WEBVTT - QLS Classic: Michael Che

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<v Speaker 1>Of Course, Love Supreme is a production of iHeartRadio. This

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<v Speaker 1>classic episode was produced by the team at Pandora.

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<v Speaker 2>Hey, this is Sugar Steve and this week's QLs Classics

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<v Speaker 2>guest is SML Royalty and stand up comedian Michael Cha

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<v Speaker 2>who joins Team Supreme to discuss his anecdotes and his accolades.

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<v Speaker 2>This was originally released on September twelfth, twenty eighteen.

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<v Speaker 3>Enjoy Supremo Sun Supremo role called Supremo Sun Sun Supremo

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<v Speaker 3>role called Subprimo.

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<v Speaker 4>Sun Sun Supremo Ro. Call Supremo Sun Sun Suprema.

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<v Speaker 5>Ro ca, says Kirkin Akroyd.

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<v Speaker 1>There, Miller McDonald, Fay, Yeah, Quinn Fallon and Polar Yeah, Myers,

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<v Speaker 1>Jason Ja.

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<v Speaker 4>Supreme Supremo role called Supremo Supremo role.

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<v Speaker 5>Call my name is t Yeah, and I like to

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<v Speaker 5>say yeah, I love Transformers. Yeah. Oh that was Michael

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<v Speaker 5>bay Roll. Call my name is Sugar. Yeah. I'm old

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<v Speaker 5>as hell. Yeah, I'm even older yeah than n L Roll.

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<v Speaker 4>Supremo Son Supremo Ro Supremo role.

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<v Speaker 6>It's like em yeah, and that's Michael j.

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<v Speaker 7>Yeah. It's about to get deep. Yeah, let's talk gentrification.

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<v Speaker 4>Spremo Supremo Road called Supremo Supremo Road, I.

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<v Speaker 5>Guess, Michael, Yeah, and I'm the guest. Yeah, I don't

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<v Speaker 5>know how to do this. Yeah, help me all quest.

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<v Speaker 4>Supremo Supremo Role, Supremo Supremo Role, Supremo Supremo Rome.

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<v Speaker 5>See you got the hang of it.

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<v Speaker 8>No, I liked it.

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<v Speaker 5>Yeah yeah. The rhymed.

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<v Speaker 8>An electric Lady studio.

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<v Speaker 5>When when you're when you're.

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<v Speaker 1>When you're a student of thirty Rock University, you have

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<v Speaker 1>to think, quick on your feet game like what yeah

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<v Speaker 1>you know, no slapsches at thirty Rock. Anyway, Ladies and gentlemen,

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<v Speaker 1>welcome to another edition of Course Love Supreme News, of

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<v Speaker 1>Course Love.

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<v Speaker 5>We have teams Supreme. It's probably this is our blackest episode.

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<v Speaker 5>This is the blackest episode. Yeah yeah yeah, Steve. Well yeah,

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<v Speaker 5>but Steve call me Tyrone today. Steve. You know you

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<v Speaker 5>got the sugars. And actually I.

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<v Speaker 9>Got the strangest call this morning. My doctor called me

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<v Speaker 9>and said I was healthy. What yeah, I mean I

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<v Speaker 9>still have.

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<v Speaker 5>Remission. I still got sugars.

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<v Speaker 9>But but I went the other day, took some blood

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<v Speaker 9>tests and she called and she had like this this

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<v Speaker 9>amazing voice of like she couldn't believe it. She was like,

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<v Speaker 9>I'm so happy to be calling you right now. I'm

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<v Speaker 9>I'm like, what's up. She's like, you're healthy, like with

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<v Speaker 9>a question and an exclamation point.

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<v Speaker 1>I was like, not shill of hands. But when he

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<v Speaker 1>said that, I was a little slightly disappointed.

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<v Speaker 5>I thought something else.

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<v Speaker 1>I feel like there's such an achievement that no, no,

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<v Speaker 1>if you I'm so committed to us.

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<v Speaker 5>That he got blacked to.

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<v Speaker 6>What you don't know is that Quest gave sugar Steve

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<v Speaker 6>the sugars.

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<v Speaker 5>Really, Steve's been my engineering for twenty years, and I

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<v Speaker 5>guess he had to. That was my bonus. That was

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<v Speaker 5>my bonus one year for Hank he.

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<v Speaker 1>Had after my diet, and so you know, the entire

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<v Speaker 1>summer of soul food literally gave him.

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<v Speaker 8>And then you know, so, well, I'm happy that you

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<v Speaker 8>you're healthy.

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<v Speaker 5>Yeah, I mean relatively. You know you seem thrilled about it.

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<v Speaker 5>By the way, Well, it was one of those moments.

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<v Speaker 9>I was actually sitting on the toilet and I got

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<v Speaker 9>and I got the call from my doctor. I was like, well,

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<v Speaker 9>this is it, you know, like this is where it

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<v Speaker 9>is where I'm going to get the news. Right, no,

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<v Speaker 9>and uh and and she gave me good news. I

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<v Speaker 9>was like, a great, keep keep keep them feet.

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<v Speaker 5>Do you have another man? Do you have another moniker? Now? Like, well,

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<v Speaker 5>are there any other black diseases I could get, Like.

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<v Speaker 6>There's out actually sickle cell exclusive to really black people?

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<v Speaker 7>You can.

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<v Speaker 8>Yeah, hypertension, hyper very black.

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<v Speaker 5>Yeah, so you know, anyway does sound great?

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<v Speaker 6>And rhythm?

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<v Speaker 5>Mm hmm, Well that's not a disease.

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<v Speaker 8>Get shot by the police, possible police.

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<v Speaker 5>We have all list institutional racism anyway, yesterday.

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<v Speaker 1>Yeah, it's not only the first African American host of

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<v Speaker 1>Are we still using that?

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<v Speaker 5>Or we're just black? I like black, I like black.

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<v Speaker 1>All right, ladies, I guess it is not only the

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<v Speaker 1>first black host of EST and LS esn l's institution

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<v Speaker 1>we cannot date.

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<v Speaker 5>But uh.

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<v Speaker 1>Also, actually you're double first because I believe that you're

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<v Speaker 1>the first black host of the twenty eighteen.

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<v Speaker 5>Or the Emmys. No way, I don't think I'm the

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<v Speaker 5>first black hosted. He did the Oscars, right, yeah, he

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<v Speaker 5>did the Oscar Chris. I don't know.

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<v Speaker 8>I'll be honest with you, I really don't know.

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<v Speaker 5>I believe and I believe that you're the first black host.

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<v Speaker 6>Oh man, George Lopez was probably the closest we got.

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<v Speaker 5>He might have got closed Yeah he did, Yeah, he did,

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<v Speaker 5>close up, I got what. You know, it's kind of weird.

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<v Speaker 1>In twenty eighteen, we're still celebrating first first black shout

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<v Speaker 1>out to.

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<v Speaker 7>Beyonce and right, first black coach, first black did she's

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<v Speaker 7>the first black black woman to yes to headline Coachella.

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<v Speaker 8>No kidding, yeah, no kidding, wow.

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<v Speaker 1>Yeah, but also the Vogue issue oh yeah, and her

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<v Speaker 1>getting uh uh, I'm sorry.

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<v Speaker 6>Chust Love, you didn't turn your phone down?

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<v Speaker 5>Is my lawyer?

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<v Speaker 1>Your doctor called you this morning called, so probably not

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<v Speaker 1>a lawsuit, yeah, but basically, uh, Vogue just used uh,

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<v Speaker 1>their first the first African American photographer for the cover.

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<v Speaker 5>And it's one hundred n they did. Yeah, and it's

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<v Speaker 5>one hundred and eight year history. I didn't even know

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<v Speaker 5>that Vogue was around and yeah, yeah that long.

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<v Speaker 6>That's why that Black issue.

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<v Speaker 7>You know, there's an actual black issue of Vogue that

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<v Speaker 7>came out like five ten, five years I.

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<v Speaker 5>Think I remember, but that was the Italian exactly. Yo.

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<v Speaker 1>It was funny because I thought that that's when I

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<v Speaker 1>was heavy on my eBay join so I ordered, like

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<v Speaker 1>Reek's wife to Reek's wife was like, yo, this is

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<v Speaker 1>the most historical thing. It's from the eBay Golden So

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<v Speaker 1>I purchased like twenty five issues of that of that thing,

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<v Speaker 1>and now I can't find.

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<v Speaker 5>Anyway. This is how we do the show. We don't

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<v Speaker 5>even introduce the guest until happen. Oh yeah, I'm with it, so.

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<v Speaker 1>Up, welcome to the show. Ig Story sneaker God, I

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<v Speaker 1>gotta say, I mean, like, I know Clark Kent and

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<v Speaker 1>New York knows that Clark Kent is the god of

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<v Speaker 1>sneaker collecting, like he got me my job at Nike

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<v Speaker 1>when I was working for Nike.

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<v Speaker 5>That's how much of a sneaker god is.

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<v Speaker 1>But I will say that I envy no one Ah

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<v Speaker 1>and their sneaker collection more than you.

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<v Speaker 5>Like you're a king stunt you.

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<v Speaker 1>Okay, but when you when you you know, and I'm

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<v Speaker 1>often at thirty rock watching you guys, like, do you

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<v Speaker 1>often like choose your sneakers Like yeo, I'm a stunt

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<v Speaker 1>on I'm a stunt on a hole tonight.

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<v Speaker 5>I know. I never well, only I'll break out certain

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<v Speaker 5>ones for certain people. I'm like, oh, this is gonna

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<v Speaker 5>be a fun one. I can't wait, but like I don't.

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<v Speaker 5>When I was a kid, it was never really the sneakers.

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<v Speaker 5>It was always like just fresh sneakers. It was always

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<v Speaker 5>about you, but they was fresh. They was like all right.

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<v Speaker 5>So like for me, it was always I had to

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<v Speaker 5>buy a lot because I had to keep them fresh.

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<v Speaker 5>So I to keep them clean. I would just buy

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<v Speaker 5>four or five pick Okay, that's what I was gonna ask.

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<v Speaker 5>Because your jawings always look fresh out the box. Yeah,

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<v Speaker 5>that was that was always the growing up like that

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<v Speaker 5>the thing. Your sneakers had to be freshn't I didn't care.

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<v Speaker 5>Socks and draws, yeah.

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<v Speaker 6>Yeah, you describe you have one today, mister. Check what's

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<v Speaker 6>going on here on your feet?

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<v Speaker 5>These are and these are actually beaters. These are these

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<v Speaker 5>are Concord elevens. But these is like I think the

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<v Speaker 5>twenty eleven ones and these is like I probably will

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<v Speaker 5>these like seven times. Nah, but these aren't even like

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<v Speaker 5>I got some in the box. That's like never never

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<v Speaker 5>had a factory. Yeah, yeah, factory. You can hear him

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<v Speaker 5>snap when you walk, you hit a little the crack

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<v Speaker 5>a little bit. J's don't hurt your feet, no, Jay's

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<v Speaker 5>there's no, Jay, I found like they're comfortable slippers.

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<v Speaker 8>Them, they're the most comfortable sneakers.

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<v Speaker 7>You know.

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<v Speaker 5>I don't like is the like there's certain sneakers that

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<v Speaker 5>now that they have like the sock kind of those

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<v Speaker 5>hurt a little bit because it just feels like I'm

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<v Speaker 5>walking on the floor like the Jay's the soul is

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<v Speaker 5>so actually made for like I feel like I'm in shoes.

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<v Speaker 6>You know.

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<v Speaker 5>The elevens are the ones that like the comfortable ones.

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<v Speaker 5>I like the comfortable. The threes are the most comfortable.

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<v Speaker 5>Fly with those because I could take them off and

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<v Speaker 5>put them back on like they mad. I hate both,

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<v Speaker 5>y'all right, man, Like I mean, is the only ones.

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<v Speaker 1>I have an illustrious Jordan collection, but I can't wear

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<v Speaker 1>them like absolutely.

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<v Speaker 5>No, No, I just work for air.

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<v Speaker 1>But the thing one the thing is is like I

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<v Speaker 1>have to prepare me wearing rocking some Jordan's, which goes into.

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<v Speaker 5>Shaving my corns off, oh ship.

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<v Speaker 1>Feet, maybe sleeping upside down so the circulation goes down

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<v Speaker 1>to my foot anything like with the exception of I

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<v Speaker 1>told you about Tony Maiden the guitar roof. Yeah, like

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<v Speaker 1>he just to fit some cowboy boots from Japan. He

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<v Speaker 1>had his feet shaved, shaved with and length just so that.

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<v Speaker 5>He could fit a pair of of Cowboy dues. Oh yeah, damn. Anyway, Michael,

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<v Speaker 5>it's beautiful. Yeah, it's sneaky. Games on point bro. I

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<v Speaker 5>always I always, love, always love fresh kicks.

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<v Speaker 6>You're not wearing those under the desk though, Yeah you are,

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<v Speaker 6>no matter why you're wearing the desk. I was like,

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<v Speaker 6>when do we see your sneak unless it's like.

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<v Speaker 5>At the end of the show. As I used to

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<v Speaker 5>put my foot on the desk at the end of

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<v Speaker 5>episodes and then people but I would put my foot

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<v Speaker 5>on the desk just like as a move to put

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<v Speaker 5>your foot on the desk, and people like, you're showing

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<v Speaker 5>off your sneakers. Like, no, I just always wear ill

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<v Speaker 5>sneakers so it looks like I'm showing them up. But

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<v Speaker 5>I was literally just putting my foot on desk. So

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<v Speaker 5>I stopped doing it because people thought I was showing

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<v Speaker 5>up sneaker. They're like, what're you gonna wear next week?

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<v Speaker 5>And I was like, that's not fun. And then I

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<v Speaker 5>look like like a billboard, you know what I mean? Yeah,

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<v Speaker 5>that's not Yeah.

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<v Speaker 8>See, I'll be the last one too, Like you doing that?

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<v Speaker 5>So are you? Are you a native New Yorker? Yeah,

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<v Speaker 5>I'm Lower East Side? You living there? Now? You were born? No,

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<v Speaker 5>I was born. My whole family is from the same project.

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<v Speaker 5>I'm like a legacy. Yeah, like we're from the project

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<v Speaker 5>my grandparents? Wait, which which which one Smith projects? Like

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<v Speaker 5>I'm sorry, I'm new to New York. You don't you

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<v Speaker 5>know right? Not giving your dress away? No, I don't

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<v Speaker 5>have projects? Okay, okay, like what address the projects? Well,

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<v Speaker 5>like what cross streets? This is a Catherine slip, like

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<v Speaker 5>between Catherine and Madison is the whole project? My whole

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<v Speaker 5>family is from like what they call the Dark Side.

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<v Speaker 5>So that's twenty one age.

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<v Speaker 1>Because I was saying when we shot what they do,

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<v Speaker 1>we had to go to the projects to shoot a

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<v Speaker 1>rooftop scene. And the first thing that I was thinking,

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<v Speaker 1>I was like, yo, this is like the Hugs and

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<v Speaker 1>Kisses project, Like yeah, it was old Grandmothers or whatever like,

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<v Speaker 1>but it was a late nineties so I was expecting,

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<v Speaker 1>Wait where was it.

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<v Speaker 5>Lower like Lower Manhattan?

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<v Speaker 8>And I remember there was a lot of projects.

0:13:06.840 --> 0:13:09.719
<v Speaker 5>There was concern from the label the hell there was

0:13:09.800 --> 0:13:12.600
<v Speaker 5>like man concern from the label and you know when

0:13:12.640 --> 0:13:14.840
<v Speaker 5>we got there, they were like prepas, like okay, guys,

0:13:15.520 --> 0:13:18.440
<v Speaker 5>make sure security, you know, because we thought we were

0:13:18.440 --> 0:13:20.120
<v Speaker 5>going to the projects to shoot the scene.

0:13:20.360 --> 0:13:22.560
<v Speaker 1>Yeah, when we got there, we were just like, wait

0:13:22.640 --> 0:13:24.120
<v Speaker 1>a minute, it's not project enough.

0:13:24.320 --> 0:13:26.880
<v Speaker 5>Yeah, yeah, there there's a project. We used to go

0:13:27.000 --> 0:13:30.240
<v Speaker 5>to the like specifically for Halloween, and it was just

0:13:30.480 --> 0:13:33.120
<v Speaker 5>all old people. You would go there and just yeah

0:13:34.080 --> 0:13:37.719
<v Speaker 5>and nobody like visited them sadly, so they was like

0:13:37.880 --> 0:13:40.240
<v Speaker 5>happier about Halloween, and we was when we was kids.

0:13:40.240 --> 0:13:42.520
<v Speaker 5>We would go over there and we'd rack up. It

0:13:42.679 --> 0:13:46.200
<v Speaker 5>was great. It was awesome. We're not from you're from

0:13:46.840 --> 0:13:50.640
<v Speaker 5>projects in Philly. The Philly do projects. It's like roadhouses

0:13:50.679 --> 0:13:52.920
<v Speaker 5>and yeah, roadhouses.

0:13:53.280 --> 0:13:56.079
<v Speaker 1>Treek makes fun because my father we were the only

0:13:56.240 --> 0:13:59.320
<v Speaker 1>house that never got broken into because my dad would

0:13:59.360 --> 0:14:04.400
<v Speaker 1>put like security ride iron gates around our entire crib,

0:14:04.480 --> 0:14:10.200
<v Speaker 1>so it looked like I lived in a prison. But yeah,

0:14:10.280 --> 0:14:12.439
<v Speaker 1>I mean we were the only house on the block

0:14:12.520 --> 0:14:15.080
<v Speaker 1>with like three thousand records and all this recording equipment

0:14:15.120 --> 0:14:15.959
<v Speaker 1>and drums and stuff.

0:14:16.000 --> 0:14:19.960
<v Speaker 5>So my dad's like, nope, you know that makes sense.

0:14:20.480 --> 0:14:24.280
<v Speaker 5>It was like Fort Knox, you know. So okay, So

0:14:24.440 --> 0:14:29.480
<v Speaker 5>being born in Manhattan, Like what led you to entertainment?

0:14:31.480 --> 0:14:36.160
<v Speaker 8>Uh, that's crazy. I mean it wasn't entertainment to me.

0:14:36.280 --> 0:14:39.400
<v Speaker 5>It was specifically stand up comedy like I would watch

0:14:40.200 --> 0:14:45.240
<v Speaker 5>Bring the Pain, I would watch Carlin's HBOS and Damon

0:14:45.280 --> 0:14:49.520
<v Speaker 5>Wayne's HBO special, Like those are specific specials that stood

0:14:49.520 --> 0:14:51.840
<v Speaker 5>out to me, like when I was a kid growing

0:14:51.920 --> 0:14:55.320
<v Speaker 5>up and wanting to just do that. I just love

0:14:55.400 --> 0:14:57.000
<v Speaker 5>the way you know what I mean? It was like

0:14:57.120 --> 0:15:06.480
<v Speaker 5>it was every class clowns, Like what thirteen? Okay, yeah,

0:15:07.400 --> 0:15:10.400
<v Speaker 5>I'm thirty five, so that that's like like mid nineties. Yeah,

0:15:10.600 --> 0:15:14.920
<v Speaker 5>so you the first das still standing that you first,

0:15:15.200 --> 0:15:17.200
<v Speaker 5>the first Demi Wings I remember was when he had

0:15:17.240 --> 0:15:19.360
<v Speaker 5>on the yellow shirt and the brown had I think

0:15:19.400 --> 0:15:21.000
<v Speaker 5>that was HBO One Night Stand.

0:15:21.040 --> 0:15:22.920
<v Speaker 8>I think I think it was like a half hour.

0:15:23.000 --> 0:15:25.920
<v Speaker 5>That was a half hour. Thene family was like legendary

0:15:25.960 --> 0:15:28.080
<v Speaker 5>because for one, they was from Lower Manhattan. They was

0:15:28.160 --> 0:15:31.160
<v Speaker 5>from Chelsea Projects, I think, and then I remember like

0:15:31.200 --> 0:15:34.160
<v Speaker 5>Hollywood Shuffle and I'm Gonna Get Your Sucker and Robert

0:15:34.200 --> 0:15:35.240
<v Speaker 5>Towns and specials and all of that.

0:15:35.320 --> 0:15:38.239
<v Speaker 8>So the Waynes was like already it was like Eddie Murphy.

0:15:38.000 --> 0:15:40.880
<v Speaker 5>And then Damie Wayne's like right under. You know, Okay,

0:15:41.720 --> 0:15:44.400
<v Speaker 5>I gotta know, I'm the youngest by the way of seven,

0:15:44.640 --> 0:15:47.120
<v Speaker 5>so we was getting Yeah, I was getting all of

0:15:47.200 --> 0:15:50.040
<v Speaker 5>that stuff immediately, you know what I mean. I was

0:15:50.080 --> 0:15:52.320
<v Speaker 5>in the house. I was in the house full of teenagers,

0:15:52.360 --> 0:15:55.600
<v Speaker 5>so all that stuff. Yeah, Like I don't remember the

0:15:55.680 --> 0:15:58.360
<v Speaker 5>first time I heard hip hop. Like there stories of

0:15:58.400 --> 0:16:00.400
<v Speaker 5>me as a baby, sinking a lot of dotty and

0:16:00.440 --> 0:16:01.000
<v Speaker 5>all that stuff.

0:16:01.080 --> 0:16:04.960
<v Speaker 1>Like, Okay, it's like that usually usually the baby of

0:16:05.000 --> 0:16:07.520
<v Speaker 1>the family of a large family, you know, it's probably

0:16:07.840 --> 0:16:10.520
<v Speaker 1>I was the business of being sucked it all right.

0:16:11.000 --> 0:16:13.800
<v Speaker 5>No, I was asking, like, do a lot of those

0:16:13.880 --> 0:16:19.160
<v Speaker 5>specials age well, because I try not watch nothing ages well.

0:16:19.240 --> 0:16:22.600
<v Speaker 5>In twenty eighteen, like half the ship that we laughed

0:16:22.640 --> 0:16:25.680
<v Speaker 5>at in the nineties would get fucking I mean, Nigga's

0:16:25.680 --> 0:16:28.840
<v Speaker 5>writing petitions on Twitter and shit absolutely carling stuff from

0:16:28.880 --> 0:16:30.520
<v Speaker 5>the nineties ages very well.

0:16:30.640 --> 0:16:32.640
<v Speaker 7>Yeah, it depends on the comedian, right, because like, Mom's

0:16:32.680 --> 0:16:34.040
<v Speaker 7>mainly I was listening to her as a kid, but

0:16:34.120 --> 0:16:36.360
<v Speaker 7>that was like what thirty forty years ago by the

0:16:36.440 --> 0:16:36.720
<v Speaker 7>time you.

0:16:36.800 --> 0:16:37.680
<v Speaker 6>Listen to those tapes.

0:16:37.880 --> 0:16:41.560
<v Speaker 5>Yeah, yeah, Mom's mainly. Yeah, Colin Wasca, this was kind

0:16:41.560 --> 0:16:45.280
<v Speaker 5>of more like commentary, Like it was more social commentary,

0:16:45.480 --> 0:16:49.120
<v Speaker 5>like yeah, Eddie Murray, like the first yeah raw is

0:16:49.240 --> 0:16:55.400
<v Speaker 5>like nigga, like first first ten minutes that I was

0:16:55.480 --> 0:16:57.440
<v Speaker 5>like thirty, right, I was something.

0:16:57.880 --> 0:17:02.000
<v Speaker 1>I was thirty something when I first watched Deliric, yeah, like,

0:17:02.080 --> 0:17:04.520
<v Speaker 1>because you know, I grew up in ain't no Eddie

0:17:04.560 --> 0:17:07.320
<v Speaker 1>Murphy in this house, so I didn't get to see

0:17:07.359 --> 0:17:09.080
<v Speaker 1>none of that stuff growing up.

0:17:09.200 --> 0:17:12.560
<v Speaker 5>And then finally on a tour of bus, you know,

0:17:12.640 --> 0:17:13.720
<v Speaker 5>they showed Delirious and.

0:17:15.720 --> 0:17:20.119
<v Speaker 1>It was weird because I wanted, you know, Delirious is

0:17:21.000 --> 0:17:23.280
<v Speaker 1>in the mount rushmore than everyone's comedy.

0:17:23.960 --> 0:17:27.440
<v Speaker 5>But it didn't hit me that way one because not

0:17:27.720 --> 0:17:32.359
<v Speaker 5>like a illmatic right, and you're like, how right? But

0:17:32.640 --> 0:17:33.119
<v Speaker 5>I get it.

0:17:33.240 --> 0:17:37.240
<v Speaker 1>But the thing was, because that was my introduction to Delirious.

0:17:37.480 --> 0:17:40.720
<v Speaker 1>Was everyone else doing Delirious, so I knew.

0:17:43.880 --> 0:17:44.800
<v Speaker 5>And very funny.

0:17:45.040 --> 0:17:48.560
<v Speaker 1>I knew all that based on classroom kids doing it

0:17:48.720 --> 0:17:51.520
<v Speaker 1>and rappers sampling it and all that stuff. So but

0:17:51.640 --> 0:17:56.399
<v Speaker 1>when I finally watched it, it's funny you say that

0:17:56.480 --> 0:17:58.560
<v Speaker 1>because I know, you know the same way that who

0:17:58.680 --> 0:18:03.359
<v Speaker 1>was indifferent to Midnight Marauders? Uh like Loupe or whatever,

0:18:03.840 --> 0:18:09.760
<v Speaker 1>Like I'm probably that ways I respect delirious and know

0:18:10.040 --> 0:18:11.400
<v Speaker 1>where it stands historically.

0:18:11.520 --> 0:18:14.119
<v Speaker 5>Oh, I get it. I was like I was like

0:18:14.200 --> 0:18:17.040
<v Speaker 5>that for prior, Like I didn't really get a lot

0:18:17.119 --> 0:18:19.119
<v Speaker 5>of people are like that. I was like, like live

0:18:19.200 --> 0:18:21.080
<v Speaker 5>in the sensens trip. I was like, okay, but to me,

0:18:21.280 --> 0:18:23.320
<v Speaker 5>he was funniest in movies, so like, which way is

0:18:23.400 --> 0:18:26.120
<v Speaker 5>up is? My ship? Was funny Because critics pan off

0:18:26.200 --> 0:18:31.960
<v Speaker 5>his movie, I think with Richard Pryory was copied so much,

0:18:32.040 --> 0:18:35.040
<v Speaker 5>and Eddie Murphy is true too, They've been copied so

0:18:35.440 --> 0:18:38.600
<v Speaker 5>much that it's kind of hard to understand the context

0:18:39.320 --> 0:18:41.520
<v Speaker 5>of when he was doing it. He was the only

0:18:41.680 --> 0:18:45.359
<v Speaker 5>guy doing Yeah, how revolutionary was so it's kind of

0:18:45.480 --> 0:18:48.720
<v Speaker 5>hard to understand that if you're not there watching it.

