WEBVTT - Star Wars: The Mandalorian S3 Premiere

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<v Speaker 1>This episode of X ray Vision is brought to you

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<v Speaker 1>by the new Hulu original series Unprisoned, starring Kerry Washington

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<v Speaker 1>and Delroy Lindo. Imagine you're a single, working mother who's

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<v Speaker 1>dating and even about to buy a new house. Life

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<v Speaker 1>is going pretty good until your dad comes back to

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<v Speaker 1>live with you after seventeen years of being in prison.

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<v Speaker 1>Think you've got daddy issues. Well, hers are moving in

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<v Speaker 1>Unprisoned Starry Kerry Washington, Delroy Lindo premiere's Friday, March tenth,

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<v Speaker 1>streaming only on Hulu. Sam Sanders and his two best friends,

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<v Speaker 1>writer Sayi Jones and journalist Tony. Award winning producer Zac

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<v Speaker 1>Stafford of every New podcast where they make sense of

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<v Speaker 1>what's going on in the news and culture, from Elon

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<v Speaker 1>Musk and foreign policy to pelotons and Rihanna headlining the

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<v Speaker 1>Super Bowl halftime show. They check the vibe of what's

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<v Speaker 1>going on in the world and how it all feels.

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<v Speaker 1>It's your favorite group chat come to life. Join the

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<v Speaker 1>weekly Key Key every Wednesday, listen to and follow Vibe

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<v Speaker 1>check wherever you get your podcast tests. This podcast can

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<v Speaker 1>eat spoilers for the season three premiere of The Mandalorian

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<v Speaker 1>as well as spoilers for a few episodes of the

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<v Speaker 1>book above Feed that featured our good friend Den Jarren. Hello,

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<v Speaker 1>my name is Jason Concepcion and on Erseay Night and

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<v Speaker 1>welcome to x ray Vision, the Crooked Media podcast where

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<v Speaker 1>we dive deep to your favorite shows, movies, comics, and

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<v Speaker 1>pop culture.

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<v Speaker 2>In this episode on the airlock, who we're in a gallery.

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<v Speaker 2>The baby's back. We wanted him. He's back, and he's back.

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<v Speaker 2>That baby, that puppet, that million dollar child. I love him,

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<v Speaker 2>we love him. And we're stepping out of the airlock

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<v Speaker 2>into galaxy far far away for the premiere of season

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<v Speaker 2>three of The Mandalorian. And in that out guess what, somebody,

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<v Speaker 2>a listener named Whitney came through with a very relevant

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<v Speaker 2>theory about the Mandalorian and the doc Seba.

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<v Speaker 1>And of course, if you want to jump around, check

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<v Speaker 1>the show notes for time stamps. Let's go to the airlock.

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<v Speaker 1>We're stepping out of the airlock for season three's premiere

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<v Speaker 1>of The Mandalorian on Disney Pluce. This episode is chapter

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<v Speaker 1>seventeen via Apostate, was written by Jon Favreau and directed

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<v Speaker 1>by Rick Famuilla. And let's before we dive into the recap,

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<v Speaker 1>talk about where we left off after season two, where

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<v Speaker 1>we left our good friend Dinn, where we left our

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<v Speaker 1>good friend Grogu, Where we left all our wonderful Galaxy

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<v Speaker 1>far far away friends out in Star Wars land.

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<v Speaker 2>Yeah, so obviously I think everyone remembers that massive moment,

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<v Speaker 2>you know, where Luke Skywalker came. Ever heard of him?

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<v Speaker 2>Luke Skywalker, once known as Luke star Killer, Now well

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<v Speaker 2>here he is. He came, his face was ciged to

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<v Speaker 2>look younger. It was voiced by none other than Mark Hamill.

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<v Speaker 2>And he took the baby. He was taking that baby,

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<v Speaker 2>and he was like, I gotta gotta take that baby

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<v Speaker 2>and turn him into a Jedi. But Boba Fett Book

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<v Speaker 2>of Boba fair to show that I found very charming,

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<v Speaker 2>sequential Star Wars storytelling of the highest oldest fashioned order.

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<v Speaker 2>There we saw that the baby. He went back to

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<v Speaker 2>the Manlorian, gotta get the baby back. Look, nobody wants

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<v Speaker 2>to love that baby.

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<v Speaker 1>Baby, baby back, baby back, Babby.

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<v Speaker 2>Babies, ribs no ribs. So so if you think about

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<v Speaker 2>it like this, Look, Disney knew from the very first

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<v Speaker 2>moment that they saw the end of the first episode.

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<v Speaker 1>That the Stark started dropping.

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<v Speaker 2>You know, the baby is not going to stay with Luke.

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<v Speaker 2>The baby has to go back pagerber Scal. You've got

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<v Speaker 2>to have everyone's favorite space daddy looking after everyone's favorite

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<v Speaker 2>space baby. So in a very powerful moment that we

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<v Speaker 2>talked about quite extensively because we thought this was really cool,

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<v Speaker 2>very Avatar The Last Airbender inspired. It felt like as well,

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<v Speaker 2>the baby chose to go with Din and now dinners

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<v Speaker 2>in this hilarious space where he's just kind of like, yeah,

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<v Speaker 2>my mission's over. But guess what, baby came back. So

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<v Speaker 2>now I'm just with this baby, just chilling. But if

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<v Speaker 2>you remember Dinn, thanks to his love of the baby,

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<v Speaker 2>he took off his mask. Done dumb means he broke

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<v Speaker 2>the Mandalorian code and the especially strict death Watch code.

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<v Speaker 2>So now he has to find a way to redeem

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<v Speaker 2>himself in the eyes of mandal Why does he want

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<v Speaker 2>to do that, I don't know. He must be in

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<v Speaker 2>a Mandalorian But so that's where in him and the baby,

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<v Speaker 2>they're just just chilling in space in a very cool

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<v Speaker 2>The Boos star Fighter. The baby's looking cute and look

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<v Speaker 2>popping out in the I mean, every time you see

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<v Speaker 2>this puppet. You're just so happy.

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<v Speaker 1>There's some wonderful shots of the baby. Yeah. I feel

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<v Speaker 1>my serotonin rise every time the camera graces the face

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<v Speaker 1>of our good friend Grogu, that beautiful fifty three now

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<v Speaker 1>year old baby. Let's go to the recap. We open

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<v Speaker 1>on some planet somewhere. It looks, you know, very desert e,

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<v Speaker 1>very sandy, except there is a large body of water here.

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<v Speaker 1>We'll talk about that lar in a bit. The armor

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<v Speaker 1>is in her workshop. She is forging some bit of

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<v Speaker 1>bestcar armor. And it is a helmet, the key of

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<v Speaker 1>course to the Mandalorian identity. Steps out of the cave

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<v Speaker 1>between ranks of Mandalorians that the Mandalorian tribe growing, you know,

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<v Speaker 1>had been essentially decimated in recent years, but has clearly

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<v Speaker 1>been growing since we caught back up with them in

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<v Speaker 1>season one of the Mandalorian. And she presents this helmet

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<v Speaker 1>to a youth, and then they speak the creed of

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<v Speaker 1>the Mandalorian faith. I swear in my name and the

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<v Speaker 1>names of my ancestors, that I shall walk the way

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<v Speaker 1>of the Mandalor, and the words of the creed shall

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<v Speaker 1>be forever forged in my heart. And the boy repeats

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<v Speaker 1>this and the armor, places the helmet on his head

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<v Speaker 1>and then they say, this is the way. From this

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<v Speaker 1>moment on, I shall never remove my helmet. And he

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<v Speaker 1>repeats this, and just as he does, a giant alligator

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<v Speaker 1>like alien bursts from the waterline. Are we not best

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<v Speaker 1>told about it? Like? Can we go a little? Did

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<v Speaker 1>we not do an appropriate scouting of the wildlife in

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<v Speaker 1>this area? Why are we this close to the habitat

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<v Speaker 1>of a giant in the cave?

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<v Speaker 2>Just in the cave, just in the cave? Like you

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<v Speaker 2>added out you had to do this induction ceremony on

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<v Speaker 2>the shore of Lake Placet like this, this is a alligat.

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<v Speaker 2>And also I feel like I feel like the Mandalorian way,

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<v Speaker 2>the deathwatchway, this kind of hardcore or vision or first Yeah,

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<v Speaker 2>they need to rethink their connection with the galaxy and

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<v Speaker 2>the animals of the planet.

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<v Speaker 1>Like I agree with that.

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<v Speaker 2>This is this alligator is just chilling in a lake

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<v Speaker 2>and you come down, bring in a little tasty looking

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<v Speaker 2>child into its mist Its legs are flipping around in

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<v Speaker 2>the water as it stands.

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<v Speaker 1>He's just hungry.

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<v Speaker 2>You're not doing anything wrong. He just wants a snack.

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<v Speaker 2>You're tempting him. I feel like you could have been

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<v Speaker 2>anywhere else.

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<v Speaker 1>Also, you said, I think something important. Listen, we know

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<v Speaker 1>why they didn't do that, because you need a cool

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<v Speaker 1>action seater. But like, just go back into the cave

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<v Speaker 1>and wait it out, and then when it leaves, come

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<v Speaker 1>out and say, okay, let's move inland and lets move

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<v Speaker 1>one hundred yards in.

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<v Speaker 2>And you are right because the real truth is that

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<v Speaker 2>looks sick.

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<v Speaker 1>Like I that alligator looks.

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<v Speaker 2>Unbelievable, incredible creature work. I literally was like, oh, this

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<v Speaker 2>is where the budget of a man in the osp went.

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<v Speaker 2>Like it literally that alligator. It looks like a real

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<v Speaker 2>live dragon.

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<v Speaker 1>It's beautiful.

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<v Speaker 2>I love a creature. But you know what I don't love.

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<v Speaker 2>I don't love to see all these Mandalorians trying to

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<v Speaker 2>blow up this alligator.

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<v Speaker 1>Who just really did They open up with everything they have.

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<v Speaker 1>They send the the younglings to safety, and then they

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<v Speaker 1>start just like unleashing hell on this alligator from ground

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<v Speaker 1>and of course from the air with their jetpacks. You

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<v Speaker 1>got a couple of Mandalorians fly up and attached thermal detonation.

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<v Speaker 2>That bomb and eyed of the beast.

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<v Speaker 1>No effect. They're opening fire with all kinds of things

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<v Speaker 1>you had a couple of Mandalorians and this I didn't

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<v Speaker 1>get what the end goal was here. You had a

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<v Speaker 1>couple of Mandalorian warriors shoot their grappling cables into the

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<v Speaker 1>animal's neck.

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<v Speaker 2>It was kind of like they thought they could like

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<v Speaker 2>pull it down, but.

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<v Speaker 1>Five hundred tons, it's huge, and.

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<v Speaker 2>It's also like sixty five million years aldough something. This

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<v Speaker 2>thing is a dinosaur.

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<v Speaker 1>Like what you think, goes into a roll that's like

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<v Speaker 1>twelve guys were attached to the alligator get maimed.

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<v Speaker 2>Uh.

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<v Speaker 1>The armor then rushes forward to save uh, the stricken

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<v Speaker 1>Mandalorians who are still attached by their cables. Pas Visla

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<v Speaker 1>saves a young boy. Uh, and that opens up with

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<v Speaker 1>that uh, that rotary cannon that he has. And just

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<v Speaker 1>when it seems like, you know what, the fledgling Mandalorian

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<v Speaker 1>people just getting back on their feet after you know,

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<v Speaker 1>the U, after the purge and the Empire's depredations on

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<v Speaker 1>their society and culture, they're gonna get destroyed once again

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<v Speaker 1>by your fucking alligator. And n one starfighter streaks overhead,

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<v Speaker 1>and the Mando is here and he shraced the alligator,

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<v Speaker 1>and it's barbecue gator for everybody, and they ate this gater.

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<v Speaker 2>They have to eat. They have to they have to

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<v Speaker 2>be so for like a long time. Also, please, this

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<v Speaker 2>man loves to kill a giant ancient animal.

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<v Speaker 1>I think of it.

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<v Speaker 2>He's kid, but like, please just just think twice he's killing.

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<v Speaker 1>This guy has killed some realgaphone creatures. So later on,

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<v Speaker 1>Dinn and our good friend baby Grew Grew were hanging

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<v Speaker 1>out with the Armor, and the Armor is like lecturing

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<v Speaker 1>Mando once again. You know, hey, you took off your helmet.

