1 00:00:03,600 --> 00:00:11,600 Speaker 1: So I'm there with Charlie Derning and uh Lannie Anderson 2 00:00:12,360 --> 00:00:16,200 Speaker 1: and Ned's with us, bitty, and we're on the river 3 00:00:16,360 --> 00:00:20,479 Speaker 1: rafting doing the Deliverance tour and I go, uh, there's 4 00:00:20,520 --> 00:00:22,400 Speaker 1: a boat coming down behind us and we know it. 5 00:00:22,440 --> 00:00:24,160 Speaker 1: And I go, hey, Ned, get up against that tree. 6 00:00:24,200 --> 00:00:27,040 Speaker 1: I'm gonna pretend to fuck you, you know, give him 7 00:00:27,040 --> 00:00:29,920 Speaker 1: a thrill, right, Yeah, he's the guy from the movie. 8 00:00:30,280 --> 00:00:32,680 Speaker 2: Oh, so he's not involved that, he's just going on 9 00:00:32,760 --> 00:00:34,640 Speaker 2: the Deliverance tour as a fan. 10 00:00:35,159 --> 00:00:37,040 Speaker 1: Yeah, he just you know, he hadn't been to that 11 00:00:37,159 --> 00:00:39,680 Speaker 1: river in a few years, and it was just like, oh, 12 00:00:39,760 --> 00:00:42,120 Speaker 1: it'll be funny. And he's going, nah, no, I'm not 13 00:00:42,159 --> 00:00:44,320 Speaker 1: gonna do it, and Lennie Anderson starts. 14 00:00:46,080 --> 00:00:52,440 Speaker 3: Yeah, oh yeah, she's calling him a chicken. Okay with 15 00:00:52,520 --> 00:00:53,840 Speaker 3: her now down. 16 00:00:54,160 --> 00:00:56,160 Speaker 1: Now I get it. And so I was pretending to 17 00:00:56,200 --> 00:00:59,960 Speaker 1: get it. Yeah no, no, it's uh yeah. And he's 18 00:01:00,080 --> 00:01:02,880 Speaker 1: going like, ah, geez, I don't want to be seen 19 00:01:02,920 --> 00:01:06,360 Speaker 1: as a chicken. But I also don't want dude pretend 20 00:01:06,400 --> 00:01:08,120 Speaker 1: to fuck me on the tree when people come by. 21 00:01:09,480 --> 00:01:13,800 Speaker 1: So he's in a bit of a pickle. Charlie Derning goes, 22 00:01:14,760 --> 00:01:20,160 Speaker 1: I'll Settle this has a heart attack of dies on 23 00:01:20,280 --> 00:01:23,760 Speaker 1: the boat. Wow? Did that? 24 00:01:24,520 --> 00:01:27,400 Speaker 3: It bailed him out? Bailed out settle this? Did it 25 00:01:27,440 --> 00:01:28,959 Speaker 3: seemed like that what he was trying to do. 26 00:01:30,000 --> 00:01:39,120 Speaker 1: Ah? Wow? I always assumed that that was his intention. Yeah, 27 00:01:39,120 --> 00:01:45,880 Speaker 1: that he was bailing out a buddy, because you know, yeah, 28 00:01:45,920 --> 00:01:47,880 Speaker 1: that you can only take so much of that before 29 00:01:47,880 --> 00:01:50,240 Speaker 1: you back down and you just do whatever you're being asked. 30 00:01:50,280 --> 00:01:51,720 Speaker 3: And I don't think he wanted ned to be in 31 00:01:51,760 --> 00:01:55,800 Speaker 3: that position. And she was there, but she was married 32 00:01:55,880 --> 00:01:57,520 Speaker 3: to Burt Reynolds. 33 00:01:57,680 --> 00:01:57,920 Speaker 1: Wow. 34 00:01:58,000 --> 00:02:01,080 Speaker 3: Back Yeah, but this was after their divorce. 35 00:02:01,120 --> 00:02:05,120 Speaker 2: This was right after right after Okay, And so she 36 00:02:05,160 --> 00:02:06,840 Speaker 2: went on the tour. Was that's some kind of like 37 00:02:07,600 --> 00:02:10,720 Speaker 2: aggressive act towards him. I'm just sort of confused why 38 00:02:10,760 --> 00:02:13,119 Speaker 2: Lonnie Andrewson will go on the on the Deliverance tour. 39 00:02:13,400 --> 00:02:18,400 Speaker 1: Honestly, my interpretation of it was always that she was 40 00:02:18,440 --> 00:02:20,480 Speaker 1: craving the d from yours truly. 41 00:02:21,760 --> 00:02:24,000 Speaker 2: Hey, welcome to Hollywood havook and it's a his guide 42 00:02:24,000 --> 00:02:26,280 Speaker 2: to kicking button dropping names in the red carpet lineback 43 00:02:26,280 --> 00:02:30,800 Speaker 2: hallways of this industry we call showbiz. Now, let's listen 44 00:02:31,000 --> 00:02:33,800 Speaker 2: to that again. What I just said and let's just 45 00:02:33,840 --> 00:02:35,600 Speaker 2: go through it and just pick it apart really carefully. 46 00:02:35,639 --> 00:02:38,400 Speaker 2: It's an insider's guide to kicking butt and dropping names 47 00:02:38,520 --> 00:02:40,560 Speaker 2: in the red carpet line back hallways of this industry 48 00:02:40,560 --> 00:02:43,080 Speaker 2: we call showbiz all good interesting stuff. 49 00:02:43,600 --> 00:02:46,720 Speaker 1: Yes, that's true. I guess when you say it so 50 00:02:46,880 --> 00:02:48,880 Speaker 1: fast and you hear it over and over again, you 51 00:02:48,919 --> 00:02:51,800 Speaker 1: maybe don't realize that the words have meaning and they 52 00:02:51,800 --> 00:02:56,400 Speaker 1: were chosen carefully by two mega successful superstars. 53 00:02:57,240 --> 00:02:58,000 Speaker 4: Uh. 54 00:02:58,040 --> 00:03:00,360 Speaker 2: And then the show that the craft language, Yes, and 55 00:03:00,400 --> 00:03:03,320 Speaker 2: what it's describing is a show that is good and 56 00:03:03,560 --> 00:03:06,000 Speaker 2: smart and has good things to. 57 00:03:06,600 --> 00:03:07,120 Speaker 1: Give to you. 58 00:03:07,240 --> 00:03:09,919 Speaker 2: Oh yeah, And when people listen to it and they 59 00:03:09,919 --> 00:03:12,280 Speaker 2: don't understand when if they don't listen to those words 60 00:03:12,360 --> 00:03:15,400 Speaker 2: very carefully, they might think the show is not good. Yes, 61 00:03:15,440 --> 00:03:18,840 Speaker 2: sometimes they post about it online or they skip those words. 62 00:03:18,840 --> 00:03:20,480 Speaker 1: Maybe they get in the car with their friend and 63 00:03:20,480 --> 00:03:22,960 Speaker 1: they didn't hear that part and they listen in the. 64 00:03:22,880 --> 00:03:24,760 Speaker 2: Middle, or they were going around, they were letting their 65 00:03:24,760 --> 00:03:26,679 Speaker 2: friend in the car and they were going around to 66 00:03:26,680 --> 00:03:26,919 Speaker 2: get it. 67 00:03:27,040 --> 00:03:29,040 Speaker 1: I'm trying to give people the benefit of the doubt. 68 00:03:29,320 --> 00:03:32,679 Speaker 1: There may be something there's been a misunderstanding, but they still. 69 00:03:32,480 --> 00:03:35,440 Speaker 2: Have to be a part of a punishment segment called 70 00:03:35,520 --> 00:03:38,560 Speaker 2: ant wrong m which is where we read things that 71 00:03:38,560 --> 00:03:42,720 Speaker 2: different people wrote and we explain to them what actually 72 00:03:42,760 --> 00:03:47,000 Speaker 2: happened and why their perspective of the show was not 73 00:03:47,640 --> 00:03:48,240 Speaker 2: right this time. 74 00:03:48,320 --> 00:03:48,800 Speaker 5: And in this. 75 00:03:48,920 --> 00:03:52,840 Speaker 1: Modern culture, we're so saturated with media that it is 76 00:03:53,000 --> 00:03:56,000 Speaker 1: easy to maybe be writing about a different show but 77 00:03:56,080 --> 00:03:59,600 Speaker 1: you're accidentally in our forum, or for you to be 78 00:04:00,080 --> 00:04:03,880 Speaker 1: doing something else, but you accidentally did it and said us. 79 00:04:04,160 --> 00:04:07,320 Speaker 1: And so it's easy to be ant wrong. And what 80 00:04:07,400 --> 00:04:09,920 Speaker 1: we try to do as a service is go, don't 81 00:04:09,920 --> 00:04:10,840 Speaker 1: ever do this again. 82 00:04:11,200 --> 00:04:11,880 Speaker 3: Shame on you. 83 00:04:13,280 --> 00:04:15,760 Speaker 2: And so I actually think that this first one so, 84 00:04:15,840 --> 00:04:17,599 Speaker 2: but most of these are. But we were on Comedy 85 00:04:17,600 --> 00:04:21,360 Speaker 2: Bang Bang recently, Yes, it had been a while since 86 00:04:21,360 --> 00:04:22,159 Speaker 2: we've been on there. 87 00:04:22,240 --> 00:04:24,800 Speaker 1: And uh, that's singing one of the jokes. 88 00:04:25,960 --> 00:04:28,560 Speaker 2: So this is a comment about our Comedy Bang Bang 89 00:04:28,640 --> 00:04:32,720 Speaker 2: episode from Dirk Diggler. And now I actually do think 90 00:04:32,880 --> 00:04:35,000 Speaker 2: like I was saying that this is what you had 91 00:04:35,040 --> 00:04:36,680 Speaker 2: brought up, which is that he is thinking of a 92 00:04:36,720 --> 00:04:37,360 Speaker 2: different show. 93 00:04:37,480 --> 00:04:39,640 Speaker 3: Yeah, he is actually posting about something else. 94 00:04:39,720 --> 00:04:43,400 Speaker 2: Yeah, Okay, So he says, I adore Hollywood Handbook and 95 00:04:43,440 --> 00:04:45,799 Speaker 2: Comedy Bang Bang Sean and Hayes are my favorite podcast 96 00:04:45,839 --> 00:04:46,120 Speaker 2: so far. 97 00:04:46,160 --> 00:04:48,640 Speaker 1: So far. This is a very good, interesting comment, and 98 00:04:48,720 --> 00:04:50,080 Speaker 1: it sounds like he knows the show. 99 00:04:50,680 --> 00:04:53,479 Speaker 2: I thought this episode was disappointing. Sean and Hayes are 100 00:04:53,560 --> 00:04:56,640 Speaker 2: hysterical in their own right, deliberately not understanding CBB games 101 00:04:56,640 --> 00:04:58,719 Speaker 2: gets old quickly and they've been doing that bit for 102 00:04:58,760 --> 00:04:59,400 Speaker 2: a long time. 103 00:05:00,240 --> 00:05:04,440 Speaker 1: Okay, interesting, interesting, Okay, I guess I actually don't think 104 00:05:04,480 --> 00:05:06,320 Speaker 1: it's Well. What I'll start off with is. 105 00:05:08,720 --> 00:05:09,120 Speaker 6: Wrong. 106 00:05:09,600 --> 00:05:12,360 Speaker 3: Wrong, Sorry, that's an ant wrong toake a drink at 107 00:05:12,360 --> 00:05:13,039 Speaker 3: the rug time. 108 00:05:13,000 --> 00:05:16,599 Speaker 1: That's that happens. But what But here's why I said 109 00:05:16,600 --> 00:05:20,520 Speaker 1: it's interesting because the first half of the comment he 110 00:05:21,040 --> 00:05:24,919 Speaker 1: was right, And what maybe happened is he copied and 111 00:05:25,000 --> 00:05:27,480 Speaker 1: pasted from a comment he was putting on a different 112 00:05:27,520 --> 00:05:28,840 Speaker 1: episode of something else. 113 00:05:29,000 --> 00:05:32,000 Speaker 3: Yes, I think even he knows that he may be 114 00:05:32,080 --> 00:05:32,720 Speaker 3: made a mistake. 115 00:05:32,920 --> 00:05:35,960 Speaker 1: Yes, because he actually knows the show is good and 116 00:05:36,120 --> 00:05:39,880 Speaker 1: is interesting and therefore the episode we did was not disappointing. 117 00:05:41,200 --> 00:05:41,840 Speaker 1: You know what I mean? 118 00:05:42,160 --> 00:05:44,880 Speaker 2: It does feel like they must be for two different 119 00:05:45,440 --> 00:05:46,960 Speaker 2: comments about two different things. 120 00:05:46,960 --> 00:05:52,920 Speaker 1: Well, person, halfway through the thing, he's clumsy and i've 121 00:05:53,120 --> 00:05:55,640 Speaker 1: you know, almost spilled something before, So I understand. 122 00:05:57,120 --> 00:06:00,839 Speaker 2: This is a comment on the comedy Bang Bang subreddit 123 00:06:00,920 --> 00:06:04,440 Speaker 2: from Figie cow. He says, this was a really bad episode. 124 00:06:05,200 --> 00:06:06,600 Speaker 1: Rog is a. 125 00:06:07,000 --> 00:06:10,160 Speaker 2: It was a very very good episode. It was one 126 00:06:10,200 --> 00:06:12,000 Speaker 2: of the favorites of the year by fans. 127 00:06:12,160 --> 00:06:14,719 Speaker 1: It was the best episode they've done of that show, 128 00:06:14,920 --> 00:06:17,200 Speaker 1: and it was a strong episode for us, just in 129 00:06:17,320 --> 00:06:18,320 Speaker 1: terms of podcasts and. 130 00:06:18,320 --> 00:06:19,800 Speaker 2: Just so you know, because you weren't even there for this. 131 00:06:19,839 --> 00:06:22,200 Speaker 2: Scott afterwards was like, hey, I'm sorry for doing all 132 00:06:22,200 --> 00:06:25,320 Speaker 2: my other episodes so bad before this one, which yeah, 133 00:06:25,440 --> 00:06:26,720 Speaker 2: became the good one. 134 00:06:26,800 --> 00:06:28,880 Speaker 1: And he did apologize and he offered us a bunch 135 00:06:28,920 --> 00:06:31,800 Speaker 1: of dough. He took out all the cash he had 136 00:06:31,880 --> 00:06:35,000 Speaker 1: on him, which was a lot, he was We said, no, 137 00:06:35,040 --> 00:06:37,359 Speaker 1: we'll take some of it. Yeah, we took a little 138 00:06:37,360 --> 00:06:39,280 Speaker 1: bit because on it we weren't that mad. 139 00:06:39,400 --> 00:06:41,680 Speaker 3: But actually, Figgi Caw, you weren't even there for that part. 140 00:06:41,760 --> 00:06:44,680 Speaker 1: And Figgi col if you want to take down your comment, 141 00:06:44,760 --> 00:06:46,159 Speaker 1: that's okay with us. 142 00:06:47,560 --> 00:06:51,280 Speaker 2: This one's from the Loniest Monk on the same thread. 