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Speaker 1: Well, I invited you here. I thought I made myself

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Speaker 1: perfectly clear. When you're a guest to my home, you

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Speaker 1: gotta come to me empty. And I said, no, guests,

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Speaker 1: your presences presence enough, and I already had too much stuff.

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Speaker 2: So how do you dare to surbey me?

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Speaker 3: Hello, it's Bridge, your host of the show. I just

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Speaker 3: want to quickly invite and demand that you come join

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Speaker 3: us on Patreon. We are having the time of our lives.

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Speaker 3: Bonus episodes, two bonus episodes, a months video, whatever I

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Speaker 3: feel like posting. It's threatening to become my blog, and

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Speaker 3: I hope that doesn't feel like a threat. We're having

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Speaker 3: a great time over there, experimenting with the show and

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Speaker 3: having old friends on, and it's a great way to support.

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Speaker 3: I said no gifts, and I think in the end,

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Speaker 3: the only thing any of us really wants is to

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Speaker 3: support a podcast. I think I speak for everyone when

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Speaker 3: I say that, So no excuses. Get over there Patreon

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Speaker 3: dot com slash. I said, no gifts. Come join us

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Speaker 3: and have a wonderful time. And now let's get into

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Speaker 3: this episode, which is just oh, this is quite a show.

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Speaker 3: Welcome to I said no gifts. I'm Bridger weineger Oh,

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Speaker 3: here we are. It's the fifth anniversary episode. What does

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Speaker 3: that mean for anyone? What does that mean for me?

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Speaker 3: What does that mean for you? Well, it means for

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Speaker 3: the last three days, I've been thinking about Tunic's I've

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Speaker 3: been thinking about what Tunic I would wear. Because we

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Speaker 3: are this is more of a video production, although you

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Speaker 3: know you'll be listening to the audios. So if you're

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Speaker 3: listening to the audio, you'll just have to picture me

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Speaker 3: at my very best. I was just smoking. The smoke

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Speaker 3: is now out. I don't condone smoking unless you're doing

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Speaker 3: a podcast. But the last three days I've just been

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Speaker 3: thinking about which Tunic I would wear. I ordered several

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Speaker 3: online and they were all essentially long T shirts that

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Speaker 3: barely covered my ass. They were not appropriate for YouTube

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Speaker 3: or for audio for that matter, so we just you know,

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Speaker 3: I defaulted to my classic Kiki Sole. I've redied it.

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Speaker 3: You have to keep these things fresh or the audience

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Speaker 3: freaks out. This is the third color of the Kiki

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Speaker 3: Sole has been I'm just going to take off my robe,

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Speaker 3: so if you're just listening, listen for a soft fabric

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Speaker 3: falling off of my body and then continue to imagine

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Speaker 3: me at my best. Oh there we go. Not quite

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Speaker 3: as hot as I was going to take a drink. Okay,

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Speaker 3: I'm feeling so much better. It is the fifth Anniverse

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Speaker 3: three episode on Elise demanded that they be here, so

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Speaker 3: we're just looking for odd jobs for them to do

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Speaker 3: around the house. Meanwhile, I'm sitting here thinking about the

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Speaker 3: last five years. We launched in March of twenty twenty,

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Speaker 3: March twelfth of twenty twenty, and obviously it was the

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Speaker 3: biggest buzz online that day. People couldn't stop talking about

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Speaker 3: the podcast, which was very flattering. The world was going

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Speaker 3: kind of bananas, and I don't remember anything else happening

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Speaker 3: in the last five years. But I think it goes

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Speaker 3: without saying that I've had it harder than anyone else.

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Speaker 3: So keep that in mind while we record, and while

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Speaker 3: you leave your reviews online or attack me or whatever.

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Speaker 3: I don't know what you can even see as far

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Speaker 3: as my body goes in this tunic, and that's fine.

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Speaker 3: That's kind of the excitement of video and tunics, and

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Speaker 3: it's a journey for all of us. My legs are

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Speaker 3: deeply exposed. Is there anything else we need to talk about?

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Speaker 3: Let's see the rest of my I mean, let's just say,

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Speaker 3: you know, I'm constantly talking about Found Coffee, my local

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Speaker 3: coffee shop, and I'm always trying to give them free promotion.

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Speaker 3: I tried to go there today. They were under renovation,

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Speaker 3: but they'll be open Thursday, so I'll be back Thursday.

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Speaker 3: Had to go to a different place for my coffee.

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Speaker 3: I thought you should know. Oh, I mean, there's a

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Speaker 3: chance that this piece of audio, you know, humanity's wiped out,

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Speaker 3: the earth is destroyed, and there is a chance that

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Speaker 3: this is the only thing that remains. And can you imagine?

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Speaker 3: Can you imagine? Do you ever think about the end

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Speaker 3: of the world. Okay, I think it's time to get

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Speaker 3: into the podcast. You know, when you have a fifth anniversary.

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Speaker 3: I'm all over the I'm all over the sofa right now.

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Speaker 3: It's a good, very good excuse to demand that favorites

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Speaker 3: come back, that people that have busier lives than you

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Speaker 3: make the time for the podcast. And so I thought,

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Speaker 3: why not reach out to on one of my all

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Speaker 3: time favorites, one of everyone's all time favorites, Chris Fleming. Chris,

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Speaker 3: Oh my god, oh welcomed. I said, no.

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Speaker 4: Gifts than you do you want me to touch you

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Speaker 4: or not.

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Speaker 3: You can touch me, you know, any way you want.

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Speaker 2: You're like Weber, I haven't. I haven't been allowed access

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Speaker 2: to Bridger. I've been waiting in the Bridger is now

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Speaker 2: operating out of what feels like a wellness center. It's

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Speaker 2: a very new build, but for a new build, it

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Speaker 2: still has a pretty haunted vibe.

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Speaker 3: But the air is dry. Yes, there's no mildew. No no, no,

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Speaker 3: you're very black mold.

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Speaker 2: Oh no no, but I'm hearing I'm hearing breathing from

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Speaker 2: offices that are what feel like half a mile away.

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Speaker 3: Being piped in from. Yeah, probably Studio City, It's probably.

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Speaker 3: It feels like where you would have an after prom.

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Speaker 3: You remember, you just feel very after when you would

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Speaker 3: get locked in.

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Speaker 2: But here here actually feels like a pediatrician's office with

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Speaker 2: or like a children's.

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Speaker 3: Dentist and just as many cameras, I assume, yeah.

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Speaker 2: Yeah. And also also while you were doing your intro,

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Speaker 2: everyone's like stifling laugh.

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Speaker 4: I'm like, it's Fridger making people silent?

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Speaker 3: Are you?

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Speaker 2: Are they not?

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Speaker 4: People like.

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Speaker 3: You pull up and you just hear me screaming at people.

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Speaker 3: It was just quiet.

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Speaker 2: Yeah, it's almost like you know, in the beginning of

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Speaker 2: Mission Impossible. Like you know how they always do those

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Speaker 2: little ruises to like out of someone.

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Speaker 4: It's like trying, We're trying to not get.

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Speaker 3: We're in a submarine right now.

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Speaker 4: Yeah, yeah, it feels like a sting operation.

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Speaker 2: That.

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Speaker 3: I mean, this is before we can talk about other things,

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Speaker 3: but I just want to really quickly point out that

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Speaker 3: I've recently learned that I can't pay attention to spy movies.

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Speaker 3: You I saw the sort of black bag I had.

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Speaker 3: Do you know what this is? The Cate Blanchette who

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Speaker 3: Now I'm forgetting the man other guy. That's very that's

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Speaker 3: very modern forgetting men. Yeah.

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Speaker 2: Fort av Club right about a movie they're covering, and

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Speaker 2: I forget that. I forget the guy's guy Pierce a.

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Speaker 3: Culture review of that is very forgetful of man. But

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Speaker 3: I saw this thing and it was so sexy and exciting.

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Speaker 3: But when people start talking about spy logistics, Oh, I

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Speaker 3: just have to trust the filmmaker. I have to watch

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Speaker 3: a spot.

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Speaker 2: I luckily watch Mission Impossible just because Tom almost called

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Speaker 2: him Hanks Cruise is like the choices he makes, you know.

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Speaker 3: My team is dead. They're all dead because it's celebration.

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Speaker 4: I have to watch it for that.

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Speaker 2: But I think it's taken me one hundred and fifty

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Speaker 2: times to finally get the general emotional arc.

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Speaker 4: And I'm still not geopolitical.

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Speaker 3: It's so difficult.

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Speaker 4: It's impost.

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Speaker 3: So when there's like a big twist at the end,

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Speaker 3: I'm like, well, I probably would have felt this.

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Speaker 4: You can hear in a movie theater people go.

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Speaker 3: Like, I guess they laid the pieces down, and I

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Speaker 3: just wasn't really following.

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Speaker 4: You know what I hate in spy movies, comic relief.

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Speaker 3: Oh, it's a tough.

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Speaker 4: Oh whoops.

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Speaker 3: Oh okay, Oh, I've got plenty of time to do that.

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Speaker 2: Then he wouldn't make it.

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Speaker 3: Do the background check. That person is not a serious person,

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Speaker 3: serious person, and this is very serious. Yes, you know

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Speaker 3: in your.

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Speaker 2: Ear piece you don't want to be hearing little little

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Speaker 2: witticisms clips.

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Speaker 3: Oh yes, Oh, certainly, I've got the time for this.

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Speaker 3: The only way you can do that is if you

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Speaker 3: build in that his dad works at the agency, and

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Speaker 3: then it's like, okay, we kind of get why Simon

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Speaker 3: Peg keeps getting a chance. Simon Peg, I've never said

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Speaker 3: that Peg, that's a great question.

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Speaker 4: It sounds like a bike shop.

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Speaker 3: I know Simon Peg, but it sounds like And then

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Speaker 3: when I hear Simon Peg, I think of Hot Chip,

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Speaker 3: and I don't think he's a member of Hot Chip,

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Speaker 3: so he kind of is. He probably has. I'm a

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Speaker 3: member of Hotship. I would believe you are. I was

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Speaker 3: in the early tens.

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Speaker 4: You're in Phoenix, I'm in Hot Chip.

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Speaker 3: Well, this is where I reveal I'm French and I'm

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Speaker 3: married to Sophia a couple.

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Speaker 2: What do you mean you've revealed you were French through subliminally,

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Speaker 2: I think on March twelve, twenty twenty.

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Speaker 3: Through a lot of weeks and subliminal messaging.

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Speaker 2: Did you say that you dropped? So you were saying

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Speaker 2: first of all, they out the tuning tune is from market.

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Speaker 3: I'm so sorry.

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Speaker 2: Can we get it? Okay?

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Speaker 3: I hope that's captured the upisode there as much of

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Speaker 3: we need to find up skirt.

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Speaker 4: With Bridget.

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Speaker 3: You're you're a coworker is my original gift? I mean

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Speaker 3: you were here, you were on the show August or

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Speaker 3: maybe sometime in twenty twenty, late twenty twenty. It is

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Speaker 3: an absolute haze, but there is a clear I have

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Speaker 3: a very clear. This thing just keeps coming up. I mean, look,

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Speaker 3: I'm glad I wore the under where I'm wearing now.

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Speaker 2: I mean the way I've accidentally exposed myself for like

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Speaker 2: entire shows, like stage show, like there's nothing that you

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Speaker 2: could do for me.

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Speaker 3: But the audience seats it up. They're begging for it.

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Speaker 3: Not the family, not the family show, not the birthday parties.

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Speaker 2: No, but I went to my niece's birthday party and

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Speaker 2: she had a magician named Awesome Rob, and he fucking cried.

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Speaker 2: What did he do? Oh?

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Speaker 4: He did everything he did an hour.

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Speaker 3: He saw someone in half.

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Speaker 4: No, it was for three year old saw a three

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Speaker 4: year old half.

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Speaker 3: Yeah, it was. The parents are concerned, truly.

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Speaker 2: It was like a Baptist like church like like the

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Speaker 2: reaction that the kids they were like it.

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Speaker 3: Was by any of the things.

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Speaker 2: I was doing. I was I couldn't stop. And I

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Speaker 2: don't typically do this. I don't do this with media.

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Speaker 2: This has been a problem people. I don't put myself

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Speaker 2: into things, okay, but I was putting myself into this.

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Speaker 2: I was trying to no, no, I was trying to

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Speaker 2: picture if I was in the parking lot about to

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Speaker 2: have because you know, I dread doing shows, and I

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Speaker 2: was imagining going into a living room.

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Speaker 3: To do as awesome rob Oh, can you imagine pulling

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Speaker 3: up to the house and being like, should be at

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Speaker 3: the Magic Castle?

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Speaker 2: You got this like it's the same for any show

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Speaker 2: you know, of course, no line off, trying to imagine

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Speaker 2: if there were.

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Speaker 3: Do you know how fuck? Is this your sister's kid?

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Speaker 2: Sorry, not a niece. It's a okay, all the world,

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Speaker 2: any child's a niece. It's my cousins, and my cousins

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Speaker 2: are like okay, which is a hards like sisters to

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Speaker 2: cut shut it all down. This is your last show?

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Speaker 3: Can I enter again? I'm sorry, I'll light the cigarette

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Speaker 3: back up.

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Speaker 2: Oh my god, your timer.

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Speaker 3: This is a bomb. When this gets to seventeen minutes,

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Speaker 3: we die. I can't go for seventeen.

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Speaker 4: I saw Matt. You and Matt did Matt? You guys

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Speaker 4: were outside matting.

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Speaker 3: Bruton was just on the Patreon show. This is actually

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Speaker 3: a recent addition to.

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Speaker 4: The uh you hide him behind the paywall?

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Speaker 3: I hide him behind You've got someone that tall, You've

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Speaker 3: got to put behind.

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Speaker 2: Him, someone with that posture. Yeah, coorse o, my god,

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Speaker 2: he's almost leaning, he's almost Yeah.

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Speaker 3: It's getting backwards. Yeah, yeah, yeah, Chris, you got to

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Speaker 3: start doing That's.

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Speaker 2: What he does.

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Speaker 3: He's always recommending. He's trying to coach everybody because you're.

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Speaker 2: Going to hurt yourself on stage if you don't start

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Speaker 2: taking care of your body in your forties.

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Speaker 3: He has advice for everybody. He's the listener. This is

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Speaker 3: Matt Ingebretson, who was the first guest on the show

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Speaker 3: by the Worse. Yeah, but he's constantly I think as

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Speaker 3: a straight tall man, you just have advice. You're overflowing

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Speaker 3: with things to tell other people.

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Speaker 2: He's but but he's he's so like, usually my guys

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Speaker 2: are not helpful.

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Speaker 3: Oh sure, but they're confident. They're confident.

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Speaker 2: Oh yeah, no right, it's usually like, dude, we should

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Speaker 2: we should move to Buffalo and be contractors.

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Speaker 3: This was awesome Rob in the bathroom of that birthday party.

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Speaker 3: Chris is playing Awesome Raw. I'm in trouble.

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Speaker 2: I think his name is Awesome Raw better.

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Speaker 3: But he gave me this little frame photo Steven Spielberg. Yeah,

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Speaker 3: so that's very cute. I can put that on that.

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Speaker 3: That could be a ring.

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Speaker 2: There we go, Could I wear this as a ring?

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Speaker 3: Oh, that's not a bad idea.

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Speaker 2: No, it's too big. That could be a pinky ring.

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Speaker 3: Do we say brooch or brooch?

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Speaker 4: It's spelled brooch, we say broke.

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Speaker 3: That's one of those words I never say in cool

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Speaker 3: company because I'm like, I'm going to be exposed to

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Speaker 3: someone who went through U top public education.

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Speaker 2: I save it for podcasts to try it out. Yeah,

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Speaker 2: somehow crossed in the double O is a is a?

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Speaker 3: Where does the brooch come? Is that that must be German? Oh?

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Speaker 2: Oh yes, double O's Scandinavian.

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Speaker 3: Oh that's probably true. An open faced sandwich.

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Speaker 2: It's European. Yes, it is a croc monsieur. It's an

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Speaker 2: open casket croc monsieur.

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Speaker 3: Awake.

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Speaker 4: Did you ever have a croc? Is a kroke, Madame?

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Speaker 2: Yes, I've had in a little skirt and guy eyelashes

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Speaker 2: and then a monsieur has a fucking gun.

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Speaker 3: And left his family a long time ago.

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Speaker 2: Oh yeah, yeah, yeah it does not. He's not even

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Speaker 2: talking to his parents.

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Speaker 3: I think the croke Madame has a like a Frida

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Speaker 3: egg on top. I think there's something, I mean, there's

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Speaker 3: some kind.

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Speaker 4: Of weird that's a little on the nose.

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Speaker 3: Yeah, there's like a weird sexuality something going on. They

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Speaker 3: really thought about the sex of both of these sandwiches.

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Speaker 4: Oh, oh, totally.

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Speaker 2: The French they don't mind being they're not They're not

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Speaker 2: going to not be stopping genders.

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Speaker 3: Oh of course they'll go all over it, you know.

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Speaker 3: And then meanwhile, the Croke Monsieur, I think is just

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Speaker 3: almost a French toast ham sandwich that's addicted to online gaming.

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Speaker 3: They will not leave his ex girlfriend alone. He's harassing,

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Speaker 3: totally stalking. No, I know the Croque Monsieur because I

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Speaker 3: took in high school probably a total of eight different

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Speaker 3: semesters of food class.

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Speaker 4: Oh oh wow, that's a twist. I thought we were

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Speaker 4: going to say.

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Speaker 3: Oh no, no, no, no, who do you think you're talking about?

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Speaker 2: I forget how much writing you've done.

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Speaker 3: And you also forget I'm frenchy. Why bother? No, I

301
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Speaker 3: was learning to cook things in a microwave.

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Speaker 2: Eight semesters of of food which was called foods.

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Speaker 4: It's not homeck, it's food.

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Speaker 3: No. In middle school we started started off with HOMEC,

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00:15:33,080 --> 00:15:36,480
Speaker 3: which was a subcategory of what was called TLC. Are

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00:15:36,520 --> 00:15:38,840
Speaker 3: you following it? TLC was kind.

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Speaker 2: Of life skills.

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Speaker 3: I wonder what it was called it's probably true life

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Speaker 3: consequences traspasts They kind of utah, So, I mean we

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Speaker 3: were learning to sew, we were learning to cook, we

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00:16:00,160 --> 00:16:02,000
Speaker 3: were learning to type. It was kind of like learning

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Speaker 3: to work in Don Draper's office essentially.

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Speaker 4: But the home cross legged on the side of a death.

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Speaker 4: That's well Semester.

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Speaker 3: Just thinking when Don is going to leave his wife.

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Speaker 3: He keeps promising me.

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Speaker 2: Do you feel like you could watch mad Men? I

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00:16:22,560 --> 00:16:24,960
Speaker 2: feel like you could watch mad Men. It could freeze

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00:16:25,000 --> 00:16:26,480
Speaker 2: and you could still be watching it. You know, I

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00:16:26,520 --> 00:16:27,840
Speaker 2: feel like there's watch movement.

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Speaker 3: Yeah, you think like you could forget that it was.

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00:16:31,640 --> 00:16:35,120
Speaker 4: Yeah, it could be loading and you could still be watching.

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Speaker 3: There are shows like that where I don't know, it's

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Speaker 3: frozen about ten minutes. For a few minutes. You want

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Speaker 3: to be like, well, maybe this is a choice, and

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Speaker 3: I don't want to embarrass myself and be the person

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Speaker 3: who tried to fast.

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Speaker 2: Forward through them, even if you're alone.

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Speaker 3: I mean, do you know what actually that happened? Was

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Speaker 3: the Sopranos documentary? Did you see this thing?

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Speaker 2: I still haven't seen the Sopranos. I'm saving that for

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00:16:54,600 --> 00:16:57,440
Speaker 2: one on the Lamb or something. I'm saving a bunch

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Speaker 2: of stuff.

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Speaker 3: You've an awesome rob on a motel bed Burton earning

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00:17:02,880 --> 00:17:03,600
Speaker 3: free HBO.

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00:17:04,280 --> 00:17:06,919
Speaker 2: Yeah, h you feel like h I feel like HBO

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00:17:07,000 --> 00:17:09,360
Speaker 2: needs to obviously it's too dark, and then Netflix needs

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00:17:09,400 --> 00:17:10,320
Speaker 2: to dim their lights.

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00:17:10,359 --> 00:17:13,760
Speaker 3: Oh my god, dim They need to fully shut off.

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Speaker 2: It feels like I had to watch a show to

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Speaker 2: get ready for something tonally and it was like it

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00:17:19,320 --> 00:17:21,000
Speaker 2: felt It feels like last call at a bar.

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Speaker 3: It's like a tesla coming out at you with its light,

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00:17:23,680 --> 00:17:24,760
Speaker 3: like you've got to turn.

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00:17:24,600 --> 00:17:28,520
Speaker 2: Off your brides right right. It's like when et ship

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00:17:28,600 --> 00:17:31,520
Speaker 2: lands close.

347
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Speaker 3: Encounters Jesus Christ.

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Speaker 4: They're all translucent.

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Speaker 3: No, they really do have commercial lighting on Netflix. That's

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00:17:37,280 --> 00:17:40,000
Speaker 3: what it is. And I don't understand someone. They have

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Speaker 3: a lot of employees. Somebody's gotta maybe you know, it's.

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00:17:42,560 --> 00:17:44,960
Speaker 2: It's wor they're wearing sunglasses and so they have to there.

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00:17:45,119 --> 00:17:47,560
Speaker 2: Then they watch it after not wearing sunglasses, like, oh

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00:17:47,720 --> 00:17:50,680
Speaker 2: we should have how are we all wearing sunglasses?

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00:17:51,400 --> 00:17:56,320
Speaker 3: And the program won't let us edit it's uploaded. Yeah,

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00:17:56,880 --> 00:17:59,560
Speaker 3: uh no, there's something going on with Netflix. I feel

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00:17:59,600 --> 00:18:02,040
Speaker 3: like they still a long way to go before they

358
00:18:02,040 --> 00:18:05,800
Speaker 3: can be known as like something I can really trust,

359
00:18:05,920 --> 00:18:08,679
Speaker 3: I can trust, not even respect, trust babysit, my kids.

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00:18:08,880 --> 00:18:12,160
Speaker 2: Yeah, I mean the stand up specials Jesus Christ.

361
00:18:12,640 --> 00:18:15,720
Speaker 3: I mean we will just touch on this briefly, because

362
00:18:15,760 --> 00:18:18,800
Speaker 3: there's a stand up special currently on Netflix which is

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00:18:19,080 --> 00:18:22,280
Speaker 3: one of the most evil things I've ever seen. An

364
00:18:22,400 --> 00:18:26,760
Speaker 3: evil politically, politically I can't remember the guy's name. Everybody

365
00:18:26,760 --> 00:18:28,159
Speaker 3: seems to know who this person is.

366
00:18:28,160 --> 00:18:30,040
Speaker 2: Is it that guy who is like your friend in

367
00:18:30,040 --> 00:18:33,359
Speaker 2: middle school who you're like, you tolerant, then afterwards you're like,

368
00:18:33,359 --> 00:18:34,040
Speaker 2: I don't need to la with.

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00:18:34,040 --> 00:18:35,800
Speaker 3: This fucking guy. I think it's even worse than that.

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00:18:35,960 --> 00:18:39,720
Speaker 2: Okay, okay, like Charlie Horst, that's yeah.

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00:18:39,760 --> 00:18:43,400
Speaker 3: Then when you when you say that hurts, he says,

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00:18:43,440 --> 00:18:49,120
Speaker 3: I was kidding, dude, kidding physical. He's one up from

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Speaker 3: Hane Gillis. Yeah, Jane Gillis has got the show about tires. Yeah,

374
00:18:52,920 --> 00:18:56,000
Speaker 3: and he at least goes I'm kidding. Yeah, this kid

375
00:18:56,119 --> 00:18:57,240
Speaker 3: is just there to hurt.

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Speaker 4: Who are we talking about?

377
00:18:59,000 --> 00:19:03,679
Speaker 3: I wish he has a podcast. And the guy who

378
00:19:03,680 --> 00:19:07,800
Speaker 3: plays arenas Yes, the devil truly horrific. I could not

379
00:19:07,880 --> 00:19:10,160
Speaker 3: believe that this was on a mainstream.

380
00:19:10,040 --> 00:19:11,200
Speaker 4: I'm playing like airports.

381
00:19:11,240 --> 00:19:14,680
Speaker 3: He's not like like he's playing the person sitting next

382
00:19:14,680 --> 00:19:15,520
Speaker 3: to at the airport.

383
00:19:16,040 --> 00:19:17,159
Speaker 2: I mean like the.

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00:19:18,880 --> 00:19:22,000
Speaker 3: Sheer size where what do you call that? Sorry, I

385
00:19:22,080 --> 00:19:24,399
Speaker 3: was going to say an airplane warehouse at LAX.

386
00:19:24,520 --> 00:19:26,639
Speaker 2: Yeah. No, no, that guy.

387
00:19:27,160 --> 00:19:29,480
Speaker 3: I mean I I again, we should move on because

388
00:19:29,480 --> 00:19:31,840
Speaker 3: I don't want to spend too much time talking about

389
00:19:32,480 --> 00:19:36,360
Speaker 3: earth devils. We can get into the Satan, but it's

390
00:19:36,440 --> 00:19:40,240
Speaker 3: just like Netflix is just you know, and I thought

391
00:19:40,240 --> 00:19:42,080
Speaker 3: we could trust corporations. You know.

392
00:19:42,359 --> 00:19:44,719
Speaker 2: Let's look guy Robbie Pratt, he's like three foot one.

393
00:19:44,840 --> 00:19:47,280
Speaker 2: He's in charge of he's in charge of the commedy specialist.

394
00:19:47,600 --> 00:19:49,880
Speaker 2: Oh and he's just he's.

395
00:19:49,680 --> 00:19:51,080
Speaker 4: Just under Joe Rogan's desk.

396
00:19:53,480 --> 00:19:58,560
Speaker 3: He's in the drawer of Yeah, next to a bottle

397
00:19:58,600 --> 00:19:59,520
Speaker 3: of ad Villain.

398
00:19:59,400 --> 00:20:03,080
Speaker 2: With assume the briefcates of cash that Joe that Joe

399
00:20:03,160 --> 00:20:05,359
Speaker 2: then gives to the Yeah, the dusty ridiculous.

400
00:20:05,440 --> 00:20:07,840
Speaker 3: I do think that they're like, there's there's one step

401
00:20:07,880 --> 00:20:10,800
Speaker 3: above being a thing that you can just like actively

402
00:20:10,880 --> 00:20:11,880
Speaker 3: upload whatever you want.

403
00:20:12,000 --> 00:20:14,440
Speaker 2: I I when you said upload earlier, you don't have

404
00:20:14,520 --> 00:20:17,600
Speaker 2: a fantasy about if we all could upload stuff to Netflix.

405
00:20:17,640 --> 00:20:20,159
Speaker 2: I guess YouTube. Oh, let's be great, have fun. Would that?

406
00:20:20,440 --> 00:20:22,320
Speaker 2: Oh I would love someone's upload.

407
00:20:22,080 --> 00:20:24,240
Speaker 4: Someone is uploading like we do, like you could.

408
00:20:24,359 --> 00:20:26,960
Speaker 3: There is somebody in a building, someone's time to up,

409
00:20:28,640 --> 00:20:30,440
Speaker 3: getting frustrated with the speed.

410
00:20:30,240 --> 00:20:30,320
Speaker 1: Like.

411
00:20:34,640 --> 00:20:36,120
Speaker 4: It's like Moneyball is uploading.

412
00:20:38,320 --> 00:20:42,080
Speaker 3: Yeah. Yeah, you don't really think about the human element

413
00:20:42,119 --> 00:20:44,880
Speaker 3: of that. No, there is somebody that has to do that,

414
00:20:44,960 --> 00:20:47,760
Speaker 3: like this, like one of us going on Vimeo or whatever,

415
00:20:47,960 --> 00:20:49,680
Speaker 3: waiting for Instagram the slow thing.

416
00:20:49,840 --> 00:20:51,160
Speaker 2: And by the way, that's slow.

417
00:20:51,359 --> 00:20:55,520
Speaker 3: I never uploaded to Vimeo, Instagram. I they have I

418
00:20:55,560 --> 00:20:59,280
Speaker 3: think they have my number because it takes at least

419
00:20:59,600 --> 00:21:02,359
Speaker 3: half an hour to upload anything over forty five seconds.

420
00:21:02,359 --> 00:21:04,400
Speaker 2: Oh, I put it on. I put my phone on

421
00:21:04,560 --> 00:21:08,000
Speaker 2: like my WiFi thing, the motive, and I just leave.

422
00:21:08,040 --> 00:21:08,680
Speaker 2: Then if you.

423
00:21:08,640 --> 00:21:10,000
Speaker 3: Close out of it, it's like wait to hear a

424
00:21:10,040 --> 00:21:14,639
Speaker 3: sizzle y Yeah. And if you close out of it

425
00:21:14,640 --> 00:21:16,640
Speaker 3: and so all all bets are off.

426
00:21:17,600 --> 00:21:19,399
Speaker 4: Yeah, it's like an asops fable.

427
00:21:19,680 --> 00:21:21,720
Speaker 2: You have to keep staring it in the eye otherwise

428
00:21:21,760 --> 00:21:22,920
Speaker 2: it's like, oh, it looks like you don't want this.

429
00:21:23,240 --> 00:21:24,359
Speaker 3: Yeah, you have to learn a lesson.

430
00:21:24,600 --> 00:21:24,879
Speaker 2: Yeah.

431
00:21:24,920 --> 00:21:27,919
Speaker 3: And they've also kind of shadow blocked my favorite influencer

432
00:21:28,359 --> 00:21:31,680
Speaker 3: despite me interacting with all of her content. Beth Any Franklin,

433
00:21:33,960 --> 00:21:36,800
Speaker 3: her name's Turtle Creek Lane. She lives in Dallas.

434
00:21:36,800 --> 00:21:38,280
Speaker 4: Did she build this wellness in sug.

435
00:21:38,680 --> 00:21:41,640
Speaker 3: She's sponsoring the box. Yeah, she said, just don't look

436
00:21:41,640 --> 00:21:43,160
Speaker 3: at my content and you can have as much money

437
00:21:43,200 --> 00:21:43,720
Speaker 3: as you want.

438
00:21:43,920 --> 00:21:47,080
Speaker 2: Turtle Turtle Creek, Turtle Creek Lane. That's not an easy

439
00:21:47,080 --> 00:21:47,640
Speaker 2: one to say.

440
00:21:47,840 --> 00:21:49,600
Speaker 3: No, it's not. It's the streak. She lives on in

441
00:21:49,720 --> 00:21:53,960
Speaker 3: Dallas and she has she's boxing herself. She people know

442
00:21:54,200 --> 00:21:57,280
Speaker 3: exactly where she lives. People don't care about that anymore. No, no, no, no.

443
00:21:57,760 --> 00:21:59,440
Speaker 3: If you try to hide it, they can find you.

444
00:21:59,520 --> 00:22:03,280
Speaker 3: So if you're showing them, they're lining up outside. Of course,

445
00:22:03,320 --> 00:22:06,920
Speaker 3: I've considered going there now. The Turtle Creek Lane has

446
00:22:06,960 --> 00:22:10,520
Speaker 3: recently and this is this is a hard thing to

447
00:22:10,560 --> 00:22:13,199
Speaker 3: talk about. Her husband recently crashed in a helicopter. Is

448
00:22:13,200 --> 00:22:14,680
Speaker 3: he okay, he's okay, thank god?

449
00:22:14,840 --> 00:22:15,080
Speaker 2: Wow.

