WEBVTT - The Dad Joke

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<v Speaker 1>My Welcome to Stuff to Blow Your Mind production of

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<v Speaker 1>My Heart Radio. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And today we're gonna be talking dad jokes? Now, Robert,

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<v Speaker 1>how did we end up here? So? I was just

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<v Speaker 1>thinking about it over the weekend. Basically, I was I,

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<v Speaker 1>you know, dad jokes are I think a familiar concept

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<v Speaker 1>for most of us. Um. I don't remember being a

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<v Speaker 1>named thing when I was growing up, but at some

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<v Speaker 1>point in my pre parenthood life it became a thing.

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<v Speaker 1>And even non dad's would get called out for dad

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<v Speaker 1>jokes at times. And uh now as a as a parent,

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<v Speaker 1>it's it's like a frequent call out, you know, not

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<v Speaker 1>only in this house, but but I hear it with

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<v Speaker 1>with my friends who are who are parents, uh and

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<v Speaker 1>also among again friends who are not parents. It's often

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<v Speaker 1>a critique of someone else's joke, often from a child,

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<v Speaker 1>more from a spouse, but sometimes it's a self commentary

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<v Speaker 1>on one's own joke. And I guess I hadn't thought

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<v Speaker 1>too much about it. I didn't like, I wasn't too

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<v Speaker 1>self reflective on the concept until until very recently My

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<v Speaker 1>my son is is eight going on nine, and he's

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<v Speaker 1>definitely at the point where he is capable of sarcastic

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<v Speaker 1>laughter for particularly punny jokes, particularly you know, any kind

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<v Speaker 1>of like uh, perhaps too lame of an attempted humor.

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<v Speaker 1>He is liable to respond with sarcasm. And while he

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<v Speaker 1>won't say, oh, that's a dad joke, like, clearly we

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<v Speaker 1>are in dad joke territory. And so I just started pondering, like,

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<v Speaker 1>what does this mean? What is the dad joke? Is

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<v Speaker 1>the dad joke a thing? Uh? And if it is, like,

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<v Speaker 1>how might we um quantify it? And what does it

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<v Speaker 1>reveal about things like childhood development or humor itself? So

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<v Speaker 1>in your experience, what is the age where where the

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<v Speaker 1>child stops rewarding you for criminally weak puns and and

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<v Speaker 1>starts punishing you for them. Um, I guess we're kind

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<v Speaker 1>of in that territory right now. Like it's not I

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<v Speaker 1>still get get lots of laughs, I'm still pretty good,

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<v Speaker 1>I know my audience pretty well, but I'm I'm rolling

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<v Speaker 1>out more and more jokes that that he is liable

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<v Speaker 1>to either half laugh at or enjoy the awfulness of

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<v Speaker 1>the pun. Uh. And part of that I guess is

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<v Speaker 1>him picking up on my delivery as well, Like, if

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<v Speaker 1>I know that it's a particularly lame joke, I'm probably

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<v Speaker 1>going to lean into that delivery, you know. Yeah, well,

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<v Speaker 1>I mean it was definitely a thing you'd see with

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<v Speaker 1>like Dad's on TV the when you were a kid

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<v Speaker 1>that like that. Yes, they embarrass their teenager adolescent kids

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<v Speaker 1>by telling grown worthy jokes and then get punished with

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<v Speaker 1>the dad. Yeah. You know. This actually came up in

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<v Speaker 1>one of the sources I ended up looking at for this,

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<v Speaker 1>because because after I was thinking about it, I was like,

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<v Speaker 1>surely I'm not the only one kind of lighting this,

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<v Speaker 1>and I'm certainly not. But I looked at this one article, uh,

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<v Speaker 1>this one post title please stop calling My humor dad

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<v Speaker 1>Jokes by Andrew Bougon. Uh. This was from twenty nineteen

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<v Speaker 1>published in The Washington I in and um, they basically

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<v Speaker 1>made two two points. And I have to stress that

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<v Speaker 1>this wasn't like a super serious article like he was.

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<v Speaker 1>The authors very much engaging and you know, the humorous

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<v Speaker 1>nature and the low stakes aspect of the topic. But

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<v Speaker 1>they did bring up the idea of ages um and

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<v Speaker 1>dad jokes, but also the idea that they tend to

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<v Speaker 1>depend uh, some interpretations of them tend to depend on

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<v Speaker 1>outdated gender roles in the household, in which the mom

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<v Speaker 1>handles all the whole hard work around the house and

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<v Speaker 1>dad just kind of wanders into the room from time

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<v Speaker 1>to time to score an easy laugh with the kids.

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<v Speaker 1>And I feel like that's the kind of thing reflected

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<v Speaker 1>in this sitcom model that you're you're discussing here, With

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<v Speaker 1>a lot of American sitcoms like it, it fell upon

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<v Speaker 1>the mom character to be the respond constable one in

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<v Speaker 1>the family, and the dad got to be the goofball,

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<v Speaker 1>you know, the Homer Simpson right, right. Um. So, I

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<v Speaker 1>mean not to say there wasn't truth to the trope,

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<v Speaker 1>but it's probably a situation too where having this trope

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<v Speaker 1>so readily occur in our sitcom culture, it kind of,

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<v Speaker 1>you know, echoes back on us. You know, it reverberates

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<v Speaker 1>back on the culture itself, and we lean into it

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<v Speaker 1>even more, you know. Okay, So I assume at this

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<v Speaker 1>point most people are familiar with what a dad joke is,

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<v Speaker 1>But then again, I don't know. I often feel disconnected

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<v Speaker 1>from terms that people use in this Internet age, especially

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<v Speaker 1>since I'm like trying not to look at the social

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<v Speaker 1>media's and all that. So like for people who are

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<v Speaker 1>not so familiar, what makes a dad joke a dad

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<v Speaker 1>joke in the parlance of our times, all right, in

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<v Speaker 1>the parlance of our times, Dude, they are they're they're

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<v Speaker 1>jokes that are a bit on the lane side in

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<v Speaker 1>some estimates. They're often punny, and that they use puns,

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<v Speaker 1>and they're generally family friendly. Uh. And the punchline, I

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<v Speaker 1>was trying to figure out how the best phrase. I'

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<v Speaker 1>like the punchline hits like a crashing clown car. And

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<v Speaker 1>your intended audience, like the ideal audience that is actually

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<v Speaker 1>going to laugh at this joke is five to seven

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<v Speaker 1>year olds. You know they're abouts, um, but that is

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<v Speaker 1>in this is key regardless of the current age ages

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<v Speaker 1>of those presents. So you might be in the you

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<v Speaker 1>might be in the room with say a forty something

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<v Speaker 1>and a teenager, but you're still firing out jokes like

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<v Speaker 1>you have a whole room full of five to seven

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<v Speaker 1>year olds. Now, you mentioned that these jokes are often

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<v Speaker 1>puns and that they're often family friendly. Of course, dad

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<v Speaker 1>jokes do tend towards very much like uh, simple word play,

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<v Speaker 1>and what might be called clean comedy. But another tendency

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<v Speaker 1>I've noticed in dad jokes is, I don't even know

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<v Speaker 1>what you'd call this, the tendency to make a joke

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<v Speaker 1>that is, uh, that is edgy to a really tame extent.

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<v Speaker 1>And so this might involve, say, references to people's butts

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<v Speaker 1>or extremely minor crude language. So one example cited in

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<v Speaker 1>a New York Times article that we're about to talk about, uh,

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<v Speaker 1>the author mentions the joke, what has two butts and

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<v Speaker 1>kills people an assassin? Uh? Okay, Yeah, that that is

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<v Speaker 1>a little edgy for the for the young crowd. But yeah,

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<v Speaker 1>I mean not to me. That's very much in the

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<v Speaker 1>in what is understood to be the dad joke zone,

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<v Speaker 1>because it is a joke that simultaneously violates some kind

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<v Speaker 1>of taboo with the use of the word ass but

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<v Speaker 1>it is an extremely minor taboo. Yeah, I mean, for instance,

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<v Speaker 1>Bart Simpson would love that joke. Uh. So it's it

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<v Speaker 1>is it is aimed appropriately, and yeah, there there is

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<v Speaker 1>this tendency oftentimes for the jokes to take on this

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<v Speaker 1>this child's uh scatological zone. You know that. So it's

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<v Speaker 1>gonna involve butts and maybe it's gonna involve poop. There'll

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<v Speaker 1>be more of a tendency for poop jokes because this

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<v Speaker 1>is something that the young folks enjoy. We can we

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<v Speaker 1>can again think of it as kind of the rude

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<v Speaker 1>Bart Simpson territory of of of joke craft. Yeah, and

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<v Speaker 1>and lots of lots of Dad jokes are completely clean,

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<v Speaker 1>but they've got a special purchase on this place that

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<v Speaker 1>we might call the edgy side of tame. Yeah. Yeah, now, Um,

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<v Speaker 1>One of one other thing I want to touch on

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<v Speaker 1>here is that, Um, obviously the terminology we're using here

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<v Speaker 1>is is largely gendered, but I think I tend to

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<v Speaker 1>reject the idea that it's distinctly gendered phenomenon we were

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<v Speaker 1>talking about, Um, you know, it doesn't seem to be

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<v Speaker 1>especially tied to masculine ideas. And I'm willing to bet

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<v Speaker 1>anything that their appearance of all identities out there that

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<v Speaker 1>make what can be classified as dad jokes, oh of course. Yeah,

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<v Speaker 1>obviously this is something that transcends dad Dum. I do

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<v Speaker 1>think there must be some kind of observation of at

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<v Speaker 1>least a slight trend towards these kinds of jokes among

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<v Speaker 1>Dad's in particular, but yeah, all kinds of people tell

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<v Speaker 1>dad jokes. In fact, the first dad joke that came

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<v Speaker 1>to my mind, um, when when I was thinking about this,

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<v Speaker 1>when you said you wanted to do this topic was, uh,

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<v Speaker 1>it's it's not a legend in my in law's family.

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<v Speaker 1>But it wasn't a joke told by a dad, but

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<v Speaker 1>a joke told to a dad. And it was in

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<v Speaker 1>fact told to a dad by a daughter. It was

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<v Speaker 1>something Rachel said to her dad when they were posing

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<v Speaker 1>for a family photo and they were trying to get

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<v Speaker 1>everybody to smile, and she told the joke. You've probably

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<v Speaker 1>heard this one before, but I'll see where did George

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<v Speaker 1>Washington keep his armies? I don't know where George Washington

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<v Speaker 1>keep his armies in his sleevies like his And the

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<v Speaker 1>legend goes that that My father in law like just

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<v Speaker 1>laughed so hard at this that his head nearly exploded. Yeah.

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<v Speaker 1>I mean there's something about a pun like that, um,

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<v Speaker 1>which is hard. It's hard to classify what was that

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<v Speaker 1>a really good pun or a really bad one? Uh,

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<v Speaker 1>you know, because you kind of you can kind of

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<v Speaker 1>trip over it trying to figure out what the connection is,

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<v Speaker 1>Like you're trying to like you're visualizing it. Uh, you're

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<v Speaker 1>you're thinking about history, and it has nothing to do

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<v Speaker 1>with any of those. It's just you know that these

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<v Speaker 1>association between various words, It is just making a silly

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<v Speaker 1>sound at the end of a word. Yes, that's the connection.

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<v Speaker 1>So you kind of feel tricked by it. Uh, But

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<v Speaker 1>you have to admire the ingenuity of the trap as well, Like,

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<v Speaker 1>you know, it's I can laugh all day at this

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<v Speaker 1>bear trap of my legs stuck in it, So I

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<v Speaker 1>guess it's pretty good. So I would not be surprised

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<v Speaker 1>if research were defined. I do not think such research exists.

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<v Speaker 1>I would not be surprised to find that dads are

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<v Speaker 1>especially prone to telling dad jokes. But it is undeniable

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<v Speaker 1>that dad jokes transcend the dad category. Everybody tells dad jokes, Yeah,

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<v Speaker 1>I would agree. Yeah, parents, nonparents, people of all ages,

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<v Speaker 1>people of all genders. Um. But this seems to be

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<v Speaker 1>a way that we are as a culture classifying them today.

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<v Speaker 1>So I again, I was thinking about this over the weekend,

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<v Speaker 1>trying to figure out like what what it meant, And

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<v Speaker 1>my main observation has to do with identity, importance and

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<v Speaker 1>enthusiasm of the audience. So becoming a parent, in my

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<v Speaker 1>opinion is is pretty much the best worst thing you

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<v Speaker 1>can do. It's it's not for everyone and for many

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<v Speaker 1>great reasons, but I can say from experience that it

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<v Speaker 1>will at the very least totally change the shape of

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<v Speaker 1>whatever your life was prior to the arrival of tiny

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<v Speaker 1>humans or a tiny human in your life. Nothing will

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<v Speaker 1>be the same again, including your humor. And a lot

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<v Speaker 1>of this just have to have has to do with,

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<v Speaker 1>like very basic realities about there being a growing human

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<v Speaker 1>in your house. So the larval human develops, it grows,

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<v Speaker 1>it learns, it develops language and thinking skills, and so

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<v Speaker 1>of course it picks up on humor. It begins experimenting

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<v Speaker 1>with its own humor. It's uh, this is a process

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<v Speaker 1>that is at times delightful, at times arduous. Uh. But

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<v Speaker 1>there's a lot of laughter, and you help to cultivate it.

