WEBVTT - Jeff Garlin

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sense Podcast.

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<v Speaker 1>My guest today is Jeff Garland. You know him from

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<v Speaker 1>The Goldbergs, you know from Curb Your Enthusiasm. Jeff, great

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<v Speaker 1>to have you here. It is an honor to be

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<v Speaker 1>here as a man who reads your newsletters when actually

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<v Speaker 1>every day pretty much every day. Yea, I love it.

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<v Speaker 1>And I contacted you to request to be on. I

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<v Speaker 1>want to be clear. You didn't have to ask me.

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<v Speaker 1>I requested to be on with you. So Jeff, Yeah,

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<v Speaker 1>how come you're younger and more beautiful in real life?

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<v Speaker 1>I am. I hear that a lot and I don't know,

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<v Speaker 1>but you know, people say that, which also means the

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<v Speaker 1>flip side. I don't look so good on TV. You

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<v Speaker 1>know where I do look good? I could, ah, you

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<v Speaker 1>do use the old Warren baby thing. I look good

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<v Speaker 1>on film, I really do. I'm even thinking of shooting

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<v Speaker 1>my Next Day and Up special on thirty five millimeter

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<v Speaker 1>if I don't do it at Netflix. Netflix for bids

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<v Speaker 1>film for beds film, and I'm a I'm a pro

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<v Speaker 1>Netflix guy. I don't have any problems with the streaming

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<v Speaker 1>into the theater. It's like you gotta deal with what's

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<v Speaker 1>going on, which is what you write about all the time.

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<v Speaker 1>It's like, you, sure, I'd love it if if movies

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<v Speaker 1>like The Long Goodbye or any Robert altmon moot type

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<v Speaker 1>movie could play in the theater and sustain itself for

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<v Speaker 1>six months. That's not the world we live in. You

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<v Speaker 1>have to make that movie for Netflix. Absolutely, So let's

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<v Speaker 1>go back a little bit, okay, or afford at the

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<v Speaker 1>same time, let's do both. Is Wrighty funk hous are

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<v Speaker 1>gonna be mentioned in the new season of Curb Your Enthusiast.

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<v Speaker 1>He has mentioned, Yes, we did mention him. Um Bob

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<v Speaker 1>at first had that being Bob Einstein character playing Marty

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<v Speaker 1>funk Kauser. He at first had pneumonia and we were

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<v Speaker 1>all talking to him and I am gonna be okay,

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<v Speaker 1>don't worry. And then shortly thereafter, when he was on

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<v Speaker 1>the end, he found out he had bone cancer and

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<v Speaker 1>he was gone in weeks. It's unbelievable the way life

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<v Speaker 1>works with that stuff, you know, it's really devastating. I've

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<v Speaker 1>been thinking about it that you know, you think you're

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<v Speaker 1>gonna live forever. I have been to have the CML leukemia,

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<v Speaker 1>which is the only cancer there's a pill four. But

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<v Speaker 1>it wakes you up when I've diagnosed tangers, deal that

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<v Speaker 1>I'm not going to live forever and there's a limited

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<v Speaker 1>amount of Now you've had a heart attack, what was that?

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<v Speaker 1>You know? I didn't have got a stroke? Stroke at

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<v Speaker 1>a stroke, and I've had heart problems and I've had

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<v Speaker 1>all sorts of help. Let's start with the beginning. How

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<v Speaker 1>does one get a stroke? Is there anything about your physicality?

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<v Speaker 1>It was a purely chance it was. I had back

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<v Speaker 1>surgery and after they did it. I'm not saying who

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<v Speaker 1>did Okay, No, it's funny because back that I'd want

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<v Speaker 1>to talk off Mike. I've been to see all the

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<v Speaker 1>back doctors in l A. Yeah. Yeah, So I went

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<v Speaker 1>to one of them, who, by the way, excellent, except

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<v Speaker 1>for after the surgery, my left eye was drooping and

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<v Speaker 1>my wife would say your eyes ripping and go, well,

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<v Speaker 1>what does that have to do with you know? And

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<v Speaker 1>then I was so stressed. I had gotten and I've

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<v Speaker 1>gotten rear ended, which led to the back surgery, and

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<v Speaker 1>I got so stressed and that I developed through stress

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<v Speaker 1>and injury, I developed diabetes. Also, by the way, I

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<v Speaker 1>want to throw in being fat and not taking care

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<v Speaker 1>of myself. But that's all it takes to flip the

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<v Speaker 1>domino and you're off to the races. I woke up

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<v Speaker 1>one morning the room was spinning. I thought I had

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<v Speaker 1>vert vertigo of some sort, and it turned out to

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<v Speaker 1>be a stroke, and I started slurring my words. I

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<v Speaker 1>couldn't stand all that sort of stuff went to cedars,

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<v Speaker 1>and nobody took responsibility for my stroke. It was because

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<v Speaker 1>of this, because of that, and I am and have

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<v Speaker 1>been for many years. I don't want to say fully recovered.

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<v Speaker 1>I never was as quick, both mentally and or physical.

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<v Speaker 1>Really it was. Yeah, but I'm talking about nuances that

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<v Speaker 1>I know. No, No, I have the same thing when

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<v Speaker 1>I take medication. I complain to my doctors all the

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<v Speaker 1>same time. You might think I'm fine, But the way

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<v Speaker 1>I connect words and all these other things, I've lost something, right, right, right,

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<v Speaker 1>right right. I really am bad at names more than anything.

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<v Speaker 1>I was always bad, and then it went to all

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<v Speaker 1>I forget lots of things. Here's the thing. In order

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<v Speaker 1>for me to be at my best as an actor,

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<v Speaker 1>as an improviser, as a stand up comedian, I need

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<v Speaker 1>to have eaten well and slept well. If I sleep

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<v Speaker 1>well and I eat well, and I exercise. I have

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<v Speaker 1>no problems. I am as fast as ever. But if

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<v Speaker 1>I don't do all three, it'll catch up with me

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<v Speaker 1>in two days. Well, what people don't realize, you know,

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<v Speaker 1>because it's a badge of honor to wake up early

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<v Speaker 1>and get no sleep in straight business. But when you're

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<v Speaker 1>in a creative business, you don't get a good night's sleep,

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<v Speaker 1>you can't function, you can't make it either way. Many

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<v Speaker 1>of the days that I have worked on the goldbergs

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<v Speaker 1>and or curb your enthusiasm, I've done it on zero sleep.

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<v Speaker 1>And the only thing that you know is like I

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<v Speaker 1>have a lot of energy early on that day, and

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<v Speaker 1>then in the afternoon it's just it's over. And then

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<v Speaker 1>you better hope that you're not filming the next day

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<v Speaker 1>because that's the recovery day. So that's the day that'll

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<v Speaker 1>kill you. So let's say you don't sleep at all

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<v Speaker 1>and you work that day. If you've got to work

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<v Speaker 1>the next day, and even if you get a good

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<v Speaker 1>night's sleep, you're screwed. Two days. It's a two day screwing. Okay,

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<v Speaker 1>So let's go back to the beginning. Yes, you were

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<v Speaker 1>born in Chicago, Chicago, Illinois, June nine, sixty two. So

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<v Speaker 1>you're not quite sixty yet, you're still in that fifties.

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<v Speaker 1>Will you still think you're young? Yes? Okay, well I

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<v Speaker 1>don't think I'm young, but fifties is a delightful decade. Well.

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<v Speaker 1>The funny thing people don't realize, for all the emphasis

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<v Speaker 1>on the youth, when you get older, life is better, better,

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<v Speaker 1>lay better. My mental steak as compared to when I

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<v Speaker 1>was in my twenties, you cannot compare the two oties

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<v Speaker 1>even for their exactly, but you know, it's a secret

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<v Speaker 1>of aging, even though they push you off the assembly line.

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<v Speaker 1>So what did your parents do for a living? My

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<v Speaker 1>father was my family had a plumbing supply business in Chicago, Okay,

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<v Speaker 1>plumbing supply? How many general were your parents born in America? Yes,

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<v Speaker 1>and we're their parents born in America. Yes, that's kind

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<v Speaker 1>of rare, but it's the generation before that that was

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<v Speaker 1>not born in America. Okay. And then how did the

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<v Speaker 1>plumbing business begin? Um? That was I don't even I

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<v Speaker 1>actually don't know what led them. I know my grandfather

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<v Speaker 1>born in America. My dad's father had a jewelry business

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<v Speaker 1>and before I was born and switched to plumbing. Supply,

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<v Speaker 1>and I don't know it was looking for rings that

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<v Speaker 1>went on. Yes, yeah, maybe, yes, because there's more money

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<v Speaker 1>in this Yeah. No, I had no idea. And my

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<v Speaker 1>mom was an actress and an artist who kind of

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<v Speaker 1>gave up her acting career. She got into the Goodman

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<v Speaker 1>Theater in Chicago and to raise her children. So my

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<v Speaker 1>mother always lived vicariously through me. And I can tell

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<v Speaker 1>you this by the way, I know the exact moment

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<v Speaker 1>when I knew I wanted to be a comedian. Now,

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<v Speaker 1>I was funny from I'm not exaggerating nursery school on.

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<v Speaker 1>I was always the funniest kid and pretty popular, not

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<v Speaker 1>an outcast, which is weird. The funny guys usually oh

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<v Speaker 1>is he annoying? But no, it wasn't that case. It

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<v Speaker 1>was strange. Now I'm eight years old, this is seventy.

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<v Speaker 1>My parents take me to the Empire Room at the

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<v Speaker 1>one hotel. It's the oldest hotel in Chicago, the Palmer House.

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<v Speaker 1>So okay, to see Jimmy Duranty. So I'm watching Jimmy Duranty,

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<v Speaker 1>and um, looking at jim watching Jimmy Duranty, I can't

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<v Speaker 1>I'm so engulfed in what he's doing. And then I

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<v Speaker 1>look at the audience and how happy they are. On

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<v Speaker 1>the way home, I asked my parents if that was

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<v Speaker 1>a job. They said, yes, that's a job. I said, well,

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<v Speaker 1>that's the job that I want. Okay. Well, one would

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<v Speaker 1>say a friend of mine books Oprah for live dates,

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<v Speaker 1>I would say, why would Oprah need to do live dates?

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<v Speaker 1>As you know, Letterman used to say she has all

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<v Speaker 1>the money, but he says, there's nowhere else you can

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<v Speaker 1>get that hit from an audience then live right, Well, yeah,

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<v Speaker 1>it's joy by the way. One, It's right, it's joyful

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<v Speaker 1>and it's purposeful. So she must feel joy and a

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<v Speaker 1>purpose when she goes out there, because for her to

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<v Speaker 1>be home alone in a mansion in uh somewhere here

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<v Speaker 1>in southern California, Hawaii, she's really not in touch with

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<v Speaker 1>what she's doing or what people are doing. You know,

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<v Speaker 1>if you're mentally made up to be a fat cat,

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<v Speaker 1>I think that that's all you know. But if you're

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<v Speaker 1>made up to be somebody who contributes like Oprah did

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<v Speaker 1>for so long, you need that. You need that. She

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<v Speaker 1>can't just sit at home and go I'm done. Even

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<v Speaker 1>Letterman came out to do you. Okay, But This begs

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<v Speaker 1>the question, yeah, you do you need that hit from

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<v Speaker 1>an audience? UM, I would have to answer truthfully yes,

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<v Speaker 1>but not from an ego standpoint, but from an ego

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<v Speaker 1>of knowing that my groove is hitting you know, the audience.

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<v Speaker 1>I feel the groove, and that groove I improvised generally

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<v Speaker 1>my entire set, so I need them. I need to

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<v Speaker 1>feed off them in order to create new things. So

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<v Speaker 1>it goes hand in hand. So for me to have joy,

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<v Speaker 1>and I have discovered like I get joy from your newsletter,

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<v Speaker 1>even the dark ones, I get joy from it. And

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<v Speaker 1>joy is to me what it's all about now, being

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<v Speaker 1>kind to myself and being joyful. So when I do

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<v Speaker 1>stand up and the audience is digging me and I'm

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<v Speaker 1>grooving with what I do, I'm filled with joy. Let's

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<v Speaker 1>say you have a great night. Okay, how long does

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<v Speaker 1>a good feeling last. It's it's over by the time

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<v Speaker 1>I leave stage, by the time I go the same

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<v Speaker 1>with a bad I mean, the only time I feel

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<v Speaker 1>bad is if I'm a fault for the bad show.

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<v Speaker 1>For example, some nights I go on stage and Jerry

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<v Speaker 1>Seinfeld and I have had discussions on this and we

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<v Speaker 1>disagree he says, it's always you. You're that you're the

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<v Speaker 1>one who if you have a bad show, it's because

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<v Speaker 1>of you, if you you know what I mean, Everything

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<v Speaker 1>is because of you, And I disagree with that. To me,

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<v Speaker 1>it's a partnership with the audience. If I've hit a

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<v Speaker 1>group and they've hit a group, it's gonna go up.

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<v Speaker 1>If I had a groove and they are not there.

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<v Speaker 1>And by the way, it's about their d n A.

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<v Speaker 1>It's about their job that day, their love life, there,

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<v Speaker 1>how much money they have, everything that's going on in

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<v Speaker 1>their lives at that moment. As individuals, they bring it

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<v Speaker 1>in as a group. So I'll go on stage some

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<v Speaker 1>nights a man, I've got my groove and they're not

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<v Speaker 1>digging me. As I say one thing. But the one

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<v Speaker 1>thing that I don't recover quickly from is when they're

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<v Speaker 1>good and I know I'm not. That one really hurts. Okay,

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<v Speaker 1>let's assume that happens. Yes, why do you think you're

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<v Speaker 1>not good that night? Because it's it's just it's I

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<v Speaker 1>can use baseball. You go up to the box and

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<v Speaker 1>you're swinging. You're like, I don't have my swing. I

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<v Speaker 1>don't have my swing. I go up on stage and

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<v Speaker 1>it's like oh, Especially as an improviser, I'm like, oh,

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<v Speaker 1>this is not gonna be pretty, this is not gonna

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<v Speaker 1>be fun, and my professionalism and my craft carry me

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<v Speaker 1>through to where the audience might not unless they've seen

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<v Speaker 1>me many times, know that it's a less than good show.

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<v Speaker 1>I've had this couple of times with musicians where they

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<v Speaker 1>were very depressed after shows because they didn't think they

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<v Speaker 1>were right and as a professional you can see the

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<v Speaker 1>subtleties they're talking about. But they got a huge response

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<v Speaker 1>from the audience. The general audience didn't seem to resident well,

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<v Speaker 1>it goes with that joke. Okay, we're ready, my favorite

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<v Speaker 1>joke and I'll tame it for this. Actually, don't have to. Okay.

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<v Speaker 1>So a woman goes up to a comedian, this is

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<v Speaker 1>your favorite joke, period or no, this is a joke

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<v Speaker 1>that's about this time, And to me, it explains most

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<v Speaker 1>comedians I know in this way. A woman goes up

0:12:05.760 --> 0:12:09.720
<v Speaker 1>to a comedian she says, I saw you on Friday night.

0:12:09.960 --> 0:12:13.199
<v Speaker 1>I think you're amazing. I am going to have sex

0:12:13.200 --> 0:12:15.280
<v Speaker 1>with you. I'm gonna fuck you crazy, I'm gonna do

0:12:15.360 --> 0:12:17.679
<v Speaker 1>things to you that you've never had done before. It's

0:12:17.720 --> 0:12:19.760
<v Speaker 1>gonna be the greatest night of sex in your life.

0:12:19.760 --> 0:12:21.880
<v Speaker 1>And he looks at her and she's so beautiful, and

0:12:21.880 --> 0:12:23.800
<v Speaker 1>he looks here in the eyes and did you see

0:12:23.840 --> 0:12:27.280
<v Speaker 1>the early show or the late show? And to me,

0:12:27.400 --> 0:12:30.920
<v Speaker 1>that's it, man, if you saw that, if you saw

0:12:30.960 --> 0:12:32.839
<v Speaker 1>the show, I wasn't proud of. I don't want to

0:12:32.880 --> 0:12:35.400
<v Speaker 1>have sex with you. But if you saw the good show,

0:12:35.480 --> 0:12:38.280
<v Speaker 1>let's go sister. Well that's you know, there's a similar

0:12:38.320 --> 0:12:41.160
<v Speaker 1>line about the music business. It's not about the money.

0:12:42.000 --> 0:12:44.880
<v Speaker 1>It's about the money, right of course. Well that's whenever

0:12:45.240 --> 0:12:47.800
<v Speaker 1>a player says in sports, it's not about the money.

0:12:48.400 --> 0:12:53.480
<v Speaker 1>Don't say that. So let's go back. Um, when you

0:12:53.679 --> 0:12:56.599
<v Speaker 1>do the show and you improvise, you know, if you

0:12:56.800 --> 0:12:58.840
<v Speaker 1>Richard Lewis, he he comes out with a series of

0:12:58.880 --> 0:13:02.440
<v Speaker 1>notes and he's always looking notes. He's got long long

0:13:02.960 --> 0:13:05.800
<v Speaker 1>We've toured together many times. So how much of your

0:13:05.920 --> 0:13:10.840
<v Speaker 1>act before you hit the stage is somewhat conceptual in

0:13:10.840 --> 0:13:15.880
<v Speaker 1>your brain most of the time? Zero? Really, Yes, Now,

0:13:16.200 --> 0:13:18.839
<v Speaker 1>when I'm on stage, a story I've told before may

0:13:18.880 --> 0:13:22.080
<v Speaker 1>occur to me for the moment that I'm in and

0:13:22.120 --> 0:13:24.680
<v Speaker 1>I'll go with it. So I have had shows which

0:13:24.679 --> 0:13:29.520
<v Speaker 1>are improvised, and I have had shows that are without

0:13:29.600 --> 0:13:34.640
<v Speaker 1>any intent improvised because I told stories that fit in

0:13:35.040 --> 0:13:38.120
<v Speaker 1>with where my head was going and where the audience

0:13:38.200 --> 0:13:40.840
<v Speaker 1>was going. Now, talking about The Deer Departed, Robin Williams

0:13:41.200 --> 0:13:45.120
<v Speaker 1>found a lot of times was the things he said

0:13:45.120 --> 0:13:48.640
<v Speaker 1>were really not funny. The people were reacting to the

0:13:48.880 --> 0:13:53.079
<v Speaker 1>energy and the delivery. Now, when you improvise everything, do

0:13:53.120 --> 0:13:54.880
<v Speaker 1>you think that and it's a good night that the

0:13:54.920 --> 0:13:58.480
<v Speaker 1>audience is with you or your material is really hitting

0:13:59.240 --> 0:14:01.640
<v Speaker 1>always the ad it's with me. As an improviser. By

0:14:01.640 --> 0:14:03.719
<v Speaker 1>the way, I don't get any points for being an improviser.

0:14:04.000 --> 0:14:05.760
<v Speaker 1>It's not like you were kind of off tonight, but

0:14:06.120 --> 0:14:08.160
<v Speaker 1>you get bonus credit because you made it all up,

0:14:08.240 --> 0:14:10.600
<v Speaker 1>you know what I mean, especially as I get older

0:14:10.600 --> 0:14:15.440
<v Speaker 1>now like I'm about to shoot a comedy special in

0:14:15.440 --> 0:14:18.280
<v Speaker 1>in May. Okay, this is just let's go. This is

0:14:18.320 --> 0:14:22.280
<v Speaker 1>for Netflix. I actually, as of yesterday it was for Netflix.

0:14:22.400 --> 0:14:25.080
<v Speaker 1>It might be for Netflix, it might be free. Let's

0:14:25.080 --> 0:14:27.880
<v Speaker 1>just say as if yesterday it was for Netflix, that

0:14:27.880 --> 0:14:30.160
<v Speaker 1>would assume that ink is not dry. But you made

0:14:30.200 --> 0:14:33.400
<v Speaker 1>a deal. I've had a deal with Netflix for the

0:14:33.440 --> 0:14:36.320
<v Speaker 1>longest time, so I just still understand the business. Well, no, no,

0:14:36.440 --> 0:14:39.080
<v Speaker 1>it was it was I approached them with a budget

0:14:39.200 --> 0:14:43.160
<v Speaker 1>and and what I wanted to do. They rejected the budget,

0:14:43.520 --> 0:14:45.480
<v Speaker 1>and they rejected what I wanted to do. What I

0:14:45.520 --> 0:14:47.240
<v Speaker 1>wanted to do is I want to shoot it on film.

0:14:47.640 --> 0:14:50.680
<v Speaker 1>Netflix will not shoot anything on film because I want

0:14:50.720 --> 0:14:54.120
<v Speaker 1>my Here's the thing, there's it's like making a record album.

0:14:54.160 --> 0:14:57.680
<v Speaker 1>It's it's it's like everyone sounds the same. If you

0:14:57.720 --> 0:15:01.680
<v Speaker 1>watch you said, watch Netflix one after another every special.

0:15:02.040 --> 0:15:06.040
<v Speaker 1>What's different about the comedian? What's different about how it looks?

0:15:06.360 --> 0:15:09.760
<v Speaker 1>And I'm trying to make mine look to be really frank,

0:15:10.160 --> 0:15:14.720
<v Speaker 1>like the wedding scene from The Deer Hunter, which which

0:15:14.760 --> 0:15:18.360
<v Speaker 1>by the way, sounds crazy, but my it's it's it's

0:15:17.840 --> 0:15:21.480
<v Speaker 1>it's the presentation. You're going to be that dark. No, No,

0:15:21.640 --> 0:15:24.200
<v Speaker 1>that just say me speaking at a wedding. I'm giving

0:15:24.240 --> 0:15:28.480
<v Speaker 1>a toast the special. Hypothetically, if you do it on film,

0:15:28.520 --> 0:15:31.600
<v Speaker 1>much more expensive? Is it? It's not that much more expensive. See.

0:15:31.640 --> 0:15:35.520
<v Speaker 1>Netflix doesn't let anything be shot on film. Everything must

0:15:35.520 --> 0:15:38.080
<v Speaker 1>be four K, six K. I mean you can just

0:15:38.120 --> 0:15:41.120
<v Speaker 1>transfer it, you think, but they don't want to do that.

0:15:44.440 --> 0:15:47.800
<v Speaker 1>Your father is running. Is a plumber? Okay? No, he's

0:15:47.800 --> 0:15:51.520
<v Speaker 1>not a plumber? Yes? Was it like? And where is

0:15:51.560 --> 0:15:56.280
<v Speaker 1>this in Chicago and California Avenue? Okay? And how big

0:15:56.280 --> 0:16:00.000
<v Speaker 1>on the west side? How big an operation is this? Um,

0:16:00.000 --> 0:16:02.400
<v Speaker 1>it's a big building. I don't know how many employees?

0:16:02.400 --> 0:16:08.480
<v Speaker 1>Do you think? Oh god? I thirty? Okay, so it's

0:16:08.480 --> 0:16:11.480
<v Speaker 1>a big operation. And did you used to go there

0:16:11.520 --> 0:16:14.760
<v Speaker 1>and help out? I did, which was mostly meant. I

0:16:14.840 --> 0:16:17.120
<v Speaker 1>watched cub games on a little black and white TV

0:16:17.640 --> 0:16:19.840
<v Speaker 1>in the front office because it was all day games.

