WEBVTT - SUNDAY SAMPLER - The Nashville Podcast Network (2-16-25)

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<v Speaker 1>Hey guys, welcome back to Sunday Sampler. A bunch of

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<v Speaker 1>clips from the podcast this week, so maybe you want

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<v Speaker 1>to check it out. In the Vets Office with Doctor

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<v Speaker 1>Josie Morgan from The Bobby Bone Show came on to

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<v Speaker 1>talk about her pets adoption stories, how Remy became a

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<v Speaker 1>therapy animal, and so much more.

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<v Speaker 2>So we're going to start with that.

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<v Speaker 1>Here's the clip of this week's in the Vets Office

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<v Speaker 1>with Doctor Josie.

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<v Speaker 3>You're listening to In the Vets Office with Doctor Josie Horschak.

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<v Speaker 4>Do they sleep in your bed with you? Remy does.

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<v Speaker 5>As you just heard the little scuffle between them. Remy

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<v Speaker 5>doesn't really allow Hazel to come sleep in the bed.

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<v Speaker 5>Sometimes she will if she's so tired. She doesn't pay

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<v Speaker 5>attention because Hazel's a little sneaky. But yeah, Remy does.

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<v Speaker 5>Hazel would love to whenever she does, especially when I

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<v Speaker 5>go back home. They both sleep in the same bed together.

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<v Speaker 5>But for some reason at my house.

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<v Speaker 6>It's really so when you travel back to your hometown,

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<v Speaker 6>they'll sleep in the same bed together.

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<v Speaker 7>Ye.

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<v Speaker 6>No, like we're not in our normal environment. We've got

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<v Speaker 6>a band together.

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<v Speaker 5>It's kind of like that because my parents have three

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<v Speaker 5>dogs and they both kind of like like their space

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<v Speaker 5>and they like being a little independent, so I think

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<v Speaker 5>they choose to be together versus separate.

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<v Speaker 3>On that that's totally fair. But then we go back

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<v Speaker 3>home and it's all thanks for.

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<v Speaker 6>This week only we are on the same team.

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<v Speaker 3>It's funny how that works.

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<v Speaker 6>And when we get home, it's over.

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<v Speaker 3>Are you about to tell me not to let her

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<v Speaker 3>sleep in the No?

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<v Speaker 6>No, No, I'm definitely not. I feel like I'm like the

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<v Speaker 6>fear of bad news.

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<v Speaker 5>No.

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<v Speaker 6>I have three dogs. Two of them sleep on the

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<v Speaker 6>floor because they just get hot at night. And then

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<v Speaker 6>my little ones like wrapped around my head.

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<v Speaker 4>See, And I.

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<v Speaker 3>Don't I get it.

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<v Speaker 5>I know there's like, you know you sleep better or whatever.

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<v Speaker 5>I'm like, honestly, I don't know that I would sleep better.

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<v Speaker 5>I'd be like, where are you?

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<v Speaker 3>Why won't you cuddle me? I like having used a snuggle.

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<v Speaker 6>I love to sleep with my little dog. Biggie is

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<v Speaker 6>his name.

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<v Speaker 3>If his name is Biggie, he's a small dog.

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<v Speaker 4>He's tiny.

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<v Speaker 8>I know.

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<v Speaker 6>His name when we adopted him was baby Bear, baby Bear,

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<v Speaker 6>and he only came to the name baby and my

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<v Speaker 6>husband was like, I'm not calling this dog baby. So

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<v Speaker 6>we called him Biggie because it sounds, you know, similar

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<v Speaker 6>to baby. Yeah, and he comes to Biggie though, he come,

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<v Speaker 6>oh yeah, he's totally Biggie is for sure his name now.

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<v Speaker 6>But no, like he's like my little space heater, and

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<v Speaker 6>he's so cuddly and that I'm all about. If you

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<v Speaker 6>want your pets to sleep in your bad with you,

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<v Speaker 6>I support you.

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<v Speaker 3>You know.

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<v Speaker 5>It's funny too when I'm on the couch hanging out

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<v Speaker 5>with both of them, Like Remy will be cuddled like

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<v Speaker 5>she's little spoon with me, and if I'm like kind

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<v Speaker 5>of turned it all, Hazel will be in between my

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<v Speaker 5>knees like back, and we're all just I'm just like, well,

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<v Speaker 5>we're here until one of you moves back.

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<v Speaker 6>You're like, I am just gonna have to hold it

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<v Speaker 6>for the next twelve hours.

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<v Speaker 3>That's exactly.

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<v Speaker 5>Sometimes I will fall asleep on the couch if we're

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<v Speaker 5>all peacefully sleeping there, I'm like.

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<v Speaker 3>I'm just gonna sleep on the couch to night best.

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<v Speaker 6>There's no better feeling.

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<v Speaker 5>There really isn't, And I know there will become a

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<v Speaker 5>day that I'm going to miss that. So I'm gonna

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<v Speaker 5>soak it up every time that I can.

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<v Speaker 6>So, you're single. Have you ever dated to anyone that

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<v Speaker 6>didn't get along or like your pets?

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<v Speaker 9>Yeah?

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<v Speaker 6>Yeah, really no, I didn't date them for very long.

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<v Speaker 6>That's what I don't know why I'm saying, really like

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<v Speaker 6>I asked the question.

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<v Speaker 3>Yeah, no, it didn't last very long. That's honestly.

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<v Speaker 5>One of my first questions before I even really start

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<v Speaker 5>to consider even going on a date with them, is

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<v Speaker 5>if they like animals.

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<v Speaker 3>Because I am a massive animal lover.

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<v Speaker 5>I me and you're producer of this podcast, have had

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<v Speaker 5>this conversation I can't date a hunter, which is funny

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<v Speaker 5>because yeah.

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<v Speaker 3>I just I can't.

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<v Speaker 5>I could if it was like out of sight, out

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<v Speaker 5>of mind, you never bring it home. Yeah, but I

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<v Speaker 5>just know most hunters that's not the lifestyle. No, And

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<v Speaker 5>I just I love animals so much that if you don't,

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<v Speaker 5>we're just going to be vastly on different scales, and

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<v Speaker 5>you're also not going to understand me as a human.

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<v Speaker 6>Being one thousand percent. It's like in your DNA. I

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<v Speaker 6>feel like, if you're an animal lover and you know

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<v Speaker 6>all their values, like finances, children, all of that, of

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<v Speaker 6>course is super important, but like, if you don't like animals,

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<v Speaker 6>that is right up there.

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<v Speaker 3>Oh yeah, and it's funny.

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<v Speaker 5>I had I dated one guy and he oh yeah,

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<v Speaker 5>all kinds and red flags, but he was actually really

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<v Speaker 5>good to my animals. But something that's really important to

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<v Speaker 5>me is that I if I see a straight animal,

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<v Speaker 5>I am going to find a way to get it,

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<v Speaker 5>and I'm gonna get it to safety.

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<v Speaker 3>That's just all my plans will be curtailed. I don't

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<v Speaker 3>care correct.

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<v Speaker 5>And we were headed to dinner and I saw a dog.

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<v Speaker 5>I was like, pull over right now, like I'm gonna

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<v Speaker 5>go find out and he was like, no, we're not,

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<v Speaker 5>and we're gonna keep going. And I sobbed about this

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<v Speaker 5>dog I had never met in my life. But I

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<v Speaker 5>was like, this is not going to work for me.

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<v Speaker 5>And I remember like sitting in that car being like

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<v Speaker 5>this is so important to me that I can't overlook this.

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<v Speaker 5>We broke up for a multitude of other reasons, but

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<v Speaker 5>that was something that really stuck in my brain. For

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<v Speaker 5>future partners, Yeah, they have to be okay with this

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<v Speaker 5>part of who I am.

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<v Speaker 6>I feel like you at the first state need to

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<v Speaker 6>be like would you or would you not stop on

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<v Speaker 6>the side of the road for a straight animal. Just

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<v Speaker 6>save us some time, Josie.

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<v Speaker 5>There's also people that I've met who like purposely hit squirrels.

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<v Speaker 3>Oh don't that Like I'm not kidding.

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<v Speaker 5>Like they'll purpose and they'll see or they'll see possums

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<v Speaker 5>or something. I'm like, stop, I don't what is that animal.

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<v Speaker 3>Doing to you?

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<v Speaker 4>I'm calling nine one one on them.

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<v Speaker 3>That's how I feel.

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<v Speaker 6>Not not only am I not gonna date you, You're

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<v Speaker 6>going to jail. See that is horrible. Oh, the toothpaste

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<v Speaker 6>one's funny. The toothpase story is funny.

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<v Speaker 4>What's this?

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<v Speaker 3>So I did?

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<v Speaker 5>I did dat a guy, and you know, I brushed

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<v Speaker 5>Remy's teeth every single night. Miss Hazel doesn't have to

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<v Speaker 5>have her teeth brush teeth, but Rammy gets her teeth

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<v Speaker 5>brush every night and it is with my toothpaste.

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<v Speaker 3>So I never forget that this is something I have

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<v Speaker 3>to do.

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<v Speaker 10>Right.

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<v Speaker 5>Well, I was dating a guy and we were at

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<v Speaker 5>the point of him he was staying over and he

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<v Speaker 5>had went into my wrathroom to brush his teeth and

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<v Speaker 5>he came out and he was like, oh, that toothpaste

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<v Speaker 5>is super weird. And I was like, what are you

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<v Speaker 5>talking about? I have coldgate? Like, why is it weird?

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<v Speaker 5>He's like in the green bottle and I was like,

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<v Speaker 5>can you show me which one you use? And he

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<v Speaker 5>comes out, I'm like, it literally says dog paste on

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<v Speaker 5>this bottle.

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<v Speaker 6>You're like, you just brush your teeth with the dog's toothpaste.

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<v Speaker 11>I did.

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<v Speaker 6>And you may or may not be illiterate because it

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<v Speaker 6>says dog toothpaste.

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<v Speaker 5>Oh, I guess says it Vet's best dog enzyme tooth face.

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<v Speaker 6>Wait, that is disgusting. I they like put like chicken

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<v Speaker 6>flavor in there.

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<v Speaker 5>Yeah. Yeah, that's why it tasted a little weird for

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<v Speaker 5>this poor guy. And I was like, I'm really sorry,

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<v Speaker 5>but that is not my toothpaste. And he's like, Noed,

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<v Speaker 5>what did you guys? Yeah, we didn't work out for

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<v Speaker 5>other reasons. But I'm I'm not sure if that did

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<v Speaker 5>or did not play a part in that. It's very

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<v Speaker 5>possible it did.

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<v Speaker 1>Friday Night Read mentioned that that was a jam, but

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<v Speaker 1>I believe if I'm correct, you wrote that I think

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<v Speaker 1>Lady A cut it but didn't put as single.

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<v Speaker 9>Yeah, it was on the on the Night record.

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<v Speaker 12>And then you asked, Hey, you guys put a single?

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<v Speaker 12>Do you care if I cut it and put it

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<v Speaker 12>as single? Is that true?

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<v Speaker 13>I actually was, I mean it was uh yeah. Basically

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<v Speaker 13>I was playing a little show down in Birmingham and yeah,

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<v Speaker 13>I got the one of the guys at the label, Kevin,

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<v Speaker 13>came down and he came to the show and just

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<v Speaker 13>after I played Friday night, he pointed out me.

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<v Speaker 9>He said, there's your single, and I'm like, lady, hey,

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<v Speaker 9>cut it, you know. From the stage.