143 00:06:51,880 --> 00:06:55,880 Speaker 2: Did this episode come off as unlistenable to anyone else? Well, 144 00:06:55,920 --> 00:06:56,720 Speaker 2: this is a question. 145 00:06:58,279 --> 00:07:04,920 Speaker 1: So I've got your auntie, sir, no, and aunt wrong 146 00:07:04,960 --> 00:07:07,760 Speaker 1: we're even to ask you that question to anyone else. 147 00:07:07,800 --> 00:07:10,000 Speaker 1: That implies that you did find it unlistable, but you 148 00:07:10,080 --> 00:07:13,440 Speaker 1: must have listened to it. You should be down voted 149 00:07:13,480 --> 00:07:15,000 Speaker 1: into oblivion. Friends. 150 00:07:15,280 --> 00:07:19,760 Speaker 2: Maybe he's referring to Figgy Cow. Oh, and maybe he's saying, 151 00:07:19,840 --> 00:07:22,320 Speaker 2: like you're saying, the episode that Figgy Cow just had, 152 00:07:22,360 --> 00:07:24,840 Speaker 2: where he was writing a comment I don't want to read. 153 00:07:25,400 --> 00:07:28,120 Speaker 3: Yes, he's saying, did this comment come off as unlistenable 154 00:07:28,120 --> 00:07:28,760 Speaker 3: to anyone else? 155 00:07:28,800 --> 00:07:31,280 Speaker 1: And he said episode by accident, so it should be unreadable. 156 00:07:31,600 --> 00:07:34,200 Speaker 1: What he wanted to say was Dad is actually wrong? 157 00:07:34,280 --> 00:07:38,480 Speaker 1: Did this comment come off as unreadable to anyone else? 158 00:07:38,840 --> 00:07:41,120 Speaker 1: And what he probably wanted to say after that, and 159 00:07:41,240 --> 00:07:43,400 Speaker 1: maybe got so disgusted with Figgy Cal he couldn't keep 160 00:07:43,400 --> 00:07:44,920 Speaker 1: t having was great episode. 161 00:07:45,240 --> 00:07:49,400 Speaker 2: So episode's already in his head. Yeah, this one's from 162 00:07:49,480 --> 00:07:58,440 Speaker 2: the fish from Vermont. No, my worst nightmares have come true. 163 00:07:58,480 --> 00:08:02,400 Speaker 1: Wrong, No, this is a freaking wet dream. Believe me, buddy. 164 00:08:02,400 --> 00:08:05,400 Speaker 1: You'll know when your worst nightmares come true. Yeah, when 165 00:08:05,400 --> 00:08:08,160 Speaker 1: your worst nightmares come true, it's when I found you 166 00:08:08,240 --> 00:08:10,640 Speaker 1: and I see you trying to write a comment like that, 167 00:08:10,840 --> 00:08:14,440 Speaker 1: and I freaking put you out. Punch your computer and 168 00:08:14,480 --> 00:08:17,240 Speaker 1: then I and when I'm hitting the computer, believe me, 169 00:08:17,320 --> 00:08:19,600 Speaker 1: I'm looking right at you, going I wish this computer 170 00:08:19,800 --> 00:08:20,160 Speaker 1: was you. 171 00:08:22,920 --> 00:08:26,080 Speaker 3: This one's from I don't know how to pronounce this one. 172 00:08:26,120 --> 00:08:27,480 Speaker 3: It sucks so bad. 173 00:08:29,040 --> 00:08:34,960 Speaker 2: Toy banned me and the ear Wolf read it spoiled 174 00:08:35,000 --> 00:08:35,680 Speaker 2: my Monday. 175 00:08:35,920 --> 00:08:40,640 Speaker 1: No wrong, Monney rocks. 176 00:08:40,720 --> 00:08:46,000 Speaker 3: Now Eddie says, oh, well, y'all have fun? 177 00:08:47,280 --> 00:08:47,600 Speaker 4: Wrong? 178 00:08:47,640 --> 00:08:50,319 Speaker 1: You have fun? No, you're the one having fun with 179 00:08:50,400 --> 00:08:53,160 Speaker 1: everyone because it's a did you hear the intro to 180 00:08:53,200 --> 00:08:56,160 Speaker 1: the show? It's funny and smart and good and we're 181 00:08:56,320 --> 00:08:59,160 Speaker 1: nice guys, and we're funny and we're doing great shows. 182 00:09:00,840 --> 00:09:02,360 Speaker 1: That's what we did on the show. 183 00:09:03,720 --> 00:09:09,600 Speaker 2: Should say I am having fun the most and so 184 00:09:09,679 --> 00:09:12,640 Speaker 2: this we also want to do something from the Mike 185 00:09:12,720 --> 00:09:14,840 Speaker 2: Lawrence episode, which people did like for the most part, 186 00:09:14,920 --> 00:09:18,520 Speaker 2: but we got a couple comments on it that we 187 00:09:18,600 --> 00:09:20,760 Speaker 2: do want to refer in general, they were very positive, 188 00:09:20,800 --> 00:09:25,920 Speaker 2: but something we want to refer to Son of a Mama, 189 00:09:27,280 --> 00:09:29,240 Speaker 2: preferring to you talk about Midnight Special. 190 00:09:29,559 --> 00:09:30,920 Speaker 1: Oh yeah, I mentioned that show. 191 00:09:31,000 --> 00:09:37,720 Speaker 2: Yeah, and Son of a Mama says, I love AHH cool, 192 00:09:38,480 --> 00:09:40,880 Speaker 2: But I don't really care about Sean's take on film. 193 00:09:41,240 --> 00:09:44,520 Speaker 2: His criticism is a pretty huge nitpick, I amo. I 194 00:09:44,520 --> 00:09:46,240 Speaker 2: think everyone agrees the film loses a little when it 195 00:09:46,240 --> 00:09:48,120 Speaker 2: gives away some of the early misticisms for a concrete 196 00:09:48,120 --> 00:09:50,360 Speaker 2: answer in the Child's powers, but it far from ruins it. 197 00:09:50,440 --> 00:09:52,280 Speaker 2: There are plenty of plot turns afterwards in the fate 198 00:09:52,280 --> 00:09:54,480 Speaker 2: of everyone is not set in stone for sure. I 199 00:09:54,480 --> 00:09:56,920 Speaker 2: remember Sean also complaining about how Imitation gave spent time 200 00:09:57,000 --> 00:09:59,839 Speaker 2: with characterization over the main plot line comedians aren't good, 201 00:10:00,360 --> 00:10:02,640 Speaker 2: and his reasoning seemed fairly weak. 202 00:10:06,520 --> 00:10:11,720 Speaker 1: Wow, that's really aunt wrong of you, boy, that's it wrong, 203 00:10:12,000 --> 00:10:16,680 Speaker 1: son of my mama. Let me think there's really only 204 00:10:16,720 --> 00:10:19,760 Speaker 1: one thing that's ant right, which is I love AHH. 205 00:10:19,880 --> 00:10:22,320 Speaker 1: Although you're even ant wrong about that, because if you 206 00:10:22,360 --> 00:10:26,000 Speaker 1: love AHH, you do really care about Sean's take on film, 207 00:10:26,120 --> 00:10:29,480 Speaker 1: because the whole fucking show is just my fucking take 208 00:10:30,200 --> 00:10:34,720 Speaker 1: and Hayes's take on fucking media and television and film 209 00:10:34,800 --> 00:10:39,240 Speaker 1: and Hollywood and actors and people in the entertainment industry 210 00:10:39,480 --> 00:10:42,800 Speaker 1: and the way they behave, and that is what AHH is. 211 00:10:43,120 --> 00:10:47,240 Speaker 1: So basically, you either do love ah or. 212 00:10:47,160 --> 00:10:49,400 Speaker 3: You don't really care about Sean's take on film. 213 00:10:49,559 --> 00:10:52,560 Speaker 1: And maybe you don't care about my take on film, 214 00:10:52,760 --> 00:10:55,560 Speaker 1: because you just wanted to put out your take on 215 00:10:55,760 --> 00:10:57,760 Speaker 1: film and have your little moment where you get to 216 00:10:57,840 --> 00:11:00,720 Speaker 1: feel like sean Hollywood handboo could get and tell everybody 217 00:11:00,720 --> 00:11:03,120 Speaker 1: what he thinks about the different things he sees, and 218 00:11:03,240 --> 00:11:05,920 Speaker 1: you're gonna now be the smart guy and actually know 219 00:11:05,960 --> 00:11:09,200 Speaker 1: what's really going on in Midnight Special, and that you 220 00:11:09,360 --> 00:11:14,559 Speaker 1: actually have to admit in your review that everyone agrees 221 00:11:14,640 --> 00:11:18,320 Speaker 1: the film loses your words a little when it gives 222 00:11:18,320 --> 00:11:21,360 Speaker 1: away some of the early mysticism. Well, the whole fucking 223 00:11:21,800 --> 00:11:23,760 Speaker 1: first half of the movie is just hinged on you 224 00:11:23,840 --> 00:11:25,960 Speaker 1: being curious about the early mistism and the cult and 225 00:11:26,000 --> 00:11:29,000 Speaker 1: all that, and it essentially is just the audience sort 226 00:11:29,040 --> 00:11:31,680 Speaker 1: of putting together the puzzle pieces of trying to figure 227 00:11:31,679 --> 00:11:35,160 Speaker 1: out exactly what's going on. And my experience was, as 228 00:11:35,200 --> 00:11:38,240 Speaker 1: soon as I'd gotten the edges of the puzzle in place, 229 00:11:38,440 --> 00:11:41,160 Speaker 1: I found out that the entire center of the puzzle 230 00:11:41,520 --> 00:11:44,360 Speaker 1: was just one big piece that got dropped in in 231 00:11:44,400 --> 00:11:46,400 Speaker 1: a moment. But I still had to sit there and 232 00:11:46,520 --> 00:11:49,960 Speaker 1: look at the finished puzzle for another hour and twenty minutes. 233 00:11:50,120 --> 00:11:54,680 Speaker 1: So my experience at the film was not that enjoyable, 234 00:11:54,920 --> 00:11:58,880 Speaker 1: but you liked it, So I guess you are the 235 00:11:58,920 --> 00:12:01,439 Speaker 1: person who does have a take on film we all 236 00:12:01,480 --> 00:12:05,679 Speaker 1: need to hear. And is it true I guess that 237 00:12:06,080 --> 00:12:09,520 Speaker 1: comedians don't make good critics? Is that a good characterization 238 00:12:09,640 --> 00:12:12,440 Speaker 1: to make that entire profession wouldn't make good critics? A 239 00:12:12,520 --> 00:12:20,079 Speaker 1: profession who basically only thinks about media and people and 240 00:12:20,240 --> 00:12:24,480 Speaker 1: structuring stories and jokes and trying to come up with 241 00:12:24,920 --> 00:12:28,120 Speaker 1: ways to surprise comedy is just surprised. We've gone over that, 242 00:12:29,400 --> 00:12:32,040 Speaker 1: which is something that maybe a lot of films want 243 00:12:32,040 --> 00:12:34,480 Speaker 1: to try to do too, is give you information and 244 00:12:34,640 --> 00:12:37,360 Speaker 1: entertaining a surprising way. And isn't that what comedians want 245 00:12:37,400 --> 00:12:40,560 Speaker 1: to do? And I also wonder, since you know so 246 00:12:40,720 --> 00:12:44,240 Speaker 1: much what jobs are good critics, what exactly is your 247 00:12:44,320 --> 00:12:46,520 Speaker 1: job that makes you such a good critic? I mean, 248 00:12:46,679 --> 00:12:49,080 Speaker 1: I know that you're on Reddit writing a comment, so 249 00:12:49,440 --> 00:12:52,120 Speaker 1: you must be what the fucking AO Scott from the 250 00:12:52,160 --> 00:12:55,120 Speaker 1: fucking New York Times or are you just some fucking 251 00:12:55,320 --> 00:12:59,080 Speaker 1: schmuck who didn't like what I said about a movie 252 00:12:59,080 --> 00:13:01,520 Speaker 1: because you liked it, you feel dumb that you didn't 253 00:13:01,800 --> 00:13:04,360 Speaker 1: get it, that they screwed up the movie, And by 254 00:13:04,440 --> 00:13:07,120 Speaker 1: the way. If I don't like the fucking parts of 255 00:13:07,160 --> 00:13:09,480 Speaker 1: Imitation Game where it's a bunch of little kids acting, 256 00:13:09,559 --> 00:13:11,120 Speaker 1: and I did like the other parts of it, and 257 00:13:11,160 --> 00:13:13,440 Speaker 1: I wanted to stop going back to that, that doesn't 258 00:13:13,440 --> 00:13:16,000 Speaker 1: mean that I don't understand the concept of characterization. It 259 00:13:16,040 --> 00:13:18,680 Speaker 1: means I didn't enjoy watching that part of the film. 260 00:13:18,760 --> 00:13:21,640 Speaker 1: And I'm allowed to say that without someone taking the 261 00:13:21,800 --> 00:13:24,000 Speaker 1: entire profession, which, by the way, I'm not really comedian. 262 00:13:24,040 --> 00:13:26,720 Speaker 1: I'm actually fucking screenwriter, and that's what I get paid 263 00:13:26,760 --> 00:13:29,480 Speaker 1: to do more than I don't do fucking stand up jokes. Okay, 264 00:13:29,720 --> 00:13:33,000 Speaker 1: so yeah, I think I thought a lot about stories 265 00:13:33,440 --> 00:13:37,120 Speaker 1: and fucking putting them on the screen for people to enjoy. 266 00:13:37,400 --> 00:13:40,640 Speaker 1: So let's just that's just a side note. But what 267 00:13:40,800 --> 00:13:45,679 Speaker 1: is it that you do again? I can't remember, so anyway, 268 00:13:46,280 --> 00:13:50,679 Speaker 1: it's a nitpick to you. They're from forty minutes into 269 00:13:50,679 --> 00:13:52,280 Speaker 1: the film. I don't like the movie anymore. 