WEBVTT - Questlove Supreme: Eric Roberson Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio, Ladies and gentlemen.

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<v Speaker 2>What's Up?

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<v Speaker 1>What's Up?

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<v Speaker 3>This is your host, Quest Love of Quest Love Supreme.

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<v Speaker 3>How y'all been doing? I hope y'all been doing fine.

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<v Speaker 3>So we're doing it a little bit different this year.

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<v Speaker 3>We're recording some special QLs episodes this season, and in

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<v Speaker 3>order for you guys to get more familiar with anyone

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<v Speaker 3>on this show who's not me, which is always a

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<v Speaker 3>good thing in my opinion, I decided that I wanted

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<v Speaker 3>each member of the Supreme team to get their own

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<v Speaker 3>rogue episode and interview and do sort of a one

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<v Speaker 3>on oneish. And we kicked it off, of course with

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<v Speaker 3>Sugar Steve with his dream interview, his epic two part

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<v Speaker 3>conversation with Elvis Costello, and they recorded at Electric Lady Studios.

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<v Speaker 3>One of the first in person QLs episodes, it's the

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<v Speaker 3>Pandemic back in March of twenty twenty. So this particular

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<v Speaker 3>go round, we are passing the microphone, if you will,

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<v Speaker 3>to our brother Fontigelo.

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<v Speaker 2>Fontigolo, what's up man? Yes, indeed, what's up man? Congratulations.

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<v Speaker 2>It's the first one since.

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<v Speaker 4>Right, it's the big whim everything that's right changed.

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<v Speaker 2>Yes, everything, the price is going up. Yesterday's price is

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<v Speaker 2>not today's price. I love it.

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<v Speaker 4>Yeah.

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<v Speaker 3>So similar to sugar, Steve Fonte's guest is a gentleman

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<v Speaker 3>that he has worked closely with, actually that I've actually

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<v Speaker 3>collaborated with as well. And this particular Quest Love Supreme

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<v Speaker 3>guest is none other than mister Eric Roberson. And he's

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<v Speaker 3>Grammy nominated singer, songwriter, producer and music industry og. And

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<v Speaker 3>I just want to welcome him. Please welcome him to

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<v Speaker 3>Quest Love Supreme.

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<v Speaker 5>What's up, Eric, honor to be on here, man, congratulations

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<v Speaker 5>as well, first chance to get to tell you that

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<v Speaker 5>I appreciate you'all having me on here.

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<v Speaker 3>I'm kind of hello jealous of your background right now.

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<v Speaker 2>His zoom, I think it's only second to Will Smith's zoom.

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<v Speaker 2>Yes you will Will zoom was like that ship looked

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<v Speaker 2>like hggd.

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<v Speaker 3>Yeah, you look like you're in the Garden of Eden

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<v Speaker 3>right now. Like what does this represent? This particular background.

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<v Speaker 5>This, this background is part of just my basement and

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<v Speaker 5>what I've learned during the pandemic. Man, I wass doing

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<v Speaker 5>virtual shows. I teach class sitting here as well. I

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<v Speaker 5>got I got sound effects and all kind of you know,

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<v Speaker 5>all kind of stuff here.

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<v Speaker 4>Uh you know, I love it, you know, whatever we do.

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<v Speaker 2>Yeah, yeah, before so before you got on, before you

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<v Speaker 2>came home with me, he was talking to us, and

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<v Speaker 2>he's gonna be the one to kind of help us

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<v Speaker 2>get roll called back because he got some tools, you know,

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<v Speaker 2>how to deal with it.

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<v Speaker 5>No latency, yes, yes, yeah, so there's several different things

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<v Speaker 5>that we can get fixed. But yeah, I told Laya,

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<v Speaker 5>let's let's talk and tim because when the first pandemic started,

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<v Speaker 5>the first thing I started doing, I made the album.

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<v Speaker 5>But the second thing I did was like how do

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<v Speaker 5>we do shows? And then I probably spent shouts with

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<v Speaker 5>my boy DJ Molski in La, probably about a month

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<v Speaker 5>or two months, standing up all night just trying to

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<v Speaker 5>all those things figure out. Latency, figure out like looping

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<v Speaker 5>things back, like playing things from a computer, hearing it

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<v Speaker 5>and then sending it back into the web. All that stuff. Man,

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<v Speaker 5>we crashed and burned on it. So yeah, let's let's talk. Afterwards,

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<v Speaker 5>I got.

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<v Speaker 3>Forget the interview. Let's talk now. Now I'm gonna leave

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<v Speaker 3>y'all to it again. Thank you very much for doing this,

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<v Speaker 3>And I hit it fante Yo.

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<v Speaker 2>All right, man, so listen though, Like I'm sitting here,

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<v Speaker 2>and as much as we work together, there are just

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<v Speaker 2>very I think crucial things in your life that me

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<v Speaker 2>and you have never talked about. That's creat Like when

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<v Speaker 2>we was on the phone the other day after the

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<v Speaker 2>Fred Hemmert interview and you were telling me about like

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<v Speaker 2>what commission it meant to you, and like how something

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<v Speaker 2>as simple as just seeing gospel singers on an album

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<v Speaker 2>cover with jeans on. Yeah, you know, for you know,

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<v Speaker 2>for even like me, that was nothing, you know what

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<v Speaker 2>I mean? But nah, man, yeah, talk about you know

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<v Speaker 2>how you got started, Like what was your first kind

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<v Speaker 2>of introduction into music.

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<v Speaker 5>My dad plays guitar and sings. My sister. I have

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<v Speaker 5>an older sister, my sister Alisha, lovely, and and you know,

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<v Speaker 5>I think all my introduction really started from that just

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<v Speaker 5>being a little brother. Had to follow her around and

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<v Speaker 5>she was the one who actually had a band in

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<v Speaker 5>high school and then she did theater and was making

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<v Speaker 5>clothes and all kinds. So whatever she was doing. As

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<v Speaker 5>the little brother, I went to the piano lessons, I

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<v Speaker 5>went to dance recitals, I went into the theater classes,

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<v Speaker 5>went to her band rehearsals, and I think a lot

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<v Speaker 5>of it just rubbed off on me. Of course, were

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<v Speaker 5>singing at church on Sunday, we got choir two days

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<v Speaker 5>out the week or whatever you choir, mergency choir, whatever

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<v Speaker 5>we was, whatever were in and of course then of

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<v Speaker 5>course you know we we boomed backing on the on

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<v Speaker 5>the cafeteria table with our friends, freestyle rhyming, dreaming of

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<v Speaker 5>being utfo or whoever. So I mean, you know, I mean,

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<v Speaker 5>I'm from Jersey. It's just like a I was born

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<v Speaker 5>in New York, but I was raised in Rawway. Yeah,

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<v Speaker 5>And and I think just when it came time to

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<v Speaker 5>do music, like what do you do? Like you know,

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<v Speaker 5>it's like do you do guys with music? Do you

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<v Speaker 5>do house music? Do you do rap? Do you do

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<v Speaker 5>R and B? Do you know?

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<v Speaker 4>I was really struggling with that.

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<v Speaker 5>But I will tell you that, you know several moments

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<v Speaker 5>that was really impactful for me. I remember when like

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<v Speaker 5>going through my dad's vinyl and realized that this was

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<v Speaker 5>somebody's job, like somebody they do this for a living.

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<v Speaker 5>Like I remember taking Stevie Wonder record like so he

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<v Speaker 5>wrote this stuff and like he call he put this

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<v Speaker 5>together like okay, this is a job. I couldn't tell

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<v Speaker 5>how old I was, but I remember that being really impactful. Like,

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<v Speaker 5>I know, my dad goes to work. This person goes

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<v Speaker 5>to work and they do this right, you know. And

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<v Speaker 5>my dad would come home and pick the guitar. But

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<v Speaker 5>we had a guitar like in every room.

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<v Speaker 4>You know.

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<v Speaker 2>But your dad did he have personal did he have

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<v Speaker 2>like aspiration of being a professional musician or was it

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<v Speaker 2>just like a hobby, just something he did, just.

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<v Speaker 4>A hob just a relief.

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<v Speaker 5>Just really I think when my dad and my dad

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<v Speaker 5>was kind of late in joining the church. When he joined,

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<v Speaker 5>he joined, you know, he became a powerhouse in that

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<v Speaker 5>in that church as a vocalist. My whole family was

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<v Speaker 5>in the church before, mind you, my grandfather as a pastor.

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<v Speaker 5>My dad's brothers were pastors, my mom's brothers were all deacon.

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<v Speaker 5>So everyone had found church before my dad. My dad

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<v Speaker 5>was very reluctant when he found it. Boy, he founded,

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<v Speaker 5>you know.

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<v Speaker 4>And I remember telling me.

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<v Speaker 2>I think it isn't like some of your people. I

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<v Speaker 2>think it is your grandfathers. Like don't you have some

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<v Speaker 2>times in North Carolina? I think either your mom and

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<v Speaker 2>dad to.

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<v Speaker 4>My mom and dad.

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<v Speaker 5>My mom and dad are both from uh from North Carolina. Yeah,

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<v Speaker 5>so a town called Greenville and a little town called

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<v Speaker 5>Stokes is where my family my family.

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<v Speaker 4>Greenville, North Carolina, and Stokes, North Carolina. You know.

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<v Speaker 5>So yeah, and everybody's still there for the most part.

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<v Speaker 5>I had, you know, some family on my mom's side

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<v Speaker 5>moved up north when when my parents relocated, came up

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<v Speaker 5>north and some of that, but for.

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<v Speaker 4>The most part, most of my family's in North Carolina.

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<v Speaker 2>Yeah.

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<v Speaker 5>So when I first heard a commission we won, I

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<v Speaker 5>think my parents got a tape, a commission tape from

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<v Speaker 5>the family reunion, and I was ironing my clothes and

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<v Speaker 5>I put the tape and I was like, oh, I'll

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<v Speaker 5>just put this tape and listened to some music. I

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<v Speaker 5>didn't know what it was, right, I didn't even catch

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<v Speaker 5>the album cover yet, but I remember I was ironing

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<v Speaker 5>my clothes and I just looked down and my clothes

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<v Speaker 5>are wet, like there was drops of wetness on my

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<v Speaker 5>on my clothes, and I didn't realize that I had

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<v Speaker 5>started crying on my clothes. I'm probably like twelve eleven, twelve,

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<v Speaker 5>thirteen years old, and the music was like punching me

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<v Speaker 5>in the chest, like you literally punched me in the chest.

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<v Speaker 5>I remember this day like it was, Yes, said, I

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<v Speaker 5>remember I saying whatever that is, like point at the

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<v Speaker 5>point at the radio, like whatever that is. Want to

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<v Speaker 5>do that, Like I want to do whatever that is.

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<v Speaker 5>Because it was the most impactful moment. And from that

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<v Speaker 5>moment on, I was like, all right, learn everything I

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<v Speaker 5>can about commission, learned everything I can about who's this

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<v Speaker 5>for him? Guy, I'll learned everything I can about him.

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<v Speaker 5>And uh and then like I said, you know, up

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<v Speaker 5>to that point, just keeping really one hundred. You know,

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<v Speaker 5>a young kid growing up at church. You had an

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<v Speaker 5>excuse when you see I'm not even about the name church.

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<v Speaker 5>People that might not have came off so cool. They

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<v Speaker 5>sounded great, but they didn't come.

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<v Speaker 2>Off so who. They were always like three four years

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<v Speaker 2>behind what was going on.

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<v Speaker 5>Hey, you have to be in the church because you

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<v Speaker 5>kind of corny. You know, you can't, you can't be

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<v Speaker 5>in the clubs. Maybe that's why you that's why you

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<v Speaker 5>singing this, because clearly if you wasn't in his corn

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<v Speaker 5>he maybe you be singing with guy and singing the

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<v Speaker 5>comminisip came out, they had gumbies and jeans on they

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<v Speaker 5>look like they looked fly And I was like, why

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<v Speaker 5>they singing this? There must be something impactful to and

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<v Speaker 5>plus it already kind of blew me away and stuff

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<v Speaker 5>like that, and it was, it was, It was a

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<v Speaker 5>really monument thing. But it really more strengthened my pen

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<v Speaker 5>game and made me say, like, really write something true

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<v Speaker 5>that could be penetrating to somebody. And I think that

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<v Speaker 5>was the first, like first time I got on that

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<v Speaker 5>course of doing that.

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<v Speaker 2>Man, I want to talk to you, or wanted you

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<v Speaker 2>to talk about your parents. You know what I'm saying.

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<v Speaker 2>I mean, you know me and you we been you know,

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<v Speaker 2>we go back. God let me shit, it's almost twenty

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<v Speaker 2>years at this point. You know what I'm saying. But

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<v Speaker 2>you know, man, your parents. You know, I just in

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<v Speaker 2>the time that we work together, and I will always

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<v Speaker 2>see your parents always there like supporting you, helping you,

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<v Speaker 2>you know what I mean, pulling up its shows your

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<v Speaker 2>dad and I don't even know if we ever talked

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<v Speaker 2>about this. I know I've never talked about this public.

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<v Speaker 2>But the day that we shot the picture Perfect video,

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<v Speaker 2>when we shot the Picture Perfect video and in Brooklyn,

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<v Speaker 2>I don't even know, if me and you ever talked

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<v Speaker 2>about this, this is one of the worst days of

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<v Speaker 2>my life.

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<v Speaker 4>We have not talked about this.

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<v Speaker 2>Wow, Okay, okay, bro listen. So that morning I flew

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<v Speaker 2>into Philly and then because we were shooting in Brooklyn,

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<v Speaker 2>so I flew into Philly and your dad came and

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<v Speaker 2>picked me up from the airport. So this is like,

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<v Speaker 2>oh God, maybe we shot it on like a They

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<v Speaker 2>say we shot on like a Friday or something. I

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<v Speaker 2>don't know, but anyway, we shot it on a Friday.

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<v Speaker 2>And literally I think that Tuesday that was when my

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<v Speaker 2>divorce started. That was when, like me and my you

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<v Speaker 2>know period, we separated. So the day of that picture

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<v Speaker 2>perfect video shoot, I am a fucking wreck.

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<v Speaker 1>I do.

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<v Speaker 2>As as much as I had, as much as I

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<v Speaker 2>wanted to do it, and as you know, as much

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<v Speaker 2>as I love everybody involved. Man, that shit was a wreck.

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<v Speaker 2>But I was riding in the car with your dad.

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<v Speaker 2>Your dad came and picked me up from the airport

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<v Speaker 2>and then he took us to Brooklyn where the shoot was,

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<v Speaker 2>and so we were sitting in the car, bro and

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<v Speaker 2>you know, and your dad is me Pops is Pops.

0:10:59.440 --> 0:11:01.800
<v Speaker 2>He was a going on young man, what's happening. Let's

0:11:01.800 --> 0:11:04.560
<v Speaker 2>talk about you know, he's just on and I just

0:11:04.600 --> 0:11:08.760
<v Speaker 2>broke down crying and he was just like yo, He's like, man,

0:11:08.880 --> 0:11:12.800
<v Speaker 2>you hight And I never forget this. I asked him myself.

0:11:12.880 --> 0:11:14.719
<v Speaker 2>I said, I said, look, I just got to ask you.

0:11:14.880 --> 0:11:17.040
<v Speaker 2>I said, you know, have you ever you know, thought

0:11:17.040 --> 0:11:21.920
<v Speaker 2>of a time where can you ever remember ever thought

0:11:21.960 --> 0:11:24.280
<v Speaker 2>you know, in all your years of you know, being married,

0:11:24.480 --> 0:11:26.640
<v Speaker 2>he ever thought that like marriage maybe wasn't for you.

0:11:27.320 --> 0:11:30.440
<v Speaker 2>And he was like, he said, oh that's strong. He said,

0:11:30.480 --> 0:11:31.280
<v Speaker 2>that's tough right there.

0:11:34.360 --> 0:11:38.400
<v Speaker 4>Why do you go to a science bro?

0:11:38.880 --> 0:11:41.719
<v Speaker 2>I never forget the ship loongs I lived. So I

0:11:41.760 --> 0:11:43.880
<v Speaker 2>was like, damn, He's like, oh that's tough right there.

0:11:44.280 --> 0:11:45.760
<v Speaker 2>And I never get He gave me some of the

0:11:45.800 --> 0:11:50.160
<v Speaker 2>most like timeless, just most perfect advice that has been

0:11:50.280 --> 0:11:52.480
<v Speaker 2>just like a guiding like you know for everything, you

0:11:52.480 --> 0:11:54.160
<v Speaker 2>know what I mean, just in my career and just

0:11:54.240 --> 0:11:55.840
<v Speaker 2>you know, whenever I have to make tough decisions. And

0:11:55.840 --> 0:11:58.680
<v Speaker 2>he just said, he said, well listen, man, he said, look,

0:11:58.840 --> 0:12:01.480
<v Speaker 2>no matter what you choose, no matter what decision you make,

0:12:01.520 --> 0:12:04.160
<v Speaker 2>it's going to be the right decision because it's your decision.

0:12:07.240 --> 0:12:08.600
<v Speaker 4>God Lee.