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<v Speaker 13>He goes in and put on the radio it's your single,

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<v Speaker 13>Thanks Kevin, Keith Wildhearts.

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<v Speaker 12>Yeah, man, how'd that one go?

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<v Speaker 9>Uh? This goes out to the gift? Is all of

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<v Speaker 9>the dreamers ready to fly?

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<v Speaker 13>How like Whisper single that we were twenty I'm bringing

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<v Speaker 13>you cookies next time I have a song on the radio.

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<v Speaker 13>We we missed number one by twenty six spins Way. Yeah,

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<v Speaker 13>so it's my first and I'm fine with you that.

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<v Speaker 1>You know why, because I talked to Jen Wayne. I

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<v Speaker 1>was on a golf course. Jen Wayne pulls up behind me.

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<v Speaker 1>We're playing golf. Jen Wayne, by the way, was a

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<v Speaker 1>professional tennis player again away one of the great, great

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<v Speaker 1>people too. And she pulls up behind me and she's

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<v Speaker 1>with Garth's lawyer, but she to her, that's not gard lawyer,

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<v Speaker 1>that's like her friend or I don't know. And I

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<v Speaker 1>only knew Gard' lawyer because he kind of got somebody

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<v Speaker 1>I knew out of some trouble.

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<v Speaker 12>Not Garth, but somebody I knew out of some trouble.

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<v Speaker 1>And I just met him because we had opened for

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<v Speaker 1>Garth in Faantville in the Razor Bake Stadium, and so

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<v Speaker 1>I met him and I went up to him and

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<v Speaker 1>I was like, hey, I just want to say thank

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<v Speaker 1>you because he contributed to something that was very very

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<v Speaker 1>beneficiar to me. It's very beneficial to me. I can

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<v Speaker 1>take that out there. And so but then I see

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<v Speaker 1>Jen and him coming up right and I'm like, what

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<v Speaker 1>the crap? And she's like yeah, she goes can you believe?

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<v Speaker 1>Because again, at this point, I wasn't like in the

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<v Speaker 1>music game, meaning I'm just creating content at this point,

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<v Speaker 1>but I don't even keep up. But I want to

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<v Speaker 1>know if like my friends are doing well where you know,

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<v Speaker 1>And she was like, we missed by twenty sixpence or

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<v Speaker 1>twenty whatever the number was, and then she told me

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<v Speaker 1>who beat it.

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<v Speaker 12>I think there was like a multi.

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<v Speaker 13>Way yeah, someone had it for multi w Yeah, I'm

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<v Speaker 13>kind of like, why you don't need a three, five,

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<v Speaker 13>seven week number one?

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<v Speaker 9>Especially?

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<v Speaker 12>Is that close? Like somebody opened the point that's a

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<v Speaker 12>good song.

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<v Speaker 9>No, it worked out.

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<v Speaker 13>I mean, all that being said, and the interesting thing,

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<v Speaker 13>people like, guy, you must have been upset, and I

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<v Speaker 13>was like, honestly, I wasn't. That's the first time I

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<v Speaker 13>ever had a song go top five and it didn't

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<v Speaker 13>go number one, like it was my first number two.

0:09:15.360 --> 0:09:17.800
<v Speaker 13>I'll take it, Yeah, you'll take it, but I'm no,

0:09:17.920 --> 0:09:20.520
<v Speaker 13>I'm serious. It was like reve just in relative thinking.

0:09:20.559 --> 0:09:22.800
<v Speaker 13>It was like, I've never had a number two? How

0:09:22.840 --> 0:09:25.079
<v Speaker 13>cool was that I could have had six number twos.

0:09:26.320 --> 0:09:28.360
<v Speaker 1>You know, Keith Urban is the guy too that had

0:09:28.440 --> 0:09:32.840
<v Speaker 1>really instilled in me after saying it many times. What

0:09:32.880 --> 0:09:35.400
<v Speaker 1>you said earlier was because Keith to be like this

0:09:35.480 --> 0:09:39.040
<v Speaker 1>song not on air. We'd be talking and Keith and

0:09:39.120 --> 0:09:40.559
<v Speaker 1>I left pretty close. I've been over to you know,

0:09:40.720 --> 0:09:42.600
<v Speaker 1>we're Keith and I a friendly when he's here.

0:09:42.640 --> 0:09:43.680
<v Speaker 12>He's not here a whole lot.

0:09:44.120 --> 0:09:46.320
<v Speaker 1>But when he's here and he's like, dude, of my

0:09:46.360 --> 0:09:48.839
<v Speaker 1>biggest songs weren't number ones. He goes everybody thinks they

0:09:48.840 --> 0:09:51.480
<v Speaker 1>were because they were the everybody goes crazy for them,

0:09:51.720 --> 0:09:54.120
<v Speaker 1>but he's like number seven, number thirteen.

0:09:54.280 --> 0:09:56.600
<v Speaker 9>The honest truth is it was too early. People are

0:09:56.640 --> 0:09:57.120
<v Speaker 9>catching up.

0:09:58.120 --> 0:10:00.280
<v Speaker 13>And that being I will say if anybody he has

0:10:00.320 --> 0:10:03.760
<v Speaker 13>never seen Keith play live, you, I don't care what

0:10:03.920 --> 0:10:06.280
<v Speaker 13>genre and what zip code you thought you were born

0:10:06.280 --> 0:10:08.880
<v Speaker 13>into where your parents didn't want you listening to that

0:10:08.920 --> 0:10:11.680
<v Speaker 13>you listened to. Like whatever music you like, Keith Urban

0:10:11.720 --> 0:10:14.520
<v Speaker 13>will melt your face off. Also, his whole band is

0:10:14.600 --> 0:10:17.800
<v Speaker 13>like Frontmen and the and the cool thing is the

0:10:17.840 --> 0:10:20.200
<v Speaker 13>fact that he has Nathan and Jerry out there singing,

0:10:20.720 --> 0:10:23.319
<v Speaker 13>and that Keith isn't intimidated is because Keith is such

0:10:23.320 --> 0:10:27.120
<v Speaker 13>a rock star. He doesn't need to be intimidated anyway.

0:10:27.760 --> 0:10:30.559
<v Speaker 13>Go see Keith's live band. They're a freaking mind blowing.

0:10:30.400 --> 0:10:34.360
<v Speaker 1>And he is such a it's where he gets thrown

0:10:34.360 --> 0:10:36.559
<v Speaker 1>around a lot. But he's such a perfectionist in that

0:10:37.600 --> 0:10:40.599
<v Speaker 1>I've been with and around him at times pre a

0:10:40.760 --> 0:10:44.599
<v Speaker 1>show and he's making sure the lights are in the

0:10:44.800 --> 0:10:47.640
<v Speaker 1>exact place the lights like before he does a show,

0:10:47.880 --> 0:10:51.160
<v Speaker 1>like he's going, okay, what you know, sometimes depending on

0:10:51.200 --> 0:10:52.880
<v Speaker 1>where you are when you are an artist, won't even

0:10:52.920 --> 0:10:54.480
<v Speaker 1>need to do their soundcheck. Let somebody go do it

0:10:54.480 --> 0:10:56.720
<v Speaker 1>for him. He ran a sound check, he ran some

0:10:56.760 --> 0:10:58.520
<v Speaker 1>new stuff, he wanted to test the lights. You wanted

0:10:58.520 --> 0:11:00.160
<v Speaker 1>to see with the light. Like, that's a guy I

0:11:00.160 --> 0:11:05.240
<v Speaker 1>who wants to make sure that the people get out

0:11:05.240 --> 0:11:08.040
<v Speaker 1>of it the money they put into it.

0:11:08.120 --> 0:11:11.600
<v Speaker 13>Yeah, and he has the time to do it. I

0:11:11.640 --> 0:11:14.640
<v Speaker 13>remember in earlier years doing tours. You're just like, I

0:11:14.640 --> 0:11:16.760
<v Speaker 13>don't even have time for sound check because my day's

0:11:16.760 --> 0:11:17.520
<v Speaker 13>books so much.

0:11:18.280 --> 0:11:20.480
<v Speaker 12>What do you mean having to like, dude, like, yeah.

0:11:20.360 --> 0:11:22.080
<v Speaker 9>Just all kinds of random stuff.

0:11:22.320 --> 0:11:27.520
<v Speaker 1>Read not that you out of songs you like, I'm

0:11:27.559 --> 0:11:36.520
<v Speaker 1>went whoa what no? Yeah, Rascal Flats, rewind Whisper sing

0:11:36.520 --> 0:11:36.800
<v Speaker 1>that one.

0:11:37.280 --> 0:11:41.199
<v Speaker 13>Uh uh well, put the moon back up in the sky,

0:11:41.440 --> 0:11:44.360
<v Speaker 13>put a pull back into that sweet what oh.

0:11:44.280 --> 0:11:47.320
<v Speaker 12>Yeah, No it's not it radio hear song that goes

0:11:47.320 --> 0:11:50.640
<v Speaker 12>like this. When I grow up, up up, I can

0:11:50.720 --> 0:11:51.800
<v Speaker 12>be whatever.

0:11:52.000 --> 0:11:54.880
<v Speaker 1>I won't won't won't You See I never said it

0:11:54.920 --> 0:11:58.040
<v Speaker 1>was that I said when I grow up, wasn't one

0:11:58.120 --> 0:11:58.559
<v Speaker 1>kids song?

0:11:59.720 --> 0:12:01.880
<v Speaker 9>Right, kids songs before I even had kids.

0:12:02.440 --> 0:12:04.560
<v Speaker 12>I just remember being so grateful Phil Barton.

0:12:05.520 --> 0:12:06.920
<v Speaker 1>And what's what's really cool is every once while I

0:12:06.920 --> 0:12:08.559
<v Speaker 1>feel a play at a rite and people will tag me

0:12:08.600 --> 0:12:10.400
<v Speaker 1>in it. I just remember being so grateful because you

0:12:10.440 --> 0:12:12.240
<v Speaker 1>knew Phil and brought Phil over to the when I

0:12:12.240 --> 0:12:14.720
<v Speaker 1>lived downtown, and I was just so grateful that because dude,

0:12:14.720 --> 0:12:16.120
<v Speaker 1>you can write with anybody at any time.

0:12:16.200 --> 0:12:17.920
<v Speaker 12>People do you have?

0:12:18.760 --> 0:12:20.319
<v Speaker 9>But I was alright, any song ever.

0:12:20.480 --> 0:12:21.959
<v Speaker 12>I was like, Eric, well don't say that, because it

0:12:21.960 --> 0:12:24.040
<v Speaker 12>made me feel less special. But then it's I was.

0:12:23.960 --> 0:12:26.240
<v Speaker 1>Like, He's like, all right with anybody, alright with every

0:12:26.520 --> 0:12:27.800
<v Speaker 1>everybody asked.

0:12:28.040 --> 0:12:31.480
<v Speaker 12>Uh yeah, yeah. I was very great to.

0:12:31.400 --> 0:12:34.000
<v Speaker 1>Fool because I was like, and then Eric's like, let's

0:12:34.000 --> 0:12:37.040
<v Speaker 1>do that that that that. I remember it vividly and

0:12:37.440 --> 0:12:40.640
<v Speaker 1>it's awesome, and people still school still use that for

0:12:40.720 --> 0:12:41.480
<v Speaker 1>like assemblies.

0:12:41.880 --> 0:12:42.360
<v Speaker 9>That's great.

