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Speaker 1: We're doing Wild we're walking on the trail from Wild. Yeah,

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Speaker 1: it's doing the same thing from the movie for the

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Speaker 1: second time. Or you're doing this You've done this every year, yeah,

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Speaker 1: since the movie, and have probably done it in a story.

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Speaker 1: But I know that you have. Yeah, that's why I'm

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Speaker 1: asking if you were doing it again because this was Well,

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Speaker 1: there's no, there's only so many things. No, and that's

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Speaker 1: that's why you do it, is there's not that much

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Speaker 1: to do. Let me see if I can do the

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Speaker 1: exact same thing I did, like, I don't remember, but

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Speaker 1: it'll probably end up taking the same shape. It's me

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Speaker 1: and Scooter Ron and I'm wearing my big bag, my

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Speaker 1: big backpack. Yes, and it has all my Yes, it

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Speaker 1: has all my the allspray, has all my important documents

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Speaker 1: in it, my pills, my it's also a little car,

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Speaker 1: so I can take it off and kind of straddle

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Speaker 1: it and scoot along like Scooter. Like Scooter, well, he

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Speaker 1: of course has his signature heally, so he can effectively

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Speaker 1: become a scooter at any time. And the thing is

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Speaker 1: mostly doubt. Hell, yeah, this isn't anywhere near the same

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Speaker 1: one you did. What was it last time?

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Speaker 2: I think it was this.

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Speaker 1: When I was on the trail, I was like, I've

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Speaker 1: done this before the whole time in my memory. And

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Speaker 1: I could be wrong. I believe the story was mostly

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Speaker 1: centered on like the fact that she finished the trail

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Speaker 1: and needed to fuck immediately, Like, oh yeah, something about that. Yeah,

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Speaker 1: sounds a lot closer to the movie when the movie

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Speaker 1: came out. Yes, And it was like you being like,

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Speaker 1: I did the same trail and so I immediately like

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Speaker 1: had to fuck after. And maybe this is just in

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Speaker 1: my Maybe that's just what you talked about. Maybe you

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Speaker 1: just told me this was an interesting thing to me

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Speaker 1: about the movie. Oh yeah, maybe, but I remember it

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Speaker 1: being a story. Okay, Well, no one else will, I mean,

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Speaker 1: who will go look it up?

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Speaker 3: Well, what I was thinking is I don't even want

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Speaker 3: to tell you that I've that I've heard you do

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Speaker 3: it before, because someone knows much better than me.

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Speaker 1: Right, I'm barely present for the show. No I know,

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Speaker 1: I'm I could I see, I could see, so you're

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Speaker 1: doing it with But I'm just saying like I'm barely

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Speaker 1: retaining any of it. I haven't heard it in a

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Speaker 1: long time.

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Speaker 3: There was a point where there was like a mythology

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Speaker 3: and a character element. Yeah, and that's gone uh or

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Speaker 3: it's contradicted constantly, we like will check it.

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Speaker 1: It's like, can I live in a baseball parmer like

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Speaker 1: Steffie Korb? But it's all fake. I mean, it's just

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Speaker 1: like it's like, oh right, I guess people might care,

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Speaker 1: but you can see and can't you see that how

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Speaker 1: threeedom happened? Now? Oh yes, let's lose all the insane

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Speaker 1: manual labor we're doing all the time of having to

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Speaker 1: remember three things about ourselves in front of the microphone.

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Speaker 1: So we ran into this big wolf that we had,

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Speaker 1: uh it was this injured wolf m and we had

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Speaker 1: just beaten up from what you were beating him up

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Speaker 1: to save him. Well, eventually, after we first encountered him

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Speaker 1: and beat him up to dispatch him, then he's injured.

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Speaker 1: And there is a special form of beating up that

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Speaker 1: you do to like get their hearts started again. It's

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Speaker 1: very similar, Yeah, the same kind of like chest pounding thing.

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Speaker 1: You just do that again. Well, and you reset all

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Speaker 1: the fractures and stuff too, with like very like you

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Speaker 1: do chops. You do the exact moves that you did

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Speaker 1: before backwards and you knock everything back into place. And

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Speaker 1: now it's a dog. Mm. Then this is this is

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Speaker 1: essentially the process by which the first dog was created

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Speaker 1: and now it's it's like now a reverse wolf. Well,

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Speaker 1: the process by which the first dog was created it

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Speaker 1: was doggy style sex. Okay, No, I don't know this

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Speaker 1: is your thing. I don't know as much about that. Well,

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Speaker 1: it's a son. I mean, if you want to talk

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Speaker 1: about science, like how did they create the first dog?

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Speaker 1: It was through doggy style sex?

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Speaker 3: Right, I mean, if you're talking about the domestication of

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Speaker 3: the wild canine right, uh to you know, to make it,

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Speaker 3: you know, coexist with humans. Okay, But if you're talking

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Speaker 3: about the literal creation of the first dog, that was

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Speaker 3: through doggy style sex, who was doing it?

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Speaker 1: God? Hey, welcome to Hollywood, Hambuk and it's as guide

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Speaker 1: to kicking button dropping names in the red carpet line

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Speaker 1: back hallways of this industry we call show and we

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Speaker 1: do call it that. And we take stock of the

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Speaker 1: last three years and we're looking at you and I

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Speaker 1: are still here or maybe even more. What was the

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Speaker 1: last time you were here, Jordan Morris? Are you kidding me? Boy?

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Speaker 2: It was about maybe three ish years ago?

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Speaker 1: I say three years and I've got that stuck in

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Speaker 1: my head now. I want to say episode nineteen it

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Speaker 1: was Sam keep track of I know you can only

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Speaker 1: see the top of my head, but look watch us

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Speaker 1: when the top, when the front of the hair is

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Speaker 1: looking in that direction, that is that you. I'm looking

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Speaker 1: at you, and you just do a quick going to

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Speaker 1: search mode. I'm in Internet nuts. Jordan the guest Sean

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Speaker 1: Hey's Davenport.

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Speaker 2: Podcast podcast listen from the show Comedy iTunes Apple podcast

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Speaker 2: number one jokes, fun humor meme and I think that

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Speaker 2: should probably bring.

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Speaker 1: It up white um it goes. The first thing that

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Speaker 1: pops up is Everybody's Got to Eat? I think that's

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Speaker 1: the episode of Who Charted? I did when was that?

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Speaker 1: That was July to twenty fifth, twenty seventeen. Okay, that's so.

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Speaker 1: We have been doing other stuffs by zip recruiters. Okay,

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Speaker 1: this whole time, I've been thinking, like, God, Duran's back

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Speaker 1: here again. It's so embarrassing. We're doing the exact same

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Speaker 1: thing as we were doing before.

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Speaker 2: But I actually had this episode Who Charted? You talk

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Speaker 2: about that was great and people talk about that as

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Speaker 2: a pivotal episode of that show. Yeah, you know, yeah,

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Speaker 2: you know, people talk about breaking bad, there's like Fly.

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Speaker 2: You know, yeah, I love them, And but then when

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Speaker 2: they talk about who charted, Yeah.

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Speaker 1: There's everybody's got to eat.

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Speaker 2: Everybody's got everybody's got to eat, kind of change the game.

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Speaker 1: And also, like Fly, they only did it for budgetary its.

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Speaker 1: People were just like, oh, this is the best episode,

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Speaker 1: and they were like, well, well, just so we can

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Speaker 1: just not spend any money on any episode ever. Again,

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Speaker 1: I loved it. It was so cool that he's looking

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Speaker 1: for a bug m you know. Yeah, And I didn't

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Speaker 1: need anything to happen, you know, well, I mean I

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Speaker 1: think I don't know if I mean I love to

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Speaker 1: geek out about this stuff.

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Speaker 2: Yes, yeah, just know me, I love to geek out

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Speaker 2: of it.

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Speaker 1: Yeah. Oh yes, you're like the master cinephile, like absolute

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Speaker 1: student of the art form which is shooting films. You know.

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Speaker 2: I mean I do call them flicks. I mean, like because.

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Speaker 3: Because it's fun to take something that is so serious

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Speaker 3: for you and approach it with a little levity and say, hey,

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Speaker 3: I'm seeing a flick.

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Speaker 1: Sure, but create a flick to take the dumbest movies

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Speaker 1: that are for babies, but approach them in this very

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Speaker 1: smart way, and to find like angles on them that

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Speaker 1: nobody would normally expect because they're so stupid, you.

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Speaker 2: Know what I mean?

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Speaker 1: You know what I mean.

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Speaker 2: I was watching I was watching Deadpool. Tool by the

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Speaker 2: way it goes there.

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Speaker 1: I don't know if you guys have seen it, Okay,

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Speaker 1: it goes there, Okay, yeah I haven't seen it. I

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Speaker 1: wrote all the dubstep jokes really yeah, those were I

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Speaker 1: love those because it was like, well, so now no

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Speaker 1: one has really talked about it. It's this new music

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Speaker 1: that's just starting to peek its head into the mainstream.

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Speaker 2: And he's like, uh, is it a thing? And I'm

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Speaker 2: in the audience going.

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Speaker 1: Yeah, it's a thing, Deadpool, it's a thing. But you

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Speaker 1: also had interesting like social right like commentary on the

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Speaker 1: movie that you're able to observe, yeah, and justify a

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Speaker 1: sort of your career as a as a movie geek.

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Speaker 3: Well, and also you often will find so much intention behind,

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Speaker 3: like the way something is shot poorly or looks bad right,

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Speaker 3: and you'll be like, this is a choice to sit

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Speaker 3: because this because uh, things are bad or you.

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Speaker 2: Know, yeah, it's commentary. I mean, listen, I don't I know,

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Speaker 2: I don't know. How political you guys get on this.

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Speaker 2: But I mean we've got this, we get we've got raw.

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Speaker 1: We actually will go there. Yeah, he'll go there. We're

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Speaker 1: like Deadpool too.

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Speaker 2: Because I mean it's been a while since I've been

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Speaker 2: on the show. We don't know exactly how long three

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Speaker 2: is years, we think, but yeah, the world is so different.

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Speaker 1: I mean, I can you almost wish that we go

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Speaker 1: back to the first time we were.

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Speaker 2: We would flip, we would go, hey, guys, yeah, there's

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Speaker 2: gonna be there's gonna be a reality start in the

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Speaker 2: White House.

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Speaker 1: No.

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Speaker 3: If I could get in a time machine and go

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Speaker 3: and just go tell me like, hey, there's gonna be

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Speaker 3: a reality star in the White House, I feel like

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Speaker 3: I would be going, like the old me would be

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Speaker 3: going like.

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Speaker 2: What that's a little on the nose, right, that's nuts.

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Speaker 1: So, but we're creating a science fiction concept, aren't we, Jordan, Yes,

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Speaker 1: just sitting here in conversation with organically where I'm traveling

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Speaker 1: kind of reality star.

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Speaker 2: It's like, hello, does anyone have Black Mirror's number? Yes,

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Speaker 2: thank you, because we're cooking up something for season five

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Speaker 2: right here. Yeah, a real black mirror.

