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Speaker 1: So I'm going past me, the binoculars, past me, the binoculars.

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Speaker 2: Come on, let me see, let me see, I need them.

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Speaker 1: And of course Shannon to saw Somemon is hogging the

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Speaker 1: binoculars and uh, and Peter Weller is also hogging the telescope.

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Speaker 2: Peter Weller.

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Speaker 1: Yeah, and it turned out to be a kaleidoscope actually,

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Speaker 1: when I finally got it out of him, so I

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Speaker 1: was like, no, wonder he thinks he's seeing so many

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Speaker 1: unique birds. But we're bird watching, and Shannon's going, it's

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Speaker 1: a yellow belly sapsucker. It's a yellowilly sapsucker. And I'm going,

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Speaker 1: I can hear it. It's a warbler.

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Speaker 2: So give me the binoculars and we'll really find out

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Speaker 2: what it is. Yeah, And finally.

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Speaker 1: I trick her because I have part of crona in

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Speaker 1: my backpack and I am able to waft the cronau

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Speaker 1: beneath her nose in such a way that she just

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Speaker 1: drops the binoculars and gloms onto that.

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Speaker 2: Yeah.

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Speaker 1: So then so then she's chomped onto the corona. I've

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Speaker 1: got the buy Knox which are around her neck, and

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Speaker 1: so I'm trying to be gentle so she doesn't feel

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Speaker 1: that I'm putting them on. And I put them on,

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Speaker 1: and what do you think I saw the I think

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Speaker 1: I saw the bird. What do you think I saw

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Speaker 1: the same bird when I looked? Yeah, the bird? Yeah

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Speaker 1: it was el Fanning. Yeah it wasn't birds. So this

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Speaker 1: is she just climbed a tree.

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Speaker 2: I know. So this is so that, like.

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Speaker 3: It's always when I'm going out to look at these

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Speaker 3: birds days ahead, I'll see l Uh and she'll kind

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Speaker 3: of know. She's like, oh, you're going out this weekend

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Speaker 3: and I'm like, yeah, like you want to come or whatever,

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Speaker 3: and she's like no, like I'm busy, and.

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Speaker 2: I'm busy, I probably will stay. I won't have time

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Speaker 2: to be out there. Yeah.

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Speaker 3: But then she's always like trailing us. And then she

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Speaker 3: goes and like sits in the tree and the bird

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Speaker 3: call to be the bird calls. She can do all

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Speaker 3: of it. Yeah, she can do treat you tweet? Yeah,

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Speaker 3: she was truly is she is the neon demon? Well

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Speaker 3: she is in real life. No, And That's what I've

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Speaker 3: learned the hard way. Hey, welcome to Hollywood. Got the

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Speaker 3: kicking butt and drop kicking butt drop names in the

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Speaker 3: right line back industry, we call show industry.

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Speaker 2: We call show.

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Speaker 3: We talk and talk about who do we want to

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Speaker 3: talk to, who we're going to be here, and who

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Speaker 3: are we going to see?

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Speaker 2: Who are we going to talk to?

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Speaker 3: Who do we want to hear their stories and talk.

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Speaker 2: About the work, and who can share? And who's about

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Speaker 2: the work, Because if you make it about the work,

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Speaker 2: it'll be about the work, And if you make it

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Speaker 2: about the bullshit, it'll be about the And who do

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Speaker 2: we say, Ryan and Ryan? Remember who we said? And

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Speaker 2: who do we say out loud in front of you?

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Speaker 2: Do you remember who we said? Uh?

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Speaker 3: Huh no, Ran, even if you even if you don't,

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Speaker 3: you don't remember here, you just say the name is here?

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Speaker 2: No, so Ryan, Brian, you must know the name of

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Speaker 2: the guest. Surely it's got to at least beyond It's

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Speaker 2: got to at least be on the calendar or something, right.

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Speaker 1: Ay, And we do always say that Genstatsky is about

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Speaker 1: the work.

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Speaker 2: Say hi, Jed, Hi, guys, Hey good, how are you

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Speaker 2: like something? Something?

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Speaker 1: A little vocal fry, a little vocal, little tough is

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Speaker 1: the first thing on Mike.

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Speaker 2: But that's you know, we made you wait, and there

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Speaker 2: was time for.

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Speaker 4: That to sort of generate I think Ryan sort of

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Speaker 4: there was some tension there and that was what was

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Speaker 4: coming up and now it's out.

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Speaker 2: And the physical embodiment of Ryan yeah mm hmm.

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Speaker 1: Yeah, when I have something caught in the back of

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Speaker 1: my throat, that's sort of that's Engineer Ryan to me.

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Speaker 3: And when we talk about Jen uh you you did?

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Speaker 2: You remember? You remember?

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Speaker 3: And in a way, it's all the reality show show

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Speaker 3: now sure, yeah, Society. Society is a reality show.

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Speaker 2: Mm hmmm. Yeah. If you think about it, that is true.

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Speaker 4: Show never ended in a way we all think.

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Speaker 3: I mean, we all live in one house. That's exactly

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Speaker 3: right to the world. We're all trying to marry the

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Speaker 3: same guy. If you think about what this is, Society

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Speaker 3: has become a reality show.

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Speaker 2: Well, you go on these dates and here I am

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Speaker 2: playing my role this season. I'm the bitch. Yeah you know.

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Speaker 1: And I hate to say it, but that's what's been

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Speaker 1: going on. Is this season I've sort of carved out,

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Speaker 1: you know, a way to get screen time, and that

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Speaker 1: way is I'm the bitch, yeah you know, And I

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Speaker 1: hate it, but at the same time, I'm addicted to

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Speaker 1: the attention.

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Speaker 2: That I get for it. Mm hmm.

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Speaker 1: And frankly, some of these girls need a little backhand

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Speaker 1: every now and then from the bitch in the house.

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Speaker 2: And that's me. I don't see you winning. Yes, well,

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Speaker 2: and that's true.

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Speaker 1: There's not really an endgame for me, and I don't

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Speaker 1: have much to do after this show and meeting this

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Speaker 1: recording of this.

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Speaker 2: Podcast, right, so it's gonna pretty much be it. I'm

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Speaker 2: hoping that there's sort of a Bachelor in Paradise Railroaders

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Speaker 2: Challenge kind of thing coming up where they can be

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Speaker 2: dancing with the stars, the sort of.

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Speaker 1: Splashy cast members and kind of put them into the right.

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Speaker 1: But even then, you're not gonna win. You're not gonna win,

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Speaker 1: you're just there for soundbites.

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Speaker 3: But when we think about Jen, we think about Jimmy,

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Speaker 3: and that's Jimmy's New York. It's always like, oh, like

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Speaker 3: what if you're in town, Well, like you could do

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Speaker 3: the show, blah blah.

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Speaker 2: It's like always so busy.

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Speaker 4: He's slammed, Yes, he's like absolutely slammed.

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Speaker 2: But you right for Jimmy fallon show. M hm, I I.

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Speaker 4: Wrote for it. I don't actually I haven't actually written there.

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Speaker 3: And see I have heard this that he has sort

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Speaker 3: of taken the reins, and so everyone else is just

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Speaker 3: kind of showing up and just like watching him.

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Speaker 1: Much of Jimmy on screen, Yes, that and the right

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Speaker 1: don't want you guys do the writing, but now it's

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Speaker 1: mostly Jimmy, who was just kind of.

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Speaker 2: You're an audience, Yes, yeah.

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Speaker 4: I mean I am an audience in the sense that

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Speaker 4: I haven't been employed by him, and in like half

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Speaker 4: a decade your friend.

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Speaker 1: More, it doesn't feel like being employed because you are working.

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Speaker 1: It feels like, oh is this my job? I feel

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Speaker 1: like I'm just hanging out with my friend and I'm

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Speaker 1: his audience.

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Speaker 4: Yeah, yeah, yeah, And then in like a real sense,

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Speaker 4: also not getting a paycheck because I don't work there.

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Speaker 1: Yeah, you would do it for free, And I always

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Speaker 1: say that about this show. Hey, I'd do it for nothing,

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Speaker 1: you know, and that's the best. If you can find

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Speaker 1: a job like that, you'll never work again in your life.

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Speaker 1: And as you've been saying, you're not working.

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Speaker 4: I mean I I guess I'm still part of the

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Speaker 4: the family, but I would I if he's in town,

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Speaker 4: I'll definitely tell him to come by.

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Speaker 2: Dude. So nice, dude, Yes, yes, that would be huge.

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Speaker 4: Are there are there like big, big pressing questions you guys,

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Speaker 4: you have for him or you just kind of want to.

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Speaker 3: Well, we can maybe get a lot of it from

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Speaker 3: you because what we this is what we sort of want. Yeah,

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Speaker 3: the day to day at the Fallon show.

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Speaker 2: Mm hmmmm, walk me through. You wake up? Yeah, you

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Speaker 2: wake up? What time is it for am? Uh?

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Speaker 4: It's it's different every day. One day might be four am.

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Speaker 4: One day you might just not wake up.

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Speaker 2: One day you are maybe sick. And where is this

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Speaker 2: you wake up? Where is this Dumbo?

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Speaker 3: Uh?

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Speaker 4: Yeah, Dumbo usually like near the bridge, near the bridge. Yeah, yeah,

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Speaker 4: near the bridge. But you also you might wake up top.

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Speaker 2: Of the rock.

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Speaker 3: Okay, that's that's New York. Sometimes you find yourself waking

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Speaker 3: up at the top.

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Speaker 2: Of the rock.

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Speaker 4: Yeah.

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Speaker 1: Yeah, That's what's so crazy about New York is that

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Speaker 1: you might be on top of the rock, but you

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Speaker 1: might be in Dumbo right near the bridge, right and

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Speaker 1: then you got to jump on your city bike.

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Speaker 2: Do you physically Yeah.

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Speaker 4: Physically you might be top of the rock, but mentally

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Speaker 4: you might be under the bridge, you know what I mean?

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Speaker 3: And is there like a workout regimen before you go

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Speaker 3: to where I know that Jimmy, you know, likes everyone

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Speaker 3: to kind of keep it, keep it, keep.

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Speaker 2: It tight, keep it, keep it tight, keep it tight.

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Speaker 4: It actually says that when you walk in.

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Speaker 3: Yeah, as it says, keep it tight.

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Speaker 4: Okay, and that's jokes, but it's also.

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Speaker 2: Bob, keep the jokes tight, keep it keep it thank

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Speaker 2: you tight tight type. Bod's right, tight jokes.

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Speaker 4: Yeah.

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Speaker 2: And so what is their handball courts there and Dumbo.

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Speaker 4: Yeah, I'd usually start up on the handball court ten

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Speaker 4: twenty minutes. Yeah, just by myself.

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Speaker 2: I've seen it.

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Speaker 3: So I used to race walk by there sometimes and

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Speaker 3: I would see you. So they they do like you

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Speaker 3: would do, the equivalent of those guys playing chess in

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Speaker 3: the park who are playing a bunch of different games

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Speaker 3: at once.

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Speaker 4: Right, People just cycling through with handball, Yes, just running

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Speaker 4: between the games. Yes, people just coming through, and there

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Speaker 4: would sometimes a line would form, depending on the time

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Speaker 4: of day. Yeah, I'm kind of holding court. Yeah, but

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Speaker 4: I am holding the court.

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Speaker 2: And way to say it.

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Speaker 1: You know, I was sometimes involved in something like that

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Speaker 1: and people would accuse me of ruining the games that

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Speaker 1: they would sort of feel like I was just running

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Speaker 1: into the middle of a functioning game, and you were

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Speaker 1: sort of catching the ball. Catch the ball, yeah, which

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Speaker 1: is a move that I guess a lot of people

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Speaker 1: can't do because it's so effective in handball to just

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Speaker 1: catch it and then you have full control and yeah.