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<v Speaker 1>And by the way, speaking of when, the sort of

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<v Speaker 1>loose time frame from this, though it varies a bit,

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<v Speaker 1>is babies typically start laughing between two and four months. Now.

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<v Speaker 1>I was thinking about this because there are obviously several

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<v Speaker 1>different ways that having a child in the household will

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<v Speaker 1>change the household's humor profile because on one hand, babies

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<v Speaker 1>and young children are often humorous, like they can be

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<v Speaker 1>the thing that is funny. Then at a certain point,

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<v Speaker 1>you might say it like two to four months, they

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<v Speaker 1>start becoming the audience for humor. They think things are funny.

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<v Speaker 1>But then also they change essentially what people are thinking

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<v Speaker 1>about in the household, and most humor is based on

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<v Speaker 1>whatever is on your mind at the time, so they

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<v Speaker 1>will also become even if it's not like referring to

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<v Speaker 1>something they just did or reacting to something they just did,

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<v Speaker 1>baby and child humor will sort of occupy the mind

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<v Speaker 1>to become the subject of a lot of humor. Yeah, yeah,

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<v Speaker 1>there's there's there's a lot that ends up going on there,

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<v Speaker 1>you know. And you know it's like they say, you know,

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<v Speaker 1>little little pictures have big ears. They pick up on

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<v Speaker 1>so much and they end up, uh, you know, mimicking

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<v Speaker 1>and trying to understand the humor that you're using. For instance,

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<v Speaker 1>when you're you're talking to a non child. Um. So

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<v Speaker 1>it's it's really in half the time you're not even

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<v Speaker 1>really aware of what's going on, but you're kind of

0:12:08.000 --> 0:12:12.720
<v Speaker 1>all in this uh, this this complex learning process together. Um.

0:12:12.760 --> 0:12:15.560
<v Speaker 1>But yeah, it does. I feel like it does definitely

0:12:15.640 --> 0:12:19.960
<v Speaker 1>change the way you you calibrate your jokes because for me,

0:12:20.040 --> 0:12:23.120
<v Speaker 1>example an example, um, and I'd like to think that

0:12:23.160 --> 0:12:25.920
<v Speaker 1>I'm a reasonably funny person, and uh, I enjoy it

0:12:25.960 --> 0:12:28.520
<v Speaker 1>when I can genuinely make a person laugh, though, like

0:12:28.559 --> 0:12:31.120
<v Speaker 1>all of us, will also settle for some polite laughter

0:12:31.960 --> 0:12:35.360
<v Speaker 1>from someone else. I feel like I probably had a

0:12:35.360 --> 0:12:38.800
<v Speaker 1>pretty good success rate with my humor prior to my

0:12:38.840 --> 0:12:42.520
<v Speaker 1>son coming into my life, but with with him once

0:12:42.520 --> 0:12:45.040
<v Speaker 1>he reached the point where he was because obviously a three,

0:12:45.120 --> 0:12:48.000
<v Speaker 1>you know, super young child is not really going to

0:12:48.040 --> 0:12:50.000
<v Speaker 1>be able to understand jokes. You could go up to

0:12:50.000 --> 0:12:52.360
<v Speaker 1>a baby in a stroller on the street, you could

0:12:52.360 --> 0:12:54.920
<v Speaker 1>tell it a joke and maybe you'll get a laugh

0:12:54.920 --> 0:12:56.640
<v Speaker 1>out of him if you're making a goofy enough face.

0:12:56.840 --> 0:12:58.120
<v Speaker 1>But they're not really going to pick up on the

0:12:58.200 --> 0:13:00.640
<v Speaker 1>nuances of your punchline. Right If you want to make

0:13:00.720 --> 0:13:03.360
<v Speaker 1>that that like two to four month old baby laugh,

0:13:03.400 --> 0:13:07.040
<v Speaker 1>you're you're more in the prop comedy realm at that point. Yeah, yeah,

0:13:07.040 --> 0:13:09.880
<v Speaker 1>you're in the peak abooth stage. So I guess that's

0:13:09.880 --> 0:13:11.280
<v Speaker 1>another thing to get to keep in mind. It's like

0:13:11.280 --> 0:13:15.760
<v Speaker 1>the barrier to humor starts, uh, you know, in a

0:13:15.800 --> 0:13:17.760
<v Speaker 1>weird place, in a very low place. Then you work

0:13:17.840 --> 0:13:20.520
<v Speaker 1>up from there. But but I would say that from

0:13:20.559 --> 0:13:23.840
<v Speaker 1>the point on at which I could actually make my

0:13:23.840 --> 0:13:27.640
<v Speaker 1>my son laugh, I suddenly had just an insanely good

0:13:27.679 --> 0:13:31.680
<v Speaker 1>success rate with this audience of one. Um, generating laughter

0:13:31.760 --> 0:13:36.600
<v Speaker 1>with almost every joke was just guaranteyed. And the big

0:13:36.679 --> 0:13:40.520
<v Speaker 1>kicker was it was authentic laughter every time because he's

0:13:40.600 --> 0:13:44.400
<v Speaker 1>for the longest he simply wasn't capable of faking laughter

0:13:44.559 --> 0:13:46.360
<v Speaker 1>like it was. You knew that if he was laughing

0:13:46.360 --> 0:13:49.839
<v Speaker 1>at a joke, he genuinely found it funny or or

0:13:49.880 --> 0:13:53.120
<v Speaker 1>certainly that is that was the impression. Right. Very young

0:13:53.200 --> 0:13:57.839
<v Speaker 1>children are not They haven't learned politests yet, right. Um.

0:13:57.880 --> 0:13:59.480
<v Speaker 1>But one of the reasons I was reflecting on this

0:13:59.520 --> 0:14:02.000
<v Speaker 1>is because I've now reach the point where the boy

0:14:02.080 --> 0:14:05.520
<v Speaker 1>is perfectly capable of doing a sarcastic ha ha at

0:14:05.559 --> 0:14:08.960
<v Speaker 1>my lamber jokes. Um. But I would say that period

0:14:09.080 --> 0:14:12.320
<v Speaker 1>from five to seven years of age, even on up

0:14:12.320 --> 0:14:16.120
<v Speaker 1>into year eight here this was probably the most fruitful

0:14:16.160 --> 0:14:19.240
<v Speaker 1>comedic period of my life. And and here's the kicker,

0:14:19.280 --> 0:14:21.960
<v Speaker 1>I'll never have this rate of success again. I'll never

0:14:22.040 --> 0:14:26.200
<v Speaker 1>make another human being laugh this much and laugh this

0:14:26.360 --> 0:14:29.880
<v Speaker 1>consistently at my humor. Well, in a way, like having

0:14:29.920 --> 0:14:32.920
<v Speaker 1>spent that long trying to get laughs out of a

0:14:32.920 --> 0:14:35.720
<v Speaker 1>young child, you've sort of to some degree. I mean,

0:14:35.840 --> 0:14:38.080
<v Speaker 1>I'm not saying you can never change Robert, but a

0:14:38.120 --> 0:14:40.840
<v Speaker 1>person at this point has cemented a large part of

0:14:40.880 --> 0:14:44.880
<v Speaker 1>their adult brain in that mindset, right, right, And yeah,

0:14:44.920 --> 0:14:47.800
<v Speaker 1>and neurologically there are reasons you can't go back. But

0:14:47.880 --> 0:14:50.400
<v Speaker 1>also it's just like, if I've been going for that

0:14:50.480 --> 0:14:53.320
<v Speaker 1>low hanging fruit dad joke for so long and I've

0:14:53.320 --> 0:14:55.560
<v Speaker 1>had such a great success rate with it, why would

0:14:55.560 --> 0:14:57.040
<v Speaker 1>I ever give it up? You know, It's like if

0:14:57.080 --> 0:14:59.920
<v Speaker 1>you're a bear and you found an incredible food cat

0:15:00.320 --> 0:15:02.800
<v Speaker 1>in a prius once and now you're just gonna forever

0:15:02.920 --> 0:15:05.680
<v Speaker 1>target prius is. Even though most prius is that you

0:15:05.720 --> 0:15:08.040
<v Speaker 1>break into are not going to be filled with groceries,

0:15:08.320 --> 0:15:10.680
<v Speaker 1>you you still broke into a prius once that had

0:15:10.720 --> 0:15:13.280
<v Speaker 1>plenty of groceries, and you're never going to forget that.

0:15:13.920 --> 0:15:18.320
<v Speaker 1>So even when the sarcastic ha has come with more um,

0:15:18.800 --> 0:15:22.000
<v Speaker 1>you're gonna come more often. I'm probably still going to

0:15:22.080 --> 0:15:24.920
<v Speaker 1>make the same jokes. And this seems to be a

0:15:24.960 --> 0:15:27.080
<v Speaker 1>big part of what's going on with dad jokes. Like

0:15:27.440 --> 0:15:30.800
<v Speaker 1>you go through that that period of success, and then

0:15:31.200 --> 0:15:34.920
<v Speaker 1>you change, like you just got such positive rewards from

0:15:34.920 --> 0:15:38.560
<v Speaker 1>this style of humor, you don't evolve beyond it. Yeah.

0:15:38.640 --> 0:15:40.720
<v Speaker 1>The the young child is a kind of a skinner

0:15:40.760 --> 0:15:43.760
<v Speaker 1>box and you're the rat inside it, and it's repeatedly

0:15:43.840 --> 0:15:47.080
<v Speaker 1>rewarding you for years on end for for doing the

0:15:47.200 --> 0:15:50.000
<v Speaker 1>low hanging fruit joke, and then when that doesn't work

0:15:50.080 --> 0:15:52.560
<v Speaker 1>quite so well anymore, Like at that point, can you

0:15:52.560 --> 0:15:58.000
<v Speaker 1>really stop? I mean you are conditioned? Ye? So um.

0:15:58.040 --> 0:16:01.040
<v Speaker 1>Thinking about the sarcasm aspect of this, I I looked,

0:16:01.600 --> 0:16:04.040
<v Speaker 1>I looked into this a little bit, and uh. In

0:16:04.080 --> 0:16:06.680
<v Speaker 1>the literature that the idea seems to be that children

0:16:06.720 --> 0:16:11.400
<v Speaker 1>begin to develop the ability to comprehend ironic utterances around

0:16:11.400 --> 0:16:13.720
<v Speaker 1>five to six years of age. So it's a relatively

0:16:13.800 --> 0:16:17.440
<v Speaker 1>late developing skill. Though this this varies a fair amount

0:16:18.000 --> 0:16:20.720
<v Speaker 1>as far as individual kids go. And I was reading

0:16:21.040 --> 0:16:24.560
<v Speaker 1>this paper from this from n by Capellia at All

0:16:24.760 --> 0:16:28.280
<v Speaker 1>titled how Children understand Sarcasm, and this is pretty interesting.

0:16:28.320 --> 0:16:31.479
<v Speaker 1>They point out that for an adult to catch sarcasm,

0:16:31.720 --> 0:16:35.400
<v Speaker 1>they depend on two different cues. There's context, and then

0:16:35.440 --> 0:16:40.120
<v Speaker 1>there's the speakers uh intonation. So you know, I think

0:16:40.120 --> 0:16:42.920
<v Speaker 1>we can all imagine like the context situation where I

0:16:42.920 --> 0:16:46.800
<v Speaker 1>could say something that is meant to be picked up

0:16:46.840 --> 0:16:49.520
<v Speaker 1>as ironic, but I could do so in a very flat,

0:16:49.560 --> 0:16:53.520
<v Speaker 1>believable tone, you know. Um. And if you you were

0:16:53.560 --> 0:16:56.440
<v Speaker 1>able to compare what I'm saying with the situation and

0:16:56.440 --> 0:16:58.480
<v Speaker 1>and or you know me, you can you know what

0:16:58.520 --> 0:17:01.400
<v Speaker 1>I'm I'm getting at. Uh um. But the study found

0:17:01.400 --> 0:17:05.560
<v Speaker 1>that the children initially depend more heavily on intonation uh

0:17:05.560 --> 0:17:11.439
<v Speaker 1>than on context and recognizing sarcasm. So that sarcastic voice

0:17:11.800 --> 0:17:15.719
<v Speaker 1>that you use, uh, that's key for these younger children

0:17:16.280 --> 0:17:18.000
<v Speaker 1>to being able to pick up on it. And I

0:17:18.280 --> 0:17:20.000
<v Speaker 1>feel like I found this in my own life. If

0:17:20.000 --> 0:17:23.679
<v Speaker 1>I'm going too dry with my humor, uh, it'll often

0:17:23.800 --> 0:17:27.000
<v Speaker 1>like steamroll right past the boy. But if I'm making

0:17:27.000 --> 0:17:29.959
<v Speaker 1>the sarcastic voice, he's he he'll get it. And if

0:17:30.000 --> 0:17:33.280
<v Speaker 1>he's being sarcastic, oh boy, he will totally lean into

0:17:33.320 --> 0:17:35.520
<v Speaker 1>a sarcastic voice. And I feel like I've encountered that

0:17:35.560 --> 0:17:38.359
<v Speaker 1>with other kids as well, like they will really really

0:17:38.400 --> 0:17:41.000
<v Speaker 1>lay it on thick. Well, I think this ties into

0:17:41.040 --> 0:17:43.679
<v Speaker 1>the way that irony and sarcasms so often fail in

0:17:43.760 --> 0:17:47.320
<v Speaker 1>writing in written media. You know that, well, I don't know.

