1 00:00:00,200 --> 00:00:04,680 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,760 --> 00:00:09,080 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,160 --> 00:00:12,119 Speaker 1: learn this stuff they don't want you to know. A 4 00:00:12,200 --> 00:00:14,320 Speaker 1: production of iHeartRadio. 5 00:00:25,600 --> 00:00:27,840 Speaker 2: Hello, welcome back to the show. My name is Matt. 6 00:00:28,000 --> 00:00:30,200 Speaker 2: Our colleague Noel is on an adventure, but will be 7 00:00:30,280 --> 00:00:31,240 Speaker 2: returning shortly. 8 00:00:31,800 --> 00:00:34,400 Speaker 3: They call me Ben. We're joined as always with our 9 00:00:34,440 --> 00:00:38,599 Speaker 3: super producer Dylan, the Tennessee pal Fagan. Most importantly, you 10 00:00:38,680 --> 00:00:42,280 Speaker 3: are you. You are here. That makes this the stuff 11 00:00:42,400 --> 00:00:46,240 Speaker 3: they don't want you to know now, Uh, Matt Dylan, 12 00:00:46,440 --> 00:00:49,559 Speaker 3: Have you guys ever visited the Black Hills or what 13 00:00:49,600 --> 00:00:51,080 Speaker 3: we call Mount Rushmore today? 14 00:00:51,720 --> 00:00:55,920 Speaker 4: Nay, I have not, Have you, I have not. 15 00:00:56,720 --> 00:01:02,720 Speaker 3: It's something that honestly, I've been conflicted about visiting over 16 00:01:02,800 --> 00:01:06,360 Speaker 3: the decades because you know, there's this ongoing controversy which 17 00:01:06,400 --> 00:01:10,640 Speaker 3: we'll get into about Mount Rushmore. And when we're talking 18 00:01:10,640 --> 00:01:15,000 Speaker 3: about Mount Rushmore, really it's a National Park site, but 19 00:01:15,120 --> 00:01:18,920 Speaker 3: we're usually going to be referring to the gigantic sculpture 20 00:01:19,120 --> 00:01:21,919 Speaker 3: out there in the Black Hills region of South Dakota. 21 00:01:22,080 --> 00:01:24,640 Speaker 3: It's one of the most iconic landmarks in all of 22 00:01:24,640 --> 00:01:28,680 Speaker 3: the United States. You know, recognized internationally right up there 23 00:01:28,720 --> 00:01:32,640 Speaker 3: with the Statue of Liberty, And every so often since 24 00:01:32,720 --> 00:01:37,320 Speaker 3: this thing was constructed, a president from one party or 25 00:01:37,360 --> 00:01:41,720 Speaker 3: another will tacitly start to feel out the vibe and 26 00:01:41,760 --> 00:01:43,959 Speaker 3: see if they can get their face added onto it. 27 00:01:44,760 --> 00:01:46,720 Speaker 4: Oh sick. I mean there's room. 28 00:01:46,760 --> 00:01:50,000 Speaker 2: There's that little nook in between two of the faces 29 00:01:50,000 --> 00:01:51,960 Speaker 2: where you could clearly put somebody in there. 30 00:01:52,560 --> 00:01:56,080 Speaker 3: Yeah, you could, but should you? You know what I mean. 31 00:01:56,680 --> 00:02:02,800 Speaker 3: It's always recently been funny because there were moves for 32 00:02:04,080 --> 00:02:06,920 Speaker 3: President Barack Obama to have his face put on there, 33 00:02:06,960 --> 00:02:10,280 Speaker 3: and they were also people were floating the idea of 34 00:02:10,440 --> 00:02:15,280 Speaker 3: putting President Donald Trump's face on there, and in both 35 00:02:15,280 --> 00:02:20,320 Speaker 3: of those cases, well, in the most recent case, the 36 00:02:20,360 --> 00:02:25,080 Speaker 3: president said, you know a lot of people are saying this, yeah, 37 00:02:25,160 --> 00:02:27,480 Speaker 3: trying to make it look like it wasn't their idea. 38 00:02:27,919 --> 00:02:29,040 Speaker 4: Let's go whacky with it. 39 00:02:29,160 --> 00:02:32,600 Speaker 2: Let's like, let's put prints up there, and then future 40 00:02:32,639 --> 00:02:36,280 Speaker 2: historians will be like, who was that guy? Yeah, because, 41 00:02:36,360 --> 00:02:39,640 Speaker 2: as we'll find out later in this episode, there's some 42 00:02:39,880 --> 00:02:46,480 Speaker 2: documentation about who these guys are for future generations, future extraterrestrials. 43 00:02:46,680 --> 00:02:48,480 Speaker 4: But maybe we just threw prints or somebody like that 44 00:02:48,600 --> 00:02:48,960 Speaker 4: up there. 45 00:02:49,720 --> 00:02:53,760 Speaker 3: You know what, why limit it to human beings? I 46 00:02:53,800 --> 00:02:57,600 Speaker 3: would like I would like something further inexplicable, like just 47 00:02:57,639 --> 00:03:04,799 Speaker 3: a huge crew or a wacky meme. Let's let's start 48 00:03:05,360 --> 00:03:09,480 Speaker 3: making memes in stone, which I guess is how how 49 00:03:09,560 --> 00:03:10,519 Speaker 3: memes really began. 50 00:03:10,680 --> 00:03:13,920 Speaker 2: Anyway, that would really make sense for the way things 51 00:03:13,960 --> 00:03:15,960 Speaker 2: have been going if we just put some kind of 52 00:03:16,320 --> 00:03:19,080 Speaker 2: stonk meme up there, you know, or whatever, just some 53 00:03:19,200 --> 00:03:21,200 Speaker 2: kind of and it would make a lot of sense 54 00:03:21,240 --> 00:03:22,880 Speaker 2: for how things have been going. Just to put some 55 00:03:23,000 --> 00:03:27,040 Speaker 2: kind of ridiculous internet meme up there. Yeah, we kind 56 00:03:27,080 --> 00:03:29,880 Speaker 2: of started like that, but end it over here. 57 00:03:30,000 --> 00:03:33,639 Speaker 3: Classic human right, because we have to remember that one 58 00:03:33,680 --> 00:03:38,400 Speaker 3: of the oldest instances of writing that's been discovered. Basically, 59 00:03:39,160 --> 00:03:42,200 Speaker 3: I think this is right. It basically translates to Wagner 60 00:03:42,440 --> 00:03:47,360 Speaker 3: was here. It's graffiti, So I could I could see that. 61 00:03:47,480 --> 00:03:50,440 Speaker 3: I could definitely see putting a little more humor in 62 00:03:50,480 --> 00:03:54,880 Speaker 3: these monuments. Mount Rushmore is mentioned constantly in film and fiction. 63 00:03:56,000 --> 00:03:59,120 Speaker 3: Are you guys fans of the National Treasure franchise the 64 00:03:59,160 --> 00:04:00,320 Speaker 3: Nicholas CAGEV Vehicle? 65 00:04:00,680 --> 00:04:02,040 Speaker 4: I am aware of it. 66 00:04:03,640 --> 00:04:04,320 Speaker 3: I enjoy it. 67 00:04:04,600 --> 00:04:07,520 Speaker 5: I've never seen it. I feel like it's a movie night. 68 00:04:08,120 --> 00:04:10,040 Speaker 3: It might be a movie night. It's definitely one you'll 69 00:04:10,040 --> 00:04:11,040 Speaker 3: want some popcorn for. 70 00:04:11,840 --> 00:04:14,760 Speaker 2: Can we do some Dan Brown and National Treasure stuff 71 00:04:15,360 --> 00:04:16,120 Speaker 2: like in one night? 72 00:04:17,120 --> 00:04:19,560 Speaker 3: Yeah? I think so. I think it's apropos. Get all 73 00:04:19,600 --> 00:04:24,479 Speaker 3: that Indiana Jones adjacent stuff knocked out. And we also 74 00:04:24,560 --> 00:04:28,880 Speaker 3: know something for our purposes tonight, Mount Rushmore. Get this, folks, 75 00:04:28,960 --> 00:04:32,200 Speaker 3: it has a secret. So in tonight's episode we're getting 76 00:04:32,200 --> 00:04:41,599 Speaker 3: into some weird, ridiculous history of the site. Here are 77 00:04:41,880 --> 00:04:44,760 Speaker 3: the facts, all right, we'll say it this way. Pardon 78 00:04:44,800 --> 00:04:49,640 Speaker 3: our pronunciation. Long long before the arrival of the Europeans, 79 00:04:49,839 --> 00:04:52,920 Speaker 3: the Plains tribes in what we call the Black Hills 80 00:04:53,120 --> 00:04:57,479 Speaker 3: or Paha Sappa, they revered the area that is now 81 00:04:57,520 --> 00:05:03,119 Speaker 3: called Mount Rushmore. They called it Tonka si La soakpe Paha, 82 00:05:03,160 --> 00:05:07,039 Speaker 3: which translates to the six Grandfathers. It's a pretty cool name. 83 00:05:07,920 --> 00:05:08,360 Speaker 4: Nice. 84 00:05:08,920 --> 00:05:09,040 Speaker 1: Uh. 85 00:05:09,120 --> 00:05:14,040 Speaker 2: Yeah, it refers to I guess some deities in the 86 00:05:14,040 --> 00:05:14,680 Speaker 2: culture there. 87 00:05:15,440 --> 00:05:21,080 Speaker 3: Yeah, yeah, embodiments of the six directions. And I hadn't 88 00:05:21,080 --> 00:05:23,640 Speaker 3: thought of this idea of six directions. But the way 89 00:05:23,720 --> 00:05:29,080 Speaker 3: they process it is northeast, southwest and then above and below. 90 00:05:29,400 --> 00:05:34,600 Speaker 3: Oh yes, yeah, it's a sacred site, and so over millennia, 91 00:05:34,960 --> 00:05:38,760 Speaker 3: visiting there was often considered a spiritual journey, kind of 92 00:05:38,800 --> 00:05:41,919 Speaker 3: like taking a pilgrimage. You know, it's not a place 93 00:05:41,920 --> 00:05:45,400 Speaker 3: where you leave your trash. We also know in eighteen 94 00:05:45,480 --> 00:05:48,440 Speaker 3: sixty eight, the US government signed a treaty with the Sioux, 95 00:05:48,839 --> 00:05:52,880 Speaker 3: the Lakota Sioux, in particular, promising the following. They said, 96 00:05:53,080 --> 00:05:57,200 Speaker 3: all right, you and your community will have exclusive rights 97 00:05:57,920 --> 00:06:00,560 Speaker 3: across the Black Hills. You'll have the right to use 98 00:06:00,640 --> 00:06:03,440 Speaker 3: the land you run it. It's up to you. We're 99 00:06:03,440 --> 00:06:06,960 Speaker 3: going to stay out of your business, including the sacred 100 00:06:07,040 --> 00:06:11,000 Speaker 3: six Grandfather's site. This is called the eighteen sixty eight 101 00:06:11,360 --> 00:06:17,000 Speaker 3: Treaty of Fort Laramie. And spoiler, it didn't work out 102 00:06:17,040 --> 00:06:21,800 Speaker 3: super great Matt when General George Custer, you know that 103 00:06:21,839 --> 00:06:25,800 Speaker 3: one Custer's last stand guy, when he reached the top 104 00:06:25,839 --> 00:06:30,040 Speaker 3: of Black Elk Peak in eighteen seventy four during the 105 00:06:30,160 --> 00:06:36,200 Speaker 3: Black Hills Expedition. The American expansion here triggered a massive 106 00:06:36,320 --> 00:06:40,000 Speaker 3: resource rush, which also triggered the Great Sioux War of 107 00:06:40,040 --> 00:06:43,680 Speaker 3: eighteen seventy six. And that this is kind of like 108 00:06:43,720 --> 00:06:46,080 Speaker 3: a dark version of that children's book. If you give 109 00:06:46,160 --> 00:06:49,440 Speaker 3: him alse a cookie. Do you remember that one? Oh yeah, yeah, 110 00:06:49,520 --> 00:06:54,159 Speaker 3: So you give these expansions for sys some gold. It 111 00:06:54,320 --> 00:06:57,320 Speaker 3: leads to a war, and then that leads just a 112 00:06:57,400 --> 00:07:02,560 Speaker 3: year later to the US breaking their treaty, their treaty 113 00:07:02,680 --> 00:07:05,960 Speaker 3: with the native population that is not even a decade old. 114 00:07:06,000 --> 00:07:09,359 Speaker 3: They just said, nah, forget it. They took control of 115 00:07:09,360 --> 00:07:12,280 Speaker 3: the land, and then they opened it up to this deluge, 116 00:07:12,480 --> 00:07:16,360 Speaker 3: this massive influx of settlers and prospectors, who, to the 117 00:07:16,440 --> 00:07:18,960 Speaker 3: Native community obviously are invaders. 