1 00:00:11,800 --> 00:00:16,160 Speaker 1: He is drink chants, motherfucking podcast man. He's a legendary 2 00:00:16,239 --> 00:00:18,439 Speaker 1: queens rapper. He ain't agree. That's your boy in O 3 00:00:18,600 --> 00:00:18,799 Speaker 1: R E. 4 00:00:18,920 --> 00:00:21,759 Speaker 2: He's a Miami hip hop pioneer, put up as d 5 00:00:21,920 --> 00:00:22,599 Speaker 2: J E f N. 6 00:00:22,840 --> 00:00:25,680 Speaker 1: Together they drink it up with some of the biggest players, 7 00:00:25,680 --> 00:00:28,840 Speaker 1: you know what I mean. And the most professional, unprofessional 8 00:00:28,960 --> 00:00:32,319 Speaker 1: podcast and your number one source for drunk drink chans 9 00:00:32,360 --> 00:00:36,920 Speaker 1: mo das New Year's c That's it's time for drink Champions. 10 00:00:37,200 --> 00:00:44,560 Speaker 1: Drink up, motherfucker mother. What a good be hoping the 11 00:00:44,600 --> 00:00:46,320 Speaker 1: winship be This your boy in O R E? What 12 00:00:46,479 --> 00:00:48,920 Speaker 1: up is DJ E f N? And this minitamy? You 13 00:00:48,920 --> 00:00:53,960 Speaker 1: have to make some of the now. 14 00:00:54,040 --> 00:00:58,320 Speaker 3: This brother here man comes from one of the craziest 15 00:00:58,320 --> 00:01:01,320 Speaker 3: cities in the world. He's been putting this down since 16 00:01:01,840 --> 00:01:06,720 Speaker 3: two thy and eleven. Everybody in the industry, nobody has 17 00:01:06,760 --> 00:01:10,040 Speaker 3: nothing bad to say about him. That I that I 18 00:01:10,080 --> 00:01:13,560 Speaker 3: came in cross with. This is our first episode of 19 00:01:13,600 --> 00:01:17,480 Speaker 3: twenty twenty four. We are so happy to be back 20 00:01:17,720 --> 00:01:22,440 Speaker 3: and to introduce shot Town's own the one and only 21 00:01:22,720 --> 00:01:24,920 Speaker 3: motherfucking g Herbo. 22 00:01:27,520 --> 00:01:30,479 Speaker 1: Going on. What's the word? What's going on? Good man? 23 00:01:30,520 --> 00:01:32,720 Speaker 1: I'm happy to be here. Man, Okay, you're a funny 24 00:01:32,720 --> 00:01:38,240 Speaker 1: Marcael y'all good? Yeah heah yeah, man, So what happened? 25 00:01:38,319 --> 00:01:40,000 Speaker 3: Just tell the people because I know you did a 26 00:01:40,040 --> 00:01:42,440 Speaker 3: phone call like explain to some of it. But Jame, 27 00:01:42,480 --> 00:01:45,920 Speaker 3: you got get a drink. I want to ask stories 28 00:01:45,959 --> 00:01:50,480 Speaker 3: with a club, so down a limit. Ah, So what happened? 29 00:01:50,920 --> 00:01:53,880 Speaker 1: So look, Marco first and foremost like that's my man 30 00:01:54,400 --> 00:01:57,240 Speaker 1: had a relationship probably to doing the interview and shit. 31 00:01:57,800 --> 00:02:01,600 Speaker 2: So originally Sizzle was supposed. 32 00:02:01,240 --> 00:02:04,720 Speaker 1: To did the interview like okay for the episode and 33 00:02:04,760 --> 00:02:07,320 Speaker 1: they had it like his production staff told us to 34 00:02:07,440 --> 00:02:09,519 Speaker 1: like troll them like it was supposed to be a 35 00:02:09,560 --> 00:02:13,360 Speaker 1: surprise to come on that to control him. Oh weren't 36 00:02:13,400 --> 00:02:16,240 Speaker 1: originally just own bullshit with you know what I'm saying. 37 00:02:16,280 --> 00:02:17,959 Speaker 2: But we was a little. 38 00:02:17,680 --> 00:02:20,760 Speaker 1: Like off the salt was you know what I'm saying, 39 00:02:21,280 --> 00:02:23,520 Speaker 1: extra overboard. But the whole thing was to come on 40 00:02:23,560 --> 00:02:25,800 Speaker 1: there and like intimidate him on his own show, like 41 00:02:25,919 --> 00:02:30,760 Speaker 1: pulling him on him, put on him. Yeah, and I 42 00:02:30,800 --> 00:02:33,840 Speaker 1: spoke to him like before it even came out, and 43 00:02:33,960 --> 00:02:36,000 Speaker 1: you know what I'm saying, we was good, Like I 44 00:02:36,000 --> 00:02:38,200 Speaker 1: ain't know where if it was like a confusion between 45 00:02:38,280 --> 00:02:41,600 Speaker 1: our staff and his production team where they was thinking 46 00:02:41,639 --> 00:02:42,720 Speaker 1: we didn't want it to come out. 47 00:02:42,760 --> 00:02:44,639 Speaker 2: We was like, no, it's cool. I ain't really tripping. 48 00:02:44,680 --> 00:02:46,480 Speaker 1: You feel what I'm saying, Like public perception and what 49 00:02:46,520 --> 00:02:48,799 Speaker 1: people going to take from it, that's another thing, But 50 00:02:49,120 --> 00:02:50,959 Speaker 1: that's the name of the game. That's what come with it, 51 00:02:51,000 --> 00:02:52,160 Speaker 1: you feel, I'm saying, we got to be able to 52 00:02:52,200 --> 00:02:55,640 Speaker 1: take that you feel. But it wasn't like no bad 53 00:02:55,720 --> 00:02:57,359 Speaker 1: blood or no no shit like that, you know what 54 00:02:57,360 --> 00:02:59,000 Speaker 1: I'm saying. Like I know they was because he was 55 00:02:59,000 --> 00:03:01,639 Speaker 1: saying like after it came came out, like no, take 56 00:03:01,639 --> 00:03:03,440 Speaker 1: it down, take it down, like we ain't never do that, 57 00:03:03,520 --> 00:03:05,480 Speaker 1: Like I ain't never tell him like nah, bro, we 58 00:03:05,560 --> 00:03:07,320 Speaker 1: got us looking crazy and some shing like that. 59 00:03:07,520 --> 00:03:08,519 Speaker 2: It was still all love. 60 00:03:08,600 --> 00:03:10,560 Speaker 1: You know what I'm saying. What's you surprise how I 61 00:03:10,919 --> 00:03:16,400 Speaker 1: l that went? Yeah? I was wherever was you at? 62 00:03:16,840 --> 00:03:19,600 Speaker 1: Well was when it happened, Like I mean like when 63 00:03:19,639 --> 00:03:21,400 Speaker 1: you was in Atlanta. I had hit him like I 64 00:03:21,600 --> 00:03:23,400 Speaker 1: hit him and told him like no, it's good. You 65 00:03:23,440 --> 00:03:25,600 Speaker 1: knowee what I'm saying, like the ship with with with 66 00:03:25,639 --> 00:03:27,799 Speaker 1: the Watch and all that ship, Like, bro, I got 67 00:03:27,800 --> 00:03:30,320 Speaker 1: you up. You know what I'm saying. You know, it's 68 00:03:30,320 --> 00:03:34,640 Speaker 1: had on something. At one point, Bro, we was doing 69 00:03:36,520 --> 00:03:39,080 Speaker 1: so what you say, But no, I was like, it's 70 00:03:39,120 --> 00:03:41,680 Speaker 1: all love, bro. I know, like had came out to 71 00:03:41,760 --> 00:03:44,240 Speaker 1: the internet. It looked like Nigga was on some bullying ship. 72 00:03:44,480 --> 00:03:47,320 Speaker 1: That's that's that was a word that was thrown around, 73 00:03:47,440 --> 00:03:49,840 Speaker 1: like bullying, and that's what That's when I really like 74 00:03:49,920 --> 00:03:52,080 Speaker 1: took yours. But I didn't want to like put nothing 75 00:03:52,120 --> 00:03:53,600 Speaker 1: on the internet or like I don't know how to 76 00:03:53,640 --> 00:03:56,480 Speaker 1: really play the internet, like go back and forth, even 77 00:03:56,520 --> 00:03:58,640 Speaker 1: when it's defending myself. Like you know what I'm saying, 78 00:03:58,680 --> 00:04:01,480 Speaker 1: I know, if it's real love between brun we got 79 00:04:01,520 --> 00:04:03,280 Speaker 1: to understand that that was all that mattered to me 80 00:04:03,320 --> 00:04:05,560 Speaker 1: as long as he knew it was the respect between 81 00:04:05,680 --> 00:04:07,520 Speaker 1: us still, you know what I'm saying. 82 00:04:07,720 --> 00:04:11,400 Speaker 3: I mean me as outside of looking in I saw it. 83 00:04:11,800 --> 00:04:15,320 Speaker 3: I thought that was a joke that everybody was in 84 00:04:15,360 --> 00:04:15,560 Speaker 3: on it. 85 00:04:16,240 --> 00:04:18,840 Speaker 1: I'm telling you, like he always too that was come 86 00:04:18,920 --> 00:04:22,000 Speaker 1: and like troll him and intimidate on the show. But 87 00:04:22,040 --> 00:04:23,600 Speaker 1: then when they tried to spend it like we was 88 00:04:23,640 --> 00:04:25,440 Speaker 1: on some bullying ship, That's when I'm like, no, I 89 00:04:25,440 --> 00:04:27,240 Speaker 1: ain't really with that you feel me because I got 90 00:04:27,880 --> 00:04:31,479 Speaker 1: fans that probably you know what I'm saying, situations with bullying, 91 00:04:31,480 --> 00:04:32,159 Speaker 1: and I ain't with that. 92 00:04:32,279 --> 00:04:35,440 Speaker 3: I got kids, right, because he always does that awkward 93 00:04:35,480 --> 00:04:38,200 Speaker 3: stare right like he like like he tried to make 94 00:04:38,240 --> 00:04:40,040 Speaker 3: you seem like you ain't making sense. 95 00:04:40,279 --> 00:04:41,599 Speaker 1: That's what I'm scared of that show. 96 00:04:42,040 --> 00:04:43,080 Speaker 2: That's his whole interview style. 97 00:04:43,160 --> 00:04:48,240 Speaker 1: You got really like like the people who had the 98 00:04:48,279 --> 00:04:50,600 Speaker 1: best interviews with him, the people who could like troll 99 00:04:50,680 --> 00:04:53,120 Speaker 1: him back to switch it back on. Yeah, that's what 100 00:04:53,160 --> 00:04:53,520 Speaker 1: we taught. 101 00:04:54,120 --> 00:04:59,560 Speaker 3: Let's make no noise for you now. Now we all 102 00:04:59,640 --> 00:05:03,920 Speaker 3: heard the rumors of uh, you supposed to be going 103 00:05:03,960 --> 00:05:06,320 Speaker 3: to jail for five years by the grace of God. 104 00:05:07,080 --> 00:05:11,520 Speaker 3: You know what I mean, you motherfucking you. You was 105 00:05:11,560 --> 00:05:17,280 Speaker 3: on vacation, but you left on probation. Goddamn goddamn drink 106 00:05:17,400 --> 00:05:24,240 Speaker 3: that Jesus Oh ship, that swiggling like a catwoman. 107 00:05:24,560 --> 00:05:26,520 Speaker 1: Holy mo. So what happened? 108 00:05:26,520 --> 00:05:29,520 Speaker 3: Like you gotta be fuckingstatic, man? 109 00:05:29,720 --> 00:05:33,680 Speaker 1: Yeah, yeah, man, you know God man for real, we 110 00:05:33,720 --> 00:05:35,560 Speaker 1: got to get all praise to God for show, but 111 00:05:36,960 --> 00:05:40,120 Speaker 1: just you know, staying alone, staying the course and a 112 00:05:40,160 --> 00:05:40,520 Speaker 1: lot of. 113 00:05:40,480 --> 00:05:41,200 Speaker 2: Money for show. 114 00:05:41,320 --> 00:05:43,840 Speaker 1: You know what, I'm saying a lot of to stay free, 115 00:05:43,880 --> 00:05:46,840 Speaker 1: and at the end of the day, it was taking accountability. 116 00:05:47,080 --> 00:05:50,560 Speaker 1: You feel me for a minor role in some ship, 117 00:05:50,600 --> 00:05:52,960 Speaker 1: you know what I'm saying, and just me being a 118 00:05:53,040 --> 00:05:55,279 Speaker 1: kid being I aid to the fact I don't like 119 00:05:55,720 --> 00:05:57,880 Speaker 1: everybody that know me, and I'm being personal like I 120 00:05:57,880 --> 00:05:58,400 Speaker 1: did some ship. 121 00:05:58,440 --> 00:06:00,080 Speaker 2: I really was able to sit across from. 122 00:06:00,080 --> 00:06:01,880 Speaker 1: My judge and tell them, like, you know what I'm saying, 123 00:06:02,680 --> 00:06:04,560 Speaker 1: I barely know, not even use my cell phone, like 124 00:06:04,600 --> 00:06:06,800 Speaker 1: I ain't never committed fraud against nobody. You know what 125 00:06:06,839 --> 00:06:09,960 Speaker 1: I'm saying. You feel me like I was accepting full 126 00:06:10,000 --> 00:06:13,240 Speaker 1: accountability for whatever my role was in the whole situation. 127 00:06:13,320 --> 00:06:16,120 Speaker 1: You know what I'm saying. I wasn't doing that to 128 00:06:16,520 --> 00:06:18,039 Speaker 1: further my career or nothing like that. 129 00:06:18,640 --> 00:06:19,800 Speaker 2: She's doing PPP loss. 130 00:06:20,080 --> 00:06:22,960 Speaker 1: Nah, they thought I was doing some shit like basically 131 00:06:23,200 --> 00:06:27,160 Speaker 1: using funds or fraud or cards or whatever identity of 132 00:06:27,279 --> 00:06:30,320 Speaker 1: some shit to fun videos and shit like that. I've 133 00:06:30,320 --> 00:06:32,960 Speaker 1: been making money since I was sixteen years old, off 134 00:06:33,000 --> 00:06:36,080 Speaker 1: rap already. I was already well off when that whole 135 00:06:36,120 --> 00:06:38,919 Speaker 1: situation to court. You feel what I'm saying, It was 136 00:06:39,000 --> 00:06:42,800 Speaker 1: basically me paying for goods like basically like if I'm 137 00:06:42,839 --> 00:06:45,200 Speaker 1: a jet, I'm paying half for the shit. Like if 138 00:06:45,240 --> 00:06:47,680 Speaker 1: it's forty thousand, I paid twenty thousand. I gotta have 139 00:06:47,760 --> 00:06:49,800 Speaker 1: cash already to do this shit, you know what I'm saying. 140 00:06:49,839 --> 00:06:52,040 Speaker 1: So it's like it was a situation like that, but 141 00:06:52,600 --> 00:06:55,520 Speaker 1: I was seventeen eighteen at the time. I'm twenty eight 142 00:06:55,560 --> 00:06:57,960 Speaker 1: you feel me, my judge, No, I never even think 143 00:06:58,000 --> 00:07:01,400 Speaker 1: about committing any type of crimes. I'm a real father, 144 00:07:02,240 --> 00:07:04,440 Speaker 1: bade and citizen. I pay taxes, you know what I'm saying. 145 00:07:04,480 --> 00:07:07,040 Speaker 1: So it's like it's really just with me accepting full 146 00:07:07,080 --> 00:07:09,880 Speaker 1: accountability as a man in my and my judge really 147 00:07:09,920 --> 00:07:12,120 Speaker 1: knowing you know what I'm saying, I'm trying to still 148 00:07:12,200 --> 00:07:13,920 Speaker 1: straight and be on the up and up, you feel me, 149 00:07:13,960 --> 00:07:18,119 Speaker 1: And really I believe in being vulnerable and just talking 150 00:07:18,120 --> 00:07:20,720 Speaker 1: about situations because you know where to help the next 151 00:07:20,760 --> 00:07:22,960 Speaker 1: generation that helped you, somebody looking up to me, you 152 00:07:23,000 --> 00:07:25,920 Speaker 1: know what I'm saying, Because you got to just accept 153 00:07:26,120 --> 00:07:28,400 Speaker 1: about it and whatever role or whatever you do in 154 00:07:28,440 --> 00:07:30,400 Speaker 1: life and whatever is, you got to be able to 155 00:07:30,520 --> 00:07:33,480 Speaker 1: just stand up and take whatever punishment if there is 156 00:07:33,520 --> 00:07:35,640 Speaker 1: a punishment. You know what I'm saying that My judge 157 00:07:35,720 --> 00:07:37,360 Speaker 1: knew I was willing to do that, and by the 158 00:07:37,360 --> 00:07:39,800 Speaker 1: grace of God, he let me walk out black judge, 159 00:07:39,880 --> 00:07:42,480 Speaker 1: white judge, white judge space noise for white judge. I 160 00:07:42,480 --> 00:07:49,960 Speaker 1: don't know my judge, Sure, he definitely gave me grace, 161 00:07:50,000 --> 00:07:51,760 Speaker 1: you know what I'm saying, and my family in there, 162 00:07:51,880 --> 00:07:53,400 Speaker 1: and I was able to walk. 163 00:07:53,240 --> 00:07:57,160 Speaker 3: Out a free man. God damn. One thing that's just 164 00:07:57,200 --> 00:08:01,400 Speaker 3: so like me going through life. 165 00:08:01,440 --> 00:08:04,000 Speaker 1: Right. I always know, like. 166 00:08:03,960 --> 00:08:06,000 Speaker 3: The guy with the ice gral, he's probably not the 167 00:08:06,040 --> 00:08:09,960 Speaker 3: guy that likes he's throwing up a front. One thing 168 00:08:10,000 --> 00:08:14,440 Speaker 3: about you, You smile, and I believe your smile. That 169 00:08:14,560 --> 00:08:16,120 Speaker 3: lets me know that you've been through a lot. 170 00:08:16,200 --> 00:08:19,840 Speaker 1: Appreciated bro, because one of the motherfuckers smile and it's 171 00:08:19,880 --> 00:08:23,440 Speaker 1: sincere like when you smile, I smile like I've seeing 172 00:08:23,440 --> 00:08:25,200 Speaker 1: you Like, I'm like, yeah, nigga, I don't know what 173 00:08:25,240 --> 00:08:27,360 Speaker 1: you're going through. You was listening to my song. 174 00:08:27,240 --> 00:08:31,480 Speaker 3: One day more than he was having a Puerto Rican 175 00:08:31,600 --> 00:08:34,040 Speaker 3: was having a goddamn ball. I was like, Damn, I'm 176 00:08:34,040 --> 00:08:35,520 Speaker 3: not I'm not there, but. 177 00:08:37,200 --> 00:08:38,760 Speaker 1: I can tell without you. 178 00:08:38,960 --> 00:08:42,280 Speaker 3: You know, you don't have to be bragging or whatever. 179 00:08:42,280 --> 00:08:42,520 Speaker 1: Whatever. 180 00:08:42,640 --> 00:08:45,800 Speaker 3: I can tell you've been through things? Is rap something 181 00:08:45,880 --> 00:08:49,400 Speaker 3: that is it all that you thought it was gonna be? 182 00:08:50,120 --> 00:08:53,760 Speaker 1: Yeah, it's like on the flip side though, like me 183 00:08:54,480 --> 00:08:56,079 Speaker 1: like what I mean and what I thought it was 184 00:08:56,120 --> 00:09:00,839 Speaker 1: gonna be as far as like the pros that come 185 00:09:00,920 --> 00:09:03,920 Speaker 1: with it, nah, but like just the responsibility and what 186 00:09:03,960 --> 00:09:07,200 Speaker 1: you take on and just like actually like I believe 187 00:09:07,240 --> 00:09:09,280 Speaker 1: in like purpose and that like I really feel like 188 00:09:09,320 --> 00:09:11,920 Speaker 1: I was meant to do anything I'm doing that while 189 00:09:12,040 --> 00:09:15,040 Speaker 1: adversity everything I ever had to overcome. That's why I'm 190 00:09:15,080 --> 00:09:17,480 Speaker 1: able to smell. That's why I just be so grateful 191 00:09:17,520 --> 00:09:20,480 Speaker 1: for any situation. I take the bad with the good, 192 00:09:20,520 --> 00:09:22,360 Speaker 1: and I don't really look at the bad like it's 193 00:09:22,360 --> 00:09:25,319 Speaker 1: a bad. I just try to learn whatever situation I'm 194 00:09:25,360 --> 00:09:27,080 Speaker 1: going through so I could come out on top of it. 195 00:09:27,200 --> 00:09:29,560 Speaker 1: Like that's why I'm able to just be able to 196 00:09:29,559 --> 00:09:32,040 Speaker 1: smell through all the bullshit. So what I mean like 197 00:09:33,000 --> 00:09:35,240 Speaker 1: I felt like what I mean by when I said, yeah, 198 00:09:35,320 --> 00:09:37,280 Speaker 1: that it was everything I thought it was gonna be 199 00:09:37,280 --> 00:09:42,040 Speaker 1: because I really had vision for this, even as when 200 00:09:42,040 --> 00:09:44,719 Speaker 1: I first like made a decision like all, I bet 201 00:09:44,720 --> 00:09:46,480 Speaker 1: I'm finna really do this raption? 202 00:09:46,960 --> 00:09:49,240 Speaker 2: And what age was that when you made that decision. 203 00:09:48,840 --> 00:09:51,880 Speaker 1: Come to yeah, like on the serious tip, like yeah, 204 00:09:51,920 --> 00:09:54,719 Speaker 1: like sixteen years old, six ten years old, for real, 205 00:09:54,800 --> 00:09:57,400 Speaker 1: for real. It was like I always had the vision 206 00:09:57,480 --> 00:09:59,600 Speaker 1: to be this one day, Like I always wanted to 207 00:09:59,600 --> 00:10:02,280 Speaker 1: do it independing route better on myself. You feel what 208 00:10:02,280 --> 00:10:05,640 Speaker 1: I'm saying. I always hear aspirations of being able to 209 00:10:05,679 --> 00:10:08,040 Speaker 1: be in a conversation with like you know what I'm 210 00:10:08,080 --> 00:10:10,920 Speaker 1: saying my peers in the greatest, Like. 211 00:10:11,080 --> 00:10:12,880 Speaker 2: I'm saying this because I'm a humble nigga. 212 00:10:12,880 --> 00:10:14,880 Speaker 1: I don't want to jump the gun, but I always 213 00:10:14,880 --> 00:10:16,960 Speaker 1: wanted to be considered like a legend, like I looked 214 00:10:17,000 --> 00:10:19,240 Speaker 1: up to the holes the waynes and I want to 215 00:10:19,280 --> 00:10:22,520 Speaker 1: be considered like you're letting niggas, You're letting your nigga. 216 00:10:26,400 --> 00:10:28,600 Speaker 1: I'm sorry, I'm sorry. I got for real though, bro, 217 00:10:28,760 --> 00:10:31,559 Speaker 1: So I knew what it was gonna take to get there. 218 00:10:31,679 --> 00:10:34,080 Speaker 1: So I took everything that came with this ship, all 219 00:10:34,160 --> 00:10:36,599 Speaker 1: the ugly and I never complained about it. I just 220 00:10:36,760 --> 00:10:39,800 Speaker 1: did it, and it always benefited me because now I'm here, 221 00:10:39,920 --> 00:10:41,480 Speaker 1: Like you said, you know what I'm saying, So it's 222 00:10:41,520 --> 00:10:43,679 Speaker 1: like that's what I mean on the flip side of it, 223 00:10:43,720 --> 00:10:44,120 Speaker 1: because it. 224 00:10:44,120 --> 00:10:46,199 Speaker 2: Ain't always like glittering gold. 225 00:10:46,240 --> 00:10:48,040 Speaker 1: People on the outside looking in and they think this 226 00:10:48,120 --> 00:10:51,440 Speaker 1: ship sweet, like it's, oh yeah, what's some of the ugly? 227 00:10:51,559 --> 00:10:55,000 Speaker 1: So people, the ugly is just being able to take 228 00:10:55,040 --> 00:10:57,120 Speaker 1: a loss, whatever the loss is, you know what I'm saying, 229 00:10:57,160 --> 00:10:59,800 Speaker 1: Because all this ship come with losses and trials and tribulations, 230 00:11:00,000 --> 00:11:02,520 Speaker 1: being able to take that, especially as a man and 231 00:11:02,600 --> 00:11:04,600 Speaker 1: a leader. Like I was just talking to my brother 232 00:11:04,679 --> 00:11:07,079 Speaker 1: the other day, like everybody don't got the ability to 233 00:11:07,160 --> 00:11:10,400 Speaker 1: be able to lead in general, Like not even with 234 00:11:10,600 --> 00:11:13,240 Speaker 1: no music, just your household, everybody in a family. I 235 00:11:13,400 --> 00:11:16,000 Speaker 1: just told them, like, everybody gonna stop what they're doing 236 00:11:16,200 --> 00:11:18,640 Speaker 1: and follow you if that's what you say. If they 237 00:11:18,800 --> 00:11:21,040 Speaker 1: if you say go left, you people gonna go left. 238 00:11:21,360 --> 00:11:23,599 Speaker 1: Like the ability to lead. I always heard that. So 239 00:11:23,679 --> 00:11:25,240 Speaker 1: when you got that, it's a lot of weight that 240 00:11:25,360 --> 00:11:28,240 Speaker 1: come on your shoulders. You know, I've been in that roads. 241 00:11:28,240 --> 00:11:30,679 Speaker 1: It's alway sixteen seventeen years old. So it's like all 242 00:11:30,720 --> 00:11:32,840 Speaker 1: the ugly, that's the downs that come with that shit, 243 00:11:32,840 --> 00:11:34,960 Speaker 1: because it's like you gotta deal with family, you gotta 244 00:11:34,960 --> 00:11:37,679 Speaker 1: deal with music, you gotta make all the sacrifices to 245 00:11:37,800 --> 00:11:40,319 Speaker 1: be like, oh what a by any means type of 246 00:11:40,440 --> 00:11:42,839 Speaker 1: you know what I'm saying, shit attitude. You feel me 247 00:11:42,960 --> 00:11:44,719 Speaker 1: like it's whatever it takes for me to get there. 248 00:11:45,040 --> 00:11:47,360 Speaker 1: Sometimes you might hurt the people you love along the way. 249 00:11:47,600 --> 00:11:50,000 Speaker 1: Sometimes you might lose people along the way. But by 250 00:11:50,080 --> 00:11:52,000 Speaker 1: any means, I'm still gonna get that you feel I'm 251 00:11:52,000 --> 00:11:53,800 Speaker 1: saying a lot of people don't really get that drive 252 00:11:53,840 --> 00:11:55,800 Speaker 1: and that dedication and that shit like a gift and 253 00:11:55,840 --> 00:11:57,360 Speaker 1: a curse because they put a lot of stress on you. 254 00:11:57,679 --> 00:11:59,120 Speaker 1: I had a lot of stress on me since I 255 00:11:59,240 --> 00:12:02,040 Speaker 1: was a kid, but I always just took that ship 256 00:12:02,200 --> 00:12:04,760 Speaker 1: and rode it and like made that ship look easy. 257 00:12:04,800 --> 00:12:07,000 Speaker 1: You know. I'm like niggas say I'm smiling, but it's 258 00:12:07,040 --> 00:12:08,559 Speaker 1: like you don't know what a nigga going through. I'm 259 00:12:08,640 --> 00:12:11,240 Speaker 1: just grateful for everything that comes with this ship. You 260 00:12:11,320 --> 00:12:13,200 Speaker 1: feel me. So, we can't have a bad day as 261 00:12:13,240 --> 00:12:15,160 Speaker 1: a rapper. You can't have a bad You can't have 262 00:12:15,240 --> 00:12:16,640 Speaker 1: a bad if you're not in the mood to take 263 00:12:16,640 --> 00:12:20,079 Speaker 1: a picture, to stay homes over with, don't do through 264 00:12:20,120 --> 00:12:21,599 Speaker 1: the shows, don't go You know what I'm saying, You 265 00:12:21,679 --> 00:12:23,920 Speaker 1: can't have no bad days no matter what you feel me. 266 00:12:24,760 --> 00:12:27,000 Speaker 1: You know how that ship. Yet when you think Drake 267 00:12:27,080 --> 00:12:30,520 Speaker 1: is sending that hook, well, I'm gonna get old Drake. Ass. 268 00:12:32,280 --> 00:12:36,760 Speaker 1: I just feel like it's coming broke, broke, I really 269 00:12:37,000 --> 00:12:39,319 Speaker 1: I ain't gonna lie. I got out of like the 270 00:12:39,440 --> 00:12:41,640 Speaker 1: mood of just sending songs though I'll be having so 271 00:12:41,760 --> 00:12:42,240 Speaker 1: much going on. 272 00:12:42,640 --> 00:12:44,640 Speaker 3: So you're trying to tell you Drake actually to send 273 00:12:44,640 --> 00:12:45,559 Speaker 3: a song, and you said. 274 00:12:45,400 --> 00:12:50,240 Speaker 1: No, no, Hell, I sent them the song. I sent 275 00:12:50,360 --> 00:12:52,240 Speaker 1: them songs. But I really feel like I really just 276 00:12:52,320 --> 00:12:55,280 Speaker 1: get in anyway, like type of time bro on. Yeah, 277 00:12:55,440 --> 00:12:59,959 Speaker 1: like we say the same stupid thing. Stud that's that nineties. 278 00:13:02,920 --> 00:13:04,200 Speaker 1: That's why the music came out. 279 00:13:04,080 --> 00:13:06,040 Speaker 3: Better back then is because we didn't have the option 280 00:13:06,200 --> 00:13:08,839 Speaker 3: to send versus like if you have to do a 281 00:13:08,920 --> 00:13:11,280 Speaker 3: record with Fat Joe Chemisal. 282 00:13:11,160 --> 00:13:12,719 Speaker 1: I had to go to they had to go to 283 00:13:12,840 --> 00:13:16,000 Speaker 1: their studio. They had to go to your studio. Chemistry, 284 00:13:16,040 --> 00:13:18,600 Speaker 1: and you build a bond that comes through in the music. 285 00:13:19,200 --> 00:13:21,400 Speaker 1: I feel like my best ship come out like that. Anyways, 286 00:13:22,120 --> 00:13:25,040 Speaker 1: you're together. You got a lot of features. You're telling me. 287 00:13:25,360 --> 00:13:28,280 Speaker 1: Most of your features is yeah, I'll be here, Yeah, 288 00:13:28,320 --> 00:13:31,240 Speaker 1: I'll pull up, You'll go to hell. 289 00:13:31,320 --> 00:13:33,720 Speaker 3: Yeah, Okay for real, we're gonna get to that. You've 290 00:13:33,720 --> 00:13:36,080 Speaker 3: got a lot of features. Goddamn it, everybody hip hop 291 00:13:36,160 --> 00:13:36,400 Speaker 3: love you. 292 00:13:37,040 --> 00:13:37,520 Speaker 1: Yeah, I don't know. 293 00:13:37,920 --> 00:13:40,400 Speaker 3: I heard you say one time you don't think hip 294 00:13:40,440 --> 00:13:41,160 Speaker 3: hop love you back. 295 00:13:41,960 --> 00:13:44,440 Speaker 1: I was saying that on some like not the industry, 296 00:13:44,480 --> 00:13:46,600 Speaker 1: but not the love that you actually get from being 297 00:13:46,720 --> 00:13:49,640 Speaker 1: in hip hop. What I mean, like you know how 298 00:13:49,679 --> 00:13:51,280 Speaker 1: that should go, like they love you, they hate you, 299 00:13:51,360 --> 00:13:55,000 Speaker 1: then they love you again. Yeah, everything over come. Yeah, 300 00:13:55,120 --> 00:13:57,040 Speaker 1: all the adversaries. So if you don't know that, people 301 00:13:57,080 --> 00:13:59,520 Speaker 1: don't take that, That's what I mean, Like, you gotta 302 00:13:59,600 --> 00:14:01,319 Speaker 1: look at it like they don't love you back, so 303 00:14:01,400 --> 00:14:03,880 Speaker 1: you don't expect nothing. Just do you you feel what 304 00:14:03,880 --> 00:14:12,400 Speaker 1: I'm saying. Nah, I'm talking about like nigga, Yeah, I 305 00:14:12,480 --> 00:14:17,400 Speaker 1: can't because I know you strategy. That's that's how you that. 306 00:14:17,640 --> 00:14:18,480 Speaker 1: That's why I keep. 307 00:14:20,040 --> 00:14:24,960 Speaker 3: I can say, never play talk about yourself wrong because 308 00:14:25,000 --> 00:14:27,960 Speaker 3: your body doesn't understand your pot You know what I'm 309 00:14:27,960 --> 00:14:28,400 Speaker 3: saying saying? 310 00:14:29,080 --> 00:14:29,480 Speaker 1: You know what I mean? 311 00:14:29,920 --> 00:14:30,120 Speaker 2: Deep? 312 00:14:31,080 --> 00:14:38,440 Speaker 1: Come on, man, let me get that right there, because 313 00:14:38,520 --> 00:14:40,640 Speaker 1: with thinking that, you know, sometimes it just put you 314 00:14:40,720 --> 00:14:43,440 Speaker 1: in the manse that like you're not being as motivated, 315 00:14:43,800 --> 00:14:46,000 Speaker 1: like don't care. You know what I'm saying, like I'll 316 00:14:46,040 --> 00:14:47,840 Speaker 1: be trying to put myself in the man said to 317 00:14:48,000 --> 00:14:50,400 Speaker 1: always be motivated. I don't want to have no date 318 00:14:50,520 --> 00:14:53,520 Speaker 1: just thinking about negative ship too, right, I gotta do 319 00:14:53,680 --> 00:14:55,920 Speaker 1: some like productive in some type of way. 320 00:14:56,240 --> 00:14:58,640 Speaker 3: Let me let me, let me ask you about about 321 00:14:58,680 --> 00:15:00,960 Speaker 3: your city, right, one that I used to go to 322 00:15:01,000 --> 00:15:02,880 Speaker 3: the Chicago. You know, I got family in Chicago. Got 323 00:15:03,040 --> 00:15:05,440 Speaker 3: Spanish and Black family in Chicago. They don't talk to 324 00:15:05,480 --> 00:15:09,360 Speaker 3: each other, but yeah, they gang, they opposite gangs. 325 00:15:09,360 --> 00:15:10,160 Speaker 1: They don't fucking each other. 326 00:15:10,520 --> 00:15:12,280 Speaker 4: And I'm not making they're gonna try to bring them 327 00:15:12,320 --> 00:15:17,160 Speaker 4: together to the They're not family, right, Oh, I guess 328 00:15:17,240 --> 00:15:21,320 Speaker 4: you got he got Puerto Rican family that are family 329 00:15:21,400 --> 00:15:23,920 Speaker 4: that don't talk. Don't you got that too? You got 330 00:15:24,560 --> 00:15:24,880 Speaker 4: that too. 331 00:15:24,960 --> 00:15:32,000 Speaker 3: But Shottown, Chicago is a beautiful city. But then it's it's. 332 00:15:33,440 --> 00:15:36,840 Speaker 1: The flip side show. Do you still live in shot Town? No? No, 333 00:15:37,040 --> 00:15:39,280 Speaker 1: hell no, I just go back to go visit family 334 00:15:39,320 --> 00:15:40,720 Speaker 1: and go take care of benness I've been. 335 00:15:41,160 --> 00:15:44,840 Speaker 2: That was one of the things that like I did first, 336 00:15:45,000 --> 00:15:45,320 Speaker 2: like I. 337 00:15:45,480 --> 00:15:47,200 Speaker 1: Just here to get in a mental headspace where I 338 00:15:47,240 --> 00:15:49,680 Speaker 1: couldn't be in Chicago that shots too. It was crowding me. 339 00:15:49,720 --> 00:15:52,080 Speaker 1: I got out of Chicago when I was like twenty one, 340 00:15:52,200 --> 00:15:54,800 Speaker 1: twenty two years old. Yeah, I've been at it. You 341 00:15:54,920 --> 00:15:57,880 Speaker 1: believe that most rapids downfall is staying in their own 342 00:15:57,960 --> 00:16:02,560 Speaker 1: city for sure? Yeah, because it ain't even got a 343 00:16:02,640 --> 00:16:04,320 Speaker 1: lot to do it to. Hey, it's just the you know, 344 00:16:04,440 --> 00:16:07,640 Speaker 1: the comfortability too. You get too comfortable around your people. 345 00:16:07,760 --> 00:16:10,080 Speaker 1: Everybody know you. You get accessible like a lot of 346 00:16:10,160 --> 00:16:12,720 Speaker 1: this ship just you know, like you got to lead 347 00:16:12,840 --> 00:16:17,360 Speaker 1: or become bigger than the city. I tell you I can't. 348 00:16:17,480 --> 00:16:18,400 Speaker 1: When I go to New York. 349 00:16:19,240 --> 00:16:22,000 Speaker 3: It's the worst thing for me because one I don't 350 00:16:22,000 --> 00:16:23,680 Speaker 3: know how to not answer the phone right. 351 00:16:24,000 --> 00:16:26,440 Speaker 1: Like, I got that problem. Got that problem? Oh, get 352 00:16:26,480 --> 00:16:27,840 Speaker 1: out of that. Get out of that. 353 00:16:28,040 --> 00:16:30,520 Speaker 3: I've been going through it for twenty years. You don't 354 00:16:30,520 --> 00:16:32,720 Speaker 3: want that problem. You gotta learn how to cut people off. 355 00:16:32,880 --> 00:16:36,840 Speaker 3: I don't because I trying eventually still answer. 356 00:16:37,000 --> 00:16:37,520 Speaker 5: Yeah, I know. 357 00:16:37,640 --> 00:16:39,800 Speaker 1: I'm not supposed to be with this dude. I know. 358 00:16:39,920 --> 00:16:42,440 Speaker 1: I know what. I posted a picture at Newark Airport. 359 00:16:42,760 --> 00:16:45,000 Speaker 1: This dude hits me. I tell him where the hotel is. 360 00:16:45,760 --> 00:16:50,000 Speaker 1: He's like cocaine. Still, he just left the block. Why 361 00:16:50,480 --> 00:16:52,120 Speaker 1: why did I do this? What am I trying to 362 00:16:52,320 --> 00:16:59,200 Speaker 1: prove did I still got connections. It's the comfortability, I'm 363 00:16:59,200 --> 00:17:04,960 Speaker 1: telling your nigga, just comfortable like these my people's holy molyam. 364 00:17:05,359 --> 00:17:08,440 Speaker 3: But so for a person who's never been to shot Town, 365 00:17:08,600 --> 00:17:09,440 Speaker 3: can you describe it? 366 00:17:11,040 --> 00:17:14,040 Speaker 1: I always do. Like everybody like that's never been there, 367 00:17:14,080 --> 00:17:17,120 Speaker 1: they feel like it's just like the wild wild West 368 00:17:18,160 --> 00:17:21,080 Speaker 1: running around there everywhere. It's really like he said, that 369 00:17:21,160 --> 00:17:24,000 Speaker 1: ship super beautiful. You got good ass food, a lot 370 00:17:24,040 --> 00:17:26,480 Speaker 1: of good restaurants. When I'm when I'm in the city, 371 00:17:26,480 --> 00:17:28,920 Speaker 1: I don't really go to my old neighborhood. I'll be 372 00:17:29,000 --> 00:17:31,920 Speaker 1: over there. You feel me. I be low key downtown 373 00:17:32,040 --> 00:17:34,000 Speaker 1: and all the beautiful parts and ship. So it's like 374 00:17:34,520 --> 00:17:37,399 Speaker 1: you go down there, it's got good shopping, good food. 375 00:17:37,680 --> 00:17:40,200 Speaker 1: You feel me. But you just gotta like be in 376 00:17:40,359 --> 00:17:42,280 Speaker 1: that realm of things. You feel me. Once you go 377 00:17:42,359 --> 00:17:45,240 Speaker 1: to Chicago and you want some tourist ship trying to 378 00:17:45,320 --> 00:17:51,040 Speaker 1: go ride through old Block, everybody the city's anybody try 379 00:17:51,080 --> 00:17:53,320 Speaker 1: to do that, and now you feel like tourists and ship. 380 00:17:53,359 --> 00:17:56,040 Speaker 1: I used to do that every place. I used to 381 00:17:56,080 --> 00:17:57,919 Speaker 1: do that too. As soon as it's to do, you're 382 00:17:57,920 --> 00:18:00,119 Speaker 1: gonna go to the trenches immediately, You're gonna go to 383 00:18:00,160 --> 00:18:02,000 Speaker 1: whatever hood right there. You know what I'm saying, Like, 384 00:18:02,359 --> 00:18:05,560 Speaker 1: you know but if we knowing what's came with that 385 00:18:05,720 --> 00:18:08,000 Speaker 1: back then it's before the really like when I started 386 00:18:08,040 --> 00:18:11,800 Speaker 1: traveling twenty eleven, twenty twelve, going to New York, going 387 00:18:11,840 --> 00:18:14,040 Speaker 1: to all these places and stuff like that, like Internet 388 00:18:14,080 --> 00:18:17,399 Speaker 1: one really super lit like that everybody wasn't posting everything, 389 00:18:17,920 --> 00:18:21,040 Speaker 1: so we was going right to the hoods soon as 390 00:18:21,040 --> 00:18:22,879 Speaker 1: you touch down in any place, you feel me like. 391 00:18:23,160 --> 00:18:25,320 Speaker 1: But now people going down to the hood they record 392 00:18:25,400 --> 00:18:30,080 Speaker 1: podcast out broadcasting where you are anything coming that your tours. 393 00:18:30,119 --> 00:18:32,280 Speaker 1: It ain't even gotta people be the people who from 394 00:18:32,320 --> 00:18:34,440 Speaker 1: around now that fuck with you. You know what I'm 395 00:18:34,440 --> 00:18:36,280 Speaker 1: saying that you don't know who watching your page. 396 00:18:36,320 --> 00:18:38,159 Speaker 2: You feel me like, and they know you before you 397 00:18:38,280 --> 00:18:39,000 Speaker 2: ever know who they are. 398 00:18:39,000 --> 00:18:42,680 Speaker 1: Exactly you feel me But like Chicago is smooth or Brian, 399 00:18:43,040 --> 00:18:44,760 Speaker 1: I go back home because I love be on my 400 00:18:44,880 --> 00:18:47,639 Speaker 1: fa beautiful city. Hell Ya, I tell people all the 401 00:18:47,720 --> 00:18:49,720 Speaker 1: time you go out there, you really enjoy yourself and 402 00:18:49,800 --> 00:18:52,520 Speaker 1: ship little spots. You gonna go kick it chill this 403 00:18:52,680 --> 00:18:54,440 Speaker 1: place you could be with your kids and ship. You 404 00:18:54,480 --> 00:18:57,000 Speaker 1: know what I'm saying, It's super smooth. You got beaches 405 00:18:57,040 --> 00:18:58,600 Speaker 1: out there too. Yeah, we got lakes. 