1 00:00:01,200 --> 00:00:05,680 Speaker 1: Welcome to Bobby Cast number two eighteen. This is our 2 00:00:05,800 --> 00:00:07,600 Speaker 1: kind of last Friday Bobby Cast of the year. This 3 00:00:07,680 --> 00:00:10,680 Speaker 1: is the ten most unforgettable country music moments of the 4 00:00:10,720 --> 00:00:13,480 Speaker 1: two thousand tens, which would be fun good and bad 5 00:00:13,560 --> 00:00:16,680 Speaker 1: or mostly good both, because when you hear number one, 6 00:00:16,720 --> 00:00:20,160 Speaker 1: you'll be like, oh um, So after this, I'll say 7 00:00:20,160 --> 00:00:21,680 Speaker 1: this though, is I was kind of thinking of this year. 8 00:00:22,480 --> 00:00:26,920 Speaker 1: The biggest moment musically has been that freaking Old Town Road. 9 00:00:27,320 --> 00:00:29,400 Speaker 1: That was a big moment. I've never seen a song 10 00:00:29,400 --> 00:00:32,280 Speaker 1: and do that before it became viral from TikTok. I 11 00:00:32,320 --> 00:00:35,320 Speaker 1: got pulled into the mix you did early before it 12 00:00:35,400 --> 00:00:38,760 Speaker 1: was even a real thing because and just by happenstance, 13 00:00:39,320 --> 00:00:42,120 Speaker 1: I just happened to be in New York and they're like, Hey, 14 00:00:42,159 --> 00:00:44,519 Speaker 1: they're gonna put this Old Town Road song on the 15 00:00:44,520 --> 00:00:48,680 Speaker 1: country chart, and is it country guys? I didn't even 16 00:00:48,680 --> 00:00:51,120 Speaker 1: heard the song yet, and I was like, and so 17 00:00:51,159 --> 00:00:52,840 Speaker 1: they listened to it on the way to Good Morning America. 18 00:00:52,840 --> 00:00:54,320 Speaker 1: I was up there anyway to do g M A 19 00:00:54,400 --> 00:00:57,360 Speaker 1: for maybe idol or something. I'm not sure what I 20 00:00:57,400 --> 00:00:59,560 Speaker 1: was up there. What was your first thought when you 21 00:00:59,640 --> 00:01:03,080 Speaker 1: heard it that people need to shut up about what's 22 00:01:03,120 --> 00:01:05,560 Speaker 1: defined as anything. I'm just always irritated when people try 23 00:01:05,560 --> 00:01:08,880 Speaker 1: to say what's not something. People spend so much time 24 00:01:09,440 --> 00:01:12,080 Speaker 1: talking about what they don't like that it just creates 25 00:01:12,080 --> 00:01:14,280 Speaker 1: a negative culture. And that's true. And but this is 26 00:01:14,319 --> 00:01:16,560 Speaker 1: probably gonna go on forever. Bounce It's happening has gone 27 00:01:16,560 --> 00:01:18,880 Speaker 1: off will But they were like, hey, people are saying 28 00:01:18,880 --> 00:01:21,000 Speaker 1: it's not a country song. No, it's ridiculous. Or if 29 00:01:21,040 --> 00:01:22,520 Speaker 1: they had a positioned a different and said, hey, listen 30 00:01:22,560 --> 00:01:23,760 Speaker 1: to the song, I m gona tell what format it is, 31 00:01:23,760 --> 00:01:25,000 Speaker 1: tell me what it is. I don't know what I 32 00:01:25,040 --> 00:01:26,880 Speaker 1: would have said. I probably wouldn't say country. But you 33 00:01:27,000 --> 00:01:29,640 Speaker 1: heard it before Billy Ray. You heard it when it 34 00:01:29,680 --> 00:01:31,160 Speaker 1: was just a little bit. That's true because we came 35 00:01:31,200 --> 00:01:33,720 Speaker 1: on and we're like, here's the Billy Ray version. Yeah, 36 00:01:33,760 --> 00:01:36,000 Speaker 1: I just and that song just blew up, like and 37 00:01:36,040 --> 00:01:37,720 Speaker 1: it was the number one song for almost a whole year. 38 00:01:38,959 --> 00:01:40,720 Speaker 1: Whatever it did. It set the record. When I was 39 00:01:40,720 --> 00:01:42,440 Speaker 1: thinking about this year, that's what I was thinking about 40 00:01:42,640 --> 00:01:47,720 Speaker 1: when it got to music that most unforgettable country music 41 00:01:47,760 --> 00:01:52,360 Speaker 1: moments of the decade number ten. And I'll tell you 42 00:01:52,360 --> 00:01:54,080 Speaker 1: we've talked about this on this podcast a lot, but 43 00:01:54,120 --> 00:01:56,960 Speaker 1: Chris Stapleton's two thousand fifteen c m A Awards with 44 00:01:57,160 --> 00:02:01,320 Speaker 1: him and justin timber Lake to Tennessee Whiskey, and he 45 00:02:01,400 --> 00:02:03,360 Speaker 1: wanted a lot of awards that year. It doesn't matter. 