118 00:07:19,480 --> 00:07:23,200 Speaker 2: Yeah, a little bit, a little bit. Just watching a 119 00:07:23,280 --> 00:07:26,240 Speaker 2: video William shatnher as our head. I think it was 120 00:07:26,280 --> 00:07:29,800 Speaker 2: on the History Channel, and it was talking about American monuments, 121 00:07:29,840 --> 00:07:34,000 Speaker 2: and it really kind of sugarcoated some of the Founding 122 00:07:34,120 --> 00:07:39,560 Speaker 2: Fathers and Founding Forces relationships with like the Iroquois tribe 123 00:07:39,640 --> 00:07:41,880 Speaker 2: and Lakota Tribe and some of these tribes out here, 124 00:07:41,880 --> 00:07:46,280 Speaker 2: where you're just like, uh, these obviously aren't the Founding 125 00:07:46,320 --> 00:07:49,320 Speaker 2: Fathers in eighteen seventy six were well over one hundred 126 00:07:49,360 --> 00:07:52,240 Speaker 2: years away from that time. But it's still just hearing 127 00:07:52,280 --> 00:07:58,200 Speaker 2: it talked about how much how much integration there was 128 00:07:58,320 --> 00:08:01,720 Speaker 2: during the some of the processes to create the United States, 129 00:08:01,720 --> 00:08:04,080 Speaker 2: like the Iroquois tribe was in the room while they 130 00:08:04,080 --> 00:08:08,040 Speaker 2: were making doing some of these things, and it painted 131 00:08:08,040 --> 00:08:10,640 Speaker 2: it as well. It was important for you know, the 132 00:08:10,680 --> 00:08:13,720 Speaker 2: colonies to have good relationships with the Iroquois and other 133 00:08:13,760 --> 00:08:16,720 Speaker 2: tribes because fifty percent of their trading was done with 134 00:08:16,880 --> 00:08:21,200 Speaker 2: these tribes. And yeah, I don't know, just think about 135 00:08:21,240 --> 00:08:23,160 Speaker 2: it in that way, at least early on and then 136 00:08:23,960 --> 00:08:27,040 Speaker 2: knowing the rest of history and what was done, and 137 00:08:27,080 --> 00:08:29,360 Speaker 2: now jumping you know, one hundred years later just to 138 00:08:29,360 --> 00:08:32,400 Speaker 2: see that, Oh, it just took some golds and resources 139 00:08:32,480 --> 00:08:36,240 Speaker 2: to start an entire war after everything was pretty great. 140 00:08:37,440 --> 00:08:43,800 Speaker 3: Right well, after making so many promises right on the look. 141 00:08:43,840 --> 00:08:47,040 Speaker 3: At the time this treaty came about too before was 142 00:08:47,120 --> 00:08:50,160 Speaker 3: before it was broken back in eighteen sixty eight. The 143 00:08:50,360 --> 00:08:56,000 Speaker 3: indigenous people in the area already knew that the United 144 00:08:56,080 --> 00:08:59,600 Speaker 3: States had a terrible track record with treaties, and so 145 00:08:59,640 --> 00:09:03,160 Speaker 3: they were continually choosing the path of peace, which is 146 00:09:03,160 --> 00:09:07,040 Speaker 3: an ethical and noble thing to do, and they continually 147 00:09:07,120 --> 00:09:11,560 Speaker 3: ran into volkes acting like snakes, just untrustworthy. So one 148 00:09:11,600 --> 00:09:16,319 Speaker 3: of these people who is very interested in the gold 149 00:09:16,400 --> 00:09:18,960 Speaker 3: rush in the Black Hills at this time, he's a 150 00:09:19,040 --> 00:09:23,080 Speaker 3: New York mining man. He's a guy named James Wilson. 151 00:09:23,120 --> 00:09:26,360 Speaker 3: He has mining interest and he's pretty well to do. 152 00:09:26,840 --> 00:09:32,079 Speaker 3: And I personally love hearing these kind of things where 153 00:09:32,240 --> 00:09:35,760 Speaker 3: somebody's doing so well or they're a big time investor, 154 00:09:36,120 --> 00:09:37,840 Speaker 3: and when you ask them what they do, they don't 155 00:09:37,840 --> 00:09:40,800 Speaker 3: say investment. They just say, oh, I'm in water, you 156 00:09:40,840 --> 00:09:41,760 Speaker 3: know what do you mean? 157 00:09:42,040 --> 00:09:43,920 Speaker 4: Like mostly ten? 158 00:09:44,760 --> 00:09:48,439 Speaker 3: Yeah, he's a ten man, yes, quite literally. Yeah. He 159 00:09:48,520 --> 00:09:52,440 Speaker 3: founds the Harney Peak ten Mining Company and through this 160 00:09:52,559 --> 00:09:56,960 Speaker 3: he purchases rights to areas of the Black Hills, which, 161 00:09:57,000 --> 00:10:01,960 Speaker 3: of course, again the play tribes don't vibe with this 162 00:10:02,160 --> 00:10:04,520 Speaker 3: because the people who are selling it don't own it. 163 00:10:05,000 --> 00:10:07,440 Speaker 3: So our buddy James is all the way out on 164 00:10:07,480 --> 00:10:10,520 Speaker 3: the East coast, so he's pretty much buying this sight unseen. 165 00:10:11,160 --> 00:10:13,960 Speaker 3: And as a result, he teams up with a fellow 166 00:10:14,040 --> 00:10:19,320 Speaker 3: New Yorker, a wealthy lawyer and investor named Charles Rushmore. 167 00:10:19,760 --> 00:10:23,520 Speaker 4: Oh okay, I get it now, Yes, right, I guess 168 00:10:23,559 --> 00:10:24,440 Speaker 4: that makes sense. 169 00:10:25,480 --> 00:10:29,960 Speaker 3: Yeah, And so he goes, Charlie, look, we have spent 170 00:10:30,080 --> 00:10:31,840 Speaker 3: in a bunch of money on this. We gotta get 171 00:10:31,840 --> 00:10:34,280 Speaker 3: some boots on the ground, and he goes, very well, 172 00:10:34,320 --> 00:10:38,120 Speaker 3: I'll travel out west light out for the territories. So 173 00:10:38,280 --> 00:10:42,719 Speaker 3: Charles has the means and the motivation to visit this 174 00:10:42,960 --> 00:10:46,960 Speaker 3: land that the Harney peaked In Mining Company has quote 175 00:10:47,040 --> 00:10:50,880 Speaker 3: unquote purchased, and over the course of two years he 176 00:10:51,040 --> 00:10:55,200 Speaker 3: travels there multiple times. Some sources say three trips, other 177 00:10:55,280 --> 00:10:58,120 Speaker 3: sources say four. But it's a long way, you know, 178 00:10:58,200 --> 00:10:59,520 Speaker 3: this is before the interstate. 179 00:11:00,400 --> 00:11:05,400 Speaker 2: Yeah, this is not a leisurely trip, not a quick trip, 180 00:11:05,840 --> 00:11:08,680 Speaker 2: not a trip you probably want to take unless you're 181 00:11:09,160 --> 00:11:10,920 Speaker 2: you know, you've got some good motivation. 182 00:11:12,440 --> 00:11:16,280 Speaker 4: And in this case, I guess it's as you said, tin. 183 00:11:17,640 --> 00:11:23,040 Speaker 2: There's lots of good tin out there, I suppose. But again, 184 00:11:23,200 --> 00:11:26,320 Speaker 2: you know, when you when you see images of this area, 185 00:11:26,720 --> 00:11:29,360 Speaker 2: and like us, you've not been there yet, it looks 186 00:11:29,920 --> 00:11:37,760 Speaker 2: incredibly majestic, the surrounding area, the Black Hills themselves, it's incredible. 187 00:11:37,760 --> 00:11:42,240 Speaker 2: So it must have been cool, I guess to make 188 00:11:42,320 --> 00:11:46,920 Speaker 2: that hard trip, though. Is he really just staking it 189 00:11:46,960 --> 00:11:48,840 Speaker 2: out to see what what have we purchased? 190 00:11:49,800 --> 00:11:54,720 Speaker 3: Yeah, and to get a sense of what well, to 191 00:11:54,840 --> 00:11:59,680 Speaker 3: confirm that they're the resources they want are there, right, 192 00:11:59,679 --> 00:12:04,640 Speaker 3: because otherwise it's just been a series of correspondencies. Here's 193 00:12:04,720 --> 00:12:08,600 Speaker 3: the origin story for the name for the transformation from 194 00:12:08,640 --> 00:12:13,600 Speaker 3: six Grandfathers to Rushmore. Apparently, like anybody else, Charlie is 195 00:12:13,720 --> 00:12:18,480 Speaker 3: impressed when he sees the natural six Grandfather's site, and 196 00:12:18,559 --> 00:12:22,960 Speaker 3: he asked his guide, a non native named Bill Challice, hey, 197 00:12:22,960 --> 00:12:27,079 Speaker 3: what's this mountain? And Bill doesn't know, so he, apparently 198 00:12:27,679 --> 00:12:30,800 Speaker 3: in a flash of daring to you an inspiration, said 199 00:12:30,880 --> 00:12:34,439 Speaker 3: something like, well, it doesn't have a name, mister Rushmore, 200 00:12:34,880 --> 00:12:38,040 Speaker 3: so why don't we just name it after you? And 201 00:12:38,160 --> 00:12:42,959 Speaker 3: Rushmore said tight, yea, something to that effect. 202 00:12:43,080 --> 00:12:46,520 Speaker 2: Yeah, it is really cool to go online to be 203 00:12:46,559 --> 00:12:50,280 Speaker 2: able to see a few old photographs of this mountain 204 00:12:50,360 --> 00:12:53,800 Speaker 2: before it was carved. Yes, you can see that, and 205 00:12:53,880 --> 00:12:56,319 Speaker 2: it is neat because when you look up at it, 206 00:12:57,080 --> 00:12:59,960 Speaker 2: it does the thing clouds do often where your mind 207 00:13:00,200 --> 00:13:03,120 Speaker 2: starts to just create shapes, the same thing a rorshach 208 00:13:03,440 --> 00:13:07,400 Speaker 2: test ink blot would do, or depending on your lens 209 00:13:07,440 --> 00:13:11,480 Speaker 2: and your your background and experience, you're gonna maybe put 210 00:13:11,480 --> 00:13:14,720 Speaker 2: some of those lines and shapes together to form something. 211 00:13:15,040 --> 00:13:16,959 Speaker 4: So you can imagine someone. 212 00:13:18,080 --> 00:13:21,120 Speaker 2: Putting together Oh, I can imagine faces up there, like 213 00:13:21,320 --> 00:13:24,719 Speaker 2: huge faces, but it is weird to then look at 214 00:13:24,760 --> 00:13:27,839 Speaker 2: how large the faces are compared to these giant mountains. 215 00:13:28,200 --> 00:13:30,319 Speaker 2: You know, the faces are kind of small actually when 216 00:13:30,320 --> 00:13:31,319 Speaker 2: you look at them from afar. 217 00:13:31,840 --> 00:13:34,640 Speaker 3: Yeah, like stone Mountain, which will also show up here. 218 00:13:35,080 --> 00:13:39,199 Speaker 3: And that phenomenon we're describing the fancy word for his paradolia. 219 00:13:39,720 --> 00:13:43,440 Speaker 3: That's the where you're seeing patterns in clouds. That's one 220 00:13:43,440 --> 00:13:46,840 Speaker 3: of my favorite things. And when you know, you see 221 00:13:46,840 --> 00:13:50,280 Speaker 3: things that look like faces, maybe on Mars, who knows. 222 00:13:51,720 --> 00:13:54,559 Speaker 2: But again you might see something completely different than the 223 00:13:54,600 --> 00:13:55,680 Speaker 2: person standing next. 224 00:13:55,559 --> 00:13:57,400 Speaker 4: To you, which is yes, I think my favorite part. 225 00:13:57,880 --> 00:14:02,640 Speaker 3: Right, someone says, hey, uh, look at that cloud. Doesn't 226 00:14:02,640 --> 00:14:05,240 Speaker 3: that look like a duck? And then the person next 227 00:14:05,240 --> 00:14:09,480 Speaker 3: to him says, it's clearly a nineteen eighty seven Subaru. Yeah. 228 00:14:09,559 --> 00:14:10,199 Speaker 4: Yeah. 229 00:14:10,320 --> 00:14:14,480 Speaker 2: But you can, by describing what you're seeing, get another 230 00:14:14,559 --> 00:14:16,880 Speaker 2: person to see what you're seeing, which is again just 231 00:14:17,960 --> 00:14:23,520 Speaker 2: using that old noggin and some persuasion techniques and just communicating. 232 00:14:24,160 --> 00:14:26,000 Speaker 2: It's weird how we can do that for each other 233 00:14:26,040 --> 00:14:29,160 Speaker 2: and to each other, hmm yeah, and with each other. 234 00:14:29,520 --> 00:14:36,240 Speaker 3: And so similar to that phenomenon, the name starts spreading 235 00:14:36,280 --> 00:14:40,240 Speaker 3: the name Mount Rushmore. The non native locals are the 236 00:14:40,280 --> 00:14:43,120 Speaker 3: only ones using it, and they're partially using it because 237 00:14:43,160 --> 00:14:46,200 Speaker 3: people you know like patterns, people like having names for things, 238 00:14:46,600 --> 00:14:49,440 Speaker 3: and partially because they didn't give a tinker's dam for 239 00:14:49,520 --> 00:14:53,520 Speaker 3: the values of the indigenous cultures in the area. It's 240 00:14:53,600 --> 00:14:58,360 Speaker 3: not until nineteen thirty that Uncle Sam makes this name 241 00:14:58,560 --> 00:15:02,040 Speaker 3: Mount Rushmore a fish, and a lot more happened in 242 00:15:02,120 --> 00:15:06,200 Speaker 3: between them. Most notably as referred to, Mount Rushmore became 243 00:15:06,320 --> 00:15:12,840 Speaker 3: home to four gigantic sixty foot sculptures of US presidents. 