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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and it's Drink chas motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's like Green is your

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Speaker 1: Boy in No R He's a Miami hippop pioneer. Up

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Speaker 1: is d J e f N. Together they drink it

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Speaker 1: up with some of the biggest players in the most

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Speaker 1: professional unprofessional podcast. And your number one sorts for drunk

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Speaker 1: drink is New year Z. That's time for Drink Champs.

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Speaker 1: Drink up for the would it could be hopeully' would

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Speaker 1: see me? It's your boy and what up is d

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Speaker 1: J e f N And it's drink Chance. Motherfucker Yapia

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Speaker 1: makes up now the sky here has been putting in

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Speaker 1: a tremendous, tremendous, tremendous amount of work. I always say

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Speaker 1: he doesn't get the credit he deserves, but from the streets,

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Speaker 1: he does get the credit he deserves. The streets recognize them.

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Speaker 1: They recognized for the brilliance that he's been a part of.

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Speaker 1: Phenomenal people's career is like the late, great legendary DMX.

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Speaker 1: I believe he created the wave as well. Uh, he

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Speaker 1: definitely smokes our these doesn't caught the body with me

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Speaker 1: and we threw the body in the drunk uh form

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Speaker 1: likes of Cameron to Mace to or whatever, baking a

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Speaker 1: lot of music. You know in the nineties when you

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Speaker 1: were out that ship meant something. That ship was it was.

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Speaker 1: It was an error. And then for him to keep going,

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Speaker 1: him to still be here, still be the person that

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Speaker 1: he has he is. We are gonna get all in

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Speaker 1: his business today. We're gonna ask about anything, you know

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Speaker 1: what I'm mean, from the wave to whatever whatever to

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Speaker 1: And in case you don't know who we talked about,

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Speaker 1: we talked about motherfucking Dame. Now let's take it from

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Speaker 1: the beginning, because when we first get at Me Dogs,

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Speaker 1: is you produce get at Me Dog? Yeah? Okay, okay,

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Speaker 1: So for the first time we've seen DMX get at

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Speaker 1: Me Dog. You described describe that situation, um, but actually

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Speaker 1: kind of go back a little bit. Okay, Um, Mary

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Speaker 1: had told Puff about the locks. Okay, you know what

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Speaker 1: I'm saying. That's when the Locks got signed a bad

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Speaker 1: boy and me and Mace came from from from Hall

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Speaker 1: up to Yonkers because why I kept trying to get

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Speaker 1: me with my beats up to Yonkers for the Locks

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Speaker 1: of Excellent ship, you know what I'm saying. And then

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Speaker 1: boom they got signed. And then I saw him. He

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Speaker 1: was like the young Niggers and bad Boy running around

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Speaker 1: and Big was like in the next room. He was

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Speaker 1: doing this one to Ductor who you know what I'm saying, Yeah, yeah, yeah,

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Speaker 1: you know what I'm saying. So he like, you know,

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Speaker 1: he was, you know, locks just got signed. He's just

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Speaker 1: got signed. Dog was running them around like he always said,

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Speaker 1: robbing with the dog. You know what I'm saying. That ship.

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Speaker 1: So um, we was like we was young and a

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Speaker 1: puffers dick in the beach, you know what I'm saying.

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Speaker 1: So um, we was in there locks to the joint

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Speaker 1: with Big with Biggie, you know what I'm saying. And

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Speaker 1: he was like, oh, we're getting close, We're getting close.

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Speaker 1: And then um, I think Pocket put Off hit him

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Speaker 1: up and we was just fun. It's like, oh fuck,

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Speaker 1: he was in bad Boy. Studios were saying yeah man,

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Speaker 1: Like he was like, damn man, we ain't gonna make it. Yeah.

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Speaker 1: But it was the older Jeeves, you know, and you

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Speaker 1: know all the Brooklyn you know what I'm saying. So

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Speaker 1: they was all we was like the little niggas like

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Speaker 1: now you know what I'm saying. But we actually happened

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Speaker 1: to fly out there with them and ship um when

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Speaker 1: Big I did get killed, you know what I'm saying, Yeah,

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Speaker 1: CALLI you know, and when we came back, that's when

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Speaker 1: we maybe always a love Bi Papa, you know what

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Speaker 1: I'm saying. We had did the record first and then um,

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Speaker 1: we was like, we can't put this out. We don't want,

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Speaker 1: you know, for the family think we try to monopolize

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Speaker 1: on trash situation. So we gave the record of Pup first,

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Speaker 1: you know what I'm saying, and it was like that

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Speaker 1: we always loved Big Papa Papa. Then Puff heard it

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Speaker 1: and ship him and on there was crying. It was like, yo,

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Speaker 1: thank you, okay, people do so I love Big That

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Speaker 1: was my ready first record. Let's make some choice for

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Speaker 1: that because at the time we heard it at Me Dog,

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Speaker 1: it was so much of a new sound, so much

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Speaker 1: of a new style, right that I thought that that

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Speaker 1: was your first record that I've been used before. It's

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Speaker 1: used season what I'm saying, Yeah, you know so, um,

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Speaker 1: all right, all right, um this record get at Me Dog?

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Speaker 1: You produced it. Yes, you noticed as a monster. Yeah,

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Speaker 1: now because I don't tell you. I knew it was

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Speaker 1: crazy because I get the little pre stories with the story. Okay,

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Speaker 1: first of its niggers to start of someone to mix

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Speaker 1: sape like locks, Mason, Dog, you know what I'm saying.

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Speaker 1: It was like, yeah, we're gonna eat these things. And

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Speaker 1: then we attempted to recreate it. Not recreated, but we're like,

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Speaker 1: we're gonna do another post cut. And that was getting

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Speaker 1: at me dog. The first version, the first version actually

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Speaker 1: had Chic on there. No, the first show was all

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Speaker 1: all of them. It was all the locks and X.

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Speaker 1: He did a whole another white label. Yeah, she'd we

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Speaker 1: put it and put it as a remix. But it's

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Speaker 1: a very original version. And I saw eating the clue tapes.

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Speaker 1: She was like, we got these that he wanted to

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Speaker 1: go do lo Yeah now not right there, right right.

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Speaker 1: And then it came see boom. Then EARV got the

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Speaker 1: position at death gym boom and herb. It's like yo, leo,

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Speaker 1: he got to sign this nigger boom boom boom, and

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Speaker 1: the momentum was going so crazy with dogs on four

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Speaker 1: three to know it was twenty fours. A little first,

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Speaker 1: that was the right live right, and that was eating

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Speaker 1: them niggas like, oh my god, he got in the mud.

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Speaker 1: He was the only one who got the money right.

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Speaker 1: Else stay pretty money. He in the right. He was different.

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Speaker 1: So that yeah, so it's like boom we started doing that.

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Speaker 1: It was like shoot the momentum, the momentum like yo,

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Speaker 1: hit three verses only get at Me Dog beat? All right,

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Speaker 1: so we're the same beat and that's to get at

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Speaker 1: me Dog. That you know. I'm not gonna lie to you. Um,

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Speaker 1: that was my that's my year, best year in my life,

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Speaker 1: seven gold. Yeah, best year in my life. All that

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Speaker 1: set up that you're saying that was happening. I saw

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Speaker 1: none of that. I saw none of that. All I

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Speaker 1: saw was what the fund is that get at Me Dog?

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Speaker 1: When that ship dropped. And then the fact is, I

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Speaker 1: don't know whose idea was was The video was black

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Speaker 1: and white, so I think it was definit chairing my hype.

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Speaker 1: I was pissed about the video. Listen, listen, I'm not

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Speaker 1: gonna lie. I got a video bad from TV. I

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Speaker 1: hate band from TV video, But it actually does work

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Speaker 1: right at least you can see get at Me Dog.

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Speaker 1: You can't even see bad from TV you, but I

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Speaker 1: learned like like like making it look funke up like that.

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Speaker 1: So so when I see the actual video, I said,

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Speaker 1: hype Whims did because it's not doing a cheap video,

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Speaker 1: it's that it was black and white. So right now,

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Speaker 1: I heard you say that earliest you when you see

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Speaker 1: the video, you're like fuck yeah. I'm like, you can't

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Speaker 1: see me, you can't see nobody. But I get it though.

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Speaker 1: Over the years, I'm like, oh, it was the electricity. Yeah, like, oh,

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Speaker 1: I got it. I think the videos would help carry

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Speaker 1: the record EVENU because the visual to go with the sound, right,

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Speaker 1: he made it look electric. And this is the time

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Speaker 1: missy videos he's shooting Bustard come out with you like, damn,

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Speaker 1: this is there's nothing, it's just the time of black. Yeah.

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Speaker 1: He did what he was supposed to do. So now

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Speaker 1: this whole first album, when I look at the credits,

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Speaker 1: it's mostly you, p K Swiss, am I missing somebody

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Speaker 1: or earth her. Okay, all right, so you're creating this album,

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Speaker 1: describe to describe to us what's going on? Okay, Um,

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Speaker 1: quick little flashback. The reason why I'm like, wow, you

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Speaker 1: know he came down to home. To nine. He was like, Yo, man,

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Speaker 1: we need job beasts with these you know, with these cats.

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Speaker 1: We got the yarkh who's coming down? He said, Okay, yeah,

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Speaker 1: I knew why Kim first. Okay, we just know him

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Speaker 1: as why he's hitting. He's like, Marsha, we don't know,

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Speaker 1: you know, Marsha, I love minem to. He showed us

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Speaker 1: it was poor white people in the world, especially from

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Speaker 1: New York. It's like, exactly why I came down, and yeah,

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Speaker 1: why I came down to the block. He used to

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Speaker 1: come a couple of times like yo, man, get down

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Speaker 1: with us. Man. I'm like, now out and were getting home.

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Speaker 1: You're getting money, you know what I'm saying. And then

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Speaker 1: he came down one time It's like, Yo, you better

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Speaker 1: get down with us. Oh ship click, you know what

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Speaker 1: I'm saying. That big spak we pulled out. You know

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Speaker 1: what I'm saying. He's like, Yo, chilling. And then I

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Speaker 1: was like, yeo, this thing is crazy. You you would

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Speaker 1: get shot to get me the yunkers wo me a

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Speaker 1: big sense said Yo, let's go to young. Then that's

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Speaker 1: the Locks came out first with Casino, so always there

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Speaker 1: was for them. You know what I'm saying. He came out,

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Speaker 1: can't can't, can't get me a bit like he's niggas

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Speaker 1: is fired. You know what I'm saying. He kept saying,

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Speaker 1: Now we got to find a big dog. He's out

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Speaker 1: doing crazy. Ship. We gotta find him. And was always

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Speaker 1: the big stuff. They knew that locks the pups, know

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Speaker 1: what I'm saying. Right then, Um, then about tom Dog

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Speaker 1: came to the the studio. You know, you know you had

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Speaker 1: knew the dog before. They don't know. So this is

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Speaker 1: your first time meeting the dog. You have a dog

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Speaker 1: with him at that time. I don't know. I don't

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Speaker 1: know because why dog Grudge was always around and if

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Speaker 1: dog did have a dog, it was because Grudge was

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Speaker 1: one of them. Like I'm talking about him sitting down

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Speaker 1: his towering over this motherfucker, big big Brooklyn dog. Now

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Speaker 1: he's just looking a ship like over there. Yeah, you know

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Speaker 1: know what I'm saying. So be a cat person to

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Speaker 1: be down with rough riders. It got to be official, officiated.

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Speaker 1: It can't be no running dog's not no fucking skinny

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Speaker 1: as big And if you don't lose the fight, he

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Speaker 1: got to get dirty cool. But at the same time

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Speaker 1: and ship, you know what I'm saying he came to shooting.

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Speaker 1: He was super hyphi. You know what I'm saying. He

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Speaker 1: had books and books and books and books and books

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Speaker 1: and wraps. You know why with all the books, all

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Speaker 1: the books, he will move every time with the whole library.

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Speaker 1: He wasn't like like I'm going somewhere, I'm taking a book. No,

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Speaker 1: he moved with the library, probably to the company with

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Speaker 1: all his crates exactly, you know, because he from the

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Speaker 1: ever what I'm saying out it with all that ship

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Speaker 1: what I'm saying, so boom he had come and then

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Speaker 1: like he like, you know, while I was like, you

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Speaker 1: spit that one from him? This, I'm like, cool, and

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Speaker 1: he's spitting that for you. Yeah, okay, I'm like, who

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Speaker 1: spit that one for him? Do? Do? Do they? I'm like, oh,

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Speaker 1: probably two verse. I'm like, hold on, say that to this.

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Speaker 1: I'm like, oh, we got something, we got something, right,

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Speaker 1: I said, say that other one to this beat boom,

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Speaker 1: Oh we got something that other one said to this

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Speaker 1: beat boom. I'm like, oh, yeah, we aren't here now,

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Speaker 1: we're in the pocket. We're in the pocket. Because my

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Speaker 1: beast was always theatric and he's theatric so it was

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Speaker 1: like a match like the hip hoppy hoppy hoppy ship,

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Speaker 1: you know what I'm saying. He rhymed to it on

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Speaker 1: freestyles and coming up, but it came with that gothic

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Speaker 1: you know what I'm saying, you're not a body and

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Speaker 1: the trump what I'm saying, it's like gothic in Metropolitan.

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Speaker 1: When he came with them balls and I came with that,

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Speaker 1: it was like, oh, ship got him, you know what

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Speaker 1: I'm saying. Then EARV got the fucking position. It was like,

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Speaker 1: oh we in the IRV. I ain't going I gotta

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Speaker 1: give hervos props to should he give he tap dance?

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Speaker 1: And I think he almost got fired trying to get get,

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Speaker 1: trying to get dogs like you ain't signing my quick

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Speaker 1: and you was like, damn this students passionate, come on,

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Speaker 1: it's going to yonkers. And that's when Dog had a

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Speaker 1: broken jaw and you were there that day. I was

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Speaker 1: playing the beats. Oh Nix was trying to leave my

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Speaker 1: name out of ship out here with all that, you

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Speaker 1: know what I'm saying. So I'm playing the joints. He

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Speaker 1: cutting down, cutting, could only the old meal and ship

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Speaker 1: for months, Wired, Yeah, Wired he was the first he

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Speaker 1: was to wire. Yeah, he was the first one. He

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Speaker 1: was breaking a little bit and get a little more. Yeah,

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Speaker 1: thats crazy. Yeah, it's just amazing. Like I feel like

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Speaker 1: I was there. I heard it from lear heard it

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Speaker 1: from I'm playing cutting cut. I don't even know that

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Speaker 1: he was used to or he was just it's dope.

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Speaker 1: You know, you'll you'll catch it all right, Like it

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Speaker 1: was a beat playing right now and I'm gonna fucking

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Speaker 1: he kicks some ship. Yeah. I think DMX like me more.

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Speaker 1: When I stopped rapping, you became non competition at school.

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Speaker 1: I think that's how much of a competition guy. You know,

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Speaker 1: I'm not gonna lie like it was a little different.

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Speaker 1: It's hard for me to have friends and ship. You know.

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Speaker 1: I'm around in prim time because we get nobody, no beats,

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Speaker 1: something like naked. I gotta move around a little bit,

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Speaker 1: like come on, you know what I'm saying. That portfolio Yeah, like,

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Speaker 1: you know, come on, man, I love the squad, but

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Speaker 1: I kind of here. I had to come to Queens. Yeah,

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Speaker 1: that's all right. When I googled you, something amazing came

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Speaker 1: up and said Harlem. But it's that born in the Bronx.

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Speaker 1: Yeah is that the truth? Okay, Yeah, I'm boring. Okay,

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Speaker 1: born in the Boston Bridge project. Okay, my mom s

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Speaker 1: CARDI from projects. That gives me a little extra primeness. Okay, yeah,

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Speaker 1: you know what I'm saying. You know, we will be flash,

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Speaker 1: but I still wanna like a little more me and

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Speaker 1: cousin to talk about that and ship. So you might

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Speaker 1: be richer than the still might get stuck. So so

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Speaker 1: during the during the course of time, I started to

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Speaker 1: think of something the other day, knowing that if I

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Speaker 1: had you here, and I just want to be straight

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Speaker 1: up and just asked the question right like, I don't

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Speaker 1: remember seeing you and Swiss in the same room, and

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Speaker 1: over ten years, only time I can think of you

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Speaker 1: and Swiss being in the same room. Was it like

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Speaker 1: at that time? Yeah, And I don't know. This is

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Speaker 1: a question. I seriously don't know. Like I know, I'm

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Speaker 1: close to both sides, so I should know, but I

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Speaker 1: seriously don't know this. I swear to go. I swear

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Speaker 1: to go if if you want to take my fingers

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Speaker 1: not crossed, none of that, you know that funny? I

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Speaker 1: swear I don't know the answer to this. Why is

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Speaker 1: that though like, okay, I did well, it was a

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Speaker 1: little big paper I did. If you think I'm jiggie,

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Speaker 1: five cuts from the money per respect boom, I didn't

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Speaker 1: get out me dog, numerous cuts and corpro duce on

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Speaker 1: like these thirteen cuts on uh, it's Alcohelo's hot. They

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Speaker 1: with the keen time for flushing my flesh the blood

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Speaker 1: the blood, right, you know what I'm saying. I was

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Speaker 1: getting kind of veto okay, but I was getting kind

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Speaker 1: of blocked. Yeah, I was getting kind of blocked because

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Speaker 1: rough outs with my management. I wasn't a rough frauther

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Speaker 1: of producer, you know what I'm saying. So at the

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Speaker 1: same time, like my phone call stopped coming through the

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Speaker 1: office on I'm like, yo, I got just so seven

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Speaker 1: million records collectively a matter of fact. But on you

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Speaker 1: it's a little bit popular beast sign and miss you

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Speaker 1: know it's like six million money properly respecting from one

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Speaker 1: point five Dog went about three out the gate all

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Speaker 1: that underwear management, you know what I'm saying. So I'm

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Speaker 1: at the beginning of them starting flesh of my flesh

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Speaker 1: felt Vito, I think you said, yeah, Like my phone

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Speaker 1: calls wasn't coming through from you, the management. Yeah, so

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Speaker 1: I had to go a little deep cover. Okay, you

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Speaker 1: know what I'm saying. I spoke to I think I

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Speaker 1: spoke to so so death. There was like, yo, he says,

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Speaker 1: you're not doing be some more, hold on, hold on, okay,

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Speaker 1: and then they're insinuated this is coming from your camp exactly. Okay,

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Speaker 1: from my management. Okay, Wow, you know what I'm saying.

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Speaker 1: So the same time, and it actually it's written in blood,

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Speaker 1: you know what I'm saying, the same time I'm doing

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Speaker 1: flesh your flesh, if you know the Swiss of the

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Speaker 1: majority of flesh my flesh and different things. And I

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Speaker 1: did one song It's called Dogs for Life, you know

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Speaker 1: what I'm saying the same time, and Dog was catching

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Speaker 1: the the the the vibes. He just made the song

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Speaker 1: for me. Robert still with your dog nink it would

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Speaker 1: right to me, think blood, you know what I'm saying.

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Speaker 1: So with the one song that they don't flesh my flesh,

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Speaker 1: Dog just you made it for me. Okay. You know

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Speaker 1: what I'm saying that. You know Greece, Nick, I'm here.

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Speaker 1: You know what I'm saying. Besides, with the politics is

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Speaker 1: you know what I'm saying, but actually Swiss is successful

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Speaker 1: to it. Let's not get it to us right right?

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Speaker 1: No word? Yeah yeah, yeah, Actually was the best thing

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Speaker 1: to happen to me. You're not being a part of flesh,

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Speaker 1: of my flesh as much as you wanted to be. Na.

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Speaker 1: Just really it made me to an individual producer. Okay,

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Speaker 1: like yeah, it made me to like iron grease, you

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Speaker 1: know what I'm saying. That came after that, Yeah, came out.

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Speaker 1: They focused say okay, let's set over. Okay, all right,

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Speaker 1: I said, that's my flesh. You're feeling a little crazy.

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Speaker 1: But you don't get word. You get word from social death.

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Speaker 1: But did you add a goal to your management and

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Speaker 1: say what's going on here? Like? Um, not quite? Okay,

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Speaker 1: now quite he took so so no no no no

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Speaker 1: no no no no no no no. I got it

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Speaker 1: from the office downtown, Michael say, specific name is up

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Speaker 1: with the ladies working there. It's so funny ship going on.

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Speaker 1: They're sending your phone calls. So another producer, so it's

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Speaker 1: forth like, oh but the cap all this up pulled

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00:19:10,760 --> 00:19:12,760
Speaker 1: up to jay Z. Clip jay Z said the loll

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Speaker 1: in one shot. Okay, what clip is that? And clip

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Speaker 1: that jay Z put up because actually I'm so glad

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Speaker 1: Jay did. I'm like, I gotta tell this storry numbred.

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Speaker 1: But Jay was like, um for one of his albums, like, yo,

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Speaker 1: I went to the dude doing all them records, Uh,

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Speaker 1: Dame Crease that produced the stock and hell of Shot

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Speaker 1: and then um, that's just smelled good too, right then? Um,

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Speaker 1: J was like, you know, I wanted I wanted Dame

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Speaker 1: Crease and then he sent me the Nephew, but now

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00:19:45,119 --> 00:19:47,159
Speaker 1: I want to Crease. I'm like, nah, I can't be

337
00:19:47,200 --> 00:19:50,119
Speaker 1: sitting what you're doing, you know what I'm saying. So

338
00:19:50,200 --> 00:19:53,240
Speaker 1: at the same time, you know what I'm saying. You know,

339
00:19:53,359 --> 00:19:55,280
Speaker 1: Jay kept the Fisher like not but mean enough for

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Speaker 1: We did some hits, you know what I'm seeing. We

341
00:19:56,680 --> 00:19:58,399
Speaker 1: did some ship you know what I'm saying. But I

342
00:19:58,440 --> 00:20:02,600
Speaker 1: can't front. I went to work with Fat Nigger. So

343
00:20:02,800 --> 00:20:05,600
Speaker 1: that was one of the phone calls that got redistributed.

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Speaker 1: Did you ever get a chance to work with the

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00:20:07,680 --> 00:20:17,040
Speaker 1: whole one song? Okay, um Freeway, big Spender, Hey, big Spender.

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Speaker 1: You know what I'm saying. Okay, that was the only time.

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00:20:20,880 --> 00:20:23,760
Speaker 1: It's the only time. But we actually we always have great,

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00:20:23,840 --> 00:20:26,480
Speaker 1: good dialog, especially on the toys with dog and everything.

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00:20:26,880 --> 00:20:29,040
Speaker 1: Great dollargue there always give me a lot of great insight.

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Speaker 1: So this is for people that don't know, and obviously me,

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Speaker 1: I'm a part of that and they don't know. So

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00:20:34,880 --> 00:20:38,439
Speaker 1: flush of my flesh comes out. Another successful he has

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Speaker 1: too number one albums in one year. You guys know

354
00:20:41,280 --> 00:20:43,640
Speaker 1: each other from back then. You did feel a little

355
00:20:43,720 --> 00:20:46,600
Speaker 1: Vito like you said, how do you black ball? Black ball?

356
00:20:47,119 --> 00:20:49,200
Speaker 1: So how do you amend this? Like how do y'all

357
00:20:49,200 --> 00:20:53,520
Speaker 1: come back together? No dog? Dog never ever ever dog.

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Speaker 1: You never saw it as him. Dog never ever love

359
00:21:00,320 --> 00:21:04,959
Speaker 1: my nig. He always kept it to billion with me.

360
00:21:05,680 --> 00:21:09,880
Speaker 1: Always crease some new album, pull up if nobody else

361
00:21:09,880 --> 00:21:13,480
Speaker 1: wanted me to. His movie scores Greece. I'm doing a

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Speaker 1: movie called X and wounds, come through the score, the

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Speaker 1: whole score on that, Greece. I'm doing a movie called

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Speaker 1: Credit to the Grave, Come through the score and that

365
00:21:21,440 --> 00:21:24,560
Speaker 1: you know what I'm saying, and all the main things.

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00:21:24,600 --> 00:21:26,800
Speaker 1: So he will always keep me involved. But all his

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00:21:26,960 --> 00:21:29,960
Speaker 1: projects or anything he was doing, but yourself. But earlier

368
00:21:29,960 --> 00:21:32,160
Speaker 1: he said you felt black ball. You can't feel black

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00:21:32,200 --> 00:21:37,280
Speaker 1: ball that they're doing scores no, no, I was black

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Speaker 1: ball in the almost society in your own camp. You're saying, no,

371
00:21:40,000 --> 00:21:42,919
Speaker 1: you know from the rough fry of situation was a

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00:21:42,920 --> 00:21:45,600
Speaker 1: little yeah, it was a little like, uh, I don't know,

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00:21:45,680 --> 00:21:51,199
Speaker 1: but from X there's DMX. Let me just ask you

374
00:21:51,280 --> 00:21:53,800
Speaker 1: thought it was Swiss himself saying no, I don't know.