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Speaker 3: Yes, And it is like a black Mirror, because if

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Speaker 3: people are listening to podcasts on their on their Black Mirror, yeah,

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Speaker 3: and what they're hearing is the world Black Mirror.

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Speaker 2: I just I didn't know that.

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Speaker 3: You get a little you got a little well, you

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Speaker 3: didn't know that because yours never is black.

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Speaker 1: This guy's always got the screen always true. I love

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Speaker 1: my device sending text the time. It's black. When you're

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Speaker 1: on the Black twenty website. If you remember they did

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Speaker 1: some they had some what is the comedy people? At

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Speaker 1: one point it was like this website that was like.

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Speaker 3: Hey, we'll give you money for a comedy video that

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Speaker 3: was like ten percent of what the original run of

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Speaker 3: Super Deluxe was or something that also went just as

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Speaker 3: bankrupt and then has not returned yet.

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Speaker 1: But just like with Black Mirror, we're coming up with

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Speaker 1: these concepts, but we're also using an eye dropper to

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Speaker 1: dole out a little social commentary at the same time

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Speaker 1: has with like a part of a component of the

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Speaker 1: we just didn't.

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Speaker 3: Yes, well, Black Mirror is saying stuff. Sorry to interrupt,

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Speaker 3: but Black Mere is saying stuff about actually right now and.

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Speaker 2: This Yeah, even though in the future or sore in space.

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Speaker 1: Yeah, but it's earth real stuff. Yeah, and you're it

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Speaker 1: seems like durhing. You're actually not picking up on what

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Speaker 1: I'm doing, and I'm trying to be nice and make

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Speaker 1: the suggestion in a nice way. You have this sci

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Speaker 1: fi podcast that's happened. Oh I do, I do?

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Speaker 2: Yeah, you know, as I like, as I said before,

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Speaker 2: you know, bubble bubble, I geek out, I go there,

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Speaker 2: and you know, I just wanted I was just kind

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Speaker 2: of looking at now now, Yeah, in this moment, how

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Speaker 2: people are telling stories. Right, It's not just TV, which

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Speaker 2: is the greatest medium, but it's I mean, it's everywhere.

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Speaker 2: It's podcasts, it's.

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Speaker 1: Tweets, which what you're doing is TV with the like

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Speaker 1: the no picture, the picture off right, but otherwise basically

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Speaker 1: the same. Yes, tweet storms. People are roasting each other

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Speaker 1: in the comments.

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Speaker 2: Yeah, owning the libs. Yes, that's a form of storytelling.

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Speaker 1: We're finally getting them so good. But I guess I

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Speaker 1: list to the show, yeah, which, by the way, can

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Speaker 1: I just say the production is great and congratulations on finish.

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Speaker 2: Thank you.

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Speaker 1: Yes, that was my big takeaway. Oh, I mean I've

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Speaker 1: only heard the first episode, but I mean it's gotta

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Speaker 1: be but it sounds like it's probably dumb if you're

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Speaker 1: doing the whole thing.

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Speaker 2: Yes, yeah, well, I mean there's still something.

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Speaker 1: Even the first episode when I listened to I was like,

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Speaker 1: this is for the first episode. It's like, I think

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Speaker 1: this is the final version of that.

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Speaker 2: It has the beginning of middle and an end. It's true. Yeah,

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Speaker 2: and I have and a name yeah sure, yeah, credits

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Speaker 2: and we go on.

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Speaker 1: And like having all the equipment and stuff. It's like

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Speaker 1: I found a typo in the episode title, but I

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Speaker 1: do know whatever.

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Speaker 2: Okay, well, thank you, just write that down for me

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Speaker 2: on a piece of paper and slid it across the desk.

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Speaker 1: Yeah, because it's not because the episode sounds finished, but

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Speaker 1: there's a typo in the way you wrote the title

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Speaker 1: of episode one. It's fine, but what I thought it

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Speaker 1: was missing was that thank you social commentary element.

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Speaker 2: Well, can I.

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Speaker 3: Say, and sorry to interrupt, can I say science.

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Speaker 1: Fiction is such a rich opportunity for allegory, isn't Tim Jordan?

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Speaker 2: Yeah, Because I mean people look at Star Wars and

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Speaker 2: most people, like most people who go to see Star Wars,

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Speaker 2: like most people that are in there, they're looking at

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Speaker 2: in this and going there, they're saying to themselves, well,

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Speaker 2: I love these space battles. I love these monsters. But

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Speaker 2: it's not saying anything, but I'm like, hello, I mean,

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Speaker 2: you know, and so yeah, I mean I think that's

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Speaker 2: what I was really trying.

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Speaker 1: To The laser sword is the Supreme Court?

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Speaker 2: Thank you? Yeah, thank you?

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Speaker 1: Could you not tell that? And Darth Maul is like

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Speaker 1: the President? Yeah yeah, Jimmy Carter.

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Speaker 2: Yeah, and yes, I mean I'm saying I'm am I

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Speaker 2: the only one who noticed a lot of similarities between

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Speaker 2: Admiral Hucks and this clown we have in the White House.

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Speaker 1: Yeah, that's right. Aren't all the other bad characters that

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Speaker 1: are the same, they're.

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Speaker 2: Also very similar to this clown we have in the

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Speaker 2: White House.

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Speaker 1: Yeah. And you know, and he doesn't even deserve to

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Speaker 1: be called a clown.

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Speaker 2: Yeah, it's an insult of clown.

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Speaker 1: Yeah, because they're actually making laughs, sure except for those

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Speaker 1: scary ones. That's true. Video.

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Speaker 2: Man, I am freaked out.

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Speaker 1: I'm so freaked out by clowns, so freaked out, like

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Speaker 1: an interesting thing, well, because their intention is to be funny.

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Speaker 2: How do you feel about the word moist?

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Speaker 1: I hate that word. Nobody say that around me.

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Speaker 2: Let's call it smoky.

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Speaker 1: Nobody say that around me. I'll fucking juice my gens.

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Speaker 1: Do you like the word mois?

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Speaker 2: That's that's what I'm saying.

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Speaker 1: That's why we hate about it. It makes juice my shorts.

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Speaker 1: That look, I gotta I gotta stop you guys here. Yeah,

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Speaker 1: I think that what Hayes is saying about your show,

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Speaker 1: while it's very mean, well it's very mean, it's very

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Speaker 1: true and right, and it's you're not doing the fucking thing. Man.

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Speaker 1: The whole point of sci fi is that it's a

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Speaker 1: very rich opportunity for and you could be talking about

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Speaker 1: someone what's happening right now.

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Speaker 3: Like Black Mirror and like they we're gonna laser that's

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Speaker 3: supposed to be the freaking Supreme Court.

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Speaker 2: Yeah, I mean I did. I did write it a

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Speaker 2: long time ago, so I wanted to be kind of timeless, okay,

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Speaker 2: you know, kind of timeless, like the Deadpool franchise when

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Speaker 2: you were like a little kid. Yeah, and it was,

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Speaker 2: it was. It's been a passion project for a long time.

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Speaker 2: So maybe that's what you're picking up on is that's

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Speaker 2: the reason why it doesn't have a lot of now

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Speaker 2: spreading in Okay.

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Speaker 3: That it stands out of time. I guess Deadpool could

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Speaker 3: exist at any time. Yeah, yeah, he's doing it.

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Speaker 2: Yeah, and you know, like yeah, I mean I think

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Speaker 2: you could show Deadpool to like a kid in the

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Speaker 2: fifties Deadpool.

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Speaker 1: I mean, if we go back even farther to like

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Speaker 1: the freaking twelve fifties, he's something of a Falstaff, the

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Speaker 1: wise fool.

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Speaker 2: Right, Yeah, that's sort of a Deadpool archetype. Yeah. I mean,

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Speaker 2: I mean, to go further back, like Italian street clowning.

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Speaker 2: I mean, he's the involve doctor. Yes, yeah, I mean,

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Speaker 2: what is Deadpool's sword but oversized syringe you know, yeah,

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Speaker 2: m so.

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Speaker 3: I mean, and then go back even further he's a well,

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Speaker 3: some of the cave paintings they put like an extra

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Speaker 3: big dong on or whatever you notice, and like the

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Speaker 3: Deadpool was the one drawing those.

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Speaker 2: There's a crazy I saw great. I mean I was.

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Speaker 2: I was watching the Werner Herdsock documentary. I love docs.

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Speaker 2: I love dogs.

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Speaker 1: Yeah, I just love docs.

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Speaker 2: Yeah, I love them.

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Speaker 1: Yeah, docs don't dox me, bro.

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Speaker 2: Yeah, I wouldn't dream of it. I was watching the

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Speaker 2: vern He docum. And there is and there's Forgot Dreams,

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Speaker 2: Forgotten dreams, and there is a there's a there's a

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Speaker 2: warrior during the Great Hunt, and all the other warriors

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Speaker 2: are looking toward the buffalo, but this warrior is looking

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Speaker 2: out at the viewer and he's saying, I want to

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Speaker 2: fuck Betty White. Whoa So I mean again, deadpoolt part

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Speaker 2: of that.

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Speaker 1: Even back then she was old. Yeah.

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Speaker 2: Yeah, and he's.

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Speaker 1: Yes, that cave painting sort of a Deadpool figure he is.

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Speaker 2: Yeah, I love that Deadpool is a recurring archetype throughout storytelling.

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Speaker 1: No, it's true.

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Speaker 3: Everyone has and everyone has that one friend, don't they

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Speaker 3: who's sort of a dead Pool?

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Speaker 1: I do?

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Speaker 2: And if yeah, and if you're saying to yourself, I

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Speaker 2: don't have that one friend, you're that one friend.

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Speaker 1: You're a friend, you're your group's deadpool. Yeah, if you

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Speaker 1: can't spout the deadpool and the friend group buddy, and

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Speaker 1: I know lots of people listening to Okay, that sounds

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Speaker 1: a little familiar. I guess I am sort of the

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Speaker 1: Deadpool by fred group m. But why so you fucked

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Speaker 1: it up?

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Speaker 3: You didn't do it and there was a big opportunity

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Speaker 3: for big money.

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Speaker 1: Also, another thing I noticed in the in the in

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Speaker 1: the credits for the vocal parts, which is like honestly

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Speaker 1: like sixty percent of the show, because every fucking person

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Speaker 1: in the entire city.

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Speaker 3: Anyone is willing to talk on a mic, basically got

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Speaker 3: to talk on a mic.

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Speaker 1: For even for one second, except for myself and my friends.

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Speaker 2: You guys, are I just assumed. And here's what I

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Speaker 2: assume when I was casting, because I I did not ask.

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Speaker 2: I did not ask.

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Speaker 1: Yeah, because I wondered if I missed it.

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Speaker 2: Yeah, I did not. But I just like, I look

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Speaker 2: at you too, and I'm like, they're just so busy.