46 00:02:04,040 --> 00:02:08,919 Speaker 1: This performance is what submitted him as he's now Chris Stapleton, 47 00:02:08,960 --> 00:02:12,440 Speaker 1: that's the whole deal. And we were so lucky. And 48 00:02:12,440 --> 00:02:14,920 Speaker 1: it was lucky because we we'd have him on the 49 00:02:14,919 --> 00:02:16,880 Speaker 1: show before a bunch and it wasn't like we were 50 00:02:16,919 --> 00:02:18,960 Speaker 1: jumping on the bandwagon when everybody else was like, we're 51 00:02:18,960 --> 00:02:20,880 Speaker 1: now Christ Appleton. Fans come on our show and Chris 52 00:02:20,960 --> 00:02:22,960 Speaker 1: is a private guy, doesn't do a lot of appearances. 53 00:02:23,639 --> 00:02:25,440 Speaker 1: But it was always cool because Chris song was like, dude, 54 00:02:25,440 --> 00:02:27,400 Speaker 1: you put me on before everybody was wanting to put 55 00:02:27,400 --> 00:02:29,000 Speaker 1: me on, so he would keep coming on the show. 56 00:02:29,560 --> 00:02:31,840 Speaker 1: But isn't it cool to discover artists a little earlier 57 00:02:31,880 --> 00:02:35,000 Speaker 1: before everyone else does because you were on to Chris 58 00:02:35,680 --> 00:02:38,240 Speaker 1: and his bands before Chris. I remember we were on 59 00:02:38,280 --> 00:02:40,120 Speaker 1: the road somewhere, maybe in Florida, and you're just say, hey, 60 00:02:40,480 --> 00:02:42,120 Speaker 1: listen to this, like this is cool as a band 61 00:02:42,160 --> 00:02:45,799 Speaker 1: called a couple of them. Yeah, I remember, But when 62 00:02:45,800 --> 00:02:47,839 Speaker 1: you played some of them like, dude, that guy's really 63 00:02:48,080 --> 00:02:50,680 Speaker 1: the voice is really good. It was Chris Stapleton, so 64 00:02:50,680 --> 00:02:52,440 Speaker 1: that's kind of cool, right to know that because he 65 00:02:52,480 --> 00:02:54,640 Speaker 1: was in rock bands. It was this country. Well, so 66 00:02:54,680 --> 00:02:56,519 Speaker 1: that was number ten. Christ appleson't jumping on the scene. 67 00:02:56,560 --> 00:02:58,160 Speaker 1: He didn't win, but again a lot of people won 68 00:02:58,160 --> 00:03:00,840 Speaker 1: awards and they kind of flutter or owned, but it 69 00:03:00,880 --> 00:03:03,160 Speaker 1: was that performance with Justin timber like that everybody talked about. 70 00:03:03,440 --> 00:03:05,760 Speaker 1: My friend Robert Deaton, who producers that show, said within 71 00:03:05,800 --> 00:03:07,320 Speaker 1: ten minutes he could look at the at the time 72 00:03:07,360 --> 00:03:09,399 Speaker 1: iTunes chart and the song had blown up and number 73 00:03:09,400 --> 00:03:10,760 Speaker 1: one and all he was like, well, this is now 74 00:03:10,800 --> 00:03:13,960 Speaker 1: here to stay. And they met because and one of 75 00:03:13,960 --> 00:03:17,000 Speaker 1: these Bobbycats. We talked about that maybe with Chris Stapleton, 76 00:03:17,440 --> 00:03:20,120 Speaker 1: because we did one of these with Chris Stapleton where 77 00:03:20,840 --> 00:03:23,880 Speaker 1: or somebody else told me, but he went and Justin 78 00:03:23,880 --> 00:03:25,560 Speaker 1: Timberlake was just a fan of his and they only 79 00:03:25,600 --> 00:03:28,240 Speaker 1: met like in Wyoming at Justin to my birthday party. 