1 00:00:00,200 --> 00:00:03,239 Speaker 1: I listened to the Black Guy Who Tips podcast because 2 00:00:03,360 --> 00:00:05,080 Speaker 1: Rod and Karen are hot. 3 00:00:05,480 --> 00:00:08,559 Speaker 2: I've been moving Connor starting no trouble with me. Trying 4 00:00:08,600 --> 00:00:11,280 Speaker 2: to keep it peaceful is a struggle for me. Don't 5 00:00:11,280 --> 00:00:13,320 Speaker 2: pull out of six am to cut over with me. 6 00:00:14,280 --> 00:00:16,040 Speaker 2: You know how I like it when you love it 7 00:00:16,200 --> 00:00:18,400 Speaker 2: on me. I don't want to die for them to 8 00:00:18,440 --> 00:00:21,599 Speaker 2: miss me. Yes, I see the things that they wishitt 9 00:00:21,720 --> 00:00:21,959 Speaker 2: on me. 10 00:00:22,400 --> 00:00:22,639 Speaker 3: Hope. 11 00:00:22,680 --> 00:00:25,479 Speaker 2: I got some brothers that I outlive me. They gonna 12 00:00:25,480 --> 00:00:28,560 Speaker 2: tell the story. Shit was different with me. God's planning. 13 00:00:29,600 --> 00:00:34,280 Speaker 2: God's planning. I hope back. Sometimes I won't. Yep, I 14 00:00:34,280 --> 00:00:37,480 Speaker 2: feel good. Sometimes I don't. Hey, don't I feel that's 15 00:00:37,520 --> 00:00:40,640 Speaker 2: the Western road? Hey, next might go down with you 16 00:00:40,920 --> 00:00:44,159 Speaker 2: GLD Yeah wait, I go hard on south side g 17 00:00:44,360 --> 00:00:49,520 Speaker 2: Yeah wait, I make sure that no said and still Hey, 18 00:00:49,680 --> 00:00:52,479 Speaker 2: Welcome to the Blackouts this podcast. Your host Rod Ed 19 00:00:52,720 --> 00:00:58,120 Speaker 2: Karen 're a lone on a Wednesday? Yes, yeah, walking 20 00:00:58,160 --> 00:01:03,720 Speaker 2: dead Wednesday even so, Yeah, we're gonna talk about walking Dad. 21 00:01:04,240 --> 00:01:06,440 Speaker 2: It'll be fun. But first of all, you're listening to 22 00:01:06,440 --> 00:01:10,559 Speaker 2: the Blackout Tips. We are on iTunes, a Stitcher search 23 00:01:10,640 --> 00:01:14,839 Speaker 2: The Blackout Tips. Leave us five star reviews, make them nice. 24 00:01:14,959 --> 00:01:15,920 Speaker 2: We'll read them on the air. 25 00:01:15,959 --> 00:01:18,119 Speaker 3: We appreciate everybody takes time out to do that. 26 00:01:18,720 --> 00:01:21,880 Speaker 2: The official weapon of the show is in the unofficial 27 00:01:21,880 --> 00:01:27,000 Speaker 2: Sport and Bulletball Extreme and this podcast is sponsored by 28 00:01:27,000 --> 00:01:30,480 Speaker 2: Shadow Dot Productions make other YouTube comedy web series book Crushers. 29 00:01:30,760 --> 00:01:33,760 Speaker 3: This week we went in on Arthur Dean R. Coots, 30 00:01:34,000 --> 00:01:36,240 Speaker 3: author Dean R. Coons. 31 00:01:36,560 --> 00:01:39,760 Speaker 2: I don't know how I say Coots, Stephen King, Stephen 32 00:01:39,800 --> 00:01:43,679 Speaker 2: King's Revival, and the novel die Hard's based on. We're 33 00:01:43,720 --> 00:01:47,600 Speaker 2: getting more the Blackout tips comments, so thanks all for that, 34 00:01:47,640 --> 00:01:50,480 Speaker 2: as they are especially useful to the algorithm. I will 35 00:01:50,480 --> 00:01:53,320 Speaker 2: put the link to this week's episode in the show notes, 36 00:01:54,360 --> 00:01:56,680 Speaker 2: and you guys do your thing, click them, like them, 37 00:01:56,760 --> 00:02:00,320 Speaker 2: share them, I'll leave comments. Like I said, it help 38 00:02:00,400 --> 00:02:02,320 Speaker 2: us out, it helps them out, and it keeps them 39 00:02:02,360 --> 00:02:03,120 Speaker 2: sponsoring the show. 40 00:02:03,200 --> 00:02:04,600 Speaker 3: So thank you so much. 41 00:02:04,680 --> 00:02:06,680 Speaker 2: I love hearing back from our sponsors that you guys 42 00:02:06,680 --> 00:02:08,000 Speaker 2: are like taking advantage of. 43 00:02:07,920 --> 00:02:12,920 Speaker 3: These deals or or helping enjoy this free content. 44 00:02:14,400 --> 00:02:21,360 Speaker 2: All right, So Walking Dead Tom, we finally got to 45 00:02:22,400 --> 00:02:53,160 Speaker 2: the episode that's the last episode of Rick Grimes. 46 00:02:53,960 --> 00:02:59,800 Speaker 3: All right. It's season nine, episode. 47 00:03:01,880 --> 00:03:02,200 Speaker 4: Five. 48 00:03:03,760 --> 00:03:08,560 Speaker 2: It's called What Comes After, and it was up a 49 00:03:08,560 --> 00:03:10,760 Speaker 2: little bit in the ratings five point four one, which 50 00:03:10,800 --> 00:03:16,160 Speaker 2: is kind of interesting considering that these type of episodes 51 00:03:17,040 --> 00:03:20,120 Speaker 2: that are normally like Landmark episodes, you expect like an uptick, 52 00:03:20,520 --> 00:03:22,000 Speaker 2: and they have been kind of pumping that this is 53 00:03:22,000 --> 00:03:23,880 Speaker 2: his last episode, and I knew a few more people 54 00:03:23,919 --> 00:03:26,200 Speaker 2: would be watching and haven't watched some of them, possibly 55 00:03:26,240 --> 00:03:30,120 Speaker 2: in seasons, and nope, it was five point one before this, 56 00:03:30,200 --> 00:03:31,720 Speaker 2: and it went up to five point four. 57 00:03:32,160 --> 00:03:35,240 Speaker 4: Right because most people they did not coming back like 58 00:03:35,240 --> 00:03:38,560 Speaker 4: like ever ever are coming back. 59 00:03:38,440 --> 00:03:40,200 Speaker 2: Which is interesting because I think the show did some 60 00:03:40,200 --> 00:03:44,360 Speaker 2: amazing stuff this week. Karen, what was your overall opinion 61 00:03:44,400 --> 00:03:45,320 Speaker 2: on What Comes After? 62 00:03:47,920 --> 00:03:53,240 Speaker 4: I actually loved this episode. It was really really enjoyable. 63 00:03:53,280 --> 00:03:58,480 Speaker 2: All right, me personally, I loved it after last week's 64 00:03:58,480 --> 00:04:02,040 Speaker 2: episode that I really didn't like that much, felt like filler, 65 00:04:02,280 --> 00:04:09,280 Speaker 2: felt kind of slow, felt kind of redundant. This week 66 00:04:09,560 --> 00:04:13,400 Speaker 2: I really love, especially the ending of the episode. I 67 00:04:13,440 --> 00:04:16,760 Speaker 2: really think they just did something that I think more 68 00:04:16,839 --> 00:04:17,520 Speaker 2: shows should do. 69 00:04:17,800 --> 00:04:19,599 Speaker 3: It was very ambitious. 70 00:04:19,080 --> 00:04:21,200 Speaker 2: And it kind of leaves the show in a really 71 00:04:21,200 --> 00:04:24,440 Speaker 2: good place to launch new stories from and we'll see 72 00:04:24,480 --> 00:04:27,800 Speaker 2: what they do. Shout out to Angela King, the new showrunner. 73 00:04:28,560 --> 00:04:31,320 Speaker 2: She's only five episodes in and she's managed to kind 74 00:04:31,320 --> 00:04:35,240 Speaker 2: of wipe the slate clean. In my opinion, Sure sucks 75 00:04:35,279 --> 00:04:36,839 Speaker 2: that a lot of people won't get to see it, 76 00:04:36,960 --> 00:04:39,680 Speaker 2: or maybe they'll binge it later, or you know, it's 77 00:04:39,720 --> 00:04:44,039 Speaker 2: just they're so far behind it, you know, they'd have 78 00:04:44,080 --> 00:04:47,000 Speaker 2: to catch up to even be current, or you know, 79 00:04:47,320 --> 00:04:49,760 Speaker 2: possibly just the mistakes they made in the past have 80 00:04:49,839 --> 00:04:53,080 Speaker 2: turned so many people off at this point, there ain't 81 00:04:53,120 --> 00:04:54,000 Speaker 2: no coming back. 82 00:04:54,000 --> 00:04:55,159 Speaker 4: You know. 83 00:04:55,480 --> 00:04:59,080 Speaker 2: So But for me, I really love this episode. It's 84 00:04:59,160 --> 00:05:00,520 Speaker 2: really one of my favorite Ricks. 85 00:05:01,640 --> 00:05:02,039 Speaker 3: All right. 86 00:05:02,200 --> 00:05:05,120 Speaker 2: So we have a lot of different stuff that happens, 87 00:05:06,279 --> 00:05:08,320 Speaker 2: and I feel like Rick gets his own section here. 88 00:05:08,520 --> 00:05:09,200 Speaker 4: Yes he does. 89 00:05:09,320 --> 00:05:12,599 Speaker 2: So we'll start with first the junk yard, and then 90 00:05:12,920 --> 00:05:14,880 Speaker 2: we'll move into Alexandria and then Rick. 91 00:05:15,160 --> 00:05:17,440 Speaker 3: Right So, in the junk yard, and. 92 00:05:18,920 --> 00:05:21,760 Speaker 2: Is has taken her RV from the junk yard to 93 00:05:22,440 --> 00:05:25,560 Speaker 2: a rendezvous spot where she's supposed to be meeting up 94 00:05:26,040 --> 00:05:29,560 Speaker 2: with the helicopter. And remember she told them I have 95 00:05:29,640 --> 00:05:32,280 Speaker 2: an a what she called Gabe, and a I believe, 96 00:05:33,839 --> 00:05:35,119 Speaker 2: and she doesn't have him anymore. 97 00:05:35,240 --> 00:05:35,760 Speaker 3: She let him go. 98 00:05:35,800 --> 00:05:38,720 Speaker 2: She couldn't bring herself to whether it was let the 99 00:05:38,839 --> 00:05:40,440 Speaker 2: zombie eater or eat him or. 100 00:05:40,440 --> 00:05:42,840 Speaker 3: Whatever it was she was gonna do. She couldn't bring 101 00:05:42,880 --> 00:05:43,560 Speaker 3: herself to do it. 102 00:05:43,600 --> 00:05:45,800 Speaker 2: She let him go free. He woke up and start 103 00:05:45,880 --> 00:05:50,279 Speaker 2: crying because he really miss his girl. 104 00:05:50,520 --> 00:05:51,840 Speaker 3: She showed her boobs. 105 00:05:53,680 --> 00:05:58,760 Speaker 4: He might say, baby, come back, baby, come back. Men, 106 00:05:59,120 --> 00:06:06,599 Speaker 4: she I think, uh, what, it's baby, I'm begging, baby begging. Yeah, 107 00:06:06,600 --> 00:06:08,080 Speaker 4: I messing up the first time, my bad, y'all. 108 00:06:08,640 --> 00:06:08,919 Speaker 3: Yeah. 109 00:06:09,080 --> 00:06:12,200 Speaker 2: Yeah, So we saw that Gabe was heartbroken and she 110 00:06:12,400 --> 00:06:15,039 Speaker 2: just drove off. So she's driving off in an SUV. 111 00:06:15,240 --> 00:06:18,680 Speaker 2: I mean suv, a r V. She drove off in 112 00:06:18,680 --> 00:06:19,080 Speaker 2: an RV. 113 00:06:19,279 --> 00:06:22,200 Speaker 4: Guys, ain't that Don't that look like the RV that 114 00:06:22,360 --> 00:06:23,839 Speaker 4: Old Man had in season two? 115 00:06:24,000 --> 00:06:29,320 Speaker 2: Herschel Yes, damn yeah. I mean maybe because there was 116 00:06:29,360 --> 00:06:33,719 Speaker 2: so many like uh Easter eggs and stuff in this episode. 117 00:06:33,720 --> 00:06:35,360 Speaker 2: I'm not even going through all of them. I can't 118 00:06:35,360 --> 00:06:36,600 Speaker 2: because I know I didn't pick them off. 119 00:06:36,640 --> 00:06:37,720 Speaker 4: But that was definitely one of those. 120 00:06:37,839 --> 00:06:41,280 Speaker 2: But this episode was very like self referential for The 121 00:06:41,320 --> 00:06:45,160 Speaker 2: Walking Dead. It was a lot of like remember this 122 00:06:45,240 --> 00:06:47,920 Speaker 2: ship from episode one type type moments. There was something 123 00:06:47,960 --> 00:06:51,080 Speaker 2: that were too major to not pick up, and they 124 00:06:51,240 --> 00:06:52,000 Speaker 2: kind of add. 125 00:06:51,800 --> 00:06:52,320 Speaker 3: To the story. 126 00:06:52,360 --> 00:06:54,440 Speaker 2: But For the most part, I felt like there was 127 00:06:54,440 --> 00:06:56,720 Speaker 2: a lot of inconsequential stuff, like, oh, if you look 128 00:06:56,720 --> 00:06:59,880 Speaker 2: in the background, this is the same symbol that was 129 00:07:00,080 --> 00:07:02,000 Speaker 2: on the tree when Rick decided not to kill Nigan. 130 00:07:02,040 --> 00:07:04,120 Speaker 3: It's like, I'm not gonna yeah, it's like. 131 00:07:04,080 --> 00:07:06,159 Speaker 2: It's cool, you know what I'm saying, Cool that y'all 132 00:07:06,160 --> 00:07:11,120 Speaker 2: did that, but also question, yeah, also not necessarily gonna 133 00:07:11,200 --> 00:07:12,120 Speaker 2: add anything to the show. 134 00:07:12,360 --> 00:07:15,760 Speaker 3: So she has an RV that breaks down. 135 00:07:18,320 --> 00:07:20,440 Speaker 2: She went alone because she needed to go fast, but 136 00:07:20,480 --> 00:07:22,960 Speaker 2: I guess she wouldn't think that went through because the 137 00:07:23,040 --> 00:07:26,400 Speaker 2: RV was moving at the krawl. She gets on a 138 00:07:26,440 --> 00:07:29,760 Speaker 2: wakie talkie because a wakee talkie person asked like, hey, 139 00:07:30,280 --> 00:07:33,880 Speaker 2: you there, you still got that A and where's your location? 140 00:07:34,040 --> 00:07:35,880 Speaker 2: She was like, I'm about two miles from the rendezvous 141 00:07:35,920 --> 00:07:38,600 Speaker 2: spot and I still have my A. And we know 142 00:07:38,800 --> 00:07:41,800 Speaker 2: she lying she ain't got a damn thing. 143 00:07:43,240 --> 00:07:45,600 Speaker 3: Right. She got a gun, a map, and a wakee 144 00:07:45,680 --> 00:07:48,160 Speaker 3: talkie and I broke down IRV and an RV that 145 00:07:48,160 --> 00:07:48,640 Speaker 3: doesn't work. 146 00:07:49,240 --> 00:07:52,000 Speaker 2: So the voice on the walkie talkie actually reminds her like, 147 00:07:52,120 --> 00:07:55,400 Speaker 2: last time we tried to do an exchange, you actually 148 00:07:55,440 --> 00:07:57,960 Speaker 2: aborted at the last second, that was when she had Knigan, 149 00:07:59,560 --> 00:08:01,960 Speaker 2: and remember that she ended up letting. 150 00:08:01,800 --> 00:08:02,520 Speaker 3: The helicopter go. 151 00:08:04,760 --> 00:08:11,480 Speaker 2: And he's like, so, no tricks this time, because if 152 00:08:11,520 --> 00:08:15,800 Speaker 2: you trick us, there will be consequences. And she assures 153 00:08:15,840 --> 00:08:18,320 Speaker 2: him like, nah, it's real, I got it. Okay, remember that, 154 00:08:18,320 --> 00:08:20,760 Speaker 2: hold it in your back pocket. It'll come up later, guys, 155 00:08:20,880 --> 00:08:24,480 Speaker 2: it'll be on the quiz U. Fast forward to Alexandria. 156 00:08:25,400 --> 00:08:30,200 Speaker 2: So this scene was kind of corny to me. Maggie 157 00:08:30,400 --> 00:08:31,920 Speaker 2: and I can't remember. 158 00:08:31,600 --> 00:08:32,320 Speaker 3: This lady's name. 159 00:08:32,440 --> 00:08:36,080 Speaker 2: I never remember this lady's name, but she's a Kingdom 160 00:08:37,080 --> 00:08:40,160 Speaker 2: resident that has the bowl, tall white woman with blonde hair. 161 00:08:41,040 --> 00:08:43,839 Speaker 2: She I'm gonna start calling her fake Briann because I 162 00:08:43,840 --> 00:08:46,160 Speaker 2: don't know, all right, she's just as tall a. 163 00:08:46,160 --> 00:08:50,520 Speaker 3: Tall blonde woman. Dyane, Diane Brian, same thing. 164 00:08:51,120 --> 00:08:57,480 Speaker 2: So Diane and Maggie are tralloping, galloping back on horses, 165 00:08:57,880 --> 00:09:01,040 Speaker 2: trap uping, so like that like an old school term 166 00:09:01,080 --> 00:09:03,640 Speaker 2: for for hoen, Like, oh, y'all. 167 00:09:03,400 --> 00:09:05,959 Speaker 3: Just troller being in the streets. You can't make a 168 00:09:06,040 --> 00:09:06,880 Speaker 3: trailer a house with. 169 00:09:08,679 --> 00:09:16,960 Speaker 2: So then camp to camp tralop for for tralope. So yeah, 170 00:09:17,040 --> 00:09:21,160 Speaker 2: they said they were they were heading to Alexandria. They 171 00:09:21,160 --> 00:09:24,520 Speaker 2: see a walker on like a little bridge or walkway 172 00:09:24,640 --> 00:09:27,040 Speaker 2: or something, and Mag's like, no, I got it. She 173 00:09:27,120 --> 00:09:31,880 Speaker 2: gets off of her horse and she pulls out the 174 00:09:31,960 --> 00:09:36,320 Speaker 2: crowbar and beats the fuck out of this walker, like 175 00:09:37,040 --> 00:09:40,840 Speaker 2: an excessive amount of beaten for of just a regular walker, 176 00:09:40,880 --> 00:09:44,520 Speaker 2: nothing special about it. I thought they were trying to 177 00:09:44,559 --> 00:09:47,800 Speaker 2: make this about like this is how mad Maggie is 178 00:09:47,920 --> 00:09:51,760 Speaker 2: and need and how bloodthirsty and ready to kill she is. 179 00:09:51,880 --> 00:09:55,400 Speaker 2: She'll she's hitting this walker extra time because she's so 180 00:09:55,600 --> 00:09:58,319 Speaker 2: fucking angry and all like a lie of guys just 181 00:09:58,360 --> 00:10:01,480 Speaker 2: look corny. To me, it's a little corny. I was like, 182 00:10:01,600 --> 00:10:02,560 Speaker 2: we know she's mad. 183 00:10:03,760 --> 00:10:05,200 Speaker 4: Huh, so they got to be corny. 184 00:10:05,320 --> 00:10:07,040 Speaker 2: They don't have to be corny. They don't have to 185 00:10:07,080 --> 00:10:10,440 Speaker 2: be corny. I thought the rest of this show had 186 00:10:10,440 --> 00:10:12,679 Speaker 2: a lot of good poignan moments. This one came off corny. 187 00:10:12,760 --> 00:10:14,800 Speaker 2: I was like, we know she mad, she left the 188 00:10:14,800 --> 00:10:17,760 Speaker 2: house to kill a nigga. Her hitting that that walker 189 00:10:17,840 --> 00:10:20,440 Speaker 2: seven extra times? It didn't It just made like thirty 190 00:10:20,520 --> 00:10:23,559 Speaker 2: extra seconds of screen time, and then she turned around 191 00:10:23,559 --> 00:10:25,000 Speaker 2: to die, like now we could go. 192 00:10:25,080 --> 00:10:28,240 Speaker 3: I was like, you just killed one walker. Y'all killed 193 00:10:28,240 --> 00:10:29,079 Speaker 3: walkers for breakfast. 194 00:10:29,120 --> 00:10:31,040 Speaker 2: This is not a that was not like a sign 195 00:10:31,520 --> 00:10:34,320 Speaker 2: at all. Michean's in the kitchen spending time with Judas 196 00:10:34,400 --> 00:10:35,720 Speaker 2: Jesus playing with shells. 197 00:10:36,480 --> 00:10:36,920 Speaker 4: Cute. 198 00:10:37,440 --> 00:10:42,320 Speaker 3: Yeah, Jesus was like an animal used to live, a 199 00:10:42,360 --> 00:10:43,640 Speaker 3: creature used to live in here. 200 00:10:44,000 --> 00:10:46,760 Speaker 2: And Michelle was like, yes, and this one and picked 201 00:10:46,800 --> 00:10:48,960 Speaker 2: up another shell and Sean was like that one too. 202 00:10:50,480 --> 00:10:52,920 Speaker 3: And so the black dude, that lucky ass nigga is 203 00:10:52,920 --> 00:10:56,680 Speaker 3: married to a nigga, Martin Green, who's whose name I 204 00:10:56,679 --> 00:10:57,760 Speaker 3: don't know. Uh. 205 00:10:57,800 --> 00:11:01,040 Speaker 2: He comes in and tells Micheane that Maggie is here, 206 00:11:01,440 --> 00:11:05,600 Speaker 2: and Juda says, Maggie, I know, I'm like, girl, you 207 00:11:05,720 --> 00:11:08,360 Speaker 2: have no idea Maggie out here for looking for death? 