0:12:42.360 --> 0:12:43.640
<v Speaker 1>It get tagged at like the end of the school

0:12:43.720 --> 0:12:46.000
<v Speaker 1>year every year with schools and their kids like all

0:12:46.080 --> 0:12:49.079
<v Speaker 1>like the secondart of singing the whole song and so yeah,

0:12:49.160 --> 0:12:49.559
<v Speaker 1>that's it.

0:12:49.720 --> 0:12:54.160
<v Speaker 12>You didn't know that digital read Yeah, see this guy's

0:12:54.200 --> 0:12:55.120
<v Speaker 12>singing back in school.

0:13:07.960 --> 0:13:12.280
<v Speaker 11>We're gonna do it live? Oh the one, two, three?

0:13:12.640 --> 0:13:15.400
<v Speaker 2>Sore losers?

0:13:15.559 --> 0:13:15.920
<v Speaker 11>What up?

0:13:15.960 --> 0:13:16.360
<v Speaker 14>Everybody?

0:13:16.440 --> 0:13:18.560
<v Speaker 15>I am lunchbox. I know the most about sports, so

0:13:18.559 --> 0:13:22.080
<v Speaker 15>I'll give you the sports facts. My sports opinions, because

0:13:22.160 --> 0:13:24.640
<v Speaker 15>I'm pretty much a sports genius, y'all.

0:13:24.720 --> 0:13:27.040
<v Speaker 11>It's Sison. I'm from the North. I'm an alpha male.

0:13:27.080 --> 0:13:29.280
<v Speaker 11>I live on the North side of Nashville with Bayser,

0:13:29.360 --> 0:13:31.320
<v Speaker 11>my wife. We do have a farm. It's beautiful. A

0:13:31.320 --> 0:13:35.160
<v Speaker 11>lot of acreage, no animals, a lot of crops. Hopefully

0:13:35.200 --> 0:13:40.160
<v Speaker 11>soon corn pumpkins, rye. I believe maybe a little fescue

0:13:41.559 --> 0:13:42.480
<v Speaker 11>to be determined.

0:13:43.600 --> 0:13:46.520
<v Speaker 15>Over to you, coach, And here's a clip from this

0:13:46.559 --> 0:13:48.880
<v Speaker 15>week's episode of The Sore Losers.

0:13:50.240 --> 0:13:51.960
<v Speaker 14>Let me show you the picture, right, it.

0:13:51.960 --> 0:13:54.400
<v Speaker 11>Looks like the N one mixtape to her out there.

0:13:54.960 --> 0:13:58.080
<v Speaker 11>They've shown clips of basketball shorts from twenty years ago.

0:13:58.360 --> 0:14:00.839
<v Speaker 11>It wasn't it crazy? How bad they used to have them?

0:14:00.880 --> 0:14:02.440
<v Speaker 11>Oh my gosh, And now they all wear them right

0:14:02.520 --> 0:14:03.319
<v Speaker 11>up their cranks.

0:14:03.400 --> 0:14:06.240
<v Speaker 14>Dude. You can't even see the kid's legs.

0:14:06.320 --> 0:14:12.439
<v Speaker 15>Dude, I mean, he has a head, arms, and ankles,

0:14:12.679 --> 0:14:13.760
<v Speaker 15>that's all he has.

0:14:14.679 --> 0:14:15.960
<v Speaker 14>Is that not hilarious?

0:14:17.120 --> 0:14:19.120
<v Speaker 11>You almost got to get him another pair of shorts.

0:14:19.280 --> 0:14:21.240
<v Speaker 14>I did. I got him another pair of black shorts. Yeah,

0:14:21.440 --> 0:14:21.840
<v Speaker 14>I mean it.

0:14:21.880 --> 0:14:24.880
<v Speaker 11>Is so you me my mom, she could sew those things.

0:14:24.880 --> 0:14:26.880
<v Speaker 14>I mean, look at that. I mean it socks. It's

0:14:26.880 --> 0:14:28.680
<v Speaker 14>his socks. You don't even see any skin.

0:14:29.120 --> 0:14:30.800
<v Speaker 11>He does look like a baller though.

0:14:30.880 --> 0:14:31.920
<v Speaker 14>He does look like a baller.

0:14:32.000 --> 0:14:34.360
<v Speaker 11>Dude, what's the little one? Dude just dick around on.

0:14:34.360 --> 0:14:36.720
<v Speaker 15>The soide, dig's around on the sideline with his basketball

0:14:36.720 --> 0:14:38.320
<v Speaker 15>and cries because he can't go in the game.

0:14:38.480 --> 0:14:40.400
<v Speaker 11>He looks like he'd be a little bit more efficient

0:14:40.480 --> 0:14:41.280
<v Speaker 11>than Jessica.

0:14:41.680 --> 0:14:43.760
<v Speaker 14>Yeah, he's ready, he'll he'll be in it next year.

0:14:43.760 --> 0:14:45.280
<v Speaker 14>He'll be four next year and he can play. And

0:14:45.320 --> 0:14:47.040
<v Speaker 14>I'm like, how the hell is he gonna play basketball?

0:14:47.360 --> 0:14:49.200
<v Speaker 14>The basketball's three sizes, it's too big for.

0:14:49.200 --> 0:14:50.960
<v Speaker 11>Him, Like, is it it's a women's ball.

0:14:51.000 --> 0:14:53.200
<v Speaker 14>Probably it's like a twenty seven and a half inch

0:14:53.280 --> 0:14:54.800
<v Speaker 14>youth ball. I don't know that's women.

0:14:55.080 --> 0:14:55.360
<v Speaker 11>Yeah.

0:14:55.720 --> 0:14:57.240
<v Speaker 15>Yeah, that's where we're at. We got a game this

0:14:57.320 --> 0:14:59.400
<v Speaker 15>coming weekend. We got two games left, man, We got

0:14:59.400 --> 0:15:02.120
<v Speaker 15>to turn this season around. Finish five hundred. That's what

0:15:02.120 --> 0:15:03.720
<v Speaker 15>we're hoping for. To go three and three in our

0:15:03.720 --> 0:15:05.800
<v Speaker 15>first season would be a huge success. And you said

0:15:05.840 --> 0:15:08.280
<v Speaker 15>it wraps up win in two weeks. Here's what you

0:15:08.280 --> 0:15:11.280
<v Speaker 15>can hope. That'll be perfect. He goes right into March madness.

0:15:11.400 --> 0:15:14.280
<v Speaker 15>Then this stuff with Keith with kid, I'm gonna make

0:15:14.320 --> 0:15:17.200
<v Speaker 15>poster boards. You bring the march madness to the house.

0:15:17.440 --> 0:15:21.120
<v Speaker 15>The kids get into it. It invigorates them, just like

0:15:21.240 --> 0:15:22.480
<v Speaker 15>Lebron and Luca.

0:15:22.640 --> 0:15:25.480
<v Speaker 11>Loving the game again. Maybe they get it. It all

0:15:25.520 --> 0:15:28.120
<v Speaker 11>just works together. Hopefully they keep that excitement. Then in

0:15:28.160 --> 0:15:30.720
<v Speaker 11>the offseason, this right now, you almost got to look

0:15:30.720 --> 0:15:31.720
<v Speaker 11>at it as a wash.

0:15:31.880 --> 0:15:34.480
<v Speaker 14>No, we're still excited. We still have fun. I mean,

0:15:34.520 --> 0:15:36.000
<v Speaker 14>that's what we're trying to do.

0:15:36.280 --> 0:15:38.360
<v Speaker 11>Like we played, I mean, I gotta tell you, I'm

0:15:38.360 --> 0:15:39.560
<v Speaker 11>shocked you guys are doing the score.

0:15:39.840 --> 0:15:41.800
<v Speaker 14>Tell me how good this practice was. Yesterday I forgot

0:15:41.840 --> 0:15:42.120
<v Speaker 14>to tell you this.

0:15:42.200 --> 0:15:46.600
<v Speaker 15>We played Duck Duck goosemies Duck Duck Goose basketball version.

0:15:47.200 --> 0:15:51.600
<v Speaker 15>So they dribble the ball around the circle. Another person

0:15:51.640 --> 0:15:56.560
<v Speaker 15>everybody in the circle has a ball Duck Duck duck goose,

0:15:56.920 --> 0:15:59.480
<v Speaker 15>and whoever gets hit goose has to start dribbling and

0:15:59.520 --> 0:16:01.280
<v Speaker 15>dribble around the circle and chase them around the circle

0:16:01.320 --> 0:16:01.880
<v Speaker 15>as they're dribbling.

0:16:01.920 --> 0:16:03.080
<v Speaker 14>If they get back to their spot.

0:16:02.840 --> 0:16:05.480
<v Speaker 11>It's really good. Boom dude, yees. So you had to

0:16:05.480 --> 0:16:08.080
<v Speaker 11>come up with the dumb ass stuff to keep them entertained.

0:16:08.120 --> 0:16:11.400
<v Speaker 11>You're not running plays and doing conditioning. These kids don't

0:16:11.400 --> 0:16:13.080
<v Speaker 11>need a condition at this age. There's two.

0:16:13.160 --> 0:16:15.480
<v Speaker 14>They don't need conditioning because they got putty energy.

0:16:15.560 --> 0:16:17.920
<v Speaker 11>These are the only two things I remember from basketball

0:16:17.960 --> 0:16:19.520
<v Speaker 11>at that age. You got to try one of them.

0:16:19.760 --> 0:16:21.920
<v Speaker 11>I'm just telling you. The one is where I told

0:16:21.920 --> 0:16:23.440
<v Speaker 11>you a kid needs to bark like a dog in

0:16:23.440 --> 0:16:25.880
<v Speaker 11>the middle of the lane, and then that distracts and

0:16:25.920 --> 0:16:28.360
<v Speaker 11>you run a play to the basket. But he just

0:16:28.360 --> 0:16:30.160
<v Speaker 11>gets on his knees and starts barking, and all the

0:16:30.200 --> 0:16:32.200
<v Speaker 11>other kids are looking and then boom, you be line

0:16:32.240 --> 0:16:34.280
<v Speaker 11>it to the right, get to the hoop, get a basket.

0:16:34.400 --> 0:16:35.800
<v Speaker 11>It works once. I'll do it.

0:16:35.880 --> 0:16:37.040
<v Speaker 14>Okay, I'll do it this weekend.

0:16:37.080 --> 0:16:39.760
<v Speaker 11>That's one thing. It Yes, you got to get a

0:16:39.840 --> 0:16:41.760
<v Speaker 11>kid just faking like their dog, going as loud as

0:16:41.760 --> 0:16:43.800
<v Speaker 11>they can so then kids look and then boom, then

0:16:43.800 --> 0:16:47.320
<v Speaker 11>you pass it. It works every time. The other thing

0:16:47.960 --> 0:16:49.680
<v Speaker 11>tell the kids to write down a mistake on a

0:16:49.680 --> 0:16:51.480
<v Speaker 11>piece of paper. Hey, what do you think you did wrong?

0:16:51.520 --> 0:16:53.000
<v Speaker 11>What do you think? This is what I remember from

0:16:53.040 --> 0:16:54.920
<v Speaker 11>four year old basketball. What did you do wrong? What'd

0:16:54.960 --> 0:16:57.600
<v Speaker 11>you do wrong? All the kids write down bad pass,

0:16:57.960 --> 0:17:00.280
<v Speaker 11>didn't make a basket? D d you take all you

0:17:00.320 --> 0:17:02.320
<v Speaker 11>put them in a coffee can you bring a lighter

0:17:02.360 --> 0:17:07.520
<v Speaker 11>with you? Light that bitch on fire? What is that day?