450
00:22:16,080 --> 00:22:18,000
Speaker 3: But so she is undergoing some things. He made it

451
00:22:18,080 --> 00:22:20,840
Speaker 3: out almost perfectly, and the other person the helicopter did

452
00:22:20,840 --> 00:22:23,800
Speaker 3: pass away, So it's a tough situation. So she is

453
00:22:23,840 --> 00:22:26,480
Speaker 3: going through something. But I will say she's my favorite influencer.

454
00:22:26,560 --> 00:22:30,920
Speaker 3: Turtle Creeklane, pure pure Mormon mom joy. Oh right right right,

455
00:22:31,000 --> 00:22:35,280
Speaker 3: she's decorating the house. She's going crazy. And Steve the

456
00:22:35,359 --> 00:22:36,040
Speaker 3: husband's alive.

457
00:22:36,280 --> 00:22:37,760
Speaker 4: That's great. So that's see, that's.

458
00:22:37,680 --> 00:22:38,400
Speaker 2: Great, that's great.

459
00:22:38,480 --> 00:22:40,600
Speaker 3: That's all we ask all we can ask for. That's

460
00:22:40,640 --> 00:22:41,679
Speaker 3: all I've asked for.

461
00:22:41,960 --> 00:22:43,440
Speaker 4: Is she gonna she?

462
00:22:43,640 --> 00:22:45,760
Speaker 2: Do you think eventually she's gonna her address will be

463
00:22:45,800 --> 00:22:48,840
Speaker 2: her name like twenty five Turtle Creek Lane with the

464
00:22:48,960 --> 00:22:52,200
Speaker 2: zip code the way that people, you know, people keep

465
00:22:52,280 --> 00:22:53,719
Speaker 2: like either like augment.

466
00:22:53,840 --> 00:22:55,880
Speaker 4: I guess that was kind of what P Diddy would.

467
00:22:55,960 --> 00:22:59,280
Speaker 3: Oh no, no, no, no, it's hard. There are a lot

468
00:22:59,280 --> 00:23:02,200
Speaker 3: of landmines this point. It's really hard to talk about

469
00:23:02,440 --> 00:23:05,679
Speaker 3: anything in existence with like, oh, well we should be

470
00:23:05,720 --> 00:23:06,680
Speaker 3: we should tiptoe.

471
00:23:06,400 --> 00:23:08,240
Speaker 2: Around without saying saying a name that we get a

472
00:23:08,280 --> 00:23:10,080
Speaker 2: laugh automatically at the comedy.

473
00:23:09,720 --> 00:23:13,760
Speaker 3: Store, if you just write down a list for me.

474
00:23:15,280 --> 00:23:18,600
Speaker 2: Three a m slought at the comedy store, I have

475
00:23:18,640 --> 00:23:19,640
Speaker 2: to follow Dorera.

476
00:23:20,000 --> 00:23:21,160
Speaker 3: I'll be physically attacking.

477
00:23:23,640 --> 00:23:28,679
Speaker 2: Yeah, just put me on the bucking broncos. That's the

478
00:23:28,720 --> 00:23:31,359
Speaker 2: only way that I could get up at the comedy store.

479
00:23:32,800 --> 00:23:35,520
Speaker 3: To integrate that into something you do. You should tour

480
00:23:35,600 --> 00:23:38,280
Speaker 3: with a bucking Bronco. That would be so you don't

481
00:23:38,280 --> 00:23:40,240
Speaker 3: even use it. Maybe if if you just feel like

482
00:23:40,280 --> 00:23:42,720
Speaker 3: it on occasion, just have it just set a tone. Yeah,

483
00:23:42,760 --> 00:23:44,560
Speaker 3: that feels like a nice comfortable thing to have around.

484
00:23:44,640 --> 00:23:49,800
Speaker 2: Podcast hosted from a bunking Bucking Bronco would be so good.

485
00:23:50,840 --> 00:23:55,080
Speaker 3: Everyone just fucking concussion. No one can hear by the

486
00:23:55,200 --> 00:23:59,600
Speaker 3: end like a bucking Bronco.

487
00:24:00,240 --> 00:24:03,159
Speaker 2: Are We're all fucked up? Me two seconds with my

488
00:24:03,280 --> 00:24:09,200
Speaker 2: spine like I'm I'm toast and suggestible. Yeah, my teeth

489
00:24:09,200 --> 00:24:12,680
Speaker 2: airt my bottom row is my top row, my legs

490
00:24:12,720 --> 00:24:13,280
Speaker 2: are my feet.

491
00:24:13,800 --> 00:24:16,320
Speaker 4: I'm fucked man, I'm like a c I'm like missed

492
00:24:16,400 --> 00:24:17,080
Speaker 4: potato head.

493
00:24:20,800 --> 00:24:22,600
Speaker 3: Have you been on a Bucking Bronco before?

494
00:24:22,880 --> 00:24:22,960
Speaker 2: No?

495
00:24:23,000 --> 00:24:25,960
Speaker 4: They never let me. They're like, you wouldn't last a

496
00:24:26,000 --> 00:24:29,120
Speaker 4: second on this. They're like your spirit, your spirit.

497
00:24:29,119 --> 00:24:33,920
Speaker 3: I feel your sir, there's a glow around. Yeah, step away.

498
00:24:34,000 --> 00:24:36,120
Speaker 2: They're like, wait you my job is just I'm face

499
00:24:36,160 --> 00:24:38,800
Speaker 2: to face with the horses. That's my job in the West.

500
00:24:40,160 --> 00:24:43,040
Speaker 3: Just like a comfort stern comfort.

501
00:24:42,680 --> 00:24:44,679
Speaker 2: Yeah, yeah, yeah, yeah, yeah, that's me.

502
00:24:45,119 --> 00:24:48,320
Speaker 3: Hey hey, hey, hey, hey.

503
00:24:49,200 --> 00:24:52,720
Speaker 2: Mind melding with the mare. I'm miss realizing we're kind.

504
00:24:52,560 --> 00:24:54,119
Speaker 3: Of we are kind of in a we're bringing this

505
00:24:54,200 --> 00:24:59,840
Speaker 3: back yet a green v oh, a green v right.

506
00:25:00,320 --> 00:25:01,360
Speaker 3: This is unbelievable.

507
00:25:01,400 --> 00:25:02,879
Speaker 2: You know what, you know what I'm going for? What

508
00:25:02,920 --> 00:25:03,639
Speaker 2: do you think I'm going for?

509
00:25:03,760 --> 00:25:08,639
Speaker 3: I feel like you're going for. You're somebody's like a

510
00:25:08,680 --> 00:25:10,720
Speaker 3: friend is coming over to stay the night, and you're

511
00:25:10,720 --> 00:25:13,200
Speaker 3: the dead. That's like reading a magazine. He's not watching TV,

512
00:25:13,920 --> 00:25:16,399
Speaker 3: but he's reading a magazine. He's like, you kids, be safe.

513
00:25:16,640 --> 00:25:18,160
Speaker 4: That's that is so good.

514
00:25:18,280 --> 00:25:20,720
Speaker 2: That's so much better than what I'm going I'm going

515
00:25:20,760 --> 00:25:25,720
Speaker 2: for Robin right, pen, and I think this is a bottle.

516
00:25:26,960 --> 00:25:28,520
Speaker 2: It's a movie I watched on a bus next to

517
00:25:28,560 --> 00:25:31,720
Speaker 2: a woman who I started crying and she goes, it's okay, baby,

518
00:25:31,760 --> 00:25:35,960
Speaker 2: me too. But it's robbin ye Pen, like doing like

519
00:25:36,160 --> 00:25:37,159
Speaker 2: basic woodworking.

520
00:25:37,600 --> 00:25:40,080
Speaker 3: Okay, like work. She's a woodworker.

521
00:25:40,400 --> 00:25:42,159
Speaker 4: She's like massaging a table.

522
00:25:43,280 --> 00:25:45,320
Speaker 2: She's a massuse. Yeah. It's like it's like I want

523
00:25:45,359 --> 00:25:47,159
Speaker 2: I want the vibe when I'm when I'm in my

524
00:25:47,240 --> 00:25:49,760
Speaker 2: non stage clothes, like you come see me at the

525
00:25:49,760 --> 00:25:53,320
Speaker 2: shop and I'm like, I'm I'm looking like I'm.

526
00:25:53,400 --> 00:25:57,879
Speaker 3: Is that I that's yes, Well that's a really this

527
00:25:57,960 --> 00:25:59,800
Speaker 3: is her as a child. So for you to recognize

528
00:25:59,840 --> 00:26:01,920
Speaker 3: her amazing. And it's a bad painting.

529
00:26:02,000 --> 00:26:02,840
Speaker 4: Did she give it to you?

530
00:26:03,000 --> 00:26:03,440
Speaker 3: Yes?

531
00:26:03,640 --> 00:26:06,720
Speaker 2: Oh my god, so you Wow. Is it crazy to

532
00:26:06,760 --> 00:26:08,440
Speaker 2: see like people pop?

533
00:26:08,560 --> 00:26:10,240
Speaker 3: I mean it really is. Because she was on in

534
00:26:10,960 --> 00:26:13,520
Speaker 3: twenty one. I would say, yeah, you know, and.

535
00:26:13,680 --> 00:26:17,800
Speaker 2: You're Kim alan On right before Home Improvement, Tim alan On,

536
00:26:17,880 --> 00:26:19,240
Speaker 2: I think at eighty nine. Yes.

537
00:26:19,280 --> 00:26:21,800
Speaker 3: I begged him to come on. He was on the rise.

538
00:26:21,800 --> 00:26:24,159
Speaker 3: I knew there was something percolating there and I said it.

539
00:26:24,280 --> 00:26:25,160
Speaker 2: Was something relatable.

540
00:26:26,359 --> 00:26:28,600
Speaker 3: He was saying he was speaking for guys. Yeah, and

541
00:26:28,640 --> 00:26:30,360
Speaker 3: I said, we need more voices like this.

542
00:26:30,440 --> 00:26:31,320
Speaker 4: He was fed up.

543
00:26:32,720 --> 00:26:35,400
Speaker 3: I said, we need to put you opposite Patricia Richardson

544
00:26:35,600 --> 00:26:38,560
Speaker 3: and show the world who's the better sex. Yeah, come

545
00:26:38,640 --> 00:26:39,640
Speaker 3: on and will.

546
00:26:39,560 --> 00:26:40,800
Speaker 4: Give you JTT.

547
00:26:41,760 --> 00:26:43,480
Speaker 3: Where's JTT? Where's the whole crew?

548
00:26:43,640 --> 00:26:50,080
Speaker 2: JTT. She's probably being kept somewhere. He's correct from at Uta. Yeah,

549
00:26:50,119 --> 00:26:51,919
Speaker 2: they have They have him in a greenhouse at Uta,

550
00:26:52,080 --> 00:26:54,480
Speaker 2: just like in a Utopia. He thinks he's in space,

551
00:26:54,520 --> 00:26:58,399
Speaker 2: but he's just in the greenhouse at Uta, eating eating persons.

552
00:27:00,040 --> 00:27:01,760
Speaker 4: Wow, there's life out there.

553
00:27:02,440 --> 00:27:02,520
Speaker 3: Now.

554
00:27:02,640 --> 00:27:03,800
Speaker 4: You're at Uta.

555
00:27:06,119 --> 00:27:11,399
Speaker 3: For the exact fruit that jttquitd et. Absolutely, there's like

556
00:27:11,480 --> 00:27:12,240
Speaker 3: a softness.

557
00:27:14,119 --> 00:27:17,320
Speaker 2: I still at the mushroom cut one strand the day

558
00:27:18,320 --> 00:27:19,720
Speaker 2: cut I had exactly that haircut.

559
00:27:19,720 --> 00:27:22,640
Speaker 3: Your kidding. My mom insisted I get a mushroom cut.

560
00:27:22,680 --> 00:27:25,560
Speaker 2: Okay, I mean and when I say insisted it, it

561
00:27:25,600 --> 00:27:29,160
Speaker 2: was like I trusted I've always trusted her, judge, but sure, sure,

562
00:27:29,240 --> 00:27:30,240
Speaker 2: yeah you got the vision.

563
00:27:30,680 --> 00:27:31,560
Speaker 4: Let's fucking do this.

564
00:27:32,440 --> 00:27:34,240
Speaker 3: When someone tells you what type of haircut to have,

565
00:27:34,280 --> 00:27:36,479
Speaker 3: you probably should think about it. Yeah, because no one

566
00:27:36,520 --> 00:27:38,840
Speaker 3: ever does that. No what it says, this is how

567
00:27:38,840 --> 00:27:39,480
Speaker 3: your hair should be.

568
00:27:39,520 --> 00:27:41,879
Speaker 2: Look, you got to figure every every I'm so tired

569
00:27:41,920 --> 00:27:44,159
Speaker 2: of the free will and get figuring everything out for myself.

570
00:27:44,800 --> 00:27:48,600
Speaker 2: Someone's like, hey do that, Thank god, especially when it's

571
00:27:48,640 --> 00:27:49,600
Speaker 2: like an adult.

572
00:27:50,359 --> 00:27:54,320
Speaker 3: Mom saying this is the hair Like, hey, dude.

573
00:27:54,160 --> 00:27:56,639
Speaker 4: You should get you should get a patch.

574
00:27:58,040 --> 00:28:02,000
Speaker 3: Your mom's been calling about that. Yeah, yeah, how long.

575
00:28:01,840 --> 00:28:02,800
Speaker 4: Did Christian Rocker?

576
00:28:04,920 --> 00:28:07,040
Speaker 3: If you had a soul patch, it would just be

577
00:28:07,040 --> 00:28:09,320
Speaker 3: an immediate change of look for you to Christian Rocker.

578
00:28:09,560 --> 00:28:12,639
Speaker 2: It would be Yeah, I would have to really start.

579
00:28:12,720 --> 00:28:13,840
Speaker 2: I would have to start from zero.

580
00:28:13,960 --> 00:28:17,399
Speaker 3: Yeah, absolutely, just we've raised the building. Not that I

581
00:28:17,440 --> 00:28:17,800
Speaker 3: have credit.

582
00:28:17,880 --> 00:28:21,840
Speaker 2: I would lose anything that I've worked to build, it

583
00:28:21,840 --> 00:28:23,520
Speaker 2: would be it would be completely different.

584
00:28:24,359 --> 00:28:26,239
Speaker 4: It would be like moving would be like when you

585
00:28:26,280 --> 00:28:26,920
Speaker 4: move to La.

586
00:28:27,400 --> 00:28:29,880
Speaker 3: Yes, it's like this is the new thing. I don't

587
00:28:29,920 --> 00:28:34,720
Speaker 3: make friends comedy. You're got to impress people. Yeah, yeah,

588
00:28:34,960 --> 00:28:36,320
Speaker 3: maybe I'll try the bus system.

589
00:28:38,200 --> 00:28:41,880
Speaker 2: Right, you end up in Santa Monica.

590
00:28:43,160 --> 00:28:45,880
Speaker 3: You never people from that are not from LA don't

591
00:28:45,880 --> 00:28:49,560
Speaker 3: realize that's another country. Like getting to Santa Monica. You Yeah,

592
00:28:49,840 --> 00:28:53,920
Speaker 3: I would rather go travel to Tokyo. It's like way less.

593
00:28:53,760 --> 00:28:54,920
Speaker 4: Painful, it's easier.

594
00:28:55,080 --> 00:28:56,600
Speaker 3: Yeah, waysier. Are you're kidding me?

595
00:28:56,640 --> 00:28:57,840
Speaker 2: You know, you're so right?

596
00:28:57,920 --> 00:28:59,640
Speaker 3: No, it's agony. And then you get there you're like

597
00:29:01,160 --> 00:29:01,760
Speaker 3: t shirts.

598
00:29:01,960 --> 00:29:04,960
Speaker 2: I guess this is where they make the minions. I

599
00:29:04,960 --> 00:29:06,960
Speaker 2: had a general with the people that made the minions there,

600
00:29:07,280 --> 00:29:07,600
Speaker 2: you did.

601
00:29:08,080 --> 00:29:09,719
Speaker 3: There used to be a lot of general meetings that

602
00:29:09,720 --> 00:29:12,120
Speaker 3: happened over there. There was a lot of driving too, like.

603
00:29:12,040 --> 00:29:15,640
Speaker 4: Why are you here? Like I don't know.

604
00:29:15,760 --> 00:29:18,440
Speaker 3: Every person who came in contact with was asking that question.

605
00:29:20,080 --> 00:29:21,840
Speaker 2: The guy even here. The guy came to the door,

606
00:29:21,880 --> 00:29:24,280
Speaker 2: he's like, what's your name? He didn't want me to me.

607
00:29:24,480 --> 00:29:26,480
Speaker 3: He does the dead bolt before asking the question.

608
00:29:27,600 --> 00:29:29,360
Speaker 4: Because the windows are blackout.

609
00:29:30,040 --> 00:29:33,840
Speaker 3: They are smoky. Yeah, smoky windows. I ask, I said,

610
00:29:33,840 --> 00:29:35,840
Speaker 3: I'm not. I will not record in the studio until

611
00:29:35,840 --> 00:29:38,040
Speaker 3: the windows are smoked like my car.

612
00:29:38,760 --> 00:29:43,360
Speaker 2: Yeah, damn Bridgers really keeping it tight in here.

613
00:29:45,000 --> 00:29:48,920
Speaker 3: Well you did bring this. I saw you in twenty twenty.

614
00:29:49,080 --> 00:29:51,120
Speaker 3: You came to my house. I have a real strong

615
00:29:51,600 --> 00:29:54,280
Speaker 3: memory of that. They were like because you rarely saw people.

616
00:29:54,640 --> 00:29:58,520
Speaker 3: So I remember you showing up at my door. Sleeveless mask,

617
00:29:59,160 --> 00:30:00,280
Speaker 3: which is an interesting look.

618
00:30:02,120 --> 00:30:05,720
Speaker 2: Yeah, arms exposed, fully exposed to not exposed.

619
00:30:06,600 --> 00:30:09,920
Speaker 3: It was a different, very different time. Everything's okay, now

620
00:30:10,960 --> 00:30:24,040
Speaker 3: things worked out good. Okay, they have an allowance. So

621
00:30:24,080 --> 00:30:25,880
Speaker 3: there's a little timer back there that says this is

622
00:30:25,880 --> 00:30:28,400
Speaker 3: how long you can speak for. So Ana is sweating

623
00:30:28,440 --> 00:30:32,480
Speaker 3: before the caller. I have two hundred and thirty characters left.

624
00:30:32,480 --> 00:30:38,040
Speaker 3: So rules of Twitter. Okay, X, it's called X. Take

625
00:30:38,080 --> 00:30:43,840
Speaker 3: it seriously, could we please call it X. It's Christian name, yes,

626
00:30:43,920 --> 00:30:45,680
Speaker 3: actually no, it's Christian name is Twitter.

627
00:30:45,720 --> 00:30:48,040
Speaker 2: I suppose do we spell it X. It's Christian name

628
00:30:48,120 --> 00:30:51,400
Speaker 2: is Twitter, and its X name is it's confirmation meth name.

629
00:30:51,560 --> 00:30:54,080
Speaker 4: It's that's that's the final stage of the cross.

630
00:30:53,920 --> 00:30:56,800
Speaker 3: It became very religious in a religion that the family

631
00:30:56,880 --> 00:31:00,400
Speaker 3: was not comfortable with. Look, yes, there's nothing we could do.

632
00:31:00,440 --> 00:31:02,680
Speaker 3: The more we pushed, the more he backed away.

633
00:31:03,280 --> 00:31:03,959
Speaker 4: Whatever religion.

634
00:31:04,000 --> 00:31:08,040
Speaker 3: The Ottomans took all those empires, but yes, and then

635
00:31:08,080 --> 00:31:09,480
Speaker 3: became a piece of Yes.

636
00:31:09,840 --> 00:31:12,560
Speaker 4: Yes, yeah, is that related Ottoman?

637
00:31:12,680 --> 00:31:14,160
Speaker 3: And it must be right?

638
00:31:14,320 --> 00:31:15,120
Speaker 4: That's what that's there.

639
00:31:15,120 --> 00:31:17,000
Speaker 3: I would love for it to be a coincidence.

640
00:31:17,360 --> 00:31:18,600
Speaker 2: But there are no coincidences.

641
00:31:18,640 --> 00:31:22,280
Speaker 3: There are choices and illusion. Everyone has a mushroom cut.

642
00:31:22,960 --> 00:31:28,880
Speaker 3: An Ottoman is a coincidence? Yeah, but yeah, you brought

643
00:31:28,880 --> 00:31:31,600
Speaker 3: this beautiful masquerade mask in a plastic bag. Yeah, in

644
00:31:31,720 --> 00:31:32,480
Speaker 3: a plastic bag.

645
00:31:32,520 --> 00:31:33,320
Speaker 4: It's really nice.

646
00:31:33,520 --> 00:31:37,000
Speaker 3: It's gorgeous. Oh god, it's really I mean, it's become.

647
00:31:37,320 --> 00:31:39,440
Speaker 3: It's right next to, by the way, an az Tech

648
00:31:39,520 --> 00:31:42,320
Speaker 3: death whistle. This is given to me by Drue TROGHI

649
00:31:42,360 --> 00:31:44,680
Speaker 3: do want me to blow it. It's an unpleasant noise.

650
00:31:44,720 --> 00:31:50,240
Speaker 3: Everyone plugged your ears. Okay, isn't that unpleasant?

651
00:31:52,360 --> 00:31:54,560
Speaker 4: I hear that. I hear that's a that's the sound

652
00:31:54,560 --> 00:31:55,160
Speaker 4: you hear at night.

653
00:31:55,920 --> 00:31:57,880
Speaker 3: There's you don't wake up to that. This is the

654
00:31:57,880 --> 00:32:02,920
Speaker 3: opposite of a live woods or the hills of any

655
00:32:03,000 --> 00:32:06,360
Speaker 3: kind a tree scream. You get.

656
00:32:07,640 --> 00:32:09,200
Speaker 4: That's the noise that you hear and you don't even

657
00:32:09,400 --> 00:32:10,520
Speaker 4: you don't even ask what it is.

658
00:32:10,640 --> 00:32:12,840
Speaker 3: Absolutely not absolutely what.

659
00:32:12,960 --> 00:32:13,840
Speaker 4: Animals can sound like?

660
00:32:13,880 --> 00:32:16,480
Speaker 3: People screaming, Oh, Tasmanian devil?

661
00:32:16,840 --> 00:32:17,479
Speaker 4: Do they make that?

662
00:32:17,880 --> 00:32:21,920
Speaker 3: I've been watching alone Australia. Tasmanian Devil's all, well they're

663
00:32:21,960 --> 00:32:22,560
Speaker 3: a rare are.

664
00:32:22,520 --> 00:32:23,280
Speaker 4: You talking about the luna?

665
00:32:23,480 --> 00:32:30,200
Speaker 3: The popular is the freed? They're going extinct. Meanwhile, they

666
00:32:30,240 --> 00:32:33,160
Speaker 3: kind of look like doxins, like if a docs, if

667
00:32:33,160 --> 00:32:34,640
Speaker 3: you cross bread, a doxin and a bear.

668
00:32:35,280 --> 00:32:36,840
Speaker 2: They're they're quite long.

669
00:32:36,960 --> 00:32:41,320
Speaker 3: Yeah, they're stretch jaws that can crush mustelids.

670
00:32:41,560 --> 00:32:43,800
Speaker 2: What's moustal It is like a wee I call I

671
00:32:43,800 --> 00:32:45,560
Speaker 2: think a dosin should be called a musta liid. It's

672
00:32:45,560 --> 00:32:46,760
Speaker 2: like a weasel or a stoat.

673
00:32:47,360 --> 00:32:49,160
Speaker 3: Is that like the umbrella that a weasels under.

674
00:32:49,400 --> 00:32:52,000
Speaker 2: Yes, it's like if you were to brave heart torture

675
00:32:53,840 --> 00:32:56,000
Speaker 2: any kind of critter, they become a mustelid. And so

676
00:32:56,080 --> 00:32:59,240
Speaker 2: I I made a push durm pandemic to get dosins

677
00:32:59,320 --> 00:33:00,920
Speaker 2: included in the mustalid family.

678
00:33:01,600 --> 00:33:03,520
Speaker 4: Then didn't really fair?

679
00:33:03,600 --> 00:33:04,240
Speaker 3: That's really fair?

680
00:33:04,360 --> 00:33:07,200
Speaker 2: Actually, people decidt it was kidding around. You can't you.

681
00:33:07,200 --> 00:33:10,520
Speaker 3: Know no one takes everything.

682
00:33:10,560 --> 00:33:14,800
Speaker 2: Oh oh, he's doing one of his bits. Too late

683
00:33:14,800 --> 00:33:16,320
Speaker 2: for a bit. I'm too tired to be doing a bit.

684
00:33:16,680 --> 00:33:18,560
Speaker 3: I know I can't do bits. You kidding me?

685
00:33:18,680 --> 00:33:20,880
Speaker 4: Bits make a docs and a moustalid.

686
00:33:20,920 --> 00:33:22,600
Speaker 3: I'm done. I'm going to bed. Tell me when it's

687
00:33:22,600 --> 00:33:25,600
Speaker 3: a I barely have the energy to be honest. And

688
00:33:27,240 --> 00:33:29,880
Speaker 3: I grew up near a mink farm. Do you imagine

689
00:33:29,880 --> 00:33:32,080
Speaker 3: anything more mortifying? Where they would kill the minks. They

690
00:33:32,080 --> 00:33:34,040
Speaker 3: would kill the minks. Our church was right next to

691
00:33:34,040 --> 00:33:36,120
Speaker 3: the mink farm. And I'm sorry to tell everyone this.

692
00:33:36,280 --> 00:33:39,320
Speaker 3: I'm sorry to reveal this, this five years into the podcast.

693
00:33:39,400 --> 00:33:41,480
Speaker 2: And tell me, Breggie, do you still hear the screaming

694
00:33:41,520 --> 00:33:45,200
Speaker 2: of the minks every morning? I? Uh?

695
00:33:45,400 --> 00:33:47,280
Speaker 3: It was. You would go to church and you would

696
00:33:47,280 --> 00:33:49,920
Speaker 3: smell the mink, right, I don't know if it was

697
00:33:49,960 --> 00:33:52,080
Speaker 3: the mink, you know, run off.

698
00:33:52,080 --> 00:33:54,200
Speaker 2: I smell the I lived by a pig farm, and

699
00:33:54,200 --> 00:33:58,200
Speaker 2: you would smell a fear. It's horrible, awful, absolutely terrible, horriful.

700
00:33:58,440 --> 00:34:00,640
Speaker 2: And then the mink farmer taught at my high school.

701
00:34:00,760 --> 00:34:02,520
Speaker 2: What do you teach in Utah?

702
00:34:02,560 --> 00:34:07,960
Speaker 3: There's something called that's part of the TLC.

703
00:34:08,000 --> 00:34:11,200
Speaker 4: You broke tender love and cruelty.

704
00:34:12,960 --> 00:34:15,319
Speaker 3: No, he taught something called seminary, which is a very

705
00:34:15,320 --> 00:34:18,239
Speaker 3: odd phenomenon in Utah, which is you take an hour

706
00:34:18,280 --> 00:34:20,560
Speaker 3: out of your day at the public school to go

707
00:34:20,680 --> 00:34:22,560
Speaker 3: there's a building in the parking lot of the high

708
00:34:22,600 --> 00:34:24,680
Speaker 3: school where we go and learn about Mormonism.

709
00:34:25,200 --> 00:34:26,279
Speaker 4: Yeah, that's so weird.

710
00:34:26,280 --> 00:34:28,600
Speaker 2: We had a Christian group called Young Life that would

711
00:34:28,640 --> 00:34:31,560
Speaker 2: recruit in our high school Life. Yeah. They would play like,

712
00:34:31,760 --> 00:34:33,640
Speaker 2: you know, freeze. It would be like they would take

713
00:34:33,760 --> 00:34:36,640
Speaker 2: the kids to like jet ski and stuff at the

714
00:34:36,520 --> 00:34:37,480
Speaker 2: hot Yeah.

715
00:34:37,560 --> 00:34:40,640
Speaker 4: I mean, and they got hot kids.

716
00:34:41,040 --> 00:34:44,680
Speaker 3: Of course, Christians are usually pot when they're young, and

717
00:34:44,680 --> 00:34:52,000
Speaker 3: then you kind of grow into the devil. Yeah, did

718
00:34:52,040 --> 00:34:55,439
Speaker 3: you make up that devil? Yes, that's so funny. That's

719
00:34:55,440 --> 00:34:58,840
Speaker 3: why I guess to do this gorgeous podcast because of

720
00:34:58,880 --> 00:34:59,520
Speaker 3: Earth Devil.

721
00:34:59,640 --> 00:35:03,920
Speaker 2: Earth you should change your handle to Earth Devil, Aspiring

722
00:35:03,960 --> 00:35:04,560
Speaker 2: Earth Devil.

723
00:35:05,920 --> 00:35:09,200
Speaker 3: We've talked about Tasmanian devils, Earth Devils, regular devils.

724
00:35:09,680 --> 00:35:11,960
Speaker 2: I did a podcast with a guy who's very famous

725
00:35:11,960 --> 00:35:14,359
Speaker 2: for podcasting. He's been done for so long, and once

726
00:35:14,360 --> 00:35:17,440
Speaker 2: we stopped the podcast, we were still talking and we

727
00:35:17,480 --> 00:35:19,520
Speaker 2: were by the mics, just reflectively.

728
00:35:19,600 --> 00:35:22,880
Speaker 3: He kept oh ing on mic did you see it's

729
00:35:22,880 --> 00:35:24,720
Speaker 3: attached to it and it follows him everywhere.

730
00:35:25,400 --> 00:35:28,440
Speaker 2: It's such a haunting thing. It's like something out of

731
00:35:28,440 --> 00:35:32,160
Speaker 2: a Twilight, like the final it's like the reveal. It's

732
00:35:32,200 --> 00:35:33,840
Speaker 2: like a kind of a lame reveal.

733
00:35:33,880 --> 00:35:41,399
Speaker 3: And Ezra Kline can't get away from a microphone. It's

734
00:35:41,400 --> 00:35:41,960
Speaker 3: like a carrot.

735
00:35:42,000 --> 00:35:45,359
Speaker 2: It's like the dangling everywhere it goes. But wait, so

736
00:35:45,360 --> 00:35:47,600
Speaker 2: so there was seminary would be in the parking lot?

737
00:35:47,719 --> 00:35:50,560
Speaker 3: Yeah, it's but it's a building. I wish it was

738
00:35:50,640 --> 00:35:53,920
Speaker 3: just kind of a tailgating thing. We got brats, we

739
00:35:54,000 --> 00:35:56,719
Speaker 3: got doritos. Everybody get a launch.

740
00:35:56,520 --> 00:35:59,160
Speaker 4: Out of a pontiac an astac It's.

741
00:36:00,600 --> 00:36:04,279
Speaker 2: Yeah, so okay, so you would Did they ever get you?

742
00:36:04,320 --> 00:36:04,440
Speaker 1: No?

743
00:36:04,520 --> 00:36:06,480
Speaker 3: They had me? And I think this was kind of

744
00:36:06,800 --> 00:36:08,879
Speaker 3: got This was kind of the end. This was kind

745
00:36:08,920 --> 00:36:10,560
Speaker 3: of like, oh, what are we doing? Why am I

746
00:36:10,560 --> 00:36:12,920
Speaker 3: spending an hour of I could be learning. I could

747
00:36:12,920 --> 00:36:16,480
Speaker 3: be in foods right now, and meanwhile I'm doing this

748
00:36:16,520 --> 00:36:18,719
Speaker 3: and then I'm starting to leave school during that hour

749
00:36:18,800 --> 00:36:22,399
Speaker 3: to shoplift. It was a whole So they were kind

750
00:36:22,400 --> 00:36:24,600
Speaker 3: of like getting the worst version of me by giving

751
00:36:24,600 --> 00:36:30,319
Speaker 3: me that hour. Whatever I wanted. Utah has a chain

752
00:36:30,360 --> 00:36:33,360
Speaker 3: of thrift stores called Deserret Industries, and they also weirdly

753
00:36:33,400 --> 00:36:34,040
Speaker 3: have one in La.

