WEBVTT - Popcorn Popout: KPop Demon Hunters

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<v Speaker 1>Wanning. Today's episode contains spoilers for the smash hit animated

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<v Speaker 1>movie on Netflix, K Pop Demon Hunters, So if you

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<v Speaker 1>haven't watched it, go watch it because it's amazing, or

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<v Speaker 1>listen to this and then realize how amazing it is

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<v Speaker 1>and go watch it. Hello, my name is Rosie Knight,

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<v Speaker 1>and welcome back to X ray Vision, the podcast where

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<v Speaker 1>we dive deep into your favorite shows, movies, comics and

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<v Speaker 1>pop culture. We are here at iHeart Podcast where we'll

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<v Speaker 1>be bringing you episodes every Tuesday Thursday, and the summer's

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<v Speaker 1>biggest movie news and talk on Friday, Popcorn pop Out,

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<v Speaker 1>and a little way of news on a Saturday. In

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<v Speaker 1>today's episode, I am joined by two of the most

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<v Speaker 1>super of our super producers, Joelle and our And to

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<v Speaker 1>discuss the surprise animated smash of the summer K Pop

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<v Speaker 1>Demon Hunters. We're gonna recap the movie quickly, then Aaron

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<v Speaker 1>is gonna take us through the voices behind K Pop

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<v Speaker 1>Demon Hunter's chart topping music, featuring a custom playlist of

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<v Speaker 1>some favorite fictional boy band and girl groups. Joel has

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<v Speaker 1>done an incredible investigation of Sony's animation projects and what

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<v Speaker 1>they've got coming up. So we'll dip into that in

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<v Speaker 1>the omnibus. And remember, guys, I just got some DMS

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<v Speaker 1>about this, so I guess the Rebirth episodes are just

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<v Speaker 1>coming out. People are listening to them. They've seen Jurassic Park.

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<v Speaker 1>We will be at SDCC San Diego Comic Con. Xtra

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<v Speaker 1>Vision is gonna be there Thursday at twelve thirty. Our

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<v Speaker 1>panel with the Roddenbury Does It Fly Podcast will be

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<v Speaker 1>in Room twenty four ABC. Me and Jason will be

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<v Speaker 1>there on that panel talking science, pop culture, all the

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<v Speaker 1>things we love. Then come join us at Petco Park

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<v Speaker 1>at four pm for the chance to bid on real

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<v Speaker 1>Superman comic book art. And on Saturday we'll be retured

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<v Speaker 1>learning to pet Coo for a Godzilla auction with IDW

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<v Speaker 1>super seven and of course Den of Geek. Then you

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<v Speaker 1>want to hang out with Jason Concepcion, I know you do,

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<v Speaker 1>I know I do, And guess what, I'll be there

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<v Speaker 1>too with Joel and Ian and you can join us

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<v Speaker 1>at the Mission Brewery for a meet and greet and

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<v Speaker 1>a live podcast recording. But first let's talk about K

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<v Speaker 1>pop Demon Hunters. Okay, Aaron and Joel, welcome to the show.

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<v Speaker 2>Thank you very excited to go into some of the

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<v Speaker 2>best music to come out of film in a long time.

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<v Speaker 1>I feel like, yes, Aaron, let's talk. Let's start with you,

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<v Speaker 1>how did you hear about K pop Demon Hunters? Because

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<v Speaker 1>you were the early trendsetter for our pod on this one.

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<v Speaker 1>You were the one who saw it first.

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<v Speaker 2>So I think, as someone who is Chinese, I am

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<v Speaker 2>subscribed to or following a lot of Asian American art

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<v Speaker 2>accounts and influencers, and this started showing up quite a

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<v Speaker 2>bit as like, hey, this film is coming out on Netflix,

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<v Speaker 2>it's animated, it's about K pop stars. No shortage of

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<v Speaker 2>K pop focused shows or movies, but this one seemed

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<v Speaker 2>a little different and was like, you know, there have

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<v Speaker 2>been some other things with kind of fighting demons as

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<v Speaker 2>K pop stars, et cetera, but this seemed a little interesting.

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<v Speaker 2>So I watched it that opening weekend, and I think

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<v Speaker 2>in the beginning I was like, Wow, music's pretty good.

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<v Speaker 2>I'm surprised, and there's like a point where when they

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<v Speaker 2>go through Golden I was like, this is this is

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<v Speaker 2>not just like a couple good things. This is a

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<v Speaker 2>very well put together thing. And then I think what

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<v Speaker 2>sealed it for me was the Cat and the Magpie,

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<v Speaker 2>The Tiger and the Magpie. That I was just like, Okay,

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<v Speaker 2>I need to like pay one hundred percent attention because

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<v Speaker 2>this is like credible.

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<v Speaker 1>I need to be in.

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<v Speaker 2>Yes.

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<v Speaker 1>Yeah. So the movie was released on June twentieth, twenty

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<v Speaker 1>twenty five, on Netflix, directed by Maggie Kang Chris Applehans

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<v Speaker 1>and starring Ardentchoa's Roomy, Mayhong's Mirror, and Jijong Zhou as Zoe.

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<v Speaker 1>And they are three K pop superstars who are part

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<v Speaker 1>of a traditional lineage of demon hunters, and their role

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<v Speaker 1>is essentially to stop demons feeding on humans by creating

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<v Speaker 1>a magical kind of gate called the hon Moon or

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<v Speaker 1>the Golden hom Moon. And we get to see the

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<v Speaker 1>in a really lovely opening scene that again, I think

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<v Speaker 1>was the moment where I sort of understood, like, oh,

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<v Speaker 1>this isn't a K pop movie because k pop is

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<v Speaker 1>popular right now and Netflix wants to make something this

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<v Speaker 1>is a gorgeously animated sony movie with people who love

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<v Speaker 1>Korean music and love the history of cre culture. Yes,

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<v Speaker 1>and Korean culture. We get this gorgeous kind of We

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<v Speaker 1>open with this gorgeous look back through history. We get

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<v Speaker 1>to see the Demons, which are really really cool and

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<v Speaker 1>nicely designed and very interesting. But then we also get

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<v Speaker 1>to see the different trio girl groups through the ages,

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<v Speaker 1>which I thought was so fantastic and so lovely, and

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<v Speaker 1>we eventually get to see Hunterricks which is our main group, Rumy,

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<v Speaker 1>Mirror and Zoe, and they are trained by the very sexy,

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<v Speaker 1>older but very evil coded with her gray hair Selene,

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<v Speaker 1>who basically was a Demon Hunter and is now ready

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<v Speaker 1>for the girls to release their big bad song Golden, which,

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<v Speaker 1>as Aaron mentions, you get into and you start to

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<v Speaker 1>realize like, oh, these are the kind of songs that

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<v Speaker 1>are going to be in your head for a long time,

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<v Speaker 1>and also, as we have seen, have gone on to

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<v Speaker 1>become incredible smash hits K pop. Demon Hunters is the

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<v Speaker 1>highest charting soundtrack of twenty twenty five, earning what they

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<v Speaker 1>would say is like the equivalent of seventy five thousand

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<v Speaker 1>album units. In its third week, Golden is in the

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<v Speaker 1>top ten of the Hot one hundred with eighteen point

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<v Speaker 1>eight million streams, nine hundred and fifty thousand airplay impressions.

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<v Speaker 1>Thanks Variety, and the entire Demon Hunter's soundtrack has logged

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<v Speaker 1>ninety six million on demand official streams, so they're in

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<v Speaker 1>the twenty twenties. They've only have There been three other

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<v Speaker 1>soundtracks that have reached the top two on Billboard two

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<v Speaker 1>hundred Wicked, which debuted and peaked at number two, Barbie

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<v Speaker 1>also number two debut, and Encanto, which spent nine weeks

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<v Speaker 1>at number one in twenty twenty two and was second

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<v Speaker 1>in twenty twenty three. All of those were nominated, so

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<v Speaker 1>this is kind of a big gonna be a big

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<v Speaker 1>push for Netflix, even though that might not have been

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<v Speaker 1>their original plan, seeing as this is being seen as

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<v Speaker 1>a huge surprise, Joelle, before we start getting into the

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<v Speaker 1>surprises in the twist of capop themeon Hunters, how did

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<v Speaker 1>you find out about it?

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<v Speaker 3>So? I messaged our good friend Laura a few weeks

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<v Speaker 3>before it came out because she had been promoting it

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<v Speaker 3>on her page, and I was like, so, I'm seeing

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<v Speaker 3>it the posters and everything. It looks cool. Tell me

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<v Speaker 3>about it. And Lara was like, girl, it's so good,

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<v Speaker 3>and I was like, but how good is it really?

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<v Speaker 3>She's like She's like, I'm gonna hedge my bats because

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<v Speaker 3>they don't want to overhype it because again, the movie

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<v Speaker 3>was not out yet, so she's just enjoying all the

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<v Speaker 3>goodness by herself. And she was like, but I really

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<v Speaker 3>liked it, and I was like, Okay, I'm gonna give

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<v Speaker 3>it a shot. So when it first came out, I said, no,

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<v Speaker 3>I'm not going to get into it's too early and

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<v Speaker 3>my heart is tender. I fall in love with things

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<v Speaker 3>too easily. I'm gonna wait a day where my dog

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<v Speaker 3>was a daycare and my brother was out of the house,

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<v Speaker 3>and I said, no one will judge me for watching

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<v Speaker 3>this movie. Okay, I won't be interrupted.

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<v Speaker 1>In the cinephile household exactly.

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<v Speaker 3>I'm gonna buckle in and get into this. And I

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<v Speaker 3>was hooked. Like the airplane fight scene, like parachuting down

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<v Speaker 3>the stadium was way cool.

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<v Speaker 4>I agree, Like the tie you're in the bird the little.

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<v Speaker 3>Hat was always little and the tiger was little. I

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<v Speaker 3>just said, so cute. But then but then my favorite song,

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<v Speaker 3>this is what it sounds like? Yeah, I said this.

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<v Speaker 3>I will protect this movie with my life.

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<v Speaker 4>Who do I have to kill? This movie's everything to me,

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<v Speaker 4>that's all.

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<v Speaker 3>I baled so hard the first time they sound I

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<v Speaker 3>was like, this is so beautiful. What a great message.

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<v Speaker 3>Costumes are outstanding. I love the girls like.

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<v Speaker 4>And we get like a K drama. It's too many.

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<v Speaker 3>Good things and I really loved it.

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<v Speaker 1>I was looked, Yeah, I'm glad you brought up the

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<v Speaker 1>aeroplane sequence, because that is where we really get to

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<v Speaker 1>see kind of the girls in action, not just as

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<v Speaker 1>demon hunters, though they are delayed from going to the

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<v Speaker 1>show by demons who take over their airplane and they

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<v Speaker 1>take them over. But one of the things I loved

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<v Speaker 1>about this was the way that it understood. And it's

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<v Speaker 1>obviously it's kind of almost like a parasite thing where

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<v Speaker 1>I know that they are trying to make a movie

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<v Speaker 1>about a very unique experience, which is being a K

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<v Speaker 1>pop star, something we can't really relate to. But one

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<v Speaker 1>of the biggest tropes about K pop stars is they

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<v Speaker 1>love to eat right because of all the training and stuff,

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<v Speaker 1>and then they'll do mook bangs and and but that

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<v Speaker 1>is so universally relatable as a woman who has to

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<v Speaker 1>do stuff is like, yeah, I want to sit with

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<v Speaker 1>my friends in our nice outfits and eat fucking ramen

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<v Speaker 1>from a cup like that to me is so wonderful

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<v Speaker 1>and cozy and relatable and also plays into you know

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<v Speaker 1>what we see of K pop stars on talent shows

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<v Speaker 1>and daily star shows and stuff. So I loved it

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<v Speaker 1>and I love how they use gag animation for the faces,

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<v Speaker 1>very anime influenced, very Sailor Moon. So we begin with

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<v Speaker 1>this incredible fight. They land, they land down, and they're

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<v Speaker 1>about to launch. They want to have a rest, which

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<v Speaker 1>relatable after the show. I love this scene too, where

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<v Speaker 1>we get to see two of the girls, but Roomy

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<v Speaker 1>just can't wait. She's like, we're gonna release it. We're

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<v Speaker 1>not gonna have a break. We're gonna press play on

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<v Speaker 1>it right now. But she probably should have thought about that.

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<v Speaker 4>Roomy is me and I am Roomy. She was like,

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<v Speaker 4>stop working.

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<v Speaker 1>She was like I can't wait.

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<v Speaker 3>She's like, no, gross, now we have to keep working.

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<v Speaker 1>And I love that moment because I have been wrapped

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<v Speaker 1>up in my cardigan, in my little like robe, ready

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<v Speaker 1>to relax, and then had a friend come and be like,

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<v Speaker 1>so we're going out and I'm like, no, don't do.