0:17:08.080 --> 0:17:11.399
<v Speaker 11>None of those matter? Okay, let's change it now. I

0:17:11.400 --> 0:17:12.800
<v Speaker 11>don't remember exactly how he outry.

0:17:12.920 --> 0:17:13.120
<v Speaker 1>Damn.

0:17:13.119 --> 0:17:13.880
<v Speaker 14>That's pretty good, man.

0:17:13.880 --> 0:17:14.640
<v Speaker 11>But they're all on fire.

0:17:14.680 --> 0:17:15.200
<v Speaker 14>That's really good.

0:17:15.240 --> 0:17:16.680
<v Speaker 11>And it's in a coffee can. So it's not gonna

0:17:16.680 --> 0:17:18.720
<v Speaker 11>start a fire in the basketball court. But it shocks

0:17:18.760 --> 0:17:21.040
<v Speaker 11>them all and you're like, because guess what, none of

0:17:21.040 --> 0:17:22.840
<v Speaker 11>those matter. They're all ashes.

0:17:22.880 --> 0:17:23.000
<v Speaker 1>Now.

0:17:23.000 --> 0:17:27.200
<v Speaker 11>It's in the past. I remember from four years old, dude.

0:17:26.960 --> 0:17:28.760
<v Speaker 14>So it's pretty legit.

0:17:28.840 --> 0:17:29.080
<v Speaker 7>Dude.

0:17:29.080 --> 0:17:32.080
<v Speaker 15>We're like, coach just started a fire and a coffee kid,

0:17:32.320 --> 0:17:32.960
<v Speaker 15>that's pretty good.

0:17:33.359 --> 0:17:34.760
<v Speaker 11>It goes out on its own. You're not going to

0:17:34.840 --> 0:17:37.000
<v Speaker 11>start like a you know, gym fire.

0:17:37.240 --> 0:17:39.520
<v Speaker 14>Okay, I like it, you guys.

0:17:39.720 --> 0:17:41.520
<v Speaker 11>That's the type of stuff. It's something that they're going

0:17:41.560 --> 0:17:42.280
<v Speaker 11>to remember.

0:17:41.960 --> 0:17:45.119
<v Speaker 15>Of value, right, yes, get their attention, all right, Well,

0:17:45.119 --> 0:17:46.159
<v Speaker 15>happy Wednesday, everybody.

0:17:46.200 --> 0:17:48.520
<v Speaker 14>We're out of here. I mean, no football to talk about.

0:17:49.000 --> 0:17:51.560
<v Speaker 11>I mean, coach started a fire at practice today in

0:17:51.600 --> 0:17:52.400
<v Speaker 11>a coffee can?

0:17:52.520 --> 0:17:55.600
<v Speaker 15>What what what the Okay? The league calls me. Hey,

0:17:55.880 --> 0:17:57.920
<v Speaker 15>parents have been requesting to get off your team, saying

0:17:57.920 --> 0:17:59.920
<v Speaker 15>you're turning their kids into pyromania.

0:18:00.280 --> 0:18:02.760
<v Speaker 11>I'm sorry, maybe you gotta throw I remember our coach too,

0:18:02.760 --> 0:18:04.840
<v Speaker 11>he had let a couple I don't need it was

0:18:04.880 --> 0:18:06.639
<v Speaker 11>an F but he'd definitely say a little S or

0:18:06.680 --> 0:18:09.080
<v Speaker 11>a D every once in a while. Okay, you let

0:18:09.119 --> 0:18:13.760
<v Speaker 11>us swear words, slip tournament. Come on, sorry kids for

0:18:13.840 --> 0:18:16.040
<v Speaker 11>saying that. Come on, just get them fired up. It's

0:18:16.080 --> 0:18:17.119
<v Speaker 11>something they're not expecting.

0:18:17.240 --> 0:18:20.560
<v Speaker 14>I do like that, all right, anything else? You got

0:18:20.560 --> 0:18:21.280
<v Speaker 14>anything going on?

0:18:21.440 --> 0:18:23.359
<v Speaker 11>No man, no bazer.

0:18:23.440 --> 0:18:23.640
<v Speaker 7>Dude.

0:18:23.640 --> 0:18:26.040
<v Speaker 11>They make her she's been working from home. She had

0:18:26.040 --> 0:18:29.200
<v Speaker 11>to commute. She said they commute in traffic hour and

0:18:29.240 --> 0:18:29.560
<v Speaker 11>a half.

0:18:30.760 --> 0:18:31.560
<v Speaker 14>She had to commute.

0:18:31.640 --> 0:18:35.760
<v Speaker 11>Yeah, they just they're doing a couple things in the office. Oh,

0:18:35.880 --> 0:18:40.919
<v Speaker 11>HiT's me up. Almost the same drive. My drive's twenty minutes.

0:18:41.000 --> 0:18:42.960
<v Speaker 11>Hers in traffic is an hour and a half. She goes,

0:18:43.320 --> 0:18:45.919
<v Speaker 11>it's brutal. I'm quitting tomorrow. I'm like, totally kidding. She's

0:18:45.920 --> 0:18:48.280
<v Speaker 11>not quitting, but she goes, Dude, this traffic is right,

0:18:48.560 --> 0:18:51.360
<v Speaker 11>This traffic is awful. And I'm like, yeah, it's pretty bad,

0:18:51.640 --> 0:18:54.119
<v Speaker 11>but working from home, you save yourself an hour and

0:18:54.160 --> 0:18:55.480
<v Speaker 11>a half on the front end and the back end.

0:18:55.560 --> 0:18:56.720
<v Speaker 14>Yeah, that's three hours of your day.

0:18:56.720 --> 0:18:56.880
<v Speaker 1>Man.

0:18:56.960 --> 0:18:58.960
<v Speaker 14>I just those people are sitting in traffic. That sucks

0:18:59.000 --> 0:18:59.320
<v Speaker 14>for them.

0:18:59.320 --> 0:19:19.320
<v Speaker 16>But all right, cass up, little food for yourself life.

0:19:19.640 --> 0:19:21.000
<v Speaker 2>Oh it's pretty bad.

0:19:21.080 --> 0:19:23.720
<v Speaker 12>It's pretty beautiful thing beautiful.

0:19:23.280 --> 0:19:27.080
<v Speaker 4>For that for a little more exciting because.

0:19:28.280 --> 0:19:33.520
<v Speaker 16>Said he can't you're kicking with fulling with Amy Brown.

0:19:34.000 --> 0:19:36.960
<v Speaker 17>All right, let's talk about closure, because well, I think

0:19:37.000 --> 0:19:39.480
<v Speaker 17>this is something that we've likely all struggled with at

0:19:39.520 --> 0:19:43.000
<v Speaker 17>some point, like whether it's a breakup or a friendship

0:19:43.040 --> 0:19:46.840
<v Speaker 17>that fizzled or ended, or just any situation that never

0:19:47.119 --> 0:19:51.560
<v Speaker 17>fully has been resolved. It's really really hard to move

0:19:51.600 --> 0:19:55.760
<v Speaker 17>on without that final answer. And I will say, sometimes

0:19:55.760 --> 0:19:58.200
<v Speaker 17>we want to receive that final answer, but also sometimes

0:19:58.240 --> 0:20:02.040
<v Speaker 17>we want to give other people closure because we feel

0:20:02.040 --> 0:20:04.480
<v Speaker 17>like it will be good for them, when maybe that's

0:20:04.520 --> 0:20:08.800
<v Speaker 17>not necessarily our role. You may not have to provide that.

0:20:09.520 --> 0:20:11.240
<v Speaker 17>So that's a whole other thing to work through as well.

0:20:11.280 --> 0:20:16.560
<v Speaker 17>But I read something from psychologists Kavyat Shrivastov. Totally not

0:20:16.640 --> 0:20:18.920
<v Speaker 17>sure if I'm saying her name right, but I gave

0:20:18.920 --> 0:20:21.680
<v Speaker 17>it my best shot and it really hit close to home.

0:20:22.200 --> 0:20:25.480
<v Speaker 17>She said closure isn't about what the other person gives you.

0:20:25.640 --> 0:20:30.080
<v Speaker 17>It's about how you process what happened. Now, the main

0:20:30.119 --> 0:20:35.639
<v Speaker 17>reasons behind why we crave closure are pretty obvious. Obviously,

0:20:35.680 --> 0:20:40.640
<v Speaker 17>it helps us find peace after being hurt. It stops

0:20:40.720 --> 0:20:46.360
<v Speaker 17>us from just ruminating over it, obsessing over any answered

0:20:46.680 --> 0:20:51.480
<v Speaker 17>questions that we have. It helps us move forward without

0:20:51.600 --> 0:20:56.520
<v Speaker 17>lingering regrets of sorts. And pretty much closure is like

0:20:57.280 --> 0:21:01.159
<v Speaker 17>ceiling an emotional envelope. That's how I visualize it in

0:21:01.200 --> 0:21:04.919
<v Speaker 17>my head, like you're able to just close it shut

0:21:05.800 --> 0:21:10.320
<v Speaker 17>without it, you keep going into the envelope to reread

0:21:10.520 --> 0:21:14.199
<v Speaker 17>all the old stuff, the letters, the messages, and you

0:21:14.280 --> 0:21:16.960
<v Speaker 17>try to make it make sense and you can't. And

0:21:17.040 --> 0:21:20.840
<v Speaker 17>the hard truth about closure is sometimes we think that

0:21:20.920 --> 0:21:24.080
<v Speaker 17>it has to come from the other person, like we

0:21:24.200 --> 0:21:30.320
<v Speaker 17>need to hear them explain or apologize or or even

0:21:30.400 --> 0:21:34.520
<v Speaker 17>validate whatever it is that happened. But that's not always

0:21:34.600 --> 0:21:37.520
<v Speaker 17>going to happen again because they don't even owe it

0:21:37.560 --> 0:21:40.879
<v Speaker 17>to us. Now in some circumstances, yes, it's not a

0:21:40.920 --> 0:21:44.159
<v Speaker 17>blanket statement, but let's just say, for the sake of

0:21:44.200 --> 0:21:47.159
<v Speaker 17>this thing, it's never going to happen. You're not going

0:21:47.240 --> 0:21:49.320
<v Speaker 17>to get the closure, So then what what do you

0:21:49.400 --> 0:21:51.760
<v Speaker 17>do well. That's when you get stuck in the wide

0:21:51.800 --> 0:21:53.280
<v Speaker 17>trap and you're like, why did they do this?

0:21:53.520 --> 0:21:53.879
<v Speaker 4>Was it me?

0:21:54.080 --> 0:21:56.359
<v Speaker 17>What could I have done differently? How could I fix it?

0:21:57.160 --> 0:22:02.199
<v Speaker 17>And those types of questions will leave us spiraling forever.