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Speaker 1: And so I didn't get the audience necessarily that you did.

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Speaker 1: And I don't know what it is if you just

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Speaker 1: have that thing that spark that makes people want to

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Speaker 1: watch rather than want to chase or uch.

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Speaker 2: Yeah, Yeah, it was disruptive.

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Speaker 4: Yeah when you did it, Yes, because it would it

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Speaker 4: would end the game.

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Speaker 3: I remember you being mad because because he's so good

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Speaker 3: at juking, people would try to come after him and

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Speaker 3: you would juke them out.

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Speaker 2: Oh yeah, I juke him straight out of their sweats.

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Speaker 2: Mm hmmmm hmm.

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Speaker 4: I heard that when you would do that and grab

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Speaker 4: the ball, and when you would run away, you would

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Speaker 4: run like for miles just to make sure you were.

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Speaker 3: Yeah, or right into the ocean because the water is

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Speaker 3: right there.

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Speaker 2: Mm hmmm.

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Speaker 3: So sometimes he's like been spinning around so much while

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Speaker 3: he's juking people out that sometimes he will get dizzy

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Speaker 3: and run right into.

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Speaker 2: The Yeah goes operations, splashdown.

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Speaker 3: If he's facing the road, then you would run for

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Speaker 3: miles with the ball.

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Speaker 2: Oh yeah, mm hmm.

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Speaker 1: And and a lot of times too, I'll just grab

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Speaker 1: onto the bumper of like a passing like meat truck

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Speaker 1: or whatever, and then I just lean back on those heelies, right.

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Speaker 4: You always wore heelings.

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Speaker 2: That was bye bye, haters. I hit a red light

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Speaker 2: and the.

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Speaker 4: Kind of a checkmate sitch when you have heali's.

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Speaker 2: Oh yeah, yeah. I mean, look, I could talk about

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Speaker 2: this handball courts all day. I can talk about the.

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Speaker 3: Time I ran into the ocean and freaking uh was

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Speaker 3: spinning around so much that I uh.

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Speaker 2: Create a big whirlpool, sucked up a whole boat, you

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Speaker 2: know what I mean, a whole boat. Yeah, And then I.

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Speaker 1: Know I got more people mad at me, the captain, right,

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Speaker 1: look at me, I'm the captain.

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Speaker 2: Now remember that.

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Speaker 1: But when you're done working out and you're feeling fit

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Speaker 1: and you're feeling sweaty, yeah, now it's time to finally

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Speaker 1: go have your morning meeting with Jimmy, isn't it.

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Speaker 4: Yeah yeah, no shower, no shower right in there.

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Speaker 2: Jimmy wants to feel the city, he wants to smell

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Speaker 2: the city. He doesn't want you cleaned off he wants

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Speaker 2: the freaking real raw you know, New York.

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Speaker 1: Stuffed in his nose. Yeah, so probably what are we doing.

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Speaker 1: We're reading a newspaper. Something I wonder when you walk

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Speaker 1: in the room.

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Speaker 3: Jimmy first to get their last to leave every day,

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Speaker 3: every day first every day you you couldn't you could

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Speaker 3: try to get there before him.

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Speaker 4: He couldn't do it. Yeah, always there, Wow, last to leave.

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Speaker 2: And he's reading the newspaper.

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Speaker 4: Yeah, he's he's when you walk in, he has just

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Speaker 4: a stack of.

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Speaker 1: News, every news, and he's just riffing right and he

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Speaker 1: just grabs. He just goes like here's a headline.

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Speaker 2: Yeah, boom, and then he comes up like four games

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Speaker 2: you could play off that headline.

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Speaker 4: It's amazing.

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Speaker 1: He goes, he goes, oh, Trump's new tax plan to

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Speaker 1: go through. Hey, got your nose.

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Speaker 2: And then he's just doing that ship and he's able

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Speaker 2: to just come up with it all the time.

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Speaker 4: It's it's again and like the fitness thing, it is

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Speaker 4: like it's it's like a muscle that he has just

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Speaker 4: worked so much that it's like it's instant for him

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Speaker 4: in a way that it's it's hard to work there

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Speaker 4: because you're in awe, You're just like, oh my god.

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Speaker 2: Every once in a while you remember like, oh wait,

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Speaker 2: I think I'm supposed to be talking. Yeah, right exactly,

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Speaker 2: just witnessing. Yeah, it's like, oh, reality check.

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Speaker 4: I'm here, I'm doing this. I'm in thirty Rock, I'm

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Speaker 4: sweaty from my handball game. This morning. I'm listening to

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Speaker 4: Jimmy Fallon riff off of just anything.

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Speaker 2: Yeah, USA Today, He's got something in USA today.

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Speaker 4: USA. He actually USA Today kind of was that was

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Speaker 4: kind of our gold standard. If he felt like there

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Speaker 4: wasn't a lot happening that morning.

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Speaker 2: It was like, well, we haven't.

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Speaker 4: We haven't gone to the USA today.

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Speaker 3: He'll do this, I'll go Justice League disappoints at the

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Speaker 3: box office.

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Speaker 2: Hey, does it look like my thumb's coming off. It's

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Speaker 2: just I'm just doing it's both hands. Yeah. Yeah.

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Speaker 1: But he's able to do He's able to just instantly

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Speaker 1: generate that stuff. And I wrote, I mean I wrote

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Speaker 1: for a show that Adam Pally was on, So you know,

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Speaker 1: on a level, I do.

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Speaker 2: Have the same thing where you get yeah.

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Speaker 1: Yeah, I'm going, oh wait a minute, I think I'm

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Speaker 1: supposed to be like they're actually paying me to be here.

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Speaker 2: I shouldn't just necessarily be watching this guy.

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Speaker 4: But it's hard not to feel like you're just the

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Speaker 4: audience because you're like, what an amazing show, What an

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Speaker 4: amazing show.

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Speaker 2: Yeah, I forget that the TV screen's not there. Yeah,

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Speaker 2: you know what I mean.

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Speaker 1: And I'd sometimes bump into him or step on his shoes,

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Speaker 1: you know, which he's like really into his shoes.

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Speaker 2: Right, Yeah, was that like a problem, It was an issue? Yeah,

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Speaker 2: Well show's not on anymore, so you know what happened there? Right,

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Speaker 2: he was too mad?

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Speaker 3: This is I mean, I feel like I'm hearing you

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Speaker 3: guys talk about Thomas Hayden Church on divorce.

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Speaker 2: That was my my saying, Yes, I was wondering if

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Speaker 2: you were going to bring up time.

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Speaker 4: I didn't want to ask, but I yeah, this morning,

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Speaker 4: driving over, I was like, I won't do it on

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Speaker 4: the show.

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Speaker 2: Yeah. That's that's one kind of THC that I'm not

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Speaker 2: sure it should be legal.

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Speaker 3: Well, it's because it's funny when you just the show.

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Speaker 3: What you what you see on the show is never

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Speaker 3: like the best stuff that he was doing. Because we

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Speaker 3: wanted that for ourself, you know what I mean, selfishly.

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Speaker 2: That was that was just for us. Yeah, would that happen?

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Speaker 2: Unfound at all? That the best?

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Speaker 4: Yeah, a lot a lot of like amazing like incisive

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Speaker 4: political just amazing points. Cutting room floor just never aired. Yeah,

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Speaker 4: strong takes strong opinions on political stuff. What's happening?

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Speaker 2: Yeah, yikes.

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Speaker 3: Yeah, because you were protecting him.

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Speaker 2: Yeah, I felt.

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Speaker 4: Like as a writer, in a way, you're more security. Yeah,

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Speaker 4: you're protecting him, You're protecting the image, you're protecting the brand.

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Speaker 1: I always felt like I was really working for the

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Speaker 1: Secret Service more than having a comedy job where I

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Speaker 1: was there to sort of jump in front of a

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Speaker 1: bullet for Pally, like if he would have like just

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Speaker 1: an insane hot take, you know exactly.

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Speaker 4: And the code names like you know, ship brains, that's

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Speaker 4: very secret Service.

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Speaker 1: Yeah, ship brains, Yeah, fucking uh uh, powder king.

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Speaker 2: Anything any know.

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Speaker 4: Yeah, So.

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Speaker 3: What was in the morning met What what was in

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Speaker 3: the breakfast buffect?

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Speaker 4: Oh my god, I'm the breakfast buffet. It was a

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Speaker 4: lot of It was a lot of like mixed nuts.

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Speaker 3: Breakfast nuts, breakfast nuts, and like a big chafing a

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Speaker 3: big chafing dish of.

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Speaker 4: Nuts, just kind of a big bowl, just kind of

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Speaker 4: fish around some.

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Speaker 2: Of the toes. That's the thing.

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Speaker 3: The tongs only get one, yeah, sometimes like two.

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Speaker 4: So it was like, don't do it, wouldn't it would

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Speaker 4: when a new guy would come in and use the tongs.

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Speaker 2: Ye use your hands, so talk to me. It's a

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Speaker 2: cash you nut.

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Speaker 4: Yeah, it's a cash youw nutstatia because because Jimmy is

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Speaker 4: a big he's a big walnut guy.

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Speaker 2: So you didn't you wouldn't take the walnuts touch.

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Speaker 4: Touch Daddy's walnuts.

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Speaker 1: It's kind of yeah, and that kind of makes me think,

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Speaker 1: like is that where the comedy juice lives?

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Speaker 2: Should I'd eat more walnuts? Yeah, Adam, I never saw eat.

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Speaker 2: Wasn't hungry really yeah, lawn shooting days no food, wow

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Speaker 2: up all night, tons of energy but no food. So

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Speaker 2: I don't know what it was, but that's genius. You know.

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Speaker 2: Sometimes you just meet somebody who has that motor.

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Speaker 4: Everyone has a different a different path, a different system

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Speaker 4: for Jimmy.

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Speaker 2: A different thing that drives them.

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Speaker 4: It was hundreds of walnuts, hundreds of.

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Speaker 2: One, hundreds upon hundred.

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Speaker 1: It's a wallnuts, yeah, which freeze you up and you done, pistachio,

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Speaker 1: that's all yours, you know what I mean? In a

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Speaker 1: brazil nut that's yours.

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Speaker 3: In a bowl or loose on a plate or like

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Speaker 3: in a glass.

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Speaker 4: They were all in kind of like a giant.

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Speaker 2: Bowl, a big bowl, A big.

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Speaker 4: A huge bowl, huge bowl, and then you would kind

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Speaker 4: of just fish around with your bare hands whatever you wanted.

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Speaker 3: Oh, I meant Jimmy's personal Oh, Jimmy, Jimmy's personal nuts.

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Speaker 4: Jimmy's personal nuts he would have, he would have in

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Speaker 4: kind of like a yogurt parfe cup.

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Speaker 1: Oh okay, uh now, hey, so I'm working on something,

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Speaker 1: and you're so good at these. But so we're sort

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Speaker 1: of in competition with Comedy Bang Bang, which is a

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Speaker 1: podcast that used to be more popular than us. Now

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Speaker 1: I think we're a little bit more popular, but it's

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Speaker 1: hard to tell.

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Speaker 2: And they do a lot of work. What day is it?

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00:18:54,920 --> 00:18:56,040
Speaker 1: They do a lot of word play things, and I'm

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Speaker 1: realizing that macadamia and academia rhyme.

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Speaker 2: I saw play thing we can do, you know what

393
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Speaker 2: I mean? And especially and I'm not really good at them.

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Speaker 1: I can sometimes identify the area, but like I'm not

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Speaker 1: able to you can identify the I've found a rhyme,

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Speaker 1: but I don't know what to do with it, you

397
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Speaker 1: know what I mean. Uh, I'm just freaking you know.