208 00:11:08,960 --> 00:11:17,640 Speaker 3: Come on the reaper. And so then Maseeon gets too, 209 00:11:18,040 --> 00:11:23,040 Speaker 3: runs to Meagan's uh what do you call it? 210 00:11:23,200 --> 00:11:26,439 Speaker 2: Meagan's like sell area's holding the area because not the 211 00:11:26,559 --> 00:11:29,080 Speaker 2: selle but outside the sell like the hold. 212 00:11:29,200 --> 00:11:31,200 Speaker 4: Because she had a feeling this is what she hid. 213 00:11:31,880 --> 00:11:35,880 Speaker 2: Oh yeah, she absolutely knew what kind of as soon 214 00:11:35,920 --> 00:11:38,680 Speaker 2: as she heard Maggie, she knew what this meant, Like 215 00:11:39,360 --> 00:11:39,840 Speaker 2: you know. 216 00:11:39,800 --> 00:11:42,800 Speaker 4: We didn't know ahead of time. Yeah, she's just showing up, 217 00:11:42,840 --> 00:11:43,560 Speaker 4: come on. 218 00:11:43,600 --> 00:11:45,560 Speaker 2: Right, which is so funny, right, because they got this plan, 219 00:11:47,520 --> 00:11:50,080 Speaker 2: this elaborate planning to distrack wreck and then we're gonna 220 00:11:50,080 --> 00:11:53,440 Speaker 2: get her to Alexandria. We're gonna delay the relay call. 221 00:11:53,440 --> 00:11:56,320 Speaker 2: They're gonna let Maggie in and then she's gonna kill Nigan. 222 00:11:56,559 --> 00:12:00,000 Speaker 2: And you think like they were like sneaking or something, 223 00:12:00,240 --> 00:12:01,719 Speaker 2: but nah, she just walked right over there. And the 224 00:12:01,760 --> 00:12:03,640 Speaker 2: course of Michean showed up. It's like, girl, can't be 225 00:12:03,679 --> 00:12:05,240 Speaker 2: out here just doing this. 226 00:12:05,320 --> 00:12:05,880 Speaker 3: What you're doing. 227 00:12:06,000 --> 00:12:07,959 Speaker 4: I mean that you walked through the front down and 228 00:12:08,000 --> 00:12:09,040 Speaker 4: walk all the way back here. 229 00:12:09,160 --> 00:12:12,160 Speaker 2: Right like, you know, we holding this, dude, it's been 230 00:12:12,200 --> 00:12:15,360 Speaker 2: a long time now you still hold you still got beef. 231 00:12:15,360 --> 00:12:18,800 Speaker 3: You can't let shit go. Just let's move on, you know. 232 00:12:19,240 --> 00:12:24,120 Speaker 2: And uh, Maggie was like, nah, full fifty, like I 233 00:12:24,160 --> 00:12:26,360 Speaker 2: know this black woman is trying to save me for myself. 234 00:12:26,720 --> 00:12:28,640 Speaker 3: I don't care, but I know what I won't and 235 00:12:28,679 --> 00:12:32,240 Speaker 3: I won't revenge also sixteen. 236 00:12:34,559 --> 00:12:40,680 Speaker 2: So then Maggie says, nah, fuck that shit needn gotta die. 237 00:12:40,840 --> 00:12:43,160 Speaker 3: And Michean's like just not right. 238 00:12:44,480 --> 00:12:48,520 Speaker 2: You know, Rick said you can't do this, and Maggie's like, man, fuck, rick, 239 00:12:48,840 --> 00:12:49,840 Speaker 2: fuck everybody. 240 00:12:52,160 --> 00:12:59,040 Speaker 3: I said, he got to die. He killed Glenn and 241 00:12:59,080 --> 00:13:02,960 Speaker 3: you were there and you saw it, and you know 242 00:13:03,120 --> 00:13:04,400 Speaker 3: he deserved a DoPT for this ship. 243 00:13:06,200 --> 00:13:09,520 Speaker 2: And then Maggie was like, I mean, Michean was like, 244 00:13:10,200 --> 00:13:12,240 Speaker 2: do you think Glenn will want you to do this? 245 00:13:13,240 --> 00:13:15,079 Speaker 2: Do you think herschel will want you to do this? 246 00:13:15,360 --> 00:13:17,920 Speaker 4: I don't know. And next I'm doing this because I want. 247 00:13:17,720 --> 00:13:19,440 Speaker 3: To do it, right, She's like, I just know I 248 00:13:19,480 --> 00:13:21,079 Speaker 3: want to do it, and they did. 249 00:13:21,640 --> 00:13:24,320 Speaker 2: They ain't gonna like that's kind of the point, you know, 250 00:13:24,520 --> 00:13:30,000 Speaker 2: they did, and uh, Michean was still kind of kind 251 00:13:30,000 --> 00:13:32,120 Speaker 2: of struggling with it, trying to right. 252 00:13:32,000 --> 00:13:33,680 Speaker 4: Now, this is stupid. 253 00:13:34,800 --> 00:13:44,280 Speaker 1: This is absolutely ridiculous. Get out of here, and this 254 00:13:44,440 --> 00:13:45,240 Speaker 1: is ridiculous. 255 00:13:46,000 --> 00:13:48,120 Speaker 3: Get the clap. Yeah, I don't know why that cut 256 00:13:48,160 --> 00:13:50,600 Speaker 3: off early. And then uh, it must have been because 257 00:13:50,600 --> 00:13:53,120 Speaker 3: I switched programs. Mmm. 258 00:13:53,320 --> 00:13:54,640 Speaker 2: Now I have to see if I can find another 259 00:13:54,640 --> 00:13:56,280 Speaker 2: program to play I clips with it, because I don't 260 00:13:56,320 --> 00:13:57,160 Speaker 2: like that cutting off. 261 00:13:58,120 --> 00:13:58,959 Speaker 3: That's my favorite part. 262 00:13:59,040 --> 00:14:01,520 Speaker 4: You know, you got to hit it in good clap All. 263 00:14:01,480 --> 00:14:05,760 Speaker 2: Right, let me change choose another app. Sorry, guys, the 264 00:14:05,840 --> 00:14:06,960 Speaker 2: dude this in the middle of the show. 265 00:14:07,000 --> 00:14:08,280 Speaker 3: But I didn't know it's gonna we got to get 266 00:14:08,280 --> 00:14:12,280 Speaker 3: a whole clip, all right, what do we use this applo? That? 267 00:14:12,440 --> 00:14:12,840 Speaker 3: All right? 268 00:14:15,120 --> 00:14:17,800 Speaker 2: But uh yeah, it was just funny because Michean tried 269 00:14:17,840 --> 00:14:19,000 Speaker 2: to stop her, and. 270 00:14:18,920 --> 00:14:21,400 Speaker 3: Maggie was not with the ships at all. 271 00:14:21,560 --> 00:14:24,640 Speaker 2: She like reversed guilt trip there and ship and it 272 00:14:24,720 --> 00:14:27,600 Speaker 2: was like guilt trip kung food they was doing because 273 00:14:27,640 --> 00:14:29,480 Speaker 2: it was like what about Rick? And it was like, 274 00:14:29,520 --> 00:14:32,600 Speaker 2: well what about my what about Glenn? It's like, well 275 00:14:32,840 --> 00:14:36,040 Speaker 2: what about your daddy and Glenn? Oh, well what about 276 00:14:36,320 --> 00:14:39,800 Speaker 2: And then Maggie got Michean kind of did the rights, 277 00:14:39,840 --> 00:14:42,360 Speaker 2: in my opinion, because she basically told Mechean like, if 278 00:14:43,200 --> 00:14:45,200 Speaker 2: this dude would have killed Rick in front of your face, 279 00:14:45,480 --> 00:14:47,520 Speaker 2: you're really telling me you would have been cool with that, 280 00:14:48,680 --> 00:14:49,200 Speaker 2: you would. 281 00:14:49,000 --> 00:14:52,120 Speaker 3: Just let that ship ride. And michean't really have a 282 00:14:52,160 --> 00:14:53,320 Speaker 3: comeback for that, so. 283 00:14:53,400 --> 00:14:54,960 Speaker 4: He just politely walked to the side. 284 00:14:55,160 --> 00:14:57,120 Speaker 2: Because it's kind of like life, what can you really 285 00:14:57,120 --> 00:14:59,440 Speaker 2: do to a person that has already decided they don't 286 00:14:59,440 --> 00:15:00,960 Speaker 2: care about the co because this is what they're about 287 00:15:01,000 --> 00:15:03,480 Speaker 2: to do, they gonna just do something stupid. 288 00:15:04,200 --> 00:15:05,960 Speaker 4: Oh you gotta let them just be stupid. 289 00:15:06,320 --> 00:15:09,040 Speaker 2: Yeah, Like you really just gotta sit there and be like, Okay, 290 00:15:09,200 --> 00:15:12,400 Speaker 2: well this is fucked up, and I'm gonna just let 291 00:15:12,400 --> 00:15:18,360 Speaker 2: you do it, you know, and consequence be damn right, yeah, 292 00:15:18,440 --> 00:15:20,320 Speaker 2: you know, because she said. 293 00:15:20,120 --> 00:15:23,400 Speaker 3: Can you live with this? And Maggie was like, I. 294 00:15:23,480 --> 00:15:25,920 Speaker 5: Wanna make my mom a proud. You guys are not 295 00:15:26,000 --> 00:15:28,560 Speaker 5: doing anything with your life. You may not see it, 296 00:15:28,600 --> 00:15:32,400 Speaker 5: but I'm trying to do. I'm trying to accomplish something. 297 00:15:32,920 --> 00:15:36,160 Speaker 5: You guys are preventing me from that. All y'all haters 298 00:15:36,200 --> 00:15:39,200 Speaker 5: like I'm trying to accomplish my dreams. 299 00:15:39,240 --> 00:15:42,760 Speaker 4: If you don't like me, just block me. I didn't 300 00:15:42,840 --> 00:15:43,800 Speaker 4: do anything to. 301 00:15:43,720 --> 00:15:50,640 Speaker 3: You, exactly. So Maggie got in it's side because Michean 302 00:15:50,720 --> 00:15:55,600 Speaker 3: gave it the keys, and at that point Maggie actually 303 00:15:55,640 --> 00:16:00,720 Speaker 3: confronted Meagan and I actually think I have thedo slash 304 00:16:00,760 --> 00:16:03,160 Speaker 3: video for this, Okay, I don't know the way my 305 00:16:03,160 --> 00:16:05,160 Speaker 3: computer's acting, Jank. I don't know if I should play 306 00:16:05,200 --> 00:16:10,080 Speaker 3: the video. Just play the audio of it. We'll see 307 00:16:10,120 --> 00:16:12,840 Speaker 3: you guys, what's up? See if it corporate right cross 308 00:16:12,920 --> 00:16:16,640 Speaker 3: the fence. I probably should ut mute this that'll work. Ooh, 309 00:16:16,680 --> 00:16:17,960 Speaker 3: this is long. Five minutes. 310 00:16:18,320 --> 00:16:19,920 Speaker 2: I will try to sum up some of this, but 311 00:16:20,000 --> 00:16:21,800 Speaker 2: I just want to try to hear the beginning. Especially 312 00:16:23,240 --> 00:16:25,960 Speaker 2: although Jeffrey de Morgan was acting his ass off. 313 00:16:25,760 --> 00:16:27,360 Speaker 4: Of this scene and they was the same. Now this 314 00:16:27,440 --> 00:16:29,800 Speaker 4: scene they was in the same room. You can tell, 315 00:16:30,000 --> 00:16:32,480 Speaker 4: like the acting was so much better. You can tell 316 00:16:32,520 --> 00:16:33,720 Speaker 4: when they was in the same room. 317 00:16:34,080 --> 00:16:35,920 Speaker 3: Yo. It was crazy because. 318 00:16:37,440 --> 00:16:41,040 Speaker 2: Yeah, compared to last week with Michean, it just felt janky, 319 00:16:41,840 --> 00:16:44,520 Speaker 2: and this week it just felt more real. 320 00:16:45,640 --> 00:16:46,440 Speaker 3: All right, here we go. 321 00:16:46,960 --> 00:16:49,280 Speaker 2: Also, a nigga had a sandwich outside the cell because 322 00:16:49,280 --> 00:16:50,840 Speaker 2: he ain't He ain't been eating. 323 00:16:51,400 --> 00:16:53,160 Speaker 3: So he had a sandwich just sitting on the floor. 324 00:16:53,160 --> 00:16:54,239 Speaker 3: I was like, this nigga. 325 00:16:54,000 --> 00:16:57,200 Speaker 2: Still ain't eating, like he tried all that tough shit, 326 00:16:57,280 --> 00:16:59,560 Speaker 2: but his hunger strike. People do this when they want 327 00:16:59,560 --> 00:17:00,760 Speaker 2: to die, like with things. 328 00:17:00,560 --> 00:17:03,240 Speaker 3: Are so bad, they rather die to eat, correct, All right, 329 00:17:03,280 --> 00:17:05,000 Speaker 3: let me see it? Just damn it. Why did the 330 00:17:05,040 --> 00:17:05,560 Speaker 3: sound turn on? 331 00:17:06,200 --> 00:17:07,920 Speaker 6: She just gave up the keys. 332 00:17:09,440 --> 00:17:12,480 Speaker 3: Because he knew she was up there. She got to. 333 00:17:12,400 --> 00:17:14,720 Speaker 6: Blood, but you you. 334 00:17:14,560 --> 00:17:15,320 Speaker 7: Got the fire. 335 00:17:16,320 --> 00:17:18,720 Speaker 3: I see. This is why I say Nigan watching the show. 336 00:17:20,880 --> 00:17:24,399 Speaker 2: How Niagan though Michean was the one that let back 337 00:17:24,440 --> 00:17:26,600 Speaker 2: again by giving her the keys, Like they didn't fight. 338 00:17:27,280 --> 00:17:32,560 Speaker 2: They didn't upstairs, like right, they didn't break in and 339 00:17:32,640 --> 00:17:33,399 Speaker 2: steal the keys. 340 00:17:33,480 --> 00:17:35,760 Speaker 3: He just knew. He was like, oh, I was watching 341 00:17:35,800 --> 00:17:39,159 Speaker 3: before the commercial break. She just gave the keys. 342 00:17:39,280 --> 00:17:40,679 Speaker 4: Said they have a window, but I don't know how 343 00:17:40,760 --> 00:17:41,640 Speaker 4: high he can see, y'all. 344 00:17:41,720 --> 00:17:43,560 Speaker 2: Yeah, look at this window. He can't see shit out 345 00:17:43,560 --> 00:17:45,920 Speaker 2: of that window. And in the background when they were talking, 346 00:17:45,920 --> 00:17:46,879 Speaker 2: you ain't see no window. 347 00:17:47,440 --> 00:17:48,160 Speaker 3: So I don't know. 348 00:17:48,240 --> 00:17:50,280 Speaker 2: I think Nigan watching the show, y'all think he got 349 00:17:50,320 --> 00:17:54,040 Speaker 2: it on DVR. He was like, oh, this is rick 350 00:17:54,119 --> 00:17:57,600 Speaker 2: last episode. I'm better watch this one live. What everybody 351 00:17:57,640 --> 00:17:59,639 Speaker 2: else see what's going on? Find out what's going on 352 00:17:59,680 --> 00:18:03,560 Speaker 2: with me? So he's doing this tough guy new you. 353 00:18:05,480 --> 00:18:06,439 Speaker 6: So you remember me? 354 00:18:06,920 --> 00:18:07,760 Speaker 3: Of course I do. 355 00:18:09,640 --> 00:18:10,560 Speaker 6: That's why I thought you. 356 00:18:10,520 --> 00:18:11,160 Speaker 3: Were gonna win. 357 00:18:12,720 --> 00:18:16,800 Speaker 4: Good. Get on your knees. 358 00:18:21,720 --> 00:18:34,520 Speaker 6: Oh yeah, I remember you screaming in that clearing. I 359 00:18:34,600 --> 00:18:37,240 Speaker 6: remember how much I broke you breaking up in your 360 00:18:37,320 --> 00:18:38,720 Speaker 6: husband's head like I did. 361 00:18:41,240 --> 00:18:42,280 Speaker 7: His name was Glenn. 362 00:18:42,880 --> 00:18:45,440 Speaker 6: So now you finally comfort. 363 00:18:46,960 --> 00:18:48,439 Speaker 3: Revenge justice? 364 00:18:51,359 --> 00:18:52,880 Speaker 7: How you do this hell of a lot? 365 00:18:53,000 --> 00:18:57,280 Speaker 6: Sooner take you this long to work up your nerves. 366 00:18:57,280 --> 00:19:00,560 Speaker 3: It was always gonna set what you you did to 367 00:19:00,680 --> 00:19:01,680 Speaker 3: my husband. 368 00:19:03,320 --> 00:19:04,160 Speaker 4: Get on your knees. 369 00:19:06,240 --> 00:19:08,240 Speaker 6: You mean how I cracked up in his skull and 370 00:19:08,280 --> 00:19:12,000 Speaker 6: popped out his God damn our maall. How I bashed 371 00:19:12,000 --> 00:19:14,720 Speaker 6: his big, beautiful brains into the ground over and over 372 00:19:14,760 --> 00:19:17,760 Speaker 6: while you and his little friends watched us. That what 373 00:19:18,040 --> 00:19:24,399 Speaker 6: you mean, Oh, I used to s I didn't enjoy 374 00:19:24,520 --> 00:19:32,760 Speaker 6: killing That was a lie, your old man christ I 375 00:19:32,760 --> 00:19:38,040 Speaker 6: forgot his name again, But he was different killing him 376 00:19:38,119 --> 00:19:40,399 Speaker 6: the way I did that. 377 00:19:44,280 --> 00:19:46,000 Speaker 2: So she put the keys in the door, he kind 378 00:19:46,000 --> 00:19:49,040 Speaker 2: of shuts the fuck up. But my thing with this 379 00:19:49,280 --> 00:19:54,520 Speaker 2: is I love fucking Kneeding as a bag guy on 380 00:19:54,560 --> 00:20:00,320 Speaker 2: the show because of this. He he psychological. We can 381 00:20:00,320 --> 00:20:03,800 Speaker 2: manipulate people so fucking bad. I mean, he ran a 382 00:20:03,800 --> 00:20:06,919 Speaker 2: whole ass crew of people that he had believing in 383 00:20:06,960 --> 00:20:10,919 Speaker 2: that fucking batshit and out here thinking that they. 384 00:20:10,760 --> 00:20:12,480 Speaker 3: Were in the right to be taken from people. 385 00:20:12,560 --> 00:20:16,120 Speaker 2: And we're adding protection and ship and everyone was calling 386 00:20:16,160 --> 00:20:19,440 Speaker 2: themselves a Needing. Like he's just like he knows how 387 00:20:19,480 --> 00:20:22,280 Speaker 2: to get to people's brains, not just with a bat, 388 00:20:22,400 --> 00:20:22,560 Speaker 2: you know. 389 00:20:25,040 --> 00:20:28,280 Speaker 3: So I'm gonna let me get to a little bit more. 390 00:20:28,520 --> 00:20:29,600 Speaker 3: Because when she puts the. 391 00:20:29,560 --> 00:20:39,200 Speaker 2: Keys in the door, he kind of freezes and sits down. 392 00:20:36,119 --> 00:20:39,320 Speaker 6: You're doing, have your justice? 393 00:20:40,680 --> 00:20:41,240 Speaker 7: Kill men? 394 00:20:43,560 --> 00:20:44,680 Speaker 6: That was worth it. 395 00:20:48,800 --> 00:20:49,880 Speaker 4: I'm want to see you on the light. 396 00:20:55,240 --> 00:20:57,520 Speaker 3: So what I like about this as well? 397 00:20:58,000 --> 00:21:00,760 Speaker 2: Up until this point, we've been watching the show and 398 00:21:00,840 --> 00:21:04,439 Speaker 2: Megan's been shrouded in darkness. Had my thinking was nobody 399 00:21:04,520 --> 00:21:08,160 Speaker 2: else is there? Uh, they probably aren't filming these scenes 400 00:21:08,240 --> 00:21:10,600 Speaker 2: with Jeffrey Dean, Morgan and these people in the same room. 401 00:21:11,240 --> 00:21:12,960 Speaker 2: Maybe they have been the whole time. I don't know, 402 00:21:13,119 --> 00:21:14,200 Speaker 2: but it didn't feel like it. 403 00:21:14,200 --> 00:21:14,679 Speaker 4: It didn't. 404 00:21:14,920 --> 00:21:17,600 Speaker 2: And now we find out that this darkness is on purpose. 405 00:21:17,680 --> 00:21:19,639 Speaker 2: The show's been using it on purpose, hiding him in 406 00:21:19,640 --> 00:21:23,040 Speaker 2: the dark, making it seem like, you know, he's this big, 407 00:21:23,080 --> 00:21:26,520 Speaker 2: bad boogeyman. And so Maggie leans forward when he tells 408 00:21:26,520 --> 00:21:28,440 Speaker 2: her to kill him and says step into the light 409 00:21:28,600 --> 00:21:31,000 Speaker 2: because she wants to see him, and he refuses to. 410 00:21:32,560 --> 00:21:36,080 Speaker 2: Long story short, she eventually does open up the cell 411 00:21:36,720 --> 00:21:40,840 Speaker 2: and pulls him into the light, and we finally see 412 00:21:41,000 --> 00:21:45,160 Speaker 2: that he's actually emaciated, like he's. 413 00:21:44,920 --> 00:21:45,879 Speaker 3: So lighting the ass. 414 00:21:45,880 --> 00:21:48,400 Speaker 2: She literally just like threw his ass across the room 415 00:21:48,960 --> 00:21:51,240 Speaker 2: like you would, I mean, hopefully none of you would, 416 00:21:51,320 --> 00:21:53,280 Speaker 2: but like you would a child, I. 417 00:21:53,200 --> 00:21:57,640 Speaker 4: Mean hopefully, Now. 418 00:22:06,119 --> 00:22:07,159 Speaker 3: He's not fighting anything. 419 00:22:08,560 --> 00:22:10,960 Speaker 4: Please kill me. 420 00:22:11,600 --> 00:22:14,640 Speaker 3: Why you have to just do it? 421 00:22:14,880 --> 00:22:17,640 Speaker 4: You tell me? Why tell me? 422 00:22:18,160 --> 00:22:22,119 Speaker 7: Why should I with my wife so I can be 423 00:22:22,320 --> 00:22:23,080 Speaker 7: with the seal? 424 00:22:29,080 --> 00:22:36,080 Speaker 3: I should be dead I have. It is supposed to 425 00:22:36,119 --> 00:22:36,520 Speaker 3: be you. 426 00:22:37,359 --> 00:22:41,120 Speaker 7: It has to be you, because I can't do it. 427 00:22:41,920 --> 00:22:43,399 Speaker 6: I can't do it. I tried. 428 00:22:44,119 --> 00:22:44,760 Speaker 7: I can't. 429 00:22:46,560 --> 00:22:48,240 Speaker 4: I can't be like this. 430 00:22:49,359 --> 00:22:54,680 Speaker 6: Please please don't make me stay like this. 431 00:22:56,920 --> 00:22:59,360 Speaker 3: Settle me, kill me. 432 00:23:04,440 --> 00:23:05,440 Speaker 4: Get back in yourself. 