406 00:18:58,880 --> 00:19:01,400 Speaker 2: Yeah, that type of shit lakes. Now they got a lake. 407 00:19:01,480 --> 00:19:02,920 Speaker 2: It's a lake, bro, No, it's a leach. 408 00:19:02,760 --> 00:19:06,560 Speaker 1: Spots beach that beaches, but it's it's basically Lake Michigan. 409 00:19:06,800 --> 00:19:08,800 Speaker 2: Yeah, bro, what you think name was by an ocean man? 410 00:19:08,880 --> 00:19:14,480 Speaker 1: What you think I see a beach lake? Only got ship. 411 00:19:19,840 --> 00:19:20,480 Speaker 1: I can't lie to you. 412 00:19:20,600 --> 00:19:23,560 Speaker 3: My brother brought me to he said, one of the 413 00:19:23,640 --> 00:19:26,680 Speaker 3: number one piece of spots in the world, Chicago. It 414 00:19:26,760 --> 00:19:29,280 Speaker 3: was called come on you, you got to eat the 415 00:19:29,320 --> 00:19:31,119 Speaker 3: pizza with a fork in the night. 416 00:19:31,240 --> 00:19:31,560 Speaker 1: I love that. 417 00:19:32,240 --> 00:19:34,400 Speaker 2: That's not they took the Donalds. 418 00:19:34,400 --> 00:19:39,240 Speaker 1: He tried to come on with the deep disch, but 419 00:19:39,400 --> 00:19:41,920 Speaker 1: people from Chicago don't eat deep dish. But really, yeah, 420 00:19:41,960 --> 00:19:44,280 Speaker 1: that's right. New York we got the best life. That's 421 00:19:44,359 --> 00:19:47,840 Speaker 1: like tour stopped. Y'all. Man, you want to clap. You 422 00:19:47,920 --> 00:19:50,000 Speaker 1: know New York got the best pizza. New York got 423 00:19:50,040 --> 00:19:52,879 Speaker 1: the best piz De Troy pizza is good, though I 424 00:19:52,920 --> 00:20:02,320 Speaker 1: ain't never heard. I never heard nobody nobody you what 425 00:20:02,320 --> 00:20:08,720 Speaker 1: what are you gonna say? Jk just joking, yeah, just kidding. No, 426 00:20:09,560 --> 00:20:11,960 Speaker 1: it's no Jesus Detroit but big up to the trick trick. 427 00:20:12,240 --> 00:20:16,080 Speaker 1: You know that's my people out there. Oh ship boom, 428 00:20:17,200 --> 00:20:21,600 Speaker 1: you better got blue Booe cross Yeah yeah are they 429 00:20:21,680 --> 00:20:25,160 Speaker 1: have Yeah they have of course yeah yeah your hell 430 00:20:25,480 --> 00:20:28,800 Speaker 1: you got a bulletproof. Put me on level six for 431 00:20:28,960 --> 00:20:33,000 Speaker 1: the bomb proof or thing damn bomb proof the Cadillac 432 00:20:33,800 --> 00:20:37,080 Speaker 1: Cadillac truck like like two eighty four. 433 00:20:39,080 --> 00:20:41,159 Speaker 2: That's not bad actually, but you're not trying to go 434 00:20:41,160 --> 00:20:41,560 Speaker 2: to war. 435 00:20:41,640 --> 00:20:47,439 Speaker 1: Now, trying to make sure, like I ain't gonna lie, bro, 436 00:20:47,560 --> 00:20:49,880 Speaker 1: growing up in the streets, like I always hit a mass. 437 00:20:49,960 --> 00:20:52,240 Speaker 1: I never put nobody out love in Harm's weight, no 438 00:20:52,359 --> 00:20:55,280 Speaker 1: matter like even with like I'm just paranoid. 439 00:20:55,359 --> 00:20:56,680 Speaker 2: I don't even be having ship going on. 440 00:20:56,760 --> 00:20:58,639 Speaker 1: I get I get real love in my city, bro, 441 00:20:58,760 --> 00:21:00,320 Speaker 1: like I'll be able to pop out and shit. But 442 00:21:01,000 --> 00:21:03,440 Speaker 1: always like even like what I'm saying is when I 443 00:21:03,600 --> 00:21:05,399 Speaker 1: was young as a kid, like I never when I 444 00:21:05,480 --> 00:21:08,080 Speaker 1: used to drive cars, I always had cars sixteen seventeen. 445 00:21:08,320 --> 00:21:09,760 Speaker 1: I never used to have my mom in the car. 446 00:21:10,040 --> 00:21:11,600 Speaker 1: I never used to have my sister in a car 447 00:21:11,840 --> 00:21:14,440 Speaker 1: because I just was paranoid if anything happened. I'm putting 448 00:21:14,440 --> 00:21:17,120 Speaker 1: people that I love and Harm's way always saying, I'm 449 00:21:17,160 --> 00:21:18,920 Speaker 1: going to be able to make sure my people safe 450 00:21:19,000 --> 00:21:20,840 Speaker 1: when I really get some real money. You feel me. 451 00:21:20,920 --> 00:21:22,679 Speaker 1: So I'm round with my kids. I want to make 452 00:21:22,720 --> 00:21:25,800 Speaker 1: sure no matter what, my kids, everybody that I love 453 00:21:25,960 --> 00:21:26,960 Speaker 1: family is safe. 454 00:21:27,000 --> 00:21:29,159 Speaker 2: When we ran in Chicago, you never know what. 455 00:21:30,160 --> 00:21:33,560 Speaker 3: Cars just for Chicago, Yeah for real, Okay in Chicago 456 00:21:33,720 --> 00:21:36,280 Speaker 3: like that, ain' you're gonna make nobody want to go 457 00:21:36,280 --> 00:21:37,119 Speaker 3: to Chicago right now? 458 00:21:37,280 --> 00:21:39,320 Speaker 1: No, it ain't even that. It's just like you don't 459 00:21:39,320 --> 00:21:41,960 Speaker 1: never know what happened. You know, it's dangerous everywhere. You 460 00:21:42,119 --> 00:21:48,000 Speaker 1: treating me what you just said, and Kanye, this isgerous. 461 00:21:47,760 --> 00:21:48,760 Speaker 2: Just like it's different. 462 00:21:48,800 --> 00:21:51,119 Speaker 1: You know what I'm saying, Like you never and what 463 00:21:51,240 --> 00:21:53,479 Speaker 1: I'm saying is I'm from there. You never know who 464 00:21:53,600 --> 00:21:55,280 Speaker 1: love you, who hate you? You know what I'm saying. 465 00:21:55,320 --> 00:21:57,240 Speaker 1: So it's like I got to make sure I'm straight 466 00:21:57,320 --> 00:21:58,040 Speaker 1: at all times. 467 00:21:58,119 --> 00:22:00,399 Speaker 3: I don't take no chances that a car is that 468 00:22:00,480 --> 00:22:03,160 Speaker 3: everywhere kind of it's just Chicago morning. 469 00:22:03,280 --> 00:22:06,119 Speaker 2: I mean everywhere, a lot of rappers. You know what 470 00:22:06,160 --> 00:22:08,040 Speaker 2: I'm saying. Go back home and feel like that. 471 00:22:08,200 --> 00:22:11,639 Speaker 1: You feel me especially, you know that paranoia not you know, 472 00:22:11,920 --> 00:22:14,400 Speaker 1: you gotta always be on point anyway. Because you're an artist. 473 00:22:14,480 --> 00:22:16,920 Speaker 1: Everybody know you gotta like you showing love. You don't 474 00:22:16,960 --> 00:22:18,840 Speaker 1: know if they live real or not. You just gotta 475 00:22:18,920 --> 00:22:21,159 Speaker 1: always be on your square all times, you know what 476 00:22:21,200 --> 00:22:23,359 Speaker 1: I'm saying. You know what's crazy about That's what I 477 00:22:23,440 --> 00:22:25,200 Speaker 1: feel like being in Chicago because I don't know who 478 00:22:25,280 --> 00:22:29,919 Speaker 1: was who? You know what's crazy about Chicago. I remember 479 00:22:29,960 --> 00:22:30,320 Speaker 1: at one. 480 00:22:30,200 --> 00:22:32,240 Speaker 3: Point I used to go to queens Bridge, right, and 481 00:22:32,320 --> 00:22:34,000 Speaker 3: it's to be A and R's just hanging out in 482 00:22:34,040 --> 00:22:36,000 Speaker 3: queens Bridge. They didn't know they was in the most 483 00:22:36,080 --> 00:22:38,880 Speaker 3: drug infested places in the world. They're just sitting there 484 00:22:38,920 --> 00:22:41,160 Speaker 3: trying to find another nos and they're sitting there trying 485 00:22:41,160 --> 00:22:43,680 Speaker 3: to find another mob deep. It's so many people that 486 00:22:43,800 --> 00:22:46,840 Speaker 3: go to the coast side rack trying to find another 487 00:22:46,960 --> 00:22:48,919 Speaker 3: version of y'all, and they putting themself at harm's. 488 00:22:48,640 --> 00:22:50,439 Speaker 2: Way, and sometimes they got to do that though they 489 00:22:50,600 --> 00:22:51,720 Speaker 2: take that risk. I ain't gonna lie. 490 00:22:51,760 --> 00:22:53,560 Speaker 1: That's why you got a shout out to Mickey Houston. Bro. 491 00:22:53,720 --> 00:22:56,359 Speaker 1: That was that when I first started rapping. That was 492 00:22:56,440 --> 00:22:59,439 Speaker 1: my that was my manager at the time. Heat when 493 00:22:59,520 --> 00:23:03,720 Speaker 1: I first met him, Bro, I was what sixteen seventeen 494 00:23:03,800 --> 00:23:07,240 Speaker 1: years old, probably no I was fifteen, like fifteen sixteen, 495 00:23:07,720 --> 00:23:10,760 Speaker 1: and I always been bad with phones. You see how 496 00:23:10,760 --> 00:23:13,000 Speaker 1: I just pulled up my phone all cracked up, and shit, 497 00:23:13,119 --> 00:23:16,000 Speaker 1: I've been like that and I always lose phones like so, 498 00:23:16,760 --> 00:23:18,680 Speaker 1: and I know numbers about herd I promise you I 499 00:23:18,840 --> 00:23:21,080 Speaker 1: know everybody knowing that be with me about heart and shit. 500 00:23:21,400 --> 00:23:23,280 Speaker 1: So I used to like not have a phone and 501 00:23:23,359 --> 00:23:25,119 Speaker 1: not really get no fuck, just be standing on the 502 00:23:25,160 --> 00:23:28,640 Speaker 1: block posted up all day because shit, that's what everybody 503 00:23:28,720 --> 00:23:30,919 Speaker 1: outside anyway, if I could get in. 504 00:23:31,000 --> 00:23:33,720 Speaker 2: Touch with whoever. But he really used to pull up 505 00:23:33,800 --> 00:23:35,320 Speaker 2: looking for me on my block. 506 00:23:35,840 --> 00:23:38,560 Speaker 1: I'm fifteen years old, with his family, got his kids, 507 00:23:38,640 --> 00:23:41,120 Speaker 1: his wife and the cars, kids like two three years old. 508 00:23:41,480 --> 00:23:43,600 Speaker 1: He pulling up like what heard? You feel what I'm 509 00:23:43,600 --> 00:23:46,240 Speaker 1: saying because he was trying to be my manager, and shit, 510 00:23:46,320 --> 00:23:47,040 Speaker 1: you feel what I'm saying. 511 00:23:47,400 --> 00:23:49,000 Speaker 2: And that made me gravitate to him. 512 00:23:49,040 --> 00:23:51,040 Speaker 1: I'm like, damn, this nigga really pulling up right here 513 00:23:51,119 --> 00:23:54,280 Speaker 1: with his fans dangers and the dangerous reds on Save 514 00:23:54,400 --> 00:23:58,200 Speaker 1: Life and pulling up four five times like straight, like 515 00:23:58,480 --> 00:24:01,560 Speaker 1: come on, show y'all fuck with you, Like damn, He's 516 00:24:01,600 --> 00:24:03,720 Speaker 1: silent for that with his family though, like he's coming 517 00:24:03,760 --> 00:24:04,880 Speaker 1: from church doing this too. 518 00:24:05,119 --> 00:24:08,920 Speaker 2: But it's a little crazy. But how was it working 519 00:24:08,960 --> 00:24:09,600 Speaker 2: with Juice world? 520 00:24:10,440 --> 00:24:14,560 Speaker 1: Man? Juice was he was like a if you could 521 00:24:14,600 --> 00:24:18,080 Speaker 1: describe it, it's like one of them, like one of 522 00:24:18,200 --> 00:24:21,240 Speaker 1: the billion phenomenons. Like when you see him, I ain't 523 00:24:21,280 --> 00:24:23,560 Speaker 1: even I'm not even being funny like when you when 524 00:24:23,640 --> 00:24:26,639 Speaker 1: we first ever met Juice, and we just used to 525 00:24:26,680 --> 00:24:29,480 Speaker 1: see his recording process alone, like how he used to 526 00:24:29,520 --> 00:24:33,879 Speaker 1: get in the studio and make like six songs in 527 00:24:34,000 --> 00:24:37,960 Speaker 1: a role. But damness, like he then made twelve thirteen 528 00:24:38,160 --> 00:24:40,879 Speaker 1: songs because for each song he doing two three covers 529 00:24:41,280 --> 00:24:44,160 Speaker 1: with different patterns, Like he's not saying the same shit 530 00:24:44,520 --> 00:24:47,320 Speaker 1: now hesing the same hook. He doing this for like 531 00:24:48,040 --> 00:24:50,840 Speaker 1: fast six songs straights, but making two three covers and 532 00:24:51,640 --> 00:24:54,399 Speaker 1: the first shit he's saying so hard. Were not wanting 533 00:24:54,480 --> 00:24:56,320 Speaker 1: him to erace it, were like, what the fuck he's 534 00:24:56,480 --> 00:24:59,639 Speaker 1: racing it? Afterwards he yeah, he ain't even no more. 535 00:25:00,040 --> 00:25:01,680 Speaker 2: He's not statching no version. 536 00:25:03,119 --> 00:25:06,440 Speaker 1: He's just using the one he wanted to use. We like, man, 537 00:25:06,840 --> 00:25:08,960 Speaker 1: like it was some crazy shit. We never seen nothing 538 00:25:09,040 --> 00:25:11,280 Speaker 1: like that, man. And it's as just like I was. 539 00:25:11,359 --> 00:25:13,879 Speaker 2: Really in love with the craft like the art of it. 540 00:25:13,960 --> 00:25:16,840 Speaker 1: You feel what I'm saying. And it was weird working 541 00:25:16,920 --> 00:25:20,560 Speaker 1: with him like at first, and like because he was 542 00:25:20,840 --> 00:25:24,440 Speaker 1: like his ship. He he he's such a natural red talent. 543 00:25:24,600 --> 00:25:26,520 Speaker 1: And that was back when I was there and still 544 00:25:26,560 --> 00:25:29,960 Speaker 1: writing versus a long time, like I'll be off. 545 00:25:29,920 --> 00:25:32,400 Speaker 2: The top now I look like okay, I heard. 546 00:25:35,320 --> 00:25:37,680 Speaker 1: Yeah, But that was like when I was really still 547 00:25:37,760 --> 00:25:39,720 Speaker 1: ranking on the phone and he used to go so 548 00:25:40,119 --> 00:25:44,080 Speaker 1: like quick freestyling so and that shit was so hard. 549 00:25:44,200 --> 00:25:46,240 Speaker 1: I'm like, it's taking me a long time and like 550 00:25:46,640 --> 00:25:49,280 Speaker 1: you feel me? Like I felt like I couldn't really 551 00:25:49,400 --> 00:25:51,600 Speaker 1: like vab like that. But he one of the reasons 552 00:25:51,640 --> 00:25:53,600 Speaker 1: why I stopped writing a little bit, Like I just 553 00:25:53,720 --> 00:25:55,680 Speaker 1: used to like go off the vab with him here 554 00:25:55,680 --> 00:25:58,600 Speaker 1: and make you do ten fifteen songs like you feel 555 00:25:58,600 --> 00:26:01,200 Speaker 1: what I'm saying because I'm looking at it like I 556 00:26:01,240 --> 00:26:03,240 Speaker 1: ain't gonna lie. It was crazy now I'm looking back 557 00:26:03,280 --> 00:26:07,440 Speaker 1: at it and now that little bro dead, Like I 558 00:26:07,640 --> 00:26:10,119 Speaker 1: wasn't really realizing like how much he really looked up 559 00:26:10,160 --> 00:26:12,399 Speaker 1: to me. You feel what I'm saying, like like on 560 00:26:12,560 --> 00:26:14,760 Speaker 1: a like him being a fan of my music. I'm 561 00:26:14,840 --> 00:26:17,080 Speaker 1: so a fan of his shit because I've never seen 562 00:26:17,160 --> 00:26:19,760 Speaker 1: nothing like him before, and he's so big, but he's 563 00:26:19,800 --> 00:26:22,720 Speaker 1: just such a genuine person. He not even really realizing 564 00:26:22,800 --> 00:26:26,080 Speaker 1: how big he is for real, for he happy to 565 00:26:26,280 --> 00:26:28,360 Speaker 1: just be doing what he's doing. You feel what I'm saying, 566 00:26:28,400 --> 00:26:30,000 Speaker 1: Like he trying to do songs with me because he 567 00:26:30,080 --> 00:26:33,040 Speaker 1: thinking he's stacking up fifteen g herbro versus. And I'm 568 00:26:33,080 --> 00:26:35,720 Speaker 1: telling him, like, Surety, you the biggest shit in the world, 569 00:26:35,840 --> 00:26:38,160 Speaker 1: Like I'm not finna be rapping on all these songs 570 00:26:38,160 --> 00:26:39,960 Speaker 1: because all he's not even gonna come out, Bro, you 571 00:26:40,320 --> 00:26:42,960 Speaker 1: pop star shit, we might drop one of these for 572 00:26:43,080 --> 00:26:44,840 Speaker 1: my al one of these for yours for real. But 573 00:26:45,240 --> 00:26:48,280 Speaker 1: I feel like he was challenging me to be better too, 574 00:26:48,480 --> 00:26:50,320 Speaker 1: like you feel me. But I'm not even looking at 575 00:26:50,359 --> 00:26:52,480 Speaker 1: it like that, you know, like it was just that 576 00:26:52,640 --> 00:26:56,040 Speaker 1: nigga he when I look back at it, like that's 577 00:26:56,160 --> 00:26:58,520 Speaker 1: like I never seen nobody like that, you feel me, Like, 578 00:26:58,800 --> 00:27:01,760 Speaker 1: and I didn't heard that shit from like Pluto, from Thug, 579 00:27:02,160 --> 00:27:04,800 Speaker 1: like from motherfucker that like them really the goats of 580 00:27:04,880 --> 00:27:06,920 Speaker 1: this shit, you know what I'm saying, Like that really 581 00:27:06,960 --> 00:27:10,040 Speaker 1: didn't locked in with Bro and seeing his recording process 582 00:27:10,080 --> 00:27:12,240 Speaker 1: and feeling like that's some shit they ain't ever seen before. 583 00:27:13,560 --> 00:27:14,520 Speaker 1: The lass was different. 584 00:27:14,760 --> 00:27:17,280 Speaker 3: Do you think Juice world saw how big he was 585 00:27:18,000 --> 00:27:19,000 Speaker 3: prior to him passing. 586 00:27:20,320 --> 00:27:24,680 Speaker 1: I mean yeah, I feel like yeah, and then no 587 00:27:24,840 --> 00:27:27,280 Speaker 1: one away could just knowing him, he's so humble, like 588 00:27:27,400 --> 00:27:29,359 Speaker 1: he wasn't really like you feel he was just in 589 00:27:29,480 --> 00:27:32,440 Speaker 1: love with the art of him music and he knowing 590 00:27:32,520 --> 00:27:35,200 Speaker 1: he's big as fuck. Of course he knowing, but it's like, 591 00:27:36,359 --> 00:27:38,080 Speaker 1: I don't even I think he was having so much 592 00:27:38,160 --> 00:27:41,200 Speaker 1: fun with it. He wasn't even flying on how big 593 00:27:41,320 --> 00:27:43,400 Speaker 1: he could go, Like I feel me, he wasn't even 594 00:27:44,359 --> 00:27:49,040 Speaker 1: like on some as far as like just embracing it, 595 00:27:49,160 --> 00:27:50,840 Speaker 1: like that's the thing. That's what I mean. I feel 596 00:27:50,880 --> 00:27:52,680 Speaker 1: like he would have been ten times bigger if he 597 00:27:52,880 --> 00:27:55,800 Speaker 1: just embraced how big he was. You feel him just 598 00:27:55,920 --> 00:27:59,280 Speaker 1: being such a real pure soul. He ain't even like 599 00:27:59,600 --> 00:28:01,679 Speaker 1: popping it. We used to tell them, like pop it, shorty, 600 00:28:01,800 --> 00:28:04,720 Speaker 1: like get out here ship on niggas, Like that was 601 00:28:04,800 --> 00:28:07,359 Speaker 1: never his thing, Like we've been telling him to do that, 602 00:28:07,520 --> 00:28:09,879 Speaker 1: like boy shit on niggas. Well. You the one, you 603 00:28:09,960 --> 00:28:12,760 Speaker 1: feel me like, act like you the one he never 604 00:28:13,000 --> 00:28:15,640 Speaker 1: was on that you feel me, That's what I mean great, 605 00:28:16,440 --> 00:28:19,120 Speaker 1: I'm bouncing around on a little bit. I'm bouncing around 606 00:28:19,240 --> 00:28:19,719 Speaker 1: little right. 607 00:28:20,000 --> 00:28:21,920 Speaker 3: This is something that I always wanted to ask people 608 00:28:21,960 --> 00:28:23,040 Speaker 3: from Chicago. 609 00:28:23,160 --> 00:28:23,280 Speaker 1: Right. 610 00:28:24,040 --> 00:28:26,320 Speaker 3: They said that there was a plot to kind of 611 00:28:26,400 --> 00:28:29,639 Speaker 3: like get rid of all the ogs, like you know, 612 00:28:30,800 --> 00:28:31,520 Speaker 3: the Larry. 613 00:28:31,320 --> 00:28:36,000 Speaker 1: Hoovers, right, Like, Yeah, I used to hear about that ship. 614 00:28:36,000 --> 00:28:39,240 Speaker 3: And that's how the city became wild, like it is 615 00:28:39,400 --> 00:28:40,200 Speaker 3: you think that's true? 616 00:28:40,960 --> 00:28:44,840 Speaker 1: I believe shit if it's like, I ain't gonna say 617 00:28:44,840 --> 00:28:48,080 Speaker 1: I'm like a conspiracy theorist like belief type of nigga, 618 00:28:48,120 --> 00:28:50,960 Speaker 1: but like once I hear like how they break it 619 00:28:51,040 --> 00:28:52,880 Speaker 1: down and ship, Yeah, I do believe that she was 620 00:28:52,920 --> 00:28:55,960 Speaker 1: true because it's not no coincidence how shit happened and 621 00:28:56,040 --> 00:28:58,840 Speaker 1: don't happen you feel, I'm saying, like, no matter regardless, 622 00:28:58,920 --> 00:29:01,600 Speaker 1: I can't. I'm I'm twenty eight, so I can't really 623 00:29:01,640 --> 00:29:04,400 Speaker 1: say what really really happened in the past. But as 624 00:29:04,480 --> 00:29:07,640 Speaker 1: far as it when me knowing when I grew up 625 00:29:07,960 --> 00:29:10,400 Speaker 1: and being no guidance out here for real, it wasn't 626 00:29:10,520 --> 00:29:12,479 Speaker 1: like you feel, I'm saying. You even had people who 627 00:29:12,640 --> 00:29:15,640 Speaker 1: was like and that's crazy you said that. Because I 628 00:29:15,760 --> 00:29:17,640 Speaker 1: was having a conversation with one of my homies not 629 00:29:17,720 --> 00:29:22,240 Speaker 1: too long ago, Like like even in certain neighborshoods, people 630 00:29:22,360 --> 00:29:24,200 Speaker 1: was really even scared to even feel like, all right, 631 00:29:24,240 --> 00:29:26,640 Speaker 1: I got authority, like I'm finna try to tell these 632 00:29:26,680 --> 00:29:28,680 Speaker 1: little shorties what to do or not be out here 633 00:29:28,760 --> 00:29:30,520 Speaker 1: or don't you know what I'm saying, because they scared 634 00:29:30,560 --> 00:29:32,520 Speaker 1: to get on some kingp and shit they thinking the 635 00:29:32,600 --> 00:29:37,200 Speaker 1: fuck going grabbing them just being having like the ability 636 00:29:37,320 --> 00:29:39,920 Speaker 1: to tell people what to do or orchestra even if 637 00:29:39,960 --> 00:29:43,600 Speaker 1: it is some positive outcome, like like these might be 638 00:29:44,400 --> 00:29:48,720 Speaker 1: a neighborhood full of street niggas who got criminal charges 639 00:29:48,800 --> 00:29:51,120 Speaker 1: or whatever, but one person come and be like, all right, 640 00:29:51,120 --> 00:29:54,120 Speaker 1: I'm finis straightening this shit up. They might really look 641 00:29:54,160 --> 00:29:56,320 Speaker 1: at them like they own some chief type shit. You 642 00:29:56,360 --> 00:29:58,080 Speaker 1: feel me, And they ain't doing nothing but trying to 643 00:29:58,200 --> 00:29:59,840 Speaker 1: make the shit better. You feel me like I was 644 00:30:00,000 --> 00:30:02,720 Speaker 1: having a conversation with my homie like and that's basically 645 00:30:02,800 --> 00:30:04,239 Speaker 1: touching on the same point you just mad. 646 00:30:04,440 --> 00:30:06,720 Speaker 6: Remember it's not a conspiracy Moore cointil pro It has 647 00:30:06,760 --> 00:30:08,600 Speaker 6: been proven that that's the real thing that the FBI 648 00:30:08,760 --> 00:30:11,400 Speaker 6: was doing back then, exactly depending on what you think 649 00:30:11,440 --> 00:30:12,160 Speaker 6: the intention was. 650 00:30:12,200 --> 00:30:13,840 Speaker 1: But they was really doing that and they was bringing 651 00:30:13,880 --> 00:30:14,160 Speaker 1: people in. 652 00:30:14,240 --> 00:30:16,560 Speaker 6: There was taking a part of these organizations from the top, 653 00:30:17,120 --> 00:30:19,040 Speaker 6: and those organizations back then were really. 654 00:30:18,960 --> 00:30:21,720 Speaker 3: Trying to do community based things. It wasn't really street 655 00:30:21,720 --> 00:30:25,880 Speaker 3: shit back exactly. Like like my brother, he's Latino. But 656 00:30:26,560 --> 00:30:28,800 Speaker 3: when COMPETI Green was up, you know, I wanted to 657 00:30:28,840 --> 00:30:30,760 Speaker 3: go to COMPETI Green. This is a good time projects, 658 00:30:30,800 --> 00:30:32,320 Speaker 3: funny dude. I was like, Yo, I gotta go. I 659 00:30:32,360 --> 00:30:35,360 Speaker 3: got like, this is this restaurant called Sammy's. You know, 660 00:30:35,480 --> 00:30:38,080 Speaker 3: it's fried chicken, spies, It's nothing crazy, but I had 661 00:30:38,120 --> 00:30:42,000 Speaker 3: to go. My brother got you know, the coat sign 662 00:30:42,080 --> 00:30:44,160 Speaker 3: and when I got there, I felt the most safest 663 00:30:44,200 --> 00:30:45,840 Speaker 3: I ever felt in my life. It was I felt 664 00:30:45,880 --> 00:30:48,280 Speaker 3: like everyone was just around just like yo, Norway's here, 665 00:30:48,400 --> 00:30:50,080 Speaker 3: like you know what I mean. And the police came 666 00:30:50,240 --> 00:30:52,440 Speaker 3: searched me and Ship, the whole neighborhood was with me, 667 00:30:52,680 --> 00:30:54,560 Speaker 3: like yo, get leaning over alone. 668 00:30:54,600 --> 00:30:57,240 Speaker 1: I was like, oh Ship. That was in the nineties though, yeah, 669 00:30:57,240 --> 00:31:00,320 Speaker 1: exact thing about Chicago though, like people you were feel 670 00:31:00,360 --> 00:31:02,600 Speaker 1: that type of love, you know what I'm saying, and 671 00:31:02,960 --> 00:31:05,920 Speaker 1: like that being a project. I ain't from no project building, 672 00:31:06,000 --> 00:31:09,080 Speaker 1: but back then when projects was up, like everybody knew everybody. 673 00:31:09,200 --> 00:31:13,520 Speaker 1: So basically in the project, it's probably eighty sixty percent 674 00:31:13,560 --> 00:31:17,080 Speaker 1: of the ass all related families and shit, staying all 675 00:31:17,160 --> 00:31:19,240 Speaker 1: through this shit. So you feel me, you would get 676 00:31:19,280 --> 00:31:21,200 Speaker 1: that type of vibe. Somebody funck with you. They gonna 677 00:31:21,200 --> 00:31:23,520 Speaker 1: definitely make sure you straight. I'm sure you probably felt 678 00:31:24,400 --> 00:31:26,520 Speaker 1: some real love because I didn't been to New York 679 00:31:26,560 --> 00:31:29,560 Speaker 1: and felt like that, Like young nigga like eighteen years old, 680 00:31:29,600 --> 00:31:31,719 Speaker 1: and I'm going outside and I'm really feeling like, oh, 681 00:31:31,920 --> 00:31:34,920 Speaker 1: I'm posting up in New York for two hours, three hours, 682 00:31:35,000 --> 00:31:37,240 Speaker 1: I'm all through all types of boroughs. You feel what 683 00:31:37,240 --> 00:31:38,920 Speaker 1: I'm saying, like, you don't really feel like that, and 684 00:31:38,960 --> 00:31:41,400 Speaker 1: when you go to the hood and just embrace it, 685 00:31:41,480 --> 00:31:43,600 Speaker 1: you feel me Like, Now. 686 00:31:43,600 --> 00:31:46,440 Speaker 3: Let's talk about ptsd D. I know we were talking 687 00:31:46,480 --> 00:31:49,040 Speaker 3: about juice word earlier, but that's about. 688 00:31:48,920 --> 00:31:51,760 Speaker 1: You think you have PTSD. Yeah, what is that? Post 689 00:31:51,800 --> 00:31:55,560 Speaker 1: traumatic post stress disorder? Yeah, I got diagnosed with it. Really, 690 00:31:56,400 --> 00:31:59,080 Speaker 1: that's the ship that motherfuckers in Wall get right, Yeah, 691 00:31:59,120 --> 00:32:02,160 Speaker 1: but you can get what. Yeah, I had. That was 692 00:32:02,560 --> 00:32:04,440 Speaker 1: was I was going to therapy though. That was when 693 00:32:04,440 --> 00:32:08,760 Speaker 1: I first started going to therapy. Therapy, so age, but continue, Yeah, 694 00:32:09,400 --> 00:32:12,680 Speaker 1: I started going to therapy prob what year that was 695 00:32:13,360 --> 00:32:17,600 Speaker 1: two thousand and nineteen, twenty eighteen, and just talking to 696 00:32:17,680 --> 00:32:21,760 Speaker 1: my therapist, she diagnosed me with post roumatic stress disorder 697 00:32:21,840 --> 00:32:24,240 Speaker 1: because I was really I I was fighting the case 698 00:32:24,280 --> 00:32:26,720 Speaker 1: at the time though, Like I had got arrested in 699 00:32:26,760 --> 00:32:30,080 Speaker 1: twenty eighteen when my son was born. Y'all got arrested 700 00:32:30,160 --> 00:32:33,800 Speaker 1: for some gun in Chicago. That's when I was living 701 00:32:33,840 --> 00:32:36,280 Speaker 1: in Chicago. I feel me right before I moved to 702 00:32:36,440 --> 00:32:44,160 Speaker 1: LA and I was really just you know me living 703 00:32:44,240 --> 00:32:45,960 Speaker 1: out there. I ain't had no security, you feel what 704 00:32:45,960 --> 00:32:49,240 Speaker 1: I'm saying. And I was even in that situation, like 705 00:32:49,320 --> 00:32:51,800 Speaker 1: I said, accountability. I'm talking to my therapist like I 706 00:32:51,840 --> 00:32:54,200 Speaker 1: ain't never really feel safe leaving out my house as 707 00:32:54,240 --> 00:32:57,120 Speaker 1: I was fourteen, fifteen years old. You feel what I'm saying, Wow, 708 00:32:57,360 --> 00:32:58,080 Speaker 1: And we haven't. 709 00:32:58,760 --> 00:32:59,040 Speaker 2: I was. 710 00:32:59,280 --> 00:33:03,600 Speaker 1: I was with with with south Side when it happened 711 00:33:03,640 --> 00:33:06,720 Speaker 1: that situation when I got arrested for the guns. You 712 00:33:06,760 --> 00:33:09,880 Speaker 1: feel me, Like Bro was already a millionaire. He had 713 00:33:09,920 --> 00:33:11,880 Speaker 1: security with him. You feel what I'm saying. They was 714 00:33:12,000 --> 00:33:15,160 Speaker 1: able to get his security guard. Cello was on the case. 715 00:33:15,200 --> 00:33:18,080 Speaker 1: He did that, guys, So that was his security guard 716 00:33:18,120 --> 00:33:20,240 Speaker 1: who we paid staff. You feel what I'm saying. I'm 717 00:33:20,280 --> 00:33:23,120 Speaker 1: living in Chicago, I wasn't able to have no security guard, 718 00:33:23,560 --> 00:33:25,840 Speaker 1: So me carrying the firearm, I was, you know what 719 00:33:25,880 --> 00:33:29,520 Speaker 1: I'm saying, basically just telling my therapist. I'm telling the 720 00:33:29,600 --> 00:33:31,480 Speaker 1: same shit with the lawyer on fire the case. But 721 00:33:31,600 --> 00:33:34,760 Speaker 1: I was able to get off on that well misdemeanor. 722 00:33:34,840 --> 00:33:36,680 Speaker 1: You feel what I'm saying. But at the end of 723 00:33:36,720 --> 00:33:39,960 Speaker 1: the day, I really like I didn't even know what 724 00:33:40,200 --> 00:33:43,080 Speaker 1: they're like, the therapy, the whole situation to me going 725 00:33:43,240 --> 00:33:45,880 Speaker 1: like it was me taking a chance. You feel what 726 00:33:45,880 --> 00:33:48,480 Speaker 1: I'm saying. I was, I ain't really open up to 727 00:33:48,880 --> 00:33:51,120 Speaker 1: like nobody in my life. You did it on your own. 728 00:33:51,160 --> 00:33:52,920 Speaker 1: You chose to go to therapy on your own. Yeah, yeah, 729 00:33:53,000 --> 00:33:53,360 Speaker 1: yeah yeah. 730 00:33:53,360 --> 00:33:56,000 Speaker 2: It was really like it wasn't no court stipulation. 731 00:33:55,880 --> 00:33:57,800 Speaker 1: Nothing like that. I was talking to my lawyer and 732 00:33:58,000 --> 00:34:01,120 Speaker 1: my lawyer like kind of insistent on me going, and 733 00:34:01,240 --> 00:34:03,040 Speaker 1: I just took the chance and just really went on 734 00:34:03,160 --> 00:34:04,960 Speaker 1: my own. You feel me. But like I said, like 735 00:34:05,440 --> 00:34:09,919 Speaker 1: taking that leadership role early on, it just I don't 736 00:34:09,960 --> 00:34:13,279 Speaker 1: really I feel like me complaining about my situation and 737 00:34:13,360 --> 00:34:15,520 Speaker 1: what I got going on to the people around that 738 00:34:15,800 --> 00:34:18,600 Speaker 1: that's really depending on me. It's like, that's not really 739 00:34:18,680 --> 00:34:21,640 Speaker 1: you know what I'm saying, That's that's the I feel 740 00:34:21,640 --> 00:34:26,719 Speaker 1: like that's the that's that's what's what's really wrong, like 741 00:34:27,880 --> 00:34:29,719 Speaker 1: with for lack of a burn term with it, I'm 742 00:34:29,719 --> 00:34:32,600 Speaker 1: trying to say, like that the stipulation that that they 743 00:34:32,800 --> 00:34:34,960 Speaker 1: that they put on black men growing up, just not 744 00:34:35,120 --> 00:34:39,520 Speaker 1: being able to open up people around you and your family, 745 00:34:39,880 --> 00:34:42,000 Speaker 1: open up to your mother, open up to your girl, 746 00:34:42,560 --> 00:34:46,080 Speaker 1: to whoever. You can't do that, take it on, you 747 00:34:46,120 --> 00:34:48,440 Speaker 1: know what I'm saying. So it's like it ain't nobody 748 00:34:48,600 --> 00:34:53,279 Speaker 1: referring therapy. So it's like I was really I I 749 00:34:53,320 --> 00:34:55,480 Speaker 1: didn't even feel like it was going to be helpful 750 00:34:55,520 --> 00:34:56,960 Speaker 1: at first, to be honest, you know what I'm saying. 751 00:34:57,000 --> 00:35:00,239 Speaker 1: When I first started going. But it was though, like life, 752 00:35:00,360 --> 00:35:03,040 Speaker 1: just me just talking to to her about everything I 753 00:35:03,160 --> 00:35:06,120 Speaker 1: grew up, like experiencing and everything that I was going 754 00:35:06,160 --> 00:35:08,440 Speaker 1: through as a man at that time. And she just 755 00:35:08,680 --> 00:35:11,880 Speaker 1: went on her own and and diagnosed me with postramatic 756 00:35:11,920 --> 00:35:15,040 Speaker 1: stress disorder and actually sent it to the courts when 757 00:35:15,080 --> 00:35:16,920 Speaker 1: I was fighting the case at the time. And that's 758 00:35:16,920 --> 00:35:19,320 Speaker 1: how I was able to really get get off on 759 00:35:19,440 --> 00:35:23,440 Speaker 1: the whole situation and get and get it down to 760 00:35:23,560 --> 00:35:25,880 Speaker 1: a to a misdemeanor. Basically, what do they give you 761 00:35:26,000 --> 00:35:30,279 Speaker 1: for that? Yeah, I had, I got diagnosed, I got 762 00:35:30,320 --> 00:35:42,680 Speaker 1: the medical card they gave me. Yeah, yeah that's fire. Yeah, 763 00:35:42,960 --> 00:35:45,279 Speaker 1: I got my car legally. Yeah, that's how I was 764 00:35:45,280 --> 00:35:48,360 Speaker 1: able to get it through having postramatic stressed disorder, you know. 765 00:35:48,520 --> 00:35:52,920 Speaker 1: But and it's like, man, really, that's why I had 766 00:35:53,160 --> 00:35:56,320 Speaker 1: I named my album PTSD because it all happened around 767 00:35:56,360 --> 00:35:59,000 Speaker 1: the same time, and that's why I put all those 768 00:35:59,080 --> 00:36:01,360 Speaker 1: people that I had lost on my cover, like it 769 00:36:01,480 --> 00:36:04,239 Speaker 1: was over fifty people on the fifty dead faces. You 770 00:36:04,280 --> 00:36:06,600 Speaker 1: feel what I'm saying because I'm talking about all this 771 00:36:06,800 --> 00:36:09,600 Speaker 1: and therapy. You feel what I'm saying, like everything I experience, 772 00:36:09,680 --> 00:36:12,440 Speaker 1: and it's like just the reality of a nigga experiencing 773 00:36:12,719 --> 00:36:14,560 Speaker 1: seeing so much depth. But you were able to just 774 00:36:14,680 --> 00:36:17,600 Speaker 1: act normal all day, navigate through your life like ain't 775 00:36:17,600 --> 00:36:19,600 Speaker 1: nothing going on. You're still going to school and it's 776 00:36:19,600 --> 00:36:22,080 Speaker 1: still going to work, and they're still providing for their family, 777 00:36:22,160 --> 00:36:24,360 Speaker 1: taking care of their kids. But all it's still on 778 00:36:24,440 --> 00:36:27,520 Speaker 1: your mind every day. And if we don't really talk 779 00:36:27,560 --> 00:36:29,759 Speaker 1: about it, it's like you got to find a way 780 00:36:29,800 --> 00:36:34,200 Speaker 1: to like compartmentalize with all of that. You feel me, 781 00:36:34,239 --> 00:36:36,200 Speaker 1: you can't really hold it in and still think you're 782 00:36:36,239 --> 00:36:38,719 Speaker 1: going to have a level playing field when you're dealing 783 00:36:38,760 --> 00:36:39,160 Speaker 1: with life. 784 00:36:39,480 --> 00:36:41,680 Speaker 2: You're going to always be on a roller coaster, you 785 00:36:41,680 --> 00:36:42,200 Speaker 2: feel what I'm. 786 00:36:42,080 --> 00:36:45,200 Speaker 1: Saying because and on that yeah, is because most times 787 00:36:45,239 --> 00:36:47,800 Speaker 1: were you really able to release and be yourself, you 788 00:36:47,920 --> 00:36:50,160 Speaker 1: around the people that you're most comfortable with and them 789 00:36:50,200 --> 00:36:53,560 Speaker 1: people you love. So you probably exploding on your woman, 790 00:36:53,719 --> 00:36:56,160 Speaker 1: exploding on your kids, or you know what I'm saying, 791 00:36:56,360 --> 00:36:58,439 Speaker 1: on your mom, whoever the case may be. You feel 792 00:36:58,440 --> 00:37:03,520 Speaker 1: me so like because you or you really like hold 793 00:37:03,600 --> 00:37:05,920 Speaker 1: it in where you just go to make a decision 794 00:37:06,000 --> 00:37:07,800 Speaker 1: that you can't in and shit come back from for 795 00:37:07,880 --> 00:37:09,640 Speaker 1: the rest of your life. That's how nigga wind up 796 00:37:09,640 --> 00:37:12,440 Speaker 1: getting killed, Nigga wind up going to jail because you 797 00:37:12,560 --> 00:37:14,600 Speaker 1: wearing this shit on your shoulder and then you snap 798 00:37:15,040 --> 00:37:17,440 Speaker 1: what a ten second decision costs you the rest of 799 00:37:17,440 --> 00:37:18,960 Speaker 1: your life, you know what I'm saying. So it's like 800 00:37:19,520 --> 00:37:22,320 Speaker 1: that's why I started to like open up about therapy 801 00:37:22,360 --> 00:37:25,640 Speaker 1: and name my album PTSD and just openly just wear 802 00:37:25,680 --> 00:37:27,359 Speaker 1: that shit because I felt like that was the time 803 00:37:27,400 --> 00:37:28,880 Speaker 1: of my life when I was most vulnerable. 