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Speaker 2: It's like a dog with a deck of cards. It's

399
00:19:27,160 --> 00:19:28,920
Speaker 2: like what like, well, you know Scott.

400
00:19:29,119 --> 00:19:32,960
Speaker 3: What Scott buys Scott now is so out of ideas.

401
00:19:33,000 --> 00:19:35,560
Speaker 2: He is purchasing for a word for word jokes.

402
00:19:35,680 --> 00:19:39,280
Speaker 3: Yes, okay, because he's able to do these seemingly on

403
00:19:39,320 --> 00:19:40,760
Speaker 3: the show, do these word jokes?

404
00:19:40,800 --> 00:19:44,600
Speaker 2: No, you fax him in? Okay, So I should just

405
00:19:44,640 --> 00:19:45,639
Speaker 2: fax in that rhyme.

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00:19:45,760 --> 00:19:48,720
Speaker 3: Yeah, we move off the topic, but I will say

407
00:19:48,760 --> 00:19:51,320
Speaker 3: you have to check and make sure, because what will

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00:19:51,320 --> 00:19:53,280
Speaker 3: happen is you'll fax it in and then he will

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00:19:53,359 --> 00:19:56,880
Speaker 3: use it without ever mentioning to you that he that

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Speaker 3: he took the rhyme.

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Speaker 2: You have to listen.

412
00:19:59,440 --> 00:20:03,119
Speaker 3: They notice that you use the rhyme, and then he's like,

413
00:20:03,160 --> 00:20:04,679
Speaker 3: oh yeah, I think I thought of that myself. And

414
00:20:04,720 --> 00:20:06,840
Speaker 3: then you have to like go down the road of

415
00:20:07,080 --> 00:20:11,040
Speaker 3: like keep a copy on your end, mail it to

416
00:20:11,080 --> 00:20:15,320
Speaker 3: yourself because like he because he's not gonna like admit

417
00:20:15,440 --> 00:20:19,000
Speaker 3: that that it was your idea at first, okay, but

418
00:20:19,040 --> 00:20:21,159
Speaker 3: then eventually he will give up.

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Speaker 1: Yeah, it's a process, right, he gets lazy and he

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00:20:23,960 --> 00:20:27,440
Speaker 1: gives up. I have that kind of time so I

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Speaker 1: have noticed obviously I'm a fan of your tweets and

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00:20:30,320 --> 00:20:33,800
Speaker 1: I'm following your tweets, and a lot of times you

423
00:20:33,840 --> 00:20:38,520
Speaker 1: will talk about working at Jimmy Fallon and say that

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00:20:38,680 --> 00:20:41,560
Speaker 1: it is the good place to work.

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Speaker 2: Yeah, yeah, I will.

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Speaker 4: It's to me, it's heaven. To me, it is like

427
00:20:47,800 --> 00:20:48,240
Speaker 4: it's heaven.

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00:20:48,520 --> 00:20:49,440
Speaker 2: That is the good place.

429
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Speaker 4: That's the good place. I can't imagine anything better.

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Speaker 2: Yeah.

431
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Speaker 1: Yeah, So I was wondering this too because a lot

432
00:20:58,200 --> 00:21:01,040
Speaker 1: of people seem to love working it Allen, because they

433
00:21:01,040 --> 00:21:04,520
Speaker 1: are all saying, hey, the good place.

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00:21:06,240 --> 00:21:10,920
Speaker 2: Yeah, well, it's confusing to me have come around. We're

435
00:21:11,040 --> 00:21:15,480
Speaker 2: not talking about Fallin for so long and under the radar.

436
00:21:15,520 --> 00:21:18,040
Speaker 2: He was just mine right right right, But now the

437
00:21:18,200 --> 00:21:20,520
Speaker 2: year end lists, everybody's going like, hey man, the good

438
00:21:20,760 --> 00:21:23,080
Speaker 2: Place is doing the most innovative it was.

439
00:21:23,200 --> 00:21:24,960
Speaker 4: It was cool because I felt like I kind of

440
00:21:25,080 --> 00:21:26,919
Speaker 4: used it in a tweet and then it kind of

441
00:21:27,000 --> 00:21:30,639
Speaker 4: caught on that yeah, okay place, and I don't I

442
00:21:30,640 --> 00:21:32,879
Speaker 4: don't mean to like take credit for that, but that

443
00:21:33,080 --> 00:21:35,440
Speaker 4: was something that I felt I kind of.

444
00:21:35,359 --> 00:21:38,720
Speaker 2: Started so dope, so tight, so quick. Yeah yeah that's cool,

445
00:21:38,800 --> 00:21:43,520
Speaker 2: cool cool, So but I sort of skipped some steps there.

446
00:21:43,560 --> 00:21:46,600
Speaker 2: Like let's talk about So he's eating all the breakfast,

447
00:21:46,760 --> 00:21:50,760
Speaker 2: he's frigging doing the newspaper and he's reading whatever the

448
00:21:50,800 --> 00:21:55,280
Speaker 2: headline is and he's going, uh okay, uh Trump, you know,

449
00:21:55,440 --> 00:21:58,040
Speaker 2: invades Korea. And then he goes like check out the

450
00:21:58,040 --> 00:22:00,159
Speaker 2: freaking cup and ball and he's throwing.

451
00:22:00,280 --> 00:22:05,360
Speaker 4: Well it's it's yeah, it's amazing because it's like when

452
00:22:05,400 --> 00:22:08,639
Speaker 4: you think he's gonna you know, he zigs, he farts,

453
00:22:08,880 --> 00:22:09,600
Speaker 4: you know, yeah.

454
00:22:09,440 --> 00:22:11,840
Speaker 1: You think he's gonna sig, but then he's frigging got

455
00:22:11,880 --> 00:22:14,720
Speaker 1: like a skippet or something on his ankle and jumping over.

456
00:22:14,840 --> 00:22:16,560
Speaker 2: It's like, I want to feel old, remember this?

457
00:22:16,920 --> 00:22:22,600
Speaker 3: Oh yeah, I want to feel old, right, And so

458
00:22:22,680 --> 00:22:23,639
Speaker 3: he's farting a lot.

459
00:22:24,480 --> 00:22:26,960
Speaker 4: Yeah, but again that's a lot. That's like you were

460
00:22:27,000 --> 00:22:30,359
Speaker 4: saying with Thomas, that's like we save that for us.

461
00:22:30,440 --> 00:22:31,879
Speaker 2: Which I do feel bad about.

462
00:22:32,000 --> 00:22:35,359
Speaker 4: I feel like selfish, but you kind of want it

463
00:22:35,400 --> 00:22:35,840
Speaker 4: for yourself.

464
00:22:35,880 --> 00:22:37,160
Speaker 2: You're cutting those out of the show.

465
00:22:37,240 --> 00:22:39,480
Speaker 4: You're cutting them out of the show. You're cutting hundreds

466
00:22:39,520 --> 00:22:40,480
Speaker 4: of them out of the Wow.

467
00:22:40,560 --> 00:22:44,200
Speaker 3: Okay, yeah, so we're still in the.

468
00:22:44,200 --> 00:22:47,840
Speaker 4: Room, still in the room, stacking newspapers, a bunch of

469
00:22:47,880 --> 00:22:50,720
Speaker 4: walnuts and you're just kind of you kind of just

470
00:22:50,840 --> 00:22:55,800
Speaker 4: let him lead. Yeah, it's it's like an orchestra conductor, okay,

471
00:22:56,040 --> 00:22:58,560
Speaker 4: and you're letting him lead, You're following his lead, You're

472
00:22:58,640 --> 00:23:04,640
Speaker 4: you're listening to him read cover to cover the entire newspaper, advertisements,

473
00:23:04,640 --> 00:23:09,400
Speaker 4: classify its everything. WHOA yeah, because you don't know where

474
00:23:09,440 --> 00:23:10,320
Speaker 4: the joke is.

475
00:23:10,720 --> 00:23:14,680
Speaker 3: Correct me if this is just what I've heard that

476
00:23:15,000 --> 00:23:19,040
Speaker 3: often in the morning, you'll be working for like an

477
00:23:19,040 --> 00:23:20,800
Speaker 3: hour or two and then Jimmy will just be like,

478
00:23:20,840 --> 00:23:23,000
Speaker 3: you know what, let's get out in like the world.

479
00:23:24,280 --> 00:23:27,560
Speaker 4: You know, he's big on like we Hey, we live

480
00:23:27,600 --> 00:23:30,359
Speaker 4: in the biggest adult playground in the world, New York City,

481
00:23:30,600 --> 00:23:33,680
Speaker 4: And so he's like, why are we Comedy is fun,

482
00:23:33,760 --> 00:23:36,520
Speaker 4: comedy is play? Why are we inside? Why am i?

483
00:23:36,680 --> 00:23:37,760
Speaker 4: Why am I at a desk?

484
00:23:37,960 --> 00:23:41,679
Speaker 1: Well, and these comedy writers, it's like everybody's writing the

485
00:23:41,720 --> 00:23:44,800
Speaker 1: same shit, and it's all these shows about being a

486
00:23:44,840 --> 00:23:47,480
Speaker 1: comedian or being a comedy writer, and it's like, hey,

487
00:23:47,560 --> 00:23:51,600
Speaker 1: go to the fucking zoom Man. Yes, Like Jimmy's like, hey,

488
00:23:51,840 --> 00:23:54,560
Speaker 1: let's get our ass down to the Bronx fucking zoo.

489
00:23:54,880 --> 00:23:57,720
Speaker 1: You know, because like you said, when you're reading the newspaper,

490
00:23:57,800 --> 00:23:59,359
Speaker 1: you don't know where the joke is.

491
00:23:59,600 --> 00:24:02,320
Speaker 2: Exactly half these shows I watch on TV, I don't

492
00:24:02,320 --> 00:24:05,720
Speaker 2: know where the joke is. I don't know where the

493
00:24:05,840 --> 00:24:08,880
Speaker 2: joke is. I can't figure out what makes it a comedy.

494
00:24:09,400 --> 00:24:09,639
Speaker 2: You know.

495
00:24:09,760 --> 00:24:12,359
Speaker 4: With half this ship I watch so's, it's a lot

496
00:24:12,359 --> 00:24:14,000
Speaker 4: of let's get out, let's do something.

497
00:24:14,920 --> 00:24:18,520
Speaker 3: You guys going down in the subway with you guys

498
00:24:18,600 --> 00:24:20,280
Speaker 3: have that one rope that's like tied.

499
00:24:20,400 --> 00:24:22,520
Speaker 4: Yeah, we all one hand on the rope, so you

500
00:24:22,520 --> 00:24:25,080
Speaker 4: don't lose anybody. Yeah, and then it would be like,

501
00:24:25,160 --> 00:24:27,160
Speaker 4: let's do it. Let's get on the Staten Island ferry.

502
00:24:27,240 --> 00:24:29,560
Speaker 4: Let's go, let's take a trip. And you sometimes you

503
00:24:29,640 --> 00:24:31,720
Speaker 4: go nothing, there's no joke there.

504
00:24:31,880 --> 00:24:33,960
Speaker 2: You just turn back, go to Ellis Island or whatever,

505
00:24:34,800 --> 00:24:39,480
Speaker 2: like I'm bommed. Yeah, it's sad happened. The weather sucks.

506
00:24:39,920 --> 00:24:44,840
Speaker 2: It's very bad. Statue is too big, like that lady

507
00:24:45,160 --> 00:24:48,040
Speaker 2: like the only thing because I did at one point

508
00:24:48,080 --> 00:24:50,920
Speaker 2: go oh, I feel bad for his lay. Huge. Yeah,

509
00:24:50,960 --> 00:24:52,080
Speaker 2: how she gonna use a toilet?