0:17:47.520 --> 0:17:49.600
<v Speaker 1>I guess it depends on what you call fail. But

0:17:49.680 --> 0:17:54.240
<v Speaker 1>like they sometimes people fail to detect irony and sarcasm

0:17:54.400 --> 0:17:57.159
<v Speaker 1>in written media. Uh. And this is one of the

0:17:57.240 --> 0:17:59.240
<v Speaker 1>reasons that I was actually just reading about this a

0:17:59.240 --> 0:18:01.240
<v Speaker 1>while ago, thinking that it might be worth doing an

0:18:01.280 --> 0:18:05.359
<v Speaker 1>episode on the idea of ironic punctuation. You know, in

0:18:05.359 --> 0:18:08.600
<v Speaker 1>in some writing conventions, there's a way of marking a

0:18:08.640 --> 0:18:11.880
<v Speaker 1>sentence to say, like, I don't really mean what I'm

0:18:11.920 --> 0:18:14.840
<v Speaker 1>saying in this sentence, I'm saying it for humorous effect,

0:18:15.160 --> 0:18:17.520
<v Speaker 1>with like a special you know, a special like upside

0:18:17.520 --> 0:18:20.200
<v Speaker 1>down exclamation point or something like that at the beginning

0:18:20.200 --> 0:18:22.800
<v Speaker 1>of the sentence. And it's weird because I was thinking

0:18:22.840 --> 0:18:24.560
<v Speaker 1>about that, and I was thinking, well, on one hand,

0:18:24.600 --> 0:18:28.320
<v Speaker 1>that would help clear up a lot of confusion, because

0:18:28.359 --> 0:18:30.879
<v Speaker 1>it just seems inevitable, especially if you're writing for an

0:18:30.920 --> 0:18:34.320
<v Speaker 1>audience of multiple people, that you will at some point

0:18:34.480 --> 0:18:37.840
<v Speaker 1>make a joke saying something that's the opposite of what

0:18:37.920 --> 0:18:41.000
<v Speaker 1>you really think in writing, and people while they might

0:18:41.080 --> 0:18:43.200
<v Speaker 1>get it if you said it out loud, will will

0:18:43.240 --> 0:18:45.960
<v Speaker 1>not understand you in writing, and they'll be like, how

0:18:46.000 --> 0:18:48.240
<v Speaker 1>could you say that? I don't understand you know why?

0:18:48.840 --> 0:18:51.800
<v Speaker 1>And so irony punctuation would help clear that up. But

0:18:51.840 --> 0:18:54.879
<v Speaker 1>I think it would also make those statements less funny,

0:18:55.000 --> 0:18:57.199
<v Speaker 1>Like if you mark them as a joke at the

0:18:57.240 --> 0:18:59.840
<v Speaker 1>beginning of the sentence, then is that is it actually

0:19:00.000 --> 0:19:02.600
<v Speaker 1>earth making the joke? Like will most of the audience

0:19:02.600 --> 0:19:05.639
<v Speaker 1>would normally laugh at it actually find it funny? I'm

0:19:05.680 --> 0:19:07.960
<v Speaker 1>not sure. Yeah, it's kind of like announcing I shall

0:19:08.000 --> 0:19:12.040
<v Speaker 1>now make a pun before proceeding. Um. But then again,

0:19:12.080 --> 0:19:15.239
<v Speaker 1>I mean some languages use this, so it you know,

0:19:15.320 --> 0:19:17.600
<v Speaker 1>if it is used, it must work to some extent.

0:19:17.720 --> 0:19:21.000
<v Speaker 1>I can't judge it too much. Well, writers, remember what

0:19:21.040 --> 0:19:23.399
<v Speaker 1>you're supposed to do. If you have a character in

0:19:23.440 --> 0:19:27.320
<v Speaker 1>the third person and they're being sarcastic, you're supposed to say, um,

0:19:27.400 --> 0:19:31.040
<v Speaker 1>he said sarcastically, and then the reader will know that

0:19:31.160 --> 0:19:36.920
<v Speaker 1>this character is being sarcastic or she said ironically. That's

0:19:36.920 --> 0:19:42.040
<v Speaker 1>just good writing and being sarcastic. Um, let's say um.

0:19:42.119 --> 0:19:44.640
<v Speaker 1>Well brings me back to this paper you mentioned from.

0:19:45.680 --> 0:19:47.680
<v Speaker 1>Was that the year I think it was. If this

0:19:47.760 --> 0:19:50.160
<v Speaker 1>is correct, that there are two major cues that people

0:19:50.280 --> 0:19:53.600
<v Speaker 1>used to detect irony or sarcasm in a statement. One

0:19:53.680 --> 0:19:56.800
<v Speaker 1>is context and the other is intonation. If you're in

0:19:56.840 --> 0:20:00.119
<v Speaker 1>a written context, you can't use intonation unless you have

0:20:00.240 --> 0:20:02.680
<v Speaker 1>some kind of special punctuation or something like that to

0:20:03.080 --> 0:20:05.719
<v Speaker 1>give a you know, a visual version of intonation. So

0:20:05.760 --> 0:20:08.720
<v Speaker 1>you're down to only context. Basically you're losing half of

0:20:08.760 --> 0:20:11.640
<v Speaker 1>your tool kit for detection. Yeah. And then of course

0:20:11.640 --> 0:20:16.840
<v Speaker 1>in the written form, context can vanish as well. Uh so, Uh,

0:20:16.880 --> 0:20:19.479
<v Speaker 1>I can see where one might lean on having some

0:20:19.520 --> 0:20:23.040
<v Speaker 1>sort of strange punctuation choice that would like forever branded

0:20:23.400 --> 0:20:27.960
<v Speaker 1>as ironic, course sarcastic. Yeah, it might be a good idea. Yeah, whoever,

0:20:28.000 --> 0:20:31.800
<v Speaker 1>whoever is in charge of English, you know, get on that. Yes,

0:20:31.920 --> 0:20:40.840
<v Speaker 1>present this to the Board of of English. So, like

0:20:40.880 --> 0:20:42.920
<v Speaker 1>I said, I was thinking about this, and then I

0:20:42.920 --> 0:20:45.040
<v Speaker 1>I looked around to see who else had written about it,

0:20:45.080 --> 0:20:48.199
<v Speaker 1>and I found an excellent article from just back in

0:20:48.240 --> 0:20:51.560
<v Speaker 1>twenty nineteen in the New York Times titled A Dad

0:20:51.600 --> 0:20:56.359
<v Speaker 1>Defends Dad Jokes by author and critic Jason Zinoman. And

0:20:57.240 --> 0:20:59.160
<v Speaker 1>this seems like a decent person to lean on because

0:20:59.160 --> 0:21:01.600
<v Speaker 1>I looked, I looked them up there about my age. Uh.

0:21:01.640 --> 0:21:04.320
<v Speaker 1>They've written a book on horror films called shock Value.

0:21:04.400 --> 0:21:06.720
<v Speaker 1>So I figured, you know, this might be my people,

0:21:07.119 --> 0:21:10.080
<v Speaker 1>and uh and yeah, Ultimately I found that a lot

0:21:10.119 --> 0:21:11.560
<v Speaker 1>of what he broke down was kind of like what

0:21:11.640 --> 0:21:13.840
<v Speaker 1>I was I was thinking about, you know, with some

0:21:13.880 --> 0:21:17.680
<v Speaker 1>additional layers as well. So I want to just roll

0:21:17.720 --> 0:21:21.000
<v Speaker 1>through some of of his key observations from this article.

0:21:21.400 --> 0:21:25.680
<v Speaker 1>So he observed that quote procreating turns men into miserable comics. Uh.

0:21:26.040 --> 0:21:28.960
<v Speaker 1>I think he's you know, he's he's joking a bit there. Um,

0:21:29.119 --> 0:21:31.200
<v Speaker 1>though I think we also have to stress that a

0:21:31.240 --> 0:21:34.520
<v Speaker 1>lot of parents were probably not particularly funny to begin with. Uh.

0:21:34.800 --> 0:21:38.080
<v Speaker 1>So it's it's not necessarily a situation where something great

0:21:38.200 --> 0:21:42.600
<v Speaker 1>is lost. Um. He points to a dad joke. Only

0:21:42.680 --> 0:21:44.480
<v Speaker 1>because this is this is interesting because I didn't really

0:21:44.480 --> 0:21:46.199
<v Speaker 1>have a good idea of what the time frame was.

0:21:46.280 --> 0:21:48.159
<v Speaker 1>I figured I didn't hear about it when I was

0:21:48.160 --> 0:21:51.880
<v Speaker 1>growing up, but I didn't know exactly how old it was, uh,

0:21:51.880 --> 0:21:54.359
<v Speaker 1>he said. He points out that this term only really

0:21:54.359 --> 0:21:58.000
<v Speaker 1>comes into usage over the past decade and then becomes

0:21:58.080 --> 0:22:01.720
<v Speaker 1>ubiquitous online in very re some years. He writes, quote,

0:22:01.720 --> 0:22:04.359
<v Speaker 1>I'm a comedy critic, So being a dad can seem

0:22:04.400 --> 0:22:08.000
<v Speaker 1>like an occupational hazard. It may be professional suicide to admit,

0:22:08.080 --> 0:22:10.920
<v Speaker 1>but since having children, I often find myself making lame

0:22:11.080 --> 0:22:13.960
<v Speaker 1>puns as well as poop jokes. So this is where

0:22:14.000 --> 0:22:17.240
<v Speaker 1>he brings up the poop jokes, And um, I was

0:22:17.240 --> 0:22:19.879
<v Speaker 1>thinking about myself. I probably make more poop jokes now

0:22:20.000 --> 0:22:22.840
<v Speaker 1>than previously because again this is the material that really

0:22:22.920 --> 0:22:26.320
<v Speaker 1>zings with kids. Now, what show me the anatomy of

0:22:26.359 --> 0:22:29.880
<v Speaker 1>a poop joke is? Is it just uh invoking the

0:22:29.960 --> 0:22:33.000
<v Speaker 1>concept of poop? But does it need to be poop

0:22:33.040 --> 0:22:36.840
<v Speaker 1>are referred to like out of its regular context? What

0:22:37.040 --> 0:22:40.640
<v Speaker 1>makes a good crackling poop joke? Well, most poop jokes

0:22:40.640 --> 0:22:43.360
<v Speaker 1>are not good. I find that it has to be

0:22:43.560 --> 0:22:46.680
<v Speaker 1>this perfect crossover like a poop joke, that you are

0:22:46.720 --> 0:22:49.720
<v Speaker 1>not too ashamed of yourself and that the child will

0:22:49.800 --> 0:22:52.600
<v Speaker 1>laugh out. The child will laugh at anything up to

0:22:52.680 --> 0:22:54.960
<v Speaker 1>a certain point just because it has the word poop

0:22:54.960 --> 0:22:59.119
<v Speaker 1>in it, like poop is inherently funny. Um, probably in general,

0:22:59.160 --> 0:23:03.280
<v Speaker 1>but especially to the children. So for from my point,

0:23:03.280 --> 0:23:05.480
<v Speaker 1>it's like it can it isn't. It isn't an elequent

0:23:05.640 --> 0:23:09.080
<v Speaker 1>enough poop joke that you feel okay telling it and

0:23:09.160 --> 0:23:11.080
<v Speaker 1>being the teller of this joke. You know, I was

0:23:11.119 --> 0:23:13.520
<v Speaker 1>asking because I was just thinking about a rather poopy

0:23:13.680 --> 0:23:16.520
<v Speaker 1>concept to perhaps cover on the show in the near future.

0:23:16.600 --> 0:23:19.679
<v Speaker 1>And it was it was the discovery of an ancient

0:23:19.800 --> 0:23:23.479
<v Speaker 1>manuscript of a commentary on Homer that had clearly been

0:23:23.600 --> 0:23:26.080
<v Speaker 1>used as toilet paper in the ancient world. And it

0:23:26.160 --> 0:23:29.800
<v Speaker 1>was found that an ancient garbage dump in Egypt, but

0:23:29.880 --> 0:23:33.359
<v Speaker 1>it had poop on it, And I don't know, yeah,

0:23:33.160 --> 0:23:35.200
<v Speaker 1>I mean maybe, So we did the episode on the

0:23:35.200 --> 0:23:39.000
<v Speaker 1>far dnomicon, so I don't think anything it's sacred anymore. Um,

0:23:39.000 --> 0:23:41.200
<v Speaker 1>but maybe see that's not a joke, that's just like, well,

0:23:41.240 --> 0:23:43.480
<v Speaker 1>here's an ancient document that was pooped on. So I

0:23:43.520 --> 0:23:45.480
<v Speaker 1>don't know if that would fly with kids, or maybe

0:23:45.480 --> 0:23:47.600
<v Speaker 1>it would. Would you say, here's a here's an ancient

0:23:47.640 --> 0:23:49.720
<v Speaker 1>document and somebody wiped their butt with it. Would that

0:23:49.760 --> 0:23:53.600
<v Speaker 1>be funny enough? I mean at a certain age probably yeah.

