1 00:00:04,400 --> 00:00:06,200 Speaker 1: I am Buzznight, the host of the Take on a 2 00:00:06,200 --> 00:00:09,760 Speaker 1: Walk podcast, and welcome to another edition of This Week 3 00:00:10,000 --> 00:00:12,799 Speaker 1: in Music History. This is for the week of September 4 00:00:12,840 --> 00:00:17,160 Speaker 1: one to the seventh. I turned to my left. Wait 5 00:00:17,200 --> 00:00:20,279 Speaker 1: a minute, no, I turned to my right. No oh, 6 00:00:20,360 --> 00:00:23,360 Speaker 1: I steer straight ahead. There he is at the music 7 00:00:23,520 --> 00:00:26,000 Speaker 1: history desk, Harry Jacobs. 8 00:00:26,040 --> 00:00:28,960 Speaker 2: Hello, Harry, nice to see you again. It's like a 9 00:00:29,120 --> 00:00:32,440 Speaker 2: like a video. Hokey pokey. It is your left foot, 10 00:00:32,440 --> 00:00:34,440 Speaker 2: your left foot out. I don't think I hurt my 11 00:00:34,520 --> 00:00:39,240 Speaker 2: neck by doing that, thankfully. And one of our loyal 12 00:00:40,520 --> 00:00:46,360 Speaker 2: listeners to this, Justin of the infamous Cheese Shop and Conquered. 13 00:00:47,120 --> 00:00:49,360 Speaker 2: He said, maybe you can do a This Week in 14 00:00:49,479 --> 00:00:53,080 Speaker 2: Music History without something from the Beatles, But I don't 15 00:00:53,120 --> 00:00:55,720 Speaker 2: know if that's possible. But anyway, I think what you're 16 00:00:55,720 --> 00:00:57,280 Speaker 2: gonna do is you're gonna send me his address and 17 00:00:57,280 --> 00:00:59,040 Speaker 2: I'm gonna come out there when I come to Boston, 18 00:00:59,040 --> 00:01:01,800 Speaker 2: and Justin I chat and over a piece of cheese. 19 00:01:02,320 --> 00:01:03,320 Speaker 3: I think that would be good. 20 00:01:03,440 --> 00:01:06,080 Speaker 1: I actually think if I could talk him into being 21 00:01:06,120 --> 00:01:08,440 Speaker 1: a guest some time on it, it would be pretty amusing. 22 00:01:08,520 --> 00:01:10,560 Speaker 3: But anyway, all right, all. 23 00:01:10,560 --> 00:01:13,320 Speaker 2: Right, let's rock and roll September one through the seventh, 24 00:01:13,840 --> 00:01:17,520 Speaker 2: nineteen fifty three. On September one, Buddy Holly and Bob 25 00:01:17,560 --> 00:01:22,840 Speaker 2: Montgomery auditioned for KDAV Radio, landing a slot as the 26 00:01:22,920 --> 00:01:25,400 Speaker 2: Bob and Buddy Show. Did you know that Buddy was 27 00:01:26,120 --> 00:01:30,039 Speaker 2: a jock? I didn't know that at all at all. 28 00:01:29,680 --> 00:01:33,160 Speaker 2: That's what we call for those of you that are 29 00:01:33,200 --> 00:01:35,760 Speaker 2: non radio people, that the jock was short for a 30 00:01:35,800 --> 00:01:37,760 Speaker 2: disc jockey, so we would call him jock, like it 31 00:01:37,800 --> 00:01:39,960 Speaker 2: was a jock that's doing this shift, that shift or whatever. 32 00:01:40,240 --> 00:01:43,959 Speaker 3: Buddy Holly was a jock. Had no clue. I did 33 00:01:43,959 --> 00:01:44,480 Speaker 3: not know that. 34 00:01:45,760 --> 00:01:49,559 Speaker 2: Also on September first, nineteen fifty five, Alan Freed, another 35 00:01:49,680 --> 00:01:53,000 Speaker 2: famous DJ, well not and well, I don't think Buddy 36 00:01:53,040 --> 00:01:56,000 Speaker 2: was famous as a DJ, but DJ Allen Freed's first 37 00:01:56,040 --> 00:02:00,200 Speaker 2: anniversary rock and roll party kicked off in Brooklyn with 38 00:02:00,320 --> 00:02:04,480 Speaker 2: Chuck Berry and Tony Bennett. How about that for a bill, 39 00:02:04,960 --> 00:02:06,560 Speaker 2: Chuck Berry and Tony Bennett. 