 1:07:13.280
<v Speaker 1>actually seemed tighter now that they had like a discrepancy

1:07:13.320 --> 1:07:15.680
<v Speaker 1>with their label like I think they had they they had.

1:07:15.720 --> 1:07:18.400
<v Speaker 1>They're going through their bad way. Yeah, that bad way

1:07:18.440 --> 1:07:20.520
<v Speaker 1>moment where how the Locks went through their moment with

1:07:20.640 --> 1:07:23.000
<v Speaker 1>bad Boy, and I think they're going through that. Hope

1:07:23.000 --> 1:07:26.440
<v Speaker 1>hopefully all that works out, but um, it actually makes

1:07:26.480 --> 1:07:28.520
<v Speaker 1>me say, damn, I fount with him even more, Like

1:07:28.600 --> 1:07:29.680
<v Speaker 1>you know what I'm saying, I seem to be the

1:07:29.760 --> 1:07:33.880
<v Speaker 1>Nickelodeon Awards, which is right, you're walking through the melet's

1:07:33.880 --> 1:07:38.200
<v Speaker 1>walk through it. Um, what's CARDI b Manum? It was

1:07:38.240 --> 1:07:40.160
<v Speaker 1>something I was like, oh Ship, I even know what

1:07:40.160 --> 1:07:42.320
<v Speaker 1>you think? You know me, I'm like, oh Ship, But yeah,

1:07:42.480 --> 1:07:44.120
<v Speaker 1>I think they're cool and I think, um their music

1:07:44.200 --> 1:07:46.040
<v Speaker 1>and I think they still the text of time and

1:07:46.120 --> 1:07:47.760
<v Speaker 1>I actually think they legends. Man, so you know what

1:07:47.800 --> 1:07:56.080
<v Speaker 1>I mean? Step so um boom doing all this? Um,

1:07:57.320 --> 1:07:59.040
<v Speaker 1>I want to get back to the Way for a minute.

1:07:59.400 --> 1:08:02.160
<v Speaker 1>It's the way even something that Max be created. And

1:08:02.200 --> 1:08:04.720
<v Speaker 1>there's something that Max we created. Okay, yes, but I

1:08:04.840 --> 1:08:08.280
<v Speaker 1>just came on and made it more. Yeah, okay, you

1:08:08.320 --> 1:08:10.919
<v Speaker 1>know more. What do you think when you hear people

1:08:11.000 --> 1:08:13.120
<v Speaker 1>use the way? There's a lot of people, know, it's

1:08:13.120 --> 1:08:15.880
<v Speaker 1>a lot you know what I'm saying. Um, it's just

1:08:16.280 --> 1:08:20.000
<v Speaker 1>unfortunately that he got locked up. You know what I'm saying.

1:08:20.040 --> 1:08:23.800
<v Speaker 1>Did he patting the word? Not quite, not that I

1:08:23.880 --> 1:08:26.600
<v Speaker 1>know of. I don't don't quote me like you know

1:08:26.640 --> 1:08:30.160
<v Speaker 1>what I'm saying, but not that I know of. You

1:08:30.200 --> 1:08:31.600
<v Speaker 1>know what I'm saying that I would have patting the

1:08:31.640 --> 1:08:36.040
<v Speaker 1>worst slie. Come on, he would have pat. I was

1:08:36.080 --> 1:08:38.439
<v Speaker 1>the first one to say slie and it's not and

1:08:38.520 --> 1:08:51.040
<v Speaker 1>it's not guy. Yeah, it wasn't no gang ship and

1:08:51.520 --> 1:08:53.200
<v Speaker 1>that it was a simple. My friend went to the

1:08:53.280 --> 1:08:55.759
<v Speaker 1>store asked me, I want a piece of his sanwards.

1:08:55.800 --> 1:08:58.000
<v Speaker 1>I said no. When he came back with sandwich, was like, yo, man,

1:08:58.120 --> 1:09:00.240
<v Speaker 1>let's look good because he said it's pepper so I

1:09:00.280 --> 1:09:03.280
<v Speaker 1>thought it was pepper, pepperoni. Pepper and pepperoni sounds like

1:09:03.320 --> 1:09:04.800
<v Speaker 1>same to me too much. I thought it was pork.

1:09:04.880 --> 1:09:06.479
<v Speaker 1>When I came back and it wasn't pork, I said, oh,

1:09:06.520 --> 1:09:08.000
<v Speaker 1>should give me a piece and it was like that.

1:09:08.080 --> 1:09:13.479
<v Speaker 1>He said slime. It's no, no, no crazy ship to it.

1:09:13.560 --> 1:09:15.479
<v Speaker 1>We put it on records. He put it on and um.

1:09:15.640 --> 1:09:18.760
<v Speaker 1>I actually spoke to uh Young Doug the other day.

1:09:18.800 --> 1:09:23.000
<v Speaker 1>I was actually after we finished Belly interview, I was

1:09:23.120 --> 1:09:28.479
<v Speaker 1>with Cash Belly's manager and he faced time Young Thug

1:09:28.520 --> 1:09:31.720
<v Speaker 1>and we talked about the Slime situation. I was gonna

1:09:31.760 --> 1:09:34.200
<v Speaker 1>come on the show. He's like, I gotten, and I like,

1:09:34.479 --> 1:09:35.760
<v Speaker 1>you know, I like I like the coach side of

1:09:35.840 --> 1:09:38.320
<v Speaker 1>the new generation. Some of them don't don't know the school.

1:09:38.320 --> 1:09:40.800
<v Speaker 1>You can't be bad at somebody for not knowing. But

1:09:41.080 --> 1:09:43.240
<v Speaker 1>but I'm telling you there's people out there that have

1:09:43.880 --> 1:09:48.320
<v Speaker 1>like wave cemeteries and wave uh the wave the farm

1:09:48.360 --> 1:09:50.760
<v Speaker 1>and the wave crew like like like not the way

1:09:50.880 --> 1:09:56.599
<v Speaker 1>the wave the wave every implement of now right from

1:09:57.280 --> 1:10:02.120
<v Speaker 1>even that's it's wavy like down with that a little

1:10:02.400 --> 1:10:07.519
<v Speaker 1>too little baby actually saying wave. So um, Drake Travis Scott,

1:10:07.840 --> 1:10:09.800
<v Speaker 1>you know what I'm saying. I think Drake, shout it out,

1:10:10.040 --> 1:10:13.880
<v Speaker 1>Quabo the wave everything the culture at the point. Yeah,

1:10:14.000 --> 1:10:16.040
<v Speaker 1>it's what it is, you know, like max Is is

1:10:16.080 --> 1:10:19.360
<v Speaker 1>a real part of right now culture. You got to

1:10:19.360 --> 1:10:22.720
<v Speaker 1>think about it, like, um, two thousand and seven, he

1:10:22.760 --> 1:10:25.000
<v Speaker 1>got locked in two thousand nine. How long he's been

1:10:25.040 --> 1:10:29.920
<v Speaker 1>in jail right now? Two thousand nine? Twelve? Yeah, I

1:10:29.960 --> 1:10:32.679
<v Speaker 1>can't count the right twelve, you know what I'm saying.

1:10:33.479 --> 1:10:35.040
<v Speaker 1>Let me shout at the max. So the sunny Fire

1:10:35.080 --> 1:10:38.599
<v Speaker 1>years got chopped down fifteen. He's been in there twelve,

1:10:38.680 --> 1:10:40.560
<v Speaker 1>So that means three years from now he should be

1:10:40.600 --> 1:10:43.599
<v Speaker 1>all right and he might get a couple years back,

1:10:43.640 --> 1:10:46.080
<v Speaker 1>you know what I'm saying. Okay, now, let's be honest.

1:10:46.120 --> 1:10:49.320
<v Speaker 1>I want to need the honesty, grease, that's all I am, Leo.

1:10:49.720 --> 1:10:58.719
<v Speaker 1>I need the honesty. Can't he really survive because listen,

1:10:59.000 --> 1:11:00.640
<v Speaker 1>let's just be clear, and I want to say this

1:11:00.720 --> 1:11:03.640
<v Speaker 1>will all due respect. Yes, I want to say this

1:11:03.680 --> 1:11:09.720
<v Speaker 1>to all do is Shine was the most anticipated New

1:11:09.840 --> 1:11:17.360
<v Speaker 1>York coming back home. He it was like he lost

1:11:17.400 --> 1:11:18.880
<v Speaker 1>the step. But he must have knew he was going

1:11:18.920 --> 1:11:22.639
<v Speaker 1>to be a political person. Now he in believes being

1:11:22.720 --> 1:11:26.240
<v Speaker 1>the president of some ship. Max, I don't see him

1:11:26.280 --> 1:11:31.000
<v Speaker 1>being the president of nothing. And he come home and

1:11:31.200 --> 1:11:33.640
<v Speaker 1>be the way because part of why Max is the

1:11:33.760 --> 1:11:36.960
<v Speaker 1>wave was he was a step above on fashion. He

1:11:37.120 --> 1:11:43.080
<v Speaker 1>was a step above on all that. Jail naturally puts

1:11:43.120 --> 1:11:45.360
<v Speaker 1>a step put you in a step behind. That's why

1:11:45.600 --> 1:11:48.439
<v Speaker 1>I brung up Side. Yeah, I brung up Shine. I'm

1:11:48.439 --> 1:11:50.679
<v Speaker 1>bring up certain people who did certain amount of time

1:11:51.479 --> 1:11:54.519
<v Speaker 1>like jail puts a little rust on you. But it's

1:11:54.560 --> 1:11:56.360
<v Speaker 1>too much of like like what happened Shot, It was

1:11:56.400 --> 1:11:58.639
<v Speaker 1>too much of the public eye for his first bars

1:11:58.760 --> 1:12:00.439
<v Speaker 1>is not to be looked at. I think it was College.

1:12:00.720 --> 1:12:02.880
<v Speaker 1>I think was DJ College who actually got the first

1:12:02.920 --> 1:12:06.560
<v Speaker 1>show in verse, and I believe he rushed it and

1:12:06.920 --> 1:12:12.840
<v Speaker 1>it just took all the the what a better word,

1:12:12.920 --> 1:12:15.880
<v Speaker 1>the wave away from Shot. It's all the way because

1:12:15.880 --> 1:12:18.439
<v Speaker 1>everyone's like, man, maybe he lost it. Maybe because that's

1:12:18.520 --> 1:12:21.320
<v Speaker 1>really what what's gonna happen with Max? Max? That first

1:12:21.439 --> 1:12:24.440
<v Speaker 1>record that he get on, he gonna have the flaming.

1:12:26.280 --> 1:12:29.560
<v Speaker 1>Is that something that you think that he does. He

1:12:29.680 --> 1:12:32.200
<v Speaker 1>need that time to get that rust off. No, that

1:12:32.479 --> 1:12:35.599
<v Speaker 1>definitely gotta happen. You got Yeah, that's what coach, thin

1:12:35.680 --> 1:12:37.679
<v Speaker 1>didn't come out. You gotta come in and you gotta

1:12:37.680 --> 1:12:40.200
<v Speaker 1>do your push ups. You gotta you might want to

1:12:40.200 --> 1:12:42.640
<v Speaker 1>do it. We gotta do deep research and homework like

1:12:42.840 --> 1:12:44.720
<v Speaker 1>come come on chance and I'm saying, you gotta do

1:12:44.800 --> 1:12:46.640
<v Speaker 1>the right And now that that first record that you

1:12:47.080 --> 1:12:53.320
<v Speaker 1>recalled drops, No, the only gotta we gotta you guys

1:12:53.439 --> 1:12:56.320
<v Speaker 1>to get in and go in and got to know,

1:12:57.160 --> 1:12:59.760
<v Speaker 1>gotta know. And just like it said, the competition on

1:12:59.880 --> 1:13:04.120
<v Speaker 1>the talgets okay, we got the talkets lined up. He's

1:13:04.280 --> 1:13:07.240
<v Speaker 1>definitely no, no, no, no. At this point, he's definitely

1:13:07.280 --> 1:13:10.680
<v Speaker 1>the O g right. Like he went from being a

1:13:10.800 --> 1:13:13.600
<v Speaker 1>little man that was destructed or looked at like he

1:13:13.760 --> 1:13:19.760
<v Speaker 1>was like he's now coming home. There's gonna be like

1:13:19.840 --> 1:13:22.559
<v Speaker 1>I could see there, people are gonna be bowing to him.

