WEBVTT - Ep. 436: Getting Revenge with Jack Carr

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<v Speaker 1>If this is the me Eater podcast coming at you, shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear.

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<v Speaker 2>Listeningst you can't predict anything presented by First Light creating

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<v Speaker 2>proven versatile hunting apparel from Marino bass layers to technical outerwear.

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<v Speaker 1>For every hunt, First Light Go Farther, stay longer, Little

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<v Speaker 1>inside scoop here for listeners. Brody was just telling me

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<v Speaker 1>that Brody was just hunting with Hayden Sam. How many

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<v Speaker 1>times has he won trivia three?

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<v Speaker 3>No, he was on a hot streak and it's it's

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<v Speaker 3>been cold for a while.

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<v Speaker 1>Well, yeah, because he was the emerging threat and then

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<v Speaker 1>he became the receiving threat or what was waning champ,

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<v Speaker 1>the waning championing champion. So Brody's telling me a story

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<v Speaker 1>in which in private between me and.

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<v Speaker 3>Brody, so we're gonna talk abouts.

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<v Speaker 1>Have been open. I don't know, yep, because Brody's telling

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<v Speaker 1>me about him overcalling Turkey Hunt. And I just stepped

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<v Speaker 1>outside and he's sitting out there and goes to hey, man,

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<v Speaker 1>talk to you know. I wasn't overcalling. He's gonna be

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<v Speaker 1>So it's like, uh were having a private conversation in there.

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<v Speaker 4>It sounded like I heard it where he was at.

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<v Speaker 1>He's eaves dropping. He's got like a recording device. It's

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<v Speaker 1>like the surveillance state. You know, whould appreciate that, Jack

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<v Speaker 1>car great transition, that.

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<v Speaker 5>Is, I've never had a transition.

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<v Speaker 3>Yeah, what are your opinions on eves dropping?

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<v Speaker 5>You don't like it? Be careful. Yeah, I'm not a

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<v Speaker 5>big fan, but this is probably the most heavily bugged

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<v Speaker 5>room in Bozeman.

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<v Speaker 3>Yeah, that's that's Steve's paranoia as well.

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<v Speaker 5>Uh huh, I get it, I get it. Be careful,

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<v Speaker 5>that's what I say.

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<v Speaker 1>No, what we're gonna I'm gonna ask you a little

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<v Speaker 1>bit about that. Uh, Jack Cars here, New York Times

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<v Speaker 1>best selling author, like multiple times.

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<v Speaker 5>Yeah, all of them now, all of them, all of them. Crazy,

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<v Speaker 5>damn it, man, crazy.

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<v Speaker 1>No, I don't want to have mine. That's a good

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<v Speaker 1>track record, New York Times best selling author. Every time

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<v Speaker 1>a new book out releases on you can order you

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<v Speaker 1>can pre order it now, but releases on May sixteenth only.

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<v Speaker 1>The Dead five other previous titles Terminal list. If you

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<v Speaker 1>guys sit around watching Amazon Prime and you happen to

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<v Speaker 1>see Chris Pratt and a thing called Terminal list that

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<v Speaker 1>is and has been for a long time. That's Jack

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<v Speaker 1>Carr's book that's based off your book now that Jack

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<v Speaker 1>card I was surprised when we had dinner last night.

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<v Speaker 1>Not surprised, but pleased to hear when we had dinner

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<v Speaker 1>last night that you get to be involved in all that. Yeah,

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<v Speaker 1>Like from a writing from a writing standpoint, yeah, becau.

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<v Speaker 5>Usually they get rid of the author right away. They

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<v Speaker 5>don't want the author to be there and on sat

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<v Speaker 5>and see what's going on and start and you ruined

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<v Speaker 5>my vision. And so I like to kind of move

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<v Speaker 5>the author to the side right away and then bring

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<v Speaker 5>the writing team in and get going. But I went

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<v Speaker 5>into it kind of being a kid of the eighties.

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<v Speaker 5>I grew up reading all these thrillers growing up, and

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<v Speaker 5>then watching the movies that were adapted from those books

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<v Speaker 5>and noting the differences and what worked and what didn't,

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<v Speaker 5>but more so realizing that there was gonna be changes

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<v Speaker 5>because you are telling a story now through a different medium.

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<v Speaker 5>You are telling that story visually, so it's going to change.

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<v Speaker 5>And you have a writer's.

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<v Speaker 1>Room and your people are gonna it's gonna be two

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<v Speaker 1>hours long, and.

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<v Speaker 5>It's gonna be this one is six, so sorry eight.

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<v Speaker 5>So every episode is about an hour, so those eight episodes.

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<v Speaker 5>But yeah, you can't tell everything. You have to kind

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<v Speaker 5>of morph things a little bit. You have to add

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<v Speaker 5>to things that weren't in the book. So it's just

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<v Speaker 5>how it goes. But I always thought back when I

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<v Speaker 5>my first conversation with the show runner, who's like in

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<v Speaker 5>series television. He's like the director of a feature film,

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<v Speaker 5>so he's managing multiple directors and he's like the single

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<v Speaker 5>point of contact for all these different things that go

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<v Speaker 5>into making a TV show. We had our first conversation

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<v Speaker 5>in December of twenty nineteen. His name is David Digilio,

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<v Speaker 5>amazing guy, and I think I put him at ease

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<v Speaker 5>by talking about First Blood and how First Blood and

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<v Speaker 5>that came out in nineteen seventy two, it's never been

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<v Speaker 5>out of print since, written by David Morrell, and the

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<v Speaker 5>movie with Syvester Stallone in the early eighties. Those are

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<v Speaker 5>two very different animals, but they're both awesome, but very different.

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<v Speaker 5>So I knew that there was going to be changes,

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<v Speaker 5>and more so it was important to Chris and to

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<v Speaker 5>Antwine and to me was keeping the theme of the book,

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<v Speaker 5>keep in that spirit alive, even if there were going

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<v Speaker 5>to be changes. So that's what we did.

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<v Speaker 1>As as someone who traffics an intrigue and espionage and whatnot.

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<v Speaker 1>You're familiar with John is does he lock Lacar Leacre?

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<v Speaker 5>How does he lare? So it is Lacar Yeah, I

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<v Speaker 5>think so. That's how I've always said it in the

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<v Speaker 5>last almost fifty years.

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<v Speaker 1>He's got a great quote where he said, watching your

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<v Speaker 1>book get made into a movie, this isn't your experience,

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<v Speaker 1>but he said, watching your book get made into a

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<v Speaker 1>movie is like watching an ox turned into a bowllyon cube.

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<v Speaker 5>Interesting, I've not heard him say that one. I've heard

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<v Speaker 5>similar ones, but not in say that those exact words.

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<v Speaker 5>But yeah, he and his have been since the seventies.

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<v Speaker 5>They've been making those into the films and TV shows.

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<v Speaker 5>And but I mean, what an amazing track record that

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<v Speaker 5>guy had. He had a good run, you have a

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<v Speaker 5>solid run, and they'll continue to make his books into

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<v Speaker 5>films and TV shows going forward. I'm sure what E

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<v Speaker 5>was I.

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<v Speaker 1>Going to tell you about? Something about that another film quote. Oh,

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<v Speaker 1>there's a there's a comedy. You're you're with the comedy

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<v Speaker 1>the producers I haven't seen Broadway.

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<v Speaker 5>I know what it is, but I haven't seen it.

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<v Speaker 1>Yeah, there's a line in there where the producers are

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<v Speaker 1>producing and they get so sick of the writer. As

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<v Speaker 1>they're making this play, they get so sick of the writer.

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<v Speaker 1>One of them says, next time, no writers.

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<v Speaker 5>No writers, have to watch it now because now I

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<v Speaker 5>can see how that can happen. But now, I was

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<v Speaker 5>very fortunate the team we put together, starting with Antoine

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<v Speaker 5>Fuqua and Chris Pratt and that show runner David Gillio.

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<v Speaker 5>We put such a solid team together, and now we're

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<v Speaker 5>continuing that into this next spin off, So working on

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<v Speaker 5>those right now, and I'm writing one of those episodes,

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<v Speaker 5>and then we'll go right from that into True Believer,

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<v Speaker 5>which is the second book in the series. So we'll

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<v Speaker 5>just keep keep going. That's great, Fingers crossed. You never know.

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<v Speaker 5>So it's actually on the screen, though, So you can't

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<v Speaker 5>really get too excited till you actually see it on

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<v Speaker 5>the screen because there's so many things that can derail

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<v Speaker 5>throughout the whole process. Sure, So it's uh yeah, And

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<v Speaker 5>so I never really talked even talked about it too

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<v Speaker 5>much until it actually came out, or until until they

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<v Speaker 5>started putting commercials on TV and they put a commercial

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<v Speaker 5>in front of Top Gun Maverick in the theaters for it,

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<v Speaker 5>and uh so when they started doing that, I'm like, Okay,

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<v Speaker 5>I'm pretty certain this is going to come out on

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<v Speaker 5>July first now, But even so, I still, you know,

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<v Speaker 5>still a little nervous until it actually hits screens.

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<v Speaker 1>You got to have a lot of mega fans who

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<v Speaker 1>who are just pissed.

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<v Speaker 5>When you compare Yeah, yeah, that happens.

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<v Speaker 1>That's not what happened, because you.

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<v Speaker 5>Know, I tried to prep as much as I possibly

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<v Speaker 5>could through my podcast and social posts and stuff and

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<v Speaker 5>just kind of prep people, kind of slowly getting them

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<v Speaker 5>used to the idea of it being a little different.

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<v Speaker 5>But still regardless when it comes out, there are those

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<v Speaker 5>people who will take your book, watch the show. This

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<v Speaker 5>was different, that was different, that was different. I hate

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<v Speaker 5>it and that's just gonna gonna happen. Which is what's

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<v Speaker 5>great about the spin off is that there's no book

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<v Speaker 5>to compare it to Yeat, so so it's just creating.

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<v Speaker 5>There's characters that that I've created, but it's a backstory,

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<v Speaker 5>so there's no book about the backstory. So there's nothing

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<v Speaker 5>for someone to sit there and just compare it to

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<v Speaker 5>just looking for something to nitpick or someone looking for

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<v Speaker 5>a reason to hate it, you know, And that's just

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<v Speaker 5>kind of the world we live in today.

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<v Speaker 3>People love backstory. See yes, your position perfectly, wait a

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<v Speaker 3>few years and then be like little little guy growing

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<v Speaker 3>up on the farm.

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<v Speaker 5>There it is.

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<v Speaker 1>Did you know that Michael Man did? Was it like

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<v Speaker 1>after you?

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<v Speaker 6>It's by my bedside?

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<v Speaker 5>It's awesome.

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<v Speaker 1>Yeah, here's like this phenomenal. It's it's it's it's a

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<v Speaker 1>little bit more than a cult classic, but at this

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<v Speaker 1>point has a very like cultish. Yeah, like I make

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<v Speaker 1>a point to watch Heat every two three years.

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<v Speaker 5>Me too.

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<v Speaker 1>But but he's a director, he's not a writer. So

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<v Speaker 1>the fact that he went and wrote this, but is

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<v Speaker 1>it after before?

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<v Speaker 4>It's like a prequel sequel.

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<v Speaker 5>I think, Yeah, it's a great book. Have you ever

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<v Speaker 5>read it yet? It is amazing. Meg Gardner wrote it

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<v Speaker 5>with Michael Mann, and she's an incredible author, and I

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<v Speaker 5>had her on my podcast we talked about it and

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<v Speaker 5>she's just amazing. But the book it exceeded expectations and

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<v Speaker 5>that's hard to do. Moe Heat two. Oh yeah, and

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<v Speaker 5>that the cover looks like the movie poster.

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<v Speaker 7>Essentially, Tarantino did something similar with Once Upon a Time

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<v Speaker 7>in Hollywood. He wrote, he wrote his own novelization of

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<v Speaker 7>this movie, but he added scenes and changed dialogue and

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<v Speaker 7>made it a little bit different, like it's kind of fun.

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<v Speaker 5>Yeah, novelizations used to be a big, big thing in

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<v Speaker 5>the eighties into the nineties. So you read a book

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<v Speaker 5>based on a screenplay, but it kind of fell out

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<v Speaker 5>out of favor here.

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<v Speaker 1>It seems aspect for sure.

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<v Speaker 5>Man. Yeah, there's so. David Morrell wrote a novelization based

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<v Speaker 5>on the screenplay for Rambo First Blood Part two and

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<v Speaker 5>for Rambo three, and they're fantastic, They're really good. And

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<v Speaker 5>they at least Rambo First Blood Part two made the

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<v Speaker 5>New York Times list for quite a few weeks when

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<v Speaker 5>it came out in conjunction with the movie in eighteen

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<v Speaker 5>eighty five. And yeah, David Morrel is just something incredible talent,

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<v Speaker 5>amazing guy. I'm proud to call him a friend now,

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<v Speaker 5>just honor to know him. But yeah, so we did

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<v Speaker 5>those novelizations and I'm collecting them. Actually, that's why I'm

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<v Speaker 5>so up on the novelization. So I'm collecting the old

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<v Speaker 5>ones from the eighties that I've that I had back

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<v Speaker 5>then that I've kind of misplaced over the years. So

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<v Speaker 5>I'm collecting all those novelizations and some that I didn't

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<v Speaker 5>know existed.

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<v Speaker 3>That's cool. Yeah, So my buddies and I still on

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<v Speaker 3>occasion say I just wanted a cup of coffee from

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<v Speaker 3>Rambow first.

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<v Speaker 5>He was just looking for something, to just look for something.

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<v Speaker 7>That's what it is.

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<v Speaker 5>Yeah, I put I put a little nod to uh

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<v Speaker 5>will teasel in this upcoming novel and only the Dead.

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<v Speaker 5>So for for fans such as yourself, you'll be reading

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<v Speaker 5>through it and be like, so I try to throw

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<v Speaker 5>a few things in there. This one I through, Like

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<v Speaker 5>fans of Magnum will recognize in all my books, I

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<v Speaker 5>throw a little something in there. They're pretty subtle. So

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<v Speaker 5>I get those in there. This one, I have some

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<v Speaker 5>Magnum stuff in there. It's all very subtle. Bond stuff

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<v Speaker 5>in there, lethal weapon in there, and First Blood there. Yeah,

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<v Speaker 5>you have. You have to be on your toes though,

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<v Speaker 5>you know, it's not just it's not it's not doesn't

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<v Speaker 5>say the thing and then say from the movie First

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<v Speaker 5>Blood or anything like that. It's just it's just woven

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<v Speaker 5>in and to the fabric for for people that pretty

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<v Speaker 5>much the Preey grew up in the eighties. Excellent, Yeah,

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<v Speaker 5>I love it.

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<v Speaker 1>We're gonna in a little bit, we're gonna talk about

0:10:20.880 --> 0:10:22.840
<v Speaker 1>how your mom was a library and which I love.

0:10:23.280 --> 0:10:23.480
<v Speaker 6>Yeah.

0:10:23.960 --> 0:10:26.679
<v Speaker 5>Yeah, it all starts with books. All started with books.

0:10:26.960 --> 0:10:29.839
<v Speaker 1>Uh, speaking of show business and books. God, man, it's

0:10:29.840 --> 0:10:32.559
<v Speaker 1>another great transition. Did you catch that I did?

0:10:32.600 --> 0:10:33.160
<v Speaker 5>That was smooth?

0:10:33.200 --> 0:10:36.400
<v Speaker 1>Speaking of show business? Or so here's here's a little show.

0:10:37.400 --> 0:10:44.079
<v Speaker 1>Here's a little show business lesson for you. When when

0:10:44.120 --> 0:10:46.240
<v Speaker 1>I sold my books a Random House, like, they buy

0:10:46.400 --> 0:10:48.800
<v Speaker 1>world rights to the book, and so they can then

0:10:49.000 --> 0:10:54.280
<v Speaker 1>sell they can then sell the audio rights to someone else.

0:10:54.360 --> 0:10:58.040
<v Speaker 1>And a long time ago, a decade ago, they weren't

0:10:58.040 --> 0:11:00.960
<v Speaker 1>doing a bunch of audio. Audio just wasn't what it

0:11:01.000 --> 0:11:04.720
<v Speaker 1>is now, so they I think. So when I sold

0:11:05.240 --> 0:11:07.720
<v Speaker 1>me Eater Ventures from the Life of an American Hunter

0:11:08.160 --> 0:11:12.240
<v Speaker 1>to Random House, they turned around and sold the audio

0:11:12.360 --> 0:11:18.240
<v Speaker 1>rights to Brilliance and had some I mean, man, you know,

0:11:18.240 --> 0:11:21.640
<v Speaker 1>I don't know, if he's listening, probably is a feller.

0:11:23.000 --> 0:11:25.200
<v Speaker 1>They get someone to read it and it's just not

0:11:25.440 --> 0:11:29.440
<v Speaker 1>how it's it just it's wrong, it's immoral. But they

0:11:29.480 --> 0:11:31.360
<v Speaker 1>got someone to read it, but they only had the

0:11:31.400 --> 0:11:34.720
<v Speaker 1>audio rights for ten years, so we just got back

0:11:34.800 --> 0:11:36.720
<v Speaker 1>the audio rights, so I was able to go. This

0:11:36.760 --> 0:11:40.000
<v Speaker 1>happened with my Buffalo book too. A decade went by

0:11:40.160 --> 0:11:43.800
<v Speaker 1>and I was able to get back my publisher got

0:11:43.920 --> 0:11:46.559
<v Speaker 1>back the audio rights, and then I a couple of

0:11:46.600 --> 0:11:51.240
<v Speaker 1>weeks ago, went back into the studio and read ten

0:11:51.320 --> 0:11:53.920
<v Speaker 1>years later, Wow, my own damn book.

0:11:54.559 --> 0:11:55.520
<v Speaker 5>Did you learn anything?

0:11:56.520 --> 0:11:59.520
<v Speaker 1>Oh, that's what I'm gonna get to, a lot of things,

0:11:59.559 --> 0:12:01.360
<v Speaker 1>like I had a lot of like not a lot,

0:12:01.480 --> 0:12:03.960
<v Speaker 1>like opinions I had that I don't really have anymore,

0:12:04.360 --> 0:12:08.680
<v Speaker 1>or opinions I had that were accentuated that that just

0:12:08.720 --> 0:12:11.200
<v Speaker 1>have gotten more complicated. And when I did my Buffalo book,

0:12:11.240 --> 0:12:15.240
<v Speaker 1>there was there was stuff. There was like scientific understandings

0:12:15.280 --> 0:12:20.439
<v Speaker 1>about about from like genetics work, stuff about the first Americans,

0:12:21.880 --> 0:12:27.400
<v Speaker 1>stuff about when waves of animal migrations came and how

0:12:27.440 --> 0:12:30.680
<v Speaker 1>things died out and didn't just had just changed and

0:12:30.760 --> 0:12:37.320
<v Speaker 1>became like objectively different. And I fixed some of the

0:12:37.360 --> 0:12:41.040
<v Speaker 1>objectively different things. But yeah, and reading it, there's everything.

0:12:41.080 --> 0:12:42.480
<v Speaker 1>So I'm like, I don't know if I'd put it

0:12:42.520 --> 0:12:45.760
<v Speaker 1>that way now, but we're going to tack on to

0:12:45.840 --> 0:12:48.080
<v Speaker 1>the end of this episode, We're gonna tack on a

0:12:48.240 --> 0:12:52.920
<v Speaker 1>chapter of it's just gonna be like glued right on

0:12:53.000 --> 0:12:55.000
<v Speaker 1>to the end of the show. We're gonna tack on

0:12:55.120 --> 0:12:58.640
<v Speaker 1>a chapter of a book I wrote a long time

0:12:58.679 --> 0:13:02.960
<v Speaker 1>ago and just recorded the audio now. And if you

0:13:02.960 --> 0:13:04.840
<v Speaker 1>want to go find that audio book, I don't know,

0:13:04.920 --> 0:13:06.640
<v Speaker 1>can you put a link in there? Or yeah, if

0:13:06.640 --> 0:13:08.520
<v Speaker 1>you want to go find the whole audiobook and pick

0:13:08.559 --> 0:13:10.320
<v Speaker 1>it up, go find the whole audiobook and you listen

0:13:10.320 --> 0:13:14.680
<v Speaker 1>to the whole damn thing. If you don't like to read. Also,

0:13:14.760 --> 0:13:17.600
<v Speaker 1>at the end of the show, just transitions, keep coming man.

0:13:18.120 --> 0:13:20.400
<v Speaker 1>Also at the end of the show, we put so

0:13:20.480 --> 0:13:24.960
<v Speaker 1>there's a song a lot of love and hate? Is

0:13:25.000 --> 0:13:28.040
<v Speaker 1>it mostly hatred?

0:13:28.400 --> 0:13:31.199
<v Speaker 6>There's some love, there's some not knowing what the hell

0:13:31.280 --> 0:13:34.720
<v Speaker 6>it is, There's some like this is awful.

0:13:35.320 --> 0:13:38.920
<v Speaker 1>Musicians. Is a musician, Christopher Denny. I understand he has

0:13:38.960 --> 0:13:40.720
<v Speaker 1>a he likes to pull a cork.

0:13:40.880 --> 0:13:43.600
<v Speaker 6>This is about our new outro song.

0:13:44.120 --> 0:13:46.160
<v Speaker 1>I understand likes the pull of cork, and I understand

0:13:46.160 --> 0:13:48.120
<v Speaker 1>he's got it. He's had a lot of uh. He

0:13:48.320 --> 0:13:50.080
<v Speaker 1>likes to party.

0:13:50.160 --> 0:13:52.600
<v Speaker 7>Steve, I've noticed a lot of your favorite musicians have

0:13:52.679 --> 0:13:54.840
<v Speaker 7>like crippling drug or alcohol addiction.

0:13:55.040 --> 0:13:58.439
<v Speaker 1>That's very true. Yeah, I don't know why as someone

0:13:58.440 --> 0:14:04.200
<v Speaker 1>who doesn't, I don't know why. Uh yeah, likes the party.

0:14:04.240 --> 0:14:06.760
<v Speaker 1>That's a euphemism for like to you know, like to

0:14:06.880 --> 0:14:11.360
<v Speaker 1>party as a Houston vism for likes to do. Yeah,

0:14:11.360 --> 0:14:12.800
<v Speaker 1>I don't know where he's at on it right now.

0:14:13.240 --> 0:14:17.200
<v Speaker 1>Christopher Danny. One day we had a podcast episode where

0:14:17.440 --> 0:14:19.840
<v Speaker 1>we like argued about a thing way too.

0:14:19.680 --> 0:14:23.680
<v Speaker 6>Long that's probably not the the only and it was.

0:14:23.640 --> 0:14:26.240
<v Speaker 1>Like someone there was a comment like, you'd like beat

0:14:26.280 --> 0:14:30.440
<v Speaker 1>the horse to death. There's a Christopher Danny song where

0:14:30.440 --> 0:14:33.440
<v Speaker 1>in the end of the song he says, we've done

0:14:33.600 --> 0:14:37.600
<v Speaker 1>beat this horse to death. It's time to ride on.

0:14:39.560 --> 0:14:41.600
<v Speaker 1>And I wanted to glue it onto the end of

0:14:41.600 --> 0:14:43.920
<v Speaker 1>that episode but never got around to it. It's not

0:14:43.960 --> 0:14:46.560
<v Speaker 1>it's glued onto the end of every episode.

0:14:47.480 --> 0:14:48.520
<v Speaker 5>Somehow seems appropriate.

0:14:49.560 --> 0:14:54.800
<v Speaker 6>Yet we still beat dead horses into the underworld.

0:14:55.080 --> 0:14:56.760
<v Speaker 1>So if you're listening at the end of the show

0:14:56.800 --> 0:15:00.320
<v Speaker 1>and you're annoyed by Chris Danny, who my kids feel

0:15:00.440 --> 0:15:04.120
<v Speaker 1>is a woman, but it's not.

0:15:04.400 --> 0:15:05.840
<v Speaker 4>Is it just a clip or the whole song?

0:15:05.880 --> 0:15:08.240
<v Speaker 1>Oh, it's a clips. The end of his song ride

0:15:08.280 --> 0:15:10.520
<v Speaker 1>on it's about having beat a horse to death.

0:15:10.800 --> 0:15:12.280
<v Speaker 4>I wonder if that song is going to get a

0:15:12.280 --> 0:15:13.320
<v Speaker 4>bump on Spotify.

0:15:14.160 --> 0:15:18.800
<v Speaker 1>Uh, I would suggest people go listen to the whole album.

0:15:19.000 --> 0:15:27.920
<v Speaker 1>If the Roses don't kill us.

0:15:21.880 --> 0:15:24.760
<v Speaker 5>Mhm, local how do you?

0:15:24.880 --> 0:15:26.840
<v Speaker 1>How do you? Guys? I don't know about them. I

0:15:26.880 --> 0:15:28.960
<v Speaker 1>just found out about them, probably on Spotify. I don't

0:15:29.000 --> 0:15:31.200
<v Speaker 1>know how I found out about Christopher Danny. You ever

0:15:31.200 --> 0:15:32.160
<v Speaker 1>a hundred alligators?

0:15:32.600 --> 0:15:32.800
<v Speaker 5>I have?

0:15:33.320 --> 0:15:34.080
<v Speaker 1>Oh? I have?

0:15:34.320 --> 0:15:36.680
<v Speaker 5>Yeah? Where'd you hunt hey in Texas?

0:15:36.800 --> 0:15:37.120
<v Speaker 3>Okay?

0:15:37.200 --> 0:15:39.640
<v Speaker 5>Yeah, yeah, it was a little a little while ago,

0:15:39.840 --> 0:15:41.960
<v Speaker 5>but uh yeah, about ten years ago now, I guess.

0:15:42.120 --> 0:15:44.840
<v Speaker 5>But yeah, it was an interesting experience. It was quite

0:15:44.880 --> 0:15:45.840
<v Speaker 5>an interesting experience.

0:15:46.120 --> 0:15:50.240
<v Speaker 1>I appreciate this. A few episodes ago, on an episode

0:15:50.280 --> 0:15:54.840
<v Speaker 1>titled Wrestling Gators, we had a crocodilian biologist on a

0:15:54.840 --> 0:15:57.760
<v Speaker 1>lot of folks rode in and I said, the bio.

0:15:57.880 --> 0:16:00.200
<v Speaker 1>You know, biologists always like very measured. They don't want

0:16:00.240 --> 0:16:04.040
<v Speaker 1>to say stuff that isn't for positive And I said, man,

0:16:04.240 --> 0:16:06.880
<v Speaker 1>our listeners are gonna have a lot of comments that

0:16:06.960 --> 0:16:12.200
<v Speaker 1>would begin with shit, right like shit. He doesn't know

0:16:12.240 --> 0:16:13.800
<v Speaker 1>what he's talking about. So I said, if you got

0:16:13.840 --> 0:16:17.120
<v Speaker 1>any if you have a lot of comments that begin

0:16:17.240 --> 0:16:21.880
<v Speaker 1>with shit send them to us, a number of them.

0:16:21.960 --> 0:16:25.240
<v Speaker 1>I'm a bit disappointed at a crock biologist didn't have

0:16:25.320 --> 0:16:27.760
<v Speaker 1>a good answer for how to easily tell the difference

0:16:28.240 --> 0:16:31.640
<v Speaker 1>between the crock and an alligator. It's really quite easy.

0:16:32.440 --> 0:16:35.320
<v Speaker 1>One will see you later, the other after a while.

0:16:36.360 --> 0:16:46.360
<v Speaker 3>But embarrassed really.

0:16:45.200 --> 0:16:46.600
<v Speaker 1>Even included many.

0:16:46.560 --> 0:16:48.520
<v Speaker 5>The alligator experience though for me, wasn't more. It was

0:16:48.640 --> 0:16:56.240
<v Speaker 5>less hunting and more fishing and execution. That hook, yeah,

0:16:56.360 --> 0:16:59.880
<v Speaker 5>that was the one on jugs with the chicking, this

0:17:00.080 --> 0:17:01.880
<v Speaker 5>sitting out in the sun for a while, you know

0:17:01.920 --> 0:17:04.119
<v Speaker 5>that sort of a So I was just kind of

0:17:04.200 --> 0:17:07.360
<v Speaker 5>just observing. I hadn't done that that before, so it's interesting.

0:17:07.560 --> 0:17:10.360
<v Speaker 3>I know a few folks on the Floorida side that

0:17:10.720 --> 0:17:15.760
<v Speaker 3>have an area where where alligators like the sun, and

0:17:15.800 --> 0:17:19.439
<v Speaker 3>they'll slip up on them with and half of them

0:17:19.520 --> 0:17:23.560
<v Speaker 3>hunt with recurves and and stick them on the beach.

0:17:23.680 --> 0:17:25.880
<v Speaker 5>No kidding, Yeah, I think I gotta be a little

0:17:25.960 --> 0:17:26.600
<v Speaker 5>more sporting.

0:17:26.760 --> 0:17:30.159
<v Speaker 3>Perhaps it feels a little more like the hunting than

0:17:30.200 --> 0:17:30.760
<v Speaker 3>the fish house.

0:17:32.200 --> 0:17:34.359
<v Speaker 4>So you know, how are they killing him fast enough

0:17:34.359 --> 0:17:35.560
<v Speaker 4>with a boat to like get the.

0:17:35.960 --> 0:17:39.120
<v Speaker 1>Probably hit him with a bang stick once they get

0:17:39.160 --> 0:17:40.600
<v Speaker 1>him in. It's like bowtfish and rig.

0:17:41.280 --> 0:17:43.879
<v Speaker 3>I know it's not a boat fishing, but they're just

0:17:43.920 --> 0:17:46.240
<v Speaker 3>whacking them in the back of the head from what

0:17:46.280 --> 0:17:50.240
<v Speaker 3>I understand. No, sounds like a mediater episode. Bro go

0:17:50.400 --> 0:17:50.800
<v Speaker 3>check it out.

0:17:52.880 --> 0:17:54.399
<v Speaker 1>Sounds like I was going to write in an email

0:17:55.320 --> 0:17:56.920
<v Speaker 1>exactly exactly.

0:17:56.920 --> 0:17:58.280
<v Speaker 4>I'd like to know more details.

0:17:58.440 --> 0:18:02.520
<v Speaker 1>Well, I really not not putting a rope onto him.

0:18:02.640 --> 0:18:04.879
<v Speaker 3>No, but I mean, you know they also they do

0:18:05.080 --> 0:18:10.480
<v Speaker 3>like the spin of death and stuff like that. I imagine. Yeah,

0:18:10.520 --> 0:18:12.960
<v Speaker 3>there's there's technique behind all of it. The people who

0:18:13.000 --> 0:18:13.840
<v Speaker 3>do it, well.

0:18:13.640 --> 0:18:15.320
<v Speaker 5>A couple of people just got munched in the last week.

0:18:15.400 --> 0:18:19.320
<v Speaker 5>Then yes they did that well guy and the guy And.

0:18:19.280 --> 0:18:24.400
<v Speaker 3>The only thing that makes golf courses intriguing to me exactly.

0:18:24.000 --> 0:18:26.960
<v Speaker 1>The senior citizen goud is. Last week a senior citizen

0:18:26.960 --> 0:18:30.159
<v Speaker 1>got his leg tore off when they showed up. The

0:18:30.160 --> 0:18:31.720
<v Speaker 1>alligator sought his foot in his mouth.

0:18:31.880 --> 0:18:32.480
<v Speaker 3>Golf course.

0:18:33.240 --> 0:18:34.920
<v Speaker 1>There's another thing that I don't want to talk about

0:18:34.920 --> 0:18:36.800
<v Speaker 1>because it involves kids and that kind of stuff I

0:18:36.800 --> 0:18:41.199
<v Speaker 1>don't like to talk about. Uh. On that episode, we

0:18:41.200 --> 0:18:46.560
<v Speaker 1>were talking about indigenous uses for alligators, and the listener

0:18:46.600 --> 0:18:49.080
<v Speaker 1>wrote in that when he was at Texas Tech University.

0:18:49.119 --> 0:18:53.280
<v Speaker 1>He worked on a project about the karen Kawa Indians

0:18:53.280 --> 0:18:58.440
<v Speaker 1>from East Texas and West Louisiana. They used gator fat

0:18:58.440 --> 0:18:59.960
<v Speaker 1>as a repellent, mosquito repellent.

0:19:00.760 --> 0:19:01.200
<v Speaker 5>Interesting.

0:19:01.240 --> 0:19:03.560
<v Speaker 1>They'd render it down and spread it over their bodies

0:19:03.840 --> 0:19:09.080
<v Speaker 1>and European explorers would comment that you could smell them

0:19:09.680 --> 0:19:14.480
<v Speaker 1>quite a ways off because of that gator fat. Here's

0:19:14.480 --> 0:19:23.440
<v Speaker 1>a crazy one they had. So for whatever reason, the

0:19:23.440 --> 0:19:33.520
<v Speaker 1>they have these gator These crocodile mummies from Egypt, okay,

0:19:35.920 --> 0:19:37.879
<v Speaker 1>which I had no idea. So you have thousands of

0:19:37.960 --> 0:19:42.719
<v Speaker 1>year old crocodile mummies and they were doing them with

0:19:42.760 --> 0:19:46.080
<v Speaker 1>CT scans in twenty ten. And here they're looking at

0:19:46.080 --> 0:19:49.720
<v Speaker 1>a thousands of year old crocodile mummy with a CT

0:19:49.880 --> 0:19:52.800
<v Speaker 1>scan and he's got a fishing hook in his gut.

0:19:54.160 --> 0:19:56.840
<v Speaker 3>Oh that's amazing. Yeah, I love that.

0:19:57.400 --> 0:20:00.560
<v Speaker 1>And there's pictures of crocodile mummies. They're crazy looking beautiful.

0:20:01.240 --> 0:20:03.119
<v Speaker 4>They didn't say what the hook was made out of.

0:20:03.480 --> 0:20:06.800
<v Speaker 1>You know, that's where the email just if that person's listening,

0:20:06.880 --> 0:20:09.040
<v Speaker 1>that's where the email really fell short.

0:20:09.119 --> 0:20:11.639
<v Speaker 4>Because it's like it makes it sound like it's like

0:20:11.680 --> 0:20:15.360
<v Speaker 4>a modern looking metal fish hook. Kind of an old

0:20:15.359 --> 0:20:19.119
<v Speaker 4>ass hook, I know, but like it says, we notice

0:20:19.160 --> 0:20:21.119
<v Speaker 4>a perfect fish hook, but I like, I don't know

0:20:21.160 --> 0:20:21.960
<v Speaker 4>what that means.

0:20:22.000 --> 0:20:24.840
<v Speaker 1>Like like he felt, I don't want to criticize him,

0:20:24.840 --> 0:20:29.840
<v Speaker 1>but since you brought it up, yeah, listener, pull it together.

0:20:31.280 --> 0:20:33.280
<v Speaker 3>He he it's a deep barbed circle hook.

0:20:33.440 --> 0:20:36.200
<v Speaker 1>He acknowledges that he didn't include he includes a picture

0:20:36.240 --> 0:20:39.280
<v Speaker 1>of their crocodile mummy. But does he acknowledges not including

0:20:39.280 --> 0:20:40.080
<v Speaker 1>a picture of the hook.

0:20:41.000 --> 0:20:45.040
<v Speaker 3>Yes, yeah, you'd think it'd be bone, yeah, something, depending

0:20:45.080 --> 0:20:47.320
<v Speaker 3>on how old it is. But I said, iron edge.

0:20:47.760 --> 0:20:51.479
<v Speaker 1>I said this to Crind the other day. Just this

0:20:51.560 --> 0:21:02.919
<v Speaker 1>defies understanding a Texas dairy farm. Yeah, okay, it defies understanding.

0:21:04.320 --> 0:21:09.640
<v Speaker 1>Eighteen thousand dairy cows.

0:21:10.400 --> 0:21:11.160
<v Speaker 5>I'll repeat that.

0:21:12.000 --> 0:21:17.240
<v Speaker 1>Eighteen thousand dairy cows killed in an explosion at a

0:21:17.280 --> 0:21:18.160
<v Speaker 1>Texas dairy farm.

0:21:19.200 --> 0:21:22.399
<v Speaker 6>And that's about twenty percent of cattle slaughtered in this

0:21:22.480 --> 0:21:25.080
<v Speaker 6>country on any given day.

0:21:26.320 --> 0:21:29.359
<v Speaker 3>Yeah, it's the largest like loss of cattle life since

0:21:29.880 --> 0:21:32.359
<v Speaker 3>like the Galveston hurricane or something like that. Or no,

0:21:32.440 --> 0:21:32.879
<v Speaker 3>I think it is.

0:21:32.880 --> 0:21:33.600
<v Speaker 6>Even more than that.

0:21:33.680 --> 0:21:41.960
<v Speaker 1>Eighteen thousand stinky, I don't even know what to say,

0:21:42.160 --> 0:21:43.400
<v Speaker 1>I'm not gonna say anything.

0:21:44.320 --> 0:21:45.359
<v Speaker 6>During a hard time.