375
00:21:53,920 --> 00:21:58,160
Speaker 1: Never no never never, I never never never never never.

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00:21:58,240 --> 00:22:01,280
Speaker 1: I'm actually actually quite proud of Swiss. Okay, but ye's

377
00:22:01,280 --> 00:22:03,880
Speaker 1: just having beat competition. That's what everyone had at that time.

378
00:22:04,080 --> 00:22:08,000
Speaker 1: Not quite what's I didn't always having to beat competitions. Okay,

379
00:22:08,119 --> 00:22:11,960
Speaker 1: I'm just cranking and doing dope shit. I don't know.

380
00:22:12,040 --> 00:22:17,120
Speaker 1: It was, uh, competition and the door behind you ships coming,

381
00:22:17,560 --> 00:22:20,400
Speaker 1: it's always coming. No, I just got just do dope shit.

382
00:22:21,119 --> 00:22:22,719
Speaker 1: I ain't know. It was like getting the closest door

383
00:22:22,720 --> 00:22:26,919
Speaker 1: behind you. It's times sometimes yeah, you know, it happens

384
00:22:26,920 --> 00:22:28,879
Speaker 1: like that. I don't say sometimes it is like that,

385
00:22:28,960 --> 00:22:32,720
Speaker 1: but sometimes it happens like right right, Wow, this is interesting,

386
00:22:33,000 --> 00:22:34,920
Speaker 1: this is interesting. Now I just don't through. Man, it's dope.

387
00:22:35,119 --> 00:22:38,120
Speaker 1: It's still a movie still filming. So so what's part

388
00:22:38,160 --> 00:22:40,159
Speaker 1: of the un d MX is going back together on

389
00:22:40,280 --> 00:22:42,480
Speaker 1: his albums because I know you said that the soundtracks

390
00:22:42,520 --> 00:22:45,199
Speaker 1: the third album. The third album was X Okay, you

391
00:22:45,200 --> 00:22:48,800
Speaker 1: know what I'm saying, Uh, that album is super successful too.

392
00:22:49,400 --> 00:22:52,399
Speaker 1: When I came in on, came in on d XL

393
00:22:53,160 --> 00:22:56,800
Speaker 1: with the locks and drag and damn what the record

394
00:22:56,880 --> 00:23:03,280
Speaker 1: on that faint my you know what I'm saying. Yeah,

395
00:23:03,320 --> 00:23:05,480
Speaker 1: it came in on Area boom. You know what I'm saying.

396
00:23:05,520 --> 00:23:10,119
Speaker 1: That was a third album. Okay, fast board to the

397
00:23:10,119 --> 00:23:17,240
Speaker 1: new album Excellence. Yeah, that's it right, excedus right there, right, yes, um,

398
00:23:17,359 --> 00:23:20,760
Speaker 1: would you on there? Okay, what did you think about

399
00:23:20,760 --> 00:23:28,359
Speaker 1: the album? It was politically correct. That's a politically correct answer.

400
00:23:29,520 --> 00:23:30,720
Speaker 1: You know what I'm saying. I don't. I don't have

401
00:23:30,800 --> 00:23:33,120
Speaker 1: to know he loved the album. Yeah, I don't. I don't.

402
00:23:33,160 --> 00:23:36,199
Speaker 1: I don't like and trust me like social media and

403
00:23:36,320 --> 00:23:39,440
Speaker 1: all that ship. You ain't know what are your beach

404
00:23:39,480 --> 00:23:42,360
Speaker 1: is the harder sould accident everything. You know what I'm saying.

405
00:23:42,400 --> 00:23:43,880
Speaker 1: I need to had to put up a post. It's

406
00:23:43,960 --> 00:23:47,600
Speaker 1: like if I'm on this album but not support my

407
00:23:47,640 --> 00:23:51,480
Speaker 1: motherfucking nigger, I'm not with all that that that that ship.

408
00:23:51,920 --> 00:23:53,480
Speaker 1: You know what I'm saying. I know it's kids but

409
00:23:53,520 --> 00:23:57,080
Speaker 1: why are you saying family correct? Um, you got to

410
00:23:57,119 --> 00:24:00,720
Speaker 1: think about it. Actually, Swisses as a a it's a

411
00:24:00,960 --> 00:24:06,800
Speaker 1: good name and uh a good brand, so it's only

412
00:24:07,000 --> 00:24:09,560
Speaker 1: right for him to push it and put things together

413
00:24:10,240 --> 00:24:12,920
Speaker 1: to get what you know what I'm saying. It could

414
00:24:12,960 --> 00:24:16,320
Speaker 1: be you know, gotten gone and even bringing all the

415
00:24:16,359 --> 00:24:20,200
Speaker 1: celebrities evolved to supporting and different things. It's done real good,

416
00:24:20,280 --> 00:24:22,840
Speaker 1: you know what I'm saying. But politically correct, that's that's

417
00:24:22,920 --> 00:24:29,320
Speaker 1: like something different. I mean I was expected hot cool, No,

418
00:24:29,480 --> 00:24:30,919
Speaker 1: I mean it's hot, you know what I'm saying. But

419
00:24:31,000 --> 00:24:33,960
Speaker 1: I'm saying, like what literally correct means? Not only am

420
00:24:33,960 --> 00:24:36,040
Speaker 1: I producing ship? You know what I'm saying, I'm the

421
00:24:36,080 --> 00:24:38,760
Speaker 1: president too, So I'm gonna look at things like and

422
00:24:38,760 --> 00:24:41,040
Speaker 1: even if I'm not producing on it, I'm gonna look

423
00:24:41,080 --> 00:24:43,480
Speaker 1: at things like, Okay, the marketing on this ships eight plus,

424
00:24:43,560 --> 00:24:45,800
Speaker 1: I like the way the cook down. Okay, these things

425
00:24:45,960 --> 00:24:48,040
Speaker 1: right here. So it's I learned that from check. You

426
00:24:48,040 --> 00:24:50,880
Speaker 1: know what I'm saying, Just the things just to make

427
00:24:50,920 --> 00:24:52,720
Speaker 1: sure things selling and get to where they need to

428
00:24:52,760 --> 00:24:55,040
Speaker 1: be without the ego of just me being on it.

429
00:24:56,880 --> 00:24:59,320
Speaker 1: I asked you something else in that vein what do

430
00:24:59,359 --> 00:25:01,280
Speaker 1: you think that album would have sounded like had X

431
00:25:01,400 --> 00:25:06,240
Speaker 1: been here, because I think he was heard a lot

432
00:25:06,280 --> 00:25:09,000
Speaker 1: of it, but now it was different. Yeah, it was different.

433
00:25:09,040 --> 00:25:14,680
Speaker 1: It was was completed. The ALBUMA came out. It's not

434
00:25:14,760 --> 00:25:17,919
Speaker 1: the Zach version, and he was working on I know

435
00:25:17,960 --> 00:25:20,000
Speaker 1: there was a record that he talked about that never

436
00:25:20,359 --> 00:25:23,040
Speaker 1: made the car all the record spoke about one Champs

437
00:25:23,400 --> 00:25:26,480
Speaker 1: actually made it. But there was a record that everybody

438
00:25:26,560 --> 00:25:29,960
Speaker 1: kept saying, Yeah, the pop Smoke record. Oh pop smoke Okay,

439
00:25:30,320 --> 00:25:33,439
Speaker 1: yeah that was probably yeah, Okay, damn, that's right. I

440
00:25:33,480 --> 00:25:43,240
Speaker 1: forgot that, Okay, Yeah, I smocused on that beat. But

441
00:25:43,320 --> 00:25:46,840
Speaker 1: for the most part, like I heard, I heard it.

442
00:25:47,080 --> 00:25:48,919
Speaker 1: I didn't hear when loud Wayne was on the record,

443
00:25:48,920 --> 00:25:51,199
Speaker 1: and I didn't hear the Nas and the Jay record,

444
00:25:51,600 --> 00:25:54,480
Speaker 1: Like I didn't hear that at all record for like

445
00:25:54,560 --> 00:25:57,040
Speaker 1: four couple of years. It sounds you know, it sounds

446
00:25:57,080 --> 00:26:02,760
Speaker 1: like locks joint. Know that this is what my dogs

447
00:26:02,000 --> 00:26:04,560
Speaker 1: and you know what I'm saying, Actually, I see you.

448
00:26:04,640 --> 00:26:09,400
Speaker 1: Bront So. You even did an album with riff Raff. Yeah,

449
00:26:09,920 --> 00:26:13,040
Speaker 1: was that bag? Like that was it was independent? It

450
00:26:13,080 --> 00:26:16,520
Speaker 1: was independent still a back Yeah, it was half on

451
00:26:16,600 --> 00:26:19,400
Speaker 1: an independence. Um we did as a mix sape. First.

452
00:26:19,400 --> 00:26:21,119
Speaker 1: You know what I'm saying, we did see Now that

453
00:26:21,280 --> 00:26:27,960
Speaker 1: was See that's different. Okay, Yo producing locks and x

454
00:26:28,359 --> 00:26:33,880
Speaker 1: YO fan base comprise. What are you doing? Oh my god? Yeah,

455
00:26:34,080 --> 00:26:35,919
Speaker 1: oh yeah, I could imagine they was shooting me up

456
00:26:35,960 --> 00:26:41,280
Speaker 1: like crazy. See I met Riff, you know what I'm saying,

457
00:26:41,760 --> 00:26:47,840
Speaker 1: but Andy Midical Lockers and I'm probably yeah, probably you know,

458
00:26:48,560 --> 00:26:55,399
Speaker 1: dirt Nasty, Yeah, the White Weird three amigos, and I

459
00:26:55,400 --> 00:26:58,680
Speaker 1: did the track for them. Riff was like, you got

460
00:26:58,680 --> 00:27:00,879
Speaker 1: more of those? I'm like, yeah, you know, so, I

461
00:27:00,920 --> 00:27:03,040
Speaker 1: wasn't really aware of his fan base. I saw to

462
00:27:03,080 --> 00:27:04,760
Speaker 1: do some reach like that because they got like a

463
00:27:04,760 --> 00:27:07,920
Speaker 1: cult following. He got some whole ship w w F

464
00:27:08,040 --> 00:27:12,760
Speaker 1: type of So I'm like, you know what, now I'm

465
00:27:12,880 --> 00:27:15,960
Speaker 1: gonna go in. I shocked the shut on me. You

466
00:27:16,040 --> 00:27:18,399
Speaker 1: started doing an album and he was just like going

467
00:27:18,720 --> 00:27:22,320
Speaker 1: ham and his way him. I'm like, oh he is,

468
00:27:23,840 --> 00:27:25,919
Speaker 1: And I was listening like Yo. He looked at a

469
00:27:25,960 --> 00:27:29,119
Speaker 1: lot of TV as a kid, you looked at a

470
00:27:29,160 --> 00:27:31,080
Speaker 1: lot of You could tell he was just in in

471
00:27:31,160 --> 00:27:35,080
Speaker 1: the crib looking at MTV, looking at I'm going Connie

472
00:27:35,080 --> 00:27:38,439
Speaker 1: like Chung spitting on the type of wild bars and

473
00:27:38,480 --> 00:27:40,960
Speaker 1: Ship and then um, when the project came out, you

474
00:27:40,960 --> 00:27:44,520
Speaker 1: know a lot of people was like, yo, Greece, how

475
00:27:44,600 --> 00:27:48,040
Speaker 1: you do that? You know the Locks and X fans,

476
00:27:48,080 --> 00:27:49,879
Speaker 1: you know, how you do that? How you make me

477
00:27:49,960 --> 00:27:56,159
Speaker 1: like him? In fact? How you do that? What I'm saying?

478
00:27:56,640 --> 00:28:00,879
Speaker 1: And it just was a whole different uh music, you

479
00:28:00,920 --> 00:28:03,200
Speaker 1: know that. It was like it was cool, you know

480
00:28:03,200 --> 00:28:05,040
Speaker 1: what it was differently Ship because I mean, like, you know,

481
00:28:05,080 --> 00:28:07,880
Speaker 1: we're dog in the lock. We killed everybody, killed half

482
00:28:07,880 --> 00:28:10,600
Speaker 1: of the world, catching kill them in And I'm like,

483
00:28:10,800 --> 00:28:15,200
Speaker 1: let me do so. How do y'all tip through the group?

484
00:28:15,760 --> 00:28:20,040
Speaker 1: Through that group? Yeah? Okay, Actually I'm honking saying, um,

485
00:28:20,359 --> 00:28:22,720
Speaker 1: my man, Big Chuck, Phoenix, Server soon and Ship. You

486
00:28:22,720 --> 00:28:24,440
Speaker 1: know what I'm saying. He throw the shows, He got

487
00:28:24,440 --> 00:28:27,000
Speaker 1: the store out there, and he hooked it up. I was,

488
00:28:27,359 --> 00:28:28,800
Speaker 1: I was, well, you know, I was living the Phoenix

489
00:28:28,840 --> 00:28:31,520
Speaker 1: for I was like, Yo, I'm hooky over with dirt.

490
00:28:31,960 --> 00:28:33,879
Speaker 1: I was living out the X to right. Yeah. I

491
00:28:33,920 --> 00:28:36,160
Speaker 1: first went out there weeks and like that little living

492
00:28:36,280 --> 00:28:42,600
Speaker 1: mad White Boys listen excellent day about Gona some snakes

493
00:28:42,600 --> 00:28:45,440
Speaker 1: like hold on, buddy, it's not it's not a normal city. Ship.

494
00:28:45,480 --> 00:28:49,920
Speaker 1: What the Phoenix and you'll just changed the snakes and

495
00:28:50,280 --> 00:28:52,479
Speaker 1: like that. Come on, funny, I saw rad coons right

496
00:28:52,680 --> 00:28:56,360
Speaker 1: right now, coons get I'm not going to say that

497
00:28:56,360 --> 00:28:58,760
Speaker 1: because there might be some type of law. Now, I

498
00:28:58,760 --> 00:29:02,120
Speaker 1: don't think about no raccoons. I want to be honest.

499
00:29:02,400 --> 00:29:04,360
Speaker 1: I got a friend named raccoon. No one cares about him.

500
00:29:07,480 --> 00:29:11,640
Speaker 1: So we're gonna hunting raccoons, Holy ship. No, no, that's

501
00:29:11,640 --> 00:29:14,680
Speaker 1: where I live now. You don't eat raccoons though, right, No, no, no,

502
00:29:14,800 --> 00:29:19,000
Speaker 1: motherfucker's at the rattle snaks. I eat it the raccoons. No, no, no,

503
00:29:19,000 --> 00:29:24,280
Speaker 1: no raccoons, okay, two different coats. Okay, where I live now,

504
00:29:24,320 --> 00:29:28,440
Speaker 1: there's raccoons and DIDs now living in Phoenix, the Carolinas

505
00:29:28,480 --> 00:29:33,960
Speaker 1: or somewhere. Okay, they're all living in Phoenix. Stopians, rattle

506
00:29:34,040 --> 00:29:42,080
Speaker 1: snakes East the raccoons. No, it's no, it's no rash bad.

507
00:29:42,280 --> 00:29:52,880
Speaker 1: I'm sorry. Are we gonna get the motherfucker's okay? Moving

508
00:29:52,880 --> 00:29:56,960
Speaker 1: them on? We flop floating around? Another thing that that

509
00:29:56,960 --> 00:30:01,640
Speaker 1: that that that was interesting. I think one day I

510
00:30:02,120 --> 00:30:06,720
Speaker 1: was in the w hotel and Max b walks in

511
00:30:08,040 --> 00:30:10,880
Speaker 1: and you walk in Frenchman trying to walk in and

512
00:30:10,920 --> 00:30:12,760
Speaker 1: I forget the name of this point star kicked. I

513
00:30:12,760 --> 00:30:15,080
Speaker 1: wouldn't deploy a name off. I don't remember her name is.

514
00:30:15,360 --> 00:30:17,880
Speaker 1: But they came down. This is a long time ago. Obviously.

515
00:30:17,960 --> 00:30:20,080
Speaker 1: It was a lot of poinn stars that Max B

516
00:30:20,520 --> 00:30:23,200
Speaker 1: and at the Long State mine because they've seen this

517
00:30:23,280 --> 00:30:34,920
Speaker 1: porn star Tip Roxley Stad crazy for Roxy so himnful

518
00:30:35,120 --> 00:30:37,719
Speaker 1: and I hadn't here. I am like, I'm I'm like

519
00:30:37,880 --> 00:30:39,720
Speaker 1: when I jerk go up, I just regular jerky, like

520
00:30:39,720 --> 00:30:41,120
Speaker 1: you know what I'm saying that you need the internet

521
00:30:41,120 --> 00:30:43,240
Speaker 1: and got it like they knew my name all that,

522
00:30:43,440 --> 00:30:48,240
Speaker 1: so I like what, I don't need the end. You

523
00:30:48,320 --> 00:30:53,240
Speaker 1: got a great imagination, amund gotta picture you got it.

524
00:30:53,680 --> 00:30:56,520
Speaker 1: So but they were so into that, So I say,

525
00:30:56,640 --> 00:31:00,760
Speaker 1: let's just let's subscribe Max Be. For people who never

526
00:31:00,800 --> 00:31:08,320
Speaker 1: met Max B. Subscribe Max B if you can't, I motherfucker,

527
00:31:09,040 --> 00:31:12,400
Speaker 1: that's my little bro man. I love him, manum now

528
00:31:12,680 --> 00:31:20,440
Speaker 1: Max Man. She's like he he put the whole prestorring, yes,

529
00:31:20,640 --> 00:31:24,880
Speaker 1: pre storing, okay, and you got something to do with

530
00:31:24,880 --> 00:31:26,800
Speaker 1: this pre starker, I believe, So I got something to

531
00:31:26,800 --> 00:31:29,280
Speaker 1: do with everything, right, you actually a matter of fact,

532
00:31:29,640 --> 00:31:32,280
Speaker 1: just to go back after the black ball Okay, you know,

533
00:31:32,320 --> 00:31:33,920
Speaker 1: the nigga's first thing is to fun with me, right

534
00:31:34,920 --> 00:31:45,080
Speaker 1: with you made trunk? I was in Queens, yes, and

535
00:31:45,240 --> 00:31:49,040
Speaker 1: I am, but I boom uh all right. It was

536
00:31:49,280 --> 00:31:51,680
Speaker 1: two thousand and six seven. And by the way, I

537
00:31:51,680 --> 00:31:53,240
Speaker 1: don't think he was black balled. I'm gonna be honest.

538
00:31:53,240 --> 00:31:55,840
Speaker 1: I don't know. It wasn't it was. It was not

539
00:31:56,000 --> 00:31:59,480
Speaker 1: my phone calls coming through, okay, through my management. So

540
00:31:59,520 --> 00:32:01,080
Speaker 1: I had to get out there on my own and

541
00:32:01,560 --> 00:32:04,960
Speaker 1: find my own way, okay, and it worked out pretty spectacular,

542
00:32:05,120 --> 00:32:10,040
Speaker 1: thank you, right, not two dours of six, well seven,

543
00:32:10,400 --> 00:32:13,880
Speaker 1: and just as New York, we're getting Clawbert. Now, I

544
00:32:13,920 --> 00:32:16,000
Speaker 1: love all music, you know, if you see my catalog,

545
00:32:16,280 --> 00:32:19,080
Speaker 1: I'll work with Yeah, I ain gonna say everybody, but

546
00:32:19,200 --> 00:32:23,880
Speaker 1: just the night's over here, buging how much animated artists?

547
00:32:23,880 --> 00:32:25,800
Speaker 1: You what I'm saying. So, but you meet back to

548
00:32:26,120 --> 00:32:28,520
Speaker 1: thand and six. Right now, we're getting closer, Like I'm

549
00:32:28,520 --> 00:32:32,000
Speaker 1: sure about New York, like God and the hes just

550
00:32:32,000 --> 00:32:34,800
Speaker 1: trying to hate these songs. We're bringing New York back.

551
00:32:34,880 --> 00:32:40,400
Speaker 1: Oh my god, everybody doing the and all that. Just then,

552
00:32:40,720 --> 00:32:46,440
Speaker 1: no niggers in the city's saying. You know what I'm

553
00:32:46,440 --> 00:32:48,960
Speaker 1: saying that I signed in the crib, right, and this

554
00:32:49,040 --> 00:32:50,760
Speaker 1: is gonna suck you up a little bit. I'm in

555
00:32:50,800 --> 00:32:53,760
Speaker 1: the crib like, yo, man, I kind of make something

556
00:32:53,800 --> 00:32:57,960
Speaker 1: that's on meat. Okay, I'm not an artist, but I

557
00:32:58,000 --> 00:33:01,480
Speaker 1: just I know what I need and I pulled the

558
00:33:01,680 --> 00:33:14,880
Speaker 1: piano and I'm like, fuck it, we're smoking side that

559
00:33:15,040 --> 00:33:17,840
Speaker 1: I sent it to you. Then I send it the

560
00:33:17,840 --> 00:33:21,040
Speaker 1: styles and y'all put verses on it and we shot

561
00:33:21,040 --> 00:33:24,400
Speaker 1: it and it started bringing the city back because we

562
00:33:24,480 --> 00:33:27,280
Speaker 1: had the weed from New York that was clicking. It

563
00:33:27,520 --> 00:33:31,320
Speaker 1: was from New York, New York, New York side with

564
00:33:31,360 --> 00:33:37,000
Speaker 1: diesel everywhere, right, gangster and fun song at the same time,

565
00:33:37,720 --> 00:33:40,200
Speaker 1: and then it was dead. And then you brought me

566
00:33:40,240 --> 00:33:42,640
Speaker 1: for the song and you put it off reality. It's okay,

567
00:33:43,360 --> 00:33:50,400
Speaker 1: it's probably me what I'm saying, wrought me for You're right,

568
00:33:50,480 --> 00:33:56,120
Speaker 1: and that was me put me bay. That was crazy

569
00:33:56,360 --> 00:34:01,720
Speaker 1: like that at each other to be before something. Listen.

570
00:34:01,800 --> 00:34:03,680
Speaker 1: I'm like, he's like, yo, know, I got this verse

571
00:34:04,600 --> 00:34:06,600
Speaker 1: um that you that you did, so I'm trying to

572
00:34:06,680 --> 00:34:09,520
Speaker 1: clear it and I'm like, your maphis mad high and

573
00:34:09,560 --> 00:34:12,760
Speaker 1: they're like how I never did a verse for Mathis

574
00:34:13,040 --> 00:34:15,200
Speaker 1: so I'm not putting together as Greece who gave it

575
00:34:15,280 --> 00:34:17,160
Speaker 1: to him? So then they finally play it for me,

576
00:34:17,200 --> 00:34:20,520
Speaker 1: I'm like, Yo, maphis an ill, how did you get that?

577
00:34:20,960 --> 00:34:23,080
Speaker 1: Got it? And he turned out of this Greece. Let's

578
00:34:23,080 --> 00:34:24,960
Speaker 1: get back to your story, you know what I'm saying.

579
00:34:25,080 --> 00:34:27,080
Speaker 1: So let's go hold on because I want to get

580
00:34:27,080 --> 00:34:28,719
Speaker 1: this sour for a separate part. But I wanted to

581
00:34:28,719 --> 00:34:30,960
Speaker 1: get like when you first I knew that Max b

582
00:34:31,239 --> 00:34:33,879
Speaker 1: was like because he was a different type of artist,

583
00:34:34,000 --> 00:34:35,160
Speaker 1: Like I think you were saying that's why you were

584
00:34:35,160 --> 00:34:36,880
Speaker 1: saying New York was getting crised. Yeah, you know what

585
00:34:36,920 --> 00:34:40,080
Speaker 1: I'm saying. See, the thing was, it was right off

586
00:34:40,160 --> 00:34:44,479
Speaker 1: the the the Burg game. I was about to ask

587
00:34:44,480 --> 00:34:48,720
Speaker 1: you for the game, right and Max brother my nigga,

588
00:34:48,719 --> 00:34:50,520
Speaker 1: Mike Murder shout to Mike Murder. You know what I'm saying.

589
00:34:50,560 --> 00:34:52,560
Speaker 1: He was like, Chris, get this nigger. You know what

590
00:34:52,600 --> 00:34:55,080
Speaker 1: I'm saying to him to leave burgag say no he was.

591
00:34:55,560 --> 00:34:57,960
Speaker 1: They had the frictional. Yeah, I don't know what the

592
00:34:57,960 --> 00:34:59,640
Speaker 1: fun was. That's why you see that come up video.