0:16:20.200 --> 0:16:23.120
<v Speaker 1>And I went into a room and just collected different screws,

0:16:23.520 --> 0:16:25.520
<v Speaker 1>and then I went where the guys hang out and

0:16:25.560 --> 0:16:28.960
<v Speaker 1>there were Playboy centerfolds up on the wall, nine sixties

0:16:29.160 --> 0:16:32.680
<v Speaker 1>Playboy centerfolds. And it was very exciting. Okay, So let's

0:16:32.680 --> 0:16:34.480
<v Speaker 1>say I love going. And then on the way home,

0:16:34.520 --> 0:16:36.520
<v Speaker 1>my dad would buy me a model that was the

0:16:36.680 --> 0:16:39.720
<v Speaker 1>that was it, and that was so happy. Revel models

0:16:39.720 --> 0:16:44.120
<v Speaker 1>that a monogram. Did you paint them or just assembled?

0:16:44.240 --> 0:16:47.240
<v Speaker 1>I just assembled them too. It could be too serious.

0:16:47.240 --> 0:16:49.600
<v Speaker 1>I love the glow in the dark monster ones that

0:16:49.720 --> 0:16:52.120
<v Speaker 1>was after my time, A little older than you. But

0:16:52.600 --> 0:16:55.080
<v Speaker 1>you're at my house suddenly the toilet breaks, can you

0:16:55.120 --> 0:16:57.640
<v Speaker 1>fix it? No? Okay, so you know nothing. I know

0:16:57.640 --> 0:17:00.400
<v Speaker 1>how to plunge. Okay, how many a good plun How

0:17:00.400 --> 0:17:03.240
<v Speaker 1>many siblings are there in your family? I have one brother,

0:17:03.480 --> 0:17:09.960
<v Speaker 1>a younger brother who runs a temple in in suburban Chicago. Okay,

0:17:10.000 --> 0:17:14.000
<v Speaker 1>to what degree do you consider yourself Jewish? I'm a Jew? Okay,

0:17:14.240 --> 0:17:17.119
<v Speaker 1>I'm not religious. You don't go to synagogue? I have

0:17:17.280 --> 0:17:19.600
<v Speaker 1>gone many times. I was bar mitzvahed, but I am

0:17:19.600 --> 0:17:22.680
<v Speaker 1>not religious. No, although I am very proud of being

0:17:22.720 --> 0:17:26.119
<v Speaker 1>a Jew, and I do believe in God, but I

0:17:26.119 --> 0:17:31.120
<v Speaker 1>don't necessarily believe in a specific God. I believe there's

0:17:31.160 --> 0:17:34.800
<v Speaker 1>a higher power than me, something bigger than me that exists.

0:17:35.000 --> 0:17:37.840
<v Speaker 1>I don't know what it is, Okay. And that's something

0:17:37.880 --> 0:17:39.760
<v Speaker 1>you got from a a or is that just something

0:17:39.800 --> 0:17:42.960
<v Speaker 1>you have? Well, hey, you have to find a higher

0:17:43.000 --> 0:17:45.960
<v Speaker 1>power as you see it, and for me, it's more

0:17:46.040 --> 0:17:49.280
<v Speaker 1>like life experience that I believe in a higher power.

0:17:49.560 --> 0:17:52.679
<v Speaker 1>It also is humbling to know that there's something bigger

0:17:52.720 --> 0:17:55.679
<v Speaker 1>than me. I'm not the biggest thing, you know that

0:17:55.720 --> 0:17:58.080
<v Speaker 1>gets out of control. And you see people in the

0:17:58.119 --> 0:18:02.359
<v Speaker 1>world today in different positions, different artists who they think

0:18:02.680 --> 0:18:07.360
<v Speaker 1>that their ship don't stink like literally, and that's not me.

0:18:07.560 --> 0:18:10.399
<v Speaker 1>I I like to be. By the way, I've had

0:18:10.480 --> 0:18:12.679
<v Speaker 1>moments of great ego in my youth, you know, and

0:18:12.720 --> 0:18:15.320
<v Speaker 1>even in my adulthood. I've made mistakes. But I am

0:18:15.359 --> 0:18:20.240
<v Speaker 1>all about being confident in what I do and being

0:18:20.240 --> 0:18:23.840
<v Speaker 1>a humble person, and so being humble that means I believe.

0:18:23.840 --> 0:18:25.840
<v Speaker 1>And by the way, the higher power to me is

0:18:25.880 --> 0:18:29.040
<v Speaker 1>the universe. I just believe this stuff. Okay, as a

0:18:29.160 --> 0:18:32.080
<v Speaker 1>Jew in today's society, today's world, yeah, are you scared

0:18:32.119 --> 0:18:35.080
<v Speaker 1>a little bit? Nope, that's not ignorant. I think a

0:18:35.080 --> 0:18:38.160
<v Speaker 1>lot of craps going down most definitely. I think there's

0:18:38.200 --> 0:18:42.560
<v Speaker 1>anti Semitism. But for me in Los Angeles, California, doing

0:18:42.600 --> 0:18:45.560
<v Speaker 1>what I do, I don't. I don't. It's not so

0:18:45.680 --> 0:18:48.960
<v Speaker 1>I'm not ignorant enough to say it's not happening. It's

0:18:49.000 --> 0:18:52.840
<v Speaker 1>just not affecting me. It's like poverty is not affecting

0:18:52.840 --> 0:18:55.679
<v Speaker 1>me except on an emotional level when I see it.

0:18:56.000 --> 0:18:59.040
<v Speaker 1>So I don't like to be you know, you asked

0:18:59.040 --> 0:19:01.639
<v Speaker 1>me what side am I my liberal or where I

0:19:01.880 --> 0:19:05.920
<v Speaker 1>was before you asked me that, And I told you

0:19:06.040 --> 0:19:08.719
<v Speaker 1>I don't want to be labeled anything, you know, because

0:19:09.320 --> 0:19:12.399
<v Speaker 1>I am bothered by it's the groucho marks thing. I

0:19:12.480 --> 0:19:14.000
<v Speaker 1>never want to be a member of a club that

0:19:14.040 --> 0:19:17.320
<v Speaker 1>would have me as a member. That's really how I am.

0:19:17.359 --> 0:19:22.120
<v Speaker 1>And I am annoyed by liberals, not as much as

0:19:22.160 --> 0:19:27.000
<v Speaker 1>I am conservatives, but I'm annoyed man limousine liberals out

0:19:27.080 --> 0:19:30.280
<v Speaker 1>here in l A and the and the political correctness

0:19:30.560 --> 0:19:34.120
<v Speaker 1>get the funk out of my way. That goes hand

0:19:34.160 --> 0:19:38.639
<v Speaker 1>in hand liberal stuff. Unfortunately. That's why I'm saying, don't

0:19:38.680 --> 0:19:41.240
<v Speaker 1>call me anything, you know. And by the way, to me,

0:19:41.400 --> 0:19:45.520
<v Speaker 1>liberal means I'm open minded, you're liberal minded, So I

0:19:45.560 --> 0:19:49.600
<v Speaker 1>don't get what the definition is. And then conservatives like

0:19:49.680 --> 0:19:52.040
<v Speaker 1>Michael Moore is one of my close friends I love.

0:19:52.119 --> 0:19:55.440
<v Speaker 1>Other than both of you being overweight, what is the connection?

0:19:55.480 --> 0:20:01.680
<v Speaker 1>There were just great friends and friends for I don't

0:20:01.680 --> 0:20:04.480
<v Speaker 1>remember how long has this been going on. We've been

0:20:04.520 --> 0:20:09.040
<v Speaker 1>friends for I'll say at least ten years, fifteen years. Okay,

0:20:09.080 --> 0:20:10.880
<v Speaker 1>you're gonna make a point, I interrupt. No, the point

0:20:10.880 --> 0:20:13.879
<v Speaker 1>I'm gonna make is whenever I talked to anyone I

0:20:13.920 --> 0:20:17.560
<v Speaker 1>know who's got a conservative viewpoint about Michael, they are

0:20:18.400 --> 0:20:20.600
<v Speaker 1>they write him off and I say, have you ever

0:20:20.640 --> 0:20:22.600
<v Speaker 1>seen one of his movies? And of course the answer

0:20:22.640 --> 0:20:26.800
<v Speaker 1>is no. Um. And they don't realize that Michael could

0:20:26.840 --> 0:20:29.639
<v Speaker 1>sit and have a dialogue with them, he wouldn't be

0:20:29.680 --> 0:20:32.480
<v Speaker 1>close minded to what their thoughts. I remember, he's the

0:20:32.480 --> 0:20:35.960
<v Speaker 1>one who predicted that the Trump was gonna win because

0:20:35.960 --> 0:20:38.359
<v Speaker 1>he's in touch with the people that live in his

0:20:38.440 --> 0:20:41.040
<v Speaker 1>home state of Michigan. He knows and these are not

0:20:41.119 --> 0:20:43.960
<v Speaker 1>bad people, you know. So this is one of the

0:20:44.000 --> 0:20:46.560
<v Speaker 1>things we're getting a little off point here. But but

0:20:47.359 --> 0:20:49.960
<v Speaker 1>I knew Trump could win because I heard from his

0:20:50.000 --> 0:20:52.920
<v Speaker 1>supporters all day long. You're writing in the New York Times.

0:20:53.000 --> 0:20:55.800
<v Speaker 1>Unless you're on the opinion page, you don't have a name. Okay,

0:20:55.920 --> 0:20:58.880
<v Speaker 1>so people are blasting me go while something's really happening here.

0:20:59.359 --> 0:21:02.159
<v Speaker 1>It is. It did. But the point I'm making so

0:21:02.240 --> 0:21:06.160
<v Speaker 1>the conservatives very close minded, like and I and I

0:21:06.200 --> 0:21:09.399
<v Speaker 1>lose my crap over that. It's like, please, let's have

0:21:09.480 --> 0:21:12.359
<v Speaker 1>a dialogue. I want to dialogue with the left and

0:21:12.400 --> 0:21:14.679
<v Speaker 1>the right and their extreme views. By the way, if

0:21:14.720 --> 0:21:16.960
<v Speaker 1>you hear me eating, I'm having mango. It's hard to

0:21:17.040 --> 0:21:19.760
<v Speaker 1>not have dried mango. Okay, but isn't dried No my

0:21:19.840 --> 0:21:24.080
<v Speaker 1>nutrition has says that the dried fruit has is easy

0:21:24.080 --> 0:21:26.760
<v Speaker 1>to eat and has much more sugar, way more sugar,

0:21:27.400 --> 0:21:30.960
<v Speaker 1>way more. I rarely, if ever, I get dried mango

0:21:31.040 --> 0:21:33.440
<v Speaker 1>twice a year. Maybe Why why why is that not

0:21:33.600 --> 0:21:36.359
<v Speaker 1>talking about an old joke? Tonight's the night? Why is

0:21:36.400 --> 0:21:38.680
<v Speaker 1>tonight different from all other nights? Well, here's the thing.

0:21:39.119 --> 0:21:41.639
<v Speaker 1>There was some out there. I don't have any of

0:21:41.640 --> 0:21:43.480
<v Speaker 1>this in my house. I don't need anything with added

0:21:43.520 --> 0:21:47.280
<v Speaker 1>sugar ever. And this is actually you know, whenever I

0:21:47.320 --> 0:21:50.359
<v Speaker 1>go with the stuff there, I cannot resist. Well, I

0:21:50.440 --> 0:21:53.320
<v Speaker 1>do resist automatically. If this was the mango with the

0:21:53.359 --> 0:21:56.119
<v Speaker 1>added sugar, I would touch it. But that doesn't mean

0:21:56.160 --> 0:21:58.760
<v Speaker 1>it's good for you. That just means that other one's

0:21:58.960 --> 0:22:02.520
<v Speaker 1>really bad. Let's go back, Okay, you like going back

0:22:02.560 --> 0:22:05.359
<v Speaker 1>and let you know who somebody is, where they come from.

0:22:06.040 --> 0:22:08.280
<v Speaker 1>I'll go as back as you went. Were you the

0:22:08.280 --> 0:22:12.000
<v Speaker 1>golden boy in your family? Uh? Yes? In terms of

0:22:12.040 --> 0:22:15.160
<v Speaker 1>my mother, my father, my brother and I, we all

0:22:15.200 --> 0:22:18.080
<v Speaker 1>lived on equal terms. And my mom loved my dad,

0:22:18.480 --> 0:22:20.520
<v Speaker 1>my mom loved my brother. But as I told you,

0:22:20.800 --> 0:22:24.439
<v Speaker 1>my mom lived vicary vicariously through me. So I was

0:22:24.560 --> 0:22:28.320
<v Speaker 1>the favorite. That there's no, there's no doubt about my dad.

0:22:28.400 --> 0:22:30.320
<v Speaker 1>My brother and I used to joke about it because

0:22:30.400 --> 0:22:33.080
<v Speaker 1>I didn't take it seriously. I didn't hold it over

0:22:33.200 --> 0:22:35.720
<v Speaker 1>my brother or my father, and then I go, this

0:22:35.760 --> 0:22:39.879
<v Speaker 1>is just nuts. But that was her thing. She I

0:22:40.040 --> 0:22:43.520
<v Speaker 1>was her favorite. And all her acting stage stuff was

0:22:43.600 --> 0:22:45.760
<v Speaker 1>done before you were born, or she still continued a

0:22:45.800 --> 0:22:49.320
<v Speaker 1>little bit. Well, she did after I was born. It's

0:22:49.320 --> 0:22:52.320
<v Speaker 1>ironic what she did. She did a lot of community theater.

0:22:52.480 --> 0:22:54.960
<v Speaker 1>She was the lead and the sound of music. She

0:22:55.040 --> 0:22:56.840
<v Speaker 1>did all these things because she could sing and do

0:22:57.240 --> 0:22:59.360
<v Speaker 1>the stuff. She got my brother to be in it,

0:22:59.600 --> 0:23:02.040
<v Speaker 1>really when he was little, and she got my father

0:23:02.160 --> 0:23:04.879
<v Speaker 1>to be the one guy who went on to become

0:23:04.880 --> 0:23:08.880
<v Speaker 1>a professional. I would never do it, wouldn't be caught dead. No,

0:23:09.040 --> 0:23:12.679
<v Speaker 1>really why because I thought it was stupid. You know,

0:23:12.760 --> 0:23:14.240
<v Speaker 1>when I was little, she wanted to take me to

0:23:14.280 --> 0:23:16.639
<v Speaker 1>the sound of music. I wanted to go see a

0:23:16.720 --> 0:23:21.720
<v Speaker 1>Kung Fu movie, a monster movie, you know something else. Bullet.

0:23:21.720 --> 0:23:23.800
<v Speaker 1>I remember my dad and I watched Bullet together. Thank

0:23:23.800 --> 0:23:27.600
<v Speaker 1>God for the invention of BHS because we watched Bullet.

0:23:27.640 --> 0:23:31.080
<v Speaker 1>I've seen Bullet a hundred times just on VHS alone,

0:23:31.359 --> 0:23:34.000
<v Speaker 1>let alone, owning the blue ray now and the DVD

0:23:34.359 --> 0:23:38.040
<v Speaker 1>and the digital copy and iTunes. Wow, so you have

0:23:38.119 --> 0:23:41.800
<v Speaker 1>access to it whenever I got a group for bullet,

0:23:42.080 --> 0:23:47.200
<v Speaker 1>I can get it anytime I want my eye bad anywhere. Okay,

0:23:47.520 --> 0:23:52.800
<v Speaker 1>So a good student or bad student? Bad student? How bad? Well?

0:23:52.880 --> 0:23:54.640
<v Speaker 1>I had a d D and I didn't know it.

0:23:54.920 --> 0:23:57.560
<v Speaker 1>Plus I was all about entertaining the other kids. And

0:23:57.600 --> 0:24:00.280
<v Speaker 1>now you know a d D. Today the kids take medication.

0:24:00.359 --> 0:24:02.479
<v Speaker 1>Did you ever take mediation? I did not find out

0:24:02.520 --> 0:24:05.560
<v Speaker 1>I had a d D until it was twenty four,

0:24:05.720 --> 0:24:09.199
<v Speaker 1>maybe twenty five. And did you ever experiment taking the medication? No,

0:24:09.480 --> 0:24:11.600
<v Speaker 1>because there was it wasn't around. By the way, the

0:24:11.680 --> 0:24:13.280
<v Speaker 1>term a d D. When I was in high school

0:24:13.960 --> 0:24:16.320
<v Speaker 1>ever said that just someone who couldn't been I would.

0:24:16.400 --> 0:24:18.800
<v Speaker 1>I was a poster boy for that if I had

0:24:18.840 --> 0:24:21.399
<v Speaker 1>a d D. Because I'm I think I'm an intelligent person.

0:24:21.720 --> 0:24:23.080
<v Speaker 1>So I think if I had a d D, I

0:24:23.080 --> 0:24:26.000
<v Speaker 1>would have been more successful in school. And I dropped

0:24:26.000 --> 0:24:29.000
<v Speaker 1>out of college. I went to University of Miami for film,

0:24:29.400 --> 0:24:31.880
<v Speaker 1>but I dropped out to become a comedian. Okay, let's

0:24:31.880 --> 0:24:33.920
<v Speaker 1>go back your father. Your father was owning a pretty

0:24:33.920 --> 0:24:36.760
<v Speaker 1>successful business for when he sold it. But this is

0:24:36.920 --> 0:24:40.320
<v Speaker 1>thing he sold it, Well, my grandfather sold it, and

0:24:40.359 --> 0:24:44.200
<v Speaker 1>then my father proceeded to he went. We moved from

0:24:44.280 --> 0:24:48.360
<v Speaker 1>Chicago to South Florida, a little bit slower. So your

0:24:48.400 --> 0:24:51.480
<v Speaker 1>father owned your grandfather owned it, and your father was

0:24:51.520 --> 0:24:53.760
<v Speaker 1>working there, was working there, owned a part of it.

0:24:53.800 --> 0:24:56.320
<v Speaker 1>He got a piece of it. So did my uncle,

0:24:56.400 --> 0:24:58.720
<v Speaker 1>my dad's brother. So why did your grandfather decide to

0:24:58.760 --> 0:25:01.720
<v Speaker 1>sell it? He wanted to retire to Florida and didn't

0:25:01.720 --> 0:25:04.879
<v Speaker 1>want to keep it going. And uh, it was a

0:25:04.640 --> 0:25:07.760
<v Speaker 1>bone of contention between my father and him to keep

0:25:07.760 --> 0:25:09.359
<v Speaker 1>it going in by the way, I don't know if

0:25:09.359 --> 0:25:11.879
<v Speaker 1>it's still called Bilko, but that company went in to

0:25:11.960 --> 0:25:17.399
<v Speaker 1>be a hundred million dollar gigantic company. Oh that's like

0:25:17.480 --> 0:25:19.880
<v Speaker 1>you know, you killed my dad, right, Okay, So your

0:25:19.880 --> 0:25:22.560
<v Speaker 1>father moved to Florida, Florida with my grandparents were down

0:25:22.600 --> 0:25:26.160
<v Speaker 1>intending to do what the first first thing he did.

0:25:26.200 --> 0:25:28.720
<v Speaker 1>And when we moved down here, he had to have

0:25:28.800 --> 0:25:33.320
<v Speaker 1>been early thirties, I mean not here, but South Florida.

0:25:33.720 --> 0:25:36.520
<v Speaker 1>And he went first into real estate and then he

0:25:36.560 --> 0:25:38.199
<v Speaker 1>became and he did this for years. He was a

0:25:38.240 --> 0:25:42.000
<v Speaker 1>legal administrator. He ran law offices because when he was

0:25:42.080 --> 0:25:45.560
<v Speaker 1>working in the plumbing supply. He was studying to be

0:25:45.600 --> 0:25:48.760
<v Speaker 1>a lawyer. But my father also had a d D.

0:25:49.240 --> 0:25:53.320
<v Speaker 1>And with two very wild children, it was not gonna happen.

0:25:53.840 --> 0:25:56.639
<v Speaker 1>And so would you have considered yourselves upper middle class

0:25:56.720 --> 0:26:01.760
<v Speaker 1>during your I my life varied from lower middle class

0:26:01.800 --> 0:26:04.359
<v Speaker 1>to upper middle class to lower middle like back and

0:26:04.440 --> 0:26:06.760
<v Speaker 1>forth in my Okay, but like, did you go on

0:26:06.840 --> 0:26:10.200
<v Speaker 1>family vacations? We went on family vacations. But we when

0:26:10.200 --> 0:26:13.119
<v Speaker 1>I was very young, during the plumbing supply years, we

0:26:13.280 --> 0:26:16.560
<v Speaker 1>go down to South Florida to the Beau Rivage, which

0:26:16.600 --> 0:26:20.040
<v Speaker 1>cost a lot of money, in nice hotel in Miami Beach.

0:26:20.280 --> 0:26:22.400
<v Speaker 1>And then years later I remember we go on vacation

0:26:22.440 --> 0:26:25.880
<v Speaker 1>to holiday in places. So I'm saying we bounced around.

0:26:26.240 --> 0:26:29.960
<v Speaker 1>And being from Chicago and with the with the upbringing

0:26:30.000 --> 0:26:33.760
<v Speaker 1>that I had, I consider myself very blue collar. Like

0:26:33.800 --> 0:26:37.440
<v Speaker 1>I'm a self a blue collar. That's the Chicago mentality.

0:26:37.440 --> 0:26:40.679
<v Speaker 1>It's a Chicago mentality with sort of now, yes, I

0:26:40.720 --> 0:26:43.520
<v Speaker 1>had moments of upper middle class, but I never thought

0:26:43.520 --> 0:26:46.760
<v Speaker 1>of Okay, would you consider Chicago hot dogs and pizza

0:26:46.800 --> 0:26:51.680
<v Speaker 1>to be the best hot dogs? Yes? Why? Because they're

0:26:52.560 --> 0:26:55.960
<v Speaker 1>I here's the thing, forget why Vienna hot dogs eaten

0:26:56.600 --> 0:26:59.640
<v Speaker 1>at the at the cafeteria at the Vienna hot Dog

0:27:00.080 --> 0:27:02.720
<v Speaker 1>Factory are about as good as you can get. I

0:27:02.720 --> 0:27:04.480
<v Speaker 1>didn't know you can do that. You can do it.

0:27:04.560 --> 0:27:09.679
<v Speaker 1>My friend on Clark Street their movies on YouTube of

0:27:09.920 --> 0:27:12.280
<v Speaker 1>hot dug being made and they gross you out. Can

0:27:12.320 --> 0:27:15.080
<v Speaker 1>you tour the Vienna Factory? Well, by the way, I

0:27:15.119 --> 0:27:18.320
<v Speaker 1>don't know, I'm sure you can. Ira Glass did a

0:27:18.359 --> 0:27:20.520
<v Speaker 1>story on this American Life, or maybe it was for

0:27:20.920 --> 0:27:23.520
<v Speaker 1>prior to This American Life. He did a story and

0:27:23.560 --> 0:27:27.280
<v Speaker 1>what it was they discovered they they automated a part

0:27:27.320 --> 0:27:30.080
<v Speaker 1>of their thing and the hot dogs weren't coming out right.