0:22:02.520 --> 0:22:06.600
<v Speaker 17>So the key for us is to accept that we

0:22:06.680 --> 0:22:08.919
<v Speaker 17>don't need all the answers to move forward. And I

0:22:08.960 --> 0:22:13.760
<v Speaker 17>have had to practice this multiple times in my adult life,

0:22:14.320 --> 0:22:17.160
<v Speaker 17>and I wish I better understood this as a teen

0:22:17.600 --> 0:22:20.280
<v Speaker 17>and a young young adult as well, because the power

0:22:20.320 --> 0:22:24.120
<v Speaker 17>of acceptance is so good. And now that I know acceptance,

0:22:24.240 --> 0:22:26.840
<v Speaker 17>it just helps me. And I know that it could

0:22:26.840 --> 0:22:29.040
<v Speaker 17>sound like if you're accepting that you're just kind of

0:22:29.119 --> 0:22:31.960
<v Speaker 17>rolling over and being like, Okay, cool, you know this

0:22:32.160 --> 0:22:34.880
<v Speaker 17>horrible thing happened, and I'm fine with it. But that's

0:22:34.920 --> 0:22:39.040
<v Speaker 17>not what the acceptance part is. Acceptance just means that

0:22:39.520 --> 0:22:41.720
<v Speaker 17>you're not going to fight it. You're going to fight

0:22:41.760 --> 0:22:46.000
<v Speaker 17>what's happening. It means instead of obsessing over why something happened,

0:22:46.400 --> 0:22:49.960
<v Speaker 17>you focus on what you can do next. A little

0:22:50.000 --> 0:22:53.600
<v Speaker 17>mantra that I had in my back pocket for twenty twenty,

0:22:53.720 --> 0:22:56.600
<v Speaker 17>twenty twenty one, twenty twenty two, like I was using

0:22:56.600 --> 0:23:00.840
<v Speaker 17>this one a lot. I may not understand it, but

0:23:00.960 --> 0:23:04.159
<v Speaker 17>I can heal anyway. Because there was so much I

0:23:04.200 --> 0:23:08.720
<v Speaker 17>wasn't understanding and I didn't have answers to but I

0:23:08.800 --> 0:23:12.199
<v Speaker 17>knew I had the ability to heal anyway. Sometimes it

0:23:12.240 --> 0:23:16.240
<v Speaker 17>was hard for me to just move on. I didn't

0:23:16.280 --> 0:23:19.439
<v Speaker 17>like the idea of that, so I would think of

0:23:19.480 --> 0:23:24.040
<v Speaker 17>it more as like moving along or moving forward, Like

0:23:24.160 --> 0:23:27.640
<v Speaker 17>despite what was happening, I was going to move forward.

0:23:28.119 --> 0:23:31.480
<v Speaker 17>Sometimes I would move backwards, but at least I was moving.

0:23:32.240 --> 0:23:34.439
<v Speaker 17>It's a small shift from the word moving on to

0:23:34.560 --> 0:23:38.640
<v Speaker 17>moving forward, but for me it made a big difference.

0:23:39.240 --> 0:23:44.920
<v Speaker 17>It felt more practical and less forced. The energy is

0:23:44.960 --> 0:23:46.760
<v Speaker 17>a little bit different. I don't know, see if that

0:23:46.800 --> 0:23:49.800
<v Speaker 17>resonates with you, Like if you say I'm moving on

0:23:50.800 --> 0:23:55.600
<v Speaker 17>or I'm moving forward, there's different energy there. So then

0:23:56.040 --> 0:23:58.360
<v Speaker 17>comes the time where you'd have to really give yourself

0:23:58.480 --> 0:24:00.800
<v Speaker 17>closure Again, it's not coming from the other person, It

0:24:00.880 --> 0:24:04.120
<v Speaker 17>is coming from within you. At the end of the day,

0:24:04.359 --> 0:24:07.159
<v Speaker 17>finding closure is you choosing yourself because you're not going

0:24:07.240 --> 0:24:11.040
<v Speaker 17>to let those thoughts take up any more space rent

0:24:11.040 --> 0:24:14.600
<v Speaker 17>free in your brain. So one thing you need to do,

0:24:14.720 --> 0:24:17.400
<v Speaker 17>because who knows how long you've been thinking these thoughts.

0:24:17.680 --> 0:24:19.399
<v Speaker 17>I mean, some of you listening right now, I know

0:24:19.400 --> 0:24:22.320
<v Speaker 17>we're holding onto things from ten years ago and you

0:24:22.359 --> 0:24:25.960
<v Speaker 17>want closure and you have been wondering why for the

0:24:26.040 --> 0:24:29.680
<v Speaker 17>last ten years, or maybe it was just ten days ago. Well,

0:24:29.720 --> 0:24:31.280
<v Speaker 17>this is going to be awesome for you to be

0:24:31.480 --> 0:24:34.560
<v Speaker 17>reminded of this. I'm not saying anything new, by the way,

0:24:34.600 --> 0:24:38.040
<v Speaker 17>and I'm gathering a lot of different things that I

0:24:38.200 --> 0:24:40.520
<v Speaker 17>was taught over the last five years that I learned.

0:24:40.520 --> 0:24:43.119
<v Speaker 17>Some of this I picked up in alan On. That

0:24:43.280 --> 0:24:48.400
<v Speaker 17>is all about surrendering, releasing control. When you are stuck

0:24:48.760 --> 0:24:51.840
<v Speaker 17>in trying to figure out the why of what happened,

0:24:51.880 --> 0:24:55.760
<v Speaker 17>and you are stuck wanting closure from somebody else, this

0:24:55.840 --> 0:24:59.600
<v Speaker 17>is the opposite of surrendering. You have to focus on

0:24:59.760 --> 0:25:03.439
<v Speaker 17>what you can control, and you can't control that. So,

0:25:03.440 --> 0:25:06.120
<v Speaker 17>whether you've been trying to operate that way, like I said,

0:25:06.119 --> 0:25:09.760
<v Speaker 17>for ten years or ten days, pause and forgive yourself

0:25:09.760 --> 0:25:13.119
<v Speaker 17>for holding on for however long it was. Let go

0:25:13.240 --> 0:25:16.320
<v Speaker 17>of any resentment towards the person. You don't want to

0:25:16.320 --> 0:25:21.200
<v Speaker 17>carry that around, and then prioritize peace. If you are

0:25:21.280 --> 0:25:25.240
<v Speaker 17>waiting on that one last conversation or that one last explanation,

0:25:26.040 --> 0:25:29.159
<v Speaker 17>just know that you don't actually need it. Your piece

0:25:29.200 --> 0:25:32.400
<v Speaker 17>is within you. It's not dependent on what they do.

0:25:33.480 --> 0:25:36.080
<v Speaker 17>This is honestly one of those things like when I

0:25:36.119 --> 0:25:39.160
<v Speaker 17>was typing out what I wanted to say about this,

0:25:39.240 --> 0:25:41.600
<v Speaker 17>I'm like, oh, I need to email this to myself

0:25:41.640 --> 0:25:43.159
<v Speaker 17>so I can go back and read it when I

0:25:43.240 --> 0:25:46.159
<v Speaker 17>need it, or maybe I'll just pull this part of

0:25:46.200 --> 0:25:49.000
<v Speaker 17>the podcast and listen to it when I need it,

0:25:49.000 --> 0:25:52.360
<v Speaker 17>because I think we all crave closure, and we can

0:25:52.520 --> 0:25:55.240
<v Speaker 17>know that this is what we need to do to

0:25:55.320 --> 0:25:57.840
<v Speaker 17>let it go and not get all wrapped up in

0:25:57.880 --> 0:26:00.960
<v Speaker 17>that we need answers from somebody else when we're trying

0:26:00.960 --> 0:26:01.560
<v Speaker 17>to force it.

0:26:02.080 --> 0:26:02.199
<v Speaker 7>Now.

0:26:02.200 --> 0:26:07.320
<v Speaker 17>If someone wants to volunteer that information, that's totally fine,

0:26:07.320 --> 0:26:09.680
<v Speaker 17>but just knowing that really change things for you.

0:26:09.880 --> 0:26:10.240
<v Speaker 18>Fully.

0:26:11.119 --> 0:26:13.920
<v Speaker 17>I know there are things that I have ended where

0:26:14.560 --> 0:26:19.360
<v Speaker 17>I believe the person would appreciate more closure, and at

0:26:19.359 --> 0:26:21.879
<v Speaker 17>the same time, I felt like what I was able

0:26:21.920 --> 0:26:23.960
<v Speaker 17>to share was enough.

0:26:47.240 --> 0:26:54.879
<v Speaker 13>Carylne, she's a queen and talking and she getting really not.

0:26:54.960 --> 0:26:57.960
<v Speaker 14>Afraid to feel so and so just let it flow.

0:26:58.480 --> 0:27:03.399
<v Speaker 2>No one can do We have a care line, is

0:27:03.520 --> 0:27:04.879
<v Speaker 2>so Calne.

0:27:06.400 --> 0:27:07.359
<v Speaker 18>It's so disgusting.

0:27:07.400 --> 0:27:09.159
<v Speaker 10>But I have this hacking issue that I feel like

0:27:09.160 --> 0:27:10.840
<v Speaker 10>every single time before I do a podcast, I got

0:27:10.920 --> 0:27:13.040
<v Speaker 10>hack it up and it's like, okay, it's like a thing.

0:27:13.600 --> 0:27:15.800
<v Speaker 18>And I've never met someone to join in with me before.

0:27:16.480 --> 0:27:18.919
<v Speaker 7>Here we are best friends right off the job because

0:27:19.400 --> 0:27:20.840
<v Speaker 7>I feel like it just really took us to the

0:27:20.880 --> 0:27:21.920
<v Speaker 7>next level right away.

0:27:21.960 --> 0:27:23.760
<v Speaker 4>What do you think, Well, I think being singers too.

0:27:23.800 --> 0:27:26.520
<v Speaker 7>You know when your voice is like in the prime

0:27:27.000 --> 0:27:29.440
<v Speaker 7>and when you know you've got stuff stuck in there. Yes,

0:27:29.640 --> 0:27:32.280
<v Speaker 7>And the worst is on stage. Sometimes I'll take a

0:27:32.320 --> 0:27:34.960
<v Speaker 7>puffer before I go on stage. Was actually I've learned

0:27:35.000 --> 0:27:35.680
<v Speaker 7>is the worst thing.

0:27:35.840 --> 0:27:40.280
<v Speaker 4>What's a puffer like abuterol? Like when you have asthma,

0:27:40.400 --> 0:27:41.600
<v Speaker 4>Oh okay and you're like spray.

0:27:41.920 --> 0:27:44.680
<v Speaker 7>It's like a steroid in your throat okay, to help

0:27:44.720 --> 0:27:47.840
<v Speaker 7>you open your airwaists okay, and it actually gets all

0:27:47.840 --> 0:27:52.800
<v Speaker 7>your mucus going. So I'm hacking on stage while doesn't work. Yeah,

0:27:52.840 --> 0:27:53.600
<v Speaker 7>so I can't take that.

0:27:53.920 --> 0:27:58.119
<v Speaker 10>What do you do when a hack attack comes on stage?

0:27:58.160 --> 0:28:02.080
<v Speaker 4>My husband, who's my play he can talk in my ears.

0:28:02.119 --> 0:28:04.639
<v Speaker 4>He's like, you need to take another shot of your puffer.

0:28:04.720 --> 0:28:07.040
<v Speaker 4>Come to the side of the stage after the second song.

0:28:07.160 --> 0:28:08.359
<v Speaker 18>But now I know the puffer is the problem.

0:28:08.440 --> 0:28:09.919
<v Speaker 4>Yeah, the puffers is a problem. So I just went

0:28:10.000 --> 0:28:10.520
<v Speaker 4>to the doctor.

0:28:10.760 --> 0:28:13.920
<v Speaker 7>So I was this is not I'm not throwing names

0:28:13.920 --> 0:28:15.960
<v Speaker 7>out there, but I was hanging out with Shania Twain,

0:28:16.359 --> 0:28:16.760
<v Speaker 7>and I was.

