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Speaker 1: It's nine with Jenny Garth and Tori Spelling. Hey everyone,

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Speaker 1: it's me Jenny Garth. Welcome to another episode of nine

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Speaker 1: o two on omg Uh. Today I am flying so

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Speaker 1: low ish, I guess well without my usual co host

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Speaker 1: Tory and Sissany, but I do have a dazzling co

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Speaker 1: host with me today. I'm very excited about this. You

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Speaker 1: you may remember him from his steamy role as Jake

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Speaker 1: Hanson on Beverly Hills nine o two on Oh, Grant

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Speaker 1: Show is with me today. Let's bring him in. H Hey, Grant,

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Speaker 1: are you good? How are you? I'm good. I have

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Speaker 1: to apologize for you because last time I saw you

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Speaker 1: ten or fifteen years ago, whenever it was, I kind

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Speaker 1: of was rude Tina and I apologize. Wait wait, okay,

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Speaker 1: I don't even remember, Thank god, no, I remember. Let's

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Speaker 1: get into this because when when we were talking about

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Speaker 1: co host um, they said Grant shower and I said, oh,

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Speaker 1: that's a great idea. And then I had this like

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Speaker 1: feeling in the back of my mind like I don't

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Speaker 1: know if we had a good experience last time we

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Speaker 1: saw each other. I couldn't really remember specifically what was

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Speaker 1: just like I like I was like, how I wanted

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Speaker 1: to see you, and I think you came. I asked.

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Speaker 1: It was like, and I saw you, and then I

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Speaker 1: think maybe someone went and asked you to come over,

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Speaker 1: or you came over. I don't remember why, but like

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Speaker 1: I like like I looked at reached out for you,

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Speaker 1: and then you made an effort. And then as soon

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Speaker 1: as you made the effort, I saw right behind you

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Speaker 1: like slot it off like a butterfly flower and I

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Speaker 1: was rude And I'm just super sorry. I first of all,

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Speaker 1: your apology accepted. Second of all, I didn't know specifically

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Speaker 1: what it wasn't that is like the classic like this, Yeah,

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Speaker 1: I know it was terrible before apparently it happened in

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Speaker 1: my real life. Wow, well that's hilarious. Well, nevertheless, I

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Speaker 1: felt bad about it ever seen. Oh look at you

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Speaker 1: let it go like short, like right after I tried

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Speaker 1: that ninety I realized what I had done. I was like,

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Speaker 1: oh my god, I just was like so rude, and

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Speaker 1: I tried to find you, but you by the time

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Speaker 1: I couldn't find you. And then you know, you know what,

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Speaker 1: that just shows that you are a super self aware

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Speaker 1: of person, and that is a really important quality. Not

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Speaker 1: right in that moment. I wasn't not in that moment,

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Speaker 1: but like you, but you know, sometimes it takes a minute.

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Speaker 1: So um, this is like a like a Jake and

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Speaker 1: Kelly reunion. Yeah right, I don't remember anything about that.

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Speaker 1: Hold like you remember that, but you you won't. You

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Speaker 1: can't remember our episode? Well, I vaguely remember it was

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Speaker 1: two episodes. I remember building a gazebo. Yes, two episodes

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Speaker 1: in season two. And you were like the carpenter right

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Speaker 1: that my mom hired right in the backyard Dylan's or

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Speaker 1: from Dylan's past or oh interesting, remember that either? See

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Speaker 1: I remember that part and I were from the same

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Speaker 1: part of the war. I think we were both from

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Speaker 1: the the Northwest, from like Oregon or someplace like that,

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Speaker 1: and we both had similar backgrounds. Ah, well, I don't

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Speaker 1: remember that now. I do remember we had a couple

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Speaker 1: of really steamy makeout sessions. Remember that, Yeah, I do too.

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Speaker 1: I also remember when I got I've never seen the show,

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Speaker 1: when I was cast and then I found out that

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Speaker 1: I was going to be working with. Um what was

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Speaker 1: your characterst name? Okay, you're a really funny or be

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Speaker 1: you're crazy? Um Kelly, Kelly, you were serious. You didn't

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Speaker 1: remember it. I did not remember, my goodness, and I

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Speaker 1: was staying on the head as a child. So when

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Speaker 1: I found out that I was going to be working

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Speaker 1: with Kelly, I was like, Okay, well I need to

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Speaker 1: find out which of these ladies it is, which these

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Speaker 1: women it is? And I was very pleased that it

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Speaker 1: was you. Good. I'm glad. How have you been? I've

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Speaker 1: been super I mean, life is a crazy ride, isn't it.

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Speaker 1: You Mr have been You've had such an amazing career.

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Speaker 1: I was doing a little research on you last night,

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Speaker 1: and you have just done so many shows. You you

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Speaker 1: started out on started out in soaps, right, so you

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Speaker 1: were in daytime And that's when I met um. Um

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Speaker 1: Luke and I were on shows. He was Unloving and

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Speaker 1: I was on Ryan's Hope. And then we shot in

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Speaker 1: the same building, kind of across the hall from each other.

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Speaker 1: So we he and I went back like to the

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Speaker 1: very very beginnings of a career. We dated the same woman.

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Speaker 1: We like that career is just a lie. Just kind

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Speaker 1: of kept passing this like this, just like this. It

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Speaker 1: was so nice to have um reconnected with him fairly

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Speaker 1: recently before he passed. Yeah, that's nice though. He was

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Speaker 1: a good friend. He was a good guy anyway. Anyway, Right,

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Speaker 1: So you started on Daytime and then I just find

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Speaker 1: your story really interesting. Um. Then Aaron Spelling kind of

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Speaker 1: plucked you and put you in Primetime. It was love Boat.

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Speaker 1: What did you do love Boat? Right after? Yeah, I

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Speaker 1: did love Boat, um, while I was still on the

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Speaker 1: daytime show. And then when I finished my contract there,

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Speaker 1: I went to London for a year, and when I

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Speaker 1: came back, I believe I did. Yeah, I did a

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Speaker 1: little bit of theater out of New York. Then I

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Speaker 1: just kind of kept getting gigs in l A. And

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Speaker 1: so I go to l A and I'd worked and

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Speaker 1: to come back to New York and spend all my

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Speaker 1: money because it was so expensive to live out there.

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Speaker 1: And then when I just decided to move out to

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Speaker 1: l A. And it wasn't it was a while before, um,

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Speaker 1: before melrose Place happened, before I met you guys. Yeah,

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Speaker 1: I was probably ten years after I started working. Okay,

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Speaker 1: So melrose Place. Okay, did you know when you started

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Speaker 1: out as Jake Hanson that you would be getting your

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Speaker 1: own spin off? Like, I mean, that's a pretty big deal.

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Speaker 1: So you knew, I knew that they were using this

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Speaker 1: character's sprameboard a new show. I mean, that's a that's huge. Yeah, No,

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Speaker 1: I knew it was a big deal. I was I

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Speaker 1: was reading for Melrose Place, not nine o two and

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Speaker 1: no Ah. Then they told me that the way they

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Speaker 1: wanted to introduce the show was through my character on

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Speaker 1: your show. Yeah. I loved it, And I loved that

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Speaker 1: my character was like a crossover sort of. Yeah, yeah,

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Speaker 1: I love that. Like I just watched the episode that

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Speaker 1: they told me to watch for you take good Good.

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Speaker 1: You did your homework so difficult. Um, and there's such

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Speaker 1: different shows, like I've forgotten how kind of it's a

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Speaker 1: very special man to know the show was this episode

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Speaker 1: though in particular. But yeah, this episode, you got a

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Speaker 1: really great episode to watch because we'll get into it later,

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Speaker 1: but this is definitely my favorite episode by far for

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Speaker 1: so many reasons. Well one of you know, so far,

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Speaker 1: I'm only in season two, so we'll see what happens.

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Speaker 1: What are you doing. You're going through and watching an episode?

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Speaker 1: Do you do this every day? No, we do it

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Speaker 1: once a week. And we're Tory and I are going

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Speaker 1: uh and watching the original show for the very first

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Speaker 1: time because while we were on it, we never really

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Speaker 1: watched it. So we are watching every episode in succession,

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Speaker 1: and um, we're just becoming complete fans of the show.

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Speaker 1: Why didn't you watch you when when you first did it?

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Speaker 1: We're busy working and trying to figure out how to

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Speaker 1: juggle everything, like there was no television in my life

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Speaker 1: at that time. Yeah, well, because you're that you know,

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Speaker 1: Melbourne's Place really lifted off kind of the same time

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Speaker 1: as nine or two or no, Like we both kind

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Speaker 1: of shot out the same time you guys a couple

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Speaker 1: of years before us, and I don't think we have

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Speaker 1: a really we didn't have a really reach kind of

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Speaker 1: like crazy level that you guys reached to me. We

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Speaker 1: were it was a big deal, but we didn't have

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Speaker 1: like people. People weren't hunting me down, you know what

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Speaker 1: I mean. Well, I mean it wasn't It wasn't really huge.

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Speaker 1: How did you feel about that, Like, how did you

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Speaker 1: handle that sort of sudden thing because you kind of

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Speaker 1: shot to start them in that moment with the show. Yeah,

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Speaker 1: you know, I knew that it was possible when I

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Speaker 1: took the job. I was like, there's a really good

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Speaker 1: chance that this is going to be a big show, um,

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Speaker 1: And I said to myself, you know, you keep your

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Speaker 1: feet on the ground. It's really, you know, easy to

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Speaker 1: get um lured into. No, not just really bad behavior,

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Speaker 1: but just sort of a skewed vision of yourself. And

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Speaker 1: I gotta tell you, even warning myself and being ready

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Speaker 1: for it and having my guard up, I look back

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Speaker 1: on him like now, it still messed me up. It

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Speaker 1: just I don't know that there's anything anyone can do.

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Speaker 1: You know, there's no rule book, there's no guide book,

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Speaker 1: there's no manual, there's no you know, nobody really you know,

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Speaker 1: nobody can even really give you advice because everyone's journey

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Speaker 1: is different and you just kind of have to figure

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Speaker 1: it out, you know, because life really But you know,

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Speaker 1: did you have like a solid like um support system,

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Speaker 1: Like did you have your parents? Did you have family

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Speaker 1: around you at all during that time? I had some

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Speaker 1: good friends. I did, And like I said, I would

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Speaker 1: say I probably, well, I would say probably, I say

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Speaker 1: I would say I lost my wife for a little

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Speaker 1: while horribly, you know what I mean. I didn't, you know,

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Speaker 1: it wasn't didn't go off the rails. No, but they're

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Speaker 1: not proudly of some of my behavior. Yeah, what about you?

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Speaker 1: How did you do it? Me? It was all about

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Speaker 1: I have families still around me. I had parents that

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Speaker 1: were still a part of my life. I had um

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Speaker 1: my sisters in Illinois and from the Midwest, you know

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Speaker 1: that I had. I relied a lot on my family

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Speaker 1: during that time, and I coupled up like I had

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Speaker 1: one boyfriend or one husband for the duration, you know,

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Speaker 1: like a one person, one partner. So that really Also,

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Speaker 1: I wasn't out there like a bar is trying to

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Speaker 1: meet people or using my status to you know, do that.

