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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube, as well. Links available in

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Speaker 1: the episode description. We're here today with John Haymen.

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Speaker 2: Hello. Hello, is a writer on Curby Your Enthusiasm.

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Speaker 3: Producer, an resulting producer. I consult, but if you have

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Speaker 3: a problem, you come to me and I consult.

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Speaker 2: By the way you.

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Speaker 1: Do, he does great, But for our purposes for season three,

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Speaker 1: he was not a producer.

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Speaker 3: He was an actor.

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Speaker 2: He was I was.

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Speaker 3: I was an actor on two episodes, The Rare Opportunity

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Speaker 3: and by the way, having watched it, you're excellent. Okay, character, No,

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Speaker 3: let's get this straight.

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Speaker 2: No, shut up at Yale. Stop stop stop.

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Speaker 4: We'll discuss it when we get to your part.

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Speaker 2: Okay.

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Speaker 4: But you were young and handsome and you were good.

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Speaker 2: See I'm not buying into the young and handsome point.

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Speaker 3: It was he came on in the street. Oh look

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Speaker 3: at the young John.

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Speaker 2: No, No, he was young, not gonna say handsome, but

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Speaker 2: he wasn't ugly and also was handsome, and also to me,

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Speaker 2: it's more concerned with how great he did.

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Speaker 3: Yeah.

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Speaker 1: Can I just introduce for on season three, episode two,

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Speaker 1: the Benadrue Brownie and you are Jeff Garlin and I

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Speaker 1: am Susie Esmond and you.

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Speaker 3: Are I know this. I know this John Haymon.

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Speaker 1: And Jeff is with us wearing a red Sox I mean,

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Speaker 1: I'm sorry, a white Sox cap. Yeah, and a Clippers sweatshirt,

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Speaker 1: which is kind of a mixed metaphor.

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Speaker 2: I don't know here the white Sox hat. You know,

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Speaker 2: I'm a big Sox fan. I like the Socks. I'm

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Speaker 2: you know, the Cubs fans don't hate the socks.

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Speaker 4: The socks, we don't when.

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Speaker 3: They're yelling at each other. I love that.

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Speaker 1: It's pretty Johnny, you'll agree with me. We don't hate

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Speaker 1: the Mets. No, I like the Mets hate us. Yes,

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Speaker 1: we have no reason.

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Speaker 2: Verse nationally americanly American. Anyhow, this hat represents for me

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Speaker 2: when I was a big Socks fan, which was the

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Speaker 2: very early seventies, and they had a player named Dick Gallen.

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Speaker 2: It was a player named Bill Milton, don't I remember.

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Speaker 2: You can't call it, by the way, Dick Gallen was

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Speaker 2: a badass, just a badass, and our listeners, I'm sure

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Speaker 2: really curious anyhow the clipper shirt is I'm a I'm

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Speaker 2: a Clippers fanc He's holding the clippers.

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Speaker 3: By the way. I have to say, yeah, no offense.

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Speaker 3: Although this will offend you. I think that's a violation

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Speaker 3: of wearing two teams. I wouldn't wear a Yankee hatta

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Speaker 3: violation of what of you like I'm wearing a black

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Speaker 3: Hawk's shirt. I'm not going to wear a Yankee hat

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Speaker 3: with it. I mean, what is No, you're showing one

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Speaker 3: thing that.

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Speaker 2: The way I'm wearing crocs today, I have pants on crops,

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Speaker 2: are you Yeah, I'm went crocs and its basically called

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Speaker 2: I threw on what I wanted to throw on, which

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Speaker 2: was easy because I barely slept last night and I'm

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Speaker 2: happy to be here. Let's move on.

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Speaker 1: And can I just say that Hayman is wearing sunglasses

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Speaker 1: for two reasons. One he forgot his regular glasses and

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Speaker 1: two it's an homage to our dearly departed friend Richard Belzer.

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Speaker 3: Oh okay, yeah it's not.

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Speaker 2: I mean, did he wear glasses all the time?

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Speaker 3: He was very light sensitive, weren't he and Richard Lewis

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Speaker 3: argue about who invented wore the black because they both

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Speaker 3: wore black all the time. Yea, and I think there

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Speaker 3: was a bone of contentent, you know Lewis And yeah,

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Speaker 3: Lewis thinks everybody steals every time.

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Speaker 2: I know there's a comedian that he thinks stole his rhythms.

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Speaker 2: But Richard, I think was one of the great originals,

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Speaker 2: that's what he was. I think he saw Belzer and

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Speaker 2: went I'm gonna wear black.

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Speaker 3: I think that I wasn't taking sides.

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Speaker 4: I think that they could have thought of it simultaneously.

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Speaker 2: That you enjoy. All Right, So we started, we start away.

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Speaker 2: There's nothing worse than chit chat. It's like when I

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Speaker 2: listen to Howard Stern and the chit chat, I hate it.

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Speaker 2: I don't get what the program. All right, Susie, why are.

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Speaker 3: You holding it up unless it's entertaining? Okay?

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Speaker 4: So we start out the episode at the cell.

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Speaker 1: Depot, dating, dating, dating, and speaking of dating, Richard Lewis

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Speaker 1: tells Larry.

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Speaker 4: That he thinks he found his soulmate for the five.

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Speaker 3: Even then it was a ten thousand season two.

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Speaker 1: Exactly season three, and Larry's like, is this the one,

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Speaker 1: and Richard starts carrying on about how he loves her soul,

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Speaker 1: her looks, or around.

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Speaker 2: It gives one key piece of information, one of the

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Speaker 2: only downside I think of this color kin like, huh,

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Speaker 2: it's too blue lashy.

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Speaker 3: Yeah, she's a Christian scientist, and what it's a Christian

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Speaker 3: scientist is a Christian scientist.

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Speaker 5: And I'm and it's did you say, oh dear, I

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Speaker 5: don't think you've ever said that in your entire No one.

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Speaker 6: Ever told me any Christian scientists before, if.

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Speaker 1: Anything, I ever called for an oh dear Christian scientist.

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Speaker 4: She's a Christian Christian scientist. And it's not about.

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Speaker 2: Think of a worse thing for Richard the combo. That's why.

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Speaker 4: It's just the hypochondriac that he is.

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Speaker 2: Yeah with you and he'll take whatever it takes, which

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Speaker 2: is the premise of this episode.

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Speaker 4: Right and Larry. When he says she's a Christian scientist,

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Speaker 4: Larry says, oh, dear.

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Speaker 2: I love that. I didn't even notice that, because I

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Speaker 2: love when I hear something, I either say oh God

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Speaker 2: or oh my, usually oh my.

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Speaker 4: Well, well, Richard comments on it.

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Speaker 1: He says, I never, I've never heard you say oh

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Speaker 1: dear in my life, by the way.

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Speaker 2: I can't. I've never heard I've never heard him say

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Speaker 2: oh dear, except for this moment. I'm not. I don't

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Speaker 2: think he's just used the word deer referring to an

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Speaker 2: animal or as a word of affection.

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Speaker 1: I don't think he's never said deer in the headlights,

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Speaker 1: for example. I've actually heard him say oh dear. Oh, yeah,

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Speaker 1: he said it before, okay, but I don't know if

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Speaker 1: he said it before this. And then Larry starts discussing

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Speaker 1: the Christian science issues right with him, like she won't

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Speaker 1: bring him medicine if he needs it.

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Speaker 4: She doesn't even have a medicine cabinet. Lewis says, you know.

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Speaker 2: Richard's really funny in this episode.

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Speaker 1: He's really fine, and he looks amazing. He looks so handsome.

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Speaker 2: Yeah, he's great.

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Speaker 4: Not as handsome as the young John.

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Speaker 3: All right, nothing of that, okay.

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Speaker 1: And then he gets the phone, the XR seventy one.

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Speaker 1: Richard has the same phone, and these these early cell phones,

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Speaker 1: it's just so funny to see the technology and the

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Speaker 1: whole thing, and it goes out on occasion.

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Speaker 4: It's the only problem with it.

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Speaker 3: That's and I think Larry did what we all did

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Speaker 3: back then, very excited about the first call your cell phone,

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Speaker 3: the first call, my first sec these phones, these flip phones.

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Speaker 3: What was before flip phones were those giant walkie talking

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Speaker 3: talking Vietnam looking things, you know, like you're calling in

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Speaker 3: an air strike.

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Speaker 2: I know, I know, all right.

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Speaker 1: So Richard then brings up to Larry that he wants

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Speaker 1: him to watch his special, and Larry says, come over

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Speaker 1: to our house for dinner with Deborah, your soulmate.

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Speaker 4: And then Larry then calls Cheryl to see.

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Speaker 1: Oh it's working, and rich is going to come over

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Speaker 1: for dinner and call Ted and we'll get Randy, the

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Speaker 1: chef played by young handsome John Hayman, to cater the dinner.

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Speaker 1: And then Richard says, she's allergic to peanuts. She's allergic peanuts,

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Speaker 1: and can Jeff come because you're his manager, obviously, And

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Speaker 1: Larry tells Cheryl she's allergic to peanuts.

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Speaker 4: On the phone, very in a very serious, very serious tone.

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Speaker 1: And then you know, Larry says, my friends for a change,

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Speaker 1: because you know, we were talking about this on the

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Speaker 1: car right over here, about your ex girlfriend's friends and Jez, well,

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Speaker 1: we've had so many episodes up until this point where

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Speaker 1: you know immediately it's Cheryl's friends. They're out to dinner,

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Speaker 1: you know Meiyl's friends.

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Speaker 2: Yeah, And let me add this on the bonus thing.

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Speaker 2: My lovely ex wife Marla, I don't recall ever in

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Speaker 2: twenty five years of marriage, and I'm talking about ever

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Speaker 2: where it was a group of my friends that we

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Speaker 2: had done. Now, not to say we didn't go out

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Speaker 2: for dinner sometimes with my friends, but when she had

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Speaker 2: people over.

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Speaker 3: Not my friends, always her friends, all nice.

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Speaker 2: People, but not my friend.

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Speaker 3: Yeah.