0:27:30.400 --> 0:27:33.119
<v Speaker 1>So they literally had to do a thing where a

0:27:33.200 --> 0:27:36.080
<v Speaker 1>guy had to wheel him on a cart for this

0:27:36.200 --> 0:27:39.560
<v Speaker 1>exact period of time from one building to another. And

0:27:39.560 --> 0:27:41.840
<v Speaker 1>it still does. I don't know how they do it exactly,

0:27:42.359 --> 0:27:45.119
<v Speaker 1>because it wasn't coming out right and what and the

0:27:45.160 --> 0:27:49.600
<v Speaker 1>color wasn't right? Because what about pizza pizza? It's a

0:27:49.640 --> 0:27:53.639
<v Speaker 1>deep dish pizza in Chicago. Loom Male Nadies is my favorite, delightful.

0:27:53.840 --> 0:27:56.720
<v Speaker 1>It does not compare to New York pizza. New York

0:27:56.760 --> 0:28:00.119
<v Speaker 1>then sliced pizza. Come on, that's the best. Actually, I

0:28:00.160 --> 0:28:03.240
<v Speaker 1>think have you been Have you been to Peppi's in

0:28:03.240 --> 0:28:08.159
<v Speaker 1>New Haven? No? No, But what I'm saying I understand,

0:28:08.200 --> 0:28:12.280
<v Speaker 1>I understand Northeast. We're talking as it eat or is

0:28:12.280 --> 0:28:15.800
<v Speaker 1>your last meal? What do you want to eat? Geez,

0:28:17.400 --> 0:28:21.240
<v Speaker 1>I don't have that. That's like asking me about bucket list. Crap.

0:28:21.640 --> 0:28:23.080
<v Speaker 1>I don't have a bucket list. I don't have a

0:28:23.160 --> 0:28:26.320
<v Speaker 1>last meal. Okay. So, by the way, I'm happiest in

0:28:26.400 --> 0:28:29.200
<v Speaker 1>a deli. And what do you eat in the deli? Oh?

0:28:29.280 --> 0:28:31.879
<v Speaker 1>It can vary everything from mazza bride to locks and

0:28:31.960 --> 0:28:38.760
<v Speaker 1>bagel to a pastrami sandwich to but those are three, Okay.

0:28:38.840 --> 0:28:42.160
<v Speaker 1>Can you get a good bagel in Los Angeles? The

0:28:42.200 --> 0:28:48.120
<v Speaker 1>only bagel that's really good is one called Bagel Broker,

0:28:48.480 --> 0:28:55.280
<v Speaker 1>which is on Beverly just Um east of Fairfax. Really

0:28:55.320 --> 0:28:57.120
<v Speaker 1>Bagel Broke, because you know, a friend of mine from

0:28:57.160 --> 0:29:00.600
<v Speaker 1>Toronto emailed me that Friedman's has a to to bagel.

0:29:00.680 --> 0:29:03.280
<v Speaker 1>There's Montreal bagels, which are a little bit different. It

0:29:03.320 --> 0:29:06.000
<v Speaker 1>intrigues because I remember growing up a bagel was something

0:29:06.440 --> 0:29:09.160
<v Speaker 1>like if you you could break a tooth biting into

0:29:09.200 --> 0:29:12.640
<v Speaker 1>it and that hard shell. Where's bagel's today are too soft.

0:29:13.040 --> 0:29:16.320
<v Speaker 1>But well they're more role like. That's not my but

0:29:16.320 --> 0:29:18.560
<v Speaker 1>but by way to me, a bagel should be hard

0:29:18.600 --> 0:29:21.040
<v Speaker 1>on the outside and soft exactly. Yeah, yeah, I know

0:29:21.360 --> 0:29:24.720
<v Speaker 1>that's go to New York exactly. Well, New York and

0:29:24.840 --> 0:29:27.800
<v Speaker 1>hard to find it. So where do you move to

0:29:27.880 --> 0:29:31.800
<v Speaker 1>in Florida? I moved to South Florida Plantation, Florida, which

0:29:31.840 --> 0:29:34.960
<v Speaker 1>is just west of Fort Lauderdale, Florida. And how old

0:29:35.000 --> 0:29:39.640
<v Speaker 1>were you when you moved? Oh jeez, I was what great? Uh?

0:29:39.800 --> 0:29:42.560
<v Speaker 1>Sixth grade? So was it a hard transition? It was

0:29:42.600 --> 0:29:47.120
<v Speaker 1>a very difficult transition. The suburbs of Chicago too, And

0:29:47.120 --> 0:29:48.920
<v Speaker 1>and I get an argument with my I have a

0:29:48.960 --> 0:29:52.200
<v Speaker 1>friend from New Orleans and she's like, Florida is not

0:29:52.360 --> 0:29:55.640
<v Speaker 1>the South, especially South Florida. And I'm afraid it is

0:29:55.720 --> 0:29:58.480
<v Speaker 1>the South because as much as there's the ocean in

0:29:58.520 --> 0:30:01.720
<v Speaker 1>a different type of bye, the more you go inland,

0:30:02.160 --> 0:30:06.640
<v Speaker 1>there's a lot of quote crackers, there's a lot of Southerners.

0:30:06.680 --> 0:30:09.760
<v Speaker 1>I was the first Jew. A lot of kids but

0:30:10.160 --> 0:30:14.240
<v Speaker 1>black and white ever met. It also helped me develop

0:30:14.320 --> 0:30:16.959
<v Speaker 1>my humor, because my humor got me out of fights,

0:30:17.520 --> 0:30:19.240
<v Speaker 1>and then if it didn't thank God. I'm a big,

0:30:19.280 --> 0:30:22.760
<v Speaker 1>strong guy, so you know not, I didn't get picked

0:30:22.800 --> 0:30:27.080
<v Speaker 1>on as much as so do you think it affected

0:30:27.120 --> 0:30:31.520
<v Speaker 1>your comedy and your career moving at sixth grade? Yes,

0:30:31.600 --> 0:30:35.040
<v Speaker 1>without a doubt, without a doubt, because um, it's just

0:30:36.200 --> 0:30:40.400
<v Speaker 1>any adversity or change for an artist as a as

0:30:40.440 --> 0:30:44.800
<v Speaker 1>a kid is good. And I'm not saying I had

0:30:44.840 --> 0:30:48.600
<v Speaker 1>a dysfunction here or this happened, and therefore I use

0:30:48.720 --> 0:30:52.200
<v Speaker 1>that negativity to be a comedian. But all adversity for

0:30:53.000 --> 0:30:57.000
<v Speaker 1>not only comedy, just success makes you more interesting the

0:30:57.080 --> 0:30:59.560
<v Speaker 1>more you go through. It makes you way. So the

0:30:59.600 --> 0:31:03.000
<v Speaker 1>advert city and the difference in moving to Florida only

0:31:03.120 --> 0:31:15.680
<v Speaker 1>helped my comedic perspective. Okay. And at what point you

0:31:15.720 --> 0:31:18.200
<v Speaker 1>went to see Jimmy Durant in Chicago? Yes? At what

0:31:18.440 --> 0:31:21.200
<v Speaker 1>point did you say I'm a professional start working on

0:31:21.320 --> 0:31:25.520
<v Speaker 1>your comedy when I was I? Um, I was twenty

0:31:25.600 --> 0:31:29.680
<v Speaker 1>years old and I dropped out of school. Okay, let's

0:31:29.840 --> 0:31:32.280
<v Speaker 1>pause that for a second. You go to high school

0:31:32.360 --> 0:31:35.920
<v Speaker 1>being melting pot public high school? Yes? And are you popular?

0:31:36.160 --> 0:31:40.160
<v Speaker 1>I'm the most popular kid in school, really, unequivocally. Okay.

0:31:40.280 --> 0:31:42.160
<v Speaker 1>And if you look up my school on the Instagram,

0:31:42.160 --> 0:31:49.600
<v Speaker 1>it talks about me going out and being famous and no, no,

0:31:49.640 --> 0:31:52.480
<v Speaker 1>not God. And by the way, you know it's so funny.

0:31:52.600 --> 0:31:56.040
<v Speaker 1>I don't like people having phones at my shows. But

0:31:56.680 --> 0:32:00.760
<v Speaker 1>I'm I'm I'm not afraid of stayings thing stupid. I

0:32:00.800 --> 0:32:03.400
<v Speaker 1>know I'll say something stupid, what But what I do

0:32:03.520 --> 0:32:06.480
<v Speaker 1>know I'm not gonna say is something ignorant. I know

0:32:06.640 --> 0:32:11.040
<v Speaker 1>I will never say something ignorant. I don't have it

0:32:11.120 --> 0:32:14.320
<v Speaker 1>in me. Will I say something embarrassing and stupid, you

0:32:14.440 --> 0:32:18.440
<v Speaker 1>bet I will, it's not if it's when, but not ignorant.

0:32:18.680 --> 0:32:21.760
<v Speaker 1>So when I was in high school, I never, by

0:32:21.800 --> 0:32:24.160
<v Speaker 1>the way, I never know when in my high school

0:32:24.160 --> 0:32:26.600
<v Speaker 1>did that stuff. We were a very tight high school.

0:32:26.600 --> 0:32:31.040
<v Speaker 1>And I'm talking colors, religions. It was people got along.

0:32:31.120 --> 0:32:34.040
<v Speaker 1>The only time there was a period, I remember there

0:32:34.120 --> 0:32:38.320
<v Speaker 1>was rioting in in Um part of Miami. I'm trying

0:32:38.320 --> 0:32:42.720
<v Speaker 1>to remember Overtown in South in Miami, and I remember

0:32:42.800 --> 0:32:46.360
<v Speaker 1>that the blacks at school were a bit agitated, but

0:32:46.440 --> 0:32:48.520
<v Speaker 1>they're hanging out with the same white guys that were

0:32:48.560 --> 0:32:52.160
<v Speaker 1>always there. And I remember two guys and there was

0:32:52.200 --> 0:32:54.080
<v Speaker 1>crowds around him. Almost came to blow as a black

0:32:54.120 --> 0:32:56.480
<v Speaker 1>and a white guy it was me that broke it up.

0:32:56.720 --> 0:33:00.560
<v Speaker 1>It was with laughs. I got so many laughs that

0:33:00.640 --> 0:33:03.600
<v Speaker 1>the guy shook hands and there was never a fight.

0:33:04.760 --> 0:33:07.120
<v Speaker 1>And were you did you have girlfriends? In high school?

0:33:07.480 --> 0:33:10.719
<v Speaker 1>I dated girls. I was very popular with girls. I

0:33:10.760 --> 0:33:15.080
<v Speaker 1>did not have until I got married. I was how

0:33:15.080 --> 0:33:16.880
<v Speaker 1>old were you when you got married? I got married

0:33:16.920 --> 0:33:21.720
<v Speaker 1>at thirty two and I'm now just about divorced a

0:33:21.760 --> 0:33:23.840
<v Speaker 1>wonderful woman who I will never say anything bad about.

0:33:24.080 --> 0:33:25.920
<v Speaker 1>And I should get credit for that. I shouldn't get

0:33:25.920 --> 0:33:28.840
<v Speaker 1>credit for that. Well, why are you getting divorced them?

0:33:28.840 --> 0:33:31.360
<v Speaker 1>It's just, you know, things run their their thing, you

0:33:31.360 --> 0:33:33.080
<v Speaker 1>know what I mean. And I want to talk about,

0:33:33.120 --> 0:33:36.240
<v Speaker 1>you know, the deep personal things of that with her.

0:33:37.160 --> 0:33:39.600
<v Speaker 1>But I have nothing but respect for She's the mother

0:33:39.640 --> 0:33:41.800
<v Speaker 1>of my children. I never understand how people have split

0:33:41.880 --> 0:33:44.000
<v Speaker 1>up and they hate each other. I don't. I mean,

0:33:44.320 --> 0:33:47.160
<v Speaker 1>I get it, but I don't get it. So, but

0:33:47.240 --> 0:33:49.320
<v Speaker 1>what I wanted to say is, prior to my wife,

0:33:49.760 --> 0:33:52.520
<v Speaker 1>my record for going out with anybody was two months.

0:33:53.440 --> 0:33:55.560
<v Speaker 1>Two months. Well, why was your wife so special that

0:33:55.680 --> 0:33:58.600
<v Speaker 1>she stuck? I don't know. I loved her and she

0:33:58.880 --> 0:34:00.680
<v Speaker 1>didn't give up on me. I think all the other

0:34:00.720 --> 0:34:03.760
<v Speaker 1>ones gave up on me, and my wife did not

0:34:04.080 --> 0:34:06.640
<v Speaker 1>give up on me. God bless her. Okay, so you're going,

0:34:06.640 --> 0:34:09.200
<v Speaker 1>and I had to have a great life because of her.

0:34:09.239 --> 0:34:12.480
<v Speaker 1>I'm a better artist because of her, you know. And

0:34:12.480 --> 0:34:16.959
<v Speaker 1>and my children. I have two boys, eight and twenty two.

0:34:17.200 --> 0:34:19.239
<v Speaker 1>I'm madly in love with them. What do they do

0:34:19.320 --> 0:34:23.400
<v Speaker 1>all day? Um? The younger one is interning at a

0:34:23.440 --> 0:34:27.200
<v Speaker 1>clothing company downtown and the older one works on the

0:34:27.239 --> 0:34:31.560
<v Speaker 1>set of Curb Your Enthusiasm and he's an extraordinarily gifted

0:34:31.600 --> 0:34:36.359
<v Speaker 1>comedic actor. Now as a father, I go, it's great

0:34:36.400 --> 0:34:39.239
<v Speaker 1>to say that, But Larry David will say to me,

0:34:40.000 --> 0:34:42.160
<v Speaker 1>James is his name. James is the funniest kid I've

0:34:42.160 --> 0:34:43.719
<v Speaker 1>ever met. I just look at him and I want

0:34:43.719 --> 0:34:47.120
<v Speaker 1>to leave. The dude's funny. But trying to get them

0:34:47.160 --> 0:34:50.400
<v Speaker 1>motivated to see this is your gift. Because I actually

0:34:50.400 --> 0:34:52.480
<v Speaker 1>talk about this in my stand up. I tell people,

0:34:53.000 --> 0:34:56.359
<v Speaker 1>don't follow your dreams unless your dreams are what you're

0:34:56.400 --> 0:34:59.280
<v Speaker 1>great at. Let's say you're a singer, you live in St. Louis,

0:35:00.000 --> 0:35:02.440
<v Speaker 1>about to graduate high school, and you're like, oh, do

0:35:02.480 --> 0:35:05.279
<v Speaker 1>I go pursue my dream in l A. But you

0:35:05.280 --> 0:35:07.759
<v Speaker 1>know what I'm really good at math. I'm great at math.

0:35:08.080 --> 0:35:11.840
<v Speaker 1>I say, become a great accountant, and with the extra

0:35:11.960 --> 0:35:15.480
<v Speaker 1>money from your successful accounting career, because that's what you're

0:35:15.520 --> 0:35:19.799
<v Speaker 1>great at, buy some recording time, record yourself. How are

0:35:19.840 --> 0:35:23.160
<v Speaker 1>some musicians play that music for your friends and let

0:35:23.239 --> 0:35:27.279
<v Speaker 1>them tell you that you made the right decision. Well,

0:35:27.320 --> 0:35:29.560
<v Speaker 1>you know, I think this is very wise advice. I

0:35:29.600 --> 0:35:32.040
<v Speaker 1>think all the time. You know, in the tech business

0:35:32.040 --> 0:35:35.239
<v Speaker 1>they call it pivoting if it's not working. I mean,

0:35:35.320 --> 0:35:39.880
<v Speaker 1>I believe at most is talent, the other is desire.

0:35:40.360 --> 0:35:42.200
<v Speaker 1>By the way, there's so much that goes in, but

0:35:42.320 --> 0:35:45.319
<v Speaker 1>so many people don't even have the talent to put

0:35:45.400 --> 0:35:47.560
<v Speaker 1>the idea with this. All day long, people email me

0:35:47.560 --> 0:35:49.279
<v Speaker 1>there's stuff this, but I don't listen to most of it.

0:35:49.320 --> 0:35:51.560
<v Speaker 1>You can't respond because as soon as you tell them

0:35:51.560 --> 0:35:54.359
<v Speaker 1>they're not great, they go berserk. I've had a lot

0:35:54.400 --> 0:35:58.440
<v Speaker 1>of bad experiences, but it's rare that someone has the ability,

0:35:58.800 --> 0:36:02.040
<v Speaker 1>never mind the mindset and willingness to do what it

0:36:02.080 --> 0:36:04.200
<v Speaker 1>takes to make it. You know, when I get to

0:36:04.239 --> 0:36:06.879
<v Speaker 1>the improv, I'm at the improv here in l A

0:36:06.960 --> 0:36:10.080
<v Speaker 1>most every Friday. There's they have two rooms. I love

0:36:10.160 --> 0:36:12.640
<v Speaker 1>this room. Called the lab, and before I go into

0:36:12.680 --> 0:36:14.680
<v Speaker 1>do my show, I stopped into the other room and

0:36:14.719 --> 0:36:19.840
<v Speaker 1>I just watched one or two comedians. And rarely, rarely,

0:36:19.880 --> 0:36:22.280
<v Speaker 1>I mean I think once or twice have I got thought,

0:36:22.360 --> 0:36:25.319
<v Speaker 1>who's that? That's great? The rest of the time it's

0:36:25.360 --> 0:36:29.480
<v Speaker 1>either oh straight shrugged my shoulders or me thinking to myself,

0:36:29.920 --> 0:36:33.080
<v Speaker 1>who the hell told you this is something that you're

0:36:33.120 --> 0:36:35.759
<v Speaker 1>good at? Now. This reminds me of going to the

0:36:35.800 --> 0:36:39.480
<v Speaker 1>Fillmore East uh in December seventies see Laura Nero. I

0:36:39.520 --> 0:36:41.480
<v Speaker 1>was a big fan of Laura Nero. For those who

0:36:41.480 --> 0:36:45.000
<v Speaker 1>know rock history, the manager was David Geffen because also

0:36:45.120 --> 0:36:49.240
<v Speaker 1>the manager of Jackson Brown, who we put on the bill,

0:36:49.719 --> 0:36:52.160
<v Speaker 1>didn't have a record for over a year after that.

0:36:52.560 --> 0:36:56.120
<v Speaker 1>But here's a guy playing alone on the guitar, playing people,

0:36:56.160 --> 0:36:58.400
<v Speaker 1>and you, holy sh it, this guy's got it. This

0:36:58.440 --> 0:37:01.160
<v Speaker 1>guy's got Notarbably, if you don't know the material, whenever

0:37:01.160 --> 0:37:03.319
<v Speaker 1>you say hey, you're unimpressed. But I can only tell

0:37:03.360 --> 0:37:06.040
<v Speaker 1>one story like that. By the way, Jackson is good enough.

0:37:06.719 --> 0:37:10.040
<v Speaker 1>He's my pal too. Okay, So you go to University

0:37:10.080 --> 0:37:14.040
<v Speaker 1>of Miami and then you drop out at age twenty, Yes,

0:37:14.160 --> 0:37:17.759
<v Speaker 1>aged twenty dropped out. My dad insisted that I keep

0:37:17.800 --> 0:37:20.400
<v Speaker 1>going to school. I went to Broward Community College because

0:37:20.400 --> 0:37:22.600
<v Speaker 1>he kept on going. You need something to fall back on.

0:37:22.880 --> 0:37:25.480
<v Speaker 1>He didn't believe in it, but I passed auditions my

0:37:25.560 --> 0:37:29.120
<v Speaker 1>first night at the comic strip in Fort Lauderdale. Okay,

0:37:29.719 --> 0:37:31.960
<v Speaker 1>you no doubt that that I was doing what he

0:37:32.040 --> 0:37:35.880
<v Speaker 1>had you done to rehearse for that. Um, I was

0:37:35.920 --> 0:37:38.560
<v Speaker 1>ignorant enough to think that you could rehearse, so I

0:37:38.600 --> 0:37:43.799
<v Speaker 1>put together. I did a joke. Oh, the worst joke

0:37:43.880 --> 0:37:47.759
<v Speaker 1>about uh. I asked my teacher if I could can

0:37:47.800 --> 0:37:49.560
<v Speaker 1>I go to the bathroom. She'd say, I don't know,

0:37:49.680 --> 0:37:52.040
<v Speaker 1>can you? I felt like paying on her desk, And

0:37:52.080 --> 0:37:54.920
<v Speaker 1>that was my first joke. Then I did an impression

0:37:54.920 --> 0:37:58.080
<v Speaker 1>of Adam West, which is the only impression, by the way.

0:37:58.200 --> 0:38:00.880
<v Speaker 1>People don't know he played Batman that I do. An

0:38:00.880 --> 0:38:03.160
<v Speaker 1>old Black man and an old Jewish man and Adam West.

0:38:03.160 --> 0:38:05.480
<v Speaker 1>Those are my three, and they're not embarrassing. I think

0:38:05.480 --> 0:38:07.040
<v Speaker 1>they're very act I would do all three for you.

0:38:07.480 --> 0:38:11.560
<v Speaker 1>Here's here's the first. Here's Adam West. It appears to me,

0:38:12.360 --> 0:38:19.920
<v Speaker 1>Commissioner Gordon, that the Joker, Riddler and the Penguin have escaped,

0:38:20.400 --> 0:38:25.840
<v Speaker 1>so help me if they harm aunt Harriet. That's Adam West. Okay,

0:38:25.880 --> 0:38:29.000
<v Speaker 1>we've been doing since I was a kid. Okay, here's

0:38:29.280 --> 0:38:32.000
<v Speaker 1>old Jewish Man. I gotta tell you, we're gonna go

0:38:32.120 --> 0:38:37.080
<v Speaker 1>down and we're gonna have the most delicious meal you've

0:38:37.120 --> 0:38:40.879
<v Speaker 1>ever had. The Old Black Man is so similar. It's

0:38:40.920 --> 0:38:43.680
<v Speaker 1>just changing a few So what we did was we

0:38:43.719 --> 0:38:46.399
<v Speaker 1>went down and they were qorded us. We didn't never

0:38:46.440 --> 0:38:49.680
<v Speaker 1>see the microphones. Is then we go down. I got

0:38:49.719 --> 0:38:53.200
<v Speaker 1>my guitar, I got I'm playing slot and they're listening.

0:38:53.400 --> 0:38:55.880
<v Speaker 1>You know what I mean, They're very they boat. This

0:38:55.920 --> 0:38:58.480
<v Speaker 1>is what they have between them. You know, it's like

0:38:58.920 --> 0:39:03.279
<v Speaker 1>I got that, okay forgetting you, but I was me.