40 00:02:07,080 --> 00:02:09,600 Speaker 1: I didn't realize going back then that they even had 41 00:02:09,600 --> 00:02:12,640 Speaker 1: the strange bills because we would, you know, grow to 42 00:02:12,720 --> 00:02:18,400 Speaker 1: see that later on in years at you know, coliseums 43 00:02:18,400 --> 00:02:23,040 Speaker 1: and stuff that had strange ordered, you know, lineups. 44 00:02:23,080 --> 00:02:26,080 Speaker 3: But that's a crazy one. Yeah, that's that is a 45 00:02:26,120 --> 00:02:26,720 Speaker 3: crazy one. 46 00:02:27,000 --> 00:02:32,040 Speaker 2: September one, in nineteen fifty six, nineteen year old Jerry 47 00:02:32,120 --> 00:02:36,720 Speaker 2: Lee Lewis played for Sun Record Staff with some early demos, 48 00:02:37,280 --> 00:02:39,480 Speaker 2: and he set the stage for his rock and roll starting. 49 00:02:40,000 --> 00:02:48,120 Speaker 2: Jerry a fantastic musician entertainer. The moral compass was slightly 50 00:02:48,200 --> 00:02:55,120 Speaker 2: out of calibration. The killer, right, yeah, and the killer 51 00:02:55,400 --> 00:02:58,560 Speaker 2: who liked his women younger than they should have been, 52 00:02:58,600 --> 00:03:01,359 Speaker 2: and I think married his cousin if I'm correct. 53 00:03:02,040 --> 00:03:06,399 Speaker 1: I wonder if this partially why when I worked at 54 00:03:06,480 --> 00:03:11,000 Speaker 1: the w n W in the era that I did, 55 00:03:12,120 --> 00:03:14,480 Speaker 1: Dennis Elsis gave me the nickname. 56 00:03:16,040 --> 00:03:18,639 Speaker 3: Killer. It was Bob Killer Cossack. 57 00:03:19,240 --> 00:03:23,960 Speaker 1: And my mother, listening in Stanford, Connecticut, who knew I 58 00:03:24,000 --> 00:03:28,760 Speaker 1: had this other dual identity of buzz Night. She said 59 00:03:28,760 --> 00:03:32,679 Speaker 1: to me, I don't like that nickname the killer. You're 60 00:03:32,720 --> 00:03:33,320 Speaker 1: not a killer. 61 00:03:33,320 --> 00:03:33,480 Speaker 3: Now. 62 00:03:33,480 --> 00:03:35,880 Speaker 1: I wonder if she was associating it in the raw 63 00:03:36,000 --> 00:03:40,040 Speaker 1: sense of a killer, or she was not wanting me 64 00:03:40,120 --> 00:03:43,600 Speaker 1: affiliated with the image of a Jerry Lee Lewis. 65 00:03:44,880 --> 00:03:46,720 Speaker 2: Yeah, it's a good It's a fair question. I wonder 66 00:03:47,160 --> 00:03:49,680 Speaker 2: how she would answer that. I do have two questions, 67 00:03:49,680 --> 00:03:54,080 Speaker 2: so related to the Bob Killer Cossack name. Yes, is 68 00:03:54,080 --> 00:03:56,040 Speaker 2: this is this the first time you've spoken on a 69 00:03:56,040 --> 00:04:00,200 Speaker 2: broadcast about using a radio name that buzz Night is 70 00:04:00,240 --> 00:04:02,560 Speaker 2: a radio name, as we would say, I. 71 00:04:02,520 --> 00:04:04,160 Speaker 3: Don't believe it's the first time. No. 72 00:04:04,440 --> 00:04:08,720 Speaker 1: I think I shared this with my former boss and 73 00:04:08,760 --> 00:04:11,840 