593
00:34:59,680 --> 00:35:02,319
Speaker 1: I'm like, what you think about it and I don't

594
00:35:02,360 --> 00:35:04,160
Speaker 1: think nothing about it. That's they shipped, and they know

595
00:35:04,239 --> 00:35:06,319
Speaker 1: they ship. You know what I'm saying. Boom, So they say,

596
00:35:06,360 --> 00:35:08,479
Speaker 1: you ain't not gonna get me. The ain't a little nigger,

597
00:35:08,560 --> 00:35:10,520
Speaker 1: you know what I'm saying. So at the same time,

598
00:35:12,000 --> 00:35:14,040
Speaker 1: Max Brother was like, get the snicker man, Get the

599
00:35:14,080 --> 00:35:16,080
Speaker 1: snigger man. They're gonna kill a snigger man. They I'm

600
00:35:16,120 --> 00:35:19,440
Speaker 1: telling you, get this nigger because it was the music

601
00:35:19,520 --> 00:35:21,719
Speaker 1: in the street streets, you know what I'm saying. So

602
00:35:21,760 --> 00:35:24,319
Speaker 1: it's like, all right, cool, and then you know, I'm like, yeah,

603
00:35:24,960 --> 00:35:34,960
Speaker 1: bring He's like, no, Greece, get him please, oh, bring

604
00:35:35,040 --> 00:35:38,000
Speaker 1: him up. So he came up boom and was like yo,

605
00:35:38,080 --> 00:35:40,600
Speaker 1: man where we didn't even get getting you know, just

606
00:35:40,680 --> 00:35:44,920
Speaker 1: like dog, but in a different way. Another ray animated artists,

607
00:35:44,920 --> 00:35:47,680
Speaker 1: you know what I'm saying. And then um he started

608
00:35:47,840 --> 00:35:52,360
Speaker 1: going I'm like, damn, this nigga is different, you know

609
00:35:52,360 --> 00:35:54,600
Speaker 1: what I'm saying. So we started, you know, shouting young

610
00:35:54,640 --> 00:35:57,120
Speaker 1: little young lowers. The U was doing a lot of beats,

611
00:35:57,200 --> 00:35:58,960
Speaker 1: a lot of beats, and they saw it coming up

612
00:35:59,000 --> 00:36:01,120
Speaker 1: to you want to tell me that you want to

613
00:36:01,160 --> 00:36:05,120
Speaker 1: go to come to me like this? This is different.

614
00:36:05,640 --> 00:36:07,759
Speaker 1: You know what I'm saying, like, oh, this is this

615
00:36:07,840 --> 00:36:11,200
Speaker 1: is groovy. You know what I'm saying that. I'm like, Okay,

616
00:36:11,360 --> 00:36:13,879
Speaker 1: well I'm coming to dude. Let me turn the temple up.

617
00:36:15,560 --> 00:36:18,640
Speaker 1: Dude in that Sunday, Monday, Tuesday. And then we just

618
00:36:18,640 --> 00:36:21,000
Speaker 1: started doing it from there, and then we just saw

619
00:36:21,080 --> 00:36:23,800
Speaker 1: the grooving and and then that's when French came on.

620
00:36:24,040 --> 00:36:27,920
Speaker 1: French came with the Cocaine City DVDs. He French was

621
00:36:28,000 --> 00:36:30,319
Speaker 1: young French. First come up DVD was Dorkey Diamonds. When

622
00:36:30,320 --> 00:36:33,640
Speaker 1: you said earlier, I mainly through the French Montana. I

623
00:36:33,640 --> 00:36:37,120
Speaker 1: was out of live Dorky Diamonds. That was DVD Dorgy Diamonds.

624
00:36:37,120 --> 00:36:39,200
Speaker 1: And I believe I got the other guy named, but

625
00:36:39,719 --> 00:36:44,239
Speaker 1: it was cocaine. What Cocaine Cocaine City was was French

626
00:36:44,320 --> 00:36:49,400
Speaker 1: Montenda DVD. And and he was still he was coming

627
00:36:49,400 --> 00:36:53,600
Speaker 1: out of beings when the Coke Boy drew pop right there,

628
00:36:53,600 --> 00:36:55,040
Speaker 1: Bank Bank. You know what I'm saying, he was coming

629
00:36:55,040 --> 00:36:57,719
Speaker 1: out of being young French. Okay, when I was just

630
00:36:57,800 --> 00:37:00,440
Speaker 1: ratting names like French Montana now you know, saying, so

631
00:37:00,560 --> 00:37:03,080
Speaker 1: boom him and Max Star doing the tape and we

632
00:37:03,080 --> 00:37:04,880
Speaker 1: did the Colke Wave tape or three of Us and

633
00:37:04,960 --> 00:37:08,640
Speaker 1: Ship with the DVD. You know what the v game

634
00:37:09,560 --> 00:37:12,719
Speaker 1: So Boom did that Ship. That's just a pu you

635
00:37:12,760 --> 00:37:14,360
Speaker 1: know what I'm saying. A matter of fact, even winded

636
00:37:14,360 --> 00:37:18,960
Speaker 1: a little bit after the Solar Dasy. You got the

637
00:37:18,960 --> 00:37:22,200
Speaker 1: baby grind situation. Then I got the baby grind situation.

638
00:37:22,280 --> 00:37:25,160
Speaker 1: I did Google music, so when I was doing Google Music,

639
00:37:25,200 --> 00:37:27,520
Speaker 1: I was still on that beginning Claubert. I just got

640
00:37:27,520 --> 00:37:30,479
Speaker 1: to do something, So I made the whole mix sape

641
00:37:30,520 --> 00:37:33,400
Speaker 1: just hard me wrapping on everything and songs for I'm like,

642
00:37:33,440 --> 00:37:35,320
Speaker 1: I don't care nigs like me or not that I

643
00:37:35,400 --> 00:37:39,359
Speaker 1: had Max come through one song Connecticut cutsh Connecticut. Yeah,

644
00:37:39,440 --> 00:37:43,520
Speaker 1: that's just said Boom Blue, and he was like, yo,

645
00:37:43,680 --> 00:37:47,000
Speaker 1: I hear what you're doing. We didn't talk about nothing,

646
00:37:47,160 --> 00:37:49,680
Speaker 1: but he felt the vibe was like I'm Achilles Niggers.

647
00:37:50,120 --> 00:37:52,959
Speaker 1: I'm not the artist, but I'm still with Akillings because

648
00:37:52,960 --> 00:37:54,799
Speaker 1: I know the wave limps. You know what I'm saying.

649
00:37:54,840 --> 00:37:56,399
Speaker 1: It's like Greece, I got it, let me do it.

650
00:37:57,440 --> 00:37:59,719
Speaker 1: I'm like, go ahead. And then that's why I did

651
00:37:59,719 --> 00:38:02,000
Speaker 1: the mix, said boom Is at one point five. It's

652
00:38:02,040 --> 00:38:05,880
Speaker 1: just said Pune after that, then we did Coke Wave.

653
00:38:06,040 --> 00:38:08,600
Speaker 1: So did you ever get like any slack from like

654
00:38:08,640 --> 00:38:11,279
Speaker 1: the dip set side, because you know you're being hall

655
00:38:11,400 --> 00:38:16,480
Speaker 1: and related him. I'm pretty sure, Okay, I'm pretty sure

656
00:38:16,520 --> 00:38:20,200
Speaker 1: somebody certain way that's what it is. Who well, hey, whatever,

657
00:38:20,800 --> 00:38:22,719
Speaker 1: you know what I'm saying. Nobody never said nothing to me,

658
00:38:23,520 --> 00:38:27,040
Speaker 1: all right, right, okay, So now let's move on to

659
00:38:27,160 --> 00:38:33,719
Speaker 1: French for a second. We're seeing French announcing projects where

660
00:38:33,760 --> 00:38:37,520
Speaker 1: Harry Fraud. Yes, we see it, and we know it's nothing.

661
00:38:37,560 --> 00:38:39,960
Speaker 1: But does that feel weird? Do you see you're seeing

662
00:38:40,000 --> 00:38:45,360
Speaker 1: that sometimes? Um, not quite frenchman worker Harry Fraud. Actually

663
00:38:45,360 --> 00:38:47,640
Speaker 1: I was working for it too. Actually I wrapped to

664
00:38:47,640 --> 00:38:54,600
Speaker 1: a couple of Spece sues um a while ago. Funny

665
00:38:54,600 --> 00:38:58,120
Speaker 1: servant Harry for it too. Let's get to it, pretty,

666
00:38:58,280 --> 00:39:02,040
Speaker 1: Let's get to it and into that's what we're here for,

667
00:39:02,160 --> 00:39:06,440
Speaker 1: all right. I think it might be a mad I

668
00:39:06,440 --> 00:39:09,640
Speaker 1: don't care, my boy dre right. I think, yeah, purchased

669
00:39:09,680 --> 00:39:13,200
Speaker 1: some of have you fraud equipment back then, Yeah, purchased

670
00:39:13,280 --> 00:39:17,040
Speaker 1: or perks have even purchased what I'm saying. And so

671
00:39:17,080 --> 00:39:20,480
Speaker 1: at the same time, I think, um, happy Frauda, probably

672
00:39:20,760 --> 00:39:23,520
Speaker 1: because some of a lot of producers double beats up.

673
00:39:24,200 --> 00:39:27,239
Speaker 1: That's one thing to give the same year. It's one

674
00:39:27,280 --> 00:39:30,600
Speaker 1: thing I never dine in my whole twenties something damn

675
00:39:30,680 --> 00:39:35,080
Speaker 1: the thirty career. I never gave an artist to artists

676
00:39:35,080 --> 00:39:38,600
Speaker 1: same people would be the pro and doing that though,

677
00:39:40,440 --> 00:39:43,840
Speaker 1: I mean, besides obviously getting paid twice being greedy. But

678
00:39:44,239 --> 00:39:47,160
Speaker 1: if one person takes off of the record legitimately, then

679
00:39:47,360 --> 00:39:50,360
Speaker 1: the other one is canceled out and somebody owe some

680
00:39:50,360 --> 00:39:53,160
Speaker 1: money and somebody got some hard feelings, which I'm getting

681
00:39:53,160 --> 00:39:56,520
Speaker 1: to the hard feelings right. So I think the bro

682
00:39:56,719 --> 00:40:01,520
Speaker 1: Dre came in, um took hold equip right, not London

683
00:40:01,560 --> 00:40:06,279
Speaker 1: Dre right, London Dre Okay cool. I can't even want

684
00:40:06,280 --> 00:40:07,879
Speaker 1: to say that part. Okay cool, but you know that's

685
00:40:07,880 --> 00:40:10,399
Speaker 1: what it is. Came you know, and took all the ship.

686
00:40:10,440 --> 00:40:12,200
Speaker 1: So I have you called me up? I was like, yo, man,

687
00:40:13,440 --> 00:40:17,520
Speaker 1: good give dud damn like man, because I'm a producer,

688
00:40:17,560 --> 00:40:21,359
Speaker 1: producer and trip from you know what I've been doing.

689
00:40:22,040 --> 00:40:24,560
Speaker 1: So I'm like Dre, I call it drading. Negotiate with Dre.

690
00:40:24,760 --> 00:40:27,960
Speaker 1: That's my good guy too. I'm like, Drey, get it

691
00:40:28,080 --> 00:40:35,400
Speaker 1: guys stuff increase this nigger you get the accident, I'm like,

692
00:40:36,320 --> 00:40:40,280
Speaker 1: have you give them six extra beats? Make it work?

693
00:40:40,719 --> 00:40:42,719
Speaker 1: All right, I'm gonna work with dre Bo boom. You

694
00:40:42,719 --> 00:40:45,120
Speaker 1: want to get this equipment back. I had to come

695
00:40:45,120 --> 00:40:51,840
Speaker 1: to negotiate. God makes noise with Christ. So you know,

696
00:40:52,920 --> 00:40:55,200
Speaker 1: it's stories and pre stories with a lot of things.

697
00:40:55,200 --> 00:40:58,640
Speaker 1: But even going back to the virginal French working solely

698
00:40:58,640 --> 00:41:01,319
Speaker 1: but happy for aud on his hip hoppy type ship.

699
00:41:01,760 --> 00:41:03,839
Speaker 1: You know what I'm saying now, it's not nothing okay

700
00:41:03,920 --> 00:41:08,720
Speaker 1: cool because it's just like that. So I'm proud of everybody.

701
00:41:09,680 --> 00:41:13,759
Speaker 1: Is it a level up? Sometimes like I would still

702
00:41:13,760 --> 00:41:21,200
Speaker 1: always have SEVENI four million soulton counting because he's like,

703
00:41:21,239 --> 00:41:23,120
Speaker 1: you know that. You know what happens is when we

704
00:41:23,200 --> 00:41:26,279
Speaker 1: when we uh we do this, I tweet, I tweet out,

705
00:41:26,360 --> 00:41:28,399
Speaker 1: r so, I tweet out. I say, yo, we got

706
00:41:28,400 --> 00:41:30,480
Speaker 1: grease on. I'll say we got suth to such on.

707
00:41:30,920 --> 00:41:34,200
Speaker 1: One of the main things is that's saying does grease

708
00:41:34,239 --> 00:41:37,120
Speaker 1: feel away? Like it seems like once French bleue like

709
00:41:37,239 --> 00:41:41,080
Speaker 1: he didn't come back have that wave no more together

710
00:41:41,200 --> 00:41:44,040
Speaker 1: like you him And this is from the people. You

711
00:41:44,040 --> 00:41:46,720
Speaker 1: know what I got this. This is with drink champions

712
00:41:46,760 --> 00:41:50,800
Speaker 1: for so I got out. It's about the people being quietly.

713
00:41:51,800 --> 00:41:54,480
Speaker 1: That was they see it, you know, That's what I'm saying.

714
00:41:54,480 --> 00:41:57,040
Speaker 1: That was the most asked question was what does he

715
00:41:57,080 --> 00:42:00,560
Speaker 1: feel away about French working with Harry Fordon and as like,

716
00:42:00,960 --> 00:42:03,279
Speaker 1: does he feel away that when French went to a

717
00:42:03,280 --> 00:42:09,000
Speaker 1: certain level that seemed like y'all stopped working together. Um Na, man,

718
00:42:09,160 --> 00:42:17,480
Speaker 1: now all or some ship? Yeah, it could be some

719
00:42:18,000 --> 00:42:20,120
Speaker 1: fun life involved, but you know what I'm saying. But

720
00:42:20,280 --> 00:42:24,480
Speaker 1: to me where I'm at in time, actually I needed

721
00:42:24,480 --> 00:42:28,240
Speaker 1: to take some cool breaks off I had, like especially

722
00:42:28,280 --> 00:42:30,000
Speaker 1: with Dog and all that I had like a fucking

723
00:42:30,000 --> 00:42:37,279
Speaker 1: consecutive years of mashing all his beers of French out there.

724
00:42:38,239 --> 00:42:40,520
Speaker 1: That's for him, you know what I'm saying. I had

725
00:42:40,520 --> 00:42:42,520
Speaker 1: to take a break off, Like I said, I'll smoke

726
00:42:42,640 --> 00:42:45,840
Speaker 1: or drinking more, different things and ship, kids has grown

727
00:42:45,880 --> 00:42:49,080
Speaker 1: and different things. Just really, uh, take time for me,

728
00:42:49,760 --> 00:42:52,800
Speaker 1: you know I'm saying. Different ship beside. Yeah, running this

729
00:42:52,920 --> 00:42:55,320
Speaker 1: fucking race for so many fucking years and ship, you

730
00:42:55,320 --> 00:42:57,600
Speaker 1: know what I'm saying. So I don't feel no way.

731
00:42:57,680 --> 00:43:00,560
Speaker 1: Actually I took time off to get a lot of

732
00:43:00,640 --> 00:43:04,440
Speaker 1: spiritual healing and get very closer to my family. And

733
00:43:04,719 --> 00:43:10,120
Speaker 1: Dad's sitting still. Did you said, no, Dad's sitting still still? Yeah,

734
00:43:10,239 --> 00:43:15,840
Speaker 1: Dad is home. I'm not outside. I'm home, you know

735
00:43:16,040 --> 00:43:20,000
Speaker 1: something like I've been outside bumping to you that is

736
00:43:20,000 --> 00:43:22,960
Speaker 1: that I come my uncle house in the Bronx nor like,

737
00:43:23,000 --> 00:43:29,880
Speaker 1: how does looping back? Going back backwards now on some

738
00:43:30,000 --> 00:43:34,200
Speaker 1: Harlem ship. Did you have any interactions with big El? Yeah?

739
00:43:34,320 --> 00:43:36,960
Speaker 1: And what give us something else? Though? Man, big El,

740
00:43:37,080 --> 00:43:40,959
Speaker 1: that's my guy, guy guy, you gotta understand um going

741
00:43:41,000 --> 00:43:43,000
Speaker 1: no way back. My crew and I being sure from

742
00:43:43,000 --> 00:43:45,480
Speaker 1: the corn. We had a big gas battle saying that

743
00:43:45,600 --> 00:43:51,120
Speaker 1: Paul cam blood shot everybody mace. Wow, we cut him

744
00:43:53,600 --> 00:43:55,880
Speaker 1: and I'll beat niggas some black I was big staying

745
00:43:56,040 --> 00:43:59,719
Speaker 1: me no, my Nika pelleah and I'll be niggas a

746
00:43:59,760 --> 00:44:02,399
Speaker 1: black He was on they were children a card. Yeah,

747
00:44:02,520 --> 00:44:06,640
Speaker 1: but we just was on some black hoodie guns and bracklets.

748
00:44:08,080 --> 00:44:11,840
Speaker 1: You know what I'm saying. But m L was the

749
00:44:12,000 --> 00:44:17,880
Speaker 1: first person our Age range to get signed, so we

750
00:44:17,920 --> 00:44:22,000
Speaker 1: signed Sony. He was with d I T. C. He

751
00:44:22,120 --> 00:44:27,160
Speaker 1: was with Columbia. Yeah, that was you know what I'm saying. Well,

752
00:44:27,200 --> 00:44:29,440
Speaker 1: no is this only Columbia has always been on the SNY.

753
00:44:29,520 --> 00:44:31,600
Speaker 1: It wasn't. I don't think Columbia ever stood on his own.

754
00:44:31,680 --> 00:44:33,400
Speaker 1: I don't know. I think so No, I think it's

755
00:44:33,440 --> 00:44:36,880
Speaker 1: always been on the SNY. Bro whatever he was okay,

756
00:44:37,040 --> 00:44:38,920
Speaker 1: So I was like the first person out of all

757
00:44:38,960 --> 00:44:44,320
Speaker 1: of us to yeah, you know, I'm pretty sure. Kim

758
00:44:44,360 --> 00:44:46,759
Speaker 1: and Mace was like, oh, ship, that's right there. He

759
00:44:46,840 --> 00:44:49,120
Speaker 1: was like, oh, that's right there. You know what I'm saying.

760
00:44:49,160 --> 00:44:52,800
Speaker 1: You know, far as the young generation, ham Teddy Roley

761
00:44:53,000 --> 00:44:54,759
Speaker 1: grew up from the block where I grew up back

762
00:44:55,440 --> 00:44:59,200
Speaker 1: raw base was on the projects and your projects to

763
00:44:59,480 --> 00:45:06,200
Speaker 1: make thinks. Kumo d was I'm Hunt nine Hunt twenty

764
00:45:06,280 --> 00:45:09,080
Speaker 1: nine Street did he had a little glasses always always

765
00:45:10,520 --> 00:45:14,160
Speaker 1: superstars Yeah, and then all the DJs Bruce CB what

766
00:45:14,200 --> 00:45:16,000
Speaker 1: I'm saying. So it was always a lot of ship

767
00:45:16,160 --> 00:45:21,160
Speaker 1: going on in the hood, but different levels and generations.

768
00:45:22,120 --> 00:45:24,879
Speaker 1: Niggas wrapping, rapping, rapping, spin L was the first one.

769
00:45:25,600 --> 00:45:28,319
Speaker 1: L got signed and we knew it was close and

770
00:45:28,520 --> 00:45:33,879
Speaker 1: just like theoretically my studio I was on twenty ninth

771
00:45:33,920 --> 00:45:38,239
Speaker 1: Street right before L got killed. He would come to

772
00:45:38,320 --> 00:45:43,080
Speaker 1: my studio all the time. I kept it in the

773
00:45:43,120 --> 00:45:44,719
Speaker 1: hood as long as I could. I had to get

774
00:45:44,760 --> 00:45:46,319
Speaker 1: funk out of there, you know what I'm saying. But

775
00:45:47,960 --> 00:45:50,200
Speaker 1: L would come to the studio and this is after

776
00:45:50,200 --> 00:45:52,000
Speaker 1: he had the singles with everything out. He was doing

777
00:45:52,000 --> 00:45:53,680
Speaker 1: a party from Oh and he was just like Yo,

778
00:45:53,719 --> 00:45:55,160
Speaker 1: creething oft the b C D And he was just

779
00:45:55,239 --> 00:45:58,279
Speaker 1: going down the second floor and just right right right.

780
00:45:58,320 --> 00:46:01,200
Speaker 1: And even when he got um, we gotta killed his

781
00:46:01,480 --> 00:46:06,080
Speaker 1: his uh flyers from the club sending the studio. You

782
00:46:06,160 --> 00:46:08,000
Speaker 1: got the bag with the whole thick of flyers and

783
00:46:08,040 --> 00:46:11,600
Speaker 1: ship what I'm saying. So it was like fuck, you

784
00:46:11,640 --> 00:46:15,000
Speaker 1: know what I'm saying. But L is the legend of

785
00:46:15,160 --> 00:46:19,120
Speaker 1: our age range, especially your hall. He was, you know,

786
00:46:19,760 --> 00:46:21,719
Speaker 1: and it seemed like he was about to get I

787
00:46:21,760 --> 00:46:23,560
Speaker 1: mean he was supposed to get sign the rocket Feller

788
00:46:23,880 --> 00:46:26,560
Speaker 1: around your time, right, yeah, and it would have been crazy.

789
00:46:26,920 --> 00:46:29,319
Speaker 1: Jay was sounding like up a little bit too, he said,

790
00:46:29,360 --> 00:46:33,120
Speaker 1: he was sounding like the girl A lot of people

791
00:46:33,320 --> 00:46:38,280
Speaker 1: sounded like big. Yeah. He was coming like with original

792
00:46:38,360 --> 00:46:42,440
Speaker 1: style becomes some original style, was like, that's the new wave.

793
00:46:43,200 --> 00:46:48,000
Speaker 1: Ye yeah, I mean, yeah, we're gonna do quick time

794
00:46:48,000 --> 00:46:51,279
Speaker 1: with Slim. Usually this time we take shots. But you're

795
00:46:51,280 --> 00:46:54,320
Speaker 1: not taking shots. So we're just we're just we'll just

796
00:46:54,440 --> 00:46:56,799
Speaker 1: we'll just no no, no weak shot. We'll just we'll

797
00:46:56,840 --> 00:46:58,680
Speaker 1: just ride with it that one of your homies want

798
00:46:58,719 --> 00:47:01,240
Speaker 1: to step in for you? On your homies, wanna stepping

799
00:47:01,239 --> 00:47:05,320
Speaker 1: in for you? Do you want to stepping No? No, no, no,

800
00:47:05,400 --> 00:47:08,960
Speaker 1: no no, you gotta take You gotta take the whole game,

801
00:47:09,400 --> 00:47:11,600
Speaker 1: the whole game. You got your own ship, Like, all right,

802
00:47:11,680 --> 00:47:14,880
Speaker 1: come on, I like you got your own ship, Tracy,

803
00:47:14,920 --> 00:47:16,200
Speaker 1: you help the bole. You're gonna take the shot. You

804
00:47:16,239 --> 00:47:20,759
Speaker 1: gotta bring your own patrol, bring up with yeah. Yeah yeah, yeah, yeah, yeah,

805
00:47:20,840 --> 00:47:27,440
Speaker 1: yeah yeah yeah, we got we got on my shot glass.

806
00:47:30,840 --> 00:47:33,160
Speaker 1: I'm so shoot my water. Yeah, this this is kind

807
00:47:33,160 --> 00:47:38,080
Speaker 1: of easy, man, it's my step. I'll talk about this. Yeah,

808
00:47:38,080 --> 00:47:45,000
Speaker 1: because did him Okay, yeah, some of these are good.

809
00:47:45,640 --> 00:47:47,919
Speaker 1: Some of these are good. Hi. You ready? You only

810
00:47:48,000 --> 00:47:51,840
Speaker 1: take the shot if he says neither or if he

811
00:47:51,960 --> 00:47:55,600
Speaker 1: says both. If he doesn't say neither both, you know,

812
00:47:55,960 --> 00:47:58,839
Speaker 1: but it's it's it's prayer question, all right. So this one,

813
00:47:58,880 --> 00:48:01,160
Speaker 1: I know, I kind of know he's gonna go. Um,

814
00:48:01,520 --> 00:48:04,799
Speaker 1: it's quick to have a slide uh nahs or jay,

815
00:48:09,120 --> 00:48:18,440
Speaker 1: I'm fucking technical man, J what aspect No, it's just

816
00:48:18,560 --> 00:48:21,640
Speaker 1: any aspect one, whatever it is. Don't don't be toothings.