0:39:05.120 --> 0:39:08.320
<v Speaker 1>I'm asking a different question forgetting you. To what degree

0:39:08.400 --> 0:39:13.080
<v Speaker 1>is comedy changed since you started? Oh geez, well, it's

0:39:13.200 --> 0:39:17.880
<v Speaker 1>changed in one way and one way only, and that

0:39:18.080 --> 0:39:22.239
<v Speaker 1>is when I started there. When I started, yeah, there

0:39:22.320 --> 0:39:29.080
<v Speaker 1>was cable TV in two but in general, we went

0:39:29.160 --> 0:39:34.319
<v Speaker 1>through the same landscape together as people young old. We

0:39:34.400 --> 0:39:36.640
<v Speaker 1>knew the same references. I could do a Larry Tate

0:39:36.760 --> 0:39:39.759
<v Speaker 1>reference from Bewitched, and I knew the audience would know

0:39:39.760 --> 0:39:43.879
<v Speaker 1>who I'm talking about. No longer can you do any

0:39:43.920 --> 0:39:47.400
<v Speaker 1>pop culture references. It's like there was always a law

0:39:47.640 --> 0:39:51.160
<v Speaker 1>early on, don't do sports. Don't talk about sports, you

0:39:51.200 --> 0:39:53.960
<v Speaker 1>lose the audience. Well, I gotta tell you, I think

0:39:54.000 --> 0:39:56.360
<v Speaker 1>you have a better shot of hooking in the audience

0:39:56.400 --> 0:40:00.239
<v Speaker 1>talking about an NFL football team than you do talking

0:40:00.239 --> 0:40:05.239
<v Speaker 1>about pop culture. That more people are together on understanding

0:40:05.280 --> 0:40:08.160
<v Speaker 1>a sport than they are about any particular That's one

0:40:08.200 --> 0:40:11.279
<v Speaker 1>of the reasons I think that SNL doesn't work. It's

0:40:11.320 --> 0:40:13.719
<v Speaker 1>like they used to have all the Star Trek and

0:40:13.760 --> 0:40:16.799
<v Speaker 1>all the Samurai stuff whatever, and they don't have those

0:40:16.840 --> 0:40:19.080
<v Speaker 1>hooks because no one has actually seen all these shows. No,

0:40:19.160 --> 0:40:21.880
<v Speaker 1>but that's why. By the way, the only time that

0:40:21.920 --> 0:40:24.520
<v Speaker 1>they can do good with anything with pop culture is

0:40:24.560 --> 0:40:27.400
<v Speaker 1>when they do a game show, because that's timeless. Like

0:40:27.440 --> 0:40:29.880
<v Speaker 1>when I just saw recently with John Mullania What's in

0:40:29.880 --> 0:40:32.239
<v Speaker 1>her Name or what's the Name? I was grabbing my

0:40:32.320 --> 0:40:35.879
<v Speaker 1>stomach laughing, which is rare for SNL. It was fantastic.

0:40:36.160 --> 0:40:38.520
<v Speaker 1>But the stuff that they do with with sort of

0:40:38.640 --> 0:40:42.080
<v Speaker 1>real husband wife characters and same with stand up man.

0:40:42.440 --> 0:40:44.919
<v Speaker 1>So I when I go on stage, what I talk

0:40:45.040 --> 0:40:50.280
<v Speaker 1>about is life, my life. The audience is life experiencing

0:40:50.440 --> 0:40:54.040
<v Speaker 1>things that we all share, no matter who our favorite

0:40:54.080 --> 0:40:57.600
<v Speaker 1>singer is, no matter what TV show we watch, we

0:40:57.680 --> 0:41:02.000
<v Speaker 1>share certain things and that so it really does separate

0:41:02.200 --> 0:41:05.800
<v Speaker 1>comics because you really, you know, I'll watch certain comics

0:41:05.840 --> 0:41:08.960
<v Speaker 1>and I'll go you think everyone digs what you're saying,

0:41:09.040 --> 0:41:12.839
<v Speaker 1>or you think everyone politically agrees with what you're you're saying,

0:41:12.880 --> 0:41:17.239
<v Speaker 1>it's an assumption that's wrong. It's a wrong assumption. You

0:41:17.280 --> 0:41:21.000
<v Speaker 1>have to talk about what you're It's like it's a

0:41:21.000 --> 0:41:23.399
<v Speaker 1>fine line. I think it's really important to talk about

0:41:23.440 --> 0:41:27.400
<v Speaker 1>what you're passionate about, but also taken to account. So

0:41:27.440 --> 0:41:29.239
<v Speaker 1>you have to present it in a way that an

0:41:29.239 --> 0:41:32.120
<v Speaker 1>audience knows, this is what you're passionate about, and lo

0:41:32.239 --> 0:41:35.520
<v Speaker 1>and behold if you guys groove, that's fantastic. Like I

0:41:35.640 --> 0:41:37.880
<v Speaker 1>talk about what you think is funny because it's popular,

0:41:38.800 --> 0:41:42.759
<v Speaker 1>Like every time you read about Ariana Grande. We're at

0:41:42.760 --> 0:41:46.400
<v Speaker 1>a point in pop culture where it's about being popular,

0:41:46.680 --> 0:41:49.640
<v Speaker 1>it's not about being great. The coach Ello lineup, for example.

0:41:50.239 --> 0:41:54.719
<v Speaker 1>So I can say the same thing amongst comedy. When

0:41:54.760 --> 0:41:57.920
<v Speaker 1>I was a younger comedian, if you were a hack,

0:41:58.840 --> 0:42:03.880
<v Speaker 1>a popular hack, let's say Gallagher, it's not like Gallagher

0:42:03.880 --> 0:42:06.279
<v Speaker 1>would walk into a local club and people would be

0:42:06.360 --> 0:42:08.440
<v Speaker 1>nice and ask him if he wants to go up.

0:42:09.040 --> 0:42:12.880
<v Speaker 1>You'd be polite because he's fucking galling just because of

0:42:13.040 --> 0:42:16.520
<v Speaker 1>decent be a decent person. But it wouldn't be like wow. Now,

0:42:16.760 --> 0:42:19.279
<v Speaker 1>I see this in the comedy world, where if you're

0:42:19.320 --> 0:42:23.680
<v Speaker 1>a famous comedian, whether you're good or not, everybody's excited

0:42:23.880 --> 0:42:26.400
<v Speaker 1>and they want to put you on. People are so

0:42:27.000 --> 0:42:30.080
<v Speaker 1>into the fame of it all, as opposed to this

0:42:30.160 --> 0:42:34.640
<v Speaker 1>person is great. Who's great today? Um? John Mullaney? I

0:42:34.680 --> 0:42:36.640
<v Speaker 1>just know John Mullaney. I saw him in the two

0:42:36.680 --> 0:42:41.279
<v Speaker 1>person show on US right with Nick Kroll. I thought

0:42:41.280 --> 0:42:44.799
<v Speaker 1>that was greatly makes him great? And I say, I

0:42:44.840 --> 0:42:47.759
<v Speaker 1>know he hasn't quite resonated yet. The jury's out with me,

0:42:47.840 --> 0:42:50.680
<v Speaker 1>but keep going. I think he's the only person who

0:42:51.880 --> 0:42:59.279
<v Speaker 1>uh Chappelle is magnificent. Um uh, I mean you have to.

0:42:59.560 --> 0:43:03.479
<v Speaker 1>I'm my better at having someone say a name And Okay,

0:43:03.520 --> 0:43:05.040
<v Speaker 1>I understand. I don't like being put on the spot

0:43:05.040 --> 0:43:07.879
<v Speaker 1>with because I don't believe me. I totally understand. Let's

0:43:07.920 --> 0:43:10.520
<v Speaker 1>go back, so you decide. So the very first night

0:43:10.560 --> 0:43:13.200
<v Speaker 1>you passed auditions, how long after that do you stop

0:43:13.239 --> 0:43:17.920
<v Speaker 1>going to school if I had my way at that moment.

0:43:18.560 --> 0:43:21.359
<v Speaker 1>But I love my father, and it was a lot

0:43:21.400 --> 0:43:24.640
<v Speaker 1>of fighting on our parts, even though we had great

0:43:24.640 --> 0:43:27.080
<v Speaker 1>love for each other in respect. My dad was an

0:43:27.080 --> 0:43:31.239
<v Speaker 1>affectionate kind man um and I had to work through

0:43:31.280 --> 0:43:33.959
<v Speaker 1>the years. I dropped out of school maybe a year later,

0:43:34.680 --> 0:43:38.600
<v Speaker 1>and then he probably like three years later, four years later,

0:43:38.640 --> 0:43:40.959
<v Speaker 1>told me I'm as funny as any comedian he's ever seen.

0:43:41.160 --> 0:43:43.719
<v Speaker 1>Which whatever how I heard from my parents was I

0:43:43.800 --> 0:43:47.400
<v Speaker 1>was a shiphead. That's not that's what I play on

0:43:47.400 --> 0:43:49.800
<v Speaker 1>the Goldberg's a guy who calls his kids from runs.

0:43:49.920 --> 0:43:53.400
<v Speaker 1>I would never call my kids. Okay, but your parents

0:43:53.760 --> 0:43:56.479
<v Speaker 1>are not with us anymore, no, they My mom died

0:43:56.520 --> 0:43:59.120
<v Speaker 1>this past year. My dad died about five years ago.

0:43:59.360 --> 0:44:02.040
<v Speaker 1>But they were around to see your success very much.

0:44:02.080 --> 0:44:05.919
<v Speaker 1>So I dedicated I wrote a book about five years ago.

0:44:05.960 --> 0:44:08.839
<v Speaker 1>I dedicated that to my father. My father, by both

0:44:08.920 --> 0:44:12.080
<v Speaker 1>my parents not only saw Curb Your Enthusiasm. They were

0:44:12.120 --> 0:44:14.680
<v Speaker 1>on an episode of Curb Your Enthusist, which one the

0:44:14.760 --> 0:44:18.560
<v Speaker 1>one where Larry thinks he's saving a guy who's being

0:44:18.600 --> 0:44:22.680
<v Speaker 1>baptized in from drowning, But what he does is he

0:44:22.719 --> 0:44:25.319
<v Speaker 1>makes the guy changed his mind from being baptized. I

0:44:25.320 --> 0:44:28.040
<v Speaker 1>think he was marrying Cheryl's sister. My parents were the

0:44:28.080 --> 0:44:31.360
<v Speaker 1>group of part of the group of Jews. Okay, okay,

0:44:31.520 --> 0:44:34.600
<v Speaker 1>So at what point you go on you pass the audition,

0:44:35.000 --> 0:44:37.560
<v Speaker 1>At what point do you start making some money? Oh god,

0:44:38.200 --> 0:44:41.320
<v Speaker 1>I so I started a comedy of twenty. I didn't

0:44:41.320 --> 0:44:44.200
<v Speaker 1>start making money until I was twenty six. I think

0:44:44.200 --> 0:44:46.600
<v Speaker 1>I made twenty in a year. That was in my

0:44:46.680 --> 0:44:50.080
<v Speaker 1>first year. Maybe that I made money, Um, but you

0:44:50.120 --> 0:44:52.040
<v Speaker 1>were not going to give up. No. And I had

0:44:52.120 --> 0:44:56.160
<v Speaker 1>day jobs, you know, like what, Well, my early on

0:44:56.280 --> 0:44:58.319
<v Speaker 1>I had everything from working. I worked in lots of

0:44:58.360 --> 0:45:00.319
<v Speaker 1>record stores because I knew a lot about me. Is like,

0:45:00.840 --> 0:45:02.600
<v Speaker 1>I worked in a surf shop. I was the only

0:45:02.600 --> 0:45:05.440
<v Speaker 1>guy in the surf shop. That was my favorite job

0:45:05.480 --> 0:45:07.879
<v Speaker 1>because the girls were so nice to me. When someone

0:45:07.920 --> 0:45:10.000
<v Speaker 1>came into trying to bikini, they called me over, asked

0:45:10.000 --> 0:45:14.919
<v Speaker 1>me very very kind. Um. So I always had day jobs.

0:45:14.920 --> 0:45:18.919
<v Speaker 1>And then in Chicago, I moved from Florida to Chicago. Okay,

0:45:22.080 --> 0:45:25.640
<v Speaker 1>So what you're doing when you're doing the day so

0:45:25.800 --> 0:45:29.359
<v Speaker 1>graves over the phone. Okay, Yeah, when you're doing these

0:45:29.440 --> 0:45:31.839
<v Speaker 1>day jobs, you're living at home. Yes, living at home.

0:45:31.920 --> 0:45:34.120
<v Speaker 1>So how do you decide to boot to Chicago. I

0:45:34.640 --> 0:45:37.680
<v Speaker 1>wanted to be in Second City. SETV was a big

0:45:38.440 --> 0:45:41.319
<v Speaker 1>Monty Python and SETV were both big influences on me.

0:45:41.680 --> 0:45:44.600
<v Speaker 1>So I knew that Second City, which was the pipeline

0:45:44.640 --> 0:45:48.279
<v Speaker 1>to SNL and set V, I'm gonna do that. And

0:45:48.320 --> 0:45:51.520
<v Speaker 1>also I didn't want to move as a stand up

0:45:51.520 --> 0:45:54.600
<v Speaker 1>to New Yorker Los Angeles yet I checked them out,

0:45:55.320 --> 0:45:57.160
<v Speaker 1>but I would to check them out me. I went

0:45:57.200 --> 0:45:58.920
<v Speaker 1>to New York for a little while, I went to

0:45:59.360 --> 0:46:03.320
<v Speaker 1>l A for a while, and I just thought, Nope,

0:46:03.400 --> 0:46:05.360
<v Speaker 1>not ready for this yet. I want to get better.

0:46:05.440 --> 0:46:08.279
<v Speaker 1>And at the time, your act was not improvised. No,

0:46:08.400 --> 0:46:11.080
<v Speaker 1>I mean I could. I had improvised, but I didn't

0:46:11.080 --> 0:46:13.080
<v Speaker 1>know what I was doing it. So you go to

0:46:13.160 --> 0:46:16.480
<v Speaker 1>Chicago and where do you stay? I stayed with my

0:46:16.480 --> 0:46:19.600
<v Speaker 1>aunt and uncle and then I got an apartment. I

0:46:19.600 --> 0:46:21.120
<v Speaker 1>had said, how long did it take to get My

0:46:21.280 --> 0:46:26.200
<v Speaker 1>dad did something wonderful for me. My dad collected rent

0:46:26.520 --> 0:46:28.880
<v Speaker 1>when I was in Florida trying to make it because like,

0:46:29.160 --> 0:46:30.719
<v Speaker 1>you want to be a comedian, great, You're gonna have

0:46:30.760 --> 0:46:33.120
<v Speaker 1>to pay me rent. So I paid him rent and

0:46:33.160 --> 0:46:34.600
<v Speaker 1>then the day I moved out. He gave me all

0:46:34.640 --> 0:46:37.160
<v Speaker 1>the money back, and then I because he knew I

0:46:37.160 --> 0:46:40.040
<v Speaker 1>wouldn't save it, So I saved this for you. He

0:46:40.080 --> 0:46:41.879
<v Speaker 1>gave it to me, and that's how I was able

0:46:41.920 --> 0:46:44.520
<v Speaker 1>to get an apartment. Okay, and you're in Chicago. How

0:46:44.560 --> 0:46:47.399
<v Speaker 1>long does it take to get into Second City? Oh?

0:46:47.560 --> 0:46:50.080
<v Speaker 1>It took me years to get into Second City. I

0:46:50.080 --> 0:46:53.719
<v Speaker 1>started working as a stand up pretty quickly. But Second City. Well,

0:46:53.760 --> 0:46:57.080
<v Speaker 1>the thing is, initially I started in classes the Second City.

0:46:57.640 --> 0:47:00.400
<v Speaker 1>They're not hiring me. I worked in the box office,

0:47:00.760 --> 0:47:03.040
<v Speaker 1>and I worked in the box office with Steve Colbert.

0:47:03.719 --> 0:47:06.320
<v Speaker 1>We worked in the box Was he Colbert then? Or Colbert?

0:47:06.360 --> 0:47:08.920
<v Speaker 1>He was Colbert? He was Stephen Colbert then. Yeah, he

0:47:08.960 --> 0:47:12.080
<v Speaker 1>was never Colbert. Okay, let's go back, because his brothers

0:47:12.120 --> 0:47:14.840
<v Speaker 1>and sisters are Colbert. Well, but but but he he

0:47:14.840 --> 0:47:17.440
<v Speaker 1>would have changed it to Colbert. I met him when

0:47:17.440 --> 0:47:21.160
<v Speaker 1>he was probably in his early twenties. Okay, so but switching.

0:47:21.440 --> 0:47:24.080
<v Speaker 1>He's now the king of late night TV. But forgetting that,

0:47:24.560 --> 0:47:27.160
<v Speaker 1>to what degree is being on one of those late

0:47:27.280 --> 0:47:29.680
<v Speaker 1>night shows beneficial these days? For a comedian? It's not

0:47:29.719 --> 0:47:33.040
<v Speaker 1>beneficial at all, except that a little legitimacy. So you

0:47:33.080 --> 0:47:36.040
<v Speaker 1>can say you did stand up on Colbert Show. You know,

0:47:36.160 --> 0:47:39.799
<v Speaker 1>it means nothing. When I was a kid, and when

0:47:39.800 --> 0:47:42.840
<v Speaker 1>I was a young stand up, I'm saying we still

0:47:42.920 --> 0:47:44.920
<v Speaker 1>lived in the age where you'd go on the Tonight

0:47:44.960 --> 0:47:47.680
<v Speaker 1>Show and if Johnny gave you the okay sign and

0:47:47.719 --> 0:47:51.160
<v Speaker 1>called you over, you probably were a star. I saw

0:47:51.320 --> 0:47:56.080
<v Speaker 1>rose Anne bar at the time. Of course, Dost goddess

0:47:56.520 --> 0:48:01.000
<v Speaker 1>saw what's his name who hosts the prices right now?

0:48:01.560 --> 0:48:06.279
<v Speaker 1>Oh Drew carry The other one I saw was out

0:48:06.320 --> 0:48:09.640
<v Speaker 1>of Boston, what's his name? The very dry wit one line,

0:48:10.000 --> 0:48:14.439
<v Speaker 1>Stephen right. No, So that that's the world. Then there

0:48:14.680 --> 0:48:17.799
<v Speaker 1>was Letterman, where if you could be one of the

0:48:17.840 --> 0:48:22.239
<v Speaker 1>panel guys, Paul Rubens, Pee Wee Herman, Richard Lewis, Jay

0:48:22.320 --> 0:48:26.240
<v Speaker 1>Leno all became stars from that, so you could become

0:48:26.280 --> 0:48:29.160
<v Speaker 1>a star. Well since then, and there might be an

0:48:29.200 --> 0:48:33.799
<v Speaker 1>exception or two. No, no stars, it does. I did

0:48:33.880 --> 0:48:36.720
<v Speaker 1>Letterman back in the day as a stand up. People

0:48:36.800 --> 0:48:38.960
<v Speaker 1>saw it and it meant a lot, and it was

0:48:39.080 --> 0:48:42.840
<v Speaker 1>legitimizing and pretty big, But there was nobody calling me

0:48:42.880 --> 0:48:45.440
<v Speaker 1>the next day to develop something with me. I was

0:48:45.480 --> 0:48:47.719
<v Speaker 1>doing that on my own, Okay, but okay, so how

0:48:47.760 --> 0:48:49.640
<v Speaker 1>do you ultimately get into your in the box office?

0:48:49.680 --> 0:48:52.720
<v Speaker 1>How do you ultimately become a member of Second City?

0:48:53.320 --> 0:48:58.160
<v Speaker 1>In my case, somebody had quit and they had a

0:48:58.200 --> 0:49:01.640
<v Speaker 1>tour company, tour company to tour during company, someone had

0:49:01.719 --> 0:49:05.080
<v Speaker 1>quit and they had a space and they just were stuck,

0:49:05.560 --> 0:49:07.720
<v Speaker 1>and so they go, oh, Jeff, you go on that gig.

0:49:08.160 --> 0:49:10.360
<v Speaker 1>Next thing. I know, I'm in the company and I'm

0:49:10.360 --> 0:49:14.520
<v Speaker 1>working my way up. I was fired and quit many

0:49:14.560 --> 0:49:20.440
<v Speaker 1>times from Second Why were you fired? Well? I was fired?

0:49:20.520 --> 0:49:28.000
<v Speaker 1>Because why was I fired? I honestly don't know. I

0:49:28.040 --> 0:49:31.640
<v Speaker 1>think it was your work or your personality. Oh I

0:49:31.719 --> 0:49:34.879
<v Speaker 1>think it was. Here's why I was mostly fired. When

0:49:34.880 --> 0:49:36.560
<v Speaker 1>I was fired was because I was a stand up.

0:49:36.920 --> 0:49:39.880
<v Speaker 1>There was great competition if you they felt a Second

0:49:39.880 --> 0:49:42.880
<v Speaker 1>City from the office, although I had the office on

0:49:42.920 --> 0:49:45.200
<v Speaker 1>my side. The other actors were like, you wanted to

0:49:45.239 --> 0:49:48.200
<v Speaker 1>stand up? Go do that? And but what was cool

0:49:48.320 --> 0:49:50.120
<v Speaker 1>was the stand ups thought it was cool that I

0:49:50.200 --> 0:49:52.960
<v Speaker 1>was doing Second City. I was doing both and what

0:49:53.040 --> 0:49:57.279
<v Speaker 1>was I think? This is fascinating At Second City. When

0:49:57.320 --> 0:50:01.360
<v Speaker 1>I walked out on stage, the audience loved me, okay,

0:50:01.560 --> 0:50:04.759
<v Speaker 1>and my other actors didn't love me or respect me

0:50:04.840 --> 0:50:07.399
<v Speaker 1>so much, flip it around. When I was in stand

0:50:07.440 --> 0:50:10.080
<v Speaker 1>up and stand up was so hard. I go on stage.

0:50:10.280 --> 0:50:13.560
<v Speaker 1>The audience couldn't We're just like, what what is this?

0:50:13.800 --> 0:50:16.200
<v Speaker 1>We're not digging this, But the other comedians would be

0:50:16.200 --> 0:50:19.239
<v Speaker 1>in the back laughing at everything I was doing. Over

0:50:19.320 --> 0:50:22.680
<v Speaker 1>time and even doubt. But in that period I had

0:50:23.200 --> 0:50:27.839
<v Speaker 1>great adversity coming from both ends. Now, Second City, of course,

0:50:27.920 --> 0:50:30.879
<v Speaker 1>is a feeder. As you said to the television show

0:50:30.880 --> 0:50:33.040
<v Speaker 1>and also to SNL, was that a dream of yours?