0:23:53.640 --> 0:23:55.399
<v Speaker 1>But then again, are the kids going to pick up

0:23:55.440 --> 0:23:57.399
<v Speaker 1>on the weight of if you're talking about like the

0:23:57.440 --> 0:24:02.800
<v Speaker 1>works of Homer and stuff? So uh yeah, I'm not sure. Uh,

0:24:02.880 --> 0:24:06.399
<v Speaker 1>that's a whole probably a whole domain of humor theory

0:24:06.600 --> 0:24:09.800
<v Speaker 1>just regarding poop jokes. Now, I did think that the

0:24:09.840 --> 0:24:11.600
<v Speaker 1>author here has in him and really nailed it with

0:24:11.640 --> 0:24:15.040
<v Speaker 1>this line. He says, quote, like so many lazy comics,

0:24:15.560 --> 0:24:18.480
<v Speaker 1>we parents pander. If jokes work, then they stay set.

0:24:18.920 --> 0:24:21.800
<v Speaker 1>Gradually we become hooked on cheap laughs some of us,

0:24:21.920 --> 0:24:24.280
<v Speaker 1>some of us even delude ourselves into thinking we are

0:24:24.320 --> 0:24:27.679
<v Speaker 1>actually funny. And he points out that once this setting

0:24:27.760 --> 0:24:31.800
<v Speaker 1>is obtained, it does not evolve, but the children, of course,

0:24:31.880 --> 0:24:35.040
<v Speaker 1>do evolve. And uh, yeah, this totally rings true with

0:24:35.040 --> 0:24:38.560
<v Speaker 1>what I'm beginning to experience now, like uh, and it

0:24:38.600 --> 0:24:40.760
<v Speaker 1>goes beyond joke telling because I think of all the

0:24:40.840 --> 0:24:44.399
<v Speaker 1>various references that my wife and I make in you know,

0:24:44.440 --> 0:24:47.960
<v Speaker 1>regarding things that my son once said or once observed

0:24:48.320 --> 0:24:52.000
<v Speaker 1>or once did. Um, And they're almost all things that

0:24:52.080 --> 0:24:54.719
<v Speaker 1>he does not say anymore, or does not do anymore,

0:24:54.760 --> 0:24:57.359
<v Speaker 1>in many cases, does not remember, so he can't even

0:24:57.480 --> 0:25:00.320
<v Speaker 1>pick up on the reference, you know, except has heard

0:25:00.400 --> 0:25:02.600
<v Speaker 1>us talk about it. But they were like they were

0:25:02.640 --> 0:25:05.679
<v Speaker 1>so near and dear to our hearts. Um. And sometimes

0:25:05.720 --> 0:25:09.640
<v Speaker 1>they sum up an idea really well, at least for us. Uh.

0:25:09.680 --> 0:25:12.359
<v Speaker 1>And I imagine I'm gonna probably keep making these references

0:25:12.440 --> 0:25:15.080
<v Speaker 1>for the rest of my life. Like, uh, for example,

0:25:15.160 --> 0:25:17.880
<v Speaker 1>he used to say things like so is me instead

0:25:17.920 --> 0:25:20.680
<v Speaker 1>of so am I? You know which is? It's kids.

0:25:20.680 --> 0:25:22.320
<v Speaker 1>There's a lot of stuff with kids like that, Right,

0:25:22.359 --> 0:25:25.560
<v Speaker 1>they say something wrong and it's adorable, it's funny. It's

0:25:25.720 --> 0:25:29.480
<v Speaker 1>at least as long as you're connected to them. Um or.

0:25:29.840 --> 0:25:33.280
<v Speaker 1>Another example was he used to talk about, uh, if

0:25:33.280 --> 0:25:35.240
<v Speaker 1>he was describing the temperature, he might say it was

0:25:35.280 --> 0:25:37.960
<v Speaker 1>super a little bit hot, or if it was dark

0:25:38.000 --> 0:25:40.840
<v Speaker 1>outside of super a little bit dark. Or he would

0:25:40.880 --> 0:25:44.280
<v Speaker 1>overuse and misuse the word crazed. And so these are

0:25:44.320 --> 0:25:46.120
<v Speaker 1>just a few examples of things that I can't let

0:25:46.160 --> 0:25:48.760
<v Speaker 1>go and I'm probably gonna keep referencing them, even though

0:25:48.800 --> 0:25:51.320
<v Speaker 1>they have no connection even to who he is right now,

0:25:51.400 --> 0:25:53.760
<v Speaker 1>much less who he will become. Oh, I love super

0:25:53.800 --> 0:25:56.399
<v Speaker 1>a little bit hot. That's like, uh, when when a

0:25:56.520 --> 0:25:59.800
<v Speaker 1>kid at any point saying they're hungry, they're saying I'm

0:25:59.800 --> 0:26:02.439
<v Speaker 1>a little bit starving. Yeah, yeah, that's sort of thing

0:26:02.520 --> 0:26:04.240
<v Speaker 1>like that's that's the very sort of thing that a

0:26:04.359 --> 0:26:07.720
<v Speaker 1>kid would say, and and you end up lashing onto it.

0:26:07.960 --> 0:26:12.320
<v Speaker 1>Um So uh, yeah, I feel like Zenoman totally totally

0:26:12.359 --> 0:26:15.480
<v Speaker 1>gets it right there, But it sounds like Zenoman is saying,

0:26:15.480 --> 0:26:18.240
<v Speaker 1>and to some extent, you're also saying, the issue is that,

0:26:18.359 --> 0:26:21.840
<v Speaker 1>like the child gets older in their sense of humor evolves,

0:26:21.960 --> 0:26:25.200
<v Speaker 1>but the parent is inherently kind of stuck in this

0:26:25.280 --> 0:26:28.600
<v Speaker 1>older mode of what has worked before. And and this

0:26:29.000 --> 0:26:31.520
<v Speaker 1>mirrors other things that happened of course in like parent

0:26:31.600 --> 0:26:33.800
<v Speaker 1>child relationships. Like you know, I know a lot of

0:26:33.800 --> 0:26:37.160
<v Speaker 1>tension as kids get into like adolescent and teenage years,

0:26:37.240 --> 0:26:41.719
<v Speaker 1>is like parents exercising a level of sort of management

0:26:41.800 --> 0:26:44.680
<v Speaker 1>and protectiveness that would have been more appropriate to a

0:26:44.800 --> 0:26:47.240
<v Speaker 1>child at a younger age, or so the teenager thinks.

0:26:47.800 --> 0:26:50.199
<v Speaker 1>And you know, a teenager that thinks like that, you know,

0:26:50.520 --> 0:26:52.879
<v Speaker 1>you are still treating me as if I'm younger and

0:26:52.920 --> 0:26:56.120
<v Speaker 1>I don't and I rebel against that. Yeah, yeah, yeah,

0:26:56.200 --> 0:27:00.200
<v Speaker 1>I think absolutely. Um there's also and there's him and

0:27:00.240 --> 0:27:02.600
<v Speaker 1>gets into this a bit too. There's you know that

0:27:02.720 --> 0:27:07.240
<v Speaker 1>they're there's certainly uh he discusses the mockery, the mockery thing, um,

0:27:07.280 --> 0:27:11.440
<v Speaker 1>the idea that that we that dad's then continue to

0:27:11.520 --> 0:27:14.920
<v Speaker 1>use dad jokes as a way to kind of, um, uh,

0:27:14.920 --> 0:27:16.879
<v Speaker 1>you know, get a rise out of the child, and

0:27:16.920 --> 0:27:19.520
<v Speaker 1>then the child kind of mocks them for using that humor.

0:27:20.160 --> 0:27:24.439
<v Speaker 1>But he also gets into this idea that um, that

0:27:24.560 --> 0:27:26.800
<v Speaker 1>it's a lot of it's tied up with with nostalgia.

0:27:27.119 --> 0:27:29.119
<v Speaker 1>So first of all, there's of course the nostalgia for

0:27:29.359 --> 0:27:32.080
<v Speaker 1>when your child was younger and they laughed at everything

0:27:32.119 --> 0:27:35.000
<v Speaker 1>you said. Uh, and you're the funniest person on earth.

0:27:35.280 --> 0:27:39.879
<v Speaker 1>But also, um, he says that that basically dad jokes

0:27:39.960 --> 0:27:44.000
<v Speaker 1>give us permission to joke like children again. Uh, you know,

0:27:44.080 --> 0:27:46.400
<v Speaker 1>just to give us permission to make these kind of

0:27:46.960 --> 0:27:50.320
<v Speaker 1>you know, lame short, you know, not too not too

0:27:50.359 --> 0:27:54.840
<v Speaker 1>deep jokes that are that are you know, usually pretty tame. Um.

0:27:54.880 --> 0:27:56.639
<v Speaker 1>And it's I feel like it's part of that larger

0:27:56.680 --> 0:27:59.600
<v Speaker 1>trend in the way that parenthood gives one permission to

0:27:59.680 --> 0:28:02.520
<v Speaker 1>a point to think and dream like a child again,

0:28:02.600 --> 0:28:05.000
<v Speaker 1>because you dream with them, you introduced them to the

0:28:05.040 --> 0:28:08.520
<v Speaker 1>stuff that filled your childhood engage, and you yourself get

0:28:08.560 --> 0:28:11.320
<v Speaker 1>to engage with all of it again. Um. Like I

0:28:11.359 --> 0:28:13.760
<v Speaker 1>mean example for that with with that for me would

0:28:13.760 --> 0:28:16.159
<v Speaker 1>be like Star Wars. I introduced my son to Star Wars.

0:28:16.359 --> 0:28:18.560
<v Speaker 1>He got super into it, and I would say I

0:28:18.640 --> 0:28:21.400
<v Speaker 1>probably got more into it than I had ever been

0:28:21.440 --> 0:28:23.360
<v Speaker 1>in my life, like even more than I was when

0:28:23.359 --> 0:28:26.920
<v Speaker 1>I was a kid, because I am experiencing it through him.

0:28:26.960 --> 0:28:30.119
<v Speaker 1>Now I witnessed this just through you. Like you you

0:28:30.160 --> 0:28:34.280
<v Speaker 1>went through a Star Wars renaissance in the past four years. Yeah, yeah,

0:28:34.359 --> 0:28:36.840
<v Speaker 1>and um and it's I don't think it would have

0:28:36.840 --> 0:28:38.720
<v Speaker 1>taken place without him. I mean maybe it would have.

0:28:38.800 --> 0:28:41.960
<v Speaker 1>You know, people still go on these various nostalgia cycles

0:28:42.000 --> 0:28:44.720
<v Speaker 1>and um, and I certainly do that with things that

0:28:44.800 --> 0:28:49.600
<v Speaker 1>have no connection to my son. Um. But uh, but

0:28:49.600 --> 0:28:52.360
<v Speaker 1>but but I I can definitely see how how parenthood

0:28:52.400 --> 0:28:55.160
<v Speaker 1>plays into it. So so yeah, nostalgia seems to be

0:28:55.200 --> 0:28:58.560
<v Speaker 1>a big point. And then he also points out the puns.

0:28:58.960 --> 0:29:01.720
<v Speaker 1>One thing about puns is that puns are in and

0:29:01.760 --> 0:29:05.520
<v Speaker 1>of themselves pretty great. You don't have to be a

0:29:05.600 --> 0:29:08.040
<v Speaker 1>parent or a dad or what have you to really

0:29:08.120 --> 0:29:12.440
<v Speaker 1>enjoy puns. Uh. Shakespeare made use of puns, and I

0:29:12.520 --> 0:29:16.000
<v Speaker 1>can think of plenty of of of adults, parents and

0:29:16.040 --> 0:29:18.720
<v Speaker 1>non appearance alike who go crazy for a good pun.

0:29:19.000 --> 0:29:21.880
<v Speaker 1>I feel like the adult pun market, though, tends to

0:29:21.920 --> 0:29:27.040
<v Speaker 1>skew more towards uh rewarding puns that violates some taboo

0:29:27.120 --> 0:29:30.480
<v Speaker 1>beyond just the standard understood definition or use of a word,

0:29:30.880 --> 0:29:33.400
<v Speaker 1>like a lot of adult puns are also sort of

0:29:33.520 --> 0:29:37.040
<v Speaker 1>vulgar or edgy in some way. Yeah, and certainly true

0:29:37.040 --> 0:29:39.880
<v Speaker 1>of a lot of Shakespeare puns. Yeah, yeah, in a

0:29:39.920 --> 0:29:41.520
<v Speaker 1>way though. I think that's one of the things that

0:29:41.560 --> 0:29:44.880
<v Speaker 1>makes things like um, where did Washington keep his h

0:29:45.360 --> 0:29:48.200
<v Speaker 1>his his armies? Like? One of the reasons that works

0:29:48.240 --> 0:29:50.800
<v Speaker 1>so well and it sticks with me so well, is

0:29:50.840 --> 0:29:55.680
<v Speaker 1>because most uh comedy aimed at adults by adults, Uh,

0:29:55.840 --> 0:29:57.640
<v Speaker 1>isn't it. You know it's gonna go for those those

0:29:57.680 --> 0:30:01.160
<v Speaker 1>cheaper laughs and those edgy or laughs, and your your

0:30:01.160 --> 0:30:03.400
<v Speaker 1>defenses are down for these sort of weapons. It's kind

0:30:03.440 --> 0:30:05.800
<v Speaker 1>of like in um in Frank Herbert's done, where they

0:30:05.800 --> 0:30:09.200
<v Speaker 1>have the self protective shields and you can't fire a

0:30:09.240 --> 0:30:11.880
<v Speaker 1>bullet through it, and you can't like quickly stabbed through it.