0:28:16.760 --> 0:28:19.439
<v Speaker 4>Just like as a friend, No, I opened for her

0:28:19.480 --> 0:28:19.800
<v Speaker 4>and then I.

0:28:20.080 --> 0:28:22.040
<v Speaker 18>Saw that and she like learned your song on stage

0:28:22.080 --> 0:28:23.840
<v Speaker 18>and y'all did like three part harmony.

0:28:23.720 --> 0:28:26.160
<v Speaker 7>Crazy, like like best moment of my life so far

0:28:26.440 --> 0:28:27.480
<v Speaker 7>for sure, which.

0:28:27.480 --> 0:28:29.520
<v Speaker 10>We'll circle back to the moment, but then let's talk

0:28:29.520 --> 0:28:30.400
<v Speaker 10>about the hanging out.

0:28:30.600 --> 0:28:31.320
<v Speaker 4>We were hanging out.

0:28:31.480 --> 0:28:32.920
<v Speaker 18>How do you hang out with Shania Twain?

0:28:33.040 --> 0:28:35.960
<v Speaker 7>Well, she was on a three run date at this

0:28:36.080 --> 0:28:39.400
<v Speaker 7>festival in Newfoundland, which is like my family lives there,

0:28:39.400 --> 0:28:40.440
<v Speaker 7>so it was Canada.

0:28:40.680 --> 0:28:42.760
<v Speaker 18>Yeah, okay, so you're from Canada, Yes.

0:28:42.640 --> 0:28:43.600
<v Speaker 4>From Canada, okay.

0:28:43.640 --> 0:28:46.920
<v Speaker 7>And I got to meet her on stage because I

0:28:46.920 --> 0:28:47.400
<v Speaker 7>play with her.

0:28:47.480 --> 0:28:49.320
<v Speaker 10>And then how did you get that opening spad just

0:28:49.360 --> 0:28:51.120
<v Speaker 10>because you're a badass? Oh, you were nominated for like

0:28:51.240 --> 0:28:53.680
<v Speaker 10>Canadian Artists of the Year. I mean you got stuff

0:28:53.680 --> 0:28:56.480
<v Speaker 10>going on all the all the Canadians, you were the

0:28:56.520 --> 0:28:57.440
<v Speaker 10>one female.

0:28:57.880 --> 0:29:00.840
<v Speaker 7>This was my first nomination ever. I was actually really

0:29:00.880 --> 0:29:01.680
<v Speaker 7>surprised that I got it.

0:29:01.720 --> 0:29:04.520
<v Speaker 10>So you're nominated for Female Hours a Year, Yeah, which,

0:29:04.640 --> 0:29:05.800
<v Speaker 10>like I awesome.

0:29:05.880 --> 0:29:08.600
<v Speaker 7>I thought maybe I would get like new Artists or something,

0:29:08.680 --> 0:29:12.840
<v Speaker 7>but that straight to the top. But hanging out with Shanaia,

0:29:12.920 --> 0:29:16.800
<v Speaker 7>I was like, this is my moment to ask her random.

0:29:16.200 --> 0:29:17.440
<v Speaker 4>Shit and you did?

0:29:17.640 --> 0:29:17.880
<v Speaker 11>Yeah?

0:29:17.920 --> 0:29:18.320
<v Speaker 4>Would you do?

0:29:18.440 --> 0:29:18.520
<v Speaker 19>So?

0:29:18.560 --> 0:29:20.440
<v Speaker 7>I asked her because she's a fellow Canadian. I asked

0:29:20.440 --> 0:29:23.640
<v Speaker 7>her about like her business manager. Is it a Canadian

0:29:23.760 --> 0:29:25.480
<v Speaker 7>or is it an American? Because they need to know

0:29:25.520 --> 0:29:27.560
<v Speaker 7>all the tax laws for both countries.

0:29:28.040 --> 0:29:29.760
<v Speaker 4>What is it? She's like, you need a Canadian?

0:29:29.880 --> 0:29:33.880
<v Speaker 7>Okay, So I did actually switch business managers okay to

0:29:33.920 --> 0:29:34.360
<v Speaker 7>a Canadian.

0:29:34.440 --> 0:29:36.400
<v Speaker 4>Yeah, I got it. I literally listened to every single

0:29:36.400 --> 0:29:37.400
<v Speaker 4>thing she told me. What else I did?

0:29:37.640 --> 0:29:38.880
<v Speaker 18>Can you share all the team?

0:29:39.040 --> 0:29:42.520
<v Speaker 7>She told me to go on singular for asthma, so

0:29:42.600 --> 0:29:46.120
<v Speaker 7>I did, okay, which is a medication for them, I think, so,

0:29:46.320 --> 0:29:48.840
<v Speaker 7>I said, so, so I must have. And then I

0:29:48.880 --> 0:29:51.640
<v Speaker 7>got my puffer and then I got I'm on zero

0:29:51.680 --> 0:29:57.000
<v Speaker 7>tech allergy pills and uh acid reflux nexium.

0:29:57.400 --> 0:29:59.000
<v Speaker 4>So I'm just taking all these things.

0:29:59.040 --> 0:30:01.440
<v Speaker 7>And then she told me like this whole thing about

0:30:01.520 --> 0:30:04.360
<v Speaker 7>like not eating before your show, and she like lays

0:30:04.360 --> 0:30:07.680
<v Speaker 7>in the dark in her hotel all day and people

0:30:07.760 --> 0:30:09.280
<v Speaker 7>just bring her like purified food.

0:30:09.360 --> 0:30:11.360
<v Speaker 4>And I'm like, well, I don't have people.

0:30:11.760 --> 0:30:14.520
<v Speaker 7>Yeah, and you have her husband. I have my husband,

0:30:14.520 --> 0:30:16.560
<v Speaker 7>but he has like ten jobs come out. He's not

0:30:16.600 --> 0:30:20.160
<v Speaker 7>going to pure a like pure pure raid.

0:30:20.360 --> 0:30:20.880
<v Speaker 4>Sorry is it?

0:30:20.960 --> 0:30:21.160
<v Speaker 2>Yeah?

0:30:21.280 --> 0:30:22.800
<v Speaker 4>Period, pure raid food.

0:30:22.880 --> 0:30:24.960
<v Speaker 18>So she only wants it like much of like apple

0:30:24.960 --> 0:30:25.480
<v Speaker 18>sauce style.

0:30:25.680 --> 0:30:30.000
<v Speaker 7>Yes, she does not chew food day of her show. Meanwhile,

0:30:30.040 --> 0:30:32.720
<v Speaker 7>I'm like, I eat McDonald's for every meal when I'm.

0:30:32.640 --> 0:30:32.920
<v Speaker 12>On the road.

0:30:33.000 --> 0:30:35.960
<v Speaker 18>Why does she not choose food because I guess just

0:30:36.600 --> 0:30:37.280
<v Speaker 18>want to her throat.

0:30:37.320 --> 0:30:38.040
<v Speaker 4>Yes, she doesn't want to have.

0:30:38.080 --> 0:30:40.640
<v Speaker 7>She doesn't want to have she knows her body, I guess.

0:30:41.160 --> 0:30:42.840
<v Speaker 7>So I wrote it down, but I'm not at that

0:30:42.880 --> 0:30:45.960
<v Speaker 7>point yet. Like she brings her own ninja with her.

0:30:46.320 --> 0:30:48.560
<v Speaker 18>Does she like do anything when she's laying in the dark,

0:30:48.600 --> 0:30:49.160
<v Speaker 18>like wash TV?

0:30:49.400 --> 0:30:54.120
<v Speaker 4>No, she dark like meditation music all day all day.

0:30:54.280 --> 0:30:55.320
<v Speaker 18>How do you do that all day?

0:30:55.240 --> 0:30:55.520
<v Speaker 5>I know?

0:30:55.640 --> 0:30:57.240
<v Speaker 7>And I explained to her, I'm like, I'm at the

0:30:57.280 --> 0:30:59.200
<v Speaker 7>point of my career where I'm flying in day up.

0:30:59.200 --> 0:31:02.640
<v Speaker 7>Potentially I'm driving all morning and all night. I haven't

0:31:02.640 --> 0:31:07.120
<v Speaker 7>slept for a week, haven't showered, and need to eat McDonald's.

0:31:07.160 --> 0:31:08.720
<v Speaker 7>So I'm not at that point yet, but.

0:31:08.680 --> 0:31:11.760
<v Speaker 18>Like, how does someone lay all day without going bananas?

0:31:12.080 --> 0:31:12.800
<v Speaker 9>Yeah?

0:31:13.000 --> 0:31:14.800
<v Speaker 18>Man, that's amazing. She's put down too.

0:31:14.760 --> 0:31:17.840
<v Speaker 7>Many art shows where she's she rips around stage like

0:31:17.880 --> 0:31:18.480
<v Speaker 7>she's running.

0:31:18.800 --> 0:31:21.760
<v Speaker 10>She this is like the rebirth of Shanaya because I

0:31:21.760 --> 0:31:23.560
<v Speaker 10>feel like she kind of went silent for a little

0:31:23.560 --> 0:31:27.120
<v Speaker 10>while and then re emerged. Yes, and like, man did

0:31:27.160 --> 0:31:30.360
<v Speaker 10>she re emerge like with incredible costumes and I feel

0:31:30.360 --> 0:31:32.760
<v Speaker 10>like she like cuts on herself backstage before. I've seen

0:31:32.760 --> 0:31:35.560
<v Speaker 10>like documentaries or something where she's like the caution will

0:31:35.560 --> 0:31:36.120
<v Speaker 10>be I could be.

0:31:36.080 --> 0:31:38.160
<v Speaker 18>Wrong, but like shell like get some scissors and like

0:31:38.240 --> 0:31:38.560
<v Speaker 18>change it.

0:31:38.600 --> 0:31:39.200
<v Speaker 4>Up a little bit.

0:31:39.320 --> 0:31:42.200
<v Speaker 7>And like, yeah, I've definitely watched all her documentaries and

0:31:42.280 --> 0:31:44.400
<v Speaker 7>read her book and because she's Canadian, I just know

0:31:44.720 --> 0:31:47.360
<v Speaker 7>everything about her. And she was like trying to she

0:31:47.480 --> 0:31:49.520
<v Speaker 7>was like explaining some stuff about her past life.

0:31:49.520 --> 0:31:50.320
<v Speaker 4>I'm like, I.

0:31:50.240 --> 0:31:52.200
<v Speaker 18>Know, you don't have to.

0:31:52.160 --> 0:31:54.560
<v Speaker 4>Tell me I know everything about yet, but thanks.

0:31:54.840 --> 0:31:56.800
<v Speaker 10>So you go like hung out hung out? Yeah, Well

0:31:56.840 --> 0:31:59.520
<v Speaker 10>she all like four am, so like how many hours?

0:32:00.200 --> 0:32:02.080
<v Speaker 7>Well it was like after the show, so like midnight

0:32:02.120 --> 0:32:05.000
<v Speaker 7>before ish, and she was just chatting with you. Yeah,

0:32:05.040 --> 0:32:06.800
<v Speaker 7>and she was so chill. She drank a whole bottle

0:32:06.800 --> 0:32:09.000
<v Speaker 7>of champagne and I was just.

0:32:09.080 --> 0:32:10.560
<v Speaker 18>Is she living her best life these days?

0:32:10.720 --> 0:32:11.160
<v Speaker 4>Yeah?