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Speaker 1: So I think that's how I survived, honestly, right, you

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Speaker 1: were You were very young too, weren't. You're probably ten

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Speaker 1: years younger me, are you? Yeah? I think so. I

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Speaker 1: was about sixteen seventeen. Yeah, when I worked with you,

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Speaker 1: I was probably eighteen. Okay, yeah, I was thirty. Yes,

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Speaker 1: I was like seventeen. So basically you were. Yeah, that

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Speaker 1: was against the all what was happening, right? Wow? For

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Speaker 1: that to survive that good for you. Yeah, I mean

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Speaker 1: it's not easy for sure, but we live really wonderful

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Speaker 1: lives because of it. And if you are, like I

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Speaker 1: said before, have any self awareness or sort of have

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Speaker 1: grown at all as the human are evolved. You know,

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Speaker 1: you sort of can stop and look back and do

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Speaker 1: what you just did, which is like, you know, be

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Speaker 1: accountable and and talk about it, like not be ashamed

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Speaker 1: of it and not try to hide it or you know,

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Speaker 1: I think that's really cool. Yeah, well run your face

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Speaker 1: all the time, you know what I mean when you

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Speaker 1: look in the mirror, there you are exactly exactly now

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Speaker 1: you have, um, you have a family, now, is that correct?

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Speaker 1: I mean your kids and are they older? Are they? Yeah?

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Speaker 1: I started really young. I started when I was My

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Speaker 1: girls are older now fifteen, eighteen, and twenty four. Wow

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Speaker 1: of a seven year old seven year old daughter? Right, yeah, yeah,

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Speaker 1: I'm loving it. It changes you. I think it's so much.

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Speaker 1: It's just the greatest thing ever. It really is. It's

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Speaker 1: maybe that's part of it, Like it like it takes

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Speaker 1: your focus off of you and put it on some

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Speaker 1: other being. Well, I think you it's like to be

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Speaker 1: a parent, you can't you have to be of service, right,

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Speaker 1: So you have to be so you can't if you're

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Speaker 1: a good parent. Yeah, if you're a parent, your person

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Speaker 1: hanging out around it not be of service. But you're

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Speaker 1: not parent then um, but yeah, it just takes so

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Speaker 1: much um, being of service and then I think you

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Speaker 1: for me anyway, I learned that being of service. It's

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Speaker 1: like when you put effort into anything, it becomes more valuable.

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Speaker 1: And that effort of being you know, taking care of

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Speaker 1: it sounds really this sounds undersoid to sell that before,

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Speaker 1: So I don't know, it sounds a lot kind of

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Speaker 1: thinner than I think it is. Um. They just there,

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Speaker 1: your passion grows work for it. The more effort you

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Speaker 1: put in, the more work you put in, the more

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Speaker 1: of service you are towards something, the more your passion

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Speaker 1: is for it, and the more joy you take out

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Speaker 1: of the service that you give. That's what I'm trying

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Speaker 1: to say. That is very beautifully said and so so true.

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Speaker 1: I think that applies to like anything like yeah, yeah, parenting,

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Speaker 1: your career, your relationships, your relationship with yourself, so many things. Yeah,

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Speaker 1: that's really cool. Well, so back to some little some

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Speaker 1: of some more fanning out on my part of you

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Speaker 1: in your career. So you have many episodes were you

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Speaker 1: on More Rist Place. We did thirty four a year

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Speaker 1: and I did five years. Uh, and then you and

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Speaker 1: a few of the other cast members left the show

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Speaker 1: at a certain point right I left. We all have

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Speaker 1: five year contracts and I left contractors, do you ever

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Speaker 1: like I think like I wish I had done it differently,

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Speaker 1: I wish I hadn't left, or I'm really glad, Like

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Speaker 1: how how do you feel about it now? I think

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Speaker 1: I'm glad I left. Um, you know, I never got

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Speaker 1: the cash in because, as you know, Aaron doesn't pay

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Speaker 1: very well for your first deal, you think the beginning, Yeah,

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Speaker 1: and I never I never had I never got a raise.

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Speaker 1: I never renegotiate anything. My five year deal was my

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Speaker 1: five year deal. Um, so I would be a lot

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Speaker 1: more secure. My financial security would be greater right now.

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Speaker 1: But I never you say I've not a lot of

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Speaker 1: TV shows. I have not a lot of TV shows.

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Speaker 1: But I've never been interested in money, so I don't

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Speaker 1: have a lot of money. I mean, I'm comfortable, but

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Speaker 1: I'm not like you know, I don't have twenty million

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Speaker 1: dollars in the bank like like you might think I

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Speaker 1: would have if you look at the career I had,

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Speaker 1: right that has never been my focus. And so yes,

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Speaker 1: if I had stayed on for another year or two,

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Speaker 1: you know that would have paid me probably you know,

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Speaker 1: six million dollars or something like that. Something in the

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Speaker 1: neighborhood of that. Um, whoa, you're getting paid a lot

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Speaker 1: more than me. The negotiation, I figured thirty two episodes.

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Speaker 1: If you got a hundred grand a year, right, that's

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Speaker 1: probably what I could have got an episode. An episode, yeah, right,

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Speaker 1: which is insane. Hello, if you just think about what

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Speaker 1: you just said, you made a hundred thousand years, I

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Speaker 1: think I probably could have gotten that could have for

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Speaker 1: working for seven days. Yeah yeah, break that down. I

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Speaker 1: want to know what that is hourly. Haven't you ever

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Speaker 1: done episode? We did? We had one line? Yeah, exactly,

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Speaker 1: I'm here and I'm getting paid and I'm saying three words,

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Speaker 1: I love my job. It's like thirty thousand dollars of work. Oh,

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Speaker 1: it's ridiculous. But listen, I never made that kind of money.

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Speaker 1: If I had gone down that I might have been

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Speaker 1: able to get, you know what I mean. So let's

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Speaker 1: say it was four million dollars. But you know what

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Speaker 1: I mean, it's like, okay, so you have four million

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Speaker 1: dollars in the bank, really two million because the government

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Speaker 1: takes half of Italy see two million dollars in the bank.

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Speaker 1: At the time, I felt like people that stayed on

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Speaker 1: the show passed their initial contract, that was kind of

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Speaker 1: the end of their career. And historically that kind of

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Speaker 1: was true. You know, when there was three networks and

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Speaker 1: you know people thirty million people watched an episode of

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Speaker 1: something you got stuck in that role during our time

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Speaker 1: on our show, on two Your Time and on by Time,

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Speaker 1: My Morrow's Place. That started to change, and it has

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Speaker 1: become clear that that does isn't the case that more

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Speaker 1: can move on. You can't have a bigger and longer

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Speaker 1: career even if you stay on your show. So my

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Speaker 1: reason for doing it, it turned out not to be true.

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Speaker 1: But at the time, I didn't know that I made

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Speaker 1: the best choice that I could at the time, and

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Speaker 1: I think it was the right choice given the information

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Speaker 1: I had, So I don't at all. You weren't alone.

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Speaker 1: I think I think a lot of actors had that perspective.

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Speaker 1: I personally didn't. I just I didn't think it. I'm

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Speaker 1: not a gold personally, I don't think ahead, So I

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Speaker 1: didn't think to make a change, like it didn't occur

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Speaker 1: to me. But there were people around me, like Jason

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Speaker 1: Luke and Uh. They wanted to go do other things,

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Speaker 1: you know, and they thought if they stayed doing the show,

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Speaker 1: they would never ever get to work anywhere else again

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Speaker 1: because people would never see them as anything other than

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Speaker 1: Brandon and Dylan. So totally you were you weren't alone

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Speaker 1: in that. And by the way, it took years before

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Speaker 1: well has you know, every time I walk into a room,

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Speaker 1: Jake Canson was there with me, you know, for quite

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Speaker 1: a few years. And finally I realized the reason we

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Speaker 1: Canson was in the room every time I walked in

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Speaker 1: because I was bringing it in with me. And you know,

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Speaker 1: when I foundly let myself get away from that, then

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Speaker 1: I was able to get away from it. But that

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Speaker 1: it takes a while, whether however it's happening, It takes

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Speaker 1: a while for you to kind of like cleanse yourself

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Speaker 1: from something that's that that's that integrated, like it's part

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Speaker 1: of you. Yeah, that's it was a huge part of time,

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Speaker 1: right because your show, our show, they were they had

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Speaker 1: such a big impact on so many people during a

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Speaker 1: very specific time, you know, and and the fans of

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Speaker 1: our show and your show and other shows, but they

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Speaker 1: are just so devoted and so like invested in these characters.

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Speaker 1: And I think that's what made our shows success. People

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Speaker 1: still recognize me from from Mo's Place. Really, like when

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Speaker 1: you get recognized most is it mostly now? It's real

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Speaker 1: g some melogh now it's missing a bunch of different things.

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Speaker 1: Swing down Dynasty Dynasty mostly now because that's what's on

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Speaker 1: right now town and yeah most Place. So yeah, you

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Speaker 1: is kind of full circle for because you kind of

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Speaker 1: started out with Aaron Spelling and now you're on Spelling Dynasty.

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Speaker 1: When it came across my desk, I was like my

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Speaker 1: desk when I when I got the audition, was like,

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Speaker 1: do you have a desk? Exactly? I don't. I was

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Speaker 1: rolling my eyes and myself when I got the audition,

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Speaker 1: I was like, oh well, I'm like, I've had a

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Speaker 1: in thirty years of a career that sets me up,

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Speaker 1: tease me up perfectly for this job. It's not, it doesn't.

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Speaker 1: It is exactly what it should be. It doesn't take

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Speaker 1: itself seriously at all. It is as silly as silly

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Speaker 1: could be, and yet it's still the characters are still serious,

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Speaker 1: you know what I mean. It's pretty cool. I think

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Speaker 1: that you know you're doing this role. It's such an

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Speaker 1: iconic role, you know. Originally of course for those that

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Speaker 1: don't know played by John Forsyth. How did that feel

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Speaker 1: stepping into that role and like, you know, not in

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Speaker 1: the shadow of him, but I can imagine you must

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Speaker 1: have put a lot of pressure on yourself to you know,

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Speaker 1: even if you did admit it, like it was there

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Speaker 1: that you were playing this iconic role. Yeah. Well, so

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Speaker 1: first off, I had never seen Dynasty. So when I watched, Yeah,

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Speaker 1: when I was auditioning for what, I watched what he

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Speaker 1: I watched some stuff, some of his scenes to see

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Speaker 1: what he did, and I was like, well, I can't

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Speaker 1: do that. That's something that's he's different than me. I'm

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Speaker 1: never gonna be able to do that. It's a totally

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Speaker 1: I'm a totally different animal than he is. So trying

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Speaker 1: to recreate what he did was not ever an issue.