0:21:45.640 --> 0:21:50.840
<v Speaker 1>I told that Doug Darren carcases. I told the Doug,

0:21:51.600 --> 0:21:55.840
<v Speaker 1>to which Doug said, well, why would you have eighteen

0:21:55.880 --> 0:22:04.160
<v Speaker 1>thousand cows together? Anyways, Wolverine sighting four times outside of Portland,

0:22:04.160 --> 0:22:06.080
<v Speaker 1>Oregon for the first time in three decades. I have

0:22:06.200 --> 0:22:08.199
<v Speaker 1>a feeling they're seeing the same wolverine.

0:22:09.040 --> 0:22:11.640
<v Speaker 6>They think so, but then for the fourth time, they're

0:22:11.680 --> 0:22:13.679
<v Speaker 6>not sure. I think that it is.

0:22:14.440 --> 0:22:18.240
<v Speaker 1>Thirty years goes by, no wolverine, and then all of

0:22:18.280 --> 0:22:20.600
<v Speaker 1>a sudden there's four outside of Portland.

0:22:21.440 --> 0:22:21.520
<v Speaker 5>No.

0:22:21.640 --> 0:22:24.520
<v Speaker 6>They I mean they think it's probably the same, the

0:22:24.560 --> 0:22:25.639
<v Speaker 6>same one going around.

0:22:26.400 --> 0:22:29.800
<v Speaker 1>Nike and Puma to stop using kangaroo leather or if

0:22:29.800 --> 0:22:31.600
<v Speaker 1>that company. Remember when I was a little kid, they

0:22:31.640 --> 0:22:33.320
<v Speaker 1>had a shoe company called Ruse.

0:22:33.560 --> 0:22:33.800
<v Speaker 5>Yeah.

0:22:33.840 --> 0:22:35.440
<v Speaker 4>Man, they had the little pocket hocket.

0:22:35.920 --> 0:22:37.520
<v Speaker 1>Are they fixing the stop? I don't even Maybe they

0:22:37.560 --> 0:22:38.600
<v Speaker 1>never did use kangaro I.

0:22:38.560 --> 0:22:42.200
<v Speaker 4>Think they're called Ruse because of the pocket, not because

0:22:42.200 --> 0:22:42.680
<v Speaker 4>of leather.

0:22:42.880 --> 0:22:44.960
<v Speaker 1>Oh, they're phasing it out by the end of twenty

0:22:45.000 --> 0:22:47.439
<v Speaker 1>twenty three. I don't know. You know, I take anything

0:22:47.480 --> 0:22:49.840
<v Speaker 1>like this like I take anything. I don't like anything

0:22:49.880 --> 0:22:50.080
<v Speaker 1>like this.

0:22:51.400 --> 0:22:55.800
<v Speaker 3>Well, there's a massive population issue with with kangaroos, like

0:22:55.880 --> 0:23:00.840
<v Speaker 3>they breed like crazy, and that these are like free

0:23:00.960 --> 0:23:04.359
<v Speaker 3>range animals, not farmed animals that they're rounding up. So

0:23:04.480 --> 0:23:07.560
<v Speaker 3>it's like whoa who's going to pay for taking care

0:23:07.600 --> 0:23:09.040
<v Speaker 3>of the over a London.

0:23:09.119 --> 0:23:11.199
<v Speaker 1>So I shouldn't conclude that, And we've talked about that

0:23:11.200 --> 0:23:13.879
<v Speaker 1>in the past, as they kill absurd numbers of kangaroos

0:23:13.880 --> 0:23:15.439
<v Speaker 1>every year as agricultural control.

0:23:16.240 --> 0:23:18.639
<v Speaker 3>Yeahs control is and somebody else is paying to have

0:23:18.720 --> 0:23:19.280
<v Speaker 3>it done.

0:23:19.680 --> 0:23:23.720
<v Speaker 1>So Oregon, Oregon. This comes after the introduction of a

0:23:23.760 --> 0:23:26.560
<v Speaker 1>bill in mid January and Oregon, where Nike is headquartered,

0:23:26.560 --> 0:23:28.359
<v Speaker 1>that would ban the sale of any part of a

0:23:28.400 --> 0:23:30.960
<v Speaker 1>dead kangaroo or any product containing a part of a

0:23:31.000 --> 0:23:35.080
<v Speaker 1>dead kangaroo. The punishment would include up to a year

0:23:35.080 --> 0:23:40.000
<v Speaker 1>in prison, a six and fifty dollars fine, or both.

0:23:45.640 --> 0:23:48.320
<v Speaker 1>There's also a bipartisan bill that was introduced in the

0:23:48.320 --> 0:23:52.280
<v Speaker 1>House of Representatives, the Kangaroo Protection Act.

0:23:52.920 --> 0:23:54.680
<v Speaker 4>My god, Yeah, it seems like.

0:23:56.280 --> 0:23:58.440
<v Speaker 5>They got other things they could be focusing on here.

0:23:58.880 --> 0:24:02.120
<v Speaker 3>No, they have everything else apped up. Everything else is perfect,

0:24:02.280 --> 0:24:05.159
<v Speaker 3>so now they get to focus on the nitpicky stuff.

0:24:05.240 --> 0:24:09.840
<v Speaker 1>Yes, the global commercial kangaroo product industry was worth roughly

0:24:09.840 --> 0:24:13.159
<v Speaker 1>two hundred million dollars annually to Australia. The US was

0:24:13.200 --> 0:24:15.520
<v Speaker 1>its second largest global market at eighty.

0:24:15.320 --> 0:24:18.879
<v Speaker 6>Million twenty twenty one figures more or less. But was

0:24:19.000 --> 0:24:23.760
<v Speaker 6>kind of staggering is that the government estimated the Australian

0:24:23.800 --> 0:24:29.280
<v Speaker 6>government estimated that there were forty two point seven million

0:24:29.400 --> 0:24:33.600
<v Speaker 6>kangaroos for twenty six million Australians.

0:24:35.320 --> 0:24:39.520
<v Speaker 3>And you get a kangaroo, and you get a kangaroo. Yeah,

0:24:39.600 --> 0:24:40.600
<v Speaker 3>here's learning so much.

0:24:40.720 --> 0:24:42.080
<v Speaker 5>This is great. I'm learning so much.

0:24:42.320 --> 0:24:47.879
<v Speaker 1>Here's who all has ditched k leather Versace's how you

0:24:47.920 --> 0:24:53.040
<v Speaker 1>pronounce that? For sach, Diane von Furstenberg not sound like

0:24:53.080 --> 0:24:57.320
<v Speaker 1>a thing that I would buy a Diane von Furstenburg.

0:24:58.000 --> 0:24:58.840
<v Speaker 1>That sounds like a person.

0:24:58.960 --> 0:25:00.359
<v Speaker 4>Sounds like a Nazi Allien.

0:25:00.960 --> 0:25:03.080
<v Speaker 1>It sounds like someone who It sounds like someone who

0:25:03.200 --> 0:25:04.639
<v Speaker 1>inherited a lot of money.

0:25:05.560 --> 0:25:06.520
<v Speaker 3>If your name.

0:25:06.440 --> 0:25:09.240
<v Speaker 1>Is von Furstenberg, you probably just get money.

0:25:09.600 --> 0:25:10.280
<v Speaker 5>I thought it was.

0:25:10.240 --> 0:25:13.200
<v Speaker 1>Like like no, no, no, no, no, hold hear me out.

0:25:13.520 --> 0:25:15.520
<v Speaker 1>My last name is von Furstenberg.

0:25:16.400 --> 0:25:19.520
<v Speaker 3>You know the maybe cord manufacturer.

0:25:19.920 --> 0:25:27.560
<v Speaker 1>Uh, Victoria Beckham, Salvator Farragamo and Paul Smith that just

0:25:27.560 --> 0:25:31.639
<v Speaker 1>seems like your you're h vat guy Paul Smith, all

0:25:31.680 --> 0:25:36.959
<v Speaker 1>have gone unlike Salvator Farra Gamo and Diane von Fursusberg.

0:25:37.040 --> 0:25:44.000
<v Speaker 1>Even Paul Smith has gone k free, k leather free.

0:25:44.560 --> 0:25:47.760
<v Speaker 4>I wonder if how many of those people are associated

0:25:47.760 --> 0:25:48.640
<v Speaker 4>with Pete as well.

0:25:48.760 --> 0:25:50.639
<v Speaker 5>I'm a sleep better tonight knowing all.

0:25:50.480 --> 0:25:53.600
<v Speaker 1>This, this is the last thing. This is the last

0:25:53.600 --> 0:25:54.520
<v Speaker 1>thing Jack, I know.

0:25:55.040 --> 0:25:55.679
<v Speaker 5>Takeing notes.

0:25:57.880 --> 0:25:59.680
<v Speaker 1>This is hot off, this is hot off the press

0:25:59.680 --> 0:26:02.080
<v Speaker 1>because I just okay, So I was just in Wisconsin.

0:26:02.800 --> 0:26:06.200
<v Speaker 1>I think from my fourth annual spring for my fourth

0:26:06.240 --> 0:26:10.840
<v Speaker 1>annual the fourth annual time I've taken my kids two

0:26:10.920 --> 0:26:14.439
<v Speaker 1>Wisconsin hunt turkeys, but the third annual youth turkey season,

0:26:15.800 --> 0:26:22.960
<v Speaker 1>in which my older boy, who already thinks he's invincible,

0:26:24.440 --> 0:26:26.719
<v Speaker 1>I catch like a turk. I see a strutter coming

0:26:26.960 --> 0:26:29.240
<v Speaker 1>and it's like he's not gonna get closer. And I

0:26:29.240 --> 0:26:33.240
<v Speaker 1>see a strutter coming, and I just compute my head

0:26:33.240 --> 0:26:35.119
<v Speaker 1>that it's pretty far away. But we have like a

0:26:35.960 --> 0:26:38.720
<v Speaker 1>you know, we got a good turkey choke iron sights

0:26:39.320 --> 0:26:44.399
<v Speaker 1>spend a lot of time patterning the gun. Uh, and

0:26:44.440 --> 0:26:46.200
<v Speaker 1>I already know it's like a stretch.

0:26:45.920 --> 0:26:47.400
<v Speaker 5>And I'm like shot him, shoot, shoot him.

0:26:47.840 --> 0:26:50.399
<v Speaker 1>So by the time he gets around to getting everything

0:26:50.440 --> 0:26:52.640
<v Speaker 1>lined up and shoots and the turkey just goes down.

0:26:52.680 --> 0:26:55.240
<v Speaker 1>But I stand up and that turkey is way out there.

0:26:57.160 --> 0:27:01.000
<v Speaker 1>I pasted off. That turkey was seventy yards way what

0:27:01.240 --> 0:27:03.840
<v Speaker 1>oh wow. So I would have never if I'd known that.

0:27:04.400 --> 0:27:06.359
<v Speaker 1>I stood up and this turkey is like a spec

0:27:09.359 --> 0:27:12.040
<v Speaker 1>He got lucky. So now he's like, I'm gonna start

0:27:12.080 --> 0:27:14.720
<v Speaker 1>taking all the He's got the shell and he wants

0:27:14.760 --> 0:27:16.639
<v Speaker 1>to put the beard in the shell. He's like, I'm

0:27:16.640 --> 0:27:18.280
<v Speaker 1>going to write the distance on the shell.

0:27:18.280 --> 0:27:18.640
<v Speaker 5>And I'm.

0:27:21.119 --> 0:27:25.560
<v Speaker 1>Nice. Anyhow, spring Turkey Wisconsin two days long, and you

0:27:25.600 --> 0:27:27.520
<v Speaker 1>can get boned by the weather, like two days. You

0:27:27.520 --> 0:27:30.120
<v Speaker 1>can have two days of bad weather. So as I'm there,

0:27:30.200 --> 0:27:32.879
<v Speaker 1>I realized that there's this thing. I asked Dirk, and

0:27:32.920 --> 0:27:36.360
<v Speaker 1>do it. Pat Dirkin to explain this a little bit. Okay,

0:27:36.480 --> 0:27:46.680
<v Speaker 1>ready for this, I am ready. Wisconsin had Okay, Wisconsin

0:27:46.720 --> 0:27:49.199
<v Speaker 1>has a peculiar way. Okay, here here's how to get

0:27:49.200 --> 0:27:51.400
<v Speaker 1>into this. If you listen, you remember we were talking

0:27:51.400 --> 0:27:53.480
<v Speaker 1>about how how it was put to sort of like

0:27:53.560 --> 0:27:57.119
<v Speaker 1>a public vote of sorts to determine whether you'd be

0:27:57.160 --> 0:28:01.240
<v Speaker 1>able to start spearing nor the in Wisconsin. I was

0:28:01.280 --> 0:28:03.560
<v Speaker 1>surprised that you can't spare northerns in Wisconsin, but you

0:28:03.600 --> 0:28:07.680
<v Speaker 1>cannot spear northerns in Wisconsin, the thinking being I guess

0:28:08.200 --> 0:28:13.640
<v Speaker 1>that people will accidentally spear muskies. Pat Diurkin points out,

0:28:13.720 --> 0:28:16.360
<v Speaker 1>how can you be trusted to hit ducks flying through

0:28:16.400 --> 0:28:21.600
<v Speaker 1>the air and know what they are in the rain

0:28:21.680 --> 0:28:27.159
<v Speaker 1>and sleep. You're trusted to identify flying ducks, but you

0:28:27.200 --> 0:28:29.119
<v Speaker 1>can't be trusted to look down a hole in the

0:28:29.119 --> 0:28:34.760
<v Speaker 1>ice and identify a Northern and a muskie, which is

0:28:34.800 --> 0:28:37.240
<v Speaker 1>a great point. I think that you could trust people

0:28:37.320 --> 0:28:40.800
<v Speaker 1>to do this, and I was surprised by how Wisconsin

0:28:41.000 --> 0:28:44.560
<v Speaker 1>sets these things. And there's a thing called I don't

0:28:44.560 --> 0:28:46.520
<v Speaker 1>want to criticize it before I even explain it, but

0:28:46.560 --> 0:28:51.880
<v Speaker 1>there's a thing called Aldo Leopold's Worst Idea. Some people

0:28:51.960 --> 0:28:53.960
<v Speaker 1>know it as but there's a thing called the Wisconsin

0:28:54.040 --> 0:29:00.520
<v Speaker 1>Conservation Congress. It consists of five elected men members from

0:29:00.520 --> 0:29:03.240
<v Speaker 1>each county, so there are seventy two members in all

0:29:03.400 --> 0:29:06.880
<v Speaker 1>of Doug duran is one of these from Richland County.

0:29:06.960 --> 0:29:09.160
<v Speaker 1>He is one of Richland Counties, our very own Doug

0:29:09.240 --> 0:29:14.920
<v Speaker 1>Durren is one of Richland County's citizen representatives. Everyone listening

0:29:14.960 --> 0:29:17.600
<v Speaker 1>could learn a lesson from Doug. Many lessons from Doug Durren.

0:29:19.960 --> 0:29:22.240
<v Speaker 1>What you shouldn't pick up from Doug is the idea

0:29:22.280 --> 0:29:25.040
<v Speaker 1>that it makes sense to drive around listening to Grateful

0:29:25.080 --> 0:29:31.360
<v Speaker 1>Dead concerts on satellite radio. That is a bad idea

0:29:31.440 --> 0:29:36.680
<v Speaker 1>of Dougs. Most everything else that Doug says is good. Doug,

0:29:36.880 --> 0:29:41.320
<v Speaker 1>instead of sitting around bitching and moaning about the fishing

0:29:41.480 --> 0:29:45.680
<v Speaker 1>game laws in the DNR, Doug gets in there and

0:29:46.000 --> 0:29:50.560
<v Speaker 1>gets in there always. If there's like a public comment period,

0:29:50.600 --> 0:29:54.240
<v Speaker 1>he makes a public comment. He's on a citizens advisory panel.

0:29:54.480 --> 0:29:59.000
<v Speaker 1>He's on the deer Citizens Advisory Panel. If he's mad,

0:29:59.760 --> 0:30:01.920
<v Speaker 1>he be mad. He's got a right to be mad

0:30:02.240 --> 0:30:05.400
<v Speaker 1>because he got in there and got involved.

0:30:05.240 --> 0:30:08.440
<v Speaker 3>And he's constantly harassed by people who do nothing but

0:30:08.640 --> 0:30:10.560
<v Speaker 3>bitch and don't do any of these things.

0:30:10.760 --> 0:30:11.040
<v Speaker 1>Yep.

0:30:11.680 --> 0:30:17.320
<v Speaker 4>But the idea behind this board is they're tackling issues

0:30:17.360 --> 0:30:19.840
<v Speaker 4>and then they take what they think to the Game Commission,

0:30:19.880 --> 0:30:23.240
<v Speaker 4>who should then implement these suggestions.

0:30:23.720 --> 0:30:24.000
<v Speaker 1>Yep.

0:30:24.200 --> 0:30:26.680
<v Speaker 5>So which they may or may not do.

0:30:26.880 --> 0:30:30.120
<v Speaker 1>Yeah, it's such a peculiar way to handle things. I'm

0:30:30.120 --> 0:30:31.800
<v Speaker 1>gonna I'm gonna dig in a little bit. Dirk can

0:30:31.920 --> 0:30:34.840
<v Speaker 1>kind of explain it. The Wisconsin already said that. So

0:30:34.880 --> 0:30:39.560
<v Speaker 1>it's got five elected members from each county, So seventy

0:30:39.560 --> 0:30:43.040
<v Speaker 1>two and all is that possible? Could something times five

0:30:43.200 --> 0:30:52.040
<v Speaker 1>be seventy two? Someone's lying or someone died. The WCC

0:30:52.120 --> 0:30:55.200
<v Speaker 1>holds a joint hearing each April with the Department of

0:30:55.280 --> 0:31:01.400
<v Speaker 1>Natural Resources to propose changes improvements to hunting, fishing, and

0:31:01.440 --> 0:31:05.440
<v Speaker 1>trapping rules, and other conservation matters, air, water and other

0:31:05.520 --> 0:31:13.920
<v Speaker 1>environmental issues. This year's ballot, so the Congress puts together questions.

0:31:15.160 --> 0:31:17.800
<v Speaker 1>The questions then go to a public vote so they

0:31:17.800 --> 0:31:21.120
<v Speaker 1>can sort of ascertain how the public feels about certain

0:31:21.160 --> 0:31:25.840
<v Speaker 1>fishing game issues. This year's ballot had seventy six questions,

0:31:27.200 --> 0:31:31.360
<v Speaker 1>thirty eight fish and wildlife rule changes, and thirty eight

0:31:31.520 --> 0:31:36.280
<v Speaker 1>WCC advisory questions. To become a state rule, a citizen's

0:31:36.360 --> 0:31:39.840
<v Speaker 1>proposal must go through a five step process, so on,

0:31:39.760 --> 0:31:41.840
<v Speaker 1>on and on. I'm going to get to the main

0:31:41.920 --> 0:31:45.640
<v Speaker 1>part of this. So it's interesting because you can take

0:31:45.680 --> 0:31:49.920
<v Speaker 1>these little you can take these ideas and put them

0:31:50.080 --> 0:31:55.120
<v Speaker 1>like very nuanced fishing game ideas and put them to

0:31:55.200 --> 0:31:57.360
<v Speaker 1>a public opinion and It's interesting because you can start

0:31:57.400 --> 0:32:00.320
<v Speaker 1>getting idea of what the public thinks about stuff. Since

0:32:00.360 --> 0:32:07.520
<v Speaker 1>we talked about we talked about the spearfishing thing in Wisconsin.

0:32:07.520 --> 0:32:10.400
<v Speaker 1>Should you be able to spear northern through the ice?

0:32:14.520 --> 0:32:20.880
<v Speaker 1>Here's the here's the results. Yes. Three and forty three

0:32:20.880 --> 0:32:28.440
<v Speaker 1>wisconsinights said you should. No. Three thousand, three hundred and

0:32:28.480 --> 0:32:32.400
<v Speaker 1>fifty five said no, So it got beat by a

0:32:32.520 --> 0:32:36.520
<v Speaker 1>narrow margin and no opinion. Three thousand, five hundred and

0:32:36.520 --> 0:32:41.320
<v Speaker 1>two had no opinion. So they had ten thousand wisconsinights

0:32:41.480 --> 0:32:46.000
<v Speaker 1>weighed in on their opinion about this, and so I

0:32:46.320 --> 0:32:49.960
<v Speaker 1>think this has a low likelihood of advancing. Now here's

0:32:49.960 --> 0:32:53.720
<v Speaker 1>an interesting way to measure public sentiment. There's a two

0:32:53.800 --> 0:32:58.200
<v Speaker 1>day youth dear season. They put that to a vote.

0:32:58.240 --> 0:32:59.920
<v Speaker 1>Should we expand it to four days?

0:33:01.560 --> 0:33:02.320
<v Speaker 5>Youth deer?

0:33:02.640 --> 0:33:05.640
<v Speaker 1>Should we expand youth e to four Doug was Doug

0:33:05.800 --> 0:33:09.560
<v Speaker 1>was imagining the people down there who are opposed. If

0:33:09.600 --> 0:33:13.760
<v Speaker 1>the kids are gonna hunt, I'm gonna hunt, And that

0:33:14.080 --> 0:33:19.840
<v Speaker 1>is true. Should youth deer season be four days instead

0:33:19.880 --> 0:33:23.960
<v Speaker 1>of two Yes, three thousand, four hundred and ninety two

0:33:24.880 --> 0:33:29.560
<v Speaker 1>forty four percent No, three thousand, six hundred and forty

0:33:29.640 --> 0:33:34.880
<v Speaker 1>nine or forty six percent no opinion, eight hundred and

0:33:34.880 --> 0:33:40.320
<v Speaker 1>twenty five. A lot more people had an opinion, but

0:33:40.440 --> 0:33:43.040
<v Speaker 1>it got shot down. Now this is the last one

0:33:43.040 --> 0:33:45.800
<v Speaker 1>we're gonna touch on, because here's how nuanced it is.

0:33:46.800 --> 0:33:51.280
<v Speaker 1>How about youth turkey season? Should we move that from

0:33:51.280 --> 0:33:57.880
<v Speaker 1>two days to four? Yes? Four? Eight hundred and seventy two,

0:33:58.200 --> 0:34:03.760
<v Speaker 1>now eight hundred and fifty five. So there's some bit

0:34:03.800 --> 0:34:09.120
<v Speaker 1>where you're like, ah, turkeys, sure, dear, uh.

0:34:09.120 --> 0:34:13.600
<v Speaker 5>Huh, these kids are gonna get them all.

0:34:13.920 --> 0:34:15.840
<v Speaker 1>This is this so just a little glimpse into the

0:34:15.840 --> 0:34:21.759
<v Speaker 1>psychology of of and and and you'll like, here's the thing.

0:34:21.920 --> 0:34:24.400
<v Speaker 1>When it comes to wildlife management, people are always in

0:34:24.560 --> 0:34:30.640
<v Speaker 1>myself included Rise ridiculing ballot box biology, right like, leave

0:34:30.680 --> 0:34:34.560
<v Speaker 1>it to the professionals. Leave it to the professionals. And

0:34:34.600 --> 0:34:38.080
<v Speaker 1>it shouldn't go to votes, right like reintroducing wolves in Colorado.

0:34:38.160 --> 0:34:39.920
<v Speaker 1>You shouldn't put that to a vote. Leave it to

0:34:39.960 --> 0:34:44.920
<v Speaker 1>the professionals. But here, I don't know, there's like an

0:34:44.960 --> 0:34:47.200
<v Speaker 1>elegance to it. But I but I think it should

0:34:47.200 --> 0:34:51.279
<v Speaker 1>be taken as a It's part of a process, it's

0:34:51.320 --> 0:34:53.640
<v Speaker 1>part of a step. It's not the end all be

0:34:53.760 --> 0:34:56.360
<v Speaker 1>all It's not like they just vote in everything. But

0:34:56.400 --> 0:34:59.719
<v Speaker 1>when you go to set the law, uh, it gives

0:34:59.760 --> 0:35:03.359
<v Speaker 1>you who as a law makes through the process, it's

0:35:03.400 --> 0:35:05.600
<v Speaker 1>like an interesting to get a sense of public opinion.

0:35:06.560 --> 0:35:10.080
<v Speaker 3>Absolutely, And like when we talk about making scientific management,

0:35:10.719 --> 0:35:13.520
<v Speaker 3>the assumption is is like, well, that scientific management is

0:35:13.600 --> 0:35:17.640
<v Speaker 3>going to be on behalf of the hunting community, right,

0:35:17.760 --> 0:35:22.279
<v Speaker 3>But often that scientific management takes into account the hunting perspective,

0:35:22.640 --> 0:35:26.759
<v Speaker 3>but also like the rangeland ecology perspective of all these

0:35:26.840 --> 0:35:33.400
<v Speaker 3>ranchers out there with animals on state ground and on

0:35:33.560 --> 0:35:38.680
<v Speaker 3>public ground that borders state, WMAs, et cetera, and how

0:35:38.760 --> 0:35:42.320
<v Speaker 3>they are going to be affected by those deer elk

0:35:43.040 --> 0:35:47.000
<v Speaker 3>populations as well. So, and everybody's a voter.

0:35:47.440 --> 0:35:50.320
<v Speaker 4>Well, part of making the rules is keeping you know,

0:35:50.520 --> 0:35:54.160
<v Speaker 4>people happy and interested and out in the field.

0:35:54.000 --> 0:35:59.279
<v Speaker 3>Too, providing opportunity. What is opportunity? Quality? Opportunity is a huge,

0:35:59.680 --> 0:36:00.440
<v Speaker 3>huge phrase.

0:36:01.320 --> 0:36:04.080
<v Speaker 1>My view on that youth Turkey deal, which I'm following

0:36:04.160 --> 0:36:07.000
<v Speaker 1>closely and I have really leaned on Doug to push

0:36:07.080 --> 0:36:10.839
<v Speaker 1>on that hard, is that I think it comes down

0:36:10.880 --> 0:36:13.879
<v Speaker 1>to who's got kids. I was just kidding, I got kids.

0:36:13.920 --> 0:36:15.879
<v Speaker 1>So I'm a super big supporter if I didn't have kids,

0:36:15.880 --> 0:36:20.080
<v Speaker 1>I'd be like, screw those kids. And then but as

0:36:20.120 --> 0:36:22.719
<v Speaker 1>soon as it'll get enacted as twenty twenty five, so

0:36:23.040 --> 0:36:25.239
<v Speaker 1>we're still gonna be well, we're still gonna be weather

0:36:25.360 --> 0:36:40.000
<v Speaker 1>vulnerable next year. So your mom was a librarian, yeahs

0:36:42.160 --> 0:36:44.840
<v Speaker 1>transitions speak is a library.

0:36:45.120 --> 0:36:47.040
<v Speaker 5>Yeah. Before we get to that, though, did you see

0:36:47.160 --> 0:36:49.839
<v Speaker 5>that the wolves in northern California? Have you seen that yet?

0:36:50.239 --> 0:36:52.759
<v Speaker 3>I know about them, Yeah, just migrating through Do they

0:36:52.800 --> 0:36:58.560
<v Speaker 3>have an established breeding I don't know, shafts.

0:36:58.320 --> 0:37:01.120
<v Speaker 5>Yeah, yeah, exactly, Yeah, trail cams catching them.

0:37:01.800 --> 0:37:08.480
<v Speaker 3>There's plenty of good interesting I interviewed a very very

0:37:08.600 --> 0:37:14.560
<v Speaker 3>nice lady who runs of a big operation. I apologize

0:37:14.560 --> 0:37:16.520
<v Speaker 3>if you're listening. I can't remember your name, but they

0:37:16.600 --> 0:37:19.600
<v Speaker 3>do a lot of like the noxious weed mitigation with

0:37:20.160 --> 0:37:24.040
<v Speaker 3>sheep and goats, and they had one of the wolves

0:37:24.080 --> 0:37:26.480
<v Speaker 3>that came through a few years ago knocked out some

0:37:26.640 --> 0:37:30.200
<v Speaker 3>of their some of theirstation crew a few years.

0:37:30.000 --> 0:37:31.319
<v Speaker 5>Ago in California. Yeah, oh wow.

0:37:31.640 --> 0:37:35.640
<v Speaker 1>Yeah, they've been like for a while. Yeah, probably, I

0:37:35.640 --> 0:37:38.960
<v Speaker 1>don't know, probably originating from that Frank church group.

0:37:39.800 --> 0:37:43.480
<v Speaker 3>Yeah, it got into Oregon, California. Yeah, probably.

0:37:43.600 --> 0:37:47.600
<v Speaker 1>Yeah, it's hard to I don't picture California firing up

0:37:47.600 --> 0:37:53.160
<v Speaker 1>a wolf season anytime soon. Maybe people surprise you that,

0:37:54.400 --> 0:37:56.920
<v Speaker 1>oh man, this is gone too far.

0:37:57.000 --> 0:37:58.719
<v Speaker 5>And in your book if you can your book though,

0:37:58.760 --> 0:38:00.719
<v Speaker 5>by the way, when you read it, have you read

0:38:00.719 --> 0:38:02.040
<v Speaker 5>the other ones? Or was this the first time you've

0:38:02.080 --> 0:38:05.160
<v Speaker 5>read the full I've read three, you've read three, but one.

0:38:05.280 --> 0:38:05.800
<v Speaker 1>You're good at it.

0:38:05.840 --> 0:38:07.440
<v Speaker 5>You seem like you'd be good at it, just from

0:38:07.640 --> 0:38:10.960
<v Speaker 5>reading right here, because I only read the new forward

0:38:11.160 --> 0:38:13.440
<v Speaker 5>to a new edition of the Terminal List. So I

0:38:13.560 --> 0:38:16.520
<v Speaker 5>wrote about So it's a new one about how the

0:38:16.880 --> 0:38:19.359
<v Speaker 5>show came to be and how I got to dance one.

0:38:19.480 --> 0:38:21.080
<v Speaker 5>So it's the one with Chris Pratt on the cover,

0:38:21.120 --> 0:38:22.680
<v Speaker 5>and we put in some pictures from the from the

0:38:22.760 --> 0:38:24.120
<v Speaker 5>show in there and stuff like that to make a

0:38:24.160 --> 0:38:27.120
<v Speaker 5>special limited edition thing. And instead of Ray Porter, who's

0:38:27.160 --> 0:38:29.560
<v Speaker 5>my narrator, reading that, we decided I do it. So

0:38:29.960 --> 0:38:32.520
<v Speaker 5>I ran the cord into the closet and the house

0:38:32.560 --> 0:38:34.440
<v Speaker 5>and I put a bunch of clothes on hangers everywhere

0:38:34.520 --> 0:38:38.080
<v Speaker 5>until it sounded okay. So had the direction you know

0:38:38.120 --> 0:38:40.480
<v Speaker 5>what I'm talking about? Yeah, it looked very similar to this.

0:38:41.280 --> 0:38:41.800
<v Speaker 3>That's the direction.

0:38:44.760 --> 0:38:46.760
<v Speaker 1>Exactly what it was Jack's close.

0:38:46.920 --> 0:38:51.440
<v Speaker 4>Yeah exactly, you use like a trained voice actor for yours.

0:38:51.680 --> 0:38:54.560
<v Speaker 5>Yeah, yeah, so Ray Porter, he's a he's an amazing guy,

0:38:54.640 --> 0:38:57.960
<v Speaker 5>Shakespeare trained actor who does it because you're because it's

0:38:58.040 --> 0:38:59.480
<v Speaker 5>like it's like accidents.

0:38:59.680 --> 0:39:02.279
<v Speaker 1>Really, it's like a thriller too though, so it's got

0:39:02.360 --> 0:39:04.720
<v Speaker 1>to have like it's got to be a delivery exactly.

0:39:05.920 --> 0:39:09.600
<v Speaker 4>He had felt that a like a flunky soap opera actor.

0:39:09.440 --> 0:39:12.200
<v Speaker 5>Had read one of his books, not that I felt

0:39:12.280 --> 0:39:16.480
<v Speaker 5>I know, that's fantastic, but it was hard. I mean,

0:39:16.520 --> 0:39:19.160
<v Speaker 5>it was only like five pages, maybe six, and I

0:39:19.239 --> 0:39:22.200
<v Speaker 5>hadn't written it years ago. I had written it days ago,

0:39:22.600 --> 0:39:25.360
<v Speaker 5>and I'm reading it and it was difficult. So I

0:39:25.560 --> 0:39:27.600
<v Speaker 5>now I have. I had an appreciation for Ray and

0:39:27.600 --> 0:39:30.239
<v Speaker 5>all those guys who do this narration, but now I

0:39:30.400 --> 0:39:32.719
<v Speaker 5>even appreciate it even more. And they have to do

0:39:32.760 --> 0:39:34.600
<v Speaker 5>those accents too. I'm just reading my own voice, my

0:39:34.680 --> 0:39:37.160
<v Speaker 5>own words, just setting up what's coming and how the

0:39:37.320 --> 0:39:40.040
<v Speaker 5>show came to be and everything. And that was difficult

0:39:40.360 --> 0:39:43.000
<v Speaker 5>enough for whatever reason. But now now so now when

0:39:43.000 --> 0:39:45.080
<v Speaker 5>I'm writing, I think about, oh, I should probably put

0:39:45.120 --> 0:39:47.920
<v Speaker 5>the accent, the Russian accent up front instead of mentioning

0:39:47.960 --> 0:39:50.320
<v Speaker 5>it like halfway down the page. So he has to

0:39:50.400 --> 0:39:52.640
<v Speaker 5>now go back and like part Russian accent in with

0:39:53.040 --> 0:39:56.719
<v Speaker 5>a hint of this or that, so you know, it's uh, yeah,

0:39:57.120 --> 0:39:59.640
<v Speaker 5>the German from with the Berlin accent or whatever that

0:39:59.719 --> 0:40:01.239
<v Speaker 5>sort of thing. So he has to go figure with

0:40:01.400 --> 0:40:04.240
<v Speaker 5>what that is. Better to let him know upfront, But anyway,

0:40:04.239 --> 0:40:06.239
<v Speaker 5>it was difficult. So anyway, I was just curious if

0:40:06.239 --> 0:40:09.160
<v Speaker 5>you had written read all your books out loud like that.

0:40:09.400 --> 0:40:11.400
<v Speaker 1>Yeah, and I used to. Yeah, I used to not

0:40:11.520 --> 0:40:15.440
<v Speaker 1>be allowed to, but now you know, now I'm allowed to. Hey,

0:40:15.719 --> 0:40:17.759
<v Speaker 1>I like, I don't like doing it, but love, I mean,

0:40:17.760 --> 0:40:19.000
<v Speaker 1>I don't you get a sore of throat?

0:40:19.520 --> 0:40:21.800
<v Speaker 5>Yeah, that's long, he said about he said it was

0:40:21.840 --> 0:40:24.800
<v Speaker 5>about double. So if it's a fourteen hour read fourteen

0:40:24.840 --> 0:40:27.239
<v Speaker 5>hour book, it's about double that what it took him

0:40:27.640 --> 0:40:30.399
<v Speaker 5>to actually read it and actually do it, so about

0:40:30.440 --> 0:40:30.879
<v Speaker 5>thirty hour.

0:40:30.960 --> 0:40:31.160
<v Speaker 1>Deal.

0:40:31.520 --> 0:40:33.840
<v Speaker 6>Does he read it at the pace that we hear it?

0:40:33.960 --> 0:40:38.440
<v Speaker 6>Because I heard the prologue of your new book, But

0:40:38.760 --> 0:40:42.360
<v Speaker 6>does he read at the pace that we hear it?

0:40:42.600 --> 0:40:46.120
<v Speaker 6>Or is there any kind of good messing with you know,

0:40:46.480 --> 0:40:47.400
<v Speaker 6>just just think.

0:40:47.280 --> 0:40:49.279
<v Speaker 5>It's the cadence that he in some people's speed books

0:40:49.360 --> 0:40:51.920
<v Speaker 5>up just to get through them faster, which is kind

0:40:51.960 --> 0:40:53.800
<v Speaker 5>of don't know, kind of strange if you're listening to

0:40:53.840 --> 0:40:56.000
<v Speaker 5>accents and all that sort of thing, and the dramatic

0:40:56.080 --> 0:40:58.400
<v Speaker 5>pauses and all that. But I think he read he

0:40:58.560 --> 0:41:00.440
<v Speaker 5>likes to read it. He just goes, he said, he

0:41:00.560 --> 0:41:02.040
<v Speaker 5>just like skims it a tiny bit, just kind of

0:41:02.080 --> 0:41:03.960
<v Speaker 5>get the feel, and then he reads it for the

0:41:04.000 --> 0:41:07.359
<v Speaker 5>first time recording, so that you're hearing it the way

0:41:07.400 --> 0:41:10.719
<v Speaker 5>you would read it for the first time. So yeah,

0:41:10.800 --> 0:41:13.000
<v Speaker 5>it's not practiced yet. I think other different narrators do

0:41:13.080 --> 0:41:15.239
<v Speaker 5>different things, but that's the way. The way he does

0:41:15.280 --> 0:41:17.319
<v Speaker 5>it probably saves a little bit of time as well,

0:41:17.480 --> 0:41:19.160
<v Speaker 5>rather than reading a whole thing and then going back.