817
00:48:21,680 --> 00:48:24,000
Speaker 1: Don't worry about it if you want to. It's hard

818
00:48:24,080 --> 00:48:29,040
Speaker 1: because I didn't take a shot there. It's okay, both

819
00:48:29,040 --> 00:48:32,640
Speaker 1: of them. It's two lates. I was, I would say,

820
00:48:32,960 --> 00:48:39,000
Speaker 1: J on the oporneal and doing different things. But quietly, no,

821
00:48:39,160 --> 00:48:42,440
Speaker 1: it's got a lot of different right both to me, sir,

822
00:48:43,520 --> 00:48:45,799
Speaker 1: I'm saying it sounds like both to me. That's been

823
00:48:45,960 --> 00:48:49,040
Speaker 1: just a right cool All right, now this one, I

824
00:48:49,120 --> 00:48:51,600
Speaker 1: pretty much know where're gonna go with this one. DMX

825
00:48:51,680 --> 00:48:58,440
Speaker 1: with Tupac. I love Tupac. Okay, but you're going with X.

826
00:48:59,400 --> 00:49:02,359
Speaker 1: Gotta keep you roll roll some of these I'm ill give.

827
00:49:03,680 --> 00:49:06,600
Speaker 1: Just pass me back to product the thing, dump it

828
00:49:06,640 --> 00:49:09,759
Speaker 1: out because I'm still trying to promote. Yeah, yeah, get

829
00:49:09,880 --> 00:49:12,160
Speaker 1: back the case. Yeah there you go. Hey, you want

830
00:49:12,200 --> 00:49:15,000
Speaker 1: this one too? You get him everything? Yeah? Yeah, I

831
00:49:16,960 --> 00:49:20,480
Speaker 1: like I wrote about Molly's yea throwing back old okay,

832
00:49:21,960 --> 00:49:27,239
Speaker 1: all right, Sunny catch it, okay, I didn't know what

833
00:49:27,320 --> 00:49:32,080
Speaker 1: you got with this, come on, okay, all right, Ace

834
00:49:32,160 --> 00:49:36,440
Speaker 1: hood or currency comes okay, that's you got a lot

835
00:49:36,440 --> 00:49:41,120
Speaker 1: of drinks and currency spy, virginal godless original style that

836
00:49:41,200 --> 00:49:44,320
Speaker 1: does virginal groove. There, that's what I funk with Derek

837
00:49:44,400 --> 00:49:47,279
Speaker 1: currency figure all right, nineties or two thousand of hip hop?

838
00:49:48,640 --> 00:49:52,239
Speaker 1: Rusk said to two thousand's two thousands? Oh ship, I

839
00:49:52,320 --> 00:49:58,640
Speaker 1: am alright cool. Damnever considered two thousands or was nineties?

840
00:49:59,280 --> 00:50:04,759
Speaker 1: That one? That's true because it bleeds. It bleeds what

841
00:50:04,840 --> 00:50:08,840
Speaker 1: I'm saying like Semon could like it could be radio

842
00:50:09,200 --> 00:50:18,400
Speaker 1: podcasts were in the future now okay, uh better up podcast.

843
00:50:18,520 --> 00:50:21,520
Speaker 1: That's cool looking at it, still the same semi song. Okay,

844
00:50:21,920 --> 00:50:25,080
Speaker 1: I know Scarface or ice Cube, he gonna take a shot.

845
00:50:29,840 --> 00:50:32,359
Speaker 1: I gotta go with Uncle Face. Okay, Okay, I love

846
00:50:33,280 --> 00:50:36,480
Speaker 1: God Uncle Facing al Right, this one he's definitely gonna

847
00:50:36,520 --> 00:50:46,880
Speaker 1: take a shot to. He should almost Biggie or Big Gul. Damn,

848
00:50:47,320 --> 00:50:52,720
Speaker 1: that's a shot. See see that's the ship that sucks

849
00:50:52,800 --> 00:50:55,239
Speaker 1: me up. It sounds like a shot. Just gotta pick

850
00:50:55,320 --> 00:50:58,279
Speaker 1: both because yeah, I'm gonna say both. Yeah, because the

851
00:50:58,400 --> 00:51:01,400
Speaker 1: one thing, like you know what I'm saying, course, l bro,

852
00:51:01,719 --> 00:51:05,560
Speaker 1: you know what I'm saying. But that's the legacy. But

853
00:51:05,719 --> 00:51:10,440
Speaker 1: I just be a little with big. It just was

854
00:51:10,560 --> 00:51:14,160
Speaker 1: the one thing that. I wish I was a little

855
00:51:14,280 --> 00:51:18,680
Speaker 1: older we were doing it. I would have had them

856
00:51:18,760 --> 00:51:23,239
Speaker 1: do more songs, just more, just keep going, all right.

857
00:51:23,560 --> 00:51:26,000
Speaker 1: But at the same time, the amount of songs is

858
00:51:26,080 --> 00:51:30,399
Speaker 1: a legacy, right, Okay, DJ Mogs or Alchemists m hmm,

859
00:51:32,719 --> 00:51:37,279
Speaker 1: name from the same did lineage? Did Monks produce um

860
00:51:37,880 --> 00:51:42,440
Speaker 1: at Cypress Hill? No? The single which one time for

861
00:51:42,600 --> 00:51:45,520
Speaker 1: some action? I know that's Redman hook. But now you're

862
00:51:45,560 --> 00:51:47,640
Speaker 1: talking about if I could just kill a man, Yeah,

863
00:51:49,520 --> 00:51:52,480
Speaker 1: I got it. Damn Alchemists fire too. I gotta go

864
00:51:52,560 --> 00:51:56,879
Speaker 1: with Moms. Yeah, because because because you know what I'm saying,

865
00:51:56,880 --> 00:51:59,960
Speaker 1: I can just kill him. That's part of the influence.

866
00:52:00,719 --> 00:52:02,600
Speaker 1: What's got part of us here? You know what I'm saying?

867
00:52:02,680 --> 00:52:10,960
Speaker 1: So all right? Yeah, not taking when alcoms dope? No analog?

868
00:52:11,360 --> 00:52:20,919
Speaker 1: Did you? Oh? I don't know. Go both. I'm gonna

869
00:52:20,920 --> 00:52:29,879
Speaker 1: go both because somebody both. We got a drink were

870
00:52:30,320 --> 00:52:32,560
Speaker 1: all the way? Yeah? Are you going right there? Here?

871
00:52:32,840 --> 00:52:36,239
Speaker 1: You're driving? Right? Okay? All right? What was that? I

872
00:52:36,320 --> 00:52:43,400
Speaker 1: was ana long digital? I agree with that. Um I

873
00:52:43,520 --> 00:52:46,160
Speaker 1: learned the Seeker from Dr Dre and The Lord in Digital. Okay,

874
00:52:46,200 --> 00:52:50,879
Speaker 1: but hold on, we gotta got MP three NPC two

875
00:52:50,960 --> 00:52:54,400
Speaker 1: thousand or the SP twelve hundred. What about the three thousand?

876
00:52:55,200 --> 00:52:58,759
Speaker 1: That's not dead brother ship. I didn't want to put

877
00:52:58,800 --> 00:53:01,920
Speaker 1: that one, and I'm going have to say specause I

878
00:53:01,920 --> 00:53:04,839
Speaker 1: don't like to some thousand at all. Okay to digit

879
00:53:07,040 --> 00:53:10,080
Speaker 1: reason times f L studio reason our f L studio.

880
00:53:13,880 --> 00:53:19,640
Speaker 1: What's that reason? It's record, that's all right? The ship

881
00:53:19,719 --> 00:53:35,279
Speaker 1: that okay, major or indie m that's kind of both. Sorry, yeah,

882
00:53:35,640 --> 00:53:39,160
Speaker 1: just go ahead. Don't go to the tequila. Come on, yeah, yeah,

883
00:53:39,520 --> 00:53:41,880
Speaker 1: you're good, right there, you're good. That's a that we

884
00:53:41,960 --> 00:53:51,640
Speaker 1: all have that. Okay, the rules n how many halfway through?

885
00:53:51,719 --> 00:53:55,560
Speaker 1: I think we halfway through? Okay, pro tools or logic

886
00:53:59,480 --> 00:54:03,600
Speaker 1: pro tools okay, yeah, because I um I use ableton

887
00:54:05,920 --> 00:54:11,279
Speaker 1: ableton That just sounds like some witch scientists like he

888
00:54:11,400 --> 00:54:16,200
Speaker 1: definitely made glasses like you. He looked like you, so

889
00:54:16,400 --> 00:54:20,680
Speaker 1: able tonight, So you're going pro tools protels okay to me,

890
00:54:20,760 --> 00:54:23,200
Speaker 1: people who wear glasses smarter. I'm just saying, just want

891
00:54:23,239 --> 00:54:32,279
Speaker 1: to throw that out. Yeah l A or Miami l

892
00:54:32,320 --> 00:54:36,040
Speaker 1: A because I do movies, okay, in video games, Okay,

893
00:54:36,440 --> 00:54:41,120
Speaker 1: I know I love Miami. I love y'all. Please don't Joe,

894
00:54:42,400 --> 00:54:48,120
Speaker 1: you can make more money we got okay, or Mace.

895
00:54:50,239 --> 00:54:53,520
Speaker 1: That's just was on the text with Mace earlier. That's

896
00:54:53,560 --> 00:54:57,600
Speaker 1: the pros both. It's not me, brother, it's the way

897
00:54:57,640 --> 00:55:02,320
Speaker 1: the game got expect. Okay, Tracy is right there. You

898
00:55:02,360 --> 00:55:06,320
Speaker 1: know everybody, Okay, all right, we're gonna waiting to finish.

899
00:55:07,880 --> 00:55:13,640
Speaker 1: It's part of the game. He had more questions. No, no, no, no,

900
00:55:13,800 --> 00:55:18,120
Speaker 1: it's all here. No banks on the mess. I'm not

901
00:55:18,239 --> 00:55:22,040
Speaker 1: even in sports, but I'm not gonna do both. Alright,

902
00:55:22,040 --> 00:55:26,120
Speaker 1: I don't do my Grandpap's and uncle's. We're from the Bronx,

903
00:55:27,160 --> 00:55:31,680
Speaker 1: so that he die hard. Okay, correct, same, Okay, Papa,

904
00:55:31,760 --> 00:55:40,919
Speaker 1: Daddy or Dre. That's gonna be tough. Dre is most

905
00:55:40,960 --> 00:55:44,560
Speaker 1: of my influence and Puff is my first Chet sounds

906
00:55:44,600 --> 00:55:53,759
Speaker 1: like both, damn Tracy both and I work with both

907
00:55:53,760 --> 00:55:55,880
Speaker 1: of them personally. You know what I'm saying, Oh, this

908
00:55:56,120 --> 00:56:03,480
Speaker 1: is fire because you don't know by the way, Yeah, uh,

909
00:56:03,719 --> 00:56:09,279
Speaker 1: we'll wait. Okay, Swiss, Swiss or Timberland. You're going after this.

910
00:56:11,920 --> 00:56:16,200
Speaker 1: Swiss is extended family. But I gotta go with Timberland. Okay, sure,

911
00:56:16,239 --> 00:56:25,520
Speaker 1: you're okay, I'm going Timberland. Okay, come on, m Luck

912
00:56:25,560 --> 00:56:28,920
Speaker 1: the way he said that, Come on, Marb deeper outcast.

913
00:56:28,960 --> 00:56:32,000
Speaker 1: I don't know where you're going with this one. That's

914
00:56:32,080 --> 00:56:34,920
Speaker 1: kind of fucking crazy because they're like two of them

915
00:56:34,920 --> 00:56:40,960
Speaker 1: are at the young boy. Yeah, look outside. You gotta

916
00:56:41,000 --> 00:56:46,279
Speaker 1: go both. You know what you want. Just don't don't

917
00:56:46,320 --> 00:56:49,839
Speaker 1: go with the mom. I'm going with them, all right.

918
00:56:50,640 --> 00:56:52,080
Speaker 1: This is one. I know, Rose is one of my

919
00:56:52,120 --> 00:56:54,600
Speaker 1: favorite records all the time. But you know that man

920
00:56:54,960 --> 00:57:12,120
Speaker 1: or Jada Kiss. Yeah, I'm gonna both New York. You

921
00:57:12,160 --> 00:57:16,400
Speaker 1: gotta understand. I got multiple songs with anybody, and I

922
00:57:16,480 --> 00:57:18,760
Speaker 1: got a song with Meth and coming. It's only three left,

923
00:57:18,840 --> 00:57:22,880
Speaker 1: It's only three left, Only three shots. Letter. This is

924
00:57:23,000 --> 00:57:24,160
Speaker 1: up in the air. This is up in the air.

925
00:57:24,480 --> 00:57:28,959
Speaker 1: This one. I'm pretty sure he's good. Three three more shots.

926
00:57:29,000 --> 00:57:35,360
Speaker 1: You're gonna even Foxy Brown. I gotta go with Eve, Okay.

927
00:57:36,440 --> 00:57:38,600
Speaker 1: You know I work with even when she was even destruction.

928
00:57:39,160 --> 00:57:42,200
Speaker 1: I worked even she was even destruction as well. After that,

929
00:57:42,600 --> 00:57:44,640
Speaker 1: I went to Philly to do it too. I'm with

930
00:57:44,680 --> 00:57:54,440
Speaker 1: the l a Um common Ground, Coolgi wrap A Big

931
00:57:54,520 --> 00:57:59,600
Speaker 1: Daddy Came, I love Came, but I'm about to go

932
00:57:59,680 --> 00:58:01,520
Speaker 1: to Cool. You wrap on the Gangster Ship and I

933
00:58:01,600 --> 00:58:04,640
Speaker 1: got a COUCHI rap single coming up, So you're gonna

934
00:58:04,720 --> 00:58:08,280
Speaker 1: Cuchi rap. I love Kano, but I'm gonna cut rap

935
00:58:09,320 --> 00:58:17,040
Speaker 1: Gangster French Montana or a SAP Rocky French. I didn't

936
00:58:17,040 --> 00:58:20,480
Speaker 1: really hear too many of a SAP records that Rocky record.

937
00:58:20,720 --> 00:58:22,600
Speaker 1: I know, No, I didn't real it. Right now, let's

938
00:58:22,600 --> 00:58:32,040
Speaker 1: get a negat some that's enough his record. Shout out

939
00:58:32,080 --> 00:58:36,120
Speaker 1: to shout out to a sapping for because I cleared

940
00:58:36,160 --> 00:58:39,120
Speaker 1: the Pups record. I cleared the Pups record for them. Okay, Ship,

941
00:58:40,040 --> 00:58:41,640
Speaker 1: you gotta go back to what you said about dre

942
00:58:41,760 --> 00:58:46,840
Speaker 1: about teaching you the analog, did you Okay? So with

943
00:58:46,960 --> 00:58:57,560
Speaker 1: the analog, when I will work with Yah, you know

944
00:58:57,560 --> 00:58:59,160
Speaker 1: what I'm saying that. But when I work with Drake

945
00:58:59,200 --> 00:59:02,520
Speaker 1: beause I work with a thousand times one was even

946
00:59:02,600 --> 00:59:07,200
Speaker 1: destruction before she was out of the East. Um another artist,

947
00:59:07,360 --> 00:59:11,920
Speaker 1: Amy Tavern Brazilian singing artists, but m we would track

948
00:59:12,160 --> 00:59:17,000
Speaker 1: the drums analog. All drums stay analog and all that

949
00:59:17,120 --> 00:59:20,840
Speaker 1: sounds digital. So we used two inch and pro tools.

950
00:59:22,440 --> 00:59:26,920
Speaker 1: The reels are the drums and then everything else is digital.

951
00:59:27,280 --> 00:59:30,000
Speaker 1: For the warmth especially come out to three thousand and ship.

952
00:59:30,720 --> 00:59:34,000
Speaker 1: That's why I picked the two thousand too crispy, That's

953
00:59:34,000 --> 00:59:37,240
Speaker 1: why I went with hunted and we got were kind

954
00:59:37,240 --> 00:59:38,960
Speaker 1: of described it for people who don't understand what the

955
00:59:38,960 --> 00:59:48,240
Speaker 1: hell we're talking. Actually, people don't know. No, no, no,

956
00:59:48,320 --> 00:59:52,200
Speaker 1: the real the real ship, you know, that's the drums

957
00:59:52,240 --> 00:59:54,840
Speaker 1: on the reel and everything else would be digitally recorded.

958
00:59:54,840 --> 00:59:57,400
Speaker 1: It's like holding a little person. So the first I

959
00:59:57,480 --> 01:00:02,360
Speaker 1: don't know, but okay, that's a little crazy. The two

960
01:00:02,400 --> 01:00:09,280
Speaker 1: inch real I'm talking about yo, listens. Sorry to sound

961
01:00:09,320 --> 01:00:12,240
Speaker 1: like the old hen and the Landies used to have

962
01:00:12,400 --> 01:00:15,439
Speaker 1: a two inch real and you literally could not send

963
01:00:15,480 --> 01:00:19,120
Speaker 1: a verse like Buster RBS do a verse. Nobs is

964
01:00:19,160 --> 01:00:20,720
Speaker 1: doing the first for you have to come to your

965
01:00:20,800 --> 01:00:23,560
Speaker 1: studio because in order not on even that, in order

966
01:00:23,600 --> 01:00:26,160
Speaker 1: to punch in that they would they would literally have

967
01:00:26,200 --> 01:00:29,080
Speaker 1: to put tape on the actual ship, like you have

968
01:00:29,160 --> 01:00:36,320
Speaker 1: to cut tape. Yeah, cut the tape that sorry. Look

969
01:00:36,360 --> 01:00:38,080
Speaker 1: at these guys, these guys like this, they make a

970
01:00:38,120 --> 01:00:43,560
Speaker 1: record in two minutes. Hey, I'm looking like fun. Took

971
01:00:43,640 --> 01:00:47,360
Speaker 1: us hours like just to just to track the beat. Remember,

972
01:00:47,400 --> 01:00:51,320
Speaker 1: they had to track out the soul. Sorry, but the

973
01:00:51,400 --> 01:00:53,880
Speaker 1: sounds like what you're saying that warms. You can't get it,

974
01:00:55,080 --> 01:00:58,320
Speaker 1: especially for the drums. You know what I'm saying. He

975
01:00:58,440 --> 01:01:01,200
Speaker 1: used to we call the drums an analog and everything

976
01:01:01,280 --> 01:01:04,440
Speaker 1: else did here. And when I record or make beats

977
01:01:04,600 --> 01:01:08,120
Speaker 1: for aftermfractive things, I would record my drums too much

978
01:01:08,200 --> 01:01:15,080
Speaker 1: reels analog and all it sounds keep makingthing. Wow, that's crazy. Goddamn,

979
01:01:15,160 --> 01:01:26,040
Speaker 1: that's crazy. At one point you started to become a

980
01:01:26,120 --> 01:01:28,280
Speaker 1: part of your project. He was laying versus you. I

981
01:01:28,360 --> 01:01:30,720
Speaker 1: think people had a singing album or something and you

982
01:01:30,800 --> 01:01:37,320
Speaker 1: were singing, awesome ship. It was Blanket Jackson. That okay, okay,

983
01:01:37,880 --> 01:01:45,120
Speaker 1: And so you know, you go back to the incredible name.

984
01:01:45,760 --> 01:01:47,920
Speaker 1: You go back to the Michael Jackson song when it

985
01:01:48,040 --> 01:01:50,720
Speaker 1: was like the kid ain't mine. That was me. Okay,

986
01:01:50,960 --> 01:01:54,520
Speaker 1: you're the kid. Yeah, that was you know what I'm saying,

987
01:01:55,360 --> 01:02:01,080
Speaker 1: checking the mail Michael Jackson. So you know that's Blakey

988
01:02:01,200 --> 01:02:03,440
Speaker 1: Jackson is Oh, I get it, Jackson even get the

989
01:02:03,520 --> 01:02:05,960
Speaker 1: Jackson just speaking all of us. Name is Jackson somewhere,

990
01:02:06,160 --> 01:02:08,840
Speaker 1: you know what, Let's find out he really is the kid.

991
01:02:10,720 --> 01:02:13,720
Speaker 1: That's hilarious. When it came actually came on the mix, sape.

992
01:02:13,800 --> 01:02:15,840
Speaker 1: I think when the goomi at one point five, I

993
01:02:15,960 --> 01:02:20,520
Speaker 1: just did a fucking uh uh skit. I'm like with

994
01:02:20,600 --> 01:02:23,040
Speaker 1: the auto tune, fucking around like Blake could he used

995
01:02:23,080 --> 01:02:27,479
Speaker 1: to being honey out and blue and red star, blue

996
01:02:27,560 --> 01:02:32,240
Speaker 1: red Staux. Know what blue red Staux? The pills? Yeah,

997
01:02:32,320 --> 01:02:36,200
Speaker 1: oh yeah, I know some of the drink blue red stalls.

998
01:02:36,320 --> 01:02:38,840
Speaker 1: Like where was I for that one? Okay? I was

999
01:02:38,840 --> 01:02:47,080
Speaker 1: here for the pills. Still over the pills. I speak

1000
01:02:47,400 --> 01:02:50,120
Speaker 1: up front with our fans over right, It's okay, he pills.

1001
01:02:50,280 --> 01:02:58,360
Speaker 1: Here's something the pills. So this guy all right, so

1002
01:02:59,560 --> 01:03:02,680
Speaker 1: me Max Frend's reasonly fucked up. So that's how you

1003
01:03:02,800 --> 01:03:07,960
Speaker 1: made music with a pill? Put the guyline on it

1004
01:03:08,480 --> 01:03:13,480
Speaker 1: only want to get to the point already. I can

1005
01:03:13,560 --> 01:03:26,520
Speaker 1: tell you I did the skit. You know what I'm saying.

1006
01:03:27,080 --> 01:03:28,920
Speaker 1: And that's like to turn the tune on. Fuck it,

1007
01:03:29,880 --> 01:03:39,400
Speaker 1: Blanket Blanket Jackson of all those Michael Michael Jackson hit

1008
01:03:39,560 --> 01:03:44,400
Speaker 1: right now, like yo, that's dope. The skits aw going crazy.

1009
01:03:44,400 --> 01:03:48,240
Speaker 1: I'm like, word, put a beat on, did that on

1010
01:03:48,320 --> 01:03:51,840
Speaker 1: the beat, put another one on. She just saw the

1011
01:03:51,880 --> 01:03:54,000
Speaker 1: catching and saw the catching. That did the mixtape Ship

1012
01:03:54,080 --> 01:03:59,320
Speaker 1: Club Music, which is all blanket featuring increase featuring yourself.

1013
01:03:59,400 --> 01:04:02,200
Speaker 1: Well not really. Yeah, there's a couple of over there.

1014
01:04:03,480 --> 01:04:06,320
Speaker 1: Sorry to be bouncing around, but listen, right when we

1015
01:04:07,200 --> 01:04:09,840
Speaker 1: interview people, we want to listen to their catalog or

1016
01:04:09,880 --> 01:04:11,720
Speaker 1: the ship. So we come here earlier. I can't here

1017
01:04:11,760 --> 01:04:13,600
Speaker 1: way too early today. I don't know why I was

1018
01:04:13,680 --> 01:04:16,720
Speaker 1: here before. Everybody like there wasn't even a thing right here,

1019
01:04:17,120 --> 01:04:19,000
Speaker 1: Like he was just here, the lady said. The lady

1020
01:04:19,000 --> 01:04:21,680
Speaker 1: looked at me and said, norm me, like you never

1021
01:04:21,800 --> 01:04:24,120
Speaker 1: hear at this time anyway. So that was a great

1022
01:04:24,160 --> 01:04:27,600
Speaker 1: thing because I could go through your catalog. But pause,

1023
01:04:28,600 --> 01:04:32,400
Speaker 1: you really have how many songs to have to record?