0:32:11.240 --> 0:32:12.920
<v Speaker 18>I feel like she's really in her like her best Stris.

0:32:13.000 --> 0:32:14.880
<v Speaker 7>She's so cool and she like swore and she was

0:32:14.880 --> 0:32:18.520
<v Speaker 7>like super Canadian and like, you know, Canadian hillbilly vibes.

0:32:18.320 --> 0:32:19.040
<v Speaker 4>Which is what I am.

0:32:19.160 --> 0:32:20.920
<v Speaker 18>So did you all like get numbers?

0:32:21.880 --> 0:32:24.160
<v Speaker 4>No? Okay, but she was like, I'll send you this stuff.

0:32:24.200 --> 0:32:25.560
<v Speaker 4>I'm like, how are you going to send me that?

0:32:27.720 --> 0:32:29.120
<v Speaker 4>Let's be honest.

0:32:29.120 --> 0:32:31.040
<v Speaker 10>That's so cool because a lot of times, like megastars

0:32:31.040 --> 0:32:32.840
<v Speaker 10>like that don't hang out with people that like are

0:32:32.880 --> 0:32:33.720
<v Speaker 10>opening for them.

0:32:33.560 --> 0:32:35.800
<v Speaker 4>And I've never yes, I usually don't even get to

0:32:35.800 --> 0:32:36.360
<v Speaker 4>meet the person there.

0:32:36.400 --> 0:32:38.120
<v Speaker 18>Yeah, sometimes you don't even to me meet them.

0:32:38.240 --> 0:32:40.560
<v Speaker 7>And the fact cause actually so I made that happen

0:32:40.720 --> 0:32:43.920
<v Speaker 7>because oh go girl. I heard that she doesn't meet

0:32:44.160 --> 0:32:48.200
<v Speaker 7>opener sometimes and her mean greets are not very big, okay,

0:32:48.280 --> 0:32:49.400
<v Speaker 7>So I was like, how can I meet you? And

0:32:49.360 --> 0:32:52.560
<v Speaker 7>I'm I'm literally opening for the queen and I need

0:32:52.600 --> 0:32:56.080
<v Speaker 7>to meet her. So I side note when I play

0:32:56.120 --> 0:32:57.280
<v Speaker 7>the bagpipes.

0:32:56.840 --> 0:33:00.880
<v Speaker 18>Oh I know, and I've got to I have so

0:33:00.880 --> 0:33:02.200
<v Speaker 18>many questions about bagpipes.

0:33:02.440 --> 0:33:04.840
<v Speaker 7>So I was like, other than that, like, she's not

0:33:04.880 --> 0:33:06.720
<v Speaker 7>gonna care who I am, So what if I played

0:33:06.760 --> 0:33:08.280
<v Speaker 7>bagpipes to one of her songs?

0:33:08.480 --> 0:33:09.280
<v Speaker 4>So you learned it?

0:33:09.400 --> 0:33:12.000
<v Speaker 7>So that morning in the hotel, I learned any Man

0:33:12.000 --> 0:33:13.000
<v Speaker 7>of Mine on bagpipes.

0:33:13.760 --> 0:33:15.000
<v Speaker 4>I have like my electric bagpipe.

0:33:15.040 --> 0:33:17.880
<v Speaker 7>So I sent her manager a video of me playing

0:33:17.920 --> 0:33:20.000
<v Speaker 7>it and she was like, yeah, she loves it, so

0:33:20.320 --> 0:33:22.360
<v Speaker 7>should I approved. And then when I was about to

0:33:22.360 --> 0:33:24.360
<v Speaker 7>go on stage with her, I was like, you know,

0:33:24.480 --> 0:33:26.000
<v Speaker 7>do you guys play it in the same key like

0:33:26.040 --> 0:33:27.680
<v Speaker 7>I need to make They're like, no, you' you're not

0:33:27.720 --> 0:33:29.160
<v Speaker 7>really going to play it, Like she's just gonna talk

0:33:29.200 --> 0:33:30.400
<v Speaker 7>to you and you'll play it for like two seconds.

0:33:30.400 --> 0:33:31.800
<v Speaker 4>You're not going to play with the band.

0:33:32.160 --> 0:33:34.360
<v Speaker 7>I had in ears, but I didn't hear the count

0:33:34.400 --> 0:33:36.800
<v Speaker 7>in of them actually joining me. So I did the

0:33:36.800 --> 0:33:38.520
<v Speaker 7>beginning of any Man of Mine, and then the whole

0:33:38.560 --> 0:33:41.200
<v Speaker 7>band came in in a different key because I did

0:33:41.200 --> 0:33:44.040
<v Speaker 7>an album key, and so she talked to me in

0:33:44.080 --> 0:33:45.080
<v Speaker 7>my ear and she's like.

0:33:45.360 --> 0:33:46.120
<v Speaker 2>That's the row gate.

0:33:46.240 --> 0:33:49.239
<v Speaker 7>Go figure out what key we're in, Shan I did, yeah,

0:33:49.280 --> 0:33:51.720
<v Speaker 7>And I was like I specifically asked if you guys

0:33:51.720 --> 0:33:53.600
<v Speaker 7>played it in this key and they're like, no, don't

0:33:53.600 --> 0:33:54.239
<v Speaker 7>worry about it.

0:33:54.760 --> 0:33:56.960
<v Speaker 8>Hey, it's Mike Dy and this week a Movie Mike's

0:33:56.960 --> 0:34:00.480
<v Speaker 8>Movie Podcast. Kelsey and I recently rewatched all a Harry

0:34:00.560 --> 0:34:03.600
<v Speaker 8>Potter movies. I reranked them from my least favorite to

0:34:03.640 --> 0:34:06.640
<v Speaker 8>my most favorite. We got into a big discussion and

0:34:06.680 --> 0:34:09.960
<v Speaker 8>heated debate on a death in the Harry Potter franchise

0:34:10.000 --> 0:34:12.319
<v Speaker 8>that I thought was a little bit overrated. So a

0:34:12.440 --> 0:34:15.960
<v Speaker 8>small spoiler warning. Even though the last movie came out

0:34:16.000 --> 0:34:18.239
<v Speaker 8>now over ten years ago, and I think if you

0:34:18.360 --> 0:34:21.600
<v Speaker 8>haven't seen any of the Harry Potter movies by this point,

0:34:21.760 --> 0:34:23.960
<v Speaker 8>you're probably not going to. But we do get into

0:34:24.040 --> 0:34:27.480
<v Speaker 8>all the details as far as the endings of the deaths,

0:34:27.480 --> 0:34:29.840
<v Speaker 8>because in order to do this episode, you have to

0:34:29.880 --> 0:34:32.080
<v Speaker 8>talk about it all. So here's just a little bit

0:34:32.080 --> 0:34:33.640
<v Speaker 8>of the episode, but be sure to check out the

0:34:33.760 --> 0:34:39.440
<v Speaker 8>entire thing on Movie Mike's Movie Podcast. At number four,

0:34:39.560 --> 0:34:43.120
<v Speaker 8>I have from twenty ten Deathly Hallow's Part one, directed

0:34:43.120 --> 0:34:46.279
<v Speaker 8>by David Yates. This one sets the stage and it

0:34:46.320 --> 0:34:47.560
<v Speaker 8>went up on my list.

0:34:47.640 --> 0:34:49.560
<v Speaker 19>I was gonna say, you weren't the biggest deathly hell.

0:34:49.800 --> 0:34:52.879
<v Speaker 8>No, and I think it's because when we do rewatch them,

0:34:53.360 --> 0:34:56.719
<v Speaker 8>we don't typically rewatch the last two, maybe because they

0:34:56.760 --> 0:34:59.920
<v Speaker 8>are heavier. Maybe it's because the conclusion of the story.

0:35:00.040 --> 0:35:02.680
<v Speaker 8>It's not one that I think, like, hey, let's put

0:35:02.719 --> 0:35:04.120
<v Speaker 8>that one on the way.

0:35:04.040 --> 0:35:05.239
<v Speaker 19>Light, family friendly film.

0:35:05.280 --> 0:35:07.799
<v Speaker 8>But the way we rewatched them all and where I

0:35:07.840 --> 0:35:10.960
<v Speaker 8>was able to see it build up towards the end

0:35:11.360 --> 0:35:14.560
<v Speaker 8>and like really find out the true story, I almost

0:35:14.600 --> 0:35:17.080
<v Speaker 8>feel like for the first time again because it's been

0:35:17.080 --> 0:35:19.120
<v Speaker 8>a while since we sat down and rewatched them all.

0:35:19.200 --> 0:35:21.239
<v Speaker 19>Now, imagine like having to wait a year even though

0:35:21.239 --> 0:35:21.719
<v Speaker 19>I'd read the.

0:35:21.680 --> 0:35:22.719
<v Speaker 2>Book, I couldn't do it.

0:35:23.719 --> 0:35:27.719
<v Speaker 8>Like I put myself in that position of when these

0:35:27.760 --> 0:35:30.720
<v Speaker 8>movies came out and thinking like going to a theater

0:35:30.920 --> 0:35:33.600
<v Speaker 8>and not knowing what was going to happen, even though

0:35:33.640 --> 0:35:34.960
<v Speaker 8>you probably read the book, you knew what was going

0:35:35.000 --> 0:35:38.520
<v Speaker 8>to happen, but that level of excitement had to be wild.

0:35:39.040 --> 0:35:41.160
<v Speaker 19>Oh it was unmatched.

0:35:41.440 --> 0:35:44.560
<v Speaker 8>So that one went up, and at number three, this

0:35:44.640 --> 0:35:46.919
<v Speaker 8>one also went up, and I put them together. It's

0:35:46.960 --> 0:35:49.840
<v Speaker 8>deathly Hollo's Part two from twenty eleven, the conclusion to

0:35:49.880 --> 0:35:53.360
<v Speaker 8>all of it. I don't remember the scene whenever Harry

0:35:53.400 --> 0:35:56.280
<v Speaker 8>finds out the whole story of how it all connects

0:35:56.719 --> 0:35:59.560
<v Speaker 8>and with Snape, Oh yeah, yeah. They go to the

0:35:59.600 --> 0:36:02.640
<v Speaker 8>big position of what does he dips his head in

0:36:02.719 --> 0:36:07.000
<v Speaker 8>like that water thing, like that fountain, and then he's

0:36:07.040 --> 0:36:08.440
<v Speaker 8>able to like do well.

0:36:08.280 --> 0:36:12.239
<v Speaker 19>Harry dips his head in the water and sees he

0:36:12.320 --> 0:36:13.920
<v Speaker 19>puts like Snape's tears.

0:36:14.400 --> 0:36:17.440
<v Speaker 2>That's what it was, his head that was sad.

0:36:17.560 --> 0:36:20.480
<v Speaker 19>Sees all of Dumbledore telling Snape like you must be

0:36:20.520 --> 0:36:22.160
<v Speaker 19>the one to kill me, and how Snape, like all

0:36:22.200 --> 0:36:24.360
<v Speaker 19>along is tried to protect Harry and he wasn't the

0:36:24.400 --> 0:36:27.200
<v Speaker 19>bad guy. I remember reading that.

0:36:28.760 --> 0:36:30.040
<v Speaker 4>And my mind was blown.

0:36:30.239 --> 0:36:31.160
<v Speaker 2>Life was changed.