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Speaker 1: But what he did do really well was he he

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Speaker 1: He wasn't a good guy and he wasn't a bad guy.

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Speaker 1: He was vicious and he was awful and at the

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Speaker 1: same time he cared about his family and you know

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Speaker 1: all those kind of that sort of mixture. He wasn't

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Speaker 1: he wasn't an anti hero. He wasn't someone you loved

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Speaker 1: to hate. It just us like a person um I

365
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Speaker 1: think it's what was so great about which on force

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Speaker 1: I did and that I did have and still do

367
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Speaker 1: feel a lot of pressure to do that. Yeah, I

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Speaker 1: mean it's a big it's a big role. Yeah yeah, yeah,

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Speaker 1: it's very The role is iconic, definitely, and I feel

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Speaker 1: like it's such a cool, like like you kind of

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Speaker 1: said before, representation of your career, like you have you

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Speaker 1: have earned this role, Like that's you know what that's

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Speaker 1: I've never put it that way, but I do feel

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Speaker 1: I do, honestly feel like I have earned this role.

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Speaker 1: And when I went to go get it, I wasn't

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Speaker 1: gonna let anybody else happen. You know. I went out

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Speaker 1: and bought a very expensive suit for the audition because

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Speaker 1: I was like, this is my role and I'm not

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Speaker 1: going to you know, Like, those are the things that

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Speaker 1: I did, All the things that you do when you

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Speaker 1: when you want, when you deny anyone else's opportunity to

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Speaker 1: take this away from you. Yeah, that's so strong. What

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Speaker 1: that you you wanted something and you went out and

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Speaker 1: you got it. Yeah. I'm having a great time with

385
00:21:57,560 --> 00:22:01,439
Speaker 1: it too. I bet it's been going since you started

386
00:22:01,480 --> 00:22:09,199
Speaker 1: two thousand seventeen. So hello, congratulations than October and you

387
00:22:09,280 --> 00:22:11,120
Speaker 1: feel like you're I feel like you're going to stay

388
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Speaker 1: with it, and you did five years of Milor's Place.

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Speaker 1: I don't feel like that this time. I'm gonna ride

390
00:22:15,440 --> 00:22:24,680
Speaker 1: this until it's dead. Your dad, Now you need a page. Well,

391
00:22:24,800 --> 00:22:28,000
Speaker 1: people people all love it. People just love it. So

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Speaker 1: I kind of feel like you are like that. If

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Speaker 1: you had a title, a silly title, you would be

394
00:22:35,080 --> 00:22:39,600
Speaker 1: like the golden child of Spelling entertainment. You are the

395
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Speaker 1: guy he did. You know, Uncle Spelling was very very

396
00:22:43,840 --> 00:22:45,800
Speaker 1: good to me. At the same time. I had a

397
00:22:45,920 --> 00:22:49,399
Speaker 1: very contentious relationship with him. You know, I was you know,

398
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Speaker 1: I was a young, cocky, bit of an asshole kind

399
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Speaker 1: of guy, and he was, you know, going to be

400
00:22:55,880 --> 00:22:59,159
Speaker 1: in charge no matter what. You know. Remember you remember,

401
00:22:59,240 --> 00:23:01,240
Speaker 1: you know he's did some things they weren't too nice

402
00:23:01,280 --> 00:23:02,720
Speaker 1: to me, and I did some things that weren't too

403
00:23:02,800 --> 00:23:05,120
Speaker 1: nice to him. But you know I cried when he died.

404
00:23:05,200 --> 00:23:11,560
Speaker 1: So yeah, I mean it's hard to separate business like that.

405
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Speaker 1: You know, really great man, and you sound like you know,

406
00:23:15,760 --> 00:23:18,680
Speaker 1: you're a great person, so sometimes you gotta do what

407
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Speaker 1: you gotta do. Though I it was too almost going

408
00:23:21,359 --> 00:23:23,920
Speaker 1: at each other you know, yeah, I kind of get

409
00:23:23,960 --> 00:23:26,080
Speaker 1: that againd of get that, you know what. Okay, So

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Speaker 1: what's gonna happen now? We're going to take a break

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Speaker 1: and then when we come back, we're gonna get into

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Speaker 1: the episode that we watched. Okay, Okay, hey everybody, Scott Patterson,

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Speaker 1: we are going to have my loo vent Amelia on

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Speaker 1: the podcast today and we are dropping the episode immediately.

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Speaker 1: We are very excited to have him. He's a he's

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Speaker 1: an old, dear friend, and he gave us. He gave

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Speaker 1: us some time, which is he doesn't have any time,

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Speaker 1: but he gave us some time, and we really really

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Speaker 1: really appreciate it. So we're gonna do this interview with

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Speaker 1: Milo uh and we're going to drop it immediately as

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Speaker 1: soon as we can get it all cobbled together. This

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Speaker 1: crack team I have and we're just very very excited

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Speaker 1: about it. So anyway, listen to my podcast I Am

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Speaker 1: All In right now on I Heart Radio, app, Apple

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00:24:18,680 --> 00:24:27,119
Speaker 1: podcast and everywhere you listen to podcasts. Okay, So here's

426
00:24:27,119 --> 00:24:29,840
Speaker 1: the deal, Tori. Like I said, Tori and I were

427
00:24:29,840 --> 00:24:33,600
Speaker 1: rewatching the show with the fans uh for the first time,

428
00:24:33,640 --> 00:24:38,000
Speaker 1: but we're really actually becoming fans ourselves. So it's been

429
00:24:38,160 --> 00:24:41,879
Speaker 1: a great ride morally. In season two, which season two, uh,

430
00:24:42,000 --> 00:24:45,480
Speaker 1: in a few episodes I think is when Jake Hansen

431
00:24:45,600 --> 00:24:48,879
Speaker 1: makes his debut. But we're not to you yet, so

432
00:24:48,920 --> 00:24:50,440
Speaker 1: we're not gonna talk about you. We're gonna talk about

433
00:24:50,480 --> 00:24:56,720
Speaker 1: this episode. Okay, okay, okay, uh, Season two, episode one,

434
00:24:56,840 --> 00:25:01,520
Speaker 1: everybody's talking about it. It aired February six, nineteen two,

435
00:25:02,480 --> 00:25:06,119
Speaker 1: and here's a little synopsis. Andrea is outraged when the

436
00:25:06,119 --> 00:25:08,720
Speaker 1: school refuses to allow students to take part in a

437
00:25:08,760 --> 00:25:13,800
Speaker 1: health survey that includes questions about sex. It was directed

438
00:25:13,800 --> 00:25:17,520
Speaker 1: by Daniel Addis and written by Darren Starr, Karen Rosen,

439
00:25:17,760 --> 00:25:25,520
Speaker 1: and Charles Rosen. So this episode I mentioned was one

440
00:25:25,560 --> 00:25:28,119
Speaker 1: of my favorite episodes for a lot of reasons. This

441
00:25:28,160 --> 00:25:32,240
Speaker 1: episode is all about sex education, UM, and it was

442
00:25:32,359 --> 00:25:38,520
Speaker 1: very you know, timely topic, very like you said, a

443
00:25:38,640 --> 00:25:44,640
Speaker 1: very special episode, very special nine two one, oh right.

444
00:25:45,320 --> 00:25:48,120
Speaker 1: Not all of them were like that. I was really

445
00:25:48,160 --> 00:25:53,080
Speaker 1: impressed with um, with all y'alls acting on you were

446
00:25:53,520 --> 00:25:58,440
Speaker 1: it really was. It's like not easy to be that earnest, Yeah,

447
00:25:58,480 --> 00:26:04,159
Speaker 1: that earnest, and um not not look silly and you didn't.

448
00:26:04,240 --> 00:26:07,040
Speaker 1: You guys were great you know what, it's funny that

449
00:26:07,080 --> 00:26:10,040
Speaker 1: you say that, thank you. But and and I, as

450
00:26:10,080 --> 00:26:13,600
Speaker 1: a person not in it, just watching it felt the

451
00:26:13,680 --> 00:26:16,720
Speaker 1: very same way like I felt this episode was so

452
00:26:16,840 --> 00:26:22,920
Speaker 1: well written. Um, it was about really heavy subject matter

453
00:26:23,000 --> 00:26:26,000
Speaker 1: that was sensitive, and there were a lot of emotions

454
00:26:26,040 --> 00:26:28,240
Speaker 1: around it, and I felt like the stories were so

455
00:26:28,359 --> 00:26:31,800
Speaker 1: well woven together so well, and the characters really everybody

456
00:26:31,960 --> 00:26:35,640
Speaker 1: was kind of interwoven in a really interesting way. And

457
00:26:36,119 --> 00:26:38,760
Speaker 1: it wasn't like a you know, public service announcement. It

458
00:26:38,800 --> 00:26:42,600
Speaker 1: wasn't like an after school special. It just felt like,

459
00:26:43,840 --> 00:26:46,040
Speaker 1: I don't know, there was something about this, And I

460
00:26:46,119 --> 00:26:49,639
Speaker 1: did feel like across the board, really good acting and

461
00:26:50,320 --> 00:26:57,439
Speaker 1: bring yourself back this was it was around there. I

462
00:26:57,440 --> 00:27:00,520
Speaker 1: think times were different, people weren't tal kind of about

463
00:27:00,520 --> 00:27:03,520
Speaker 1: stuff like this on television. This was really a lot

464
00:27:03,560 --> 00:27:09,440
Speaker 1: more cutting edge then then it seems now, right absolutely,

465
00:27:09,600 --> 00:27:18,359
Speaker 1: because I mean the episode was about bringing condoms into schools,

466
00:27:18,400 --> 00:27:21,320
Speaker 1: about about sex education, about making condoms available to high

467
00:27:21,320 --> 00:27:24,000
Speaker 1: school students, and Andrea was trying to like, you know,

468
00:27:24,080 --> 00:27:29,040
Speaker 1: make that happen at West Beverly and the Parents Organization,

469
00:27:29,280 --> 00:27:33,160
Speaker 1: But it was also about each characters own journey with them,

470
00:27:33,280 --> 00:27:36,600
Speaker 1: their own sexuality. And I think that's you know, right,

471
00:27:37,400 --> 00:27:39,679
Speaker 1: who was talking about being a virgin in high school

472
00:27:39,680 --> 00:27:42,639
Speaker 1: and one you know, and and shame of being a

473
00:27:42,720 --> 00:27:46,040
Speaker 1: virgin in high school. I don't think people were no,

474
00:27:46,400 --> 00:27:48,080
Speaker 1: and I and that that that was so What was

475
00:27:48,119 --> 00:27:52,439
Speaker 1: so cool about this episode two was that everyone's point

476
00:27:52,480 --> 00:27:55,959
Speaker 1: of view was really actually interesting and different. Like I

477
00:27:56,000 --> 00:28:00,320
Speaker 1: felt like Donna was telling a story, Andrea was telling