1024
01:04:32,520 --> 01:04:34,160
Speaker 1: Like you really, Paul, I don't want to say that

1025
01:04:34,280 --> 01:04:38,320
Speaker 1: you have a long ass catalog like like you know,

1026
01:04:38,600 --> 01:04:42,000
Speaker 1: pauls like that's like you said, three thousand songs made

1027
01:04:42,560 --> 01:04:47,000
Speaker 1: a pride over gaggerated or probably around there. You just

1028
01:04:47,080 --> 01:04:48,600
Speaker 1: try to get nine the County Ship. You know what

1029
01:04:48,600 --> 01:04:51,480
Speaker 1: I'm saying that it's like the school of Tupacat. Yeah,

1030
01:04:52,080 --> 01:04:53,840
Speaker 1: that's what you're saying. You wish Big would have cranked

1031
01:04:53,840 --> 01:04:58,040
Speaker 1: out more records, because you're telling from me, Big had

1032
01:04:58,120 --> 01:05:01,200
Speaker 1: one beat of mind. He was writing to one beat

1033
01:05:01,720 --> 01:05:04,520
Speaker 1: and Puff now Puff wild into action. I mean, you

1034
01:05:04,600 --> 01:05:07,640
Speaker 1: know Puff Puff is super regular in the studio, boxing

1035
01:05:08,320 --> 01:05:10,840
Speaker 1: basketball shorts or whatever. He's a hut Okay, I don't

1036
01:05:10,840 --> 01:05:16,120
Speaker 1: know that puff though, all right, I'm just you know, yeah, yeah,

1037
01:05:17,080 --> 01:05:18,919
Speaker 1: but he was like, your big right to this joint, crease,

1038
01:05:19,000 --> 01:05:21,400
Speaker 1: let me take your the room. And that's the only

1039
01:05:21,560 --> 01:05:24,240
Speaker 1: one time I met Bigger Stark here at the La Moon.

1040
01:05:25,280 --> 01:05:30,560
Speaker 1: He's like, yo, you made this, like yeah, killless dope

1041
01:05:30,720 --> 01:05:32,240
Speaker 1: and this is this is very to die big or

1042
01:05:32,280 --> 01:05:34,919
Speaker 1: this is life after that band, that double album Big, Okay,

1043
01:05:34,960 --> 01:05:40,480
Speaker 1: that's after death. You know. I had to maintain my excitement.

1044
01:05:41,200 --> 01:05:45,520
Speaker 1: I'm like, okay, dope in my head, like, oh I'm

1045
01:05:45,520 --> 01:05:50,000
Speaker 1: about to get a big record. It was the beat

1046
01:05:50,080 --> 01:05:53,880
Speaker 1: was crazy. I don't even got any more. Who was somebody?

1047
01:05:54,160 --> 01:05:56,720
Speaker 1: You did? You did you would like to work with?

1048
01:05:59,600 --> 01:06:01,720
Speaker 1: I just broke with Snoop. I always like Snoop, never

1049
01:06:01,840 --> 01:06:04,400
Speaker 1: work with Snoop. I never walk Stoop because I like

1050
01:06:04,640 --> 01:06:09,040
Speaker 1: I like, I like artists with their own character personality.

1051
01:06:10,160 --> 01:06:16,880
Speaker 1: How about Buster? How about from Wow? No, I never

1052
01:06:16,960 --> 01:06:19,400
Speaker 1: work with Bust. That's what you know what I'm saying,

1053
01:06:19,680 --> 01:06:23,720
Speaker 1: It's just you know what I'm saying. I don't like

1054
01:06:23,800 --> 01:06:25,760
Speaker 1: to work with artists sounds like other people. I can't

1055
01:06:25,800 --> 01:06:27,760
Speaker 1: do that. Oh yeah, you can't work with nobody new

1056
01:06:27,840 --> 01:06:33,880
Speaker 1: right now? That for the Meals is the folks you're

1057
01:06:34,240 --> 01:06:36,680
Speaker 1: working with the Meals recently? No, no, I will Okay,

1058
01:06:39,120 --> 01:06:42,520
Speaker 1: they're original to me, like the New Ways, Yeah to me.

1059
01:06:43,120 --> 01:06:45,280
Speaker 1: To me, there the original of that style. Now there's

1060
01:06:45,280 --> 01:06:46,920
Speaker 1: a lot of people who silite the Megals, but to

1061
01:06:47,000 --> 01:06:50,880
Speaker 1: be hands down the Megs, and you know, I like that.

1062
01:06:51,240 --> 01:06:54,520
Speaker 1: I like their tightness, like you know, like the fact

1063
01:06:54,560 --> 01:06:58,680
Speaker 1: that the Locks because you know all these years and

1064
01:06:59,720 --> 01:07:03,480
Speaker 1: her styles p this Jada. I've never heard Jada this year.

1065
01:07:03,960 --> 01:07:06,400
Speaker 1: And I've never heard Offset just take off and take

1066
01:07:06,440 --> 01:07:10,160
Speaker 1: off this on Crabo. I've never heard that. And they

1067
01:07:10,240 --> 01:07:13,280
Speaker 1: actually seemed tighter now that they had like a discrepancy

1068
01:07:13,320 --> 01:07:15,680
Speaker 1: with their label like I think they had they they had.

1069
01:07:15,720 --> 01:07:18,400
Speaker 1: They're going through their bad way. Yeah, that bad way

1070
01:07:18,440 --> 01:07:20,520
Speaker 1: moment where how the Locks went through their moment with

1071
01:07:20,640 --> 01:07:23,000
Speaker 1: bad Boy, and I think they're going through that. Hope

1072
01:07:23,000 --> 01:07:26,440
Speaker 1: hopefully all that works out, but um, it actually makes

1073
01:07:26,480 --> 01:07:28,520
Speaker 1: me say, damn, I fount with him even more, Like

1074
01:07:28,600 --> 01:07:29,680
Speaker 1: you know what I'm saying, I seem to be the

1075
01:07:29,760 --> 01:07:33,880
Speaker 1: Nickelodeon Awards, which is right, you're walking through the melet's

1076
01:07:33,880 --> 01:07:38,200
Speaker 1: walk through it. Um, what's CARDI b Manum? It was

1077
01:07:38,240 --> 01:07:40,160
Speaker 1: something I was like, oh Ship, I even know what

1078
01:07:40,160 --> 01:07:42,320
Speaker 1: you think? You know me, I'm like, oh Ship, But yeah,

1079
01:07:42,480 --> 01:07:44,120
Speaker 1: I think they're cool and I think, um their music

1080
01:07:44,200 --> 01:07:46,040
Speaker 1: and I think they still the text of time and

1081
01:07:46,120 --> 01:07:47,760
Speaker 1: I actually think they legends. Man, so you know what

1082
01:07:47,800 --> 01:07:56,080
Speaker 1: I mean? Step so um boom doing all this? Um,

1083
01:07:57,320 --> 01:07:59,040
Speaker 1: I want to get back to the Way for a minute.

1084
01:07:59,400 --> 01:08:02,160
Speaker 1: It's the way even something that Max be created. And

1085
01:08:02,200 --> 01:08:04,720
Speaker 1: there's something that Max we created. Okay, yes, but I

1086
01:08:04,840 --> 01:08:08,280
Speaker 1: just came on and made it more. Yeah, okay, you

1087
01:08:08,320 --> 01:08:10,919
Speaker 1: know more. What do you think when you hear people

1088
01:08:11,000 --> 01:08:13,120
Speaker 1: use the way? There's a lot of people, know, it's

1089
01:08:13,120 --> 01:08:15,880
Speaker 1: a lot you know what I'm saying. Um, it's just

1090
01:08:16,280 --> 01:08:20,000
Speaker 1: unfortunately that he got locked up. You know what I'm saying.

1091
01:08:20,040 --> 01:08:23,800
Speaker 1: Did he patting the word? Not quite, not that I

1092
01:08:23,880 --> 01:08:26,600
Speaker 1: know of. I don't don't quote me like you know

1093
01:08:26,640 --> 01:08:30,160
Speaker 1: what I'm saying, but not that I know of. You

1094
01:08:30,200 --> 01:08:31,600
Speaker 1: know what I'm saying that I would have patting the

1095
01:08:31,640 --> 01:08:36,040
Speaker 1: worst slie. Come on, he would have pat. I was

1096
01:08:36,080 --> 01:08:38,439
Speaker 1: the first one to say slie and it's not and

1097
01:08:38,520 --> 01:08:51,040
Speaker 1: it's not guy. Yeah, it wasn't no gang ship and

1098
01:08:51,520 --> 01:08:53,200
Speaker 1: that it was a simple. My friend went to the

1099
01:08:53,280 --> 01:08:55,759
Speaker 1: store asked me, I want a piece of his sanwards.

1100
01:08:55,800 --> 01:08:58,000
Speaker 1: I said no. When he came back with sandwich, was like, yo, man,

1101
01:08:58,120 --> 01:09:00,240
Speaker 1: let's look good because he said it's pepper so I

1102
01:09:00,280 --> 01:09:03,280
Speaker 1: thought it was pepper, pepperoni. Pepper and pepperoni sounds like

1103
01:09:03,320 --> 01:09:04,800
Speaker 1: same to me too much. I thought it was pork.

1104
01:09:04,880 --> 01:09:06,479
Speaker 1: When I came back and it wasn't pork, I said, oh,

1105
01:09:06,520 --> 01:09:08,000
Speaker 1: should give me a piece and it was like that.

1106
01:09:08,080 --> 01:09:13,479
Speaker 1: He said slime. It's no, no, no crazy ship to it.

1107
01:09:13,560 --> 01:09:15,479
Speaker 1: We put it on records. He put it on and um.

1108
01:09:15,640 --> 01:09:18,760
Speaker 1: I actually spoke to uh Young Doug the other day.

1109
01:09:18,800 --> 01:09:23,000
Speaker 1: I was actually after we finished Belly interview, I was

1110
01:09:23,120 --> 01:09:28,479
Speaker 1: with Cash Belly's manager and he faced time Young Thug

1111
01:09:28,520 --> 01:09:31,720
Speaker 1: and we talked about the Slime situation. I was gonna

1112
01:09:31,760 --> 01:09:34,200
Speaker 1: come on the show. He's like, I gotten, and I like,

1113
01:09:34,479 --> 01:09:35,760
Speaker 1: you know, I like I like the coach side of

1114
01:09:35,840 --> 01:09:38,320
Speaker 1: the new generation. Some of them don't don't know the school.

1115
01:09:38,320 --> 01:09:40,800
Speaker 1: You can't be bad at somebody for not knowing. But

1116
01:09:41,080 --> 01:09:43,240
Speaker 1: but I'm telling you there's people out there that have

1117
01:09:43,880 --> 01:09:48,320
Speaker 1: like wave cemeteries and wave uh the wave the farm

1118
01:09:48,360 --> 01:09:50,760
Speaker 1: and the wave crew like like like not the way

1119
01:09:50,880 --> 01:09:56,599
Speaker 1: the wave the wave every implement of now right from

1120
01:09:57,280 --> 01:10:02,120
Speaker 1: even that's it's wavy like down with that a little

1121
01:10:02,400 --> 01:10:07,519
Speaker 1: too little baby actually saying wave. So um, Drake Travis Scott,

1122
01:10:07,840 --> 01:10:09,800
Speaker 1: you know what I'm saying. I think Drake, shout it out,

1123
01:10:10,040 --> 01:10:13,880
Speaker 1: Quabo the wave everything the culture at the point. Yeah,

1124
01:10:14,000 --> 01:10:16,040
Speaker 1: it's what it is, you know, like max Is is

1125
01:10:16,080 --> 01:10:19,360
Speaker 1: a real part of right now culture. You got to

1126
01:10:19,360 --> 01:10:22,720
Speaker 1: think about it, like, um, two thousand and seven, he

1127
01:10:22,760 --> 01:10:25,000
Speaker 1: got locked in two thousand nine. How long he's been

1128
01:10:25,040 --> 01:10:29,920
Speaker 1: in jail right now? Two thousand nine? Twelve? Yeah, I

1129
01:10:29,960 --> 01:10:32,679
Speaker 1: can't count the right twelve, you know what I'm saying.

1130
01:10:33,479 --> 01:10:35,040
Speaker 1: Let me shout at the max. So the sunny Fire

1131
01:10:35,080 --> 01:10:38,599
Speaker 1: years got chopped down fifteen. He's been in there twelve,

1132
01:10:38,680 --> 01:10:40,560
Speaker 1: So that means three years from now he should be

1133
01:10:40,600 --> 01:10:43,599
Speaker 1: all right and he might get a couple years back,

1134
01:10:43,640 --> 01:10:46,080
Speaker 1: you know what I'm saying. Okay, now, let's be honest.

1135
01:10:46,120 --> 01:10:49,320
Speaker 1: I want to need the honesty, grease, that's all I am, Leo.

1136
01:10:49,720 --> 01:10:58,719
Speaker 1: I need the honesty. Can't he really survive because listen,

1137
01:10:59,000 --> 01:11:00,640
Speaker 1: let's just be clear, and I want to say this

1138
01:11:00,720 --> 01:11:03,640
Speaker 1: will all due respect. Yes, I want to say this

1139
01:11:03,680 --> 01:11:09,720
Speaker 1: to all do is Shine was the most anticipated New

1140
01:11:09,840 --> 01:11:17,360
Speaker 1: York coming back home. He it was like he lost

1141
01:11:17,400 --> 01:11:18,880
Speaker 1: the step. But he must have knew he was going

1142
01:11:18,920 --> 01:11:22,639
Speaker 1: to be a political person. Now he in believes being

1143
01:11:22,720 --> 01:11:26,240
Speaker 1: the president of some ship. Max, I don't see him

1144
01:11:26,280 --> 01:11:31,000
Speaker 1: being the president of nothing. And he come home and

1145
01:11:31,200 --> 01:11:33,640
Speaker 1: be the way because part of why Max is the

1146
01:11:33,760 --> 01:11:36,960
Speaker 1: wave was he was a step above on fashion. He

1147
01:11:37,120 --> 01:11:43,080
Speaker 1: was a step above on all that. Jail naturally puts

1148
01:11:43,120 --> 01:11:45,360
Speaker 1: a step put you in a step behind. That's why

1149
01:11:45,600 --> 01:11:48,439
Speaker 1: I brung up Side. Yeah, I brung up Shine. I'm

1150
01:11:48,439 --> 01:11:50,679
Speaker 1: bring up certain people who did certain amount of time

1151
01:11:51,479 --> 01:11:54,519
Speaker 1: like jail puts a little rust on you. But it's

1152
01:11:54,560 --> 01:11:56,360
Speaker 1: too much of like like what happened Shot, It was

1153
01:11:56,400 --> 01:11:58,639
Speaker 1: too much of the public eye for his first bars

1154
01:11:58,760 --> 01:12:00,439
Speaker 1: is not to be looked at. I think it was College.

1155
01:12:00,720 --> 01:12:02,880
Speaker 1: I think was DJ College who actually got the first

1156
01:12:02,920 --> 01:12:06,560
Speaker 1: show in verse, and I believe he rushed it and

1157
01:12:06,920 --> 01:12:12,840
Speaker 1: it just took all the the what a better word,

1158
01:12:12,920 --> 01:12:15,880
Speaker 1: the wave away from Shot. It's all the way because

1159
01:12:15,880 --> 01:12:18,439
Speaker 1: everyone's like, man, maybe he lost it. Maybe because that's

1160
01:12:18,520 --> 01:12:21,320
Speaker 1: really what what's gonna happen with Max? Max? That first

1161
01:12:21,439 --> 01:12:24,440
Speaker 1: record that he get on, he gonna have the flaming.

1162
01:12:26,280 --> 01:12:29,560
Speaker 1: Is that something that you think that he does. He

1163
01:12:29,680 --> 01:12:32,200
Speaker 1: need that time to get that rust off. No, that

1164
01:12:32,479 --> 01:12:35,599
Speaker 1: definitely gotta happen. You got Yeah, that's what coach, thin

1165
01:12:35,680 --> 01:12:37,679
Speaker 1: didn't come out. You gotta come in and you gotta

1166
01:12:37,680 --> 01:12:40,200
Speaker 1: do your push ups. You gotta you might want to

1167
01:12:40,200 --> 01:12:42,640
Speaker 1: do it. We gotta do deep research and homework like

1168
01:12:42,840 --> 01:12:44,720
Speaker 1: come come on chance and I'm saying, you gotta do

1169
01:12:44,800 --> 01:12:46,640
Speaker 1: the right And now that that first record that you

1170
01:12:47,080 --> 01:12:53,320
Speaker 1: recalled drops, No, the only gotta we gotta you guys

1171
01:12:53,439 --> 01:12:56,320
Speaker 1: to get in and go in and got to know,

1172
01:12:57,160 --> 01:12:59,760
Speaker 1: gotta know. And just like it said, the competition on

1173
01:12:59,880 --> 01:13:04,120
Speaker 1: the talgets okay, we got the talkets lined up. He's

1174
01:13:04,280 --> 01:13:07,240
Speaker 1: definitely no, no, no, no. At this point, he's definitely

1175
01:13:07,280 --> 01:13:10,680
Speaker 1: the O g right. Like he went from being a

1176
01:13:10,800 --> 01:13:13,600
Speaker 1: little man that was destructed or looked at like he

1177
01:13:13,760 --> 01:13:19,760
Speaker 1: was like he's now coming home. There's gonna be like

1178
01:13:19,840 --> 01:13:22,559
Speaker 1: I could see there, people are gonna be bowing to him.

1179
01:13:22,600 --> 01:13:25,120
Speaker 1: I see these this new degeneration but if he come

1180
01:13:25,160 --> 01:13:29,000
Speaker 1: home and one wrong move, yeah, because that they love

1181
01:13:29,120 --> 01:13:31,519
Speaker 1: to tell you that it's gonna they pick you up.

1182
01:13:31,600 --> 01:13:34,679
Speaker 1: And he comes home and he made one more more move.

1183
01:13:35,640 --> 01:13:37,560
Speaker 1: I think that's what this music industry is about. So

1184
01:13:37,960 --> 01:13:39,360
Speaker 1: what was you saying? I'm sorry, I feel like a

1185
01:13:39,600 --> 01:13:43,200
Speaker 1: na I said, we got um. Yeah, I gotta go

1186
01:13:43,400 --> 01:13:46,920
Speaker 1: in and do the training is retraining now? Max always

1187
01:13:46,960 --> 01:13:51,720
Speaker 1: got some ship ship ship, but it's beat selection. Is

1188
01:13:51,800 --> 01:13:56,639
Speaker 1: these beats and to changeable in compatible with these beats now?

1189
01:13:58,040 --> 01:14:01,120
Speaker 1: Or we're just gonna say fun everything, go on your

1190
01:14:01,160 --> 01:14:04,000
Speaker 1: own wave. Yeah, that's that's my next question saying or

1191
01:14:04,200 --> 01:14:08,120
Speaker 1: different things. See that's what I do. That's actually a

1192
01:14:08,280 --> 01:14:11,000
Speaker 1: line up? Was my next question? Your friend, what do

1193
01:14:11,080 --> 01:14:12,559
Speaker 1: you mean? What do you do you try to admit

1194
01:14:12,640 --> 01:14:15,639
Speaker 1: into today's music? Did you try to do your own?

1195
01:14:15,920 --> 01:14:18,800
Speaker 1: Like it's very hard. Ship You can do a little

1196
01:14:18,800 --> 01:14:20,400
Speaker 1: bit of both. You create your own, but then you

1197
01:14:20,600 --> 01:14:23,479
Speaker 1: start featuring on others to kind of like show that

1198
01:14:23,560 --> 01:14:26,160
Speaker 1: you can. All that ship gotta be fired, all of it,

1199
01:14:26,240 --> 01:14:28,679
Speaker 1: got it. That's my job as producer. It's a looking

1200
01:14:28,720 --> 01:14:30,760
Speaker 1: to all the dimensions and set up and have all

1201
01:14:30,800 --> 01:14:34,720
Speaker 1: the dimensions ready. So other producers to hit you and say, yo,

1202
01:14:34,760 --> 01:14:37,240
Speaker 1: this is for Max. You could be able to differentiate

1203
01:14:37,280 --> 01:14:39,439
Speaker 1: your this beat is not for you. This beat for you.

1204
01:14:39,640 --> 01:14:41,640
Speaker 1: You can do know. It would be like, all right,

1205
01:14:41,720 --> 01:14:45,200
Speaker 1: this is for two two Max, or this is for

1206
01:14:46,760 --> 01:14:49,280
Speaker 1: this Max up. We don't even know yet two thousand

1207
01:14:49,320 --> 01:14:54,599
Speaker 1: and twenty, what is it? No? No, you come over

1208
01:14:54,680 --> 01:14:58,760
Speaker 1: three years so five, but we want the advanced version

1209
01:14:58,800 --> 01:15:03,040
Speaker 1: of that. You want to right, I should see I

1210
01:15:03,160 --> 01:15:09,840
Speaker 1: am so. But for the most part, you think he

1211
01:15:09,880 --> 01:15:12,439
Speaker 1: could come and you think it got it got to be, well,

1212
01:15:12,840 --> 01:15:15,080
Speaker 1: well round it training, you know what I'm saying, The

1213
01:15:15,160 --> 01:15:19,479
Speaker 1: different things, and it's just something retraining um because he

1214
01:15:19,600 --> 01:15:22,720
Speaker 1: always got some ship. He always gotta slick as bar

1215
01:15:22,880 --> 01:15:24,840
Speaker 1: and different things and waits to say it, you know

1216
01:15:24,840 --> 01:15:27,000
Speaker 1: what I'm saying. But as far as like you know,

1217
01:15:27,160 --> 01:15:31,280
Speaker 1: just watching the whole battlefield, you know what I'm saying,

1218
01:15:31,320 --> 01:15:33,000
Speaker 1: the different things, because it probably was a couple of

1219
01:15:33,080 --> 01:15:36,120
Speaker 1: songs that probably came out and came through and I

1220
01:15:36,280 --> 01:15:38,800
Speaker 1: was like, who did that? Who allowed you? You know

1221
01:15:38,840 --> 01:15:41,840
Speaker 1: what I'm saying, The different things, like, okay, who allowed that?

1222
01:15:42,760 --> 01:15:44,960
Speaker 1: You can't put anything out the same way you feel.

1223
01:15:45,240 --> 01:15:47,320
Speaker 1: I was like, you can't put anything out. There's a

1224
01:15:47,360 --> 01:15:48,880
Speaker 1: lot of ship going on right now. You know what

1225
01:15:48,920 --> 01:15:51,640
Speaker 1: I'm saying, it's a lot of repeating ship. It's a

1226
01:15:51,720 --> 01:15:55,719
Speaker 1: lot of you know, you know, disrespect to music today

1227
01:15:55,720 --> 01:15:57,599
Speaker 1: because I like a lot of it. But if remind

1228
01:15:57,680 --> 01:16:01,200
Speaker 1: me of a break a, it's the rhythm. Oh, everything

1229
01:16:01,320 --> 01:16:03,120
Speaker 1: is the same rhythm, the rhythm. You know what I'm saying.

1230
01:16:03,200 --> 01:16:05,439
Speaker 1: What you got the rhythm. But that's what made those

1231
01:16:05,520 --> 01:16:08,240
Speaker 1: artists so dope and regga is that gets the same

1232
01:16:08,320 --> 01:16:15,160
Speaker 1: near them, but they made a whole So it's like

1233
01:16:15,280 --> 01:16:18,080
Speaker 1: it's a little like that. Now, that's what it is. Now,

1234
01:16:18,120 --> 01:16:20,519
Speaker 1: you're right, Yeah, you know you catch the rhythm. Yeah,

1235
01:16:21,800 --> 01:16:24,240
Speaker 1: I ain't gonna lie, I'll be I'll be listening to

1236
01:16:24,800 --> 01:16:27,439
Speaker 1: I don't know who who who? Who? Ain't? I just

1237
01:16:27,760 --> 01:16:30,360
Speaker 1: I like the rhythm. Now that's my daughter. Who's this?

1238
01:16:31,479 --> 01:16:37,320
Speaker 1: I like because that like forty two dog my nephew too.

1239
01:16:37,400 --> 01:16:41,360
Speaker 1: He'd be playing all the super gangster like little Dirt,

1240
01:16:41,720 --> 01:16:45,719
Speaker 1: Yeah not dirt, going supervio crazy. Now I like about

1241
01:16:45,920 --> 01:16:50,360
Speaker 1: them dudes. I just gotta you know, um Dirk ship chump,

1242
01:16:51,360 --> 01:16:54,320
Speaker 1: he was hitting and then I guess you's just said nah,

1243
01:16:55,160 --> 01:16:57,000
Speaker 1: I could be a super so I'm going superstar and

1244
01:16:57,040 --> 01:16:59,320
Speaker 1: he went superstar. Now I felt like that Drake record

1245
01:16:59,439 --> 01:17:03,839
Speaker 1: was what him there and he was already becoming the superstar.

1246
01:17:03,880 --> 01:17:05,799
Speaker 1: But I think I think that was like the ultimate

1247
01:17:06,160 --> 01:17:08,719
Speaker 1: push that made him let me, let me bounce around.