433 00:23:06,280 --> 00:23:06,399 Speaker 7: Yo. 434 00:23:07,400 --> 00:23:07,480 Speaker 4: No. 435 00:23:08,760 --> 00:23:11,679 Speaker 2: So Maggie decides not to catch this point because this 436 00:23:11,760 --> 00:23:14,760 Speaker 2: nigga apparently is now a whole bitch, and. 437 00:23:16,240 --> 00:23:18,120 Speaker 4: His whole thing was to provoke her, like I'm gonna 438 00:23:18,119 --> 00:23:20,120 Speaker 4: provoke you to anger so you can kill me. That's 439 00:23:20,119 --> 00:23:22,240 Speaker 4: why people talking about him talking shit. That's why he 440 00:23:22,280 --> 00:23:25,080 Speaker 4: was talking shit to actually get her anger ezed, because 441 00:23:25,119 --> 00:23:26,359 Speaker 4: he was like, I know you're gonna put it up 442 00:23:26,359 --> 00:23:27,760 Speaker 4: the door. When you open the door, you're gonna fuck 443 00:23:27,760 --> 00:23:29,240 Speaker 4: me up. So I'm gonna try to talk my shit 444 00:23:29,320 --> 00:23:31,840 Speaker 4: back here so that when you're open the door, you 445 00:23:31,840 --> 00:23:34,240 Speaker 4: can just beat me to death. And her thing was like, Hey, 446 00:23:34,359 --> 00:23:36,879 Speaker 4: you're not the same person, and if I'm going to 447 00:23:37,000 --> 00:23:40,320 Speaker 4: kill you, I need to see the old Niagan and. 448 00:23:40,320 --> 00:23:40,880 Speaker 3: That's the thing. 449 00:23:41,680 --> 00:23:44,400 Speaker 2: His fragile, masculineal was shown. He should have been eaten 450 00:23:44,560 --> 00:23:47,159 Speaker 2: autumn sandwiches. Then he would have been strong enough and 451 00:23:47,200 --> 00:23:49,119 Speaker 2: had the energy to push Maggie upside the head and 452 00:23:49,200 --> 00:23:50,760 Speaker 2: run out of the room. 453 00:23:51,000 --> 00:23:52,600 Speaker 3: But he was out there. 454 00:23:52,520 --> 00:23:54,040 Speaker 2: Trying to be on a hunger strike. He was too 455 00:23:54,080 --> 00:23:57,040 Speaker 2: weaks and shit mm hmm, all that protesting and he 456 00:23:57,040 --> 00:24:01,240 Speaker 2: couldn't do shit. So yeah, yeah, he ended up like 457 00:24:02,080 --> 00:24:05,000 Speaker 2: getting like getting his light ass tossed up. And then 458 00:24:05,840 --> 00:24:09,920 Speaker 2: Maggie went outside and seen Michean and Micheon scenes that 459 00:24:10,280 --> 00:24:13,240 Speaker 2: the crowbar isn't bloody and she ain't bloody, ain't bloody, 460 00:24:13,720 --> 00:24:16,560 Speaker 2: and Maggie's face is softened now and it looks kind 461 00:24:16,560 --> 00:24:21,880 Speaker 2: of like she kind of realizes it's like, Okay, I'm 462 00:24:21,880 --> 00:24:27,720 Speaker 2: not gonna kill this nigga. And which is funny because 463 00:24:27,800 --> 00:24:32,439 Speaker 2: we also saw and let Glenn live, I mean Gabe 464 00:24:32,480 --> 00:24:34,280 Speaker 2: live because he was crying. 465 00:24:34,680 --> 00:24:38,200 Speaker 3: So look, man, if you listen, listen here, you gotta cry. 466 00:24:38,320 --> 00:24:40,640 Speaker 2: If a woman is gonna do something to you, eventually, 467 00:24:40,760 --> 00:24:43,840 Speaker 2: just start crying. Maybe they'll let you go, maybe. 468 00:24:43,600 --> 00:24:44,359 Speaker 3: They'll leave you alone. 469 00:24:44,440 --> 00:24:45,479 Speaker 4: That's a big maybe. 470 00:24:46,119 --> 00:24:50,320 Speaker 2: Uh So what you did, right, So she doesn't kill 471 00:24:50,400 --> 00:24:53,600 Speaker 2: him and throws him back in the cell, to which 472 00:24:53,760 --> 00:24:56,760 Speaker 2: I think ultimately finally puts the rest of the question right. 473 00:24:58,040 --> 00:24:59,159 Speaker 3: Rick's way worked. 474 00:25:01,400 --> 00:25:03,960 Speaker 2: I mean, I think we can say that at this 475 00:25:04,080 --> 00:25:09,520 Speaker 2: point between the philosophies, if Maggie, who has waited on 476 00:25:09,560 --> 00:25:12,320 Speaker 2: this revenge, she said a year and a half, she's 477 00:25:12,320 --> 00:25:14,040 Speaker 2: waited on this revenge a year and a half, she 478 00:25:14,080 --> 00:25:16,640 Speaker 2: thinks she has the nerve for it. They just killed 479 00:25:16,640 --> 00:25:21,880 Speaker 2: all these saviors, you would think that this means she's 480 00:25:21,960 --> 00:25:25,800 Speaker 2: now going to go here and kill this man in 481 00:25:25,840 --> 00:25:26,399 Speaker 2: cold blood. 482 00:25:26,600 --> 00:25:29,600 Speaker 4: But she still has a heart. Even though she killed Gregory, 483 00:25:29,640 --> 00:25:30,760 Speaker 4: she still has a heart. 484 00:25:31,000 --> 00:25:32,640 Speaker 3: Well, I was gonna take it to the next level. 485 00:25:32,640 --> 00:25:34,320 Speaker 2: So you think she didn't kill him because she had 486 00:25:34,320 --> 00:25:37,199 Speaker 2: too much sympathy for him, Yes, okay, I took it 487 00:25:37,240 --> 00:25:39,240 Speaker 2: the other way. I thought she didn't kill him because 488 00:25:39,280 --> 00:25:41,639 Speaker 2: she saw he was suffering and she would rather his 489 00:25:41,680 --> 00:25:44,560 Speaker 2: ass suffering at cell than to give him the sweet 490 00:25:44,560 --> 00:25:46,240 Speaker 2: release of death, which he did want. 491 00:25:47,280 --> 00:25:51,080 Speaker 4: And it might sound I don't know if it's contradicting, 492 00:25:51,119 --> 00:25:51,879 Speaker 4: but I think it is. 493 00:25:52,160 --> 00:25:54,440 Speaker 3: If you're about to agree with me, it is absolutely contradiction. 494 00:25:54,680 --> 00:25:58,639 Speaker 4: Yes, I think, because I do believe that, but I 495 00:25:58,680 --> 00:26:02,080 Speaker 4: think it was some part of of sympathy for he's 496 00:26:02,119 --> 00:26:02,960 Speaker 4: just broken down. 497 00:26:04,000 --> 00:26:05,280 Speaker 3: Well, it's kind of like that boat. 498 00:26:05,359 --> 00:26:07,000 Speaker 2: I mean, I can see what you're saying where it's 499 00:26:07,000 --> 00:26:09,879 Speaker 2: not as contradictory as it feels, because she could have 500 00:26:09,920 --> 00:26:13,760 Speaker 2: compassion for him and also have like, I would rather 501 00:26:13,840 --> 00:26:17,040 Speaker 2: you this, I'd rather you suffer this, this hell that 502 00:26:17,080 --> 00:26:20,720 Speaker 2: you hate, because I do think when he brought up 503 00:26:20,760 --> 00:26:22,840 Speaker 2: his wife and just want to be with her again, 504 00:26:23,359 --> 00:26:25,400 Speaker 2: it kind of put them in the same boat, which 505 00:26:25,440 --> 00:26:27,879 Speaker 2: is both of them are hurt and want to be 506 00:26:27,960 --> 00:26:31,600 Speaker 2: with their loved one that is dead, and they are 507 00:26:31,800 --> 00:26:35,200 Speaker 2: doomed to keep surviving in this world. But I think 508 00:26:35,240 --> 00:26:37,159 Speaker 2: there's a part of her that was also just teen petty. 509 00:26:37,800 --> 00:26:40,919 Speaker 4: I agreed, And I also think too that when she 510 00:26:41,080 --> 00:26:45,120 Speaker 4: saw how broken he was, she was like, Oh, rather 511 00:26:45,160 --> 00:26:47,119 Speaker 4: than to make this quick m M, I'm gonna let 512 00:26:47,160 --> 00:26:50,040 Speaker 4: you live with this, because that's actually a greater stufferring 513 00:26:50,359 --> 00:26:51,720 Speaker 4: than me coming to here fucking you up. 514 00:26:52,240 --> 00:26:56,240 Speaker 3: Yeah, he was crying hard as shit. Man, that was 515 00:26:56,280 --> 00:27:03,359 Speaker 3: a lot. So then they get, uh, somebody comes up 516 00:27:03,359 --> 00:27:06,320 Speaker 3: to them. I think it's Diane, and Diane's like, it's 517 00:27:06,320 --> 00:27:08,520 Speaker 3: a problem down at the camp. But Sean magu let's 518 00:27:08,560 --> 00:27:10,800 Speaker 3: go and they run off. They'll run off together, and 519 00:27:10,800 --> 00:27:15,359 Speaker 3: that's the end of Alexander. All right. Now it's time 520 00:27:16,680 --> 00:27:21,800 Speaker 3: for Rick. Uh so Rick, who we last. 521 00:27:21,640 --> 00:27:24,480 Speaker 2: Saw get impelled on rebar, laying in the middle of 522 00:27:24,480 --> 00:27:28,840 Speaker 2: an intersection as walker herds walked k approached him from 523 00:27:28,840 --> 00:27:29,480 Speaker 2: both sides. 524 00:27:29,720 --> 00:27:33,919 Speaker 4: Real with this kind of intersectionality, everybody's all, all the 525 00:27:34,240 --> 00:27:36,520 Speaker 4: all the Wolkes is just coming, just crossing each other. 526 00:27:37,920 --> 00:27:40,280 Speaker 2: He was at an intersection, all right, first time a 527 00:27:40,320 --> 00:27:43,080 Speaker 2: white man has ever been at the intersection since head 528 00:27:43,080 --> 00:27:47,400 Speaker 2: white Man. So he uh is at an intersection, and 529 00:27:47,600 --> 00:27:50,720 Speaker 2: he starts fighting a way to uh. 530 00:27:50,800 --> 00:27:52,560 Speaker 3: He starts having he has like a dream. 531 00:27:52,680 --> 00:27:56,320 Speaker 2: It's a vision of himself in his hospital bed talking 532 00:27:56,359 --> 00:27:58,440 Speaker 2: to his current self, who is. 533 00:27:59,000 --> 00:28:02,359 Speaker 3: Is bleeding from the side. And so what begins is 534 00:28:02,400 --> 00:28:08,080 Speaker 3: a series of trippy flashes of like. 535 00:28:06,880 --> 00:28:10,520 Speaker 2: Like dream sequences that happens sporadically throughout the episode. 536 00:28:10,920 --> 00:28:12,160 Speaker 3: I'm not gonna go into. 537 00:28:11,920 --> 00:28:17,240 Speaker 2: Too deeper detail with these descriptions, mostly because it's a 538 00:28:17,280 --> 00:28:19,600 Speaker 2: lot of trippy shit and none of it was real, 539 00:28:20,320 --> 00:28:22,920 Speaker 2: so it's kind of no point they're really going to. 540 00:28:23,320 --> 00:28:25,600 Speaker 4: You know, it was really just neat to see. And 541 00:28:25,640 --> 00:28:27,680 Speaker 4: it was like a big flashback down in mary Lane. 542 00:28:27,840 --> 00:28:30,240 Speaker 2: Yeah, Like they show like crows and a murder of 543 00:28:30,280 --> 00:28:33,679 Speaker 2: crows flying in a like really weird circle formation. They 544 00:28:33,720 --> 00:28:36,639 Speaker 2: turn into helicopters and fly towards the window. Like it 545 00:28:36,720 --> 00:28:39,520 Speaker 2: was just trippy shit that Honestly, you have to watch 546 00:28:39,560 --> 00:28:42,720 Speaker 2: the show to truly appreciate, right, very visual, but they 547 00:28:42,760 --> 00:28:47,000 Speaker 2: were beautifully done in my opinion, even though the helicopter 548 00:28:47,040 --> 00:28:50,400 Speaker 2: cg I was weird, all right. So he reaches down 549 00:28:50,440 --> 00:28:52,360 Speaker 2: to seas he's bleeding and there's a version of him 550 00:28:52,360 --> 00:28:54,480 Speaker 2: on the bed and basically the version of him on 551 00:28:54,480 --> 00:28:56,400 Speaker 2: the bed says, wake up, asshole. And that's when he 552 00:28:56,440 --> 00:28:59,840 Speaker 2: comes to real life and he's still impaled, and you 553 00:29:00,000 --> 00:29:02,720 Speaker 2: this is his extra belt because he has the holster belt. 554 00:29:02,840 --> 00:29:04,600 Speaker 3: But then he has a belt belt. Thank god, he 555 00:29:04,640 --> 00:29:04,920 Speaker 3: wore that. 556 00:29:05,280 --> 00:29:08,400 Speaker 2: Come on, and he uses his belt, takes it off 557 00:29:08,440 --> 00:29:11,440 Speaker 2: of him and reaches up to some other like pipes 558 00:29:11,520 --> 00:29:14,920 Speaker 2: or rebar, puts the belt around it, and literally pulls 559 00:29:15,000 --> 00:29:21,720 Speaker 2: himself off of the rebar, impaling his left side. That's 560 00:29:21,760 --> 00:29:24,719 Speaker 2: a man's man right there, y'all. I would have just 561 00:29:24,720 --> 00:29:27,880 Speaker 2: been walking meat. I probably just pulled my gun out 562 00:29:27,880 --> 00:29:30,560 Speaker 2: and been like, let me at least shoot myself before. 563 00:29:30,360 --> 00:29:31,240 Speaker 3: I get ate to death. 564 00:29:32,200 --> 00:29:34,360 Speaker 4: He wanted to live. And you know, it's something else 565 00:29:34,400 --> 00:29:37,840 Speaker 4: I realized too, is at the because I think was 566 00:29:37,880 --> 00:29:39,920 Speaker 4: walking and stuff. This is the first time I ever 567 00:29:40,000 --> 00:29:42,400 Speaker 4: seen his boots fucked up because normally he be running. 568 00:29:42,640 --> 00:29:44,440 Speaker 4: They ain't never show them boots for them before. 569 00:29:44,880 --> 00:29:49,560 Speaker 3: Yeah, yep, so Angel can't getting all the details right. 570 00:29:49,640 --> 00:29:52,840 Speaker 4: Come on, as I was thinking, as as many miles 571 00:29:52,880 --> 00:29:54,440 Speaker 4: I've been on them boots, them boots, i'd have been 572 00:29:54,440 --> 00:29:54,920 Speaker 4: sucked up. 573 00:29:55,640 --> 00:29:59,000 Speaker 2: It was made for a walking But yeah, he went 574 00:29:59,040 --> 00:30:02,040 Speaker 2: ahead and got off that rebar. Only Rick Grinds could 575 00:30:02,080 --> 00:30:06,760 Speaker 2: do that. Impossible, white man, because your boy's final episode 576 00:30:06,800 --> 00:30:09,320 Speaker 2: would have been one minute long just zombies eating me 577 00:30:10,320 --> 00:30:10,760 Speaker 2: and it's me. 578 00:30:11,160 --> 00:30:11,760 Speaker 3: I'm your boy. 579 00:30:12,600 --> 00:30:15,760 Speaker 4: Uh so then that's I'm glad you didn't shoot it. 580 00:30:16,200 --> 00:30:22,800 Speaker 3: So then Rick gets on the horse. The horse which 581 00:30:22,800 --> 00:30:23,440 Speaker 3: didn't leave. 582 00:30:23,360 --> 00:30:25,560 Speaker 2: Completely kind of just went to the side because horses 583 00:30:25,600 --> 00:30:28,240 Speaker 2: are stupid, apparently, even though it was super smart not 584 00:30:28,280 --> 00:30:34,640 Speaker 2: to get eight by them zombies. So the horse, the 585 00:30:35,160 --> 00:30:37,600 Speaker 2: horse is waiting to the side and Rick kind of 586 00:30:37,720 --> 00:30:42,840 Speaker 2: like hobbles onto it and hops onto the horse and 587 00:30:42,920 --> 00:30:45,280 Speaker 2: starts riding it, but you gotta ride it real slow 588 00:30:45,280 --> 00:30:46,080 Speaker 2: because the side. 589 00:30:46,000 --> 00:30:50,560 Speaker 3: Is bleeding, like just just bleeding like a sieve. And 590 00:30:50,880 --> 00:30:54,440 Speaker 3: he passes out. Has another vision, and this was one 591 00:30:54,480 --> 00:30:59,520 Speaker 3: of my favorite visions. It felt kind of like, uh, 592 00:31:00,080 --> 00:31:03,440 Speaker 3: the Christmas Is it a Christmas story? No? Which one? 593 00:31:03,560 --> 00:31:07,120 Speaker 3: Which one? Is this the Christmas Tale or Carol or whatever? 594 00:31:07,360 --> 00:31:09,800 Speaker 2: The one where he gets visits Scrooge gets visited by 595 00:31:09,800 --> 00:31:13,400 Speaker 2: the ghost of Christmas paths because Christmas present, ghost, Christmas future. 596 00:31:14,160 --> 00:31:16,000 Speaker 4: I know exactly what he's talking about, Christmas Carol. 597 00:31:17,200 --> 00:31:19,560 Speaker 2: It felt a lot like that to me, because like 598 00:31:19,680 --> 00:31:22,880 Speaker 2: he saw Shane in this one, like you know, you 599 00:31:22,960 --> 00:31:25,320 Speaker 2: ain't saying, well, I guess I don't want to skip ahead. 600 00:31:25,320 --> 00:31:28,120 Speaker 2: But he saw some other people later that we'll get to, 601 00:31:28,920 --> 00:31:30,800 Speaker 2: and it felt like he was getting a moment with 602 00:31:30,920 --> 00:31:32,880 Speaker 2: each of these apparitions. 603 00:31:32,960 --> 00:31:34,640 Speaker 3: Is tedious and sorry, with. 604 00:31:34,760 --> 00:31:38,000 Speaker 2: All these apparitions that really only appear in his head, 605 00:31:38,800 --> 00:31:41,840 Speaker 2: like they weren't real. They weren't like, it wasn't like 606 00:31:41,880 --> 00:31:44,520 Speaker 2: the spiritual plane came. I think we were supposed to 607 00:31:44,520 --> 00:31:48,880 Speaker 2: take it as this. Nigga's losing blood. He's fucking loucinating 608 00:31:48,920 --> 00:31:52,520 Speaker 2: these tripping balls man and he's just sitting there trying 609 00:31:52,560 --> 00:31:56,320 Speaker 2: to survive, and his subconscious kind of getting them through 610 00:31:56,400 --> 00:32:03,200 Speaker 2: by presenting itself as these the people. So oh wait, okay, 611 00:32:03,240 --> 00:32:07,240 Speaker 2: that's actually later anyway, so yeah, oh no, no no, 612 00:32:07,280 --> 00:32:09,880 Speaker 2: So he gets on the horse. He then gets into 613 00:32:09,920 --> 00:32:13,080 Speaker 2: this abandoned house off the side of the road and 614 00:32:13,120 --> 00:32:16,640 Speaker 2: then finds like a something or like some old dirty 615 00:32:16,680 --> 00:32:19,320 Speaker 2: cloth to wrap his side up in to try to 616 00:32:19,360 --> 00:32:20,400 Speaker 2: keep it from bleeding out. 617 00:32:20,520 --> 00:32:25,600 Speaker 3: But it's just it's bleeding bad, big ass hole, yeah big, 618 00:32:25,720 --> 00:32:29,320 Speaker 3: like yeah, it's it's real bad. I hope he had this. 619 00:32:29,360 --> 00:32:35,680 Speaker 2: Technis shot and so the abandoned house also doesn't have 620 00:32:35,760 --> 00:32:37,480 Speaker 2: a door that closed. He just walks right through the 621 00:32:37,480 --> 00:32:39,560 Speaker 2: doorway and there's a dead zombie on the ground with 622 00:32:39,600 --> 00:32:42,120 Speaker 2: a gun. So I don't know if it killed itself 623 00:32:42,200 --> 00:32:46,240 Speaker 2: or died, I don't know. So he ties up the 624 00:32:46,280 --> 00:32:48,320 Speaker 2: room with a rag and then he passes out. That's 625 00:32:48,320 --> 00:32:57,000 Speaker 2: when he has this vision and it's shame. Oh Rick 626 00:32:57,120 --> 00:32:59,680 Speaker 2: is in Atlanta on the horse. It's owes to the 627 00:33:00,160 --> 00:33:03,760 Speaker 2: first episode ever is or one of the first episodes 628 00:33:03,880 --> 00:33:07,360 Speaker 2: Rick on a Horse. The highway out of Atlanta is 629 00:33:07,440 --> 00:33:10,720 Speaker 2: completely shut down and filled with nothing but cars. The 630 00:33:10,800 --> 00:33:14,760 Speaker 2: highway into Atlanta is completely empty. There's a herd of 631 00:33:14,800 --> 00:33:17,800 Speaker 2: walkers behind him, following him on this horse as he 632 00:33:17,960 --> 00:33:19,120 Speaker 2: like trots in the town. 633 00:33:20,720 --> 00:33:22,600 Speaker 3: And then he sees Shane, let. 634 00:33:22,440 --> 00:33:23,600 Speaker 4: Me see. 635 00:33:24,960 --> 00:33:25,600 Speaker 7: What's your will? 636 00:33:26,960 --> 00:33:28,480 Speaker 3: Oh yeah, keeps hearing this voice and all the. 637 00:33:28,520 --> 00:33:34,000 Speaker 7: Dreams and damn cow more your glood. 638 00:33:34,040 --> 00:33:38,600 Speaker 3: Shit now I confront. I started smiling while ive seen Shane. 