0:41:19.520 --> 0:41:21.799
<v Speaker 5>But but yeah, I try to give him the acronyms,

0:41:21.920 --> 0:41:25.279
<v Speaker 5>you know, so it's not you see n O d's capitalized,

0:41:27.000 --> 0:41:29.040
<v Speaker 5>you say n O ds, but it's really nods, you know,

0:41:29.120 --> 0:41:31.200
<v Speaker 5>things like that instead a J S O C would

0:41:31.200 --> 0:41:33.120
<v Speaker 5>be jaysack like that. That's sort of a sort of

0:41:33.160 --> 0:41:35.960
<v Speaker 5>a thing. So yeah, there's always those those types of

0:41:36.000 --> 0:41:38.400
<v Speaker 5>things come up as well. But it's tough. I mean,

0:41:38.440 --> 0:41:41.280
<v Speaker 5>that's that's serious business. Being a narrator reading all these books.

0:41:41.280 --> 0:41:43.520
<v Speaker 5>That's a lot of hours in a room by yourself

0:41:43.719 --> 0:41:47.080
<v Speaker 5>just for reading. I don't know. But more, I mean,

0:41:47.239 --> 0:41:49.160
<v Speaker 5>he does a great job, so it's good, more than

0:41:49.160 --> 0:41:51.600
<v Speaker 5>happy that to have him doing it rather than me.

0:41:51.920 --> 0:41:54.480
<v Speaker 1>I like, how you don't disparage You don't like to

0:41:54.560 --> 0:41:56.000
<v Speaker 1>disparage the people you work with.

0:41:57.360 --> 0:42:01.560
<v Speaker 5>I haven't had the cause. Really, Yeah, I pick up

0:42:01.600 --> 0:42:03.399
<v Speaker 5>on that man in a different round.

0:42:05.880 --> 0:42:08.799
<v Speaker 1>I'll be like, man, Phil just does a phenomenal job.

0:42:10.440 --> 0:42:14.840
<v Speaker 5>Hayden calls just the right amount, the perfect amount.

0:42:14.880 --> 0:42:16.600
<v Speaker 1>Hey, I want to go back farther than I do.

0:42:16.680 --> 0:42:18.080
<v Speaker 1>Want to get to your mom being a library, but

0:42:18.120 --> 0:42:22.440
<v Speaker 1>I want to go back farther than that. Uh. We

0:42:22.520 --> 0:42:24.960
<v Speaker 1>took a little walk last night, we did. You're uh

0:42:26.200 --> 0:42:28.960
<v Speaker 1>your grandfather was killed off Okinawan World War two.

0:42:29.239 --> 0:42:32.080
<v Speaker 5>Yeah, yeah, nineteen forty five. Never met his kid, never

0:42:32.200 --> 0:42:34.799
<v Speaker 5>met I never met my dad. So we grew up.

0:42:35.080 --> 0:42:36.680
<v Speaker 5>He grew up with the same things that I grew

0:42:36.760 --> 0:42:38.400
<v Speaker 5>up with from my grandfather, which were those photos of

0:42:38.480 --> 0:42:40.000
<v Speaker 5>him with his plane. He threw the course air which

0:42:40.040 --> 0:42:41.839
<v Speaker 5>is a cooling that had the gold wings that you'd

0:42:41.880 --> 0:42:44.520
<v Speaker 5>fold up like that put on aircraft carriers, and there

0:42:44.600 --> 0:42:46.200
<v Speaker 5>was a show in the late seventies and I caught

0:42:46.239 --> 0:42:47.920
<v Speaker 5>it in syndication with my dad in the early eighties

0:42:47.920 --> 0:42:50.719
<v Speaker 5>called Black Sheep Squadron based off Happy Point and had

0:42:50.960 --> 0:42:52.759
<v Speaker 5>Robert Conrad playing Pappy Point. And I think I had

0:42:52.800 --> 0:42:54.840
<v Speaker 5>a lot of my leadership traits from that show. He

0:42:55.000 --> 0:42:58.360
<v Speaker 5>was just a drinker and a fighter and it was awesome.

0:42:58.480 --> 0:43:00.920
<v Speaker 5>I loved it. I thought, that's you. But yeah, it

0:43:00.960 --> 0:43:04.160
<v Speaker 5>was perfect. Yeah, exactly. That's how you settle things. You

0:43:04.560 --> 0:43:06.319
<v Speaker 5>settle it with your fists outside and you go out

0:43:06.360 --> 0:43:08.400
<v Speaker 5>and then shoot down a bunch of Japanese zeros and

0:43:08.640 --> 0:43:11.080
<v Speaker 5>have a few beers. And I was like, that's awesome,

0:43:11.160 --> 0:43:13.680
<v Speaker 5>That's what I'm gonna do. But I knew it was

0:43:13.719 --> 0:43:16.680
<v Speaker 5>just kind of in my blood to join the military,

0:43:16.880 --> 0:43:19.760
<v Speaker 5>follow his footsteps into the military. I had those those photos.

0:43:19.800 --> 0:43:23.080
<v Speaker 5>I had his his marine aviator wings. I had the

0:43:23.320 --> 0:43:25.399
<v Speaker 5>silk maps they used to give aviators back then, because

0:43:25.400 --> 0:43:27.160
<v Speaker 5>if you hit the water with a paper map, it

0:43:27.200 --> 0:43:30.520
<v Speaker 5>would disintegrate in the water. But milk maps, Yeah, it's beautiful.

0:43:30.520 --> 0:43:32.960
<v Speaker 5>I mean they're beautiful maps. Have them a frame now.

0:43:33.320 --> 0:43:35.680
<v Speaker 5>But so I had all those those things, his medals,

0:43:36.040 --> 0:43:38.680
<v Speaker 5>and that's the only touch point that and this show

0:43:38.719 --> 0:43:41.360
<v Speaker 5>Black Sheep Squadron with only touch points because you couldn't

0:43:41.560 --> 0:43:43.879
<v Speaker 5>get online back then, and go to the Facebook group

0:43:43.960 --> 0:43:45.759
<v Speaker 5>from that squadron and try to meet your dad all

0:43:45.800 --> 0:43:48.400
<v Speaker 5>these years later, like he had no touch points with

0:43:48.440 --> 0:43:51.040
<v Speaker 5>anybody from his dad's squadron, nothing like that.

0:43:51.320 --> 0:43:53.360
<v Speaker 1>So what was it that you took What was it

0:43:53.440 --> 0:43:56.680
<v Speaker 1>that you took your family to to show them your

0:43:56.719 --> 0:43:57.680
<v Speaker 1>grandfather's name.

0:43:57.880 --> 0:43:59.759
<v Speaker 5>Yeah, so it's the the Mia wall because they never

0:43:59.760 --> 0:44:00.839
<v Speaker 5>found found his body.

0:44:02.360 --> 0:44:04.560
<v Speaker 1>But that's what you mentioned. I didn't know that makes sense.

0:44:04.640 --> 0:44:07.320
<v Speaker 5>So there's a punch Bowl National Cemetery of the Pacific

0:44:07.480 --> 0:44:10.440
<v Speaker 5>is overlooks punch Bowl Crater overlooks Honolulu.

0:44:10.880 --> 0:44:11.040
<v Speaker 1>Dad.

0:44:12.200 --> 0:44:15.759
<v Speaker 5>It's so powerful, so powerful. Going to national cemeteries, no

0:44:15.880 --> 0:44:19.080
<v Speaker 5>matter which one, is very important for for kids especially

0:44:19.080 --> 0:44:21.279
<v Speaker 5>and this was middle school, high school years, just to

0:44:21.840 --> 0:44:25.440
<v Speaker 5>appreciate and kind of see have a kind of a

0:44:25.840 --> 0:44:28.879
<v Speaker 5>have a viscial real reaction to seeing those headstones, seeing

0:44:28.960 --> 0:44:31.320
<v Speaker 5>those those stones in the ground, seeing those names on

0:44:31.360 --> 0:44:33.960
<v Speaker 5>the wall. So you realize what was sacrificed so that

0:44:34.040 --> 0:44:36.000
<v Speaker 5>we could have these freedoms and options and opportunities that

0:44:36.040 --> 0:44:38.600
<v Speaker 5>we have. So maybe before we make a snap judgment

0:44:38.680 --> 0:44:41.600
<v Speaker 5>on something based off somebody's tweet, Maybe take a breath,

0:44:42.080 --> 0:44:45.080
<v Speaker 5>research it a little more and then make that decision.

0:44:45.200 --> 0:44:47.920
<v Speaker 5>So it's I think it's important to take take kids there.

0:44:48.000 --> 0:44:49.840
<v Speaker 5>So that's what we did with our youngest who's twelve,

0:44:50.080 --> 0:44:52.200
<v Speaker 5>brought him up there this past week and showed him

0:44:52.239 --> 0:44:55.279
<v Speaker 5>his grandfather's name up there on that is that wall.

0:44:56.320 --> 0:44:59.439
<v Speaker 1>It's it's massive numbers.

0:44:59.280 --> 0:45:03.440
<v Speaker 5>Massive number and it's all they works their way up

0:45:03.520 --> 0:45:06.399
<v Speaker 5>this slope of the crater and it's just wall after

0:45:06.480 --> 0:45:08.440
<v Speaker 5>wall after wall after wall that leads to the top,

0:45:08.480 --> 0:45:11.400
<v Speaker 5>and at the top there's a statue and a chapel,

0:45:11.800 --> 0:45:13.400
<v Speaker 5>and then there's the history of World War two on

0:45:13.440 --> 0:45:15.680
<v Speaker 5>these beautiful murals that spell it all out, all the

0:45:15.719 --> 0:45:17.680
<v Speaker 5>battles in order up there, so you can walk through

0:45:17.680 --> 0:45:19.440
<v Speaker 5>the history of World War two in the Pacific. And

0:45:19.480 --> 0:45:21.360
<v Speaker 5>then you can turn around and look out and just

0:45:21.480 --> 0:45:23.680
<v Speaker 5>see all those walls with all those names of the

0:45:23.760 --> 0:45:25.960
<v Speaker 5>bodies that were never recovered, and then you see all

0:45:26.000 --> 0:45:27.799
<v Speaker 5>the grass where they have all the people that were

0:45:27.840 --> 0:45:30.080
<v Speaker 5>buried for the bodies that were recovered. So it's pretty

0:45:30.200 --> 0:45:30.799
<v Speaker 5>powerful place.

0:45:31.120 --> 0:45:34.839
<v Speaker 1>So if you're like with your grandfather, they don't then

0:45:35.320 --> 0:45:37.880
<v Speaker 1>he's on the m I A. But there's no tombston't

0:45:37.960 --> 0:45:39.520
<v Speaker 1>there's no tombstone marker.

0:45:39.360 --> 0:45:42.160
<v Speaker 5>Right right when they do recover the bodies, because we're

0:45:42.239 --> 0:45:45.920
<v Speaker 5>actively still out there looking for bodies from multiple past conflicts.

0:45:46.480 --> 0:45:48.279
<v Speaker 5>So when they do find the remains, then they make

0:45:48.360 --> 0:45:50.680
<v Speaker 5>up put a mark and they have this star that

0:45:50.760 --> 0:45:53.239
<v Speaker 5>goes next to the name that lets you know that, hey,

0:45:53.239 --> 0:45:55.279
<v Speaker 5>this body has now been recovered. And there's a lot

0:45:55.320 --> 0:45:56.680
<v Speaker 5>more now than there were when I was a kid

0:45:56.800 --> 0:46:00.399
<v Speaker 5>up there, you can definitely tell. But yeah, something that's

0:46:00.400 --> 0:46:01.600
<v Speaker 5>something I alway wanted to do in the military that

0:46:01.640 --> 0:46:03.439
<v Speaker 5>I ever got to do because we got so busy

0:46:03.520 --> 0:46:05.600
<v Speaker 5>after after nine to eleven was be part of that

0:46:06.840 --> 0:46:10.240
<v Speaker 5>m recovery group that would go out you got to Vietnam.

0:46:10.360 --> 0:46:12.040
<v Speaker 5>You'd really go out to a bunch of different places

0:46:12.239 --> 0:46:14.480
<v Speaker 5>and look for the remains of these in Vietnam, a

0:46:14.520 --> 0:46:17.360
<v Speaker 5>lot of pilots but people that were not recovered. So

0:46:17.760 --> 0:46:19.720
<v Speaker 5>it's a it's a large operation. You should be headquartered

0:46:19.719 --> 0:46:21.279
<v Speaker 5>in Hawaii. I'm not sure where it's headquartered now.

0:46:22.239 --> 0:46:23.279
<v Speaker 1>So now we'll get to your mom.

0:46:23.640 --> 0:46:28.120
<v Speaker 5>Yes, librarians did where was she a library? So multiple

0:46:28.160 --> 0:46:32.279
<v Speaker 5>different different libraries growing up. But so when I wanted

0:46:32.280 --> 0:46:33.560
<v Speaker 5>to let her know, I wanted to be a seal.

0:46:33.680 --> 0:46:35.160
<v Speaker 5>So I found out what seals were from my dad

0:46:35.200 --> 0:46:37.759
<v Speaker 5>watching these war movies. So he called them frogmen, so

0:46:37.920 --> 0:46:40.560
<v Speaker 5>he did because that was because it was the name

0:46:40.600 --> 0:46:43.920
<v Speaker 5>of the movie. So we'd be watching football, So football

0:46:44.000 --> 0:46:46.520
<v Speaker 5>was big on Sundays in our household. But I was

0:46:46.640 --> 0:46:48.960
<v Speaker 5>really interested in football because even back then, at age five,

0:46:49.080 --> 0:46:51.800
<v Speaker 5>six seven, I wanted anyone I want to join the military.

0:46:51.880 --> 0:46:56.000
<v Speaker 5>So there was those few channels back then there's CBS, NBC, ABC,

0:46:56.120 --> 0:46:59.080
<v Speaker 5>and then there's the outlier, and that outlier channel always

0:46:59.120 --> 0:47:01.799
<v Speaker 5>had a war movie on on Sundays. So we'd been

0:47:01.800 --> 0:47:04.120
<v Speaker 5>watching football, and when the commercial came on, my dad

0:47:04.239 --> 0:47:05.800
<v Speaker 5>look at his watch and say go And I was

0:47:05.840 --> 0:47:07.520
<v Speaker 5>the remote control back in those days, so I'd run

0:47:07.600 --> 0:47:09.640
<v Speaker 5>up and I'd switch it to that outlier channel, that

0:47:09.840 --> 0:47:12.440
<v Speaker 5>fourth channel, and there was always a war movie on,

0:47:12.480 --> 0:47:14.080
<v Speaker 5>so I'd watched that. He'd be looking at his watch

0:47:14.120 --> 0:47:15.480
<v Speaker 5>for your two or two and a half minutes and

0:47:15.520 --> 0:47:19.760
<v Speaker 5>then say turn it back and turn Then we continue

0:47:19.760 --> 0:47:21.320
<v Speaker 5>watching football and I just kind of wait till the

0:47:21.360 --> 0:47:25.680
<v Speaker 5>next commercial, wonder what's happened in exactly, So I had

0:47:25.680 --> 0:47:28.759
<v Speaker 5>a lot of one of the guys, isn't there just

0:47:28.840 --> 0:47:29.640
<v Speaker 5>gone gone?

0:47:29.840 --> 0:47:32.839
<v Speaker 1>Yep? And uh connect, Yeah.

0:47:32.880 --> 0:47:34.719
<v Speaker 5>One of those was the Frogmen, and there was show

0:47:34.760 --> 0:47:37.040
<v Speaker 5>these guys climbing up over the beach and putting explosives

0:47:37.239 --> 0:47:39.880
<v Speaker 5>on obstacles and blowing them up. And I asked my dad, Hey,

0:47:39.880 --> 0:47:42.120
<v Speaker 5>who are these guys? And he said those were Frogmen

0:47:42.480 --> 0:47:45.000
<v Speaker 5>the name of the movie. And I sort of pestering

0:47:45.080 --> 0:47:47.120
<v Speaker 5>him all about what frog who frogmen were and then

0:47:47.160 --> 0:47:49.560
<v Speaker 5>he's like, change it back, change it back. So back

0:47:49.560 --> 0:47:52.960
<v Speaker 5>to football. And someone asked my mom, uh, and she said, well,

0:47:53.040 --> 0:47:55.080
<v Speaker 5>let's go for a trip, so down to the library.

0:47:55.360 --> 0:47:57.640
<v Speaker 5>And she took every opportunity to we had when we

0:47:57.680 --> 0:47:59.440
<v Speaker 5>had questions, to take us down to that library and

0:47:59.719 --> 0:48:01.680
<v Speaker 5>show out of research and all that sort of things.

0:48:01.719 --> 0:48:03.920
<v Speaker 5>So this is early eighties, and you could essentially get

0:48:03.960 --> 0:48:06.640
<v Speaker 5>through everything written about seals in about an hour, maybe

0:48:06.719 --> 0:48:08.799
<v Speaker 5>hour and a half if you're a slow reader. There

0:48:08.840 --> 0:48:11.439
<v Speaker 5>just wasn't that much. And then there's more written about

0:48:11.520 --> 0:48:14.439
<v Speaker 5>army special forces back then, typically about Vietnam, but you'd

0:48:14.440 --> 0:48:16.399
<v Speaker 5>still you can get through that in a couple hours too,

0:48:16.840 --> 0:48:19.320
<v Speaker 5>So you could potentially find the end of the Internet

0:48:19.520 --> 0:48:22.560
<v Speaker 5>in the library back then as a kid. But then

0:48:22.920 --> 0:48:25.239
<v Speaker 5>I started reading those same types of books that my

0:48:25.320 --> 0:48:28.040
<v Speaker 5>parents were reading. So it's let's say fifth grade's one

0:48:28.120 --> 0:48:30.919
<v Speaker 5>Hunt for a October comes out, and by sixth grade,

0:48:31.000 --> 0:48:32.840
<v Speaker 5>for sure, when I'm eleven, that's when I start for

0:48:33.000 --> 0:48:35.840
<v Speaker 5>sure reading all the same kind of thrillers that I

0:48:35.920 --> 0:48:38.400
<v Speaker 5>still read today. So I'm reading books by David Morrell,

0:48:38.520 --> 0:48:40.880
<v Speaker 5>Nelson to mill A, J. Quinnell, J. C. Pollock, Markold

0:48:40.920 --> 0:48:43.960
<v Speaker 5>and Louis Lamore, Stephen Hunter and back then, all these

0:48:44.000 --> 0:48:45.880
<v Speaker 5>guys and if you remember movies and television in the

0:48:45.880 --> 0:48:49.480
<v Speaker 5>eighties that protagonists usually had a background in Vietnam, and

0:48:49.600 --> 0:48:51.800
<v Speaker 5>it was either a Navy seal or Army Special Forces

0:48:51.880 --> 0:48:55.160
<v Speaker 5>or Marine sniper or CIA PEL paramilitary. And now he's

0:48:55.160 --> 0:48:57.080
<v Speaker 5>in the eighties and he's like a private investigator or

0:48:57.120 --> 0:48:57.400
<v Speaker 5>he's a.

0:48:57.400 --> 0:49:02.000
<v Speaker 1>Cop or whatever follows at those No Country for Old Men,

0:49:02.680 --> 0:49:04.960
<v Speaker 1>they what is the guy? All those guys so in

0:49:05.040 --> 0:49:11.200
<v Speaker 1>No Count for Old Men. Josh Brolin's character lou Ellen,

0:49:11.600 --> 0:49:14.839
<v Speaker 1>lou Ellen, he did you know, you don't know, you're

0:49:14.840 --> 0:49:17.560
<v Speaker 1>not quite sure what, but did something heavy duty in Vietnam.

0:49:18.520 --> 0:49:23.560
<v Speaker 1>The assassin did something you gather really heavy in Vietnam

0:49:24.160 --> 0:49:27.279
<v Speaker 1>and was you know, like a you gather some kind

0:49:27.320 --> 0:49:31.960
<v Speaker 1>of ultimate badass from Vietnam. And because it was its

0:49:31.960 --> 0:49:34.320
<v Speaker 1>about eight the eighties, and so it is these guys.

0:49:34.120 --> 0:49:37.120
<v Speaker 5>That were the timeline worked kind of a skill set

0:49:37.160 --> 0:49:38.920
<v Speaker 5>that made sense, kind of like.

0:49:39.000 --> 0:49:44.400
<v Speaker 1>Crazy warriors that were wandering the drug lands of the

0:49:44.800 --> 0:49:46.000
<v Speaker 1>Texas Mexico boarder.

0:49:46.120 --> 0:49:47.959
<v Speaker 5>Yeah, I mean it makes sense, it makes sense.

0:49:48.680 --> 0:49:50.560
<v Speaker 1>And I never really thought about that formula.

0:49:50.640 --> 0:49:52.600
<v Speaker 5>But when you mentioned that, oh, yeah, they were all

0:49:52.880 --> 0:49:54.640
<v Speaker 5>they all had backgrounds like that, and so that's the

0:49:54.640 --> 0:49:57.239
<v Speaker 5>background I went in real life. One day, so I figure, hey,

0:49:57.239 --> 0:50:00.719
<v Speaker 5>if I'm reading about this uh seal in a book

0:50:00.800 --> 0:50:04.279
<v Speaker 5>by David Morrell, I'm reading about this Air Force pair

0:50:04.320 --> 0:50:06.399
<v Speaker 5>of rescue guy in the book by so and so, well,

0:50:06.560 --> 0:50:08.480
<v Speaker 5>they must have done their research somehow, they must have

0:50:08.560 --> 0:50:12.880
<v Speaker 5>connections in there somehow. So as a kid to age ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen,

0:50:13.000 --> 0:50:15.160
<v Speaker 5>I'm just having such a good time in the pages

0:50:15.200 --> 0:50:17.279
<v Speaker 5>of these novels. I know that after my time in

0:50:17.320 --> 0:50:19.359
<v Speaker 5>the military, that's what I'm gonna do. I'm gonna write these.

0:50:19.320 --> 0:50:22.040
<v Speaker 1>Get to books. Okay, let's say, here's here's what I

0:50:22.080 --> 0:50:26.239
<v Speaker 1>don't get it though. If someone had said you will

0:50:26.480 --> 0:50:32.759
<v Speaker 1>not like like God says, you cannot be a writer ever,

0:50:33.880 --> 0:50:35.480
<v Speaker 1>would you have been not going in the military.

0:50:35.560 --> 0:50:36.840
<v Speaker 5>I would have probably said why.

0:50:38.520 --> 0:50:41.080
<v Speaker 1>He said somebody did it? He said because somebody?

0:50:41.080 --> 0:50:44.200
<v Speaker 5>Because because I said so, yeah.

0:50:44.280 --> 0:50:50.400
<v Speaker 1>So whatever, Like, would you have not done it? Research stint?

0:50:50.719 --> 0:50:52.800
<v Speaker 1>And that's a high risk research stint.

0:50:52.920 --> 0:50:54.360
<v Speaker 5>I didn't realize how high risk it.

0:50:54.480 --> 0:50:57.680
<v Speaker 1>A lot of writers like I spent six months walking,

0:50:58.800 --> 0:51:02.479
<v Speaker 1>you know, you're like, I spent ten years in urban combat. Yeah,

0:51:02.520 --> 0:51:04.439
<v Speaker 1>so it could be a writer. Yeah, so it would

0:51:04.480 --> 0:51:08.160
<v Speaker 1>be like that doesn't sound that sounded very practical.

0:51:08.480 --> 0:51:10.960
<v Speaker 5>I thought of them. I thought of the seal side,

0:51:11.120 --> 0:51:14.680
<v Speaker 5>and the writing side is totally distinctly different. I didn't

0:51:14.680 --> 0:51:16.960
<v Speaker 5>think of one leading to the other. I just knew that, Hey,

0:51:17.000 --> 0:51:18.320
<v Speaker 5>if I want to do these two things with my

0:51:18.400 --> 0:51:22.440
<v Speaker 5>life because of time and aging, you have to do

0:51:22.560 --> 0:51:25.960
<v Speaker 5>the military side first. So yeah, there's no really like,

0:51:26.000 --> 0:51:27.360
<v Speaker 5>what am I going to do first? It's like, no,

0:51:27.440 --> 0:51:29.400
<v Speaker 5>you're gonna you have to do this first. But I

0:51:29.480 --> 0:51:31.680
<v Speaker 5>was reading all those guys and then I found Joseph

0:51:31.719 --> 0:51:33.919
<v Speaker 5>Campbell through here with a thousand faces and a series

0:51:33.960 --> 0:51:36.000
<v Speaker 5>of interviews he did with Bill Moyer's on PBS in

0:51:36.040 --> 0:51:38.160
<v Speaker 5>nineteen eighty eight called The Power of Myth, and then

0:51:38.160 --> 0:51:39.759
<v Speaker 5>they had some books that came out based on that

0:51:39.920 --> 0:51:42.040
<v Speaker 5>called the Power of Myth as well, and I saw

0:51:42.120 --> 0:51:44.080
<v Speaker 5>that with my mom. She introduced me to that and

0:51:44.880 --> 0:51:48.480
<v Speaker 5>he talked about how his hero's journey was in inspiration

0:51:48.560 --> 0:51:50.239
<v Speaker 5>for George Lucas and Star Wars, and of course, as

0:51:50.239 --> 0:51:52.040
<v Speaker 5>a kid of the eighties, you know, that really stood

0:51:52.040 --> 0:51:54.920
<v Speaker 5>out to me. So I started applying that hero's journey

0:51:54.960 --> 0:51:58.560
<v Speaker 5>in Joseph Campbell's Thoughts and Vision and Philosophy to books

0:51:58.560 --> 0:52:01.319
<v Speaker 5>I would read, to movies i'd the TV shows i'd see,

0:52:01.719 --> 0:52:04.520
<v Speaker 5>and even though I didn't think of it specifically in

0:52:04.560 --> 0:52:07.080
<v Speaker 5>these terms, I just thought, oh, that movie didn't work

0:52:07.160 --> 0:52:09.640
<v Speaker 5>because of that, that that hero missed a part of

0:52:09.680 --> 0:52:12.640
<v Speaker 5>that journey. It didn't really take you what is going

0:52:12.719 --> 0:52:16.839
<v Speaker 5>in for for James Reese, what is going into the cave?

0:52:17.520 --> 0:52:20.879
<v Speaker 5>So there's distinct language that I'll use in the book,

0:52:21.520 --> 0:52:24.759
<v Speaker 5>even if it's just a cabin or it's something and

0:52:24.800 --> 0:52:28.239
<v Speaker 5>I'll put cavern like something, so I'll describe something. I'll

0:52:28.280 --> 0:52:30.520
<v Speaker 5>throw that in there, cave of like cavern like something

0:52:30.600 --> 0:52:33.360
<v Speaker 5>like that dark. So I'll describe a cave even I

0:52:33.400 --> 0:52:37.120
<v Speaker 5>don't use those words because I'm thinking about that journey

0:52:37.160 --> 0:52:39.080
<v Speaker 5>and he's getting some sort of information in there.

0:52:40.040 --> 0:52:43.480
<v Speaker 1>Also, you go into a cave repeatedly, and there's there'll

0:52:43.480 --> 0:52:44.360
<v Speaker 1>be one. I probably do.

0:52:44.480 --> 0:52:47.320
<v Speaker 5>But there's one distinct part of each book that I

0:52:47.480 --> 0:52:50.480
<v Speaker 5>think of as I'm writing. That is his time to

0:52:50.680 --> 0:52:52.640
<v Speaker 5>change a little bit or learn something a little bit,

0:52:52.680 --> 0:52:55.080
<v Speaker 5>emerge a little different so that he can solve this problem,

0:52:55.200 --> 0:52:58.160
<v Speaker 5>usually very aggressively and violently in my novels.

0:52:58.360 --> 0:53:01.200
<v Speaker 1>But well, yeah, with like so you think a bunch

0:53:01.280 --> 0:53:04.200
<v Speaker 1>of where Luke Skywalker when he has to go to

0:53:04.280 --> 0:53:07.600
<v Speaker 1>that little Yeah, he goes that whole swampy island and

0:53:07.640 --> 0:53:08.920
<v Speaker 1>hangs out with Yoda.

0:53:09.120 --> 0:53:09.680
<v Speaker 5>Yeah, that's it.

0:53:09.920 --> 0:53:13.239
<v Speaker 1>It comes back, leaves early, but comes out ready to

0:53:13.760 --> 0:53:15.120
<v Speaker 1>That's right exactly, that's right.

0:53:15.200 --> 0:53:17.759
<v Speaker 5>First it goes into the cave. There's rats all over them.

0:53:17.760 --> 0:53:20.160
<v Speaker 5>You know, he's throwing those things off there the cave there.

0:53:20.560 --> 0:53:23.080
<v Speaker 5>So so you'll notice it if you if you read

0:53:23.320 --> 0:53:26.360
<v Speaker 5>here with a thousand faces and then start watching films

0:53:26.560 --> 0:53:29.520
<v Speaker 5>that take you on a journey through a protagonist's size,

0:53:29.760 --> 0:53:32.280
<v Speaker 5>then then you start noticing that some of these elements

0:53:32.400 --> 0:53:34.920
<v Speaker 5>are are in some of probably your favorite films. It

0:53:35.000 --> 0:53:37.680
<v Speaker 5>resonates for a reason, like there's a mentor along the way.

0:53:37.800 --> 0:53:40.000
<v Speaker 5>We have Obi wan Kenobe, we have we have Yoda.

0:53:40.120 --> 0:53:42.720
<v Speaker 5>We have someone that helps train, that's older and wiser,

0:53:42.800 --> 0:53:45.120
<v Speaker 5>that passes along some training or some information along the

0:53:45.160 --> 0:53:47.920
<v Speaker 5>way as well. So there's that there's that person in

0:53:48.239 --> 0:53:50.799
<v Speaker 5>in books and movies and television, and it's just it's

0:53:50.800 --> 0:53:53.799
<v Speaker 5>a very natural way to tell a story because our

0:53:53.840 --> 0:53:56.040
<v Speaker 5>first stories around the campfire, and they're about the hunt,

0:53:56.280 --> 0:53:58.920
<v Speaker 5>and they're about warfare, because you're passing down lessons from

0:53:58.960 --> 0:54:01.719
<v Speaker 5>both the hunt and combat to that next generation through

0:54:01.760 --> 0:54:02.800
<v Speaker 5>a story that you can remember.

0:54:03.200 --> 0:54:06.959
<v Speaker 3>And why doesn't that get boring? It is used over

0:54:07.320 --> 0:54:09.600
<v Speaker 3>and over and over again, like.

0:54:10.520 --> 0:54:13.200
<v Speaker 1>That's in your they would say. It's it's like already,

0:54:13.880 --> 0:54:15.319
<v Speaker 1>it's already wired into your brain.

0:54:15.880 --> 0:54:18.839
<v Speaker 3>I love it every day. Every single boxing movie, every

0:54:18.880 --> 0:54:21.960
<v Speaker 3>single one. It's like, I'm not going to train that kid.

0:54:24.080 --> 0:54:24.520
<v Speaker 5>Exactly.

0:54:25.560 --> 0:54:26.279
<v Speaker 3>It takes.

0:54:28.280 --> 0:54:31.520
<v Speaker 5>I do, yeah, for sure. Then you get the montage

0:54:31.600 --> 0:54:34.360
<v Speaker 5>and you come out stronger and wiser and get that

0:54:34.480 --> 0:54:35.279
<v Speaker 5>ring and get it done.

0:54:35.600 --> 0:54:36.960
<v Speaker 3>Not only am I going to prove it to you,

0:54:37.080 --> 0:54:38.239
<v Speaker 3>I'm going to prove it to all of them.

0:54:38.480 --> 0:54:40.520
<v Speaker 1>That's right, But you know there's but there's other things

0:54:40.520 --> 0:54:43.120
<v Speaker 1>that are wired into the India the human head. Like

0:54:43.160 --> 0:54:46.080
<v Speaker 1>if you look globally, if you look at world religion,

0:54:46.680 --> 0:54:54.680
<v Speaker 1>the idea that a bad flood came and wiped out

0:54:54.719 --> 0:54:57.960
<v Speaker 1>most everything is a recurring I mean, it's it's in

0:54:58.080 --> 0:55:02.560
<v Speaker 1>like Native American mythologies from the primary like monotheistic religions.

0:55:02.760 --> 0:55:06.200
<v Speaker 1>It's just like this idea that probably because you're I

0:55:06.239 --> 0:55:08.560
<v Speaker 1>don't know, you're looking at stuff doesn't make that doesn't

0:55:08.560 --> 0:55:11.160
<v Speaker 1>make sense to you anymore. You find like dinosaur bones whatever,

0:55:11.280 --> 0:55:14.799
<v Speaker 1>and you're like, I don't know, must have been right.

0:55:15.200 --> 0:55:17.359
<v Speaker 5>Well, all those different different cultures that had never had

0:55:17.360 --> 0:55:22.360
<v Speaker 5>any interaction with one another, China, Native American philosophies, Christianity,

0:55:22.400 --> 0:55:25.640
<v Speaker 5>all these different religions and different cultures really is better

0:55:25.680 --> 0:55:29.000
<v Speaker 5>way to put it, had very similar stories, very similar mythologies,

0:55:29.120 --> 0:55:31.080
<v Speaker 5>very similar heroes, journeys that they would pass on to

0:55:31.160 --> 0:55:34.760
<v Speaker 5>that next generation. So across cultures that never had any interaction,

0:55:35.120 --> 0:55:38.080
<v Speaker 5>they had these very similar stories because they're passing on

0:55:38.160 --> 0:55:39.960
<v Speaker 5>some of those same things. It was about survival, and

0:55:40.040 --> 0:55:41.880
<v Speaker 5>not only was it about survival, it was about prevailing

0:55:41.920 --> 0:55:44.000
<v Speaker 5>because we're just gonna survive. That's a that's a rough

0:55:44.040 --> 0:55:47.120
<v Speaker 5>way to go, but you need to prevail. That's the goal.

0:55:47.800 --> 0:55:51.560
<v Speaker 1>You you like to put elements of hunting in I

0:55:51.680 --> 0:55:54.920
<v Speaker 1>do is that now? Is that is that psychology too?

0:55:55.040 --> 0:55:56.120
<v Speaker 1>Or is that just because you like hunting?

0:55:56.239 --> 0:55:59.240
<v Speaker 5>That's because I like hunting, and it's because other people

0:55:59.520 --> 0:56:03.080
<v Speaker 5>either don't or can't do that, and so it's different.

0:56:03.440 --> 0:56:05.040
<v Speaker 5>And it's also a way for me to kind of

0:56:05.080 --> 0:56:08.919
<v Speaker 5>give back to this community, the hunting community, really, because

0:56:08.960 --> 0:56:11.279
<v Speaker 5>someone's going through the airport and they see this thing

0:56:11.320 --> 0:56:13.200
<v Speaker 5>they think as a spy sponage thriller on the shelf,

0:56:13.239 --> 0:56:15.320
<v Speaker 5>and they grab it. But what they're really getting is

0:56:15.320 --> 0:56:18.479
<v Speaker 5>an education in hunting a conservation along the way, because

0:56:18.480 --> 0:56:20.160
<v Speaker 5>it's woven in. There's hunting in all the stories, but

0:56:20.520 --> 0:56:22.880
<v Speaker 5>in particular the second one true Believer, So it'll be

0:56:22.920 --> 0:56:26.279
<v Speaker 5>interesting to see how we deal with that in the

0:56:26.360 --> 0:56:29.520
<v Speaker 5>visual adaptation of it. And then the third one really

0:56:29.600 --> 0:56:33.640
<v Speaker 5>has his savage Sun and that's really about the dark

0:56:33.680 --> 0:56:35.960
<v Speaker 5>side of man through the dynamic of hunter and hunted.

0:56:36.080 --> 0:56:38.160
<v Speaker 5>So the inspiration for that was back in sixth grade

0:56:38.200 --> 0:56:40.440
<v Speaker 5>when I read The Most Dangerous Game by Richard Connell,

0:56:40.640 --> 0:56:42.239
<v Speaker 5>and even back in sixth grade, I said, one day,

0:56:42.239 --> 0:56:44.960
<v Speaker 5>I'll write the novel that pays tribute to the short story,

0:56:45.239 --> 0:56:46.640
<v Speaker 5>and it was the one that I wanted to start with.

