1 00:00:00,200 --> 00:00:04,760 Speaker 1: SPAN's interview Lounge. I want you to hear something. Do 2 00:00:04,800 --> 00:00:06,920 Speaker 1: you want to hear something special? I heard this the 3 00:00:06,960 --> 00:00:10,520 Speaker 1: other day and I'm not trying to be rude. My 4 00:00:10,640 --> 00:00:13,520 Speaker 1: nipples got so hard. Hold on, how do I play 5 00:00:13,520 --> 00:00:33,400 Speaker 1: it right here? I love it. When Lizza came out 6 00:00:33,440 --> 00:00:43,200 Speaker 1: at the Grammys, we were all turned up. Listen to that, Lizzo. 7 00:00:43,880 --> 00:00:50,720 Speaker 1: Welcome to the show. I'm very happy to be back. 8 00:00:51,360 --> 00:00:54,400 Speaker 1: I saw a meme that somebody said when your mom says, 9 00:00:54,400 --> 00:01:01,560 Speaker 1: do you want to pole? And it was like me, going, yeah, 10 00:01:01,640 --> 00:01:04,080 Speaker 1: what a performance? You know? And I said something in 11 00:01:04,160 --> 00:01:05,440 Speaker 1: the beginning of the show, and I meant it. You 12 00:01:05,440 --> 00:01:07,479 Speaker 1: guys were still hungover from last night, so you don't remember. 13 00:01:07,760 --> 00:01:09,480 Speaker 1: I said. There are people in their lives and in 14 00:01:09,520 --> 00:01:14,480 Speaker 1: their careers that have moments. Lizzo is having. She's had 15 00:01:14,520 --> 00:01:17,080 Speaker 1: a million moments and she's got a billion moments left 16 00:01:17,080 --> 00:01:20,920 Speaker 1: to go. You were just constantly on our on our 17 00:01:20,920 --> 00:01:24,360 Speaker 1: minds and conversation. Welcome to the show, Lizzo. I'm so 18 00:01:24,640 --> 00:01:26,720 Speaker 1: I love talking to y'all and I and I'm so 19 00:01:26,840 --> 00:01:30,039 Speaker 1: jetlagged and exhausted and I'm just this is like a 20 00:01:30,120 --> 00:01:34,600 Speaker 1: shot of espresso. Well good, I'm whatever whatever we can 21 00:01:34,600 --> 00:01:36,600 Speaker 1: do to keep you awake. We came in the next 22 00:01:36,640 --> 00:01:38,480 Speaker 1: day after the Grammys and we were like, she won 23 00:01:38,480 --> 00:01:41,080 Speaker 1: the night. She was the total night. That performance was everything. 24 00:01:41,200 --> 00:01:44,080 Speaker 1: It was so good. Thank you for thank you, thank you. 25 00:01:44,280 --> 00:01:46,200 Speaker 1: So I always feel like a winner when I go 26 00:01:46,240 --> 00:01:48,400 Speaker 1: to the Grammys, even if I don't get a trophy. 27 00:01:49,200 --> 00:01:51,080 Speaker 1: Well you were what a night? What a night? And 28 00:01:51,240 --> 00:01:53,600 Speaker 1: you're in London right now? How fun? How funding? I'm 29 00:01:53,600 --> 00:01:59,840 Speaker 1: in London? How funding? What's wrong with y'all? Yeah, I'm 30 00:02:00,120 --> 00:02:03,880 Speaker 1: here for the Brits and I'm literally at rehearsal right 31 00:02:03,920 --> 00:02:08,200 Speaker 1: now in the venue. So yeah, fun times six hours 32 00:02:08,240 --> 00:02:11,920 Speaker 1: ahead of you guys. Or yeah, that's I think that 33 00:02:12,000 --> 00:02:18,040 Speaker 1: is the mess. Well yeah, so help me problem. We 34 00:02:18,080 --> 00:02:19,840 Speaker 1: will get you wait for me, We will get you 35 00:02:19,880 --> 00:02:22,640 Speaker 1: through this with with not a collision. I could go 36 00:02:22,680 --> 00:02:25,520 Speaker 1: down a list. Uh. This remix of the song Special 37 00:02:25,919 --> 00:02:29,120 Speaker 1: with a featuring Scissa is out today. I gotta talk 38 00:02:29,160 --> 00:02:33,200 Speaker 1: about that. And what did Scissor just windwenty three Women 39 00:02:33,240 --> 00:02:37,400 