510
00:24:53,200 --> 00:24:53,680
Speaker 3: You know what I mean?

511
00:24:53,720 --> 00:24:55,720
Speaker 2: Like what you gonna do? Then I realized, I guess

512
00:24:55,720 --> 00:24:58,439
Speaker 2: she's right near the water, just sit in the ocean

513
00:24:58,480 --> 00:24:59,560
Speaker 2: and do it right.

514
00:25:01,680 --> 00:25:04,880
Speaker 4: The body image thing is hard. Speaking as a one.

515
00:25:04,760 --> 00:25:07,720
Speaker 1: Well, she wears this really loose fitting robe, and you

516
00:25:07,760 --> 00:25:11,360
Speaker 1: know that she's self conscious. She can't wear anything tight because,

517
00:25:11,600 --> 00:25:14,000
Speaker 1: let's face it, she's not in the best of shape.

518
00:25:14,000 --> 00:25:15,879
Speaker 2: And I wish she'd work for Foul because he's going

519
00:25:15,960 --> 00:25:18,480
Speaker 2: to have you keep it tight. And then maybe we

520
00:25:18,520 --> 00:25:21,520
Speaker 2: see the Statue of Liberty in one of these gowns.

521
00:25:22,240 --> 00:25:25,400
Speaker 1: Yeah, that the freaking starlets wear, and she, for the

522
00:25:25,440 --> 00:25:29,239
Speaker 1: first time is confident and able to really go in

523
00:25:29,280 --> 00:25:31,280
Speaker 1: and go. Hey, Jimmy, I think I got an idea

524
00:25:31,320 --> 00:25:33,240
Speaker 1: for a joke exactly.

525
00:25:34,600 --> 00:25:36,080
Speaker 2: So you guys will go to the zoo.

526
00:25:36,640 --> 00:25:38,640
Speaker 4: We'll go to the zoo, We'll go to eminem where,

527
00:25:38,680 --> 00:25:39,880
Speaker 4: we'll go anywhere.

528
00:25:39,800 --> 00:25:43,520
Speaker 3: Okay, and I know you know, in between, you guys

529
00:25:43,560 --> 00:25:46,600
Speaker 3: would do like ladders and like other little exercises and.

530
00:25:46,560 --> 00:25:47,920
Speaker 2: Stuff just to keep it.

531
00:25:48,840 --> 00:25:52,760
Speaker 4: Yeah, trust falls or just kind of games that like

532
00:25:52,960 --> 00:25:55,879
Speaker 4: keep it. It's all about keeping up the fun, keeping

533
00:25:55,960 --> 00:25:58,600
Speaker 4: up the fun, because a lot of times when you're

534
00:25:58,600 --> 00:26:00,920
Speaker 4: not having fun, the thing to do is let's have fun,

535
00:26:00,960 --> 00:26:02,160
Speaker 4: and that makes you have fun.

536
00:26:02,320 --> 00:26:04,280
Speaker 2: Okay, Yeah, I think that's cool.

537
00:26:04,359 --> 00:26:07,760
Speaker 1: And I also do notice that if you aren't having

538
00:26:07,840 --> 00:26:11,800
Speaker 1: fun or playing game, sometimes the darkness can take hold and.

539
00:26:11,760 --> 00:26:14,720
Speaker 2: Just grip you in its jaw and shake the life

540
00:26:14,760 --> 00:26:15,240
Speaker 2: out of you.

541
00:26:16,800 --> 00:26:20,600
Speaker 1: And leave you bruised and bloodied, you know, at the

542
00:26:20,640 --> 00:26:22,520
Speaker 1: bottom of a karaoke stage or whatever.

543
00:26:22,840 --> 00:26:26,200
Speaker 2: Exactly. So it's like dominoes, let's play dominant. Let's fucking

544
00:26:26,240 --> 00:26:27,680
Speaker 2: play dominant. Wow, domino.

545
00:26:28,119 --> 00:26:31,720
Speaker 3: But then I've noticed the guard at the zoo is

546
00:26:31,720 --> 00:26:33,000
Speaker 3: sometimes chasing all of.

547
00:26:32,960 --> 00:26:37,040
Speaker 2: You for giant net with a net, for you're doing

548
00:26:37,040 --> 00:26:39,119
Speaker 2: so much monkey business. He thinks that you guys belong

549
00:26:39,200 --> 00:26:41,240
Speaker 2: in the monkey Yeah.

550
00:26:41,320 --> 00:26:43,639
Speaker 4: Well a lot of that too is Jimmy kind of

551
00:26:43,720 --> 00:26:47,080
Speaker 4: has like people all over the city that is on payroll,

552
00:26:47,320 --> 00:26:48,600
Speaker 4: and so he'll pay.

553
00:26:48,840 --> 00:26:49,960
Speaker 2: He'll pay the guard.

554
00:26:50,320 --> 00:26:52,560
Speaker 4: It's today, chase.

555
00:26:53,160 --> 00:26:55,840
Speaker 2: Create, create a funny scene.

556
00:26:56,160 --> 00:26:58,240
Speaker 4: Yeah, create a funny scene and be like, can you

557
00:26:58,359 --> 00:26:59,840
Speaker 4: believe that she was in a net?

558
00:27:00,400 --> 00:27:00,760
Speaker 2: Wow?

559
00:27:01,359 --> 00:27:01,560
Speaker 3: Wow?

560
00:27:03,080 --> 00:27:05,399
Speaker 2: Oh if I could put people on payroll to chase

561
00:27:05,440 --> 00:27:08,639
Speaker 2: some of my friends with a net forget it, and

562
00:27:08,680 --> 00:27:11,000
Speaker 2: then they get put in a monkey cage for doing

563
00:27:11,040 --> 00:27:15,640
Speaker 2: too much monkey business. Yeah, Okay, now we're having some fun,

564
00:27:15,880 --> 00:27:19,000
Speaker 2: and then I don't have to think about maybe you know,

565
00:27:19,119 --> 00:27:24,000
Speaker 2: what is my life? What am I Like? It's so meaningless,

566
00:27:24,040 --> 00:27:27,800
Speaker 2: like what is happening? Like why childhood when you're.

567
00:27:27,600 --> 00:27:31,480
Speaker 3: Not not distracted enough and you think too much about

568
00:27:31,880 --> 00:27:36,640
Speaker 3: breathing and then your throat just kind of like closes

569
00:27:36,720 --> 00:27:38,399
Speaker 3: up where you think about it, the harder it is

570
00:27:39,000 --> 00:27:40,480
Speaker 3: to do, and you don't want to do it, and

571
00:27:40,560 --> 00:27:44,440
Speaker 3: then your heart starts racing because you're not getting enough oxygen.

572
00:27:45,800 --> 00:27:47,560
Speaker 3: And then you think, well, is that like, you know,

573
00:27:48,000 --> 00:27:48,840
Speaker 3: am I having a heart?

574
00:27:49,000 --> 00:27:52,159
Speaker 2: You know? Just get dizzy? No, I know, yeah, and

575
00:27:52,200 --> 00:27:54,920
Speaker 2: you go, holy shit, I'm dying. I'm really sick. First

576
00:27:54,920 --> 00:27:56,439
Speaker 2: it's like did I eat something? Then it's like this

577
00:27:56,480 --> 00:27:59,000
Speaker 2: isn't even about eating. This is like my body's turning

578
00:27:59,040 --> 00:28:00,800
Speaker 2: off and uh.

579
00:28:00,840 --> 00:28:01,800
Speaker 4: And do I want it on?

580
00:28:02,760 --> 00:28:04,679
Speaker 2: Well yeah, and it's even more like.

581
00:28:06,720 --> 00:28:09,880
Speaker 1: Yeah and just lean in and just let it all

582
00:28:10,000 --> 00:28:13,760
Speaker 1: blink out so that so you know, when something like

583
00:28:13,800 --> 00:28:16,040
Speaker 1: that is going on, that's when I need somebody to

584
00:28:16,080 --> 00:28:19,520
Speaker 1: go like, hey, slap bracelets and it freaking just wind

585
00:28:19,560 --> 00:28:21,959
Speaker 1: it around. He's got a frigging dinosaur on it.

586
00:28:22,320 --> 00:28:25,760
Speaker 2: And I'm like, okay, yeah, now I remember, like let's

587
00:28:25,760 --> 00:28:26,160
Speaker 2: have fun.

588
00:28:26,280 --> 00:28:28,800
Speaker 1: And if they happen to be frigging cute, sweetie. I

589
00:28:28,840 --> 00:28:30,360
Speaker 1: don't know, maybe that's okay too.

590
00:28:30,720 --> 00:28:32,720
Speaker 2: Yeah. Uh.

591
00:28:32,760 --> 00:28:36,960
Speaker 3: And now is Jimmy just talking like as you're going around,

592
00:28:37,080 --> 00:28:39,120
Speaker 3: is he talking about just some of like the favorite

593
00:28:39,560 --> 00:28:43,240
Speaker 3: uh pop cultural stuff of your shared childhood?

594
00:28:44,240 --> 00:28:49,520
Speaker 4: Uh? Like you, Well, that's like your homework for the

595
00:28:49,680 --> 00:28:52,720
Speaker 4: night is to come up with like hundreds of hundreds

596
00:28:52,760 --> 00:28:58,320
Speaker 4: of just memories of childhood things that happened. California dreams. Yeah,

597
00:28:58,520 --> 00:28:59,920
Speaker 4: like that would be my assignment.

598
00:29:00,800 --> 00:29:02,920
Speaker 3: Some stuff that he liked when he was a kid, Like, yeah,

599
00:29:03,200 --> 00:29:05,080
Speaker 3: car that's my good place.

600
00:29:05,240 --> 00:29:12,600
Speaker 1: Yes, yes, yes, yes, yeah I Carly, Yeah, freaking Zach Cody, Yeah,

601
00:29:12,640 --> 00:29:15,880
Speaker 1: anything the Sweet Life baby, yeah, SpongeBob.

602
00:29:16,800 --> 00:29:17,040
Speaker 4: Yeah.

603
00:29:17,600 --> 00:29:19,840
Speaker 2: Now we're adult that me and Jimmy grew up on

604
00:29:19,920 --> 00:29:22,560
Speaker 2: and now we can finally sort of like look at

605
00:29:22,560 --> 00:29:26,720
Speaker 2: SpongeBob with clear eyes and go like, hey, wasn't patrick

606
00:29:26,800 --> 00:29:29,080
Speaker 2: kind of jerk you did?

607
00:29:29,440 --> 00:29:31,560
Speaker 4: There's layers to it that you discover when.

608
00:29:31,600 --> 00:29:32,440
Speaker 2: When you're an adult.

609
00:29:32,960 --> 00:29:34,600
Speaker 1: Well, some of this ship we watched when we were

610
00:29:34,680 --> 00:29:37,680
Speaker 1: kids was so fucked up it's crazy, and you just

611
00:29:37,680 --> 00:29:40,680
Speaker 1: go like, we show this to kids, it's crazy.

612
00:29:41,000 --> 00:29:44,640
Speaker 2: It's like, I'm sorry, but that gummy berry ges. Yeah,

613
00:29:44,680 --> 00:29:49,040
Speaker 2: Wizards of Waverley Place. Yeah, okay, yeah, Wizards of Waverley Place.

614
00:29:49,120 --> 00:29:55,360
Speaker 2: Is that okay? Well pretty little lies? Yeah? Is that okay? Kevin?

615
00:29:55,360 --> 00:30:01,000
Speaker 2: What you said? Kevin? Can you sit please? And then

616
00:30:01,120 --> 00:30:02,280
Speaker 2: just like a normal one.

617
00:30:04,360 --> 00:30:09,320
Speaker 3: Hey guys, chef Kevin here, thanks for having me now, Kevin,

618
00:30:09,360 --> 00:30:11,360
Speaker 3: you were very excited to have Jen here.