0:50:33.120 --> 0:50:35.479
<v Speaker 1>Or you just wanted to be on SNL so bad,

0:50:36.120 --> 0:50:40.399
<v Speaker 1>so bad? And did you have an audition? I had

0:50:40.400 --> 0:50:44.160
<v Speaker 1>a couple. First audition I had, as I'm walking, it's

0:50:44.160 --> 0:50:48.279
<v Speaker 1>a night. It was the night that Rob Schneider auditioned.

0:50:49.640 --> 0:50:54.440
<v Speaker 1>Who else? Um? It was that era. As I'm walking

0:50:54.480 --> 0:50:59.520
<v Speaker 1>to the stage, this is true, Um, Lauren Michael's left

0:50:59.640 --> 0:51:02.480
<v Speaker 1>walk doubt not, I don't think because of me. He

0:51:02.560 --> 0:51:05.319
<v Speaker 1>just had had enough. And I went on stage and

0:51:05.320 --> 0:51:07.600
<v Speaker 1>I saw him walk out, and my heart dropped. The

0:51:07.640 --> 0:51:10.680
<v Speaker 1>audience have no idea what's going on? And I told

0:51:10.719 --> 0:51:13.279
<v Speaker 1>the audience the truth about how I felt. I said,

0:51:13.320 --> 0:51:15.680
<v Speaker 1>I feel it's like my responsibility to perform for you,

0:51:15.960 --> 0:51:18.680
<v Speaker 1>but my heart has been broken. I can't do it.

0:51:18.800 --> 0:51:22.200
<v Speaker 1>They gave me a standing ovation, but I didn't get on.

0:51:22.640 --> 0:51:27.359
<v Speaker 1>Another time in New York, I auditioned for Marcy Klein.

0:51:27.560 --> 0:51:33.160
<v Speaker 1>She was the scout and I destroyed. I mean I

0:51:33.200 --> 0:51:36.719
<v Speaker 1>could not have been And then she proceeded to tell

0:51:36.840 --> 0:51:41.080
<v Speaker 1>my manager, we're only hiring women now, and so I

0:51:41.160 --> 0:51:45.680
<v Speaker 1>never got on. And I know that there's a lack

0:51:45.719 --> 0:51:48.879
<v Speaker 1>of sexiness to me, and I'm aware of it in

0:51:49.000 --> 0:51:55.799
<v Speaker 1>terms of hosting it now because um, musically especially it's

0:51:55.840 --> 0:51:59.080
<v Speaker 1>about pop stars. And then in terms of the host,

0:51:59.600 --> 0:52:02.680
<v Speaker 1>who's got who's hot and who's got the big movie.

0:52:03.120 --> 0:52:05.640
<v Speaker 1>If it's not one of those two, you ain't hosting,

0:52:06.400 --> 0:52:08.120
<v Speaker 1>you know, And I'm not sure it's such a badge

0:52:08.120 --> 0:52:10.720
<v Speaker 1>of honor anymore anyway. Well, no, it nice to be asked,

0:52:11.480 --> 0:52:13.000
<v Speaker 1>but it is nice to be asked, and certainly it

0:52:13.040 --> 0:52:17.160
<v Speaker 1>doesn't have the same thing. Um. But I actually think

0:52:17.280 --> 0:52:19.680
<v Speaker 1>they're not bad right now. You know what I don't

0:52:19.719 --> 0:52:23.520
<v Speaker 1>like SNL. Believe it is the political skits. I think

0:52:23.520 --> 0:52:27.440
<v Speaker 1>they're boring. I find SNL is someone who certainly grew

0:52:27.520 --> 0:52:31.000
<v Speaker 1>up with the original cast. Too many of it, I

0:52:31.080 --> 0:52:35.160
<v Speaker 1>watch too many of the skits don't have a punch line.

0:52:35.239 --> 0:52:38.880
<v Speaker 1>No punch line. It's like the the the one of

0:52:38.880 --> 0:52:40.880
<v Speaker 1>those movies, not the screen movies, the ones that did

0:52:40.920 --> 0:52:43.600
<v Speaker 1>the parody of the screen movies. Oh yeah, yeah, I

0:52:43.600 --> 0:52:47.000
<v Speaker 1>can't remember that anyhow, they did a bunch of those.

0:52:47.320 --> 0:52:50.640
<v Speaker 1>Everything was a joke of recognition. It's all about Oh,

0:52:50.680 --> 0:52:53.399
<v Speaker 1>if I say this like that and look this, that's

0:52:53.440 --> 0:52:56.319
<v Speaker 1>all you need. And it's like, no, And by the way,

0:52:56.320 --> 0:52:59.239
<v Speaker 1>I don't even need jokes. I need scenarios. I need

0:52:59.280 --> 0:53:03.640
<v Speaker 1>to sit you. I think it's all set up. I

0:53:03.680 --> 0:53:06.440
<v Speaker 1>don't think anybody who's in this kind. I like to

0:53:06.480 --> 0:53:09.680
<v Speaker 1>work when i'm motivated, But if you're working against deadline,

0:53:10.320 --> 0:53:13.400
<v Speaker 1>people have no idea how hard it is to get it.

0:53:13.680 --> 0:53:16.120
<v Speaker 1>Very David never got anything on the show. That's all

0:53:16.160 --> 0:53:18.600
<v Speaker 1>you need to know, as I say, But as I say,

0:53:18.960 --> 0:53:22.200
<v Speaker 1>there's the little tiny thing. It's like I was talking

0:53:23.160 --> 0:53:26.040
<v Speaker 1>to Irving as off manages the Eagles. We're talking about

0:53:26.040 --> 0:53:31.000
<v Speaker 1>Don Henley. But Don Henley is notoriously finicky, shall we say,

0:53:31.440 --> 0:53:35.600
<v Speaker 1>they we're talking about a specific show, and look at you.

0:53:35.800 --> 0:53:39.279
<v Speaker 1>It's that one percent that makes it. The Eagles. You know,

0:53:39.400 --> 0:53:41.000
<v Speaker 1>you think it was no big deal to him. That's

0:53:41.040 --> 0:53:43.960
<v Speaker 1>one percent. That makes all the difference. Something about the

0:53:44.000 --> 0:53:48.200
<v Speaker 1>Eagles only recently. And I used to love them when

0:53:48.239 --> 0:53:50.520
<v Speaker 1>I was a kid, and then I liked them. I've

0:53:50.520 --> 0:53:53.720
<v Speaker 1>always liked them, but I'm digging them so much, especially

0:53:53.800 --> 0:53:57.719
<v Speaker 1>their first album. They were really great and great so

0:53:57.800 --> 0:54:00.120
<v Speaker 1>I know they're still touring and stuff, but I'm I'm

0:54:00.120 --> 0:54:05.240
<v Speaker 1>about the original. But what it was was so spectacular

0:54:05.280 --> 0:54:09.080
<v Speaker 1>that that I I maybe took it for granted. You know,

0:54:09.120 --> 0:54:11.640
<v Speaker 1>look for me, it's about retrospect what was going on.

0:54:11.960 --> 0:54:15.319
<v Speaker 1>And they took a lot of crap. Anybody who's that

0:54:15.400 --> 0:54:18.880
<v Speaker 1>successful takes crap. And they're not really lovable guys. But

0:54:19.080 --> 0:54:20.960
<v Speaker 1>the Glenn Fry, they had a memorial for him at

0:54:21.000 --> 0:54:23.560
<v Speaker 1>the Forum that Irving said I couldn't write about, and

0:54:23.600 --> 0:54:25.719
<v Speaker 1>most people don't know about. It was an amazing thing.

0:54:25.719 --> 0:54:29.480
<v Speaker 1>In terms of the performer, Stevie Wonder and uh Bob

0:54:29.520 --> 0:54:31.840
<v Speaker 1>Seger came out and did Heartache Tonight. Everybody wrote a

0:54:31.880 --> 0:54:35.600
<v Speaker 1>single did that, but Don Headley stood on stage and

0:54:35.680 --> 0:54:39.040
<v Speaker 1>for an hour told the story of the Eagles and

0:54:39.080 --> 0:54:42.080
<v Speaker 1>if you know your Eagles history. They were originally the

0:54:42.120 --> 0:54:45.520
<v Speaker 1>backup band for the Step They flew to play a

0:54:45.560 --> 0:54:48.839
<v Speaker 1>gig in Washington, d C. First gig of the tour.

0:54:49.160 --> 0:54:53.319
<v Speaker 1>The night before. Linda was there and Glenn Fry sat

0:54:53.400 --> 0:54:55.920
<v Speaker 1>up all night with Don Henley telling him what the

0:54:55.960 --> 0:54:58.440
<v Speaker 1>Eagles was going to be, literally for hours and hours

0:54:58.520 --> 0:55:01.000
<v Speaker 1>till the sun came up. It's like they knew what

0:55:01.040 --> 0:55:04.719
<v Speaker 1>they were doing. And but uh, let me try to

0:55:04.840 --> 0:55:06.799
<v Speaker 1>wind it back here a little bit. Can I just

0:55:06.920 --> 0:55:09.279
<v Speaker 1>say one other thing? Right? Sure? Of course? I love

0:55:09.480 --> 0:55:13.479
<v Speaker 1>um uh moments of uh what's it called when people

0:55:13.520 --> 0:55:15.880
<v Speaker 1>just sort of catch their breath. Um. I want to

0:55:15.920 --> 0:55:19.839
<v Speaker 1>thank Dan McCarroll on your show for introducing me to you.

0:55:20.800 --> 0:55:22.600
<v Speaker 1>I had the only people who don't know Dan McCarroll

0:55:22.719 --> 0:55:25.359
<v Speaker 1>right now. He's working in the Amazon Music for that.

0:55:25.480 --> 0:55:28.040
<v Speaker 1>He was president of Warner brother for that, President Capital.

0:55:28.239 --> 0:55:31.120
<v Speaker 1>But he started out as a drummer, Cheryl Crow's drummer

0:55:31.160 --> 0:55:33.600
<v Speaker 1>that he being drummed in a band called the Grays.

0:55:34.200 --> 0:55:36.960
<v Speaker 1>He is he's managed to survive with many have not.

0:55:37.719 --> 0:55:40.080
<v Speaker 1>He most certainly has. And he is a gentleman, and

0:55:40.120 --> 0:55:41.880
<v Speaker 1>he's got a great sense of humor. And I just

0:55:42.040 --> 0:55:44.759
<v Speaker 1>love the guy, and I just want to say he

0:55:45.000 --> 0:55:47.239
<v Speaker 1>got me, he said, He told me, I had to.

0:55:47.640 --> 0:55:50.400
<v Speaker 1>And then when I get your newsletter or your email,

0:55:50.520 --> 0:55:55.200
<v Speaker 1>and then I I mean, I can look through my

0:55:55.280 --> 0:55:58.000
<v Speaker 1>mails of what i've my mail, what I've opened, and

0:55:58.040 --> 0:56:00.879
<v Speaker 1>it's your stuff. I can go through like the last

0:56:00.920 --> 0:56:04.319
<v Speaker 1>thirty emails and two are opened and there you Well,

0:56:04.320 --> 0:56:06.279
<v Speaker 1>it's kind of funny you mentioned in that, because you know,

0:56:06.320 --> 0:56:09.640
<v Speaker 1>my mother now has dementia and this will not resonate

0:56:09.680 --> 0:56:11.839
<v Speaker 1>with her. But I remember it's about fifteen years ago.

0:56:12.400 --> 0:56:15.680
<v Speaker 1>I forwarded her an email from Quincy Jones. Okay, I'm

0:56:15.680 --> 0:56:20.520
<v Speaker 1>actually gonna see Friday night, and I got no response. Okay,

0:56:20.560 --> 0:56:22.040
<v Speaker 1>So I was on the phone lit by saying, you know,

0:56:22.080 --> 0:56:23.600
<v Speaker 1>what do you think about that email I sent you?

0:56:23.719 --> 0:56:29.240
<v Speaker 1>Quincy just just oh yeah, you know, you know Quincy Jones.

0:56:30.000 --> 0:56:33.640
<v Speaker 1>Just yeah, I mean, you know the guy. Just I

0:56:33.640 --> 0:56:35.799
<v Speaker 1>didn't think it was that Quincy Jones. How would you

0:56:35.840 --> 0:56:39.480
<v Speaker 1>know Quincy Jones? How great is that? But these are

0:56:39.600 --> 0:56:44.200
<v Speaker 1>these are motivating factors. But anyway, the ideas that she

0:56:44.320 --> 0:56:47.440
<v Speaker 1>does randomly someone named Quincy Jones, right right? How many

0:56:47.480 --> 0:56:52.759
<v Speaker 1>other questions? Crazy? So um, you're how long do you

0:56:52.880 --> 0:56:57.759
<v Speaker 1>just go back? Let's go back, let's go back to Chicago.

0:56:57.880 --> 0:57:00.680
<v Speaker 1>How long are you. They're working in second City being

0:57:00.680 --> 0:57:05.160
<v Speaker 1>a stand up. I'm there for well, I was there

0:57:06.360 --> 0:57:09.879
<v Speaker 1>between getting fired, getting hired, my stand up, this, this, doing,

0:57:09.920 --> 0:57:13.239
<v Speaker 1>this appearance, that appearance. I would go live in New York,

0:57:13.280 --> 0:57:15.200
<v Speaker 1>I go live in l A. I went back and forth.

0:57:15.320 --> 0:57:18.080
<v Speaker 1>But at this point, no day jobs. You're just making

0:57:18.120 --> 0:57:20.120
<v Speaker 1>as a stand up, making it as a comedian. At

0:57:20.160 --> 0:57:22.200
<v Speaker 1>this point, yes, making what kind of money at the

0:57:22.280 --> 0:57:26.960
<v Speaker 1>end of the year, varying from I had lots of

0:57:27.000 --> 0:57:32.560
<v Speaker 1>debt to varying too. I don't know sixty, you know,

0:57:33.200 --> 0:57:35.720
<v Speaker 1>and i'd paid off most of my debt. I didn't

0:57:35.720 --> 0:57:38.600
<v Speaker 1>pay off my debt really until my early thirties. And

0:57:38.640 --> 0:57:40.520
<v Speaker 1>then I was out of debt. I was I was

0:57:40.600 --> 0:57:45.240
<v Speaker 1>broke again, but never in debt again, right, Okay, um,

0:57:45.320 --> 0:57:48.040
<v Speaker 1>so yeah, and then I finally decided I'm gonna New

0:57:48.120 --> 0:57:51.880
<v Speaker 1>York's where I'm going. Okay. To what degree were the

0:57:51.920 --> 0:57:57.320
<v Speaker 1>relationships you made in Chicago beneficial to your career ultimately? Well,

0:57:57.360 --> 0:58:02.480
<v Speaker 1>they're all well it's not see eight, It's not the

0:58:02.600 --> 0:58:05.520
<v Speaker 1>relationships that were beneficial to my career. It's what I

0:58:05.640 --> 0:58:09.560
<v Speaker 1>learned there that was beneficial to my career. The relationships

0:58:09.560 --> 0:58:11.600
<v Speaker 1>are all still friends of mine. They're all people I

0:58:11.680 --> 0:58:15.000
<v Speaker 1>still work with. Most of them. I've hired on even

0:58:15.040 --> 0:58:17.520
<v Speaker 1>ones who had me fired or didn't want I've had

0:58:17.600 --> 0:58:21.520
<v Speaker 1>most the greatest revenge of success. And I've hired everyone

0:58:21.800 --> 0:58:23.600
<v Speaker 1>who was in the company that wanted to get rid

0:58:23.640 --> 0:58:26.120
<v Speaker 1>of me. I've hired them all on curb your enthusiasm,

0:58:26.160 --> 0:58:28.640
<v Speaker 1>and are they gracious about It'll see, I don't let

0:58:28.640 --> 0:58:32.400
<v Speaker 1>them know. I find that during the course of my life,

0:58:32.800 --> 0:58:35.080
<v Speaker 1>people who are great to me I remember, and people

0:58:35.080 --> 0:58:37.240
<v Speaker 1>who are crappy to me, the ones in the middle,

0:58:37.400 --> 0:58:40.920
<v Speaker 1>I don't remember it. Now here's the revenge. When the

0:58:41.000 --> 0:58:44.400
<v Speaker 1>crappy ones, I'm nice to them, I do great things

0:58:44.440 --> 0:58:46.680
<v Speaker 1>for them, and they think they got one over on me.

0:58:47.680 --> 0:58:50.680
<v Speaker 1>But I remember, and it makes me so happy. I

0:58:50.720 --> 0:58:52.680
<v Speaker 1>don't I don't need to tell them. I don't need

0:58:52.720 --> 0:58:54.840
<v Speaker 1>to remind them. Why do I want them to make

0:58:54.920 --> 0:58:57.440
<v Speaker 1>them feel bad? Think you pull one over on me?

0:58:57.600 --> 0:59:00.360
<v Speaker 1>Have a great time. Well, there's certain people will not

0:59:00.440 --> 0:59:03.040
<v Speaker 1>kind of break too. It's a very limited list. By

0:59:03.040 --> 0:59:05.080
<v Speaker 1>the way, I won't spend time with those people. I

0:59:05.200 --> 0:59:08.640
<v Speaker 1>understand that. You know I wouldn't and then you know,

0:59:09.200 --> 0:59:12.280
<v Speaker 1>but then I'm going to new York. That was also

0:59:12.360 --> 0:59:14.320
<v Speaker 1>the same situation. It was a lot of what I learned,

0:59:14.320 --> 0:59:19.240
<v Speaker 1>but also like my friends that I befriended there, my

0:59:19.440 --> 0:59:24.000
<v Speaker 1>early friends all got on to great success. Dennis Leary,

0:59:24.280 --> 0:59:27.280
<v Speaker 1>John Stewart, we were all poor together, um, and great

0:59:27.320 --> 0:59:30.280
<v Speaker 1>friends together. I mean, I love John. John is still

0:59:30.440 --> 0:59:32.840
<v Speaker 1>a great now. They went on to great success years

0:59:32.840 --> 0:59:35.560
<v Speaker 1>ago before your success or mine was. How did you

0:59:35.600 --> 0:59:39.480
<v Speaker 1>feel about that? So happy for them, not jealous, but

0:59:39.640 --> 0:59:42.480
<v Speaker 1>I was frustrated that it hadn't happened for me. But

0:59:42.560 --> 0:59:46.200
<v Speaker 1>I was not nothing but happy for them. What are

0:59:46.240 --> 0:59:48.200
<v Speaker 1>some of the lessons you said you learned in being

0:59:48.200 --> 0:59:53.680
<v Speaker 1>in Chicago, Well, it's not as much. Look you go

0:59:53.760 --> 0:59:57.200
<v Speaker 1>through life, you become a better man, hopefully. But for

0:59:57.280 --> 1:00:01.480
<v Speaker 1>me it was just how to be a better actor

1:00:02.000 --> 1:00:04.960
<v Speaker 1>looking someone in the eye. My approach when I'm with

1:00:05.000 --> 1:00:06.800
<v Speaker 1>another actor in a scene is not for me to

1:00:06.840 --> 1:00:10.040
<v Speaker 1>be better, It's to make them look better. If God willing,

1:00:10.080 --> 1:00:13.200
<v Speaker 1>they have the same attitude, both performances go up. That's

1:00:13.240 --> 1:00:15.760
<v Speaker 1>not generally the case. You're the one making them look

1:00:15.800 --> 1:00:18.479
<v Speaker 1>better and they want to make themselves look better, which

1:00:18.480 --> 1:00:22.200
<v Speaker 1>they don't necessarily do every time. UM. I also learned

1:00:22.200 --> 1:00:25.320
<v Speaker 1>how to take what I learned from Second City and

1:00:25.400 --> 1:00:27.720
<v Speaker 1>do it on the stage when I do stand up

1:00:28.240 --> 1:00:31.760
<v Speaker 1>improvising from an outline. Now, I may have one or

1:00:31.800 --> 1:00:33.760
<v Speaker 1>two stories that I think of on the way to

1:00:33.920 --> 1:00:37.600
<v Speaker 1>the gig, and i'll, if I remember, i'll talk about them.

1:00:37.760 --> 1:00:39.960
<v Speaker 1>But in general I don't even have an outline. But

1:00:40.080 --> 1:00:42.520
<v Speaker 1>when I shoot my special, I'm gonna have a very

1:00:42.560 --> 1:00:46.320
<v Speaker 1>strong outline. Okay. So now, when you're in New York,

1:00:46.760 --> 1:00:48.720
<v Speaker 1>at what point you said, when you're in Chicago you

1:00:48.760 --> 1:00:52.160
<v Speaker 1>were trying to make things happen for yourself, like you know,

1:00:52.240 --> 1:00:55.080
<v Speaker 1>it sounded like you know, you had projects, etcetera beyond

1:00:55.360 --> 1:00:58.760
<v Speaker 1>stand up. No stand up in Second City in Chicago. Okay,

1:00:58.800 --> 1:01:01.720
<v Speaker 1>but what only did you say, I've got to make

1:01:01.760 --> 1:01:04.280
<v Speaker 1>it happen for me as opposed to waiting for the

1:01:04.320 --> 1:01:09.040
<v Speaker 1>big breakthrough. Uh well, if you mean what I'm about

1:01:09.080 --> 1:01:12.320
<v Speaker 1>to say, I can tell you my early thirties, my

1:01:12.440 --> 1:01:16.320
<v Speaker 1>early thirties, from starting at twenty, my early thirties, maybe

1:01:16.360 --> 1:01:18.960
<v Speaker 1>when I turned thirty, but around there is when I

1:01:19.040 --> 1:01:21.520
<v Speaker 1>decided that all I was going to do was worrying

1:01:21.560 --> 1:01:24.840
<v Speaker 1>about being great. I was not going to concern myself

1:01:24.840 --> 1:01:27.680
<v Speaker 1>with my career at all that includes head shots. I

1:01:27.680 --> 1:01:30.000
<v Speaker 1>mean I had head shots, but I wasn't worried about

1:01:30.040 --> 1:01:33.720
<v Speaker 1>my head shots, wasn't worried about my representation. I worried

1:01:33.720 --> 1:01:37.720
<v Speaker 1>about nothing except being great. And I've kept that attitude

1:01:38.240 --> 1:01:43.120
<v Speaker 1>since then. Okay, since uh the early nineties. Okay, for

1:01:43.200 --> 1:01:46.920
<v Speaker 1>most people, the breakthrough was when you're working with Larry.

1:01:47.000 --> 1:01:50.200
<v Speaker 1>Would you consider to be that first breakthrough for yourself

1:01:50.480 --> 1:01:53.560
<v Speaker 1>or what breakthrothws came after moving to New York? Well,

1:01:54.080 --> 1:01:58.400
<v Speaker 1>you have to understand the Larry thing. Um, I approached

1:01:58.480 --> 1:02:01.200
<v Speaker 1>him with the idea because I had been before. I

1:02:01.240 --> 1:02:04.520
<v Speaker 1>want to hear that between moving to New York and

1:02:04.560 --> 1:02:07.400
<v Speaker 1>approaching Larry, had you approached other people and you tried

1:02:07.400 --> 1:02:10.920
<v Speaker 1>to make Okay? Yes, I mean yes, I would try

1:02:10.960 --> 1:02:14.680
<v Speaker 1>to make things happen. And I had development deals before

1:02:14.680 --> 1:02:19.400
<v Speaker 1>I met Larry. I had delvelpment development deals at CBS, ABC, NBC,

1:02:19.520 --> 1:02:24.800
<v Speaker 1>and Fox. Okay, so and none of them panned out. Okay.