639 00:33:38,240 --> 00:33:43,200 Speaker 2: Come on, because I the thing is all these reminders 640 00:33:43,280 --> 00:33:45,680 Speaker 2: kind of harken back for us that have been longtime 641 00:33:45,720 --> 00:33:49,240 Speaker 2: fans to when the show was like really good, when 642 00:33:49,280 --> 00:33:54,520 Speaker 2: it was musty TV, when the philosophical debates between characters 643 00:33:54,520 --> 00:34:02,400 Speaker 2: were compelling, when characters had like conflict and drama that 644 00:34:02,680 --> 00:34:11,200 Speaker 2: wasn't really repetitive yet, right, and when you were waiting 645 00:34:11,239 --> 00:34:12,960 Speaker 2: for these collisions that had come to a head, and 646 00:34:13,000 --> 00:34:15,799 Speaker 2: it was it was complex like Rick and Shane were 647 00:34:15,800 --> 00:34:19,880 Speaker 2: partners and friends, but Shane thought Rick was dead end 648 00:34:19,920 --> 00:34:23,520 Speaker 2: up fucking Rick's wife and getting her pregnant possibly and 649 00:34:23,640 --> 00:34:28,440 Speaker 2: Rick raising Shane's baby. Right, So we've been having all 650 00:34:28,480 --> 00:34:31,400 Speaker 2: these moments of this and you know, we get to 651 00:34:31,440 --> 00:34:34,040 Speaker 2: the we get to these moments like this, and I mean, 652 00:34:34,239 --> 00:34:37,120 Speaker 2: you get we don't have these moments anymore. It's been 653 00:34:37,239 --> 00:34:40,640 Speaker 2: years since we had really compelling moments. I think between characters. 654 00:34:40,239 --> 00:34:42,200 Speaker 4: Like this chistry together, it's great. 655 00:34:42,200 --> 00:34:45,360 Speaker 2: So great, like top notch actors, and then we have 656 00:34:45,480 --> 00:34:47,600 Speaker 2: this moment. It's almost like a you get a little 657 00:34:47,640 --> 00:34:51,440 Speaker 2: bit of the rose colored lenses and go, man, this 658 00:34:51,719 --> 00:34:53,719 Speaker 2: like I don't know if this moment was so good 659 00:34:53,880 --> 00:34:56,560 Speaker 2: or just I miss these niggas talking. 660 00:34:56,760 --> 00:34:58,080 Speaker 3: So here we go with them talking. 661 00:35:00,400 --> 00:35:01,640 Speaker 4: So what is this? 662 00:35:02,280 --> 00:35:02,480 Speaker 3: Oh? 663 00:35:02,520 --> 00:35:04,720 Speaker 2: And it's just like a dream like it skips forward 664 00:35:05,320 --> 00:35:06,320 Speaker 2: like he sees Shane. 665 00:35:06,320 --> 00:35:07,600 Speaker 3: He's outside the car on the horse. 666 00:35:08,080 --> 00:35:10,200 Speaker 2: The blinks and he's inside the car, sitting next to 667 00:35:10,280 --> 00:35:11,799 Speaker 2: Change eating cheeseburger's on steak out. 668 00:35:11,840 --> 00:35:14,880 Speaker 3: It's like that, Well, come on, Rick, look around. 669 00:35:15,000 --> 00:35:15,719 Speaker 4: You know what this is? 670 00:35:19,400 --> 00:35:21,400 Speaker 3: It is we were chasing had the boy. 671 00:35:21,760 --> 00:35:27,840 Speaker 7: It's specially there's two suspects, right, there was third man? 672 00:35:29,120 --> 00:35:35,400 Speaker 7: Change everything. Then I'm walking for my family? 673 00:35:35,520 --> 00:35:36,279 Speaker 8: Is that what you're doing? 674 00:35:36,680 --> 00:35:42,040 Speaker 7: Looking for your family? Now that's not entirely true. One 675 00:35:42,080 --> 00:35:46,080 Speaker 7: could argue it's my family you're looking for, right, how 676 00:35:46,120 --> 00:35:48,919 Speaker 7: it is my baby girl? By the way, my eyes 677 00:35:48,960 --> 00:35:49,399 Speaker 7: doesn't you. 678 00:35:51,040 --> 00:35:53,880 Speaker 3: She hasn't got you know, good thing? 679 00:35:54,000 --> 00:35:55,120 Speaker 6: She ain't got my ears man. 680 00:35:56,600 --> 00:35:59,839 Speaker 2: One, it's hilariously laughing about this ship, right, that's how 681 00:35:59,840 --> 00:36:02,520 Speaker 2: you know this nigga is out of his gorge with 682 00:36:02,760 --> 00:36:03,200 Speaker 2: the pain. 683 00:36:03,960 --> 00:36:08,360 Speaker 3: But Two, it really made me miss shame man. It 684 00:36:08,480 --> 00:36:10,239 Speaker 3: really did, like it really did the trick. 685 00:36:10,320 --> 00:36:13,320 Speaker 2: While I was just like, oh, Shane, like and it 686 00:36:13,440 --> 00:36:15,640 Speaker 2: was funny is when Shane died, I wanted him to 687 00:36:15,680 --> 00:36:19,040 Speaker 2: die so bad. I remember the arguments that people would 688 00:36:19,040 --> 00:36:20,880 Speaker 2: have online every day. 689 00:36:20,719 --> 00:36:23,400 Speaker 3: About Shane or Rick Shane of Rick who should go? 690 00:36:23,520 --> 00:36:24,920 Speaker 3: Who's right? You know? 691 00:36:25,160 --> 00:36:27,160 Speaker 2: And and they kind of And it's funny because at 692 00:36:27,160 --> 00:36:30,000 Speaker 2: the time we were talking about the show, I remember 693 00:36:30,400 --> 00:36:34,200 Speaker 2: adamantly being like, rick Les just stay and Rick just 694 00:36:34,280 --> 00:36:37,440 Speaker 2: needs a little bit of Shane's mentality and he'll survive. 695 00:36:38,239 --> 00:36:40,960 Speaker 2: And people were like, no, it should be Shane. He's 696 00:36:41,000 --> 00:36:43,719 Speaker 2: doing that's right, And I said, but Shane's so cold 697 00:36:43,760 --> 00:36:47,239 Speaker 2: blooded and ruthless, right, you can't leave people that way. 698 00:36:47,280 --> 00:36:48,879 Speaker 2: He would have been the first nigga, you know. 699 00:36:50,239 --> 00:36:55,759 Speaker 3: So the asshole. 700 00:36:56,760 --> 00:37:00,840 Speaker 7: You really you think God an assholen, You're an asshole. 701 00:37:02,000 --> 00:37:03,960 Speaker 7: I like to take credit for that. Actually, Rick, when 702 00:37:03,960 --> 00:37:05,640 Speaker 7: I think about it, I mean, I'm sure others did 703 00:37:05,719 --> 00:37:11,080 Speaker 7: influence you. But I'd like to take full credit. I 704 00:37:11,120 --> 00:37:12,279 Speaker 7: didn't want it, you know that. 705 00:37:13,960 --> 00:37:15,920 Speaker 3: But you took it right. 706 00:37:17,480 --> 00:37:21,239 Speaker 7: Well, that shit you did not feel. Yes, you and me, 707 00:37:22,320 --> 00:37:23,960 Speaker 7: and you took a page out of my book. 708 00:37:24,040 --> 00:37:24,200 Speaker 4: Rick. 709 00:37:25,840 --> 00:37:26,960 Speaker 7: You know, I'm glad you did it. 710 00:37:27,840 --> 00:37:28,560 Speaker 6: You stepped up. 711 00:37:28,600 --> 00:37:28,839 Speaker 3: Brother. 712 00:37:30,719 --> 00:37:31,279 Speaker 4: Had to be me. 713 00:37:33,000 --> 00:37:35,080 Speaker 8: Still has to be an ass, see Rick, Yeah, I 714 00:37:35,120 --> 00:37:36,200 Speaker 8: think that's where you are. 715 00:37:38,320 --> 00:37:40,759 Speaker 3: That has to be me. Yeah, that's right. 716 00:37:42,640 --> 00:37:45,560 Speaker 8: The only way this gets done, Rick, I want you 717 00:37:45,640 --> 00:37:49,360 Speaker 8: to think about how you bit that piece of shit's 718 00:37:49,400 --> 00:37:54,840 Speaker 8: throwed out ass in the church with the red machety. 719 00:37:54,880 --> 00:37:56,680 Speaker 8: That is what I'm talking about. That's the shit that 720 00:37:56,719 --> 00:37:58,640 Speaker 8: I need for you. That I always knew you had 721 00:37:58,640 --> 00:38:00,319 Speaker 8: it in you. I knew you had it in you, Ricking, 722 00:38:00,480 --> 00:38:01,000 Speaker 8: it is done. 723 00:38:02,239 --> 00:38:04,600 Speaker 7: You want to answers? You want to know what this 724 00:38:04,640 --> 00:38:05,919 Speaker 7: show about? This right here? 725 00:38:05,920 --> 00:38:11,960 Speaker 4: You? God, they're so good together, ain't And he reminded 726 00:38:12,000 --> 00:38:14,160 Speaker 4: me when he bit that dude's neck out, And then 727 00:38:14,239 --> 00:38:17,320 Speaker 4: I remember that time that dude was fucking recalled. He 728 00:38:17,480 --> 00:38:20,000 Speaker 4: stabbed in the whole fucking commercial break off the screen. 729 00:38:20,239 --> 00:38:23,479 Speaker 3: Yes, so it was like, the fuck you think you're doing? 730 00:38:23,719 --> 00:38:27,279 Speaker 2: Long story short, Shane is like, look, man, Rick, you 731 00:38:27,320 --> 00:38:29,480 Speaker 2: need to use your inner Shane to get through this 732 00:38:29,680 --> 00:38:31,080 Speaker 2: ordeal that you're bleeding out. 733 00:38:31,200 --> 00:38:32,239 Speaker 3: Right now, you're gonna die. 734 00:38:32,640 --> 00:38:35,040 Speaker 2: The only way to stop yourself from dyeing is to 735 00:38:35,840 --> 00:38:40,480 Speaker 2: do to to to use me. Let let me, you know, 736 00:38:40,600 --> 00:38:43,319 Speaker 2: let let the evil Shane inside guide you through. 737 00:38:44,520 --> 00:38:44,680 Speaker 3: You know. 738 00:38:44,719 --> 00:38:45,960 Speaker 4: He just go way up. 739 00:38:46,520 --> 00:38:48,440 Speaker 2: Yeah, he was like, wait up, Rick, And when he 740 00:38:48,480 --> 00:38:52,160 Speaker 2: said wake up, Rick literally came back to like came 741 00:38:52,200 --> 00:38:54,680 Speaker 2: back to reality, and a zombie was like in the 742 00:38:54,719 --> 00:38:57,640 Speaker 2: same place Shane's face was trying to bite him, and 743 00:38:57,680 --> 00:39:02,040 Speaker 2: so he barely survives, Like he dodged zombie jump. He 744 00:39:02,120 --> 00:39:05,360 Speaker 2: kicks his way out of this you know, dilapidated house. 745 00:39:05,320 --> 00:39:07,480 Speaker 4: Right because he had literally rode ahead of the her 746 00:39:07,600 --> 00:39:09,440 Speaker 4: and her basically had caught up with them. 747 00:39:09,719 --> 00:39:11,719 Speaker 3: And of course, through the magic of. 748 00:39:13,760 --> 00:39:16,279 Speaker 2: Well that's not what I was gonna say, I was 749 00:39:16,320 --> 00:39:19,880 Speaker 2: gonna say, through the magic of convenient zombies. 750 00:39:19,840 --> 00:39:21,200 Speaker 4: Yes, very convenient. 751 00:39:21,400 --> 00:39:25,919 Speaker 2: His horse was waiting perfectly outside on the one side 752 00:39:25,920 --> 00:39:29,200 Speaker 2: where the zombies weren't and it wasn't spooked at all, 753 00:39:29,360 --> 00:39:32,400 Speaker 2: and they let Rick get on and ride off. Nigga, 754 00:39:34,120 --> 00:39:37,000 Speaker 2: the combination of it possible White man convenience zombies is 755 00:39:37,080 --> 00:39:41,240 Speaker 2: undefeated for Rick grimes come on. So then he rides 756 00:39:41,280 --> 00:39:44,400 Speaker 2: a horse passes out, and this time he has a 757 00:39:44,480 --> 00:39:49,400 Speaker 2: vision of Herschel and it's basically Herschel like looking at 758 00:39:49,440 --> 00:39:52,279 Speaker 2: a field and he's telling Rick like. 759 00:39:52,400 --> 00:39:53,960 Speaker 3: Come over here and look at this field. 760 00:39:54,440 --> 00:39:56,960 Speaker 2: And it's kind of extra poignant because the actor who 761 00:39:56,960 --> 00:39:59,520 Speaker 2: plays Herschel died in real life. I believe this summer 762 00:39:59,640 --> 00:40:01,440 Speaker 2: he did, so it was kind of like that moment 763 00:40:01,440 --> 00:40:03,319 Speaker 2: where it's like, you know. 764 00:40:03,960 --> 00:40:06,440 Speaker 4: Right, because he had a feminist and did he die 765 00:40:06,520 --> 00:40:07,440 Speaker 4: not too long after that. 766 00:40:07,719 --> 00:40:10,520 Speaker 2: Yeah, so it's like a goodbye kind of to him, 767 00:40:10,600 --> 00:40:13,600 Speaker 2: but also just kind of like a it was also 768 00:40:13,760 --> 00:40:17,360 Speaker 2: just another moment of great acting. Well you just you 769 00:40:17,480 --> 00:40:20,400 Speaker 2: just kind of miss some of these characters because they 770 00:40:20,440 --> 00:40:24,960 Speaker 2: were great actors and great characters. Yes, they weren't two 771 00:40:25,000 --> 00:40:28,880 Speaker 2: dimension though they were smart. They had conversations that, like 772 00:40:28,920 --> 00:40:32,560 Speaker 2: I said, why repetitive And I remember being like, man, 773 00:40:33,280 --> 00:40:36,200 Speaker 2: Herschel gets on my fucking nerves because Herschel was always 774 00:40:36,680 --> 00:40:42,280 Speaker 2: preaching compassion the people. What about farming, Rick, what about 775 00:40:42,680 --> 00:40:45,600 Speaker 2: finding another way out that's not just us silence? 776 00:40:46,320 --> 00:40:47,520 Speaker 3: Yeah, using violence. 777 00:40:47,960 --> 00:40:50,520 Speaker 2: He was the one that's still probably my favorite episode 778 00:40:50,520 --> 00:40:52,040 Speaker 2: of one of my favorite episodes. 779 00:40:51,640 --> 00:40:55,400 Speaker 3: Of other Walking Dad had to be Herschel. 780 00:40:57,520 --> 00:41:00,520 Speaker 2: Being the one to tell Rick they shouldn't kill that boy, 781 00:41:01,600 --> 00:41:03,960 Speaker 2: And they did a whole episode that was basically twelve 782 00:41:03,960 --> 00:41:04,480 Speaker 2: angry men. 783 00:41:04,640 --> 00:41:07,520 Speaker 3: That was just them being like, you know. 784 00:41:07,880 --> 00:41:11,200 Speaker 2: A jury of will we or will we not kill 785 00:41:11,280 --> 00:41:14,759 Speaker 2: this young kid because we caught him and we don't 786 00:41:14,800 --> 00:41:15,640 Speaker 2: know what Groopi's with. 787 00:41:15,920 --> 00:41:17,000 Speaker 3: He might now he knows what. 788 00:41:17,080 --> 00:41:20,160 Speaker 2: We stay, maybe we need to kill him to keep 789 00:41:20,200 --> 00:41:23,799 Speaker 2: them from rolling up on us. And it was a 790 00:41:23,840 --> 00:41:27,160 Speaker 2: great example like that kind of stuff while it was 791 00:41:27,200 --> 00:41:29,600 Speaker 2: fresh and new at the time. To be honest, you know, 792 00:41:29,680 --> 00:41:31,239 Speaker 2: now if they would have been in season eight, people 793 00:41:31,239 --> 00:41:33,600 Speaker 2: would have been mad. But that type of thinking was 794 00:41:33,640 --> 00:41:35,880 Speaker 2: actually like kind of like some deep shit for me. 795 00:41:36,239 --> 00:41:38,040 Speaker 2: Didn't even have a lot of action that episode, but 796 00:41:38,080 --> 00:41:40,359 Speaker 2: it really made me think about what's right and wrong 797 00:41:40,400 --> 00:41:45,120 Speaker 2: in his epop. So anyway, I won't play his scene. 798 00:41:45,160 --> 00:41:47,560 Speaker 2: I'll just tell y'all about it. So they ended up 799 00:41:49,080 --> 00:41:53,360 Speaker 2: having this conversation and Rick apologizes and says he's sorry 800 00:41:53,880 --> 00:41:56,920 Speaker 2: for everything that Maggie's lost, and he takes responsibility for 801 00:41:56,920 --> 00:41:59,000 Speaker 2: it because he feels like he really let Herschel down, 802 00:41:59,480 --> 00:42:01,719 Speaker 2: And he said, you know, I'm trying to build what 803 00:42:01,960 --> 00:42:04,480 Speaker 2: you wanted me to build and what Carr wanted me 804 00:42:04,520 --> 00:42:05,120 Speaker 2: to build. 805 00:42:05,360 --> 00:42:06,279 Speaker 3: And Hirst was kind of. 806 00:42:06,239 --> 00:42:09,480 Speaker 2: Like, man, don't worry about that shit like and he said, well, 807 00:42:09,480 --> 00:42:11,120 Speaker 2: I have to be the one to lead him. He's like, no, 808 00:42:11,239 --> 00:42:12,759 Speaker 2: you don't. You don't have to be the one to 809 00:42:12,840 --> 00:42:16,400 Speaker 2: lead him, like you gotta trust him. And Maggie's a 810 00:42:16,400 --> 00:42:19,799 Speaker 2: stronger person because of you, and everybody else is too. 811 00:42:19,880 --> 00:42:21,880 Speaker 2: And he said, I'm looking for my family. Said, well, 812 00:42:21,920 --> 00:42:24,640 Speaker 2: your family's not here because they're not lost or something 813 00:42:24,719 --> 00:42:29,600 Speaker 2: like that. And you know, Rick said he needs to 814 00:42:29,760 --> 00:42:33,239 Speaker 2: stay and keep them together. And he said and Hirst says, no, 815 00:42:33,360 --> 00:42:35,239 Speaker 2: you don't. You only think you do. 816 00:42:36,800 --> 00:42:38,440 Speaker 3: And Rick brings up you know the. 817 00:42:38,800 --> 00:42:42,000 Speaker 2: Influence of Herschel and Carl and stuff, and Herschel says, 818 00:42:43,320 --> 00:42:46,040 Speaker 2: your family isn't here, Rick, you have to wake up. 819 00:42:46,360 --> 00:42:49,200 Speaker 2: And Rick wakes up for a second and he's still 820 00:42:49,239 --> 00:42:53,239 Speaker 2: on that horse and just like barely ahead of to her, 821 00:42:53,440 --> 00:42:57,000 Speaker 2: like maybe twenty feet ahead of her. 822 00:42:57,239 --> 00:43:00,200 Speaker 3: All right, And he passes out again. 823 00:43:00,719 --> 00:43:04,200 Speaker 4: Constantly losing blood. The horse started just turning red down on. 824 00:43:04,200 --> 00:43:07,160 Speaker 2: His side, yeah, where he was bleeding, and it's a 825 00:43:07,160 --> 00:43:11,400 Speaker 2: white horse. He came riding a pale white horse. And 826 00:43:11,480 --> 00:43:16,120 Speaker 2: so he's riding his white horse and uh aka symbolic 827 00:43:16,160 --> 00:43:16,920 Speaker 2: for cocaine. 828 00:43:16,960 --> 00:43:19,360 Speaker 3: My brother, I'm just kidding, guys. 829 00:43:19,440 --> 00:43:22,480 Speaker 2: He's riding his white horse and he has his other 830 00:43:22,520 --> 00:43:25,480 Speaker 2: he has he passed out, has another vision. And this 831 00:43:25,640 --> 00:43:29,319 Speaker 2: vision was super trippy, maybe the trippiest one. He's he's 832 00:43:29,320 --> 00:43:32,720 Speaker 2: back in the hospital. You see, he's stumbling out the hallway. 833 00:43:33,160 --> 00:43:36,760 Speaker 2: He sees the door that says don't open dead inside 834 00:43:36,840 --> 00:43:39,799 Speaker 2: or something like that, or walkers or something like that, 835 00:43:40,000 --> 00:43:43,200 Speaker 2: and he opens the door and walks outside and there's 836 00:43:43,239 --> 00:43:46,960 Speaker 2: a bunch of dead people on the ground as far 837 00:43:47,000 --> 00:43:50,920 Speaker 2: as I can see. Like, uh, the special effects for 838 00:43:50,960 --> 00:43:52,919 Speaker 2: this part. They must have spent this is what they say. 839 00:43:53,280 --> 00:43:55,120 Speaker 2: They saved that money putting Darryl in him in the 840 00:43:55,160 --> 00:43:56,799 Speaker 2: hole so they could spend the money on the ship. 841 00:43:57,200 --> 00:43:59,400 Speaker 4: Yes, they did. And when he looked around, it was 842 00:43:59,440 --> 00:44:03,040 Speaker 4: like character on the show, even the ones that I 843 00:44:03,160 --> 00:44:05,400 Speaker 4: currently alive, was at his feet. 844 00:44:05,600 --> 00:44:09,839 Speaker 2: Yeah, like Maggie was there and uh like like all 845 00:44:09,880 --> 00:44:14,000 Speaker 2: the character Karl was there and like literally bodies on 846 00:44:14,040 --> 00:44:16,280 Speaker 2: the ground as far as I could see. And he's 847 00:44:16,400 --> 00:44:20,480 Speaker 2: just tripping balls trying to figure out what's happening. And 848 00:44:20,600 --> 00:44:24,399 Speaker 2: I believe it was Sasha who rose from the dead 849 00:44:24,520 --> 00:44:25,960 Speaker 2: and started talking to him. 850 00:44:26,440 --> 00:44:27,439 Speaker 3: Let me get to her part. 851 00:44:27,760 --> 00:44:28,640 Speaker 4: I was like, I don't hear anything. 