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<v Speaker 3>It to me.

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<v Speaker 1>But this is this is the moment for me story wise,

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<v Speaker 1>I was just loving to be in the world. I

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<v Speaker 1>was loving the music, I loving the visuals. It's very

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<v Speaker 1>spider Us kind of style of bringing in new type

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<v Speaker 1>of animation. But it's the moment when we kind of

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<v Speaker 1>get this big reveal that Roomy is in fact losing

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<v Speaker 1>her voice. She goes up to the roof, she tries

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<v Speaker 1>to sing. We see the horm moon across the sky,

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<v Speaker 1>and that is when we learn, when she takes off

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<v Speaker 1>the jacket that she has the patterns that show that

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<v Speaker 1>you are a demon or at least part demon, and

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<v Speaker 1>they're kind of these purple tattoos. I just like screamed

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<v Speaker 1>at the TV and in that moment it worked for

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<v Speaker 1>me immediately as a massive twist, and I just couldn't

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<v Speaker 1>kind of believe how well it was done, how well

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<v Speaker 1>they set it up. It's such an obvious kind of

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<v Speaker 1>like from two worlds, can you save both? Set up?

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<v Speaker 1>But it works and they do such a great reveal

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<v Speaker 1>and then we start to really get into it. We

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<v Speaker 1>go to the demon realm, we see guem on his

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<v Speaker 1>nobody's demoning enough, everybody's getting failed by the Demon Hunt

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<v Speaker 1>as they're smashing them, and then done, we meet the

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<v Speaker 1>Saja boys.

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<v Speaker 3>Aaron first reaction to the Saga voice.

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<v Speaker 2>To I mean, I think first reaction to Genu his

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<v Speaker 2>introduction coming out playing a like, you know, I actually

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<v Speaker 2>don't remember what instrument it is, not a guitar but something,

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<v Speaker 2>you know, acoustic instrument singing there that was very powerful

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<v Speaker 2>to me. And then conjuring up these four other characters

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<v Speaker 2>voiced by kind of like a great all star cast

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<v Speaker 2>of career and talent too. Joel Kin Booster is in there,

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<v Speaker 2>song one show is in there, and like that their

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<v Speaker 2>intro is these hooded or not hooded, but these cloaked

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<v Speaker 2>figures with these hats and everything beautiful. And I love

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<v Speaker 2>the idea of like creating this demonic boy band. And

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<v Speaker 2>I think their introduction is so nice in comparison to

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<v Speaker 2>Huntricks's introduction where we learn all their backstory, and I

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<v Speaker 2>think a really nice way of filmmaking with fans fan

0:12:30.080 --> 0:12:32.439
<v Speaker 2>girling or fanboying out over each.

0:12:32.320 --> 0:12:35.160
<v Speaker 1>Character showing, oh my god.

0:12:35.160 --> 0:12:38.360
<v Speaker 2>Such a good lyricist and you know Owen and Roomy

0:12:38.480 --> 0:12:40.880
<v Speaker 2>is the diva, Oh my god, you know. So I

0:12:40.960 --> 0:12:43.480
<v Speaker 2>love the way they did that to intro each character

0:12:43.520 --> 0:12:47.839
<v Speaker 2>and keep it in like really quick succession and give

0:12:47.920 --> 0:12:50.440
<v Speaker 2>us just like more context for them as like K

0:12:50.600 --> 0:12:52.240
<v Speaker 2>pop idols are percent.

0:12:52.679 --> 0:12:56.880
<v Speaker 1>It also sets up a really great juxtaposition between Ginu,

0:12:56.920 --> 0:12:59.480
<v Speaker 1>who wants to like erase his human memories, who is

0:12:59.600 --> 0:13:03.200
<v Speaker 1>clearly like lonely and heartbroken, and this creation of the

0:13:03.280 --> 0:13:08.240
<v Speaker 1>Sager Boys, and like the comparison of how Huntrix gets

0:13:08.280 --> 0:13:10.880
<v Speaker 1>to live and how Huntrix is beloved and how Hundrix's

0:13:11.000 --> 0:13:13.240
<v Speaker 1>music is beloved. So the plan of the Saga Boys

0:13:13.280 --> 0:13:16.480
<v Speaker 1>is to essentially weaken the hormon drain all the energy

0:13:16.520 --> 0:13:20.880
<v Speaker 1>from the fans, and then in return, Genu wall have

0:13:21.040 --> 0:13:23.760
<v Speaker 1>his human memories gone, which means he won't be heartbroken anymore.

0:13:24.000 --> 0:13:28.079
<v Speaker 1>Very K drama set, they're are very very K drama sets.

0:13:28.160 --> 0:13:31.640
<v Speaker 2>Just the story of like stealing fans from another arrival

0:13:31.880 --> 0:13:35.560
<v Speaker 2>K pop group is also a very common K drama trope.

0:13:35.840 --> 0:13:40.960
<v Speaker 1>Yeah, I love how they have managed to manifest so

0:13:41.200 --> 0:13:45.840
<v Speaker 1>many of the brilliant feelings and emotions and tropes that

0:13:45.880 --> 0:13:48.679
<v Speaker 1>we get in K dramas, Like I watch a lot

0:13:48.720 --> 0:13:53.560
<v Speaker 1>of K dramas, and to see an animated show that

0:13:53.800 --> 0:13:59.640
<v Speaker 1>takes on the aesthetics and the intricacies and the romantic

0:13:59.720 --> 0:14:07.120
<v Speaker 1>relateationships is so pleasing and so enjoyable. So Ginu obviously

0:14:07.160 --> 0:14:10.880
<v Speaker 1>discovers Room is secret, because what else would happen and

0:14:10.920 --> 0:14:17.200
<v Speaker 1>then we learn that the demons are actually enslaved by

0:14:17.320 --> 0:14:20.680
<v Speaker 1>kind of the feelings of shame and sorrow. And it's

0:14:20.680 --> 0:14:24.440
<v Speaker 1>this I think there's this really interesting concept here of

0:14:24.480 --> 0:14:27.560
<v Speaker 1>the power of music and how music can be used. Aaron,

0:14:27.600 --> 0:14:30.480
<v Speaker 1>could you talk a little bit about that aspect of

0:14:30.520 --> 0:14:30.960
<v Speaker 1>the film.

0:14:31.240 --> 0:14:35.600
<v Speaker 2>So this is one of my favorite conversation topics about

0:14:36.040 --> 0:14:40.320
<v Speaker 2>film literature, anything that's not music. When as a musician,

0:14:40.360 --> 0:14:42.560
<v Speaker 2>I remember growing up I always wanted there to be

0:14:42.720 --> 0:14:46.680
<v Speaker 2>cool musician characters in other mediums to follow, and that

0:14:46.800 --> 0:14:49.400
<v Speaker 2>never really happens. I think like Name of the Wind

0:14:49.520 --> 0:14:51.480
<v Speaker 2>is like the first time really that I felt like,

0:14:51.560 --> 0:14:55.880
<v Speaker 2>oh wow, this musician is cool. And here I love

0:14:55.920 --> 0:14:58.160
<v Speaker 2>the way they did it. And I think that using

0:14:58.240 --> 0:15:02.800
<v Speaker 2>music both as like something to strengthen and bring people together,

0:15:02.920 --> 0:15:06.400
<v Speaker 2>but also this sort of mystical ancestral thing that's passed

0:15:06.400 --> 0:15:08.600
<v Speaker 2>down through generations, whether or not the music is the

0:15:08.640 --> 0:15:12.160
<v Speaker 2>same genre. They're showing these I mean very almost sinners

0:15:12.200 --> 0:15:15.080
<v Speaker 2>coded and like, here's how the music has transcended each

0:15:15.160 --> 0:15:19.080
<v Speaker 2>generation to do the same thing of bringing people together

0:15:19.080 --> 0:15:19.880
<v Speaker 2>and protecting them.

0:15:20.200 --> 0:15:20.760
<v Speaker 1>I love that.

0:15:20.920 --> 0:15:23.840
<v Speaker 2>And this is like maybe the third time in my

0:15:23.920 --> 0:15:26.080
<v Speaker 2>life when I've watched or read something and been like,

0:15:26.200 --> 0:15:29.480
<v Speaker 2>they made musicians seem cool. I'm very happy with that.

0:15:29.640 --> 0:15:31.960
<v Speaker 2>I like the idea of someone that can sing and

0:15:32.000 --> 0:15:34.360
<v Speaker 2>then conjure a glave out of thin air or a

0:15:34.400 --> 0:15:37.680
<v Speaker 2>sword and fight demons with it, and like also be

0:15:37.720 --> 0:15:38.480
<v Speaker 2>wrong at the site.

0:15:38.480 --> 0:15:41.200
<v Speaker 1>Okay, Aaron, you have to watch. There was this really

0:15:41.280 --> 0:15:45.440
<v Speaker 1>incredible animated movie that I was lucky enough. No, but

0:15:45.520 --> 0:15:48.760
<v Speaker 1>I love Kubo. There's a movie that I was lucky

0:15:48.840 --> 0:15:50.920
<v Speaker 1>enough to go and see with a friend who invited

0:15:50.960 --> 0:15:53.880
<v Speaker 1>me at the Arrow a few years ago. Now, wow,

0:15:53.880 --> 0:15:56.840
<v Speaker 1>it came out in twenty twenty one. It's called Inuo,

0:15:57.480 --> 0:16:00.960
<v Speaker 1>and it is set in like fourteenth century Pan but

0:16:01.040 --> 0:16:06.400
<v Speaker 1>it is about two guys who basically create like a

0:16:06.440 --> 0:16:10.440
<v Speaker 1>glam rock musical show in the fourteenth century of Japan.

0:16:10.520 --> 0:16:14.560
<v Speaker 1>It's honestly like a truly astounding movie. I immediately bought it.

0:16:14.560 --> 0:16:18.680
<v Speaker 1>It's directed by a Misaki Yuasa, who has made a

0:16:18.680 --> 0:16:21.360
<v Speaker 1>bunch of really famous stuff. I believe Ping Pong is

0:16:21.400 --> 0:16:24.800
<v Speaker 1>his most famous creation. He also actually did an episode

0:16:24.840 --> 0:16:28.040
<v Speaker 1>of Adventure Time because he's really cool. But Inuo is

0:16:28.120 --> 0:16:30.160
<v Speaker 1>one of the It was the first movie I thought

0:16:30.200 --> 0:16:32.720
<v Speaker 1>of when I watched this where I was like, oh,

0:16:32.840 --> 0:16:36.320
<v Speaker 1>this is a whole different way of showing how music

0:16:36.480 --> 0:16:39.680
<v Speaker 1>can influence people, how music can be brought to life

0:16:39.720 --> 0:16:42.560
<v Speaker 1>on screen, because I do as well love the visualization

0:16:42.880 --> 0:16:45.640
<v Speaker 1>of music. Here, Aaron, how did you feel as a musician,

0:16:46.120 --> 0:16:48.960
<v Speaker 1>do you ever have those kind of moments where you

0:16:49.000 --> 0:16:51.120
<v Speaker 1>can see your music as you play it? Or do

0:16:51.160 --> 0:16:53.240
<v Speaker 1>you feel like in this movement they managed to bring

0:16:53.320 --> 0:16:55.360
<v Speaker 1>something new to that because we don't get to see

0:16:55.400 --> 0:16:55.840
<v Speaker 1>that a lot.

0:16:56.360 --> 0:17:01.040
<v Speaker 2>Yeah, that's a that's a really big question. I think God,

0:17:01.040 --> 0:17:04.120
<v Speaker 2>I would love selfishly if at some point I felt

0:17:04.200 --> 0:17:06.840
<v Speaker 2>like my music was having that sort of impact of

0:17:06.880 --> 0:17:10.560
<v Speaker 2>strengthening the hun moon and you know, binding things together.

0:17:10.720 --> 0:17:15.120
<v Speaker 2>But I think what this does really well is it

0:17:15.240 --> 0:17:19.240
<v Speaker 2>feels so natural in how it's delivered within Because they're singers,

0:17:19.480 --> 0:17:21.159
<v Speaker 2>then that's like a huge part of it. But like,

0:17:22.160 --> 0:17:24.879
<v Speaker 2>if you're watching it as much as I love the

0:17:24.960 --> 0:17:28.040
<v Speaker 2>Disney Robin Hood, there's no real reason these characters should

0:17:28.040 --> 0:17:31.960
<v Speaker 2>be singing. There's no real reason Disney symbol needs to sing.