1248
01:17:09,160 --> 01:17:11,599
Speaker 1: You know, you was around where a friends they beating

1249
01:17:11,680 --> 01:17:14,200
Speaker 1: with dip set, they beef in and now French and

1250
01:17:14,520 --> 01:17:18,360
Speaker 1: and and Jimmy squashed the beef. How did you feel

1251
01:17:18,360 --> 01:17:23,800
Speaker 1: about that? That's different? Okay, you know what I'm saying,

1252
01:17:23,880 --> 01:17:26,960
Speaker 1: that's um like I said, and even with Max and Jim,

1253
01:17:27,120 --> 01:17:29,720
Speaker 1: like I wouldn't say, I'm not gonna say, Jim Joan,

1254
01:17:29,800 --> 01:17:32,200
Speaker 1: I'm not doing that ship. You know what I'm saying. Max,

1255
01:17:32,960 --> 01:17:34,680
Speaker 1: you know, And even that's what I always say to

1256
01:17:34,720 --> 01:17:39,440
Speaker 1: come up DVD because you know, as journalist, Doky Diamonds like, yeah, Nigel,

1257
01:17:39,560 --> 01:17:44,439
Speaker 1: you know Max here, I'm just when the dogs like,

1258
01:17:44,560 --> 01:17:50,120
Speaker 1: so Greese, what's you think? Okay, Max Crease, don't think nothing.

1259
01:17:50,120 --> 01:17:51,720
Speaker 1: He got nothing to do with this. This is me

1260
01:17:52,200 --> 01:17:55,400
Speaker 1: so because you're not pulling me into all that political

1261
01:17:55,439 --> 01:17:58,680
Speaker 1: ship because I mean, technically I know Jim first, you know,

1262
01:17:59,640 --> 01:18:04,240
Speaker 1: and it's Cam. You know, we all came out Mason Cameron.

1263
01:18:04,360 --> 01:18:07,680
Speaker 1: You know what I'm saying, was going and Jim was

1264
01:18:07,760 --> 01:18:11,400
Speaker 1: holding Cam down. Jim would get jumped by twenty motherfucker's

1265
01:18:11,400 --> 01:18:14,280
Speaker 1: the holders man down, you know what I'm saying. So

1266
01:18:14,600 --> 01:18:18,600
Speaker 1: you know he was holding this man down. So we

1267
01:18:18,720 --> 01:18:21,360
Speaker 1: knew Jim as holding his man down. You know what

1268
01:18:21,400 --> 01:18:25,080
Speaker 1: I'm saying, different ship. So, um, when it comes to

1269
01:18:25,200 --> 01:18:28,920
Speaker 1: the maxif front, the maximum Jim Jones ship, you know

1270
01:18:28,960 --> 01:18:32,759
Speaker 1: what I'm saying, it definitely wasn't for me to jump

1271
01:18:32,840 --> 01:18:36,439
Speaker 1: in a cause i'mone for the protection around Max. Make

1272
01:18:36,479 --> 01:18:41,120
Speaker 1: sure he's straighten. Ain't nobody, ain't no where. Phone calls

1273
01:18:41,240 --> 01:18:44,439
Speaker 1: like they used to come through through the hotline, Yo,

1274
01:18:44,560 --> 01:18:47,320
Speaker 1: twenties came through the seat. Twenties came through and yet

1275
01:18:49,520 --> 01:18:56,040
Speaker 1: turn the cameral I saw you got god this ship.

1276
01:18:56,560 --> 01:19:00,640
Speaker 1: But you know, just certain different things. And and then

1277
01:19:00,760 --> 01:19:04,840
Speaker 1: um see French is after we got off the mix

1278
01:19:04,920 --> 01:19:10,120
Speaker 1: tape wave and different things. French came entirely politally clear, correct,

1279
01:19:11,240 --> 01:19:15,200
Speaker 1: because I mean he knew on the gang banging side

1280
01:19:15,360 --> 01:19:17,280
Speaker 1: he wasn't gonna be the French that he is now.

1281
01:19:18,680 --> 01:19:21,880
Speaker 1: Almost pops off French, so he know that he had

1282
01:19:21,960 --> 01:19:25,760
Speaker 1: to clean up a few ships and not funk with

1283
01:19:25,880 --> 01:19:28,840
Speaker 1: too many of the goon's to get to where he

1284
01:19:28,920 --> 01:19:32,599
Speaker 1: needed to be. Right, So you know, boom for Max

1285
01:19:33,200 --> 01:19:37,120
Speaker 1: and us working together to Waka Flocker and Guci Man.

1286
01:19:37,240 --> 01:19:40,559
Speaker 1: But we all heard the Gucci Man story. But Waker then,

1287
01:19:40,720 --> 01:19:44,320
Speaker 1: um the Rick Rossa Piti Puff Daddy sonomy too. You

1288
01:19:44,400 --> 01:19:46,639
Speaker 1: know where you got to go to Drake different things.

1289
01:19:46,720 --> 01:19:50,040
Speaker 1: You know what I'm saying that just you know, position himself,

1290
01:19:50,080 --> 01:19:53,280
Speaker 1: French and small MOUs, you know, position himself and to

1291
01:19:53,560 --> 01:19:55,880
Speaker 1: get to where he needed to be at now you

1292
01:19:55,920 --> 01:19:58,240
Speaker 1: know what I'm saying. Internationally, French, Montin and Danny put

1293
01:19:58,280 --> 01:20:02,240
Speaker 1: out that fucking unforgettable wind right, But what did you

1294
01:20:02,320 --> 01:20:05,760
Speaker 1: feel when um they said that they squashed the beat?

1295
01:20:05,840 --> 01:20:08,560
Speaker 1: Because I didn't. I didn't. I didn't feeling anything. I

1296
01:20:08,600 --> 01:20:10,360
Speaker 1: didn't fit anything. Like you know what I'm saying. I

1297
01:20:10,439 --> 01:20:13,000
Speaker 1: know what French is doing. You know what I'm saying,

1298
01:20:13,040 --> 01:20:15,880
Speaker 1: they'd be different and different ships. You know what I'm saying, Like, Um,

1299
01:20:16,360 --> 01:20:18,720
Speaker 1: I'm pretty sure we've we've been out there. We know

1300
01:20:19,000 --> 01:20:21,439
Speaker 1: what it's really out there, we know what the codes are,

1301
01:20:22,160 --> 01:20:25,960
Speaker 1: we know what it is. But nowadays, because it's the

1302
01:20:26,040 --> 01:20:28,400
Speaker 1: only thing is out there, like that everybody else is

1303
01:20:28,439 --> 01:20:31,160
Speaker 1: on some whole other shops like, you know what, let's

1304
01:20:31,200 --> 01:20:35,439
Speaker 1: go home. I'm going home. I thought it was still

1305
01:20:35,439 --> 01:20:37,000
Speaker 1: because there's one thing for them to squash it, but

1306
01:20:37,040 --> 01:20:39,240
Speaker 1: there's another thing for them to get in each other's records,

1307
01:20:39,560 --> 01:20:41,600
Speaker 1: film videos together. I think one of them they was

1308
01:20:41,640 --> 01:20:44,559
Speaker 1: in l A. The next one they were in New

1309
01:20:44,680 --> 01:20:46,320
Speaker 1: York and I think they shut down the highway. I

1310
01:20:46,439 --> 01:20:49,719
Speaker 1: thought that was dope because if people put energy into beating,

1311
01:20:49,760 --> 01:20:52,680
Speaker 1: you should put energy and like squashing and moving on,

1312
01:20:52,920 --> 01:20:55,040
Speaker 1: like you know what I'm saying. So you we thought

1313
01:20:55,160 --> 01:20:59,000
Speaker 1: Max and Jim was gonna be squash, but Jim ain't.

1314
01:20:59,040 --> 01:21:01,840
Speaker 1: He ain't so even with the even women. I think

1315
01:21:01,920 --> 01:21:04,960
Speaker 1: French he said something I think on Angie he's trying to, Okay,

1316
01:21:05,280 --> 01:21:07,760
Speaker 1: do what he's trying to do. But like after the

1317
01:21:08,600 --> 01:21:12,280
Speaker 1: French and Gym ship a right, Jim cool, French cool.

1318
01:21:12,760 --> 01:21:17,640
Speaker 1: And let me just say I saw some of that

1319
01:21:17,840 --> 01:21:21,240
Speaker 1: Angie Martinez interview with French want talent. You know she's

1320
01:21:21,280 --> 01:21:24,080
Speaker 1: still is a goat, yo know, she is still as

1321
01:21:24,800 --> 01:21:27,880
Speaker 1: yo bro. She hasn't lost a step at all. And hey,

1322
01:21:28,040 --> 01:21:30,000
Speaker 1: I'm going into watching it like you know, being a

1323
01:21:30,040 --> 01:21:32,200
Speaker 1: little cocky like, you know, let me see what she

1324
01:21:32,240 --> 01:21:34,800
Speaker 1: could do, and I'm like, yo, she's still like the goal.

1325
01:21:34,920 --> 01:21:37,000
Speaker 1: So Angie, just in case you know, I bowed down

1326
01:21:37,280 --> 01:21:43,720
Speaker 1: just watching a little piec Still, Angie, I ain't ain't

1327
01:21:43,760 --> 01:21:46,840
Speaker 1: getting to finish watching the whole interview. So um, so,

1328
01:21:46,960 --> 01:21:49,479
Speaker 1: what's your favorite part of the game. Is it making

1329
01:21:49,520 --> 01:21:54,280
Speaker 1: the record or performing the record? I'm reducing I'm nothing

1330
01:21:56,240 --> 01:22:02,479
Speaker 1: being performed though, Bingo, Okay, that's your favorite. Dog. I

1331
01:22:02,560 --> 01:22:04,280
Speaker 1: didn't go on the first tours. I mean I was

1332
01:22:04,320 --> 01:22:07,800
Speaker 1: in the city with you. Okay, what I'm saying hard

1333
01:22:07,880 --> 01:22:12,639
Speaker 1: knock life, the hard knock, but the survival, the Elston

1334
01:22:12,720 --> 01:22:15,960
Speaker 1: cash money to all that. I didn't go. I didn't

1335
01:22:15,960 --> 01:22:17,800
Speaker 1: go on the tours, so you didn't see how your

1336
01:22:17,840 --> 01:22:21,600
Speaker 1: records was reacted in stadiums. Not the dog had the

1337
01:22:21,720 --> 01:22:29,599
Speaker 1: world tour. Causso signed me dog, signed me up the world.

1338
01:22:30,680 --> 01:22:34,960
Speaker 1: You got to go back to it. Becuzzo signed me up, Dog,

1339
01:22:35,120 --> 01:22:38,599
Speaker 1: sign me up. I'm a innomate to your niggas once again,

1340
01:22:38,680 --> 01:22:42,360
Speaker 1: be Cauz signed me up. Don't you gotta Tonics? Five times?

1341
01:22:43,280 --> 01:22:47,519
Speaker 1: So they are like, did you put on the alright? Cool,

1342
01:22:47,680 --> 01:22:56,720
Speaker 1: I'm on the now overseas different speaking everywhere. Man. We

1343
01:22:56,800 --> 01:23:03,439
Speaker 1: did about five shows in Germany. Pezzle, I don't know. Sorry, No,

1344
01:23:03,560 --> 01:23:07,840
Speaker 1: he's the ambassador. I love I love door, but I

1345
01:23:07,880 --> 01:23:17,000
Speaker 1: want to see if my own hood Shepherd's Bush in London? What? Okay?

1346
01:23:18,160 --> 01:23:25,200
Speaker 1: Where else? Germany? Else where? H everywhere Belgium, Germany and Insterdam, Switzerland. Um,

1347
01:23:28,000 --> 01:23:30,040
Speaker 1: now I ain't gonna get to the last show. For

1348
01:23:30,080 --> 01:23:32,800
Speaker 1: the last show, all these faces went crazy. I keep

1349
01:23:32,840 --> 01:23:35,559
Speaker 1: forgetting that y'all call him because it always I'm always

1350
01:23:35,600 --> 01:23:40,519
Speaker 1: two steps behind y'all. That's for Kiyo. That's what I know.

1351
01:23:40,960 --> 01:23:45,240
Speaker 1: That's a show almost chopped all the up now it

1352
01:23:45,439 --> 01:23:49,200
Speaker 1: was after him. He was a negotiation person. Negotiation so

1353
01:23:51,320 --> 01:23:55,800
Speaker 1: era like beating Persian. Yeah, you know the crazy ship

1354
01:23:55,840 --> 01:23:58,040
Speaker 1: when I saw a dog on it. Then he said

1355
01:23:58,080 --> 01:24:02,479
Speaker 1: the story it's the same as I can show. I'm like, yep,

1356
01:24:03,120 --> 01:24:06,519
Speaker 1: yeah exactly. We had to call embassy, get down, then

1357
01:24:06,640 --> 01:24:12,320
Speaker 1: jump on the trucks, sip out. They came. They speak Portuguese,

1358
01:24:13,439 --> 01:24:19,879
Speaker 1: they were and he say NonStop cock. He can't speaks

1359
01:24:20,280 --> 01:24:25,160
Speaker 1: he speaks Spanish right, but kept some words. You know

1360
01:24:25,160 --> 01:24:29,200
Speaker 1: what that's that's It's like, it's like, um, that's what brazilla.

1361
01:24:29,280 --> 01:24:33,840
Speaker 1: That's yeah, okay and yeah yeah, but he no stopped

1362
01:24:33,880 --> 01:24:36,360
Speaker 1: heard the keyword. See, I'll let you know. He's doing

1363
01:24:36,400 --> 01:24:39,439
Speaker 1: the role man. Everything is straight, everything's fine, and Non

1364
01:24:39,520 --> 01:24:42,760
Speaker 1: saw him like, no, it's not. He said, y'all got

1365
01:24:42,880 --> 01:24:47,519
Speaker 1: a problem if y'all try to leave. No, I stopped

1366
01:24:47,600 --> 01:24:50,800
Speaker 1: heard that. Whatever fucking language was, you know, it was

1367
01:24:50,880 --> 01:24:53,800
Speaker 1: comes of job. Everything it's gonna be cool, everything's good,

1368
01:24:54,280 --> 01:25:05,280
Speaker 1: everything's straight. The words gonna very optimistic. Never I learned

1369
01:25:05,320 --> 01:25:12,880
Speaker 1: the artist. The artists think everything that. Yeah, so you

1370
01:25:12,920 --> 01:25:16,400
Speaker 1: know we're like, oh, ship all right, and now I

1371
01:25:16,439 --> 01:25:18,960
Speaker 1: ain't got I got a good mcgavaman. It just won't kicking.

1372
01:25:19,640 --> 01:25:22,559
Speaker 1: I'm like, okay, I take the button knife poked him

1373
01:25:22,600 --> 01:25:26,120
Speaker 1: one soldier in the hallway, but get out the country

1374
01:25:26,200 --> 01:25:30,680
Speaker 1: then not the way he just said soldier. So you're

1375
01:25:30,720 --> 01:25:34,479
Speaker 1: fighting against them. Don't even like police. The police know

1376
01:25:34,479 --> 01:25:38,439
Speaker 1: what I'm saying, like, like, you know, get to boom one,

1377
01:25:38,520 --> 01:25:40,920
Speaker 1: grab the joint. You know, got a little trick, put

1378
01:25:40,960 --> 01:25:42,880
Speaker 1: the finger behind the trigger, so I'm gonna go back

1379
01:25:43,200 --> 01:25:46,200
Speaker 1: boom and poked them up and you know it's like yeah,

1380
01:25:46,680 --> 01:25:49,760
Speaker 1: it's moved the cornback. But then boom, take that, get

1381
01:25:49,880 --> 01:25:55,679
Speaker 1: in the car, drive and then the thort process stopped.

1382
01:25:55,720 --> 01:25:59,559
Speaker 1: There is we going yea Africa? Yeah, we we're gonna

1383
01:25:59,600 --> 01:26:04,040
Speaker 1: drive to the jungle next. What we had to call

1384
01:26:04,080 --> 01:26:08,120
Speaker 1: the police? The U s SIMPAC. Don't say the police.

1385
01:26:09,520 --> 01:26:11,479
Speaker 1: That's what everybody is happy to be from the unit.

1386
01:26:13,040 --> 01:26:19,519
Speaker 1: I never like got from Hollm. You're Americans. Yeah, yeah,

1387
01:26:19,720 --> 01:26:22,479
Speaker 1: it means you used to go places like Brooklyns, like

1388
01:26:22,600 --> 01:26:24,920
Speaker 1: world up. You can't do that in Africa. I think

1389
01:26:24,920 --> 01:26:29,760
Speaker 1: even those dudes in the assassinated the president got pulled

1390
01:26:29,760 --> 01:26:32,640
Speaker 1: out by the U s MBAs. The Dosian Americans that

1391
01:26:32,720 --> 01:26:34,519
Speaker 1: were part of that creaty, they got pulled out by

1392
01:26:34,560 --> 01:26:37,520
Speaker 1: the being pulled out. They were part of that Colombian

1393
01:26:37,560 --> 01:26:40,879
Speaker 1: hit squad and what they was locked up. Yeah, imagine

1394
01:26:40,880 --> 01:26:44,360
Speaker 1: they killed the president. Everybody said that the U SMBC

1395
01:26:44,439 --> 01:26:46,760
Speaker 1: pulled the two Haitian because they're Americans. They pulled them out,

1396
01:26:46,840 --> 01:26:49,760
Speaker 1: pulled them out, while the Colombians are getting tortured for information.

1397
01:26:50,880 --> 01:26:54,960
Speaker 1: So what they allegedly to obey time. It's Haiti bro,

1398
01:26:55,120 --> 01:26:57,160
Speaker 1: it's not Cuba do I'm talking about what they said

1399
01:26:57,200 --> 01:27:01,240
Speaker 1: the Americans, though you said they is Haitian. But they Americans.

1400
01:27:01,800 --> 01:27:03,479
Speaker 1: You don't know what happened in Haiti? Yes, to kill

1401
01:27:03,520 --> 01:27:06,120
Speaker 1: the president, right, so do Haitian Americans went in with

1402
01:27:06,200 --> 01:27:09,160
Speaker 1: the Colombians, Okay, to do so? America grabbed the two.

1403
01:27:09,720 --> 01:27:14,320
Speaker 1: They cut the Haitians. They caught them. They're doing with them. No,

1404
01:27:14,520 --> 01:27:17,120
Speaker 1: I don't know. They just the only one baby, they

1405
01:27:18,400 --> 01:27:22,360
Speaker 1: know not why they're back in US. That's the US.

1406
01:27:24,720 --> 01:27:27,400
Speaker 1: So where they got him? Know what I'm trying to say,

1407
01:27:27,479 --> 01:27:29,000
Speaker 1: They I don't even know if they're in trouble like

1408
01:27:29,120 --> 01:27:32,519
Speaker 1: that for killing the resident. They didn't leave them in

1409
01:27:32,560 --> 01:27:35,400
Speaker 1: Haiti while the other ones are in Haiti under in custody.

1410
01:27:36,720 --> 01:27:39,360
Speaker 1: The American with them. I don't know why would they

1411
01:27:39,360 --> 01:27:40,880
Speaker 1: would have left them there? Though. What I'm trying to

1412
01:27:40,920 --> 01:27:43,360
Speaker 1: say is ultimately, like if the U. S Embassy saved

1413
01:27:43,400 --> 01:27:47,160
Speaker 1: you guys. The Colombians are getting tortured over there, allegedly

1414
01:27:49,080 --> 01:27:51,599
Speaker 1: and Hatie, Yeah, because they're trying to figure out who

1415
01:27:54,800 --> 01:28:03,320
Speaker 1: they They got military, they got really Haitian man's stopping

1416
01:28:03,400 --> 01:28:07,080
Speaker 1: this man stop anyway, they got pulled out, they got

1417
01:28:08,000 --> 01:28:11,040
Speaker 1: the US hooked them up. At least they're not getting torture.

1418
01:28:11,040 --> 01:28:12,759
Speaker 1: They might be locked up here, but they're not tortured

1419
01:28:12,800 --> 01:28:20,639
Speaker 1: in Haiti right now, so that I was just playing

1420
01:28:20,680 --> 01:28:25,519
Speaker 1: around around kid, But what then is happening with Cuba?

1421
01:28:26,360 --> 01:28:30,639
Speaker 1: What is that mean? Yeah, it's I mean, we don't

1422
01:28:30,640 --> 01:28:31,840
Speaker 1: know when this is going to come out, but it's

1423
01:28:31,880 --> 01:28:36,559
Speaker 1: the first time since the revolution that the entire island

1424
01:28:36,840 --> 01:28:39,720
Speaker 1: rose up against the government. So if they can. It's

1425
01:28:39,800 --> 01:28:43,200
Speaker 1: led by artists, by hip hop artists, by by urban

1426
01:28:43,240 --> 01:28:46,000
Speaker 1: street you know, you like, the artists are the ones

1427
01:28:46,040 --> 01:28:50,320
Speaker 1: that led the movement. Yeah, against the government, against the government.

1428
01:28:50,360 --> 01:28:53,679
Speaker 1: Everybody rolls up against the government. And right now, because

1429
01:28:53,680 --> 01:28:56,080
Speaker 1: I'm talking to people directly on the island, they're literally

1430
01:28:56,160 --> 01:28:59,400
Speaker 1: going house to house pulling out people who are riding,

1431
01:28:59,400 --> 01:29:01,479
Speaker 1: people who are part of the their protesting, I mean

1432
01:29:01,600 --> 01:29:04,400
Speaker 1: writing someplaces protest like anything else. And they're pulling them

1433
01:29:04,439 --> 01:29:07,400
Speaker 1: out and they disappearing, not not the saying they're dying,

1434
01:29:07,479 --> 01:29:12,479
Speaker 1: but they're they're disappearing. Then they're putting them locking them up. Huh.

1435
01:29:14,479 --> 01:29:16,080
Speaker 1: A lot a lot of artists. The artists were the

1436
01:29:16,120 --> 01:29:19,719
Speaker 1: first waiver. Really yeah, yeah, yeah, yeah, that's yeah. Because

1437
01:29:19,760 --> 01:29:21,800
Speaker 1: my homegirl from the movie Coming Home, the Nice Water

1438
01:29:22,000 --> 01:29:23,800
Speaker 1: she's lived, she lives in Cuba. Right, she's the one

1439
01:29:23,840 --> 01:29:28,920
Speaker 1: communicating with me, one of the people. Yeah, God, bless God,

1440
01:29:28,960 --> 01:29:35,160
Speaker 1: bless anybody happy to be American now, kid, Yeah, it's always.

1441
01:29:35,240 --> 01:29:36,880
Speaker 1: It's always. Hey man, you could be a patriot and

1442
01:29:36,920 --> 01:29:38,920
Speaker 1: still want your country to be better. That's what That's

1443
01:29:38,960 --> 01:29:41,680
Speaker 1: what it's like. How better ship do you want? You want?

1444
01:29:41,720 --> 01:29:47,439
Speaker 1: Horseshit bullshit? When you travel overseas as American, you realize, Okay,

1445
01:29:47,479 --> 01:29:49,600
Speaker 1: I want to go back home. Y different, you know

1446
01:29:49,640 --> 01:29:51,439
Speaker 1: what I'm saying. And that's that's the reality. And tell

1447
01:29:51,560 --> 01:29:54,439
Speaker 1: mcaveman didn't kick in, and that's the Mike Tysons after

1448
01:29:54,520 --> 01:29:56,519
Speaker 1: you got in your ship. Yeah, okay, let's look at

1449
01:29:56,520 --> 01:30:03,120
Speaker 1: the one of my ideas. I go, you see the

1450
01:30:03,160 --> 01:30:06,560
Speaker 1: movie Hangover with Mikes, Like, that's it taken off, like

1451
01:30:06,960 --> 01:30:12,960
Speaker 1: you're getta knockba. Have you ever seen Mike because you

1452
01:30:13,040 --> 01:30:15,120
Speaker 1: had it? You have you ever seen Mike said you

1453
01:30:15,479 --> 01:30:18,599
Speaker 1: you had the tattoo? Ain't seen I know Mike too, Remember, okay,

1454
01:30:18,720 --> 01:30:20,720
Speaker 1: but what if you're seeing me but he's take that

1455
01:30:21,000 --> 01:30:32,920
Speaker 1: then you're just imagine like that because I'm scared of

1456
01:30:32,960 --> 01:30:35,320
Speaker 1: devil Mike. Right, It's just like it was pretty scary man,

1457
01:30:35,800 --> 01:30:42,240
Speaker 1: Like he was being nice. It's a very intimidating. What

1458
01:30:42,520 --> 01:30:44,280
Speaker 1: I don't know about what you have a gun on

1459
01:30:44,439 --> 01:30:47,960
Speaker 1: you And I'm still scared of Mike, like you people

1460
01:30:48,080 --> 01:30:50,680
Speaker 1: talking you up. We met a couple of times, like

1461
01:30:50,800 --> 01:30:52,680
Speaker 1: a shoppers whistle, like I'm at a one time on

1462
01:30:52,760 --> 01:30:57,080
Speaker 1: the Swift's like Greece. You said Mike is soft and swift.