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<v Speaker 1>Remember that thing where you took off your helmet. Guess what?

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<v Speaker 1>You can't be accepted back into Mandalorian society. And then

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<v Speaker 1>Mando's like, yeah, but I've been studying my Mandalorian tracts, okay,

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<v Speaker 1>and the Creed talks of redemption, does it not. The

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<v Speaker 1>Armor is like, yeah, but you know, redemption you can

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<v Speaker 1>only do redemption at the living waters under the minds

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<v Speaker 1>of Mandalor. And as we all know, ever since the

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<v Speaker 1>Imperial Purge of Mandalor, that shit is poisoned. You can't

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<v Speaker 1>go there anymore. So you are an outcast. Why am

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<v Speaker 1>I even talking to you because I like you, but like,

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<v Speaker 1>officially do this anymore? And then Dinn is like, Okay,

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<v Speaker 1>that's a good point, but what if the minds of

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<v Speaker 1>Mandolor still exist? Boom, he lays a chunk of crystal,

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<v Speaker 1>you know, the the as the Empire bombarded Mandolor, like

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<v Speaker 1>it turned the surface of the planet into this, like

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<v Speaker 1>crystal is green, crystal, yes, And he lays this chunk

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<v Speaker 1>of crystal on the armorer's work bench and it has

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<v Speaker 1>a Mandalorian inscription on it.

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<v Speaker 2>Oh, and I was just gonna say, the really interesting

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<v Speaker 2>thing that that idea of the Empire, like turning these

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<v Speaker 2>planets to crystal in it's from legends and they call

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<v Speaker 2>it glossing, and it would happen. It was this horrifying

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<v Speaker 2>thing that would happen. So it's one of more of these.

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<v Speaker 2>This is an episode where we get a lot of

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<v Speaker 2>animation nods and these little legends knots and that's so

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<v Speaker 2>cool to see. It almost looks like kryptonite.

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<v Speaker 1>That's so it was really a really cool moment and

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<v Speaker 1>really like Hammer's Home, the violence of what was done

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<v Speaker 1>to the Mandalorian people. Dinn is like, yeah, you know,

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<v Speaker 1>I got this from a from Jahwa's who said that

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<v Speaker 1>they got it from a traveler, who in turn claims

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<v Speaker 1>to a visited Mandalor and does this not prove that Mandalor,

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<v Speaker 1>while maybe not fully inhabitable, you know, like poisoned, is

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<v Speaker 1>at least like not super poisonous like you, I could

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<v Speaker 1>go there. Uh. And here's my plan, Armor, I think

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<v Speaker 1>you figured it out. I'm gonna go to Mandalor. I'm

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<v Speaker 1>gonna go to the minds of Mandalor. I'm gonna go

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<v Speaker 1>under the minds of Mandalor, and I'm gonna bathe in

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<v Speaker 1>the redemptive water living waters. Yea, what do you say

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<v Speaker 1>about that? And the Armor is like, you know what,

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<v Speaker 1>this is the way I can't.

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<v Speaker 2>She's sorry, you're you know what?

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<v Speaker 1>You got me there. It's a good plan.

0:12:33.640 --> 0:12:35.960
<v Speaker 2>She's like, then come back and see me.

0:12:36.440 --> 0:12:39.080
<v Speaker 1>This is the way baby Yoda clearly loves it. Now,

0:12:39.160 --> 0:12:42.600
<v Speaker 1>let me ask you this. This is just shows you

0:12:43.720 --> 0:12:49.400
<v Speaker 1>how I would not I would not be able to excel, survive,

0:12:49.760 --> 0:12:53.640
<v Speaker 1>thrive in Mandalorian society. I would just leave for a

0:12:53.640 --> 0:12:56.400
<v Speaker 1>couple of weeks, hang out in Navarro with my buddy

0:12:56.400 --> 0:12:59.040
<v Speaker 1>Grief more on him later, come back and said, so

0:12:59.120 --> 0:13:01.400
<v Speaker 1>I did it. Yeah, I know.

0:13:01.600 --> 0:13:04.160
<v Speaker 2>So it's like a magic Here's what's I did it?

0:13:04.520 --> 0:13:07.240
<v Speaker 1>I gave to the waters. It was pretty cool. It

0:13:07.360 --> 0:13:11.679
<v Speaker 1>is kind and uh, I'm redeemed, so what's up in

0:13:11.800 --> 0:13:12.240
<v Speaker 1>my back?

0:13:12.440 --> 0:13:15.360
<v Speaker 2>Yeah? And also like you probably would survive. I would

0:13:15.400 --> 0:13:18.160
<v Speaker 2>say that's actually probably the smartest version. Also you just

0:13:18.280 --> 0:13:20.960
<v Speaker 2>be like guess what, you know what? Don't just have

0:13:21.000 --> 0:13:23.040
<v Speaker 2>to take my word for it. Cool baby was here

0:13:23.320 --> 0:13:24.840
<v Speaker 2>and he also he.

0:13:24.760 --> 0:13:26.800
<v Speaker 1>Also saw didn't you?

0:13:26.840 --> 0:13:29.000
<v Speaker 2>And Gregor was like yeah, because greg will do anything.

0:13:29.480 --> 0:13:32.079
<v Speaker 2>Gregor's like a trouble He's down and he's a troublemaker.

0:13:32.120 --> 0:13:33.520
<v Speaker 2>He loves to cause a bit of mischief.

0:13:33.600 --> 0:13:34.280
<v Speaker 1>He would like to.

0:13:34.200 --> 0:13:37.640
<v Speaker 2>Pull a prank. All he does the right idea, that's

0:13:37.640 --> 0:13:38.760
<v Speaker 2>what he should be doing.

0:13:39.240 --> 0:13:45.360
<v Speaker 1>X Ray Vision will be back. The important work of

0:13:45.440 --> 0:13:48.400
<v Speaker 1>political and civic engagement doesn't just happen every two years.

0:13:49.000 --> 0:13:51.160
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0:13:51.240 --> 0:13:54.280
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0:13:54.480 --> 0:13:57.559
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0:14:14.559 --> 0:14:23.280
<v Speaker 1>Save America dot com. And we're back. So they head

0:14:23.320 --> 0:14:27.800
<v Speaker 1>off to go do this. They're in hyperspace. You know,

0:14:27.840 --> 0:14:33.800
<v Speaker 1>that beautiful kind of like web of light is all

0:14:33.840 --> 0:14:36.000
<v Speaker 1>around the end one ship. As they move through this

0:14:36.080 --> 0:14:38.800
<v Speaker 1>hyperspace tunnel and the baby Yoda, a look of wonder

0:14:39.920 --> 0:14:45.000
<v Speaker 1>goes across this cute, little, beautiful little face of Grogu.

0:14:45.600 --> 0:14:51.200
<v Speaker 1>And it's not just the wonder of interstellar travel. We

0:14:51.280 --> 0:14:54.920
<v Speaker 1>see that he is looking at a huge whale like

0:14:55.000 --> 0:14:58.520
<v Speaker 1>creature with tentacles. It is a pergol, and in fact,

0:14:58.560 --> 0:15:02.920
<v Speaker 1>it's several pers this way. This was the first time

0:15:02.960 --> 0:15:07.640
<v Speaker 1>I really felt the scale of them. They're fucking huge. Yeah,

0:15:07.640 --> 0:15:12.440
<v Speaker 1>that was really cool. It's so huge. It really feels like,

0:15:13.040 --> 0:15:16.520
<v Speaker 1>of course purgols were we first saw them in Rebels,

0:15:17.880 --> 0:15:21.280
<v Speaker 1>and they they are space whales essentially that can travel

0:15:21.360 --> 0:15:26.640
<v Speaker 1>hyper space tunnels just through their own natural abilities. And

0:15:26.720 --> 0:15:31.240
<v Speaker 1>it really feels like they're setting the Purgle up to

0:15:31.280 --> 0:15:35.040
<v Speaker 1>be part of some larger mysteries. I definitely think so,

0:15:35.280 --> 0:15:36.520
<v Speaker 1>but it feels like that.

0:15:36.440 --> 0:15:40.520
<v Speaker 2>Yeah, and in the current Star Wars canon books, there's

0:15:40.600 --> 0:15:44.280
<v Speaker 2>kind of been this expansion of the idea of hyperspace

0:15:44.400 --> 0:15:47.479
<v Speaker 2>is almost like its own landscape and its own ecology.

0:15:47.600 --> 0:15:50.120
<v Speaker 2>And and I think that the inclusion of the Purgele

0:15:50.160 --> 0:15:55.080
<v Speaker 2>is also like big hint towards like a Soca, because

0:15:55.080 --> 0:15:57.120
<v Speaker 2>this had they had a big moment in the final

0:15:57.240 --> 0:16:00.680
<v Speaker 2>in the and kind of of Rebels. So it's very

0:16:00.720 --> 0:16:02.760
<v Speaker 2>interesting see And I love this because you're right, like

0:16:02.800 --> 0:16:04.760
<v Speaker 2>in the in Rebels, you get to see stuff. But

0:16:04.920 --> 0:16:07.040
<v Speaker 2>in this moment where you have the tiny baby and

0:16:07.080 --> 0:16:10.240
<v Speaker 2>this Nabou ship which we've seen is quite formidable, but

0:16:10.480 --> 0:16:16.600
<v Speaker 2>it is absolutely dwarfed. And at first Grogu's so into

0:16:16.640 --> 0:16:18.440
<v Speaker 2>it and there's one and it's beautiful, but when he

0:16:18.480 --> 0:16:21.040
<v Speaker 2>realizes there's four or five, he like runs away.

0:16:21.520 --> 0:16:25.160
<v Speaker 1>It was really really wondrous. Din does not see the

0:16:25.160 --> 0:16:27.880
<v Speaker 1>Purgles because he is fast asleep at the fucking wheel,

0:16:27.880 --> 0:16:29.640
<v Speaker 1>which I get it. He's doing a lot and this

0:16:29.800 --> 0:16:32.320
<v Speaker 1>single parent he needs to catch some shut eye, and

0:16:32.360 --> 0:16:34.680
<v Speaker 1>you get this really cute moment where Grogu goes through

0:16:34.680 --> 0:16:38.320
<v Speaker 1>the little tunnel that attaches his bubble to like the

0:16:38.360 --> 0:16:41.440
<v Speaker 1>main cockpit and he just like pops up. Yeah, he

0:16:41.520 --> 0:16:46.280
<v Speaker 1>snuggles in and he's like scary so much that they

0:16:46.400 --> 0:16:49.560
<v Speaker 1>land on Navarro, the gem of the Outer Rim, and

0:16:49.640 --> 0:16:54.000
<v Speaker 1>you gotta say, looking shiny. He is looking fucking great.

0:16:54.280 --> 0:16:59.480
<v Speaker 1>It looks great. Uh Grogu is cooing at the sights

0:16:59.480 --> 0:17:03.760
<v Speaker 1>and sounds of this lively town center. Now including we

0:17:03.800 --> 0:17:06.679
<v Speaker 1>see a troop of kuwaky and monkey lizards in the trees.

0:17:06.800 --> 0:17:09.480
<v Speaker 2>Yeah, and ne're free because in the original we'd seen

0:17:09.520 --> 0:17:12.119
<v Speaker 2>them before in cages, but here they're just chilling like

0:17:12.200 --> 0:17:15.480
<v Speaker 2>funny monkeys in the tree looking grossations.

0:17:15.480 --> 0:17:19.000
<v Speaker 1>Crumb Dinn is equally amazed. It's like, holy shit, like

0:17:19.040 --> 0:17:22.000
<v Speaker 1>this place is really really changed. And they go to

0:17:22.080 --> 0:17:24.400
<v Speaker 1>the town square where they find a statue of their

0:17:25.359 --> 0:17:31.159
<v Speaker 1>erstwhile ally come enemy I G. Eleven. You know, one

0:17:31.200 --> 0:17:36.480
<v Speaker 1>of our one of our favorite robot droid bounty hunters

0:17:36.520 --> 0:17:41.200
<v Speaker 1>turned unlikely hero, voiced of course by title Titi.

0:17:41.000 --> 0:17:42.760
<v Speaker 2>I Know Unexpected Tika come back.

0:17:42.840 --> 0:17:43.480
<v Speaker 1>Is that what this is?