1:13:22.600 --> 1:13:25.120
<v Speaker 1>I see these this new degeneration but if he come

1:13:25.160 --> 1:13:29.000
<v Speaker 1>home and one wrong move, yeah, because that they love

1:13:29.120 --> 1:13:31.519
<v Speaker 1>to tell you that it's gonna they pick you up.

1:13:31.600 --> 1:13:34.679
<v Speaker 1>And he comes home and he made one more more move.

1:13:35.640 --> 1:13:37.560
<v Speaker 1>I think that's what this music industry is about. So

1:13:37.960 --> 1:13:39.360
<v Speaker 1>what was you saying? I'm sorry, I feel like a

1:13:39.600 --> 1:13:43.200
<v Speaker 1>na I said, we got um. Yeah, I gotta go

1:13:43.400 --> 1:13:46.920
<v Speaker 1>in and do the training is retraining now? Max always

1:13:46.960 --> 1:13:51.720
<v Speaker 1>got some ship ship ship, but it's beat selection. Is

1:13:51.800 --> 1:13:56.639
<v Speaker 1>these beats and to changeable in compatible with these beats now?

1:13:58.040 --> 1:14:01.120
<v Speaker 1>Or we're just gonna say fun everything, go on your

1:14:01.160 --> 1:14:04.000
<v Speaker 1>own wave. Yeah, that's that's my next question saying or

1:14:04.200 --> 1:14:08.120
<v Speaker 1>different things. See that's what I do. That's actually a

1:14:08.280 --> 1:14:11.000
<v Speaker 1>line up? Was my next question? Your friend, what do

1:14:11.080 --> 1:14:12.559
<v Speaker 1>you mean? What do you do you try to admit

1:14:12.640 --> 1:14:15.639
<v Speaker 1>into today's music? Did you try to do your own?

1:14:15.920 --> 1:14:18.800
<v Speaker 1>Like it's very hard. Ship You can do a little

1:14:18.800 --> 1:14:20.400
<v Speaker 1>bit of both. You create your own, but then you

1:14:20.600 --> 1:14:23.479
<v Speaker 1>start featuring on others to kind of like show that

1:14:23.560 --> 1:14:26.160
<v Speaker 1>you can. All that ship gotta be fired, all of it,

1:14:26.240 --> 1:14:28.679
<v Speaker 1>got it. That's my job as producer. It's a looking

1:14:28.720 --> 1:14:30.760
<v Speaker 1>to all the dimensions and set up and have all

1:14:30.800 --> 1:14:34.720
<v Speaker 1>the dimensions ready. So other producers to hit you and say, yo,

1:14:34.760 --> 1:14:37.240
<v Speaker 1>this is for Max. You could be able to differentiate

1:14:37.280 --> 1:14:39.439
<v Speaker 1>your this beat is not for you. This beat for you.

1:14:39.640 --> 1:14:41.640
<v Speaker 1>You can do know. It would be like, all right,

1:14:41.720 --> 1:14:45.200
<v Speaker 1>this is for two two Max, or this is for

1:14:46.760 --> 1:14:49.280
<v Speaker 1>this Max up. We don't even know yet two thousand

1:14:49.320 --> 1:14:54.599
<v Speaker 1>and twenty, what is it? No? No, you come over

1:14:54.680 --> 1:14:58.760
<v Speaker 1>three years so five, but we want the advanced version

1:14:58.800 --> 1:15:03.040
<v Speaker 1>of that. You want to right, I should see I

1:15:03.160 --> 1:15:09.840
<v Speaker 1>am so. But for the most part, you think he

1:15:09.880 --> 1:15:12.439
<v Speaker 1>could come and you think it got it got to be, well,

1:15:12.840 --> 1:15:15.080
<v Speaker 1>well round it training, you know what I'm saying, The

1:15:15.160 --> 1:15:19.479
<v Speaker 1>different things, and it's just something retraining um because he

1:15:19.600 --> 1:15:22.720
<v Speaker 1>always got some ship. He always gotta slick as bar

1:15:22.880 --> 1:15:24.840
<v Speaker 1>and different things and waits to say it, you know

1:15:24.840 --> 1:15:27.000
<v Speaker 1>what I'm saying. But as far as like you know,

1:15:27.160 --> 1:15:31.280
<v Speaker 1>just watching the whole battlefield, you know what I'm saying,

1:15:31.320 --> 1:15:33.000
<v Speaker 1>the different things, because it probably was a couple of

1:15:33.080 --> 1:15:36.120
<v Speaker 1>songs that probably came out and came through and I

1:15:36.280 --> 1:15:38.800
<v Speaker 1>was like, who did that? Who allowed you? You know

1:15:38.840 --> 1:15:41.840
<v Speaker 1>what I'm saying, The different things, like, okay, who allowed that?

1:15:42.760 --> 1:15:44.960
<v Speaker 1>You can't put anything out the same way you feel.

1:15:45.240 --> 1:15:47.320
<v Speaker 1>I was like, you can't put anything out. There's a

1:15:47.360 --> 1:15:48.880
<v Speaker 1>lot of ship going on right now. You know what

1:15:48.920 --> 1:15:51.640
<v Speaker 1>I'm saying, it's a lot of repeating ship. It's a

1:15:51.720 --> 1:15:55.719
<v Speaker 1>lot of you know, you know, disrespect to music today

1:15:55.720 --> 1:15:57.599
<v Speaker 1>because I like a lot of it. But if remind

1:15:57.680 --> 1:16:01.200
<v Speaker 1>me of a break a, it's the rhythm. Oh, everything

1:16:01.320 --> 1:16:03.120
<v Speaker 1>is the same rhythm, the rhythm. You know what I'm saying.

1:16:03.200 --> 1:16:05.439
<v Speaker 1>What you got the rhythm. But that's what made those

1:16:05.520 --> 1:16:08.240
<v Speaker 1>artists so dope and regga is that gets the same

1:16:08.320 --> 1:16:15.160
<v Speaker 1>near them, but they made a whole So it's like

1:16:15.280 --> 1:16:18.080
<v Speaker 1>it's a little like that. Now, that's what it is. Now,

1:16:18.120 --> 1:16:20.519
<v Speaker 1>you're right, Yeah, you know you catch the rhythm. Yeah,

1:16:21.800 --> 1:16:24.240
<v Speaker 1>I ain't gonna lie, I'll be I'll be listening to

1:16:24.800 --> 1:16:27.439
<v Speaker 1>I don't know who who who? Who? Ain't? I just

1:16:27.760 --> 1:16:30.360
<v Speaker 1>I like the rhythm. Now that's my daughter. Who's this?

1:16:31.479 --> 1:16:37.320
<v Speaker 1>I like because that like forty two dog my nephew too.

1:16:37.400 --> 1:16:41.360
<v Speaker 1>He'd be playing all the super gangster like little Dirt,

1:16:41.720 --> 1:16:45.719
<v Speaker 1>Yeah not dirt, going supervio crazy. Now I like about

1:16:45.920 --> 1:16:50.360
<v Speaker 1>them dudes. I just gotta you know, um Dirk ship chump,

1:16:51.360 --> 1:16:54.320
<v Speaker 1>he was hitting and then I guess you's just said nah,

1:16:55.160 --> 1:16:57.000
<v Speaker 1>I could be a super so I'm going superstar and

1:16:57.040 --> 1:16:59.320
<v Speaker 1>he went superstar. Now I felt like that Drake record

1:16:59.439 --> 1:17:03.839
<v Speaker 1>was what him there and he was already becoming the superstar.

1:17:03.880 --> 1:17:05.799
<v Speaker 1>But I think I think that was like the ultimate

1:17:06.160 --> 1:17:08.719
<v Speaker 1>push that made him let me, let me bounce around.

1:17:09.160 --> 1:17:11.599
<v Speaker 1>You know, you was around where a friends they beating

1:17:11.680 --> 1:17:14.200
<v Speaker 1>with dip set, they beef in and now French and

1:17:14.520 --> 1:17:18.360
<v Speaker 1>and and Jimmy squashed the beef. How did you feel

1:17:18.360 --> 1:17:23.800
<v Speaker 1>about that? That's different? Okay, you know what I'm saying,

1:17:23.880 --> 1:17:26.960
<v Speaker 1>that's um like I said, and even with Max and Jim,

1:17:27.120 --> 1:17:29.720
<v Speaker 1>like I wouldn't say, I'm not gonna say, Jim Joan,

1:17:29.800 --> 1:17:32.200
<v Speaker 1>I'm not doing that ship. You know what I'm saying. Max,

1:17:32.960 --> 1:17:34.680
<v Speaker 1>you know, And even that's what I always say to

1:17:34.720 --> 1:17:39.440
<v Speaker 1>come up DVD because you know, as journalist, Doky Diamonds like, yeah, Nigel,

1:17:39.560 --> 1:17:44.439
<v Speaker 1>you know Max here, I'm just when the dogs like,

1:17:44.560 --> 1:17:50.120
<v Speaker 1>so Greese, what's you think? Okay, Max Crease, don't think nothing.

1:17:50.120 --> 1:17:51.720
<v Speaker 1>He got nothing to do with this. This is me

1:17:52.200 --> 1:17:55.400
<v Speaker 1>so because you're not pulling me into all that political

1:17:55.439 --> 1:17:58.680
<v Speaker 1>ship because I mean, technically I know Jim first, you know,

1:17:59.640 --> 1:18:04.240
<v Speaker 1>and it's Cam. You know, we all came out Mason Cameron.

1:18:04.360 --> 1:18:07.680
<v Speaker 1>You know what I'm saying, was going and Jim was

1:18:07.760 --> 1:18:11.400
<v Speaker 1>holding Cam down. Jim would get jumped by twenty motherfucker's

1:18:11.400 --> 1:18:14.280
<v Speaker 1>the holders man down, you know what I'm saying. So

1:18:14.600 --> 1:18:18.600
<v Speaker 1>you know he was holding this man down. So we

1:18:18.720 --> 1:18:21.360
<v Speaker 1>knew Jim as holding his man down. You know what

1:18:21.400 --> 1:18:25.080
<v Speaker 1>I'm saying, different ship. So, um, when it comes to

1:18:25.200 --> 1:18:28.920
<v Speaker 1>the maxif front, the maximum Jim Jones ship, you know

1:18:28.960 --> 1:18:32.759
<v Speaker 1>what I'm saying, it definitely wasn't for me to jump

1:18:32.840 --> 1:18:36.439
<v Speaker 1>in a cause i'mone for the protection around Max. Make

1:18:36.479 --> 1:18:41.120
<v Speaker 1>sure he's straighten. Ain't nobody, ain't no where. Phone calls

1:18:41.240 --> 1:18:44.439
<v Speaker 1>like they used to come through through the hotline, Yo,

1:18:44.560 --> 1:18:47.320
<v Speaker 1>twenties came through the seat. Twenties came through and yet

1:18:49.520 --> 1:18:56.040
<v Speaker 1>turn the cameral I saw you got god this ship.

