WEBVTT - Aliens with Andrew Ti

0:00:00.720 --> 0:00:03.680
<v Speaker 1>On the Bell Cast, the questions asked if movies have

0:00:03.840 --> 0:00:07.720
<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

0:00:07.800 --> 0:00:12.160
<v Speaker 1>or do they have individualism? The patriarchy? Zef and best

0:00:12.560 --> 0:00:16.159
<v Speaker 1>start changing it with the beck Del Cast. Hello, and

0:00:16.160 --> 0:00:18.400
<v Speaker 1>welcome to the Bechdel Cast. My name is Caitlin Darante.

0:00:18.520 --> 0:00:21.200
<v Speaker 1>My name is Jamie Loftus, and we talk about the

0:00:21.239 --> 0:00:24.000
<v Speaker 1>portrayal of women in movies on our podcast. Yeah, we

0:00:24.040 --> 0:00:26.640
<v Speaker 1>do every week, every freaking week. How many weeks? Now?

0:00:27.520 --> 0:00:32.000
<v Speaker 1>So many? I'm like coming into this episode worried, how come?

0:00:32.440 --> 0:00:36.839
<v Speaker 1>Because we're in a genre that I hate, and so

0:00:36.920 --> 0:00:40.599
<v Speaker 1>I'm skewed. I see, we're in my least favorite genre.

0:00:41.159 --> 0:00:45.400
<v Speaker 1>I'm I'm sorry, real negat Well, um, we're in I

0:00:45.440 --> 0:00:49.800
<v Speaker 1>would say, my favorite genre. So can we even be friends? No?

0:00:49.960 --> 0:00:52.920
<v Speaker 1>After this? No? No, But but we should be because

0:00:53.000 --> 0:00:55.600
<v Speaker 1>this is our I mean, I think, our our our

0:00:55.680 --> 0:01:02.880
<v Speaker 1>best director and have one very big Jim Cameron joint

0:01:02.920 --> 0:01:06.399
<v Speaker 1>that we love and appreciate very much. Um that being,

0:01:06.480 --> 0:01:12.679
<v Speaker 1>of course Ghosts of the Abyss. Honestly, James Cameron. The

0:01:12.680 --> 0:01:14.959
<v Speaker 1>thing with James Cameron, he should have just been an

0:01:15.000 --> 0:01:18.800
<v Speaker 1>oceanographer and saved us all sometime I disagree because he's

0:01:18.800 --> 0:01:22.160
<v Speaker 1>directed a lot of movies that I deeply love. What

0:01:22.440 --> 0:01:27.240
<v Speaker 1>movie is he not submerged in? Is he submerged? Terminator? Terminator? Two?

0:01:27.480 --> 0:01:30.440
<v Speaker 1>Does a terminator not swim? I do not believe he

0:01:30.480 --> 0:01:35.000
<v Speaker 1>would short. Oh wait, because he's a robot. Yeah, he's

0:01:35.120 --> 0:01:38.200
<v Speaker 1>one zeros. I like robots right now, Well that you

0:01:38.280 --> 0:01:40.120
<v Speaker 1>got one in the movie we're talking about today. I

0:01:40.240 --> 0:01:43.759
<v Speaker 1>know he is a man, though, and that means this

0:01:43.800 --> 0:01:47.440
<v Speaker 1>conversation did not pass the Bechtel test. Hey wow, that

0:01:47.600 --> 0:01:50.559
<v Speaker 1>was actually a very great transition. Thank you so much so.

0:01:51.040 --> 0:01:53.720
<v Speaker 1>On the Bechtel Cast we discuss, as I said, the

0:01:53.800 --> 0:01:56.840
<v Speaker 1>portrayal of women in movies. We use the Bectel test

0:01:56.960 --> 0:02:00.480
<v Speaker 1>as a jumping off point to initiate a larger versation

0:02:01.080 --> 0:02:04.480
<v Speaker 1>about the portrayal of women. The Becto test being for

0:02:04.640 --> 0:02:09.400
<v Speaker 1>us to female identifying characters have to have names, they

0:02:09.400 --> 0:02:12.040
<v Speaker 1>have to speak to each other, and their conversation cannot

0:02:12.080 --> 0:02:15.239
<v Speaker 1>be about a man. Right, Can we beta test it

0:02:15.280 --> 0:02:17.280
<v Speaker 1>really quick? I have I have a thought I'd like

0:02:17.360 --> 0:02:19.480
<v Speaker 1>to express, and I think it passes the Bechdel test.

0:02:19.560 --> 0:02:21.519
<v Speaker 1>But you know, it's sort of it gets a little

0:02:21.600 --> 0:02:26.000
<v Speaker 1>murky at Hey, Caitlin, Hey Jamie, I think the Deadpool

0:02:26.240 --> 0:02:29.120
<v Speaker 1>too is for losers. You know what, Jamie, And I

0:02:29.160 --> 0:02:31.240
<v Speaker 1>won't go I see what you're saying, and I think

0:02:31.280 --> 0:02:34.520
<v Speaker 1>this already does not pass the Bechdel tests because Deadpool

0:02:34.680 --> 0:02:36.880
<v Speaker 1>is But I'm not talking I'm talking about the movie.

0:02:37.160 --> 0:02:38.960
<v Speaker 1>I'm not talking about the guy. Well. I mean, you

0:02:39.000 --> 0:02:42.200
<v Speaker 1>can't talk about Deadpool the movie without recognizing that it's

0:02:42.200 --> 0:02:46.280
<v Speaker 1>about Deadpool, the character who is male identifying Deadpool two

0:02:46.360 --> 0:02:49.079
<v Speaker 1>is for losers. And I'm not going to go. Well, Um,

0:02:49.240 --> 0:02:52.519
<v Speaker 1>t J. Miller, isn't it? And he can fuck right off,

0:02:52.520 --> 0:02:55.640
<v Speaker 1>He can funk right off, but he won't. He will not.

0:02:55.800 --> 0:02:58.799
<v Speaker 1>He never will anyway. So um, that was not necessarily

0:02:58.840 --> 0:03:01.320
<v Speaker 1>the best example of a conversation passing the back door

0:03:01.480 --> 0:03:04.959
<v Speaker 1>test example of discourse, It sure was. I agree. Hey,

0:03:05.040 --> 0:03:09.960
<v Speaker 1>let's introduce our guests. He is the host of the

0:03:10.200 --> 0:03:15.160
<v Speaker 1>great podcast. Yo? Is this racist? Ander? T O? Hi? Hi,

0:03:15.600 --> 0:03:17.720
<v Speaker 1>thanks for being here, Thanks for having me. So you

0:03:17.760 --> 0:03:22.799
<v Speaker 1>brought us aliens. Wow, I feel like it got brought

0:03:22.840 --> 0:03:27.400
<v Speaker 1>to all of us. Let's not. It got hatched for us,

0:03:27.760 --> 0:03:30.800
<v Speaker 1>got hatched from an egg and then implanted into our

0:03:30.880 --> 0:03:35.680
<v Speaker 1>chest cavities for business for Yeah, for capitalism for business,

0:03:35.880 --> 0:03:39.080
<v Speaker 1>business bads as this movie. So that's cool. We have

0:03:39.240 --> 0:03:43.120
<v Speaker 1>done the movie Alien on this podcast already with guests

0:03:43.120 --> 0:03:45.720
<v Speaker 1>Eliza Skinner. I went back and re listened to that episode.

0:03:45.760 --> 0:03:49.160
<v Speaker 1>It is one of our grosser episodes, and that we

0:03:49.360 --> 0:03:54.640
<v Speaker 1>spend almost the entire time talking about either jizz or jizz,

0:03:54.640 --> 0:03:58.920
<v Speaker 1>blood or vaginal flaps. Can we can we unpack that

0:03:58.960 --> 0:04:00.800
<v Speaker 1>a little bit? Why do you think just just blood

0:04:00.800 --> 0:04:03.240
<v Speaker 1>and vaginal flaps are gross? I think that's actually like

0:04:03.240 --> 0:04:05.800
<v Speaker 1>a beautiful thing. Well, is a good point in part

0:04:05.840 --> 0:04:09.080
<v Speaker 1>of the human experience? My bad? Um? I just I

0:04:09.080 --> 0:04:12.560
<v Speaker 1>guess I suppose the language we were using was invoking

0:04:12.680 --> 0:04:18.320
<v Speaker 1>some imagery that might flaps be considered unpleasant flaps. Yeah,

0:04:18.600 --> 0:04:20.440
<v Speaker 1>I would like to talk about I wasn't going to

0:04:20.520 --> 0:04:22.320
<v Speaker 1>talk about I didn't have any flaps in my notes.

0:04:22.400 --> 0:04:26.320
<v Speaker 1>But maybe that's because we've just grown over the next year. Well,

0:04:26.400 --> 0:04:28.800
<v Speaker 1>that's the other thing about that episode is that there

0:04:28.880 --> 0:04:32.520
<v Speaker 1>wasn't a whole lot of discourse that we had necessarily right.

0:04:32.560 --> 0:04:34.680
<v Speaker 1>But I think this episode is going to be different.

0:04:34.920 --> 0:04:38.480
<v Speaker 1>It's going to be so discourse heavy that are our

0:04:38.480 --> 0:04:42.839
<v Speaker 1>flaps will come on? Our flaps will start kidding. There's

0:04:42.880 --> 0:04:45.880
<v Speaker 1>a there's a lot more direct flap imagery in this

0:04:45.920 --> 0:04:49.640
<v Speaker 1>movie than in Alien, I believe. I think this was like, well,

0:04:49.720 --> 0:04:52.440
<v Speaker 1>I guess that's more of everything. There's more of every

0:04:52.560 --> 0:04:56.760
<v Speaker 1>every gross thing. That's the plural. Yeah, yeah, yeah, yeah,

0:04:56.800 --> 0:05:00.520
<v Speaker 1>it's it's it's all of them. Um. So, Andrew, what's

0:05:00.560 --> 0:05:04.799
<v Speaker 1>your history your relationship to Aliens? Just aliens in general,

0:05:04.839 --> 0:05:08.280
<v Speaker 1>not the movie? Oh good, well, I guess I had

0:05:08.320 --> 0:05:12.560
<v Speaker 1>my first encounter. Aliens is probably a movie that I

0:05:12.920 --> 0:05:21.440
<v Speaker 1>mostly saw in pieces in edited on TNT. Probably did

0:05:21.480 --> 0:05:25.920
<v Speaker 1>they edit out the flaps? They must have, you know,

0:05:26.040 --> 0:05:29.080
<v Speaker 1>But I think I think the thing, I think if

0:05:29.120 --> 0:05:33.640
<v Speaker 1>you edit out any of the like over alien vagina imagery,

0:05:33.920 --> 0:05:36.559
<v Speaker 1>you have to edit it like like it is actually

0:05:36.640 --> 0:05:39.360
<v Speaker 1>really hard to draw the line. It's like, oh this

0:05:39.440 --> 0:05:41.800
<v Speaker 1>is too much. Well then how come the last thing

0:05:41.839 --> 0:05:44.160
<v Speaker 1>wasn't too much? And then I don't think you could

0:05:44.200 --> 0:05:47.640
<v Speaker 1>have a movie, because the whole point is Dixon Vagina's right.

0:05:47.960 --> 0:05:51.599
<v Speaker 1>I mean, the vagina monster is a is a tale

0:05:51.600 --> 0:05:55.640
<v Speaker 1>as old as time, of course, but you see, you

0:05:55.760 --> 0:05:58.160
<v Speaker 1>can't help but look at the vagina monsters and all

0:05:58.160 --> 0:06:00.640
<v Speaker 1>these James Cameer movies and be like poorcast from Bigelow.

0:06:03.200 --> 0:06:06.000
<v Speaker 1>Wait all these Yeah, I think this might be the

0:06:06.000 --> 0:06:09.680
<v Speaker 1>only one. There's no two the well, both alien movies

0:06:09.720 --> 0:06:12.120
<v Speaker 1>are flat heavy. But he had nothing to do with

0:06:12.160 --> 0:06:14.400
<v Speaker 1>the first one. He didn't know. I have to go

0:06:15.960 --> 0:06:20.240
<v Speaker 1>or the third one? Right, and that's also the most

0:06:20.279 --> 0:06:23.760
<v Speaker 1>underwater one. So are just all our narratives? No? The

0:06:23.920 --> 0:06:28.600
<v Speaker 1>fourth one is, yeah, they swim through a big room

0:06:28.640 --> 0:06:31.760
<v Speaker 1>full of watered Winona writers. There. That's right, Oh, you're right,

0:06:31.800 --> 0:06:34.440
<v Speaker 1>it is for Yeah. I have since seen all of

0:06:34.480 --> 0:06:40.480
<v Speaker 1>the except minus any of the Alien Versus Predator. I

0:06:40.520 --> 0:06:44.239
<v Speaker 1>have not seen those, but those are to be totally honest,

0:06:44.800 --> 0:06:47.400
<v Speaker 1>as far as these movies go, probably the best ones.

0:06:47.920 --> 0:06:50.840
<v Speaker 1>They're the ones that absolutely know what they are. They

0:06:51.360 --> 0:06:54.680
<v Speaker 1>do exactly what they promise. They do not think they're

0:06:54.720 --> 0:06:57.720
<v Speaker 1>smarter than they are. I'm deadly serious. Any of the

0:06:57.760 --> 0:07:00.000
<v Speaker 1>Alien Versus Predators are better than any of the Alien

0:07:00.000 --> 0:07:02.200
<v Speaker 1>in movies or any of the product or movies. Wow,

0:07:03.920 --> 0:07:05.480
<v Speaker 1>well you know what, I'm gonna argue with you a

0:07:05.520 --> 0:07:07.240
<v Speaker 1>little bit on that one. I have not seen any

0:07:07.240 --> 0:07:10.560
<v Speaker 1>of the A B movies, but um, I mean I

0:07:10.600 --> 0:07:12.920
<v Speaker 1>really like alien and I really like aliens and that's

0:07:13.160 --> 0:07:16.000
<v Speaker 1>where it stops from. So, Jamie, you said that you

0:07:16.040 --> 0:07:19.440
<v Speaker 1>don't like this genre. I like this genre a lot,

0:07:19.520 --> 0:07:22.440
<v Speaker 1>and I especially like aliens. And I didn't really grow

0:07:22.520 --> 0:07:24.080
<v Speaker 1>up with this movie. I don't think it's not until

0:07:24.680 --> 0:07:27.640
<v Speaker 1>somewhere in my twenties. Yeah, yeah, same, sorry to finish

0:07:27.680 --> 0:07:30.600
<v Speaker 1>my history. Yeah no, no, that's it. You just reminded me.

0:07:30.640 --> 0:07:32.520
<v Speaker 1>It's like I watched parts of it a lot as

0:07:32.520 --> 0:07:34.360
<v Speaker 1>a kid, and then I think I must have watched

0:07:34.360 --> 0:07:36.720
<v Speaker 1>the whole thing. I don't know, hungover in my twenties

0:07:36.760 --> 0:07:38.440
<v Speaker 1>at some point. I don't know, it is kind of

0:07:38.440 --> 0:07:41.320
<v Speaker 1>a hangover movie. Yeah, And that it's a little to

0:07:42.160 --> 0:07:46.920
<v Speaker 1>twenty minutes long, and that Bradi Cooper and Zachal in

0:07:47.000 --> 0:07:52.320
<v Speaker 1>it carrying around a baby. I might as well. I mean,

0:07:52.400 --> 0:07:56.080
<v Speaker 1>new is sort of baby that they're carrying. Yeah. There

0:07:56.120 --> 0:07:58.120
<v Speaker 1>were three different points where I was like, oh that

0:07:58.280 --> 0:08:00.120
<v Speaker 1>I like. In my notes, I wrote the climax to

0:08:00.200 --> 0:08:02.280
<v Speaker 1>the movie, and for three days I was like, when

0:08:02.400 --> 0:08:05.520
<v Speaker 1>is it going to Then there's just more of vagina

0:08:05.600 --> 0:08:08.240
<v Speaker 1>monsters in the next scene, and it's like, yes, Queen,

0:08:08.320 --> 0:08:10.920
<v Speaker 1>go off, or I want to go home, Like I

0:08:10.960 --> 0:08:13.000
<v Speaker 1>just I just I don't know, do you think it

0:08:13.040 --> 0:08:15.920
<v Speaker 1>was too long, or do you think we could have sorry,

0:08:16.000 --> 0:08:18.520
<v Speaker 1>like kept on going too long, or do you think

0:08:18.840 --> 0:08:22.120
<v Speaker 1>they just took way too much exposition at the top,

0:08:22.280 --> 0:08:25.080
<v Speaker 1>because that's where I was like the exposition was. It's

0:08:25.160 --> 0:08:28.480
<v Speaker 1>so slow. It's very slow. There's a lot of like

0:08:28.720 --> 0:08:31.320
<v Speaker 1>and fake outs. There's like a boring scene that is

0:08:31.360 --> 0:08:34.920
<v Speaker 1>a fake out where you're like the like the opening scene,

0:08:34.960 --> 0:08:37.560
<v Speaker 1>where're like, it's boring, and then briefly horror, and then

0:08:37.600 --> 0:08:42.600
<v Speaker 1>it was a what why? Who cares? Who cares? It's

0:08:42.720 --> 0:08:47.000
<v Speaker 1>establishing her mindset, the horror that she experienced. I think

0:08:47.080 --> 0:08:51.120
<v Speaker 1>it's there for a reason. It's just eighteen. You would

0:08:51.160 --> 0:08:54.760
<v Speaker 1>do that in literally under one second. She would look

0:08:54.760 --> 0:08:58.280
<v Speaker 1>at one photograph and then we'd be like, we get it. Yes,

0:08:58.360 --> 0:09:00.480
<v Speaker 1>this movie did come out in nineteen eighty six, which

0:09:00.520 --> 0:09:05.679
<v Speaker 1>is also the year I was born, so much so Jamie,

0:09:05.960 --> 0:09:08.640
<v Speaker 1>you saw it for the first time Saturday Saturday night,

0:09:08.800 --> 0:09:11.760
<v Speaker 1>did not like it. But it's like one of those

0:09:11.760 --> 0:09:14.000
<v Speaker 1>things where it's like I can recognize that this movie

0:09:14.320 --> 0:09:17.280
<v Speaker 1>succeeds on a lot of levels and also never want

0:09:17.280 --> 0:09:20.720
<v Speaker 1>to see it again. Sure, yeah, Well should I get

0:09:20.720 --> 0:09:24.160
<v Speaker 1>into the recap? Yeah? Recap Okay, let's recap. So the

0:09:24.240 --> 0:09:27.760
<v Speaker 1>story basically picks up where Alien leaves off, which is

0:09:27.840 --> 0:09:29.800
<v Speaker 1>where I forget what happens in the first one. At

0:09:29.840 --> 0:09:34.280
<v Speaker 1>the end of Alien, the alien has infiltrated the ship,

0:09:34.840 --> 0:09:38.360
<v Speaker 1>killed everyone. The main frame, killed everyone on board except

0:09:38.360 --> 0:09:41.320
<v Speaker 1>for Ripley. She's the only survivor. She gets into and

0:09:41.520 --> 0:09:47.080
<v Speaker 1>Jonesy the cat queer icon I would say eight nippled icon.