0:17:43.560 --> 0:17:45.280
<v Speaker 2>Promist season three?

0:17:46.000 --> 0:17:49.280
<v Speaker 1>And as they're gazing up at the at the conical

0:17:49.920 --> 0:17:54.840
<v Speaker 1>figure of the late I G. Eleven, the trademark booming

0:17:55.000 --> 0:18:00.200
<v Speaker 1>voice of Greek cargo we love you.

0:18:01.640 --> 0:18:01.920
<v Speaker 2>Again.

0:18:03.080 --> 0:18:04.879
<v Speaker 1>Is anyone having more fun than Carl Weathers.

0:18:04.920 --> 0:18:08.399
<v Speaker 2>I'm not never impossible. This man lived to be in

0:18:08.400 --> 0:18:10.679
<v Speaker 2>this role in this show, and now his town is

0:18:10.720 --> 0:18:12.760
<v Speaker 2>thriving and he's feeling good. He's looking good.

0:18:13.280 --> 0:18:18.920
<v Speaker 1>Oh my, he looks rich, looking rich.

0:18:19.359 --> 0:18:22.480
<v Speaker 2>That cape is heavy. He has two droids who just

0:18:22.520 --> 0:18:23.240
<v Speaker 2>follow him around.

0:18:24.600 --> 0:18:28.120
<v Speaker 1>Floor Droid, where do you get cap droid? I need

0:18:28.160 --> 0:18:28.919
<v Speaker 1>to cap droids?

0:18:28.920 --> 0:18:30.920
<v Speaker 2>Definitely him.

0:18:31.480 --> 0:18:35.560
<v Speaker 1>Oh absolutely. I mean it's this beautiful like scarlet velvet

0:18:35.760 --> 0:18:39.040
<v Speaker 1>cape with all this like gold detailing, and from the

0:18:39.080 --> 0:18:41.840
<v Speaker 1>back it's like all gold and as you mentioned, it's

0:18:41.840 --> 0:18:45.800
<v Speaker 1>got these little two little red droids on either side

0:18:45.840 --> 0:18:48.280
<v Speaker 1>of the cape that hold it off the dusty ground. Amazing.

0:18:48.320 --> 0:18:50.240
<v Speaker 1>And then we find out that Grief Cargo has a

0:18:50.440 --> 0:18:54.000
<v Speaker 1>new title as well. He's the not the Magistrate of Novarro,

0:18:54.119 --> 0:18:57.439
<v Speaker 1>He's the High Magistrate. And he's like, let's go to

0:18:57.480 --> 0:19:00.399
<v Speaker 1>my office. Uh, and let's catch up. So they go

0:19:00.400 --> 0:19:03.199
<v Speaker 1>to his office. Kargo is like, here's what's going on

0:19:03.200 --> 0:19:08.439
<v Speaker 1>in Navarro. Trade is up, construction is booming. The mining

0:19:08.480 --> 0:19:13.720
<v Speaker 1>interests out here in the Navarro system are just pouring

0:19:14.160 --> 0:19:18.680
<v Speaker 1>credits into the planet. Money money, money, really really good.

0:19:18.720 --> 0:19:21.840
<v Speaker 1>It's money, money, money money. Here's how good it's going.

0:19:22.760 --> 0:19:26.160
<v Speaker 1>Would you like a free mansion, because.

0:19:26.119 --> 0:19:27.880
<v Speaker 2>That's what I got for you would have to become

0:19:27.920 --> 0:19:29.760
<v Speaker 2>a landown How.

0:19:29.640 --> 0:19:32.159
<v Speaker 1>Would you like that? Let me ask you this, Mando,

0:19:32.760 --> 0:19:35.600
<v Speaker 1>a deal you can't refuse. How would you like a

0:19:35.800 --> 0:19:39.720
<v Speaker 1>prime piece of real estate out by the hot springs?

0:19:39.840 --> 0:19:42.160
<v Speaker 1>Do you know how much real estate over by the hot springs?

0:19:42.320 --> 0:19:45.199
<v Speaker 1>This you could? You and the little one hang up

0:19:45.200 --> 0:19:48.399
<v Speaker 1>your blasters, live off the fat of the land. And

0:19:48.520 --> 0:19:55.400
<v Speaker 1>Mando's like, dah a bathe in the living I gotta go.

0:19:55.720 --> 0:19:58.359
<v Speaker 2>You know what, grief corganose. Yeah, he sees this baby.

0:19:58.400 --> 0:20:00.439
<v Speaker 2>He's like, why is the baby still here? And he's like,

0:20:00.480 --> 0:20:00.720
<v Speaker 2>you know.

0:20:00.680 --> 0:20:02.560
<v Speaker 1>What, you still a baby.

0:20:02.760 --> 0:20:05.760
<v Speaker 2>He's like, this man obviously loves this baby. And he's like,

0:20:05.800 --> 0:20:07.520
<v Speaker 2>what does a man and a baby need? They need

0:20:07.560 --> 0:20:09.720
<v Speaker 2>a house. He's like, why don't you just say a house?

0:20:09.800 --> 0:20:12.679
<v Speaker 2>He's right, this is giving me big the lost of

0:20:12.760 --> 0:20:15.920
<v Speaker 2>us vibes. Please paydro Pascal, spend some time with your

0:20:16.000 --> 0:20:19.880
<v Speaker 2>child in a safe space. Stop taking me on dangerous journeys.

0:20:21.160 --> 0:20:25.320
<v Speaker 1>And we should add that while this conversation about Mando

0:20:26.560 --> 0:20:31.879
<v Speaker 1>for insane reasons turning down a free fucking house, our

0:20:31.920 --> 0:20:34.680
<v Speaker 1>good friend Baby Yoda, the beautiful fifty three year old

0:20:34.720 --> 0:20:39.199
<v Speaker 1>baby is sitting in Grief Cargo's office chair, using the

0:20:39.280 --> 0:20:40.560
<v Speaker 1>force to spind the chair.

0:20:41.520 --> 0:20:43.600
<v Speaker 2>It's so good.

0:20:43.600 --> 0:20:48.200
<v Speaker 1>I absolutely love it. So Dan explains why he's still

0:20:48.200 --> 0:20:51.640
<v Speaker 1>hanging out with Baby Yoda and why he can't take

0:20:51.640 --> 0:20:54.119
<v Speaker 1>a free house. That's the whole thing. I'm in apostate.

0:20:54.240 --> 0:20:56.000
<v Speaker 1>I need the bathe in the living waters. Any redemption,

0:20:56.160 --> 0:21:00.520
<v Speaker 1>yeah yeah, and Cargo's like, okay, but you be landed

0:21:00.560 --> 0:21:04.960
<v Speaker 1>Gentry like this is great, no, and then what about it?

0:21:05.000 --> 0:21:06.600
<v Speaker 1>Think about it. But before they can really mulle it

0:21:06.640 --> 0:21:10.199
<v Speaker 1>over any further Grief's protocol, Droid enters and is like,

0:21:10.560 --> 0:21:14.359
<v Speaker 1>we got a problem. Some pirates into pirates, and it

0:21:14.400 --> 0:21:17.480
<v Speaker 1>turns out Grief knows these pirates. Their leader is a

0:21:17.560 --> 0:21:21.560
<v Speaker 1>nick do named Vain who works for pirate king Shard.

0:21:22.359 --> 0:21:24.640
<v Speaker 1>Carga is like, okay, let's get off the street here.

0:21:24.760 --> 0:21:27.560
<v Speaker 1>You guys are there. The pirates are like knocking, like

0:21:27.640 --> 0:21:29.760
<v Speaker 1>trying to get into this building that they think is

0:21:29.760 --> 0:21:33.320
<v Speaker 1>a canteena but it's actually a school now because Navarro

0:21:33.440 --> 0:21:39.439
<v Speaker 1>is significantly clean. Yeah, and cars like that's a school.

0:21:39.520 --> 0:21:42.520
<v Speaker 1>You're bothering The Droid teachers there. Let's just go to

0:21:42.560 --> 0:21:45.800
<v Speaker 1>my office and talk this over. And of course Mando

0:21:45.880 --> 0:21:48.400
<v Speaker 1>is there leaning as a tree, giving him the appropriate

0:21:48.480 --> 0:21:50.600
<v Speaker 1>muscle that he might need to get these pirates off

0:21:50.600 --> 0:21:55.199
<v Speaker 1>the street. And Vain is like, listen, what happened to

0:21:55.200 --> 0:21:58.240
<v Speaker 1>you man? You paid us for murder and mayhem inside

0:21:58.240 --> 0:22:01.160
<v Speaker 1>this building that is now apparently a school, and now

0:22:01.200 --> 0:22:04.600
<v Speaker 1>you're talking about it's a school, and you're just like soft, Now,

0:22:04.640 --> 0:22:07.320
<v Speaker 1>what the fuck is going on? So Vain like moves

0:22:07.359 --> 0:22:10.000
<v Speaker 1>his cape away from his blaster. Cargo moves his cape

0:22:10.040 --> 0:22:12.160
<v Speaker 1>away from his blaster, and then all of a sudden

0:22:12.160 --> 0:22:15.960
<v Speaker 1>they draw and Carga is a badass and shoots skins

0:22:17.080 --> 0:22:20.600
<v Speaker 1>choice absolutely and then it's like, okay, I shot your

0:22:20.600 --> 0:22:23.000
<v Speaker 1>blaster out of your head. You get it. Don't fuck

0:22:23.080 --> 0:22:28.080
<v Speaker 1>with me, now get out of here. Uh. And the pirates,

0:22:28.880 --> 0:22:31.760
<v Speaker 1>by the way they move, clearly we're not gonna get

0:22:31.800 --> 0:22:33.919
<v Speaker 1>out of here, because they did, you know, they did

0:22:33.960 --> 0:22:35.800
<v Speaker 1>some quick counting, like, well, there's six of us, and

0:22:35.840 --> 0:22:38.120
<v Speaker 1>there's two of this guy. You know, there's one there's

0:22:38.160 --> 0:22:40.439
<v Speaker 1>Grief Carga and another guy. I think we could take them,

0:22:40.600 --> 0:22:43.240
<v Speaker 1>even though the other guy is wearing Mandalorian armor, like

0:22:43.359 --> 0:22:43.720
<v Speaker 1>can we.

0:22:43.680 --> 0:22:46.840
<v Speaker 2>Even blaster probably would be some kind of like myths

0:22:46.880 --> 0:22:51.520
<v Speaker 2>around him, seeing like the fucking morons anyway.

0:22:52.080 --> 0:22:54.960
<v Speaker 1>Uh So they basically make a move like they're gonna

0:22:54.960 --> 0:22:58.320
<v Speaker 1>do something, and Carga and Mando gun them all down. Okay,

0:22:58.720 --> 0:23:02.719
<v Speaker 1>mass murder on the streets of And then Carga is like, okay,

0:23:03.200 --> 0:23:05.240
<v Speaker 1>Vane get out of here. And Man's like, are you

0:23:05.240 --> 0:23:07.080
<v Speaker 1>sure you gonna let this guy go? But the High

0:23:07.080 --> 0:23:09.240
<v Speaker 1>Magistrate is like, yeah, it's a great idea because he's

0:23:09.280 --> 0:23:11.320
<v Speaker 1>gonna go, and he's gonna tell the other pirates that

0:23:11.400 --> 0:23:14.639
<v Speaker 1>all our pirates died and uh and he's gonna say

0:23:14.680 --> 0:23:18.080
<v Speaker 1>don't go back to Navarro because they're badasses there. And

0:23:18.400 --> 0:23:21.560
<v Speaker 1>so that's over, and Cargo and Amanda were walking back

0:23:22.040 --> 0:23:25.720
<v Speaker 1>I would assume to Grief's office and he's like, okay,

0:23:25.760 --> 0:23:29.000
<v Speaker 1>but here's the thing. These pirates are coming by every

0:23:29.000 --> 0:23:31.040
<v Speaker 1>once in a while, different things are happening, and we

0:23:31.080 --> 0:23:37.160
<v Speaker 1>need a marshall. So Amanda's like, what about my good friend,

0:23:37.680 --> 0:23:43.840
<v Speaker 1>former rebel trooper Karen Done, what's she up to? Well?