Speaker 1: friend Mark Chernoff, actually at a walk in Central Park, 74 00:04:11,880 --> 00:04:15,280 Speaker 1: because he is still to this day. If I call Mark, 75 00:04:15,800 --> 00:04:18,080 Speaker 1: he says, hey, what's going on, Bob? 76 00:04:19,320 --> 00:04:22,039 Speaker 2: Interesting? So that leads to my next question. You've known 77 00:04:22,200 --> 00:04:26,520 Speaker 2: Chernoff for a long time. At home, your lovely wife, 78 00:04:26,600 --> 00:04:30,520 Speaker 2: does she refer to you as Bob or buzz? You? 79 00:04:31,960 --> 00:04:37,160 Speaker 3: Hey? Hey? You you or that one blockhead? Right? 80 00:04:38,120 --> 00:04:39,560 Speaker 2: It's not an answer, Buss. What does she call you? 81 00:04:39,640 --> 00:04:41,920 Speaker 2: To call you Bob or Buss? It's no one thing. 82 00:04:42,160 --> 00:04:43,799 Speaker 2: It depends on the moment. 83 00:04:43,839 --> 00:04:48,200 Speaker 1: It depends which of the hairy eyeballs I deserve from her. 84 00:04:48,520 --> 00:04:49,919 Speaker 2: Well, that's what I was going to ask. That's the 85 00:04:49,920 --> 00:04:52,159 Speaker 2: next question is going to turn into therapi's like doctor Phil. 86 00:04:52,520 --> 00:04:55,680 Speaker 2: So if she's if she's, if she's passed, do you 87 00:04:55,760 --> 00:04:57,080 Speaker 2: get like Robert? 88 00:04:57,760 --> 00:05:01,800 Speaker 3: Do you get that, uh, it's happened? That was more 89 00:05:01,839 --> 00:05:02,559 Speaker 3: from my mom. 90 00:05:02,560 --> 00:05:05,919 Speaker 1: I don't want to get into weird you know, mother syndrome. 91 00:05:06,720 --> 00:05:10,279 Speaker 1: I'm going to conclude this episode quickly. 92 00:05:10,600 --> 00:05:12,799 Speaker 2: We're only on the first day, so I just didn't 93 00:05:12,920 --> 00:05:15,320 Speaker 2: I just didn't show it. But your wife will sometimes 94 00:05:15,320 --> 00:05:21,480 Speaker 2: call you Buzz or Bob, begrudgingly both. I've known you 95 00:05:21,520 --> 00:05:25,360 Speaker 2: since nineteen eighty six. I've never known anyone that called 96 00:05:25,360 --> 00:05:28,240 Speaker 2: you anything but Buzz, so hearing thinking about you as 97 00:05:28,320 --> 00:05:30,719 Speaker 2: Bob is foreign to me. 98 00:05:31,560 --> 00:05:34,760 Speaker 3: It's fortun to me too. Yeah, Hey, Justin from the 99 00:05:34,880 --> 00:05:35,480 Speaker 3: cheese shop. 100 00:05:36,040 --> 00:05:38,960 Speaker 2: Guess what happened on this day on September first in 101 00:05:39,080 --> 00:05:45,760 Speaker 2: nineteen sixty seven, my brother after Brian Epstein's death, the 102 00:05:45,839 --> 00:05:52,840 Speaker 2: manager Brian Epstein. This sparked Paul McCartney's idea for Magical 103 00:05:52,880 --> 00:05:55,159 Speaker 2: Mystery Tour two number two. 104 00:05:56,760 --> 00:05:58,880 Speaker 3: We could cut this out so Justin doesn't have to 105 00:05:58,920 --> 00:05:59,200 Speaker 3: hear that. 106 00:05:59,279 --> 00:06:02,039 Speaker 2: If you want to know, staying in and I like 107 00:06:02,160 --> 00:06:07,120 Speaker 2: Brie by the way. Nineteen seventy seven, despite internal tensions, 108 00:06:07,160 --> 00:06:10,480 Speaker 2: the Beach Boys performed a huge free concert at Central Park, 109 00:06:10,560 --> 00:06:11,440 Speaker 2: drawing over. 110 00:06:11,360 --> 00:06:12,800 Speaker 3: One hundred and fifty thousand people. 