478
00:28:00,320 --> 00:28:03,080
Speaker 1: a story, Kelly was telling a story, Brenda. Brenda was

479
00:28:03,119 --> 00:28:05,000
Speaker 1: telling a story. I felt like this was actually a

480
00:28:05,080 --> 00:28:11,639
Speaker 1: really um female driven episode and pretty powerful. Yeah, and

481
00:28:11,760 --> 00:28:14,560
Speaker 1: Kelly just wanted to go shot. Kelly just wanted to

482
00:28:14,600 --> 00:28:19,320
Speaker 1: avoid the topic at all costs because her sexuality I

483
00:28:19,359 --> 00:28:22,480
Speaker 1: think was talked about enough that she didn't feel like

484
00:28:22,520 --> 00:28:27,080
Speaker 1: she needed to add fuel to that fire. Yeah, but

485
00:28:27,200 --> 00:28:32,680
Speaker 1: I I this was Catherine Cannon's first episode, who played

486
00:28:33,840 --> 00:28:38,680
Speaker 1: Felice Martin, Donna's mom, and she was the one that was,

487
00:28:39,080 --> 00:28:41,760
Speaker 1: you know, kind of heading the whole parent or kind

488
00:28:41,760 --> 00:28:45,520
Speaker 1: of surprised at how many involvement of the of the

489
00:28:45,600 --> 00:28:49,360
Speaker 1: grown ups. I didn't realize that they were so involved

490
00:28:49,400 --> 00:28:52,280
Speaker 1: in your show. I guess thought it was you kids. Yeah,

491
00:28:52,320 --> 00:28:55,000
Speaker 1: sometimes they were, sometimes they weren't but this episode had

492
00:28:55,040 --> 00:28:58,040
Speaker 1: a nice not what they weren't too heavy, but they

493
00:28:58,040 --> 00:29:02,960
Speaker 1: were just sort of like yeah, mm hmm um. But

494
00:29:03,040 --> 00:29:05,600
Speaker 1: that was her first episode that they had had another

495
00:29:05,840 --> 00:29:08,600
Speaker 1: woman playing Donna's mom in earlier episodes, but this was

496
00:29:08,680 --> 00:29:12,960
Speaker 1: the new fully fully smarten and we all disagrew to

497
00:29:13,200 --> 00:29:16,680
Speaker 1: really love her and she was such a pleasure to

498
00:29:16,720 --> 00:29:20,200
Speaker 1: work with and so great, so great. So they had

499
00:29:20,880 --> 00:29:23,440
Speaker 1: condoms available in other schools at that time, but I

500
00:29:23,440 --> 00:29:26,920
Speaker 1: guess not at West Beverly, but I think that condoms

501
00:29:26,960 --> 00:29:30,120
Speaker 1: were a thing that were being you know, presented to

502
00:29:30,320 --> 00:29:33,160
Speaker 1: young people and passed out and it was all about

503
00:29:33,720 --> 00:29:38,120
Speaker 1: disease protection from AIDS and all the things and so

504
00:29:38,280 --> 00:29:41,640
Speaker 1: super important. It was like a big thing was called

505
00:29:41,640 --> 00:29:46,040
Speaker 1: the Condom Availability Program, like the government you know, the

506
00:29:46,760 --> 00:29:50,560
Speaker 1: next and all about that they did they did. I

507
00:29:50,640 --> 00:29:54,800
Speaker 1: feel like, um, we had you know, some learning to

508
00:29:54,880 --> 00:29:57,880
Speaker 1: do about how to talk about these sensitive subjects, you know,

509
00:29:58,280 --> 00:30:02,000
Speaker 1: in ways that teens could hear and and the way

510
00:30:02,080 --> 00:30:05,479
Speaker 1: teens talked, but also that didn't like put off all

511
00:30:05,520 --> 00:30:08,840
Speaker 1: the parents. Because I think that this this episode really

512
00:30:09,520 --> 00:30:11,760
Speaker 1: pinpointed for me. One of the things that I always

513
00:30:11,800 --> 00:30:16,600
Speaker 1: say about our show was that it really opened up

514
00:30:16,600 --> 00:30:22,400
Speaker 1: the communication channels between parents and their kids. So everybody

515
00:30:22,480 --> 00:30:26,000
Speaker 1: was watching this show at this time, and the parents

516
00:30:26,000 --> 00:30:28,200
Speaker 1: were watching it to see what their kids were watching,

517
00:30:28,680 --> 00:30:30,320
Speaker 1: and a lot of times the families were watching it

518
00:30:30,360 --> 00:30:34,760
Speaker 1: together because you did that back then. And I feel

519
00:30:34,760 --> 00:30:38,800
Speaker 1: like I've always been told like this story. This episode

520
00:30:38,840 --> 00:30:40,800
Speaker 1: really helped me and I it helped me talk to

521
00:30:40,840 --> 00:30:44,160
Speaker 1: my daughter about sex, and you know, it really got

522
00:30:44,240 --> 00:30:47,000
Speaker 1: us having that discussion, you know, And now talking to

523
00:30:47,040 --> 00:30:50,280
Speaker 1: fans that are older and that are parents now, they're

524
00:30:50,320 --> 00:30:53,000
Speaker 1: they're saying that it really helped them talk to their parents.

525
00:30:54,400 --> 00:30:57,720
Speaker 1: So I feel really good about that. You know. Sometimes

526
00:30:57,720 --> 00:31:02,200
Speaker 1: it was a little heavy handed, but you know, just barely.

527
00:31:02,680 --> 00:31:08,800
Speaker 1: I think, I don't you know what was if it was,

528
00:31:08,840 --> 00:31:11,600
Speaker 1: if you haven't handed at all. It's just the style

529
00:31:12,080 --> 00:31:15,640
Speaker 1: of shooting a show back then. That's what jarved me

530
00:31:15,680 --> 00:31:19,920
Speaker 1: more than anything else. Just styled just you know, dancing director.

531
00:31:19,960 --> 00:31:23,080
Speaker 1: I remember, but it was terrific right whenever I worked

532
00:31:23,080 --> 00:31:25,160
Speaker 1: with him. But you look at it and it's just

533
00:31:25,240 --> 00:31:29,080
Speaker 1: like it's really old fashioned. It's so funny. You say

534
00:31:29,120 --> 00:31:30,880
Speaker 1: that because I was going to ask you that, because

535
00:31:31,200 --> 00:31:35,360
Speaker 1: you've directed episodes and you know, you know, what it

536
00:31:35,400 --> 00:31:38,040
Speaker 1: takes and what's expected of you, and they just hand

537
00:31:38,040 --> 00:31:42,600
Speaker 1: you this huge responsibility and say go. But they you

538
00:31:42,640 --> 00:31:45,480
Speaker 1: can really see in this episode, like the filmmaking, the

539
00:31:45,520 --> 00:31:48,800
Speaker 1: way they set up the players, the actors in a

540
00:31:48,880 --> 00:31:51,160
Speaker 1: semicircle in front of the camera and everybody kind of

541
00:31:51,160 --> 00:31:54,560
Speaker 1: gets there. There's shots where Cason is standing kind of

542
00:31:54,600 --> 00:31:57,240
Speaker 1: like this. Yeah, and there's the only reason you would

543
00:31:57,240 --> 00:32:00,520
Speaker 1: be standing like this to get into this. You be

544
00:32:00,600 --> 00:32:03,880
Speaker 1: in the shot. It's like, yeah, I think that the

545
00:32:04,360 --> 00:32:06,959
Speaker 1: you know, I think maybe that was yeah, like the

546
00:32:07,000 --> 00:32:09,880
Speaker 1: style of directing back then. Yeah, No, I think it

547
00:32:09,880 --> 00:32:12,440
Speaker 1: just was. It's also you know, we we we shot

548
00:32:12,440 --> 00:32:16,800
Speaker 1: on film back then, in one camera shooting film, and

549
00:32:16,840 --> 00:32:19,440
Speaker 1: it was expensive. You didn't have time to just mess

550
00:32:19,480 --> 00:32:23,560
Speaker 1: around when I shot My only only directed one episode.

551
00:32:23,760 --> 00:32:27,120
Speaker 1: Hopefully they'll do some more this this year. But we

552
00:32:27,240 --> 00:32:30,720
Speaker 1: shot with three cameras. Oh my gosh. We would have

553
00:32:31,040 --> 00:32:34,120
Speaker 1: our a camera that is, you know, my certain hero shot,

554
00:32:34,200 --> 00:32:36,320
Speaker 1: this is what I'm really looking for. But then I

555
00:32:36,320 --> 00:32:39,800
Speaker 1: would have a camera like the heck over there somewhere

556
00:32:40,320 --> 00:32:42,600
Speaker 1: getting just big white shot that I could cut away too,

557
00:32:42,640 --> 00:32:44,760
Speaker 1: and then maybe some off angle thing over here as well,

558
00:32:44,960 --> 00:32:49,320
Speaker 1: and we just shoot and you just this episode a

559
00:32:49,320 --> 00:32:51,960
Speaker 1: big deal or you never call cut. You just kind

560
00:32:51,960 --> 00:32:53,920
Speaker 1: of just go, okay, let's go and do it again,

561
00:32:54,000 --> 00:32:55,840
Speaker 1: you know, reset, do it again, reset, do it again.

562
00:32:55,880 --> 00:32:58,880
Speaker 1: It was just like you just nowadays you have so

563
00:32:59,000 --> 00:33:03,080
Speaker 1: much more freedom to just kind of play. Back then,

564
00:33:03,880 --> 00:33:07,880
Speaker 1: it was really structured. It was like a formula, and

565
00:33:07,960 --> 00:33:12,080
Speaker 1: you as the director were expected to deliver the shots

566
00:33:12,120 --> 00:33:15,360
Speaker 1: that they required, you know, and they made it very

567
00:33:15,440 --> 00:33:17,760
Speaker 1: very clear, you have to do a master and then

568
00:33:17,800 --> 00:33:20,800
Speaker 1: we want singles, doubles over the shoulders and that's it.

569
00:33:20,880 --> 00:33:24,680
Speaker 1: We don't want any like our sea stuff over over

570
00:33:24,800 --> 00:33:30,520
Speaker 1: single single, move on single single. Yeah, yeah, we sho

571
00:33:30,880 --> 00:33:32,920
Speaker 1: we shove to work at at Morrow's place and the

572
00:33:32,960 --> 00:33:35,080
Speaker 1: marks would be on the floor already. Back then that

573
00:33:35,120 --> 00:33:37,280
Speaker 1: would have bothered me, But now I kind of appreciate

574
00:33:37,360 --> 00:33:39,680
Speaker 1: that and like, you know, just tell me where to stand,

575
00:33:40,040 --> 00:33:42,000
Speaker 1: what you want me to say, what you want me

576
00:33:42,000 --> 00:33:45,280
Speaker 1: to wear. I'm good, let's go kind of kind of agree.

577
00:33:45,320 --> 00:33:48,440
Speaker 1: It's like, you know where I can see it anywhere?