0:23:43.840 --> 0:23:46.679
<v Speaker 1>Grief is like, well, she's now a notorious anti vaxxer

0:23:46.760 --> 0:23:54.600
<v Speaker 1>and far right figure, but also she's been recruited by

0:23:54.640 --> 0:23:58.320
<v Speaker 1>the New Republic Special Force, Special Forces. She's at social Forces,

0:23:58.320 --> 0:24:01.879
<v Speaker 1>so she's out of it. We can't at her back. Uh.

0:24:01.880 --> 0:24:05.199
<v Speaker 1>And by the way, since you asked about Carado. And

0:24:05.200 --> 0:24:07.239
<v Speaker 1>here's what's also going on with maff Gideon and our

0:24:07.240 --> 0:24:09.280
<v Speaker 1>good friend mof Gindeon, who you got the Dark Saver from.

0:24:09.560 --> 0:24:13.280
<v Speaker 1>He is currently standing trial for crimes against the galaxy.

0:24:13.880 --> 0:24:16.120
<v Speaker 1>Uh So what do you say, Marshall? Sounds good?

0:24:16.160 --> 0:24:16.360
<v Speaker 2>Right?

0:24:16.440 --> 0:24:20.879
<v Speaker 1>That house still available? And Din is like, I don't know,

0:24:20.880 --> 0:24:22.960
<v Speaker 1>why don't you just like ring up the New Republicans?

0:24:22.960 --> 0:24:25.600
<v Speaker 1>Say you see what I'm saying. Yeah, And Cargo's like,

0:24:25.640 --> 0:24:28.280
<v Speaker 1>here's the thing. The New Republic's all the way in

0:24:28.320 --> 0:24:30.119
<v Speaker 1>the fucking center of the galaxy. We're out here in

0:24:30.119 --> 0:24:32.240
<v Speaker 1>the outer room. What are they gonna do? Like, I

0:24:32.280 --> 0:24:34.560
<v Speaker 1>don't want to. We dealt with this the first time

0:24:34.920 --> 0:24:38.119
<v Speaker 1>with the Empire and previously the Republic, and it's like

0:24:39.000 --> 0:24:41.959
<v Speaker 1>they're too far away to help us. And he continues,

0:24:42.040 --> 0:24:44.520
<v Speaker 1>under my watch, Navarro will become the first truly independent

0:24:44.560 --> 0:24:47.439
<v Speaker 1>trade anchor in the entire sector. Will you be my

0:24:47.680 --> 0:24:50.920
<v Speaker 1>Marshall Mando And a free house over by the beautiful

0:24:50.960 --> 0:24:53.520
<v Speaker 1>hot springs of Navarro, and Mando's like I can't.

0:24:53.640 --> 0:24:56.680
<v Speaker 2>He's like, man, a man, do you have redemptive waters because.

0:24:58.000 --> 0:25:01.480
<v Speaker 1>Of the area. So Cargos like, okay, I'm sorry. I've

0:25:01.520 --> 0:25:05.200
<v Speaker 1>been monopolizing this whole conversation ever since you landed here,

0:25:06.160 --> 0:25:10.000
<v Speaker 1>you know, you and baby Groogu, I've been I've been

0:25:10.040 --> 0:25:12.040
<v Speaker 1>selfishly offering you a free house.

0:25:12.240 --> 0:25:16.080
<v Speaker 2>Oh how I don't know half business.

0:25:16.280 --> 0:25:19.160
<v Speaker 1>I didn't want to ask. I didn't ask you what

0:25:19.160 --> 0:25:23.359
<v Speaker 1>what you needed? What do you need? It is like

0:25:23.440 --> 0:25:26.960
<v Speaker 1>I got a crazy ask resurrect I g eleven what.

0:25:27.920 --> 0:25:31.359
<v Speaker 2>I was like, that was all I was expecting. Also,

0:25:31.760 --> 0:25:33.920
<v Speaker 2>like did he go that just to see an old friend?

0:25:33.920 --> 0:25:36.199
<v Speaker 2>Did he know the statue was that? Is this just

0:25:36.400 --> 0:25:38.000
<v Speaker 2>cherry picked off his head?

0:25:38.640 --> 0:25:40.480
<v Speaker 1>It was just like a I think it's just like

0:25:40.520 --> 0:25:43.760
<v Speaker 1>an idea that like he just came in hot gazed

0:25:43.800 --> 0:25:45.520
<v Speaker 1>on the statue, was like, you know what I want?

0:25:45.560 --> 0:25:49.520
<v Speaker 1>My fucking I hated. I know, like as recently as

0:25:49.920 --> 0:25:55.320
<v Speaker 1>earlier in this series, I fucking hated like hated, and

0:25:55.400 --> 0:25:58.359
<v Speaker 1>I mean capital h hated on droid.

0:25:58.520 --> 0:26:01.080
<v Speaker 2>But this was no one who changed this one.

0:26:02.040 --> 0:26:04.720
<v Speaker 1>There was a connection there. It's Tito and TD I

0:26:05.359 --> 0:26:08.479
<v Speaker 1>my good buddy Hig eleven back. Let's resurrect him. And

0:26:08.520 --> 0:26:11.880
<v Speaker 1>Cargo is like, I don't. He's destroyed and also like

0:26:12.400 --> 0:26:14.160
<v Speaker 1>his parts are in a statue and the like, and

0:26:14.200 --> 0:26:17.959
<v Speaker 1>so Mandal's like, yeah, exactly, so he's parts are still there, Like,

0:26:18.320 --> 0:26:20.560
<v Speaker 1>get him out. I need a droid I can trust

0:26:20.640 --> 0:26:25.360
<v Speaker 1>to help me explore mandalore and Cargo's like, listen, this

0:26:25.400 --> 0:26:28.040
<v Speaker 1>is the new Navarro we're talking about here, Like, we

0:26:28.200 --> 0:26:30.439
<v Speaker 1>are packed to the gills with droids. You want the

0:26:30.440 --> 0:26:32.440
<v Speaker 1>fucking best droid ever? Like, I can get you your

0:26:32.880 --> 0:26:35.320
<v Speaker 1>pick of the litter. You can have any droids you want,

0:26:35.400 --> 0:26:38.520
<v Speaker 1>And did is like, no, I want that busted fucking

0:26:38.720 --> 0:26:41.840
<v Speaker 1>droid that's currently a statue that tried to kill me

0:26:42.320 --> 0:26:44.120
<v Speaker 1>and and baby Yoda the first time.

0:26:44.440 --> 0:26:47.640
<v Speaker 2>It was a US actually programmed solely to kill baby Yoda.

0:26:47.760 --> 0:26:51.359
<v Speaker 2>So I just really need him back. And He's like,

0:26:51.440 --> 0:26:54.280
<v Speaker 2>I guess, I guess In the in dinger inside, He's like, well,

0:26:54.280 --> 0:26:56.240
<v Speaker 2>this guy was about to give me like a house,

0:26:56.359 --> 0:26:58.679
<v Speaker 2>and so I'm sure he would just give me this

0:26:58.760 --> 0:26:59.960
<v Speaker 2>old pop of a statue.

0:27:00.040 --> 0:27:06.080
<v Speaker 1>Yeah, and it is. I think it's a It's actually

0:27:07.440 --> 0:27:15.280
<v Speaker 1>emblematic of Din's personality. Which is like other Mandalorians, he

0:27:15.400 --> 0:27:19.760
<v Speaker 1>is extremely set in his ways and beholden to the

0:27:19.800 --> 0:27:23.760
<v Speaker 1>creative and the culture and society of Mandalori. But unlike

0:27:25.359 --> 0:27:28.000
<v Speaker 1>all the other Mandalorians we've seen up to now, and

0:27:28.040 --> 0:27:31.359
<v Speaker 1>certainly any of the ones that he's interacted with, he

0:27:31.800 --> 0:27:36.520
<v Speaker 1>does have the ability to change, to learn, and when

0:27:36.560 --> 0:27:39.640
<v Speaker 1>he does do that, like his connection with Grogu is

0:27:39.720 --> 0:27:43.439
<v Speaker 1>taking off his helmet. The bond he clearly formed with

0:27:43.520 --> 0:27:49.600
<v Speaker 1>Ig eleven, it is it that bond with whatever surprising

0:27:49.680 --> 0:27:53.360
<v Speaker 1>person that is usually outside of the sphere of interest orience,

0:27:53.800 --> 0:27:56.680
<v Speaker 1>is very very strong. And now that he has had

0:27:56.680 --> 0:28:01.880
<v Speaker 1>a good experience with this one droid, his his ban

0:28:02.160 --> 0:28:04.840
<v Speaker 1>on like ever interacting with the droids is gone. But

0:28:05.400 --> 0:28:08.000
<v Speaker 1>he only wants to interact with with this one. I

0:28:08.040 --> 0:28:14.280
<v Speaker 1>had the good experience with the one droid. Rest of us, he's.

0:28:14.240 --> 0:28:16.320
<v Speaker 2>Chill without the droids to them, like he's not saying

0:28:16.320 --> 0:28:17.959
<v Speaker 2>I hate droids all the time, But he doesn't want

0:28:18.000 --> 0:28:20.320
<v Speaker 2>to bring a droid on this important mission to have

0:28:20.359 --> 0:28:20.680
<v Speaker 2>a bath.

0:28:20.880 --> 0:28:23.640
<v Speaker 1>This needs to be aid. He can trust, I can

0:28:23.840 --> 0:28:25.600
<v Speaker 1>and he knows, and he also knows like listen, you

0:28:25.600 --> 0:28:27.240
<v Speaker 1>eleven can handle it.

0:28:28.960 --> 0:28:32.480
<v Speaker 2>Will sacrifice his life for the baby and the Mandalorian.

0:28:32.560 --> 0:28:34.159
<v Speaker 2>So that's a good person to have on your side.

0:28:34.480 --> 0:28:39.160
<v Speaker 1>So, uh, carg is like, Okay, here's here's what a

0:28:39.200 --> 0:28:42.720
<v Speaker 1>good friend I am and I have been ever since.

0:28:42.760 --> 0:28:46.280
<v Speaker 1>You have come back into your house your job. Now,

0:28:46.760 --> 0:28:53.080
<v Speaker 1>come and drag this busted fucking bounty hunting robot to

0:28:53.240 --> 0:28:57.200
<v Speaker 1>my office. Not like any workshop or to my office.

0:28:57.400 --> 0:28:59.680
<v Speaker 1>Bring it to my office and you can fix it

0:28:59.720 --> 0:29:05.240
<v Speaker 1>on my desk. So so Mando is like, okay, you know,

0:29:05.280 --> 0:29:08.080
<v Speaker 1>he's doing his thing, and he gets IG eleven comes online,

0:29:08.480 --> 0:29:13.000
<v Speaker 1>eyes immediately go red. It has you know, uh gone

0:29:13.120 --> 0:29:17.440
<v Speaker 1>back to its original kill Baby Yoda program, And like

0:29:18.080 --> 0:29:21.000
<v Speaker 1>the T eight hundred at the end of the first

0:29:21.040 --> 0:29:24.920
<v Speaker 1>Terminator is like crawling around on the kill that asset,

0:29:25.160 --> 0:29:27.680
<v Speaker 1>destroy the asset, kill the ascid.

0:29:27.800 --> 0:29:32.240
<v Speaker 2>It's very nightmarish and extremely well done and really creepy.

0:29:32.920 --> 0:29:35.720
<v Speaker 1>And Mando is just like firing off blaster shots in

0:29:35.800 --> 0:29:42.560
<v Speaker 1>the office. He then this was so funny to me.

0:29:43.400 --> 0:29:50.040
<v Speaker 1>Then like laterals, Baby Yoda's grief like a target.

0:29:50.040 --> 0:29:52.240
<v Speaker 2>It's all a baby Yoda. It looks like you just

0:29:52.360 --> 0:29:56.640
<v Speaker 2>he's like a kid. He's just like Heydary Yoda.

0:29:56.920 --> 0:30:00.480
<v Speaker 1>Baby Yoda can take Baby Yoda like has the I

0:30:00.480 --> 0:30:05.080
<v Speaker 1>shouldn't be worried. Baby could probably have like yes, not

0:30:05.120 --> 0:30:07.480
<v Speaker 1>a problem, but still it was a funny visual to

0:30:07.600 --> 0:30:11.320
<v Speaker 1>just like so funny eat Baby Yoda into the arms

0:30:11.360 --> 0:30:12.080
<v Speaker 1>of grief cars.