0:09:47.760 --> 0:09:51.040
<v Speaker 1>Cat facts with Caitlin. Also, hey, wait, just real quick,

0:09:51.080 --> 0:09:55.560
<v Speaker 1>I I have learned another cat factor to what that's

0:09:55.600 --> 0:09:58.560
<v Speaker 1>not part of the bit. People have been really upset

0:09:58.600 --> 0:10:01.160
<v Speaker 1>that I only know the one cat. So here I

0:10:01.200 --> 0:10:04.200
<v Speaker 1>am proving to you all that I know that a

0:10:04.240 --> 0:10:09.199
<v Speaker 1>group of cats is called a clouder. That's fun rights

0:10:09.320 --> 0:10:14.520
<v Speaker 1>fun d cloud clouder. Oh that's pleasant. How did we

0:10:14.600 --> 0:10:16.840
<v Speaker 1>not know that? I don't know, but now you know.

0:10:17.040 --> 0:10:19.600
<v Speaker 1>And this is cat facts with Caitlin. Also, a cat

0:10:19.679 --> 0:10:23.280
<v Speaker 1>can jump up to six times its own length, and

0:10:24.200 --> 0:10:26.880
<v Speaker 1>cat owners are seventeen percent more likely to have a

0:10:26.920 --> 0:10:29.679
<v Speaker 1>graduate degree, which I think is a great transition into

0:10:30.440 --> 0:10:34.800
<v Speaker 1>my graduate degree, which I do have, a screenwriting Masters

0:10:34.880 --> 0:10:36.800
<v Speaker 1>from Boston University. I don't like to bring it up,

0:10:36.840 --> 0:10:41.680
<v Speaker 1>but the cat, uh not at this time, not right now,

0:10:41.840 --> 0:10:43.600
<v Speaker 1>but I have in the past and I will in

0:10:43.640 --> 0:10:47.240
<v Speaker 1>the future anyway. Okay, So the end of Alien is

0:10:47.360 --> 0:10:50.280
<v Speaker 1>Ripley is the only survivor. She gets into an escape pod,

0:10:50.679 --> 0:10:54.600
<v Speaker 1>objects the alien out into space, and then goes into hypersleep,

0:10:54.640 --> 0:10:57.200
<v Speaker 1>which is where this movie picks up. She has found

0:10:57.320 --> 0:11:00.480
<v Speaker 1>kind of just like floating around the universe, like, hey,

0:11:00.920 --> 0:11:03.040
<v Speaker 1>who are you? When what And she's like, oh, no,

0:11:03.360 --> 0:11:07.760
<v Speaker 1>I've been asleep for fifty seven years. That her daughter

0:11:08.080 --> 0:11:09.679
<v Speaker 1>that we didn't know she had in the first one.

0:11:09.720 --> 0:11:12.720
<v Speaker 1>I don't think. I think grew old and passed away,

0:11:12.960 --> 0:11:16.640
<v Speaker 1>which I will say, she does react to this. This

0:11:16.679 --> 0:11:19.439
<v Speaker 1>is part of the Ripley character that I find very interesting.

0:11:19.720 --> 0:11:25.440
<v Speaker 1>She's able to compartmentalize that devastating fact pretty efficiently, like

0:11:25.679 --> 0:11:27.680
<v Speaker 1>which I mean, we'll get into the more when we

0:11:27.679 --> 0:11:31.600
<v Speaker 1>discussed the character in depth. But she whip saws trauma

0:11:31.679 --> 0:11:33.920
<v Speaker 1>around a lot in these movies because a lot of

0:11:34.080 --> 0:11:39.200
<v Speaker 1>terrible ship happens to her, like incessantly. Nothing good ever

0:11:39.280 --> 0:11:44.000
<v Speaker 1>happens to her ever once she's cursed. But I was like,

0:11:44.000 --> 0:11:46.439
<v Speaker 1>amazing that, Like, you do see her react to it.

0:11:46.440 --> 0:11:48.280
<v Speaker 1>It's not like the movie ignores it, but then it

0:11:48.400 --> 0:11:50.480
<v Speaker 1>kind of In the next scene, she's like at a meeting,

0:11:50.920 --> 0:11:55.800
<v Speaker 1>I was like, whoa, Yes, she's like having bedridden for years,

0:11:56.880 --> 0:12:03.160
<v Speaker 1>she did have she had a dead daughter. Yes. In

0:12:03.200 --> 0:12:06.400
<v Speaker 1>the next scene, she's like giving a deposition of sorts

0:12:06.480 --> 0:12:11.480
<v Speaker 1>about this alien attack, basically recapping and doing a Ripley's

0:12:11.520 --> 0:12:16.240
<v Speaker 1>famous recap of the first Believe it or Not recap right,

0:12:17.200 --> 0:12:20.880
<v Speaker 1>believe that's the big No one believes her because they're not.

0:12:21.520 --> 0:12:25.000
<v Speaker 1>They're they're mad that she destroyed their expensive ship and

0:12:25.040 --> 0:12:29.200
<v Speaker 1>they demote her. She did. They made a big deal

0:12:29.240 --> 0:12:31.720
<v Speaker 1>about how that ship was a total ship hole in

0:12:31.760 --> 0:12:35.319
<v Speaker 1>the first who cares? And also what company fifty years

0:12:35.400 --> 0:12:37.240
<v Speaker 1>later would be like, We're really like, that's if some

0:12:37.440 --> 0:12:39.720
<v Speaker 1>if now someone was like that thing that happened in

0:12:39.720 --> 0:12:43.920
<v Speaker 1>the late sixties were still extremely salty about, like when

0:12:43.960 --> 0:12:46.600
<v Speaker 1>you crash my car. Fifty years when I quit my

0:12:46.679 --> 0:12:48.599
<v Speaker 1>last day job, I made sure to walk away with

0:12:48.640 --> 0:12:51.640
<v Speaker 1>an extremely powerful fan that I'd stolen from my office

0:12:51.760 --> 0:12:56.480
<v Speaker 1>from a set where I'm going to make fan out

0:12:56.520 --> 0:12:59.520
<v Speaker 1>of you carrying a large fan out of a fan

0:12:59.559 --> 0:13:03.040
<v Speaker 1>are a fan of fan? But then also, wow, I'm

0:13:03.080 --> 0:13:07.679
<v Speaker 1>holding a fan. I'm a big I'm a big I'm

0:13:07.720 --> 0:13:09.240
<v Speaker 1>a fan of fan, I'm a fan of the fan,

0:13:09.679 --> 0:13:12.000
<v Speaker 1>so it's really a triple fan kind of thing. Yeah,

0:13:12.040 --> 0:13:16.560
<v Speaker 1>I'm personally a fan of fan fan art. So nanis

0:13:18.640 --> 0:13:24.280
<v Speaker 1>anyway tidy coming out of yours. So they Ripley's believe

0:13:24.280 --> 0:13:26.240
<v Speaker 1>it or not. They do not believe it. They do

0:13:26.280 --> 0:13:30.760
<v Speaker 1>not until they learn of an alien attack on the

0:13:30.800 --> 0:13:33.560
<v Speaker 1>same planet that they had like honed in on the

0:13:33.559 --> 0:13:36.720
<v Speaker 1>beacon in the first movie and found the alien ship

0:13:36.760 --> 0:13:39.840
<v Speaker 1>and all of that. Since then, people have been colonizing

0:13:39.840 --> 0:13:42.120
<v Speaker 1>it and trying to like terraform it and all this stuff.

0:13:42.160 --> 0:13:44.400
<v Speaker 1>And she's like, we'll check out that planet, and they're like,

0:13:44.440 --> 0:13:47.560
<v Speaker 1>we have, and nothing's there except there is something there.

0:13:47.559 --> 0:13:56.640
<v Speaker 1>That ship is still there and the alien there's also

0:13:56.760 --> 0:13:59.040
<v Speaker 1>in that whole meeting scene because we're supposed to be

0:13:59.040 --> 0:14:02.640
<v Speaker 1>in the distant future at this point, because the because

0:14:02.720 --> 0:14:06.200
<v Speaker 1>alien is in the distant future, and then Aliens is

0:14:06.240 --> 0:14:09.800
<v Speaker 1>fifty seven years after the distant future, but everyone still

0:14:09.880 --> 0:14:14.800
<v Speaker 1>has the same terrible haircut from and using computers from

0:14:14.840 --> 0:14:20.120
<v Speaker 1>that era as well. They're using big fat, thick computers. Yeah. Look,

0:14:20.240 --> 0:14:22.920
<v Speaker 1>I don't know why you're criticizing this perfect movie. All right, anyway,

0:14:23.000 --> 0:14:25.800
<v Speaker 1>I have a double collar situation going on, Like I

0:14:25.800 --> 0:14:28.160
<v Speaker 1>don't think he actually does, but his vibe feels like

0:14:28.200 --> 0:14:31.840
<v Speaker 1>he does. Like two shirts. He feels like two shirts,

0:14:31.920 --> 0:14:37.440
<v Speaker 1>two shirts. You good name? Yeah, a good white rapper names.

0:14:38.640 --> 0:14:42.920
<v Speaker 1>Also Bill Paxson's in this movie. Yes, I'm almost almost there.

0:14:43.000 --> 0:14:45.600
<v Speaker 1>He's not doing a good job. So the company and

0:14:45.640 --> 0:14:48.400
<v Speaker 1>all these people don't believe her and her alien attack

0:14:48.480 --> 0:14:51.600
<v Speaker 1>story until these aliens attack the people on this planet.

0:14:51.760 --> 0:14:54.600
<v Speaker 1>So Ripley is called in to help, and she eventually

0:14:54.600 --> 0:14:58.160
<v Speaker 1>agrees and she's like fine, and then all these marines

0:14:58.160 --> 0:15:01.120
<v Speaker 1>are also the kind of black her. They're like, you're

0:15:01.160 --> 0:15:03.320
<v Speaker 1>a dock worker, but you can go all the way

0:15:03.320 --> 0:15:06.160
<v Speaker 1>from being a dock worker to like fifth in charge

0:15:06.160 --> 0:15:09.880
<v Speaker 1>of like a shitty shitty ship. Right. They basically give

0:15:09.880 --> 0:15:14.000
<v Speaker 1>her title back, which they took away for not believing

0:15:14.040 --> 0:15:17.200
<v Speaker 1>the thing that happened to her. Um, they this movie

0:15:17.240 --> 0:15:19.600
<v Speaker 1>starts with someone not believing what a woman says in

0:15:19.640 --> 0:15:23.560
<v Speaker 1>spite of ample evidence. Right now, timely m hm. So

0:15:23.600 --> 0:15:26.680
<v Speaker 1>this whole crew of marines joined her on this sort

0:15:26.680 --> 0:15:30.400
<v Speaker 1>of like recon rescue mission. So there's Gorman, he's like

0:15:30.480 --> 0:15:33.720
<v Speaker 1>the commanding officer type of dude. Burke is Paul Riser,

0:15:33.800 --> 0:15:36.680
<v Speaker 1>the guy who like speaks on behalf of the company. Yeah,

0:15:36.680 --> 0:15:40.800
<v Speaker 1>he's Mr Bear's. Yeah, there's Bill Paxton playing Hudson. There's

0:15:40.800 --> 0:15:43.680
<v Speaker 1>a Charter named Drake. There's Hicks, there's a Poem, there's Frost,

0:15:43.680 --> 0:15:46.560
<v Speaker 1>There's Bishop, he's the artificial person. Those are the dudes

0:15:46.680 --> 0:15:50.600
<v Speaker 1>of the women. There's Vesquez, Pharaoh and Dietrich and then

0:15:50.600 --> 0:15:52.440
<v Speaker 1>I think I'm probably leaving some people out, but those

0:15:52.440 --> 0:15:54.240
<v Speaker 1>are kind of the main players. I feel like they

0:15:54.280 --> 0:15:58.480
<v Speaker 1>take they do take pains to kind of integrate the military,

0:15:58.640 --> 0:16:02.600
<v Speaker 1>Like there's women and they are doing all of the

0:16:02.680 --> 0:16:07.080
<v Speaker 1>available jobs, like Akas is the big guns. Yes, yeah,

0:16:07.120 --> 0:16:09.280
<v Speaker 1>well oh yeah, well we'll talk about this, but yeah,

0:16:10.040 --> 0:16:13.720
<v Speaker 1>dare you Okay. So they arrive on the planet, they

0:16:13.720 --> 0:16:17.440
<v Speaker 1>scope the place out. They find Newt, who is like

0:16:17.680 --> 0:16:21.720
<v Speaker 1>the sole survivor of the alien attack on this colony

0:16:21.760 --> 0:16:24.840
<v Speaker 1>of somewhere around a hundred or more people. Um, Newt

0:16:24.960 --> 0:16:27.760
<v Speaker 1>is an eleven year old girl. She's dirty, she's dirty,

0:16:28.480 --> 0:16:30.960
<v Speaker 1>and Riley is like, I used to have an eleven

0:16:31.040 --> 0:16:34.400
<v Speaker 1>year old girl, and this one's here now, so I'm

0:16:34.400 --> 0:16:38.560
<v Speaker 1>going to treat her like she's my new daughter. Adorable.

0:16:38.640 --> 0:16:45.080
<v Speaker 1>It's cute, adorable. I love it. Just grimy, weird acting

0:16:45.280 --> 0:16:48.160
<v Speaker 1>little child. Okay. So then the crew goes in. They

0:16:48.200 --> 0:16:51.920
<v Speaker 1>find the big alien nest. Some aliens attack them, a

0:16:51.920 --> 0:16:55.080
<v Speaker 1>few people die. They try to leave the planet, but

0:16:55.200 --> 0:16:58.000
<v Speaker 1>an alien has gotten into their like spacecraft and kills

0:16:58.000 --> 0:17:01.640
<v Speaker 1>all the flight crew and then the space crashes and

0:17:02.080 --> 0:17:04.520
<v Speaker 1>they can't leave the planet now, so they're stuck. They

0:17:04.560 --> 0:17:07.960
<v Speaker 1>go back inside the facility. They set up some gun traps.

0:17:08.280 --> 0:17:11.199
<v Speaker 1>Bishops like, hey, I'm gonna go find another ship and

0:17:11.240 --> 0:17:17.959
<v Speaker 1>like do a manual override and saying, oh gosh. So

0:17:18.000 --> 0:17:20.240
<v Speaker 1>the aliens come back. They're like closing in on them.

0:17:20.760 --> 0:17:25.240
<v Speaker 1>Burke is like I'm a capitalist, and everyone's like you motherfucker. Oh,

0:17:25.280 --> 0:17:28.560
<v Speaker 1>And he tries to have Ripley and New impregnated to

0:17:28.600 --> 0:17:31.240
<v Speaker 1>get past quarantine. It's a whole thing. It doesn't work,

0:17:31.520 --> 0:17:34.560
<v Speaker 1>and then it gets captured. So Ripley's like, I gotta

0:17:34.600 --> 0:17:36.600
<v Speaker 1>go back in for she's still alive, and she is

0:17:36.920 --> 0:17:39.800
<v Speaker 1>like the planets about to fall apart, planets covered and flap,

0:17:40.280 --> 0:17:45.040
<v Speaker 1>it's just very flapping. It's flat planet. So yeah, Ripley

0:17:45.119 --> 0:17:47.439
<v Speaker 1>like she ties some guns together. She goes in and

0:17:47.480 --> 0:17:50.960
<v Speaker 1>gets newt and then she stumbles across the Queen Alien

0:17:51.040 --> 0:17:55.320
<v Speaker 1>and her like whole nest of eggs and she's like, oh,

0:17:55.320 --> 0:17:58.399
<v Speaker 1>ship and then they managed to escape, but the queen

0:17:58.640 --> 0:18:00.600
<v Speaker 1>gets on the ship and then there's this big battle

0:18:00.640 --> 0:18:04.000
<v Speaker 1>at the end and Ripley puts her forklift suit on

0:18:04.440 --> 0:18:07.720
<v Speaker 1>and kills the queen being delivers a line and it's

0:18:07.760 --> 0:18:11.520
<v Speaker 1>like God, away from her, you bitch, and then slap

0:18:11.680 --> 0:18:16.240
<v Speaker 1>clap and we clap, and then the flap when the

0:18:16.280 --> 0:18:19.000
<v Speaker 1>flaps are squirting in a man is torn in half,

0:18:19.240 --> 0:18:23.679
<v Speaker 1>but he's fine, and and then the little kid is

0:18:24.119 --> 0:18:28.120
<v Speaker 1>released and she delivers a line and then it ends.