804 00:37:28,920 --> 00:37:32,400 Speaker 3: So I was just rapping about was any soldiers offended 805 00:37:32,520 --> 00:37:35,279 Speaker 3: by that, because like I guess that's the most of 806 00:37:35,280 --> 00:37:36,680 Speaker 3: the people who get diagnosed with that. 807 00:37:38,360 --> 00:37:41,640 Speaker 1: No, because I really I did, really get clinically diagnosed. 808 00:37:41,680 --> 00:37:44,120 Speaker 1: So I'm opening up about therapy. You feel what I'm saying. 809 00:37:44,200 --> 00:37:46,759 Speaker 1: And I was like, I wasn't saying I was like 810 00:37:47,280 --> 00:37:49,400 Speaker 1: first hearing like paying hamage to the soldiers, But I 811 00:37:49,520 --> 00:37:53,400 Speaker 1: was talking about like how people who live regular everyday 812 00:37:53,520 --> 00:37:56,520 Speaker 1: last suffer from the same you know what I'm saying, 813 00:37:57,000 --> 00:38:00,200 Speaker 1: diagnosis that somebody who go to war who signed up 814 00:38:00,560 --> 00:38:03,279 Speaker 1: you know what I'm saying, not saying that they work 815 00:38:03,440 --> 00:38:05,440 Speaker 1: is unnoticed. Of course. The people put their life on 816 00:38:05,520 --> 00:38:07,360 Speaker 1: the line every day, on the on the scale that 817 00:38:08,160 --> 00:38:10,799 Speaker 1: we couldn't even imagine, you feel, and everybody's different. At 818 00:38:10,840 --> 00:38:13,080 Speaker 1: the end of the day, it's people who live every 819 00:38:13,160 --> 00:38:15,160 Speaker 1: day life that didn't sign up for that. At the 820 00:38:15,280 --> 00:38:17,280 Speaker 1: end of the day, it is what it is. Post 821 00:38:17,400 --> 00:38:19,799 Speaker 1: Man stresses saw its post Man stresses sort, no matter 822 00:38:19,840 --> 00:38:20,360 Speaker 1: how you put it. 823 00:38:20,440 --> 00:38:22,560 Speaker 6: And it depends on like people get it in car accident. 824 00:38:22,600 --> 00:38:25,200 Speaker 6: People have a car exactly. They get like it was 825 00:38:25,400 --> 00:38:29,360 Speaker 6: just you guys, yeah, domestic abutiy and they get that 826 00:38:29,440 --> 00:38:31,319 Speaker 6: ship one robbed one time. 827 00:38:31,400 --> 00:38:33,000 Speaker 2: People. They get posted like. 828 00:38:34,120 --> 00:38:38,040 Speaker 1: Its really having like certain situations that you've been through 829 00:38:38,120 --> 00:38:41,640 Speaker 1: that that triggered you on on a day to day basis. 830 00:38:41,680 --> 00:38:44,319 Speaker 1: So it might be one thing that happened ten years ago, 831 00:38:44,440 --> 00:38:46,400 Speaker 1: but it's like every time you get in the car, 832 00:38:46,560 --> 00:38:49,640 Speaker 1: like you said, you're thinking about the situation. Every time 833 00:38:49,680 --> 00:38:51,640 Speaker 1: you're on the bus stop, you're thinking about the situation 834 00:38:51,760 --> 00:38:55,040 Speaker 1: because something happened on the bus stop. Right. Let me 835 00:38:55,080 --> 00:38:57,520 Speaker 1: ask you, how did you become as wise? 836 00:38:57,680 --> 00:38:59,960 Speaker 3: Like, because I know we touched on the fact that 837 00:39:00,040 --> 00:39:03,560 Speaker 3: you're twenty eight, but your brain is not twenty eight 838 00:39:04,520 --> 00:39:08,520 Speaker 3: like you you advanced and this shit Like I sit 839 00:39:08,680 --> 00:39:11,160 Speaker 3: here like almost like I'm talking to my pair, like 840 00:39:11,239 --> 00:39:14,239 Speaker 3: I know you younger than me, but your brain ain't 841 00:39:14,280 --> 00:39:14,799 Speaker 3: telling me that. 842 00:39:14,880 --> 00:39:18,120 Speaker 1: At all, Like how'd you get that? Wise? Man? I 843 00:39:18,239 --> 00:39:21,480 Speaker 1: think I just really to be honest, i'mna be completely 844 00:39:21,600 --> 00:39:23,520 Speaker 1: hungry with you. Man. I've just been outside for a 845 00:39:23,600 --> 00:39:28,960 Speaker 1: long time, really, just since I was probably twelve thirteen 846 00:39:29,040 --> 00:39:31,360 Speaker 1: years old. I've been hang on my big brother, he older, 847 00:39:31,480 --> 00:39:33,680 Speaker 1: he five years older than me and just you. 848 00:39:33,719 --> 00:39:38,920 Speaker 3: Know, just for five years older than he's thirty three. Yeah, okay, 849 00:39:39,040 --> 00:39:42,439 Speaker 3: which means that he forty three, right, basically cool. 850 00:39:43,360 --> 00:39:48,759 Speaker 1: Yeah, Wise, It's like I've just been always and I 851 00:39:48,800 --> 00:39:50,640 Speaker 1: don't really got nothing to do with like how I think, 852 00:39:50,960 --> 00:39:54,520 Speaker 1: of course, but like I think, I just I looked 853 00:39:54,600 --> 00:39:57,600 Speaker 1: up to him and already hear like some type of 854 00:39:57,960 --> 00:40:01,080 Speaker 1: structure just being my own own man. You feel what 855 00:40:01,080 --> 00:40:03,320 Speaker 1: I'm saying it And while I grew up at it 856 00:40:03,400 --> 00:40:05,479 Speaker 1: is like you gotta I ain't even being I ain't 857 00:40:05,480 --> 00:40:06,200 Speaker 1: even lying, bro. 858 00:40:06,320 --> 00:40:08,680 Speaker 2: Like you've done it, even if you're not in the streets. 859 00:40:08,800 --> 00:40:11,160 Speaker 1: You gotta dan that be wise or you gotta like 860 00:40:11,640 --> 00:40:14,839 Speaker 1: be a little It's like you gotta be a little 861 00:40:14,920 --> 00:40:18,239 Speaker 1: witty in some type of way growing up while I 862 00:40:18,360 --> 00:40:20,640 Speaker 1: came up, you feel what I'm saying, because everybody like 863 00:40:20,880 --> 00:40:24,200 Speaker 1: out for something, everybody wants something about you. You feel 864 00:40:24,200 --> 00:40:27,399 Speaker 1: what I'm saying. So when I'm fifteen, sixteen years old 865 00:40:27,400 --> 00:40:29,480 Speaker 1: and I'm trying to rap in at the end of 866 00:40:29,520 --> 00:40:33,440 Speaker 1: the day, my name, I'm buzzing, I'm really in my neighborhood, 867 00:40:33,680 --> 00:40:35,920 Speaker 1: I'm having all types of street shit going on. You 868 00:40:36,000 --> 00:40:39,040 Speaker 1: feel me. So it's like I gotta be twice as sharp, 869 00:40:39,160 --> 00:40:41,320 Speaker 1: Like I really want hanging over people my age. I 870 00:40:41,440 --> 00:40:43,399 Speaker 1: was hanging with people older than me. I'm thirteen, I'm 871 00:40:43,440 --> 00:40:47,440 Speaker 1: hanging around eighteen, nineteen, twenty, sometimes twenty five years. You 872 00:40:47,480 --> 00:40:50,200 Speaker 1: feel what I'm saying, and I gotta you know, I'm 873 00:40:50,200 --> 00:40:51,880 Speaker 1: gonna get a lot of credit to my pops. Two 874 00:40:51,920 --> 00:40:53,880 Speaker 1: though my dad put a lot of a lot of 875 00:40:53,920 --> 00:40:56,799 Speaker 1: structure in me growing up. You feel me. But when 876 00:40:57,280 --> 00:40:58,960 Speaker 1: when I was outside in the streets, I was on 877 00:40:59,040 --> 00:41:02,000 Speaker 1: my own, though, you feel You're like I just had 878 00:41:02,080 --> 00:41:03,960 Speaker 1: to take what he gave me and try to use 879 00:41:04,040 --> 00:41:06,960 Speaker 1: that to navigate. You feel me, But I don't know. 880 00:41:07,080 --> 00:41:08,960 Speaker 1: It was just experienced a lot of life. I've been 881 00:41:09,000 --> 00:41:11,160 Speaker 1: through a lot of shit early on and just like 882 00:41:11,680 --> 00:41:13,480 Speaker 1: took it for what it is, Like you know, I 883 00:41:13,560 --> 00:41:15,840 Speaker 1: think that's why, like going back to the therapy that 884 00:41:15,880 --> 00:41:18,640 Speaker 1: shit helped me, because like the shit was so normal 885 00:41:18,719 --> 00:41:21,760 Speaker 1: where I come from. Like you can't really complain about 886 00:41:22,040 --> 00:41:25,200 Speaker 1: I feel like I said that before, and I don't 887 00:41:25,200 --> 00:41:28,080 Speaker 1: want to sound like crazy or like bias or nothing. 888 00:41:28,160 --> 00:41:30,919 Speaker 1: Like I feel like a nigga like me, I feel 889 00:41:30,960 --> 00:41:33,640 Speaker 1: like I can't even complain about my situation or whatever 890 00:41:33,719 --> 00:41:37,000 Speaker 1: I go through because I didn't seen and experience much 891 00:41:37,080 --> 00:41:39,800 Speaker 1: worse in the hood where I come from. Like you 892 00:41:39,920 --> 00:41:41,960 Speaker 1: think your situation bad and you look at one of 893 00:41:42,000 --> 00:41:45,480 Speaker 1: your homies like, damn, he got it worse, way worse. Well, 894 00:41:45,520 --> 00:41:47,719 Speaker 1: this nigga got it ten times worse than me, Like 895 00:41:48,120 --> 00:41:50,239 Speaker 1: it make you just over grateful. Like that's how I 896 00:41:50,320 --> 00:41:52,640 Speaker 1: had that mentality when I was younger, because I'm seeing 897 00:41:52,719 --> 00:41:55,640 Speaker 1: shit like you know, I didn't been in the trenches. 898 00:41:55,680 --> 00:41:58,600 Speaker 1: What shit is so fucked up? Like nigga's growing up 899 00:41:58,760 --> 00:42:02,360 Speaker 1: even worse than I'm seeing. So it's like, damn, I 900 00:42:02,480 --> 00:42:04,600 Speaker 1: always had a reason to just be like, my sh 901 00:42:04,680 --> 00:42:06,400 Speaker 1: it ain't so bad. You feel me, even if the 902 00:42:06,480 --> 00:42:08,279 Speaker 1: worst of the worst situations you feel me. 903 00:42:08,719 --> 00:42:11,479 Speaker 3: I want you to enjoy a little more, man enjoy 904 00:42:11,520 --> 00:42:13,480 Speaker 3: it because I got I got a friend I don't 905 00:42:13,480 --> 00:42:16,719 Speaker 3: want to say his name. We hang out right, and 906 00:42:16,840 --> 00:42:21,080 Speaker 3: then we don't even want to take pictures because we 907 00:42:21,200 --> 00:42:24,239 Speaker 3: got survivors re morese. We're just sitting around thinking like 908 00:42:24,280 --> 00:42:27,000 Speaker 3: a once we take a picture, there's gonna be people 909 00:42:27,040 --> 00:42:31,120 Speaker 3: hating bro, and that's like fucked up. Like our wives 910 00:42:31,160 --> 00:42:35,040 Speaker 3: were looking at each other like yo, some suckers, like 911 00:42:35,160 --> 00:42:38,400 Speaker 3: we out like three days a week and like y'ah no, 912 00:42:38,680 --> 00:42:39,799 Speaker 3: we're we're over here. 913 00:42:39,880 --> 00:42:41,400 Speaker 1: We don't want to take this picture. 914 00:42:41,520 --> 00:42:46,879 Speaker 2: Like fuck that I gotta I got a real album calls. 915 00:42:47,880 --> 00:42:53,400 Speaker 1: That's what I said. That that's what But I know 916 00:42:53,520 --> 00:42:56,760 Speaker 1: I'm knowing. But it's like the ship that's like second 917 00:42:56,840 --> 00:42:58,680 Speaker 1: nature though you feel me. I don't even think Nigga 918 00:42:58,719 --> 00:43:02,320 Speaker 1: intentionally really beat. It's like like you said, like in 919 00:43:02,400 --> 00:43:04,960 Speaker 1: the beginning of the interview, like you ask your phone 920 00:43:05,040 --> 00:43:07,239 Speaker 1: so much sometimes you just don't even want to deal 921 00:43:07,320 --> 00:43:09,600 Speaker 1: with the energy of certain ship that's just not even 922 00:43:09,719 --> 00:43:12,759 Speaker 1: changed my dad or more you feel me all the time, 923 00:43:13,600 --> 00:43:15,640 Speaker 1: never changed, man, I say that ship all the time, 924 00:43:15,680 --> 00:43:17,400 Speaker 1: I be wanting to change my number. But then it's 925 00:43:17,440 --> 00:43:20,560 Speaker 1: like I be thinking, like I know, what if somebody 926 00:43:20,640 --> 00:43:26,799 Speaker 1: really Nigga really be feeling like that this real ship? 927 00:43:27,000 --> 00:43:27,319 Speaker 1: How much? 928 00:43:27,360 --> 00:43:30,319 Speaker 2: How much you think fatherhood has helped you mature as well? 929 00:43:31,480 --> 00:43:34,640 Speaker 1: One hundred percent? I feel like fatherhood is if it 930 00:43:34,680 --> 00:43:37,560 Speaker 1: won't for me really having my first kid, I would, like, 931 00:43:38,080 --> 00:43:40,480 Speaker 1: I know, I wouldn't have really like grew up and 932 00:43:41,400 --> 00:43:44,040 Speaker 1: just like been on some ship where like I know, 933 00:43:44,400 --> 00:43:48,080 Speaker 1: like what having a kid teach you is your first 934 00:43:48,160 --> 00:43:51,440 Speaker 1: and foremost, like your main responsibility. Owe everything to them. 935 00:43:51,560 --> 00:43:54,480 Speaker 1: So you got to make decisions knowing that are you 936 00:43:54,680 --> 00:43:57,160 Speaker 1: owe everything to your kids because what happens to you 937 00:43:57,239 --> 00:43:59,959 Speaker 1: happened today exactly. So before you had kids, you feel 938 00:44:00,160 --> 00:44:02,440 Speaker 1: like you owe something to the mother fucker. But when 939 00:44:02,480 --> 00:44:04,160 Speaker 1: you really have kids, you're like, oh no, I really 940 00:44:04,200 --> 00:44:07,120 Speaker 1: don't own nobody shit. I own my kids everything. So 941 00:44:07,680 --> 00:44:10,960 Speaker 1: you know, like that just like changed my whole way 942 00:44:11,000 --> 00:44:13,080 Speaker 1: of thinking when I had children. You know what I'm saying, 943 00:44:13,120 --> 00:44:17,040 Speaker 1: It's like and then like no, funny shit, people always 944 00:44:17,080 --> 00:44:20,520 Speaker 1: ask me, like what's my like like most places of 945 00:44:20,640 --> 00:44:23,480 Speaker 1: comfort or happiest place, like no matter what I'm going through, 946 00:44:23,520 --> 00:44:26,040 Speaker 1: when I'm around my kids, I could literally just zone 947 00:44:26,120 --> 00:44:28,880 Speaker 1: out and not think about nothing, like no matter what, 948 00:44:29,200 --> 00:44:31,520 Speaker 1: like five regardless, Like I don't feel like I had 949 00:44:31,600 --> 00:44:35,600 Speaker 1: no other vice like studio all that should be therapeutic. Q, 950 00:44:36,040 --> 00:44:37,600 Speaker 1: Like you know, I love what I do, but like 951 00:44:38,080 --> 00:44:40,360 Speaker 1: my purest place is just like no matter what, I 952 00:44:40,400 --> 00:44:43,000 Speaker 1: could be like the most depressed ever and be in 953 00:44:43,080 --> 00:44:45,320 Speaker 1: the room my kids and then that shit just literally 954 00:44:45,440 --> 00:44:48,080 Speaker 1: go away, you know what I'm saying. So like even 955 00:44:48,160 --> 00:44:50,399 Speaker 1: if it's for the time being to being around my kids. 956 00:44:50,480 --> 00:44:53,800 Speaker 1: And then when that's old, I snapped back right in reality, 957 00:44:54,160 --> 00:44:56,399 Speaker 1: like I feel like that's the purest form of love. 958 00:44:56,480 --> 00:44:58,840 Speaker 2: You knowe what I'm saying here people exactly so like 959 00:44:59,480 --> 00:45:00,120 Speaker 2: and then it's. 960 00:45:00,120 --> 00:45:02,719 Speaker 1: Like another thing is too that should be tweaking me out, 961 00:45:02,840 --> 00:45:07,239 Speaker 1: like no matter what, Like I'm learning my older you know, 962 00:45:07,280 --> 00:45:09,319 Speaker 1: you know son, he fat you can be six years old, 963 00:45:09,400 --> 00:45:12,000 Speaker 1: like he know what's going on. But at the end 964 00:45:12,000 --> 00:45:15,160 Speaker 1: of the day, your kids don't really know, Like they 965 00:45:15,200 --> 00:45:17,279 Speaker 1: don't know who I am, what I know, They don't think. 966 00:45:17,280 --> 00:45:20,000 Speaker 1: You don't talk about none of that. They don't know. 967 00:45:20,680 --> 00:45:23,480 Speaker 1: I still think I'm corny with my kids. You always 968 00:45:23,520 --> 00:45:27,480 Speaker 1: doing it for like like like like the last thing 969 00:45:27,640 --> 00:45:31,600 Speaker 1: I watching my son, I watched Ted. I know that's inappropriate. 970 00:45:33,160 --> 00:45:36,839 Speaker 3: No, No, youngest, we watched Ted the series. You've seen 971 00:45:36,880 --> 00:45:39,080 Speaker 3: that ship on peac racist? 972 00:45:40,040 --> 00:45:43,800 Speaker 1: Very racist? What is hilarious? Yeah, he has a series. 973 00:45:44,760 --> 00:45:47,759 Speaker 1: Yeah you think for me on dead Boy, I ain't 974 00:45:47,800 --> 00:45:49,759 Speaker 1: never see that ship into My son watched that. He 975 00:45:49,760 --> 00:45:51,640 Speaker 1: ain't supposed to be watching that. No, No, I ain't 976 00:45:51,640 --> 00:45:55,320 Speaker 1: gonna lie I'm a bad father. Let me tur that 977 00:45:55,400 --> 00:45:58,799 Speaker 1: out there. Don't say you're not a bad father, but in. 978 00:45:58,840 --> 00:46:01,320 Speaker 3: This situation is like that cause I watched it, and 979 00:46:01,440 --> 00:46:03,959 Speaker 3: now I start to realize he's asking me to watch 980 00:46:04,040 --> 00:46:05,880 Speaker 3: it because he wants to watch it. 981 00:46:06,160 --> 00:46:08,480 Speaker 1: Right, So I'm looking at and then my. 982 00:46:08,520 --> 00:46:12,440 Speaker 3: Wife's getting her hair done, I'm getting a haircut. 983 00:46:12,280 --> 00:46:13,920 Speaker 1: And everybody in the house is just looking like, oh 984 00:46:13,960 --> 00:46:16,440 Speaker 1: my god. And I'm sitting there with my son, and 985 00:46:16,480 --> 00:46:16,799 Speaker 1: I looked. 986 00:46:16,840 --> 00:46:19,840 Speaker 2: I'm like, damn, I'm kind of he just made that 987 00:46:20,000 --> 00:46:21,680 Speaker 2: point over. But that's what I'm saying. I'm saying that 988 00:46:21,800 --> 00:46:24,319 Speaker 2: to say, like your kids don't really know like who 989 00:46:24,640 --> 00:46:25,480 Speaker 2: Like my son. 990 00:46:25,400 --> 00:46:27,640 Speaker 1: He wanting to do the most random ship, and I 991 00:46:27,800 --> 00:46:31,120 Speaker 1: gotta do it, like like wherever we at, he want 992 00:46:31,160 --> 00:46:33,640 Speaker 1: to go to, whatever target, he want to go out to, 993 00:46:33,800 --> 00:46:37,839 Speaker 1: the closest jumpy house, the nearest arcade, just random ship 994 00:46:38,400 --> 00:46:41,600 Speaker 1: for the moment. How you failures, old, Okay, I'll be 995 00:46:41,680 --> 00:46:43,640 Speaker 1: having to go do that ship, no matter if there's 996 00:46:43,719 --> 00:46:45,799 Speaker 1: a million fans in there at all. 997 00:46:46,080 --> 00:46:47,759 Speaker 2: I just go do it because that's what he wanted 998 00:46:47,800 --> 00:46:47,920 Speaker 2: to do. 999 00:46:48,080 --> 00:46:50,160 Speaker 1: Like he not thinking about that ship and he not 1000 00:46:50,320 --> 00:46:52,520 Speaker 1: knowing like you feel me. So that's what I'm saying. 1001 00:46:52,520 --> 00:46:55,040 Speaker 1: Your kids, How you how you're doing the most random shit, 1002 00:46:55,160 --> 00:46:57,480 Speaker 1: like fuck it, Like just say fuck it. I always 1003 00:46:57,520 --> 00:47:00,320 Speaker 1: do that with one kid, Like fucking you're going he 1004 00:47:00,440 --> 00:47:03,200 Speaker 1: got the fatherhood park has. Let's make too much for 1005 00:47:03,200 --> 00:47:03,480 Speaker 1: your father. 1006 00:47:08,239 --> 00:47:08,560 Speaker 2: Let's do it. 1007 00:47:08,640 --> 00:47:10,239 Speaker 1: He don't do nothing. He don't leave the house for 1008 00:47:10,400 --> 00:47:12,160 Speaker 1: ship at. 1009 00:47:12,120 --> 00:47:13,640 Speaker 2: All, all kinds of ship. 1010 00:47:14,120 --> 00:47:17,960 Speaker 1: Yeah, right now you're having active and ship with my kids. 1011 00:47:18,040 --> 00:47:21,200 Speaker 2: Why they're too busy? Fuck the whole crib up. 1012 00:47:21,239 --> 00:47:23,640 Speaker 1: You gotta leave up. How many kids you have? Three? Three? 1013 00:47:24,360 --> 00:47:25,279 Speaker 2: What's the age one? 1014 00:47:25,800 --> 00:47:34,360 Speaker 3: Oh, it's fourteen. They going through puberty. I gotta have 1015 00:47:34,480 --> 00:47:36,160 Speaker 3: the birds and the bees. I don't know if they 1016 00:47:36,239 --> 00:47:37,359 Speaker 3: already had the birds and bees. 1017 00:47:37,360 --> 00:47:37,680 Speaker 2: I don't know. 1018 00:47:38,239 --> 00:47:41,239 Speaker 3: Like I'm scared. I'm scared of like they damn there 1019 00:47:41,320 --> 00:47:45,680 Speaker 3: the homies and ship may be telling me let's go to. 1020 00:47:47,840 --> 00:47:53,160 Speaker 3: I know why they want to go to. I'm alright, 1021 00:47:53,280 --> 00:47:55,319 Speaker 3: got that man, All right, listen, So we got a game. 1022 00:47:56,080 --> 00:48:00,959 Speaker 1: Wait, yeah, yeah, yeah, you handle it. Handle that we wanted. 1023 00:48:01,040 --> 00:48:02,920 Speaker 3: We want to let you know how much we appreciate you, 1024 00:48:03,000 --> 00:48:05,680 Speaker 3: how much you are a legend, how much love and 1025 00:48:05,880 --> 00:48:08,319 Speaker 3: hip hop you got is you know That's one thing 1026 00:48:08,400 --> 00:48:10,640 Speaker 3: I do when I interview a guest, I call. 1027 00:48:11,320 --> 00:48:12,040 Speaker 1: I just call. 1028 00:48:11,960 --> 00:48:15,080 Speaker 3: Everybody, and everybody, Yo, I kid you not you wanted 1029 00:48:15,239 --> 00:48:20,080 Speaker 3: like the third guests maybe you look you're up, you're 1030 00:48:20,160 --> 00:48:22,680 Speaker 3: up there like that. Nobody had nothing. 1031 00:48:22,520 --> 00:48:26,560 Speaker 1: Bad to say. I was like, that's fucking fire. You 1032 00:48:26,600 --> 00:48:28,520 Speaker 1: know what I'm saying. Like everybody was like, yo, man, 1033 00:48:28,520 --> 00:48:31,000 Speaker 1: it's a stand up dude. It's a good dude. You 1034 00:48:31,080 --> 00:48:31,520 Speaker 1: know what I mean. 1035 00:48:32,120 --> 00:48:35,160 Speaker 3: And so our show is about giving people they flowers. 1036 00:48:35,200 --> 00:48:36,839 Speaker 3: So we want to give you your mother. 1037 00:48:38,080 --> 00:48:46,080 Speaker 1: Yeah, it's like a Grammy because it's coming from your people. 1038 00:48:46,480 --> 00:48:49,920 Speaker 1: This is your people, man, this is your house. I 1039 00:48:50,000 --> 00:48:53,239 Speaker 1: want you to know. I want you to know that. 1040 00:48:53,719 --> 00:48:57,680 Speaker 1: Before we get to QuickTime of Slim, I want to. 1041 00:48:58,760 --> 00:49:00,239 Speaker 1: I want to. I want to say something and just 1042 00:49:00,280 --> 00:49:02,799 Speaker 1: I want you to tell me. What do you hear? 1043 00:49:03,800 --> 00:49:08,160 Speaker 3: Uh when I say this? When I say that, okay 1044 00:49:08,760 --> 00:49:16,359 Speaker 3: you ready? Yeah, humble beast, Well, I think hunger. Hunger, Yeah, 1045 00:49:18,160 --> 00:49:21,200 Speaker 3: hunger immediately more than one? 1046 00:49:22,200 --> 00:49:24,560 Speaker 1: More than one? Like what more than one? Whatever? 1047 00:49:25,960 --> 00:49:30,319 Speaker 2: Humble beasts? I think hunger. Man think uh uh? 1048 00:49:30,600 --> 00:49:35,759 Speaker 1: Dedication, I think I think gold oriented. I was on 1049 00:49:35,880 --> 00:49:43,360 Speaker 1: a mission gold Yeah, gold oriented for sure. I figured 1050 00:49:43,440 --> 00:49:46,399 Speaker 1: I had I think of having a point of prove 1051 00:49:47,440 --> 00:49:49,839 Speaker 1: I had something approval to myself, I felt like at 1052 00:49:49,880 --> 00:49:52,320 Speaker 1: that time and like to the industry, you know that 1053 00:49:53,000 --> 00:49:56,440 Speaker 1: being my like debut album, like on some ship. Okay, 1054 00:49:57,520 --> 00:50:08,920 Speaker 1: still swerving, still swerving, consistency like uh, I think, uh. 1055 00:50:10,640 --> 00:50:16,120 Speaker 2: Living life, having fun, I think uh. 1056 00:50:18,480 --> 00:50:25,239 Speaker 1: Ship. Uh, I think I God damnit swerving on Bro 1057 00:50:26,440 --> 00:50:32,279 Speaker 1: swerving and what I think? Uh? I think of a 1058 00:50:32,440 --> 00:50:35,799 Speaker 1: ship gratefulness on Bro, being grateful right out of town 1059 00:50:36,000 --> 00:50:45,839 Speaker 1: Bro okay, PTSD, PTSD. I think of Chicago. I think 1060 00:50:45,960 --> 00:50:57,080 Speaker 1: of hustling. I think of ship, savage life. I think 1061 00:50:57,160 --> 00:51:03,520 Speaker 1: of death mm hmmm, mm hmm. Ship. I think a 1062 00:51:03,640 --> 00:51:15,480 Speaker 1: grieving pain, anger and ship. I think of vulnerability and 1063 00:51:15,920 --> 00:51:26,280 Speaker 1: awareness twenty five, twenty five, I think survivals of morse. 1064 00:51:26,600 --> 00:51:29,759 Speaker 1: I think of grief. I can't say that gratefulness. That's 1065 00:51:29,800 --> 00:51:33,520 Speaker 1: my next question, Bro, I'm gonna I'm gonna go into 1066 00:51:35,040 --> 00:51:39,520 Speaker 1: I'm gonna go into that with that you're doing my interview. 1067 00:51:41,080 --> 00:51:45,120 Speaker 1: That was but for twenty five, I think I think 1068 00:51:45,160 --> 00:51:48,640 Speaker 1: of gratefulness too though. Okay, I think of gratefulness. I 1069 00:51:48,760 --> 00:51:54,600 Speaker 1: think of life. I think of celebration, I think of grief. 1070 00:51:55,640 --> 00:52:05,360 Speaker 1: M hmmm. And I think I think of victory and 1071 00:52:05,480 --> 00:52:10,240 Speaker 1: now survivors of Mars, survivors of Morse. I think of sorrow, 1072 00:52:11,840 --> 00:52:25,960 Speaker 1: anger again. I think of confusion. I think uh, I 1073 00:52:26,040 --> 00:52:34,200 Speaker 1: think the resentfulness. I don't know if I said pain, well, 1074 00:52:34,200 --> 00:52:38,920 Speaker 1: I think of pain again. The reason, the reason why 1075 00:52:38,960 --> 00:52:41,359 Speaker 1: I had was, like I had said, survivors of Morese 1076 00:52:41,640 --> 00:52:45,280 Speaker 1: when I said the two five was because like turning 1077 00:52:45,360 --> 00:52:53,280 Speaker 1: twenty five was like like the whole time, like period 1078 00:52:53,360 --> 00:52:55,319 Speaker 1: of me just where I was as an artist, as 1079 00:52:55,360 --> 00:52:59,239 Speaker 1: a man everywhere, just like actually being grateful to turn 1080 00:52:59,400 --> 00:53:02,520 Speaker 1: twenty five at such a young age. It's really crazy 1081 00:53:02,600 --> 00:53:05,160 Speaker 1: as fuck, you know what I'm saying. And now that 1082 00:53:05,280 --> 00:53:07,680 Speaker 1: I'm twenty eight, f goin to be thirty. You feel me. 1083 00:53:07,719 --> 00:53:10,239 Speaker 1: It's still being young, but you just be grateful for 1084 00:53:10,320 --> 00:53:13,160 Speaker 1: the me is cause niggas really don't get that far 1085 00:53:13,280 --> 00:53:15,200 Speaker 1: where I come from, a lot of my homies didn't 1086 00:53:15,239 --> 00:53:18,080 Speaker 1: get to see eighteen twenty one, you know, So being 1087 00:53:18,360 --> 00:53:20,680 Speaker 1: turned at twenty five like and that was one of 1088 00:53:20,719 --> 00:53:24,040 Speaker 1: my last birthdays that I turned with my little brother, 1089 00:53:24,320 --> 00:53:29,280 Speaker 1: you feel me. My little brother, uh he died seven 1090 00:53:29,360 --> 00:53:32,359 Speaker 1: days before it's twenty fifth birthday. Got like you two 1091 00:53:32,440 --> 00:53:35,120 Speaker 1: plus five and seven, Like the whole reason why I 1092 00:53:35,280 --> 00:53:38,160 Speaker 1: was like putting that whole album two five together. You 1093 00:53:38,200 --> 00:53:40,160 Speaker 1: feel what I'm saying, It was just like it was 1094 00:53:40,239 --> 00:53:43,279 Speaker 1: a different like just time or you know, like they'll 1095 00:53:43,360 --> 00:53:46,120 Speaker 1: let you know, like well, well we all mentally, not 1096 00:53:46,360 --> 00:53:49,759 Speaker 1: just me, like everybody around, everybody I ever know knew 1097 00:53:49,880 --> 00:53:52,560 Speaker 1: growing up, Like it was like, of course everybody excited 1098 00:53:52,640 --> 00:53:55,520 Speaker 1: to see their twenty fifth birthday, but while I come from, 1099 00:53:55,600 --> 00:53:58,200 Speaker 1: we feel like it's a mouthstone even be alive at 1100 00:53:58,239 --> 00:54:01,080 Speaker 1: twenty five, not to actually enjoy twenty fifth birthday, and 1101 00:54:01,480 --> 00:54:03,799 Speaker 1: on you feel me, Nigga, just happy to be here. 1102 00:54:03,880 --> 00:54:05,640 Speaker 1: You lost so much, you feel me, So it's like 1103 00:54:05,719 --> 00:54:09,719 Speaker 1: looking back at that, I feel like shit, I feel 1104 00:54:09,760 --> 00:54:14,160 Speaker 1: like I wish, you know, Nigga would have like celebrated 1105 00:54:14,400 --> 00:54:17,200 Speaker 1: like more. You feel me with that being like my 1106 00:54:17,400 --> 00:54:19,799 Speaker 1: last birthday even with you know, because I had a ball, 1107 00:54:20,120 --> 00:54:21,759 Speaker 1: Like you feel what I'm saying, But I'm just saying 1108 00:54:21,840 --> 00:54:24,560 Speaker 1: like not even not even like what I mean. It's 1109 00:54:24,640 --> 00:54:29,680 Speaker 1: like on some just like fastest, like not even my 1110 00:54:29,840 --> 00:54:34,239 Speaker 1: whole twenty fifth birthday was around the fact that just 1111 00:54:34,360 --> 00:54:36,719 Speaker 1: being grateful to be alive, you feel me and my 1112 00:54:36,880 --> 00:54:39,800 Speaker 1: the brother they didn't even see his twenty fifth birthday, 1113 00:54:39,880 --> 00:54:42,120 Speaker 1: so that it was like it was like a weird 1114 00:54:42,200 --> 00:54:48,280 Speaker 1: feeling for me. You know, God bless bro. But Nigga 1115 00:54:48,440 --> 00:54:50,840 Speaker 1: just that's why i'd be having that. Master, Nigga, just 1116 00:54:50,920 --> 00:54:56,280 Speaker 1: be grateful for shitting right, be grateful, quick Time and slob. 1117 00:54:56,320 --> 00:54:57,479 Speaker 1: You want to explain to him the rules. 1118 00:54:57,800 --> 00:55:01,800 Speaker 6: Yeah, we're gonna give you two choices. Pick one and 1119 00:55:02,560 --> 00:55:05,480 Speaker 6: we're not drinking quick time or slim. Yeah, two choices. 1120 00:55:05,520 --> 00:55:07,560 Speaker 6: You get two choices. There's a list of things. These 1121 00:55:07,600 --> 00:55:09,399 Speaker 6: guys over here came up with this list, So don't 1122 00:55:09,400 --> 00:55:12,400 Speaker 6: blame us, Columbian and the Dominican. Right, so you get 1123 00:55:12,400 --> 00:55:15,680 Speaker 6: two choices. You picked nobody together. If you say both, 1124 00:55:16,480 --> 00:55:19,239 Speaker 6: like you say both of them, what do quick time 1125 00:55:19,400 --> 00:55:21,839 Speaker 6: or what? That's just the name of the game. 1126 00:55:22,560 --> 00:55:23,080 Speaker 1: Drinking game. 1127 00:55:23,600 --> 00:55:25,600 Speaker 6: Yeah, you're picking something. But if you if you say both, 1128 00:55:25,640 --> 00:55:28,680 Speaker 6: are neither we drinking. All of us are drinking. Okay, 1129 00:55:29,080 --> 00:55:31,160 Speaker 6: but if you pick nobody drinking, If you pick something, 1130 00:55:31,360 --> 00:55:34,560 Speaker 6: nobody drink. But if you don't pick basically we drinking. 1131 00:55:34,800 --> 00:55:38,360 Speaker 6: Remember this, Are you ready and go light with the 1132 00:55:38,360 --> 00:55:39,520 Speaker 6: shots because it's a long game. 1133 00:55:39,680 --> 00:55:42,719 Speaker 1: Yeah, yeah, you go light with the shots. Okay, you ready? 1134 00:55:43,320 --> 00:55:45,960 Speaker 3: This is your shot Towns is going to suck you 1135 00:55:46,080 --> 00:55:49,279 Speaker 3: up right now you're ready, let us do it, Chief 1136 00:55:49,440 --> 00:55:50,800 Speaker 3: Keith or Little Dirk. 1137 00:55:56,360 --> 00:56:08,359 Speaker 1: So okay, Chief right, Tupac or DMX Tupac ok Drake 1138 00:56:08,520 --> 00:56:15,640 Speaker 1: or Lula, Wayne Wayne Nas or jadakiss kiss. 1139 00:56:16,760 --> 00:56:18,080 Speaker 2: You guys have to say about that. 1140 00:56:19,000 --> 00:56:21,200 Speaker 6: Right if you want to elaborate, tell the story anything 1141 00:56:21,320 --> 00:56:22,880 Speaker 6: but Jada Kiss Okay. 1142 00:56:24,320 --> 00:56:27,640 Speaker 1: Kanye West or no I D obviously produce. 1143 00:56:27,320 --> 00:56:31,600 Speaker 2: It and obviously both Chicago, I'm gonna go. 1144 00:56:31,760 --> 00:56:34,719 Speaker 1: No I D. As you know, Big Bro, he was 1145 00:56:34,760 --> 00:56:36,799 Speaker 1: one of the first that ever really embraced me to though, 1146 00:56:36,840 --> 00:56:38,840 Speaker 1: really like O I D. I got, I got, like 1147 00:56:39,880 --> 00:56:42,719 Speaker 1: I got placements, like songs with no ID when I'm 1148 00:56:42,760 --> 00:56:45,200 Speaker 1: like sixteen years old, when I first started rapping, Like 1149 00:56:45,360 --> 00:56:48,000 Speaker 1: when you work with Common, Who's yeah exactly? That was 1150 00:56:49,320 --> 00:56:51,200 Speaker 1: that was the whole play. No I D put that 1151 00:56:51,280 --> 00:56:54,200 Speaker 1: whole play together with Common. You feund and Big Bro 1152 00:56:54,320 --> 00:56:57,000 Speaker 1: always just been like a mentor for me, Like I know, 1153 00:56:57,080 --> 00:56:59,799 Speaker 1: if there's anything I really need to like get off, 1154 00:57:00,200 --> 00:57:02,000 Speaker 1: if I ever need to come here for any advice, 1155 00:57:02,080 --> 00:57:04,440 Speaker 1: it's just a phone call fee. That's fine. That's a 1156 00:57:04,480 --> 00:57:07,400 Speaker 1: big dog too, a shout to be. He always showed 1157 00:57:07,440 --> 00:57:10,919 Speaker 1: me love from the beginning. Since they want juice World 1158 00:57:11,080 --> 00:57:12,000 Speaker 1: or P M. B Rock. 1159 00:57:13,680 --> 00:57:17,920 Speaker 2: That's the piece and I could do both. It's called 1160 00:57:17,920 --> 00:57:18,840 Speaker 2: the ticket both. 1161 00:57:18,920 --> 00:57:21,120 Speaker 1: Let's take both of my brother. I've been feeding him, 1162 00:57:21,160 --> 00:57:24,560 Speaker 1: take a shot. Let's do it. But I wanted you 1163 00:57:24,560 --> 00:57:26,480 Speaker 1: to go with the right choices. 1164 00:57:31,360 --> 00:57:38,360 Speaker 2: The next even we're back. 1165 00:57:43,840 --> 00:57:45,160 Speaker 1: Hey, man, I don't know if I can say it. 1166 00:57:45,160 --> 00:57:47,240 Speaker 2: But I don't want to take my brother P and 1167 00:57:47,320 --> 00:57:49,040 Speaker 2: B anyway, I got to take that. 1168 00:57:49,240 --> 00:57:56,439 Speaker 3: Yes, future twenty one savage. Uh, we take a shot, 1169 00:57:56,480 --> 00:57:57,560 Speaker 3: you know, take a. 1170 00:57:57,560 --> 00:58:03,479 Speaker 1: Shot, brother Brodian Right, Yeah, don't choose, don't don't choose side. 1171 00:58:03,600 --> 00:58:04,520 Speaker 2: That's a two headed go. 1172 00:58:05,880 --> 00:58:09,440 Speaker 1: Yeah, ice gub that motherfucker. I've been holding this one. 1173 00:58:10,440 --> 00:58:18,520 Speaker 6: Want to shut chilling Common or lupid fiasco Common, it's 1174 00:58:18,560 --> 00:58:22,120 Speaker 6: South side of Metro booming Well, taking a shot on Flo. 1175 00:58:23,800 --> 00:58:27,680 Speaker 6: That's another two head to go. Sorry about that drinking. 1176 00:58:28,960 --> 00:58:29,760 Speaker 1: You know what he's drinking? 1177 00:58:32,560 --> 00:58:36,440 Speaker 3: What was It's called mam Wana but he's not from 1178 00:58:36,480 --> 00:58:37,400 Speaker 3: dominic in Republic? 1179 00:58:37,920 --> 00:58:41,600 Speaker 1: What is it? It's made in the tubbing kind he. 1180 00:58:41,680 --> 00:58:42,400 Speaker 2: Make that ship up. 1181 00:58:42,920 --> 00:58:45,600 Speaker 1: It's telling you, man, don't don't start. 1182 00:58:46,600 --> 00:58:49,080 Speaker 7: He's gonna ask you for a shot. Called wife the 1183 00:58:49,160 --> 00:58:57,560 Speaker 7: movie should try. By the way, the best baptob in candle. 1184 00:59:00,080 --> 00:59:03,200 Speaker 1: I know it's some times breaking it anyway, just let 1185 00:59:03,240 --> 00:59:05,120 Speaker 1: me take my. 1186 00:59:08,720 --> 00:59:08,880 Speaker 2: Man. 1187 00:59:08,880 --> 00:59:12,400 Speaker 1: I'm sorry, so I'm so happy you came here. Man, man, 1188 00:59:12,440 --> 00:59:18,800 Speaker 1: I want to get you and your fans is crazy. 1189 00:59:18,920 --> 00:59:21,760 Speaker 3: By the way, I tweeted out that got question questions 1190 00:59:21,800 --> 00:59:24,680 Speaker 3: with you heard they went crazy your fans. You got 1191 00:59:24,720 --> 00:59:31,840 Speaker 3: some crazy ass fans, yeah, man, yeah, okay podcast or radio. 1192 00:59:32,720 --> 00:59:40,880 Speaker 1: Podcast, okay, dropped podcast. Okay, Yeah, this is good. It's 1193 00:59:40,920 --> 00:59:41,439 Speaker 1: a good one. 1194 00:59:43,280 --> 00:59:48,440 Speaker 3: Cat Williams or Kevin Hard, don't take a shot. I 1195 00:59:48,520 --> 00:59:50,360 Speaker 3: was gonna take a shot. I don't want no smoke. 