0:56:46.760 --> 0:56:49.200
<v Speaker 5>When I started writing, I wrote now, six, seven, eight,

0:56:49.320 --> 0:56:51.799
<v Speaker 5>nine different ideas, different one page executive summaris, and laid

0:56:51.800 --> 0:56:53.680
<v Speaker 5>them all out on the table, and Savage Son was

0:56:53.719 --> 0:56:55.120
<v Speaker 5>the one I wanted to start with because that's the

0:56:55.200 --> 0:56:57.080
<v Speaker 5>theme that I wanted to explore, and that's the one

0:56:57.120 --> 0:56:59.360
<v Speaker 5>I've been thinking about writing since the sixth grade. But

0:56:59.440 --> 0:57:01.440
<v Speaker 5>I knew that the characters weren't developed enough to tell

0:57:01.480 --> 0:57:04.640
<v Speaker 5>that story yet. So I had to introduce everyone to

0:57:04.760 --> 0:57:07.879
<v Speaker 5>these characters in the first book, in the Terminal List,

0:57:08.080 --> 0:57:09.320
<v Speaker 5>and then even at the end of that one, I

0:57:09.400 --> 0:57:11.480
<v Speaker 5>was like, no, not quite ready yet. I still need

0:57:11.560 --> 0:57:14.719
<v Speaker 5>to take him now on this journey of redemption, because

0:57:14.719 --> 0:57:17.320
<v Speaker 5>it would be disingenuous to the reader or to the

0:57:17.400 --> 0:57:20.240
<v Speaker 5>listener to take him after these traumatic events in the

0:57:20.280 --> 0:57:22.760
<v Speaker 5>first novel and then just drop him into this second

0:57:22.880 --> 0:57:25.640
<v Speaker 5>in this second one as Savage Son. He couldn't do it,

0:57:25.880 --> 0:57:28.040
<v Speaker 5>and I'm surprised that Simon and Schuster actionly, my editor

0:57:28.120 --> 0:57:30.440
<v Speaker 5>there didn't ask me to change anything about that second one,

0:57:30.480 --> 0:57:32.960
<v Speaker 5>because it I take him on a pretty long journey

0:57:33.800 --> 0:57:35.640
<v Speaker 5>where he learns to live agangs. He thinks he's dying,

0:57:35.920 --> 0:57:38.280
<v Speaker 5>and he finds this next mission, this purpose in Africa,

0:57:38.360 --> 0:57:41.040
<v Speaker 5>in Mozambique, taking his skills from the battlefield and turning

0:57:41.080 --> 0:57:44.880
<v Speaker 5>those into something positive against the poachers out in Africa.

0:57:44.960 --> 0:57:46.560
<v Speaker 5>So he finds this new mission, and of course that's

0:57:46.560 --> 0:57:48.920
<v Speaker 5>when the CIA finds him and plucks him back out

0:57:48.960 --> 0:57:51.480
<v Speaker 5>for a new mission. But that's a long part of

0:57:51.560 --> 0:57:54.640
<v Speaker 5>the story, and that's probably people that really of my novels,

0:57:54.720 --> 0:57:57.760
<v Speaker 5>Savage Son is probably people's favorite, and In the Blood,

0:57:57.800 --> 0:57:59.480
<v Speaker 5>which was the last one. Those are the two favorites.

0:57:59.680 --> 0:58:03.200
<v Speaker 5>But people that like True Believer love True Believer love

0:58:03.280 --> 0:58:05.640
<v Speaker 5>that second one because of the hunting and because it's

0:58:05.680 --> 0:58:08.760
<v Speaker 5>a slower story, a slower build up, because this guy's

0:58:08.800 --> 0:58:11.200
<v Speaker 5>damaged and he needs to find that a reason to

0:58:11.240 --> 0:58:14.480
<v Speaker 5>live again, and he finds that in Africa and Mozambique.

0:58:14.520 --> 0:58:16.800
<v Speaker 5>And most people don't explore Mozambique and and hunting in

0:58:16.920 --> 0:58:20.000
<v Speaker 5>modern thrillers as well. Most people don't put boots on

0:58:20.040 --> 0:58:22.160
<v Speaker 5>the ground over there doing their research, which I did,

0:58:22.400 --> 0:58:23.840
<v Speaker 5>and I didn't even have my deal yet. So I

0:58:23.880 --> 0:58:27.080
<v Speaker 5>finished my first novel, hadn't sent it Simon and Schuster yet,

0:58:27.200 --> 0:58:29.000
<v Speaker 5>got out of the military, and knew that I was

0:58:29.040 --> 0:58:31.160
<v Speaker 5>always going to write too, because of the John Grisham story.

0:58:31.160 --> 0:58:33.200
<v Speaker 5>He wrote A Time to Kill first, and he couldn't

0:58:33.240 --> 0:58:35.520
<v Speaker 5>give that book away, and then he writes The Firm

0:58:35.760 --> 0:58:38.560
<v Speaker 5>and that thing takes off, and John Grisham novel every

0:58:38.600 --> 0:58:42.080
<v Speaker 5>year since. But if he thought this one didn't really work,

0:58:42.280 --> 0:58:43.680
<v Speaker 5>I'm just going to go back to practice of law,

0:58:44.000 --> 0:58:45.959
<v Speaker 5>like he'd probably just be retiring now for would probably

0:58:45.960 --> 0:58:48.040
<v Speaker 5>be a partner to law firm and just be just

0:58:48.120 --> 0:58:50.240
<v Speaker 5>be getting out still be thinking about that book that

0:58:50.320 --> 0:58:52.000
<v Speaker 5>didn't work, called The Time to Kill, which I think

0:58:52.120 --> 0:58:54.240
<v Speaker 5>is his best work actually, because they republished it after

0:58:54.880 --> 0:58:56.400
<v Speaker 5>The Firm came out and hit it so big they

0:58:56.480 --> 0:58:58.760
<v Speaker 5>went back and republished it, and then Matthew McConaughey started

0:58:58.760 --> 0:59:01.080
<v Speaker 5>in that movie. But it's fantastic if you haven't read

0:59:01.120 --> 0:59:03.400
<v Speaker 5>A Time to Kill for those listening and watching, it's amazing,

0:59:03.480 --> 0:59:05.520
<v Speaker 5>amazing book. But so I was always gonna write too,

0:59:05.600 --> 0:59:07.680
<v Speaker 5>So before i'd even sent it to to Simon and Schuster,

0:59:07.720 --> 0:59:09.360
<v Speaker 5>before I had an agent or anything, I was on

0:59:09.440 --> 0:59:11.800
<v Speaker 5>a plane in Africa to Mo'sambique, but boots on the

0:59:11.800 --> 0:59:13.960
<v Speaker 5>ground over there had lists of questions to ask the

0:59:14.000 --> 0:59:16.840
<v Speaker 5>professional hunters and the trackers and skinners and everybody else,

0:59:17.840 --> 0:59:19.760
<v Speaker 5>how do you say things? And the different languages over there?

0:59:19.800 --> 0:59:21.800
<v Speaker 5>What are the different languages that they're speaking over there?

0:59:22.440 --> 0:59:24.720
<v Speaker 5>Of course looking at the rocks and the dirt, how

0:59:24.760 --> 0:59:26.960
<v Speaker 5>am I going to describe that? And what's the situation

0:59:27.160 --> 0:59:29.120
<v Speaker 5>like over there with hunting and poaching in China and

0:59:29.240 --> 0:59:32.840
<v Speaker 5>minerals and exploitation and all the rest of it. So yeah,

0:59:32.840 --> 0:59:34.480
<v Speaker 5>I was doing that research while I was over there,

0:59:34.480 --> 0:59:35.720
<v Speaker 5>before I had any sort of a deal.

0:59:36.600 --> 0:59:38.760
<v Speaker 1>But so you just you're just spending money out of pocket.

0:59:38.880 --> 0:59:42.280
<v Speaker 5>Yeah oh yeah, And as I going in, you have

0:59:42.360 --> 0:59:45.040
<v Speaker 5>to write your occupation in those those forms and so

0:59:45.280 --> 0:59:47.280
<v Speaker 5>it sells you know, your name and all that stuff

0:59:47.400 --> 0:59:50.160
<v Speaker 5>and has occupation. And I wrote author even though I

0:59:50.240 --> 0:59:52.320
<v Speaker 5>didn't have any probably deal.

0:59:52.400 --> 0:59:55.880
<v Speaker 1>Well the other option would have been probably not that helpful.

0:59:56.080 --> 0:59:58.640
<v Speaker 5>So so yeah, so I wrote that. But I got

0:59:58.680 --> 1:00:01.760
<v Speaker 5>that from Stephen Pressfield for his books on creativity that

1:00:01.840 --> 1:00:04.040
<v Speaker 5>he writes the world of art turning pro authentic swing

1:00:05.000 --> 1:00:08.240
<v Speaker 5>and he said, you know, you're a professional. Flip that switch,

1:00:08.600 --> 1:00:12.040
<v Speaker 5>turn pro and write, And so I wrote author before

1:00:12.040 --> 1:00:14.760
<v Speaker 5>I didn't met anyone from Simon and Schuster or had

1:00:14.760 --> 1:00:16.760
<v Speaker 5>any cause I was gonna write too, and if both

1:00:16.800 --> 1:00:18.600
<v Speaker 5>of them didn't work, then I was like, well, think

1:00:18.600 --> 1:00:20.720
<v Speaker 5>about some fallbacks, but I didn't really want to.

1:00:20.960 --> 1:00:22.600
<v Speaker 1>I never get to the point where I felt like

1:00:22.680 --> 1:00:25.560
<v Speaker 1>I could legitimately, for occupation put down right. And I

1:00:25.640 --> 1:00:27.280
<v Speaker 1>loved it. Man nice because for a lot of time

1:00:27.280 --> 1:00:29.280
<v Speaker 1>I was like, I wrote, probably shouldn't put that down.

1:00:29.760 --> 1:00:33.480
<v Speaker 1>I did it well before, like a tree surgeon. Yeah,

1:00:33.480 --> 1:00:34.880
<v Speaker 1>I did it well well before.

1:00:35.760 --> 1:00:39.600
<v Speaker 5>Yeah I was if you're looking at things professionally as like, oh,

1:00:39.680 --> 1:00:42.240
<v Speaker 5>professionally you make money at it. Well, yeah, I jumped

1:00:42.240 --> 1:00:44.240
<v Speaker 5>the gun. But I still thought of myself at first

1:00:44.280 --> 1:00:47.760
<v Speaker 5>it was a professional soldier, a special operator, and now

1:00:48.200 --> 1:00:50.200
<v Speaker 5>not that anymore. Now I'm an author. So I just

1:00:50.200 --> 1:00:53.200
<v Speaker 5>flipped that switch and came up became a professional author.

1:00:53.680 --> 1:00:57.280
<v Speaker 4>So before you, before you became an author, was there

1:00:57.440 --> 1:01:00.320
<v Speaker 4>like external pressure in the military for you to be

1:01:00.520 --> 1:01:02.440
<v Speaker 4>like a lifer, stay in and.

1:01:02.840 --> 1:01:07.919
<v Speaker 5>Train people or yeah, so there is that, but once

1:01:08.000 --> 1:01:11.280
<v Speaker 5>you less so at twenty years, as you're creeping up

1:01:11.400 --> 1:01:13.600
<v Speaker 5>on twenty. That's kind of like because if you stay in,

1:01:13.680 --> 1:01:16.600
<v Speaker 5>a lot of people say you're working for half pay essentially,

1:01:16.720 --> 1:01:19.080
<v Speaker 5>type of a panel if that's was really true, because

1:01:19.120 --> 1:01:20.920
<v Speaker 5>you could get out and get your retirement, which is

1:01:21.280 --> 1:01:23.400
<v Speaker 5>it's not really half. It's way less than half because

1:01:23.400 --> 1:01:25.800
<v Speaker 5>they don't include your special pays like your demo pay

1:01:25.840 --> 1:01:27.760
<v Speaker 5>and your jump pay and your combat pay and all

1:01:27.800 --> 1:01:31.120
<v Speaker 5>that sort of thing. So it's yeah, it's not It

1:01:31.400 --> 1:01:33.160
<v Speaker 5>doesn't really work out that way. But I understand what

1:01:33.240 --> 1:01:35.640
<v Speaker 5>people mean when they say it. But no, I was

1:01:35.720 --> 1:01:37.440
<v Speaker 5>twenty was good, it was a good run. If I

1:01:37.480 --> 1:01:39.640
<v Speaker 5>stayed in, it was I'd done everything that I wanted

1:01:39.680 --> 1:01:41.840
<v Speaker 5>to do at that point, and if I stayed in,

1:01:41.960 --> 1:01:44.800
<v Speaker 5>it would be staff job and then come back as

1:01:44.840 --> 1:01:48.480
<v Speaker 5>a commanding officer at some point, which sounds really impressive

1:01:48.520 --> 1:01:50.560
<v Speaker 5>if you say your commanding officer or something, But in

1:01:50.640 --> 1:01:52.560
<v Speaker 5>today's day and age, as a commanding officer, you're really

1:01:52.600 --> 1:01:54.800
<v Speaker 5>back in attach cole operation center when the guys are

1:01:54.800 --> 1:01:56.440
<v Speaker 5>out there kicking in the doors doing the job that

1:01:56.480 --> 1:01:58.040
<v Speaker 5>you really came in to do. And it's good you

1:01:58.120 --> 1:01:59.920
<v Speaker 5>need good people to do that. But that just wasn't

1:02:00.720 --> 1:02:03.040
<v Speaker 5>my thing. I was there for to be a tactical

1:02:03.320 --> 1:02:06.160
<v Speaker 5>level leader on the battlefield, and that time was essentially done.

1:02:06.200 --> 1:02:08.200
<v Speaker 5>So it was time to flip that switch and take

1:02:08.200 --> 1:02:11.000
<v Speaker 5>care of my family. And we have three kids and

1:02:11.040 --> 1:02:12.920
<v Speaker 5>one of them had some severe special needs, so that

1:02:13.120 --> 1:02:15.800
<v Speaker 5>was like they needed me, So it was time to

1:02:15.840 --> 1:02:17.160
<v Speaker 5>move on. It was very clear to me that it

1:02:17.200 --> 1:02:18.680
<v Speaker 5>was time to get out, and it was also very

1:02:18.720 --> 1:02:20.280
<v Speaker 5>clear to me what I needed to do now.

1:02:20.360 --> 1:02:24.919
<v Speaker 4>And you never had, and like then or now, any

1:02:25.040 --> 1:02:26.800
<v Speaker 4>interest in nonfiction.

1:02:27.040 --> 1:02:30.480
<v Speaker 5>It was always funny you should ask, but not in

1:02:30.520 --> 1:02:33.040
<v Speaker 5>the same way that most people think of nonfiction from

1:02:33.120 --> 1:02:34.840
<v Speaker 5>someone coming out of the military. So I have a

1:02:35.040 --> 1:02:36.960
<v Speaker 5>not from My first non fiction book comes out in

1:02:37.520 --> 1:02:39.240
<v Speaker 5>fall of twenty twenty four, so about a year and

1:02:39.280 --> 1:02:42.080
<v Speaker 5>a half and writing with a historian James Scott. He's

1:02:42.080 --> 1:02:43.960
<v Speaker 5>written five books, most of them on World War Two.

1:02:44.120 --> 1:02:47.560
<v Speaker 5>Amazing guy, And for my plan was always to write

1:02:47.880 --> 1:02:51.400
<v Speaker 5>nonfiction on terrorist events. So this first one is about

1:02:51.400 --> 1:02:53.680
<v Speaker 5>the nineteen eighty three Bay Rout Barracks bombing, and so

1:02:53.800 --> 1:02:57.120
<v Speaker 5>it just hasn't really been the seminal work on that

1:02:57.280 --> 1:02:58.400
<v Speaker 5>get and there's been something what.

1:02:58.480 --> 1:03:00.240
<v Speaker 1>He said to me last that I was like kind

1:03:00.240 --> 1:03:02.680
<v Speaker 1>of genius man, because there's like nothing about there's a

1:03:02.680 --> 1:03:07.040
<v Speaker 1>few days revisited as commonly as other right seminal moment

1:03:07.080 --> 1:03:08.640
<v Speaker 1>exactly in military.

1:03:08.400 --> 1:03:10.440
<v Speaker 5>History exactly, And I have those. I mean, I remember

1:03:10.560 --> 1:03:13.280
<v Speaker 5>distinctly some of my first memories of the nineteen seventy

1:03:13.360 --> 1:03:15.960
<v Speaker 5>nine hostage crisis, and I remember going to church and

1:03:16.840 --> 1:03:18.880
<v Speaker 5>praying for those people over there. I remember Walter Cronkite

1:03:18.920 --> 1:03:21.520
<v Speaker 5>counting down the days that they'd been held hostage over there.

1:03:21.520 --> 1:03:23.960
<v Speaker 5>I remember wondering why we hadn't gone to rescue them yet,

1:03:24.760 --> 1:03:27.320
<v Speaker 5>So that some of my earliest memories are those black

1:03:27.360 --> 1:03:29.760
<v Speaker 5>and white photos of the people from the embassy with

1:03:31.280 --> 1:03:34.640
<v Speaker 5>their their eyes, you know, taped, tapped over and blindfolded

1:03:34.680 --> 1:03:37.240
<v Speaker 5>and all that. But yeah, it made sense when I'm

1:03:37.240 --> 1:03:39.920
<v Speaker 5>looking at all those events that were so impactful during

1:03:39.960 --> 1:03:42.800
<v Speaker 5>the eighties. In eighteen eighty three Bairit Barricks bombing, and

1:03:42.840 --> 1:03:45.320
<v Speaker 5>today actually is the anniversary of the embassy bombing in

1:03:45.440 --> 1:03:48.919
<v Speaker 5>April of eighty three, and that's how we're looking into

1:03:48.960 --> 1:03:51.280
<v Speaker 5>that first, and then everything that leads up to the

1:03:51.320 --> 1:03:55.560
<v Speaker 5>October bombing of the marine barracks in Beirut. But I'm

1:03:55.600 --> 1:03:57.640
<v Speaker 5>thinking about t w A eight four seven, I think

1:03:57.640 --> 1:03:59.680
<v Speaker 5>you have, Achille Laurel. I'm thinking of panem one O three,

1:04:00.320 --> 1:04:03.000
<v Speaker 5>thinking of all these different attacks in Europe at whether

1:04:03.040 --> 1:04:05.720
<v Speaker 5>it's a cafe or a nightclub or whatever it might be.

1:04:05.760 --> 1:04:09.640
<v Speaker 5>In airports, multiple airports, which one to start with. And

1:04:09.920 --> 1:04:13.320
<v Speaker 5>the nineteen eighty three Barys bombing was so significant because

1:04:13.680 --> 1:04:17.960
<v Speaker 5>it showed Hesbela in particular, that terrorism worked, and everyone

1:04:18.040 --> 1:04:20.840
<v Speaker 5>else that was watching that isn't Hesbla that a terrorism worked.

1:04:20.840 --> 1:04:22.680
<v Speaker 5>What did they want? They wanted us to leave Beirut?

1:04:22.760 --> 1:04:23.160
<v Speaker 1>What do we do?

1:04:23.600 --> 1:04:25.560
<v Speaker 5>We talked tough for a couple months afterward, and then

1:04:25.600 --> 1:04:29.919
<v Speaker 5>we left more quietly in early eighty four. So there's

1:04:30.120 --> 1:04:32.800
<v Speaker 5>the geopolitical aspect of it that continues to shadow our

1:04:32.840 --> 1:04:35.680
<v Speaker 5>foreign policy today. So there's a lot to explore there.

1:04:35.720 --> 1:04:38.760
<v Speaker 5>And then there's recently declassified documents about what was going

1:04:38.800 --> 1:04:42.720
<v Speaker 5>on in the White House. Who was advocating for Marines

1:04:42.760 --> 1:04:45.320
<v Speaker 5>to go ashore, who's advocating that they should stay on

1:04:45.520 --> 1:04:49.919
<v Speaker 5>an AMPTHIB ship offshore, and how that decision got made,

1:04:50.000 --> 1:04:52.560
<v Speaker 5>And so we get to explore all that in detail.

1:04:52.720 --> 1:04:56.120
<v Speaker 5>Interview survivors, interview people that came to identify the bodies,

1:04:56.280 --> 1:04:58.360
<v Speaker 5>which is the same group that identified the bodies at

1:04:58.400 --> 1:05:02.080
<v Speaker 5>Jonestown and so it's a there's lots of lots of

1:05:02.200 --> 1:05:04.440
<v Speaker 5>unpack there, so that'll be the that'll be the first one.

1:05:04.600 --> 1:05:06.560
<v Speaker 5>So that was a very long way to answer that

1:05:06.640 --> 1:05:10.080
<v Speaker 5>nonfiction question. So, yeah, nonfiction's coming and uh in fall

1:05:10.120 --> 1:05:11.080
<v Speaker 5>of twenty twenty.

1:05:10.840 --> 1:05:14.480
<v Speaker 1>Four, how do you how do you reconcile.

1:05:15.440 --> 1:05:15.760
<v Speaker 5>That you.

1:05:17.680 --> 1:05:26.080
<v Speaker 1>Spent so many years uh as a federal employee in

1:05:26.200 --> 1:05:30.200
<v Speaker 1>a chain of command that flowed down from from the

1:05:30.640 --> 1:05:34.680
<v Speaker 1>commander in chief, so like a democratically elected individual, and

1:05:34.760 --> 1:05:36.800
<v Speaker 1>that flows down through all this stuff to the point

1:05:36.800 --> 1:05:41.240
<v Speaker 1>where you and your guys are have enough faith in

1:05:41.320 --> 1:05:45.400
<v Speaker 1>that system where you're not only putting your lives at risk,

1:05:45.640 --> 1:05:48.160
<v Speaker 1>but your colleagues and frienziers are dying.

1:05:48.360 --> 1:05:51.800
<v Speaker 5>Okay, so you have this, you've you've.

1:05:52.320 --> 1:05:57.600
<v Speaker 1>Completely bought into or are supportive of this, and then

1:05:57.680 --> 1:06:05.000
<v Speaker 1>your work has like a conspiratorial tone. You know that

1:06:05.200 --> 1:06:09.040
<v Speaker 1>that not everything from up above is to be trusted.

1:06:09.480 --> 1:06:09.640
<v Speaker 5>Yeah?

1:06:10.960 --> 1:06:13.920
<v Speaker 1>Is that? Did you did you feel that way?

1:06:15.120 --> 1:06:15.600
<v Speaker 5>Or is that? Like?

1:06:15.760 --> 1:06:16.400
<v Speaker 1>Is that the writer?

1:06:17.240 --> 1:06:20.280
<v Speaker 5>Well, I certainly feel that way. Now, the government has

1:06:20.320 --> 1:06:22.440
<v Speaker 5>not done a very good job of showing us as

1:06:22.480 --> 1:06:25.640
<v Speaker 5>citizens that they can be trusted over time. And I'm

1:06:25.680 --> 1:06:28.120
<v Speaker 5>not just talking about recent history, it's throughout throughout our

1:06:28.200 --> 1:06:31.800
<v Speaker 5>history and throughout history in general. So I thought about it,

1:06:31.880 --> 1:06:34.040
<v Speaker 5>but not so much that would overshadow what my job was,

1:06:34.160 --> 1:06:37.439
<v Speaker 5>which is to accomplish this mission and bring my guys home.

1:06:38.240 --> 1:06:39.920
<v Speaker 5>But you certainly think about it when you're over there.

1:06:40.080 --> 1:06:42.600
<v Speaker 5>Let's say Iraq, and you're there in two thousand and four,

1:06:43.120 --> 1:06:45.160
<v Speaker 5>and then you come back in two thousand and five,

1:06:45.520 --> 1:06:48.040
<v Speaker 5>a year later, and you're like, Wow, things have gotten

1:06:48.200 --> 1:06:51.400
<v Speaker 5>a lot worse here. Yeah, nothing is better than when

1:06:51.400 --> 1:06:53.080
<v Speaker 5>I left. Then you come back and they're still there

1:06:53.080 --> 1:06:55.720
<v Speaker 5>in two thousand and six and looking around like miscontinues

1:06:55.800 --> 1:06:58.560
<v Speaker 5>to get worse. We continue to do the same things.

1:06:58.800 --> 1:07:00.280
<v Speaker 5>And if you're a student of history and you're student

1:07:00.320 --> 1:07:03.400
<v Speaker 5>of Vietnam and you're wondering what lessons we took from

1:07:03.400 --> 1:07:06.400
<v Speaker 5>that that we're applying to this, or if you're in Afghanistan,

1:07:06.640 --> 1:07:08.400
<v Speaker 5>like in the early days, which I thought were the

1:07:08.480 --> 1:07:10.040
<v Speaker 5>late days in two thousand and three, I thought, oh,

1:07:10.080 --> 1:07:12.920
<v Speaker 5>I'm going to miss this thing, and that didn't end

1:07:13.000 --> 1:07:15.480
<v Speaker 5>up being the case. But what lessons do we take

1:07:15.600 --> 1:07:17.360
<v Speaker 5>from the Soviets? Did we take the right ones we

1:07:17.440 --> 1:07:19.960
<v Speaker 5>have nineteen seventy nine to eighty nine, and we can

1:07:20.040 --> 1:07:22.360
<v Speaker 5>look at all these everything that happened there, and we

1:07:22.400 --> 1:07:25.600
<v Speaker 5>can draw lessons and we can apply them, hopefully as wisdom.

1:07:25.680 --> 1:07:27.280
<v Speaker 5>And we neglected to do that, or we took the

1:07:27.320 --> 1:07:29.800
<v Speaker 5>wrong lessons. I think we took the wrong lessons. We

1:07:29.840 --> 1:07:31.880
<v Speaker 5>didn't even have to go back to the three British incursions.

1:07:31.880 --> 1:07:34.840
<v Speaker 5>We now have to go back to Alexander the Great

1:07:34.880 --> 1:07:36.840
<v Speaker 5>or Genghis Khan, like there was more recent history.

1:07:36.920 --> 1:07:39.920
<v Speaker 1>Is it like Kipling? Everybody's always talking about everything you

1:07:40.040 --> 1:07:41.280
<v Speaker 1>know about Afghanistans?

1:07:41.720 --> 1:07:44.960
<v Speaker 5>Yeah, there's Yeah, it's great, great poem. It was on

1:07:45.040 --> 1:07:47.200
<v Speaker 5>the wall of one of our CIA houses over there,

1:07:48.200 --> 1:07:49.760
<v Speaker 5>and I have a picture of it that I posted

1:07:49.800 --> 1:07:52.360
<v Speaker 5>on on social and I don't call out the quote people,

1:07:52.520 --> 1:07:54.480
<v Speaker 5>some people will. I have always curious who's going to

1:07:54.520 --> 1:07:56.160
<v Speaker 5>notice the quote in the background written on the on

1:07:56.240 --> 1:07:59.800
<v Speaker 5>the wall. But yeah, we had these lessons, We had

1:08:00.280 --> 1:08:02.720
<v Speaker 5>history we could have looked at, and we neglected to

1:08:02.840 --> 1:08:05.200
<v Speaker 5>do that and ended up being there for for twenty

1:08:05.320 --> 1:08:07.080
<v Speaker 5>years and then leaving in the way that we did,

1:08:08.120 --> 1:08:10.240
<v Speaker 5>and then we have just was it just last week

1:08:10.520 --> 1:08:14.480
<v Speaker 5>we have officials appointed officials talking about it was a

1:08:14.880 --> 1:08:17.400
<v Speaker 5>huge success the way we left Afghanistan. And then you

1:08:17.439 --> 1:08:19.720
<v Speaker 5>can chextapose that with the photos of people hanging off

1:08:19.880 --> 1:08:22.280
<v Speaker 5>jets and babies getting thrown over the walls and secured

1:08:22.360 --> 1:08:25.760
<v Speaker 5>and barbed wire and okay, that's your death. That doesn't

1:08:25.840 --> 1:08:27.880
<v Speaker 5>quite look like So you have twenty years to prepare

1:08:27.920 --> 1:08:31.280
<v Speaker 5>for this, guys, twenty years and this is your only job,

1:08:31.760 --> 1:08:33.360
<v Speaker 5>and this is what you get. This is the best

1:08:33.400 --> 1:08:35.200
<v Speaker 5>you can do. But there's no I told them accountable

1:08:35.200 --> 1:08:38.439
<v Speaker 5>in the pages of my novels, because don't differ accountable really.

1:08:39.400 --> 1:08:44.240
<v Speaker 1>Like inept Oh there's anod there's but there's a neptitude.

1:08:44.880 --> 1:08:47.320
<v Speaker 1>But then there's mail in tent.

1:08:47.880 --> 1:08:50.320
<v Speaker 5>Yeah, I think a lot of ineptitude is the way

1:08:51.160 --> 1:08:54.400
<v Speaker 5>is if you have to blame something, because there hasn't

1:08:54.400 --> 1:08:59.479
<v Speaker 5>been accountability really since Vietnam, since well before Vietnam. World

1:08:59.520 --> 1:09:01.800
<v Speaker 5>War Two, there was a lot of accountability. George. People

1:09:01.960 --> 1:09:05.280
<v Speaker 5>know George Marshall for the Marshall Plan rebuilding Europe, But

1:09:05.600 --> 1:09:07.519
<v Speaker 5>really what George Marshall did and a lead up to

1:09:07.560 --> 1:09:09.840
<v Speaker 5>World War two and during World War two was hold

1:09:10.120 --> 1:09:13.040
<v Speaker 5>leaders accountable and remove them. He'd give them a one chance,

1:09:13.520 --> 1:09:16.320
<v Speaker 5>maybe two not a third out of the way. Put

1:09:16.360 --> 1:09:18.000
<v Speaker 5>someone in there that can get this job done. And

1:09:18.080 --> 1:09:21.080
<v Speaker 5>all those names that we know, from Nimitz to MacArthur

1:09:21.200 --> 1:09:23.960
<v Speaker 5>to Patent, all those guys got there because someone in

1:09:24.000 --> 1:09:26.920
<v Speaker 5>front of them failed and they were held accountable, they

1:09:26.960 --> 1:09:28.680
<v Speaker 5>were removed, and we put somebody else in place to

1:09:28.680 --> 1:09:30.519
<v Speaker 5>see if they could do it. Back to the Civil War,

1:09:30.840 --> 1:09:34.120
<v Speaker 5>Lincoln replaced after general after general after general until he

1:09:34.160 --> 1:09:37.360
<v Speaker 5>got to Grant. Then somehow those things start to change.

1:09:37.400 --> 1:09:39.840
<v Speaker 5>Maybe it's in Korea, but for sure by Vietnam. Now

1:09:39.920 --> 1:09:42.599
<v Speaker 5>we have failure on the battlefield and what happens, well,

1:09:42.800 --> 1:09:44.840
<v Speaker 5>they are not held accountable, they get out, they sit

1:09:44.920 --> 1:09:47.599
<v Speaker 5>on boards of these different companies, and that has been

1:09:47.680 --> 1:09:50.840
<v Speaker 5>pervasive all the way through today. There's a great book

1:09:50.880 --> 1:09:53.519
<v Speaker 5>called the Afghanistan Papers by Craig Whitlock of the Washington Post,

1:09:53.760 --> 1:09:58.240
<v Speaker 5>who got these interviews through two Freedom of Information Act

1:09:58.320 --> 1:10:03.000
<v Speaker 5>lawsuits with the I think Department of Defense. But it

1:10:03.280 --> 1:10:06.160
<v Speaker 5>was these officers coming back from Iraq and Afghanistan being

1:10:06.280 --> 1:10:08.200
<v Speaker 5>interviewed in a way that they thought was going to

1:10:08.240 --> 1:10:11.840
<v Speaker 5>remain classified. And then he juxtaposes what they said in

1:10:11.960 --> 1:10:14.719
<v Speaker 5>those interviews with what they said in front of Congress,

1:10:14.960 --> 1:10:17.360
<v Speaker 5>so essentially to the American people, to their troops, to

1:10:17.560 --> 1:10:20.800
<v Speaker 5>our elected representatives, and it's one to eighty out. And

1:10:21.280 --> 1:10:22.800
<v Speaker 5>there's one guy, I think it's a two thousand and

1:10:22.880 --> 1:10:25.840
<v Speaker 5>nine one general or admiral that says something it's not

1:10:25.880 --> 1:10:27.880
<v Speaker 5>even that bad. And he's like, hey, things aren't really

1:10:27.960 --> 1:10:30.800
<v Speaker 5>going as well over there as we think. If you've

1:10:30.840 --> 1:10:35.080
<v Speaker 5>been led to believe, that's about as bad as it got.

1:10:35.479 --> 1:10:39.080
<v Speaker 5>And he was quietly removed a few months later. Yeah,

1:10:39.240 --> 1:10:43.040
<v Speaker 5>So it's that non accountability that is really I think

1:10:43.360 --> 1:10:44.320
<v Speaker 5>killing us as a nation.

1:10:53.960 --> 1:10:56.160
<v Speaker 1>I got a friend that spent a lot of years

1:10:56.880 --> 1:11:01.120
<v Speaker 1>fighting in Afghanistan and he had mentioned that before he

1:11:01.240 --> 1:11:08.040
<v Speaker 1>went there, his some commanding officer had wanted to have

1:11:08.160 --> 1:11:14.240
<v Speaker 1>a lecturer come to talk about Afghan history and it

1:11:14.400 --> 1:11:17.400
<v Speaker 1>wasn't condoned. And he always admired this officer because they

1:11:17.439 --> 1:11:19.320
<v Speaker 1>paid for the speaker out of their own pocket and

1:11:19.400 --> 1:11:23.360
<v Speaker 1>flew the speaker out to come, and they basically came

1:11:23.439 --> 1:11:28.479
<v Speaker 1>in ten years in advance, he said, looking back, they

1:11:28.560 --> 1:11:32.760
<v Speaker 1>came and told us what would happen. Yeah, and this

1:11:32.880 --> 1:11:36.000
<v Speaker 1>was this was an uncondoned perspective, but it was it was.

1:11:36.200 --> 1:11:39.000
<v Speaker 1>It was an Afghan it was in the US and

1:11:39.040 --> 1:11:41.280
<v Speaker 1>they were I can't remember. They were professors somewhere, and

1:11:41.360 --> 1:11:44.519
<v Speaker 1>he said, looking back, they came and basically said, here's

1:11:44.560 --> 1:11:49.120
<v Speaker 1>what will happen ten years from now. And when when

1:11:50.200 --> 1:11:56.040
<v Speaker 1>when we pulled out and cobble fell, I texted to say, like, man,

1:11:56.280 --> 1:11:59.599
<v Speaker 1>it's got to be emotional for you or in some way,

1:12:00.000 --> 1:12:03.000
<v Speaker 1>and he just said, I've for a long time, I

1:12:03.160 --> 1:12:07.439
<v Speaker 1>just haven't been able to see any other outcome. There's

1:12:07.520 --> 1:12:11.839
<v Speaker 1>nothing we've done on like assessments that would suggest otherwise

1:12:12.360 --> 1:12:15.800
<v Speaker 1>to act like this is a surprise as bullshit. Yeah,

1:12:16.080 --> 1:12:17.800
<v Speaker 1>it was his take, his take on and now someone

1:12:17.840 --> 1:12:18.840
<v Speaker 1>has spent a lot of years there.

1:12:19.040 --> 1:12:21.519
<v Speaker 5>Yeah, no, we had all those years to study, all

1:12:21.560 --> 1:12:24.160
<v Speaker 5>those years to prepare. You could see from the spring

1:12:24.520 --> 1:12:28.439
<v Speaker 5>end of the summer, province by province falling and it's yeah,

1:12:28.600 --> 1:12:32.360
<v Speaker 5>it's really remarkable being aptitude amongst our senior level leaders

1:12:32.400 --> 1:12:36.559
<v Speaker 5>that allowed them to put these eighteen nineteen twenty twenty

1:12:36.600 --> 1:12:39.040
<v Speaker 5>two year old kids at this gate at Kabo Airport

1:12:39.080 --> 1:12:42.360
<v Speaker 5>in a tactically dis advantageous position when we held the

1:12:42.439 --> 1:12:46.840
<v Speaker 5>tactically advantageous position for twenty years at Bogram And it's

1:12:46.960 --> 1:12:48.639
<v Speaker 5>just for those who have been there, they'll know exactly

1:12:48.680 --> 1:12:51.160
<v Speaker 5>what I'm talking about, the standoff distances and everything else

1:12:51.240 --> 1:12:53.639
<v Speaker 5>involved in securing an area or an airport. In this case,

1:12:54.439 --> 1:12:58.120
<v Speaker 5>I mean, it's it's criminal, and yet no one's held accountable,

1:12:58.200 --> 1:13:01.240
<v Speaker 5>no one was no one was even quiet moved aside.

1:13:01.360 --> 1:13:03.680
<v Speaker 5>At those senior levels, they just continue to do their

1:13:03.760 --> 1:13:05.559
<v Speaker 5>job and they'll retire with a full pension and then

1:13:05.600 --> 1:13:07.280
<v Speaker 5>sit on a board, go to a couple of meetings

1:13:07.280 --> 1:13:09.680
<v Speaker 5>a year for some of these defense contracting companies, and

1:13:10.760 --> 1:13:14.200
<v Speaker 5>the machine rolls on. Unfortunately, this is.

1:13:14.240 --> 1:13:16.040
<v Speaker 1>So far removed from anything to do with hunting and

1:13:16.120 --> 1:13:18.160
<v Speaker 1>fish and whatnot. But there's a lot of parallels, but

1:13:19.200 --> 1:13:24.560
<v Speaker 1>I don't even care. Yeah, in hindsight, Okay, with the

1:13:24.640 --> 1:13:28.360
<v Speaker 1>gift of hindsight, do you have any idea of what,

1:13:31.080 --> 1:13:35.720
<v Speaker 1>when and what should have been done in Afghanistan overall? Yeah?

1:13:36.000 --> 1:13:38.280
<v Speaker 5>I mean you can go back to December of twenty

1:13:38.320 --> 1:13:40.800
<v Speaker 5>twenty one, that's what I mean. Yeah, And when I

1:13:40.800 --> 1:13:42.759
<v Speaker 5>talk about those lessons that we learned from the Soviets,

1:13:43.200 --> 1:13:45.400
<v Speaker 5>I think our senior level leaders took, hey, we need

1:13:45.479 --> 1:13:47.960
<v Speaker 5>a small footprint there. The Soviets went in with too

1:13:48.040 --> 1:13:51.360
<v Speaker 5>many people, too many targets too heavy handed and it

1:13:51.479 --> 1:13:53.840
<v Speaker 5>ended up being their their Vietnam is what they you know,

1:13:54.240 --> 1:13:56.599
<v Speaker 5>like to they like determin it for ten years.