0:17:32.040 --> 0:17:34.200
<v Speaker 2>He just can't wait to be king. I get the emotion,

0:17:34.440 --> 0:17:36.760
<v Speaker 2>but like, where is it coming from? Here? It makes

0:17:36.840 --> 0:17:41.399
<v Speaker 2>total sense, and that's a such a victory for everyone

0:17:41.520 --> 0:17:44.600
<v Speaker 2>on the music side of things, that these songs seamlessly

0:17:44.600 --> 0:17:49.080
<v Speaker 2>fit into this whole thing, whether it be Genu and

0:17:49.160 --> 0:17:52.600
<v Speaker 2>Roomy singing together this like forlorn love song, whether it

0:17:52.640 --> 0:17:56.840
<v Speaker 2>be them writing and performing Takedown, whether it's them you know,

0:17:56.960 --> 0:18:01.480
<v Speaker 2>on the plane like kicking there the demon's ass while

0:18:01.520 --> 0:18:03.719
<v Speaker 2>they're getting ready to drop into the show. I mean,

0:18:03.760 --> 0:18:07.800
<v Speaker 2>there's so many just points where this movie does it perfectly.

0:18:07.880 --> 0:18:11.960
<v Speaker 3>I think Soda Pop, I mean the introduction of that song,

0:18:12.119 --> 0:18:14.960
<v Speaker 3>literally seeing it catch up like these are fans as

0:18:15.040 --> 0:18:19.040
<v Speaker 3>extras in this movie is really well done because you see, like, Okay,

0:18:19.040 --> 0:18:23.120
<v Speaker 3>you're so much Yes, you're the old walking grannies, You're

0:18:23.640 --> 0:18:26.879
<v Speaker 3>the group of male friends who really dig K pop.

0:18:26.920 --> 0:18:28.760
<v Speaker 4>Here are your teeney boppers.

0:18:28.760 --> 0:18:31.200
<v Speaker 3>Who stands sort of like more the rapper, more folks

0:18:31.280 --> 0:18:33.639
<v Speaker 3>on the dancer, and like, you know, I love the

0:18:33.720 --> 0:18:35.000
<v Speaker 3>two crying guys.

0:18:35.160 --> 0:18:37.680
<v Speaker 2>Here's here's the kid who always rips the shirt off

0:18:37.720 --> 0:18:39.680
<v Speaker 2>to have the other band's shirt underneath.

0:18:39.800 --> 0:18:44.320
<v Speaker 3>Yeah, yeah, so conflicted. And I think like the introduction

0:18:44.359 --> 0:18:48.160
<v Speaker 3>of Sodapop botha is a like overly sweet, like hiding

0:18:48.200 --> 0:18:51.879
<v Speaker 3>the sort of like evilness. But then also this catchy

0:18:51.960 --> 0:18:55.480
<v Speaker 3>jam that everybody, even our girls like, can't stop shimmying

0:18:55.480 --> 0:18:58.360
<v Speaker 3>their shoulders too. Like it's just such a wonderful musical

0:18:58.359 --> 0:19:02.120
<v Speaker 3>introduction and it really shows like the threat to them

0:19:02.359 --> 0:19:05.600
<v Speaker 3>musically so quick when people boards start popping up right after.

0:19:05.800 --> 0:19:08.480
<v Speaker 4>Like this visual storytelling is like on another level here.

0:19:08.640 --> 0:19:10.720
<v Speaker 1>I also think that's a great point too, is this

0:19:10.760 --> 0:19:14.600
<v Speaker 1>isn't a movie that has one great band. This is

0:19:14.600 --> 0:19:17.440
<v Speaker 1>a movie that had to make two great bands. And

0:19:17.480 --> 0:19:23.080
<v Speaker 1>as kind of the Saga Boys grow in popularity. Obviously

0:19:23.160 --> 0:19:28.280
<v Speaker 1>they're beautiful, they're great dancers, they're great singers, they got abs,

0:19:28.359 --> 0:19:32.320
<v Speaker 1>they got cool costumes, and Hunterricks try to make this

0:19:32.400 --> 0:19:35.399
<v Speaker 1>new song take down, which I this is where I

0:19:35.400 --> 0:19:40.880
<v Speaker 1>thought the movie really showcases its emotional intelligence because they

0:19:40.960 --> 0:19:44.479
<v Speaker 1>essentially have this story and this song that's about like

0:19:44.520 --> 0:19:47.200
<v Speaker 1>it's an anti demon kind of song. It's We're gonna

0:19:47.200 --> 0:19:51.040
<v Speaker 1>take you out. And Rumy becomes conflicted and starts to

0:19:51.080 --> 0:19:53.720
<v Speaker 1>feel like shame and worry, and that's when she comes

0:19:53.800 --> 0:19:57.080
<v Speaker 1>up with this plan to work with Gino and together

0:19:57.200 --> 0:20:00.440
<v Speaker 1>maybe they can save the hon Moon, help them win

0:20:00.520 --> 0:20:03.520
<v Speaker 1>the award, and then he can stay on this side,

0:20:03.560 --> 0:20:05.560
<v Speaker 1>say he can stay here too, and.

0:20:05.600 --> 0:20:07.520
<v Speaker 4>Isn't that a boyfriend?

0:20:07.760 --> 0:20:13.240
<v Speaker 1>Isn't that what four year old hot boyfriend? Boyfriend?

0:20:14.520 --> 0:20:16.840
<v Speaker 4>The literature tells us. This is what the ladies are.

0:20:17.280 --> 0:20:22.320
<v Speaker 1>Hundred year old hot boyfriend who has been up with demons.

0:20:22.359 --> 0:20:24.840
<v Speaker 1>He's been fighting. Maybe he's killed a few people, but

0:20:24.880 --> 0:20:26.560
<v Speaker 1>you know what, he would never do. He would never

0:20:26.680 --> 0:20:29.800
<v Speaker 1>hurt us. That's the class Tigerie.

0:20:30.480 --> 0:20:32.920
<v Speaker 4>Yes, or reveal your secret? Can we talk?

0:20:32.960 --> 0:20:34.440
<v Speaker 3>Okay, wait, we'll we come back. We're going to talk

0:20:34.480 --> 0:20:37.960
<v Speaker 3>about the scene where he hides her demon mark because wow,

0:20:38.080 --> 0:20:38.560
<v Speaker 3>thank you.

0:20:52.880 --> 0:20:54.520
<v Speaker 4>Okay, we're back.

0:20:54.640 --> 0:20:57.560
<v Speaker 1>We're back, Joel, talk about it. Gush, gush, gush.

0:20:57.720 --> 0:20:58.000
<v Speaker 4>Okay.

0:20:58.040 --> 0:21:00.600
<v Speaker 3>So my mom is really into CA dramas. She discovered

0:21:00.600 --> 0:21:03.000
<v Speaker 3>them on wearing Netflix. Thank you for introducing us to

0:21:03.040 --> 0:21:08.400
<v Speaker 3>global television as in your Americans. It's been really beautiful. Yeah,

0:21:08.440 --> 0:21:11.000
<v Speaker 3>she loves them. She gobbles them up. She came over,

0:21:11.080 --> 0:21:13.359
<v Speaker 3>created an entire channel on my Netflix so she could

0:21:13.359 --> 0:21:16.280
<v Speaker 3>watch her K dramas. And so I've learned a lot

0:21:16.280 --> 0:21:20.080
<v Speaker 3>about the K drama tropes and uh, I'll keep your

0:21:20.119 --> 0:21:22.280
<v Speaker 3>secret for you. Trope is easily one of my favorites.

0:21:22.359 --> 0:21:25.240
<v Speaker 3>It's so like, I mean, so easy to swoop into

0:21:25.520 --> 0:21:27.240
<v Speaker 3>romance that way, A lot of K dramas have a

0:21:27.280 --> 0:21:30.879
<v Speaker 3>lot of similarities with like Victorian romance literature, which is

0:21:30.920 --> 0:21:32.960
<v Speaker 3>a lot of we cannot touch and no one can.

0:21:32.840 --> 0:21:33.680
<v Speaker 4>Know we like each other.

0:21:33.720 --> 0:21:36.800
<v Speaker 3>So they'll be yearning so much yearning longings here and

0:21:36.840 --> 0:21:39.600
<v Speaker 3>they effing nail it, like she can't tell her friends

0:21:39.680 --> 0:21:42.119
<v Speaker 3>that she's a demon or that she's like having this

0:21:42.240 --> 0:21:45.600
<v Speaker 3>crushed like flirty time with a demon. He knows all

0:21:45.640 --> 0:21:47.960
<v Speaker 3>of the secrets and possibly more because he's already on

0:21:48.000 --> 0:21:50.200
<v Speaker 3>the other side of the demon culture, so he alos

0:21:50.240 --> 0:21:50.840
<v Speaker 3>doing on there.

0:21:50.960 --> 0:21:53.919
<v Speaker 1>He is keeping his own secret, which I love because

0:21:54.280 --> 0:21:57.800
<v Speaker 1>he has his own shame. I also think, and this

0:21:57.840 --> 0:22:00.320
<v Speaker 1>is something I would love. Maybe who knows the movie

0:22:00.400 --> 0:22:02.920
<v Speaker 1>keeps popping off. If it really becomes a FYC movie,

0:22:02.920 --> 0:22:06.200
<v Speaker 1>which I think it will becomes the astome movie for Netflix,

0:22:06.520 --> 0:22:08.400
<v Speaker 1>maybe we can have Laura on because I would also.

0:22:08.560 --> 0:22:11.439
<v Speaker 1>I feel like something that's quite deep about this movie

0:22:12.080 --> 0:22:16.119
<v Speaker 1>is it uses the context of the demons and the

0:22:16.480 --> 0:22:19.040
<v Speaker 1>kind of way that they make people feel shame, and

0:22:19.680 --> 0:22:22.000
<v Speaker 1>the fact that Ginu has this secret that he left

0:22:22.040 --> 0:22:25.159
<v Speaker 1>his family when he gained fame, and I think that

0:22:25.960 --> 0:22:30.199
<v Speaker 1>there has been a lot of complexity and exploitation in

0:22:30.280 --> 0:22:33.720
<v Speaker 1>the real world of kpop, and over the last ten

0:22:33.840 --> 0:22:36.879
<v Speaker 1>years there has been a shift to a more open,

0:22:37.000 --> 0:22:40.200
<v Speaker 1>transparent conversation around that kind of stuff. And I found

0:22:40.200 --> 0:22:44.440
<v Speaker 1>this to be quite profound in its way of talking

0:22:44.480 --> 0:22:48.200
<v Speaker 1>about fame through this kind of supernatural lens, but being

0:22:48.240 --> 0:22:51.080
<v Speaker 1>realistic about the choices people have to make, the people

0:22:51.080 --> 0:22:54.119
<v Speaker 1>they have to leave behind, the things that you have

0:22:54.200 --> 0:22:56.680
<v Speaker 1>to do, like lying to your friends. These three are

0:22:57.200 --> 0:23:00.280
<v Speaker 1>an ideal friendship. You love them, you want to root

0:23:00.320 --> 0:23:02.560
<v Speaker 1>for them, but she cannot tell them this deepest truth

0:23:02.560 --> 0:23:05.439
<v Speaker 1>about herself in case it impacts their fame as a

0:23:05.440 --> 0:23:07.720
<v Speaker 1>band and their role in life. I just think that

0:23:08.160 --> 0:23:11.000
<v Speaker 1>is really deep, and I think it's another reason that

0:23:11.040 --> 0:23:14.800
<v Speaker 1>people are finding this movie because it has so many layers.

0:23:14.840 --> 0:23:18.359
<v Speaker 1>Banging music, incredible animation, but also a story that I

0:23:18.400 --> 0:23:23.760
<v Speaker 1>think is is quite profound and real. Yeeah go for

0:23:23.920 --> 0:23:24.720
<v Speaker 1>Aaron No.

0:23:24.760 --> 0:23:26.359
<v Speaker 2>I was gonna say one hundred percent, I mean, and

0:23:26.400 --> 0:23:29.560
<v Speaker 2>that's I think. I'm excited. You know. In a little bit,

0:23:29.640 --> 0:23:31.399
<v Speaker 2>I'm going to talk more about the music. Joelle's going

0:23:31.440 --> 0:23:33.720
<v Speaker 2>to talk some more about the animation and some of

0:23:33.760 --> 0:23:36.320
<v Speaker 2>the things that we think really made this stand out

0:23:36.359 --> 0:23:39.080
<v Speaker 2>over any number of other animated movies that have come

0:23:39.080 --> 0:23:42.639
<v Speaker 2>out in the past, musical or otherwise. I mean, this,

0:23:42.640 --> 0:23:46.479
<v Speaker 2>this is up there. I think with Disney animated pieces

0:23:46.440 --> 0:23:48.600
<v Speaker 2>of question like this is this is very.