1463
01:30:58,479 --> 01:31:04,000
Speaker 1: You know that that It was like Mike peace gree

1464
01:31:04,160 --> 01:31:06,559
Speaker 1: Boom bang bang. There was a couple of years later,

1465
01:31:06,800 --> 01:31:10,040
Speaker 1: I'm like, michaelsoft Greece. They thinking crease know, like, oh ship,

1466
01:31:10,760 --> 01:31:13,760
Speaker 1: you know what I'm saying, shop you know, but you

1467
01:31:13,800 --> 01:31:17,880
Speaker 1: said if you missed, you know, like he was with

1468
01:31:17,920 --> 01:31:26,120
Speaker 1: a guy. You just I'm just saying, I'm just giving

1469
01:31:26,160 --> 01:31:28,320
Speaker 1: you us that, like Mike is a scary Mike man,

1470
01:31:28,400 --> 01:31:32,640
Speaker 1: Mike is one of us. Yeah, beautiful warrior. Yeah what

1471
01:31:32,680 --> 01:31:34,800
Speaker 1: I'm saying, like like you know, we all come from.

1472
01:31:35,120 --> 01:31:43,280
Speaker 1: But you see what he had. Yeah, yeah, that was

1473
01:31:43,360 --> 01:31:46,040
Speaker 1: a different Mike right there. Yeah he was rubbing up

1474
01:31:46,320 --> 01:31:50,760
Speaker 1: to Mike. Mike. Yeah, he went back that ship right then.

1475
01:31:51,120 --> 01:31:53,680
Speaker 1: That ship, that ship was some piece of warrior Mike

1476
01:31:53,720 --> 01:31:56,080
Speaker 1: and Mike. Mike, because you gotta like you gotta thick

1477
01:31:56,160 --> 01:31:58,599
Speaker 1: real fast. Once Mike tell you something back ship y'all

1478
01:31:58,640 --> 01:32:01,679
Speaker 1: in the room like this you other things you gotta

1479
01:32:02,040 --> 01:32:04,960
Speaker 1: get Cafoe, I don't get what do you think you're game?

1480
01:32:06,400 --> 01:32:11,880
Speaker 1: And was like, come on man, little straight guy gets

1481
01:32:11,960 --> 01:32:15,160
Speaker 1: asked that ever ever, so if you're getting asked that,

1482
01:32:15,320 --> 01:32:20,120
Speaker 1: you know this ain't good. Not good. I don't give

1483
01:32:20,120 --> 01:32:23,439
Speaker 1: any world safe with mask. When you see a man

1484
01:32:23,600 --> 01:32:28,360
Speaker 1: that's in you say so you get. Your first reaction

1485
01:32:28,439 --> 01:32:31,360
Speaker 1: first off is to act what the fun you're talking

1486
01:32:31,360 --> 01:32:38,960
Speaker 1: to Mike, thinking of the fun you're talking about, homie

1487
01:32:39,640 --> 01:32:44,080
Speaker 1: that ain't happening. Holmies outside your homies is taking of

1488
01:32:44,160 --> 01:32:47,639
Speaker 1: my whole lot. I'm not running your holmies a second,

1489
01:32:47,760 --> 01:32:51,120
Speaker 1: your niggas. You laugh, then outside the room like I'm

1490
01:32:51,160 --> 01:32:53,320
Speaker 1: not sure if I'm running in Mike stars mikey, you

1491
01:32:53,400 --> 01:32:55,960
Speaker 1: signed a waiver to go into that room. I feel

1492
01:32:56,000 --> 01:32:57,720
Speaker 1: I didn't read it, but it seemed like he said,

1493
01:32:57,760 --> 01:33:01,920
Speaker 1: if you get sunked up, it's on you. I'll try

1494
01:33:01,960 --> 01:33:03,639
Speaker 1: to want me because I was late to the interview

1495
01:33:04,040 --> 01:33:08,800
Speaker 1: and he's like, none, that signed, we gotta sign with us.

1496
01:33:08,800 --> 01:33:19,040
Speaker 1: When we're talking about that talking no, no, no, that's Mike,

1497
01:33:19,120 --> 01:33:21,400
Speaker 1: Mike is a different type of dude. So who who who?

1498
01:33:22,080 --> 01:33:23,960
Speaker 1: We asked who you would want to work with? What's

1499
01:33:24,000 --> 01:33:28,080
Speaker 1: your favorite artists to collaborate with? No? As I worked,

1500
01:33:28,520 --> 01:33:30,800
Speaker 1: as you work, Who who's your favorite that you worked with? Um?

1501
01:33:32,200 --> 01:33:38,880
Speaker 1: Who's easiest to work with? Favorite or both easiest? No? No, no, okay,

1502
01:33:38,960 --> 01:33:42,080
Speaker 1: but no, I mean nothing was wrong. Okay, let me

1503
01:33:42,120 --> 01:33:45,240
Speaker 1: get on superdu But like, um no, like, I don't.

1504
01:33:45,520 --> 01:33:47,439
Speaker 1: I ain't gonna lie like I ain't wanna. I'm a

1505
01:33:47,439 --> 01:33:49,320
Speaker 1: street nigger, you know what I'm saying. So it ain't

1506
01:33:50,080 --> 01:33:54,439
Speaker 1: it ain't really much that's gonna like throw me. I

1507
01:33:54,520 --> 01:33:56,519
Speaker 1: mean I grew up with all the creepy Crawleys. I know,

1508
01:33:56,600 --> 01:34:01,679
Speaker 1: the creepy colies. So it's like says unique work unique,

1509
01:34:02,000 --> 01:34:08,040
Speaker 1: that's good work work unique. Dirt who dirt ol dirty

1510
01:34:08,080 --> 01:34:10,920
Speaker 1: bastard or dirty bast Yeah okay, cool, I'd like that

1511
01:34:11,000 --> 01:34:12,880
Speaker 1: you call him Dirk. I love I love my guy.

1512
01:34:13,560 --> 01:34:16,160
Speaker 1: You know what I'm saying. Dirt work work together. Yeah,

1513
01:34:16,240 --> 01:34:19,120
Speaker 1: we um rush out of soundtrack. We didn't. You don't stop.

1514
01:34:19,280 --> 01:34:20,880
Speaker 1: You know what I'm saying. To record on that first

1515
01:34:20,880 --> 01:34:22,840
Speaker 1: of it was just me and dirty and said, well

1516
01:34:23,040 --> 01:34:24,800
Speaker 1: him rapping me during the beat and then they put

1517
01:34:24,880 --> 01:34:27,559
Speaker 1: the whole War and that's back then, and then um,

1518
01:34:27,800 --> 01:34:31,040
Speaker 1: he need Me did his last his last album, you

1519
01:34:31,479 --> 01:34:33,880
Speaker 1: on it, Yeah, I am. I wanted a rail record

1520
01:34:34,040 --> 01:34:40,320
Speaker 1: right now when I did I'm onna do I'm on

1521
01:34:40,439 --> 01:34:48,920
Speaker 1: one high, don't do what? What? What? Yeah? Okay and

1522
01:34:49,080 --> 01:34:54,280
Speaker 1: we can do it like this okay? Hell yeah. That

1523
01:34:54,400 --> 01:34:57,080
Speaker 1: was after he got out jail. He was kind of

1524
01:34:57,160 --> 01:35:00,760
Speaker 1: probably a little more sedated, you know, saying just ship,

1525
01:35:00,840 --> 01:35:04,800
Speaker 1: you know, just you know that means this ship not

1526
01:35:05,040 --> 01:35:10,600
Speaker 1: quite the problem. You mean you mean he was like

1527
01:35:10,680 --> 01:35:14,200
Speaker 1: to dated like purposely. Yeah, not legally, probably his medication

1528
01:35:14,360 --> 01:35:18,919
Speaker 1: from doctor. Ok. I thought he just was different periods naturally,

1529
01:35:19,000 --> 01:35:23,600
Speaker 1: but you mean like he was you know. Yeah. So

1530
01:35:24,200 --> 01:35:28,600
Speaker 1: he did his last album with Studio Upstate, and you

1531
01:35:28,680 --> 01:35:31,519
Speaker 1: know he was he just was blank like I known

1532
01:35:31,600 --> 01:35:34,679
Speaker 1: him already. Like I said, he did the Rushack Russia

1533
01:35:34,840 --> 01:35:37,640
Speaker 1: soundtrack back then, and it was like right before he

1534
01:35:37,680 --> 01:35:39,439
Speaker 1: passed away, and Ship, you know what I'm saying, he

1535
01:35:39,600 --> 01:35:46,800
Speaker 1: was just like cool hill, quiet dirt, like paled up. Yeah,

1536
01:35:46,960 --> 01:35:51,760
Speaker 1: you know, but legally medication not nothing else. I used

1537
01:35:51,760 --> 01:35:55,080
Speaker 1: to talk with my mouth never moved. Did you know

1538
01:35:55,240 --> 01:35:58,639
Speaker 1: of my mom? I was saying something, but my mouth

1539
01:35:58,720 --> 01:36:01,479
Speaker 1: didn't move. It was just like probably saying that seems

1540
01:36:01,520 --> 01:36:04,400
Speaker 1: like when I was in jail. So my mother came

1541
01:36:04,479 --> 01:36:06,960
Speaker 1: to see him. Look like, that's what they put me

1542
01:36:07,000 --> 01:36:08,760
Speaker 1: on this I was. I was getting in trouble too

1543
01:36:08,800 --> 01:36:12,600
Speaker 1: much as they hit me with that. You know what

1544
01:36:12,600 --> 01:36:14,840
Speaker 1: I'm saying. So um so you know he was in

1545
01:36:14,880 --> 01:36:17,120
Speaker 1: there and ship, so he just cried Dirt was good,

1546
01:36:17,160 --> 01:36:20,639
Speaker 1: You're good. You know what I'm saying. Because I would

1547
01:36:20,640 --> 01:36:23,200
Speaker 1: rent the front studio room out, it was only two

1548
01:36:23,280 --> 01:36:25,360
Speaker 1: things that I was getting his reaction. It was my

1549
01:36:25,479 --> 01:36:32,280
Speaker 1: man wife Sean. I'll be like, you're like, yo, what

1550
01:36:32,400 --> 01:36:39,960
Speaker 1: sun I said? Dirt? Yeah, I'm like dirt. He was

1551
01:36:40,000 --> 01:36:41,880
Speaker 1: a double backer, you know what I'm saying. It was like,

1552
01:36:42,000 --> 01:36:46,680
Speaker 1: all right, gem that gets to kick in like that.

1553
01:36:48,120 --> 01:36:53,280
Speaker 1: But you know she was a gangslation cool boom boom boom.

1554
01:36:53,560 --> 01:36:55,760
Speaker 1: And then I think I was making um the move

1555
01:36:55,880 --> 01:36:59,439
Speaker 1: backbeat that he jumped on the remix and that ship

1556
01:36:59,560 --> 01:37:01,760
Speaker 1: woke them out of it, you know what I'm saying.

1557
01:37:01,800 --> 01:37:08,960
Speaker 1: I was in the other room, huh huh, and I

1558
01:37:09,040 --> 01:37:12,679
Speaker 1: just saw the door creep over real slow. You peeked

1559
01:37:12,720 --> 01:37:15,800
Speaker 1: in yo, gee, you worked the ship out that try

1560
01:37:15,920 --> 01:37:21,160
Speaker 1: yea yo, you worked that Yo, that's dope, NIGGI you

1561
01:37:21,200 --> 01:37:24,960
Speaker 1: want to get on it? Yeah, fifteen minutes. Brother, First

1562
01:37:25,000 --> 01:37:28,120
Speaker 1: he was bad, you know what I'm saying, and did

1563
01:37:28,240 --> 01:37:30,840
Speaker 1: um the whole I think the albums for land Speed

1564
01:37:30,960 --> 01:37:35,000
Speaker 1: or something. Okay, you did it and ship? Okay? No,

1565
01:37:37,720 --> 01:37:43,280
Speaker 1: well grease do versus? Huh will grease do versus? I've

1566
01:37:43,360 --> 01:37:51,120
Speaker 1: done versus? No, you didn't do versus? What are you talking? Right? No?

1567
01:37:52,360 --> 01:38:07,800
Speaker 1: Two thousands bad like versus versus. Not that type of

1568
01:38:07,920 --> 01:38:14,400
Speaker 1: versus horses versus. No, No, we know you not that

1569
01:38:14,520 --> 01:38:18,920
Speaker 1: we know, but do so on that? But battle, um,

1570
01:38:19,520 --> 01:38:21,160
Speaker 1: what you want about it? If you if you had

1571
01:38:21,200 --> 01:38:23,439
Speaker 1: a choice, it came to you. The price was right,

1572
01:38:23,720 --> 01:38:29,320
Speaker 1: time was right, the venue. I don't know from what

1573
01:38:29,439 --> 01:38:35,400
Speaker 1: I'm hearing been lately. Okay, yeah, I don't know, man,

1574
01:38:35,600 --> 01:38:38,840
Speaker 1: because like this this this Cameron ain't coming out for

1575
01:38:38,960 --> 01:38:46,000
Speaker 1: less a check. So trust man can don't move, he don't,

1576
01:38:46,479 --> 01:38:52,320
Speaker 1: He'll leave his driveway in the count. So um, I

1577
01:38:52,360 --> 01:38:55,760
Speaker 1: don't know, man. I would really say, you know what

1578
01:38:56,439 --> 01:38:58,280
Speaker 1: if you could just sid' doing one. Let's just say

1579
01:38:58,320 --> 01:39:01,719
Speaker 1: you did consider doing one. Who did you want to battle.

1580
01:39:02,000 --> 01:39:07,440
Speaker 1: It's kind of bank. No, that's so bro, but it's

1581
01:39:07,600 --> 01:39:16,640
Speaker 1: it could be like yeah, yeah, no, no, no, no,

1582
01:39:16,840 --> 01:39:19,760
Speaker 1: all right, what you would want to hear that ship

1583
01:39:19,960 --> 01:39:27,839
Speaker 1: against yours? U p K E L. I don't dispect

1584
01:39:27,880 --> 01:39:30,680
Speaker 1: to come about cheese what I'm saying. But just far

1585
01:39:30,720 --> 01:39:34,400
Speaker 1: as the colorfulness of catalog, you know what I'm saying,

1586
01:39:34,520 --> 01:39:38,040
Speaker 1: it's a difference. You know, I spent my career making

1587
01:39:38,080 --> 01:39:41,599
Speaker 1: a colorful catalog and taking chances of risk with other

1588
01:39:41,640 --> 01:39:44,400
Speaker 1: people like you do hate that. Shoot, you know what

1589
01:39:44,439 --> 01:39:50,040
Speaker 1: I'm saying. I'm trying to get to ten thousand, right,

1590
01:39:51,520 --> 01:39:54,120
Speaker 1: you know what I'm saying. So I used to hust

1591
01:39:54,720 --> 01:39:57,880
Speaker 1: only job I have with something crack been doing music,

1592
01:39:58,439 --> 01:40:00,439
Speaker 1: so not an add a gram up when it was

1593
01:40:01,960 --> 01:40:05,479
Speaker 1: yeah that was so. Who do you think if they

1594
01:40:05,560 --> 01:40:12,519
Speaker 1: came to you? Right? I don't know who would you

1595
01:40:12,600 --> 01:40:16,400
Speaker 1: think I'm thinking right now? Because his mainstream hits there's

1596
01:40:16,439 --> 01:40:21,160
Speaker 1: on the ground spectaculars. Yeah, but it's twenty it'sut is

1597
01:40:21,280 --> 01:40:25,880
Speaker 1: just fucking you know what I'm saying. All around hip

1598
01:40:25,920 --> 01:40:30,840
Speaker 1: hop classics, I think I got a perfect one. I

1599
01:40:30,880 --> 01:40:33,519
Speaker 1: think ALCMS would be a good matchup. I like that.

1600
01:40:35,000 --> 01:40:36,680
Speaker 1: I like that, But you know I was taking the

1601
01:40:36,760 --> 01:40:42,800
Speaker 1: Coast to coast battle cattle Cat. He's fire, he's five.

1602
01:40:45,840 --> 01:40:48,559
Speaker 1: But come on, they've gotta be a wh who've done

1603
01:40:48,720 --> 01:40:50,439
Speaker 1: a record that you said? Damn, I wish I would

1604
01:40:50,439 --> 01:40:56,439
Speaker 1: have produced. They never like for producing if we're only

1605
01:40:56,520 --> 01:40:58,439
Speaker 1: coming out the house though now he's not coming out. Yeah,

1606
01:40:59,120 --> 01:41:01,759
Speaker 1: it's not even thinking now, but producer, I like, actually,

1607
01:41:01,920 --> 01:41:03,759
Speaker 1: I mean it might be shocking. I like all Kelley's

1608
01:41:03,800 --> 01:41:07,439
Speaker 1: producer Kelly as a producer. We gotta relax what we

1609
01:41:07,479 --> 01:41:11,760
Speaker 1: say saying I wanted to sound kind of crazy Kelly

1610
01:41:11,800 --> 01:41:13,320
Speaker 1: as a producer. So you want to do you want

1611
01:41:13,360 --> 01:41:16,640
Speaker 1: to bat r Kelly and versus I'm not bad at

1612
01:41:16,680 --> 01:41:22,639
Speaker 1: all Kelly at all. He wants like all of them

1613
01:41:22,720 --> 01:41:27,040
Speaker 1: joints the producer Kelly. I read the credits. Yeah, so

1614
01:41:27,160 --> 01:41:31,240
Speaker 1: his publishing is crazy then, I mean or scoff I

1615
01:41:31,240 --> 01:41:33,880
Speaker 1: didn't know Scoffs was producing all the back that he

1616
01:41:34,080 --> 01:41:37,559
Speaker 1: was on faces in my studio playing Yeah, yeah, yeah,

1617
01:41:38,000 --> 01:41:40,439
Speaker 1: he's crazy like that. He's crazy like that. Damn. Let's

1618
01:41:40,479 --> 01:41:43,280
Speaker 1: let's look. I would say p K two, but that's

1619
01:41:43,320 --> 01:41:48,720
Speaker 1: like too much. Yeah, it's it's it's family and not

1620
01:41:48,960 --> 01:41:53,439
Speaker 1: just you know, discredit anything, but you know, mostly PK

1621
01:41:53,760 --> 01:41:57,280
Speaker 1: joints is just for excellent locks. They fire one so

1622
01:41:57,520 --> 01:42:03,360
Speaker 1: that stick out, don't get it twisted producers. Yeah, anybody

1623
01:42:03,439 --> 01:42:07,679
Speaker 1: draining around, Yeah, with draining, I might need a bucket.

1624
01:42:07,720 --> 01:42:10,439
Speaker 1: I might need a late real quick. I'm gonna take

1625
01:42:10,880 --> 01:42:12,559
Speaker 1: We're gonna go. We've got bathrooms. Brother, you don't need

1626
01:42:12,600 --> 01:42:18,519
Speaker 1: a block. We can take it. I don't know, man,

1627
01:42:18,600 --> 01:42:20,680
Speaker 1: because I'm kind of thought about I don't know, like,

1628
01:42:21,800 --> 01:42:30,320
Speaker 1: h get him that credit. That would be a good

1629
01:42:30,360 --> 01:42:32,720
Speaker 1: I think that versus would be good right there. That

1630
01:42:33,640 --> 01:42:40,920
Speaker 1: the whole Oh, it would be a fun one, not

1631
01:42:41,160 --> 01:42:45,600
Speaker 1: shame raw Lawrence would be a fun one, I know,

1632
01:42:46,320 --> 01:42:50,760
Speaker 1: trust me. Was only the same studio. I raped a

1633
01:42:50,800 --> 01:42:55,080
Speaker 1: whole lot spudget and they were sitting in piss half

1634
01:42:55,160 --> 01:42:58,479
Speaker 1: Niggers was like Greece dope all the knicks like what

1635
01:42:58,680 --> 01:43:06,840
Speaker 1: this new nigga? Now, you wasn't easy helping down with

1636
01:43:06,920 --> 01:43:11,760
Speaker 1: them too. You gotta understand, Like, think about the Mark

1637
01:43:11,880 --> 01:43:16,759
Speaker 1: Ride Carvey remix with the locks on it. Think about

1638
01:43:16,960 --> 01:43:23,880
Speaker 1: you see all that bad boy that was the puff

1639
01:43:24,000 --> 01:43:26,439
Speaker 1: just was on the record and doing that. But there

1640
01:43:26,520 --> 01:43:28,919
Speaker 1: was dumb nicks like this and ship had the mixtapes

1641
01:43:29,000 --> 01:43:34,200
Speaker 1: on crazy blocks. That's what I'm saying, like crazy and

1642
01:43:34,600 --> 01:43:36,400
Speaker 1: it's a different suit, like you know what I'm saying.

1643
01:43:36,439 --> 01:43:39,599
Speaker 1: Like like I said, I got mainstream part of my kellogg,

1644
01:43:39,680 --> 01:43:41,640
Speaker 1: but most of it and a lot of it is

1645
01:43:42,560 --> 01:43:46,080
Speaker 1: street in different things I don't have. I don't have

1646
01:43:47,280 --> 01:43:52,840
Speaker 1: uh many critical tracks like that. I got him, you know,

1647
01:43:52,960 --> 01:43:55,840
Speaker 1: I got him. We're gonna have to highlight that he's

1648
01:43:55,920 --> 01:43:58,160
Speaker 1: not drinking. But he was the first guest ever. Sad

1649
01:43:58,200 --> 01:44:01,680
Speaker 1: you gotta bucking around here. I'm just right here, right here.

1650
01:44:02,200 --> 01:44:12,960
Speaker 1: He's not drinking us. We got back from brother, we

1651
01:44:13,040 --> 01:44:18,439
Speaker 1: got a bathroom budget. I love me ready, but I

1652
01:44:18,479 --> 01:44:22,360
Speaker 1: think we haven't stopped. So how about lodge professor? What

1653
01:44:22,439 --> 01:44:25,640
Speaker 1: you think about that? Nice? That's a good one. Have

1654
01:44:25,800 --> 01:44:30,120
Speaker 1: you ever watch persons? Yeah? Okay, alright, cool? Actually what's

1655
01:44:30,160 --> 01:44:34,040
Speaker 1: the last best? I can't wait for the locks? And okay,

1656
01:44:34,360 --> 01:44:39,800
Speaker 1: So so pulling this out after this would be out

1657
01:44:39,880 --> 01:44:42,559
Speaker 1: part of the week after. So who are you? Who

1658
01:44:42,600 --> 01:44:46,320
Speaker 1: are you? Who are you betting on? So? Man, who's

1659
01:44:46,320 --> 01:44:53,519
Speaker 1: your money gone? Who taking a shot? Back out? Who're taking?

1660
01:44:53,960 --> 01:44:58,680
Speaker 1: Because you got the technical, got the give my homes

1661
01:44:59,200 --> 01:45:01,160
Speaker 1: on whatever? Come on to me, like I gonna take

1662
01:45:01,200 --> 01:45:04,120
Speaker 1: this shot like I'm technical with it, you know what

1663
01:45:04,160 --> 01:45:10,080
Speaker 1: I'm saying. Like now, Cam, he was battling rapid before

1664
01:45:10,120 --> 01:45:13,080
Speaker 1: any of us got on, So which is niggas in

1665
01:45:13,120 --> 01:45:16,519
Speaker 1: the park, So that means something. And my very first

1666
01:45:16,560 --> 01:45:21,000
Speaker 1: single live Alynics, Cam came through Good Morning America and

1667
01:45:21,200 --> 01:45:23,439
Speaker 1: he's haul embroid to the same as That's why guy

1668
01:45:23,520 --> 01:45:28,280
Speaker 1: got got all right, But my Platinum records and everything

1669
01:45:28,439 --> 01:45:32,840
Speaker 1: came from the Locks. You know what I'm saying. When

1670
01:45:32,880 --> 01:45:40,360
Speaker 1: I went to both both again, I went to Yonkers,

1671
01:45:40,400 --> 01:45:42,040
Speaker 1: you know what I'm saying. That's why I was like, oh,

1672
01:45:42,760 --> 01:45:45,320
Speaker 1: because you know where you from, you a little arrogant.

1673
01:45:45,800 --> 01:45:48,320
Speaker 1: Ain't nobody else hot in the world? Yeah, yeah, yeah yeah,

1674
01:45:49,000 --> 01:45:51,439
Speaker 1: And then you went to Yonkers like these nickles spent

1675
01:45:51,520 --> 01:45:56,519
Speaker 1: my Okay, damn, you know what I'm saying. But I can't.

1676
01:45:56,560 --> 01:46:00,519
Speaker 1: I mean, I'm like the she got the oh in

1677
01:46:00,560 --> 01:46:05,240
Speaker 1: the Locks that part of the you, Yeah, I can't.