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Speaker 2: They're so busy, I mean appearing on Who Charted, pivotal

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Speaker 2: episodes of Who Charted, and then when you know, you've

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Speaker 2: got that dog and those are a handful.

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Speaker 1: Yeah, he needs a lot of attention.

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Speaker 2: So I just kind of assumed you guys were so

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Speaker 2: busy because you guys have a lot of projects.

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Speaker 1: That's nice. Yeah, I guess I am a little busy.

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Speaker 1: Uh the dog. We have a schedule and we don't

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Speaker 1: really want to mess with it. And I'm actually in

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Speaker 1: conversations about going on Who Charted again?

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Speaker 2: Oh yeah, I mean, and that's a process, you know,

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Speaker 2: Oh yeah, wheeling dealing Coulop's crat.

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Speaker 1: I go, sure, I'm not sure if I will get

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Speaker 1: back on there. Cool Up was sort of my in

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Speaker 1: and Howard seemed to.

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Speaker 3: Tolerate me and sometimes not even that. So now that

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Speaker 3: he's kind of steering the ship, no she's not.

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Speaker 1: Now it's Tosh.

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Speaker 2: Oh he's great, so funny, yeah, real, I mean a

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Speaker 2: real classic Deadpool.

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Speaker 1: Figure, you know, Natage Point.

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Speaker 2: Yeah, he's TV's Deadpool because he's looking at you.

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Speaker 1: He's like the cave guy. Yeah, he's looking at you

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Speaker 1: and he's talking about it. He wants to fuck Betty

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Speaker 1: White m hmm. Ye oh yeah, and he's going like

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Speaker 1: watch this guy getting tased on his skateboard. So people

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Speaker 1: listen to this show and they're like, Okay, Jordan did

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Speaker 1: a sci fi scripted podcast. Are these guys like really

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Speaker 1: gonna do just like a version of that. Like he

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Speaker 1: comes on the show and they do their own sci

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Speaker 1: fi scripted podcast and it's like, yeah, we are gonna

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Speaker 1: do that. So here's exactly what we're gonna do. So, uh,

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Speaker 1: engineer Sam, can you do the terminator music for me?

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Speaker 1: Mm hmm with your mouth? Oh okay, Dun Dune Dune

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Speaker 1: Dad done? And then do it again. Yeah, it's a

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Speaker 1: movie length song that loops for like an hour. Okay,

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Speaker 1: so you're not gonna do it, so do it, Sam,

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Speaker 1: keep doing it, please Sam. You did it right. Dun

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00:20:23,200 --> 00:20:29,280
Speaker 1: dundun dun dun. Yeah, that's that's Sam. Please please, please, please,

403
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Speaker 1: please do this, Please Sam. The years two and everybody's

404
00:20:45,400 --> 00:20:52,000
Speaker 1: in big trouble. It sucks. It's freaking sucking so hard.

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Speaker 1: They can't drink water. And because the water has too

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Speaker 1: much salt and everywhere and not a drop to drink

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00:21:01,320 --> 00:21:03,879
Speaker 1: the salt water, just like in that old poem. But

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Speaker 1: it's new and it's now and the problem is toxic

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Speaker 1: max salinity. So you hear what we have here already, Jaradan,

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Speaker 1: it's love where this is going the environment?

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Speaker 2: Yeah, you've got to wear yeah, which is one of

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Speaker 2: the things you need for journalism.

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Speaker 1: We have a very clean play on words. That is

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Speaker 1: the foundation of the idea. Sure, yes, but it's like

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Speaker 1: relevant to these conversations that we're.

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Speaker 2: Having, Yeah, I mean about.

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Speaker 1: Basic people are saying. It's basically like if you are

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Speaker 1: a man now just like trying to like exist in society,

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Speaker 1: it's like you are poison totally.

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Speaker 2: I mean, which is tough for me because I'm someone

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Speaker 2: who loves to hug women, yes, but love to hug women.

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Speaker 2: And now I'm like, can I do that?

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Speaker 1: Yes? They're acting like you are poison basically, m yeah,

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Speaker 1: Am I still allowed to greet a stranger with a

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Speaker 1: hug if she don't know this is crazy?

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Speaker 2: I kind of don't think so.

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Speaker 1: So you see how which is like, so we have

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Speaker 1: these ideas and how we can play this out. Can

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Speaker 1: you just do weird music from the future? Please? Sam

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00:22:18,960 --> 00:22:23,399
Speaker 1: from YouTube? Sam is I feel like with Cody Gun

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Speaker 1: the pressure is off Sam a little bit, right. I

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Speaker 1: feel like the pressure is on Sam to fill Cody's role. Okay,

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Speaker 1: So I'm so I'm just like a normal guy and

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Speaker 1: I and I love I love.

435
00:22:39,080 --> 00:22:41,240
Speaker 2: That by the way. I love that you're just a normal.

436
00:22:41,080 --> 00:22:43,880
Speaker 1: The main person should basically be a normal.

437
00:22:43,920 --> 00:22:45,480
Speaker 2: An audience surrogate, thank you?

438
00:22:46,200 --> 00:22:48,560
Speaker 1: Uh. And so I go up to this girl and

439
00:22:48,600 --> 00:22:51,040
Speaker 1: I'm like, Hey, what's what's going on? Would you like

440
00:22:51,080 --> 00:22:52,879
Speaker 1: to have a normal conversation with me?

441
00:22:53,040 --> 00:22:55,400
Speaker 2: Great dialogue, but this is really it's really it's great.

442
00:22:56,080 --> 00:22:58,320
Speaker 2: You have a great ear for.

443
00:22:58,320 --> 00:23:00,920
Speaker 1: Dialogue, thank you, And you can hear the voices actually

444
00:23:01,280 --> 00:23:05,240
Speaker 1: coming through very clearly as as well. And I'm creating

445
00:23:05,240 --> 00:23:06,600
Speaker 1: a character with just my voice.

446
00:23:07,080 --> 00:23:11,280
Speaker 3: Hey, okay, I'll have a normal conversation with you, but

447
00:23:11,400 --> 00:23:13,160
Speaker 3: can you.

448
00:23:12,440 --> 00:23:18,520
Speaker 1: Please remove your hand from my shirt pocket? Okay, I mean,

449
00:23:18,560 --> 00:23:22,080
Speaker 1: I'm just I'm just saying hello. I'm just like human

450
00:23:22,160 --> 00:23:26,800
Speaker 1: touch is like the foundation of all, like good feelings

451
00:23:26,840 --> 00:23:29,439
Speaker 1: and like society. It used to be something that we

452
00:23:29,480 --> 00:23:31,720
Speaker 1: could just do and not like freak out about it.

453
00:23:32,560 --> 00:23:37,800
Speaker 1: I'm so freaking thirsty. There's no water. A government sniper

454
00:23:39,280 --> 00:23:44,119
Speaker 1: flies through on a drone, standing on a drone, hovers through,

455
00:23:44,200 --> 00:23:49,119
Speaker 1: and he freaking snipes me, a normal guy, because in

456
00:23:49,160 --> 00:23:56,119
Speaker 1: this society, even just having a conversation conversation, it's a

457
00:23:56,200 --> 00:23:56,880
Speaker 1: death penalty.

458
00:23:57,160 --> 00:23:59,439
Speaker 2: Could you even you said the conversation was normal. That's

459
00:23:59,440 --> 00:24:01,800
Speaker 2: how I first thing. My guy said, Yeah, I was

460
00:24:01,800 --> 00:24:04,000
Speaker 2: a normal guy, and he's a normal guy.

461
00:24:04,119 --> 00:24:04,439
Speaker 1: Yeah.

462
00:24:04,480 --> 00:24:08,600
Speaker 4: And then and then the woman goes, she goes, sorry,

463
00:24:08,640 --> 00:24:12,000
Speaker 4: it's okay, that's good. She goes, she goes, great, hey man,

464
00:24:12,119 --> 00:24:15,720
Speaker 4: she goes, hey, thanks sniper, and he tips his hat.

465
00:24:15,720 --> 00:24:18,080
Speaker 1: He goes, no problem, ma'am. And then he puts the

466
00:24:18,119 --> 00:24:20,520
Speaker 1: gun in his own mouth and has to freaking shoot

467
00:24:20,560 --> 00:24:22,800
Speaker 1: it because he talks, because.

468
00:24:22,640 --> 00:24:27,639
Speaker 2: Well, can I also be a character yeah, I throw it.

469
00:24:27,760 --> 00:24:29,320
Speaker 1: I was sort of hoping that you would jump in.

470
00:24:29,840 --> 00:24:33,640
Speaker 2: Hey, hey man, Hey, oh I'm a I'm a junkie.

471
00:24:33,640 --> 00:24:36,639
Speaker 2: I need to get my fix. Oh wow, of what

472
00:24:37,600 --> 00:24:44,320
Speaker 2: internet access success? So you have that because.

473
00:24:43,960 --> 00:24:45,840
Speaker 1: People are addicted to Wi Fi.

474
00:24:45,960 --> 00:24:50,800
Speaker 2: You're gonna get hit in the crosswalk, dude, Yes, that's right. Yeah,

475
00:24:50,600 --> 00:24:52,040
Speaker 2: oh mega, that.

476
00:24:52,200 --> 00:24:53,119
Speaker 1: Is so weird.

477
00:24:53,160 --> 00:24:54,960
Speaker 2: Sorry, I mean I'm just a world builder, so I'm

478
00:24:55,040 --> 00:24:57,360
Speaker 2: kind of good at this. Whoa savage?

479
00:24:57,880 --> 00:25:00,880
Speaker 1: All these people with their heads down in the crosswalks

480
00:25:01,400 --> 00:25:05,760
Speaker 1: getting mowed down by cars? Yeah, like you know who?

481
00:25:05,920 --> 00:25:09,560
Speaker 1: Like whose fault is this? Really? If we're thinking about it,

482
00:25:09,880 --> 00:25:12,199
Speaker 1: and it should become and and then hang on, So

483
00:25:12,240 --> 00:25:13,080
Speaker 1: that gives me an idea.

484
00:25:13,160 --> 00:25:16,639
Speaker 3: Okay, excuse me, Hey pull over.

485
00:25:16,840 --> 00:25:18,080
Speaker 1: Hey i'm the cop here.

486
00:25:18,480 --> 00:25:20,960
Speaker 3: Hey did you happen to get the license plate on

487
00:25:21,080 --> 00:25:24,720
Speaker 3: that pedestrian who was illegally looking at his screen in

488
00:25:24,760 --> 00:25:28,840
Speaker 3: the road, Because that's what should be illegal, not just driving.

489
00:25:29,280 --> 00:25:32,919
Speaker 1: Right, So that's one good thing about this world. So

490
00:25:33,000 --> 00:25:36,080
Speaker 1: it's not all bad. It's not. Well, they've corrected some problems,

491
00:25:36,080 --> 00:25:40,160
Speaker 1: but then others are worse. Yes, which is progress. Yes,

492
00:25:40,280 --> 00:25:42,919
Speaker 1: that's right, or at least probably what we're calling it

493
00:25:43,000 --> 00:25:44,280
Speaker 1: the no and that's.