1:13:56.640 --> 1:13:57.920
<v Speaker 1>I think they maybe found a new one.

1:13:58.240 --> 1:13:59.960
<v Speaker 5>Yeah, yeah, they to find a new one. We'll see,

1:14:00.479 --> 1:14:03.040
<v Speaker 5>they've got nine years to see if that's and yeah

1:14:03.080 --> 1:14:05.280
<v Speaker 5>they yeah, it's uh and they haven't even started. Really,

1:14:05.320 --> 1:14:07.200
<v Speaker 5>I don't think as far as they're throwing bodies at

1:14:07.240 --> 1:14:07.679
<v Speaker 5>that problem.

1:14:08.120 --> 1:14:11.200
<v Speaker 3>But not if you look at history, Yeah that their

1:14:11.280 --> 1:14:13.439
<v Speaker 3>previous commitments and manpower.

1:14:13.160 --> 1:14:17.960
<v Speaker 5>Exactly, yeah, exactly. But yeah, December twenty twenty one, multiple

1:14:18.800 --> 1:14:22.720
<v Speaker 5>requests from guys on the ground requesting either rangers or

1:14:22.800 --> 1:14:26.240
<v Speaker 5>tenth Mountain Division Marines, somebody come in, block off these

1:14:26.280 --> 1:14:28.960
<v Speaker 5>passes into Pakistan. We have Asama bin Laden right here

1:14:29.439 --> 1:14:34.800
<v Speaker 5>in these mountains. All those requests denied and slips away

1:14:34.840 --> 1:14:38.679
<v Speaker 5>and we get the next twenty years for whatever reason.

1:14:39.160 --> 1:14:42.439
<v Speaker 5>So there's one. So there's there's one. But then now

1:14:42.560 --> 1:14:44.360
<v Speaker 5>that you're in this thing, now what do you do?

1:14:44.479 --> 1:14:46.040
<v Speaker 5>And now why are we there? And then well we

1:14:46.080 --> 1:14:48.320
<v Speaker 5>get distracted by Iraq and all those resources that were

1:14:48.320 --> 1:14:51.200
<v Speaker 5>focused on Afghanistan shift over to Iraq in two thousand

1:14:51.200 --> 1:14:52.639
<v Speaker 5>and three, and you could see it on the ground

1:14:52.680 --> 1:14:55.000
<v Speaker 5>in Afghanistan, you could see all these assets kind of

1:14:55.040 --> 1:14:57.439
<v Speaker 5>pick up and and all these people that were doing

1:14:57.479 --> 1:15:00.479
<v Speaker 5>all these jobs before just aren't there anymore. Just to

1:15:00.520 --> 1:15:03.360
<v Speaker 5>a few people to keep things kind of keep things moving,

1:15:03.439 --> 1:15:07.200
<v Speaker 5>keep these outstations supplied, keep this air overhead in case

1:15:07.240 --> 1:15:10.040
<v Speaker 5>people need it. So, yeah, there are so many lessons

1:15:10.080 --> 1:15:11.720
<v Speaker 5>that we can take and apply going forward. And that's

1:15:11.720 --> 1:15:13.040
<v Speaker 5>what we're not so good at it as a country

1:15:13.360 --> 1:15:15.360
<v Speaker 5>is taking those lessons and applying them going forward as

1:15:15.400 --> 1:15:17.840
<v Speaker 5>wisdom because we're looking at for your election cycles, eight

1:15:17.920 --> 1:15:20.280
<v Speaker 5>your election cycles for the real deep thinkers among us,

1:15:20.600 --> 1:15:24.280
<v Speaker 5>But we're really not honoring all those people that either

1:15:24.360 --> 1:15:26.760
<v Speaker 5>died or came home damaged from the wars in Iraq

1:15:26.800 --> 1:15:28.760
<v Speaker 5>and Afghanistan. And the way we can now honor them

1:15:29.000 --> 1:15:31.320
<v Speaker 5>is by taking those lessons and applying them going forward

1:15:31.360 --> 1:15:33.720
<v Speaker 5>to this next generation. So these next these kids don't

1:15:33.760 --> 1:15:35.000
<v Speaker 5>have to do the same things or don't have to

1:15:35.040 --> 1:15:37.120
<v Speaker 5>suffer and through another twenty year war because of the

1:15:37.120 --> 1:15:40.040
<v Speaker 5>ineptitude of senior level leadership. But really, in the military,

1:15:40.360 --> 1:15:43.000
<v Speaker 5>as long as you don't pop positive on a piss test,

1:15:43.560 --> 1:15:45.559
<v Speaker 5>as long as you don't get arrested, too many times

1:15:45.640 --> 1:15:47.760
<v Speaker 5>or get arrested for like domestic violence or something like that.

1:15:48.200 --> 1:15:49.720
<v Speaker 5>You're going to pretty much rise to the top if

1:15:49.720 --> 1:15:51.880
<v Speaker 5>you just remain quiet, and you're going to see people

1:15:52.200 --> 1:15:54.479
<v Speaker 5>that are kind of those go getters, those hard chargers.

1:15:54.680 --> 1:15:56.120
<v Speaker 5>A lot of those people get to a certain level

1:15:56.160 --> 1:15:59.080
<v Speaker 5>and move on out, either because they just want to

1:15:59.120 --> 1:16:02.080
<v Speaker 5>do something in the private sect, or they they're kind

1:16:02.120 --> 1:16:04.360
<v Speaker 5>of disenfranchised by what they what they see at senior

1:16:04.439 --> 1:16:06.240
<v Speaker 5>level leaders or see their path ahead and they're like,

1:16:06.840 --> 1:16:08.639
<v Speaker 5>I'm not gonna go work for that guy. I'm out.

1:16:09.600 --> 1:16:12.080
<v Speaker 5>So really he's It's not the best and the brightest

1:16:12.160 --> 1:16:14.679
<v Speaker 5>that are in my experien I'm sure there are exceptions

1:16:14.720 --> 1:16:16.800
<v Speaker 5>for those that are listening. Yes, there are exceptions, but

1:16:17.000 --> 1:16:18.800
<v Speaker 5>for the most part, if you just kind of keep

1:16:18.840 --> 1:16:20.960
<v Speaker 5>your nose clean and stay out of trouble, you can

1:16:21.160 --> 1:16:23.840
<v Speaker 5>rise up in any in government service in general.

1:16:25.120 --> 1:16:27.760
<v Speaker 1>Do you I don't mean to keep beating this one

1:16:27.760 --> 1:16:32.240
<v Speaker 1>into the ground, but do you think that do you

1:16:32.320 --> 1:16:36.519
<v Speaker 1>think that the Afghanistans should have just been to focus

1:16:36.600 --> 1:16:39.560
<v Speaker 1>on al Qaeda and then just that and had that

1:16:39.640 --> 1:16:39.800
<v Speaker 1>be it.

1:16:40.479 --> 1:16:44.400
<v Speaker 5>Yeah, we definitely did not understand that al Qaeda was

1:16:44.439 --> 1:16:46.920
<v Speaker 5>a guest that there are guests of the Taliban, and

1:16:47.160 --> 1:16:49.320
<v Speaker 5>over there, if you were the guests of someone, well,

1:16:49.479 --> 1:16:53.040
<v Speaker 5>guess what that person or that tribe is now obligated

1:16:53.360 --> 1:16:56.560
<v Speaker 5>to defend you. And we stepped right into that. And

1:16:56.680 --> 1:16:59.960
<v Speaker 5>so we made enemies of the Taliban. Who I mean,

1:17:00.040 --> 1:17:03.920
<v Speaker 5>they're not, yeah, not the greater. They're just destroying these

1:17:04.120 --> 1:17:07.800
<v Speaker 5>the Buddhist statues or earlier on. And obviously they weren't

1:17:07.800 --> 1:17:10.000
<v Speaker 5>in New York City. They're not. Well maybe now it's

1:17:10.000 --> 1:17:11.960
<v Speaker 5>a little closer from what I've seen on the news

1:17:12.040 --> 1:17:17.160
<v Speaker 5>and videos I'm seeing, but we definitely made an enemy

1:17:17.200 --> 1:17:19.760
<v Speaker 5>of someone. The accidental Gorilla is a good way to

1:17:19.840 --> 1:17:21.519
<v Speaker 5>put a David cookol And has a great book called

1:17:21.520 --> 1:17:24.880
<v Speaker 5>The Accidental Gorilla, and we made a lot. It's also

1:17:24.960 --> 1:17:28.759
<v Speaker 5>called insurgent math. So you go in and kill somebody

1:17:28.840 --> 1:17:31.680
<v Speaker 5>and guess what his kid sees you do that. And

1:17:32.080 --> 1:17:34.559
<v Speaker 5>but what's that kid going to do? Well, he's probably

1:17:34.600 --> 1:17:37.600
<v Speaker 5>going to join the Taliban or whatever organization that's going

1:17:37.680 --> 1:17:41.920
<v Speaker 5>to allow him to now also honor his tribe by

1:17:42.120 --> 1:17:44.599
<v Speaker 5>getting revenge, because that's part of the culture as well,

1:17:45.240 --> 1:17:47.960
<v Speaker 5>deeply embedded. It's deeply meted in a lot of cultures.

1:17:48.000 --> 1:17:50.880
<v Speaker 5>Not just not just Afghan not just Taliban, but we

1:17:51.000 --> 1:17:54.679
<v Speaker 5>made a lot of enemies for sure. In twenty years

1:17:54.720 --> 1:17:57.880
<v Speaker 5>we had ample opportunity to do that. So if we'd

1:17:57.920 --> 1:18:00.320
<v Speaker 5>gone in with taken a little more lessons from the

1:18:00.360 --> 1:18:04.240
<v Speaker 5>Soviets and realized that if we went in heavy handed,

1:18:04.360 --> 1:18:07.200
<v Speaker 5>did the job and got out, we would accomplish that goal.

1:18:07.280 --> 1:18:08.800
<v Speaker 5>But for some reason we stayed and then for some

1:18:08.920 --> 1:18:12.320
<v Speaker 5>reason we got out the way we did. So not

1:18:12.439 --> 1:18:18.519
<v Speaker 5>a big nation building guy, no expeditionary counterinsurgency is very difficult.

1:18:18.600 --> 1:18:21.920
<v Speaker 5>So if you have a counterinsurgency campaign on your own soil,

1:18:22.479 --> 1:18:26.960
<v Speaker 5>it's different than doing it overseas, doing it on someone

1:18:27.040 --> 1:18:30.040
<v Speaker 5>else's turf, which can prove to be There are a

1:18:30.080 --> 1:18:35.080
<v Speaker 5>couple instances of long term commitments playing out Malayia places

1:18:35.120 --> 1:18:39.040
<v Speaker 5>like that, but that's a long term commitment with a

1:18:39.240 --> 1:18:44.559
<v Speaker 5>cohesive strategy, not shifting here and there and not rewarding

1:18:44.600 --> 1:18:47.400
<v Speaker 5>people for failure, which is what we do. People keep

1:18:47.439 --> 1:18:48.840
<v Speaker 5>failing up in our system.

1:18:50.600 --> 1:18:53.120
<v Speaker 1>You mentioned me last night that when you got when

1:18:53.160 --> 1:18:55.200
<v Speaker 1>you finally got done at the military, you were looking

1:18:55.320 --> 1:18:59.080
<v Speaker 1>for I'm sorry, I don't think this would be private.

1:18:59.479 --> 1:19:00.000
<v Speaker 1>You were looking for.

1:19:01.479 --> 1:19:06.439
<v Speaker 5>Physical and physical and psychological step, psychological separation. Yeah, I

1:19:06.560 --> 1:19:08.400
<v Speaker 5>just saw so many during my last couple of years

1:19:08.439 --> 1:19:09.800
<v Speaker 5>in I was at BUDS, so I was at our

1:19:09.840 --> 1:19:12.360
<v Speaker 5>seal training commands, so I wasn't taking guys down range anymore.

1:19:12.600 --> 1:19:14.240
<v Speaker 5>And I had all this leave built up from all

1:19:14.280 --> 1:19:16.280
<v Speaker 5>these all these years that I wasn't really taking leave

1:19:16.280 --> 1:19:19.439
<v Speaker 5>because I was so focused on being the best leader

1:19:19.640 --> 1:19:22.320
<v Speaker 5>operator I possibly could. I was so focused and I

1:19:22.400 --> 1:19:24.800
<v Speaker 5>think being honest with my wife about that, realizing that, hey,

1:19:24.880 --> 1:19:27.240
<v Speaker 5>the team is coming first, and that's just how it

1:19:27.320 --> 1:19:30.400
<v Speaker 5>has to be because you're responsible for those guys' lives downrange,

1:19:30.880 --> 1:19:33.439
<v Speaker 5>so youhowe it to them, their families, the country, the

1:19:33.520 --> 1:19:36.599
<v Speaker 5>mission to team. That's just how it's going to be. Eventually,

1:19:36.800 --> 1:19:39.240
<v Speaker 5>when we're out, it'll it'll switch back. So when I

1:19:39.280 --> 1:19:41.439
<v Speaker 5>got to Buds and I wasn't taking guys down range anymore,

1:19:41.439 --> 1:19:43.040
<v Speaker 5>I could kind of take a breath and look around.

1:19:43.240 --> 1:19:44.880
<v Speaker 5>I realized that I was going to get out. The

1:19:44.960 --> 1:19:47.960
<v Speaker 5>pendulum started to just swing back. Because Buds is a machine,

1:19:48.280 --> 1:19:50.200
<v Speaker 5>and it's push ups, it's sit ups, it's pull ups,

1:19:50.200 --> 1:19:52.639
<v Speaker 5>it's runs, it's swims, it's it's what it has been

1:19:52.760 --> 1:19:54.400
<v Speaker 5>for a long time.

1:19:54.760 --> 1:19:56.360
<v Speaker 1>Oh, well, we know all about that because we have

1:19:56.439 --> 1:19:57.479
<v Speaker 1>a thing now and then where you have to do

1:19:57.520 --> 1:19:58.519
<v Speaker 1>one hundred push ups.

1:19:58.400 --> 1:20:00.559
<v Speaker 5>In a day. Oh my goodness, you got to all

1:20:00.560 --> 1:20:00.840
<v Speaker 5>about that.

1:20:02.800 --> 1:20:03.760
<v Speaker 1>It's called the club.

1:20:03.800 --> 1:20:06.519
<v Speaker 5>How many guys have you lost called the club? Well,

1:20:06.560 --> 1:20:11.559
<v Speaker 5>it kind of comes was like, well, we'll.

1:20:11.479 --> 1:20:13.320
<v Speaker 1>Have it be that we're gonna have the Hondole Club

1:20:13.360 --> 1:20:15.519
<v Speaker 1>every day, but it winds up being like now and

1:20:15.600 --> 1:20:16.720
<v Speaker 1>then we'll do a hondle club.

1:20:17.400 --> 1:20:20.920
<v Speaker 5>So I completely understand now by the way you get it,

1:20:21.040 --> 1:20:24.920
<v Speaker 5>I get for sure, But but I got to see

1:20:25.240 --> 1:20:27.960
<v Speaker 5>people getting out and is My role is the operations officer,

1:20:28.000 --> 1:20:29.840
<v Speaker 5>which is like a COO of a company, so you're

1:20:29.960 --> 1:20:32.120
<v Speaker 5>kind of running day to day operations. But at BUDS,

1:20:32.120 --> 1:20:34.560
<v Speaker 5>they're really running themselves because you have an officer and

1:20:34.600 --> 1:20:36.639
<v Speaker 5>a master chief or a senior chief in every phase

1:20:36.680 --> 1:20:39.120
<v Speaker 5>of training, and they've got it. Like they don't, they've

1:20:39.160 --> 1:20:41.160
<v Speaker 5>got it. So you kind of have some some time.

1:20:41.439 --> 1:20:44.280
<v Speaker 5>And I saw people get out of the military and

1:20:44.840 --> 1:20:47.439
<v Speaker 5>have a hard time leaving it behind because you have

1:20:47.600 --> 1:20:49.960
<v Speaker 5>this mission, you're so dedicated to it, You're best friends

1:20:50.000 --> 1:20:51.840
<v Speaker 5>are a part of it. When you're downranged there to

1:20:51.880 --> 1:20:53.400
<v Speaker 5>your right and your left and you're not worried about

1:20:53.400 --> 1:20:56.439
<v Speaker 5>paying bills or leaky faucets or anything like that. You're

1:20:56.560 --> 1:20:59.719
<v Speaker 5>solely focused on building target packages and going and executing

1:20:59.760 --> 1:21:03.160
<v Speaker 5>those missions. Then you come home and you transition out

1:21:03.240 --> 1:21:05.200
<v Speaker 5>and you think maybe you can recreate that in the

1:21:05.240 --> 1:21:08.760
<v Speaker 5>private sector or something similar, and for some reason it's

1:21:08.800 --> 1:21:11.720
<v Speaker 5>a surprise that you can't. And either you try to

1:21:11.760 --> 1:21:15.280
<v Speaker 5>get back in or you're calling me as the operations

1:21:15.320 --> 1:21:17.320
<v Speaker 5>officer saying, hey, can I bring my new boss buy

1:21:17.400 --> 1:21:19.560
<v Speaker 5>for a tour? And I was always like absolutely, you

1:21:19.640 --> 1:21:21.800
<v Speaker 5>know for sure, Even when I got told no by

1:21:21.880 --> 1:21:23.960
<v Speaker 5>senior level leadership, I was always like, yeah, I just

1:21:23.960 --> 1:21:25.479
<v Speaker 5>come by when at this time, because I know that

1:21:25.520 --> 1:21:27.200
<v Speaker 5>guy is going to be gone and you know we'll

1:21:27.200 --> 1:21:29.120
<v Speaker 5>get this, get this done for you. So I was

1:21:29.160 --> 1:21:32.240
<v Speaker 5>always trying to hook up good guys in the teams

1:21:32.360 --> 1:21:33.000
<v Speaker 5>or or out.

1:21:33.240 --> 1:21:35.000
<v Speaker 1>But at the point being away.

1:21:35.000 --> 1:21:36.400
<v Speaker 5>It was hard. It was hard for a lot of

1:21:36.400 --> 1:21:38.800
<v Speaker 5>people to stay away all these foundation events that you

1:21:38.920 --> 1:21:41.400
<v Speaker 5>have to support military families, you know, continuing to go

1:21:41.479 --> 1:21:44.120
<v Speaker 5>to those going to the same grocery stores, the same bars,

1:21:44.160 --> 1:21:46.680
<v Speaker 5>dropping your kids off at the same schools where you're seeing, uh,

1:21:46.880 --> 1:21:49.000
<v Speaker 5>either somebody that was on your team before dropping their

1:21:49.040 --> 1:21:50.880
<v Speaker 5>kid off because they happened to be at a shore duty,

1:21:51.000 --> 1:21:53.320
<v Speaker 5>or you see the wife dropping the kid off and

1:21:53.400 --> 1:21:55.680
<v Speaker 5>wondering where the husband's down range in a racker Afghanistan

1:21:55.720 --> 1:21:58.560
<v Speaker 5>and you're feeling guilty about not being there. So I

1:21:58.720 --> 1:22:01.280
<v Speaker 5>saw that those couple of years that I was at

1:22:01.320 --> 1:22:03.000
<v Speaker 5>Buds at the end of my time in the military

1:22:03.040 --> 1:22:05.960
<v Speaker 5>and decided that Okay, it's ull probably be healthy to

1:22:06.280 --> 1:22:09.000
<v Speaker 5>make this physical and psychological break and head up to

1:22:09.080 --> 1:22:11.160
<v Speaker 5>Park City, Utah raise our kids in a ski town.

1:22:11.439 --> 1:22:12.599
<v Speaker 5>And I think that was a good decision.

1:22:12.960 --> 1:22:17.880
<v Speaker 1>Yeah, because talking about that, you know, you're like, your

1:22:18.320 --> 1:22:21.280
<v Speaker 1>boy likes the ski, your daughter likes the hunt. I mean,

1:22:21.680 --> 1:22:23.920
<v Speaker 1>do you at night feel like you need to at

1:22:23.920 --> 1:22:25.000
<v Speaker 1>the end of the day be like, you know, I

1:22:25.080 --> 1:22:29.840
<v Speaker 1>want to remind you that there are are horrible things

1:22:30.320 --> 1:22:32.960
<v Speaker 1>happened to people around this world. Or are you like

1:22:34.040 --> 1:22:36.439
<v Speaker 1>that that the point of this is that that's not

1:22:36.560 --> 1:22:37.439
<v Speaker 1>part of everyday life.

1:22:37.840 --> 1:22:37.880
<v Speaker 6>No.

1:22:38.000 --> 1:22:39.920
<v Speaker 5>I think about it and we talk about it, and

1:22:39.960 --> 1:22:41.960
<v Speaker 5>I see that sun setting over the mountains and I

1:22:42.040 --> 1:22:43.840
<v Speaker 5>think that it's going down here, but it's coming up

1:22:44.120 --> 1:22:47.240
<v Speaker 5>somewhere else, that somewhere else may have a group of

1:22:47.360 --> 1:22:51.240
<v Speaker 5>special Operators or sa PERI military guys just coming back

1:22:51.280 --> 1:22:53.240
<v Speaker 5>from a mission or getting ready to go do some

1:22:53.320 --> 1:22:56.600
<v Speaker 5>sort of daylight op somewhere. They're fixing gear from the

1:22:56.680 --> 1:23:00.519
<v Speaker 5>night before, they're loading magazines, they're treating wounded, they're gassing

1:23:00.600 --> 1:23:03.559
<v Speaker 5>up vehicles, or whatever they're doing. They will never hear

1:23:03.600 --> 1:23:06.160
<v Speaker 5>about unless something goes wrong, and then we'll hear about

1:23:06.160 --> 1:23:09.400
<v Speaker 5>it in the news. But if it goes well enough

1:23:09.640 --> 1:23:12.000
<v Speaker 5>that no one dies, we're probably not going to hear

1:23:12.040 --> 1:23:14.040
<v Speaker 5>about it. So I think about that. I think about

1:23:14.080 --> 1:23:16.880
<v Speaker 5>that every day, but I don't dwell on it. I

1:23:17.000 --> 1:23:19.680
<v Speaker 5>appreciate that they're out there doing that job so I

1:23:19.720 --> 1:23:21.560
<v Speaker 5>can be back here doing what I love, which is

1:23:21.640 --> 1:23:23.880
<v Speaker 5>which is writing. But I never forget it. I never

1:23:23.960 --> 1:23:24.680
<v Speaker 5>forget they're out there.

1:23:25.080 --> 1:23:29.400
<v Speaker 1>Did you get to it with writing? Did you also

1:23:29.479 --> 1:23:31.760
<v Speaker 1>one day be like okay, because you knew you're gonna

1:23:31.800 --> 1:23:33.320
<v Speaker 1>you know, you wanted to write since you were a kid.

1:23:34.479 --> 1:23:37.040
<v Speaker 1>Did you one day be like okay, now now it begins,

1:23:37.400 --> 1:23:40.400
<v Speaker 1>Oh yeah, yeah, just said a typewriter.

1:23:40.560 --> 1:23:41.920
<v Speaker 5>Yep, yep, sat down my computer.

1:23:42.680 --> 1:23:44.479
<v Speaker 1>Here's a movie. It'll be a type yeah exactly.

1:23:44.479 --> 1:23:48.160
<v Speaker 5>I collect old typewriters now, actually at Havyway. Somebody gifted

1:23:48.200 --> 1:23:50.479
<v Speaker 5>it to me in early twenty twenty. Yeah, he wrote

1:23:50.479 --> 1:23:53.360
<v Speaker 5>a movable feast on it, published after after he died.

1:23:53.640 --> 1:23:55.720
<v Speaker 5>But but yeah, so I have that. That's I really.

1:23:55.720 --> 1:23:57.720
<v Speaker 5>A bunch of his stuff went up for sale. Yeah,

1:23:57.760 --> 1:24:02.360
<v Speaker 5>the guy that started Newman's Owne with Paul Newman also

1:24:02.800 --> 1:24:05.400
<v Speaker 5>was part of that that that crowd and had had

1:24:05.439 --> 1:24:08.479
<v Speaker 5>purchased this typewriter for Hemingway to write a move Wolf

1:24:08.479 --> 1:24:11.160
<v Speaker 5>east On in New York. Actually, and all his this

1:24:11.200 --> 1:24:13.240
<v Speaker 5>stuff went up for sale when he passed away, and

1:24:13.560 --> 1:24:16.360
<v Speaker 5>I was early twenty twenty, and a fan reached out

1:24:16.360 --> 1:24:17.640
<v Speaker 5>and said that they wanted me to have it. So,

1:24:18.280 --> 1:24:20.720
<v Speaker 5>I mean, waste typewriter now, but I don't work. I

1:24:20.760 --> 1:24:22.599
<v Speaker 5>typed one thing on it. I wrote one Hemingway quote

1:24:22.880 --> 1:24:25.240
<v Speaker 5>and I put it on there, and and I write

1:24:25.479 --> 1:24:28.639
<v Speaker 5>everything on my MacBook.

1:24:29.120 --> 1:24:30.320
<v Speaker 1>Cred. Do you think I should put him in his

1:24:30.400 --> 1:24:32.160
<v Speaker 1>place and tell him about how we have that knife

1:24:32.200 --> 1:24:33.680
<v Speaker 1>that was used to get the weights out of the

1:24:33.760 --> 1:24:35.519
<v Speaker 1>walleye at the Walleye cheating scandal.

1:24:35.760 --> 1:24:38.519
<v Speaker 5>Oh wow, I feel like this is a story that's

1:24:38.520 --> 1:24:41.240
<v Speaker 5>been told him this podcast before anyway, typewriter.

1:24:42.640 --> 1:24:43.720
<v Speaker 4>Yeah, I'm not.

1:24:43.840 --> 1:24:44.959
<v Speaker 5>Sure the two campaigns.

1:24:45.640 --> 1:24:48.000
<v Speaker 1>That's cool, but yes I did.

1:24:48.080 --> 1:24:51.000
<v Speaker 5>I sat down, looked around after I was at buds

1:24:51.040 --> 1:24:53.680
<v Speaker 5>and was like, Okay, my family needs me, son needs me.

1:24:53.880 --> 1:24:55.600
<v Speaker 5>It's time to make this stay and I'm not going

1:24:55.680 --> 1:24:58.280
<v Speaker 5>to go through this, uh this next ten years. So

1:24:58.560 --> 1:25:01.080
<v Speaker 5>essentially come back as a commanding officer somewhere. It's time

1:25:01.160 --> 1:25:03.160
<v Speaker 5>to get out. It was a good run. Started enlisted,

1:25:03.400 --> 1:25:05.080
<v Speaker 5>did all the things I wanted to do, became an officer,

1:25:06.080 --> 1:25:07.760
<v Speaker 5>got out as a troop commander at the end of

1:25:07.960 --> 1:25:10.080
<v Speaker 5>when we got out a rack in twenty eleven, and

1:25:10.200 --> 1:25:13.400
<v Speaker 5>now got home, looked around, realized that was a good

1:25:13.479 --> 1:25:14.920
<v Speaker 5>run to time to get out.

1:25:15.000 --> 1:25:18.120
<v Speaker 1>Did your wife think you were nuts? No, No, I

1:25:18.160 --> 1:25:19.639
<v Speaker 1>will become a famous writer.

1:25:21.160 --> 1:25:23.640
<v Speaker 5>We known each other since we were eighteen, and so

1:25:23.720 --> 1:25:25.200
<v Speaker 5>the whole time I wanted to be a seal and

1:25:25.320 --> 1:25:27.799
<v Speaker 5>an author. And so she's seen all these books travel

1:25:28.040 --> 1:25:30.200
<v Speaker 5>with us from the days that I was eighteen, I

1:25:30.240 --> 1:25:31.880
<v Speaker 5>still had books all over the place, and I still

1:25:31.920 --> 1:25:34.880
<v Speaker 5>have those books. So she's been she's used to it,

1:25:35.280 --> 1:25:37.439
<v Speaker 5>and she just knows that, yeah, this was my plan,

1:25:37.560 --> 1:25:41.000
<v Speaker 5>so she's not she's not surprised by it. When when

1:25:41.080 --> 1:25:41.360
<v Speaker 5>it was.

1:25:41.439 --> 1:25:45.600
<v Speaker 4>Time to write like before that, like, leading up to

1:25:45.720 --> 1:25:51.479
<v Speaker 4>that point, had you done anything to train yourself or

1:25:51.520 --> 1:25:53.920
<v Speaker 4>school yourself in writing or you were just like, I'm

1:25:53.920 --> 1:25:54.840
<v Speaker 4>going to write a damn book.

1:25:54.960 --> 1:25:57.280
<v Speaker 5>Yeah, all that reading that I did, but no, like

1:25:57.560 --> 1:26:00.000
<v Speaker 5>formal you didn't take any like didn't take a cloist

1:26:00.240 --> 1:26:02.880
<v Speaker 5>or anything like that. I read On Writing by Stephen King,

1:26:03.000 --> 1:26:06.559
<v Speaker 5>The Successful Novelist by David Morrell, all those Stephen Hunter

1:26:06.800 --> 1:26:09.160
<v Speaker 5>books that were out at the time, on creativity. There's

1:26:09.160 --> 1:26:10.800
<v Speaker 5>more of the mount now, there's maybe three or four

1:26:10.800 --> 1:26:12.960
<v Speaker 5>of them out then, it's probably seven of them out now.

1:26:14.080 --> 1:26:16.479
<v Speaker 5>So I read those and then I decided, okay, that's

1:26:16.560 --> 1:26:19.320
<v Speaker 5>enough because today you can essentially study how to do

1:26:19.400 --> 1:26:23.080
<v Speaker 5>something forever. You can take multiple online classes, multiple master classes.

1:26:23.160 --> 1:26:25.400
<v Speaker 5>You can just essentially research until the end of time

1:26:25.680 --> 1:26:28.040
<v Speaker 5>on the internet. Eventually, if you want to get something done,

1:26:28.040 --> 1:26:28.799
<v Speaker 5>you have to execute.

1:26:28.920 --> 1:26:31.200
<v Speaker 4>So oh some people that's just what they do.

1:26:31.479 --> 1:26:33.240
<v Speaker 5>Yeah, and that's fine, and that's fine. But I was

1:26:33.280 --> 1:26:36.479
<v Speaker 5>ready to write. But more so and on writing for

1:26:36.520 --> 1:26:38.320
<v Speaker 5>people that have read it, is more autobiography than on

1:26:38.479 --> 1:26:41.720
<v Speaker 5>how to book by Stephen King. But I love reading

1:26:41.760 --> 1:26:44.599
<v Speaker 5>autobiography as by authors, and typically they write them later

1:26:44.840 --> 1:26:46.880
<v Speaker 5>later in life. There's a few more of them out

1:26:46.920 --> 1:26:48.800
<v Speaker 5>now that weren't out at the time that I started writing.

1:26:48.840 --> 1:26:50.320
<v Speaker 5>If they had been, I would have read those as well.

1:26:50.720 --> 1:26:54.200
<v Speaker 5>But yeah, read those, But luckily I had that foundation

1:26:54.560 --> 1:26:57.720
<v Speaker 5>already built and then sat down and wrote. But really

1:26:57.760 --> 1:26:59.760
<v Speaker 5>I started with the title, and this is how it's

1:26:59.760 --> 1:27:02.040
<v Speaker 5>been for every book thus far. I like to have

1:27:02.120 --> 1:27:04.000
<v Speaker 5>the title right out of the gate, so I'm not worried,

1:27:04.000 --> 1:27:06.320
<v Speaker 5>I'm not wasting bandwidth, worried about coming up with a

1:27:06.360 --> 1:27:08.080
<v Speaker 5>good title. So even if it's a working title, I

1:27:08.200 --> 1:27:10.519
<v Speaker 5>like to have that down, even if it's going to

1:27:10.600 --> 1:27:12.840
<v Speaker 5>change eventually. I like to have that not just book six,

1:27:13.000 --> 1:27:16.080
<v Speaker 5>but a title, a theme that's going to guide the

1:27:16.120 --> 1:27:18.200
<v Speaker 5>writing process. So each book has a distinctive theme that's

1:27:18.200 --> 1:27:19.839
<v Speaker 5>just a sentence. And I got that from Stephen Pressfield

1:27:19.880 --> 1:27:23.320
<v Speaker 5>misinterpretation of something that Stephen Pressfield said on Rogan But

1:27:23.400 --> 1:27:27.560
<v Speaker 5>I'm glad that I misinterpreted it, and I interpreted it

1:27:27.800 --> 1:27:30.200
<v Speaker 5>as he would take a yellow sticky next to his

1:27:30.280 --> 1:27:34.120
<v Speaker 5>typewriter and write a one word theme. So I was like, ah,

1:27:34.360 --> 1:27:38.280
<v Speaker 5>wonderful revenge, and then I changed that to revenge without constraint.

1:27:38.360 --> 1:27:39.200
<v Speaker 5>I cheated a little bit.

1:27:39.360 --> 1:27:39.960
<v Speaker 1>What did he mean?

1:27:40.439 --> 1:27:42.559
<v Speaker 5>He was telling a story about a playwright in New

1:27:42.680 --> 1:27:45.960
<v Speaker 5>York who would write a few sentences about a theme

1:27:46.080 --> 1:27:49.599
<v Speaker 5>that would guide his writing process, and somehow in your

1:27:49.640 --> 1:27:55.000
<v Speaker 5>head yeah one word, yeah, well done, hurt to be concise? No, no,

1:27:55.120 --> 1:27:57.000
<v Speaker 5>And now I have the same thing, but it's a

1:27:57.040 --> 1:27:59.439
<v Speaker 5>little more wordy, not not much, but it's definitely not

1:27:59.479 --> 1:28:02.840
<v Speaker 5>more than a say. So start with that, and then

1:28:03.160 --> 1:28:06.240
<v Speaker 5>one page executive summary, and I write that out and

1:28:06.280 --> 1:28:09.800
<v Speaker 5>then I ask myself two questions. I say, would is

1:28:09.840 --> 1:28:11.240
<v Speaker 5>this worth a year of my life or a year

1:28:11.240 --> 1:28:13.479
<v Speaker 5>and a half of my life? And if it's yes,

1:28:13.520 --> 1:28:15.200
<v Speaker 5>then I ask another question. I say, if someone were

1:28:15.280 --> 1:28:18.599
<v Speaker 5>to read this like walking through airport, going into Hudson News,

1:28:18.640 --> 1:28:20.560
<v Speaker 5>pulling the book off and reading the back or the

1:28:20.640 --> 1:28:23.680
<v Speaker 5>flap jacket, would they be willing to invest time that

1:28:23.720 --> 1:28:26.000
<v Speaker 5>they're never going to get back in this story. And

1:28:26.120 --> 1:28:28.880
<v Speaker 5>if the answer to both of those is yes, then boom,

1:28:29.360 --> 1:28:31.200
<v Speaker 5>I'm all in. And then I take that, turn that

1:28:31.280 --> 1:28:33.479
<v Speaker 5>into an outline, and then take that outline turn it

1:28:33.520 --> 1:28:35.840
<v Speaker 5>into a narrative. But what I don't do is get

1:28:36.000 --> 1:28:37.920
<v Speaker 5>stuck on the outline, because if I get to a

1:28:37.960 --> 1:28:39.800
<v Speaker 5>place in that outline where I'm like, oh, how he

1:28:39.880 --> 1:28:41.800
<v Speaker 5>is ever going to get out of this? Is anyone

1:28:41.880 --> 1:28:44.719
<v Speaker 5>ever going to believe this? This is going to be terrible.

1:28:44.720 --> 1:28:46.519
<v Speaker 5>I'm never going to figure this out. If I get

1:28:46.560 --> 1:28:48.720
<v Speaker 5>to that, I just put a bunch of x's and

1:28:48.800 --> 1:28:50.600
<v Speaker 5>go around it, and I keep writing, knowing that I

1:28:50.640 --> 1:28:52.679
<v Speaker 5>have a year and a half to figure this out.

1:28:53.240 --> 1:28:56.120
<v Speaker 5>And on the battlefield, you had seconds to make decisions.

1:28:56.439 --> 1:28:59.599
<v Speaker 5>Now I have a year a year and a half

1:29:00.200 --> 1:29:00.760
<v Speaker 5>that first book.

1:29:01.320 --> 1:29:03.920
<v Speaker 4>Or are you working completely solo or did you have

1:29:04.000 --> 1:29:04.960
<v Speaker 4>an editor or anyone?

1:29:05.000 --> 1:29:05.120
<v Speaker 6>Ye?