0:30:12.600 --> 0:30:16.240
<v Speaker 2>Always hilarious to see a puppet like with its legs,

0:30:16.280 --> 0:30:18.800
<v Speaker 2>you know, like so immediately lots like a doll. When

0:30:18.840 --> 0:30:20.680
<v Speaker 2>you see the bike, it's like come riding a bike.

0:30:20.720 --> 0:30:24.080
<v Speaker 2>It's just like and obviously Carl Weathers was ready to

0:30:24.120 --> 0:30:27.320
<v Speaker 2>catch it those hench muscles. He was like, the baby's fine.

0:30:27.760 --> 0:30:30.880
<v Speaker 1>So then I g is like just laser focused on

0:30:30.920 --> 0:30:33.280
<v Speaker 1>this baby and like it turns and is crawling down

0:30:33.360 --> 0:30:37.120
<v Speaker 1>to a grief cargo and baby Yoda and quick thinking

0:30:37.240 --> 0:30:41.719
<v Speaker 1>by the man streets protocol Driid who drops a pretty

0:30:41.760 --> 0:30:47.640
<v Speaker 1>substantial bust of grief cargo. Then he just has yeah

0:30:48.880 --> 0:30:53.400
<v Speaker 1>IG's head crushing it. And then Mando gives a very

0:30:53.440 --> 0:30:58.320
<v Speaker 1>schwartzenegria Yeah yeah yeah yeah, like line, now that's using

0:30:58.360 --> 0:30:58.720
<v Speaker 1>your head.

0:31:00.080 --> 0:31:03.000
<v Speaker 2>They're doing a lot of fun like predator esque like

0:31:03.600 --> 0:31:06.280
<v Speaker 2>Mando and Car and Grief do the do the like

0:31:06.360 --> 0:31:07.600
<v Speaker 2>your son of a bitch like.

0:31:09.280 --> 0:31:13.640
<v Speaker 1>Honold dr There was a lot of like hat tips

0:31:13.720 --> 0:31:16.880
<v Speaker 1>to predator in this movie, Like that what that line

0:31:17.080 --> 0:31:19.120
<v Speaker 1>was clearly in sportsnigger?

0:31:19.280 --> 0:31:23.400
<v Speaker 2>Yeah, yeah, it's It's such a fun sequence. And also

0:31:23.520 --> 0:31:28.200
<v Speaker 2>like now I feel like, bro, just take the Protocol Driid.

0:31:28.560 --> 0:31:32.080
<v Speaker 2>Like that droid is a quick droid saved joy life.

0:31:33.320 --> 0:31:36.240
<v Speaker 2>He saved your life. He thought of that plan when

0:31:36.280 --> 0:31:38.720
<v Speaker 2>you and you guys were about to get muked by

0:31:38.840 --> 0:31:41.720
<v Speaker 2>like a fucking half a dead body. Why don't you

0:31:41.760 --> 0:31:42.520
<v Speaker 2>just take that guy?

0:31:42.760 --> 0:31:46.760
<v Speaker 1>Why you need this? I g that protocol droid was

0:31:46.840 --> 0:31:50.480
<v Speaker 1>like like a rookie in sports just having a great game.

0:31:50.560 --> 0:31:53.680
<v Speaker 1>It's like, can we appreciate the quick thinking? This protocol

0:31:53.760 --> 0:31:55.440
<v Speaker 1>doid is just here to be like the pirates. You

0:31:55.520 --> 0:31:58.560
<v Speaker 1>hear and speak eight thousand languages, and here he is

0:31:58.640 --> 0:32:04.400
<v Speaker 1>saving the high magistrate end his friend's life and a

0:32:04.440 --> 0:32:08.400
<v Speaker 1>baby shout like either give him a raise, more oil,

0:32:08.600 --> 0:32:12.640
<v Speaker 1>better quality motor oil, like whatever he needs, like, give

0:32:12.640 --> 0:32:19.000
<v Speaker 1>it to him. X Ray Vision will be back. We're

0:32:19.000 --> 0:32:22.080
<v Speaker 1>excited to announce the return of Stuck with Damon Young,

0:32:22.120 --> 0:32:25.320
<v Speaker 1>an original podcast from crookeet a Spotify On this show,

0:32:25.360 --> 0:32:28.040
<v Speaker 1>award winning author Damon Young has returned for more off

0:32:28.080 --> 0:32:32.200
<v Speaker 1>the cough conversations inspired by today's most culturally relevant headlines

0:32:32.200 --> 0:32:36.120
<v Speaker 1>and roundups of Damon approved listeners submitted questions. The first

0:32:36.120 --> 0:32:39.360
<v Speaker 1>two episodes are live. Now you're gonna love this show.

0:32:39.400 --> 0:32:49.520
<v Speaker 1>Listen to Stuck with Damon Young for free only on Spotify,

0:32:50.440 --> 0:32:52.920
<v Speaker 1>and we're back. But of course, Mando is not giving

0:32:53.000 --> 0:32:57.600
<v Speaker 1>up on this crazy notion to resurrect IG eleven. He's like, Okay,

0:32:57.680 --> 0:32:59.560
<v Speaker 1>I still want to do it. I still want to

0:32:59.880 --> 0:33:00.240
<v Speaker 1>know that.

0:33:00.360 --> 0:33:02.600
<v Speaker 2>Now his head is crushed, He's like, but maybe we

0:33:02.640 --> 0:33:03.280
<v Speaker 2>can find a way.

0:33:03.720 --> 0:33:06.600
<v Speaker 1>Is there not something we could do? And carga again.

0:33:07.680 --> 0:33:12.440
<v Speaker 1>I have to respect this man's dedication to doing pr

0:33:12.640 --> 0:33:16.080
<v Speaker 1>for Navarro at every turn. He's like, well, in addition

0:33:16.120 --> 0:33:19.040
<v Speaker 1>to the beautiful hot springs, to Navarro being the gem

0:33:19.120 --> 0:33:23.280
<v Speaker 1>of the Outer Rim, to the burgeoning construction boom that

0:33:23.360 --> 0:33:26.680
<v Speaker 1>is going on here at our local wildlife that you

0:33:26.680 --> 0:33:29.360
<v Speaker 1>can see all throughout the town square, did you know

0:33:30.360 --> 0:33:33.800
<v Speaker 1>that some of the finest droid smith's in the galaxy

0:33:33.960 --> 0:33:38.720
<v Speaker 1>have been drawn to the low taxes and friendly business

0:33:38.800 --> 0:33:41.000
<v Speaker 1>environments in the Outer Rim.

0:33:42.960 --> 0:33:44.920
<v Speaker 2>My favorite thing about this as well is you have

0:33:44.960 --> 0:33:47.600
<v Speaker 2>to be like, You're like, I love that, and you

0:33:47.640 --> 0:33:51.400
<v Speaker 2>are so right. I respect his sales pitch Old time.

0:33:51.520 --> 0:33:53.800
<v Speaker 2>But I have to ask you, Grief, I have to

0:33:53.840 --> 0:33:56.600
<v Speaker 2>ask your question. If that is the case, and it

0:33:56.640 --> 0:33:59.280
<v Speaker 2>seems to be, why didn't you just take him that first,

0:34:00.080 --> 0:34:04.080
<v Speaker 2>take it to your office and let this reckless babysitter

0:34:04.680 --> 0:34:09.120
<v Speaker 2>do this dangerous situation, like take him first to these

0:34:09.400 --> 0:34:10.440
<v Speaker 2>he little guys.

0:34:10.760 --> 0:34:13.120
<v Speaker 1>I think that is a fair question. I also think

0:34:13.200 --> 0:34:15.440
<v Speaker 1>that from what we know of Mando, Mando.

0:34:15.280 --> 0:34:16.080
<v Speaker 2>Is he's going to do it.

0:34:16.400 --> 0:34:19.000
<v Speaker 1>You know, he's like, yeah, he's like the guy. He's

0:34:19.040 --> 0:34:21.760
<v Speaker 1>definitely the guy that if he's driving and he misses

0:34:21.800 --> 0:34:24.000
<v Speaker 1>the exit and you try to tell him, oh, I'm

0:34:24.040 --> 0:34:26.400
<v Speaker 1>going the right way. Yeah no, no, I'm this is the

0:34:26.440 --> 0:34:31.520
<v Speaker 1>correct way to repair a droid that has been fully destroyed.

0:34:31.760 --> 0:34:33.160
<v Speaker 1>Do I know how to do this? I've ever done

0:34:33.200 --> 0:34:34.560
<v Speaker 1>this before? No, but I've seen it done. I know.

0:34:34.640 --> 0:34:43.400
<v Speaker 1>I'm so Carga takes ig the carcass of ig Din

0:34:43.480 --> 0:34:47.239
<v Speaker 1>and a little baby Grogu to the droid smith's and

0:34:47.280 --> 0:34:50.799
<v Speaker 1>guess who they are. It's our friends then Zellen's, uh,

0:34:51.360 --> 0:34:54.200
<v Speaker 1>the same species as are good friend Babu Frick. You

0:34:54.280 --> 0:34:57.440
<v Speaker 1>remember the cute little Anzellen's. They have this wonderful little workshop.

0:34:57.560 --> 0:35:00.480
<v Speaker 1>It's such a good scene. It's a practical workshop and

0:35:00.719 --> 0:35:01.000
<v Speaker 1>you know.

0:35:01.040 --> 0:35:04.560
<v Speaker 2>I have to fall through the door to get there.

0:35:04.880 --> 0:35:08.480
<v Speaker 2>And then Mando's sitting there and he's giant in this

0:35:08.600 --> 0:35:11.680
<v Speaker 2>kind of tiny sized workshop where everything's made for.

0:35:11.760 --> 0:35:13.880
<v Speaker 1>The love this and they.

0:35:13.760 --> 0:35:17.440
<v Speaker 2>All have big babo freak energy. There's like really great

0:35:17.680 --> 0:35:21.840
<v Speaker 2>moment where like the baby is trying to like hug

0:35:22.480 --> 0:35:25.120
<v Speaker 2>and anzelling because he thinks it's cute, and and the

0:35:25.200 --> 0:35:27.760
<v Speaker 2>Azelin's like, bad baby, bad baby.

0:35:28.280 --> 0:35:30.719
<v Speaker 1>Oh my god. It was so yeah. Grogu's like, can

0:35:30.760 --> 0:35:32.680
<v Speaker 1>I just like have an inzell and like as a pet?

0:35:33.080 --> 0:35:35.680
<v Speaker 1>It was so I absolutely love the design here. It

0:35:35.719 --> 0:35:39.120
<v Speaker 1>reminded me of the for those of U for anyone

0:35:39.120 --> 0:35:43.120
<v Speaker 1>that remembers Fragle Rock ye yeah users from fregle Rock.

0:35:43.200 --> 0:35:46.400
<v Speaker 1>It was just like it was just really cool. So uh,

0:35:46.680 --> 0:35:49.640
<v Speaker 1>the droid Smiths are like, Okay, here's the deal. This

0:35:49.800 --> 0:35:54.480
<v Speaker 1>droid is really really fucked up and we can get

0:35:54.520 --> 0:35:57.799
<v Speaker 1>him back online. But if you want to do it,

0:35:57.840 --> 0:36:00.920
<v Speaker 1>we need to get the memory circuit. And but like

0:36:01.040 --> 0:36:04.480
<v Speaker 1>I don't know where we get one side quest and

0:36:04.520 --> 0:36:07.320
<v Speaker 1>now it's time for a side quest. And as they're leaving,

0:36:07.440 --> 0:36:09.560
<v Speaker 1>as you mentioned, Grogu is like trying to pick up

0:36:09.560 --> 0:36:10.080
<v Speaker 1>his answer.

0:36:10.239 --> 0:36:12.040
<v Speaker 2>It's like take it with them, yeah, and it's like

0:36:12.160 --> 0:36:14.879
<v Speaker 2>I love this. They do this great comedy moment here

0:36:14.920 --> 0:36:18.080
<v Speaker 2>where car Weathers really gets to shine, where like you

0:36:18.160 --> 0:36:21.160
<v Speaker 2>can kind of understand lands Ellen's but it's almost like

0:36:21.200 --> 0:36:24.320
<v Speaker 2>a it's like a mishmash of English and their own language.