0:30:11.920 --> 0:30:14.280
<v Speaker 1>You have to go slow. It's like that's kind of

0:30:14.320 --> 0:30:17.440
<v Speaker 1>how the the tame humor can be. It's like, I

0:30:17.480 --> 0:30:20.480
<v Speaker 1>had my defenses were not designed for a blade this slow,

0:30:20.600 --> 0:30:22.480
<v Speaker 1>and now you have stabbed me in the heart. The

0:30:22.600 --> 0:30:25.760
<v Speaker 1>dad joke is in a way the weirding module. Yeah,

0:30:26.000 --> 0:30:28.480
<v Speaker 1>it trains you on the slow knife combat of of

0:30:28.560 --> 0:30:33.840
<v Speaker 1>pun humor. Yeah. Um. Now, another thing that the Zenoman

0:30:33.840 --> 0:30:35.600
<v Speaker 1>got into that I thought was interesting was touching on

0:30:35.640 --> 0:30:37.680
<v Speaker 1>when you get into this area where a dad or

0:30:37.840 --> 0:30:40.280
<v Speaker 1>you know, a parent is making this dad joke, this

0:30:40.280 --> 0:30:43.320
<v Speaker 1>this kind of lame joke that then it lects size

0:30:43.360 --> 0:30:47.320
<v Speaker 1>and groans from everyone in the room. You're also getting

0:30:47.360 --> 0:30:52.160
<v Speaker 1>into the area of of cringe comedy here, um, which

0:30:52.240 --> 0:30:53.680
<v Speaker 1>which I think is is a good point. Like we

0:30:53.680 --> 0:30:58.600
<v Speaker 1>don't necessarily think of, say The Office as being dad

0:30:58.680 --> 0:31:01.040
<v Speaker 1>jokes and dad humor, but there was a lot of

0:31:01.080 --> 0:31:03.840
<v Speaker 1>that there. I mean, the character of Michael Scott, for example,

0:31:03.960 --> 0:31:06.480
<v Speaker 1>engage in a lot of this making like really bad

0:31:07.000 --> 0:31:11.200
<v Speaker 1>uh jokes, really lame attempts at humor and u and

0:31:11.280 --> 0:31:13.440
<v Speaker 1>it was hilarious. We loved it. Well, yeah, that kind

0:31:13.440 --> 0:31:16.440
<v Speaker 1>of cringe comedy, like the comedy that's based in witnessing

0:31:16.520 --> 0:31:21.880
<v Speaker 1>something somebody do something incredibly embarrassing and like just fail

0:31:22.160 --> 0:31:25.040
<v Speaker 1>in front of an audience. It's a weird kind of

0:31:25.520 --> 0:31:28.960
<v Speaker 1>mixture of humor and it's something that feels like it's

0:31:28.960 --> 0:31:32.480
<v Speaker 1>simultaneously relatively wholesome and doesn't have to get into you know,

0:31:32.680 --> 0:31:36.600
<v Speaker 1>like like raunchy content, but at the same time feels

0:31:36.640 --> 0:31:41.200
<v Speaker 1>absolutely as dangerous as like the most raunchy blue comedy,

0:31:41.960 --> 0:31:45.880
<v Speaker 1>just because it's so like painful, it's like emotionally visceral

0:31:46.280 --> 0:31:52.240
<v Speaker 1>to watch embarrassment based humor. Yeah yeah, um. Now, speaking

0:31:52.240 --> 0:31:56.400
<v Speaker 1>of stand up when when Nyman got into this idea

0:31:56.440 --> 0:31:59.080
<v Speaker 1>as well, that you know that the dad joke is

0:31:59.120 --> 0:32:02.080
<v Speaker 1>generally not only haim, it's also very lean. You know,

0:32:02.200 --> 0:32:04.440
<v Speaker 1>it's it's it doesn't take much time to tell, it's

0:32:04.440 --> 0:32:08.520
<v Speaker 1>not complicated. This reminded me a lot of the stand

0:32:08.600 --> 0:32:11.320
<v Speaker 1>up comedy of the late Mitch Hedberg, but also some

0:32:11.400 --> 0:32:12.840
<v Speaker 1>of the I guess a lot of the comedy of

0:32:12.840 --> 0:32:16.160
<v Speaker 1>Stephen Wright. Uh not to say that those uh, those

0:32:16.200 --> 0:32:20.680
<v Speaker 1>two engaged in and really straightforward dad jokes, but a

0:32:20.680 --> 0:32:23.360
<v Speaker 1>lot of it was very short. Um, a lot of

0:32:23.400 --> 0:32:28.160
<v Speaker 1>it was ultimately very clean, uh, very silly, you know,

0:32:28.320 --> 0:32:30.640
<v Speaker 1>in a in their their own way, I mean, right

0:32:30.760 --> 0:32:35.040
<v Speaker 1>is was certainly very dry. Uh. But whereas like like Hedberg,

0:32:35.080 --> 0:32:37.240
<v Speaker 1>I feel like he he was an interesting case because

0:32:37.400 --> 0:32:38.720
<v Speaker 1>he kind of got away with it because they have

0:32:38.800 --> 0:32:42.840
<v Speaker 1>this cool, stoner persona, but he's essentially in many cases

0:32:42.880 --> 0:32:45.080
<v Speaker 1>just doing like kind of dad jokes. And I guess,

0:32:45.200 --> 0:32:47.160
<v Speaker 1>you know, sometimes it's a little lunear than that. And

0:32:47.320 --> 0:32:50.880
<v Speaker 1>Stephen Wright has this very extremely dry delivery and it's

0:32:50.920 --> 0:32:53.400
<v Speaker 1>based uh uh you know, and it's it's sort of

0:32:53.400 --> 0:32:57.560
<v Speaker 1>a weirdness. Um. But you could look at this dad

0:32:57.640 --> 0:32:59.560
<v Speaker 1>jokes as being just kind of like the latest, most

0:32:59.560 --> 0:33:03.160
<v Speaker 1>popular or way to categorize a kind of style of

0:33:03.240 --> 0:33:07.440
<v Speaker 1>joke telling that maybe isn't, um, you know, the main

0:33:07.520 --> 0:33:11.040
<v Speaker 1>fashion right now, but hasn't been more fashionable in the

0:33:11.120 --> 0:33:15.040
<v Speaker 1>in the past, and is still utilized well by certain

0:33:15.080 --> 0:33:19.440
<v Speaker 1>practitioners of comedy. Yeah, the self contained one liner seems

0:33:19.520 --> 0:33:22.600
<v Speaker 1>important here, though I wonder if some I mean, I

0:33:22.640 --> 0:33:24.600
<v Speaker 1>don't know, maybe I have the wrong sense about this.

0:33:25.000 --> 0:33:27.800
<v Speaker 1>Uh So, a lot of like Mitch Hedberg type jokes,

0:33:27.880 --> 0:33:29.880
<v Speaker 1>a lot of them seem to hinge on a kind

0:33:29.960 --> 0:33:33.320
<v Speaker 1>of absurdity, which I don't know how well it translates

0:33:33.360 --> 0:33:35.400
<v Speaker 1>to kids or not. I think about his joke where

0:33:35.440 --> 0:33:38.760
<v Speaker 1>he says, um, rice is a great food if you

0:33:38.800 --> 0:33:42.760
<v Speaker 1>ever want to eat a thousand of something. I find

0:33:42.800 --> 0:33:46.160
<v Speaker 1>that funny. Is that funny to kids? Maybe? Um, I mean,

0:33:46.200 --> 0:33:48.640
<v Speaker 1>I don't know about that particular joke, but maybe like

0:33:48.760 --> 0:33:51.680
<v Speaker 1>kids have, kids are great at absurdity, Like kids are

0:33:51.680 --> 0:33:54.720
<v Speaker 1>a font of absurdity. Um. I mean, that's one of

0:33:54.720 --> 0:33:57.000
<v Speaker 1>the reasons they can be they can be so amusing

0:33:57.040 --> 0:34:01.160
<v Speaker 1>to be around. Um. So, so it was very possible.

0:34:01.280 --> 0:34:03.480
<v Speaker 1>I mean that one's I mean, I'm not even sure

0:34:03.480 --> 0:34:05.200
<v Speaker 1>if I could put my finger on what it is

0:34:05.280 --> 0:34:09.920
<v Speaker 1>that's funny about that one. I guess it's just imagining

0:34:10.000 --> 0:34:13.280
<v Speaker 1>the possibility of eating a thousand hamburgers or a thousand

0:34:13.280 --> 0:34:16.680
<v Speaker 1>of anything else. Yeah, yeah, I agree, it's just it's

0:34:16.760 --> 0:34:20.439
<v Speaker 1>it's absurd. Um it turns something every day on its

0:34:20.440 --> 0:34:23.799
<v Speaker 1>head and makes you and like makes it weird. Uh.

0:34:23.840 --> 0:34:26.479
<v Speaker 1>So that's I feel like I will have to try

0:34:26.520 --> 0:34:29.480
<v Speaker 1>this one on my son later and report back. I'm

0:34:29.480 --> 0:34:31.560
<v Speaker 1>not gonna let him watch a whole set of Mitch Hedberg,

0:34:31.640 --> 0:34:33.520
<v Speaker 1>but maybe I'll bust out a few Mitch Hedburg and

0:34:33.560 --> 0:34:36.520
<v Speaker 1>a little Steven Right and see see how he reacts,

0:34:36.719 --> 0:34:44.960
<v Speaker 1>see which one he likes. Bet thank you? Okay, Well,

0:34:45.000 --> 0:34:47.880
<v Speaker 1>I thought one way to to try to bring some structure,

0:34:48.400 --> 0:34:51.960
<v Speaker 1>uh to this idea would be to think about theories

0:34:52.000 --> 0:34:54.480
<v Speaker 1>of humor. Now, even this is is still going to

0:34:54.520 --> 0:34:57.400
<v Speaker 1>be a little bit loose, because there's clearly not one

0:34:57.600 --> 0:35:02.000
<v Speaker 1>agreed upon um theory that explains the role of humor

0:35:02.120 --> 0:35:05.200
<v Speaker 1>in biological organisms. We we've talked about this in the past,

0:35:05.200 --> 0:35:09.080
<v Speaker 1>but so there are different attempts that psychologists, UH and

0:35:09.200 --> 0:35:13.760
<v Speaker 1>cognitive scientists have put forward in trying to explain why

0:35:13.960 --> 0:35:17.360
<v Speaker 1>we laugh at things, like what's actually happening in the brain,

0:35:17.560 --> 0:35:21.680
<v Speaker 1>what is humor in a biological sense? And UH, I

0:35:21.719 --> 0:35:24.959
<v Speaker 1>think the place where most recently we went into depth

0:35:25.080 --> 0:35:28.160
<v Speaker 1>on this subject was in our two part series called

0:35:28.200 --> 0:35:31.360
<v Speaker 1>Flat a Sex Makina, which was about why it's funny

0:35:31.400 --> 0:35:35.960
<v Speaker 1>when machines fail, where we talked about neural net generated text,

0:35:36.040 --> 0:35:37.759
<v Speaker 1>which was a lot of fun We talked about like

0:35:37.840 --> 0:35:41.120
<v Speaker 1>D and D characters and spells and stuff created by

0:35:42.000 --> 0:35:46.120
<v Speaker 1>neural networks, but that we also talked about about like

0:35:46.320 --> 0:35:49.000
<v Speaker 1>scenes where like robots fail in movies like ED two

0:35:49.000 --> 0:35:53.960
<v Speaker 1>O nine in RoboCop, which is a stairs yeah. Um.

0:35:54.000 --> 0:35:56.920
<v Speaker 1>But so in that context we were trying to figure out, okay, well, well,

0:35:56.960 --> 0:36:00.520
<v Speaker 1>how does this fit into these mainstream hypothesis is about

0:36:00.600 --> 0:36:03.040
<v Speaker 1>what is going on in the body and the brain

0:36:03.560 --> 0:36:07.320
<v Speaker 1>and our evolutionary history to generate this concept of humor.

0:36:07.360 --> 0:36:09.920
<v Speaker 1>Why are things funny? Why does it feel funny? Why

0:36:09.920 --> 0:36:12.040
<v Speaker 1>do we laugh? And so forth. And so there are

0:36:12.040 --> 0:36:13.719
<v Speaker 1>a bunch of ideas on this. We're not going to

0:36:13.800 --> 0:36:16.480
<v Speaker 1>get into all of them, certainly, not in depth, but

0:36:16.600 --> 0:36:18.719
<v Speaker 1>I just wanted to mention a few One that came up,

0:36:18.760 --> 0:36:21.879
<v Speaker 1>I think from a biologist or zoologist that we were

0:36:21.880 --> 0:36:24.960
<v Speaker 1>reading that time, But it was the idea of laughter

0:36:25.400 --> 0:36:28.480
<v Speaker 1>as a form of play signaling. And I thought that

0:36:28.520 --> 0:36:31.279
<v Speaker 1>this idea had some purchase. It was pretty interesting. So

0:36:31.520 --> 0:36:35.279
<v Speaker 1>the idea here would be that laughing is actually a

0:36:35.360 --> 0:36:41.840
<v Speaker 1>kind of communicative mechanism to distinguish playful aggression from genuine aggression.

0:36:41.960 --> 0:36:44.960
<v Speaker 1>So if you ever watch dogs fighting, they can be

0:36:45.040 --> 0:36:49.239
<v Speaker 1>making all kinds of growling sounds and knocking each other

0:36:49.320 --> 0:36:52.080
<v Speaker 1>over and all that, but you can still pretty easily

0:36:52.200 --> 0:36:56.719
<v Speaker 1>tell fun fighting from real fighting by the dog's posture.