494
00:25:44,080 --> 00:25:44,920
Speaker 2: What we call it.

495
00:25:44,960 --> 00:25:49,800
Speaker 3: But yes, there's always unforeseen consequences to solving the car problem, yes,

496
00:25:50,200 --> 00:25:54,280
Speaker 3: and making it illegal to be walking, yes, but also

497
00:25:54,600 --> 00:25:56,760
Speaker 3: at the same time you create this new problem of

498
00:25:57,240 --> 00:25:58,560
Speaker 3: toxic maxillinity.

499
00:25:59,320 --> 00:26:01,359
Speaker 2: This like lives in the gray area. I love this.

500
00:26:01,520 --> 00:26:03,560
Speaker 2: She like lives in a really cool space.

501
00:26:03,640 --> 00:26:07,640
Speaker 1: Well it's it's it's comp Kevin, get back in here

502
00:26:07,880 --> 00:26:11,000
Speaker 1: my case. Nothing right now, nothing yet, but you can't

503
00:26:11,040 --> 00:26:14,440
Speaker 1: be anywhere else. Okay, everyone, let's gather around to our

504
00:26:14,680 --> 00:26:22,120
Speaker 1: for our daily prayer to our God. Steve Jobs. Oh,

505
00:26:22,160 --> 00:26:23,040
Speaker 1: I love Steve.

506
00:26:24,040 --> 00:26:28,640
Speaker 2: Please receive my tweet. So Lord, please receive these tweets

507
00:26:28,680 --> 00:26:29,520
Speaker 2: as a penance.

508
00:26:30,720 --> 00:26:33,000
Speaker 1: Oh, I love to wait in line for freaking like

509
00:26:33,040 --> 00:26:36,679
Speaker 1: an entire day and like set up a freaking like

510
00:26:36,920 --> 00:26:39,760
Speaker 1: camp with firewood and marshmallows and everything. While I'm just

511
00:26:39,800 --> 00:26:42,960
Speaker 1: waiting for a phone outside of store, you see these

512
00:26:42,960 --> 00:26:45,840
Speaker 1: guys lining up. I swear to you, Hey, and I

513
00:26:45,960 --> 00:26:49,280
Speaker 1: said the same thing. Meanwhile, you walk across the street.

514
00:26:49,280 --> 00:26:54,160
Speaker 1: There's an HTC store right there, and the phone is

515
00:26:54,840 --> 00:26:57,840
Speaker 1: just basically also a phone you can yeah, and you

516
00:26:58,119 --> 00:27:00,600
Speaker 1: get a prepaid one at seven to eleven and some

517
00:27:00,640 --> 00:27:01,880
Speaker 1: go go Tiketos's.

518
00:27:02,200 --> 00:27:05,440
Speaker 2: I'm not waiting in line on the street like a bomb.

519
00:27:05,600 --> 00:27:06,480
Speaker 1: There's no food.

520
00:27:06,680 --> 00:27:10,600
Speaker 3: Honestly, guys, stop telling people this, because now I'm afraid

521
00:27:10,600 --> 00:27:12,320
Speaker 3: I am gonna have to wait in line when people

522
00:27:12,359 --> 00:27:14,359
Speaker 3: go to do the freaking smart thing I've been doing,

523
00:27:14,359 --> 00:27:15,800
Speaker 3: which is go to seven eleven.

524
00:27:16,480 --> 00:27:20,480
Speaker 1: It's go go teketos. It's rigging big ass hot dog.

525
00:27:21,720 --> 00:27:27,080
Speaker 1: It's freaking perry A. They have the Andy Warhol box that.

526
00:27:27,680 --> 00:27:28,480
Speaker 2: My favorite artist.

527
00:27:28,600 --> 00:27:32,439
Speaker 1: Yes, he's so cool, so good. He had an IQ

528
00:27:32,600 --> 00:27:38,600
Speaker 1: of twelve. Never forget that Andy Warhol's IQ was twelve.

529
00:27:38,720 --> 00:27:42,639
Speaker 1: He measured essentially underneath the chart. He was sub human

530
00:27:43,640 --> 00:27:46,840
Speaker 1: and he made some of the greatest soup campaignings of

531
00:27:47,000 --> 00:27:47,800
Speaker 1: all time.

532
00:27:48,680 --> 00:27:51,959
Speaker 2: So you get that easy top ten easy?

533
00:27:52,080 --> 00:27:55,879
Speaker 3: Well, no, well, I disagree, well, disagree to disagree.

534
00:27:56,000 --> 00:27:58,399
Speaker 1: Okay, you know, and this is the taste thing that

535
00:27:58,440 --> 00:27:59,880
Speaker 1: I see in bubbles.

536
00:27:59,440 --> 00:28:03,240
Speaker 3: Of that you're sensitive about rankings, because now everyone lately

537
00:28:03,280 --> 00:28:04,440
Speaker 3: has been going, oh.

538
00:28:04,400 --> 00:28:06,879
Speaker 1: Is Lebron better than Jordan? I'm sure, yeah, And I

539
00:28:06,920 --> 00:28:09,600
Speaker 1: see all this conversation and I take it. I go, well,

540
00:28:09,600 --> 00:28:11,480
Speaker 1: I Jordan on the show three years ago.

541
00:28:11,560 --> 00:28:15,679
Speaker 3: I thought he was pretty funny. But at the same time,

542
00:28:16,160 --> 00:28:17,880
Speaker 3: and I feel like Lebron's doing memes.

543
00:28:18,160 --> 00:28:21,040
Speaker 1: Yeah, and he's been in Near Wolf as well, so

544
00:28:21,600 --> 00:28:24,360
Speaker 1: and more people wanted to take a picture with Lebron

545
00:28:24,440 --> 00:28:26,320
Speaker 1: than what I saw outside anyway.

546
00:28:26,920 --> 00:28:29,679
Speaker 2: No, yeah, nobody asked for a photo actually, but I

547
00:28:29,880 --> 00:28:32,600
Speaker 2: maybe they were just like they felt weird. Yeah, it

548
00:28:32,640 --> 00:28:35,359
Speaker 2: was you know, you know, you want to play it cool. Yeah,

549
00:28:35,400 --> 00:28:36,600
Speaker 2: but no no one.

550
00:28:36,440 --> 00:28:42,160
Speaker 1: Asked, Uh, okay, let's go back to ourt this crazy world. Yeah,

551
00:28:42,160 --> 00:28:46,280
Speaker 1: speaking of on the way in, I ran into Scott. Oh,

552
00:28:46,320 --> 00:28:49,160
Speaker 1: and he acted like I was being annoying to him,

553
00:28:49,440 --> 00:28:51,440
Speaker 1: like he couldn't wait to get out of the conversation.

554
00:28:51,560 --> 00:28:54,240
Speaker 1: It's like, is in the parking lot? Yeah, oh yeah,

555
00:28:54,360 --> 00:28:57,920
Speaker 1: that's you don't want to parking lot. Scott is not

556
00:28:58,120 --> 00:28:59,680
Speaker 1: the best Scott and it's.

557
00:28:59,720 --> 00:29:04,480
Speaker 3: It's fine, and it's fine, you know, like that's a funny.

558
00:29:04,240 --> 00:29:06,320
Speaker 1: Kind of joke to be like, oh, I'm annoyed, get

559
00:29:06,320 --> 00:29:08,520
Speaker 1: away from me. But when it's the only joke you

560
00:29:08,600 --> 00:29:12,160
Speaker 1: do with me, I start to be like, okay, enough, yeah, yeah,

561
00:29:12,280 --> 00:29:14,080
Speaker 1: I'm going to roast you in the common. You will

562
00:29:14,080 --> 00:29:17,200
Speaker 1: make it public and I will I will drag it

563
00:29:17,240 --> 00:29:21,840
Speaker 1: out into the street. Now, what were you gonna say

564
00:29:21,880 --> 00:29:23,920
Speaker 1: about the sci fi? Well, I just thought we could

565
00:29:23,920 --> 00:29:25,560
Speaker 1: get back, like dive back into this.

566
00:29:25,600 --> 00:29:30,440
Speaker 2: Oh, have we named named the place outer space? Outer space?

567
00:29:30,600 --> 00:29:40,360
Speaker 1: Great? So we're we are Everyone is floating right in

568
00:29:40,400 --> 00:29:43,560
Speaker 1: the world in outer space. Uh. And so there's like

569
00:29:43,600 --> 00:29:46,720
Speaker 1: a normal guy and he's floating along and he's listening

570
00:29:46,720 --> 00:29:48,440
Speaker 1: to a podcast.

571
00:29:48,480 --> 00:29:50,560
Speaker 2: I love the details, by the way, I love knowing

572
00:29:50,600 --> 00:29:51,600
Speaker 2: that this guy is normal.

573
00:29:52,160 --> 00:29:56,840
Speaker 1: But it's a it's an unscripted podcast, and he's enjoying. Sure,

574
00:29:57,040 --> 00:30:02,520
Speaker 1: sort of the spontaneity. How sure not everything? Yeah, like

575
00:30:02,600 --> 00:30:04,000
Speaker 1: not everything hits and they.

576
00:30:03,880 --> 00:30:05,520
Speaker 2: Go on tangents and it's fun.

577
00:30:05,560 --> 00:30:09,120
Speaker 1: Yeah. Sure, Yeah, but it feels like it's there's a warmth,

578
00:30:09,200 --> 00:30:12,000
Speaker 1: it's a feeling like you're part of a real conversation.

579
00:30:12,200 --> 00:30:15,880
Speaker 1: When it's safe to tune it out for twenty forty minutes, yeah,

580
00:30:15,920 --> 00:30:18,400
Speaker 1: and then kind of check back in. Yeah, you don't

581
00:30:18,400 --> 00:30:20,200
Speaker 1: have to feel like you missed anything. Put it all

582
00:30:20,240 --> 00:30:25,240
Speaker 1: the same shit. Meanwhile, a freaking government sniper comes through.

583
00:30:25,240 --> 00:30:27,240
Speaker 1: I got a different one than the one from before

584
00:30:27,320 --> 00:30:29,960
Speaker 1: because he killed himself. Yeah, and now it's a woman.

585
00:30:30,040 --> 00:30:32,880
Speaker 1: Now it's basically open season on men in this, that's amazing.

586
00:30:32,880 --> 00:30:33,760
Speaker 1: That's this way.

587
00:30:33,800 --> 00:30:36,840
Speaker 2: I love seeing the strong easier to love seeing these

588
00:30:36,840 --> 00:30:38,840
Speaker 2: strong female care I thought if I did.

589
00:30:38,680 --> 00:30:40,560
Speaker 1: A gender flip on the Government Sniper, it might be

590
00:30:40,600 --> 00:30:44,120
Speaker 1: a little easier to pitch. Uh and so you know who.

591
00:30:44,160 --> 00:30:46,160
Speaker 2: This would be good for Aquafina.