1678
01:46:05,240 --> 01:46:08,560
Speaker 1: I can't wait either. I was going to try to

1679
01:46:08,640 --> 01:46:13,640
Speaker 1: go actually attending the crowd, but I think we got

1680
01:46:13,800 --> 01:46:16,719
Speaker 1: three things to do out here that those those two days,

1681
01:46:16,760 --> 01:46:19,479
Speaker 1: you know, it's only one day. I think it's agus third, right, yeah,

1682
01:46:19,640 --> 01:46:23,000
Speaker 1: my guy trying to get we got August third. Oh

1683
01:46:23,160 --> 01:46:27,800
Speaker 1: that's already silk. Oh yeah, so the motherfucker shock he was.

1684
01:46:29,080 --> 01:46:32,479
Speaker 1: He's allowed on this holy ship speaking a lot. I know,

1685
01:46:32,560 --> 01:46:34,759
Speaker 1: we spoke about a little bit, y'all didn't speak about yacord.

1686
01:46:35,200 --> 01:46:36,920
Speaker 1: You know, I never never wanna ended. So but I'm

1687
01:46:37,439 --> 01:46:39,280
Speaker 1: I'm live on this okay, because I was like the

1688
01:46:39,360 --> 01:46:43,360
Speaker 1: first I'm not supposed to commercial excuse me, compilation album,

1689
01:46:43,439 --> 01:46:45,519
Speaker 1: I ever kind of seen like what DJ Klin for

1690
01:46:45,600 --> 01:46:47,720
Speaker 1: lack of a better term, is doing now. I kind

1691
01:46:47,760 --> 01:46:50,920
Speaker 1: of seen you do that first. Like at first, I

1692
01:46:50,920 --> 01:46:53,400
Speaker 1: didn't even know what the compilation was. When you hit me,

1693
01:46:53,439 --> 01:46:55,000
Speaker 1: I was like, yeah, I got to mention in my compilation.

1694
01:46:55,040 --> 01:46:58,280
Speaker 1: I was like, yeah, whatever. I actually technically didn't know

1695
01:46:58,840 --> 01:47:06,320
Speaker 1: back then. So when was that? Two? Wow? Wow? All right,

1696
01:47:06,360 --> 01:47:09,000
Speaker 1: So what made you want to want to do accompolation?

1697
01:47:09,360 --> 01:47:14,439
Speaker 1: The thing was just like um um, I had artists.

1698
01:47:14,640 --> 01:47:16,519
Speaker 1: I had artists needed before us at to produced with

1699
01:47:16,560 --> 01:47:18,040
Speaker 1: her fathers. You know what I'm saying. There was always

1700
01:47:18,080 --> 01:47:20,760
Speaker 1: making a lot, and like I saw that our group,

1701
01:47:20,960 --> 01:47:22,640
Speaker 1: like you know, the way we started like you know,

1702
01:47:22,760 --> 01:47:25,960
Speaker 1: fifteen sixteen and ship and we had our group, and

1703
01:47:26,000 --> 01:47:28,000
Speaker 1: then more Niggers came and saw a rapping and I

1704
01:47:28,120 --> 01:47:30,960
Speaker 1: made demo group. The more Niggers, I made dem a group,

1705
01:47:31,520 --> 01:47:33,479
Speaker 1: and then some of the Niggers viewle was actually getting

1706
01:47:33,520 --> 01:47:35,920
Speaker 1: too wild and some of the guys like, yo, you're

1707
01:47:35,960 --> 01:47:38,040
Speaker 1: doing too wild much or too wild, and we just

1708
01:47:38,120 --> 01:47:40,880
Speaker 1: made them a cool group. So we was actually doing

1709
01:47:40,920 --> 01:47:43,639
Speaker 1: a label thing already. You know what I'm saying. Yeah,

1710
01:47:43,920 --> 01:47:46,240
Speaker 1: what I'm saying with no money though, but you know,

1711
01:47:46,760 --> 01:47:50,559
Speaker 1: we're just doing crazy saying talent shows and beating everybody down,

1712
01:47:50,600 --> 01:47:53,120
Speaker 1: you know what, you know, just New York City. Yeah,

1713
01:47:54,040 --> 01:47:56,880
Speaker 1: nobody better than us. Happen ball fights and ship. But

1714
01:47:59,120 --> 01:48:04,439
Speaker 1: it um after like I said, doing X album, locks album,

1715
01:48:04,560 --> 01:48:07,840
Speaker 1: different things and ship and I'm like, all right, put

1716
01:48:07,880 --> 01:48:13,120
Speaker 1: the album out. I'm not a rapper, so what the

1717
01:48:13,160 --> 01:48:14,720
Speaker 1: funk I'm gonna do. Like you know, I actually did

1718
01:48:14,800 --> 01:48:17,800
Speaker 1: rapping one song, but I was just working. But at

1719
01:48:17,880 --> 01:48:20,160
Speaker 1: the same time, I'm like, all right, let me just

1720
01:48:20,280 --> 01:48:22,200
Speaker 1: call anybody up and me hit up. I think he

1721
01:48:22,320 --> 01:48:24,760
Speaker 1: was just coming up body in the Trump and I

1722
01:48:24,920 --> 01:48:27,599
Speaker 1: was like, yeah, that was going I hit you up.

1723
01:48:28,200 --> 01:48:30,760
Speaker 1: You know what I'm saying, Um, yeah, find him chapped

1724
01:48:30,840 --> 01:48:34,000
Speaker 1: on there with you. Um, I think I did ghetto

1725
01:48:34,080 --> 01:48:36,800
Speaker 1: presses for now It's around the same time. So I

1726
01:48:36,920 --> 01:48:39,760
Speaker 1: hit him up. He came there, want to play rough

1727
01:48:40,520 --> 01:48:43,519
Speaker 1: um Scarface even notice I picked him. It was always

1728
01:48:43,600 --> 01:48:48,160
Speaker 1: one of my favorite, my favorite artists, hit Face up. Um.

1729
01:48:48,720 --> 01:48:51,640
Speaker 1: I did my my deal as a joint venture with

1730
01:48:51,840 --> 01:48:55,160
Speaker 1: Promity because I didn't want to sign directly to the

1731
01:48:55,240 --> 01:48:57,960
Speaker 1: labels because I was getting checks from the labels average

1732
01:48:58,000 --> 01:49:01,000
Speaker 1: the bad Boy. I'm in the whole death Chain building

1733
01:49:01,720 --> 01:49:04,160
Speaker 1: and I'm like, I love what Master p door. You

1734
01:49:04,200 --> 01:49:05,960
Speaker 1: know what I'm saying. One of my ideas as far

1735
01:49:06,040 --> 01:49:07,720
Speaker 1: as like all right, come on, we're gonna do this ship,

1736
01:49:07,760 --> 01:49:10,280
Speaker 1: you know what I'm saying. So I was actually following

1737
01:49:10,320 --> 01:49:13,280
Speaker 1: master Pace steps, you know what I'm saying. So I

1738
01:49:13,400 --> 01:49:18,759
Speaker 1: went to Priority out West different things, and no limit

1739
01:49:18,840 --> 01:49:21,240
Speaker 1: was on there. And when I got to the building,

1740
01:49:21,760 --> 01:49:23,960
Speaker 1: that's for me and p Man and he was getting

1741
01:49:24,000 --> 01:49:26,439
Speaker 1: me all type of points this ship. And in fact,

1742
01:49:26,960 --> 01:49:30,680
Speaker 1: real story, Andrew Shack was the president one time. I

1743
01:49:30,720 --> 01:49:34,799
Speaker 1: remember flying out Thicks. I'm like, niggas is playing games

1744
01:49:34,920 --> 01:49:36,800
Speaker 1: with letting the budget loose and ship, you know what

1745
01:49:36,840 --> 01:49:40,240
Speaker 1: I'm saying. And I was smart because I wanted to

1746
01:49:40,280 --> 01:49:44,280
Speaker 1: wile out, but I know my wile out in the backseats,

1747
01:49:45,560 --> 01:49:48,280
Speaker 1: you know what I'm saying. So I'm like, fuck pist off,

1748
01:49:48,800 --> 01:49:51,000
Speaker 1: huffing the puff around the office. People like, yo, let

1749
01:49:51,040 --> 01:49:53,080
Speaker 1: me say you how to do this ship boot kick

1750
01:49:53,120 --> 01:49:55,400
Speaker 1: the doorp in Jo Shock, my man got something to say.

1751
01:49:55,880 --> 01:49:57,360
Speaker 1: And you're sitting there with all my apps and ship

1752
01:49:57,960 --> 01:50:01,479
Speaker 1: apps like Andrew Shock was like, oh you were him.

1753
01:50:01,560 --> 01:50:06,559
Speaker 1: Oh my god. I'm like, that's how you do it, hey,

1754
01:50:06,640 --> 01:50:09,920
Speaker 1: Nickel Freeman, motherfucker budget up. You know what I'm saying.

1755
01:50:10,000 --> 01:50:12,680
Speaker 1: And boom. You know you're not to move around. I mean,

1756
01:50:12,720 --> 01:50:14,800
Speaker 1: you know, probably to do a couple of times. Yeah,

1757
01:50:15,640 --> 01:50:17,880
Speaker 1: you know what I'm saying. So we just saw the making.

1758
01:50:17,920 --> 01:50:20,240
Speaker 1: Some things happened. I'm like, Pete, I'm doing an album

1759
01:50:20,840 --> 01:50:23,920
Speaker 1: Boom song fourth with some of silk. Let me get silk, Boom,

1760
01:50:24,040 --> 01:50:27,840
Speaker 1: you're silk, So going on the joint, don't limit go

1761
01:50:27,960 --> 01:50:31,439
Speaker 1: and make a lot, make some noise. That so now

1762
01:50:31,720 --> 01:50:34,120
Speaker 1: so now and people see you, they're gonna notice a

1763
01:50:34,160 --> 01:50:38,200
Speaker 1: whole dramatic rate change rate laws for you. And you

1764
01:50:38,320 --> 01:50:40,439
Speaker 1: first walked in, you told me that you was it.

1765
01:50:40,720 --> 01:50:42,200
Speaker 1: You thought you was battling or something, So you want

1766
01:50:42,240 --> 01:50:45,880
Speaker 1: to share that with the people now. Actually, um, at

1767
01:50:45,880 --> 01:50:50,160
Speaker 1: the operation, actually right after it was on ex funeral.

1768
01:50:50,200 --> 01:50:53,640
Speaker 1: It was the Barkley Center, which was like that Saturday,

1769
01:50:53,880 --> 01:50:57,200
Speaker 1: and then um that Sunday was the funeral and like

1770
01:50:57,360 --> 01:50:59,400
Speaker 1: right after the funeral, had to jump on the hobbics

1771
01:50:59,439 --> 01:51:01,800
Speaker 1: out out of our o eraction. The next day, you

1772
01:51:01,800 --> 01:51:04,320
Speaker 1: know what I'm saying. And Dad to check my chest

1773
01:51:05,280 --> 01:51:08,880
Speaker 1: because last year I had a lung infection. What I'm saying,

1774
01:51:08,920 --> 01:51:10,920
Speaker 1: you had to check. People thought it was COVID wasn't.

1775
01:51:11,680 --> 01:51:14,240
Speaker 1: I'm saying. I had to check my chest for you know,

1776
01:51:14,439 --> 01:51:17,600
Speaker 1: lung affection to make sure what's the cancers. So you

1777
01:51:17,680 --> 01:51:19,439
Speaker 1: know they cutting the po where they put me, sweep,

1778
01:51:19,800 --> 01:51:22,800
Speaker 1: cutting neck open, got tissue samples, blood samples, you know,

1779
01:51:22,840 --> 01:51:24,439
Speaker 1: all the good ship you know what I'm saying, Boom,

1780
01:51:24,840 --> 01:51:28,479
Speaker 1: they'll all in there. So um they checked from the

1781
01:51:28,560 --> 01:51:32,400
Speaker 1: cancer but cancer free, nothing in there, you know, God bless.

1782
01:51:35,600 --> 01:51:38,200
Speaker 1: And they had because what you said, because you said,

1783
01:51:38,520 --> 01:51:41,200
Speaker 1: what was it a dirty level? What was it? I

1784
01:51:41,280 --> 01:51:43,280
Speaker 1: had a lung effect affect. You know what I'm saying,

1785
01:51:43,360 --> 01:51:45,160
Speaker 1: which you actually had to get a blood clout in

1786
01:51:45,240 --> 01:51:47,920
Speaker 1: my life Oh wow, I'm saying, you know, the crazy

1787
01:51:48,000 --> 01:51:51,280
Speaker 1: shit this is half while smoking. Everything happened after I

1788
01:51:51,320 --> 01:51:54,840
Speaker 1: stopped smoking cigarettes and drinking. Wow, what do you think

1789
01:51:55,720 --> 01:51:58,280
Speaker 1: the cause? You know now, I think my body was

1790
01:51:58,680 --> 01:52:04,120
Speaker 1: was was used to smoke so many years. Right. You

1791
01:52:04,160 --> 01:52:07,439
Speaker 1: know what I'm saying, what withdraw cold turkey and I'm

1792
01:52:07,479 --> 01:52:12,240
Speaker 1: one of the type of intelligent dickheads. I'm done. That's

1793
01:52:12,280 --> 01:52:17,400
Speaker 1: a body said, No, I'm shot. You know what I'm saying.

1794
01:52:17,479 --> 01:52:21,400
Speaker 1: So you know they tested boom uh. First test came

1795
01:52:21,439 --> 01:52:23,760
Speaker 1: back negative. Trying to let it grow for a couple

1796
01:52:23,760 --> 01:52:27,120
Speaker 1: of moms. Negative growth for a couple of moments, still negative,

1797
01:52:27,360 --> 01:52:32,280
Speaker 1: So cancer free. I'm good, God bless God. So now

1798
01:52:32,320 --> 01:52:36,720
Speaker 1: all right, now this is um. I remember getting I

1799
01:52:36,840 --> 01:52:42,840
Speaker 1: believe it was a CD huh, And I believe this

1800
01:52:42,960 --> 01:52:45,840
Speaker 1: is how it happened. Me and Oas was on the

1801
01:52:45,880 --> 01:52:49,760
Speaker 1: way of the studio jungle and the dude was playing

1802
01:52:49,800 --> 01:52:52,679
Speaker 1: around with this idea. But we get to the studio.

1803
01:52:54,920 --> 01:52:58,200
Speaker 1: I played nos a bunch of beans, then I put

1804
01:52:58,280 --> 01:53:01,840
Speaker 1: on the grease beat and I remember us just laying

1805
01:53:01,920 --> 01:53:05,320
Speaker 1: this ship in twenty minutes, like no exaggeration. As soon

1806
01:53:05,400 --> 01:53:08,560
Speaker 1: as it came on body in the trunk and I

1807
01:53:08,680 --> 01:53:10,960
Speaker 1: remember you just giving me the beat tape, and I

1808
01:53:11,000 --> 01:53:13,080
Speaker 1: remember me calling you that night and you come into

1809
01:53:13,120 --> 01:53:15,880
Speaker 1: the studio, but I never asked you how to How

1810
01:53:16,280 --> 01:53:18,000
Speaker 1: did you because I remember you actually said you, I

1811
01:53:18,040 --> 01:53:21,040
Speaker 1: think you should make the intro a little longer and

1812
01:53:21,240 --> 01:53:23,599
Speaker 1: you have to speak about I think. But I never

1813
01:53:23,760 --> 01:53:25,720
Speaker 1: asked you, like how did you feel that night? Like

1814
01:53:25,880 --> 01:53:28,559
Speaker 1: because like it wasn't like I called yourself using your beat.

1815
01:53:28,600 --> 01:53:30,040
Speaker 1: I just used you. You gave you had to. I

1816
01:53:30,080 --> 01:53:31,800
Speaker 1: had to beat tape for a while. As soon as

1817
01:53:31,880 --> 01:53:34,000
Speaker 1: Nois heard the beat, we just started writing, like me

1818
01:53:34,080 --> 01:53:35,800
Speaker 1: and him like literally didn't even speak to each other.

1819
01:53:35,840 --> 01:53:37,600
Speaker 1: It was just like yo, he said, I'm gonna say this,

1820
01:53:37,600 --> 01:53:39,080
Speaker 1: I'm gonna say this, I'm gonna say this, and we

1821
01:53:39,160 --> 01:53:42,160
Speaker 1: did it. So you kind of heard almost complete record

1822
01:53:42,200 --> 01:53:44,280
Speaker 1: when you first heard it. Like how did you feel

1823
01:53:44,439 --> 01:53:47,600
Speaker 1: like when you when it hit factory? I think it

1824
01:53:47,680 --> 01:53:51,240
Speaker 1: was a hit factory over the new hit Factory, not

1825
01:53:51,360 --> 01:53:53,640
Speaker 1: the old one. And you came down and how did

1826
01:53:53,680 --> 01:53:56,080
Speaker 1: you subscribe? When you walk in the studio, Man, it

1827
01:53:56,240 --> 01:53:59,800
Speaker 1: was like y'all understand, like um definitely coming to the game,

1828
01:54:00,120 --> 01:54:03,120
Speaker 1: like y'all was in the game like before. So I'm

1829
01:54:03,160 --> 01:54:05,600
Speaker 1: a fan already. You know what I'm saying. I'm a

1830
01:54:05,880 --> 01:54:10,280
Speaker 1: fan of you fan uh Son, you know what I'm saying.

1831
01:54:10,320 --> 01:54:12,640
Speaker 1: And just ship you have said something to me that night.

1832
01:54:12,680 --> 01:54:14,800
Speaker 1: I don't know if you remember. Yeah, it was like

1833
01:54:14,920 --> 01:54:19,000
Speaker 1: your Greece. I feel were going to know what you're

1834
01:54:19,080 --> 01:54:24,479
Speaker 1: for a long year anything, anything that's going on. And

1835
01:54:24,600 --> 01:54:26,639
Speaker 1: it's been like that. It's been like that ever since

1836
01:54:26,640 --> 01:54:29,719
Speaker 1: I was in that clear sound like this thing is magical.

1837
01:54:31,320 --> 01:54:35,040
Speaker 1: It's really you know what, this is really my my

1838
01:54:35,280 --> 01:54:38,040
Speaker 1: first like really theatrical record. That's why when you said

1839
01:54:38,200 --> 01:54:42,240
Speaker 1: Theantrica earlier, Um, it was crazy because I remember that

1840
01:54:42,360 --> 01:54:44,760
Speaker 1: was not his only thing I had had. We have

1841
01:54:44,920 --> 01:54:48,160
Speaker 1: already had I loved my life, um, and I thought

1842
01:54:48,160 --> 01:54:50,000
Speaker 1: I was gonna use it with him on there. I

1843
01:54:50,040 --> 01:54:52,720
Speaker 1: already had all these other records with him. He was like, Yo,

1844
01:54:52,800 --> 01:54:55,440
Speaker 1: let's do a concept record. And then this was just

1845
01:54:55,520 --> 01:55:01,440
Speaker 1: the perfect record. And to this day that's the most record.

1846
01:55:01,520 --> 01:55:03,480
Speaker 1: People always ask me to make a part too, too,

1847
01:55:04,080 --> 01:55:06,960
Speaker 1: and it's just like, you know, like without all those

1848
01:55:07,040 --> 01:55:09,880
Speaker 1: elements at that time. But but again, like what was

1849
01:55:09,960 --> 01:55:11,920
Speaker 1: that moment when you know, because I like cool, you

1850
01:55:12,000 --> 01:55:13,600
Speaker 1: know me and you have had a relationship. You had

1851
01:55:13,640 --> 01:55:16,080
Speaker 1: gave me a me tape. But this is Nas now

1852
01:55:16,240 --> 01:55:18,200
Speaker 1: like like you knows just that bar when you came

1853
01:55:18,240 --> 01:55:20,800
Speaker 1: in and you're a complete record with Norria Nas talking

1854
01:55:20,800 --> 01:55:22,920
Speaker 1: about body and what was you saying in your mind?

1855
01:55:23,240 --> 01:55:31,160
Speaker 1: Now it was fucking magical, Like you understand, Like Norrie Naskarball,

1856
01:55:31,960 --> 01:55:35,280
Speaker 1: I'm like niggas on the mat, I'm gonna make a master,

1857
01:55:36,080 --> 01:55:42,240
Speaker 1: do you know what I'm saying? Boom and the right

1858
01:55:42,320 --> 01:55:45,560
Speaker 1: to the thing, but the story, you know what I'm saying.

1859
01:55:45,720 --> 01:55:49,160
Speaker 1: And then after that, something's like you got more those

1860
01:55:50,080 --> 01:55:52,320
Speaker 1: I'm like yeah, and that's when we did get a person.

1861
01:55:52,480 --> 01:55:57,440
Speaker 1: So that god damn makes a noise that crazy. I

1862
01:55:57,480 --> 01:55:59,360
Speaker 1: don't know if you know our shows about giving people

1863
01:55:59,400 --> 01:56:02,560
Speaker 1: the flower Man giving people, they usually drink at this top.

1864
01:56:02,640 --> 01:56:04,080
Speaker 1: But I figured, you know what, if you ain't drinking,

1865
01:56:04,120 --> 01:56:05,440
Speaker 1: I'm gonna guy out it out with you. You know

1866
01:56:05,480 --> 01:56:07,280
Speaker 1: what I'm saying. So that's what reason want to drink.

1867
01:56:07,280 --> 01:56:09,480
Speaker 1: But I see you got the flowers sweater. You know

1868
01:56:09,520 --> 01:56:12,800
Speaker 1: what I'm saying. He's he's a butterinos. You know what

1869
01:56:12,800 --> 01:56:16,880
Speaker 1: I'm saying, Like, come on, got that made even But

1870
01:56:17,040 --> 01:56:18,880
Speaker 1: let me just tell you something for real, because you

1871
01:56:18,920 --> 01:56:21,040
Speaker 1: know I usually do this while I'm taking shots at whatever,

1872
01:56:21,400 --> 01:56:23,040
Speaker 1: but I figured, you know, you ain't drinking. I ain't

1873
01:56:23,080 --> 01:56:27,440
Speaker 1: wanna um uh you know you know what? Yeah, exactly,

1874
01:56:27,760 --> 01:56:29,240
Speaker 1: So I want to tell you to your face. Man,

1875
01:56:29,280 --> 01:56:31,680
Speaker 1: you're a legend. You're a guy that you know, you

1876
01:56:32,160 --> 01:56:35,080
Speaker 1: in every different era. You're a guy that gets props

1877
01:56:35,120 --> 01:56:37,680
Speaker 1: and in most places. But I want you to get

1878
01:56:37,720 --> 01:56:39,400
Speaker 1: more props. You know what I'm saying, because you really

1879
01:56:39,480 --> 01:56:42,960
Speaker 1: deserve that. Really a great guy, you really, um you know,

1880
01:56:43,880 --> 01:56:46,840
Speaker 1: you're really made a real staple in this game. And

1881
01:56:46,920 --> 01:56:49,120
Speaker 1: in case people didn't know that pace, nobody didn't tell you.

1882
01:56:49,120 --> 01:56:50,760
Speaker 1: I'm gonna tell you that to your face. I wanna

1883
01:56:50,760 --> 01:56:53,840
Speaker 1: tell you that I'm drunk. You know what I'm saying, Like,

1884
01:56:54,880 --> 01:56:57,280
Speaker 1: you know what I'm saying, And you deserve your flowers.

1885
01:56:57,320 --> 01:56:59,200
Speaker 1: You're a real good guy. You're one of the greatest

1886
01:56:59,240 --> 01:57:05,680
Speaker 1: producers of all time, and we wanted to get so

1887
01:57:05,840 --> 01:57:09,040
Speaker 1: we're going, we're gonna yeah, yeah, yeah, yeah. Let's just

1888
01:57:09,080 --> 01:57:10,520
Speaker 1: do the picture and then you gotta do some drops.

1889
01:57:10,840 --> 01:57:14,840
Speaker 1: All right. Cool again. Thanks for joining us for another

1890
01:57:14,880 --> 01:57:17,440
Speaker 1: episode of Drink Champs, hosted by yours truly, d j

1891
01:57:17,640 --> 01:57:19,960
Speaker 1: e f N and n O r E. Please make

1892
01:57:20,000 --> 01:57:22,240
Speaker 1: sure to follow us on all our socials. Let's at

1893
01:57:22,280 --> 01:57:25,800
Speaker 1: Drink Champs across all platforms at the Real Noriegan I

1894
01:57:25,960 --> 01:57:29,640
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

1895
01:57:29,800 --> 01:57:32,720
Speaker 1: on I g at d j e f N on Twitter,

1896
01:57:33,080 --> 01:57:35,640
Speaker 1: and most importantly, stay up to date with the latest releases,

1897
01:57:36,040 --> 01:57:39,200
Speaker 1: news and merch by going to drink Champs dot com.

1898
01:57:43,680 --> 01:57:46,720
Speaker 1: For more podcasts. For my heart radio, visit the iHeart

1899
01:57:46,840 --> 01:57:50,320
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

1900
01:57:50,360 --> 01:57:51,040
Speaker 1: favorite shows.