578
00:33:49,720 --> 00:33:55,719
Speaker 1: Ye back to back to episode Sorry we Digressed. Donna

579
00:33:55,800 --> 00:33:59,640
Speaker 1: I felt like had a great um sort of moment

580
00:33:59,680 --> 00:34:02,960
Speaker 1: in this episode. You know, she wasn't featured as strongly

581
00:34:03,040 --> 00:34:05,600
Speaker 1: in the earlier episodes, and her character starting to sort

582
00:34:05,600 --> 00:34:09,480
Speaker 1: of grow some great momentum with her like Mary not marriage,

583
00:34:09,480 --> 00:34:13,120
Speaker 1: relationship with David, and now with her whole point of

584
00:34:13,200 --> 00:34:15,799
Speaker 1: view kind of opposite of what her mom's point of

585
00:34:15,840 --> 00:34:19,800
Speaker 1: view about this sex subject, but at the same time

586
00:34:20,560 --> 00:34:26,080
Speaker 1: still maintaining her values which aren't dissimilar to her mom's.

587
00:34:26,840 --> 00:34:28,640
Speaker 1: But she doesn't like the way. I don't think she

588
00:34:28,680 --> 00:34:30,960
Speaker 1: likes the way her mom is presenting it to the

589
00:34:30,960 --> 00:34:34,640
Speaker 1: other kids. It came across as she was actually more

590
00:34:34,640 --> 00:34:37,960
Speaker 1: thoughtful about it then her mother. Her mother was just

591
00:34:38,040 --> 00:34:40,160
Speaker 1: kind of rigid about it. This is the way it is,

592
00:34:40,280 --> 00:34:42,880
Speaker 1: this is the way it needs to stay. And Donna

593
00:34:43,000 --> 00:34:45,400
Speaker 1: was more this is a choice that I've made and

594
00:34:45,400 --> 00:34:49,720
Speaker 1: that I'm going to stick with. That's really interesting because

595
00:34:49,800 --> 00:34:55,200
Speaker 1: I um as a mom now of teens, I see

596
00:34:55,200 --> 00:34:58,239
Speaker 1: that from a whole different perspective. You're not there yet,

597
00:34:58,280 --> 00:35:01,879
Speaker 1: but we'll see you like you can as a teen,

598
00:35:01,960 --> 00:35:04,600
Speaker 1: a parent of a team. You can't be black and white.

599
00:35:04,760 --> 00:35:10,319
Speaker 1: You can't be so rigid and expect certain things from

600
00:35:10,360 --> 00:35:13,960
Speaker 1: your kids. You have to be flexible and willing to

601
00:35:14,080 --> 00:35:18,399
Speaker 1: let them guide you. Sometimes and really open your eyes

602
00:35:18,400 --> 00:35:20,960
Speaker 1: to different ways of looking at things, And I think

603
00:35:21,000 --> 00:35:24,960
Speaker 1: that's really cool. Yeah, I'm terrified and looking for at

604
00:35:25,000 --> 00:35:28,799
Speaker 1: the same time. Yeah. My best has two daughters and

605
00:35:29,080 --> 00:35:34,239
Speaker 1: who are in their twenties now. When they were Eloise's age,

606
00:35:34,280 --> 00:35:36,600
Speaker 1: they were great, just the sweetest all the way up

607
00:35:36,640 --> 00:35:39,759
Speaker 1: until they were about twelve, and then they became monsters

608
00:35:40,760 --> 00:35:44,360
Speaker 1: about nineteen. I just terrified of that, I know. But

609
00:35:44,440 --> 00:35:47,080
Speaker 1: here's the thing, here's my here's my only words of

610
00:35:47,160 --> 00:35:52,280
Speaker 1: wisdom K give you on parenting. Don't say that again.

611
00:35:52,320 --> 00:35:54,799
Speaker 1: I don't say that ever again. Don't even think it

612
00:35:55,480 --> 00:35:58,960
Speaker 1: because you're going to create it in the universe. No,

613
00:35:59,160 --> 00:36:01,200
Speaker 1: I get you, and you know I always just not

614
00:36:01,680 --> 00:36:05,239
Speaker 1: She's not. She is a really at seven or eight.

615
00:36:05,400 --> 00:36:09,919
Speaker 1: She's very thoughtful and she's very excuse me, she's very

616
00:36:10,719 --> 00:36:17,160
Speaker 1: sensitive to other people. That's good. Well, it could change it, could,

617
00:36:17,239 --> 00:36:20,239
Speaker 1: you know, alter it will you know, show up in

618
00:36:20,239 --> 00:36:23,360
Speaker 1: different shades. But even when she rolls her eyes at

619
00:36:23,440 --> 00:36:27,520
Speaker 1: you and sass is back at you, you know that

620
00:36:27,560 --> 00:36:31,239
Speaker 1: doesn't mean that she's a bad girl. You know. It's

621
00:36:31,640 --> 00:36:35,080
Speaker 1: such a delicate thing. So um, I wanted to make

622
00:36:35,120 --> 00:36:38,680
Speaker 1: sure we say something about Kelly's journey on in this

623
00:36:38,760 --> 00:36:41,719
Speaker 1: episode that we came out. It's just at the end

624
00:36:41,760 --> 00:36:46,000
Speaker 1: of that last conversation. Is that something that is a

625
00:36:47,040 --> 00:36:49,000
Speaker 1: you know that this idea that she was thought of

626
00:36:49,040 --> 00:36:52,520
Speaker 1: as easy is that? Was that a recurring theme with

627
00:36:52,560 --> 00:36:57,319
Speaker 1: his character? Was it a constant theme with her? Yeah,

628
00:36:57,840 --> 00:37:01,120
Speaker 1: from came up or was it always know from the

629
00:37:01,239 --> 00:37:04,360
Speaker 1: very beginning that was her role was the kind of

630
00:37:04,680 --> 00:37:09,600
Speaker 1: girl that slept around people thought that she slept around. Um,

631
00:37:09,680 --> 00:37:12,480
Speaker 1: she was just very in the beginning, like you know,

632
00:37:12,520 --> 00:37:17,080
Speaker 1: the bad girl, the bitch a Beverly Hills. And we

633
00:37:17,320 --> 00:37:19,799
Speaker 1: worked really hard through the years to get her those

634
00:37:19,880 --> 00:37:23,480
Speaker 1: layers of depth to see why she was the way

635
00:37:23,520 --> 00:37:26,759
Speaker 1: she was and and learn a lot about that kind

636
00:37:26,760 --> 00:37:30,760
Speaker 1: of thing. And um, you're starting to really see the shades,

637
00:37:30,960 --> 00:37:34,799
Speaker 1: all the shades of Kelly and what her journey has

638
00:37:34,840 --> 00:37:37,440
Speaker 1: been now. And I think this is um one of

639
00:37:37,440 --> 00:37:42,799
Speaker 1: my favorite scenes, that scene with Andrea and Kelly. Um,

640
00:37:42,840 --> 00:37:47,680
Speaker 1: it was there. Those two characters have such complete different

641
00:37:47,960 --> 00:37:53,520
Speaker 1: personalities and perspectives, but this was a cool coming together

642
00:37:54,080 --> 00:37:57,719
Speaker 1: of two different worlds, and I thought it was had

643
00:37:57,920 --> 00:38:00,480
Speaker 1: had a big impact in Kelly, even as I think

644
00:38:00,520 --> 00:38:04,319
Speaker 1: at the end of it like. Um, Andrea says, why

645
00:38:04,400 --> 00:38:06,279
Speaker 1: I wish we had done this sooner or something, and

646
00:38:06,400 --> 00:38:08,799
Speaker 1: Kelly or Kelly we could have met in the middle,

647
00:38:08,840 --> 00:38:11,640
Speaker 1: And Kelly says, I think we just did so I

648
00:38:11,680 --> 00:38:15,600
Speaker 1: thought that wasn't really interesting. Yeah it was. It was

649
00:38:16,920 --> 00:38:19,600
Speaker 1: for someone just watching this episode as a one off,

650
00:38:20,320 --> 00:38:23,959
Speaker 1: um with you know, kind of a tangential understanding of

651
00:38:24,080 --> 00:38:29,000
Speaker 1: the show. Um, it was the very vulnerable moment for you. Yeah.

652
00:38:29,120 --> 00:38:30,879
Speaker 1: I liked it. I liked it a lot, Like that's

653
00:38:30,880 --> 00:38:37,280
Speaker 1: a scene that I think I'll be proud, proud of forever. Yeah. Um,

654
00:38:37,320 --> 00:38:41,440
Speaker 1: you know something that you will probably appreciate. Because my

655
00:38:41,680 --> 00:38:45,279
Speaker 1: co host Tori doesn't claims to not ever notice this,

656
00:38:45,360 --> 00:38:47,960
Speaker 1: but I noticed it not just in my show or

657
00:38:48,000 --> 00:38:51,000
Speaker 1: our show, but in every show when there's a boom

658
00:38:51,000 --> 00:38:54,920
Speaker 1: in the shot. Did you did you see any booms

659
00:38:55,440 --> 00:38:57,680
Speaker 1: when you were watching it? You didn't see any booms

660
00:38:58,320 --> 00:39:00,480
Speaker 1: in the whole episode. No, I don't don't see that

661
00:39:00,520 --> 00:39:02,520
Speaker 1: kind of stuff. I should if I'm directing, but I don't.

662
00:39:02,520 --> 00:39:04,520
Speaker 1: I will see it in my own in my own directing.

663
00:39:04,520 --> 00:39:05,960
Speaker 1: Either someone else say there was a boom that shot,

664
00:39:06,000 --> 00:39:07,520
Speaker 1: I was like, I didn't see it because I'm looking

665
00:39:07,520 --> 00:39:09,520
Speaker 1: at I'm looking at the people. I'm not looking at

666
00:39:10,239 --> 00:39:11,960
Speaker 1: you know what I mean. I'm watching the performances. I'm

667
00:39:12,000 --> 00:39:14,880
Speaker 1: not watching and as as a viewer, I'm watching the performances.

668
00:39:14,920 --> 00:39:17,680
Speaker 1: I'm not paying attention too much too So there was

669
00:39:17,719 --> 00:39:19,840
Speaker 1: a boom in that shot. There was a boom. No,

670
00:39:20,000 --> 00:39:22,239
Speaker 1: not in that shot, but there. I do a thing

671
00:39:22,280 --> 00:39:24,279
Speaker 1: every week where I have a boom count. There were

672
00:39:25,000 --> 00:39:28,319
Speaker 1: at least at least two that I could see, and

673
00:39:28,480 --> 00:39:30,840
Speaker 1: in my internet connection was bad, so there might have

674
00:39:30,880 --> 00:39:33,200
Speaker 1: been a lot more than two, but there was definitely two.

675
00:39:33,280 --> 00:39:36,080
Speaker 1: In fact, there was one scene in particular where the

676
00:39:36,120 --> 00:39:39,879
Speaker 1: boom was basically in the whole scene, just banging out.