1196 00:59:53,360 --> 00:59:56,480 Speaker 3: Give us both trouble, take a shot. We outside, we 1197 00:59:56,560 --> 00:59:59,520 Speaker 3: love them both shut out. But it's entertaining. I never 1198 00:59:59,600 --> 01:00:06,800 Speaker 3: seen control. And that's the funniest on the craziest ship. 1199 01:00:06,920 --> 01:00:07,600 Speaker 3: It's just dope. 1200 01:00:08,600 --> 01:00:11,960 Speaker 1: You ain't. I want to with everybody getting the loan 1201 01:00:12,040 --> 01:00:15,240 Speaker 1: and spreading love under entertainment. 1202 01:00:15,280 --> 01:00:16,880 Speaker 2: It's entertainment. That's the name of the game, right. 1203 01:00:17,120 --> 01:00:18,920 Speaker 1: But I'm like that other people is beefing other than 1204 01:00:18,960 --> 01:00:28,080 Speaker 1: rappings exactly. That's hard. That's hard. This is what to 1205 01:00:28,160 --> 01:00:34,560 Speaker 1: be damn it. Okay, Luda or t I take a shot. 1206 01:00:34,600 --> 01:00:35,240 Speaker 1: Do I old shot? 1207 01:00:35,280 --> 01:00:38,880 Speaker 6: Yeah, take a shot, take a shot, tip mm hmm, okay, 1208 01:00:39,560 --> 01:00:40,760 Speaker 6: Rick Rosser, jez. 1209 01:00:42,520 --> 01:00:47,120 Speaker 1: Uh take a shot man, Okay, take a shot for 1210 01:00:47,200 --> 01:00:47,560 Speaker 1: Big Bro. 1211 01:00:47,720 --> 01:00:53,720 Speaker 3: Now it's going down. Okay, here putting the ice in 1212 01:00:53,760 --> 01:00:57,000 Speaker 3: every shot, Bro Man, that's ships hottest like I don't 1213 01:00:57,040 --> 01:00:58,840 Speaker 3: like it. That ship is like Russian cheating. 1214 01:00:58,920 --> 01:01:08,040 Speaker 1: Man's DJ drama or d J Collin drama. Mm hmm. 1215 01:01:08,920 --> 01:01:12,600 Speaker 1: Scarface or ice Cube? What we say drama cattle. We 1216 01:01:12,600 --> 01:01:19,320 Speaker 1: gotta take a shot, take a show. You take a shot, said, 1217 01:01:19,840 --> 01:01:22,720 Speaker 1: I'm a little I'm a little tipsy. I had consume. 1218 01:01:22,840 --> 01:01:26,280 Speaker 1: The question is okay, I didn't even shopping Big Bro. 1219 01:01:26,440 --> 01:01:30,960 Speaker 1: Now we remember for another two headed girl? All right? 1220 01:01:31,000 --> 01:01:32,120 Speaker 2: Scarface of ice Cube? 1221 01:01:33,560 --> 01:01:38,880 Speaker 6: Mm hmmm, scar Face, Boys in the Hood or medicine Society, 1222 01:01:40,480 --> 01:01:41,880 Speaker 6: Minis Society. 1223 01:01:44,440 --> 01:01:47,440 Speaker 2: L A or Miami U l A. 1224 01:01:49,360 --> 01:01:55,680 Speaker 3: Travis Scott or Asap Rocky Travis, Biggie A big Al 1225 01:01:56,760 --> 01:01:59,440 Speaker 3: Biggie our Castle, u g K. 1226 01:02:01,640 --> 01:02:05,360 Speaker 2: Hugk Hey, who's d the come on? 1227 01:02:05,480 --> 01:02:10,880 Speaker 1: Bro? Little g or little Wice take a shot. I 1228 01:02:11,040 --> 01:02:14,920 Speaker 1: respect that big and both of cheer boy take a 1229 01:02:15,000 --> 01:02:15,840 Speaker 1: shot and fold up. 1230 01:02:16,880 --> 01:02:18,000 Speaker 2: So take a nice. 1231 01:02:21,760 --> 01:02:21,960 Speaker 1: Show. 1232 01:02:21,960 --> 01:02:25,280 Speaker 3: What me do it's it's still hot. It's like fucking 1233 01:02:25,400 --> 01:02:32,360 Speaker 3: taking a coffee shot. Little baby or Rocky Fresh Baby, 1234 01:02:34,400 --> 01:02:35,560 Speaker 3: little yachty, a little. 1235 01:02:35,400 --> 01:02:45,960 Speaker 1: Oozy, take a shot that big Yeah, he's some good ass. 1236 01:02:46,080 --> 01:02:53,520 Speaker 1: Questions by the way, thank you Kodak or Denzel Curry Kodak. 1237 01:02:56,480 --> 01:02:59,960 Speaker 1: Last one, it's the most important one, most important one 1238 01:03:01,680 --> 01:03:03,080 Speaker 1: loyalty or respect? 1239 01:03:07,920 --> 01:03:14,480 Speaker 2: Respect? Explain because I'm built off loyalty. 1240 01:03:14,640 --> 01:03:16,959 Speaker 1: I'm a loyal person anyway you feel what I'm saying 1241 01:03:17,040 --> 01:03:20,400 Speaker 1: that you can't really if people don't really have a loyalty, 1242 01:03:21,880 --> 01:03:24,320 Speaker 1: you can't probably instill that anything. But I'm gonna make 1243 01:03:24,360 --> 01:03:26,520 Speaker 1: you respect me. If you don't respect me, I demand 1244 01:03:26,600 --> 01:03:28,880 Speaker 1: respect regardless of what. You don't have to be lord 1245 01:03:28,960 --> 01:03:31,720 Speaker 1: to me. You don't have to be whatever, but you're 1246 01:03:31,760 --> 01:03:34,080 Speaker 1: gonna have to be respectful me because I'm gonna leader 1247 01:03:34,160 --> 01:03:38,560 Speaker 1: respect whatever. I don't have to enforce loyalty, force respect, 1248 01:03:38,640 --> 01:03:43,200 Speaker 1: applying anybody, so respect, so you would respect and respect. 1249 01:03:44,280 --> 01:03:46,080 Speaker 1: I ain't a lie. You're not supposed to take a 1250 01:03:46,120 --> 01:03:50,000 Speaker 1: shot for that, but I think we should. I mean, 1251 01:03:50,480 --> 01:03:53,280 Speaker 1: that was a hard answer, Like that was I was 1252 01:03:53,320 --> 01:03:54,760 Speaker 1: fucked up. I was like, we can take a shot 1253 01:03:54,800 --> 01:03:57,000 Speaker 1: for that. You want to take a shot, Bro, I mean, 1254 01:03:57,360 --> 01:03:58,880 Speaker 1: do you want to take a shot for the answer, 1255 01:03:59,080 --> 01:04:03,080 Speaker 1: like it's deserves deserves shot. I do it for myself. 1256 01:04:03,120 --> 01:04:08,000 Speaker 1: You say wanted to take a shot. I wanted to 1257 01:04:08,000 --> 01:04:10,080 Speaker 1: take a shot too. But that answer was. 1258 01:04:10,080 --> 01:04:14,280 Speaker 6: Awesome, bro. Going back to to no idea when you 1259 01:04:14,360 --> 01:04:17,680 Speaker 6: were Common? Right, did you record with Common in the studio? 1260 01:04:19,240 --> 01:04:21,160 Speaker 1: No? No, have y'all linked though? 1261 01:04:21,280 --> 01:04:21,480 Speaker 2: Yeah? 1262 01:04:21,520 --> 01:04:23,720 Speaker 1: He yeah, ain't gonna low with comments so tough, man, 1263 01:04:23,720 --> 01:04:26,440 Speaker 1: I was. You know, it's crazy. I actually was supposed 1264 01:04:26,480 --> 01:04:29,160 Speaker 1: to start acting like years ago. Man, But I really 1265 01:04:29,320 --> 01:04:33,360 Speaker 1: was just so focused on rap, Like I was, like, 1266 01:04:33,560 --> 01:04:35,440 Speaker 1: I'm a type of person, like I ain't gonna say 1267 01:04:35,480 --> 01:04:38,360 Speaker 1: I'm stubborn, but in a way, when I'm super focused 1268 01:04:38,400 --> 01:04:41,040 Speaker 1: on something like that malestone self for myself, I just 1269 01:04:41,160 --> 01:04:43,880 Speaker 1: gotta do one thing like I was supposed to really 1270 01:04:43,960 --> 01:04:46,960 Speaker 1: been in when they did. Which one was he in? 1271 01:04:47,080 --> 01:04:50,640 Speaker 1: Was comments and Barbershop three? I believe I was supposed 1272 01:04:50,640 --> 01:04:52,040 Speaker 1: to I was supposed to have been in that, And 1273 01:04:52,120 --> 01:04:54,840 Speaker 1: I just said in Chicago, right, Yeah, yeah, I went 1274 01:04:54,920 --> 01:04:57,360 Speaker 1: and I went and I went and uh went over 1275 01:04:57,480 --> 01:05:00,760 Speaker 1: my script with him. Yeah, me pull up on him 1276 01:05:00,800 --> 01:05:01,440 Speaker 1: at his hotel. 1277 01:05:01,960 --> 01:05:05,400 Speaker 3: I was, Yeah, I feel like he smells like baby powder. 1278 01:05:05,600 --> 01:05:07,160 Speaker 2: No, no, big Bro. 1279 01:05:08,320 --> 01:05:10,320 Speaker 1: That was my first time. He was a nice ass, 1280 01:05:10,840 --> 01:05:13,120 Speaker 1: nice ass sweet I forgot what hotel it was. It 1281 01:05:13,200 --> 01:05:14,760 Speaker 1: was a minute ago. He had me pull up to 1282 01:05:14,880 --> 01:05:17,160 Speaker 1: him and I went over my script with him for 1283 01:05:17,280 --> 01:05:19,400 Speaker 1: like two three hours. You feel me. Big Bro always 1284 01:05:19,520 --> 01:05:21,480 Speaker 1: just embraced me, like even on rap ship and just 1285 01:05:21,600 --> 01:05:23,280 Speaker 1: anything like he hit me like, oh you got the 1286 01:05:23,960 --> 01:05:26,280 Speaker 1: they trying to get a roll. I pulled up on 1287 01:05:26,320 --> 01:05:28,439 Speaker 1: the one over the script. You feel me. He kind 1288 01:05:28,440 --> 01:05:30,240 Speaker 1: of wanted me to do my video on syndity and 1289 01:05:30,360 --> 01:05:33,160 Speaker 1: right there, but I was on some nervous ship. I 1290 01:05:33,240 --> 01:05:34,320 Speaker 1: ain't doing it right then. 1291 01:05:34,400 --> 01:05:37,720 Speaker 6: I had because it was an audition that you were doing. Basically, yeah, 1292 01:05:38,440 --> 01:05:39,520 Speaker 6: I had over the script. 1293 01:05:40,360 --> 01:05:44,000 Speaker 1: I ain't sending shit. I ain't s I was supposed 1294 01:05:44,000 --> 01:05:46,479 Speaker 1: to have been in a barbershop. Three damn. It would 1295 01:05:46,480 --> 01:05:47,920 Speaker 1: have been year role if you would have been in there. 1296 01:05:49,200 --> 01:05:53,120 Speaker 1: I think I was supposed to been. You know Tarik 1297 01:05:53,280 --> 01:05:55,320 Speaker 1: from Power he was in there. Tarik was in there. 1298 01:05:55,560 --> 01:05:58,560 Speaker 1: He played uh. I think he was ice Cube son 1299 01:05:58,680 --> 01:06:04,320 Speaker 1: and Ship. I was supposed to be his homeie niggas 1300 01:06:04,400 --> 01:06:07,520 Speaker 1: in the video somewhere that was game Man and one 1301 01:06:07,560 --> 01:06:10,040 Speaker 1: of them type of little Chicago niggas, an of the 1302 01:06:10,080 --> 01:06:13,360 Speaker 1: niggas that was took the cashiers to ATM No, this 1303 01:06:13,600 --> 01:06:16,280 Speaker 1: was three. Oh, this is three. That's that's one. I'm talking. 1304 01:06:16,520 --> 01:06:18,280 Speaker 2: But that's dope that come and took the time to 1305 01:06:18,360 --> 01:06:20,280 Speaker 2: do that with you that right. Yeah. And the reason 1306 01:06:20,320 --> 01:06:21,400 Speaker 2: I asked the whole point. 1307 01:06:21,360 --> 01:06:24,680 Speaker 6: Because it's ill like it's like Chicago from this era 1308 01:06:24,920 --> 01:06:28,160 Speaker 6: and this era, like like how's that coming together? Like 1309 01:06:28,240 --> 01:06:30,960 Speaker 6: y'all y'all discussing the state of affairs in Chicago. 1310 01:06:31,040 --> 01:06:34,600 Speaker 1: But really, you know he's been just always like reached 1311 01:06:34,640 --> 01:06:37,280 Speaker 1: out and like show little took a liking to me 1312 01:06:37,320 --> 01:06:40,360 Speaker 1: from the beginning my first project, I dropped walking the 1313 01:06:40,400 --> 01:06:42,640 Speaker 1: Phase O Land. Matter of fact, I should have mentioned 1314 01:06:42,680 --> 01:06:47,960 Speaker 1: that first. Really he gave me the feature on I 1315 01:06:48,000 --> 01:06:51,080 Speaker 1: on't still fucked up Me and him chance to rap 1316 01:06:51,240 --> 01:06:53,960 Speaker 1: up Wow. We it was a video we shot probably 1317 01:06:54,040 --> 01:06:57,600 Speaker 1: like twenty fifteen, twenty fourteen or something. You feel me 1318 01:06:57,720 --> 01:06:59,720 Speaker 1: pulled up on Big Bro in this neighborhood, you know 1319 01:06:59,760 --> 01:07:02,920 Speaker 1: if eighty seven over there, we pulled up in his 1320 01:07:03,000 --> 01:07:05,000 Speaker 1: neighborhood at the barbershop, like you know, he used to 1321 01:07:05,040 --> 01:07:06,880 Speaker 1: really be coming back to Chicago showing love. 1322 01:07:07,640 --> 01:07:09,960 Speaker 2: Yeah, yeah, Yeah, he's one of the first artists that 1323 01:07:10,000 --> 01:07:10,880 Speaker 2: a lot of people heard. 1324 01:07:10,720 --> 01:07:13,920 Speaker 1: Of face like really big Boy used to really you 1325 01:07:13,960 --> 01:07:16,000 Speaker 1: know what I'm saying him man twister all him Lord, 1326 01:07:17,000 --> 01:07:20,520 Speaker 1: I would say, I mean it could be around the 1327 01:07:20,600 --> 01:07:24,760 Speaker 1: same crucial conflict. No, no, this after Yeah, you can 1328 01:07:24,800 --> 01:07:25,360 Speaker 1: come and comment. 1329 01:07:25,400 --> 01:07:27,360 Speaker 6: When he was common sense okay, and he had the 1330 01:07:27,400 --> 01:07:29,400 Speaker 6: song take It Easy, was one of the first common 1331 01:07:29,440 --> 01:07:30,880 Speaker 6: sense no more no no, he just comming. 1332 01:07:31,760 --> 01:07:34,440 Speaker 2: Yeah, his first album was common Sense No id produced 1333 01:07:34,440 --> 01:07:34,840 Speaker 2: the whole thing. 1334 01:07:34,960 --> 01:07:36,600 Speaker 1: Yeah, No, he definitely just wanted like one of the 1335 01:07:36,680 --> 01:07:38,080 Speaker 1: first artist really like that. 1336 01:07:38,200 --> 01:07:40,000 Speaker 2: I heard a lout of Chicago. I mean Twist as 1337 01:07:40,040 --> 01:07:40,720 Speaker 2: well for sure. 1338 01:07:41,720 --> 01:07:45,600 Speaker 1: Yeah. What's your relationship with kan Ye with Yeah, you 1339 01:07:45,680 --> 01:07:48,439 Speaker 1: know it's okazy with his new sniggers, I'm not sure. 1340 01:07:48,480 --> 01:07:49,600 Speaker 2: I don't really, I ain't even. 1341 01:07:49,480 --> 01:07:50,880 Speaker 1: Look at his niggas wrong, really be. 1342 01:07:50,920 --> 01:07:52,000 Speaker 2: Pretty big on the fast. 1343 01:07:52,880 --> 01:07:54,320 Speaker 1: I love him. That's my brother. I love it. 1344 01:07:54,480 --> 01:08:00,680 Speaker 2: The one that fold called them because he don't want shoes, right, 1345 01:08:01,120 --> 01:08:06,360 Speaker 2: you gotta make I'm really asking. 1346 01:08:10,760 --> 01:08:16,560 Speaker 1: Inside and said I was trying to see what what 1347 01:08:16,800 --> 01:08:17,760 Speaker 1: sucks he was talking about. 1348 01:08:18,160 --> 01:08:20,679 Speaker 3: You ain't see the nigga socks. I know what's wanting 1349 01:08:20,680 --> 01:08:24,280 Speaker 3: to right, yeah, like air parts. He called him home bro, 1350 01:08:24,640 --> 01:08:27,880 Speaker 3: right right, I'm ready for him, like just too long, 1351 01:08:28,920 --> 01:08:31,920 Speaker 3: Like I wanted to make sure they could have went 1352 01:08:32,000 --> 01:08:33,120 Speaker 3: on the house shoes, bab. 1353 01:08:35,360 --> 01:08:38,599 Speaker 1: Too much, bouchal lea movies at that bro, and then yeah, 1354 01:08:38,680 --> 01:08:40,360 Speaker 1: because let's as soon as you get back to some 1355 01:08:40,439 --> 01:08:43,240 Speaker 1: nigga ship, I'm back. I'm gonna fuck with him, like 1356 01:08:43,360 --> 01:08:45,200 Speaker 1: I mean, like I'm backing Wise. 1357 01:08:45,680 --> 01:08:46,960 Speaker 2: I want to wise Yeah. 1358 01:08:49,320 --> 01:08:49,519 Speaker 1: With you. 1359 01:08:49,680 --> 01:08:51,800 Speaker 2: Man, you got it, you got it, like I gotta 1360 01:08:52,240 --> 01:08:52,840 Speaker 2: acting like it's me. 1361 01:08:52,960 --> 01:08:54,720 Speaker 1: I got a different No, I got a different like 1362 01:08:55,240 --> 01:08:58,160 Speaker 1: just like respect for you I love yeah, yeah, like 1363 01:08:58,400 --> 01:09:02,040 Speaker 1: just off the strips for like his genius for you 1364 01:09:02,080 --> 01:09:04,080 Speaker 1: know what I'm saying, super genius. You know what I'm saying. 1365 01:09:05,880 --> 01:09:14,240 Speaker 1: Whoever you are, here's gold dude, shout own. You got 1366 01:09:14,280 --> 01:09:15,280 Speaker 1: the whole ship going on. 1367 01:09:15,560 --> 01:09:26,000 Speaker 3: Yeah man, Holy moly, let's talk about damn. I got 1368 01:09:26,080 --> 01:09:26,800 Speaker 3: mad notes for you. 1369 01:09:28,080 --> 01:09:31,400 Speaker 1: You got some ship from me, Mercy, Let's talk about 1370 01:09:31,680 --> 01:09:37,160 Speaker 1: uh cry no more with a little t J. She said, 1371 01:09:37,160 --> 01:09:37,760 Speaker 1: that's my boy. 1372 01:09:40,360 --> 01:09:44,560 Speaker 3: I never got to meet him yet, but I like 1373 01:09:44,840 --> 01:09:48,840 Speaker 3: I like his style, like it's oral, so so tell 1374 01:09:48,920 --> 01:09:51,280 Speaker 3: us how y'all collaborated t J. 1375 01:09:51,840 --> 01:09:53,400 Speaker 1: I've been fucking with a little bro for a little 1376 01:09:53,400 --> 01:09:55,280 Speaker 1: minute too, though, you know little bro style that we 1377 01:09:55,600 --> 01:09:59,280 Speaker 1: locked in on a bunch of different ways. But really 1378 01:09:59,640 --> 01:10:02,320 Speaker 1: it was or me and me and Polo did it first. 1379 01:10:02,400 --> 01:10:05,439 Speaker 1: Though Polo did the hook. You know, we was in Chicago. 1380 01:10:05,680 --> 01:10:07,560 Speaker 1: That was one of the times, and I really was 1381 01:10:07,600 --> 01:10:09,519 Speaker 1: stuck in Chicago at the time. I ain't gonna lie 1382 01:10:09,640 --> 01:10:13,559 Speaker 1: had it was a period of time where I couldn't travel, 1383 01:10:13,680 --> 01:10:15,439 Speaker 1: Like I said when I was when I got diagno 1384 01:10:15,520 --> 01:10:20,720 Speaker 1: supposed tomatic stress and ship I cut my angle breakless, nah, 1385 01:10:20,880 --> 01:10:21,360 Speaker 1: I went on. 1386 01:10:21,960 --> 01:10:24,599 Speaker 2: This was before COVID everything. That's why COVID was kind 1387 01:10:24,640 --> 01:10:25,240 Speaker 2: of easy for me. 1388 01:10:25,280 --> 01:10:27,240 Speaker 1: I ain't gonna lie because I had like a year 1389 01:10:27,320 --> 01:10:31,120 Speaker 1: where I couldn't travel really do too many shows unless 1390 01:10:31,479 --> 01:10:35,880 Speaker 1: acc he was just to Chicago. My judge ain't let 1391 01:10:35,960 --> 01:10:39,360 Speaker 1: me do no traveling, ankle nothing. It was like for 1392 01:10:39,439 --> 01:10:41,680 Speaker 1: a whole year. I had to do the summer like 1393 01:10:41,880 --> 01:10:43,240 Speaker 1: it was at least like ten months. It was on 1394 01:10:43,360 --> 01:10:47,360 Speaker 1: quarantine already. Yeah right, it was right before quarantine hits. 1395 01:10:47,400 --> 01:10:50,920 Speaker 1: So it's like I Danny did two quarantine, so but 1396 01:10:51,080 --> 01:10:52,000 Speaker 1: I was in Chicago. 1397 01:10:52,160 --> 01:10:54,400 Speaker 2: I was like locked in the studio and ship. 1398 01:10:54,560 --> 01:10:57,840 Speaker 1: So me and Polo had did that song man broke 1399 01:10:58,080 --> 01:11:00,600 Speaker 1: We we had when me and broke in and we 1400 01:11:00,760 --> 01:11:02,599 Speaker 1: be doing like a lot of ship back to back though, 1401 01:11:02,680 --> 01:11:07,320 Speaker 1: like we probably got fat tend like TJ. No, I'm 1402 01:11:07,320 --> 01:11:09,679 Speaker 1: talking about Polo Polo. So we had did a hook 1403 01:11:10,000 --> 01:11:12,560 Speaker 1: and then I had sent the ship to TJ after that, 1404 01:11:13,120 --> 01:11:15,160 Speaker 1: and then me and TJ did it in La. You 1405 01:11:15,240 --> 01:11:18,560 Speaker 1: feel me like that's sit like a it's like a 1406 01:11:18,680 --> 01:11:21,120 Speaker 1: dynamic though, like Me Polo TJ. That' shit like the 1407 01:11:21,240 --> 01:11:23,400 Speaker 1: same we get in the studio. If we get in 1408 01:11:23,560 --> 01:11:26,400 Speaker 1: one day, we probably could do fastic songs literally right 1409 01:11:26,479 --> 01:11:30,479 Speaker 1: off the like that type of chemistry. You feel what 1410 01:11:30,479 --> 01:11:32,920 Speaker 1: I'm saying, Like we all already familiar with working with 1411 01:11:33,000 --> 01:11:35,000 Speaker 1: each other. We just did shit in the studio together, 1412 01:11:35,400 --> 01:11:37,439 Speaker 1: did shit separately. I get in with them, we do 1413 01:11:37,520 --> 01:11:39,360 Speaker 1: three four songs. I get in bro we do three 1414 01:11:39,600 --> 01:11:41,120 Speaker 1: you know what I'm saying, Like that's just how we work. 1415 01:11:41,720 --> 01:11:45,240 Speaker 1: So this shit just came naturally. I did that And 1416 01:11:46,320 --> 01:11:47,920 Speaker 1: that was, like I said, at the time, where I 1417 01:11:48,040 --> 01:11:49,920 Speaker 1: was just going through a whole bunch of shit mentally, 1418 01:11:49,960 --> 01:11:52,240 Speaker 1: I couldn't travel. I wasn't doing on shows. I was 1419 01:11:52,280 --> 01:11:54,960 Speaker 1: fighting the case all type of shit. I just was, 1420 01:11:55,120 --> 01:11:56,960 Speaker 1: you know, feeling like I was just I feel like 1421 01:11:57,000 --> 01:11:59,200 Speaker 1: it was a growth period though, like one thing I 1422 01:11:59,360 --> 01:11:59,880 Speaker 1: learned about. 1423 01:12:00,080 --> 01:12:02,000 Speaker 2: Like that's why I speak about it openly. 1424 01:12:02,120 --> 01:12:05,759 Speaker 1: Like when you go through ship, like just adversity overall, 1425 01:12:05,960 --> 01:12:09,800 Speaker 1: like all that you will feel frustrated, like Nigga be 1426 01:12:09,880 --> 01:12:11,680 Speaker 1: having a lot of stress, a lot of built up 1427 01:12:11,760 --> 01:12:16,040 Speaker 1: ship in them, and you will feel like you going 1428 01:12:16,080 --> 01:12:18,000 Speaker 1: through the motions or whatever the case may be. But 1429 01:12:18,120 --> 01:12:21,120 Speaker 1: that shit really just building character, like I learned, like 1430 01:12:21,280 --> 01:12:24,840 Speaker 1: when I really go through ship, sometimes I ain't trying 1431 01:12:24,880 --> 01:12:27,080 Speaker 1: to sound like weird, a little crazy or the fucked 1432 01:12:27,160 --> 01:12:29,560 Speaker 1: up way, like the kind of give me comfort, Like 1433 01:12:29,760 --> 01:12:32,599 Speaker 1: damn ship a little rough, So I got it. Once 1434 01:12:32,680 --> 01:12:34,400 Speaker 1: you figure it out, you figure it out, and it's 1435 01:12:34,439 --> 01:12:37,439 Speaker 1: like it's always leads to elevation. So you you you 1436 01:12:37,680 --> 01:12:39,679 Speaker 1: should lead towards that ship, you know what I'm saying, 1437 01:12:39,720 --> 01:12:41,840 Speaker 1: like leaning towards you. What I'm saying that to say, 1438 01:12:41,920 --> 01:12:44,639 Speaker 1: like that was like a hard ass time period where 1439 01:12:44,960 --> 01:12:47,200 Speaker 1: I didn't really want to do ship but record music. 1440 01:12:47,280 --> 01:12:50,240 Speaker 1: But me recording music. That was the PTSD album that 1441 01:12:51,280 --> 01:12:54,120 Speaker 1: was and that was like Ship. 1442 01:12:54,240 --> 01:12:56,439 Speaker 2: Literally that's my best album still to this day. 1443 01:12:56,560 --> 01:12:58,760 Speaker 1: You know what I'm saying, Like all this Ship came 1444 01:12:58,800 --> 01:13:02,839 Speaker 1: about from me really not being able to travel do shows, 1445 01:13:02,920 --> 01:13:05,439 Speaker 1: being around my piers, but niggas really just fucking me 1446 01:13:05,479 --> 01:13:07,240 Speaker 1: off the strength they pulling up on me. You feel 1447 01:13:07,240 --> 01:13:08,720 Speaker 1: I'm saying when I was able to go to La, 1448 01:13:08,800 --> 01:13:11,599 Speaker 1: TJ pulled up on me, little bro Polo was using 1449 01:13:11,640 --> 01:13:13,400 Speaker 1: the rack he pulled up on me. You feel I'm saying, 1450 01:13:13,400 --> 01:13:16,240 Speaker 1: I'm getting this shit done and then that shit coming 1451 01:13:16,280 --> 01:13:19,639 Speaker 1: out like still, that's probably one of my biggest songs 1452 01:13:19,720 --> 01:13:23,280 Speaker 1: on that album too, though you feel me so let's 1453 01:13:23,280 --> 01:13:26,439 Speaker 1: shit just be happening to naturally gang I ain't. Yeah, 1454 01:13:26,680 --> 01:13:28,200 Speaker 1: God damn hold on. 1455 01:13:29,360 --> 01:13:32,320 Speaker 6: When you go back and you say you start like 1456 01:13:32,360 --> 01:13:36,120 Speaker 6: around sixteen, who were the inspirations that that you was 1457 01:13:36,200 --> 01:13:38,679 Speaker 6: looking around around you, not not on the bigger scale, 1458 01:13:38,760 --> 01:13:41,479 Speaker 6: like around you locally, who was doing things that you 1459 01:13:41,640 --> 01:13:43,439 Speaker 6: was like, I want I want to do like them? 1460 01:13:43,880 --> 01:13:46,599 Speaker 1: Uh. I was looking up to niggas from my hood though, 1461 01:13:46,720 --> 01:13:52,679 Speaker 1: Like that was rapping like nickname react here old nigga. 1462 01:13:52,800 --> 01:13:54,400 Speaker 2: Uh My Homie Hollow was rapping. 1463 01:13:54,880 --> 01:13:57,280 Speaker 1: Baby was rapping before me too, though, Baby was like 1464 01:13:57,439 --> 01:14:00,080 Speaker 1: actually going paying for studio time and shit, like he 1465 01:14:00,200 --> 01:14:03,880 Speaker 1: was like fifteen years old. Baby was like head yet 1466 01:14:03,920 --> 01:14:06,559 Speaker 1: older than me. So he was like sixteen actually going 1467 01:14:06,640 --> 01:14:09,360 Speaker 1: to the studio where folks was smart. He knew how 1468 01:14:09,400 --> 01:14:11,519 Speaker 1: to structure hooks and I ain't know how to do 1469 01:14:11,560 --> 01:14:13,200 Speaker 1: ship a rap like I ain't know how to put 1470 01:14:13,360 --> 01:14:16,200 Speaker 1: no hook verse and know what. The sixteen boy was 1471 01:14:16,320 --> 01:14:18,000 Speaker 1: none of that type of shit. You feel what I'm saying. 1472 01:14:18,040 --> 01:14:20,400 Speaker 2: But he could tell you stories he didn't know either. 1473 01:14:21,120 --> 01:14:23,120 Speaker 1: Jesus, don't be out there you say it on time. 1474 01:14:23,240 --> 01:14:25,439 Speaker 2: I'm saying that that inspiration Like niggas. 1475 01:14:25,439 --> 01:14:27,280 Speaker 1: I feel like niggas didn't know how to rap never 1476 01:14:27,360 --> 01:14:29,599 Speaker 1: really knew how to put songs together though, like never 1477 01:14:29,680 --> 01:14:33,040 Speaker 1: really Like that's the same thing. That's how I used 1478 01:14:33,040 --> 01:14:35,559 Speaker 1: to count bars. The reason why that that song? 1479 01:14:35,640 --> 01:14:35,880 Speaker 8: What what? 1480 01:14:36,080 --> 01:14:39,000 Speaker 1: What? What what? What? That's how they count boss? What 1481 01:14:39,240 --> 01:14:39,760 Speaker 1: what what? What? 1482 01:14:40,240 --> 01:14:42,840 Speaker 2: He was counting his bars and they made that a hook, 1483 01:14:43,320 --> 01:14:44,120 Speaker 2: bro And. 1484 01:14:44,200 --> 01:14:47,240 Speaker 1: Then was just a genius. Yeah, nigga know how to 1485 01:14:47,320 --> 01:14:49,640 Speaker 1: be hate. He just made I feel like Bibby was 1486 01:14:49,680 --> 01:14:51,479 Speaker 1: a nigga that probably would have knew how to do 1487 01:14:51,640 --> 01:14:53,600 Speaker 1: that same ship if you know what I'm saying, Like 1488 01:14:53,640 --> 01:14:55,400 Speaker 1: Bibby knew how to you don't want to drink? So 1489 01:14:55,640 --> 01:14:59,559 Speaker 1: y'ah could y'all good? Jeez, Louise, Papa Cheez, we want 1490 01:14:59,600 --> 01:15:02,040 Speaker 1: you to have fun too, You know what I mean? Yeah, 1491 01:15:02,080 --> 01:15:04,800 Speaker 1: you know what I mean. But I like, yeah, I 1492 01:15:04,880 --> 01:15:07,439 Speaker 1: feel like like when we was getting the studio early, 1493 01:15:07,520 --> 01:15:11,559 Speaker 1: like Bibby Head he was, he was like the brains 1494 01:15:11,600 --> 01:15:13,960 Speaker 1: when they came to like putting the songs together, like 1495 01:15:14,400 --> 01:15:16,760 Speaker 1: kill Ship right now. Still that's our biggest song in 1496 01:15:16,840 --> 01:15:19,040 Speaker 1: this day. That was his idea. He picked the beat. 1497 01:15:19,439 --> 01:15:21,320 Speaker 1: He the one told me go first on the ship. 1498 01:15:21,439 --> 01:15:22,840 Speaker 1: You feel what I'm saying in the end, you know 1499 01:15:22,880 --> 01:15:25,320 Speaker 1: what I'm like, I just used to just wrap for 1500 01:15:25,640 --> 01:15:28,720 Speaker 1: thirty bards thirty two bards straights. You feel what I'm saying. 1501 01:15:28,840 --> 01:15:32,880 Speaker 1: Like Bro always had like destructure, so like when I 1502 01:15:33,040 --> 01:15:34,960 Speaker 1: first like I used to listen to what Bro was 1503 01:15:35,040 --> 01:15:37,800 Speaker 1: on Bump Jay another nigga that I really was like 1504 01:15:38,120 --> 01:15:42,160 Speaker 1: super Bibby and Slap Polaroy. You feel what I'm saying. 1505 01:15:42,200 --> 01:15:44,519 Speaker 1: It was like that like locally that was going crazy 1506 01:15:44,600 --> 01:15:47,760 Speaker 1: that I was like, right, that really made a nigga 1507 01:15:47,760 --> 01:15:48,320 Speaker 1: want to rap. 1508 01:15:48,439 --> 01:15:52,400 Speaker 6: You feel right, And when you say you stopped writing 1509 01:15:52,840 --> 01:15:54,680 Speaker 6: your rhymes and you said you had them on your 1510 01:15:54,720 --> 01:15:57,040 Speaker 6: phone and he was going off the top, were you 1511 01:15:57,160 --> 01:15:59,759 Speaker 6: doing the Biggie jay Z ship where you was writing 1512 01:15:59,840 --> 01:16:03,160 Speaker 6: you had or you're just freestyling. No, I was like, yeah, 1513 01:16:03,320 --> 01:16:05,479 Speaker 6: kind of writing in my head for sure. I definitely 1514 01:16:05,479 --> 01:16:08,439 Speaker 6: wouldn't really just freestyling off the top of going like that, right. 1515 01:16:08,600 --> 01:16:11,400 Speaker 1: I was like thinking ship, like faux bos and then 1516 01:16:11,640 --> 01:16:14,760 Speaker 1: just recorded like that. You feel me? Like even when 1517 01:16:14,800 --> 01:16:16,599 Speaker 1: I was writing, like, I felt like I was wasting 1518 01:16:16,680 --> 01:16:19,439 Speaker 1: time writing because I'm thinking of the ship. And then 1519 01:16:19,479 --> 01:16:21,519 Speaker 1: when I'm writing, shit, I'm thinking too long, trying to 1520 01:16:21,560 --> 01:16:24,920 Speaker 1: write down one bar instead of just like all right, 1521 01:16:24,960 --> 01:16:28,200 Speaker 1: that's alady in my head, say it and then just 1522 01:16:28,320 --> 01:16:31,080 Speaker 1: keep going from there. You feel me, I felt like 1523 01:16:31,160 --> 01:16:33,599 Speaker 1: I'm wasting that's like literally when you think of the elite, 1524 01:16:33,640 --> 01:16:36,040 Speaker 1: that's the least status ship. Yeah, I ain't elitet status. 1525 01:16:36,080 --> 01:16:37,280 Speaker 1: I can't. I can't remember ship. 1526 01:16:39,360 --> 01:16:40,320 Speaker 2: Yeah, south Side. 1527 01:16:40,320 --> 01:16:41,960 Speaker 1: I used to say that Tuto when I first started 1528 01:16:42,000 --> 01:16:44,320 Speaker 1: recording south Side, like he used to see my process. 1529 01:16:44,600 --> 01:16:47,479 Speaker 1: That's when I first like that was around the time 1530 01:16:47,880 --> 01:16:51,679 Speaker 1: when uh, when Juice was like going crazy and ship 1531 01:16:51,760 --> 01:16:54,120 Speaker 1: when I'm learning how to really freestyle for real. So 1532 01:16:54,200 --> 01:16:55,599 Speaker 1: I used to just sit in the studio and listen 1533 01:16:55,640 --> 01:16:57,760 Speaker 1: to the beat and probably listen to that bitch for 1534 01:16:57,840 --> 01:17:00,679 Speaker 1: like five ten minutes. But as I'm listening and niggas thinking, 1535 01:17:00,680 --> 01:17:02,240 Speaker 1: I'm just listening to the beat, but in my head, 1536 01:17:02,320 --> 01:17:04,240 Speaker 1: I'm coming up with at least like eight bars that 1537 01:17:04,320 --> 01:17:06,600 Speaker 1: I remember. For shure, once you come up with the 1538 01:17:06,680 --> 01:17:08,960 Speaker 1: first like eight to twelve bars, you good, Like I 1539 01:17:09,040 --> 01:17:10,880 Speaker 1: got like eight off the top of my head. I 1540 01:17:10,920 --> 01:17:13,920 Speaker 1: could do now the next twelve. All that shit like 1541 01:17:13,960 --> 01:17:16,760 Speaker 1: really a freestyle. I could just come in and just 1542 01:17:16,960 --> 01:17:19,560 Speaker 1: punch it like I feel like I always had, like 1543 01:17:20,720 --> 01:17:21,920 Speaker 1: when I first started rapping. 1544 01:17:22,040 --> 01:17:23,760 Speaker 2: This shit don't really happen no more. 1545 01:17:23,800 --> 01:17:26,840 Speaker 1: It's a little easier for me. But I used to 1546 01:17:26,920 --> 01:17:29,519 Speaker 1: have the most trouble with like my first four in 1547 01:17:29,600 --> 01:17:33,600 Speaker 1: my last four because I'm trying to really make the 1548 01:17:33,720 --> 01:17:35,960 Speaker 1: most sense and tell the story anyway. So it's like 1549 01:17:36,439 --> 01:17:39,080 Speaker 1: the last four going to the hook. So you gotta 1550 01:17:39,200 --> 01:17:41,640 Speaker 1: kind of coincide with the hook. The first four is 1551 01:17:41,680 --> 01:17:44,000 Speaker 1: what you leading them with. You gotta get them intrigued 1552 01:17:44,040 --> 01:17:46,000 Speaker 1: with the first four bars at least you feel what 1553 01:17:46,000 --> 01:17:49,360 Speaker 1: I'm saying, alright, So that was my whole models was 1554 01:17:49,439 --> 01:17:52,280 Speaker 1: my first four I got. If I'm coming there with 1555 01:17:52,400 --> 01:17:54,400 Speaker 1: eight bars, I could just cruise my way through and 1556 01:17:54,479 --> 01:17:56,599 Speaker 1: make sure my last score or two going to the hook. 1557 01:17:57,080 --> 01:17:59,280 Speaker 1: Like That's how I really learned how the freestyle type shit. 1558 01:18:00,880 --> 01:18:05,040 Speaker 1: Let's talk about I Don't want to die? Yeah, why 1559 01:18:05,040 --> 01:18:10,160 Speaker 1: would you name a song that that was I don't 1560 01:18:10,320 --> 01:18:12,519 Speaker 1: I Gotta I Gotta. That was south Side. Really that 1561 01:18:12,600 --> 01:18:14,400 Speaker 1: was south Side I did. I Gotta get credit to 1562 01:18:14,479 --> 01:18:17,720 Speaker 1: Big Broke. He sent me that song and he was 1563 01:18:17,880 --> 01:18:22,280 Speaker 1: he was getting ready to drop his album, which still 1564 01:18:22,320 --> 01:18:26,120 Speaker 1: ain't came out to this day. His nigga Rich He 1565 01:18:26,160 --> 01:18:29,000 Speaker 1: ain't he about to drop right now though, but he 1566 01:18:29,200 --> 01:18:31,439 Speaker 1: was gonna make that the intro to the to the 1567 01:18:31,560 --> 01:18:36,439 Speaker 1: next album he dropping. And I just he just told me, like, man, 1568 01:18:36,640 --> 01:18:38,920 Speaker 1: just go crazy. But I I he had put the 1569 01:18:39,000 --> 01:18:41,479 Speaker 1: Simple in there where it was seeing like, you know, 1570 01:18:41,640 --> 01:18:43,760 Speaker 1: I don't want to die, and he's like, man, just 1571 01:18:43,880 --> 01:18:47,720 Speaker 1: go crazy on that ship and I was listening to it. 1572 01:18:48,000 --> 01:18:50,519 Speaker 1: And when I heard the Simple, I was in Chicago 1573 01:18:50,680 --> 01:18:53,160 Speaker 1: too when I recorded that ship. That was during quarantine 1574 01:18:53,240 --> 01:18:57,479 Speaker 1: by the File, when nigga just stuck in Chicago and 1575 01:18:57,760 --> 01:19:00,360 Speaker 1: when I heard it, just putting in a different type 1576 01:19:00,360 --> 01:19:02,479 Speaker 1: of like mass on but like the shit a nigga 1577 01:19:02,560 --> 01:19:07,040 Speaker 1: was rapping about. I think it probably like was like 1578 01:19:07,280 --> 01:19:09,439 Speaker 1: right on key because I was in Chicago. You know, 1579 01:19:09,520 --> 01:19:11,880 Speaker 1: when you in Chicago, you got a different like it's 1580 01:19:11,960 --> 01:19:14,200 Speaker 1: a different aura. You're feeling that energy. You feel what 1581 01:19:14,200 --> 01:19:16,479 Speaker 1: I'm saying, like if I'm in La I'm gonna ride 1582 01:19:16,520 --> 01:19:19,200 Speaker 1: around and a regular car. You feel I'm in a 1583 01:19:19,760 --> 01:19:21,760 Speaker 1: regular form. And when I get Chicago, I want to 1584 01:19:21,800 --> 01:19:24,000 Speaker 1: be in a bulletproof truck just a mask. That is 1585 01:19:24,160 --> 01:19:27,519 Speaker 1: just what Chicago do or just the shit I've been 1586 01:19:27,560 --> 01:19:30,000 Speaker 1: through and the shit I experienced. It made me think. 