754
00:36:34,160 --> 00:36:34,319
Speaker 2: Now.

755
00:36:35,040 --> 00:36:40,359
Speaker 3: It was a shock because I've been tempted. If something

756
00:36:40,400 --> 00:36:44,920
Speaker 3: catches my eye, I'll take it. I will say, have

757
00:36:45,000 --> 00:36:49,560
Speaker 3: gotten thirst, sources have gotten rid of dressing rooms. So

758
00:36:49,640 --> 00:36:51,719
Speaker 3: I kind of think, you know, change on the sidewalk.

759
00:36:53,320 --> 00:36:55,600
Speaker 3: I'm gonna take this outside to change. I'll be right back.

760
00:36:56,360 --> 00:36:57,759
Speaker 3: I think you should just be able to take whatever

761
00:36:57,800 --> 00:36:58,160
Speaker 3: you want.

762
00:36:58,719 --> 00:36:59,319
Speaker 4: Yeah.

763
00:37:00,320 --> 00:37:01,719
Speaker 3: Yeah, if you're not gonna let me try it on

764
00:37:01,800 --> 00:37:04,359
Speaker 3: in store, forget it. I'm not paying for this thing.

765
00:37:04,400 --> 00:37:07,160
Speaker 3: They don't have a return policy. How do I get

766
00:37:07,160 --> 00:37:07,800
Speaker 3: my three dollars?

767
00:37:07,840 --> 00:37:09,239
Speaker 4: How can you How can you know?

768
00:37:09,520 --> 00:37:13,399
Speaker 2: No? I know, No, I know. Although that's it means

769
00:37:13,400 --> 00:37:16,000
Speaker 2: that you know that you are trying something, you're getting

770
00:37:16,000 --> 00:37:18,160
Speaker 2: something that no one well, they wore it before, but

771
00:37:18,200 --> 00:37:20,959
Speaker 2: people haven't gone on and tried in the store, right,

772
00:37:21,120 --> 00:37:24,200
Speaker 2: So I spent some time since people's spoils have been.

773
00:37:24,520 --> 00:37:28,200
Speaker 3: Right, nobody knows what's happening in there, some sort of

774
00:37:28,200 --> 00:37:30,560
Speaker 3: weasel in it. But I would go there and just

775
00:37:30,600 --> 00:37:33,560
Speaker 3: take whatever I wanted, and you usually would put go

776
00:37:33,560 --> 00:37:35,080
Speaker 3: into the dress room and put on a shirt that

777
00:37:35,120 --> 00:37:37,520
Speaker 3: I liked, then put on my normal shirt, walk out,

778
00:37:37,800 --> 00:37:41,040
Speaker 3: Oh puffy, how many it? On a winter coat, and

779
00:37:41,040 --> 00:37:42,279
Speaker 3: then pull a T shirt over it.

780
00:37:42,280 --> 00:37:44,000
Speaker 2: It's one of those things where, yeah, you keep adding

781
00:37:44,040 --> 00:37:47,320
Speaker 2: layers and layers until you get caught yes, and then

782
00:37:47,800 --> 00:37:48,799
Speaker 2: then you have your reckoning and.

783
00:37:48,760 --> 00:37:51,520
Speaker 3: Then you say no, I'm pregnant. It's really rude that

784
00:37:51,520 --> 00:37:57,479
Speaker 3: you would ask it's a pregnant. It's a full baby

785
00:37:57,560 --> 00:37:58,279
Speaker 3: is crawling up.

786
00:37:58,360 --> 00:38:04,719
Speaker 2: It's a full top pregnancy headed to the back. It's

787
00:38:04,760 --> 00:38:08,560
Speaker 2: in my arms, it's in my neck. The baby has

788
00:38:08,600 --> 00:38:11,720
Speaker 2: crossed the blood brain barrier. The baby's in my head.

789
00:38:12,040 --> 00:38:13,800
Speaker 3: Call the shop, all the shop.

790
00:38:14,160 --> 00:38:16,400
Speaker 4: Yeah, he's driving like the Men in Black Alien.

791
00:38:18,560 --> 00:38:21,279
Speaker 3: I'll never forget that ship. Remember what happens in Men

792
00:38:21,320 --> 00:38:21,720
Speaker 3: in Black?

793
00:38:22,040 --> 00:38:24,239
Speaker 2: So a guy dies and then they open the back

794
00:38:24,280 --> 00:38:26,319
Speaker 2: of his head and there's like a little guy. He's like,

795
00:38:27,800 --> 00:38:28,320
Speaker 2: you don't remember.

796
00:38:28,360 --> 00:38:30,560
Speaker 3: He's like, he's like the alien is also dying. The

797
00:38:30,600 --> 00:38:33,160
Speaker 3: aliens maybe a big he's been piloting the guy the

798
00:38:33,160 --> 00:38:33,680
Speaker 3: whole time.

799
00:38:33,920 --> 00:38:34,399
Speaker 2: It's a guy.

800
00:38:34,520 --> 00:38:34,640
Speaker 3: Right.

801
00:38:34,680 --> 00:38:36,160
Speaker 2: When you think, like you know how they're going to

802
00:38:36,200 --> 00:38:38,400
Speaker 2: reveal the alien? Oh right, you're like, I don't know

803
00:38:38,440 --> 00:38:39,920
Speaker 2: that this guy could be driving.

804
00:38:41,520 --> 00:38:43,320
Speaker 3: And the alien just dies of natural causes.

805
00:38:43,400 --> 00:38:47,680
Speaker 2: He tries to tell them something, Oh but he's old age. Yeah,

806
00:38:47,760 --> 00:38:53,520
Speaker 2: he gives them in this person's head if.

807
00:38:53,480 --> 00:38:55,320
Speaker 3: Only they had no Yeah.

808
00:38:55,520 --> 00:38:57,000
Speaker 2: Yeah, anyway, Well.

809
00:38:57,080 --> 00:38:58,719
Speaker 3: Look, I feel like you keep trying to get away

810
00:38:58,719 --> 00:38:59,080
Speaker 3: from this.

811
00:38:59,080 --> 00:39:01,880
Speaker 2: Gift, and well, you know, I'm modest.

812
00:39:04,880 --> 00:39:09,320
Speaker 3: The podcast is called I said no gifts. So I

813
00:39:09,400 --> 00:39:10,640
Speaker 3: was a little you know, I was looking forward to

814
00:39:10,680 --> 00:39:13,960
Speaker 3: having you here. I begged you to come on so

815
00:39:14,000 --> 00:39:15,480
Speaker 3: many phone calls that you blocked me.

816
00:39:15,840 --> 00:39:17,560
Speaker 4: You were being walked up to my door with a

817
00:39:17,640 --> 00:39:19,359
Speaker 4: muzzle and a leather in a.

818
00:39:19,400 --> 00:39:23,480
Speaker 3: Leathersh Eventually you got a call from your mom and

819
00:39:23,520 --> 00:39:25,640
Speaker 3: then it was me, Chris, I got you.

820
00:39:26,120 --> 00:39:27,960
Speaker 4: Yeah, but you be.

821
00:39:27,960 --> 00:39:31,120
Speaker 3: On I said no gifts, So it was a little surprised.

822
00:39:31,719 --> 00:39:34,560
Speaker 3: I feel like you're a professional at this point. At

823
00:39:34,600 --> 00:39:36,880
Speaker 3: this point, at this point, you know, when I met you,

824
00:39:36,960 --> 00:39:42,040
Speaker 3: I mean it was amateur minute. It was embarrassing to

825
00:39:42,040 --> 00:39:44,560
Speaker 3: be even around you. To know your name was embarrassing.

826
00:39:44,680 --> 00:39:46,920
Speaker 2: Yeah, I wouldn't even look you in the eye out

827
00:39:46,920 --> 00:39:48,120
Speaker 2: of respect for you and your family.

828
00:39:49,160 --> 00:39:50,839
Speaker 3: Uh So it was a little surprised when you show

829
00:39:50,920 --> 00:39:53,120
Speaker 3: up to my fifth anniversary, which is supposed to be

830
00:39:53,160 --> 00:39:55,480
Speaker 3: a big day for me. I don't know if anybody

831
00:39:55,480 --> 00:39:57,520
Speaker 3: else cares, at least.

832
00:39:57,960 --> 00:40:00,800
Speaker 4: Uh testing outside.

833
00:40:04,880 --> 00:40:07,000
Speaker 3: They took some time off from planned parenthood to come here.

834
00:40:07,040 --> 00:40:11,120
Speaker 2: Yeah they flipped my car. It's not even the planned

835
00:40:11,160 --> 00:40:14,960
Speaker 2: parent and protesters, it's plant parents. It's the employee come here. Yeah.

836
00:40:15,000 --> 00:40:19,000
Speaker 3: Yeah, I don't know what you did. Something strange and

837
00:40:19,040 --> 00:40:19,839
Speaker 3: bad I've done.

838
00:40:19,920 --> 00:40:22,240
Speaker 2: He said something about that that dental dams don't exist.

839
00:40:22,239 --> 00:40:23,080
Speaker 2: I think it is what you said.

840
00:40:23,640 --> 00:40:27,719
Speaker 4: He said. He said, show me proof. I've heard about him.

841
00:40:28,560 --> 00:40:31,919
Speaker 3: We've all heard the phrase, we've never seen him. Something's up.

842
00:40:32,440 --> 00:40:36,200
Speaker 3: I'm just saying. I'm just saying, fuck Youcher, fuck you.

843
00:40:36,360 --> 00:40:36,760
Speaker 2: Bridger.

844
00:40:38,600 --> 00:40:40,840
Speaker 3: Dental dams have been the tenth pole of this podcast.

845
00:40:42,320 --> 00:40:46,759
Speaker 3: Now you've ripped it down. Uh, but you arrived with

846
00:40:46,800 --> 00:40:49,040
Speaker 3: a gift. Oh yeah, actually have a couple of gifts. Yeah,

847
00:40:49,040 --> 00:40:50,680
Speaker 3: oh my god. And so now you're just owning it

848
00:40:50,800 --> 00:40:54,120
Speaker 3: twice as much. Oh, in this gorgeous mustard bag.

849
00:40:54,560 --> 00:40:57,640
Speaker 2: Thank you? Do you want to open the bag? I should?

850
00:40:57,800 --> 00:40:58,840
Speaker 3: I mean if you insist.

851
00:40:58,960 --> 00:41:00,600
Speaker 4: Okay, So there's there's compartments.

852
00:41:00,680 --> 00:41:02,640
Speaker 3: This looks like a refrigerated bag with an organ and.

853
00:41:04,960 --> 00:41:07,400
Speaker 4: You have to travel over the ocean.

854
00:41:08,760 --> 00:41:11,440
Speaker 3: Someone's waiting for that heart and it's on this podcast.

855
00:41:11,800 --> 00:41:14,640
Speaker 2: Did you like when nos Faratu had to get when

856
00:41:14,640 --> 00:41:16,359
Speaker 2: he traveled and he had to go under the ship,

857
00:41:16,440 --> 00:41:18,960
Speaker 2: he like he quit in transport. He had to take

858
00:41:18,960 --> 00:41:20,160
Speaker 2: a ship and he's like waiting on.

859
00:41:20,280 --> 00:41:21,560
Speaker 3: Oh, he had to like get it. He kind of

860
00:41:21,560 --> 00:41:25,440
Speaker 3: had to be a stowaway. He was like he's rescue

861
00:41:25,520 --> 00:41:28,640
Speaker 3: rangers or something like hiding in a match box.

862
00:41:29,040 --> 00:41:32,160
Speaker 2: Right, that's right with his rats. Just kind of like,

863
00:41:32,239 --> 00:41:34,279
Speaker 2: this's the guy who can show up anywhere. Why is

864
00:41:34,320 --> 00:41:35,040
Speaker 2: he taking a boat?

865
00:41:36,040 --> 00:41:38,359
Speaker 3: He had a lot going on. He it's so much

866
00:41:38,400 --> 00:41:40,200
Speaker 3: going on. What was he doing before all of this

867
00:41:40,280 --> 00:41:45,160
Speaker 3: in that castle? How is he staying busy? That's so true. Yeah,

868
00:41:45,200 --> 00:41:47,440
Speaker 3: this whole thing. But it's like up until now he.

869
00:41:47,400 --> 00:41:49,840
Speaker 4: Had the driver horses cart carriage.

870
00:41:50,080 --> 00:41:52,280
Speaker 3: Oh yeah, maybe he was doing a horse simulator.

871
00:41:52,280 --> 00:41:54,719
Speaker 2: It was like a way mow for with horses. Okay,

872
00:41:54,760 --> 00:41:56,840
Speaker 2: so this is the first okay, reach in reach in

873
00:41:56,920 --> 00:41:58,759
Speaker 2: here there's three of them. Three.

874
00:42:01,880 --> 00:42:05,839
Speaker 3: I saw something around and brown. Oh wait, these aren't

875
00:42:05,840 --> 00:42:08,480
Speaker 3: for simons a. They're passion fruit. They're passion fruit from

876
00:42:08,520 --> 00:42:12,920
Speaker 3: my own garden. I've never seen a passion fruit. I've

877
00:42:12,960 --> 00:42:21,080
Speaker 3: only ever seen it on the side of natural drinks. Yes, slice, yes, yeah, mutilated? Wow.

878
00:42:21,120 --> 00:42:23,120
Speaker 3: You grow these in your garden or someone threw them

879
00:42:23,160 --> 00:42:23,560
Speaker 3: back there.

880
00:42:23,640 --> 00:42:26,880
Speaker 2: It's originally from home depot the bush, the bush, and

881
00:42:26,920 --> 00:42:27,399
Speaker 2: it took over.

882
00:42:27,440 --> 00:42:29,839
Speaker 3: It's called the Frederick passion fruit bush. Oh, how long

883
00:42:29,880 --> 00:42:32,320
Speaker 3: have you been growing it? Oh? At least two years?

884
00:42:32,320 --> 00:42:33,760
Speaker 3: Two years and it's already fruiting.

885
00:42:34,040 --> 00:42:36,799
Speaker 2: Oh oh, fruits like several times a year. Wow, and

886
00:42:36,840 --> 00:42:39,680
Speaker 2: those are going to be good? No, no, no, no,

887
00:42:40,000 --> 00:42:43,000
Speaker 2: you just water and then it's like it invades the

888
00:42:43,040 --> 00:42:43,919
Speaker 2: whole yard.

889
00:42:43,960 --> 00:42:44,760
Speaker 3: It's almost a weed.

890
00:42:44,920 --> 00:42:47,680
Speaker 2: It took over the neighbors and the other neighbors. It's

891
00:42:47,680 --> 00:42:48,400
Speaker 2: like they don't.

892
00:42:48,239 --> 00:42:48,960
Speaker 3: Live there anymore.

893
00:42:49,880 --> 00:42:52,279
Speaker 4: They're like, can could you do something about this?

894
00:42:52,960 --> 00:42:55,640
Speaker 3: It's in the house, so do they? I don't even

895
00:42:55,640 --> 00:42:57,680
Speaker 3: know what a passion fruit tree looks like. Is a bushy?

896
00:42:57,719 --> 00:42:58,239
Speaker 2: It's just a bush.

897
00:42:58,280 --> 00:42:58,920
Speaker 3: It's like a vine.

898
00:42:59,000 --> 00:43:00,560
Speaker 2: Oh and then.

899
00:43:00,160 --> 00:43:03,960
Speaker 3: Almost a grape type situation exactly. But with these, how

900
00:43:03,960 --> 00:43:05,279
Speaker 3: do you can I just bite into it?

901
00:43:05,320 --> 00:43:05,440
Speaker 1: No?

902
00:43:05,440 --> 00:43:08,200
Speaker 3: No, no, would that killed me? It was It's like,

903
00:43:11,280 --> 00:43:13,000
Speaker 3: what is the Is it coffee beans or something that

904
00:43:13,040 --> 00:43:14,800
Speaker 3: if you like there's some way of turning.

905
00:43:14,640 --> 00:43:18,040
Speaker 2: It into potatoes. If you do a potato, it could

906
00:43:18,040 --> 00:43:21,600
Speaker 2: take out armies a full fucking yeah, the navy.

907
00:43:22,120 --> 00:43:23,480
Speaker 3: So how do I I have to slice this?

908
00:43:23,760 --> 00:43:26,640
Speaker 2: M You can't have it yet. You you're gonna want

909
00:43:26,640 --> 00:43:30,600
Speaker 2: to wait a couple days anywhere, and then, yeah, in

910
00:43:30,640 --> 00:43:32,160
Speaker 2: a couple of days, you cut it, and then you

911
00:43:32,160 --> 00:43:33,560
Speaker 2: eat the seeds and it's kind of goofy.

912
00:43:33,680 --> 00:43:38,040
Speaker 3: It remains I hate to say goofy, but it remains tanging. Oh,

913
00:43:38,120 --> 00:43:38,760
Speaker 3: the tang remains.

914
00:43:38,760 --> 00:43:41,640
Speaker 2: I can't do a sweet goop. No, no, it's gagging.

915
00:43:41,719 --> 00:43:45,400
Speaker 2: It's got a punished, punishing tang. And now, who's my

916
00:43:45,440 --> 00:43:45,959
Speaker 2: second gift?

917
00:43:47,400 --> 00:43:52,719
Speaker 3: Let's put these here in the ash. Yeah, string on

918
00:43:52,760 --> 00:43:55,279
Speaker 3: my glove is a bug. I thought a bug was

919
00:43:55,320 --> 00:43:57,359
Speaker 3: following my my glove across.

920
00:43:57,760 --> 00:44:02,080
Speaker 2: Your storied gloves. It's this is very blanched blois.

921
00:44:02,160 --> 00:44:06,279
Speaker 3: It's very you know, he's under the bed. You can't

922
00:44:06,280 --> 00:44:08,279
Speaker 3: see me in this in this landing. Okay, now I

923
00:44:08,280 --> 00:44:09,920
Speaker 3: think you're gonna like this. Okay, pulled it.

924
00:44:09,960 --> 00:44:11,399
Speaker 2: I think this is your size. I'm not even sure

925
00:44:11,400 --> 00:44:14,719
Speaker 2: what to too small for me? Right, Oh, you could

926
00:44:14,719 --> 00:44:18,520
Speaker 2: pull anything anything color. Yeah, this is gorgeous. This is

927
00:44:18,560 --> 00:44:20,000
Speaker 2: a piece of western were Yeah.

928
00:44:20,000 --> 00:44:21,640
Speaker 4: I think you could look a little like a little

929
00:44:21,640 --> 00:44:22,520
Speaker 4: howdy duty in this.

930
00:44:22,600 --> 00:44:25,640
Speaker 3: And it smells so good. Thank you? Yeah, yeah, yeah, yeah,

931
00:44:25,640 --> 00:44:27,600
Speaker 3: I've worn it. Is that your smell?

932
00:44:27,840 --> 00:44:32,799
Speaker 4: Yeah, well let me see. No, I don't know what

933
00:44:32,800 --> 00:44:33,239
Speaker 4: that is.

934
00:44:33,160 --> 00:44:35,600
Speaker 3: But it smells good. Yeah, I'm not getting correct here.

935
00:44:35,840 --> 00:44:38,200
Speaker 3: It might be my my pheromones. You could bottle that

936
00:44:38,280 --> 00:44:42,080
Speaker 3: up and sell it an Ordstrom. This is a beautiful

937
00:44:42,120 --> 00:44:43,880
Speaker 3: piece of western wear and kind of a it's a

938
00:44:43,920 --> 00:44:47,400
Speaker 3: little wrinkle. I'm sorry, an orange mustardy. I hate to

939
00:44:47,440 --> 00:44:50,200
Speaker 3: give you something so western mask when you're in something

940
00:44:50,239 --> 00:44:52,120
Speaker 3: a tunic so gorgeous. I'm trying to get back in

941
00:44:52,160 --> 00:44:57,680
Speaker 3: the closet. Step one. I'm looking for a wife. You're

942
00:44:57,680 --> 00:45:00,080
Speaker 3: going to get a wife in this. This is my

943
00:45:00,440 --> 00:45:04,239
Speaker 3: e Harmony profile. You could this and nothing else.

944
00:45:04,680 --> 00:45:07,560
Speaker 4: Christian Mingle. That is that?

945
00:45:07,719 --> 00:45:09,839
Speaker 2: I think I think that button down a little bit

946
00:45:09,840 --> 00:45:11,200
Speaker 2: on you snap buttons.

947
00:45:11,200 --> 00:45:12,560
Speaker 3: I think it could be really sure. I try it

948
00:45:12,560 --> 00:45:13,000
Speaker 3: on right now.

949
00:45:13,120 --> 00:45:15,680
Speaker 4: Yeah, yeah, I mean you don't have to, but I

950
00:45:15,680 --> 00:45:16,920
Speaker 4: would like it if you did.

951
00:45:25,480 --> 00:45:27,480
Speaker 3: The things the audience is seeing.

952
00:45:27,719 --> 00:45:30,000
Speaker 2: Oh I hope you zoom in on that. You don't

953
00:45:30,040 --> 00:45:31,680
Speaker 2: have last at it. You don't have last looks.

954
00:45:31,719 --> 00:45:34,840
Speaker 3: I don't. That's the one thing I gave up my contract.

955
00:45:34,480 --> 00:45:38,600
Speaker 3: They get to degrade you in any way, knees. This

956
00:45:38,680 --> 00:45:41,080
Speaker 3: is a different human beings. How are we feeling about me?

957
00:45:41,120 --> 00:45:42,560
Speaker 3: Are you taking giving me more respect?

958
00:45:42,560 --> 00:45:45,880
Speaker 2: Now you're intimidating respect. I wasn't expecting you to be intimidating.

959
00:45:47,640 --> 00:45:50,560
Speaker 3: I was expecting this is someone who would cut their

960
00:45:50,600 --> 00:45:51,520
Speaker 3: passion fruit.

961
00:45:52,880 --> 00:45:53,239
Speaker 2: Into it.

962
00:45:53,800 --> 00:45:55,359
Speaker 3: Now I'm wearing a mini skirt.

963
00:45:55,160 --> 00:45:58,040
Speaker 2: You you look like a TV star from the from

964
00:45:58,120 --> 00:45:58,920
Speaker 2: like the fifties.

965
00:45:59,000 --> 00:46:01,520
Speaker 3: Oh see, this is a I've thought. Someone asked me

966
00:46:01,560 --> 00:46:03,240
Speaker 3: a while ago about like if you were like really

967
00:46:03,239 --> 00:46:06,960
Speaker 3: trying to chase a look, what would it be? And

968
00:46:07,120 --> 00:46:11,080
Speaker 3: I said, I think I there said like zoo keeper

969
00:46:12,320 --> 00:46:16,760
Speaker 3: or you know, fifties cowboy. That's what I'm saying, TV cowboy,

970
00:46:16,760 --> 00:46:20,840
Speaker 3: not someone who can actually rope of course, a steer,

971
00:46:20,920 --> 00:46:23,840
Speaker 3: a steer. I was gonna say, dear, and I knew you.

972
00:46:27,160 --> 00:46:29,360
Speaker 2: You look like you got kicked off the Waltons for

973
00:46:29,400 --> 00:46:33,120
Speaker 2: getting into like a physical dispute with John Boy. Yeah,

974
00:46:33,160 --> 00:46:35,840
Speaker 2: you beat the ship out of you, threw John Boy over.

975
00:46:37,360 --> 00:46:41,640
Speaker 3: You could have killed that boy. What the fuck The

976
00:46:41,760 --> 00:46:44,640
Speaker 3: last episode of The Waltons is me nearly killing John Boy,

977
00:46:46,000 --> 00:46:47,560
Speaker 3: just bashing pleasure.

978
00:46:48,320 --> 00:46:52,320
Speaker 2: Jesus Christ took a boy.

979
00:46:52,800 --> 00:46:54,759
Speaker 3: The writer's really soured on John Boy.

980
00:46:55,000 --> 00:46:58,319
Speaker 2: At the other twelve siblings are just frozen in horror

981
00:46:58,320 --> 00:46:59,680
Speaker 2: as a zoom out of the ass.

982
00:46:59,640 --> 00:47:02,520
Speaker 3: As this brand new character arrives to kill their brother.

983
00:47:03,120 --> 00:47:04,640
Speaker 4: Yeah, you wreak of whiskey.

984
00:47:06,080 --> 00:47:07,319
Speaker 3: The viewer can smell me.

985
00:47:07,560 --> 00:47:11,719
Speaker 2: Stay down, John Boy, he's unconscious.

986
00:47:12,200 --> 00:47:15,560
Speaker 3: Stay down. That's a helicopter away.

987
00:47:17,480 --> 00:47:19,640
Speaker 2: You went backwards on a on a cow out of there,

988
00:47:20,160 --> 00:47:23,279
Speaker 2: facing facing the back stairs style down.

989
00:47:23,320 --> 00:47:27,200
Speaker 3: The house is just shaking.

990
00:47:27,480 --> 00:47:29,440
Speaker 4: And I always say, do not bring do not.

991
00:47:29,920 --> 00:47:32,480
Speaker 2: This is this is the downfall of every wealthy family

992
00:47:32,920 --> 00:47:37,680
Speaker 2: bringing the bringing the horse inside. Really did not bring

993
00:47:37,680 --> 00:47:38,800
Speaker 2: the horse inside the floor.

994
00:47:38,840 --> 00:47:42,440
Speaker 3: It's not built that hubris. That's the final, you know,

995
00:47:42,760 --> 00:47:44,680
Speaker 3: stroke of like, oh, we went too far. We brought

996
00:47:44,680 --> 00:47:46,520
Speaker 3: the horse in. We got too bored with our money

997
00:47:46,560 --> 00:47:50,040
Speaker 3: and we thought, let's try the horse inside, bring it

998
00:47:50,080 --> 00:47:53,160
Speaker 3: in to watch TV. He flipped, He flipped out, He

999
00:47:53,440 --> 00:47:57,400
Speaker 3: slid on the hardwood. Dad was thrown, Dad got kicked.

1000
00:47:59,040 --> 00:47:59,600
Speaker 4: The girls.

1001
00:48:00,040 --> 00:48:01,080
Speaker 2: We don't know where the girls are.

1002
00:48:01,320 --> 00:48:04,640
Speaker 3: The girl the girls left it moment they heard the

1003
00:48:04,680 --> 00:48:07,800
Speaker 3: horse coming in. Obviously twins. When I say the girls,

1004
00:48:07,840 --> 00:48:11,000
Speaker 3: you know, you know it's always twins. Yeah, it's always twins.

1005
00:48:12,560 --> 00:48:14,759
Speaker 3: She's out of her She's out of her fucking mind.

1006
00:48:15,120 --> 00:48:16,400
Speaker 3: Where did you get this shirt?

1007
00:48:17,880 --> 00:48:20,640
Speaker 2: Costume designer who I love, Lauren o Pelt, gave it

1008
00:48:20,680 --> 00:48:25,160
Speaker 2: to me and in my in my you know, sprire

1009
00:48:25,719 --> 00:48:29,160
Speaker 2: trimmer days, I fit into it gorgeously. And then as

1010
00:48:29,200 --> 00:48:34,360
Speaker 2: I as Time has been singing her cruel song to

1011
00:48:34,440 --> 00:48:36,839
Speaker 2: me and my body, I thought this will fit well

1012
00:48:36,880 --> 00:48:37,360
Speaker 2: on Bridger.

1013
00:48:37,640 --> 00:48:38,480
Speaker 3: It fits perfectly.

1014
00:48:38,600 --> 00:48:40,799
Speaker 2: Yeah, It's like it's exactly the thing that I would

1015
00:48:40,800 --> 00:48:43,840
Speaker 2: love to be able to sport, and so since I cannot.

1016
00:48:44,200 --> 00:48:44,920
Speaker 3: There's very few.

1017
00:48:44,760 --> 00:48:49,239
Speaker 2: People who are trimmer than I that I know, your life,

1018
00:48:49,239 --> 00:48:50,600
Speaker 2: I block them.

1019
00:48:50,640 --> 00:48:51,480
Speaker 3: Don't show me those.

1020
00:48:51,600 --> 00:48:53,799
Speaker 4: Let me let me rephrase that they're not.

1021
00:48:53,840 --> 00:48:57,160
Speaker 2: They have a lot of people trimmer than I. I mean,

1022
00:48:57,840 --> 00:49:01,640
Speaker 2: they're our age that I know who are right.

1023
00:49:02,320 --> 00:49:03,799
Speaker 3: And this to me because I feel like you do

1024
00:49:03,880 --> 00:49:10,319
Speaker 3: have a very distinct style that people appreciate, and it

1025
00:49:10,440 --> 00:49:12,120
Speaker 3: just feels so nat. It feels like you were born

1026
00:49:12,200 --> 00:49:14,920
Speaker 3: into it. Oh, thank you, and this shirt, fortunately, it

1027
00:49:14,920 --> 00:49:17,000
Speaker 3: feels like something I could still wear without people being

1028
00:49:17,040 --> 00:49:18,800
Speaker 3: like he's trying to bite Chris's style.

1029
00:49:18,840 --> 00:49:21,680
Speaker 4: Exactly, because this for me is also it's not quite

1030
00:49:22,200 --> 00:49:22,520
Speaker 4: in my.

1031
00:49:22,520 --> 00:49:24,960
Speaker 3: Eye, it's a little more neutral. Yeah, this is a

1032
00:49:25,160 --> 00:49:30,560
Speaker 3: night out on the Phoenix in Phoenix. This is this

1033
00:49:30,719 --> 00:49:33,440
Speaker 3: is trip, yeah, away from the wife and kids.

1034
00:49:33,200 --> 00:49:34,840
Speaker 2: In one of those black caps you know that, you

1035
00:49:34,880 --> 00:49:36,440
Speaker 2: know those things that people try to wear it to

1036
00:49:36,480 --> 00:49:38,719
Speaker 2: not be noticed. Oh, like the baseball cat where it's

1037
00:49:38,760 --> 00:49:41,040
Speaker 2: like now I want you know what I'm talking about.

1038
00:49:41,040 --> 00:49:42,920
Speaker 3: The celebrity Damon did a whole movie based around a

1039
00:49:42,960 --> 00:49:43,399
Speaker 3: hat like.

1040
00:49:43,360 --> 00:49:45,799
Speaker 4: That exactly, and they all wear it.

1041
00:49:45,960 --> 00:49:47,239
Speaker 3: Yeah, they're all wearing kind of thing.

1042
00:49:47,400 --> 00:49:48,560
Speaker 2: Everyone's like, who's under that?

1043
00:49:49,040 --> 00:49:52,239
Speaker 3: Because only celebrities wear Yeah, this is no normal person

1044
00:49:52,280 --> 00:49:52,799
Speaker 3: buys that.

1045
00:49:52,920 --> 00:49:53,799
Speaker 4: You can't even get it.

1046
00:49:54,000 --> 00:49:55,879
Speaker 3: Every normal person wants that kind of fun hat.

1047
00:49:56,120 --> 00:49:58,320
Speaker 4: Yeah, no, exactly, you wear it higher.

1048
00:49:58,320 --> 00:49:59,680
Speaker 2: But when they were.

1049
00:49:59,400 --> 00:50:02,040
Speaker 3: Yeah, pull it down. It's a way to get it.