0:12:09.200 --> 0:12:11.679
<v Speaker 5>No matter what decision you make, it's gonna be the

0:12:11.760 --> 0:12:14.240
<v Speaker 5>right decision because it's your decision, because it's your decision,

0:12:14.640 --> 0:12:17.400
<v Speaker 5>so much like that man bro.

0:12:17.840 --> 0:12:20.880
<v Speaker 2>So yeah, so that was so that was My life

0:12:21.000 --> 0:12:23.280
<v Speaker 2>was changed in like an hour and a half ride

0:12:23.320 --> 0:12:26.679
<v Speaker 2>with this guy. What impact did your parents have on

0:12:27.080 --> 0:12:29.080
<v Speaker 2>your You'll speak to the impact on you as.

0:12:28.960 --> 0:12:31.640
<v Speaker 4>A First of all, why why did you fly to Philly?

0:12:31.640 --> 0:12:34.000
<v Speaker 4>Why did you fly in Philly? We shot in New York.

0:12:34.240 --> 0:12:36.640
<v Speaker 2>I think I can't remember what it was. I think

0:12:36.720 --> 0:12:40.280
<v Speaker 2>we were because I think you're if I'm not mistaken,

0:12:40.440 --> 0:12:43.480
<v Speaker 2>I think your parents were bringing your clothes or something.

0:12:43.840 --> 0:12:47.240
<v Speaker 2>They had to drive up to Brooklyn anyway, so I

0:12:47.280 --> 0:12:48.800
<v Speaker 2>think it just made sense. It was like, all right,

0:12:48.880 --> 0:12:51.280
<v Speaker 2>just flying to Philly and not just ride up with pops.

0:12:51.320 --> 0:12:52.800
<v Speaker 2>I think that was the logic.

0:12:53.000 --> 0:12:55.760
<v Speaker 5>But you know, even before I even answer your question,

0:12:55.800 --> 0:12:58.440
<v Speaker 5>the interesting thing is, maybe the reason why you flew

0:12:58.480 --> 0:13:01.040
<v Speaker 5>into Philly is because you needed that time, had that conversation.

0:13:03.360 --> 0:13:04.800
<v Speaker 4>Reasons amazing how things work out.

0:13:04.880 --> 0:13:08.760
<v Speaker 5>But you know, it's, first of all, I've been very

0:13:08.800 --> 0:13:13.440
<v Speaker 5>fortunate to have the most amazing parents in the entire world,

0:13:13.640 --> 0:13:18.280
<v Speaker 5>just the most supportive, supportive, parents from day one to

0:13:18.600 --> 0:13:20.920
<v Speaker 5>just even today, you know what I mean, Like just

0:13:21.040 --> 0:13:24.880
<v Speaker 5>really And that answer is so funny. I always joke

0:13:24.960 --> 0:13:26.520
<v Speaker 5>to say that my dad has never given me a

0:13:26.559 --> 0:13:28.720
<v Speaker 5>straight answer ever in life, right.

0:13:28.920 --> 0:13:29.320
<v Speaker 4>My dad.

0:13:29.800 --> 0:13:31.920
<v Speaker 5>So when I walk to my dad, I'm like, you know,

0:13:32.400 --> 0:13:34.360
<v Speaker 5>heartbroken out of what say, Dad? But did you ever

0:13:34.400 --> 0:13:37.679
<v Speaker 5>go through whatever his answers are, usually that answer is

0:13:37.720 --> 0:13:40.800
<v Speaker 5>so him, whatever decision you make is going to be

0:13:40.800 --> 0:13:43.560
<v Speaker 5>the right decision because your decision right. So so, for example,

0:13:43.600 --> 0:13:45.840
<v Speaker 5>my dad's a junior and he was hell being on

0:13:45.920 --> 0:13:47.800
<v Speaker 5>making sure I wasn't the third reason why. He's like, yo,

0:13:47.880 --> 0:13:51.479
<v Speaker 5>I need you to go your own path. And and

0:13:51.679 --> 0:13:54.160
<v Speaker 5>so Fiver said, like, Dad, you like this outfit? He'd

0:13:54.160 --> 0:13:57.679
<v Speaker 5>be like do you like that outfit? He's like he

0:13:58.280 --> 0:14:00.560
<v Speaker 5>never just goes yeah, it's dope. Not It was my

0:14:00.800 --> 0:14:03.960
<v Speaker 5>entire time of knowing my dad, not one time. Dad,

0:14:04.000 --> 0:14:06.240
<v Speaker 5>you like this hat? I love the hat? Keep rocking.

0:14:06.520 --> 0:14:09.480
<v Speaker 4>He'd be like, Dad, you like this hat? Are you

0:14:09.520 --> 0:14:11.559
<v Speaker 4>wearing it? How does it fig you feel? You know?

0:14:13.520 --> 0:14:14.560
<v Speaker 4>Going the way that hat?

0:14:14.720 --> 0:14:18.240
<v Speaker 5>Right? It's like, what the But what I did notice

0:14:18.320 --> 0:14:20.920
<v Speaker 5>is that throughout my life when I go back and

0:14:20.960 --> 0:14:25.000
<v Speaker 5>like reflect back on the life. He would never give

0:14:25.000 --> 0:14:26.720
<v Speaker 5>me an answer, he'd never give me a direction, but

0:14:26.800 --> 0:14:29.320
<v Speaker 5>he was always like little nudge, Okay, he's a little

0:14:29.360 --> 0:14:33.840
<v Speaker 5>off clothes. No answer, but nudging back again. Like it

0:14:33.880 --> 0:14:36.160
<v Speaker 5>was just putting up, putting up guard rails, putting up

0:14:36.160 --> 0:14:41.440
<v Speaker 5>guardrails throughout my entire life, through all the failed record deals,

0:14:41.640 --> 0:14:45.360
<v Speaker 5>throughout you know, the tough times, trying to struggle going

0:14:45.400 --> 0:14:48.240
<v Speaker 5>back to college and whatever. And my mom was more

0:14:48.480 --> 0:14:52.120
<v Speaker 5>like the I remember when I had left school, you know,

0:14:52.160 --> 0:14:54.160
<v Speaker 5>I did the Warner Brother's thing and I went to

0:14:54.160 --> 0:14:56.240
<v Speaker 5>the Island Records and I was out of school for

0:14:56.280 --> 0:14:58.600
<v Speaker 5>like a year and a half. My mom was like, so,

0:14:58.640 --> 0:15:00.560
<v Speaker 5>what's up with the record deal? And I was like,

0:15:01.160 --> 0:15:03.560
<v Speaker 5>I think it kind of dried up. She like, you know,

0:15:03.560 --> 0:15:05.280
<v Speaker 5>you got your scholarship still, right, You need to go

0:15:05.280 --> 0:15:06.920
<v Speaker 5>to a building like listen.

0:15:07.240 --> 0:15:07.680
<v Speaker 4>So I went.

0:15:07.760 --> 0:15:09.680
<v Speaker 5>I went there the next time and they didn't like

0:15:09.800 --> 0:15:11.360
<v Speaker 5>offer the scholarship. They were like, I was like, my

0:15:11.640 --> 0:15:13.200
<v Speaker 5>I went back and it was like they were like

0:15:13.680 --> 0:15:15.400
<v Speaker 5>nobody was like bringing it back up.

0:15:15.760 --> 0:15:17.320
<v Speaker 4>She said, you need to go in there.

0:15:17.320 --> 0:15:20.880
<v Speaker 5>You need to sing, you need to sign sign autographs,

0:15:21.000 --> 0:15:22.840
<v Speaker 5>you need to hug every single person and you need

0:15:22.880 --> 0:15:24.440
<v Speaker 5>to do whatever you need to do. But when you

0:15:24.480 --> 0:15:26.560
<v Speaker 5>walk out of a building, that scholarship needs to be back.

0:15:26.920 --> 0:15:29.280
<v Speaker 5>And I was like, okay, cool, I walk back.

0:15:29.520 --> 0:15:33.720
<v Speaker 4>I love you. You know you give me a singature

0:15:33.760 --> 0:15:34.960
<v Speaker 4>bar miss for whatever. It's like.

0:15:35.440 --> 0:15:35.640
<v Speaker 2>Meet.

0:15:36.320 --> 0:15:36.520
<v Speaker 4>Yeah.

0:15:36.600 --> 0:15:38.640
<v Speaker 5>So she was she would be the one who was like,

0:15:39.240 --> 0:15:40.760
<v Speaker 5>you know, I'm gonna give you some direction, this is

0:15:40.760 --> 0:15:43.080
<v Speaker 5>what you need to do, you know whatever, whatever, And it.

0:15:43.000 --> 0:15:46.320
<v Speaker 4>Was the perfect. They're the perfect. I tell you that.

0:15:46.360 --> 0:15:50.920
<v Speaker 5>The two most impactful moments in my childhood my mom

0:15:51.080 --> 0:15:53.480
<v Speaker 5>when I was I think a freshman of high school.

0:15:53.480 --> 0:15:55.880
<v Speaker 5>I remember her coming home and she had quit her

0:15:55.880 --> 0:15:58.200
<v Speaker 5>corporate America jobs she worked for AT and T and

0:15:58.200 --> 0:16:00.120
<v Speaker 5>she was like, I can't do it no more or

0:16:00.600 --> 0:16:04.440
<v Speaker 5>I'm done so on, I'm just unfulfilled. I'm done with it.

0:16:04.480 --> 0:16:05.960
<v Speaker 5>I remember he wasn't talking to she were talking to

0:16:05.960 --> 0:16:08.800
<v Speaker 5>my dad and he was like, okay, all right cool.

0:16:09.280 --> 0:16:13.120
<v Speaker 5>And she equit her job to start a business in fashion. Wow,

0:16:13.160 --> 0:16:16.200
<v Speaker 5>And that was really important, like I own my own business.

0:16:16.200 --> 0:16:18.080
<v Speaker 5>My sister owns her own business now. And I think

0:16:18.080 --> 0:16:22.160
<v Speaker 5>it comes from that day to my mom exactly. But

0:16:22.200 --> 0:16:25.680
<v Speaker 5>then the other part was I think like the next

0:16:25.760 --> 0:16:28.280
<v Speaker 5>day my dad had this Lincoln mox seven white with

0:16:28.360 --> 0:16:33.560
<v Speaker 5>a blue rag top, sweet gorgeous car, and the next

0:16:33.640 --> 0:16:35.640
<v Speaker 5>day he put a full sale sign on it and

0:16:35.680 --> 0:16:38.040
<v Speaker 5>it's sold within hours, like somebody drove by and bought it,

0:16:38.120 --> 0:16:40.240
<v Speaker 5>like boom, And he went and bought this big, old,

0:16:40.360 --> 0:16:43.600
<v Speaker 5>old gray vand to drive my mom's clothes around. So

0:16:43.640 --> 0:16:46.120
<v Speaker 5>it was like the moment was an entrepreneurship and then

0:16:46.200 --> 0:16:47.800
<v Speaker 5>like support your partners.

0:16:47.480 --> 0:16:49.880
<v Speaker 2>Yeah, true sacrifice and support. Yeah, that's right.

0:16:50.240 --> 0:16:52.360
<v Speaker 5>And I think, you know, I think I'm an example

0:16:52.400 --> 0:16:56.720
<v Speaker 5>of entrepreneurship. But at the same time, you know, I

0:16:56.720 --> 0:16:58.400
<v Speaker 5>if you anybody knows me, and my wife is like,

0:16:58.680 --> 0:17:01.440
<v Speaker 5>that's how we I'm driving, she holding the map, she

0:17:01.640 --> 0:17:03.520
<v Speaker 5>dropping holding the map, like all right.

0:17:03.400 --> 0:17:04.520
<v Speaker 4>This the turn, you know what I mean.

0:17:04.960 --> 0:17:07.800
<v Speaker 5>So I'm constantly trying to figure out what's the gray

0:17:07.920 --> 0:17:09.360
<v Speaker 5>van in my marriage, you know what I mean?

0:17:10.000 --> 0:17:13.440
<v Speaker 4>And doing that, and it's it's completely.

0:17:13.560 --> 0:17:16.880
<v Speaker 5>Watching watching my parents, you know, give everything to them,

0:17:16.880 --> 0:17:17.320
<v Speaker 5>you know what I mean.

0:17:17.400 --> 0:17:18.680
<v Speaker 4>It's enormalcy, supportive.

0:17:19.200 --> 0:17:21.399
<v Speaker 5>What I'll tell you, my dad, you know, you know,

0:17:21.840 --> 0:17:25.480
<v Speaker 5>he know by pop everybody calls him pop, and most

0:17:25.520 --> 0:17:29.520
<v Speaker 5>of my friends unfortunately did brow up with dads. You know,

0:17:29.800 --> 0:17:34.520
<v Speaker 5>for whatever reason whatever, And my dad was not just

0:17:34.920 --> 0:17:38.080
<v Speaker 5>my dad. My dad was the dad to my community,

0:17:38.680 --> 0:17:41.240
<v Speaker 5>to all my up So it's like he earned it up.

0:17:41.680 --> 0:17:44.159
<v Speaker 5>He earned that term pop, like to not just in

0:17:44.240 --> 0:17:46.600
<v Speaker 5>high school, not even just college, but then all the

0:17:46.640 --> 0:17:49.000
<v Speaker 5>bands that played from all the musicians that played for me,

0:17:49.240 --> 0:17:50.840
<v Speaker 5>all the times, all the cats he picked up from

0:17:50.840 --> 0:17:53.240
<v Speaker 5>the airport or dude might have been going through a

0:17:53.280 --> 0:17:55.879
<v Speaker 5>hard time, you know, he's he's like, for real, if

0:17:55.960 --> 0:17:59.000
<v Speaker 5>anyone's ever earned that term pop, there's one thing to

0:17:59.040 --> 0:18:01.040
<v Speaker 5>be a dad, you know, and he's been a great

0:18:01.080 --> 0:18:02.879
<v Speaker 5>dad to me, but he's been a pop.

0:18:02.680 --> 0:18:04.320
<v Speaker 4>To like the music community.

0:18:04.880 --> 0:18:07.520
<v Speaker 5>Like these stories I hear all the time because he's

0:18:07.560 --> 0:18:10.879
<v Speaker 5>taking time to invest in everybody. And what's crazy is

0:18:10.880 --> 0:18:13.160
<v Speaker 5>they live ten minutes down the street from me. People

0:18:13.160 --> 0:18:19.960
<v Speaker 5>will go see them. They called they come to see

0:18:20.000 --> 0:18:23.000
<v Speaker 5>Pop and Mama come to see Pop, you know what

0:18:23.040 --> 0:18:26.760
<v Speaker 5>I mean. And I think that that speaks vious, you know,

0:18:27.000 --> 0:18:28.120
<v Speaker 5>for how amazing they are.

0:18:32.960 --> 0:18:35.040
<v Speaker 2>I wanted to go back to one of the things

0:18:35.040 --> 0:18:38.879
<v Speaker 2>that we that I noticed when we first started working together,

0:18:40.400 --> 0:18:42.760
<v Speaker 2>particularly when we would do videos together like we did

0:18:42.880 --> 0:18:44.919
<v Speaker 2>Picture Perfect and then we did we are on the

0:18:45.000 --> 0:18:48.760
<v Speaker 2>move and you know stuff, you have a very much

0:18:49.040 --> 0:18:52.639
<v Speaker 2>uh kind of like a a theater presence, you know

0:18:52.680 --> 0:18:55.400
<v Speaker 2>what I'm saying. Like you the thing I noticed when

0:18:55.440 --> 0:18:58.880
<v Speaker 2>we were work is in videos like you use your

0:18:58.960 --> 0:19:01.600
<v Speaker 2>whole body, like you use your hands, you use your

0:19:01.640 --> 0:19:04.639
<v Speaker 2>leg like you do Like I was like, Okay, he's

0:19:04.720 --> 0:19:07.520
<v Speaker 2>like really a performer. And one of the first times

0:19:07.520 --> 0:19:10.160
<v Speaker 2>we went, we did a show together and I remember

0:19:10.200 --> 0:19:11.800
<v Speaker 2>at the end of the show, I was just sitting

0:19:11.800 --> 0:19:13.480
<v Speaker 2>on the side watch him. And at the end of

0:19:13.520 --> 0:19:15.000
<v Speaker 2>the show, you was like, you know, you're like, yo,

0:19:15.119 --> 0:19:17.240
<v Speaker 2>my name is Eric Roberson and it has been my

0:19:17.440 --> 0:19:23.320
<v Speaker 2>great honor to perform for you tonight. And that is

0:19:23.400 --> 0:19:25.760
<v Speaker 2>just something that that really resonated with me and and

0:19:25.800 --> 0:19:28.639
<v Speaker 2>I you know, I never forgot that because it's something

0:19:28.640 --> 0:19:31.680
<v Speaker 2>that I think a lot of artists don't really take

0:19:31.880 --> 0:19:35.280
<v Speaker 2>and understand the importance of giving a performance, you know

0:19:35.280 --> 0:19:38.119
<v Speaker 2>what I'm saying, of using the stage as you know,

0:19:38.200 --> 0:19:41.240
<v Speaker 2>as your place to really perform and express yourself and

0:19:41.280 --> 0:19:44.000
<v Speaker 2>give the audience an experience. And I have to think

0:19:44.000 --> 0:19:47.000
<v Speaker 2>that a lot of that came from your experience in

0:19:47.280 --> 0:19:50.480
<v Speaker 2>Howard in the musical theater department, and I just wanted

0:19:50.480 --> 0:19:51.720
<v Speaker 2>to you know, touch on that.