270 00:13:52,800 --> 00:13:53,400 Speaker 3: I don't know. 271 00:13:53,600 --> 00:13:55,760 Speaker 1: That doesn't feel that nitpicky to me. There were plenty 272 00:13:55,840 --> 00:13:58,480 Speaker 1: of plot twists for you. Let me ask you something, 273 00:13:58,520 --> 00:14:01,600 Speaker 1: Son of a Mama. Was there any point where you 274 00:14:01,640 --> 00:14:03,960 Speaker 1: didn't think the kid was going to get to the 275 00:14:04,000 --> 00:14:06,400 Speaker 1: fucking drop zone at the moment that he needed to 276 00:14:06,440 --> 00:14:10,719 Speaker 1: be there. No, you knew he was going to get there. 277 00:14:11,840 --> 00:14:14,880 Speaker 1: Did you not know what was gonna happen? After he said, like, 278 00:14:14,920 --> 00:14:17,800 Speaker 1: the aliens live in the world, but they're just in 279 00:14:17,840 --> 00:14:19,800 Speaker 1: a layer that we can't see. No, you knew that 280 00:14:19,840 --> 00:14:21,200 Speaker 1: you were gonna see Lair of Aliens. He was going 281 00:14:21,240 --> 00:14:24,960 Speaker 1: to walk in there. So the movie was over. So 282 00:14:24,960 --> 00:14:28,640 Speaker 1: son of a Mama, Maybe next time you want to 283 00:14:28,680 --> 00:14:35,480 Speaker 1: write a comment, I Reddit, don't be so at wrong? Okay? 284 00:14:35,880 --> 00:14:39,120 Speaker 1: And I oh and he reasoning seemed fairly weak. 285 00:14:39,120 --> 00:14:42,000 Speaker 3: He wrote that it should be his reasoning. Yeah, that 286 00:14:42,120 --> 00:14:47,520 Speaker 3: is wrong, you know I did. I did like the movie. 287 00:14:47,720 --> 00:14:49,680 Speaker 3: Oh yeah, hees like Vindai Special. 288 00:14:50,520 --> 00:14:51,480 Speaker 1: So that was a wrong. 289 00:14:53,160 --> 00:14:55,720 Speaker 2: We're coming back and we're gonna have a guest this 290 00:14:55,880 --> 00:14:59,120 Speaker 2: time on Hollywood Handbook. 291 00:15:00,240 --> 00:15:00,680 Speaker 4: Hammock. 292 00:15:06,400 --> 00:15:09,120 Speaker 1: So Max. 293 00:15:10,480 --> 00:15:15,880 Speaker 3: Weinberg and I. 294 00:15:13,800 --> 00:15:14,720 Speaker 1: Or dim Sum. 295 00:15:14,760 --> 00:15:17,320 Speaker 2: We've almost made it all the way through the whole cart, 296 00:15:17,440 --> 00:15:18,040 Speaker 2: through the whole. 297 00:15:17,960 --> 00:15:20,160 Speaker 1: Dim Sum cart. Give me some of that eat the cart. 298 00:15:20,240 --> 00:15:20,760 Speaker 1: I'll check them. 299 00:15:20,800 --> 00:15:23,280 Speaker 3: I'll say you want to go eat the cart and 300 00:15:23,400 --> 00:15:26,920 Speaker 3: he'll say, yes, let's go. And so we're finishing up 301 00:15:27,600 --> 00:15:32,040 Speaker 3: and he puts the chopsticks kind of under his top lip. 302 00:15:32,520 --> 00:15:34,080 Speaker 3: They're coming down in a way to make them look 303 00:15:34,160 --> 00:15:37,720 Speaker 3: like a walrus. They're funny, That's what I said. If 304 00:15:37,720 --> 00:15:39,440 Speaker 3: I start laughing. 305 00:15:39,320 --> 00:15:43,960 Speaker 2: Yep, and he his face kind of like scrunches up 306 00:15:44,680 --> 00:15:48,520 Speaker 2: like he's gonna cry. After he does that, he looks 307 00:15:48,680 --> 00:15:53,560 Speaker 2: really sad, and I'm a Max, Max, what what, What's wrong? 308 00:15:54,120 --> 00:15:56,080 Speaker 2: And I guess he wasn't. He felt like I was 309 00:15:56,160 --> 00:15:59,120 Speaker 2: laughing at him, and he wasn't doing that to be funny. 310 00:15:59,120 --> 00:16:03,200 Speaker 2: He actually was very self conscious about what I would think. 311 00:16:04,400 --> 00:16:08,360 Speaker 1: Well, okay, so he wanted to look at he do it. Oh, 312 00:16:08,440 --> 00:16:11,560 Speaker 1: he was doing it to be handsome for you. 313 00:16:12,000 --> 00:16:13,600 Speaker 2: I think he was trying to impress me and be 314 00:16:13,680 --> 00:16:15,920 Speaker 2: handsome and think that I would like to see him 315 00:16:15,960 --> 00:16:17,600 Speaker 2: with such big teeth. 316 00:16:18,320 --> 00:16:24,760 Speaker 1: Ah, because Dracula's sexy in our culture today to Twilight movies. 317 00:16:25,320 --> 00:16:28,000 Speaker 1: As much as I think that's perverted and sick to 318 00:16:28,040 --> 00:16:32,120 Speaker 1: have a monster be a sex symbol. Max doesn't know that. Yes, now, 319 00:16:32,440 --> 00:16:35,480 Speaker 1: so did you at any point when you wanted more 320 00:16:35,560 --> 00:16:36,520 Speaker 1: dim sum and they. 321 00:16:36,400 --> 00:16:38,440 Speaker 3: Sort of go by with the cart, Go give me 322 00:16:38,520 --> 00:16:41,720 Speaker 3: some of that. Now, I understand that's your thing. 323 00:16:41,880 --> 00:16:45,240 Speaker 1: And but when I said it, big laugh there was 324 00:16:45,320 --> 00:16:46,080 Speaker 1: nothing there. 325 00:16:46,280 --> 00:16:47,880 Speaker 3: Well, now I'm self conscious. 326 00:16:48,080 --> 00:16:50,920 Speaker 1: You think when you laugh, I'm gonna get because I'm saying. 327 00:16:51,640 --> 00:16:53,360 Speaker 1: I'm saying it just to be handsome to you do 328 00:16:53,520 --> 00:16:57,440 Speaker 1: me some of that. Oh, that's too bad that he's 329 00:16:57,560 --> 00:17:00,280 Speaker 1: such a whiny Wineberg that he got sad about that 330 00:17:02,920 --> 00:17:05,480 Speaker 1: handbook and an insider's guy to kicking button dropping names? 331 00:17:05,600 --> 00:17:06,800 Speaker 1: Are those people still out there? 332 00:17:06,840 --> 00:17:07,199 Speaker 3: Brett? 333 00:17:07,240 --> 00:17:10,520 Speaker 1: I feel like I heard a noise. No, that's just me. 334 00:17:11,680 --> 00:17:14,359 Speaker 2: You made a clumping noise because outside there were people 335 00:17:14,400 --> 00:17:15,159 Speaker 2: before doing that. 336 00:17:15,240 --> 00:17:17,639 Speaker 1: There were people outside, and Brett, once the door opened, 337 00:17:17,680 --> 00:17:19,520 Speaker 1: and it's hard for me, I would need to have 338 00:17:19,600 --> 00:17:21,120 Speaker 1: it to my back or something. But when I can 339 00:17:21,200 --> 00:17:23,280 Speaker 1: look and see outside, I feel like I can't record 340 00:17:23,280 --> 00:17:24,080 Speaker 1: the podcast right. 341 00:17:24,160 --> 00:17:27,560 Speaker 2: And dropping names in this industry we call showbiz. And 342 00:17:27,600 --> 00:17:29,440 Speaker 2: earlier before you heard I'm. 343 00:17:29,320 --> 00:17:30,120 Speaker 3: Going to close the door. 344 00:17:31,080 --> 00:17:34,560 Speaker 1: I'll close it. I don't want it open. That was 345 00:17:34,640 --> 00:17:37,840 Speaker 1: me clumping, but I don't want it open. 346 00:17:37,880 --> 00:17:40,000 Speaker 3: And he's doing a clumping again, and it did sound 347 00:17:40,040 --> 00:17:41,080 Speaker 3: like I was haing before. 348 00:17:44,200 --> 00:17:46,560 Speaker 1: And what I was saying is earlier before you heard 349 00:17:46,560 --> 00:17:52,359 Speaker 1: a song with a singer and they were playing music. 350 00:17:52,240 --> 00:17:54,920 Speaker 2: And normally you just hear the song, and it's on tape, 351 00:17:54,920 --> 00:17:56,560 Speaker 2: but that was a live per format. 352 00:17:56,720 --> 00:18:00,200 Speaker 1: Yeah, that was a special live edition. And you're thinking, 353 00:18:01,040 --> 00:18:03,720 Speaker 1: wait a minute, I didn't hear a song, but you did. 354 00:18:04,200 --> 00:18:07,320 Speaker 1: And you always hear the song on the show. And 355 00:18:07,400 --> 00:18:10,080 Speaker 1: it's the theme song and it's from the show and 356 00:18:10,119 --> 00:18:12,840 Speaker 1: it's written by a very special woman. 357 00:18:14,080 --> 00:18:16,919 Speaker 3: And very proud noble woman. 358 00:18:17,280 --> 00:18:21,920 Speaker 1: And a song woman. Her name is Annalise. And why 359 00:18:21,920 --> 00:18:24,520 Speaker 1: did she play it live? Because she's here, sant Elise 360 00:18:24,640 --> 00:18:29,640 Speaker 1: is here, and you and say saying it sing into 361 00:18:29,640 --> 00:18:31,880 Speaker 1: the microphone, but then just talk it and give them 362 00:18:31,880 --> 00:18:32,320 Speaker 1: a what up? 363 00:18:32,320 --> 00:18:32,800 Speaker 3: What up? 364 00:18:33,680 --> 00:18:34,160 Speaker 4: What up? 365 00:18:34,200 --> 00:18:34,720 Speaker 5: What up? 366 00:18:34,920 --> 00:18:39,680 Speaker 1: Hey? And that's those pipes. What a nice boye those 367 00:18:39,720 --> 00:18:40,520 Speaker 1: golden pipes. 368 00:18:40,640 --> 00:18:42,520 Speaker 2: And at least we love when you do songs for us. 369 00:18:42,560 --> 00:18:45,760 Speaker 2: And we loved the song for this show, and we 370 00:18:46,080 --> 00:18:49,280 Speaker 2: love the other show song that I guess other people 371 00:18:49,280 --> 00:18:51,280 Speaker 2: weren't as enthusiastic about because it did not get a 372 00:18:51,320 --> 00:18:54,760 Speaker 2: lot of attention for the show. But we we thought 373 00:18:54,760 --> 00:18:57,119 Speaker 2: it was good. So that's on us. That's not your fault, 374 00:18:57,280 --> 00:18:57,679 Speaker 2: thank you. 375 00:18:58,359 --> 00:19:01,520 Speaker 1: Now, we've loved how well the song has served us. 376 00:19:02,680 --> 00:19:05,320 Speaker 1: It maybe has peaked. I saw a tweet the other 377 00:19:05,400 --> 00:19:08,080 Speaker 1: day that said it maybe the most beautiful song ever recorded. 378 00:19:08,280 --> 00:19:11,600 Speaker 1: Maybe maybe not. I also saw that I was involved 379 00:19:11,600 --> 00:19:15,879 Speaker 1: in the writing of it. So maybe it's time for 380 00:19:16,000 --> 00:19:20,320 Speaker 1: us to get fresh get now, maybe we workshop. 381 00:19:19,880 --> 00:19:22,120 Speaker 3: A song today, not get fresh with you? 382 00:19:22,119 --> 00:19:22,359 Speaker 1: You know. 383 00:19:22,720 --> 00:19:26,200 Speaker 2: No, when he says that, that's not what some people might, 384 00:19:26,280 --> 00:19:28,600 Speaker 2: but some people might. And the music business is like that, 385 00:19:28,720 --> 00:19:29,520 Speaker 2: isn't it. 386 00:19:29,520 --> 00:19:32,960 Speaker 5: It's very much like that. Yeah, it's always like that. 387 00:19:33,040 --> 00:19:36,760 Speaker 1: Who's the freshest, who's the freshest one? You've worked with 388 00:19:36,880 --> 00:19:38,919 Speaker 1: a bad big name in a bad way, in a 389 00:19:39,000 --> 00:19:42,080 Speaker 1: bad way, and not Michael Jackson, bad way. 390 00:19:44,680 --> 00:19:44,920 Speaker 5: Man. 391 00:19:45,000 --> 00:19:52,479 Speaker 1: There's so many, Yeah, and even one name, right, And Brett, 392 00:19:52,640 --> 00:19:55,040 Speaker 1: by the way, is in the music industry, and Brett 393 00:19:55,119 --> 00:19:58,400 Speaker 1: knows too. Yes, So if that's the name, you say, 394 00:19:58,520 --> 00:20:02,359 Speaker 1: engineer Brett, you know, I'm not gonna hold it against 395 00:20:02,440 --> 00:20:06,080 Speaker 1: you or him, but he might, but he may. He 396 00:20:06,160 --> 00:20:10,240 Speaker 1: might hold it against you or try to. Now, what 397 00:20:10,400 --> 00:20:17,360 Speaker 1: I would say is it's time for us to have 398 00:20:17,440 --> 00:20:21,160 Speaker 1: some transparency in this industry, isn't it, And to actually 399 00:20:21,720 --> 00:20:24,800 Speaker 1: show people what the process is of writing a hit 400 00:20:24,920 --> 00:20:29,760 Speaker 1: song like our original theme song. Yes, and so let's 401 00:20:29,880 --> 00:20:32,840 Speaker 1: just crack in and just give us a ukulele strum 402 00:20:32,920 --> 00:20:37,520 Speaker 1: and we'll just hear a little bit, just just strum it, 403 00:20:37,600 --> 00:20:40,080 Speaker 1: and just we'll hear the quality of it, and that'll 404 00:20:40,080 --> 00:20:47,480 Speaker 1: give us inspiration. And where are you transported to? Hum? Hum? 405 00:20:47,520 --> 00:20:52,560 Speaker 1: And where did that take you? The beach? Yeah? I 406 00:20:52,600 --> 00:20:56,119 Speaker 1: felt like I was on the beach as well. Do 407 00:20:56,160 --> 00:20:57,320 Speaker 1: you know Jason Moras? 408 00:20:58,720 --> 00:20:59,920 Speaker 5: I'm familiar with Jason? 409 00:21:00,720 --> 00:21:03,920 Speaker 1: Yes? Huh, yes, he does. Is that it? 410 00:21:04,400 --> 00:21:04,640 Speaker 5: Yes? 411 00:21:04,720 --> 00:21:05,080 Speaker 1: Is that his? 412 00:21:05,280 --> 00:21:06,040 Speaker 5: This actually is his? 413 00:21:06,280 --> 00:21:07,480 Speaker 3: Oh wow boy? 414 00:21:08,320 --> 00:21:10,560 Speaker 1: And so isn't that exciting listeners? 