0:18:48.800 --> 0:18:50.280
<v Speaker 5>Because I used to say the same thing. I was like,

0:18:50.280 --> 0:18:53.280
<v Speaker 5>I don't really understand why Richard Pryor it's so much better,

0:18:53.440 --> 0:18:56.000
<v Speaker 5>greater than everybody. Herald, that's so much greater. And then

0:18:56.240 --> 0:18:59.639
<v Speaker 5>I started kind of learning more about comedy and learn

0:18:59.680 --> 0:19:02.800
<v Speaker 5>more about who else was happening at the time. You're like, oh, okay,

0:19:02.960 --> 0:19:05.560
<v Speaker 5>next to those guys, he must have looked like a Martian,

0:19:06.040 --> 0:19:07.720
<v Speaker 5>you know what I mean, Like he was like the

0:19:07.880 --> 0:19:10.680
<v Speaker 5>idea of you know, him doing the wining on the

0:19:10.760 --> 0:19:15.560
<v Speaker 5>junkie and like street characters like you know, Dick Dick

0:19:15.600 --> 0:19:19.680
<v Speaker 5>Gregory really wasn't doing that in his comedy Noo was

0:19:19.760 --> 0:19:23.119
<v Speaker 5>more yeah exactly. So, Yeah, Red Fox was set up

0:19:23.160 --> 0:19:26.439
<v Speaker 5>punch a lot of a lot of like actual jokes,

0:19:26.560 --> 0:19:29.560
<v Speaker 5>you know, joke yeah, joke jokes. Richard Pryor. That was like,

0:19:29.640 --> 0:19:32.520
<v Speaker 5>I mean, this is he's in the Chitlin circuit in

0:19:32.800 --> 0:19:36.320
<v Speaker 5>early nineteen seventy black you know what I mean, clubs

0:19:36.640 --> 0:19:38.720
<v Speaker 5>talking about the first time he ever blew a dude,

0:19:39.640 --> 0:19:42.040
<v Speaker 5>and it's working, like you it'd be hard to do

0:19:42.200 --> 0:19:45.399
<v Speaker 5>that in a black man now, and he's got people laughing,

0:19:45.520 --> 0:19:49.200
<v Speaker 5>and it's like the kind of thing that he was

0:19:49.280 --> 0:19:51.920
<v Speaker 5>doing was insane when you think about the context.

0:19:52.640 --> 0:19:58.000
<v Speaker 1>You know that Cosby actually released two Blue Humor records

0:19:58.280 --> 0:19:59.359
<v Speaker 1>that people don't know about.

0:19:59.600 --> 0:20:03.440
<v Speaker 5>What Yeah, there's one joint and came out on laugh

0:20:03.560 --> 0:20:07.560
<v Speaker 5>or some ship like one the one people who don't

0:20:07.720 --> 0:20:12.080
<v Speaker 5>oh Blue Humor is like dirty like Curson, like yeah,

0:20:12.160 --> 0:20:14.000
<v Speaker 5>fussing cussin. Yeah.

0:20:14.040 --> 0:20:17.200
<v Speaker 1>In seventy four, there was like a I mean, he

0:20:17.200 --> 0:20:19.400
<v Speaker 1>didn't get that deep into it, but the other one

0:20:19.760 --> 0:20:24.359
<v Speaker 1>in eighty eighty one he spoke at uh. It was

0:20:24.440 --> 0:20:30.000
<v Speaker 1>more like him speaking at some prison in Pennsylvania. And

0:20:30.800 --> 0:20:35.960
<v Speaker 1>it wasn't comedy per se. But they made the record

0:20:36.040 --> 0:20:37.880
<v Speaker 1>cover it looked like it was like Bill.

0:20:37.760 --> 0:20:42.119
<v Speaker 5>Cosby and hard always hard hitted boys. And I was like, oh,

0:20:42.280 --> 0:20:43.920
<v Speaker 5>let me get this record, and then there was just

0:20:44.080 --> 0:20:47.840
<v Speaker 5>like him him being real, like you know that sort

0:20:47.840 --> 0:20:52.960
<v Speaker 5>of thing like that whoop. I saw his last special

0:20:53.280 --> 0:20:55.960
<v Speaker 5>that never came out Netflix won or yeah, I think

0:20:56.000 --> 0:20:57.600
<v Speaker 5>it was Netflix. It was. I think it was called

0:20:58.080 --> 0:20:59.320
<v Speaker 5>Cosby seventy seven.

0:20:59.520 --> 0:21:01.320
<v Speaker 6>When he's coming at us, like coming at us.

0:21:02.080 --> 0:21:03.600
<v Speaker 8>No, it's actually he's actually not.

0:21:03.840 --> 0:21:06.679
<v Speaker 5>It's well what I saw he did like two hours

0:21:06.800 --> 0:21:08.400
<v Speaker 5>of I guess what was going to be a ninety

0:21:08.480 --> 0:21:11.560
<v Speaker 5>minute special or whatever, and it was Robert Townsend was

0:21:11.640 --> 0:21:14.040
<v Speaker 5>directing it, and they did it at I was doing

0:21:14.080 --> 0:21:16.879
<v Speaker 5>shows in San Francisco, and it was like there was

0:21:16.920 --> 0:21:18.840
<v Speaker 5>an early tape and like a six o'clock tape, and

0:21:19.080 --> 0:21:21.119
<v Speaker 5>I watched it and went and did my show, and

0:21:21.160 --> 0:21:22.800
<v Speaker 5>it was it was like good. It was. It was

0:21:22.880 --> 0:21:24.960
<v Speaker 5>kind of loose, It wasn't you could tell like he

0:21:25.080 --> 0:21:26.480
<v Speaker 5>was still trying stuff for whatever.

0:21:26.880 --> 0:21:30.960
<v Speaker 8>Oddly but it's like a month after that everything happened.

0:21:31.720 --> 0:21:34.680
<v Speaker 5>He was talking a lot. It was weird because he

0:21:34.720 --> 0:21:39.080
<v Speaker 5>was talking a lot about like like growing up, like

0:21:39.200 --> 0:21:42.680
<v Speaker 5>his first experiences dating. Yeah, it was kind of it

0:21:42.800 --> 0:21:44.960
<v Speaker 5>was like blueish. It wasn't blue, but it was like

0:21:45.040 --> 0:21:47.639
<v Speaker 5>blue for Cosby. It was like it was like an

0:21:47.680 --> 0:21:50.160
<v Speaker 5>old man. I was like, you know what, I'm gonna

0:21:50.240 --> 0:21:51.000
<v Speaker 5>let it loose a little bit.

0:21:51.960 --> 0:21:52.359
<v Speaker 6>But it was.

0:21:52.520 --> 0:21:55.400
<v Speaker 8>It was good though. It was like kind of like excited,

0:21:55.600 --> 0:21:56.960
<v Speaker 8>you know, I was kind of excited to see.

0:21:56.840 --> 0:21:58.960
<v Speaker 5>What I was. I was interested. I mean, you know,

0:21:59.200 --> 0:22:01.520
<v Speaker 5>obviously everything that happened to understood why, but I was

0:22:01.560 --> 0:22:04.040
<v Speaker 5>always curious to see that special when it came out,

0:22:04.040 --> 0:22:06.840
<v Speaker 5>because how many seventy seven year old comedians.

0:22:07.600 --> 0:22:09.680
<v Speaker 8>Yeah you don't get that perspective.

0:22:09.720 --> 0:22:13.439
<v Speaker 5>But yeah, yeah, no, yeah, it ain't the same. Well

0:22:13.640 --> 0:22:20.440
<v Speaker 5>you can still see him, uh he he's still just

0:22:20.560 --> 0:22:22.119
<v Speaker 5>kind of popping up. Also, I heard he was doing

0:22:22.320 --> 0:22:27.040
<v Speaker 5>course this jazz club in Philly a lot Cosby. Yeah, Yeah,

0:22:28.400 --> 0:22:32.480
<v Speaker 5>it's not I guess the people that own the old bar. Yeah,

0:22:33.240 --> 0:22:36.720
<v Speaker 5>it's they have one join that's kind of uh not

0:22:37.119 --> 0:22:39.600
<v Speaker 5>Balla Kinwood. But he's in the bird.

0:22:39.760 --> 0:22:43.479
<v Speaker 8>They showed a video of him like recently, like at

0:22:43.560 --> 0:22:44.760
<v Speaker 8>that spot or whatever.

0:22:44.800 --> 0:22:47.880
<v Speaker 6>After everything came down a couple of months ago.

0:22:47.960 --> 0:22:49.480
<v Speaker 5>Yeah, it was just he was just out there and

0:22:49.680 --> 0:22:51.199
<v Speaker 5>he just yeah, yeah, he.

0:22:51.320 --> 0:22:52.400
<v Speaker 8>Was doing Hicky Bird.

0:22:52.440 --> 0:22:53.679
<v Speaker 5>I think crazy.

0:22:57.119 --> 0:23:00.800
<v Speaker 8>That's the only safe cutty guy, it really is.

0:23:03.000 --> 0:23:07.760
<v Speaker 1>So what were your first steps into taking your comedy series,

0:23:08.640 --> 0:23:10.840
<v Speaker 1>Like one too many trips at the principal's office or.

0:23:11.000 --> 0:23:13.920
<v Speaker 5>Like, no, none of that. I was I got it late.

0:23:14.040 --> 0:23:16.159
<v Speaker 5>I was like I always wanted to try it. I

0:23:16.240 --> 0:23:19.639
<v Speaker 5>always always wanted to try it. Was like they had

0:23:19.760 --> 0:23:22.119
<v Speaker 5>like comedy classes. The thing about stand up is if

0:23:22.119 --> 0:23:24.840
<v Speaker 5>you don't know any comedians, it might as well be

0:23:24.960 --> 0:23:27.760
<v Speaker 5>on the moon because you don't have no idea how

0:23:27.840 --> 0:23:30.040
<v Speaker 5>to do it. So I would just google like how

0:23:30.119 --> 0:23:32.840
<v Speaker 5>to do it and find like different open mics or whatever,

0:23:32.920 --> 0:23:36.399
<v Speaker 5>and it's just literally five dollars, half a pint of

0:23:36.440 --> 0:23:39.840
<v Speaker 5>E and J and you just go up there. Like

0:23:39.960 --> 0:23:41.639
<v Speaker 5>that was literally how it happened. I went to an

0:23:41.640 --> 0:23:43.720
<v Speaker 5>open mic right right down the block from the cellar

0:23:44.080 --> 0:23:47.160
<v Speaker 5>on McDougal Street, and I scouted it out one day

0:23:47.440 --> 0:23:49.920
<v Speaker 5>just to watch, and there was like one dude that

0:23:50.080 --> 0:23:53.040
<v Speaker 5>was really good, and everybody else was terrible, And I

0:23:53.160 --> 0:23:55.880
<v Speaker 5>was like, if they're terrible and still doing it, then

0:23:56.080 --> 0:23:57.760
<v Speaker 5>I could be that terrible, you know what I mean,

0:23:58.000 --> 0:24:00.119
<v Speaker 5>Like I could just be that bad and try it.

0:24:01.040 --> 0:24:01.920
<v Speaker 8>Took the pressure off.

0:24:02.119 --> 0:24:03.359
<v Speaker 5>You don't have to be good at it, you know,

0:24:03.640 --> 0:24:06.000
<v Speaker 5>because every time somebody wants to start coming always like

0:24:06.280 --> 0:24:08.800
<v Speaker 5>I don't got no jokes though, Like, yeah, nobody has

0:24:08.920 --> 0:24:09.680
<v Speaker 5>jokes when you start.

0:24:09.760 --> 0:24:11.120
<v Speaker 8>That's the whole point. There's no joke.

0:24:11.119 --> 0:24:13.200
<v Speaker 5>You're gonna start with that you're gonna end with, you

0:24:13.240 --> 0:24:14.879
<v Speaker 5>know what I mean, it's all gonna you're gonna outgrow

0:24:14.920 --> 0:24:16.720
<v Speaker 5>all of that ship. So it doesn't really matter. Just

0:24:16.800 --> 0:24:20.080
<v Speaker 5>being on stage is what's important. So going there and

0:24:20.240 --> 0:24:22.040
<v Speaker 5>just doing it. I couldn't tell you what I said,

0:24:22.119 --> 0:24:24.560
<v Speaker 5>but just being on stage and seeing that perspective of

0:24:24.920 --> 0:24:26.520
<v Speaker 5>hearing your voice in the micro I never heard my

0:24:26.600 --> 0:24:29.560
<v Speaker 5>voice in a microphone before. Like even that was freaky.

0:24:29.800 --> 0:24:31.000
<v Speaker 6>And you did it with no nerves.

0:24:31.480 --> 0:24:40.840
<v Speaker 5>Of course, you remember something that's just we call it,

0:24:42.080 --> 0:24:47.080
<v Speaker 5>he's got jerk, Jesus, Jesus, Jesus. So you went there

0:24:47.119 --> 0:24:50.040
<v Speaker 5>without a formula, nothing. I went up there with like

0:24:51.359 --> 0:24:54.760
<v Speaker 5>four things that I thought were funny that that would

0:24:54.800 --> 0:24:56.840
<v Speaker 5>make my friends in the car crack up. That wouldn't

0:24:56.840 --> 0:24:59.320
<v Speaker 5>make anybody else it's outside that car crack up like

0:24:59.440 --> 0:25:02.399
<v Speaker 5>literally nothing. I just wanted to be any Like you

0:25:02.480 --> 0:25:05.600
<v Speaker 5>talk about material you outgrown. Do you remember, I think

0:25:05.720 --> 0:25:10.120
<v Speaker 5>like one of the first jokes I had, oh man,

0:25:10.400 --> 0:25:12.480
<v Speaker 5>I think maybe one of the first jokes I had,

0:25:13.080 --> 0:25:15.400
<v Speaker 5>I might have even said it that night was something

0:25:15.440 --> 0:25:17.280
<v Speaker 5>about how because it was I remember, was like October,

0:25:17.359 --> 0:25:19.320
<v Speaker 5>it was like the fall, and I was saying, how

0:25:19.400 --> 0:25:24.719
<v Speaker 5>like Jehovah's witnesses don't they don't celebrate Halloween even though

0:25:24.760 --> 0:25:27.240
<v Speaker 5>they should because that's the one.

0:25:27.160 --> 0:25:31.240
<v Speaker 8>Time people open the door. But it was like like that,

0:25:31.560 --> 0:25:33.920
<v Speaker 8>you know, like kind of like a haha, you know,

0:25:34.000 --> 0:25:34.480
<v Speaker 8>like one of those.

0:25:34.600 --> 0:25:37.040
<v Speaker 5>But that's all you need. Just as long as you're

0:25:37.040 --> 0:25:39.320
<v Speaker 5>comfortable on stage, everything comes, you know what I mean.

0:25:39.440 --> 0:25:42.000
<v Speaker 5>Like even now you might go on stage with nothing

0:25:42.080 --> 0:25:42.959
<v Speaker 5>and find something.

0:25:43.080 --> 0:25:45.720
<v Speaker 1>You know, So with that first laugh, was it like

0:25:46.280 --> 0:25:51.480
<v Speaker 1>uh a crack high like a yeah, like your first

0:25:51.520 --> 0:25:52.520
<v Speaker 1>real good laugh.

0:25:52.840 --> 0:25:54.280
<v Speaker 8>The first real good laugh.

0:25:54.760 --> 0:25:58.359
<v Speaker 5>Well, you start out only doing open mics, and open

0:25:58.400 --> 0:26:01.720
<v Speaker 5>mics in the city is it's not regular people there,

0:26:01.760 --> 0:26:04.639
<v Speaker 5>it's all other people waiting to go on. So a

0:26:04.720 --> 0:26:08.800
<v Speaker 5>lot of the laughs are like, ah, you know, they're

0:26:08.840 --> 0:26:11.040
<v Speaker 5>right back in their book or whatever. Nobody's really there

0:26:11.119 --> 0:26:14.840
<v Speaker 5>to support people, you know. So the first actual show

0:26:14.920 --> 0:26:17.520
<v Speaker 5>I did was what they called a bringer show. That

0:26:17.640 --> 0:26:19.840
<v Speaker 5>means you bring five people and then you can perform.

0:26:20.040 --> 0:26:22.480
<v Speaker 5>So you had to pass out flyers in the corner. No,

0:26:22.760 --> 0:26:24.879
<v Speaker 5>you could just get anybody. You can get five friends,

0:26:24.960 --> 0:26:28.160
<v Speaker 5>you can get however you want. That's a barker show. Barker. Yeah, yeah,

0:26:28.200 --> 0:26:32.879
<v Speaker 5>that's a wait's barking, now it's barking. You watched you crashing?

0:26:35.160 --> 0:26:37.920
<v Speaker 5>I got, not that I got suckered, but I watched

0:26:38.000 --> 0:26:42.440
<v Speaker 5>crashing and then leaving uh, I forgot who did a

0:26:42.520 --> 0:26:46.040
<v Speaker 5>set at uh Carolines.

0:26:46.160 --> 0:26:49.080
<v Speaker 1>I was leaving Carolines and then I saw the guy

0:26:49.160 --> 0:26:51.879
<v Speaker 1>on the corner and I thought of crashing right, And

0:26:52.080 --> 0:26:54.040
<v Speaker 1>you know, I was like, all right, let me make

0:26:54.080 --> 0:26:56.560
<v Speaker 1>it rain, And I said, dude, and I brought five

0:26:56.640 --> 0:26:57.840
<v Speaker 1>hundred dollars worth of tickets.

0:26:57.920 --> 0:27:02.040
<v Speaker 5>Whoa right? Just you know, I just made his night right,

0:27:02.080 --> 0:27:03.920
<v Speaker 5>And he couldn't believe it. And then I was like

0:27:04.040 --> 0:27:05.680
<v Speaker 5>he and he tried to talk himself out of it,

0:27:05.800 --> 0:27:10.040
<v Speaker 5>like no, no, no, tickets, just give me, Like tickets

0:27:10.040 --> 0:27:11.239
<v Speaker 5>are only twenty dollars. That's all.

0:27:11.320 --> 0:27:14.560
<v Speaker 1>I said, dude, give me five hundred dollars worth of tickets.

0:27:14.560 --> 0:27:16.359
<v Speaker 1>And he couldn't understand it. And I was like, I

0:27:16.480 --> 0:27:21.760
<v Speaker 1>watched Crashing, and I understand that this is how that's.

0:27:21.640 --> 0:27:23.720
<v Speaker 8>Actually a terrible, terrible thing you did.

0:27:25.040 --> 0:27:27.200
<v Speaker 5>You know what, because now somebody's gonna be like, yeah,

0:27:27.240 --> 0:27:30.880
<v Speaker 5>we sold out, and nobody's gonna be a sh.

0:27:33.440 --> 0:27:34.560
<v Speaker 8>That's an awful idea.

0:27:35.880 --> 0:27:39.480
<v Speaker 5>No, So what what I was saying is how you

0:27:39.720 --> 0:27:41.639
<v Speaker 5>never had to go that route. No, I never. I

0:27:41.760 --> 0:27:44.119
<v Speaker 5>never did barking. I never did barking. I mean you

0:27:44.280 --> 0:27:46.520
<v Speaker 5>barked like your own show. Like if you like everybody

0:27:46.600 --> 0:27:48.800
<v Speaker 5>has kind of like a bar show or whatever, that's

0:27:48.880 --> 0:27:50.720
<v Speaker 5>kind of your penance of coming up in comedy, like

0:27:50.760 --> 0:27:52.280
<v Speaker 5>you do my show, do your show kind of thing,

0:27:52.320 --> 0:27:54.280
<v Speaker 5>So everybody kind of has like a bar show. And

0:27:54.400 --> 0:27:56.760
<v Speaker 5>then if your if your show's light, you might go

0:27:56.840 --> 0:27:58.440
<v Speaker 5>outside and be like, hey we got a comedy show.

0:27:58.520 --> 0:28:00.440
<v Speaker 5>Hey guys come back, coming back with guys, conversa on

0:28:00.480 --> 0:28:02.320
<v Speaker 5>the back or whatever. But it was never like four tickets.

0:28:02.359 --> 0:28:04.560
<v Speaker 5>It was always usually like a free show. It was

0:28:04.640 --> 0:28:06.440
<v Speaker 5>just like a thing like I just didn't want.

0:28:06.280 --> 0:28:08.080
<v Speaker 6>To do you know so what you said you watched

0:28:08.160 --> 0:28:09.960
<v Speaker 6>Frashion too though, right, did you watch the show?

0:28:10.080 --> 0:28:12.760
<v Speaker 8>I've seen somebody. I don't really. I watch Food Network

0:28:12.840 --> 0:28:15.119
<v Speaker 8>and Sports Center, Like that's literally.

0:28:17.840 --> 0:28:18.520
<v Speaker 5>I know what it is.

0:28:18.800 --> 0:28:19.320
<v Speaker 6>But I just.

0:28:21.520 --> 0:28:24.680
<v Speaker 5>I think that once now that you're part of the conversation,

0:28:24.960 --> 0:28:27.040
<v Speaker 5>I know what I know how it's made, and I'm

0:28:27.119 --> 0:28:30.040
<v Speaker 5>just like, I can't watch it the way like a

0:28:30.160 --> 0:28:33.000
<v Speaker 5>regular person can watch. This is why I cannot entertained.

0:28:33.040 --> 0:28:34.719
<v Speaker 1>This is why I feel like I have imposter syndrome,

0:28:34.880 --> 0:28:38.440
<v Speaker 1>because I feel like people that are really making history

0:28:38.920 --> 0:28:40.720
<v Speaker 1>don't watch history.

0:28:41.480 --> 0:28:45.240
<v Speaker 5>They just make it. Yeah, they make it. And meanwhile,

0:28:45.240 --> 0:28:50.400
<v Speaker 5>I'm like, episode twelve, let's keep that right exactly, well, like,

0:28:50.520 --> 0:28:54.080
<v Speaker 5>can you watch? Can you watch other late night shows? Dude?

0:28:54.400 --> 0:29:00.800
<v Speaker 1>I obsessively like to prepare for that job. Yes, I watch, really,

0:29:01.480 --> 0:29:03.080
<v Speaker 1>I watch in the mornings.

0:29:03.120 --> 0:29:06.880
<v Speaker 5>I watch. I watched Conan.

0:29:07.000 --> 0:29:09.600
<v Speaker 1>I watch everything to see what they're doing, what their

0:29:09.640 --> 0:29:11.720
<v Speaker 1>bumpers are like with their walk on the songs. So

0:29:12.200 --> 0:29:13.640
<v Speaker 1>if no other reason you know what not to do,

0:29:13.840 --> 0:29:16.800
<v Speaker 1>it's like yeah, and then like the guests are on

0:29:16.880 --> 0:29:19.280
<v Speaker 1>the show, like I'm watching their entire series to see

0:29:19.280 --> 0:29:21.600
<v Speaker 1>if I can get something on the character that I

0:29:21.720 --> 0:29:26.520
<v Speaker 1>want saying, like my crack high was who was on

0:29:26.680 --> 0:29:28.480
<v Speaker 1>Chappelle the asker gay dude, uh.

0:29:28.800 --> 0:29:33.600
<v Speaker 8>Mario Mario Canton steam Pipe Valley.

0:29:34.880 --> 0:29:35.240
<v Speaker 5>There you go.

0:29:36.360 --> 0:29:39.480
<v Speaker 1>So I did a steam pipe and he almost stopped

0:29:39.520 --> 0:29:43.760
<v Speaker 1>the show in tears, like, how do you know about

0:29:43.920 --> 0:29:46.360
<v Speaker 1>like we picked this obscure song from.

0:29:46.960 --> 0:29:48.360
<v Speaker 8>I would have picked that up easy.

0:29:48.520 --> 0:29:50.560
<v Speaker 5>That's a good one. Steam Pipe Valley used to come

0:29:50.600 --> 0:29:54.200
<v Speaker 5>on every like what was like Saturday. It was like

0:29:54.240 --> 0:29:55.960
<v Speaker 5>they would play Looney Tunes. It was like this one

0:29:56.080 --> 0:29:58.760
<v Speaker 5>man sketch show and it was all for kids, and

0:29:58.840 --> 0:30:01.440
<v Speaker 5>they played Looney Tune in between them. So like, if

0:30:01.480 --> 0:30:03.520
<v Speaker 5>you wanted to watch Bugs Bunny, you watch steam Pipe Ali.

0:30:03.560 --> 0:30:04.680
<v Speaker 5>It's going on like Channel nine.

0:30:04.800 --> 0:30:07.000
<v Speaker 6>Yeah, it is Mario Canton.

0:30:09.120 --> 0:30:12.560
<v Speaker 1>Once that like and all this is the Jimmy sagrin

0:30:12.600 --> 0:30:14.800
<v Speaker 1>because it's basically like, hey, guys, just play the three

0:30:14.840 --> 0:30:16.080
<v Speaker 1>second song and let my guests.

0:30:16.640 --> 0:30:20.920
<v Speaker 5>But then once like the root managed to distract the

0:30:21.040 --> 0:30:23.440
<v Speaker 5>guests like how did they know that? Oh my god,

0:30:23.520 --> 0:30:26.680
<v Speaker 5>and he wanted to talk about it ruined the interview

0:30:26.800 --> 0:30:31.680
<v Speaker 5>and then well no, no, no, I'm just saying At

0:30:31.720 --> 0:30:33.840
<v Speaker 5>that point, then I was like, oh ship. Then I'm

0:30:33.880 --> 0:30:36.560
<v Speaker 5>watching every show on time and now I have an

0:30:36.560 --> 0:30:39.440
<v Speaker 5>addiction like I have that is the ill That is

0:30:39.480 --> 0:30:41.560
<v Speaker 5>the illest thing I gotta say, like that, that is

0:30:41.640 --> 0:30:43.920
<v Speaker 5>like a really cool thing, like what are the roots

0:30:43.960 --> 0:30:46.520
<v Speaker 5>going to bring everybody out to? It's kind of a cool.

0:30:46.800 --> 0:30:48.720
<v Speaker 1>It's cool, but then it's like some people come on

0:30:48.760 --> 0:30:52.000
<v Speaker 1>the show like with their Matt like Cosby used to

0:30:52.080 --> 0:30:55.960
<v Speaker 1>do that, like I only got like a good my

0:30:56.160 --> 0:30:59.719
<v Speaker 1>own like jamming on the one reference because then Cosby

0:30:59.840 --> 0:31:01.120
<v Speaker 1>was like, like, Okay, well this is why I want

0:31:01.120 --> 0:31:02.400
<v Speaker 1>to walk out too, and I'm like, no.

0:31:03.440 --> 0:31:07.920
<v Speaker 5>Let me surprise you. Uh. Steve Martin also, but Steve

0:31:08.000 --> 0:31:09.080
<v Speaker 5>Martin's are funny.

0:31:08.880 --> 0:31:11.920
<v Speaker 6>Because oh he's requests. He makes special requests.

0:31:12.000 --> 0:31:14.840
<v Speaker 5>Steve loved the idea of what we did to Michelle Blackman,

0:31:15.560 --> 0:31:19.880
<v Speaker 5>Oh my god, right, what we did to her that.

0:31:20.200 --> 0:31:22.320
<v Speaker 5>Then he was like, then he.

0:31:22.320 --> 0:31:26.000
<v Speaker 1>Would orchestra, but then it like backfire for us because

0:31:26.760 --> 0:31:28.800
<v Speaker 1>then we would have to come in early to rehearse

0:31:28.880 --> 0:31:32.000
<v Speaker 1>his walk on. Like one time he introduced lady No,

0:31:32.000 --> 0:31:33.880
<v Speaker 1>I'm Steve Martin, and Steve Martin came out. He was

0:31:33.920 --> 0:31:36.160
<v Speaker 1>on the Letterman set like no, and then he was

0:31:36.240 --> 0:31:38.440
<v Speaker 1>on the view set no, and then he was on

0:31:39.040 --> 0:31:43.760
<v Speaker 1>Conean set like it was this whole elaborate four minute

0:31:43.800 --> 0:31:46.120
<v Speaker 1>walk on thing, and then Will Smith and you know,

0:31:46.280 --> 0:31:48.720
<v Speaker 1>so it's just like sometimes it.

0:31:49.600 --> 0:31:56.280
<v Speaker 6>Backfires, wait to go back to the source of his

0:31:56.440 --> 0:31:56.880
<v Speaker 6>rabbit hole.

0:31:56.960 --> 0:31:59.160
<v Speaker 7>Are you saying that you can't watch any entertainment or

0:31:59.240 --> 0:32:00.720
<v Speaker 7>is comedy even harder to watch?

0:32:00.920 --> 0:32:04.520
<v Speaker 5>I'm saying comedy. Comedy is hard to watch, and like

0:32:05.240 --> 0:32:07.040
<v Speaker 5>comedy in particular, it is hard to watch. But I

0:32:07.080 --> 0:32:10.280
<v Speaker 5>don't really there's no like shows that I really I watched,

0:32:10.320 --> 0:32:12.600
<v Speaker 5>like Detroiters that like, is that good?