1:29:05.280 --> 1:29:08.400
<v Speaker 5>Yeah, so nobody yet. I sent it to twenty people

1:29:08.560 --> 1:29:10.760
<v Speaker 5>or so maybe twenty five even maybe twenty seven May

1:29:10.880 --> 1:29:13.800
<v Speaker 5>thirty when it was done, when I thought I got

1:29:13.840 --> 1:29:16.160
<v Speaker 5>it to the place where I got it to being

1:29:16.160 --> 1:29:18.640
<v Speaker 5>the best that I could get it, and I told myself, Hey,

1:29:18.720 --> 1:29:21.080
<v Speaker 5>if one person says comes back and says, hey, I

1:29:21.120 --> 1:29:22.920
<v Speaker 5>really didn't like this part, this part didn't make sense,

1:29:23.000 --> 1:29:26.240
<v Speaker 5>you need to do this, I would discount it two three, Yeah,

1:29:26.320 --> 1:29:28.559
<v Speaker 5>discount those two. But if it was like five, six,

1:29:28.720 --> 1:29:31.360
<v Speaker 5>seven of those twenty five or thirty people were like,

1:29:31.640 --> 1:29:34.120
<v Speaker 5>you should think about writing this part again, or I

1:29:34.160 --> 1:29:37.560
<v Speaker 5>didn't really understand this. Then I've been okay, Roger that,

1:29:38.200 --> 1:29:40.200
<v Speaker 5>but now I sent it to four people ahead of time.

1:29:40.880 --> 1:29:43.000
<v Speaker 5>They were part of that original original group, but now

1:29:43.040 --> 1:29:44.720
<v Speaker 5>it's four and I sent it to them before I

1:29:44.760 --> 1:29:47.519
<v Speaker 5>send it to my editor, and they give me different

1:29:47.560 --> 1:29:50.280
<v Speaker 5>things back and there it's all super valuable and they're

1:29:50.320 --> 1:29:52.479
<v Speaker 5>they're amazing. I thank them and the acknowledgments of my books,

1:29:52.600 --> 1:29:55.120
<v Speaker 5>and then I make those make those changes or I

1:29:55.160 --> 1:29:58.240
<v Speaker 5>discard them, and then send it to my editor and

1:29:58.479 --> 1:30:01.479
<v Speaker 5>so they're so she's getting the best product that me

1:30:01.920 --> 1:30:04.280
<v Speaker 5>and a little bit of feedback from like a fan base.

1:30:05.080 --> 1:30:07.800
<v Speaker 5>And three of those four guys are lawyers, so they're

1:30:07.880 --> 1:30:11.720
<v Speaker 5>good at finding things in written documents, so they're good

1:30:11.720 --> 1:30:13.800
<v Speaker 5>at finding finding things need to be explained a little

1:30:13.800 --> 1:30:17.240
<v Speaker 5>more exactly, yeah, exactly, and usually it's fixed with just

1:30:17.280 --> 1:30:19.800
<v Speaker 5>a sentence here or there. So I do that and

1:30:19.880 --> 1:30:22.000
<v Speaker 5>then send it to New York and Emily Butler, my

1:30:22.120 --> 1:30:25.759
<v Speaker 5>editor Simon and Schuster. Emily Butler Books was imprint of Atria,

1:30:26.200 --> 1:30:28.320
<v Speaker 5>so she has her own imprint and she's amazing, and

1:30:28.360 --> 1:30:30.080
<v Speaker 5>she's the only person I ever wanted to be my editor.

1:30:30.360 --> 1:30:32.120
<v Speaker 5>And the reason I found her is that I looked

1:30:32.160 --> 1:30:34.120
<v Speaker 5>in the back of books people in my genre, and

1:30:34.120 --> 1:30:36.639
<v Speaker 5>I'm like, why is Vince Flynn thanking this person named

1:30:36.640 --> 1:30:39.200
<v Speaker 5>Emily Butler? Why is Brad Thor thanking this person named

1:30:39.200 --> 1:30:42.200
<v Speaker 5>Emily Butler? And I decided, Emily Butsler will be my publisher,

1:30:42.800 --> 1:30:46.400
<v Speaker 5>so I should probably. Yeah, she didn't know this. She

1:30:46.479 --> 1:30:48.679
<v Speaker 5>didn't know this yet, she had no idea I existed.

1:30:48.720 --> 1:30:50.400
<v Speaker 5>And same thing as I started writing. Being a child

1:30:50.479 --> 1:30:52.000
<v Speaker 5>of the eighties, it only makes sense to pick the

1:30:52.120 --> 1:30:54.080
<v Speaker 5>star that's going to star in your adaptation of this

1:30:54.120 --> 1:30:56.920
<v Speaker 5>book that you have a sentence written of. And I thought,

1:30:57.000 --> 1:31:00.639
<v Speaker 5>you know what, Chris Pratt's the guy and in Guardians

1:31:00.680 --> 1:31:02.840
<v Speaker 5>of the Galaxy, yet hadn't been in Jurassic World yet.

1:31:03.320 --> 1:31:05.160
<v Speaker 5>He had a very small role in Zero Dark thirty

1:31:05.160 --> 1:31:07.599
<v Speaker 5>as a seal, and he was in Parks and Rec.

1:31:07.680 --> 1:31:11.000
<v Speaker 5>So I saw this transformation from Andy Dwyer in Parks

1:31:11.040 --> 1:31:14.240
<v Speaker 5>and Rec to this seal operator. And I also thought, Hey,

1:31:14.240 --> 1:31:17.200
<v Speaker 5>I need someone who's likable on and off screen because

1:31:17.240 --> 1:31:20.360
<v Speaker 5>this role is going to require an audience to forgive him,

1:31:20.400 --> 1:31:22.160
<v Speaker 5>possibly for a lot of the things that I'm about

1:31:22.160 --> 1:31:25.200
<v Speaker 5>to write about. And I thought about Magnum back in

1:31:25.280 --> 1:31:27.719
<v Speaker 5>the back in the eighties, and I thought everybody loved Magnum,

1:31:28.840 --> 1:31:31.719
<v Speaker 5>all the all the wives love Magnum, all the dads

1:31:31.760 --> 1:31:35.920
<v Speaker 5>love Magnum. Everybody loved Magnum because he was funny. You

1:31:35.920 --> 1:31:37.439
<v Speaker 5>wanted to sit down have a beer with him. He'd

1:31:37.439 --> 1:31:38.880
<v Speaker 5>sit down and to have beers with his buddies at

1:31:38.880 --> 1:31:41.360
<v Speaker 5>the King Command Maa club. But then he could flip

1:31:41.439 --> 1:31:43.840
<v Speaker 5>that switch. And there were episodes. It was the first

1:31:43.880 --> 1:31:49.760
<v Speaker 5>time that protagonist in in primetime television had killed an

1:31:49.880 --> 1:31:52.760
<v Speaker 5>unarmed bad guy, and that was in Have You Seen

1:31:52.800 --> 1:31:55.559
<v Speaker 5>the Sunrise? And yeah, so I love that episode.

1:31:55.600 --> 1:31:58.320
<v Speaker 1>It's just my dad that I don't remember, So I

1:31:58.320 --> 1:32:03.960
<v Speaker 1>don't remember. I just remember, like the shirt anything, yeah,

1:32:04.360 --> 1:32:05.320
<v Speaker 1>very short shorts.

1:32:05.840 --> 1:32:07.519
<v Speaker 5>Yeah, yep. So I thought about that. I thought, Chris

1:32:07.560 --> 1:32:08.800
<v Speaker 5>Prats the guy he'll start. And then I'm like, well,

1:32:08.800 --> 1:32:10.799
<v Speaker 5>I'm choosing my star, might as well choose my director.

1:32:11.000 --> 1:32:13.840
<v Speaker 5>And I thought Antoine Fuqua. I love everything that that

1:32:13.960 --> 1:32:17.760
<v Speaker 5>he's done. He's amazing. Training day, training day, incredible with

1:32:17.840 --> 1:32:20.280
<v Speaker 5>Denzel Washington, of course, and I did shoot her, which

1:32:20.280 --> 1:32:22.960
<v Speaker 5>is an adaptation of a Point of Impact by Stephen Hunter,

1:32:23.360 --> 1:32:26.680
<v Speaker 5>and uh like yep uh. Antoine will direct and that's

1:32:26.720 --> 1:32:30.200
<v Speaker 5>who ended up starring and directing. So it's uh so

1:32:30.320 --> 1:32:33.120
<v Speaker 5>it worked out, which happens all the time. He lives

1:32:33.160 --> 1:32:36.280
<v Speaker 5>in Utah, doesn't he Nope, no, he doesn't in California.

1:32:36.360 --> 1:32:39.320
<v Speaker 5>He's California, but from uh moved around, but from Washington State.

1:32:39.439 --> 1:32:41.360
<v Speaker 5>But but he's somebody you want to sit down, have

1:32:41.400 --> 1:32:43.680
<v Speaker 5>coffee with, have a beer with, and just an awesome guy.

1:32:43.680 --> 1:32:45.080
<v Speaker 5>When he optioned it, he came out to Utah, he

1:32:45.120 --> 1:32:47.439
<v Speaker 5>spent a week together out in the in the back country,

1:32:47.439 --> 1:32:50.240
<v Speaker 5>and he's just a solid dude. And being on set

1:32:50.360 --> 1:32:53.760
<v Speaker 5>with him, you can tell like everybody is happy to

1:32:53.840 --> 1:32:55.760
<v Speaker 5>be there on that set because he's set in the

1:32:55.800 --> 1:32:58.320
<v Speaker 5>tone him and Antoine. Antoine's like the commanding officer and

1:32:58.479 --> 1:33:00.599
<v Speaker 5>Chris is like the troop commander, and they are setting

1:33:00.760 --> 1:33:02.960
<v Speaker 5>that tone for the entire three hundred and fifty other

1:33:03.040 --> 1:33:05.479
<v Speaker 5>people on that set. And so many people came up

1:33:05.520 --> 1:33:07.200
<v Speaker 5>to me that didn't have to to tell me that

1:33:07.240 --> 1:33:09.519
<v Speaker 5>they'd been on hundreds of Hollywood sets before, whether it

1:33:09.600 --> 1:33:11.599
<v Speaker 5>was hair and makeup people or stunt people or whoever

1:33:11.640 --> 1:33:14.160
<v Speaker 5>it was, and they'd say, I've never felt the way

1:33:14.160 --> 1:33:16.479
<v Speaker 5>I have on this set. But that's all due to

1:33:16.560 --> 1:33:19.920
<v Speaker 5>Antoine and all due to Chris setting this tone of positivity,

1:33:19.960 --> 1:33:22.760
<v Speaker 5>and they're mentoring people along and everybody wants to be

1:33:22.840 --> 1:33:24.680
<v Speaker 5>there doing their best work. But I can see how

1:33:24.680 --> 1:33:25.800
<v Speaker 5>it would be the opposite too, if you had a

1:33:25.880 --> 1:33:28.120
<v Speaker 5>crazy director. I can see how that could totally set

1:33:28.160 --> 1:33:30.439
<v Speaker 5>a negative tone, or had a star though I number

1:33:30.439 --> 1:33:32.320
<v Speaker 5>one on the call sheet, who was just crazy person,

1:33:32.560 --> 1:33:34.040
<v Speaker 5>and how that could set the tone and how people

1:33:34.080 --> 1:33:35.479
<v Speaker 5>would be like, Oh, I can't believe I have to

1:33:35.479 --> 1:33:37.320
<v Speaker 5>go into work today and work with this crazy person.

1:33:38.120 --> 1:33:39.519
<v Speaker 5>So we had the opposite of that.

1:33:39.920 --> 1:33:42.759
<v Speaker 3>It kind of goes back to our earlier conversation about government.

1:33:42.840 --> 1:33:44.439
<v Speaker 3>It's like, well, why do you put up with those

1:33:44.520 --> 1:33:45.959
<v Speaker 3>people in Hollywood?

1:33:46.080 --> 1:33:49.960
<v Speaker 5>Yeah? I guess these they're employing so many people, I guess.

1:33:50.280 --> 1:33:51.720
<v Speaker 5>But it doesn't have to be that way. You get

1:33:51.760 --> 1:33:53.799
<v Speaker 5>to choose, and Antoine and Chris choose to be positive

1:33:53.800 --> 1:33:56.799
<v Speaker 5>and choose to be encouraging and choose to mentor people along.

1:33:56.960 --> 1:34:01.120
<v Speaker 5>And it's just really cool to see that. And again

1:34:01.240 --> 1:34:03.400
<v Speaker 5>the only reason that came to be is because of

1:34:03.479 --> 1:34:06.759
<v Speaker 5>a good buddy, Jared Shaw, who in the Seal teams

1:34:07.000 --> 1:34:10.000
<v Speaker 5>was getting out and it was when I was at

1:34:10.040 --> 1:34:12.120
<v Speaker 5>BUDS and I said, hell, hey, you're getting out. Oh,

1:34:12.200 --> 1:34:14.280
<v Speaker 5>come come see me in my office at some point

1:34:14.360 --> 1:34:15.840
<v Speaker 5>and just let me know what your plans are and

1:34:16.160 --> 1:34:17.719
<v Speaker 5>let me know if I can can help you in anyway.

1:34:17.840 --> 1:34:20.400
<v Speaker 5>So we sat down and talked, and I introduced him

1:34:20.400 --> 1:34:21.920
<v Speaker 5>to some people in the private sector in the industry

1:34:21.960 --> 1:34:24.000
<v Speaker 5>he wanted to get into, and followed up with him,

1:34:24.040 --> 1:34:26.400
<v Speaker 5>and then I forgot all about it. And then five

1:34:26.479 --> 1:34:29.439
<v Speaker 5>years later, about six months before my first book comes out,

1:34:29.720 --> 1:34:31.960
<v Speaker 5>he calls and I hadn't talked to him in years,

1:34:32.280 --> 1:34:34.680
<v Speaker 5>and he says, hey, do you remember me? And I said, yeah,

1:34:34.720 --> 1:34:36.920
<v Speaker 5>of course, Jared, how are you? And he said, hey, man,

1:34:36.920 --> 1:34:38.160
<v Speaker 5>I always wanted to call and thank you for what

1:34:38.240 --> 1:34:40.400
<v Speaker 5>you did for me. The Seal teams, nobody else sat

1:34:40.439 --> 1:34:41.800
<v Speaker 5>me down in their office. No one talked to me

1:34:41.840 --> 1:34:43.880
<v Speaker 5>about transitioning out. No one introduced me to people in

1:34:43.920 --> 1:34:45.920
<v Speaker 5>the private sector, no one followed up with me. I

1:34:46.080 --> 1:34:48.799
<v Speaker 5>was just kind of brushed aside by senior level leadership.

1:34:48.800 --> 1:34:50.800
<v Speaker 5>When I told him I was getting out, and I

1:34:50.920 --> 1:34:53.200
<v Speaker 5>was like, oh, man, hey, my pleasure. How's it going.

1:34:53.560 --> 1:34:56.479
<v Speaker 5>You know, how do everything work out? And he said

1:34:56.680 --> 1:34:59.040
<v Speaker 5>everything's great, But I heard you have a book coming out,

1:34:59.280 --> 1:35:00.640
<v Speaker 5>and I said, yep, come out a few months. I

1:35:00.640 --> 1:35:02.280
<v Speaker 5>can send you a gally copy, which is like a

1:35:02.560 --> 1:35:04.120
<v Speaker 5>I just learned what a gally copy was like a

1:35:04.160 --> 1:35:06.720
<v Speaker 5>week earlier. It's like a rough draft, and I can

1:35:06.760 --> 1:35:08.160
<v Speaker 5>send that to you if you'd like. And he said, yeah,

1:35:08.160 --> 1:35:09.680
<v Speaker 5>I like that, but I'd like to give it to

1:35:09.720 --> 1:35:11.920
<v Speaker 5>a friend of mine. And I said, who's that and

1:35:12.040 --> 1:35:15.439
<v Speaker 5>he said Chris Pratt, Like, oh, that's convenient for me.

1:35:16.680 --> 1:35:18.839
<v Speaker 5>So I sent it to Jared. He read it in November.

1:35:18.880 --> 1:35:20.439
<v Speaker 5>He gave it to Chris in December. Chris read it

1:35:20.479 --> 1:35:22.559
<v Speaker 5>in the at the end of December and then called

1:35:22.560 --> 1:35:25.560
<v Speaker 5>a week later, want an option it? So yeah, do

1:35:25.720 --> 1:35:26.040
<v Speaker 5>you have.

1:35:27.840 --> 1:35:32.400
<v Speaker 3>People who are non like acronym pros that read your

1:35:33.120 --> 1:35:35.559
<v Speaker 3>early drafts and kind of go be like, I don't

1:35:35.600 --> 1:35:38.960
<v Speaker 3>know about this? Or do people just get on board

1:35:39.240 --> 1:35:43.040
<v Speaker 3>with the vernacular so fast? And that's my assumption as

1:35:43.120 --> 1:35:47.200
<v Speaker 3>people they do, They just like snap into those It's something.

1:35:47.040 --> 1:35:49.559
<v Speaker 5>As you can tell from the context, like I pulled

1:35:49.600 --> 1:35:51.120
<v Speaker 5>down my nods and now I can see it night

1:35:51.160 --> 1:35:53.200
<v Speaker 5>type of thing. You're like, yo, a nod must be

1:35:53.240 --> 1:35:54.760
<v Speaker 5>some sort of a night vision type of a thing.

1:35:55.360 --> 1:35:56.960
<v Speaker 5>So a lot of times some context you can get it,

1:35:57.000 --> 1:35:59.240
<v Speaker 5>but my editor will say, hey, can you describe what

1:35:59.320 --> 1:36:01.080
<v Speaker 5>this is? Then I'll just put like little parentheses and

1:36:01.160 --> 1:36:03.360
<v Speaker 5>say what it is. But I also brought back I

1:36:03.400 --> 1:36:04.800
<v Speaker 5>don't know if I brought it back. I shouldn't say that,

1:36:04.840 --> 1:36:07.160
<v Speaker 5>but I thought of it as bringing it back because

1:36:07.240 --> 1:36:10.519
<v Speaker 5>before the Internet, glossaries in the back of books in

1:36:10.520 --> 1:36:12.240
<v Speaker 5>the eighties were so much fun for me to go through,

1:36:12.280 --> 1:36:15.360
<v Speaker 5>and I could go through the extra were I was like, Oh,

1:36:15.400 --> 1:36:17.200
<v Speaker 5>this is so awesome. So I wanted to bring that

1:36:17.320 --> 1:36:17.920
<v Speaker 5>back the book.

1:36:18.000 --> 1:36:19.360
<v Speaker 3>It was just like an extra thing.

1:36:20.000 --> 1:36:21.240
<v Speaker 5>So I put the glossary in the back. And some

1:36:21.320 --> 1:36:23.360
<v Speaker 5>things are funny. I put some some funny things in there,

1:36:23.400 --> 1:36:26.519
<v Speaker 5>and some things are actual definitions. But so I put

1:36:26.560 --> 1:36:28.519
<v Speaker 5>that in the back for anybody that needs help with

1:36:28.560 --> 1:36:31.200
<v Speaker 5>the acronyms. But otherwise you can pretty much get it,

1:36:31.360 --> 1:36:34.920
<v Speaker 5>and you know, if not, maybe's not the book for you.

1:36:35.600 --> 1:36:36.360
<v Speaker 5>You know, I don't know.

1:36:36.880 --> 1:36:40.400
<v Speaker 3>I mean I think once people get into a story, yeah,

1:36:40.760 --> 1:36:43.799
<v Speaker 3>it also is like it's just like language.

1:36:43.840 --> 1:36:46.080
<v Speaker 5>Some people are like, oh cool, what is this? You

1:36:46.120 --> 1:36:47.360
<v Speaker 5>can look it up? And now you can look it up.

1:36:47.520 --> 1:36:48.920
<v Speaker 5>You know, you don't have to go to the labor anymore,

1:36:49.439 --> 1:36:51.519
<v Speaker 5>you can like look it up like oh that's so cool, Okay,

1:36:51.600 --> 1:36:53.720
<v Speaker 5>got it. But I try to describe at least what

1:36:53.840 --> 1:36:56.120
<v Speaker 5>it is. But sometimes I do. Sometimes I'm just everybody

1:36:56.200 --> 1:36:57.400
<v Speaker 5>knows what it not is now. Everybody knows what an

1:36:57.400 --> 1:37:00.080
<v Speaker 5>idea is now after twenty years at war, but I

1:37:00.160 --> 1:37:02.200
<v Speaker 5>might have to spell it out, improvise explosive device or

1:37:02.439 --> 1:37:05.519
<v Speaker 5>explosively form penetrator or whatever it might might be. So

1:37:06.200 --> 1:37:08.200
<v Speaker 5>so sometimes I make assumptions that that people are only

1:37:08.240 --> 1:37:10.960
<v Speaker 5>to understand, and then I go back and I'll add

1:37:11.000 --> 1:37:13.320
<v Speaker 5>a little something to describe what that means, because they

1:37:13.360 --> 1:37:14.880
<v Speaker 5>are a little acronym heavy at times.

1:37:15.320 --> 1:37:19.120
<v Speaker 3>Well I mean that's an acronym heavy profession. Like you

1:37:19.240 --> 1:37:21.800
<v Speaker 3>listen to a group of you guys getting together.

1:37:21.760 --> 1:37:22.759
<v Speaker 5>Like what language are they speaking?

1:37:24.880 --> 1:37:29.000
<v Speaker 1>Yeah, I find that certain conservation meetings similar like that

1:37:30.160 --> 1:37:34.920
<v Speaker 1>with the departments and then the package of the Yeah,

1:37:35.200 --> 1:37:37.960
<v Speaker 1>it's just like yeah, absolutely, But you know, I'd say.

1:37:37.960 --> 1:37:38.040
<v Speaker 5>I.

1:37:40.040 --> 1:37:44.080
<v Speaker 3>Mediated a panel at Pheasants Forever this year and it

1:37:44.240 --> 1:37:49.160
<v Speaker 3>was the it was the governance the governance board for

1:37:49.800 --> 1:37:53.400
<v Speaker 3>p f q F, you know, an open forum. We're

1:37:53.400 --> 1:37:57.040
<v Speaker 3>talking about the farm bill. And I kept asking the

1:37:57.439 --> 1:38:00.280
<v Speaker 3>questions and they kind of pause, and I was like,

1:38:00.320 --> 1:38:02.240
<v Speaker 3>what is going on with this group? And then they

1:38:02.320 --> 1:38:04.880
<v Speaker 3>told me ended up telling the whole crowd that they

1:38:04.960 --> 1:38:09.000
<v Speaker 3>had a bet between the three of them that basically,

1:38:09.080 --> 1:38:10.800
<v Speaker 3>if you used an acronym, you had to buy the

1:38:10.840 --> 1:38:13.400
<v Speaker 3>other two a beer. Oh that's rough, because they were

1:38:13.479 --> 1:38:16.960
<v Speaker 3>trying so hard to make it user friendly, make the

1:38:17.000 --> 1:38:20.960
<v Speaker 3>whole conversation user friendly, and there was a lot of failures. Oh,

1:38:21.080 --> 1:38:22.880
<v Speaker 3>a lot of failures. Yeah, it was tough.

1:38:23.080 --> 1:38:24.439
<v Speaker 5>That was the thing I knew i'd get right in

1:38:24.520 --> 1:38:27.200
<v Speaker 5>the books, was like the acronyms and describing snapper weapons

1:38:27.240 --> 1:38:28.559
<v Speaker 5>systems and that sort of a thing.

1:38:28.680 --> 1:38:30.600
<v Speaker 1>Yeah, it was a cool factor of that stuff in

1:38:30.680 --> 1:38:32.720
<v Speaker 1>a way that there's not around then, the way there's

1:38:32.760 --> 1:38:34.200
<v Speaker 1>not around federal policy.

1:38:34.600 --> 1:38:36.280
<v Speaker 5>Right, Yeah, you might have to work a little harder

1:38:36.280 --> 1:38:38.679
<v Speaker 5>at the federal policy because you could do it. But yeah,

1:38:38.680 --> 1:38:41.040
<v Speaker 5>it may be a little harder. But I knew i'd

1:38:41.040 --> 1:38:43.400
<v Speaker 5>get that stuff. And what I didn't realize was how

1:38:43.479 --> 1:38:45.720
<v Speaker 5>much of the feelings and emotions behind what I've done

1:38:45.720 --> 1:38:48.400
<v Speaker 5>down range would make it in to the novel and

1:38:48.479 --> 1:38:50.640
<v Speaker 5>now novels. But in that first one, even through that

1:38:50.760 --> 1:38:53.559
<v Speaker 5>whole process I just talked about. Until I started turning

1:38:53.600 --> 1:38:56.240
<v Speaker 5>that outline into the narrative, I still didn't really think

1:38:56.360 --> 1:39:00.080
<v Speaker 5>about those feelings and emotions weaving their way in to

1:39:00.160 --> 1:39:03.000
<v Speaker 5>the storyline. But as soon as I started changing that

1:39:03.240 --> 1:39:06.680
<v Speaker 5>outline into the narrative, it was very apparent right off

1:39:06.720 --> 1:39:08.759
<v Speaker 5>the bat that this was going to be an extremely

1:39:08.840 --> 1:39:12.320
<v Speaker 5>personal writing experience, because I'm going to be describing taking

1:39:12.360 --> 1:39:15.280
<v Speaker 5>the feelings behind things that happened downrange and applying them

1:39:15.320 --> 1:39:18.680
<v Speaker 5>to this completely fictional narrative. So if my character gets

1:39:18.720 --> 1:39:21.400
<v Speaker 5>ambushed in Los Angeles, California, I go back and remember

1:39:21.439 --> 1:39:23.200
<v Speaker 5>what was like to get ambushed in Baghdad in two

1:39:23.200 --> 1:39:25.240
<v Speaker 5>thousand and six, and then I take those feelings and

1:39:25.320 --> 1:39:28.599
<v Speaker 5>emotions and I apply them to my protagonist in Los Angeles,

1:39:28.680 --> 1:39:31.439
<v Speaker 5>California in present day. Same thing with the sniper stuff.

1:39:31.439 --> 1:39:32.920
<v Speaker 5>I don't have to go seek out a sniper out

1:39:32.960 --> 1:39:35.000
<v Speaker 5>there and find a guy who was in Remady at

1:39:35.000 --> 1:39:36.280
<v Speaker 5>the height of the war and say, hey, what was

1:39:36.320 --> 1:39:38.640
<v Speaker 5>it like to set up and pull that trigger? And

1:39:39.040 --> 1:39:42.360
<v Speaker 5>then if I'm taking notes, I'm comparing his answers with

1:39:42.800 --> 1:39:44.720
<v Speaker 5>someone else. I might have interviewed another book, I might

1:39:44.760 --> 1:39:47.439
<v Speaker 5>have read another interview I saw on TV another book

1:39:47.479 --> 1:39:49.720
<v Speaker 5>I might have read fiction or non movies that I've

1:39:49.800 --> 1:39:52.599
<v Speaker 5>seen biases, I have whatever filters I have in place,

1:39:52.880 --> 1:39:55.439
<v Speaker 5>and then putting it onto the page into my story.

1:39:55.680 --> 1:39:57.960
<v Speaker 5>It all comes right from my heart and soul directly.

1:39:58.040 --> 1:40:00.800
<v Speaker 3>Yeah, there's no substitute for a first person. Yeah right,

1:40:00.920 --> 1:40:03.400
<v Speaker 3>It's like, because we have so much input coming in

1:40:03.520 --> 1:40:06.800
<v Speaker 3>all the time. Yeah, it's kind of impossible to block

1:40:06.840 --> 1:40:08.000
<v Speaker 3>that stuff out after a while.

1:40:08.040 --> 1:40:09.479
<v Speaker 5>And I really think that's what stood out to Simon

1:40:09.520 --> 1:40:11.479
<v Speaker 5>and Schuster because they see thousands of these things every

1:40:11.520 --> 1:40:13.760
<v Speaker 5>year come across their desks, and I think that's what

1:40:13.840 --> 1:40:15.960
<v Speaker 5>made stand out. With those feelings and emotions, that's what

1:40:16.040 --> 1:40:18.000
<v Speaker 5>made it different from some of the other books out

1:40:18.040 --> 1:40:20.720
<v Speaker 5>there that they had read, and why they decided to

1:40:21.080 --> 1:40:23.519
<v Speaker 5>publish me, which is humbling.

1:40:24.400 --> 1:40:27.120
<v Speaker 1>Uh T de late people on your next book, Only

1:40:27.200 --> 1:40:27.479
<v Speaker 1>the Dead.

1:40:27.560 --> 1:40:30.800
<v Speaker 5>So it's sixth novel in the James Reese series and

1:40:31.680 --> 1:40:34.960
<v Speaker 5>it's the most brutal to date, which is saying it

1:40:35.120 --> 1:40:37.479
<v Speaker 5>is the most brutal to date. And I didn't start

1:40:37.479 --> 1:40:39.080
<v Speaker 5>out that way. I didn't say, all right, I'm gonna

1:40:39.120 --> 1:40:40.880
<v Speaker 5>write the most brutal one. Now it's just kind of

1:40:40.960 --> 1:40:44.040
<v Speaker 5>naturally happened that way. But yeah, that one comes out

1:40:44.080 --> 1:40:44.960
<v Speaker 5>May sixteenth, And.

1:40:45.640 --> 1:40:48.679
<v Speaker 1>Give the base, just give the basic, give the basic gist.

1:40:48.840 --> 1:40:52.400
<v Speaker 5>There are some unanswered questions from my last novel, so

1:40:52.520 --> 1:40:53.920
<v Speaker 5>for those who have read it, they'll know what I'm

1:40:54.160 --> 1:40:56.920
<v Speaker 5>what I am talking about here. But really it's a

1:40:57.080 --> 1:41:00.639
<v Speaker 5>novel of truth and consequences. That's the theme to this one,

1:41:01.680 --> 1:41:04.400
<v Speaker 5>and in my novels James Reese he holds those people

1:41:04.439 --> 1:41:06.599
<v Speaker 5>that we talked about earlier accountable those people that don't.

1:41:06.640 --> 1:41:08.479
<v Speaker 5>You can't really hold accountable in real life because if

1:41:08.520 --> 1:41:10.160
<v Speaker 5>you do, you'll go to jail for doing the things

1:41:10.200 --> 1:41:13.719
<v Speaker 5>that my character you'll probably be executed in many states.

1:41:14.760 --> 1:41:17.120
<v Speaker 5>But you can do it through fiction. You can do

1:41:17.240 --> 1:41:21.120
<v Speaker 5>it in a thriller, which is very therapeutic to write

1:41:21.160 --> 1:41:24.840
<v Speaker 5>and hopefully to read for some of us. But it's

1:41:24.920 --> 1:41:28.679
<v Speaker 5>him uncovering a lot of his past and his father's past.

1:41:28.960 --> 1:41:32.000
<v Speaker 5>Then all connects in present day in a of course,

1:41:32.040 --> 1:41:34.680
<v Speaker 5>a conspiracy. I love a good conspiracy, especially in the

1:41:34.720 --> 1:41:36.840
<v Speaker 5>pages of my novels. That's what I loved about some

1:41:36.880 --> 1:41:38.840
<v Speaker 5>of the books I read growing up was the conspiratorial

1:41:38.840 --> 1:41:40.640
<v Speaker 5>element to them. So I try to weave that in

1:41:41.000 --> 1:41:44.720
<v Speaker 5>to my novels as well. So he tends to a

1:41:44.880 --> 1:41:48.320
<v Speaker 5>he's a thinking man, but he also is someone very

1:41:48.320 --> 1:41:52.120
<v Speaker 5>comfortable with violence because it's just a natural part of

1:41:52.160 --> 1:41:55.760
<v Speaker 5>his life, and some people need to be dealt with

1:41:55.880 --> 1:41:57.160
<v Speaker 5>in a very harsh way in this book.

1:41:57.240 --> 1:41:59.599
<v Speaker 1>So when you mentioned therapeutic, I'm at, yeah, you get

1:41:59.680 --> 1:42:02.200
<v Speaker 1>to be as the author, you get to be judged

1:42:02.280 --> 1:42:03.200
<v Speaker 1>jury and execution.

1:42:03.479 --> 1:42:04.920
<v Speaker 5>Yeah, oh yeah, it's fantastic.

1:42:05.439 --> 1:42:05.799
<v Speaker 1>Guilty.

1:42:06.680 --> 1:42:10.880
<v Speaker 5>It was so different about writing screenplays versus this is

1:42:10.920 --> 1:42:12.120
<v Speaker 5>that I can do anything. I don't have to worry

1:42:12.120 --> 1:42:13.640
<v Speaker 5>about the cost of a set piece. I don't have

1:42:13.680 --> 1:42:16.160
<v Speaker 5>to worry about flying them to Siberia or down to

1:42:16.240 --> 1:42:19.400
<v Speaker 5>South America, up to Alaska wherever. I can just do it.

1:42:19.600 --> 1:42:22.639
<v Speaker 5>There's no no problem. I can have huge set action

1:42:22.760 --> 1:42:24.519
<v Speaker 5>set pieces, and I have to worry about the cost.

1:42:25.080 --> 1:42:27.000
<v Speaker 5>Now when you get talked to start talking to Amazon

1:42:27.120 --> 1:42:29.600
<v Speaker 5>and start breaking things down where you're gonna film and

1:42:29.640 --> 1:42:31.519
<v Speaker 5>what these set pieces are gonna cost, Well, now you

1:42:31.600 --> 1:42:34.280
<v Speaker 5>have to factor that in. You can't just directly take

1:42:34.320 --> 1:42:36.599
<v Speaker 5>what you have on the page and transferred over onto

1:42:36.640 --> 1:42:39.000
<v Speaker 5>the screen because there are there costs involved to a

1:42:39.080 --> 1:42:40.439
<v Speaker 5>lot of that. So you have to work through some

1:42:40.520 --> 1:42:42.840
<v Speaker 5>of that. But I love the freedom to be able

1:42:43.040 --> 1:42:45.400
<v Speaker 5>to do anything that I want on that page, and

1:42:46.040 --> 1:42:47.160
<v Speaker 5>I didn't know how it was gonna be. When I

1:42:47.160 --> 1:42:48.840
<v Speaker 5>got into this. I thought, as Simon and Schuster might

1:42:48.880 --> 1:42:51.360
<v Speaker 5>ask me to kind of take you really need to

1:42:51.360 --> 1:42:52.720
<v Speaker 5>have all that hunting stuff in there? Or does it

1:42:52.760 --> 1:42:54.760
<v Speaker 5>need to be so violent or do you really need

1:42:54.800 --> 1:42:57.480
<v Speaker 5>to mention this about concealed carry in here? It seems unnecessary.

1:42:57.600 --> 1:42:59.960
<v Speaker 5>Can you? Never have they even hinted that I need

1:43:00.120 --> 1:43:01.519
<v Speaker 5>to take any of that out. It's been one hundred

1:43:01.520 --> 1:43:05.680
<v Speaker 5>percent creative control the entire time, which is which I love.

1:43:06.280 --> 1:43:08.920
<v Speaker 1>Yeah, little bits of political.

1:43:09.240 --> 1:43:12.799
<v Speaker 5>In there, yeah, yeah, yeah, But a lot of authors don't,

1:43:13.160 --> 1:43:17.680
<v Speaker 5>and you know, I didn't. Really you don't really get

1:43:17.720 --> 1:43:20.280
<v Speaker 5>to know them those characters in the same way as

1:43:20.320 --> 1:43:23.519
<v Speaker 5>you do from authors that give you a glimpse into

1:43:23.640 --> 1:43:26.280
<v Speaker 5>their protagonist through how he feels about certain things. So

1:43:26.479 --> 1:43:30.439
<v Speaker 5>my character is carrying a pistol in Washington, d C.

1:43:30.720 --> 1:43:32.519
<v Speaker 5>He's not just carrying a pistol in Washington, d C.

1:43:32.880 --> 1:43:34.800
<v Speaker 5>He has to think about the consequences of getting cut.

1:43:35.360 --> 1:43:36.040
<v Speaker 1>Warren's coming.

1:43:36.520 --> 1:43:39.519
<v Speaker 5>Yes, because if I'm doing that, or if I if

1:43:39.600 --> 1:43:41.880
<v Speaker 5>I was to do that, I would need to. I

1:43:41.920 --> 1:43:44.960
<v Speaker 5>would think about it and realize, Okay, here's the consequences

1:43:45.080 --> 1:43:47.600
<v Speaker 5>to doing this. So my character does as well, and

1:43:47.680 --> 1:43:49.960
<v Speaker 5>he has thoughts on it. But a lot of authors

1:43:50.000 --> 1:43:51.960
<v Speaker 5>don't do that, but but I do, and I feel

1:43:51.960 --> 1:43:55.479
<v Speaker 5>it gives people greater insight into his character. And because

1:43:55.800 --> 1:43:57.320
<v Speaker 5>you're going to think about it. If you're doing something

1:43:57.360 --> 1:43:59.519
<v Speaker 5>like that, you're thinking about rules and regulations as we

1:43:59.600 --> 1:44:01.519
<v Speaker 5>head into the field, and these different states and things

1:44:01.560 --> 1:44:03.200
<v Speaker 5>that are you can do in some one state you

1:44:03.240 --> 1:44:05.439
<v Speaker 5>can't do in another. And I mean, you're gonna follow

1:44:05.479 --> 1:44:08.519
<v Speaker 5>the follow those rules. You're not gonna not think about it.