0:23:48.520 --> 0:23:51.639
<v Speaker 1>High Ironically, I actually yeah, I think you make a

0:23:51.680 --> 0:23:54.119
<v Speaker 1>great point because I think that one of the biggest

0:23:54.160 --> 0:23:56.960
<v Speaker 1>struggles all animated movies have had is living up to

0:23:57.080 --> 0:24:00.480
<v Speaker 1>your say Beauty and the Beast or your Little Mermaid

0:24:00.640 --> 0:24:02.919
<v Speaker 1>or You're a Laddin, where you just have these absolute

0:24:02.960 --> 0:24:07.240
<v Speaker 1>banger songs that become part of the cultural lexicon. The

0:24:07.320 --> 0:24:10.399
<v Speaker 1>thing is, if you listen and I do as you

0:24:10.400 --> 0:24:12.600
<v Speaker 1>will know I listened to a lot of Disney music.

0:24:12.680 --> 0:24:14.320
<v Speaker 1>I listened to a lot of musicals. I listened to

0:24:14.359 --> 0:24:16.520
<v Speaker 1>a lot of Wicked. If you put that on the

0:24:16.520 --> 0:24:19.480
<v Speaker 1>car in the Orcs with the wrong person, someone's gonna

0:24:19.480 --> 0:24:22.800
<v Speaker 1>be like, oh, not musical music. It's not Disney song.

0:24:23.000 --> 0:24:26.199
<v Speaker 1>You want to listen to a whole new world. But

0:24:26.240 --> 0:24:28.040
<v Speaker 1>you know what, if you want to listen to any

0:24:28.080 --> 0:24:29.800
<v Speaker 1>song from this, people are going to be like, that's

0:24:29.840 --> 0:24:32.920
<v Speaker 1>a banger. And I think that has set a new

0:24:33.000 --> 0:24:36.199
<v Speaker 1>stage because spite of us didn't have original songs, we

0:24:36.359 --> 0:24:38.840
<v Speaker 1>haven't dream works. Basically just was like, we're not going

0:24:38.920 --> 0:24:41.440
<v Speaker 1>to do that and did needle drops with Shrek and stuff.

0:24:41.680 --> 0:24:44.320
<v Speaker 1>So in that way, Aaron, you bring up a great point.

0:24:44.440 --> 0:24:50.400
<v Speaker 1>This is a true competitor and maybe a new kind

0:24:50.480 --> 0:24:53.800
<v Speaker 1>of watermark for what people are going to expect from

0:24:53.840 --> 0:24:57.640
<v Speaker 1>animated musical films. And we get, you know, this big

0:24:57.680 --> 0:25:02.200
<v Speaker 1>performance of Golden to kind of perfor to promote this

0:25:02.320 --> 0:25:04.919
<v Speaker 1>idea of everyone coming together at the awards. When the

0:25:04.920 --> 0:25:09.560
<v Speaker 1>Sogat Boys don't turn up obviously, we get this big,

0:25:10.359 --> 0:25:15.440
<v Speaker 1>big imposter demon fight they split roomy up, and then

0:25:15.760 --> 0:25:19.040
<v Speaker 1>you know, we get that performance of Takedown, which is

0:25:19.080 --> 0:25:24.960
<v Speaker 1>so incredible, and we see the reveal and it feels like,

0:25:26.320 --> 0:25:31.160
<v Speaker 1>you know, that ultimate heartbreak moment that you can't come

0:25:31.200 --> 0:25:34.919
<v Speaker 1>back from, and I think it's kind of incredible again

0:25:35.680 --> 0:25:38.600
<v Speaker 1>to be able to bring that to life in an

0:25:38.600 --> 0:25:42.639
<v Speaker 1>animated movie. This is not like your minor conflict, Like

0:25:42.720 --> 0:25:46.720
<v Speaker 1>this is a heartbreaking thing like Gino Trickter he lied

0:25:46.760 --> 0:25:48.760
<v Speaker 1>about his past. She has to go up there and

0:25:48.800 --> 0:25:53.000
<v Speaker 1>reveal who she truly is. Like it's so so well done,

0:25:53.080 --> 0:25:55.520
<v Speaker 1>and again, as you say, you're all so k drama.

0:25:55.560 --> 0:25:58.720
<v Speaker 1>One of my favorite rewatch K dramas is Cinderella and

0:25:58.800 --> 0:26:01.720
<v Speaker 1>Four Nights, which is one of my favorite tropes, which

0:26:01.760 --> 0:26:06.400
<v Speaker 1>is a broke girl who meets a billionaire and then

0:26:06.440 --> 0:26:09.119
<v Speaker 1>has to move in with him and his four billionaire car,

0:26:11.560 --> 0:26:14.280
<v Speaker 1>you know, and she does date basically all of them,

0:26:14.680 --> 0:26:18.479
<v Speaker 1>but then in that final watch is one you know,

0:26:18.520 --> 0:26:19.960
<v Speaker 1>and then you have to choose at the end. But

0:26:20.080 --> 0:26:22.800
<v Speaker 1>I remember when the conflict of that show happened, it

0:26:22.920 --> 0:26:25.639
<v Speaker 1>hit me so deeply because I was just rooting for

0:26:25.680 --> 0:26:28.240
<v Speaker 1>her and rooting for this other guy who is also poor,

0:26:28.280 --> 0:26:31.159
<v Speaker 1>who had found out he's a cousin by his you know,

0:26:31.240 --> 0:26:34.719
<v Speaker 1>illicit dad, and he wasn't used to being rich. But

0:26:35.160 --> 0:26:37.920
<v Speaker 1>that was the thought. I was like, Oh, these shows

0:26:38.720 --> 0:26:41.760
<v Speaker 1>managed to hit in a way emotionally that a lot

0:26:41.800 --> 0:26:46.000
<v Speaker 1>of like American prestige TV doesn't even interested in exploring,

0:26:46.359 --> 0:26:47.920
<v Speaker 1>you know, they want to make you feel bummed out,

0:26:47.960 --> 0:26:50.160
<v Speaker 1>but they don't want you to.

0:26:50.160 --> 0:26:53.040
<v Speaker 3>About your set pieces, which I think American prestige TV

0:26:53.320 --> 0:26:59.600
<v Speaker 3>is either extremely dialogue theater focused or big flashy set

0:26:59.640 --> 0:27:02.600
<v Speaker 3>piece is on like a cinematic scale focus that sort

0:27:02.640 --> 0:27:07.679
<v Speaker 3>of has been if you think about our broadcast TV. Yeah,

0:27:08.520 --> 0:27:10.520
<v Speaker 3>broadcast TV days like in order to be good TV.

0:27:10.560 --> 0:27:13.399
<v Speaker 3>You just had to have good dialogue writing. When we

0:27:13.440 --> 0:27:16.280
<v Speaker 3>got to our streaming and our big you know, our

0:27:16.400 --> 0:27:19.480
<v Speaker 3>hbos H spaces, then yes, then we could we could

0:27:19.520 --> 0:27:22.720
<v Speaker 3>move into the cinematic giant action pieces, and so that

0:27:22.760 --> 0:27:26.480
<v Speaker 3>became a thing. And so with I think K dramas specifically,

0:27:26.520 --> 0:27:29.400
<v Speaker 3>because these studios are churning out so many at such

0:27:29.440 --> 0:27:31.520
<v Speaker 3>a fast rate, what you really have to do is

0:27:31.680 --> 0:27:35.240
<v Speaker 3>like sink into the characters because also you're doing many,

0:27:35.280 --> 0:27:36.400
<v Speaker 3>many episodes, and.

0:27:36.320 --> 0:27:39.240
<v Speaker 1>The cost is often much lower than an American dege.

0:27:39.280 --> 0:27:41.320
<v Speaker 4>We don't have time, gotta go.

0:27:41.480 --> 0:27:44.200
<v Speaker 1>Also, something they don't really talk you know, that hasn't

0:27:44.240 --> 0:27:46.240
<v Speaker 1>really been talked about, but I talk about a lot

0:27:46.359 --> 0:27:50.640
<v Speaker 1>is like so many K dramas are adapted from comic books,

0:27:50.680 --> 0:27:54.240
<v Speaker 1>online webtoons by women. So I also think it is

0:27:54.280 --> 0:27:58.879
<v Speaker 1>like a completely different perspective on what entertainment can and

0:27:58.920 --> 0:28:03.040
<v Speaker 1>should be. And I think they translate that here really

0:28:03.160 --> 0:28:07.600
<v Speaker 1>well by adding relationships that you root for, characters that

0:28:07.640 --> 0:28:12.320
<v Speaker 1>you care about, and also allowing characters who have secrets

0:28:12.400 --> 0:28:17.560
<v Speaker 1>to redeem themselves and to be honest and to find happiness.

0:28:17.880 --> 0:28:21.480
<v Speaker 1>And that is essentially like we we get there's the

0:28:21.560 --> 0:28:24.879
<v Speaker 1>demon Gemar, he comes back, he puts everyone in an

0:28:24.920 --> 0:28:28.320
<v Speaker 1>evil trance. We have to see the Serja Boys final performance,

0:28:28.320 --> 0:28:31.119
<v Speaker 1>which is gonna you know, destroy the horn Moon, but

0:28:31.240 --> 0:28:36.000
<v Speaker 1>of course that doesn't happen because Rumy interrupts the performance

0:28:36.160 --> 0:28:41.880
<v Speaker 1>and does this song about like it's about like shame

0:28:42.240 --> 0:28:46.960
<v Speaker 1>and fear and honesty and pain and what it feels

0:28:47.080 --> 0:28:50.440
<v Speaker 1>like to keep a secret. And I also loved the

0:28:50.760 --> 0:28:54.240
<v Speaker 1>show the kind of confrontation between Rumy and Selene, because

0:28:54.280 --> 0:28:56.680
<v Speaker 1>early on I had assumed that Selene was like part

0:28:56.720 --> 0:28:59.240
<v Speaker 1>of the villainous story just because of the way they

0:28:59.280 --> 0:29:01.880
<v Speaker 1>were playing out cool and so she's so cool, and

0:29:02.240 --> 0:29:04.400
<v Speaker 1>also the fact that she wanted me to keep it

0:29:04.440 --> 0:29:08.560
<v Speaker 1>a secret her demon marks rather than just embracing her.

0:29:09.000 --> 0:29:11.960
<v Speaker 1>And I thought that there was something very real about

0:29:11.960 --> 0:29:15.280
<v Speaker 1>the writing and that scene where they have the showdown

0:29:15.280 --> 0:29:18.840
<v Speaker 1>between the two of them and really like Selena is

0:29:19.040 --> 0:29:21.880
<v Speaker 1>still trying to protect Rumy and be like, I can

0:29:21.920 --> 0:29:25.280
<v Speaker 1>cover this up for you, but she doesn't understand that

0:29:25.280 --> 0:29:27.880
<v Speaker 1>that is not what Rumy wants. So you know, that

0:29:28.000 --> 0:29:29.320
<v Speaker 1>just feels like a novel.

0:29:31.040 --> 0:29:33.600
<v Speaker 3>Which is so excited for the sequel to be, like

0:29:33.840 --> 0:29:34.760
<v Speaker 3>who is the father?

0:29:35.000 --> 0:29:37.360
<v Speaker 4>Please, let's mort demon daddy.

0:29:37.720 --> 0:29:39.080
<v Speaker 1>I need to know the demon daddy.

0:29:39.160 --> 0:29:42.040
<v Speaker 3>And I love the idea of like, hey, I understand

0:29:42.040 --> 0:29:43.440
<v Speaker 3>that you love me, but if you don't love all

0:29:43.480 --> 0:29:45.320
<v Speaker 3>of me, this does not work for us.

0:29:45.360 --> 0:29:46.080
<v Speaker 4>I thought that was.

0:29:46.120 --> 0:29:48.880
<v Speaker 3>Really beautiful and for her to immediately go from that

0:29:49.080 --> 0:29:52.800
<v Speaker 3>to like, this is the sound of my truth to

0:29:52.880 --> 0:29:53.240
<v Speaker 3>her friend.

0:29:53.240 --> 0:29:55.360
<v Speaker 4>This is my favorite part of any musical. It's like

0:29:55.400 --> 0:29:55.640
<v Speaker 4>all the.

0:29:55.680 --> 0:30:00.000
<v Speaker 3>Voices are joining yes, yes, yes, you're going like that incredible.

0:30:00.160 --> 0:30:05.120
<v Speaker 1>I talk a lot about in my opinion because of

0:30:05.160 --> 0:30:07.240
<v Speaker 1>how great the music is and because of the story

0:30:07.400 --> 0:30:10.880
<v Speaker 1>the very underrated Disney movie Wish, but I would also say,

0:30:10.920 --> 0:30:14.920
<v Speaker 1>like visually compared to this, that it makes Wish look

0:30:15.320 --> 0:30:18.800
<v Speaker 1>really awful. They made some interesting choices with like rotoscoping,

0:30:19.160 --> 0:30:21.560
<v Speaker 1>but it does have one of my all time favorites.