1050
00:50:02,040 --> 00:50:04,320
Speaker 3: It's they are Oscar Isaac.

1051
00:50:04,880 --> 00:50:07,280
Speaker 4: And it is not ten times it's fucking Isaac.

1052
00:50:08,160 --> 00:50:10,239
Speaker 3: That is one of my rare celebrity sidings in La

1053
00:50:10,280 --> 00:50:13,919
Speaker 3: I saw. I saw Oscar Isaac in a corner table yep,

1054
00:50:14,080 --> 00:50:18,360
Speaker 3: And you know I thought little Caesars complain interviewing for

1055
00:50:18,400 --> 00:50:22,520
Speaker 3: a job asking for a free Hey, hey man, I

1056
00:50:22,520 --> 00:50:25,120
Speaker 3: hate the time and it's usually pretty good.

1057
00:50:25,480 --> 00:50:28,080
Speaker 2: Yeah, but this, if I could just get a little

1058
00:50:28,120 --> 00:50:30,520
Speaker 2: money back on this and maybe some free sticks, I don't.

1059
00:50:30,360 --> 00:50:31,440
Speaker 3: Want to get anyone in trouble.

1060
00:50:31,800 --> 00:50:34,120
Speaker 4: Yeah, it's it's just I know.

1061
00:50:34,160 --> 00:50:36,640
Speaker 3: Little Caesars is better than this. He's brought back only

1062
00:50:36,719 --> 00:50:41,240
Speaker 3: the box. He hate the whole pizza and the crazy bread.

1063
00:50:42,680 --> 00:50:44,560
Speaker 3: Crazy bread. Have you ever had crazy bread?

1064
00:50:44,600 --> 00:50:47,040
Speaker 4: That's a little Caesars it used to be. I've never

1065
00:50:47,040 --> 00:50:47,920
Speaker 4: been to a little Caesars.

1066
00:50:47,920 --> 00:50:48,480
Speaker 2: Where are they?

1067
00:50:48,600 --> 00:50:52,640
Speaker 3: They're they up here when you least expect. It's like

1068
00:50:52,680 --> 00:50:57,359
Speaker 3: in the middle of a wintry night, you see a cabin.

1069
00:50:57,120 --> 00:51:00,359
Speaker 2: With the smoke coming out. That's a little Caesars. I

1070
00:51:00,360 --> 00:51:03,040
Speaker 2: imagine little seasons. Remember in Babylon, Remember when they wait

1071
00:51:03,080 --> 00:51:05,280
Speaker 2: two and a half hours to introduce Toby Maguire.

1072
00:51:05,400 --> 00:51:07,680
Speaker 3: Oh, of course they will wait two hours to reveal

1073
00:51:07,760 --> 00:51:09,440
Speaker 3: everything in that moment, and then they end on a

1074
00:51:09,520 --> 00:51:12,040
Speaker 3: Jurassic Park montage that I mean, I was on my

1075
00:51:12,080 --> 00:51:15,560
Speaker 3: feet for that Avatar. There's an avatar move moment.

1076
00:51:15,600 --> 00:51:18,520
Speaker 2: When they when they when they show when they show

1077
00:51:18,600 --> 00:51:21,160
Speaker 2: those movies. I was like, you have the way that

1078
00:51:21,200 --> 00:51:23,520
Speaker 2: you have shot yourselves and I hate to say this,

1079
00:51:23,760 --> 00:51:29,160
Speaker 2: in the penis, Damien Gizelle shot himself in the penis

1080
00:51:29,719 --> 00:51:36,480
Speaker 2: and not the penis when he got the Avatar Jurassic Park,

1081
00:51:36,480 --> 00:51:38,880
Speaker 2: and like Wallace and Grahmet, it's like, why did why

1082
00:51:38,960 --> 00:51:40,120
Speaker 2: did Marco Robbie do this?

1083
00:51:40,440 --> 00:51:41,759
Speaker 4: Have Kaylee Quoco do it.

1084
00:51:41,719 --> 00:51:43,800
Speaker 3: That none of them knew if that was coming.

1085
00:51:43,920 --> 00:51:47,000
Speaker 2: No, no, obviously, that's like a little not on the script.

1086
00:51:47,040 --> 00:51:49,480
Speaker 3: And then we show a clip of Avatar like a

1087
00:51:49,520 --> 00:51:52,640
Speaker 3: long cliff yes. And it felt like when I go

1088
00:51:52,800 --> 00:51:56,360
Speaker 3: home and I'll go see a movie with my family,

1089
00:51:56,440 --> 00:51:58,439
Speaker 3: We'll go to like a local theater. Of course every

1090
00:51:58,440 --> 00:52:01,000
Speaker 3: time they'll show like a wedding crash, the wedding, we

1091
00:52:01,000 --> 00:52:02,799
Speaker 3: see wedding crashes, his family tradition.

1092
00:52:02,640 --> 00:52:04,080
Speaker 4: A new release in the small town.

1093
00:52:04,360 --> 00:52:05,799
Speaker 3: Yeah, I have to see it in four K. You

1094
00:52:05,880 --> 00:52:08,560
Speaker 3: got to. But the local theater will have like a

1095
00:52:08,600 --> 00:52:11,320
Speaker 3: clip package before that was clearly edited by someone's nephew

1096
00:52:11,400 --> 00:52:14,120
Speaker 3: or whatever of like famous things from movies. That's literally

1097
00:52:14,160 --> 00:52:18,239
Speaker 3: what's the end of uh Babylon right exactly. It's like

1098
00:52:18,320 --> 00:52:22,000
Speaker 3: this is should be the intro to another thing at

1099
00:52:22,000 --> 00:52:24,080
Speaker 3: a bad movie theater. That's exactly what it is, or

1100
00:52:24,120 --> 00:52:26,560
Speaker 3: maybe at the end of the Golden Globes. Yeah, really,

1101
00:52:26,960 --> 00:52:30,279
Speaker 3: thank you for everyone. Stop taking attention forever. It's very much.

1102
00:52:30,320 --> 00:52:33,120
Speaker 3: Have you've been to the AMC Burbank. Yeah, there's like

1103
00:52:33,200 --> 00:52:35,160
Speaker 3: on the floor they have quotes from movies and there

1104
00:52:35,200 --> 00:52:37,520
Speaker 3: are things like E T phone homes.

1105
00:52:37,440 --> 00:52:39,759
Speaker 2: When how you met Sally, I'll have what she's had. Yeah,

1106
00:52:39,800 --> 00:52:40,239
Speaker 2: it's like.

1107
00:52:40,520 --> 00:52:43,840
Speaker 3: The most obviously it's that turned into film.

1108
00:52:43,960 --> 00:52:46,840
Speaker 2: Yeah, they should do really obscure like prepositional phrases.

1109
00:52:47,000 --> 00:52:49,000
Speaker 3: Yeah, things that kind of can't connect to anything.

1110
00:52:49,000 --> 00:52:49,719
Speaker 2: Get out of there.

1111
00:52:51,000 --> 00:52:53,760
Speaker 3: There's no way you can. You can't.

1112
00:52:53,960 --> 00:52:56,120
Speaker 4: It's untraceable the floor.

1113
00:52:57,400 --> 00:53:01,279
Speaker 2: Do you feel like nowadays like even background casting needs

1114
00:53:01,320 --> 00:53:02,839
Speaker 2: to come in for chemistry reads?

1115
00:53:03,719 --> 00:53:07,799
Speaker 3: God, there's h camera. I was watching a show, one

1116
00:53:07,840 --> 00:53:11,680
Speaker 3: of our premium dramas and there was a background actor

1117
00:53:11,719 --> 00:53:15,560
Speaker 3: that I mean, God, bless these people. Yeah, this woman was.

1118
00:53:15,520 --> 00:53:17,520
Speaker 2: There to get your number, by the way, Oh yeah,

1119
00:53:17,880 --> 00:53:20,719
Speaker 2: and they're going there. That's some ideas as you're in

1120
00:53:20,760 --> 00:53:24,120
Speaker 2: your car, are you? Are you on Facebook? Ah?

1121
00:53:24,680 --> 00:53:27,120
Speaker 3: There are five different Chris Flemmings. Which one is you?

1122
00:53:27,280 --> 00:53:27,480
Speaker 1: Yeah?

1123
00:53:27,640 --> 00:53:30,000
Speaker 2: I think I found you all at them all? Why

1124
00:53:30,000 --> 00:53:31,960
Speaker 2: didn't you just give me your phone?

1125
00:53:33,080 --> 00:53:35,279
Speaker 3: Okay to get a text that says, why didn't you

1126
00:53:35,280 --> 00:53:36,160
Speaker 3: just give your phone?

1127
00:53:36,200 --> 00:53:38,360
Speaker 2: One one guy, we did a show. He hitted me

1128
00:53:38,400 --> 00:53:40,000
Speaker 2: like a wet napkin with his number on it.

1129
00:53:40,880 --> 00:53:47,040
Speaker 3: Here's my number, Do not call me. Pulls that out

1130
00:53:47,040 --> 00:53:53,160
Speaker 3: of his cleavage, sopping that SOPs himself up. Don't call me.

1131
00:53:54,160 --> 00:53:55,000
Speaker 3: Do not use this.

1132
00:53:56,120 --> 00:53:58,120
Speaker 2: You're watching a prestige drama, of course.

1133
00:53:58,280 --> 00:54:00,439
Speaker 3: Oh and now, I mean when we say back around actor,

1134
00:54:00,480 --> 00:54:02,440
Speaker 3: now I have to really there's an Okay, so I

1135
00:54:02,440 --> 00:54:04,879
Speaker 3: saw this woman really giving it up, giving it her all.

1136
00:54:04,960 --> 00:54:06,880
Speaker 3: It's like looking it's all I'm.

1137
00:54:06,680 --> 00:54:07,680
Speaker 2: Looking at Yeah.

1138
00:54:07,880 --> 00:54:11,239
Speaker 3: Yeah, But did you see the Netflix documentary about the

1139
00:54:11,360 --> 00:54:15,359
Speaker 3: Mormon woman who was kidnapped like her family? I watched

1140
00:54:15,400 --> 00:54:18,640
Speaker 3: that one. No, that's that's van life. This is in

1141
00:54:18,680 --> 00:54:22,160
Speaker 3: the seventies. It's called like hiding in plane sight or something.

1142
00:54:22,640 --> 00:54:24,440
Speaker 3: This woman was kidnapped in the seventies, over and over

1143
00:54:24,480 --> 00:54:26,360
Speaker 3: by these people's neighbors. It's the most insane story you

1144
00:54:26,360 --> 00:54:27,320
Speaker 3: could possibly imagine.

1145
00:54:27,400 --> 00:54:29,680
Speaker 4: She was repeat kidnapped.

1146
00:54:29,760 --> 00:54:30,600
Speaker 2: Yes, oh my god, I.

1147
00:54:30,560 --> 00:54:32,800
Speaker 3: Mean you watch the documentary, You're like, what could possibly

1148
00:54:32,800 --> 00:54:33,480
Speaker 3: be happening.

1149
00:54:33,400 --> 00:54:35,279
Speaker 2: By the same people. They kept getting away with it.

1150
00:54:35,800 --> 00:54:37,440
Speaker 2: So they find her and they're like and then they go.

1151
00:54:38,160 --> 00:54:40,120
Speaker 3: Sort of yeah and like the guy kind of like

1152
00:54:40,719 --> 00:54:42,560
Speaker 3: I mean, it's of course, like every one of these

1153
00:54:42,600 --> 00:54:45,640
Speaker 3: documentaries gets very dark and they're somehow that doesn't sound

1154
00:54:45,719 --> 00:54:48,360
Speaker 3: dark to me, like a happy ending.

1155
00:54:48,680 --> 00:54:49,920
Speaker 4: That's a johnt.

1156
00:54:50,440 --> 00:54:54,520
Speaker 3: There's aliens involved, Like oh, it's very odd.

1157
00:54:54,640 --> 00:54:56,280
Speaker 2: But the way the way you say that, it sounds

1158
00:54:56,280 --> 00:54:58,799
Speaker 2: like like the not like they believe in aliens, but

1159
00:54:58,840 --> 00:55:03,919
Speaker 2: it's like aliens are like they're there there, they interview.

1160
00:55:03,600 --> 00:55:05,560
Speaker 4: With them the way that's how you made it sound.

1161
00:55:06,160 --> 00:55:10,120
Speaker 3: That's how aliens reveal themselves in a poorly washed Netflix

1162
00:55:10,120 --> 00:55:13,040
Speaker 3: stock just steam.

1163
00:55:13,280 --> 00:55:15,760
Speaker 2: I haven't there that they're just going to be steam

1164
00:55:17,160 --> 00:55:18,040
Speaker 2: because they're not bodied.

1165
00:55:18,160 --> 00:55:20,839
Speaker 3: Otherwise we're going to be disappointed. Yeah, if they're if

1166
00:55:20,920 --> 00:55:23,680
Speaker 3: they have to appear essentially in spirit form or a cube,

1167
00:55:23,960 --> 00:55:27,360
Speaker 3: a cube something that can't move without help. It's like

1168
00:55:27,400 --> 00:55:30,000
Speaker 3: a flow a fan, that's right, you know, it's like

1169
00:55:30,040 --> 00:55:33,160
Speaker 3: you can't have legs, or it could be all around us. Oh,

1170
00:55:33,680 --> 00:55:36,200
Speaker 3: now that would be a feeling, Yeah, that would be

1171
00:55:37,160 --> 00:55:39,319
Speaker 3: that would be a feeling. My fear is when aliens come,

1172
00:55:39,320 --> 00:55:41,400
Speaker 3: We're just gonna get bored. You know, you know this

1173
00:55:41,480 --> 00:55:44,000
Speaker 3: is exactly what I've thought, Really, I have.

1174
00:55:44,239 --> 00:55:48,200
Speaker 2: I have had this distinct thought that will be because

1175
00:55:48,200 --> 00:55:49,440
Speaker 2: it's the same way we deal with anything.

1176
00:55:49,560 --> 00:55:52,160
Speaker 4: Yes, it's like they're gonna want They're gonna want to

1177
00:55:52,160 --> 00:55:53,360
Speaker 4: see all of our movies.

1178
00:55:53,760 --> 00:55:59,080
Speaker 2: They're gonna be like, dude, dude, have you seen fucking

1179
00:55:59,239 --> 00:56:00,359
Speaker 2: Breaking Bad?

1180
00:56:01,239 --> 00:56:01,759
Speaker 3: Dude?

1181
00:56:02,600 --> 00:56:05,520
Speaker 2: Yes, yes, I have. We're all going to have like

1182
00:56:05,520 --> 00:56:07,560
Speaker 2: a group of aliens that are like, dude, this is

1183
00:56:07,560 --> 00:56:08,200
Speaker 2: the funniest movie.

1184
00:56:08,239 --> 00:56:09,759
Speaker 3: You got to watch this ship. We've been here the

1185
00:56:09,760 --> 00:56:10,279
Speaker 3: whole time.

1186
00:56:10,320 --> 00:56:10,919
Speaker 2: We don't care.

1187
00:56:11,120 --> 00:56:14,120
Speaker 3: Yeah, yeah, I feel like we'll get bored. And speaking

1188
00:56:14,120 --> 00:56:15,480
Speaker 3: of movies, I feel like they're going to see our

1189
00:56:15,520 --> 00:56:18,839
Speaker 3: depictions of aliens and it's going to be absolutely humiliating.

1190
00:56:19,120 --> 00:56:21,560
Speaker 3: That's when they're gonna be like you motherfucker.

1191
00:56:21,600 --> 00:56:25,080
Speaker 2: It's gonna be like reading misery and being like when

1192
00:56:25,080 --> 00:56:30,239
Speaker 2: it gets to that point, you you think we're you

1193
00:56:30,280 --> 00:56:32,520
Speaker 2: think we look like you don't think we have noses?

1194
00:56:34,000 --> 00:56:37,480
Speaker 3: Have dare you? Do you feel like there's any chance

1195
00:56:37,520 --> 00:56:39,120
Speaker 3: of aliens haven't been here?

1196
00:56:39,400 --> 00:56:39,560
Speaker 2: Oh?

1197
00:56:39,640 --> 00:56:42,560
Speaker 3: Yeah you think so? Oh do you genuinely believe that? Oh?

1198
00:56:42,600 --> 00:56:45,600
Speaker 2: Yeah, I'm all about aliens, ghosts, all of it.

1199
00:56:45,719 --> 00:56:48,960
Speaker 3: Oh yeah, oh yeah, I think that there's a small

1200
00:56:49,160 --> 00:56:51,920
Speaker 3: chance they're on their way. Certainly, you don't think the

1201
00:56:52,000 --> 00:56:53,759
Speaker 3: being here is so scary. If they've been here and

1202
00:56:53,800 --> 00:56:56,160
Speaker 3: they dipped out and not saying anything, it's rude.

1203
00:56:56,239 --> 00:56:58,480
Speaker 2: It's like swimming in a lake. I would rather get

1204
00:56:58,480 --> 00:57:00,920
Speaker 2: bit than be I think of the thing swimming. We've

1205
00:57:00,920 --> 00:57:01,320
Speaker 2: talked about this.

1206
00:57:01,400 --> 00:57:04,120
Speaker 3: I'm sure if I'm happy to talk about like.

1207
00:57:04,080 --> 00:57:07,640
Speaker 2: I would rather be interacted with by a predator than

1208
00:57:08,480 --> 00:57:10,600
Speaker 2: have all the times. I think when you go to Hell,

1209
00:57:12,440 --> 00:57:15,399
Speaker 2: they may give you a microsoftic Sell spreadsheet of all

1210
00:57:15,520 --> 00:57:18,200
Speaker 2: the predators that saw you in the lake that didn't

1211
00:57:18,200 --> 00:57:18,560
Speaker 2: bite you.

1212
00:57:19,520 --> 00:57:21,520
Speaker 4: Oh hey, just so you know, that's snapping turtle.

1213
00:57:21,520 --> 00:57:22,240
Speaker 3: I could have gotten you.

1214
00:57:22,520 --> 00:57:23,640
Speaker 2: He perceived you.

1215
00:57:23,640 --> 00:57:25,960
Speaker 3: You do think about that, what's beneath you in the lake?

1216
00:57:26,720 --> 00:57:29,120
Speaker 3: Come to the surface and show me that's much better,

1217
00:57:29,280 --> 00:57:34,720
Speaker 3: way less scary lake monsters, snakes, large fish, even stepping

1218
00:57:34,720 --> 00:57:38,080
Speaker 3: on something in a body of water that's not dirt

1219
00:57:38,240 --> 00:57:42,000
Speaker 3: or sand is mortifying, right, because what's beneath Yeah? What

1220
00:57:42,120 --> 00:57:45,280
Speaker 3: have I just upset? What have I just awoken?

1221
00:57:46,760 --> 00:57:47,280
Speaker 2: Yeah?

1222
00:57:47,400 --> 00:57:53,040
Speaker 3: Did you have local lake monsters? I feel like, I

1223
00:57:53,040 --> 00:57:55,560
Speaker 3: feel like in Massachusetts they probably do have la like monsters.

1224
00:57:55,880 --> 00:57:57,760
Speaker 4: I think I tried to get some of that started.

1225
00:57:58,720 --> 00:58:00,480
Speaker 3: Come on, everybody, Hey, did you.

1226
00:58:00,480 --> 00:58:05,080
Speaker 2: Guys see that look kind of like a kind of

1227
00:58:05,120 --> 00:58:09,480
Speaker 2: like a Hones Civik but in that eyes And I definitely,

1228
00:58:09,560 --> 00:58:10,320
Speaker 2: I definitely.

1229
00:58:10,080 --> 00:58:11,880
Speaker 3: Tried to start a rumin that there was something behind.

1230
00:58:11,680 --> 00:58:12,360
Speaker 2: The water tower.

1231
00:58:12,520 --> 00:58:13,840
Speaker 3: Oh I like that?

1232
00:58:14,040 --> 00:58:15,280
Speaker 2: Yeah, like you guys see that?

1233
00:58:16,920 --> 00:58:18,240
Speaker 4: But no, there were There was.

1234
00:58:18,240 --> 00:58:20,200
Speaker 3: No no lake monsters. You were robbed.

1235
00:58:20,400 --> 00:58:24,360
Speaker 2: We are our corner of the world is too fearful

1236
00:58:24,400 --> 00:58:28,600
Speaker 2: of God to uh sure.

1237
00:58:27,480 --> 00:58:30,600
Speaker 3: You've got the Puritan Puritans weren't thinking about lake monsters.

1238
00:58:31,200 --> 00:58:34,360
Speaker 3: They didn't have their in the after all. Yeah, it

1239
00:58:34,600 --> 00:58:36,160
Speaker 3: was too fun, too too icy.

1240
00:58:36,360 --> 00:58:38,720
Speaker 4: Oh my god, the Locker's monster. That the dunk of

1241
00:58:38,800 --> 00:58:40,760
Speaker 4: donk looking.

1242
00:58:40,480 --> 00:58:43,160
Speaker 3: Back at that biggest ass in Scotland.

1243
00:58:43,320 --> 00:58:44,600
Speaker 4: The biggest ass in Scotland.

1244
00:58:44,640 --> 00:58:49,919
Speaker 2: All HaGush looking back going damn swimming around the lake.

1245
00:58:50,320 --> 00:58:50,959
Speaker 2: Look at me.

1246
00:58:51,760 --> 00:58:54,520
Speaker 3: I love the Lochness monster. We had the we had

1247
00:58:54,520 --> 00:58:57,120
Speaker 3: the bear like monster, bear lake monster. That's kind of

1248
00:58:57,160 --> 00:58:59,320
Speaker 3: I think that straddles Utah and Idaho. Who was the

1249
00:58:59,320 --> 00:59:01,840
Speaker 3: bear like monster? No one will ever know, too shy.

1250
00:59:02,360 --> 00:59:03,000
Speaker 4: They're all shy.

1251
00:59:03,040 --> 00:59:05,160
Speaker 3: They're so shy. Yeah, cripplingly shot.

1252
00:59:05,280 --> 00:59:07,960
Speaker 2: If they weren't shy, then yeah, but we'd be bored

1253
00:59:07,960 --> 00:59:09,720
Speaker 2: with them exactly. People.

1254
00:59:09,760 --> 00:59:11,080
Speaker 3: You can't get bored with shy people.

1255
00:59:11,240 --> 00:59:15,960
Speaker 2: That's a really good I feel like celebrities should look

1256
00:59:16,000 --> 00:59:19,720
Speaker 2: to these scryptids to know when to go away, you know,

1257
00:59:19,960 --> 00:59:22,600
Speaker 2: because you got to pop up. You can't go on.

1258
00:59:22,680 --> 00:59:24,920
Speaker 3: You can't be on subway takes everything you know, and

1259
00:59:24,960 --> 00:59:25,959
Speaker 3: you can't be wearing the hat.

1260
00:59:26,200 --> 00:59:29,480
Speaker 4: You can't you can't be Yeah, like you know, do tar.

1261
00:59:31,080 --> 00:59:32,120
Speaker 3: And then vanished for a while.

1262
00:59:32,200 --> 00:59:34,360
Speaker 2: Yeah, yeah, let us miss you, let us miss you.

1263
00:59:34,440 --> 00:59:38,040
Speaker 3: Let's wonder about your health and then yeah, that's I

1264
00:59:38,040 --> 00:59:40,120
Speaker 3: think that's like the best thing a celebrity can do.

1265
00:59:41,360 --> 00:59:44,960
Speaker 3: People concerned about there's a mysterious illness, and then you resurface,

1266
00:59:45,280 --> 00:59:48,000
Speaker 3: and even if your next thing isn't that great, people

1267
00:59:48,040 --> 00:59:49,200
Speaker 3: are thrilled to have you back.

1268
00:59:49,880 --> 00:59:52,760
Speaker 2: Do a play, do a play, or say, you know what,

1269
00:59:52,880 --> 00:59:55,680
Speaker 2: don't even do a play. Say I'm going to do

1270
00:59:55,720 --> 00:59:58,480
Speaker 2: a play because no one sees.

1271
00:59:59,680 --> 01:00:02,360
Speaker 3: Okay, Planchet does not have bronchitis considering a play.

1272
01:00:02,520 --> 01:00:10,000
Speaker 2: She's yeah, yeah, she's threatening to do a chorus line. Yeah,

1273
01:00:10,000 --> 01:00:12,720
Speaker 2: she's threatening to be the choreographer a chorus line.

1274
01:00:13,360 --> 01:00:16,280
Speaker 4: Take it again from the top a five six seven et.

1275
01:00:16,440 --> 01:00:18,480
Speaker 3: She'd be so good. That's perfect cast.

1276
01:00:21,280 --> 01:00:23,520
Speaker 2: My leg or. I tore my meniscus in high school

1277
01:00:23,520 --> 01:00:25,520
Speaker 2: and I did community theater of chorus line. But I

1278
01:00:25,560 --> 01:00:28,000
Speaker 2: was in backstage chorus and I had a T shirt

1279
01:00:28,040 --> 01:00:29,840
Speaker 2: that said backstage chorus and had to come out during

1280
01:00:29,840 --> 01:00:30,320
Speaker 2: the current call.

1281
01:00:31,840 --> 01:00:34,000
Speaker 3: They put they made you wear that T shirt. Yeah,

1282
01:00:34,280 --> 01:00:34,960
Speaker 3: that's unfair.

1283
01:00:35,160 --> 01:00:36,880
Speaker 4: I think I gave it to someone when I used

1284
01:00:36,920 --> 01:00:37,360
Speaker 4: to have it.

1285
01:00:37,600 --> 01:00:38,880
Speaker 3: That's abusive behavior.

1286
01:00:39,600 --> 01:00:42,919
Speaker 2: Huge to hear a whole crowd laughing like at during

1287
01:00:42,920 --> 01:00:46,720
Speaker 2: a curtain call, like mat use the show, and then

1288
01:00:47,000 --> 01:00:50,200
Speaker 2: backstage comes out and takes a long bow.

1289
01:00:50,640 --> 01:00:53,960
Speaker 3: And this was because of the injury. I mean, so

1290
01:00:54,080 --> 01:00:56,959
Speaker 3: I was told they're like, thank Gaudy injured.

1291
01:00:57,120 --> 01:00:58,400
Speaker 2: Then they would have let me on stage if it

1292
01:00:58,440 --> 01:01:03,360
Speaker 2: hadn't been for the hopefully but yeah, so the bar

1293
01:01:03,520 --> 01:01:04,840
Speaker 2: like monster, what are we talking?

1294
01:01:05,800 --> 01:01:06,760
Speaker 4: Fowl? Are we talking?

1295
01:01:06,800 --> 01:01:11,440
Speaker 3: Man? Oh? I would love a wet fowl. Oh my fowl, cryptid, sopping, wet,

1296
01:01:11,760 --> 01:01:25,800
Speaker 3: wet feathers covered in mud. Hey fuck, yeah, that's the

1297
01:01:25,840 --> 01:01:27,080
Speaker 3: sound of the bare like monster.

1298
01:01:27,520 --> 01:01:30,320
Speaker 2: Yeah, yeah, it sucks to be that. Yeah, we both

1299
01:01:30,400 --> 01:01:31,840
Speaker 2: knew it was a pained existence.

1300
01:01:32,880 --> 01:01:36,120
Speaker 3: No, I mean, I think the general thought was that

1301
01:01:36,160 --> 01:01:41,560
Speaker 3: it was kind of serpentine. But I feel like everybody

1302
01:01:41,600 --> 01:01:44,560
Speaker 3: just goes to NeSSI they just imagine it's another dinosaur.

1303
01:01:44,760 --> 01:01:49,000
Speaker 3: I'm imagining a kind of plumped up platy pie. Oh

1304
01:01:49,080 --> 01:01:50,320
Speaker 3: that's not a bad like monster.

1305
01:01:50,520 --> 01:01:52,960
Speaker 2: Yeah yeah, like half bird half.

1306
01:01:53,280 --> 01:01:56,360
Speaker 3: Right, Like, you don't want to even see a platypus.

1307
01:01:56,680 --> 01:01:59,160
Speaker 2: No, has anyone have you ever known someone who's seen

1308
01:01:59,200 --> 01:02:01,920
Speaker 2: a platypus? Never meant anybody tell me when? Okay, so

1309
01:02:01,960 --> 01:02:04,480
Speaker 2: you think, tell me what you think is the side

1310
01:02:04,480 --> 01:02:05,520
Speaker 2: of the platypus? Tell me when?

1311
01:02:05,600 --> 01:02:10,640
Speaker 3: Oh great question? Who knows? Could be that it's because

1312
01:02:10,680 --> 01:02:16,120
Speaker 3: a quarter infinitesimal? Okay, keep going there. I would say,

1313
01:02:16,160 --> 01:02:20,680
Speaker 3: like a newborn puppy size. Yeah, yeah, is that right?

1314
01:02:20,760 --> 01:02:22,360
Speaker 3: Oh I don't know.

1315
01:02:21,480 --> 01:02:23,720
Speaker 2: I did that like a while.

1316
01:02:23,960 --> 01:02:27,920
Speaker 3: Then let me try with you going going when? Oh,

1317
01:02:28,200 --> 01:02:30,640
Speaker 3: so about the size of a chips a hoy?

1318
01:02:31,840 --> 01:02:33,040
Speaker 2: Not many?

1319
01:02:33,240 --> 01:02:36,040
Speaker 3: No? No, not like it could be or it could

1320
01:02:36,040 --> 01:02:38,240
Speaker 3: be it could be huge. It could be a nutrient

1321
01:02:38,920 --> 01:02:41,520
Speaker 3: with the architecture of a platypus. I feel like it

1322
01:02:41,600 --> 01:02:46,160
Speaker 3: needs to be big, fine architecture to support the all

1323
01:02:46,240 --> 01:02:50,360
Speaker 3: of the things that went wrong right, Like, it can't

1324
01:02:50,400 --> 01:02:54,280
Speaker 3: be something, it can't be delicate or fragile. It's got

1325
01:02:54,320 --> 01:02:56,800
Speaker 3: to be like you don't have a disgusting and god

1326
01:02:56,840 --> 01:02:58,000
Speaker 3: bless but they are gross.

1327
01:02:58,040 --> 01:03:00,600
Speaker 4: It's spilt like a suspension bridge plot pus is gross.

1328
01:03:00,800 --> 01:03:03,320
Speaker 3: It's a gross creature. Oh, totally, So it's got to

1329
01:03:03,320 --> 01:03:03,680
Speaker 3: be big.

1330
01:03:03,800 --> 01:03:06,160
Speaker 2: The eggs. The eggs is t m I. Oh yeah,

1331
01:03:06,200 --> 01:03:08,600
Speaker 2: that's that's the first time I heard t m I

1332
01:03:08,880 --> 01:03:11,320
Speaker 2: in biology. Yeah, they're like, hey, and just so you

1333
01:03:11,320 --> 01:03:13,240
Speaker 2: guys know, they lay eggs. Everyone's like.

1334
01:03:14,920 --> 01:03:17,320
Speaker 4: Classes dismissed's we're going home early.

1335
01:03:17,400 --> 01:03:20,400
Speaker 3: This that should be live birth. It's that should be

1336
01:03:20,400 --> 01:03:23,240
Speaker 3: a live birth creature. Totally. I just learned that there's

1337
01:03:23,280 --> 01:03:26,880
Speaker 3: one snake that does live birth. Which class actually, I

1338
01:03:26,880 --> 01:03:29,120
Speaker 3: guess kind of equal. I can't remember. I wish they

1339
01:03:29,160 --> 01:03:32,000
Speaker 3: make think of it. What they make a big stink

1340
01:03:32,000 --> 01:03:33,640
Speaker 3: of it. Then you want to know so you can

1341
01:03:33,680 --> 01:03:35,760
Speaker 3: avoid them. Imagine the snake just giving birth to.