592
00:30:46,680 --> 00:30:49,160
Speaker 1: Yes, this would be cool. He's really having a moment, right,

593
00:30:49,200 --> 00:30:53,880
Speaker 1: it's time. It's time. The Government sniper zooms in and

594
00:30:55,160 --> 00:30:55,840
Speaker 1: trains his.

595
00:30:55,960 --> 00:30:58,920
Speaker 2: I don't know if we again dreamcasting laser site.

596
00:30:58,840 --> 00:31:02,280
Speaker 1: On the normal guy and says it's a she No,

597
00:31:02,880 --> 00:31:07,400
Speaker 1: she says, hey, only freaking scripted podcast allowed in this world.

598
00:31:07,480 --> 00:31:10,000
Speaker 1: Everything has to be planned out ahead of time, and

599
00:31:10,040 --> 00:31:12,840
Speaker 1: it has to be the best version of itself, like

600
00:31:13,200 --> 00:31:16,760
Speaker 1: at every second. Oh yeah, and it it can't like

601
00:31:17,520 --> 00:31:21,200
Speaker 1: kind of give up on itself halfway through itself the podcast.

602
00:31:22,000 --> 00:31:22,920
Speaker 1: And if someone.

603
00:31:22,720 --> 00:31:24,600
Speaker 2: Says they're married to Stephie Graft.

604
00:31:24,400 --> 00:31:28,320
Speaker 1: They stick to it. Yeah, and it's even long after

605
00:31:28,400 --> 00:31:30,880
Speaker 1: it stopped paying any sort of dividends, if it even

606
00:31:30,920 --> 00:31:35,960
Speaker 1: did ever at all. And then she freaking shoots the podcast.

607
00:31:37,400 --> 00:31:39,240
Speaker 2: Does the person die or did she just hit the

608
00:31:39,280 --> 00:31:40,120
Speaker 2: phone or just.

609
00:31:40,120 --> 00:31:44,880
Speaker 1: The the person joins the resistance, Oh, the person goes underground.

610
00:31:45,200 --> 00:31:47,440
Speaker 1: Into the case where the freaking people that actually like

611
00:31:47,560 --> 00:31:51,040
Speaker 1: unscripted podcasts are forced to live. Now.

612
00:31:51,280 --> 00:31:56,160
Speaker 3: Welcome, I am Jordan Klepper. Thank you for coming to

613
00:31:56,240 --> 00:32:01,560
Speaker 3: the resistance in this the year twenty twenty.

614
00:32:01,920 --> 00:32:04,600
Speaker 2: Do you think we can get the space do you think?

615
00:32:04,720 --> 00:32:06,600
Speaker 1: I don't think we need to. I don't think he

616
00:32:06,720 --> 00:32:07,800
Speaker 1: legally owns that name.

617
00:32:07,960 --> 00:32:11,600
Speaker 2: Okay, so we could just cast a Clepper type busboy is.

618
00:32:11,800 --> 00:32:14,880
Speaker 1: Tough with you signing over your own own mavie.

619
00:32:14,920 --> 00:32:17,320
Speaker 2: You just cast Adam Kahn over and he could say

620
00:32:17,360 --> 00:32:18,200
Speaker 2: he's Clipper.

621
00:32:18,480 --> 00:32:22,480
Speaker 1: Oh yeah, just film the top of his head. He

622
00:32:22,520 --> 00:32:27,200
Speaker 1: has sort of a Clepper style head top. Mmmm. Jordan

623
00:32:27,240 --> 00:32:33,160
Speaker 1: Klepper is leading the resistance in battle against the people

624
00:32:33,160 --> 00:32:35,440
Speaker 1: who do scripted podcast Wow.

625
00:32:36,600 --> 00:32:38,840
Speaker 2: I just got an elephant in the room here. Okay,

626
00:32:39,120 --> 00:32:43,920
Speaker 2: in this stop the music's in this Can you find

627
00:32:43,960 --> 00:32:45,719
Speaker 2: some sort of like elephant noise.

628
00:32:49,320 --> 00:32:51,640
Speaker 1: That's a good segment idea, something you can't do on

629
00:32:51,680 --> 00:32:54,520
Speaker 1: a scripted podcast, by the way, you get half have

630
00:32:54,560 --> 00:32:59,480
Speaker 1: a segment idea midway through. Yeah, and even even segments.

631
00:32:59,560 --> 00:33:02,520
Speaker 1: Are you scripted podcast is a big just a big

632
00:33:02,840 --> 00:33:08,880
Speaker 1: long thing, and it's you're never being surprised, really are

633
00:33:08,920 --> 00:33:10,240
Speaker 1: you to thank you.

634
00:33:10,320 --> 00:33:13,120
Speaker 2: Elephant in the room. Are you saying in this if

635
00:33:13,120 --> 00:33:18,280
Speaker 2: you created a sci fi world based around the idea

636
00:33:18,320 --> 00:33:23,040
Speaker 2: that my scripted podcast is kind of a sky net

637
00:33:23,320 --> 00:33:25,400
Speaker 2: like catalyst, Well.

638
00:33:25,320 --> 00:33:28,200
Speaker 1: It's not hard sci fi. Yeah, and it's not hard

639
00:33:28,520 --> 00:33:31,320
Speaker 1: and harder the better. And here's why. Here's why it's

640
00:33:31,360 --> 00:33:36,080
Speaker 1: not hard sci fi. If I could uh make a

641
00:33:36,120 --> 00:33:38,840
Speaker 1: most statement here really fast, because it is actually the

642
00:33:38,840 --> 00:33:41,360
Speaker 1: world we're living in now, and it's not even science fiction.

643
00:33:41,440 --> 00:33:42,560
Speaker 1: It is science reality.

644
00:33:42,760 --> 00:33:43,000
Speaker 2: Yeah.

645
00:33:43,160 --> 00:33:46,160
Speaker 1: No, you're right, it's open season on white men and

646
00:33:46,400 --> 00:33:47,880
Speaker 1: unscripted podcast Yeah.

647
00:33:47,920 --> 00:33:49,880
Speaker 2: Like if you were gonna write this now up as

648
00:33:49,920 --> 00:33:52,680
Speaker 2: a comedy, sketchy, it would be you need to walk

649
00:33:52,680 --> 00:33:55,240
Speaker 2: that back. Yeah, as an impart to walk that is

650
00:33:55,240 --> 00:33:56,120
Speaker 2: it too unbelievable?

651
00:33:56,320 --> 00:33:57,520
Speaker 1: As an impartial.

652
00:33:57,040 --> 00:34:01,200
Speaker 3: Comic who's just a neutral observed, it's our job. I

653
00:34:01,320 --> 00:34:03,880
Speaker 3: have noticed, and I'm just watching. I don't have it,

654
00:34:04,000 --> 00:34:05,400
Speaker 3: you know, I don't have a horse in this race,

655
00:34:05,400 --> 00:34:09,200
Speaker 3: but I have noticed that unscripted podcasts and white men

656
00:34:09,360 --> 00:34:10,360
Speaker 3: seem to really.

657
00:34:10,160 --> 00:34:11,640
Speaker 2: Have a bullseye on that.

658
00:34:11,880 --> 00:34:14,960
Speaker 1: Sure. Yeah, And I you know, I don't care either way.

659
00:34:15,000 --> 00:34:16,319
Speaker 1: I go wherever the wind's blow.

660
00:34:16,400 --> 00:34:19,040
Speaker 3: And and I think it's probably good in a lot

661
00:34:19,040 --> 00:34:23,040
Speaker 3: of ways, but it's also very dangerous, yeah, to attack

662
00:34:23,200 --> 00:34:25,040
Speaker 3: unscripted podcasts at white men.

663
00:34:25,360 --> 00:34:27,759
Speaker 1: And just as a neutral observer, I will say a

664
00:34:27,800 --> 00:34:31,960
Speaker 1: lot of people who used to be white men doing

665
00:34:32,040 --> 00:34:37,080
Speaker 1: unscripted podcasts, I have seen them essentially bending over to

666
00:34:37,800 --> 00:34:43,400
Speaker 1: the government authorities and going to do these scripted podcasts

667
00:34:44,320 --> 00:34:47,560
Speaker 1: because that's I guess what society wants them to do.

668
00:34:47,800 --> 00:34:51,400
Speaker 3: And even more fudged up, if I may say, is

669
00:34:51,560 --> 00:34:55,239
Speaker 3: some of the white men who were doing unscripted podcasts

670
00:34:55,320 --> 00:34:57,920
Speaker 3: have been just left out in the cold and not

671
00:34:58,000 --> 00:35:01,920
Speaker 3: even offered the opportunity to bend over to government authority

672
00:35:02,320 --> 00:35:05,840
Speaker 3: and do scripted podcasts where not that they ever would

673
00:35:05,880 --> 00:35:08,319
Speaker 3: because they're punk rock badass well because it just.

674
00:35:08,280 --> 00:35:10,560
Speaker 1: To not even be asked, because they hate They do

675
00:35:10,640 --> 00:35:12,880
Speaker 1: not obey orders, and they do whatever they want. But

676
00:35:13,000 --> 00:35:16,400
Speaker 1: they might have wanted to do that. They might that

677
00:35:16,480 --> 00:35:18,880
Speaker 1: might have been coincidentally, the thing that they wanted to

678
00:35:18,960 --> 00:35:20,759
Speaker 1: do at that moment could have.

679
00:35:20,680 --> 00:35:22,480
Speaker 3: Been a good transition for them, and maybe they would

680
00:35:22,480 --> 00:35:23,680
Speaker 3: feel like there was some kind.

681
00:35:23,520 --> 00:35:26,920
Speaker 1: Of future there. So that's just like what you know,

682
00:35:27,200 --> 00:35:28,000
Speaker 1: something I noticed.

683
00:35:28,040 --> 00:35:30,600
Speaker 2: So yeah, so in this resistance, you have an underground

684
00:35:30,640 --> 00:35:33,440
Speaker 2: resistance of white men doing unscripted podcasts.

685
00:35:33,440 --> 00:35:38,479
Speaker 1: Okay, but they nobody in the resistance. Nobody focuses on race.

686
00:35:39,040 --> 00:35:40,160
Speaker 2: That's good, that's nice.

687
00:35:40,360 --> 00:35:42,759
Speaker 1: It's not about that. Yes, and it's so dark that's

688
00:35:42,800 --> 00:35:45,920
Speaker 1: your trip. Yeah, And it's so dark down there in

689
00:35:45,960 --> 00:35:48,440
Speaker 1: the underground. People don't know where the resistance lives, right,

690
00:35:48,760 --> 00:35:50,799
Speaker 1: there is no race anymore. You can kind of tell

691
00:35:50,800 --> 00:35:54,360
Speaker 1: by people. So it's all it's all merit based. Their customers,

692
00:35:54,400 --> 00:35:58,440
Speaker 1: well in their accent. It's a totally merit based system underground.