1:02:24.920 --> 1:02:28.080
<v Speaker 1>So when I was writing a show with a guy

1:02:28.120 --> 1:02:30.520
<v Speaker 1>named Allen's why belt you know? Okay, So Allen's why

1:02:30.600 --> 1:02:34.800
<v Speaker 1>Belle and I are writing a show uh four um

1:02:35.800 --> 1:02:41.000
<v Speaker 1>uh CBS, they're looking for a companion show to everybody

1:02:41.000 --> 1:02:44.320
<v Speaker 1>loves Raymond. It's either gonna be the Jeff Garland program

1:02:44.440 --> 1:02:47.960
<v Speaker 1>or King of Queens. We know what it was. However,

1:02:48.080 --> 1:02:51.480
<v Speaker 1>in that suite of offices, Larry David shared an office

1:02:51.840 --> 1:02:53.919
<v Speaker 1>with Allen's Why bell and Billy Crystal, and I saw

1:02:54.640 --> 1:02:57.080
<v Speaker 1>all three of them. How do you know why Bells?

1:02:57.080 --> 1:03:01.400
<v Speaker 1>Why bell Um wasn't a quaintance, but he was teamed

1:03:01.440 --> 1:03:04.280
<v Speaker 1>up with me with the producers. Okay, so they're all

1:03:04.280 --> 1:03:06.360
<v Speaker 1>in the office, and so I would go in and

1:03:06.360 --> 1:03:08.280
<v Speaker 1>sit and talk with Larry every day. We knew each

1:03:08.320 --> 1:03:11.160
<v Speaker 1>other as stand ups, and then one day we went

1:03:11.200 --> 1:03:13.480
<v Speaker 1>to lunch and he started asking me about stand up

1:03:13.880 --> 1:03:15.640
<v Speaker 1>and I said, well, if you ever want to do

1:03:15.680 --> 1:03:19.480
<v Speaker 1>a stand up special, because that's what HBO was interested in,

1:03:19.640 --> 1:03:21.960
<v Speaker 1>I've got a great idea for one. You know, we

1:03:22.040 --> 1:03:25.200
<v Speaker 1>go behind the scenes of the making of a stand

1:03:25.280 --> 1:03:28.040
<v Speaker 1>up special and then at the end, you don't even

1:03:28.040 --> 1:03:30.240
<v Speaker 1>have to do this, right, the special could be the

1:03:30.280 --> 1:03:33.880
<v Speaker 1>making of you know. It was his idea that I'd

1:03:33.880 --> 1:03:36.880
<v Speaker 1>be as manager because I just wanted to actually, in

1:03:36.880 --> 1:03:38.560
<v Speaker 1>my head, I want to be behind the scenes. I

1:03:38.600 --> 1:03:41.320
<v Speaker 1>just wanted to direct it did anyway, So he insisted

1:03:41.360 --> 1:03:43.560
<v Speaker 1>I'm as man that I play as manager, and then

1:03:43.560 --> 1:03:47.640
<v Speaker 1>he insisted that I'd be the executive producer with him. Now,

1:03:47.720 --> 1:03:51.919
<v Speaker 1>I'd never produced anything, let alone to be the executive

1:03:51.960 --> 1:03:58.640
<v Speaker 1>producer with the greatest comedic television producer of my generation

1:03:59.120 --> 1:04:02.600
<v Speaker 1>right now, I mean Larry, he wasn't involved. It's funny

1:04:02.640 --> 1:04:05.040
<v Speaker 1>because I ran into the movies and Santa Monica one

1:04:05.120 --> 1:04:07.080
<v Speaker 1>day and you reckon. I mean for though, this is

1:04:07.120 --> 1:04:11.120
<v Speaker 1>before Currer Enthusiasm. That afternoon movie. They said, you know, Larry,

1:04:11.240 --> 1:04:14.680
<v Speaker 1>you know Seinfeld hasn't been great since you left. And

1:04:14.720 --> 1:04:16.320
<v Speaker 1>he looks at me because the only two of us goes,

1:04:16.480 --> 1:04:18.600
<v Speaker 1>I don't want to hear that. I'm still part of

1:04:18.600 --> 1:04:21.120
<v Speaker 1>the bla blah blah blah blah blah, which is so Larry.

1:04:21.160 --> 1:04:24.200
<v Speaker 1>But at that point most people had no idea who

1:04:24.280 --> 1:04:26.760
<v Speaker 1>Larry was. They thought it was all Jerry, right, okay,

1:04:26.920 --> 1:04:28.880
<v Speaker 1>And the last two seasons of the show that he

1:04:29.000 --> 1:04:33.240
<v Speaker 1>wasn't there, I can say, we're really funny but crazy

1:04:33.360 --> 1:04:37.160
<v Speaker 1>broad All the minutia of when Larry was there and

1:04:37.240 --> 1:04:44.919
<v Speaker 1>the actual and all that crazy pain of it was Larry.

1:04:45.080 --> 1:04:49.960
<v Speaker 1>So seeing so you can see Seinfeld without Larry, right, okay?

1:04:50.080 --> 1:04:51.760
<v Speaker 1>And that's what the last two years were a little

1:04:51.800 --> 1:04:54.400
<v Speaker 1>bit too broad for me, but still funny as hell,

1:04:54.840 --> 1:04:57.680
<v Speaker 1>but not not now. It was that window when you

1:04:57.720 --> 1:05:01.280
<v Speaker 1>were all sharing an office. It was after that even

1:05:01.520 --> 1:05:04.800
<v Speaker 1>it was after the finale of Seinfeld, which he came back,

1:05:05.080 --> 1:05:08.200
<v Speaker 1>of course, and it was after Sour Grapes, so he

1:05:08.360 --> 1:05:12.480
<v Speaker 1>wasn't like both of those. The Seinfeld got a lot

1:05:12.480 --> 1:05:16.120
<v Speaker 1>of criticism because they're in jail, and Sour Grapes did

1:05:16.160 --> 1:05:19.680
<v Speaker 1>not do well. He wasn't miserable because of that. He

1:05:19.760 --> 1:05:22.560
<v Speaker 1>was Larry David. He's fine, you know. But I would

1:05:22.560 --> 1:05:24.920
<v Speaker 1>walk in his office and we'd sing, truly, because we

1:05:24.920 --> 1:05:29.120
<v Speaker 1>had little kids. We'd be singing Shirley Temple songs. Um.

1:05:29.120 --> 1:05:31.760
<v Speaker 1>But then I told him this idea. He said, let's

1:05:31.760 --> 1:05:34.640
<v Speaker 1>talk about next thing I know where with Ari Emmanuel

1:05:35.120 --> 1:05:40.120
<v Speaker 1>in Chris all Breck's office HBO, and we pitched the

1:05:40.160 --> 1:05:43.760
<v Speaker 1>idea and Chris Aubrek said, the thing that you always

1:05:43.840 --> 1:05:46.400
<v Speaker 1>dream of hearing when you pitch something, how can I

1:05:46.520 --> 1:05:50.320
<v Speaker 1>not do this? And then when we and it was

1:05:50.320 --> 1:05:53.960
<v Speaker 1>only for an hour special. While we're filming the hour special,

1:05:54.160 --> 1:05:57.840
<v Speaker 1>first day of filming, we had so much fun. Larry

1:05:57.920 --> 1:06:00.080
<v Speaker 1>David comes up to me and goes with this be

1:06:00.160 --> 1:06:02.919
<v Speaker 1>great to do as a TV series. Now in my head,

1:06:03.840 --> 1:06:06.840
<v Speaker 1>I'm like going, yeah, right, it would be amazing to

1:06:06.960 --> 1:06:08.760
<v Speaker 1>make this a TV series. I'm on a TV series

1:06:08.800 --> 1:06:12.560
<v Speaker 1>with you doing too. Yeah. Sure, yeah, and we did.

1:06:13.480 --> 1:06:16.280
<v Speaker 1>But also know that our first year on the air,

1:06:16.320 --> 1:06:19.680
<v Speaker 1>even into the second year, HBO referred to our show

1:06:20.160 --> 1:06:25.080
<v Speaker 1>as their little experimental show. Right now, personally, we all

1:06:25.080 --> 1:06:28.280
<v Speaker 1>have our opinions. Okay, I do not think the special

1:06:28.440 --> 1:06:31.200
<v Speaker 1>was as good as Curb Your Enthusiasm. I think Curb

1:06:31.200 --> 1:06:33.800
<v Speaker 1>Your Enthusiasm took it to a whole Netherlands, the whole

1:06:33.840 --> 1:06:37.200
<v Speaker 1>different thing. Okay, what's a special improvised? Yeah, all that

1:06:37.320 --> 1:06:40.520
<v Speaker 1>is improvised. Okay, it improvised because of you. Were because

1:06:40.600 --> 1:06:44.560
<v Speaker 1>Larry's lazy. He's not lazy, but um because of me?

1:06:45.560 --> 1:06:48.640
<v Speaker 1>Really yeah, the improvisation parts because of me. Well, I

1:06:48.640 --> 1:06:51.160
<v Speaker 1>thought it was Larry who didn't want to script. Well no,

1:06:51.320 --> 1:06:53.400
<v Speaker 1>he loves not having a script, don't get me wrong,

1:06:53.880 --> 1:07:04.440
<v Speaker 1>But that initial idea was me. So let's assume you

1:07:04.480 --> 1:07:06.800
<v Speaker 1>go to film an episode and you're deep into the

1:07:06.840 --> 1:07:09.080
<v Speaker 1>series now, so maybe you have it down, but when

1:07:09.080 --> 1:07:11.280
<v Speaker 1>you first started, it's like, Okay, you gotta shoot, you know,

1:07:11.360 --> 1:07:15.600
<v Speaker 1>half an hour. How much of it is conceptualized. There's

1:07:15.680 --> 1:07:18.960
<v Speaker 1>a six to seven page script that Larry David writes

1:07:19.000 --> 1:07:21.280
<v Speaker 1>where everything you need to have a funny half hour

1:07:21.360 --> 1:07:24.360
<v Speaker 1>of TV is in there. He's the best there is.

1:07:24.440 --> 1:07:28.120
<v Speaker 1>That's what separates Curb from any other improvised show. And

1:07:28.200 --> 1:07:30.760
<v Speaker 1>we're going to improvise our show. Well, good luck to you.

1:07:30.760 --> 1:07:35.480
<v Speaker 1>You don't have Larry David. So it's funny my dialogue.

1:07:35.520 --> 1:07:39.920
<v Speaker 1>Every scene changes like I make up different but the

1:07:40.040 --> 1:07:43.680
<v Speaker 1>story is there and what has to happen is there.

1:07:43.920 --> 1:07:47.640
<v Speaker 1>So let's assume we're shooting. Yeah, how many takes? Will?

1:07:47.680 --> 1:07:50.000
<v Speaker 1>They all depend to the scene. Just Larry and I

1:07:50.440 --> 1:07:53.480
<v Speaker 1>much quicker if there's three or four other people, can

1:07:53.520 --> 1:07:55.760
<v Speaker 1>take longer, if there's three or four other people that

1:07:55.800 --> 1:07:58.880
<v Speaker 1>are not regulars on the show, even longer. But it's

1:07:58.880 --> 1:08:00.520
<v Speaker 1>all based on what we do as we shoot a

1:08:00.640 --> 1:08:04.200
<v Speaker 1>take and then we discuss it. This went on, this,

1:08:04.360 --> 1:08:08.000
<v Speaker 1>don't know about this, Let's do this this time, and

1:08:08.040 --> 1:08:10.200
<v Speaker 1>then you go do that one again. But don't do

1:08:10.240 --> 1:08:13.280
<v Speaker 1>this now. Do you ever get the six or seven

1:08:13.320 --> 1:08:17.000
<v Speaker 1>page outlined and say, Larry, I'd like to make some changes.

1:08:18.160 --> 1:08:23.160
<v Speaker 1>Never in over a hundred episodes. That has never happened

1:08:24.000 --> 1:08:27.439
<v Speaker 1>any notes. This is true. I get the outline. Do

1:08:27.479 --> 1:08:29.679
<v Speaker 1>you know that any notes that I've given them were

1:08:29.720 --> 1:08:33.240
<v Speaker 1>just that you repeated that beat or that at the

1:08:33.360 --> 1:08:35.840
<v Speaker 1>end doesn't make sense here? Because of this, I have

1:08:36.080 --> 1:08:38.879
<v Speaker 1>never ever given a note, And I can say proudly

1:08:39.280 --> 1:08:42.400
<v Speaker 1>I've never given him an idea for the show. People

1:08:42.400 --> 1:08:45.080
<v Speaker 1>approaching people approach me out time. So people come up

1:08:45.080 --> 1:08:47.240
<v Speaker 1>to me and I said, they say, I've got this

1:08:47.280 --> 1:08:48.800
<v Speaker 1>great idea. I go A few things I want to

1:08:48.800 --> 1:08:51.960
<v Speaker 1>tell you. Number One, I'm on the show. I'm a

1:08:51.960 --> 1:08:54.760
<v Speaker 1>producer on the show. I have never given my ideas.

1:08:55.240 --> 1:08:59.200
<v Speaker 1>I said, no that. Number two, no one, no one

1:08:59.600 --> 1:09:02.000
<v Speaker 1>has ever come up to me on the street and

1:09:02.080 --> 1:09:06.360
<v Speaker 1>given me a good idea. And I've gotten hundreds upon hundreds.

1:09:07.000 --> 1:09:10.479
<v Speaker 1>They still insist, and I still have to tell them, yep,

1:09:10.720 --> 1:09:14.800
<v Speaker 1>put yours on the pile. It ain't funny, And they're

1:09:14.920 --> 1:09:17.160
<v Speaker 1>never funny. They're extra NiFe. I know. I know the

1:09:17.200 --> 1:09:19.479
<v Speaker 1>same thing in the music business. But when you I

1:09:19.520 --> 1:09:21.439
<v Speaker 1>got to the part rise, I said, too many bad experience.

1:09:21.479 --> 1:09:23.759
<v Speaker 1>I don't even tell them they're not funny, right because

1:09:23.960 --> 1:09:25.800
<v Speaker 1>they just can't believe it. Everybody in their whole life

1:09:25.880 --> 1:09:27.439
<v Speaker 1>is thought. You know, they're the funniest person they ever

1:09:27.680 --> 1:09:30.639
<v Speaker 1>They shove it down my throat, you know. Okay, So

1:09:31.320 --> 1:09:35.280
<v Speaker 1>do you have favorite Curb episodes? I have one in

1:09:35.320 --> 1:09:37.759
<v Speaker 1>particular that I love. And by the way, the current

1:09:37.760 --> 1:09:40.560
<v Speaker 1>season we're filming, we're wrapping it up soon, um, is

1:09:40.600 --> 1:09:44.439
<v Speaker 1>my favorite season we've ever shot. There are subtleties to

1:09:44.520 --> 1:09:46.519
<v Speaker 1>the new season that bring me more joy than you

1:09:46.520 --> 1:09:52.120
<v Speaker 1>can imagine, and the whole storyline is just it's amazing.

1:09:52.280 --> 1:09:56.000
<v Speaker 1>I love it. Um. My favorite episode is one that's

1:09:56.160 --> 1:10:00.240
<v Speaker 1>entitled Wandering Bear. It's where Cheryl's vagina it is and

1:10:00.360 --> 1:10:03.880
<v Speaker 1>Larry's gardner. Wandering Bear tries helping her with her vagina,

1:10:03.960 --> 1:10:06.000
<v Speaker 1>and at the same time, Larry and I keep watching

1:10:06.000 --> 1:10:08.800
<v Speaker 1>Girls Gone Wild and my dog gets run over. I

1:10:08.880 --> 1:10:11.960
<v Speaker 1>love it, and I know dog gets run over. He's

1:10:11.960 --> 1:10:14.280
<v Speaker 1>fine at the end of the episode. But the point being,

1:10:14.400 --> 1:10:17.960
<v Speaker 1>is itself contained. A lot of Curb there's the arc

1:10:18.000 --> 1:10:22.519
<v Speaker 1>of the season. This one particular episode is completely self contained.

1:10:22.520 --> 1:10:26.040
<v Speaker 1>It's not tied into anything. And if I was had

1:10:26.120 --> 1:10:28.439
<v Speaker 1>to show somebody someone goes, what's your show about, I

1:10:28.479 --> 1:10:31.360
<v Speaker 1>would show them that episode. I love that episode now

1:10:31.400 --> 1:10:34.200
<v Speaker 1>You're on the inside. And certainly a number of seasons

1:10:34.200 --> 1:10:37.080
<v Speaker 1>of Curb were made, and then Larry went on like

1:10:37.120 --> 1:10:40.080
<v Speaker 1>a hiatus to make that movie, etcetera. Where did that

1:10:40.160 --> 1:10:43.400
<v Speaker 1>leave you? Well, he didn't go on hiatus to make

1:10:43.400 --> 1:10:46.040
<v Speaker 1>a movie or to do the play. We were just

1:10:46.200 --> 1:10:48.200
<v Speaker 1>on hiatus and he didn't know what he's gonna do.

1:10:48.840 --> 1:10:51.000
<v Speaker 1>What it did for me was I had to earn

1:10:51.080 --> 1:10:53.639
<v Speaker 1>money doing stand up. I made a couple of movies

1:10:54.040 --> 1:10:56.320
<v Speaker 1>and I took the job on the Goldberg. So tell

1:10:56.400 --> 1:10:59.360
<v Speaker 1>us how that happened. I got a script. The script

1:10:59.439 --> 1:11:01.759
<v Speaker 1>kind of the Archer kind of reminded me of Archie Bunker.

1:11:02.240 --> 1:11:05.040
<v Speaker 1>I was writing a movie that uh, I was gonna

1:11:05.160 --> 1:11:07.959
<v Speaker 1>about to do for Netflix that I eventually did called Handsome,

1:11:08.400 --> 1:11:11.520
<v Speaker 1>which is a Netflix mystery movie kind of like Colombo

1:11:11.680 --> 1:11:15.559
<v Speaker 1>meets The Long Goodbye. UM still on there, please watch

1:11:15.600 --> 1:11:18.600
<v Speaker 1>if you can. I'm very proud of it. But um,

1:11:18.640 --> 1:11:21.200
<v Speaker 1>I got this script saying they're very interested in me,

1:11:21.640 --> 1:11:23.920
<v Speaker 1>and they told me they cast Wendy McClendon covey, who

1:11:23.960 --> 1:11:26.320
<v Speaker 1>I love and I wanted to work with. And I

1:11:26.439 --> 1:11:30.360
<v Speaker 1>told her that a million times, and yeah, so I

1:11:30.439 --> 1:11:32.200
<v Speaker 1>was happy to do that, and did you think it

1:11:32.240 --> 1:11:34.719
<v Speaker 1>was going to be a hit? I had a strong feeling.

1:11:34.960 --> 1:11:37.760
<v Speaker 1>And by the way, I'm a person. I remember I

1:11:37.800 --> 1:11:39.560
<v Speaker 1>was on a TV show called What About Joan with

1:11:39.680 --> 1:11:42.760
<v Speaker 1>John Cusack and we got canceled before we filmed an

1:11:42.800 --> 1:11:46.599
<v Speaker 1>episode one week and I remember people crying and I

1:11:46.720 --> 1:11:49.960
<v Speaker 1>and I walked around with my friend Wally Langham who

1:11:49.960 --> 1:11:51.720
<v Speaker 1>had been on the Larry Sanders Show as one of

1:11:51.760 --> 1:11:54.280
<v Speaker 1>the writers, and we had been through the mill a

1:11:54.320 --> 1:11:57.799
<v Speaker 1>million and we've said to people, what did you expect

1:11:57.840 --> 1:12:01.320
<v Speaker 1>to happen? So for me to say that I thought

1:12:01.360 --> 1:12:04.280
<v Speaker 1>that The Goldbergs, if given a shot, was gonna be

1:12:04.360 --> 1:12:07.880
<v Speaker 1>a hit, I am not surprised. I mean I thought

1:12:07.880 --> 1:12:11.720
<v Speaker 1>it had everything that you needed for today to be

1:12:11.840 --> 1:12:14.320
<v Speaker 1>a hit, and so I'm not surprised by it. People

1:12:14.920 --> 1:12:17.639
<v Speaker 1>love that show. And are you as you walk through

1:12:17.720 --> 1:12:21.800
<v Speaker 1>your life, are you more recognized from Curb or The Goldbergs. Well,

1:12:22.600 --> 1:12:26.200
<v Speaker 1>it all depends. If I'm not around where comedy fans

1:12:26.240 --> 1:12:28.280
<v Speaker 1>are for whatever. Let's say it's the morning, it's the

1:12:28.320 --> 1:12:32.320
<v Speaker 1>farmer's market at Fairbacks, and third it's all Goldbergs, you

1:12:32.400 --> 1:12:35.200
<v Speaker 1>know what I mean. Or the afternoon, especially the tourists

1:12:35.240 --> 1:12:38.240
<v Speaker 1>all Goldbergs. But if I'm in any sort of environment

1:12:38.280 --> 1:12:41.439
<v Speaker 1>where there's any sort of hip nous or edge or

1:12:41.479 --> 1:12:45.920
<v Speaker 1>comedy fans Curb and then it's a mixture, depending on

1:12:46.000 --> 1:12:48.200
<v Speaker 1>where and what you know what I mean, But it

1:12:48.280 --> 1:12:52.360
<v Speaker 1>all depends because comedy fans don't watch the Goldbergs, you know,

1:12:52.479 --> 1:12:56.040
<v Speaker 1>comedy fans watch Curb with south Park. It's like there's

1:12:56.080 --> 1:12:59.439
<v Speaker 1>a handful of shows on the list where comedy fans go, Oh,

1:12:59.479 --> 1:13:01.879
<v Speaker 1>I go there for my comments, okay, just because I'm interested.

1:13:02.240 --> 1:13:05.439
<v Speaker 1>Are there any others besides those two? I don't know.

1:13:05.520 --> 1:13:07.519
<v Speaker 1>You'd have to tell me the name of a show. Okay,

1:13:07.680 --> 1:13:12.000
<v Speaker 1>the comedians watch broad City. I think that that would

1:13:12.080 --> 1:13:16.439
<v Speaker 1>fall in line of a comedic show. Yes, like those

1:13:16.479 --> 1:13:18.960
<v Speaker 1>types of shows that comedians. You know, Netflix has to

1:13:18.960 --> 1:13:21.920
<v Speaker 1>do special every week? Do people watch that only to

1:13:21.960 --> 1:13:25.559
<v Speaker 1>make fun of them? Really? Yes, one is worse than

1:13:25.560 --> 1:13:28.200
<v Speaker 1>the next, and this is not this is Here's the thing.