1342
01:03:36,360 --> 01:03:38,920
Speaker 4: I spend a lot of time with snake. Oh yeah, hold.

1343
01:03:38,840 --> 01:03:43,600
Speaker 3: Your car on vacation. There's someone right now calling the police.

1344
01:03:43,680 --> 01:03:45,160
Speaker 3: I think a snake has been left in a car

1345
01:03:45,240 --> 01:03:48,320
Speaker 3: in the hots that's the one that you probably could

1346
01:03:48,360 --> 01:03:49,000
Speaker 3: leave in a hot car.

1347
01:03:49,080 --> 01:03:50,320
Speaker 4: Yeah, you have to be that.

1348
01:03:50,440 --> 01:03:52,560
Speaker 2: You have to be such a punk to call like

1349
01:03:52,600 --> 01:03:54,800
Speaker 2: a's a certain type of person that would call the

1350
01:03:54,840 --> 01:03:56,320
Speaker 2: police to see a snake that saw a snake in

1351
01:03:56,320 --> 01:03:59,400
Speaker 2: a car, well, tattoo. You have to be like, h

1352
01:04:00,080 --> 01:04:02,600
Speaker 2: you have to be pretty hard. Yes, other people would

1353
01:04:02,600 --> 01:04:04,040
Speaker 2: be like fuck the snake.

1354
01:04:05,080 --> 01:04:07,720
Speaker 3: They really would like dog cat whatever. Of course you're

1355
01:04:07,760 --> 01:04:11,640
Speaker 3: probably trying to break the window totally. Yeah, no, thank

1356
01:04:11,680 --> 01:04:13,760
Speaker 3: you're probably happier. You have to actively be on your

1357
01:04:13,760 --> 01:04:16,000
Speaker 3: way to the Reptile Expo to be the sort of

1358
01:04:16,040 --> 01:04:18,280
Speaker 3: person that calls about the snake in the car. That's right.

1359
01:04:18,400 --> 01:04:20,760
Speaker 2: Do you think without all the snake lore and like

1360
01:04:20,840 --> 01:04:22,280
Speaker 2: religion and stuff, we would think different.

1361
01:04:22,320 --> 01:04:24,920
Speaker 3: We'd probably think a little differently. Oh, interesting, if they

1362
01:04:24,960 --> 01:04:27,600
Speaker 3: weren't kind of a symbol of evil. Yeah, they got

1363
01:04:27,920 --> 01:04:30,400
Speaker 3: they really got a bad shake. Or is that just

1364
01:04:30,440 --> 01:04:32,400
Speaker 3: the easiest writing like is it a chicken in the

1365
01:04:32,400 --> 01:04:34,400
Speaker 3: egg thing? Right? Because it is just naturally scary and

1366
01:04:34,440 --> 01:04:38,040
Speaker 3: it's moving without legs. That's the devil of course that

1367
01:04:38,040 --> 01:04:39,560
Speaker 3: would tempt you into eating fruit.

1368
01:04:41,400 --> 01:04:42,160
Speaker 4: Yeah.

1369
01:04:42,280 --> 01:04:42,880
Speaker 2: Yeah.

1370
01:04:42,920 --> 01:04:45,160
Speaker 4: And also spiders I guess didn't really ever have.

1371
01:04:45,680 --> 01:04:48,160
Speaker 3: Much of a chance much lore. They just I think

1372
01:04:48,200 --> 01:04:50,920
Speaker 3: they were just actively biting people and hurt, harming, so

1373
01:04:50,960 --> 01:04:51,600
Speaker 3: they were right.

1374
01:04:51,680 --> 01:04:53,120
Speaker 4: Well, they came around I think in the eighties.

1375
01:04:53,400 --> 01:04:56,560
Speaker 3: Yeah, they were introduced in nineteen eighty seven. And initially

1376
01:04:56,600 --> 01:04:58,520
Speaker 3: it was like at cees and it was like the

1377
01:04:58,640 --> 01:05:01,760
Speaker 3: tech people were like, Okay, we can do this. And

1378
01:05:01,800 --> 01:05:03,840
Speaker 3: then as we do with all tech, it got out

1379
01:05:03,880 --> 01:05:04,280
Speaker 3: of control.

1380
01:05:04,320 --> 01:05:05,480
Speaker 4: It got completely out of control.

1381
01:05:05,560 --> 01:05:09,720
Speaker 3: Religion embraced out and said this is evil. Yeah, and

1382
01:05:09,760 --> 01:05:12,240
Speaker 3: then other than we also got snake church, which is

1383
01:05:12,360 --> 01:05:16,760
Speaker 3: which is also the whole thing, snake Church. Yeah, but

1384
01:05:17,320 --> 01:05:19,600
Speaker 3: no spiders have I think of just kind of they're

1385
01:05:19,680 --> 01:05:21,960
Speaker 3: kind of a bad boy. They're such a bad boy.

1386
01:05:22,000 --> 01:05:23,960
Speaker 3: You don't need the Bible telling you of spider's bad,

1387
01:05:24,840 --> 01:05:26,800
Speaker 3: but not a centipede you feel bad for.

1388
01:05:26,800 --> 01:05:29,320
Speaker 2: It's a difference between a freak.

1389
01:05:30,920 --> 01:05:33,800
Speaker 3: Centipede is a full freak that can't really help itself.

1390
01:05:33,840 --> 01:05:38,480
Speaker 3: It's yeah, but the bad boys, it's it's got an agenda,

1391
01:05:38,560 --> 01:05:40,600
Speaker 3: at least some type of structure in its life.

1392
01:05:40,560 --> 01:05:42,760
Speaker 2: And you stay away from it.

1393
01:05:42,840 --> 01:05:45,280
Speaker 3: The freak doesn't have any friends.

1394
01:05:45,720 --> 01:05:47,480
Speaker 4: People don't even kill centipedes because they're like.

1395
01:05:47,480 --> 01:05:51,360
Speaker 3: A centipede has got a rolling luggage behind it at

1396
01:05:51,360 --> 01:05:57,680
Speaker 3: all times, carrying its things. Yes, wearing boxers is shorts.

1397
01:05:59,120 --> 01:06:03,400
Speaker 3: Everyone's even the nerds like, oh, we can't do anything

1398
01:06:03,440 --> 01:06:03,640
Speaker 3: with that.

1399
01:06:04,200 --> 01:06:04,600
Speaker 2: We can't.

1400
01:06:04,920 --> 01:06:10,360
Speaker 3: Sorry, Hey, you're on your own. Sorry man, Oh well,

1401
01:06:10,520 --> 01:06:11,840
Speaker 3: I think I'm gonna take them off my shirt. I'm

1402
01:06:11,840 --> 01:06:14,600
Speaker 3: getting a little warm, okay, which is fine.

1403
01:06:14,440 --> 01:06:15,960
Speaker 2: Forgot you had a tunic underneath that.

1404
01:06:16,160 --> 01:06:19,720
Speaker 3: Yeah, it's good to just be able to constantly reveal yourself.

1405
01:06:19,880 --> 01:06:21,600
Speaker 4: That's it's good to be able to just pop that

1406
01:06:21,600 --> 01:06:22,040
Speaker 4: thing off.

1407
01:06:22,160 --> 01:06:24,520
Speaker 3: Oh how many shirts can you pop off? That's one

1408
01:06:24,520 --> 01:06:27,360
Speaker 3: thing a western wear does best. And Western ware kind

1409
01:06:27,360 --> 01:06:29,280
Speaker 3: of stopped being like western ware.

1410
01:06:29,360 --> 01:06:31,200
Speaker 2: You thought was having a thing around two thousand and

1411
01:06:31,280 --> 01:06:33,800
Speaker 2: nine to twenty eleven, the snap buttons.

1412
01:06:34,000 --> 01:06:36,800
Speaker 3: Oh yeah, of course, and then something happened headed back

1413
01:06:37,120 --> 01:06:39,920
Speaker 3: you think, Oh yeah, it's absolutely headed back Big Sky

1414
01:06:40,000 --> 01:06:42,720
Speaker 3: Country or everywhere. I think it's creeping in. Yeah, yeah,

1415
01:06:42,720 --> 01:06:47,640
Speaker 3: it's probably as close as the Riverside right now. It's

1416
01:06:47,920 --> 01:06:50,080
Speaker 3: stopping to gas up in Riverside on its way down.

1417
01:06:52,240 --> 01:06:55,400
Speaker 3: I think that Western war is on its way back,

1418
01:06:55,600 --> 01:06:57,960
Speaker 3: is it staying in a in like a it's saying

1419
01:06:58,000 --> 01:07:00,920
Speaker 3: at a prints place, Okay, has not seen him a

1420
01:07:00,960 --> 01:07:03,080
Speaker 3: long time, and they're like, well he called and asked.

1421
01:07:03,360 --> 01:07:05,040
Speaker 3: He's like, what was I supposed to do?

1422
01:07:05,160 --> 01:07:08,720
Speaker 4: Thanks so much? Man, Hey, this was really good.

1423
01:07:10,000 --> 01:07:10,520
Speaker 2: Let's do that.

1424
01:07:10,680 --> 01:07:13,920
Speaker 3: Hey, let's do this again. And then you're apologizing to

1425
01:07:13,960 --> 01:07:19,320
Speaker 3: your spouse about the whole weekend. Know, this is coming

1426
01:07:19,360 --> 01:07:23,480
Speaker 3: back trying to do a trend report and that's all yeah, yeah, yeah,

1427
01:07:23,960 --> 01:07:26,760
Speaker 3: I feel like v next are now. I mean see

1428
01:07:27,280 --> 01:07:28,040
Speaker 3: people want to.

1429
01:07:29,200 --> 01:07:31,920
Speaker 2: Time and at least has been doing a slow and

1430
01:07:31,920 --> 01:07:34,480
Speaker 2: at least has been doing the slowest slow zoom on

1431
01:07:34,560 --> 01:07:35,400
Speaker 2: my nip and.

1432
01:07:35,360 --> 01:07:39,240
Speaker 3: There's now microscopic of we can see what's living on

1433
01:07:39,240 --> 01:07:42,680
Speaker 3: that now the viewers just trying to be.

1434
01:07:44,720 --> 01:07:46,400
Speaker 4: You can't and it's it's slowly.

1435
01:07:46,760 --> 01:07:48,200
Speaker 3: Our sound are talking is just.

1436
01:07:55,400 --> 01:07:57,480
Speaker 2: Oh the work girl heard.

1437
01:07:59,080 --> 01:08:07,560
Speaker 3: And just my nippled beneath your Yeah. Wow, this episode

1438
01:08:07,640 --> 01:08:10,680
Speaker 3: was crazy nipple monsters.

1439
01:08:10,920 --> 01:08:14,680
Speaker 2: Yeah yeah, I think I think a collared.

1440
01:08:14,560 --> 01:08:16,280
Speaker 3: What do you call this? This is a what?

1441
01:08:16,560 --> 01:08:16,760
Speaker 2: Yeah?

1442
01:08:16,800 --> 01:08:19,000
Speaker 3: When it's not like a buttoned collar and it's like

1443
01:08:19,040 --> 01:08:19,720
Speaker 3: attached to.

1444
01:08:20,400 --> 01:08:22,479
Speaker 4: What it's woodworking stuff for Robin right.

1445
01:08:22,560 --> 01:08:26,479
Speaker 3: It's right, I would I would say it's a pilots. No,

1446
01:08:26,800 --> 01:08:28,919
Speaker 3: I would say it's like there's something about very airplane,

1447
01:08:29,040 --> 01:08:34,040
Speaker 3: very being very very aviation in the sky the sky, right, yeah,

1448
01:08:34,200 --> 01:08:35,760
Speaker 3: And I can't say what it is. And mine's more

1449
01:08:35,800 --> 01:08:37,719
Speaker 3: of a would you say this is a key hole?

1450
01:08:39,640 --> 01:08:42,120
Speaker 3: They call that a keyhole shirt when it's like kind

1451
01:08:42,160 --> 01:08:43,400
Speaker 3: of revealing.

1452
01:08:43,160 --> 01:08:46,280
Speaker 2: This is something you you Oh my god, you look

1453
01:08:46,320 --> 01:08:48,240
Speaker 2: like you could be in the White Lotus right now

1454
01:08:48,280 --> 01:08:49,600
Speaker 2: as going to the hospitality.

1455
01:08:49,680 --> 01:08:51,720
Speaker 4: You look like the guy.

1456
01:08:52,360 --> 01:08:54,000
Speaker 2: And do you watch the White of course?

1457
01:08:54,040 --> 01:08:55,200
Speaker 3: Of course I love the White Lotus.

1458
01:08:55,240 --> 01:08:56,559
Speaker 2: I'm gonna need something to happen.

1459
01:08:56,400 --> 01:08:58,599
Speaker 3: Though, I mean, we're taking our time.

1460
01:08:59,120 --> 01:09:01,320
Speaker 4: Talk's gone. He got gay Talk's gun?

1461
01:09:02,360 --> 01:09:04,920
Speaker 3: Yeah, gaytar or gay tar, gayuitar.

1462
01:09:05,080 --> 01:09:07,320
Speaker 2: I believe gauitar. Gauitar.

1463
01:09:07,520 --> 01:09:11,920
Speaker 3: It's a guitar for gay man got his gun. Yeah,

1464
01:09:11,920 --> 01:09:14,439
Speaker 3: the gun. Now that's just a montage with they're partying.

1465
01:09:15,120 --> 01:09:19,040
Speaker 3: People loved the partying montage and listen anything Mike White

1466
01:09:19,080 --> 01:09:22,040
Speaker 3: makes I'm there to watch and enjoy. Oh totally. But

1467
01:09:22,080 --> 01:09:25,560
Speaker 3: the party montage for me was I started to get it.

1468
01:09:25,680 --> 01:09:27,680
Speaker 3: I was starting to get into spy movie territory. It

1469
01:09:27,720 --> 01:09:29,560
Speaker 3: was because I'm not experienced with parties. But it's a

1470
01:09:29,560 --> 01:09:31,439
Speaker 3: little bit like, okay, very good time.

1471
01:09:31,479 --> 01:09:33,600
Speaker 2: If you're ever filming and you're making something and you

1472
01:09:33,640 --> 01:09:36,160
Speaker 2: need public domain footage of partying, that's what that That's

1473
01:09:36,160 --> 01:09:38,840
Speaker 2: what it is. That was. That was like, it was

1474
01:09:38,840 --> 01:09:41,759
Speaker 2: like thirty minutes of a little long with Michelle Monahan.

1475
01:09:41,880 --> 01:09:44,360
Speaker 3: I love to see Michelle monahanue letting lose. She's doing

1476
01:09:44,400 --> 01:09:47,360
Speaker 3: a great job, doing wonderful but proposed you doing a

1477
01:09:47,400 --> 01:09:52,600
Speaker 3: full on Groundlings character. It's like, I'm pushing back. I

1478
01:09:52,600 --> 01:09:57,040
Speaker 3: think she's doing the character so accurately that it's a cartoon.

1479
01:09:57,160 --> 01:10:01,479
Speaker 2: See, Okay, this is where you're jack right, and just

1480
01:10:01,840 --> 01:10:05,000
Speaker 2: everyone is not giving characters anymore. So when someone gives

1481
01:10:05,040 --> 01:10:07,120
Speaker 2: a character, yeah, you're like, oh, they're actually you doing

1482
01:10:07,160 --> 01:10:10,639
Speaker 2: front facing common but it's no, that's acting. Everyone else

1483
01:10:10,680 --> 01:10:11,440
Speaker 2: is just showing.

1484
01:10:11,240 --> 01:10:12,920
Speaker 3: Up and just doing their normal voice.

1485
01:10:13,040 --> 01:10:16,799
Speaker 2: That was everybody feeling yeah, oh my god, the brothers,

1486
01:10:16,800 --> 01:10:18,120
Speaker 2: Oh my god, the fucking brothers.

1487
01:10:18,800 --> 01:10:21,479
Speaker 3: Well, the dad British, you know what's that guy's name.

1488
01:10:21,680 --> 01:10:25,000
Speaker 2: Whenever you see someone give it a really good performance, obviously.

1489
01:10:24,640 --> 01:10:28,360
Speaker 3: They're a brit and they're doing like an obscure Southern accent.

1490
01:10:28,800 --> 01:10:31,360
Speaker 3: I mean the backflips that man's doing. If you're ever

1491
01:10:31,439 --> 01:10:33,280
Speaker 3: audition for something and there's a British dude and that

1492
01:10:33,439 --> 01:10:35,840
Speaker 3: you go home, you go home. They don't want an

1493
01:10:35,880 --> 01:10:36,840
Speaker 3: American actor for this.

1494
01:10:37,280 --> 01:10:39,439
Speaker 2: If they can do brit No, it's not the other

1495
01:10:39,439 --> 01:10:40,880
Speaker 2: way round, Absolutely not.

1496
01:10:41,040 --> 01:10:48,200
Speaker 3: The Americans goes right, Oliver twist every times, graceful.

1497
01:10:48,240 --> 01:10:48,880
Speaker 4: We can't do it.

1498
01:10:49,880 --> 01:10:50,880
Speaker 3: Can you do any accent?

1499
01:10:51,439 --> 01:10:56,599
Speaker 2: Hmmm mmm? I could do. Okay, We're gonna get your

1500
01:10:56,600 --> 01:10:59,240
Speaker 2: family back. That's the blood time. And that's South African.

1501
01:10:59,320 --> 01:11:00,439
Speaker 2: That's a DiCaprio.

1502
01:11:00,720 --> 01:11:03,719
Speaker 3: That's over there. It's bling bling over HiT's bling bang.

1503
01:11:06,120 --> 01:11:09,680
Speaker 3: We're gonna get your family back family. Can you do

1504
01:11:09,720 --> 01:11:13,760
Speaker 3: any Oh god, it's so you feel so naked when

1505
01:11:13,760 --> 01:11:15,640
Speaker 3: you're trying to do an accent. Hey, we gotta we

1506
01:11:15,680 --> 01:11:17,600
Speaker 3: got to prove our special skills in a resume. I

1507
01:11:17,600 --> 01:11:19,080
Speaker 3: mean you can do Midwest. I mean I can do

1508
01:11:19,200 --> 01:11:21,479
Speaker 3: anybody can do a Midwest the friends of mcdoran. Don't

1509
01:11:21,479 --> 01:11:23,560
Speaker 3: you yeah, don't you have an attack? It was in

1510
01:11:23,640 --> 01:11:27,599
Speaker 3: Wadder whoa Okay?

1511
01:11:27,640 --> 01:11:29,760
Speaker 2: I like when I like when you can spell it out?

1512
01:11:29,880 --> 01:11:32,799
Speaker 3: Can you do Pittsburgh? No? My god, that one feels

1513
01:11:32,800 --> 01:11:35,240
Speaker 3: like you have to go to a witch to learn

1514
01:11:35,320 --> 01:11:39,479
Speaker 3: that you don't just do a Pittsburgh accent, Like, what

1515
01:11:39,600 --> 01:11:41,760
Speaker 3: the I mean that's another language when you say you

1516
01:11:41,840 --> 01:11:42,120
Speaker 3: got you?

1517
01:11:42,520 --> 01:11:43,559
Speaker 2: Yeah, it's a witch.

1518
01:11:43,600 --> 01:11:45,439
Speaker 3: I wouldn't able to even point it out, like it's

1519
01:11:45,439 --> 01:11:48,240
Speaker 3: such a it's very obscure. I only know if they

1520
01:11:48,320 --> 01:11:50,559
Speaker 3: zoom in on Pittsburgh in the beginning. Oh yeah, then

1521
01:11:50,680 --> 01:11:52,040
Speaker 3: if it's mister rogers neighborhood.

1522
01:11:52,160 --> 01:11:52,479
Speaker 2: That's right.

1523
01:11:52,560 --> 01:11:54,720
Speaker 3: He didn't have a Pittsburgh accent. There's the flaw in

1524
01:11:54,760 --> 01:11:58,759
Speaker 3: the shoe Pittsburgh. Yes, oh he has the little uh.

1525
01:11:58,920 --> 01:12:01,439
Speaker 3: I went to Pittsburgh for a wedding and wrote the

1526
01:12:01,920 --> 01:12:04,639
Speaker 3: what is that a funicular that goes up the hill?

1527
01:12:05,080 --> 01:12:07,360
Speaker 3: Doesn't he have a little trolley or something? Yeah? Yeah,

1528
01:12:07,360 --> 01:12:09,519
Speaker 3: I'm pretty sure on a list? Does this feel right

1529
01:12:09,560 --> 01:12:14,519
Speaker 3: to you? Analas is confused at least gave us the

1530
01:12:14,600 --> 01:12:17,599
Speaker 3: light Fred Rogers, turn.

1531
01:12:17,479 --> 01:12:21,439
Speaker 2: It off, turn it offwo pounds his whole life.

1532
01:12:21,240 --> 01:12:23,559
Speaker 3: One hundred and forty two. Famously, he had have bragged

1533
01:12:23,560 --> 01:12:25,360
Speaker 3: about it the first of every episode, taking my shoes

1534
01:12:25,400 --> 01:12:28,120
Speaker 3: off one hundred and forty four in shoes.

1535
01:12:29,360 --> 01:12:32,800
Speaker 2: Yes, yes, because he's his couch is constantly weighing him

1536
01:12:32,800 --> 01:12:33,520
Speaker 2: one hundred.

1537
01:12:33,240 --> 01:12:34,880
Speaker 3: And forty eight in Puppets.

1538
01:12:37,240 --> 01:12:42,000
Speaker 2: Yeah, really I never started thinking about what of the

1539
01:12:42,080 --> 01:12:43,120
Speaker 2: what was the scary puppet?

1540
01:12:43,520 --> 01:12:47,040
Speaker 3: Oh, the kind again devil. Yes, it was kind of

1541
01:12:47,080 --> 01:12:47,439
Speaker 3: a devil.

1542
01:12:47,479 --> 01:12:48,920
Speaker 4: Is It was Lady Elaine.

1543
01:12:49,200 --> 01:12:51,840
Speaker 3: And her face was very rubbery, wasn't it. And her

1544
01:12:51,880 --> 01:12:54,000
Speaker 3: nose was very unforgiving.

1545
01:12:54,120 --> 01:12:56,919
Speaker 4: Yeah, And and she had she had a chin.

1546
01:12:57,240 --> 01:13:00,479
Speaker 3: And she was it was like the chin almost me nose.

1547
01:13:00,560 --> 01:13:03,720
Speaker 3: You know that persons have to know good, that's right.

1548
01:13:03,760 --> 01:13:05,760
Speaker 2: She terrified when you could see the dream Works kid

1549
01:13:05,800 --> 01:13:08,920
Speaker 2: fishing from their chi, from the chin to the nose,

1550
01:13:09,560 --> 01:13:11,479
Speaker 2: you know, you know some.

1551
01:13:12,960 --> 01:13:15,480
Speaker 3: Where it's his movie. There's some ip that could be exploited.

1552
01:13:15,560 --> 01:13:20,799
Speaker 2: Oh, they're doing it, and they're having Will Poulters playing him.

1553
01:13:20,960 --> 01:13:24,200
Speaker 2: I actually am happy to believe that Will Polters as

1554
01:13:24,280 --> 01:13:28,160
Speaker 2: a DreamWorks kid, and it's him finally catching something.

1555
01:13:28,320 --> 01:13:30,479
Speaker 3: It's him finally find out and it's of course a

1556
01:13:30,479 --> 01:13:35,200
Speaker 3: love letter to movies. That's he catches a VHS, teaches

1557
01:13:35,240 --> 01:13:36,599
Speaker 3: children about the importance of films.

1558
01:13:36,640 --> 01:13:39,640
Speaker 2: Yes, and he filas it, d bones and filates the

1559
01:13:39,720 --> 01:13:42,800
Speaker 2: DHS coming brutal. Yeah, the Daniels are doing it, so

1560
01:13:42,840 --> 01:13:45,439
Speaker 2: it's gonna be it's gonna be w It's gonna be fine.

1561
01:13:46,280 --> 01:13:52,040
Speaker 3: Ah, it's gonna be fine, gonna be talking. Is this

1562
01:13:52,160 --> 01:13:58,439
Speaker 3: e Bon's world? Woo oh my god? Oh is this

1563
01:13:58,520 --> 01:14:11,320
Speaker 3: a fucking internet from twenty twelve? Yes, yes, any anyway,

1564
01:14:11,439 --> 01:14:13,320
Speaker 3: I think I feel like I should give us the

1565
01:14:13,400 --> 01:14:15,040
Speaker 3: light to play the game. I think we're to the

1566
01:14:15,080 --> 01:14:17,640
Speaker 3: reports that actually I do want to ask you. I

1567
01:14:17,680 --> 01:14:20,080
Speaker 3: don't want to leave the clothing before asking you, like

1568
01:14:20,120 --> 01:14:22,880
Speaker 3: what your shopping style is, because you do obviously like

1569
01:14:23,640 --> 01:14:27,200
Speaker 3: how are you filling out your wardrobe? You're the only

1570
01:14:27,200 --> 01:14:29,799
Speaker 3: person in the world I care about asking this question.

1571
01:14:30,360 --> 01:14:33,160
Speaker 2: I I try to do a different outfit every time

1572
01:14:33,200 --> 01:14:36,320
Speaker 2: I'm on stage, and that is getting pretty crazy.

1573
01:14:36,360 --> 01:14:37,599
Speaker 3: This sounds exhausting, and.

1574
01:14:37,479 --> 01:14:39,519
Speaker 2: It's just very intuitive. I Am not to sound like

1575
01:14:40,400 --> 01:14:43,639
Speaker 2: you know, you'll maybe just you know, mystic or anything.

1576
01:14:43,680 --> 01:14:45,720
Speaker 2: But if I just wake up from a dream and

1577
01:14:46,360 --> 01:14:48,800
Speaker 2: I just have this, for example, I'm like, I need

1578
01:14:48,880 --> 01:14:52,160
Speaker 2: something with a purple faux for collar.

1579
01:14:52,360 --> 01:14:54,559
Speaker 3: Sure, And I google purple faux for.

1580
01:14:54,600 --> 01:14:58,240
Speaker 2: Collar and yeah, and I'm finding that this is this

1581
01:14:58,320 --> 01:15:00,960
Speaker 2: is all women stuff, I think, but typically finding thank you.

1582
01:15:00,960 --> 01:15:03,439
Speaker 2: I've been doing mostly on stage. I've been doing more

1583
01:15:03,560 --> 01:15:07,000
Speaker 2: British men's clothes with British men's bodies are fitted.

1584
01:15:07,040 --> 01:15:08,040
Speaker 3: They're like my body.

1585
01:15:08,320 --> 01:15:11,080
Speaker 2: Sure, the American body the Americans men closed is like

1586
01:15:11,479 --> 01:15:13,400
Speaker 2: you know, it's as John Wayne.

1587
01:15:13,160 --> 01:15:16,120
Speaker 3: It's a refrigerator box every time, exactly exactly. And I'm

1588
01:15:16,160 --> 01:15:18,080
Speaker 3: sure you see this and you're very I would say,

1589
01:15:18,080 --> 01:15:20,000
Speaker 3: you're somebody that could be in the intro of one

1590
01:15:20,080 --> 01:15:23,400
Speaker 3: hundred and one Dollmations character with a dog or the dog.

1591
01:15:24,880 --> 01:15:29,240
Speaker 2: I'm the rare guy who's walking himself and they cut

1592
01:15:29,280 --> 01:15:31,880
Speaker 2: to live action for that one and they play a

1593
01:15:31,920 --> 01:15:35,679
Speaker 2: low drone.

1594
01:15:36,160 --> 01:15:39,000
Speaker 3: But yeah, it's but you have a very like more

1595
01:15:39,000 --> 01:15:40,679
Speaker 3: of a British energy.

1596
01:15:40,840 --> 01:15:43,200
Speaker 2: I appreciate that people that, yeah, people that don't hear

1597
01:15:43,240 --> 01:15:46,200
Speaker 2: me speak if they just see photos of me jump

1598
01:15:46,240 --> 01:15:48,840
Speaker 2: to British. People that have known me from memes thought

1599
01:15:48,880 --> 01:15:49,880
Speaker 2: that al was British.

1600
01:15:49,960 --> 01:15:51,879
Speaker 3: Interesting, Well, Fleming sounds British.

1601
01:15:51,960 --> 01:15:54,519
Speaker 2: Oh yeah, sure, yeah, yeah.

1602
01:15:54,280 --> 01:15:57,080
Speaker 3: Who's the other famous Fleming? Ian Fleming Ian Fleming? Yeah,

1603
01:15:57,120 --> 01:16:04,480
Speaker 3: uncle uncle, yeah. Part of the Barbara Barkley broccoln.

1604
01:16:04,200 --> 01:16:07,680
Speaker 2: Broccoli, Barbara Broccley, which sounds like a Veggietails protagonist.

1605
01:16:07,720 --> 01:16:10,920
Speaker 3: I keep saying Barbara Barkley, which is probably part of

1606
01:16:11,000 --> 01:16:12,560
Speaker 3: the Charles Foundation.

1607
01:16:13,360 --> 01:16:17,559
Speaker 2: Well, Barbara Barkley sounds more like a human name, unless

1608
01:16:17,560 --> 01:16:17,800
Speaker 2: like a.

1609
01:16:17,800 --> 01:16:20,080
Speaker 3: Children like the first thought someone had for a fake name.

1610
01:16:21,160 --> 01:16:25,400
Speaker 3: What's your name? Barbara Buckley Ralph's produce section.

1611
01:16:26,400 --> 01:16:30,040
Speaker 2: Yeah, looking at Watching twenty twenty with Barbara Walters or whatever.

1612
01:16:31,160 --> 01:16:33,360
Speaker 2: Barbara Broncley Bugley, Barbara Brockley.

1613
01:16:35,040 --> 01:16:36,519
Speaker 3: Yeah, I'm glad that she's kind of I don't know

1614
01:16:36,560 --> 01:16:40,080
Speaker 3: what the drama is there. People at wore over James Bond.

1615
01:16:40,160 --> 01:16:44,880
Speaker 3: I think she gave up. Maybe Amazon took over. The

1616
01:16:44,920 --> 01:16:47,160
Speaker 3: details are so exhausting. I can't stand it.

1617
01:16:47,400 --> 01:16:49,160
Speaker 2: But I didn't know they were. Wait, is there is

1618
01:16:49,240 --> 01:16:49,840
Speaker 2: there an issue?

1619
01:16:49,960 --> 01:16:54,479
Speaker 3: Barbara owned James Bond and somehow she's lost control of

1620
01:16:54,520 --> 01:16:59,280
Speaker 3: the IP he got away from it, slippery fish.

1621
01:16:59,520 --> 01:17:00,960
Speaker 2: It was a win the day on top of the

1622
01:17:01,000 --> 01:17:03,000
Speaker 2: Empire State Building.

1623
01:17:03,800 --> 01:17:07,960
Speaker 3: Damn it and Bezos. It's in his teeth? Is beyd

1624
01:17:08,000 --> 01:17:14,679
Speaker 3: his gyro copter, the nets, the Hudson target.

1625
01:17:16,120 --> 01:17:17,439
Speaker 4: But they're gonna put is it?

1626
01:17:17,479 --> 01:17:17,600
Speaker 2: Is it?

1627
01:17:17,680 --> 01:17:19,080
Speaker 3: Josh O'Connor, do you think? Oh?

1628
01:17:19,280 --> 01:17:20,599
Speaker 2: Is he? Is he up for us?

1629
01:17:20,800 --> 01:17:23,840
Speaker 3: I heard some sort of thing. I just believe I.

1630
01:17:24,280 --> 01:17:27,240
Speaker 4: Heard it was truly the challenges guy.