0:19:52.160 --> 0:19:54.800
<v Speaker 5>Yeah, I mean because my sister I grew up doing theater,

0:19:55.040 --> 0:19:57.879
<v Speaker 5>really got heavy into it in like junior high in

0:19:57.960 --> 0:20:01.119
<v Speaker 5>high school, and then I got a scholarship to Howard

0:20:01.520 --> 0:20:03.639
<v Speaker 5>and going to my parents saying, hey, I want to

0:20:03.720 --> 0:20:06.080
<v Speaker 5>I want to if I could have majored in R

0:20:06.080 --> 0:20:07.760
<v Speaker 5>and B out of major in R and B.

0:20:07.880 --> 0:20:08.520
<v Speaker 4>You know what I'm saying.

0:20:09.400 --> 0:20:11.240
<v Speaker 5>If I could have majored in commission, I would have major,

0:20:13.040 --> 0:20:15.480
<v Speaker 5>but obviously that didn't exist, so there was a musical

0:20:15.560 --> 0:20:18.119
<v Speaker 5>theater major. I went and saw a performance of dream

0:20:18.160 --> 0:20:20.920
<v Speaker 5>Girls before five went to Howard. I was blown away

0:20:21.000 --> 0:20:23.000
<v Speaker 5>by like just the talent day. I was like, oh,

0:20:23.000 --> 0:20:26.200
<v Speaker 5>I gotta get it together. And I'll tell you it

0:20:26.280 --> 0:20:28.760
<v Speaker 5>was a blessing going. You know, first of all, I

0:20:28.800 --> 0:20:33.000
<v Speaker 5>was around just killers. The teachers were great, the students

0:20:33.000 --> 0:20:36.320
<v Speaker 5>were great. Just you saw the future of theater, the

0:20:36.359 --> 0:20:39.320
<v Speaker 5>future of acting, the future of everything in that in

0:20:39.320 --> 0:20:41.800
<v Speaker 5>that department. The third floor is the music department, the

0:20:41.800 --> 0:20:44.800
<v Speaker 5>first floor is the theater department. And I probably learned

0:20:44.880 --> 0:20:47.760
<v Speaker 5>more about music on the first floor in theater because

0:20:47.800 --> 0:20:51.720
<v Speaker 5>theater was talking about like character development and like you know,

0:20:52.280 --> 0:20:53.399
<v Speaker 5>if you say, but it's true.

0:20:53.400 --> 0:20:54.119
<v Speaker 4>Well, what is true?

0:20:54.160 --> 0:20:54.320
<v Speaker 2>Mean?

0:20:54.840 --> 0:20:56.680
<v Speaker 5>What's true to you? And we might talk ten minutes

0:20:56.680 --> 0:20:58.720
<v Speaker 5>about just the word true. So let's back it up.

0:20:58.920 --> 0:21:00.600
<v Speaker 5>What's the first time you ever heard true? Where were

0:21:00.600 --> 0:21:01.960
<v Speaker 5>you at the first time you ever heard that word?

0:21:02.080 --> 0:21:03.960
<v Speaker 5>I heard it when I was in kindergarten? Okay, was

0:21:04.000 --> 0:21:06.040
<v Speaker 5>it true then? And then you know it's like the

0:21:06.119 --> 0:21:08.800
<v Speaker 5>teachers would dissect it. Now say it again. Now you're like,

0:21:09.600 --> 0:21:11.080
<v Speaker 5>so is it true? If I can even say it

0:21:11.119 --> 0:21:13.200
<v Speaker 5>tears falling out. I mean, it was like dissecting it.

0:21:14.359 --> 0:21:17.480
<v Speaker 5>Now you talk about like trying to write songs and

0:21:17.480 --> 0:21:20.040
<v Speaker 5>things like that, What if I bring this into that area?

0:21:20.119 --> 0:21:24.080
<v Speaker 5>What if I bring feed or into these It's all.

0:21:23.240 --> 0:21:26.800
<v Speaker 4>Us as singers and rappers, we're just characters. The songs

0:21:26.800 --> 0:21:29.280
<v Speaker 4>are just scripts. You know. The music is just the

0:21:29.320 --> 0:21:30.920
<v Speaker 4>scene and read the stage is the scene. It's like,

0:21:30.960 --> 0:21:31.159
<v Speaker 4>you know what.

0:21:31.359 --> 0:21:34.040
<v Speaker 5>So it's like, how can we bring this to another

0:21:34.280 --> 0:21:37.880
<v Speaker 5>another level? And for me, whether it's in the studio,

0:21:38.400 --> 0:21:41.160
<v Speaker 5>whether it's on stage, whatever, Yeah, it's like, how can

0:21:41.200 --> 0:21:44.640
<v Speaker 5>we bring this this character? Not not just that if

0:21:44.640 --> 0:21:46.840
<v Speaker 5>I'm sad, the bass player needs to be sad.

0:21:47.480 --> 0:21:49.200
<v Speaker 2>I can't. I can't he just pouring my life to

0:21:49.200 --> 0:21:50.240
<v Speaker 2>be telling the same story.

0:21:50.320 --> 0:21:52.200
<v Speaker 5>Yeah, we all gotta be telling the same story, so

0:21:52.240 --> 0:21:55.360
<v Speaker 5>the drummer can't be happy, like and I'm sitting here

0:21:55.400 --> 0:21:56.880
<v Speaker 5>like how could you let me Dad?

0:21:57.000 --> 0:21:58.399
<v Speaker 4>Or vice versa. You know.

0:21:58.720 --> 0:22:02.440
<v Speaker 5>So I think I think a lot of my friends

0:22:02.480 --> 0:22:06.200
<v Speaker 5>from Howard are surprised I didn't follow a career theater,

0:22:06.960 --> 0:22:10.240
<v Speaker 5>but when I also feel like I fulfill my my

0:22:10.320 --> 0:22:14.040
<v Speaker 5>theater needs in my music, in my writing and my performance.

0:22:13.560 --> 0:22:15.879
<v Speaker 2>As Welle, you know.

0:22:16.000 --> 0:22:17.720
<v Speaker 5>And I think the choice a lot of it came

0:22:18.320 --> 0:22:20.879
<v Speaker 5>for my desire to write, like sure in out of

0:22:21.480 --> 0:22:24.560
<v Speaker 5>auditioning and then rehearsing and probably not doing my own material,

0:22:24.840 --> 0:22:26.719
<v Speaker 5>I'll be taking on other characters. With this one, I

0:22:26.720 --> 0:22:29.800
<v Speaker 5>was like I could write about you know, I could

0:22:29.800 --> 0:22:32.800
<v Speaker 5>really dive into it, and it worked. I think when

0:22:32.880 --> 0:22:36.840
<v Speaker 5>people listen even to my music, if not every most song,

0:22:36.880 --> 0:22:39.680
<v Speaker 5>you're gonna find a song on every album where it's

0:22:39.720 --> 0:22:41.800
<v Speaker 5>like it's musical theater, you know what I mean?

0:22:42.280 --> 0:22:44.160
<v Speaker 2>Now You Had You was a record I forgot which

0:22:44.160 --> 0:22:46.640
<v Speaker 2>album was on. It was called The Magician. I think

0:22:46.640 --> 0:22:49.480
<v Speaker 2>where you like when speaking from the aspect magic and

0:22:49.480 --> 0:22:52.119
<v Speaker 2>I was just like, man, I would never do a

0:22:52.160 --> 0:22:54.320
<v Speaker 2>song like that. I would be so scared to do

0:22:54.359 --> 0:22:58.520
<v Speaker 2>a record like that. I don't know, it's just I was.

0:22:58.640 --> 0:23:00.359
<v Speaker 2>I just thought it was just a really bread choice.

0:23:00.359 --> 0:23:02.439
<v Speaker 2>But you always took those kind of choices where you

0:23:02.440 --> 0:23:05.160
<v Speaker 2>would really like embody a character. I mean, it's one

0:23:05.200 --> 0:23:07.320
<v Speaker 2>thing to rap as that character, right, It's one thing

0:23:07.359 --> 0:23:10.280
<v Speaker 2>to be Secrick and like you know, you know the

0:23:10.320 --> 0:23:12.159
<v Speaker 2>cops shot to kid, you know, like to do all

0:23:12.200 --> 0:23:15.080
<v Speaker 2>the voices, but you don't really see that in in

0:23:15.280 --> 0:23:17.320
<v Speaker 2>R and B as singers. And I always thought that

0:23:17.480 --> 0:23:20.520
<v Speaker 2>was really admirable and just always admired you for taking

0:23:20.560 --> 0:23:22.679
<v Speaker 2>those kind of choice, those kind of chances and your stuff.

0:23:23.000 --> 0:23:25.240
<v Speaker 5>I appreciate it. I appreciate it. But you know I

0:23:25.280 --> 0:23:27.320
<v Speaker 5>learned I learned a lot from your pen. You know,

0:23:27.359 --> 0:23:31.800
<v Speaker 5>if I and even say this, you know, the first

0:23:31.800 --> 0:23:33.960
<v Speaker 5>time I ever witnessed it a person writing a song

0:23:34.000 --> 0:23:37.080
<v Speaker 5>without writing it down was watching you when we did

0:23:37.160 --> 0:23:39.720
<v Speaker 5>be in love. And remember it, yes we did have

0:23:39.760 --> 0:23:42.040
<v Speaker 5>been in love. You were having a conversation with my dad.

0:23:42.080 --> 0:23:45.439
<v Speaker 5>I was setting the music up and my dad was talking,

0:23:45.520 --> 0:23:49.160
<v Speaker 5>and you took my dad's conversation. Remember this day was yesterday,

0:23:49.320 --> 0:23:52.840
<v Speaker 5>the exact conversation, and you made it rhyme and you

0:23:52.840 --> 0:23:54.920
<v Speaker 5>you were like the beat was ready and he was like, yeah,

0:23:54.920 --> 0:23:57.880
<v Speaker 5>I'm ready, and then you just walked in and took

0:23:57.960 --> 0:24:01.399
<v Speaker 5>everything that y'all I were talking about and just rhymed

0:24:01.400 --> 0:24:04.560
<v Speaker 5>it down. It blew me away that somehow you processed

0:24:04.560 --> 0:24:06.959
<v Speaker 5>all that in your head without putting on paper.

0:24:07.440 --> 0:24:08.560
<v Speaker 4>And it took me some time.

0:24:08.640 --> 0:24:11.280
<v Speaker 5>But you know, probably I haven't written a song down

0:24:11.320 --> 0:24:13.720
<v Speaker 5>probably for the last ten years, probably.

0:24:13.760 --> 0:24:15.560
<v Speaker 4>Like you know. So a lot of it is like

0:24:15.920 --> 0:24:16.920
<v Speaker 4>seeing what you did.

0:24:17.000 --> 0:24:19.240
<v Speaker 5>Of course hearing what Biggie's doing and hearing jay Z,

0:24:19.400 --> 0:24:22.239
<v Speaker 5>but then seeing what you did, and then for me

0:24:22.320 --> 0:24:26.359
<v Speaker 5>applying like theater background. For me, my first thing is like,

0:24:26.359 --> 0:24:27.920
<v Speaker 5>all right, who do I want to be in the song?

0:24:28.359 --> 0:24:30.719
<v Speaker 5>What's the character? The more the more developed the character is,

0:24:30.760 --> 0:24:33.080
<v Speaker 5>then I just hit record because now I just gotta

0:24:33.119 --> 0:24:36.440
<v Speaker 5>make a rhyme. The objective is all there, the character's

0:24:36.480 --> 0:24:38.480
<v Speaker 5>all there, and then and it just make a rhyme.

0:24:38.520 --> 0:24:40.760
<v Speaker 5>But a lot of it was sparked from like watching

0:24:40.800 --> 0:24:43.800
<v Speaker 5>you do it. I was like that's I was like, yo,

0:24:43.960 --> 0:24:48.239
<v Speaker 5>did this cat just literally first of all, not just

0:24:48.240 --> 0:24:50.080
<v Speaker 5>like did you wrote a song in your head? But

0:24:50.200 --> 0:24:52.760
<v Speaker 5>you wrote a song in your head while talking to somebody.

0:24:53.680 --> 0:24:56.439
<v Speaker 2>That's I mean, yeah, I mean that was just that

0:24:56.600 --> 0:24:58.840
<v Speaker 2>was again just your pop man, like that was Pops.

0:24:58.840 --> 0:25:00.399
<v Speaker 2>He just you know, would just come in and just

0:25:00.480 --> 0:25:03.119
<v Speaker 2>drop these jewels and he just start talking and all right,

0:25:03.160 --> 0:25:04.800
<v Speaker 2>yong man, well tell me about let me talk to

0:25:04.840 --> 0:25:06.360
<v Speaker 2>you about this, and he just be talking and I'm

0:25:06.400 --> 0:25:08.480
<v Speaker 2>just soaking this shit in. I'm like, man, And so

0:25:08.560 --> 0:25:10.040
<v Speaker 2>I just went in and did it. And the crazy

0:25:10.080 --> 0:25:12.040
<v Speaker 2>stuff now is like kind of the roads are reverse

0:25:12.160 --> 0:25:16.439
<v Speaker 2>because you don't write down and I'm constantly like writing

0:25:16.520 --> 0:25:19.720
<v Speaker 2>prompts like in my phone. Like I think. I think

0:25:19.880 --> 0:25:22.800
<v Speaker 2>for me what change was the process because at that

0:25:22.920 --> 0:25:25.160
<v Speaker 2>time we did been in love. Man, that was shit.

0:25:25.240 --> 0:25:29.560
<v Speaker 2>That was damn old five six some of that. And

0:25:29.600 --> 0:25:31.280
<v Speaker 2>so at that time, that's when we were recording at

0:25:31.280 --> 0:25:33.600
<v Speaker 2>the studio, and so that was just kind of my process.

0:25:33.600 --> 0:25:35.479
<v Speaker 2>I would just turn a beat on, just crank it up,

0:25:35.480 --> 0:25:38.080
<v Speaker 2>and I would just walk around pace just kind of

0:25:38.119 --> 0:25:40.360
<v Speaker 2>just you know, run it in my head, just kind

0:25:40.359 --> 0:25:42.479
<v Speaker 2>of write the verse in my head with the music up.

0:25:42.880 --> 0:25:46.359
<v Speaker 2>But then around like oh nine, that was when and

0:25:46.480 --> 0:25:48.239
<v Speaker 2>it's in the studio, it's in we're in some we're

0:25:48.280 --> 0:25:50.720
<v Speaker 2>in the studio. So you know, time is money. We

0:25:50.800 --> 0:25:53.080
<v Speaker 2>just want to be efficient. So that was how we learned.

0:25:53.080 --> 0:25:55.480
<v Speaker 2>Just in those early Little Brother records, it's like, all right,

0:25:55.560 --> 0:25:57.240
<v Speaker 2>get in, get out, you know what I'm saying. It

0:25:57.359 --> 0:25:58.760
<v Speaker 2>just had to be you had to be on it.

0:25:59.160 --> 0:26:01.280
<v Speaker 2>So around like oh nine, once we moved back to

0:26:01.520 --> 0:26:03.959
<v Speaker 2>when I built my studio at the crib, you know,

0:26:04.200 --> 0:26:05.800
<v Speaker 2>I mean, my kids are here. I can't be just

0:26:05.880 --> 0:26:08.280
<v Speaker 2>cranking to three in the morning, you know what I mean.

0:26:08.680 --> 0:26:11.000
<v Speaker 2>So my process changed, and so that was when I

0:26:11.080 --> 0:26:13.880
<v Speaker 2>kind of had to go back to just like actually

0:26:13.960 --> 0:26:16.600
<v Speaker 2>writing either on paper or you know, sometime my phone

0:26:16.680 --> 0:26:19.600
<v Speaker 2>or whatever, but just going there. And so from the

0:26:19.680 --> 0:26:22.000
<v Speaker 2>time when we were working at first, it just my

0:26:22.040 --> 0:26:23.800
<v Speaker 2>whole thing was just like one take. I gotta get

0:26:23.800 --> 0:26:26.440
<v Speaker 2>it down. It's just one take, one take, Jake, just

0:26:26.440 --> 0:26:28.560
<v Speaker 2>is what it's got to be. But once I got

0:26:28.840 --> 0:26:32.159
<v Speaker 2>home and uh talking to another co collaborative, our was

0:26:32.200 --> 0:26:36.719
<v Speaker 2>fall Manch talking to him, and he had a completely

0:26:36.760 --> 0:26:39.840
<v Speaker 2>different approach, and he would say, he said, Man, when

0:26:39.840 --> 0:26:42.880
<v Speaker 2>I go to the booth, I treat it like I'm

0:26:42.880 --> 0:26:45.639
<v Speaker 2>a director, you know what I'm saying. He said, So

0:26:46.359 --> 0:26:49.240
<v Speaker 2>I look at my verse like Okay, I'll do a take,

0:26:49.800 --> 0:26:53.080
<v Speaker 2>but it's like, hmm, the and in that verse, I

0:26:53.080 --> 0:26:55.359
<v Speaker 2>may want to stick that better cause that'll lend and

0:26:55.440 --> 0:26:57.800
<v Speaker 2>I'll just go in and get just the and you

0:26:57.840 --> 0:27:01.000
<v Speaker 2>know what I mean, Like he is surgical with this ship.