244 00:15:13,280 --> 00:15:17,000 Speaker 3: It ignited a new era of conflict between Native peoples 245 00:15:17,000 --> 00:15:21,080 Speaker 3: and the US government that continues today, which is weird 246 00:15:21,200 --> 00:15:24,960 Speaker 3: because Mount Rushmore is a huge tourist attraction, even now 247 00:15:25,040 --> 00:15:28,600 Speaker 3: when tourism in the US is plummeted from domestic and 248 00:15:28,680 --> 00:15:30,000 Speaker 3: international sources. 249 00:15:30,440 --> 00:15:33,480 Speaker 2: Yeah, it is one of those places that it's fabled 250 00:15:33,520 --> 00:15:35,800 Speaker 2: because you read about it as soon as you've got 251 00:15:35,800 --> 00:15:37,680 Speaker 2: a textbook in front of you that talks about the 252 00:15:37,720 --> 00:15:40,480 Speaker 2: history of the United States, as soon as you're a child. 253 00:15:40,920 --> 00:15:44,400 Speaker 2: Mount Rushmore is a thing, and I think you create 254 00:15:44,440 --> 00:15:46,280 Speaker 2: a picture of it in your mind from maybe the 255 00:15:46,280 --> 00:15:49,720 Speaker 2: pictures in that textbook of what this thing is, and 256 00:15:50,200 --> 00:15:53,360 Speaker 2: going out to see it, I want to say, becomes 257 00:15:53,640 --> 00:15:57,080 Speaker 2: some kind of I don't know, a journey. You're maybe 258 00:15:57,120 --> 00:16:00,320 Speaker 2: supposed to you feel like you're supposed to take at 259 00:16:00,320 --> 00:16:02,240 Speaker 2: some point, kind of like going to the National Mall, 260 00:16:02,360 --> 00:16:05,400 Speaker 2: seeing you know, the Washington Monument and Congress and all 261 00:16:05,400 --> 00:16:07,840 Speaker 2: that stuff. For the first time, it feels like it's 262 00:16:07,880 --> 00:16:09,680 Speaker 2: a pilgrimage you're supposed to do as an. 263 00:16:09,640 --> 00:16:14,240 Speaker 3: American, Right, Yeah, it's and that's an echo of the 264 00:16:14,280 --> 00:16:18,840 Speaker 3: pilgrimage or spiritual journeys indigenous communities felt for thousands of 265 00:16:18,880 --> 00:16:25,120 Speaker 3: years before the United States, so we can understand why. Sorry, 266 00:16:25,120 --> 00:16:27,360 Speaker 3: I've got a big picture of Mount Rushmore on one 267 00:16:27,360 --> 00:16:29,720 Speaker 3: of these monitors, and I just now I feel like 268 00:16:29,760 --> 00:16:32,040 Speaker 3: these three of these four guys are staring at me. 269 00:16:33,080 --> 00:16:35,360 Speaker 3: There is one guy's just looking off to a different direction. 270 00:16:35,640 --> 00:16:36,680 Speaker 3: I don't know what he's looking at. 271 00:16:36,960 --> 00:16:39,200 Speaker 4: It's an interesting choice. 272 00:16:39,920 --> 00:16:42,320 Speaker 3: We'll see. It's partially due to the geography. 273 00:16:42,440 --> 00:16:45,080 Speaker 2: But that's Lincoln right on the like if you're looking 274 00:16:45,120 --> 00:16:45,960 Speaker 2: at it on the far right. 275 00:16:46,280 --> 00:16:49,000 Speaker 3: Yeah, that's Lincoln on the far right. On the far left, 276 00:16:49,040 --> 00:16:53,160 Speaker 3: we've got George Washington from earlier. Second to left, we've 277 00:16:53,200 --> 00:16:57,520 Speaker 3: got Thomas Jefferson, and then in the middle, just looking 278 00:16:57,960 --> 00:17:01,920 Speaker 3: in a weirdly intimate way towards is Teddy Roosevelt. 279 00:17:02,560 --> 00:17:07,800 Speaker 2: Yes, and somebody, some unknown is meant to be here 280 00:17:07,880 --> 00:17:09,000 Speaker 2: right there. 281 00:17:09,000 --> 00:17:10,200 Speaker 4: Right there between them. 282 00:17:11,080 --> 00:17:15,280 Speaker 3: So while this is a huge tourist attraction, and for 283 00:17:15,440 --> 00:17:19,440 Speaker 3: many patriotic Americans it's seen as a rite of passage 284 00:17:19,480 --> 00:17:23,960 Speaker 3: to visit it, it's also a center of controversy and conspiracy. 285 00:17:24,240 --> 00:17:28,439 Speaker 3: Apparently Mount Rushmore is home to some secrets. So what 286 00:17:28,560 --> 00:17:31,080 Speaker 3: say we pause for a word from our sponsors and 287 00:17:31,119 --> 00:17:32,800 Speaker 3: then climb up the mountain. 288 00:17:33,600 --> 00:17:34,680 Speaker 4: Let's glide. 289 00:17:39,840 --> 00:17:44,600 Speaker 3: Here's where it gets crazy, all right. I can't remember 290 00:17:44,720 --> 00:17:48,360 Speaker 3: if we've talked about this guy too often on the podcast. 291 00:17:48,400 --> 00:17:50,320 Speaker 3: I know we've mentioned him on some show or another. 292 00:17:50,440 --> 00:17:55,640 Speaker 3: But Gutsan Borglum, Gutsan Borglum. 293 00:17:54,880 --> 00:17:58,680 Speaker 2: Hmmm, lots of things going on in that name. Yes, 294 00:17:58,920 --> 00:18:01,880 Speaker 2: in particular, I'm here borg, very strong borg. 295 00:18:03,280 --> 00:18:06,399 Speaker 4: Gutsan. Though, where's this gentleman from. 296 00:18:06,560 --> 00:18:09,720 Speaker 3: He is from Idaho, the son of a Danish immigrant. 297 00:18:09,760 --> 00:18:13,880 Speaker 3: His full name is John Gutsan de la Mote Borglum. 298 00:18:14,200 --> 00:18:18,480 Speaker 3: And what I love about the name Gutsan is maybe 299 00:18:18,520 --> 00:18:21,040 Speaker 3: because of the z it feels like you have to 300 00:18:21,160 --> 00:18:24,119 Speaker 3: yell it. It feels like you the only way to 301 00:18:24,160 --> 00:18:33,879 Speaker 3: say is Gutsan, like Gaston and Gutsan, Gutsan you or 302 00:18:35,200 --> 00:18:37,840 Speaker 3: this is going to crack up our girlfriends, by the way, 303 00:18:38,160 --> 00:18:41,199 Speaker 3: because they're just randomly hearing one side of this conversation 304 00:18:41,320 --> 00:18:46,480 Speaker 3: is where yelling gutsan anyway, yeah, Gutsan. Borglum is super 305 00:18:46,520 --> 00:18:49,840 Speaker 3: into a couple of things. One of those is making 306 00:18:49,960 --> 00:18:52,720 Speaker 3: enormous sculptures and the other is the ku klux. 307 00:18:52,480 --> 00:18:57,080 Speaker 4: Klan oh oh okay. 308 00:18:57,240 --> 00:19:00,160 Speaker 3: Through the twist at the end. He's a networker, he's 309 00:19:00,160 --> 00:19:04,280 Speaker 3: an artist, he's a traveler. He studies in Europe. He's 310 00:19:04,280 --> 00:19:06,760 Speaker 3: got he's got a really big personality. He makes a 311 00:19:06,800 --> 00:19:10,960 Speaker 3: lot of connections and he hops around from you know, 312 00:19:11,160 --> 00:19:13,439 Speaker 3: like a year in Spain, a couple of years in Paris, 313 00:19:13,480 --> 00:19:16,680 Speaker 3: stop by America, go somewhere else. I'm living in England. 314 00:19:17,400 --> 00:19:21,679 Speaker 3: His personal relationships take a toll from the constant travel, 315 00:19:22,000 --> 00:19:26,080 Speaker 3: but he does make plenty of very powerful friends and enemies. 316 00:19:26,240 --> 00:19:30,359 Speaker 3: He exhibits his art that he's creating all along the way, 317 00:19:31,080 --> 00:19:34,200 Speaker 3: and his two most well known works are Mount Rushmore 318 00:19:34,600 --> 00:19:38,520 Speaker 3: and Stone Mountain. Now Stone Mountain. I know, Matt, you 319 00:19:38,560 --> 00:19:40,760 Speaker 3: and I have been, Dylan, have you been to Stone Mountain. 320 00:19:41,920 --> 00:19:44,159 Speaker 5: I've been to the park, but I've never been to 321 00:19:44,240 --> 00:19:57,640 Speaker 5: see the sculptures in Confederate actually laser light show, I forgot, yes, 322 00:19:58,400 --> 00:20:02,000 Speaker 5: I was going on fire and during the fireworks finale. 323 00:20:03,320 --> 00:20:08,280 Speaker 3: I remember. It's weird because a lot of us see 324 00:20:08,320 --> 00:20:12,199 Speaker 3: the Stone Mountain laser show in this area when you know, 325 00:20:12,240 --> 00:20:15,280 Speaker 3: it's a thing that parents take their children to, right, 326 00:20:15,400 --> 00:20:18,679 Speaker 3: so the kids often don't know the entire story. You 327 00:20:18,840 --> 00:20:21,440 Speaker 3: just see what, for the time is a really cool 328 00:20:21,520 --> 00:20:25,040 Speaker 3: light show with bangers like Devil went down to Georgia, 329 00:20:25,280 --> 00:20:27,040 Speaker 3: you know what I mean. And they're passing out the 330 00:20:27,920 --> 00:20:30,680 Speaker 3: little light bracelets. They got all these glow and the 331 00:20:30,760 --> 00:20:35,679 Speaker 3: dark toys. And during that show you get a big 332 00:20:36,359 --> 00:20:39,800 Speaker 3: vague dose of patriotism, but you don't get much of 333 00:20:39,840 --> 00:20:40,520 Speaker 3: an education. 334 00:20:41,320 --> 00:20:46,440 Speaker 2: Yeah, well, you don't really understand the significance of the 335 00:20:46,440 --> 00:20:49,359 Speaker 2: guys that are depicting on horses up there again, a 336 00:20:49,560 --> 00:20:55,000 Speaker 2: huge sculpture of these Confederate generals, let's name them, Jefferson, Davis, 337 00:20:55,080 --> 00:20:58,720 Speaker 2: Robert E. Lee, Stonewall Jackson and the horses. 338 00:21:00,119 --> 00:21:00,359 Speaker 4: Yep. 339 00:21:00,760 --> 00:21:04,400 Speaker 2: And I mean it looks very majestic when you see 340 00:21:04,440 --> 00:21:06,600 Speaker 2: it if you just are seeing it as oh, a 341 00:21:06,640 --> 00:21:08,720 Speaker 2: carving of humans on horses. 342 00:21:09,040 --> 00:21:11,399 Speaker 3: Yeah, and it is cool. 343 00:21:11,600 --> 00:21:14,480 Speaker 4: And then you go, oh, oh wait, what what is this? 344 00:21:14,720 --> 00:21:15,600 Speaker 4: Why are we what? 345 00:21:16,960 --> 00:21:19,680 Speaker 3: And that's why there have been a lot of moves 346 00:21:19,800 --> 00:21:25,920 Speaker 3: over the decades or proposals to to alter or remove 347 00:21:26,240 --> 00:21:29,040 Speaker 3: those carvings. You know, one of I think one of 348 00:21:29,080 --> 00:21:34,040 Speaker 3: our mutual favorites was a petition to replace those Confederate 349 00:21:34,160 --> 00:21:39,639 Speaker 3: leaders with outcast I didn't think what actually happened, but 350 00:21:39,840 --> 00:21:41,200 Speaker 3: people did sign the petition. 351 00:21:41,840 --> 00:21:43,720 Speaker 4: That would be nuts. 352 00:21:44,200 --> 00:21:46,439 Speaker 3: That would be nuts. It'd be very expensive too, right, 353 00:21:46,520 --> 00:21:50,680 Speaker 3: because the scale is baffling for both of these things. 354 00:21:51,080 --> 00:21:54,680 Speaker 3: When you look at Stone Mountain from far away, you 355 00:21:54,760 --> 00:21:59,960 Speaker 3: can appreciate that there definitely is a size at play. 356 00:21:59,800 --> 00:22:04,520 Speaker 3: But I guess the best microcosmic example is have you 357 00:22:04,560 --> 00:22:07,600 Speaker 3: ever actually held a traffic light? They've seen them on 358 00:22:07,640 --> 00:22:08,119 Speaker 3: the ground. 359 00:22:09,440 --> 00:22:12,720 Speaker 2: I have held a very old traffic light that was 360 00:22:12,760 --> 00:22:16,760 Speaker 2: of different dimensions and not as heavy or large. 