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Speaker 2: And also as comedians, you know, we're Carnie folk. We

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Speaker 2: understand each other and these were all people who were

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Speaker 2: not Carnie folk. So you and I talk about that

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Speaker 2: all the time. You gotta see so is so funny,

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Speaker 2: and it's usually something we hate. And ye, you know

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Speaker 2: the Morty Gunty isn't fun Well, I go pro Morty Gunty.

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Speaker 2: Are you pro Morty Gunty? That's based on the name.

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Speaker 2: Anything he says. Anything he said I was good. He

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Speaker 2: was Mordy Gunty and the Funny Company or something. No,

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Speaker 2: either way, it's funny.

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Speaker 4: Mordy Gunty was actually a funny guy.

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Speaker 1: He was Mordy Gunty for those who don't know, which

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Speaker 1: is almost everybody listening.

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Speaker 2: I brought it. I brought him up.

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Speaker 4: Porsch Belt comedian.

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Speaker 1: He used to work the mountains, the Catskills and why

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Speaker 1: Bell used to write for him.

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Speaker 4: Yes, I used to write jokes. It's seven bucks a pop.

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Speaker 2: How long did you go out with Bill Bogs? For?

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Speaker 3: With Bill?

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Speaker 2: Oh my god, I'm sored.

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Speaker 1: Then we're at the dinner part, Yeah, and it's Jeff,

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Speaker 1: Richard Lewis, Deborah, Larry and Cheryl and everybody's having fun

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Speaker 1: and they're enjoying themselves there laughing, and Richard and DEBRAA

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Speaker 1: tell them that they're going to the Emmys, and Deborah

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Speaker 1: had a dress made from Armando in Beverly Hills, and

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Speaker 1: Cheryl is having an Emmy party, and everybody's old jolly,

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Speaker 1: And then Jeff asks for ketchup because he can't eat

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Speaker 1: steak without ketchup.

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Speaker 4: Right, I actually like ketchup with steak.

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Speaker 2: A lot of people do, but I have to say, look,

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Speaker 2: I really don't eat steak anymore. An occasional skirt steak.

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Speaker 2: You know, I'm primarily a vegetarian. Primarily, you know, I'll

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Speaker 2: have fish, I'll have meat, chicken. But anyhow, no one

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Speaker 2: gives a shit anyhow. The point being is metch.

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Speaker 3: And I think you're pretty much not vegetat look it

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Speaker 3: up and an occasional misteak, I.

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Speaker 2: Said, mostly. I mean I'm not talking about I have

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Speaker 2: meat every fucking week even all right. Anyhow, meat that

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Speaker 2: sucks or is mediocre, you gotta have a whole fucking

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Speaker 2: bottle of ketchup and smother that thing. But if it's

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Speaker 2: a good piece of meat, that's really insulting to.

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Speaker 1: This very rarely, but I do like a little ketchup

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Speaker 1: with my steak. Sorry, and playing the chef. Larry says,

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Speaker 1: you can't ask a chef for ketchup.

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Speaker 2: Right, everybody's not agreement. And it is Chicago. Don't ever

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Speaker 2: say you're putting ketchup on your hot dog.

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Speaker 3: It's a crime a hot dog.

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Speaker 2: My mother used to do that and drive me nuts

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Speaker 2: to go. What do you do in Chicago? That's like

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Speaker 2: a Chicago joke. You go to any hot dog stand

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Speaker 2: and you ask for ketchup, you're gonna get ship. There's many, many, hundreds,

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Speaker 2: thousands of hot dog stands in Chicago. You gotta get mustard.

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Speaker 4: Well, I would only get mustard if I would eat.

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Speaker 2: By the way, I took a friend of mine and

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Speaker 2: his daughter to a Bears game, and the hot dog

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Speaker 2: guy is coming to you know, and his daughter, and

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Speaker 2: everyone heard this as from they live in North Carolina.

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Speaker 2: Can I have some ketchup? And we all started booing

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Speaker 2: her and I stood up, how dare you with my

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Speaker 2: friend's daughter? Where do you get off? And everyone was

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Speaker 2: screaming at her. It was hilarious.

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Speaker 1: I really used to put ketchup on spaghetti that so

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Speaker 1: she would give.

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Speaker 3: It was horrible. It was horrible. It was horrible. Those

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Speaker 3: famous spaghetti places. I forget what it's called.

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Speaker 2: No, no, it's it's a skyline and it's chili, right, ketchup,

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Speaker 2: But they put ketchup in there too, I believe I

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Speaker 2: know it's chili.

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Speaker 1: It's crazy anyway, So then ketchup is insulting, Larry says,

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Speaker 1: and enter chef Randy, a young handsome John Hayman, and

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Speaker 1: they all say the food is great, the food is great,

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Speaker 1: and so now tell us about Randy, John.

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Speaker 4: How'd you get the part?

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Speaker 1: Okay, well, this is now we know you go way

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Speaker 1: back with Larry's far back for the back than we do.

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Speaker 1: And you wrote on Seinfeld, correct, And for how many

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Speaker 1: seasons did you write?

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Speaker 2: Just one?

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Speaker 3: Just one? And uh, I just I knew Larry when

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Speaker 3: we were in his apartment, the real apartment Kenny Kramer

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Speaker 3: lived across.

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Speaker 2: Across the hall when.

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Speaker 4: Lived in Manhattan Plaza on in the studio apartment.

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Speaker 3: You would look and exactly, I know it's not a

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Speaker 3: show about Seinfeld obviously, or a podcast about Seinfeld, but

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Speaker 3: when I look back on it, you know, both doors

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Speaker 3: would be open. They lived across from each other, across

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Speaker 3: the hall, and I'd be sitting there with Larry and

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Speaker 3: I usually bring a sandwich from Carnegey or something, watch

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Speaker 3: the Nick game or whatever, and Kenny Kramer would come

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Speaker 3: across in a bathrobe and not even looking at Larry,

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Speaker 3: go what's the score. Larry would be writing actually on

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Speaker 3: a yellow pad and not look up and tell him

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Speaker 3: the score. Kenny Crane would open the refrigerator, drink some milk,

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Speaker 3: shut it, and then walk over. And that was the

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Speaker 3: start of a cottage industry.

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Speaker 7: We'll be right back, stay tuned, and we're back.

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Speaker 3: And so anyhow, yes, we go way back and pre Seinfeld,

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Speaker 3: pre everything, and he said, come in for this part

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Speaker 3: and I went, of course, I come in and I'm

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Speaker 3: sitting outside the office, which is where the auditions were

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Speaker 3: they used to be, and Grant Heslov, who is now

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Speaker 3: a quite well known producer and partner of George Clooney,

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Speaker 3: but was an actor originally, is a really good actor

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Speaker 3: who I knew because he had been on Peter Melman's show.

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Speaker 3: It's like you know, and he was really good, so

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Speaker 3: good as a matter of fact, that we wrote an

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Speaker 3: episode just to get him back in and bring the

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Speaker 3: character back. And he knew that. He was very friendly

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Speaker 3: and one of these people you know, you just naturally

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Speaker 3: laugh with. And he's a great act and a really

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Speaker 3: good improv actor. What are you reading for? He's reading

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Speaker 3: for the same part. And I go, well, why is

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Speaker 3: he calling? Why is Larry calling me in for this?

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Speaker 3: He's got Grant Haslov here. Why are you doing that?

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Speaker 3: So I go in, I go in before Grant and

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Speaker 3: go in and it's just Larry and Larry Charles, who

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Speaker 3: directed the I wasn't.

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Speaker 2: Really I don't believe you were. I sat quietly witnessing

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Speaker 2: the greatness of John.

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Speaker 3: Hell anyhow, So it's everyone I know. I didn't know Alison,

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Speaker 3: but everyone I know, it's not really like an audition.

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Speaker 3: Didn't cast then she didn't know whoever it was, and

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Speaker 3: so Allison.

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Speaker 2: Was cast Alson Jones best comedy casting director in Hollywood,

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Speaker 2: and she came on later. She was my first choice.

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Speaker 4: What season did Chikima? Do you remember for?

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Speaker 2: Maybe? Okay, you know she's the best there is.

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Speaker 3: Right, Well, whoever it was was just sitting there, So

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Speaker 3: it wasn't it was Geene Rayburn's daughter, keep going, Oh

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Speaker 3: that's right, said the long microphone. He wondered about that.

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Speaker 3: So it wasn't almost like I was an audition. I mean,

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Speaker 3: I know all these people, and I said before I started,

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Speaker 3: I said, Larry, you got Grant Heslov out there. That

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Speaker 3: does well. So I said, look, you're going to give

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Speaker 3: him the part. He's much better he chef.

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Speaker 2: Well, I wonder why you got the part.

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Speaker 3: Well that's the upshot of it. I mean, I kept saying,

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Speaker 3: just hire him. I'll do something else, and he's right

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Speaker 3: there and I know, and Larry Charleston and I both went, yeah,

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Speaker 3: that's it, that's what we want. I didn't even actually audition.

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Speaker 3: I just said give it to Grant Heslov, and they

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Speaker 3: gave me the part and He knew it because I

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Speaker 3: ran into him later and told him the story, and

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Speaker 3: the few times I would run into him, he would

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Speaker 3: always give me shit and I go, well, it turned

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Speaker 3: out okay for you, pal, I mean, so that's how

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Speaker 3: I got the part saying I wasn't they should not

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Speaker 3: hire me for the part I don't feel right, which

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Speaker 3: is it turns out and I didn't know at the

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Speaker 3: time because you just get like two lines you know

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Speaker 3: of the outline for what the chef is that that

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Speaker 3: is exactly what the chef is. So that's why I

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Speaker 3: got the bart.

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Speaker 4: Did you do an improfit all or no?

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Speaker 2: No?

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Speaker 3: All I said was, actually, that's not true. I did

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Speaker 3: a little bit of an improv. Larry set behind his

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Speaker 3: desk and I don't know, he said, just argue with me.