0:32:13.120 --> 0:32:15.320
<v Speaker 1>I love it because the ratings are like out of

0:32:15.360 --> 0:32:17.600
<v Speaker 1>this world and I want to commit, But again I

0:32:17.800 --> 0:32:20.680
<v Speaker 1>love It's that which list I think.

0:32:20.800 --> 0:32:26.360
<v Speaker 5>I think it's Jason getting from a beep. Sam Richardson

0:32:26.720 --> 0:32:35.240
<v Speaker 5>and Robins, yeah, well and Steve Tim Robinson was like

0:32:35.440 --> 0:32:39.000
<v Speaker 5>my officemate at SNL. Tim and Zach who are the

0:32:39.240 --> 0:32:41.760
<v Speaker 5>who are the co creators of the show, and so

0:32:42.000 --> 0:32:43.880
<v Speaker 5>like I remember them working on it. I wrote an

0:32:43.920 --> 0:32:47.960
<v Speaker 5>episode last season and and it's just like their humor

0:32:48.080 --> 0:32:50.480
<v Speaker 5>is just the crazy. We used to write the craziest,

0:32:50.600 --> 0:32:53.560
<v Speaker 5>craziesth it together on SNL that would never get on

0:32:53.760 --> 0:32:55.640
<v Speaker 5>and then we would just have so we would just

0:32:55.680 --> 0:32:56.560
<v Speaker 5>bug out all the time.

0:32:56.720 --> 0:32:58.960
<v Speaker 7>So when don't we talk about matriculating from going on

0:32:59.080 --> 0:33:00.600
<v Speaker 7>stage with some I and J and just winging it

0:33:00.720 --> 0:33:04.120
<v Speaker 7>to becoming a writer, because that's I got.

0:33:04.080 --> 0:33:07.400
<v Speaker 5>The craziest how I got on SNL story I think

0:33:07.480 --> 0:33:10.320
<v Speaker 5>that I've heard so far. Literally wait, we didn't even

0:33:10.320 --> 0:33:11.240
<v Speaker 5>get to the Daily Show that.

0:33:13.080 --> 0:33:14.760
<v Speaker 8>I was a writer on SNL. Before I was at

0:33:14.760 --> 0:33:15.400
<v Speaker 8>the Daily Show.

0:33:16.040 --> 0:33:18.880
<v Speaker 5>Order, oh shit, all right, go ahead continue. I was

0:33:18.920 --> 0:33:21.760
<v Speaker 5>doing stand up maybe you know if he is in

0:33:22.160 --> 0:33:25.840
<v Speaker 5>and I saw Colin Joe's at the Ditton Factory Hannibal's

0:33:26.040 --> 0:33:30.120
<v Speaker 5>show in Brooklyn, and we both did a set or whatever,

0:33:30.120 --> 0:33:32.720
<v Speaker 5>and he was like, man, you know you're funny whatever,

0:33:32.960 --> 0:33:34.760
<v Speaker 5>and we were like we would see each other around,

0:33:34.840 --> 0:33:36.920
<v Speaker 5>but like he was he like got to like really

0:33:36.960 --> 0:33:37.320
<v Speaker 5>watch me.

0:33:38.080 --> 0:33:42.160
<v Speaker 8>Next day he hit me up like, hey, you.

0:33:42.200 --> 0:33:44.840
<v Speaker 5>Want I shouldn't say this is going to like discourage

0:33:44.840 --> 0:33:47.640
<v Speaker 5>people from ever going through the process, but he messaged

0:33:47.680 --> 0:33:49.960
<v Speaker 5>me where he was head writer at the time at SNL,

0:33:50.640 --> 0:33:54.000
<v Speaker 5>and he was like, Yo, if you ever want to

0:33:54.120 --> 0:33:55.480
<v Speaker 5>you know, if you have like a packet or something,

0:33:55.480 --> 0:33:57.960
<v Speaker 5>I would love to submit your packet to SNL, Like

0:33:58.080 --> 0:33:59.960
<v Speaker 5>you know, if you write sketches. And I'd never written

0:34:00.040 --> 0:34:02.440
<v Speaker 5>sketch before, so I was like all right, yeah, sure,

0:34:02.440 --> 0:34:04.880
<v Speaker 5>I'll do it. And I was like, I ain't fucking writing.

0:34:05.160 --> 0:34:06.720
<v Speaker 5>I'm gonna have me write a packet for some shit

0:34:06.760 --> 0:34:08.520
<v Speaker 5>that's gonna be bad, you know what I mean. I

0:34:08.760 --> 0:34:12.400
<v Speaker 5>don't know how to do that. And he would periodically

0:34:12.480 --> 0:34:14.759
<v Speaker 5>hit me up, like every three or four weeks like yo,

0:34:14.800 --> 0:34:16.200
<v Speaker 5>you got to you got the package, Like, oh, I'm

0:34:16.200 --> 0:34:17.640
<v Speaker 5>still working on it, but yeah, I'm gonna send it

0:34:17.680 --> 0:34:20.640
<v Speaker 5>to you. And then it was like the week of

0:34:20.719 --> 0:34:22.239
<v Speaker 5>the show where he's like, we just want to come

0:34:22.239 --> 0:34:25.960
<v Speaker 5>in as a guest writer. And I was like, all right,

0:34:27.080 --> 0:34:30.320
<v Speaker 5>I came in as a guest writer. And it was

0:34:30.400 --> 0:34:34.480
<v Speaker 5>two week contract. Literally they throw you in the fire,

0:34:34.480 --> 0:34:37.719
<v Speaker 5>so like you get there Monday, so that's another production week.

0:34:37.760 --> 0:34:41.080
<v Speaker 5>There's no orientation. You just show up to the show

0:34:41.200 --> 0:34:44.520
<v Speaker 5>and you're like, all right, you work here, get to work.

0:34:44.520 --> 0:34:48.160
<v Speaker 5>You're responsible to sketches or whatever. And everybody's there was

0:34:48.239 --> 0:34:51.960
<v Speaker 5>This was like Fred and Bill and Jason was still there.

0:34:52.080 --> 0:34:54.840
<v Speaker 5>Seth was still head writer with with Colin, so it

0:34:55.000 --> 0:34:58.560
<v Speaker 5>was like intimidating as fuck. I think Andy and Christen

0:34:58.640 --> 0:35:00.840
<v Speaker 5>had just left like a few months.

0:35:00.680 --> 0:35:03.319
<v Speaker 6>Before, and no limitations.

0:35:03.360 --> 0:35:05.320
<v Speaker 5>They just right there. Yeah. They was like, so the

0:35:05.400 --> 0:35:08.040
<v Speaker 5>first thing you gotta do is you got to go

0:35:08.120 --> 0:35:10.759
<v Speaker 5>into Lawn's office and do the pitch meeting, which I'm

0:35:10.800 --> 0:35:13.759
<v Speaker 5>sure you know about. You literally the entire cast and

0:35:13.800 --> 0:35:17.399
<v Speaker 5>writing staff in Lawn's office with the host and Kevin

0:35:17.480 --> 0:35:22.440
<v Speaker 5>Harts in Lawn's office seventeen with the host. Oh my god,

0:35:22.560 --> 0:35:25.919
<v Speaker 5>it is Kevin is Kevin Hart porn and everything. Don't

0:35:25.960 --> 0:35:28.640
<v Speaker 5>touch the popcorn at that point. Don't touch the po

0:35:29.200 --> 0:35:31.600
<v Speaker 5>It's behind him. So in order to touch the popcorn,

0:35:31.600 --> 0:35:34.000
<v Speaker 5>you gotta walk to like up to his chair. And

0:35:34.120 --> 0:35:37.960
<v Speaker 5>that's a power move, right. He finally thumbs thumbs us

0:35:38.040 --> 0:35:40.160
<v Speaker 5>up once I brought him too big ass.

0:35:40.960 --> 0:35:41.640
<v Speaker 8>Yeah, back.

0:35:43.560 --> 0:35:45.120
<v Speaker 7>Office, right, Like, y'all know, y'all know, we don't know

0:35:45.120 --> 0:35:48.160
<v Speaker 7>what you're talking about. Right, I'm just saying, everybody who listening,

0:35:48.760 --> 0:35:49.240
<v Speaker 7>tell y'all.

0:35:49.080 --> 0:35:51.960
<v Speaker 5>Inside loves pop. If you walk in, you just you

0:35:52.080 --> 0:35:54.960
<v Speaker 5>hear all over the floor. So we're all in there

0:35:55.200 --> 0:35:58.400
<v Speaker 5>when everybody's giving sketch ideas. Everybody's telling me this is

0:35:58.520 --> 0:36:00.880
<v Speaker 5>like comedy pros, And I'm like, what the fuck am

0:36:00.880 --> 0:36:03.240
<v Speaker 5>I doing? So my I had to pitch a sketch

0:36:03.719 --> 0:36:05.640
<v Speaker 5>and I got a laugh from it, and I think

0:36:05.680 --> 0:36:09.080
<v Speaker 5>after that they was like, my sketch was I probably

0:36:09.120 --> 0:36:12.520
<v Speaker 5>told you, but uh it was Kevin Hart playing the

0:36:12.600 --> 0:36:17.400
<v Speaker 5>richest black man in New York, Dwayne Reid, and I

0:36:17.440 --> 0:36:20.799
<v Speaker 5>always tell that joke. But and everybody laughed and they

0:36:20.880 --> 0:36:24.400
<v Speaker 5>were like okay. Lauren was like okay. And then my

0:36:24.560 --> 0:36:27.080
<v Speaker 5>first they asked me to write that sketch. It bombed

0:36:27.160 --> 0:36:28.600
<v Speaker 5>terribly at the table, but I didn't know what I

0:36:28.680 --> 0:36:31.160
<v Speaker 5>was doing. So then the next week was justin Timberlake,

0:36:31.840 --> 0:36:33.480
<v Speaker 5>and then I got a sketch on and then it

0:36:33.600 --> 0:36:35.279
<v Speaker 5>was like fun and which one was.

0:36:36.920 --> 0:36:38.480
<v Speaker 8>A sketch? You could never do that? That was close

0:36:38.560 --> 0:36:44.600
<v Speaker 8>She's Got a Dick, and it was She's Got a Dick.

0:36:44.719 --> 0:36:47.080
<v Speaker 5>It was a romantic comedy trailer about this lady that

0:36:47.160 --> 0:36:51.840
<v Speaker 5>had everything, but she also had a dick who played woman.

0:36:52.239 --> 0:36:56.880
<v Speaker 5>It was it was justin in the scene. Okay, it

0:36:56.960 --> 0:36:58.680
<v Speaker 5>was justin in the scene. So when you say so,

0:36:58.680 --> 0:37:01.000
<v Speaker 5>when you say it skip bombed at the table, what

0:37:01.280 --> 0:37:03.800
<v Speaker 5>what's the I guess the chain of command? What's the process?

0:37:03.840 --> 0:37:06.160
<v Speaker 5>You pitch it in the meeting in law's office and

0:37:06.280 --> 0:37:10.759
<v Speaker 5>then what well, I didn't know this, but typically people

0:37:10.840 --> 0:37:13.600
<v Speaker 5>who when you do pitch, now I know this. When

0:37:13.640 --> 0:37:17.279
<v Speaker 5>you pitch, typically people don't say what they're going to write.

0:37:17.320 --> 0:37:19.319
<v Speaker 5>They're usually just saying like a one liner that's going

0:37:19.400 --> 0:37:21.400
<v Speaker 5>to make everybody lie. It's really a meeting to make

0:37:21.480 --> 0:37:24.600
<v Speaker 5>the host feel comfortable, you know, like you're not you're

0:37:24.600 --> 0:37:26.080
<v Speaker 5>not really pitching your ideas.

0:37:26.120 --> 0:37:26.960
<v Speaker 8>Sometimes people do.

0:37:27.120 --> 0:37:30.080
<v Speaker 5>Like there's times where you can pitch something people are like, hey,

0:37:30.120 --> 0:37:32.640
<v Speaker 5>that's funny, actually can you do that? And then you

0:37:32.760 --> 0:37:34.400
<v Speaker 5>write it and then like that's happened to me a

0:37:34.440 --> 0:37:36.920
<v Speaker 5>couple of times, or you know, like I've recommended or

0:37:36.920 --> 0:37:40.840
<v Speaker 5>whatever the sketch that that was like super popular. Farewell

0:37:40.880 --> 0:37:44.000
<v Speaker 5>mister Bunting. You remember that one where like Pete stands

0:37:44.080 --> 0:37:45.799
<v Speaker 5>up and his head gets chopped off on the ceiling fan.

0:37:45.840 --> 0:37:50.000
<v Speaker 5>It's like that was a pitch. That was a pitch

0:37:50.400 --> 0:37:53.200
<v Speaker 5>that Colin I think mikey Day pitched it and Colin

0:37:53.320 --> 0:37:55.239
<v Speaker 5>was like, hey, you should like we could write that,

0:37:55.680 --> 0:37:57.959
<v Speaker 5>and they wrote it together and made it happen.

0:37:58.040 --> 0:37:59.400
<v Speaker 8>But it was almost he was almost like it was

0:37:59.400 --> 0:37:59.960
<v Speaker 8>like a throwaway.

0:38:00.280 --> 0:38:02.399
<v Speaker 1>I was literally going to ask you, like the reason

0:38:02.440 --> 0:38:04.919
<v Speaker 1>why you see me there obsessively every week in the show,

0:38:05.920 --> 0:38:08.719
<v Speaker 1>isn't I mean, yes, I want to laugh and I

0:38:08.880 --> 0:38:13.400
<v Speaker 1>enjoy the experience. But my conversation with Higgins always the

0:38:13.520 --> 0:38:16.680
<v Speaker 1>next day is what was the pitch like?

0:38:16.880 --> 0:38:19.400
<v Speaker 5>And then when you got I said, when I went

0:38:19.440 --> 0:38:22.919
<v Speaker 5>to him after that that bit, I said, did someone

0:38:23.040 --> 0:38:24.600
<v Speaker 5>just say, okay, we're going to do it? Not good

0:38:24.640 --> 0:38:29.960
<v Speaker 5>well hunting? What's the thing where I my soy? Yeah? Like,

0:38:30.040 --> 0:38:30.560
<v Speaker 5>did someone just.

0:38:30.560 --> 0:38:33.239
<v Speaker 1>Say okay, it's a dead post society sketch? But then

0:38:33.320 --> 0:38:35.920
<v Speaker 1>when Pete stands on the table, he's going to get beheaded?

0:38:36.560 --> 0:38:39.640
<v Speaker 8>Like how do you literally pretty much that?

0:38:40.120 --> 0:38:41.840
<v Speaker 1>Yeah, But the thing is like a lot of the

0:38:41.880 --> 0:38:46.160
<v Speaker 1>physical comedy or the or the one bit where somebody

0:38:46.280 --> 0:38:51.239
<v Speaker 1>was a poster or something that involves physical comedy, It's like,

0:38:51.400 --> 0:38:55.080
<v Speaker 1>how do you articulate that that's going to be the

0:38:55.160 --> 0:38:56.160
<v Speaker 1>funny part if?

0:38:57.680 --> 0:38:59.600
<v Speaker 5>And how does that work in the room that actually

0:38:59.680 --> 0:39:03.600
<v Speaker 5>gets you too. That's where the show gets tricky because

0:39:03.680 --> 0:39:05.920
<v Speaker 5>there's a lot of things that make a table full

0:39:05.960 --> 0:39:09.440
<v Speaker 5>of comedy writers laugh that doesn't make America laugh. And

0:39:09.560 --> 0:39:11.480
<v Speaker 5>there's a lot of stuff that doesn't make us laugh

0:39:11.600 --> 0:39:14.359
<v Speaker 5>that becomes a massive hit or whatever. So I think

0:39:14.480 --> 0:39:16.800
<v Speaker 5>that's that's kind of like when Lauren and Higgins and

0:39:17.600 --> 0:39:21.160
<v Speaker 5>and Ken word like, that's kind of when they're saying,

0:39:21.200 --> 0:39:23.239
<v Speaker 5>you know what, I think this will look good on tape,

0:39:23.280 --> 0:39:25.160
<v Speaker 5>even though it doesn't play hot at the table, I

0:39:25.239 --> 0:39:27.200
<v Speaker 5>think this will work. I think this will be really

0:39:27.239 --> 0:39:29.680
<v Speaker 5>good for the show. So there's a lot of I

0:39:29.719 --> 0:39:32.640
<v Speaker 5>remember that. Yeah, well, I think we all knew that

0:39:32.719 --> 0:39:35.800
<v Speaker 5>it would be funny. But it's when you're reading, because

0:39:35.840 --> 0:39:38.680
<v Speaker 5>it's everybody's reading their part, and then Lauren is reading

0:39:38.680 --> 0:39:42.439
<v Speaker 5>the stage direction. We're not really acting. Now he reads

0:39:42.480 --> 0:39:43.440
<v Speaker 5>every stage director.

0:39:43.600 --> 0:39:44.799
<v Speaker 6>So can I ask a crazy question?

0:39:45.000 --> 0:39:47.040
<v Speaker 7>You're throwing out names and I just googled one because

0:39:47.040 --> 0:39:48.880
<v Speaker 7>I had to figure out who Higgins was. Okay, it's

0:39:48.920 --> 0:39:51.640
<v Speaker 7>Steve Higgins. Okay, this is the guy who is actually

0:39:51.800 --> 0:39:54.000
<v Speaker 7>on the Tonight Show. But he also is like a writer.

0:39:55.880 --> 0:40:01.200
<v Speaker 5>Higgins is like he runs yeah, different fat and he's

0:40:01.280 --> 0:40:03.920
<v Speaker 5>just like that's his DJ gig, right, but you know

0:40:04.040 --> 0:40:08.160
<v Speaker 5>his roots gig is SNL Yes, yes, legendary writer for

0:40:08.280 --> 0:40:10.600
<v Speaker 5>the show. And now he's a producer and he works

0:40:11.080 --> 0:40:12.879
<v Speaker 5>pretty hands on on the show. Yeah.

0:40:13.719 --> 0:40:17.200
<v Speaker 1>See, well that's the thing because usually, like you know,

0:40:17.360 --> 0:40:20.320
<v Speaker 1>commercial breaks when like Lauren is just in the middle

0:40:20.320 --> 0:40:21.800
<v Speaker 1>of the floor, like in the camera.

0:40:21.640 --> 0:40:25.360
<v Speaker 5>Shot photo opp right, part of me is wondering, like, okay,

0:40:25.600 --> 0:40:29.160
<v Speaker 5>are you again? Are you Ronald McDonald? Are you a crop?

0:40:29.440 --> 0:40:32.840
<v Speaker 5>Like are you really making the decisions? So he actually

0:40:32.920 --> 0:40:37.560
<v Speaker 5>reads the Oh no, Lauren makes the like Lauren is

0:40:37.719 --> 0:40:40.960
<v Speaker 5>the guy. He's very he's extremely hands up. We all

0:40:41.040 --> 0:40:43.120
<v Speaker 5>go in his office and we talked things through and

0:40:43.520 --> 0:40:46.600
<v Speaker 5>he has the board and he gives He's very, very

0:40:46.760 --> 0:40:50.439
<v Speaker 5>very instrumental in get I never knew that. I just start.

0:40:50.520 --> 0:40:52.640
<v Speaker 5>Sometimes he comes up with the cold open sometimes like

0:40:53.400 --> 0:40:55.560
<v Speaker 5>we'll be you know, like we won't have a cold open.

0:40:55.600 --> 0:40:57.640
<v Speaker 5>We've been writing our cold opens much much later in

0:40:57.719 --> 0:40:59.600
<v Speaker 5>the week because of the news, because of the news

0:40:59.680 --> 0:41:01.680
<v Speaker 5>cycle has just been insane. We've been we've had to

0:41:01.760 --> 0:41:04.960
<v Speaker 5>like rewrite cold over and rewrite updates on Thursday and

0:41:05.040 --> 0:41:07.680
<v Speaker 5>Friday sometimes like just because of the news, Like the

0:41:07.800 --> 0:41:12.120
<v Speaker 5>country is completely different between Wednesday and Friday, like completely different.

0:41:12.480 --> 0:41:15.000
<v Speaker 5>So you know, he'll be like, I feel like maybe

0:41:15.000 --> 0:41:16.680
<v Speaker 5>we should do something like this or whatever, and then

0:41:16.880 --> 0:41:19.480
<v Speaker 5>he kind of like orders it up. A lot of times,

0:41:20.080 --> 0:41:23.280
<v Speaker 5>you know, oh good, Oh so what is the production schedule.

0:41:23.440 --> 0:41:26.680
<v Speaker 5>So so Monday we meet the host and it's kind

0:41:26.680 --> 0:41:28.480
<v Speaker 5>of a light day. You could start writing, but you

0:41:28.600 --> 0:41:32.320
<v Speaker 5>really don't have to. But it's really writers meeting and

0:41:32.520 --> 0:41:38.000
<v Speaker 5>then host meeting, and then Tuesday we come in for writing.

0:41:38.120 --> 0:41:40.400
<v Speaker 5>Then you just write all day Tuesday. Sometimes I get

0:41:40.440 --> 0:41:45.200
<v Speaker 5>in usually around three four pm, and then I'll maybe

0:41:45.400 --> 0:41:50.160
<v Speaker 5>leave at about seven eight am and then go home,

0:41:50.200 --> 0:41:52.359
<v Speaker 5>take a nap, take a shower, then go to table read,

0:41:52.400 --> 0:41:54.360
<v Speaker 5>which is usually around three pm.

0:41:54.440 --> 0:41:58.239
<v Speaker 8>On Wednesday. We read up until about eight o'clock and.

0:41:58.280 --> 0:42:02.240
<v Speaker 5>Table readers, you guys, table read, we read about forty

0:42:02.400 --> 0:42:06.320
<v Speaker 5>anywhere between thirty five and forty of the sketches you

0:42:06.440 --> 0:42:09.160
<v Speaker 5>wrote on Tuesday that we all wrote on Tuesday, and

0:42:09.280 --> 0:42:14.000
<v Speaker 5>then we picked maybe eleven to produce. We rewrite it Thursday.

0:42:14.320 --> 0:42:17.240
<v Speaker 5>We do our pre tapes Friday and our blocking Friday,

0:42:17.880 --> 0:42:22.320
<v Speaker 5>and then Saturday run through dress rehearsal air. Do you

0:42:23.360 --> 0:42:26.680
<v Speaker 5>Between dress rehearsal and air, we usually cut two to

0:42:26.760 --> 0:42:30.760
<v Speaker 5>three sketches cut meaning meaning it together.

0:42:31.440 --> 0:42:32.839
<v Speaker 8>Yeah, it's like a two hour show.

0:42:34.080 --> 0:42:36.279
<v Speaker 5>We go in with about two hours and then we

0:42:37.080 --> 0:42:39.879
<v Speaker 5>leave what about ninety minutes for live, and sometimes we're

0:42:40.000 --> 0:42:41.680
<v Speaker 5>cutting shit on air.

0:42:42.040 --> 0:42:43.640
<v Speaker 8>Sometimes we're rewriting shit on there.

0:42:43.680 --> 0:42:45.719
<v Speaker 5>There's times where like the show is on and you're

0:42:45.760 --> 0:42:47.480
<v Speaker 5>in your dressing room and you think your day's open,

0:42:47.560 --> 0:42:49.799
<v Speaker 5>your sketch is next, and they're like, hey, they need

0:42:49.840 --> 0:42:51.239
<v Speaker 5>you in a control room and you're literally in the

0:42:51.280 --> 0:42:55.680
<v Speaker 5>script department cutting out sketches, cutting out lines of a sketch.

0:42:55.800 --> 0:42:57.279
<v Speaker 5>So if you ever like watching the show and at

0:42:57.320 --> 0:43:00.400
<v Speaker 5>the end you're like, well that ended weird because we

0:43:00.520 --> 0:43:02.680
<v Speaker 5>had to shave forty five seconds out of a three

0:43:02.760 --> 0:43:06.440
<v Speaker 5>minute sketch, which happens a lot. Yeah, and if if

0:43:07.080 --> 0:43:10.920
<v Speaker 5>well that's how I first met you. I learned the processes.

0:43:11.920 --> 0:43:15.799
<v Speaker 1>If you're one of the bits that gets cut, if

0:43:15.840 --> 0:43:18.600
<v Speaker 1>you're newbie, you might take a little personal you might

0:43:18.640 --> 0:43:20.080
<v Speaker 1>take a little personal Pam pizza.

0:43:20.800 --> 0:43:24.279
<v Speaker 5>So then you go up to seventeen and then you

0:43:24.440 --> 0:43:27.040
<v Speaker 5>get ship face drunk if you just been.

0:43:27.719 --> 0:43:30.680
<v Speaker 7>Yep, Because does everybody every week at least get in

0:43:30.920 --> 0:43:34.320
<v Speaker 7>a get in a segment, like everybody.

0:43:34.280 --> 0:43:37.479
<v Speaker 5>Hannibal said, no, no, not Hannible, what's his name said?

0:43:37.600 --> 0:43:41.480
<v Speaker 5>He never got his? I think I think Hannibal got

0:43:41.560 --> 0:43:44.840
<v Speaker 5>like one or two. But yeah, some it's it's for

0:43:44.960 --> 0:43:49.719
<v Speaker 5>some writers you never see it's been a little bit. Well,

0:43:49.719 --> 0:43:52.040
<v Speaker 5>you got to think when they were writing, they had

0:43:52.200 --> 0:43:55.279
<v Speaker 5>like I mean it was like, yeah, they you had

0:43:55.360 --> 0:43:57.600
<v Speaker 5>like Kristen wigg and only people on the show that

0:43:57.800 --> 0:44:00.920
<v Speaker 5>that's like half the show right there. I didn't write anything.

0:44:01.040 --> 0:44:04.040
<v Speaker 8>She was in real Estate gets a lot smaller, you know,

0:44:04.239 --> 0:44:05.520
<v Speaker 8>so like you.

0:44:05.520 --> 0:44:07.920
<v Speaker 5>Know, Larry David said he none of his bits ever

0:44:08.040 --> 0:44:13.360
<v Speaker 5>got on. Yeah, Larry David, Sarah Silverman, I've heard that

0:44:13.440 --> 0:44:13.759
<v Speaker 5>as well.

0:44:14.000 --> 0:44:15.160
<v Speaker 6>And to work there for years.

0:44:15.880 --> 0:44:17.799
<v Speaker 8>I think Sarah was only there for like a year

0:44:17.920 --> 0:44:19.640
<v Speaker 8>or two. I don't think she was there.

0:44:19.880 --> 0:44:21.160
<v Speaker 6>Well, so is it an official?

0:44:21.400 --> 0:44:24.160
<v Speaker 7>Is there really an official like s n L Frattorney, Like,

0:44:24.320 --> 0:44:25.920
<v Speaker 7>was there a moment when you felt like, yes, I'm

0:44:25.960 --> 0:44:28.520
<v Speaker 7>officially in this special collective and I can go talk

0:44:28.560 --> 0:44:29.760
<v Speaker 7>to Bill Murray at anytime?

0:44:29.880 --> 0:44:34.480
<v Speaker 5>And No, it's really you never feel that because it's you.

0:44:35.760 --> 0:44:39.520
<v Speaker 5>You just get comfortable. It's like anything else. It's like

0:44:39.640 --> 0:44:43.080
<v Speaker 5>you really it just it ends up being like holy ship,

0:44:43.160 --> 0:44:47.560
<v Speaker 5>that's Bill Murray to Bill Murray's here. It becomes like

0:44:47.760 --> 0:44:50.239
<v Speaker 5>just that, Yeah, we see them all the time. And

0:44:50.360 --> 0:44:52.680
<v Speaker 5>I think that's kind of the crazy thing. Like we're

0:44:52.719 --> 0:44:56.480
<v Speaker 5>probably the only show where people are more nervous than

0:44:56.560 --> 0:44:58.960
<v Speaker 5>we are, yeah, to be on than we are to

0:44:59.040 --> 0:44:59.600
<v Speaker 5>have them on.