1587 01:19:30,040 --> 01:19:31,800 Speaker 1: It makes me act the way I got to move 1588 01:19:31,880 --> 01:19:34,320 Speaker 1: and everything when I'm there, So I feel like I think, 1589 01:19:34,520 --> 01:19:40,240 Speaker 1: just me doing that shit and like it's I like 1590 01:19:40,560 --> 01:19:43,320 Speaker 1: that song really crazy though, like when you really think 1591 01:19:43,360 --> 01:19:45,840 Speaker 1: about it, like a nigga talking about like how I 1592 01:19:45,920 --> 01:19:48,760 Speaker 1: shot the video, like with all the kids in all 1593 01:19:48,800 --> 01:19:53,599 Speaker 1: the different scenarios or like kids situations, like it's bigger 1594 01:19:53,640 --> 01:19:55,400 Speaker 1: than just being in the streets. You feel me like 1595 01:19:55,439 --> 01:19:58,360 Speaker 1: when you in Chicago, it's anything could happen. You know 1596 01:19:58,439 --> 01:20:01,960 Speaker 1: what I'm saying, like kids getting trades cross that ship 1597 01:20:02,000 --> 01:20:04,320 Speaker 1: is so frequent in Chicago, like you know what I'm saying, 1598 01:20:04,360 --> 01:20:06,599 Speaker 1: more than any other city. So like it just put 1599 01:20:06,640 --> 01:20:08,280 Speaker 1: me in a different man frame to try to like 1600 01:20:08,400 --> 01:20:11,800 Speaker 1: talk about my situation and like what I experienced and 1601 01:20:12,320 --> 01:20:16,040 Speaker 1: still like recollect to like what happened on the day 1602 01:20:16,080 --> 01:20:18,959 Speaker 1: to day that don't got nothing to do with anything 1603 01:20:19,160 --> 01:20:21,960 Speaker 1: street related, you feel me, Because people try to like 1604 01:20:22,080 --> 01:20:25,080 Speaker 1: associate anything that's going on in Chicago with just like 1605 01:20:26,640 --> 01:20:30,479 Speaker 1: street shit. But that ship, like it's beyond that, because 1606 01:20:31,920 --> 01:20:34,240 Speaker 1: it affects everybody, you know what I'm saying. It don't 1607 01:20:34,280 --> 01:20:37,160 Speaker 1: just affect victims, that affect the mothers affected, you know 1608 01:20:37,200 --> 01:20:40,200 Speaker 1: what I'm saying, affect everybody who don't got nothing to 1609 01:20:40,280 --> 01:20:42,519 Speaker 1: do with nothing street oriented at all, you feel me, 1610 01:20:42,640 --> 01:20:45,280 Speaker 1: So the whole family is yeah, exactly, That's how like 1611 01:20:45,520 --> 01:20:48,160 Speaker 1: that shit came about, like mentally, like the ship I 1612 01:20:48,280 --> 01:20:48,960 Speaker 1: was rapping about. 1613 01:20:50,040 --> 01:20:52,840 Speaker 3: Let me ask you, because like in New York City, right, 1614 01:20:53,680 --> 01:20:57,240 Speaker 3: every summer the crime rate goes up because they say, like, 1615 01:20:57,800 --> 01:21:01,200 Speaker 3: like that in Chicago, but your crime rate is still 1616 01:21:01,240 --> 01:21:04,280 Speaker 3: crazy in the winter, yeah, yeah, but the summer's wild. 1617 01:21:04,560 --> 01:21:05,519 Speaker 2: The summer even worse. 1618 01:21:05,600 --> 01:21:09,759 Speaker 1: Though someone's even worse, even worse they give the credit 1619 01:21:10,880 --> 01:21:12,120 Speaker 1: is crazy when they're. 1620 01:21:12,160 --> 01:21:17,759 Speaker 3: Below and Nigga's still shooting. They got gloves, special gloves, 1621 01:21:17,760 --> 01:21:19,360 Speaker 3: and what then happened? 1622 01:21:20,600 --> 01:21:20,760 Speaker 1: Get? 1623 01:21:21,640 --> 01:21:24,759 Speaker 2: I don't know what it is cold. It's not funny, 1624 01:21:24,800 --> 01:21:26,040 Speaker 2: but I guess it's not funny. 1625 01:21:26,040 --> 01:21:28,120 Speaker 1: But it's like like you just think about it statistically 1626 01:21:28,160 --> 01:21:31,760 Speaker 1: in New York City summertime. So he's saying in New York, 1627 01:21:31,880 --> 01:21:35,160 Speaker 1: like the crime rate, really it don't really be his 1628 01:21:35,560 --> 01:21:43,200 Speaker 1: hat during the winter. Yeah, motherfucker's too cold and the 1629 01:21:43,280 --> 01:21:46,280 Speaker 1: Timberlands is heavy, you know what I mean? Like, motherfuckers 1630 01:21:46,320 --> 01:21:47,759 Speaker 1: don't be wanting running and ship. 1631 01:21:47,960 --> 01:21:48,360 Speaker 2: I don't. 1632 01:21:49,800 --> 01:21:53,400 Speaker 3: You know, it's mandatory October first Timblans come out with 1633 01:21:54,000 --> 01:21:54,320 Speaker 3: the winter. 1634 01:21:55,200 --> 01:21:58,280 Speaker 1: That is the window came. You don't got. 1635 01:21:58,479 --> 01:21:59,200 Speaker 2: Miami, I don't know. 1636 01:21:59,360 --> 01:22:02,360 Speaker 1: All right, down, all right, that's why I get it, 1637 01:22:02,680 --> 01:22:04,679 Speaker 1: all right, That's why I really like I ain't gonna 1638 01:22:04,720 --> 01:22:10,120 Speaker 1: like you got it, like it'd be big. It's like like, 1639 01:22:10,280 --> 01:22:14,040 Speaker 1: now you know, no joking shit to like talk about 1640 01:22:14,120 --> 01:22:16,320 Speaker 1: this shit and people think, like as an artist, you 1641 01:22:16,400 --> 01:22:18,519 Speaker 1: are glorified. You feel what I'm saying. But it's just 1642 01:22:18,680 --> 01:22:20,960 Speaker 1: like the experience and the ship nigga go through you 1643 01:22:21,120 --> 01:22:23,720 Speaker 1: or think is man blowing? You feel what I'm saying? Like, 1644 01:22:23,760 --> 01:22:26,320 Speaker 1: how you saying that shit happened through sixty five? No matter, 1645 01:22:26,600 --> 01:22:28,840 Speaker 1: no matter what you feel me, And that's just built thought, 1646 01:22:29,000 --> 01:22:33,160 Speaker 1: like shit, whatever trauma, motherfucker you got going on? What 1647 01:22:33,280 --> 01:22:34,920 Speaker 1: they going through? You feel what I'm saying. So like, 1648 01:22:35,000 --> 01:22:37,479 Speaker 1: as an artist, we just speak about this ship and 1649 01:22:37,760 --> 01:22:39,760 Speaker 1: you know what I'm saying and that way you feel me. 1650 01:22:39,880 --> 01:22:42,760 Speaker 1: But people will think like it's non existent, but that 1651 01:22:42,840 --> 01:22:43,880 Speaker 1: shit really happened. 1652 01:22:44,040 --> 01:22:46,360 Speaker 2: Let's go back to gangster rap. Start like they call 1653 01:22:46,439 --> 01:22:47,120 Speaker 2: it gangster. 1654 01:22:46,920 --> 01:22:51,120 Speaker 6: Rap, right whatever, NWA going from that lineage right, going 1655 01:22:51,160 --> 01:22:54,599 Speaker 6: back quick, and then you're going to drill and then 1656 01:22:54,600 --> 01:22:57,680 Speaker 6: people try to say drill. The difference that it did 1657 01:22:57,840 --> 01:23:03,240 Speaker 6: in hip hop negatively is that it started talking about 1658 01:23:03,360 --> 01:23:07,519 Speaker 6: real things happening in real time and started getting people. 1659 01:23:07,640 --> 01:23:09,880 Speaker 2: Hurt in real time. Because they're talking about real things 1660 01:23:09,920 --> 01:23:10,479 Speaker 2: in real time. 1661 01:23:12,240 --> 01:23:15,600 Speaker 1: I feel like they can't really put all that responsibility 1662 01:23:15,720 --> 01:23:19,280 Speaker 1: on artists. For one, you know you're right, you're right, 1663 01:23:20,040 --> 01:23:22,479 Speaker 1: And they can't put all that responsibility on just the 1664 01:23:22,560 --> 01:23:26,240 Speaker 1: category of drill because rap was always rap where there 1665 01:23:26,400 --> 01:23:28,920 Speaker 1: was hip hop gangst the rap. You know what I'm saying, Like, 1666 01:23:29,320 --> 01:23:32,640 Speaker 1: who's to say nwa not talking about things that was 1667 01:23:32,720 --> 01:23:35,080 Speaker 1: happening in real time and what's going on and had 1668 01:23:35,120 --> 01:23:37,280 Speaker 1: the effect that other people it's no different than what 1669 01:23:37,479 --> 01:23:39,720 Speaker 1: they were saying. And what with Drill. You feel what 1670 01:23:39,720 --> 01:23:42,160 Speaker 1: I'm saying, Like how we came up rapping, We didn't 1671 01:23:42,160 --> 01:23:44,800 Speaker 1: try to category as rap, like we finished just talk 1672 01:23:44,880 --> 01:23:49,240 Speaker 1: about a straight John recalled drill. You know what I'm saying. 1673 01:23:49,240 --> 01:23:51,120 Speaker 1: When we're talking about negative shit, you know, it was 1674 01:23:51,200 --> 01:23:53,560 Speaker 1: just really just talking about our life and what we 1675 01:23:53,720 --> 01:23:55,120 Speaker 1: was experiencing. You fee what I'm saying. 1676 01:23:55,200 --> 01:23:57,000 Speaker 6: That's why I don't like when they categorize things and 1677 01:23:57,000 --> 01:23:57,920 Speaker 6: they try to separate it. 1678 01:23:58,120 --> 01:23:59,960 Speaker 2: I feel like they they glad we having this common 1679 01:24:00,040 --> 01:24:00,840 Speaker 2: station right now. 1680 01:24:00,920 --> 01:24:03,560 Speaker 6: Because I think it's important because people try to they 1681 01:24:03,640 --> 01:24:05,880 Speaker 6: want to separate it, and then they isolate things to 1682 01:24:05,880 --> 01:24:07,760 Speaker 6: see like this is waged is not waged, this good 1683 01:24:07,880 --> 01:24:10,519 Speaker 6: is bad, and then they everybody feels they go into 1684 01:24:10,600 --> 01:24:12,800 Speaker 6: different areas and they're like, all right, we're not that, 1685 01:24:13,680 --> 01:24:14,559 Speaker 6: but we're all hip hop. 1686 01:24:14,720 --> 01:24:16,400 Speaker 2: Everything's hip hop. Yeah, that's what I'm saying. 1687 01:24:16,400 --> 01:24:18,840 Speaker 6: Old school news School, this school, that school, South East 1688 01:24:18,840 --> 01:24:19,680 Speaker 6: Coast it's all hip hop. 1689 01:24:19,720 --> 01:24:21,280 Speaker 2: It don't matter, right, That's what I'm saying. 1690 01:24:21,400 --> 01:24:23,840 Speaker 1: So it's like, that's what I ain't never really heard 1691 01:24:23,920 --> 01:24:27,040 Speaker 1: a conversation where like I was, it came in a 1692 01:24:27,080 --> 01:24:30,280 Speaker 1: way where we're really able to categorize, like it all 1693 01:24:30,439 --> 01:24:33,680 Speaker 1: being hip hop. You know, drill was just basically it 1694 01:24:33,800 --> 01:24:36,200 Speaker 1: was originally like a term. It's not like we was 1695 01:24:36,280 --> 01:24:39,200 Speaker 1: just like, oh, this is drill rap. It's not hip hop, 1696 01:24:39,280 --> 01:24:40,800 Speaker 1: you feel me. It was all supposed to have been 1697 01:24:40,920 --> 01:24:43,240 Speaker 1: rapped in hip hop because that happened here in Miami. 1698 01:24:43,280 --> 01:24:45,840 Speaker 1: Because in Miami, that's what happened with Miami base. It 1699 01:24:46,000 --> 01:24:48,080 Speaker 1: tried to make it a sub genre. It's not hip hop, 1700 01:24:48,160 --> 01:24:51,360 Speaker 1: it's Miami based music. It's booty music, they called it. 1701 01:24:52,000 --> 01:24:54,760 Speaker 6: But now looking now that we're wearing a different time frame, 1702 01:24:54,840 --> 01:24:57,600 Speaker 6: now it's all hip hop hip hop, you know what 1703 01:24:57,600 --> 01:25:00,760 Speaker 6: I'm saying. It's different areas and they they interpret hip 1704 01:25:00,760 --> 01:25:02,640 Speaker 6: hop differently, right, So. 1705 01:25:02,720 --> 01:25:04,680 Speaker 1: It's like, yeah, I ain't like. 1706 01:25:04,920 --> 01:25:06,599 Speaker 2: I ain't never like, And that's crazy. 1707 01:25:06,640 --> 01:25:09,000 Speaker 1: Even though like people when I used to do interviews, 1708 01:25:09,040 --> 01:25:11,639 Speaker 1: you can even pull my old interviews up, I never 1709 01:25:11,880 --> 01:25:15,240 Speaker 1: categorized myself or like looked at myself as a drill rapper. 1710 01:25:15,240 --> 01:25:17,519 Speaker 1: I always felt like I was a rapper like pop 1711 01:25:17,680 --> 01:25:21,040 Speaker 1: artist because I rapped about like soulful ship. I never 1712 01:25:21,280 --> 01:25:23,559 Speaker 1: just only did drill beats, you know what I'm saying. 1713 01:25:23,600 --> 01:25:25,760 Speaker 1: I told stories of my rap I looked up to 1714 01:25:26,320 --> 01:25:29,000 Speaker 1: rappers to hold to Lil Wayne and the Jada kids 1715 01:25:29,080 --> 01:25:34,639 Speaker 1: to you know what I'm saying. That's what It's always 1716 01:25:34,880 --> 01:25:37,200 Speaker 1: versatile to be able to do that. You know. So 1717 01:25:37,720 --> 01:25:39,640 Speaker 1: I think I came up in an era where they 1718 01:25:39,800 --> 01:25:42,479 Speaker 1: just considered the drill, but I never really considered myself 1719 01:25:42,520 --> 01:25:50,200 Speaker 1: as a drill rapping noise for us. Yes, you got 1720 01:25:50,280 --> 01:25:53,639 Speaker 1: you more shots. I'm sorry, let's do it. We just cut. 1721 01:25:53,680 --> 01:25:54,360 Speaker 2: You know, why. 1722 01:25:56,240 --> 01:25:58,000 Speaker 6: Are you putting in your shot? That means we're taking 1723 01:25:58,040 --> 01:25:58,320 Speaker 6: a shot. 1724 01:25:58,600 --> 01:26:03,479 Speaker 3: Yeah, because you know why, brother, you really legend out here, 1725 01:26:04,479 --> 01:26:09,400 Speaker 3: really deserve all the roses, the flowers, all the accolades, everything, 1726 01:26:09,960 --> 01:26:12,640 Speaker 3: Like ye're you out here and you're doing it honorably, 1727 01:26:13,240 --> 01:26:14,960 Speaker 3: you know, you know what I mean, Like so many 1728 01:26:15,000 --> 01:26:28,840 Speaker 3: people from your generation, we'll go, yeah, you know that 1729 01:26:29,040 --> 01:26:32,960 Speaker 3: they take that funny route. We don't like that funny rout. 1730 01:26:33,080 --> 01:26:33,920 Speaker 3: We like hard work. 1731 01:26:34,000 --> 01:26:36,960 Speaker 1: Yeah, No, for real, man, I ain't gonna lie, Niggas 1732 01:26:37,040 --> 01:26:39,120 Speaker 1: is right. Really want to just do this ship the 1733 01:26:39,200 --> 01:26:42,920 Speaker 1: right way to you, mother, appreciate you, Herbal. You don't 1734 01:26:42,920 --> 01:26:45,000 Speaker 1: want no drinks. I see I see you getting a drink. 1735 01:26:45,040 --> 01:26:47,400 Speaker 1: I see you, I see you. The ladies. You don't 1736 01:26:47,400 --> 01:26:47,960 Speaker 1: want to drinks. 1737 01:26:49,560 --> 01:26:50,160 Speaker 2: They got something. 1738 01:26:50,160 --> 01:26:55,240 Speaker 1: They got something so about riding with it, right with it, 1739 01:26:56,880 --> 01:26:57,439 Speaker 1: right with it? 1740 01:26:57,600 --> 01:26:57,800 Speaker 4: Man? 1741 01:26:57,960 --> 01:27:01,920 Speaker 1: That was That was another song like that's crazy, all 1742 01:27:02,000 --> 01:27:06,559 Speaker 1: these songs. It was a ship I recorded like during 1743 01:27:06,600 --> 01:27:10,040 Speaker 1: the quarantine period, like when niggas really couldn't like travel. 1744 01:27:10,040 --> 01:27:12,800 Speaker 1: When I was on like recording PTSD and all that 1745 01:27:12,840 --> 01:27:16,120 Speaker 1: ship was going on, I felt like Chicago was outside 1746 01:27:16,160 --> 01:27:21,479 Speaker 1: when people was inside. Yeah, okay, I was like COVID 1747 01:27:21,560 --> 01:27:23,240 Speaker 1: at all. And then I was outside. 1748 01:27:23,760 --> 01:27:25,519 Speaker 2: He was already quarantined before that. 1749 01:27:26,080 --> 01:27:30,040 Speaker 1: I ain't gonna, I didn't. I was outside. Yeah. I 1750 01:27:30,080 --> 01:27:31,720 Speaker 1: went to Prime one twelve one night. I felt like 1751 01:27:31,720 --> 01:27:36,400 Speaker 1: we was outside the middle of COVID quarantine side. It 1752 01:27:36,600 --> 01:27:41,519 Speaker 1: was literally the game. I said, were outside on my block, 1753 01:27:41,640 --> 01:27:43,960 Speaker 1: hunted two hundred deep, in the middle of quarantine, in 1754 01:27:44,000 --> 01:27:49,200 Speaker 1: the middle of COVID, sunny outside. Shoot the video. 1755 01:27:49,800 --> 01:27:52,880 Speaker 2: I just bought my Rose Royce spent five no mask. 1756 01:27:53,600 --> 01:27:55,600 Speaker 1: It's about the color that put that bitch right up 1757 01:27:55,640 --> 01:27:58,400 Speaker 1: on the block shot the videos. You feel Me, I 1758 01:27:58,600 --> 01:28:01,840 Speaker 1: was just you know like masks. Yeah I had der 1759 01:28:01,960 --> 01:28:03,600 Speaker 1: mask in the video on Bro. 1760 01:28:03,800 --> 01:28:04,160 Speaker 8: You know that. 1761 01:28:06,160 --> 01:28:10,760 Speaker 1: The mass on man in the Trenches, But yeah, that's 1762 01:28:10,960 --> 01:28:13,680 Speaker 1: that song was. When I look back at it, man, 1763 01:28:14,080 --> 01:28:18,280 Speaker 1: it just makes me like real really be like just grateful, 1764 01:28:18,640 --> 01:28:20,960 Speaker 1: like the moment of what you get first and foremost 1765 01:28:21,000 --> 01:28:23,680 Speaker 1: at the artists, because that's like as an artist, I mean, 1766 01:28:24,120 --> 01:28:26,960 Speaker 1: that's one of like like my one of my biggest 1767 01:28:26,960 --> 01:28:29,040 Speaker 1: songs still to this day, and that's just me on 1768 01:28:29,200 --> 01:28:33,400 Speaker 1: some that's the ship I just do naturally like comfortable 1769 01:28:33,479 --> 01:28:36,120 Speaker 1: on some rapping shit, just talking about you know what 1770 01:28:36,120 --> 01:28:38,280 Speaker 1: I'm saying, the trenches and what I'm thinking on the 1771 01:28:38,360 --> 01:28:39,920 Speaker 1: day to day. You feel me. That's still one of 1772 01:28:39,960 --> 01:28:42,599 Speaker 1: my biggest songs today. But I'm saying that to say 1773 01:28:42,720 --> 01:28:47,559 Speaker 1: like it's just making it like grateful looking back because 1774 01:28:47,600 --> 01:28:50,200 Speaker 1: I wasn't even thinking of what it was gonna be 1775 01:28:50,360 --> 01:28:53,400 Speaker 1: to this day and just looking back at people from 1776 01:28:53,479 --> 01:28:56,519 Speaker 1: the video that's like not even still hit to this day. 1777 01:28:56,640 --> 01:28:58,560 Speaker 1: People that I lost, You feel what I'm saying, Like 1778 01:28:58,640 --> 01:29:02,160 Speaker 1: shit like that just gotta not take moments for granted, 1779 01:29:03,640 --> 01:29:07,719 Speaker 1: God bless you do you because a lot of people 1780 01:29:08,600 --> 01:29:12,519 Speaker 1: say living in LA it's dangerous as well. Do you 1781 01:29:12,640 --> 01:29:15,760 Speaker 1: look at it like that? Yeah? Yeah, that's where you 1782 01:29:15,800 --> 01:29:18,840 Speaker 1: live now, Yeah I look at I mean I really 1783 01:29:18,880 --> 01:29:21,800 Speaker 1: look at that air place like that, just because I 1784 01:29:21,920 --> 01:29:24,360 Speaker 1: feel like to be aware as to be alive, you 1785 01:29:24,439 --> 01:29:27,799 Speaker 1: know what I'm saying. Like always I'm a super alert 1786 01:29:28,479 --> 01:29:30,320 Speaker 1: kind of like people might look at it like I'm 1787 01:29:30,360 --> 01:29:33,600 Speaker 1: pairing it or whatever, but I'm just always thinking of 1788 01:29:33,760 --> 01:29:35,840 Speaker 1: like how I was raised. I think of the worst 1789 01:29:35,920 --> 01:29:39,479 Speaker 1: case scenario, so I always be prepared to just do 1790 01:29:39,560 --> 01:29:41,479 Speaker 1: whatever to make sure I get home, to make sure 1791 01:29:41,520 --> 01:29:44,120 Speaker 1: I'm protected in my family protected, you know what I'm saying. So, 1792 01:29:44,800 --> 01:29:49,400 Speaker 1: like I feel like, and it's crazy because I moved 1793 01:29:49,439 --> 01:29:52,800 Speaker 1: to LA to get away from that type of ship LA, 1794 01:29:53,040 --> 01:29:56,160 Speaker 1: right that. Yeah, Like no, I'm saying I moved to 1795 01:29:56,320 --> 01:29:59,320 Speaker 1: LA because I just not even get away from like 1796 01:30:00,000 --> 01:30:02,759 Speaker 1: islence and shit. But like I felt like in Chicago 1797 01:30:02,840 --> 01:30:06,679 Speaker 1: at the time, it was like a crabbing a bucket mentality, crabbing, 1798 01:30:06,760 --> 01:30:08,559 Speaker 1: a bureau mentality type of shit, you. 1799 01:30:08,600 --> 01:30:10,960 Speaker 6: Know what I'm saying, Because that's happens every city in 1800 01:30:11,120 --> 01:30:14,200 Speaker 6: every city, each in there grabbing. 1801 01:30:14,240 --> 01:30:17,040 Speaker 1: They're like yeah, so it's like I felt like LA 1802 01:30:17,280 --> 01:30:19,920 Speaker 1: was to get away from that and I could go where, 1803 01:30:20,200 --> 01:30:22,840 Speaker 1: you know, be with my family and be with my kids, 1804 01:30:23,680 --> 01:30:26,519 Speaker 1: go and enjoy life and enjoying myself without always looking 1805 01:30:26,560 --> 01:30:28,400 Speaker 1: over my shoulder, you know what I'm saying. But like 1806 01:30:28,920 --> 01:30:31,760 Speaker 1: I'm still taking precaution no matter where I'm at, you 1807 01:30:31,840 --> 01:30:37,000 Speaker 1: know what I'm saying. It's they don't want to be 1808 01:30:37,080 --> 01:30:38,160 Speaker 1: capital hard accidents. 1809 01:30:43,760 --> 01:30:46,200 Speaker 3: Because I know you're twenty eight, so you probably can't 1810 01:30:47,320 --> 01:30:50,560 Speaker 3: fully understand this, But do you realize they say the 1811 01:30:50,680 --> 01:30:53,519 Speaker 3: first gangs that ever was invented was in Chicago. 1812 01:30:53,880 --> 01:30:55,240 Speaker 1: Yeah, yeah, I ain't gonna lie. 1813 01:30:55,840 --> 01:30:58,080 Speaker 2: I'm I really be like. 1814 01:30:59,680 --> 01:31:03,880 Speaker 1: As like I'll be paying attention, and I studied that 1815 01:31:04,000 --> 01:31:06,960 Speaker 1: type of ship like always. I'm big on like history, 1816 01:31:07,120 --> 01:31:08,719 Speaker 1: you know what I'm saying, No matter why, man. 1817 01:31:08,680 --> 01:31:11,040 Speaker 2: Like definitely the biggest game. Yeah it's come out. 1818 01:31:11,560 --> 01:31:15,160 Speaker 1: I'm big on like just history, especially black history, like 1819 01:31:15,280 --> 01:31:18,760 Speaker 1: anything black history, any type of you know what I'm saying, Like, 1820 01:31:18,880 --> 01:31:21,120 Speaker 1: I'll be into that type of ship. So yeah, I know, 1821 01:31:21,280 --> 01:31:23,160 Speaker 1: I feel like a lot of ship was brought on 1822 01:31:23,520 --> 01:31:26,960 Speaker 1: just by for coltrust and kind of rational trauma type 1823 01:31:26,960 --> 01:31:29,599 Speaker 1: of shit. You feel me because kind of LA's culture. 1824 01:31:31,040 --> 01:31:33,600 Speaker 1: I don't want to say mimicked because that might be 1825 01:31:33,680 --> 01:31:38,400 Speaker 1: the wrong word, but I believe Black Pea Stones. Yeah, 1826 01:31:39,200 --> 01:31:41,519 Speaker 1: it's like the first game in Chicago, and Black Pea 1827 01:31:41,560 --> 01:31:44,519 Speaker 1: Stones is the oldest gang in LA or one of 1828 01:31:44,600 --> 01:31:47,519 Speaker 1: the oldest gangs that's credibly not saying transformed into what 1829 01:31:48,840 --> 01:31:53,800 Speaker 1: what would have transformed into in LA bloods? Oh yeah, yeah, okay, yeah, 1830 01:31:53,960 --> 01:31:59,320 Speaker 1: but that that originated wasn't wasn't Christ before bloods? 1831 01:32:00,280 --> 01:32:02,800 Speaker 3: Yeah, but that that's the blood part of it, you 1832 01:32:02,880 --> 01:32:06,559 Speaker 3: know what I mean. So I believe Raymond Washington if 1833 01:32:06,640 --> 01:32:07,360 Speaker 3: if I'm not. 1834 01:32:07,600 --> 01:32:09,840 Speaker 1: I mean, we definitely don't. I don't know, I'm not. 1835 01:32:10,800 --> 01:32:14,679 Speaker 1: But but what I'm saying saying is the first recorded 1836 01:32:15,520 --> 01:32:18,599 Speaker 1: originating in Chicago. Yeah, originated in Chicago. 1837 01:32:18,760 --> 01:32:21,320 Speaker 3: So like I don't know if it's the terminology that 1838 01:32:21,400 --> 01:32:24,920 Speaker 3: they use gang, if that's what it is. 1839 01:32:25,000 --> 01:32:28,519 Speaker 1: But yeah, yeah, that gang definitely originated in Chicago. 1840 01:32:28,800 --> 01:32:30,880 Speaker 3: Like I remember going to Chicago. I swear to God 1841 01:32:30,920 --> 01:32:34,559 Speaker 3: and I have my my my leg my past leg 1842 01:32:34,680 --> 01:32:35,879 Speaker 3: up and people. 1843 01:32:35,680 --> 01:32:38,680 Speaker 1: Were like yo yo yo yo one up. Yeah, I 1844 01:32:38,720 --> 01:32:41,559 Speaker 1: didn't know what the fun was happening on some games 1845 01:32:42,160 --> 01:32:44,240 Speaker 1: on the gang ship. Yeah, I was wearing my hat 1846 01:32:44,320 --> 01:32:46,840 Speaker 1: the wrong way one time. They were like hat. 1847 01:32:46,920 --> 01:32:48,960 Speaker 2: But I ain't never heard about the legs. Yeah yeah, 1848 01:32:49,120 --> 01:32:49,920 Speaker 2: maybe you here's. 1849 01:32:49,760 --> 01:32:52,640 Speaker 1: Your leg and your head on the same I was 1850 01:32:52,720 --> 01:32:56,439 Speaker 1: in Puerto Weecan section. Maybe it was some weird ass 1851 01:32:56,479 --> 01:33:01,800 Speaker 1: ship look telling me to talk about it. I never 1852 01:33:01,920 --> 01:33:07,519 Speaker 1: had's take a shot of that. Let's take a shot 1853 01:33:07,600 --> 01:33:12,719 Speaker 1: for that. Goddamn it. That was take a shot for that. Motherfucker. 1854 01:33:13,400 --> 01:33:20,519 Speaker 1: Let's make some noise. I do not them convince you 1855 01:33:20,600 --> 01:33:22,880 Speaker 1: to take a shot of that. Yeah, I ain't taking 1856 01:33:22,920 --> 01:33:28,800 Speaker 1: a shot. Can you stand my my candle er please? 1857 01:33:29,600 --> 01:33:32,400 Speaker 1: S thank you? Bro? 1858 01:33:37,200 --> 01:33:41,519 Speaker 3: Kill ship, kill ship, kill ship a little bit me. 1859 01:33:41,880 --> 01:33:43,120 Speaker 3: We were speaking about it earlier. 1860 01:33:43,760 --> 01:33:46,840 Speaker 1: Yeah, like I said, Bro, put that whole ship together. 1861 01:33:46,920 --> 01:33:50,559 Speaker 1: That's crazy, Damn. 1862 01:33:50,720 --> 01:33:53,440 Speaker 2: I ain't never really even spoke with this. I recorded 1863 01:33:54,320 --> 01:33:55,840 Speaker 2: that verse in My. 1864 01:33:55,920 --> 01:33:59,880 Speaker 1: Little Brother creb Man long Live, look great. Little bro 1865 01:34:00,120 --> 01:34:03,120 Speaker 1: just passed away three years ago, yesterday, yesterday. It was 1866 01:34:03,200 --> 01:34:07,800 Speaker 1: just three take a shot for a little bro man. 1867 01:34:11,240 --> 01:34:14,760 Speaker 1: You gotta pull me in another shot. But uh, yeah, 1868 01:34:14,760 --> 01:34:19,559 Speaker 1: I recorded that video in the living room at Libertal Spot. 1869 01:34:20,439 --> 01:34:24,320 Speaker 1: Uh and baby really put the whole ship together. Shower 1870 01:34:24,439 --> 01:34:27,720 Speaker 1: dj L recorded, I mean cook the beat up right 1871 01:34:27,760 --> 01:34:35,880 Speaker 1: on the spot ship and we really like, I think 1872 01:34:36,000 --> 01:34:39,280 Speaker 1: that's probably still one of my biggest streaming songs to 1873 01:34:39,400 --> 01:34:43,160 Speaker 1: this day. We really ain't even like know what we 1874 01:34:43,439 --> 01:34:45,360 Speaker 1: was doing with that ship. We shot the video. Man, 1875 01:34:45,400 --> 01:34:48,160 Speaker 1: he was probably sixteen seventeen, So we shot that video 1876 01:34:48,760 --> 01:34:53,000 Speaker 1: at five five in the morning on sunny on Sidney 1877 01:34:53,000 --> 01:34:56,000 Speaker 1: a fan Kingston. It's outside posted up on some young ship. 1878 01:34:56,280 --> 01:35:03,280 Speaker 1: Just I got a video viral, man, I got a 1879 01:35:03,360 --> 01:35:06,840 Speaker 1: video that's still viral. Oh shure, let me take this 1880 01:35:06,920 --> 01:35:12,080 Speaker 1: shot for a little bro. Man, So I look so 1881 01:35:12,680 --> 01:35:20,920 Speaker 1: for a little broskie. I got a video viral. Me 1882 01:35:21,000 --> 01:35:24,519 Speaker 1: and baby free I was freestyl Biby standing next to me. 1883 01:35:34,240 --> 01:35:35,400 Speaker 2: I got drunk. 1884 01:35:36,439 --> 01:35:39,639 Speaker 1: I had dj L d j L who made a beat. 1885 01:35:40,520 --> 01:35:42,920 Speaker 1: He was cooking the ship up on the spot. Like 1886 01:35:43,280 --> 01:35:46,200 Speaker 1: literally it's four five in the morning. Niggas young and 1887 01:35:46,280 --> 01:35:52,479 Speaker 1: said breaking curfew twenty deep on the block. Uh just 1888 01:35:53,000 --> 01:35:59,000 Speaker 1: shot nigga Jordan him shot the video just on some 1889 01:35:59,600 --> 01:36:02,720 Speaker 1: random ship, bro, and that ship just went legendary. Man, 1890 01:36:02,920 --> 01:36:06,120 Speaker 1: just just just kids trying ship like you felt when 1891 01:36:06,120 --> 01:36:07,800 Speaker 1: I look back on it, you know what I'm saying, Like, 1892 01:36:08,479 --> 01:36:10,760 Speaker 1: we ain't even know where that ship was going. We 1893 01:36:10,960 --> 01:36:13,120 Speaker 1: just shot this ship on some random ship on the 1894 01:36:13,200 --> 01:36:17,479 Speaker 1: block literally four five in the morning, and that ship 1895 01:36:17,600 --> 01:36:21,280 Speaker 1: took us where it needed to go. Got damn fucking 1896 01:36:21,320 --> 01:36:23,599 Speaker 1: beautiful all right? 1897 01:36:25,520 --> 01:36:27,080 Speaker 3: All right, By the way, this is this is three 1898 01:36:27,240 --> 01:36:30,799 Speaker 3: questions back to back because we got three fucking records 1899 01:36:30,840 --> 01:36:31,880 Speaker 3: with little Uzi Verkin. 1900 01:36:32,720 --> 01:36:36,880 Speaker 1: Yeah, yeah, very that's my man. Well, we got bro 1901 01:36:37,040 --> 01:36:42,160 Speaker 1: got h on my phone, We got everything. Uh, he 1902 01:36:42,200 --> 01:36:47,560 Speaker 1: don't know who running ship we got. I got just 1903 01:36:48,560 --> 01:36:51,240 Speaker 1: trying to think right the way you think I forgot 1904 01:36:51,320 --> 01:36:54,000 Speaker 1: why I've seen him? It was like seven o'clock in 1905 01:36:54,040 --> 01:36:54,559 Speaker 1: the morning. 1906 01:36:54,760 --> 01:36:57,719 Speaker 2: Yeah, you saw him at seven o'clock in the morning. 1907 01:36:57,920 --> 01:37:01,280 Speaker 1: Yeah. I sent him a shot. He took it at 1908 01:37:01,320 --> 01:37:03,800 Speaker 1: seven o'clock in the morning. Yeah. Yeah, it sounds like 1909 01:37:04,360 --> 01:37:08,960 Speaker 1: what shot? Did you send him whatever he wanted? Wait, whatever, 1910 01:37:09,600 --> 01:37:11,720 Speaker 1: he's at another table. I was like yo, I was 1911 01:37:11,800 --> 01:37:14,680 Speaker 1: testing him. I was like yo, telling him, send him, 1912 01:37:14,720 --> 01:37:17,120 Speaker 1: send him whatever he wants. And he was like, yeah, 1913 01:37:17,400 --> 01:37:19,360 Speaker 1: he took the shot. He walked over to my table 1914 01:37:19,600 --> 01:37:22,160 Speaker 1: and I sent him another shot and he took it, 1915 01:37:22,439 --> 01:37:25,040 Speaker 1: and then he sent me another shot. And we was 1916 01:37:25,080 --> 01:37:28,560 Speaker 1: going all night. I'm talking about I don't want to 1917 01:37:28,600 --> 01:37:34,880 Speaker 1: say where. Yeah, bro, real nigga, the show like me 1918 01:37:34,960 --> 01:37:37,479 Speaker 1: and who he ain't gonna let it me and Who's 1919 01:37:37,479 --> 01:37:39,400 Speaker 1: he got a different relationship bro, Me and me and 1920 01:37:39,520 --> 01:37:43,519 Speaker 1: broken locked in like literally just like the beginning, like 1921 01:37:43,720 --> 01:37:46,960 Speaker 1: I mean since the beginning of his career, like literally 1922 01:37:47,120 --> 01:37:49,639 Speaker 1: type of ship. You feel me? This is my shot? 1923 01:37:50,439 --> 01:37:54,639 Speaker 1: I mean it's not ours? Ye shot already? Yeah? 1924 01:37:54,880 --> 01:37:58,719 Speaker 2: Yeah, is this my fault? Definitely definitely an't drink unless 1925 01:37:58,760 --> 01:38:00,280 Speaker 2: your ice melted, just. 1926 01:38:00,400 --> 01:38:03,600 Speaker 1: Like like I think your ice soldier that was just 1927 01:38:03,680 --> 01:38:09,320 Speaker 1: hanging around your buddy just melted. That's probably just fuddy 1928 01:38:09,720 --> 01:38:12,599 Speaker 1: m hm. And you got ice in them, motherfucker, that's probably. 1929 01:38:12,680 --> 01:38:14,320 Speaker 1: That's all. I ain't gonna lie to you. If you 1930 01:38:14,360 --> 01:38:18,760 Speaker 1: would have hit that stole the elite with concrete, yeah, 1931 01:38:18,960 --> 01:38:22,360 Speaker 1: you wouldn't be discreet. I ain't running up on it 1932 01:38:23,320 --> 01:38:28,840 Speaker 1: as I know who run it first? Yeah, who run it? 1933 01:38:29,000 --> 01:38:29,200 Speaker 8: Man? 1934 01:38:29,479 --> 01:38:34,519 Speaker 1: Shout my boy, baby, Man shout baby for Dallas for sure, Man, 1935 01:38:34,640 --> 01:38:38,320 Speaker 1: that's who running. That's crazy. I'd be like when I 1936 01:38:38,800 --> 01:38:42,040 Speaker 1: thinking about ship, like that ship told me like I 1937 01:38:42,200 --> 01:38:45,720 Speaker 1: had there's some funny ass ship, right, I stole my toe. 1938 01:38:45,800 --> 01:38:47,920 Speaker 1: I hit my toe on the edge of the bed, 1939 01:38:47,960 --> 01:38:49,960 Speaker 1: and my ship was hurting bad as fuck. I couldn't 1940 01:38:49,960 --> 01:38:54,000 Speaker 1: even put my shoe on. Which toe? Is that really? 1941 01:38:54,280 --> 01:38:54,479 Speaker 2: Damn? 1942 01:38:55,000 --> 01:38:58,880 Speaker 1: The little told I couldn't walk the little toe the 1943 01:38:59,000 --> 01:39:01,519 Speaker 1: little one bro ship turned black. 1944 01:39:02,840 --> 01:39:05,080 Speaker 2: Man, it was fucked up. It was at the top. 1945 01:39:05,240 --> 01:39:08,160 Speaker 2: Was like, I don't really look though. 1946 01:39:08,760 --> 01:39:12,160 Speaker 1: Man, I couldn't. I couldn't want you take a picture. 1947 01:39:12,200 --> 01:39:16,519 Speaker 1: Little To this day, nobody noticed. I really went up 1948 01:39:16,600 --> 01:39:18,880 Speaker 1: to the ship, rolled up on the little chill. The 1949 01:39:18,960 --> 01:39:21,880 Speaker 1: little one that rolled it wasn't a wheel channel, you know, 1950 01:39:21,960 --> 01:39:25,439 Speaker 1: the little chair that spin around the folk. I rolled 1951 01:39:25,479 --> 01:39:27,560 Speaker 1: one of them bitches all the way on the elevator 1952 01:39:27,880 --> 01:39:31,840 Speaker 1: up to the ship. Did the freestyle. Ship was sucked up. 1953 01:39:31,920 --> 01:39:33,720 Speaker 1: I'm like, man, I ain't even want to do this ship, 1954 01:39:33,840 --> 01:39:37,880 Speaker 1: but that ship can't win so viral. After that, I'm like, damn, man, 1955 01:39:37,920 --> 01:39:39,920 Speaker 1: I got to just start doing ship when I don't 1956 01:39:39,960 --> 01:39:42,120 Speaker 1: even want to do it, Like fuck it, this just 1957 01:39:42,720 --> 01:39:45,080 Speaker 1: go through it. That ship taught me a little mintal lesson. 1958 01:39:45,120 --> 01:39:49,400 Speaker 1: But anyway, I had did the freestyle and put that 1959 01:39:49,479 --> 01:39:52,720 Speaker 1: ship on my page. Then drake head DM me like, man, 1960 01:39:52,800 --> 01:40:01,960 Speaker 1: make that ship a song. Okay, talking about Bro, I 1961 01:40:02,120 --> 01:40:05,280 Speaker 1: had did a freestyle. I told you I wanted a baby. 1962 01:40:05,560 --> 01:40:09,960 Speaker 1: I did freestyle after I stub my toe. I want 1963 01:40:10,000 --> 01:40:13,240 Speaker 1: to take your dam after your toe was hurt. After 1964 01:40:13,320 --> 01:40:16,800 Speaker 1: I posted the ship on my page. Drake had hit 1965 01:40:16,920 --> 01:40:19,040 Speaker 1: me in the DM like, man, make that ship a song. 1966 01:40:19,560 --> 01:40:23,240 Speaker 1: Drake is a lection bro, he's alec. Yeah. I wanted 1967 01:40:23,280 --> 01:40:25,240 Speaker 1: to drink man, and he told you you the future 1968 01:40:26,120 --> 01:40:27,960 Speaker 1: he did, Bro, that's. 1969 01:40:27,880 --> 01:40:31,760 Speaker 2: All the record got got to get a record again. 1970 01:40:32,960 --> 01:40:35,200 Speaker 2: He can't say that and then not do the record. 1971 01:40:35,360 --> 01:40:37,439 Speaker 1: You know that, Man, I'm gonna get it done. You 1972 01:40:37,520 --> 01:40:42,400 Speaker 1: know that? Who you played basketball? Yeah? Who you thinking? 1973 01:40:42,800 --> 01:40:44,200 Speaker 1: But me and Drake? Yeah? 1974 01:40:44,960 --> 01:40:45,920 Speaker 2: As was he? 1975 01:40:46,400 --> 01:40:48,160 Speaker 1: Hey what big bro? What man? 1976 01:40:48,200 --> 01:40:49,840 Speaker 2: We gave Drake ass work man? 1977 01:40:50,000 --> 01:40:51,679 Speaker 1: He was man. He put us out of the studio. 1978 01:40:51,800 --> 01:40:54,639 Speaker 1: We want he advels to it. He knows they we won. 1979 01:40:54,840 --> 01:40:57,439 Speaker 1: They lost? Wait wait talking about he was in the 1980 01:40:58,880 --> 01:41:02,040 Speaker 1: big show? Who was Okay? Hold on, so what happened? 1981 01:41:02,040 --> 01:41:02,320 Speaker 1: All right? 1982 01:41:02,400 --> 01:41:04,519 Speaker 2: Tell us tell you said the crib in l a 1983 01:41:05,280 --> 01:41:07,719 Speaker 2: hooping who was on our team? 1984 01:41:07,840 --> 01:41:11,599 Speaker 1: It was me, big Bro? Who's big Bro? We need 1985 01:41:11,680 --> 01:41:14,320 Speaker 1: to know a one right there? It's big Bro? 1986 01:41:14,640 --> 01:41:18,200 Speaker 2: Okay, Addy was on our team. Wanted to get added 1987 01:41:18,280 --> 01:41:21,000 Speaker 2: all all on bro and so. 1988 01:41:21,040 --> 01:41:24,000 Speaker 1: This is shot talent against Toronto. Is this what happened? Uh? 1989 01:41:24,840 --> 01:41:29,439 Speaker 1: It was that was ourful dash dash he my bro 1990 01:41:29,800 --> 01:41:33,000 Speaker 1: Aaron Sharral, you know, big c over geffing on Brodie. 1991 01:41:33,080 --> 01:41:37,360 Speaker 2: Okay, Brodie was four and four and we was playing. 