852 00:44:29,160 --> 00:44:34,239 Speaker 3: Yeah, I was to him. Now. 853 00:44:34,320 --> 00:44:36,640 Speaker 2: Of course we know that Suneika Martin Green is on 854 00:44:36,719 --> 00:44:39,440 Speaker 2: Star Trek Discovery now, so it was kind of a 855 00:44:39,480 --> 00:44:40,919 Speaker 2: cool get for them to get her back. 856 00:44:56,520 --> 00:45:03,840 Speaker 6: They're all that, Yeah, I know, and it's okay. 857 00:45:04,480 --> 00:45:05,640 Speaker 3: How can it be okay? 858 00:45:05,800 --> 00:45:09,080 Speaker 4: How can this be okay? 859 00:45:10,719 --> 00:45:18,040 Speaker 7: I guess you did your part, my God did mine, 860 00:45:19,000 --> 00:45:20,359 Speaker 7: like the others did before us. 861 00:45:22,239 --> 00:45:27,799 Speaker 4: How they gave us the strengths that we needed to 862 00:45:27,880 --> 00:45:31,759 Speaker 4: do what we had to do for the others, and 863 00:45:31,800 --> 00:45:33,920 Speaker 4: the others draw strength from us. 864 00:45:35,440 --> 00:45:39,400 Speaker 3: We change each other, we help each other. 865 00:45:41,640 --> 00:45:46,439 Speaker 4: We make each other better, and it never ends. 866 00:45:50,640 --> 00:45:58,160 Speaker 6: It feels like it's ending. Little things do end, but 867 00:45:58,239 --> 00:46:01,759 Speaker 6: it's never the end of everything, because we don't die. 868 00:46:03,080 --> 00:46:05,879 Speaker 4: It's not about you or me or any one of us. 869 00:46:07,880 --> 00:46:09,200 Speaker 3: It's about all of us. 870 00:46:12,000 --> 00:46:16,640 Speaker 4: And I don't think it just even south. I think 871 00:46:16,680 --> 00:46:23,000 Speaker 4: it always crosses over toward the good, toward the. 872 00:46:23,000 --> 00:46:26,759 Speaker 3: Brave, toward love. 873 00:46:30,239 --> 00:46:31,960 Speaker 2: And Rick said it with us, so I feel like 874 00:46:32,000 --> 00:46:34,360 Speaker 2: maybe somebody said that before we supposed to remember, but 875 00:46:34,400 --> 00:46:35,120 Speaker 2: I don't remember. 876 00:46:34,920 --> 00:46:35,400 Speaker 3: Who said it. 877 00:46:35,560 --> 00:46:37,800 Speaker 4: Maybe Lord somebody did, Yeah. 878 00:46:37,680 --> 00:46:39,759 Speaker 3: Somebody probably said it. I'm just glad Laurie didn't show 879 00:46:39,800 --> 00:46:40,359 Speaker 3: up in one of these. 880 00:46:40,400 --> 00:46:42,800 Speaker 4: I hated Laurie and I think with the old show runner, 881 00:46:43,040 --> 00:46:49,200 Speaker 4: she would have family. You're not gonna find them because 882 00:46:49,200 --> 00:46:50,359 Speaker 4: they're not lost. 883 00:46:53,360 --> 00:46:53,799 Speaker 7: And you. 884 00:46:55,360 --> 00:47:02,520 Speaker 4: Are not lost. What you need to do wake up? 885 00:47:02,600 --> 00:47:07,480 Speaker 3: It's wake up, wake your punk gass up. So he 886 00:47:07,560 --> 00:47:09,279 Speaker 3: needs to wake up. That would have been funny if 887 00:47:09,680 --> 00:47:11,239 Speaker 3: MC eight would have got to do one of these. 888 00:47:12,280 --> 00:47:14,239 Speaker 3: You need to wake your punk gass up. 889 00:47:16,400 --> 00:47:20,200 Speaker 2: So then Rick, you know, see Sasha, he has to 890 00:47:20,239 --> 00:47:26,120 Speaker 2: wake up, and uh he wakes up this time and 891 00:47:26,160 --> 00:47:29,719 Speaker 2: he is falling off the horse mm hmmm, and the 892 00:47:29,760 --> 00:47:33,960 Speaker 2: horse like which actually makes sense, and and the horse left. 893 00:47:34,880 --> 00:47:39,879 Speaker 2: I've man, that horse looked up enough, right, that horse. 894 00:47:40,120 --> 00:47:43,440 Speaker 2: That horse ran through the woods. That's all Rick saw was. 895 00:47:43,480 --> 00:47:45,840 Speaker 4: Just his his his uber has left. 896 00:47:46,719 --> 00:47:51,239 Speaker 3: Yeah, your uber, you did not catch it. So he 897 00:47:51,400 --> 00:47:54,799 Speaker 3: was at his destination and it was the camp. So 898 00:47:54,920 --> 00:47:57,120 Speaker 3: he's in the camp now and he's just bleeding. 899 00:47:57,200 --> 00:48:00,120 Speaker 2: Now he's falling off this fucking horse, and all of 900 00:48:00,120 --> 00:48:03,640 Speaker 2: a sudden, three walkers come up and he is struggle 901 00:48:03,880 --> 00:48:06,000 Speaker 2: City fighting these motherfucking walkers. 902 00:48:06,000 --> 00:48:11,880 Speaker 3: Like, yeah, my man, Andrew Lincoln was acting because he 903 00:48:12,000 --> 00:48:14,040 Speaker 3: was like shooting walkers with this big ass gun, but 904 00:48:14,160 --> 00:48:17,160 Speaker 3: like every shot was taking everything out of him. And 905 00:48:17,160 --> 00:48:21,120 Speaker 3: he's like making this sound like he's just ripping himself 906 00:48:21,120 --> 00:48:27,160 Speaker 3: in half to do it. And he kills those walkers 907 00:48:27,200 --> 00:48:29,200 Speaker 3: and then he starts walking in front of the herd, 908 00:48:29,239 --> 00:48:31,080 Speaker 3: but he's only like ten ft in front of the herds. 909 00:48:31,480 --> 00:48:33,560 Speaker 2: He's like stumbling and you can see his boots all 910 00:48:33,640 --> 00:48:36,879 Speaker 2: fucked up because he can't he's not walking right. And 911 00:48:37,680 --> 00:48:42,319 Speaker 2: this time he sits down on the bridge kind of 912 00:48:42,360 --> 00:48:44,520 Speaker 2: like he just kind of almost gives up, and he 913 00:48:44,560 --> 00:48:46,520 Speaker 2: sits down on the bridge and he looks back at 914 00:48:46,520 --> 00:48:49,120 Speaker 2: the walkers and he has another vision, and this is 915 00:48:49,160 --> 00:48:50,080 Speaker 2: a waking vision. 916 00:48:50,960 --> 00:48:53,320 Speaker 3: So this one tricked us kind. 917 00:48:53,040 --> 00:48:56,480 Speaker 2: Of, and it's a walker getting shot in the head 918 00:48:56,480 --> 00:48:58,640 Speaker 2: with like an arrow or something. And then the entire 919 00:48:59,320 --> 00:49:03,400 Speaker 2: cavalry of Alexandrians and all the hilltop people and stuff 920 00:49:03,680 --> 00:49:08,239 Speaker 2: running together and they all go and start killing the 921 00:49:08,320 --> 00:49:13,239 Speaker 2: zombies that are crossing the bridge behind Rick, and they're 922 00:49:13,320 --> 00:49:17,479 Speaker 2: just like killing this herd one by one. Micheon comes 923 00:49:17,520 --> 00:49:22,800 Speaker 2: over to him, and it's like talking to him and saying, 924 00:49:22,840 --> 00:49:24,800 Speaker 2: you know, like I gotta get you out of here, okay, 925 00:49:25,320 --> 00:49:27,799 Speaker 2: And he's like, you take care of him. I can't 926 00:49:27,840 --> 00:49:29,920 Speaker 2: cause he's like, I'm dying. You just gotta take care 927 00:49:29,960 --> 00:49:31,359 Speaker 2: of him, and she said, you will. 928 00:49:31,400 --> 00:49:32,880 Speaker 3: It's not over. We don't die. 929 00:49:33,080 --> 00:49:34,360 Speaker 2: You want to know why I fell in love with 930 00:49:34,440 --> 00:49:36,279 Speaker 2: you because you're a fighter and you never give up. 931 00:49:36,320 --> 00:49:38,200 Speaker 3: So fight Rick, fight for me, fight for all of 932 00:49:38,280 --> 00:49:39,600 Speaker 3: us and everyone. 933 00:49:39,760 --> 00:49:41,960 Speaker 2: Then at this point they turn around and everyone's standing 934 00:49:42,000 --> 00:49:44,640 Speaker 2: down there watching Rick and Michean, And that's when I 935 00:49:44,680 --> 00:49:45,320 Speaker 2: was like, oh. 936 00:49:45,200 --> 00:49:48,319 Speaker 4: No, I haven't left her. Go And he said this 937 00:49:48,400 --> 00:49:48,879 Speaker 4: ain't real. 938 00:49:49,400 --> 00:49:52,080 Speaker 3: Yes, she said. He says, you're my family. I found it. 939 00:49:52,160 --> 00:49:55,600 Speaker 2: She said you did, And then he said, but this 940 00:49:55,600 --> 00:49:56,920 Speaker 2: this isn't real, right, and. 941 00:49:56,920 --> 00:49:59,719 Speaker 3: She says, yes, it is. Now wake up and he 942 00:49:59,800 --> 00:50:00,279 Speaker 3: wake up. 943 00:50:00,320 --> 00:50:02,479 Speaker 2: He's still on the bridge and the zombies are coming 944 00:50:02,480 --> 00:50:06,000 Speaker 2: for him, and he starts walking again and he gets 945 00:50:06,160 --> 00:50:09,919 Speaker 2: through past the bridge and he's bleeding out and ship 946 00:50:10,080 --> 00:50:13,680 Speaker 2: and that's when we find out that Eugene is not 947 00:50:13,719 --> 00:50:17,240 Speaker 2: as smart as he said he was, because the bridge 948 00:50:17,280 --> 00:50:20,920 Speaker 2: is one holding up with all them fucking walkers on 949 00:50:21,000 --> 00:50:25,480 Speaker 2: it and a fucking rushing river of just just just 950 00:50:25,600 --> 00:50:28,960 Speaker 2: watered underneath it, and the fucking bridge isn't even creaking. 951 00:50:29,719 --> 00:50:30,960 Speaker 4: That bridge was like, I got you. 952 00:50:31,520 --> 00:50:33,360 Speaker 3: I'm like, God, damnit, Eugene. 953 00:50:34,239 --> 00:50:37,799 Speaker 2: The one time we need you to be uh not 954 00:50:37,960 --> 00:50:40,800 Speaker 2: efficient and be like the bridge to be right that 955 00:50:40,880 --> 00:50:42,719 Speaker 2: the bridge won't work now, you don't know what the 956 00:50:42,719 --> 00:50:44,920 Speaker 2: fuck you're talking about. The course the ship was fixed 957 00:50:44,960 --> 00:50:48,000 Speaker 2: now and of course you know, Rick is like, I 958 00:50:48,200 --> 00:50:51,080 Speaker 2: just give it up. I can't the bridge is I 959 00:50:51,120 --> 00:50:52,920 Speaker 2: don't know what I thought. I was gonna cramble him 960 00:50:52,960 --> 00:50:55,799 Speaker 2: on uh And as a walker is about to bite him, 961 00:50:56,080 --> 00:50:58,400 Speaker 2: Darrel shoots a walker in the head with an arrow. 962 00:50:58,560 --> 00:51:00,920 Speaker 3: And then another one and another one. He got like 963 00:51:01,000 --> 00:51:03,360 Speaker 3: unlimited arrow cheek hum, that's what I said. 964 00:51:03,480 --> 00:51:04,960 Speaker 4: I was like, what is happening to them? 965 00:51:05,200 --> 00:51:07,640 Speaker 3: And one hundred percent accuracy he was Steph Curry with 966 00:51:07,640 --> 00:51:08,320 Speaker 3: with the arrows. 967 00:51:08,400 --> 00:51:11,759 Speaker 2: Y'all just files foul. But this time that's not that 968 00:51:11,840 --> 00:51:13,480 Speaker 2: they're coming from the other side of the bridge. They're 969 00:51:13,520 --> 00:51:16,960 Speaker 2: actually from underneath on the bank of the river kind 970 00:51:16,960 --> 00:51:19,120 Speaker 2: of shooting right, and they're trying to find a way 971 00:51:19,120 --> 00:51:23,680 Speaker 2: to cross and go up behind the herd and create 972 00:51:23,719 --> 00:51:26,080 Speaker 2: a distraction to keep the walkers off of Rick. And 973 00:51:26,120 --> 00:51:28,920 Speaker 2: they're shooting guns in the air and shit, and walkers 974 00:51:28,920 --> 00:51:33,920 Speaker 2: are not turning around, and Rick is like, Rick kills 975 00:51:33,920 --> 00:51:37,160 Speaker 2: a walker with a hatchet, and he tells and he says, 976 00:51:37,160 --> 00:51:39,000 Speaker 2: not for me, because he doesn't want them to run 977 00:51:39,040 --> 00:51:40,920 Speaker 2: onto the bridge for him. 978 00:51:40,800 --> 00:51:41,839 Speaker 3: Because he's trying. 979 00:51:42,080 --> 00:51:44,399 Speaker 2: The reason that he stopped was to get as many 980 00:51:44,440 --> 00:51:46,800 Speaker 2: walkers on the bridge as possible till it would crumble. 981 00:51:47,320 --> 00:51:49,960 Speaker 2: And his thing was, I just don't want them to 982 00:51:49,960 --> 00:51:53,920 Speaker 2: cross the bridge and then lead to Alexandria or Hilltop 983 00:51:54,040 --> 00:51:56,800 Speaker 2: or something like that. And so he turns around, he 984 00:51:56,880 --> 00:51:59,839 Speaker 2: kills the zombie, walks onto the bridge. A zombie knocks 985 00:52:00,080 --> 00:52:02,399 Speaker 2: with some dynamite that was on the bridge, which why 986 00:52:02,400 --> 00:52:04,040 Speaker 2: the fuck would dynamite be on the bridge? I mean, 987 00:52:04,120 --> 00:52:07,040 Speaker 2: let's be honest, guys, of all the construction things that 988 00:52:07,080 --> 00:52:09,440 Speaker 2: you possibly want on the bridge that you're building, what 989 00:52:09,520 --> 00:52:11,720 Speaker 2: you don't want on the wooden bridge in the middle 990 00:52:11,760 --> 00:52:13,160 Speaker 2: of it is a box of dynamite. 991 00:52:13,200 --> 00:52:14,719 Speaker 4: I don't know. Was that the same dynamite they were 992 00:52:14,760 --> 00:52:15,480 Speaker 4: using to blow up the. 993 00:52:15,440 --> 00:52:17,840 Speaker 2: Rocks, right, But I'm saying, why would they be on 994 00:52:17,920 --> 00:52:19,800 Speaker 2: the bridge, Like the rocks. 995 00:52:20,120 --> 00:52:22,880 Speaker 3: You're like, I feel like maybe one of the savors 996 00:52:22,880 --> 00:52:23,680 Speaker 3: put it there to blow up. 997 00:52:23,719 --> 00:52:25,359 Speaker 4: I don't know, possibility. 998 00:52:25,480 --> 00:52:28,920 Speaker 2: So the bridge, so the so the box falls over conveniently, 999 00:52:29,520 --> 00:52:32,239 Speaker 2: a walker knocks over the box of dynamite. Rick gets 1000 00:52:32,239 --> 00:52:35,200 Speaker 2: a brilliant idea and shoots the dynamite blows up the bridge. 1001 00:52:35,640 --> 00:52:39,080 Speaker 2: Everybody sees, including Michean Macheon is giving us the best 1002 00:52:39,520 --> 00:52:41,960 Speaker 2: black Mama at the funeral, Take me with him? 1003 00:52:42,080 --> 00:52:44,960 Speaker 3: Lord, why cry that I've ever seen? 1004 00:52:47,120 --> 00:52:52,319 Speaker 2: And and and you know, Maggie is sad, like everybody sat. 1005 00:52:52,400 --> 00:52:53,160 Speaker 3: Darryl's sad. 1006 00:52:53,400 --> 00:52:55,879 Speaker 4: That was as explosion. I'm not even gonna lie. 1007 00:52:55,920 --> 00:52:58,640 Speaker 3: Yeah, it blew up everything. The whole bridge fell into 1008 00:52:58,680 --> 00:52:59,360 Speaker 3: the water. 1009 00:52:59,200 --> 00:53:02,839 Speaker 4: And then fires was like just walking and falling into 1010 00:53:02,840 --> 00:53:03,160 Speaker 4: the water. 1011 00:53:03,360 --> 00:53:07,799 Speaker 2: Yes, it was. It was a lot. It was a lot. 1012 00:53:07,960 --> 00:53:13,680 Speaker 2: And so then we cut to and Jadis. Jadis is 1013 00:53:13,760 --> 00:53:18,000 Speaker 2: down down at the meeting location waiting for her helicopter. 1014 00:53:18,440 --> 00:53:22,080 Speaker 2: And she's by a river, you know, And while she's waiting, 1015 00:53:22,440 --> 00:53:24,880 Speaker 2: she pulls out her gun. The helicopter walking talking to 1016 00:53:24,920 --> 00:53:29,840 Speaker 2: her and it's like, so you got your your a. 1017 00:53:30,680 --> 00:53:33,880 Speaker 4: But before that she overheard them talking on a walkie 1018 00:53:33,880 --> 00:53:37,160 Speaker 4: talkie she heard Rick not ricking them, but everybody else 1019 00:53:37,160 --> 00:53:39,720 Speaker 4: talking on and she's seen the fire from the bridge 1020 00:53:39,719 --> 00:53:41,000 Speaker 4: off in the distance. 1021 00:53:40,960 --> 00:53:44,920 Speaker 2: Right, so we know she's down river of whatever happened 1022 00:53:44,920 --> 00:53:48,200 Speaker 2: with Ricking though, right. And this is when I started 1023 00:53:48,239 --> 00:53:52,239 Speaker 2: smiling because I said I was right, smartest man a 1024 00:53:52,280 --> 00:53:55,759 Speaker 2: lot huff, greatest podcast ever, you know all the things 1025 00:53:55,800 --> 00:53:56,959 Speaker 2: I say to myself in my head. 1026 00:53:57,719 --> 00:53:58,080 Speaker 3: And so. 1027 00:53:59,760 --> 00:54:04,319 Speaker 2: Rick uh, while she's she's getting her gun out and 1028 00:54:04,360 --> 00:54:07,520 Speaker 2: waiting for the helicopter to land, because she does we 1029 00:54:07,600 --> 00:54:09,160 Speaker 2: know she doesn't have an A or B. 1030 00:54:09,520 --> 00:54:13,560 Speaker 3: She she got nothing, A zero zero. And her thing is, 1031 00:54:13,560 --> 00:54:14,399 Speaker 3: I'm a copter jack. 1032 00:54:14,440 --> 00:54:17,400 Speaker 2: These niggas what happened? And we take we don't bother captain. 1033 00:54:17,480 --> 00:54:21,200 Speaker 2: Copter jacking seems pretty bothersome as Dick kidnap and gave. 1034 00:54:21,480 --> 00:54:27,080 Speaker 2: I don't know about their rules. So she's sees Rick 1035 00:54:27,160 --> 00:54:30,919 Speaker 2: on the side, still alive, bleeding, and she's like, wait, 1036 00:54:32,080 --> 00:54:34,120 Speaker 2: I don't he says, no tricks or whatever. 1037 00:54:34,160 --> 00:54:36,200 Speaker 3: She's like, I don't have a bee. I mean I 1038 00:54:36,280 --> 00:54:38,560 Speaker 3: have a B, not an A. I never had an A. 1039 00:54:39,000 --> 00:54:40,719 Speaker 3: And the dude, so I warned you that be consequence 1040 00:54:40,760 --> 00:54:41,439 Speaker 3: if you try something. 1041 00:54:41,480 --> 00:54:43,640 Speaker 2: She says, it's not a trick, not anymore, and she 1042 00:54:43,760 --> 00:54:45,719 Speaker 2: throws her gun down to let him know, like I'm 1043 00:54:45,760 --> 00:54:48,960 Speaker 2: not even armed, and asked, do we have a deal 1044 00:54:49,080 --> 00:54:51,800 Speaker 2: to God. They don't show him say yes, but apparently 1045 00:54:51,840 --> 00:54:55,280 Speaker 2: they do the helicopter Like Rick wakes up in the helicopter. 1046 00:54:56,080 --> 00:54:59,000 Speaker 2: He's got his womb bandage, he's got like an ivy 1047 00:54:59,320 --> 00:55:02,840 Speaker 2: and a like an oxygen tube down his nose, and 1048 00:55:03,920 --> 00:55:06,440 Speaker 2: she basically says, don't worry, They're gonna take care of you. 1049 00:55:06,920 --> 00:55:11,800 Speaker 2: You're gonna be okay, And they play the song space 1050 00:55:11,960 --> 00:55:19,360 Speaker 2: Jump Junk by Wang Chung, which is which is the 1051 00:55:19,400 --> 00:55:21,440 Speaker 2: first song they ever played on the episode of Walking 1052 00:55:21,520 --> 00:55:36,160 Speaker 2: Dead is after Glenn calls him a dumb ass. So 1053 00:55:36,239 --> 00:55:39,920 Speaker 2: it's almost like Rick's grand entrance and grand leaving or whatever. 1054 00:55:40,320 --> 00:55:41,840 Speaker 2: The other thing I like about this is kind of 1055 00:55:41,880 --> 00:55:46,359 Speaker 2: signifies almost like a starting over and a return back 1056 00:55:46,400 --> 00:55:48,600 Speaker 2: to like a different type of vibe because that was 1057 00:55:48,640 --> 00:55:51,520 Speaker 2: when the show felt like anything was possible and there 1058 00:55:51,600 --> 00:55:56,280 Speaker 2: was a little more I don't know, like it wasn't 1059 00:55:56,560 --> 00:55:58,120 Speaker 2: like it wasn't so crazy for them to play a 1060 00:55:58,239 --> 00:55:58,680 Speaker 2: song like this. 1061 00:55:59,400 --> 00:56:00,200 Speaker 4: I agree, you know. 1062 00:56:00,440 --> 00:56:02,200 Speaker 3: Now I feel like it's so out of place because 1063 00:56:02,239 --> 00:56:04,319 Speaker 3: the show's gotten soul somber, right. 