693
00:35:58,760 --> 00:36:00,720
Speaker 2: But yin kind of gray area. I'm kind of liking

694
00:36:00,719 --> 00:36:02,600
Speaker 2: some of this dystopia sounded pretty good.

695
00:36:03,920 --> 00:36:09,560
Speaker 3: Yeah, and there is really only one main difference, and

696
00:36:09,600 --> 00:36:11,040
Speaker 3: that it's not twenty twenty yet.

697
00:36:11,800 --> 00:36:14,680
Speaker 1: And believe me when when we get there, if we

698
00:36:14,719 --> 00:36:15,080
Speaker 1: get there.

699
00:36:15,239 --> 00:36:17,760
Speaker 2: Yeah, I'm starting tom.

700
00:36:17,360 --> 00:36:19,440
Speaker 1: Starting to watch this episode.

701
00:36:19,520 --> 00:36:21,200
Speaker 2: Wonder people are gonna look at it and.

702
00:36:21,160 --> 00:36:24,439
Speaker 1: Go, yeah, did you say, did you say what year

703
00:36:24,440 --> 00:36:25,759
Speaker 1: it is in in bubble world?

704
00:36:25,880 --> 00:36:29,560
Speaker 2: Yet it's it's it's twenty eighteen, did you say that?

705
00:36:29,760 --> 00:36:32,040
Speaker 1: Yes, it's happening now, but it's happening somewhere else.

706
00:36:32,160 --> 00:36:35,920
Speaker 2: Okay, someone says the year too, is so I know

707
00:36:35,960 --> 00:36:36,680
Speaker 2: what the twist is.

708
00:36:36,880 --> 00:36:40,520
Speaker 1: Yeah, okay, it's heaven? Shit? Fuck?

709
00:36:40,719 --> 00:36:42,600
Speaker 2: Really did you know that from the first episode? I

710
00:36:42,680 --> 00:36:44,440
Speaker 2: knew it from the very it's heaven?

711
00:36:44,920 --> 00:36:45,200
Speaker 1: I know.

712
00:36:45,600 --> 00:36:48,000
Speaker 2: I thought I was taught of I thought I was

713
00:36:48,000 --> 00:36:52,400
Speaker 2: playing a long game. I just love Lost. Yeah, you

714
00:36:52,440 --> 00:36:54,799
Speaker 2: know all those other shows where some shit turns out

715
00:36:54,840 --> 00:36:55,400
Speaker 2: to be heaven?

716
00:36:55,680 --> 00:36:56,960
Speaker 1: Yeah?

717
00:36:57,000 --> 00:37:01,280
Speaker 2: Wow, man, I hope the fans don't listen to this because.

718
00:37:01,560 --> 00:37:03,560
Speaker 1: Well, now you can always do it. Then why'd you

719
00:37:03,600 --> 00:37:05,359
Speaker 1: do it? No? Hang on, why'd you do it? Then?

720
00:37:06,640 --> 00:37:07,160
Speaker 2: I don't know.

721
00:37:07,360 --> 00:37:09,080
Speaker 1: You think we asked you to come on? No, you

722
00:37:09,280 --> 00:37:09,960
Speaker 1: wanted to do it.

723
00:37:10,000 --> 00:37:11,600
Speaker 2: I approached you.

724
00:37:11,600 --> 00:37:12,120
Speaker 1: You wanted to.

725
00:37:14,719 --> 00:37:18,799
Speaker 2: I didn't know Harris is the man in black situation.

726
00:37:19,320 --> 00:37:21,200
Speaker 2: I feel like I'm in Reddit right now.

727
00:37:21,640 --> 00:37:24,160
Speaker 1: I'll light you up in the comments.

728
00:37:24,160 --> 00:37:28,080
Speaker 2: Man, I'm I'm, I'm I'm preparing myself for a roasting.

729
00:37:29,239 --> 00:37:32,440
Speaker 1: Wait is lost Heaven? Let them live so you can

730
00:37:32,440 --> 00:37:35,719
Speaker 1: always say, Like Sam, what they did to Sam was

731
00:37:35,800 --> 00:37:37,600
Speaker 1: people were like, this is heaven, right, and then they

732
00:37:37,600 --> 00:37:39,960
Speaker 1: were kind of like, no, it's not. And then just

733
00:37:40,080 --> 00:37:43,040
Speaker 1: like never really decided whether it was or not.

734
00:37:43,360 --> 00:37:44,440
Speaker 2: I still have time to change it.

735
00:37:44,520 --> 00:37:46,799
Speaker 1: You can always do. You can just be like, no, no,

736
00:37:47,040 --> 00:37:50,200
Speaker 1: whatever you were obviously planning to do, and people pointed out,

737
00:37:50,239 --> 00:37:55,000
Speaker 1: you just be like no, I have to go right now,

738
00:37:55,480 --> 00:37:58,040
Speaker 1: and then well then you don't really write stuff, you

739
00:37:58,080 --> 00:38:02,080
Speaker 1: just kind of delete it. Yeah, right, so we need

740
00:38:02,120 --> 00:38:04,239
Speaker 1: we do need Mitch in this thing. Obviously, Mitch has

741
00:38:04,280 --> 00:38:06,440
Speaker 1: to be in every one of these these fucking things.

742
00:38:06,480 --> 00:38:13,040
Speaker 1: Here's a name for a therapy podcast, talk Sick. Okay,

743
00:38:14,719 --> 00:38:15,960
Speaker 1: if you want to make one.

744
00:38:15,960 --> 00:38:17,719
Speaker 2: Yeah, I mean that's kind of where things are going

745
00:38:17,760 --> 00:38:18,400
Speaker 2: after scripted.

746
00:38:18,440 --> 00:38:20,800
Speaker 1: Probably it's all therapy now.

747
00:38:20,680 --> 00:38:22,480
Speaker 2: Yeah, it's healing.

748
00:38:23,040 --> 00:38:25,360
Speaker 1: Could that I mean, I guess theoretically that could be

749
00:38:25,400 --> 00:38:28,200
Speaker 1: a part of the name we already have, which has

750
00:38:28,239 --> 00:38:34,920
Speaker 1: the word toxic in it. Toxic Yeah, toxic mass salinity

751
00:38:35,120 --> 00:38:37,200
Speaker 1: max max solidity.

752
00:38:37,440 --> 00:38:42,839
Speaker 2: Yeah yeah, talk toxic mass serenity.

753
00:38:43,600 --> 00:38:47,520
Speaker 3: Oh okay, toxic mass serenity.

754
00:38:47,880 --> 00:38:49,840
Speaker 1: Another thing that I love to geek out of it.

755
00:38:50,000 --> 00:38:54,279
Speaker 2: I love geeking. I'm a brown coat. Sorry, yeah, brown coat.

756
00:38:54,320 --> 00:38:59,960
Speaker 2: I'm a movie I'm an Avenger Uh huh, I'm a dead.

757
00:38:59,800 --> 00:39:02,840
Speaker 1: That's what they call Avengers fans, right, we called themselves.

758
00:39:02,960 --> 00:39:04,520
Speaker 2: We call ourselves Avengers.

759
00:39:04,760 --> 00:39:10,239
Speaker 1: Dude, more like Boss Wheden. Yeah, the dude, such a Megaboss.

760
00:39:10,280 --> 00:39:15,600
Speaker 1: Does it all, Dude freaking Rocks, does it all? Oh? Yeah,

761
00:39:15,840 --> 00:39:17,160
Speaker 1: so good? He's ye.

762
00:39:17,360 --> 00:39:19,759
Speaker 3: Do you name your character, your Mike Mitchell character whose

763
00:39:19,880 --> 00:39:22,680
Speaker 3: name is Mitch Murray, who's now a reference to Glengarry

764
00:39:22,719 --> 00:39:24,200
Speaker 3: Glenn Ross it is.

765
00:39:24,360 --> 00:39:27,560
Speaker 2: Yeah, I mean, I love to I love listen. I'm

766
00:39:27,560 --> 00:39:30,880
Speaker 2: a Hoovian, I'm a brown coat, I'm.

767
00:39:30,760 --> 00:39:34,480
Speaker 1: An avenger, and you're I'm a mamm man. Yeah, I'm

768
00:39:34,480 --> 00:39:35,480
Speaker 1: a mammatologist.

769
00:39:36,239 --> 00:39:37,920
Speaker 2: So yeah, I have a lot of references to Glengarry

770
00:39:37,960 --> 00:39:44,680
Speaker 2: Glenn Ross, red belt Oleana. You know, so like eagle eye,

771
00:39:45,400 --> 00:39:52,759
Speaker 2: eagle eyed mammon, American buffalo, American buffalo, eagle eyed mammot spotters.

772
00:39:53,360 --> 00:39:56,120
Speaker 2: We'll get some of these references, like people who don't

773
00:39:56,120 --> 00:39:59,120
Speaker 2: know it are gonna be like Speed the Plow.

774
00:39:59,440 --> 00:40:05,720
Speaker 1: So good, pretty good, I mean House of Games, Classic.

775
00:40:08,080 --> 00:40:10,160
Speaker 2: Others, Prisoner.

776
00:40:11,320 --> 00:40:15,120
Speaker 1: Yes, yes, yes, what is the other one in the

777
00:40:15,160 --> 00:40:18,600
Speaker 1: town with Alex Oh yeah, and they're in the.

778
00:40:18,440 --> 00:40:22,440
Speaker 3: Town and it's the big show business corrupting the town.

779
00:40:22,520 --> 00:40:26,479
Speaker 1: But the town is also yes, yes, yes, yes, yes, yes,

780
00:40:26,520 --> 00:40:32,080
Speaker 1: Hayes Kevin moist much we have to.

781
00:40:38,920 --> 00:40:42,000
Speaker 2: Let's elephant in the room. Yeah, we've all juiced our

782
00:40:42,040 --> 00:40:45,080
Speaker 2: jeans right at this point, at this point in the conversation,

783
00:40:45,160 --> 00:40:47,680
Speaker 2: we've been geeking out to the point where we've all

784
00:40:47,800 --> 00:40:48,600
Speaker 2: juiced our jeans.

785
00:40:48,640 --> 00:40:51,280
Speaker 1: It is like a beetlejuice thing where if you say

786
00:40:52,200 --> 00:40:57,640
Speaker 1: moist three times, I flood my basement the juice. The

787
00:40:57,719 --> 00:41:05,640
Speaker 1: juice will appear. Kevin works every time. We have to

788
00:41:05,680 --> 00:41:08,719
Speaker 1: figure out there's been less and less Kevin in the show.

789
00:41:08,840 --> 00:41:10,800
Speaker 1: But what do we do? This is a new elephant

790
00:41:10,800 --> 00:41:17,160
Speaker 1: in the room segment, Kevin had, I.

791
00:41:17,120 --> 00:41:19,440
Speaker 2: Think that's an African elephant or an Asian elephant.

792
00:41:19,440 --> 00:41:21,080
Speaker 1: Well, if you look at the ears.

793
00:41:20,920 --> 00:41:21,680
Speaker 2: Yeah, that's the key.