415 00:21:10,720 --> 00:21:13,040 Speaker 3: Yeah, it makes me a little scared. Oh yeah, come 416 00:21:13,080 --> 00:21:16,760 Speaker 3: in and throw his hat at me. It looks shocked. 417 00:21:16,880 --> 00:21:18,800 Speaker 1: Yeah. 418 00:21:18,920 --> 00:21:21,720 Speaker 3: Now, okay, let me think of what a good song 419 00:21:21,760 --> 00:21:23,480 Speaker 3: would be, because I got a little bored of the 420 00:21:23,560 --> 00:21:25,240 Speaker 3: last one from listening to it too much. 421 00:21:25,320 --> 00:21:28,080 Speaker 1: Mm hmm. Even the best stuff there could be too 422 00:21:28,119 --> 00:21:28,640 Speaker 1: much of a good. 423 00:21:28,640 --> 00:21:30,600 Speaker 2: And that's good transparency because a lot of these guys 424 00:21:30,600 --> 00:21:32,360 Speaker 2: say that they can listen to their songs forever and 425 00:21:32,400 --> 00:21:34,199 Speaker 2: they still like it just as much. But yeah, the 426 00:21:34,240 --> 00:21:35,840 Speaker 2: truth is, you get bored of it and sometimes you 427 00:21:35,840 --> 00:21:37,000 Speaker 2: don't even hear it anymore. 428 00:21:37,080 --> 00:21:38,840 Speaker 1: You have ever gotten sick of one of your songs 429 00:21:38,880 --> 00:21:43,639 Speaker 1: and release? Oh yeah, even you even me. 430 00:21:44,480 --> 00:21:49,040 Speaker 6: Uh No, I've never gotten actually physically ill from listening 431 00:21:49,040 --> 00:21:52,000 Speaker 6: to my own music, but I've certainly grown you. 432 00:21:52,880 --> 00:21:56,080 Speaker 1: Yeah, And was it your favorite song at one point 433 00:21:56,080 --> 00:21:57,639 Speaker 1: that you got sick of because you played it too 434 00:21:57,680 --> 00:21:58,960 Speaker 1: much because you thought it was so good. 435 00:22:01,720 --> 00:22:04,480 Speaker 5: It's kind of like, you know how the latest thing 436 00:22:04,520 --> 00:22:07,720 Speaker 5: you do is always your favorite thing, right, Yeah? 437 00:22:07,800 --> 00:22:09,160 Speaker 1: Yeah, so something. 438 00:22:08,840 --> 00:22:12,560 Speaker 6: That you thought was really good and then hindsight you realize. 439 00:22:12,320 --> 00:22:14,960 Speaker 1: Like the Jake and Emir episode exactly. 440 00:22:15,080 --> 00:22:20,160 Speaker 7: M hmmm, I've gotten sick from my just in case 441 00:22:20,200 --> 00:22:24,840 Speaker 7: you guys are wondering physically sick physic Yeah, I barfed. 442 00:22:25,040 --> 00:22:27,600 Speaker 1: Well, you do a lot of noise experimentation trying to 443 00:22:27,680 --> 00:22:28,840 Speaker 1: generate physical. 444 00:22:28,960 --> 00:22:32,199 Speaker 7: Wave from my own guitar solo. One time it was 445 00:22:32,320 --> 00:22:36,720 Speaker 7: so kick ass. I barfed, wow blood and. 446 00:22:38,240 --> 00:22:43,600 Speaker 1: Wow. You know, I believe you. We have a musician here. 447 00:22:43,640 --> 00:22:44,840 Speaker 1: She does seem to believe you. 448 00:22:44,920 --> 00:22:48,119 Speaker 2: But I heard that was a lot later that you, like, 449 00:22:48,200 --> 00:22:50,199 Speaker 2: you played the guitar solo, but that it was like 450 00:22:50,920 --> 00:22:52,320 Speaker 2: a month and a half later. 451 00:22:53,400 --> 00:22:55,240 Speaker 1: That you threw up, And then you said it was 452 00:22:55,280 --> 00:22:57,919 Speaker 1: from the guitar solo, and that the day before you 453 00:22:58,000 --> 00:23:01,520 Speaker 1: threw up, that someone what you ate was not something 454 00:23:01,520 --> 00:23:04,359 Speaker 1: people would normally eat or categorize as food. 455 00:23:04,480 --> 00:23:05,240 Speaker 3: Is that true? 456 00:23:07,359 --> 00:23:10,600 Speaker 7: Yes, that's true, but you can't you can't say the 457 00:23:10,640 --> 00:23:11,680 Speaker 7: one caused the other. 458 00:23:12,160 --> 00:23:15,359 Speaker 3: But you can say that about your much earlier guitar solo. 459 00:23:16,800 --> 00:23:20,800 Speaker 7: Yeah, yes I can, because it was so kick ass. 460 00:23:21,240 --> 00:23:22,280 Speaker 7: Everyone agreed. 461 00:23:22,720 --> 00:23:24,760 Speaker 1: What were some of the big notes you were playing 462 00:23:24,800 --> 00:23:30,240 Speaker 1: that were so good? The big notes? Yeah? Like was 463 00:23:30,280 --> 00:23:33,560 Speaker 1: it kind we're talking power chords or what there was 464 00:23:33,720 --> 00:23:40,000 Speaker 1: like a good? Like a thank you? Look a little sick? 465 00:23:40,800 --> 00:23:41,159 Speaker 3: Yeah? 466 00:23:41,280 --> 00:23:47,800 Speaker 1: That actually makes me say now and at least can 467 00:23:47,840 --> 00:23:49,359 Speaker 1: you play that note for us so just so we 468 00:23:49,400 --> 00:23:51,359 Speaker 1: can hear it? You know, not from Brett? 469 00:23:52,200 --> 00:23:54,600 Speaker 5: I mean, can you what was? 470 00:23:56,960 --> 00:23:58,440 Speaker 1: I don't think he has a lot more of those. 471 00:23:58,520 --> 00:24:02,080 Speaker 1: He doesn't have a lot of vocabulary around music. Yeah, 472 00:24:02,280 --> 00:24:04,480 Speaker 1: I don't see the way whammy bar? 473 00:24:04,880 --> 00:24:08,119 Speaker 6: Oh oh yeahah, I didn't bring the ukulele with the 474 00:24:08,119 --> 00:24:08,639 Speaker 6: whammy bar. 475 00:24:08,840 --> 00:24:13,600 Speaker 3: Oh damn? Okay, bad luck next time? Well, what it 476 00:24:13,640 --> 00:24:14,920 Speaker 3: would be a good? What's now? 477 00:24:15,000 --> 00:24:18,200 Speaker 2: What are people listening to on the radio that they 478 00:24:18,240 --> 00:24:19,399 Speaker 2: think is so good? 479 00:24:20,080 --> 00:24:20,800 Speaker 1: Yeah? 480 00:24:22,640 --> 00:24:23,680 Speaker 3: Something gritty? 481 00:24:23,840 --> 00:24:25,479 Speaker 1: Doesn't it feel like music's gotten grittier? 482 00:24:26,400 --> 00:24:26,600 Speaker 3: You know? 483 00:24:27,280 --> 00:24:31,240 Speaker 5: Uh? You know what I really like about music? Right? 484 00:24:31,400 --> 00:24:39,280 Speaker 8: Now I feel like it's taking a turn towards acoustic. 485 00:24:40,119 --> 00:24:45,240 Speaker 8: Oh wow, people are going away from all this overproduction. 486 00:24:45,640 --> 00:24:48,840 Speaker 1: It's anthemic and it's like, let's strip it down and 487 00:24:48,920 --> 00:24:50,680 Speaker 1: just get into the nitty gritty. 488 00:24:50,760 --> 00:24:51,280 Speaker 5: That's right. 489 00:24:51,480 --> 00:24:55,159 Speaker 3: Yeah, like Pink said, that's good. I want I do 490 00:24:55,240 --> 00:25:00,000 Speaker 3: want this to be about that, like drinking and stuff 491 00:25:00,080 --> 00:25:02,200 Speaker 3: and like having fun like at. 492 00:25:02,040 --> 00:25:04,439 Speaker 1: The Definitely want people to be able to listen to 493 00:25:04,480 --> 00:25:06,400 Speaker 1: it at the club, which is a big complaint about 494 00:25:06,400 --> 00:25:10,159 Speaker 1: our podcast that people, sure they're having fun listening to it, 495 00:25:10,200 --> 00:25:12,320 Speaker 1: but when they put it on at the club, it 496 00:25:12,400 --> 00:25:13,760 Speaker 1: kind of shuts the place down. 497 00:25:14,680 --> 00:25:17,040 Speaker 2: Okay, yea, So just the idea of that, because it 498 00:25:17,080 --> 00:25:18,840 Speaker 2: can be gritty and stripped down and all that, but 499 00:25:19,040 --> 00:25:21,720 Speaker 2: just for sure this idea of like a raise your 500 00:25:21,760 --> 00:25:23,880 Speaker 2: glass kind of sentiment. 501 00:25:23,960 --> 00:25:27,800 Speaker 1: Not exactly, no, exactly that and we've checked, but we 502 00:25:27,840 --> 00:25:34,080 Speaker 1: could say something like tip your mug. Yeah, yeah, can 503 00:25:34,119 --> 00:25:36,320 Speaker 1: you give us a taste of like a tip your 504 00:25:36,400 --> 00:25:43,560 Speaker 1: mug kind of anthem? That is about Hollywood, a. 505 00:25:43,560 --> 00:25:44,840 Speaker 5: Tip your mug anthem. 506 00:25:45,040 --> 00:25:50,440 Speaker 1: Yeah, that's about getting fucked up, getting blitzed, that's about 507 00:25:51,040 --> 00:25:57,840 Speaker 1: a list stars, that's about transparency, entertainment, that's about being 508 00:25:57,840 --> 00:26:01,520 Speaker 1: a number one podcast, and that's about having fun with 509 00:26:01,560 --> 00:26:06,560 Speaker 1: your friends and girls. Oh and it's a smart, funny, 510 00:26:06,600 --> 00:26:08,920 Speaker 1: nice show with cool guys who are fun to be around. 511 00:26:08,960 --> 00:26:10,640 Speaker 6: Okay, let me see, let me see if I can 512 00:26:10,640 --> 00:26:12,080 Speaker 6: think of something maybe like. 513 00:26:15,760 --> 00:26:26,400 Speaker 5: Oh geez, let's see like the tip your mug thing? 514 00:26:26,640 --> 00:26:28,480 Speaker 1: You want me? You want me to come in with that? 515 00:26:29,720 --> 00:26:31,880 Speaker 1: Do you want to do that's the part that's giving 516 00:26:31,920 --> 00:26:34,880 Speaker 1: you trouble? Yeah, do you want to just do? Take 517 00:26:34,920 --> 00:26:37,560 Speaker 1: care of the other stuff? It should take care of 518 00:26:37,560 --> 00:26:40,800 Speaker 1: the other stuff done pretty aggressively. I think, maybe take 519 00:26:40,800 --> 00:26:42,600 Speaker 1: care of the other stuff. And I'll interrupt you by 520 00:26:42,640 --> 00:26:45,480 Speaker 1: insisting someone tips their mug. Yeah, just like just when 521 00:26:45,520 --> 00:26:48,720 Speaker 1: I feel it. It should be like, yeah, but you just 522 00:26:48,760 --> 00:26:51,720 Speaker 1: take care of the Hollywood A list celebs, nice, funny, 523 00:26:51,720 --> 00:26:54,200 Speaker 1: smart guys doing a fun podcast with their friends, partying. 524 00:26:54,320 --> 00:26:57,720 Speaker 1: There's girls, okay, and you and you're ready to blast off. 525 00:26:57,800 --> 00:27:00,840 Speaker 3: And I'll be the guy that is like, it has 526 00:27:00,880 --> 00:27:02,240 Speaker 3: the mug and it's considering it. 527 00:27:02,400 --> 00:27:06,119 Speaker 7: Yeah, I'm telling you, And hug rhymes with mug and 528 00:27:06,200 --> 00:27:06,960 Speaker 7: Brett's got that. 529 00:27:07,080 --> 00:27:08,120 Speaker 3: On the chamber. 530 00:27:08,480 --> 00:27:09,400 Speaker 5: Maybe something like. 531 00:27:11,920 --> 00:27:18,400 Speaker 6: Hollywood Hambook where there's smart funny guys. There's always tons 532 00:27:18,480 --> 00:27:25,720 Speaker 6: of girls around. Everybody's getting fucked up because it's the 533 00:27:25,760 --> 00:27:27,719 Speaker 6: Hollywood Hambook. 534 00:27:29,760 --> 00:27:30,760 Speaker 5: Kind of like that. 535 00:27:30,760 --> 00:27:33,760 Speaker 1: That's so good And I didn't even find a spot 536 00:27:33,840 --> 00:27:35,399 Speaker 1: to say, hey, tip your mug. 537 00:27:36,000 --> 00:27:38,240 Speaker 2: It makes me want to do it anyway without having 538 00:27:38,280 --> 00:27:40,480 Speaker 2: to even be peer pressure, because wow, it feels like 539 00:27:40,680 --> 00:27:42,120 Speaker 2: it's replied. 540 00:27:41,720 --> 00:27:44,359 Speaker 1: Having so much fun. Yeah, because it feels like anyone 541 00:27:44,400 --> 00:27:46,680 Speaker 1: who's not tipping their mug is probably not hear being 542 00:27:46,760 --> 00:27:49,480 Speaker 1: able to really enjoy the song, yes, and probably can't 543 00:27:49,480 --> 00:27:51,200 Speaker 1: listen to the podcast and have fun either. 544 00:27:51,520 --> 00:27:53,520 Speaker 3: Right, Gosh, that was good. 545 00:27:54,000 --> 00:27:58,120 Speaker 1: Okay, can I say what it's missing? Maybe, yes, it's 546 00:27:58,200 --> 00:28:02,160 Speaker 1: just the sort of Lemonade eight element of like maybe 547 00:28:02,200 --> 00:28:05,600 Speaker 1: we're mad at someone. Sure, that's a good idea, and 548 00:28:05,680 --> 00:28:09,840 Speaker 1: we're gonna forgive them. And maybe it's maybe it's ear 549 00:28:09,880 --> 00:28:13,639 Speaker 1: Wolf maybe a specific time, Yeah, that could be interesting. 