619
00:30:11,520 --> 00:30:15,680
Speaker 2: Yeah. I couldn't wait because of a book that you're reading.

620
00:30:15,840 --> 00:30:16,640
Speaker 2: I am.

621
00:30:17,000 --> 00:30:21,760
Speaker 5: I'm reading Creative Quest Questlove's new book. Oh wow, okay,

622
00:30:22,080 --> 00:30:23,920
Speaker 5: have you you know heard of it?

623
00:30:24,920 --> 00:30:25,680
Speaker 2: I have heard of it.

624
00:30:25,960 --> 00:30:29,200
Speaker 4: Yeah, Quest Love is you know, in the family.

625
00:30:29,520 --> 00:30:33,320
Speaker 5: Yeah, so like are you friends with him?

626
00:30:33,360 --> 00:30:36,040
Speaker 4: I mean again, it's it's less of like a friend's

627
00:30:36,120 --> 00:30:39,040
Speaker 4: thing and more just like cousin Quesla.

628
00:30:39,200 --> 00:30:41,840
Speaker 2: She just said they're in the family. Yeah, yeah, there's

629
00:30:41,880 --> 00:30:44,120
Speaker 2: some family. Yeah.

630
00:30:44,400 --> 00:30:47,280
Speaker 3: This is all pre written, like we have to sort

631
00:30:47,320 --> 00:30:48,960
Speaker 3: of let him stick to his script.

632
00:30:49,160 --> 00:30:56,000
Speaker 5: Yeah, going through my notes, so I have a lot

633
00:30:56,040 --> 00:30:57,840
Speaker 5: of the book. He's like talking about how he's friends

634
00:30:57,840 --> 00:30:58,960
Speaker 5: with chefs and comediums.

635
00:30:59,000 --> 00:31:01,240
Speaker 4: Well for are you doing audiobook.

636
00:31:00,680 --> 00:31:04,240
Speaker 2: Or I know I'm reading the actual book.

637
00:31:04,320 --> 00:31:06,680
Speaker 4: Because I think audiobook is the way to do it.

638
00:31:07,320 --> 00:31:10,840
Speaker 4: He's a musician, so I think there's layer the rhythms.

639
00:31:12,000 --> 00:31:14,400
Speaker 2: Yeah. Yes, he's actually recording it right now.

640
00:31:14,400 --> 00:31:17,479
Speaker 5: According to his Instagram, he keeps showing how hard it

641
00:31:17,520 --> 00:31:20,760
Speaker 5: is to record an audiobook. He's like four hours, in,

642
00:31:20,920 --> 00:31:23,160
Speaker 5: five hours, in six hours in Yeah.

643
00:31:23,240 --> 00:31:26,680
Speaker 1: Does he need like a breathe right strip? Yes, sometimes

644
00:31:26,720 --> 00:31:27,239
Speaker 1: you need that.

645
00:31:27,720 --> 00:31:28,680
Speaker 2: He should use one.

646
00:31:31,640 --> 00:31:33,440
Speaker 4: So you're reading it? Are you liking it?

647
00:31:33,560 --> 00:31:35,240
Speaker 2: I do like it? Yeah.

648
00:31:35,800 --> 00:31:39,000
Speaker 5: I read Mometa Blues, which was like his first one.

649
00:31:39,040 --> 00:31:42,040
Speaker 4: I think so you're kind of like a fanatic.

650
00:31:42,560 --> 00:31:44,200
Speaker 2: Yeah, I'm a quest head for sure.

651
00:31:44,480 --> 00:31:44,760
Speaker 4: Cool.

652
00:31:45,320 --> 00:31:48,200
Speaker 2: It's cool. So are you at a creative quest? Yes?

653
00:31:49,800 --> 00:31:51,360
Speaker 4: Oh, I just got it.

654
00:31:52,160 --> 00:31:56,640
Speaker 2: Creative quest? He is creative quest? Yeah, how far on

655
00:31:56,680 --> 00:32:00,520
Speaker 2: the quest are you? I would say the first line app.

656
00:32:03,320 --> 00:32:06,360
Speaker 4: Wait, so it's if it's a lap, that means it's

657
00:32:06,440 --> 00:32:09,640
Speaker 4: on a track. So you but then you're getting back

658
00:32:09,680 --> 00:32:10,440
Speaker 4: to where you start.

659
00:32:10,560 --> 00:32:13,360
Speaker 3: That's what it feels like. Kevin does these when he

660
00:32:13,400 --> 00:32:16,080
Speaker 3: thinks is like a quest. He goes to like a

661
00:32:16,200 --> 00:32:22,280
Speaker 3: high school college, don't go do not a college to

662
00:32:22,400 --> 00:32:25,640
Speaker 3: high school and during school hours he will like run

663
00:32:25,680 --> 00:32:26,040
Speaker 3: the track.

664
00:32:26,120 --> 00:32:28,920
Speaker 2: He wants to like show them how far he can run.

665
00:32:31,920 --> 00:32:35,720
Speaker 1: Yeah, we've talked to Kevin a lot about some of

666
00:32:35,760 --> 00:32:38,000
Speaker 1: these habits that he has.

667
00:32:38,080 --> 00:32:40,000
Speaker 3: These kids will be like running the mile, and they'll

668
00:32:40,040 --> 00:32:43,080
Speaker 3: like jump into the group. He thinks that's like the

669
00:32:43,080 --> 00:32:47,160
Speaker 3: best time to like kind of infiltrate.

670
00:32:46,680 --> 00:32:48,920
Speaker 4: A high school, like during a gym class.

671
00:32:49,120 --> 00:32:52,200
Speaker 3: During the mile, it's all kind of like scattered. Everyone

672
00:32:52,440 --> 00:32:54,960
Speaker 3: is like tired. Well, and if you just have I

673
00:32:54,960 --> 00:32:57,760
Speaker 3: guess what he tells me is, if you have a

674
00:32:57,760 --> 00:32:59,480
Speaker 3: bunch of different colored mess shorts and a bunch of

675
00:32:59,480 --> 00:33:01,959
Speaker 3: different color T shirts, you could basically blend in at

676
00:33:01,960 --> 00:33:04,960
Speaker 3: any given gym class. Yeah, and any pretty standard. So

677
00:33:05,040 --> 00:33:07,680
Speaker 3: he'll see what color what the school colors are.

678
00:33:08,400 --> 00:33:10,400
Speaker 2: And then he'll come in and he'll be like, sorry,

679
00:33:10,440 --> 00:33:14,840
Speaker 2: I'm late, let's race. And then a lot of times,

680
00:33:14,920 --> 00:33:17,560
Speaker 2: once they really get going and people start to seem

681
00:33:17,600 --> 00:33:19,320
Speaker 2: a little gas, he go like, hey, you ever want

682
00:33:19,320 --> 00:33:22,560
Speaker 2: to be like to run off the track, And I

683
00:33:22,600 --> 00:33:28,640
Speaker 2: guess it's sort of so. Coyotes have this method where

684
00:33:28,680 --> 00:33:29,520
Speaker 2: they will go up.

685
00:33:29,600 --> 00:33:31,520
Speaker 1: A single coyote will go up and befriend a dog

686
00:33:31,560 --> 00:33:33,040
Speaker 1: and start playing with the dog and make the dog

687
00:33:33,080 --> 00:33:34,000
Speaker 1: think it has a new friend.

688
00:33:34,160 --> 00:33:35,560
Speaker 2: Then they will lure them.

689
00:33:35,440 --> 00:33:37,760
Speaker 1: Deeper and deeper into the woods where there's a team

690
00:33:37,840 --> 00:33:41,080
Speaker 1: of five or six coyotes waiting to then attack and

691
00:33:41,160 --> 00:33:45,880
Speaker 1: outnumber the larger dog. I believe Kevin is trying something

692
00:33:45,960 --> 00:33:48,880
Speaker 1: similar where he wants you to think he's your gym

693
00:33:48,920 --> 00:33:53,040
Speaker 1: class buddy, that it's fun to run with him, and

694
00:33:53,080 --> 00:33:56,440
Speaker 1: when he gets you outside the track, all bets are off.

695
00:33:56,840 --> 00:33:59,440
Speaker 2: But then it is just Kevin at the end.

696
00:33:59,440 --> 00:34:05,280
Speaker 3: There is no there's no other there's no team, is.

697
00:34:05,280 --> 00:34:08,400
Speaker 4: It because you don't have enough mess shorts and shirts

698
00:34:08,400 --> 00:34:11,640
Speaker 4: to kind of outfit other people for your pack?

699
00:34:12,239 --> 00:34:19,560
Speaker 5: Yes, And I'm trying to, you know, new new fashion ideas.

700
00:34:20,040 --> 00:34:22,480
Speaker 2: So like the mesh stuff.

701
00:34:22,200 --> 00:34:25,480
Speaker 5: I think works for me, My friends say it doesn't,

702
00:34:25,480 --> 00:34:26,600
Speaker 5: so that's why they don't join me.

703
00:34:28,320 --> 00:34:31,200
Speaker 2: So that's why I run around.

704
00:34:31,000 --> 00:34:36,440
Speaker 3: The track there like there's no one who wants this conversation.

705
00:34:37,120 --> 00:34:39,319
Speaker 2: I watch you talk to I want you to talk

706
00:34:39,400 --> 00:34:41,239
Speaker 2: to Dana about it a lot. Yeah.

707
00:34:41,400 --> 00:34:43,080
Speaker 3: So he's talking about the other people that work here

708
00:34:43,080 --> 00:34:46,719
Speaker 3: when he says, like my friend because they spend time

709
00:34:46,800 --> 00:34:50,680
Speaker 3: with honestly talking about us, and like Ryan and Ryan,

710
00:34:51,000 --> 00:34:53,560
Speaker 3: Yeah that's who he's talking about Ryan.

711
00:34:54,160 --> 00:34:56,960
Speaker 4: So we're work friends are friends, don't.

712
00:34:56,800 --> 00:34:57,560
Speaker 2: That's what I say?

713
00:34:57,680 --> 00:35:01,440
Speaker 4: Yeah, I know more. I mean, I work with Jimmy's Yeah,

714
00:35:01,480 --> 00:35:03,000
Speaker 4: I know that they're like my family.

715
00:35:03,120 --> 00:35:05,680
Speaker 2: So yeah, we're all like a big group of friends.

716
00:35:05,960 --> 00:35:06,040
Speaker 1: Right.

717
00:35:06,719 --> 00:35:08,880
Speaker 3: So but a lot of them, do you realize a

718
00:35:08,880 --> 00:35:11,480
Speaker 3: lot of them spend time together outside of this office

719
00:35:11,600 --> 00:35:11,960
Speaker 3: they do?

720
00:35:12,160 --> 00:35:12,440
Speaker 2: Yeah?

721
00:35:12,600 --> 00:35:15,960
Speaker 1: Yeah, and then you're you're not included in the well

722
00:35:16,080 --> 00:35:16,480
Speaker 1: they do.

723
00:35:17,680 --> 00:35:19,280
Speaker 2: If you send they say they're busy.

724
00:35:19,560 --> 00:35:21,160
Speaker 4: If you have their phone number and you send them

725
00:35:21,200 --> 00:35:23,680
Speaker 4: a text, like it's outside of work hours, yes, will

726
00:35:23,719 --> 00:35:24,800
Speaker 4: they respond.

727
00:35:24,520 --> 00:35:27,120
Speaker 5: No, But then I'll bring it up the next day

728
00:35:27,160 --> 00:35:29,600
Speaker 5: and then they'll be like, oh, yeah, I was having

729
00:35:29,640 --> 00:35:31,600
Speaker 5: an issue with my phone, like I just got it.