111 00:06:13,279 --> 00:06:14,640 Speaker 2: This would be the kind of thing if you were 112 00:06:14,680 --> 00:06:17,000 Speaker 2: to be sitting around, like if I told my mother 113 00:06:17,200 --> 00:06:19,520 Speaker 2: because she loves the Beach Boys. If I said, Mom, 114 00:06:20,000 --> 00:06:21,599 Speaker 2: you know, on this day in nineteen seventy seven, the 115 00:06:21,600 --> 00:06:23,360 Speaker 2: Beach Boys played a concert with over one hundred and 116 00:06:23,360 --> 00:06:26,560 Speaker 2: fifty thousand people, she would say, is that one of 117 00:06:26,560 --> 00:06:29,320 Speaker 2: the biggest Harry? Is that one of the biggest crowds ever? 118 00:06:29,960 --> 00:06:32,120 Speaker 2: I would say, no, Mom, it's not the biggest crowds ever. 119 00:06:32,200 --> 00:06:36,040 Speaker 2: Certainly not at Central Park either. They've had some doozies there. 120 00:06:36,720 --> 00:06:38,600 Speaker 2: They sure have good, good crowd. 121 00:06:38,839 --> 00:06:42,600 Speaker 3: Yeah, speaking a doozy, I gotta mention this. I don't 122 00:06:42,640 --> 00:06:43,479 Speaker 3: know if you heard about this. 123 00:06:44,000 --> 00:06:51,000 Speaker 1: They had a memorial ceremony for Brian Wilson recently, and 124 00:06:51,040 --> 00:06:53,479 Speaker 1: I don't know if you heard about the Mike Love 125 00:06:53,920 --> 00:06:56,400 Speaker 1: portion of that ceremony. 126 00:06:57,240 --> 00:06:59,760 Speaker 3: But Mike Love gets up. 127 00:06:59,680 --> 00:07:04,960 Speaker 1: There and instead of paying tribute to this is in 128 00:07:05,120 --> 00:07:11,080 Speaker 1: Rolling Stone, instead of paying tribute to Brian's legacy, he 129 00:07:11,200 --> 00:07:16,360 Speaker 1: spent the time basically justifying all of the songs that 130 00:07:16,840 --> 00:07:20,920 Speaker 1: he wrote that he says he did not get credit. 131 00:07:20,680 --> 00:07:27,600 Speaker 2: For anyone that I'm gonna you may get Mike Love 132 00:07:27,640 --> 00:07:28,640 Speaker 2: as a guest at some point. 133 00:07:29,480 --> 00:07:32,160 Speaker 1: I'm not sure about that, but you know, I guess 134 00:07:32,240 --> 00:07:35,280 Speaker 1: I guess I would take him on. But oh my god, 135 00:07:35,360 --> 00:07:37,680 Speaker 1: what an icky experience that must have been. 136 00:07:38,120 --> 00:07:40,240 Speaker 2: What, you know, what kind of what kind of person 137 00:07:40,320 --> 00:07:42,600 Speaker 2: you have to be to do that? Someone's funeral messed up? 138 00:07:43,040 --> 00:07:45,840 Speaker 2: The guy's gone, you know, and they had stuff. 139 00:07:45,960 --> 00:07:48,920 Speaker 1: There was legal stuff that had been going on, you know, 140 00:07:49,040 --> 00:07:51,440 Speaker 1: prior to Brian's death and everything like that. So this 141 00:07:51,600 --> 00:07:54,200 Speaker 1: wasn't something brand new, but the fact that he chose 142 00:07:54,240 --> 00:07:59,360 Speaker 1: to supposedly air it out at that event was kind 143 00:07:59,360 --> 00:08:01,160 Speaker 1: of like, you know, so you. 144 00:08:01,160 --> 00:08:02,760 Speaker 2: Don't think you're gonna end up with Mike Love at 145 00:08:02,760 --> 00:08:05,600 Speaker 2: any point in time, because I do have something to say, Yeah, 146 00:08:05,960 --> 00:08:08,400 Speaker 2: I don't, and I'll tell you why, because. 