1:44:08.680 --> 1:44:09.840
<v Speaker 5>And just all of a sudden, if I was a

1:44:09.880 --> 1:44:12.200
<v Speaker 5>writer talking about hunting and I'm putting them in the

1:44:12.240 --> 1:44:14.840
<v Speaker 5>springtime in somewhere else, and I have him going deer

1:44:14.920 --> 1:44:16.680
<v Speaker 5>hunting in a state where you can't do that in

1:44:16.800 --> 1:44:19.400
<v Speaker 5>that area in the springtime or whatever whatever it is,

1:44:20.200 --> 1:44:22.880
<v Speaker 5>you're gonna lose that hunting audience. And you're like, if

1:44:22.920 --> 1:44:24.400
<v Speaker 5>he's doing that, he should at least be thinking about it,

1:44:24.520 --> 1:44:26.640
<v Speaker 5>he should least be thinking about why he's poaching, and

1:44:26.720 --> 1:44:29.360
<v Speaker 5>it should make sense for the story. But a lot

1:44:29.400 --> 1:44:30.920
<v Speaker 5>of times you don't. You don't get that, so I

1:44:31.000 --> 1:44:33.439
<v Speaker 5>try to give the give what I'd be thinking in

1:44:33.479 --> 1:44:34.480
<v Speaker 5>a lot of these situations.

1:44:34.680 --> 1:44:35.880
<v Speaker 1>Do you read Box?

1:44:36.200 --> 1:44:38.240
<v Speaker 5>I have read CJ. Box, not all of them, because

1:44:38.240 --> 1:44:40.360
<v Speaker 5>he's a lot of books out there and he's amazing.

1:44:40.479 --> 1:44:43.960
<v Speaker 5>Oh my goodness, yeah, yeah, very good, very very interesting

1:44:44.600 --> 1:44:45.719
<v Speaker 5>writer and very popular.

1:44:46.080 --> 1:44:48.559
<v Speaker 1>Is h a lot of hunting in there?

1:44:48.600 --> 1:44:48.760
<v Speaker 6>You know?

1:44:49.240 --> 1:44:51.000
<v Speaker 4>Is this character going to be around for a while?

1:44:51.080 --> 1:44:53.840
<v Speaker 4>Are you getting the antsy to explore a different character.

1:44:54.200 --> 1:44:54.439
<v Speaker 1>Nope.

1:44:54.479 --> 1:44:57.120
<v Speaker 5>I feel so fortunate that a readership and audience is

1:44:57.160 --> 1:45:00.400
<v Speaker 5>connected with this character. Uh So the first one, as

1:45:00.400 --> 1:45:02.120
<v Speaker 5>you're writing it, people don't know. They think it could

1:45:02.120 --> 1:45:03.960
<v Speaker 5>be just a one off book. So your first one

1:45:04.280 --> 1:45:06.320
<v Speaker 5>as people are reading it now, people find that first

1:45:06.360 --> 1:45:09.519
<v Speaker 5>book today they or watched the show first, they realize, oh,

1:45:09.920 --> 1:45:12.040
<v Speaker 5>or even if they haven't seen the show, they realize, oh,

1:45:12.080 --> 1:45:13.840
<v Speaker 5>there's four other books, five other books out there. He's

1:45:13.840 --> 1:45:17.640
<v Speaker 5>probably gonna survived exactly. Yeah, he's gonna shake it off.

1:45:17.920 --> 1:45:21.160
<v Speaker 5>He's gonna shake that thing right off. But the first one.

1:45:21.200 --> 1:45:22.840
<v Speaker 5>That's why the first one is so fun, because if

1:45:22.840 --> 1:45:25.360
<v Speaker 5>you're reading that and don't know that it can continue,

1:45:25.479 --> 1:45:27.080
<v Speaker 5>then you and the way that I end that one.

1:45:27.120 --> 1:45:29.400
<v Speaker 5>I kind of leave it up in the air. It's

1:45:30.160 --> 1:45:31.880
<v Speaker 5>it's interesting, but now that they're out there, you kind

1:45:31.920 --> 1:45:32.400
<v Speaker 5>of know that it's going.

1:45:32.800 --> 1:45:35.280
<v Speaker 4>It's a serious just wondering if this guy had a

1:45:35.360 --> 1:45:37.280
<v Speaker 4>life span yet or if he's gonna be around for

1:45:37.320 --> 1:45:37.599
<v Speaker 4>a while.

1:45:37.640 --> 1:45:39.519
<v Speaker 5>Yeah, I think around for a while. It's I've for

1:45:39.640 --> 1:45:41.840
<v Speaker 5>other authors talk about how they you know, they kind

1:45:41.840 --> 1:45:44.040
<v Speaker 5>of get connected to their character and they're not thinkfully

1:45:44.080 --> 1:45:46.400
<v Speaker 5>aren't allowed to do anything else, almost, But I don't

1:45:46.400 --> 1:45:48.439
<v Speaker 5>feel that way. Love. I just feel so fortunate.

1:45:48.479 --> 1:45:52.360
<v Speaker 1>So the twentieth book will be like kicking it and relax, Yeah, we.

1:45:52.400 --> 1:45:55.120
<v Speaker 3>Get to that twentieth book, or I kind of think

1:45:55.120 --> 1:45:58.240
<v Speaker 3>about it in terms of Indiana Jones, Right, there's a

1:45:58.320 --> 1:46:01.280
<v Speaker 3>lot there's a lot crossover there, Like people are like,

1:46:01.400 --> 1:46:04.519
<v Speaker 3>oh yeah, and he can go back in his story

1:46:04.520 --> 1:46:08.040
<v Speaker 3>and go forward in a story and he has that longevity, right,

1:46:08.479 --> 1:46:10.240
<v Speaker 3>And there's a lot of those Yeah.

1:46:10.600 --> 1:46:13.640
<v Speaker 1>Well, I mean I'm familiar with the main one, but

1:46:13.720 --> 1:46:15.000
<v Speaker 1>I didn't know that there was a lot to it.

1:46:15.560 --> 1:46:19.680
<v Speaker 3>Well in every it's like dad son, Oh yeah, you know,

1:46:20.000 --> 1:46:21.200
<v Speaker 3>it's like there's a lot there.

1:46:21.360 --> 1:46:23.599
<v Speaker 5>I very intentionally wrote things into the novels that I'd

1:46:23.600 --> 1:46:27.320
<v Speaker 5>be able to explore later different families. Explore the Hastings

1:46:27.360 --> 1:46:28.760
<v Speaker 5>family in Africa. A lot of people want me to

1:46:29.080 --> 1:46:33.280
<v Speaker 5>do that, and I explore the Salut Scouts and all that,

1:46:33.479 --> 1:46:36.240
<v Speaker 5>So that'll be something I'm looking at doing in the future.

1:46:36.600 --> 1:46:40.000
<v Speaker 5>James Reese's dad in Vietnam, his transition from seal into

1:46:40.040 --> 1:46:42.559
<v Speaker 5>the CIA back in the seventies, so there's a lot

1:46:42.600 --> 1:46:44.920
<v Speaker 5>to explore there into the eighties. What did he do

1:46:44.960 --> 1:46:47.360
<v Speaker 5>in the eighties, So I and his grand grandfather's on

1:46:47.439 --> 1:46:50.360
<v Speaker 5>both sides, So I throw that stuff in there too,

1:46:50.920 --> 1:46:52.680
<v Speaker 5>sometimes with the history of the firearms that they use

1:46:52.760 --> 1:46:54.600
<v Speaker 5>that have been passed down. So I put all that

1:46:54.640 --> 1:46:57.720
<v Speaker 5>stuff in there very intentionally so that I can I

1:46:57.800 --> 1:47:00.559
<v Speaker 5>can go back and also it gone a little interest

1:47:00.560 --> 1:47:01.160
<v Speaker 5>ahead of time.

1:47:01.240 --> 1:47:03.160
<v Speaker 3>And you can turn it into a family business. You

1:47:03.160 --> 1:47:06.479
<v Speaker 3>can get those kids get back on the on.

1:47:06.640 --> 1:47:09.840
<v Speaker 5>The computers and be like, listen, some people have yeah,

1:47:09.880 --> 1:47:12.760
<v Speaker 5>Clive Custler, his son, Dirt Custler, Stephen to.

1:47:14.040 --> 1:47:16.240
<v Speaker 1>Leave them all those executive summ reasons.

1:47:16.240 --> 1:47:17.360
<v Speaker 5>There you go here they are.

1:47:17.560 --> 1:47:17.760
<v Speaker 1>Yeah.

1:47:18.160 --> 1:47:19.479
<v Speaker 5>So yeah, there's like there's a couple of people have

1:47:19.520 --> 1:47:21.080
<v Speaker 5>done that. Nelson de mill Is working on his second

1:47:21.080 --> 1:47:24.320
<v Speaker 5>book with his uh, his son, So that has that

1:47:24.439 --> 1:47:27.200
<v Speaker 5>has happened, that has that has been a thing. But yeah,

1:47:27.280 --> 1:47:29.400
<v Speaker 5>I just feel fortunate that it's connected and people are

1:47:29.439 --> 1:47:32.320
<v Speaker 5>reading these things and want more and and now there's

1:47:32.439 --> 1:47:35.559
<v Speaker 5>and there's a responsibility also because uh, people are trusting

1:47:35.600 --> 1:47:37.280
<v Speaker 5>me with this time that they're never going to get back.

1:47:37.400 --> 1:47:40.160
<v Speaker 5>So whether it's a Instagram post or a blog post,

1:47:40.560 --> 1:47:42.840
<v Speaker 5>that those sentences get as much thought as any sentence

1:47:42.880 --> 1:47:44.880
<v Speaker 5>in my novel. Because people are trusting me with my

1:47:45.000 --> 1:47:47.839
<v Speaker 5>time there on the social channels as well on those blogs,

1:47:47.880 --> 1:47:50.639
<v Speaker 5>on my podcast, whatever it might be, they're never getting

1:47:50.680 --> 1:47:51.639
<v Speaker 5>that getting that back.

1:47:51.760 --> 1:47:54.280
<v Speaker 3>Do you ever read the book Misery? Stephen King Misery?

1:47:54.360 --> 1:47:55.920
<v Speaker 5>I only saw the movie. I should, I should?

1:47:55.960 --> 1:47:56.639
<v Speaker 1>I should read book.

1:47:56.640 --> 1:47:58.599
<v Speaker 3>Sure, you should read the book for sure. But that's

1:47:58.840 --> 1:48:02.639
<v Speaker 3>that's the other trap you're getting yourself into. At some point,

1:48:02.720 --> 1:48:05.799
<v Speaker 3>you're gonna have some rabid fan who's like, I demand

1:48:06.640 --> 1:48:10.280
<v Speaker 3>to know what happens to your character. Yeah, because I'm

1:48:10.360 --> 1:48:12.000
<v Speaker 3>so dedicated to them.

1:48:12.160 --> 1:48:14.080
<v Speaker 5>Yeah, there's a book. Landon Beach has a book out

1:48:14.080 --> 1:48:16.839
<v Speaker 5>called Narrator where he does something similar with a narrator

1:48:17.600 --> 1:48:19.960
<v Speaker 5>and it's it's really it's really good book. It's really clever,

1:48:20.280 --> 1:48:22.519
<v Speaker 5>really well done. But but yeah, no, I think I

1:48:22.600 --> 1:48:27.280
<v Speaker 5>take some security measures. I tend to still think things

1:48:27.320 --> 1:48:28.719
<v Speaker 5>that way I did before I went to the military,

1:48:28.800 --> 1:48:30.720
<v Speaker 5>and I continue to think that way today. This is

1:48:30.800 --> 1:48:33.240
<v Speaker 5>a natural way for me to think, so I do

1:48:33.360 --> 1:48:36.519
<v Speaker 5>take a little precautions here and there. It only only

1:48:36.560 --> 1:48:38.280
<v Speaker 5>makes sense today where it's so easy to find somebody.

1:48:38.560 --> 1:48:42.160
<v Speaker 1>Sure. Yeah, all right, guys, well me order it now.

1:48:42.280 --> 1:48:44.160
<v Speaker 1>Can you pre order the book in the audio right now?

1:48:44.240 --> 1:48:46.960
<v Speaker 5>You sure can? You sure can? Yeah? Audio, ebook and

1:48:47.280 --> 1:48:50.439
<v Speaker 5>hardcover all come out on May sixteenth. Rayporter is narrating

1:48:50.600 --> 1:48:53.599
<v Speaker 5>again and uh yeah, coming in to Hot May sixteen.

1:48:53.760 --> 1:48:57.120
<v Speaker 1>Order it now comes out May sixteenth. Find it, I'm

1:48:57.120 --> 1:49:01.760
<v Speaker 1>assuming anywhere everywhere, but everywhere book are sold. Only The Dead,

1:49:02.400 --> 1:49:06.960
<v Speaker 1>the sixth book from our guest today, Jack car Available

1:49:07.000 --> 1:49:12.080
<v Speaker 1>from Simon and Schuster. Yep, Only the Dead. It'll ship

1:49:12.120 --> 1:49:14.280
<v Speaker 1>to you soon. You buy it now. Thank you very much,

1:49:14.400 --> 1:49:14.880
<v Speaker 1>Jack car.

1:49:15.080 --> 1:49:16.360
<v Speaker 5>Man, Thank you so much for having me. This has

1:49:16.400 --> 1:49:18.200
<v Speaker 5>been awesome. This has been awesome, and I can't wait

1:49:18.200 --> 1:49:20.519
<v Speaker 5>to see the new studio. Not that this one is

1:49:20.680 --> 1:49:23.120
<v Speaker 5>lacking in any way, shape or form, but I'm really

1:49:23.120 --> 1:49:24.240
<v Speaker 5>looking forward to seeing the new one.

1:49:26.120 --> 1:49:26.280
<v Speaker 6>Here.

1:49:26.920 --> 1:49:28.639
<v Speaker 5>It is awesome. Thank you guys, appreciate everything.

1:49:34.520 --> 1:49:35.880
<v Speaker 6>Ride on.

1:49:41.360 --> 1:49:51.400
<v Speaker 1>Seal gray, shine like silver in the sun, right.

1:49:53.680 --> 1:49:56.240
<v Speaker 6>Right alone.

1:49:59.240 --> 1:50:06.200
<v Speaker 5>Wait, done, beat this damn horse today, taking a new one, rive.

1:50:09.439 --> 1:50:09.680
<v Speaker 6>With it.

1:50:09.880 --> 1:50:15.400
<v Speaker 5>Done, beat this damn horse today. So take your new

1:50:15.479 --> 1:50:17.280
<v Speaker 5>one and ride on.

1:50:22.439 --> 1:50:29.439
<v Speaker 1>Chapter ten, Killing proper. There is a right way and

1:50:29.520 --> 1:50:31.519
<v Speaker 1>a wrong way to kill a wild animal, and I

1:50:31.600 --> 1:50:35.000
<v Speaker 1>don't mean that in a practical sense. An explanation of

1:50:35.040 --> 1:50:38.040
<v Speaker 1>this is tricky, similar to explaining why it's more pleasurable

1:50:38.080 --> 1:50:41.040
<v Speaker 1>to spend money earned through hard work than money earned

1:50:41.080 --> 1:50:45.439
<v Speaker 1>through dubious means. It comes down to metaphysical issues, things

1:50:45.520 --> 1:50:48.040
<v Speaker 1>of the heart. I was thinking about this one day

1:50:48.120 --> 1:50:50.080
<v Speaker 1>while I was hunting mountain lions with a pack of

1:50:50.160 --> 1:50:54.280
<v Speaker 1>about a dozen dogs in southeastern Arizona. They were tall,

1:50:54.400 --> 1:50:58.480
<v Speaker 1>lanky hounds, most of walker bloodlines, owned by my companions,

1:50:58.560 --> 1:51:01.920
<v Speaker 1>Floyd Green and Joe Mitty, two well known mountain lion

1:51:01.960 --> 1:51:05.639
<v Speaker 1>of hunters with a combined lion hunting experience spanning about

1:51:05.720 --> 1:51:10.120
<v Speaker 1>sixty years and five hundred cats. Many of their dogs

1:51:10.160 --> 1:51:14.759
<v Speaker 1>showed physical evidence of past skirmishes with lions, including slit ears,

1:51:15.000 --> 1:51:19.639
<v Speaker 1>lacerated noses, and scarred muzzles. The injuries were usually suffered

1:51:19.640 --> 1:51:22.240
<v Speaker 1>when they brought a lion to bay, a term for

1:51:22.360 --> 1:51:25.519
<v Speaker 1>when hounds chased their quarry into a tree or corner

1:51:25.680 --> 1:51:28.400
<v Speaker 1>against the cliff, or trap it in a cave, and

1:51:28.479 --> 1:51:30.880
<v Speaker 1>then hold it there until their master shows up to

1:51:31.000 --> 1:51:34.439
<v Speaker 1>deal with the beast. Earlier, I had mentioned to Floyd

1:51:34.640 --> 1:51:36.600
<v Speaker 1>that it seemed as though a dog would lose his

1:51:36.800 --> 1:51:40.080
<v Speaker 1>taste for hunting lions once he got scratched a time

1:51:40.200 --> 1:51:43.880
<v Speaker 1>or two. It's the opposite of what you'd think, replied Floyd.

1:51:44.400 --> 1:51:48.240
<v Speaker 1>It just makes them hungrier. I was camped with Floyd

1:51:48.240 --> 1:51:50.720
<v Speaker 1>and Joe at an old abandoned ranch house not far

1:51:50.800 --> 1:51:53.120
<v Speaker 1>from ara vip A Canyon, at the end of a

1:51:53.240 --> 1:51:56.840
<v Speaker 1>driveway that takes more than an hour to travel along

1:51:56.960 --> 1:51:59.599
<v Speaker 1>this route. On our way in, we saw where something

1:51:59.680 --> 1:52:02.400
<v Speaker 1>had been dragged across the road from west to east

1:52:02.760 --> 1:52:05.800
<v Speaker 1>and then down into a dry arroyo. At the end

1:52:05.880 --> 1:52:08.320
<v Speaker 1>of the drag marks was a dead buck with pick

1:52:08.439 --> 1:52:10.920
<v Speaker 1>clean bones that had been buried with leaves and dirt

1:52:10.960 --> 1:52:14.320
<v Speaker 1>beneath the scrubby little oak. The hide was in pieces,

1:52:14.360 --> 1:52:16.800
<v Speaker 1>but still connected to the carcass here and there, like

1:52:16.880 --> 1:52:19.519
<v Speaker 1>a person who passed out drunk in bed without getting

1:52:19.560 --> 1:52:23.439
<v Speaker 1>completely free of his clothes. Floyd tipped his cowboy hat

1:52:23.520 --> 1:52:25.519
<v Speaker 1>and peeled back the deer's skin to show me the

1:52:25.600 --> 1:52:29.120
<v Speaker 1>blood clots and teeth marks around the animal's neck. He

1:52:29.280 --> 1:52:31.759
<v Speaker 1>also showed me where the spine had been wrung around

1:52:31.800 --> 1:52:35.040
<v Speaker 1>in circles three or four times. There wasn't a doubt

1:52:35.080 --> 1:52:37.280
<v Speaker 1>in his mind that we were looking at a lion kill.

1:52:37.760 --> 1:52:39.960
<v Speaker 1>Though it was at least a week old. This was

1:52:40.040 --> 1:52:42.840
<v Speaker 1>good news. We'd come to hunt this area because a

1:52:42.880 --> 1:52:46.040
<v Speaker 1>local ranger had lost fifty calves to lions here the

1:52:46.160 --> 1:52:49.840
<v Speaker 1>previous spring, about nine months earlier, and this was proof

1:52:50.040 --> 1:52:55.479
<v Speaker 1>that at least one lion was still hanging around. If

1:52:55.520 --> 1:52:57.640
<v Speaker 1>you had asked me ten years earlier, I would have

1:52:57.760 --> 1:52:59.840
<v Speaker 1>told you that I'd never want to hunt a mountain lion.

1:53:00.240 --> 1:53:02.640
<v Speaker 1>What's the challenge? I would have asked in shooting a

1:53:02.760 --> 1:53:05.840
<v Speaker 1>cat out of a tree. The notion of challenge is

1:53:05.920 --> 1:53:09.840
<v Speaker 1>one of the most hotly debated aspects of hunting. Definitions

1:53:09.920 --> 1:53:13.840
<v Speaker 1>of the word evolve so constantly and are so subjective

1:53:14.200 --> 1:53:16.479
<v Speaker 1>that it's hard to find two hunters who define it

1:53:16.560 --> 1:53:19.080
<v Speaker 1>in the same way. As a way of dealing with

1:53:19.200 --> 1:53:22.240
<v Speaker 1>the confusion, Some of us abide by a more readily

1:53:22.400 --> 1:53:26.679
<v Speaker 1>definable synonym known as fair chase. It's an ethical term

1:53:26.760 --> 1:53:29.840
<v Speaker 1>that provides hunters with a guiding principle to abide by.

1:53:30.600 --> 1:53:34.880
<v Speaker 1>Jim Posowitz, the founder of Oryan, the Hunter's Institute, writes

1:53:34.960 --> 1:53:38.600
<v Speaker 1>that fair chase addresses the balance between the hunter and

1:53:38.680 --> 1:53:41.800
<v Speaker 1>the hunted. It is a balance that allows hunters to

1:53:42.000 --> 1:53:48.320
<v Speaker 1>occasionally succeed while animals generally avoid being taken. Some hunting

1:53:48.400 --> 1:53:51.000
<v Speaker 1>strategies are such an affront to the idea of fair

1:53:51.120 --> 1:53:54.840
<v Speaker 1>chase that hunters share in almost universal disdain for them.

1:53:55.720 --> 1:53:59.160
<v Speaker 1>For example, most hunters would agree that dynamite shouldn't be

1:53:59.280 --> 1:54:02.320
<v Speaker 1>used for duck hung because it would take away the challenge.

1:54:02.880 --> 1:54:06.040
<v Speaker 1>Most hunters would also agree that night vision goggles shouldn't

1:54:06.040 --> 1:54:09.280
<v Speaker 1>be used in deer hunting for the same reason. Often,

1:54:09.520 --> 1:54:12.320
<v Speaker 1>as is the case with these examples, our notions of

1:54:12.439 --> 1:54:15.920
<v Speaker 1>fair chase are enforced by law. It's illegal to kill

1:54:16.000 --> 1:54:19.200
<v Speaker 1>ducks with dynamite. It's also illegal to hunt deer with

1:54:19.280 --> 1:54:23.760
<v Speaker 1>the aid of artificial lights. However, fair chase is not

1:54:24.040 --> 1:54:28.960
<v Speaker 1>universally legislated. Certain activities that are definitely not fair chase,

1:54:29.400 --> 1:54:32.520
<v Speaker 1>such as the pathetic practice of hunting animals inside high

1:54:32.600 --> 1:54:36.280
<v Speaker 1>wire fences is permissible in many regions as long as

1:54:36.320 --> 1:54:39.480
<v Speaker 1>it's done on private property and with the proper legal permits.

1:54:40.080 --> 1:54:42.680
<v Speaker 1>Whether or not a hunter chooses to participate in this

1:54:42.840 --> 1:54:47.280
<v Speaker 1>limp dict activity comes down to personal choice. Other issues

1:54:47.360 --> 1:54:50.720
<v Speaker 1>of personal choice are much more nuanced than this example,

1:54:51.160 --> 1:54:55.240
<v Speaker 1>though they're taken no less seriously by many sportsmen over

1:54:55.320 --> 1:54:58.680
<v Speaker 1>the years. I've met hunters who eskew rifles with telescopic

1:54:58.760 --> 1:55:01.839
<v Speaker 1>scopes because they I prefer the challenge of using rifles

1:55:01.880 --> 1:55:05.560
<v Speaker 1>with open or iron sights. I've met hunters who don't

1:55:05.640 --> 1:55:08.800
<v Speaker 1>use rifles because they favor the additional challenge presented by

1:55:08.880 --> 1:55:11.800
<v Speaker 1>compound bows. And I've met hunters who gave up on

1:55:11.920 --> 1:55:14.840
<v Speaker 1>compound bows in order to take on the even more

1:55:14.920 --> 1:55:19.240
<v Speaker 1>difficult challenge of hunting with a handmade long bow. However,

1:55:19.640 --> 1:55:22.440
<v Speaker 1>some hunters who use handmade long bows hunt dear by

1:55:22.480 --> 1:55:24.600
<v Speaker 1>sitting in a tree stand next to a bait pile,

1:55:25.040 --> 1:55:28.520
<v Speaker 1>a practice that is considered unchallenging by many guys who

1:55:28.640 --> 1:55:32.600
<v Speaker 1>prefer hunting on foot in open country with a rifle

1:55:32.720 --> 1:55:37.840
<v Speaker 1>and a telescopic scope. I generally believe these differentiations to

1:55:37.920 --> 1:55:41.760
<v Speaker 1>be positive, however, nitpicky because they demonstrate that hunters are

1:55:41.840 --> 1:55:44.800
<v Speaker 1>thinking people who struggle to define the limits of their world.

1:55:45.440 --> 1:55:47.640
<v Speaker 1>I know that I certainly do, though I've come to

1:55:47.720 --> 1:55:52.200
<v Speaker 1>realize that rigid boundaries are sometimes hard to determine. Consider

1:55:52.320 --> 1:55:54.040
<v Speaker 1>something that happened to me while I was living for

1:55:54.120 --> 1:55:56.839
<v Speaker 1>about nine months along the Big Horn River in Wyoming.

1:55:57.560 --> 1:56:00.600
<v Speaker 1>While there, I became friends with a hay farm whom

1:56:00.640 --> 1:56:04.400
<v Speaker 1>we'll call Bill. He had a side business raising game birds.

1:56:04.840 --> 1:56:08.120
<v Speaker 1>He would buy pheasant and chucker hatchlings from a wholesaler

1:56:08.240 --> 1:56:11.240
<v Speaker 1>for around a dollar apiece and then raise the birds

1:56:11.280 --> 1:56:15.200
<v Speaker 1>to maturity inside huge tent light structures made of netting.

1:56:16.080 --> 1:56:18.720
<v Speaker 1>Hawks and falcons would dive at the birds from above

1:56:18.800 --> 1:56:21.640
<v Speaker 1>and hit the netting so hard that they'd blast through

1:56:21.680 --> 1:56:24.200
<v Speaker 1>it like it was wet and newsprint, so the upper

1:56:24.280 --> 1:56:29.000
<v Speaker 1>portions were reinforced with wire fencing. Bill fitted each bird

1:56:29.080 --> 1:56:32.000
<v Speaker 1>with a little piece of plastic called the blinder, which

1:56:32.080 --> 1:56:35.120
<v Speaker 1>worked like the blinders you see on draft animals. But

1:56:35.240 --> 1:56:37.880
<v Speaker 1>while the blinder on draft animals keeps them from getting

1:56:37.960 --> 1:56:41.960
<v Speaker 1>spooked or distracted by objects in its peripheral vision, the

1:56:42.080 --> 1:56:44.480
<v Speaker 1>blinder on a pen raised game bird is meant to

1:56:44.560 --> 1:56:48.240
<v Speaker 1>keep him from seeing clearly enough to maul his penmates

1:56:48.280 --> 1:56:51.680
<v Speaker 1>out of the frustration and anxiety that are hallmarks of

1:56:51.760 --> 1:56:55.040
<v Speaker 1>wild animals that are forced to live in tight confines.

1:56:56.640 --> 1:56:59.320
<v Speaker 1>When the birds were mature, Bill would sell them to

1:56:59.400 --> 1:57:01.800
<v Speaker 1>want to be hunters for nine or ten dollars each.

1:57:02.520 --> 1:57:05.320
<v Speaker 1>When a client called, he'd go into his bird tent

1:57:05.400 --> 1:57:07.720
<v Speaker 1>and collect the number of birds that the guy wanted

1:57:07.760 --> 1:57:10.560
<v Speaker 1>to shoot. He'd put the birds into cage and load

1:57:10.600 --> 1:57:13.240
<v Speaker 1>the cage on his ATV, and then drive them out

1:57:13.320 --> 1:57:16.240
<v Speaker 1>into a field one at a time. He'd pick out

1:57:16.320 --> 1:57:19.040
<v Speaker 1>the birds and twirl them around with a windmill motion

1:57:19.520 --> 1:57:22.320
<v Speaker 1>that Pete Townshend from the who famously used to play

1:57:22.400 --> 1:57:25.920
<v Speaker 1>his guitar. This would put the birds to sleep, or

1:57:25.920 --> 1:57:29.400
<v Speaker 1>at least something resembling sleep. Then Bill would form a

1:57:29.480 --> 1:57:31.880
<v Speaker 1>little hut out of field grass and tuck the bird

1:57:32.000 --> 1:57:35.600
<v Speaker 1>into it. The timing of this was delicate. He wanted

1:57:35.640 --> 1:57:37.840
<v Speaker 1>the birds to come to their senses soon enough that

1:57:37.880 --> 1:57:40.680
<v Speaker 1>they'd fly away when the clients came along, but not

1:57:40.880 --> 1:57:43.160
<v Speaker 1>so soon that they'd wander off in search of food.

1:57:43.240 --> 1:57:48.000
<v Speaker 1>Before that happened. When the clients came out, their activities

1:57:48.080 --> 1:57:51.480
<v Speaker 1>certainly hinted at hunting. They would lead dogs and carry

1:57:51.520 --> 1:57:54.600
<v Speaker 1>shotguns and shoot at edible birds that were flying through

1:57:54.600 --> 1:57:57.880
<v Speaker 1>the air. But while game farm hunting does have these

1:57:58.040 --> 1:58:02.480
<v Speaker 1>attributes of actual hunting, lacks the beautiful essence of uncertainty

1:58:02.840 --> 1:58:05.800
<v Speaker 1>that is to hunting what pan drippings are to gravy.

1:58:06.600 --> 1:58:08.840
<v Speaker 1>The hunter's success did not come from the fact that

1:58:08.880 --> 1:58:12.040
<v Speaker 1>they'd studied the species and learned its ways and scouted

1:58:12.080 --> 1:58:15.360
<v Speaker 1>its habitat. Instead, it came because they paid some guy

1:58:15.480 --> 1:58:17.680
<v Speaker 1>to raise the birds and then make sure they were

1:58:17.720 --> 1:58:20.400
<v Speaker 1>put out in the field where the hunters almost couldn't

1:58:20.440 --> 1:58:24.400
<v Speaker 1>help but find them. One day, Bill invited me to

1:58:24.480 --> 1:58:27.520
<v Speaker 1>hunt his place. This seemed like a strange choice of

1:58:27.600 --> 1:58:31.560
<v Speaker 1>words for him to use. While Bill definitely advertised his

1:58:31.720 --> 1:58:35.000
<v Speaker 1>business as hunting, he in no way actually thought of

1:58:35.080 --> 1:58:35.800
<v Speaker 1>it as hunting.

1:58:36.360 --> 1:58:37.600
<v Speaker 5>For him, hunting was.

1:58:37.640 --> 1:58:40.880
<v Speaker 1>Packing his horses twenty miles into the upper Gray Bowl

1:58:41.000 --> 1:58:44.480
<v Speaker 1>region of the Absorca Mountains to chase mule, deer, elk,

1:58:44.800 --> 1:58:48.000
<v Speaker 1>and sometimes big horned sheep on a landscape defined by

1:58:48.120 --> 1:58:52.520
<v Speaker 1>craggy peaks, narrow trails, and big grizzlies. When I asked

1:58:52.600 --> 1:58:56.000
<v Speaker 1>him about this, he explained that his season was winding down,

1:58:56.400 --> 1:58:58.720
<v Speaker 1>and that they were months worth of runaway birds on

1:58:58.800 --> 1:59:02.040
<v Speaker 1>the property that had either eluded his clients or escaped

1:59:02.080 --> 1:59:05.839
<v Speaker 1>his nets. At first I told him that I couldn't

1:59:06.440 --> 1:59:08.960
<v Speaker 1>with all due respect, I said it ran contrary to

1:59:09.040 --> 1:59:11.760
<v Speaker 1>my ethics. But then I got to thinking about it.

1:59:12.280 --> 1:59:15.200
<v Speaker 1>I thought about how these bird species were not indigenous

1:59:15.280 --> 1:59:18.440
<v Speaker 1>to this region or even to the continent, about how

1:59:18.480 --> 1:59:21.880
<v Speaker 1>they'd probably never survived the winter, and about how if

1:59:21.960 --> 1:59:25.000
<v Speaker 1>they did, their presence on the land was at least

1:59:25.160 --> 1:59:27.880
<v Speaker 1>as false a concept as hunting for them would be.

1:59:28.720 --> 1:59:31.680
<v Speaker 1>I also considered how tasty they'd be, so I went

1:59:31.720 --> 1:59:34.000
<v Speaker 1>out with Bill, shot a few birds, boned them out,

1:59:34.080 --> 1:59:36.520
<v Speaker 1>and cooked them in a stir fry. To this day

1:59:36.560 --> 1:59:39.600
<v Speaker 1>I find myself thinking about the rightness and wrongness of

1:59:39.680 --> 1:59:42.760
<v Speaker 1>that hunt, and I only mention it now so that

1:59:42.920 --> 1:59:46.400
<v Speaker 1>I don't come across as overly cocky about the certitude

1:59:46.440 --> 1:59:50.240
<v Speaker 1>of my own moral compass. It's helpful to think of

1:59:50.320 --> 1:59:53.000
<v Speaker 1>the ethics of hunting as a form of religion, and

1:59:53.120 --> 1:59:56.200
<v Speaker 1>that most people's beliefs are influenced as much by where

1:59:56.280 --> 1:59:59.600
<v Speaker 1>they were born as bout what they've learned since leaving home.

2:00:00.480 --> 2:00:02.600
<v Speaker 1>I grew up in an area where hunting deer over

2:00:02.720 --> 2:00:06.320
<v Speaker 1>bait was the normal way of doing things. In late September,

2:00:06.640 --> 2:00:10.800
<v Speaker 1>we'd sometimes drive to a carrot processing facility near Grant, Michigan,

2:00:11.120 --> 2:00:13.800
<v Speaker 1>where we could buy a pickup load of oversized and

2:00:13.920 --> 2:00:17.720
<v Speaker 1>misshapen carrot rejects for five dollars. We'd then go to

2:00:17.800 --> 2:00:21.200
<v Speaker 1>our hunting areas and shovel these carrots into a duluthe

2:00:21.240 --> 2:00:23.680
<v Speaker 1>pack and lug them into the woods near the intersection

2:00:23.760 --> 2:00:27.240
<v Speaker 1>of deer trails. Once a pile started getting hit by deer,

2:00:27.520 --> 2:00:29.920
<v Speaker 1>we'd add more carrots and hang a tree stand in

2:00:30.000 --> 2:00:34.960
<v Speaker 1>a nearby tree. Hunting over bait, I spent an incalculable

2:00:34.960 --> 2:00:38.040
<v Speaker 1>amount of cold and miserable hours without seeing a single deer.

2:00:38.840 --> 2:00:41.960
<v Speaker 1>Sometimes the bow season would pass without my getting a

2:00:42.040 --> 2:00:45.440
<v Speaker 1>shot at an animal, except maybe a squirrel or grouse

2:00:45.480 --> 2:00:48.920
<v Speaker 1>that passed beneath my tree. The limited number of deer

2:00:49.040 --> 2:00:52.080
<v Speaker 1>that lived in my hunting area had adapted to the

2:00:52.200 --> 2:00:55.360
<v Speaker 1>absurd abundance of bait piles in the woods and had

2:00:55.480 --> 2:00:59.280
<v Speaker 1>learned to simply avoid them during daylight hours. After all,

2:00:59.600 --> 2:01:01.760
<v Speaker 1>there were plenty of other foods for them to eat,

2:01:02.160 --> 2:01:04.680
<v Speaker 1>such as the apples and corn, and the orchards and

2:01:04.800 --> 2:01:07.160
<v Speaker 1>fields that were often within a few hundred yards of

2:01:07.240 --> 2:01:10.760
<v Speaker 1>our bait. So by using a strategy that some might

2:01:10.880 --> 2:01:13.960
<v Speaker 1>describe as cheating or as taking away the challenge of

2:01:14.000 --> 2:01:17.400
<v Speaker 1>the hunt, we were doing something that, in hindsight, had

2:01:17.440 --> 2:01:21.440
<v Speaker 1>the effect of making deer hunting almost too challenging. Twenty

2:01:21.560 --> 2:01:24.880
<v Speaker 1>something years later, I no longer hunt over bait at all.

2:01:25.520 --> 2:01:29.040
<v Speaker 1>My reasons for this are not based entirely on ethics. Instead,

2:01:29.160 --> 2:01:32.280
<v Speaker 1>I am not interested in using artificial bait because I

2:01:32.320 --> 2:01:35.680
<v Speaker 1>am not interested in hunting animals that are doing artificial things.

2:01:36.280 --> 2:01:38.480
<v Speaker 1>To go out and find a deer by solving the

2:01:38.600 --> 2:01:41.440
<v Speaker 1>riddle of its natural patterns is far more enticing to

2:01:41.560 --> 2:01:45.600
<v Speaker 1>me than finding a deer by interrupting those patterns. Baiting

2:01:45.760 --> 2:01:48.400
<v Speaker 1>is not, in my opinion, a type of hunting that

2:01:48.600 --> 2:01:52.680
<v Speaker 1>fosters an intelligent understanding of animals. But if you enjoy it,

2:01:53.000 --> 2:01:58.040
<v Speaker 1>go ahead. My impression of hunting animals with hounds was

2:01:58.160 --> 2:02:02.240
<v Speaker 1>formed through an equally subjective and haphazard set of experiences.