0:27:01.160 --> 0:27:03.760
<v Speaker 2>You know what I'm saying. And hearing that approach, I

0:27:03.800 --> 0:27:05.560
<v Speaker 2>was like, oh my god, you know what I mean.

0:27:06.000 --> 0:27:08.479
<v Speaker 2>And so that was kind of where I'm at with it.

0:27:08.520 --> 0:27:12.000
<v Speaker 2>Now it's much more a lot more kind of methodical.

0:27:13.400 --> 0:27:16.320
<v Speaker 5>First of all, you know, listen this can you already know?

0:27:16.560 --> 0:27:22.280
<v Speaker 5>You know what I'm sayings know, I think ahead, I

0:27:22.760 --> 0:27:24.080
<v Speaker 5>put my money on anybody.

0:27:27.040 --> 0:27:29.640
<v Speaker 2>Come on, just god, come on, what were talking?

0:27:29.960 --> 0:27:31.600
<v Speaker 4>You know, just such a you.

0:27:31.600 --> 0:27:35.360
<v Speaker 5>You always had such a unique approach and it's so interesting.

0:27:35.359 --> 0:27:36.840
<v Speaker 4>But like I said, the process changes.

0:27:37.119 --> 0:27:39.879
<v Speaker 5>I'm a I'm a fan of people's process is one

0:27:39.880 --> 0:27:41.920
<v Speaker 5>of my favorite words in the time. You don't hear

0:27:41.920 --> 0:27:45.359
<v Speaker 5>me saying several times even in this interview, but I

0:27:45.680 --> 0:27:47.080
<v Speaker 5>and people always ask me, like, who would you love

0:27:47.080 --> 0:27:47.479
<v Speaker 5>to collaborate?

0:27:47.520 --> 0:27:49.040
<v Speaker 4>I said, I love. I just love to watch.

0:27:49.160 --> 0:27:51.840
<v Speaker 5>I love just be in a room when Pharah Manch

0:27:52.000 --> 0:27:54.159
<v Speaker 5>is working or when Eric ab i Do is work.

0:27:54.200 --> 0:27:56.040
<v Speaker 5>You know, when Fante's working, like just so I can

0:27:56.080 --> 0:27:59.320
<v Speaker 5>see the process of how somebody's putting something together.

0:27:59.400 --> 0:28:03.600
<v Speaker 4>It's amazing. And guess what, it always works differently for different.

0:28:03.359 --> 0:28:06.640
<v Speaker 2>And it's always different. That's the thing. Everybody's thing is different, man,

0:28:06.760 --> 0:28:09.480
<v Speaker 2>And it's just yeah, I remember, like you know, when

0:28:09.480 --> 0:28:12.359
<v Speaker 2>we were working and you know, and I would see

0:28:12.720 --> 0:28:14.720
<v Speaker 2>just kind of you know, because you would I would

0:28:14.720 --> 0:28:17.240
<v Speaker 2>tune into the process like your your you know, your

0:28:17.320 --> 0:28:20.480
<v Speaker 2>your platform, and I was just again, it was just

0:28:20.480 --> 0:28:23.199
<v Speaker 2>one of those things, you know, for for for people listening,

0:28:23.240 --> 0:28:25.640
<v Speaker 2>you know, ero, he has a thing. Is it still

0:28:25.680 --> 0:28:29.000
<v Speaker 2>on Patreon? Is it still still Patreon? Yeah? I called

0:28:29.040 --> 0:28:33.960
<v Speaker 2>the process where you know, he pretty much just netflixed himself,

0:28:36.119 --> 0:28:37.600
<v Speaker 2>you know what I mean. But he was ahead of

0:28:37.640 --> 0:28:39.440
<v Speaker 2>Curve you I mean, you did this ship then ten

0:28:39.520 --> 0:28:42.320
<v Speaker 2>years ago. But you know, but he has a thing

0:28:42.400 --> 0:28:44.719
<v Speaker 2>called the Process where you can just tune in and

0:28:44.760 --> 0:28:48.480
<v Speaker 2>watch him create songs. And that is just again just

0:28:48.600 --> 0:28:50.960
<v Speaker 2>one of those things where I'm just like, dude, I

0:28:51.000 --> 0:28:56.080
<v Speaker 2>would never like, never, like, oh my god, like having

0:28:56.200 --> 0:28:59.320
<v Speaker 2>cameras in the studio while I'm like, bro, that is yo.

0:28:59.480 --> 0:29:01.400
<v Speaker 2>I would rather you have a camera in the dressing

0:29:01.440 --> 0:29:03.680
<v Speaker 2>room while I'm like trying on sweatmans or some ship

0:29:03.840 --> 0:29:06.640
<v Speaker 2>like camera in the studio while I'm creative, Are you

0:29:06.800 --> 0:29:10.680
<v Speaker 2>fucking kidding me? Like, I just, I just I can't

0:29:10.720 --> 0:29:12.400
<v Speaker 2>do it, bro, I just it freaks me out.

0:29:13.200 --> 0:29:15.760
<v Speaker 5>I learned this quickly with you. Me and you have

0:29:15.800 --> 0:29:18.200
<v Speaker 5>done a million songs. But when we decided to take

0:29:18.240 --> 0:29:20.400
<v Speaker 5>Ale album right when we did the Man album, it

0:29:21.080 --> 0:29:25.480
<v Speaker 5>was very obvious to me, Okay, I am one who

0:29:25.480 --> 0:29:28.280
<v Speaker 5>wants to go through it to figure it out. You're

0:29:28.360 --> 0:29:30.240
<v Speaker 5>one who wants to figure it out before you go

0:29:30.320 --> 0:29:34.480
<v Speaker 5>through it. It was to me exact we were so

0:29:34.560 --> 0:29:36.920
<v Speaker 5>exact opposite that we actually were the same in some

0:29:36.960 --> 0:29:40.080
<v Speaker 5>form of fashion, right, And it worked out, it complimented.

0:29:40.120 --> 0:29:42.880
<v Speaker 4>But it was like, you know, I'm definitely one who's like.

0:29:43.000 --> 0:29:45.360
<v Speaker 5>Put cameras on me, like I'll do it, like I'm

0:29:45.440 --> 0:29:47.160
<v Speaker 5>down to like just go against the wall.

0:29:47.000 --> 0:29:47.880
<v Speaker 4>Like whatever you like.

0:29:48.160 --> 0:29:51.880
<v Speaker 5>Nah, bro, we ain't throwing nothing against the wall, you know,

0:29:53.160 --> 0:30:02.040
<v Speaker 5>shot to the head, And I think, degree, you know how,

0:30:02.080 --> 0:30:03.880
<v Speaker 5>maybe I was there to pull you a bit off center.

0:30:03.960 --> 0:30:05.560
<v Speaker 4>That's absolutely.

0:30:06.000 --> 0:30:08.600
<v Speaker 5>I had a beautiful thing about the conversation about collaboration,

0:30:08.840 --> 0:30:12.000
<v Speaker 5>How amazing the collaboration it is. But it's like you

0:30:12.040 --> 0:30:13.760
<v Speaker 5>were able to pull me off center and I was

0:30:13.800 --> 0:30:15.880
<v Speaker 5>able to pull you off center, and that's where the

0:30:15.880 --> 0:30:19.520
<v Speaker 5>magic of all that, you know, laid that right there.

0:30:20.240 --> 0:30:23.680
<v Speaker 5>But yet we had we definitely had two different type

0:30:23.680 --> 0:30:27.200
<v Speaker 5>of theories when we came in to do that album.

0:30:27.360 --> 0:30:29.200
<v Speaker 4>You know what I mean of just stopped.

0:30:28.960 --> 0:30:31.480
<v Speaker 5>Throwing stuff against the wall because this is not that's

0:30:31.520 --> 0:30:34.560
<v Speaker 5>not gonna work. He's not gonna understand like this, he's

0:30:34.680 --> 0:30:36.640
<v Speaker 5>not only we ain't just throw it some against the

0:30:36.640 --> 0:30:39.520
<v Speaker 5>wall like No, we planted out our shots and we're

0:30:39.520 --> 0:30:40.400
<v Speaker 5>going with ten for ten.

0:30:40.440 --> 0:30:41.440
<v Speaker 4>It's gonna be ten for ten.

0:30:41.920 --> 0:30:43.160
<v Speaker 2>Listen, man, listen.

0:30:43.280 --> 0:30:43.560
<v Speaker 4>Nah.

0:30:43.600 --> 0:30:46.360
<v Speaker 2>It was so informal because I just had never because

0:30:46.480 --> 0:30:48.880
<v Speaker 2>I had I was never that person that you know,

0:30:48.920 --> 0:30:51.280
<v Speaker 2>and I always admired you know that, and that was

0:30:51.280 --> 0:30:54.040
<v Speaker 2>something working with you in a lot of ways, it

0:30:54.120 --> 0:30:55.760
<v Speaker 2>kind of reminded me of working with Pooh, you know

0:30:55.800 --> 0:30:59.440
<v Speaker 2>what I'm saying, NLB, because Pooh was like that coming up,

0:30:59.480 --> 0:31:02.280
<v Speaker 2>like Poo who was the guy that who would just

0:31:02.280 --> 0:31:04.400
<v Speaker 2>record non stop. He would just go in and just

0:31:04.640 --> 0:31:08.240
<v Speaker 2>bang bang rap gang and he was way more prolific

0:31:08.280 --> 0:31:10.000
<v Speaker 2>than I was. And you know, that was something that

0:31:10.040 --> 0:31:12.320
<v Speaker 2>I always admired, you know what I mean, because I

0:31:12.520 --> 0:31:14.920
<v Speaker 2>just was never like that. It just always felt like

0:31:14.920 --> 0:31:16.520
<v Speaker 2>I was wasting people time. I'm like, yo, if I

0:31:16.520 --> 0:31:18.320
<v Speaker 2>ain't really coming with no heat, like I'm gonna just

0:31:18.360 --> 0:31:19.880
<v Speaker 2>shut the fuck up because I ain't you know what

0:31:19.920 --> 0:31:21.800
<v Speaker 2>I mean, I ain't. I ain't trying to be. I

0:31:21.840 --> 0:31:23.680
<v Speaker 2>had just experiment and like when I show up, I

0:31:23.680 --> 0:31:25.800
<v Speaker 2>wanted to be for real. And so we were working

0:31:25.800 --> 0:31:28.000
<v Speaker 2>on that album. First off, you know, for everybody listening

0:31:28.000 --> 0:31:30.520
<v Speaker 2>at home to this day, I have no idea how

0:31:30.560 --> 0:31:34.440
<v Speaker 2>we finished that record. Idea that was at the time

0:31:34.520 --> 0:31:37.680
<v Speaker 2>because I think you were were you about to have

0:31:37.720 --> 0:31:39.960
<v Speaker 2>your third son at that time or had he just

0:31:40.000 --> 0:31:40.440
<v Speaker 2>been born?

0:31:40.640 --> 0:31:44.320
<v Speaker 5>He had just been born, so so so me and

0:31:44.440 --> 0:31:46.479
<v Speaker 5>I decided we're gonna make an album. And we had

0:31:46.520 --> 0:31:49.680
<v Speaker 5>been talking for about two years about planning to straight up,

0:31:50.200 --> 0:31:51.280
<v Speaker 5>you wait till you went on.

0:31:51.280 --> 0:31:55.440
<v Speaker 4>Tour and you call. I remember a phone call.

0:31:55.920 --> 0:32:00.160
<v Speaker 5>You said, E I'm ready, let's start. Let's start it.

0:32:00.440 --> 0:32:01.440
<v Speaker 5>At that point, we weren't called to.

0:32:03.120 --> 0:32:03.440
<v Speaker 2>Have a title.

0:32:03.520 --> 0:32:06.480
<v Speaker 5>Let start the album. And I said, oh, that's that's great.

0:32:06.960 --> 0:32:12.360
<v Speaker 5>I'm in the hospital. My wife had a baby, and

0:32:12.400 --> 0:32:15.320
<v Speaker 5>you was kind of like that's dope, but this is

0:32:15.320 --> 0:32:17.360
<v Speaker 5>the window, Like this is the window, like this.

0:32:17.400 --> 0:32:20.600
<v Speaker 4>Is I was like literally holding the child, like.

0:32:22.040 --> 0:32:25.680
<v Speaker 5>Okay, if this is the window, then let's go now,

0:32:25.720 --> 0:32:28.760
<v Speaker 5>mind you you know, to help out one thing. This

0:32:28.840 --> 0:32:33.080
<v Speaker 5>is my third child in you know, in probably six years.

0:32:33.080 --> 0:32:36.720
<v Speaker 5>So we we were having a child like ten at

0:32:37.200 --> 0:32:40.040
<v Speaker 5>little break sae like a three year break, and then

0:32:40.040 --> 0:32:40.960
<v Speaker 5>we had another child.

0:32:41.120 --> 0:32:42.240
<v Speaker 4>Right, so.

0:32:43.840 --> 0:32:46.960
<v Speaker 5>I've been recording with kids in my hand, you know,

0:32:47.520 --> 0:32:50.080
<v Speaker 5>like for the last seven years pretty much last five

0:32:50.160 --> 0:32:50.640
<v Speaker 5>years whatever.

0:32:50.960 --> 0:32:52.600
<v Speaker 4>So I was, you know, okay, all right, cool.

0:32:52.840 --> 0:32:56.280
<v Speaker 5>But literally the next like two days later, we were

0:32:56.320 --> 0:32:58.920
<v Speaker 5>we were cutting and I mean ninety percent of that

0:32:59.000 --> 0:33:02.720
<v Speaker 5>record was cut literally with that kid like I hold him.

0:33:02.720 --> 0:33:05.360
<v Speaker 5>I said it in one of the songs.

0:33:05.720 --> 0:33:05.920
<v Speaker 2>Yeah.

0:33:06.200 --> 0:33:08.840
<v Speaker 5>So we were like but then you were like, like

0:33:08.880 --> 0:33:10.880
<v Speaker 5>I said, you were in a different state. I feel

0:33:10.920 --> 0:33:13.720
<v Speaker 5>like it was in a different state every time you

0:33:13.760 --> 0:33:16.680
<v Speaker 5>sent me something. We at no point we would ever,

0:33:16.880 --> 0:33:21.160
<v Speaker 5>we didn't see each other. What's crazy style, bro? Like

0:33:21.200 --> 0:33:24.080
<v Speaker 5>it was straight up justly album cover.

0:33:24.200 --> 0:33:27.160
<v Speaker 4>Everything was just hilarious how it all came together.

0:33:27.280 --> 0:33:30.200
<v Speaker 5>But yet as locked in, we could not have been

0:33:30.440 --> 0:33:33.040
<v Speaker 5>anymore locked in. And I think that's the that's the

0:33:33.080 --> 0:33:35.840
<v Speaker 5>magic of it. You know, I think, which is which

0:33:35.880 --> 0:33:37.720
<v Speaker 5>is really really special. When I go back and listen

0:33:37.720 --> 0:33:41.360
<v Speaker 5>to songs, you know, they were they were amazing. I

0:33:41.360 --> 0:33:44.000
<v Speaker 5>mean it was a blur because it was really crazy

0:33:44.040 --> 0:33:44.560
<v Speaker 5>little blur.

0:33:44.720 --> 0:33:47.600
<v Speaker 2>Yeah, but that record, man, listen, I mean that record

0:33:47.680 --> 0:33:50.840
<v Speaker 2>made me just a better musician all the way around,

0:33:51.040 --> 0:33:53.719
<v Speaker 2>just you know, better singer songwriter, because it was just

0:33:54.080 --> 0:33:55.480
<v Speaker 2>it was very much for me. It was just to

0:33:55.520 --> 0:33:58.280
<v Speaker 2>thing of just kind of iron sharpening iron. And you know,

0:33:59.120 --> 0:34:02.080
<v Speaker 2>I've just always just been a believer in you know,

0:34:02.280 --> 0:34:05.320
<v Speaker 2>when you're collaborating with people that you respect, you know,

0:34:06.000 --> 0:34:07.920
<v Speaker 2>you just always want to you want to be on

0:34:07.960 --> 0:34:09.800
<v Speaker 2>your best behavior, so to speak. You know, you always

0:34:09.840 --> 0:34:12.000
<v Speaker 2>want to make sure you show up as the best

0:34:12.040 --> 0:34:14.120
<v Speaker 2>because you know, I knew like you just had a kid.

0:34:15.120 --> 0:34:19.480
<v Speaker 2>Twenty sixteen, that was when yeah, I lost my dad

0:34:19.520 --> 0:34:22.640
<v Speaker 2>and my man. Yeah, the night we did I think

0:34:22.680 --> 0:34:26.520
<v Speaker 2>the night we did Atlanta. It was like shortly after that.