677
00:39:40,000 --> 00:39:42,919
Speaker 1: The sushi scene when they're eating sushi. Yeah, remember when

678
00:39:43,239 --> 00:39:46,239
Speaker 1: Kelly and David and their parents are having sushi and

679
00:39:46,239 --> 00:39:49,360
Speaker 1: they're sitting like on the floor. That scene, there's a

680
00:39:49,400 --> 00:39:52,400
Speaker 1: little boom dangling at the top the whole time. You

681
00:39:52,520 --> 00:39:54,640
Speaker 1: gotta go back and watch it now because you'll fly,

682
00:39:56,080 --> 00:39:59,040
Speaker 1: you know, I'll just paint that stuff out. It's so

683
00:39:59,239 --> 00:40:04,360
Speaker 1: key to do um, to do uh you know, computer

684
00:40:04,680 --> 00:40:07,640
Speaker 1: you know what do you call it? Yeah, it's so

685
00:40:07,880 --> 00:40:10,160
Speaker 1: cheap to do computer effects. Now they'll just paint it out.

686
00:40:10,480 --> 00:40:13,560
Speaker 1: They don't have that now. Yeah, you know what, that's funny.

687
00:40:13,560 --> 00:40:16,160
Speaker 1: I'm working on a movie and I yesterday I heard

688
00:40:16,200 --> 00:40:19,879
Speaker 1: the executive producer shouting out like it doesn't matter, we'll

689
00:40:19,920 --> 00:40:22,040
Speaker 1: paint it out. And then I heard and I was like,

690
00:40:22,040 --> 00:40:24,400
Speaker 1: what does that mean? I don't understand that. And then

691
00:40:24,480 --> 00:40:26,040
Speaker 1: later I heard her say, we don't want to be

692
00:40:26,040 --> 00:40:27,960
Speaker 1: painting everything out so that, you know, we have to

693
00:40:28,000 --> 00:40:30,280
Speaker 1: just get this right, and like it's a bit something

694
00:40:30,320 --> 00:40:33,080
Speaker 1: they think about. Now. Yeah, we had an actor who

695
00:40:33,239 --> 00:40:36,919
Speaker 1: who had something. I don't know what happened to his eye,

696
00:40:36,920 --> 00:40:39,480
Speaker 1: but his whole eye, the white of his eye was

697
00:40:39,520 --> 00:40:42,040
Speaker 1: completely red. It wasn't paint eye. It was something he

698
00:40:42,200 --> 00:40:44,279
Speaker 1: like broke a blood vessel as I working out or

699
00:40:44,280 --> 00:40:48,560
Speaker 1: something crazy like that. It's whole I was red painted

700
00:40:48,600 --> 00:40:51,640
Speaker 1: it out every view. Could they grant? Could they paint

701
00:40:51,719 --> 00:41:00,919
Speaker 1: us out? Nah? So I don't really care. Maybe after

702
00:41:00,960 --> 00:41:06,719
Speaker 1: we're dead. I'm worried. I don't know. I'm worried. I

703
00:41:06,760 --> 00:41:12,759
Speaker 1: feel it coming. So they haven't got it yet. Play

704
00:41:12,880 --> 00:41:14,839
Speaker 1: video game. You'll see now they don't have it yet.

705
00:41:15,000 --> 00:41:20,560
Speaker 1: There's something creepy about animated that's trying to look like

706
00:41:20,800 --> 00:41:23,239
Speaker 1: there's a name for it as well, where you with

707
00:41:23,440 --> 00:41:28,960
Speaker 1: something that's almost human and it's actually creepier than I

708
00:41:29,040 --> 00:41:31,600
Speaker 1: hate it all. I don't like it. It freaks out.

709
00:41:31,800 --> 00:41:35,440
Speaker 1: Look right, everything just just we're we're good enough and

710
00:41:35,520 --> 00:41:39,480
Speaker 1: recognizing ourselves that we're not. We're not. We're better at

711
00:41:39,520 --> 00:41:42,920
Speaker 1: recognizing ourselves than we are recreating ourselves. So right now

712
00:41:42,960 --> 00:41:48,080
Speaker 1: we're safe, thank god. Phew. Okay, what about the flush hangar,

713
00:41:48,560 --> 00:41:51,839
Speaker 1: the cliffhanger? I don't remember the cliffhanger? Oh, the pregnancy,

714
00:41:52,560 --> 00:41:55,759
Speaker 1: My mom my momst Jackie Taylor comes in and says

715
00:41:55,840 --> 00:41:58,719
Speaker 1: she's pregnant. The whole episode is focused on teens and

716
00:41:58,760 --> 00:42:02,839
Speaker 1: pregnancy and being from using condoms. Then my mother walks

717
00:42:02,880 --> 00:42:06,000
Speaker 1: in the room and says, I'm bringing it single. I'm good,

718
00:42:06,040 --> 00:42:09,600
Speaker 1: what's big deal? So what? She's not married, she's a

719
00:42:09,640 --> 00:42:13,560
Speaker 1: recovering addict. She just met this guy. And this guy

720
00:42:13,600 --> 00:42:17,319
Speaker 1: that she's dating is mel Silver, who is David on

721
00:42:17,360 --> 00:42:20,480
Speaker 1: the show that the sort of dork character David. The

722
00:42:20,719 --> 00:42:28,520
Speaker 1: Donna's boyfriend is David's father, David The Wait Donna's Brian

723
00:42:28,560 --> 00:42:31,839
Speaker 1: Austin Green's roll Brian Okay, yeah, yeaheah, Okay, it's only

724
00:42:31,920 --> 00:42:33,920
Speaker 1: the really engine of that. So, yeah, Kelly hates it

725
00:42:33,960 --> 00:42:37,560
Speaker 1: that her mom is dating David's Okay, so it's a

726
00:42:37,560 --> 00:42:42,560
Speaker 1: big deal. It's a big cliffhanger moment. So you can watch. Yes,

727
00:42:42,680 --> 00:42:45,439
Speaker 1: we definitely do. So let's take a break and when

728
00:42:45,440 --> 00:42:50,680
Speaker 1: we come back, we will talk about fashion and best

729
00:42:50,760 --> 00:43:05,800
Speaker 1: lines from the show and maybe play a little game. Okay, alright,

730
00:43:05,920 --> 00:43:09,040
Speaker 1: So Grant, are you like a fashion e star? You

731
00:43:09,080 --> 00:43:14,960
Speaker 1: into fashion? I had a feeling like the worst, the

732
00:43:15,040 --> 00:43:17,440
Speaker 1: worst about it, Like if I could just wear the

733
00:43:17,480 --> 00:43:20,759
Speaker 1: same shirt every single day, I would. Okay, I like that,

734
00:43:21,120 --> 00:43:24,120
Speaker 1: I can I can see that. But so do you

735
00:43:24,400 --> 00:43:27,360
Speaker 1: do you like when you're working and you get dressed

736
00:43:27,400 --> 00:43:30,680
Speaker 1: up as characters and shows like do you like dressing?

737
00:43:30,760 --> 00:43:34,319
Speaker 1: And as other people? I used to hate hated I

738
00:43:34,360 --> 00:43:36,440
Speaker 1: hated it on the Rose Place tasty because I don't

739
00:43:36,440 --> 00:43:37,879
Speaker 1: have any awareness of it and I don't have any

740
00:43:37,920 --> 00:43:39,919
Speaker 1: skill at it. So it's like something that you're bad

741
00:43:39,960 --> 00:43:43,120
Speaker 1: at is always really you know, it's just difficult. It's

742
00:43:43,120 --> 00:43:45,040
Speaker 1: not your thing and you don't and you don't care

743
00:43:45,040 --> 00:43:47,279
Speaker 1: about it. I don't care about it, And then that

744
00:43:47,440 --> 00:43:49,880
Speaker 1: and because I'm not because I'm not caring because I

745
00:43:49,920 --> 00:43:51,360
Speaker 1: don't care about it. Because I don't care about it,

746
00:43:51,400 --> 00:43:53,040
Speaker 1: I'm not good at because I'm not good at it,

747
00:43:53,080 --> 00:43:54,480
Speaker 1: I have an a version to it and I don't

748
00:43:54,480 --> 00:43:56,840
Speaker 1: care about it. It's like what we were talking about before.

749
00:43:56,880 --> 00:44:00,960
Speaker 1: If you don't have passion for something, exactly into it more,

750
00:44:01,040 --> 00:44:05,080
Speaker 1: I might actually like it. Well, I respect it, or

751
00:44:05,440 --> 00:44:08,160
Speaker 1: I kind of been right there with you, to be honest. Well,

752
00:44:08,200 --> 00:44:11,040
Speaker 1: when I did Swing Town, which was a show set

753
00:44:11,080 --> 00:44:14,319
Speaker 1: in the seventies and it was all kind of discoee

754
00:44:14,360 --> 00:44:17,080
Speaker 1: and you know, it was all about that kind of

755
00:44:17,560 --> 00:44:21,880
Speaker 1: glossy world, I really became a lot more aware of

756
00:44:21,920 --> 00:44:25,360
Speaker 1: its impact. And I have a lot more respect for

757
00:44:25,440 --> 00:44:27,799
Speaker 1: it now and I spend a lot more time with

758
00:44:27,880 --> 00:44:31,040
Speaker 1: it now with Blake than I would have in the past.

759
00:44:32,160 --> 00:44:36,560
Speaker 1: I think, you know Blake like I do. Like with

760
00:44:36,640 --> 00:44:41,880
Speaker 1: Blake's cloth, I let them kind of go through and

761
00:44:42,000 --> 00:44:43,719
Speaker 1: pull a bunch of stuff and then when I and

762
00:44:43,719 --> 00:44:45,920
Speaker 1: then I can just gonna go through the It's all

763
00:44:45,920 --> 00:44:49,360
Speaker 1: good stuff, so I can't make a mistake. And I'm

764
00:44:49,480 --> 00:44:52,719
Speaker 1: very meticulous about how how he dresses himself, as you

765
00:44:52,760 --> 00:44:55,279
Speaker 1: should be. I think I think it's super important and

766
00:44:55,320 --> 00:44:58,040
Speaker 1: you're right, like I wasn't as aware of it either.

767
00:44:58,200 --> 00:45:01,200
Speaker 1: When I was younger, I didn't appreciate the costume designer

768
00:45:01,360 --> 00:45:05,880
Speaker 1: or there, you know, vision like the character, like his characters.

769
00:45:06,160 --> 00:45:12,279
Speaker 1: I've decided that like my Blake is um pretty much

770
00:45:12,360 --> 00:45:17,320
Speaker 1: a narcissist and um pompous because he just is meticulous

771
00:45:17,320 --> 00:45:20,359
Speaker 1: about how he looks, and you know, like his hair

772
00:45:20,480 --> 00:45:23,880
Speaker 1: is high and his and his tie is always perfect,

773
00:45:23,920 --> 00:45:26,719
Speaker 1: and his cuffs are perfect and everything hangs exactly right,

774
00:45:26,760 --> 00:45:29,320
Speaker 1: and it's fitted, really fitted, and he gets a haircut

775
00:45:29,320 --> 00:45:31,799
Speaker 1: every single week. And you know, it's like he's that

776
00:45:31,840 --> 00:45:35,800
Speaker 1: person he you know, gets manicures. He cares about his appearance.