1992 01:41:38,080 --> 01:41:42,000 Speaker 1: We played. We played Drake little Man, We played Drake 1993 01:41:42,080 --> 01:41:46,680 Speaker 1: twenty one Savage who was on the team. It was 1994 01:41:46,760 --> 01:41:49,280 Speaker 1: like two more people, ain't lie, we bust the ass though, 1995 01:41:49,320 --> 01:41:54,080 Speaker 1: we're not going to Drake bust Drake and twenty one 1996 01:41:54,160 --> 01:41:57,439 Speaker 1: Savage twenty one was playing with him to bro But 1997 01:41:57,560 --> 01:41:59,320 Speaker 1: that was a little That was a little scrimmage though 1998 01:41:59,360 --> 01:42:02,160 Speaker 1: I ain't really gonna do too much bathroom on it. 1999 01:42:02,280 --> 01:42:02,719 Speaker 2: But they. 2000 01:42:04,720 --> 01:42:09,960 Speaker 1: Beat yourself up and took your back. I'm not sure, y'all. Yeah, 2001 01:42:10,160 --> 01:42:13,040 Speaker 1: what was the game? What? What was it? Like? Like? 2002 01:42:13,240 --> 01:42:16,439 Speaker 1: How many wines? How many were probably played? Like eleven 2003 01:42:16,520 --> 01:42:19,760 Speaker 1: weelve eleven or some ship. It was probably like four yeah, 2004 01:42:19,880 --> 01:42:25,760 Speaker 1: four four court court, full court? Where was this at 2005 01:42:26,960 --> 01:42:30,479 Speaker 1: l A L A l A. So you smoked Drake. 2006 01:42:31,880 --> 01:42:33,880 Speaker 2: And twenty one We. 2007 01:42:34,120 --> 01:42:40,080 Speaker 1: Won in the phone for Yeah, we beat them. That's 2008 01:42:40,160 --> 01:42:41,879 Speaker 1: what happened, everybody. 2009 01:42:42,080 --> 01:42:44,240 Speaker 3: I just want to be commentary for parking sure, you 2010 01:42:44,320 --> 01:42:47,760 Speaker 3: know versus once this ship goes, contends to. 2011 01:42:48,120 --> 01:42:50,600 Speaker 1: Let's start the back. Nobody gonna want to rematch, you 2012 01:42:50,720 --> 01:42:51,559 Speaker 1: know how this ship goes. 2013 01:42:52,840 --> 01:42:54,240 Speaker 2: We're gonna do the side commentary. 2014 01:42:55,040 --> 01:42:56,519 Speaker 1: Yeah, I want to do the side commentary. 2015 01:42:57,080 --> 01:42:58,680 Speaker 2: You we're gonna host it. We're gonna host it. 2016 01:42:58,720 --> 01:42:59,400 Speaker 1: We're gonna host it. 2017 01:43:00,040 --> 01:43:02,400 Speaker 2: About shots, and it's gonna be a charity game. 2018 01:43:03,040 --> 01:43:07,040 Speaker 1: We can't wait. So you saying if you all right? 2019 01:43:07,160 --> 01:43:10,559 Speaker 1: So you and who against Drake and twenty one Savage 2020 01:43:10,560 --> 01:43:16,479 Speaker 1: two on two, Me and Brow, me and Brunt, No smoke, 2021 01:43:16,520 --> 01:43:20,360 Speaker 1: He just said no, we won't. Yeah you said no, 2022 01:43:20,600 --> 01:43:23,720 Speaker 1: Like I'm gonna smoke them like He's like, no, yeah, 2023 01:43:24,360 --> 01:43:27,280 Speaker 1: you talk about so two on two. I'm calling ice 2024 01:43:27,360 --> 01:43:30,640 Speaker 1: Que tomorrow. We're gonna make a different league. Me and 2025 01:43:30,760 --> 01:43:35,040 Speaker 1: bro against him in twenty one. That's sweet. Let me go. 2026 01:43:35,760 --> 01:43:36,880 Speaker 2: That's over league. 2027 01:43:39,520 --> 01:43:44,320 Speaker 1: Do we got this? Okar? We think if we come right, 2028 01:43:44,520 --> 01:43:53,000 Speaker 1: come on, we all yeah, under dog Fantasy. 2029 01:43:53,080 --> 01:43:56,000 Speaker 3: We finally are able to, you know, speak about sports, 2030 01:43:56,479 --> 01:43:57,160 Speaker 3: make a little bit. 2031 01:43:57,040 --> 01:43:59,120 Speaker 1: Of money, save some people some money. 2032 01:43:59,240 --> 01:44:02,839 Speaker 2: Yes, that's right, makeable some money, money, money. 2033 01:44:02,840 --> 01:44:06,000 Speaker 1: So what we're doing this week, We're going right into 2034 01:44:06,040 --> 01:44:08,479 Speaker 1: Super Bowl Sunday big. 2035 01:44:08,800 --> 01:44:11,280 Speaker 6: We need the Drink Chances Army to download the Underdog 2036 01:44:11,360 --> 01:44:11,960 Speaker 6: Fantasy app. 2037 01:44:12,760 --> 01:44:16,720 Speaker 2: Used the Drink Champs or drink or Champs, that's right. 2038 01:44:16,800 --> 01:44:18,760 Speaker 6: And for every hundred up to one hundred dollars that 2039 01:44:18,840 --> 01:44:21,920 Speaker 6: you deposit, it'll get matched because you use the Drink Champs. 2040 01:44:22,560 --> 01:44:31,960 Speaker 1: Coach Efn's got money. He's batching the money himself. That's 2041 01:44:32,080 --> 01:44:33,680 Speaker 1: those that have been sleeping on the rock. Is the 2042 01:44:33,760 --> 01:44:36,519 Speaker 1: Kansas City Chiefs versus the San Francisco forty nine ers 2043 01:44:36,720 --> 01:44:37,519 Speaker 1: in Las Vegas. 2044 01:44:37,560 --> 01:44:38,240 Speaker 2: I go with the Chiefs. 2045 01:44:39,880 --> 01:44:41,519 Speaker 3: Ask me why I'm going with the Chiefs. Why are 2046 01:44:41,520 --> 01:44:43,960 Speaker 3: you going with the Chiefs. We do not go against Mahomes. 2047 01:44:44,000 --> 01:44:45,160 Speaker 3: I love that alone time ago. 2048 01:44:45,320 --> 01:44:47,640 Speaker 6: And we don't go against Strange Music Tech nine man. 2049 01:44:47,680 --> 01:44:50,400 Speaker 6: They celebrated two shoutouts to them man as their team's love. 2050 01:44:50,439 --> 01:44:51,280 Speaker 1: How you made that? Make it? 2051 01:44:51,760 --> 01:44:51,960 Speaker 2: Okay? 2052 01:44:52,040 --> 01:44:54,720 Speaker 1: Okay, Strange Music shut shout out to all that. But 2053 01:44:54,800 --> 01:44:57,559 Speaker 1: I'm going with San Francisco forty nine ers. I think 2054 01:44:57,840 --> 01:45:00,840 Speaker 1: Defense is going to step it up. I think they're 2055 01:45:01,400 --> 01:45:07,040 Speaker 1: they're gonna follow suit and destroy the Las Vegas numbers. 2056 01:45:08,280 --> 01:45:12,439 Speaker 1: The Super Bowls in Vegas. Yeah, okay, allegiate stadium marijuana 2057 01:45:12,520 --> 01:45:18,400 Speaker 1: is legal, so it's hooking. Watch yourself pick. However, I 2058 01:45:18,680 --> 01:45:22,720 Speaker 1: like Kansas City to squeak it out. It's gonna be 2059 01:45:22,760 --> 01:45:24,559 Speaker 1: a close game, but it's three to one right now. 2060 01:45:25,640 --> 01:45:29,120 Speaker 1: As an underdog and underdog fantasy, I think I'll be 2061 01:45:29,160 --> 01:45:31,000 Speaker 1: the underdog in this pick. I think forty nine ers 2062 01:45:31,000 --> 01:45:31,320 Speaker 1: will do it. 2063 01:45:31,400 --> 01:45:33,080 Speaker 2: Why do you think forty nine is an underdog in this? 2064 01:45:33,520 --> 01:45:39,880 Speaker 1: Absolutely bro everybody's not picking again Mahmie or Kelsey, But 2065 01:45:40,040 --> 01:45:43,120 Speaker 1: forty nine has got Christian McCaffrey and deebo I like 2066 01:45:43,200 --> 01:45:46,639 Speaker 1: his name, deebo Man. Yeah, it's deebo I like them 2067 01:45:46,640 --> 01:45:47,240 Speaker 1: on Friday too. 2068 01:45:47,360 --> 01:45:48,080 Speaker 2: So what are the picks? 2069 01:45:48,120 --> 01:45:50,080 Speaker 1: Man? What are we doing? What? What are we what? 2070 01:45:50,479 --> 01:45:53,360 Speaker 1: How am I going to make bread? Yeah? Let me breaking. 2071 01:45:53,880 --> 01:45:56,479 Speaker 1: Not this motherfucker who's lower, let's go take him out. 2072 01:45:56,479 --> 01:45:59,479 Speaker 1: Of all these pigs that we're discussing, they're all on 2073 01:45:59,840 --> 01:46:01,680 Speaker 1: the under dog Fantasy at we're just not making this 2074 01:46:01,720 --> 01:46:04,880 Speaker 1: ship up right. That's right. You download on the Dog 2075 01:46:04,960 --> 01:46:07,800 Speaker 1: Fantasy and use the promo code drink Champs and get 2076 01:46:07,840 --> 01:46:08,080 Speaker 1: you a. 2077 01:46:08,240 --> 01:46:11,880 Speaker 3: Drink or chance and get your one hundred dollars the 2078 01:46:12,400 --> 01:46:15,479 Speaker 3: code Drink Champs Promo Code Drink Camp Drinks or Champs 2079 01:46:15,680 --> 01:46:17,840 Speaker 3: under Dog Fantasy download right now. 2080 01:46:37,520 --> 01:46:40,720 Speaker 1: So let me ask you what's your favorite? Making the 2081 01:46:40,800 --> 01:46:48,320 Speaker 1: record or performing the record? May making your record, right, 2082 01:46:49,520 --> 01:46:53,479 Speaker 1: I think making the record because just to create a 2083 01:46:53,560 --> 01:46:59,280 Speaker 1: space of I feel like when you like from an 2084 01:46:59,320 --> 01:47:03,240 Speaker 1: artist respect. In my opinion, I'm already making the record 2085 01:47:03,439 --> 01:47:05,960 Speaker 1: with purpose and knowing if I'm going to perform and 2086 01:47:06,040 --> 01:47:08,559 Speaker 1: shoot it or whatever. Already already know what you're doing 2087 01:47:08,560 --> 01:47:11,559 Speaker 1: with exactly. So it's like I'm already like once once 2088 01:47:11,640 --> 01:47:14,000 Speaker 1: I'm at least getting the process of it. I can 2089 01:47:14,160 --> 01:47:17,760 Speaker 1: figure how that's gonna recollect and shows or whatever from 2090 01:47:17,800 --> 01:47:21,200 Speaker 1: the first day I'll make it, you know what I'm saying, Shows, video, 2091 01:47:21,479 --> 01:47:22,960 Speaker 1: how it's gonna be. You know what I'm saying. 2092 01:47:23,080 --> 01:47:27,080 Speaker 2: You do a lot of festivals, right, yeah? I do festivals. Yeah, 2093 01:47:27,120 --> 01:47:29,400 Speaker 2: So what I'm saying, I mean I heard you you 2094 01:47:29,800 --> 01:47:31,200 Speaker 2: you be out the big festival. 2095 01:47:31,280 --> 01:47:34,280 Speaker 1: Yeah, I done LATAs. I did LATAs and you know 2096 01:47:34,439 --> 01:47:36,680 Speaker 1: rolling laughs and all this ship. Yeah, all the big 2097 01:47:36,800 --> 01:47:40,080 Speaker 1: festivals that's turk Urban. Yeah. Yeah. I like the fact 2098 01:47:40,080 --> 01:47:41,200 Speaker 1: that you say that. 2099 01:47:41,320 --> 01:47:43,519 Speaker 3: Some people say that they think that you don't have 2100 01:47:43,600 --> 01:47:46,280 Speaker 3: a hit record, but you say, I can't tell because 2101 01:47:46,320 --> 01:47:47,040 Speaker 3: my fans. 2102 01:47:46,840 --> 01:47:50,599 Speaker 1: Is it's a hit with fans and matter every motherfucking night. 2103 01:47:51,240 --> 01:47:53,920 Speaker 1: So it's like I'll be saying this a lot, like 2104 01:47:55,439 --> 01:47:58,040 Speaker 1: like not in a bad way. I feel like it's 2105 01:47:58,439 --> 01:48:01,160 Speaker 1: I'll be like I feel like one hit record away 2106 01:48:01,320 --> 01:48:03,519 Speaker 1: because I never really called a break while I went 2107 01:48:04,080 --> 01:48:06,320 Speaker 1: top Billboard and no shit like that, you know what 2108 01:48:06,320 --> 01:48:08,639 Speaker 1: I'm saying. But I always built the core fan base 2109 01:48:08,680 --> 01:48:11,559 Speaker 1: because I stayed consistent in a way where I feel, 2110 01:48:12,040 --> 01:48:13,800 Speaker 1: you know what I'm saying. The people who fuck with me, 2111 01:48:14,040 --> 01:48:17,200 Speaker 1: you feel me like organically, whether it's like me dropping 2112 01:48:17,320 --> 01:48:20,559 Speaker 1: enough projects on me just being featured on enough shit 2113 01:48:20,600 --> 01:48:22,840 Speaker 1: because everybody fuck with me, and you know what I'm saying, 2114 01:48:22,920 --> 01:48:26,000 Speaker 1: delivering in that type of way. But and I ain't 2115 01:48:26,000 --> 01:48:28,639 Speaker 1: gonna lie. I feel like I ain't never really had 2116 01:48:28,680 --> 01:48:32,280 Speaker 1: the advantage to just really drop consistently how I wanted to, 2117 01:48:32,400 --> 01:48:35,200 Speaker 1: because I ain't never mapped it up the way I 2118 01:48:35,320 --> 01:48:37,360 Speaker 1: wanted to. You feel what I'm saying and what I'm 2119 01:48:37,400 --> 01:48:42,000 Speaker 1: saying that like on some shit, well like me being 2120 01:48:42,080 --> 01:48:45,840 Speaker 1: independent the whole time, I can drop music, but I 2121 01:48:45,880 --> 01:48:49,439 Speaker 1: ain't never really like putting the rollouts where it's like, 2122 01:48:49,520 --> 01:48:51,880 Speaker 1: all right, bet I'm from the drop folk mixtapes or 2123 01:48:51,960 --> 01:48:55,200 Speaker 1: two albums or some shit. There's a certain budget allocatese 2124 01:48:55,320 --> 01:48:57,599 Speaker 1: how you do it exactly because I know Nigga really 2125 01:48:57,680 --> 01:49:00,360 Speaker 1: doing this shit independence so on. Everything is how you 2126 01:49:00,439 --> 01:49:02,080 Speaker 1: can do it when that can do it, you feel 2127 01:49:02,080 --> 01:49:04,720 Speaker 1: I'm saying exactly, you know how this shit goes. It's like, 2128 01:49:05,240 --> 01:49:07,160 Speaker 1: I feel like we're having that. If I would have 2129 01:49:07,200 --> 01:49:10,440 Speaker 1: had the advantage to really do that. From a perspective 2130 01:49:10,479 --> 01:49:14,559 Speaker 1: of somebody who got a label budget or whatever, he'll say, 2131 01:49:14,640 --> 01:49:17,640 Speaker 1: you know what I'm saying, Like, shit, I feel like 2132 01:49:18,520 --> 01:49:23,160 Speaker 1: ship would probably like slowed me down. I'm glad it, 2133 01:49:23,439 --> 01:49:24,960 Speaker 1: Like you know what I'm saying, I'm glad I built 2134 01:49:25,000 --> 01:49:27,600 Speaker 1: some shit organically where it's like I don't have to 2135 01:49:27,840 --> 01:49:29,840 Speaker 1: chase it, right, I don't have to chase it. 2136 01:49:29,960 --> 01:49:32,639 Speaker 6: You're better than most artists, you know what I'm saying. 2137 01:49:32,880 --> 01:49:35,400 Speaker 6: You don't need that machine. You don't need that budget. 2138 01:49:36,720 --> 01:49:38,920 Speaker 6: If the budget comes to you, eventually, you're gonna know 2139 01:49:38,960 --> 01:49:41,400 Speaker 6: how to use it, but you don't need that like 2140 01:49:41,680 --> 01:49:44,320 Speaker 6: to have to not have a hit record like the 2141 01:49:44,560 --> 01:49:48,040 Speaker 6: technical hit record and have the falling you have is amazing, 2142 01:49:48,120 --> 01:49:49,920 Speaker 6: man like like salutes. 2143 01:49:49,720 --> 01:49:50,599 Speaker 1: Your fans are crazy. 2144 01:49:50,840 --> 01:49:53,920 Speaker 2: B I'm saying, it's like I feel like that ship 2145 01:49:54,000 --> 01:49:55,400 Speaker 2: really but I'm. 2146 01:49:55,240 --> 01:49:58,960 Speaker 3: Gonna Benna be his devil advocate if they come with 2147 01:49:59,080 --> 01:50:02,000 Speaker 3: that bag. Some labels take that guy, Damn. 2148 01:50:04,040 --> 01:50:04,439 Speaker 1: Me and him. 2149 01:50:06,240 --> 01:50:10,000 Speaker 6: Read the contract problem. Don't just take the back. The 2150 01:50:10,160 --> 01:50:14,080 Speaker 6: one is that the back is a loan man. It's alone. 2151 01:50:14,080 --> 01:50:17,200 Speaker 6: It's not a bad It's very true. Very I'm gonna 2152 01:50:17,200 --> 01:50:19,040 Speaker 6: hold onto it a little bit like it's like. 2153 01:50:19,080 --> 01:50:20,920 Speaker 1: This, you know it's very true. 2154 01:50:21,200 --> 01:50:21,479 Speaker 2: I don't. 2155 01:50:21,600 --> 01:50:23,960 Speaker 1: I feel like it was like I said, it was 2156 01:50:24,080 --> 01:50:26,720 Speaker 1: like some I didn't even know what it was like 2157 01:50:26,840 --> 01:50:28,840 Speaker 1: in my math, didn't know what it was. I felt 2158 01:50:28,840 --> 01:50:31,720 Speaker 1: like I was building like a real business where I 2159 01:50:31,880 --> 01:50:35,920 Speaker 1: can go. I got the opportunity to like say, yeah, Nick, 2160 01:50:36,080 --> 01:50:37,880 Speaker 1: you know what I'm saying. You feel me like we're 2161 01:50:37,920 --> 01:50:41,519 Speaker 1: building it because I don't have to like put it. 2162 01:50:41,680 --> 01:50:44,280 Speaker 1: I could put out music and just feed my audience, 2163 01:50:44,400 --> 01:50:45,920 Speaker 1: Like I don't got to make sure I got a 2164 01:50:46,040 --> 01:50:48,320 Speaker 1: single or whatever before I drop an album or you 2165 01:50:48,360 --> 01:50:50,599 Speaker 1: know what I'm saying, Like just certain ship, I got 2166 01:50:50,680 --> 01:50:53,160 Speaker 1: the advantage. It's just pros and cons with being able 2167 01:50:53,240 --> 01:50:57,240 Speaker 1: to just be like independent, having a coin fan base 2168 01:50:57,280 --> 01:50:59,400 Speaker 1: where it's like they just wait on me to drop music. 2169 01:50:59,439 --> 01:50:59,920 Speaker 1: They don't get on. 2170 01:51:00,680 --> 01:51:02,880 Speaker 2: You're in a place where every artist wants to be in. 2171 01:51:06,520 --> 01:51:09,000 Speaker 1: It is like, do't matter what the fuck I drop 2172 01:51:09,200 --> 01:51:12,439 Speaker 1: or drop it, they just tuned in for what's coming up. 2173 01:51:12,880 --> 01:51:16,800 Speaker 3: And you got this weird balance, right, Because what I 2174 01:51:16,920 --> 01:51:19,320 Speaker 3: mean by that is most of the time you have 2175 01:51:19,439 --> 01:51:22,120 Speaker 3: the respect from the fans or you have the respect 2176 01:51:22,160 --> 01:51:24,640 Speaker 3: from the industry. A lot of people don't have that 2177 01:51:24,840 --> 01:51:28,880 Speaker 3: balance of having both, and you got that, like, you 2178 01:51:29,000 --> 01:51:33,000 Speaker 3: got the respect from the fans. The fans respect you 2179 01:51:33,240 --> 01:51:37,920 Speaker 3: equally how the industry respects you. And that's, like I said, 2180 01:51:38,120 --> 01:51:40,519 Speaker 3: I labeled it weird because I have no other word 2181 01:51:40,640 --> 01:51:44,160 Speaker 3: to name because that's weird. I've never seen that. I've 2182 01:51:44,200 --> 01:51:47,240 Speaker 3: never really seen the equal amount of respect. Do you 2183 01:51:47,400 --> 01:51:48,160 Speaker 3: do you feel that? 2184 01:51:48,720 --> 01:51:51,240 Speaker 1: Yeah? Yeah, I think that's just like and when I 2185 01:51:51,360 --> 01:51:55,680 Speaker 1: hear it from like like from people, Yeah, we can 2186 01:51:55,720 --> 01:51:57,120 Speaker 1: definitely take a shot for that. You know that. 2187 01:51:57,200 --> 01:52:03,960 Speaker 2: I'm just let's take two shots for that, brother, Let's 2188 01:52:04,000 --> 01:52:04,240 Speaker 2: do it. 2189 01:52:06,200 --> 01:52:09,200 Speaker 1: Because because because because. 2190 01:52:08,960 --> 01:52:17,040 Speaker 3: I ain't gonna lie shots, we've been doing that shots. 2191 01:52:17,200 --> 01:52:20,400 Speaker 1: Okay, Well, I need another one. I've been we've been 2192 01:52:20,439 --> 01:52:27,400 Speaker 1: doing shots. She said, I got you. But that's a 2193 01:52:27,600 --> 01:52:33,160 Speaker 1: that's a seldom very rare thing. Now I'll be noticing 2194 01:52:33,200 --> 01:52:35,639 Speaker 1: that though, Bro, I don't last like it just comes 2195 01:52:35,680 --> 01:52:38,320 Speaker 1: from from being solid. Man. I just been trying to 2196 01:52:38,439 --> 01:52:42,360 Speaker 1: like and it's like I felt like in a way, 2197 01:52:43,880 --> 01:52:47,240 Speaker 1: no funny ship, Like I think when I when I 2198 01:52:47,520 --> 01:52:51,920 Speaker 1: was so young and when this ship started taking off 2199 01:52:52,000 --> 01:52:55,280 Speaker 1: of me, I think I didn't just like understand why 2200 01:52:55,280 --> 01:52:58,479 Speaker 1: I start power understand who I was. Well I never 2201 01:52:58,600 --> 01:53:01,880 Speaker 1: really got close to like certain other artists or it 2202 01:53:02,000 --> 01:53:04,960 Speaker 1: did certain capitalize all that. Yeah, I didn't capitalize on 2203 01:53:05,080 --> 01:53:06,519 Speaker 1: it early on, you feel what I'm saying. 2204 01:53:06,600 --> 01:53:11,200 Speaker 2: So I felt like with that, like and people fucked 2205 01:53:11,240 --> 01:53:11,479 Speaker 2: with me. 2206 01:53:12,120 --> 01:53:13,720 Speaker 1: By the time it got to a point where I 2207 01:53:13,760 --> 01:53:17,080 Speaker 1: think I felt comfortable with myself. People fucked with me, 2208 01:53:17,120 --> 01:53:19,800 Speaker 1: and then I was able to build general relationships where 2209 01:53:19,800 --> 01:53:23,000 Speaker 1: it's like now these people I fuck with, I actually 2210 01:53:23,040 --> 01:53:26,600 Speaker 1: fuck with, like on a genuine relationship or level, or 2211 01:53:26,640 --> 01:53:30,000 Speaker 1: a personal relationship level, like a business relation, business relationship, 2212 01:53:30,040 --> 01:53:30,559 Speaker 1: you know what I'm saying. 2213 01:53:30,600 --> 01:53:32,840 Speaker 2: Like it's just really growing on that type of shit, 2214 01:53:32,880 --> 01:53:33,559 Speaker 2: you know what I'm saying. 2215 01:53:33,600 --> 01:53:36,800 Speaker 1: So it's like, I think that just came from really 2216 01:53:37,080 --> 01:53:40,760 Speaker 1: it was natural though, because I wasn't And I see 2217 01:53:40,960 --> 01:53:43,439 Speaker 1: now like I started learning years later that shit really 2218 01:53:43,479 --> 01:53:46,639 Speaker 1: handled my career where it's like certain shit, I wasn't 2219 01:53:46,680 --> 01:53:49,840 Speaker 1: pulling up to certain shows when artists was in town 2220 01:53:50,600 --> 01:53:53,720 Speaker 1: come out and do certain shit, Like I remember one time, bro, 2221 01:53:53,760 --> 01:53:55,960 Speaker 1: I ain't gonna lot my homie Kobe Man god Rich. 2222 01:53:56,160 --> 01:54:03,840 Speaker 1: So he got killed in twenty and thirteen, and and 2223 01:54:04,600 --> 01:54:07,519 Speaker 1: TI had came to the town. He had came to Chicago, 2224 01:54:08,240 --> 01:54:10,920 Speaker 1: and he was like, you know, trying to get up 2225 01:54:10,920 --> 01:54:12,360 Speaker 1: with a nigga, like Tip was trying to get up. 2226 01:54:12,360 --> 01:54:13,920 Speaker 1: You're like, man, he wanted me to pull up to 2227 01:54:14,000 --> 01:54:16,360 Speaker 1: the shop on Stony and but literally I saw the 2228 01:54:16,400 --> 01:54:20,559 Speaker 1: gone outside waiting on the ambulams and picked my homie 2229 01:54:20,600 --> 01:54:23,760 Speaker 1: body up. Off we write there, sorry for that watching them. 2230 01:54:23,800 --> 01:54:27,160 Speaker 1: You feel what I'm saying, like certain shiit like and 2231 01:54:27,439 --> 01:54:30,320 Speaker 1: I feel like it hinted like hinting my career because 2232 01:54:30,320 --> 01:54:32,400 Speaker 1: I used to have that same type of mask. Said well, 2233 01:54:32,440 --> 01:54:35,920 Speaker 1: I wasn't just doing shit because I felt like I 2234 01:54:36,520 --> 01:54:39,440 Speaker 1: was like too like deep in the streets. So I 2235 01:54:39,520 --> 01:54:43,240 Speaker 1: felt like I was too like stuck in my way 2236 01:54:43,320 --> 01:54:46,600 Speaker 1: as well. I ain't want to like put myself in 2237 01:54:46,680 --> 01:54:52,160 Speaker 1: an uncomfortable environment or uncomfortable like place to try to 2238 01:54:52,360 --> 01:54:55,840 Speaker 1: like go mingle with other people with stars and shit 2239 01:54:55,960 --> 01:54:58,280 Speaker 1: like that. You feel what I'm saying, like, because I 2240 01:54:58,320 --> 01:55:01,160 Speaker 1: ain't want to, like just going to LAMB was just 2241 01:55:01,240 --> 01:55:04,400 Speaker 1: trying to like you should me. So it's just ain't 2242 01:55:04,400 --> 01:55:06,840 Speaker 1: gona lie for years and year that ship was my problem. Though. 2243 01:55:08,720 --> 01:55:12,920 Speaker 1: I moved to Miami, right, and I would like to 2244 01:55:12,960 --> 01:55:16,720 Speaker 1: say Miami saved my life. Right, Well, you're welcome, damn 2245 01:55:17,440 --> 01:55:18,480 Speaker 1: tell them how you really feel. 2246 01:55:19,080 --> 01:55:21,920 Speaker 3: But I was saying, I was like, yeah, I would 2247 01:55:22,000 --> 01:55:25,720 Speaker 3: just say that Miami kind of saved my life, right, because. 2248 01:55:28,120 --> 01:55:31,600 Speaker 1: But I still get those phone calls. Yeah such and 2249 01:55:31,680 --> 01:55:35,320 Speaker 1: such is over for him. You know, he just died. 2250 01:55:35,400 --> 01:55:40,200 Speaker 1: They killed him over there that I fell to a 2251 01:55:40,280 --> 01:55:45,240 Speaker 1: certain extent, Miami helps me deal with that pain that's 2252 01:55:45,320 --> 01:55:49,680 Speaker 1: being in La. Help you, because I mean, I'm sure 2253 01:55:49,760 --> 01:55:51,560 Speaker 1: we get the same phone now, That's what I'm saying. 2254 01:55:51,560 --> 01:55:54,640 Speaker 1: I feel like La definitely did that because that's dope, 2255 01:55:55,000 --> 01:56:00,560 Speaker 1: even like just being in a different environment that it's 2256 01:56:00,640 --> 01:56:02,840 Speaker 1: not a brown You feel what I'm saying, Like, I 2257 01:56:02,920 --> 01:56:05,200 Speaker 1: remember Chief Keith moved to l A right exactly, Like 2258 01:56:05,640 --> 01:56:07,800 Speaker 1: That's why I got with the Paintball ship. That's why 2259 01:56:07,800 --> 01:56:10,920 Speaker 1: I really that's another reason why I really just like 2260 01:56:12,200 --> 01:56:15,240 Speaker 1: fuck with SoCal so much because he just always took 2261 01:56:15,280 --> 01:56:18,200 Speaker 1: a chance and just doing ship like he just went 2262 01:56:18,320 --> 01:56:20,360 Speaker 1: to l A. You feel me like they gave other 2263 01:56:20,480 --> 01:56:22,520 Speaker 1: niggas like that's what it's like, Damn Social could do it, 2264 01:56:22,560 --> 01:56:24,120 Speaker 1: we could do it, Like that's what I felt like. 2265 01:56:24,640 --> 01:56:26,880 Speaker 1: You feel me like Social more to l A. I'm like, 2266 01:56:26,960 --> 01:56:29,440 Speaker 1: I could go to LA you know what I'm saying. Yo, 2267 01:56:31,320 --> 01:56:34,800 Speaker 1: when it did, bro Like you know, but that ship 2268 01:56:34,960 --> 01:56:38,800 Speaker 1: was like when that ship wasn't possible to us, like 2269 01:56:38,920 --> 01:56:41,840 Speaker 1: niggas going to move to l A type of Los 2270 01:56:41,840 --> 01:56:45,560 Speaker 1: Angeles lost one and never coming back Like that was 2271 01:56:45,640 --> 01:56:47,360 Speaker 1: my intentions, Like I'm going to go out there and 2272 01:56:47,440 --> 01:56:50,360 Speaker 1: never come back. You feel me like that's what I 2273 01:56:50,440 --> 01:56:54,000 Speaker 1: felt like and still rep the city and still the city, 2274 01:56:54,040 --> 01:56:56,960 Speaker 1: you know what I'm saying. But of course nigga really 2275 01:56:57,040 --> 01:56:58,800 Speaker 1: went back and you know what I'm saying. I'm just 2276 01:56:58,920 --> 01:57:01,400 Speaker 1: saying like we didn't even think that shit was possible 2277 01:57:01,440 --> 01:57:04,480 Speaker 1: for folks went out then that made me like, all right, man, 2278 01:57:04,800 --> 01:57:07,600 Speaker 1: folks could do it. We could do it. That's real ship. 2279 01:57:08,000 --> 01:57:11,160 Speaker 3: Talk about Blues feature in the future. Blue was on 2280 01:57:11,280 --> 01:57:13,640 Speaker 3: Bro very hard to get Future on the record on him. 2281 01:57:13,840 --> 01:57:17,720 Speaker 3: Yeah you cannot get Future on the record. Yeah that's 2282 01:57:17,760 --> 01:57:18,520 Speaker 3: big Brow. 2283 01:57:18,680 --> 01:57:19,200 Speaker 1: I ain't only. 2284 01:57:20,680 --> 01:57:22,120 Speaker 2: Future like no boys shit. 2285 01:57:22,240 --> 01:57:27,600 Speaker 1: He he wanted to like real, like real niggas that 2286 01:57:27,760 --> 01:57:30,760 Speaker 1: really like gave niggas some like guy, that's when they 2287 01:57:30,800 --> 01:57:32,600 Speaker 1: came to real life ship like this is why I 2288 01:57:32,760 --> 01:57:34,960 Speaker 1: really fun with fun with Big Bro for real, because 2289 01:57:35,520 --> 01:57:37,480 Speaker 1: he employed you to the side and like tell you 2290 01:57:37,600 --> 01:57:39,640 Speaker 1: some ship that you wouldn't even think he was paying 2291 01:57:39,680 --> 01:57:42,560 Speaker 1: attention to. Like that's what made me know, like big Bro, 2292 01:57:42,640 --> 01:57:44,960 Speaker 1: it is a real nigga, Like he had come tell 2293 01:57:45,000 --> 01:57:48,000 Speaker 1: me some ship like yeah, man, I've seen this or 2294 01:57:48,120 --> 01:57:50,240 Speaker 1: some ship they got probably do it like your carell 2295 01:57:50,400 --> 01:57:52,800 Speaker 1: or some personal ship and you wouldn't even think you 2296 01:57:52,920 --> 01:57:55,760 Speaker 1: no big like big up, yeah, big Bro for real 2297 01:57:55,840 --> 01:57:58,240 Speaker 1: because like that unless you know, like he really fuck 2298 01:57:58,320 --> 01:58:00,560 Speaker 1: with me gingerly trying to taste and ship that like 2299 01:58:01,000 --> 01:58:02,720 Speaker 1: I really help you, you know what I'm saying, Like 2300 01:58:03,200 --> 01:58:04,160 Speaker 1: so like music. 2301 01:58:04,040 --> 01:58:06,160 Speaker 3: He see the whole ship like heep keeping down with 2302 01:58:06,720 --> 01:58:08,320 Speaker 3: Dungeon Family exact then. 2303 01:58:09,800 --> 01:58:10,520 Speaker 1: He's hip hop. 2304 01:58:11,720 --> 01:58:13,640 Speaker 2: The first time I metic Bro was was in the 2305 01:58:13,720 --> 01:58:15,400 Speaker 2: hood anyway, like in my neighborhood. 2306 01:58:15,400 --> 01:58:17,440 Speaker 1: You know what I'm saying. What what the first time 2307 01:58:17,480 --> 01:58:20,360 Speaker 1: you met Future was in where Yeah? Yeah yeah, shout 2308 01:58:20,440 --> 01:58:23,640 Speaker 1: of the zone, man, big bro. Bro, first time I 2309 01:58:23,720 --> 01:58:29,040 Speaker 1: met Pluto was h you call him Future. We realize 2310 01:58:29,040 --> 01:58:37,280 Speaker 1: you've been calling interview you know, yeah, that's that's name 2311 01:58:37,440 --> 01:58:42,160 Speaker 1: the world. But yeah, the first time I met Bros 2312 01:58:42,440 --> 01:58:49,360 Speaker 1: ship like twenty sixteen or some ship, and like in 2313 01:58:49,480 --> 01:58:52,360 Speaker 1: the neighbor in my neighborhood though, like right, but he 2314 01:58:52,480 --> 01:58:55,240 Speaker 1: was just hanging out in your neighborhood, bro, Nah, stop 2315 01:58:55,600 --> 01:59:01,600 Speaker 1: for real, no bullshit. He didn't on you. No, he 2316 01:59:01,760 --> 01:59:06,000 Speaker 1: was outside posted up in the trenches. Man, stop that 2317 01:59:06,280 --> 01:59:11,400 Speaker 1: I ain't for real, Future just outside on your hood 2318 01:59:11,480 --> 01:59:11,840 Speaker 1: in your. 2319 01:59:11,760 --> 01:59:14,960 Speaker 2: Hood, brola. 2320 01:59:15,760 --> 01:59:18,120 Speaker 1: He was to his own man shouts on the front 2321 01:59:18,160 --> 01:59:20,560 Speaker 1: of Yeah, the first time I met him just pulled 2322 01:59:20,640 --> 01:59:23,840 Speaker 1: up on on some random ship. But yeah, bro, real nigga. 2323 01:59:23,600 --> 01:59:24,800 Speaker 2: Ain't know you before you met. 2324 01:59:24,720 --> 01:59:27,480 Speaker 1: Him, like you just hain't no hanging on me? Hell no, 2325 01:59:28,360 --> 01:59:30,160 Speaker 1: not for real. Well he knew me a little bit, 2326 01:59:30,200 --> 01:59:35,680 Speaker 1: but not. No. Yeah, that's fine, Future, you know that 2327 01:59:39,280 --> 01:59:40,800 Speaker 1: let's talk about this record. How did you how did 2328 01:59:40,840 --> 01:59:45,760 Speaker 1: you come about? Since on bro south Side south Side 2329 01:59:45,840 --> 01:59:50,840 Speaker 1: he had put the ship together. I was putting the 2330 01:59:50,920 --> 01:59:53,400 Speaker 1: hour he was in Miami. I had pulled up on him. 2331 01:59:53,640 --> 01:59:56,800 Speaker 1: You know, broke. He you know that's ship easy for broke, 2332 01:59:56,960 --> 01:59:59,240 Speaker 1: for for for for the future man, that ship he 2333 01:59:59,280 --> 02:00:01,760 Speaker 1: definitely don't right. Yeah, this shit come like second Nation. 2334 02:00:01,920 --> 02:00:04,600 Speaker 1: Just you put up on brow in the studio, you 2335 02:00:04,800 --> 02:00:07,400 Speaker 1: just play some shit. If he fucked with it that ship, 2336 02:00:07,480 --> 02:00:09,720 Speaker 1: then it takes him like twenty minutes. He's just like, 2337 02:00:09,840 --> 02:00:12,880 Speaker 1: I ain't never really like and I ain't lie when 2338 02:00:13,000 --> 02:00:15,440 Speaker 1: when when he recorded that ship? When he recorded it, 2339 02:00:15,960 --> 02:00:18,960 Speaker 1: I had went back on my second verse cuz like 2340 02:00:19,360 --> 02:00:23,360 Speaker 1: I seen like how he like his whole process and 2341 02:00:23,440 --> 02:00:27,480 Speaker 1: ship like how he did it. It made me go back. 2342 02:00:27,560 --> 02:00:29,280 Speaker 1: It made me go back on my ship like on 2343 02:00:29,360 --> 02:00:31,880 Speaker 1: the second part, like on the second part of my verse, 2344 02:00:32,040 --> 02:00:36,080 Speaker 1: like just basically how like you go like different catuses 2345 02:00:36,240 --> 02:00:39,080 Speaker 1: like I'll be like I'll be seeing some rap shit. 2346 02:00:39,160 --> 02:00:41,320 Speaker 1: You know, I just really just try to like go 2347 02:00:41,520 --> 02:00:44,960 Speaker 1: by for bah like I like, after bro putting some 2348 02:00:45,040 --> 02:00:47,200 Speaker 1: shit on there, I may it made like take the 2349 02:00:47,280 --> 02:00:49,760 Speaker 1: bars off, go different catus like on some a lot 2350 02:00:49,800 --> 02:00:52,320 Speaker 1: of shit type shit, but like yeah, shout out the 2351 02:00:52,400 --> 02:00:55,520 Speaker 1: broke on he he just challenging niggas just on some 2352 02:00:56,280 --> 02:00:58,640 Speaker 1: how it was recording process. He get in and just 2353 02:00:59,080 --> 02:01:01,680 Speaker 1: and I'm sure any nigga could contest when you getting 2354 02:01:01,680 --> 02:01:04,240 Speaker 1: in the studio, Pulo, like how you record it just 2355 02:01:04,400 --> 02:01:05,080 Speaker 1: makes you want to. 2356 02:01:05,160 --> 02:01:06,040 Speaker 2: Like, I love. 2357 02:01:10,000 --> 02:01:13,760 Speaker 3: Listen because you got like fifteen thousand. 2358 02:01:13,480 --> 02:01:19,360 Speaker 1: Features, right, yeah, I got a lot of features. Now 2359 02:01:19,440 --> 02:01:20,920 Speaker 1: I got you sot sourced up. 2360 02:01:23,280 --> 02:01:25,360 Speaker 3: Has there ever been somebody that fronting on you that 2361 02:01:25,480 --> 02:01:26,600 Speaker 3: you wanted to do a record with. 2362 02:01:27,760 --> 02:01:28,440 Speaker 1: Let's keep it real. 2363 02:01:28,560 --> 02:01:32,240 Speaker 3: Now you're wanna drink chance, keep it real now, one 2364 02:01:32,320 --> 02:01:34,440 Speaker 3: person in fronting on everybody. Let's just keep it real. 2365 02:01:34,800 --> 02:01:36,680 Speaker 3: I got my Maya front of it on me. She's 2366 02:01:36,720 --> 02:01:39,480 Speaker 3: coming under this. She did a record with her. 2367 02:01:40,320 --> 02:01:43,880 Speaker 1: Yes, I did a record with her. You I won't 2368 02:01:43,920 --> 02:01:46,160 Speaker 1: really say fronted, but if I was gonna say, like 2369 02:01:46,280 --> 02:01:49,120 Speaker 1: any creature I really anticipated coming out that never really 2370 02:01:49,160 --> 02:01:51,080 Speaker 1: coming and came out that I was trying to fuck with, 2371 02:01:51,800 --> 02:01:53,800 Speaker 1: was was ya your head for me? 2372 02:01:53,960 --> 02:01:57,760 Speaker 2: He was, Yeah, this is before down. That was like 2373 02:01:57,800 --> 02:01:58,720 Speaker 2: two three years ago. 2374 02:02:00,600 --> 02:02:02,720 Speaker 1: I was locked in. Yeah, we had did like two 2375 02:02:02,880 --> 02:02:06,040 Speaker 1: three songs. I pulled up on in the rack and 2376 02:02:06,120 --> 02:02:08,080 Speaker 1: I did some other ship in New York. He had 2377 02:02:08,240 --> 02:02:11,320 Speaker 1: sent me. We had blond hair at this time. This 2378 02:02:11,600 --> 02:02:15,760 Speaker 1: was like, right, be photoblode, before the blod before the. 2379 02:02:16,280 --> 02:02:21,280 Speaker 3: Spots in the head, toause, I'm trying to figure out, bro, Bro, 2380 02:02:21,440 --> 02:02:24,320 Speaker 3: this is before before that, before the spots in the head. Okay, 2381 02:02:24,400 --> 02:02:26,840 Speaker 3: all right, so y'all winning the studio. 2382 02:02:27,680 --> 02:02:28,560 Speaker 2: In Chicago, y'all. 2383 02:02:29,600 --> 02:02:32,040 Speaker 1: But we had did some ship. He really like, I 2384 02:02:32,160 --> 02:02:34,160 Speaker 1: had I laid some ship and he told me to 2385 02:02:34,200 --> 02:02:36,040 Speaker 1: redo it. Of course, you know how he is. He's 2386 02:02:36,120 --> 02:02:39,640 Speaker 1: super like strategic, picky and ship. But when he did, 2387 02:02:39,800 --> 02:02:41,400 Speaker 1: I feel like when he told me to redo it, 2388 02:02:41,480 --> 02:02:43,960 Speaker 1: that ship was over hard, like he made me do 2389 02:02:44,080 --> 02:02:44,640 Speaker 1: some crazy. 