550 00:28:13,680 --> 00:28:15,760 Speaker 1: Maybe it's like Kevin Pollack that we're mad at because 551 00:28:15,800 --> 00:28:17,479 Speaker 1: once he said he would be on the show and 552 00:28:17,520 --> 00:28:20,960 Speaker 1: then we and then rescheduled on us and then didn't 553 00:28:21,080 --> 00:28:24,359 Speaker 1: reschedule it never. So maybe it's about that specific moment 554 00:28:24,480 --> 00:28:27,360 Speaker 1: and like, but like just alluding to it so people 555 00:28:27,440 --> 00:28:30,000 Speaker 1: can like be speculating, but we want to also forgive 556 00:28:30,080 --> 00:28:35,280 Speaker 1: Kevin Pollack, and maybe we released this song on his podcast, right, Okay, 557 00:28:35,320 --> 00:28:35,960 Speaker 1: you know what I mean? 558 00:28:36,119 --> 00:28:37,320 Speaker 5: Yeah, I think I do. 559 00:28:37,880 --> 00:28:41,080 Speaker 3: It's like one you know, one time. Yeah, so it's 560 00:28:41,120 --> 00:28:42,760 Speaker 3: like the second It could be like kind of. 561 00:28:42,760 --> 00:28:45,040 Speaker 1: The second verse. This is gonna be much longer than 562 00:28:45,040 --> 00:28:46,080 Speaker 1: our first song, I think. 563 00:28:46,240 --> 00:28:50,840 Speaker 5: Okay, yeah, so should I feeling this? Yeah, I'm feeling it. 564 00:28:51,120 --> 00:28:51,640 Speaker 5: Feeling it? 565 00:28:51,800 --> 00:28:54,440 Speaker 1: Say his name, yeah, Kevin Pollack, say Kevin Pollack. 566 00:28:54,520 --> 00:29:01,719 Speaker 6: Yeah, so it's not like it's not like just you know, 567 00:29:01,880 --> 00:29:03,320 Speaker 6: we want him to know it's. 568 00:29:03,480 --> 00:29:05,040 Speaker 1: Yeah, it's not subtle at all. 569 00:29:05,320 --> 00:29:06,680 Speaker 5: Okay, okay, yeah, that's what it is. 570 00:29:07,520 --> 00:29:13,040 Speaker 1: We'd like him to hear it. So it should begin 571 00:29:13,080 --> 00:29:13,720 Speaker 1: with one time. 572 00:29:14,280 --> 00:29:14,760 Speaker 3: Mm hmmm. 573 00:29:15,960 --> 00:29:19,120 Speaker 6: One time Kevin Pollock was supposed to be on the 574 00:29:19,160 --> 00:29:22,680 Speaker 6: Hollywood Handbook and he said he was going to reschedule, 575 00:29:22,800 --> 00:29:26,160 Speaker 6: but he never did, and he might have missed the 576 00:29:26,160 --> 00:29:30,200 Speaker 6: biggest opportunity of his life with an asshole. 577 00:29:31,120 --> 00:29:33,480 Speaker 2: Yeah, except the one sentiment I would like is like 578 00:29:33,520 --> 00:29:35,560 Speaker 2: it we still oh. 579 00:29:35,920 --> 00:29:39,480 Speaker 1: It would happen, we would have if he's free, yes. 580 00:29:39,600 --> 00:29:41,680 Speaker 5: Yeah, okay, so maybe more like. 581 00:29:43,560 --> 00:29:46,120 Speaker 6: So this one time Kevin Pollock supposed to be on 582 00:29:46,160 --> 00:29:50,840 Speaker 6: the Hollywood Handbook, and he said he was going to reschedule, 583 00:29:50,880 --> 00:29:52,720 Speaker 6: but he never did, and. 584 00:29:52,680 --> 00:29:53,480 Speaker 5: We're kind of mad. 585 00:29:53,520 --> 00:29:55,520 Speaker 6: But if he wanted to come back, we probably still 586 00:29:55,560 --> 00:29:56,520 Speaker 6: have him. 587 00:29:57,080 --> 00:29:59,840 Speaker 1: That really works for me. That gets a lot of it. 588 00:29:59,880 --> 00:30:02,200 Speaker 1: A I like that he knows that I'm kind of mad, Yeah, 589 00:30:02,240 --> 00:30:04,880 Speaker 1: because I don't want him to think it's okay. But 590 00:30:04,880 --> 00:30:07,480 Speaker 1: I don't wan him to think like he didn't totally 591 00:30:07,480 --> 00:30:09,720 Speaker 1: blow it, because like, yeah, like if he's free, he's 592 00:30:09,720 --> 00:30:11,640 Speaker 1: got a lot of you know, big fan base. 593 00:30:11,720 --> 00:30:13,560 Speaker 5: Yeah, definitely has time. 594 00:30:14,560 --> 00:30:17,600 Speaker 1: You think, yeah, you would think so, I think so 595 00:30:17,760 --> 00:30:20,480 Speaker 1: you would feel like he might. Again, it's another guy 596 00:30:20,520 --> 00:30:23,040 Speaker 1: who I don't want his hat thrown at me. You know, 597 00:30:23,160 --> 00:30:23,840 Speaker 1: between him. 598 00:30:23,680 --> 00:30:25,800 Speaker 3: And Marass, slice your head off. 599 00:30:25,840 --> 00:30:28,440 Speaker 1: Oh gosh, I'd be in ribbons. 600 00:30:28,520 --> 00:30:32,720 Speaker 3: I'd be shred to ribbons. So this is really good. 601 00:30:32,880 --> 00:30:35,000 Speaker 1: This has been going great so far. We got a 602 00:30:35,000 --> 00:30:35,680 Speaker 1: lot of the message. 603 00:30:35,760 --> 00:30:38,040 Speaker 2: Break it down at some point to do like a 604 00:30:38,120 --> 00:30:40,800 Speaker 2: sort of percussive thing like a stop. I know you 605 00:30:40,800 --> 00:30:43,160 Speaker 2: don't have drums here, but anything can be drums because 606 00:30:43,200 --> 00:30:44,000 Speaker 2: of stomp m h. 607 00:30:44,800 --> 00:30:51,960 Speaker 5: Yeah, or we could just do the like, yeah, that's good. 608 00:30:56,160 --> 00:31:01,160 Speaker 1: And okay, okay, okay, Brett really wants to know that 609 00:31:01,840 --> 00:31:04,560 Speaker 1: he is that he likes music as well. It's very 610 00:31:04,600 --> 00:31:07,160 Speaker 1: important that he convince everyone that he likes music. It's 611 00:31:07,200 --> 00:31:11,480 Speaker 1: important for him. And so we don't want to stifle 612 00:31:11,520 --> 00:31:15,760 Speaker 1: Brett at all. If he's got an idea Brett music, if. 613 00:31:15,680 --> 00:31:18,200 Speaker 7: You need me, you know, just producing the whole thing. 614 00:31:18,280 --> 00:31:20,360 Speaker 7: And you know, I play a couple of instruments and. 615 00:31:20,920 --> 00:31:23,120 Speaker 1: Yeah, this is just a sort of jam sesh before 616 00:31:23,120 --> 00:31:27,520 Speaker 1: we record it, so it's not you're not producing it. Okay, 617 00:31:27,600 --> 00:31:29,800 Speaker 1: but that doesn't mean don't like mess with the board 618 00:31:29,880 --> 00:31:30,320 Speaker 1: or anything. 619 00:31:30,520 --> 00:31:34,600 Speaker 3: Yeah, right, but you we never had a conversation about 620 00:31:34,640 --> 00:31:37,640 Speaker 3: you being a producer on this song. 621 00:31:39,280 --> 00:31:44,760 Speaker 7: Well, I put this rug down and these candles and 622 00:31:44,960 --> 00:31:49,760 Speaker 7: I have my tambourine. I thought this was the musician episode, 623 00:31:49,800 --> 00:31:51,000 Speaker 7: and you're gonna interview me. 624 00:31:51,520 --> 00:31:53,000 Speaker 3: About some of your musical ideas. 625 00:31:53,560 --> 00:31:56,720 Speaker 1: Okay, Well, okay, we can get that out of the 626 00:31:56,760 --> 00:31:58,880 Speaker 1: way pretty quickly. We could carve out a little time 627 00:31:58,880 --> 00:32:02,440 Speaker 1: for yeah, yeah, well if we have time for that, 628 00:32:02,560 --> 00:32:09,880 Speaker 1: this verse, yeah yeah, he alas, would you mind doing 629 00:32:09,880 --> 00:32:12,440 Speaker 1: a verse that's just sort of establishes that Brett likes music? 630 00:32:12,520 --> 00:32:13,720 Speaker 1: So that we don't have to deal with it for 631 00:32:13,760 --> 00:32:14,640 Speaker 1: the rest of the episode. 632 00:32:16,560 --> 00:32:17,640 Speaker 5: Okay, So like. 633 00:32:21,480 --> 00:32:29,720 Speaker 6: Engineer Bread, producer Bread engineer engineer who's actually an engineer, 634 00:32:31,080 --> 00:32:34,040 Speaker 6: wants us to know he really likes music. 635 00:32:36,520 --> 00:32:43,360 Speaker 5: Plays a tambourine. Sounds kind of. 636 00:32:43,360 --> 00:32:43,640 Speaker 3: Like he. 637 00:32:46,520 --> 00:32:52,080 Speaker 5: Producer Bread. Yeah, makes a lot of. 638 00:32:52,040 --> 00:32:57,800 Speaker 6: Claims about playing music, but none of them have been verified. 639 00:32:58,560 --> 00:33:03,640 Speaker 1: How's that. I think that's fair. It's pretty that's pretty generous. 640 00:33:01,840 --> 00:33:07,000 Speaker 1: That's generous Brett that they haven't been verified. 641 00:33:07,160 --> 00:33:11,680 Speaker 6: Well, it covers all our basics we wanted you to notice. Also, 642 00:33:11,760 --> 00:33:15,080 Speaker 6: the melancholy tone of the verse that was, Yeah, it. 643 00:33:15,080 --> 00:33:16,760 Speaker 1: Bring down a little bit. So we are gonna have 644 00:33:16,800 --> 00:33:18,720 Speaker 1: to come back pretty strong. Yeah, and we're gonna have 645 00:33:18,760 --> 00:33:21,080 Speaker 1: to really blast off with the next verse. And you 646 00:33:21,240 --> 00:33:22,000 Speaker 1: put us in that. 647 00:33:21,960 --> 00:33:24,800 Speaker 7: Spot really sad sounding. I thought it was gonna be 648 00:33:24,840 --> 00:33:25,320 Speaker 7: more like that. 649 00:33:25,400 --> 00:33:30,280 Speaker 6: I just anthem as a as a professional musician I am. 650 00:33:30,760 --> 00:33:34,719 Speaker 6: I just am a mirror of your energy. That's what 651 00:33:34,760 --> 00:33:36,560 Speaker 6: I was getting. That's felt like what I was kind 652 00:33:36,560 --> 00:33:36,960 Speaker 6: of getting. 653 00:33:37,040 --> 00:33:40,080 Speaker 1: She's an artist. You can't ask her to falsify, you know, 654 00:33:40,200 --> 00:33:43,120 Speaker 1: a verse about you when it's sad to see you 655 00:33:43,240 --> 00:33:47,320 Speaker 1: doing this. It's gonna make people sad Brett for you 656 00:33:47,360 --> 00:33:49,320 Speaker 1: to be sort of trying to wedge your way into 657 00:33:49,360 --> 00:33:54,400 Speaker 1: this song when quite frankly, your tambourine is keys. The 658 00:33:54,440 --> 00:33:58,360 Speaker 1: guitar solo happened a month before you straight up eight, 659 00:33:58,440 --> 00:34:06,520 Speaker 1: I'll just say it. You ate drywall and you said 660 00:34:06,560 --> 00:34:10,399 Speaker 1: it was cookies, and then you threw up and you said, 661 00:34:10,400 --> 00:34:12,239 Speaker 1: that's from my guitar solo. That was so good. When 662 00:34:12,280 --> 00:34:14,080 Speaker 1: we asked you what notes were in the guitar solo, 663 00:34:14,480 --> 00:34:17,160 Speaker 1: you made a screechy sound and you couldn't name any 664 00:34:17,200 --> 00:34:18,839 Speaker 1: of the notes, and then we started naming them. They 665 00:34:18,840 --> 00:34:23,960 Speaker 1: had numbers, not letters, right, the Fret number. 666 00:34:25,040 --> 00:34:28,640 Speaker 3: I hope that's what it was. That almost sounds like 667 00:34:28,680 --> 00:34:30,799 Speaker 3: your name, that you just made something up based on 668 00:34:30,880 --> 00:34:31,359 Speaker 3: your name. 669 00:34:31,680 --> 00:34:36,680 Speaker 1: Yeah, I just made up the note based on my name. Frett. 670 00:34:37,280 --> 00:34:40,680 Speaker 1: Your Bread two teas Brett is part of music to 671 00:34:40,880 --> 00:34:44,759 Speaker 1: tease please Bread. I'm fretting about you right now. I'm 672 00:34:44,800 --> 00:34:49,279 Speaker 1: worried that you're not well. Now. I have noticed there's 673 00:34:49,280 --> 00:34:51,719 Speaker 1: some new posters up outside of the hallway, and one 674 00:34:51,760 --> 00:34:53,960 Speaker 1: of them actually has a picture of Adam Sachs. Do 675 00:34:54,040 --> 00:34:57,440 Speaker 1: you know who that is? Analysa so he's the big 676 00:34:57,480 --> 00:34:58,359 Speaker 1: boss of ear Away. 677 00:34:58,400 --> 00:35:00,360 Speaker 3: I appreciate you saying that, even if you dude, now, 678 00:35:00,600 --> 00:35:01,440 Speaker 3: that's very sweet. 679 00:35:01,560 --> 00:35:06,319 Speaker 1: Yes, Now, is it strange because you know who we are, 680 00:35:07,160 --> 00:35:09,399 Speaker 1: that there's no photo of us on the wall, even 681 00:35:09,400 --> 00:35:11,960 Speaker 1: though we won a big award in La Weekly, and 682 00:35:12,040 --> 00:35:14,280 Speaker 1: there is a photo of Adam Sachs on the wall, 683 00:35:14,440 --> 00:35:17,120 Speaker 1: even though he didn't win that award, and in fact, 684 00:35:17,160 --> 00:35:19,240 Speaker 1: no one else had Earwolf won that award. 685 00:35:20,160 --> 00:35:21,520 Speaker 5: I find that extremely unusual. 686 00:35:21,640 --> 00:35:23,120 Speaker 3: It's very strange, isn't it. 687 00:35:23,200 --> 00:35:27,080 Speaker 2: What would that sound like in song form? It's kind 688 00:35:27,080 --> 00:35:31,280 Speaker 2: of trippy and we can stay in the sad part. 689 00:35:31,800 --> 00:35:35,440 Speaker 2: Or maybe this is more just an like a questioning yeah, 690 00:35:35,480 --> 00:35:37,880 Speaker 2: like where is the love? Kind of lost? Yeah, like 691 00:35:37,960 --> 00:35:39,040 Speaker 2: kind of like where is the love? 692 00:35:39,239 --> 00:35:39,799 Speaker 5: Yeah? 693 00:35:40,000 --> 00:35:42,080 Speaker 6: What what's his name again? 