0:18:28.960 --> 0:18:36.119
<v Speaker 1>That's it. So that's the story of Aliens. I just

0:18:36.160 --> 0:18:38.960
<v Speaker 1>call Alien too. Yeah, well we've been so easy. It's

0:18:38.960 --> 0:18:41.679
<v Speaker 1>I feel like this is so confusing. Yeah, and then

0:18:41.720 --> 0:18:45.719
<v Speaker 1>the next one they call Alien three three, but it's like, cue,

0:18:46.680 --> 0:18:50.399
<v Speaker 1>what so stupid? And now when they sell all of

0:18:50.400 --> 0:18:53.840
<v Speaker 1>the movies together they call it a quadrilogy, which is like,

0:18:53.920 --> 0:18:58.360
<v Speaker 1>I just want to say, it's tetralogy or would be

0:18:58.440 --> 0:19:04.080
<v Speaker 1>if it's four, oh, like tetrahedron for I think, don't

0:19:04.119 --> 0:19:11.439
<v Speaker 1>correct me. Quatrilogy sound yes, it sounds okay. I have

0:19:11.480 --> 0:19:15.600
<v Speaker 1>a lot of thoughts on this movie because, unlike most

0:19:15.840 --> 0:19:18.320
<v Speaker 1>action movies of this era and then all of the

0:19:18.359 --> 0:19:23.080
<v Speaker 1>ones to date, I think it does a fairly good

0:19:23.200 --> 0:19:27.760
<v Speaker 1>job portraying not just one female character, but a at

0:19:27.840 --> 0:19:33.760
<v Speaker 1>least sizeable bullish cast of them. Yes, between Ripley and Vasquez,

0:19:34.200 --> 0:19:39.240
<v Speaker 1>which there's plenty to talk about with that character. Um,

0:19:39.760 --> 0:19:42.400
<v Speaker 1>But then also Newt. I think in a lot of

0:19:42.640 --> 0:19:45.960
<v Speaker 1>movies like this, a small child, especially a female one,

0:19:46.480 --> 0:19:48.879
<v Speaker 1>would be treated like a huge burden and be the

0:19:48.920 --> 0:19:52.480
<v Speaker 1>source of a lot of like obstacles and like we

0:19:52.520 --> 0:19:55.000
<v Speaker 1>have to rescue you and protect you the whole time.

0:19:55.040 --> 0:19:56.920
<v Speaker 1>But like new it's actually doing a lot to sort

0:19:56.920 --> 0:19:59.760
<v Speaker 1>of contribute to. Well, yeah, there's a few different moments

0:19:59.800 --> 0:20:02.399
<v Speaker 1>where her knowledge is like key to moving the plat forward,

0:20:02.480 --> 0:20:06.760
<v Speaker 1>Like when they go into the too be things where

0:20:06.800 --> 0:20:08.800
<v Speaker 1>you grew up and she knows how to navigate them,

0:20:08.840 --> 0:20:11.800
<v Speaker 1>And yeah, you need a greasy tunnel child to fight

0:20:12.880 --> 0:20:16.359
<v Speaker 1>greasy rat, the greasy bugs. She's a she's a street rat,

0:20:16.840 --> 0:20:20.760
<v Speaker 1>and they need that. They need that, and just a

0:20:20.760 --> 0:20:23.000
<v Speaker 1>bunch of marines can solve it. But no, you need

0:20:23.680 --> 0:20:29.320
<v Speaker 1>just fucking filthy child. Well, there's there, we're outsourcing it.

0:20:29.400 --> 0:20:32.360
<v Speaker 1>We've got a third party client. There's a dirty kid

0:20:32.400 --> 0:20:36.080
<v Speaker 1>we found. There's a great conversation between Bill Paxson's character

0:20:36.240 --> 0:20:39.800
<v Speaker 1>and Ripley where Bill Patson's like, we won't let seen

0:20:40.320 --> 0:20:44.520
<v Speaker 1>out here and Ripley's like, this little girl lasted longer

0:20:44.560 --> 0:20:47.359
<v Speaker 1>than that without any weapons or training, and he's like,

0:20:47.560 --> 0:20:50.120
<v Speaker 1>let's put her in charge then, and it's like, honestly,

0:20:50.720 --> 0:20:53.680
<v Speaker 1>let's like, okay, let's not take it to the place

0:20:53.720 --> 0:20:56.919
<v Speaker 1>where we're putting a dirty child in charge of the ship. Lastly,

0:20:57.000 --> 0:20:59.800
<v Speaker 1>I think that would be very progressive. And I want

0:20:59.840 --> 0:21:03.640
<v Speaker 1>to see that movie. It's called Jimmy Neutron. The kids

0:21:03.680 --> 0:21:07.679
<v Speaker 1>are in charge and it's a nightmare. I think, Oh,

0:21:08.040 --> 0:21:11.760
<v Speaker 1>here's as a retroctor theory about Jimmy Neutron. It was

0:21:11.880 --> 0:21:13.920
<v Speaker 1>a really fun movie designed to keep kids in their

0:21:13.960 --> 0:21:17.480
<v Speaker 1>place and they're like, you need parents, see or you'll

0:21:17.600 --> 0:21:22.520
<v Speaker 1>end up like Jimmy Neutron. Yeah, usaid have a crush

0:21:22.600 --> 0:21:26.280
<v Speaker 1>and the one who peed in the shower. Anyways, Yeah,

0:21:26.440 --> 0:21:29.480
<v Speaker 1>the character of new there's also a few different moments,

0:21:29.520 --> 0:21:32.920
<v Speaker 1>like the scenes between her and Ripley are generally very nice.

0:21:33.720 --> 0:21:37.520
<v Speaker 1>Um and aren't too heavy handed with like that I

0:21:37.560 --> 0:21:41.240
<v Speaker 1>am your mommy now, which I feel like a less

0:21:41.280 --> 0:21:44.720
<v Speaker 1>good movie would have really played those moments up to

0:21:44.840 --> 0:21:48.479
<v Speaker 1>be like obnoxious kind of this movie doesn't. And then

0:21:48.480 --> 0:21:50.960
<v Speaker 1>there's also that kind of like fun little subversion where

0:21:51.240 --> 0:21:55.120
<v Speaker 1>Ripley patronizes New a little bit by being like, your

0:21:55.200 --> 0:21:59.440
<v Speaker 1>doll would be brave, and she's like, it's a doll's plastic.

0:21:59.440 --> 0:22:04.800
<v Speaker 1>It's not feel shit, Sigourney Weaver, don't patronize me. And

0:22:04.840 --> 0:22:08.320
<v Speaker 1>then Sigourney Weaver apologize this, and I was like, I'm sorry,

0:22:08.359 --> 0:22:10.600
<v Speaker 1>You're right, that was weird. I was like, Wow, what

0:22:10.680 --> 0:22:13.720
<v Speaker 1>a pleasant discussion this was. It would be fine if

0:22:13.760 --> 0:22:17.600
<v Speaker 1>that little girl was smoking a cigarette that entire movie, like,

0:22:17.640 --> 0:22:19.159
<v Speaker 1>it would not be out of place if she was

0:22:19.200 --> 0:22:21.040
<v Speaker 1>just like, you don't know the ship I've seen lady.

0:22:21.280 --> 0:22:23.280
<v Speaker 1>She is wise beyond her years, and the fact that

0:22:23.359 --> 0:22:27.320
<v Speaker 1>she's the only survivor of what seems like mostly adults

0:22:27.520 --> 0:22:30.320
<v Speaker 1>is like, I think, pretty remarkable. She's a slippery little

0:22:30.320 --> 0:22:34.720
<v Speaker 1>tunnel kid. Don't funk with this little sh I wasn't

0:22:34.720 --> 0:22:36.720
<v Speaker 1>paying close enough attention because I got real bored in

0:22:36.760 --> 0:22:41.119
<v Speaker 1>the first acts. It's she the kid from the family

0:22:41.160 --> 0:22:43.920
<v Speaker 1>that finds that that gets sent Okay, so right, Yeah,

0:22:43.920 --> 0:22:47.960
<v Speaker 1>So I'm honestly I'm pretty impressed with the movie's depiction

0:22:48.119 --> 0:22:51.119
<v Speaker 1>of that child character because I think a lot of

0:22:51.160 --> 0:22:54.000
<v Speaker 1>movies will be like, oh, well, here's this extra burden

0:22:54.080 --> 0:22:56.479
<v Speaker 1>that you have to deal with that like really just

0:22:56.480 --> 0:22:58.960
<v Speaker 1>has to be dragged along. But in this movie, she's

0:22:59.000 --> 0:23:01.480
<v Speaker 1>like given a purpose and like actually contributes to the

0:23:01.480 --> 0:23:04.719
<v Speaker 1>progression of the plot at some points, and like the

0:23:04.720 --> 0:23:07.520
<v Speaker 1>connection she makes with Ripley makes a lot of sense

0:23:07.840 --> 0:23:10.919
<v Speaker 1>for both of them. Uh and um, like you said it,

0:23:10.920 --> 0:23:12.600
<v Speaker 1>it's like not too heavy handed. I think the movie

0:23:12.600 --> 0:23:16.280
<v Speaker 1>shows a lot of restraint in that relationship, which I appreciate. Yeah,

0:23:16.320 --> 0:23:18.400
<v Speaker 1>like a lesser movie would have had like a lot

0:23:18.440 --> 0:23:23.159
<v Speaker 1>of embraces and music swelling where this movie actra and

0:23:23.200 --> 0:23:25.840
<v Speaker 1>that does happen. In Alien four, we're Succourinea. We were

0:23:25.920 --> 0:23:28.639
<v Speaker 1>talking to Winona writer and basically it's like you're my

0:23:28.760 --> 0:23:32.280
<v Speaker 1>daughter now, and then they hug and and and smooch

0:23:32.359 --> 0:23:37.200
<v Speaker 1>and are pretty much it's like on that vector of like, Okay,

0:23:37.400 --> 0:23:40.680
<v Speaker 1>I gotta say that's also a bad movie. Well that's

0:23:40.720 --> 0:23:43.280
<v Speaker 1>the one where she makes that backwards basketball shot. Though

0:23:43.440 --> 0:23:45.560
<v Speaker 1>it makes it for real and everyone freaks out and

0:23:45.760 --> 0:23:48.280
<v Speaker 1>they can't cut it in time before I think it's

0:23:48.359 --> 0:23:50.720
<v Speaker 1>Ron Perlman is like literally you can see him saying

0:23:50.720 --> 0:23:53.119
<v Speaker 1>holy shit in the back of the frame because she

0:23:53.200 --> 0:23:55.320
<v Speaker 1>was supposed just toss a basketball over her head and

0:23:55.400 --> 0:23:56.960
<v Speaker 1>then there was supposed to cut it, but it actually

0:23:57.000 --> 0:24:00.400
<v Speaker 1>goes in the basket. Yeah, from like the three point line.

0:24:00.400 --> 0:24:04.840
<v Speaker 1>It's hilarious. She's amazing. Man. There's not a lot of

0:24:04.840 --> 0:24:07.840
<v Speaker 1>movies in general, regardless of the genre, that treats like

0:24:08.280 --> 0:24:10.400
<v Speaker 1>you know, in a movie where the cast is largely adults,

0:24:10.680 --> 0:24:14.520
<v Speaker 1>child characters are not usually treated with any respect or agencies.

0:24:14.560 --> 0:24:16.640
<v Speaker 1>So for younger kids who saw this movie, I'm sure

0:24:16.680 --> 0:24:19.880
<v Speaker 1>that was like cool. Yeah, wait, how young It would

0:24:19.920 --> 0:24:21.880
<v Speaker 1>be real fucked up to show this to any kids.

0:24:21.880 --> 0:24:28.240
<v Speaker 1>Don't show this to your kids. That's slippery. Little tunnel kid.

0:24:29.000 --> 0:24:32.880
<v Speaker 1>If I died, here's your here's your bucket of old

0:24:32.920 --> 0:24:36.680
<v Speaker 1>motor oil, here's a shovel, go have fun in the backyard.

0:24:37.200 --> 0:24:40.680
<v Speaker 1>They said, Okay, but the evolution because Alien is alien,

0:24:40.880 --> 0:24:44.200
<v Speaker 1>like Sigourney Weaver is the star of Alien because of

0:24:44.280 --> 0:24:48.879
<v Speaker 1>the final girl tropes of horror movies. But now she

0:24:48.920 --> 0:24:51.440
<v Speaker 1>gets in an action movie, and they do a good

0:24:51.520 --> 0:24:54.520
<v Speaker 1>job of like not And I guess she's not very

0:24:54.560 --> 0:24:58.879
<v Speaker 1>final girly in Alien because it's it's just that narrative structure.

0:24:58.920 --> 0:25:02.280
<v Speaker 1>But then otherwise it's very like it doesn't follow a

0:25:02.320 --> 0:25:05.159
<v Speaker 1>lot of the tropes that the final girl that the

0:25:05.160 --> 0:25:07.399
<v Speaker 1>movie movies who do have like a final girl trope

0:25:07.480 --> 0:25:09.960
<v Speaker 1>do because it's like it's all like she survived because

0:25:09.960 --> 0:25:12.679
<v Speaker 1>she's the virgin. Yeah, so it doesn't adhere to a

0:25:12.680 --> 0:25:16.280
<v Speaker 1>lot of those the whiff of that, Yeah, I think

0:25:16.359 --> 0:25:19.160
<v Speaker 1>like on paper it would look more similar than actually

0:25:19.600 --> 0:25:22.040
<v Speaker 1>what it actually is because she, I mean an alien

0:25:22.080 --> 0:25:24.680
<v Speaker 1>to she has like so much like college and age,

0:25:24.800 --> 0:25:26.600
<v Speaker 1>Like how you're just gonna you're insisting on calling an

0:25:26.600 --> 0:25:29.359
<v Speaker 1>alien to alien? Oh and and oh no, I was

0:25:29.440 --> 0:25:33.360
<v Speaker 1>calling it an alien sorry t o O in Alien

0:25:33.400 --> 0:25:37.080
<v Speaker 1>the first one, she's Yeah, she is kind of like

0:25:37.119 --> 0:25:38.679
<v Speaker 1>I didn't even thought of that. She is kind of

0:25:38.720 --> 0:25:42.120
<v Speaker 1>like a final female because it's a horror movie. It's

0:25:42.119 --> 0:25:45.320
<v Speaker 1>a slasher movie, yeah, just set in a garbage space.

0:25:45.560 --> 0:25:47.919
<v Speaker 1>But it's like the twist there is that she actually

0:25:48.000 --> 0:25:51.960
<v Speaker 1>has skills and abilities and that's why she survives, or

0:25:52.280 --> 0:25:54.440
<v Speaker 1>a big part of why she survives, right, and then

0:25:54.480 --> 0:25:58.720
<v Speaker 1>that carries over into Aliens where she isn't given a

0:25:58.720 --> 0:26:00.720
<v Speaker 1>whole lot to do in the first I would say

0:26:00.760 --> 0:26:03.080
<v Speaker 1>maybe hour of the movie, because she's really just called

0:26:03.119 --> 0:26:07.400
<v Speaker 1>in as a sort of consultant because they recognize, oh wait,

0:26:07.440 --> 0:26:10.040
<v Speaker 1>actually you have gone through this. Um. So I think

0:26:10.080 --> 0:26:11.920
<v Speaker 1>that was at least cool that, Like in a lot

0:26:11.920 --> 0:26:13.879
<v Speaker 1>of times, if there's a movie where like an expert

0:26:13.960 --> 0:26:15.960
<v Speaker 1>needs to be called in, it's a man. So the

0:26:16.000 --> 0:26:19.680
<v Speaker 1>fact that like she is called onto the scene because

0:26:19.680 --> 0:26:22.919
<v Speaker 1>of her expertise in her experience and also given a

0:26:23.080 --> 0:26:26.399
<v Speaker 1>role of like authority and power because I think she

0:26:26.480 --> 0:26:29.760
<v Speaker 1>resumes her position is is it lieutenant or something like?

0:26:29.840 --> 0:26:34.600
<v Speaker 1>I think they do that shitty action movie thing where

0:26:34.920 --> 0:26:39.720
<v Speaker 1>they have the scene where Sigourney Weaver she has to

0:26:39.840 --> 0:26:42.880
<v Speaker 1>prove her abilities and all the guys have like unchanged

0:26:42.920 --> 0:26:44.920
<v Speaker 1>their draws. They're like, well, the girl can do a

0:26:45.119 --> 0:26:48.800
<v Speaker 1>thing like that. My my least favorite thing that happens

0:26:48.800 --> 0:26:51.600
<v Speaker 1>in actually movie superhero movies in a lot of different

0:26:51.640 --> 0:26:56.280
<v Speaker 1>genres of like we see the main female character demonstrate

0:26:56.840 --> 0:27:03.200
<v Speaker 1>even a monica with something like robotics or like whatever,

0:27:03.520 --> 0:27:06.040
<v Speaker 1>and they should not be shocked because they know, like

0:27:06.200 --> 0:27:09.239
<v Speaker 1>that was like part of her job. But they're like,

0:27:09.320 --> 0:27:14.680
<v Speaker 1>oh my freaking god, this chick in a robot suit.

0:27:15.400 --> 0:27:17.560
<v Speaker 1>Everyone's a half mass. But they're also like, wow, she

0:27:17.640 --> 0:27:19.879
<v Speaker 1>can do it. I guess we'd better like give her

0:27:19.880 --> 0:27:22.880
<v Speaker 1>an entry level job, you know, And I okay, So

0:27:23.040 --> 0:27:25.679
<v Speaker 1>that is a bad tripe. I didn't bother me so

0:27:25.800 --> 0:27:28.439
<v Speaker 1>much in this movie as it does in other movies,

0:27:28.520 --> 0:27:32.080
<v Speaker 1>because one usually when that happens, usually when that female

0:27:32.160 --> 0:27:34.600
<v Speaker 1>character like has to prove herself for like, as we

0:27:34.640 --> 0:27:37.600
<v Speaker 1>always talk about that McSweeney's article where she's like, I'm

0:27:37.600 --> 0:27:42.600
<v Speaker 1>the token female and this action Blackbuster and I usually

0:27:42.720 --> 0:27:46.439
<v Speaker 1>when that happens, the female character is sexualized in some

0:27:46.600 --> 0:27:49.000
<v Speaker 1>way or like what she's doing is presented as like

0:27:49.040 --> 0:27:52.560
<v Speaker 1>this very sexy thing, but also like, look how competent

0:27:52.600 --> 0:27:54.919
<v Speaker 1>she is, but she's also extremely sexy while doing it.