361 00:22:17,119 --> 00:22:19,000 Speaker 3: Okay, but you know what I'm saying, Like with the 362 00:22:19,040 --> 00:22:22,119 Speaker 3: modern traffic lights, when you see them and they're removed 363 00:22:22,160 --> 00:22:26,080 Speaker 3: from wherever they're hanging, once you get closer to them, 364 00:22:26,119 --> 00:22:28,880 Speaker 3: you can see how large they actually are. And that's 365 00:22:28,920 --> 00:22:33,600 Speaker 3: what happens. As you get closer to these sculptures, it 366 00:22:33,720 --> 00:22:36,239 Speaker 3: takes a lot of work to make these This is 367 00:22:36,240 --> 00:22:42,119 Speaker 3: not clay after all, And so Borglum is constantly on 368 00:22:42,359 --> 00:22:48,679 Speaker 3: this rush for funding for support for various organizations to 369 00:22:48,840 --> 00:22:49,600 Speaker 3: help them out. 370 00:22:49,840 --> 00:22:53,600 Speaker 2: Oh and that's another thing to keep in mind here. Sometimes, 371 00:22:53,640 --> 00:22:58,640 Speaker 2: and I have done this. You imagine a soul artist 372 00:22:59,160 --> 00:23:02,399 Speaker 2: making a sculpture, right, if you imagine Michelangelo or somebody 373 00:23:02,400 --> 00:23:05,240 Speaker 2: who's just sculpting away at a piece of grantite, a 374 00:23:05,280 --> 00:23:09,000 Speaker 2: piece of stone, that is not possible for the size 375 00:23:09,320 --> 00:23:12,760 Speaker 2: of these things. So when we're talking about searching for funding, 376 00:23:13,000 --> 00:23:16,679 Speaker 2: you're talking about teams of people that are working in 377 00:23:16,720 --> 00:23:20,760 Speaker 2: shifts that are you know, procuring dynamite and specialized tools, 378 00:23:20,840 --> 00:23:24,440 Speaker 2: and just it takes a crapload of money to make 379 00:23:24,480 --> 00:23:25,040 Speaker 2: something like this. 380 00:23:25,640 --> 00:23:28,880 Speaker 3: Yeah, you know, like how Hoover didn't build the dam. 381 00:23:29,280 --> 00:23:31,000 Speaker 4: Yes, precisely. 382 00:23:32,280 --> 00:23:35,720 Speaker 3: I love that point because Borglum. Yeah, let us not 383 00:23:35,880 --> 00:23:39,680 Speaker 3: deify the guy or lionize him too much. Borglum has 384 00:23:39,720 --> 00:23:42,359 Speaker 3: the vision. He's making these models, but he is not 385 00:23:42,800 --> 00:23:47,560 Speaker 3: up there by himself with a pickaxe. Yeah, but you can. 386 00:23:47,640 --> 00:23:47,920 Speaker 3: I don't. 387 00:23:47,960 --> 00:23:51,000 Speaker 2: I don't mean, maybe I'm just a dullard in that way, 388 00:23:51,040 --> 00:23:53,920 Speaker 2: but I just you know, especially as a kid. You imagine, Oh, 389 00:23:54,040 --> 00:23:58,880 Speaker 2: that's somebody's sculpture, like somebody did did that rather than 390 00:23:59,440 --> 00:23:59,960 Speaker 2: somebody play. 391 00:24:00,960 --> 00:24:03,840 Speaker 3: Yeah, maybe we should say someone had the vision for it. 392 00:24:04,560 --> 00:24:07,080 Speaker 3: That's but I think that's a really great point, Matt. 393 00:24:07,160 --> 00:24:12,920 Speaker 3: Because this guy has these strange connections across the world, 394 00:24:13,160 --> 00:24:17,840 Speaker 3: and because he has this penchant for enormous problematic sculptures, 395 00:24:18,119 --> 00:24:21,240 Speaker 3: it's not surprising that Borglam has become the subject of 396 00:24:21,280 --> 00:24:25,720 Speaker 3: conspiracy theories. The most well known one directly inspired that 397 00:24:25,840 --> 00:24:29,679 Speaker 3: National Treasure movie. I think we can spoil it. We 398 00:24:29,880 --> 00:24:34,359 Speaker 3: just it's two thousand and seven, right, Yeah, we'll do 399 00:24:34,400 --> 00:24:38,640 Speaker 3: a spoiler warning. Okay, here be spoilers three to one. 400 00:24:38,840 --> 00:24:41,240 Speaker 4: Sorry, Dylan and Matt. 401 00:24:43,400 --> 00:24:46,359 Speaker 3: Oh, I mean it's still it's it's a popcorn flick, right, 402 00:24:46,400 --> 00:24:51,320 Speaker 3: it's beat for beat, similar to Indiana Jones right, or 403 00:24:51,560 --> 00:24:56,160 Speaker 3: meets Dan Brown. So there's a treasure hunter named Ben Gates, 404 00:24:56,920 --> 00:25:01,400 Speaker 3: and Nicholas Cage is so famous that whenever somebody describes 405 00:25:01,440 --> 00:25:04,000 Speaker 3: the movie, they say, oh, Nick Cage is hunting treasure, 406 00:25:04,320 --> 00:25:06,879 Speaker 3: but his name in the show is Ben Gates. He 407 00:25:07,040 --> 00:25:10,639 Speaker 3: learns that Calvin Coolidge. I don't want to spoil it 408 00:25:10,680 --> 00:25:15,199 Speaker 3: too too much, but Calvin Coolidge commissioned Gutsan Borglum to 409 00:25:15,400 --> 00:25:19,919 Speaker 3: create the gigantic Mount Rushmore sculpture as a way of 410 00:25:20,040 --> 00:25:25,160 Speaker 3: hiding evidence of a legendary Native American pre Columbian city 411 00:25:25,200 --> 00:25:26,040 Speaker 3: of Gold. 412 00:25:26,400 --> 00:25:28,160 Speaker 4: Wow. 413 00:25:28,280 --> 00:25:31,639 Speaker 3: What I love about the mcguffin of this, without getting 414 00:25:31,640 --> 00:25:35,600 Speaker 3: too into it, is the idea of creating an entire 415 00:25:36,800 --> 00:25:40,120 Speaker 3: creating Mount Rushmore to hide a treasure. 416 00:25:40,720 --> 00:25:43,160 Speaker 4: It's brilliant, man, it's brilliant. 417 00:25:43,480 --> 00:25:45,480 Speaker 3: Not the fastest solution, I. 418 00:25:45,440 --> 00:25:48,879 Speaker 5: Mean, it's a documentary. What's false about any of that. 419 00:25:51,240 --> 00:25:52,840 Speaker 3: We have to go, guys, we have to go to 420 00:25:52,920 --> 00:25:53,679 Speaker 3: the Black Hills. 421 00:25:54,560 --> 00:25:57,480 Speaker 2: I want to. I mean, look, just let's put it 422 00:25:57,480 --> 00:26:01,400 Speaker 2: out there. From a strategy perspective, if there's a giant 423 00:26:01,560 --> 00:26:03,920 Speaker 2: monument on the side of a mountain that becomes a 424 00:26:03,960 --> 00:26:08,679 Speaker 2: tourist attraction and a piece of American fable, American history, sure, 425 00:26:08,840 --> 00:26:12,560 Speaker 2: then nobody's gonna be checking around Lincoln's head, you know 426 00:26:12,560 --> 00:26:14,719 Speaker 2: what I'm saying. And nobody's gonna be looking over there. 427 00:26:14,720 --> 00:26:16,440 Speaker 4: They're just looking at Lincoln's face. 428 00:26:17,240 --> 00:26:20,679 Speaker 3: I guess. So we're probably not the best sample size 429 00:26:20,720 --> 00:26:23,800 Speaker 3: because I would be like right in it knows, I 430 00:26:23,800 --> 00:26:27,080 Speaker 3: would be trying to figure out you know how big 431 00:26:27,119 --> 00:26:30,080 Speaker 3: this sculpture is, and like, could I set up a 432 00:26:30,119 --> 00:26:30,880 Speaker 3: little tent here? 433 00:26:31,240 --> 00:26:33,359 Speaker 4: Well, that's why they have all the security. There's a 434 00:26:33,440 --> 00:26:35,600 Speaker 4: ton of security there, yes. 435 00:26:35,680 --> 00:26:39,439 Speaker 3: Yeah, partially because of that controversy and partially because of 436 00:26:41,560 --> 00:26:44,840 Speaker 3: very eccentric things like me, who would immediately try to 437 00:26:44,880 --> 00:26:46,800 Speaker 3: camp out. You know who else would try to camp 438 00:26:46,800 --> 00:26:51,119 Speaker 3: on it? Alex Williams, Oh, yeah, for sure, a million percent. 439 00:26:51,200 --> 00:26:52,840 Speaker 3: So the security is there for a reason. 440 00:26:53,040 --> 00:26:56,160 Speaker 2: Yeah, Dan and his son from What's Inside might try 441 00:26:56,200 --> 00:26:59,760 Speaker 2: and do that. Watched your video, guys, good work. 442 00:27:00,680 --> 00:27:04,320 Speaker 3: So the answer is, yes, there is a little bit 443 00:27:04,359 --> 00:27:07,160 Speaker 3: of truth to the legend, but there's not a secret 444 00:27:07,280 --> 00:27:11,680 Speaker 3: complex network of tunnels crisscrossing the interior of the Six Grandfathers. 445 00:27:12,280 --> 00:27:15,760 Speaker 3: But there is a chamber in the mountain that was, 446 00:27:16,000 --> 00:27:18,960 Speaker 3: once upon a time kind of a secret to the public. 447 00:27:19,080 --> 00:27:22,760 Speaker 3: It is right behind the head of Abraham Lincoln. 448 00:27:23,880 --> 00:27:29,560 Speaker 2: Super cool, Yes, should we state that? The National Park 449 00:27:29,640 --> 00:27:33,679 Speaker 2: Service says it's a not so secret place, right, And 450 00:27:33,760 --> 00:27:37,160 Speaker 2: yet I was unaware of it until we began researching 451 00:27:37,200 --> 00:27:41,160 Speaker 2: this episode, So I don't know, it seems pretty secret. 452 00:27:41,640 --> 00:27:46,320 Speaker 3: It was secret for a while, not necessarily due to malevolence, 453 00:27:46,359 --> 00:27:49,400 Speaker 3: but more due to the well, yeah, let's do it. 454 00:27:49,560 --> 00:27:53,160 Speaker 3: So here's the truth of it. Like so many other 455 00:27:53,359 --> 00:27:56,640 Speaker 3: works of a grand scope. Think of the Washington Monument. 456 00:27:56,680 --> 00:28:00,960 Speaker 3: That's a great example. Borglum's original plans for Rushmore were 457 00:28:01,080 --> 00:28:04,800 Speaker 3: way way more grandiose than what actually ended up being built. 458 00:28:05,240 --> 00:28:08,480 Speaker 3: And this guy was very much a consummate salesman. He 459 00:28:08,560 --> 00:28:12,919 Speaker 3: was always pitching stuff, and for example, he wanted you 460 00:28:12,960 --> 00:28:15,520 Speaker 3: can see pictures of this on Reddit and Snopes or wherever. 461 00:28:16,000 --> 00:28:19,879 Speaker 3: In his original vision, the presidents were even bigger. They 462 00:28:19,880 --> 00:28:22,560 Speaker 3: were depicted from the waist up, not just the heads. 463 00:28:23,160 --> 00:28:27,560 Speaker 3: And then he said, guys, this isn't just a sculpture, 464 00:28:27,920 --> 00:28:30,439 Speaker 3: you know, when he's asking for more money. This is 465 00:28:30,520 --> 00:28:34,440 Speaker 3: going to be a National Archives here in the mountains, 466 00:28:34,480 --> 00:28:38,120 Speaker 3: a second National Archives. There's going to be this opulent 467 00:28:38,280 --> 00:28:42,800 Speaker 3: stairway behind the presidents. It ushers visitors up to a 468 00:28:42,880 --> 00:28:45,360 Speaker 3: hall of records. And they said hall of records, and 469 00:28:45,360 --> 00:28:47,120 Speaker 3: he said, no, say it so I can hear the 470 00:28:47,120 --> 00:28:49,840 Speaker 3: Capitol letters. It was a really big deal to him. 471 00:28:50,080 --> 00:28:53,760 Speaker 3: This was like, out of all the stuff that he 472 00:28:53,840 --> 00:28:57,280 Speaker 3: was passionate about for this project, this vaunted Hall of 473 00:28:57,320 --> 00:29:00,880 Speaker 3: Records was to him one of the most important parts 474 00:29:00,920 --> 00:29:03,760 Speaker 3: of the whole shebang. It was, it was why he 475 00:29:03,880 --> 00:29:04,760 Speaker 3: woke up to do it? 476 00:29:05,080 --> 00:29:09,320 Speaker 2: Well, it's it makes so much sense when we're talking 477 00:29:09,320 --> 00:29:12,680 Speaker 2: about a grandiose vision. Will We'll give you the quote, 478 00:29:13,120 --> 00:29:15,080 Speaker 2: a really cool quote at the end of the show here. 479 00:29:16,720 --> 00:29:21,160 Speaker 2: But this concept that these stones, when we go about 480 00:29:21,200 --> 00:29:24,120 Speaker 2: carving them right in depictions, whether it's from the waist 481 00:29:24,200 --> 00:29:26,920 Speaker 2: up or the neck up or whatever, they're going to 482 00:29:27,000 --> 00:29:32,280 Speaker 2: be around for a long long time. And without putting 483 00:29:32,400 --> 00:29:36,440 Speaker 2: some kind of explanation. People in forty thousand years, fifty 484 00:29:36,480 --> 00:29:39,720 Speaker 2: thousand years, even if it's not people someone else coming 485 00:29:39,840 --> 00:29:41,480 Speaker 2: isn't going to know what the heck this is, who 486 00:29:41,520 --> 00:29:44,120 Speaker 2: these people are, why this was done. It'll be like 487 00:29:44,160 --> 00:29:49,200 Speaker 2: the Sphinx, where we're all going, I guess it's this, right, 488 00:29:49,400 --> 00:29:51,840 Speaker 2: Why not put something in his mind at least, Why 489 00:29:51,880 --> 00:29:55,200 Speaker 2: not put something that at least gives some context if 490 00:29:55,200 --> 00:29:57,520 Speaker 2: that group can figure out how to read. 491 00:29:57,360 --> 00:30:01,400 Speaker 3: English, right, Yeah, that's a great way to put it. 492 00:30:01,440 --> 00:30:04,040 Speaker 3: We know he's inspired two things. First, we know he 493 00:30:04,360 --> 00:30:07,960 Speaker 3: was massively inspired by the Pyramids and the stories of 494 00:30:08,000 --> 00:30:12,960 Speaker 3: the Colossus of Rhodes. Secondly, it would have been epically 495 00:30:13,080 --> 00:30:16,800 Speaker 3: hilarious if instead of waist up. He was like, it's 496 00:30:16,840 --> 00:30:20,080 Speaker 3: the president's, but waist down, and you have to guess 497 00:30:20,720 --> 00:30:25,160 Speaker 3: which president based on their crotches. 