694 00:35:42,520 --> 00:35:43,480 Speaker 3: Adam Sacks? 695 00:35:43,760 --> 00:35:44,760 Speaker 5: Adam Sacks? 696 00:35:45,280 --> 00:35:48,479 Speaker 2: I know, but if you want to call him Adam 697 00:35:48,560 --> 00:35:54,279 Speaker 2: Snacks and oh he is not a big guy, but 698 00:35:55,400 --> 00:35:56,920 Speaker 2: that almost helps us get away with him. 699 00:35:56,960 --> 00:35:58,680 Speaker 1: He's actually in very good shape. 700 00:35:59,160 --> 00:36:01,120 Speaker 5: But it's nicer. 701 00:36:01,520 --> 00:36:03,520 Speaker 3: Yes, And this can be sort of like the Becky 702 00:36:03,880 --> 00:36:08,000 Speaker 3: version of the thing is who is Adam Snacks? 703 00:36:08,320 --> 00:36:10,080 Speaker 1: Adam Snacks with the good hair? 704 00:36:10,840 --> 00:36:13,479 Speaker 5: Okay, yeah, yeah, uh. 705 00:36:15,440 --> 00:36:20,560 Speaker 6: It's pretty unusual Adam Snacks as opposed to own the 706 00:36:20,640 --> 00:36:25,839 Speaker 6: wall in his own office. Yet Sean and Hayes, who 707 00:36:25,880 --> 00:36:30,080 Speaker 6: want a gigantic award in La Weekly, go on unacknowledged. 708 00:36:31,920 --> 00:36:32,520 Speaker 5: That's okay. 709 00:36:32,560 --> 00:36:35,560 Speaker 6: I guess that's the way Snacks likes it. But we're 710 00:36:35,600 --> 00:36:38,400 Speaker 6: still wondering where is the love? 711 00:36:39,000 --> 00:36:40,520 Speaker 3: Yes, that's good. 712 00:36:40,840 --> 00:36:43,479 Speaker 1: Wow, And we can't find the love. Where is the love? 713 00:36:43,560 --> 00:36:44,840 Speaker 1: For Hollywood handbook? 714 00:36:44,880 --> 00:36:45,439 Speaker 5: Where is it? 715 00:36:46,560 --> 00:36:49,799 Speaker 3: But now we need a big like because like to 716 00:36:49,840 --> 00:36:54,200 Speaker 3: get us into the show, big blast off to get ready, 717 00:36:54,760 --> 00:36:59,720 Speaker 3: maybe returning to the world of everyone getting so fucked 718 00:36:59,760 --> 00:37:00,640 Speaker 3: up like. 719 00:37:00,880 --> 00:37:03,560 Speaker 1: We did, like the idea that everyone is getting so 720 00:37:03,719 --> 00:37:07,680 Speaker 1: fucked ups everywhere and yeah they're always around. 721 00:37:07,960 --> 00:37:11,000 Speaker 3: Yeah, and here it comes, and so maybe this is 722 00:37:11,280 --> 00:37:14,040 Speaker 3: the time to tip your mug. Yes, that might end 723 00:37:14,120 --> 00:37:14,560 Speaker 3: up working. 724 00:37:14,600 --> 00:37:14,719 Speaker 1: Now. 725 00:37:14,920 --> 00:37:16,640 Speaker 5: Yeah, let's see. 726 00:37:16,719 --> 00:37:21,080 Speaker 6: I only I don't play the ukulele that often, so 727 00:37:22,040 --> 00:37:23,880 Speaker 6: I only know a couple of chords on it. 728 00:37:24,160 --> 00:37:27,279 Speaker 3: Yeah, but let's hear the different ones and we can 729 00:37:27,400 --> 00:37:30,120 Speaker 3: sort of think of pick one, Yeah, which one's good? 730 00:37:30,840 --> 00:37:50,800 Speaker 5: There's this one, this one, yeah, so that's that's that's. 731 00:37:50,600 --> 00:37:55,000 Speaker 1: About the range. I would say the second one almost. 732 00:37:55,200 --> 00:37:56,239 Speaker 1: I like the second one too. 733 00:37:56,320 --> 00:37:58,560 Speaker 3: Yeah, it's hard for me to tell where the different 734 00:37:58,560 --> 00:37:59,560 Speaker 3: ones began and ended. 735 00:38:00,080 --> 00:38:03,960 Speaker 1: M But for me being of course, I know a 736 00:38:03,960 --> 00:38:09,680 Speaker 1: lot about those circle of fifths yea. And that music 737 00:38:10,000 --> 00:38:16,360 Speaker 1: is math, yes, that's correct, although brat, Yeah, it's letters 738 00:38:16,360 --> 00:38:19,359 Speaker 1: to say the notes, and I think you know that. 739 00:38:20,040 --> 00:38:21,880 Speaker 1: Can you speak on the idea, Ana, least just for 740 00:38:22,000 --> 00:38:24,800 Speaker 1: people listening that music is math? Please? Oh that would 741 00:38:24,800 --> 00:38:25,400 Speaker 1: help us? 742 00:38:26,080 --> 00:38:33,680 Speaker 6: Well, uh, yeah, music is in fact math. 743 00:38:34,440 --> 00:38:34,600 Speaker 1: Yea. 744 00:38:36,280 --> 00:38:37,759 Speaker 2: And let's stay and let's stay in that area and 745 00:38:37,800 --> 00:38:39,480 Speaker 2: let's dig into that a little bit of this idea 746 00:38:39,560 --> 00:38:41,960 Speaker 2: of music being math and then being the same thing. 747 00:38:42,000 --> 00:38:42,920 Speaker 1: Maybe even speak on that. 748 00:38:43,480 --> 00:38:49,279 Speaker 6: Yeah, well, you know everything is based on numbers in 749 00:38:49,400 --> 00:38:53,720 Speaker 6: math and everything it's also based on numbers in music. 750 00:38:54,520 --> 00:38:58,080 Speaker 5: Hence how music is related to math. 751 00:38:59,080 --> 00:39:02,359 Speaker 3: Oh, this is a rogue production technique, I think. 752 00:39:03,080 --> 00:39:06,160 Speaker 1: And that's producer Brett really trying to make it known 753 00:39:06,200 --> 00:39:08,520 Speaker 1: that he is still in the room even if he's 754 00:39:08,520 --> 00:39:11,440 Speaker 1: not talking, and he has a lot of ways to 755 00:39:11,440 --> 00:39:12,279 Speaker 1: influence the show. 756 00:39:12,360 --> 00:39:16,560 Speaker 7: Well, I just wanted to highlight the point. It's really important. 757 00:39:16,600 --> 00:39:19,560 Speaker 7: I think people know music is math. 758 00:39:19,840 --> 00:39:22,360 Speaker 2: Well maybe, actually, Brett, if you do actually want to 759 00:39:22,360 --> 00:39:24,200 Speaker 2: be a help here that if this last verse is 760 00:39:24,239 --> 00:39:26,840 Speaker 2: going to be like the real blasting off, yeah, that 761 00:39:26,920 --> 00:39:29,360 Speaker 2: you can add some elements. So it's like everyone's getting 762 00:39:29,400 --> 00:39:34,440 Speaker 2: really pumped up and like like their bodies are starting 763 00:39:34,440 --> 00:39:36,000 Speaker 2: to get into a pot where they can like listen 764 00:39:36,040 --> 00:39:36,399 Speaker 2: to the show. 765 00:39:36,480 --> 00:39:37,080 Speaker 1: Yeah by the way. 766 00:39:37,280 --> 00:39:40,319 Speaker 6: Yeah, Like I know for a lot of people, they 767 00:39:40,600 --> 00:39:43,960 Speaker 6: music is very mathematical because they've probably studied it for a. 768 00:39:43,920 --> 00:39:47,880 Speaker 5: Long time, like engineer Brett uh huh. 769 00:39:48,160 --> 00:39:54,400 Speaker 6: But I just had natural ability, so I didn't Oh okay, 770 00:39:54,480 --> 00:39:57,520 Speaker 6: So to me, it's just all based on you just. 771 00:39:57,560 --> 00:40:00,400 Speaker 1: Kind of feel the music exactly you hear it, play it. 772 00:40:00,640 --> 00:40:04,520 Speaker 6: I know there's rooted in mathematical principles, but it doesn't really. 773 00:40:04,360 --> 00:40:04,920 Speaker 5: Apply to me. 774 00:40:05,239 --> 00:40:07,319 Speaker 1: Yeah, so what do you know? You just like hurd 775 00:40:07,400 --> 00:40:09,640 Speaker 1: some music, like music, picked up a ukulele all of 776 00:40:09,640 --> 00:40:12,000 Speaker 1: a sudden, you got a music career, as opposed to 777 00:40:12,000 --> 00:40:12,720 Speaker 1: somebody who. 778 00:40:12,680 --> 00:40:15,040 Speaker 3: Maybe read a lot of books. 779 00:40:14,800 --> 00:40:19,000 Speaker 5: About music, spent a lot of money on an education. 780 00:40:18,960 --> 00:40:23,479 Speaker 1: Bought a lot of Beatles T shirts, and then sort 781 00:40:23,480 --> 00:40:26,120 Speaker 1: of tried to make make it all about the numbers 782 00:40:26,400 --> 00:40:28,040 Speaker 1: when a lot of times it's got to come from 783 00:40:28,080 --> 00:40:29,160 Speaker 1: your heart and not your head. 784 00:40:29,280 --> 00:40:30,359 Speaker 5: I could not have said it better. 785 00:40:30,719 --> 00:40:32,399 Speaker 1: Yeah, and not just your head, but it comes from 786 00:40:32,440 --> 00:40:35,960 Speaker 1: your heart. So maybe this last verse is about oh 787 00:40:35,960 --> 00:40:37,399 Speaker 1: go ahead, Brett, what were you going to say? 788 00:40:38,840 --> 00:40:42,000 Speaker 7: I just if I put on that reverb, it's not 789 00:40:42,280 --> 00:40:45,000 Speaker 7: it's my idea. It's my production, not yours. 790 00:40:45,120 --> 00:40:48,960 Speaker 1: Okay, well, okay, So maybe in this last verse we 791 00:40:49,000 --> 00:40:51,400 Speaker 1: talk about how Hollywood Handbook kind of comes from the 792 00:40:51,400 --> 00:40:53,799 Speaker 1: heart and how we're winning. I'd like to talk about 793 00:40:53,800 --> 00:40:57,279 Speaker 1: how we're winning and we're on top. Yeah, that's a 794 00:40:57,280 --> 00:41:00,000 Speaker 1: good idea as well. I'd like to mention everyone else 795 00:41:00,120 --> 00:41:02,120 Speaker 1: kind of having to get down and suck on these 796 00:41:02,719 --> 00:41:09,400 Speaker 1: and kiss this and and just blow off and fuck off. 797 00:41:10,320 --> 00:41:13,279 Speaker 1: I'd like to say that we are kind of the 798 00:41:13,360 --> 00:41:20,000 Speaker 1: champions and that everyone else could kind of and maybe 799 00:41:20,000 --> 00:41:22,520 Speaker 1: this idea of like get this and get out of here, 800 00:41:22,920 --> 00:41:26,759 Speaker 1: go go away, yeah, go yeah, just just be just 801 00:41:26,840 --> 00:41:30,239 Speaker 1: beat it busters and just go away and just make 802 00:41:30,360 --> 00:41:34,560 Speaker 1: room for the big badasses coming through. And so certain 803 00:41:34,560 --> 00:41:36,640 Speaker 1: people who are listening to the show will know that 804 00:41:36,719 --> 00:41:39,000 Speaker 1: it's not even supposed to be for them because they're 805 00:41:39,040 --> 00:41:41,040 Speaker 1: in trouble as far as we're concerned. Yeah, and then 806 00:41:41,040 --> 00:41:43,720 Speaker 1: maybe if they don't like it, maybe that's intentional because 807 00:41:43,760 --> 00:41:46,440 Speaker 1: it's actually supposed to be something they don't like that's 808 00:41:46,760 --> 00:41:48,160 Speaker 1: making fun of them almost. 809 00:41:48,320 --> 00:41:51,000 Speaker 3: Yeah, some people who work here. 810 00:41:51,120 --> 00:41:55,839 Speaker 1: And and so, and it might not hurt to have 811 00:41:55,880 --> 00:41:59,000 Speaker 1: it say that we're tough, right, do you know what 812 00:41:59,040 --> 00:42:02,160 Speaker 1: I mean? And your feeling that probably analyst being around us. 813 00:42:02,280 --> 00:42:05,040 Speaker 2: Just some of the stuff we're saying about making people 814 00:42:05,080 --> 00:42:08,239 Speaker 2: go away and getting scared that we. 815 00:42:08,239 --> 00:42:09,080 Speaker 1: Might beat them up. 816 00:42:09,360 --> 00:42:10,360 Speaker 5: Very intense though. 817 00:42:10,440 --> 00:42:13,239 Speaker 1: Yeah, because you're on the right side of this thing, 818 00:42:13,400 --> 00:42:17,240 Speaker 1: thank god. Yeah, luckily right because of the intense energy. 819 00:42:18,200 --> 00:42:21,160 Speaker 1: So I guess if our toughness came through and how 820 00:42:21,160 --> 00:42:23,840 Speaker 1: we're on top and everyone else kind of sucks and 821 00:42:23,920 --> 00:42:27,120 Speaker 1: has to suck on this okay and get out of here, 822 00:42:27,239 --> 00:42:29,560 Speaker 1: and yes, and please do beat. 823 00:42:29,360 --> 00:42:31,759 Speaker 5: It okay. 824 00:42:32,880 --> 00:42:33,840 Speaker 1: And not the head. 825 00:42:36,320 --> 00:42:40,320 Speaker 5: Okay. Oh thanks engineer Bread, Oh you got it, thank you. 826 00:42:42,120 --> 00:42:43,000 Speaker 1: I didn't take lessons. 827 00:42:43,000 --> 00:42:45,920 Speaker 3: He's helping. That production is outstanding. 828 00:42:46,040 --> 00:42:48,680 Speaker 1: I didn't take lessons. 829 00:42:48,719 --> 00:42:53,919 Speaker 7: Self talk you said, doesn't go ahead, go ahead? 830 00:42:54,000 --> 00:42:59,000 Speaker 5: Yeah, okay, those guys can wait what was it? They 831 00:42:59,040 --> 00:43:00,439 Speaker 5: can beat it. 832 00:43:00,160 --> 00:43:02,120 Speaker 1: And you have to get done. It's like on these 833 00:43:02,160 --> 00:43:04,000 Speaker 1: and also we're winning, they're losing. They have to get 834 00:43:04,000 --> 00:43:06,239 Speaker 1: out of here and they and they really should please 835 00:43:06,239 --> 00:43:07,640 Speaker 1: beat it and b F and if you could say 836 00:43:07,640 --> 00:43:11,360 Speaker 1: I produced it, okay and kiss off. 837 00:43:11,840 --> 00:43:15,640 Speaker 7: You Brett should come up that No, no, but you 838 00:43:15,680 --> 00:43:17,640 Speaker 7: should don't remember who's I'm not mad about. 