147 00:08:09,760 --> 00:08:13,880 Speaker 1: I turned him down many years ago when I had 148 00:08:13,880 --> 00:08:18,960 Speaker 1: my first interview ever that I did, which was with 149 00:08:19,560 --> 00:08:21,920 Speaker 1: I was given a choice. I was writing for a 150 00:08:22,000 --> 00:08:25,760 Speaker 1: local Dayton, Ohio music newspaper and it was a way 151 00:08:25,800 --> 00:08:28,320 Speaker 1: to get free tickets, and they said to me, Okay, 152 00:08:28,320 --> 00:08:29,960 Speaker 1: who do you want to go out and cover this 153 00:08:30,040 --> 00:08:35,000 Speaker 1: particular Saturday. You have two choices. One is you can 154 00:08:35,040 --> 00:08:38,040 Speaker 1: cover the Beach Boys and you can go interview Mike Love, 155 00:08:38,800 --> 00:08:42,280 Speaker 1: or you can go to see the great saxophone player 156 00:08:42,640 --> 00:08:47,720 Speaker 1: Dexter Gordon and interview him so I just said, please, 157 00:08:48,080 --> 00:08:52,120 Speaker 1: not even a question. I'm going to see Dexter. So 158 00:08:52,760 --> 00:08:55,080 Speaker 1: I kind of feel like, as fate would have it, 159 00:08:57,000 --> 00:08:59,440 Speaker 1: I'm not meant for him and he's not meant for me. 160 00:09:01,080 --> 00:09:04,160 Speaker 3: With that being said, the late Bob. 161 00:09:04,000 --> 00:09:05,920 Speaker 2: Rivers and I went to see the Beach Boys because 162 00:09:05,920 --> 00:09:08,440 Speaker 2: he has a friend that plays drums for the Beach Boys. 163 00:09:09,280 --> 00:09:10,640 Speaker 3: This guy's reminds me. 164 00:09:10,800 --> 00:09:15,200 Speaker 2: Of of Animal from the Muppets. He played the drums 165 00:09:15,320 --> 00:09:18,840 Speaker 2: basically standing up like he's on a high stool, and 166 00:09:18,880 --> 00:09:21,840 Speaker 2: he was making funny faces and he literally was a 167 00:09:21,920 --> 00:09:25,600 Speaker 2: just an animal. But I went with Bob Rivers, you know, 168 00:09:25,679 --> 00:09:29,560 Speaker 2: before he passed, and it was, you know, musically, it 169 00:09:29,600 --> 00:09:32,120 Speaker 2: was great and there were some amazing moments, but Mike, 170 00:09:32,320 --> 00:09:38,120 Speaker 2: it is time for Mike Love to retire. That it 171 00:09:38,200 --> 00:09:40,760 Speaker 2: was I love so much of their music and it 172 00:09:40,840 --> 00:09:42,520 Speaker 2: was wonderful to hear, but by the end of the. 173 00:09:42,559 --> 00:09:45,199 Speaker 3: Night it was bad. Time to go. 174 00:09:45,720 --> 00:09:48,559 Speaker 2: Yeah, listen, nineteen seventy nine, We're still on the first day, 175 00:09:48,640 --> 00:09:51,920 Speaker 2: nineteen seventy nine, September one. We're just blabbing like a 176 00:09:51,920 --> 00:09:56,679 Speaker 2: couple of flapp epotamuses. Nineteen seventy nine, Debbie Harry who 177 00:09:56,760 --> 00:09:59,599 Speaker 2: was not only a singer but an actress, signed with 178 00:09:59,760 --> 00:10:02,480 Speaker 2: Chris Records. That's that's what that album was with Heart 179 00:10:02,480 --> 00:10:05,120 Speaker 2: of Glass on it. That I remember that, the blue 180 00:10:05,160 --> 00:10:06,240 Speaker 2: and white label Christmas. 