Speaker 1: of the Year Women of the Year. Hello, you know 40 00:02:37,440 --> 00:02:39,000 Speaker 1: what I mean? The woman of my life? You know 41 00:02:39,000 --> 00:02:41,280 Speaker 1: what I'm seeing here, Lizzo, And you're gonna go out 42 00:02:41,280 --> 00:02:43,560 Speaker 1: shout out, Alvis, You're full of crap. It just seems 43 00:02:43,560 --> 00:02:45,919 Speaker 1: like not only you are having great moments, but everyone 44 00:02:46,000 --> 00:02:50,720 Speaker 1: that is in sniffing your radiation whatever that means, they're 45 00:02:50,800 --> 00:03:02,760 Speaker 1: they're doing well too. Sniffing my radiation sounds dangerous. Someone radiated, Yeah, exactly, 46 00:03:03,560 --> 00:03:08,640 Speaker 1: that's that onion smell. You talk about it. Um, yeah, 47 00:03:08,680 --> 00:03:11,720 Speaker 1: I mean I'm I'm blessed, My friends are blessed. Um. 48 00:03:11,760 --> 00:03:15,519 Speaker 1: It's it's a beautiful thing. So we will we will 49 00:03:15,560 --> 00:03:18,240 Speaker 1: never feel what it feels like to have a night 50 00:03:18,280 --> 00:03:20,000 Speaker 1: like you had it to Grammys and then you get 51 00:03:20,440 --> 00:03:23,520 Speaker 1: the Grammy. Is there any way to put it into words, 52 00:03:23,760 --> 00:03:27,560 Speaker 1: what you were thinking, what you were feeling. It's genuinely 53 00:03:27,800 --> 00:03:31,640 Speaker 1: like you don't know, Like I, you know, I've been 54 00:03:31,680 --> 00:03:35,560 Speaker 1: on the outside watching the Grammys and now I'm in 55 00:03:35,600 --> 00:03:38,320 Speaker 1: the industry and I'm nominated for Grammys and now winning them. 56 00:03:38,640 --> 00:03:42,360 Speaker 1: You don't know. It's like anything can happen. And I 57 00:03:42,480 --> 00:03:46,080 Speaker 1: legitimately was so drunk, like me and Adele were drinking 58 00:03:46,120 --> 00:03:48,240 Speaker 1: so much that we didn't even really know what the 59 00:03:48,320 --> 00:03:51,880 Speaker 1: categories were at this point, like like Waitin' the Best 60 00:03:51,880 --> 00:03:54,920 Speaker 1: New Artists, we didn't even know. And then when you know, 61 00:03:54,960 --> 00:03:56,720 Speaker 1: when it was time and they would call our names, 62 00:03:56,760 --> 00:04:00,760 Speaker 1: you would just be like, smile, smile. So like when 63 00:04:00,760 --> 00:04:03,880 Speaker 1: they called my name, I was actually in total shock 64 00:04:04,200 --> 00:04:07,280 Speaker 1: because I didn't expect to win at all, let alone 65 00:04:07,800 --> 00:04:11,280 Speaker 1: in a big one. That's a that's a big award 66 00:04:11,360 --> 00:04:15,720 Speaker 1: to win Record of the Year. Oh hello, even though 67 00:04:15,760 --> 00:04:17,640 Speaker 1: I knew, I always knew I had to record that 68 00:04:17,760 --> 00:04:21,679 Speaker 1: either do you do? You sit down, like the night before, 69 00:04:21,800 --> 00:04:23,680 Speaker 1: days before, and think about, Okay, if I do win, 70 00:04:24,120 --> 00:04:26,400 Speaker 1: who am I gonna thank? What's my speech gonna sound 71 00:04:26,480 --> 00:04:29,240 Speaker 1: like there's a lot of prep go into something like that. No, 72 00:04:29,400 --> 00:04:34,120 Speaker 1: it doesn't. I for me, I think backstage at the 73 00:04:34,200 --> 00:04:37,560 Speaker 1: Grammys after the Red carpet, because we watched the pre 74 00:04:37,680 --> 00:04:40,279 Speaker 1: show the telecast, and we were watching the awards, and 75 00:04:40,320 --> 00:04:44,599 Speaker 1: when we won Best Remix, for about damn time, I 76 00:04:44,680 --> 00:04:48,720 Speaker 1: was like, oh, there's a possibility that