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Speaker 3: I go, oh, it's not the most difficult thing in

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Speaker 3: the world. And I think I maybe did it for

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Speaker 3: twenty seconds, and he just cut it off. He went, yeah, yeah, yeah,

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Speaker 3: you got it. I had to go outside and there's

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Speaker 3: Grant waiting to.

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Speaker 2: Go on, but knowing damn well, he had no chance.

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Speaker 1: No chance against the young John, a young chance. So

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Speaker 1: then they are going.

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Speaker 3: Oh, no, I'm sorry. By the way before that scene,

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Speaker 3: I was in another scene that got cut, and it

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Speaker 3: was one I don't know why they even had the scene.

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Speaker 3: It was Cheryl and I in the kitchen, and I

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Speaker 3: think she may have even mentioned, don't put the in

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Speaker 3: the scene. No, she doesn't mention no nuts because Randy

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Speaker 3: doesn't know. I forget what we were doing. But that

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Speaker 3: scene got cut. And also what I remember is Larry.

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Speaker 3: It was Larry Charles first directing job.

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Speaker 1: No it wasn't. I think it wasn't because he directed

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Speaker 1: season one. No he didn't directed directed Larry. I said

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Speaker 1: to Larry, might have been season two. I said, can

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Speaker 1: we bring Larry Charles on as an executive producer?

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Speaker 2: Great idea boom, you know?

352
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Speaker 3: But he but here, I.

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Speaker 4: Know he directed. He directed me up.

354
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Speaker 2: As aali that I was like, and I also needed

355
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Speaker 2: somebody a compadre, and he became the.

356
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Speaker 3: I thought it was because I remember he.

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Speaker 2: Thought it was Alison Jones. And you don't know if

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Speaker 2: I was in the room.

359
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Speaker 4: Tesla wasn't even the waiting room.

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Speaker 3: Maybe you're making that ship up.

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Speaker 1: Yeah, okay, So go to they go to watch the

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Speaker 1: special and Deborah is scarfing down the brownies that Susie

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Speaker 1: made that. Jeff went to pick up Sammy and took

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Speaker 1: the brownies from that. Later, Well, no, you said, you said,

365
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Speaker 1: I dropped off Sammy and bought the brownies, okay, and

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Speaker 1: she said that the best brownie she's ever had, and

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Speaker 1: she's eating them eating.

368
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Speaker 3: Can I direct just for one second because of that

369
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Speaker 3: scene with the ketchup. I don't know if he was

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Speaker 3: doing it as part of the scene or if he

371
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Speaker 3: was just doing it, but somehow they were talking about statins,

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Speaker 3: you know, this stuff you take at the table, yeah,

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Speaker 3: for you know, to lower your cholesterol, and Richard is

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Speaker 3: talking about it. Oh, this stuff is great. He goes,

375
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Speaker 3: look at this, I can eat a thing of butter,

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Speaker 3: and he took a bite of like a slab of

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Speaker 3: butter at the table. I can't believe it wasn't in

378
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Speaker 3: unless it was unless they were just doing No. I

379
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Speaker 3: know it wasn't in what happened, but it may have

380
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Speaker 3: been just he was talking to Larry, like right before

381
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Speaker 3: the scene, like you guys do a lot. But I

382
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Speaker 3: was like, what the fuck is No.

383
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Speaker 2: I think that had nothing to do with Larry or

384
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Speaker 2: a conversation. I think he just did it. That's that's

385
00:18:47,280 --> 00:18:49,520
Speaker 2: Lewis the magician, keep going okay.

386
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Speaker 4: So then we there's so many remotes. There's a million,

387
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Speaker 4: like ten remotes.

388
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Speaker 1: And they have this guy Mike who fixes it and

389
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Speaker 1: he comes in every week to fix it. And Cheryl's

390
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Speaker 1: like upset that she's got an Emmy party this Sunday

391
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Speaker 1: and you have to fire Mike.

392
00:19:02,359 --> 00:19:04,200
Speaker 4: Larry says, I can't fire Mike. He's black.

393
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Speaker 1: And Larry's trying every remote and Cheryl wants one remote.

394
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Speaker 2: Oh, by the way, the three women with Cheryl or

395
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Speaker 2: her actual three friends just you know.

396
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Speaker 3: Oh is that true?

397
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Speaker 2: Yeah?

398
00:19:14,600 --> 00:19:17,960
Speaker 1: Yeah, and the remote's not working. Richard Lewis says, let's

399
00:19:18,000 --> 00:19:19,040
Speaker 1: play twister, Let's.

400
00:19:18,840 --> 00:19:21,080
Speaker 4: Go to my house. And then Dev's like, I don't

401
00:19:21,119 --> 00:19:21,920
Speaker 4: feel well.

402
00:19:22,080 --> 00:19:24,040
Speaker 2: Non is this word that Larry's trying to put in

403
00:19:24,080 --> 00:19:25,840
Speaker 2: the videotape of Richard Special.

404
00:19:26,240 --> 00:19:30,640
Speaker 3: No, they're trying to uh, they're trying to watch It's special. Yeah,

405
00:19:30,640 --> 00:19:34,240
Speaker 3: they're trying to way, but it's not a tape. It's right,

406
00:19:34,680 --> 00:19:35,760
Speaker 3: that's for the Emmys.

407
00:19:35,920 --> 00:19:38,720
Speaker 1: So then Deborah says she doesn't feel well, and she

408
00:19:38,960 --> 00:19:41,800
Speaker 1: asked if there's any peanuts in the brownies, you know,

409
00:19:41,840 --> 00:19:43,800
Speaker 1: any peanuts in the dinner and I told you on

410
00:19:43,840 --> 00:19:45,639
Speaker 1: the phone, and Cheryl didn't hear it. Then we find

411
00:19:45,640 --> 00:19:48,320
Speaker 1: out that the call dropped out. Cheryl didn't hear about

412
00:19:48,320 --> 00:19:52,119
Speaker 1: the peanuts and his dropouts on that prone and Debraah

413
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Speaker 1: says all she could do is wait it out, and

414
00:19:54,040 --> 00:19:55,840
Speaker 1: Richard says, can't you take a nap?

415
00:19:55,880 --> 00:19:58,399
Speaker 4: And why don't you just drive? Then Richard says, you

416
00:19:58,400 --> 00:20:01,080
Speaker 4: want to? I don't really fool comfortable driving myself.

417
00:20:01,200 --> 00:20:04,440
Speaker 6: She needs you to take her home, you know, I mean, now,

418
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Speaker 6: all right, we're going.

419
00:20:05,480 --> 00:20:12,280
Speaker 3: It's a fucking idiot. How can you do this? She's not, like, yeah,

420
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Speaker 3: we'll watch it, don't worry.

421
00:20:14,160 --> 00:20:16,840
Speaker 6: It's horrible.

422
00:20:17,240 --> 00:20:18,840
Speaker 2: I love to play scrabble, I said.

423
00:20:18,960 --> 00:20:19,879
Speaker 3: I kind of got in the mood.

424
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Speaker 2: Let's get it.

425
00:20:21,240 --> 00:20:22,080
Speaker 7: Really you want to play?

426
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Speaker 6: I'm all over, absolutely, Okay, you don't need to play.

427
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Speaker 3: It's better with two give me milk.

428
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Speaker 2: That was fucking well by the way, I'm watching it,

429
00:20:33,920 --> 00:20:36,800
Speaker 2: and I'm actually kind of angry at his character. And

430
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Speaker 2: I don't know if he would do that in real life,

431
00:20:38,600 --> 00:20:42,800
Speaker 2: but it was literally how it affected him was so narcissistic.

432
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Speaker 1: Yes, you know that's why she just can't you drive yourself?

433
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Speaker 1: Take your nap, drive yourself home, and she will not.

434
00:20:47,760 --> 00:20:49,040
Speaker 1: We we have been rude.

435
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Speaker 2: And by the way, for the one time with Larry

436
00:20:52,680 --> 00:20:55,680
Speaker 2: standing with Ryl and I forget oh and myself, we're

437
00:20:55,720 --> 00:20:58,360
Speaker 2: all saying go. But Larry is in that moment. It's

438
00:20:58,359 --> 00:21:01,639
Speaker 2: a rare moment where he's not saying take her home

439
00:21:01,760 --> 00:21:02,880
Speaker 2: to make his life.

440
00:21:02,680 --> 00:21:04,560
Speaker 3: Better, thinking of her.

441
00:21:04,680 --> 00:21:06,320
Speaker 2: Yeah, he's like going, this is fucked up.

442
00:21:06,440 --> 00:21:07,359
Speaker 3: You know so well.

443
00:21:07,400 --> 00:21:09,840
Speaker 1: You could see that she's in distress and she won't

444
00:21:09,840 --> 00:21:12,119
Speaker 1: take a benadryl. She won't take medication because she's a

445
00:21:12,200 --> 00:21:16,119
Speaker 1: Christian scientist. Then Jeff and Mike, Mike is the cable

446
00:21:16,160 --> 00:21:20,879
Speaker 1: fixer guy. They're att O groats and Larry fires Mike,

447
00:21:20,960 --> 00:21:23,159
Speaker 1: and Mike says, to just be honest.

448
00:21:22,920 --> 00:21:29,359
Speaker 3: Man, because I'm black, right right? What we couldn't be crazier? Crazy?

449
00:21:29,359 --> 00:21:31,600
Speaker 3: Why did I hire you? That was over the phone? Man?

450
00:21:31,600 --> 00:21:33,040
Speaker 3: You didn't know I was black at the time.

451
00:21:33,240 --> 00:21:35,880
Speaker 2: By the way. That's played by Anthony Griffith. Uh huh,

452
00:21:36,200 --> 00:21:39,200
Speaker 2: a friend of mine, a comedian and actor from Chicago.

453
00:21:39,840 --> 00:21:41,840
Speaker 2: He was a wonderful stand up I used to see him.

454
00:21:41,720 --> 00:21:43,680
Speaker 3: In play, terrific in this also great.

455
00:21:43,760 --> 00:21:44,600
Speaker 2: He's a great actor.

456
00:21:44,920 --> 00:21:47,600
Speaker 1: All right, there you go, and let's just discuss that

457
00:21:47,680 --> 00:21:48,879
Speaker 1: because I'm a black issue.