2390 02:02:44,920 --> 02:02:47,360 Speaker 2: He wasn't feeling that. No, no, I did. I liked 2391 02:02:47,400 --> 02:02:49,760 Speaker 2: that I fun through the ship. But you was agreeing 2392 02:02:49,800 --> 02:02:51,120 Speaker 2: with him telling you to redo it? 2393 02:02:51,200 --> 02:02:56,000 Speaker 1: Y yeah, yeah, okay, yeah, but like what really, what 2394 02:02:56,160 --> 02:02:58,920 Speaker 1: I'm saying is like, when I did the ship the ship, 2395 02:02:59,120 --> 02:03:00,560 Speaker 1: I was thinking that sh was going to come out 2396 02:03:00,640 --> 02:03:02,600 Speaker 1: on his project. But I was trying to use it 2397 02:03:02,720 --> 02:03:05,120 Speaker 1: too though. I was trying to use it for some 2398 02:03:05,520 --> 02:03:08,880 Speaker 1: of my ship. So he basically, ain't let me use 2399 02:03:09,000 --> 02:03:11,160 Speaker 1: it for me trying to get some ship thinking it's 2400 02:03:11,160 --> 02:03:13,640 Speaker 1: gonna come on his ship, and it ain't never come 2401 02:03:13,680 --> 02:03:14,200 Speaker 1: on his ship. 2402 02:03:14,280 --> 02:03:17,080 Speaker 2: But other than that, I ain't really Why couldn't you 2403 02:03:17,200 --> 02:03:17,440 Speaker 2: use it? 2404 02:03:19,520 --> 02:03:21,520 Speaker 1: I don't want to use it no more? After after 2405 02:03:21,640 --> 02:03:25,280 Speaker 1: it was already put my Huh you didn't want to 2406 02:03:25,400 --> 02:03:30,760 Speaker 1: use it? I had already put my project out. Yeah, So. 2407 02:03:32,320 --> 02:03:34,240 Speaker 3: If you have a chance with you work with Kanye 2408 02:03:36,760 --> 02:03:39,960 Speaker 3: gon produced or produced and feature. 2409 02:03:41,240 --> 02:03:45,320 Speaker 1: You know he probably like work. Then they're gonna produce 2410 02:03:45,440 --> 02:03:47,840 Speaker 1: the ship anyway. Let somebody else do it, you know 2411 02:03:47,920 --> 02:03:49,800 Speaker 1: what I'm saying. But like, I ain't gonna lie to 2412 02:03:50,280 --> 02:03:53,400 Speaker 1: with or like, I just like just got a different 2413 02:03:53,440 --> 02:03:55,360 Speaker 1: type of love for you because you know he's from 2414 02:03:55,440 --> 02:03:58,360 Speaker 1: the crib man. Yeah, I got a lot, but he's 2415 02:03:58,840 --> 02:04:02,480 Speaker 1: super genius. Let me just say, yeah, superhasic. I write 2416 02:04:02,600 --> 02:04:05,360 Speaker 1: rhymes and calligraphy in my mind. 2417 02:04:05,880 --> 02:04:10,160 Speaker 2: Calligraphy I killed that out of control right now. 2418 02:04:12,320 --> 02:04:20,520 Speaker 3: And graffiti calligraphy and graffiti, calligraffiti, calligraphiti No one if 2419 02:04:20,600 --> 02:04:23,480 Speaker 3: I if you, if I show you how I write rhymes, 2420 02:04:24,160 --> 02:04:25,280 Speaker 3: you'll be like, there's no way. 2421 02:04:25,200 --> 02:04:25,760 Speaker 1: That's a rhyme. 2422 02:04:26,960 --> 02:04:31,480 Speaker 3: The only man in the world that could read my rhymes. Kanye, 2423 02:04:33,720 --> 02:04:37,360 Speaker 3: that man read my ship. We were in carbon and 2424 02:04:37,480 --> 02:04:40,520 Speaker 3: were sitting there. What's the guy name was? What's the 2425 02:04:40,560 --> 02:04:41,360 Speaker 3: guy named. 2426 02:04:43,400 --> 02:04:48,520 Speaker 1: U? Trump's trumps homie Jared Kushner. 2427 02:04:48,760 --> 02:04:51,880 Speaker 2: Come on, that's a weird name drop right now. 2428 02:04:52,000 --> 02:04:53,720 Speaker 1: Bro, Oh you think I'm bullshit? 2429 02:04:53,920 --> 02:04:55,880 Speaker 2: No, no, no, I don't think I got that and 2430 02:04:56,000 --> 02:04:59,920 Speaker 2: everything that aut Yeah, you don't know we talking about. 2431 02:05:00,480 --> 02:05:02,400 Speaker 2: So I'm in Crump's daughter's husband. 2432 02:05:02,720 --> 02:05:05,480 Speaker 1: Yeah. Yeah, So I'm in car Phone who was a 2433 02:05:05,560 --> 02:05:11,000 Speaker 1: part of Trump's cabinet. So I'm in there and then 2434 02:05:11,280 --> 02:05:13,520 Speaker 1: and then and Yea said something to me, and I'm like. 2435 02:05:13,720 --> 02:05:17,560 Speaker 6: Oh, yeah, I was when Jared was right there, Yeah, Jared, Jared, 2436 02:05:17,640 --> 02:05:20,160 Speaker 6: he said listen, you're right. 2437 02:05:21,400 --> 02:05:22,240 Speaker 1: He said, well. 2438 02:05:22,320 --> 02:05:26,000 Speaker 3: I was like, so Yay said something and I said, oh, ship, Look, 2439 02:05:26,080 --> 02:05:29,320 Speaker 3: I was writing this earlier. So I showed it to him, 2440 02:05:30,240 --> 02:05:33,640 Speaker 3: thinking like, because no one can read my handwriting, it's 2441 02:05:33,720 --> 02:05:41,600 Speaker 3: just not possible. Nobody pone my wife, nobody that nigga 2442 02:05:41,680 --> 02:05:45,040 Speaker 3: ye read my ship like he was. 2443 02:05:45,160 --> 02:05:49,200 Speaker 1: Proh was like he really read. And when he was 2444 02:05:49,240 --> 02:05:51,840 Speaker 1: wrapping it, you know what I'm saying, like, y rapped 2445 02:05:52,200 --> 02:05:56,200 Speaker 1: rapping it like he's reading like I grabbed my phone, 2446 02:05:56,440 --> 02:06:00,320 Speaker 1: giving me my ship. I had never knew any no, no, 2447 02:06:00,560 --> 02:06:03,400 Speaker 1: go back, go back, go back, relax list hold on, yeah, 2448 02:06:03,440 --> 02:06:05,600 Speaker 1: wait wait yeah, come on, let's go. 2449 02:06:07,240 --> 02:06:09,920 Speaker 2: Now. We both we got both got quite away what 2450 02:06:09,920 --> 02:06:14,240 Speaker 2: I'm saying. He read your lyrics that you wrote, he said, 2451 02:06:14,320 --> 02:06:16,040 Speaker 2: rapping it, like all right. 2452 02:06:16,240 --> 02:06:19,040 Speaker 1: And this is real talk. He had just did the 2453 02:06:19,160 --> 02:06:20,080 Speaker 1: Cardi B verse. 2454 02:06:21,000 --> 02:06:23,320 Speaker 3: So when he did the CARDIV verse, he says something 2455 02:06:23,720 --> 02:06:25,880 Speaker 3: and I was like, oh, ship, look I wrote that 2456 02:06:26,040 --> 02:06:29,480 Speaker 3: this morning. Whatever he said on the Cardi B verse, 2457 02:06:29,920 --> 02:06:32,080 Speaker 3: I was like, loo, I suanted to say I wrote that. 2458 02:06:32,600 --> 02:06:34,800 Speaker 1: Most people would look at that one line and give 2459 02:06:34,880 --> 02:06:38,040 Speaker 1: you back your phone. He sat there and read my 2460 02:06:38,160 --> 02:06:38,680 Speaker 1: whole rhyme. 2461 02:06:38,840 --> 02:06:40,920 Speaker 2: He was like, how many how many verses you had? 2462 02:06:41,720 --> 02:06:42,600 Speaker 1: How many? It's like a. 2463 02:06:42,640 --> 02:06:45,800 Speaker 2: Twenty four bar verse, and he reaped it the whole line. 2464 02:06:47,680 --> 02:06:53,400 Speaker 1: I said, motherfucker, I never capoon, can't do that. I 2465 02:06:53,480 --> 02:06:56,240 Speaker 1: wrapped your pool for my whole fucking life. 2466 02:06:56,240 --> 02:06:59,160 Speaker 2: But he wrapped in a way that you were like me, yes, 2467 02:07:00,280 --> 02:07:02,200 Speaker 2: what you said? He wrapped in what because this is 2468 02:07:02,200 --> 02:07:03,080 Speaker 2: the thing you're saying that. 2469 02:07:03,200 --> 02:07:04,800 Speaker 1: He said it in a way that it sounded like 2470 02:07:04,920 --> 02:07:08,960 Speaker 1: you yes, yes, I swear to God I had never 2471 02:07:09,400 --> 02:07:12,120 Speaker 1: I gave him my phone expected him to be That's 2472 02:07:12,160 --> 02:07:14,200 Speaker 1: what I'm trying to figure out. Like that's saying he 2473 02:07:14,360 --> 02:07:18,760 Speaker 1: reading it or you're saying read it like like you're confusing. 2474 02:07:18,800 --> 02:07:22,000 Speaker 1: Wait hold please, So I'm here for the ship. So 2475 02:07:22,160 --> 02:07:24,720 Speaker 1: you're saying he reading it off your notes right or 2476 02:07:25,040 --> 02:07:27,280 Speaker 1: your handwriting? It's not your hand right now? He goes 2477 02:07:27,320 --> 02:07:29,280 Speaker 1: my hand right on his phone owns my hand, right 2478 02:07:29,760 --> 02:07:33,640 Speaker 1: hand right right right? Bro stopping, bro, what do you 2479 02:07:33,760 --> 02:07:35,320 Speaker 1: mean it was my hand? It was my notes. 2480 02:07:36,040 --> 02:07:38,760 Speaker 2: There's my notes tell writing? 2481 02:07:39,800 --> 02:07:40,160 Speaker 1: Wait what. 2482 02:07:42,520 --> 02:07:43,800 Speaker 2: You you another? 2483 02:07:44,080 --> 02:07:45,120 Speaker 1: You're another way? 2484 02:07:45,200 --> 02:07:46,560 Speaker 2: Is he tripping on my tripping? 2485 02:07:46,640 --> 02:07:50,080 Speaker 1: He's tripping? Okay, what's your phone right? It's on my 2486 02:07:50,240 --> 02:07:54,480 Speaker 1: phone hand? All right? Listen, listen, listen. Let me let 2487 02:07:54,520 --> 02:07:59,120 Speaker 1: me read editate just saying he plays me the Cardid 2488 02:07:59,440 --> 02:08:02,280 Speaker 1: verse that he had just did for Cardi B. 2489 02:08:02,440 --> 02:08:03,560 Speaker 2: This's not outright. 2490 02:08:03,680 --> 02:08:06,760 Speaker 1: So one line on there, I wanted him to know 2491 02:08:08,040 --> 02:08:10,920 Speaker 1: on your phone what you just said. I wrote this 2492 02:08:11,160 --> 02:08:13,640 Speaker 1: on your phone, on my phone. So I showed him 2493 02:08:13,720 --> 02:08:17,280 Speaker 1: my notes, my voice, not my voice. No excuse me, 2494 02:08:17,800 --> 02:08:19,960 Speaker 1: Uh you know a yellow pad, but you ain't. 2495 02:08:20,360 --> 02:08:21,240 Speaker 2: I'm not your hand. 2496 02:08:21,880 --> 02:08:26,760 Speaker 3: It's not my hand, right, Okay, you're fucking found motherfucker. 2497 02:08:27,000 --> 02:08:31,120 Speaker 1: The I'm so I'm tripping though, that's my what I'm 2498 02:08:31,160 --> 02:08:42,240 Speaker 1: saying that because the reason why I'm saying, I don't yeah, 2499 02:08:42,320 --> 02:08:50,760 Speaker 1: all right, you know I don't know what you what 2500 02:08:50,800 --> 02:08:53,240 Speaker 1: I'm saying. No, one can't read my ship, all right, 2501 02:08:53,440 --> 02:08:56,720 Speaker 1: because I'm writing the feeding all right, so he read it. 2502 02:08:56,800 --> 02:08:58,800 Speaker 1: But I'm saying, all right, so even how you read it, 2503 02:08:59,360 --> 02:09:01,320 Speaker 1: he read me and your flow, how you would have 2504 02:09:01,400 --> 02:09:04,240 Speaker 1: rapped like me? Like how you would have wrapped it? 2505 02:09:04,480 --> 02:09:09,360 Speaker 3: Yes, And I got scared if a motherfucker, I said, 2506 02:09:09,400 --> 02:09:10,360 Speaker 3: give you up my phone? 2507 02:09:10,560 --> 02:09:12,080 Speaker 2: Have any bards like it. 2508 02:09:12,280 --> 02:09:14,760 Speaker 1: Was it was like twenty four he hit all twenty 2509 02:09:14,880 --> 02:09:20,080 Speaker 1: four but like he was just like and I'm looking 2510 02:09:20,120 --> 02:09:22,920 Speaker 1: at this motherfucker like because I'm like, who the hell 2511 02:09:23,040 --> 02:09:26,920 Speaker 1: said that? Yeah, I'm like, oh my phone, give back 2512 02:09:28,320 --> 02:09:34,800 Speaker 1: that niggas a gens. I believe that. Let's talk about 2513 02:09:34,840 --> 02:09:36,800 Speaker 1: lawyer Feest, Lawyer Feast. 2514 02:09:38,480 --> 02:09:38,600 Speaker 2: Uh. 2515 02:09:38,880 --> 02:09:41,680 Speaker 1: Let's yeah, let's see that's that's that's Polo again. Man. 2516 02:09:41,760 --> 02:09:44,560 Speaker 1: You know little good Yeah, man, liberal got a different 2517 02:09:44,600 --> 02:09:46,640 Speaker 1: type of chemistry. Man, you call him. You got a 2518 02:09:46,680 --> 02:09:49,480 Speaker 1: nickname for heybody, what he said? Bro, I said, Polo, 2519 02:09:49,600 --> 02:09:54,120 Speaker 1: that's just Broski Bro Okay, Well yeah, man man, we 2520 02:09:54,240 --> 02:09:58,080 Speaker 1: got a different type of chemistry for Shure, Like I said, 2521 02:09:58,120 --> 02:10:03,680 Speaker 1: we getting it. But Bro, thank you. Listen, guys, I 2522 02:10:03,800 --> 02:10:05,680 Speaker 1: got nothing to do with this side of the room. 2523 02:10:06,720 --> 02:10:07,720 Speaker 2: Work like that. 2524 02:10:10,240 --> 02:10:20,080 Speaker 1: That you know that one with the Champaga Kodak, you 2525 02:10:20,920 --> 02:10:31,360 Speaker 1: go break He's home bro home, Yeah for sure, man man, 2526 02:10:31,640 --> 02:10:35,440 Speaker 1: that's the homie. Bro. That's my dog. Is a good dude. Bro. 2527 02:10:37,400 --> 02:10:41,320 Speaker 3: Yeah, Coke Coke cod I ain't gonna lie, you cannot. 2528 02:10:41,800 --> 02:10:45,960 Speaker 3: We love you, Kodak, stay home, stay home, Kodak. 2529 02:10:46,080 --> 02:10:50,280 Speaker 1: We love you. Bro. I love that that boy. Let 2530 02:10:50,320 --> 02:10:53,120 Speaker 1: me just tell you something. Let me address the critics 2531 02:10:53,160 --> 02:10:56,280 Speaker 1: real quick. The critics and what a lot of people 2532 02:10:56,280 --> 02:10:59,640 Speaker 1: are like, Oh my god, he was so fun drink chance, 2533 02:10:59,720 --> 02:11:02,240 Speaker 1: he's fucking drunk. That's a lie. 2534 02:11:02,880 --> 02:11:06,640 Speaker 3: That motherfucker stayed here for four hours afterwards if he 2535 02:11:06,840 --> 02:11:07,400 Speaker 3: was high. 2536 02:11:07,240 --> 02:11:09,040 Speaker 1: And fucked up out of here. 2537 02:11:10,080 --> 02:11:12,560 Speaker 3: That motherfucker stayed out here and shut down on the block, 2538 02:11:13,520 --> 02:11:17,800 Speaker 3: the whole block. He stayed here and fucking sign autographs. 2539 02:11:17,920 --> 02:11:22,760 Speaker 1: Bro, like you broke bro Man, niggas smart as hell, 2540 02:11:23,200 --> 02:11:25,960 Speaker 1: Kodak and real on, man, come on, man, let's leap. 2541 02:11:28,920 --> 02:11:31,520 Speaker 1: And I hate addressing like you know, ship like that, 2542 02:11:31,960 --> 02:11:34,200 Speaker 1: but you know, I wanted to defend him one to 2543 02:11:34,240 --> 02:11:36,120 Speaker 1: defending him. He was not high, he was he was, 2544 02:11:36,280 --> 02:11:40,120 Speaker 1: he was cool, he was he was just Kodak man bro. 2545 02:11:41,160 --> 02:11:43,520 Speaker 2: Yeah, well Yak was just being yak man bro. 2546 02:11:44,280 --> 02:11:49,680 Speaker 1: And that's the thing about y'all generation. 2547 02:11:50,400 --> 02:11:53,920 Speaker 3: There's a lot of our generation started to judge. 2548 02:11:53,720 --> 02:11:55,640 Speaker 1: Y'all in that aspect. 2549 02:11:55,800 --> 02:12:01,080 Speaker 3: What I mean is that's we was exactly y'all, exactly 2550 02:12:01,120 --> 02:12:04,360 Speaker 3: everything y'all did, we did, but then now that we're older, 2551 02:12:04,440 --> 02:12:04,720 Speaker 3: we were. 2552 02:12:04,880 --> 02:12:09,360 Speaker 1: Over they let him do that. I think it's I 2553 02:12:09,440 --> 02:12:14,160 Speaker 1: think it's probably like the internet perception, like everything being 2554 02:12:14,240 --> 02:12:16,600 Speaker 1: broadcasted on the Internet. You know what I'm saying. I 2555 02:12:16,680 --> 02:12:20,640 Speaker 1: think like everybody clicked the judge us and like I'm 2556 02:12:20,720 --> 02:12:22,960 Speaker 1: George y'all. You know what I'm saying. But at the 2557 02:12:23,080 --> 02:12:27,520 Speaker 1: end of the day, bro, every like every artist, everybody 2558 02:12:27,640 --> 02:12:30,400 Speaker 1: got their own flaws, got an on every you know 2559 02:12:30,400 --> 02:12:32,600 Speaker 1: what I'm saying, Like personal ship going on, you know 2560 02:12:32,640 --> 02:12:36,000 Speaker 1: what I'm saying, But like like I ain't saying like 2561 02:12:36,160 --> 02:12:38,760 Speaker 1: no artists for instance, or whatever the case may be, 2562 02:12:38,960 --> 02:12:42,840 Speaker 1: Like and I'm glad that you're saying that, because Ship, 2563 02:12:43,120 --> 02:12:45,360 Speaker 1: all we did was follow the footsteps of what we've 2564 02:12:45,360 --> 02:12:46,080 Speaker 1: seen and what we do. 2565 02:12:46,360 --> 02:12:49,440 Speaker 2: You know, we're just right, which is not necessarily right. 2566 02:12:49,560 --> 02:12:52,160 Speaker 1: That wasn't necessarily right, but it was right because at 2567 02:12:52,200 --> 02:12:56,160 Speaker 1: the end of the day, it was the foundation of 2568 02:12:56,280 --> 02:12:58,320 Speaker 1: helping us get to where we are. You know what 2569 02:12:58,320 --> 02:13:01,800 Speaker 1: I'm saying, all done something that was unthinkable or seeing 2570 02:13:02,120 --> 02:13:05,400 Speaker 1: or heard, and what's wrong and it was wrong. It 2571 02:13:05,480 --> 02:13:05,800 Speaker 1: was wrong. 2572 02:13:06,520 --> 02:13:09,800 Speaker 2: I always say something our generation fucked up. 2573 02:13:11,760 --> 02:13:16,440 Speaker 1: Our generation fucked up this kind of And I'm not blaming. 2574 02:13:16,560 --> 02:13:17,920 Speaker 2: I'm not blaming Noor. 2575 02:13:18,720 --> 02:13:21,840 Speaker 1: Ain't nobody pointing on fish. No, but no, I'm telling 2576 02:13:21,840 --> 02:13:22,400 Speaker 1: you something right now. 2577 02:13:22,520 --> 02:13:25,160 Speaker 6: This is what I'm from the DJ aspect, not the 2578 02:13:25,320 --> 02:13:28,600 Speaker 6: artist aspect, but the DJs. What happened is in the 2579 02:13:28,720 --> 02:13:32,440 Speaker 6: nineties hip hop started making money, real money. 2580 02:13:34,280 --> 02:13:35,800 Speaker 1: This is my my opinion. 2581 02:13:36,120 --> 02:13:37,280 Speaker 2: I can't tell you what it is. 2582 02:13:37,560 --> 02:13:38,320 Speaker 1: It's my opinion. 2583 02:13:39,200 --> 02:13:41,600 Speaker 6: And what I think happened is that the artist said, 2584 02:13:41,680 --> 02:13:45,920 Speaker 6: who Ship, we're making real money. We're not going to 2585 02:13:46,000 --> 02:13:51,800 Speaker 6: ever get hold It's like the Yolo forever. We're not 2586 02:13:51,880 --> 02:13:54,880 Speaker 6: gonna pass down information and we're not gonna change anything. 2587 02:13:54,960 --> 02:13:57,240 Speaker 6: We're not gonna this is not a culture. We're gonna 2588 02:13:57,280 --> 02:14:00,320 Speaker 6: make this business. We're gonna make money forever. And then 2589 02:14:00,520 --> 02:14:04,520 Speaker 6: that's what happened. There was a stagnation of information of 2590 02:14:04,680 --> 02:14:05,760 Speaker 6: culture and. 2591 02:14:06,240 --> 02:14:09,760 Speaker 1: To a mad big words and information. 2592 02:14:10,400 --> 02:14:18,200 Speaker 6: But he knows, he's words. He don't know, it's just real, man. 2593 02:14:19,400 --> 02:14:21,560 Speaker 6: And that's that's what happened, bro. Like like there was 2594 02:14:21,600 --> 02:14:25,880 Speaker 6: a part of a section of time where people stop 2595 02:14:26,680 --> 02:14:27,560 Speaker 6: informing each other. 2596 02:14:27,640 --> 02:14:29,880 Speaker 1: No, for sure, he right now, because it's like we 2597 02:14:30,120 --> 02:14:34,440 Speaker 1: picked up the the back the ship, the backlash and 2598 02:14:34,560 --> 02:14:40,480 Speaker 1: everything y'all did right and wrong. Y'all right, everything wrong 2599 02:14:40,960 --> 02:14:42,840 Speaker 1: y'all did? We picked up too? You knowe what I'm 2600 02:14:42,840 --> 02:14:45,480 Speaker 1: saying right was yeah, wrong and right. So it's like 2601 02:14:45,600 --> 02:14:48,560 Speaker 1: it was a you know, we gotta of course be grateful. 2602 02:14:48,600 --> 02:14:50,200 Speaker 1: We got to take what come with it, like you said, 2603 02:14:50,200 --> 02:14:52,880 Speaker 1: you gotta take that come in the bad. But as 2604 02:14:52,920 --> 02:14:58,600 Speaker 1: far as like the like the perspective imagery, like the 2605 02:14:58,680 --> 02:15:01,200 Speaker 1: perspective of an artist and what you put out and 2606 02:15:01,840 --> 02:15:05,680 Speaker 1: the negativity that come behind that and just the misinformation 2607 02:15:05,840 --> 02:15:09,160 Speaker 1: of the business and whatever. You know what I'm saying exactly, 2608 02:15:09,520 --> 02:15:11,600 Speaker 1: that's what I'm saying, Like you just said the same thing. 2609 02:15:11,760 --> 02:15:14,400 Speaker 1: So like both of them, it was like it was 2610 02:15:14,520 --> 02:15:16,920 Speaker 1: like a two flip coin. We took in a good 2611 02:15:17,000 --> 02:15:20,120 Speaker 1: and a bad. It was just what came ahad, you know, 2612 02:15:20,400 --> 02:15:22,839 Speaker 1: the generation before us, and then it's like the generation 2613 02:15:22,960 --> 02:15:24,280 Speaker 1: after us going to do the same thing. 2614 02:15:29,880 --> 02:15:37,480 Speaker 3: That was like, I mean, it's deep because to a 2615 02:15:37,560 --> 02:15:44,520 Speaker 3: certain extent, I take place in that right you do, 2616 02:15:46,400 --> 02:15:46,680 Speaker 3: we do? 2617 02:15:47,000 --> 02:15:47,240 Speaker 2: We do? 2618 02:15:49,080 --> 02:15:51,800 Speaker 3: Meaning there was a lot of foul artists that came 2619 02:15:51,880 --> 02:15:55,200 Speaker 3: before me, and when I seen them, they never gave 2620 02:15:55,280 --> 02:16:00,000 Speaker 3: me advice. So I was like, fuck it, right, fuck them, nigga, 2621 02:16:00,240 --> 02:16:04,480 Speaker 3: right this industry, it's true. I'm gonna stay in my 2622 02:16:04,600 --> 02:16:09,680 Speaker 3: own fucking zone. And then I actually didn't give advice 2623 02:16:10,000 --> 02:16:12,760 Speaker 3: to young homies when I seen them. When I seen them, 2624 02:16:12,800 --> 02:16:14,920 Speaker 3: I felt like they felt like how I felt like 2625 02:16:15,240 --> 02:16:18,640 Speaker 3: fucking this young, this older nigga, because everybody. 2626 02:16:19,160 --> 02:16:22,080 Speaker 1: And the older older is actually dope. The older you 2627 02:16:22,240 --> 02:16:23,959 Speaker 1: get to be old. 2628 02:16:24,440 --> 02:16:26,480 Speaker 2: It's a luxury. It's a luxury. 2629 02:16:27,680 --> 02:16:27,800 Speaker 6: Come. 2630 02:16:28,200 --> 02:16:31,440 Speaker 2: That's why I look up to to That's why I 2631 02:16:31,520 --> 02:16:32,040 Speaker 2: look up to you. 2632 02:16:32,120 --> 02:16:34,039 Speaker 1: I mean so much. You know what I'm saying. But listen, 2633 02:16:34,160 --> 02:16:38,120 Speaker 1: like how you seeing that that ship only passed on 2634 02:16:38,280 --> 02:16:43,680 Speaker 1: generating the marijuana. You want to go back to blunt? Yeah, yeah, 2635 02:16:43,879 --> 02:16:46,080 Speaker 1: this is this is, this is this is you want 2636 02:16:46,120 --> 02:16:52,080 Speaker 1: to call it. You want to color cocaine, Yeah, this 2637 02:16:52,240 --> 02:16:56,760 Speaker 1: is blunt. I ain't smoking cool so long my lungs 2638 02:16:56,760 --> 02:17:00,600 Speaker 1: are still on drink. But so what I'm saying to say, 2639 02:17:00,680 --> 02:17:04,640 Speaker 1: it's like so like for like the generation you're saying, like, 2640 02:17:04,680 --> 02:17:07,640 Speaker 1: all right, fucking these niggas, I ain't sharing, no, lie, 2641 02:17:07,680 --> 02:17:11,320 Speaker 1: ain't showing up what Like in the industry, I see 2642 02:17:11,440 --> 02:17:14,440 Speaker 1: first hearing the niggas like you might have like bad 2643 02:17:14,520 --> 02:17:15,800 Speaker 1: experience with a certain artist. 2644 02:17:15,920 --> 02:17:18,240 Speaker 2: Now you don't fuck with nobody dudes, like and that's 2645 02:17:18,360 --> 02:17:20,240 Speaker 2: you Just that's terrible. 2646 02:17:20,040 --> 02:17:22,280 Speaker 1: That it's like, damn, Now the next nigga who you 2647 02:17:22,440 --> 02:17:24,720 Speaker 1: might really fuck with, you look, he might looking at 2648 02:17:24,760 --> 02:17:27,120 Speaker 1: you like you a certain way. You might be looking 2649 02:17:27,200 --> 02:17:28,800 Speaker 1: at him like he is a certain way. You feel 2650 02:17:28,800 --> 02:17:31,040 Speaker 1: what I'm saying just off the fact that you just 2651 02:17:31,160 --> 02:17:33,560 Speaker 1: holding on to that and that's going hinder your career too, 2652 02:17:34,360 --> 02:17:37,199 Speaker 1: just like you feel me. It's just like I didn't 2653 02:17:37,240 --> 02:17:39,800 Speaker 1: seen that shit firsthand, Like you got to meet Nipsey, 2654 02:17:40,440 --> 02:17:44,120 Speaker 1: Yeah yeah, yeah, Nipper, you know it's so crazy, man, bro, 2655 02:17:45,440 --> 02:17:48,400 Speaker 1: I ain't even being funny. I'm glad you asking these questions. 2656 02:17:48,480 --> 02:17:51,320 Speaker 1: This shit like coming up because one of my first 2657 02:17:51,400 --> 02:17:54,440 Speaker 1: experiences when I first met Nipsey, I was I used 2658 02:17:54,440 --> 02:17:59,720 Speaker 1: to be going to l A like I was like 2659 02:18:00,360 --> 02:18:03,320 Speaker 1: twenty younger said, I'm in the rental. I think I'm 2660 02:18:03,360 --> 02:18:05,040 Speaker 1: in like a Bentley or something. I'm going to a 2661 02:18:05,160 --> 02:18:07,360 Speaker 1: random as seven eleven. That's when I'm used to be 2662 02:18:07,480 --> 02:18:10,720 Speaker 1: drinking lane all type of ship. I'm going to a. 2663 02:18:10,760 --> 02:18:13,960 Speaker 2: Random seven eleven and I'm going to grab like a 2664 02:18:14,080 --> 02:18:14,680 Speaker 2: kid or something. 2665 02:18:14,720 --> 02:18:17,440 Speaker 1: This nigga Nip pull up in a black may Back dole, 2666 02:18:17,480 --> 02:18:21,120 Speaker 1: little bad itself go to the ATM looking. I'm like this, 2667 02:18:21,320 --> 02:18:24,960 Speaker 1: Nip do look I know that seven eleven. No, we 2668 02:18:25,080 --> 02:18:28,240 Speaker 1: wasn't even in Beverly Hills. He was like, we was 2669 02:18:28,240 --> 02:18:31,200 Speaker 1: about a wash boss on gal so someone we was 2670 02:18:31,240 --> 02:18:34,000 Speaker 1: in the We wasn't in no Beverly Hills. Now he 2671 02:18:34,160 --> 02:18:37,000 Speaker 1: pulled up eating the Mayback on bro. I hollered on 2672 02:18:37,200 --> 02:18:40,080 Speaker 1: like damn you know like this was early on and 2673 02:18:40,280 --> 02:18:43,360 Speaker 1: U g herbro at this time. No, we were like, yeah, 2674 02:18:43,400 --> 02:18:46,000 Speaker 1: you know who I am. You know I wouldn't turn 2675 02:18:46,160 --> 02:18:49,400 Speaker 1: turn I'm like on some like I'm just turning in. Yeah, 2676 02:18:49,400 --> 02:18:51,680 Speaker 1: I'm turning in on Bro and I see Bro, you know, 2677 02:18:51,879 --> 02:18:54,760 Speaker 1: like we just fucking around like damn, like you know 2678 02:18:54,800 --> 02:18:56,600 Speaker 1: what I'm saying. That just maybe like that's how we 2679 02:18:56,720 --> 02:18:58,400 Speaker 1: locked in, Like I ain't gonna lie. It was just 2680 02:18:58,520 --> 02:19:02,240 Speaker 1: like like every like since that day, you feel what 2681 02:19:02,240 --> 02:19:04,920 Speaker 1: I'm saying. Me and Bro like always had like a 2682 02:19:05,000 --> 02:19:07,480 Speaker 1: different you know what I'm saying, but that shit crazy. 2683 02:19:07,520 --> 02:19:10,440 Speaker 1: That was one of my first like LA experiences, was 2684 02:19:10,520 --> 02:19:12,800 Speaker 1: what I'm saying, like you you just moved there at 2685 02:19:12,840 --> 02:19:13,240 Speaker 1: that point. 2686 02:19:13,720 --> 02:19:15,200 Speaker 2: I was just visiting that. 2687 02:19:15,280 --> 02:19:17,240 Speaker 1: I wasn't even moving there, like it was one of 2688 02:19:17,320 --> 02:19:20,720 Speaker 1: my first LA experiences, and I'm seeing him like it 2689 02:19:20,800 --> 02:19:24,480 Speaker 1: was I was like on some fan shit, Yeah you 2690 02:19:24,560 --> 02:19:26,600 Speaker 1: feel me Like I'm like, damn, I gonna nep. You 2691 02:19:26,640 --> 02:19:28,440 Speaker 1: feel what I'm saying, Well, he pull up in the 2692 02:19:28,520 --> 02:19:31,879 Speaker 1: maybag though little bad self. But I'm like, damn, Bro, 2693 02:19:32,160 --> 02:19:35,199 Speaker 1: real street nails. You like though little Badself, you feel 2694 02:19:35,200 --> 02:19:37,640 Speaker 1: what I'm saying, like godless and so I saw the 2695 02:19:37,680 --> 02:19:39,920 Speaker 1: god that ship that made me like super gravitate to 2696 02:19:40,000 --> 02:19:42,960 Speaker 1: him like damn. That was my first time ever meeting 2697 02:19:43,000 --> 02:19:45,000 Speaker 1: him though, But it wasn't on no rap shit. You 2698 02:19:45,040 --> 02:19:46,959 Speaker 1: feel me like me and Bro never got no chance 2699 02:19:47,000 --> 02:19:49,120 Speaker 1: to do no music or nothing like that. But every 2700 02:19:49,160 --> 02:19:51,600 Speaker 1: time we see each other it was much you love 2701 02:19:51,720 --> 02:19:55,800 Speaker 1: and shit, it's off that one acounter bro, Bro, we 2702 02:19:55,879 --> 02:20:00,600 Speaker 1: got to a shot for that on Bro, Damn, damn. 2703 02:20:00,520 --> 02:20:03,959 Speaker 2: I ain't got no They gotta bring me on from here. 2704 02:20:05,000 --> 02:20:07,000 Speaker 2: She said, you want some of this? 2705 02:20:07,120 --> 02:20:11,400 Speaker 1: You I think you want you want some of this, Bro, 2706 02:20:11,480 --> 02:20:13,440 Speaker 1: I'm gonna put some of this in him. Come on, man, 2707 02:20:13,720 --> 02:20:18,200 Speaker 1: cook gag some of you. Just gonna try to get 2708 02:20:18,240 --> 02:20:21,200 Speaker 1: you across over to the. 2709 02:20:23,040 --> 02:20:25,440 Speaker 2: Look recipes in that. 2710 02:20:25,560 --> 02:20:34,440 Speaker 1: Bro, But me keep it back to you. Man, Do 2711 02:20:34,560 --> 02:20:37,840 Speaker 1: you realize how much hip hop love you? You realize 2712 02:20:37,840 --> 02:20:39,120 Speaker 1: how much hip hop fuck with you? 2713 02:20:40,440 --> 02:20:40,680 Speaker 4: Yeah? 2714 02:20:41,200 --> 02:20:44,119 Speaker 1: You do? Now you I'm starting, yeah, like all finish, 2715 02:20:44,280 --> 02:20:46,800 Speaker 1: I'm starting to realize for real. 2716 02:20:47,320 --> 02:20:50,640 Speaker 2: You go, like appreciate the culture for it's doing for you. 2717 02:20:50,720 --> 02:20:50,800 Speaker 5: Bro. 2718 02:20:50,879 --> 02:20:53,240 Speaker 2: I'm definitely appreciating it. You know what I'm saying. It's 2719 02:20:53,320 --> 02:20:54,000 Speaker 2: like it loves you. 2720 02:20:54,080 --> 02:20:57,879 Speaker 1: Bro. I started so early and it's like still young, 2721 02:20:57,959 --> 02:21:01,000 Speaker 1: and I'm just yelling. I think I'm so ambitious. I 2722 02:21:01,080 --> 02:21:04,240 Speaker 1: feel like it's like just me trying to be trying 2723 02:21:04,280 --> 02:21:06,440 Speaker 1: to go out legendary and be perfect. I feel like 2724 02:21:06,480 --> 02:21:09,279 Speaker 1: i'd be a little hard on myself, but I do realize, 2725 02:21:09,360 --> 02:21:11,320 Speaker 1: you know what I'm saying, like I ain't gonna lie. 2726 02:21:11,440 --> 02:21:13,440 Speaker 1: And then what made me realize I'm gonna be honest 2727 02:21:13,879 --> 02:21:16,520 Speaker 1: is getting loved from like niggas that I really grew 2728 02:21:16,640 --> 02:21:19,040 Speaker 1: up listening to and looking up to, like niggas like 2729 02:21:19,160 --> 02:21:22,160 Speaker 1: you and these niggas like kids, or just any niggas 2730 02:21:22,160 --> 02:21:24,200 Speaker 1: that I really grew up fucking with. You feel what 2731 02:21:24,200 --> 02:21:28,360 Speaker 1: I'm saying, like the Waynes Drakes, Plutos, everybody that I 2732 02:21:28,560 --> 02:21:31,160 Speaker 1: really like, ad Maya. You feel what I'm saying like 2733 02:21:31,360 --> 02:21:33,800 Speaker 1: ever in my life, and I really feel genuine love 2734 02:21:33,840 --> 02:21:37,080 Speaker 1: from them. That'd be the like the really extra push 2735 02:21:37,200 --> 02:21:39,040 Speaker 1: that I really fuck with, you know what I'm saying. 2736 02:21:39,080 --> 02:21:43,760 Speaker 1: And then like it'd be like when I fuck with 2737 02:21:43,920 --> 02:21:47,720 Speaker 1: like my peers and like the youngest generation too, I 2738 02:21:47,840 --> 02:21:50,680 Speaker 1: be always wanting to like just fuck with niggas Like 2739 02:21:50,720 --> 02:21:53,520 Speaker 1: That's why even any little artists that come out of 2740 02:21:53,600 --> 02:21:56,400 Speaker 1: Chicago or any other city that I know going crazy, 2741 02:21:56,560 --> 02:21:59,120 Speaker 1: like I just gam shit, I just be jumping on 2742 02:21:59,200 --> 02:22:01,760 Speaker 1: shit like whatever, because I wanted to do like I 2743 02:22:01,879 --> 02:22:04,360 Speaker 1: feel like I Maya when Wayne went on that run 2744 02:22:04,440 --> 02:22:06,480 Speaker 1: and he was just on everybody shit, no matter who 2745 02:22:06,520 --> 02:22:08,760 Speaker 1: you were, as long as you was turned up and 2746 02:22:08,879 --> 02:22:11,840 Speaker 1: coming whoever. Like he just went on everybody's ship. Like 2747 02:22:12,400 --> 02:22:14,880 Speaker 1: I got that same mentality because I looked up to 2748 02:22:14,959 --> 02:22:17,320 Speaker 1: it and like, Wayne, you feel me, and it's just 2749 02:22:17,440 --> 02:22:19,280 Speaker 1: like it's showing love at the end of the day. 2750 02:22:19,360 --> 02:22:23,600 Speaker 1: But it's just like it's like it's competition because I'm 2751 02:22:23,640 --> 02:22:25,680 Speaker 1: in competition with myself. Well, I just want to be 2752 02:22:25,760 --> 02:22:28,040 Speaker 1: on everybody's ship. I want to be heard. You feel me, 2753 02:22:28,120 --> 02:22:30,600 Speaker 1: But I'm just showing love. There's so many artists and 2754 02:22:30,600 --> 02:22:33,440 Speaker 1: I don't mean look at it like that. You feel me, 2755 02:22:36,200 --> 02:22:39,480 Speaker 1: and you're gonna do a record, bro, got a fine 2756 02:22:39,560 --> 02:22:46,400 Speaker 1: one because you are elder crazy tomorrow. But man, let 2757 02:22:46,480 --> 02:22:50,920 Speaker 1: me just say we're not Internet's motherfucker hitting too. Hey man, 2758 02:22:51,000 --> 02:22:55,320 Speaker 1: you know more boy boris right there rolling in hip hop. 2759 02:22:57,520 --> 02:23:03,600 Speaker 5: Starting the park it all. You know, Uh saved all 2760 02:23:03,680 --> 02:23:08,560 Speaker 5: of my life. But hip hop. 2761 02:23:10,640 --> 02:23:15,360 Speaker 1: It's a business. At what point did you start to say, damn, 2762 02:23:16,440 --> 02:23:19,720 Speaker 1: just this ain't about the law. This is about the business. 2763 02:23:21,280 --> 02:23:21,440 Speaker 6: You know. 2764 02:23:21,520 --> 02:23:25,800 Speaker 1: It's so crazy. I'm glad you're aking that. Like now 2765 02:23:26,680 --> 02:23:28,880 Speaker 1: just became to a point after me doing this shit 2766 02:23:28,959 --> 02:23:31,560 Speaker 1: for ten twelve years where it's like I did so 2767 02:23:31,680 --> 02:23:33,760 Speaker 1: much shit I love it don't even matter no more. 2768 02:23:33,800 --> 02:23:36,120 Speaker 1: I've done everything you can out of the world. You 2769 02:23:36,120 --> 02:23:38,800 Speaker 1: feel what I'm saying this, And it was really like, 2770 02:23:42,160 --> 02:23:44,240 Speaker 1: well a point where like you know what I'm saying. 2771 02:23:46,720 --> 02:23:49,000 Speaker 1: You know, some certain people say that shit where they 2772 02:23:49,040 --> 02:23:52,440 Speaker 1: feel like it's coming from a place of resentfulness, you know, 2773 02:23:52,640 --> 02:23:57,200 Speaker 1: like meaning what like when people say like, alright, there's 2774 02:23:57,280 --> 02:24:00,360 Speaker 1: no more, no more shit, I ain't doing no more 2775 02:24:00,400 --> 02:24:02,040 Speaker 1: shit out of love. You feel what I'm saying Like, 2776 02:24:02,520 --> 02:24:04,879 Speaker 1: I feel like certain times when people do that, it's 2777 02:24:04,920 --> 02:24:06,920 Speaker 1: come from a place resentful. It's where they feel like 2778 02:24:07,600 --> 02:24:10,680 Speaker 1: they don't want to do it because they angry about something. 2779 02:24:10,920 --> 02:24:13,000 Speaker 1: You know what I'm saying, Like I'm on some shit 2780 02:24:13,040 --> 02:24:15,680 Speaker 1: where it's like I just know everything I put forth. 2781 02:24:15,840 --> 02:24:17,600 Speaker 1: I know my work, so it's like I don't have 2782 02:24:17,720 --> 02:24:20,760 Speaker 1: to like already done, like where it's like even when 2783 02:24:20,800 --> 02:24:22,800 Speaker 1: it got to do it actually charged us, Like I 2784 02:24:22,840 --> 02:24:24,600 Speaker 1: didn't did so much shit out of love. I don't 2785 02:24:24,640 --> 02:24:27,320 Speaker 1: got to charge for nothing. I could go get a 2786 02:24:27,440 --> 02:24:30,240 Speaker 1: favor from it. Then anybody in the industry justice my 2787 02:24:30,360 --> 02:24:33,080 Speaker 1: face card good. But I did so much side of shit, 2788 02:24:33,120 --> 02:24:35,600 Speaker 1: you got credit. You feel what I'm saying, like no bullshit, 2789 02:24:36,440 --> 02:24:39,120 Speaker 1: and like that's worth more than money, you feel me, 2790 02:24:39,200 --> 02:24:43,320 Speaker 1: So it's way more worth them, Yeah, exactly. And I 2791 02:24:43,480 --> 02:24:46,240 Speaker 1: learned that really like on some shit right now where 2792 02:24:46,280 --> 02:24:50,080 Speaker 1: it's like I didn't did so much shit just on 2793 02:24:50,240 --> 02:24:54,160 Speaker 1: some here here here because I'm just trying to show love. 2794 02:24:54,240 --> 02:24:57,400 Speaker 1: But it was actually beneficial to so many people where 2795 02:24:57,400 --> 02:25:00,840 Speaker 1: it changed last it did help niggas careers or you 2796 02:25:00,920 --> 02:25:05,000 Speaker 1: know what I'm saying. So it's like, shit, it put 2797 02:25:05,080 --> 02:25:07,160 Speaker 1: me in favor, you know, it put me in favor 2798 02:25:07,240 --> 02:25:09,840 Speaker 1: to be able to go get you know what I'm saying. 