730
00:35:32,600 --> 00:35:34,279
Speaker 5: But they have their read receipts on and I can

731
00:35:34,280 --> 00:35:36,720
Speaker 5: see when they see it. So I don't know, right,

732
00:35:39,760 --> 00:35:42,160
Speaker 5: I'm trying, you know, that's my creative quest, I guess

733
00:35:42,160 --> 00:35:42,800
Speaker 5: to make friends.

734
00:35:42,960 --> 00:35:45,920
Speaker 3: So art, he says, with the high school kids do that,

735
00:35:45,960 --> 00:35:49,000
Speaker 3: it's like a friendship thic. Yeah, he's trying to lure

736
00:35:49,040 --> 00:35:50,400
Speaker 3: that they do a place where he can.

737
00:35:50,360 --> 00:35:55,040
Speaker 2: Like have a really close friend. And to me, it

738
00:35:55,200 --> 00:35:59,640
Speaker 2: just doesn't seem savory. No.

739
00:36:00,000 --> 00:36:01,799
Speaker 3: I mean, it's a lot of them getting caught at

740
00:36:01,800 --> 00:36:04,440
Speaker 3: the fence. So like even if he even if he

741
00:36:04,520 --> 00:36:09,520
Speaker 3: gets the kid like to go off the track with him.

742
00:36:09,760 --> 00:36:11,839
Speaker 3: He'll like get to the fence and then like as

743
00:36:11,880 --> 00:36:13,799
Speaker 3: he's like trying to hop the fence, then like the

744
00:36:13,800 --> 00:36:16,520
Speaker 3: coach is kind of like onto what he's yeah doing,

745
00:36:16,640 --> 00:36:19,799
Speaker 3: And the coach is so fast obviously is the coach? Yes,

746
00:36:20,000 --> 00:36:22,200
Speaker 3: it has to be the fastest one.

747
00:36:22,440 --> 00:36:25,680
Speaker 2: Yes, that is a really good policy that they've been

748
00:36:25,680 --> 00:36:27,640
Speaker 2: stated at a lot of these schools that in order

749
00:36:27,680 --> 00:36:29,080
Speaker 2: to be a coach, you have to be faster than

750
00:36:29,120 --> 00:36:29,680
Speaker 2: every student.

751
00:36:30,480 --> 00:36:33,680
Speaker 4: I mean, you can't learn from someone who isn't better

752
00:36:33,760 --> 00:36:34,040
Speaker 4: than you.

753
00:36:34,400 --> 00:36:39,880
Speaker 1: Well exactly, It's like Jimmy wouldn't work on my show,

754
00:36:40,600 --> 00:36:41,200
Speaker 1: you know what I mean.

755
00:36:43,920 --> 00:36:46,279
Speaker 2: It is funny to think of it, but.

756
00:36:47,760 --> 00:36:52,640
Speaker 3: If I worked on Jimmy's Boy, that'd be the good place. Kevin,

757
00:36:53,960 --> 00:36:55,839
Speaker 3: you've been saying that you think Earwolf is.

758
00:36:55,760 --> 00:36:58,960
Speaker 2: A good place to work. I do. Yeah, so you

759
00:36:59,040 --> 00:37:00,480
Speaker 2: got a little bit of a bone to pick.

760
00:37:01,200 --> 00:37:04,520
Speaker 5: Uh, Yeah, because I mean I'm obviously have a bias.

761
00:37:04,680 --> 00:37:07,520
Speaker 5: I just got a promotion, so it does feel like

762
00:37:07,560 --> 00:37:08,600
Speaker 5: the best place to work.

763
00:37:08,680 --> 00:37:11,120
Speaker 2: This happened like a long time ago.

764
00:37:11,320 --> 00:37:14,480
Speaker 5: Now, Okay, it starts on Monday though, like officially, so

765
00:37:14,719 --> 00:37:16,640
Speaker 5: I have like an extra pep in my staff?

766
00:37:16,640 --> 00:37:18,120
Speaker 2: Who they bring it in? Who's the nuke? Kevin?

767
00:37:18,239 --> 00:37:22,080
Speaker 5: They're still uh, they're interviewing people right now, so kind

768
00:37:22,120 --> 00:37:23,240
Speaker 5: of doing both in the meantime.

769
00:37:23,280 --> 00:37:27,640
Speaker 1: Who's your horse? You got your money on a sweet

770
00:37:27,640 --> 00:37:30,120
Speaker 1: little Philly. Now's your horse?

771
00:37:30,239 --> 00:37:30,439
Speaker 2: keV.

772
00:37:31,320 --> 00:37:34,040
Speaker 5: Colin's doing the interviewing, so it's not up to him

773
00:37:34,120 --> 00:37:35,200
Speaker 5: and your horse is.

774
00:37:36,480 --> 00:37:42,440
Speaker 2: We'll find out maybe next week. That's not Oh chack,

775
00:37:43,040 --> 00:37:45,080
Speaker 2: go I go to freaking race track and it's like,

776
00:37:45,800 --> 00:37:47,920
Speaker 2: I go. I'd like to place a bet they go

777
00:37:47,960 --> 00:37:50,320
Speaker 2: on which horse I go. I'll tell you after the race.

778
00:37:53,520 --> 00:37:57,239
Speaker 2: That's okay. I wish it worked that way, man, I'd

779
00:37:57,280 --> 00:38:00,319
Speaker 2: have a couple of extra shekels in my pocket. Yeah

780
00:38:00,360 --> 00:38:03,280
Speaker 2: he's oh my, I was picturing a Chaz.

781
00:38:04,040 --> 00:38:06,200
Speaker 3: There are a few things I know about this person

782
00:38:06,239 --> 00:38:07,640
Speaker 3: once they eventually get the job.

783
00:38:07,560 --> 00:38:10,000
Speaker 2: Given the hiring practices here, there's a couple of things

784
00:38:10,040 --> 00:38:11,800
Speaker 2: I know for sure. Yeah.

785
00:38:12,000 --> 00:38:16,279
Speaker 3: Yeah, they will be a white guy. Yeah, they will

786
00:38:16,320 --> 00:38:19,600
Speaker 3: have a huge comedy fan. They will have Kevin slash

787
00:38:19,680 --> 00:38:25,839
Speaker 3: Ryan's haircut. They will really be interested in comedy. They

788
00:38:25,880 --> 00:38:27,640
Speaker 3: will be around you see b.

789
00:38:27,800 --> 00:38:29,520
Speaker 2: Three oh one mm.

790
00:38:29,400 --> 00:38:34,040
Speaker 4: Hmmm, uh will kill bam.

791
00:38:33,520 --> 00:38:37,920
Speaker 1: Oh yes, thank you, yes, thank you. Yes, they're going

792
00:38:38,000 --> 00:38:42,759
Speaker 1: to be into will go and uh and and all

793
00:38:42,800 --> 00:38:44,400
Speaker 1: of the what handsome.

794
00:38:44,040 --> 00:38:46,560
Speaker 4: Furs or yeah, the handsome.

795
00:38:46,600 --> 00:38:53,000
Speaker 2: Gold smug what's the other there's a few other side projects, right, Looseifer,

796
00:38:53,800 --> 00:38:57,239
Speaker 2: loose fer, That's what it is. They'll be into Looseifer,

797
00:38:57,560 --> 00:39:04,400
Speaker 2: Uncle Tupelo. They'll love Uncle tup you know. They will

798
00:39:05,239 --> 00:39:08,680
Speaker 2: have mixed feelings about j Farrr of course, of course.

799
00:39:09,280 --> 00:39:12,560
Speaker 4: They'll have seen the doc. They'll have opinions on the dock.

800
00:39:12,719 --> 00:39:14,399
Speaker 2: Oh yes, I am trying to break your heart.

801
00:39:14,840 --> 00:39:19,880
Speaker 3: Yeah, yeah, they'll have some weird feelings about the doc.

802
00:39:19,960 --> 00:39:23,160
Speaker 2: And what do you say about Jay Bennett? You know? Yeah?

803
00:39:23,400 --> 00:39:26,879
Speaker 2: Was that? Would that have just happened? Regardless? Well, so

804
00:39:27,040 --> 00:39:32,080
Speaker 2: interesting when you really look at did Jeff look at

805
00:39:32,160 --> 00:39:35,120
Speaker 2: Jay Bennett and say, this is me and Uncle Tupelo,

806
00:39:36,400 --> 00:39:40,120
Speaker 2: and I now am J Farrar. Wow, and I'm having

807
00:39:40,160 --> 00:39:41,839
Speaker 2: to make some of the same decisions that he did.

808
00:39:42,600 --> 00:39:43,200
Speaker 4: That's crazy.

809
00:39:43,200 --> 00:39:44,120
Speaker 2: Do you ever think about that?

810
00:39:45,560 --> 00:39:48,440
Speaker 4: Not in that order of the words, but.

811
00:39:48,680 --> 00:39:53,680
Speaker 2: Now it's all you can think about. Yeah, Jeff must

812
00:39:53,719 --> 00:39:55,920
Speaker 2: have seen some of himself and Jay huh got to

813
00:39:55,920 --> 00:39:57,600
Speaker 2: write one song on this album?

814
00:39:57,680 --> 00:39:59,880
Speaker 1: Two three, songs on the next album. All of a sudden,

815
00:40:00,000 --> 00:40:01,399
Speaker 1: it's like, I'm not gonna be part of a two

816
00:40:01,440 --> 00:40:06,880
Speaker 1: headed band. Yeah, this is my fucking band. So now

817
00:40:07,960 --> 00:40:09,839
Speaker 1: gotta kind of nip it in the bud man because

818
00:40:09,840 --> 00:40:13,840
Speaker 1: that's what Jay didn't do. And ultimately, songs like Black Eye,

819
00:40:14,800 --> 00:40:19,880
Speaker 1: songs like gun I mean, these are the songs that

820
00:40:19,920 --> 00:40:24,400
Speaker 1: we remember, but Black Guy's definitely tweety.

821
00:40:25,480 --> 00:40:29,440
Speaker 2: Can I take us back to Jen's day? Yeah, it's

822
00:40:31,320 --> 00:40:34,480
Speaker 2: it's showtime. Now, it's show night.

823
00:40:34,760 --> 00:40:37,239
Speaker 4: Yeah, we've just finished the newspapers.

824
00:40:37,320 --> 00:40:40,560
Speaker 3: You've read the newspapers. You haven't really done anything all day.

825
00:40:40,640 --> 00:40:43,359
Speaker 4: We haven't really. We went to the zoo and went

826
00:40:43,440 --> 00:40:46,080
Speaker 4: to the zoo, or the we took this down Emond Ferry,

827
00:40:46,600 --> 00:40:50,080
Speaker 4: Yeah yeah, Memorald, but you didn't write anything for the show.

828
00:40:50,360 --> 00:40:52,239
Speaker 3: We haven't written anything, and now it's time to do

829
00:40:52,280 --> 00:40:52,680
Speaker 3: the show.

830
00:40:53,080 --> 00:40:56,200
Speaker 4: But that's the kind of energy that Jimmy wants going

831
00:40:56,239 --> 00:40:58,280
Speaker 4: into the show, the sense.

832
00:40:58,080 --> 00:41:00,320
Speaker 3: Of he's like, Okay, well guess I'm gonna have to

833
00:41:00,360 --> 00:41:00,920
Speaker 3: do it myself.

834
00:41:01,239 --> 00:41:04,080
Speaker 4: Yeah yeah, yeah, and he.

835
00:41:05,160 --> 00:41:08,120
Speaker 3: Is there news breaking throughout the day as well. I mean,

836
00:41:08,160 --> 00:41:09,520
Speaker 3: are you guys on Twitter.

837
00:41:09,280 --> 00:41:11,439
Speaker 2: Looking at like the news that just came out.