498 00:30:25,960 --> 00:30:27,040 Speaker 4: It's just their shoes. 499 00:30:29,520 --> 00:30:31,760 Speaker 3: I gotta stop staring at this picture of these guys. 500 00:30:31,760 --> 00:30:35,200 Speaker 3: It's freaking me out anyway. So this idea, it's a 501 00:30:35,240 --> 00:30:38,360 Speaker 3: man made cave. It's going to be eight thousand square 502 00:30:38,400 --> 00:30:42,400 Speaker 3: feet or little more than seven hundred and forty square meters. 503 00:30:42,800 --> 00:30:46,080 Speaker 3: And he talks about this so frequently, you guys, and 504 00:30:46,200 --> 00:30:49,280 Speaker 3: every time he talks about it, the plan seems to 505 00:30:49,320 --> 00:30:53,720 Speaker 3: grow more elaborate. I'd love to throw to our Alma matter, 506 00:30:53,960 --> 00:30:57,000 Speaker 3: our pals at how stuff works, who have a great 507 00:30:57,240 --> 00:31:02,800 Speaker 3: primary source description of his final articulation of what he 508 00:31:02,840 --> 00:31:04,280 Speaker 3: wants the Hall of Records to be. 509 00:31:04,680 --> 00:31:06,680 Speaker 2: The Hall of Records, as he called it, would have 510 00:31:06,680 --> 00:31:09,760 Speaker 2: a twenty foot entrance with glass doors and a bronze 511 00:31:09,840 --> 00:31:13,680 Speaker 2: eagle stretching fifteen feet from talons to crest above it, 512 00:31:14,200 --> 00:31:18,600 Speaker 2: along with the motto America marches on to provide access 513 00:31:18,640 --> 00:31:21,320 Speaker 2: to the hall. Borgland plan to carve an eight hundred 514 00:31:21,400 --> 00:31:25,320 Speaker 2: foot granite stairway up the backside of Mount Rushmore. 515 00:31:25,960 --> 00:31:29,520 Speaker 3: I love. I was into it until they said, backside up, 516 00:31:29,520 --> 00:31:32,000 Speaker 3: the backside up, the backside as well, you know what 517 00:31:32,080 --> 00:31:32,320 Speaker 3: I mean. 518 00:31:35,840 --> 00:31:38,960 Speaker 2: Can we pause here just for a moment. Just you 519 00:31:39,080 --> 00:31:43,200 Speaker 2: mentioned Washington Monument and how there are other plans for it. 520 00:31:43,280 --> 00:31:44,960 Speaker 2: I think maybe a lot of people don't know the 521 00:31:45,000 --> 00:31:48,480 Speaker 2: full story of that. If I'm recalling our previous videos 522 00:31:48,760 --> 00:31:52,840 Speaker 2: and discussions of that. The huge singular obelisk that is 523 00:31:52,920 --> 00:31:55,840 Speaker 2: now the Washington Monument that we've come to love and 524 00:31:56,240 --> 00:32:01,120 Speaker 2: know it originally had this really cool other part to it, right. 525 00:32:01,240 --> 00:32:07,400 Speaker 3: Yeah, yeah, the first Washington well, there were two Washington monuments, right, 526 00:32:07,440 --> 00:32:10,520 Speaker 3: and the first was it looks kind of like a 527 00:32:10,520 --> 00:32:15,640 Speaker 3: stone milk bottle. It's not super duper impressive, but it's 528 00:32:15,640 --> 00:32:19,520 Speaker 3: still you know, it's still phallic, which I guess is 529 00:32:19,560 --> 00:32:19,920 Speaker 3: the point. 530 00:32:20,120 --> 00:32:22,400 Speaker 2: But yeah, but the one they got approved, right, had a. 531 00:32:23,160 --> 00:32:26,880 Speaker 3: Rotunda, yeah, rotunda, and it had this elaborate it was 532 00:32:26,880 --> 00:32:30,920 Speaker 3: gonna have this elaborate sculpture atop it with Washington and 533 00:32:30,960 --> 00:32:34,120 Speaker 3: the boys riding hard for freedom. It was gonna have 534 00:32:34,160 --> 00:32:37,120 Speaker 3: all kinds of cool stuff on the inside, and then 535 00:32:37,560 --> 00:32:41,600 Speaker 3: some engravings and artifacts and whatnot, and then it ended 536 00:32:41,680 --> 00:32:44,360 Speaker 3: up being a monument, you know, just the obelisk. 537 00:32:44,880 --> 00:32:45,680 Speaker 4: Yeah, it was gonna be. 538 00:32:46,360 --> 00:32:48,160 Speaker 2: Wasn't it going to be like a hall of the 539 00:32:48,200 --> 00:32:52,520 Speaker 2: Founding Father's kind of thing where it's much smaller sculptures 540 00:32:52,520 --> 00:32:55,320 Speaker 2: than Mount Rushmore's, but just like actual sculptures of the 541 00:32:55,320 --> 00:32:58,680 Speaker 2: Founding Fathers around that thing. But like, what do we 542 00:32:59,640 --> 00:33:02,080 Speaker 2: when we do the episode? We compared it to a pantheon. 543 00:33:02,160 --> 00:33:06,080 Speaker 3: I think, yes, yeah, it's because it was very much 544 00:33:06,440 --> 00:33:12,280 Speaker 3: descended from classical Greek architecture, so they wanted to echo 545 00:33:12,400 --> 00:33:14,360 Speaker 3: the kind of things you would see at an old 546 00:33:14,400 --> 00:33:15,280 Speaker 3: Grecian temple. 547 00:33:15,680 --> 00:33:18,640 Speaker 4: But of course, of war came along while all the. 548 00:33:18,600 --> 00:33:22,560 Speaker 2: Money was going into this monument, and they said, maybe 549 00:33:22,600 --> 00:33:24,000 Speaker 2: we'll put a pause on that. 550 00:33:25,080 --> 00:33:28,880 Speaker 3: Yeah, before we make a thing. I don't mean sounding 551 00:33:28,960 --> 00:33:31,480 Speaker 3: a jerk about this, but they rightly said, before we 552 00:33:31,600 --> 00:33:34,680 Speaker 3: make a thing kissing our countries, but let's save the 553 00:33:34,840 --> 00:33:35,760 Speaker 3: actual country. 554 00:33:35,880 --> 00:33:36,160 Speaker 4: Cool. 555 00:33:36,160 --> 00:33:39,720 Speaker 3: Cool, cool, you know what I mean. It's like, why 556 00:33:39,760 --> 00:33:43,080 Speaker 3: would you make T shirts for the band until before 557 00:33:43,120 --> 00:33:43,800 Speaker 3: you make a song? 558 00:33:44,200 --> 00:33:45,600 Speaker 4: Anyway, that's probably a good idea. 559 00:33:47,680 --> 00:33:51,640 Speaker 3: We love making T shirt So anyway, Borglain wanted this hall, 560 00:33:52,680 --> 00:33:55,320 Speaker 3: as you can tell from the description, folks, Borla wanted 561 00:33:55,360 --> 00:33:58,520 Speaker 3: this hall to really blow people away. And I love 562 00:33:58,600 --> 00:34:03,960 Speaker 3: your point about making a legacy, something set in stone 563 00:34:04,120 --> 00:34:09,399 Speaker 3: so that thousands of years after its construction people can 564 00:34:09,719 --> 00:34:12,000 Speaker 3: have that osomandious moment, right. 565 00:34:12,120 --> 00:34:16,239 Speaker 2: Yeah, Well, didn't he want to have the documents, like 566 00:34:16,280 --> 00:34:20,760 Speaker 2: the Founding Documents, Constitution, things like that, actually etched into 567 00:34:20,840 --> 00:34:24,000 Speaker 2: the stone there, or at least to be a repository 568 00:34:24,040 --> 00:34:25,080 Speaker 2: to keep them there. 569 00:34:25,160 --> 00:34:26,520 Speaker 4: Yes, the original versions. 570 00:34:26,920 --> 00:34:31,000 Speaker 3: He wanted original versions. He would accept early replicas of 571 00:34:31,080 --> 00:34:33,640 Speaker 3: things like it's tough to get a hold of the Constitution, 572 00:34:33,840 --> 00:34:36,960 Speaker 3: so he'd need an early replica of that. He wanted 573 00:34:37,920 --> 00:34:42,720 Speaker 3: smaller bust of various famous Americans. And this was happening. 574 00:34:43,200 --> 00:34:45,719 Speaker 3: His ideation about this was happening when they were still 575 00:34:45,760 --> 00:34:49,960 Speaker 3: trying to figure out what faces they would put on 576 00:34:50,120 --> 00:34:52,319 Speaker 3: the monument. There were a lot of things floated, not 577 00:34:52,400 --> 00:34:55,920 Speaker 3: all of them were presidents. Saka Juweya was a pitch, 578 00:34:55,960 --> 00:35:01,839 Speaker 3: as was Lewis and Clark, and they and I guess 579 00:35:01,880 --> 00:35:05,000 Speaker 3: maybe Coolidge at some point. Anyway, they landed on these 580 00:35:05,000 --> 00:35:07,719 Speaker 3: four presidents, and they took all the people that they 581 00:35:07,760 --> 00:35:11,400 Speaker 3: considered important but not you know, mountain face important. They 582 00:35:11,400 --> 00:35:13,520 Speaker 3: would make little bust of them and put them in 583 00:35:13,520 --> 00:35:17,640 Speaker 3: the Hall of Records along with a bunch of exhibits 584 00:35:17,920 --> 00:35:23,319 Speaker 3: that were showcasing the industrial, artistic, and scientific breakthroughs of 585 00:35:23,920 --> 00:35:28,560 Speaker 3: people from the US and US history because Borglum wanted to, 586 00:35:29,880 --> 00:35:33,000 Speaker 3: at least from his statements that we have, he wanted 587 00:35:33,040 --> 00:35:39,200 Speaker 3: to create art and legacies that were thoroughly American and 588 00:35:39,239 --> 00:35:43,600 Speaker 3: he was not interested in the opinions of the Native people. Ah, 589 00:35:44,200 --> 00:35:46,959 Speaker 3: because America meant a very certain thing to him. 590 00:35:47,239 --> 00:35:50,200 Speaker 2: Yeah, I wonder Frederick Douglass was on that short list 591 00:35:50,239 --> 00:35:51,160 Speaker 2: of people to put in there. 592 00:35:52,800 --> 00:35:57,239 Speaker 3: I from what we know about Borglum, Yeah, if he 593 00:35:57,400 --> 00:36:00,279 Speaker 3: was on the list, Yeah, I don't think Borgolam put 594 00:36:00,280 --> 00:36:00,640 Speaker 3: them there. 595 00:36:00,880 --> 00:36:02,520 Speaker 4: Just one of the most important figures. Whatever. 596 00:36:02,560 --> 00:36:06,439 Speaker 3: It's fine, sure, sure, Okay, So he's super in love 597 00:36:06,480 --> 00:36:10,360 Speaker 3: with this idea. We all know how collaboration and envisioning 598 00:36:10,440 --> 00:36:13,719 Speaker 3: stuff works, and especially if you're working on a big 599 00:36:13,760 --> 00:36:16,239 Speaker 3: project with a group, a lot of people fall in 600 00:36:16,280 --> 00:36:19,600 Speaker 3: love with like their one thing, their pet thing, and 601 00:36:19,640 --> 00:36:22,480 Speaker 3: for him, the pet thing is the Hall of Records. 602 00:36:23,120 --> 00:36:27,880 Speaker 3: Construction on Rushmore begins on October fourth, nineteen twenty seven, 603 00:36:28,239 --> 00:36:32,520 Speaker 3: and it takes fourteen years to complete. It concludes on 604 00:36:32,560 --> 00:36:36,520 Speaker 3: October thirty first, nineteen forty one. There are a lot 605 00:36:36,560 --> 00:36:39,919 Speaker 3: of obstacles, a lot of setbacks funding, of course, geology, 606 00:36:40,320 --> 00:36:43,360 Speaker 3: the sheer scope of the thing, and as as you 607 00:36:43,440 --> 00:36:47,719 Speaker 3: foreshadowed so beautifully, Matt, war, World War two kind of 608 00:36:47,719 --> 00:36:54,319 Speaker 3: complicates things. Yeah, yeah, and fourteen years isn't that bad 609 00:36:54,960 --> 00:36:57,120 Speaker 3: for the size of these sculptures? 