1:18:56.560 --> 1:19:00.640
<v Speaker 1>But you know, just certain different things. And and then

1:19:00.760 --> 1:19:04.840
<v Speaker 1>um see French is after we got off the mix

1:19:04.920 --> 1:19:10.120
<v Speaker 1>tape wave and different things. French came entirely politally clear, correct,

1:19:11.240 --> 1:19:15.200
<v Speaker 1>because I mean he knew on the gang banging side

1:19:15.360 --> 1:19:17.280
<v Speaker 1>he wasn't gonna be the French that he is now.

1:19:18.680 --> 1:19:21.880
<v Speaker 1>Almost pops off French, so he know that he had

1:19:21.960 --> 1:19:25.760
<v Speaker 1>to clean up a few ships and not funk with

1:19:25.880 --> 1:19:28.840
<v Speaker 1>too many of the goon's to get to where he

1:19:28.920 --> 1:19:32.599
<v Speaker 1>needed to be. Right, So you know, boom for Max

1:19:33.200 --> 1:19:37.120
<v Speaker 1>and us working together to Waka Flocker and Guci Man.

1:19:37.240 --> 1:19:40.559
<v Speaker 1>But we all heard the Gucci Man story. But Waker then,

1:19:40.720 --> 1:19:44.320
<v Speaker 1>um the Rick Rossa Piti Puff Daddy sonomy too. You

1:19:44.400 --> 1:19:46.639
<v Speaker 1>know where you got to go to Drake different things.

1:19:46.720 --> 1:19:50.040
<v Speaker 1>You know what I'm saying that just you know, position himself,

1:19:50.080 --> 1:19:53.280
<v Speaker 1>French and small MOUs, you know, position himself and to

1:19:53.560 --> 1:19:55.880
<v Speaker 1>get to where he needed to be at now you

1:19:55.920 --> 1:19:58.240
<v Speaker 1>know what I'm saying. Internationally, French, Montin and Danny put

1:19:58.280 --> 1:20:02.240
<v Speaker 1>out that fucking unforgettable wind right, But what did you

1:20:02.320 --> 1:20:05.760
<v Speaker 1>feel when um they said that they squashed the beat?

1:20:05.840 --> 1:20:08.560
<v Speaker 1>Because I didn't. I didn't. I didn't feeling anything. I

1:20:08.600 --> 1:20:10.360
<v Speaker 1>didn't fit anything. Like you know what I'm saying. I

1:20:10.439 --> 1:20:13.000
<v Speaker 1>know what French is doing. You know what I'm saying,

1:20:13.040 --> 1:20:15.880
<v Speaker 1>they'd be different and different ships. You know what I'm saying, Like, Um,

1:20:16.360 --> 1:20:18.720
<v Speaker 1>I'm pretty sure we've we've been out there. We know

1:20:19.000 --> 1:20:21.439
<v Speaker 1>what it's really out there, we know what the codes are,

1:20:22.160 --> 1:20:25.960
<v Speaker 1>we know what it is. But nowadays, because it's the

1:20:26.040 --> 1:20:28.400
<v Speaker 1>only thing is out there, like that everybody else is

1:20:28.439 --> 1:20:31.160
<v Speaker 1>on some whole other shops like, you know what, let's

1:20:31.200 --> 1:20:35.439
<v Speaker 1>go home. I'm going home. I thought it was still

1:20:35.439 --> 1:20:37.000
<v Speaker 1>because there's one thing for them to squash it, but

1:20:37.040 --> 1:20:39.240
<v Speaker 1>there's another thing for them to get in each other's records,

1:20:39.560 --> 1:20:41.600
<v Speaker 1>film videos together. I think one of them they was

1:20:41.640 --> 1:20:44.559
<v Speaker 1>in l A. The next one they were in New

1:20:44.680 --> 1:20:46.320
<v Speaker 1>York and I think they shut down the highway. I

1:20:46.439 --> 1:20:49.719
<v Speaker 1>thought that was dope because if people put energy into beating,

1:20:49.760 --> 1:20:52.680
<v Speaker 1>you should put energy and like squashing and moving on,

1:20:52.920 --> 1:20:55.040
<v Speaker 1>like you know what I'm saying. So you we thought

1:20:55.160 --> 1:20:59.000
<v Speaker 1>Max and Jim was gonna be squash, but Jim ain't.

1:20:59.040 --> 1:21:01.840
<v Speaker 1>He ain't so even with the even women. I think

1:21:01.920 --> 1:21:04.960
<v Speaker 1>French he said something I think on Angie he's trying to, Okay,

1:21:05.280 --> 1:21:07.760
<v Speaker 1>do what he's trying to do. But like after the

1:21:08.600 --> 1:21:12.280
<v Speaker 1>French and Gym ship a right, Jim cool, French cool.

1:21:12.760 --> 1:21:17.640
<v Speaker 1>And let me just say I saw some of that

1:21:17.840 --> 1:21:21.240
<v Speaker 1>Angie Martinez interview with French want talent. You know she's

1:21:21.280 --> 1:21:24.080
<v Speaker 1>still is a goat, yo know, she is still as

1:21:24.800 --> 1:21:27.880
<v Speaker 1>yo bro. She hasn't lost a step at all. And hey,

1:21:28.040 --> 1:21:30.000
<v Speaker 1>I'm going into watching it like you know, being a

1:21:30.040 --> 1:21:32.200
<v Speaker 1>little cocky like, you know, let me see what she

1:21:32.240 --> 1:21:34.800
<v Speaker 1>could do, and I'm like, yo, she's still like the goal.

1:21:34.920 --> 1:21:37.000
<v Speaker 1>So Angie, just in case you know, I bowed down

1:21:37.280 --> 1:21:43.720
<v Speaker 1>just watching a little piec Still, Angie, I ain't ain't

1:21:43.760 --> 1:21:46.840
<v Speaker 1>getting to finish watching the whole interview. So um, so,

1:21:46.960 --> 1:21:49.479
<v Speaker 1>what's your favorite part of the game. Is it making

1:21:49.520 --> 1:21:54.280
<v Speaker 1>the record or performing the record? I'm reducing I'm nothing

1:21:56.240 --> 1:22:02.479
<v Speaker 1>being performed though, Bingo, Okay, that's your favorite. Dog. I

1:22:02.560 --> 1:22:04.280
<v Speaker 1>didn't go on the first tours. I mean I was

1:22:04.320 --> 1:22:07.800
<v Speaker 1>in the city with you. Okay, what I'm saying hard

1:22:07.880 --> 1:22:12.639
<v Speaker 1>knock life, the hard knock, but the survival, the Elston

1:22:12.720 --> 1:22:15.960
<v Speaker 1>cash money to all that. I didn't go. I didn't

1:22:15.960 --> 1:22:17.800
<v Speaker 1>go on the tours, so you didn't see how your

1:22:17.840 --> 1:22:21.600
<v Speaker 1>records was reacted in stadiums. Not the dog had the

1:22:21.720 --> 1:22:29.599
<v Speaker 1>world tour. Causso signed me dog, signed me up the world.

1:22:30.680 --> 1:22:34.960
<v Speaker 1>You got to go back to it. Becuzzo signed me up, Dog,

1:22:35.120 --> 1:22:38.599
<v Speaker 1>sign me up. I'm a innomate to your niggas once again,

1:22:38.680 --> 1:22:42.360
<v Speaker 1>be Cauz signed me up. Don't you gotta Tonics? Five times?

1:22:43.280 --> 1:22:47.519
<v Speaker 1>So they are like, did you put on the alright? Cool,

1:22:47.680 --> 1:22:56.720
<v Speaker 1>I'm on the now overseas different speaking everywhere. Man. We

1:22:56.800 --> 1:23:03.439
<v Speaker 1>did about five shows in Germany. Pezzle, I don't know. Sorry, No,

1:23:03.560 --> 1:23:07.840
<v Speaker 1>he's the ambassador. I love I love door, but I

1:23:07.880 --> 1:23:17.000
<v Speaker 1>want to see if my own hood Shepherd's Bush in London? What? Okay?

1:23:18.160 --> 1:23:25.200
<v Speaker 1>Where else? Germany? Else where? H everywhere Belgium, Germany and Insterdam, Switzerland. Um,

1:23:28.000 --> 1:23:30.040
<v Speaker 1>now I ain't gonna get to the last show. For

1:23:30.080 --> 1:23:32.800
<v Speaker 1>the last show, all these faces went crazy. I keep

1:23:32.840 --> 1:23:35.559
<v Speaker 1>forgetting that y'all call him because it always I'm always

1:23:35.600 --> 1:23:40.519
<v Speaker 1>two steps behind y'all. That's for Kiyo. That's what I know.

1:23:40.960 --> 1:23:45.240
<v Speaker 1>That's a show almost chopped all the up now it

1:23:45.439 --> 1:23:49.200
<v Speaker 1>was after him. He was a negotiation person. Negotiation so

1:23:51.320 --> 1:23:55.800
<v Speaker 1>era like beating Persian. Yeah, you know the crazy ship

1:23:55.840 --> 1:23:58.040
<v Speaker 1>when I saw a dog on it. Then he said

1:23:58.080 --> 1:24:02.479
<v Speaker 1>the story it's the same as I can show. I'm like, yep,

1:24:03.120 --> 1:24:06.519
<v Speaker 1>yeah exactly. We had to call embassy, get down, then

1:24:06.640 --> 1:24:12.320
<v Speaker 1>jump on the trucks, sip out. They came. They speak Portuguese,

1:24:13.439 --> 1:24:19.879
<v Speaker 1>they were and he say NonStop cock. He can't speaks

1:24:20.280 --> 1:24:25.160
<v Speaker 1>he speaks Spanish right, but kept some words. You know

1:24:25.160 --> 1:24:29.200
<v Speaker 1>what that's that's It's like, it's like, um, that's what brazilla.

1:24:29.280 --> 1:24:33.840
<v Speaker 1>That's yeah, okay and yeah yeah, but he no stopped

1:24:33.880 --> 1:24:36.360
<v Speaker 1>heard the keyword. See, I'll let you know. He's doing

1:24:36.400 --> 1:24:39.439
<v Speaker 1>the role man. Everything is straight, everything's fine, and Non

1:24:39.520 --> 1:24:42.760
<v Speaker 1>saw him like, no, it's not. He said, y'all got

1:24:42.880 --> 1:24:47.519
<v Speaker 1>a problem if y'all try to leave. No, I stopped

1:24:47.600 --> 1:24:50.800
<v Speaker 1>heard that. Whatever fucking language was, you know, it was

1:24:50.880 --> 1:24:53.800
<v Speaker 1>comes of job. Everything it's gonna be cool, everything's good,

1:24:54.280 --> 1:25:05.280
<v Speaker 1>everything's straight. The words gonna very optimistic. Never I learned

1:25:05.320 --> 1:25:12.880
<v Speaker 1>the artist. The artists think everything that. Yeah, so you

1:25:12.920 --> 1:25:16.400
<v Speaker 1>know we're like, oh, ship all right, and now I

1:25:16.439 --> 1:25:18.960
<v Speaker 1>ain't got I got a good mcgavaman. It just won't kicking.

1:25:19.640 --> 1:25:22.559
<v Speaker 1>I'm like, okay, I take the button knife poked him

1:25:22.600 --> 1:25:26.120
<v Speaker 1>one soldier in the hallway, but get out the country

1:25:26.200 --> 1:25:30.680
<v Speaker 1>then not the way he just said soldier. So you're

1:25:30.720 --> 1:25:34.479
<v Speaker 1>fighting against them. Don't even like police. The police know

1:25:34.479 --> 1:25:38.439
<v Speaker 1>what I'm saying, like, like, you know, get to boom one,

1:25:38.520 --> 1:25:40.920
<v Speaker 1>grab the joint. You know, got a little trick, put

1:25:40.960 --> 1:25:42.880
<v Speaker 1>the finger behind the trigger, so I'm gonna go back

1:25:43.200 --> 1:25:46.200
<v Speaker 1>boom and poked them up and you know it's like yeah,

1:25:46.680 --> 1:25:49.760
<v Speaker 1>it's moved the cornback. But then boom, take that, get

1:25:49.880 --> 1:25:55.679
<v Speaker 1>in the car, drive and then the thort process stopped.