I might have 77 00:04:48,920 --> 00:04:53,160 Speaker 1: to say something, so, you know, I kind of just 78 00:04:53,240 --> 00:04:55,920 Speaker 1: quickly was like, let me just remember people, you know, 79 00:04:55,960 --> 00:04:58,600 Speaker 1: so I don't forget. But but you know, you can't 80 00:04:58,600 --> 00:05:01,080 Speaker 1: really plan with Okay, plan what I'm gonna say. I 81 00:05:01,160 --> 00:05:03,839 Speaker 1: kind of gotta let the spirit move, I agree, you know, 82 00:05:04,000 --> 00:05:05,960 Speaker 1: And it rather than planned just do a shot of 83 00:05:05,960 --> 00:05:13,520 Speaker 1: tequila with Adele? Yeah, why whole flask? How does the 84 00:05:13,560 --> 00:05:15,280 Speaker 1: seating work at the Grammys? Is it like a wedding 85 00:05:15,320 --> 00:05:17,160 Speaker 1: where you show up and you're like, oh my god, 86 00:05:17,240 --> 00:05:19,520 Speaker 1: Adele's at my table, these people are sitting by me? 87 00:05:19,600 --> 00:05:20,840 Speaker 1: Or do you get to have a little bit of 88 00:05:20,880 --> 00:05:24,720 Speaker 1: say and where you go? I had zero say and 89 00:05:24,760 --> 00:05:28,000 Speaker 1: where I was sitting, but Adele had one hundred percent 90 00:05:28,160 --> 00:05:31,240 Speaker 1: say and when she was sitting. So therefore, Adele face 91 00:05:31,320 --> 00:05:34,040 Speaker 1: timed me like when I was in Grammy rehearsal a 92 00:05:34,040 --> 00:05:36,760 Speaker 1: few days before and she was like, oh my god, 93 00:05:36,760 --> 00:05:40,280 Speaker 1: oh my god, we're sitting next to me. So and 94 00:05:40,320 --> 00:05:42,159 Speaker 1: then literally it was the same day that the seating 95 00:05:42,240 --> 00:05:44,920 Speaker 1: charts were on the internet, Like it came out like 96 00:05:45,000 --> 00:05:47,880 Speaker 1: hours later. But yeah, she was like, I wanted this 97 00:05:47,960 --> 00:05:49,640 Speaker 1: next to you. I was like, well, great, because I 98 00:05:49,640 --> 00:05:51,880 Speaker 1: wanted to sit next to you. Did you meet the 99 00:05:51,960 --> 00:05:55,280 Speaker 1: Rock too? When he came out to see Adele? I did. 100 00:05:55,560 --> 00:05:57,839 Speaker 1: It was brief, though, what can you What do you 101 00:05:57,880 --> 00:06:00,159 Speaker 1: say to the rack? You know what I mean? Like, 102 00:06:01,200 --> 00:06:03,960 Speaker 1: I just was speechless. I was like, nice to meet you. Huh. 103 00:06:04,440 --> 00:06:08,320 Speaker 1: So I gotta wonder what it's like. I mean, it's 104 00:06:08,360 --> 00:06:10,279 Speaker 1: not like you just woke up in one day. You know, 105 00:06:10,400 --> 00:06:12,839 Speaker 1: this world had just appeared. I mean this was long 106 00:06:12,880 --> 00:06:15,240 Speaker 1: time coming. You worked your ass off to get where 107 00:06:15,279 --> 00:06:17,440 Speaker 1: you are today. But you know what, let's also talk 108 00:06:17,440 --> 00:06:20,280 Speaker 1: about the fact where you are today is you're tired 109 00:06:20,320 --> 00:06:22,640 Speaker 1: in a in a room in London because you're working 110 00:06:22,680 --> 00:06:24,520 Speaker 1: a lot. You got you got part two of a 111 00:06:24,560 --> 00:06:28,840 Speaker 1: tour coming up. I mean, it's it's booming, it's it's moving, 112 00:06:29,360 --> 00:06:31,760 Speaker 1: and there's more to it than just the music. But 113 00:06:31,839 --> 00:06:34,520 Speaker 1: let's get to the music. Let's talk about it. Let's 114 00:06:34,520 --> 00:06:36,520 Speaker 1: talk about where you're Where do you want your music 115 00:06:36,560 --> 00:06:39,840 Speaker 1: to go? Is it organically going