839 00:43:17,440 --> 00:43:20,759 Speaker 2: The kissing off. I think you should come up with 840 00:43:20,800 --> 00:43:22,359 Speaker 2: your like producer tag at. 841 00:43:22,360 --> 00:43:25,840 Speaker 3: Some point, you know my producer tag? Yes, like how 842 00:43:26,160 --> 00:43:28,680 Speaker 3: the different DJs there is already a DJ Mustard, so 843 00:43:28,760 --> 00:43:32,040 Speaker 3: you can't be that. But you know how they say 844 00:43:32,080 --> 00:43:37,040 Speaker 3: like it's this is Brett, you know, like something like that. 845 00:43:38,480 --> 00:43:41,800 Speaker 1: Yeah, in song. I've never heard that in a song. 846 00:43:41,719 --> 00:43:45,000 Speaker 3: It goes to the biggest production because yeah, so you 847 00:43:45,000 --> 00:43:47,480 Speaker 3: think of something like that. But we'll we'll we'll do 848 00:43:47,520 --> 00:43:51,160 Speaker 3: it wild and we'll plug it in at the beginning. Okay, 849 00:43:51,280 --> 00:43:52,880 Speaker 3: so don't do it now or the song we do. 850 00:43:52,920 --> 00:43:54,400 Speaker 3: We want to get that and so let them know 851 00:43:54,440 --> 00:43:57,960 Speaker 3: that it's new ship. Yes, do you know how to 852 00:43:58,080 --> 00:43:59,280 Speaker 3: do that ship produced? 853 00:43:59,480 --> 00:43:59,719 Speaker 1: Yeah? 854 00:44:00,239 --> 00:44:01,040 Speaker 3: You're getting close. 855 00:44:01,160 --> 00:44:03,600 Speaker 1: Yeah, but it should be yeah, very short. 856 00:44:04,120 --> 00:44:07,560 Speaker 3: Okay, So now this is the verse about us speaking 857 00:44:07,600 --> 00:44:08,160 Speaker 3: everyone else. 858 00:44:08,400 --> 00:44:10,600 Speaker 1: Yeah, okay, how tough are you? 859 00:44:10,760 --> 00:44:13,960 Speaker 5: And should I just direct it towards like you know 860 00:44:14,000 --> 00:44:14,560 Speaker 5: who you are? 861 00:44:14,960 --> 00:44:17,360 Speaker 1: Is that the vibe that might be good. Yeah, because 862 00:44:17,400 --> 00:44:21,760 Speaker 1: it might then frighten some people. Yeah who we don't 863 00:44:22,400 --> 00:44:23,440 Speaker 1: didn't even intend it to. 864 00:44:24,200 --> 00:44:31,200 Speaker 5: Yeah, okay, let's see. 865 00:44:31,480 --> 00:44:34,080 Speaker 6: You know the thing about the ukulele is it's it 866 00:44:34,360 --> 00:44:37,560 Speaker 6: lends itself to pacifist. 867 00:44:37,120 --> 00:44:40,480 Speaker 1: Gentler music. It's not as tough. You might have to 868 00:44:40,520 --> 00:44:42,440 Speaker 1: really strom that thing then, yeah. 869 00:44:42,320 --> 00:44:44,000 Speaker 5: Okay, okay, let's see. 870 00:44:44,000 --> 00:44:49,040 Speaker 6: Maybe it's uh so, let's see. 871 00:44:51,200 --> 00:44:53,040 Speaker 3: Yeah that was feeling. That's so good. 872 00:44:53,080 --> 00:44:56,000 Speaker 6: I'm trying to pick up your guys are super intense 873 00:44:56,080 --> 00:44:59,400 Speaker 6: energy right now and channel it into the song. 874 00:45:00,080 --> 00:45:02,200 Speaker 3: Don't get both of us at once. Yeah, I'm giving 875 00:45:02,200 --> 00:45:03,200 Speaker 3: you all the heat I got. 876 00:45:03,320 --> 00:45:06,080 Speaker 5: So maybe like something like. 877 00:45:08,120 --> 00:45:12,160 Speaker 6: You know who you are, you can suck on these 878 00:45:13,600 --> 00:45:16,359 Speaker 6: and just beat it because you need to. 879 00:45:16,280 --> 00:45:17,080 Speaker 5: Make room for us. 880 00:45:17,560 --> 00:45:19,359 Speaker 6: You're kind of a big deal, and there's not enough 881 00:45:19,440 --> 00:45:21,640 Speaker 6: room for our egos in this room. 882 00:45:22,080 --> 00:45:26,319 Speaker 5: And I think you really know. Oh you guys, I'm 883 00:45:26,320 --> 00:45:27,080 Speaker 5: not quite. 884 00:45:26,920 --> 00:45:30,759 Speaker 1: Sure that you're not sure about what I'm not going 885 00:45:31,000 --> 00:45:34,160 Speaker 1: That was so many of the points we were hit. Yeah, 886 00:45:34,719 --> 00:45:38,160 Speaker 1: there's Akerman a little bit. The not enough room for 887 00:45:38,200 --> 00:45:42,200 Speaker 1: our egos in this room felt like maybe that maybe 888 00:45:42,239 --> 00:45:48,640 Speaker 1: felt like just too many rooms. Yeah, yeah, okay, so maybe. 889 00:45:50,160 --> 00:45:52,799 Speaker 3: Just staying on the staying on the beam of us 890 00:45:52,840 --> 00:45:57,239 Speaker 3: being strong rather than our ego, which is really we 891 00:45:57,280 --> 00:45:58,480 Speaker 3: actually don't even have one. 892 00:45:58,560 --> 00:46:02,200 Speaker 1: We're actually really big humility guys, And hey, do you 893 00:46:02,200 --> 00:46:03,440 Speaker 1: want to talk about that a little bit. 894 00:46:03,800 --> 00:46:08,480 Speaker 2: Yes, if I had a big if I were like 895 00:46:08,520 --> 00:46:10,920 Speaker 2: a jerk, then I would have to beat myself up 896 00:46:10,960 --> 00:46:12,000 Speaker 2: and be mad at myself. 897 00:46:12,360 --> 00:46:16,200 Speaker 1: But actually it's everyone else who's bad and we're good. Yeah, 898 00:46:16,360 --> 00:46:18,680 Speaker 1: because I am so interested in justice. If I had 899 00:46:18,680 --> 00:46:22,439 Speaker 1: a big ego, I would actually pulverize myself and get 900 00:46:22,520 --> 00:46:25,000 Speaker 1: totally wiped out and would just be a big mess. 901 00:46:25,560 --> 00:46:31,920 Speaker 1: But instead I'm brave and. 902 00:46:30,480 --> 00:46:33,000 Speaker 3: It's everyone else who's getting punched out. Yeah, and they 903 00:46:33,160 --> 00:46:35,760 Speaker 3: have to because of my code. 904 00:46:37,239 --> 00:46:41,239 Speaker 5: Got it, got it, got it? Okay. So maybe it's 905 00:46:41,239 --> 00:46:44,520 Speaker 5: something more like, Okay, you know who you are. 906 00:46:46,440 --> 00:46:50,680 Speaker 6: Because you're terrible, we're super great, and humility is a 907 00:46:50,719 --> 00:46:53,920 Speaker 6: really big deal to us. I'm gonna kick your ass 908 00:46:54,120 --> 00:46:58,359 Speaker 6: if you don't get out of this room. 909 00:46:56,880 --> 00:46:59,200 Speaker 5: Because we can't stand you. And I can't really say 910 00:46:59,200 --> 00:47:02,040 Speaker 5: specifically so many people, but you know who you are. 911 00:47:03,200 --> 00:47:07,560 Speaker 5: You can suck on these and beat it. Guys. 912 00:47:07,600 --> 00:47:11,560 Speaker 1: Good, that's feeling good. They're gone, that's feeling good. They're 913 00:47:11,600 --> 00:47:13,799 Speaker 1: almost probably a combination of those two. 914 00:47:13,960 --> 00:47:16,560 Speaker 5: I lost a few of the talking points. 915 00:47:16,640 --> 00:47:20,080 Speaker 1: Is oh, well, just that we're on top. 916 00:47:19,960 --> 00:47:22,719 Speaker 5: But exactly there are so there's so many good ones there. 917 00:47:22,760 --> 00:47:24,439 Speaker 1: And there was some mention of us being tough. 918 00:47:24,480 --> 00:47:27,000 Speaker 3: I think, yeah, it was implied, Yea. 919 00:47:27,120 --> 00:47:32,439 Speaker 1: Said again I noticed, Oh well, Brett, I didn't say 920 00:47:32,480 --> 00:47:34,520 Speaker 1: she couldn't say it at all. I said the one 921 00:47:34,520 --> 00:47:36,120 Speaker 1: line where you said there's not enough room for our 922 00:47:36,160 --> 00:47:38,160 Speaker 1: egos in this room had too much room in. 923 00:47:38,320 --> 00:47:40,919 Speaker 7: Right, Yeah, there's only one room this time, all right, 924 00:47:40,960 --> 00:47:42,160 Speaker 7: and this is a room. 925 00:47:42,360 --> 00:47:44,480 Speaker 1: Yeah, And actually she is feeding off the energy of 926 00:47:44,520 --> 00:47:51,080 Speaker 1: where she is, which is the room. Mm hmm. Now, Hayes, 927 00:47:51,200 --> 00:47:53,680 Speaker 1: do you want to have her lay down a little 928 00:47:53,719 --> 00:47:56,279 Speaker 1: bit of a strum and then you'll just slap in 929 00:47:56,360 --> 00:47:57,960 Speaker 1: some of your voice on it. I know you've been 930 00:47:58,080 --> 00:48:01,560 Speaker 1: very upset that your voice wasn't on the song, and 931 00:48:01,600 --> 00:48:02,919 Speaker 1: a lot of times when people talk to you about 932 00:48:02,920 --> 00:48:04,560 Speaker 1: the song, you go, well, I'm not even in that part, 933 00:48:04,680 --> 00:48:05,960 Speaker 1: so why you bring it up to me? 934 00:48:06,400 --> 00:48:10,040 Speaker 3: When people mention liking that, yeah, that sounds good? Where 935 00:48:10,120 --> 00:48:11,239 Speaker 3: was where is this going to go? 936 00:48:11,480 --> 00:48:14,560 Speaker 1: In the song? Is there like sort of an interlude. Yeah, 937 00:48:14,640 --> 00:48:20,239 Speaker 1: this sort of do my yeah thing. Okay, so if 938 00:48:20,280 --> 00:48:22,120 Speaker 1: you just want to give them like a gentle strung 939 00:48:22,200 --> 00:48:25,360 Speaker 1: and this is going to be sort of like a philosophical. 940 00:48:26,000 --> 00:48:28,839 Speaker 3: Sort of a tangent that sort of gets at the 941 00:48:28,840 --> 00:48:33,400 Speaker 3: heart of what I sort of my perspective on things, 942 00:48:33,440 --> 00:48:34,480 Speaker 3: which I just want to get. 943 00:48:35,520 --> 00:48:36,120 Speaker 1: That'd be great. 944 00:48:36,360 --> 00:48:38,960 Speaker 3: I just want to get represented in the in the song. 945 00:48:39,040 --> 00:48:40,240 Speaker 1: I'd love for you of that space. 946 00:48:40,680 --> 00:48:50,440 Speaker 3: Okay, all these people running around, where's everybody going. 947 00:48:53,520 --> 00:49:02,480 Speaker 1: Skiing? That's it. That's really good and I genuinely do 948 00:49:02,560 --> 00:49:06,400 Speaker 1: want to know. So that was amazing. 949 00:49:07,360 --> 00:49:09,440 Speaker 3: How much reverb do we have on this right now? 950 00:49:09,840 --> 00:49:13,520 Speaker 1: Is there a little bit to get off? Okay? Okay? 951 00:49:13,719 --> 00:49:16,680 Speaker 1: And then I mean, should I get a similar sort 952 00:49:16,680 --> 00:49:28,200 Speaker 1: of philosophical idea out there? Yeah, so sort of even handed. Yes. Yeah. Man, 953 00:49:28,200 --> 00:49:32,120 Speaker 1: the way this world's got so crazy, it seems like 954 00:49:32,160 --> 00:49:33,920 Speaker 1: people forgot about what's really important. 955 00:49:39,880 --> 00:49:40,520 Speaker 3: And that's it. 956 00:49:41,600 --> 00:49:44,359 Speaker 1: So, I mean, is that feeling like we're getting we're 957 00:49:44,480 --> 00:49:46,439 Speaker 1: hitting a lot of bases. That's good. 958 00:49:46,480 --> 00:49:51,560 Speaker 2: That made it sound more like he was powerful than mine. Yeah, 959 00:49:51,760 --> 00:49:53,879 Speaker 2: I assume we can put that on later. We can 960 00:49:53,920 --> 00:49:54,319 Speaker 2: fix that. 961 00:49:55,040 --> 00:49:57,719 Speaker 1: No, this is just a lie. Well, do you have 962 00:49:57,719 --> 00:49:59,080 Speaker 1: any other ideas you want to get out? 963 00:49:59,160 --> 00:49:59,440 Speaker 5: Hayes. 964 00:50:01,239 --> 00:50:06,200 Speaker 1: I can try and think of throw some rever. I mean, 965 00:50:06,400 --> 00:50:09,919 Speaker 1: you could just freestyle averse too, okay, because that one 966 00:50:09,960 --> 00:50:11,000 Speaker 1: I spent a lot of time on. 967 00:50:11,120 --> 00:50:14,879 Speaker 3: But but I could try and do one where that's 968 00:50:14,960 --> 00:50:17,000 Speaker 3: just sort of. 969 00:50:16,200 --> 00:50:17,239 Speaker 1: Off the top of my head. 970 00:50:17,320 --> 00:50:30,160 Speaker 4: M okay, driving. 971 00:50:35,600 --> 00:50:40,040 Speaker 1: Well, you don't like my production, oh, Brett, Oh what 972 00:50:40,080 --> 00:50:45,840 Speaker 1: I do? Filter? Brett? Oh God, say it. You're gonna 973 00:50:45,880 --> 00:50:47,400 Speaker 1: throw up from your guitar. 974 00:50:47,520 --> 00:50:54,759 Speaker 3: So oh sounds awful. I hate it. What did you do? 975 00:50:56,040 --> 00:50:56,960 Speaker 1: I'm producing this? 976 00:50:57,880 --> 00:50:59,840 Speaker 3: You intentionally bad produced? Haze? 977 00:51:00,160 --> 00:51:04,280 Speaker 1: What kind of sound was that? Uh? A telephone filter? 