1:25:55.720 --> 1:25:59.559
<v Speaker 1>There is we going yea Africa? Yeah, we we're gonna

1:25:59.600 --> 1:26:04.040
<v Speaker 1>drive to the jungle next. What we had to call

1:26:04.080 --> 1:26:08.120
<v Speaker 1>the police? The U s SIMPAC. Don't say the police.

1:26:09.520 --> 1:26:11.479
<v Speaker 1>That's what everybody is happy to be from the unit.

1:26:13.040 --> 1:26:19.519
<v Speaker 1>I never like got from Hollm. You're Americans. Yeah, yeah,

1:26:19.720 --> 1:26:22.479
<v Speaker 1>it means you used to go places like Brooklyns, like

1:26:22.600 --> 1:26:24.920
<v Speaker 1>world up. You can't do that in Africa. I think

1:26:24.920 --> 1:26:29.760
<v Speaker 1>even those dudes in the assassinated the president got pulled

1:26:29.760 --> 1:26:32.640
<v Speaker 1>out by the U s MBAs. The Dosian Americans that

1:26:32.720 --> 1:26:34.519
<v Speaker 1>were part of that creaty, they got pulled out by

1:26:34.560 --> 1:26:37.520
<v Speaker 1>the being pulled out. They were part of that Colombian

1:26:37.560 --> 1:26:40.879
<v Speaker 1>hit squad and what they was locked up. Yeah, imagine

1:26:40.880 --> 1:26:44.360
<v Speaker 1>they killed the president. Everybody said that the U SMBC

1:26:44.439 --> 1:26:46.760
<v Speaker 1>pulled the two Haitian because they're Americans. They pulled them out,

1:26:46.840 --> 1:26:49.760
<v Speaker 1>pulled them out, while the Colombians are getting tortured for information.

1:26:50.880 --> 1:26:54.960
<v Speaker 1>So what they allegedly to obey time. It's Haiti bro,

1:26:55.120 --> 1:26:57.160
<v Speaker 1>it's not Cuba do I'm talking about what they said

1:26:57.200 --> 1:27:01.240
<v Speaker 1>the Americans, though you said they is Haitian. But they Americans.

1:27:01.800 --> 1:27:03.479
<v Speaker 1>You don't know what happened in Haiti? Yes, to kill

1:27:03.520 --> 1:27:06.120
<v Speaker 1>the president, right, so do Haitian Americans went in with

1:27:06.200 --> 1:27:09.160
<v Speaker 1>the Colombians, Okay, to do so? America grabbed the two.

1:27:09.720 --> 1:27:14.320
<v Speaker 1>They cut the Haitians. They caught them. They're doing with them. No,

1:27:14.520 --> 1:27:17.120
<v Speaker 1>I don't know. They just the only one baby, they

1:27:18.400 --> 1:27:22.360
<v Speaker 1>know not why they're back in US. That's the US.

1:27:24.720 --> 1:27:27.400
<v Speaker 1>So where they got him? Know what I'm trying to say,

1:27:27.479 --> 1:27:29.000
<v Speaker 1>They I don't even know if they're in trouble like

1:27:29.120 --> 1:27:32.519
<v Speaker 1>that for killing the resident. They didn't leave them in

1:27:32.560 --> 1:27:35.400
<v Speaker 1>Haiti while the other ones are in Haiti under in custody.

1:27:36.720 --> 1:27:39.360
<v Speaker 1>The American with them. I don't know why would they

1:27:39.360 --> 1:27:40.880
<v Speaker 1>would have left them there? Though. What I'm trying to

1:27:40.920 --> 1:27:43.360
<v Speaker 1>say is ultimately, like if the U. S Embassy saved

1:27:43.400 --> 1:27:47.160
<v Speaker 1>you guys. The Colombians are getting tortured over there, allegedly

1:27:49.080 --> 1:27:51.599
<v Speaker 1>and Hatie, Yeah, because they're trying to figure out who

1:27:54.800 --> 1:28:03.320
<v Speaker 1>they They got military, they got really Haitian man's stopping

1:28:03.400 --> 1:28:07.080
<v Speaker 1>this man stop anyway, they got pulled out, they got

1:28:08.000 --> 1:28:11.040
<v Speaker 1>the US hooked them up. At least they're not getting torture.

1:28:11.040 --> 1:28:12.759
<v Speaker 1>They might be locked up here, but they're not tortured

1:28:12.800 --> 1:28:20.639
<v Speaker 1>in Haiti right now, so that I was just playing

1:28:20.680 --> 1:28:25.519
<v Speaker 1>around around kid, But what then is happening with Cuba?

1:28:26.360 --> 1:28:30.639
<v Speaker 1>What is that mean? Yeah, it's I mean, we don't

1:28:30.640 --> 1:28:31.840
<v Speaker 1>know when this is going to come out, but it's

1:28:31.880 --> 1:28:36.559
<v Speaker 1>the first time since the revolution that the entire island

1:28:36.840 --> 1:28:39.720
<v Speaker 1>rose up against the government. So if they can. It's

1:28:39.800 --> 1:28:43.200
<v Speaker 1>led by artists, by hip hop artists, by by urban

1:28:43.240 --> 1:28:46.000
<v Speaker 1>street you know, you like, the artists are the ones

1:28:46.040 --> 1:28:50.320
<v Speaker 1>that led the movement. Yeah, against the government, against the government.

1:28:50.360 --> 1:28:53.679
<v Speaker 1>Everybody rolls up against the government. And right now, because

1:28:53.680 --> 1:28:56.080
<v Speaker 1>I'm talking to people directly on the island, they're literally

1:28:56.160 --> 1:28:59.400
<v Speaker 1>going house to house pulling out people who are riding,

1:28:59.400 --> 1:29:01.479
<v Speaker 1>people who are part of the their protesting, I mean

1:29:01.600 --> 1:29:04.400
<v Speaker 1>writing someplaces protest like anything else. And they're pulling them

1:29:04.439 --> 1:29:07.400
<v Speaker 1>out and they disappearing, not not the saying they're dying,

1:29:07.479 --> 1:29:12.479
<v Speaker 1>but they're they're disappearing. Then they're putting them locking them up. Huh.

1:29:14.479 --> 1:29:16.080
<v Speaker 1>A lot a lot of artists. The artists were the

1:29:16.120 --> 1:29:19.719
<v Speaker 1>first waiver. Really yeah, yeah, yeah, yeah, that's yeah. Because

1:29:19.760 --> 1:29:21.800
<v Speaker 1>my homegirl from the movie Coming Home, the Nice Water

1:29:22.000 --> 1:29:23.800
<v Speaker 1>she's lived, she lives in Cuba. Right, she's the one

1:29:23.840 --> 1:29:28.920
<v Speaker 1>communicating with me, one of the people. Yeah, God, bless God,

1:29:28.960 --> 1:29:35.160
<v Speaker 1>bless anybody happy to be American now, kid, Yeah, it's always.

1:29:35.240 --> 1:29:36.880
<v Speaker 1>It's always. Hey man, you could be a patriot and

1:29:36.920 --> 1:29:38.920
<v Speaker 1>still want your country to be better. That's what That's

1:29:38.960 --> 1:29:41.680
<v Speaker 1>what it's like. How better ship do you want? You want?

1:29:41.720 --> 1:29:47.439
<v Speaker 1>Horseshit bullshit? When you travel overseas as American, you realize, Okay,

1:29:47.479 --> 1:29:49.600
<v Speaker 1>I want to go back home. Y different, you know

1:29:49.640 --> 1:29:51.439
<v Speaker 1>what I'm saying. And that's that's the reality. And tell

1:29:51.560 --> 1:29:54.439
<v Speaker 1>mcaveman didn't kick in, and that's the Mike Tysons after

1:29:54.520 --> 1:29:56.519
<v Speaker 1>you got in your ship. Yeah, okay, let's look at

1:29:56.520 --> 1:30:03.120
<v Speaker 1>the one of my ideas. I go, you see the

1:30:03.160 --> 1:30:06.560
<v Speaker 1>movie Hangover with Mikes, Like, that's it taken off, like

1:30:06.960 --> 1:30:12.960
<v Speaker 1>you're getta knockba. Have you ever seen Mike because you

1:30:13.040 --> 1:30:15.120
<v Speaker 1>had it? You have you ever seen Mike said you

1:30:15.479 --> 1:30:18.599
<v Speaker 1>you had the tattoo? Ain't seen I know Mike too, Remember, okay,

1:30:18.720 --> 1:30:20.720
<v Speaker 1>but what if you're seeing me but he's take that

1:30:21.000 --> 1:30:32.920
<v Speaker 1>then you're just imagine like that because I'm scared of

1:30:32.960 --> 1:30:35.320
<v Speaker 1>devil Mike. Right, It's just like it was pretty scary man,

1:30:35.800 --> 1:30:42.240
<v Speaker 1>Like he was being nice. It's a very intimidating. What

1:30:42.520 --> 1:30:44.280
<v Speaker 1>I don't know about what you have a gun on

1:30:44.439 --> 1:30:47.960
<v Speaker 1>you And I'm still scared of Mike, like you people

1:30:48.080 --> 1:30:50.680
<v Speaker 1>talking you up. We met a couple of times, like

1:30:50.800 --> 1:30:52.680
<v Speaker 1>a shoppers whistle, like I'm at a one time on

1:30:52.760 --> 1:30:57.080
<v Speaker 1>the Swift's like Greece. You said Mike is soft and swift.

1:30:58.479 --> 1:31:04.000
<v Speaker 1>You know that that It was like Mike peace gree

1:31:04.160 --> 1:31:06.559
<v Speaker 1>Boom bang bang. There was a couple of years later,

1:31:06.800 --> 1:31:10.040
<v Speaker 1>I'm like, michaelsoft Greece. They thinking crease know, like, oh ship,

1:31:10.760 --> 1:31:13.760
<v Speaker 1>you know what I'm saying, shop you know, but you

1:31:13.800 --> 1:31:17.880
<v Speaker 1>said if you missed, you know, like he was with

1:31:17.920 --> 1:31:26.120
<v Speaker 1>a guy. You just I'm just saying, I'm just giving

1:31:26.160 --> 1:31:28.320
<v Speaker 1>you us that, like Mike is a scary Mike man,

1:31:28.400 --> 1:31:32.640
<v Speaker 1>Mike is one of us. Yeah, beautiful warrior. Yeah what

1:31:32.680 --> 1:31:34.800
<v Speaker 1>I'm saying, like like you know, we all come from.

1:31:35.120 --> 1:31:43.280
<v Speaker 1>But you see what he had. Yeah, yeah, that was

1:31:43.360 --> 1:31:46.040
<v Speaker 1>a different Mike right there. Yeah he was rubbing up

1:31:46.320 --> 1:31:50.760
<v Speaker 1>to Mike. Mike. Yeah, he went back that ship right then.

1:31:51.120 --> 1:31:53.680
<v Speaker 1>That ship, that ship was some piece of warrior Mike

1:31:53.720 --> 1:31:56.080
<v Speaker 1>and Mike. Mike, because you gotta like you gotta thick

1:31:56.160 --> 1:31:58.599
<v Speaker 1>real fast. Once Mike tell you something back ship y'all

1:31:58.640 --> 1:32:01.679
<v Speaker 1>in the room like this you other things you gotta

1:32:02.040 --> 1:32:04.960
<v Speaker 1>get Cafoe, I don't get what do you think you're game?