some place different? Are 116 00:06:39,920 --> 00:06:42,599 Speaker 1: you what do you do to inspire yourself to do 117 00:06:42,720 --> 00:06:47,039 Speaker 1: something different or keep on doing what you're doing. That's 118 00:06:47,040 --> 00:06:50,800 Speaker 1: a beautiful question. I think I have to be in 119 00:06:50,839 --> 00:06:54,159 Speaker 1: a flow because I think if like for instance, was 120 00:06:54,279 --> 00:06:58,000 Speaker 1: special this album I had tried, I was like, I 121 00:06:58,040 --> 00:07:01,040 Speaker 1: wanted to do like a concept of the of the 122 00:07:01,120 --> 00:07:03,080 Speaker 1: genre of music. I was like, I'm gonna do an 123 00:07:03,080 --> 00:07:06,520 Speaker 1: old like an ode to early rock and roll, gospel soul, 124 00:07:06,600 --> 00:07:10,760 Speaker 1: like nineteen forty Sister was a big Mama Thornton and 125 00:07:11,160 --> 00:07:14,520 Speaker 1: like when I tried to make that sound, it wasn't 126 00:07:15,000 --> 00:07:17,640 Speaker 1: coming out, and I just have to just like allow 127 00:07:17,720 --> 00:07:20,760 Speaker 1: myself to just like experiment and play and see where 128 00:07:20,800 --> 00:07:22,560 Speaker 1: I end up. You know, I have like a song 129 00:07:22,640 --> 00:07:25,200 Speaker 1: that's like five minutes of me just jamming with like 130 00:07:25,280 --> 00:07:28,840 Speaker 1: satars and like there was a lot of like crazy 131 00:07:28,920 --> 00:07:30,880 Speaker 1: mood lighting in the room and we just wrote this 132 00:07:30,960 --> 00:07:33,800 Speaker 1: like five minute jamp. So I let myself kind of 133 00:07:33,840 --> 00:07:37,320 Speaker 1: go and play. Because I'm a musician. I studied music, 134 00:07:37,600 --> 00:07:39,440 Speaker 1: you know, like this is like my passion, but it's 135 00:07:39,440 --> 00:07:43,360 Speaker 1: also my skill and my talent. So like because of that, 136 00:07:43,400 --> 00:07:46,400 Speaker 1: I do need to flex an experiment and like grow. 137 00:07:46,760 --> 00:07:48,800 Speaker 1: So I don't really know where I'm gonna go next. 138 00:07:48,880 --> 00:07:51,440 Speaker 1: You know. I think if I try to predict it, 139 00:07:51,440 --> 00:07:55,000 Speaker 1: it's gonna be wrong every time. Wow, you know, was it? 140 00:07:56,880 --> 00:07:59,440 Speaker 1: Rihanna was saying, we have a joke going on in 141 00:07:59,480 --> 00:08:03,400 Speaker 1: the room. Rihanna was saying that when her new project 142 00:08:03,400 --> 00:08:05,800 Speaker 1: comes out, we're all gonna be most of us, maybe 143 00:08:05,880 --> 00:08:08,880 Speaker 1: maybe a little like oh wow, that's different, And she 144 00:08:08,920 --> 00:08:11,280 Speaker 1: almost sounded like she's a little nervous about releasing it. 145 00:08:11,320 --> 00:08:14,080 Speaker 1: What she shouldn't because whatever she does is fine by me. 146 00:08:14,320 --> 00:08:16,240 Speaker 1: I mean, I mean they're throwing a football game in 147 00:08:16,280 --> 00:08:19,520 Speaker 1: her honor in a couple of days. Yeah. But yeah, 148 00:08:19,600 --> 00:08:23,040 Speaker 1: I mean when you sit in the studio and you'd 149 00:08:23,200 --> 00:08:26,000 Speaker 1: come out with something new and different, do you can 150 00:08:26,080 --> 00:08:28,320 Speaker 1: you sit there and go, I don't know, this is 151 00:08:28,480 --> 00:08:30,720 Speaker 1: this is gonna be weird to them? This is or 152 00:08:30,800 --> 00:08:32,719 Speaker 1: is it? Just whatever you feel is right? Do you 153 00:08:32,760 --> 00:08:34,760 Speaker 1: don't worry about what other people are gonna think or 154 00:08:34,800 --> 00:08:37,400 Speaker 1: say about it? You know it's so loud. I feel 155 00:08:37,440 --> 00:08:39,920 Speaker 1: like me as an artist is just weird to people. 