0:27:54.960 --> 0:27:58.879
<v Speaker 1>And in this movie, it's her like clamoring into a

0:27:59.240 --> 0:28:03.800
<v Speaker 1>forklift basically and then like lifting up a thing, and

0:28:03.840 --> 0:28:05.840
<v Speaker 1>they're like and yeah, the guys are like t he

0:28:05.960 --> 0:28:09.320
<v Speaker 1>he Wow, I didn't expect she could do that. Yeah,

0:28:09.440 --> 0:28:10.879
<v Speaker 1>I don't know. It just it didn't bother me as

0:28:10.960 --> 0:28:13.480
<v Speaker 1>much as it does another It's not the worst example

0:28:13.480 --> 0:28:15.280
<v Speaker 1>of it. When I do, I always do want to

0:28:15.280 --> 0:28:18.479
<v Speaker 1>make sure that I point that out because in that scene,

0:28:19.080 --> 0:28:21.560
<v Speaker 1>I think that the guys are supposed to sort of

0:28:21.600 --> 0:28:24.320
<v Speaker 1>represent the audience to an extent of like, Wow, look,

0:28:24.400 --> 0:28:26.840
<v Speaker 1>she really can do it. You can trust this character

0:28:27.000 --> 0:28:30.359
<v Speaker 1>moving forward, you know, like just reassuring the audience that

0:28:30.480 --> 0:28:34.160
<v Speaker 1>she is competent, which isn't necessarily a thing that you'd

0:28:34.160 --> 0:28:36.520
<v Speaker 1>have to happen given what we know about this character. Sure,

0:28:36.640 --> 0:28:39.920
<v Speaker 1>and she's from the past, so that's true. She's like

0:28:39.960 --> 0:28:44.200
<v Speaker 1>a hundred and eighty to them. She's their grandma. There's

0:28:44.240 --> 0:28:47.640
<v Speaker 1>not enough like unfrozen caveman jokes in that, like like

0:28:47.680 --> 0:28:49.640
<v Speaker 1>there's a lot of opportunities for her to like so

0:28:49.680 --> 0:28:51.280
<v Speaker 1>what do you what music do you guys listen to it?

0:28:51.360 --> 0:28:55.120
<v Speaker 1>They're like, what what is this? Yeah, that's a good point.

0:28:55.240 --> 0:28:57.960
<v Speaker 1>Those are the jokes of the Alien franchise. We need, Yeah,

0:28:58.000 --> 0:29:00.520
<v Speaker 1>we gotta, we gotta make a power sheet of some

0:29:00.720 --> 0:29:05.160
<v Speaker 1>unfrozen Sigourney. We should. Yeah, when's like the comedy heist

0:29:05.360 --> 0:29:11.000
<v Speaker 1>alien movie coming out, I want to see that credits

0:29:11.080 --> 0:29:17.520
<v Speaker 1>and robot parts. But in that scene, whenever the guys

0:29:17.520 --> 0:29:21.680
<v Speaker 1>were like whoa I couldn't believe she could operate a forklift.

0:29:22.320 --> 0:29:25.720
<v Speaker 1>That almost certainly would not have happened if she were

0:29:25.800 --> 0:29:28.480
<v Speaker 1>a man. They would not have had that reaction. And

0:29:28.520 --> 0:29:30.160
<v Speaker 1>I don't think that there would have been such like

0:29:30.360 --> 0:29:32.920
<v Speaker 1>a narrative dragon in the first act of the movie

0:29:33.040 --> 0:29:37.000
<v Speaker 1>of if. I mean, let's just go there. If if,

0:29:37.040 --> 0:29:39.360
<v Speaker 1>like there was a male character who was frozen in

0:29:39.400 --> 0:29:41.400
<v Speaker 1>the past who came back, I feel like it would

0:29:41.400 --> 0:29:44.600
<v Speaker 1>be a more likely narrative choice for this era to

0:29:45.560 --> 0:29:48.320
<v Speaker 1>you know, like treat him as a returning hero and

0:29:48.680 --> 0:29:51.640
<v Speaker 1>just be like, hey, you're probably lying and you're probably

0:29:51.680 --> 0:29:54.360
<v Speaker 1>traumatized because of what happened with your kid, you know

0:29:54.600 --> 0:29:57.320
<v Speaker 1>where they assume and and part of the reason that

0:29:57.360 --> 0:30:00.400
<v Speaker 1>she's kind of discredited in that first scene is because

0:30:00.400 --> 0:30:03.080
<v Speaker 1>it's like, well, you've been through a lot, and we

0:30:03.160 --> 0:30:07.600
<v Speaker 1>don't really believe what you're saying. Basically, it's like she's hysterical,

0:30:07.840 --> 0:30:10.160
<v Speaker 1>is the h and that's what they Yeah, that's what

0:30:10.200 --> 0:30:12.600
<v Speaker 1>they say. They say something like I don't remember the

0:30:12.600 --> 0:30:15.239
<v Speaker 1>exact quote, but they suspend her license because of it.

0:30:15.280 --> 0:30:18.560
<v Speaker 1>They remove all of her credentials, which is a very

0:30:18.600 --> 0:30:22.400
<v Speaker 1>frustrating scene to watch because it's basically her talking to

0:30:22.480 --> 0:30:24.440
<v Speaker 1>a room full of mostly men and being like, here's

0:30:24.440 --> 0:30:26.280
<v Speaker 1>this horrible thing that happened to me, and they're like,

0:30:26.360 --> 0:30:29.440
<v Speaker 1>but I don't believe you, and it's kind of your

0:30:29.480 --> 0:30:33.200
<v Speaker 1>fault when you think, yeah, is her fault, right, and

0:30:33.200 --> 0:30:36.680
<v Speaker 1>then she gets very angry for not being believed as

0:30:37.120 --> 0:30:40.120
<v Speaker 1>one would and then they're like, oh, actually it seems

0:30:40.120 --> 0:30:44.720
<v Speaker 1>like you're crazy, so bye. Right. It's very frustrating. Yes,

0:30:44.920 --> 0:30:46.520
<v Speaker 1>but that's not like the movie doing a bad job.

0:30:46.520 --> 0:30:51.320
<v Speaker 1>It's just the being by a corporation exactly. This movie

0:30:51.520 --> 0:30:55.040
<v Speaker 1>is anti corporation. It is which if you look at

0:30:55.080 --> 0:30:57.080
<v Speaker 1>movies that came out, and I mean this is like

0:30:57.320 --> 0:31:00.440
<v Speaker 1>Pete Reagan kind of unusual for I mean where I

0:31:00.560 --> 0:31:02.920
<v Speaker 1>said it before I say it again. Ghostbusters is the

0:31:02.960 --> 0:31:06.240
<v Speaker 1>most pro corporation movie of all fucking time. And it

0:31:06.400 --> 0:31:08.080
<v Speaker 1>is like the same. Yeah, it's like they're just like

0:31:08.120 --> 0:31:11.240
<v Speaker 1>a fucking start up, their startup bros, start up gros

0:31:11.280 --> 0:31:15.040
<v Speaker 1>who get a bad loan. Yeah, those guys they're bad

0:31:15.040 --> 0:31:17.560
<v Speaker 1>and they hate the e p as is the worst

0:31:17.560 --> 0:31:22.480
<v Speaker 1>startup of all time. That's true. I genuinely prefer the

0:31:22.520 --> 0:31:25.400
<v Speaker 1>new Ghostbusters because I'm just like, it's just I hate

0:31:25.480 --> 0:31:30.520
<v Speaker 1>it turns out I hate anything made before, like everything

0:31:30.640 --> 0:31:35.200
<v Speaker 1>is so slow. Thankfully Jimmy Netron came on, so it

0:31:35.280 --> 0:31:38.920
<v Speaker 1>qualifies to be your new favorite. So in a lot

0:31:38.960 --> 0:31:42.720
<v Speaker 1>of action movies where the protagonist is a woman, I

0:31:42.760 --> 0:31:44.960
<v Speaker 1>feel like a lot of them still don't do a

0:31:45.040 --> 0:31:48.160
<v Speaker 1>very good job because they don't spend that much time

0:31:48.200 --> 0:31:52.160
<v Speaker 1>developing that female protagonist, or they're just like sort of

0:31:52.160 --> 0:31:55.200
<v Speaker 1>the vehicle to propel this story but aren't given that

0:31:55.280 --> 0:31:59.560
<v Speaker 1>much characterization. I'm thinking of movies like Laura Kraft tomb

0:31:59.640 --> 0:32:02.959
<v Speaker 1>Raader and we did an episode on or in movies

0:32:03.040 --> 0:32:07.920
<v Speaker 1>where like there's like a female action star among other characters,

0:32:07.960 --> 0:32:11.720
<v Speaker 1>like Black Widow in like the Avengers Marvel Universe had

0:32:11.760 --> 0:32:14.880
<v Speaker 1>a question about that um that my friend who watched

0:32:14.960 --> 0:32:17.400
<v Speaker 1>Avengers with brought this up. Well, no, okay, this is

0:32:17.480 --> 0:32:20.520
<v Speaker 1>stealing this question from Todd Levin, but it is, you

0:32:20.560 --> 0:32:23.280
<v Speaker 1>know relevant, we're ever going to get away from the

0:32:23.360 --> 0:32:26.520
<v Speaker 1>like Avengers part where they can only fight other women

0:32:27.360 --> 0:32:30.920
<v Speaker 1>in a big battle scene. It's like, who brought this up? Oh,

0:32:31.000 --> 0:32:34.600
<v Speaker 1>it was um Ify on our Black Panther episode where

0:32:34.640 --> 0:32:36.640
<v Speaker 1>that yeah, that is that is a huge trope where

0:32:36.640 --> 0:32:38.600
<v Speaker 1>if there's a big battle scene where a group of

0:32:38.640 --> 0:32:41.440
<v Speaker 1>people are fighting each other and there are like women

0:32:41.440 --> 0:32:43.600
<v Speaker 1>on either side there. It's like they always have women.

0:32:44.560 --> 0:32:47.720
<v Speaker 1>Spond movies always do that. Fast and Furious movies always

0:32:47.760 --> 0:32:50.800
<v Speaker 1>do like they have to bring in women on the

0:32:51.160 --> 0:32:53.120
<v Speaker 1>not they have to, they should. I guess you can

0:32:53.160 --> 0:32:56.280
<v Speaker 1>have criminal women, it's great, um, but we can do anything.

0:32:57.080 --> 0:33:00.840
<v Speaker 1>They specifically clearly cast the men on the other to

0:33:01.120 --> 0:33:05.320
<v Speaker 1>literally be the equal or the foil for the woman only.

0:33:05.560 --> 0:33:07.800
<v Speaker 1>And I think in like this is who you get

0:33:07.840 --> 0:33:10.560
<v Speaker 1>to beat up. And there's a few examples where women

0:33:10.600 --> 0:33:12.400
<v Speaker 1>are I mean, I thought of Killed Bill right away,

0:33:12.400 --> 0:33:15.560
<v Speaker 1>where the main female action protucitist is fighting men. But

0:33:15.600 --> 0:33:18.800
<v Speaker 1>the offset of that is that character is sexualized pretty

0:33:18.840 --> 0:33:21.960
<v Speaker 1>intensely throughout that entire movie. So I don't know, I

0:33:22.040 --> 0:33:24.720
<v Speaker 1>can't think of or I guess maybe it's it's and

0:33:24.840 --> 0:33:29.640
<v Speaker 1>you can have female like heroes beating up like faceless dudes.

0:33:30.200 --> 0:33:32.280
<v Speaker 1>But and I guess I'm about to answer my own question,

0:33:32.280 --> 0:33:35.040
<v Speaker 1>which is like, you can't have like Captain America, like

0:33:35.120 --> 0:33:39.760
<v Speaker 1>beating up the poor thanos because that is a bad look.

0:33:40.720 --> 0:33:46.440
<v Speaker 1>I guess hits a lady. My instinct is not good. Sure, yeah,

0:33:46.480 --> 0:33:49.720
<v Speaker 1>but woman's been killing people and blah blah blah. You

0:33:49.720 --> 0:33:52.880
<v Speaker 1>know that's the argument. It's sexist not to beat her

0:33:52.960 --> 0:33:54.880
<v Speaker 1>ass you know what I'm saying, Right, that's like, that's

0:33:54.880 --> 0:33:57.680
<v Speaker 1>an interesting I bet that there's stuff written on that too.

0:33:57.720 --> 0:33:59.880
<v Speaker 1>I mean, I think it depends on the kind of character.

0:34:00.440 --> 0:34:04.720
<v Speaker 1>Like obviously Captain America can't hit any woman he wants. Yeah,

0:34:05.120 --> 0:34:09.560
<v Speaker 1>that's bad, right of course, But it's like it's such

0:34:09.600 --> 0:34:13.160
<v Speaker 1>a start. You're just like you knew when there was

0:34:13.320 --> 0:34:17.280
<v Speaker 1>like a bad fo woman that she would have to fight.

0:34:17.480 --> 0:34:20.359
<v Speaker 1>Well in terms of villain parity, well, but if we

0:34:20.440 --> 0:34:23.560
<v Speaker 1>if we go into like Disney lore, I think that

0:34:23.600 --> 0:34:28.799
<v Speaker 1>there's some examples of male heroes killing female villains. Oh

0:34:29.160 --> 0:34:33.680
<v Speaker 1>little Mermaid, Little Mermaid, also sleeping Beauty. Um, he slays

0:34:34.160 --> 0:34:37.520
<v Speaker 1>the dragon who is maleficent. I think that there are

0:34:37.560 --> 0:34:41.680
<v Speaker 1>some examples of that. But yeah, it's always that's an

0:34:41.719 --> 0:34:44.920
<v Speaker 1>interesting Yeah. I mean, obviously we don't you know, violence

0:34:44.960 --> 0:34:49.040
<v Speaker 1>against women is bad, but they're definitely that trope exists

0:34:49.040 --> 0:34:51.960
<v Speaker 1>of like if there's a bad woman, only a woman

0:34:52.000 --> 0:34:54.640
<v Speaker 1>on the good side can fight her. Although I thought

0:34:54.640 --> 0:34:56.359
<v Speaker 1>what you were where you were going, and that's why

0:34:56.400 --> 0:34:59.839
<v Speaker 1>I brought up the like black Panther discussion is like

0:35:00.080 --> 0:35:04.879
<v Speaker 1>to Challa's army is all women. You see them fighting then,

0:35:04.920 --> 0:35:07.359
<v Speaker 1>so it's not like they're yeah so yeah, I mean

0:35:07.400 --> 0:35:12.720
<v Speaker 1>I like seeing that. I would watch women beating men's asses.

0:35:12.840 --> 0:35:15.200
<v Speaker 1>That's the only time it was real gross. In a

0:35:15.280 --> 0:35:18.399
<v Speaker 1>recent movie that I remember was I think john Wick

0:35:18.440 --> 0:35:21.960
<v Speaker 1>two where Keanu Reeves like just beats up Ruby Rose

0:35:22.000 --> 0:35:26.880
<v Speaker 1>and it's like, this is fucking terrible. No, it's really unpleasant.

0:35:26.960 --> 0:35:31.360
<v Speaker 1>I didn't see John Wick or John Wick to John Wicks,

0:35:31.920 --> 0:35:34.000
<v Speaker 1>but he just beats up Ruby Rose and she is

0:35:34.040 --> 0:35:37.359
<v Speaker 1>a teeny tiny, skinny lady and like whatever. Of course

0:35:37.360 --> 0:35:39.960
<v Speaker 1>it doesn't really matter, but the optics of it are

0:35:40.120 --> 0:35:43.800
<v Speaker 1>so fucked up that I'm just like, why would you

0:35:43.880 --> 0:35:47.040
<v Speaker 1>agree to I don't know where I land on. That's like, yeah,

0:35:47.080 --> 0:35:49.319
<v Speaker 1>that just see that's a murky area because you want

0:35:49.320 --> 0:35:53.880
<v Speaker 1>to have parody in every and everything, right, but also

0:35:54.040 --> 0:35:57.839
<v Speaker 1>what it because media is so like effective, like if

0:35:57.840 --> 0:35:59.680
<v Speaker 1>you if you're a teenage boy and you see that,

0:36:00.040 --> 0:36:02.279
<v Speaker 1>you use that to justify bad behavior. I don't know.

0:36:02.480 --> 0:36:04.200
<v Speaker 1>I don't think we have an audience and we probably

0:36:04.239 --> 0:36:07.399
<v Speaker 1>never will have an audience. That's sophisticated enough. It's like

0:36:07.840 --> 0:36:11.360
<v Speaker 1>it's like having the N word and huck fan. Everyone's like, oh,

0:36:11.600 --> 0:36:14.359
<v Speaker 1>you know, this is a good like teachable moment, and like, yeah,

0:36:14.360 --> 0:36:16.480
<v Speaker 1>it's also a moment for a bunch of white fourteen

0:36:16.560 --> 0:36:19.279
<v Speaker 1>year old to yell the N word. To use it

0:36:19.280 --> 0:36:22.200
<v Speaker 1>is permission to do something that wasn't the intent, or

0:36:22.320 --> 0:36:28.399
<v Speaker 1>maybe it was the intent, who knows. Anyway, it's quite

0:36:28.400 --> 0:36:30.160
<v Speaker 1>all right, no, no, no, I I think that that's

0:36:30.160 --> 0:36:33.359
<v Speaker 1>like an interesting Well, if you're listening, we would love

0:36:33.400 --> 0:36:36.000
<v Speaker 1>to hear your thoughts or if there's any like pieces

0:36:36.280 --> 0:36:38.279
<v Speaker 1>or anything that's been written on this that you could

0:36:38.400 --> 0:36:41.280
<v Speaker 1>direct you to share, please, And if you're not listening,

0:36:41.360 --> 0:36:46.200
<v Speaker 1>then especially if you're not listening, that's a yeah, I'm

0:36:46.200 --> 0:36:48.000
<v Speaker 1>in the fence about it. It's one of those that's

0:36:48.000 --> 0:36:50.719
<v Speaker 1>like it's easy. Yeah, you kind of you feel like

0:36:50.760 --> 0:36:53.240
<v Speaker 1>you have an idea of it in theory, but almost

0:36:53.280 --> 0:36:55.600
<v Speaker 1>every time you see in practice you're like nope, I

0:36:55.640 --> 0:36:58.680
<v Speaker 1>think yeah, it's like I want to say, as of

0:36:58.800 --> 0:37:01.719
<v Speaker 1>right now, I want to be like, hey, no that

0:37:01.880 --> 0:37:04.880
<v Speaker 1>you know, there can be parody in fight scenes, but

0:37:04.920 --> 0:37:08.600
<v Speaker 1>I also can so easily see the wrong type of

0:37:08.640 --> 0:37:11.759
<v Speaker 1>person seeing that and using it as an excuse of like, well,

0:37:11.840 --> 0:37:14.200
<v Speaker 1>this must be okay to do to anyone I want,

0:37:14.239 --> 0:37:21.439
<v Speaker 1>because people who see movies are stupid. Excuse me especially well,

0:37:21.520 --> 0:37:25.600
<v Speaker 1>because I mean, feminism is all about equality among the

0:37:25.680 --> 0:37:30.360
<v Speaker 1>genders and like women being equal to men. So in

0:37:30.520 --> 0:37:33.120
<v Speaker 1>theory you could be like, well, yeah, like if men

0:37:33.160 --> 0:37:36.560
<v Speaker 1>and women are equal, then women can be beat up

0:37:36.560 --> 0:37:40.439
<v Speaker 1>by men and it'll be fine. But I think too soon,

0:37:40.560 --> 0:37:43.560
<v Speaker 1>too soon, too soon, And that's also just so weird

0:37:43.680 --> 0:37:45.799
<v Speaker 1>having your cake and eating it too, of like the

0:37:45.840 --> 0:37:48.120
<v Speaker 1>patriarchy has had the cake and now eating it too

0:37:48.160 --> 0:37:50.520
<v Speaker 1>means that you can hit us on screen now, right

0:37:51.200 --> 0:37:54.440
<v Speaker 1>because women have been the victim of so much violence

0:37:54.719 --> 0:37:58.480
<v Speaker 1>at the hand of men. Yeah, we're not anywhere near.

0:37:58.719 --> 0:38:01.040
<v Speaker 1>There should be a solid only five years of just

0:38:01.160 --> 0:38:04.600
<v Speaker 1>when kicking men's asses in movies, and then we can

0:38:04.600 --> 0:38:07.879
<v Speaker 1>bring this question up, yes, right now, and maybe maybe

0:38:07.920 --> 0:38:11.000
<v Speaker 1>too soon. Not impossible, but too soon, I think. So

0:38:11.400 --> 0:38:15.920
<v Speaker 1>all that discussion, yeah, I agree, And to conclude, the

0:38:15.920 --> 0:38:18.920
<v Speaker 1>original point I was making is that like the female

0:38:19.000 --> 0:38:21.880
<v Speaker 1>characters in action movies, if they are participating in the action,

0:38:22.000 --> 0:38:26.000
<v Speaker 1>they're usually not characterized very well. They're underdeveloped. We don't

0:38:26.000 --> 0:38:28.520
<v Speaker 1>know much about them. Yeah, they just don't have any

0:38:28.680 --> 0:38:33.840
<v Speaker 1>real traits beyond being kind of like badass. Whereas with Ripley,

0:38:34.000 --> 0:38:37.160
<v Speaker 1>I think a pretty I mean a lot of characterization

0:38:37.200 --> 0:38:40.080
<v Speaker 1>goes into her. We know that she's very smart, she's

0:38:40.160 --> 0:38:43.640
<v Speaker 1>very capable, she's highly rational, um, but she also has

0:38:43.680 --> 0:38:46.040
<v Speaker 1>like a nurturing side with where we see with Newt,

0:38:46.239 --> 0:38:49.960
<v Speaker 1>and I think she's a much more developed in multidimensional

0:38:50.040 --> 0:38:54.000
<v Speaker 1>character than we are used to seeing, especially in women

0:38:54.080 --> 0:38:56.640
<v Speaker 1>characters in action movies. I think it's also like a

0:38:56.760 --> 0:39:01.120
<v Speaker 1>very of the moment at that time statement, like a

0:39:01.160 --> 0:39:05.600
<v Speaker 1>female character being a very capable mother figure at least,

0:39:05.680 --> 0:39:08.399
<v Speaker 1>and also being very good and very capable and self

0:39:08.480 --> 0:39:10.719
<v Speaker 1>sustaining at her job, because at this time it was

0:39:10.760 --> 0:39:15.880
<v Speaker 1>still relatively new for women to be in the workplace

0:39:15.880 --> 0:39:18.680
<v Speaker 1>and also be viewed as, you know, able to be

0:39:18.880 --> 0:39:21.440
<v Speaker 1>a good mother. Right. Oh man. I feel like when

0:39:21.440 --> 0:39:23.760
<v Speaker 1>this came out like the same way any time anything

0:39:23.800 --> 0:39:26.879
<v Speaker 1>happens in pop culture now, like right wing people are like, well,

0:39:26.920 --> 0:39:29.840
<v Speaker 1>this is actually like a conservative movie. You can just

0:39:29.880 --> 0:39:32.799
<v Speaker 1>see like all the fucking like Daily Mail, like this

0:39:32.800 --> 0:39:36.279
<v Speaker 1>is actually about Margaret Thatcher, and like this is you

0:39:36.320 --> 0:39:39.320
<v Speaker 1>know this is really about how conservative women can do everything.

0:39:40.239 --> 0:39:45.239
<v Speaker 1>Doesn't just feel like that definitely happens. Yeah, yeah, yeah.

0:39:45.320 --> 0:39:47.319
<v Speaker 1>I kind of hate when movie they're co opted for

0:39:47.440 --> 0:39:50.759
<v Speaker 1>a bizarro cause, like, yeah, it's it ruins it, but

0:39:50.800 --> 0:39:52.960
<v Speaker 1>they I think that it just means that this movie

0:39:53.239 --> 0:39:57.200
<v Speaker 1>is a well written movie too, which by and large,

0:39:57.280 --> 0:40:01.200
<v Speaker 1>James Cameron movies do pretty well. Uh, in in its

0:40:01.200 --> 0:40:04.239
<v Speaker 1>treatment of female characters, weren't good. Oh, I don't know Titan,

0:40:04.360 --> 0:40:07.400
<v Speaker 1>I've ever heard of it. Some great, like almost all

0:40:07.520 --> 0:40:10.880
<v Speaker 1>great female characters, and in The Terminator at least the

0:40:10.920 --> 0:40:13.120
<v Speaker 1>first two movies, I don't I'm not super familiar with

0:40:13.200 --> 0:40:17.240
<v Speaker 1>the ones after that. But um, Sarah Connor is a

0:40:17.360 --> 0:40:20.600
<v Speaker 1>huge badass, and I know, like his movies have been criticized,

0:40:20.640 --> 0:40:22.920
<v Speaker 1>his treatment of women has been criticized to some degree.

0:40:22.960 --> 0:40:25.839
<v Speaker 1>He's also come out and said pretty stupid things in

0:40:25.880 --> 0:40:29.000
<v Speaker 1>recent years, Like he had a quote about Wonder Woman

0:40:29.040 --> 0:40:30.799
<v Speaker 1>which was kind of dumb, where he's basically like being

0:40:30.880 --> 0:40:33.279
<v Speaker 1>very self congratulatory, was like, well, look at how I

0:40:33.400 --> 0:40:35.799
<v Speaker 1>treat my women in my movies. I'm done like that,

0:40:35.880 --> 0:40:39.319
<v Speaker 1>And it's just like you're missing the point. Yeah, at

0:40:39.360 --> 0:40:41.680
<v Speaker 1>the end of the day, he is uh, straight white

0:40:41.680 --> 0:40:47.760
<v Speaker 1>man born before and therefore is wrong about most things.

0:40:48.320 --> 0:40:50.480
<v Speaker 1>But it's also like dog, keep your mouth shot, and

0:40:50.520 --> 0:40:53.200
<v Speaker 1>you can still be like actions Paul Feig, like you

0:40:53.600 --> 0:40:57.879
<v Speaker 1>just be quiet, like everyone will grudgingly be like, ah, well,

0:40:57.880 --> 0:40:59.919
<v Speaker 1>at least the movies are more or less on point

0:41:00.640 --> 0:41:03.000
<v Speaker 1>if you just fucking shut your mouth when people ask

0:41:03.040 --> 0:41:06.880
<v Speaker 1>you about the state of feminism, Yeah, why say anything?

0:41:07.640 --> 0:41:09.160
<v Speaker 1>It would Yeah, it would have been so easy to

0:41:09.160 --> 0:41:13.319
<v Speaker 1>just be like seems pretty good. Liked the movie, liked

0:41:13.360 --> 0:41:15.840
<v Speaker 1>them that I needed to say, super easy, jam What

0:41:15.880 --> 0:41:19.799
<v Speaker 1>are you doing? Do you all ever call him jam Cam? Jack? No?

0:41:19.920 --> 0:41:21.880
<v Speaker 1>I love that. That sounds like a good reality shows

0:41:21.880 --> 0:41:30.080
<v Speaker 1>throwing it out there, Cam James Cameron prank show Jack. Well, so, Jamie,

0:41:30.120 --> 0:41:33.080
<v Speaker 1>you mentioned Titanic, and I think this serves as a

0:41:33.120 --> 0:41:38.400
<v Speaker 1>transition into my next talking point because Vasquez, the character

0:41:38.440 --> 0:41:43.200
<v Speaker 1>in Aliens, is in Titanic as the Irish Mummy. Oh

0:41:43.239 --> 0:41:46.440
<v Speaker 1>my God her, which means which is a good transition

0:41:46.480 --> 0:41:50.760
<v Speaker 1>into I didn't notice that because in Titanic she is white.

0:41:50.960 --> 0:41:56.719
<v Speaker 1>She is as a person, she is white. Vasquez, who

0:41:56.800 --> 0:42:02.320
<v Speaker 1>is a Latina character. The actor is Janette Goldstein, who

0:42:02.640 --> 0:42:07.120
<v Speaker 1>is she is Jewish, Jewish. She is of Russian's, Moroccan

0:42:07.200 --> 0:42:11.200
<v Speaker 1>and Brazilian. She's Jewish from Beverly Hill, but she's a

0:42:11.200 --> 0:42:17.040
<v Speaker 1>white lady. She's Jewish from a can say. I found

0:42:17.400 --> 0:42:20.920
<v Speaker 1>a little excerpt that says that Goldstein was outfitted with

0:42:21.000 --> 0:42:24.080
<v Speaker 1>dark contact lenses to hide her blue eyes, and even

0:42:24.120 --> 0:42:27.719
<v Speaker 1>covered in full face and body makeup to cover up

0:42:27.719 --> 0:42:31.960
<v Speaker 1>her white skin. She is literally in brown face. There's

0:42:32.040 --> 0:42:35.719
<v Speaker 1>poll quotes from her talking about at the time complaining

0:42:35.760 --> 0:42:38.080
<v Speaker 1>about how the makeup made it hard for her to

0:42:38.360 --> 0:42:40.680
<v Speaker 1>do the part. But because she's like sweaty and wet

0:42:40.719 --> 0:42:43.960
<v Speaker 1>the whole time, maybe you should have just cast a

0:42:44.040 --> 0:42:47.160
<v Speaker 1>Latina actress in that role and you wouldn't have had

0:42:47.239 --> 0:42:54.120
<v Speaker 1>to do that. Yeah, that's troubling. Yeah, it's just I mean,

0:42:54.719 --> 0:42:58.680
<v Speaker 1>and I guess I don't know the state of brown

0:42:58.719 --> 0:43:04.719
<v Speaker 1>face in movie is in specifically, I have to imagine

0:43:04.719 --> 0:43:08.239
<v Speaker 1>if you know, is on the I don't know. I mean,

0:43:08.280 --> 0:43:13.799
<v Speaker 1>I genuinely don't know. But it's obviously unacceptable and I

0:43:13.800 --> 0:43:17.160
<v Speaker 1>don't understand. Yeah, I just don't understand. Yeah, it's kind

0:43:17.160 --> 0:43:19.759
<v Speaker 1>of a bummer all around, where you're like, why he

0:43:20.080 --> 0:43:24.839
<v Speaker 1>is so unnecessary? It's such a weird choice. I think

0:43:25.080 --> 0:43:28.480
<v Speaker 1>it's because she she's a pretty beloved character, and it

0:43:28.800 --> 0:43:31.680
<v Speaker 1>would have been greater. It is great to have a

0:43:31.760 --> 0:43:34.759
<v Speaker 1>woman of color character be such a beloved character, but

0:43:34.840 --> 0:43:37.359
<v Speaker 1>the fact that the actress playing that character is not

0:43:37.480 --> 0:43:41.120
<v Speaker 1>actually a woman of color just feels like a hollow victory. Right.

0:43:41.440 --> 0:43:43.319
<v Speaker 1>But there are a few things I do want to

0:43:43.360 --> 0:43:46.920
<v Speaker 1>say about this character that I think are worth noting,

0:43:47.040 --> 0:43:54.560
<v Speaker 1>aside from setting aside that actresses in brown face, and

0:43:53.480 --> 0:43:57.120
<v Speaker 1>if there's a silver lining, it's not played for laughs

0:43:57.160 --> 0:43:59.680
<v Speaker 1>at all. I mean, they even attempt to make like

0:43:59.760 --> 0:44:03.120
<v Speaker 1>a like an anti Latino a joke about illegal immigrants,

0:44:03.120 --> 0:44:05.640
<v Speaker 1>and she tells him to go fuck himself basically, which

0:44:05.680 --> 0:44:07.520
<v Speaker 1>makes it all the more baffling that they didn't just

0:44:07.680 --> 0:44:10.799
<v Speaker 1>hire the right actor for Bartley. It just doesn't. Yeah, yeah,

0:44:10.840 --> 0:44:13.800
<v Speaker 1>because the character is treated with respect pretty consistently, and

0:44:14.040 --> 0:44:17.239
<v Speaker 1>it's like proves herself again and again, and he's a

0:44:17.280 --> 0:44:20.080
<v Speaker 1>well written character. There's nothing wrong with the character. It's

0:44:20.160 --> 0:44:25.040
<v Speaker 1>all the execution that's wrong. Right, Because so Vasquez is

0:44:25.520 --> 0:44:27.160
<v Speaker 1>I think it's interesting that we see on the screen

0:44:27.360 --> 0:44:31.839
<v Speaker 1>a fairly mask presenting woman. You don't see a lot

0:44:31.840 --> 0:44:36.560
<v Speaker 1>of representation of that on screen in like mainstream Hollywood movies,

0:44:36.880 --> 0:44:39.560
<v Speaker 1>she's a spaceman unless yeah, I mean unless it's like

0:44:39.680 --> 0:44:41.600
<v Speaker 1>that type of character is the butt of a joke,

0:44:41.680 --> 0:44:46.080
<v Speaker 1>which there's a brief moment where Bill Paxton says something

0:44:46.120 --> 0:44:49.160
<v Speaker 1>like fascas, have you've been mistaken for a man? And

0:44:49.440 --> 0:44:52.200
<v Speaker 1>she comes back with no, have you and then she

0:44:52.520 --> 0:44:58.280
<v Speaker 1>slaps high five and goes off, Yeah got me, God,

0:44:58.360 --> 0:45:03.279
<v Speaker 1>I got packed at jam Cam. Aside from that, though,

0:45:03.360 --> 0:45:07.000
<v Speaker 1>like her sort of mask presentation isn't like the butt

0:45:07.000 --> 0:45:09.160
<v Speaker 1>of a joke, and by and large she's very respected

0:45:09.200 --> 0:45:12.680
<v Speaker 1>and seen as an equal among her male colleague. That's

0:45:12.719 --> 0:45:17.120
<v Speaker 1>accomplished very quickly, Like in that scene Paxiston comes out

0:45:17.200 --> 0:45:20.200
<v Speaker 1>or with that she shuts him down, and then her

0:45:20.239 --> 0:45:23.279
<v Speaker 1>other friend is sort of like, yeah, that's good, as

0:45:23.280 --> 0:45:25.480
<v Speaker 1>you rule, and then she slaps him in the face

0:45:25.520 --> 0:45:28.279
<v Speaker 1>and I was like, whoa, She's coming in hot in

0:45:28.520 --> 0:45:31.040
<v Speaker 1>every regard it was exciting. Well, she just woke up.

0:45:32.160 --> 0:45:35.160
<v Speaker 1>She was also doing she's doing a pull up. Someone

0:45:35.320 --> 0:45:41.640
<v Speaker 1>does another pull up. Someone's pretty good scene. Yeah, I

0:45:41.719 --> 0:45:44.399
<v Speaker 1>was like, what a space marine. Holy sh it. So

0:45:44.880 --> 0:45:46.719
<v Speaker 1>through the rest of the movie she is one of

0:45:46.719 --> 0:45:49.359
<v Speaker 1>the people who survives pretty close to the very end.

0:45:49.840 --> 0:45:52.880
<v Speaker 1>Oftentimes she is like leading the way. If they're like

0:45:52.960 --> 0:45:55.479
<v Speaker 1>going into a new area that they're unfamiliar with, She's

0:45:55.560 --> 0:45:59.840
<v Speaker 1>like going in first, holding the biggest gun. She's charge,

0:45:59.880 --> 0:46:01.680
<v Speaker 1>Like who's in charge on the ship? Like, who is

0:46:01.719 --> 0:46:04.520
<v Speaker 1>the person who's in charge? Well, it's the gormless new

0:46:04.560 --> 0:46:08.360
<v Speaker 1>guy is technically in charge, and then the older black dude.

0:46:08.760 --> 0:46:13.360
<v Speaker 1>And then yeah, opone dies pretty quickly, so he was

0:46:13.400 --> 0:46:16.520
<v Speaker 1>like sort of the highest ranking. So Gorman is like

0:46:16.840 --> 0:46:20.160
<v Speaker 1>delivering orders from behind the scenes. Oppone dies, So then

0:46:20.480 --> 0:46:23.440
<v Speaker 1>the next in command ends up being Hicks at some point.

0:46:23.719 --> 0:46:25.920
<v Speaker 1>The reason I ask is I don't know how to

0:46:25.960 --> 0:46:28.239
<v Speaker 1>at the loftest rule of factors into this movie. I

0:46:28.280 --> 0:46:30.799
<v Speaker 1>think it might not succeed in this movie because I

0:46:30.800 --> 0:46:33.240
<v Speaker 1>would say Ripley is ultimately the woman most in charge

0:46:33.280 --> 0:46:35.600
<v Speaker 1>and she has the most hair. Yeah she is not,

0:46:35.719 --> 0:46:39.080
<v Speaker 1>but in Alien three she shaves her head and she

0:46:39.360 --> 0:46:42.839
<v Speaker 1>does become the baldest woman in charge. So Alien three

0:46:42.880 --> 0:46:48.360
<v Speaker 1>passes the longest games, the franchise passes this maybe specific movie,

0:46:48.480 --> 0:46:50.040
<v Speaker 1>and she doesn't have a lot of hair. I mean,

0:46:50.080 --> 0:46:53.840
<v Speaker 1>you could argue that the Alien queen is bald, that

0:46:55.760 --> 0:46:59.040
<v Speaker 1>she's all flaps, hairless flaps. But she in charge, which

0:46:59.080 --> 0:47:02.240
<v Speaker 1>is an unfair press, is in charge of her alien,

0:47:02.400 --> 0:47:06.120
<v Speaker 1>of her organized family. It was really an empowering movie.

0:47:06.160 --> 0:47:11.120
<v Speaker 1>The flaps would have hair. Yeah, you're right, don't wax

0:47:11.200 --> 0:47:16.080
<v Speaker 1>my flaps. That's what my shirt in any case, don't

0:47:16.120 --> 0:47:23.719
<v Speaker 1>try about me a little flat Vasquez though, Yeah, I

0:47:23.719 --> 0:47:26.319
<v Speaker 1>mean she like the men are never like, oh, we

0:47:26.360 --> 0:47:28.440
<v Speaker 1>have to protect her. She might be one of the

0:47:28.480 --> 0:47:32.520
<v Speaker 1>crazier ones. Yeah, she's kind of unhinged, right in a

0:47:32.560 --> 0:47:34.960
<v Speaker 1>way that you would normally see like a male character

0:47:35.360 --> 0:47:38.520
<v Speaker 1>like Yippy caying around a little bit. Right. If anyone

0:47:38.560 --> 0:47:42.479
<v Speaker 1>has rode rage on that crew, it's maybe her, Yeah,

0:47:43.120 --> 0:47:46.040
<v Speaker 1>which I guess she could have rid rage steroids too.

0:47:46.120 --> 0:47:48.200
<v Speaker 1>That's right. Women can do it. If we can be criminals,

0:47:48.360 --> 0:47:52.160
<v Speaker 1>we can abuse steroids, you name it, we can do it.

0:47:52.360 --> 0:47:55.719
<v Speaker 1>Pharaoh is a little bit chiller, and another woman with

0:47:55.920 --> 0:47:58.400
<v Speaker 1>part hair. Yeah, she's the pilot. And then there's another

0:47:58.640 --> 0:48:01.840
<v Speaker 1>woman on the team. Her name is Dietrich and she

0:48:01.920 --> 0:48:05.720
<v Speaker 1>seems to be like a medic technician of some kind.

0:48:06.120 --> 0:48:08.120
<v Speaker 1>She is one of the first people to die, though,

0:48:08.160 --> 0:48:10.240
<v Speaker 1>so we don't see a ton of her on screen,

0:48:10.520 --> 0:48:14.160
<v Speaker 1>But you were mentioning this earlier is that the movie

0:48:14.280 --> 0:48:15.920
<v Speaker 1>kind of goes out of its way to be pretty

0:48:15.920 --> 0:48:19.080
<v Speaker 1>inclusive in terms of having women be a part of

0:48:19.120 --> 0:48:27.960
<v Speaker 1>the marine team, which compared this movie to write compared

0:48:28.000 --> 0:48:32.920
<v Speaker 1>this movie to The Rock exactly where it's kind of

0:48:32.960 --> 0:48:35.480
<v Speaker 1>similar and that like there's just like someone who has

0:48:35.520 --> 0:48:38.640
<v Speaker 1>a certain specialty that gets called in to advise on

0:48:38.680 --> 0:48:42.280
<v Speaker 1>this rescue mission and aliens. It's Ripley. In The Rocket's

0:48:42.680 --> 0:48:52.120
<v Speaker 1>Sean Connery his wife my favorite shots. But in The

0:48:52.200 --> 0:48:55.680
<v Speaker 1>Rock there are hardly any women seen on screen at all.

0:48:55.880 --> 0:48:58.680
<v Speaker 1>In this movie, women have a ton of screen time,

0:48:58.719 --> 0:49:03.319
<v Speaker 1>which makes sense and not insight. Unlike The Rock, it's

0:49:03.360 --> 0:49:05.560
<v Speaker 1>only allowed on screen during The Rock if they're wearing

0:49:05.680 --> 0:49:12.799
<v Speaker 1>a feather boa and proposing and gregnant anyway. So yeah,

0:49:12.920 --> 0:49:17.600
<v Speaker 1>I think it's really cool to see so many women

0:49:17.640 --> 0:49:22.080
<v Speaker 1>in like military positions in this movie. Yeah, more progressive

0:49:22.080 --> 0:49:26.800
<v Speaker 1>than our current military and our current like movies about military,

0:49:27.120 --> 0:49:29.240
<v Speaker 1>Like there's I would say, if there is a movie

0:49:29.280 --> 0:49:32.480
<v Speaker 1>being made about marines right now, I can't imagine it

0:49:32.560 --> 0:49:35.040
<v Speaker 1>even having the parody of this movie. Yeah, or it's

0:49:35.080 --> 0:49:37.239
<v Speaker 1>like a big deal, like a G I. Jane where

0:49:37.239 --> 0:49:41.200
<v Speaker 1>you're like, oh, can you believe it? This is such

0:49:41.239 --> 0:49:45.920
<v Speaker 1>a struggle, what a noble struggle. I mean, no one's

0:49:46.040 --> 0:49:48.799
<v Speaker 1>gender really gets aside from that one joke that Bill

0:49:48.840 --> 0:49:52.200
<v Speaker 1>Paxton says in the beginning, like there's gender isn't Oh

0:49:52.320 --> 0:49:54.920
<v Speaker 1>there's one other scene. Uh there. It was a part

0:49:54.960 --> 0:49:57.720
<v Speaker 1>of the movie where I said where I shouted locker

0:49:57.840 --> 0:50:01.200
<v Speaker 1>room talk. Oh. Yes, because there's a scene where they're

0:50:01.239 --> 0:50:03.880
<v Speaker 1>all at lunch and this is like right after Ripley

0:50:03.920 --> 0:50:06.560
<v Speaker 1>gets there and she's like, oh, I wonder if people

0:50:06.600 --> 0:50:10.800
<v Speaker 1>respect women in the future, and it's like nope. Uh

0:50:11.160 --> 0:50:14.160
<v Speaker 1>where Oh I have I have the quote one of

0:50:14.200 --> 0:50:18.400
<v Speaker 1>the marines says, Oh, we're going on this mission because

0:50:19.360 --> 0:50:26.279
<v Speaker 1>the juicy colonists daughters need rescuing from their virginity. Yeah,

0:50:26.920 --> 0:50:30.440
<v Speaker 1>they say the phrase juicy colonists daughters. Now that's a

0:50:30.440 --> 0:50:33.080
<v Speaker 1>fundamentally flawed phrase as well, because are they saying that

0:50:33.440 --> 0:50:40.879
<v Speaker 1>the fathers are juicy or that's a misplaced qualifier. They're like, oh,

0:50:40.920 --> 0:50:45.440
<v Speaker 1>the juicy colonists thin daughters. Like we don't know. I

0:50:45.480 --> 0:50:50.919
<v Speaker 1>simply don't know. Jim really camped himself on that one. Yeah,

0:50:51.000 --> 0:50:53.239
<v Speaker 1>that is I don't know why that line is in

0:50:53.280 --> 0:50:55.920
<v Speaker 1>the movie. It feels kind of out of place, and

0:50:55.960 --> 0:50:58.080
<v Speaker 1>then they're okay. There is also later on they all

0:50:58.239 --> 0:51:00.840
<v Speaker 1>did suffer at the hands of the many juicy daughters

0:51:00.880 --> 0:51:03.680
<v Speaker 1>on the planet. So that's true. I mean there were

0:51:03.680 --> 0:51:06.960
<v Speaker 1>a bunch of juicy daughters, meaning the aliens, the slap Monster.

0:51:07.800 --> 0:51:13.759
<v Speaker 1>I would say that they did. Yeah, it was a

0:51:13.760 --> 0:51:18.120
<v Speaker 1>wet plane, slippery as hell. Please come see my new

0:51:18.200 --> 0:51:26.400
<v Speaker 1>student film, wet Planets, just Clammy Planets planet. Um. Okay, So,

0:51:26.480 --> 0:51:30.640
<v Speaker 1>aside from a few quick moments, gender isn't really addressed

0:51:30.880 --> 0:51:33.480
<v Speaker 1>in this movie. No one's like, oh, you can't do

0:51:33.600 --> 0:51:35.560
<v Speaker 1>that because you're a woman, or I'm not going to

0:51:35.680 --> 0:51:39.080
<v Speaker 1>listen to a woman. Right Yeah, So, um, I think

0:51:39.080 --> 0:51:42.120
<v Speaker 1>that's that's very well. I do feel like the whole

0:51:42.160 --> 0:51:46.920
<v Speaker 1>meta plot of Paul Riser faking presumably now that I'm

0:51:47.200 --> 0:51:48.960
<v Speaker 1>I'm not sure how it's you're supposed to read it,

0:51:49.000 --> 0:51:51.480
<v Speaker 1>but I kind of thought the beginning was supposed to

0:51:51.480 --> 0:51:53.279
<v Speaker 1>be revealed to be like a setup and part of

0:51:53.280 --> 0:51:57.759
<v Speaker 1>the manipulation, Like so he got her fired, believed her

0:51:57.800 --> 0:52:00.400
<v Speaker 1>the whole time, but was like this only way I

0:52:00.440 --> 0:52:03.320
<v Speaker 1>can get her on the planet. Maybe, I think so? Maybe? Okay,

0:52:03.400 --> 0:52:06.720
<v Speaker 1>So given that like it is a little bit like gender.

0:52:06.960 --> 0:52:10.239
<v Speaker 1>The way that all went down, it felt like, I

0:52:10.239 --> 0:52:12.000
<v Speaker 1>don't know how I can see that just kind of

0:52:12.000 --> 0:52:15.520
<v Speaker 1>manipulate a woman in that way, whereas I assume that

0:52:15.560 --> 0:52:18.239
<v Speaker 1>you could. You wouldn't, Yeah, you wouldn't do that to

0:52:18.360 --> 0:52:21.320
<v Speaker 1>a man like a corporate right, that's probably not And

0:52:21.440 --> 0:52:25.000
<v Speaker 1>especially because he targets Ripley and Newt as being the

0:52:25.000 --> 0:52:27.080
<v Speaker 1>ones that he's going to try to get the face

0:52:27.160 --> 0:52:30.920
<v Speaker 1>huggers to impregnate, essentially so that he can carry the

0:52:31.040 --> 0:52:33.600
<v Speaker 1>yeah exactly, so he can carry the yeah. We didn't

0:52:33.640 --> 0:52:36.680
<v Speaker 1>even get to the fact that he's raping for business

0:52:37.080 --> 0:52:40.200
<v Speaker 1>in this movie, but the one other I mean, this

0:52:40.320 --> 0:52:43.919
<v Speaker 1>movie calls less attention to gender, I think to its

0:52:44.120 --> 0:52:46.640
<v Speaker 1>strength a lot of the time and shows again it's

0:52:46.680 --> 0:52:50.080
<v Speaker 1>like an element of restraint. This movie shows that most

0:52:50.080 --> 0:52:54.600
<v Speaker 1>movies today would not because every male dominated art form

0:52:54.680 --> 0:52:56.920
<v Speaker 1>right now is dying to tell you how much they

0:52:56.960 --> 0:53:02.040
<v Speaker 1>respect women simply gushing. But I will say that this movie,

0:53:02.080 --> 0:53:05.880
<v Speaker 1>like and And if it is true that the conservative

0:53:05.960 --> 0:53:09.040
<v Speaker 1>values like we're felt represented by this movie, I think

0:53:09.040 --> 0:53:14.120
<v Speaker 1>it is because we have this very strong, capable female protagonist.

0:53:14.480 --> 0:53:17.320
<v Speaker 1>But you do have and it works in this story,

0:53:17.360 --> 0:53:21.000
<v Speaker 1>but it is a deliberate choice to have the maternal

0:53:21.280 --> 0:53:24.640
<v Speaker 1>b plot added of like, oh, but also she can

0:53:24.719 --> 0:53:27.800
<v Speaker 1>be maternal and gentle and she longs for motherhood and like,

0:53:27.920 --> 0:53:31.200
<v Speaker 1>this is an element of her that cannot be denied,

0:53:31.239 --> 0:53:35.440
<v Speaker 1>which is not the case and not representative of every woman.

0:53:35.560 --> 0:53:37.520
<v Speaker 1>So you can't just save a child because you don't

0:53:37.520 --> 0:53:42.480
<v Speaker 1>want to see a kid die, Like, come on you, mmy, Yeah,

0:53:42.760 --> 0:53:45.680
<v Speaker 1>I can see that happening and being justified more if

0:53:45.719 --> 0:53:47.600
<v Speaker 1>in the first movie it's set up that she has

0:53:47.600 --> 0:53:51.040
<v Speaker 1>a daughter that she left behind, but they deliberately add

0:53:51.239 --> 0:53:55.360
<v Speaker 1>that detail into this movie that hadn't previously been established,

0:53:55.440 --> 0:53:57.719
<v Speaker 1>so that means that that did not need to be established.

0:53:57.760 --> 0:54:00.400
<v Speaker 1>And if they do just find a kid, yeah, she

0:54:00.440 --> 0:54:03.640
<v Speaker 1>doesn't necessarily need to be extremely maternal about it. She

0:54:03.680 --> 0:54:05.279
<v Speaker 1>can just be like, Hey, I'm going to help make

0:54:05.320 --> 0:54:08.400
<v Speaker 1>sure this kid doesn't die. This greasy little Girls your boss,

0:54:08.480 --> 0:54:13.600
<v Speaker 1>which could have another option, greasy little boss. Yeah. I

0:54:13.600 --> 0:54:18.719
<v Speaker 1>guess the Jim really intentionally shoehorns that in and and

0:54:18.760 --> 0:54:22.560
<v Speaker 1>again I think for this movie, it does work, and

0:54:22.600 --> 0:54:26.680
<v Speaker 1>it helps build out the backstory and interior life of

0:54:26.760 --> 0:54:28.880
<v Speaker 1>Ripley in a way that the first movie kind of doesn't.

0:54:29.600 --> 0:54:32.440
<v Speaker 1>But also the fact that he defaults to, like, oh,

0:54:32.520 --> 0:54:34.480
<v Speaker 1>how is a way I can give this female character

0:54:34.600 --> 0:54:38.120
<v Speaker 1>some depth? Mommy, Yeah, that's all I can think of?

0:54:38.360 --> 0:54:41.680
<v Speaker 1>Is right, Like, it's effective, but it's also kind of

0:54:41.719 --> 0:54:44.120
<v Speaker 1>a default. But that's also a trump that is usually

0:54:44.160 --> 0:54:46.960
<v Speaker 1>given to men. So I think it's at least interesting that,

0:54:47.000 --> 0:54:51.880
<v Speaker 1>like the dead daughter Trumpe being used to characteristic characterized characters.

0:54:51.960 --> 0:54:55.360
<v Speaker 1>Usually it's not mad Tom Hardy and mad Max Fury,

0:54:55.680 --> 0:54:59.480
<v Speaker 1>Max my daughter, I miss her. I'm quiet. My movie

0:54:59.520 --> 0:55:06.080
<v Speaker 1>is bad, that's my Max is so good. I'm I'm

0:55:06.120 --> 0:55:08.920
<v Speaker 1>I'm completely alone in that opinion, and that just has

0:55:08.960 --> 0:55:11.120
<v Speaker 1>to be fine. I've been alone in that opinion for

0:55:11.239 --> 0:55:14.000
<v Speaker 1>years and I'm fine. Yeah. You just don't like difficult,

0:55:14.080 --> 0:55:17.839
<v Speaker 1>spiky places. I don't like steampunk imagery. I don't like

0:55:18.960 --> 0:55:21.160
<v Speaker 1>that's what this is too. I don't like the Orange

0:55:21.160 --> 0:55:24.879
<v Speaker 1>and Blue movies. I guess this is Yeah, bio punk

0:55:24.960 --> 0:55:28.640
<v Speaker 1>is another triggering phrase. There any any movie where it's

0:55:28.680 --> 0:55:33.480
<v Speaker 1>like the Orange Blue movie posters? Yeah, that's all. Yeah,

0:55:33.719 --> 0:55:37.439
<v Speaker 1>I love I'm here for it. Here. Let me talk

0:55:37.480 --> 0:55:41.080
<v Speaker 1>about some of my favorite moments that demonstrate Ripley as

0:55:41.160 --> 0:55:45.440
<v Speaker 1>being a smart person, as being a smart smart smart,

0:55:45.560 --> 0:55:48.080
<v Speaker 1>a good, a big smart. She's the one who figures

0:55:48.080 --> 0:55:50.680
<v Speaker 1>out that the soldiers can't fire their weapons in a

0:55:50.719 --> 0:55:54.520
<v Speaker 1>certain place because it'll basically cause a nuclear reaction. So

0:55:54.640 --> 0:55:58.319
<v Speaker 1>after the first alien attack, a bunch of people die.

0:55:58.560 --> 0:56:01.040
<v Speaker 1>Gorman is like, who don't know what to do? And

0:56:01.120 --> 0:56:06.839
<v Speaker 1>she grabs him, shakes him and screams do something. He

0:56:06.920 --> 0:56:10.719
<v Speaker 1>doesn't do anything, So then she basically takes over and

0:56:10.760 --> 0:56:15.120
<v Speaker 1>starts giving orders and takes the wheel, drives whatever vehicle

0:56:15.160 --> 0:56:18.120
<v Speaker 1>they're in, and goes and saves the survivors. There's a

0:56:18.120 --> 0:56:24.000
<v Speaker 1>point where Bill Paxston is throwing a fit and screaming, screaming.

0:56:24.600 --> 0:56:33.000
<v Speaker 1>She yells diamond um. She says, I'm stickier bullshit, because

0:56:33.000 --> 0:56:37.000
<v Speaker 1>while he is freaking out, she is level headed and

0:56:37.120 --> 0:56:39.239
<v Speaker 1>knows what needs to happen. She's like, give me the

0:56:39.280 --> 0:56:41.719
<v Speaker 1>fucking plans so that we can find the air vent.

0:56:41.760 --> 0:56:44.480
<v Speaker 1>Since ship do you think it's? Sigourney Weaver and Bill Paxston.

0:56:44.520 --> 0:56:50.120
<v Speaker 1>We're friends, I hope, so that would be so nice.

0:56:50.880 --> 0:56:53.080
<v Speaker 1>Oh I'm gonna look it up. Okay, say yeah? And

0:56:53.120 --> 0:56:57.439
<v Speaker 1>then oh Ripley screams at Burke for being a capitalist. Also,

0:56:57.520 --> 0:57:01.840
<v Speaker 1>this movie I feel like is anti colonialism as well,

0:57:02.000 --> 0:57:07.960
<v Speaker 1>for sure, because all the colonists die the end. Also,

0:57:08.040 --> 0:57:11.200
<v Speaker 1>I think this movie is a pro choice because Sigourney

0:57:11.280 --> 0:57:17.360
<v Speaker 1>Weaver kills the alien flat babies with a flamethrower, which, okay,

0:57:17.440 --> 0:57:21.600
<v Speaker 1>leads me to one of many climactic sequences in this

0:57:21.640 --> 0:57:26.480
<v Speaker 1>movie where she does like the last big rescue at

0:57:26.480 --> 0:57:30.880
<v Speaker 1>the end, she goes in and rescues Newts, and that

0:57:30.920 --> 0:57:35.520
<v Speaker 1>whole sequence is all female characters because it's Ripley Newt,

0:57:36.000 --> 0:57:40.320
<v Speaker 1>the alien queen, and the automated female voice, which I

0:57:40.320 --> 0:57:41.920
<v Speaker 1>don't know if we ever learned her name or not,

0:57:42.000 --> 0:57:46.880
<v Speaker 1>but like basically the like and the tone of the

0:57:46.920 --> 0:57:50.360
<v Speaker 1>automated female voice is kind of actually, she's got a

0:57:50.360 --> 0:57:53.240
<v Speaker 1>little tuned and that voice. At first, what's that phrase

0:57:53.240 --> 0:57:55.920
<v Speaker 1>she kept saying. It was something to like get out.

0:57:56.120 --> 0:57:59.640
<v Speaker 1>She's like, yeah, you only have like fifty minutes. Excuse

0:58:00.320 --> 0:58:05.919
<v Speaker 1>doing here? Excuse me, just a quick update. Sigourney Weaver

0:58:06.320 --> 0:58:10.240
<v Speaker 1>was sad Bill Packson died. Okay, she looks like, I'm

0:58:10.360 --> 0:58:16.840
<v Speaker 1>go good finally. But so in this sequence, all these

0:58:16.840 --> 0:58:20.480
<v Speaker 1>surviving male characters, which is only Bishop and Hicks, are

0:58:20.520 --> 0:58:22.760
<v Speaker 1>treated the way that a lot of female characters are

0:58:22.800 --> 0:58:25.640
<v Speaker 1>in action movies, which is that they are completely sidelined

0:58:25.680 --> 0:58:30.120
<v Speaker 1>and not given anything to do. Ripley saves herself, She

0:58:30.280 --> 0:58:33.000
<v Speaker 1>saves Newt. She does not need to be saved by

0:58:33.200 --> 0:58:38.480
<v Speaker 1>a man a little earlier there. Yeah, she is saved,

0:58:38.600 --> 0:58:42.280
<v Speaker 1>but only because, like, she tries very hard to save herself,

0:58:42.520 --> 0:58:45.760
<v Speaker 1>and these things have proven to be nearly impossible to

0:58:45.880 --> 0:58:48.840
<v Speaker 1>fight off and it takes like three or four men

0:58:48.880 --> 0:58:51.000
<v Speaker 1>to pull the thing off of her. So I didn't

0:58:51.240 --> 0:58:53.760
<v Speaker 1>hate that, especially because then she does go on to

0:58:54.040 --> 0:58:56.640
<v Speaker 1>save herself and have all the agency at the end

0:58:56.640 --> 0:58:59.120
<v Speaker 1>of the movie. I agree. So I was. I was

0:58:59.200 --> 0:59:01.720
<v Speaker 1>worried because that was the point of the in the

0:59:01.760 --> 0:59:04.080
<v Speaker 1>movie where I was like, this could be the climactic scene,

0:59:04.120 --> 0:59:07.280
<v Speaker 1>because this movie could be over soon because it's pretty

0:59:07.400 --> 0:59:11.919
<v Speaker 1>much done, but because it's actually sixty five scenes before

0:59:11.960 --> 0:59:15.280
<v Speaker 1>the movie actually answered so long, Well, we need that

0:59:15.320 --> 0:59:18.360
<v Speaker 1>scene where she's just got away from her you rich, Yeah,

0:59:18.440 --> 0:59:21.000
<v Speaker 1>but let's just go to that scene. Did we need

0:59:21.040 --> 0:59:23.400
<v Speaker 1>the scorpion scene? Although I did really like when she

0:59:23.960 --> 0:59:25.560
<v Speaker 1>and Knut were banging on the glass and they're like,

0:59:25.640 --> 0:59:32.400
<v Speaker 1>is can anyone hear us? I was like, I feel you. Um,

0:59:32.440 --> 0:59:34.600
<v Speaker 1>I feel like one of the reasons I brought this

0:59:34.760 --> 0:59:38.240
<v Speaker 1>up it was because when like shitty film guys talk

0:59:38.280 --> 0:59:41.920
<v Speaker 1>about the backdel test, specifically the like well technically like

0:59:42.120 --> 0:59:46.200
<v Speaker 1>the queen aliens like a woman. That's That's kind of

0:59:46.200 --> 0:59:47.520
<v Speaker 1>why I thought it would be funny to bring this

0:59:47.680 --> 0:59:50.520
<v Speaker 1>to the podcast. But then I forgot that at least

0:59:50.560 --> 0:59:55.280
<v Speaker 1>and aliens probably an alien. There's like enough other stuff.

0:59:55.560 --> 0:59:57.840
<v Speaker 1>I actually thought this whole podcast was going to be

0:59:58.080 --> 1:00:04.120
<v Speaker 1>a debate about whether, like screeching violently constitutes dialogue. What

1:00:04.280 --> 1:00:06.640
<v Speaker 1>is the queen saying? We don't know, is she talking

1:00:06.680 --> 1:00:09.040
<v Speaker 1>about a man? She might be like, you killed my son?

1:00:09.240 --> 1:00:11.600
<v Speaker 1>You killed my son? Should be like I think Bill

1:00:11.640 --> 1:00:16.160
<v Speaker 1>Paxton's doing a great job in this movie. Fine, he's fine.

1:00:16.640 --> 1:00:21.080
<v Speaker 1>Big Love is a good show. He's a capable character actor,

1:00:21.120 --> 1:00:23.440
<v Speaker 1>but no one calls him a character actor because he's hot.

1:00:24.600 --> 1:00:29.200
<v Speaker 1>Rest Paradise, Rest in past in Paradise, Rest in Paxiston.

1:00:29.960 --> 1:00:34.000
<v Speaker 1>Oh Paxton, my Packiston. Oh there's another quick scene I

1:00:34.040 --> 1:00:37.400
<v Speaker 1>wanted to talk about, where it's wearing. They first find

1:00:37.760 --> 1:00:42.280
<v Speaker 1>Newt and Ripley is like cleaning off nuts face and

1:00:42.320 --> 1:00:44.880
<v Speaker 1>she's like, oh, hard to believe there's a little girl

1:00:44.960 --> 1:00:48.880
<v Speaker 1>under this, because again she is covered in just slime

1:00:48.920 --> 1:00:52.760
<v Speaker 1>and goop and dirt. She's a slippery little girl because slippery.

1:00:52.920 --> 1:00:54.880
<v Speaker 1>So yeah, she's like hard to believe there's a little

1:00:54.880 --> 1:00:58.080
<v Speaker 1>girl under this dot dot dot and a pretty one too,

1:00:58.480 --> 1:01:02.400
<v Speaker 1>which is not a line that Ripley needs to say.

1:01:02.440 --> 1:01:04.520
<v Speaker 1>I mean, I don't know. Maybe she's trying to lift

1:01:04.520 --> 1:01:09.400
<v Speaker 1>her spirits because granted, her parents were murdered by aliens

1:01:09.440 --> 1:01:11.880
<v Speaker 1>and she's the only one left alive on this planet.

1:01:12.040 --> 1:01:15.560
<v Speaker 1>But I think it's just goes to show that girls

1:01:15.680 --> 1:01:19.640
<v Speaker 1>and women are often only appreciated for the way they

1:01:19.680 --> 1:01:21.640
<v Speaker 1>look and only talked about in the context of the

1:01:21.680 --> 1:01:25.360
<v Speaker 1>way they look, whereas little boys are complimented about being

1:01:25.400 --> 1:01:29.320
<v Speaker 1>smart and being athletic and being all kinds of other things.

1:01:29.960 --> 1:01:32.280
<v Speaker 1>I think, and and that's like one of those interesting

1:01:32.320 --> 1:01:34.840
<v Speaker 1>little uncanny moments where you're like, oh, this movie was

1:01:34.840 --> 1:01:38.000
<v Speaker 1>written by a guy, like it's just one of the yeah,

1:01:38.080 --> 1:01:41.040
<v Speaker 1>but then a movie that large, because how else would

1:01:41.040 --> 1:01:45.440
<v Speaker 1>a guy imagine you comfort a little girl exactly exactly

1:01:45.480 --> 1:01:48.480
<v Speaker 1>like how would a mom comfort a young girl call

1:01:48.520 --> 1:01:53.560
<v Speaker 1>her pretty? But then there's several scenes later where Ripley's

1:01:53.640 --> 1:01:57.800
<v Speaker 1>like she survived without any training or weapons, Like, she's

1:01:57.920 --> 1:02:00.600
<v Speaker 1>clearly very competent. There are those who seems where she

1:02:00.680 --> 1:02:03.400
<v Speaker 1>kind of condescends to her and new It is like,

1:02:03.840 --> 1:02:07.000
<v Speaker 1>I'm not an idiot, I know that plastic dollheads can't

1:02:07.000 --> 1:02:09.640
<v Speaker 1>have bad dreams. And she's like, oh yeah, like I

1:02:09.640 --> 1:02:12.360
<v Speaker 1>mean that's I like that moment. Yeah, exactly. So it

1:02:12.360 --> 1:02:14.520
<v Speaker 1>would have been awesome in that like training our weapons

1:02:14.520 --> 1:02:16.800
<v Speaker 1>monologue if she then was like, and that's why I'm

1:02:16.800 --> 1:02:20.400
<v Speaker 1>giving this four year old girl a plasma rifle. Here

1:02:20.440 --> 1:02:26.040
<v Speaker 1>you go, she's eleven whatever? Sorry, yeah, I think so

1:02:26.400 --> 1:02:29.360
<v Speaker 1>that's crazy. I was seven, I said for because my

1:02:29.400 --> 1:02:31.880
<v Speaker 1>brain shut off. She might not be. Maybe I'm just

1:02:31.920 --> 1:02:34.920
<v Speaker 1>thinking she's eleven because that's how old Ripley's daughter was whenever.

1:02:35.320 --> 1:02:38.840
<v Speaker 1>She's probably eleven. I don't know how old any kid ever. Anyway,

1:02:38.920 --> 1:02:42.160
<v Speaker 1>Look I'm saying, is preteen with a plasma rifle. I'm

1:02:42.200 --> 1:02:44.680
<v Speaker 1>for it. I would see it, Yeah, I would see it.

1:02:44.720 --> 1:02:48.080
<v Speaker 1>I'm mostly for it. Mostly. Oh my god, you're making

1:02:48.160 --> 1:02:52.440
<v Speaker 1>so many of those jobs for the child. Actor who

1:02:53.240 --> 1:02:57.080
<v Speaker 1>played Newt is a teacher. Now, Oh cool, isn't that

1:02:57.120 --> 1:02:59.240
<v Speaker 1>what happens in the beginning of Alien three, they're just

1:02:59.280 --> 1:03:03.640
<v Speaker 1>like title hard style, like, oh Newt died spaceship crash. Yeah,

1:03:03.680 --> 1:03:07.680
<v Speaker 1>they do kill her. They do kill her. They're like,

1:03:07.760 --> 1:03:12.080
<v Speaker 1>she had the call to pursue the most noble profession.

1:03:12.960 --> 1:03:14.280
<v Speaker 1>There's actually a couple of things I did want to

1:03:14.320 --> 1:03:17.480
<v Speaker 1>say about Alien three, because it feels like the first

1:03:17.640 --> 1:03:22.240
<v Speaker 1>of the Alien movies where gender is largely commented on,

1:03:22.360 --> 1:03:26.800
<v Speaker 1>because it's generally pretty ignored in the first two Alien movies.

1:03:27.480 --> 1:03:30.400
<v Speaker 1>Ripley crash lands on to a planet where there's like

1:03:30.400 --> 1:03:35.080
<v Speaker 1>a penal quality full of men with why y chromosomes,

1:03:35.080 --> 1:03:39.520
<v Speaker 1>which is not a real thing. I don't but I

1:03:39.520 --> 1:03:42.880
<v Speaker 1>guess they're implying that these men are so masculine that

1:03:42.920 --> 1:03:47.360
<v Speaker 1>they have many white chromosomes. And the whole time everyone's like, oh, no,

1:03:47.560 --> 1:03:50.480
<v Speaker 1>you're a woman, and we're going to be horny because

1:03:50.520 --> 1:03:53.800
<v Speaker 1>we're murderers and rapists of women, and she's going to

1:03:53.960 --> 1:03:59.200
<v Speaker 1>cause trouble. Real come fueled decision. Also, in Alien three,

1:03:59.640 --> 1:04:03.120
<v Speaker 1>Ripley is given a love interest, So there's some interesting things,

1:04:03.200 --> 1:04:05.320
<v Speaker 1>and by interesting I mean things I don't I don't

1:04:05.360 --> 1:04:08.440
<v Speaker 1>like about Alien three. Do they kind of try to

1:04:08.480 --> 1:04:12.200
<v Speaker 1>give her and Hicks a moment and it seems like,

1:04:12.400 --> 1:04:14.080
<v Speaker 1>oh yeah, I did actually want to talk about where

1:04:14.120 --> 1:04:16.840
<v Speaker 1>there's that scene where she's trying to learn how to

1:04:16.960 --> 1:04:21.040
<v Speaker 1>use his plasma rifle. He's like standing behind her and

1:04:21.120 --> 1:04:24.000
<v Speaker 1>like has his arms kind of around her, showing her

1:04:24.040 --> 1:04:26.800
<v Speaker 1>how to do different stuff, and that's played in a

1:04:26.800 --> 1:04:29.480
<v Speaker 1>lot of movies. Were like, look at this flirtatious moment

1:04:29.520 --> 1:04:31.840
<v Speaker 1>where like a man's trying to teach a woman how

1:04:31.880 --> 1:04:35.160
<v Speaker 1>to swing a tennis racket, and it's like all hot

1:04:35.200 --> 1:04:38.720
<v Speaker 1>and flirtatious, like what Jim Cameron does on his dates

1:04:38.760 --> 1:04:42.600
<v Speaker 1>with like how to use the personal submarine. Oh my god,

1:04:42.800 --> 1:04:46.560
<v Speaker 1>it's like I've actually got some pretty cool summers. You

1:04:46.600 --> 1:04:48.000
<v Speaker 1>want if you want to drive it, you want to

1:04:48.040 --> 1:04:52.080
<v Speaker 1>try didn't hold the wheel. But in this movie, I

1:04:52.120 --> 1:04:54.840
<v Speaker 1>think it's handled better. And yet I think there's like

1:04:54.880 --> 1:04:59.120
<v Speaker 1>a hint of like maybe they're in each other. Right.

1:04:59.440 --> 1:05:02.840
<v Speaker 1>It's very weird and very unnecessary. But in the scene

1:05:02.840 --> 1:05:05.520
<v Speaker 1>where she's like learning to use that gun, at first,

1:05:05.520 --> 1:05:07.280
<v Speaker 1>I was like a scene where a man's teaching a

1:05:07.280 --> 1:05:08.680
<v Speaker 1>woman how to use a thing. But I'm like, gosh,

1:05:08.680 --> 1:05:11.120
<v Speaker 1>she is from the past, so she probably wouldn't know

1:05:11.120 --> 1:05:12.880
<v Speaker 1>how to use it. Well, she also asked him how

1:05:12.920 --> 1:05:15.600
<v Speaker 1>to use it, So yeah, he wasn't telling you something

1:05:15.640 --> 1:05:18.200
<v Speaker 1>she knew right right, So he was not man splanning

1:05:18.200 --> 1:05:21.520
<v Speaker 1>to her. He was just explaining. Sometimes man can't explain

1:05:21.600 --> 1:05:25.919
<v Speaker 1>without man splaining. Sometimes, don't tell them that, mostly don't.

1:05:26.200 --> 1:05:31.760
<v Speaker 1>Mostly they can do that mostly anyway. Um, does anyone

1:05:31.800 --> 1:05:36.360
<v Speaker 1>have any final thoughts about Aliens? Alpha Molina could have

1:05:36.360 --> 1:05:42.760
<v Speaker 1>been in this movie? Um as newt Oh, he's a chameleon.

1:05:43.280 --> 1:05:45.360
<v Speaker 1>He could have played a slippery kid like do it

1:05:45.400 --> 1:05:48.880
<v Speaker 1>with forced perspective, like standing in really far away a

1:05:49.000 --> 1:05:52.000
<v Speaker 1>very expensive process. Or he could have played any of

1:05:52.320 --> 1:05:55.600
<v Speaker 1>the aliens in a Little Green. He could have gone

1:05:55.640 --> 1:05:59.680
<v Speaker 1>full Andy Sirkus, sure you played the aliens, or he

1:05:59.720 --> 1:06:01.840
<v Speaker 1>could of play well he could, you know, he could

1:06:01.840 --> 1:06:06.720
<v Speaker 1>play Jones the cat. He also could have played the

1:06:06.840 --> 1:06:10.200
<v Speaker 1>queen mother. You know, he's that versatile. One last thing

1:06:10.200 --> 1:06:13.920
<v Speaker 1>I wanted to talk about was all of the vaginal

1:06:14.640 --> 1:06:21.320
<v Speaker 1>birth straight up upskirt of an egg laying. Yes, so

1:06:22.160 --> 1:06:25.560
<v Speaker 1>the Queen Aliens for that was in there. She has

1:06:26.120 --> 1:06:29.720
<v Speaker 1>what seems to be an external vagina, which I think

1:06:29.760 --> 1:06:33.160
<v Speaker 1>is extremely sex positive if you ask me, and very

1:06:33.160 --> 1:06:37.840
<v Speaker 1>perfectly detachable because she literally rips herself off of it.

1:06:38.600 --> 1:06:41.960
<v Speaker 1>It looks painful. I don't need this right now, and

1:06:42.000 --> 1:06:45.200
<v Speaker 1>I feel like one of the scariest things about like

1:06:45.520 --> 1:06:48.920
<v Speaker 1>this movie and the first Alien movie is like the

1:06:49.000 --> 1:06:54.040
<v Speaker 1>way the aliens jest state and like like the queen

1:06:54.120 --> 1:06:57.959
<v Speaker 1>lazy eggs and then inside those eggs like face thing

1:06:58.120 --> 1:07:01.080
<v Speaker 1>and that attaches to your face and pregnant your chest,

1:07:01.520 --> 1:07:04.720
<v Speaker 1>and then that dies, and then an infant alien bursts

1:07:04.720 --> 1:07:07.080
<v Speaker 1>out of your chest and then it takes what seems

1:07:07.080 --> 1:07:10.480
<v Speaker 1>like only an hour to grow to adulthood, and then

1:07:10.520 --> 1:07:12.439
<v Speaker 1>and then it becomes this terrifying thing. So I don't

1:07:12.440 --> 1:07:15.920
<v Speaker 1>know if like, is that like the writers and filmmakers

1:07:16.000 --> 1:07:19.680
<v Speaker 1>who are largely men uh in these movies, is that

1:07:19.720 --> 1:07:22.600
<v Speaker 1>a way for them to be like, look how gross

1:07:22.720 --> 1:07:27.760
<v Speaker 1>and scary childbirth is and how little we understand. The

1:07:28.320 --> 1:07:32.880
<v Speaker 1>movie monsters in general, right are just like manifestations of anxieties,

1:07:33.280 --> 1:07:36.760
<v Speaker 1>and men are scared of vagina is a lot because

1:07:36.760 --> 1:07:39.880
<v Speaker 1>they don't understand it. Some movie monsters represent communism, other

1:07:39.920 --> 1:07:43.560
<v Speaker 1>movie monsters represent women because it's something that the author

1:07:43.800 --> 1:07:48.280
<v Speaker 1>is uh afraid of and doesn't understand. For for this movie,

1:07:49.080 --> 1:07:54.280
<v Speaker 1>it works because when we see like male protagonists slaying

1:07:54.360 --> 1:08:01.680
<v Speaker 1>the vagina and conquering the vagina monster, that is net negative.

1:08:02.240 --> 1:08:06.520
<v Speaker 1>Having a female protagonist confront and defeat the vagina monster.

1:08:06.840 --> 1:08:10.560
<v Speaker 1>I don't know what that is. It's more interesting. I

1:08:10.560 --> 1:08:12.880
<v Speaker 1>don't know. I mean, I think it's it's definitely a

1:08:12.920 --> 1:08:15.240
<v Speaker 1>trope being recycled here, but it didn't bother me in

1:08:15.240 --> 1:08:18.160
<v Speaker 1>this movie. Yeah, I don't think any real commentary is

1:08:18.200 --> 1:08:20.439
<v Speaker 1>being made. I don't think so either, But I don't

1:08:20.439 --> 1:08:24.120
<v Speaker 1>think it's setting things back either. Yeah, yeah, yeah, I

1:08:24.120 --> 1:08:26.320
<v Speaker 1>would agree with it's not regressive, But it's also like

1:08:26.479 --> 1:08:29.240
<v Speaker 1>it's all just just like, well, here's you haven't seen this.

1:08:30.160 --> 1:08:34.880
<v Speaker 1>I think you seen a giant queen bee alien rip

1:08:34.960 --> 1:08:38.519
<v Speaker 1>her own external vagina off of her to a woman

1:08:38.560 --> 1:08:43.960
<v Speaker 1>to fight a woman. Yet until nine, right, isn't that

1:08:44.000 --> 1:08:45.800
<v Speaker 1>the whole thing with the hr Geiger. It's like all

1:08:45.840 --> 1:08:49.400
<v Speaker 1>those drawings are like, you know, everything is infused with

1:08:49.520 --> 1:08:52.559
<v Speaker 1>like sex organs from everything, and it's like the idea

1:08:52.720 --> 1:08:56.680
<v Speaker 1>is like the horror of that. So, quoting a paraphrasing

1:08:56.720 --> 1:08:58.760
<v Speaker 1>what I would imagine they would say, it's like the

1:08:58.800 --> 1:09:04.439
<v Speaker 1>horror of that confus fusion is what some Swedish dude,

1:09:04.840 --> 1:09:08.880
<v Speaker 1>w h think something like some white dude thinks it's

1:09:08.920 --> 1:09:12.200
<v Speaker 1>the scariest thing in the world. Yeah. Um, let's talk

1:09:12.240 --> 1:09:14.639
<v Speaker 1>about whether or not this movie passes the Bechtel test

1:09:17.200 --> 1:09:20.160
<v Speaker 1>a few times. There is a moment where Ripley and

1:09:20.280 --> 1:09:24.120
<v Speaker 1>Basquez are talking and she's talking about what happened in

1:09:24.160 --> 1:09:30.400
<v Speaker 1>the first alien movie, and then Basquez like the first Yeah,

1:09:30.640 --> 1:09:34.240
<v Speaker 1>what happens um. Vasquez is like, look, man, I only

1:09:34.240 --> 1:09:37.000
<v Speaker 1>need to know one thing where they are? But she

1:09:37.080 --> 1:09:43.240
<v Speaker 1>does say, look, man, so interesting and they they is ambiguous.

1:09:43.439 --> 1:09:49.439
<v Speaker 1>Well do we know the sex of the aliens? I think, well,

1:09:49.479 --> 1:09:52.479
<v Speaker 1>I think a caveat for the Bechtel test is that

1:09:52.720 --> 1:09:55.760
<v Speaker 1>are they talking about human men? And if it's an

1:09:55.760 --> 1:09:58.920
<v Speaker 1>animal or a xeno more for whatever, it doesn't matter.

1:09:59.520 --> 1:10:04.240
<v Speaker 1>I don't think yeah, so I would say that passes. Uh.

1:10:04.280 --> 1:10:08.400
<v Speaker 1>And then Ripley and Newt talk a lot um. Sometimes

1:10:08.439 --> 1:10:12.840
<v Speaker 1>they mentioned nuts little brother or like her dad, but

1:10:13.080 --> 1:10:15.840
<v Speaker 1>several of those scenes to pass the Backtel test. The

1:10:15.840 --> 1:10:18.840
<v Speaker 1>scene where Newts says we should go back inside because

1:10:18.880 --> 1:10:24.640
<v Speaker 1>they mostly come out at night. Mostly that passes the

1:10:24.640 --> 1:10:27.120
<v Speaker 1>Bechtel tests, Thank you so much. And then there's the

1:10:27.120 --> 1:10:29.120
<v Speaker 1>scene at the end where Ripley says, get away from her,

1:10:29.120 --> 1:10:33.880
<v Speaker 1>are you bitch? And then I think all the scenes

1:10:34.240 --> 1:10:37.599
<v Speaker 1>between Sigourney Weaver and the Jack Vagina's past, whether there's

1:10:37.640 --> 1:10:42.320
<v Speaker 1>dialogue being spoken or not. Yeah, it's a massive asterisk scene. Yeah.

1:10:42.400 --> 1:10:49.200
<v Speaker 1>So the movie passes the beachdel test. Let's gotta go, right,

1:10:49.960 --> 1:10:53.240
<v Speaker 1>oh ship, Yes, I very much have to go. Guys, sorry,

1:10:53.560 --> 1:10:56.360
<v Speaker 1>this was so fun than you. Yeah, thanks for I

1:10:56.360 --> 1:10:58.479
<v Speaker 1>didn't want you to be too late. Oh no, thank you.

1:10:58.600 --> 1:11:03.200
<v Speaker 1>I spy. Okay, So let's write the movie on our

1:11:03.280 --> 1:11:06.959
<v Speaker 1>nipple scale zero to five nipples based on portrayal of women. Um,

1:11:07.040 --> 1:11:09.439
<v Speaker 1>I would give it. I'm gonna give it a four.

1:11:09.920 --> 1:11:14.920
<v Speaker 1>I'm gonna take nipples off for the character of Vesquez

1:11:15.080 --> 1:11:18.519
<v Speaker 1>being a Latina character but not being played by a

1:11:18.640 --> 1:11:21.720
<v Speaker 1>Latina actress. Dog, and one for brown face. Yeah, yep.

1:11:22.520 --> 1:11:25.280
<v Speaker 1>There's a few other, you know, small gripes where, yeah,

1:11:25.439 --> 1:11:27.360
<v Speaker 1>like Ripley does have to do this thing where she

1:11:27.400 --> 1:11:29.320
<v Speaker 1>has to prove herself to a man. She's like, hey,

1:11:29.360 --> 1:11:31.840
<v Speaker 1>look I can drive a forklift that you didn't think

1:11:31.880 --> 1:11:35.320
<v Speaker 1>I could do, and they're like, oh he he wow wow.

1:11:35.640 --> 1:11:38.360
<v Speaker 1>But I would say, by and large apart from a

1:11:38.360 --> 1:11:40.920
<v Speaker 1>few like lines of dialogue here and there that are

1:11:40.960 --> 1:11:42.960
<v Speaker 1>just like that could have been cut and the movie

1:11:43.000 --> 1:11:46.200
<v Speaker 1>would be better. This movie does. I would even go

1:11:46.280 --> 1:11:49.160
<v Speaker 1>so far as to say an excellent job depicting women

1:11:49.439 --> 1:11:53.360
<v Speaker 1>in an action blockbuster, especially considering the error that it

1:11:53.439 --> 1:11:57.080
<v Speaker 1>came out in the mid eighties. Ripley is in the

1:11:57.080 --> 1:12:00.759
<v Speaker 1>movie because they need her. She's the only one who

1:12:00.840 --> 1:12:04.360
<v Speaker 1>can provide the information that they need to get their

1:12:04.360 --> 1:12:08.719
<v Speaker 1>mission accomplished. Right. Without her, the movie cannot take place right. Also, yeah,

1:12:08.720 --> 1:12:12.479
<v Speaker 1>she's level headed, she's smart, she's a good, strong leader.

1:12:12.960 --> 1:12:16.640
<v Speaker 1>And the other female characters, the fact that they're in

1:12:16.680 --> 1:12:19.960
<v Speaker 1>the movie at all is shouldn't be surprising, but it

1:12:20.040 --> 1:12:24.759
<v Speaker 1>was considering, right, But I do like that it attempted

1:12:24.800 --> 1:12:29.280
<v Speaker 1>to be more inclusive than most action movies, especially of

1:12:29.320 --> 1:12:33.400
<v Speaker 1>this era, and that those female characters are generally pretty

1:12:33.439 --> 1:12:36.479
<v Speaker 1>well developed and interesting. Yes, so I'm gonna give it

1:12:36.720 --> 1:12:39.840
<v Speaker 1>four nipples, and all four of my nipples go to

1:12:39.920 --> 1:12:44.600
<v Speaker 1>the Queen Alien Cool. I'll give it for as well. Obviously,

1:12:45.000 --> 1:12:47.240
<v Speaker 1>we don't need to tell our audience that actors of

1:12:47.280 --> 1:12:50.640
<v Speaker 1>any gender in brown phase is absolutely unacceptable, and it

1:12:50.800 --> 1:12:54.759
<v Speaker 1>just it sucks because that casting choice to some extent,

1:12:54.920 --> 1:12:57.320
<v Speaker 1>like lessons the impact of what is a very well

1:12:57.320 --> 1:13:01.200
<v Speaker 1>written character that pisces me off. But for all the

1:13:01.240 --> 1:13:03.519
<v Speaker 1>reasons you said, the fact that this movie cannot the

1:13:03.560 --> 1:13:07.240
<v Speaker 1>plot can't move forward without its female characters, which even

1:13:07.280 --> 1:13:12.280
<v Speaker 1>in action movies where there are capable women present, the

1:13:12.360 --> 1:13:16.400
<v Speaker 1>presence of those women isn't necessarily critical to the core

1:13:16.439 --> 1:13:19.280
<v Speaker 1>action of the movie taking place. That's not the case

1:13:19.320 --> 1:13:22.160
<v Speaker 1>for this and that is amazing and also shouldn't be

1:13:22.200 --> 1:13:25.760
<v Speaker 1>amazing obvious. Yeah, I think that jim cam to this

1:13:25.800 --> 1:13:28.280
<v Speaker 1>one pretty pretty damn well. Yes, I think it was

1:13:28.479 --> 1:13:32.120
<v Speaker 1>a solid Jim Cam. I still think it's so fucking boring.

1:13:32.200 --> 1:13:37.360
<v Speaker 1>I'm sorry. It was very long and vaginal imagery will

1:13:37.439 --> 1:13:40.160
<v Speaker 1>get me in the seat. But the fact that it's

1:13:40.200 --> 1:13:43.040
<v Speaker 1>a it's a real blue and orange, and that's that's

1:13:43.040 --> 1:13:46.360
<v Speaker 1>when I'm calling every movie I don't like from now on. Yeah,

1:13:46.400 --> 1:13:48.240
<v Speaker 1>it was never gonna be for me, but the way

1:13:48.280 --> 1:13:52.240
<v Speaker 1>it treats this female characters is by and large pretty exceptional.

1:13:52.560 --> 1:13:57.040
<v Speaker 1>So four nippies, I'm gonna toss two to slippery Little

1:13:57.280 --> 1:14:01.160
<v Speaker 1>newt Uh, and then I'll give the other two to

1:14:01.240 --> 1:14:05.760
<v Speaker 1>Paxxton Cool. Sorry, Sigourney from me. Yeah. Wow, that was

1:14:05.800 --> 1:14:09.320
<v Speaker 1>a surprising turn of events. Just now listen rest In Paxton.

1:14:10.200 --> 1:14:14.400
<v Speaker 1>Andrew had to leave before we could get his social media.

1:14:14.479 --> 1:14:17.760
<v Speaker 1>I'll plug it. Yeah. You can find Andrew T online

1:14:18.120 --> 1:14:22.040
<v Speaker 1>at andrew T I believe across all platforms. It is

1:14:22.080 --> 1:14:25.400
<v Speaker 1>just his name. The last name is spelled T. I

1:14:25.479 --> 1:14:29.240
<v Speaker 1>like the rapper um and you can also listen to

1:14:29.320 --> 1:14:33.599
<v Speaker 1>his wonderful podcast he is this racist. Highly recommend yes, indeed,

1:14:34.000 --> 1:14:37.400
<v Speaker 1>so thank you Andrew T for being here. Hey, thanks

1:14:37.520 --> 1:14:45.479
<v Speaker 1>you wow, thank you. Thanks for and you can follow

1:14:45.640 --> 1:14:50.920
<v Speaker 1>us on social media as well at bectol cast on Instagram, Twitter, Facebook.

1:14:51.120 --> 1:14:56.040
<v Speaker 1>You can subscribe to our Matreon. You will get to

1:14:56.560 --> 1:15:01.120
<v Speaker 1>bonus episodes every single month, and we appreciate all of

1:15:01.160 --> 1:15:04.759
<v Speaker 1>our matrons so much. Shout out to our matrons. Everything.

1:15:04.960 --> 1:15:11.280
<v Speaker 1>In conclusion, don't see Deadpool two. Mostly mostly okay. Bye,