0:36:31.239 --> 0:36:33.000
<v Speaker 19>I was like, oh my god, he wasn't the bad

0:36:33.040 --> 0:36:35.799
<v Speaker 19>guy because in the books it's the same, Like you

0:36:35.880 --> 0:36:39.279
<v Speaker 19>think for six books that Snape hates Harry and that

0:36:39.360 --> 0:36:42.160
<v Speaker 19>he's responsible for Dumbledore's death. You think that and then

0:36:42.239 --> 0:36:44.640
<v Speaker 19>like you find out in the book truly changed me.

0:36:45.120 --> 0:36:49.120
<v Speaker 8>And the fact that Voldemort has been a part of him,

0:36:49.320 --> 0:36:53.040
<v Speaker 8>like he lives inside of him, that whole connection of

0:36:53.200 --> 0:36:55.959
<v Speaker 8>when he what happened when he tried to kill him,

0:36:56.600 --> 0:36:58.800
<v Speaker 8>and it just for the first time I was able

0:36:58.840 --> 0:37:00.160
<v Speaker 8>to like really connect.

0:36:59.760 --> 0:37:01.759
<v Speaker 2>It all and feel the gravity of it.

0:37:01.760 --> 0:37:05.799
<v Speaker 8>And think, oh, like how well designed this story was

0:37:05.880 --> 0:37:09.480
<v Speaker 8>and all the pieces that ended up connecting. This is

0:37:09.520 --> 0:37:12.400
<v Speaker 8>the only movie franchise that I feel wraps up perfectly

0:37:12.480 --> 0:37:14.720
<v Speaker 8>because I guess because it is based on the book.

0:37:15.000 --> 0:37:18.080
<v Speaker 8>But there was nothing, no questions unanswered, there was no

0:37:18.160 --> 0:37:20.640
<v Speaker 8>emotions that you were lacking.

0:37:20.880 --> 0:37:22.799
<v Speaker 19>It had it all Yeah, And then they give you

0:37:22.840 --> 0:37:26.279
<v Speaker 19>the scene in like twenty years when everyone's like married

0:37:26.360 --> 0:37:27.480
<v Speaker 19>and has their own kids going to.

0:37:27.440 --> 0:37:28.799
<v Speaker 2>Out that hits you emotionally.

0:37:28.960 --> 0:37:32.920
<v Speaker 8>I also love whenever they go into whatever that white

0:37:32.920 --> 0:37:37.759
<v Speaker 8>space is wherever he sees him again Dumbledore again and

0:37:37.840 --> 0:37:39.880
<v Speaker 8>he like you think he's dead, but then he's not

0:37:39.920 --> 0:37:42.920
<v Speaker 8>really dead. Then he comes back to live long Bottom

0:37:42.960 --> 0:37:46.880
<v Speaker 8>has his moment where he shines. So there are so

0:37:47.680 --> 0:37:52.080
<v Speaker 8>many great conclusions for different characters in this final movie

0:37:52.600 --> 0:37:54.520
<v Speaker 8>that I found myself loving it more and now I

0:37:54.520 --> 0:37:56.319
<v Speaker 8>feel like I could just go back and watch part

0:37:56.320 --> 0:37:59.319
<v Speaker 8>two and enjoy it and feel like, oh yeah, that

0:37:59.400 --> 0:37:59.640
<v Speaker 8>is one.

0:37:59.680 --> 0:38:01.600
<v Speaker 2>Now I want to go back and rewatch. That is

0:38:01.600 --> 0:38:02.200
<v Speaker 2>why I have it.

0:38:02.120 --> 0:38:05.520
<v Speaker 8>At number three now, but at number two has stayed

0:38:05.560 --> 0:38:10.239
<v Speaker 8>here pretty steadily. I'd say before Chamber of Secrets was

0:38:10.280 --> 0:38:12.680
<v Speaker 8>in that number two spot forever. I just love those

0:38:13.520 --> 0:38:16.600
<v Speaker 8>so much, but it's Prisoner of Azkaban came out in

0:38:16.640 --> 0:38:20.560
<v Speaker 8>two thousand and four. The inter we've watched this one,

0:38:20.560 --> 0:38:21.680
<v Speaker 8>I feel like the most.

0:38:21.560 --> 0:38:25.080
<v Speaker 19>Because we've seen it anytime it's on TV. And then

0:38:25.200 --> 0:38:27.640
<v Speaker 19>we did one of our outdoor movie nights. They showed

0:38:27.680 --> 0:38:28.280
<v Speaker 19>that one.

0:38:28.560 --> 0:38:31.080
<v Speaker 8>And this one. It's pretty It has a lot of

0:38:31.160 --> 0:38:34.320
<v Speaker 8>vivid memories. Obviously the introduction of serious.

0:38:33.920 --> 0:38:38.120
<v Speaker 19>Black Hermione has the like time travel thing. It's the

0:38:38.160 --> 0:38:41.560
<v Speaker 19>first one where they look more like great older they

0:38:41.560 --> 0:38:42.880
<v Speaker 19>don't look like tiny kids.

0:38:42.960 --> 0:38:45.359
<v Speaker 8>There are streat children in the first two, but this

0:38:45.400 --> 0:38:46.880
<v Speaker 8>one they get older.

0:38:46.680 --> 0:38:48.839
<v Speaker 4>And it starts to get a little darker.

0:38:49.600 --> 0:38:50.120
<v Speaker 11>The tone.

0:38:50.800 --> 0:38:54.879
<v Speaker 8>The bus scene at the beginning, yes, which I think

0:38:54.960 --> 0:38:57.399
<v Speaker 8>is the most iconic, one of the most iconic things

0:38:57.400 --> 0:38:58.080
<v Speaker 8>out of all.

0:38:57.920 --> 0:38:59.680
<v Speaker 2>Of these movies, the double ducker bus.

0:38:59.760 --> 0:39:04.200
<v Speaker 8>That is very memorable and overall has just become one

0:39:04.680 --> 0:39:08.239
<v Speaker 8>that I feel is a really good centerpiece of the

0:39:08.360 --> 0:39:11.680
<v Speaker 8>entire story. And I think it's the fact that we

0:39:11.719 --> 0:39:14.760
<v Speaker 8>have rewatched it so much that it has great rewatchability.

0:39:15.280 --> 0:39:17.719
<v Speaker 8>It has crept up into my number two slot all right,

0:39:17.920 --> 0:39:20.960
<v Speaker 8>and at number one. Sorcerer's Stone two thousand and one,

0:39:21.080 --> 0:39:25.400
<v Speaker 8>Chris Columbus I just feel that this one embodies everything.

0:39:25.040 --> 0:39:26.360
<v Speaker 2>That I love about Harry Potter.

0:39:26.480 --> 0:39:27.560
<v Speaker 12>I had it on VHS.

0:39:27.920 --> 0:39:28.800
<v Speaker 2>That is amazing.

0:39:29.200 --> 0:39:33.560
<v Speaker 8>I wish, but it's I hate to pick the first

0:39:33.600 --> 0:39:37.319
<v Speaker 8>one in a franchise because which you don't normally I

0:39:37.400 --> 0:39:40.839
<v Speaker 8>don't because I feel like the first one is still

0:39:40.880 --> 0:39:44.440
<v Speaker 8>setting the stage, but this one sets the stags.

0:39:44.560 --> 0:39:48.040
<v Speaker 2>The best of him not knowing is a wizard Haggard

0:39:48.920 --> 0:39:50.080
<v Speaker 2>Haggard coming. Yeah.

0:39:50.200 --> 0:39:55.160
<v Speaker 8>The best line, that whole interaction with all them trying

0:39:55.160 --> 0:39:57.160
<v Speaker 8>to get the notes to him, the mail to him

0:39:57.440 --> 0:40:00.600
<v Speaker 8>post doesn't come on Sunday, him living beneath the stairs,

0:40:00.760 --> 0:40:04.640
<v Speaker 8>them leaving and then still finding them and him finding

0:40:04.680 --> 0:40:06.080
<v Speaker 8>out about the platform nine to.

0:40:06.120 --> 0:40:09.080
<v Speaker 2>Three quarter like they're just is the best. Yeah.

0:40:09.760 --> 0:40:13.279
<v Speaker 8>And it also the reason we associate these movies, at

0:40:13.320 --> 0:40:16.279
<v Speaker 8>least for us, with Christmas time is because there is

0:40:16.360 --> 0:40:20.200
<v Speaker 8>Christmas in this one, Happy Christmas Harry, and it just

0:40:20.320 --> 0:40:23.600
<v Speaker 8>has like that warm, cozy vibe that even though it's

0:40:23.600 --> 0:40:27.920
<v Speaker 8>not a Christmas movie. I think that's why anytime November

0:40:27.920 --> 0:40:31.440
<v Speaker 8>December roll around, I want to rewatch these movies. And

0:40:31.520 --> 0:40:34.640
<v Speaker 8>I also feel this was the first time that you're

0:40:34.680 --> 0:40:37.960
<v Speaker 8>introduced to not knowing whether Snape is a good or

0:40:38.000 --> 0:40:38.480
<v Speaker 8>a bad guy.

0:40:38.520 --> 0:40:40.440
<v Speaker 2>You think he's the bad guy the entire time. You

0:40:40.440 --> 0:40:41.759
<v Speaker 2>think he's the bad guy for six movies.

0:40:41.800 --> 0:40:43.200
<v Speaker 8>Yeah, but this is the one where like, oh, he's

0:40:43.239 --> 0:40:44.879
<v Speaker 8>the bad guy. He's doing it, he's the one messing

0:40:44.960 --> 0:40:45.640
<v Speaker 8>up the quidditge man.

0:40:45.719 --> 0:40:48.400
<v Speaker 19>Oh yeah, yeah, when he's doing the curse and it

0:40:48.440 --> 0:40:51.239
<v Speaker 19>turns out it's Quirrel and Snape's like trying to counteract it,

0:40:51.320 --> 0:40:53.920
<v Speaker 19>and Hermione sets Snape's robes on fire.

0:40:54.760 --> 0:40:58.200
<v Speaker 8>So I think nothing will ever knock this one out

0:40:58.200 --> 0:41:01.440
<v Speaker 8>of being my favorite Harry Potter movie. It has everything

0:41:01.480 --> 0:41:04.799
<v Speaker 8>I want from every single character, and to me, it

0:41:04.920 --> 0:41:08.200
<v Speaker 8>just feels the most magical and I feel kind of

0:41:08.200 --> 0:41:18.560
<v Speaker 8>like a kid again whenever you watched this movie.

0:41:19.560 --> 0:41:21.600
<v Speaker 11>Thanks for listening to this week's Sunday Sampler.

0:41:21.880 --> 0:41:25.120
<v Speaker 1>If any of those clips tickled your fancy, go and

0:41:25.200 --> 0:41:26.160
<v Speaker 1>check out the episode.

0:41:26.200 --> 0:41:28.239
<v Speaker 12>Subscribe to the podcast. That would be great, That would

0:41:28.239 --> 0:41:28.640
<v Speaker 12>help us.

0:41:28.960 --> 0:41:31.680
<v Speaker 1>Maybe you liked the podcast The Bobby Cast Four Things

0:41:31.719 --> 0:41:36.160
<v Speaker 1>with Amy Brown, Sore Losers, movie Mike Caroline Hobby, doctor

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<v Speaker 1>Josie Morgan got her podcast Take this Personally.

0:41:39.680 --> 0:41:40.359
<v Speaker 2>All are up there.

0:41:40.640 --> 0:41:43.040
<v Speaker 1>Subscribe if you don't mind check them out thank you guys,

0:41:43.160 --> 0:41:44.399
<v Speaker 1>and we will see you next week.