156 00:08:40,480 --> 00:08:44,520 Speaker 1: I think that I was a an acquired taste for 157 00:08:44,559 --> 00:08:47,760 Speaker 1: a lot of people. So I feel like I make 158 00:08:47,840 --> 00:08:51,280 Speaker 1: really like fun, easy to listen to music. But I 159 00:08:51,760 --> 00:08:54,480 Speaker 1: can sometimes as a person as an artist, be hard 160 00:08:54,480 --> 00:09:00,920 Speaker 1: to digest. So yes, but I don't care. That's it. Yeah, 161 00:09:01,000 --> 00:09:03,120 Speaker 1: that's what I was looking for. I don't care because 162 00:09:03,120 --> 00:09:05,360 Speaker 1: you're an artist. So I mean, I can't imagine being 163 00:09:05,360 --> 00:09:08,160 Speaker 1: an artist where everything is so calculated too. We gotta 164 00:09:08,240 --> 00:09:10,360 Speaker 1: check the research. How am I researching today? I was like, 165 00:09:11,240 --> 00:09:15,200 Speaker 1: that would drive you insane? Yeah, I would think, Yeah, 166 00:09:15,360 --> 00:09:18,480 Speaker 1: I just it's I can't force anything and nothing can 167 00:09:18,559 --> 00:09:21,840 Speaker 1: be like contrived or else. It just it's not gonna. 168 00:09:22,040 --> 00:09:25,000 Speaker 1: That's what people connect with with me is authenticity and 169 00:09:25,120 --> 00:09:27,840 Speaker 1: just like how you know, committed I am to the 170 00:09:27,880 --> 00:09:30,680 Speaker 1: moment and being present, being real in that moment. And 171 00:09:30,720 --> 00:09:32,880 Speaker 1: thank you for that, thank you for that. Super Bitch. 172 00:09:35,640 --> 00:09:39,320 Speaker 1: That's miss that's miss super Bitch. Doctor It's doctor super 173 00:09:39,320 --> 00:09:43,679 Speaker 1: Bitch by doctor Lizo here in the Mercedes Ben's Interview lounge. Uh, 174 00:09:43,720 --> 00:09:46,000 Speaker 1: you know when I watched last night, I watched finally 175 00:09:46,000 --> 00:09:48,120 Speaker 1: watched Whitney Houston. I want to Dance with somebody, the 176 00:09:48,160 --> 00:09:52,000 Speaker 1: movie that came out what several months ago? And uh, 177 00:09:52,160 --> 00:09:55,360 Speaker 1: looking at the life she lived as portrayed by whoever 178 00:09:55,400 --> 00:10:00,440 Speaker 1: wrote the movie naturally and uh, all the hits Whitney, 179 00:10:00,480 --> 00:10:03,760 Speaker 1: Whitney had a mountain of hits. And then you think 180 00:10:03,880 --> 00:10:06,640 Speaker 1: you know that until then you remember there's other hits. 181 00:10:06,640 --> 00:10:11,040 Speaker 1: Maybe you forgot about. I mean, I would say fifty 182 00:10:11,480 --> 00:10:13,679 Speaker 1: major hits out of this woman. Maybe I don't know 183 00:10:13,720 --> 00:10:17,600 Speaker 1: if I'm exaggerating. Can you imagine having that catalog? Um, 184 00:10:17,920 --> 00:10:20,400 Speaker 1: but what a power a power voice she was for 185 00:10:20,440 --> 00:10:23,000 Speaker 1: her generation, and that's what she was called. She was 186 00:10:23,040 --> 00:10:25,720 Speaker 1: called the Voice. Whitney Houston was known as the Voice, 187 00:10:25,960 --> 00:10:27,880 Speaker 1: and they said she was the voice of her generation. 