1:32:06.400 --> 1:32:11.880
<v Speaker 1>And was like, come on man, little straight guy gets

1:32:11.960 --> 1:32:15.160
<v Speaker 1>asked that ever ever, so if you're getting asked that,

1:32:15.320 --> 1:32:20.120
<v Speaker 1>you know this ain't good. Not good. I don't give

1:32:20.120 --> 1:32:23.439
<v Speaker 1>any world safe with mask. When you see a man

1:32:23.600 --> 1:32:28.360
<v Speaker 1>that's in you say so you get. Your first reaction

1:32:28.439 --> 1:32:31.360
<v Speaker 1>first off is to act what the fun you're talking

1:32:31.360 --> 1:32:38.960
<v Speaker 1>to Mike, thinking of the fun you're talking about, homie

1:32:39.640 --> 1:32:44.080
<v Speaker 1>that ain't happening. Holmies outside your homies is taking of

1:32:44.160 --> 1:32:47.639
<v Speaker 1>my whole lot. I'm not running your holmies a second,

1:32:47.760 --> 1:32:51.120
<v Speaker 1>your niggas. You laugh, then outside the room like I'm

1:32:51.160 --> 1:32:53.320
<v Speaker 1>not sure if I'm running in Mike stars mikey, you

1:32:53.400 --> 1:32:55.960
<v Speaker 1>signed a waiver to go into that room. I feel

1:32:56.000 --> 1:32:57.720
<v Speaker 1>I didn't read it, but it seemed like he said,

1:32:57.760 --> 1:33:01.920
<v Speaker 1>if you get sunked up, it's on you. I'll try

1:33:01.960 --> 1:33:03.639
<v Speaker 1>to want me because I was late to the interview

1:33:04.040 --> 1:33:08.800
<v Speaker 1>and he's like, none, that signed, we gotta sign with us.

1:33:08.800 --> 1:33:19.040
<v Speaker 1>When we're talking about that talking no, no, no, that's Mike,

1:33:19.120 --> 1:33:21.400
<v Speaker 1>Mike is a different type of dude. So who who who?

1:33:22.080 --> 1:33:23.960
<v Speaker 1>We asked who you would want to work with? What's

1:33:24.000 --> 1:33:28.080
<v Speaker 1>your favorite artists to collaborate with? No? As I worked,

1:33:28.520 --> 1:33:30.800
<v Speaker 1>as you work, Who who's your favorite that you worked with? Um?

1:33:32.200 --> 1:33:38.880
<v Speaker 1>Who's easiest to work with? Favorite or both easiest? No? No, no, okay,

1:33:38.960 --> 1:33:42.080
<v Speaker 1>but no, I mean nothing was wrong. Okay, let me

1:33:42.120 --> 1:33:45.240
<v Speaker 1>get on superdu But like, um no, like, I don't.

1:33:45.520 --> 1:33:47.439
<v Speaker 1>I ain't gonna lie like I ain't wanna. I'm a

1:33:47.439 --> 1:33:49.320
<v Speaker 1>street nigger, you know what I'm saying. So it ain't

1:33:50.080 --> 1:33:54.439
<v Speaker 1>it ain't really much that's gonna like throw me. I

1:33:54.520 --> 1:33:56.519
<v Speaker 1>mean I grew up with all the creepy Crawleys. I know,

1:33:56.600 --> 1:34:01.679
<v Speaker 1>the creepy colies. So it's like says unique work unique,

1:34:02.000 --> 1:34:08.040
<v Speaker 1>that's good work work unique. Dirt who dirt ol dirty

1:34:08.080 --> 1:34:10.920
<v Speaker 1>bastard or dirty bast Yeah okay, cool, I'd like that

1:34:11.000 --> 1:34:12.880
<v Speaker 1>you call him Dirk. I love I love my guy.

1:34:13.560 --> 1:34:16.160
<v Speaker 1>You know what I'm saying. Dirt work work together. Yeah,

1:34:16.240 --> 1:34:19.120
<v Speaker 1>we um rush out of soundtrack. We didn't. You don't stop.

1:34:19.280 --> 1:34:20.880
<v Speaker 1>You know what I'm saying. To record on that first

1:34:20.880 --> 1:34:22.840
<v Speaker 1>of it was just me and dirty and said, well

1:34:23.040 --> 1:34:24.800
<v Speaker 1>him rapping me during the beat and then they put

1:34:24.880 --> 1:34:27.559
<v Speaker 1>the whole War and that's back then, and then um,

1:34:27.800 --> 1:34:31.040
<v Speaker 1>he need Me did his last his last album, you

1:34:31.479 --> 1:34:33.880
<v Speaker 1>on it, Yeah, I am. I wanted a rail record

1:34:34.040 --> 1:34:40.320
<v Speaker 1>right now when I did I'm onna do I'm on

1:34:40.439 --> 1:34:48.920
<v Speaker 1>one high, don't do what? What? What? Yeah? Okay and

1:34:49.080 --> 1:34:54.280
<v Speaker 1>we can do it like this okay? Hell yeah. That

1:34:54.400 --> 1:34:57.080
<v Speaker 1>was after he got out jail. He was kind of

1:34:57.160 --> 1:35:00.760
<v Speaker 1>probably a little more sedated, you know, saying just ship,

1:35:00.840 --> 1:35:04.800
<v Speaker 1>you know, just you know that means this ship not

1:35:05.040 --> 1:35:10.600
<v Speaker 1>quite the problem. You mean you mean he was like

1:35:10.680 --> 1:35:14.200
<v Speaker 1>to dated like purposely. Yeah, not legally, probably his medication

1:35:14.360 --> 1:35:18.919
<v Speaker 1>from doctor. Ok. I thought he just was different periods naturally,

1:35:19.000 --> 1:35:23.600
<v Speaker 1>but you mean like he was you know. Yeah. So

1:35:24.200 --> 1:35:28.600
<v Speaker 1>he did his last album with Studio Upstate, and you

1:35:28.680 --> 1:35:31.519
<v Speaker 1>know he was he just was blank like I known

1:35:31.600 --> 1:35:34.679
<v Speaker 1>him already. Like I said, he did the Rushack Russia

1:35:34.840 --> 1:35:37.640
<v Speaker 1>soundtrack back then, and it was like right before he

1:35:37.680 --> 1:35:39.439
<v Speaker 1>passed away, and Ship, you know what I'm saying, he

1:35:39.600 --> 1:35:46.800
<v Speaker 1>was just like cool hill, quiet dirt, like paled up. Yeah,

1:35:46.960 --> 1:35:51.760
<v Speaker 1>you know, but legally medication not nothing else. I used

1:35:51.760 --> 1:35:55.080
<v Speaker 1>to talk with my mouth never moved. Did you know

1:35:55.240 --> 1:35:58.639
<v Speaker 1>of my mom? I was saying something, but my mouth

1:35:58.720 --> 1:36:01.479
<v Speaker 1>didn't move. It was just like probably saying that seems

1:36:01.520 --> 1:36:04.400
<v Speaker 1>like when I was in jail. So my mother came

1:36:04.479 --> 1:36:06.960
<v Speaker 1>to see him. Look like, that's what they put me

1:36:07.000 --> 1:36:08.760
<v Speaker 1>on this I was. I was getting in trouble too

1:36:08.800 --> 1:36:12.600
<v Speaker 1>much as they hit me with that. You know what

1:36:12.600 --> 1:36:14.840
<v Speaker 1>I'm saying. So um so you know he was in

1:36:14.880 --> 1:36:17.120
<v Speaker 1>there and ship, so he just cried Dirt was good,

1:36:17.160 --> 1:36:20.639
<v Speaker 1>You're good. You know what I'm saying. Because I would

1:36:20.640 --> 1:36:23.200
<v Speaker 1>rent the front studio room out, it was only two

1:36:23.280 --> 1:36:25.360
<v Speaker 1>things that I was getting his reaction. It was my

1:36:25.479 --> 1:36:32.280
<v Speaker 1>man wife Sean. I'll be like, you're like, yo, what

1:36:32.400 --> 1:36:39.960
<v Speaker 1>sun I said? Dirt? Yeah, I'm like dirt. He was

1:36:40.000 --> 1:36:41.880
<v Speaker 1>a double backer, you know what I'm saying. It was like,

1:36:42.000 --> 1:36:46.680
<v Speaker 1>all right, gem that gets to kick in like that.

1:36:48.120 --> 1:36:53.280
<v Speaker 1>But you know she was a gangslation cool boom boom boom.

1:36:53.560 --> 1:36:55.760
<v Speaker 1>And then I think I was making um the move

1:36:55.880 --> 1:36:59.439
<v Speaker 1>backbeat that he jumped on the remix and that ship

1:36:59.560 --> 1:37:01.760
<v Speaker 1>woke them out of it, you know what I'm saying.

1:37:01.800 --> 1:37:08.960
<v Speaker 1>I was in the other room, huh huh, and I

1:37:09.040 --> 1:37:12.679
<v Speaker 1>just saw the door creep over real slow. You peeked

1:37:12.720 --> 1:37:15.800
<v Speaker 1>in yo, gee, you worked the ship out that try

1:37:15.920 --> 1:37:21.160
<v Speaker 1>yea yo, you worked that Yo, that's dope, NIGGI you

1:37:21.200 --> 1:37:24.960
<v Speaker 1>want to get on it? Yeah, fifteen minutes. Brother, First

1:37:25.000 --> 1:37:28.120
<v Speaker 1>he was bad, you know what I'm saying, and did

1:37:28.240 --> 1:37:30.840
<v Speaker 1>um the whole I think the albums for land Speed

1:37:30.960 --> 1:37:35.000
<v Speaker 1>or something. Okay, you did it and ship? Okay? No,

1:37:37.720 --> 1:37:43.280
<v Speaker 1>well grease do versus? Huh will grease do versus? I've

1:37:43.360 --> 1:37:51.120
<v Speaker 1>done versus? No, you didn't do versus? What are you talking? Right? No?

1:37:52.360 --> 1:38:07.800
<v Speaker 1>Two thousands bad like versus versus. Not that type of

1:38:07.920 --> 1:38:14.400
<v Speaker 1>versus horses versus. No, No, we know you not that

1:38:14.520 --> 1:38:18.920
<v Speaker 1>we know, but do so on that? But battle, um,

1:38:19.520 --> 1:38:21.160
<v Speaker 1>what you want about it? If you if you had

1:38:21.200 --> 1:38:23.439
<v Speaker 1>a choice, it came to you. The price was right,

1:38:23.720 --> 1:38:29.320
<v Speaker 1>time was right, the venue. I don't know from what

1:38:29.439 --> 1:38:35.400
<v Speaker 1>I'm hearing been lately. Okay, yeah, I don't know, man,

1:38:35.600 --> 1:38:38.840
<v Speaker 1>because like this this this Cameron ain't coming out for

1:38:38.960 --> 1:38:46.000
<v Speaker 1>less a check. So trust man can don't move, he don't,

1:38:46.479 --> 1:38:52.320
<v Speaker 1>He'll leave his driveway in the count. So um, I

1:38:52.360 --> 1:38:55.760
<v Speaker 1>don't know, man. I would really say, you know what

1:38:56.439 --> 1:38:58.280
<v Speaker 1>if you could just sid' doing one. Let's just say

1:38:58.320 --> 1:39:01.719
<v Speaker 1>you did consider doing one. Who did you want to battle.