1064 00:56:04,440 --> 00:56:07,200 Speaker 4: They rarely play music like that anymore. Yeah, it snapped 1065 00:56:07,239 --> 00:56:07,719 Speaker 4: me out of mind. 1066 00:56:07,760 --> 00:56:08,440 Speaker 3: I was like, what is this? 1067 00:56:08,840 --> 00:56:10,080 Speaker 2: This is when the music came out, I was like, 1068 00:56:10,120 --> 00:56:12,319 Speaker 2: I don't have they ever done this before? And then 1069 00:56:12,360 --> 00:56:13,680 Speaker 2: people were like yeah episode one. 1070 00:56:13,719 --> 00:56:16,480 Speaker 3: I was like, fuck, it's been that long since they 1071 00:56:16,600 --> 00:56:19,360 Speaker 3: just played a song song in the soundtrack that you know. 1072 00:56:19,440 --> 00:56:22,800 Speaker 2: It took me out for a second. So then he 1073 00:56:22,920 --> 00:56:27,200 Speaker 2: flies off, right. We see the helicopter fly off through declaring, 1074 00:56:27,840 --> 00:56:30,080 Speaker 2: and then we get a time lapse like kind of 1075 00:56:31,200 --> 00:56:33,960 Speaker 2: you know video thing where they kind of move forward 1076 00:56:34,040 --> 00:56:37,759 Speaker 2: an indiscriminate amount of time into the future in the 1077 00:56:37,800 --> 00:56:40,120 Speaker 2: same location, and we see a house in the background 1078 00:56:40,160 --> 00:56:41,080 Speaker 2: become dilapidated. 1079 00:56:41,160 --> 00:56:44,800 Speaker 3: We see small trees grow bigger and have more foliage. 1080 00:56:44,360 --> 00:56:46,600 Speaker 2: On them, and then we kind of panned down to 1081 00:56:46,680 --> 00:56:49,480 Speaker 2: the field where this z and there's some survivors and 1082 00:56:49,520 --> 00:56:52,080 Speaker 2: they're fighting zombies and they're stuck and it's around it 1083 00:56:52,520 --> 00:56:55,520 Speaker 2: and they're they're about to get you know, bitten or worse. 1084 00:56:56,120 --> 00:56:59,839 Speaker 3: And somebody shoots a zombie from the distance and says, 1085 00:57:00,080 --> 00:57:02,800 Speaker 3: come over here, and it's like a little girl voice. 1086 00:57:03,400 --> 00:57:07,399 Speaker 3: I'm like, who the fuck is that? Uh like, well 1087 00:57:07,480 --> 00:57:09,560 Speaker 3: that that sounded younger than in it, you know. 1088 00:57:09,640 --> 00:57:13,359 Speaker 2: Long, And so she shoots, uh, she shoots, says come 1089 00:57:13,400 --> 00:57:16,200 Speaker 2: over here, and the people like follow the path created 1090 00:57:16,240 --> 00:57:18,640 Speaker 2: from her shooting a couple of zombies and they got 1091 00:57:19,160 --> 00:57:21,760 Speaker 2: into the woods and there's a little girl that with 1092 00:57:21,880 --> 00:57:23,120 Speaker 2: a big ass gun putting it in. 1093 00:57:23,200 --> 00:57:25,000 Speaker 3: A hoster saw it on the back. 1094 00:57:25,160 --> 00:57:27,560 Speaker 2: She got a sword on her back and she says, 1095 00:57:27,880 --> 00:57:29,680 Speaker 2: you got names because she's. 1096 00:57:29,880 --> 00:57:30,800 Speaker 3: She's a little girl. 1097 00:57:32,720 --> 00:57:34,080 Speaker 4: I have braided on one side. 1098 00:57:34,520 --> 00:57:36,320 Speaker 3: Yeah, like you got names? 1099 00:57:36,600 --> 00:57:37,800 Speaker 4: And like it was, it was. 1100 00:57:37,960 --> 00:57:41,240 Speaker 2: It was tripping me out to hear, uh, you know, 1101 00:57:41,360 --> 00:57:45,280 Speaker 2: this badass little girl talking like this. And then they 1102 00:57:45,400 --> 00:57:47,440 Speaker 2: say their names and I'm not gonna lie, I got 1103 00:57:47,480 --> 00:57:50,080 Speaker 2: a little lazy. I did not I didn't write their 1104 00:57:50,160 --> 00:57:53,240 Speaker 2: names down. No offense to those actors or whatever. Maybe 1105 00:57:53,280 --> 00:57:55,280 Speaker 2: they'll be important in the next episode. 1106 00:57:54,960 --> 00:57:58,200 Speaker 3: But you know they did there like this is Camille Johnson, 1107 00:57:58,440 --> 00:58:03,040 Speaker 3: Jondan Larry and I'm to Shane, I'm like, I don't 1108 00:58:03,040 --> 00:58:07,320 Speaker 3: actually care, like, like, can we just get on with 1109 00:58:07,440 --> 00:58:09,760 Speaker 3: the show, guys, We we don't have time for all 1110 00:58:09,800 --> 00:58:12,960 Speaker 3: these exhames of names. Let me see if I could 1111 00:58:13,040 --> 00:58:19,880 Speaker 3: play all right, she So that's when she saved them. 1112 00:58:21,080 --> 00:58:21,760 Speaker 5: You got names. 1113 00:58:23,640 --> 00:58:25,720 Speaker 4: My name is Conye. 1114 00:58:29,120 --> 00:58:29,560 Speaker 8: Yours. 1115 00:58:34,000 --> 00:58:36,200 Speaker 2: She picks up a sheriff's hat, puts it on her head. 1116 00:58:36,440 --> 00:58:39,800 Speaker 2: Carl's had Carl's hat, Judith. 1117 00:58:41,440 --> 00:58:42,600 Speaker 3: Trudith dimes. 1118 00:58:46,880 --> 00:58:50,600 Speaker 2: And that's when the episode ends, and I can't front. 1119 00:58:51,280 --> 00:58:53,960 Speaker 2: I lost my mother fucking mind, dad, because I was like, Oh, 1120 00:58:53,960 --> 00:58:54,680 Speaker 2: it's gonna be time. 1121 00:58:55,160 --> 00:58:59,440 Speaker 3: That was so fucking smart. 1122 00:59:00,800 --> 00:59:04,920 Speaker 2: It's so smart, like the tom Jump, because it's ambitious 1123 00:59:05,000 --> 00:59:08,320 Speaker 2: number one, right, because we clearly have jumped. 1124 00:59:08,360 --> 00:59:10,360 Speaker 3: I think they've confirmed six years in the future. 1125 00:59:10,920 --> 00:59:13,800 Speaker 2: So you think about it from the Meghan battle the 1126 00:59:14,000 --> 00:59:17,840 Speaker 2: end of it to now we have jumped seven and 1127 00:59:17,880 --> 00:59:18,440 Speaker 2: a half. 1128 00:59:18,320 --> 00:59:19,959 Speaker 3: Years in a show. 1129 00:59:20,120 --> 00:59:25,200 Speaker 2: In five episodes, they show like clips of like the 1130 00:59:25,320 --> 00:59:28,200 Speaker 2: next three episodes and it's all like happening in the future, 1131 00:59:28,280 --> 00:59:29,960 Speaker 2: and everybody looks a little different and stuff. 1132 00:59:30,440 --> 00:59:31,160 Speaker 3: That's cool. 1133 00:59:31,440 --> 00:59:34,880 Speaker 2: But the reason I think this is so brilliant there's 1134 00:59:35,040 --> 00:59:37,520 Speaker 2: things that have become repetitive on the show that they 1135 00:59:37,680 --> 00:59:40,680 Speaker 2: now have a chance with this new showrunner to kind 1136 00:59:40,720 --> 00:59:43,720 Speaker 2: of ask some different questions, present some different enemies, some 1137 00:59:43,920 --> 00:59:48,720 Speaker 2: different conundrums, to kind of rewrite characters. It's a fresh 1138 00:59:48,760 --> 00:59:51,480 Speaker 2: start for everyone. You can take someone. 1139 00:59:51,440 --> 00:59:54,480 Speaker 3: Who we despise and build them back up. You can 1140 00:59:54,560 --> 00:59:57,200 Speaker 3: take someone we love and take them down a notch. 1141 00:59:57,360 --> 01:00:02,160 Speaker 2: You can like, for example, I was wondering how they 1142 01:00:02,200 --> 01:00:05,080 Speaker 2: were gonna write themselves out of Nigan being in that cell, 1143 01:00:05,400 --> 01:00:08,520 Speaker 2: a complete shell of himself. If he's gonna stay around 1144 01:00:08,560 --> 01:00:10,920 Speaker 2: on the show at all, how do we ever get 1145 01:00:10,960 --> 01:00:14,440 Speaker 2: back to big bad Knigan or rehabilitated Knian or make 1146 01:00:14,520 --> 01:00:15,400 Speaker 2: him interested again? 1147 01:00:15,800 --> 01:00:17,400 Speaker 3: Because that felt like the end of his arc. 1148 01:00:17,680 --> 01:00:21,000 Speaker 2: If we're being honest with Nigga crying in the cell, 1149 01:00:21,560 --> 01:00:25,920 Speaker 2: you know, how do we get back to you know, 1150 01:00:26,120 --> 01:00:29,120 Speaker 2: like now that we've stopped the argument of Maggie versus 1151 01:00:29,680 --> 01:00:33,720 Speaker 2: revenge versus Darryl and and Maggie and Jesus and all this, like, 1152 01:00:33,800 --> 01:00:36,200 Speaker 2: maybe we can get rid of that discussion now because 1153 01:00:36,360 --> 01:00:38,800 Speaker 2: six years from now it should be resolved to some level. 1154 01:00:39,280 --> 01:00:40,960 Speaker 3: It's not like you would talk about it every day 1155 01:00:41,000 --> 01:00:43,439 Speaker 3: for six years, So six years from now we don't 1156 01:00:43,520 --> 01:00:43,720 Speaker 3: do that. 1157 01:00:44,400 --> 01:00:47,920 Speaker 2: We get to see like Eni, older will young oh, 1158 01:00:48,000 --> 01:00:51,520 Speaker 2: young Master Henry, I mean older Judith. 1159 01:00:51,480 --> 01:00:53,240 Speaker 3: Like what exactly Maggie's son? 1160 01:00:54,000 --> 01:00:58,200 Speaker 2: Yeah, Like, what does young Herschel look like? I've even 1161 01:00:58,280 --> 01:01:01,880 Speaker 2: heard that possibly Maggie. This is Lauren Cohen's last episode 1162 01:01:01,920 --> 01:01:05,000 Speaker 2: for this season, so we might so in the future, 1163 01:01:05,080 --> 01:01:05,800 Speaker 2: where is Maggie? 1164 01:01:06,560 --> 01:01:08,600 Speaker 3: Right? You see what I'm saying now. 1165 01:01:08,640 --> 01:01:10,200 Speaker 2: They do want her to come back to the show, 1166 01:01:10,280 --> 01:01:13,440 Speaker 2: but she started, she signed with another show, and it's 1167 01:01:13,440 --> 01:01:17,000 Speaker 2: a conflict of you know, timing to be filming. 1168 01:01:17,160 --> 01:01:20,640 Speaker 3: So unfortunately the actress couldn't do the show. 1169 01:01:20,680 --> 01:01:23,040 Speaker 2: But they didn't want to kill her either, right, and 1170 01:01:23,080 --> 01:01:26,400 Speaker 2: they had like the contract negotiations and stuff. So hopefully 1171 01:01:26,440 --> 01:01:28,320 Speaker 2: she'll be back. But what are they gonna how are 1172 01:01:28,320 --> 01:01:29,200 Speaker 2: they gonna write about that? 1173 01:01:30,200 --> 01:01:30,400 Speaker 7: You know? 1174 01:01:30,800 --> 01:01:32,960 Speaker 3: So I was really excited about that part of it. 1175 01:01:34,480 --> 01:01:37,200 Speaker 3: What do you think about the time jump? I love that. 1176 01:01:37,240 --> 01:01:39,600 Speaker 4: I'm here for it because it can RaSE shit. You 1177 01:01:39,760 --> 01:01:41,120 Speaker 4: we ain't got to we ain't got to talk about 1178 01:01:41,120 --> 01:01:42,919 Speaker 4: the Saviors, we ain't got to talk about Ocean side. 1179 01:01:43,160 --> 01:01:45,400 Speaker 4: If you address it, fine, if you don't, I'm cool 1180 01:01:45,440 --> 01:01:49,320 Speaker 4: with that too. We've jumped six years, right, So that's 1181 01:01:49,360 --> 01:01:52,280 Speaker 4: what I love about it, and I'm gonna keep it real. 1182 01:01:52,480 --> 01:01:54,840 Speaker 4: Shout out to the women that have been coming out 1183 01:01:54,880 --> 01:02:01,920 Speaker 4: and like rewriting and revamping shows because Angela King, right 1184 01:02:02,200 --> 01:02:05,040 Speaker 4: King Caan Hod You've been runing the hell out of 1185 01:02:05,120 --> 01:02:08,479 Speaker 4: this just for the simple fact that the pacing gets better, 1186 01:02:08,800 --> 01:02:11,960 Speaker 4: and it literally reminds you of how the show used 1187 01:02:11,960 --> 01:02:15,800 Speaker 4: to be quick paced, moving fast. You know, every episode 1188 01:02:15,960 --> 01:02:19,000 Speaker 4: with in boom boom, boom boom. But it wasn't like 1189 01:02:19,760 --> 01:02:22,760 Speaker 4: we just drawing out for the sake of drawing shit out. 1190 01:02:23,320 --> 01:02:27,240 Speaker 2: Even this episode, I feel like a year ago, two 1191 01:02:27,320 --> 01:02:28,760 Speaker 2: years ago, this would have been an hour and a 1192 01:02:28,800 --> 01:02:31,640 Speaker 2: half episode. Yes, this episode I think clocked in in 1193 01:02:31,640 --> 01:02:35,280 Speaker 2: an hour and twelve minutes, and you know, obviously take 1194 01:02:35,320 --> 01:02:37,680 Speaker 2: out the commercials and shit, but like they didn't try 1195 01:02:37,760 --> 01:02:40,439 Speaker 2: to add an extra thirty minutes. Like if this would 1196 01:02:40,480 --> 01:02:42,200 Speaker 2: have been a couple of years ago, I felt like 1197 01:02:42,240 --> 01:02:44,400 Speaker 2: we would have had Lorry show up, Car would have 1198 01:02:44,480 --> 01:02:48,560 Speaker 2: showed up, Te Dog would have showed up, Glenn, Glenn, 1199 01:02:48,760 --> 01:02:51,360 Speaker 2: Andrea te Doll like a They would have tried to 1200 01:02:51,440 --> 01:02:55,000 Speaker 2: get every actor a scene with Rick, and it would 1201 01:02:55,000 --> 01:02:56,760 Speaker 2: have been a big ass Like eventually we would have 1202 01:02:56,760 --> 01:02:59,280 Speaker 2: got so tired of him passing out and doing scenes 1203 01:02:59,360 --> 01:03:01,880 Speaker 2: with people that we would have actually lit sitting around like, 1204 01:03:01,960 --> 01:03:03,160 Speaker 2: oh my god, get it over with. 1205 01:03:03,760 --> 01:03:06,040 Speaker 3: And this shit moved fast. 1206 01:03:06,160 --> 01:03:09,240 Speaker 2: And also another reason I was surprised I thought they 1207 01:03:09,280 --> 01:03:13,720 Speaker 2: were gonna do all Rick like when they made this 1208 01:03:13,840 --> 01:03:17,800 Speaker 2: thing that oh the last Rick episode or whatever, I said, Oh, 1209 01:03:18,320 --> 01:03:20,880 Speaker 2: so the whole thing is gonna be Rick grinds, rick grinds, 1210 01:03:20,960 --> 01:03:23,720 Speaker 2: rick grinds, and it's gonna be really trippy and the 1211 01:03:23,800 --> 01:03:25,760 Speaker 2: big send off to Andrew Lincoln and a thank you 1212 01:03:25,840 --> 01:03:26,680 Speaker 2: for his time on the show. 1213 01:03:26,760 --> 01:03:28,680 Speaker 4: I think if the old show runner would have done it, yes, 1214 01:03:29,640 --> 01:03:31,080 Speaker 4: mm hmm, like you said, yeah. 1215 01:03:31,120 --> 01:03:34,920 Speaker 2: But they actually included elements that pushed the story along 1216 01:03:35,400 --> 01:03:38,040 Speaker 2: and that kind of ended certain things. Because even if 1217 01:03:38,080 --> 01:03:39,919 Speaker 2: they would have came back and said, next week gonna 1218 01:03:39,960 --> 01:03:41,760 Speaker 2: walk and dead, We're not skipping four six years. 1219 01:03:41,760 --> 01:03:43,040 Speaker 3: We're just going to the next day. 1220 01:03:43,840 --> 01:03:46,680 Speaker 2: Even if they would have done that, I feel like 1221 01:03:46,760 --> 01:03:50,160 Speaker 2: the argument about killing Nigga was dead agreed, like that's 1222 01:03:50,200 --> 01:03:52,360 Speaker 2: how good That writing of that scene was like, well, 1223 01:03:52,400 --> 01:03:56,000 Speaker 2: if Maggie doesn't have the heart slash, she's too petty 1224 01:03:56,080 --> 01:03:58,880 Speaker 2: to kill Niggan at this point, then nobody's gonna do 1225 01:03:58,960 --> 01:04:00,720 Speaker 2: it because she was the one had the right to 1226 01:04:00,800 --> 01:04:03,200 Speaker 2: do it, and the White would have I mean, Daryl 1227 01:04:03,200 --> 01:04:06,000 Speaker 2: would have been like, well, okay, other things I like 1228 01:04:06,040 --> 01:04:08,800 Speaker 2: about the future skip you can bring people back yep, 1229 01:04:09,520 --> 01:04:12,120 Speaker 2: like maybe we see the white I think, will you 1230 01:04:12,160 --> 01:04:16,040 Speaker 2: know what I mean? Like maybe we see Heath, Yes, 1231 01:04:16,920 --> 01:04:17,840 Speaker 2: Like what happened to Heath? 1232 01:04:18,040 --> 01:04:20,600 Speaker 4: He just washed away and never came back, right, he 1233 01:04:20,720 --> 01:04:22,000 Speaker 4: went to twenty four and that was it. 1234 01:04:22,760 --> 01:04:25,560 Speaker 2: And you can also do things like bring people like 1235 01:04:26,240 --> 01:04:28,280 Speaker 2: we were six years in the future and now you 1236 01:04:28,400 --> 01:04:30,640 Speaker 2: got six years of story you can tell in between that, 1237 01:04:31,000 --> 01:04:33,200 Speaker 2: so you can have flashbacks in and out of that, 1238 01:04:33,720 --> 01:04:36,240 Speaker 2: Whereas anywhere in that six year period, you can be like, well, 1239 01:04:36,320 --> 01:04:39,680 Speaker 2: let's tell the story of why of how of how 1240 01:04:39,800 --> 01:04:42,080 Speaker 2: Machean went out looking for Rick and never found them, 1241 01:04:42,360 --> 01:04:45,160 Speaker 2: and we'll just make one hour of just that, Like 1242 01:04:46,280 --> 01:04:47,680 Speaker 2: she didn't just give up and move on. 1243 01:04:48,000 --> 01:04:50,480 Speaker 3: It's not some cold blood and shit. She looked for 1244 01:04:50,560 --> 01:04:51,040 Speaker 3: him for years. 1245 01:04:51,160 --> 01:04:53,480 Speaker 2: Or you can never tell that story and just put 1246 01:04:53,520 --> 01:04:55,880 Speaker 2: it into writing and make us be like, you know 1247 01:04:56,240 --> 01:04:58,320 Speaker 2: enough people have told her that she needs to give 1248 01:04:58,440 --> 01:05:01,600 Speaker 2: up and move on after Rick that we realized she's 1249 01:05:01,680 --> 01:05:03,840 Speaker 2: been pining for Rick and waiting for him to like 1250 01:05:04,120 --> 01:05:06,960 Speaker 2: be alive for years now, you know. 1251 01:05:07,200 --> 01:05:09,640 Speaker 3: I just it was so smart. 1252 01:05:09,760 --> 01:05:12,280 Speaker 2: It was so smart, Like all the ruts that the 1253 01:05:12,320 --> 01:05:14,240 Speaker 2: show is in, and I already had some signs that 1254 01:05:14,360 --> 01:05:17,320 Speaker 2: the show is getting better with the pacing, some of 1255 01:05:17,400 --> 01:05:20,680 Speaker 2: the writing, and it's hard to clean up a show 1256 01:05:21,040 --> 01:05:24,240 Speaker 2: nine seasons in, Like, I can still see people I 1257 01:05:24,280 --> 01:05:26,280 Speaker 2: don't like. This is why I'm not recommending the show 1258 01:05:26,280 --> 01:05:28,080 Speaker 2: to the people that are like I don't like it anymore, 1259 01:05:28,400 --> 01:05:31,040 Speaker 2: because I can still feel like I still feel like, 1260 01:05:31,120 --> 01:05:34,040 Speaker 2: if you really hate this show, why would it matter 1261 01:05:34,120 --> 01:05:35,280 Speaker 2: that they changed it? 1262 01:05:35,520 --> 01:05:36,520 Speaker 4: It wouldn't, you know. 1263 01:05:36,840 --> 01:05:39,760 Speaker 2: And I I saw people trying to say that this 1264 01:05:40,000 --> 01:05:43,160 Speaker 2: was some type of like, oh, they tricked y'all. They 1265 01:05:43,240 --> 01:05:45,400 Speaker 2: said they were gonna kill Rick and he didn't die, 1266 01:05:45,960 --> 01:05:47,560 Speaker 2: But I don't think they ever said that. 1267 01:05:47,720 --> 01:05:50,080 Speaker 4: They just said it was his last episode. They never 1268 01:05:50,160 --> 01:05:51,800 Speaker 4: said if he was going to live or die. 1269 01:05:51,960 --> 01:05:55,400 Speaker 2: I think they've gotten smarter about that, like instead of 1270 01:05:55,520 --> 01:05:58,920 Speaker 2: just lying to the audience on purpose and then like, like, 1271 01:05:59,040 --> 01:06:01,160 Speaker 2: Glenn's actually a die. 1272 01:06:01,080 --> 01:06:02,920 Speaker 4: He may people turned salad to that. 1273 01:06:03,320 --> 01:06:06,000 Speaker 2: Yeah, I think they knew today kind of pissed everybody 1274 01:06:06,040 --> 01:06:09,240 Speaker 2: off of that shit, and they decided like, Okay, we're 1275 01:06:09,320 --> 01:06:11,440 Speaker 2: not gonna do this, you know, let's go ahead and 1276 01:06:12,840 --> 01:06:13,560 Speaker 2: take it down or not. 1277 01:06:13,840 --> 01:06:17,040 Speaker 3: So Yeah, man, I cannot be more excited. 