458
00:21:49,000 --> 00:21:52,440
Speaker 3: Well, that's a recurring mode theme with Larry, and it's

459
00:21:52,480 --> 00:21:56,960
Speaker 3: Fascinating's the same dynamic. He doesn't want to appear bigoted

460
00:21:57,040 --> 00:22:00,280
Speaker 3: in any way, and he's so overly concerned about out

461
00:22:00,280 --> 00:22:03,440
Speaker 3: it anytime in the show. We're talking about anytime he

462
00:22:03,480 --> 00:22:06,160
Speaker 3: has any interaction well a person.

463
00:22:05,880 --> 00:22:08,359
Speaker 2: Of color, but yeah, it could be anything that he

464
00:22:08,400 --> 00:22:11,240
Speaker 2: doesn't want them to feel bad that he's using that reason.

465
00:22:11,440 --> 00:22:15,320
Speaker 2: And by the way, he's never firing anyone for that reason.

466
00:22:15,640 --> 00:22:18,639
Speaker 2: And he gets called out because everyone thinks it is

467
00:22:18,720 --> 00:22:19,240
Speaker 2: that reason.

468
00:22:19,400 --> 00:22:21,320
Speaker 3: Right. Larry says, I hired you over the phone.

469
00:22:21,320 --> 00:22:23,399
Speaker 1: I didn't know you were black, and he blames it

470
00:22:23,440 --> 00:22:26,119
Speaker 1: on Cheryl, and Mike says that the check comes that

471
00:22:26,240 --> 00:22:27,480
Speaker 1: Larry's like, well, I got it, I got it.

472
00:22:27,520 --> 00:22:28,600
Speaker 4: Mike says, I'll leave the tip.

473
00:22:29,080 --> 00:22:31,960
Speaker 1: I'll leave the tip, and Mike is pissed off and

474
00:22:32,000 --> 00:22:34,320
Speaker 1: he walks out because Larry just fired him for really

475
00:22:34,359 --> 00:22:36,879
Speaker 1: no cause, as we find out, but he thinks his cause.

476
00:22:37,119 --> 00:22:39,320
Speaker 1: And Larry sees the tip and he sees that there's

477
00:22:39,400 --> 00:22:41,680
Speaker 1: not really enough there, and he goes back and he

478
00:22:41,720 --> 00:22:44,480
Speaker 1: adds a couple of dollars and he sees Wanda is

479
00:22:44,520 --> 00:22:46,800
Speaker 1: at another table glaring at him.

480
00:22:47,160 --> 00:22:50,280
Speaker 2: Yes, and she has a scowl on her face, glat yes,

481
00:22:50,280 --> 00:22:53,600
Speaker 2: and there will be a price to pay always. By

482
00:22:53,640 --> 00:22:58,840
Speaker 2: the way, lake Bell was the other end, okay, and

483
00:22:58,920 --> 00:23:01,240
Speaker 2: that TV show she was. But the thing is someone

484
00:23:01,280 --> 00:23:03,280
Speaker 2: at home might be going, oh, I want to know,

485
00:23:03,720 --> 00:23:06,159
Speaker 2: and they might be upset with you, Susie for dismissing me.

486
00:23:06,359 --> 00:23:06,800
Speaker 2: Keep going.

487
00:23:07,400 --> 00:23:10,120
Speaker 4: When we get the mail from our viewers, I will.

488
00:23:11,600 --> 00:23:16,119
Speaker 2: I'm sure there's a lot of male coming from viewers handwritten.

489
00:23:16,240 --> 00:23:21,520
Speaker 1: So next next week, Larry Western Union. Larry goes to

490
00:23:21,600 --> 00:23:24,680
Speaker 1: the door, knocks on the door, and a woman answers,

491
00:23:25,040 --> 00:23:28,320
Speaker 1: and we find out that that's Deborah's mother, and he's

492
00:23:28,359 --> 00:23:29,360
Speaker 1: at Deborah's mother's house.

493
00:23:29,400 --> 00:23:30,280
Speaker 3: She's with her mother.

494
00:23:30,320 --> 00:23:33,600
Speaker 2: I cannot remember the actress's name, but I was excited

495
00:23:33,640 --> 00:23:36,480
Speaker 2: to have her because she was in Peewee's Big Adventure.

496
00:23:36,920 --> 00:23:39,040
Speaker 2: They were like sitting in the dinosaur looking at the

497
00:23:39,080 --> 00:23:41,200
Speaker 2: sky and she was really good in the movie.

498
00:23:41,359 --> 00:23:44,040
Speaker 1: Yes, so I was really good in this that she's great,

499
00:23:44,280 --> 00:23:46,800
Speaker 1: And she says to Larry, are you here for the

500
00:23:46,840 --> 00:23:47,560
Speaker 1: prayer group?

501
00:23:48,680 --> 00:23:51,720
Speaker 3: Which we know he's.

502
00:23:50,760 --> 00:23:55,480
Speaker 1: Not Diane Salager as Deborah's mother, and Larry says something about,

503
00:23:55,520 --> 00:23:58,359
Speaker 1: you know, he's sorry about Deborah and Diane Salagart, Deborah's

504
00:23:58,400 --> 00:24:02,080
Speaker 1: mother says, we're all responsible for our own lives, which

505
00:24:02,119 --> 00:24:03,680
Speaker 1: is very profound and very true.

506
00:24:04,200 --> 00:24:06,920
Speaker 3: Yes, no, we're not. You got to give up control and.

507
00:24:06,880 --> 00:24:10,960
Speaker 1: She she then brings ld into the group, but then

508
00:24:11,240 --> 00:24:13,680
Speaker 1: he gets out, right, he gets out. So Larry goes

509
00:24:13,720 --> 00:24:17,400
Speaker 1: into Deborah's room and there's a black man there fixing

510
00:24:17,480 --> 00:24:19,840
Speaker 1: the cable, which is not Mike. It's a different black man,

511
00:24:19,920 --> 00:24:23,080
Speaker 1: cable fixer. And then Richard and Deborah in the room,

512
00:24:23,720 --> 00:24:26,040
Speaker 1: and Deborah's like, you know, I'll be fine to go

513
00:24:26,080 --> 00:24:26,680
Speaker 1: to the Emmy's.

514
00:24:26,960 --> 00:24:28,880
Speaker 4: And now we never see her face.

515
00:24:28,840 --> 00:24:32,840
Speaker 3: Which is so much better than prosthetics.

516
00:24:32,840 --> 00:24:35,160
Speaker 2: Put prosthetics, and we looked at her horror. I mean

517
00:24:35,200 --> 00:24:38,880
Speaker 2: to use your imagination of how swollen an man case

518
00:24:39,000 --> 00:24:41,920
Speaker 2: must look. I just right from the get go, I thought,

519
00:24:42,160 --> 00:24:44,600
Speaker 2: I remember, we didn't show that that was brilliant.

520
00:24:44,640 --> 00:24:46,320
Speaker 4: And whose choice was that? Do you remember?

521
00:24:46,680 --> 00:24:49,760
Speaker 1: Well, Larry's Larry's okay, oh yeah.

522
00:24:49,800 --> 00:24:52,560
Speaker 2: And also we didn't have a good budget back to budget,

523
00:24:53,000 --> 00:24:54,720
Speaker 2: so the prosthetics would have been expensive.

524
00:24:54,760 --> 00:24:57,639
Speaker 1: That's right, DeBras, I'll be fine, and Larry's I'm so

525
00:24:57,720 --> 00:25:01,280
Speaker 1: sorry about the peanuts, and Deborah is insistent ongoing to

526
00:25:01,359 --> 00:25:03,920
Speaker 1: the Emmys, and Larry's like, take a bit of a drill,

527
00:25:04,440 --> 00:25:07,640
Speaker 1: and Debrah says, it's a betrayal of my faith. And

528
00:25:07,960 --> 00:25:09,959
Speaker 1: he has if the cable guy is any good and

529
00:25:10,000 --> 00:25:13,040
Speaker 1: the remotes. He goes off on that, and then Larry

530
00:25:13,160 --> 00:25:15,680
Speaker 1: leaves and he's drawn into the prayer circle.

531
00:25:15,920 --> 00:25:18,200
Speaker 4: This is when he's doing the pinkies.

532
00:25:18,400 --> 00:25:21,120
Speaker 2: Well, he's not gonna hold hands, and but not only

533
00:25:21,160 --> 00:25:24,240
Speaker 2: is he doing the pinkies, he's trying to break free

534
00:25:24,960 --> 00:25:26,200
Speaker 2: with his pinkys.

535
00:25:25,880 --> 00:25:28,280
Speaker 4: Right, and Larry is saying, you know, he can't.

536
00:25:28,040 --> 00:25:30,560
Speaker 1: Pray for Deborah because he's got bad calma and she'll

537
00:25:30,680 --> 00:25:32,800
Speaker 1: end up even sicker, which we fold the scene like

538
00:25:32,840 --> 00:25:35,400
Speaker 1: that yesterday, and of course yes, and of course he

539
00:25:35,480 --> 00:25:37,600
Speaker 1: joins hands. He ends up with two men, which is,

540
00:25:37,720 --> 00:25:40,040
Speaker 1: you know, like he tried to make it boy girl,

541
00:25:40,320 --> 00:25:44,520
Speaker 1: but he ends up with two men her husband, yeah, yeah,

542
00:25:44,560 --> 00:25:45,880
Speaker 1: and it's so uncomfortable.

543
00:25:45,920 --> 00:25:48,040
Speaker 4: And then his phone goes off and what is the

544
00:25:48,119 --> 00:25:48,720
Speaker 4: ring tone?

545
00:25:49,680 --> 00:25:56,320
Speaker 2: I don't go you know for somebody it's Larry's personal life,

546
00:25:56,359 --> 00:25:58,240
Speaker 2: but he's not really He's proud to be a Jew,

547
00:25:58,560 --> 00:26:00,760
Speaker 2: but he's so not religious, do you know what I mean?