610 00:36:57,560 --> 00:37:01,480 Speaker 2: Yeah, fourteen years. Come on, when you really think about 611 00:37:01,480 --> 00:37:03,879 Speaker 2: the amount, like the way it was done. You can 612 00:37:03,920 --> 00:37:07,520 Speaker 2: go to a couple of different videos that you can 613 00:37:07,560 --> 00:37:10,839 Speaker 2: actually see, like inside where cameras are allowed to go 614 00:37:10,960 --> 00:37:14,239 Speaker 2: inside the Hall of Records or what what. 615 00:37:14,320 --> 00:37:16,680 Speaker 4: Is the Hall of what would. 616 00:37:16,520 --> 00:37:19,520 Speaker 2: Have been the Hall of Records, right, And you can 617 00:37:19,719 --> 00:37:23,239 Speaker 2: look at the boreholes. There are just so many of 618 00:37:23,280 --> 00:37:27,000 Speaker 2: them where you know, you'd honeycomb these giant pieces of 619 00:37:27,000 --> 00:37:29,480 Speaker 2: granite as deep as these drills could go and then 620 00:37:29,600 --> 00:37:32,200 Speaker 2: stuff them full of dynamite and blast them out. And 621 00:37:32,320 --> 00:37:35,600 Speaker 2: just how long that took and how dangerous that was 622 00:37:35,800 --> 00:37:39,040 Speaker 2: to do? Oh yeah, you can imagine that, you know, 623 00:37:39,120 --> 00:37:41,320 Speaker 2: fourteen years not too. 624 00:37:41,120 --> 00:37:45,080 Speaker 3: Shabby, not too shabby. No, And you can look at 625 00:37:45,400 --> 00:37:50,320 Speaker 3: other similar projects to get a sense of how great 626 00:37:50,400 --> 00:37:54,040 Speaker 3: fourteen years actually is for something of this size. Let's 627 00:37:54,080 --> 00:37:57,680 Speaker 3: go to nineteen thirty eight, though, all right, the construction 628 00:37:58,040 --> 00:38:01,319 Speaker 3: has been going on for more than a decade. People 629 00:38:01,360 --> 00:38:05,880 Speaker 3: are getting a little antsy, but Gutsal is not giving 630 00:38:05,960 --> 00:38:09,320 Speaker 3: up on the dream of this this interior thing going 631 00:38:09,400 --> 00:38:14,799 Speaker 3: quote up the backside of I'm sorry of the monument. So, 632 00:38:15,040 --> 00:38:19,360 Speaker 3: like you're saying, Matt, they blast out a seventy foot 633 00:38:19,400 --> 00:38:24,359 Speaker 3: tunnel and things are looking pretty good, right the boreholes 634 00:38:24,920 --> 00:38:29,640 Speaker 3: you can see similar similar techniques used when roads are 635 00:38:29,640 --> 00:38:33,279 Speaker 3: being carved through mountains in Appalachia. You know, you can 636 00:38:33,440 --> 00:38:36,239 Speaker 3: drive through an area and you can look at the 637 00:38:36,320 --> 00:38:39,560 Speaker 3: rock face and you'll literally see those holes you're describing 638 00:38:39,680 --> 00:38:42,279 Speaker 3: where they had to blow out chunks of the of 639 00:38:42,320 --> 00:38:42,719 Speaker 3: the rock. 640 00:38:42,880 --> 00:38:44,400 Speaker 2: You can also see it in a lot of mines, 641 00:38:44,480 --> 00:38:47,000 Speaker 2: especially if you're up in North Georgia and places along 642 00:38:47,080 --> 00:38:49,360 Speaker 2: Appalachian mountains, Like when you go down in there, you 643 00:38:49,360 --> 00:38:52,440 Speaker 2: see where there were huge mining operations. Hey, like the 644 00:38:52,800 --> 00:38:55,720 Speaker 2: like maybe the tin mining those going out there where 645 00:38:56,719 --> 00:39:00,360 Speaker 2: it's so such a dangerous concept of using fire for 646 00:39:00,480 --> 00:39:03,200 Speaker 2: light or you know, at some point electricity that's run 647 00:39:03,280 --> 00:39:04,960 Speaker 2: all the way through a mine to then. 648 00:39:05,360 --> 00:39:07,440 Speaker 4: Put all this really. 649 00:39:09,040 --> 00:39:15,000 Speaker 2: Volatile chemical stuff dynamite into those holes and then just 650 00:39:15,080 --> 00:39:19,000 Speaker 2: try and explode it without blowing yourself and everyone else up, 651 00:39:19,200 --> 00:39:20,920 Speaker 2: or you know, caving everyone. 652 00:39:20,560 --> 00:39:26,320 Speaker 3: In asphyxiating, hoping above all that you've got the timing 653 00:39:26,440 --> 00:39:29,439 Speaker 3: right and the support beams are having a good day 654 00:39:29,840 --> 00:39:30,560 Speaker 3: because you're. 655 00:39:30,400 --> 00:39:33,400 Speaker 4: Literally spooling out the fuse. 656 00:39:33,160 --> 00:39:37,719 Speaker 3: Yourself exactly and you're counting back. Oh man, but this 657 00:39:37,880 --> 00:39:41,239 Speaker 3: is you know, it's why you say that. One thing 658 00:39:41,960 --> 00:39:46,439 Speaker 3: that I think we've all visited in the past is, oh, 659 00:39:46,480 --> 00:39:49,520 Speaker 3: what is it in Chattanoogads, Not Rock City. It's the 660 00:39:50,400 --> 00:39:52,319 Speaker 3: underground waterfall. 661 00:39:52,080 --> 00:39:53,920 Speaker 4: Ruby Ruby, Ruby Falls. 662 00:39:53,920 --> 00:39:57,640 Speaker 3: Baby, Yeah, Ruby Falls is getting a little stuck up 663 00:39:57,640 --> 00:39:59,799 Speaker 3: for me. Guys. Last time we went up there with 664 00:39:59,840 --> 00:40:03,160 Speaker 3: a we learned you have to have reservations for your tickets. 665 00:40:03,200 --> 00:40:05,160 Speaker 4: Now, Oh, it's so crowded. 666 00:40:05,520 --> 00:40:06,799 Speaker 3: I thought it was one of those things where you 667 00:40:06,800 --> 00:40:09,480 Speaker 3: could just go up and say, take me to the cave. 668 00:40:10,600 --> 00:40:17,080 Speaker 3: But the I'm mentioning that because going underground, even in 669 00:40:17,120 --> 00:40:20,000 Speaker 3: a tourist attraction that's very safe, gives you a sense 670 00:40:20,040 --> 00:40:24,520 Speaker 3: of the claustrophobia and the dangerous conditions in which these 671 00:40:25,200 --> 00:40:28,200 Speaker 3: these mines are made. It also be really cool to 672 00:40:28,280 --> 00:40:33,000 Speaker 3: hear from you, fellow conspiracy realist, about abandoned mines in 673 00:40:33,080 --> 00:40:35,479 Speaker 3: your neck of the woods. I'm thinking especially out west 674 00:40:35,520 --> 00:40:38,120 Speaker 3: in the United States, the odds are pretty high that 675 00:40:38,239 --> 00:40:40,879 Speaker 3: several minds have been lost to history. It'd be cool 676 00:40:40,920 --> 00:40:41,520 Speaker 3: to find them. 677 00:40:41,840 --> 00:40:45,480 Speaker 2: Oh yeah, you find a shaft. Accidentally, that's the worst a. 678 00:40:45,440 --> 00:40:49,680 Speaker 3: Mind shaft, because those go down. I guess all minds 679 00:40:49,719 --> 00:40:50,200 Speaker 3: go down. 680 00:40:50,280 --> 00:40:54,200 Speaker 2: But yeah, I can't get the picture out of my mind. 681 00:40:54,480 --> 00:40:56,240 Speaker 4: Or maybe maybe it's just the phrase. 682 00:40:56,400 --> 00:41:03,520 Speaker 2: It's echoing this concept of Gutsan's never ending pursuit to 683 00:41:03,560 --> 00:41:06,160 Speaker 2: penetrate the backside of the monument. 684 00:41:06,760 --> 00:41:09,440 Speaker 3: I love it. Yeah, I hope that's the phrase. He 685 00:41:09,520 --> 00:41:12,759 Speaker 3: keeps using. Were the stairs and he goes, I'm glad 686 00:41:12,800 --> 00:41:16,840 Speaker 3: you asked all right up the backside, Like, oh, do 687 00:41:16,880 --> 00:41:20,360 Speaker 3: you not want to have maybe a nicer entrance in 688 00:41:20,400 --> 00:41:26,280 Speaker 3: the front. He's like, no backside or nothing. So it's crazy. 689 00:41:26,320 --> 00:41:27,920 Speaker 3: We're allowed to vote. Guys. 690 00:41:30,400 --> 00:41:34,000 Speaker 2: Hey, don't sleep on the Consolidated gold Mine in Delanaga. 691 00:41:34,040 --> 00:41:34,919 Speaker 4: That's another great place. 692 00:41:35,239 --> 00:41:37,239 Speaker 3: I love. I like that one too. That's a lot 693 00:41:37,280 --> 00:41:41,279 Speaker 3: of fun for adults and kids alike. Did you have 694 00:41:41,360 --> 00:41:43,680 Speaker 3: you been there recently? Do the panting thing? Do they 695 00:41:43,680 --> 00:41:44,560 Speaker 3: still do that? Yeah? 696 00:41:44,600 --> 00:41:45,560 Speaker 4: They still do panning thing. 697 00:41:45,840 --> 00:41:48,160 Speaker 2: The most interesting thing to me is that it's a 698 00:41:48,239 --> 00:41:51,160 Speaker 2: mine that's still filled with gold. There are there's a 699 00:41:51,200 --> 00:41:54,640 Speaker 2: ton of gold in that mine, but nobody's allowed to 700 00:41:54,800 --> 00:41:56,879 Speaker 2: do any work there or pull any of the gold out, 701 00:41:57,040 --> 00:41:58,080 Speaker 2: which is interesting. 702 00:41:58,400 --> 00:42:01,799 Speaker 3: I remember reading that. Can you remind me why aren't they? 703 00:42:01,920 --> 00:42:04,080 Speaker 3: Is it because it's a historical site or is it 704 00:42:04,120 --> 00:42:04,880 Speaker 3: too expensive? 705 00:42:05,520 --> 00:42:09,400 Speaker 2: I can't remember exactly, but there's a great spiel the kids. 706 00:42:10,360 --> 00:42:13,080 Speaker 2: I got to take the kids up there, and they 707 00:42:13,160 --> 00:42:15,320 Speaker 2: just had a lot of fun learning about the history 708 00:42:15,320 --> 00:42:17,840 Speaker 2: of it and actually seeing like veins of gold. 709 00:42:18,480 --> 00:42:19,239 Speaker 4: Yeah, it's neat. 710 00:42:20,000 --> 00:42:22,640 Speaker 3: Yeah, And you know, shout out to every kid who 711 00:42:22,760 --> 00:42:25,239 Speaker 3: is that's another sort of Georgia Right of Passage or 712 00:42:25,239 --> 00:42:28,359 Speaker 3: Atlanta area right of passage. Shout out to every kid 713 00:42:28,400 --> 00:42:32,239 Speaker 3: who's been there, because I know we all thought at 714 00:42:32,239 --> 00:42:36,399 Speaker 3: some point it'll be your lucky day. Right, I'm gonna 715 00:42:36,440 --> 00:42:40,200 Speaker 3: be the kid who pulls out a huge nugget of gold. 716 00:42:41,480 --> 00:42:41,760 Speaker 4: Yep. 717 00:42:43,840 --> 00:42:47,279 Speaker 3: Oh man, Now I want to go back anyway, all right, 718 00:42:47,360 --> 00:42:50,839 Speaker 3: So thieves a look at golden for our pal Borglum. 719 00:42:51,640 --> 00:42:55,640 Speaker 3: They blast out that tunnel. But in July of the 720 00:42:55,760 --> 00:42:59,560 Speaker 3: very next year, in nineteen thirty nine, Congress says, come on, 721 00:42:59,680 --> 00:43:03,319 Speaker 3: my god, this is taking forever. This is so non 722 00:43:03,400 --> 00:43:06,640 Speaker 3: falcon of you, non falcon Can you just focus on 723 00:43:06,680 --> 00:43:13,880 Speaker 3: the actual sculpture? And Borglum reluctantly says, we'll put a 724 00:43:13,920 --> 00:43:17,520 Speaker 3: pin in it, and that's what we'll do, with a 725 00:43:17,560 --> 00:43:25,000 Speaker 3: brief pause for a word from our sponsors. All right, So, yes, 726 00:43:25,480 --> 00:43:30,280 Speaker 3: we verified there is a chamber. Secret is up for debate. 727 00:43:30,400 --> 00:43:34,920 Speaker 3: It's not really secret now, and it's not some super 728 00:43:35,080 --> 00:43:41,320 Speaker 3: duper ancient civilization thing. It's not a crazy opulent hideaway 729 00:43:41,400 --> 00:43:45,040 Speaker 3: or doomsday bunker for the well to do. It's really 730 00:43:45,040 --> 00:43:48,600 Speaker 3: a remnant of a big dream gone awry, was languishing 731 00:43:48,640 --> 00:43:52,480 Speaker 3: in obscurity. It was a whole yeah, technically right, but 732 00:43:52,600 --> 00:43:57,080 Speaker 3: it was an empty one or no records, no public acknowledgment. Borglum, 733 00:43:57,560 --> 00:44:01,520 Speaker 3: as history shows never saw Rushmore completed because he passed 734 00:44:01,560 --> 00:44:03,000 Speaker 3: away in nineteen forty one. 735 00:44:03,200 --> 00:44:06,879 Speaker 2: Yeah, but it was cool because his family got to 736 00:44:06,920 --> 00:44:09,320 Speaker 2: take up the mantle a little bit and his son 737 00:44:09,480 --> 00:44:15,839 Speaker 2: was named Lincoln little hey, Lincoln, come on, that's pretty odd. 738 00:44:15,840 --> 00:44:17,560 Speaker 4: Wait ooh, it's interesting. They want to have the Hall 739 00:44:17,600 --> 00:44:19,560 Speaker 4: of Records right by Lincoln's head. 740 00:44:20,440 --> 00:44:23,319 Speaker 2: Uh yeah, names his son Lincoln, all right, what's going 741 00:44:23,320 --> 00:44:24,920 Speaker 2: on with his interest in Lincoln. 