188 00:10:28,160 --> 00:10:31,400 Speaker 1: And that's what I heard someone say about Lizzo the 189 00:10:31,440 --> 00:10:35,120 Speaker 1: other day. That's a head. That's a heavy hat to wear, right, 190 00:10:35,679 --> 00:10:40,400 Speaker 1: can you accept that? Oh? Super Yeah. I don't like 191 00:10:40,559 --> 00:10:46,800 Speaker 1: to put myself in anyone's lane or compare myself to anybody, because, um, 192 00:10:47,200 --> 00:10:51,720 Speaker 1: that can go two very different ways. I think in 193 00:10:51,760 --> 00:10:56,720 Speaker 1: this respect, Whitney is like just untouchable, just like the 194 00:10:56,760 --> 00:11:02,239 Speaker 1: greatest vocalist, and she's she's the voice you know, Um, 195 00:11:02,440 --> 00:11:06,600 Speaker 1: I haven't heard anybody sing like that ever, like nobody's 196 00:11:06,600 --> 00:11:09,960 Speaker 1: touching her. Um. But I will say this. When I 197 00:11:10,000 --> 00:11:13,600 Speaker 1: was making Because I Love You, Aretha Franklin was a 198 00:11:13,760 --> 00:11:16,720 Speaker 1: huge inspiration, the energy of Aretha, and I was like, oh, 199 00:11:16,800 --> 00:11:19,160 Speaker 1: I wonder I would want to play this for Aretha. 200 00:11:19,280 --> 00:11:21,120 Speaker 1: You know, if Aretha made a rap album, what would 201 00:11:21,160 --> 00:11:25,199 Speaker 1: it sound like? So with special Whitney was a huge inspiration, 202 00:11:25,559 --> 00:11:27,959 Speaker 1: and it was like early Whitney when she was making 203 00:11:28,040 --> 00:11:29,840 Speaker 1: like I want to Dance with Somebody, and those feel 204 00:11:29,880 --> 00:11:33,040 Speaker 1: good like how Will I Know? Like to be Loved 205 00:11:33,160 --> 00:11:36,200 Speaker 1: that I did with Max Martin is like an ode 206 00:11:36,280 --> 00:11:39,600 Speaker 1: to how Will I Know? And um, those early Whitney 207 00:11:39,640 --> 00:11:42,040 Speaker 1: songs where she was just so bubbly with an incredible 208 00:11:42,120 --> 00:11:45,000 Speaker 1: voice and doing these like really impressive key changes and 209 00:11:45,320 --> 00:11:49,079 Speaker 1: singing about love and the way that she did so. Um, 210 00:11:49,120 --> 00:11:51,480 Speaker 1: it's it's interesting that somebody said that, because you know, 211 00:11:51,559 --> 00:11:55,480 Speaker 1: she's definitely an inspiration for sure from my album Well 212 00:11:55,480 --> 00:11:58,280 Speaker 1: of course, Whitney Houston in nineteen ninety four. I will 213 00:11:58,320 --> 00:12:03,200 Speaker 1: Always Love you in this century. H you are the 214 00:12:03,200 --> 00:12:04,920 Speaker 1: first black woman to win Record of the Year at 215 00:12:04,920 --> 00:12:08,920 Speaker 1: the Grammys. That is so wild. So there's some footsteps 216 00:12:09,000 --> 00:12:11,240 Speaker 1: that you're you're you're you're tracing as well. I think 217 00:12:11,280 --> 00:12:13,440 Speaker 1: it's it's great and to have you on our show, 218 00:12:13,440 --> 00:12:16,800 Speaker 1: and it's like, it's kind of see for what we 219 00:12:16,840 --> 00:12:19,240 Speaker 1: do for a living. To have Lizzo right here with 220 00:12:19,320 --> 00:12:22,120 Speaker 1: us right now. It's how you feel when you walk 221 00:12:22,160 --> 00:12:25,000 Speaker 1: down there and get your Grammy after doing shots with 222 00:12:25,080 --> 00:12:29,360 Speaker 1: a deal? What were you drinking? If I may ask, 223 00:12:29,400 --> 00:12:35,880 Speaker 1: what were you guys drinking? Choice? Mine was tequila. I 224 00:12:35,920 --> 00:12:37,960 Speaker 1: had tequila in a flask, and I also had a 225 00:12:37,960 --> 00:12:43,160 Speaker 1: flask of um white wine white wine right if that 226 00:12:43,320 --> 00:12:45,160 Speaker 1: wasn't rosa, because it was a Dale's what is it 227 00:12:45,160 --> 00:12:52,800 Speaker 1: called white wine? And I brought it for I brought 228 00:12:52,800 --> 00:12:55,600 Speaker 1: it for a Dale um and then I drank hers. 229 00:12:55,720 --> 00:13:01,600 Speaker 1: So I mean, do you have a flask? Come sierge 230 00:13:01,600 --> 00:13:04,240 Speaker 1: that walks behind you with your flask? Where would you 231 00:13:04,320 --> 00:13:06,080 Speaker 1: keep a flask? Why do you hide that in the ground. 