2799 02:25:10,640 --> 02:25:12,720 Speaker 1: Shit doesn't need to be if I need to, you 2800 02:25:12,760 --> 02:25:15,520 Speaker 1: know what I'm saying. So it's like shit, and it 2801 02:25:15,640 --> 02:25:18,320 Speaker 1: happened organically. I wasn't doing the intensity like all right, 2802 02:25:18,360 --> 02:25:20,600 Speaker 1: I'm doing this because I want to favor, you know, 2803 02:25:20,840 --> 02:25:24,720 Speaker 1: Like shit just happened, and it's like now I could 2804 02:25:24,840 --> 02:25:28,520 Speaker 1: go reach out to my reach go far, like whether 2805 02:25:28,560 --> 02:25:30,440 Speaker 1: it's for me or anybody, like I could be building 2806 02:25:30,480 --> 02:25:33,080 Speaker 1: an artist and go get you a bed, a good 2807 02:25:33,200 --> 02:25:37,640 Speaker 1: artist or a placement where they probably favorite artists, just 2808 02:25:37,840 --> 02:25:40,160 Speaker 1: off the strips of shit that I didn't done. You 2809 02:25:40,240 --> 02:25:43,000 Speaker 1: know what I'm saying where it's gonna be like easy, 2810 02:25:43,320 --> 02:25:46,400 Speaker 1: you know, and that's not what's never my intention. Just 2811 02:25:46,560 --> 02:25:50,600 Speaker 1: like certain shit just go hand in hand because your 2812 02:25:50,680 --> 02:25:53,400 Speaker 1: face card go along way. Like I built that over 2813 02:25:53,440 --> 02:25:57,280 Speaker 1: the course of shit ten twelve years of just doing 2814 02:25:57,360 --> 02:25:59,960 Speaker 1: shit out off the love, just me being a solid. 2815 02:26:00,440 --> 02:26:04,800 Speaker 1: You know. Take a shot to that. I'm sorry, you 2816 02:26:04,840 --> 02:26:09,360 Speaker 1: ain't got to tea. We take a shot, so you 2817 02:26:10,760 --> 02:26:16,120 Speaker 1: got a tan, yes, soler, because they're like the tim shot. 2818 02:26:17,240 --> 02:26:21,000 Speaker 1: I mean, I mean, count ten twelve, who's counting? Who's counting? 2819 02:26:23,160 --> 02:26:25,480 Speaker 2: I'm gonna take a peepees twenty times. 2820 02:26:27,000 --> 02:26:30,440 Speaker 1: I'll let you go first, then I go after we 2821 02:26:30,600 --> 02:26:32,720 Speaker 1: all go together. You gotta take a piss too. 2822 02:26:34,480 --> 02:26:41,000 Speaker 3: Boom good, all right, cool yead, Holy moly, come on, 2823 02:26:44,840 --> 02:26:46,080 Speaker 3: this is the first time smoking the blood? 2824 02:26:46,120 --> 02:26:51,080 Speaker 1: What was your smoking earlier? Uh? Backwood with a joint 2825 02:26:51,360 --> 02:26:56,760 Speaker 1: with the papers around? Where do they do that ship? 2826 02:26:57,320 --> 02:27:01,040 Speaker 1: I've been smoking so long, I just like to I 2827 02:27:01,160 --> 02:27:03,200 Speaker 1: stually got to hit my chest hard. I'm like the 2828 02:27:03,800 --> 02:27:07,680 Speaker 1: feeling them. So what do you smoke on a regular basis? 2829 02:27:08,720 --> 02:27:08,760 Speaker 6: Like? 2830 02:27:09,120 --> 02:27:11,960 Speaker 1: Like what like some more? Yeah, like what kind of 2831 02:27:12,200 --> 02:27:13,840 Speaker 1: But what's your favorite. 2832 02:27:15,160 --> 02:27:15,440 Speaker 2: Shit? 2833 02:27:16,560 --> 02:27:18,440 Speaker 1: Any any anxiety, any purpose. 2834 02:27:18,480 --> 02:27:23,039 Speaker 5: It was gelattoo on a gelato home. 2835 02:27:23,120 --> 02:27:26,400 Speaker 1: Bro, you ever smoked our diesel? I used to smoke 2836 02:27:26,440 --> 02:27:33,240 Speaker 1: stout diesel like early freshman yeah, high school type shit. 2837 02:27:33,720 --> 02:27:38,400 Speaker 1: It smoked Hayes. Yeah, I fuck with the Hayes. I 2838 02:27:38,520 --> 02:27:42,920 Speaker 1: used to fuck with Hayes, like when I first started 2839 02:27:42,959 --> 02:27:45,360 Speaker 1: coming to New York. That was probably like two thousand 2840 02:27:45,400 --> 02:27:51,080 Speaker 1: and hang it with Dominican sixteen. Only smoke Hazes a 2841 02:27:51,160 --> 02:27:53,480 Speaker 1: few times though, Like, but I fucked with it though. 2842 02:27:53,680 --> 02:27:56,200 Speaker 1: I wasn't mad at that type of ship, Like, but 2843 02:27:56,360 --> 02:27:58,800 Speaker 1: I ain't never I wasn't. 2844 02:27:59,120 --> 02:28:01,000 Speaker 2: You wasn't man, I fuck with hate. 2845 02:28:01,080 --> 02:28:02,720 Speaker 1: I ain't gonna whow to fuck with a little bit. 2846 02:28:03,360 --> 02:28:05,640 Speaker 1: He was indictment. You ever been indictment? I was in 2847 02:28:05,760 --> 02:28:11,160 Speaker 1: youngest younkers? Okay, yes, Jada Kiss shit, he got the 2848 02:28:11,280 --> 02:28:21,160 Speaker 1: Hayes there, that's yeah, that's all that, Jady Kiss. We established. 2849 02:28:24,840 --> 02:28:27,840 Speaker 3: You trying to work with an artist, But there is 2850 02:28:27,920 --> 02:28:30,000 Speaker 3: there any artists that you want to work with that 2851 02:28:30,120 --> 02:28:31,160 Speaker 3: you haven't worked with yet? 2852 02:28:32,640 --> 02:28:38,080 Speaker 1: Yeah, there's some shoot. I ain't gonna live. But if 2853 02:28:38,120 --> 02:28:40,320 Speaker 1: I had to really pick, like my ultimate, I always 2854 02:28:40,400 --> 02:28:41,920 Speaker 1: be seeing this ship. I don't know why I was 2855 02:28:42,120 --> 02:28:47,840 Speaker 1: just like, I really like I want to I want to, like, man, 2856 02:28:47,920 --> 02:28:51,280 Speaker 1: this ship sounded crazy. I want to really get in 2857 02:28:51,320 --> 02:28:54,440 Speaker 1: the studio and really like do a song like with 2858 02:28:55,040 --> 02:28:56,320 Speaker 1: like Lawren. Hell want some. 2859 02:28:56,840 --> 02:28:59,720 Speaker 3: Lauren, Yeah, I want some real life with the braves 2860 02:28:59,800 --> 02:29:06,000 Speaker 3: of the boy had either either the Lord, either the Lord. 2861 02:29:06,040 --> 02:29:08,600 Speaker 3: We're gonna take either version of what I'm just saying, 2862 02:29:08,720 --> 02:29:09,199 Speaker 3: Like if. 2863 02:29:09,080 --> 02:29:14,680 Speaker 1: I had to pick all the way Lord, dream feature, 2864 02:29:15,440 --> 02:29:16,600 Speaker 1: my dream feature though. 2865 02:29:16,800 --> 02:29:24,560 Speaker 3: Okay, so God comes down from heaven. Okay, Aliens come 2866 02:29:24,640 --> 02:29:29,320 Speaker 3: down from heavens. The Aliens say, I need you to 2867 02:29:29,400 --> 02:29:30,760 Speaker 3: make one record for me. 2868 02:29:32,959 --> 02:29:34,920 Speaker 1: I need you to pick who's going to be the 2869 02:29:35,000 --> 02:29:41,200 Speaker 1: producer and who's gonna do the hook? Who won't be 2870 02:29:41,280 --> 02:29:45,280 Speaker 1: the producer, who won't do the hook? Yeah, Aliens and 2871 02:29:45,360 --> 02:29:48,879 Speaker 1: God together, I don't know why they get stay together, 2872 02:29:49,040 --> 02:29:54,039 Speaker 1: and they say, gee, we gotta save planet Earth. One record, 2873 02:29:54,680 --> 02:30:05,520 Speaker 1: one one producer, anybody on the hook'd all live, They're 2874 02:30:05,560 --> 02:30:10,800 Speaker 1: coming outside. That was Presley Nigga. That Presley could be 2875 02:30:11,959 --> 02:30:13,679 Speaker 1: I want to anybody. 2876 02:30:13,680 --> 02:30:19,920 Speaker 3: Jackson one Dad all live, you hit Mike bro I 2877 02:30:20,000 --> 02:30:22,360 Speaker 3: gotta go, Prince Jackson, Prince could be the one. 2878 02:30:22,600 --> 02:30:24,440 Speaker 2: I gotta go. I gotta go prins on. 2879 02:30:24,520 --> 02:30:27,720 Speaker 1: The hook, rints on the hook, and I'm going and 2880 02:30:27,800 --> 02:30:32,040 Speaker 1: I'm going yay on the beat. Bro, I gotta take 2881 02:30:32,080 --> 02:30:38,039 Speaker 1: a piss coming. You killed that? You win? Bro, going 2882 02:30:40,160 --> 02:30:50,080 Speaker 1: like that too hard. 2883 02:30:50,480 --> 02:30:52,160 Speaker 6: I don't know what the funk y'all were talking about, 2884 02:30:53,200 --> 02:30:56,760 Speaker 6: but I'm gonna bring it back to Chicago. So you 2885 02:30:56,840 --> 02:31:02,600 Speaker 6: got connected with Common through no Id, Right, So where 2886 02:31:02,640 --> 02:31:06,000 Speaker 6: were you guys? Like what was the connection between old 2887 02:31:06,120 --> 02:31:08,680 Speaker 6: Chicago hip hop and new Chicago hip hop? 2888 02:31:10,000 --> 02:31:12,840 Speaker 1: I think it was like, like what was a respect 2889 02:31:12,959 --> 02:31:15,879 Speaker 1: level as well off? And I think I really think 2890 02:31:15,920 --> 02:31:20,720 Speaker 1: it was a transition of like Chicago hip hop always 2891 02:31:20,879 --> 02:31:22,240 Speaker 1: was on some like. 2892 02:31:23,800 --> 02:31:26,120 Speaker 2: In a way it was like can I say something 2893 02:31:26,120 --> 02:31:28,760 Speaker 2: real quick before you keep going? And I don't want 2894 02:31:28,760 --> 02:31:29,199 Speaker 2: to interrupt. 2895 02:31:29,760 --> 02:31:32,760 Speaker 6: I'm interrupting, actually, but I just want to say, like 2896 02:31:33,680 --> 02:31:36,720 Speaker 6: I was reading on you, right, and people were saying 2897 02:31:36,879 --> 02:31:43,400 Speaker 6: like Drill had a perception of non lyrics, but you 2898 02:31:44,680 --> 02:31:49,360 Speaker 6: actually brought lyrics, like you was actually a person that 2899 02:31:49,560 --> 02:31:53,160 Speaker 6: was spitting right, And I feel like you was bringing 2900 02:31:53,280 --> 02:31:58,080 Speaker 6: the what was happening already with Common and Kanye and 2901 02:31:58,200 --> 02:32:01,320 Speaker 6: these guys like he was bringing that level of lyricism 2902 02:32:01,920 --> 02:32:02,640 Speaker 6: to your music. 2903 02:32:03,560 --> 02:32:06,240 Speaker 1: Yeah, So that's all said for like often to say, 2904 02:32:06,280 --> 02:32:10,600 Speaker 1: I think in Chicago, like the transition of like you know, 2905 02:32:10,760 --> 02:32:13,879 Speaker 1: niggas like Common, Yay, Twist all them. 2906 02:32:13,760 --> 02:32:15,879 Speaker 2: They really raped thrills what I'm saying. 2907 02:32:16,000 --> 02:32:20,240 Speaker 1: So, like in Chicago when the drill scene and the 2908 02:32:20,360 --> 02:32:23,040 Speaker 1: whole era came about, it wasn't really like on a 2909 02:32:23,240 --> 02:32:26,360 Speaker 1: lyricism type shit. It was like it was me up 2910 02:32:26,440 --> 02:32:29,920 Speaker 1: tempo urn music. That's why they felt like drill was 2911 02:32:29,920 --> 02:32:32,080 Speaker 1: a whole another genre. But it wasn't. 2912 02:32:32,160 --> 02:32:35,000 Speaker 2: It was just like a term of like expression. 2913 02:32:35,160 --> 02:32:38,840 Speaker 1: Basically, drill was an expression in the music that we 2914 02:32:39,600 --> 02:32:42,560 Speaker 1: It was just a beat, a certain type of beat. 2915 02:32:42,720 --> 02:32:44,920 Speaker 2: That's it exactly but exactly. 2916 02:32:45,040 --> 02:32:49,000 Speaker 1: So It's like what I'm saying is like what Chicago 2917 02:32:49,160 --> 02:32:52,720 Speaker 1: music was before and then was like rap. You know 2918 02:32:52,760 --> 02:32:55,720 Speaker 1: what I'm saying, ship like that from the comments, the 2919 02:32:55,800 --> 02:32:58,800 Speaker 1: Twisters and Yay's and all that shit. You know what 2920 02:32:58,840 --> 02:33:01,200 Speaker 1: I'm saying, Like you feel what I'm saying, so like 2921 02:33:01,440 --> 02:33:04,480 Speaker 1: loope you feel me bump right all? You know what 2922 02:33:04,480 --> 02:33:11,959 Speaker 1: I'm saying. Like when that music trans like transcended into 2923 02:33:12,080 --> 02:33:15,920 Speaker 1: some whole water shit, I never really did in that 2924 02:33:16,280 --> 02:33:19,040 Speaker 1: lane like I always was on some rap shit anyways 2925 02:33:19,160 --> 02:33:23,760 Speaker 1: like you feel me, I grew up listening to that 2926 02:33:23,959 --> 02:33:24,480 Speaker 1: type of era. 2927 02:33:24,720 --> 02:33:27,000 Speaker 2: You did listen to that era? Yeah, heah yeah. 2928 02:33:27,080 --> 02:33:29,080 Speaker 1: And I grew up listening to New York rappers too. 2929 02:33:29,200 --> 02:33:30,920 Speaker 1: You feel what I'm saying, Like I grew up listening 2930 02:33:31,480 --> 02:33:34,280 Speaker 1: to all type of genres when it came to hip hop. 2931 02:33:34,360 --> 02:33:36,760 Speaker 1: I mean not genres. I'm just saying all types of artists. 2932 02:33:36,800 --> 02:33:37,120 Speaker 1: You just love. 2933 02:33:37,640 --> 02:33:39,640 Speaker 2: Yeah, I love hip hop as the best way to 2934 02:33:39,720 --> 02:33:42,560 Speaker 2: say probably so Yeah. 2935 02:33:43,120 --> 02:33:46,000 Speaker 1: I was saying, like when I came out, I never 2936 02:33:46,120 --> 02:33:49,640 Speaker 1: really like labeled myself as a drill artist. Always like 2937 02:33:49,879 --> 02:33:52,400 Speaker 1: was on some shit like I'm just a rapper. You 2938 02:33:52,440 --> 02:33:55,760 Speaker 1: feel what I'm saying like I could exactly. I was 2939 02:33:56,240 --> 02:33:59,240 Speaker 1: fifteen years old, sixteen years old when that shit came out, 2940 02:33:59,280 --> 02:34:00,800 Speaker 1: but I was on I was one of the only 2941 02:34:00,879 --> 02:34:04,959 Speaker 1: people that actually was rapping on old simple beats, saying 2942 02:34:05,360 --> 02:34:08,000 Speaker 1: rapping over shit that kiss made a wrapped over or 2943 02:34:08,160 --> 02:34:09,920 Speaker 1: meat was wrapped You know what I'm saying. I was 2944 02:34:10,000 --> 02:34:12,720 Speaker 1: really on some shit like my first two three four 2945 02:34:12,800 --> 02:34:15,600 Speaker 1: freestyles I put out was over meat beats. You feel 2946 02:34:15,640 --> 02:34:17,720 Speaker 1: what I'm saying. This was twenty ten to twenty eleven, 2947 02:34:17,800 --> 02:34:19,720 Speaker 1: and shit like you know what I'm saying, Like, yeah, 2948 02:34:20,560 --> 02:34:22,240 Speaker 1: so it was like I was always on some shit 2949 02:34:22,440 --> 02:34:24,520 Speaker 1: I was trying to rap anyway, Like I was never 2950 02:34:24,600 --> 02:34:27,280 Speaker 1: trying to put myself in that box of drill wrap, 2951 02:34:27,320 --> 02:34:29,280 Speaker 1: you know what I'm saying. So it's like I think 2952 02:34:30,240 --> 02:34:32,600 Speaker 1: that's why I was able to like connect with the 2953 02:34:32,760 --> 02:34:35,720 Speaker 1: comments and shit like that, like how you saying, Like 2954 02:34:35,840 --> 02:34:39,920 Speaker 1: it reached out and like nothing like to go off 2955 02:34:40,040 --> 02:34:40,920 Speaker 1: subject all the way. 2956 02:34:41,120 --> 02:34:43,360 Speaker 2: My uncle who passed away, his name was kay Tom. 2957 02:34:43,920 --> 02:34:46,720 Speaker 1: He already yeah, he already knew them like he already 2958 02:34:46,879 --> 02:34:50,800 Speaker 1: like knew Common and uh yay and the legendary tracks 2959 02:34:50,840 --> 02:34:53,680 Speaker 1: to they had. They was a group called Trevin Tracks. 2960 02:34:54,160 --> 02:34:57,400 Speaker 1: So in Chicago, my uncle was like a legendary producer 2961 02:34:57,480 --> 02:34:59,400 Speaker 1: away and that was my blood uncle, you feel what 2962 02:34:59,400 --> 02:35:02,000 Speaker 1: I'm saying. So I was like I'm in the studio 2963 02:35:02,160 --> 02:35:05,320 Speaker 1: around him and already getting that foundation with twisted them around. 2964 02:35:05,480 --> 02:35:09,440 Speaker 1: Do it that all these crystial conflict all in My 2965 02:35:09,600 --> 02:35:12,440 Speaker 1: uncle was already well respected in the industry in Chicago 2966 02:35:12,560 --> 02:35:15,040 Speaker 1: when it came to that type of stuff. Like Mickey Houston, 2967 02:35:15,040 --> 02:35:17,320 Speaker 1: who was my first manager, he knew my uncle, like 2968 02:35:17,360 --> 02:35:19,760 Speaker 1: you know what I'm saying. So already like had like 2969 02:35:19,840 --> 02:35:21,920 Speaker 1: a love for music when it came to just looking 2970 02:35:22,000 --> 02:35:23,640 Speaker 1: up to him and wanted to be like him. You 2971 02:35:23,680 --> 02:35:27,000 Speaker 1: know what I'm saying, So like when they like I 2972 02:35:27,080 --> 02:35:30,680 Speaker 1: feel like when my whole, like when me and Baby 2973 02:35:30,760 --> 02:35:32,520 Speaker 1: when we came out. I don't know, maybe it's just 2974 02:35:32,640 --> 02:35:35,280 Speaker 1: like over East, so it's just the music we listened to. 2975 02:35:35,440 --> 02:35:38,240 Speaker 1: We didn't We was always on some rap shit like 2976 02:35:38,760 --> 02:35:41,360 Speaker 1: the whole. We never steered away from hip hop. You 2977 02:35:41,400 --> 02:35:43,080 Speaker 1: feel what I'm saying. We need to try to, like 2978 02:35:44,000 --> 02:35:47,720 Speaker 1: to tear away from bars like lyricism twelve sixteen thirty 2979 02:35:47,760 --> 02:35:49,680 Speaker 1: two of US rap rap. You feel what I'm saying, 2980 02:35:49,760 --> 02:35:52,960 Speaker 1: Like lyricism, We never like we never shot away from that, 2981 02:35:53,160 --> 02:35:55,520 Speaker 1: Like That's what I'm trying to say, Like that's always 2982 02:35:55,600 --> 02:35:57,640 Speaker 1: what I was on from the moment. 2983 02:35:57,440 --> 02:36:01,240 Speaker 3: I choose to be a rapper, right, Yeah, I know 2984 02:36:01,320 --> 02:36:06,000 Speaker 3: wesed on it earlier, right, but I went and looked 2985 02:36:06,000 --> 02:36:10,360 Speaker 3: at my Twitter when I went to the bathroom, and 2986 02:36:10,560 --> 02:36:15,640 Speaker 3: it's still people think that drill music started in London. 2987 02:36:16,879 --> 02:36:20,760 Speaker 1: Yeah, I don't know why. That's crazy. Why do you 2988 02:36:20,879 --> 02:36:24,280 Speaker 1: think that? I think because I don't know. I feel 2989 02:36:24,320 --> 02:36:29,800 Speaker 1: like overseas, like in London. They had such a big wave, 2990 02:36:29,959 --> 02:36:33,520 Speaker 1: which just like how they was able to trans wait. 2991 02:36:33,400 --> 02:36:40,480 Speaker 6: Through following in London. Let's just start with there. I 2992 02:36:40,520 --> 02:36:42,120 Speaker 6: ain't really imagine you have. 2993 02:36:42,280 --> 02:36:45,160 Speaker 1: The biggest following tour or then nothing in London yet. 2994 02:36:45,240 --> 02:36:46,080 Speaker 1: But I want to go out. 2995 02:36:46,400 --> 02:36:50,840 Speaker 6: Haven't gone overseas? No, No, I ain't got I guarantee 2996 02:36:50,879 --> 02:36:52,879 Speaker 6: you got a big overseas audience. 2997 02:36:52,959 --> 02:36:54,120 Speaker 1: Bro, you gotta go, you gotta go. 2998 02:36:54,920 --> 02:36:58,400 Speaker 2: No, I ain't got no overseas. No here bro getting 2999 02:36:58,440 --> 02:37:02,200 Speaker 2: the funk out of here. You got a big audience 3000 02:37:02,280 --> 02:37:03,240 Speaker 2: outside of here, bro. 3001 02:37:03,680 --> 02:37:06,240 Speaker 1: Yeah, yeah, I ain't never did nothing as much as 3002 02:37:06,280 --> 02:37:11,959 Speaker 1: they appreciate, appreciate much like two weeks with Juice World 3003 02:37:12,040 --> 02:37:14,720 Speaker 1: and Ship we had he was on tour with Nicki Minajs. 3004 02:37:14,760 --> 02:37:16,640 Speaker 1: I had did Tim Westwood and Ship. That was like, 3005 02:37:18,320 --> 02:37:21,080 Speaker 1: you can't yea London. You went to London that was 3006 02:37:21,160 --> 02:37:24,480 Speaker 1: like three four years ago. No, I ain't been there since. 3007 02:37:24,560 --> 02:37:28,080 Speaker 1: I ain't in no shoes just London. Yeah, I need 3008 02:37:28,120 --> 02:37:31,440 Speaker 1: to go back Westwood. That's big, that's big. Ten Muths 3009 02:37:31,600 --> 02:37:31,920 Speaker 1: was big. 3010 02:37:33,400 --> 02:37:36,000 Speaker 3: I played the best hood O t with Tim Westwood. 3011 02:37:37,800 --> 02:37:41,240 Speaker 1: Second good bro. Oh yeah but too much? Yeah yeah, yeah, 3012 02:37:41,320 --> 02:37:47,200 Speaker 1: yeah yeah, that's a legend. That wasn't crazy legend? Bron Sure. 3013 02:37:47,440 --> 02:37:51,000 Speaker 1: So what's your favorite place to perform? If I had 3014 02:37:51,040 --> 02:37:57,360 Speaker 1: to choose, of course, it'll be Chicago to exclude Chicago. 3015 02:37:57,400 --> 02:37:59,320 Speaker 1: If I had to say, my all time favorite place 3016 02:37:59,360 --> 02:38:10,040 Speaker 1: to perform be in New York. Yeah, for sure. New 3017 02:38:10,120 --> 02:38:13,040 Speaker 1: York fucked with me. Like I had some of my 3018 02:38:13,120 --> 02:38:15,400 Speaker 1: best shows in my career in New York, Like one time, 3019 02:38:15,480 --> 02:38:17,120 Speaker 1: this is how I knew New York love me. Look 3020 02:38:17,520 --> 02:38:20,480 Speaker 1: this is like two thousand and man, it said to 3021 02:38:20,520 --> 02:38:23,400 Speaker 1: be twenty sixteen, twenty seventeen, I did a show shot. 3022 02:38:23,320 --> 02:38:26,240 Speaker 2: Johnny Ships shout out Johnny SPEs Bro. 3023 02:38:26,720 --> 02:38:27,200 Speaker 1: It was U. 3024 02:38:28,000 --> 02:38:30,280 Speaker 2: I think it was one of those Smokers Club shows. 3025 02:38:30,879 --> 02:38:32,520 Speaker 1: Well, I don't know what a venue was. It was 3026 02:38:32,600 --> 02:38:35,160 Speaker 1: like four thousand, five thousand fans that I had lost 3027 02:38:35,240 --> 02:38:40,160 Speaker 1: my voice. I couldn't even speak, and I'm sunk. They 3028 02:38:40,320 --> 02:38:44,200 Speaker 1: sung the whole ship for like thirty minutes straight. This 3029 02:38:44,480 --> 02:38:47,480 Speaker 1: was the beginning of my career. I never seen nothing 3030 02:38:47,600 --> 02:38:51,520 Speaker 1: like it. And it's like that that support just transit. Yeah, 3031 02:38:51,560 --> 02:38:55,640 Speaker 1: turned off through my career. That shot Town Energy fucked 3032 02:38:55,720 --> 02:38:58,400 Speaker 1: us up in New York long for sure. I ain't. 3033 02:38:58,680 --> 02:39:01,280 Speaker 1: I never felt no love, like like even like ain't 3034 02:39:01,320 --> 02:39:03,040 Speaker 1: gonna lie me, I swear to god. We was just 3035 02:39:03,120 --> 02:39:06,520 Speaker 1: talking about this sh like the other day, me and 3036 02:39:06,600 --> 02:39:13,040 Speaker 1: my girlma brother. Everybody was just saying, uh, the PTSD tour, 3037 02:39:13,240 --> 02:39:15,800 Speaker 1: like like that show. It was my very first show, 3038 02:39:15,959 --> 02:39:18,640 Speaker 1: Like that was I did the show the day the 3039 02:39:18,920 --> 02:39:21,200 Speaker 1: album droped, so the fans didn't even know the music. 3040 02:39:22,040 --> 02:39:24,160 Speaker 1: It was just like the energy of them seeing me 3041 02:39:24,280 --> 02:39:26,440 Speaker 1: is just like everything, Like that ship was one of 3042 02:39:26,520 --> 02:39:28,600 Speaker 1: my hardest shows that I did. You knowee what I'm saying, 3043 02:39:28,640 --> 02:39:30,400 Speaker 1: Like we were just talking about that like two days ago. 3044 02:39:30,920 --> 02:39:39,640 Speaker 1: What's the worst place you ever performed at? Worst place? Fuck? Heys, 3045 02:39:41,120 --> 02:39:45,199 Speaker 1: New Mexico, probably like eight tenth fans and some ship. 3046 02:39:45,440 --> 02:39:52,560 Speaker 1: Those fans love you, bro, I know they did what happened? 3047 02:39:54,240 --> 02:39:58,560 Speaker 1: I think it was like some ship. Well, like it 3048 02:39:58,720 --> 02:40:03,800 Speaker 1: was the the promoter fucked up awesome and do the 3049 02:40:03,879 --> 02:40:07,880 Speaker 1: promotion ship right or like the club people you're supposed 3050 02:40:07,879 --> 02:40:11,320 Speaker 1: to post, Yeah, no we did. I don't know some ship, 3051 02:40:11,440 --> 02:40:13,600 Speaker 1: Like I was just saying, that was like my worst 3052 02:40:13,600 --> 02:40:16,200 Speaker 1: show that that ship was like yeah years ago. Well 3053 02:40:16,200 --> 02:40:18,600 Speaker 1: I'm just saying with some ship with like I literally 3054 02:40:18,680 --> 02:40:21,800 Speaker 1: performed in front of like eight people when I game 3055 02:40:22,200 --> 02:40:29,480 Speaker 1: perform for like, I did really perform. That's dope. I 3056 02:40:29,600 --> 02:40:33,440 Speaker 1: performed in front of eight people in Dubai. Literally that 3057 02:40:33,640 --> 02:40:35,760 Speaker 1: was I'll never forget that ship though it was in 3058 02:40:35,879 --> 02:40:40,840 Speaker 1: New Mexico, performed from like eight people. I performed eight people. 3059 02:40:41,040 --> 02:40:44,240 Speaker 1: It was their family though in Dubai it was fantastic. 3060 02:40:45,400 --> 02:40:48,000 Speaker 1: That was fantastic, and they paid. 3061 02:40:47,840 --> 02:40:51,320 Speaker 2: Me, paid you fantastic and mon Sometimes. 3062 02:40:53,000 --> 02:40:55,120 Speaker 1: I don't even think they even made eye contact with me. 3063 02:40:55,480 --> 02:40:58,160 Speaker 1: It was just like, what songs did you performed? 3064 02:40:58,240 --> 02:40:58,440 Speaker 2: Man? 3065 02:40:58,600 --> 02:41:02,840 Speaker 1: Man, leave it at all? Yo. Man, I'm gonna be 3066 02:41:02,879 --> 02:41:03,800 Speaker 1: honest with you. Man. 3067 02:41:05,920 --> 02:41:12,400 Speaker 3: Every time I see you, You're a real one happy 3068 02:41:16,800 --> 02:41:24,120 Speaker 3: wow you rapp it man, And I really wanted to 3069 02:41:24,160 --> 02:41:29,840 Speaker 3: give you a flowers man, literally, man, because and figuratively, 3070 02:41:30,560 --> 02:41:34,720 Speaker 3: because you're actually a legend out here. 3071 02:41:34,840 --> 02:41:35,000 Speaker 1: Man. 3072 02:41:35,800 --> 02:41:40,520 Speaker 3: You actually did your job. We're proud of you, Statesman 3073 02:41:41,360 --> 02:41:45,800 Speaker 3: like me, like Fat Joe and so on and so on. 3074 02:41:47,320 --> 02:41:50,440 Speaker 3: We're proud of you, man, and we want you to 3075 02:41:50,560 --> 02:41:54,360 Speaker 3: continue to do your motherfucking thing and continue to be great, 3076 02:41:55,560 --> 02:41:59,640 Speaker 3: and continue to be family oriented, continue. 3077 02:42:01,400 --> 02:42:05,000 Speaker 1: To stay in that gray zone that you said. In 3078 02:42:05,080 --> 02:42:09,400 Speaker 1: the gray zone, you know that. Listen the industry got 3079 02:42:09,440 --> 02:42:13,400 Speaker 1: your back. So when I was researching you. 3080 02:42:13,560 --> 02:42:14,199 Speaker 2: This is a shot. 3081 02:42:14,360 --> 02:42:17,160 Speaker 1: Okay, fuck it. I don't know how this popped up. 3082 02:42:18,520 --> 02:42:19,680 Speaker 1: That's the only shot. Bro. 3083 02:42:21,600 --> 02:42:22,400 Speaker 2: I tak another one. 3084 02:42:22,920 --> 02:42:23,480 Speaker 1: We don't like it. 3085 02:42:24,560 --> 02:42:26,560 Speaker 3: I want you to know hip hop loves you, man, 3086 02:42:29,120 --> 02:42:31,960 Speaker 3: because it actually hurt my heart to hear you say that. 3087 02:42:33,240 --> 02:42:34,960 Speaker 3: And you was like, no, I love hip hop and 3088 02:42:35,040 --> 02:42:37,400 Speaker 3: hip hop don't love me back. And it's true because 3089 02:42:37,840 --> 02:42:42,840 Speaker 3: what you said is accurate. Hip Hop will never love 3090 02:42:42,959 --> 02:42:47,400 Speaker 3: us back the way we love hip hop, but hip 3091 02:42:47,440 --> 02:42:48,240 Speaker 3: hop loves us. 3092 02:42:49,000 --> 02:42:51,680 Speaker 1: That's why I'm a grab my flowers man. Bro. Got 3093 02:42:51,760 --> 02:42:56,120 Speaker 1: damn god, damn you know that. 3094 02:42:57,879 --> 02:43:00,720 Speaker 3: Every time you rock up a beautiful watch like that 3095 02:43:00,920 --> 02:43:04,480 Speaker 3: and your ice out chick, that's hip hop, man, that's 3096 02:43:04,560 --> 02:43:04,920 Speaker 3: hip hop. 3097 02:43:05,120 --> 02:43:07,720 Speaker 1: That's hip hop. Bro. That shit got nothing to do 3098 02:43:07,800 --> 02:43:08,920 Speaker 1: with anything else. 3099 02:43:09,120 --> 02:43:12,520 Speaker 3: So we gotta salute hip hop because hip hop salutes you. 3100 02:43:13,160 --> 02:43:16,600 Speaker 1: And I really want you to know that, man, like 3101 02:43:16,920 --> 02:43:23,920 Speaker 1: like like, I've been doing this since ninety seven. I 3102 02:43:24,040 --> 02:43:30,920 Speaker 1: got everybody's number, and I'm a relationship based so I 3103 02:43:31,080 --> 02:43:34,520 Speaker 1: call people. I just ask everyone. 3104 02:43:35,120 --> 02:43:38,160 Speaker 3: Everyone I call had nothing But I said that earlier, 3105 02:43:38,240 --> 02:43:39,160 Speaker 3: but I want to say it again. 3106 02:43:39,200 --> 02:43:42,040 Speaker 1: I want you to read iterate what I'm trying to 3107 02:43:42,080 --> 02:43:46,080 Speaker 1: tell you. People are not only got love for you, 3108 02:43:49,800 --> 02:43:52,280 Speaker 1: they're saying that they got love for you, and they 3109 02:43:52,560 --> 02:43:56,680 Speaker 1: rooting for you. So I don't know if those pom 3110 02:43:56,800 --> 02:44:01,120 Speaker 1: poems are out in public or shit private, but the 3111 02:44:01,240 --> 02:44:06,520 Speaker 1: fact that they're rooting for you, period means a fucking lot. 3112 02:44:07,760 --> 02:44:13,240 Speaker 1: Trust me. I call people were like the call. You know, 3113 02:44:13,280 --> 02:44:21,720 Speaker 1: I'm interviewing. Everybody's like, what do you need? That's something. 3114 02:44:22,120 --> 02:44:25,160 Speaker 1: I was just like, you know what, I actually don't need. Ship. 3115 02:44:25,920 --> 02:44:31,199 Speaker 3: Oh, they already described your character. People describe the character 3116 02:44:31,320 --> 02:44:33,600 Speaker 3: of you without you even being. 3117 02:44:35,000 --> 02:44:40,240 Speaker 1: That's that's dope, dope, appreciate it. You under saying what 3118 02:44:40,440 --> 02:44:43,359 Speaker 1: you said, ship. 3119 02:44:45,000 --> 02:44:48,360 Speaker 2: And I love it. Yeah, I feel good, but I 3120 02:44:48,400 --> 02:44:48,960 Speaker 2: don't love it. 3121 02:44:49,360 --> 02:44:49,840 Speaker 1: I love it. 3122 02:44:51,000 --> 02:44:57,280 Speaker 2: We don't love it, but gotta you gotta gotta love it. 3123 02:44:58,120 --> 02:45:01,160 Speaker 1: You gotta love it everything the big Okay, I'm in 3124 02:45:01,280 --> 02:45:01,640 Speaker 1: it like this. 3125 02:45:02,240 --> 02:45:06,640 Speaker 3: There's a lesson than a five percent degrees says love 3126 02:45:06,720 --> 02:45:10,960 Speaker 3: hell alright, which means sometimes you gotta love hell in 3127 02:45:11,160 --> 02:45:14,080 Speaker 3: order to come out right, which means sometimes you can't 3128 02:45:14,120 --> 02:45:15,400 Speaker 3: even go to heaven. 3129 02:45:16,840 --> 02:45:19,600 Speaker 1: As you go to hell first, less you've been to hell. First, 3130 02:45:20,080 --> 02:45:37,960 Speaker 1: I like it, Bro, Welcome that happened. See her? We 3131 02:45:38,040 --> 02:45:44,440 Speaker 1: got them new teeth man, new teeth? Bro, Yeah yeah 3132 02:45:44,520 --> 02:45:55,560 Speaker 1: yeah dress come on, ye dressed the new teeth because 3133 02:45:55,560 --> 02:45:59,840 Speaker 1: you a good picture. Let me show, let me show 3134 02:45:59,879 --> 02:46:00,200 Speaker 1: the like. 3135 02:46:00,600 --> 02:46:02,760 Speaker 2: Yeah yeah, that shus been going viral. 3136 02:46:02,840 --> 02:46:02,960 Speaker 6: Bro. 3137 02:46:03,240 --> 02:46:06,040 Speaker 1: Yeah, I take a BIG's like a big thing. I 3138 02:46:06,120 --> 02:46:08,640 Speaker 1: guess I ain't gonna lie. I know I ain't gonna say. 3139 02:46:08,640 --> 02:46:11,320 Speaker 1: I guess I said I ain't never getting my teeth done. Bro, 3140 02:46:11,400 --> 02:46:13,400 Speaker 1: I said I never get my teeth domb. Bro, you 3141 02:46:13,560 --> 02:46:22,959 Speaker 1: outside this ship? Do look look this ship? Do look 3142 02:46:23,040 --> 02:46:27,480 Speaker 1: crazy fire you outside? You changed? I got all teeth done, 3143 02:46:27,560 --> 02:46:30,080 Speaker 1: like all twenty four man, I got a ship did 3144 02:46:31,520 --> 02:46:31,840 Speaker 1: I said? 3145 02:46:31,879 --> 02:46:33,280 Speaker 2: I never get my teeth done? 3146 02:46:33,400 --> 02:46:35,920 Speaker 1: Man? When I got my ship done? Why would you? 3147 02:46:36,360 --> 02:46:39,040 Speaker 1: Why wouldn't I? Man? Would you? Why weren't I gonna 3148 02:46:39,120 --> 02:46:43,600 Speaker 1: turn that money like elevation, get money, get money? 3149 02:46:43,680 --> 02:46:53,879 Speaker 2: Feel like yeah, man, take. 3150 02:46:53,760 --> 02:46:56,480 Speaker 1: It the shot. I'm sorry, she where she goes, Let's 3151 02:46:56,480 --> 02:46:56,680 Speaker 1: take it. 3152 02:46:56,680 --> 02:47:00,560 Speaker 3: I'm sorry, come on, let's do it and dre just 3153 02:47:00,680 --> 02:47:01,440 Speaker 3: another shot. 3154 02:47:01,640 --> 02:47:03,120 Speaker 2: Shot Bro, I'm not gonna lie to you. 3155 02:47:03,240 --> 02:47:03,360 Speaker 1: Bro. 3156 02:47:04,440 --> 02:47:07,600 Speaker 3: I'm happy you came here today, happy you showed up. 3157 02:47:07,640 --> 02:47:09,959 Speaker 3: I'm happy you arrived. I did lose the bat did 3158 02:47:10,080 --> 02:47:12,840 Speaker 3: tell you that, right, Yeah, it's gonna be on time. 3159 02:47:13,720 --> 02:47:15,760 Speaker 1: I ain't gonna allowed to post a been on time, bro. 3160 02:47:16,080 --> 02:47:18,320 Speaker 1: I posted been on Then they told me they blame 3161 02:47:18,400 --> 02:47:19,880 Speaker 1: your girl. I was like, there's a good excuse. 3162 02:47:19,920 --> 02:47:20,760 Speaker 2: I'm taking my shot. 3163 02:47:21,160 --> 02:47:26,000 Speaker 1: I blame my girl. They said they blame you. Yeah, 3164 02:47:26,000 --> 02:47:28,920 Speaker 1: I don't know if maybe it's your team. They said 3165 02:47:28,959 --> 02:47:29,760 Speaker 1: they blame your girl. 3166 02:47:31,240 --> 02:47:33,800 Speaker 8: I said to my wife all the time, I threw 3167 02:47:33,879 --> 02:47:36,080 Speaker 8: her under the bus, and then they threw me under 3168 02:47:36,120 --> 02:47:41,280 Speaker 8: the bus by saying that, say that your wife. 3169 02:47:41,400 --> 02:47:48,240 Speaker 1: Let's take a shot. Hey man, gee her bro, me 3170 02:47:48,400 --> 02:47:56,720 Speaker 1: just tell you something. You're a legend. No take your shot, bro, 3171 02:47:56,879 --> 02:48:02,120 Speaker 1: what you're doing, she should your legend. 3172 02:48:02,680 --> 02:48:05,480 Speaker 3: Thank you for coming through Drink Champs. Thank you for 3173 02:48:05,680 --> 02:48:08,080 Speaker 3: hanging out with your family, bringing your family. That's a 3174 02:48:08,080 --> 02:48:13,039 Speaker 3: beautiful thing. And we allow you continue to go anytime 3175 02:48:13,120 --> 02:48:15,320 Speaker 3: you want to promote anything, even if you want to 3176 02:48:15,360 --> 02:48:17,560 Speaker 3: promote your your little toenail. 3177 02:48:18,160 --> 02:48:20,600 Speaker 1: We don't mind, we don't mind. Come over here, we're 3178 02:48:20,600 --> 02:48:26,320 Speaker 1: gonna promote that little nigga. Let's do it. 3179 02:48:26,400 --> 02:48:26,720 Speaker 2: Let's do it. 3180 02:48:26,800 --> 02:48:27,240 Speaker 1: Take it down. 3181 02:48:33,600 --> 02:48:37,400 Speaker 6: Drink Champs is a drink Champs LLC Production and association 3182 02:48:37,560 --> 02:48:41,880 Speaker 6: with Interval Presents, hosts and executive producers n O r 3183 02:48:41,959 --> 02:48:46,400 Speaker 6: E and dj e f N from Interval Presents Executive 3184 02:48:46,440 --> 02:48:49,039 Speaker 6: producers Alan Coy and Jake Kleinberg. 3185 02:48:49,720 --> 02:48:50,520 Speaker 2: Listen to Drink. 3186 02:48:50,400 --> 02:48:54,680 Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you 3187 02:48:54,840 --> 02:48:58,600 Speaker 6: get your podcasts. Thanks for joining us for another episode 3188 02:48:58,640 --> 02:49:01,280 Speaker 6: of Drink Champs, hosted by your truly dj e f 3189 02:49:01,400 --> 02:49:03,560 Speaker 6: N and n O r E. Please make sure to 3190 02:49:03,600 --> 02:49:06,080 Speaker 6: follow us on all our socials That's at drink Champs 3191 02:49:06,120 --> 02:49:10,200 Speaker 6: across all platforms at the Real norriegon I g at 3192 02:49:10,280 --> 02:49:13,360 Speaker 6: Noriega on Twitter, Mine is at Who's Crazy on I 3193 02:49:13,560 --> 02:49:17,199 Speaker 6: g at dj e f N on Twitter, and most importantly, 3194 02:49:17,240 --> 02:49:20,040 Speaker 6: stay up to date with the latest releases, news and 3195 02:49:20,200 --> 02:49:22,520 Speaker 6: merch by going to drink Champs dot com