0:34:26.600 --> 0:34:29.840
<v Speaker 2>I can't remember it was. This was twenty it's twenty sixteen,

0:34:30.840 --> 0:34:35.319
<v Speaker 2>but yeah, I lost like my my granddad died on

0:34:35.400 --> 0:34:38.360
<v Speaker 2>like Tuesday, and then my dad died on like Sunday,

0:34:38.640 --> 0:34:40.440
<v Speaker 2>and all of this shit was happening while We're in

0:34:40.440 --> 0:34:41.879
<v Speaker 2>the middle of the record, you know what I'm saying.

0:34:41.920 --> 0:34:44.120
<v Speaker 2>And so I knew that you were showing up. I'm like,

0:34:44.160 --> 0:34:45.920
<v Speaker 2>he just had a kid, Like I got through what

0:34:45.960 --> 0:34:48.920
<v Speaker 2>I'm going through, but man, fuck this, like I you know,

0:34:49.000 --> 0:34:51.440
<v Speaker 2>I'm staying in this. We're gonna finish this, you know.

0:34:51.640 --> 0:34:55.359
<v Speaker 2>And uh And I always admire just you know, your efficiency,

0:34:56.120 --> 0:34:58.600
<v Speaker 2>just because I knew working with you, I'm like, I

0:34:59.080 --> 0:35:01.280
<v Speaker 2>know this will get done. I know to get done.

0:35:01.360 --> 0:35:04.760
<v Speaker 2>And I just always, you know, wanted to just maintain

0:35:04.800 --> 0:35:06.600
<v Speaker 2>that trust. It's like, yo, if Erro sent me something

0:35:06.640 --> 0:35:08.600
<v Speaker 2>he knows is I'm knocking it out and it's over with.

0:35:09.480 --> 0:35:11.479
<v Speaker 4>Yeah, we we have. I mean, we've had a great

0:35:11.520 --> 0:35:12.840
<v Speaker 4>relationship over music.

0:35:12.840 --> 0:35:15.560
<v Speaker 5>It was it was it was time and we of

0:35:15.600 --> 0:35:18.440
<v Speaker 5>course we showed up with We showed at the right time,

0:35:18.520 --> 0:35:20.680
<v Speaker 5>but it was it was the craziest.

0:35:20.120 --> 0:35:23.080
<v Speaker 4>Time that it was crazy to do an album.

0:35:23.200 --> 0:35:26.560
<v Speaker 5>But you know what, it was even funny though, like

0:35:27.440 --> 0:35:30.520
<v Speaker 5>the whole how we take Alero, we said that as

0:35:30.560 --> 0:35:34.359
<v Speaker 5>a joke, as a joke, like that was the way

0:35:34.360 --> 0:35:35.239
<v Speaker 5>we send it to each other.

0:35:36.520 --> 0:35:43.120
<v Speaker 4>I could have Lero and you said the verse and eventually.

0:35:42.880 --> 0:35:47.720
<v Speaker 2>Like said, it's the album, like why you bullshit?

0:35:47.800 --> 0:35:51.560
<v Speaker 5>And this might be she might be to that, you know,

0:35:51.840 --> 0:35:55.320
<v Speaker 5>so listen, man. But once again, that was the happy

0:35:55.360 --> 0:35:59.480
<v Speaker 5>medium of like going through it to see if it works.

0:35:59.840 --> 0:36:02.600
<v Speaker 5>We see it works before we go through, kind of

0:36:02.719 --> 0:36:05.200
<v Speaker 5>like you know, because at no point we was committed,

0:36:05.239 --> 0:36:06.879
<v Speaker 5>were just having fun, but eventually was like.

0:36:07.920 --> 0:36:09.279
<v Speaker 4>That took a lot of card job.

0:36:09.600 --> 0:36:11.960
<v Speaker 2>Actually, yeah, a little bit. I'm not tired of it,

0:36:12.160 --> 0:36:13.640
<v Speaker 2>Like I keep saying it, you know what I mean,

0:36:13.680 --> 0:36:16.719
<v Speaker 2>like this might be it so fun time I want

0:36:16.800 --> 0:36:19.400
<v Speaker 2>to I want to ask you, man, so back to

0:36:19.520 --> 0:36:23.920
<v Speaker 2>your your days at Howard and your first deal on

0:36:24.200 --> 0:36:30.680
<v Speaker 2>Warner Brothers. First off, you have no idea how excited

0:36:30.840 --> 0:36:35.080
<v Speaker 2>I was to find out that you wrote the Moon,

0:36:35.120 --> 0:36:38.440
<v Speaker 2>that the Moon was your song. I mean the Moon was.

0:36:38.560 --> 0:36:40.440
<v Speaker 2>I mean, man, the Moon was one of those songs

0:36:40.480 --> 0:36:44.239
<v Speaker 2>that I literally remember hearing it one time on the

0:36:44.320 --> 0:36:46.840
<v Speaker 2>radio when I was probably like I don't know, twelve

0:36:46.880 --> 0:36:48.919
<v Speaker 2>or thirteen or something, and I was like, oh my god,

0:36:48.960 --> 0:36:50.880
<v Speaker 2>like who the fuck is this? This shit is amazing,

0:36:51.520 --> 0:36:53.560
<v Speaker 2>and never heard it again, and so then you know,

0:36:54.040 --> 0:36:57.520
<v Speaker 2>I mean, you know, fifteen, have many years later, I'm like, oh, shit,

0:36:57.960 --> 0:37:01.120
<v Speaker 2>you know what I mean? How did you get that

0:37:01.360 --> 0:37:03.200
<v Speaker 2>that Warner Brothers deal? What was that process like of

0:37:03.239 --> 0:37:04.359
<v Speaker 2>signing with them?

0:37:05.040 --> 0:37:09.000
<v Speaker 5>So my sophomore year, the group Shi who also was Howered.

0:37:10.480 --> 0:37:14.759
<v Speaker 5>They had a big song. So they met adj right

0:37:15.000 --> 0:37:17.120
<v Speaker 5>and they sung the song for him two weeks A

0:37:17.120 --> 0:37:18.480
<v Speaker 5>week later, they were on the radio with him.

0:37:18.520 --> 0:37:19.919
<v Speaker 4>Two weeks later Senior Hall.

0:37:20.080 --> 0:37:23.080
<v Speaker 5>Two weeks after that, they were millions of copies later.

0:37:23.160 --> 0:37:25.840
<v Speaker 5>You know, it just went, it just exploded, and it

0:37:25.920 --> 0:37:27.680
<v Speaker 5>was crazy because all of us were singing and doing

0:37:27.680 --> 0:37:29.840
<v Speaker 5>stuff on campus, but we were at that point, I

0:37:29.920 --> 0:37:31.480
<v Speaker 5>was just trying to be the dopest on campus. I

0:37:31.520 --> 0:37:34.239
<v Speaker 5>didn't even think this could be something outside of this,

0:37:34.760 --> 0:37:36.520
<v Speaker 5>And that was big. But the bigger part of it

0:37:36.560 --> 0:37:39.080
<v Speaker 5>was also like, what, here's my demo, Like just when

0:37:39.120 --> 0:37:42.920
<v Speaker 5>you get to LA just passed it to somebody.

0:37:42.760 --> 0:37:45.720
<v Speaker 2>And these were songs that you were recorded previously before.

0:37:45.760 --> 0:37:48.920
<v Speaker 5>They just like my demo at that time, my demo

0:37:49.000 --> 0:37:51.680
<v Speaker 5>at that time, which was just I want to say,

0:37:51.719 --> 0:37:55.799
<v Speaker 5>the moon was probably on it. No, no, that's not true.

0:37:55.840 --> 0:37:58.680
<v Speaker 5>Let me think for a second. No, So all right,

0:37:58.760 --> 0:38:04.800
<v Speaker 5>So Derek, who was a member of uh of Shah Carl,

0:38:04.880 --> 0:38:07.160
<v Speaker 5>I'm sorry, remember of Shot introduced me to his brother.

0:38:07.400 --> 0:38:10.160
<v Speaker 5>His brother was in the group and he had some

0:38:10.200 --> 0:38:13.040
<v Speaker 5>producers that were under Teddy Riley, and they sent me

0:38:13.120 --> 0:38:15.759
<v Speaker 5>the track and that's what I wrote, wrote the Moon,

0:38:16.160 --> 0:38:18.239
<v Speaker 5>and then of course the phones at that point. At

0:38:18.239 --> 0:38:21.239
<v Speaker 5>that point, now I'm doing class and every weekend I'm

0:38:21.239 --> 0:38:25.040
<v Speaker 5>pretty much like flying out to uh take meetings and stuff.

0:38:25.440 --> 0:38:29.040
<v Speaker 5>Medina met with Little Salas before he passed and uh,

0:38:29.640 --> 0:38:31.680
<v Speaker 5>just running past label at the label at the label

0:38:32.160 --> 0:38:32.840
<v Speaker 5>and what was a.

0:38:32.840 --> 0:38:35.080
<v Speaker 2>Little Solace like? Man, he's this very time. You know,

0:38:35.120 --> 0:38:37.160
<v Speaker 2>we don't really we get few people out here that

0:38:37.160 --> 0:38:38.960
<v Speaker 2>I have worked with him. But what was he like?

0:38:39.000 --> 0:38:41.560
<v Speaker 2>He was the guy for everyone listening. Little Solace Junior

0:38:41.760 --> 0:38:44.480
<v Speaker 2>was the he was guy over at m c A Records.

0:38:45.040 --> 0:38:47.360
<v Speaker 2>You know, he played the you know, big role you

0:38:47.400 --> 0:38:50.920
<v Speaker 2>know new edition. Uh he formed Solace Records like Shante

0:38:51.040 --> 0:38:54.120
<v Speaker 2>Moore more like he was he was kind of one

0:38:54.160 --> 0:38:55.960
<v Speaker 2>of the one of the old Jesus. What was he like?

0:38:56.880 --> 0:38:58.439
<v Speaker 5>I just had one meeting with him, but I remember

0:38:58.480 --> 0:39:00.200
<v Speaker 5>he was shooting straight from the hip. But I her

0:39:00.280 --> 0:39:03.080
<v Speaker 5>from him was he said, uh, and this was interesting

0:39:03.080 --> 0:39:06.560
<v Speaker 5>because when I look back, so he's like, uh, listen,

0:39:06.719 --> 0:39:07.880
<v Speaker 5>I just want to take a meeting with you. I

0:39:07.920 --> 0:39:10.000
<v Speaker 5>think you already decided. You know, you're going through the

0:39:10.000 --> 0:39:11.759
<v Speaker 5>Warner Brothers thing. But I just wanted to meet with you.

0:39:11.760 --> 0:39:11.880
<v Speaker 2>Man.

0:39:11.880 --> 0:39:13.479
<v Speaker 4>I like your music this and that and whatever whatever,

0:39:13.520 --> 0:39:15.120
<v Speaker 4>and I was like I appreciate it, you know.

0:39:15.800 --> 0:39:18.680
<v Speaker 5>And I was kind of like why you like, why

0:39:18.680 --> 0:39:19.920
<v Speaker 5>do you think? I like, why am I here if

0:39:19.920 --> 0:39:21.600
<v Speaker 5>you think I'm already going to Warner Brothers. At that point,

0:39:21.600 --> 0:39:23.400
<v Speaker 5>I really was going to Warner Brothers. I was deciding.

0:39:23.440 --> 0:39:24.680
<v Speaker 5>He's like, I wanted to meet what you kind of

0:39:24.680 --> 0:39:26.480
<v Speaker 5>talk with you? And before I left the room, he

0:39:26.560 --> 0:39:29.840
<v Speaker 5>was like, so good man, hey man, the music's dope. Man, listen,

0:39:29.920 --> 0:39:31.880
<v Speaker 5>if you want this you know something over here and

0:39:32.280 --> 0:39:33.560
<v Speaker 5>just let you know, man, I don't know why you're

0:39:33.560 --> 0:39:35.040
<v Speaker 5>going to Warner Brothers because Benn ain't gonna be here

0:39:35.040 --> 0:39:35.359
<v Speaker 5>for long.

0:39:36.200 --> 0:39:37.839
<v Speaker 4>That's the last thing he said. As I walked out

0:39:37.880 --> 0:39:41.000
<v Speaker 4>the door, like I was like, okay, all right now.

0:39:41.000 --> 0:39:44.359
<v Speaker 5>I walked out the door like whatever, And sure enough

0:39:44.360 --> 0:39:46.960
<v Speaker 5>I signed the deal and Benny was out the door.

0:39:47.040 --> 0:39:49.640
<v Speaker 5>Benn and Denny was like focus on Fresh Prince of

0:39:49.680 --> 0:39:52.520
<v Speaker 5>bel Air like after and I was like, well, he

0:39:52.600 --> 0:39:54.680
<v Speaker 5>leave I'm leaving. But but I never thought of like

0:39:55.360 --> 0:39:56.920
<v Speaker 5>I didn't even think. I just didn't even put and

0:39:56.960 --> 0:39:57.920
<v Speaker 5>two together, you know.

0:39:58.280 --> 0:40:00.920
<v Speaker 2>And yeah, that's something that a lot of artists I

0:40:00.920 --> 0:40:03.480
<v Speaker 2>even talked to like now just about how like you know,

0:40:03.800 --> 0:40:06.480
<v Speaker 2>it's signing to a label. That's just one of kind

0:40:06.520 --> 0:40:08.480
<v Speaker 2>of the pitfalls you can have where it's like you

0:40:08.520 --> 0:40:11.680
<v Speaker 2>can have your guy or your girl, your person that's

0:40:11.960 --> 0:40:14.799
<v Speaker 2>really riding for you that you might sign to or

0:40:14.800 --> 0:40:18.920
<v Speaker 2>whatever they'll get you signed, but if they leave, you

0:40:19.040 --> 0:40:21.080
<v Speaker 2>kind of lose your advocate, like you ain't got nobody

0:40:21.080 --> 0:40:23.520
<v Speaker 2>fighting for you, and you just are back and square one.

0:40:23.840 --> 0:40:27.680
<v Speaker 5>What I will tell you was almost almost immediately I

0:40:27.719 --> 0:40:30.839
<v Speaker 5>got signed to Island Records. And the interesting was when

0:40:30.840 --> 0:40:32.960
<v Speaker 5>I went when I signed with Warner Brothers, I signed

0:40:33.080 --> 0:40:35.000
<v Speaker 5>in LA and it was like stop.

0:40:34.760 --> 0:40:37.200
<v Speaker 4>Today, everybody is that robertson day? Hey? Right?

0:40:37.400 --> 0:40:39.040
<v Speaker 5>And then when I went to when I showed up

0:40:39.040 --> 0:40:41.680
<v Speaker 5>to Island, I took the train in New York. When

0:40:41.680 --> 0:40:43.680
<v Speaker 5>I got there, it was like just a lawyer in

0:40:43.719 --> 0:40:46.880
<v Speaker 5>the n or my boy Leois Clibborn shot out to Liotis.

0:40:47.200 --> 0:40:48.840
<v Speaker 2>It was just the two of them. It's like a

0:40:48.920 --> 0:40:49.800
<v Speaker 2>lawyer Liotis.

0:40:49.840 --> 0:40:52.640
<v Speaker 5>I was like, where's the cake, and like where's the

0:40:53.040 --> 0:40:55.359
<v Speaker 5>you know, it's a five straight business. They were like,

0:40:55.960 --> 0:40:58.839
<v Speaker 5>it's just it's quiet day. I was like, oh, okay,

0:40:58.840 --> 0:41:02.239
<v Speaker 5>all right, signing ever, took pictures, whatever, and then I

0:41:02.480 --> 0:41:04.600
<v Speaker 5>think I got back on the train. I might I

0:41:04.600 --> 0:41:05.920
<v Speaker 5>stay to day in New York and then like the

0:41:05.920 --> 0:41:08.040
<v Speaker 5>next day I got home. But when I got back,

0:41:08.640 --> 0:41:11.759
<v Speaker 5>I remember my manager called me and going, yo, Hire

0:41:11.840 --> 0:41:14.720
<v Speaker 5>Micks just got signed as President Ireland.

0:41:15.320 --> 0:41:16.920
<v Speaker 4>And I knew immediately what that meant.

0:41:16.960 --> 0:41:19.239
<v Speaker 5>It was like, so, why the hell do we just

0:41:19.320 --> 0:41:21.640
<v Speaker 5>signed there, because he's gonna come and wipe every wipe

0:41:21.680 --> 0:41:23.560
<v Speaker 5>everybody out, and sure enough he did.

0:41:23.600 --> 0:41:24.000
<v Speaker 4>He came in.

0:41:24.160 --> 0:41:26.920
<v Speaker 5>Was like Leota's lost his job. Then it was like

0:41:27.040 --> 0:41:29.319
<v Speaker 5>contracts just and she just wiped the whole thing out.