548
00:26:01,119 --> 00:26:04,880
Speaker 2: And so but he uses so much Jewish comedy.

549
00:26:05,119 --> 00:26:07,199
Speaker 3: Because that's how he was brought up. Even to me,

550
00:26:07,280 --> 00:26:08,280
Speaker 3: it's a cultural thing.

551
00:26:08,560 --> 00:26:11,480
Speaker 2: But I'm saying, he just he does it. It's so beautiful.

552
00:26:11,560 --> 00:26:14,480
Speaker 1: Yeah, we'll be right back, stay tuned.

553
00:26:25,080 --> 00:26:26,200
Speaker 7: Okay, we're back.

554
00:26:26,920 --> 00:26:29,000
Speaker 1: So there the Havanah gill is going off in the

555
00:26:29,000 --> 00:26:31,760
Speaker 1: middle of the prayer group, the Christian Science prayer group,

556
00:26:32,119 --> 00:26:35,199
Speaker 1: and then we see Larry and Richard leave, and Richard's like,

557
00:26:35,240 --> 00:26:36,960
Speaker 1: I'm going to be humiliated. I can't bring it to

558
00:26:37,000 --> 00:26:39,560
Speaker 1: the Emmys. I'm going to be humiliated. It's all your fault.

559
00:26:39,840 --> 00:26:41,840
Speaker 1: And if they go into the whole peanut versus the

560
00:26:41,880 --> 00:26:44,280
Speaker 1: cell phone, and Larry says, I thought you didn't give

561
00:26:44,280 --> 00:26:45,600
Speaker 1: a shit about how she looks.

562
00:26:46,040 --> 00:26:48,280
Speaker 3: Yeah, you love her soul.

563
00:26:49,000 --> 00:26:52,200
Speaker 1: You know which, even if Richard did love his soul,

564
00:26:52,480 --> 00:26:54,440
Speaker 1: her soul, yeah, love herself, why does he want to

565
00:26:54,480 --> 00:26:54,960
Speaker 1: be seen with you?

566
00:26:56,000 --> 00:26:58,360
Speaker 2: And also to go it to the Emmys with her

567
00:26:58,400 --> 00:26:59,280
Speaker 2: head swollen?

568
00:26:59,600 --> 00:26:59,800
Speaker 3: Right?

569
00:27:00,119 --> 00:27:01,399
Speaker 2: That so unsettling.

570
00:27:01,480 --> 00:27:06,200
Speaker 1: And then they get into at no point do either

571
00:27:06,320 --> 00:27:10,399
Speaker 1: Larry or Richard show any concern for what this woman

572
00:27:10,480 --> 00:27:11,040
Speaker 1: is suffering.

573
00:27:11,560 --> 00:27:13,880
Speaker 3: It's just all about that.

574
00:27:13,760 --> 00:27:14,400
Speaker 7: Jo and they do.

575
00:27:14,440 --> 00:27:16,520
Speaker 4: They want her to take the Benadryl and get better.

576
00:27:17,000 --> 00:27:21,760
Speaker 3: They can't believe it's just he doesn't look like that.

577
00:27:21,960 --> 00:27:25,720
Speaker 2: It's primarily for the Emmys. It's all about that.

578
00:27:25,760 --> 00:27:27,439
Speaker 1: Even if she just even if it had nothing to

579
00:27:27,480 --> 00:27:29,200
Speaker 1: do with the Emmies, they would just be like, take

580
00:27:29,200 --> 00:27:30,240
Speaker 1: a fucking benadrulle.

581
00:27:30,560 --> 00:27:33,160
Speaker 3: It'll knock it right out, and it would. I know,

582
00:27:33,359 --> 00:27:33,960
Speaker 3: I had an.

583
00:27:33,880 --> 00:27:35,040
Speaker 4: Allergy attack the other day.

584
00:27:35,040 --> 00:27:37,040
Speaker 1: I was sitting under some tree that I was just

585
00:27:37,240 --> 00:27:38,720
Speaker 1: and I went home and I took a ben adol

586
00:27:38,720 --> 00:27:47,040
Speaker 1: and I was fine under some tree in an outdoor cafe. Yeah,

587
00:27:47,040 --> 00:27:49,840
Speaker 1: and I had an analogy attack. Okay, but she's hell

588
00:27:49,920 --> 00:27:52,920
Speaker 1: bent ongoing. She won't take the benadryl. Richard says a

589
00:27:52,960 --> 00:27:53,639
Speaker 1: typical Richard.

590
00:27:53,960 --> 00:27:55,040
Speaker 3: No, I know, I know, I know.

591
00:27:55,840 --> 00:27:56,040
Speaker 2: Yeah.

592
00:27:56,080 --> 00:27:58,840
Speaker 1: No, it would match your head address made of you know,

593
00:27:59,000 --> 00:28:03,600
Speaker 1: turnips and blood. So they're going to try to like

594
00:28:03,800 --> 00:28:06,080
Speaker 1: give her a shot. Then they come up with the

595
00:28:06,119 --> 00:28:11,720
Speaker 1: brilliant idea. She loved those brownies. Put it in a brownie, right,

596
00:28:12,320 --> 00:28:14,720
Speaker 1: She'd never know And Larry says he's going to get

597
00:28:14,720 --> 00:28:18,479
Speaker 1: the recipe from Susie Sheryl bake it. Next thing, you know,

598
00:28:18,800 --> 00:28:21,679
Speaker 1: he knocks on our door, Jeff, and I answered the

599
00:28:21,680 --> 00:28:24,000
Speaker 1: door with a new character introduced.

600
00:28:24,680 --> 00:28:28,040
Speaker 2: Oh yeah, Oscar, Yes, you know, I watched it with

601
00:28:28,040 --> 00:28:30,440
Speaker 2: Sari last night. She goes, you guys had a dog, Yeah,

602
00:28:30,440 --> 00:28:33,080
Speaker 2: Oscars many seasons.

603
00:28:33,240 --> 00:28:35,600
Speaker 4: Yeah, he was a great dog. That was actually two dogs.

604
00:28:35,600 --> 00:28:39,120
Speaker 1: It was Hunter and Rhett with the two dogs that

605
00:28:39,160 --> 00:28:43,240
Speaker 1: played Nperilla. I don't recall that now, but they were

606
00:28:43,360 --> 00:28:45,760
Speaker 1: beautiful German shepherds, gorgeous dogs.

607
00:28:45,960 --> 00:28:48,520
Speaker 4: And I said that I got Oscar because now that can.

608
00:28:48,840 --> 00:28:55,120
Speaker 2: Say I never noticed it was, I swear until right now,

609
00:28:55,480 --> 00:28:57,920
Speaker 2: I had no idea it was two dogs. I thought

610
00:28:57,920 --> 00:29:00,479
Speaker 2: it was always one dog because they look exact.

611
00:29:00,560 --> 00:29:04,160
Speaker 3: Oh that's hilarious, like nine lassies or something like that.

612
00:29:04,200 --> 00:29:08,120
Speaker 4: Yeah, somebody, well they have to it's a door.

613
00:29:08,280 --> 00:29:10,080
Speaker 2: By the way. They had numerous gentle bends.

614
00:29:10,920 --> 00:29:14,600
Speaker 3: Bart the bear who's in this cocaine bear thing. Now

615
00:29:15,240 --> 00:29:18,320
Speaker 3: there's a bear called I think it's Bart, who's been

616
00:29:18,360 --> 00:29:20,880
Speaker 3: in every single thing that that involves a real live

617
00:29:20,960 --> 00:29:23,280
Speaker 3: bear for the last fifteen years. Oh he must be

618
00:29:23,400 --> 00:29:24,880
Speaker 3: rich by now. Oh, he's loaded.

619
00:29:24,920 --> 00:29:28,680
Speaker 4: It's loaded. If you did about a bear.

620
00:29:29,240 --> 00:29:32,920
Speaker 3: It's what this movie is based on about. In real life,

621
00:29:33,200 --> 00:29:36,920
Speaker 3: in nineteen eighty five, a drug plane crashed and a

622
00:29:36,960 --> 00:29:40,440
Speaker 3: bear found this like ton of cocaine that the movie

623
00:29:40,520 --> 00:29:43,240
Speaker 3: is based on, right, and I had a joke about it.

624
00:29:43,280 --> 00:29:45,800
Speaker 4: I remember that in the old days, I catch a

625
00:29:45,880 --> 00:29:46,520
Speaker 4: rizing store.

626
00:29:46,920 --> 00:29:51,000
Speaker 1: Okay, So Larry comes to our house and I answered

627
00:29:51,000 --> 00:29:52,960
Speaker 1: the phone looking quite young as well.

628
00:29:53,000 --> 00:29:53,800
Speaker 4: I have to no.

629
00:29:54,360 --> 00:29:56,960
Speaker 2: I turned to Sari and she read. I said, God,

630
00:29:57,040 --> 00:29:59,680
Speaker 2: doesn't Susie look beautiful? And I told sariy I go.

631
00:30:00,200 --> 00:30:03,320
Speaker 2: I was friends with their fifteen years earlier. She was gorgeous,

632
00:30:03,600 --> 00:30:05,920
Speaker 2: thank you to yeah, but less and less gorgeous over

633
00:30:05,920 --> 00:30:09,000
Speaker 2: the years. And now I'm fucking with you. Keep going

634
00:30:09,000 --> 00:30:09,800
Speaker 2: You're so beautiful.

635
00:30:09,800 --> 00:30:10,760
Speaker 3: But you know what can I say?

636
00:30:10,840 --> 00:30:14,200
Speaker 2: I love you? I tell you yesterday how pretty you look?

637
00:30:14,240 --> 00:30:14,720
Speaker 4: Thank you?

638
00:30:14,760 --> 00:30:17,240
Speaker 1: But the one thing about TV and you have to admit,

639
00:30:17,640 --> 00:30:20,200
Speaker 1: you see yourself twenty five years ago and it's like.

640
00:30:21,240 --> 00:30:22,080
Speaker 7: You we were young.