181 00:10:06,800 --> 00:10:07,240 Speaker 3: There you go. 182 00:10:07,360 --> 00:10:13,280 Speaker 2: And she just bought a home in Woodbury, Connecticut. Not Waterbury, 183 00:10:14,160 --> 00:10:17,360 Speaker 2: but Woodbury, Connecticut. You love telling that story. I know 184 00:10:17,520 --> 00:10:19,839 Speaker 2: I haven't told the story yet. I have not told 185 00:10:19,840 --> 00:10:21,080 Speaker 2: the story. Can I tell the story? 186 00:10:21,080 --> 00:10:23,520 Speaker 3: Do we have? I mean, we're just flapping our asses off. 187 00:10:23,720 --> 00:10:26,800 Speaker 3: Save Can I save it again? She'll come up? All right, 188 00:10:26,920 --> 00:10:30,960 Speaker 3: there'll be a reason, trust me. Remember the adage leave 189 00:10:31,000 --> 00:10:34,440 Speaker 3: them wanting more, Harry justin when I come for cheese. 190 00:10:34,480 --> 00:10:37,120 Speaker 2: I'm going to share the story between about Woodbury and 191 00:10:37,200 --> 00:10:39,400 Speaker 2: Waterbury with you and you'll get a giggle out of that. 192 00:10:39,440 --> 00:10:43,599 Speaker 2: September second, nineteen sixty five, James Brown, Booker T and 193 00:10:43,640 --> 00:10:46,920 Speaker 2: the MG's and the Kinks talk about a Crazy Bill 194 00:10:47,559 --> 00:10:51,680 Speaker 2: are on TV's Shindig with James Brown performing Papa's Got 195 00:10:51,720 --> 00:10:54,480 Speaker 2: a brand new bag, probably a pretty good one. 196 00:10:54,800 --> 00:10:56,360 Speaker 3: Love one. Uh. 197 00:10:56,880 --> 00:10:59,280 Speaker 2: You know, I don't get this information much And look, 198 00:10:59,480 --> 00:11:02,920 Speaker 2: I really I call the sources. I got a message 199 00:11:02,920 --> 00:11:06,200 Speaker 2: back from a bunch of different sources about September fourth. 200 00:11:07,160 --> 00:11:12,120 Speaker 2: The message is no major classic rock pop culture events 201 00:11:12,160 --> 00:11:14,960 Speaker 2: happened on September fourth, so we skip, we go to 202 00:11:15,000 --> 00:11:15,400 Speaker 2: the fifth. 203 00:11:15,559 --> 00:11:18,360 Speaker 3: Kind of daunting. Okay, it's very strange. I haven't and 204 00:11:18,520 --> 00:11:19,679 Speaker 3: we've been we started. 205 00:11:19,400 --> 00:11:23,000 Speaker 2: Doing this in November or something, almost a year, coming 206 00:11:23,040 --> 00:11:25,400 Speaker 2: up on a year. Yeah, I've never I've never gotten 207 00:11:25,679 --> 00:11:31,400 Speaker 2: a goose egg. September fifth, nineteen seventy. Janis Joplin reveals 208 00:11:31,400 --> 00:11:35,040 Speaker 2: me and Bobby McGhee during the final recording sessions that 209 00:11:35,120 --> 00:11:38,360 Speaker 2: she would had she ended up passing away a month after. 210 00:11:39,240 --> 00:11:42,840 Speaker 2: And you know what a song that is. And when 211 00:11:42,880 --> 00:11:45,160 Speaker 2: you when you hear a woman that has a raspy 212 00:11:45,240 --> 00:11:47,199 Speaker 2: voice belt that one out, I mean, no one does 213 00:11:47,200 --> 00:11:50,160 Speaker 2: it like Janis, but man, what a what a what 214 00:11:50,200 --> 00:11:51,320 Speaker 2: a great song that is? 215 00:11:51,559 --> 00:11:55,760 Speaker 3: The Christopherson versions not bad either, Yeah, that's right. 