978 00:51:05,640 --> 00:51:08,480 Speaker 1: My own sort of recipe? Well you should have told 979 00:51:08,520 --> 00:51:10,040 Speaker 1: him that, because then he could have made it sound. 980 00:51:10,120 --> 00:51:12,640 Speaker 1: Let's try, let's try, let's try to get song something. 981 00:51:12,719 --> 00:51:16,560 Speaker 1: Let's try it again. I'll give you with that filter. No, no, no, 982 00:51:16,640 --> 00:51:18,920 Speaker 1: something that because if it's that filter, he should be 983 00:51:18,920 --> 00:51:21,280 Speaker 1: calling the song to warn the song about something. 984 00:51:21,360 --> 00:51:24,880 Speaker 2: Yes, was that supposed to be a telephone yeah? Oh okay, 985 00:51:25,040 --> 00:51:27,759 Speaker 2: Well it's just warming. I don't want to just be 986 00:51:27,760 --> 00:51:29,600 Speaker 2: suddenly on a telepands. 987 00:51:29,280 --> 00:51:40,040 Speaker 1: The nasal frequency. 988 00:51:37,880 --> 00:51:53,920 Speaker 3: Peanut butter and apples is not dessert, Mom, give me 989 00:51:53,960 --> 00:51:55,239 Speaker 3: a real dessert. 990 00:51:58,160 --> 00:51:58,440 Speaker 1: Good. 991 00:51:58,520 --> 00:52:00,239 Speaker 3: And that's something I've been wanting to get at there 992 00:52:00,239 --> 00:52:00,920 Speaker 3: for a long time. 993 00:52:01,000 --> 00:52:03,239 Speaker 1: Yeah, that's helpful for a lot of people to hear that. 994 00:52:03,360 --> 00:52:05,120 Speaker 2: And did you have one more? This is a good 995 00:52:05,120 --> 00:52:09,440 Speaker 2: time to sort of unload some of this baggage. 996 00:52:09,719 --> 00:52:13,600 Speaker 1: Oh boy, Now, well before we even talk about it, 997 00:52:13,640 --> 00:52:15,399 Speaker 1: am I going to be calling the song to tell 998 00:52:15,440 --> 00:52:17,840 Speaker 1: the song something? Or am I just going to be sort. 999 00:52:17,680 --> 00:52:19,359 Speaker 3: Of see that didn't even sound to me so much 1000 00:52:19,400 --> 00:52:20,520 Speaker 3: like I was on the telephone. 1001 00:52:22,760 --> 00:52:26,600 Speaker 7: I did it halfway split the difference exactly like what 1002 00:52:26,680 --> 00:52:27,200 Speaker 7: you asked for. 1003 00:52:29,440 --> 00:52:31,680 Speaker 3: So, yeah, do you want to say like high song? 1004 00:52:32,480 --> 00:52:33,759 Speaker 3: So you're saying something to the song? 1005 00:52:33,800 --> 00:52:34,080 Speaker 1: Okay? 1006 00:52:34,520 --> 00:52:36,839 Speaker 3: Uh, yes, okay that Yeah, I can try. More people 1007 00:52:36,840 --> 00:52:40,520 Speaker 3: should say that. More singers should be like hello song. 1008 00:52:40,800 --> 00:52:43,080 Speaker 1: Ye? I mean, annaly Is you're you work in music? 1009 00:52:43,120 --> 00:52:44,880 Speaker 1: How rude do you feel like people are to the 1010 00:52:45,000 --> 00:52:50,719 Speaker 1: music the very Yeah, because they're almost never addressing the 1011 00:52:50,800 --> 00:52:54,600 Speaker 1: song or talking to me who's listening? Right? You know 1012 00:52:54,640 --> 00:52:55,080 Speaker 1: what I mean? 1013 00:52:55,440 --> 00:52:56,719 Speaker 5: I know exactly what you mean. 1014 00:52:57,120 --> 00:53:00,440 Speaker 2: It's supposed to be a conversation between the singer, the 1015 00:53:00,520 --> 00:53:02,680 Speaker 2: song and the listener and audience. 1016 00:53:02,760 --> 00:53:06,360 Speaker 7: Yeah, and what about when the radio host is talking 1017 00:53:06,400 --> 00:53:07,160 Speaker 7: over the song? 1018 00:53:07,280 --> 00:53:07,959 Speaker 1: I hate that. 1019 00:53:08,760 --> 00:53:12,400 Speaker 7: Maybe you can tell him to stop talking over you know, 1020 00:53:12,440 --> 00:53:14,480 Speaker 7: when they're playing a song and they're talking over it 1021 00:53:14,560 --> 00:53:14,840 Speaker 7: until the. 1022 00:53:15,080 --> 00:53:19,279 Speaker 1: Brette wants to do Brett wants to do get a 1023 00:53:19,320 --> 00:53:21,680 Speaker 1: message out. Well, yeah, he's got a risk. 1024 00:53:21,760 --> 00:53:26,280 Speaker 3: Okay, so I guess go ahead him give backing. 1025 00:53:25,960 --> 00:53:33,920 Speaker 1: Track listen radio. 1026 00:53:35,239 --> 00:53:38,479 Speaker 7: Radio DJ. Don't talk over the intro to the song 1027 00:53:38,760 --> 00:53:42,800 Speaker 7: until Sean's voice stars. I hate that. Don't do that anymore. 1028 00:53:43,239 --> 00:53:47,600 Speaker 1: But I'm askings to the. 1029 00:53:47,560 --> 00:53:51,000 Speaker 3: Song too, So you were actually being rude. 1030 00:53:51,160 --> 00:53:52,200 Speaker 1: Yeah, that's too bad. 1031 00:53:52,239 --> 00:53:54,879 Speaker 3: Okay, Now Sean do your thing and then we can 1032 00:53:55,040 --> 00:53:55,960 Speaker 3: stitch all this together. 1033 00:53:56,080 --> 00:53:58,560 Speaker 1: Okay, and I'll just and probably this will be sort 1034 00:53:58,600 --> 00:54:00,000 Speaker 1: of in the form of like a freestyle. 1035 00:54:00,160 --> 00:54:13,840 Speaker 9: Okay, great, ah ah yeah, give me the beat. Here 1036 00:54:13,880 --> 00:54:20,560 Speaker 9: we go. I'm gonna start. I'm gonna start at one two, 1037 00:54:20,800 --> 00:54:25,800 Speaker 9: one and two and three and let's go, gonna drop 1038 00:54:25,880 --> 00:54:27,840 Speaker 9: it in a second. 1039 00:54:30,320 --> 00:54:34,359 Speaker 3: Boom, here it comes. Yeah, give me that beat. 1040 00:54:34,560 --> 00:54:39,960 Speaker 1: So we almost got there. Oh and hi song, So 1041 00:54:40,040 --> 00:54:42,839 Speaker 1: we almost got there. And I think that I don't 1042 00:54:42,840 --> 00:54:44,920 Speaker 1: want to blame the beat or anything like that. But 1043 00:54:45,000 --> 00:54:47,160 Speaker 1: we were really close. It wasn't really giving him a 1044 00:54:47,280 --> 00:54:51,080 Speaker 1: good opportunity to jump in. Yeah, well, you know what 1045 00:54:51,160 --> 00:54:53,080 Speaker 1: I mean. It was such a strong and. 1046 00:54:53,000 --> 00:54:56,640 Speaker 6: You know, most songs these days have what is known 1047 00:54:56,760 --> 00:54:58,920 Speaker 6: in the business as a drop. 1048 00:54:59,320 --> 00:55:03,120 Speaker 3: Yeah, yeah, a big drop. And that's where and that's 1049 00:55:03,520 --> 00:55:06,080 Speaker 3: a place where Sean could really find his way into 1050 00:55:06,120 --> 00:55:09,879 Speaker 3: that instead of like the jump rope thing where he's 1051 00:55:09,920 --> 00:55:12,760 Speaker 3: kind of like, you know, just hesitating on the outside 1052 00:55:12,800 --> 00:55:13,879 Speaker 3: being like okay. 1053 00:55:13,719 --> 00:55:16,319 Speaker 1: Waiting scene like I know that I can do it, 1054 00:55:16,360 --> 00:55:17,960 Speaker 1: but I don't know when it was going a little 1055 00:55:18,000 --> 00:55:20,600 Speaker 1: too fast. And so do you feel that the producers 1056 00:55:20,800 --> 00:55:22,880 Speaker 1: edited out a lot of you talking to your songs 1057 00:55:23,840 --> 00:55:27,920 Speaker 1: Sometimes that's been an experience, Yeah, because I know a 1058 00:55:27,920 --> 00:55:29,920 Speaker 1: lot of times when I'll see the live version of 1059 00:55:29,920 --> 00:55:32,880 Speaker 1: your stuff, you're really in a dialogue with that song. 1060 00:55:33,320 --> 00:55:36,880 Speaker 5: H Yeah, I suppose that's true. 1061 00:55:37,160 --> 00:55:39,799 Speaker 1: You're going, hey, thanks for doing that last chord, and 1062 00:55:40,200 --> 00:55:41,799 Speaker 1: now I'm going to do some lyrics over you. 1063 00:55:42,000 --> 00:55:42,800 Speaker 3: Hope that's okay. 1064 00:55:43,040 --> 00:55:48,120 Speaker 2: It gets romantic and like a very sort of muted way, 1065 00:55:48,320 --> 00:55:50,480 Speaker 2: where like you want to keep it very professional, I 1066 00:55:50,560 --> 00:55:52,279 Speaker 2: think for the show. But it seems like you and 1067 00:55:52,320 --> 00:55:54,160 Speaker 2: the song sometimes have a moment. 1068 00:55:54,560 --> 00:56:00,560 Speaker 1: Yeah what uh snoopies deal? The bird? Can hear him? 1069 00:56:00,840 --> 00:56:02,720 Speaker 1: That he could talk to the bird or he can't 1070 00:56:03,200 --> 00:56:11,919 Speaker 1: there because they're friends and he seems to say words, yes, 1071 00:56:11,960 --> 00:56:14,799 Speaker 1: but what they say sounds different. They're not speaking the 1072 00:56:14,840 --> 00:56:18,040 Speaker 1: same language to each other. Charlie can't hear either one 1073 00:56:18,120 --> 00:56:23,360 Speaker 1: of them. No, no Brown? So what's going on with that? 1074 00:56:23,520 --> 00:56:29,120 Speaker 1: What is the story there in the Peanuts verse? 1075 00:56:31,760 --> 00:56:33,440 Speaker 5: You know, I'm not really familiar with you. 1076 00:56:33,360 --> 00:56:34,120 Speaker 3: You don't know it? 1077 00:56:34,360 --> 00:56:37,480 Speaker 2: Okay, Okay, Well that's uh that's the show. 1078 00:56:37,800 --> 00:56:41,520 Speaker 1: Okay, well, thanks so much. And uh, the pro version 1079 00:56:41,600 --> 00:56:44,560 Speaker 1: I guess is you know, and at least just going 1080 00:56:44,600 --> 00:56:47,160 Speaker 1: to take us out singing about the Peanuts, which he 1081 00:56:47,239 --> 00:56:51,680 Speaker 1: does know about it, and uh, that will be given to. 1082 00:56:52,800 --> 00:56:55,400 Speaker 3: Yes, who's a good guy? Who's a good guy? There 1083 00:56:55,440 --> 00:56:58,040 Speaker 3: are so many new ones. I know it's hard to 1084 00:56:58,160 --> 00:57:01,759 Speaker 3: but I don't want to look. No, we won't look. 1085 00:57:02,600 --> 00:57:07,120 Speaker 1: Did han lads ever get it? I mean probably? Okay, 1086 00:57:10,120 --> 00:57:11,799 Speaker 1: I mean I don't want to look, is the thing. 1087 00:57:11,920 --> 00:57:17,919 Speaker 1: But you are looking at something right now? But something else? Yeah? 1088 00:57:19,080 --> 00:57:23,200 Speaker 3: Well a Braxist l god Son. Oh okay, great, it's 1089 00:57:23,280 --> 00:57:24,320 Speaker 3: just a name I thought of. 1090 00:57:24,440 --> 00:57:25,040 Speaker 1: Okay, good. 1091 00:57:25,080 --> 00:57:27,439 Speaker 3: So now we're just give him a little a little song, 1092 00:57:27,760 --> 00:57:30,880 Speaker 3: a little song about the Peanuts, Okay. 1093 00:57:30,920 --> 00:57:33,480 Speaker 1: Even though we don't know who they are. Line's got 1094 00:57:33,480 --> 00:57:37,480 Speaker 1: a blanket, Lucy, and they moved to football and they've. 1095 00:57:36,800 --> 00:57:38,080 Speaker 3: Been such a dirty guy. 1096 00:57:39,280 --> 00:57:40,560 Speaker 1: Should play piano like you? 1097 00:57:41,200 --> 00:57:43,640 Speaker 5: Oh yeah, Schroeder, I remember him. 1098 00:57:43,840 --> 00:57:44,800 Speaker 1: Yeah, he inspired you. 1099 00:57:45,240 --> 00:57:47,360 Speaker 5: He was a big inspiration to me. 1100 00:57:47,400 --> 00:57:49,320 Speaker 1: Actually that's what I said. 1101 00:57:50,320 --> 00:57:52,400 Speaker 5: Yes, that is true. 1102 00:57:52,520 --> 00:57:54,440 Speaker 1: Actually, it's like, you're correct me, But that's actually what 1103 00:57:54,480 --> 00:57:54,800 Speaker 1: I said. 1104 00:57:57,680 --> 00:58:02,160 Speaker 5: Let's see, so mentioned the characters in the song. 1105 00:58:02,480 --> 00:58:07,200 Speaker 6: Yeah, okay, I don't really know that much about peanuts. 1106 00:58:08,680 --> 00:58:13,600 Speaker 6: Lucy moved the football, Charlie Brown, I'm not quite sure, 1107 00:58:13,640 --> 00:58:17,479 Speaker 6: but I think he fell for it every time. And 1108 00:58:18,360 --> 00:58:20,600 Speaker 6: Snoopy sleeps uncomfortably on. 1109 00:58:20,560 --> 00:58:21,880 Speaker 5: Top of the doghouse. 1110 00:58:23,040 --> 00:58:26,360 Speaker 6: It communicates with the birds mysteriously somehow. 1111 00:58:27,240 --> 00:58:29,120 Speaker 5: And I'm familiar with Schroeder. 1112 00:58:29,960 --> 00:58:33,240 Speaker 3: Why are you pretending not to know about the Peanuts? 1113 00:58:33,360 --> 00:58:34,400 Speaker 1: Yeah, what do you gain? 1114 00:58:36,000 --> 00:58:37,640 Speaker 5: I'm not pretending not to know. 1115 00:58:37,720 --> 00:58:41,160 Speaker 6: I'm just all everything that I know is just through 1116 00:58:41,480 --> 00:58:42,240 Speaker 6: pop culture. 1117 00:58:43,640 --> 00:58:44,760 Speaker 5: I haven't delved in. 1118 00:58:45,240 --> 00:58:54,600 Speaker 1: Bye Bye Hollywood Handbook is brought to you by Wolf 1119 00:58:54,720 --> 00:59:09,440 Speaker 1: Cool Production, to subsidiary of Kelvin dabbs Ow, maybe,