0:41:29.560 --> 0:41:32.040
<v Speaker 5>And it's crazy because you know, initially you heard your ego,

0:41:32.200 --> 0:41:33.399
<v Speaker 5>you know, because at first it was like yo, listen

0:41:33.440 --> 0:41:33.799
<v Speaker 5>to the music.

0:41:33.800 --> 0:41:34.960
<v Speaker 4>First he's like, I don't even care. No, I got

0:41:35.000 --> 0:41:35.960
<v Speaker 4>my home, I got my whole team.

0:41:36.000 --> 0:41:39.399
<v Speaker 5>I'm bringing he didn't jail and yeah, he's like, I'm

0:41:39.400 --> 0:41:42.120
<v Speaker 5>bringing my whole thing in and and then later I

0:41:42.280 --> 0:41:44.240
<v Speaker 5>ended working with Hiring. It was it was fine because

0:41:44.440 --> 0:41:46.200
<v Speaker 5>when I worked, when I was at this point years later,

0:41:46.239 --> 0:41:48.280
<v Speaker 5>I'm like, let's get this money. Like I'm not even tripping,

0:41:48.360 --> 0:41:51.239
<v Speaker 5>like you not even up, you knowing worried about that,

0:41:51.280 --> 0:41:54.759
<v Speaker 5>Let's get this money. But but you understand that, Like

0:41:54.760 --> 0:41:57.279
<v Speaker 5>that's how it was. President come in, They're like, I

0:41:57.280 --> 0:41:59.960
<v Speaker 5>don't care what was here before. I'm bringing my guys.

0:42:00.120 --> 0:42:02.120
<v Speaker 5>I do that, I'm bringing my people in and this

0:42:02.160 --> 0:42:04.000
<v Speaker 5>and that and that, and I had to learn that

0:42:04.120 --> 0:42:06.240
<v Speaker 5>was the biggest lesson for me, that like my music

0:42:06.320 --> 0:42:08.800
<v Speaker 5>can't save me, Like you got to be on point.

0:42:09.400 --> 0:42:11.279
<v Speaker 5>You gotta be on point because like you can't sing

0:42:11.320 --> 0:42:13.279
<v Speaker 5>your way out of this. This cat didn't care what

0:42:13.280 --> 0:42:15.080
<v Speaker 5>the music sounded like. He was like, let's get out,

0:42:15.200 --> 0:42:17.279
<v Speaker 5>like you out of here. So that's when I really

0:42:17.280 --> 0:42:21.520
<v Speaker 5>started learning. And another thing was really important too, So

0:42:21.560 --> 0:42:27.600
<v Speaker 5>Beni Madina's office had this wall of like CDs and

0:42:27.719 --> 0:42:31.680
<v Speaker 5>tapes and that's from ceiling to floor, the entire wall,

0:42:31.840 --> 0:42:35.000
<v Speaker 5>like it's missions of just music period.

0:42:35.239 --> 0:42:36.040
<v Speaker 2>Was just music period.

0:42:36.600 --> 0:42:39.440
<v Speaker 5>And I've been in this office probably like ten times

0:42:39.520 --> 0:42:42.000
<v Speaker 5>right just over the last two months or whatever it was,

0:42:42.560 --> 0:42:46.080
<v Speaker 5>and there's like a whole row of prints. There's all

0:42:46.120 --> 0:42:48.640
<v Speaker 5>the other names I don't know, I mean just music, music, music.

0:42:48.880 --> 0:42:51.960
<v Speaker 5>And then when I got signed, I think they said, well,

0:42:51.960 --> 0:42:54.040
<v Speaker 5>what do you want to do next? You have had

0:42:54.120 --> 0:42:56.000
<v Speaker 5>enough time to catch some food or whatever. I said,

0:42:56.000 --> 0:42:58.080
<v Speaker 5>I want you to change my flight and give me

0:42:58.120 --> 0:43:00.560
<v Speaker 5>some headphones. I want to listen to this wall. It

0:43:00.600 --> 0:43:01.719
<v Speaker 5>was the first time I felt like I had the

0:43:01.760 --> 0:43:03.680
<v Speaker 5>right to say that. And I stayed there that night

0:43:03.840 --> 0:43:06.520
<v Speaker 5>just going through, like just pulling every CD, every tape,

0:43:06.560 --> 0:43:09.040
<v Speaker 5>every day out and just listening that whole wall. And

0:43:09.080 --> 0:43:11.479
<v Speaker 5>it was the most amazing musical night in my life,

0:43:12.000 --> 0:43:14.120
<v Speaker 5>hearing Prince songs I never heard for and then like, well,

0:43:14.120 --> 0:43:16.320
<v Speaker 5>who's this cat? Oh that's the new day we signed?

0:43:16.520 --> 0:43:17.560
<v Speaker 5>Is ALM supposed to come out whatever?

0:43:17.640 --> 0:43:17.879
<v Speaker 4>Whatever?

0:43:17.920 --> 0:43:20.160
<v Speaker 5>And then you never hear that and his people are here,

0:43:20.160 --> 0:43:22.960
<v Speaker 5>who could clearly be the next Prince, But it never

0:43:23.000 --> 0:43:25.040
<v Speaker 5>saw the light of day. It was just like this

0:43:25.160 --> 0:43:29.719
<v Speaker 5>wall was crazy wow. But it never left me that

0:43:29.920 --> 0:43:33.000
<v Speaker 5>like what happened to all those people, Like what happened

0:43:33.040 --> 0:43:36.080
<v Speaker 5>all that music? Like you know, And I think one

0:43:36.120 --> 0:43:38.319
<v Speaker 5>of the reasons why I kind of went like the

0:43:38.360 --> 0:43:41.279
<v Speaker 5>whole independent route was like I never wanted to be

0:43:41.320 --> 0:43:43.160
<v Speaker 5>one of the people on that wall, like it just

0:43:43.200 --> 0:43:44.960
<v Speaker 5>that that scared the hell out of me, Like, yo,

0:43:45.000 --> 0:43:48.319
<v Speaker 5>this this is life changing music up here that's never

0:43:48.400 --> 0:43:49.200
<v Speaker 5>going to be released.

0:43:49.200 --> 0:43:50.880
<v Speaker 4>It's never going to see a lot of day.

0:43:51.280 --> 0:43:53.000
<v Speaker 2>And the only reason I'm hearing it is because I'm

0:43:53.040 --> 0:43:54.320
<v Speaker 2>actually signed to these.

0:43:56.800 --> 0:43:59.440
<v Speaker 5>Right right, the only reason I ever heard it. And

0:43:59.480 --> 0:44:01.840
<v Speaker 5>then you know, we we were writing songs and producer

0:44:01.920 --> 0:44:04.120
<v Speaker 5>songs for people. We've we've done whole albums on people

0:44:04.160 --> 0:44:05.560
<v Speaker 5>and the albums never come out.

0:44:05.760 --> 0:44:06.960
<v Speaker 4>So you're like, you're.

0:44:06.880 --> 0:44:11.080
<v Speaker 5>Like, you know, I remember like wanting to be an

0:44:11.120 --> 0:44:14.439
<v Speaker 5>artist but yet having a career as a songwriter and

0:44:14.480 --> 0:44:17.720
<v Speaker 5>seeing an artist get signed, see them flying in, getting

0:44:17.760 --> 0:44:20.640
<v Speaker 5>put into some glorious hotel and recording for a month,

0:44:20.680 --> 0:44:23.120
<v Speaker 5>and you think, Okay, it could really pop for this person.

0:44:23.560 --> 0:44:26.080
<v Speaker 5>And then whether it's the president, label, the A and

0:44:26.200 --> 0:44:29.319
<v Speaker 5>R department, marketing team, whatever, they're like nah, And then

0:44:29.320 --> 0:44:32.200
<v Speaker 5>that person is back and it's just over doing hair

0:44:32.400 --> 0:44:35.600
<v Speaker 5>or structured with It's over. It's like, how wait a minute,

0:44:35.640 --> 0:44:38.200
<v Speaker 5>how is it that never set right with me? You know,

0:44:38.360 --> 0:44:42.399
<v Speaker 5>like how is it just over? So the Island Warner

0:44:42.400 --> 0:44:44.440
<v Speaker 5>Brothers thing was really really tough after that, Like so

0:44:44.560 --> 0:44:47.000
<v Speaker 5>I went back to school, and I was tough because

0:44:47.000 --> 0:44:49.200
<v Speaker 5>you got to think out during the moontime. I was

0:44:49.239 --> 0:44:51.520
<v Speaker 5>in school, So I was in class while that song

0:44:51.560 --> 0:44:53.360
<v Speaker 5>was playing on the radio and the video was playing.

0:44:53.600 --> 0:44:55.239
<v Speaker 5>And then I was like, well, I'm leaving to go

0:44:55.360 --> 0:44:58.040
<v Speaker 5>focus on the album and blow up show off the

0:44:58.080 --> 0:45:01.200
<v Speaker 5>next one, you know, And and then the deal started

0:45:01.239 --> 0:45:03.040
<v Speaker 5>falling apart, Like as soon as I left school, it

0:45:03.080 --> 0:45:06.520
<v Speaker 5>was like pooooo, Like life really hit and and I

0:45:06.520 --> 0:45:08.239
<v Speaker 5>had to like really, But so when I went back

0:45:08.280 --> 0:45:10.399
<v Speaker 5>on campus, it was like what you're doing back?

0:45:11.800 --> 0:45:14.040
<v Speaker 4>What is that? You know? And it was humbling. It

0:45:14.080 --> 0:45:15.440
<v Speaker 4>was really really humbling.

0:45:15.440 --> 0:45:17.719
<v Speaker 5>But my pen wouldn't be what it is today if

0:45:17.760 --> 0:45:20.080
<v Speaker 5>it wasn't for that time going back. I became a

0:45:20.120 --> 0:45:23.720
<v Speaker 5>better student every like the person you know now it's

0:45:23.760 --> 0:45:26.960
<v Speaker 5>that person who show back up at that school like learning,

0:45:27.000 --> 0:45:29.200
<v Speaker 5>like oh I need more, I need to know more.

0:45:34.160 --> 0:45:36.880
<v Speaker 2>When you when you were with Warner that was was

0:45:36.920 --> 0:45:38.680
<v Speaker 2>that an album deal or was it just a single

0:45:38.719 --> 0:45:39.640
<v Speaker 2>deal for the moon? Like?

0:45:40.640 --> 0:45:41.759
<v Speaker 4>So it was it was.

0:45:41.760 --> 0:45:44.759
<v Speaker 5>A single deal. Uh, it was a single deal. And

0:45:44.800 --> 0:45:46.799
<v Speaker 5>before we could even go into the song was thirty

0:45:46.800 --> 0:45:50.080
<v Speaker 5>three on the charts. And then Benny left, so it

0:45:50.160 --> 0:45:52.720
<v Speaker 5>was like wow, and I think we were moving towards.

0:45:52.760 --> 0:45:54.439
<v Speaker 5>It was moving towards like we're gonna do a whole

0:45:54.440 --> 0:45:56.600
<v Speaker 5>album deal. And then I did an album deal with

0:45:56.600 --> 0:45:59.279
<v Speaker 5>with Ireland and then like I said that one, that

0:45:59.280 --> 0:46:02.080
<v Speaker 5>one wiped out as fast as you possibly imagine. But

0:46:02.520 --> 0:46:05.439
<v Speaker 5>I remember, like the song the Moon was doing great.

0:46:05.480 --> 0:46:07.359
<v Speaker 5>It was doing great for me. It was growing, it

0:46:07.400 --> 0:46:10.760
<v Speaker 5>was climbing, and then it was like, blessed move because

0:46:11.160 --> 0:46:13.759
<v Speaker 5>it was it was a great song. Yeah, clearly was

0:46:13.760 --> 0:46:15.360
<v Speaker 5>about to have it here as bad, like you know,

0:46:16.000 --> 0:46:18.960
<v Speaker 5>and and it was just a whole little president hop

0:46:19.040 --> 0:46:21.520
<v Speaker 5>for for a nice man. It seemed like a year,

0:46:21.719 --> 0:46:23.399
<v Speaker 5>you know what I mean, just trying to go from

0:46:23.400 --> 0:46:24.600
<v Speaker 5>one of one label to another.

0:46:25.239 --> 0:46:28.279
<v Speaker 2>Man. Please tell the story as much as you want

0:46:28.320 --> 0:46:33.120
<v Speaker 2>to tell. Please tell the story of doing your promotional

0:46:33.200 --> 0:46:40.600
<v Speaker 2>tour with l de Barge all Varner Brothers. This is

0:46:40.640 --> 0:46:43.360
<v Speaker 2>one of the greatest hour you told me this story.

0:46:43.440 --> 0:46:45.200
<v Speaker 2>I never get. We was at the Guy, We was

0:46:45.239 --> 0:46:49.120
<v Speaker 2>at the damn Bob Evans somewhere in the middle of Jersey.

0:46:49.160 --> 0:46:49.640
<v Speaker 4>I don't know where.

0:46:50.280 --> 0:46:52.080
<v Speaker 2>I remember we was at the Bob Evans like one

0:46:52.080 --> 0:46:53.200
<v Speaker 2>morning show.

0:46:53.520 --> 0:46:56.080
<v Speaker 5>So there's so many levels of it. There's so many

0:46:56.160 --> 0:46:58.560
<v Speaker 5>levels of the story. But what I would tell you

0:46:58.640 --> 0:47:01.880
<v Speaker 5>and just respectfully, I remember I remember one thing. I

0:47:01.880 --> 0:47:06.120
<v Speaker 5>remember one thing the rep, the Warner Brother's rep said,

0:47:06.760 --> 0:47:09.800
<v Speaker 5>if if Elle ever calls you even five o'clock in

0:47:09.840 --> 0:47:12.440
<v Speaker 5>the morning once to play pool, go play pool with him.

0:47:12.719 --> 0:47:14.239
<v Speaker 5>You know, He's like, go play pool. If he ever

0:47:14.239 --> 0:47:16.040
<v Speaker 5>needs to talk, he needs to hang out, Like this

0:47:16.080 --> 0:47:18.080
<v Speaker 5>is one of your main reasons for being on this tour,

0:47:18.280 --> 0:47:22.120
<v Speaker 5>is like if he ever needs you, like follow through

0:47:22.440 --> 0:47:24.839
<v Speaker 5>answer the call. And you know, we all know that

0:47:24.880 --> 0:47:28.000
<v Speaker 5>El the bar just had some some substance issues whatever,

0:47:28.000 --> 0:47:29.640
<v Speaker 5>and this was doing his clean period, so I think

0:47:29.640 --> 0:47:30.680
<v Speaker 5>that what he was talking about, it's like, you know,

0:47:30.680 --> 0:47:32.480
<v Speaker 5>if you ever want to play pool, he needs to

0:47:32.480 --> 0:47:33.400
<v Speaker 5>go out and play pool.

0:47:33.480 --> 0:47:34.160
<v Speaker 4>Let me whatever.

0:47:34.680 --> 0:47:39.800
<v Speaker 5>So you know, we became fast friends that in that time.

0:47:40.320 --> 0:47:44.760
<v Speaker 5>And he was just so amazing man. Like every hotel

0:47:44.800 --> 0:47:46.200
<v Speaker 5>we showed up, he went and set at a piano.

0:47:46.280 --> 0:47:49.719
<v Speaker 5>He almost do a whole concert in that lobby, like

0:47:49.840 --> 0:47:52.200
<v Speaker 5>just waiting for our rooms or just just he was

0:47:52.239 --> 0:47:52.920
<v Speaker 5>sitting at a piano.

0:47:53.040 --> 0:47:56.000
<v Speaker 4>Every time. He was just so musical. We would do

0:47:56.040 --> 0:47:56.480
<v Speaker 4>a show.

0:47:56.600 --> 0:47:58.240
<v Speaker 5>I mean we did a show I think in Connecticut

0:47:58.280 --> 0:48:00.480
<v Speaker 5>and the sound system was just horrible. He's still on

0:48:00.520 --> 0:48:03.400
<v Speaker 5>the stage and he waited and the sound was just trash,

0:48:03.680 --> 0:48:06.359
<v Speaker 5>and he waited let everybody crash and burn, and right

0:48:06.360 --> 0:48:08.759
<v Speaker 5>before the open doors, he said, hey, brother, can I

0:48:08.920 --> 0:48:12.080
<v Speaker 5>just come over there? He talked exactly what he said.

0:48:12.080 --> 0:48:15.440
<v Speaker 5>He's saying, come over there and just just look at

0:48:15.440 --> 0:48:18.280
<v Speaker 5>the mixing board if that's all right, And God was like, yeah, sure.

0:48:18.920 --> 0:48:21.520
<v Speaker 5>In like probably ten minutes, he took the mic back

0:48:21.560 --> 0:48:25.680
<v Speaker 5>there and he started turning knobs and he cleared all drama,

0:48:25.800 --> 0:48:28.760
<v Speaker 5>like all clouds just clear. And the sound sounded enormously

0:48:28.800 --> 0:48:32.080
<v Speaker 5>incredible that night. And that's just how he was. He

0:48:32.160 --> 0:48:35.040
<v Speaker 5>was like he knew how to work everything. He was

0:48:35.080 --> 0:48:37.960
<v Speaker 5>a concert professional. He had been through everything. We were

0:48:38.040 --> 0:48:41.080
<v Speaker 5>driving one time and I told him said, Yo, man,

0:48:41.080 --> 0:48:42.040
<v Speaker 5>I really like your album.