1631
01:17:28,040 --> 01:17:30,040
Speaker 3: Oh that makes sense if he was there.

1632
01:17:30,360 --> 01:17:30,760
Speaker 2: I'm there.

1633
01:17:30,920 --> 01:17:33,200
Speaker 3: I'm there on opening night. He's a little young that

1634
01:17:33,240 --> 01:17:34,640
Speaker 3: feels like teen bond to me.

1635
01:17:35,000 --> 01:17:37,280
Speaker 4: That's what that's what it is. It's Bond Junior.

1636
01:17:37,280 --> 01:17:37,880
Speaker 2: It's like ju.

1637
01:17:39,680 --> 01:17:41,479
Speaker 3: If they did Bond Jr. That I think I would

1638
01:17:41,479 --> 01:17:43,360
Speaker 3: at least it would revitalize the formula.

1639
01:17:43,439 --> 01:17:44,360
Speaker 4: And they want to have a lot of.

1640
01:17:48,880 --> 01:17:55,360
Speaker 3: Oh teens, they're shooting in the same studios last Man's standing. Yeah,

1641
01:17:55,680 --> 01:17:59,400
Speaker 3: Barbara demanded it. Yeah, okay, I think it's time to

1642
01:17:59,400 --> 01:18:01,320
Speaker 3: play a game. Were gonna play a game called Gift Recurse.

1643
01:18:01,880 --> 01:18:04,120
Speaker 3: I need to number between one and ten from you. Seven.

1644
01:18:04,280 --> 01:18:04,559
Speaker 2: Okay.

1645
01:18:04,840 --> 01:18:06,439
Speaker 3: I have to do some like calculating to get our

1646
01:18:06,479 --> 01:18:09,599
Speaker 3: game pieces right now. You can promote, recommend, do whatever

1647
01:18:09,600 --> 01:18:10,120
Speaker 3: you want to.

1648
01:18:10,120 --> 01:18:16,519
Speaker 2: Do some basic math, yes, okay, I recommend. Oh I

1649
01:18:16,600 --> 01:18:20,600
Speaker 2: hate to do this. I watched Companion, which is a

1650
01:18:20,720 --> 01:18:23,759
Speaker 2: Sophie Thatcher I think is her name. I get obsessed

1651
01:18:23,800 --> 01:18:26,920
Speaker 2: with actors, and I got obsessed with Sophie Thatcher and

1652
01:18:27,000 --> 01:18:29,040
Speaker 2: I that she played. Oh, I not even I don't

1653
01:18:29,040 --> 01:18:30,920
Speaker 2: want to give anything away, but it's a good little

1654
01:18:31,600 --> 01:18:34,880
Speaker 2: horror movie that I liked. That was fun and Dennis

1655
01:18:34,920 --> 01:18:39,080
Speaker 2: Quaid's son plays a douche in it who and he

1656
01:18:39,160 --> 01:18:41,000
Speaker 2: does a really convincing job of it.

1657
01:18:41,720 --> 01:18:44,639
Speaker 3: And I'm not in it or involved in it anyway.

1658
01:18:45,160 --> 01:18:47,439
Speaker 2: In fact, even when I when I audition for things now,

1659
01:18:47,479 --> 01:18:49,400
Speaker 2: it's almost like they're just trying to make sure I'm

1660
01:18:49,400 --> 01:18:51,320
Speaker 2: not the right person for the part. That's kind of

1661
01:18:52,520 --> 01:18:55,559
Speaker 2: that's kind of what an audition feels like. We thought

1662
01:18:55,680 --> 01:18:58,840
Speaker 2: we were sure you weren't. We wanted to really make

1663
01:18:58,880 --> 01:19:02,120
Speaker 2: sure you were wrong that' thank you for coming, we

1664
01:19:02,160 --> 01:19:03,000
Speaker 2: can cross you off.

1665
01:19:03,280 --> 01:19:05,840
Speaker 3: Let's see here. Oh my god, I'm a mess. You're

1666
01:19:05,880 --> 01:19:09,000
Speaker 3: doing this with gloves. Forget it, you were typing with gloves.

1667
01:19:09,320 --> 01:19:11,160
Speaker 3: I'm just trying to select with gloves.

1668
01:19:10,840 --> 01:19:12,080
Speaker 4: For those who went home. Bridger isn't.

1669
01:19:12,160 --> 01:19:14,160
Speaker 2: I don't know if you ever went to space camp,

1670
01:19:14,200 --> 01:19:16,200
Speaker 2: but when you have to put your hands into the

1671
01:19:16,240 --> 01:19:19,000
Speaker 2: space box in the midst and you're wearing it's like

1672
01:19:19,040 --> 01:19:22,000
Speaker 2: what it feels that's what Bridge is doing on his

1673
01:19:22,600 --> 01:19:24,800
Speaker 2: I never got I got robbed of that opportunity.

1674
01:19:24,920 --> 01:19:26,280
Speaker 3: I never got to do space Box.

1675
01:19:26,320 --> 01:19:27,960
Speaker 4: We're too busy doing foods.

1676
01:19:28,560 --> 01:19:32,320
Speaker 3: Foods, learning to how to make no baked cookies.

1677
01:19:32,400 --> 01:19:37,519
Speaker 2: It's like what they yell at Urgent care foods is

1678
01:19:37,680 --> 01:19:39,320
Speaker 2: crashing foods foods.

1679
01:19:41,400 --> 01:19:42,599
Speaker 4: Can you tie me to these and see.

1680
01:19:42,479 --> 01:19:46,000
Speaker 3: If I go after the show, I've got a gun

1681
01:19:46,000 --> 01:19:51,000
Speaker 3: to shoot you down. Thing's gonna out of control. Okay, No,

1682
01:19:51,160 --> 01:19:52,679
Speaker 3: this is this is how we play Gift or curse.

1683
01:19:52,680 --> 01:19:55,120
Speaker 3: I'm going to name three things and you're going to

1684
01:19:55,160 --> 01:19:57,080
Speaker 3: tell me if they are a gift or a curse

1685
01:19:57,160 --> 01:19:59,519
Speaker 3: and why, And I'll tell you if you're right or wrong.

1686
01:19:59,560 --> 01:20:02,040
Speaker 3: Because there are correct answers, you can fail, and to

1687
01:20:02,160 --> 01:20:06,800
Speaker 3: fail on a fifth anniversary tough feeling. We can't have that.

1688
01:20:06,960 --> 01:20:07,439
Speaker 2: Okay.

1689
01:20:07,640 --> 01:20:09,679
Speaker 3: This first one of this is from a we don't

1690
01:20:09,680 --> 01:20:12,040
Speaker 3: even know who it's from. It's an unmarked grave of

1691
01:20:12,080 --> 01:20:14,320
Speaker 3: It's from Instagram Live, so we don't know your name.

1692
01:20:14,560 --> 01:20:17,400
Speaker 3: Gift you a curse. Sneezing while driving.

1693
01:20:19,200 --> 01:20:22,120
Speaker 2: Curse. I mean it's pleasure, it's one sixteenth of an orgasm,

1694
01:20:22,400 --> 01:20:25,160
Speaker 2: but but you're blinded. I mean it's where it's it's

1695
01:20:25,200 --> 01:20:28,600
Speaker 2: incredibly dangerous, you know, sneezing while driving because you go

1696
01:20:29,000 --> 01:20:31,120
Speaker 2: you can't because you physically cannot seize with your eyes

1697
01:20:31,160 --> 01:20:34,519
Speaker 2: open unless you're you know, ci A trained.

1698
01:20:34,640 --> 01:20:35,960
Speaker 3: Oh they probably do train for that.

1699
01:20:36,120 --> 01:20:39,519
Speaker 2: Yeah, West Point, they spend they spend a little weekend

1700
01:20:39,520 --> 01:20:39,880
Speaker 2: doing that.

1701
01:20:40,320 --> 01:20:41,200
Speaker 4: It's a little trick.

1702
01:20:41,479 --> 01:20:43,640
Speaker 2: You gotta pinch yourself right here, you got you got.

1703
01:20:43,720 --> 01:20:48,040
Speaker 2: When you get a little true, then you can graduate.

1704
01:20:49,160 --> 01:20:50,280
Speaker 2: Is you get your gun in your badge.

1705
01:20:50,360 --> 01:20:53,320
Speaker 3: It is probably a an orgasm that got to be scientific.

1706
01:20:53,439 --> 01:20:55,000
Speaker 2: Right, Well, that's what we were talking.

1707
01:20:56,920 --> 01:20:59,400
Speaker 3: In the fractions of course.

1708
01:21:00,479 --> 01:21:05,559
Speaker 2: And orgasm doing cocaine is is like six orgasms. Remember,

1709
01:21:05,600 --> 01:21:08,160
Speaker 2: they would tell you that's like Jesus, it's like a

1710
01:21:08,160 --> 01:21:08,920
Speaker 2: full body orgasm.

1711
01:21:08,920 --> 01:21:10,000
Speaker 4: That's what they would te us about coke.

1712
01:21:10,720 --> 01:21:12,639
Speaker 3: Do not do this wrong.

1713
01:21:13,920 --> 01:21:15,080
Speaker 2: It's a gift.

1714
01:21:15,760 --> 01:21:18,160
Speaker 3: Sneezing while driving, right, it's a vacation. What a feeling.

1715
01:21:18,200 --> 01:21:21,960
Speaker 3: It's a vacation. It's an escape. Yeah, yeah, it's a trial.

1716
01:21:22,400 --> 01:21:25,720
Speaker 3: I feel like it's like God's little driving test. It's like,

1717
01:21:25,920 --> 01:21:28,080
Speaker 3: that's so fun. What else can he put in front

1718
01:21:28,120 --> 01:21:31,360
Speaker 3: of you other than a sneeze? You're right, how are

1719
01:21:31,400 --> 01:21:31,960
Speaker 3: you gonna do it?

1720
01:21:32,080 --> 01:21:34,680
Speaker 2: If if the divine were in charge of your of

1721
01:21:34,760 --> 01:21:39,080
Speaker 2: getting your license, that would be before parallel parking, sneezing

1722
01:21:39,160 --> 01:21:43,519
Speaker 2: in the on the freeway, put a little pepper in

1723
01:21:43,560 --> 01:21:48,519
Speaker 2: your in your snout, you're driving, face you pass, You

1724
01:21:48,560 --> 01:21:51,479
Speaker 2: didn't total in fucking t bone the bridge.

1725
01:21:52,040 --> 01:21:54,519
Speaker 3: Yeah, it's absolutely a gift for that alone. It's just like,

1726
01:21:54,720 --> 01:21:58,400
Speaker 3: how often are you put you're going seventy, you're blowing

1727
01:21:58,520 --> 01:22:09,200
Speaker 3: snot all over the in shield zone. Baby, Seventies is

1728
01:22:09,200 --> 01:22:11,760
Speaker 3: about as fast as I'll go. Yeah, and that's when

1729
01:22:11,840 --> 01:22:12,200
Speaker 3: I'm in.

1730
01:22:12,160 --> 01:22:13,400
Speaker 4: A rush before you give out.

1731
01:22:13,439 --> 01:22:16,040
Speaker 2: Not the car, I pass.

1732
01:22:17,360 --> 01:22:20,600
Speaker 3: That's seventy one. I passed out, swarms across the brew.

1733
01:22:21,840 --> 01:22:25,240
Speaker 2: Forty. It's like when a pilot goes into the into

1734
01:22:25,240 --> 01:22:26,840
Speaker 2: the what the G zone?

1735
01:22:27,479 --> 01:22:29,080
Speaker 3: This is why we keep you on a scooter.

1736
01:22:28,880 --> 01:22:30,479
Speaker 4: The TA zone. That's why they keep you in the scooter.

1737
01:22:30,479 --> 01:22:33,040
Speaker 3: That's right, But yeah, it is a gift. Seizing while

1738
01:22:33,120 --> 01:22:37,320
Speaker 3: driving is absolutely a gift. God's little driving test. And

1739
01:22:37,400 --> 01:22:39,759
Speaker 3: we've all been through it. It levels the playing fields

1740
01:22:39,760 --> 01:22:41,439
Speaker 3: for all of us. We've all been through it.

1741
01:22:41,479 --> 01:22:44,880
Speaker 2: But if everyone seeds the same time, Oh that look

1742
01:22:45,000 --> 01:22:48,880
Speaker 2: like it looks like the next Diehard movie. What will

1743
01:22:48,880 --> 01:22:51,920
Speaker 2: Bruce stew Yeah, everyone's car just.

1744
01:22:53,280 --> 01:22:57,880
Speaker 3: Exact same angle. Everyone just goes and Bruce has to

1745
01:22:57,880 --> 01:23:01,800
Speaker 3: come out. Oh fuck yeah, it's it's up there with

1746
01:23:01,920 --> 01:23:04,800
Speaker 3: Bee in car. But with what with the b in

1747
01:23:04,800 --> 01:23:06,920
Speaker 3: the car, you be in the car. I have we

1748
01:23:07,000 --> 01:23:07,760
Speaker 3: love to be in the car.

1749
01:23:07,880 --> 01:23:10,760
Speaker 2: I want to drove a tree frog from North Carolina

1750
01:23:10,880 --> 01:23:15,320
Speaker 2: to like Vermont. I was like, oh, oh god, do

1751
01:23:15,360 --> 01:23:16,240
Speaker 2: you have to go back?

1752
01:23:17,040 --> 01:23:21,479
Speaker 3: Is in the passenger seat back back, of course, complaining

1753
01:23:21,479 --> 01:23:25,160
Speaker 3: about your driving turned down the music.

1754
01:23:26,680 --> 01:23:28,639
Speaker 2: Didnight. It's gonna be good.

1755
01:23:29,240 --> 01:23:34,800
Speaker 3: Teenage, Okay, you've got I've seen Katy Perry in the flesh.

1756
01:23:34,840 --> 01:23:40,719
Speaker 3: I literally have before fame at sun Dance performing acoustic guitar.

1757
01:23:41,320 --> 01:23:43,400
Speaker 3: Can you imagine anything you're gonna.

1758
01:23:43,120 --> 01:23:46,479
Speaker 4: Get You're gonna get sniped for sake, like she's trying to.

1759
01:23:46,560 --> 01:23:49,400
Speaker 3: She's been trying to track me down. I'm the last

1760
01:23:49,439 --> 01:23:51,840
Speaker 3: survivor of that concert, and she won't get it. She

1761
01:23:51,880 --> 01:23:54,840
Speaker 3: plays guitar. She played on the side. This was some

1762
01:23:54,880 --> 01:23:56,320
Speaker 3: sort of fever dream.

1763
01:23:56,520 --> 01:23:57,320
Speaker 4: No, no, this is real.

1764
01:23:57,439 --> 01:23:59,280
Speaker 3: You know, because I lived and I grew up in

1765
01:23:59,320 --> 01:24:01,799
Speaker 3: Salt Lake. We would up to Sundance like as teens

1766
01:24:01,800 --> 01:24:04,519
Speaker 3: are like in college, just to experience what was going

1767
01:24:04,560 --> 01:24:07,320
Speaker 3: on and will holding the cross I hope, yeah, of course,

1768
01:24:07,360 --> 01:24:09,160
Speaker 3: of course, trying to let people know what you're doing

1769
01:24:09,320 --> 01:24:10,080
Speaker 3: is wrong.

1770
01:24:10,080 --> 01:24:13,400
Speaker 2: Or just even under the shirt self protection.

1771
01:24:13,520 --> 01:24:16,680
Speaker 3: Yeah yeah, yeah, yeah. Case it got a little too crazy,

1772
01:24:17,080 --> 01:24:19,240
Speaker 3: but we ended up at a Katy Perry concert or

1773
01:24:19,240 --> 01:24:22,200
Speaker 3: like I think it was a few different musicians. And

1774
01:24:22,240 --> 01:24:24,479
Speaker 3: this must have been in two thousand and seven, whoa

1775
01:24:24,600 --> 01:24:28,920
Speaker 3: before I kissed girls. Yes, it was like it was

1776
01:24:28,920 --> 01:24:32,960
Speaker 3: her crossover from I'll do it, I kissed a girl

1777
01:24:33,000 --> 01:24:34,360
Speaker 3: and I'll do it again, nis.

1778
01:24:36,680 --> 01:24:39,680
Speaker 2: Threat, I kissed the girl and you can't prove it.

1779
01:24:42,720 --> 01:24:45,400
Speaker 2: You can't prove shit. You didn't see shit, you don't

1780
01:24:45,400 --> 01:24:45,800
Speaker 2: know shit.

1781
01:24:48,479 --> 01:24:50,920
Speaker 3: Uh no, she was. We went to this concert and

1782
01:24:51,120 --> 01:24:53,960
Speaker 3: here's this woman, Katy Perry on acoustic guitar trying to

1783
01:24:54,000 --> 01:24:57,200
Speaker 3: I think, kind of crossover from Christianity to kissing a

1784
01:24:57,240 --> 01:24:59,479
Speaker 3: girl and et cetera. And so it was kind of

1785
01:24:59,520 --> 01:25:01,439
Speaker 3: like they trying to get out of that plastic bag

1786
01:25:01,560 --> 01:25:05,240
Speaker 3: kind of a thing. Yeah, yes, and it rubbed me

1787
01:25:05,280 --> 01:25:09,439
Speaker 3: the wrong way. Certainly must say that she's blue onto

1788
01:25:09,479 --> 01:25:12,000
Speaker 3: the scene. And again this could have been another Katy Perry.

1789
01:25:12,160 --> 01:25:14,240
Speaker 3: I don't know that much about this was Katy Perry.

1790
01:25:14,320 --> 01:25:15,280
Speaker 3: The world of Katy Perry.

1791
01:25:15,320 --> 01:25:17,280
Speaker 2: So I felt when I saw a Vampire Weekend play

1792
01:25:17,320 --> 01:25:19,400
Speaker 2: a basement show, I was like and like before they

1793
01:25:19,400 --> 01:25:19,960
Speaker 2: blew up.

1794
01:25:19,880 --> 01:25:23,920
Speaker 3: And how was that experience? These guys, That's what the Cassio.

1795
01:25:24,240 --> 01:25:26,759
Speaker 2: I remember thinking like, oh, take off the boat shoes,

1796
01:25:26,880 --> 01:25:29,719
Speaker 2: and then they're like, nassy, Yeah, they're one of the biggest.

1797
01:25:29,960 --> 01:25:31,840
Speaker 3: I'm a terrible judge of who's gonna pop.

1798
01:25:31,920 --> 01:25:33,479
Speaker 2: Oh, don't think they're gonna pop.

1799
01:25:33,520 --> 01:25:36,840
Speaker 3: You're fucked. Of course my taste. Oh, I mean, I've

1800
01:25:36,840 --> 01:25:40,120
Speaker 3: had a lot of career nightmares about realizing all the

1801
01:25:40,160 --> 01:25:41,880
Speaker 3: things I like are the things that fail.

1802
01:25:42,760 --> 01:25:44,839
Speaker 4: Yeah, basically exactly.

1803
01:25:45,120 --> 01:25:46,960
Speaker 2: Katy Perry. I saw her at a she was at

1804
01:25:47,000 --> 01:25:50,080
Speaker 2: a I went to see Ellen do stand up, and

1805
01:25:50,160 --> 01:25:53,200
Speaker 2: Katy Perry and Orlando Bloom were in front. They were

1806
01:25:53,200 --> 01:25:55,439
Speaker 2: in the back row, and so they she comes in

1807
01:25:55,439 --> 01:25:57,920
Speaker 2: in a bodysuit and she was showing I didn't know

1808
01:25:58,040 --> 01:26:00,200
Speaker 2: this to make this part of the body hoigh.

1809
01:26:01,400 --> 01:26:03,599
Speaker 4: Because it's all about seeing things that you shouldn't be see.

1810
01:26:03,680 --> 01:26:05,400
Speaker 3: Yeah, of course, it's like, wait, why there's never a

1811
01:26:05,400 --> 01:26:07,240
Speaker 3: hole there? Like if I had a hole here, oh,

1812
01:26:07,280 --> 01:26:09,680
Speaker 3: people would go nuts. People would be like dogs. I've

1813
01:26:09,720 --> 01:26:11,240
Speaker 3: got a super U T shirt that's got a little

1814
01:26:11,280 --> 01:26:12,519
Speaker 3: hole there, and every time I left my shirt up,

1815
01:26:12,560 --> 01:26:14,240
Speaker 3: I think, oh, people are going crazy.

1816
01:26:15,000 --> 01:26:18,439
Speaker 2: People are all fours begging for more. All right, sorry, Okay,

1817
01:26:18,600 --> 01:26:19,519
Speaker 2: what's the next, gift.

1818
01:26:19,360 --> 01:26:22,800
Speaker 3: For a course curse? Uh, okay, so you've gotten.

1819
01:26:22,800 --> 01:26:25,679
Speaker 2: I've gotten zero free, we've done two, we've done.

1820
01:26:25,479 --> 01:26:28,320
Speaker 3: Two on at least you've done one. Yes, we've done.

1821
01:26:28,600 --> 01:26:31,040
Speaker 3: Sneezing while driving? Okay, gift your a curse. This is

1822
01:26:31,040 --> 01:26:35,080
Speaker 3: from alissener named Emily. Emily trying to figure out what

1823
01:26:35,120 --> 01:26:36,200
Speaker 3: gave you food poisoning.

1824
01:26:38,520 --> 01:26:40,680
Speaker 4: Trying to figure out what gave you food poisoning a

1825
01:26:40,720 --> 01:26:41,599
Speaker 4: gift or a curse?

1826
01:26:42,120 --> 01:26:46,200
Speaker 2: Wow, Okay, I believe that you that there is no trying,

1827
01:26:46,280 --> 01:26:51,479
Speaker 2: there's knowing when you you know. But I'm even speaking

1828
01:26:51,479 --> 01:26:54,280
Speaker 2: of broccoli. One time I went to Lemonade. That place

1829
01:26:54,520 --> 01:26:55,160
Speaker 2: gone for good?

1830
01:26:55,400 --> 01:26:56,000
Speaker 4: In the broccoli?

1831
01:26:56,160 --> 01:26:56,360
Speaker 2: Is it?

1832
01:26:56,400 --> 01:26:57,160
Speaker 3: I think they're all gone.

1833
01:26:57,600 --> 01:26:58,559
Speaker 4: Ellie X still has one.

1834
01:26:58,560 --> 01:27:00,200
Speaker 2: I think a lot of.

1835
01:27:00,120 --> 01:27:01,320
Speaker 3: Things that should have been dead a long time.

1836
01:27:03,120 --> 01:27:04,160
Speaker 4: The broccoli.

1837
01:27:04,200 --> 01:27:07,840
Speaker 2: I got sick for broccoli, and I the second I

1838
01:27:07,920 --> 01:27:12,879
Speaker 2: began my spew, I see a stock image of broccoli

1839
01:27:14,000 --> 01:27:16,479
Speaker 2: in my entire You just know, you just know, So

1840
01:27:16,600 --> 01:27:18,960
Speaker 2: you don't you don't try to figure it out. You

1841
01:27:19,000 --> 01:27:19,880
Speaker 2: either know or you don't.

1842
01:27:20,160 --> 01:27:23,320
Speaker 3: So you're saying gift, oh or curse? Right?

1843
01:27:23,360 --> 01:27:25,560
Speaker 2: I guess I didn't answer the question. I going to

1844
01:27:25,640 --> 01:27:28,799
Speaker 2: figure out is a it's a gift.

1845
01:27:29,120 --> 01:27:33,840
Speaker 3: It's a gift, correct I you know, I'm kind of

1846
01:27:33,880 --> 01:27:36,800
Speaker 3: on the same page. The body knows what the body knows.

1847
01:27:36,840 --> 01:27:39,960
Speaker 3: It's in your DNA. That's right, that's right if you

1848
01:27:40,040 --> 01:27:42,320
Speaker 3: don't know. But this is where it becomes a gift.

1849
01:27:42,320 --> 01:27:45,280
Speaker 3: It becomes a mystery, and it begins. You're going back,

1850
01:27:45,320 --> 01:27:49,200
Speaker 3: you're looking at the polaroids. It combines mystery, the potential

1851
01:27:49,200 --> 01:27:53,519
Speaker 3: to accuse someone, accuse a lot of people, and customer

1852
01:27:53,520 --> 01:27:55,760
Speaker 3: service combined. These are all the things I love to do.

1853
01:27:55,880 --> 01:27:57,400
Speaker 4: It's a beautiful trifector right there.

1854
01:27:57,560 --> 01:28:01,559
Speaker 3: So look, I've always known what poisoned me. I've always

1855
01:28:01,560 --> 01:28:06,559
Speaker 3: known while eating it. Basically, here it goes, I'm out

1856
01:28:06,600 --> 01:28:07,360
Speaker 3: of control of my life.

1857
01:28:07,400 --> 01:28:10,759
Speaker 2: Desert sushi, you know, Yeah, let's get Let's get sushi

1858
01:28:10,800 --> 01:28:11,840
Speaker 2: and palm springs.

1859
01:28:12,320 --> 01:28:15,160
Speaker 3: Chicken under the car, you know whatever.

1860
01:28:15,680 --> 01:28:17,880
Speaker 2: Chicken under the girl interrupted and she keeps out on

1861
01:28:17,880 --> 01:28:20,360
Speaker 2: the bed. Remember Brittany Murphy, I have a single.

1862
01:28:20,640 --> 01:28:23,000
Speaker 3: Interrupted is something I don't know about.

1863
01:28:23,360 --> 01:28:27,240
Speaker 2: She's embarrassing. She has like a rotissery chicken under her bed.

1864
01:28:27,320 --> 01:28:27,799
Speaker 3: Costco.

1865
01:28:28,080 --> 01:28:29,360
Speaker 4: They're like, what's wrong with this girl?

1866
01:28:29,400 --> 01:28:31,320
Speaker 3: And it's like, you've got a chicken under there, got

1867
01:28:31,400 --> 01:28:34,679
Speaker 3: chicken for poisoning? That's that's no mystery. She's not figuring

1868
01:28:34,680 --> 01:28:36,559
Speaker 3: that out. Okay, so you've gotten one out of tude

1869
01:28:36,560 --> 01:28:39,160
Speaker 3: so far. That's pretty good, not bad. That's really good.

1870
01:28:39,479 --> 01:28:43,320
Speaker 3: And finally, this is from one of our Patreon listeners

1871
01:28:43,360 --> 01:28:50,559
Speaker 3: named Caitlin Gift her a curse msg Oh the seasoning?

1872
01:28:51,720 --> 01:28:53,719
Speaker 4: Oh very much a gift?

1873
01:28:54,000 --> 01:28:58,960
Speaker 2: Why oh? Because you're like, if you're going to go out,

1874
01:28:59,560 --> 01:29:03,719
Speaker 2: it's like doing something naughty. It feels like because everyone

1875
01:29:03,760 --> 01:29:06,599
Speaker 2: speaks so ill of it. Right when you have it,

1876
01:29:07,680 --> 01:29:09,320
Speaker 2: it's like a question.

1877
01:29:09,680 --> 01:29:14,600
Speaker 3: Yeah, it's a gift, of course. I mean msg. You know,

1878
01:29:14,720 --> 01:29:16,760
Speaker 3: I feel like there must have been some dateline or

1879
01:29:17,120 --> 01:29:19,800
Speaker 3: report in nineteen ninety four saying it his poison, which

1880
01:29:19,840 --> 01:29:22,120
Speaker 3: is simply not true. It's a fun season and what

1881
01:29:22,240 --> 01:29:24,960
Speaker 3: is it for salt? It makes up a lot of

1882
01:29:25,400 --> 01:29:27,040
Speaker 3: different cuisines that I adore.

1883
01:29:27,200 --> 01:29:28,200
Speaker 4: Is a Madison Square garden.

1884
01:29:28,240 --> 01:29:33,240
Speaker 3: It's Madison Square Garden. Okay, interesting? How have I never

1885
01:29:33,280 --> 01:29:33,639
Speaker 3: made that.

1886
01:29:33,640 --> 01:29:36,080
Speaker 4: Kind of They franchised there, yea, they.

1887
01:29:35,960 --> 01:29:36,880
Speaker 3: Made into a season.

1888
01:29:37,040 --> 01:29:40,200
Speaker 2: Hey, hey, we're doing really well. You think we should

1889
01:29:40,439 --> 01:29:41,160
Speaker 2: be a seasoning?

1890
01:29:41,520 --> 01:29:44,960
Speaker 3: I want to say it's mono sodium. The g is

1891
01:29:45,000 --> 01:29:52,120
Speaker 3: there's the mystery. Yeah, gangster gangster like gangster mono SoundCloud wrappers.

1892
01:29:53,000 --> 01:29:55,400
Speaker 2: So when so when I hear sodium, Yeah, I think

1893
01:29:55,439 --> 01:29:56,599
Speaker 2: we're talking salt crystals.

1894
01:29:56,680 --> 01:29:59,439
Speaker 3: I love salt. My low my blood pressure is rock bottom.

1895
01:29:59,439 --> 01:30:00,760
Speaker 3: I need as much all do as I can get.

1896
01:30:00,800 --> 01:30:01,679
Speaker 4: Oh yeah, no I haven't.

1897
01:30:01,720 --> 01:30:03,640
Speaker 3: I haven't had to take it up, take it.

1898
01:30:03,760 --> 01:30:06,880
Speaker 4: I don't even bother taking my I freak out when they.

1899
01:30:06,760 --> 01:30:08,960
Speaker 3: Come from the doctor says no, I didn't. I didn't

1900
01:30:08,960 --> 01:30:09,439
Speaker 3: sign up for this.

1901
01:30:09,760 --> 01:30:10,640
Speaker 4: Yeah, we don't want to know.

1902
01:30:11,400 --> 01:30:12,800
Speaker 3: You can take my temperature, but do not.

1903
01:30:13,360 --> 01:30:15,000
Speaker 2: I hate when I hate when they squeeze it and

1904
01:30:15,040 --> 01:30:16,559
Speaker 2: then you feel your thing pumping.

1905
01:30:16,920 --> 01:30:20,400
Speaker 3: Oh there's your body. There's I don't want to know.

1906
01:30:20,720 --> 01:30:21,920
Speaker 3: It's out of body experience.

1907
01:30:21,920 --> 01:30:22,519
Speaker 2: I don't want to know.

1908
01:30:23,120 --> 01:30:24,880
Speaker 4: So yeah, MSG rocks.

1909
01:30:24,920 --> 01:30:31,240
Speaker 3: I love m s's saying it's monodium glutamate glutamate.

1910
01:30:30,920 --> 01:30:35,240
Speaker 4: One sodium glutamate, just one do so much work.

1911
01:30:35,560 --> 01:30:38,759
Speaker 2: Exactly, getting so much getting shipped on my baby, MSG

1912
01:30:38,960 --> 01:30:40,759
Speaker 2: is it's the pit bulls of seasoning.

1913
01:30:40,840 --> 01:30:44,800
Speaker 3: I am not kidding. I thought pit bulls seriously. Pit

1914
01:30:44,880 --> 01:30:49,120
Speaker 3: bulls have been so maligned by the dateline. Yes, article,

1915
01:30:49,200 --> 01:30:50,800
Speaker 3: or why do I keep saying article? It's a news

1916
01:30:50,800 --> 01:30:55,280
Speaker 3: magazine and we all trust it. I feel like those

1917
01:30:55,760 --> 01:30:58,120
Speaker 3: daytime news shows in the nineties were like, pit bulls

1918
01:30:58,120 --> 01:31:00,040
Speaker 3: are evil, piples do not have m S.

1919
01:31:00,040 --> 01:31:01,120
Speaker 2: Street York shouldn't have one.

1920
01:31:01,160 --> 01:31:04,479
Speaker 3: That's one outfit, and MSG is going to kill you.