794
00:41:21,719 --> 00:41:26,799
Speaker 1: I can't Asian elephant's ears look like Asia the continent. Yeah,

795
00:41:27,680 --> 00:41:28,879
Speaker 1: is it? Am I allowed to say that?

796
00:41:29,120 --> 00:41:31,000
Speaker 2: I know? Yeah, I kind of feel like I can't.

797
00:41:31,239 --> 00:41:34,280
Speaker 1: I can Honestly, it's crazy. I think I can't.

798
00:41:34,440 --> 00:41:36,520
Speaker 2: Yeah, I don't know. I don't know.

799
00:41:36,960 --> 00:41:42,480
Speaker 1: They look like Asian America, lgbt X, y Z. You know,

800
00:41:42,640 --> 00:41:44,760
Speaker 1: like you gotta say every you gotta say every letter

801
00:41:44,760 --> 00:41:47,840
Speaker 1: in the freaking alphabet anytime you are trying to talk

802
00:41:47,880 --> 00:41:51,120
Speaker 1: to a woman shah, and you can't just hug her

803
00:41:51,600 --> 00:41:54,560
Speaker 1: yes from behind, You can't hug her from behind you

804
00:41:54,600 --> 00:41:57,960
Speaker 1: can't surprise a woman anymore. Okay, you don't like it?

805
00:41:58,000 --> 00:42:01,960
Speaker 1: From this? A woman comb up from behind? How ab

806
00:42:02,000 --> 00:42:05,160
Speaker 1: up from the side? Try this? Hey, Siri? Am I

807
00:42:05,239 --> 00:42:08,160
Speaker 1: allowed to lock arms with a strange woman on an

808
00:42:08,239 --> 00:42:14,640
Speaker 1: escalator anymore? Can arms? Nice? Siri? Can I do that? Siries?

809
00:42:14,719 --> 00:42:18,680
Speaker 1: Like you're under arrest? I'm a woman too. Oh my god, man,

810
00:42:20,280 --> 00:42:22,719
Speaker 1: it sounds crazy, but I think you're not allowed to

811
00:42:22,760 --> 00:42:24,239
Speaker 1: do that. Healthy write.

812
00:42:24,280 --> 00:42:26,480
Speaker 2: If you were to write this comedy sketch and hand

813
00:42:26,520 --> 00:42:29,279
Speaker 2: it to Lorne Michaels, he would say, do a rewrite

814
00:42:29,480 --> 00:42:31,000
Speaker 2: it's yes, it's too crazy.

815
00:42:31,200 --> 00:42:36,160
Speaker 1: Yeah, yes, it would certainly be cut for time. Yeah, yeah,

816
00:42:36,440 --> 00:42:38,839
Speaker 1: he'd he'd go, Could Julia Roberts be in it?

817
00:42:40,120 --> 00:42:41,000
Speaker 2: She's good and everything.

818
00:42:41,120 --> 00:42:44,000
Speaker 1: So yeah. And so now we watch all these women

819
00:42:44,040 --> 00:42:47,600
Speaker 1: falling down escalators and you say, well, okay, okay, maybe

820
00:42:47,600 --> 00:42:50,160
Speaker 1: if we had some sort of like you buddy, yeah,

821
00:42:50,280 --> 00:42:52,879
Speaker 1: a buddy system on the thing you anchor each other.

822
00:42:52,880 --> 00:42:55,480
Speaker 1: They're crazy. They are moving so fast.

823
00:42:55,560 --> 00:42:59,360
Speaker 3: Yeah, and there's no support system and even the arms

824
00:42:59,440 --> 00:42:59,880
Speaker 3: is moving.

825
00:43:00,280 --> 00:43:03,279
Speaker 1: Yes, at point you could get tangled. You have to

826
00:43:03,320 --> 00:43:06,520
Speaker 1: grab one of these arms. Your legs are dragging on

827
00:43:06,560 --> 00:43:09,080
Speaker 1: the ground as it's pulling you all the way up

828
00:43:09,520 --> 00:43:11,600
Speaker 1: and at the time you know, at the time it's

829
00:43:11,640 --> 00:43:13,640
Speaker 1: time you have to get off, you're not ready to

830
00:43:13,719 --> 00:43:14,160
Speaker 1: get off.

831
00:43:14,280 --> 00:43:18,160
Speaker 3: No, no, And you essentially are this close and I'm

832
00:43:18,160 --> 00:43:20,080
Speaker 3: making a tiny sign with my fingers.

833
00:43:20,360 --> 00:43:26,080
Speaker 1: This close. You wouldn't believe how to becoming essentially part machine?

834
00:43:26,320 --> 00:43:26,880
Speaker 2: Yeah?

835
00:43:27,280 --> 00:43:30,520
Speaker 3: Yeah, So how about a little human connection to fight

836
00:43:30,600 --> 00:43:33,840
Speaker 3: off the machine overlords that are trying to steal us.

837
00:43:34,400 --> 00:43:38,040
Speaker 1: Just let's slide our elbows together and kind of lock

838
00:43:38,120 --> 00:43:40,879
Speaker 1: them aside while we're on the escalator. Yeah, and then

839
00:43:41,040 --> 00:43:43,319
Speaker 1: three to one we look each other in the eye

840
00:43:43,400 --> 00:43:45,600
Speaker 1: and step off at the same time and then go

841
00:43:45,680 --> 00:43:47,719
Speaker 1: our separate ways if we want. When are we going

842
00:43:47,800 --> 00:43:53,120
Speaker 1: to drink? It's almost like they are trying to separate

843
00:43:53,440 --> 00:43:57,640
Speaker 1: the genders or essentially take you men and put them

844
00:43:57,640 --> 00:44:00,600
Speaker 1: in the when it comes in a box. This Siberia

845
00:44:00,719 --> 00:44:04,880
Speaker 1: like normal to do war, yes and yes, and to

846
00:44:04,960 --> 00:44:09,319
Speaker 1: do war, but which we come from warriors.

847
00:44:09,160 --> 00:44:14,520
Speaker 2: Right, But so you think about warriors, hunters, gatherers, storytellers.

848
00:44:15,000 --> 00:44:18,040
Speaker 1: Yes, so we think about who Just let me play

849
00:44:18,080 --> 00:44:19,600
Speaker 1: this out, because I think I am making a big

850
00:44:19,600 --> 00:44:22,600
Speaker 1: discovery here. We think about who benefits you always have

851
00:44:22,640 --> 00:44:28,720
Speaker 1: to think about who benefits. And women aren't holding men's

852
00:44:29,080 --> 00:44:32,920
Speaker 1: arms on the escalator anymore. What are they holding instead?

853
00:44:32,960 --> 00:44:36,319
Speaker 1: What is everyone freaking holding all the all the time now?

854
00:44:37,200 --> 00:44:40,359
Speaker 1: And they can't even stop looking at it? Redes No,

855
00:44:42,200 --> 00:44:44,279
Speaker 1: they are like a stress ball. They don't have to

856
00:44:44,320 --> 00:44:46,320
Speaker 1: hold the red vines all the time. They're just eating

857
00:44:46,360 --> 00:44:49,160
Speaker 1: red vines when they're until they're done, yes, until they're done.

858
00:44:49,400 --> 00:44:51,600
Speaker 1: But they hold all the time. They're always looking at it,

859
00:44:51,719 --> 00:44:56,080
Speaker 1: sour patch kids like a pet, like a It's their phones.

860
00:44:56,160 --> 00:45:01,560
Speaker 1: They're always they're always looking at their phones. So you

861
00:45:01,560 --> 00:45:04,680
Speaker 1: think about who benefits now their hands are free from

862
00:45:04,719 --> 00:45:05,960
Speaker 1: holding men's hands.

863
00:45:07,040 --> 00:45:08,120
Speaker 2: They're holding this phone.

864
00:45:08,360 --> 00:45:11,520
Speaker 1: Oh you know what, ELL's benefits too. So you're on

865
00:45:11,600 --> 00:45:15,560
Speaker 1: your phones red vines. On the other hand, you're on

866
00:45:15,640 --> 00:45:16,320
Speaker 1: the escalator.

867
00:45:16,360 --> 00:45:18,640
Speaker 3: You get stuck in the machine and you're not paying

868
00:45:18,640 --> 00:45:19,920
Speaker 3: attention to get hit by a car.

869
00:45:20,280 --> 00:45:22,479
Speaker 1: Yeah, and who gets? Who gets?

870
00:45:22,520 --> 00:45:24,800
Speaker 2: Where are you where there's a car and a benefit?

871
00:45:24,880 --> 00:45:28,440
Speaker 1: People are texting driving they're okay, I'm going to grow

872
00:45:29,600 --> 00:45:32,239
Speaker 1: outdoors full text and drive. They drive their car up

873
00:45:32,239 --> 00:45:37,719
Speaker 1: and escalator. It's true, So you're so you're doing that,

874
00:45:37,920 --> 00:45:38,880
Speaker 1: So who benefits?

875
00:45:39,280 --> 00:45:39,760
Speaker 2: MM?

876
00:45:39,880 --> 00:45:45,319
Speaker 1: Hmm that doctor. Yes, yes, big pharma, that doctor you

877
00:45:45,360 --> 00:45:46,840
Speaker 1: were talking about with the big syringe.

878
00:45:47,040 --> 00:45:50,800
Speaker 2: Yeah, the classic Italian clowning character. Yes, feel good, he

879
00:45:50,920 --> 00:45:54,760
Speaker 2: benefits Il Douktore. Yes, he's the one.

880
00:45:55,400 --> 00:45:58,400
Speaker 1: Wow. It always comes to you always have to just

881
00:45:58,440 --> 00:46:00,560
Speaker 1: like think about this, to just step back every once

882
00:46:00,600 --> 00:46:02,960
Speaker 1: in a while and be like, wait, what is happening?

883
00:46:03,040 --> 00:46:05,799
Speaker 1: Like what are they really trying to do? What's going on?

884
00:46:07,840 --> 00:46:09,839
Speaker 1: I know it's not what people say is going on.

885
00:46:11,440 --> 00:46:14,359
Speaker 2: I just had a thought. You know who benefits? Okay,

886
00:46:14,719 --> 00:46:17,360
Speaker 2: So you're going to this doctor. You've been hit by

887
00:46:17,400 --> 00:46:18,200
Speaker 2: a car at the grove.

888
00:46:19,000 --> 00:46:22,960
Speaker 1: You're just trying to your legs are machines from an escalator, remember, yes,

889
00:46:23,040 --> 00:46:24,040
Speaker 1: your legs of machines.

890
00:46:24,360 --> 00:46:25,880
Speaker 2: You were just trying to hold a woman's arm on

891
00:46:25,920 --> 00:46:28,279
Speaker 2: the escalator and maybe like flicker ear to a surprise her.

892
00:46:30,120 --> 00:46:31,200
Speaker 1: You get it by a car.