838
00:41:11,760 --> 00:41:14,160
Speaker 1: It'll be like he'll be like, oh my god, Prince died.

839
00:41:14,440 --> 00:41:16,279
Speaker 1: And then he'll just be like, hey, somebody get me

840
00:41:16,320 --> 00:41:19,160
Speaker 1: a big fish tank full of skittles I can jump into,

841
00:41:20,080 --> 00:41:20,279
Speaker 1: you know.

842
00:41:20,440 --> 00:41:23,680
Speaker 4: Yeah, And he's sort of because we put our phones

843
00:41:23,800 --> 00:41:29,239
Speaker 4: in a bag throughout the policy, so Jimmy has the

844
00:41:29,280 --> 00:41:31,560
Speaker 4: phone back, so he's kind of like doling out the

845
00:41:31,600 --> 00:41:32,680
Speaker 4: information to us.

846
00:41:33,080 --> 00:41:37,080
Speaker 2: Prince died, Oh my god, yeah, you know, oh my god,

847
00:41:37,120 --> 00:41:44,040
Speaker 2: Tom Petty died. Oh my god. Yeah, everyone on that stage. Yeah,

848
00:41:44,920 --> 00:41:49,200
Speaker 2: and you remember remember that stage? Yeah?

849
00:41:49,600 --> 00:41:53,960
Speaker 4: Yeah. And so it is showtime. We haven't written anything,

850
00:41:54,360 --> 00:41:55,560
Speaker 4: and it's just kind of like.

851
00:41:57,880 --> 00:41:58,480
Speaker 2: Going to be a show.

852
00:41:58,600 --> 00:42:00,440
Speaker 4: Is there going to be a show? I don't know

853
00:42:00,480 --> 00:42:02,960
Speaker 4: if you've ever seen Studio sixty, but it's it's that

854
00:42:03,320 --> 00:42:08,040
Speaker 4: energy exactly exactly, that energy going into showtime.

855
00:42:08,160 --> 00:42:10,640
Speaker 3: Okay. So he's kind of like, well, I guess I'm

856
00:42:10,640 --> 00:42:15,120
Speaker 3: gonna need my suit yep. And it's your job to

857
00:42:15,239 --> 00:42:18,600
Speaker 3: go like put together. The writers have to like find

858
00:42:18,640 --> 00:42:19,800
Speaker 3: the different parts of the suit.

859
00:42:19,960 --> 00:42:22,480
Speaker 4: And yeah, we kind of sort of a suit scavenger hunt.

860
00:42:22,520 --> 00:42:24,759
Speaker 4: It's a suit scavenger hunt. And then you're kind of

861
00:42:24,800 --> 00:42:27,320
Speaker 4: in charge of your item for pressing.

862
00:42:27,840 --> 00:42:32,240
Speaker 2: Okay, right, like I was tie. I was tied.

863
00:42:32,520 --> 00:42:34,319
Speaker 4: I was in charge of tie, and you work your

864
00:42:34,360 --> 00:42:37,320
Speaker 4: way up. When you start, you're like, I'm on soft.

865
00:42:37,040 --> 00:42:39,520
Speaker 1: And you have to dry the tie off something to

866
00:42:39,960 --> 00:42:41,799
Speaker 1: it's soaked in a whiskey bottle or something.

867
00:42:41,880 --> 00:42:45,600
Speaker 4: Yeah, exactly, it'll be like or yes, exactly, it'll be

868
00:42:45,680 --> 00:42:48,120
Speaker 4: like TI. It'll be like in a slinky, all like

869
00:42:48,320 --> 00:42:50,759
Speaker 4: top like kind of twisted in a slinky and you

870
00:42:50,800 --> 00:42:53,800
Speaker 4: have to undo it. But then it's good because the

871
00:42:53,840 --> 00:42:55,759
Speaker 4: slinky's like should we do something with this?

872
00:42:56,360 --> 00:43:00,000
Speaker 2: Yes, yes, thank you, Yes, that's so cool.

873
00:43:00,080 --> 00:43:02,160
Speaker 1: Well how organic some of that stuff is? And is

874
00:43:02,160 --> 00:43:04,600
Speaker 1: it someone's job to see if Justin Timberlake is around.

875
00:43:05,760 --> 00:43:08,600
Speaker 4: Yeah, there's one writer who's just kind of on JT

876
00:43:08,840 --> 00:43:12,200
Speaker 4: watch m hm, and you're just kind of in charge

877
00:43:12,239 --> 00:43:14,640
Speaker 4: of like is he in the vicinity? Is he in Manhattan?

878
00:43:14,760 --> 00:43:14,880
Speaker 2: Is he?

879
00:43:14,960 --> 00:43:15,360
Speaker 4: And you know?

880
00:43:15,600 --> 00:43:19,640
Speaker 2: Yeah? And if he is, right, yeah.

881
00:43:20,840 --> 00:43:25,080
Speaker 4: Because of Wood, he's shooting. But if he's not, then

882
00:43:25,120 --> 00:43:28,360
Speaker 4: we get JT. And it's it's just a drop in

883
00:43:28,480 --> 00:43:30,759
Speaker 4: policy with him. Yeah, you know, if he wants to

884
00:43:30,840 --> 00:43:31,239
Speaker 4: drop in.

885
00:43:31,360 --> 00:43:34,239
Speaker 1: That movie was tough on Felon's show a little bit

886
00:43:34,280 --> 00:43:36,239
Speaker 1: because as much as it is the good place when

887
00:43:36,280 --> 00:43:40,440
Speaker 1: you don't have JT and you also can't get your

888
00:43:40,440 --> 00:43:45,640
Speaker 1: hands on Jim Belushi for like a whole.

889
00:43:45,440 --> 00:43:49,880
Speaker 2: Month or whatever. Yeah, yeah, it's it's that's a body blow.

890
00:43:50,560 --> 00:43:52,200
Speaker 2: It's tough, I mean because.

891
00:43:52,080 --> 00:43:54,520
Speaker 4: Yeah, and that way is on Jimmy because then he

892
00:43:54,640 --> 00:43:56,439
Speaker 4: knows it's it's all on.

893
00:43:56,440 --> 00:43:58,719
Speaker 2: Him trying to strap this show to.

894
00:43:58,680 --> 00:44:01,120
Speaker 4: My back and get the way to the world kind

895
00:44:01,120 --> 00:44:04,759
Speaker 4: of carried up the rock, you know, sissyphus pushing the rock.

896
00:44:07,040 --> 00:44:09,640
Speaker 2: But luckily j T is.

897
00:44:09,560 --> 00:44:14,920
Speaker 4: Pretty around Juno Temple, Juno Temple, Yes, okay.

898
00:44:14,760 --> 00:44:17,359
Speaker 3: I just want to make sure which I don't know, Yeah.

899
00:44:17,160 --> 00:44:20,200
Speaker 4: Juno Temple. Yeah, well there's kind of a hierarchy. It's

900
00:44:20,200 --> 00:44:24,239
Speaker 4: like j T justin Timberlake, Juno Temple, justin throw who

901
00:44:24,360 --> 00:44:26,200
Speaker 4: can who is around.

902
00:44:25,920 --> 00:44:33,239
Speaker 2: Jesse Tyler Ferguson. You know, So there's a couple. Yeah, yeah,

903
00:44:33,280 --> 00:44:35,680
Speaker 2: there's a couple is going to show. One of them

904
00:44:35,719 --> 00:44:36,520
Speaker 2: is going to be around.

905
00:44:36,760 --> 00:44:41,360
Speaker 4: But you you want j T, you know, yeah, T

906
00:44:42,480 --> 00:44:43,080
Speaker 4: j T T.

907
00:44:44,040 --> 00:44:46,160
Speaker 2: If you I mean, yeah, that's what my kids watch

908
00:44:46,480 --> 00:44:49,319
Speaker 2: from your lips to you know, apparently my kids were

909
00:44:49,320 --> 00:44:50,120
Speaker 2: big fans of his.

910
00:44:51,360 --> 00:44:58,040
Speaker 4: Your kids, Yeah, yeah. So once the suit is together,

911
00:44:58,800 --> 00:45:01,040
Speaker 4: it's just kind of like everyone's got it. You're in

912
00:45:01,080 --> 00:45:06,000
Speaker 4: the dressing room, it's kind of everyone is there's it's

913
00:45:06,040 --> 00:45:06,960
Speaker 4: it's nerve wracking.

914
00:45:07,640 --> 00:45:10,560
Speaker 3: Yeah, yeah, it's tense. You got any rituals to relax,

915
00:45:13,440 --> 00:45:15,400
Speaker 3: throw up or anything? Yeah?

916
00:45:15,640 --> 00:45:16,120
Speaker 2: I would.

917
00:45:16,239 --> 00:45:18,400
Speaker 4: I kind of the first few years it would be

918
00:45:18,480 --> 00:45:21,000
Speaker 4: kind of like violent throwing up, and.

919
00:45:21,000 --> 00:45:24,319
Speaker 3: Now you're hard as you can casually throwing up.

920
00:45:24,640 --> 00:45:27,280
Speaker 4: Now it's now it's more like this is the process,

921
00:45:27,560 --> 00:45:28,120
Speaker 4: you know, this is.

922
00:45:28,040 --> 00:45:28,520
Speaker 2: What you do.

923
00:45:29,000 --> 00:45:31,600
Speaker 3: I'm gonna do a quick throw up and then maybe yeah,

924
00:45:31,719 --> 00:45:33,680
Speaker 3: me get in a freaking quick game of ping pong.

925
00:45:33,760 --> 00:45:36,120
Speaker 4: Exactly, throw the old hackey sack around.

926
00:45:36,560 --> 00:45:39,480
Speaker 2: I don't try that. Quest Love meditates because of the book.

927
00:45:40,000 --> 00:45:43,880
Speaker 5: Do you ever meditate with him?

928
00:45:44,280 --> 00:45:46,880
Speaker 4: That's a huge I mean to be asked to meditate

929
00:45:46,920 --> 00:45:49,080
Speaker 4: with him is a huge. That's kind of when you

930
00:45:49,120 --> 00:45:51,760
Speaker 4: know you've made it at the show and I haven't

931
00:45:52,040 --> 00:45:55,239
Speaker 4: gotten to that, but I hope to one day.

932
00:45:55,360 --> 00:45:55,919
Speaker 2: Does it ever?

933
00:45:56,160 --> 00:45:57,880
Speaker 3: What I would be nervous about it if your body is

934
00:45:57,920 --> 00:45:59,960
Speaker 3: like trained to throw up in that moment that you're

935
00:46:00,040 --> 00:46:02,719
Speaker 3: and be meditating with Quest Levin, then like throw up.

936
00:46:03,440 --> 00:46:07,240
Speaker 4: Yeah, yeah, and that and that. I can't name names.

937
00:46:07,040 --> 00:46:10,879
Speaker 2: But that has happen. Is he cool about that? Or no? No,

938
00:46:10,960 --> 00:46:11,560
Speaker 2: he gets mad.

939
00:46:11,680 --> 00:46:14,200
Speaker 4: Yeah, it's that is kind of one. You'll see your

940
00:46:14,239 --> 00:46:16,399
Speaker 4: name in the credits and then next week you won't

941
00:46:16,400 --> 00:46:17,760
Speaker 4: see that's somebody?

942
00:46:18,120 --> 00:46:20,440
Speaker 2: Does he say in the book that he's mean? I

943
00:46:20,600 --> 00:46:25,080
Speaker 2: know it's edited out, oh you know, but you know it.

944
00:46:27,440 --> 00:46:32,120
Speaker 4: Was like it's or it's redacted kind of like.

945
00:46:32,120 --> 00:46:35,400
Speaker 5: Yeah, or someone said underneath like hey, I'm adding footnotes.