0:48:42.080 --> 0:48:43.320
<v Speaker 4>The album is great.

0:48:44.000 --> 0:48:47.440
<v Speaker 5>We were going they were taking a limit from Connecticut

0:48:47.480 --> 0:48:49.320
<v Speaker 5>to Boston. I think it was something like that, driving it,

0:48:49.880 --> 0:48:55.720
<v Speaker 5>and he says, man, I was this Alams a money album.

0:48:56.680 --> 0:48:59.240
<v Speaker 2>I would never forget this out, the money out because

0:48:59.239 --> 0:49:00.799
<v Speaker 2>you had told him, because you had told him it

0:49:00.840 --> 0:49:02.440
<v Speaker 2>was a good He's like, Yo, this is a good album.

0:49:02.480 --> 0:49:04.440
<v Speaker 5>He was like oh no, this a money This ain't

0:49:04.480 --> 0:49:06.840
<v Speaker 5>a good album. This is a money album. He said,

0:49:07.280 --> 0:49:09.040
<v Speaker 5>I'm doing my money album so I can get a

0:49:09.120 --> 0:49:11.839
<v Speaker 5>chance to do a good album. And he was like,

0:49:12.160 --> 0:49:15.040
<v Speaker 5>he's like Marvin Gay did money albums till he was

0:49:15.040 --> 0:49:18.280
<v Speaker 5>able to do a good album. By Marley did money albums,

0:49:18.640 --> 0:49:19.920
<v Speaker 5>He's able to do it. He just ran down the

0:49:19.960 --> 0:49:22.239
<v Speaker 5>line and then he just said, so this right here,

0:49:22.600 --> 0:49:24.960
<v Speaker 5>that's just a money album because I'm getting ready to

0:49:24.960 --> 0:49:27.839
<v Speaker 5>do a good album. And he just went just wandered off,

0:49:28.000 --> 0:49:30.360
<v Speaker 5>and I just love me figuring like I need to

0:49:30.400 --> 0:49:33.000
<v Speaker 5>do my good album, a good album, right.

0:49:33.680 --> 0:49:35.680
<v Speaker 4>You know. It's like every I mean, he just had.

0:49:35.719 --> 0:49:37.600
<v Speaker 5>I could have made a T shirt off of everything,

0:49:37.680 --> 0:49:41.080
<v Speaker 5>he said, you know what I mean. You know I

0:49:41.080 --> 0:49:44.680
<v Speaker 5>remember we were at his birthday party and uh and.

0:49:45.239 --> 0:49:47.400
<v Speaker 2>Was this the don't don't fall in love man?

0:49:48.719 --> 0:49:50.960
<v Speaker 4>He saw he saw my eyes were glistening that night.

0:49:51.360 --> 0:49:54.879
<v Speaker 4>He was like, he said, hey, man, don't fall in love.

0:49:55.800 --> 0:49:59.799
<v Speaker 4>Just don't fall in love. I was like to like.

0:50:02.120 --> 0:50:06.200
<v Speaker 2>The wisdom of LSD I make a whole album, or

0:50:06.280 --> 0:50:08.359
<v Speaker 2>the wisdom of l But it was just it was

0:50:08.760 --> 0:50:10.879
<v Speaker 2>to learn like a constant professional man.

0:50:10.960 --> 0:50:15.840
<v Speaker 5>His showmanship on and off stage was just you know,

0:50:16.000 --> 0:50:17.880
<v Speaker 5>he was just tough and it you know.

0:50:17.920 --> 0:50:18.920
<v Speaker 4>And also I was a person.

0:50:18.920 --> 0:50:21.160
<v Speaker 5>It was probably the start of I was a person

0:50:21.160 --> 0:50:23.520
<v Speaker 5>who always had vocal issues. I mean I got horse,

0:50:23.680 --> 0:50:26.440
<v Speaker 5>I mean, mind you, I was like two songs in

0:50:26.440 --> 0:50:29.280
<v Speaker 5>the show and then got the Way and those two songs,

0:50:29.360 --> 0:50:31.879
<v Speaker 5>I was struggling to maintain up. I was getting horse

0:50:31.960 --> 0:50:34.680
<v Speaker 5>and stuff like that. So to see somebody who sang

0:50:34.960 --> 0:50:40.240
<v Speaker 5>all day on stage off stage, it really it really

0:50:40.239 --> 0:50:42.880
<v Speaker 5>blew me away. And it was probably on the steps

0:50:42.920 --> 0:50:44.680
<v Speaker 5>of like how do I get to that point? How

0:50:44.680 --> 0:50:46.000
<v Speaker 5>do I get to a point where I can get

0:50:46.160 --> 0:50:47.800
<v Speaker 5>more health like really healthier.

0:50:49.000 --> 0:50:51.880
<v Speaker 4>Yeah, And that was the start of it. Like and

0:50:51.920 --> 0:50:54.160
<v Speaker 4>I was. I was nineteen really so I was. It was.

0:50:54.200 --> 0:50:56.600
<v Speaker 5>It was crazy, but it was a good learning lesson

0:50:56.600 --> 0:50:58.279
<v Speaker 5>for me, Like, yo, this is this if you're gonna

0:50:58.360 --> 0:50:58.919
<v Speaker 5>learn from a pro.

0:51:00.040 --> 0:51:03.160
<v Speaker 4>The third from bag Other Bars was esoteric.

0:51:03.480 --> 0:51:08.440
<v Speaker 2>Was that your first independently released well not inventy? Was

0:51:08.440 --> 0:51:10.080
<v Speaker 2>that your first album period? Like that?

0:51:10.200 --> 0:51:15.759
<v Speaker 5>Actually, yes, first album period. So uh, what's crazy is

0:51:15.760 --> 0:51:21.520
<v Speaker 5>that I moved to Atlanta and I eventually eventually ran

0:51:21.520 --> 0:51:23.640
<v Speaker 5>into ran into touch of jazz. So that was like

0:51:23.760 --> 0:51:26.080
<v Speaker 5>life changing moment was like working at a Touch of Jazz,

0:51:26.360 --> 0:51:28.280
<v Speaker 5>and then I moved back. I went back to Atlanta

0:51:28.320 --> 0:51:30.640
<v Speaker 5>to just get my stuff because I for the moment

0:51:30.640 --> 0:51:32.160
<v Speaker 5>I met Touch of Jazz, like the moment I went

0:51:32.200 --> 0:51:33.080
<v Speaker 5>to Jazzy Y Studio.

0:51:33.200 --> 0:51:35.959
<v Speaker 4>It's like I just never left around.

0:51:36.040 --> 0:51:38.640
<v Speaker 2>Still one of my favorite like records, just I.

0:51:38.640 --> 0:51:42.160
<v Speaker 4>Love Yeah, yeah, I mean you know, like I said,

0:51:42.480 --> 0:51:43.120
<v Speaker 4>meet and Jeff.

0:51:43.200 --> 0:51:45.640
<v Speaker 5>Meeting all those brothers at a Touch of Jazz was

0:51:45.719 --> 0:51:48.839
<v Speaker 5>like that was graduate school for me. That was like

0:51:48.960 --> 0:51:52.239
<v Speaker 5>the life changing moment for me. But when I went

0:51:52.280 --> 0:51:54.680
<v Speaker 5>back to get my truck and like move out of

0:51:54.680 --> 0:51:59.600
<v Speaker 5>my apartment, I had a session with Joe and Uncle Sam.

0:51:59.719 --> 0:52:03.080
<v Speaker 2>I was working at noon one Teddy Bishop.

0:52:03.120 --> 0:52:09.600
<v Speaker 5>Teddy, Bishop Teddy, Bishop, Jazzy Faye, Brian Michael Uh, Brian Cox,

0:52:10.600 --> 0:52:15.000
<v Speaker 5>I mean just killers and it's down there, and I

0:52:15.000 --> 0:52:17.759
<v Speaker 5>think Joe had a concert. So when he went, He's like,

0:52:17.800 --> 0:52:19.520
<v Speaker 5>I'm gonna go to my concert and I'm gonna come

0:52:19.520 --> 0:52:21.319
<v Speaker 5>back and finish the song. So I went to take

0:52:21.320 --> 0:52:23.200
<v Speaker 5>a nap at a friend's house and left just but

0:52:23.239 --> 0:52:25.120
<v Speaker 5>mind I'm leaving the next time, dropping back up to

0:52:25.200 --> 0:52:29.080
<v Speaker 5>Jersey and someone broke into my truck and took just

0:52:29.160 --> 0:52:31.080
<v Speaker 5>took the bag out the front seat, and that bag

0:52:31.239 --> 0:52:34.719
<v Speaker 5>was every song I recorded up to that point. So

0:52:34.760 --> 0:52:38.360
<v Speaker 5>it's like everything in high school, everything in college, everything

0:52:38.360 --> 0:52:39.680
<v Speaker 5>at Warner Brothers, everything.

0:52:39.440 --> 0:52:40.680
<v Speaker 4>In Island all gone.

0:52:41.080 --> 0:52:44.600
<v Speaker 5>And in just a snap, like I come out to

0:52:44.640 --> 0:52:47.040
<v Speaker 5>the car and it's just glass everywhere the truck or whatever.

0:52:47.520 --> 0:52:50.560
<v Speaker 5>And uh and that was like that was really like,

0:52:51.280 --> 0:52:53.520
<v Speaker 5>oh snap. So I mean it was like really starting

0:52:53.560 --> 0:52:54.280
<v Speaker 5>over starting.

0:52:54.480 --> 0:52:56.000
<v Speaker 2>I say, it's a full reset.

0:52:55.920 --> 0:52:57.280
<v Speaker 4>Completely full reset.

0:52:58.239 --> 0:53:00.919
<v Speaker 5>And then I went I was still working out of course,

0:53:00.960 --> 0:53:03.200
<v Speaker 5>working on Touch of Jazz, and then I just started

0:53:04.320 --> 0:53:05.560
<v Speaker 5>I started just working on Esoteric.

0:53:05.640 --> 0:53:06.520
<v Speaker 4>And then it was like.

0:53:07.880 --> 0:53:10.640
<v Speaker 5>I didn't have a deal, you know, And it was

0:53:10.640 --> 0:53:12.800
<v Speaker 5>like at that point, I'm Eric Roberson, a songwriter. Like

0:53:12.840 --> 0:53:14.640
<v Speaker 5>I'm proud of myself. Every room I walking out, I'm

0:53:14.719 --> 0:53:15.720
<v Speaker 5>Eric Roberson, a songwriter.

0:53:16.120 --> 0:53:18.640
<v Speaker 2>And did you had you signed your deal your songwriting

0:53:18.680 --> 0:53:20.759
<v Speaker 2>deal with ian My at that time or was this

0:53:21.120 --> 0:53:21.800
<v Speaker 2>prior today?

0:53:21.920 --> 0:53:23.279
<v Speaker 4>I had my publishing deal.

0:53:23.880 --> 0:53:26.319
<v Speaker 5>I had a publishing deal with ian My at the time,

0:53:27.200 --> 0:53:29.200
<v Speaker 5>and things were working for me. I mean, as a songwriter,

0:53:29.239 --> 0:53:30.839
<v Speaker 5>I couldn't have been happier, you know what I mean,

0:53:31.000 --> 0:53:33.759
<v Speaker 5>because at this point I talk about the music, Soul

0:53:33.800 --> 0:53:37.040
<v Speaker 5>Child stuff, the VV and Green stuff, everything's working, but.

0:53:37.040 --> 0:53:39.440
<v Speaker 4>I just wasn't satisfied. And I had it. I got it.

0:53:39.480 --> 0:53:42.200
<v Speaker 5>I actually had a bad like a bad breakup, and

0:53:42.239 --> 0:53:44.239
<v Speaker 5>that's what really sparked it. Like I was like, let

0:53:44.320 --> 0:53:46.640
<v Speaker 5>me just start, just close the studio door and just

0:53:46.680 --> 0:53:48.279
<v Speaker 5>start working. That was the only way I knew how

0:53:48.320 --> 0:53:49.960
<v Speaker 5>to get back to neutral.

0:53:50.080 --> 0:53:51.640
<v Speaker 4>Was like just right. So I was either writing in

0:53:51.640 --> 0:53:53.080
<v Speaker 4>the journal, I was writing a song.

0:53:53.120 --> 0:53:55.840
<v Speaker 5>It was like back and forth, and then the album

0:53:55.880 --> 0:53:58.160
<v Speaker 5>was done, and it was I really was like I

0:53:58.200 --> 0:54:00.719
<v Speaker 5>was just unwilling to sell these songs because they were

0:54:00.760 --> 0:54:04.440
<v Speaker 5>like they were way too personal, way too much.

0:54:04.280 --> 0:54:06.080
<v Speaker 4>And it was like I'm just gonna I'm just gonna

0:54:06.080 --> 0:54:06.560
<v Speaker 4>put it out.

0:54:07.239 --> 0:54:09.360
<v Speaker 5>And I remember, like really the homies like all laughing,

0:54:09.440 --> 0:54:11.000
<v Speaker 5>like what you mean you're gonna put it out?

0:54:11.040 --> 0:54:12.319
<v Speaker 4>You're gonna put it out. I was like, I think

0:54:12.360 --> 0:54:13.480
<v Speaker 4>I'm just gonna put it out.

0:54:13.600 --> 0:54:16.560
<v Speaker 5>Like you got a record now now, like we'll just

0:54:16.680 --> 0:54:19.480
<v Speaker 5>figured it out, just put it out. And that was

0:54:19.560 --> 0:54:24.440
<v Speaker 5>it just started. This is two thousand two or two thousand,

0:54:24.560 --> 0:54:28.520
<v Speaker 5>two thousand and one, and and mind you by no

0:54:28.640 --> 0:54:30.040
<v Speaker 5>means was out a first. But I know means I

0:54:30.080 --> 0:54:33.120
<v Speaker 5>remember Dwelly had Rise, I knew of I knew of

0:54:33.160 --> 0:54:35.920
<v Speaker 5>a lot of artists who were independent and in different

0:54:35.960 --> 0:54:37.000
<v Speaker 5>states and everywhere.

0:54:38.080 --> 0:54:40.319
<v Speaker 4>Shout out to fertile ground. Who was the first.

0:54:40.120 --> 0:54:45.640
<v Speaker 5>Queso putting out music like independently putting out music and

0:54:45.680 --> 0:54:46.440
<v Speaker 5>selling records?

0:54:46.640 --> 0:54:47.959
<v Speaker 4>So I know means the first.

0:54:48.480 --> 0:54:50.959
<v Speaker 5>If anything that was different from me and anyone else,

0:54:51.239 --> 0:54:54.360
<v Speaker 5>I remember, like I remember Carl Thomas being an independent artist.

0:54:55.640 --> 0:54:57.160
<v Speaker 4>I remember Kim.

0:54:57.280 --> 0:55:02.040
<v Speaker 5>I remember Kim before before Motown signing John Legend before

0:55:02.719 --> 0:55:04.680
<v Speaker 5>uh before he was John Stevens.

0:55:05.239 --> 0:55:07.680
<v Speaker 2>Stevens had we had Kobe, he had had the Kobe haircut.

0:55:08.239 --> 0:55:10.920
<v Speaker 4>Yes, yes, So I remember.

0:55:11.080 --> 0:55:13.520
<v Speaker 5>The difference was like, you know, once you sold a

0:55:13.520 --> 0:55:16.160
<v Speaker 5>certain amount of records independently, the labels come scoop you up.

0:55:16.400 --> 0:55:18.279
<v Speaker 5>That's how that was a normal thing. And I was like, well,

0:55:18.280 --> 0:55:20.160
<v Speaker 5>what happens if you if you don't sign with them?

0:55:20.160 --> 0:55:22.080
<v Speaker 5>What happens if you started sell a certain amount and

0:55:22.120 --> 0:55:24.080
<v Speaker 5>then just keep going.

0:55:24.920 --> 0:55:26.000
<v Speaker 4>What will happen then?

0:55:26.600 --> 0:55:28.719
<v Speaker 5>And I think that if anything is different, that's that's

0:55:28.760 --> 0:55:30.480
<v Speaker 5>the part where we got to the We got to

0:55:30.520 --> 0:55:33.800
<v Speaker 5>the point where we could have went to a deal

0:55:34.000 --> 0:55:35.400
<v Speaker 5>and and and worked.

0:55:35.239 --> 0:55:35.759
<v Speaker 4>Their stuff out.

0:55:35.800 --> 0:55:37.720
<v Speaker 5>We had sold enough records, we had got enough attention,

0:55:37.760 --> 0:55:39.440
<v Speaker 5>and then guess what, most of the labels, because of

0:55:39.440 --> 0:55:43.280
<v Speaker 5>my songwriter stuff, knew who I was and for whatever reasons.

0:55:43.560 --> 0:55:46.359
<v Speaker 5>If there was situations, which we did have, some they

0:55:46.360 --> 0:55:49.040
<v Speaker 5>didn't work out. But for the most proble like, let's

0:55:49.080 --> 0:55:51.040
<v Speaker 5>just push through, man, Let's push through and see what happens.