1:13:29.240 --> 1:13:33.040
<v Speaker 1>I'm a young comedian. If you had a special that

1:13:33.160 --> 1:13:36.679
<v Speaker 1>was special, then it came to I'd have somebody opening

1:13:36.720 --> 1:13:39.520
<v Speaker 1>for me. And two weeks later, and I'm not exaggerating

1:13:39.520 --> 1:13:42.439
<v Speaker 1>this ship, Oh, I just got my first special. You did.

1:13:42.479 --> 1:13:44.759
<v Speaker 1>You're not even developed yet. You don't even have a voice.

1:13:44.960 --> 1:13:47.280
<v Speaker 1>I don't say that outline. I don't want to hurt

1:13:47.320 --> 1:13:49.759
<v Speaker 1>you know. They have fun and they're special. Of course,

1:13:49.880 --> 1:13:53.320
<v Speaker 1>doesn't go anywhere because they don't have a voice. They

1:13:53.400 --> 1:13:55.559
<v Speaker 1>just give specials out. They give specials out to people

1:13:55.880 --> 1:13:58.320
<v Speaker 1>who are kind of well known actors who decide they

1:13:58.360 --> 1:14:01.400
<v Speaker 1>wanted to stand up. What's a budget for something like that, Well,

1:14:01.439 --> 1:14:04.360
<v Speaker 1>it can be as little as a hundred thousand, and

1:14:04.400 --> 1:14:06.840
<v Speaker 1>then you go up to what they're they're paying with

1:14:06.960 --> 1:14:09.479
<v Speaker 1>twenty million for them at one time. Now, I'd have

1:14:09.560 --> 1:14:12.720
<v Speaker 1>to say, if you're well known, it's kind of leveled out.

1:14:13.040 --> 1:14:16.759
<v Speaker 1>It's about a million um all in with your salary

1:14:16.800 --> 1:14:21.479
<v Speaker 1>and the thing. And if you're not known, three hundred thousand. Okay.

1:14:21.479 --> 1:14:24.799
<v Speaker 1>What about people who took their brand from The Daily

1:14:24.840 --> 1:14:28.160
<v Speaker 1>Show and went on Netflix like Farhood, Manas and Michelle

1:14:28.200 --> 1:14:32.640
<v Speaker 1>who got canceled, They still created a voice for themselves

1:14:33.000 --> 1:14:36.840
<v Speaker 1>and they still have fans. I guarantee. Well, his show

1:14:36.920 --> 1:14:38.759
<v Speaker 1>is doing what seems to be doing well on Netflix.

1:14:38.960 --> 1:14:41.360
<v Speaker 1>But the point being is if she appears somewhere, she's

1:14:41.360 --> 1:14:45.320
<v Speaker 1>gonna sell tickets, you know, So she carved out a

1:14:45.360 --> 1:14:47.800
<v Speaker 1>career for herself, and if she takes it seriously, she's

1:14:47.800 --> 1:14:50.280
<v Speaker 1>only gonna get better. I mean, she has her voice

1:14:50.320 --> 1:14:53.960
<v Speaker 1>to contend with. Some people can't get past It's like Rush.

1:14:54.120 --> 1:14:57.679
<v Speaker 1>You know, I've never I think Rush is my friends.

1:14:57.920 --> 1:15:01.679
<v Speaker 1>I have friends that worship Rush. I cannot get past

1:15:01.760 --> 1:15:06.040
<v Speaker 1>Getty Lee's voice. I try and I just can't. But

1:15:06.439 --> 1:15:09.559
<v Speaker 1>I understand why why they dig them. They are an interesting,

1:15:09.600 --> 1:15:12.639
<v Speaker 1>good band, great band, but it ain't my thing. Okay

1:15:12.680 --> 1:15:15.680
<v Speaker 1>without getting deeply into Rush. You can't get late at

1:15:15.680 --> 1:15:20.360
<v Speaker 1>a Rush concert. There no women there. But uh, in

1:15:20.520 --> 1:15:24.400
<v Speaker 1>terms of Curb, now, were you jumping up and down

1:15:24.840 --> 1:15:27.040
<v Speaker 1>said this is my big break once it finally went

1:15:27.080 --> 1:15:30.559
<v Speaker 1>to series. No, I jumped up and down. Was when

1:15:30.640 --> 1:15:34.000
<v Speaker 1>Larry David said, let's go pitch it to Chris Albrecht,

1:15:34.640 --> 1:15:38.080
<v Speaker 1>and I thought I was gonna be the director. So

1:15:38.320 --> 1:15:40.600
<v Speaker 1>I had my own like, oh, this could be My

1:15:40.720 --> 1:15:44.240
<v Speaker 1>attitude was this could be the start of something. Here's

1:15:44.280 --> 1:15:47.000
<v Speaker 1>what the secret of Curb. Your enthusiasm is more than

1:15:47.040 --> 1:15:50.919
<v Speaker 1>anything from the get go, and there is an exception

1:15:50.960 --> 1:15:52.880
<v Speaker 1>to this, but I don't want to get into. But

1:15:53.000 --> 1:15:55.920
<v Speaker 1>early on and from the get go, we only did

1:15:55.960 --> 1:15:59.720
<v Speaker 1>what made us laugh, and we were shocked when anybody

1:15:59.760 --> 1:16:03.280
<v Speaker 1>called on or dug it. We We had no intention

1:16:03.680 --> 1:16:07.559
<v Speaker 1>of being an iconic show, zero zero thoughts of it

1:16:07.600 --> 1:16:10.880
<v Speaker 1>even being possible. Whereas I told you Goldberg's I could

1:16:10.880 --> 1:16:13.080
<v Speaker 1>see it being a hit. I knew it would never

1:16:13.120 --> 1:16:16.920
<v Speaker 1>be iconic Curb. I not only did, I never thought

1:16:16.920 --> 1:16:22.599
<v Speaker 1>it'd be iconic ever, let alone a hit. So now

1:16:22.640 --> 1:16:26.200
<v Speaker 1>you're in your fifties, you are comfortable. What would you

1:16:26.200 --> 1:16:30.000
<v Speaker 1>like to achieve before the grim Reaper appears? Oh dear God,

1:16:30.080 --> 1:16:33.160
<v Speaker 1>again your bucket list? You know, what's my last meal?

1:16:33.680 --> 1:16:37.439
<v Speaker 1>I don't? Okay, So okay, So it's not even a

1:16:37.439 --> 1:16:40.720
<v Speaker 1>grim Reaper, because the Grim Reaper comes for everybody. What

1:16:40.760 --> 1:16:43.440
<v Speaker 1>do I want to do? I want to keep contributing.

1:16:43.479 --> 1:16:46.160
<v Speaker 1>I want to compete, keep I want to continue to

1:16:46.160 --> 1:16:50.799
<v Speaker 1>be relevant artistically, because I think that age doesn't matter

1:16:50.920 --> 1:16:54.600
<v Speaker 1>if you're relevant, if you've got something to say or

1:16:54.680 --> 1:16:59.280
<v Speaker 1>something to put out there that's relevant to human beings

1:16:59.600 --> 1:17:02.559
<v Speaker 1>that I and ease people, continue to ease people's pain,

1:17:03.479 --> 1:17:06.760
<v Speaker 1>and that contribute. I'm good man, What does that? I've

1:17:06.800 --> 1:17:09.559
<v Speaker 1>got things I'm developing, I've got I mean, you know,

1:17:09.800 --> 1:17:13.519
<v Speaker 1>television series, movies, different things, And to me, I just

1:17:13.600 --> 1:17:16.680
<v Speaker 1>want to be relevant. I want to be doing I

1:17:16.680 --> 1:17:17.960
<v Speaker 1>don't want to be doing good work. I want to

1:17:18.000 --> 1:17:20.280
<v Speaker 1>be doing great work. I want to continue. And I

1:17:20.320 --> 1:17:22.800
<v Speaker 1>also think I'm one of those people that gets better

1:17:22.840 --> 1:17:27.960
<v Speaker 1>as he gets older. I don't think that I am.

1:17:28.000 --> 1:17:32.200
<v Speaker 1>What makes me funny is still in me. With the

1:17:32.240 --> 1:17:36.400
<v Speaker 1>success I've had already, I will never be a fat cat. Okay,

1:17:36.640 --> 1:17:39.320
<v Speaker 1>you know I drive a Tesla. Yeah, you know what

1:17:39.400 --> 1:17:41.559
<v Speaker 1>I mean. Oh, look at me. I'm not in touch.

1:17:41.760 --> 1:17:43.280
<v Speaker 1>I drive in Tesla, but you know where I pull

1:17:43.360 --> 1:17:47.320
<v Speaker 1>into fucking Ralph's Fresh Fare and buy my own groceries

1:17:47.680 --> 1:17:50.800
<v Speaker 1>and deal with whatever ship's going on in there. I

1:17:50.920 --> 1:17:52.760
<v Speaker 1>do my own stuff, you know what I mean? Man,

1:17:53.040 --> 1:17:54.760
<v Speaker 1>I want to be part of it, because when you

1:17:54.800 --> 1:17:57.680
<v Speaker 1>stop doing that is when you're not relevant, is when

1:17:57.680 --> 1:18:00.519
<v Speaker 1>you're not in touch. Absolutely I couldn't agree or yeah,

1:18:00.600 --> 1:18:02.240
<v Speaker 1>So what does it day look like when you're not

1:18:02.520 --> 1:18:07.400
<v Speaker 1>you know, shooting, well as much napping as possible. So

1:18:07.479 --> 1:18:12.280
<v Speaker 1>that's the luxury that I take advantage of, is napping. Um,

1:18:12.320 --> 1:18:14.880
<v Speaker 1>I have not I have not had the opportunity to

1:18:14.920 --> 1:18:17.000
<v Speaker 1>go to I love movies. I've not been to a

1:18:17.040 --> 1:18:21.360
<v Speaker 1>movie the last movie I saw was a special early

1:18:21.439 --> 1:18:24.640
<v Speaker 1>morning screening that I took my friend's son too of

1:18:24.720 --> 1:18:27.400
<v Speaker 1>the Spider Man movie The Spider Verse, which I loved.

1:18:28.360 --> 1:18:30.360
<v Speaker 1>I have not had a chance. I love movies. I

1:18:30.400 --> 1:18:34.400
<v Speaker 1>love music. I go see live music. Um, I try

1:18:34.439 --> 1:18:37.480
<v Speaker 1>and arrange it that there's the least amount of irritating

1:18:37.520 --> 1:18:41.040
<v Speaker 1>people around me that I can. I found certain areas

1:18:41.080 --> 1:18:43.480
<v Speaker 1>to sit it, like the Hollywood Ball where like, oh,

1:18:43.640 --> 1:18:46.040
<v Speaker 1>I won't be bothered here. This is awesome. And I'm

1:18:46.040 --> 1:18:48.400
<v Speaker 1>not talking about fame bothered. I'm just about talking about

1:18:48.400 --> 1:18:52.800
<v Speaker 1>people being idiots bothered. Um. I love music, I love sports.

1:18:53.120 --> 1:18:56.360
<v Speaker 1>I love swimming. So where do you swim? I have

1:18:56.400 --> 1:18:58.519
<v Speaker 1>a pool. I have a pool, not even like you know,

1:18:58.560 --> 1:19:01.439
<v Speaker 1>it's December, and could eat it up if I want,

1:19:01.520 --> 1:19:03.920
<v Speaker 1>and I did, but right now I turn the heat

1:19:03.960 --> 1:19:06.519
<v Speaker 1>up and turn on a couple of weeks close, you know.

1:19:07.000 --> 1:19:09.160
<v Speaker 1>But I also But I really, I gotta tell you, man,

1:19:09.760 --> 1:19:14.200
<v Speaker 1>I love I play guitar, not good, but I dig it.

1:19:14.320 --> 1:19:18.960
<v Speaker 1>I did doing an open a learning old blues riffs.

1:19:19.200 --> 1:19:21.960
<v Speaker 1>I'm learning a John Lee Hooker riff right now. So

1:19:22.200 --> 1:19:24.680
<v Speaker 1>I dig that. I dig chilling. That's what I did

1:19:24.760 --> 1:19:27.400
<v Speaker 1>doing I'm not. I don't like going to awards. I

1:19:27.400 --> 1:19:30.840
<v Speaker 1>don't like big parties. I love a good dinner party.

1:19:31.080 --> 1:19:33.880
<v Speaker 1>How about going out to dinner with friends? Whatever? You're

1:19:33.960 --> 1:19:35.960
<v Speaker 1>just you're stay at home guy. Well no, I mean

1:19:36.479 --> 1:19:39.760
<v Speaker 1>I might go to Musso and Frank's and and uh

1:19:40.160 --> 1:19:46.839
<v Speaker 1>meet Dan McCarroll and his wife, um and or Mark Flanager,

1:19:46.880 --> 1:19:49.519
<v Speaker 1>now One's Largo or where my close friends are. I

1:19:49.520 --> 1:19:53.559
<v Speaker 1>love spending time with my close friends. Um. I'll go

1:19:53.680 --> 1:19:56.720
<v Speaker 1>to sugar Fish on occasion. But in general, man, I'm

1:19:56.760 --> 1:20:01.360
<v Speaker 1>a homebody. My life is extraordinary. I don't need my life.

1:20:02.400 --> 1:20:03.880
<v Speaker 1>It's like you know that for me, the thought of

1:20:03.920 --> 1:20:06.280
<v Speaker 1>going out to dinner on Friday or Saturday night is

1:20:06.840 --> 1:20:10.280
<v Speaker 1>the worst. I gotta tell you. Nothing makes me happier

1:20:10.600 --> 1:20:12.599
<v Speaker 1>than going to bed early on a Saturday night. Right,

1:20:12.920 --> 1:20:18.000
<v Speaker 1>I love it. I love it. Okay, So you mentioned

1:20:18.000 --> 1:20:22.240
<v Speaker 1>earlier that you can't do pop culture in stand up comedy,

1:20:22.280 --> 1:20:25.719
<v Speaker 1>and now I remember in an era both in movies

1:20:25.760 --> 1:20:29.040
<v Speaker 1>and music, when you could literally be comprehensive, you could

1:20:29.040 --> 1:20:32.280
<v Speaker 1>see it all and yeah, but now we're not in

1:20:32.320 --> 1:20:35.879
<v Speaker 1>that era. No. By the way, I like to maintain

1:20:35.960 --> 1:20:41.120
<v Speaker 1>a level of understanding. The number of artists that my

1:20:41.280 --> 1:20:43.680
<v Speaker 1>children will bring up, or that someone bring up that

1:20:43.760 --> 1:20:46.920
<v Speaker 1>I literally this is a person. I go to the

1:20:46.960 --> 1:20:53.360
<v Speaker 1>new songs on Spotify. I've Spotify, Title and um Apple Music,

1:20:54.080 --> 1:20:56.599
<v Speaker 1>Amazon Music. What's that? What's the logic of having all

1:20:56.640 --> 1:20:58.200
<v Speaker 1>of them? I mean, I have all of them. Have

1:20:58.320 --> 1:21:02.479
<v Speaker 1>to pay well, Title because they pay the artists. Bet

1:21:03.120 --> 1:21:06.639
<v Speaker 1>the other ones just not a convenience. Sometimes I look

1:21:06.720 --> 1:21:08.760
<v Speaker 1>for one song and the other ones don't have it.

1:21:08.800 --> 1:21:10.960
<v Speaker 1>I'm like, oh, there you go. And by the way,

1:21:10.960 --> 1:21:14.080
<v Speaker 1>what I used to spend on c d s, I

1:21:14.120 --> 1:21:18.280
<v Speaker 1>can afford to buy all those. Um. So I'm on

1:21:18.360 --> 1:21:20.599
<v Speaker 1>there and I'm checking stuff out and I'll be behind

1:21:20.720 --> 1:21:23.800
<v Speaker 1>the wave. My kids will laugh at all behind the wave.

1:21:23.840 --> 1:21:28.240
<v Speaker 1>Now there's too much stuff out there, you know. But

1:21:28.320 --> 1:21:31.559
<v Speaker 1>I do know that a lot of it is is pop.

1:21:32.200 --> 1:21:34.320
<v Speaker 1>By the way, a great pop song is delightful. So

1:21:34.400 --> 1:21:36.360
<v Speaker 1>do not get me wrong. I'm not that much of

1:21:36.360 --> 1:21:40.839
<v Speaker 1>a curmudgeon, but I find that most music that I

1:21:40.880 --> 1:21:45.320
<v Speaker 1>am presented with is completely empty. You know, it's just

1:21:45.479 --> 1:21:49.680
<v Speaker 1>so so. And I used to like, you know, it's

1:21:49.680 --> 1:21:52.400
<v Speaker 1>so funny you say that you like like I like

1:21:52.479 --> 1:21:54.640
<v Speaker 1>Public Enemy. I remember going to see them at the

1:21:54.720 --> 1:21:59.000
<v Speaker 1>Palace and remember sitting next to Easy in the back

1:21:59.040 --> 1:22:01.479
<v Speaker 1>of the room watching them. So if I say I

1:22:01.479 --> 1:22:03.840
<v Speaker 1>don't like rap, you know, some people might oh, he's

1:22:03.920 --> 1:22:06.800
<v Speaker 1>racist or something. You know, no, which I've heard, you know,

1:22:06.840 --> 1:22:10.000
<v Speaker 1>because you're white. No, man, I dig what I dig.

1:22:10.560 --> 1:22:13.439
<v Speaker 1>I love Coltrane, you know I love Jimmy. I mean,

1:22:13.680 --> 1:22:17.360
<v Speaker 1>I don't care what someone's I care about greatness. Man

1:22:17.960 --> 1:22:20.439
<v Speaker 1>care about great Okay, And then I couldn't agree more

1:22:20.439 --> 1:22:23.320
<v Speaker 1>of that. People can't handle that. Just because you made

1:22:23.360 --> 1:22:26.679
<v Speaker 1>an effort doesn't mean I want to partake. And when

1:22:26.880 --> 1:22:29.360
<v Speaker 1>what people don't understand when something is great, I love

1:22:29.439 --> 1:22:31.680
<v Speaker 1>to tell everybody. That's what people don't realize. What's more

1:22:31.760 --> 1:22:35.559
<v Speaker 1>joyful than that? Right? We everybody has? Firstly talking about kids.

1:22:35.560 --> 1:22:37.400
<v Speaker 1>So kids have a short attention span. They don't have

1:22:37.400 --> 1:22:42.120
<v Speaker 1>a short attention span. They have an incredible ship detector. Next, next, next, next,

1:22:42.520 --> 1:22:44.720
<v Speaker 1>That's why I love your writing, because you're hip to that.

1:22:45.040 --> 1:22:47.840
<v Speaker 1>People think it's an attention span. No you, but I

1:22:47.880 --> 1:22:50.439
<v Speaker 1>have a d D. You give me something to watch,

1:22:50.640 --> 1:22:53.360
<v Speaker 1>I'm gonna watch it exactly. There's somebody who dies every

1:22:53.439 --> 1:22:56.160
<v Speaker 1>year playing video games for three days straight in Asia. Okay,

1:22:56.200 --> 1:22:58.760
<v Speaker 1>don't tell me about it. By the way, you think

1:22:58.760 --> 1:23:00.600
<v Speaker 1>I go see Lords of a Ray be at the

1:23:00.640 --> 1:23:04.200
<v Speaker 1>Cinerama Dome that I'm like, I gotta go take a break. No,

1:23:04.560 --> 1:23:08.479
<v Speaker 1>I'm enchanted for my one time every time, you know.

1:23:08.960 --> 1:23:12.200
<v Speaker 1>So it's not a matter of kids today don't have

1:23:12.280 --> 1:23:15.960
<v Speaker 1>the attention spans. Their attentions, yes, are in their phones,

1:23:16.320 --> 1:23:19.040
<v Speaker 1>but they're looking for something to connect well the people

1:23:19.080 --> 1:23:22.120
<v Speaker 1>that I mean, I'm really anti the anti phone thing.

1:23:22.520 --> 1:23:25.080
<v Speaker 1>What could be better than have a device? It's totally

1:23:25.160 --> 1:23:28.479
<v Speaker 1>personalized to you, all right. By the way, think of

1:23:28.520 --> 1:23:30.720
<v Speaker 1>having that thing when you're a little kid, would you

1:23:30.760 --> 1:23:35.200
<v Speaker 1>have done anything different? I you would have had it.

1:23:36.600 --> 1:23:38.840
<v Speaker 1>I'm not sure what I've done anything different? I mean,

1:23:38.920 --> 1:23:41.519
<v Speaker 1>I mean, I mean, you would have been into it

1:23:41.720 --> 1:23:45.000
<v Speaker 1>about That's what I'm saying. So I'm not gonna judge.

1:23:45.600 --> 1:23:48.000
<v Speaker 1>And by the way, mine is my iPhone is a

1:23:48.040 --> 1:23:51.880
<v Speaker 1>tool for me exactly. It's personal. I just do you

1:23:51.960 --> 1:23:55.320
<v Speaker 1>do flipboard. I'm not a flipboard person. I love flipboard

1:23:55.320 --> 1:23:58.920
<v Speaker 1>because I've designed all these stories of stuff that I'm

1:23:59.240 --> 1:24:00.960
<v Speaker 1>it used to be because I got really I got

1:24:01.000 --> 1:24:03.240
<v Speaker 1>a free subscription to a O L and the nineties

1:24:03.280 --> 1:24:05.680
<v Speaker 1>when he's charged by the minute. So I spent my

1:24:05.680 --> 1:24:08.200
<v Speaker 1>whole life. I lost the nineties to a O L. Whatever.

1:24:08.479 --> 1:24:11.800
<v Speaker 1>But I tell my shriek. He used to take me

1:24:12.120 --> 1:24:14.400
<v Speaker 1>an hour in the early part of the century to

1:24:14.439 --> 1:24:18.040
<v Speaker 1>go through all my sites. Okay, now it's just endless.

1:24:18.120 --> 1:24:22.479
<v Speaker 1>It's something, but I'm really I'm really into it. I

1:24:22.560 --> 1:24:24.920
<v Speaker 1>like the pulse. The other thing about it is if

1:24:24.920 --> 1:24:28.719
<v Speaker 1>you're into something, you can become an expert. You can dive.

1:24:29.160 --> 1:24:32.000
<v Speaker 1>You can dive into anything I know. So it's not

1:24:32.120 --> 1:24:35.320
<v Speaker 1>that that's negative. It's what we're bringing to them. I

1:24:35.439 --> 1:24:37.960
<v Speaker 1>met a dude and I can't remember the thing. He's

1:24:38.000 --> 1:24:40.479
<v Speaker 1>a friend of a friend and he was running. He

1:24:40.520 --> 1:24:42.320
<v Speaker 1>was at the time. I don't think he still is.