0:36:24.400 --> 0:36:27.760
<v Speaker 2>So so Grief is outside and he keeps kneeling down,

0:36:27.840 --> 0:36:31.160
<v Speaker 2>and at first his translation is like really helpful, but

0:36:31.200 --> 0:36:33.640
<v Speaker 2>by the end, the guys, the little guy's just like, eh,

0:36:34.120 --> 0:36:37.880
<v Speaker 2>no memory, and Mando's like I can literally understand, but

0:36:37.920 --> 0:36:41.560
<v Speaker 2>Grief just keeps translating. He's very helpful friend, he is.

0:36:42.280 --> 0:36:44.959
<v Speaker 1>So then man do Grogu head off to go find

0:36:44.960 --> 0:36:47.520
<v Speaker 1>this memory circuit wherever it is. They're in space, they're

0:36:47.520 --> 0:36:52.160
<v Speaker 1>in the end one, they're flying around. Mando is unlike

0:36:53.640 --> 0:36:58.520
<v Speaker 1>unlike Paterro, Pascal's other character Joel, teaching his young charge

0:36:58.640 --> 0:37:02.520
<v Speaker 1>like how to do stuff, you know, like, Okay, here's

0:37:02.560 --> 0:37:06.000
<v Speaker 1>how the ship works, and here's what this dial does,

0:37:06.040 --> 0:37:08.279
<v Speaker 1>and here's what this display does. And look at this.

0:37:08.640 --> 0:37:11.760
<v Speaker 1>Guess what we have enemies in the area. It's the pirates.

0:37:11.800 --> 0:37:14.400
<v Speaker 1>The pirates are back and they're here to take revenge

0:37:14.440 --> 0:37:17.360
<v Speaker 1>on Mando for killing a bunch of pirates, you know

0:37:17.400 --> 0:37:22.160
<v Speaker 1>on the surface. Navarro Vain is of course leading them,

0:37:22.239 --> 0:37:25.880
<v Speaker 1>and he radios in. He's like, okay, we are pirate

0:37:25.960 --> 0:37:28.759
<v Speaker 1>King Goryan shardsman and you will answer to him. And

0:37:28.800 --> 0:37:34.919
<v Speaker 1>then a dogfight pops off. But Mando Mando is really good.

0:37:35.040 --> 0:37:37.279
<v Speaker 1>I mean, we've seen Mando work and there's no way

0:37:37.280 --> 0:37:41.000
<v Speaker 1>he's gonna get taken down by like six idiot pirates.

0:37:41.320 --> 0:37:44.400
<v Speaker 1>So he picks him off one by one. But in

0:37:44.560 --> 0:37:46.719
<v Speaker 1>Vain is like, okay, I'm out of here. I'm I'm

0:37:46.760 --> 0:37:49.759
<v Speaker 1>gonna rab it. But Vain is leading them to the

0:37:49.800 --> 0:37:54.719
<v Speaker 1>flagship of pirate King Shard. We see Shard, who is

0:37:54.840 --> 0:37:58.520
<v Speaker 1>like a green spinach momk yeah, he's like swamp thing.

0:37:58.600 --> 0:38:01.200
<v Speaker 2>He's got green spinach fay red eyes. I mean, it

0:38:01.200 --> 0:38:03.279
<v Speaker 2>looks like something good on Marvel forgetting that one in

0:38:03.320 --> 0:38:03.760
<v Speaker 2>that fuss.

0:38:03.960 --> 0:38:06.839
<v Speaker 1>It was really cute. So he gets uh, Pirate King

0:38:06.920 --> 0:38:10.160
<v Speaker 1>Shard gets a lock on the end one and is like, hey,

0:38:10.200 --> 0:38:12.000
<v Speaker 1>here's what's up. I got a lock on your ship.

0:38:12.000 --> 0:38:17.120
<v Speaker 1>I'm gonna destroy you. Surrender your ship. I'll let you live. Uh,

0:38:17.160 --> 0:38:23.200
<v Speaker 1>and Manda then imparts some really really great space, says kid.

0:38:23.400 --> 0:38:25.160
<v Speaker 1>Never trust a pirate, and then they make a run

0:38:25.160 --> 0:38:26.840
<v Speaker 1>for it, and of course they get away because pirates

0:38:26.840 --> 0:38:32.480
<v Speaker 1>are idiots. They fly to the Mandalor system, specifically the

0:38:32.520 --> 0:38:38.880
<v Speaker 1>planet Killavalla, and they land at this beautiful Mandalorian castle,

0:38:39.000 --> 0:38:41.800
<v Speaker 1>like on the seaside on a cliff. It's absolutely gorgeous

0:38:41.800 --> 0:38:48.680
<v Speaker 1>if it's the home of our good friend Bocatan, he says,

0:38:48.840 --> 0:38:53.080
<v Speaker 1>and she's like, well, guess what, there's nothing to join

0:38:53.600 --> 0:38:56.640
<v Speaker 1>and fuck you. And also where's the Dark Saver? I

0:38:56.719 --> 0:38:58.600
<v Speaker 1>don't see it. And by the way, if I had

0:38:58.600 --> 0:39:00.920
<v Speaker 1>had it, my entire army wouldn't of like left me

0:39:01.120 --> 0:39:03.840
<v Speaker 1>because I came back with the Dark Saber and nobody

0:39:03.840 --> 0:39:08.400
<v Speaker 1>wants to follow me anymore. So you know you're an asshole,

0:39:08.960 --> 0:39:11.399
<v Speaker 1>she says to Din. Well, since you've got the Dark

0:39:11.440 --> 0:39:14.160
<v Speaker 1>Saber wherever the fuck it is, why don't you use it?

0:39:14.680 --> 0:39:17.799
<v Speaker 1>You rally an army yourself, and then they'll just do

0:39:17.880 --> 0:39:20.800
<v Speaker 1>whatever you want to do. She is very, very salty.

0:39:21.160 --> 0:39:24.600
<v Speaker 2>She's saying that helmet off looking mad doing the gang

0:39:25.760 --> 0:39:29.600
<v Speaker 2>on the throne with the leg up. She is definitely

0:39:29.880 --> 0:39:33.080
<v Speaker 2>uh posed as more of an antagonist than an ally

0:39:33.160 --> 0:39:34.440
<v Speaker 2>at this point in time.

0:39:35.719 --> 0:39:40.239
<v Speaker 1>And so then Mando is like, well, here's what I'm

0:39:40.280 --> 0:39:43.760
<v Speaker 1>in town to do. Get this. I'm going to Mandalor

0:39:44.480 --> 0:39:49.799
<v Speaker 1>and she's like why. She's like there's nothing there, what

0:39:49.800 --> 0:39:53.239
<v Speaker 1>do you What are you gonna do there? And he's like, well,

0:39:53.280 --> 0:39:55.839
<v Speaker 1>I'm gonna go under the mines and I'm gonna bathe

0:39:55.840 --> 0:39:57.680
<v Speaker 1>in the living waters and I'm gonna be redeemed. And

0:39:57.680 --> 0:40:02.399
<v Speaker 1>then Bo's like, you're a moron. There's She's like, it's

0:40:02.480 --> 0:40:06.480
<v Speaker 1>all the planet is wrecked, it's radioactive, destroyed, no one

0:40:06.480 --> 0:40:11.880
<v Speaker 1>could live there, but like, listen, who am I to

0:40:11.920 --> 0:40:15.560
<v Speaker 1>stop a fool from his errand if you want to

0:40:15.600 --> 0:40:18.520
<v Speaker 1>go the Living Waters are underneath the civic center in

0:40:18.560 --> 0:40:22.560
<v Speaker 1>the city of Sindari, And Manda says, guess what I'm

0:40:22.719 --> 0:40:24.359
<v Speaker 1>fucking going. Yeah, Peace.

0:40:24.600 --> 0:40:29.000
<v Speaker 2>I have to say. I feel like Mando is so

0:40:29.120 --> 0:40:31.920
<v Speaker 2>concerned with having his little bath that he does not

0:40:32.040 --> 0:40:36.000
<v Speaker 2>realize BO is pissed, and I'm assuming he's like this

0:40:36.080 --> 0:40:38.840
<v Speaker 2>feels like Bo saying like, yeah, they're under the civic

0:40:38.880 --> 0:40:41.040
<v Speaker 2>center in the city of Sindari, and what he's really

0:40:41.040 --> 0:40:42.839
<v Speaker 2>gonna find there is an ambush so she can get

0:40:42.840 --> 0:40:44.799
<v Speaker 2>the doc save it back like it doesn't feel like

0:40:44.880 --> 0:40:46.520
<v Speaker 2>she's given him good faith advice.

0:40:47.239 --> 0:40:50.600
<v Speaker 1>I completely agree with you. I also feel like, Mando,

0:40:51.280 --> 0:40:54.600
<v Speaker 1>you're not using it. Can't you just like, can't you

0:40:54.680 --> 0:40:58.360
<v Speaker 1>just like stage a fight? Yeah? Yeah, like that you

0:40:58.840 --> 0:41:00.719
<v Speaker 1>die like, oh my god, you got me on the

0:41:00.800 --> 0:41:04.680
<v Speaker 1>chin and I'm going down and now you own it?

0:41:04.840 --> 0:41:10.080
<v Speaker 1>Surely it's yours? Yeah, why did you just like it?

0:41:10.800 --> 0:41:13.280
<v Speaker 1>You don't need it, You don't use it. You're shooting everybody.

0:41:13.320 --> 0:41:14.600
<v Speaker 1>You didn't use it on the pirates.

0:41:14.719 --> 0:41:16.040
<v Speaker 2>That would have been a good thing to use one.

0:41:16.960 --> 0:41:19.839
<v Speaker 1>Give it to Bokat. She needs it. She's an actual leader.

0:41:19.880 --> 0:41:21.440
<v Speaker 1>You don't want to lead. Just give it to her.

0:41:21.520 --> 0:41:23.800
<v Speaker 2>You don't need that thing with the baby. It's dangerous.

0:41:23.800 --> 0:41:25.920
<v Speaker 2>I love Okay. Do you think the baby's gonna wield

0:41:25.960 --> 0:41:27.600
<v Speaker 2>the dock saber? Is that why he still has it?

0:41:27.719 --> 0:41:29.840
<v Speaker 2>I feel like, now I've just said it, I'm like maybe,

0:41:30.080 --> 0:41:32.080
<v Speaker 2>I'm like, there has to be a narrative reason, and

0:41:32.120 --> 0:41:34.080
<v Speaker 2>I'm like, I guess maybe the baby told it.

0:41:34.120 --> 0:41:36.440
<v Speaker 1>I will say that, I do. I think that whenever.

0:41:37.360 --> 0:41:39.600
<v Speaker 1>I don't think it'll be in this I don't think

0:41:39.600 --> 0:41:42.000
<v Speaker 1>it'll be in the Mandalori right because the time jump

0:41:42.040 --> 0:41:44.440
<v Speaker 1>that would need to happen is insane. But I do

0:41:44.520 --> 0:41:47.400
<v Speaker 1>think that at some point, obviously what where we're headed

0:41:47.560 --> 0:41:52.279
<v Speaker 1>is Grogu is going to be in, is going to

0:41:52.320 --> 0:41:55.840
<v Speaker 1>be part of the Mandalorian culture, Right, That's gonna happen.

0:41:56.040 --> 0:41:58.799
<v Speaker 1>He's gonna take the he's gonna take the oath. He's

0:41:58.840 --> 0:42:00.000
<v Speaker 1>gonna put it on a little helmet.

0:42:00.719 --> 0:42:02.719
<v Speaker 2>I would love to see that the helmet with his

0:42:02.840 --> 0:42:04.000
<v Speaker 2>ears sticking out.

0:42:04.440 --> 0:42:07.640
<v Speaker 1>And I think at that point, by hook or by crook,

0:42:07.760 --> 0:42:10.399
<v Speaker 1>he's gonna get that dark soon. It just makes too

0:42:10.440 --> 0:42:13.040
<v Speaker 1>much sense, Like it feels like this is where this

0:42:13.120 --> 0:42:14.279
<v Speaker 1>is going. What do you think?