0:45:00.080 --> 0:45:02.920
<v Speaker 7>Not even the nervous part, just a camaraderie of knowing that. Okay,

0:45:03.000 --> 0:45:05.279
<v Speaker 7>So if Chevvy chasees me on the street, he's going

0:45:05.360 --> 0:45:07.279
<v Speaker 7>to say something because we are in this fraternity, like.

0:45:07.480 --> 0:45:09.160
<v Speaker 5>Or maybe he won't. Maybe he won't.

0:45:12.440 --> 0:45:14.040
<v Speaker 6>I should have went fast basketball.

0:45:20.200 --> 0:45:24.759
<v Speaker 5>I don't know. Okay, when when someone you haven't worked

0:45:24.800 --> 0:45:26.800
<v Speaker 5>with from the show knows who you are, it's a

0:45:27.080 --> 0:45:32.160
<v Speaker 5>very strange experience, Like you're like, what I saw John

0:45:32.200 --> 0:45:34.680
<v Speaker 5>Love It's I've never seen him outside of the show

0:45:35.239 --> 0:45:37.560
<v Speaker 5>before this, and I saw him in l A one

0:45:37.680 --> 0:45:39.000
<v Speaker 5>time and he was like nice to me and I

0:45:39.080 --> 0:45:42.520
<v Speaker 5>was like, John Love It. It was like it blew

0:45:42.600 --> 0:45:46.280
<v Speaker 5>my mind becau. John Loves was like my favorite guy favorite.

0:45:46.840 --> 0:45:49.080
<v Speaker 5>He was, Oh my god, I love John Love this.

0:45:49.120 --> 0:45:49.800
<v Speaker 5>He was so funny.

0:45:54.640 --> 0:46:00.560
<v Speaker 1>So okay, with the host that come on the show,

0:46:03.719 --> 0:46:07.680
<v Speaker 1>do you I feel like there's three types of posts.

0:46:07.960 --> 0:46:09.240
<v Speaker 5>So if.

0:46:10.600 --> 0:46:13.440
<v Speaker 1>Say, someone that's eager and easy to work with, I

0:46:13.480 --> 0:46:18.399
<v Speaker 1>would assume that Hanks is that guy that's like really

0:46:18.480 --> 0:46:21.560
<v Speaker 1>about making the most of a moment hosting ESNL.

0:46:22.040 --> 0:46:24.879
<v Speaker 5>He's a dream come true. Yes, I'm sure that timber

0:46:24.960 --> 0:46:27.239
<v Speaker 5>Lake is also that way, very eager to you know,

0:46:27.840 --> 0:46:29.759
<v Speaker 5>can do anything, do what I gotta do to make

0:46:29.800 --> 0:46:32.040
<v Speaker 5>sure this is a classic episode. If it's funny, He's

0:46:32.080 --> 0:46:33.280
<v Speaker 5>with it. But then.

0:46:35.960 --> 0:46:38.680
<v Speaker 1>You know, you guys might get a wild card like

0:46:39.400 --> 0:46:43.840
<v Speaker 1>were you there during the Trump yeah, hosting, Yeah, of

0:46:43.960 --> 0:46:48.480
<v Speaker 1>which I'm sure that was a little crazy.

0:46:49.000 --> 0:46:52.960
<v Speaker 5>Well, it wasn't. To me. It wasn't that crazy because

0:46:53.000 --> 0:46:55.799
<v Speaker 5>I didn't expect him to win until like a year

0:46:55.920 --> 0:46:58.880
<v Speaker 5>after that. Like at that time, it still kind of

0:46:58.920 --> 0:47:01.879
<v Speaker 5>felt like it was still a little bit of a joke.

0:47:02.560 --> 0:47:05.440
<v Speaker 5>It wasn't as kind of like you know, it wasn't like.

0:47:05.880 --> 0:47:08.840
<v Speaker 1>Not even not even the process of like will he

0:47:08.960 --> 0:47:11.359
<v Speaker 1>be president? I'm just talking about like a good host

0:47:11.400 --> 0:47:15.759
<v Speaker 1>for the show, deliverying that sort of thing.

0:47:15.920 --> 0:47:19.480
<v Speaker 5>A good host for me is a little bit different

0:47:19.640 --> 0:47:22.680
<v Speaker 5>like somebody like a comedian. When a stand up is hosting,

0:47:22.760 --> 0:47:26.719
<v Speaker 5>it's usually not fun for me, really, yes, because they

0:47:26.760 --> 0:47:29.160
<v Speaker 5>bringing their own team. Because not only they bringing their

0:47:29.160 --> 0:47:32.080
<v Speaker 5>own team, but stand ups and like comedians wroke, like

0:47:32.160 --> 0:47:35.400
<v Speaker 5>they know why they're funny, they're not. They trust themselves

0:47:35.560 --> 0:47:38.000
<v Speaker 5>way more than they trust the writings, you know, and

0:47:38.080 --> 0:47:39.640
<v Speaker 5>they know they got one shot at this and they

0:47:39.680 --> 0:47:43.320
<v Speaker 5>don't want a bomb, so they're like, I don't know.

0:47:43.440 --> 0:47:45.640
<v Speaker 5>They're on the fence about everything. They're not shut about

0:47:45.680 --> 0:47:48.120
<v Speaker 5>anything until they hear to laugh and they'll say, all right,

0:47:48.160 --> 0:47:50.400
<v Speaker 5>we can, we can do this. That was gonna I love.

0:47:50.719 --> 0:47:53.560
<v Speaker 8>My favorite is like a like a Blake Shelton.

0:47:53.680 --> 0:47:58.759
<v Speaker 5>That's just like, man, just you unexpected. I don't care.

0:47:59.040 --> 0:48:01.440
<v Speaker 5>Just just write it. I'll read it. If it works.

0:48:01.480 --> 0:48:01.920
<v Speaker 5>It works.

0:48:02.080 --> 0:48:03.440
<v Speaker 8>That's a dream scenario.

0:48:04.160 --> 0:48:05.080
<v Speaker 5>What was Chappelle like?

0:48:05.200 --> 0:48:07.239
<v Speaker 8>What was his Chappelle was?

0:48:07.760 --> 0:48:07.920
<v Speaker 5>Well?

0:48:07.960 --> 0:48:10.840
<v Speaker 8>First of was Chappelle is not only is he a genius,

0:48:11.120 --> 0:48:12.279
<v Speaker 8>but he's a perfectionist.

0:48:13.520 --> 0:48:18.640
<v Speaker 5>And also this week was like the craziest week because

0:48:18.719 --> 0:48:22.399
<v Speaker 5>Trump had won. So literally Tuesday you felt one way

0:48:22.520 --> 0:48:27.200
<v Speaker 5>and the country was completely different by Wednesday, Like I

0:48:27.440 --> 0:48:29.560
<v Speaker 5>never other than nine to eleven, I don't remember a

0:48:29.680 --> 0:48:34.000
<v Speaker 5>more drastic change and tone after a day. So to

0:48:34.200 --> 0:48:36.880
<v Speaker 5>write comp we mind, we write the show Tuesday, so

0:48:36.960 --> 0:48:39.680
<v Speaker 5>we have to write a sketch, you know what I mean.

0:48:39.719 --> 0:48:42.200
<v Speaker 5>You gotta imagine writing like the Poop Family sketch and

0:48:42.360 --> 0:48:45.440
<v Speaker 5>you're watching the country literally fall apart, and you're like,

0:48:45.440 --> 0:48:47.400
<v Speaker 5>all right, what does he say? Next, you know, it's

0:48:47.520 --> 0:48:51.000
<v Speaker 5>nothing that seems important at that time. So by Wednesday,

0:48:51.719 --> 0:48:56.240
<v Speaker 5>table read all those sketches in rough shape because everyone

0:48:56.400 --> 0:49:00.360
<v Speaker 5>was so distracted and nobody really had anything good. But

0:49:01.680 --> 0:49:05.160
<v Speaker 5>Neil Brennan helped a lot, and Chappelle of course got

0:49:05.239 --> 0:49:08.160
<v Speaker 5>his hands on stuff, and Brian Tucker did a lot

0:49:08.239 --> 0:49:10.680
<v Speaker 5>of work to bring everything up. We all you know,

0:49:10.920 --> 0:49:14.279
<v Speaker 5>pitched in to bring everything up h to get the

0:49:14.360 --> 0:49:16.760
<v Speaker 5>show ready by Saturday. But that was like a really

0:49:16.840 --> 0:49:18.520
<v Speaker 5>weird week. So it's hard for me to really say

0:49:18.560 --> 0:49:21.840
<v Speaker 5>what Dave was like because it was such a bizarre circumstances.

0:49:22.560 --> 0:49:26.560
<v Speaker 5>So the whole sometimes will help with sketches, of course.

0:49:26.640 --> 0:49:28.560
<v Speaker 5>I mean if they yeah, they know what they're doing,

0:49:28.719 --> 0:49:30.800
<v Speaker 5>they'll yeah. I mean they got to say it. We

0:49:30.920 --> 0:49:32.840
<v Speaker 5>do the show for them and they and they ultimately

0:49:32.880 --> 0:49:34.239
<v Speaker 5>get to pick. Like when we picked the sketches that

0:49:34.280 --> 0:49:37.120
<v Speaker 5>go on the show, it's the head writers and the

0:49:37.239 --> 0:49:40.840
<v Speaker 5>producers and uh Lauren and the host and we we

0:49:41.040 --> 0:49:43.000
<v Speaker 5>talk it through, like we talked through I feel like

0:49:43.080 --> 0:49:44.840
<v Speaker 5>you need something here or whatever. We just kind of

0:49:44.880 --> 0:49:47.040
<v Speaker 5>tell them the formula of the show and what we

0:49:47.120 --> 0:49:50.480
<v Speaker 5>think will make them look good. Cast coverage, all of

0:49:50.560 --> 0:49:53.160
<v Speaker 5>that stuff, and then we kind of decided from there,

0:49:53.200 --> 0:49:54.879
<v Speaker 5>and there's some stuff that they'll fight for and there's

0:49:54.880 --> 0:49:56.279
<v Speaker 5>some stuff that they're like, hey, I trust you.

0:49:56.719 --> 0:49:59.360
<v Speaker 7>Has that ever been a comedian who's bought a ridiculous

0:49:59.400 --> 0:50:00.799
<v Speaker 7>amount of life writers with him?

0:50:01.600 --> 0:50:01.719
<v Speaker 3>Uh?

0:50:03.200 --> 0:50:11.880
<v Speaker 5>What's ridiculous? Number more than two is kind of crazy

0:50:12.040 --> 0:50:15.279
<v Speaker 5>based on what I've watched. All Right, all you have

0:50:15.320 --> 0:50:16.920
<v Speaker 5>to do is confirm yes or no. You don't have

0:50:16.960 --> 0:50:17.480
<v Speaker 5>to say anything.

0:50:19.040 --> 0:50:24.920
<v Speaker 1>Did Rock bring a lot of writers on his episode? Thing? Though,

0:50:25.200 --> 0:50:30.600
<v Speaker 1>because I can tell the difference between when a comedian

0:50:30.680 --> 0:50:35.320
<v Speaker 1>host brings his own people and then when a comedy

0:50:35.440 --> 0:50:38.760
<v Speaker 1>well not a comedian, but when someone knows to trust

0:50:38.800 --> 0:50:43.759
<v Speaker 1>the process. Now, I don't have any expectations for the

0:50:43.880 --> 0:50:47.279
<v Speaker 1>Larry David episode, but that to me was one of

0:50:47.360 --> 0:50:50.880
<v Speaker 1>the funniest shows ever. Yeah, And I was like, okay,

0:50:51.560 --> 0:50:57.720
<v Speaker 1>former uh, former SNL alumni, he knows that he knows

0:50:57.920 --> 0:51:02.879
<v Speaker 1>the situation writing on that I know. But but thus

0:51:03.040 --> 0:51:06.480
<v Speaker 1>that's why his episode turned out to be hilarious. Yeah, yeah, yeah, yeah,

0:51:06.800 --> 0:51:10.680
<v Speaker 1>whereas you know, I mean, there's no secret, Like even

0:51:10.880 --> 0:51:13.960
<v Speaker 1>Rock and I talked about it, like his episode, the

0:51:14.040 --> 0:51:20.640
<v Speaker 1>one with Prince was probably the the not so well

0:51:21.000 --> 0:51:22.280
<v Speaker 1>executed episode.

0:51:22.440 --> 0:51:25.719
<v Speaker 5>Well. I think that's also a big difference, is is that,

0:51:26.120 --> 0:51:31.120
<v Speaker 5>like Larry David really wanted to do it. I don't.

0:51:31.320 --> 0:51:33.440
<v Speaker 5>I think Chris was kind of Chris is all you

0:51:33.480 --> 0:51:37.480
<v Speaker 5>know how Chris, He's like, I don't know, like he's.

0:51:36.600 --> 0:51:39.560
<v Speaker 8>Never like gung ho excited to do that.

0:51:40.080 --> 0:51:42.400
<v Speaker 5>Yeah, that's what I'm saying, Like he's so just added

0:51:42.440 --> 0:51:44.560
<v Speaker 5>to Like Larry David was kind of like dude, he

0:51:44.760 --> 0:51:47.120
<v Speaker 5>was like laughing out loud at the table, like it

0:51:47.239 --> 0:51:49.400
<v Speaker 5>was a little bit of a different kind of energy

0:51:49.440 --> 0:51:51.719
<v Speaker 5>where it. Yeah, it was a little bit.

0:51:51.880 --> 0:51:54.440
<v Speaker 7>Chris is a little bit more like Yeah, So that

0:51:54.560 --> 0:51:58.319
<v Speaker 7>takes me ask that sketch with Chris and Dave, how

0:51:58.400 --> 0:52:01.400
<v Speaker 7>many people does it take to write Christen days? Now?

0:52:01.680 --> 0:52:05.600
<v Speaker 5>That sketch is almost and that sketch is a like

0:52:05.760 --> 0:52:09.720
<v Speaker 5>perfect example of the week. That sketch was completely different

0:52:10.239 --> 0:52:15.000
<v Speaker 5>Wednesday than it ended up being because because Hillary because yeah,

0:52:15.120 --> 0:52:18.160
<v Speaker 5>so like they had to completely retool that sketch. It

0:52:18.239 --> 0:52:21.400
<v Speaker 5>make different. I think the initial premise it was it

0:52:21.520 --> 0:52:23.960
<v Speaker 5>was a Tucker Tucker and Neil wrote it. I think

0:52:24.040 --> 0:52:27.800
<v Speaker 5>the initial premise, I don't even you have to me,

0:52:27.840 --> 0:52:29.279
<v Speaker 5>I don't even remember the initiate, but it was so

0:52:29.520 --> 0:52:33.880
<v Speaker 5>far from what it ended up being. That why I

0:52:33.920 --> 0:52:34.719
<v Speaker 5>actually liked that bit.

0:52:34.880 --> 0:52:37.440
<v Speaker 6>I like and it was hell of black. But you

0:52:37.440 --> 0:52:39.160
<v Speaker 6>said wrote that.

0:52:41.360 --> 0:52:45.440
<v Speaker 5>Neil Brennan and Brian Tucker they're very white but.

0:52:50.320 --> 0:52:51.480
<v Speaker 6>They get pass some days.

0:52:51.520 --> 0:52:54.600
<v Speaker 5>But that was like Tucker, Tucker and I write Black

0:52:54.680 --> 0:52:59.600
<v Speaker 5>Jeopardy together. So to give you an idea of how No,

0:52:59.719 --> 0:53:02.000
<v Speaker 5>I can his sense of he's from North Carolina. He's

0:53:02.000 --> 0:53:05.120
<v Speaker 5>got like what city is from? I don't know where

0:53:05.160 --> 0:53:07.680
<v Speaker 5>he's from. That as I'm saying that, I'm like, yeah, well, yeah,

0:53:08.320 --> 0:53:08.960
<v Speaker 5>I really don't.

0:53:08.840 --> 0:53:11.120
<v Speaker 6>Know what city, given him the past and everything.

0:53:11.400 --> 0:53:14.920
<v Speaker 5>Yeah yeah, yeah, I don't know what city, but definitely

0:53:15.120 --> 0:53:18.040
<v Speaker 5>North Carolina. Speaking of Speaking of which, I'm gonna gas

0:53:18.160 --> 0:53:21.680
<v Speaker 5>Chap like around because he's a huge UNC fan.

0:53:22.840 --> 0:53:26.000
<v Speaker 6>That whites man from North Carolina that knows our people.

0:53:26.120 --> 0:53:26.960
<v Speaker 6>I must look into this.

0:53:27.560 --> 0:53:29.080
<v Speaker 8>Yeah, I don't know. I mean, I don't know what

0:53:29.160 --> 0:53:33.319
<v Speaker 8>the end game is for him, but he seems nice now.

0:53:35.480 --> 0:53:40.319
<v Speaker 5>Speaking speaking of which, speaking of which, it just hit

0:53:40.440 --> 0:53:50.000
<v Speaker 5>me right now that you, Michael, are probably the first,

0:53:50.400 --> 0:53:59.080
<v Speaker 5>uh black cast member of that show to really not

0:53:59.760 --> 0:54:04.840
<v Speaker 5>have to endure the Is he going to be the

0:54:04.960 --> 0:54:09.919
<v Speaker 5>next Eddie. Oh that's a really good point. No, yeah,

0:54:10.640 --> 0:54:13.440
<v Speaker 5>I'm never, yeah I was. I was never chasing a

0:54:13.480 --> 0:54:17.080
<v Speaker 5>ghost on that show. I think you're chasing a different

0:54:17.080 --> 0:54:20.320
<v Speaker 5>ghost though, because I update, Yeah.

0:54:20.239 --> 0:54:24.440
<v Speaker 8>I had to Seth was my ghost, which was like terrible.

0:54:25.600 --> 0:54:27.759
<v Speaker 1>You know what I mean, probably for you is like

0:54:28.160 --> 0:54:31.520
<v Speaker 1>surviving weekend update as opposed to will I make a

0:54:31.680 --> 0:54:34.640
<v Speaker 1>one hundred million dollar paramount movie deal once I get

0:54:34.680 --> 0:54:35.160
<v Speaker 1>off the show.

0:54:35.320 --> 0:54:37.239
<v Speaker 5>When I first got to the show, I was like,

0:54:37.400 --> 0:54:40.600
<v Speaker 5>I was the only black writer on the show when

0:54:40.640 --> 0:54:43.160
<v Speaker 5>I my first my first year. But that's why I

0:54:43.160 --> 0:54:45.120
<v Speaker 5>don't like it's so weird when people say, oh, you're

0:54:45.120 --> 0:54:48.279
<v Speaker 5>a first black head writer, and I'm always like, it

0:54:48.360 --> 0:54:48.680
<v Speaker 5>wasn't like.

0:54:48.680 --> 0:54:52.839
<v Speaker 8>It was a rule, you know, like Jackie Robins writer.

0:54:53.000 --> 0:54:56.719
<v Speaker 5>Now, yeah, I like this year right because it was

0:54:56.760 --> 0:54:59.160
<v Speaker 5>big h.

0:54:59.760 --> 0:55:02.000
<v Speaker 8>That's the crazy thing. I became head writer.

0:55:02.719 --> 0:55:05.959
<v Speaker 5>I became a guest writer, and Kevin Hart was the host.

0:55:06.080 --> 0:55:08.000
<v Speaker 5>And when I became head writer, Kevin Hart was the host.

0:55:08.800 --> 0:55:19.160
<v Speaker 5>Forgive me, he's doing it and not Ken the host.

0:55:19.200 --> 0:55:22.680
<v Speaker 5>I gotta git a promotion for some reason. No, But

0:55:22.840 --> 0:55:24.359
<v Speaker 5>I mean like I was the first I was there.

0:55:24.520 --> 0:55:27.480
<v Speaker 5>I was the only writer there only black writer there, so.

0:55:30.640 --> 0:55:31.080
<v Speaker 6>I'm sorry.

0:55:31.840 --> 0:55:34.360
<v Speaker 5>There was there was ton that after that. Then Leslie

0:55:34.440 --> 0:55:38.880
<v Speaker 5>was a writer, and then the Kendricks was a There

0:55:38.960 --> 0:55:41.960
<v Speaker 5>was a few, there was a few black women. Oh,

0:55:42.040 --> 0:55:46.279
<v Speaker 5>head writer, I don't know, but like, so what is

0:55:46.719 --> 0:55:51.359
<v Speaker 5>what is it to me to be the head god?

0:55:51.480 --> 0:55:54.319
<v Speaker 5>Am I about to open this ben doors box? All

0:55:54.440 --> 0:55:59.040
<v Speaker 5>I know from what I know from where I work, Yeah,

0:55:59.800 --> 0:56:03.840
<v Speaker 5>you know a lot being the head writer. Interviews always

0:56:03.840 --> 0:56:09.360
<v Speaker 5>act like they don't know, trying to keep I don't know.

0:56:13.120 --> 0:56:17.560
<v Speaker 1>I'm just saying that from what I observed, being the

0:56:17.800 --> 0:56:22.000
<v Speaker 1>head writer is just I'm not dancing line it just

0:56:22.080 --> 0:56:26.040
<v Speaker 1>let me say it. It's it's a nightmare because basically

0:56:26.239 --> 0:56:28.359
<v Speaker 1>requires you to be the bad cop.

0:56:29.280 --> 0:56:31.040
<v Speaker 8>Yeah, you gotta be the bad cop.

0:56:31.120 --> 0:56:37.399
<v Speaker 5>But also well, head writer is not necessarily the bad cop.

0:56:38.760 --> 0:56:41.600
<v Speaker 5>That's I feel like producer Higgins and I feel like

0:56:41.760 --> 0:56:44.759
<v Speaker 5>the producers are more so the bad cop. Higgins is

0:56:44.840 --> 0:56:45.319
<v Speaker 5>a bad cop.

0:56:45.680 --> 0:56:47.520
<v Speaker 8>I mean they're in the position to be back.

0:56:47.560 --> 0:56:50.040
<v Speaker 5>I've never seen Higgins serious day in his life, and

0:56:50.040 --> 0:56:53.160
<v Speaker 5>I've known him from nine years, So I don't know

0:56:53.239 --> 0:56:57.080
<v Speaker 5>how to comedy serious. You gotta the comedy serious people.

0:56:57.520 --> 0:57:02.879
<v Speaker 5>Comedians are so sensitive, like so sens it's like because

0:57:02.880 --> 0:57:06.600
<v Speaker 5>when you're telling somebody this isn't funny or you're doing

0:57:06.640 --> 0:57:09.640
<v Speaker 5>it bad, you know, like you can't. It's hard to recover,

0:57:09.800 --> 0:57:12.759
<v Speaker 5>especially when you're in that room with all with Kate

0:57:12.840 --> 0:57:15.400
<v Speaker 5>McKinnon and all these mothers that are awesome and comedy

0:57:15.480 --> 0:57:18.800
<v Speaker 5>is so absolute. Either the shit funny or it ain't.

0:57:21.120 --> 0:57:23.320
<v Speaker 5>Is the news broken at the table, I don't know

0:57:23.360 --> 0:57:26.200
<v Speaker 5>about this or is it like later like no, no,

0:57:26.320 --> 0:57:27.360
<v Speaker 5>what after high school?

0:57:27.560 --> 0:57:28.680
<v Speaker 8>After we read all of the sketch.

0:57:28.760 --> 0:57:31.720
<v Speaker 5>Yes, it's pretty much like basketball the basketball team where

0:57:31.800 --> 0:57:34.560
<v Speaker 5>they write what made it on the on the door okay,

0:57:34.880 --> 0:57:37.640
<v Speaker 5>and then you all of the sketches are on in

0:57:37.800 --> 0:57:40.080
<v Speaker 5>then they circles the ones that's that's going because then

0:57:40.120 --> 0:57:42.440
<v Speaker 5>you have to go produce your sketch. Like literally, when

0:57:42.480 --> 0:57:45.600
<v Speaker 5>you find out your sketches picked on on Wednesday night,

0:57:46.000 --> 0:57:47.960
<v Speaker 5>you have to go to production and you go to

0:57:48.080 --> 0:57:50.880
<v Speaker 5>wardrobe department, you go to the hair department, you go

0:57:50.960 --> 0:57:54.000
<v Speaker 5>to the the set department, you go to props. You

0:57:54.040 --> 0:57:55.680
<v Speaker 5>go to everybody and tell them what you need for.

0:57:55.720 --> 0:57:57.080
<v Speaker 7>Your sketch and they give you liked they give you

0:57:57.120 --> 0:57:58.200
<v Speaker 7>a budget like that's too expensive?

0:57:58.240 --> 0:57:59.360
<v Speaker 6>You want an explosion, we can't do that.

0:57:59.720 --> 0:58:02.480
<v Speaker 5>Like the videos for pre tape, they don't give you

0:58:02.520 --> 0:58:04.480
<v Speaker 5>a number, they don't give you a number budget, but

0:58:04.520 --> 0:58:06.400
<v Speaker 5>they will say, all right, that's a little we probably

0:58:06.480 --> 0:58:08.840
<v Speaker 5>can't do that because you know, we can't get a

0:58:08.880 --> 0:58:10.880
<v Speaker 5>real Lamborghini you know what I mean, whatever, But but

0:58:11.320 --> 0:58:13.280
<v Speaker 5>a lot of our stuff they can do. Like if

0:58:13.320 --> 0:58:15.720
<v Speaker 5>it's good though, that's when Lauren comes in. That's when

0:58:15.800 --> 0:58:18.320
<v Speaker 5>he's like, no, you know what, fuck that, we're doing it.

0:58:18.520 --> 0:58:20.880
<v Speaker 5>And then that's you know, he's always on the side

0:58:20.960 --> 0:58:24.320
<v Speaker 5>of the show, which is the makes it a lot

0:58:24.360 --> 0:58:27.400
<v Speaker 5>easier side question or you said, then Lauren has to

0:58:27.480 --> 0:58:30.240
<v Speaker 5>come in, so well damn. Now you're the parent.

0:58:30.720 --> 0:58:35.800
<v Speaker 1>So okay, say I'm a writer there and I'm asking

0:58:35.960 --> 0:58:40.640
<v Speaker 1>you dad hypothetically Dad, no, no, no no, and you're like,

0:58:41.440 --> 0:58:44.880
<v Speaker 1>and you somehow diplomatically or whatever, tell me, I don't

0:58:44.880 --> 0:58:45.760
<v Speaker 1>think that's going to work.

0:58:46.080 --> 0:58:46.280
<v Speaker 5>Yeah.

0:58:46.480 --> 0:58:50.720
<v Speaker 1>Has there ever been a at dinner Lauren? I really

0:58:50.920 --> 0:58:53.960
<v Speaker 1>had this this idea that I think and then like

0:58:54.080 --> 0:58:57.360
<v Speaker 1>you gotta sneak at the Higgins and Lauren Lauren and

0:58:57.480 --> 0:59:01.880
<v Speaker 1>then like going over your head the way the system

0:59:02.080 --> 0:59:06.080
<v Speaker 1>is well nothing, See, I don't have an agenda, so nothing.

0:59:06.240 --> 0:59:07.560
<v Speaker 8>You don't have to go over my head.

0:59:07.600 --> 0:59:13.120
<v Speaker 5>If you perses of where a writer or a cast

0:59:13.200 --> 0:59:16.600
<v Speaker 5>member like kind of goo wright is back to good.

0:59:17.000 --> 0:59:21.680
<v Speaker 5>I feel like, what when like, we don't have an agenda?