0:30:21.560 --> 0:30:23.240
<v Speaker 1>And I thought about this at the end where it's

0:30:23.680 --> 0:30:27.240
<v Speaker 1>there's a great song, it's Ariana debos is that play

0:30:27.320 --> 0:30:29.680
<v Speaker 1>is the main character, and she has this great song

0:30:30.000 --> 0:30:32.479
<v Speaker 1>about the wish, which is the big kind of like

0:30:34.040 --> 0:30:35.840
<v Speaker 1>oh I'm gonna do it, I'm gonna go on my

0:30:35.920 --> 0:30:38.240
<v Speaker 1>own way, and it's about this idea that she makes

0:30:38.280 --> 0:30:40.200
<v Speaker 1>this wish for her community to be able to have

0:30:40.240 --> 0:30:42.640
<v Speaker 1>control over their own dreams. And it's so great, It's

0:30:42.640 --> 0:30:45.800
<v Speaker 1>so brilliantly written. I love it. And the final song

0:30:46.400 --> 0:30:51.720
<v Speaker 1>is the entire village comes together and sings the song,

0:30:52.200 --> 0:30:54.960
<v Speaker 1>and like, just thinking about it is giving me goosebumps.

0:30:55.360 --> 0:30:57.960
<v Speaker 1>But I have often found that in recent years it

0:30:58.080 --> 0:31:01.400
<v Speaker 1>is a compromise if you get great songs or you

0:31:01.480 --> 0:31:03.920
<v Speaker 1>get you know, Frozen two, a movie that loads of

0:31:03.920 --> 0:31:06.920
<v Speaker 1>people love that had really great songs, but you had

0:31:07.320 --> 0:31:11.480
<v Speaker 1>the storyline is very complicated and honestly pretty problematic, And

0:31:11.520 --> 0:31:13.600
<v Speaker 1>there's always seems to be this kind of trade off

0:31:14.000 --> 0:31:17.200
<v Speaker 1>in modern animation because they have to make the audiences

0:31:17.240 --> 0:31:19.160
<v Speaker 1>like they think it's for young kids, but they want

0:31:19.200 --> 0:31:22.200
<v Speaker 1>to have songs that people like. And this feels like

0:31:22.520 --> 0:31:26.560
<v Speaker 1>somehow they manage to create something where the quality of

0:31:26.560 --> 0:31:29.560
<v Speaker 1>the storytelling and animation is as high as the quality

0:31:29.600 --> 0:31:32.640
<v Speaker 1>of the stories, and that all of those pieces work together.

0:31:33.200 --> 0:31:37.160
<v Speaker 1>And I think that also as well. Something you know,

0:31:38.080 --> 0:31:41.080
<v Speaker 1>I'm guessing that this is the people who made this

0:31:41.160 --> 0:31:43.840
<v Speaker 1>movie obviously read a lot of fanfic and watch a

0:31:43.840 --> 0:31:47.320
<v Speaker 1>lot of movies, and the way that Ginu like sacrifices

0:31:47.440 --> 0:31:54.240
<v Speaker 1>himself ultimately and then basically becomes one with Rumy and

0:31:54.280 --> 0:31:59.640
<v Speaker 1>that's how she is saved. Is like so ultimately romantic

0:32:00.080 --> 0:32:04.840
<v Speaker 1>and just like yeah, a total kind of incredible situation.

0:32:04.920 --> 0:32:09.520
<v Speaker 1>And also I like that it also gives us kind

0:32:09.520 --> 0:32:13.560
<v Speaker 1>of like a romance doesn't save the day kind of

0:32:13.680 --> 0:32:16.160
<v Speaker 1>ending to where at the end she is just chilling

0:32:17.200 --> 0:32:19.600
<v Speaker 1>her marked with her friends and the boy is gone,

0:32:19.640 --> 0:32:21.640
<v Speaker 1>Like that was great love that put you're a stored

0:32:21.680 --> 0:32:23.240
<v Speaker 1>soul in me. But now it's just me and my

0:32:23.320 --> 0:32:25.840
<v Speaker 1>crew and we're gonna go see our fans. And yeah,

0:32:25.840 --> 0:32:28.560
<v Speaker 1>I mean that is a K Pop Demon Hunter as

0:32:28.560 --> 0:32:31.400
<v Speaker 1>the recap, and it is such a fantastic movie. It's

0:32:31.440 --> 0:32:35.120
<v Speaker 1>hard to tell you, guys even how great it is

0:32:35.200 --> 0:32:37.520
<v Speaker 1>by our conversation, but make sure that you go watch

0:32:37.560 --> 0:32:41.440
<v Speaker 1>it on Netflix. And then when we've come back, Aaron

0:32:41.560 --> 0:32:43.760
<v Speaker 1>is going to talk to us about the music of

0:32:44.040 --> 0:33:01.800
<v Speaker 1>K Pop Demon Hunters. And we're back. Am we ready

0:33:01.880 --> 0:33:06.360
<v Speaker 1>to unleash Aaron the talented musician and super producer onto

0:33:06.600 --> 0:33:08.960
<v Speaker 1>your airwaves to tell you everything you need to know

0:33:08.960 --> 0:33:10.360
<v Speaker 1>about this incredible soundtrack.

0:33:10.520 --> 0:33:12.440
<v Speaker 2>So I thought it was important to talk about some

0:33:12.480 --> 0:33:14.200
<v Speaker 2>of the backgrounds of the music as well as the

0:33:14.280 --> 0:33:18.200
<v Speaker 2>voices because the singing voices were very intentionally chosen for

0:33:18.240 --> 0:33:19.920
<v Speaker 2>each of the three leads, as well as for the

0:33:19.960 --> 0:33:23.600
<v Speaker 2>Saga boys. But I think, you know, we talked, we

0:33:23.640 --> 0:33:26.560
<v Speaker 2>mentioned some other musicals, whether they be sort of stage

0:33:26.640 --> 0:33:29.640
<v Speaker 2>musicals like Wicked, whether it be something like Disney movie.

0:33:29.840 --> 0:33:32.800
<v Speaker 2>A lot of times those kind of musicals, the music

0:33:32.880 --> 0:33:35.920
<v Speaker 2>is written by one or two people. It's someone doing

0:33:35.960 --> 0:33:38.720
<v Speaker 2>the libretto. You know, it's a small group. One of

0:33:38.760 --> 0:33:40.960
<v Speaker 2>the things that I thought was amazing about this they

0:33:41.040 --> 0:33:44.080
<v Speaker 2>treated this like a Rayana album. So this has been

0:33:44.080 --> 0:33:47.600
<v Speaker 2>in production for three years. And Ian Eisendraft, who was

0:33:47.640 --> 0:33:50.400
<v Speaker 2>the executive music producer. He conducted, arranged, he was a

0:33:50.480 --> 0:33:53.840
<v Speaker 2>vocal producer. He worked closely with the Black Label, which

0:33:53.840 --> 0:33:56.840
<v Speaker 2>is a South Korean record label. So they had teams

0:33:56.840 --> 0:33:58.440
<v Speaker 2>of people working on each song.

0:33:58.800 --> 0:33:59.720
<v Speaker 1>For each scene that.

0:33:59.680 --> 0:34:03.120
<v Speaker 2>Had a they would create five, six, seven different tracks

0:34:04.000 --> 0:34:06.560
<v Speaker 2>and try to figure out which one fit the story best.

0:34:06.920 --> 0:34:10.400
<v Speaker 2>So there are multiple interviews with the cast or the

0:34:10.440 --> 0:34:13.520
<v Speaker 2>writers talking about like, oh yeah, Golden, this was the

0:34:13.520 --> 0:34:15.960
<v Speaker 2>fifth thing that we came up with here and one

0:34:16.080 --> 0:34:18.640
<v Speaker 2>this happened to be perfect, and so this worked. And

0:34:18.680 --> 0:34:21.480
<v Speaker 2>then as we were recording it, you would do a verse,

0:34:21.880 --> 0:34:24.040
<v Speaker 2>write the verse, record the verse, send it to the team,

0:34:24.160 --> 0:34:27.160
<v Speaker 2>the producers and director. They would okay, like, yes, this

0:34:27.320 --> 0:34:29.319
<v Speaker 2>verse hits the story beat what we want?

0:34:29.440 --> 0:34:30.279
<v Speaker 1>Okay, cool, do.

0:34:30.280 --> 0:34:33.239
<v Speaker 2>The next verse and then do the bridge separately. And

0:34:33.320 --> 0:34:36.719
<v Speaker 2>so it was a very much like collaborative thing across

0:34:37.120 --> 0:34:41.520
<v Speaker 2>different countries, different writers all around. And that's typically how

0:34:42.000 --> 0:34:45.720
<v Speaker 2>pop albums are written. So you'll have someone a producer

0:34:45.760 --> 0:34:48.440
<v Speaker 2>will make a track, someone else will do the top

0:34:48.440 --> 0:34:50.800
<v Speaker 2>line and they will which is the melody and the

0:34:50.880 --> 0:34:53.600
<v Speaker 2>lyrics typically, and then someone else may come in and

0:34:53.640 --> 0:34:55.400
<v Speaker 2>add to the top line. Someone else may come in

0:34:55.440 --> 0:34:57.479
<v Speaker 2>and change up the production of the track itself, keeping

0:34:57.520 --> 0:35:00.359
<v Speaker 2>the other top line. So that's exactly how they went

0:35:00.400 --> 0:35:04.319
<v Speaker 2>about writing this, and they got like real true K

0:35:04.480 --> 0:35:09.239
<v Speaker 2>pop writers and performers. The K pop band Twice came

0:35:09.320 --> 0:35:12.040
<v Speaker 2>into this and it was like, we love these songs.

0:35:12.280 --> 0:35:14.880
<v Speaker 2>They did their own version of Takedown that plays in

0:35:14.920 --> 0:35:17.920
<v Speaker 2>the credits, and then they also did Strategy, which plays

0:35:18.000 --> 0:35:20.279
<v Speaker 2>in the you know, I'm going to say iconic, maybe

0:35:20.360 --> 0:35:21.800
<v Speaker 2>a little bit dedation.

0:35:21.440 --> 0:35:23.319
<v Speaker 1>Panic already, I think it's okay to say that.

0:35:23.239 --> 0:35:26.160
<v Speaker 2>But the iconic scene of her walking into her closet

0:35:26.160 --> 0:35:29.600
<v Speaker 2>and you see the rows and rose of outfits and

0:35:29.640 --> 0:35:32.920
<v Speaker 2>that's there. They're playing a twice song in there I have.

0:35:33.200 --> 0:35:38.680
<v Speaker 1>I was so just excited and happy to see like

0:35:38.760 --> 0:35:41.560
<v Speaker 1>somebody with lots of clothes. I have so many clothes, guys,

0:35:41.600 --> 0:35:44.320
<v Speaker 1>like it's it's it's my vice. I love charity shops,

0:35:44.320 --> 0:35:46.600
<v Speaker 1>I love thrift stores. I'm always putting together a look.

0:35:47.120 --> 0:35:50.719
<v Speaker 1>And I loved I love a good closet scene, very clueless,

0:35:51.000 --> 0:35:54.040
<v Speaker 1>Yeah where you go? And I thought that was so brilliant. Also, Aaron,

0:35:54.120 --> 0:35:59.200
<v Speaker 1>something I had read was that they actually knocked twice

0:35:59.440 --> 0:36:04.200
<v Speaker 1>off of the Spotify number one with Golden and with

0:36:04.440 --> 0:36:07.000
<v Speaker 1>the the girls from the from Hunt Trix, which I

0:36:07.000 --> 0:36:09.640
<v Speaker 1>thought was also like, that's kind of incredible.

0:36:09.920 --> 0:36:12.319
<v Speaker 2>I mean they they like surpassed bts. I mean they've

0:36:12.320 --> 0:36:16.319
<v Speaker 2>they've they're they're going through the K pop stars. And

0:36:16.400 --> 0:36:19.520
<v Speaker 2>so now for the playlist part, I'm gonna go through

0:36:19.800 --> 0:36:22.640
<v Speaker 2>different voices and give you a song recommendation to go

0:36:22.760 --> 0:36:25.680
<v Speaker 2>check them out. So the singing voices for Hunter Tricks.

0:36:26.040 --> 0:36:28.359
<v Speaker 2>For Mira, it was Audrey Nuda, who's an R and

0:36:28.400 --> 0:36:31.000
<v Speaker 2>B singer and rapper. She just recently put out a

0:36:31.000 --> 0:36:34.680
<v Speaker 2>song called too High, which feels very moody, drugged out,

0:36:34.920 --> 0:36:37.720
<v Speaker 2>R and B. I mean, this is, like I said,

0:36:37.719 --> 0:36:40.000
<v Speaker 2>this is like looking out the window from of a

0:36:40.080 --> 0:36:44.280
<v Speaker 2>neon city from a crowded party, potentially in Hunters's apartment

0:36:44.320 --> 0:36:45.400
<v Speaker 2>there they're loft.