216 00:11:56,520 --> 00:11:59,960 Speaker 2: September sixth, nineteen sixty eight, or Clapton, Ginger Baker, Jack Bruce, 217 00:12:00,640 --> 00:12:04,040 Speaker 2: collectively known as Cream, launched their farewell tour in the US. 218 00:12:04,920 --> 00:12:08,360 Speaker 2: This was a you know, a big supergroup, you know 219 00:12:08,520 --> 00:12:11,560 Speaker 2: at the time, and I'm sure it was a. 220 00:12:13,400 --> 00:12:16,560 Speaker 3: Good show to see. You were too young to have 221 00:12:16,640 --> 00:12:17,080 Speaker 3: seen that. 222 00:12:17,440 --> 00:12:20,640 Speaker 1: Yeah, never, I mean loved their music from the beginning, 223 00:12:20,880 --> 00:12:23,480 Speaker 1: but never had a chance to see them. Only saw 224 00:12:23,559 --> 00:12:27,480 Speaker 1: Clapton a couple of times in the later years. 225 00:12:27,520 --> 00:12:33,040 Speaker 2: But yeah, last story for the week September seventh, nineteen 226 00:12:33,160 --> 00:12:33,880 Speaker 2: seventy eight. 227 00:12:34,360 --> 00:12:35,079 Speaker 3: If you choose to. 228 00:12:35,000 --> 00:12:37,480 Speaker 2: Not hear the Waterbury Woodbury story today. Last story for 229 00:12:37,520 --> 00:12:41,319 Speaker 2: the week September seventh, nineteen seventy eight. Keith Moon passed 230 00:12:41,320 --> 00:12:46,880 Speaker 2: away at thirty two in London. Thoughts on Keith Moon, 231 00:12:46,880 --> 00:12:49,720 Speaker 2: I got some thoughts I want to hear yours. First, Well, 232 00:12:49,960 --> 00:12:50,520 Speaker 2: I mean. 233 00:12:52,160 --> 00:12:55,480 Speaker 1: We were shocked when it happened, but then when you 234 00:12:55,559 --> 00:12:56,880 Speaker 1: really reflected in what you. 235 00:12:56,880 --> 00:13:01,240 Speaker 3: Knew about him and his lifestyle, yougo, I'm not that shocked. 236 00:13:01,840 --> 00:13:07,400 Speaker 1: Uh So there was that, and then the band in general, 237 00:13:07,559 --> 00:13:10,720 Speaker 1: and certainly Keith in particular. 238 00:13:11,440 --> 00:13:14,480 Speaker 3: I mean, were they not. 239 00:13:15,160 --> 00:13:20,120 Speaker 1: In the the in those times, the definition of debauchery 240 00:13:20,160 --> 00:13:20,880 Speaker 1: and rock and roll. 241 00:13:22,480 --> 00:13:25,600 Speaker 3: They they were the guys that destroyed the hotel rooms. 242 00:13:26,000 --> 00:13:26,840 Speaker 3: They were all of that. 243 00:13:27,000 --> 00:13:30,400 Speaker 2: Yeah, Saturday Night Live did a skit someone playing Keith 244 00:13:30,440 --> 00:13:33,880 Speaker 2: Moon kicking, you know, throwing TV's out the window and 245 00:13:34,320 --> 00:13:37,640 Speaker 2: acting like an It was him, right, he was the 246 00:13:37,679 --> 00:13:41,360 Speaker 2: Pete Townsend never really was crazy. Roger Delter never destroyed anything. 247 00:13:42,800 --> 00:13:43,320 Speaker 2: Keith Moon. 248 00:13:43,640 --> 00:13:44,560 Speaker 3: They were they had. 249 00:13:44,480 --> 00:13:48,600 Speaker 1: Their craziness the other boys, but but Keith was the 250 00:13:48,600 --> 00:13:51,679 Speaker 1: one who was the driver of craziness. 