1278 01:06:17,200 --> 01:06:20,640 Speaker 2: I can't wait to see future everybody six years from now, 1279 01:06:20,800 --> 01:06:22,680 Speaker 2: like this is on a TV show with this kind 1280 01:06:22,720 --> 01:06:23,560 Speaker 2: of budget and money. 1281 01:06:23,640 --> 01:06:26,920 Speaker 3: Shit, do it's gotta take chances? Do some shit other 1282 01:06:27,000 --> 01:06:29,560 Speaker 3: shows aren't afraid to do. Yeah, what do you have 1283 01:06:29,680 --> 01:06:31,520 Speaker 3: to lose? Like a black personal phone for Trump? What 1284 01:06:31,600 --> 01:06:32,520 Speaker 3: do you have to lose? 1285 01:06:34,120 --> 01:06:36,560 Speaker 2: But nah, I do want to I'm glad that they 1286 01:06:36,640 --> 01:06:40,720 Speaker 2: did this. All right, let's get into the feedback. We 1287 01:06:40,800 --> 01:06:45,160 Speaker 2: got a few emails from people about their feedback and 1288 01:06:45,400 --> 01:06:46,120 Speaker 2: we appreciate it. 1289 01:06:46,280 --> 01:06:48,880 Speaker 3: Oh, I forgot and the other announcement. How can all 1290 01:06:49,040 --> 01:06:49,560 Speaker 3: leave this out? 1291 01:06:50,000 --> 01:06:54,360 Speaker 2: They're gonna do movies for AMC based on Rick Grind's 1292 01:06:54,360 --> 01:06:57,560 Speaker 2: a character and whatever he's up to while the show 1293 01:06:58,480 --> 01:07:00,560 Speaker 2: is going on in the time that he away from 1294 01:07:00,600 --> 01:07:04,240 Speaker 2: the rest of the crew and his family. I won't lie, guys, 1295 01:07:05,920 --> 01:07:11,320 Speaker 2: I personally don't like this idea. Now now I understand 1296 01:07:11,400 --> 01:07:14,919 Speaker 2: the idea. Yeah, the reason I get it, I don't 1297 01:07:14,960 --> 01:07:15,400 Speaker 2: work there. 1298 01:07:15,560 --> 01:07:17,960 Speaker 3: But my guess is you don't. 1299 01:07:17,760 --> 01:07:20,880 Speaker 2: Want to lose an actor like Andrew Lincoln and he 1300 01:07:21,040 --> 01:07:23,960 Speaker 2: wants to spend time with his family in Australia. They 1301 01:07:24,320 --> 01:07:27,160 Speaker 2: the rumor is they are signing people to contracts now 1302 01:07:27,840 --> 01:07:31,240 Speaker 2: that allow them to cross over between walking Dad properties, 1303 01:07:32,040 --> 01:07:34,360 Speaker 2: so there's a chance that they can do things with 1304 01:07:34,640 --> 01:07:37,520 Speaker 2: like saying Darryl or I forget the other person that 1305 01:07:37,640 --> 01:07:39,680 Speaker 2: just signed it to Carol and Darryl, I believe signed 1306 01:07:39,680 --> 01:07:41,960 Speaker 2: their deals and it's working with Dona Guarera on her 1307 01:07:42,080 --> 01:07:45,080 Speaker 2: new deal, and I can see them being like we 1308 01:07:45,200 --> 01:07:47,720 Speaker 2: want them to be in these movies, whether it's through flashbacks, 1309 01:07:47,720 --> 01:07:51,880 Speaker 2: whether it's memories, whether there's visions we want. But we 1310 01:07:52,080 --> 01:07:55,600 Speaker 2: know Andrew Lincoln physically will never be back in Atlanta 1311 01:07:56,480 --> 01:07:59,200 Speaker 2: to film with the rest of the cast, so and 1312 01:07:59,320 --> 01:08:02,200 Speaker 2: he's tired of the grind, has been fucking ten years 1313 01:08:02,240 --> 01:08:05,680 Speaker 2: of this shit. I know we're gonna basically move the 1314 01:08:05,760 --> 01:08:08,280 Speaker 2: movies to him and his family so he doesn't have 1315 01:08:08,360 --> 01:08:11,120 Speaker 2: to leave, and maybe fly our own actors over there 1316 01:08:11,400 --> 01:08:16,160 Speaker 2: so they can you know, get involved and and uh, 1317 01:08:17,240 --> 01:08:18,599 Speaker 2: you know, being his movies and stuff. 1318 01:08:18,680 --> 01:08:21,320 Speaker 3: I get it. I get the logistics of it. I'm 1319 01:08:21,360 --> 01:08:23,040 Speaker 3: not knocking AMC for what they're doing. 1320 01:08:23,400 --> 01:08:25,439 Speaker 2: You don't want to let Andrew Lincoln just run off 1321 01:08:26,200 --> 01:08:28,559 Speaker 2: do whatever he wants to do, no contract, no nothing, 1322 01:08:28,640 --> 01:08:30,920 Speaker 2: and then you're just kind of fucked because a lot 1323 01:08:30,960 --> 01:08:33,080 Speaker 2: of people love Rick and I personally am glad Rick 1324 01:08:33,160 --> 01:08:35,400 Speaker 2: didn't die. I was not looking for them dying. I 1325 01:08:35,439 --> 01:08:38,280 Speaker 2: don't know why people were so hype about that. I 1326 01:08:38,479 --> 01:08:41,120 Speaker 2: love this character and this actor, and I it would 1327 01:08:41,160 --> 01:08:43,120 Speaker 2: have sucked, you know, the same way it was suck. 1328 01:08:43,200 --> 01:08:45,639 Speaker 2: It sucked when Carl died, Like I like that character 1329 01:08:45,680 --> 01:08:48,080 Speaker 2: and that actor, you know, and I mean that for real. 1330 01:08:48,200 --> 01:08:51,000 Speaker 2: I know a lot of people didn't like Carl when 1331 01:08:51,040 --> 01:08:52,479 Speaker 2: he was alive, and then he got killed and they 1332 01:08:52,600 --> 01:08:54,040 Speaker 2: was like, that's what's wrong with the show. It's like 1333 01:08:54,160 --> 01:08:58,880 Speaker 2: y'all said, y'all hate that dude. But yeah, so I absolutely, 1334 01:08:59,160 --> 01:09:02,800 Speaker 2: uh glad that he's still around. But I don't know 1335 01:09:02,840 --> 01:09:05,720 Speaker 2: about these movies, but I hope they're good, but I 1336 01:09:05,760 --> 01:09:06,639 Speaker 2: don't have a good feeling. 1337 01:09:06,800 --> 01:09:09,120 Speaker 4: Yeah, that sounded like a straight Scott Gimple move. 1338 01:09:09,840 --> 01:09:11,160 Speaker 3: That's the first thing I thought it was. That's from 1339 01:09:11,160 --> 01:09:11,759 Speaker 3: Scott Gimple. 1340 01:09:11,800 --> 01:09:14,479 Speaker 2: Shit, giving us more than we want from Miwalk and 1341 01:09:14,560 --> 01:09:18,040 Speaker 2: Dad to the point of over saturation, and then people 1342 01:09:18,080 --> 01:09:21,160 Speaker 2: start going, I'm tired of this show, and I'm like, 1343 01:09:21,240 --> 01:09:22,160 Speaker 2: I hope, I bet you. 1344 01:09:22,320 --> 01:09:24,280 Speaker 3: I would bet money. Angela Kane't got nothing to do 1345 01:09:24,360 --> 01:09:25,840 Speaker 3: with that shit, you know, she don't. 1346 01:09:26,640 --> 01:09:29,880 Speaker 2: All right now, let's get into the emails the last 1347 01:09:30,000 --> 01:09:32,599 Speaker 2: Rick episode of The Walking Dead. This is from Adrian, 1348 01:09:32,640 --> 01:09:35,760 Speaker 2: who says, dear riding Car, I've emailed you many times 1349 01:09:35,760 --> 01:09:38,479 Speaker 2: about The Walking Dead last year. After the Car died episode, 1350 01:09:38,520 --> 01:09:41,439 Speaker 2: I stopped watching The Walking Dead. I just had lost interest. However, 1351 01:09:41,880 --> 01:09:43,479 Speaker 2: listen to all your recaps, so I had at least 1352 01:09:43,520 --> 01:09:45,439 Speaker 2: a clue what was going on. I watched the last 1353 01:09:45,479 --> 01:09:48,160 Speaker 2: season finale last season just to say good riddance to 1354 01:09:48,240 --> 01:09:49,759 Speaker 2: the war with the Saviors that went. 1355 01:09:49,640 --> 01:09:53,080 Speaker 3: On too long. Agreed, Yes, agreed with the new showrunner. 1356 01:09:53,080 --> 01:09:54,559 Speaker 2: I decided to watch the show again and have been 1357 01:09:54,640 --> 01:09:57,240 Speaker 2: enjoined both the new season and your recaps. I agree 1358 01:09:57,280 --> 01:09:59,040 Speaker 2: the new showrunner had to clean up all the last 1359 01:09:59,080 --> 01:10:02,160 Speaker 2: year's show runners mess before moving on, and it's so 1360 01:10:02,280 --> 01:10:05,280 Speaker 2: much better at pacing. I'm not a Walking Dead comic reader, 1361 01:10:05,320 --> 01:10:07,280 Speaker 2: but I live with one. He is super excited to 1362 01:10:07,320 --> 01:10:08,800 Speaker 2: see the upcoming on The Walking Dead. 1363 01:10:09,320 --> 01:10:13,599 Speaker 4: God real, good, y'all. 1364 01:10:13,800 --> 01:10:14,759 Speaker 3: I do read the comic. 1365 01:10:15,400 --> 01:10:18,040 Speaker 4: It's like, yeah, I'm not all the way caught, but 1366 01:10:18,120 --> 01:10:20,320 Speaker 4: I'm caught up enough to where I got. I got idea, 1367 01:10:20,360 --> 01:10:20,920 Speaker 4: what's happening. 1368 01:10:21,040 --> 01:10:23,879 Speaker 3: I don't know what Angela King gonna do? With these characters. 1369 01:10:24,720 --> 01:10:27,439 Speaker 2: But when I heard them zombies walking and I've seen 1370 01:10:27,600 --> 01:10:33,240 Speaker 2: I think it was uh Rosita and somebody was covering 1371 01:10:33,280 --> 01:10:36,320 Speaker 2: themselves and Daryl they were covering themselves up in mud 1372 01:10:36,479 --> 01:10:38,919 Speaker 2: hiding and you can hear the zombies in the background, 1373 01:10:39,320 --> 01:10:41,720 Speaker 2: and they were doing the zombie like ground but it 1374 01:10:41,840 --> 01:10:42,479 Speaker 2: was worse and it. 1375 01:10:42,560 --> 01:10:43,920 Speaker 3: Was like where. 1376 01:10:46,760 --> 01:10:50,960 Speaker 2: And I was like the fucking whisperers dog. Themn dggers 1377 01:10:51,000 --> 01:10:55,559 Speaker 2: are scary, so I can't wait. I think they'll probably 1378 01:10:55,720 --> 01:10:59,960 Speaker 2: change them a bit from the comics. They have to, Yeah, 1379 01:10:59,960 --> 01:11:02,040 Speaker 2: I kind of think they have to because they was 1380 01:11:02,600 --> 01:11:05,880 Speaker 2: in the comics. The Whispers are like RAPI and shit rules, 1381 01:11:06,080 --> 01:11:09,080 Speaker 2: yeah yeah, and I don't and they don't like show 1382 01:11:09,280 --> 01:11:12,280 Speaker 2: any sexual assaut stuff, but they talk about that. 1383 01:11:13,000 --> 01:11:15,439 Speaker 3: Yeah, it's implied that they are some pieces of shit. 1384 01:11:16,680 --> 01:11:22,479 Speaker 2: Anyway, he made me rewind a part of it because 1385 01:11:22,479 --> 01:11:24,479 Speaker 2: I missed something key no spoilers for those who didn't 1386 01:11:24,479 --> 01:11:25,680 Speaker 2: have comic, agreed to tease them. 1387 01:11:25,720 --> 01:11:28,479 Speaker 3: Nope, we're gonna spoil I mean, it's not like the 1388 01:11:28,520 --> 01:11:30,479 Speaker 3: show and the comic got the same, so they're not. 1389 01:11:30,720 --> 01:11:33,600 Speaker 2: And if you and honestly, if you on the Whispers 1390 01:11:33,640 --> 01:11:36,840 Speaker 2: in the comic you stopped reading that comic years ago. Like, 1391 01:11:37,000 --> 01:11:39,200 Speaker 2: I don't feel bad about that at all, Like I'm 1392 01:11:39,240 --> 01:11:40,759 Speaker 2: spoiling something from twenty fifteen. 1393 01:11:40,840 --> 01:11:41,080 Speaker 3: I don't. 1394 01:11:41,200 --> 01:11:44,000 Speaker 2: I'm sorry, but that, Like, there's got to be limits 1395 01:11:44,040 --> 01:11:46,360 Speaker 2: to this shit. I'm glad they are doing the time 1396 01:11:46,439 --> 01:11:48,200 Speaker 2: jump for it. Can all the babies figure out they're 1397 01:11:48,200 --> 01:11:51,120 Speaker 2: appropriate ages now? Maggie's pregnancy was the longest in history, 1398 01:11:51,160 --> 01:11:52,479 Speaker 2: and baby Herschel was too young. 1399 01:11:52,439 --> 01:11:55,240 Speaker 3: For a two year time jump two year time jump, 1400 01:11:55,360 --> 01:11:57,200 Speaker 3: yet somehow Judith had grown years. 1401 01:11:57,479 --> 01:12:00,320 Speaker 2: It's supposedly months but not aged into two years old jump. 1402 01:12:00,760 --> 01:12:03,280 Speaker 2: Hopefully all the agent and the upcoming episodes makes sense. 1403 01:12:03,360 --> 01:12:05,519 Speaker 3: I also too. I felt bad for the child actors 1404 01:12:05,560 --> 01:12:07,880 Speaker 3: the most though, because I'm like, who's. 1405 01:12:07,600 --> 01:12:11,200 Speaker 2: Old enough not to get recast? Like, don't you have 1406 01:12:11,320 --> 01:12:13,200 Speaker 2: to recast even it if if she's on the show, 1407 01:12:14,080 --> 01:12:14,519 Speaker 2: Like how do you? 1408 01:12:14,680 --> 01:12:16,320 Speaker 4: I mean you're gonna up? 1409 01:12:16,560 --> 01:12:18,479 Speaker 2: I was gonna I mean yeah, but I was gonna say, 1410 01:12:18,640 --> 01:12:21,719 Speaker 2: maybe I'm wrong because a lot of times these actors 1411 01:12:21,760 --> 01:12:24,000 Speaker 2: play children, but they in real life they're like twenty five, 1412 01:12:24,160 --> 01:12:26,479 Speaker 2: all right, So maybe maybe it won't be as bad 1413 01:12:26,520 --> 01:12:26,960 Speaker 2: as I think. 1414 01:12:27,080 --> 01:12:27,439 Speaker 3: I don't know. 1415 01:12:28,320 --> 01:12:31,719 Speaker 2: Uh, As for this being Rick's last episode. You called 1416 01:12:31,840 --> 01:12:35,320 Speaker 2: all of it rod old characters return and mostly only Rick. 1417 01:12:35,760 --> 01:12:38,799 Speaker 2: I enjoyed Bernard Thal's briefing and I cried when Herchel 1418 01:12:38,800 --> 01:12:41,679 Speaker 2: showed up. Right, they must have filmed that scene quite 1419 01:12:41,720 --> 01:12:43,800 Speaker 2: some time ago. I thought the episode was well done, 1420 01:12:43,920 --> 01:12:44,640 Speaker 2: moved along at a. 1421 01:12:44,640 --> 01:12:46,880 Speaker 3: Good pace, and did a good job that the remaining 1422 01:12:46,960 --> 01:12:49,400 Speaker 3: characters thought they saw Rick die. So that won't be 1423 01:12:49,479 --> 01:12:52,120 Speaker 3: the lingering idea of looking for Rick. Oh Mashan gonna look. 1424 01:12:52,200 --> 01:12:54,200 Speaker 4: That's if ain't nobody else looking? She looking? 1425 01:12:54,360 --> 01:12:57,760 Speaker 2: That is her Vanilla King. I don't think the show 1426 01:12:57,760 --> 01:13:00,320 Speaker 2: will be the same, It will finally move forward, have 1427 01:13:00,439 --> 01:13:01,080 Speaker 2: a lovely way. 1428 01:13:01,360 --> 01:13:08,160 Speaker 3: Thank you, we shall let's see what else we got here. Ms. 1429 01:13:08,360 --> 01:13:14,040 Speaker 3: Martha Ken says, I am in uh wait, Walking Dead 1430 01:13:14,080 --> 01:13:16,519 Speaker 3: Wednesday in my time for the show, hope, so you are. 1431 01:13:17,000 --> 01:13:18,880 Speaker 2: I really enjoyed this week show, but as I was watching, 1432 01:13:18,880 --> 01:13:20,559 Speaker 2: I couldn't help but think how much better it would 1433 01:13:20,560 --> 01:13:25,160 Speaker 2: have been without spoiler culture, Nigga, that's one thing I 1434 01:13:25,360 --> 01:13:29,800 Speaker 2: really feel like has unfairly hurt this show in a 1435 01:13:29,880 --> 01:13:36,080 Speaker 2: way that other shows have dealt with, but they Walking 1436 01:13:36,160 --> 01:13:39,240 Speaker 2: Dad was on the forefront of that. Like when culture 1437 01:13:39,400 --> 01:13:42,880 Speaker 2: changed from just being like, I wonder what's gonna happen 1438 01:13:42,920 --> 01:13:47,200 Speaker 2: next week to motherfucker's being like, we saw so and 1439 01:13:47,360 --> 01:13:49,719 Speaker 2: so do we saw Jeffrey Dean Morian on the set 1440 01:13:50,040 --> 01:13:53,720 Speaker 2: of Walking Dead in April, and that means he will 1441 01:13:53,800 --> 01:13:56,880 Speaker 2: play me in and the TV show doesn't even get 1442 01:13:56,880 --> 01:13:59,840 Speaker 2: to announce it. And so they had to do some things, 1443 01:14:00,040 --> 01:14:03,599 Speaker 2: I think in hindsight, with some missteps, but they did 1444 01:14:03,680 --> 01:14:07,160 Speaker 2: some things to try to beat spoiler culture that actually 1445 01:14:07,280 --> 01:14:08,800 Speaker 2: ended up pissing off a lot of fans. 1446 01:14:08,920 --> 01:14:11,080 Speaker 4: And I think that's why they told us about Rick's 1447 01:14:11,160 --> 01:14:12,800 Speaker 4: movie deals and all that shit, because they were like, 1448 01:14:13,160 --> 01:14:15,760 Speaker 4: let's go ahead and say this now, because we don't 1449 01:14:16,320 --> 01:14:17,479 Speaker 4: y'all gonna talk about. 1450 01:14:17,280 --> 01:14:19,439 Speaker 2: It, cause nothing like as much as I hate that 1451 01:14:19,479 --> 01:14:23,360 Speaker 2: Gimpel told us, at the same time, nothing would have 1452 01:14:23,400 --> 01:14:26,960 Speaker 2: been cooler if like, a year from now, during the 1453 01:14:27,160 --> 01:14:30,200 Speaker 2: mid season break, they do they go on the next 1454 01:14:30,240 --> 01:14:34,479 Speaker 2: Walking Dead and it's Rick, like, nigga, we would have 1455 01:14:34,600 --> 01:14:37,320 Speaker 2: lost our minds. All of us would have lost our 1456 01:14:37,600 --> 01:14:41,200 Speaker 2: entire fucking minds if they just skipped ahead and was 1457 01:14:41,320 --> 01:14:46,200 Speaker 2: like or just like I said, like next winter break, 1458 01:14:46,400 --> 01:14:50,320 Speaker 2: you know, twenty nineteen winter break. The fucking halfway season 1459 01:14:50,360 --> 01:14:53,760 Speaker 2: finale ends and it's like coming up on Walking Dead 1460 01:14:53,880 --> 01:14:57,400 Speaker 2: and it's fucking Rick Grimes. We would have been running 1461 01:14:57,439 --> 01:14:59,880 Speaker 2: around the house like, what is this. This is the 1462 01:15:00,040 --> 01:15:03,000 Speaker 2: greatest thing ever. Rick's not dead. They're doing stories about him. 1463 01:15:03,000 --> 01:15:03,760 Speaker 2: He's not off the show. 1464 01:15:03,880 --> 01:15:06,200 Speaker 4: I would have loved that. But because everybody got to 1465 01:15:06,240 --> 01:15:07,400 Speaker 4: know everything. 1466 01:15:07,760 --> 01:15:10,080 Speaker 3: Yeah, I just think spoiler coaches just change how they 1467 01:15:10,120 --> 01:15:10,479 Speaker 3: handle it. 1468 01:15:10,520 --> 01:15:12,320 Speaker 2: You almost had to get ahead of stuff and be like, 1469 01:15:12,400 --> 01:15:14,960 Speaker 2: we're gonna do movies and help people get as excited 1470 01:15:15,000 --> 01:15:18,280 Speaker 2: about that idea as they are as they would have 1471 01:15:18,320 --> 01:15:19,519 Speaker 2: been if they were surprised. 1472 01:15:19,720 --> 01:15:19,840 Speaker 4: Right. 1473 01:15:20,280 --> 01:15:24,160 Speaker 2: Sucks, but it's the truth. And then they also they 1474 01:15:24,240 --> 01:15:26,160 Speaker 2: were on the forefront of trying different things. I mean, 1475 01:15:26,600 --> 01:15:28,960 Speaker 2: people get mad about the Glenn thing, but the Glenn 1476 01:15:29,040 --> 01:15:31,080 Speaker 2: thing was really a direct result of them trying not 1477 01:15:31,120 --> 01:15:31,759 Speaker 2: to be spoiled. 