893
00:46:32,400 --> 00:46:36,640
Speaker 2: You go to this doctor and he's got a mask

894
00:46:36,719 --> 00:46:38,280
Speaker 2: on with an elongated nose.

895
00:46:38,520 --> 00:46:40,919
Speaker 1: Okay. Yeah.

896
00:46:41,000 --> 00:46:48,000
Speaker 2: You get addicted to prescription drugs and the opioid.

897
00:46:47,600 --> 00:46:49,480
Speaker 1: Which is basically what wi fi is now.

898
00:46:49,640 --> 00:46:52,560
Speaker 2: Yeah, yeah, thank you. You get addicted to opioids and

899
00:46:52,680 --> 00:46:56,800
Speaker 2: the free WiFi at the hospital. You die. Yeah, you

900
00:46:56,840 --> 00:47:02,400
Speaker 2: know who benefits God as he's getting additional.

901
00:47:01,920 --> 00:47:08,719
Speaker 1: Angels more angel economy. Yes, yeah, God is obsessed with

902
00:47:08,719 --> 00:47:09,640
Speaker 1: getting more angels.

903
00:47:09,680 --> 00:47:13,600
Speaker 2: He is and making dogs by having sex dogy style.

904
00:47:13,600 --> 00:47:19,440
Speaker 1: The original Angel Investor. So we can see what is

905
00:47:19,480 --> 00:47:22,960
Speaker 1: happening with Kevin if you play the Elephant Noise place. Yeah,

906
00:47:23,080 --> 00:47:25,360
Speaker 1: I was. We're trying to think of a way to

907
00:47:25,440 --> 00:47:28,160
Speaker 1: get Kevin more involved in this episode, and we ended

908
00:47:28,200 --> 00:47:30,719
Speaker 1: up just getting off that and having even more fun

909
00:47:30,760 --> 00:47:34,799
Speaker 1: without him. Yeah, and it makes you wonder do we

910
00:47:34,840 --> 00:47:38,400
Speaker 1: need Kevin? He reached this sort of peak Kevin. This

911
00:47:38,640 --> 00:47:41,520
Speaker 1: and a live show. We did the like a month

912
00:47:41,520 --> 00:47:44,440
Speaker 1: ago now or something. He was like a huge part

913
00:47:44,480 --> 00:47:48,319
Speaker 1: of it, Jordan, but now ever since then, he just

914
00:47:48,400 --> 00:47:51,239
Speaker 1: kind of comes in, takes a picture. He's sitting there.

915
00:47:51,360 --> 00:47:57,440
Speaker 1: He feels sad. It's sad, Kevin. This is your time.

916
00:47:58,320 --> 00:48:00,600
Speaker 1: Let's give Kevin a little platform, playing like a pig

917
00:48:00,640 --> 00:48:06,440
Speaker 1: noise or something. Yeah, Kevin's trough. Yeah, Kevin's trough. This

918
00:48:06,520 --> 00:48:09,480
Speaker 1: is when you keep freaking oint it all. Kevin's idea

919
00:48:09,560 --> 00:48:10,759
Speaker 1: trough gobble it up.

920
00:48:11,680 --> 00:48:15,040
Speaker 5: And so this would be good finest any truffles, big buyout,

921
00:48:15,040 --> 00:48:17,400
Speaker 5: a little bit of space to talk about some of

922
00:48:17,440 --> 00:48:20,080
Speaker 5: the sci fi ship that's tripping you out, you know

923
00:48:20,320 --> 00:48:22,000
Speaker 5: that is happening in real life.

924
00:48:23,760 --> 00:48:28,160
Speaker 6: Hey, hey, guys, Chef Kevin here. This is Kevin's Trough

925
00:48:28,800 --> 00:48:31,000
Speaker 6: where I talk about the sci fi stuff that's tripping

926
00:48:31,040 --> 00:48:31,399
Speaker 6: me out.

927
00:48:33,040 --> 00:48:34,520
Speaker 1: Not always, but that's this one.

928
00:48:34,920 --> 00:48:38,200
Speaker 6: For this one, I'm going to talk about what if

929
00:48:38,360 --> 00:48:42,800
Speaker 6: what if West World was in space? M change changed

930
00:48:42,840 --> 00:48:45,959
Speaker 6: the location to where they went up in space And

931
00:48:46,280 --> 00:48:51,160
Speaker 6: you know, if you think about that, trip you out.

932
00:48:51,400 --> 00:48:53,520
Speaker 1: You don't even have enough just to stay in the

933
00:48:53,600 --> 00:48:57,880
Speaker 1: length of this this pig this is ten hours okay,

934
00:48:58,560 --> 00:48:59,319
Speaker 1: episode two.

935
00:49:00,239 --> 00:49:02,840
Speaker 6: Hey guys, you have Kevin here and welcome back to

936
00:49:03,320 --> 00:49:04,680
Speaker 6: Kevin's Truff.

937
00:49:04,280 --> 00:49:06,640
Speaker 1: But relate it to your be the real you know,

938
00:49:07,040 --> 00:49:08,600
Speaker 1: the real stuff that's happening for you.

939
00:49:10,239 --> 00:49:14,080
Speaker 6: Some real stuff that's been happening to me is I

940
00:49:14,239 --> 00:49:17,080
Speaker 6: joined a cover band and I think people don't respect

941
00:49:17,080 --> 00:49:17,840
Speaker 6: cover bands.

942
00:49:18,280 --> 00:49:20,440
Speaker 1: Well that's almost like sci fi. Make it sci fi?

943
00:49:20,600 --> 00:49:24,160
Speaker 1: Can I do a more interesting version of your West

944
00:49:24,160 --> 00:49:29,279
Speaker 1: World scenario with no pigs? Do like the King's trumpets?

945
00:49:31,760 --> 00:49:32,719
Speaker 2: This is on YouTube.

946
00:49:32,760 --> 00:49:37,600
Speaker 1: Oh that's good. So imagine a world where it is

947
00:49:37,680 --> 00:49:41,680
Speaker 1: Westworld where some of the people are robots. But then gradually,

948
00:49:42,640 --> 00:49:46,600
Speaker 1: one by one it turns out that every every single

949
00:49:46,640 --> 00:49:49,480
Speaker 1: person in the world is a robot or a pyloon.

950
00:49:50,400 --> 00:49:52,960
Speaker 1: And so you have this universe of characters and some

951
00:49:53,040 --> 00:49:57,399
Speaker 1: are robots and some are humans, but one by one,

952
00:49:57,480 --> 00:50:00,680
Speaker 1: basically it turns out that every single person on the

953
00:50:00,719 --> 00:50:05,279
Speaker 1: show is a is a robot or In the last

954
00:50:05,320 --> 00:50:07,359
Speaker 1: episode there like we were ever like we were all

955
00:50:07,440 --> 00:50:10,920
Speaker 1: robots or silos, And who are they telling? Ultimately at

956
00:50:10,920 --> 00:50:14,160
Speaker 1: that point robot and the people watching I guess yes,

957
00:50:14,200 --> 00:50:18,280
Speaker 1: they're talking to us dead bulls style. That's fucking cool.

958
00:50:18,760 --> 00:50:21,279
Speaker 2: Can I get a noise? Can I get maybe like

959
00:50:20,880 --> 00:50:24,680
Speaker 2: a like a race car, like rooming up, maybe like

960
00:50:24,800 --> 00:50:29,520
Speaker 2: a just like getting ready to room? Doesn't it can

961
00:50:29,520 --> 00:50:30,080
Speaker 2: be a stock car.

962
00:50:30,200 --> 00:50:31,560
Speaker 1: He's very selective with these.

963
00:50:32,280 --> 00:50:32,920
Speaker 2: He's an artist.

964
00:50:33,120 --> 00:50:36,880
Speaker 1: He's gonna get it right. But how is he How

965
00:50:36,880 --> 00:50:39,359
Speaker 1: does he noticed from those green ground you can tell

966
00:50:40,000 --> 00:50:40,839
Speaker 1: as long as he has.

967
00:50:41,040 --> 00:50:45,560
Speaker 2: So what if there's a world some people are robots,

968
00:50:45,880 --> 00:50:49,319
Speaker 2: some people are cylons, some people are real people, but

969
00:50:49,360 --> 00:50:53,359
Speaker 2: then those real people die. There's also terminators. Yeah, there's

970
00:50:53,360 --> 00:50:59,200
Speaker 2: also brown coats. There's also avengers, vision visions, the visions

971
00:50:59,200 --> 00:51:03,520
Speaker 2: there I know and then one of the robots goes

972
00:51:03,560 --> 00:51:06,200
Speaker 2: to the hospital and the robot doctor comes in and says,

973
00:51:07,000 --> 00:51:09,520
Speaker 2: I'm sorry, man, your baby is a human.

974
00:51:10,239 --> 00:51:14,839
Speaker 1: Ah know whoa wow.

975
00:51:14,719 --> 00:51:15,560
Speaker 2: Black mirror dude.

976
00:51:15,600 --> 00:51:18,560
Speaker 1: Okay, I guess I need a sound too. Yeah, can

977
00:51:18,600 --> 00:51:25,840
Speaker 1: you get me like a thunking like wood blocks out?

978
00:51:32,440 --> 00:51:34,520
Speaker 1: See these would have been better King's trumpets. And the

979
00:51:34,560 --> 00:51:38,719
Speaker 1: one I got earlier. This is one guy a little sarcastic.

980
00:51:41,760 --> 00:51:48,880
Speaker 1: That's good. Yea. So there's a freaking robot and he's asleep,

981
00:51:49,480 --> 00:51:52,840
Speaker 1: no man, and he's and at the end of West World,

982
00:51:54,320 --> 00:52:00,960
Speaker 1: he was dreaming all the robots, dude. Yeah, And he

983
00:52:01,080 --> 00:52:03,000
Speaker 1: goes to the doctor and he goes like this crazy

984
00:52:03,120 --> 00:52:07,120
Speaker 1: dream about the robots and doctor goes, oh, don't worry

985
00:52:07,160 --> 00:52:13,120
Speaker 1: about that. Go to see this magnificent clown. He's in town.

986
00:52:14,520 --> 00:52:17,560
Speaker 1: He's a robot clown and he's sort of scary to me.

987
00:52:17,600 --> 00:52:21,600
Speaker 1: I'm scared of clouds, but I know that other people

988
00:52:21,600 --> 00:52:26,840
Speaker 1: think he's really funny. And he does these amazing tricks

989
00:52:27,280 --> 00:52:33,160
Speaker 1: and you'll never have bad dreams again. And the robot goes,

990
00:52:33,520 --> 00:52:36,680
Speaker 1: but doctor, I'm scared of clouds. Bye.

991
00:52:36,840 --> 00:52:46,120
Speaker 2: Wow. This has been an Earwolf production executive produced by

992
00:52:46,160 --> 00:52:50,040
Speaker 2: Scott Ackerman, Chris Bannon, and Colin Anderson. For more information

993
00:52:50,120 --> 00:52:56,960
Speaker 2: and content, visit earwolf dot com.