742 00:44:24,920 --> 00:44:27,880 Speaker 4: Okay, we need to know more, but it is really 743 00:44:27,880 --> 00:44:28,440 Speaker 4: cool that it. 744 00:44:28,400 --> 00:44:33,000 Speaker 2: Went to his family because you can see old archival 745 00:44:33,520 --> 00:44:37,239 Speaker 2: images and some that's not that old actually, where it's 746 00:44:37,280 --> 00:44:41,080 Speaker 2: the family saying, hey, we need to get this thing done. 747 00:44:41,120 --> 00:44:43,400 Speaker 4: We need to finish this. 748 00:44:42,320 --> 00:44:45,920 Speaker 2: This was his vision. We can do it. We just 749 00:44:45,960 --> 00:44:47,840 Speaker 2: need the funding exactly. 750 00:44:47,960 --> 00:44:52,560 Speaker 3: Yeah, And unfortunately, tragedy at this point comes in waves, 751 00:44:52,960 --> 00:44:56,200 Speaker 3: and later that same year, nineteen forty one, the funding 752 00:44:56,280 --> 00:45:01,200 Speaker 3: for Rushmore to your point runs dry. Congress is worried 753 00:45:01,320 --> 00:45:04,880 Speaker 3: about a Second World War, so they refused to throw 754 00:45:05,040 --> 00:45:08,600 Speaker 3: more money at the construction, the problems of the construction, 755 00:45:09,200 --> 00:45:12,520 Speaker 3: and over the next several decades, like you were saying, 756 00:45:13,000 --> 00:45:19,160 Speaker 3: Borglum's Estate campaigns to get this sculpture finished. And at 757 00:45:19,160 --> 00:45:22,400 Speaker 3: the same time, concurrently, the site is attracting more and 758 00:45:22,480 --> 00:45:26,320 Speaker 3: more tourists and it's growing in popularity despite the ongoing 759 00:45:26,320 --> 00:45:32,200 Speaker 3: controversy surrounding Native American rights. So if it hadn't become 760 00:45:32,440 --> 00:45:37,840 Speaker 3: a very popular tourist attraction, then the funding probably wouldn't 761 00:45:37,880 --> 00:45:41,640 Speaker 3: have arrived, at least not the amount that they needed. 762 00:45:42,040 --> 00:45:48,000 Speaker 3: So Borglum's Estate was eventually able to say not just say, hey, 763 00:45:48,120 --> 00:45:51,160 Speaker 3: this was important to our patriarch. They were able to 764 00:45:51,200 --> 00:45:53,320 Speaker 3: say this is important to America. 765 00:45:53,880 --> 00:45:58,200 Speaker 2: Yeah, now we can get it done. Now we can 766 00:45:58,239 --> 00:46:02,080 Speaker 2: get it done. So the National Park Service, which is 767 00:46:02,120 --> 00:46:04,960 Speaker 2: so cool. I mean, we shout them out every time 768 00:46:05,000 --> 00:46:06,560 Speaker 2: we talk about anything that has to do with this, 769 00:46:06,680 --> 00:46:08,719 Speaker 2: and you know, they've had a lot of their fund 770 00:46:08,760 --> 00:46:10,960 Speaker 2: and cut and a lot of problems going on right now. 771 00:46:11,200 --> 00:46:14,600 Speaker 2: But the human beings, and I think more importantly, the 772 00:46:16,320 --> 00:46:20,040 Speaker 2: whatever it is inside somebody that says I'm gonna work 773 00:46:20,320 --> 00:46:23,080 Speaker 2: for the National Park Service and I'm gonna do this 774 00:46:23,200 --> 00:46:29,880 Speaker 2: thing and provide basically history lessons and nature experiences to 775 00:46:30,000 --> 00:46:34,160 Speaker 2: other human beings. That's pretty cool. That's a I don't know, 776 00:46:34,280 --> 00:46:35,320 Speaker 2: that's a neat pursuit. 777 00:46:36,239 --> 00:46:40,000 Speaker 3: Yeah. I love all the specific jobs and roles in 778 00:46:40,080 --> 00:46:43,279 Speaker 3: the Park Service. Sometimes I'll go into a rabbit hole 779 00:46:43,320 --> 00:46:46,480 Speaker 3: of just watching the videos of the fire watchers. It 780 00:46:46,560 --> 00:46:48,839 Speaker 3: seems like such an awesome life. 781 00:46:49,520 --> 00:46:50,520 Speaker 4: Well all of it is. 782 00:46:50,640 --> 00:46:52,799 Speaker 2: And you go to any of these sites and you 783 00:46:52,880 --> 00:46:54,879 Speaker 2: just talk to the people that are there every day 784 00:46:55,000 --> 00:46:58,000 Speaker 2: that are just running it, and nature preserves people running 785 00:46:58,000 --> 00:47:02,400 Speaker 2: all kinds of stuff like that. Just awesome humans good. Seriously, 786 00:47:02,840 --> 00:47:04,839 Speaker 2: if you do that work, good on you. 787 00:47:05,440 --> 00:47:09,120 Speaker 3: Yes, thank you very much, and we want to hang out. Also. Yes, 788 00:47:10,360 --> 00:47:15,640 Speaker 3: we are unrepentant fanboys of the Park Service. And it's 789 00:47:15,680 --> 00:47:17,759 Speaker 3: something I think a lot of us here in the 790 00:47:17,840 --> 00:47:22,680 Speaker 3: United States take for granted. They're these vast swaths of 791 00:47:22,800 --> 00:47:27,080 Speaker 3: just absolute natural beauty. And yeah, it can be inconvenient 792 00:47:27,120 --> 00:47:28,799 Speaker 3: to get out to some of those places, but we 793 00:47:28,920 --> 00:47:33,360 Speaker 3: promise it's worth it, especially while they're still around. As 794 00:47:33,600 --> 00:47:35,200 Speaker 3: depressing as that is to say. 795 00:47:35,280 --> 00:47:39,439 Speaker 2: Well, especially if you're even remotely going to somewhere that's 796 00:47:39,520 --> 00:47:41,960 Speaker 2: near one, just make a day of it. 797 00:47:42,560 --> 00:47:47,399 Speaker 3: I love it. And here's what the MPs does. At 798 00:47:47,400 --> 00:47:51,640 Speaker 3: this point in the story, the Borglum family. It's getting 799 00:47:51,680 --> 00:47:55,120 Speaker 3: tougher for us to keep saying Borglam. They get their 800 00:47:55,160 --> 00:47:59,000 Speaker 3: wish in nineteen ninety eight, but they don't get it 801 00:47:59,440 --> 00:48:03,600 Speaker 3: necessary the way that their patriarch wanted. The Park Service says, 802 00:48:04,239 --> 00:48:07,120 Speaker 3: all right, we're gonna do our best to do something. 803 00:48:07,440 --> 00:48:10,400 Speaker 3: We don't have the funding, No are the other resources 804 00:48:10,440 --> 00:48:14,000 Speaker 3: to build this gigantic hall. You might have to forget 805 00:48:14,040 --> 00:48:17,520 Speaker 3: about the bronze egle for now, but we're gonna get 806 00:48:17,560 --> 00:48:23,520 Speaker 3: these sixteen enamel porcelain tablets, and these tablets have information 807 00:48:23,600 --> 00:48:28,239 Speaker 3: on the president, the various US presidents, information on the Constitution, 808 00:48:28,600 --> 00:48:31,640 Speaker 3: the Bill of Rights, all the hits, and then it'll 809 00:48:31,640 --> 00:48:36,279 Speaker 3: have an explanation of how Mount Rushmore was constructed. And 810 00:48:36,320 --> 00:48:39,239 Speaker 3: we're gonna put it in a big box made out 811 00:48:39,239 --> 00:48:43,520 Speaker 3: of teak, and the family goes okay, and you go, no, no, no, 812 00:48:43,520 --> 00:48:45,960 Speaker 3: we're not done. We're gonna take that box and we're 813 00:48:45,960 --> 00:48:48,279 Speaker 3: gonna put it in another box, and that one's gonna 814 00:48:48,280 --> 00:48:54,000 Speaker 3: be titanium, and they're like, okay, and then they say 815 00:48:54,000 --> 00:48:56,319 Speaker 3: and then we're gonna take that that box with the 816 00:48:56,360 --> 00:48:58,400 Speaker 3: box inside of it, and we're going to drill a 817 00:48:58,440 --> 00:49:00,759 Speaker 3: hole in the floor of what would have been the 818 00:49:00,760 --> 00:49:04,400 Speaker 3: Hall of Records, and then we're gonna put a granite 819 00:49:04,520 --> 00:49:08,680 Speaker 3: capstone on top of that. And the family's like, so 820 00:49:10,000 --> 00:49:13,360 Speaker 3: the stuff will be there, but people can't read it 821 00:49:13,480 --> 00:49:13,880 Speaker 3: or see it. 822 00:49:14,640 --> 00:49:17,800 Speaker 2: Yeah, but it's not about that, man, It's not about 823 00:49:17,920 --> 00:49:20,040 Speaker 2: people going there and reading the stuff. You can go 824 00:49:20,080 --> 00:49:23,359 Speaker 2: down to the visitor center down more Black Mount Center. 825 00:49:23,400 --> 00:49:26,160 Speaker 2: You can learn about all that. This what we're doing 826 00:49:26,200 --> 00:49:29,120 Speaker 2: here is for fifty thousand years from now, is for 827 00:49:29,200 --> 00:49:31,920 Speaker 2: one hundred and fifty thousand years from now, because and 828 00:49:31,960 --> 00:49:33,880 Speaker 2: it's so brilliant, that teak box. 829 00:49:34,480 --> 00:49:36,879 Speaker 4: You can see videos of it. It's gorgeous. 830 00:49:37,040 --> 00:49:40,560 Speaker 2: It is a gorgeous wooden piece of art, and then 831 00:49:40,719 --> 00:49:43,640 Speaker 2: these huge you know, it's it's tough to even imagine. 832 00:49:43,640 --> 00:49:45,399 Speaker 2: I couldn't see it on my head until I watch 833 00:49:45,560 --> 00:49:48,560 Speaker 2: video of them actually placing it into the ground. 834 00:49:49,080 --> 00:49:49,600 Speaker 4: Yeah. 835 00:49:49,640 --> 00:49:52,880 Speaker 2: The box is really I'm trying to imagine something to 836 00:49:52,920 --> 00:49:55,800 Speaker 2: compare it to, like if you're imagine a packing box 837 00:49:55,880 --> 00:49:58,120 Speaker 2: or something that you may have received, and I can't 838 00:49:58,160 --> 00:49:59,960 Speaker 2: think of something that'll be universal enough to just. 839 00:50:00,800 --> 00:50:03,320 Speaker 3: Like in ikea flat pack box maybe. 840 00:50:03,320 --> 00:50:07,439 Speaker 2: Yeah, yeah, yeah, yeah, So if you imagine putting one 841 00:50:07,600 --> 00:50:10,160 Speaker 2: end of that deep down into the earth, and then 842 00:50:10,560 --> 00:50:15,520 Speaker 2: imagine putting these large tablets, sliding them into that very slowly, 843 00:50:15,760 --> 00:50:16,360 Speaker 2: long ways. 844 00:50:17,120 --> 00:50:18,759 Speaker 4: It was really cool to watch. 845 00:50:18,520 --> 00:50:22,000 Speaker 2: Them actually do it and to see how it's situated 846 00:50:22,200 --> 00:50:26,120 Speaker 2: under that capstone. I just didn't in my head. I 847 00:50:26,160 --> 00:50:27,920 Speaker 2: didn't see it that way when I saw a capstone, 848 00:50:27,960 --> 00:50:29,359 Speaker 2: not until I saw them putting it in. 849 00:50:30,200 --> 00:50:32,560 Speaker 3: Yeah. Yeah, Because when we hear the word box, we're 850 00:50:32,600 --> 00:50:36,200 Speaker 3: all kind of you're naturally going to think of something square, right, 851 00:50:36,600 --> 00:50:40,319 Speaker 3: and this is not the case. So if we're back 852 00:50:40,360 --> 00:50:45,400 Speaker 3: of our hypothetical pitch meeting with the Borglum family, they're saying, 853 00:50:45,840 --> 00:50:49,520 Speaker 3: they're still saying, nobody know what this is. You put 854 00:50:49,560 --> 00:50:51,440 Speaker 3: it in there, but you can't read it, And they go, ah, 855 00:50:51,840 --> 00:50:56,160 Speaker 3: but wait, we will put one of your old man's 856 00:50:56,280 --> 00:51:01,560 Speaker 3: quotes right on that granite capstone. Objectively decades later, now 857 00:51:01,600 --> 00:51:03,720 Speaker 3: we can say it is a very cool quotation. 