2:02:03.080 --> 2:02:05.920
<v Speaker 1>My introduction to this kind of hunting came when I

2:02:06.040 --> 2:02:08.839
<v Speaker 1>was about eighteen years old and was invited to accompany

2:02:08.880 --> 2:02:12.320
<v Speaker 1>a raccoon hunter whom we'll call Dave. It was the

2:02:12.440 --> 2:02:16.200
<v Speaker 1>late summer training season, when you're allowed to exercise your

2:02:16.280 --> 2:02:18.240
<v Speaker 1>coon dogs in the woods, but you're not allowed to

2:02:18.280 --> 2:02:21.960
<v Speaker 1>kill any raccoons. We went out at about eleven PM

2:02:22.280 --> 2:02:24.320
<v Speaker 1>and turned the dogs out of the truck along a

2:02:24.360 --> 2:02:27.600
<v Speaker 1>two track. We then drove along with the dogs running

2:02:27.640 --> 2:02:29.920
<v Speaker 1>out ahead of us, the way you see some lazy

2:02:30.000 --> 2:02:33.600
<v Speaker 1>people exercise their pets. We hadn't gone a mile when

2:02:33.640 --> 2:02:36.120
<v Speaker 1>the dogs struck a hot trail and bellowed their way

2:02:36.200 --> 2:02:39.200
<v Speaker 1>down a slope and across a creek and into the darkness.

2:02:40.160 --> 2:02:42.960
<v Speaker 1>Dave cut the truck's engine and we listened to the dogs.

2:02:43.680 --> 2:02:46.080
<v Speaker 1>He could tell from the pitch and intensity of their

2:02:46.160 --> 2:02:48.640
<v Speaker 1>barks that they had already brought the raccoon to bay.

2:02:49.480 --> 2:02:52.000
<v Speaker 1>With headlamps, we walked down the slope and across the

2:02:52.080 --> 2:02:55.160
<v Speaker 1>creek and found the hounds scratching at a small oak.

2:02:56.000 --> 2:02:58.480
<v Speaker 1>Up in the limbs were a female raccoon in several

2:02:58.560 --> 2:03:01.640
<v Speaker 1>of her young cubs. Dave then explained to me that

2:03:01.760 --> 2:03:03.760
<v Speaker 1>it wasn't good to pull the dogs away from the

2:03:03.840 --> 2:03:07.240
<v Speaker 1>raccoons without killing one, because they might lose interest in

2:03:07.360 --> 2:03:10.720
<v Speaker 1>hunting if they weren't properly rewarded. So he raised up

2:03:10.760 --> 2:03:12.880
<v Speaker 1>a twenty two pistol that I didn't even know he

2:03:13.080 --> 2:03:15.920
<v Speaker 1>had and shot one of the raccoon cubs dead out

2:03:15.960 --> 2:03:18.560
<v Speaker 1>of the tree. After that, I told him I was

2:03:18.600 --> 2:03:20.720
<v Speaker 1>done for the night, and I honestly figured that I

2:03:20.760 --> 2:03:23.800
<v Speaker 1>wouldn't be hanging around any more houndsmen for at least

2:03:23.880 --> 2:03:28.280
<v Speaker 1>a long time. But now in the deserts of Arizona,

2:03:28.640 --> 2:03:31.320
<v Speaker 1>I was not only hanging out with a pair of houndsmen,

2:03:31.600 --> 2:03:34.240
<v Speaker 1>I was doing everything I could to help them, And

2:03:34.600 --> 2:03:37.120
<v Speaker 1>as I was learning, the pursuit of a lion is

2:03:37.240 --> 2:03:40.080
<v Speaker 1>much more complicated than simply shooting an animal out of

2:03:40.160 --> 2:03:43.320
<v Speaker 1>a tree. The real challenge was getting an animal into

2:03:43.400 --> 2:03:46.800
<v Speaker 1>a tree in the first place. Doing that required finding

2:03:46.920 --> 2:03:49.840
<v Speaker 1>something known in the parlance of lion hunters as an

2:03:49.920 --> 2:03:53.440
<v Speaker 1>overnight track. That means a lion track that was made

2:03:53.520 --> 2:03:57.200
<v Speaker 1>within the past eight or nine hours, when conditions are right,

2:03:57.440 --> 2:04:00.760
<v Speaker 1>not too windy, not too dewey, not too rare. A

2:04:00.880 --> 2:04:03.640
<v Speaker 1>track of that vintage is likely to retain enough of

2:04:03.680 --> 2:04:06.880
<v Speaker 1>the lion's residual odor for dogs to be able to

2:04:06.960 --> 2:04:09.760
<v Speaker 1>pick up the scent and trail it. Yet, despite the

2:04:09.840 --> 2:04:12.920
<v Speaker 1>slaughter of calves that had occurred here, the previous spring,

2:04:13.400 --> 2:04:16.400
<v Speaker 1>and despite the recently killed deer that we found, we

2:04:16.520 --> 2:04:20.320
<v Speaker 1>had yet to locate a promising overnight track after days

2:04:20.360 --> 2:04:24.520
<v Speaker 1>of searching for one. Every day, Floyd and I would

2:04:24.560 --> 2:04:27.920
<v Speaker 1>wake up well before sunrise. Joe would already be gone,

2:04:28.040 --> 2:04:30.600
<v Speaker 1>having left so early in the morning that it was

2:04:30.720 --> 2:04:33.800
<v Speaker 1>more like nighttime. Floyd and I would head into the

2:04:33.880 --> 2:04:37.880
<v Speaker 1>desert with some predetermined landscape feature as our ultimate destination,

2:04:38.600 --> 2:04:43.480
<v Speaker 1>masas rocky buttes, deeply in sized canyons, high ridge lines,

2:04:43.720 --> 2:04:49.240
<v Speaker 1>saddles passes, all places where lions are likely to either hunt, sleep,

2:04:49.440 --> 2:04:52.960
<v Speaker 1>or travel through. Floyd is in his mid fifties, and

2:04:53.040 --> 2:04:56.280
<v Speaker 1>his appearance brings to mind Robert Redford when the actor

2:04:56.400 --> 2:04:59.880
<v Speaker 1>was about that same age. He's part owner of Western

2:05:00.160 --> 2:05:04.000
<v Speaker 1>Hunter and Elk Hunter magazines and full owner of Outdoorsman's,

2:05:04.080 --> 2:05:07.640
<v Speaker 1>an iconic Phoenix sporting goods store that specializes in high

2:05:07.840 --> 2:05:11.640
<v Speaker 1>end European made optics, as well as Outdoorsman's own line

2:05:11.680 --> 2:05:16.080
<v Speaker 1>of American made backpacking tripod systems. His line of work

2:05:16.160 --> 2:05:19.000
<v Speaker 1>allows him to think of chasing lions as a business

2:05:19.080 --> 2:05:22.120
<v Speaker 1>related activity, which means he can hunt as much as

2:05:22.200 --> 2:05:24.600
<v Speaker 1>he wants to without having to feel guilty about it

2:05:25.480 --> 2:05:28.640
<v Speaker 1>some years ago. He and his girlfriend owned and operated

2:05:28.720 --> 2:05:33.160
<v Speaker 1>an aerial photography company. This required Floyd to buy a helicopter.

2:05:33.680 --> 2:05:35.800
<v Speaker 1>I learned to fly a helicopter in a month, he

2:05:35.920 --> 2:05:38.880
<v Speaker 1>told me. Meanwhile, I've been hunting lions for twenty years

2:05:39.000 --> 2:05:42.360
<v Speaker 1>and I'm still learning stuff. Lion hunting is the hardest

2:05:42.400 --> 2:05:46.160
<v Speaker 1>thing I've ever done, At least on this hunt, Floyd

2:05:46.280 --> 2:05:49.680
<v Speaker 1>mostly preferred to look for overnight tracks without the assistance

2:05:49.720 --> 2:05:52.720
<v Speaker 1>of his dogs. For one thing, he didn't want them

2:05:52.760 --> 2:05:54.920
<v Speaker 1>to get tired out before it was time to actually

2:05:55.000 --> 2:05:58.320
<v Speaker 1>chase a lion. For another thing, the passage of all

2:05:58.440 --> 2:06:01.640
<v Speaker 1>those dogs pause has the potential to disturb the delicate

2:06:01.720 --> 2:06:04.960
<v Speaker 1>evidence that a lion might leave while traveling over a

2:06:05.040 --> 2:06:09.480
<v Speaker 1>portion of the Earth's surface that is covered predominantly in rock, cactus,

2:06:09.560 --> 2:06:13.400
<v Speaker 1>and grass, surfaces that do not readily collect the tracks

2:06:13.400 --> 2:06:17.760
<v Speaker 1>of a passing animal. Floyd calls himself a bare ground

2:06:17.880 --> 2:06:21.400
<v Speaker 1>lion hunter, a description that differentiates him from guys who

2:06:21.520 --> 2:06:25.720
<v Speaker 1>hunt colder and wetter regions with predictable and frequent dosages

2:06:25.800 --> 2:06:30.120
<v Speaker 1>of snow, the world's most track friendly substance. While a

2:06:30.200 --> 2:06:32.920
<v Speaker 1>big lion can weigh up to one hundred and fifty pounds.

2:06:32.960 --> 2:06:35.280
<v Speaker 1>It can kill an elk weighing four times as much.

2:06:35.800 --> 2:06:38.240
<v Speaker 1>They seem to walk about as gently as a balloon

2:06:38.400 --> 2:06:41.320
<v Speaker 1>hitting the ground. The only place that they'll leave a

2:06:41.400 --> 2:06:44.680
<v Speaker 1>track is in the sand, and around here sand occurs

2:06:44.760 --> 2:06:48.880
<v Speaker 1>primarily in the same places creek beds. Game trails that

2:06:49.040 --> 2:06:55.400
<v Speaker 1>attract a lot of competing traffic from mule deer, havevelina, cattle, quail, bobcats, coyotes,

2:06:55.480 --> 2:06:58.760
<v Speaker 1>big horn sheep, and dogs if you let them run

2:06:58.800 --> 2:07:02.839
<v Speaker 1>out ahead of you. Floyd spends so much time studying

2:07:02.880 --> 2:07:05.360
<v Speaker 1>the ground for lion tracks that has begun to affect

2:07:05.440 --> 2:07:09.360
<v Speaker 1>his posture. His natural stance has his eyes staring at

2:07:09.440 --> 2:07:12.600
<v Speaker 1>the ground directly ahead of his boots. He's trained himself

2:07:12.680 --> 2:07:14.840
<v Speaker 1>to tune out everything on the ground except for the

2:07:14.960 --> 2:07:18.480
<v Speaker 1>tracks of lions. On average, these measure about three and

2:07:18.480 --> 2:07:21.000
<v Speaker 1>a half inches from front to back and side to side.

2:07:21.800 --> 2:07:25.560
<v Speaker 1>Perfect complete lion tracks are far less common than imperfect

2:07:25.840 --> 2:07:29.160
<v Speaker 1>partial lion tracks. You might just see the imprint of

2:07:29.240 --> 2:07:32.000
<v Speaker 1>a few toes in the sand, or the outline of

2:07:32.040 --> 2:07:34.720
<v Speaker 1>a track that's interrupted by a flat piece of rock.

2:07:35.440 --> 2:07:38.040
<v Speaker 1>The important part of a lion track, the part that

2:07:38.240 --> 2:07:42.440
<v Speaker 1>eliminates impostors, is the trailing edge of the heel pad.

2:07:43.200 --> 2:07:46.080
<v Speaker 1>It leaves an impression in the sand that looks like

2:07:46.200 --> 2:07:51.800
<v Speaker 1>the bottom of three letter us placed together. When we

2:07:51.840 --> 2:07:54.200
<v Speaker 1>were out looking for tracks, Floyd and I had many

2:07:54.320 --> 2:07:58.400
<v Speaker 1>conversations that went like this, here's something interesting. I'd say,

2:07:58.480 --> 2:08:00.680
<v Speaker 1>this has got to be a lion. Looks a little

2:08:00.840 --> 2:08:03.520
<v Speaker 1>like a dog, but it's a lot rounder. You should

2:08:03.600 --> 2:08:06.720
<v Speaker 1>check it out. Can you see the heel pad? Floyd

2:08:06.760 --> 2:08:10.200
<v Speaker 1>would ask, No, I'd say, look for another one, he'd say.

2:08:11.800 --> 2:08:15.360
<v Speaker 1>Then finally it happened. After five long days of doing

2:08:15.440 --> 2:08:18.160
<v Speaker 1>little bit walking and looking for tracks, I found what

2:08:18.240 --> 2:08:21.280
<v Speaker 1>we were searching for. It was blow a large butte

2:08:21.400 --> 2:08:24.080
<v Speaker 1>in a dry creek bed where a few boulders funneled

2:08:24.120 --> 2:08:27.120
<v Speaker 1>the animal traffic into a narrow gap. Here you go,

2:08:27.240 --> 2:08:30.000
<v Speaker 1>I called out to Floyd, here's a heel pad. Sure

2:08:30.080 --> 2:08:33.960
<v Speaker 1>than hell. Floyd walked over to have a look. His

2:08:34.120 --> 2:08:37.880
<v Speaker 1>face registered a moment of interest, but then his enthusiasm waned.

2:08:38.600 --> 2:08:40.880
<v Speaker 1>Looks to me like a coyote track where he spun

2:08:41.000 --> 2:08:43.560
<v Speaker 1>around in the sand, so it looks bigger than normal.

2:08:43.640 --> 2:08:46.680
<v Speaker 1>He said. Then to have Alena step down the back

2:08:46.720 --> 2:08:49.520
<v Speaker 1>of it. That's what gives it a lobed. Look and

2:08:49.680 --> 2:08:51.960
<v Speaker 1>notice how you don't see any more good tracks ahead

2:08:52.000 --> 2:08:54.680
<v Speaker 1>of it or behind it. Just coyote and have Alena

2:08:55.240 --> 2:08:57.760
<v Speaker 1>keep in mind. He went on, anything can make a

2:08:57.880 --> 2:09:00.880
<v Speaker 1>lion track once it takes a line to do it. Twice,

2:09:01.400 --> 2:09:04.360
<v Speaker 1>you find me two good tracks with lob pads, and

2:09:04.440 --> 2:09:07.800
<v Speaker 1>then you've got something worth looking at. While I was

2:09:07.880 --> 2:09:10.880
<v Speaker 1>disappointed by our inability to find a good lion track,

2:09:10.960 --> 2:09:14.680
<v Speaker 1>I was hardly surprised. Prior to my visit to Arizona,

2:09:14.760 --> 2:09:18.280
<v Speaker 1>I had had only three physical encounters with wild mountain lions.

2:09:19.080 --> 2:09:22.360
<v Speaker 1>Each of those encounters reinforced my notion of the animal

2:09:22.680 --> 2:09:27.200
<v Speaker 1>as a secretive and elusive creature. The first encounter stands

2:09:27.240 --> 2:09:30.560
<v Speaker 1>out in my mind most visibly. It happened near Clearwater

2:09:30.720 --> 2:09:34.680
<v Speaker 1>Lake in Montana's Swan Mountains, just after I moved out west.

2:09:35.480 --> 2:09:38.120
<v Speaker 1>That night, i'd been fly fishing for cutthroat trout, and

2:09:38.160 --> 2:09:40.640
<v Speaker 1>I stayed on the water until a little past dark.

2:09:41.320 --> 2:09:43.720
<v Speaker 1>When I was done, I hiked three quarters of a

2:09:43.800 --> 2:09:45.880
<v Speaker 1>mile through the woods back to where my van was

2:09:45.960 --> 2:09:49.320
<v Speaker 1>parked on a forest service road. It was pitch black

2:09:49.360 --> 2:09:51.680
<v Speaker 1>by the time I began to long and bumpy drive

2:09:51.800 --> 2:09:55.760
<v Speaker 1>out toward Highway eighty three. About halfway along, I came

2:09:55.840 --> 2:09:58.360
<v Speaker 1>to a place where the forest service road had been

2:09:58.440 --> 2:10:01.839
<v Speaker 1>cut into the side of a steep hillside. I rounded

2:10:01.880 --> 2:10:03.720
<v Speaker 1>the corner and there was a gang of meal, deeer,

2:10:03.840 --> 2:10:06.080
<v Speaker 1>doze and fawns, all bunched up in the middle of

2:10:06.120 --> 2:10:09.040
<v Speaker 1>the road. When I got close, they ran to the

2:10:09.160 --> 2:10:11.960
<v Speaker 1>right and struggled up the steeply pitched hillside in a

2:10:12.040 --> 2:10:16.680
<v Speaker 1>whirl of hoofs and falling rocks. Just as this was happening,

2:10:17.040 --> 2:10:19.360
<v Speaker 1>I caught in my side view mire a sudden flash

2:10:19.440 --> 2:10:22.720
<v Speaker 1>of movement and the halo of the brake lights. I

2:10:22.840 --> 2:10:25.680
<v Speaker 1>shoved the shifter upward into reverse so that the van's

2:10:25.760 --> 2:10:28.360
<v Speaker 1>backup lights would come on, and then I stuck my

2:10:28.440 --> 2:10:31.600
<v Speaker 1>head out the window to look. There it was, standing

2:10:31.720 --> 2:10:35.160
<v Speaker 1>within inches of the rear bumper, the first mountain lion

2:10:35.240 --> 2:10:38.120
<v Speaker 1>I ever saw. He spun himself in a turn that

2:10:38.240 --> 2:10:42.000
<v Speaker 1>seemed like wine swirling in the glass. With that, the

2:10:42.120 --> 2:10:46.320
<v Speaker 1>lion vanished into the dark. Over the next few weeks,

2:10:46.360 --> 2:10:48.960
<v Speaker 1>I thought about that mountain lion far more than I've

2:10:49.040 --> 2:10:52.520
<v Speaker 1>ever thought about any single living creature, besides a dog

2:10:52.680 --> 2:10:56.040
<v Speaker 1>named Duchess that my family owned for about thirteen years.

2:10:56.760 --> 2:10:58.680
<v Speaker 1>I did a fair bit of thinking about what the

2:10:58.800 --> 2:11:02.440
<v Speaker 1>lion was doing before interrupted its hunt that night, but

2:11:02.560 --> 2:11:05.160
<v Speaker 1>I did a lot more thinking about what it did afterward.

2:11:05.760 --> 2:11:08.040
<v Speaker 1>To the north of where I saw the cat was

2:11:08.120 --> 2:11:11.680
<v Speaker 1>the largest tract of contiguous wilderness in the lower forty

2:11:11.720 --> 2:11:14.880
<v Speaker 1>eight I was baffled by the mystery of that lion

2:11:15.000 --> 2:11:17.960
<v Speaker 1>amid all that country. What did it do over the

2:11:18.080 --> 2:11:21.080
<v Speaker 1>next few days? Where did it hunt? What did it eat?

2:11:21.280 --> 2:11:23.920
<v Speaker 5>Where did it sleep? How did it react to the

2:11:24.040 --> 2:11:26.640
<v Speaker 5>world that it encountered? Where did it go?

2:11:28.400 --> 2:11:31.680
<v Speaker 1>As I pondered these questions and research the answers, I

2:11:31.800 --> 2:11:35.160
<v Speaker 1>realized that the people with the most sophisticated understanding of

2:11:35.240 --> 2:11:37.960
<v Speaker 1>mountain lions were the men and women who hunted them

2:11:38.040 --> 2:11:41.680
<v Speaker 1>with hounds. By following their hounds as they track a lion,

2:11:42.040 --> 2:11:45.120
<v Speaker 1>houndsmen get to literally walk in the trail of their quarry.

2:11:45.560 --> 2:11:47.960
<v Speaker 1>They see where the lion hunts, They see where the

2:11:48.040 --> 2:11:51.720
<v Speaker 1>lion eats, They see where the lion sleeps. They experience

2:11:51.840 --> 2:11:54.720
<v Speaker 1>the land on the terms of the lion. They know

2:11:55.040 --> 2:11:59.640
<v Speaker 1>where the lion goes. The lion hunter is also I

2:11:59.720 --> 2:12:02.160
<v Speaker 1>found out one of the most hated types of hunters

2:12:02.240 --> 2:12:05.400
<v Speaker 1>in the country. If you think of the conflict between

2:12:05.520 --> 2:12:08.720
<v Speaker 1>hunters and anti hunters as a long term war, the

2:12:08.880 --> 2:12:11.920
<v Speaker 1>right to hunt lions with hounds is the current front

2:12:12.000 --> 2:12:15.760
<v Speaker 1>line battlefield in many Western states. This would have been

2:12:15.960 --> 2:12:19.120
<v Speaker 1>unforseeable just one hundred years ago, when it was common

2:12:19.240 --> 2:12:22.440
<v Speaker 1>practice for states to offer bounties on mountain lions because

2:12:22.480 --> 2:12:26.960
<v Speaker 1>of the cats tendencies to prey on livestock. In Arizona,

2:12:27.320 --> 2:12:30.240
<v Speaker 1>killing a lion would earn you fifty dollars. In the

2:12:30.360 --> 2:12:34.600
<v Speaker 1>nineteen sixties and seventies, Western states began to recognize mountain

2:12:34.680 --> 2:12:37.920
<v Speaker 1>lions as an important part of the ecosystem and also

2:12:38.040 --> 2:12:41.400
<v Speaker 1>as a species of interest to big game hunters. Most

2:12:41.440 --> 2:12:45.360
<v Speaker 1>states reclassified lions as a game species and made it

2:12:45.480 --> 2:12:48.520
<v Speaker 1>necessary for hunters to buy a legal hunting license in

2:12:48.560 --> 2:12:52.480
<v Speaker 1>a mountain lion permit in order to kill one. There

2:12:52.520 --> 2:12:55.600
<v Speaker 1>are several ways to hunt lions. You can attract them

2:12:55.640 --> 2:12:58.600
<v Speaker 1>with a predator call, which typically mimics the sounds of

2:12:58.680 --> 2:13:01.840
<v Speaker 1>wounded deer or rabbit. Or you can hang around in

2:13:01.920 --> 2:13:04.880
<v Speaker 1>good lion country hoping that one of the cats happens

2:13:04.920 --> 2:13:07.840
<v Speaker 1>to come along. But by far the most effective way

2:13:07.880 --> 2:13:10.240
<v Speaker 1>to hunt mountain lions is through the use of dogs.

2:13:10.560 --> 2:13:14.560
<v Speaker 1>In Montana, eighty nine percent of lion hunters used dogs,

2:13:14.800 --> 2:13:18.960
<v Speaker 1>and Wyoming it's ninety percent. Over the last twenty five years,

2:13:19.360 --> 2:13:22.680
<v Speaker 1>sixty five percent of all lions harvested by hunters in

2:13:22.720 --> 2:13:27.640
<v Speaker 1>Arizona were killed with the help of dogs. Anti hunters

2:13:27.680 --> 2:13:30.839
<v Speaker 1>have long recognized the importance of dogs and hunting lions.

2:13:31.560 --> 2:13:35.000
<v Speaker 1>I believe that the more organized factions of anti hunters

2:13:35.400 --> 2:13:39.040
<v Speaker 1>camouflage their opposition to hunting in general as a more

2:13:39.120 --> 2:13:43.400
<v Speaker 1>specific opposition to hunting lions with dogs. It allows them

2:13:43.480 --> 2:13:47.680
<v Speaker 1>to wage small scale legal battles against the broader spectrum

2:13:47.760 --> 2:13:50.880
<v Speaker 1>of hunting without having to conquer the issue had on.

2:13:51.880 --> 2:13:55.040
<v Speaker 1>Some of these battles have proved winnable, as it's easy

2:13:55.120 --> 2:13:57.880
<v Speaker 1>to convince people who have never once hunted or laid

2:13:57.960 --> 2:14:00.880
<v Speaker 1>eyes on a wild lion that hunt Hunting animals with

2:14:00.960 --> 2:14:05.240
<v Speaker 1>dogs is somehow a perverse activity. In nineteen ninety four,

2:14:05.640 --> 2:14:09.600
<v Speaker 1>Oregon voters passed an initiative that banned hunting lions with dogs.

2:14:09.880 --> 2:14:13.520
<v Speaker 1>The hunting lions by other means remains legal. The same

2:14:13.600 --> 2:14:17.440
<v Speaker 1>thing is true in Washington and South Dakota. Hunt lions, yes,

2:14:17.760 --> 2:14:21.400
<v Speaker 1>with dogs no. If you're puzzled about how such laws

2:14:21.480 --> 2:14:25.000
<v Speaker 1>could ever come into existence. Consider the results of a

2:14:25.080 --> 2:14:28.920
<v Speaker 1>two thousand and one pole of Arizona residents. While only

2:14:29.040 --> 2:14:32.520
<v Speaker 1>twenty nine percent of those polled indicated that hunting should

2:14:32.520 --> 2:14:36.680
<v Speaker 1>be banned outright, sixty two percent indicated that the use

2:14:36.760 --> 2:14:41.080
<v Speaker 1>of hounds two hunt lions should be illegal. To be

2:14:41.200 --> 2:14:45.560
<v Speaker 1>perfectly honest, I was inspired by my personal lion experience

2:14:46.000 --> 2:14:49.640
<v Speaker 1>to reconsider my own suspicions about the practice of hunting

2:14:49.680 --> 2:14:52.320
<v Speaker 1>them with hounds. I wanted to see one of the

2:14:52.400 --> 2:14:55.360
<v Speaker 1>animals up close and to experience the thrill of eating

2:14:55.400 --> 2:14:58.200
<v Speaker 1>its flesh, and the only realistic way for me to

2:14:58.320 --> 2:15:00.400
<v Speaker 1>do this was to join up with some high hensman

2:15:00.760 --> 2:15:02.800
<v Speaker 1>and head into the hills in search of a track.

2:15:03.480 --> 2:15:05.440
<v Speaker 1>If we got one into a tree and I didn't

2:15:05.520 --> 2:15:07.880
<v Speaker 1>like the way it felt, I could always walk away

2:15:07.960 --> 2:15:13.720
<v Speaker 1>without killing it. While we were hunting lions, Floyd's partner, Joe,

2:15:13.840 --> 2:15:15.640
<v Speaker 1>slept in the back of his pickup on a pad

2:15:15.760 --> 2:15:19.440
<v Speaker 1>of carpet. He kept his dogs tethered outside of the truck,

2:15:19.520 --> 2:15:22.440
<v Speaker 1>scattered apart so that they didn't fight or get tangled up.

2:15:23.160 --> 2:15:25.560
<v Speaker 1>When he got up at three am, he would pull

2:15:25.640 --> 2:15:28.720
<v Speaker 1>on a pair of faded Levi's Danner hunting boots in

2:15:28.840 --> 2:15:32.520
<v Speaker 1>one of Floyd's outdoorsmen's backpacks, and then he would unclip

2:15:32.600 --> 2:15:34.640
<v Speaker 1>the pack of hounds and they would take off together

2:15:34.760 --> 2:15:38.480
<v Speaker 1>into the darkness. They would cover several miles before it

2:15:38.560 --> 2:15:41.480
<v Speaker 1>got light out, and then another six or seven miles

2:15:41.520 --> 2:15:44.960
<v Speaker 1>after daybreak. This was an impressive bit of walking for

2:15:45.080 --> 2:15:47.800
<v Speaker 1>a man who'd retired from the concrete laying business, with

2:15:47.960 --> 2:15:51.839
<v Speaker 1>pass injuries including but not limited to a shattered Sternham

2:15:52.240 --> 2:15:56.480
<v Speaker 1>concrete finisher, a gnawed leg, mountain lion, and a gunshot

2:15:56.560 --> 2:15:59.920
<v Speaker 1>wound sustained after dropping a three point fifty seven revolve

2:16:00.160 --> 2:16:02.840
<v Speaker 1>in such a way that the hammer hit the concrete

2:16:03.120 --> 2:16:06.800
<v Speaker 1>and discharged around. As Joe walked, he would use a

2:16:06.880 --> 2:16:09.600
<v Speaker 1>headlamp to study the earth in front of him for tracks.

2:16:10.240 --> 2:16:12.760
<v Speaker 1>His dogs would range out to the sides and ahead

2:16:12.800 --> 2:16:15.160
<v Speaker 1>of his line of travel with their noses to the ground.

2:16:15.800 --> 2:16:18.880
<v Speaker 1>By their specific barks, he could tell whether they were

2:16:18.960 --> 2:16:23.760
<v Speaker 1>detecting the recent passage of a lion. He spent five

2:16:23.880 --> 2:16:28.080
<v Speaker 1>whole days this way without any significant strokes of luck. Then,

2:16:28.240 --> 2:16:30.520
<v Speaker 1>on our last day of hunting, Floyd and I were

2:16:30.560 --> 2:16:33.520
<v Speaker 1>getting ready to leave camp when we heard a cacophony

2:16:33.560 --> 2:16:36.600
<v Speaker 1>of bellows coming from Joe's dogs high on the mountain

2:16:36.640 --> 2:16:40.000
<v Speaker 1>above us. It sounded like someone torturing a gang of

2:16:40.120 --> 2:16:43.920
<v Speaker 1>opera singers. Even from a great distance, Floyd knew exactly

2:16:43.959 --> 2:16:47.400
<v Speaker 1>what Joe's dogs were saying. That dog you hear there

2:16:47.600 --> 2:16:50.760
<v Speaker 1>with the low bellow. He doesn't make noise on an

2:16:50.879 --> 2:16:54.160
<v Speaker 1>old lion trail, said Floyd. He's too old and wise

2:16:54.280 --> 2:16:57.879
<v Speaker 1>for that. He only makes noise on a good overnight track.

2:16:59.360 --> 2:17:02.000
<v Speaker 1>We studied the mountainside where the barking was coming from,

2:17:02.080 --> 2:17:05.240
<v Speaker 1>and soon spotted the flickers of light from Joe's headlamp.

2:17:06.040 --> 2:17:08.640
<v Speaker 1>He was moving quickly across the face of the mountain.

2:17:09.280 --> 2:17:11.440
<v Speaker 1>There was a notch in the skyline that marked the

2:17:11.640 --> 2:17:15.080
<v Speaker 1>entrance to a canyon, and soon Joe's light disappeared into

2:17:15.160 --> 2:17:18.600
<v Speaker 1>that notch. The sound from the dog's barking began to

2:17:18.680 --> 2:17:22.560
<v Speaker 1>fade as the distance increased. Joe's voice then came over

2:17:22.600 --> 2:17:25.840
<v Speaker 1>the walkie talking. He implored Floyd to cut loose some

2:17:26.000 --> 2:17:29.760
<v Speaker 1>of his dogs. Have you seen a track yet, asked Floyd,

2:17:29.840 --> 2:17:32.480
<v Speaker 1>Any idea? What way the lion's going? Is it a tom?

2:17:33.040 --> 2:17:36.320
<v Speaker 1>No tracks yet, said Joe, But they're really moving the trail.

2:17:36.680 --> 2:17:38.840
<v Speaker 1>Just get some dogs loose and get them up here.

2:17:40.440 --> 2:17:43.520
<v Speaker 1>Floyd unleashed six of his own dogs, who immediately headed

2:17:43.640 --> 2:17:46.960
<v Speaker 1>uphill towards the source of the barking. Floyd then turned

2:17:47.000 --> 2:17:50.720
<v Speaker 1>to me and said, we better get moving. The canyon

2:17:50.800 --> 2:17:53.760
<v Speaker 1>that Joe and the dogs entered described a long arc.

2:17:53.920 --> 2:17:56.760
<v Speaker 1>Floyd explained he figured that we might catch up with

2:17:56.879 --> 2:17:59.920
<v Speaker 1>them by following a neighboring canyon through a straight or route.

2:18:01.000 --> 2:18:04.880
<v Speaker 1>We headed across a sage patch, passed them sauaro cactuses,

2:18:05.240 --> 2:18:08.359
<v Speaker 1>and then into the mouth of the canyon. The daylight

2:18:08.480 --> 2:18:11.200
<v Speaker 1>grew as we made our way into the dry brown mountains.

2:18:11.680 --> 2:18:14.680
<v Speaker 1>As we walked, Floyd explained the trouble of chasing a

2:18:14.840 --> 2:18:17.520
<v Speaker 1>lion that the dogs could smell, but that you haven't

2:18:17.560 --> 2:18:20.640
<v Speaker 1>seen a track from. While the dogs can certainly tell

2:18:20.720 --> 2:18:23.440
<v Speaker 1>that a lion has passed through, they are not able

2:18:23.520 --> 2:18:27.000
<v Speaker 1>to determine which direction it is traveling. This can lead

2:18:27.040 --> 2:18:30.880
<v Speaker 1>to obvious and considerable confusion. As Floyd put it, there's

2:18:30.920 --> 2:18:33.280
<v Speaker 1>a fifty to fifty chance that the dogs are taking

2:18:33.320 --> 2:18:37.160
<v Speaker 1>to you in the wrong direction. After a mile of walking,

2:18:37.240 --> 2:18:39.240
<v Speaker 1>we still hadn't heard the dogs, and we couldn't tell

2:18:39.280 --> 2:18:42.360
<v Speaker 1>where Joe had gone. We were unable to reach him

2:18:42.360 --> 2:18:46.200
<v Speaker 1>on the walkie talkie as the deeply cut topography interfered

2:18:46.280 --> 2:18:49.960
<v Speaker 1>with the transmissions. We traveled another mile and then left

2:18:50.000 --> 2:18:53.199
<v Speaker 1>the canyon bottom and started walking uphill toward a ridgeline.

2:18:53.720 --> 2:18:56.320
<v Speaker 1>When we got up there, we still couldn't hear anything.

2:18:56.959 --> 2:18:59.880
<v Speaker 1>I noticed a high, thumb shaped spire of rock that

2:19:00.200 --> 2:19:03.080
<v Speaker 1>rose out of the mountains like a city skyscraper, rising

2:19:03.200 --> 2:19:06.920
<v Speaker 1>above buildings half its height. I commented to Floyd that

2:19:07.040 --> 2:19:09.560
<v Speaker 1>the lion was probably headed that way, or at least

2:19:09.640 --> 2:19:12.000
<v Speaker 1>that's where I'd had if I were being chased and

2:19:12.160 --> 2:19:15.720
<v Speaker 1>wanted to elude my pursuers. Floyd replied that the lion

2:19:15.800 --> 2:19:18.840
<v Speaker 1>still didn't know it was being chased. He'd been here

2:19:19.080 --> 2:19:23.120
<v Speaker 1>hours earlier and was probably off sleeping somewhere oblivious to

2:19:23.240 --> 2:19:28.200
<v Speaker 1>our presence in the world. We pressed on. Hours went by,

2:19:28.600 --> 2:19:32.320
<v Speaker 1>and the day passed into afternoon. As it would turn out,

2:19:32.440 --> 2:19:35.520
<v Speaker 1>the line had indeed headed toward the thumb shaped spire

2:19:35.600 --> 2:19:39.480
<v Speaker 1>of rock, whether or not he knew he was being followed. Later,

2:19:40.000 --> 2:19:42.200
<v Speaker 1>Floyd and I would finally meet up with Joe near

2:19:42.240 --> 2:19:44.920
<v Speaker 1>its base. By then, the dogs would have lost the

2:19:45.040 --> 2:19:47.960
<v Speaker 1>lion's trail, and they'd be too exhausted to follow it.

2:19:48.080 --> 2:19:51.520
<v Speaker 1>Even if they hadn't, we would find them lolling around

2:19:51.640 --> 2:19:54.560
<v Speaker 1>on a jumble of rocks. Now and then one of

2:19:54.600 --> 2:19:57.800
<v Speaker 1>the dogs would lick a certain rock and bellow it's saliva,

2:19:57.959 --> 2:20:01.320
<v Speaker 1>having released some trace of a lion's order. Then it

2:20:01.360 --> 2:20:04.560
<v Speaker 1>would head off in some direction or another, making a ruckus.

2:20:05.000 --> 2:20:07.600
<v Speaker 1>I would get excited all over again, thinking that I

2:20:07.680 --> 2:20:10.240
<v Speaker 1>might still get my chance to see a lion up close.

2:20:10.680 --> 2:20:14.200
<v Speaker 1>But each time the dog would return, having lost interest

2:20:14.320 --> 2:20:19.119
<v Speaker 1>in what was becoming an increasingly cold trail. Finally, Joe

2:20:19.200 --> 2:20:22.160
<v Speaker 1>and Floyd suggested that we start the long walk back

2:20:22.240 --> 2:20:25.640
<v Speaker 1>toward camp. We all had to be somewhere the next day.

2:20:26.440 --> 2:20:30.360
<v Speaker 1>I walked away in silence, disappointed that I was unable

2:20:30.440 --> 2:20:33.320
<v Speaker 1>to learn whether it was challenging to shoot a lion

2:20:33.480 --> 2:20:36.240
<v Speaker 1>out of a tree. Getting to that final moment of

2:20:36.320 --> 2:20:40.520
<v Speaker 1>truth had been quite simply too challenging.