0:36:46.760 --> 0:36:46.920
<v Speaker 4>Her.

0:36:47.480 --> 0:36:50.840
<v Speaker 2>My favorite song of hers is Mine, which samples Brandy

0:36:50.840 --> 0:36:53.240
<v Speaker 2>and Monica's The Boy is Mine. So depending on whether

0:36:53.320 --> 0:36:55.600
<v Speaker 2>or not you are nostalgic for that nineties hit, the

0:36:55.680 --> 0:36:58.960
<v Speaker 2>song is incredible and it while I don't think it

0:36:58.960 --> 0:37:01.600
<v Speaker 2>would be a HUNTERX song, this is definitely something they

0:37:01.600 --> 0:37:03.640
<v Speaker 2>would play at a party going on in their own

0:37:04.320 --> 0:37:05.160
<v Speaker 2>So check out Audrey.

0:37:05.200 --> 0:37:07.680
<v Speaker 3>I also recommend Damn Right by Audrey, which is a

0:37:07.760 --> 0:37:09.920
<v Speaker 3>jam that's been on my playlist for years and when

0:37:09.920 --> 0:37:11.680
<v Speaker 3>I saw her name, I was like, no, no, it

0:37:11.719 --> 0:37:14.560
<v Speaker 3>was just like, it's very vindicated, it's so fun. It's

0:37:14.719 --> 0:37:17.960
<v Speaker 3>very like edgy and aggressive, and I like it a lot.

0:37:18.080 --> 0:37:19.239
<v Speaker 3>I think we're to listen to.

0:37:19.440 --> 0:37:22.360
<v Speaker 1>And I'm also going to say I am gonna officially

0:37:23.200 --> 0:37:26.480
<v Speaker 1>take the duty of making an x ray Vision Spotify

0:37:26.520 --> 0:37:29.040
<v Speaker 1>account and making a playlist of this beau.

0:37:29.760 --> 0:37:30.880
<v Speaker 2>I have this playlist.

0:37:32.080 --> 0:37:34.239
<v Speaker 1>Description. Okay, thank you. I don't even need to do it,

0:37:34.280 --> 0:37:36.040
<v Speaker 1>because I was going to say we have had people

0:37:36.160 --> 0:37:38.919
<v Speaker 1>when Arrows talked about music before asking us to make

0:37:38.960 --> 0:37:43.680
<v Speaker 1>playlists to set that up. And obviously, Joel, your very

0:37:43.880 --> 0:37:48.000
<v Speaker 1>viral superman in a views with Den of Geek. Have

0:37:48.120 --> 0:37:50.560
<v Speaker 1>been getting a lot of comments on our page asking

0:37:50.640 --> 0:37:53.600
<v Speaker 1>us to make the playlist that the cast gave us.

0:37:53.800 --> 0:37:56.120
<v Speaker 1>So I think this is a wonderful first start, and Aaron,

0:37:56.160 --> 0:37:59.640
<v Speaker 1>I appreciate you doing that. What's your next recommendation? So next?

0:38:00.040 --> 0:38:03.120
<v Speaker 2>Always singing and rapping voice is by Ray Ami and

0:38:03.239 --> 0:38:06.319
<v Speaker 2>Ray is another R and B singer rapper. She is

0:38:06.680 --> 0:38:09.879
<v Speaker 2>known for having an incredibly aggressive rap style and then

0:38:10.080 --> 0:38:14.080
<v Speaker 2>very melodic singing hooks, and she does them within the

0:38:14.120 --> 0:38:16.439
<v Speaker 2>same song. It will alternate from one to the other.

0:38:16.520 --> 0:38:19.520
<v Speaker 2>She'll start off the first half is heavy rapping and

0:38:19.560 --> 0:38:24.560
<v Speaker 2>then it goes to this like soft singing section. My

0:38:24.680 --> 0:38:27.200
<v Speaker 2>favorite song of hers is her breakout single snow Cone.

0:38:28.560 --> 0:38:30.759
<v Speaker 2>Check out the song, check out the video which she

0:38:30.840 --> 0:38:33.520
<v Speaker 2>recorded like on her phone for one hundred dollars. But

0:38:34.200 --> 0:38:36.879
<v Speaker 2>I would say, if you are a parent and your

0:38:37.000 --> 0:38:41.719
<v Speaker 2>little children love K pop demon hunters, just test these

0:38:41.760 --> 0:38:42.880
<v Speaker 2>songs ahead of time. They do it.

0:38:43.040 --> 0:38:46.759
<v Speaker 1>This is a parental approval first, yes, check check on

0:38:46.800 --> 0:38:47.360
<v Speaker 1>them first.

0:38:47.920 --> 0:38:51.240
<v Speaker 2>But ray Amy's Spotify bio is Hello Kitty with a Knife,

0:38:51.480 --> 0:38:53.919
<v Speaker 2>which is honestly perfect for her sound.

0:38:53.960 --> 0:38:55.759
<v Speaker 1>I'm about to go get a tattoo and now I'm like,

0:38:55.840 --> 0:38:58.120
<v Speaker 1>maybe that's why I'm gonna gaes. I'm like, you're killing me.

0:38:58.280 --> 0:38:59.399
<v Speaker 1>That's a great, great line.

0:38:59.480 --> 0:39:04.000
<v Speaker 2>RuMIS vocal performer was EJ and EJ is a songwriter

0:39:04.080 --> 0:39:07.279
<v Speaker 2>and producer, but she herself was a former K pop

0:39:07.320 --> 0:39:10.880
<v Speaker 2>trainey so K pop has just like so many training

0:39:10.920 --> 0:39:13.600
<v Speaker 2>programs for people to be K pop stars. EJ has

0:39:13.640 --> 0:39:17.520
<v Speaker 2>gone through that. She was at SNSM Entertainment for ten

0:39:17.640 --> 0:39:20.839
<v Speaker 2>years the biggest YEP was unable to break out and

0:39:21.080 --> 0:39:25.799
<v Speaker 2>she met with another producer who got her writing on something.

0:39:25.840 --> 0:39:28.719
<v Speaker 2>He just wanted her to like test something a track

0:39:28.840 --> 0:39:32.480
<v Speaker 2>for her. Through that, she met Andrew Choi, who is

0:39:32.560 --> 0:39:35.600
<v Speaker 2>the voice of Genu, and he started to teach her

0:39:35.640 --> 0:39:38.280
<v Speaker 2>and they were writing together and he got her writing

0:39:38.320 --> 0:39:41.279
<v Speaker 2>with Red Velvet kpop group and she wrote the song

0:39:41.360 --> 0:39:43.840
<v Speaker 2>Psycho as well as a number of others. She wound

0:39:43.920 --> 0:39:46.080
<v Speaker 2>up getting on the writing team for K Pop Demon

0:39:46.160 --> 0:39:48.840
<v Speaker 2>Hunters and wrote a number of the demos and sang

0:39:48.840 --> 0:39:52.520
<v Speaker 2>on the demos and Maggie Kane the director was praising

0:39:52.560 --> 0:39:55.080
<v Speaker 2>her demo vocals and said, like, this is the reason

0:39:55.160 --> 0:39:58.200
<v Speaker 2>this movie got Greenlitz, because your demo vocals were so good.

0:39:58.480 --> 0:40:00.759
<v Speaker 2>And then they eventually came back to her and we're like,

0:40:01.320 --> 0:40:03.799
<v Speaker 2>we want you to be the official voice. Yeah, just

0:40:03.840 --> 0:40:07.279
<v Speaker 2>for one of the characters, but the lead character. So

0:40:07.520 --> 0:40:12.000
<v Speaker 2>she wound up being the being Rumy's voice. And she

0:40:12.120 --> 0:40:15.480
<v Speaker 2>has written a bunch of stuff for other artists, including Twice,

0:40:15.560 --> 0:40:18.560
<v Speaker 2>who we talked about earlier. But the two songs for

0:40:18.600 --> 0:40:20.879
<v Speaker 2>the playlist that I want to suggest for her are

0:40:21.080 --> 0:40:25.080
<v Speaker 2>Armageddon by Espa, which features like this really grimy grinding

0:40:25.160 --> 0:40:27.640
<v Speaker 2>verse and then like a huge bubblegum pre chorus that

0:40:27.680 --> 0:40:30.480
<v Speaker 2>goes right back into this like grimy chorus. And then

0:40:30.480 --> 0:40:33.719
<v Speaker 2>the second one is Last Waltz by Twice, which it

0:40:33.760 --> 0:40:36.160
<v Speaker 2>feels like it would fit right at home on a

0:40:36.200 --> 0:40:39.759
<v Speaker 2>Hunterricks album, and it is incredibly catchy and has these

0:40:39.800 --> 0:40:43.160
<v Speaker 2>really dramatic, like theatrical builds. You can tell like this

0:40:43.239 --> 0:40:46.919
<v Speaker 2>is her writing evolving from those songs from a couple

0:40:46.880 --> 0:40:51.120
<v Speaker 2>of years ago into the Huntrix songs. And now the

0:40:51.160 --> 0:40:54.160
<v Speaker 2>next set of things for the playlist, I'm not giving

0:40:54.200 --> 0:40:56.680
<v Speaker 2>like basic K pop things. I think there are much

0:40:56.719 --> 0:41:00.480
<v Speaker 2>people who are much better at Fantastic. If you are

0:41:00.560 --> 0:41:03.280
<v Speaker 2>unfamiliar with K pop, this movie is a great intro.

0:41:03.520 --> 0:41:05.000
<v Speaker 2>There are plenty of things you can go out there.

0:41:05.120 --> 0:41:08.040
<v Speaker 2>Listen to bts, listen to new genes, listen to you know,

0:41:08.560 --> 0:41:12.759
<v Speaker 2>like XG, whatever band hits you. But now I want

0:41:12.840 --> 0:41:15.399
<v Speaker 2>to go through some of my favorite fictional boy group,

0:41:15.520 --> 0:41:18.680
<v Speaker 2>boy bands and girl groups. So first of all, obviously

0:41:18.719 --> 0:41:22.200
<v Speaker 2>we have Huntricks doing Golden. I think that's the perfect number.

0:41:21.920 --> 0:41:24.759
<v Speaker 1>One million streams on Spotify.

0:41:24.960 --> 0:41:28.800
<v Speaker 2>Second, Saja Boys, your idol. I think soda pop is good.

0:41:29.000 --> 0:41:31.239
<v Speaker 2>I think your idol is great. So we're gonna have

0:41:31.320 --> 0:41:34.800
<v Speaker 2>that there, and the charts agree. The charts agree. Next,

0:41:35.080 --> 0:41:37.480
<v Speaker 2>we're going to go to a twenty twenty one Korean

0:41:37.560 --> 0:41:41.160
<v Speaker 2>series called Imitation, which is about Korean idols, and this

0:41:41.239 --> 0:41:44.000
<v Speaker 2>has a young girl group named Tea Party, a little

0:41:44.040 --> 0:41:49.279
<v Speaker 2>unfortunate given in America, but outside outside and this there's

0:41:49.320 --> 0:41:51.880
<v Speaker 2>a the lead in Tea Party falls in love with

0:41:51.920 --> 0:41:55.960
<v Speaker 2>a member of the boy band Shacks, and two songs

0:41:56.000 --> 0:41:59.000
<v Speaker 2>from that show. One is shown Me by Tea Party,

0:41:59.040 --> 0:42:02.360
<v Speaker 2>which is like hyper pop, chibby act Sense and everything

0:42:02.440 --> 0:42:06.040
<v Speaker 2>like very very K pop and then Mallow by Shacks

0:42:06.280 --> 0:42:10.040
<v Speaker 2>is like a super slick, well produced pop song, very upbeat.

0:42:10.719 --> 0:42:13.120
<v Speaker 2>The next one I want to focus on is Idle

0:42:13.200 --> 0:42:17.560
<v Speaker 2>the Coup, another Korean show following K pop groups. This

0:42:17.600 --> 0:42:20.520
<v Speaker 2>is following Cotton Candy, who's a failed K pop group

0:42:20.800 --> 0:42:23.719
<v Speaker 2>who are on the brink of disbanding. They're going to

0:42:23.760 --> 0:42:27.719
<v Speaker 2>try one last time to make it by you can

0:42:27.760 --> 0:42:31.399
<v Speaker 2>guess getting the number one slot on an idol show.