0:59:21.760 --> 0:59:24.320
<v Speaker 5>So when a writer will come up to us or

0:59:24.320 --> 0:59:26.080
<v Speaker 5>whatever and tell us, like about a sketch they want

0:59:26.120 --> 0:59:27.960
<v Speaker 5>to do, or an idea that they have or whatever,

0:59:28.600 --> 0:59:31.680
<v Speaker 5>if we think it might be like a disaster, we'll

0:59:31.720 --> 0:59:33.920
<v Speaker 5>be like, well, I mean, we'll try to kind of

0:59:34.000 --> 0:59:36.560
<v Speaker 5>redirect the idea. But at the end of the day,

0:59:36.960 --> 0:59:39.840
<v Speaker 5>you got the computer, you write it, you put the

0:59:39.880 --> 0:59:42.480
<v Speaker 5>script out. If it plays at the table, everybody hears

0:59:42.520 --> 0:59:45.120
<v Speaker 5>it at the same time. If it plays it seems

0:59:45.160 --> 0:59:48.520
<v Speaker 5>like something that can be done, then that's your argument,

0:59:49.120 --> 0:59:51.000
<v Speaker 5>you know what I mean? Yo, it worked, it killed?

0:59:51.000 --> 0:59:52.680
<v Speaker 5>Why is this not going on? Then they might go

0:59:52.760 --> 0:59:55.800
<v Speaker 5>to lawn after that. But Lorn makes that decision. Is

0:59:55.880 --> 0:59:58.640
<v Speaker 5>it wise to we help him? But he makes that

0:59:58.720 --> 1:00:01.840
<v Speaker 5>decision ultimately of what we should be producing, what's what

1:00:01.960 --> 1:00:05.000
<v Speaker 5>shouldn't be produced? Is it wise to choose a partner?

1:00:05.120 --> 1:00:06.640
<v Speaker 1>Like if you come in there on your own, like

1:00:06.800 --> 1:00:10.720
<v Speaker 1>I'm alone writer, Yeah, is it wise for me to say, Okay?

1:00:11.240 --> 1:00:14.600
<v Speaker 1>So Kate McKinnon is being used a lot more than

1:00:14.640 --> 1:00:18.960
<v Speaker 1>blah blah blah blah blah. So you know, hey, Kate,

1:00:19.160 --> 1:00:20.800
<v Speaker 1>I got an idea for you, or let's write a

1:00:20.880 --> 1:00:21.400
<v Speaker 1>thing together.

1:00:21.640 --> 1:00:27.800
<v Speaker 5>Yeah, it becomes that's the first move. That's the first move.

1:00:27.960 --> 1:00:31.200
<v Speaker 1>Usually I don't want to know who's the barbershop share

1:00:31.280 --> 1:00:32.960
<v Speaker 1>that no one wants to go to the guy.

1:00:32.880 --> 1:00:40.080
<v Speaker 5>That doesn't cut number five. Yeah, but it's how Also

1:00:40.120 --> 1:00:42.520
<v Speaker 5>it becomes a chemistry thing. It also becomes like because

1:00:42.560 --> 1:00:44.680
<v Speaker 5>you got to think you're in a room with this person.

1:00:44.840 --> 1:00:47.360
<v Speaker 5>So if you can't get along with somebody, you think

1:00:47.360 --> 1:00:49.640
<v Speaker 5>they're weird, like you don't want to be in there

1:00:49.760 --> 1:00:52.880
<v Speaker 5>trying to But that's my question. All right now, I

1:00:52.960 --> 1:00:54.040
<v Speaker 5>hate to throw you under the bus.

1:00:54.720 --> 1:00:59.800
<v Speaker 6>So yeah, John love he loves him.

1:01:00.240 --> 1:01:06.280
<v Speaker 5>See right now, before you throw me under the there's

1:01:06.320 --> 1:01:11.120
<v Speaker 5>still times of Steve's kind of the resident oscular grouch

1:01:11.360 --> 1:01:15.120
<v Speaker 5>at at thirty on on the sixth floor. No, yeah,

1:01:15.160 --> 1:01:18.880
<v Speaker 5>he is, but like like a lovable grump. You know,

1:01:19.240 --> 1:01:22.560
<v Speaker 5>people know everyone loves Steve, but it's like a lovable grump.

1:01:22.640 --> 1:01:27.160
<v Speaker 5>But the thing is is that what if you have

1:01:27.320 --> 1:01:32.560
<v Speaker 5>the goods as a writer, but you might have aford

1:01:33.360 --> 1:01:44.000
<v Speaker 5>to have an he got it. Yeah, like person, this

1:01:44.080 --> 1:01:49.520
<v Speaker 5>guy is funny, right, but he loved him him you know, no, yeah,

1:01:49.560 --> 1:01:53.120
<v Speaker 5>I mean that happens too. I mean like that's it's

1:01:53.600 --> 1:01:57.000
<v Speaker 5>it is political, like like anything else would be. You know,

1:01:57.040 --> 1:02:00.720
<v Speaker 5>a lot of it just becomes you know, that's when

1:02:00.760 --> 1:02:03.040
<v Speaker 5>the producers kind of step in because they you know,

1:02:03.120 --> 1:02:04.680
<v Speaker 5>they kind of go around and they find out what

1:02:04.800 --> 1:02:05.600
<v Speaker 5>everybody's writing.

1:02:05.680 --> 1:02:06.840
<v Speaker 8>Hey, what are you guys working on? What are you

1:02:06.920 --> 1:02:07.200
<v Speaker 8>working on?

1:02:07.240 --> 1:02:09.160
<v Speaker 5>Okay, oh that'll be good, or we need more table,

1:02:09.240 --> 1:02:11.280
<v Speaker 5>we need more of this whatever. So in those discussions

1:02:11.280 --> 1:02:14.520
<v Speaker 5>they realize, hey, this cast member is not being written

1:02:14.600 --> 1:02:16.480
<v Speaker 5>for as much or whatever, so maybe you know, and

1:02:16.520 --> 1:02:18.760
<v Speaker 5>then we'll kind of like, okay, well, well what could

1:02:18.760 --> 1:02:20.840
<v Speaker 5>be something that they can do? And then you make

1:02:20.880 --> 1:02:22.360
<v Speaker 5>sure that you have covered You kind of make sure

1:02:22.400 --> 1:02:24.959
<v Speaker 5>everybody has a shot at the table, everybody has something

1:02:25.040 --> 1:02:27.640
<v Speaker 5>at the table. Do you feel a that's something that

1:02:28.360 --> 1:02:31.000
<v Speaker 5>becomes a responsibility when you're as a head writer and

1:02:31.040 --> 1:02:33.919
<v Speaker 5>as a producer that maybe you didn't even think about

1:02:34.200 --> 1:02:40.640
<v Speaker 5>as a regular writer. So when you're a head writer,

1:02:40.800 --> 1:02:43.400
<v Speaker 5>what's the difference between your head writer you're kind of

1:02:44.400 --> 1:02:48.440
<v Speaker 5>you know, you're it's more decision making. Okay, it's more

1:02:48.520 --> 1:02:49.560
<v Speaker 5>it's more decision making.

1:02:49.800 --> 1:02:53.480
<v Speaker 1>Do you do you feel a well, I guess we

1:02:53.600 --> 1:02:57.600
<v Speaker 1>all feel pressure as black people, But do you feel

1:02:57.760 --> 1:02:59.080
<v Speaker 1>a pressure in.

1:02:59.200 --> 1:03:01.600
<v Speaker 5>This sort of unspoken tug of war.

1:03:03.600 --> 1:03:10.520
<v Speaker 1>Battle to make where you work reflective of where America

1:03:10.680 --> 1:03:14.880
<v Speaker 1>is now as opposed to the comfort zone that SNL

1:03:15.000 --> 1:03:17.240
<v Speaker 1>was associated with. Like, I can assume my idea that

1:03:17.360 --> 1:03:21.000
<v Speaker 1>you're not an avid, obsessive SNL.

1:03:22.440 --> 1:03:23.320
<v Speaker 5>Right, exactly.

1:03:25.280 --> 1:03:29.680
<v Speaker 6>A update because not for nothing I do, right, No,

1:03:29.840 --> 1:03:31.400
<v Speaker 6>I get it if I see me, I'm on, I'm

1:03:31.440 --> 1:03:31.680
<v Speaker 6>on it.

1:03:31.800 --> 1:03:36.640
<v Speaker 1>But right, see, but I respect the institution of comedy,

1:03:36.720 --> 1:03:38.480
<v Speaker 1>so I'd watch it regardless.

1:03:38.800 --> 1:03:46.000
<v Speaker 5>But I will say that now that I think now

1:03:46.040 --> 1:03:49.080
<v Speaker 5>that they're aware that, okay, we have to be more inclusive.

1:03:48.720 --> 1:03:52.240
<v Speaker 7>Of now that they were forced and pressure about a

1:03:52.280 --> 1:03:54.600
<v Speaker 7>few years ago with the higher of two black ladies.

1:03:54.960 --> 1:03:57.160
<v Speaker 1>Right, But I also feels like, you know, you have

1:03:57.320 --> 1:04:01.240
<v Speaker 1>to reflect what America true is, like there's no hiding

1:04:01.320 --> 1:04:03.480
<v Speaker 1>it anymore, right it used to be.

1:04:04.040 --> 1:04:06.080
<v Speaker 5>Well, it's so funny you say that, because I was

1:04:06.160 --> 1:04:08.640
<v Speaker 5>just talking to somebody at the show about this yesterday,

1:04:09.360 --> 1:04:14.400
<v Speaker 5>and I always feel like when people bring up diversity

1:04:14.400 --> 1:04:18.720
<v Speaker 5>they always bring up, just like different colors of people

1:04:18.840 --> 1:04:23.000
<v Speaker 5>that think the same, you know, And I kind of

1:04:23.160 --> 1:04:25.080
<v Speaker 5>like the idea. I kind of like the tension in

1:04:25.160 --> 1:04:28.760
<v Speaker 5>the show of people having different beliefs and people kind

1:04:28.800 --> 1:04:31.439
<v Speaker 5>of having different That's what makes it a variety show.

1:04:31.560 --> 1:04:34.400
<v Speaker 5>That's what makes it so, you know, I kind of

1:04:34.520 --> 1:04:38.200
<v Speaker 5>I like personally just kind of writing stuff that's a

1:04:38.320 --> 1:04:42.160
<v Speaker 5>little bit against what maybe people think a liberal comedy

1:04:42.200 --> 1:04:44.200
<v Speaker 5>show should be or whatever, because we're really not a

1:04:44.320 --> 1:04:46.760
<v Speaker 5>liberal show. We're a variety show. We're supposed to be

1:04:47.560 --> 1:04:50.600
<v Speaker 5>what America is, and America isn't one thing. America isn't

1:04:50.680 --> 1:04:51.360
<v Speaker 5>all on the left.

1:04:51.480 --> 1:04:52.280
<v Speaker 6>And I'm cologized.

1:04:52.440 --> 1:04:54.360
<v Speaker 7>I forgot that Michael now is the head writer, which

1:04:54.400 --> 1:04:57.280
<v Speaker 7>option been writing watching ever since they made that announcement,

1:04:57.320 --> 1:04:59.280
<v Speaker 7>because now I can because I know there's a voice

1:04:59.320 --> 1:04:59.920
<v Speaker 7>of higher up making this.

1:05:00.240 --> 1:05:02.120
<v Speaker 5>Oh yeah, I mean what I'm saying. The idea of

1:05:02.200 --> 1:05:06.400
<v Speaker 5>Black Jeopardy probably probably wouldn't have flown, but it was

1:05:06.440 --> 1:05:09.320
<v Speaker 5>so authentic and so good. I was like, it's honest

1:05:09.480 --> 1:05:12.040
<v Speaker 5>for me and some you know y'all like yeah, I

1:05:12.080 --> 1:05:14.880
<v Speaker 5>hear you laughing a mirror like that sort of yeah, yeah, yeah,

1:05:15.720 --> 1:05:19.400
<v Speaker 5>Like where I'm laughing louder than the people that slept

1:05:19.440 --> 1:05:22.640
<v Speaker 5>ten hours on the sidewalk to watch kill Swift perform.

1:05:23.800 --> 1:05:25.600
<v Speaker 5>Its like, is there ever a concern?

1:05:25.760 --> 1:05:28.800
<v Speaker 8>You just said a very interesting thing. But what you

1:05:29.000 --> 1:05:30.400
<v Speaker 8>just said a very interesting thing.

1:05:31.200 --> 1:05:34.439
<v Speaker 5>Which makes our show so unique is that our show

1:05:35.000 --> 1:05:37.880
<v Speaker 5>we never know who our audience is gonna be. Our

1:05:37.960 --> 1:05:41.560
<v Speaker 5>show could be all hairl of Swift fans. Ow I

1:05:41.640 --> 1:05:43.640
<v Speaker 5>gotta do North Korea jokes for the people that came

1:05:43.680 --> 1:05:46.040
<v Speaker 5>to see the one direction it might not work the same,

1:05:46.080 --> 1:05:48.040
<v Speaker 5>you know what I mean. Or your sketch whatever, you

1:05:48.120 --> 1:05:50.640
<v Speaker 5>could have a political sketch for, you know, the Bruno

1:05:50.720 --> 1:05:53.080
<v Speaker 5>Mars from whoever and or vice versa. You know, you

1:05:53.120 --> 1:05:55.919
<v Speaker 5>could have kind of a uh, you know, I feel

1:05:55.960 --> 1:06:01.680
<v Speaker 5>like the musical act dictates dictates, uh, the musical as

1:06:01.880 --> 1:06:05.479
<v Speaker 5>what audience is going to be there typically because music

1:06:05.600 --> 1:06:08.800
<v Speaker 5>fans are a little bit different than actor fans, you know,

1:06:08.920 --> 1:06:11.160
<v Speaker 5>so the host, the host usually has a fan base

1:06:11.240 --> 1:06:13.560
<v Speaker 5>of you know, it's recognizable, but the music is the

1:06:13.640 --> 1:06:16.200
<v Speaker 5>motherfucker's just camping out, you know what I mean. So,

1:06:16.480 --> 1:06:18.040
<v Speaker 5>I mean, you know, it's just different. You never know

1:06:18.680 --> 1:06:21.480
<v Speaker 5>who there is. John Stewart does his show. They didn't

1:06:21.480 --> 1:06:24.280
<v Speaker 5>see John Stewart or Colbert Jimmy like they did see Jimmy.

1:06:24.320 --> 1:06:26.040
<v Speaker 5>You know. So it's it's a little bit different for

1:06:26.160 --> 1:06:29.160
<v Speaker 5>us because the Starter show is our cast and our host, and.

1:06:29.280 --> 1:06:31.640
<v Speaker 6>When it comes it is like all the Black America

1:06:31.680 --> 1:06:32.240
<v Speaker 6>swoop down.

1:06:32.640 --> 1:06:37.560
<v Speaker 5>There's certain there's certain black shows that we have that's like,

1:06:37.760 --> 1:06:39.600
<v Speaker 5>oh boy, my phone was about to be.

1:06:41.320 --> 1:06:44.160
<v Speaker 8>Yeah, like Glover, it was like a ship.

1:06:45.000 --> 1:06:51.840
<v Speaker 5>Yeah yeah, yeah, yeah, Donald Glover, Drake of course, Kevin Hart,

1:06:51.920 --> 1:06:55.240
<v Speaker 5>of course, any chappelle forget about it. It was what

1:06:55.360 --> 1:07:00.440
<v Speaker 5>was a chappelle and tribe was Tiffany had I got

1:07:00.480 --> 1:07:02.120
<v Speaker 5>a lot of I got a lot of calls tif one.

1:07:03.000 --> 1:07:06.160
<v Speaker 1>Yeah, yeah, I was shocked. I got in a few

1:07:06.200 --> 1:07:09.200
<v Speaker 1>of those. It's my dream to actually be an intern there.

1:07:09.360 --> 1:07:09.600
<v Speaker 5>So that.

1:07:12.040 --> 1:07:14.160
<v Speaker 1>Like for me, like Higgins is like, no, man, you

1:07:14.200 --> 1:07:17.760
<v Speaker 1>can't come to pitch meetings, but I just want to

1:07:17.800 --> 1:07:21.840
<v Speaker 1>see how pitch meetings are, just so I can figure

1:07:21.880 --> 1:07:23.960
<v Speaker 1>out how that machine runs.

1:07:24.040 --> 1:07:25.880
<v Speaker 7>But you have a thirty rock show in you you

1:07:25.960 --> 1:07:27.680
<v Speaker 7>know that there's like a whole show in that building

1:07:27.720 --> 1:07:28.479
<v Speaker 7>that you could just host.

1:07:29.080 --> 1:07:31.000
<v Speaker 1>I you know, we talk about that all the time,

1:07:31.120 --> 1:07:34.920
<v Speaker 1>like what happens out of the show is actually that's

1:07:35.280 --> 1:07:38.160
<v Speaker 1>more funnier and interesting than you know, the shows that

1:07:38.240 --> 1:07:38.760
<v Speaker 1>are produced.

1:07:38.760 --> 1:07:42.360
<v Speaker 7>There is it a pressure for a Lauren Michael's produced movie,

1:07:42.440 --> 1:07:45.080
<v Speaker 7>Like what's the process? Because it feels like Lauren only

1:07:45.160 --> 1:07:47.400
<v Speaker 7>really produces the movies that his people are in. But

1:07:47.560 --> 1:07:49.680
<v Speaker 7>is there pressure or is there like, Okay, I know

1:07:49.800 --> 1:07:52.040
<v Speaker 7>this is an added incentive that I might get him

1:07:52.200 --> 1:07:53.960
<v Speaker 7>behind it, so I need to write something.

1:07:54.480 --> 1:07:55.880
<v Speaker 8>Is there a pressure to make one?

1:07:56.040 --> 1:08:00.920
<v Speaker 5>Yeah? Oh, I'm never really I'm never really into anything

1:08:01.000 --> 1:08:02.960
<v Speaker 5>like that. Like I'm always like, what if I have

1:08:03.040 --> 1:08:05.880
<v Speaker 5>a good idea, how do we execute the idea? I

1:08:06.000 --> 1:08:09.360
<v Speaker 5>think it comes from doing that's enough for so long.

1:08:09.560 --> 1:08:12.360
<v Speaker 5>It's just like if I have an idea, that's if

1:08:12.400 --> 1:08:14.640
<v Speaker 5>it's a sketch, I'm like, oh, this will probably be

1:08:14.720 --> 1:08:16.360
<v Speaker 5>better as a live sketule. This will probably better as

1:08:16.360 --> 1:08:17.760
<v Speaker 5>a pre table, This will probably be better as a

1:08:17.840 --> 1:08:20.040
<v Speaker 5>sitcom script, but this will probably be better as a movie.

1:08:20.160 --> 1:08:22.920
<v Speaker 5>Like that's whatever it is to execute it is how

1:08:23.680 --> 1:08:27.000
<v Speaker 5>how I go by I's to hear you talk. You're

1:08:27.000 --> 1:08:30.240
<v Speaker 5>so nonchalant about it that it's like, hey, you know that,

1:08:30.520 --> 1:08:36.400
<v Speaker 5>Whereas like when when when Pharaoh was there? There was

1:08:36.479 --> 1:08:39.280
<v Speaker 5>always like the hope of tomorrow, Like Okay, no, this

1:08:40.640 --> 1:08:42.880
<v Speaker 5>is gonna be my moment. No, no, you know that's

1:08:42.920 --> 1:08:46.800
<v Speaker 5>not how comedy works, man, you know. But the thing

1:08:47.000 --> 1:08:51.519
<v Speaker 5>is is that for you to just get in the

1:08:51.600 --> 1:08:55.320
<v Speaker 5>comedy less than eleven twelve years ago, Like how do

1:08:55.400 --> 1:08:56.439
<v Speaker 5>you have this sage?

1:08:56.800 --> 1:09:01.559
<v Speaker 7>Like because I enjoy it, You're like in the moment.

1:09:01.600 --> 1:09:03.880
<v Speaker 7>Most people don't. They're not in the moment working for

1:09:03.960 --> 1:09:04.360
<v Speaker 7>the next one.

1:09:04.479 --> 1:09:07.080
<v Speaker 5>Look, I've met in a moment because I enjoyed the moment,

1:09:07.240 --> 1:09:09.400
<v Speaker 5>Like this is fun for me, you know what I mean.

1:09:09.520 --> 1:09:12.040
<v Speaker 5>So it's like this is you know, like this is

1:09:12.320 --> 1:09:15.360
<v Speaker 5>this right here is fun and producing something that's fun

1:09:15.439 --> 1:09:17.640
<v Speaker 5>and right being in the writing room is fun. So

1:09:17.680 --> 1:09:19.719
<v Speaker 5>I'm not in the rush to leave or do something

1:09:19.760 --> 1:09:21.640
<v Speaker 5>else if I'm having fun doing this, you know what

1:09:21.680 --> 1:09:23.280
<v Speaker 5>I mean. I feel like a lot of people are

1:09:23.280 --> 1:09:25.400
<v Speaker 5>always kind of trying to find that next thing. Once

1:09:25.439 --> 1:09:27.920
<v Speaker 5>they get it, it's not it's not fun, and they're like, well,

1:09:27.960 --> 1:09:30.720
<v Speaker 5>what's the others the next? I enjoy this part of it.

1:09:30.960 --> 1:09:32.360
<v Speaker 7>So now that we know that you're not in a

1:09:32.439 --> 1:09:34.360
<v Speaker 7>rush to do things, which is why we haven't seen

1:09:34.360 --> 1:09:36.600
<v Speaker 7>you in too many projects. But However, I don't like

1:09:37.120 --> 1:09:39.880
<v Speaker 7>when we saw you in Top five, I was like, okay, so.

1:09:40.120 --> 1:09:44.040
<v Speaker 8>This a whole scene, fucking cut. I'm going to I'm

1:09:44.080 --> 1:09:45.360
<v Speaker 8>going to direct this floor.

1:09:45.880 --> 1:09:47.280
<v Speaker 5>I don't know. I'm still mad at Chris.

1:09:47.800 --> 1:09:49.320
<v Speaker 6>But you did it, which is like that.

1:09:52.240 --> 1:09:52.640
<v Speaker 4>I was.

1:09:53.000 --> 1:09:54.320
<v Speaker 8>I had a whole thing.

1:09:54.400 --> 1:09:55.640
<v Speaker 5>It was like me and Chris like one on one,

1:09:55.920 --> 1:09:58.160
<v Speaker 5>I'm telling him to go to the projects and then

1:09:58.600 --> 1:10:01.759
<v Speaker 5>and then but why in the movie, as like somebody

1:10:01.840 --> 1:10:05.559
<v Speaker 5>that like has to make those decisions. I'm like, oh yeah,

1:10:05.560 --> 1:10:07.600
<v Speaker 5>I guess that was a stupid transitional scene that you

1:10:07.680 --> 1:10:10.559
<v Speaker 5>did not need or whatever. But I was still mad

1:10:10.600 --> 1:10:12.000
<v Speaker 5>that I that I was cut.

1:10:12.120 --> 1:10:14.080
<v Speaker 7>But what was that like in that scene with all

1:10:14.120 --> 1:10:15.600
<v Speaker 7>of those people at that one time, because you know

1:10:15.720 --> 1:10:17.240
<v Speaker 7>when he went back to the projects and it was

1:10:17.320 --> 1:10:19.080
<v Speaker 7>like you Sherry Shepherd.

1:10:19.960 --> 1:10:21.840
<v Speaker 5>Chris, Chris just the shit out of me, and that

1:10:22.080 --> 1:10:24.000
<v Speaker 5>during that what you call it, it was hilarious. He

1:10:24.120 --> 1:10:27.120
<v Speaker 5>goes we were because I remember in that that XM studio,

1:10:27.920 --> 1:10:31.160
<v Speaker 5>that scene it's me and him and Rosario and Rosario.

1:10:30.960 --> 1:10:32.400
<v Speaker 8>I'm like starstruck.

1:10:32.479 --> 1:10:36.519
<v Speaker 5>I was, you know, and I'm like holy ship and

1:10:36.640 --> 1:10:39.320
<v Speaker 5>she's like nice where You're like, oh my God, I

1:10:39.400 --> 1:10:43.240
<v Speaker 5>think I think she loves me anytime. Exactly. She's just

1:10:43.320 --> 1:10:45.400
<v Speaker 5>like a nice person that happens to beautiful like this,

1:10:45.960 --> 1:10:49.240
<v Speaker 5>she must love me. She was super nice and then

1:10:49.400 --> 1:10:51.920
<v Speaker 5>uh she was. She was like, where are you from?

1:10:52.479 --> 1:10:53.880
<v Speaker 5>Because she's from the Lower east Side too, so we

1:10:53.920 --> 1:10:55.559
<v Speaker 5>were talking about like the Lower east Side and she's like.

1:10:55.600 --> 1:10:58.080
<v Speaker 8>Have I met you before? And I'm like, I don't.

1:10:58.280 --> 1:11:00.920
<v Speaker 8>I don't think so, And that's all Chris Hurt.

1:11:01.400 --> 1:11:04.720
<v Speaker 5>You don't think so. You don't know if you met

1:11:04.840 --> 1:11:09.800
<v Speaker 5>Rosario Dawson, I don't know. And everybody's just dying like

1:11:10.120 --> 1:11:12.599
<v Speaker 5>have you met Beyonce? You remember that nigg.

1:11:18.160 --> 1:11:20.120
<v Speaker 8>Like and I'm like on set like an action.

1:11:20.120 --> 1:11:21.200
<v Speaker 5>Like I don't know what I'm doing.

1:11:21.479 --> 1:11:23.040
<v Speaker 8>Just give me out of here, just give me my

1:11:23.200 --> 1:11:24.200
<v Speaker 8>Uber pull back.

1:11:25.000 --> 1:11:27.320
<v Speaker 5>So wait, what was your reaction when they told you

1:11:27.760 --> 1:11:30.920
<v Speaker 5>we want you to try a weaken up dates? My

1:11:31.120 --> 1:11:36.559
<v Speaker 5>reaction was no? Initially you said no initially? I mean

1:11:36.600 --> 1:11:41.000
<v Speaker 5>it was like, it's the same reaction I hosting Emmy.

1:11:41.200 --> 1:11:44.720
<v Speaker 5>I'm like, I don't know that, but could you collectively

1:11:44.920 --> 1:11:48.720
<v Speaker 5>feel all of Black America watching you to make sure

1:11:48.720 --> 1:11:49.080
<v Speaker 5>that you know?

1:11:49.560 --> 1:11:51.960
<v Speaker 8>I never really, I never thought it'd be that I

1:11:52.120 --> 1:11:52.639
<v Speaker 8>never thought.

1:11:54.640 --> 1:11:56.960
<v Speaker 5>I always thought, if you if you let me talk,

1:11:57.400 --> 1:11:58.840
<v Speaker 5>if you let me say what I want to say,

1:11:59.160 --> 1:12:02.479
<v Speaker 5>somebody's gonna notice what I'm saying because I just like

1:12:02.640 --> 1:12:04.479
<v Speaker 5>to say shit like that. You know.

1:12:04.680 --> 1:12:05.960
<v Speaker 8>That's like since kindergarten.

1:12:06.520 --> 1:12:12.439
<v Speaker 5>But on Weekend Update, the format was so rigid that

1:12:12.560 --> 1:12:16.120
<v Speaker 5>it took me like maybe two seasons to even feel

1:12:16.240 --> 1:12:18.519
<v Speaker 5>like I could say what I wanted to say, just

1:12:18.600 --> 1:12:20.760
<v Speaker 5>because it was it was already. It's such a set

1:12:20.960 --> 1:12:24.800
<v Speaker 5>formula that we were doing. I always feel like there's

1:12:25.080 --> 1:12:29.160
<v Speaker 5>like anybody on TV has like there's like a stepdad

1:12:29.240 --> 1:12:31.960
<v Speaker 5>period for a lot of people that's replacing somebody. So

1:12:32.720 --> 1:12:34.599
<v Speaker 5>a lot of times the audience is going to reject

1:12:34.640 --> 1:12:36.280
<v Speaker 5>you anyway like a step dad, just because you're not

1:12:36.400 --> 1:12:38.080
<v Speaker 5>just because you're not that, you know what I mean.