0:36:56.800 --> 0:36:59.879
<v Speaker 1>Like when a dog is having fun, it'll like put

0:36:59.880 --> 0:37:01.560
<v Speaker 1>it's butt up in the air, in the front of

0:37:01.560 --> 0:37:04.960
<v Speaker 1>its body down and wag its tail. And so they

0:37:04.960 --> 0:37:07.399
<v Speaker 1>can be fighting, but you know, we know everybody's having

0:37:07.400 --> 0:37:09.839
<v Speaker 1>a good time. Yeah, you can definitely tell from their

0:37:09.840 --> 0:37:12.719
<v Speaker 1>body language when they're they're dead serious and when it's

0:37:12.960 --> 0:37:15.319
<v Speaker 1>it's play. Yeah, And so the idea would be, well,

0:37:15.400 --> 0:37:20.480
<v Speaker 1>maybe in in primates like us laughter play some kind

0:37:20.520 --> 0:37:23.239
<v Speaker 1>of similar role. It is a it's a mechanism like

0:37:23.360 --> 0:37:28.400
<v Speaker 1>the wagging tail, to signal mutual communication between parties that

0:37:28.680 --> 0:37:31.960
<v Speaker 1>something that's going on that might be interpreted in one way,

0:37:32.120 --> 0:37:34.680
<v Speaker 1>maybe in a dangerous way, is actually just to be

0:37:34.719 --> 0:37:37.480
<v Speaker 1>interpreted in a humorous way, in a fun way, that

0:37:37.560 --> 0:37:42.279
<v Speaker 1>everything's okay. And so it discourages misinterpretation of mock aggression.

0:37:42.920 --> 0:37:46.040
<v Speaker 1>And I can certainly see something to this, because it

0:37:46.160 --> 0:37:48.920
<v Speaker 1>is it is undeniable, like this this natural thing that

0:37:49.000 --> 0:37:52.799
<v Speaker 1>happens that when kids like wrestle for fun or they're

0:37:52.800 --> 0:37:55.759
<v Speaker 1>just playing around, it results in laughter. You know, this

0:37:55.840 --> 0:37:58.960
<v Speaker 1>makes me think about tone and contact with sarcasm again,

0:37:59.040 --> 0:38:03.680
<v Speaker 1>because there I've certainly had this experience where I've I've

0:38:03.719 --> 0:38:08.080
<v Speaker 1>told I've made a dry joke that that is supposed

0:38:08.120 --> 0:38:10.760
<v Speaker 1>to be a joke, but I did it so dryly

0:38:11.280 --> 0:38:13.480
<v Speaker 1>that that my son doesn't catch it at first, and

0:38:13.520 --> 0:38:14.920
<v Speaker 1>then I have to explain to him, no, no no, no,

0:38:15.000 --> 0:38:18.000
<v Speaker 1>I'm not serious, um you know, not that he's upset,

0:38:18.040 --> 0:38:20.120
<v Speaker 1>but he's like, really, that's really gonna happen, Like he

0:38:20.200 --> 0:38:22.040
<v Speaker 1>completely falls for it. And then I feel a little

0:38:22.080 --> 0:38:24.920
<v Speaker 1>bit bad because my main job here is not to

0:38:24.960 --> 0:38:28.279
<v Speaker 1>make jokes. It's it's to raise a child that knows

0:38:28.320 --> 0:38:31.560
<v Speaker 1>how the world works or has some reasonable knowledge of

0:38:31.560 --> 0:38:35.080
<v Speaker 1>how the world works. And so maybe I want I

0:38:35.120 --> 0:38:36.880
<v Speaker 1>wonder this is I have nothing to back this up,

0:38:37.000 --> 0:38:41.239
<v Speaker 1>but maybe parents end up leaning more on tone. They

0:38:41.280 --> 0:38:43.719
<v Speaker 1>pick up on on the fact that they need that

0:38:43.760 --> 0:38:46.399
<v Speaker 1>tone to understand the joke, and so you just lean

0:38:46.440 --> 0:38:48.600
<v Speaker 1>into it more and more, and you keep leaning into

0:38:48.640 --> 0:38:53.239
<v Speaker 1>it until you're just a complete hack. Yeah, that's interesting.

0:38:53.280 --> 0:38:55.840
<v Speaker 1>I didn't think about it like that, but yeah, because

0:38:55.960 --> 0:38:59.680
<v Speaker 1>tone would be so important in in establishing this kind

0:38:59.680 --> 0:39:02.160
<v Speaker 1>of really ship with a kid. Yeah, Like, why does

0:39:02.320 --> 0:39:04.960
<v Speaker 1>why does dad basically put clown makeup on every time

0:39:04.960 --> 0:39:07.120
<v Speaker 1>he makes a joke? Well, because he feels like he

0:39:07.160 --> 0:39:09.319
<v Speaker 1>needs to signal that he is not telling you how

0:39:09.360 --> 0:39:11.759
<v Speaker 1>the world worked, He's just trying to make a joke

0:39:11.800 --> 0:39:14.480
<v Speaker 1>about the world. I nothing to back that up, but

0:39:14.520 --> 0:39:19.200
<v Speaker 1>I'm just just just you know, um brainstorming here. No,

0:39:19.400 --> 0:39:21.600
<v Speaker 1>I think there's something really too that we should keep

0:39:21.600 --> 0:39:24.840
<v Speaker 1>that in mind. Um. Now, on on the other hand,

0:39:25.200 --> 0:39:27.640
<v Speaker 1>as we talked about the last time this came up

0:39:27.640 --> 0:39:32.080
<v Speaker 1>in that Machine Comedy episode, Uh, there are obviously ways

0:39:32.080 --> 0:39:35.080
<v Speaker 1>in which all of these major theories don't seem to

0:39:35.080 --> 0:39:38.200
<v Speaker 1>account for some types of laughter and some types of humor,

0:39:38.719 --> 0:39:41.120
<v Speaker 1>which makes me think, you know, it could very well

0:39:41.160 --> 0:39:45.560
<v Speaker 1>be that multiple theories of humor could simultaneously be partially

0:39:45.640 --> 0:39:49.040
<v Speaker 1>correct and explaining different types of laughter. I mean, we

0:39:49.080 --> 0:39:53.719
<v Speaker 1>can't rule out that laughter could have different biological causes

0:39:53.920 --> 0:39:57.560
<v Speaker 1>converging on the same external behavior, much in the same

0:39:57.600 --> 0:40:01.600
<v Speaker 1>way that like multiple extremely different, you know, biological causes

0:40:01.600 --> 0:40:05.120
<v Speaker 1>can result in an elevated heart rate. Maybe multiple totally

0:40:05.120 --> 0:40:09.160
<v Speaker 1>different biological causes, uh that you know, have different evolutionary

0:40:09.200 --> 0:40:12.880
<v Speaker 1>pathways of development could eventually converge on the same type

0:40:12.880 --> 0:40:15.680
<v Speaker 1>of body response, which is the pleasure of humor in

0:40:15.719 --> 0:40:18.760
<v Speaker 1>the brain and the external behavior of laughing. That that's possible.

0:40:18.840 --> 0:40:21.960
<v Speaker 1>So maybe each of these explanations has some part of

0:40:22.000 --> 0:40:24.160
<v Speaker 1>the truth. But the reason you would need to say

0:40:24.160 --> 0:40:26.080
<v Speaker 1>that is that, like, some of these explanations don't really

0:40:26.080 --> 0:40:29.160
<v Speaker 1>seem like they would cover certain types of humor, like

0:40:29.320 --> 0:40:33.560
<v Speaker 1>especially play signaling. I mean, does how would that really

0:40:33.600 --> 0:40:36.360
<v Speaker 1>affect something like puns? It seems kind of hard to

0:40:36.400 --> 0:40:41.160
<v Speaker 1>figure that out. Ye. Now, another major explanation of what's

0:40:41.160 --> 0:40:44.560
<v Speaker 1>going on when when people experience the feeling of humor

0:40:44.880 --> 0:40:49.360
<v Speaker 1>is what's known as benign violation theory. One study we

0:40:49.360 --> 0:40:51.040
<v Speaker 1>talked about in the past having to do with this

0:40:51.160 --> 0:40:54.600
<v Speaker 1>was by Peter A. McGraw and Caleb Warren called Benign

0:40:54.719 --> 0:40:59.400
<v Speaker 1>Violations Making immoral Behavior Funny, published in Psychological Science in

0:40:59.440 --> 0:41:02.720
<v Speaker 1>two thousands. Him and this study looked at the idea

0:41:03.360 --> 0:41:08.239
<v Speaker 1>of humor as some kind of violation of norms that

0:41:08.440 --> 0:41:11.920
<v Speaker 1>is recognized by the person who finds it funny as

0:41:12.040 --> 0:41:15.640
<v Speaker 1>not actually very harmful. Uh So, the example they used

0:41:15.640 --> 0:41:19.360
<v Speaker 1>in their study was they they confronted people with a

0:41:19.400 --> 0:41:22.759
<v Speaker 1>news story about a church that had raffled off a

0:41:22.840 --> 0:41:26.560
<v Speaker 1>Hummer suv as part of a promotion for its members,

0:41:26.800 --> 0:41:30.759
<v Speaker 1>for the church goers. And so the thinking here is

0:41:30.800 --> 0:41:33.239
<v Speaker 1>that obviously to some people, that's going to be kind

0:41:33.239 --> 0:41:35.440
<v Speaker 1>of a funny idea, right, like doing a sort of

0:41:35.520 --> 0:41:38.880
<v Speaker 1>secular like car giveaway at a church would seem to

0:41:38.960 --> 0:41:42.399
<v Speaker 1>in some way undermine the sanctity of the church. And

0:41:42.440 --> 0:41:46.440
<v Speaker 1>they they figured under their theory, well that maybe church

0:41:46.520 --> 0:41:51.279
<v Speaker 1>goers would find this story less funny because they would

0:41:51.360 --> 0:41:54.759
<v Speaker 1>see this violation of the sanctity of the church as

0:41:54.840 --> 0:41:58.800
<v Speaker 1>more actually harmful than non churchgoers would. And they wouldn't

0:41:58.800 --> 0:42:01.480
<v Speaker 1>find it as funny if humor is indeed based on

0:42:01.520 --> 0:42:04.400
<v Speaker 1>the idea of a benign violation, and that is what

0:42:04.440 --> 0:42:06.600
<v Speaker 1>they claimed to find in this study. They found that

0:42:06.719 --> 0:42:10.960
<v Speaker 1>churchgoers and non churchgoers were both about equally disgusted with

0:42:11.080 --> 0:42:13.440
<v Speaker 1>the idea of a church giving away a car, but

0:42:13.520 --> 0:42:16.840
<v Speaker 1>they found that non churchgoers found the story more humorous

0:42:16.840 --> 0:42:19.000
<v Speaker 1>than churchgoers did. So I think it was like nine

0:42:19.239 --> 0:42:22.520
<v Speaker 1>tent to sixty. So the idea would be that non

0:42:22.600 --> 0:42:26.640
<v Speaker 1>churchgoers saw this as a benign violation, churchgoers saw it

0:42:26.680 --> 0:42:30.799
<v Speaker 1>as a real harmful violation. And in that other episode,

0:42:30.680 --> 0:42:33.560
<v Speaker 1>we we talked about a bunch of reasons why this

0:42:33.920 --> 0:42:37.640
<v Speaker 1>might and might not work to explain certain types of humor, Like,

0:42:37.800 --> 0:42:40.200
<v Speaker 1>there are a lot of things that are clearly benign

0:42:40.360 --> 0:42:43.640
<v Speaker 1>types of violations that just aren't funny. But then again,

0:42:43.800 --> 0:42:45.960
<v Speaker 1>a lot of the things that are funny are some

0:42:46.080 --> 0:42:49.400
<v Speaker 1>type of benign violation. You could see easily how you

0:42:49.400 --> 0:42:52.840
<v Speaker 1>could make them not funny by either making them not

0:42:53.000 --> 0:42:56.000
<v Speaker 1>a violation at all, or by making them such a

0:42:56.080 --> 0:43:00.880
<v Speaker 1>violation that they actually hurt someone. Yeah. I in the past,

0:43:00.880 --> 0:43:05.160
<v Speaker 1>I've definitely seen the nine violation theory being one that

0:43:06.320 --> 0:43:09.600
<v Speaker 1>that feels feels accurate, like I can I can feel

0:43:10.920 --> 0:43:14.160
<v Speaker 1>it feels like that's what's going on in various jokes.

0:43:14.360 --> 0:43:17.200
<v Speaker 1>But again, I would be hesitant to to assign all

0:43:17.360 --> 0:43:19.640
<v Speaker 1>humor to this one theory. Yeah, this seems to me

0:43:19.760 --> 0:43:22.839
<v Speaker 1>like one that maybe sort of grasping in the right direction.

0:43:23.080 --> 0:43:25.680
<v Speaker 1>But but that might not have the full contours of

0:43:25.719 --> 0:43:28.440
<v Speaker 1>exactly what makes something funny or not, because there are

0:43:28.320 --> 0:43:30.600
<v Speaker 1>the I mean, there are plenty of cases where things

0:43:30.719 --> 0:43:34.520
<v Speaker 1>are clearly truly harmful and people still find them funny.