1:39:02.000 --> 1:39:07.440
<v Speaker 1>It's kind of bank. No, that's so bro, but it's

1:39:07.600 --> 1:39:16.640
<v Speaker 1>it could be like yeah, yeah, no, no, no, no,

1:39:16.840 --> 1:39:19.760
<v Speaker 1>all right, what you would want to hear that ship

1:39:19.960 --> 1:39:27.839
<v Speaker 1>against yours? U p K E L. I don't dispect

1:39:27.880 --> 1:39:30.680
<v Speaker 1>to come about cheese what I'm saying. But just far

1:39:30.720 --> 1:39:34.400
<v Speaker 1>as the colorfulness of catalog, you know what I'm saying,

1:39:34.520 --> 1:39:38.040
<v Speaker 1>it's a difference. You know, I spent my career making

1:39:38.080 --> 1:39:41.599
<v Speaker 1>a colorful catalog and taking chances of risk with other

1:39:41.640 --> 1:39:44.400
<v Speaker 1>people like you do hate that. Shoot, you know what

1:39:44.439 --> 1:39:50.040
<v Speaker 1>I'm saying. I'm trying to get to ten thousand, right,

1:39:51.520 --> 1:39:54.120
<v Speaker 1>you know what I'm saying. So I used to hust

1:39:54.720 --> 1:39:57.880
<v Speaker 1>only job I have with something crack been doing music,

1:39:58.439 --> 1:40:00.439
<v Speaker 1>so not an add a gram up when it was

1:40:01.960 --> 1:40:05.479
<v Speaker 1>yeah that was so. Who do you think if they

1:40:05.560 --> 1:40:12.519
<v Speaker 1>came to you? Right? I don't know who would you

1:40:12.600 --> 1:40:16.400
<v Speaker 1>think I'm thinking right now? Because his mainstream hits there's

1:40:16.439 --> 1:40:21.160
<v Speaker 1>on the ground spectaculars. Yeah, but it's twenty it'sut is

1:40:21.280 --> 1:40:25.880
<v Speaker 1>just fucking you know what I'm saying. All around hip

1:40:25.920 --> 1:40:30.840
<v Speaker 1>hop classics, I think I got a perfect one. I

1:40:30.880 --> 1:40:33.519
<v Speaker 1>think ALCMS would be a good matchup. I like that.

1:40:35.000 --> 1:40:36.680
<v Speaker 1>I like that, But you know I was taking the

1:40:36.760 --> 1:40:42.800
<v Speaker 1>Coast to coast battle cattle Cat. He's fire, he's five.

1:40:45.840 --> 1:40:48.559
<v Speaker 1>But come on, they've gotta be a wh who've done

1:40:48.720 --> 1:40:50.439
<v Speaker 1>a record that you said? Damn, I wish I would

1:40:50.439 --> 1:40:56.439
<v Speaker 1>have produced. They never like for producing if we're only

1:40:56.520 --> 1:40:58.439
<v Speaker 1>coming out the house though now he's not coming out. Yeah,

1:40:59.120 --> 1:41:01.759
<v Speaker 1>it's not even thinking now, but producer, I like, actually,

1:41:01.920 --> 1:41:03.759
<v Speaker 1>I mean it might be shocking. I like all Kelley's

1:41:03.800 --> 1:41:07.439
<v Speaker 1>producer Kelly as a producer. We gotta relax what we

1:41:07.479 --> 1:41:11.760
<v Speaker 1>say saying I wanted to sound kind of crazy Kelly

1:41:11.800 --> 1:41:13.320
<v Speaker 1>as a producer. So you want to do you want

1:41:13.360 --> 1:41:16.640
<v Speaker 1>to bat r Kelly and versus I'm not bad at

1:41:16.680 --> 1:41:22.639
<v Speaker 1>all Kelly at all. He wants like all of them

1:41:22.720 --> 1:41:27.040
<v Speaker 1>joints the producer Kelly. I read the credits. Yeah, so

1:41:27.160 --> 1:41:31.240
<v Speaker 1>his publishing is crazy then, I mean or scoff I

1:41:31.240 --> 1:41:33.880
<v Speaker 1>didn't know Scoffs was producing all the back that he

1:41:34.080 --> 1:41:37.559
<v Speaker 1>was on faces in my studio playing Yeah, yeah, yeah,

1:41:38.000 --> 1:41:40.439
<v Speaker 1>he's crazy like that. He's crazy like that. Damn. Let's

1:41:40.479 --> 1:41:43.280
<v Speaker 1>let's look. I would say p K two, but that's

1:41:43.320 --> 1:41:48.720
<v Speaker 1>like too much. Yeah, it's it's it's family and not

1:41:48.960 --> 1:41:53.439
<v Speaker 1>just you know, discredit anything, but you know, mostly PK

1:41:53.760 --> 1:41:57.280
<v Speaker 1>joints is just for excellent locks. They fire one so

1:41:57.520 --> 1:42:03.360
<v Speaker 1>that stick out, don't get it twisted producers. Yeah, anybody

1:42:03.439 --> 1:42:07.679
<v Speaker 1>draining around, Yeah, with draining, I might need a bucket.

1:42:07.720 --> 1:42:10.439
<v Speaker 1>I might need a late real quick. I'm gonna take

1:42:10.880 --> 1:42:12.559
<v Speaker 1>We're gonna go. We've got bathrooms. Brother, you don't need

1:42:12.600 --> 1:42:18.519
<v Speaker 1>a block. We can take it. I don't know, man,

1:42:18.600 --> 1:42:20.680
<v Speaker 1>because I'm kind of thought about I don't know, like,

1:42:21.800 --> 1:42:30.320
<v Speaker 1>h get him that credit. That would be a good

1:42:30.360 --> 1:42:32.720
<v Speaker 1>I think that versus would be good right there. That

1:42:33.640 --> 1:42:40.920
<v Speaker 1>the whole Oh, it would be a fun one, not

1:42:41.160 --> 1:42:45.600
<v Speaker 1>shame raw Lawrence would be a fun one, I know,

1:42:46.320 --> 1:42:50.760
<v Speaker 1>trust me. Was only the same studio. I raped a

1:42:50.800 --> 1:42:55.080
<v Speaker 1>whole lot spudget and they were sitting in piss half

1:42:55.160 --> 1:42:58.479
<v Speaker 1>Niggers was like Greece dope all the knicks like what

1:42:58.680 --> 1:43:06.840
<v Speaker 1>this new nigga? Now, you wasn't easy helping down with

1:43:06.920 --> 1:43:11.760
<v Speaker 1>them too. You gotta understand, Like, think about the Mark

1:43:11.880 --> 1:43:16.759
<v Speaker 1>Ride Carvey remix with the locks on it. Think about

1:43:16.960 --> 1:43:23.880
<v Speaker 1>you see all that bad boy that was the puff

1:43:24.000 --> 1:43:26.439
<v Speaker 1>just was on the record and doing that. But there

1:43:26.520 --> 1:43:28.919
<v Speaker 1>was dumb nicks like this and ship had the mixtapes

1:43:29.000 --> 1:43:34.200
<v Speaker 1>on crazy blocks. That's what I'm saying, like crazy and

1:43:34.600 --> 1:43:36.400
<v Speaker 1>it's a different suit, like you know what I'm saying.

1:43:36.439 --> 1:43:39.599
<v Speaker 1>Like like I said, I got mainstream part of my kellogg,

1:43:39.680 --> 1:43:41.640
<v Speaker 1>but most of it and a lot of it is

1:43:42.560 --> 1:43:46.080
<v Speaker 1>street in different things I don't have. I don't have

1:43:47.280 --> 1:43:52.840
<v Speaker 1>uh many critical tracks like that. I got him, you know,

1:43:52.960 --> 1:43:55.840
<v Speaker 1>I got him. We're gonna have to highlight that he's

1:43:55.920 --> 1:43:58.160
<v Speaker 1>not drinking. But he was the first guest ever. Sad

1:43:58.200 --> 1:44:01.680
<v Speaker 1>you gotta bucking around here. I'm just right here, right here.

1:44:02.200 --> 1:44:12.960
<v Speaker 1>He's not drinking us. We got back from brother, we

1:44:13.040 --> 1:44:18.439
<v Speaker 1>got a bathroom budget. I love me ready, but I

1:44:18.479 --> 1:44:22.360
<v Speaker 1>think we haven't stopped. So how about lodge professor? What

1:44:22.439 --> 1:44:25.640
<v Speaker 1>you think about that? Nice? That's a good one. Have

1:44:25.800 --> 1:44:30.120
<v Speaker 1>you ever watch persons? Yeah? Okay, alright, cool? Actually what's

1:44:30.160 --> 1:44:34.040
<v Speaker 1>the last best? I can't wait for the locks? And okay,

1:44:34.360 --> 1:44:39.800
<v Speaker 1>So so pulling this out after this would be out

1:44:39.880 --> 1:44:42.559
<v Speaker 1>part of the week after. So who are you? Who

1:44:42.600 --> 1:44:46.320
<v Speaker 1>are you? Who are you betting on? So? Man, who's

1:44:46.320 --> 1:44:53.519
<v Speaker 1>your money gone? Who taking a shot? Back out? Who're taking?

1:44:53.960 --> 1:44:58.680
<v Speaker 1>Because you got the technical, got the give my homes

1:44:59.200 --> 1:45:01.160
<v Speaker 1>on whatever? Come on to me, like I gonna take

1:45:01.200 --> 1:45:04.120
<v Speaker 1>this shot like I'm technical with it, you know what

1:45:04.160 --> 1:45:10.080
<v Speaker 1>I'm saying. Like now, Cam, he was battling rapid before

1:45:10.120 --> 1:45:13.080
<v Speaker 1>any of us got on, So which is niggas in

1:45:13.120 --> 1:45:16.519
<v Speaker 1>the park, So that means something. And my very first

1:45:16.560 --> 1:45:21.000
<v Speaker 1>single live Alynics, Cam came through Good Morning America and

1:45:21.200 --> 1:45:23.439
<v Speaker 1>he's haul embroid to the same as That's why guy

1:45:23.520 --> 1:45:28.280
<v Speaker 1>got got all right, But my Platinum records and everything

1:45:28.439 --> 1:45:32.840
<v Speaker 1>came from the Locks. You know what I'm saying. When

1:45:32.880 --> 1:45:40.360
<v Speaker 1>I went to both both again, I went to Yonkers,

1:45:40.400 --> 1:45:42.040
<v Speaker 1>you know what I'm saying. That's why I was like, oh,

1:45:42.760 --> 1:45:45.320
<v Speaker 1>because you know where you from, you a little arrogant.

1:45:45.800 --> 1:45:48.320
<v Speaker 1>Ain't nobody else hot in the world? Yeah, yeah, yeah yeah,

1:45:49.000 --> 1:45:51.439
<v Speaker 1>And then you went to Yonkers like these nickles spent

1:45:51.520 --> 1:45:56.519
<v Speaker 1>my Okay, damn, you know what I'm saying. But I can't.

1:45:56.560 --> 1:46:00.519
<v Speaker 1>I mean, I'm like the she got the oh in

1:46:00.560 --> 1:46:05.240
<v Speaker 1>the Locks that part of the you, Yeah, I can't.

1:46:05.240 --> 1:46:08.560
<v Speaker 1>I can't wait either. I was going to try to

1:46:08.640 --> 1:46:13.640
<v Speaker 1>go actually attending the crowd, but I think we got

1:46:13.800 --> 1:46:16.719
<v Speaker 1>three things to do out here that those those two days,

1:46:16.760 --> 1:46:19.479
<v Speaker 1>you know, it's only one day. I think it's agus third, right, yeah,

1:46:19.640 --> 1:46:23.000
<v Speaker 1>my guy trying to get we got August third. Oh

1:46:23.160 --> 1:46:27.800
<v Speaker 1>that's already silk. Oh yeah, so the motherfucker shock he was.

1:46:29.080 --> 1:46:32.479
<v Speaker 1>He's allowed on this holy ship speaking a lot. I know,

1:46:32.560 --> 1:46:34.759
<v Speaker 1>we spoke about a little bit, y'all didn't speak about yacord.