1:12:38.160 --> 1:12:40.280
<v Speaker 5>Like if I think I saw like Trevor go through it,

1:12:40.360 --> 1:12:45.759
<v Speaker 5>and you see I saw, you know, yes, Stephen, Stephen

1:12:45.800 --> 1:12:48.280
<v Speaker 5>Colbert certainly with you know, just it's just it's not

1:12:48.479 --> 1:12:51.559
<v Speaker 5>let him in. So I don't like it because it's

1:12:51.600 --> 1:12:53.519
<v Speaker 5>not let them and it's like, yeah, but that's Stephen Colbert,

1:12:53.800 --> 1:12:56.280
<v Speaker 5>but it's not let you know what I mean? Huh,

1:12:56.560 --> 1:12:59.719
<v Speaker 5>you get after a while right now YouTube my favorite comment,

1:12:59.800 --> 1:13:02.800
<v Speaker 5>I'm like, who's polaring? Well, I don't know. That's because

1:13:02.840 --> 1:13:05.360
<v Speaker 5>when you when you, when you start doing, when you

1:13:05.439 --> 1:13:08.920
<v Speaker 5>start doing you, when you start doing it, they realized, well, okay,

1:13:09.520 --> 1:13:10.080
<v Speaker 5>he's not good.

1:13:10.200 --> 1:13:17.679
<v Speaker 8>That's not coming back, is not coming back, and I'm waking.

1:13:17.520 --> 1:13:20.040
<v Speaker 7>Pretty use of that role change in like every decade.

1:13:20.160 --> 1:13:23.400
<v Speaker 7>I feel like, yeah, like Dennis millerded, but you have.

1:13:23.479 --> 1:13:25.960
<v Speaker 5>To make it yours. There was a point, there was

1:13:26.000 --> 1:13:28.320
<v Speaker 5>like a turning point for me on the show where

1:13:28.360 --> 1:13:31.519
<v Speaker 5>I was like, if I didn't show up to work

1:13:31.720 --> 1:13:34.679
<v Speaker 5>and someone else did this job, no one would care

1:13:35.680 --> 1:13:39.160
<v Speaker 5>because there's nothing that I'm saying that only I can say.

1:13:39.840 --> 1:13:42.599
<v Speaker 5>And that was how I started writing, when I was like, well,

1:13:42.640 --> 1:13:45.360
<v Speaker 5>what can I say that nobody else can say? Do

1:13:45.439 --> 1:13:47.639
<v Speaker 5>you write? Or does someone else?

1:13:47.920 --> 1:13:48.040
<v Speaker 7>Now?

1:13:48.280 --> 1:13:51.240
<v Speaker 5>Just now I write? At first, I didn't write any

1:13:51.320 --> 1:13:54.160
<v Speaker 5>of it for like a season, I didn't write any

1:13:54.160 --> 1:13:57.120
<v Speaker 5>of them and then and now and Lauren would be like,

1:13:57.280 --> 1:13:59.080
<v Speaker 5>you need to write it, and I was like, well

1:13:59.200 --> 1:13:59.519
<v Speaker 5>I don't.

1:14:00.120 --> 1:14:02.640
<v Speaker 8>I don't think you realize what I write, you.

1:14:02.640 --> 1:14:05.000
<v Speaker 5>Know what I mean? I didn't know remember in Trading

1:14:05.080 --> 1:14:07.519
<v Speaker 5>Places when they brought Eddie Murray to the house and

1:14:07.640 --> 1:14:09.000
<v Speaker 5>he was in there was like, this is all your

1:14:09.040 --> 1:14:12.880
<v Speaker 5>stuff and he's still stealing you. Like, no, you don't understand,

1:14:13.360 --> 1:14:16.719
<v Speaker 5>you're you're stealing your stuff. Like that's how I felt

1:14:16.760 --> 1:14:19.600
<v Speaker 5>at the show. They were like, just take control of it.

1:14:19.800 --> 1:14:22.160
<v Speaker 5>And I'd be like, yeah, okay, whatever, Hey what should

1:14:22.160 --> 1:14:25.040
<v Speaker 5>I say next? They said, no, say what you want

1:14:25.120 --> 1:14:27.160
<v Speaker 5>to say. So after a while I was like, slide

1:14:27.200 --> 1:14:30.559
<v Speaker 5>in one and then I would be like, oh, I'm

1:14:30.600 --> 1:14:32.800
<v Speaker 5>not okay, I slide in two. And the next thing

1:14:32.840 --> 1:14:34.080
<v Speaker 5>I know, I was like, all right, this is what

1:14:34.160 --> 1:14:36.040
<v Speaker 5>we're going to do. How much research do you have

1:14:36.120 --> 1:14:38.800
<v Speaker 5>to do? Like do you now have to obsessively watch

1:14:38.960 --> 1:14:42.960
<v Speaker 5>MSNBC and Fox News? And I don't. Everybody is everybody

1:14:43.120 --> 1:14:46.560
<v Speaker 5>prizes himself that everybody that does my job or my

1:14:46.680 --> 1:14:48.720
<v Speaker 5>type of job prizes himself to being the smartest guy

1:14:48.760 --> 1:14:51.479
<v Speaker 5>in the room. I try to take the perspective of

1:14:51.600 --> 1:14:53.200
<v Speaker 5>the guy that does that's the smartest guy in the

1:14:53.240 --> 1:14:55.800
<v Speaker 5>room that doesn't know anything about what's going on. Like

1:14:55.880 --> 1:14:58.400
<v Speaker 5>I tried. My grandmother is my comedy influence. When it

1:14:58.439 --> 1:15:00.519
<v Speaker 5>comes to a weekend update, I'm like, if I told

1:15:00.560 --> 1:15:04.360
<v Speaker 5>my grandmother what happened. What would her reaction immediate? You

1:15:04.479 --> 1:15:07.679
<v Speaker 5>know what I mean? And that's how you get cheap cracker,

1:15:07.880 --> 1:15:10.920
<v Speaker 5>you know what I mean, That's how you get that though.

1:15:10.960 --> 1:15:13.599
<v Speaker 5>It's just like, what's the what do people who don't

1:15:13.640 --> 1:15:15.880
<v Speaker 5>watch the news all the time? I think when they

1:15:15.960 --> 1:15:18.320
<v Speaker 5>hear this ship, it's like the kind of lowest common

1:15:18.360 --> 1:15:21.519
<v Speaker 5>denominator of where's that connection? And that's kind of where

1:15:21.560 --> 1:15:25.320
<v Speaker 5>I write from. But you know that's my thing, and

1:15:25.479 --> 1:15:29.479
<v Speaker 5>Colin does the other thing and then it so jump

1:15:29.560 --> 1:15:34.519
<v Speaker 5>into the Emmys? How long does it well to August? Now?

1:15:34.560 --> 1:15:36.559
<v Speaker 5>And when when are they? We just had our first

1:15:37.160 --> 1:15:39.200
<v Speaker 5>We just had a meeting yesterday, not our first meeting,

1:15:39.240 --> 1:15:43.240
<v Speaker 5>but we had a meeting, a meeting yesterday. We're gonna

1:15:43.320 --> 1:15:45.200
<v Speaker 5>it's gonna be fun. I think we would be the

1:15:45.439 --> 1:15:47.600
<v Speaker 5>SNL team that you work with? Are you working with?

1:15:47.760 --> 1:15:49.479
<v Speaker 5>The is there an mmy team? We got we got

1:15:49.520 --> 1:15:51.160
<v Speaker 5>a few ringers, but we got a lot of us

1:15:51.200 --> 1:15:53.960
<v Speaker 5>and know people and we kind of got a good balance.

1:15:55.439 --> 1:15:58.080
<v Speaker 1>Does it require like are you you know, are you

1:15:58.360 --> 1:16:05.360
<v Speaker 1>entertaining uh you know, spirit fingers, musical opening or is

1:16:05.439 --> 1:16:07.640
<v Speaker 1>it just like all right?

1:16:07.640 --> 1:16:10.479
<v Speaker 5>There might be something might be some elements of music.

1:16:11.040 --> 1:16:15.160
<v Speaker 5>We wanted to feel like Essenel is hosting the Yemmy's,

1:16:15.479 --> 1:16:18.880
<v Speaker 5>but while still keeping the integrity of the Yemmys, you know,

1:16:18.960 --> 1:16:20.760
<v Speaker 5>like we don't want to kind of spoof it or

1:16:20.920 --> 1:16:22.479
<v Speaker 5>lampoon it. But is it me?

1:16:23.080 --> 1:16:26.000
<v Speaker 7>Me thinks Lauren also got a special relationship with the

1:16:26.080 --> 1:16:28.800
<v Speaker 7>Emmys because, like in retrospect you think about the Tina Amy,

1:16:28.920 --> 1:16:30.840
<v Speaker 7>like a lot of alums have kind of hosted that.

1:16:30.880 --> 1:16:32.840
<v Speaker 5>As well well, the way they did Well Amy did

1:16:33.000 --> 1:16:39.160
<v Speaker 5>goldenlu They rotated through the networks the Emmys, so like this,

1:16:41.320 --> 1:16:44.799
<v Speaker 5>so when NBC has it, I think it's been Jimmy,

1:16:45.080 --> 1:16:47.320
<v Speaker 5>and it's been Jimmy is like four years ago, and

1:16:47.479 --> 1:16:48.599
<v Speaker 5>Seth's done it before.

1:16:48.760 --> 1:16:51.320
<v Speaker 7>They have a favorite host so far, Like for awarding

1:16:51.960 --> 1:16:53.880
<v Speaker 7>any award show? Have you watched an award show once?

1:16:53.920 --> 1:16:56.160
<v Speaker 5>He was like, Yo, I like Tina Aamy a lot.

1:16:56.200 --> 1:16:58.000
<v Speaker 5>I think they I think I love what they do together.

1:16:58.080 --> 1:17:00.479
<v Speaker 5>I think they're they're really good. And I think I

1:17:00.560 --> 1:17:02.439
<v Speaker 5>think there are two people that when they do what

1:17:02.560 --> 1:17:05.080
<v Speaker 5>they can do, what only they can do. You know

1:17:05.120 --> 1:17:05.479
<v Speaker 5>what I mean.

1:17:05.560 --> 1:17:08.000
<v Speaker 8>I guess you can't just have two random people do

1:17:08.120 --> 1:17:08.719
<v Speaker 8>the same app.

1:17:09.439 --> 1:17:11.519
<v Speaker 1>I was going to say since it's such a staple

1:17:11.600 --> 1:17:14.120
<v Speaker 1>where you know you have the Peacha delivery guy in

1:17:14.160 --> 1:17:18.000
<v Speaker 1>the audience thing, you should just take them to like

1:17:18.160 --> 1:17:19.120
<v Speaker 1>Roscoes or something.

1:17:19.240 --> 1:17:21.120
<v Speaker 5>I would love I would love to put I got

1:17:21.280 --> 1:17:24.040
<v Speaker 5>we got a couple of tricks of us. I got

1:17:24.080 --> 1:17:25.680
<v Speaker 5>a couple of tricks of us leaves that we were

1:17:25.720 --> 1:17:27.479
<v Speaker 5>talking about that could be really fun. I'll tell you.

1:17:27.600 --> 1:17:29.840
<v Speaker 5>I can't spoil it. Don't spoil'll kill me.

1:17:29.920 --> 1:17:31.719
<v Speaker 6>But you're gonna have you need some que cars because

1:17:31.720 --> 1:17:32.360
<v Speaker 6>you don't watch TV.

1:17:32.520 --> 1:17:34.360
<v Speaker 5>So all those people in the audit we got que cars.

1:17:34.400 --> 1:17:37.360
<v Speaker 5>Then we got what you call it to problem. Yeah, hopefully,

1:17:37.439 --> 1:17:39.400
<v Speaker 5>Well we got to figure all that out though, because

1:17:39.479 --> 1:17:42.080
<v Speaker 5>you can't show the que cars on TV. So actually

1:17:42.120 --> 1:17:44.560
<v Speaker 5>by the time this air is this it will have

1:17:45.720 --> 1:17:46.240
<v Speaker 5>when it's the.

1:17:46.240 --> 1:17:48.760
<v Speaker 6>Air date again for the Emmys, I think late September.

1:17:49.040 --> 1:17:55.600
<v Speaker 5>Yeah, like I think time spoil it? No, no, no,

1:17:56.280 --> 1:18:01.880
<v Speaker 5>maybe all right, I don't know. I don't know Mario

1:18:02.000 --> 1:18:12.640
<v Speaker 5>one about that unlikely, so I didn't I didn't get it.

1:18:12.680 --> 1:18:14.280
<v Speaker 5>I was like, this ship is a hit, y'all really

1:18:14.400 --> 1:18:16.960
<v Speaker 5>like this song? Yeah, Mario.

1:18:18.320 --> 1:18:21.800
<v Speaker 6>Favorite, I think about Mario Wrio.

1:18:23.320 --> 1:18:27.559
<v Speaker 5>Yeah, I didn't know, so any any plans for any

1:18:27.680 --> 1:18:29.680
<v Speaker 5>other stand up specials.

1:18:29.280 --> 1:18:31.920
<v Speaker 8>Or yeah I'm working on the special now.

1:18:32.040 --> 1:18:35.000
<v Speaker 5>But another one that I think is where I feel

1:18:35.000 --> 1:18:38.320
<v Speaker 5>like specials are just not really because so many people

1:18:38.439 --> 1:18:43.960
<v Speaker 5>have specials that it's almost like, yeah, it's special anymore money, Yeah,

1:18:43.960 --> 1:18:45.920
<v Speaker 5>they gave me a little it was it was okay,

1:18:46.000 --> 1:18:49.400
<v Speaker 5>they didn't they didn't monique me, they didn't me. They

1:18:49.439 --> 1:18:52.439
<v Speaker 5>did they took care of me a little bit. But uh,

1:18:53.160 --> 1:18:55.160
<v Speaker 5>it's it's not even so much. I don't know. I

1:18:55.240 --> 1:18:57.000
<v Speaker 5>just feel I always like to go against the ground.

1:18:57.000 --> 1:18:58.680
<v Speaker 5>Everybody's going one way, I kind of want to go

1:18:58.800 --> 1:19:01.679
<v Speaker 5>another way. I was thinking of something a little bit different.

1:19:03.320 --> 1:19:05.400
<v Speaker 5>Everybody seems to be trying to do stuff a little

1:19:05.439 --> 1:19:09.679
<v Speaker 5>bit more conceptual. Now that's, you know, just because they're

1:19:09.680 --> 1:19:13.200
<v Speaker 5>trying to stand out. But I don't know, it's just specials.

1:19:13.240 --> 1:19:18.960
<v Speaker 5>It's just weird, like when you have access to producing them,

1:19:19.120 --> 1:19:20.920
<v Speaker 5>when it's when it's not like four year. When I

1:19:21.000 --> 1:19:22.840
<v Speaker 5>was a kid, it was like four specials would come

1:19:22.880 --> 1:19:25.080
<v Speaker 5>out a year, Like you waited for Chris Rock Special

1:19:25.120 --> 1:19:27.600
<v Speaker 5>because that was one of three specials that.

1:19:27.640 --> 1:19:29.439
<v Speaker 8>You were going to get to see Kat Williams or whatever.

1:19:29.439 --> 1:19:31.840
<v Speaker 5>And that's kind of why they were so big, and

1:19:31.880 --> 1:19:34.960
<v Speaker 5>when the special came on repeat, it was that one,

1:19:35.200 --> 1:19:36.560
<v Speaker 5>so everybody kind of knew it.

1:19:36.720 --> 1:19:40.839
<v Speaker 8>And I feel like, now there's ten a week have Netflix.

1:19:40.840 --> 1:19:45.479
<v Speaker 6>It's like, who oh yeah, a millennial nasty comedian.

1:19:46.360 --> 1:19:49.280
<v Speaker 5>Yeah, it's it's a lot, and not just Netflix, it's

1:19:49.320 --> 1:19:51.960
<v Speaker 5>just it's everywhere. But the cool thing that I do

1:19:52.160 --> 1:19:54.479
<v Speaker 5>like about Netflix though not just because they paid me last,

1:19:54.600 --> 1:19:59.840
<v Speaker 5>but they people tend to watch multiple in a row,

1:20:00.080 --> 1:20:03.880
<v Speaker 5>so like like when Dave's special comes out, I get

1:20:03.920 --> 1:20:06.400
<v Speaker 5>a lot of hits about my special because I'm like, oh,

1:20:06.520 --> 1:20:07.040
<v Speaker 5>so you saw it?

1:20:07.640 --> 1:20:10.559
<v Speaker 8>Was like if you like that guy, yeah, and then

1:20:10.800 --> 1:20:12.000
<v Speaker 8>they kind of throw you out.

1:20:12.439 --> 1:20:14.960
<v Speaker 5>So it is cool because the people that are going

1:20:15.120 --> 1:20:17.880
<v Speaker 5>like looking for one guy will you know, discover a

1:20:17.960 --> 1:20:18.439
<v Speaker 5>lot more.

1:20:18.760 --> 1:20:20.479
<v Speaker 8>So that is that is a benefit.

1:20:20.880 --> 1:20:23.559
<v Speaker 5>But for me, I just think conceptually to make people

1:20:23.640 --> 1:20:25.960
<v Speaker 5>talk about it, it can't just be did you hear

1:20:26.080 --> 1:20:28.360
<v Speaker 5>his you see his special? It's gotta be did you

1:20:28.400 --> 1:20:30.000
<v Speaker 5>see this thing about that? You know? It's got to

1:20:30.000 --> 1:20:34.360
<v Speaker 5>be a little bit more interact with people on Yeah,

1:20:34.840 --> 1:20:36.880
<v Speaker 5>Oh that's fun. I don't get to do that a

1:20:36.960 --> 1:20:43.599
<v Speaker 5>lot anymore, but they don't let me. They don't yeah,

1:20:43.600 --> 1:20:48.280
<v Speaker 5>they don't really are you. I know, I gotta start.

1:20:48.479 --> 1:20:49.719
<v Speaker 5>I gotta start dragging my nuts.

1:20:50.000 --> 1:20:50.160
<v Speaker 7>Man.

1:20:50.200 --> 1:20:51.720
<v Speaker 5>I want to ask you alway want to ask you,

1:20:52.400 --> 1:20:54.840
<v Speaker 5>how did What was your reaction when the text from

1:20:54.840 --> 1:20:59.599
<v Speaker 5>old Girl hitting neck NI? I just wanted to dap

1:20:59.640 --> 1:21:02.640
<v Speaker 5>you up from Yo, you handled that ship? I was like,

1:21:02.760 --> 1:21:07.360
<v Speaker 5>word the fun up, Here's what happened here. So I

1:21:07.479 --> 1:21:11.240
<v Speaker 5>got hit up by page six on Facebook. Literally she

1:21:11.400 --> 1:21:14.639
<v Speaker 5>was like, hey, we got this, uh this lady that's

1:21:14.680 --> 1:21:16.960
<v Speaker 5>been saying that you did x y Z the hood

1:21:17.040 --> 1:21:20.080
<v Speaker 5>and you know you were really mean and rude and nasty,

1:21:20.120 --> 1:21:22.080
<v Speaker 5>and she We're gonna run the story.

1:21:22.600 --> 1:21:23.759
<v Speaker 8>Do you have any comments?

1:21:23.760 --> 1:21:25.599
<v Speaker 5>And she showed me the story she was gonna run,

1:21:25.880 --> 1:21:28.000
<v Speaker 5>and it was just basically close on it that I

1:21:28.080 --> 1:21:30.240
<v Speaker 5>was a piece of ships that I was like, did

1:21:30.280 --> 1:21:31.799
<v Speaker 5>this you know, just from texting?

1:21:32.040 --> 1:21:33.719
<v Speaker 8>And I was like, none of that shit happened.

1:21:33.760 --> 1:21:35.800
<v Speaker 5>Like I have every text and it's not even that

1:21:35.880 --> 1:21:38.519
<v Speaker 5>I saved text, it's just I never delete text. Yeah,

1:21:38.760 --> 1:21:41.000
<v Speaker 5>I just don't think too, you know. So I was like, Yo,

1:21:41.160 --> 1:21:43.800
<v Speaker 5>I found her number and I was like, this is

1:21:44.000 --> 1:21:46.640
<v Speaker 5>every interaction I've ever had with her and I'm not

1:21:46.680 --> 1:21:48.599
<v Speaker 5>even gonna tell you my side, I'll let you tell

1:21:48.680 --> 1:21:51.240
<v Speaker 5>me my side. And she was like, okay, can I

1:21:51.400 --> 1:21:53.120
<v Speaker 5>use these? And I was like, yeah, I'm thinking she

1:21:53.280 --> 1:21:57.720
<v Speaker 5>means use a quote. She's gonna the fucking screenshots that

1:21:57.840 --> 1:21:59.840
<v Speaker 5>I sent her, so it looked way it looked like

1:21:59.880 --> 1:22:01.600
<v Speaker 5>I was trying to I was like, no, I was

1:22:01.680 --> 1:22:03.880
<v Speaker 5>really just showing her, thinking that she was going to

1:22:03.960 --> 1:22:05.720
<v Speaker 5>quote one line or two or whatever and say well

1:22:05.760 --> 1:22:08.000
<v Speaker 5>this is bullshit or even or take it to an

1:22:08.080 --> 1:22:09.960
<v Speaker 5>editor and like hey, we can't run this story. And

1:22:10.040 --> 1:22:12.160
<v Speaker 5>then they ran it, and then it kind of I

1:22:12.400 --> 1:22:15.040
<v Speaker 5>almost wish I didn't say anything about it, because then

1:22:15.080 --> 1:22:16.160
<v Speaker 5>maybe it just would have went away.

1:22:16.760 --> 1:22:19.439
<v Speaker 8>But I also think if that ship would have.

1:22:19.520 --> 1:22:22.040
<v Speaker 5>Ruined me, like in the climbing of me Too and

1:22:22.160 --> 1:22:27.120
<v Speaker 5>the climbing of you know, the harassment, I would have

1:22:27.160 --> 1:22:28.880
<v Speaker 5>never been able to defend myself. If I didn't have

1:22:28.960 --> 1:22:31.160
<v Speaker 5>those no, no, no, I would have been fried. I

1:22:31.200 --> 1:22:34.880
<v Speaker 5>appreciate you for clapping back. I was like, where the

1:22:34.920 --> 1:22:35.280
<v Speaker 5>funk up?

1:22:36.960 --> 1:22:41.920
<v Speaker 8>No, that was my I learned my lesson. Yeah, that's

1:22:41.960 --> 1:22:44.880
<v Speaker 8>what I mean. When's this come out?

1:22:49.360 --> 1:23:03.000
<v Speaker 5>A wait? That was a rail celebrity, uh tender status.

1:23:04.720 --> 1:23:05.760
<v Speaker 6>Not necessarily.

1:23:07.120 --> 1:23:08.679
<v Speaker 5>It's the same ship.

1:23:09.520 --> 1:23:10.240
<v Speaker 6>No, you have to be.

1:23:12.040 --> 1:23:15.759
<v Speaker 5>Accepted, you know, like how you go to the hallal

1:23:15.840 --> 1:23:17.920
<v Speaker 5>cart and one's got a long line and one doesn't.

1:23:18.240 --> 1:23:21.599
<v Speaker 5>It's the same fucking meat. It's the same ship. It's

1:23:21.680 --> 1:23:25.880
<v Speaker 5>just one got a line, one don't. From the results, yeah,

1:23:26.000 --> 1:23:28.880
<v Speaker 5>I mean really, I mean look, it's the same I

1:23:28.920 --> 1:23:30.080
<v Speaker 5>didn't know that was a ray of fel.

1:23:30.280 --> 1:23:32.479
<v Speaker 8>The only thing I liked about Ray though, is that

1:23:32.560 --> 1:23:34.720
<v Speaker 8>you can't scream shot on.

1:23:34.880 --> 1:23:38.880
<v Speaker 5>The well yeah they warned you. Yeah, like I did.

1:23:38.920 --> 1:23:44.400
<v Speaker 5>It's like, oh damn, you can't. You can't scream? So

1:23:44.520 --> 1:23:46.719
<v Speaker 5>what so what is the rail? And I'm not kidding.

1:23:46.760 --> 1:23:50.000
<v Speaker 5>So it's a it's a spot. It's a spot that like.

1:23:50.280 --> 1:23:55.680
<v Speaker 1>You know, I might see Demu Levado's real joining. I

1:23:55.800 --> 1:23:59.040
<v Speaker 1>might see you know, like I see Peers like yeah,

1:23:59.360 --> 1:24:01.840
<v Speaker 1>singers seven Street.

1:24:01.800 --> 1:24:03.200
<v Speaker 5>Like oh yeah, yeah, yeah, okay.

1:24:03.320 --> 1:24:06.840
<v Speaker 1>You know, it's basically a tender where you will see

1:24:06.920 --> 1:24:09.120
<v Speaker 1>more writers people to.

1:24:09.160 --> 1:24:12.559
<v Speaker 5>Lose, right exactly, there you go, I got it. Yeah yeah,

1:24:13.000 --> 1:24:17.880
<v Speaker 5>like can't keep it in my account. Still ship. Damn.

1:24:18.000 --> 1:24:22.000
<v Speaker 5>So if you're looking for a sad immediately and then

1:24:22.280 --> 1:24:25.040
<v Speaker 5>what really hurt me too was you know Dan Soda

1:24:25.240 --> 1:24:30.600
<v Speaker 5>very funny comedian Dan Soda. He's he's a writer on

1:24:31.880 --> 1:24:36.160
<v Speaker 5>Billions to show Billions, and so I told them about

1:24:36.560 --> 1:24:40.560
<v Speaker 5>Ray like a while ago, and so he wrote it

1:24:40.720 --> 1:24:42.960
<v Speaker 5>in the show and he was like, Michael Chay's on

1:24:43.120 --> 1:24:47.960
<v Speaker 5>it on the show. So people that watch watch it's

1:24:48.000 --> 1:24:50.280
<v Speaker 5>like an episode where somebody says, Michael cha is on

1:24:50.680 --> 1:24:54.680
<v Speaker 5>Riyo and I was like you, So now people are like,

1:24:54.920 --> 1:24:58.120
<v Speaker 5>are you really on Rya? So now I'm like associated

1:24:58.120 --> 1:24:59.680
<v Speaker 5>with ride. They need to throw me some money. So

1:25:01.000 --> 1:25:04.599
<v Speaker 5>between that and that chick, I gave Ryan a lot

1:25:04.680 --> 1:25:05.080
<v Speaker 5>of business.

1:25:05.479 --> 1:25:08.000
<v Speaker 8>I'm certain that is hilarious.

1:25:08.160 --> 1:25:12.200
<v Speaker 1>Yeah, your your ig is some of the most dangerous

1:25:12.800 --> 1:25:16.280
<v Speaker 1>comedy they don't I've ever seen.

1:25:16.439 --> 1:25:17.800
<v Speaker 5>I feel like you use it because you know it

1:25:17.800 --> 1:25:19.280
<v Speaker 5>would be going in twenty four.

1:25:19.160 --> 1:25:21.880
<v Speaker 8>Hours, sometimes less I deleted, sometimes even quicker.

1:25:22.400 --> 1:25:24.600
<v Speaker 5>It's just fun. So you leave your comments open for

1:25:24.680 --> 1:25:25.599
<v Speaker 5>them for people.

1:25:25.479 --> 1:25:28.679
<v Speaker 8>To my messages. I live open and I like screen

1:25:28.720 --> 1:25:29.720
<v Speaker 8>cap and I answer it.

1:25:30.800 --> 1:25:33.080
<v Speaker 5>I like it better than Twitter because on Twitter, like

1:25:33.280 --> 1:25:36.479
<v Speaker 5>they could take they can just at you and then

1:25:36.560 --> 1:25:39.439
<v Speaker 5>they get your whole followers to read all of that. Ship.