0:42:15.080 --> 0:42:18.200
<v Speaker 2>Yeah, I think so definitely. I'm I'm very interested to

0:42:18.200 --> 0:42:19.640
<v Speaker 2>see how they build it in. There's like a lot

0:42:19.640 --> 0:42:24.000
<v Speaker 2>of rebels law here, like rebels locations, the pure girls, Like,

0:42:24.120 --> 0:42:26.720
<v Speaker 2>I'm I'm excited to see where this goes. I also

0:42:26.920 --> 0:42:29.560
<v Speaker 2>like that they just came back and they were like, look,

0:42:29.960 --> 0:42:32.160
<v Speaker 2>do you remember what the Mandalorians about. It's about a

0:42:32.200 --> 0:42:34.160
<v Speaker 2>baby and a guy, and they're just having fun. Go

0:42:34.200 --> 0:42:36.640
<v Speaker 2>into his face, see us some cool shit, seeing a

0:42:36.680 --> 0:42:40.200
<v Speaker 2>familiar face, like shooting some people like they would. They

0:42:40.200 --> 0:42:42.320
<v Speaker 2>did not come back at this with any other angle

0:42:42.360 --> 0:42:44.640
<v Speaker 2>than just like, this is the fun Star Wars show

0:42:44.760 --> 0:42:47.239
<v Speaker 2>and I love it. I also love to see Rick

0:42:47.360 --> 0:42:49.759
<v Speaker 2>back as the director because he directed one of my

0:42:49.760 --> 0:42:51.719
<v Speaker 2>favorite episodes from the first season, and the fact that

0:42:51.760 --> 0:42:54.040
<v Speaker 2>he's on like three of these episodes this season is

0:42:54.120 --> 0:42:56.640
<v Speaker 2>very exciting to me. I'm also stoked that Carl Weathers

0:42:56.719 --> 0:42:58.880
<v Speaker 2>is directing another episode. I can't wait for that and

0:42:59.160 --> 0:43:02.399
<v Speaker 2>for him after the Book of Bobafet episode that made

0:43:02.400 --> 0:43:04.520
<v Speaker 2>everyone realize Bryce Dallas how it should be able to

0:43:04.520 --> 0:43:06.720
<v Speaker 2>direct a Star Wars movie, I cannot wait to see

0:43:07.920 --> 0:43:10.160
<v Speaker 2>her episode because her episode of Book of Boba Fett

0:43:10.239 --> 0:43:11.160
<v Speaker 2>was like unbelievable.

0:43:11.800 --> 0:43:14.960
<v Speaker 1>I gotta tell you, I think you're right about this ambush. Yeah,

0:43:15.040 --> 0:43:17.160
<v Speaker 1>it feels like it makes too much sense to me

0:43:19.480 --> 0:43:20.080
<v Speaker 1>so easily.

0:43:20.160 --> 0:43:23.080
<v Speaker 2>She's like nah, She's like sure, go there. Also, he

0:43:23.120 --> 0:43:24.840
<v Speaker 2>makes a really good point where he's like, weren't you

0:43:24.920 --> 0:43:27.319
<v Speaker 2>the one who told me it wasn't poisoned. He's like,

0:43:27.360 --> 0:43:30.480
<v Speaker 2>but now it's poisoned. He's like, hmmm, something doesn't really

0:43:30.520 --> 0:43:33.400
<v Speaker 2>add up. But he's so desperate for this redemption and

0:43:33.440 --> 0:43:35.640
<v Speaker 2>to be part of his culture again that he is

0:43:35.640 --> 0:43:38.200
<v Speaker 2>ignoring what I feel like our red flags she even

0:43:38.239 --> 0:43:41.120
<v Speaker 2>says to him it. Then she's like goodbye din jure

0:43:41.200 --> 0:43:43.000
<v Speaker 2>In and I'm like, yeah, goodbye, because you're about to

0:43:43.080 --> 0:43:45.200
<v Speaker 2>kill him. And the dark say ask you.

0:43:45.840 --> 0:43:47.840
<v Speaker 1>Let me ask you this is Do you think that

0:43:47.960 --> 0:43:53.920
<v Speaker 1>the the the Mandalorian instead of kind of gathered around

0:43:53.960 --> 0:43:57.279
<v Speaker 1>the armorer now on planet to be named later, are

0:43:57.320 --> 0:44:01.160
<v Speaker 1>they the people that melted away from Catan's army.

0:44:01.440 --> 0:44:05.759
<v Speaker 2>She does say something really interesting at the beginning of

0:44:05.800 --> 0:44:09.040
<v Speaker 2>this where she's like the death Watch, all these different factions,

0:44:09.080 --> 0:44:12.200
<v Speaker 2>like they destroyed Mandalor. But she was also a separatist,

0:44:12.719 --> 0:44:15.560
<v Speaker 2>so I think it's unclear. And she sort of said,

0:44:15.600 --> 0:44:19.239
<v Speaker 2>you know that her crew are now like mercenaries. So

0:44:19.440 --> 0:44:21.799
<v Speaker 2>I don't know, but I do think that we're going

0:44:21.880 --> 0:44:25.360
<v Speaker 2>to end up in a situation where there's going to

0:44:25.440 --> 0:44:27.560
<v Speaker 2>be different sects of Mandalorians who are going to have

0:44:27.600 --> 0:44:30.200
<v Speaker 2>to come together if they actually want Mandalor to kind

0:44:30.239 --> 0:44:32.720
<v Speaker 2>of exist in any coherent way.

0:44:33.960 --> 0:44:38.040
<v Speaker 1>I like the way they're setting up too for Dinn

0:44:38.200 --> 0:44:43.280
<v Speaker 1>to be this unlikely and in many ways unwilling leader

0:44:43.560 --> 0:44:46.200
<v Speaker 1>of the Mandalorian people, because it feels like he's going

0:44:46.280 --> 0:44:50.240
<v Speaker 1>to be thrust into a situation where against his nature

0:44:50.960 --> 0:44:54.040
<v Speaker 1>he's going to have to be not just like the

0:44:54.239 --> 0:44:57.879
<v Speaker 1>warrior military leader, but a real political leader for this

0:44:58.040 --> 0:45:03.200
<v Speaker 1>like fractuous yeah, and windling people that, in Poketan's words,

0:45:03.239 --> 0:45:09.839
<v Speaker 1>as you mentioned, is just like divided by different schisms, yaho,

0:45:09.880 --> 0:45:10.680
<v Speaker 1>different factions.

0:45:10.760 --> 0:45:13.920
<v Speaker 2>I think that's a great point because something that is

0:45:13.960 --> 0:45:16.200
<v Speaker 2>really interesting that I wonder if they're going to play

0:45:16.200 --> 0:45:18.200
<v Speaker 2>on is we've talked about this a lot, how Hum

0:45:18.200 --> 0:45:22.520
<v Speaker 2>and Grogu they almost are like they're becoming this kind

0:45:22.520 --> 0:45:26.080
<v Speaker 2>of melding of Jedi culture and mandalinc culture. And I

0:45:26.120 --> 0:45:29.960
<v Speaker 2>do wonder if part of the lesson of Dinn being

0:45:30.000 --> 0:45:33.640
<v Speaker 2>a new leader for Mandlaw is going to be about

0:45:33.680 --> 0:45:37.520
<v Speaker 2>them changing their ways or adapting to new people or

0:45:37.600 --> 0:45:41.640
<v Speaker 2>new thought processes, or not changing the creed but being

0:45:42.360 --> 0:45:45.360
<v Speaker 2>more open to different readings of it. You know, I

0:45:45.640 --> 0:45:48.480
<v Speaker 2>feel like that kind of seems like it's an adapt

0:45:48.560 --> 0:45:50.800
<v Speaker 2>or It's like adapt or die kind of situation.

0:45:51.680 --> 0:45:56.440
<v Speaker 1>Yes, that feels like the underlying theme of this show,

0:45:57.520 --> 0:46:01.760
<v Speaker 1>in addition to like hangout time with with Din and Grogu,

0:46:02.040 --> 0:46:06.479
<v Speaker 1>is this idea of a culture that is so said

0:46:06.480 --> 0:46:11.800
<v Speaker 1>in its ways that really is like, yeah, not to blame,

0:46:13.440 --> 0:46:15.719
<v Speaker 1>it's you know, it's it would be victim blame you

0:46:15.760 --> 0:46:18.040
<v Speaker 1>to say the Mandelarians brought some of the stuff on themselves,

0:46:18.040 --> 0:46:21.360
<v Speaker 1>like the Empire destroyed them. But there is an aspect

0:46:21.560 --> 0:46:24.720
<v Speaker 1>of their culture that is so war centric that it's

0:46:25.160 --> 0:46:31.120
<v Speaker 1>like self defeating in a Clone Wars. Yeah, we saw

0:46:31.120 --> 0:46:33.680
<v Speaker 1>a lot of this in Clone Wars, where you know,

0:46:33.760 --> 0:46:38.239
<v Speaker 1>when political leaders attempted to bring a more progressive, more

0:46:38.360 --> 0:46:45.080
<v Speaker 1>peace centric style of politics to the Mandalorians, it turned

0:46:45.080 --> 0:46:49.919
<v Speaker 1>into basically like a low level civil Wars. And now ten,

0:46:52.239 --> 0:46:57.600
<v Speaker 1>this very small surviving sect of the Mandalorian culture adapt

0:46:57.680 --> 0:46:59.640
<v Speaker 1>in order to survive. I think that that is the

0:46:59.640 --> 0:47:02.800
<v Speaker 1>theme of this series. I think, so too interesting.

0:47:03.000 --> 0:47:05.560
<v Speaker 2>Yeah, it's really interesting. I was also going to say,

0:47:05.560 --> 0:47:07.680
<v Speaker 2>like I thought the score was really good for this episode,

0:47:07.719 --> 0:47:10.160
<v Speaker 2>but it obviously wasn't Ludwig, and I thought that was

0:47:10.200 --> 0:47:12.640
<v Speaker 2>really interesting. So Ludwig did do the first two seasons

0:47:12.680 --> 0:47:14.720
<v Speaker 2>and Bobaffet, but I guess for this it's a composer

0:47:14.760 --> 0:47:17.600
<v Speaker 2>called Joseph Shirley. But I really liked it. It felt different,

0:47:17.680 --> 0:47:19.120
<v Speaker 2>but really Star Wars.

0:47:20.160 --> 0:47:23.600
<v Speaker 1>Uh, Yeah, it's it's fun. Like I'm happy to have

0:47:23.680 --> 0:47:24.560
<v Speaker 1>it back in my life.

0:47:24.600 --> 0:47:28.120
<v Speaker 2>It's so cheery compared to the last of us, like

0:47:28.239 --> 0:47:30.560
<v Speaker 2>I'm really the last of us, and I was like,

0:47:31.040 --> 0:47:33.520
<v Speaker 2>I need to see the baby again. I was like this,

0:47:33.640 --> 0:47:36.000
<v Speaker 2>the last of us is so good, but I am

0:47:36.040 --> 0:47:39.440
<v Speaker 2>happy that our Pedro Prescal double bill is now like

0:47:39.719 --> 0:47:41.520
<v Speaker 2>cheery baby, sad baby.

0:47:41.880 --> 0:47:46.319
<v Speaker 1>I need to see reality. The milky web of hyperspace

0:47:46.400 --> 0:47:50.960
<v Speaker 1>reflected in the beautiful dewey eyes of my fifty year

0:47:51.000 --> 0:47:52.520
<v Speaker 1>old baby friend growth.

0:47:52.680 --> 0:47:55.120
<v Speaker 2>We need a baby Yoga Yoda. Actually for the studio.

0:47:55.320 --> 0:47:58.520
<v Speaker 2>I'm like, Lucasfilm, send us a baby. We need him,

0:47:58.760 --> 0:48:01.680
<v Speaker 2>send us a baby that baby. Tony agree, Baby, you

0:48:01.719 --> 0:48:12.520
<v Speaker 2>know what we're talking about up next nerd out In

0:48:12.560 --> 0:48:14.959
<v Speaker 2>Today's that Out, Why you tell us what you love?

0:48:15.360 --> 0:48:18.040
<v Speaker 2>Am why or a theory that you're excited to share.

0:48:18.360 --> 0:48:23.320
<v Speaker 2>Whitney shares the latter, and it's a very interesting question

0:48:23.400 --> 0:48:27.920
<v Speaker 2>that I feel like leads on extremely well from our conversation.

0:48:28.080 --> 0:48:31.040
<v Speaker 2>So Jason, I will let you read this theory about

0:48:31.080 --> 0:48:32.279
<v Speaker 2>season three of The Mandalorian.