641
00:30:22,320 --> 00:30:25,280
Speaker 2: Hold on for yet, even young Sarah has a complete

642
00:30:25,320 --> 00:30:29,400
Speaker 2: disconnect watching me because I am so heavy and what's

643
00:30:29,440 --> 00:30:34,480
Speaker 2: the word cherubically? I had an angel you a cherubic

644
00:30:34,600 --> 00:30:38,880
Speaker 2: flip face. Yeah, and when I watch it, I get sad.

645
00:30:39,280 --> 00:30:40,240
Speaker 2: She watches it, she.

646
00:30:40,280 --> 00:30:42,920
Speaker 1: Looks get sad because you think about how sad it

647
00:30:43,000 --> 00:30:44,440
Speaker 1: must have been that you were that.

648
00:30:44,160 --> 00:30:47,000
Speaker 2: That, you know, I remember how I felt, and I

649
00:30:47,040 --> 00:30:50,520
Speaker 2: feel bad for that guy. Yeah, I feel so bad

650
00:30:50,560 --> 00:30:53,520
Speaker 2: for that guy. And if that guy only knew the

651
00:30:53,680 --> 00:30:59,480
Speaker 2: ridiculously horrible things that were on their way. I'm wonderful things, yes,

652
00:30:59,560 --> 00:31:02,160
Speaker 2: of course, But I'm saying in terms of my health,

653
00:31:02,680 --> 00:31:05,320
Speaker 2: it's been a festival of shit. I mean, by the way,

654
00:31:05,400 --> 00:31:09,240
Speaker 2: if you're listening watching whatever, I'm very healthy and I

655
00:31:09,280 --> 00:31:12,000
Speaker 2: never had cancer. I'm not remits like I'm very healthy.

656
00:31:12,040 --> 00:31:14,720
Speaker 2: But the amount of times I've been punched in the

657
00:31:14,760 --> 00:31:19,240
Speaker 2: face with serious illness, I've lost count. I'm gonna be honest.

658
00:31:19,320 --> 00:31:21,760
Speaker 2: So I look at that guy and I think of

659
00:31:21,960 --> 00:31:24,800
Speaker 2: what happened after, and I look at the guy and

660
00:31:24,920 --> 00:31:25,760
Speaker 2: it's really sad.

661
00:31:25,840 --> 00:31:28,840
Speaker 5: That was actually after the stroke. Yeah, that was post stroke.

662
00:31:28,920 --> 00:31:31,320
Speaker 5: I had a stroke. We've talked about it. Yeah, another

663
00:31:31,640 --> 00:31:34,320
Speaker 5: bing bang boom. The only one that I'm not strokey

664
00:31:34,720 --> 00:31:38,840
Speaker 5: is the hour Pilot per Se. That's that's pre stroke.

665
00:31:38,880 --> 00:31:42,480
Speaker 5: It was shortly that's nineteen ninety nine. Two, yeah, ninety nine.

666
00:31:43,000 --> 00:31:43,360
Speaker 3: Okay.

667
00:31:43,440 --> 00:31:45,640
Speaker 1: So he comes to a house and I'm like, what

668
00:31:45,680 --> 00:31:48,880
Speaker 1: are you doing? You don't call and then he tells

669
00:31:48,920 --> 00:31:52,680
Speaker 1: me about the brownies. And then Jeff stole the brownies

670
00:31:52,720 --> 00:31:56,080
Speaker 1: from his child's mouth, which bar the wayman and stole

671
00:31:56,280 --> 00:31:58,280
Speaker 1: his little girl's brownies, and.

672
00:31:58,200 --> 00:32:01,400
Speaker 2: You're just there's no thing to calm you at this point.

673
00:32:01,520 --> 00:32:04,840
Speaker 2: Now it just is building and building to where you're

674
00:32:04,880 --> 00:32:07,560
Speaker 2: screaming at each other, which is we just filmed some

675
00:32:07,600 --> 00:32:10,080
Speaker 2: of that yesterday, and by the way, yesterday.

676
00:32:09,720 --> 00:32:14,000
Speaker 1: We weren't really screaming though Brownie yesterday.

677
00:32:14,080 --> 00:32:17,240
Speaker 2: Yesterday. No, it's just like its own art form, its

678
00:32:17,280 --> 00:32:21,280
Speaker 2: own thing. Yesterday. I thought that was the best argument

679
00:32:21,320 --> 00:32:24,960
Speaker 2: you've ever had with Larry, Oh, I said to Jeff Shaeffer.

680
00:32:25,000 --> 00:32:28,000
Speaker 2: I go, I think this is Susie and Larry at

681
00:32:28,040 --> 00:32:31,040
Speaker 2: their best in terms of arguing. And Jeff Shaeffer said, yeah,

682
00:32:31,080 --> 00:32:32,800
Speaker 2: I think. So he walked away, and at the end

683
00:32:32,840 --> 00:32:35,240
Speaker 2: of the day he goes it was he goes, I.

684
00:32:35,160 --> 00:32:37,160
Speaker 3: Think I thought it was a little too hot.

685
00:32:38,560 --> 00:32:41,680
Speaker 1: Okay, but in this scene he says, well, it's a

686
00:32:41,720 --> 00:32:42,800
Speaker 1: testament to the brownies.

687
00:32:42,800 --> 00:32:45,360
Speaker 4: You know, he's buttering me up. In that way that

688
00:32:45,400 --> 00:32:47,120
Speaker 4: he likes to do, which never really works.

689
00:32:47,280 --> 00:32:48,720
Speaker 2: No, no, forget, it never really works.

690
00:32:48,760 --> 00:32:49,120
Speaker 3: It doesn't.

691
00:32:49,360 --> 00:32:51,760
Speaker 2: Here are the two things. He will say things to

692
00:32:51,840 --> 00:32:56,000
Speaker 2: you that you feel good about. Oh, really like he'll

693
00:32:56,040 --> 00:33:00,840
Speaker 2: compliment you whatever, but that last three seconds three second, yes,

694
00:33:01,040 --> 00:33:02,280
Speaker 2: but you do react post.

695
00:33:02,120 --> 00:33:03,720
Speaker 1: Then he asked me for the recipe and I tell

696
00:33:03,800 --> 00:33:06,080
Speaker 1: him I can't give it. It's a secret family recipe.

697
00:33:06,320 --> 00:33:08,880
Speaker 1: And he says, well, I'm known for keeping a secret,

698
00:33:08,880 --> 00:33:11,400
Speaker 1: which we know is bullshit. And then he tells me

699
00:33:11,720 --> 00:33:12,760
Speaker 1: that he said, I'll tell.

700
00:33:12,600 --> 00:33:14,440
Speaker 2: You, by the way in real life, by the way,

701
00:33:14,560 --> 00:33:16,320
Speaker 2: he's one of the best people. He is the best.

702
00:33:16,360 --> 00:33:17,880
Speaker 4: He's a very good secret keeper in.

703
00:33:17,960 --> 00:33:20,600
Speaker 2: Terms of my friends. He is number one on the.

704
00:33:20,560 --> 00:33:22,760
Speaker 3: Secret that he is. I love it when he when

705
00:33:22,760 --> 00:33:24,920
Speaker 3: he does stuff like that, and he goes, I'm known

706
00:33:25,080 --> 00:33:28,680
Speaker 3: for and it's some obscure it's trade, you know, I'm

707
00:33:28,760 --> 00:33:32,600
Speaker 3: known for being on time, and then goes Ask anyone.

708
00:33:32,840 --> 00:33:36,040
Speaker 3: They will tell you that Larry David is always on time.

709
00:33:36,120 --> 00:33:37,960
Speaker 3: It's no matter what the thing is. If he's in

710
00:33:38,000 --> 00:33:40,640
Speaker 3: an argument, he's known for whatever the thing is.

711
00:33:41,040 --> 00:33:43,360
Speaker 2: By the way, can I say I don't recall him

712
00:33:43,360 --> 00:33:46,520
Speaker 2: ever being late, you know, for anything? Yeah, some for work.

713
00:33:46,640 --> 00:33:49,640
Speaker 4: So he decides to tell me a secret to gain

714
00:33:49,760 --> 00:33:50,320
Speaker 4: my trust.

715
00:33:50,640 --> 00:33:53,600
Speaker 1: A delicious sun and he tells me, I'll tell you

716
00:33:53,640 --> 00:33:54,160
Speaker 1: a secret.

717
00:33:54,200 --> 00:33:56,600
Speaker 6: How about that nobody knows, not even Cheryl. Well, if

718
00:33:56,600 --> 00:33:58,560
Speaker 6: he'd like to tell me, I might. I might be

719
00:33:58,600 --> 00:34:02,080
Speaker 6: losing a testicle. Yeah, it's not definite. The point is

720
00:34:02,120 --> 00:34:04,080
Speaker 6: I'm telling you. I'm sharing something with you because I

721
00:34:04,080 --> 00:34:05,920
Speaker 6: trust you, just the way I know you could trust me.

722
00:34:06,160 --> 00:34:07,760
Speaker 3: Larry, I cannot give you the recume.

723
00:34:08,200 --> 00:34:08,760
Speaker 7: No, I can't.

724
00:34:09,120 --> 00:34:09,600
Speaker 3: I can't.

725
00:34:09,800 --> 00:34:14,040
Speaker 1: My grandmother okay, makes you rest in peace and trusted

726
00:34:14,120 --> 00:34:17,319
Speaker 1: that brownie recipe to me, And you're asking me to

727
00:34:17,440 --> 00:34:19,120
Speaker 1: break a sacred confidence.

728
00:34:19,120 --> 00:34:21,600
Speaker 3: It's not a Manhattan project, you know. It's just a

729
00:34:21,640 --> 00:34:23,080
Speaker 3: little recipe.

730
00:34:23,239 --> 00:34:25,640
Speaker 7: Go get a mix or something. You're asking too much,

731
00:34:25,680 --> 00:34:27,960
Speaker 7: You ask way too much. I can't ask her.

732
00:34:28,160 --> 00:34:30,920
Speaker 3: Con I just told you I'm going to lose a ball.