1921
01:31:04,479 --> 01:31:08,120
Speaker 3: You your kids can blow your house up. Wrong? Wrong, wrong. Yeah,

1922
01:31:08,200 --> 01:31:10,679
Speaker 3: I'm petting a pit bull and eating a bowl of MST,

1923
01:31:10,920 --> 01:31:11,960
Speaker 3: pulling that on whatever you.

1924
01:31:11,920 --> 01:31:14,280
Speaker 2: Want, feeding my pitple MSG, as we see, of course,

1925
01:31:14,360 --> 01:31:16,960
Speaker 2: out of my own mouth, and he's wearing a little

1926
01:31:17,000 --> 01:31:19,639
Speaker 2: beaded collar to show you that he's not gonna be mean.

1927
01:31:19,960 --> 01:31:22,479
Speaker 3: My only question is it wet or dry the food?

1928
01:31:22,600 --> 01:31:25,680
Speaker 2: Yeah, MSG, Yeah, Well there's only one of them, so

1929
01:31:25,680 --> 01:31:28,200
Speaker 2: it can't be too wet. Oh yeah, so it's monogue

1930
01:31:28,560 --> 01:31:30,880
Speaker 2: the glue the gluekid, I mean, dries it out.

1931
01:31:30,960 --> 01:31:32,360
Speaker 3: Yeah, it's just there.

1932
01:31:32,920 --> 01:31:35,040
Speaker 2: Yeah, No, it's wet. Well, because it's usually part of

1933
01:31:35,040 --> 01:31:35,920
Speaker 2: like a noodle.

1934
01:31:36,560 --> 01:31:40,000
Speaker 3: It's yeah, usually like on a it's in wet foods usually,

1935
01:31:41,960 --> 01:31:43,639
Speaker 3: so you should be able to search that on door

1936
01:31:43,720 --> 01:31:46,840
Speaker 3: dash just MST wet foods, wet foods. That should be

1937
01:31:46,880 --> 01:31:47,559
Speaker 3: a whole category.

1938
01:31:47,800 --> 01:31:52,799
Speaker 2: Italian Japanese vegan wet foods.

1939
01:31:53,040 --> 01:31:55,559
Speaker 3: But soup does not fall under that category. That's another thing.

1940
01:31:55,600 --> 01:31:56,120
Speaker 3: That's a drink.

1941
01:31:56,320 --> 01:31:58,240
Speaker 2: I mean we know that it's a drink.

1942
01:31:58,080 --> 01:32:01,240
Speaker 3: Or a cereal. So you keep that out of my

1943
01:32:01,240 --> 01:32:04,559
Speaker 3: wet food really, keep out in the rain. I don't

1944
01:32:04,560 --> 01:32:06,960
Speaker 3: do soups for that reason. You don't need a soup.

1945
01:32:11,280 --> 01:32:14,040
Speaker 3: I love a soup. That's Ellie's biggest problem. No soups,

1946
01:32:14,479 --> 01:32:18,360
Speaker 3: very few soups. Where do you find soups? Toronto, Toronto?

1947
01:32:18,640 --> 01:32:24,120
Speaker 3: You gotta go to Toronto, Portland. Yeah, and probably northern Florida

1948
01:32:25,360 --> 01:32:29,000
Speaker 3: they're not eating soup. And South Florida. But yeah, may

1949
01:32:29,160 --> 01:32:31,799
Speaker 3: of course, I mean chowders, what have you.

1950
01:32:31,920 --> 01:32:33,040
Speaker 4: I can't do a creepy soup.

1951
01:32:33,160 --> 01:32:36,160
Speaker 3: Oh that is that's a line too far, Yeah, bridge

1952
01:32:36,200 --> 01:32:36,479
Speaker 3: too far.

1953
01:32:36,560 --> 01:32:36,720
Speaker 5: You know.

1954
01:32:36,800 --> 01:32:39,200
Speaker 3: I like a beef stew. Oh, I love a good

1955
01:32:39,200 --> 01:32:44,120
Speaker 3: beef stew. I'm getting Oh, and you never get an

1956
01:32:44,120 --> 01:32:45,280
Speaker 3: opportunity for a stew.

1957
01:32:45,720 --> 01:32:47,760
Speaker 4: I thought you were gonna say, and you never get hungry.

1958
01:32:47,439 --> 01:32:49,800
Speaker 3: And you never get that's the thing everybody knows about you.

1959
01:32:51,160 --> 01:32:54,160
Speaker 4: Yeah, yeah, a stew Because a stew takes a village.

1960
01:32:54,240 --> 01:32:57,479
Speaker 3: It takes a village and no restaurant can gather that

1961
01:32:57,560 --> 01:32:58,280
Speaker 3: to make a step.

1962
01:32:58,360 --> 01:33:00,000
Speaker 4: Yeah, yeah, you asked for a restaurant.

1963
01:33:00,080 --> 01:33:03,400
Speaker 2: They go, no, I'm sure there's the exit unless is

1964
01:33:03,439 --> 01:33:05,439
Speaker 2: this room and board, Like if you're staying the night,

1965
01:33:05,640 --> 01:33:07,400
Speaker 2: if you're a traveler.

1966
01:33:08,640 --> 01:33:11,760
Speaker 3: The shutters are being banged against the house and there's

1967
01:33:11,760 --> 01:33:14,320
Speaker 3: a storm, then you can have a stew. Yeah, while

1968
01:33:14,360 --> 01:33:16,040
Speaker 3: you try to get to bed in a creaky bed.

1969
01:33:16,280 --> 01:33:19,360
Speaker 2: Bernie's Mountain Dog is gonna wake you up tomorrow, then

1970
01:33:19,400 --> 01:33:21,280
Speaker 2: you can have a stew. Other than that.

1971
01:33:21,400 --> 01:33:23,920
Speaker 4: Note, you know, Bernie's Mountain dogs live to be like six.

1972
01:33:24,439 --> 01:33:28,160
Speaker 3: Oh, that's tough. It's like an anol an anol. This

1973
01:33:28,200 --> 01:33:29,840
Speaker 3: is that's the sort of thing where the breeding has

1974
01:33:29,920 --> 01:33:31,000
Speaker 3: gone bad.

1975
01:33:31,320 --> 01:33:33,400
Speaker 2: Yes, you gotta get little Chuawa. And that's what the

1976
01:33:33,439 --> 01:33:34,080
Speaker 2: Chuas are.

1977
01:33:34,560 --> 01:33:37,400
Speaker 3: They're Conquista doors in La.

1978
01:33:37,560 --> 01:33:39,360
Speaker 2: They hook up with every dog and they and what

1979
01:33:39,400 --> 01:33:42,679
Speaker 2: they're doing. Think they're just slatting, But what they're doing

1980
01:33:42,800 --> 01:33:47,400
Speaker 2: is they're adding the life expectancy. They're saying, we want

1981
01:33:47,439 --> 01:33:49,679
Speaker 2: you to live, we want your proseny to live another

1982
01:33:49,760 --> 01:33:52,679
Speaker 2: three or four years. That's all they're doing.

1983
01:33:52,880 --> 01:33:55,080
Speaker 3: This should be a law that, like every pure bread

1984
01:33:55,120 --> 01:33:56,800
Speaker 3: and dog right now should just be bred with the

1985
01:33:56,880 --> 01:34:00,240
Speaker 3: chuava and moving forward. Every animal should have a but

1986
01:34:00,479 --> 01:34:01,759
Speaker 3: at least a drop of chihuahua.

1987
01:34:02,200 --> 01:34:05,200
Speaker 2: Right, what does sound like something that chiualas would would

1988
01:34:05,360 --> 01:34:06,120
Speaker 2: want to get started?

1989
01:34:06,160 --> 01:34:07,160
Speaker 3: Oh, they'd get behind that.

1990
01:34:07,240 --> 01:34:12,920
Speaker 2: They'd be like, sick, little freak, tell me in I

1991
01:34:12,960 --> 01:34:13,400
Speaker 2: got nothing.

1992
01:34:15,680 --> 01:34:18,960
Speaker 3: Well you got uh two out of three? Two out

1993
01:34:18,960 --> 01:34:19,200
Speaker 3: of three.

1994
01:34:19,240 --> 01:34:20,599
Speaker 2: That's bad, that's great.

1995
01:34:20,680 --> 01:34:21,439
Speaker 3: Could have flopped.

1996
01:34:21,760 --> 01:34:23,720
Speaker 4: It's like grades that you start getting senior year.

1997
01:34:23,960 --> 01:34:27,679
Speaker 3: Oh yeah, of course. It's like, oh, I've written into

1998
01:34:27,720 --> 01:34:29,439
Speaker 3: the college. You can't catch me now.

1999
01:34:29,640 --> 01:34:32,640
Speaker 2: I got in an early decision round two, not not

2000
01:34:32,800 --> 01:34:35,559
Speaker 2: round one, trying to get in a vast round one.

2001
01:34:35,600 --> 01:34:40,920
Speaker 2: They said, yeah, nah, Drake, try again anywhere else.

2002
01:34:42,560 --> 01:34:44,360
Speaker 3: Okay, on a least, I think it's time for your

2003
01:34:45,000 --> 01:34:48,320
Speaker 3: gift a curse. Alys has one. We're both going to

2004
01:34:48,360 --> 01:34:50,080
Speaker 3: answer to and try to be correct.

2005
01:34:50,439 --> 01:34:54,400
Speaker 6: Great gifter a curse the Little Shake Connections does the

2006
01:34:54,400 --> 01:34:55,880
Speaker 6: game Connections.

2007
01:34:55,320 --> 01:34:58,360
Speaker 3: Are connection connections? Okay, So this is a hard one

2008
01:34:58,400 --> 01:35:00,439
Speaker 3: for you, and you're gonna have to speak to Okay,

2009
01:35:00,439 --> 01:35:01,640
Speaker 3: I'm going to demand you speak to it.

2010
01:35:01,720 --> 01:35:01,920
Speaker 2: Okay.

2011
01:35:01,960 --> 01:35:05,280
Speaker 3: Connections is a like Wordles style game where you have

2012
01:35:05,320 --> 01:35:07,720
Speaker 3: to It has four different categories and you have to

2013
01:35:07,760 --> 01:35:11,200
Speaker 3: like essentially figure out which words belong in which category.

2014
01:35:11,200 --> 01:35:13,960
Speaker 3: There are sixteen words, four categories. How do we line

2015
01:35:14,000 --> 01:35:16,120
Speaker 3: these up? And when you get it wrong? Sounds way

2016
01:35:16,120 --> 01:35:17,920
Speaker 3: harder than a wordle. Oh, it's way harder. And that's

2017
01:35:17,920 --> 01:35:20,280
Speaker 3: why I do it, because I'm smarter than everyone, Like, yeah,

2018
01:35:20,800 --> 01:35:23,439
Speaker 3: you need the stimulation. Yes, world could be up right,

2019
01:35:23,720 --> 01:35:26,520
Speaker 3: whordles the lottery. My word is just two letters.

2020
01:35:28,400 --> 01:35:31,280
Speaker 4: And I get thirty.

2021
01:35:31,720 --> 01:35:34,759
Speaker 3: That's worth trying. Maybe that's maybe that is hard. Actually,

2022
01:35:34,800 --> 01:35:39,440
Speaker 3: it might be difficult. It might be harder. It's worth trying, somebody.

2023
01:35:39,560 --> 01:35:46,320
Speaker 2: Actually the intent was funny, but in practice what you

2024
01:35:46,320 --> 01:35:48,719
Speaker 2: aren't discussing is a much more challenging game.

2025
01:35:49,479 --> 01:35:52,160
Speaker 3: So connections is imagine wordle. If you get it wrong

2026
01:35:52,200 --> 01:35:55,080
Speaker 3: and the whole while looking at it, there's a visual shake.

2027
01:35:55,400 --> 01:35:57,120
Speaker 2: Oh fuck, what do you think of that?

2028
01:35:57,600 --> 01:35:58,760
Speaker 4: It's negative reinforcement.

2029
01:35:58,880 --> 01:36:01,000
Speaker 3: Negative reinforcement. I think that's brilliant.

2030
01:36:01,040 --> 01:36:05,920
Speaker 2: And I'm sure that whoever figured that out studied you know, uh,

2031
01:36:06,080 --> 01:36:08,920
Speaker 2: you know, psychology and how to hurt us, you know,

2032
01:36:09,200 --> 01:36:12,080
Speaker 2: and things that when people are working with us on

2033
01:36:12,080 --> 01:36:15,120
Speaker 2: that on that kind of visceral level, like negative reinforcement

2034
01:36:15,200 --> 01:36:17,439
Speaker 2: or what feels good what doesn't feel like apps know

2035
01:36:17,479 --> 01:36:19,920
Speaker 2: what feels Oh, they know exactly, So that means they

2036
01:36:19,920 --> 01:36:22,599
Speaker 2: know what feels bad, yes, and just start doing things

2037
01:36:22,600 --> 01:36:23,360
Speaker 2: that feel bad.

2038
01:36:24,040 --> 01:36:27,040
Speaker 4: That's funny. That's a gift. That's a gift.

2039
01:36:28,080 --> 01:36:32,200
Speaker 3: I think as a wordle Uveser curse. You don't know

2040
01:36:32,240 --> 01:36:37,040
Speaker 3: this feeling, Chris. This is a bad, genuinely horrible feeling.

2041
01:36:37,320 --> 01:36:40,600
Speaker 3: Like your eyes are like, it hurts. It hurts to

2042
01:36:40,600 --> 01:36:43,840
Speaker 3: see the shake. And I don't need that from the

2043
01:36:43,840 --> 01:36:46,719
Speaker 3: New York Times, not right now, not in this environment,

2044
01:36:46,880 --> 01:36:48,320
Speaker 3: not in this atmosphere.

2045
01:36:48,400 --> 01:36:51,080
Speaker 4: I need is Klein in a Wizard of Our situation.

2046
01:36:53,080 --> 01:36:54,400
Speaker 3: Screaming into a microphone.

2047
01:36:54,479 --> 01:36:56,640
Speaker 2: Yeah it's high pitched.

2048
01:36:58,120 --> 01:37:01,400
Speaker 3: Death whistle, death whistle, Yeah it is. It hurts, and

2049
01:37:01,560 --> 01:37:05,080
Speaker 3: you know it's the beginning of my day. I need

2050
01:37:05,120 --> 01:37:07,800
Speaker 3: a little. My self esteem is at rock bottom at

2051
01:37:07,840 --> 01:37:12,760
Speaker 3: all times. And we're talking about about three thirty.

2052
01:37:13,760 --> 01:37:16,879
Speaker 4: Curtains in your penthouse con though.

2053
01:37:17,360 --> 01:37:21,720
Speaker 3: Squinty wiping the crust from my eyes. My hair is

2054
01:37:21,760 --> 01:37:22,519
Speaker 3: still wet.

2055
01:37:22,479 --> 01:37:24,840
Speaker 4: Thirty cast begging for food.

2056
01:37:24,880 --> 01:37:30,360
Speaker 3: Get out of here. I gotta play connections. But it

2057
01:37:30,400 --> 01:37:32,680
Speaker 3: really does hurt, and I feel like they what they

2058
01:37:32,680 --> 01:37:34,559
Speaker 3: need to do. It should be a warm glow. When

2059
01:37:34,600 --> 01:37:36,080
Speaker 3: you get something wrong. It should be just like an

2060
01:37:36,120 --> 01:37:39,679
Speaker 3: amber glow. Gentle parenting, gentle parenting, Thank you. I don't

2061
01:37:39,680 --> 01:37:41,599
Speaker 3: know if that's where we are, where we stand with parenting,

2062
01:37:41,680 --> 01:37:43,599
Speaker 3: or if we've gotten back into shaking. I don't think

2063
01:37:43,600 --> 01:37:46,400
Speaker 3: we have. I think we're probably headed that way. Oh yeah,

2064
01:37:47,439 --> 01:37:48,440
Speaker 3: back with Western.

2065
01:37:48,439 --> 01:37:49,920
Speaker 2: That's a problem with rubber band. You know, you go

2066
01:37:50,080 --> 01:37:52,519
Speaker 2: so far and then the other it's yes, the correction,

2067
01:37:53,000 --> 01:37:53,519
Speaker 2: the correction.

2068
01:37:53,920 --> 01:37:55,320
Speaker 3: And I feel like this is the beginning of that

2069
01:37:55,360 --> 01:37:58,240
Speaker 3: correction because it feels it's agony and I hate it.

2070
01:37:58,240 --> 01:37:58,759
Speaker 3: It's a curse.

2071
01:37:58,920 --> 01:37:59,559
Speaker 2: It's agony.

2072
01:38:00,360 --> 01:38:02,559
Speaker 3: It's a gift, a gift.

2073
01:38:02,960 --> 01:38:05,320
Speaker 6: Not on this episode, we are to me this is

2074
01:38:05,360 --> 01:38:08,280
Speaker 6: an indication that we are one step away from actually

2075
01:38:08,280 --> 01:38:12,080
Speaker 6: having the phone physically shake. Now, have we had a chance.

2076
01:38:12,120 --> 01:38:14,639
Speaker 3: We touch our phones all the time like a rumble pack.

2077
01:38:14,880 --> 01:38:20,360
Speaker 2: Yeah, start our phones touch us.

2078
01:38:20,439 --> 01:38:21,479
Speaker 3: That's what I want to know.

2079
01:38:21,920 --> 01:38:24,240
Speaker 2: You that.

2080
01:38:24,360 --> 01:38:27,200
Speaker 3: Oh see, this is where you get red flags from

2081
01:38:27,479 --> 01:38:29,800
Speaker 3: people you work with and you start to and then

2082
01:38:29,840 --> 01:38:33,639
Speaker 3: you'res down the road. There's an actual betrayal and you think, oh, well,

2083
01:38:33,680 --> 01:38:35,000
Speaker 3: they wanted the phone to shake.

2084
01:38:35,200 --> 01:38:39,760
Speaker 2: But what you're saying, analys is actually that one day

2085
01:38:39,800 --> 01:38:44,400
Speaker 2: this could lead to the phone giving you intuitive cranial massage.

2086
01:38:45,439 --> 01:38:48,200
Speaker 2: That's that is what because think about your phone. Yeah,

2087
01:38:48,200 --> 01:38:50,160
Speaker 2: you're right, and also it's a two way street. We're

2088
01:38:50,200 --> 01:38:53,519
Speaker 2: touching that thing all day, phone touches back.

2089
01:38:53,640 --> 01:38:55,920
Speaker 3: This all goes back to snakes. So, yes, you think

2090
01:38:55,920 --> 01:38:58,759
Speaker 3: it's a good idea, Now it's the devil.

2091
01:38:59,280 --> 01:38:59,720
Speaker 2: That's right.

2092
01:39:00,240 --> 01:39:02,280
Speaker 3: Well, I'm correct. I don't know what either of you

2093
01:39:02,360 --> 01:39:05,439
Speaker 3: are talking about. We need to answer at least a

2094
01:39:05,479 --> 01:39:08,560
Speaker 3: couple of listener messages people have sent in voicemails or

2095
01:39:08,640 --> 01:39:09,760
Speaker 3: what happened send them.

2096
01:39:10,479 --> 01:39:11,479
Speaker 2: Let's see something.

2097
01:39:11,479 --> 01:39:13,120
Speaker 4: A couple of listeners chained up outside.

2098
01:39:13,240 --> 01:39:15,080
Speaker 3: Yeah, they'll die. They won't be asking any questions.

2099
01:39:15,040 --> 01:39:20,080
Speaker 2: And it turned off hot tub so it's fifty five degrees.

2100
01:39:21,320 --> 01:39:22,719
Speaker 2: Please let us not call them first.

2101
01:39:22,720 --> 01:39:24,800
Speaker 4: But it's actually getting it's pretty bad.

2102
01:39:25,680 --> 01:39:28,479
Speaker 3: No listeners sent voice notes and we got we got

2103
01:39:28,520 --> 01:39:30,360
Speaker 3: too many to answer on the show. We'll do that

2104
01:39:30,400 --> 01:39:32,400
Speaker 3: through other episodes, but let's do a couple at.

2105
01:39:32,400 --> 01:39:35,160
Speaker 2: Least, are you using the cameras that BMX bikers use?

2106
01:39:35,200 --> 01:39:36,680
Speaker 2: That like naturally follow up?

2107
01:39:36,800 --> 01:39:38,640
Speaker 3: Do you say BMX, I had a dream last night

2108
01:39:38,640 --> 01:39:40,559
Speaker 3: that I had to do. I had to go on

2109
01:39:40,600 --> 01:39:46,519
Speaker 3: a BMX on Jimmy Fallon. I'm not kidding. I don't

2110
01:39:46,560 --> 01:39:48,840
Speaker 3: know where, I don't know. I don't care about either

2111
01:39:48,880 --> 01:39:51,920
Speaker 3: of those things. They're probably both the opposite of my personality,

2112
01:39:52,400 --> 01:39:54,200
Speaker 3: and I like it was like, oh, I have to

2113
01:39:54,200 --> 01:39:55,680
Speaker 3: do BMX question.

2114
01:39:55,760 --> 01:40:00,720
Speaker 2: At least playing you in he better bella.

2115
01:39:59,160 --> 01:40:02,920
Speaker 3: Silence, silence, I silently write a BMX hunt the Tonight show,

2116
01:40:02,960 --> 01:40:08,040
Speaker 3: A tiny little BMX all Fox racing gear. Tom.

2117
01:40:08,400 --> 01:40:11,760
Speaker 2: Yeah, you're on the pegs. You're doing one of those

2118
01:40:11,800 --> 01:40:15,920
Speaker 2: handlebar Remember how bad asked those kids were. I thought

2119
01:40:15,920 --> 01:40:16,800
Speaker 2: they were going to rule the world.

2120
01:40:16,800 --> 01:40:18,720
Speaker 3: Where are those most of them?

2121
01:40:19,000 --> 01:40:19,200
Speaker 2: Yeah?

2122
01:40:20,160 --> 01:40:23,920
Speaker 3: YEA rough endings for this that a lot of kids

2123
01:40:23,960 --> 01:40:25,479
Speaker 3: die from high school, and I think it's most of

2124
01:40:25,479 --> 01:40:30,200
Speaker 3: the Fox racing. I mean yes, yes, yeah, yeah, math gets.

2125
01:40:29,960 --> 01:40:32,439
Speaker 2: You, Yes it does, Yes, it does.

2126
01:40:32,640 --> 01:40:34,480
Speaker 3: Onalise. Let's answer some questions.

2127
01:40:34,960 --> 01:40:36,360
Speaker 7: Hi Bridger, Hi Analise.

2128
01:40:36,720 --> 01:40:37,639
Speaker 2: My name is Shane.

2129
01:40:37,880 --> 01:40:41,240
Speaker 7: I am a Day one listener and my question for you,

2130
01:40:41,320 --> 01:40:45,880
Speaker 7: Bridger is whether or not you have any special hidden talents,

2131
01:40:46,479 --> 01:40:50,120
Speaker 7: like something kind of random or weird that you never

2132
01:40:50,160 --> 01:40:53,320
Speaker 7: really had an opportunity to show off. But you have

2133
01:40:53,439 --> 01:40:57,280
Speaker 7: this aching, burning desire to really have an opportunity to

2134
01:40:57,360 --> 01:40:58,600
Speaker 7: share with the world.

2135
01:40:58,600 --> 01:41:01,200
Speaker 3: They do. Thanks people. I know that anyone in showbiz

2136
01:41:01,240 --> 01:41:04,360
Speaker 3: has no hidden talent. Yeah, I don't have like a visible.

2137
01:41:04,600 --> 01:41:08,160
Speaker 2: We have We have put every little single piece of

2138
01:41:08,200 --> 01:41:10,040
Speaker 2: our abilities on public display.

2139
01:41:10,280 --> 01:41:13,920
Speaker 3: They truly have nothing. And people are like, that's I

2140
01:41:13,960 --> 01:41:15,280
Speaker 3: guess that's she's trying.

2141
01:41:15,400 --> 01:41:17,120
Speaker 2: You know who this, You know who's to blame for this?

2142
01:41:17,840 --> 01:41:19,599
Speaker 2: And I hope I'm getting your name right. Amanda Seyfried

2143
01:41:19,640 --> 01:41:21,639
Speaker 2: who played who sang the Jonny Mitchell song and played

2144
01:41:21,680 --> 01:41:24,719
Speaker 2: like the the freaking like a sideways instrument.

2145
01:41:25,080 --> 01:41:27,639
Speaker 3: So did she do that in a show on Jimmy Fallen.

2146
01:41:27,760 --> 01:41:27,920
Speaker 2: Oh?

2147
01:41:27,920 --> 01:41:29,080
Speaker 3: I thought you were gonna say, like she did it

2148
01:41:29,080 --> 01:41:31,200
Speaker 3: in the The Therese TV.

2149
01:41:31,840 --> 01:41:34,519
Speaker 4: That's what I'm talking about. She Oh, yeah, if you

2150
01:41:34,520 --> 01:41:35,160
Speaker 4: stay after.

2151
01:41:35,000 --> 01:41:37,000
Speaker 3: The credits, it's a bonus scene.

2152
01:41:37,120 --> 01:41:38,639
Speaker 4: She plays a dul somewher or whatever.

2153
01:41:38,439 --> 01:41:43,000
Speaker 3: Elizabeth Holmes on the auto harp looping well. And so

2154
01:41:43,040 --> 01:41:44,599
Speaker 3: she showed up and was like, look what I can

2155
01:41:44,640 --> 01:41:44,920
Speaker 3: do and.

2156
01:41:44,880 --> 01:41:46,439
Speaker 4: She sings like a pitch perfect Johny Mitchell.

2157
01:41:47,439 --> 01:41:50,280
Speaker 3: Of course you don't have those. I mean, do you

2158
01:41:50,320 --> 01:41:51,479
Speaker 3: have hidden skills of all?

2159
01:41:51,720 --> 01:41:56,640
Speaker 2: No? No, no, I have put I have uh commercialized

2160
01:41:56,760 --> 01:41:58,080
Speaker 2: every one of my abilities.

2161
01:41:58,120 --> 01:42:00,719
Speaker 3: You got to be everything. You gotta do it all. Yeah, yeah,

2162
01:42:00,760 --> 01:42:04,240
Speaker 3: I mean like minor, like I would say you're pathetic.

2163
01:42:04,640 --> 01:42:08,240
Speaker 3: Like I could claim to having a good uh internal clock,

2164
01:42:09,640 --> 01:42:13,120
Speaker 3: good circadian rhythm. Yes, like I can generally tell what

2165
01:42:13,160 --> 01:42:16,800
Speaker 3: time of day it is. And that's a great that

2166
01:42:16,840 --> 01:42:18,400
Speaker 3: is that is a great thing to do on America's

2167
01:42:18,400 --> 01:42:21,479
Speaker 3: Got Talent. Oh you just stand there. I'm pretty sure

2168
01:42:21,680 --> 01:42:26,240
Speaker 3: it feels like eight oh one the audience, how flads boom,

2169
01:42:28,920 --> 01:42:34,000
Speaker 3: We're going to Ventura. I could do that. I will

2170
01:42:34,000 --> 01:42:36,320
Speaker 3: say I'm a powerful dancer. Yeah, but that's kind of

2171
01:42:36,360 --> 01:42:38,160
Speaker 3: part forming and just all of this.

2172
01:42:38,520 --> 01:42:38,920
Speaker 2: Yeah.

2173
01:42:38,960 --> 01:42:40,680
Speaker 3: And then in Boy Scott's I was a good This

2174
01:42:40,800 --> 01:42:42,519
Speaker 3: was a scary one for a child to be good

2175
01:42:42,520 --> 01:42:42,640
Speaker 3: at this.

2176
01:42:42,720 --> 01:42:46,519
Speaker 2: You're a good good shot. Stop wait we boys shout camp.

2177
01:42:46,600 --> 01:42:49,880
Speaker 3: We had to do rifle shooting. No, look, this was

2178
01:42:49,920 --> 01:42:53,000
Speaker 3: a maybe this was like deep cover for my homosexuality.

2179
01:42:53,000 --> 01:42:54,600
Speaker 3: I was like, I've got to do something straight.

2180
01:42:54,520 --> 01:42:55,680
Speaker 2: Was nineteen twenty.

2181
01:42:57,080 --> 01:43:01,400
Speaker 3: Turn of the century. No, this was you know, a

2182
01:43:01,479 --> 01:43:04,320
Speaker 3: boy scout camp. You would have to shoot something, probably

2183
01:43:04,560 --> 01:43:06,080
Speaker 3: cans or targets.

2184
01:43:06,240 --> 01:43:07,040
Speaker 2: Jesus Christ.

2185
01:43:07,200 --> 01:43:11,160
Speaker 3: Yeah, I mean they're killers. And you were a good shot.

2186
01:43:11,200 --> 01:43:13,000
Speaker 3: I had to shoot from my friends were bad and

2187
01:43:13,040 --> 01:43:13,960
Speaker 3: I helped them cheat.

2188
01:43:14,439 --> 01:43:15,120
Speaker 4: See you, we're that good.

2189
01:43:15,160 --> 01:43:17,000
Speaker 3: I was that good. I mean I haven't tried since,

2190
01:43:17,439 --> 01:43:20,479
Speaker 3: but I guess people should be forewarned that you're a

2191
01:43:20,479 --> 01:43:24,400
Speaker 3: good shot. Yeah. I mean, see that is see you that.

2192
01:43:27,200 --> 01:43:30,920
Speaker 2: Has hidden talent, the fact that you are a good shot. No,

2193
01:43:31,000 --> 01:43:33,960
Speaker 2: I can't think of anything like I was bad. My

2194
01:43:34,040 --> 01:43:36,600
Speaker 2: dad really wanted he was. He was really it was

2195
01:43:36,640 --> 01:43:38,080
Speaker 2: a ship rat as a kid, so he wanted me

2196
01:43:38,120 --> 01:43:40,479
Speaker 2: to be a sailor. Oh and I can't read them.

2197
01:43:44,800 --> 01:43:49,240
Speaker 3: To dissociated, so I'm always capsizing. That feels like a

2198
01:43:49,520 --> 01:43:51,879
Speaker 3: scale to put you on a path.

2199
01:43:51,840 --> 01:43:55,200
Speaker 4: To be able to capsize. Uh.

2200
01:43:55,439 --> 01:43:58,280
Speaker 3: I played the tube? Okay, there we go, Okay, play

2201
01:43:58,479 --> 01:43:59,439
Speaker 3: how long did you play the tuba?

2202
01:43:59,800 --> 01:44:02,200
Speaker 2: Well? Played the baritone horn, and then in high school

2203
01:44:02,320 --> 01:44:03,760
Speaker 2: we didn't have a too of player, so they gave

2204
01:44:03,800 --> 01:44:05,800
Speaker 2: me the tube, and no one taught me how, and

2205
01:44:05,840 --> 01:44:08,720
Speaker 2: so I would just I just tried to, but I did.

2206
01:44:08,800 --> 01:44:10,519
Speaker 2: I hated playing the bassline, so I would try to

2207
01:44:10,560 --> 01:44:14,120
Speaker 2: play the melody and they'd be like, you got to

2208
01:44:14,160 --> 01:44:17,040
Speaker 2: hold out, and Louis, louay, you gotta hold on the baseline.

2209
01:44:17,280 --> 01:44:18,760
Speaker 3: I'd be like, that's no fun. They're like we can

2210
01:44:18,800 --> 01:44:22,680
Speaker 3: hear you like you were overpowering every noise that's been made.

2211
01:44:22,479 --> 01:44:24,160
Speaker 4: And not and not getting it right because I don't

2212
01:44:24,160 --> 01:44:25,720
Speaker 4: have I don't have that, so.