777
00:45:35,840 --> 00:45:39,160
Speaker 1: There's nothing wrong with that. Yeah, but it's for It's

778
00:45:39,160 --> 00:45:42,400
Speaker 1: not just it's not for it's for him. It's for himself.

779
00:45:43,200 --> 00:45:46,560
Speaker 1: You know. It's well, yes, he knows that this is

780
00:45:46,560 --> 00:45:51,200
Speaker 1: what people see and and it sells, and and it's

781
00:45:51,239 --> 00:45:54,279
Speaker 1: he thinks that he's worth it and he needs other

782
00:45:54,320 --> 00:45:56,600
Speaker 1: people that never at least worth it too. He is

783
00:45:56,640 --> 00:46:02,280
Speaker 1: worth it, damn it. Yeah. You don't really really appreciate

784
00:46:02,280 --> 00:46:05,440
Speaker 1: fashion until you work with a great costume designer. And

785
00:46:07,160 --> 00:46:10,239
Speaker 1: recently I worked with Mandy Line, who did b H

786
00:46:10,360 --> 00:46:13,239
Speaker 1: nine or two one oh for us, and she was

787
00:46:13,440 --> 00:46:16,160
Speaker 1: she was so incredible and just her you know, her

788
00:46:16,239 --> 00:46:18,960
Speaker 1: vision and her passion for it was contagious and it

789
00:46:19,040 --> 00:46:23,239
Speaker 1: really really changed my sort of perspective. So, but was

790
00:46:23,320 --> 00:46:27,160
Speaker 1: there Did you happen to maybe have like a favorite

791
00:46:27,320 --> 00:46:30,160
Speaker 1: fashion moment from this episode, like something that stood out

792
00:46:30,160 --> 00:46:32,800
Speaker 1: to you that represented the nineties or that you hated

793
00:46:32,920 --> 00:46:41,680
Speaker 1: or loved. Yeah, Dylan, Dylan, Dylan was wearing a shirt.

794
00:46:42,320 --> 00:46:45,400
Speaker 1: That's that really stood out to me. Dylan, Wait, I

795
00:46:45,400 --> 00:46:49,800
Speaker 1: get the characters right, yes, Jason right? No, Brandon Brandon,

796
00:46:49,960 --> 00:46:54,200
Speaker 1: Jason Brandon was wearing a shirt. Dylan was all kinds

797
00:46:54,239 --> 00:46:56,440
Speaker 1: of like stuff that was so nighty, and Brandon was

798
00:46:56,440 --> 00:46:59,919
Speaker 1: wearing this shirt with like almost Paisley dots. They weren't paid,

799
00:47:00,160 --> 00:47:04,120
Speaker 1: but they were like, oh my gosh, that was so subtle,

800
00:47:04,160 --> 00:47:08,520
Speaker 1: and it really irritated you know, didn't irritate me that

801
00:47:08,600 --> 00:47:11,560
Speaker 1: I just noticed it. Liked it. Remember when we used

802
00:47:11,600 --> 00:47:14,960
Speaker 1: to wear stuff like that and then and then brand No,

803
00:47:15,200 --> 00:47:19,879
Speaker 1: Dylan was wearing all kinds of like, you know, bad

804
00:47:19,920 --> 00:47:24,399
Speaker 1: boy clothes. Yeah, nineties bad boy. It's funny that that

805
00:47:24,560 --> 00:47:28,239
Speaker 1: shirt stood out to you because you know, notoriously like

806
00:47:28,360 --> 00:47:33,080
Speaker 1: David's character and Steve. Steve's character always wore crazy clothes,

807
00:47:33,120 --> 00:47:35,680
Speaker 1: so this episode, David was wearing like the ad must

808
00:47:35,760 --> 00:47:40,800
Speaker 1: insane polka dotted black man blouse. Yeah, somebody was. Somebody

809
00:47:40,800 --> 00:47:46,600
Speaker 1: also had a a plaid, big billowy plaid shirt tucked

810
00:47:46,600 --> 00:47:51,239
Speaker 1: into kind of billowy pants. Chief. I want to go

811
00:47:51,280 --> 00:47:55,279
Speaker 1: to Steve's characters like it. Oh gosh, it's so good

812
00:47:55,320 --> 00:47:59,600
Speaker 1: the fashion though. Okay, so uh. In honor of our

813
00:48:00,000 --> 00:48:04,200
Speaker 1: amazing writers, we like to kind of quote um. Our

814
00:48:04,239 --> 00:48:07,520
Speaker 1: favorite line from each episode show was, did you have

815
00:48:07,640 --> 00:48:13,400
Speaker 1: a favorite line from want to go Shopping? That's Kelly's

816
00:48:13,400 --> 00:48:16,360
Speaker 1: answer to everything. Yeah, that's who has to go shopping?

817
00:48:16,360 --> 00:48:18,279
Speaker 1: I remember exactly what it was was. It was either

818
00:48:18,440 --> 00:48:20,040
Speaker 1: can we just go shopping? Do you don't you want

819
00:48:20,040 --> 00:48:22,239
Speaker 1: to just go? What? Do you remember what it was? Yeah,

820
00:48:22,320 --> 00:48:24,600
Speaker 1: let's go talk about sex anymore? Can we just go shopping?

821
00:48:24,640 --> 00:48:28,200
Speaker 1: And then she just says something something, and then Kelly says, well,

822
00:48:28,239 --> 00:48:32,120
Speaker 1: what it's good for the economy? Yeah right, she's right,

823
00:48:33,480 --> 00:48:39,920
Speaker 1: just doing her part. I loved okay. Well, another one

824
00:48:39,920 --> 00:48:43,160
Speaker 1: of Kelly's ones manby laugh was um when she's talking

825
00:48:43,440 --> 00:48:47,400
Speaker 1: to Brenda in the Hallway about her mom who her

826
00:48:47,440 --> 00:48:50,359
Speaker 1: mom's dating, and her mom's dating a dentist, and she says,

827
00:48:51,600 --> 00:48:54,560
Speaker 1: whose idea of a good time is a gun massage?

828
00:48:57,040 --> 00:49:01,839
Speaker 1: I missed the actual massage part, like I didn't hear

829
00:49:01,840 --> 00:49:04,680
Speaker 1: it for some reason. I just heard he's a dentist.

830
00:49:04,719 --> 00:49:08,520
Speaker 1: I heard whose idea of a good time is blank? Well,

831
00:49:08,520 --> 00:49:10,680
Speaker 1: he's a dentist. So I had to try to fill

832
00:49:10,719 --> 00:49:14,480
Speaker 1: in myself, and gun massage is one of the things

833
00:49:14,520 --> 00:49:17,880
Speaker 1: I came up with. So really, wow, I don't I

834
00:49:17,880 --> 00:49:22,000
Speaker 1: don't think they exist? Do That is what is a

835
00:49:22,120 --> 00:49:27,279
Speaker 1: gum massage? Doesn't Have you ever gotten a gum massage from?

836
00:49:27,880 --> 00:49:32,520
Speaker 1: Have someone tried to have pushed them away? No? Thank you,

837
00:49:32,640 --> 00:49:38,680
Speaker 1: thank you. Another really cool line from this episode which

838
00:49:38,840 --> 00:49:41,120
Speaker 1: a lot of people remember, and I would be remiss

839
00:49:41,200 --> 00:49:44,120
Speaker 1: not to mention it was a line from Donna and

840
00:49:44,200 --> 00:49:48,359
Speaker 1: she says, it's a long one to brace yourself. If

841
00:49:48,360 --> 00:49:51,279
Speaker 1: you have swimming pool in your backyard, you can tell

842
00:49:51,280 --> 00:49:53,920
Speaker 1: your children not to go in it, You can even

843
00:49:53,960 --> 00:49:56,799
Speaker 1: build a fence around it. But if you know that

844
00:49:56,840 --> 00:49:59,560
Speaker 1: they're going to find a way into that water, don't

845
00:49:59,600 --> 00:50:02,200
Speaker 1: you ink that you ought to teach the kids how

846
00:50:02,239 --> 00:50:06,400
Speaker 1: to swim well and you know, like, yeah, that's probably

847
00:50:06,440 --> 00:50:08,200
Speaker 1: the best line in the in the in the movie,

848
00:50:08,320 --> 00:50:11,240
Speaker 1: in the in the episode, it's like so very true

849
00:50:11,320 --> 00:50:15,080
Speaker 1: and very obvious. It's kind of the whole sums it

850
00:50:15,120 --> 00:50:20,040
Speaker 1: all up. Yes it fits, and you can't really deny it, no,

851
00:50:20,760 --> 00:50:23,040
Speaker 1: because it really was. There was a lot there's a

852
00:50:23,040 --> 00:50:25,000
Speaker 1: lot of good stuff in this episode, but this now

853
00:50:25,160 --> 00:50:28,920
Speaker 1: is the part of the show that always kind of

854
00:50:28,960 --> 00:50:32,759
Speaker 1: makes me cringe a little. Uh. We asked everyone, all

855
00:50:32,800 --> 00:50:35,160
Speaker 1: of our guests to play like a little rapid fire

856
00:50:35,719 --> 00:50:38,439
Speaker 1: kind of thing. Oh no, I'm gonna fail. You saw

857
00:50:38,480 --> 00:50:40,319
Speaker 1: my memories terrible. I was hit on the head as

858
00:50:40,320 --> 00:50:42,319
Speaker 1: a child. It's really really true. This is true. It

859
00:50:42,400 --> 00:50:44,439
Speaker 1: was in a coma. They thought I was gonna die.

860
00:50:44,840 --> 00:50:48,040
Speaker 1: And my memory is as bad as memory can be.

861
00:50:48,480 --> 00:50:50,960
Speaker 1: But go ahead. Oh no, no, no, I can't know.

862
00:50:51,080 --> 00:50:55,000
Speaker 1: I want to talk about your your head injury. That's it.

863
00:50:55,080 --> 00:50:57,799
Speaker 1: I told you. That's the story you got. But what

864
00:50:57,920 --> 00:51:00,480
Speaker 1: hit you in the head? I felt it was OK,

865
00:51:00,600 --> 00:51:02,600
Speaker 1: you get it. It It was probably nineteen let's say it

866
00:51:02,600 --> 00:51:05,560
Speaker 1: was eight years old, was nineteen seventy. I had a shirt.