251 00:13:52,000 --> 00:13:58,800 Speaker 3: And so yeah, I remember, you know, the early deaths 252 00:13:58,840 --> 00:14:02,000 Speaker 3: in our life cycle, you know. 253 00:14:02,080 --> 00:14:06,520 Speaker 1: Of music figures are weird to reflect on now because 254 00:14:07,320 --> 00:14:10,960 Speaker 1: I think our memories change over time of their music 255 00:14:11,559 --> 00:14:14,440 Speaker 1: and also of their passing and the way that they passed, 256 00:14:14,520 --> 00:14:17,360 Speaker 1: you know. Yeah, and that one, I mean, that was 257 00:14:17,400 --> 00:14:20,600 Speaker 1: like that was a big, big moment, you know, in 258 00:14:21,360 --> 00:14:26,040 Speaker 1: history to you know, to witness his passing and you know, 259 00:14:26,640 --> 00:14:28,960 Speaker 1: in terms of the way you know, things were reported 260 00:14:29,040 --> 00:14:29,280 Speaker 1: like that. 261 00:14:29,360 --> 00:14:38,680 Speaker 2: Then I watched a Netflix so that was on Netflix about. 262 00:14:37,400 --> 00:14:41,320 Speaker 3: The making of one of their albums. I can't remember 263 00:14:41,360 --> 00:14:42,960 Speaker 3: what it was at. 264 00:14:42,800 --> 00:14:47,440 Speaker 2: This point, but Roger Dalter was sitting at the at 265 00:14:47,480 --> 00:14:51,640 Speaker 2: the desk, the mixer, and he was talking about how 266 00:14:51,720 --> 00:14:55,840 Speaker 2: Keith played, and he said, in the history of drummers, 267 00:14:56,680 --> 00:14:59,200 Speaker 2: I've never seen anyone or heard anyone that plays like him. 268 00:14:59,240 --> 00:15:03,760 Speaker 2: In particular, be because he played along with Roger Daltrey. 269 00:15:04,680 --> 00:15:09,640 Speaker 2: Instead of being a percussionist and being underneath him, he 270 00:15:09,720 --> 00:15:12,400 Speaker 2: literally played along. He said, listen to listen to me 271 00:15:12,480 --> 00:15:14,920 Speaker 2: sing he would just he isolated the tracks. 272 00:15:15,360 --> 00:15:17,680 Speaker 3: Oh wow, so it was just Roger and Keith. 273 00:15:18,280 --> 00:15:21,120 Speaker 2: And I thought, oh, and you know, I'm a little 274 00:15:21,160 --> 00:15:24,400 Speaker 2: bit of a musical guy. And I thought I never 275 00:15:24,440 --> 00:15:27,600 Speaker 2: even never even noticed that about Keith. But he played, 276 00:15:28,000 --> 00:15:29,400 Speaker 2: he played along with Roger. 277 00:15:29,720 --> 00:15:31,600 Speaker 3: Wow, that's pretty fascinating. 278 00:15:31,880 --> 00:15:34,840 Speaker 2: This day in nineteen seventy eight, September seventh, Keith Moon 279 00:15:35,320 --> 00:15:39,400 Speaker 2: passes away. And with that, I want to greet everybody 280 00:15:39,480 --> 00:15:42,520 Speaker 2: in Waterbury and Woodbury. Thank you for listening out there. 281 00:15:42,880 --> 00:15:44,920 Speaker 2: And that's this week in music history. I'll have a 282 00:15:44,960 --> 00:15:46,520 Speaker 2: story for all of you down the road. 283 00:15:47,200 --> 00:15:50,080 Speaker 1: I would say, a head spinning week in music history. 284 00:15:50,320 --> 00:15:51,240 Speaker 3: I need to recover. 285 00:15:51,840 --> 00:15:55,160 Speaker 1: But first of all, before I recover, I say thanks 286 00:15:55,160 --> 00:15:58,200 Speaker 1: to Harry Jacobs, and I say thank you for listening to. 287 00:15:58,320 --> 00:16:01,200 Speaker 3: Taking a Walk podcast. We are available wherever you get 288 00:16:01,240 --> 00:16:02,000 Speaker 3: your podcasts.