0:42:31.640 --> 0:42:35.279
<v Speaker 2>Just like in K pop Demon Hunters, they have a

0:42:35.320 --> 0:42:37.759
<v Speaker 2>bunch of like the cast members were also members of

0:42:37.880 --> 0:42:42.160
<v Speaker 2>established K pop groups like xID and so two of

0:42:42.200 --> 0:42:45.240
<v Speaker 2>the Cotton Candy songs that I really love first is Honest,

0:42:45.320 --> 0:42:48.600
<v Speaker 2>which has an enormous chorus. I love it. It's like

0:42:48.640 --> 0:42:51.680
<v Speaker 2>this straight eighths to a triplet feel on the chorus,

0:42:51.760 --> 0:42:54.280
<v Speaker 2>and it is such a good hit when that chorus

0:42:54.360 --> 0:42:57.040
<v Speaker 2>comes in. And then second is We Rise, which is

0:42:57.120 --> 0:43:01.840
<v Speaker 2>like quintessential twenty tens pop. You have big synth, stabby verses,

0:43:02.120 --> 0:43:05.160
<v Speaker 2>and then you have like this dirtiest fuck edm hook

0:43:05.280 --> 0:43:08.440
<v Speaker 2>in there. So it just it hits that kind of pop.

0:43:09.080 --> 0:43:13.839
<v Speaker 2>The next famous, maybe not famous, but favorite fictional boy

0:43:13.880 --> 0:43:17.040
<v Speaker 2>band from Bob's Burgers. We have Boys for Now singing

0:43:17.080 --> 0:43:20.640
<v Speaker 2>coal Mine my favorite of the Boys for Now songs.

0:43:20.719 --> 0:43:24.040
<v Speaker 2>They have many songs about a variety of things, coal

0:43:24.080 --> 0:43:26.000
<v Speaker 2>Mine is my favorite. Now, I will say Boys for

0:43:26.120 --> 0:43:30.840
<v Speaker 2>Now is deservedly so. The worst singers on this list

0:43:30.880 --> 0:43:34.120
<v Speaker 2>one hundred percent, as you can tell by the massive

0:43:34.160 --> 0:43:39.440
<v Speaker 2>amounts of auto tune that are just messily used, especially

0:43:39.440 --> 0:43:41.080
<v Speaker 2>on the young the young one I forget what his

0:43:41.200 --> 0:43:44.799
<v Speaker 2>name is, bo Bobo or whatever, and then the last

0:43:44.880 --> 0:43:48.879
<v Speaker 2>one boo boo, boo boo. And then lastly from Turning Red,

0:43:49.000 --> 0:43:54.040
<v Speaker 2>we have for Town singing Nobody Like You, No You,

0:43:54.920 --> 0:43:58.640
<v Speaker 2>a song that is incredible, and partly is incredible because

0:43:58.640 --> 0:44:01.600
<v Speaker 2>it was written by Phineas and Billie Eilish. So when

0:44:01.640 --> 0:44:05.000
<v Speaker 2>you get these like successful great songwriters to write you

0:44:05.120 --> 0:44:08.960
<v Speaker 2>great songs, I think that's awesome. And then an honorable

0:44:09.000 --> 0:44:11.279
<v Speaker 2>mention it doesn't fit because they play instruments and they

0:44:11.280 --> 0:44:13.240
<v Speaker 2>are not technically a boy band or a girl group.

0:44:13.400 --> 0:44:16.359
<v Speaker 2>But from Doug the Beats singing Killer Tofu, it's not

0:44:16.440 --> 0:44:18.279
<v Speaker 2>on the playlist because it doesn't really count, but I

0:44:18.320 --> 0:44:20.040
<v Speaker 2>just wanted to just wanted to call that out.

0:44:20.920 --> 0:44:23.480
<v Speaker 3>And I know if we were not counting bands that

0:44:23.800 --> 0:44:26.400
<v Speaker 3>play instruments. But I just think Carolin Tuesday with the

0:44:26.440 --> 0:44:31.360
<v Speaker 3>Netflix you know, partnership here Loneliest Girls so good. It

0:44:31.360 --> 0:44:34.440
<v Speaker 3>does have sixteen point eight these dreams on Spotify. I

0:44:34.600 --> 0:44:38.520
<v Speaker 3>dig Carolyn Tuesday a lot, have rewatched multiple times.

0:44:38.560 --> 0:44:40.600
<v Speaker 1>Good and he is by you know, one of the

0:44:40.640 --> 0:44:44.280
<v Speaker 1>greatest anime directs of all time. You make Cowboy Bebop.

0:44:44.360 --> 0:44:45.760
<v Speaker 1>So yeah, we'll a joy.

0:44:45.960 --> 0:44:48.800
<v Speaker 2>So we'll put all those songs and artists and titles

0:44:48.840 --> 0:44:50.480
<v Speaker 2>in the description, as well as a link to a

0:44:50.520 --> 0:44:54.439
<v Speaker 2>Spotify playlist if you want to listen, get a little

0:44:54.440 --> 0:44:56.920
<v Speaker 2>bit of you know, fictional boy band girl groups in

0:44:56.960 --> 0:44:57.480
<v Speaker 2>your life.

0:44:58.480 --> 0:44:59.239
<v Speaker 1>Love that all right?

0:44:59.480 --> 0:45:01.440
<v Speaker 3>To take break and we're we come back. We're gonna

0:45:01.440 --> 0:45:04.760
<v Speaker 3>talk Sony Animation and I'll give you a little rundown

0:45:04.800 --> 0:45:21.240
<v Speaker 3>of its history and we're back.

0:45:21.360 --> 0:45:27.319
<v Speaker 1>Okay. So, guys, Joel has prepared an unbelievable history of

0:45:27.560 --> 0:45:32.000
<v Speaker 1>Sony Animation's first twenty years thanks to some really great

0:45:32.000 --> 0:45:34.560
<v Speaker 1>reporting from Drew Taylor at The Wrap, and Joelle is

0:45:34.560 --> 0:45:38.600
<v Speaker 1>gonna speed us through twenty years of Sony history.

0:45:38.920 --> 0:45:39.240
<v Speaker 4>Okay.

0:45:39.239 --> 0:45:41.680
<v Speaker 3>So here's what you really need to know, really early

0:45:41.719 --> 0:45:44.520
<v Speaker 3>on in the creation of Sony Animation, which is only

0:45:44.680 --> 0:45:47.640
<v Speaker 3>twenty years old, if you can believe it. Chris Miller

0:45:47.640 --> 0:45:50.279
<v Speaker 3>and Phil Lord, the geniuses are babies. They don't know

0:45:50.320 --> 0:45:51.680
<v Speaker 3>how to make a movie, and they don't know how

0:45:51.680 --> 0:45:55.160
<v Speaker 3>to navigate a studio space, which is fine because Sony

0:45:55.160 --> 0:45:57.480
<v Speaker 3>Pictures animation is new and they don't have no rules here.

0:45:57.680 --> 0:45:59.080
<v Speaker 4>They don't know what they're looking for.

0:45:59.160 --> 0:46:02.120
<v Speaker 3>They don't know what a Sony animated picture looks like.

0:46:02.160 --> 0:46:04.520
<v Speaker 3>It's never been done before, and so it kind of

0:46:04.520 --> 0:46:06.880
<v Speaker 3>works for them. So they're coming off of Clone High

0:46:06.960 --> 0:46:10.080
<v Speaker 3>with a friend of the pod, Bill Lawrence's show that

0:46:10.160 --> 0:46:13.040
<v Speaker 3>was on MTV really successful, and they come in for

0:46:13.120 --> 0:46:15.160
<v Speaker 3>a pitch meeting and they they're throwing things at them.

0:46:15.200 --> 0:46:16.719
<v Speaker 3>They're like, what about this? So what about this? We

0:46:16.719 --> 0:46:18.080
<v Speaker 3>don't really know about any of these things. And then

0:46:18.120 --> 0:46:20.400
<v Speaker 3>they're like, we do have Cloudy with the Chance Meatballs,

0:46:20.680 --> 0:46:22.880
<v Speaker 3>And these two guys who did not spend their childhoods

0:46:22.880 --> 0:46:25.200
<v Speaker 3>together both loved this book in their youth, and they

0:46:25.200 --> 0:46:27.920
<v Speaker 3>were like, we could maybe do something with like that. Possibly.

0:46:27.920 --> 0:46:30.239
<v Speaker 3>They're like, come in tomorrow and pitch us. They said, what,

0:46:30.360 --> 0:46:35.320
<v Speaker 3>I came in the day after tomorrow, which is smart.

0:46:35.360 --> 0:46:37.839
<v Speaker 3>So they they pulled an all nighter they come back

0:46:37.840 --> 0:46:39.839
<v Speaker 3>in and they pitch it. Now, here's something really funny

0:46:39.880 --> 0:46:44.520
<v Speaker 3>to me. They get greenlit three separate times, no cancelations

0:46:44.560 --> 0:46:47.120
<v Speaker 3>in between, so you could tell things are very chaotic

0:46:47.239 --> 0:46:50.880
<v Speaker 3>in the background. They almost get the boot a couple

0:46:50.920 --> 0:46:54.400
<v Speaker 3>of times. No one's really They're like muppets and animation.

0:46:54.520 --> 0:46:58.160
<v Speaker 3>Everybody's doing hyperrealism in animation at this time, and so

0:46:58.200 --> 0:47:01.400
<v Speaker 3>the studio was confused by their messaging. But eventually they

0:47:01.400 --> 0:47:03.239
<v Speaker 3>spend so much money on this film, studio is like,

0:47:03.280 --> 0:47:06.480
<v Speaker 3>it is actually going to be more expensive to cancel

0:47:06.560 --> 0:47:09.680
<v Speaker 3>you than to just let you finish, And unlike some

0:47:09.719 --> 0:47:12.480
<v Speaker 3>spaces where they might you know, hover over you and

0:47:12.560 --> 0:47:14.480
<v Speaker 3>be really uptight about, they were like, just do it

0:47:14.640 --> 0:47:16.600
<v Speaker 3>your own way, because again we are trying to figure

0:47:16.640 --> 0:47:19.480
<v Speaker 3>out what we should look like. So they finish and voila.

0:47:19.600 --> 0:47:21.800
<v Speaker 3>It's a huge success. And part of that huge success

0:47:21.880 --> 0:47:24.680
<v Speaker 3>is because we're also coming off of the first two

0:47:24.880 --> 0:47:27.880
<v Speaker 3>animated films that Sony Animation did.

0:47:27.719 --> 0:47:31.000
<v Speaker 1>Which was Open Season, Thank You.

0:47:31.040 --> 0:47:34.120
<v Speaker 3>Surfs Up Yes, So those have two very different distinct looks.

0:47:34.120 --> 0:47:35.080
<v Speaker 4>So the studio was like.

0:47:35.040 --> 0:47:37.959
<v Speaker 3>Okay, fine, do you It's great.

0:47:38.120 --> 0:47:38.400
<v Speaker 4>Okay.

0:47:38.400 --> 0:47:42.080
<v Speaker 3>So a few years pass and they're really not sure

0:47:42.200 --> 0:47:45.600
<v Speaker 3>like what direction they're going. And they're working on Hotel Transylvania,

0:47:45.640 --> 0:47:46.480
<v Speaker 3>which is another one of the.

0:47:46.400 --> 0:47:47.239
<v Speaker 4>First scripts they got.

0:47:47.239 --> 0:47:51.360
<v Speaker 3>Early five directors have come and gone. It's a hot mess.

0:47:51.560 --> 0:47:54.680
<v Speaker 3>And then Jenny Tartakovski walks in. Okay, Now Jendy is

0:47:54.719 --> 0:47:59.920
<v Speaker 3>coming off of Dexter's lab, his dozmer Jack. People really

0:48:00.120 --> 0:48:03.160
<v Speaker 3>of him, but his stuff is edgy. He pitches a

0:48:03.200 --> 0:48:07.640
<v Speaker 3>movie called Fixed. It's an R rated romance that is animated.

0:48:08.040 --> 0:48:09.640
<v Speaker 3>They're like, we don't really know what to do with that,

0:48:09.680 --> 0:48:10.239
<v Speaker 3>but and it's.

0:48:10.160 --> 0:48:11.080
<v Speaker 1>A dog romance.

0:48:12.520 --> 0:48:14.760
<v Speaker 4>It's a dog they are dogs.

0:48:16.080 --> 0:48:18.200
<v Speaker 3>They're definitely sure what to do with that. But they

0:48:18.200 --> 0:48:20.480
<v Speaker 3>have this project and they need a new director. And

0:48:20.520 --> 0:48:22.880
<v Speaker 3>so Jendy looks at the art and he's like, I

0:48:22.880 --> 0:48:25.400
<v Speaker 3>could probably make that work because Bay the next day

0:48:25.400 --> 0:48:28.640
<v Speaker 3>he said he had so many ideas he's popped it off. Okay, wow,

0:48:28.719 --> 0:48:32.800
<v Speaker 3>six director locked in. That movie comes out makes billions.