858 00:51:04,360 --> 00:51:08,120 Speaker 2: Well, yeah, it's it's inspiring, and it makes the whole 859 00:51:08,160 --> 00:51:12,920 Speaker 2: thing makes sense. It makes the vision makes sense that 860 00:51:13,040 --> 00:51:15,719 Speaker 2: Borglum had originally ben why don't you hit us with it. 861 00:51:16,360 --> 00:51:19,680 Speaker 3: Let us place there, carved high as close to heaven 862 00:51:19,719 --> 00:51:23,560 Speaker 3: as we can, the words of our leaders, their faces, 863 00:51:23,600 --> 00:51:27,359 Speaker 3: to show posterity what manner of men they were. Then 864 00:51:27,440 --> 00:51:30,680 Speaker 3: breathe a prayer that these records will endure until the 865 00:51:30,719 --> 00:51:32,600 Speaker 3: wind and rain alone shall. 866 00:51:32,400 --> 00:51:36,920 Speaker 4: Wear them away. It's poetic, bro, it's poetic. 867 00:51:36,960 --> 00:51:40,959 Speaker 3: He's very problematic person. Yeah again, like a huge fan 868 00:51:41,080 --> 00:51:45,320 Speaker 3: of the ku Klux Klan. So I've just like we 869 00:51:45,440 --> 00:51:49,760 Speaker 3: got to mitigate the poetry here. It's objectively a cool quote. 870 00:51:50,239 --> 00:51:52,560 Speaker 3: Bad people say cool things all the time. 871 00:51:52,880 --> 00:51:54,920 Speaker 2: Well, yeah, that I just wanted to remark on the 872 00:51:54,960 --> 00:52:00,080 Speaker 2: complexity of each each of us as an individual. And 873 00:52:01,200 --> 00:52:04,640 Speaker 2: it's fascinating that you can have something like that, just 874 00:52:04,680 --> 00:52:08,000 Speaker 2: a thought like that, build something like that, or envision 875 00:52:08,120 --> 00:52:11,480 Speaker 2: something like that, and then also hold beliefs that are 876 00:52:11,520 --> 00:52:16,160 Speaker 2: just so contrary to the bigger picture things that he's 877 00:52:16,280 --> 00:52:17,560 Speaker 2: making monuments for. 878 00:52:18,320 --> 00:52:21,919 Speaker 3: Yeah, and also being closely affiliated with the Klan while 879 00:52:22,000 --> 00:52:27,600 Speaker 3: clearly of loving Abraham Lincoln. That's another contradiction. And you know, look, 880 00:52:27,960 --> 00:52:31,440 Speaker 3: members of the Borglombs state and family are live today 881 00:52:31,520 --> 00:52:34,760 Speaker 3: and maybe listening to this show, and we're being honest 882 00:52:34,800 --> 00:52:38,799 Speaker 3: about the history of a complex character. But we're not 883 00:52:38,840 --> 00:52:43,000 Speaker 3: in any way, I think, denigrating the ambition there. You know, 884 00:52:44,000 --> 00:52:47,480 Speaker 3: we just have to acknowledge that imperfect people can make 885 00:52:47,520 --> 00:52:52,399 Speaker 3: amazing things, and that Mount Rushmore, love it or hate it, 886 00:52:52,440 --> 00:52:56,600 Speaker 3: is still incredibly controversial in the Native community. I mean, 887 00:52:56,600 --> 00:53:00,399 Speaker 3: there is a chamber hidden in Rushmore. It's not really 888 00:53:00,440 --> 00:53:03,719 Speaker 3: a secret now. It's definitely not what Good saw and envisioned, 889 00:53:04,320 --> 00:53:07,279 Speaker 3: and there have been all these plans and propositions for 890 00:53:07,680 --> 00:53:12,400 Speaker 3: adding to it or erasing it, as some Native groups 891 00:53:12,440 --> 00:53:15,360 Speaker 3: would prefer. Tell you what. I don't know, if we 892 00:53:15,400 --> 00:53:21,000 Speaker 3: have time, there is one funny uh one funny Borglam story. 893 00:53:21,520 --> 00:53:24,200 Speaker 3: We collected it here at the bottom. I can't. I 894 00:53:24,200 --> 00:53:26,600 Speaker 3: think we talked about a little bit on ridiculous history, 895 00:53:26,640 --> 00:53:31,120 Speaker 3: but we said he's a big salesman, right. He sabotaged 896 00:53:31,239 --> 00:53:35,439 Speaker 3: Calvin Coolidge on his vacation to kind of trick him 897 00:53:35,520 --> 00:53:41,040 Speaker 3: into going to a dedication ceremony for Mount Rushmore. Yeah, yeah, yeah, yeah. 898 00:53:41,840 --> 00:53:45,520 Speaker 3: He said. He was thinking, you know, if I can 899 00:53:45,560 --> 00:53:50,440 Speaker 3: get a presidential visit, I'll get so much publicity. We 900 00:53:50,560 --> 00:53:52,480 Speaker 3: know the President's going to go to the Black Hills 901 00:53:52,600 --> 00:53:57,799 Speaker 3: this summer, and Borglam said he was going to hold 902 00:53:57,840 --> 00:54:01,680 Speaker 3: a dedication ceremony at that same time. Never mind that 903 00:54:01,719 --> 00:54:04,800 Speaker 3: he had already had a dedication ceremony back in nineteen 904 00:54:04,840 --> 00:54:10,000 Speaker 3: twenty five. That doesn't matter. So he scheduled the event before. 905 00:54:10,040 --> 00:54:12,920 Speaker 3: He asked Coolidge if he could make it, because it 906 00:54:12,960 --> 00:54:16,200 Speaker 3: didn't occur to him that the president would be doing 907 00:54:16,280 --> 00:54:20,920 Speaker 3: other stuff. And he had this idea where he was 908 00:54:20,960 --> 00:54:25,319 Speaker 3: going to hire a pilot to fly him over the 909 00:54:25,440 --> 00:54:31,040 Speaker 3: lodge where Coolidge was staying and then throw a big 910 00:54:31,840 --> 00:54:35,600 Speaker 3: a bunch of flowers or a big wreath and say 911 00:54:36,040 --> 00:54:40,640 Speaker 3: greed aids for about Rushmore it's about Coolidge. It did work, 912 00:54:41,400 --> 00:54:45,640 Speaker 3: by the way, eventually he I guess he badgered Coolidge 913 00:54:45,640 --> 00:54:49,640 Speaker 3: into going to the dedication ceremony. But the road to 914 00:54:49,719 --> 00:54:52,480 Speaker 3: Rushmore was really muddy and rough. On the day of 915 00:54:52,520 --> 00:54:55,920 Speaker 3: the ceremony, the cars got stuck, so Coolidge had to 916 00:54:56,000 --> 00:55:01,960 Speaker 3: ride up there on horseback in his president business suit, 917 00:55:02,719 --> 00:55:05,440 Speaker 3: and everybody went crazy because they thought it was on purpose. 918 00:55:05,719 --> 00:55:10,759 Speaker 3: So sometimes Borglum's highly ambitious schemes would work out. 919 00:55:11,560 --> 00:55:17,160 Speaker 2: So he attacked the president with flowers he had. 920 00:55:17,840 --> 00:55:23,799 Speaker 3: He didn't see it as attacking, Okay, he thought it 921 00:55:23,840 --> 00:55:28,359 Speaker 3: would be you know, dashing, maybe a bit dally esque, 922 00:55:28,880 --> 00:55:34,120 Speaker 3: very American, right, using aviation. He wanted to make an impression, 923 00:55:34,800 --> 00:55:37,080 Speaker 3: and he did on Coolidge as well as on the 924 00:55:37,080 --> 00:55:38,320 Speaker 3: six Grandfathers. 925 00:55:39,160 --> 00:55:42,399 Speaker 2: I am glad that some of the protections that are 926 00:55:42,440 --> 00:55:44,719 Speaker 2: in place now weren't in place then, because he would 927 00:55:44,760 --> 00:55:46,400 Speaker 2: have been shot out of the sky. 928 00:55:47,400 --> 00:55:50,400 Speaker 3: Yeah, because I know we're looking a little into the security. 929 00:55:51,640 --> 00:55:54,480 Speaker 3: Is it tighter every year or are we talking like 930 00:55:54,600 --> 00:55:56,680 Speaker 3: drone coverage or what are we talking? 931 00:55:57,239 --> 00:55:58,239 Speaker 4: Well, I don't, I just know. 932 00:55:58,440 --> 00:56:02,920 Speaker 2: Look at this point, if you had you know, a 933 00:56:02,960 --> 00:56:07,600 Speaker 2: small plane coming at any president, you know from I 934 00:56:07,600 --> 00:56:09,640 Speaker 2: don't know nineteen eighty. 935 00:56:09,360 --> 00:56:13,279 Speaker 4: Four on Oh yeah, there would have been issues. There 936 00:56:13,320 --> 00:56:15,560 Speaker 4: would have been issues with that plane. 937 00:56:15,640 --> 00:56:19,719 Speaker 3: One hundred and if you survived that encounter and you 938 00:56:19,800 --> 00:56:23,000 Speaker 3: were app which probably wouldn't. If you survived that encounter, 939 00:56:23,560 --> 00:56:26,839 Speaker 3: then they would not be amused if you said, well, 940 00:56:26,880 --> 00:56:29,319 Speaker 3: I'm just I'm a little scamp. You know, I'm just 941 00:56:29,320 --> 00:56:29,879 Speaker 3: trying to get. 942 00:56:29,800 --> 00:56:31,719 Speaker 4: Him to come to my dedication ceremony. 943 00:56:31,760 --> 00:56:33,600 Speaker 3: I want to see if he can go to the party, 944 00:56:34,920 --> 00:56:38,480 Speaker 3: you guys can come too. I don't think that works 945 00:56:38,520 --> 00:56:41,279 Speaker 3: in court, your honor. I plead that the party was 946 00:56:41,320 --> 00:56:46,680 Speaker 3: dope and that you can come to That's a weird 947 00:56:46,719 --> 00:56:50,040 Speaker 3: nolo contendre. So we're gonna leave it here for now. 948 00:56:50,080 --> 00:56:54,040 Speaker 3: I think we've got so much more weird stuff about Borglum, 949 00:56:54,080 --> 00:56:56,160 Speaker 3: who I think is a character that fascinates all three 950 00:56:56,200 --> 00:56:59,319 Speaker 3: of us and hopefully you as well. We want to 951 00:56:59,600 --> 00:57:02,480 Speaker 3: know your opinions, folks. If you visited the side, if 952 00:57:02,480 --> 00:57:04,640 Speaker 3: you lived in the area, how do you feel when 953 00:57:04,680 --> 00:57:06,640 Speaker 3: you see it? What would you like done with the 954 00:57:06,680 --> 00:57:09,719 Speaker 3: six grandfathers? You can tell us your thoughts. We can't 955 00:57:09,719 --> 00:57:12,399 Speaker 3: wait to hear from you. You can find us online 956 00:57:12,760 --> 00:57:16,439 Speaker 3: YouTube all the social media, should thou sip You can 957 00:57:16,520 --> 00:57:17,760 Speaker 3: also give us a phone call. 958 00:57:18,480 --> 00:57:21,920 Speaker 4: Yes you can, but before I tell you the phone number. 959 00:57:22,120 --> 00:57:25,560 Speaker 2: I'm looking at a picture of Gutsan Borglum right now, Ben, 960 00:57:25,880 --> 00:57:29,400 Speaker 2: and you know what I'm seeing. Only two similarities, But 961 00:57:29,400 --> 00:57:32,360 Speaker 2: there are two similarities between you and him. He's got 962 00:57:32,360 --> 00:57:35,120 Speaker 2: an epic hat like you have right now, and an 963 00:57:35,120 --> 00:57:36,520 Speaker 2: even more epic mustache. 964 00:57:38,160 --> 00:57:41,240 Speaker 3: Yeah, he's a wild one. 965 00:57:41,240 --> 00:57:43,960 Speaker 4: That's all I'm saying. All right. 966 00:57:44,240 --> 00:57:48,280 Speaker 2: Our number is one eight three three std WYTK. When 967 00:57:48,280 --> 00:57:50,040 Speaker 2: you call in, give yourself a cool nickname and let 968 00:57:50,120 --> 00:57:51,520 Speaker 2: us know if we can use your name and message 969 00:57:51,520 --> 00:57:54,200 Speaker 2: on the air. If you got more to say, they 970 00:57:54,200 --> 00:57:56,200 Speaker 2: can fit in the three minute voicemail. If you've got links, 971 00:57:56,200 --> 00:57:58,680 Speaker 2: you got anything at all you want to write out, 972 00:57:59,160 --> 00:58:01,400 Speaker 2: why not instead send us a good old fashioned email. 973 00:58:01,520 --> 00:58:04,800 Speaker 3: We are the entities that read each piece of correspondence 974 00:58:04,840 --> 00:58:08,360 Speaker 3: we receive. Be well aware, yet unafraid. Sometimes the void 975 00:58:08,520 --> 00:58:30,080 Speaker 3: writes back conspiracy at iHeartRadio dot com. 976 00:58:30,240 --> 00:58:32,320 Speaker 2: Stuff they don't want you to know is a production 977 00:58:32,440 --> 00:58:36,959 Speaker 2: of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app, 978 00:58:37,040 --> 00:58:40,280 Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows,