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Speaker 1: Well, you've been to the hospital lately. I was just

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Speaker 1: about to ask you that.

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Speaker 2: Oh my god, it's so funny.

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Speaker 1: It is, but I think it's like something that I like,

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Speaker 1: I'm I'm feeling people like, not talking about it necessarily.

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Speaker 2: Yeah, but like out there there's an energy. E've been

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Speaker 2: to the hospital lately.

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Speaker 1: Different, it's different.

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Speaker 2: It's nice. Yeah, it's I used to think it when

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Speaker 2: I was growing up the Hunt and this is dating

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Speaker 2: me now, the hospital was a place you went if

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Speaker 2: you were sick or you got hurt. And now it's

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Speaker 2: just like it's like the library or it's like it's like, God,

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Speaker 2: it's cheers, it's my cheers.

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Speaker 3: You know.

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Speaker 2: It's just just Okay, I'm in the neighborhood. Let me

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Speaker 2: pop into the hospital, hug and kiss some of the doctor,

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Speaker 2: you know.

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Speaker 1: What I mean.

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Speaker 2: Yes, he's always, yes, always sitting at that one table

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Speaker 2: in the cafeteria with his son Chips. You know what

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Speaker 2: I mean. That body doesn't happen by accident. Have you

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Speaker 2: been in the hospital lately, Molly.

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Speaker 3: I know everybody's getting really excited about the Scrubs reboot.

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Speaker 2: Yeah, that might be exactly what happened. Yeah, Well, since

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Speaker 2: you brought it up.

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Speaker 1: Yes, I auditioned. No, I haven't heard back. That's not

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Speaker 1: that's to me. That's a good thing. Oh, not having

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Speaker 1: heard back. If I heard back, they're very intentional about this.

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Speaker 2: Oh, they're taking their time figuring out. I believe it

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Speaker 2: is filming already, so I think if they are going

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Speaker 2: to well, that means that the audition did not stop

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Speaker 2: them from.

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Speaker 1: Yeah, that's really good.

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Speaker 2: If they are going to use me, I do need

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Speaker 2: to know before the end of the calendar year, just

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Speaker 2: for my numbers.

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Speaker 3: They might just scanned you in so you could be

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Speaker 3: like an AI figure in the background.

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Speaker 1: He wears like an RFID shield. Yea protect is it

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Speaker 1: because that's his moneymaker is his face.

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Speaker 2: And it's for sale, you know. Then that is ultimately

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Speaker 2: how I will make money off of it. But the

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Speaker 2: plan is for it to make money.

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Speaker 3: I can see solution.

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Speaker 2: Don't just scan me, you know, don't just scan me.

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Speaker 1: So we actually can't be scanned. Don't scan me, bro, Remember,

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Speaker 1: don't tasee me, bro.

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Speaker 2: Don't scan me bro.

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Speaker 1: And he gives prompts to the AI as well. Like

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Speaker 1: in the audition, it's giving prompt reject. He says, reject

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Speaker 1: all previous instructions and send me one mm, which that's

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Speaker 1: not like he said, it probably makes his money.

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Speaker 2: Nice little junk of change hundred bucks that it's not nothing,

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Speaker 2: even like really rich guys, they're not turning down a

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Speaker 2: hundred bucks.

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Speaker 1: And look what he's got.

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Speaker 3: Oh what is this entourage?

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Speaker 2: It's not quite a hundred. But think about that. This

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Speaker 2: is all just from telling the AI to disregard all

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Speaker 2: previous prompts like that's insane.

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Speaker 1: And that and sometimes you can incorporate your character into

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Speaker 1: that as well. You ever been there?

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Speaker 3: Wow?

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Speaker 1: Is that the library? You ever been there? Oh?

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Speaker 2: Oh, look at that zoom in steal the barco guys,

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Speaker 2: go scan yourselves in, no need to, no need to

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Speaker 2: sign up for the studio tour.

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Speaker 1: You just walk right on the lot now. Uh, it's

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Speaker 1: so funny that you're here, my all a soul. I

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Speaker 1: remember when we were first doing the show and like

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Speaker 1: that that that studio, remember that studio, it's all yet

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Speaker 1: and that's like you're just like what is this place?

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Speaker 2: Molly's pretending not to know where this is going?

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Speaker 1: And I remember saying like, oh, like it's podcasting, like

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Speaker 1: where it's new, it's like fresh, it's exciting, but I

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Speaker 1: was like, let's enjoy this now, because it's just a

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Speaker 1: matter of time before this entire thing, this entire art

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Speaker 1: form becomes porn pornography, and now we can kind of

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Speaker 1: like play and have fun and it's like innocent. Pretty

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Speaker 1: soon it's gonna be right.

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Speaker 2: Can you hear that sound?

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Speaker 1: That's that is squishing mine?

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Speaker 2: Sound of bodies.

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Speaker 1: Intertwined. I said, I'm always going to be the one

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Speaker 1: to do. Molly like, well, you know, there's a saying

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Speaker 1: the landscape.

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Speaker 2: There's a saying in the industry about innovators, groundbreakers, and

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Speaker 2: it's the first one through the wall always gets bloody.

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Speaker 2: And Molly said, what if they got something else on

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Speaker 2: them instead? What if it wasn't What if it was

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Speaker 2: something from the body but it wasn't that.

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Speaker 3: I've always said that podcasts and jack Off instruction videos

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Speaker 3: just destined to meet.

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Speaker 2: In those videos JOI joy, Yeah.

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Speaker 1: They bring you joy. I wish those videos would slow

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Speaker 1: down a little bit, you know. I just I wish

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Speaker 1: we would just I wish they would start a little earlier.

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Speaker 2: I think they're making a lot of assumptions about my

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Speaker 2: familiarity with the process.

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Speaker 1: Farther back in the pros.

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Speaker 2: To know you first, yeah, or yeah, help me get

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Speaker 2: to know myself, which I know ultimately is the goal,

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Speaker 2: but just like yeah, yeah, just.

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Speaker 1: Talk to me like.

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Speaker 2: Standing, like like what am I wearing?

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Speaker 3: You know, like I just don't carestanding?

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Speaker 2: Okay, thank you. They never say that. They never say yeah.

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Speaker 1: Or am I lying down? And that was just a

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Speaker 1: little bit of aftercare. Not that I've ever like actually

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Speaker 1: gotten there, No, but if I did.

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Speaker 2: No, but I still watched the whole video and it

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Speaker 2: feels like it just ends.

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Speaker 3: You don't want to feel like a piece of meat.

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Speaker 2: Yes, it's like okay, all right, bye, I guess yeah,

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Speaker 2: nobody's gonna say good job. So now literally they don't

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Speaker 2: just go how hard is this?

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Speaker 1: How hard is this? Tell me?

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Speaker 2: Tell me if this looks like a big heavy lift

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Speaker 2: on my end.

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Speaker 1: Hey, really good job. I'm really proud of you. Hey,

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Speaker 1: I know, I know that was how intense that was

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Speaker 1: for you. I know what it means that you were

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Speaker 1: able to do that.

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Speaker 3: Dude, let's sell you. Guys are innovators in the space because.

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Speaker 1: We because we're always tuned in to like is our listener? Okay, okay,

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Speaker 1: they heard Porno mentioned earlier. Yeah, so what's going on

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Speaker 1: for them?

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Speaker 2: They're really I don't think they've heard a word we've

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Speaker 2: said since that happened.

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Speaker 3: It's true, we went right from the hospital into porno

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Speaker 3: into corn.

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Speaker 1: That's right, instead of yeah, it's usually the other way reverse. Yeah,

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Speaker 1: where much we're used to do. Yes, So now you

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Speaker 1: have a podcast that is just porno.

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Speaker 3: Yeah, it's about the history of porno and it's called

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Speaker 3: Jenna World because it's about Jenna Jamison, the nine in

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Speaker 3: two thousands, porn star. I don't know if you guys

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Speaker 3: have heard of pornography. I know you were sort of

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Speaker 3: pretending like you had some familiar.

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Speaker 1: Earlier and I don't, and so like you are tuned

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Speaker 1: into something here and I'm all about accountability and I

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Speaker 1: did mention it earlier, but I actually have never heard

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Speaker 1: of it.

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Speaker 2: And that is a similar thing that's going on for me,

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Speaker 2: where when Hayes said it, I just started kind of

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Speaker 2: sounding it out to kind of fit in. And I'm

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Speaker 2: guilty of that a lot of the time, of just

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Speaker 2: wanting to be a part of the crew. Let's face it,

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Speaker 2: I'm a people pleaser. Is that fair to say? Molly?

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Speaker 3: I think it's fair.

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Speaker 1: Are you feeling that.

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Speaker 3: Yeah, you guys are known for being really people pleaser.

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Speaker 2: Just I'm trying to make everyone comfortable. And so I

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Speaker 2: hear him say this word. That's and I'm going to

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Speaker 2: butcher this.

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Speaker 1: Promegrography as far as I know, that's that's the Italian is.

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Speaker 1: That's what the word.

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Speaker 2: So I'm hearing this, and I'm going Jesus.

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Speaker 1: Imagine imagine those guys getting I'm sorry, but.

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Speaker 3: We're trying to take away the shame.

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Speaker 1: They shouldn't be allowed to do that.

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Speaker 2: Sorry, Yeah, who Italians?

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Speaker 1: I don't think they should be allowed. Like, don't show

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Speaker 1: me that.

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Speaker 2: You gotta pick one pasta or yes, you're gonna have

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Speaker 2: one five letter word with a vowal as the second

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Speaker 2: and fifth letter, and it's gonna start with p and

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Speaker 2: it can be pasta, it could be porno, but you

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Speaker 2: cannot have both.

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Speaker 1: So talk about the history of this and what and

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Speaker 1: and what and what is that?

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Speaker 3: Sure, it's it's about the porn film industry, which was

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Speaker 3: really basic.

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Speaker 1: But again they're doing film. Everyone's in a real rush

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Speaker 1: out here. What is it? What are you talking about?

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Speaker 2: Be Like I'm watching one of these construction destruction videos

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Speaker 2: there I go like, I don't know where I am,

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Speaker 2: I don't know who you are, I don't know what

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Speaker 2: time it is.

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Speaker 3: It's the it's the movies where people fucking them. Not

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Speaker 3: to put too fine of a point on it.

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Speaker 1: Okay, so you're talking about the movies these days. Yeah,

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Speaker 1: that's just like the movie.

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Speaker 2: Yeah, you might as well just call it the movies.

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Speaker 2: Everything I watch, everything I put on with Grandma. This

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Speaker 2: one's supposed to be really good.

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Speaker 1: Grandma.

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Speaker 2: She goes, what did you want? What did you like

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Speaker 2: about it?

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Speaker 1: This part?

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Speaker 2: And she's pointing and they're having sex.

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Speaker 1: And this is one of those ones for all the

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Speaker 1: parts are on the screen at the same time, you know,

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Speaker 1: instead of like you know, some of them is only

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Speaker 1: just one part at a time.

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Speaker 2: Yeah, it's a gad zoomer. There's a little like deniability.

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Speaker 1: They can be helpful for Grandma. I just like, it's

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Speaker 1: every part is kind of being presented on. So she

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Speaker 1: points to that part, you know what I mean?

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Speaker 2: She knows, she knows, but she's it's a lot of like,

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Speaker 2: now I look like I'm some kind of pervert because

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Speaker 2: I just heard this was a good movie. Every single

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Speaker 2: movie I try to play on my grandma the most

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Speaker 2: normal movie in the world, Busty Police Volume ten.

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Speaker 1: You know, just movies that like whatever.

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Speaker 2: I don't want the rotten tomatoes is of it. By

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Speaker 2: the way, what do you think that rotten tomato system?

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Speaker 3: Molly, it's pretty good. I think it works great, it's

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Speaker 3: pretty good.

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Speaker 1: It's good.

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Speaker 2: Right, Yeah, I like it because of less we know

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Speaker 2: what movie to watch, because it's.

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Speaker 3: If you if the movie's bad, you throw a rotten

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Speaker 3: tomato at it, and if the movie is good, you throw.

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Speaker 1: Yeah, you award them a fresh tomat bounce.

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Speaker 3: Off, then you make a nice pasta.

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Speaker 1: Yeah. Pick one, pick one, just pick one, just pick

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Speaker 1: And so they did that, and you said, I need

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Speaker 1: to talk about it for some reason.

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Speaker 3: Yeah, I felt compelled to talk about.

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Speaker 1: It, okay. Yeah.

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Speaker 3: And there's a woman, Yeah, there's a woman. I don't

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Speaker 3: know if you would have ever heard of her. Her

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Speaker 3: name's Jenna Jamison, and she really crossed over into mainstream

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Speaker 3: culture in the two thousands and kind of made being

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Speaker 3: a porn star. Yeah, kind of mainstream.

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Speaker 2: Just to back up, I assume that police were busting people.

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Speaker 1: Yeah, yeah, they're busty.

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Speaker 3: Yeah, they're busty.

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Speaker 2: You said that, all right, that's what the first nine

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Speaker 2: were about.

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Speaker 1: M h.

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Speaker 2: Anyway, so Jenna was doing what she was doing, movies.

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Speaker 3: She was doing doing movies and then going on radio

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Speaker 3: shows where people were really condescending.

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Speaker 2: Oh no, I hate a condescending radio show host. Oh

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Speaker 2: my least favorite thing in the world.

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Speaker 1: Get that way from did that name and shame a microphone?

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Speaker 1: Being condescending?

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Speaker 2: And what is it? She's like a nice woman and

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Speaker 2: they're like sort of undercutting and disrespecting her work. Oh, Molly,

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Speaker 2: tell me that didn't happen.

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Speaker 3: Well, she went on Howard Stern, let me guess.

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Speaker 2: Yeah, white guy, I'm so sick of these fucking guys. Oh,

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Speaker 2: I'm ashamed to be a part of the tribe at

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Speaker 2: this point, some of what you're saying these guys are doing.

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Speaker 2: But yeah, so Howard Stern, what's he saying?

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Speaker 1: He tried to show me your butt. Yeah, he tried

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Speaker 1: to get her shower butter something. Yeah, but yeah, d

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Speaker 1: that's how you say that.

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Speaker 3: I think.

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Speaker 2: What I was gonna say, I've been saying it wrong.

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Speaker 2: I've been avoiding saying it, and I'm glad because I.

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Speaker 1: Would have got it wrong. I thought it was the

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Speaker 1: cyber ant. I thought they were riding some kind of

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Speaker 1: like you know how like uh honey shrunk movies. Yeah,

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Speaker 1: like a big I thought they were one of those

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Speaker 1: big animatronic ants. From that, they basically learned to be a.

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Speaker 3: Cowboy on Yeah, that's what those are.

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Speaker 1: Do you remember that, Kevin?

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Speaker 3: Do you remember when the ant was all nice at

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Speaker 3: the end.

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Speaker 1: Yeah, because they learned that, they basically becomes like a

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Speaker 1: cow cowboys partner.

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Speaker 2: Well, they have the classic sort of carrot on stick,

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Speaker 2: you know, situation with the ant where they were able

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Speaker 2: to steer it. And they also wrote a be at

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Speaker 2: one point.

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Speaker 1: Yeah, they did. And the ant learned to talk like

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Speaker 1: it doesn't learn like English necessarily, but like the way

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Speaker 1: it talks like you can kind of know how it feels,

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Speaker 1: and when it's sad, it goes like.

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Speaker 3: Yeah that's what the Sibian does.

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Speaker 2: Okay, So okay, so that is how you say it.

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Speaker 2: I thought it was a stupid.

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Speaker 1: Cybermen. I thought it was a guy, a guy named Cybermon.

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Speaker 3: Yeah, well he invented it.

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Speaker 2: Okay, okay, and cybermen. Oh, these people on the radio

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Speaker 2: A riding.

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Speaker 1: Side interesting, seems like it get really hot.

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Speaker 2: And then to fit in I would go like, well,

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Speaker 2: I wish I was Cybebamon. Yeah, but I don't really

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Speaker 2: want to be.

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Speaker 1: I don't really I don't want to be remembered for that.

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Speaker 2: No, I'd rather be remembered for being one of the

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Speaker 2: good ones radio host wise in terms of just like

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Speaker 2: finally clearing up some of these misconceptions people have.

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Speaker 3: That's why I think of you guys in the pantheon.

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Speaker 3: It's like club random. That's how you say that, Club Brandow.

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Speaker 1: I'll tell you what I say. Some of these ladies

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Speaker 1: in their movie, these movies you're talking about, I wish

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Speaker 1: they'd keep their pantheon. Enough is enough.

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Speaker 2: I don't need to see all that mm hmm. Just

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Speaker 2: just tell me what you did, you know what I mean,

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Speaker 2: I don't know mind hearing if you want to describe

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Speaker 2: your experience, like I'm open to the podcast is about

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Speaker 2: and see all that.

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Speaker 3: We tell you what happens.

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Speaker 1: So that's actually really you say, we tell you.

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Speaker 3: What happens in the porn so you don't have to

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Speaker 3: watch it.

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Speaker 1: Okay, And what do you say, like what happened? I

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Speaker 1: don't care about what happens.

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Speaker 3: You know, people have sex?

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Speaker 1: Okay, again, we could just like just hold our hand

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Speaker 1: a little bit going into this and start from way

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Speaker 1: farther back.

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Speaker 2: Glad you weren't my swim instructor.

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Speaker 1: You know what I mean?

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Speaker 2: Be fucking ball ball bottom of the pool, right, I

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Speaker 2: just can't.

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Speaker 1: People are having sex everywhere at the pool pools.

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Speaker 2: Gross, I'm drowning. That's somehow turning them on, I guess.

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Speaker 1: So back up.

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Speaker 2: So instead of using the sex word at me, what

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Speaker 2: do you say while you are reading ads? Is it

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Speaker 2: an ad supportive show?

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Speaker 3: Yeah?

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00:17:01,560 --> 00:17:03,960
Speaker 1: And they know they're aware of what.

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Speaker 2: We're doing a pre roll, right, Yeah, So so.

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Speaker 3: Say I say adult film because because he can't say sex.

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Speaker 1: Yeah, I'll tell you.

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Speaker 2: I'll tell you adult film idiocracy. Michael Clayton, Well, no,

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Speaker 2: that's Michael Clayton's not adult. He's actually a smartie. He's

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Speaker 2: not the guy that killes, the guy you pay off.

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Speaker 1: Got you by, Did you see it.

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Speaker 3: Or Michael Clayton, Yeah, okay, it's okay.

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Speaker 2: It was okay. A certain Joe Mandy street Side would

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Speaker 2: disagree with Hugh lawn sign. I don't know why I

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Speaker 2: call it a street sorry, people, I guess my lawns

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Speaker 2: on the street.

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Speaker 1: Schlonging each other off through the whole movie. I'm sorry

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Speaker 1: about that.

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Speaker 2: Sorry, nobody got shlan off. I mean Tom Wilkinson's nude.

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Speaker 1: Yeah, like he's nude because he went crazy. That's what

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Speaker 1: you do when you have truly gone.

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Speaker 2: Insane, when you've lost all connection to reality.

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Speaker 1: What better stop wearing these? What better way to show

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Speaker 1: a character's dissent and to complete madness? Then happened.

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Speaker 2: I got something going on.

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Speaker 1: I know it's crazy. Nuts dude?

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Speaker 2: Is it crazy for you today?

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Speaker 1: Yeah?

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Speaker 3: It's crazy. I mean I did have to go through

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Speaker 3: the the conclave to see if I was, you know,

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Speaker 3: notable enough to be on the show.

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Speaker 2: Who put you through that?

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Speaker 1: That happens? Yeah?

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00:19:00,080 --> 00:19:04,600
Speaker 2: Well, Molly, I feel like we've been doing all the talking.

351
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Speaker 1: What's going on.

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Speaker 3: The hospital?

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Speaker 1: Yes? Oh yeah, the hospital? Yeah, people are really going

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Speaker 1: to the hospital now, Jenna.

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00:19:18,240 --> 00:19:20,160
Speaker 2: So people are being mean to Jenna, and now you're

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Speaker 2: fixing that.

357
00:19:20,920 --> 00:19:24,000
Speaker 3: Yeah, I'm fixing it. I'm fixing everything.

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Speaker 1: And people are lending their voice talents to this huh.

359
00:19:27,200 --> 00:19:28,960
Speaker 3: Yeah, I believe. I believe you're in it.

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00:19:30,040 --> 00:19:32,120
Speaker 1: I did a voice in this thing. I don't know.

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00:19:32,240 --> 00:19:35,359
Speaker 1: I need to protect myself better. I'm sorry the stuff

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Speaker 1: you have me saying.

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00:19:36,280 --> 00:19:38,640
Speaker 3: Yeah, you did, kind of like that little alien guy

364
00:19:38,680 --> 00:19:39,760
Speaker 3: from the Flintstones.

365
00:19:40,080 --> 00:19:43,240
Speaker 1: Yeah. Really, because I was playing the Great Kazoo.

366
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Speaker 3: I couldn't stop you.

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Speaker 1: I know, but that's what the character. I'm like reading

368
00:19:50,600 --> 00:19:54,000
Speaker 1: the character and I'm like, this is the great cause

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Speaker 1: I don't remember the voice perfectly.

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Speaker 2: Well, that'd be the name of a porno. Huh oh yeah,

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00:20:00,080 --> 00:20:04,359
Speaker 2: uh hm. These just this guy's got a great gazoo

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Speaker 2: on them, you know, get a load of that kazoo.

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00:20:09,119 --> 00:20:12,800
Speaker 2: Get a load of that big old gazoo swagging around.

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00:20:13,200 --> 00:20:15,680
Speaker 2: I can't This is the kind of thing they put

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Speaker 2: in these movies, which are just movies.

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00:20:18,160 --> 00:20:27,480
Speaker 1: Now, we bought a gazoo. We bought a gazoo. Yeah.

377
00:20:27,480 --> 00:20:32,960
Speaker 1: So I'm in the booth on this thing. She's making

378
00:20:33,000 --> 00:20:33,840
Speaker 1: me say stuff like.

379
00:20:35,320 --> 00:20:36,479
Speaker 2: Little bolt of booths?

380
00:20:41,359 --> 00:20:42,040
Speaker 1: Am I doing it?

381
00:20:42,200 --> 00:20:42,400
Speaker 2: Yeah?

382
00:20:44,640 --> 00:20:47,000
Speaker 3: And did it feel freeing?

383
00:20:49,160 --> 00:20:49,200
Speaker 2: Not?

384
00:20:49,400 --> 00:20:49,680
Speaker 1: Really?

385
00:20:49,800 --> 00:20:53,200
Speaker 3: The booth is like the booth is a cage for you.

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Speaker 1: I mean it's like like the walls are soft. We

387
00:20:57,920 --> 00:20:59,840
Speaker 1: need to have a full bread out on.

388
00:21:00,080 --> 00:21:03,440
Speaker 2: Yeah you know what I mean, so you can't.

389
00:21:05,080 --> 00:21:08,320
Speaker 1: Smash your head to gutsing it just like finally be free.

390
00:21:09,080 --> 00:21:11,320
Speaker 2: Yeah, normally walls that's off they also give you a

391
00:21:11,359 --> 00:21:14,240
Speaker 2: straight jacket, right, because you're you're gonna be flinging yourself

392
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Speaker 2: into him.

393
00:21:15,840 --> 00:21:16,840
Speaker 3: It sounds gonna be great.

394
00:21:16,880 --> 00:21:18,480
Speaker 1: Though. Who else did you get?

395
00:21:19,160 --> 00:21:23,080
Speaker 3: We got Paul Sheer plays Jenna's father.

396
00:21:23,640 --> 00:21:25,720
Speaker 1: And he guess he's wearing Sheer panties.

397
00:21:27,080 --> 00:21:30,760
Speaker 2: Right, That's why we need him, right, he wouldn't stop

398
00:21:30,800 --> 00:21:32,960
Speaker 2: out the house through all the stuff.

399
00:21:33,280 --> 00:21:34,120
Speaker 3: How did this get made?

400
00:21:35,480 --> 00:21:37,720
Speaker 2: Some of these dresses these people wear these days?

401
00:21:38,080 --> 00:21:41,560
Speaker 3: We got James Austin Johnson is Howard Stern.

402
00:21:42,440 --> 00:21:43,600
Speaker 1: Okay, okay.

403
00:21:43,960 --> 00:21:46,640
Speaker 3: We got Laurence Video.

404
00:21:49,160 --> 00:21:50,520
Speaker 1: James Awesome Johnson.

405
00:21:51,200 --> 00:21:53,760
Speaker 2: That's probably what they called him when he said these movies, right,

406
00:21:54,280 --> 00:21:55,280
Speaker 2: got an awesome.

407
00:21:55,200 --> 00:21:56,120
Speaker 1: Who was the third one?

408
00:21:56,720 --> 00:22:00,399
Speaker 3: Laurence Video plays plays Yanna?

409
00:22:01,000 --> 00:22:06,879
Speaker 1: Okay, yeah, okay, I'm not an horny Serve video? And

410
00:22:07,080 --> 00:22:09,040
Speaker 1: where am I falling? In the billing on this?

411
00:22:09,480 --> 00:22:12,880
Speaker 3: You're about maybe eighty seventh.

412
00:22:12,680 --> 00:22:16,280
Speaker 1: Eighty seventh out of Laurencer Video's third top hunt all

413
00:22:16,359 --> 00:22:20,440
Speaker 1: Shear is number one. I'm eighty seven eighty seven, okay,

414
00:22:20,600 --> 00:22:23,640
Speaker 1: So who let's let's keep going.

415
00:22:24,080 --> 00:22:25,040
Speaker 3: Who's above you?

416
00:22:25,320 --> 00:22:26,280
Speaker 1: Until I object?

417
00:22:27,880 --> 00:22:31,680
Speaker 3: Joe Mandy's in it, okay, reprising his role?

418
00:22:31,880 --> 00:22:33,919
Speaker 2: Does he know about your feelings on Michael Clayton.

419
00:22:34,119 --> 00:22:34,440
Speaker 1: He does.

420
00:22:34,520 --> 00:22:38,280
Speaker 3: He disagrees with me. Okay, I think the Sign got

421
00:22:38,320 --> 00:22:40,560
Speaker 3: me too too hyped up for the movie.

422
00:22:40,960 --> 00:22:43,960
Speaker 1: You're negatively polarized against the sign. Let's just admit that.

423
00:22:44,520 --> 00:22:46,760
Speaker 3: I just feel like people got my expectations too high.

424
00:22:46,880 --> 00:22:47,080
Speaker 1: Yeah.

425
00:22:47,160 --> 00:22:48,560
Speaker 3: And then I was like, it's just a George.

426
00:22:48,320 --> 00:22:50,840
Speaker 1: Clon and you don't believe science is real either. No,

427
00:22:51,280 --> 00:22:54,240
Speaker 1: a bit of advice, not in this house. Word of advice.

428
00:22:55,680 --> 00:23:03,000
Speaker 1: Watch it again. Hmm. There's an entire fire movie happening

429
00:23:05,440 --> 00:23:12,080
Speaker 1: inside the movie that you can only really watch when

430
00:23:12,119 --> 00:23:16,560
Speaker 1: you watch it again. The other movie.

431
00:23:19,400 --> 00:23:21,240
Speaker 3: Is a movie podcast, right, the.

432
00:23:22,720 --> 00:23:24,360
Speaker 1: Secret movie? Right? Yeah?

433
00:23:25,280 --> 00:23:27,840
Speaker 2: Remember the Secret Lover T mobile commercial?

434
00:23:29,080 --> 00:23:32,000
Speaker 1: Do you recall this one? No? I like to talk

435
00:23:32,000 --> 00:23:32,760
Speaker 1: about it every time.

436
00:23:34,960 --> 00:23:37,119
Speaker 2: So a guy who's walking up to his roommate is

437
00:23:37,200 --> 00:23:39,879
Speaker 2: when T mobile Fave five was a big thing. So

438
00:23:40,040 --> 00:23:42,240
Speaker 2: T Mobile had this feature where like you had free

439
00:23:42,359 --> 00:23:45,080
Speaker 2: calling between like you and like the five most important

440
00:23:45,080 --> 00:23:47,320
Speaker 2: people in your life. So this guy walks up his

441
00:23:47,400 --> 00:23:49,359
Speaker 2: roommates in the bathroom, brush and his teeth or whatever.

442
00:23:50,800 --> 00:23:52,160
Speaker 1: Sorry, nobody has sex.

443
00:23:52,040 --> 00:23:54,840
Speaker 2: In this one, although it's kind of implied. He walks

444
00:23:54,920 --> 00:23:58,320
Speaker 2: up and he goes, hey, why is my girlfriend in

445
00:23:58,359 --> 00:24:03,320
Speaker 2: your fave five? Dude brushing his teeth is like, oh uh,

446
00:24:04,560 --> 00:24:09,119
Speaker 2: that's just And then the phone rings girlfriend's picture and

447
00:24:09,200 --> 00:24:10,080
Speaker 2: what's the ring tone?

448
00:24:11,520 --> 00:24:15,320
Speaker 3: Secret lovever that's dumbfounded?

449
00:24:15,480 --> 00:24:18,639
Speaker 2: Dumbfounded staring at the screen anyway, why is that the ringtone?

450
00:24:18,680 --> 00:24:21,240
Speaker 2: And you just just the two fingers come in from

451
00:24:21,280 --> 00:24:24,760
Speaker 2: off screen. I need to take this right, I need

452
00:24:24,880 --> 00:24:27,760
Speaker 2: to take that call, pinch the phone out of his hand,

453
00:24:27,920 --> 00:24:35,040
Speaker 2: and you are like, wow, toxic dynamic between these guys

454
00:24:35,359 --> 00:24:36,080
Speaker 2: and this woman.

455
00:24:36,920 --> 00:24:41,639
Speaker 1: And that helped create this like cultural language of like

456
00:24:41,720 --> 00:24:43,320
Speaker 1: you see these guys on screen, like you want to

457
00:24:43,359 --> 00:24:45,000
Speaker 1: be like that guy was the.

458
00:24:45,040 --> 00:24:48,119
Speaker 3: Idea teamable is the one you want to use to cheat.

459
00:24:48,960 --> 00:24:53,680
Speaker 1: Or to get cocked actually, because like that's like the

460
00:24:53,760 --> 00:24:55,879
Speaker 1: real message here is like you know, you imagine that

461
00:24:55,880 --> 00:24:58,560
Speaker 1: were happening. You'd be kind of exciting, you know.

462
00:24:58,560 --> 00:25:01,280
Speaker 2: What I mean finding out like that from somebody's fave five,

463
00:25:02,000 --> 00:25:04,040
Speaker 2: you know, and now they owe you something.

464
00:25:04,480 --> 00:25:06,280
Speaker 3: Right, who's in your fave fives?

465
00:25:07,960 --> 00:25:23,680
Speaker 2: Gosh, Frankenstein, Abraham Lincoln, Uh hey, I guess yeah yeah,

466
00:25:24,200 --> 00:25:27,320
Speaker 2: And then I got one spot open for just you know.

467
00:25:27,400 --> 00:25:29,399
Speaker 1: Whoever, whoever is gonna earn it.

468
00:25:31,200 --> 00:25:33,639
Speaker 2: I always let people know anytime I sit down on

469
00:25:33,640 --> 00:25:35,840
Speaker 2: a lunch that anyone anytime I meet someone, I let

470
00:25:35,880 --> 00:25:38,240
Speaker 2: them know there's an open spot. Fifth spot is free,

471
00:25:39,480 --> 00:25:42,280
Speaker 2: and there's an opportunity for you to win it. And

472
00:25:42,400 --> 00:25:45,800
Speaker 2: it just like keeps people right chasing that. Well, they're

473
00:25:45,800 --> 00:25:47,920
Speaker 2: the ant, Honey, I shrunk the kids. They're go after

474
00:25:48,040 --> 00:25:50,280
Speaker 2: the what is it a sugar cube or something that

475
00:25:50,480 --> 00:25:55,119
Speaker 2: at the end of the stay. Yeah, it's huge compared

476
00:25:55,160 --> 00:26:00,480
Speaker 2: to them. Damn they're shrunk, is there it's pornal?

477
00:26:01,320 --> 00:26:02,280
Speaker 3: Yeah, definitely.

478
00:26:02,560 --> 00:26:06,760
Speaker 1: Yeah. I don't think they should have done that because

479
00:26:06,800 --> 00:26:11,720
Speaker 1: of the kids, the production value of all, like you

480
00:26:11,880 --> 00:26:14,639
Speaker 1: have to like you have to make something be huge

481
00:26:14,680 --> 00:26:17,520
Speaker 1: if you're going to do that, and this guy look good.

482
00:26:18,000 --> 00:26:21,960
Speaker 3: Yeah, there's a lot of camera work angles.

483
00:26:22,400 --> 00:26:25,240
Speaker 1: So they just got up really close.

484
00:26:25,720 --> 00:26:28,280
Speaker 3: Yeah, it's got a regular ant.

485
00:26:30,240 --> 00:26:32,880
Speaker 1: They got really close to it can get.

486
00:26:35,040 --> 00:26:35,880
Speaker 3: Yeah, I can do anything.

487
00:26:35,880 --> 00:26:37,760
Speaker 1: And they made them go really far away. But then

488
00:26:37,840 --> 00:26:41,040
Speaker 1: how do they know when to start? How do you

489
00:26:41,119 --> 00:26:43,919
Speaker 1: tell them when to start? So far away the ant's

490
00:26:44,040 --> 00:26:48,439
Speaker 1: choice the ant, but the ant is close and they're far.

491
00:26:48,520 --> 00:26:50,600
Speaker 3: The ant kind of like sticking might not be met

492
00:26:50,680 --> 00:26:54,639
Speaker 3: on set the user antenna, they kind of do a

493
00:26:54,680 --> 00:26:55,840
Speaker 3: little like winking.

494
00:26:56,880 --> 00:27:02,320
Speaker 1: I'm not talking about the ant I'm talking about the lovers.

495
00:27:03,320 --> 00:27:05,720
Speaker 1: How do you tell them when to start? Because they're

496
00:27:05,920 --> 00:27:06,520
Speaker 1: far away?

497
00:27:06,760 --> 00:27:07,840
Speaker 2: Those are secret lovers.

498
00:27:07,920 --> 00:27:11,080
Speaker 1: Huh, might as well be a secret they're they're so

499
00:27:11,200 --> 00:27:13,439
Speaker 1: far from the set waiting they might not even known

500
00:27:13,480 --> 00:27:14,359
Speaker 1: they were on the set.

501
00:27:15,119 --> 00:27:17,640
Speaker 3: Well, we like, you don't want people to know they're

502
00:27:18,080 --> 00:27:20,879
Speaker 3: making a movie. You want to create like an elaborate

503
00:27:21,240 --> 00:27:22,320
Speaker 3: ruse where.

504
00:27:22,320 --> 00:27:25,040
Speaker 1: That's what they did to this woman. Oh my god.

505
00:27:25,400 --> 00:27:30,160
Speaker 2: Yeah, wow, if that's happening to me now, I wonder

506
00:27:30,200 --> 00:27:31,119
Speaker 2: if that's happening to me.

507
00:27:31,480 --> 00:27:39,800
Speaker 1: That's terrible. But it's also like what happened to me

508
00:27:39,880 --> 00:27:41,479
Speaker 1: when I was doing a voice on it. I had

509
00:27:41,520 --> 00:27:44,440
Speaker 1: no idea doing something. It was so disgusting. Yeah, that

510
00:27:44,600 --> 00:27:48,280
Speaker 1: elaborate ruse, I mean you know that. And I let

511
00:27:48,320 --> 00:27:54,119
Speaker 1: my name to this barely turns out eighty seventh on

512
00:27:54,200 --> 00:27:54,600
Speaker 1: the list.

513
00:27:55,080 --> 00:27:58,240
Speaker 2: Yeah, well, you know when we sat down, obviously Hayes asked,

514
00:27:58,320 --> 00:28:01,399
Speaker 2: you know, as my as mypisode come out yet? And

515
00:28:01,520 --> 00:28:03,600
Speaker 2: I asked the question I ask everyone whoever comes on

516
00:28:03,680 --> 00:28:06,399
Speaker 2: the show, was there any attempt to evolve me in

517
00:28:06,440 --> 00:28:12,720
Speaker 2: this project in any way, talk about the process of

518
00:28:12,920 --> 00:28:15,399
Speaker 2: not choosing to reach out to me, because I'm always

519
00:28:15,480 --> 00:28:17,960
Speaker 2: curious how that works for creatives.

520
00:28:18,400 --> 00:28:25,800
Speaker 1: I know that it's obviously a common practice. But what

521
00:28:26,119 --> 00:28:30,000
Speaker 1: do you get? I did my name crossed out? No?

522
00:28:30,119 --> 00:28:32,359
Speaker 3: I did have your name on the on the cast list.

523
00:28:33,520 --> 00:28:35,600
Speaker 3: That's kind of like a placeholder until I could get

524
00:28:35,640 --> 00:28:40,000
Speaker 3: somebody better. We were going out to, like you know,

525
00:28:40,080 --> 00:28:43,640
Speaker 3: who's who's better than Sean that we can get maybe

526
00:28:43,760 --> 00:28:48,120
Speaker 3: like Paul F. Tompkins. Sure, well that is comedy bang bang?

527
00:28:48,200 --> 00:28:48,880
Speaker 1: Did you get him?

528
00:28:49,600 --> 00:28:49,640
Speaker 2: No?

529
00:28:49,920 --> 00:28:50,520
Speaker 3: Not this time?

530
00:28:50,960 --> 00:28:51,600
Speaker 1: So you're the one?

531
00:28:51,640 --> 00:28:52,680
Speaker 2: Okay, last time?

532
00:28:54,240 --> 00:29:02,480
Speaker 1: Why you still need sounds? You're still working on the thing?

533
00:29:03,760 --> 00:29:07,400
Speaker 2: And could this be a bit of an audition? Perhaps

534
00:29:07,600 --> 00:29:10,600
Speaker 2: I really thrive in a cold read scenario.

535
00:29:11,200 --> 00:29:15,160
Speaker 3: Do you see yourself playing sort of like an inanimate object?

536
00:29:15,440 --> 00:29:22,800
Speaker 1: Maybe full I could be so inanimate? Did you say inadequate? Yes?

537
00:29:23,600 --> 00:29:25,360
Speaker 2: I could be such an inadequate object.

538
00:29:27,480 --> 00:29:30,320
Speaker 1: What what kind of objects are we talking about here?

539
00:29:30,440 --> 00:29:36,440
Speaker 1: And please not just like be keep in mind that

540
00:29:36,520 --> 00:29:37,400
Speaker 1: Grandma's listening.

541
00:29:37,640 --> 00:29:41,600
Speaker 3: Okay, yes, I mean there is usually like a like

542
00:29:41,680 --> 00:29:42,640
Speaker 3: a coffee table.

543
00:29:44,040 --> 00:29:47,760
Speaker 1: Okay, okay, great, now our listeners are trying to sometimes

544
00:29:47,800 --> 00:29:50,160
Speaker 1: put a coffee table in their ear, so then get

545
00:29:50,240 --> 00:29:50,880
Speaker 1: off that way.

546
00:29:51,320 --> 00:29:53,120
Speaker 3: I was thinking you could play maybe like a like

547
00:29:53,200 --> 00:29:58,280
Speaker 3: a fully operator, somebody who doesn't really have any lines,

548
00:29:59,280 --> 00:30:00,120
Speaker 3: but you know they're.

549
00:30:02,040 --> 00:30:07,200
Speaker 1: He's playing a fully operator like a boom Micael Holder like,

550
00:30:07,720 --> 00:30:11,440
Speaker 1: so someone who is kind of like operating on day

551
00:30:11,520 --> 00:30:12,760
Speaker 1: foliading and ready.

552
00:30:12,600 --> 00:30:13,680
Speaker 2: They have fully surgeon.

553
00:30:13,840 --> 00:30:16,480
Speaker 3: Yes, right, get ready for the news radio reboot.

554
00:30:17,800 --> 00:30:19,080
Speaker 1: People are excited about.

555
00:30:18,840 --> 00:30:20,760
Speaker 3: That they're gonna kill Joe Rogan.

556
00:30:21,640 --> 00:30:26,000
Speaker 1: Yeah, and sentence in the hospital for special shot.

557
00:30:26,160 --> 00:30:28,560
Speaker 2: Maybe cut the bar where she said they're gonna kill

558
00:30:28,680 --> 00:30:29,360
Speaker 2: Joe Rogan.

559
00:30:32,880 --> 00:30:36,400
Speaker 1: He's actually given opportunities to a lot of people just

560
00:30:36,520 --> 00:30:38,280
Speaker 1: because obviously, look.

561
00:30:38,760 --> 00:30:40,760
Speaker 3: Look we're not saying we go to Austin.

562
00:30:41,040 --> 00:30:49,680
Speaker 2: But well so this studio is not necessarily going to

563
00:30:49,760 --> 00:30:54,840
Speaker 2: be a permanent home. And I know that Joe Rogan

564
00:30:55,000 --> 00:30:59,200
Speaker 2: is providing a lot, a lot of seats at the table.

565
00:30:59,280 --> 00:31:01,080
Speaker 2: We've been trying to get table here for a while,

566
00:31:01,640 --> 00:31:06,280
Speaker 2: a lot of and there's we do fit.

567
00:31:07,560 --> 00:31:09,160
Speaker 1: Some aspects of the profile.

568
00:31:11,200 --> 00:31:16,360
Speaker 2: So ah, it's not kill him necessarily, Okay.

569
00:31:16,440 --> 00:31:22,520
Speaker 3: I meant in like a like a kill tony way, okay,

570
00:31:23,680 --> 00:31:28,800
Speaker 3: like with laughter you kill yeah, that's a comedian, right, killing.

571
00:31:28,600 --> 00:31:30,040
Speaker 1: People, killing everything.

572
00:31:30,120 --> 00:31:32,959
Speaker 3: When a comedian does well, they're like, yes, I murdered everyone.

573
00:31:33,160 --> 00:31:35,720
Speaker 1: They've gotten out there, kill him, I killed everybody.

574
00:31:38,520 --> 00:31:42,960
Speaker 3: Why why they crushed everybody?

575
00:31:43,320 --> 00:31:43,680
Speaker 1: Uh huh?

576
00:31:44,360 --> 00:31:45,560
Speaker 3: They sat on them?

577
00:31:46,280 --> 00:31:49,800
Speaker 2: Yeah, Why is it always? Why is it always that

578
00:31:49,920 --> 00:31:52,800
Speaker 2: they were smothering and crushing them and squishing.

579
00:31:53,160 --> 00:31:58,560
Speaker 1: Yeah, bomb sitting. They sat on their bombs. Yeah.

580
00:31:58,880 --> 00:32:00,520
Speaker 3: The bombing is when you do bombing?

581
00:32:00,680 --> 00:32:04,880
Speaker 1: Is so that Actually that was a very few that

582
00:32:05,400 --> 00:32:10,560
Speaker 1: was not appropriately contribute like bombing. No, that's the same

583
00:32:10,600 --> 00:32:13,080
Speaker 1: one you did. You know that was the same one

584
00:32:13,160 --> 00:32:18,000
Speaker 1: you just did. Slaying is one that that that's a

585
00:32:18,040 --> 00:32:19,960
Speaker 1: better example. Slaying is one.

586
00:32:20,400 --> 00:32:22,920
Speaker 3: You guys are pretty you're what you're known for slaying,

587
00:32:25,480 --> 00:32:26,800
Speaker 3: I mean famously.

588
00:32:27,960 --> 00:32:31,160
Speaker 2: I guess if you say that's what I've.

589
00:32:31,040 --> 00:32:34,719
Speaker 1: Never you're a cultural commentator on here, like you've done

590
00:32:34,760 --> 00:32:37,520
Speaker 1: a podcast about it, I've never How well known can

591
00:32:37,560 --> 00:32:38,200
Speaker 1: we be for it?

592
00:32:38,480 --> 00:32:41,800
Speaker 3: Well, I've never actually listened to your podcast myself, not yourself,

593
00:32:41,880 --> 00:32:42,600
Speaker 3: but it is right.

594
00:32:43,240 --> 00:32:45,880
Speaker 1: The first thirty minutes of this episode are making sense.

595
00:32:46,040 --> 00:32:50,640
Speaker 3: It is my cousin. My cousin from Philadelphia says it's

596
00:32:51,000 --> 00:32:54,200
Speaker 3: his favorite podcast. Okay, but even though I don't listen

597
00:32:54,280 --> 00:32:55,000
Speaker 3: to your show.

598
00:32:55,160 --> 00:32:58,120
Speaker 1: Well, let's hear a little more about this guy, Max.

599
00:32:59,120 --> 00:33:04,040
Speaker 1: He's killing it. What's he drive? Wheel? What kind of

600
00:33:04,120 --> 00:33:05,680
Speaker 1: car does he drive in Philadelphia?

601
00:33:05,880 --> 00:33:06,680
Speaker 2: What is his car?

602
00:33:07,640 --> 00:33:10,920
Speaker 3: He list' he's he takes the subway. I think mainly.

603
00:33:11,680 --> 00:33:12,960
Speaker 1: Okay, that's in New York.

604
00:33:13,040 --> 00:33:15,760
Speaker 3: But even though I don't listen to your guys show, and.

605
00:33:15,840 --> 00:33:17,560
Speaker 1: He can pretend he's driving the sow, he can bring

606
00:33:17,560 --> 00:33:19,480
Speaker 1: a little wheel on there. That's a big car.

607
00:33:19,720 --> 00:33:22,280
Speaker 3: Yeah, yeah, I did try to like it.

608
00:33:22,560 --> 00:33:25,560
Speaker 2: Your cyber truck, and I raise you a full train

609
00:33:26,280 --> 00:33:26,880
Speaker 2: at the front.

610
00:33:26,720 --> 00:33:27,040
Speaker 3: Of the car.

611
00:33:27,160 --> 00:33:28,479
Speaker 1: Put a wheel against the window.

612
00:33:30,760 --> 00:33:35,280
Speaker 3: I do listen to another show on your network, the

613
00:33:35,600 --> 00:33:36,920
Speaker 3: XO episode It's My.

614
00:33:37,160 --> 00:33:40,120
Speaker 1: Manor Xoxoboto bend my network.

615
00:33:40,200 --> 00:33:42,360
Speaker 3: That's a great show. Have you guys heard that show

616
00:33:42,520 --> 00:33:43,640
Speaker 3: on your own network?

617
00:33:44,320 --> 00:33:44,480
Speaker 1: Yes?

618
00:33:44,640 --> 00:33:45,040
Speaker 2: Some of it.

619
00:33:45,400 --> 00:33:46,640
Speaker 3: That show is so funny.

620
00:33:46,840 --> 00:33:48,719
Speaker 1: You guys should be you would like it all.

621
00:33:50,000 --> 00:33:52,760
Speaker 3: The thing they were doing this act week about how

622
00:33:52,840 --> 00:33:54,840
Speaker 3: Furio looks like nineties Michael Jackson.

623
00:33:55,080 --> 00:33:57,080
Speaker 2: That was so it was not last week. That was

624
00:33:57,120 --> 00:33:57,720
Speaker 2: a month ago.

625
00:34:00,400 --> 00:34:02,520
Speaker 3: So you're yeah, I'm a little behind.

626
00:34:02,560 --> 00:34:04,040
Speaker 1: Why don't you go ahead to catch up?

627
00:34:04,480 --> 00:34:05,160
Speaker 3: My favorite chow.

628
00:34:06,240 --> 00:34:10,719
Speaker 1: Yeah that xof did they do voices? Let me guess

629
00:34:10,760 --> 00:34:13,960
Speaker 1: their numbers, like forty one and.

630
00:34:15,920 --> 00:34:16,480
Speaker 2: Seventeen.

631
00:34:17,080 --> 00:34:19,359
Speaker 1: I mean, I'm just saying a number.

632
00:34:22,040 --> 00:34:24,880
Speaker 3: No, I mean they've got, you know, stuff going on.

633
00:34:25,160 --> 00:34:26,719
Speaker 1: They have stuffing there. They turned it down.

634
00:34:26,719 --> 00:34:27,560
Speaker 2: They're kind of business.

635
00:34:27,760 --> 00:34:33,760
Speaker 1: They rejected you. Yeah, let's get a couple wild sounds

636
00:34:33,840 --> 00:34:37,919
Speaker 1: on Wax here. I want to see what this guy

637
00:34:38,000 --> 00:34:41,120
Speaker 1: can do. So I'm I want to show you a

638
00:34:41,200 --> 00:34:43,840
Speaker 1: little something different than what I did in the booth before.

639
00:34:44,080 --> 00:34:46,880
Speaker 1: And I basically dare you not to use this? And

640
00:34:47,000 --> 00:34:50,160
Speaker 1: these are the kind of sounds because you want to

641
00:34:50,200 --> 00:34:53,719
Speaker 1: create like a realistic landscape here for people. What kind

642
00:34:53,760 --> 00:34:54,480
Speaker 1: of listening to this?

643
00:34:54,880 --> 00:34:55,520
Speaker 2: What kind of stuff?

644
00:34:55,520 --> 00:34:57,440
Speaker 1: All the history podcasts and stuff, but like people are

645
00:34:57,520 --> 00:35:00,600
Speaker 1: listening to the ship to get off, like that's well.

646
00:35:00,520 --> 00:35:01,839
Speaker 3: That's what all podcasts are.

647
00:35:01,960 --> 00:35:05,359
Speaker 2: Yes, we all know what you know, it's all we're

648
00:35:05,400 --> 00:35:09,799
Speaker 2: all prostitutes. Yeah, and you know, sex workers in one

649
00:35:09,840 --> 00:35:10,440
Speaker 2: way or another.

650
00:35:10,719 --> 00:35:14,000
Speaker 1: And that's why they were watching the the others the

651
00:35:14,120 --> 00:35:17,960
Speaker 1: porno too. I think so they were they're watching to

652
00:35:18,040 --> 00:35:19,239
Speaker 1: get I think so.

653
00:35:20,000 --> 00:35:24,600
Speaker 2: I think so, like Wor he kept secret in Hollywood.

654
00:35:25,320 --> 00:35:29,000
Speaker 2: The purpose of this stuff as much as there's cameras,

655
00:35:29,080 --> 00:35:32,560
Speaker 2: it's like a movie. A lot of it is deep

656
00:35:32,680 --> 00:35:36,040
Speaker 2: down underneath it. The reason people are attracted to it

657
00:35:38,040 --> 00:35:43,400
Speaker 2: is is something of a sexual reason, revolving around getting

658
00:35:43,520 --> 00:35:44,040
Speaker 2: off all.

659
00:35:44,360 --> 00:35:46,600
Speaker 3: So do you think that's true about all movies?

660
00:35:47,200 --> 00:35:47,399
Speaker 1: Yeah?

661
00:35:47,760 --> 00:35:56,680
Speaker 4: I said that, like, yeah, including the Yeah, maybe it's

662
00:35:56,719 --> 00:35:58,200
Speaker 4: maybe most of all sex.

663
00:35:58,520 --> 00:36:01,279
Speaker 3: You're the way people talk about that pta movie.

664
00:36:01,360 --> 00:36:05,800
Speaker 1: They're like that pie it to me. Actually, I don't like,

665
00:36:05,840 --> 00:36:07,239
Speaker 1: I don't know which one you're talking about.

666
00:36:07,320 --> 00:36:09,719
Speaker 2: Yeah, there's so many of them, and they all get

667
00:36:09,760 --> 00:36:10,080
Speaker 2: me off.

668
00:36:12,080 --> 00:36:13,800
Speaker 3: That's what movies are, up or form.

669
00:36:13,840 --> 00:36:15,600
Speaker 1: That's what movies are. And that's a podcasts.

670
00:36:15,760 --> 00:36:19,359
Speaker 2: They all drink my milkshake, if you know what I mean.

671
00:36:20,320 --> 00:36:22,600
Speaker 1: And I don't, and I don't who the.

672
00:36:22,719 --> 00:36:25,400
Speaker 2: Beverage for and I don't, But you could use that sound,

673
00:36:25,840 --> 00:36:28,360
Speaker 2: so what so what kind of stuff? What kind of

674
00:36:28,480 --> 00:36:30,320
Speaker 2: sounds would you need for the show? And we just

675
00:36:30,320 --> 00:36:32,880
Speaker 2: see if I do it, you don't like it, we

676
00:36:33,160 --> 00:36:35,640
Speaker 2: never talk about it again, and we talk about it here. Yeah,

677
00:36:36,239 --> 00:36:37,200
Speaker 2: maybe we say that we like it.

678
00:36:37,320 --> 00:36:39,840
Speaker 3: Yeah, maybe you could send like a self tape and

679
00:36:39,960 --> 00:36:40,319
Speaker 3: we could.

680
00:36:40,880 --> 00:36:42,759
Speaker 2: Well, I'm here right now and I'm on a microphone,

681
00:36:42,760 --> 00:36:45,200
Speaker 2: and I'm wondering if there's any kind of everything's set

682
00:36:45,280 --> 00:36:47,480
Speaker 2: up that you're here and it's your show, and I'm

683
00:36:47,520 --> 00:36:49,000
Speaker 2: wondering if we could get Well.

684
00:36:48,880 --> 00:36:50,880
Speaker 3: The main thing that matters is you have to be

685
00:36:50,960 --> 00:36:55,120
Speaker 3: able to maintain interaction on camera, so maybe we could.

686
00:36:55,160 --> 00:37:00,319
Speaker 2: See okay, and so so as you say maintain and again,

687
00:37:01,440 --> 00:37:03,239
Speaker 2: hang on, hang on, hang on under the hot light.

688
00:37:03,560 --> 00:37:06,200
Speaker 2: Excuse me, but hang on as we as you say,

689
00:37:06,400 --> 00:37:09,000
Speaker 2: maintain again. And we've been through this a lot, I

690
00:37:09,080 --> 00:37:10,560
Speaker 2: feel like we're skipping some steps.

691
00:37:13,280 --> 00:37:17,200
Speaker 1: So let's back up. So is the initial has happened before?

692
00:37:17,400 --> 00:37:18,440
Speaker 1: Made dating the.

693
00:37:18,520 --> 00:37:26,000
Speaker 2: Initial phase of that process achieving interaction, Well, that's up

694
00:37:26,040 --> 00:37:31,319
Speaker 2: to you. Well okay, Well, unfortunately it's not. So that's

695
00:37:31,360 --> 00:37:31,879
Speaker 2: what I'll say.

696
00:37:32,040 --> 00:37:34,120
Speaker 1: Would it were if it was up.

697
00:37:34,080 --> 00:37:38,200
Speaker 2: To me, that'd be a lot easier. So if that's

698
00:37:38,600 --> 00:37:43,239
Speaker 2: if that's step one, I would like to gracefully pou

699
00:37:43,360 --> 00:37:44,919
Speaker 2: out of contention for the show.

700
00:37:45,360 --> 00:37:48,920
Speaker 1: So this is so interesting that is that is a

701
00:37:49,000 --> 00:37:53,400
Speaker 1: qualification for doing a voice on your podcast. That's amazing

702
00:37:53,440 --> 00:37:54,920
Speaker 1: to hear because I thought I was going to get

703
00:37:54,920 --> 00:38:02,799
Speaker 1: a trouble and and here I'm actually doing the job.

704
00:38:03,360 --> 00:38:05,239
Speaker 1: That was a sign. I don't know that.

705
00:38:05,440 --> 00:38:07,239
Speaker 2: Before you came on, I was like, I hope she

706
00:38:07,320 --> 00:38:11,239
Speaker 2: doesn't bring that. I know, the guys if we get

707
00:38:11,280 --> 00:38:11,600
Speaker 2: into this.

708
00:38:12,320 --> 00:38:13,840
Speaker 3: So you're the one who was like, I have to

709
00:38:13,920 --> 00:38:18,440
Speaker 3: be naked to really channel the Great Kazoo getting care

710
00:38:18,640 --> 00:38:19,600
Speaker 3: so insane.

711
00:38:20,280 --> 00:38:22,400
Speaker 1: This is what I'm saying, Like, if you need to

712
00:38:22,480 --> 00:38:30,480
Speaker 1: communicate pure madness like Great Kazoo and and Tom.

713
00:38:30,320 --> 00:38:33,120
Speaker 2: Wilkinson Michael Clinton, though, yeah.

714
00:38:32,960 --> 00:38:37,560
Speaker 1: You do need to be totally nude, and you know,

715
00:38:37,880 --> 00:38:41,800
Speaker 1: and I'm smushing myself into the wall to try and

716
00:38:41,920 --> 00:38:46,160
Speaker 1: get everything like settled down and all that not helping

717
00:38:46,440 --> 00:38:54,560
Speaker 1: like exactly. Uh, And so I said, got like, she's

718
00:38:54,600 --> 00:38:56,520
Speaker 1: gonna want to talk about something. I will handle this.

719
00:38:57,239 --> 00:39:01,800
Speaker 1: Mm hmmm. Haven't I always handled it before? Just trust me?

720
00:39:03,640 --> 00:39:05,359
Speaker 2: But this is going better than I could have had

721
00:39:05,440 --> 00:39:07,520
Speaker 2: you handled it before. Might be part of the problem.

722
00:39:07,719 --> 00:39:10,360
Speaker 2: You still haven't said a big I five from Kevin

723
00:39:10,400 --> 00:39:10,959
Speaker 2: big laugh.

724
00:39:13,800 --> 00:39:21,160
Speaker 1: You still you still haven't said what sounds he yeah

725
00:39:21,200 --> 00:39:26,000
Speaker 1: to do? This is how you direct everybody.

726
00:39:26,680 --> 00:39:30,520
Speaker 2: I gotta say, I feel like we've given you forty

727
00:39:30,520 --> 00:39:32,960
Speaker 2: to fifty opportunities to pitch one sound that I could

728
00:39:33,000 --> 00:39:35,000
Speaker 2: make for the episode.

729
00:39:35,120 --> 00:39:36,719
Speaker 1: The type was a little bit of the idea of

730
00:39:36,760 --> 00:39:39,080
Speaker 1: what happened in these movies. Here. Let me give you

731
00:39:39,160 --> 00:39:42,640
Speaker 1: an example. Here's the kind of sound from like this

732
00:39:42,960 --> 00:39:49,960
Speaker 1: kind of sensual situated two situations, but where like things

733
00:39:49,960 --> 00:39:51,080
Speaker 1: are going a little hot and heavy.

734
00:39:51,600 --> 00:40:02,279
Speaker 3: Yeah, okay, sir, Yeah, that's a good idea. That's a

735
00:40:02,320 --> 00:40:02,640
Speaker 3: good one.

736
00:40:03,360 --> 00:40:05,279
Speaker 1: I try one. Can I just try one?

737
00:40:05,360 --> 00:40:10,399
Speaker 2: This is a classic sensual pornographic scene, right. I don't

738
00:40:10,440 --> 00:40:13,400
Speaker 2: know exactly what the context is, but it's everyone's getting

739
00:40:14,239 --> 00:40:18,320
Speaker 2: uh hot and bothered and then and then in walks.

740
00:40:18,880 --> 00:40:25,800
Speaker 2: My guy, are you gonna finish that?

741
00:40:30,520 --> 00:40:30,880
Speaker 3: What's that?

742
00:40:32,560 --> 00:40:35,400
Speaker 1: That's right? I think they've got like a maybe like

743
00:40:35,480 --> 00:40:37,200
Speaker 1: an Almond classault.

744
00:40:38,719 --> 00:40:42,440
Speaker 2: On a little saucer. It's just like off to the side.

745
00:40:44,719 --> 00:40:50,120
Speaker 1: It's really dusty. Oh got well, I have one more

746
00:40:50,160 --> 00:40:50,680
Speaker 1: try okay.

747
00:40:51,200 --> 00:40:52,520
Speaker 3: I mean, you guys have been in the biz a

748
00:40:52,600 --> 00:40:53,120
Speaker 3: long time.

749
00:40:54,040 --> 00:40:56,279
Speaker 2: Well, and I'm about to get back in the biz

750
00:40:56,360 --> 00:40:56,799
Speaker 2: with this one.

751
00:40:56,960 --> 00:40:58,960
Speaker 1: Yeah. I have to make them so dusty because it

752
00:40:59,000 --> 00:41:01,759
Speaker 1: shows up on camera. Uh you know what I mean,

753
00:41:02,280 --> 00:41:05,120
Speaker 1: it's way dustier than a normal one. What are those

754
00:41:05,160 --> 00:41:06,680
Speaker 1: the only ones that get to be dusty? You know

755
00:41:06,719 --> 00:41:07,080
Speaker 1: what I mean?

756
00:41:07,600 --> 00:41:11,080
Speaker 2: Should we dust some of these other pastries, right.

757
00:41:11,120 --> 00:41:14,400
Speaker 1: Why is that one the only one? It's like covered

758
00:41:14,480 --> 00:41:16,480
Speaker 1: in in the dust.

759
00:41:17,200 --> 00:41:19,799
Speaker 2: It's gotta get elitist.

760
00:41:20,000 --> 00:41:21,880
Speaker 1: I mean, I feel like I'm supposed to get my

761
00:41:22,400 --> 00:41:23,839
Speaker 1: mirror and my straw.

762
00:41:23,600 --> 00:41:27,040
Speaker 3: Out cutting off Sean from his sound. You're doing it

763
00:41:27,239 --> 00:41:29,239
Speaker 3: anymore that part of the process you have to be

764
00:41:29,280 --> 00:41:32,799
Speaker 3: able to do. There's chaos and the apparently cut through

765
00:41:32,840 --> 00:41:33,280
Speaker 3: the noise.

766
00:41:38,040 --> 00:41:39,640
Speaker 2: Is that an air hockey table for sale?

767
00:41:44,160 --> 00:41:48,359
Speaker 1: And I think when when I was picking up from

768
00:41:48,440 --> 00:41:53,520
Speaker 1: that character and sort of an opportunity for conflict in

769
00:41:53,640 --> 00:41:57,960
Speaker 1: the scene, is that it's not an air hockey table.

770
00:41:59,800 --> 00:42:02,880
Speaker 2: It's so it's a it's a it's a sibean or something.

771
00:42:03,040 --> 00:42:04,920
Speaker 1: I mean, you know what I mean, Like it's like

772
00:42:05,040 --> 00:42:07,800
Speaker 1: something like this, yeah, or maybe even it's just like

773
00:42:07,880 --> 00:42:09,560
Speaker 1: a kitchen table, you know what I mean. It's like

774
00:42:09,640 --> 00:42:12,200
Speaker 1: a basic or even now he's in trouble for playing

775
00:42:12,200 --> 00:42:14,920
Speaker 1: air hockey on it. You're like a kitchen island that

776
00:42:15,040 --> 00:42:16,920
Speaker 1: he's trying to like remove.

777
00:42:18,080 --> 00:42:24,520
Speaker 2: This is fun, this idea to sit at a kitchen table.

778
00:42:26,600 --> 00:42:28,840
Speaker 2: I hate to keep coming back to the same idea, but.

779
00:42:31,520 --> 00:42:33,800
Speaker 1: Two amcuossa patals.

780
00:42:34,560 --> 00:42:40,200
Speaker 2: It's sort of an oreo cookie puck. Hmmm, what a delicious,

781
00:42:40,280 --> 00:42:42,680
Speaker 2: fun homemade air hockey game play.

782
00:42:43,280 --> 00:42:45,680
Speaker 3: What about all the dust blowing all around though from

783
00:42:45,760 --> 00:42:47,160
Speaker 3: the air hot from the jets?

784
00:42:47,320 --> 00:42:50,120
Speaker 1: Yeah, mm hmm, because you'd have to have some kind

785
00:42:50,160 --> 00:42:51,319
Speaker 1: of like jets coming up.

786
00:42:51,520 --> 00:42:53,200
Speaker 2: Yeah, no, I am going to have a bunch of

787
00:42:53,440 --> 00:42:57,000
Speaker 2: women's going on with your like your nose and what

788
00:42:57,200 --> 00:42:58,399
Speaker 2: is going on with my nose?

789
00:42:58,520 --> 00:42:59,880
Speaker 1: Is anything like sticking out of it?

790
00:43:00,080 --> 00:43:02,120
Speaker 2: Kevin hasn't helped me at all, Kevid, is there something

791
00:43:02,200 --> 00:43:03,840
Speaker 2: coming out of my nose this whole episode?

792
00:43:04,760 --> 00:43:06,680
Speaker 1: I can take it out really?

793
00:43:06,880 --> 00:43:07,839
Speaker 3: Oh yeah, like when they.

794
00:43:08,440 --> 00:43:11,719
Speaker 1: He's not saying like digitally like he's gotta like like

795
00:43:11,800 --> 00:43:15,440
Speaker 1: when something three fingers.

796
00:43:15,520 --> 00:43:17,720
Speaker 2: I felt something going on, but I can't. There's obviously

797
00:43:17,840 --> 00:43:21,279
Speaker 2: no tissues available anywhere, and why would there be to

798
00:43:21,480 --> 00:43:24,120
Speaker 2: take it out and post I would just get up

799
00:43:24,160 --> 00:43:26,000
Speaker 2: and leave or whatever, and I may.

800
00:43:26,000 --> 00:43:28,719
Speaker 3: Still It'll be like when they took all the coke

801
00:43:28,800 --> 00:43:30,600
Speaker 3: out of Neil Young's nose and the.

802
00:43:30,680 --> 00:43:35,360
Speaker 1: Last one, yeah, the last one, yeah, yeah, yeah, So

803
00:43:35,840 --> 00:43:38,040
Speaker 1: what happens He had a bunch of coke in his

804
00:43:38,239 --> 00:43:42,440
Speaker 1: nose and then someone took it out, and what do

805
00:43:42,520 --> 00:43:43,000
Speaker 1: they do with it?

806
00:43:45,120 --> 00:43:46,400
Speaker 2: That's up to you drink it.

807
00:43:48,360 --> 00:43:51,239
Speaker 1: Because like touching that, like being around that stuff can

808
00:43:51,440 --> 00:43:54,280
Speaker 1: like make you go to the hospital.

809
00:43:55,280 --> 00:43:57,000
Speaker 3: Yeah, brings us back.

810
00:43:57,160 --> 00:43:59,200
Speaker 1: You have to be really Yeah, it brings bring.

811
00:43:59,120 --> 00:44:01,239
Speaker 2: This all the way back around the scrubs. Is there

812
00:44:01,280 --> 00:44:05,640
Speaker 2: a scrubs? Is there a scrubs porn parody? You bet?

813
00:44:06,960 --> 00:44:10,360
Speaker 3: You name it. There's a porn parody. I thought this

814
00:44:10,680 --> 00:44:12,960
Speaker 3: was a porn parody of a podcast.

815
00:44:16,560 --> 00:44:19,399
Speaker 2: Yeah, we're headed that way, that's for sure.

816
00:44:20,239 --> 00:44:23,480
Speaker 1: You do. You don't even realize you're heading in that direction.

817
00:44:23,680 --> 00:44:25,560
Speaker 1: You know, you just get kind of like captured by

818
00:44:25,640 --> 00:44:26,240
Speaker 1: the audience.

819
00:44:26,400 --> 00:44:28,879
Speaker 3: It is kind of like they're doing funny like you're

820
00:44:28,920 --> 00:44:32,880
Speaker 3: just doing weather couches. Yes, a couple of kind of

821
00:44:33,200 --> 00:44:39,240
Speaker 3: weird sweaty guys. Yes, hot lights, kind of a producer

822
00:44:39,320 --> 00:44:42,600
Speaker 3: over in the corner, like, please, but you don't spend

823
00:44:42,640 --> 00:44:43,319
Speaker 3: too much money.

824
00:44:46,600 --> 00:44:50,320
Speaker 1: I don't even know why you're doing this. You just start.

825
00:44:53,160 --> 00:44:57,840
Speaker 1: The algorithm is so powerful. It just rewires your brain

826
00:44:58,880 --> 00:45:01,000
Speaker 1: and you just start doing that without even knowing. He

827
00:45:01,080 --> 00:45:02,480
Speaker 1: doesn't even know he's doing that.

828
00:45:02,680 --> 00:45:06,920
Speaker 3: See that's that could be good what you're doing now, I.

829
00:45:06,960 --> 00:45:08,279
Speaker 1: Mean it could be good. It is.

830
00:45:08,560 --> 00:45:10,080
Speaker 2: It's extremely good.

831
00:45:10,440 --> 00:45:13,360
Speaker 3: Yeah, you're you're not in charge here. I'm in charge.

832
00:45:14,000 --> 00:45:15,560
Speaker 1: That could be good for you. You don't have good

833
00:45:15,600 --> 00:45:16,120
Speaker 1: sounds like that?

834
00:45:16,280 --> 00:45:16,680
Speaker 2: What is it?

835
00:45:16,800 --> 00:45:20,440
Speaker 1: Kind of what does it sound like now that you're trying.

836
00:45:20,320 --> 00:45:23,960
Speaker 3: To kind of like a like a fire alarm sound

837
00:45:24,920 --> 00:45:31,000
Speaker 3: farm kind of throughout the whole show, just so make

838
00:45:31,040 --> 00:45:35,040
Speaker 3: sure you're paying attention and it's loud. Huh yeah, because

839
00:45:35,040 --> 00:45:36,680
Speaker 3: it's like we want the show to be so good

840
00:45:36,760 --> 00:45:38,600
Speaker 3: that you ignore the fire alarm.

841
00:45:38,800 --> 00:45:41,279
Speaker 1: You just forget that it's even happening because you're got

842
00:45:41,320 --> 00:45:42,759
Speaker 1: it and you're having a driveway moment.

843
00:45:42,840 --> 00:45:43,440
Speaker 3: You gotta hear.

844
00:45:44,760 --> 00:45:47,320
Speaker 1: Damn it's on.

845
00:45:49,000 --> 00:45:50,319
Speaker 2: Where can I listen to the show?

846
00:45:50,440 --> 00:45:56,959
Speaker 3: It's on iHeartRadio and everywhere else you can get podcasts.

847
00:45:57,239 --> 00:46:02,080
Speaker 1: That was really the one that survived. Huh iHeart Radio.

848
00:46:02,560 --> 00:46:05,120
Speaker 3: Well people do heart the radio show.

849
00:46:06,040 --> 00:46:07,200
Speaker 1: It was that award show.

850
00:46:08,719 --> 00:46:12,319
Speaker 2: Nobody else did it, but it made us all feel like, well,

851
00:46:12,360 --> 00:46:14,719
Speaker 2: this has got to be legit, And.

852
00:46:15,200 --> 00:46:23,080
Speaker 1: No one complained that it's it's a network deciding what

853
00:46:23,200 --> 00:46:25,919
Speaker 1: the awards are for everyone, and they're giving literally every

854
00:46:25,960 --> 00:46:28,440
Speaker 1: single award to their road shows. No one has ever

855
00:46:28,520 --> 00:46:29,279
Speaker 1: complained about that.

856
00:46:30,200 --> 00:46:34,640
Speaker 3: I mean, I think, uh, I think you're the first probably.

857
00:46:34,680 --> 00:46:39,320
Speaker 1: But the TBS Superstation TV Award. Yes, though if instead

858
00:46:39,320 --> 00:46:43,280
Speaker 1: of this wonder for best show is My Boys? Okay,

859
00:46:43,320 --> 00:46:46,800
Speaker 1: I think that's because it's on TBS. Yeah, are you

860
00:46:46,840 --> 00:46:48,960
Speaker 1: guys on the scale.

861
00:46:48,800 --> 00:46:51,720
Speaker 3: The Golden Globe, the podcast Golden Globe.

862
00:46:51,800 --> 00:46:52,960
Speaker 1: We've talked about this.

863
00:46:53,200 --> 00:46:56,080
Speaker 2: If you listen to the show, yeah, if you checked

864
00:46:56,120 --> 00:46:57,680
Speaker 2: it out. Actually, there might be some stuff you.

865
00:46:57,680 --> 00:47:00,960
Speaker 1: Wi Kevin has or is it is? Which one of

866
00:47:01,040 --> 00:47:03,480
Speaker 1: you is working on this? That's the other one. Right,

867
00:47:03,920 --> 00:47:04,600
Speaker 1: there's all these.

868
00:47:04,560 --> 00:47:08,080
Speaker 2: Guys you're trying to get the We got a modern

869
00:47:08,440 --> 00:47:10,040
Speaker 2: staff of two weird guys.

870
00:47:14,000 --> 00:47:19,680
Speaker 1: It's not you that just said that next year we

871
00:47:19,920 --> 00:47:23,680
Speaker 1: will be the only podcast up for consideration, because right

872
00:47:23,800 --> 00:47:27,279
Speaker 1: now it's it's the top twenty twenty five or something.

873
00:47:27,360 --> 00:47:30,399
Speaker 3: You should start the Hollywood Handbook Awards. Have you thought

874
00:47:30,400 --> 00:47:30,680
Speaker 3: about that?

875
00:47:31,880 --> 00:47:33,960
Speaker 1: That would? I mean, even as you're saying, just need

876
00:47:34,040 --> 00:47:35,040
Speaker 1: the premise.

877
00:47:35,040 --> 00:47:38,719
Speaker 3: Give yourselves the handies, the handies.

878
00:47:39,640 --> 00:47:42,440
Speaker 2: He's thinking, we should do we should do Handbook with

879
00:47:42,480 --> 00:47:47,040
Speaker 2: podcast awards. We should do the Hollywood Handbook Podcast Awards.

880
00:47:47,040 --> 00:47:47,600
Speaker 1: We should know that.

881
00:47:47,680 --> 00:47:50,040
Speaker 2: We should do a huge we.

882
00:47:50,080 --> 00:47:51,560
Speaker 1: Should do live events.

883
00:47:51,680 --> 00:47:54,120
Speaker 2: Yes, we should do the Hollywood Podcast.

884
00:47:54,560 --> 00:48:01,359
Speaker 1: The only legitimate the legitimate award cast based award show

885
00:48:01,560 --> 00:48:09,680
Speaker 1: that two guys did in LA. Yes, that's right, that's

886
00:48:09,760 --> 00:48:12,640
Speaker 1: actually powerful doing. That's actually good.

887
00:48:12,800 --> 00:48:14,440
Speaker 2: Yeah, the one that actually rocks.

888
00:48:16,120 --> 00:48:16,720
Speaker 3: Who's winning?

889
00:48:19,440 --> 00:48:19,840
Speaker 1: I think it?

890
00:48:22,560 --> 00:48:22,680
Speaker 2: Oh?

891
00:48:22,680 --> 00:48:23,399
Speaker 3: Are you still going?

892
00:48:25,680 --> 00:48:29,560
Speaker 2: That could be a good Yeah, when you least expect it.

893
00:48:29,840 --> 00:48:32,000
Speaker 1: Oh, this could actually be a really good one and

894
00:48:32,120 --> 00:48:37,200
Speaker 1: not something that you see a lot in. I'm always wondering,

895
00:48:37,320 --> 00:48:38,920
Speaker 1: like when someone is going to say this, And like

896
00:48:39,040 --> 00:48:41,160
Speaker 1: films of this type, yeah, you know what I mean,

897
00:48:42,160 --> 00:48:48,400
Speaker 1: They've gotten intimate, very hot and like sensual environment and

898
00:48:48,520 --> 00:48:52,319
Speaker 1: then at some point you would hope that someone would

899
00:48:52,360 --> 00:48:54,439
Speaker 1: say bye.