733
00:34:32,560 --> 00:34:36,680
Speaker 2: Which, by the way, early on we saw where he's

734
00:34:36,760 --> 00:34:39,759
Speaker 2: desperate to have Cheryl not go but he's trying to

735
00:34:39,840 --> 00:34:41,640
Speaker 2: hold her to like have sex with her.

736
00:34:41,840 --> 00:34:44,480
Speaker 4: What episode is that? Oh that was the massage.

737
00:34:44,120 --> 00:34:47,120
Speaker 2: Massage And then he tells her he has a lump,

738
00:34:47,280 --> 00:34:49,520
Speaker 2: he has to say, where he just goes, I have

739
00:34:49,560 --> 00:34:51,880
Speaker 2: a lump. I have a lump. You don't want to

740
00:34:51,920 --> 00:34:54,399
Speaker 2: go when I have a lump. And so here Ray

741
00:34:54,600 --> 00:34:56,439
Speaker 2: go right to the things be.

742
00:34:56,400 --> 00:34:59,040
Speaker 4: Losing your testicle, and I find that very interesting.

743
00:34:59,120 --> 00:35:02,239
Speaker 1: But he's asking me to break a sacred confidence and

744
00:35:02,320 --> 00:35:02,840
Speaker 1: I can't.

745
00:35:03,080 --> 00:35:04,960
Speaker 2: Well, by the way, here's the thing about it. Get

746
00:35:04,960 --> 00:35:08,000
Speaker 2: a mix, yes, But the point being is when he

747
00:35:08,080 --> 00:35:12,759
Speaker 2: presents his case the way you're acting, you think you're

748
00:35:12,840 --> 00:35:16,600
Speaker 2: gonna give him the recipe, and then when we get

749
00:35:16,680 --> 00:35:20,440
Speaker 2: to you, you just go off on at your grandma's recipe.

750
00:35:20,719 --> 00:35:23,200
Speaker 2: He has getting it, which makes it funnier because you.

751
00:35:23,200 --> 00:35:25,360
Speaker 1: Think because he says, I just told you I'm going

752
00:35:25,400 --> 00:35:26,920
Speaker 1: to lose a ball, and I'm like.

753
00:35:26,920 --> 00:35:27,600
Speaker 3: I don't give a shit.

754
00:35:28,360 --> 00:35:28,719
Speaker 7: You make it.

755
00:35:28,760 --> 00:35:31,120
Speaker 1: Ask me to break a sacred confidence. Go get a mix.

756
00:35:31,400 --> 00:35:35,520
Speaker 1: And then we cut to Larry and Cheryl and Richard

757
00:35:35,880 --> 00:35:38,600
Speaker 1: and they're begging Cheryl to put the benadryll in the

758
00:35:38,600 --> 00:35:39,400
Speaker 1: brownie mix.

759
00:35:39,960 --> 00:35:41,839
Speaker 2: And Cheryl, she plays this great.

760
00:35:42,000 --> 00:35:43,040
Speaker 3: Cheryl says, you don't.

761
00:35:42,880 --> 00:35:45,640
Speaker 1: Want to take her and Richard says, I wanted to

762
00:35:45,680 --> 00:35:47,440
Speaker 1: get better, which is, you know, bullshit.

763
00:35:47,600 --> 00:35:50,760
Speaker 2: But Bobby, Cheryl does the perfect amount of pushing.

764
00:35:50,920 --> 00:35:53,000
Speaker 3: That's right, yeah, perfect, like it's her.

765
00:35:53,200 --> 00:35:56,440
Speaker 2: Her performance on the show is so subtle and perfect.

766
00:35:56,640 --> 00:35:59,400
Speaker 1: And Jeff and I have said in the past, she's

767
00:35:59,440 --> 00:36:02,360
Speaker 1: really the only person that could do this with Larry

768
00:36:02,600 --> 00:36:04,640
Speaker 1: right with one word.

769
00:36:05,239 --> 00:36:09,000
Speaker 3: When she's fed up, she says, all right.

770
00:36:08,400 --> 00:36:09,200
Speaker 2: All right, yeah.

771
00:36:10,080 --> 00:36:11,319
Speaker 4: The other day and I said to her, how many

772
00:36:11,320 --> 00:36:12,279
Speaker 4: times have you said that?

773
00:36:12,560 --> 00:36:16,080
Speaker 3: All right, another actress, Michael, that's enough?

774
00:36:17,360 --> 00:36:20,040
Speaker 2: But she said, and by the way, playing against all

775
00:36:20,040 --> 00:36:23,120
Speaker 2: these insane that's bo's perfect, She's completely perfect. All right,

776
00:36:27,480 --> 00:36:28,040
Speaker 2: went over this.

777
00:36:28,200 --> 00:36:32,239
Speaker 6: No, don't you know anything about tampering? Huh do you

778
00:36:32,239 --> 00:36:35,960
Speaker 6: know anything about tampering? Well, you can't do that because

779
00:36:35,960 --> 00:36:37,400
Speaker 6: the brownie will fall apart.

780
00:36:37,880 --> 00:36:39,839
Speaker 1: And she says, well, why don't you bacon? I don't

781
00:36:39,840 --> 00:36:40,520
Speaker 1: know how to bacon?

782
00:36:41,080 --> 00:36:43,240
Speaker 2: What was tampering? What was his meaning of tampering?

783
00:36:43,320 --> 00:36:47,400
Speaker 1: Well, because he's putting the he's tampering, she's saying the benefit.

784
00:36:47,480 --> 00:36:49,960
Speaker 2: She knows nothing of tampering. I didn't pick it up.

785
00:36:50,400 --> 00:36:53,920
Speaker 3: Doesn't good? Doesn't Lewis? I think it's Lewis. Maybe it's

786
00:36:54,000 --> 00:36:59,320
Speaker 3: Larry appeal to her because it's a humanitarian.

787
00:36:59,280 --> 00:37:00,920
Speaker 4: They both do.

788
00:37:01,719 --> 00:37:04,640
Speaker 1: And Richard says, my heart is breaking for her big head,

789
00:37:07,400 --> 00:37:09,520
Speaker 1: and Cheryl's reluctant, and.

790
00:37:09,719 --> 00:37:12,280
Speaker 3: Oh, he says something about it. It's a carnival.

791
00:37:12,560 --> 00:37:17,279
Speaker 1: She looks like a carnival show. And Cheryl gives in,

792
00:37:17,360 --> 00:37:18,720
Speaker 1: and Larry says, can you bake?

793
00:37:20,280 --> 00:37:22,839
Speaker 2: She's never done it up until then, which, by the way,

794
00:37:23,200 --> 00:37:26,440
Speaker 2: Larry David, that would never be a qualification that someone

795
00:37:26,440 --> 00:37:30,040
Speaker 2: could cook or bake. I can't see that being on

796
00:37:30,080 --> 00:37:32,239
Speaker 2: his list. I gotta find a woman that cooks and

797
00:37:32,320 --> 00:37:33,040
Speaker 2: bakes now.

798
00:37:33,160 --> 00:37:35,640
Speaker 1: And then they go back to Deborah's mother's house with

799
00:37:35,680 --> 00:37:38,920
Speaker 1: the brownies Richard and Larry, and Larry says, my wife

800
00:37:38,920 --> 00:37:42,440
Speaker 1: got the recipe, and Deborah takes a bite. They're not

801
00:37:42,560 --> 00:37:45,040
Speaker 1: the same because they they're the mix and they're just

802
00:37:45,080 --> 00:37:47,719
Speaker 1: not as good, and she's like, adamant, they are definitely

803
00:37:47,760 --> 00:37:48,160
Speaker 1: not the same.

804
00:37:48,200 --> 00:37:51,440
Speaker 2: Brain but forget the same brownies. They had to have

805
00:37:51,520 --> 00:37:55,759
Speaker 2: tasted good. She is adamant that she's not going to

806
00:37:55,840 --> 00:37:58,000
Speaker 2: eat them. So the guys are do.

807
00:37:57,880 --> 00:37:59,399
Speaker 4: You think she's suspicious at all?

808
00:37:59,640 --> 00:37:59,839
Speaker 2: No?

809
00:38:00,360 --> 00:38:01,919
Speaker 3: No, she really doesn't like them.

810
00:38:02,000 --> 00:38:05,319
Speaker 2: She really doesn't like the other one who.

811
00:38:05,239 --> 00:38:06,280
Speaker 4: Says they are horrible.

812
00:38:06,320 --> 00:38:08,439
Speaker 2: Give them back you no, I know, But Larry says,

813
00:38:08,440 --> 00:38:10,239
Speaker 2: here I'll leave them, and she sayes, what do you

814
00:38:10,280 --> 00:38:12,560
Speaker 2: want me to do? And she actually hands them back

815
00:38:12,600 --> 00:38:12,920
Speaker 2: to him.

816
00:38:12,960 --> 00:38:15,560
Speaker 1: Yeah, she was disgusted by the Brownies and then she

817
00:38:15,640 --> 00:38:19,319
Speaker 1: saw something then there. Well, then she says, what time

818
00:38:19,320 --> 00:38:21,799
Speaker 1: are you picking me up tomorrow for the Emmys? And

819
00:38:21,840 --> 00:38:23,879
Speaker 1: then we see Cheryl on the sofa with her three

820
00:38:23,920 --> 00:38:26,319
Speaker 1: friends and Wanda the three people. You said, I'm not

821
00:38:26,360 --> 00:38:28,120
Speaker 1: that one to sell her friend, but Wanda was a

822
00:38:28,200 --> 00:38:31,160
Speaker 1: hired actress at that point, a hired friend, a hired friend.

823
00:38:31,440 --> 00:38:33,719
Speaker 1: And they're getting ready to watch the Emmys. They're getting

824
00:38:33,760 --> 00:38:36,400
Speaker 1: to watch the East Coast, the East Coast field correct,

825
00:38:36,680 --> 00:38:39,960
Speaker 1: and they're all fucking with the remote, look at the directions.