1:46:35.200 --> 1:46:36.920
<v Speaker 1>You know, I never never wanna ended. So but I'm

1:46:37.439 --> 1:46:39.280
<v Speaker 1>I'm live on this okay, because I was like the

1:46:39.360 --> 1:46:43.360
<v Speaker 1>first I'm not supposed to commercial excuse me, compilation album,

1:46:43.439 --> 1:46:45.519
<v Speaker 1>I ever kind of seen like what DJ Klin for

1:46:45.600 --> 1:46:47.720
<v Speaker 1>lack of a better term, is doing now. I kind

1:46:47.760 --> 1:46:50.920
<v Speaker 1>of seen you do that first. Like at first, I

1:46:50.920 --> 1:46:53.400
<v Speaker 1>didn't even know what the compilation was. When you hit me,

1:46:53.439 --> 1:46:55.000
<v Speaker 1>I was like, yeah, I got to mention in my compilation.

1:46:55.040 --> 1:46:58.280
<v Speaker 1>I was like, yeah, whatever. I actually technically didn't know

1:46:58.840 --> 1:47:06.320
<v Speaker 1>back then. So when was that? Two? Wow? Wow? All right,

1:47:06.360 --> 1:47:09.000
<v Speaker 1>So what made you want to want to do accompolation?

1:47:09.360 --> 1:47:14.439
<v Speaker 1>The thing was just like um um, I had artists.

1:47:14.640 --> 1:47:16.519
<v Speaker 1>I had artists needed before us at to produced with

1:47:16.560 --> 1:47:18.040
<v Speaker 1>her fathers. You know what I'm saying. There was always

1:47:18.080 --> 1:47:20.760
<v Speaker 1>making a lot, and like I saw that our group,

1:47:20.960 --> 1:47:22.640
<v Speaker 1>like you know, the way we started like you know,

1:47:22.760 --> 1:47:25.960
<v Speaker 1>fifteen sixteen and ship and we had our group, and

1:47:26.000 --> 1:47:28.000
<v Speaker 1>then more Niggers came and saw a rapping and I

1:47:28.120 --> 1:47:30.960
<v Speaker 1>made demo group. The more Niggers, I made dem a group,

1:47:31.520 --> 1:47:33.479
<v Speaker 1>and then some of the Niggers viewle was actually getting

1:47:33.520 --> 1:47:35.920
<v Speaker 1>too wild and some of the guys like, yo, you're

1:47:35.960 --> 1:47:38.040
<v Speaker 1>doing too wild much or too wild, and we just

1:47:38.120 --> 1:47:40.880
<v Speaker 1>made them a cool group. So we was actually doing

1:47:40.920 --> 1:47:43.639
<v Speaker 1>a label thing already. You know what I'm saying. Yeah,

1:47:43.920 --> 1:47:46.240
<v Speaker 1>what I'm saying with no money though, but you know,

1:47:46.760 --> 1:47:50.559
<v Speaker 1>we're just doing crazy saying talent shows and beating everybody down,

1:47:50.600 --> 1:47:53.120
<v Speaker 1>you know what, you know, just New York City. Yeah,

1:47:54.040 --> 1:47:56.880
<v Speaker 1>nobody better than us. Happen ball fights and ship. But

1:47:59.120 --> 1:48:04.439
<v Speaker 1>it um after like I said, doing X album, locks album,

1:48:04.560 --> 1:48:07.840
<v Speaker 1>different things and ship and I'm like, all right, put

1:48:07.880 --> 1:48:13.120
<v Speaker 1>the album out. I'm not a rapper, so what the

1:48:13.160 --> 1:48:14.720
<v Speaker 1>funk I'm gonna do. Like you know, I actually did

1:48:14.800 --> 1:48:17.800
<v Speaker 1>rapping one song, but I was just working. But at

1:48:17.880 --> 1:48:20.160
<v Speaker 1>the same time, I'm like, all right, let me just

1:48:20.280 --> 1:48:22.200
<v Speaker 1>call anybody up and me hit up. I think he

1:48:22.320 --> 1:48:24.760
<v Speaker 1>was just coming up body in the Trump and I

1:48:24.920 --> 1:48:27.599
<v Speaker 1>was like, yeah, that was going I hit you up.

1:48:28.200 --> 1:48:30.760
<v Speaker 1>You know what I'm saying, Um, yeah, find him chapped

1:48:30.840 --> 1:48:34.000
<v Speaker 1>on there with you. Um, I think I did ghetto

1:48:34.080 --> 1:48:36.800
<v Speaker 1>presses for now It's around the same time. So I

1:48:36.920 --> 1:48:39.760
<v Speaker 1>hit him up. He came there, want to play rough

1:48:40.520 --> 1:48:43.519
<v Speaker 1>um Scarface even notice I picked him. It was always

1:48:43.600 --> 1:48:48.160
<v Speaker 1>one of my favorite, my favorite artists, hit Face up. Um.

1:48:48.720 --> 1:48:51.640
<v Speaker 1>I did my my deal as a joint venture with

1:48:51.840 --> 1:48:55.160
<v Speaker 1>Promity because I didn't want to sign directly to the

1:48:55.240 --> 1:48:57.960
<v Speaker 1>labels because I was getting checks from the labels average

1:48:58.000 --> 1:49:01.000
<v Speaker 1>the bad Boy. I'm in the whole death Chain building

1:49:01.720 --> 1:49:04.160
<v Speaker 1>and I'm like, I love what Master p door. You

1:49:04.200 --> 1:49:05.960
<v Speaker 1>know what I'm saying. One of my ideas as far

1:49:06.040 --> 1:49:07.720
<v Speaker 1>as like all right, come on, we're gonna do this ship,

1:49:07.760 --> 1:49:10.280
<v Speaker 1>you know what I'm saying. So I was actually following

1:49:10.320 --> 1:49:13.280
<v Speaker 1>master Pace steps, you know what I'm saying. So I

1:49:13.400 --> 1:49:18.759
<v Speaker 1>went to Priority out West different things, and no limit

1:49:18.840 --> 1:49:21.240
<v Speaker 1>was on there. And when I got to the building,

1:49:21.760 --> 1:49:23.960
<v Speaker 1>that's for me and p Man and he was getting

1:49:24.000 --> 1:49:26.439
<v Speaker 1>me all type of points this ship. And in fact,

1:49:26.960 --> 1:49:30.680
<v Speaker 1>real story, Andrew Shack was the president one time. I

1:49:30.720 --> 1:49:34.799
<v Speaker 1>remember flying out Thicks. I'm like, niggas is playing games

1:49:34.920 --> 1:49:36.800
<v Speaker 1>with letting the budget loose and ship, you know what

1:49:36.840 --> 1:49:40.240
<v Speaker 1>I'm saying. And I was smart because I wanted to

1:49:40.280 --> 1:49:44.280
<v Speaker 1>wile out, but I know my wile out in the backseats,

1:49:45.560 --> 1:49:48.280
<v Speaker 1>you know what I'm saying. So I'm like, fuck pist off,

1:49:48.800 --> 1:49:51.000
<v Speaker 1>huffing the puff around the office. People like, yo, let

1:49:51.040 --> 1:49:53.080
<v Speaker 1>me say you how to do this ship boot kick

1:49:53.120 --> 1:49:55.400
<v Speaker 1>the doorp in Jo Shock, my man got something to say.

1:49:55.880 --> 1:49:57.360
<v Speaker 1>And you're sitting there with all my apps and ship

1:49:57.960 --> 1:50:01.479
<v Speaker 1>apps like Andrew Shock was like, oh you were him.

1:50:01.560 --> 1:50:06.559
<v Speaker 1>Oh my god. I'm like, that's how you do it, hey,

1:50:06.640 --> 1:50:09.920
<v Speaker 1>Nickel Freeman, motherfucker budget up. You know what I'm saying.

1:50:10.000 --> 1:50:12.680
<v Speaker 1>And boom. You know you're not to move around. I mean,

1:50:12.720 --> 1:50:14.800
<v Speaker 1>you know, probably to do a couple of times. Yeah,

1:50:15.640 --> 1:50:17.880
<v Speaker 1>you know what I'm saying. So we just saw the making.

1:50:17.920 --> 1:50:20.240
<v Speaker 1>Some things happened. I'm like, Pete, I'm doing an album

1:50:20.840 --> 1:50:23.920
<v Speaker 1>Boom song fourth with some of silk. Let me get silk, Boom,

1:50:24.040 --> 1:50:27.840
<v Speaker 1>you're silk, So going on the joint, don't limit go

1:50:27.960 --> 1:50:31.439
<v Speaker 1>and make a lot, make some noise. That so now

1:50:31.720 --> 1:50:34.120
<v Speaker 1>so now and people see you, they're gonna notice a

1:50:34.160 --> 1:50:38.200
<v Speaker 1>whole dramatic rate change rate laws for you. And you

1:50:38.320 --> 1:50:40.439
<v Speaker 1>first walked in, you told me that you was it.

1:50:40.720 --> 1:50:42.200
<v Speaker 1>You thought you was battling or something, So you want

1:50:42.240 --> 1:50:45.880
<v Speaker 1>to share that with the people now. Actually, um, at

1:50:45.880 --> 1:50:50.160
<v Speaker 1>the operation, actually right after it was on ex funeral.

1:50:50.200 --> 1:50:53.640
<v Speaker 1>It was the Barkley Center, which was like that Saturday,

1:50:53.880 --> 1:50:57.200
<v Speaker 1>and then um that Sunday was the funeral and like

1:50:57.360 --> 1:50:59.400
<v Speaker 1>right after the funeral, had to jump on the hobbics

1:50:59.439 --> 1:51:01.800
<v Speaker 1>out out of our o eraction. The next day, you

1:51:01.800 --> 1:51:04.320
<v Speaker 1>know what I'm saying. And Dad to check my chest

1:51:05.280 --> 1:51:08.880
<v Speaker 1>because last year I had a lung infection. What I'm saying,

1:51:08.920 --> 1:51:10.920
<v Speaker 1>you had to check. People thought it was COVID wasn't.

1:51:11.680 --> 1:51:14.240
<v Speaker 1>I'm saying. I had to check my chest for you know,

1:51:14.439 --> 1:51:17.600
<v Speaker 1>lung affection to make sure what's the cancers. So you

1:51:17.680 --> 1:51:19.439
<v Speaker 1>know they cutting the po where they put me, sweep,

1:51:19.800 --> 1:51:22.800
<v Speaker 1>cutting neck open, got tissue samples, blood samples, you know,

1:51:22.840 --> 1:51:24.439
<v Speaker 1>all the good ship you know what I'm saying, Boom,

1:51:24.840 --> 1:51:28.479
<v Speaker 1>they'll all in there. So um they checked from the

1:51:28.560 --> 1:51:32.400
<v Speaker 1>cancer but cancer free, nothing in there, you know, God bless.

1:51:35.600 --> 1:51:38.200
<v Speaker 1>And they had because what you said, because you said,

1:51:38.520 --> 1:51:41.200
<v Speaker 1>what was it a dirty level? What was it? I

1:51:41.280 --> 1:51:43.280
<v Speaker 1>had a lung effect affect. You know what I'm saying,

1:51:43.360 --> 1:51:45.160
<v Speaker 1>which you actually had to get a blood clout in

1:51:45.240 --> 1:51:47.920
<v Speaker 1>my life Oh wow, I'm saying, you know, the crazy

1:51:48.000 --> 1:51:51.280
<v Speaker 1>shit this is half while smoking. Everything happened after I

1:51:51.320 --> 1:51:54.840
<v Speaker 1>stopped smoking cigarettes and drinking. Wow, what do you think

1:51:55.720 --> 1:51:58.280
<v Speaker 1>the cause? You know now, I think my body was

1:51:58.680 --> 1:52:04.120
<v Speaker 1>was was used to smoke so many years. Right. You

1:52:04.160 --> 1:52:07.439
<v Speaker 1>know what I'm saying, what withdraw cold turkey and I'm

1:52:07.479 --> 1:52:12.240
<v Speaker 1>one of the type of intelligent dickheads. I'm done. That's

1:52:12.280 --> 1:52:17.400
<v Speaker 1>a body said, No, I'm shot. You know what I'm saying.