1:25:39.760 --> 1:25:41.519
<v Speaker 5>At this I get to select. I get to pick

1:25:41.640 --> 1:25:45.040
<v Speaker 5>what I want people to see. You I don't want people. Yeah,

1:25:46.040 --> 1:25:49.400
<v Speaker 5>motherfucker could like at you and then everybody that filed

1:25:49.439 --> 1:25:52.040
<v Speaker 5>that read your ship. They see that. That's why they

1:25:52.080 --> 1:25:53.880
<v Speaker 5>say the wow, crazy shit to you, so that they

1:25:53.920 --> 1:25:56.840
<v Speaker 5>could be attached to and then the motherfuckers they use

1:25:56.920 --> 1:25:59.080
<v Speaker 5>your own thing. I never thought that, Michael, I don't

1:25:59.160 --> 1:26:02.519
<v Speaker 5>like it. Yeah, speaking of dangerous comedy, where you at

1:26:02.680 --> 1:26:06.320
<v Speaker 5>SNL when Luis c K did the monologue the child,

1:26:06.840 --> 1:26:08.679
<v Speaker 5>how did that shit go? Like, how did that come about?

1:26:09.120 --> 1:26:12.280
<v Speaker 5>I mean at that point it was still Louis, you know,

1:26:12.360 --> 1:26:15.760
<v Speaker 5>it was still like everyone loved Louis, so he could

1:26:16.040 --> 1:26:18.600
<v Speaker 5>you know. Like that's the old thing about comedy for me,

1:26:18.840 --> 1:26:23.639
<v Speaker 5>is it's not so much what it is, it's who

1:26:23.720 --> 1:26:26.360
<v Speaker 5>can do it, you know, kind of like the Richard

1:26:26.400 --> 1:26:29.120
<v Speaker 5>Pryor thing, Like, it's not so much what he's saying,

1:26:29.200 --> 1:26:32.280
<v Speaker 5>it's that he's saying it in the in that you

1:26:32.320 --> 1:26:35.799
<v Speaker 5>know what I mean, in that format that you're like, damn,

1:26:35.920 --> 1:26:38.000
<v Speaker 5>that's bold, you know. So like for Louie to come

1:26:38.080 --> 1:26:41.800
<v Speaker 5>on National TV and say some shit like fucking kids

1:26:41.920 --> 1:26:45.080
<v Speaker 5>must be good, You're like, what you know what I mean?

1:26:45.160 --> 1:26:47.120
<v Speaker 5>Like on network and this is the first thing we're

1:26:47.160 --> 1:26:49.240
<v Speaker 5>seeing this this is supposed to make us watch the

1:26:49.360 --> 1:26:52.120
<v Speaker 5>rest of the show. It's just bold. It's just like

1:26:52.280 --> 1:26:54.439
<v Speaker 5>fun to watch just on that. You know, like you

1:26:54.640 --> 1:26:56.760
<v Speaker 5>that you're even willing to try that. But that's one

1:26:56.760 --> 1:26:59.120
<v Speaker 5>of the dope things about our show is that that's

1:26:59.320 --> 1:27:02.280
<v Speaker 5>where you can do that. That's always got like a

1:27:02.360 --> 1:27:04.040
<v Speaker 5>writer's room that came up with that stuff. No, that

1:27:04.200 --> 1:27:07.800
<v Speaker 5>was him, that was him, that was Louis. Stand ups

1:27:07.920 --> 1:27:12.240
<v Speaker 5>usually will work out their monologue the whole week, okay,

1:27:13.439 --> 1:27:15.320
<v Speaker 5>and do they have to run it by y'all before

1:27:15.640 --> 1:27:17.479
<v Speaker 5>or I see it? The first time we see it

1:27:17.640 --> 1:27:20.400
<v Speaker 5>is usually a dress rehearsal. They don't even do it

1:27:20.439 --> 1:27:22.400
<v Speaker 5>through run through. They'll do it at dresshearsal with a

1:27:22.479 --> 1:27:27.240
<v Speaker 5>live audience because telling jokes to nobody is like very

1:27:27.360 --> 1:27:29.640
<v Speaker 5>demoralizing because you have to hear the last you know

1:27:29.680 --> 1:27:30.000
<v Speaker 5>what I mean.

1:27:30.120 --> 1:27:32.360
<v Speaker 1>It's just like, Yeah, they do that a lot. At

1:27:32.840 --> 1:27:35.479
<v Speaker 1>thirty Rocks. Someone has to go through their routine to

1:27:35.600 --> 1:27:39.519
<v Speaker 1>an empty audience. Yeah, that's rough, that's right.

1:27:39.680 --> 1:27:41.719
<v Speaker 5>I remember when I worked at The Daily Show, John

1:27:41.800 --> 1:27:43.880
<v Speaker 5>would go through run through and he would do all

1:27:43.920 --> 1:27:49.759
<v Speaker 5>of the jokes to just like us. Yeah, like maybe

1:27:49.880 --> 1:27:53.400
<v Speaker 5>twenty of us, maybe fifteen, fifteen, twenty of us, and

1:27:54.360 --> 1:27:56.920
<v Speaker 5>that's how he would guess, would then make decisions based

1:27:56.960 --> 1:27:59.559
<v Speaker 5>on We would all huddle up right after and he'd

1:27:59.600 --> 1:28:01.400
<v Speaker 5>be like, move this, do this, do this, do this,

1:28:01.880 --> 1:28:04.439
<v Speaker 5>and then we have one more meeting with a big

1:28:04.520 --> 1:28:08.840
<v Speaker 5>ass whiteboard. And that was the show. John was a

1:28:08.920 --> 1:28:11.519
<v Speaker 5>motherfucker Like I never seen anybody that kind of knew

1:28:11.560 --> 1:28:15.080
<v Speaker 5>the audience reaction before the audience knew it better than John.

1:28:15.160 --> 1:28:16.080
<v Speaker 8>He was so good at that.

1:28:17.960 --> 1:28:20.280
<v Speaker 6>You bounced back and forth because yeah, I went.

1:28:20.240 --> 1:28:22.519
<v Speaker 5>To I went to the Daily Show. I didn't have

1:28:22.680 --> 1:28:24.160
<v Speaker 5>It was just pretty much I didn't have a summer.

1:28:24.240 --> 1:28:26.280
<v Speaker 5>As soon as that Snow wrapped, I went straight to

1:28:26.360 --> 1:28:28.519
<v Speaker 5>the Daily Show, And as soon as the Daily Show

1:28:28.800 --> 1:28:30.240
<v Speaker 5>and Snow came back, I went.

1:28:30.160 --> 1:28:33.400
<v Speaker 6>Straight back to Was that John's last season or one

1:28:33.600 --> 1:28:34.519
<v Speaker 6>was John's last season?

1:28:34.640 --> 1:28:38.120
<v Speaker 5>I was like maybe three four months before he left.

1:28:38.800 --> 1:28:42.080
<v Speaker 5>I didn't know he was leaving though, I had no

1:28:42.200 --> 1:28:45.160
<v Speaker 5>idea that's both John's right or no no, no, no

1:28:45.320 --> 1:28:48.120
<v Speaker 5>no no. When I remember, like one of my last weeks,

1:28:48.160 --> 1:28:51.000
<v Speaker 5>he was given Trevor the tour to come in as

1:28:51.080 --> 1:28:58.000
<v Speaker 5>like a correspondent. He was like a special court. He

1:28:58.120 --> 1:28:59.960
<v Speaker 5>was like kind of doing what Wilmore was going to

1:29:00.160 --> 1:29:03.040
<v Speaker 5>be doing. Ah, can you remember what Will Moore used

1:29:03.080 --> 1:29:05.840
<v Speaker 5>to do? Yeah, that's what he like. That was kind

1:29:05.880 --> 1:29:07.400
<v Speaker 5>of how it was presented, like, oh, yeah, well, you know,

1:29:08.120 --> 1:29:11.880
<v Speaker 5>Trevor's gonna you know, but he knew otherwise. I don't know.

1:29:11.960 --> 1:29:12.800
<v Speaker 8>I don't think he did.

1:29:13.280 --> 1:29:15.000
<v Speaker 5>I don't think he I don't think he did because

1:29:15.000 --> 1:29:17.640
<v Speaker 5>I think for a while they wasn't sure who's gonna be,

1:29:18.520 --> 1:29:21.360
<v Speaker 5>and then they decided before they decided trup. That's what

1:29:21.520 --> 1:29:23.880
<v Speaker 5>I know. I never really talked to Trevor about it.

1:29:24.360 --> 1:29:26.120
<v Speaker 6>TV funny at everybody else's job.

1:29:30.920 --> 1:29:34.000
<v Speaker 1>Are you looking forward to uh, season forty or is

1:29:34.040 --> 1:29:35.800
<v Speaker 1>it forty two? Now this is forty this will be

1:29:35.880 --> 1:29:38.439
<v Speaker 1>forty four? Jesus christ is Obama?

1:29:38.560 --> 1:29:38.760
<v Speaker 8>Yeah?

1:29:39.479 --> 1:29:43.080
<v Speaker 5>Wow, you're right, dude, are you? Are you looking forward

1:29:43.120 --> 1:29:46.240
<v Speaker 5>to it? Or is it like I am Obama? Ye?

1:29:46.280 --> 1:29:46.759
<v Speaker 6>Or Michael?

1:29:47.000 --> 1:29:52.280
<v Speaker 5>I think that I think that this one's gonna be

1:29:52.360 --> 1:29:55.479
<v Speaker 5>a fun one, honestly, because I feel like everybody's kind

1:29:55.479 --> 1:29:58.880
<v Speaker 5>of hawking out. I think like Kate McKinnon's is a superstar,

1:29:59.120 --> 1:30:03.160
<v Speaker 5>Leslie's you know, star, and I think I think like

1:30:03.240 --> 1:30:05.240
<v Speaker 5>this is going to be like a fun season where

1:30:05.240 --> 1:30:08.360
<v Speaker 5>everybody kind of starts to I think, like, it's not

1:30:08.520 --> 1:30:12.800
<v Speaker 5>as Trump heavy anymore. How do you do that? I

1:30:12.840 --> 1:30:16.320
<v Speaker 5>don't think it will be ill, do you? Yeah? Do you?

1:30:17.400 --> 1:30:21.840
<v Speaker 1>I mean not that if you expect impeachment action or whatever. Midterms.

1:30:23.160 --> 1:30:26.800
<v Speaker 1>I have faith that something will happen in the midterms.

1:30:27.479 --> 1:30:32.280
<v Speaker 1>You know, something will happen.

1:30:32.120 --> 1:30:36.120
<v Speaker 5>Either more collusion or the House will I don't think

1:30:36.160 --> 1:30:38.479
<v Speaker 5>they got him. You don't think they got him yet.

1:30:38.479 --> 1:30:39.479
<v Speaker 8>I don't think they got him.

1:30:39.560 --> 1:30:42.880
<v Speaker 5>But it's almost weird because it's like you when you're

1:30:42.880 --> 1:30:45.000
<v Speaker 5>about like to U see two dudes about the fight,

1:30:45.080 --> 1:30:46.960
<v Speaker 5>and they say, like, the dude that's taking off the

1:30:47.000 --> 1:30:49.880
<v Speaker 5>most clothes don't want to fight. Yeah, I think that's

1:30:49.920 --> 1:30:51.479
<v Speaker 5>what my little I don't think they I don't think

1:30:51.479 --> 1:30:52.519
<v Speaker 5>they want I don't think they got it.

1:30:54.160 --> 1:30:55.320
<v Speaker 8>Well, I don't.

1:30:55.439 --> 1:30:57.360
<v Speaker 5>I don't know. It's kind of weird. I'm in the

1:30:57.439 --> 1:31:00.280
<v Speaker 5>minority with that. I'll say that, but I just think

1:31:00.320 --> 1:31:01.840
<v Speaker 5>they would have did it by that well. As a

1:31:01.880 --> 1:31:05.120
<v Speaker 5>black person, I gotta have faith in something. Man impossible.

1:31:06.000 --> 1:31:08.280
<v Speaker 5>How long? But how long isay? I'm not the biggest history,

1:31:08.320 --> 1:31:09.559
<v Speaker 5>but how long did Watergate take?

1:31:09.960 --> 1:31:14.519
<v Speaker 1>How long was that not this long nine months because

1:31:14.600 --> 1:31:17.360
<v Speaker 1>basically Democrats have the house, Like if we just get

1:31:17.400 --> 1:31:20.840
<v Speaker 1>the house, this nightmare couldn't you know, But we don't

1:31:20.920 --> 1:31:22.040
<v Speaker 1>have the house we need.

1:31:23.160 --> 1:31:23.800
<v Speaker 5>We need five.

1:31:24.280 --> 1:31:29.439
<v Speaker 1>So but it's I'm just saying that either way, like

1:31:29.760 --> 1:31:34.000
<v Speaker 1>if if he continues, that's technically.

1:31:36.000 --> 1:31:41.120
<v Speaker 5>Good for you per se if Trump continues, I mean,

1:31:41.160 --> 1:31:47.200
<v Speaker 5>because I feel this is like SNL what the cultural No,

1:31:47.760 --> 1:31:50.479
<v Speaker 5>we could say that no one.

1:31:50.720 --> 1:31:53.160
<v Speaker 1>But the thing is is that you guys are more

1:31:53.680 --> 1:31:57.160
<v Speaker 1>you guys are more digestible. Like for me, we can

1:31:57.280 --> 1:32:01.320
<v Speaker 1>Update is actually a news program now because that scares me.

1:32:01.640 --> 1:32:06.080
<v Speaker 5>I know, I know, I watched real News seriously, it's yeah,

1:32:06.160 --> 1:32:09.519
<v Speaker 5>it's no, No, nomics are more the way I present

1:32:09.640 --> 1:32:12.000
<v Speaker 5>it is in a way that's more digestible. I mean,

1:32:12.040 --> 1:32:12.519
<v Speaker 5>you don't.

1:32:12.360 --> 1:32:16.519
<v Speaker 1>Realize that every every diatribe that you do on weekend

1:32:16.600 --> 1:32:19.679
<v Speaker 1>up date winds up being a heavily passed around.

1:32:20.360 --> 1:32:24.080
<v Speaker 5>Yeah, but I understand it on on that on that front,

1:32:24.120 --> 1:32:27.120
<v Speaker 5>but I'm saying there's stuff I feel like we could

1:32:27.240 --> 1:32:30.360
<v Speaker 5>do on week and Update that isn't necessarily Trump. That's

1:32:30.479 --> 1:32:32.479
<v Speaker 5>way more important. Like I watched like the real Estate

1:32:32.600 --> 1:32:35.599
<v Speaker 5>that Oliver has. I watched the real Estate that even

1:32:35.640 --> 1:32:37.840
<v Speaker 5>Trevor has, but I mean they do. He does this

1:32:37.880 --> 1:32:39.599
<v Speaker 5>show every day, so it's a little bit less fair

1:32:39.720 --> 1:32:42.400
<v Speaker 5>to say to compare it. But you know, like there's

1:32:42.600 --> 1:32:45.600
<v Speaker 5>there's a lot of important ship that we could be

1:32:45.680 --> 1:32:51.160
<v Speaker 5>talking about that this motherfucker right, and it's like, really,

1:32:51.200 --> 1:32:53.720
<v Speaker 5>I got to talk about his wife now, God, talk

1:32:53.760 --> 1:32:56.720
<v Speaker 5>about it.

1:32:56.880 --> 1:32:59.519
<v Speaker 1>I don't think it's even Trump specific, but I feel

1:32:59.640 --> 1:33:03.960
<v Speaker 1>that the domino effect of like we definitely would not

1:33:04.280 --> 1:33:08.000
<v Speaker 1>have me too if it weren't for the Trump administration

1:33:08.720 --> 1:33:10.920
<v Speaker 1>that I feel. I don't feel there's a lot of things. Yes,

1:33:11.080 --> 1:33:12.280
<v Speaker 1>I agree with you, I.

1:33:12.280 --> 1:33:15.000
<v Speaker 5>Don't think so. I mean, because it would have happened

1:33:15.160 --> 1:33:16.120
<v Speaker 5>during the Obama.

1:33:15.960 --> 1:33:19.519
<v Speaker 7>Because remember what happened on inauguration Day, a women's march.

1:33:20.280 --> 1:33:24.360
<v Speaker 5>Yeah, against everything, like whatever he stands for.

1:33:24.520 --> 1:33:27.720
<v Speaker 1>Then it's like we're gonna sort of seek it out

1:33:27.800 --> 1:33:30.320
<v Speaker 1>and everyone else other than him and make them pay for.

1:33:31.160 --> 1:33:33.000
<v Speaker 5>What he represents. We can't get him out of the paint.

1:33:33.120 --> 1:33:35.240
<v Speaker 1>Yeah, So even if you don't have to talk about

1:33:35.280 --> 1:33:38.120
<v Speaker 1>him specifically, I mean, we're you're gonna talk about immigration,

1:33:38.240 --> 1:33:39.160
<v Speaker 1>which is a result of him.

1:33:39.200 --> 1:33:40.280
<v Speaker 5>You're going to talk about me too.

1:33:40.439 --> 1:33:43.639
<v Speaker 7>He's right, everything even the banks and getting the access

1:33:43.680 --> 1:33:44.320
<v Speaker 7>to our Facebook.

1:33:44.360 --> 1:33:44.840
<v Speaker 5>That's his fault.

1:33:44.840 --> 1:33:45.559
<v Speaker 6>I'm gonna blame him.

1:33:45.600 --> 1:33:48.400
<v Speaker 5>Yeah, you're gonna have Zuckerberg jokes. And the way the

1:33:48.479 --> 1:33:52.640
<v Speaker 5>Way Update the Way Update is delegated. It's you know,

1:33:52.760 --> 1:33:57.040
<v Speaker 5>it's about four minutes and then a three minute future

1:33:57.680 --> 1:34:00.080
<v Speaker 5>and then you know what I mean, three minutes and

1:34:00.160 --> 1:34:04.080
<v Speaker 5>then maybe a three minute feature and you know, so

1:34:04.160 --> 1:34:07.120
<v Speaker 5>it's like the real estate that we have to be

1:34:07.240 --> 1:34:09.040
<v Speaker 5>able to talk about, and then it's between two people,

1:34:09.120 --> 1:34:12.120
<v Speaker 5>so you cut that. It's like it's almost like like income.

1:34:12.600 --> 1:34:14.479
<v Speaker 5>You gotta cut that in happening, you know what I mean.

1:34:14.960 --> 1:34:17.479
<v Speaker 5>So you get two minutes? Are you pretty much? I

1:34:17.560 --> 1:34:19.600
<v Speaker 5>pretty much get four minutes to talk about everything I

1:34:19.640 --> 1:34:22.560
<v Speaker 5>want to talk about in the week, and some of

1:34:22.640 --> 1:34:25.760
<v Speaker 5>it has to be trumped. So it's like, how do

1:34:25.840 --> 1:34:30.519
<v Speaker 5>you not talk? Like if didn't? Motherfucker is tweeting Saturday morning,

1:34:30.680 --> 1:34:33.800
<v Speaker 5>what's Saturday afternoon? Which happens. I can almost set my

1:34:33.960 --> 1:34:38.800
<v Speaker 5>clock to this. Motherfucker. He tweets Saturday at like eight

1:34:38.840 --> 1:34:42.080
<v Speaker 5>in the morning, between anywhere between seven and eleven in

1:34:42.120 --> 1:34:45.040
<v Speaker 5>the morning. I gotta look at it. We gotta relook

1:34:45.040 --> 1:34:47.040
<v Speaker 5>at all of the jokes that we have figure out,

1:34:47.040 --> 1:34:50.040
<v Speaker 5>all right, well, what development is this more important than this?

1:34:50.200 --> 1:34:51.519
<v Speaker 5>What do we have to so like we have all

1:34:51.560 --> 1:34:54.240
<v Speaker 5>our jokes on the table, we be we gotta lift ship,

1:34:54.560 --> 1:34:56.879
<v Speaker 5>all right, this is this is not even important anymore.

1:34:56.920 --> 1:34:59.320
<v Speaker 5>This feels weird to say this. By the time, you know,

1:34:59.360 --> 1:35:03.559
<v Speaker 5>at midnight, this is gonna be old news. So it's

1:35:03.680 --> 1:35:08.240
<v Speaker 5>just exhausting. But not even so much update specific. I

1:35:08.280 --> 1:35:12.360
<v Speaker 5>just mean show wise. I think that people have seen

1:35:12.479 --> 1:35:16.599
<v Speaker 5>the impression. People have seen us go through, they've seen

1:35:16.680 --> 1:35:19.200
<v Speaker 5>us color it. There's not so I feel like this

1:35:19.400 --> 1:35:21.560
<v Speaker 5>is gonna be a year where we maybe take it

1:35:21.640 --> 1:35:24.559
<v Speaker 5>to the next level of just creatively of different things

1:35:25.000 --> 1:35:28.400
<v Speaker 5>that's possible with our cast, and not let this motherfucker dominate.

1:35:28.760 --> 1:35:30.880
<v Speaker 6>Maybe you take the lead and the news will follow.

1:35:31.120 --> 1:35:33.120
<v Speaker 5>That's what I mean. You know, it's not just me.

1:35:33.280 --> 1:35:33.960
<v Speaker 8>It's not up to me.

1:35:34.040 --> 1:35:36.120
<v Speaker 7>It's also but I mean as a show, like because

1:35:36.160 --> 1:35:37.679
<v Speaker 7>the news is doing the same thing that you're saying

1:35:37.760 --> 1:35:40.200
<v Speaker 7>y'all trying to stay away from, like MSNBC, CNN, it's

1:35:40.280 --> 1:35:41.559
<v Speaker 7>all the same all the time.

1:35:41.680 --> 1:35:44.400
<v Speaker 5>His name so yeah, and he knows and he's he's

1:35:44.439 --> 1:35:46.559
<v Speaker 5>playing it like an instrument. Man. He knows he knows

1:35:46.640 --> 1:35:49.840
<v Speaker 5>exactly when to say some crazy shit about Lebron, you

1:35:49.920 --> 1:35:53.400
<v Speaker 5>know exactly. Yeah, he knows when, he knows when to dominate.

1:35:53.760 --> 1:35:58.240
<v Speaker 5>Motherfucker knows how to control the news source. And everybody's

1:35:58.240 --> 1:36:01.240
<v Speaker 5>guilty because we all, I think it's interesting. We all

1:36:01.280 --> 1:36:03.240
<v Speaker 5>want the clout, you know, like we all want to

1:36:03.320 --> 1:36:06.439
<v Speaker 5>have the witty, perfect thing to say about what he's saying.

1:36:07.000 --> 1:36:11.679
<v Speaker 5>And it's just like, dude, you don't realize you're playing along.

1:36:11.840 --> 1:36:14.240
<v Speaker 5>You know, you're really just you don't get it.

1:36:14.600 --> 1:36:17.000
<v Speaker 7>The Hollywood star fame people, they already took the lead.

1:36:17.040 --> 1:36:18.600
<v Speaker 7>They said, just take it away, so it won't be

1:36:18.680 --> 1:36:22.040
<v Speaker 7>no debate, no argument has gone good.

1:36:22.520 --> 1:36:28.480
<v Speaker 5>Wait, so, speaking of distraction, in wrapping up this episode.

1:36:28.720 --> 1:36:32.679
<v Speaker 8>This was fun as hell. By Yeah, this is thanks

1:36:32.720 --> 1:36:34.519
<v Speaker 8>for letting me come up here.

1:36:34.760 --> 1:36:40.080
<v Speaker 5>You're welcome. I have to say, uh, dude, you have

1:36:40.360 --> 1:36:46.400
<v Speaker 5>to make more Willie. You don't know.

1:36:50.040 --> 1:36:55.840
<v Speaker 1>Look, I have three YouTube mixes on my private YouTube page.

1:36:56.680 --> 1:37:01.479
<v Speaker 5>One's all Michael, one's all Soul Trained. The other is Willie.

1:37:02.000 --> 1:37:03.200
<v Speaker 5>Who was Willy? Who Willy?

1:37:03.800 --> 1:37:05.080
<v Speaker 6>Is this this?

1:37:06.000 --> 1:37:08.760
<v Speaker 5>I'm probably no, No, it's it's funny ship.

1:37:09.280 --> 1:37:13.479
<v Speaker 1>It's it's a character that Michael's written written for Keenan Thompson.

1:37:16.000 --> 1:37:20.960
<v Speaker 5>Yeah, how he's the most optimistic. He's the most optimistic guy.

1:37:20.960 --> 1:37:23.240
<v Speaker 5>I know, he's my neighbor. He always sees the bright

1:37:23.320 --> 1:37:26.400
<v Speaker 5>side of everything. But he just has the worst life ever.

1:37:26.560 --> 1:37:33.400
<v Speaker 5>So it's really sad he's been involved with. It's really familiar,

1:37:33.560 --> 1:37:35.640
<v Speaker 5>like you know, he is the worst luck on the

1:37:35.760 --> 1:37:39.000
<v Speaker 5>worst luck on nerve and uh, he's always trying to

1:37:39.080 --> 1:37:42.360
<v Speaker 5>cheer me up and he just keeps using an example. Wait, Will,

1:37:42.360 --> 1:37:46.240
<v Speaker 5>he's based on a real person. No, Will, he's not

1:37:46.320 --> 1:37:48.760
<v Speaker 5>based on a real person. I think I had an

1:37:48.840 --> 1:37:51.800
<v Speaker 5>uncle Delmore who was sort of like that.

1:37:52.880 --> 1:37:56.840
<v Speaker 8>And this is this is a week enough. He's an

1:37:56.920 --> 1:37:57.679
<v Speaker 8>updated character.

1:37:57.680 --> 1:38:01.000
<v Speaker 5>The punchline is always like he'll say, hey, it's like

1:38:01.080 --> 1:38:02.880
<v Speaker 5>they always say, and he'll come up with an idiom,

1:38:03.680 --> 1:38:07.600
<v Speaker 5>but he doesn't realize. He doesn't realized that. You know.

1:38:07.840 --> 1:38:10.040
<v Speaker 5>It's like they always say, hey, Willy, what did I

1:38:10.080 --> 1:38:16.280
<v Speaker 5>tell you about coming in I'm your mama? That I

1:38:16.479 --> 1:38:19.040
<v Speaker 5>like the y'all did it was what the weekend up there?

1:38:19.479 --> 1:38:21.600
<v Speaker 5>The one it was only one that got cut that

1:38:21.760 --> 1:38:26.040
<v Speaker 5>was like way too rough? Will Willie where he goes? Uh,

1:38:26.600 --> 1:38:29.880
<v Speaker 5>It's like I told Martin Luther king you can smoke outside.

1:38:36.560 --> 1:38:41.720
<v Speaker 5>They like you can't do that. The line where where

1:38:41.840 --> 1:38:44.160
<v Speaker 5>is the line? I mean, why is that? And that

1:38:44.400 --> 1:38:48.200
<v Speaker 5>one oh Man, we for Willy Well, I don't know Willy.

1:38:48.360 --> 1:38:51.040
<v Speaker 5>We had him say some wow ship where they're afraid

1:38:51.080 --> 1:38:54.120
<v Speaker 5>of like kickback from black. I think Keenan was like,

1:38:54.200 --> 1:38:57.800
<v Speaker 5>I don't want to do that, but that's Willing. He

1:38:57.840 --> 1:39:02.960
<v Speaker 5>can smoke on the boundary about any that's That was

1:39:03.080 --> 1:39:05.680
<v Speaker 5>like the craziest one where we were like, I don't know.

1:39:05.960 --> 1:39:11.640
<v Speaker 5>We had him uh a graduation one where he was like,

1:39:11.720 --> 1:39:14.519
<v Speaker 5>it's like my class told me when I left the school,

1:39:14.560 --> 1:39:16.080
<v Speaker 5>you locked us in with the shooter wheel.