826
00:38:40,000 --> 00:38:42,359
Speaker 1: They can't get the satellite to go on, you know,

827
00:38:42,480 --> 00:38:44,960
Speaker 1: and they are upset because they're missing Joan and Melissa

828
00:38:45,200 --> 00:38:47,600
Speaker 1: for the pre show and all of that, watching the

829
00:38:47,640 --> 00:38:49,799
Speaker 1: New York feet And then Larry walks in and Wanda says,

830
00:38:50,360 --> 00:38:51,200
Speaker 1: what was that.

831
00:38:51,400 --> 00:38:55,799
Speaker 3: Business I saw you yesterday at the coffee shop? Business?

832
00:38:56,239 --> 00:38:58,600
Speaker 4: The business with the black guy?

833
00:38:59,040 --> 00:39:00,399
Speaker 3: You fix the tip?

834
00:39:00,920 --> 00:39:04,640
Speaker 7: What happened ship? You don't know?

835
00:39:05,080 --> 00:39:08,600
Speaker 1: Larry's a Larry's a tip profiler, fixed the black mask tip?

836
00:39:08,800 --> 00:39:10,640
Speaker 4: What are you trying to get the NAACP.

837
00:39:12,000 --> 00:39:12,399
Speaker 2: I know.

838
00:39:14,200 --> 00:39:15,279
Speaker 3: It wasn't a racial thing.

839
00:39:15,960 --> 00:39:18,840
Speaker 1: Why you do the tip? But then watch your tiptoe

840
00:39:18,840 --> 00:39:21,480
Speaker 1: behind his back. It becomes a whole causal love between them.

841
00:39:21,880 --> 00:39:24,839
Speaker 1: And then Larry storms out in the huff I fired him,

842
00:39:25,000 --> 00:39:27,359
Speaker 1: and she's watch you fire the black man. Arrys like, oh,

843
00:39:27,360 --> 00:39:29,800
Speaker 1: the black man can't do anything wrong, can't get fired,

844
00:39:29,920 --> 00:39:32,720
Speaker 1: can't get fired. And then Wanda gets up and turns

845
00:39:32,760 --> 00:39:36,239
Speaker 1: on the satellite on the TV exactly and that was

846
00:39:36,320 --> 00:39:38,600
Speaker 1: all that was wrong with it the whole time. And

847
00:39:38,640 --> 00:39:41,520
Speaker 1: then we see Joan, which was a little startling to me.

848
00:39:41,640 --> 00:39:43,800
Speaker 1: I have to say, to see Joan and the back.

849
00:39:43,840 --> 00:39:47,040
Speaker 2: Stuff, I love Joan Rivers so much. Yeah, and by

850
00:39:47,040 --> 00:39:49,040
Speaker 2: the way, what I loved her as a person. She's

851
00:39:49,080 --> 00:39:52,400
Speaker 2: just so nice. And I actually did her show. She

852
00:39:52,440 --> 00:39:54,879
Speaker 2: had a podcast with a video podcast of in Bed

853
00:39:54,880 --> 00:39:57,319
Speaker 2: with Joan Rivers and it's actually in her room. You

854
00:39:57,320 --> 00:40:01,759
Speaker 2: get in bed, wow, and you enter from her, which

855
00:40:01,800 --> 00:40:04,279
Speaker 2: is really funny. And then we had the best conversation.

856
00:40:04,320 --> 00:40:05,760
Speaker 3: She just as lovely, you know John.

857
00:40:05,880 --> 00:40:09,080
Speaker 1: As we've been doing this show now we're on season three,

858
00:40:09,280 --> 00:40:11,800
Speaker 1: it's like we're this is from you know, two thousand

859
00:40:11,840 --> 00:40:14,640
Speaker 1: and one, two three, and people keep coming up who

860
00:40:14,760 --> 00:40:15,680
Speaker 1: are dead.

861
00:40:15,960 --> 00:40:18,600
Speaker 4: You know, And it's like it's startling to us. I

862
00:40:18,640 --> 00:40:21,200
Speaker 4: think it's so. There was Joan and.

863
00:40:21,160 --> 00:40:23,920
Speaker 1: She's talking about Chelsey Grammar and she calls.

864
00:40:23,680 --> 00:40:26,200
Speaker 4: It, oh, Richard Lewis, and she calls over Richard.

865
00:40:26,360 --> 00:40:26,760
Speaker 2: Richard.

866
00:40:27,400 --> 00:40:30,360
Speaker 4: Yeah, And she calls over Richard and she's Chelsey.

867
00:40:30,160 --> 00:40:32,120
Speaker 7: Gramma, ladies and gentlemen, one of the.

868
00:40:31,920 --> 00:40:32,920
Speaker 3: Rights of our community.

869
00:40:33,840 --> 00:40:36,680
Speaker 7: Oh my god, there's Richard Lewis.

870
00:40:36,920 --> 00:40:39,840
Speaker 5: Richard, don't we Richard Richard, come out.

871
00:40:39,760 --> 00:40:45,759
Speaker 1: Swear, just get it's so good to say, Oh my god,

872
00:40:47,200 --> 00:40:49,200
Speaker 1: I've seen better faces on a hemorrhoid.

873
00:40:50,400 --> 00:40:52,880
Speaker 7: When he called home, did you pick up the phone?

874
00:40:55,120 --> 00:40:56,479
Speaker 7: How are things a love nest?

875
00:40:58,000 --> 00:40:58,600
Speaker 4: And there we go.

876
00:40:58,880 --> 00:41:01,000
Speaker 3: That's the end, the end of the end.

877
00:41:00,920 --> 00:41:03,680
Speaker 2: No, I mean, and by the way, very unusual for

878
00:41:03,760 --> 00:41:07,240
Speaker 2: it to end on Richard Lewis and or any of us,

879
00:41:07,560 --> 00:41:09,600
Speaker 2: for us to be the end of the show. I

880
00:41:09,600 --> 00:41:12,279
Speaker 2: remember doing one thing once that it was the end

881
00:41:12,280 --> 00:41:14,480
Speaker 2: of the show. I don't remember what that was, but

882
00:41:14,520 --> 00:41:16,719
Speaker 2: that's rare. It usually ends on Larry Ye.

883
00:41:17,960 --> 00:41:19,880
Speaker 3: Where was that film, the Joan Rivers thing?

884
00:41:20,000 --> 00:41:22,480
Speaker 2: Oh, it was a parking lot. It was a parking

885
00:41:22,560 --> 00:41:26,480
Speaker 2: lot near the beach. It was a parking lot literally

886
00:41:26,560 --> 00:41:29,239
Speaker 2: right by the ocean. It was actually it was one

887
00:41:29,239 --> 00:41:31,160
Speaker 2: of those parking lots.

888
00:41:31,120 --> 00:41:35,719
Speaker 1: That's off probably by over there because we filmed there before.

889
00:41:35,480 --> 00:41:38,920
Speaker 2: Yes, but but south of Casta del Mar and one

890
00:41:38,920 --> 00:41:41,160
Speaker 2: of the parking lots over there, and we set up

891
00:41:41,200 --> 00:41:42,680
Speaker 2: all around it. That looked good. Yeah.

892
00:41:43,080 --> 00:41:45,960
Speaker 3: I was wondering though, because it's obviously cut off, like

893
00:41:46,280 --> 00:41:48,320
Speaker 3: and I guess what we did that scene? Now with

894
00:41:48,640 --> 00:41:51,040
Speaker 3: one of those theaters in Westwood, we probably would have

895
00:41:51,080 --> 00:41:53,880
Speaker 3: done it. You don't like a real movie theater. I

896
00:41:53,920 --> 00:41:55,400
Speaker 3: don't know if you were there. Were you there to

897
00:41:55,400 --> 00:41:56,480
Speaker 3: make it look like an Awards?

898
00:41:56,760 --> 00:41:58,440
Speaker 2: I love how I'm giving you a look and you

899
00:41:58,560 --> 00:41:59,600
Speaker 2: keep selling it to me.

900
00:42:00,120 --> 00:42:01,560
Speaker 3: Well, that's why I keep telling it, because he.

901
00:42:01,560 --> 00:42:04,080
Speaker 4: Went, Jeffrey, are you there that day?

902
00:42:04,400 --> 00:42:07,560
Speaker 2: What's the Joan Rivers? Actually I had to have been

903
00:42:07,600 --> 00:42:08,680
Speaker 2: because I know where we filmed.

904
00:42:08,719 --> 00:42:11,839
Speaker 1: Okay, so those must have been her lines. Oh, they're

905
00:42:11,880 --> 00:42:14,080
Speaker 1: typically right lines.

906
00:42:15,160 --> 00:42:17,920
Speaker 2: And by the way, I'm sure she improvised those lines

907
00:42:17,920 --> 00:42:18,440
Speaker 2: in the moment.

908
00:42:18,520 --> 00:42:21,480
Speaker 4: Yeah, they're very Joe, very very We're done here. We're

909
00:42:21,520 --> 00:42:23,279
Speaker 4: done here, Johnny, thank you so much.

910
00:42:23,320 --> 00:42:26,640
Speaker 1: But for this episode what was you?

911
00:42:26,760 --> 00:42:29,280
Speaker 2: Thank them both episodes. Yes, all right, John for this episode.

912
00:42:29,320 --> 00:42:32,480
Speaker 2: Your effort up until now delightful. Well, thank you for

913
00:42:32,560 --> 00:42:35,160
Speaker 2: can an effort be delightful? Hey? Can I come back

914
00:42:35,480 --> 00:42:38,919
Speaker 2: ya hoop? On next week We're going to be back

915
00:42:38,960 --> 00:42:41,120
Speaker 2: with more with Jihan Hayman. Please tune in.

916
00:42:41,200 --> 00:42:42,960
Speaker 4: You could come every week as far as I'm concerned.

917
00:42:43,840 --> 00:42:52,319
Speaker 2: We love you so please all right.

918
00:42:54,320 --> 00:42:56,960
Speaker 1: The history of car Enthusiasm is the production of Lying

919
00:42:57,080 --> 00:43:01,480
Speaker 1: Arm Radio Kiss from my radio, visit the Idhar Radio,

920
00:43:02,120 --> 00:43:04,840
Speaker 1: a podcast, or wherever you listen to your favorite shows.