1:52:17.479 --> 1:52:21.400
<v Speaker 1>So you know they tested boom uh. First test came

1:52:21.439 --> 1:52:23.760
<v Speaker 1>back negative. Trying to let it grow for a couple

1:52:23.760 --> 1:52:27.120
<v Speaker 1>of moms. Negative growth for a couple of moments, still negative,

1:52:27.360 --> 1:52:32.280
<v Speaker 1>So cancer free. I'm good, God bless God. So now

1:52:32.320 --> 1:52:36.720
<v Speaker 1>all right, now this is um. I remember getting I

1:52:36.840 --> 1:52:42.840
<v Speaker 1>believe it was a CD huh, And I believe this

1:52:42.960 --> 1:52:45.840
<v Speaker 1>is how it happened. Me and Oas was on the

1:52:45.880 --> 1:52:49.760
<v Speaker 1>way of the studio jungle and the dude was playing

1:52:49.800 --> 1:52:52.679
<v Speaker 1>around with this idea. But we get to the studio.

1:52:54.920 --> 1:52:58.200
<v Speaker 1>I played nos a bunch of beans, then I put

1:52:58.280 --> 1:53:01.840
<v Speaker 1>on the grease beat and I remember us just laying

1:53:01.920 --> 1:53:05.320
<v Speaker 1>this ship in twenty minutes, like no exaggeration. As soon

1:53:05.400 --> 1:53:08.560
<v Speaker 1>as it came on body in the trunk and I

1:53:08.680 --> 1:53:10.960
<v Speaker 1>remember you just giving me the beat tape, and I

1:53:11.000 --> 1:53:13.080
<v Speaker 1>remember me calling you that night and you come into

1:53:13.120 --> 1:53:15.880
<v Speaker 1>the studio, but I never asked you how to How

1:53:16.280 --> 1:53:18.000
<v Speaker 1>did you because I remember you actually said you, I

1:53:18.040 --> 1:53:21.040
<v Speaker 1>think you should make the intro a little longer and

1:53:21.240 --> 1:53:23.599
<v Speaker 1>you have to speak about I think. But I never

1:53:23.760 --> 1:53:25.720
<v Speaker 1>asked you, like how did you feel that night? Like

1:53:25.880 --> 1:53:28.559
<v Speaker 1>because like it wasn't like I called yourself using your beat.

1:53:28.600 --> 1:53:30.040
<v Speaker 1>I just used you. You gave you had to. I

1:53:30.080 --> 1:53:31.800
<v Speaker 1>had to beat tape for a while. As soon as

1:53:31.880 --> 1:53:34.000
<v Speaker 1>Nois heard the beat, we just started writing, like me

1:53:34.080 --> 1:53:35.800
<v Speaker 1>and him like literally didn't even speak to each other.

1:53:35.840 --> 1:53:37.600
<v Speaker 1>It was just like yo, he said, I'm gonna say this,

1:53:37.600 --> 1:53:39.080
<v Speaker 1>I'm gonna say this, I'm gonna say this, and we

1:53:39.160 --> 1:53:42.160
<v Speaker 1>did it. So you kind of heard almost complete record

1:53:42.200 --> 1:53:44.280
<v Speaker 1>when you first heard it. Like how did you feel

1:53:44.439 --> 1:53:47.600
<v Speaker 1>like when you when it hit factory? I think it

1:53:47.680 --> 1:53:51.240
<v Speaker 1>was a hit factory over the new hit Factory, not

1:53:51.360 --> 1:53:53.640
<v Speaker 1>the old one. And you came down and how did

1:53:53.680 --> 1:53:56.080
<v Speaker 1>you subscribe? When you walk in the studio, Man, it

1:53:56.240 --> 1:53:59.800
<v Speaker 1>was like y'all understand, like um definitely coming to the game,

1:54:00.120 --> 1:54:03.120
<v Speaker 1>like y'all was in the game like before. So I'm

1:54:03.160 --> 1:54:05.600
<v Speaker 1>a fan already. You know what I'm saying. I'm a

1:54:05.880 --> 1:54:10.280
<v Speaker 1>fan of you fan uh Son, you know what I'm saying.

1:54:10.320 --> 1:54:12.640
<v Speaker 1>And just ship you have said something to me that night.

1:54:12.680 --> 1:54:14.800
<v Speaker 1>I don't know if you remember. Yeah, it was like

1:54:14.920 --> 1:54:19.000
<v Speaker 1>your Greece. I feel were going to know what you're

1:54:19.080 --> 1:54:24.479
<v Speaker 1>for a long year anything, anything that's going on. And

1:54:24.600 --> 1:54:26.639
<v Speaker 1>it's been like that. It's been like that ever since

1:54:26.640 --> 1:54:29.719
<v Speaker 1>I was in that clear sound like this thing is magical.

1:54:31.320 --> 1:54:35.040
<v Speaker 1>It's really you know what, this is really my my

1:54:35.280 --> 1:54:38.040
<v Speaker 1>first like really theatrical record. That's why when you said

1:54:38.200 --> 1:54:42.240
<v Speaker 1>Theantrica earlier, Um, it was crazy because I remember that

1:54:42.360 --> 1:54:44.760
<v Speaker 1>was not his only thing I had had. We have

1:54:44.920 --> 1:54:48.160
<v Speaker 1>already had I loved my life, um, and I thought

1:54:48.160 --> 1:54:50.000
<v Speaker 1>I was gonna use it with him on there. I

1:54:50.040 --> 1:54:52.720
<v Speaker 1>already had all these other records with him. He was like, Yo,

1:54:52.800 --> 1:54:55.440
<v Speaker 1>let's do a concept record. And then this was just

1:54:55.520 --> 1:55:01.440
<v Speaker 1>the perfect record. And to this day that's the most record.

1:55:01.520 --> 1:55:03.480
<v Speaker 1>People always ask me to make a part too, too,

1:55:04.080 --> 1:55:06.960
<v Speaker 1>and it's just like, you know, like without all those

1:55:07.040 --> 1:55:09.880
<v Speaker 1>elements at that time. But but again, like what was

1:55:09.960 --> 1:55:11.920
<v Speaker 1>that moment when you know, because I like cool, you

1:55:12.000 --> 1:55:13.600
<v Speaker 1>know me and you have had a relationship. You had

1:55:13.640 --> 1:55:16.080
<v Speaker 1>gave me a me tape. But this is Nas now

1:55:16.240 --> 1:55:18.200
<v Speaker 1>like like you knows just that bar when you came

1:55:18.240 --> 1:55:20.800
<v Speaker 1>in and you're a complete record with Norria Nas talking

1:55:20.800 --> 1:55:22.920
<v Speaker 1>about body and what was you saying in your mind?

1:55:23.240 --> 1:55:31.160
<v Speaker 1>Now it was fucking magical, Like you understand, Like Norrie Naskarball,

1:55:31.960 --> 1:55:35.280
<v Speaker 1>I'm like niggas on the mat, I'm gonna make a master,

1:55:36.080 --> 1:55:42.240
<v Speaker 1>do you know what I'm saying? Boom and the right

1:55:42.320 --> 1:55:45.560
<v Speaker 1>to the thing, but the story, you know what I'm saying.

1:55:45.720 --> 1:55:49.160
<v Speaker 1>And then after that, something's like you got more those

1:55:50.080 --> 1:55:52.320
<v Speaker 1>I'm like yeah, and that's when we did get a person.

1:55:52.480 --> 1:55:57.440
<v Speaker 1>So that god damn makes a noise that crazy. I

1:55:57.480 --> 1:55:59.360
<v Speaker 1>don't know if you know our shows about giving people

1:55:59.400 --> 1:56:02.560
<v Speaker 1>the flower Man giving people, they usually drink at this top.

1:56:02.640 --> 1:56:04.080
<v Speaker 1>But I figured, you know what, if you ain't drinking,

1:56:04.120 --> 1:56:05.440
<v Speaker 1>I'm gonna guy out it out with you. You know

1:56:05.480 --> 1:56:07.280
<v Speaker 1>what I'm saying. So that's what reason want to drink.

1:56:07.280 --> 1:56:09.480
<v Speaker 1>But I see you got the flowers sweater. You know

1:56:09.520 --> 1:56:12.800
<v Speaker 1>what I'm saying. He's he's a butterinos. You know what

1:56:12.800 --> 1:56:16.880
<v Speaker 1>I'm saying, Like, come on, got that made even But

1:56:17.040 --> 1:56:18.880
<v Speaker 1>let me just tell you something for real, because you

1:56:18.920 --> 1:56:21.040
<v Speaker 1>know I usually do this while I'm taking shots at whatever,

1:56:21.400 --> 1:56:23.040
<v Speaker 1>but I figured, you know, you ain't drinking. I ain't

1:56:23.080 --> 1:56:27.440
<v Speaker 1>wanna um uh you know you know what? Yeah, exactly,

1:56:27.760 --> 1:56:29.240
<v Speaker 1>So I want to tell you to your face. Man,

1:56:29.280 --> 1:56:31.680
<v Speaker 1>you're a legend. You're a guy that you know, you

1:56:32.160 --> 1:56:35.080
<v Speaker 1>in every different era. You're a guy that gets props

1:56:35.120 --> 1:56:37.680
<v Speaker 1>and in most places. But I want you to get

1:56:37.720 --> 1:56:39.400
<v Speaker 1>more props. You know what I'm saying, because you really

1:56:39.480 --> 1:56:42.960
<v Speaker 1>deserve that. Really a great guy, you really, um you know,

1:56:43.880 --> 1:56:46.840
<v Speaker 1>you're really made a real staple in this game. And

1:56:46.920 --> 1:56:49.120
<v Speaker 1>in case people didn't know that pace, nobody didn't tell you.

1:56:49.120 --> 1:56:50.760
<v Speaker 1>I'm gonna tell you that to your face. I wanna

1:56:50.760 --> 1:56:53.840
<v Speaker 1>tell you that I'm drunk. You know what I'm saying, Like,

1:56:54.880 --> 1:56:57.280
<v Speaker 1>you know what I'm saying, And you deserve your flowers.

1:56:57.320 --> 1:56:59.200
<v Speaker 1>You're a real good guy. You're one of the greatest

1:56:59.240 --> 1:57:05.680
<v Speaker 1>producers of all time, and we wanted to get so

1:57:05.840 --> 1:57:09.040
<v Speaker 1>we're going, we're gonna yeah, yeah, yeah, yeah. Let's just

1:57:09.080 --> 1:57:10.520
<v Speaker 1>do the picture and then you gotta do some drops.

1:57:10.840 --> 1:57:14.840
<v Speaker 1>All right. Cool again. Thanks for joining us for another

1:57:14.880 --> 1:57:17.440
<v Speaker 1>episode of Drink Champs, hosted by yours truly, d j

1:57:17.640 --> 1:57:19.960
<v Speaker 1>e f N and n O r E. Please make

1:57:20.000 --> 1:57:22.240
<v Speaker 1>sure to follow us on all our socials. Let's at

1:57:22.280 --> 1:57:25.800
<v Speaker 1>Drink Champs across all platforms at the Real Noriegan I

1:57:25.960 --> 1:57:29.640
<v Speaker 1>g at Noriega on Twitter, mine is at Who's Crazy

1:57:29.800 --> 1:57:32.720
<v Speaker 1>on I g at d j e f N on Twitter,

1:57:33.080 --> 1:57:35.640
<v Speaker 1>and most importantly, stay up to date with the latest releases,

1:57:36.040 --> 1:57:39.200
<v Speaker 1>news and merch by going to drink Champs dot com.

1:57:43.680 --> 1:57:46.720
<v Speaker 1>For more podcasts. For my heart radio, visit the iHeart

1:57:46.840 --> 1:57:50.320
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

1:57:50.360 --> 1:57:51.040
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