1:24:42.880 --> 1:24:46.080
<v Speaker 1>He was put in charge by maybe universe like him

1:24:46.120 --> 1:24:49.400
<v Speaker 1>or who in charge of verve? Right, the history of

1:24:49.479 --> 1:24:53.680
<v Speaker 1>verb Oliver and I'm friends with Don was right, So

1:24:53.720 --> 1:24:57.160
<v Speaker 1>I see the challenge. They all the new whatever. But

1:24:57.240 --> 1:25:01.040
<v Speaker 1>he had a complete disrespect for owning early holiday and

1:25:01.080 --> 1:25:04.840
<v Speaker 1>owning people like that. And it's my fervent opinion. You

1:25:04.880 --> 1:25:08.960
<v Speaker 1>play Billie Holiday for any kid with intelligence, and they're

1:25:08.960 --> 1:25:11.120
<v Speaker 1>gonna go, how do I get more of that? Listen?

1:25:11.280 --> 1:25:13.479
<v Speaker 1>Great is great. I'm glad to say. The only other

1:25:13.479 --> 1:25:16.200
<v Speaker 1>person I've ever said that is something is phenomenal. And

1:25:16.240 --> 1:25:18.360
<v Speaker 1>it could be anything like the first half of that

1:25:18.439 --> 1:25:22.080
<v Speaker 1>movie Something Wild, you know that the right where you

1:25:22.120 --> 1:25:24.760
<v Speaker 1>know she's just totally totally out of control. Or even

1:25:24.800 --> 1:25:28.400
<v Speaker 1>now we're talking about our favorite movies. Uh Altman once again?

1:25:28.720 --> 1:25:32.040
<v Speaker 1>Uh Ship, what's his Western? You know with Warren Beatty

1:25:34.000 --> 1:25:37.000
<v Speaker 1>and Mrs Miller, there's all this other stuff you love.

1:25:37.160 --> 1:25:41.160
<v Speaker 1>To testify about that stuff, it's hard to testify about

1:25:41.160 --> 1:25:43.879
<v Speaker 1>a lot of sheep. That's what you need. Here's the difference.

1:25:43.920 --> 1:25:47.640
<v Speaker 1>If I may, I feel that if I were to

1:25:47.680 --> 1:25:50.360
<v Speaker 1>show my son's eighteen and twenty two love movies McCabe

1:25:50.400 --> 1:25:53.720
<v Speaker 1>and Mrs Miller, they might get bored. And here's what

1:25:53.840 --> 1:25:56.679
<v Speaker 1>they need. They need their own McCabe and Mrs Miller.

1:25:56.800 --> 1:25:59.639
<v Speaker 1>Of course, they need a good movie that has the pacing,

1:26:00.200 --> 1:26:03.960
<v Speaker 1>the actors, the things they're interested in. I have a friend,

1:26:04.360 --> 1:26:07.040
<v Speaker 1>her daughter, who I kind of mentor and I just

1:26:07.160 --> 1:26:10.200
<v Speaker 1>love like she's my daughter. She refused I try and

1:26:10.439 --> 1:26:15.080
<v Speaker 1>turn around to stuff. She refuses refuses to watch black

1:26:15.120 --> 1:26:17.639
<v Speaker 1>and white movies. And then I like people who refuse

1:26:17.720 --> 1:26:20.240
<v Speaker 1>to watch things with subtitles. Well, I said, you're missing

1:26:20.280 --> 1:26:23.519
<v Speaker 1>great Hitchcock can make great press and sturgis great, Billy Wilder.

1:26:23.800 --> 1:26:27.680
<v Speaker 1>There's so much stuff. But what these kids need and

1:26:27.760 --> 1:26:31.160
<v Speaker 1>people need is their own version of that. And that's

1:26:31.200 --> 1:26:35.240
<v Speaker 1>not coming because Avengers, the next Avengers, that's not it.

1:26:35.600 --> 1:26:38.320
<v Speaker 1>Of course, that is not it. And the other way.

1:26:38.479 --> 1:26:40.880
<v Speaker 1>I love comic books. I collected him as a kid,

1:26:41.360 --> 1:26:42.880
<v Speaker 1>and I still buy them, you know, and buy a

1:26:42.920 --> 1:26:45.880
<v Speaker 1>lot of back issues. For the most part, I can't

1:26:45.920 --> 1:26:48.519
<v Speaker 1>stand superhero movies. Right, what about the We're in the

1:26:48.520 --> 1:26:50.600
<v Speaker 1>golden age of TV? Do you watch Netflix? Do you

1:26:50.640 --> 1:26:53.400
<v Speaker 1>watch HBO? Watch There's always a show that I'm in

1:26:53.640 --> 1:26:55.800
<v Speaker 1>And so what shows would you recommend right now? The

1:26:55.880 --> 1:26:58.639
<v Speaker 1>last show that I watched and incomplete I just finished

1:26:58.680 --> 1:27:04.240
<v Speaker 1>like a week ago, Fouda find a Phenomenal. That's about

1:27:04.280 --> 1:27:08.280
<v Speaker 1>that's about the the border between Israel and Palestine and

1:27:08.320 --> 1:27:11.599
<v Speaker 1>all the shenanigans. But it's like it's like the Wire,

1:27:11.880 --> 1:27:15.479
<v Speaker 1>It's like the Sopranos, it's like everything. That's one of

1:27:15.520 --> 1:27:17.760
<v Speaker 1>the few series where the second season was better than

1:27:17.800 --> 1:27:19.800
<v Speaker 1>the first. Second season was better than the first season

1:27:19.880 --> 1:27:25.760
<v Speaker 1>was great exactly, but the second season was amazing, amazing,

1:27:26.040 --> 1:27:29.960
<v Speaker 1>And they have some scenes of action where you're so tense.

1:27:30.439 --> 1:27:32.360
<v Speaker 1>That one where they were in the backyard and they

1:27:32.360 --> 1:27:35.840
<v Speaker 1>were surrounding I never seen a scene like that, and

1:27:35.880 --> 1:27:38.720
<v Speaker 1>they had to go away and come ben anyhow, I

1:27:38.720 --> 1:27:40.160
<v Speaker 1>know I'm talking. I don't want to ruin it. But

1:27:40.920 --> 1:27:42.639
<v Speaker 1>the thing is, the thing I want to tell people

1:27:42.640 --> 1:27:46.000
<v Speaker 1>listening is know this about Powder. It's Netflix's show, but

1:27:46.040 --> 1:27:49.920
<v Speaker 1>it's from Israel, and it is subtitled But I'm a guy.

1:27:50.000 --> 1:27:52.800
<v Speaker 1>If you dig the Sopranos, you dig the Wire, you

1:27:52.920 --> 1:27:56.920
<v Speaker 1>dig Breaking Bad, this is right there with it. It's

1:27:56.720 --> 1:27:58.800
<v Speaker 1>it's as good as all. Okay, what else can you

1:27:58.840 --> 1:28:02.160
<v Speaker 1>recommend Jay's I don't know. I mean, have you watched

1:28:02.160 --> 1:28:05.920
<v Speaker 1>Happy Valley? No? I by the way, I started watching

1:28:05.920 --> 1:28:08.760
<v Speaker 1>the second season of Happy Valley. I don't quite get that,

1:28:08.840 --> 1:28:10.639
<v Speaker 1>by the way, and I did, wasn't and I thought

1:28:10.640 --> 1:28:13.040
<v Speaker 1>you I watched the first I liked the idea of it.

1:28:13.600 --> 1:28:16.880
<v Speaker 1>Um Bob babyl um Berlin. I've only heard great things.

1:28:16.920 --> 1:28:18.719
<v Speaker 1>I'm not saying it's a long time to get into

1:28:18.760 --> 1:28:20.360
<v Speaker 1>because one of the know. It's one of those things

1:28:20.400 --> 1:28:22.519
<v Speaker 1>where it's intentionally people say that I no know what's

1:28:22.520 --> 1:28:24.559
<v Speaker 1>going on. People say that a long time to get

1:28:24.560 --> 1:28:27.080
<v Speaker 1>into it is Better Call Saul, And in my opinion,

1:28:27.160 --> 1:28:29.639
<v Speaker 1>Better Call Saul is the best show on TV. Better

1:28:29.680 --> 1:28:33.000
<v Speaker 1>Call Saul is better than Breaking No. One is not no.

1:28:33.120 --> 1:28:37.120
<v Speaker 1>It is not different apples and oranges. Actually I didn't

1:28:37.120 --> 1:28:41.000
<v Speaker 1>say that. Uh uh, Granny Smith apple and a food

1:28:41.040 --> 1:28:44.760
<v Speaker 1>jimple the two different types of apples. The point I'm

1:28:44.800 --> 1:28:47.559
<v Speaker 1>making is that the greatness of both cannot be Who

1:28:47.800 --> 1:28:50.559
<v Speaker 1>would know that Bob oden Kirk could be so good

1:28:50.560 --> 1:28:54.519
<v Speaker 1>at that, considering that he is my I have many

1:28:54.600 --> 1:28:57.519
<v Speaker 1>friends that I started with, but Bob oden Kirky and

1:28:57.520 --> 1:29:01.240
<v Speaker 1>I used to sit on We'd sit on porches our backyard,

1:29:01.439 --> 1:29:05.800
<v Speaker 1>on the steps of Second City together, dirt broke and

1:29:06.240 --> 1:29:09.519
<v Speaker 1>best of friends, talking about what do we have to

1:29:09.600 --> 1:29:12.679
<v Speaker 1>do to have somebody pay attention to us in this town.

1:29:13.200 --> 1:29:15.920
<v Speaker 1>And I remember it was about three or four years ago.

1:29:16.160 --> 1:29:18.400
<v Speaker 1>I'm at Sony that's where we filmed the Goldbergs, and

1:29:18.560 --> 1:29:20.880
<v Speaker 1>up on the side of Sony in their big you

1:29:20.920 --> 1:29:24.120
<v Speaker 1>know posters was the Goldbergs and better Cars. And I

1:29:24.160 --> 1:29:26.120
<v Speaker 1>took a picture and I sent it to him because

1:29:26.160 --> 1:29:29.679
<v Speaker 1>we were broke together. We and I watched him developed.

1:29:29.800 --> 1:29:33.280
<v Speaker 1>And also he would help me audition, and I would

1:29:33.280 --> 1:29:36.960
<v Speaker 1>help him audition on tape for different things. And I

1:29:37.000 --> 1:29:39.280
<v Speaker 1>saw how good a director he is. I knew how

1:29:39.280 --> 1:29:41.960
<v Speaker 1>good an actor was. So I will stand up and

1:29:42.000 --> 1:29:45.639
<v Speaker 1>say I knew how great Bob oden Kirk could be.

1:29:46.000 --> 1:29:49.479
<v Speaker 1>I knew he is magnificent. He's also a magnificent man.

1:29:49.520 --> 1:29:51.759
<v Speaker 1>And like I said, one of my best friends. Okay,

1:29:52.520 --> 1:29:56.200
<v Speaker 1>in this long thing, long career, which is far from over,

1:29:56.520 --> 1:30:02.479
<v Speaker 1>do you ever have doubts? Oh? Sure, yeah, you know, yeah,

1:30:02.520 --> 1:30:05.960
<v Speaker 1>because you get you You feel like quitting. Oh I

1:30:06.040 --> 1:30:09.800
<v Speaker 1>felt like quitting many times early on. Even now I

1:30:09.840 --> 1:30:11.599
<v Speaker 1>think like, well, if I don't get to do this,

1:30:12.120 --> 1:30:14.080
<v Speaker 1>do I really want to keep doing this? Like and

1:30:14.120 --> 1:30:16.640
<v Speaker 1>I started thinking, all right, a little bit slower, tell

1:30:16.680 --> 1:30:18.680
<v Speaker 1>us more about what I mean by that is, so

1:30:18.720 --> 1:30:22.639
<v Speaker 1>I'm doing the goldbergs now, which is a semi cash cow,

1:30:23.080 --> 1:30:26.360
<v Speaker 1>you know what I mean? Doing curb. Maybe both of

1:30:26.360 --> 1:30:30.280
<v Speaker 1>those don't last. So let's say my next three ideas

1:30:30.840 --> 1:30:33.680
<v Speaker 1>I'll get rejected. So do I think to myself, well,

1:30:33.680 --> 1:30:35.640
<v Speaker 1>how much do I sell my car for? How much

1:30:35.680 --> 1:30:37.760
<v Speaker 1>do I sell my house for? I'll move in a

1:30:37.800 --> 1:30:40.559
<v Speaker 1>condo where I'll do this and I'll just sit and right,

1:30:41.320 --> 1:30:44.120
<v Speaker 1>I'll do my stand up and I'll write because I'm

1:30:44.160 --> 1:30:46.639
<v Speaker 1>at a point now like I told you at fifty six,

1:30:47.120 --> 1:30:50.479
<v Speaker 1>it's about joy. And if I can't spread joy and

1:30:50.680 --> 1:30:54.040
<v Speaker 1>enjoy what I'm doing, I don't want to do it.

1:30:54.400 --> 1:30:58.040
<v Speaker 1>I don't want to do crap. I don't want to

1:30:58.080 --> 1:31:00.439
<v Speaker 1>I just don't you know what. I you a part

1:31:00.439 --> 1:31:03.080
<v Speaker 1>of the Avengers, Sure for a week for a lot

1:31:03.080 --> 1:31:05.680
<v Speaker 1>of money. Would I be in in the Avengers for

1:31:05.720 --> 1:31:11.000
<v Speaker 1>six months? No? No? And how much? Uh? It's by

1:31:11.000 --> 1:31:13.000
<v Speaker 1>the way, I want to Just for the record, nobody's

1:31:13.040 --> 1:31:15.360
<v Speaker 1>asked me. Nobody has asked me to be in the

1:31:15.360 --> 1:31:17.280
<v Speaker 1>Avengers or any And by the way, I love comp

1:31:17.400 --> 1:31:18.920
<v Speaker 1>I want to be in the Silver Surfer movie if

1:31:18.920 --> 1:31:22.799
<v Speaker 1>I can, just a local anyhow, Um, I love Silver Surfer.

1:31:23.960 --> 1:31:26.439
<v Speaker 1>How much are you on the road? Not very much

1:31:26.479 --> 1:31:31.320
<v Speaker 1>at all. The past, I'll say the past since since

1:31:31.320 --> 1:31:35.439
<v Speaker 1>I've been doing the Goldbergs, you know, um, you know,

1:31:35.640 --> 1:31:41.120
<v Speaker 1>I'd say maybe six months in the past six years. Okay,

1:31:41.160 --> 1:31:43.560
<v Speaker 1>So if you are going to do a special, do

1:31:43.640 --> 1:31:45.000
<v Speaker 1>you have to do a certain number of gigs? You

1:31:45.120 --> 1:31:47.240
<v Speaker 1>have to? Well, I'm working in town a lot. I

1:31:47.280 --> 1:31:49.559
<v Speaker 1>go on stage a lot at the Improv in a

1:31:49.680 --> 1:31:54.880
<v Speaker 1>Largo and sometimes place called Flappers and Burbank. I do sets, um,

1:31:54.960 --> 1:31:57.200
<v Speaker 1>but I'm going on there. I'm gonna be in Chicago,

1:31:58.120 --> 1:32:01.760
<v Speaker 1>uh next month, uh doing a bunch of sets at

1:32:01.960 --> 1:32:04.559
<v Speaker 1>Zane East that's the name, and I'm gonna be I'm

1:32:04.560 --> 1:32:06.520
<v Speaker 1>gonna be in New York doing a week at Carolines

1:32:07.040 --> 1:32:10.240
<v Speaker 1>and so yes, that's to work out for the special.

1:32:10.479 --> 1:32:12.120
<v Speaker 1>Then I'm coming back to do a bunch of shows.

1:32:12.160 --> 1:32:16.080
<v Speaker 1>I have to do it. What's killed me. And really

1:32:16.200 --> 1:32:19.920
<v Speaker 1>I'm exhausted and I I wish I have to. I

1:32:19.960 --> 1:32:22.960
<v Speaker 1>have to. I'm going to therapy now, but after therapy,

1:32:23.000 --> 1:32:24.519
<v Speaker 1>I'm going to bed because I gotta get up early

1:32:24.560 --> 1:32:28.680
<v Speaker 1>to film tomorrow. Goldberg's um is that I've had to

1:32:28.840 --> 1:32:31.559
<v Speaker 1>for the second time. And it's not a matter of

1:32:31.600 --> 1:32:36.880
<v Speaker 1>feeling bad for me, because I'm extraordinarily I have great gratitude,

1:32:37.160 --> 1:32:39.840
<v Speaker 1>but I've been filming Curb and the Goldbergs at the

1:32:39.880 --> 1:32:45.720
<v Speaker 1>same time with doing stand up now gratitude that I

1:32:45.800 --> 1:32:48.920
<v Speaker 1>have that opportunity, But I have to tell you it's

1:32:49.000 --> 1:32:52.000
<v Speaker 1>knocking me off my feet. I'm doing I'm working sixty

1:32:52.040 --> 1:32:54.160
<v Speaker 1>hours a week. And by the way, a lot of

1:32:54.160 --> 1:32:56.120
<v Speaker 1>other people do that, right, A lot of people don't

1:32:56.160 --> 1:32:59.200
<v Speaker 1>get paid like me. So I'm not unaware. But that

1:32:59.320 --> 1:33:02.679
<v Speaker 1>doesn't make my body have more energy. It doesn't make

1:33:02.720 --> 1:33:05.960
<v Speaker 1>me physically By the way, if I was twenty five, oh,

1:33:06.040 --> 1:33:08.920
<v Speaker 1>I could do this all day and all night and

1:33:09.000 --> 1:33:12.120
<v Speaker 1>not and it is what it is. So I'm doing it,

1:33:12.240 --> 1:33:16.160
<v Speaker 1>you know what I mean? But I am it's a lot. Okay,

1:33:16.200 --> 1:33:19.320
<v Speaker 1>So how long have I go to therapy? Oh, well,

1:33:19.560 --> 1:33:22.799
<v Speaker 1>with a great therapist? Now for about five six years

1:33:23.120 --> 1:33:26.840
<v Speaker 1>I've had I've had other wonderful therapists, but I say

1:33:26.880 --> 1:33:29.120
<v Speaker 1>had some crappy ones. But I've been going to therapy

1:33:29.200 --> 1:33:34.960
<v Speaker 1>since my twenties. I love, my love therapy, great therapy.

1:33:35.080 --> 1:33:37.240
<v Speaker 1>By the way, I never knew you could leave therapy

1:33:37.280 --> 1:33:40.960
<v Speaker 1>feeling like, oh I accomplish something. I didn't know that.

1:33:41.000 --> 1:33:43.559
<v Speaker 1>I feel that I'm a big believer in therapy, and

1:33:43.600 --> 1:33:46.479
<v Speaker 1>I certainly go I believe at this point this like

1:33:46.760 --> 1:33:48.920
<v Speaker 1>it's a secret weapon. I mean, I get all these

1:33:48.960 --> 1:33:51.519
<v Speaker 1>insights out there and I can't believe, by the way,

1:33:51.560 --> 1:33:54.280
<v Speaker 1>it's a secret weapon. And you said the word you

1:33:54.320 --> 1:33:56.559
<v Speaker 1>obviously have a great therapist. You said the word you

1:33:56.600 --> 1:34:00.000
<v Speaker 1>get insights. You want insight to this adventure. By the way,

1:34:00.000 --> 1:34:04.160
<v Speaker 1>a joke is, we lived to eight ninety years old

1:34:04.760 --> 1:34:08.120
<v Speaker 1>and we still have so much more to learn. Absolutely,

1:34:09.400 --> 1:34:11.280
<v Speaker 1>I was being thrown to the side at a certain

1:34:11.280 --> 1:34:13.519
<v Speaker 1>are what I was just just like I'm just getting started.

1:34:13.680 --> 1:34:15.960
<v Speaker 1>That's how I feel a fifty six. When I was

1:34:16.000 --> 1:34:20.720
<v Speaker 1>twenty years old, I knew everything. Now that i'm that's

1:34:20.720 --> 1:34:23.439
<v Speaker 1>all I deal with between working with the kids and

1:34:23.439 --> 1:34:27.400
<v Speaker 1>the Goldberg's lovely working with talking with my children. Everyone

1:34:27.479 --> 1:34:30.200
<v Speaker 1>knows everything, but that's normal. I knew everything, you know,

1:34:31.160 --> 1:34:33.360
<v Speaker 1>but especially even you know, I think you know, we

1:34:33.400 --> 1:34:35.680
<v Speaker 1>all have these things where I said ship and I

1:34:35.720 --> 1:34:38.080
<v Speaker 1>thought I knew ship that I just did not know.

1:34:38.280 --> 1:34:40.120
<v Speaker 1>I know, I wouldn't now people ask me a question

1:34:40.120 --> 1:34:42.760
<v Speaker 1>I I don't know. Before I would say, oh, I

1:34:42.800 --> 1:34:44.600
<v Speaker 1>definitely know this is what you should do, or I

1:34:44.720 --> 1:34:48.080
<v Speaker 1>like to say I think, but you know, I'm just

1:34:48.120 --> 1:34:51.120
<v Speaker 1>telling you my opinion. I don't know that it's a fact. Well,

1:34:51.120 --> 1:34:53.680
<v Speaker 1>this has been fascinating, Jeff. You know, we need a

1:34:53.720 --> 1:34:57.080
<v Speaker 1>whole another podcast that has nothing to do with the

1:34:57.120 --> 1:35:03.240
<v Speaker 1>anchors of your career and just talking about life. Interesting. Well,

1:35:03.280 --> 1:35:07.120
<v Speaker 1>your your your pieces, whether they be about life or

1:35:07.240 --> 1:35:10.679
<v Speaker 1>um uh, you wrote about better things. I write that piece.

1:35:10.720 --> 1:35:14.559
<v Speaker 1>I love her and I love that show. Um I

1:35:14.640 --> 1:35:17.559
<v Speaker 1>just I can't get enough of your work. Thank you.

1:35:17.680 --> 1:35:20.479
<v Speaker 1>And by the way, I've been told because I only

1:35:20.840 --> 1:35:22.559
<v Speaker 1>there's an archive, I can go back and look at

1:35:22.560 --> 1:35:24.479
<v Speaker 1>older ones. Right, well, you are like setting me up.

1:35:24.479 --> 1:35:26.320
<v Speaker 1>It's like being a late night show. Go to left

1:35:26.360 --> 1:35:29.200
<v Speaker 1>sets dot com slash word press and you can read

1:35:29.280 --> 1:35:32.559
<v Speaker 1>since two thousand five. Well, fantastic, I'm gonna I'm gonna

1:35:32.600 --> 1:35:35.720
<v Speaker 1>do that. Now you're interviewing me, Jeff has been by

1:35:35.720 --> 1:35:38.320
<v Speaker 1>the way, that's that's what it is. It's a conversation

1:35:38.520 --> 1:35:40.240
<v Speaker 1>right right. You're making me look good, just like you

1:35:40.240 --> 1:35:43.000
<v Speaker 1>said you do with other actors. Thanks so much. Till

1:35:43.120 --> 1:35:45.400
<v Speaker 1>next time, it's been Jeff Garland of the Bob Left

1:35:45.400 --> 1:35:46.360
<v Speaker 1>Sets Podcast