867
00:51:05,560 --> 00:51:07,320
Speaker 1: I remember the shirt I was wearing. It was purple

868
00:51:07,400 --> 00:51:09,799
Speaker 1: with white doves on it, little white doves all over it,

869
00:51:10,160 --> 00:51:13,320
Speaker 1: and it was puffy sleeve. And I was out playing

870
00:51:13,320 --> 00:51:15,319
Speaker 1: with the kids were it was dust and we were

871
00:51:15,400 --> 00:51:19,880
Speaker 1: running and I got ahead of myself and fell forward.

872
00:51:19,920 --> 00:51:22,560
Speaker 1: You know kids do sometimes they run faster than they

873
00:51:22,600 --> 00:51:24,720
Speaker 1: can run. They get ahead of themselves, and I fell forward.

874
00:51:25,040 --> 00:51:27,239
Speaker 1: And I believe what happened is when I went to

875
00:51:27,280 --> 00:51:30,120
Speaker 1: put my hand out, I stepped on my sleeve. My

876
00:51:30,200 --> 00:51:35,120
Speaker 1: next one what came in step. So I took the

877
00:51:35,160 --> 00:51:39,319
Speaker 1: fall with my forehead and you hit it right back here.

878
00:51:39,520 --> 00:51:43,759
Speaker 1: My skull broke back. Um. And anyway, when they took

879
00:51:43,760 --> 00:51:45,480
Speaker 1: me to the as they were taking me to the hospital,

880
00:51:45,719 --> 00:51:47,319
Speaker 1: I went into a coma and they didn't know what

881
00:51:47,360 --> 00:51:48,719
Speaker 1: was wrong with me. I couldn't figure it out. They

882
00:51:48,719 --> 00:51:50,880
Speaker 1: didn't have m rs back then, they didn't know. And

883
00:51:50,920 --> 00:51:52,880
Speaker 1: it was several days before a specialist came in and

884
00:51:52,960 --> 00:51:56,160
Speaker 1: kind of figured out what had happened. And they thought

885
00:51:56,160 --> 00:51:58,200
Speaker 1: that one of my friends had given me drugs. They

886
00:51:58,200 --> 00:51:59,839
Speaker 1: were like it was they were all over the map.

887
00:52:00,000 --> 00:52:04,319
Speaker 1: I had no idea. That is insane, your poor mom,

888
00:52:06,800 --> 00:52:08,719
Speaker 1: I know. And part of the part of part of

889
00:52:09,120 --> 00:52:11,399
Speaker 1: when I was in the coma, which wasn't I guess

890
00:52:11,440 --> 00:52:13,960
Speaker 1: isn't really time with your comma. I went into like

891
00:52:14,040 --> 00:52:17,960
Speaker 1: this other place where I was violent and I was

892
00:52:18,000 --> 00:52:22,440
Speaker 1: punching and yelling and calling people horrible names and you know,

893
00:52:24,120 --> 00:52:26,520
Speaker 1: just been terrified. They thought I was going to die. Well,

894
00:52:26,560 --> 00:52:31,160
Speaker 1: I'm sure glad you didn't, cheese, and look at you now,

895
00:52:31,360 --> 00:52:34,200
Speaker 1: like you should go see my doctor, doctor Amon and

896
00:52:34,280 --> 00:52:37,600
Speaker 1: get your brain scanned. I would love to do that. Okay,

897
00:52:37,640 --> 00:52:39,400
Speaker 1: I'm gonna set it up to your gran. I'm not kidding.

898
00:52:39,440 --> 00:52:43,960
Speaker 1: He does this great thing. He's in l A and

899
00:52:44,200 --> 00:52:46,080
Speaker 1: he does this great thing called scan my Brain. He

900
00:52:46,160 --> 00:52:49,120
Speaker 1: has people come in and you can do it privately

901
00:52:49,200 --> 00:52:51,279
Speaker 1: or you can do it on his program Scan my Brain.

902
00:52:51,320 --> 00:52:55,719
Speaker 1: But it is fascinating and he will see what the

903
00:52:55,760 --> 00:52:58,640
Speaker 1: impact of that injury had on your brain and how

904
00:52:58,680 --> 00:53:01,359
Speaker 1: that's affecting you now. But then what if he takes

905
00:53:01,360 --> 00:53:03,560
Speaker 1: away my excuse from my bad memory. Maybe it's just

906
00:53:03,800 --> 00:53:08,600
Speaker 1: maybe I'm just you know exactly, well, he'll he'll solidify

907
00:53:08,680 --> 00:53:10,600
Speaker 1: that and then you can still use that excuse, because

908
00:53:10,640 --> 00:53:12,800
Speaker 1: I still use my excuse of my bad memory that

909
00:53:12,840 --> 00:53:16,360
Speaker 1: I got run over by jet Ski. So did you? Yeah?

910
00:53:16,400 --> 00:53:18,359
Speaker 1: And I had my brain skin and he's like, yeah,

911
00:53:18,440 --> 00:53:22,319
Speaker 1: I can see your conuction and I can see the

912
00:53:22,360 --> 00:53:25,040
Speaker 1: impact of it, and he can and he can see

913
00:53:25,040 --> 00:53:27,839
Speaker 1: the brain activity in your brain and where like if

914
00:53:27,840 --> 00:53:31,000
Speaker 1: you're concussion was bad enough, there will be a lack

915
00:53:31,040 --> 00:53:33,319
Speaker 1: of blood flow in your brain and a lack of

916
00:53:33,360 --> 00:53:36,640
Speaker 1: activity which will really inhibit so many things, whether it's

917
00:53:36,640 --> 00:53:39,520
Speaker 1: in your frontal look back like you know, super super

918
00:53:39,560 --> 00:53:43,919
Speaker 1: fascinating brain health. I'm going to give you his contact later,

919
00:53:44,760 --> 00:53:46,759
Speaker 1: which I don't know, no idea when that's going to be.

920
00:53:47,160 --> 00:53:52,560
Speaker 1: I definitely want to see him, definitely, Yes you should. Okay, um, okay,

921
00:53:52,640 --> 00:53:55,640
Speaker 1: rapid fire. Okay, who is your favorite character from Beverly

922
00:53:55,719 --> 00:54:02,640
Speaker 1: Hills nine or two one? Now? Brandon Brandon? Great answer.

923
00:54:03,320 --> 00:54:06,319
Speaker 1: Since Kelly didn't end up on Team Jake, who should

924
00:54:06,360 --> 00:54:08,400
Speaker 1: she have ended up with Team Brandon or Team Dylan.

925
00:54:09,400 --> 00:54:15,200
Speaker 1: I feel like Dylan is more her her guy. Yeah,

926
00:54:15,239 --> 00:54:19,480
Speaker 1: you'd be surprised. There's quite a divide out there on

927
00:54:19,520 --> 00:54:23,480
Speaker 1: this subject. Yeah, people are Team Brandon or Team Dylan.

928
00:54:23,640 --> 00:54:26,839
Speaker 1: So you were killing good to know, Okay, but Jake

929
00:54:26,920 --> 00:54:29,680
Speaker 1: made him. It was Jake. Jake should have like, but

930
00:54:29,840 --> 00:54:31,640
Speaker 1: you were too young for Jake too. So there. You know,

931
00:54:32,000 --> 00:54:36,480
Speaker 1: nowadays you'd probably go to jail. Yeah, definitely, Yeah, you'd

932
00:54:36,480 --> 00:54:40,080
Speaker 1: be and jo. Um. Okay. The last question I think

933
00:54:40,080 --> 00:54:43,000
Speaker 1: I'm gonna ask you is, uh, that's the worst one.

934
00:54:43,040 --> 00:54:50,600
Speaker 1: Ready kissed Mary or kicked to the curb? Would who

935
00:54:50,640 --> 00:54:54,080
Speaker 1: would you marry? And who would you give the he

936
00:54:54,280 --> 00:54:58,120
Speaker 1: ho to? Of the three women on the show, of

937
00:54:58,200 --> 00:55:00,840
Speaker 1: any of the people you could be man, whatever is

938
00:55:00,880 --> 00:55:07,840
Speaker 1: your thing? Whatever? Wow, that makes a little character character. Well, um,

939
00:55:07,880 --> 00:55:13,680
Speaker 1: I don't remember everyone's name. That's okay, I'll help you. Okay, Um,

940
00:55:14,480 --> 00:55:17,920
Speaker 1: give me the girl's names again. Just Kelly, Donna, and

941
00:55:18,040 --> 00:55:28,960
Speaker 1: Kelly Donna, Brenda, Brenda Andrea. So Mary Andrea, Mary, Kelly

942
00:55:29,320 --> 00:55:39,880
Speaker 1: kiss not Andrea, not on Brenda and kicked to the

943
00:55:39,920 --> 00:55:46,399
Speaker 1: curb Steve. Okay, good, but you see you did so good?

944
00:55:47,080 --> 00:55:49,640
Speaker 1: Well you know what I mean. I was on the spot.

945
00:55:49,640 --> 00:55:54,720
Speaker 1: I think I'm up with something. I love everything, Grant.

946
00:55:55,080 --> 00:55:57,960
Speaker 1: It has been so much fun hanging out with you.

947
00:55:58,040 --> 00:56:02,839
Speaker 1: I've really, I genuine only enjoyed our conversations. Me too,

948
00:56:02,840 --> 00:56:06,400
Speaker 1: I really did so when this when I saw the email,

949
00:56:06,400 --> 00:56:10,520
Speaker 1: It's like, great, I get to apologize. That's the first

950
00:56:10,520 --> 00:56:15,000
Speaker 1: thing I thought, and then Secondly, UM think tonight, I'm

951
00:56:15,040 --> 00:56:18,279
Speaker 1: not worrying about it anymore. I forgive you right, you

952
00:56:18,280 --> 00:56:26,440
Speaker 1: can tick that off around. But I really enjoyed Um

953
00:56:26,440 --> 00:56:27,960
Speaker 1: talking to me. I think this is more than we've

954
00:56:27,960 --> 00:56:31,080
Speaker 1: ever spoken to each other ever, and I really enjoyed it.

955
00:56:31,840 --> 00:56:34,279
Speaker 1: I know. Well good, I'm so glad. Thank you. Thank

956
00:56:34,280 --> 00:56:35,840
Speaker 1: you from the bottom of my heart for coming on

957
00:56:35,920 --> 00:56:38,160
Speaker 1: and being my co host. Thank you for inviting me.

958
00:56:39,239 --> 00:56:43,160
Speaker 1: So everyone out there be sure to watch Grant's amazing

959
00:56:43,160 --> 00:56:46,120
Speaker 1: show Dynasty. It's uh Friday nights on the c W.

960
00:56:46,360 --> 00:56:51,560
Speaker 1: Is that right? That's right? Or Netflix? Love it? Everyone,

961
00:56:51,840 --> 00:56:55,400
Speaker 1: here's your homework. Watch next week's episode, Um what is It?

962
00:56:55,440 --> 00:57:01,440
Speaker 1: Season two, episode twenty two, Baby makes five A right? Everybody,

963
00:57:01,520 --> 00:57:05,879
Speaker 1: go out and have a good week. Bye.