232 00:13:06,120 --> 00:13:09,040 Speaker 1: I have so many flasks. I had like three flasks 233 00:13:09,440 --> 00:13:13,680 Speaker 1: at the table, and I have a flask collection to 234 00:13:13,800 --> 00:13:18,200 Speaker 1: go with whatever I'm wearing or where I'm going. Always 235 00:13:18,240 --> 00:13:21,959 Speaker 1: be prepared. Can I ask a Grammy question again? Also? Please? 236 00:13:22,080 --> 00:13:24,880 Speaker 1: So at the Grammys, like they said, oh, this went 237 00:13:24,920 --> 00:13:26,920 Speaker 1: wrong or that went wrong, like they were saying, how 238 00:13:26,960 --> 00:13:29,840 Speaker 1: Harry styles the stage went the wrong direction and the 239 00:13:29,920 --> 00:13:32,480 Speaker 1: dancers had to do things backwards. While you were sitting 240 00:13:32,520 --> 00:13:34,960 Speaker 1: there and watching something like that, can you tell that 241 00:13:34,960 --> 00:13:39,720 Speaker 1: that's happening? Well, I was backstage during Harry's before, so 242 00:13:39,800 --> 00:13:44,240 Speaker 1: I didn't see it in person. I definitely watched it 243 00:13:44,320 --> 00:13:46,600 Speaker 1: on the TV screen in my dressing room and I 244 00:13:46,760 --> 00:13:51,280 Speaker 1: was I didn't notice at all. And then I to 245 00:13:51,400 --> 00:13:54,400 Speaker 1: my table and then Harry sat down. I said, I 246 00:13:54,520 --> 00:13:56,160 Speaker 1: was like, hey, I was like, you just so good, 247 00:13:56,200 --> 00:13:59,400 Speaker 1: and he was like, it went the wrong way, and 248 00:13:59,440 --> 00:14:02,040 Speaker 1: I was like, I was like, nobody noticed. And then 249 00:14:02,040 --> 00:14:05,480 Speaker 1: I made a joke. I looked at like our friend Tom, 250 00:14:05,520 --> 00:14:08,200 Speaker 1: and I was like, don't tell him. We all noticed, 251 00:14:08,559 --> 00:14:11,560 Speaker 1: you know, because I was just I was just joking, 252 00:14:12,120 --> 00:14:14,559 Speaker 1: but I didn't. I really didn't realize. It was like 253 00:14:14,679 --> 00:14:16,760 Speaker 1: the whole thing was the wrong way, you know. I 254 00:14:17,040 --> 00:14:19,520 Speaker 1: just thought, oh, one of the times it did something 255 00:14:19,520 --> 00:14:21,080 Speaker 1: that it wasn't supposed to do. I didn't realize the 256 00:14:21,120 --> 00:14:23,440 Speaker 1: whole performance. I need to apologize to him because like, 257 00:14:23,520 --> 00:14:25,320 Speaker 1: oh my god, I would have been so scared if 258 00:14:25,320 --> 00:14:29,200 Speaker 1: that was me to be able to recover from that. 259 00:14:29,280 --> 00:14:33,000 Speaker 1: It was like pure professional. We gotta play the song, 260 00:14:33,040 --> 00:14:36,400 Speaker 1: we gotta play special, and uh, there is another thing 261 00:14:36,400 --> 00:14:38,000 Speaker 1: you gotta keep in mind, and you kind of covered 262 00:14:38,000 --> 00:14:40,320 Speaker 1: it already. When you're at the Grammy's or any award show. 263 00:14:40,560 --> 00:14:42,520 Speaker 1: You never know when that camera's gonna be on you, 264 00:14:42,640 --> 00:14:46,240 Speaker 1: right as as you know. J Loo and Ben Flack learned, 265 00:14:46,640 --> 00:14:53,920 Speaker 1: you never know, right, so he knew they know you 266 00:14:54,080 --> 00:14:56,680 Speaker 1: do know, you do know? Like I feel like they 267 00:14:56,880 --> 00:14:59,280 Speaker 1: j Loo and Been are cool. They know what's up 268 00:14:59,400 --> 00:15:01,440 Speaker 1: because they've been they're vets. They've been doing this for 269 00:15:01,480 --> 00:15:03,640 Speaker 1: so long, and the camera's met The guy was just 270 00:15:03,760 --> 00:15:06,240 Speaker 1: uvering in front of me like like a bee with 271 00:15:06,360 --> 00:15:08,840 Speaker 1: a stinger and you're just like looking at it. You like, 272 00:15:08,880 --> 00:15:11,360 Speaker 1: don't look at it, don't make that contact. But anyways, 273 00:15:11,400 --> 00:15:13,040 Speaker 1: as you were, what were we saying, I don't know, 274 00:15:14,160 --> 00:15:17,080 Speaker 1: just when you're a word shows, they're there, they're watching you, 275 00:15:17,160 --> 00:15:20,120 Speaker 1: and you're like, don't pick your nose, don't burp, and 276 00:15:20,560 --> 00:15:23,720 Speaker 1: you know things like that. Hey, thank you for being 277 00:15:23,720 --> 00:15:27,640 Speaker 1: on with us today, Lizzo. And I don't know, does 278 00:15:27,640 --> 00:15:33,280 Speaker 1: your flute still have the sweater I gave you for Christmas? 279 00:15:33,320 --> 00:15:36,200 Speaker 1: She does, and it's it's very cold here in England, 280 00:15:36,240 --> 00:15:40,360 Speaker 1: so she's nice and warm. Thanks to you coming back 281 00:15:40,360 --> 00:15:42,000 Speaker 1: to New York and coming into the studio. We have 282 00:15:42,040 --> 00:15:45,520 Speaker 1: new you gotta come christen it. Come on. Oh wait, 283 00:15:45,720 --> 00:15:50,680 Speaker 1: you have a new studio. It's beautiful nice. Oh I'm ready. 284 00:15:50,920 --> 00:15:52,800 Speaker 1: I can't wait to see you guys again. We can't 285 00:15:52,800 --> 00:15:55,360 Speaker 1: wait to see you. Lizzo. Record of the Year about 286 00:15:55,440 --> 00:15:58,960 Speaker 1: damn Time, and of course the remix special out today 287 00:15:59,000 --> 00:16:04,800 Speaker 1: featuring Sissa. Let's play it Gozzo. Thank you so much 288 00:16:04,800 --> 00:16:11,720 Speaker 1: for being there. You going special Lizzo featuring says that 289 00:16:11,800 --> 00:16:14,760 Speaker 1: is out today. That remix right there sounds so good. 290 00:16:14,800 --> 00:16:17,280 Speaker 1: That video that is the video you're talking about the time, 291 00:16:17,320 --> 00:16:20,040 Speaker 1: So when Yeah, so she Lizzo's dressed like a superhero 292 00:16:20,120 --> 00:16:23,120 Speaker 1: and she's saving people and she's, you know, thanking them 293 00:16:23,120 --> 00:16:25,720 Speaker 1: for being there. I started crying. I'm like, this is 294 00:16:25,720 --> 00:16:29,920 Speaker 1: so beautiful, so emotional. She tells this little girl how 295 00:16:29,960 --> 00:16:31,840 Speaker 1: special she has. Oh God, I can't tell you. I 296 00:16:31,880 --> 00:16:35,160 Speaker 1: love everything about it except people stop giving Daniel reasons 297 00:16:35,160 --> 00:16:38,560 Speaker 1: to cry. Are we supposed to refer to them as Sizzo? 298 00:16:38,800 --> 00:16:42,200 Speaker 1: Is that what she said? Yeah, that's pretty cute. That's 299 00:16:42,280 --> 00:16:46,080 Speaker 1: cute anyway. The Mercedes Ben's Interview Lounge don't lock it Up. Monday, 300 00:16:46,200 --> 00:16:50,040 Speaker 1: Shaggy and Ava Max will be right here to show 301 00:16:50,080 --> 00:16:52,800 Speaker 1: on demand part of today's show. We Listen with Elvis 302 00:16:52,880 --> 00:16:56,680 Speaker 1: durand on demand the entire show uploaded every day only 303 00:16:56,760 --> 00:17:00,120 Speaker 1: on the iHeart Radio avenue in the morning show, U