0:55:51.040 --> 0:55:51.920
<v Speaker 4>And it worked out, man.

0:55:51.960 --> 0:55:54.560
<v Speaker 5>I mean be honest with you.

0:55:54.560 --> 0:55:56.160
<v Speaker 4>You sit here and there I had a master plan.

0:55:56.280 --> 0:55:56.640
<v Speaker 2>I didn't.

0:55:56.680 --> 0:55:57.480
<v Speaker 4>It just worked out.

0:55:58.239 --> 0:56:02.480
<v Speaker 2>Really, And when you with your label Blue Soul, was

0:56:02.680 --> 0:56:05.480
<v Speaker 2>that like how did you assemble? I guess the team?

0:56:05.760 --> 0:56:07.319
<v Speaker 2>You know? Was it? You know you go to your

0:56:07.360 --> 0:56:10.160
<v Speaker 2>parents and say, hey, I need some help. Is it

0:56:10.239 --> 0:56:13.000
<v Speaker 2>just homies you worked with? Like? How did you work

0:56:13.040 --> 0:56:15.239
<v Speaker 2>those steps of figuring out what you needed as an

0:56:15.239 --> 0:56:16.040
<v Speaker 2>independent artist?

0:56:16.480 --> 0:56:19.040
<v Speaker 4>The first part was the fans challenged me to take

0:56:19.080 --> 0:56:19.720
<v Speaker 4>it more serious.

0:56:19.760 --> 0:56:21.560
<v Speaker 5>They wanted more music, and it was like, okay, if

0:56:21.560 --> 0:56:23.160
<v Speaker 5>we're gonna because I thought I was gonna put album

0:56:23.160 --> 0:56:25.160
<v Speaker 5>out and then just go back to songwriting and producing

0:56:25.239 --> 0:56:27.440
<v Speaker 5>for people, but they were like, we want more, we

0:56:27.480 --> 0:56:29.279
<v Speaker 5>want more. It was like, okay, how do we work

0:56:29.320 --> 0:56:32.120
<v Speaker 5>that out? The biggest difference. The first step was my

0:56:32.200 --> 0:56:35.799
<v Speaker 5>dad retired, and I remember it. He came into the

0:56:35.800 --> 0:56:38.600
<v Speaker 5>studio one time, and at that point I would do

0:56:38.719 --> 0:56:41.319
<v Speaker 5>like I would record all night, and then I might

0:56:41.560 --> 0:56:44.560
<v Speaker 5>go to the gym for like a couple of hours,

0:56:44.600 --> 0:56:47.960
<v Speaker 5>and then I would from like twelve to four, we

0:56:47.960 --> 0:56:50.760
<v Speaker 5>was just like packing CDs up and like just making

0:56:50.840 --> 0:56:53.120
<v Speaker 5>printing packages. And I would spend that time at the

0:56:53.200 --> 0:56:55.480
<v Speaker 5>post office. And then when I finished the post office,

0:56:55.480 --> 0:56:58.160
<v Speaker 5>say five o'clock, it was back recording from five to

0:56:58.640 --> 0:57:00.760
<v Speaker 5>four o'clock till I just couldn't stay up anymore.

0:57:01.120 --> 0:57:01.920
<v Speaker 4>And I repeated.

0:57:01.960 --> 0:57:03.600
<v Speaker 5>And my dad walked in one day when I was

0:57:03.640 --> 0:57:05.799
<v Speaker 5>like preparing stuff, he says, what you're doing here? I

0:57:05.840 --> 0:57:07.359
<v Speaker 5>was like, I got to ship all the stuff off,

0:57:07.440 --> 0:57:11.279
<v Speaker 5>like ship the CDs off, and he's like, you need help.

0:57:12.280 --> 0:57:13.520
<v Speaker 4>That's how I was like, like you need to help

0:57:13.520 --> 0:57:13.799
<v Speaker 4>with that.

0:57:14.080 --> 0:57:15.759
<v Speaker 5>And I was like, if you could take this as

0:57:15.760 --> 0:57:17.640
<v Speaker 5>a post office that that would be a lot of help,

0:57:18.200 --> 0:57:19.800
<v Speaker 5>and he was like, yeah, cool. So then I was

0:57:19.840 --> 0:57:20.960
<v Speaker 5>at that point I was like, okay, I can just

0:57:21.000 --> 0:57:24.240
<v Speaker 5>focus on music. And to be honest with you, you know

0:57:24.360 --> 0:57:27.120
<v Speaker 5>Jarell who has been one of my best friends.

0:57:27.240 --> 0:57:28.320
<v Speaker 4>He has managed me off.

0:57:29.760 --> 0:57:32.960
<v Speaker 5>You know, he's been around, and I think Jarell kind

0:57:32.960 --> 0:57:36.080
<v Speaker 5>of watched for a while and he was like, eventually

0:57:36.080 --> 0:57:38.120
<v Speaker 5>stepped in, was like, how you need help, let's whatever.

0:57:38.800 --> 0:57:41.600
<v Speaker 5>And then the rest of the truth he told. The

0:57:41.640 --> 0:57:45.280
<v Speaker 5>rest of it was like fans. I think sweet Locks

0:57:45.480 --> 0:57:48.640
<v Speaker 5>was around and she was around and was like, what

0:57:48.680 --> 0:57:52.000
<v Speaker 5>do you do? I like, hey, join me, let's you know.

0:57:52.040 --> 0:57:57.200
<v Speaker 5>It's like Select eventually joined on, Demo eventually joined on,

0:57:57.600 --> 0:58:00.000
<v Speaker 5>and she eventually joined on. It was really, I mean

0:58:00.040 --> 0:58:01.800
<v Speaker 5>and that mind you. I don't want to not evenly

0:58:01.800 --> 0:58:02.480
<v Speaker 5>think that they were.

0:58:02.360 --> 0:58:03.400
<v Speaker 4>Just like fancyeah.

0:58:03.480 --> 0:58:05.560
<v Speaker 5>It was more like these are people who also had

0:58:05.640 --> 0:58:09.120
<v Speaker 5>desires in the industry. They were around, and the more

0:58:09.160 --> 0:58:11.680
<v Speaker 5>we talked, it was like, well, I'm trying to do this,

0:58:11.720 --> 0:58:12.240
<v Speaker 5>what do you do?

0:58:12.600 --> 0:58:16.080
<v Speaker 4>You know there's a mutual win here, there's a mutual win.

0:58:16.360 --> 0:58:17.120
<v Speaker 4>There's a mutual win.

0:58:17.240 --> 0:58:22.120
<v Speaker 5>Like even uh, Demo, I think he was he sung

0:58:22.200 --> 0:58:24.520
<v Speaker 5>background for me on a show, like somebody linked me

0:58:24.560 --> 0:58:26.240
<v Speaker 5>up and he sung background. At that point, it was

0:58:26.240 --> 0:58:28.440
<v Speaker 5>a house band, show up whatever whatever, and then we

0:58:28.480 --> 0:58:31.120
<v Speaker 5>started picking up a band and I think he camera said,

0:58:31.200 --> 0:58:33.720
<v Speaker 5>if I show up to a show up to a show.

0:58:35.160 --> 0:58:37.880
<v Speaker 5>Can I do the gig? I was like yeah, sure, okay.

0:58:37.920 --> 0:58:39.920
<v Speaker 5>I was like, the next show in Toronto, candidate. He's like,

0:58:39.920 --> 0:58:42.040
<v Speaker 5>all right, cool, he was in Toronto. The next show

0:58:42.080 --> 0:58:44.000
<v Speaker 5>was in La. He was in La And the next

0:58:44.000 --> 0:58:45.680
<v Speaker 5>show is in Atlanta. He was in Atlanta. So now

0:58:45.680 --> 0:58:47.720
<v Speaker 5>I was like, how are you getting here? Like he's

0:58:47.720 --> 0:58:50.200
<v Speaker 5>a well you guy then figured this out. So now

0:58:50.240 --> 0:58:53.240
<v Speaker 5>I remember like, so can you get my band tickets

0:58:53.280 --> 0:58:56.600
<v Speaker 5>like that? He's like, yeah, yeah, do that. And that's

0:58:56.600 --> 0:58:58.800
<v Speaker 5>how he started booking. That's how he started. He started

0:58:58.800 --> 0:59:01.920
<v Speaker 5>like he's been like the row manager, the background saior

0:59:02.000 --> 0:59:05.640
<v Speaker 5>road manager ever since, you know. And I remember like

0:59:05.720 --> 0:59:08.320
<v Speaker 5>Aunt shea who now is a powerhouse in the booking

0:59:08.640 --> 0:59:12.240
<v Speaker 5>she's booking everybody shows. But I remember we were there's

0:59:12.240 --> 0:59:15.720
<v Speaker 5>probably six seven years ago. She was already in the staff.

0:59:15.800 --> 0:59:17.480
<v Speaker 5>She was rocking in the staff, But I need more

0:59:17.520 --> 0:59:19.760
<v Speaker 5>help in the booking area. Can someone move over? She

0:59:19.800 --> 0:59:22.640
<v Speaker 5>was like, I moved to booking. She probably already had

0:59:22.680 --> 0:59:25.440
<v Speaker 5>some insight on it, but then she she moved over

0:59:25.480 --> 0:59:27.360
<v Speaker 5>there and like just started rocking.

0:59:27.480 --> 0:59:31.120
<v Speaker 4>So it was really just a community of people that were.

0:59:31.000 --> 0:59:34.920
<v Speaker 5>Trying to grow, trying to be better, and I was

0:59:35.000 --> 0:59:38.240
<v Speaker 5>fortunate they joined up with me to join it with

0:59:38.280 --> 0:59:42.040
<v Speaker 5>my company. And it's great because now they have their

0:59:42.040 --> 0:59:46.360
<v Speaker 5>own businesses and their families and their own successes, but

0:59:46.400 --> 0:59:48.480
<v Speaker 5>yet can invest in Mind as well.

0:59:48.600 --> 0:59:49.680
<v Speaker 4>So it's been great.

0:59:49.920 --> 0:59:52.560
<v Speaker 5>The history, I mean, the history of just who's worked

0:59:52.600 --> 0:59:54.760
<v Speaker 5>for me, who's played for me, is probably one of

0:59:54.760 --> 0:59:56.880
<v Speaker 5>my proudest, proudest things.

0:59:57.000 --> 1:00:02.960
<v Speaker 2>Like just Man Man, Yeah, Killers, Killers.

1:00:02.480 --> 1:00:03.160
<v Speaker 4>I'm honored.

1:00:03.240 --> 1:00:06.840
<v Speaker 2>I'm honored to see ye demo Man, Demo, I got

1:00:06.840 --> 1:00:08.480
<v Speaker 2>a shout out. I mean, just first off, I mean

1:00:08.520 --> 1:00:10.800
<v Speaker 2>your whole team. I mean, every time we've always traveled,

1:00:10.840 --> 1:00:13.760
<v Speaker 2>you know, it's always been love. It's always just been

1:00:13.840 --> 1:00:16.280
<v Speaker 2>you know you you just have amazing people around you.

1:00:16.320 --> 1:00:19.520
<v Speaker 2>And that was just a big lesson I think I

1:00:19.600 --> 1:00:21.800
<v Speaker 2>learned just from kind of touring with you and just

1:00:21.920 --> 1:00:24.880
<v Speaker 2>kind of seeing the way you built out your infrastructure

1:00:24.960 --> 1:00:28.080
<v Speaker 2>of just okay, like these are just like people that

1:00:28.160 --> 1:00:30.080
<v Speaker 2>he really fucked with and they just fuck with him,

1:00:30.120 --> 1:00:31.600
<v Speaker 2>you know what I mean, and they trust each other

1:00:31.920 --> 1:00:35.560
<v Speaker 2>and you know, Demo, I got a shout Demo out.

1:00:35.840 --> 1:00:39.920
<v Speaker 2>Demo saved my life one night. I was. It was

1:00:39.960 --> 1:00:42.560
<v Speaker 2>after we did bro, it was after we did Chicago,

1:00:43.440 --> 1:00:47.000
<v Speaker 2>we did Chicago, and I feel like this is around

1:00:47.080 --> 1:00:48.800
<v Speaker 2>the same time that, like my dad was done, like

1:00:48.840 --> 1:00:52.320
<v Speaker 2>all this shit is going on. But so it's after

1:00:52.520 --> 1:00:55.840
<v Speaker 2>the show and uh, and it's late and I'm just

1:00:55.960 --> 1:00:58.040
<v Speaker 2>in the lobby. I don't even I can't remember what

1:00:58.120 --> 1:01:00.880
<v Speaker 2>it was. I was even I was outside talking to something,

1:01:00.880 --> 1:01:03.640
<v Speaker 2>but I was just in the lobby. Demo shows up

1:01:04.080 --> 1:01:07.560
<v Speaker 2>with a bucket. Goddamn heralds. Let me tell you something, bro,

1:01:10.680 --> 1:01:12.480
<v Speaker 2>Demo show. He's just in a line with a bucket

1:01:12.520 --> 1:01:14.320
<v Speaker 2>of heralds. And I think he had his kids with

1:01:14.400 --> 1:01:18.400
<v Speaker 2>him that night. Yeah, And I was like, I said, yo,

1:01:18.520 --> 1:01:20.200
<v Speaker 2>I say yo, I say yo, Man, I said, you know,

1:01:20.200 --> 1:01:22.320
<v Speaker 2>I ain't try. I said, bro, Man, let me get

1:01:22.360 --> 1:01:22.880
<v Speaker 2>one of the wings.

1:01:22.880 --> 1:01:24.040
<v Speaker 4>He said, oh no, Bro, I got you.

1:01:24.120 --> 1:01:25.960
<v Speaker 2>Man. Come on, I got you man. He gave me

1:01:26.000 --> 1:01:29.400
<v Speaker 2>something to win. Bro, Listen, I said, you are the realist, dude,

1:01:29.440 --> 1:01:35.360
<v Speaker 2>like to part with heralds in Chicago. That is the sacrifice. Like, so,

1:01:36.680 --> 1:01:40.440
<v Speaker 2>say man, listened. I needed that wing right then. I

1:01:40.480 --> 1:01:41.200
<v Speaker 2>really needed it.

1:01:42.520 --> 1:01:45.560
<v Speaker 5>But that's you know what a good guy like. I said, Man,

1:01:45.680 --> 1:01:47.880
<v Speaker 5>you know, and it's funny, you know. Now I'm a parent,

1:01:48.000 --> 1:01:51.240
<v Speaker 5>but I watched this guy's being a solid dad to

1:01:51.320 --> 1:01:52.280
<v Speaker 5>his kids, you know.

1:01:52.280 --> 1:01:52.640
<v Speaker 4>What I mean?

1:01:52.720 --> 1:01:55.480
<v Speaker 5>And you know, and I think he's a perfect example

1:01:55.520 --> 1:01:58.400
<v Speaker 5>of everybody has had to wear multiple hats on my

1:01:58.520 --> 1:02:02.960
<v Speaker 5>team and I love watching, like a venue manager or

1:02:03.040 --> 1:02:07.000
<v Speaker 5>promoter watch finish up negotiations with him and then watch

1:02:07.080 --> 1:02:09.560
<v Speaker 5>him go on stage shady jacket and get on stage

1:02:09.600 --> 1:02:12.320
<v Speaker 5>and then like sing. They're like, yo, it a minute.

1:02:12.360 --> 1:02:14.160
<v Speaker 5>Wasn't the same dude. It's like, but guess what we

1:02:14.240 --> 1:02:16.440
<v Speaker 5>all had to We all had to do. We all

1:02:16.440 --> 1:02:19.160
<v Speaker 5>had to wear different hats to make all this word,

1:02:19.360 --> 1:02:21.560
<v Speaker 5>you know what I mean. So so shout out to him,

1:02:21.560 --> 1:02:23.680
<v Speaker 5>mauch Yo, find Demo's music.

1:02:23.680 --> 1:02:24.880
<v Speaker 4>You know you got a new album coming out in.

1:02:24.840 --> 1:02:27.400
<v Speaker 5>The whole nine once again, like everybody, everybody is in

1:02:27.440 --> 1:02:30.560
<v Speaker 5>the team is working on something. And I'm honest, like

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<v Speaker 5>I said, I'm honored did they take time to bill

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<v Speaker 5>with me and that they're building their own stuff as well?

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<v Speaker 2>Yo, yo yo, what up? This is Sponte fakelo. Listen,

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<v Speaker 2>stay tuned because Part two of my one on one

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<v Speaker 2>conversation with my big brother Eric Robson is coming next week.

1:02:47.320 --> 1:02:51.480
<v Speaker 2>We get even further into life things, some family stuff

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<v Speaker 2>to get into the recording process. I'm making them Ticulario.

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<v Speaker 2>We're getting all that good stuff, so check for us.

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<v Speaker 2>Next week is going down on Quest Lots springs, all right, Pasty.

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<v Speaker 1>What's Love Supreme is a production of iHeartRadio. For more

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<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

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<v Speaker 1>wherever you listen to your favorite shows.