2213
01:44:26,400 --> 01:44:28,960
Speaker 3: No, wow too bug. Was there ever any temptation to

2214
01:44:29,040 --> 01:44:30,680
Speaker 3: join like a ska band? They do too.

2215
01:44:31,520 --> 01:44:33,799
Speaker 2: We got into it. We me and my best friends

2216
01:44:34,120 --> 01:44:39,880
Speaker 2: almost did that. Wow, and luckily.

2217
01:44:37,640 --> 01:44:40,080
Speaker 3: It came through life had other plans.

2218
01:44:40,880 --> 01:44:43,000
Speaker 2: Yeah, because I did play a little trump a little

2219
01:44:43,040 --> 01:44:45,400
Speaker 2: trump bone briefly, right, but that you have to be.

2220
01:44:45,360 --> 01:44:48,519
Speaker 3: A talk about it's.

2221
01:44:47,520 --> 01:44:50,639
Speaker 4: Clairvoyance and also knowing this is it's not.

2222
01:44:51,520 --> 01:44:54,799
Speaker 3: There's like you really have to know the just general feel.

2223
01:44:54,920 --> 01:44:57,760
Speaker 2: You have to tap into your ancestors like to know.

2224
01:44:58,040 --> 01:45:01,519
Speaker 2: And it's like crazy to be like this is be wow.

2225
01:45:01,600 --> 01:45:03,599
Speaker 3: Yeah, there's no chance. I need the black and white keys.

2226
01:45:03,760 --> 01:45:05,840
Speaker 3: I need a real clear indication of what I'll be

2227
01:45:05,880 --> 01:45:09,000
Speaker 3: pushing you tickle those ivories. I'm tickling them so bad.

2228
01:45:09,040 --> 01:45:11,559
Speaker 3: At the piano I took ten years. Yeah, I couldn't

2229
01:45:11,640 --> 01:45:12,439
Speaker 3: possibly my.

2230
01:45:12,439 --> 01:45:17,200
Speaker 2: Piano teacher asked me to stop, please stop after after

2231
01:45:17,240 --> 01:45:21,320
Speaker 2: we had a mutual wow, you're not not even split

2232
01:45:22,280 --> 01:45:24,360
Speaker 2: third grade because my sister was so good because you

2233
01:45:24,439 --> 01:45:25,639
Speaker 2: got to be a fucking rule follower.

2234
01:45:25,640 --> 01:45:27,280
Speaker 3: I'm I'm sorry. You got to be people.

2235
01:45:27,320 --> 01:45:29,760
Speaker 2: The people that were really killing it in Piano Lessons, Yeah,

2236
01:45:29,800 --> 01:45:33,200
Speaker 2: it's they're not. I mean the world that they're setting

2237
01:45:33,200 --> 01:45:35,439
Speaker 2: themselves up for a world for a pre nine to

2238
01:45:35,439 --> 01:45:36,120
Speaker 2: eleven one.

2239
01:45:37,920 --> 01:45:39,120
Speaker 4: The kids that got kicked.

2240
01:45:38,920 --> 01:45:40,559
Speaker 3: Out of piano Oh, we were ready to go.

2241
01:45:40,680 --> 01:45:43,800
Speaker 4: Now, let's let's mike them up. Let's let's hear it

2242
01:45:43,880 --> 01:45:44,639
Speaker 4: from they got.

2243
01:45:45,080 --> 01:45:48,120
Speaker 2: Let's hear from the disruptors who are trying to sight

2244
01:45:48,200 --> 01:45:51,240
Speaker 2: read at the recital for a duet.

2245
01:45:52,040 --> 01:45:54,719
Speaker 3: Ban from Piano Lessons, asked.

2246
01:45:54,479 --> 01:45:56,759
Speaker 4: To step down. Hey, Chris, we don't want your money anymore.

2247
01:45:57,640 --> 01:46:00,000
Speaker 3: When someone is like saying this is bad for my business,

2248
01:46:00,200 --> 01:46:02,920
Speaker 3: I still you know you're not You shouldn't be playing

2249
01:46:02,960 --> 01:46:05,880
Speaker 3: that instagment, you know you Okay. I feel like we

2250
01:46:05,920 --> 01:46:06,400
Speaker 3: answered that.

2251
01:46:06,600 --> 01:46:08,679
Speaker 2: I think we did a wonderful job answering that. Let's

2252
01:46:08,680 --> 01:46:12,040
Speaker 2: do Let's do two more, Let's do sixteen more. Let's

2253
01:46:12,040 --> 01:46:14,040
Speaker 2: do at least sixteen more. Have the less one not

2254
01:46:14,080 --> 01:46:15,479
Speaker 2: be a question. They'll just be reading a.

2255
01:46:15,479 --> 01:46:17,519
Speaker 4: Book and open ended an essay.

2256
01:46:18,040 --> 01:46:22,240
Speaker 8: Hello Bridger, Hello, Anally's it is Stephen Ray Morris calling

2257
01:46:22,320 --> 01:46:25,639
Speaker 8: in to wish I said, no gifts. A happy fifth

2258
01:46:25,680 --> 01:46:29,840
Speaker 8: year anniversary for Believe. It's already been five years, and

2259
01:46:30,200 --> 01:46:32,240
Speaker 8: I just wanted to ask a question. I'm not sure

2260
01:46:32,240 --> 01:46:35,040
Speaker 8: if it's ever been asked on the podcast, but is

2261
01:46:35,080 --> 01:46:37,599
Speaker 8: there ever a gift that's too personal?

2262
01:46:38,560 --> 01:46:39,000
Speaker 3: Anyway?

2263
01:46:39,160 --> 01:46:40,960
Speaker 8: Love you both, congrats again.

2264
01:46:43,080 --> 01:46:46,520
Speaker 3: Have a former employee make it through the fence.

2265
01:46:46,680 --> 01:46:51,439
Speaker 2: Seeing that face you made, Steven. He found me to

2266
01:46:51,479 --> 01:46:53,080
Speaker 2: see the internal workings of the teeth.

2267
01:46:53,960 --> 01:46:56,000
Speaker 3: What was the question? Are there too many as.

2268
01:46:55,880 --> 01:46:56,639
Speaker 4: A gift to personal?

2269
01:46:57,920 --> 01:46:58,559
Speaker 2: To personal?

2270
01:46:58,880 --> 01:47:07,680
Speaker 3: Never? Never person never never never I means test. I

2271
01:47:07,720 --> 01:47:10,040
Speaker 3: think test results. You can have a fun moment with

2272
01:47:10,760 --> 01:47:14,080
Speaker 3: here's the you know, we're opening the envelope. We're all

2273
01:47:14,120 --> 01:47:15,120
Speaker 3: expecting something.

2274
01:47:15,520 --> 01:47:17,040
Speaker 4: We know, yeah, we know you got something.

2275
01:47:17,240 --> 01:47:21,400
Speaker 3: We know it can't be returned, so it's valuable. People

2276
01:47:21,400 --> 01:47:24,760
Speaker 3: are giving locks of their hair away, totally, people are

2277
01:47:24,800 --> 01:47:30,080
Speaker 3: people are grabbing hair, Sure, giving teeth, you know, tooth necklaces.

2278
01:47:30,880 --> 01:47:35,400
Speaker 3: I don't know that there's anything too personal, too scary. Sure, totally,

2279
01:47:35,439 --> 01:47:37,640
Speaker 3: it's a different We're talking about two different things. There

2280
01:47:37,840 --> 01:47:41,880
Speaker 3: too personal? Yeah, what is per I guess it's really

2281
01:47:42,120 --> 01:47:47,240
Speaker 3: what is personal to you? And uh, you know, I

2282
01:47:47,280 --> 01:47:48,760
Speaker 3: think that you just can't go too far.

2283
01:47:48,880 --> 01:47:49,439
Speaker 2: You should push.

2284
01:47:49,560 --> 01:47:51,360
Speaker 3: I think with gift giving you should be pushing as

2285
01:47:51,400 --> 01:47:56,479
Speaker 3: far as personal. Absolutely, the person should always before opening

2286
01:47:56,479 --> 01:47:59,120
Speaker 3: a gift from you should always be questioning what am

2287
01:47:59,120 --> 01:48:01,479
Speaker 3: I going to do? What? What am I going to

2288
01:48:01,520 --> 01:48:01,880
Speaker 3: do this?

2289
01:48:02,160 --> 01:48:02,920
Speaker 4: Now that I know this?

2290
01:48:06,000 --> 01:48:09,240
Speaker 3: Leave them wanting ads as much less as possible.

2291
01:48:09,280 --> 01:48:11,439
Speaker 2: Security camp like a snapshot of you in a ring

2292
01:48:11,520 --> 01:48:17,400
Speaker 2: cam at an active crime scene or something, and have

2293
01:48:17,560 --> 01:48:19,400
Speaker 2: them you are implicating them.

2294
01:48:19,479 --> 01:48:22,080
Speaker 3: Now this is you can do what you want with this,

2295
01:48:22,400 --> 01:48:23,960
Speaker 3: now that your fingerprints are all over that.

2296
01:48:24,120 --> 01:48:27,360
Speaker 4: I just want you to know I was there. You

2297
01:48:27,400 --> 01:48:30,240
Speaker 4: can hate, you can not tell them, you can tell them.

2298
01:48:31,280 --> 01:48:33,800
Speaker 3: That's why it's the gift. Yes, it's a project you

2299
01:48:33,800 --> 01:48:34,439
Speaker 3: can do at home.

2300
01:48:34,680 --> 01:48:38,559
Speaker 2: An ethics class a PhD like a challenging ethics class.

2301
01:48:38,640 --> 01:48:41,439
Speaker 3: Exactly. Yes. So the question is, no, Steve, and don't

2302
01:48:41,600 --> 01:48:44,280
Speaker 3: do not leave another voicemail.

2303
01:48:44,760 --> 01:48:47,240
Speaker 2: Don't show your faith around here, Steve d.

2304
01:48:47,200 --> 01:48:50,400
Speaker 3: Don't send a video message now that would be too personal.

2305
01:48:50,479 --> 01:48:53,400
Speaker 3: What about a singing telegram? They remember those? Have you

2306
01:48:53,400 --> 01:48:55,000
Speaker 3: gotten one before? Have you?

2307
01:48:55,040 --> 01:48:55,160
Speaker 1: No?

2308
01:48:55,240 --> 01:48:57,760
Speaker 2: I would love to I think they. I think Bob

2309
01:48:57,840 --> 01:49:01,000
Speaker 2: Dole outlawed that. I think he passed for a bill

2310
01:49:01,040 --> 01:49:04,880
Speaker 2: and like Elizabeth, you know, that was their kind of

2311
01:49:04,880 --> 01:49:07,479
Speaker 2: pet project. They had one that went too far.

2312
01:49:07,760 --> 01:49:10,799
Speaker 3: Yeah, Frank Sinatra song they didn't like or something.

2313
01:49:10,880 --> 01:49:12,360
Speaker 2: And then they also tried to pass a bill that

2314
01:49:12,479 --> 01:49:14,200
Speaker 2: was everyone has to have a vanity plate?

2315
01:49:16,120 --> 01:49:21,760
Speaker 3: Bob did Bob and Liz? Yeah, I think pap your canon. Yeah,

2316
01:49:21,960 --> 01:49:25,720
Speaker 3: do you have a vanity plate? Not yet, that's a

2317
01:49:25,720 --> 01:49:26,280
Speaker 3: good answer.

2318
01:49:26,400 --> 01:49:28,200
Speaker 2: Yeah, I want to vanity plate that I want to

2319
01:49:28,200 --> 01:49:29,880
Speaker 2: play that looks like an any plate, but it's not.

2320
01:49:30,280 --> 01:49:36,200
Speaker 3: Oh we're like a disoriented or something. Yeah, what puts

2321
01:49:36,240 --> 01:49:38,439
Speaker 3: them in danger? So they're trying to figure out.

2322
01:49:38,360 --> 01:49:41,439
Speaker 2: What's going on. It's like a sentence and it's like, no,

2323
01:49:41,520 --> 01:49:45,120
Speaker 2: trust me, it's not an any play. That's a good idea.

2324
01:49:45,360 --> 01:49:45,840
Speaker 3: Do you have one?

2325
01:49:46,000 --> 01:49:46,479
Speaker 2: No?

2326
01:49:46,479 --> 01:49:49,880
Speaker 3: No, but again maybe not yet. I'm just waiting for

2327
01:49:50,000 --> 01:49:51,400
Speaker 3: the right guy to come along.

2328
01:49:51,720 --> 01:49:54,919
Speaker 2: It's totally It's one of those things that your Maslow's

2329
01:49:54,960 --> 01:49:57,000
Speaker 2: hierarchy needs to be. That fridge needs to be stopped.

2330
01:49:57,040 --> 01:49:57,920
Speaker 3: Oh yeah, of course.

2331
01:49:57,960 --> 01:50:00,920
Speaker 2: It's like before you start assigning photos to contact, like

2332
01:50:00,920 --> 01:50:04,719
Speaker 2: you better, you know, you better taxes paid, You've.

2333
01:50:04,600 --> 01:50:10,400
Speaker 3: Got to cross the teas dot the eyes, cholesterol good, yes, yeah, okay,

2334
01:50:10,760 --> 01:50:14,280
Speaker 3: one more? One more? Hello, Oh my.

2335
01:50:14,200 --> 01:50:25,200
Speaker 5: God, Hello, it's a former guest, current special guests bridgerratulations

2336
01:50:26,080 --> 01:50:30,240
Speaker 5: on five years of kind of our podcast together when

2337
01:50:30,240 --> 01:50:31,200
Speaker 5: you really think about it.

2338
01:50:33,680 --> 01:50:33,880
Speaker 3: Three.

2339
01:50:34,160 --> 01:50:37,360
Speaker 5: I brought you a tiny ice cream that's mainly melted,

2340
01:50:38,760 --> 01:50:39,880
Speaker 5: and the big gun on.

2341
01:50:39,840 --> 01:50:42,439
Speaker 2: My hands, and here's this.

2342
01:50:42,560 --> 01:50:45,280
Speaker 5: Chinese spoon for you, and we can all take a

2343
01:50:45,320 --> 01:50:46,639
Speaker 5: moment and watch you enjoy something.

2344
01:50:46,720 --> 01:50:48,559
Speaker 3: I think, how long has it spent out?

2345
01:50:48,880 --> 01:50:49,759
Speaker 5: A couple of hours.

2346
01:50:49,800 --> 01:50:50,800
Speaker 3: I brought it from home.

2347
01:50:50,840 --> 01:50:53,200
Speaker 5: I drove it here and I came while I was

2348
01:50:53,240 --> 01:50:57,280
Speaker 5: in Santa Clarita for business, and I brought it from

2349
01:50:57,280 --> 01:50:59,800
Speaker 5: my home. I don't live there, I was renting a home. Yes,

2350
01:51:00,120 --> 01:51:03,880
Speaker 5: I got some ice cream right when I got there. Anyways,

2351
01:51:03,880 --> 01:51:04,640
Speaker 5: are you going to have some?

2352
01:51:04,840 --> 01:51:07,479
Speaker 2: And that's any stretch of the five too, and driving

2353
01:51:07,600 --> 01:51:09,639
Speaker 2: beautiful drive it really is.

2354
01:51:12,120 --> 01:51:16,080
Speaker 5: Around all of Santa Clara before coming here with the

2355
01:51:16,120 --> 01:51:17,479
Speaker 5: ice cream pre scoop.

2356
01:51:17,680 --> 01:51:20,040
Speaker 6: Well, Alanta, I noticed that you had some stuff on

2357
01:51:20,040 --> 01:51:22,679
Speaker 6: your hands if you want, if you want to wipe

2358
01:51:22,840 --> 01:51:23,760
Speaker 6: off your hands with.

2359
01:51:24,320 --> 01:51:28,599
Speaker 2: You what is this I mean? I I is that? Okay?

2360
01:51:28,760 --> 01:51:29,200
Speaker 2: I might have.

2361
01:51:31,040 --> 01:51:33,000
Speaker 6: It for like five I mean he and I actually

2362
01:51:33,040 --> 01:51:35,280
Speaker 6: have been on this podcast together for five years, so

2363
01:51:35,320 --> 01:51:38,479
Speaker 6: I'm just is this some sort.

2364
01:51:38,280 --> 01:51:38,839
Speaker 3: Of a bridger?

2365
01:51:39,680 --> 01:51:43,080
Speaker 6: I love you more than she loves you, and I

2366
01:51:43,080 --> 01:51:46,320
Speaker 6: think that's very evident, look at pretty evident.

2367
01:51:46,560 --> 01:51:49,559
Speaker 4: Yeah, that is definitely better than languages.

2368
01:51:49,840 --> 01:51:51,880
Speaker 3: Probably didn't spend time at a Trump round.

2369
01:51:52,320 --> 01:51:56,280
Speaker 5: I came all the way from Santa Clarita with my

2370
01:51:56,520 --> 01:52:00,800
Speaker 5: homemade ice cream that I purchased from Vond's. And this

2371
01:52:01,160 --> 01:52:02,040
Speaker 5: is how you treat me.

2372
01:52:02,080 --> 01:52:02,479
Speaker 3: You know what.

2373
01:52:02,560 --> 01:52:02,960
Speaker 2: I'm done?

2374
01:52:03,320 --> 01:52:04,679
Speaker 5: No, I'm done.

2375
01:52:05,240 --> 01:52:06,200
Speaker 2: My move.

2376
01:52:09,479 --> 01:52:09,800
Speaker 1: To leave.

2377
01:52:10,160 --> 01:52:11,479
Speaker 3: I have a scoop up the ice cream.

2378
01:52:11,479 --> 01:52:14,479
Speaker 5: When you stay, we'll have a scoop and let's see

2379
01:52:14,479 --> 01:52:15,240
Speaker 5: how it pans out.

2380
01:52:15,360 --> 01:52:16,479
Speaker 3: This looks so disgusting.

2381
01:52:16,560 --> 01:52:17,360
Speaker 2: Is this safe? You think?

2382
01:52:17,960 --> 01:52:23,719
Speaker 3: Oh, it's like baby vomit.

2383
01:52:23,960 --> 01:52:25,719
Speaker 4: It's okay, stripping stage left.

2384
01:52:26,160 --> 01:52:28,360
Speaker 5: The flavor is fresh.

2385
01:52:28,720 --> 01:52:32,360
Speaker 3: It's past. We've added to the gloves.

2386
01:52:32,640 --> 01:52:33,920
Speaker 2: I just didn't bring you anything.

2387
01:52:33,960 --> 01:52:34,360
Speaker 5: I'm sorry.

2388
01:52:34,360 --> 01:52:35,000
Speaker 3: I didn't bring you.

2389
01:52:34,960 --> 01:52:36,519
Speaker 4: Anything a gift.

2390
01:52:36,560 --> 01:52:37,920
Speaker 3: I feel rude and not offering you.

2391
01:52:39,000 --> 01:52:41,800
Speaker 4: It's kind of something. There's something kind of teaky about it.

2392
01:52:41,800 --> 01:52:42,840
Speaker 4: Looks like a teaki drink.

2393
01:52:43,680 --> 01:52:46,000
Speaker 3: It's very coconut, very Yeah.

2394
01:52:46,840 --> 01:52:48,879
Speaker 5: I gotta go key on a Lisa's car.

2395
01:52:52,120 --> 01:52:53,200
Speaker 1: By. Yeah, no problem.

2396
01:52:53,280 --> 01:52:55,240
Speaker 5: I was waiting behind the curtain for the whole recording,

2397
01:52:56,000 --> 01:52:57,920
Speaker 5: and that's why the ice cream melted so much.

2398
01:52:58,200 --> 01:52:59,599
Speaker 4: But I'm glad you got your pip.

2399
01:53:00,360 --> 01:53:02,720
Speaker 2: Yeah, as long as you got to chat. Okay, I'll

2400
01:53:04,960 --> 01:53:05,679
Speaker 2: well goodbye.

2401
01:53:05,760 --> 01:53:07,599
Speaker 5: And Aalise get bent.

2402
01:53:09,840 --> 01:53:12,639
Speaker 2: Wow, I haven't heard it get bent in a while.

2403
01:53:13,800 --> 01:53:14,679
Speaker 2: Oh my god.

2404
01:53:15,680 --> 01:53:17,960
Speaker 3: A now the cake is on the floor. The listener

2405
01:53:18,040 --> 01:53:21,040
Speaker 3: is absolutely baffled as what's just been going on?

2406
01:53:21,120 --> 01:53:22,919
Speaker 2: Yeah, for the listener at home, we have a lukewarm

2407
01:53:22,960 --> 01:53:26,280
Speaker 2: ice cream, like like time has made it a milkshake,

2408
01:53:26,720 --> 01:53:29,479
Speaker 2: and then a cake. A Lise has dropped off a

2409
01:53:29,479 --> 01:53:32,880
Speaker 2: cake that had a lot of little Uh, it's on

2410
01:53:32,920 --> 01:53:33,320
Speaker 2: the ground.

2411
01:53:33,800 --> 01:53:35,559
Speaker 4: I wouldn't call this a floor. I call this a ground.

2412
01:53:36,400 --> 01:53:38,800
Speaker 3: It felt like a you know, a desperate attempt to

2413
01:53:38,800 --> 01:53:40,080
Speaker 3: get me to bend over in my tunic.

2414
01:53:41,400 --> 01:53:42,479
Speaker 4: Yeah, it was a hit piece.

2415
01:53:42,640 --> 01:53:45,640
Speaker 3: I mean, here's the cake. Maybe I will use a

2416
01:53:45,680 --> 01:53:46,759
Speaker 3: little spoon to have a bite.

2417
01:53:46,800 --> 01:53:48,680
Speaker 4: It looks like a pie that might end up on

2418
01:53:48,800 --> 01:53:49,720
Speaker 4: Jerry Lewis.

2419
01:53:50,800 --> 01:53:52,519
Speaker 3: You know, let's try it out.

2420
01:53:52,720 --> 01:53:55,280
Speaker 4: Yeah, let's just give it a nice Oh.

2421
01:53:55,120 --> 01:53:58,760
Speaker 3: That's so much frosting. That amount of vanilla I'm consuming.

2422
01:53:58,840 --> 01:54:00,960
Speaker 4: There's a handsome amount of frosting on this cake.

2423
01:54:02,280 --> 01:54:06,679
Speaker 3: Camera blinding. It's a blinding white frosting with a kind

2424
01:54:06,680 --> 01:54:08,320
Speaker 3: of yellow vanilla cake.

2425
01:54:08,360 --> 01:54:10,360
Speaker 2: And do you want to cake? You know, I'm as

2426
01:54:10,400 --> 01:54:11,840
Speaker 2: good as it looks and as good as the way

2427
01:54:11,880 --> 01:54:16,640
Speaker 2: you're eating it actually is like a raccoon out of

2428
01:54:16,680 --> 01:54:19,080
Speaker 2: a Dumpster's a delicious cake.

2429
01:54:19,280 --> 01:54:22,080
Speaker 3: Yeah, yeah, no, it looks good. Right.

2430
01:54:23,479 --> 01:54:25,000
Speaker 4: I don't do desserts in public.

2431
01:54:25,560 --> 01:54:27,519
Speaker 3: I barely do. Yeah, it's very hard.

2432
01:54:27,880 --> 01:54:31,360
Speaker 2: I want to spare you my my face when I

2433
01:54:31,360 --> 01:54:31,920
Speaker 2: eat dessert.

2434
01:54:33,440 --> 01:54:37,280
Speaker 3: Thank you, that's wonderful. Well, I've had my cake, I've

2435
01:54:37,320 --> 01:54:38,320
Speaker 3: got my passion fruit.

2436
01:54:38,440 --> 01:54:39,160
Speaker 4: You're ready for bed.

2437
01:54:40,760 --> 01:54:43,160
Speaker 3: Curl up with a good book. Curl up here in

2438
01:54:43,160 --> 01:54:44,320
Speaker 3: my festern fire.

2439
01:54:44,160 --> 01:54:45,760
Speaker 4: With the Obama coffee table book.

2440
01:54:46,920 --> 01:54:48,520
Speaker 3: Do they have a coffee table book? Yeah?

2441
01:54:48,960 --> 01:54:53,040
Speaker 2: My mom when I my childhood bedroom, she kind of

2442
01:54:53,400 --> 01:54:56,040
Speaker 2: redid like it's an Airbnb. Now it's like it's like

2443
01:54:56,080 --> 01:54:59,240
Speaker 2: a there's a vague like picture of a waterfall or something,

2444
01:55:00,000 --> 01:55:03,200
Speaker 2: and there's the Obama Coffee table book that's right by

2445
01:55:03,200 --> 01:55:04,840
Speaker 2: my bed side whenever I'm there.

2446
01:55:05,560 --> 01:55:11,760
Speaker 3: Wow, that's amazing. You're not welcome here. This is for Renters. Yes, yes, wow.

2447
01:55:12,440 --> 01:55:14,200
Speaker 3: I mean, what a wonderful time I've had with you.

2448
01:55:14,560 --> 01:55:18,640
Speaker 3: I've had, I've got the deeply valuable gifts from you.

2449
01:55:18,640 --> 01:55:20,280
Speaker 3: You can't You're not going to release any of this though,

2450
01:55:20,360 --> 01:55:23,280
Speaker 3: right No, no, no, no, no no no, just send me.

2451
01:55:23,320 --> 01:55:25,520
Speaker 3: This is like that record. I'm going to sell it

2452
01:55:25,560 --> 01:55:30,800
Speaker 3: to a tech and uh we'll let him enjoy in

2453
01:55:31,240 --> 01:55:32,200
Speaker 3: for like six million.

2454
01:55:33,480 --> 01:55:33,720
Speaker 2: Yeah.

2455
01:55:33,760 --> 01:55:35,840
Speaker 3: He must be dead by now. Fingers crossed. I think

2456
01:55:35,840 --> 01:55:39,440
Speaker 3: I just saw him at church. I think I saw him.

2457
01:55:40,240 --> 01:55:41,800
Speaker 3: I think I saw him the allegian.

2458
01:55:42,920 --> 01:55:45,280
Speaker 2: He's clowning now, yeah, he was doing the stand up

2459
01:55:45,320 --> 01:55:49,520
Speaker 2: or clown show. Chad Donmiani was give it him. He's

2460
01:55:49,520 --> 01:55:53,080
Speaker 2: actually taking it pretty easy on him. Yeah.

2461
01:55:53,160 --> 01:55:56,080
Speaker 3: What was that guy's name, Martin Shrekley. That's exactly right.

2462
01:55:56,200 --> 01:56:03,200
Speaker 2: Yeah, wow, yeah, Martin Shrekley stee character. Even back then,

2463
01:56:03,240 --> 01:56:07,400
Speaker 2: they're like, yeah, Shrekley, how do we we?

2464
01:56:07,520 --> 01:56:09,600
Speaker 3: I mean, simply I'll have another bite of cake to

2465
01:56:09,680 --> 01:56:10,280
Speaker 3: end the podcast.

2466
01:56:10,360 --> 01:56:12,640
Speaker 2: Yeah, yeah, we got to sage that for those Litsten

2467
01:56:12,640 --> 01:56:14,320
Speaker 2: for those I don't even know if the cameras, the

2468
01:56:14,320 --> 01:56:17,280
Speaker 2: BMX by cameras can pick up the way Bridger is

2469
01:56:17,280 --> 01:56:18,120
Speaker 2: eating the cake.

2470
01:56:18,480 --> 01:56:22,520
Speaker 3: I'm going to the core. But I'm in my drilling

2471
01:56:22,520 --> 01:56:23,960
Speaker 3: machine headed towards the center.

2472
01:56:24,360 --> 01:56:25,760
Speaker 4: Obviously, we're not slicing the cake.

2473
01:56:25,800 --> 01:56:29,120
Speaker 2: We're eating it from the side with a spoon.

2474
01:56:29,280 --> 01:56:30,720
Speaker 3: What if you found out this is how I always

2475
01:56:30,760 --> 01:56:32,640
Speaker 3: did and people just hadn't said anything to me yet

2476
01:56:33,040 --> 01:56:37,640
Speaker 3: he never learned. Well, thank you for being here.

2477
01:56:37,520 --> 01:56:40,200
Speaker 4: Oh, thank you for having me. This is honestly of all.

2478
01:56:40,440 --> 01:56:43,280
Speaker 3: God bless and listener to. The podcast is now over.

2479
01:56:43,400 --> 01:56:46,880
Speaker 3: The turntable is spinning. I don't even know what happened

2480
01:56:46,920 --> 01:56:49,800
Speaker 3: to all the ashtrays now full of passion fruit.

2481
01:56:50,080 --> 01:56:52,560
Speaker 2: That's right. And a picture of Steven spiel.

2482
01:56:52,280 --> 01:56:54,560
Speaker 3: With the smallest little picture of Steven spiel.

2483
01:56:54,440 --> 01:57:00,680
Speaker 2: Two by one Spielberg looking Dare I say not camera ready?

2484
01:57:00,880 --> 01:57:01,640
Speaker 3: Absolutely not.

2485
01:57:01,720 --> 01:57:02,240
Speaker 2: He was caught.

2486
01:57:03,360 --> 01:57:05,000
Speaker 3: He opened the front door and somebody.

2487
01:57:04,720 --> 01:57:05,360
Speaker 2: Took the picture.

2488
01:57:07,120 --> 01:57:08,600
Speaker 4: Yeah, just waking up.

2489
01:57:08,640 --> 01:57:12,800
Speaker 3: He's not happy. He told you he didn't want solar panels.

2490
01:57:12,960 --> 01:57:19,560
Speaker 3: I'm a director. I do not need to be on camera. Well, listener,

2491
01:57:19,600 --> 01:57:22,720
Speaker 3: the podcast is over five years. Hopefully we'll do it

2492
01:57:22,720 --> 01:57:26,880
Speaker 3: for at least another month. We'll see you know, life

2493
01:57:26,920 --> 01:57:28,880
Speaker 3: is so franchile. Oh, now that's such a dark thing

2494
01:57:28,920 --> 01:57:35,680
Speaker 3: to say. We've got to enjoy ourselves. Yes, we'll have

2495
01:57:36,960 --> 01:57:43,720
Speaker 3: golden years. Yeah, the podcast is over. I love you, goodbye.

2496
01:57:46,080 --> 01:57:49,640
Speaker 3: I said, No Gifts is an exactly right production. Our

2497
01:57:49,720 --> 01:57:52,880
Speaker 3: senior producer is on Alise Nelson, and our episodes are

2498
01:57:52,960 --> 01:57:56,760
Speaker 3: beautifully mixed by Ben Tolladay. The theme song is by

2499
01:57:56,800 --> 01:57:59,840
Speaker 3: miracle Worker Amy Mann, and we couldn't do it without

2500
01:57:59,880 --> 01:58:04,120
Speaker 3: our booker, Patrick Cottner. You must follow the show on Instagram.

2501
01:58:04,120 --> 01:58:06,120
Speaker 3: At I said No Gifts, that's where you're going to

2502
01:58:06,120 --> 01:58:09,040
Speaker 3: see pictures of all these wonderful gifts I'm getting. And

2503
01:58:09,120 --> 01:58:10,520
Speaker 3: don't you want to see the gifts?

2504
01:58:11,320 --> 01:58:18,320
Speaker 1: And I invited you here THOUGHTA made myself perfectly clear.

2505
01:58:19,640 --> 01:58:24,720
Speaker 1: When you're a guest to my home, you gotta come

2506
01:58:24,800 --> 01:58:32,320
Speaker 1: to me empty. And I said, no guests, you're our presences, presents,

2507
01:58:32,320 --> 01:58:38,240
Speaker 1: and I already had too much stuff, So how do

2508
01:58:38,440 --> 01:58:40,840
Speaker 1: you dare to surbey me