946
00:46:35,520 --> 00:46:41,240
Speaker 2: Someone else did that. Yeah, there's a secret footnote soldier. Wow,

947
00:46:42,000 --> 00:46:51,560
Speaker 2: he's a lieutenant. Oh what what he's Kevin? What he's

948
00:46:51,600 --> 00:46:56,759
Speaker 2: a lieutenant? He's a what kind of soldier? It's like

949
00:46:56,800 --> 00:47:00,360
Speaker 2: he heard soldier. I know, but what the are you

950
00:47:00,400 --> 00:47:01,640
Speaker 2: talking about? What does that mean?

951
00:47:02,320 --> 00:47:05,879
Speaker 5: Like, Kevin, he got promoted. He's in the first book.

952
00:47:05,880 --> 00:47:08,200
Speaker 5: He was a soldier. He was a footnote soldier?

953
00:47:08,440 --> 00:47:13,640
Speaker 2: What did the first book? And Kevin?

954
00:47:14,640 --> 00:47:18,760
Speaker 3: We have a guest Jetsawski from The fucking Good Place,

955
00:47:18,880 --> 00:47:23,279
Speaker 3: Jimmy Fallon's show, This Tonight Show with Jimmy Fallon, The

956
00:47:23,480 --> 00:47:27,640
Speaker 3: Good Place. Frankly, the Great Place is here and you're

957
00:47:27,680 --> 00:47:31,040
Speaker 3: doing friggin' he's a lieutenant.

958
00:47:31,880 --> 00:47:32,520
Speaker 2: Thanks for coming.

959
00:47:32,560 --> 00:47:38,200
Speaker 5: John, We're really happy I have you we we Yeah, sorry, No,

960
00:47:38,360 --> 00:47:40,960
Speaker 5: it's my pleasure and it's like me and my friends here.

961
00:47:41,280 --> 00:47:43,720
Speaker 5: I guess Questlove carries a bunch of like hard drives

962
00:47:43,719 --> 00:47:45,960
Speaker 5: with him when he goes to record stores to like

963
00:47:46,120 --> 00:47:47,879
Speaker 5: I don't know if he's showing off that he has

964
00:47:47,920 --> 00:47:50,680
Speaker 5: a lot of music, Like have you ever seen that?

965
00:47:50,719 --> 00:47:53,160
Speaker 5: Has he ever come into like fallin with like a

966
00:47:53,200 --> 00:47:54,840
Speaker 5: bunch of hard drives of music?

967
00:47:55,480 --> 00:47:57,480
Speaker 4: Yeah, he has a ton of hard drives that he's

968
00:47:57,520 --> 00:48:00,080
Speaker 4: just kind of carrying around from place to place and

969
00:48:00,080 --> 00:48:03,600
Speaker 4: assistance one through six carrying them.

970
00:48:03,840 --> 00:48:06,719
Speaker 2: Wait, what does he do with the with them at

971
00:48:06,719 --> 00:48:07,200
Speaker 2: the store?

972
00:48:08,480 --> 00:48:10,600
Speaker 5: That's what I'm confused about, Like why is he bringing

973
00:48:10,640 --> 00:48:11,840
Speaker 5: them to a record store?

974
00:48:12,080 --> 00:48:14,239
Speaker 1: Like he doesn't say that in the book. No, he

975
00:48:14,280 --> 00:48:15,800
Speaker 1: says that he hasn't, but he doesn't saying that.

976
00:48:16,040 --> 00:48:17,759
Speaker 2: Get did that get rid? Act? Is that?

977
00:48:17,920 --> 00:48:19,719
Speaker 3: Like? Okay, so I'm here at the record store with

978
00:48:19,760 --> 00:48:22,239
Speaker 3: the hard drives and then it's just blacked out.

979
00:48:22,400 --> 00:48:26,240
Speaker 2: Did the lieutenant have anything to say about that? No, Kevin,

980
00:48:27,600 --> 00:48:29,239
Speaker 2: this is the person who cuts my hair.

981
00:48:29,320 --> 00:48:31,640
Speaker 5: She used to work at a record store and she

982
00:48:31,680 --> 00:48:36,080
Speaker 5: said what I'm sorry he.

983
00:48:36,080 --> 00:48:37,520
Speaker 2: Said this is the person who cuts my hair? And

984
00:48:37,520 --> 00:48:42,360
Speaker 2: then he pointed to the ghost basically, yeah, go ahead,

985
00:48:42,760 --> 00:48:43,600
Speaker 2: this isn't in the book.

986
00:48:43,880 --> 00:48:46,719
Speaker 5: No, this is something I've heard about him that when

987
00:48:47,760 --> 00:48:50,080
Speaker 5: he goes to record stores he brings a bunch of

988
00:48:50,120 --> 00:48:54,839
Speaker 5: hard drives, like those like orange pack cases with hard

989
00:48:54,880 --> 00:48:58,160
Speaker 5: drives in them, and he like buys like a dozen records.

990
00:48:58,600 --> 00:49:01,160
Speaker 5: And I guess he brings those hard drives with him

991
00:49:01,360 --> 00:49:02,600
Speaker 5: like everywhere he goes.

992
00:49:03,680 --> 00:49:05,880
Speaker 4: And and this is in the book, or this is

993
00:49:05,920 --> 00:49:06,480
Speaker 4: the person.

994
00:49:06,280 --> 00:49:12,279
Speaker 3: Who hair told has just unpacked the wise And it's

995
00:49:12,280 --> 00:49:14,919
Speaker 3: also I'll tell you one thing. Somebody who cuts hair

996
00:49:15,320 --> 00:49:21,200
Speaker 3: is not friends with Questlove. No, she's very big and long. Yeah,

997
00:49:21,200 --> 00:49:22,400
Speaker 3: so that's a huge.

998
00:49:22,120 --> 00:49:25,000
Speaker 2: Holes be his greatest enemy if they were trying to

999
00:49:25,040 --> 00:49:25,680
Speaker 2: cut his hair.

1000
00:49:27,719 --> 00:49:30,680
Speaker 5: Maybe she was lying she worked at a record store

1001
00:49:30,800 --> 00:49:32,000
Speaker 5: and saw him there all the time.

1002
00:49:32,280 --> 00:49:34,800
Speaker 4: I think she's coming from a place of like anger

1003
00:49:35,040 --> 00:49:37,720
Speaker 4: because he doesn't cut his hair and that's a direct

1004
00:49:37,719 --> 00:49:40,160
Speaker 4: affront to her business and what she does.

1005
00:49:40,360 --> 00:49:43,960
Speaker 3: And so she's making so she's making devastating hard drive story.

1006
00:49:44,680 --> 00:49:48,640
Speaker 2: She's trying to completely discredit him. Because when I first

1007
00:49:48,680 --> 00:49:50,319
Speaker 2: heard it, I thought, oh, I'm not gonna be able

1008
00:49:50,360 --> 00:49:51,840
Speaker 2: to take this guy seriously anymore?

1009
00:49:52,960 --> 00:49:55,720
Speaker 1: Got hard drives. But now that I consider the source

1010
00:49:55,760 --> 00:49:56,440
Speaker 1: a little bit.

1011
00:49:56,640 --> 00:49:57,600
Speaker 4: That's what she wants.

1012
00:49:58,640 --> 00:50:00,759
Speaker 3: It's smart, it's a smart place. It's better than Kevin's

1013
00:50:00,760 --> 00:50:01,719
Speaker 3: playing at the high school track.

1014
00:50:01,760 --> 00:50:08,080
Speaker 2: I'll tell you what. Now, what time is it? Are

1015
00:50:08,120 --> 00:50:13,759
Speaker 2: you done? I don't know? Ryan? Twelve sixteen? Okay, but

1016
00:50:13,800 --> 00:50:16,280
Speaker 2: when did we long we've been recording?

1017
00:50:17,960 --> 00:50:20,160
Speaker 3: Uh? Fifes?

1018
00:50:20,800 --> 00:50:25,440
Speaker 2: That's good, that's good. A lot of juice, that's good.

1019
00:50:25,719 --> 00:50:29,760
Speaker 2: We have that's good. We have time for four plugs? Okay,

1020
00:50:29,760 --> 00:50:31,799
Speaker 2: what do you want to plug your top four? Who's

1021
00:50:31,880 --> 00:50:37,600
Speaker 2: guesting this week? Let's just go Monday through Thursday. Come

1022
00:50:37,640 --> 00:50:39,680
Speaker 2: on and hit me with it. Who's going to be

1023
00:50:39,719 --> 00:50:47,600
Speaker 2: on the couch? Okay? Who? Okay? Monday we got Rebecca Black.

1024
00:50:47,719 --> 00:50:52,480
Speaker 3: Jimmy's got Rebecca Wlack on Monday though.

1025
00:50:52,520 --> 00:50:55,520
Speaker 4: On Monday, that's how. That's how we're starting off. Okay,

1026
00:50:56,280 --> 00:50:58,600
Speaker 4: and then Tuesday, Noam Chomsky.

1027
00:50:58,680 --> 00:51:04,880
Speaker 1: Tuesday, No comes by to chew the fat with Jimmy.

1028
00:51:06,880 --> 00:51:08,960
Speaker 4: Thursday, Wednesday we're off.

1029
00:51:09,760 --> 00:51:12,000
Speaker 2: Wednesday show, Yeah, go to bed.

1030
00:51:13,160 --> 00:51:15,479
Speaker 4: Wednesday, we're just kind of taking the day.

1031
00:51:15,719 --> 00:51:25,000
Speaker 2: Catch some z's Wednesday, they've earned it. Thursday we have

1032
00:51:26,000 --> 00:51:28,440
Speaker 2: a skippet, m M, skip it.

1033
00:51:29,239 --> 00:51:36,359
Speaker 1: Thursday, Jimmy trips, he doesn't quite fall.

1034
00:51:38,040 --> 00:51:41,880
Speaker 2: And then he laughs it says that was awesome.

1035
00:51:45,280 --> 00:51:48,879
Speaker 4: And then where are we at? Oh my god, that

1036
00:51:49,000 --> 00:51:49,640
Speaker 4: was Thursday.

1037
00:51:49,719 --> 00:51:52,879
Speaker 3: That's Thursday, and then Friday. I assume you're taking off

1038
00:51:52,920 --> 00:51:56,439
Speaker 3: as well. No, Friday, it's a Wednesday show you're doing

1039
00:51:56,480 --> 00:51:57,000
Speaker 3: on Friday.

1040
00:51:57,040 --> 00:52:02,160
Speaker 4: We're gonna do We're gonna do the Wednesday show on Friday. Okay,

1041
00:52:02,160 --> 00:52:04,560
Speaker 4: but but it's it's it's kind of like it's as

1042
00:52:04,600 --> 00:52:06,719
Speaker 4: if it's Wednesday.

1043
00:52:06,719 --> 00:52:11,160
Speaker 3: Wow, it's just a normal Wednesday show. Yeah, on Friday. Yeah,

1044
00:52:11,200 --> 00:52:12,040
Speaker 3: And who's the guest?

1045
00:52:12,600 --> 00:52:19,680
Speaker 4: Jeff GALOULEI bye.

1046
00:52:19,040 --> 00:52:20,440
Speaker 2: I'm a horny girl. Wolf.

1047
00:52:20,840 --> 00:52:24,560
Speaker 4: This has been an Earwolf production, executive produced by Scott Ackerman,

1048
00:52:24,719 --> 00:52:26,560
Speaker 4: Colin Anderson, and Chris Bannon.

1049
00:52:26,680 --> 00:52:29,760
Speaker 1: For more information and content, visit earwolf dot com.

1050
00:52:30,360 --> 00:52:33,480
Speaker 2: Oh