1:39:19.800 --> 1:39:22.960
<v Speaker 8>It's just like, yeah, yeah, every time I do it,

1:39:23.960 --> 1:39:24.799
<v Speaker 8>y'all will do anymore?

1:39:25.160 --> 1:39:27.960
<v Speaker 5>What up with that? Is that? The thing about what

1:39:28.320 --> 1:39:33.679
<v Speaker 5>with that is Jason he's not there anymore and Fred's

1:39:33.760 --> 1:39:36.200
<v Speaker 5>not there, so it's hard to do and Bill Bill Hayter,

1:39:36.360 --> 1:39:39.880
<v Speaker 5>who does does It's not so like they're all gone.

1:39:40.040 --> 1:39:43.240
<v Speaker 5>So I think the last time they did that was

1:39:43.439 --> 1:39:47.559
<v Speaker 5>that's Tucker Man, look at you, your ban Tooker fan.

1:39:47.560 --> 1:39:48.000
<v Speaker 5>You don't even know.

1:39:48.120 --> 1:39:49.760
<v Speaker 7>I didn't even know he's black. He's a little black

1:39:49.800 --> 1:39:51.920
<v Speaker 7>and black I'm not to meet him like black girls.

1:39:52.439 --> 1:39:52.920
<v Speaker 5>That's not the way.

1:39:53.160 --> 1:39:55.439
<v Speaker 6>They stopped there, they stopped, they stopped there.

1:39:55.760 --> 1:40:01.360
<v Speaker 5>Look get your you're right, that's right.

1:40:01.400 --> 1:40:03.679
<v Speaker 1>We're supposed to blind date you and all that stuff

1:40:03.800 --> 1:40:07.800
<v Speaker 1>like I got now. Okay, well we'll see how it

1:40:07.920 --> 1:40:12.000
<v Speaker 1>works in five months, in time for Valentine's Day.

1:40:12.080 --> 1:40:14.639
<v Speaker 5>How's your things going with your boot quest? Love? Still

1:40:14.840 --> 1:40:16.320
<v Speaker 5>my Yeah, I'm still bowed up.

1:40:23.920 --> 1:40:25.320
<v Speaker 6>We're taking we're still winning.

1:40:27.560 --> 1:40:31.080
<v Speaker 5>Second, I love your code talk, you know what I'm saying. Yeah,

1:40:31.160 --> 1:40:35.000
<v Speaker 5>of course is very shocked that I'm dating a black woman.

1:40:35.520 --> 1:40:38.479
<v Speaker 7>I've been dating pat her Head too, like like one

1:40:38.479 --> 1:40:40.080
<v Speaker 7>of the ones that pat her Head and get bread.

1:40:42.280 --> 1:40:47.240
<v Speaker 5>Yes, we're going to Hawaii. Okaye, we said, what's up? Yes,

1:40:47.400 --> 1:40:49.880
<v Speaker 5>I will tell Shep. You said, hello, oh ship Hawaii.

1:40:49.960 --> 1:40:51.760
<v Speaker 5>I've never been to Hawaiian You gotta go, you.

1:40:51.760 --> 1:40:52.040
<v Speaker 6>Got to go.

1:40:52.920 --> 1:40:54.120
<v Speaker 5>I've never been on a vacation.

1:40:54.439 --> 1:40:54.920
<v Speaker 6>I'm sorry.

1:40:55.120 --> 1:40:58.360
<v Speaker 1>I will introduce you to Sheep Gordon, who's the you know,

1:40:58.439 --> 1:40:59.360
<v Speaker 1>the vacation whisper.

1:40:59.640 --> 1:41:02.280
<v Speaker 5>Okay, oh yeah, I would. I would love that you've

1:41:02.320 --> 1:41:04.799
<v Speaker 5>been on an Actually, you've never been on a vacation.

1:41:04.920 --> 1:41:07.120
<v Speaker 5>I've never been on a plane that wasn't like for

1:41:07.280 --> 1:41:10.559
<v Speaker 5>a work since you started doing this, since I started

1:41:10.600 --> 1:41:14.360
<v Speaker 5>doing it. I don't think the first vacation was what

1:41:14.640 --> 1:41:18.840
<v Speaker 5>for when that first meet Gordon four or five years ago. Yeah,

1:41:18.840 --> 1:41:21.320
<v Speaker 5>I think my first one was tried like twenty fourteen thirteen,

1:41:22.360 --> 1:41:25.280
<v Speaker 5>I'm on tap New York. My idea for a vacation

1:41:25.439 --> 1:41:28.080
<v Speaker 5>that was like to not have to do anything, like

1:41:28.120 --> 1:41:30.080
<v Speaker 5>I don't have to pack a bag or I don't

1:41:30.080 --> 1:41:33.280
<v Speaker 5>have to be anywhere. Oh you can, I can vacation

1:41:33.400 --> 1:41:38.920
<v Speaker 5>at my house if all y'all motherfucker's league like that.

1:41:39.240 --> 1:41:46.680
<v Speaker 5>That's exactly right. It's funny, you know.

1:41:46.920 --> 1:41:52.240
<v Speaker 1>You know the group Rockhampton, Yeah, sort of roots Generation

1:41:52.360 --> 1:41:57.760
<v Speaker 1>to See or whatever. They they only have one like

1:41:57.920 --> 1:42:01.120
<v Speaker 1>one record out, and already they're like taking a vacation

1:42:01.600 --> 1:42:03.840
<v Speaker 1>in Hawaii, like working on the new record.

1:42:03.880 --> 1:42:06.479
<v Speaker 6>And I'm like, you were shaming the youre mirror as

1:42:06.479 --> 1:42:08.320
<v Speaker 6>the Elder Like no, I'm just.

1:42:08.400 --> 1:42:10.920
<v Speaker 5>Like, wait, who does that? Like you? But that I

1:42:11.320 --> 1:42:14.720
<v Speaker 5>just heard them yesterday for the first time ever. It's

1:42:14.840 --> 1:42:18.800
<v Speaker 5>so crazy that you even said they was playing a

1:42:18.840 --> 1:42:20.320
<v Speaker 5>song on the bar and I thought it was I

1:42:20.360 --> 1:42:22.960
<v Speaker 5>thought it was a j rock song. One of the

1:42:23.040 --> 1:42:28.439
<v Speaker 5>guys kind of Ryan fans. Sounds like rock Christian rock.

1:42:29.800 --> 1:42:33.880
<v Speaker 5>It's weird because when I told them it's like seven niggames. Yeah,

1:42:33.920 --> 1:42:36.679
<v Speaker 5>it's like seven or eight of them. They're black and white.

1:42:37.200 --> 1:42:39.960
<v Speaker 5>It's like a Benettone ad of Jen.

1:42:41.439 --> 1:42:41.759
<v Speaker 6>Reference.

1:42:42.680 --> 1:42:46.639
<v Speaker 5>It's just we get it. Well, what's the new benine

1:42:46.680 --> 1:42:54.840
<v Speaker 5>ad Mountain Dew commercial? Okay, there no, But what's weird

1:42:55.000 --> 1:42:55.160
<v Speaker 5>is that.

1:42:55.400 --> 1:42:59.519
<v Speaker 1>What's weird is that who put me onto Mecca from

1:42:59.560 --> 1:43:01.639
<v Speaker 1>Diggable Planets like her kids loved them.

1:43:02.280 --> 1:43:04.320
<v Speaker 5>So I looked at them and then like we got

1:43:04.360 --> 1:43:07.240
<v Speaker 5>them on the show. But the thing was because of

1:43:07.360 --> 1:43:10.960
<v Speaker 5>a it's weird. His name is a mirror. Two, they

1:43:11.080 --> 1:43:13.080
<v Speaker 5>kind of had a me too moment.

1:43:14.400 --> 1:43:19.840
<v Speaker 1>Backstage at the show or before, not tonight's show, at

1:43:19.880 --> 1:43:23.960
<v Speaker 1>their show, okay, so they had to kick a member out.

1:43:24.920 --> 1:43:28.840
<v Speaker 1>And then when they came on our show, it you know,

1:43:29.000 --> 1:43:33.680
<v Speaker 1>I'm expecting these seven rambunctious like flying all over the place. Uh,

1:43:33.960 --> 1:43:38.439
<v Speaker 1>And they did the most emo depressed like they sat

1:43:38.560 --> 1:43:43.919
<v Speaker 1>on the floor like a bonfire like with crime millennial

1:43:44.000 --> 1:43:48.560
<v Speaker 1>tiers about like and you know, and that was the

1:43:48.640 --> 1:43:50.720
<v Speaker 1>jam they did. I used to know they didn't do

1:43:50.760 --> 1:43:52.960
<v Speaker 1>the jam. They decided that they pulled the They pulled

1:43:53.000 --> 1:43:55.600
<v Speaker 1>the and they called an audible and.

1:43:57.400 --> 1:44:00.640
<v Speaker 5>Yeah, I was like, you can have to. You know,

1:44:00.720 --> 1:44:05.960
<v Speaker 5>Jimmy's looking at me like, is this a group Jimmy

1:44:06.000 --> 1:44:08.599
<v Speaker 5>hit you with? That's your man? Exactly? That your man?

1:44:09.120 --> 1:44:12.439
<v Speaker 5>Oh man? Really up brock camp? Was it cool?

1:44:12.960 --> 1:44:13.360
<v Speaker 6>People do that?

1:44:15.200 --> 1:44:18.599
<v Speaker 5>I want them, Yes, I I want them to come

1:44:18.680 --> 1:44:20.240
<v Speaker 5>back and do what I.

1:44:27.080 --> 1:44:27.519
<v Speaker 8>Exactly.

1:44:28.160 --> 1:44:29.800
<v Speaker 7>You said you more of a music person than you

1:44:29.880 --> 1:44:31.920
<v Speaker 7>are watching me. Of course you're watch I love music well,

1:44:31.960 --> 1:44:34.240
<v Speaker 7>because music I'm in, I'm in. I don't know how

1:44:34.280 --> 1:44:36.920
<v Speaker 7>it works. Well, comedy I know how it works, so

1:44:36.960 --> 1:44:37.920
<v Speaker 7>it's not that interesting.

1:44:38.000 --> 1:44:38.519
<v Speaker 5>It's the same.

1:44:38.760 --> 1:44:41.280
<v Speaker 8>But music, I'm like, I'm blown away.

1:44:41.160 --> 1:44:44.479
<v Speaker 5>By that rocking lately listening, oh man, I don't like

1:44:45.080 --> 1:44:45.559
<v Speaker 5>new stuff.

1:44:45.800 --> 1:44:48.640
<v Speaker 8>They don't have to be making music for me.

1:44:48.800 --> 1:44:51.200
<v Speaker 5>Like what's your era? And that's like, are you like

1:44:51.720 --> 1:44:55.920
<v Speaker 5>Man Midnight, your Neptune Switsch beat era?

1:44:56.920 --> 1:44:59.599
<v Speaker 8>That's my era technically, but I like the era right

1:44:59.640 --> 1:45:02.160
<v Speaker 8>before that. I like the ninety five ninety six.

1:45:02.240 --> 1:45:07.640
<v Speaker 5>I like you're aumatic yeah, yeah, yeah, you know what

1:45:07.960 --> 1:45:12.600
<v Speaker 5>you know what a gang star is? Okay, you know

1:45:12.680 --> 1:45:16.439
<v Speaker 5>what a gang yo? This is? This is bizarre, you know,

1:45:16.520 --> 1:45:18.840
<v Speaker 5>Like I was literally that same bottle. I was listening

1:45:18.880 --> 1:45:21.200
<v Speaker 5>to Brockhand for the first time. They was playing Guru

1:45:21.360 --> 1:45:24.640
<v Speaker 5>jazmatads Wow, and I was like, jazzmatass. It was an

1:45:24.720 --> 1:45:29.120
<v Speaker 5>Irish bar called Deacon Brodie's and they was playing Guru jazmatas.

1:45:29.240 --> 1:45:31.400
<v Speaker 5>Wait where I was like in New York? In New

1:45:31.479 --> 1:45:31.880
<v Speaker 5>York and.

1:45:32.400 --> 1:45:37.479
<v Speaker 1>Randomly, what's up of you guys going to random bars

1:45:37.800 --> 1:45:40.720
<v Speaker 1>because nobody cares about you and an Irish bar, no

1:45:40.840 --> 1:45:42.760
<v Speaker 1>one gives a fuck about who you are?

1:45:44.720 --> 1:45:47.519
<v Speaker 5>Fine, I'm telling you, they don't bother you. It's anything

1:45:47.640 --> 1:45:51.080
<v Speaker 5>collegy or anything young and hip. You gotta wear a

1:45:51.280 --> 1:45:54.360
<v Speaker 5>fucking pub Oh they don't. They could care less. They're

1:45:54.400 --> 1:45:57.400
<v Speaker 5>playing music, they know who you are, and they're just like,

1:45:58.160 --> 1:46:00.920
<v Speaker 5>so what, and you're fine. I love it. That's the

1:46:01.040 --> 1:46:05.639
<v Speaker 5>one aspect of thirty rock folklore that I'm kind I'm

1:46:05.680 --> 1:46:07.599
<v Speaker 5>not mad I missed out on it because I don't

1:46:07.600 --> 1:46:11.840
<v Speaker 5>want a habit or anything, but I'm looking for.

1:46:12.160 --> 1:46:14.600
<v Speaker 8>Like you do it every day. You can't develop a

1:46:14.680 --> 1:46:15.720
<v Speaker 8>habit because.

1:46:18.400 --> 1:46:21.240
<v Speaker 5>Able to navigate like they're supposed to be, like Jim Belushi,

1:46:21.600 --> 1:46:25.519
<v Speaker 5>you know, messing around with Jane Curtin in the hallway

1:46:25.640 --> 1:46:27.479
<v Speaker 5>with heroin and you know.

1:46:28.240 --> 1:46:32.000
<v Speaker 1>Like I'm looking for like the rock stars. Yeah, like

1:46:32.560 --> 1:46:35.519
<v Speaker 1>that era that she can't exist Normal everyone's at.

1:46:35.479 --> 1:46:40.559
<v Speaker 5>Whole Foods and you know, yeah, everybody's giant salad Amazon.

1:46:41.120 --> 1:46:44.599
<v Speaker 9>Steve is like Steve is throwing me under the bus

1:46:44.680 --> 1:46:47.360
<v Speaker 9>again just to end the episode in a way that

1:46:47.439 --> 1:46:49.000
<v Speaker 9>you're going to feel happy about yourself.

1:46:49.640 --> 1:46:51.400
<v Speaker 8>Yeah, Steve, I am, I have a.

1:46:51.439 --> 1:46:57.519
<v Speaker 5>Question for you. Okay, just circling back here to weekend update. Okay,

1:46:57.560 --> 1:47:04.639
<v Speaker 5>I mentioned Seth as your ghost. Who's your all time favorite? Normal? Norm?

1:47:04.880 --> 1:47:09.479
<v Speaker 5>I love Norm only because Norm knew it was funny,

1:47:09.640 --> 1:47:13.839
<v Speaker 5>even if the audience did. And I love that freedom

1:47:13.880 --> 1:47:18.040
<v Speaker 5>that Norm. And like he he would tell a joke

1:47:18.320 --> 1:47:21.400
<v Speaker 5>like straight down the back. He wouldn't budge and it

1:47:21.479 --> 1:47:25.880
<v Speaker 5>would get almost like worse than nothing. He was, but

1:47:26.080 --> 1:47:29.720
<v Speaker 5>he didn't care. Like at home watching it, it was hysterical.

1:47:29.840 --> 1:47:31.479
<v Speaker 5>That's another thing that we had to that you have

1:47:31.560 --> 1:47:33.719
<v Speaker 5>to learn at the show is you're playing the studio

1:47:33.800 --> 1:47:36.679
<v Speaker 5>and then you're playing the camera as well. It cuts through,

1:47:37.040 --> 1:47:39.519
<v Speaker 5>something could kill in the room and nobody at homes

1:47:39.600 --> 1:47:42.639
<v Speaker 5>laughing like it's a different it's a it's a weird

1:47:42.760 --> 1:47:44.559
<v Speaker 5>kind of dynamic that you have just learning doing norm

1:47:44.720 --> 1:47:46.479
<v Speaker 5>was kind of the master of it. He knew what

1:47:46.680 --> 1:47:49.640
<v Speaker 5>was funny, even if the audience. He wouldn't even do

1:47:49.840 --> 1:47:52.439
<v Speaker 5>a dress rehearsal something. He wouldn't do a run through jokes.

1:47:52.439 --> 1:47:54.320
<v Speaker 5>He wouldn't run through his jokes to let you know,

1:47:54.520 --> 1:47:56.680
<v Speaker 5>like what you he couldn't say. He would just do

1:47:56.800 --> 1:47:59.200
<v Speaker 5>it for the audience, kind of the way stand ups do.

1:48:00.000 --> 1:48:00.880
<v Speaker 5>That's pretty awesome.

1:48:01.040 --> 1:48:06.880
<v Speaker 1>It's a small suggestion. One of the things about watching

1:48:06.960 --> 1:48:13.040
<v Speaker 1>the show in the studio is the volume is so low, yes.

1:48:13.760 --> 1:48:16.439
<v Speaker 5>Because we're not we're miked for the camera, we're not

1:48:17.240 --> 1:48:18.720
<v Speaker 5>for the crowd, right, yeah, And.

1:48:18.720 --> 1:48:21.360
<v Speaker 1>It's almost like you're like hearing your natural voice, but

1:48:21.479 --> 1:48:25.240
<v Speaker 1>from like one hundred and twenty feet away, you know.

1:48:25.479 --> 1:48:26.080
<v Speaker 5>And that's the thing.

1:48:26.200 --> 1:48:29.840
<v Speaker 1>Like some shows that I've seen in person, I'll be like,

1:48:30.439 --> 1:48:32.880
<v Speaker 1>I'm all right, and then I'll go home and watch

1:48:32.960 --> 1:48:37.400
<v Speaker 1>it the next night or yeah, DVR or whatever. I'm like, Yo,

1:48:37.560 --> 1:48:41.519
<v Speaker 1>that was hilarious, And I'm realizing that shows SNL is

1:48:41.560 --> 1:48:44.160
<v Speaker 1>definitely more hilarious on television than it is.

1:48:44.640 --> 1:48:47.080
<v Speaker 7>Plus in the audience, you're sitting really far back, so

1:48:47.200 --> 1:48:49.640
<v Speaker 7>you can't see your face, your facial expressions and when

1:48:49.680 --> 1:48:50.320
<v Speaker 7>we can update.

1:48:50.360 --> 1:48:53.800
<v Speaker 6>Sometimes I didn't know it only went once. I'm sorry,

1:48:53.840 --> 1:48:54.040
<v Speaker 6>I'm not.

1:48:54.760 --> 1:48:56.960
<v Speaker 5>They have TVs where you can kind of see a

1:48:57.000 --> 1:48:59.479
<v Speaker 5>little bit better butt, but it is. It's true though,

1:48:59.520 --> 1:49:02.479
<v Speaker 5>sometimes even if you have the monitor, sometimes you're just

1:49:02.560 --> 1:49:05.040
<v Speaker 5>trying to watch it happen live and you can't really

1:49:05.080 --> 1:49:05.439
<v Speaker 5>get there.

1:49:05.680 --> 1:49:07.719
<v Speaker 6>If I watched the monitor sitting down.

1:49:08.800 --> 1:49:11.400
<v Speaker 8>Yeah that's true. But yeah, good point the whole I.

1:49:11.400 --> 1:49:13.759
<v Speaker 7>Feel the concert. Sometimes if you that far away, your

1:49:13.800 --> 1:49:15.120
<v Speaker 7>eye is always on a monitor.

1:49:15.240 --> 1:49:18.760
<v Speaker 5>What am I doing here about stories? That's why don't

1:49:18.800 --> 1:49:20.320
<v Speaker 5>like going to football games. I go to the football

1:49:20.320 --> 1:49:22.760
<v Speaker 5>game and I'm the Dumbo tron. I'm like, I could

1:49:22.840 --> 1:49:24.960
<v Speaker 5>just be comfortable. I don't have to be next to

1:49:25.040 --> 1:49:25.559
<v Speaker 5>two races.

1:49:27.680 --> 1:49:30.000
<v Speaker 8>I really done. I could do this at home now.

1:49:30.400 --> 1:49:33.120
<v Speaker 1>The fun, or at least for you, like the fun

1:49:33.200 --> 1:49:37.040
<v Speaker 1>of SNL, is just the experience of like the first

1:49:37.200 --> 1:49:40.200
<v Speaker 1>the first episode, in the last episode is usually when

1:49:40.240 --> 1:49:44.439
<v Speaker 1>the Benders part happens, like it's dress versal. What a

1:49:44.600 --> 1:49:49.400
<v Speaker 1>thirty ten thirty, and then the show is eleven thirty

1:49:49.439 --> 1:49:52.200
<v Speaker 1>to one, and usually the sad rejects go up to

1:49:52.240 --> 1:49:57.000
<v Speaker 1>seventeen and get sloshed until about one thirty and then

1:49:57.120 --> 1:50:00.679
<v Speaker 1>the after after parties from one thirty t about three

1:50:00.840 --> 1:50:01.679
<v Speaker 1>thirty or four.

1:50:02.160 --> 1:50:05.840
<v Speaker 5>That's another thing now that the Lonely Island is left,

1:50:06.880 --> 1:50:10.800
<v Speaker 5>like there's no one. They came and disrupted the after

1:50:10.920 --> 1:50:11.559
<v Speaker 5>party system.

1:50:12.200 --> 1:50:14.680
<v Speaker 1>Whereas they started throwing their own after parties, and then

1:50:14.720 --> 1:50:21.320
<v Speaker 1>there was like the cool kids'll call it, that's the

1:50:21.439 --> 1:50:25.160
<v Speaker 1>rap group name they you know, like when you see

1:50:25.240 --> 1:50:28.400
<v Speaker 1>like SNL comedy video diox, Like.

1:50:28.479 --> 1:50:30.439
<v Speaker 5>They really brought the viral video.

1:50:32.000 --> 1:50:35.679
<v Speaker 1>Damn, near invented it because Sunday was the viral video,

1:50:35.800 --> 1:50:37.320
<v Speaker 1>so they invented the viral video.

1:50:38.080 --> 1:50:40.639
<v Speaker 5>So but they would have their own cool.

1:50:40.479 --> 1:50:44.280
<v Speaker 1>Kids parties versus the teamsters and the other people that

1:50:44.400 --> 1:50:45.599
<v Speaker 1>can't play their games.

1:50:46.080 --> 1:50:48.280
<v Speaker 5>But then when they left, no one was feeling that void,

1:50:48.560 --> 1:50:54.400
<v Speaker 5>like you should be should it just be one party?

1:50:54.720 --> 1:50:56.920
<v Speaker 5>I feel like you and Pete, we need to throw

1:50:56.960 --> 1:51:00.639
<v Speaker 5>your own. Actually, your birthday party was lit. It was fun. Yeah,

1:51:00.880 --> 1:51:03.320
<v Speaker 5>but that was the last. That was the last party. Yeah, yeah,

1:51:03.360 --> 1:51:05.760
<v Speaker 5>we hung out, but I just don't I don't go.

1:51:06.080 --> 1:51:10.320
<v Speaker 5>I don't even go to the parties. You have responsibilities.

1:51:10.360 --> 1:51:13.080
<v Speaker 5>And it's not even so much that like you, it's

1:51:14.120 --> 1:51:19.160
<v Speaker 5>you're so exhausted after a show, like just mentally exhausted,

1:51:19.200 --> 1:51:21.760
<v Speaker 5>and then you're around all these mentally exhausted I don't

1:51:21.760 --> 1:51:24.120
<v Speaker 5>want to be around them, not even like at a

1:51:24.160 --> 1:51:24.640
<v Speaker 5>this but just.

1:51:24.680 --> 1:51:26.920
<v Speaker 8>Like everybody just wants to talk about the show.

1:51:27.240 --> 1:51:28.920
<v Speaker 5>It's like you've done this and you've been waiting for

1:51:28.960 --> 1:51:30.400
<v Speaker 5>so long for this ship to be over, and then

1:51:30.439 --> 1:51:32.240
<v Speaker 5>now somebody wants to talk to them about it, and

1:51:32.320 --> 1:51:34.960
<v Speaker 5>you're like, I want to go home and enjoy my Sunday.

1:51:35.080 --> 1:51:36.840
<v Speaker 5>I would say, so Sunday is that you're really your

1:51:36.880 --> 1:51:39.040
<v Speaker 5>only day to Sunday is your one day, and I

1:51:39.040 --> 1:51:41.400
<v Speaker 5>would you would lose your Sunday because Yo, when they

1:51:41.560 --> 1:51:43.560
<v Speaker 5>drink at the after after part, they drink to like

1:51:43.840 --> 1:51:51.200
<v Speaker 5>eight nine t morn. You might come home at one afternoon. Yeah,

1:51:51.560 --> 1:51:55.920
<v Speaker 5>it's literally all frigging So the Sunday you're just sleep

1:51:56.040 --> 1:51:58.040
<v Speaker 5>the entire day and then next thing, you know, your

1:51:58.080 --> 1:52:01.960
<v Speaker 5>Monday Monday. So you have time for I can well,

1:52:02.000 --> 1:52:05.720
<v Speaker 5>I mean everybody's got ten minutes. Wait, why would you wait?

1:52:06.280 --> 1:52:11.240
<v Speaker 5>Wait that was a great wait over fifteen minutes if

1:52:11.280 --> 1:52:15.479
<v Speaker 5>your mark literally the show on that note, Michael Jay,

1:52:15.560 --> 1:52:16.720
<v Speaker 5>I thank you very much.

1:52:18.720 --> 1:52:22.679
<v Speaker 1>Wait the fact I was really proud of the fact

1:52:23.080 --> 1:52:25.519
<v Speaker 1>that this was going to be an effect free show,

1:52:26.080 --> 1:52:26.960
<v Speaker 1>that Michael was going.

1:52:26.920 --> 1:52:28.400
<v Speaker 7>To be our I wanted to get to the bottom

1:52:28.439 --> 1:52:31.160
<v Speaker 7>of that, because you know, Michael j woe black man,

1:52:32.080 --> 1:52:33.800
<v Speaker 7>he's single, and you got to get to the.

1:52:33.800 --> 1:52:40.160
<v Speaker 5>Bottom of excuse me, mi one, nothing I am and

1:52:40.240 --> 1:52:44.040
<v Speaker 5>so are you. You're into that, right, Michael.

1:52:44.120 --> 1:52:46.479
<v Speaker 1>I thank you very much for coming to our show.

1:52:46.920 --> 1:52:49.479
<v Speaker 1>It's so much fun. Thank you, thank you, and good

1:52:49.760 --> 1:52:51.240
<v Speaker 1>good luck on your future endeavors.

1:52:51.280 --> 1:52:52.479
<v Speaker 6>And can you say I love black women.

1:52:52.520 --> 1:52:53.559
<v Speaker 5>I'm just love black women.

1:52:53.600 --> 1:52:56.599
<v Speaker 6>There we go, black listen.

1:52:56.680 --> 1:52:58.800
<v Speaker 5>I just wanted this is why you were talking to

1:52:59.120 --> 1:53:05.840
<v Speaker 5>anyway on be aut Sugar Steve Face. Hey Bill, I'm

1:53:06.000 --> 1:53:09.920
<v Speaker 5>very sorry the other Bill was up. All right, I'll

1:53:09.920 --> 1:53:15.280
<v Speaker 5>see you all in the next go around. M h

1:53:24.240 --> 1:53:24.559
<v Speaker 5>of course.

1:53:24.640 --> 1:53:28.559
<v Speaker 1>Love Supreme is a production of iHeartRadio. This classic episode

1:53:28.680 --> 1:53:35.960
<v Speaker 1>was produced by the team at Pandora. For more podcasts

1:53:36.000 --> 1:53:39.560
<v Speaker 1>from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

1:53:40.000 --> 1:53:41.679
<v Speaker 1>or wherever you listen to your favorite shows.