0:43:35.040 --> 0:43:37.960
<v Speaker 1>Like sometimes even against your better judgment, like you might

0:43:38.640 --> 0:43:41.400
<v Speaker 1>something might happen that is clearly harmful in one way

0:43:41.480 --> 0:43:43.560
<v Speaker 1>or another, and you find it funny even though you

0:43:43.600 --> 0:43:46.240
<v Speaker 1>feel like you shouldn't, and you feel bad for finding

0:43:46.239 --> 0:43:49.680
<v Speaker 1>it funny. Yeah, but but sometimes they are funnier, like

0:43:49.840 --> 0:43:52.920
<v Speaker 1>knowing that everyone is okay, Like I've seen that that

0:43:53.280 --> 0:43:57.279
<v Speaker 1>disclaimer placed in front of the sharing of various like

0:43:57.320 --> 0:43:59.800
<v Speaker 1>amusing video clips these days, where it will be stressed

0:44:00.120 --> 0:44:03.640
<v Speaker 1>everybody was fine, nobody was actually killed or seriously wounded

0:44:03.680 --> 0:44:05.880
<v Speaker 1>in what you're about to see. Therefore you have you

0:44:05.920 --> 0:44:08.680
<v Speaker 1>have license to actually laugh at it. Now, there's another

0:44:08.680 --> 0:44:10.920
<v Speaker 1>one we talked about just briefly in that other episode

0:44:11.280 --> 0:44:16.040
<v Speaker 1>that was called the incongruity resolution theory, and essentially that says,

0:44:16.120 --> 0:44:20.880
<v Speaker 1>when there is a mismatch between expectation and reality, you

0:44:20.920 --> 0:44:23.840
<v Speaker 1>expect things to be one way, but then there's something different.

0:44:24.120 --> 0:44:28.319
<v Speaker 1>Laughter occurs when we realized that this incongruity can be resolved.

0:44:28.640 --> 0:44:31.359
<v Speaker 1>So that's another way of framing something that is in

0:44:31.400 --> 0:44:34.400
<v Speaker 1>some ways kind of similar. But there's one last one

0:44:34.440 --> 0:44:36.920
<v Speaker 1>I wanted to talk about that I've been thinking about

0:44:36.960 --> 0:44:39.919
<v Speaker 1>more and more since we discussed in since we talked

0:44:39.920 --> 0:44:42.240
<v Speaker 1>about it in in that plate s X Market episode.

0:44:42.960 --> 0:44:46.600
<v Speaker 1>And this is thinking about laughter from an evolutionary perspective.

0:44:47.640 --> 0:44:49.839
<v Speaker 1>So one of the things that is really notable about

0:44:49.920 --> 0:44:55.120
<v Speaker 1>laughter is it's not just an external behavior. Laughter is pleasurable.

0:44:55.239 --> 0:44:59.800
<v Speaker 1>It feels good. You like specifically seek out stimuli to

0:45:00.040 --> 0:45:02.479
<v Speaker 1>make yourself laugh, just in the same way you would

0:45:02.800 --> 0:45:06.040
<v Speaker 1>seek out like delicious food. It feels good and you

0:45:06.080 --> 0:45:10.360
<v Speaker 1>want it to keep happening. Uh. Usually, pleasure is a

0:45:10.480 --> 0:45:15.799
<v Speaker 1>biological reward. The brain delivers itself pleasure in response to

0:45:15.840 --> 0:45:19.480
<v Speaker 1>an activity that provides some kind of direct or indirect

0:45:19.560 --> 0:45:22.680
<v Speaker 1>benefit to survival or reproduction. And these, of course you

0:45:22.680 --> 0:45:24.920
<v Speaker 1>know in the case of direct benefits, you can think

0:45:24.960 --> 0:45:27.640
<v Speaker 1>about the obvious stuff you know, food, food tastes good

0:45:27.680 --> 0:45:30.520
<v Speaker 1>because you need it to give yourself energy and survive.

0:45:31.000 --> 0:45:34.640
<v Speaker 1>Or it can be much more abstract, like socializing with

0:45:34.680 --> 0:45:37.799
<v Speaker 1>others can feel really good, and that's pretty clearly explicable,

0:45:37.800 --> 0:45:41.920
<v Speaker 1>and that it's the strengthening of social bonds and informing

0:45:42.200 --> 0:45:45.720
<v Speaker 1>you know, tighter relationships between yourselves and other people, which

0:45:45.760 --> 0:45:48.719
<v Speaker 1>which gives you more of a support structure, makes you

0:45:48.840 --> 0:45:51.319
<v Speaker 1>less vulnerable. Or you could think about the sense of

0:45:51.320 --> 0:45:55.520
<v Speaker 1>accomplishment you get from completing a task. So if laughter

0:45:55.760 --> 0:45:59.360
<v Speaker 1>is an adaptation that provides not just an external behavior

0:45:59.400 --> 0:46:04.480
<v Speaker 1>but internal pleasure reward, what is it rewarding? And one

0:46:04.520 --> 0:46:06.759
<v Speaker 1>answer that I that I came across to this is

0:46:06.840 --> 0:46:11.920
<v Speaker 1>that what if it's the brain rewarding itself for performing

0:46:12.080 --> 0:46:16.000
<v Speaker 1>a debugging procedure? Basically uh And this was an idea

0:46:16.040 --> 0:46:18.560
<v Speaker 1>explored in a two thousand eleven book from M I. T.

0:46:18.760 --> 0:46:23.960
<v Speaker 1>Press called Inside Jokes by Matthew Hurley, Daniel Dinnett, and

0:46:24.000 --> 0:46:27.799
<v Speaker 1>Reginald Adams Jr. And I have not read this book,

0:46:27.800 --> 0:46:30.799
<v Speaker 1>but I've read some summaries of the argument they make,

0:46:30.840 --> 0:46:35.200
<v Speaker 1>and essentially it is that humor is a pleasurable reward.

0:46:35.320 --> 0:46:38.680
<v Speaker 1>It's the you know, the reward inside the brain that

0:46:38.719 --> 0:46:44.360
<v Speaker 1>we get when we recognize the inappropriateness of a mental representation.

0:46:45.040 --> 0:46:47.799
<v Speaker 1>So in this all jokes basically have some form of

0:46:47.840 --> 0:46:50.920
<v Speaker 1>set up and punchline. Uh. The setup sort of puts

0:46:50.960 --> 0:46:54.880
<v Speaker 1>you in a state of mind to establish an inappropriate

0:46:55.000 --> 0:46:59.400
<v Speaker 1>or unrealistic mental representation, and then the punchline kind of

0:46:59.440 --> 0:47:04.839
<v Speaker 1>suddenly creates that inappropriate or incongruous mental representation. And then

0:47:04.880 --> 0:47:08.279
<v Speaker 1>what happens immediately after is that you suddenly figure out

0:47:08.320 --> 0:47:11.080
<v Speaker 1>what's wrong with the representation that's in your brain. So

0:47:11.120 --> 0:47:14.600
<v Speaker 1>in the Armies and Sleevies example, uh, you know, it's

0:47:14.640 --> 0:47:18.240
<v Speaker 1>like you suddenly have that moment where you realize, oh, oh,

0:47:18.280 --> 0:47:22.760
<v Speaker 1>I see yes, armies in this is just referring to arms,

0:47:23.200 --> 0:47:26.160
<v Speaker 1>and that is not how grammar works. You don't actually

0:47:26.200 --> 0:47:30.160
<v Speaker 1>say ease at the end of every noun. But then

0:47:30.200 --> 0:47:33.040
<v Speaker 1>the brain rewards you for going through that process of

0:47:33.160 --> 0:47:37.400
<v Speaker 1>debugging the problematic representation in your brain by giving you

0:47:37.520 --> 0:47:40.279
<v Speaker 1>this pleasurable feeling of humor that is in some ways

0:47:40.280 --> 0:47:42.720
<v Speaker 1>analogous to the pleasure that you would get from eating

0:47:42.719 --> 0:47:46.480
<v Speaker 1>delicious food or sleeping or something like that. And so

0:47:46.760 --> 0:47:50.040
<v Speaker 1>this really gets my brain going because I wonder about

0:47:50.040 --> 0:47:53.040
<v Speaker 1>this debugging interpretation. Obviously, you know, I think this would

0:47:53.080 --> 0:47:56.080
<v Speaker 1>have its critics as well, like all of these ideas do.

0:47:56.200 --> 0:47:58.839
<v Speaker 1>But I wonder if you could see evidence for this

0:47:58.960 --> 0:48:02.600
<v Speaker 1>debugging inter rotation in the special kinds of humor that

0:48:02.640 --> 0:48:07.399
<v Speaker 1>are especially effective with little kids but start getting groans

0:48:07.600 --> 0:48:11.279
<v Speaker 1>once the kids get older. Is a young brain in

0:48:11.320 --> 0:48:14.640
<v Speaker 1>a more frantic debugging phase? Is it? You know? Is

0:48:14.680 --> 0:48:18.720
<v Speaker 1>the young brain more apt to make an inappropriate mental

0:48:18.800 --> 0:48:22.560
<v Speaker 1>representation and then get a lot of pleasure from figuring

0:48:22.560 --> 0:48:26.120
<v Speaker 1>out no, that's not how words work, or something like that,

0:48:26.640 --> 0:48:29.399
<v Speaker 1>And uh? Is it? Is it? Also? Is the young

0:48:29.440 --> 0:48:32.480
<v Speaker 1>brain more susceptible to bugs of this kind in the

0:48:32.480 --> 0:48:34.680
<v Speaker 1>first place? You know, will will you sort of fall

0:48:34.800 --> 0:48:37.840
<v Speaker 1>for the setup and punchline in a way that makes

0:48:37.880 --> 0:48:40.839
<v Speaker 1>the debugging possible? No, yeah, I can I could see that.

0:48:41.040 --> 0:48:44.399
<v Speaker 1>Uh that playing a role here. Yeah, you're you're When

0:48:44.400 --> 0:48:46.839
<v Speaker 1>the sitcom dad wanders into the room and tells a joke,

0:48:46.920 --> 0:48:49.279
<v Speaker 1>He's not just trying to get some cheap laughs. He

0:48:49.360 --> 0:48:52.719
<v Speaker 1>is debugging the children's brains. He is, uh, he is

0:48:52.760 --> 0:48:56.239
<v Speaker 1>helping them sort out, uh, some possible errors in their

0:48:56.239 --> 0:49:01.080
<v Speaker 1>cognition by basically presenting them with with little um, a

0:49:01.719 --> 0:49:06.160
<v Speaker 1>little thought puzzles, little thought experiments that they have to

0:49:06.600 --> 0:49:09.440
<v Speaker 1>instantly deal with. I mean this does kind of go

0:49:09.520 --> 0:49:13.400
<v Speaker 1>along with another aspect of humor, which is that humor

0:49:13.640 --> 0:49:16.359
<v Speaker 1>often kind of gives you a little bit of a

0:49:16.400 --> 0:49:19.440
<v Speaker 1>feeling of being smart. Have you ever noticed this, Like

0:49:19.480 --> 0:49:22.160
<v Speaker 1>when when you laugh at something and something you find

0:49:22.239 --> 0:49:26.320
<v Speaker 1>something very funny. In the back of your mind, there's

0:49:26.400 --> 0:49:29.280
<v Speaker 1>almost kind of a little like, yeah, you're pretty smart,

0:49:29.440 --> 0:49:33.080
<v Speaker 1>you're a genius. Yeah. Yeah. To to get a joke,

0:49:33.120 --> 0:49:35.520
<v Speaker 1>To laugh at a joke is to sync up with

0:49:35.600 --> 0:49:39.319
<v Speaker 1>the mind of the comedian that is telling it or

0:49:39.440 --> 0:49:41.960
<v Speaker 1>or has written the joke. And uh, yeah, I could

0:49:41.960 --> 0:49:45.880
<v Speaker 1>see that. Yeah, I can see that interpretation for sure.

0:49:46.560 --> 0:49:52.840
<v Speaker 1>I'm super a little bit smart. Yeah, pretty much. Um yeah, Okay,

0:49:52.960 --> 0:49:55.439
<v Speaker 1>I like this this interpretation. Yeah, it makes me wonder

0:49:55.480 --> 0:49:57.000
<v Speaker 1>if this is this is part of it as well.