0:48:34.280 --> 0:48:36.359
<v Speaker 1>Hey, guys, love the show. You're both amazing. Jason great

0:48:36.400 --> 0:48:39.320
<v Speaker 1>child on Jeopardy Fistry and Rosie I'm on team Maternals

0:48:39.320 --> 0:48:41.759
<v Speaker 1>with you. I don't tell you Team maternals is growing. Grow,

0:48:42.600 --> 0:48:46.759
<v Speaker 1>it is growing. I've been diving back into the Mandalorian

0:48:46.800 --> 0:48:48.799
<v Speaker 1>a preparation for season three. I'm not as deep on

0:48:48.840 --> 0:48:50.319
<v Speaker 1>the lore as a lot of people, so I don't

0:48:50.360 --> 0:48:52.120
<v Speaker 1>know if there is some sort of answer or theory

0:48:52.160 --> 0:48:53.759
<v Speaker 1>on this. But is there any reason to believe that

0:48:53.800 --> 0:48:55.840
<v Speaker 1>Mando might be better with the Dark Saber because of

0:48:55.880 --> 0:48:59.640
<v Speaker 1>his relationship and attachment to Grogu. Is his relationship with

0:49:00.120 --> 0:49:02.600
<v Speaker 1>a force user going to somehow enable his ability to

0:49:02.680 --> 0:49:05.600
<v Speaker 1>use it? Well? As Grogu taps back into the Force

0:49:05.880 --> 0:49:08.279
<v Speaker 1>and as didn't use the Saber more, and as their

0:49:08.280 --> 0:49:13.319
<v Speaker 1>relationship strengthens, will Din's ability grow? I think that that

0:49:13.480 --> 0:49:16.080
<v Speaker 1>is a I think that's a fair assumption. I think

0:49:16.120 --> 0:49:19.360
<v Speaker 1>the history of the Dark Saber tells us that it

0:49:19.440 --> 0:49:24.480
<v Speaker 1>comes from a place back, you know, centuries and centuries

0:49:24.480 --> 0:49:28.160
<v Speaker 1>in millennia go, when there was a Mandalorian who was

0:49:28.200 --> 0:49:33.080
<v Speaker 1>a Jedi. And I think that's where we're trending towards again.

0:49:33.880 --> 0:49:40.520
<v Speaker 1>I think that we've seen Din's influence on Grogu. We've

0:49:40.520 --> 0:49:46.520
<v Speaker 1>seen Grogu's emotional influence on Din, and Din's willingness to

0:49:46.640 --> 0:49:48.640
<v Speaker 1>do things to move out of his comfort zone. Take

0:49:48.680 --> 0:49:54.120
<v Speaker 1>off his helmet, et cetera, to to display his emotional

0:49:54.160 --> 0:49:59.320
<v Speaker 1>bond with Grogu. But the but is there something else?

0:49:59.480 --> 0:50:03.400
<v Speaker 1>Will Rogu find some sort of connection to the force

0:50:03.600 --> 0:50:08.400
<v Speaker 1>in Din that is there to amplify It's an interesting question,

0:50:09.280 --> 0:50:10.239
<v Speaker 1>and I would love to see that.

0:50:10.320 --> 0:50:11.759
<v Speaker 2>I would love to see it. This is the kind

0:50:11.800 --> 0:50:13.759
<v Speaker 2>of thing that makes me so excited about Star Wars.

0:50:13.760 --> 0:50:16.960
<v Speaker 2>There may be a canon answer, there may be a

0:50:17.160 --> 0:50:19.120
<v Speaker 2>distinct jess or no, But to me, this is the

0:50:19.200 --> 0:50:22.000
<v Speaker 2>kind of excitement. I love this idea of the Force

0:50:22.040 --> 0:50:25.399
<v Speaker 2>as something that flows through everyone and around all of us.

0:50:25.520 --> 0:50:27.439
<v Speaker 2>You know, that's one of the most magical things about

0:50:27.440 --> 0:50:31.240
<v Speaker 2>Star Wars. So I love this idea that the nature

0:50:31.280 --> 0:50:35.360
<v Speaker 2>of Din and Gogu's connection would allow Din to almost

0:50:35.480 --> 0:50:39.400
<v Speaker 2>access the Force, or at least be more connected to

0:50:39.440 --> 0:50:41.520
<v Speaker 2>it than somebody else. It's that kind of magic of

0:50:41.560 --> 0:50:43.239
<v Speaker 2>the end of the Last Jedi. This either of the

0:50:43.280 --> 0:50:47.560
<v Speaker 2>democratization of the Force or you know, Bays and Chirru

0:50:47.800 --> 0:50:51.719
<v Speaker 2>in the rogue one. This idea that like people can

0:50:51.800 --> 0:50:54.640
<v Speaker 2>connect to the Force through different and unexpected ways. And

0:50:54.680 --> 0:50:58.040
<v Speaker 2>it would make sense that if you were a great

0:50:58.480 --> 0:51:01.400
<v Speaker 2>swords person and you did up with this incredibly powerful

0:51:01.400 --> 0:51:03.960
<v Speaker 2>sword with Jedi connections, and you were chilling with it,

0:51:04.000 --> 0:51:06.600
<v Speaker 2>incredibly powerful Jedi. There may be some things that happened there.

0:51:06.719 --> 0:51:09.440
<v Speaker 2>I mean, it's one of the ultimate Star Wars fan arguments.

0:51:09.480 --> 0:51:12.800
<v Speaker 2>Is you know, is hand solo force sensitive? Because the

0:51:12.920 --> 0:51:15.920
<v Speaker 2>argument is if you're such a brilliant pilot that usually

0:51:16.560 --> 0:51:19.400
<v Speaker 2>Anakin Skywalker is a brilliant pilot. Luke Skywalker was a

0:51:19.400 --> 0:51:22.640
<v Speaker 2>brilliant pilot. Is hand solo? Is he tapping into the

0:51:22.680 --> 0:51:25.080
<v Speaker 2>force when he does that? Is he a force user?

0:51:25.400 --> 0:51:30.200
<v Speaker 2>And I love that gray area of the force, and

0:51:30.239 --> 0:51:32.320
<v Speaker 2>I think it's so much fun. And I love this question,

0:51:32.600 --> 0:51:36.480
<v Speaker 2>and I think we will at least see a hint

0:51:36.840 --> 0:51:38.960
<v Speaker 2>of this as we move forward. With the way that

0:51:39.239 --> 0:51:44.319
<v Speaker 2>I like that correlation between Grogu learning more about the

0:51:44.360 --> 0:51:47.239
<v Speaker 2>Force and did learning more about the Sayer. Those two

0:51:47.280 --> 0:51:49.360
<v Speaker 2>things seem like a great parallel to explore.

0:51:50.480 --> 0:51:53.040
<v Speaker 1>I totally agree and thank you so much Whitney for

0:51:53.160 --> 0:51:56.920
<v Speaker 1>your question. Folks, if you have theories or passions you

0:51:56.920 --> 0:51:58.200
<v Speaker 1>want to share, hit us up at x ray at

0:51:58.239 --> 0:52:03.239
<v Speaker 1>cruka dot com. Instructions in this show notes, that's it

0:52:03.320 --> 0:52:05.759
<v Speaker 1>for us this episode. Rosie Plug Plugs Plugs, Plug plug

0:52:05.800 --> 0:52:07.160
<v Speaker 1>bloklug plug blog, what do you have a plug?

0:52:07.239 --> 0:52:11.160
<v Speaker 2>You can read all my core articles and stuff at

0:52:11.440 --> 0:52:15.759
<v Speaker 2>many places ig Nedics, then of Geek Polygon. I have

0:52:15.840 --> 0:52:17.960
<v Speaker 2>an all three page where you can go through and

0:52:18.000 --> 0:52:20.920
<v Speaker 2>read thousands of my articles, old and new. You can

0:52:20.960 --> 0:52:23.960
<v Speaker 2>download free comics also from my website Rosie Night and

0:52:24.000 --> 0:52:26.439
<v Speaker 2>you can find me here twice a week and also

0:52:26.680 --> 0:52:29.240
<v Speaker 2>on Instagram and letterbox at Rosie Marx.

0:52:32.440 --> 0:52:35.400
<v Speaker 1>Catch the next episode of X ray Vision on March eighth.

0:52:35.480 --> 0:52:38.200
<v Speaker 1>For more the Last of Us on HBO Max and

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<v Speaker 1>remember we'll bring you two episodes week Wednesdays and Fridays

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<v Speaker 1>from your podcast platform of choice twice, The Deep Dives twice,

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<v Speaker 1>the Baby Yoda twice, The Last Most twice, and everything else.

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<v Speaker 2>And if you want to see us as well as

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<v Speaker 2>hear us, you can subscribe on YouTube, where we are

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<v Speaker 2>now posting full episodes of the show. Plus follow us

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<v Speaker 2>at XRV pod on Twitter where Saul is always doing

0:52:58.239 --> 0:52:59.000
<v Speaker 2>some cool stuff.

0:52:59.320 --> 0:52:59.880
<v Speaker 1>And check out the.

0:53:00.120 --> 0:53:01.640
<v Speaker 2>Scored to meet and hang out with a ton of

0:53:01.680 --> 0:53:04.279
<v Speaker 2>amazing fans and listeners. Plus me and Jason are there.

0:53:04.520 --> 0:53:06.800
<v Speaker 2>And if you're into watch parties, those have been popping

0:53:06.800 --> 0:53:10.040
<v Speaker 2>off recently there was a midnight watch party for The Mandalorian,

0:53:10.680 --> 0:53:12.560
<v Speaker 2>and there's gonna be more for every episode. Same with

0:53:12.560 --> 0:53:14.200
<v Speaker 2>the Last of Us and with the finale coming up,

0:53:14.239 --> 0:53:16.200
<v Speaker 2>I'm sure those channels are gonna be going wild.

0:53:17.360 --> 0:53:19.360
<v Speaker 1>Five star ratings, five star reviews.

0:53:19.360 --> 0:53:19.759
<v Speaker 2>We love.

0:53:19.760 --> 0:53:22.080
<v Speaker 1>If we need, we gotta have them, you gotta give

0:53:22.120 --> 0:53:26.960
<v Speaker 1>them to us. Here's one from pap podcast Fan, one

0:53:26.960 --> 0:53:30.200
<v Speaker 1>of my favorites. Thank you, pep podcast Fan. Just damn

0:53:30.360 --> 0:53:31.160
<v Speaker 1>fun and funny.

0:53:31.160 --> 0:53:31.680
<v Speaker 2>Oh thank you.

0:53:31.719 --> 0:53:34.160
<v Speaker 1>But if I'm only slightly familiar or interested in it,

0:53:34.280 --> 0:53:36.520
<v Speaker 1>I'll listen to the end of every episode. Rosie and

0:53:36.600 --> 0:53:39.880
<v Speaker 1>Jason are five star Lords. Ladies Quit comic pitch Idea

0:53:40.040 --> 0:53:42.880
<v Speaker 1>Snowbird of Alpha Flight is a magic protective spy for

0:53:43.040 --> 0:53:45.520
<v Speaker 1>War is done? What's next? We get a little nerd

0:53:45.560 --> 0:53:47.440
<v Speaker 1>out to the end of the fire.

0:53:48.719 --> 0:53:52.319
<v Speaker 2>If you want to, yes, also say put that pitch

0:53:52.400 --> 0:53:53.960
<v Speaker 2>in your back pocket for when you have that, Mam

0:53:54.160 --> 0:53:55.080
<v Speaker 2>meet because that's.

0:53:54.960 --> 0:53:58.759
<v Speaker 1>A good one. Thank you for podcast fin x ray

0:53:58.840 --> 0:54:00.760
<v Speaker 1>Vision is a Crooked Media product. The show is produced

0:54:00.760 --> 0:54:02.760
<v Speaker 1>by Chris Lord and Saul Rubin. The show is executive

0:54:02.760 --> 0:54:05.440
<v Speaker 1>produced by myself and Sandy Gerhard are editing and sound

0:54:05.480 --> 0:54:09.560
<v Speaker 1>design Who's By Vascillis Fatopoulos, Dilon Villanueva and Matt Degroup

0:54:09.600 --> 0:54:13.120
<v Speaker 1>provide video production support. Alex Rellaford handle social media. Thank

0:54:13.160 --> 0:54:16.160
<v Speaker 1>you Brian Vasquez for theme music. See you next time.

0:54:16.200 --> 0:54:16.439
<v Speaker 2>Bye,