1478 01:15:32,200 --> 01:15:34,559 Speaker 3: Mm hmm. It was all no, no, no, he's alive. 1479 01:15:35,160 --> 01:15:36,599 Speaker 3: Oh no, he's dead. It's over. 1480 01:15:36,760 --> 01:15:38,760 Speaker 2: Took his name out the credits, have him on the 1481 01:15:40,160 --> 01:15:41,800 Speaker 2: I think they didn't have him on the Talking Dead, 1482 01:15:41,920 --> 01:15:44,080 Speaker 2: but they were like, you know, it's sad, and they 1483 01:15:44,160 --> 01:15:46,479 Speaker 2: did all that shit. And then it's like they did 1484 01:15:46,680 --> 01:15:49,519 Speaker 2: all that so they could just get one last surprise 1485 01:15:49,600 --> 01:15:51,720 Speaker 2: of he lived, and they thought we would all be 1486 01:15:51,880 --> 01:15:55,320 Speaker 2: like yay, and some people were I remember those people. 1487 01:15:55,400 --> 01:15:57,920 Speaker 2: It was very contentious on my Facebook pages of time. 1488 01:15:58,439 --> 01:16:01,559 Speaker 2: But I remember saying at that moment, because I know people, 1489 01:16:03,000 --> 01:16:06,600 Speaker 2: I said, oh, they just hurt the show bad. No, 1490 01:16:06,800 --> 01:16:08,360 Speaker 2: I just want Glenn to be back. I said, y'all 1491 01:16:08,360 --> 01:16:12,800 Speaker 2: don't understand. They just did something where they broke their 1492 01:16:12,840 --> 01:16:15,800 Speaker 2: own rules. Yes, they just to get a surprise, and 1493 01:16:15,920 --> 01:16:19,080 Speaker 2: it now cheapens the show that everyone's been praising for 1494 01:16:19,160 --> 01:16:19,920 Speaker 2: its realism. 1495 01:16:20,040 --> 01:16:22,840 Speaker 3: And this is how the zombies would work. You broke 1496 01:16:22,880 --> 01:16:25,680 Speaker 3: the show kind of and it never got back. I think. 1497 01:16:26,040 --> 01:16:28,240 Speaker 2: I think that is the moment that I would start 1498 01:16:28,280 --> 01:16:31,840 Speaker 2: saying it really went downhill from there, people start shitting 1499 01:16:31,880 --> 01:16:32,280 Speaker 2: on the show. 1500 01:16:32,840 --> 01:16:36,120 Speaker 4: That's when you had kind of your first leave of people, 1501 01:16:36,720 --> 01:16:39,880 Speaker 4: and as the time went on, and then when you 1502 01:16:40,040 --> 01:16:45,439 Speaker 4: had Abraham and Glenn dying like and it just went 1503 01:16:45,560 --> 01:16:46,360 Speaker 4: down here from there. 1504 01:16:46,640 --> 01:16:46,840 Speaker 7: Yeah. 1505 01:16:47,240 --> 01:16:48,200 Speaker 3: So back to this. 1506 01:16:49,400 --> 01:16:51,360 Speaker 2: The constant leaks for seasons, I feel, are of the 1507 01:16:51,400 --> 01:16:53,760 Speaker 2: reasons why they advertised the last episode as they did. 1508 01:16:54,160 --> 01:16:55,880 Speaker 2: It would have been way more powerful if it was 1509 01:16:55,880 --> 01:16:57,639 Speaker 2: allowed to just happen as a shock with the ending, 1510 01:16:57,760 --> 01:16:59,839 Speaker 2: it was full that he was going to be possibly 1511 01:17:00,520 --> 01:17:03,000 Speaker 2: and using a movie or something online two weeks ago. 1512 01:17:03,080 --> 01:17:04,240 Speaker 3: See, I didn't see that. But damn. 1513 01:17:04,360 --> 01:17:06,280 Speaker 4: Yeah, yeah, there's some shit Like it's some shit that 1514 01:17:06,360 --> 01:17:09,760 Speaker 4: I purposely don't pay attention to. So c sometimes you 1515 01:17:09,840 --> 01:17:11,680 Speaker 4: spoil because it's so big, but a lot of the 1516 01:17:11,880 --> 01:17:14,240 Speaker 4: minor stuff, I just feel like, I just really be surprised. 1517 01:17:15,640 --> 01:17:17,679 Speaker 3: I just like watching reviews and I was not expecting 1518 01:17:17,720 --> 01:17:18,400 Speaker 3: to be spoiled like this. 1519 01:17:18,600 --> 01:17:20,559 Speaker 2: I have to stick to your review and two others 1520 01:17:20,600 --> 01:17:22,879 Speaker 2: that not only do don't spoil, but hate spoilers. 1521 01:17:23,280 --> 01:17:25,400 Speaker 3: Other than that, I just want them to try harder 1522 01:17:25,479 --> 01:17:27,640 Speaker 3: with Michean's hair. Come on, people, well they do they 1523 01:17:27,840 --> 01:17:33,280 Speaker 3: maybe in the future maybe, Yeah, I don't know. Uh. 1524 01:17:34,040 --> 01:17:39,240 Speaker 2: It's also weird guys like I don't really know what 1525 01:17:39,520 --> 01:17:41,479 Speaker 2: a bad wig good wig is. 1526 01:17:42,080 --> 01:17:45,720 Speaker 3: I like, I really just accept everything on TV and 1527 01:17:45,920 --> 01:17:47,720 Speaker 3: I like and I and I understand people are gonna 1528 01:17:47,760 --> 01:17:48,040 Speaker 3: roast it. 1529 01:17:48,160 --> 01:17:52,000 Speaker 2: I've been saying this for years. I'm okay with people 1530 01:17:52,040 --> 01:17:56,040 Speaker 2: say Heat was terrible. Yeah, because I don't know enough 1531 01:17:56,080 --> 01:17:57,880 Speaker 2: about hair like that. I cut my hair off when 1532 01:17:57,880 --> 01:17:58,439 Speaker 2: I was fifteen. 1533 01:17:58,479 --> 01:18:00,360 Speaker 4: I haven't had a sense so like the hair line 1534 01:18:00,360 --> 01:18:02,439 Speaker 4: don't look it just don't look like real hairy. 1535 01:18:02,520 --> 01:18:05,120 Speaker 2: But they was roast Annals Keeping Wigs Season one on 1536 01:18:05,160 --> 01:18:06,640 Speaker 2: How to Get Away with Murder. I don't be knowing 1537 01:18:06,680 --> 01:18:09,160 Speaker 2: the difference like I was, like, Oh, I thought it 1538 01:18:09,280 --> 01:18:14,160 Speaker 2: was good, okay anyway, Other than that, I just want 1539 01:18:14,240 --> 01:18:16,840 Speaker 2: them to try harder. Carol got rid of that fifty 1540 01:18:16,880 --> 01:18:19,679 Speaker 2: three percent haircut as well. Y'all think Rick's pancake mixed 1541 01:18:19,680 --> 01:18:22,800 Speaker 2: work the Mishean's batter uh in my rest in peace 1542 01:18:23,160 --> 01:18:28,320 Speaker 2: rober Ham voice, I mean, oh, rip Roberhon. 1543 01:18:28,360 --> 01:18:28,960 Speaker 3: I don't know who that is. 1544 01:18:29,000 --> 01:18:33,560 Speaker 2: I'm sorry, that is interesting. Care will we see a 1545 01:18:33,680 --> 01:18:36,640 Speaker 2: new Grimes? Will Rick actually have a kid on the 1546 01:18:36,680 --> 01:18:38,920 Speaker 2: show for the first time since Carl? 1547 01:18:39,320 --> 01:18:41,559 Speaker 3: I think so because we know Maggian, we know Judah. 1548 01:18:41,600 --> 01:18:41,960 Speaker 3: Thing is. 1549 01:18:43,320 --> 01:18:43,519 Speaker 1: I know. 1550 01:18:43,920 --> 01:18:46,519 Speaker 2: I'm going to enjoy y'all's review. It's going to lift 1551 01:18:46,600 --> 01:18:48,600 Speaker 2: my spirits in this post election hayes funk. I'm in 1552 01:18:49,080 --> 01:18:52,479 Speaker 2: me me, thanks me, me, thank you. Uh yeah, I 1553 01:18:53,080 --> 01:18:54,920 Speaker 2: think that I do want to see if Rick got 1554 01:18:54,960 --> 01:18:58,280 Speaker 2: another little little future baby running around. 1555 01:18:58,320 --> 01:19:00,639 Speaker 4: Don't be about six years old now, yeah, six. 1556 01:19:00,680 --> 01:19:05,120 Speaker 3: Year old little Micheon junior or whatever. Team Judith grinds. 1557 01:19:05,200 --> 01:19:10,120 Speaker 2: This is from Turkey says they did that walkin Dead 1558 01:19:10,200 --> 01:19:12,000 Speaker 2: does not get enough credit for being willing to take 1559 01:19:12,040 --> 01:19:15,840 Speaker 2: such huge risk with their storylines. Well, honestly, man, I 1560 01:19:15,920 --> 01:19:24,320 Speaker 2: think they played it safe for like that Saviors thing 1561 01:19:24,439 --> 01:19:26,720 Speaker 2: felt like the first time for me where I felt like, oh, 1562 01:19:26,760 --> 01:19:30,040 Speaker 2: y'all are playing it's so safe, like y'all don't even like, 1563 01:19:30,160 --> 01:19:31,760 Speaker 2: y'all are just stretching this shit out. 1564 01:19:31,840 --> 01:19:34,680 Speaker 3: Y'all don't even care. And now I feel like, oh, 1565 01:19:34,720 --> 01:19:36,400 Speaker 3: this is the kind of risk that I come for. 1566 01:19:37,320 --> 01:19:39,160 Speaker 2: Sad that it took y'all getting out of five million 1567 01:19:39,240 --> 01:19:42,160 Speaker 2: viewers before y'all did this, but god damn it, that's 1568 01:19:42,200 --> 01:19:46,200 Speaker 2: what I want to see. I love that y'all have said, 1569 01:19:46,320 --> 01:19:48,080 Speaker 2: fuck the comic book, we do do what we want. 1570 01:19:48,160 --> 01:19:49,600 Speaker 2: Oh the damn said fuck the coma, but we do 1571 01:19:49,640 --> 01:19:52,640 Speaker 2: what we want. I was already hyped about the Whisper storyline, 1572 01:19:52,680 --> 01:19:54,799 Speaker 2: but now I'm even more excited because nobody can possibly 1573 01:19:54,840 --> 01:19:57,040 Speaker 2: know what will happens since so many characters have been 1574 01:19:57,080 --> 01:19:57,559 Speaker 2: switched out. 1575 01:19:57,680 --> 01:19:58,920 Speaker 3: Anybody can die or get. 1576 01:19:58,880 --> 01:20:02,400 Speaker 2: Swept away in a helicopter, which means the show was 1577 01:20:02,479 --> 01:20:04,600 Speaker 2: makes to show fun to watch. I think even the 1578 01:20:04,680 --> 01:20:06,880 Speaker 2: idiots who hate Watch are having fun but just don't 1579 01:20:06,880 --> 01:20:09,880 Speaker 2: want to admit it. I'm not getting into the hate 1580 01:20:09,920 --> 01:20:15,360 Speaker 2: watch stuff that gets contentious. One question, are we okay 1581 01:20:15,439 --> 01:20:17,600 Speaker 2: with ju justus saying Nigga her mama is black and 1582 01:20:17,720 --> 01:20:20,120 Speaker 2: she probably won't really remember her white relatives since they 1583 01:20:20,160 --> 01:20:23,120 Speaker 2: were all gone for she at kindergarten. So you try 1584 01:20:23,160 --> 01:20:27,880 Speaker 2: and say, like if like Paris Jackson, I'm gonna say 1585 01:20:27,920 --> 01:20:30,719 Speaker 2: no on this. What do you think, Karen so Kara's 1586 01:20:30,760 --> 01:20:33,960 Speaker 2: given you enough? Michean probably talks with s Nico Martin 1587 01:20:34,000 --> 01:20:36,640 Speaker 2: Green's husband and that new black lady with a fro. 1588 01:20:36,840 --> 01:20:39,360 Speaker 2: So I'm sure Judas heard Nigga around the house. 1589 01:20:42,120 --> 01:20:42,280 Speaker 4: Right. 1590 01:20:42,680 --> 01:20:44,360 Speaker 2: If she's really from a black house, you know she 1591 01:20:44,439 --> 01:20:47,240 Speaker 2: can't say it and around the house on several cages 1592 01:20:47,360 --> 01:20:49,840 Speaker 2: while being babies were all being a babysat by uncle 1593 01:20:49,960 --> 01:20:52,400 Speaker 2: zeke uh I. Guess we'll have to see if Judah 1594 01:20:52,400 --> 01:20:54,479 Speaker 2: applies for a theater scholarship in the dobts in Nigerian 1595 01:20:54,520 --> 01:20:57,120 Speaker 2: middle name to see if she considers herself black or. 1596 01:20:57,120 --> 01:21:00,439 Speaker 3: She'll stick to her fifty three percent roots. Pease turk Ah, Yeah, 1597 01:21:01,200 --> 01:21:04,519 Speaker 3: I have the genes of a white woman, but I 1598 01:21:04,680 --> 01:21:10,120 Speaker 3: vote like a negro evie, He says, Hi, Roder Carroll, 1599 01:21:10,160 --> 01:21:11,519 Speaker 3: I don't know how I feel about that and it 1600 01:21:11,600 --> 01:21:11,920 Speaker 3: with Rick. 1601 01:21:12,280 --> 01:21:13,840 Speaker 2: I guess I'm glad he didn't get eaten. But the 1602 01:21:13,920 --> 01:21:15,880 Speaker 2: week before those walkers were only a few feet away 1603 01:21:15,880 --> 01:21:18,240 Speaker 2: from him. Not enough time will take off his belt 1604 01:21:18,280 --> 01:21:19,280 Speaker 2: and pull himself up? 1605 01:21:19,479 --> 01:21:21,160 Speaker 4: Well, he impossible, white man dog. 1606 01:21:21,400 --> 01:21:25,639 Speaker 2: Let's be honest at this point, are we waiting nine 1607 01:21:25,720 --> 01:21:28,760 Speaker 2: seasons to pull out the convenient walker's card? 1608 01:21:28,920 --> 01:21:29,720 Speaker 3: Are we really doing that? 1609 01:21:30,920 --> 01:21:33,880 Speaker 4: Y'all? Do know we've seen the Tiger, right, That's. 1610 01:21:33,760 --> 01:21:36,080 Speaker 2: Not what I'm talking about. I'm not talking about the Tiger. Okay, 1611 01:21:36,200 --> 01:21:38,519 Speaker 2: I'm not trying to say this whole world is fair tale. 1612 01:21:38,640 --> 01:21:43,559 Speaker 2: There's I'm saying we have seen nine seasons of walker 1613 01:21:43,640 --> 01:21:46,639 Speaker 2: plot devices do whatever the fuck they want. 1614 01:21:46,960 --> 01:21:48,040 Speaker 4: Yeah, they're very convenient. 1615 01:21:48,479 --> 01:21:51,479 Speaker 3: It's kind of too late. I not know if it's 1616 01:21:52,439 --> 01:21:54,479 Speaker 3: but it's kind of too late to do that. I 1617 01:21:54,520 --> 01:21:57,120 Speaker 3: don't think that's how it would have happened with walkers. 1618 01:21:57,520 --> 01:21:58,639 Speaker 3: We've been off. 1619 01:21:58,560 --> 01:22:00,840 Speaker 4: That we didn't see them pop up out of nowhere. 1620 01:22:00,920 --> 01:22:02,320 Speaker 4: We don't see them. Ignore shit. 1621 01:22:02,840 --> 01:22:08,080 Speaker 2: The second that a motherfucking rolling can come on saved 1622 01:22:08,200 --> 01:22:11,720 Speaker 2: Glenn's life. I felt like we all needed to have 1623 01:22:11,840 --> 01:22:14,679 Speaker 2: a moment of okay, so then you're in and out. 1624 01:22:14,920 --> 01:22:17,560 Speaker 2: Walkers can do whatever the fuck they want, whatever the 1625 01:22:17,640 --> 01:22:20,800 Speaker 2: writers need them to do, cause it makes no sense, 1626 01:22:22,000 --> 01:22:26,040 Speaker 2: no sense, h like we cause like we There. 1627 01:22:26,080 --> 01:22:28,200 Speaker 3: Was an episode where a walker came out of the. 1628 01:22:28,280 --> 01:22:30,880 Speaker 2: Water like rainbow and pulled a nigga into the water, 1629 01:22:31,000 --> 01:22:34,360 Speaker 2: and I said, now, how to fucking get motor skills 1630 01:22:34,400 --> 01:22:35,720 Speaker 2: to swim and jump out the water? 1631 01:22:36,040 --> 01:22:39,160 Speaker 4: Come on? We done see za bits go through walls 1632 01:22:39,400 --> 01:22:42,840 Speaker 4: like they football pieces of paper, right, just run through 1633 01:22:42,880 --> 01:22:43,240 Speaker 4: the wall. 1634 01:22:43,360 --> 01:22:45,840 Speaker 2: And then next time you see the zombie, it can't 1635 01:22:45,840 --> 01:22:48,240 Speaker 2: get stuck from a pole like we don't know, it's just. 1636 01:22:48,320 --> 01:22:49,080 Speaker 3: Come on it. 1637 01:22:49,240 --> 01:22:51,880 Speaker 4: It can't step up on the corner. Yeah. 1638 01:22:52,280 --> 01:22:56,920 Speaker 2: So I gotta say it all feels like like like 1639 01:22:57,120 --> 01:22:59,600 Speaker 2: nonsense to me. Okay, And I hate to say that 1640 01:22:59,720 --> 01:23:02,679 Speaker 2: to you because you wanted my phase, But I don't 1641 01:23:02,680 --> 01:23:04,960 Speaker 2: think we can do this, Okay. I think we need 1642 01:23:05,040 --> 01:23:06,960 Speaker 2: to stop trying to get a worrying about that. 1643 01:23:07,400 --> 01:23:09,640 Speaker 3: So what do you suggests? Ill suggest you just just 1644 01:23:09,760 --> 01:23:11,760 Speaker 3: keep playing man and don't worry about what goes on 1645 01:23:11,920 --> 01:23:12,840 Speaker 3: at the top of things. 1646 01:23:13,160 --> 01:23:15,080 Speaker 2: Okay, don't worry about what goes on the top of 1647 01:23:15,160 --> 01:23:19,120 Speaker 2: things Eve they pulled another gleim under the dunster. 1648 01:23:19,200 --> 01:23:19,839 Speaker 3: But I digress. 1649 01:23:19,920 --> 01:23:21,519 Speaker 2: For the first time this season, I'm actually excited to 1650 01:23:21,520 --> 01:23:24,200 Speaker 2: see what happens next. I can't wait, man. 1651 01:23:24,520 --> 01:23:24,640 Speaker 3: You know. 1652 01:23:24,760 --> 01:23:27,680 Speaker 2: The only thing that'll suckers in this still y'all. We 1653 01:23:27,800 --> 01:23:30,599 Speaker 2: got all this momentum, all this opportunity, all this chance. 1654 01:23:30,520 --> 01:23:31,080 Speaker 3: To start over. 1655 01:23:32,120 --> 01:23:34,120 Speaker 2: If they start the next episode arguing about whether to 1656 01:23:34,240 --> 01:23:36,280 Speaker 2: kill people or not, I might have to quit. 1657 01:23:36,439 --> 01:23:37,439 Speaker 3: I might have to quit, y'all. 1658 01:23:37,560 --> 01:23:38,400 Speaker 4: I doubt they will. 1659 01:23:38,680 --> 01:23:40,240 Speaker 3: I mean, I don't think they will. But that's the 1660 01:23:40,280 --> 01:23:43,240 Speaker 3: only thing they can make this momentum just drag is 1661 01:23:43,280 --> 01:23:45,960 Speaker 3: that the next episode is too notherfucker's arguing about should 1662 01:23:46,000 --> 01:23:46,800 Speaker 3: we kill people? 1663 01:23:47,040 --> 01:23:47,160 Speaker 4: Oh? 1664 01:23:47,160 --> 01:23:49,160 Speaker 3: Should we try to be their friends and be like, 1665 01:23:49,240 --> 01:23:52,360 Speaker 3: oh what we Seven and a half years later, y'all 1666 01:23:52,439 --> 01:23:53,200 Speaker 3: still fighting about this. 1667 01:23:54,080 --> 01:23:56,120 Speaker 2: They're all just sitting there like, I think I want 1668 01:23:56,160 --> 01:23:59,200 Speaker 2: to kill niggin, Like, no, no, stop. 1669 01:23:59,000 --> 01:24:00,400 Speaker 3: It all right? 1670 01:24:01,640 --> 01:24:04,080 Speaker 2: Uh, I can't wait to see what old Lady Carol 1671 01:24:04,120 --> 01:24:08,519 Speaker 2: brings the ruckus. Yeah, like she's gonna be talking to 1672 01:24:08,600 --> 01:24:09,559 Speaker 2: young Master Henry too. 1673 01:24:10,000 --> 01:24:11,519 Speaker 3: All I had of them grew out because he was 1674 01:24:11,560 --> 01:24:14,080 Speaker 3: like you taught me to do this, okay, uh. 1675 01:24:15,760 --> 01:24:18,960 Speaker 2: You okay, And it appears that the story will now 1676 01:24:19,000 --> 01:24:20,320 Speaker 2: be sitting on Rick's step daughter. 1677 01:24:20,479 --> 01:24:24,240 Speaker 3: That's sweet. I hope Sean gave birth during this time script, 1678 01:24:24,280 --> 01:24:25,280 Speaker 3: but we'll see eve E. 1679 01:24:25,880 --> 01:24:29,240 Speaker 4: Yeah she was pregnant, but now yeah yeah. 1680 01:24:29,200 --> 01:24:33,639 Speaker 2: If she was pregnant, that's definitely what happens. So all right, guys, 1681 01:24:34,360 --> 01:24:38,679 Speaker 2: that's it for this week. Friday will be a premium 1682 01:24:38,760 --> 01:24:43,040 Speaker 2: double header Balls Deep and the Nerd Off, So premium 1683 01:24:43,120 --> 01:24:45,320 Speaker 2: people will meet you behind the priate paywall. 1684 01:24:46,040 --> 01:24:50,439 Speaker 3: Uh, we'll see you what the paywall? See you what 1685 01:24:50,640 --> 01:24:56,040 Speaker 3: the paywall? Well, you won't be lone everybody else. Bye 1686 01:24:57,520 --> 01:25:00,080 Speaker 3: til next time. I love you, why m