0:49:57.719 --> 0:50:01.080
<v Speaker 1>But it also makes me wonder about I guess this

0:50:01.160 --> 0:50:02.960
<v Speaker 1>came up a little bit earlier, but you know, can

0:50:03.320 --> 0:50:06.799
<v Speaker 1>we understand how dad jokes work by looking at when

0:50:06.840 --> 0:50:09.600
<v Speaker 1>they really do not work? You know that period where

0:50:09.600 --> 0:50:12.040
<v Speaker 1>I guess the kid gets to adolescents or whatever, at age,

0:50:12.160 --> 0:50:15.200
<v Speaker 1>whatever age it is where they start to really groan

0:50:15.400 --> 0:50:18.560
<v Speaker 1>at dad's dad jokes or at anybody's dad jokes and

0:50:18.560 --> 0:50:23.160
<v Speaker 1>and say, Dad, you know, like, what exactly has changed

0:50:23.280 --> 0:50:25.640
<v Speaker 1>that is failing there? And does that tell us about

0:50:25.680 --> 0:50:28.480
<v Speaker 1>what worked with the jokes originally? Well, I mean, if

0:50:28.520 --> 0:50:30.880
<v Speaker 1>we were to roughly compare it to say, a child

0:50:31.960 --> 0:50:35.200
<v Speaker 1>getting ready to leave the house at a younger age,

0:50:36.120 --> 0:50:39.600
<v Speaker 1>they need a lot of help and reminding and uh,

0:50:39.680 --> 0:50:41.319
<v Speaker 1>you know, a lot of nagging to get to get

0:50:41.360 --> 0:50:43.920
<v Speaker 1>it done. Are your pants on? Are you wearing the

0:50:44.000 --> 0:50:46.200
<v Speaker 1>right shirt? Is it buttoned up properly? Let me see

0:50:46.200 --> 0:50:49.319
<v Speaker 1>your hair? Um? And as they get older there, you know,

0:50:49.440 --> 0:50:51.920
<v Speaker 1>ideally they're they're doing more and more of this themselves,

0:50:51.960 --> 0:50:55.279
<v Speaker 1>and they might take a front at you, uh, interjecting

0:50:55.320 --> 0:50:57.560
<v Speaker 1>yourself and saying I think you need to rebutton that

0:50:57.600 --> 0:51:00.719
<v Speaker 1>shirt or I'm not sure that that hair looks completely etcetera.

0:51:00.880 --> 0:51:02.880
<v Speaker 1>So maybe something similar is going on with the the

0:51:02.960 --> 0:51:06.520
<v Speaker 1>debugging of their brain with puns and bad jokes. Is

0:51:06.560 --> 0:51:08.759
<v Speaker 1>that you're saying, uh, let me see that brain of

0:51:08.800 --> 0:51:10.440
<v Speaker 1>yours for a second, I'm not sure I got all

0:51:10.440 --> 0:51:12.520
<v Speaker 1>the bugs and they're like, Dad, I got you got

0:51:12.520 --> 0:51:14.800
<v Speaker 1>all the bugs. There are no bugs left, but maybe

0:51:14.800 --> 0:51:16.680
<v Speaker 1>there are. You know, that's why you keep at it.

0:51:16.840 --> 0:51:20.360
<v Speaker 1>You know, I'm thinking about another interpretation of uh. What

0:51:20.520 --> 0:51:23.520
<v Speaker 1>could be a possible reason that parents keep telling grown

0:51:23.560 --> 0:51:26.319
<v Speaker 1>inducing jokes as their kids get older and start being like,

0:51:27.520 --> 0:51:30.439
<v Speaker 1>awful mom, dad, don't talk. You know that that's that's

0:51:30.480 --> 0:51:33.200
<v Speaker 1>the worst? Is that A lot of times what can

0:51:33.239 --> 0:51:36.000
<v Speaker 1>be frustrating. I think about interacting with somebody who's like

0:51:36.000 --> 0:51:39.359
<v Speaker 1>a teenager is like sort of low affect in in

0:51:39.440 --> 0:51:42.640
<v Speaker 1>many different directions, you know, just kind of like inability

0:51:42.680 --> 0:51:45.880
<v Speaker 1>to give much of a response in any direction, and

0:51:45.920 --> 0:51:50.160
<v Speaker 1>so getting a very very clear, gross kind of emotional

0:51:50.239 --> 0:51:53.080
<v Speaker 1>response in the form of a groan at a really

0:51:53.760 --> 0:51:57.879
<v Speaker 1>really painful pun in a way that is a big reaction, right,

0:51:58.360 --> 0:51:59.759
<v Speaker 1>you know, at a time when maybe a lot of

0:52:00.000 --> 0:52:03.040
<v Speaker 1>it's are just like not reacting enough. I don't know

0:52:03.080 --> 0:52:05.319
<v Speaker 1>if that makes any sense, you know it totally does?

0:52:05.400 --> 0:52:08.520
<v Speaker 1>You know, Like there's this uh and I don't I

0:52:08.560 --> 0:52:11.560
<v Speaker 1>only have limited experience with with like the junior high

0:52:11.960 --> 0:52:15.280
<v Speaker 1>and teenager set, but but you know, from from interacting

0:52:15.320 --> 0:52:18.520
<v Speaker 1>with with niece and nephew, Uh, yeah, they're at times

0:52:18.560 --> 0:52:20.359
<v Speaker 1>there can be that feeling of like all right there

0:52:20.360 --> 0:52:22.640
<v Speaker 1>in their own own little world, you know, either uh,

0:52:23.120 --> 0:52:25.680
<v Speaker 1>you know, completely absorbed by their their phone and what

0:52:25.760 --> 0:52:27.840
<v Speaker 1>have you. Uh So, maybe you're not gonna get a

0:52:27.920 --> 0:52:30.480
<v Speaker 1>laughter laughter out of them. But if you can get

0:52:30.520 --> 0:52:32.279
<v Speaker 1>that grown, if you can get their eyes to roll,

0:52:32.360 --> 0:52:34.799
<v Speaker 1>at least they're listening to you, you know, at least

0:52:34.800 --> 0:52:37.439
<v Speaker 1>you've made some connection. And it probably ties back into

0:52:37.480 --> 0:52:40.080
<v Speaker 1>you can make an easy analogy to stand up comedy,

0:52:40.200 --> 0:52:44.000
<v Speaker 1>right like you, I guess you ideally, if you can't

0:52:44.000 --> 0:52:47.800
<v Speaker 1>be the comedian who's just getting you know, an uproar

0:52:47.880 --> 0:52:51.040
<v Speaker 1>of laughter, at least if you could get the the opposite,

0:52:51.040 --> 0:52:52.600
<v Speaker 1>that would be something. If you could get like the

0:52:52.640 --> 0:52:55.880
<v Speaker 1>Andy Kaufman um kind of response right where you're just

0:52:56.239 --> 0:52:59.239
<v Speaker 1>enraging the audience and you know, and you're making them

0:52:59.280 --> 0:53:04.919
<v Speaker 1>feel something. You're still working with comedy, but you're you're

0:53:04.920 --> 0:53:08.440
<v Speaker 1>going after a different emotional response. It comes back to

0:53:08.480 --> 0:53:11.440
<v Speaker 1>the idea that that perhaps dad jokes are just a

0:53:11.480 --> 0:53:13.880
<v Speaker 1>one way of thinking about a particular type of humor,

0:53:14.400 --> 0:53:18.480
<v Speaker 1>that that is, um is desirable in and of itself,

0:53:18.520 --> 0:53:22.960
<v Speaker 1>outside of any kind of uh, parental context. And you know,

0:53:23.040 --> 0:53:24.879
<v Speaker 1>just as this this, you know, used to be more

0:53:24.920 --> 0:53:28.440
<v Speaker 1>popular as a mainstream form of comedy. Um, you know,

0:53:28.520 --> 0:53:31.640
<v Speaker 1>it's it's still going to find an audience today again,

0:53:31.680 --> 0:53:33.719
<v Speaker 1>in part perhaps because your your guard is down to

0:53:33.800 --> 0:53:38.319
<v Speaker 1>that that slow moving comedic knife. I was just trying

0:53:38.360 --> 0:53:41.319
<v Speaker 1>to look up the name of the martial art that

0:53:41.360 --> 0:53:42.880
<v Speaker 1>you do with the knives in Dune. I don't think

0:53:42.920 --> 0:53:45.440
<v Speaker 1>it has a name, but they're the Chris knives in Dune. Yeah,

0:53:45.640 --> 0:53:48.759
<v Speaker 1>to past the Holtzman shields. Yeah, this is just the

0:53:48.760 --> 0:53:50.880
<v Speaker 1>way you try and stab somebody with the Holtzman shield

0:53:51.880 --> 0:53:54.080
<v Speaker 1>But I had forgotten about this detail as well. Apparently

0:53:54.120 --> 0:53:58.560
<v Speaker 1>you can't use lace guns or Holtzman shields on Iracus

0:53:58.640 --> 0:54:04.479
<v Speaker 1>because the energy field created by them attracts sandworms. Oh yeah, yeah, yeah, yeah,

0:54:04.560 --> 0:54:08.120
<v Speaker 1>that that's that's right. I still need a part of

0:54:08.120 --> 0:54:10.759
<v Speaker 1>me wants to reread the first book again, and now

0:54:10.760 --> 0:54:14.040
<v Speaker 1>I have more time in anticipation of the of the

0:54:14.080 --> 0:54:16.759
<v Speaker 1>movie when it comes out this fall. Uh So, I

0:54:16.800 --> 0:54:18.239
<v Speaker 1>don't know. I'm trying to decide on that, or maybe

0:54:18.239 --> 0:54:20.360
<v Speaker 1>I should read it to the Boy. I can't decide.

0:54:20.520 --> 0:54:23.359
<v Speaker 1>When is the Boy enough for Dune? I don't know.

0:54:23.640 --> 0:54:25.719
<v Speaker 1>Like there because there's a lot of heady stuff in there,

0:54:25.760 --> 0:54:28.800
<v Speaker 1>but there's also a basic adventure story, you know, about

0:54:28.920 --> 0:54:31.640
<v Speaker 1>a young person coming up in the world. Um, there

0:54:31.719 --> 0:54:35.080
<v Speaker 1>is a lot of brutal violence and treachery, true, but

0:54:35.360 --> 0:54:38.480
<v Speaker 1>you know, ultimately you find that in every everything. There's

0:54:38.480 --> 0:54:40.359
<v Speaker 1>a lot of a lot of kids literature that has

0:54:40.360 --> 0:54:43.160
<v Speaker 1>a lot of betrayal and violence in it. Okay, what

0:54:43.239 --> 0:54:46.040
<v Speaker 1>we need is like an age chart that maps response

0:54:46.160 --> 0:54:51.040
<v Speaker 1>to dad jokes with with a receptivity to dune and

0:54:51.160 --> 0:54:55.200
<v Speaker 1>like where that coincides. All right, but before we close that,

0:54:55.280 --> 0:54:58.080
<v Speaker 1>I do want to mention one cool dad joke, if

0:54:58.080 --> 0:55:00.200
<v Speaker 1>that is even a thing that sounds like an more

0:55:00.239 --> 0:55:03.920
<v Speaker 1>on perhaps, but this was provided by Andrew Bourgeon in

0:55:03.960 --> 0:55:08.120
<v Speaker 1>that twenty nineteen article in The Washington I and uh,

0:55:08.200 --> 0:55:10.560
<v Speaker 1>this is out it goes. When does a bad joke

0:55:10.920 --> 0:55:19.680
<v Speaker 1>become a dad joke when it's a parent A very

0:55:19.760 --> 0:55:22.680
<v Speaker 1>nice All Right, we're gonna go ahead and close this

0:55:22.719 --> 0:55:24.720
<v Speaker 1>one out, But obviously we'd love to hear from everybody

0:55:24.719 --> 0:55:27.440
<v Speaker 1>out there. What what is your experience with the so

0:55:27.520 --> 0:55:30.560
<v Speaker 1>called dad joke? Um, you know, what's what's your take

0:55:30.600 --> 0:55:34.040
<v Speaker 1>on it? Your experience with it on the receiving end

0:55:34.520 --> 0:55:37.600
<v Speaker 1>on the giving end. Um, we loved, we loved for

0:55:37.800 --> 0:55:40.640
<v Speaker 1>everyone to chime in on this, so uh, do let

0:55:40.719 --> 0:55:42.359
<v Speaker 1>us know in the meantime if you want to check

0:55:42.360 --> 0:55:44.400
<v Speaker 1>out other episodes of Stuff to Blow Your Mind, including

0:55:44.440 --> 0:55:47.040
<v Speaker 1>those that we referenced earlier about humor and teasing and

0:55:47.080 --> 0:55:50.480
<v Speaker 1>so forth, you can find them wherever you get your podcast,

0:55:50.600 --> 0:55:53.400
<v Speaker 1>even the Stuff to Blow your Mind podcast feed. We've

0:55:53.440 --> 0:55:56.080
<v Speaker 1>got core episodes on science and culture that come out

0:55:56.120 --> 0:56:00.239
<v Speaker 1>on Tuesdays and Thursdays. On Monday's we have a listener mail.

0:56:00.320 --> 0:56:03.400
<v Speaker 1>On Wednesday's we usually have an artifact unless it's been

0:56:03.440 --> 0:56:06.799
<v Speaker 1>preempted by something. And on Friday's that's when we do

0:56:06.920 --> 0:56:10.200
<v Speaker 1>Weird House Cinema, where we leave most of the science

0:56:11.320 --> 0:56:13.719
<v Speaker 1>on the shelf instead focus on some sort of a

0:56:13.760 --> 0:56:16.440
<v Speaker 1>weird picture. Uh. And then we have a volt episode

0:56:16.440 --> 0:56:19.040
<v Speaker 1>on the weekend that's a rerun. Huge thanks as always

0:56:19.040 --> 0:56:22.320
<v Speaker 1>to our excellent audio producer Seth Nicholas Johnson. If you

0:56:22.320 --> 0:56:24.280
<v Speaker 1>would like to get in touch with us with feedback

0:56:24.320 --> 0:56:26.719
<v Speaker 1>on this episode or any other to suggest topic for

0:56:26.760 --> 0:56:29.040
<v Speaker 1>the future, just to say hello, you can email us

0:56:29.080 --> 0:56:40.040
<v Speaker 1>at contact at stuff to Blow your Mind dot com.

0:56:40.120 --> 0:56:42.600
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