0:48:34.840 --> 0:48:41.360
<v Speaker 1>Million. They got four feature films. An animated was actually

0:48:41.440 --> 0:48:44.879
<v Speaker 1>written and produced by Tatowski, who returned. I know from

0:48:44.920 --> 0:48:48.560
<v Speaker 1>having many nieces and nephews. Boy, those movies they love them.

0:48:48.600 --> 0:48:52.120
<v Speaker 1>They had video games, theme Bark Attractions, and yeah, it's

0:48:52.120 --> 0:48:55.160
<v Speaker 1>a one point three billion dollar franchise now, so.

0:48:55.200 --> 0:48:58.239
<v Speaker 3>It's another huge hit. But then of course we come

0:48:58.280 --> 0:49:00.640
<v Speaker 3>to Spider Man into the Spider Verse. Lord and Miller

0:49:00.640 --> 0:49:03.040
<v Speaker 3>are back. That movie breaks a bunch, and really what

0:49:03.120 --> 0:49:06.200
<v Speaker 3>breaks that movie open is so there's Sony Pictures Animation

0:49:06.320 --> 0:49:11.080
<v Speaker 3>and then there's Sony Interactive Pictures, I think, and that's

0:49:11.120 --> 0:49:14.480
<v Speaker 3>their like a visual effects team.

0:49:15.040 --> 0:49:16.400
<v Speaker 4>They started a long.

0:49:16.239 --> 0:49:18.640
<v Speaker 3>Time ago on a forgotten project that Bruce Wilson was

0:49:18.640 --> 0:49:20.040
<v Speaker 3>working on where he was like a cop who works

0:49:20.080 --> 0:49:23.920
<v Speaker 3>on a boat, don't ask. And so then when Sony

0:49:24.440 --> 0:49:27.040
<v Speaker 3>Pictures Animated Pictures comes along, they're like, hey, you should

0:49:27.040 --> 0:49:29.279
<v Speaker 3>work with our visual effects guys. And that is not

0:49:29.360 --> 0:49:32.880
<v Speaker 3>worlds that typically overlap. It is very controversial, both in

0:49:32.960 --> 0:49:35.439
<v Speaker 3>house and out of house, but it kind of works

0:49:35.480 --> 0:49:38.160
<v Speaker 3>because if you think about the very distinct imaging and

0:49:38.200 --> 0:49:41.160
<v Speaker 3>Spider Man, particularly the brushstrokes on the background, which again

0:49:41.160 --> 0:49:43.480
<v Speaker 3>if you're not into animation you might miss almost but

0:49:43.520 --> 0:49:47.400
<v Speaker 3>it's really intricate, difficult work to make a painted brushstroke

0:49:47.480 --> 0:49:49.640
<v Speaker 3>look like part of a background as a camera is

0:49:49.640 --> 0:49:52.279
<v Speaker 3>moving across it. It's a lot, but they do it successfully,

0:49:52.280 --> 0:49:53.600
<v Speaker 3>and that is why we have a lot of very

0:49:53.600 --> 0:49:57.160
<v Speaker 3>distinct looking sony animation pictures right now because they partnered

0:49:57.200 --> 0:49:59.160
<v Speaker 3>with their in house visual effects team, and because it's

0:49:59.160 --> 0:50:01.440
<v Speaker 3>all in house, they don't have to like go outside

0:50:01.480 --> 0:50:03.920
<v Speaker 3>and get approval for things somebody's worried about image. It's

0:50:03.920 --> 0:50:07.640
<v Speaker 3>all one team working in the same direction, which we love.

0:50:08.600 --> 0:50:11.120
<v Speaker 3>So then we have the Mitchell's Versus Machines comes out

0:50:11.239 --> 0:50:12.600
<v Speaker 3>not long after into the Spider Verse in.

0:50:13.480 --> 0:50:18.520
<v Speaker 1>Netflicker Netflix smash. Also, I will say very much that

0:50:18.600 --> 0:50:20.680
<v Speaker 1>first movie where we all went, oh, it looks like

0:50:20.719 --> 0:50:23.680
<v Speaker 1>Spider of Us. Yeah, Spider of Us set up that thing.

0:50:23.960 --> 0:50:26.319
<v Speaker 1>And then with Mitchell's The Machines, you're getting the experiments,

0:50:26.360 --> 0:50:29.720
<v Speaker 1>you're getting those different kind of looks. Another massive smash

0:50:29.800 --> 0:50:33.200
<v Speaker 1>for Netflix that I don't necessarily know was expected.

0:50:33.760 --> 0:50:35.880
<v Speaker 2>It's kind of a mix of two D three D

0:50:37.000 --> 0:50:38.200
<v Speaker 2>animation that really hits.

0:50:38.280 --> 0:50:40.920
<v Speaker 1>Yeah, absolutely yeah, and it'll be interesting going forward.

0:50:40.960 --> 0:50:43.200
<v Speaker 3>This article was written in twenty twenty three, and a

0:50:43.280 --> 0:50:46.279
<v Speaker 3>thing that keeps coming up is all the executives saying like,

0:50:46.440 --> 0:50:48.439
<v Speaker 3>we don't have a distinct look and that's what makes

0:50:48.520 --> 0:50:51.120
<v Speaker 3>us special. But if you look at into Spider Verse

0:50:51.160 --> 0:50:53.680
<v Speaker 3>and then the teenage Mutant in Eternals movie and then

0:50:54.120 --> 0:50:57.200
<v Speaker 3>K Pop Demon Hunters. You're starting to see strong similarities,

0:50:57.239 --> 0:50:59.440
<v Speaker 3>like your style has developed. Now that's not a negative

0:50:59.480 --> 0:51:02.200
<v Speaker 3>thing necessary, but it is going to sort of challenge

0:51:02.280 --> 0:51:04.160
<v Speaker 3>him and put them into a space of like defined

0:51:04.239 --> 0:51:06.600
<v Speaker 3>rules where they haven't operated before. I think the hope

0:51:06.680 --> 0:51:09.120
<v Speaker 3>is that they'll continue to focus and work with like

0:51:09.680 --> 0:51:13.120
<v Speaker 3>independent great storytellers, which they say is still at the forefront,

0:51:13.160 --> 0:51:16.560
<v Speaker 3>and there's a lot of good ones. We have Matthew A.

0:51:16.760 --> 0:51:20.160
<v Speaker 3>Cherry who did the hair Love short that was nominated

0:51:20.160 --> 0:51:22.959
<v Speaker 3>for an Oscar. He's got a movie called Tuck coming out.

0:51:23.840 --> 0:51:27.160
<v Speaker 3>Then there's Agent King, which is like an adult animated

0:51:27.160 --> 0:51:29.840
<v Speaker 3>series about Elvis as a CIA agent. He has a

0:51:29.840 --> 0:51:32.719
<v Speaker 3>monkey that does cocaine. What's that about, don't really know.

0:51:33.760 --> 0:51:39.120
<v Speaker 3>And then Goat which looks really good. Kayleb McLaughlin is

0:51:39.160 --> 0:51:41.200
<v Speaker 3>in it. He plays the lead of an actual goat

0:51:41.239 --> 0:51:43.759
<v Speaker 3>who's trying to like become dominant at a sport, which

0:51:43.760 --> 0:51:46.040
<v Speaker 3>is really exciting. And then they're working on Spider Verse.

0:51:46.080 --> 0:51:47.560
<v Speaker 3>A lot of folks were nervous when K Pop Demon

0:51:47.640 --> 0:51:51.239
<v Speaker 3>Hunters came out because they were like, oh no, that's the.

0:51:51.200 --> 0:51:52.480
<v Speaker 4>Big animation project.

0:51:52.560 --> 0:51:55.080
<v Speaker 3>You should be working on. Please redirect your attention to

0:51:55.080 --> 0:51:57.879
<v Speaker 3>Spider Man. We need a finale. I say we've gotten

0:51:57.880 --> 0:52:01.000
<v Speaker 3>to cozy with these quick turnarounds on movie and TV shows.

0:52:01.280 --> 0:52:03.560
<v Speaker 3>Hold your horses, let them make it good, let them

0:52:03.560 --> 0:52:05.960
<v Speaker 3>get it right. We've been blown away every time. I'm

0:52:05.960 --> 0:52:08.319
<v Speaker 3>happy to wait, and I'm excited that we're getting great

0:52:08.320 --> 0:52:10.000
<v Speaker 3>shows like K Pop Demon Hunter in between.

0:52:11.920 --> 0:52:14.359
<v Speaker 2>You know, I hate to have a hot take, as

0:52:14.400 --> 0:52:16.120
<v Speaker 2>I never do on this show.

0:52:16.520 --> 0:52:18.879
<v Speaker 1>Spicy, spicy take, we love it.

0:52:19.800 --> 0:52:22.480
<v Speaker 2>I think Spider Verse needs to have better costumes after

0:52:22.520 --> 0:52:24.759
<v Speaker 2>seeing this, Like just seeing the outfits of K Pop

0:52:24.800 --> 0:52:26.080
<v Speaker 2>Demon Hunters, I'm just like.

0:52:26.440 --> 0:52:29.120
<v Speaker 1>I like that Spider Man outfit is so boring.

0:52:29.200 --> 0:52:31.080
<v Speaker 2>Now give me something better.

0:52:33.520 --> 0:52:37.400
<v Speaker 1>I love Spider Man. I love Spider Man and as.

0:52:37.239 --> 0:52:42.279
<v Speaker 3>Much as you love Hunt Tans, Gwen Stacy, I am

0:52:44.440 --> 0:52:48.720
<v Speaker 3>the Spider Man costume and Spider Punk in his dope jacket.

0:52:48.760 --> 0:52:50.480
<v Speaker 4>Listen. Costs are hitting.

0:52:51.080 --> 0:52:54.880
<v Speaker 1>But I would I got my little Spider Punk a figure,

0:52:54.960 --> 0:52:56.439
<v Speaker 1>but I would like him to have a little bit

0:52:56.440 --> 0:53:00.239
<v Speaker 1>more of a k But yes, Sony animation, that kill it.

0:53:00.239 --> 0:53:02.600
<v Speaker 1>Baby Disney's got to be keeping up, I think is

0:53:02.600 --> 0:53:05.000
<v Speaker 1>the feeling right now? Now?

0:53:05.280 --> 0:53:07.279
<v Speaker 3>I think everybody's nervous and with the Netflix deal and

0:53:07.320 --> 0:53:11.480
<v Speaker 3>their ability to reach so many households instantly, yeah, they're dominating.

0:53:11.800 --> 0:53:14.000
<v Speaker 1>Coming up on X ray Vision this weekend, we have

0:53:14.080 --> 0:53:17.120
<v Speaker 1>two episodes, one focusing on all the exciting trailers that

0:53:17.160 --> 0:53:19.960
<v Speaker 1>came out this week there are a ton and Sunday

0:53:19.960 --> 0:53:22.400
<v Speaker 1>we'll have news and an interview with Ari Esta, the

0:53:22.480 --> 0:53:26.560
<v Speaker 1>director of Eddington, and that is the episode. Aaron and Joel,

0:53:26.640 --> 0:53:31.080
<v Speaker 1>thank you for joining me. This was a joy And guys,

0:53:31.200 --> 0:53:33.840
<v Speaker 1>listen to that playlist. How often do you get a

0:53:33.920 --> 0:53:37.800
<v Speaker 1>beautifully curated playlist by a fantastic musician who's also a podcast.

0:53:38.000 --> 0:53:41.359
<v Speaker 1>It's so so rare, and yeah, enjoy it and let

0:53:41.440 --> 0:53:43.120
<v Speaker 1>us know your favorite songs.

0:53:43.440 --> 0:53:47.200
<v Speaker 2>Bane x ray Vision is hosted by Jason Sepsion and

0:53:47.320 --> 0:53:49.719
<v Speaker 2>Rosie Knight and is a production of iHeart Podcast.

0:53:50.080 --> 0:53:54.040
<v Speaker 1>Our executive producers are Joel Monique and Aaron Korfman. Our

0:53:54.080 --> 0:53:58.919
<v Speaker 1>supervising producer is Abuzafar. Our producers are Common Laurent, Dean

0:53:59.000 --> 0:53:59.959
<v Speaker 1>Johnson and Babe.

0:54:00.400 --> 0:54:03.160
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

0:54:03.239 --> 0:54:04.480
<v Speaker 2>songs by Aaron Kaufman.

0:54:04.640 --> 0:54:08.440
<v Speaker 1>Special thanks to Soul Rubin, Chris Lord Kenny Goodman and Heidi,

0:54:08.719 --> 0:54:09.880
<v Speaker 1>our discord moderator