80 00:03:28,320 --> 00:03:30,600 Speaker 1: I've heard the story. I wondered, where did that come from? 81 00:03:30,800 --> 00:03:35,600 Speaker 1: Remember a songwriter? Was it? Yeah? Well so that's number ten. 82 00:03:35,680 --> 00:03:39,600 Speaker 1: Number nine is Glenn Campbell fighting Alzheimer's disease. He was 83 00:03:39,600 --> 00:03:41,440 Speaker 1: already battling the disease when he went public in two 84 00:03:41,440 --> 00:03:43,240 Speaker 1: thousand and eleven with it. He died two years ago. 85 00:03:43,840 --> 00:03:48,000 Speaker 1: But here's some Glenn Campbell for you. Did you watch 86 00:03:48,080 --> 00:03:52,960 Speaker 1: his documentary? Really really, really good. I mean this. I 87 00:03:53,000 --> 00:03:55,240 Speaker 1: grew up. My parents would listen to Glen Campbell, and 88 00:03:55,240 --> 00:03:57,080 Speaker 1: I didn't know anything about him other than he was 89 00:03:57,120 --> 00:04:00,360 Speaker 1: Glenn Campbell, Ryan Stone, Cowboy, which tall lineman, all that stuff. 90 00:04:00,360 --> 00:04:02,160 Speaker 1: But I didn't know that he was a session player 91 00:04:02,200 --> 00:04:06,200 Speaker 1: and how important he was to just studio music before 92 00:04:06,240 --> 00:04:08,960 Speaker 1: he was a country music artist. He was the extremely 93 00:04:09,080 --> 00:04:13,800 Speaker 1: skilled guitar player that played on everybody's record yep and 94 00:04:13,840 --> 00:04:16,560 Speaker 1: then had no clue. And he's from Arkansas, which is 95 00:04:17,000 --> 00:04:19,359 Speaker 1: what I knew him as. It was, you know, Johnny 96 00:04:19,360 --> 00:04:21,640 Speaker 1: Cash mostly, but Conway Twitty and Glenn Campbell were like 97 00:04:21,680 --> 00:04:24,560 Speaker 1: my grandmother's Arkansas people. And he has a daughter named 98 00:04:24,560 --> 00:04:27,080 Speaker 1: Ashley Campbell. Do you know she is a good banjo player. 99 00:04:27,839 --> 00:04:29,920 Speaker 1: She's really cool to just check out because just that 100 00:04:29,960 --> 00:04:32,039 Speaker 1: you can tell the music ran in the family. Yeah, 101 00:04:32,160 --> 00:04:35,000 Speaker 1: I think one point, let me before I step in 102 00:04:35,040 --> 00:04:38,880 Speaker 1: it here. Also, it was Mike Duncan. It was Mike Duncan. Yeah, 103 00:04:38,920 --> 00:04:43,520 Speaker 1: that's a great podcast. Mm hmm. I'm looking up something 104 00:04:43,520 --> 00:04:49,960 Speaker 1: real quick. What are you looking at? No, I probably 105 00:04:50,000 --> 00:04:54,800 Speaker 1: shouldn't say this worries me. Whatever you're looking at, I'll 106 00:04:54,800 --> 00:05:01,240 Speaker 1: tell you after. Oh great, Okay, you're ridiculous. I know. Uh. 107 00:05:01,360 --> 00:05:03,160 Speaker 1: Number eight George Straight rides Away from the Road in 108 00:05:03,160 --> 00:05:05,920 Speaker 1: two thousand twelve. Cowboy Rides Away was his farewell tour. 109 00:05:06,440 --> 00:05:08,720 Speaker 1: But was it? Yeah, because he still plays Vegas, but 110 00:05:08,760 --> 00:05:10,960 Speaker 1: it is a tour. Oh, that's true. It is just 111 00:05:11,080 --> 00:05:14,599 Speaker 1: Vegas and we've we've been to that. Yeah. So and 112 00:05:14,640 --> 00:05:17,760 Speaker 1: the Cowboy Stadium right, didn't wrap it up there? Yeah, 113 00:05:17,800 --> 00:05:22,600 Speaker 1: I don't remember. I think so they shot a whole DVD. Yeah, 114 00:05:23,320 --> 00:05:27,279 Speaker 1: Garth Brooks returns two thousanour and we were part of 115 00:05:27,320 --> 00:05:30,839 Speaker 1: this because we were here in two thousand thirteen. God damn, 116 00:05:30,839 --> 00:05:33,239 Speaker 1: we've been here for almost a whole decade. It's crazy. 117 00:05:33,279 --> 00:05:35,760 Speaker 1: That's crazy. It is crazy. And with Garth coming back, 118 00:05:35,800 --> 00:05:38,640 Speaker 1: I don't know if you I guess he was saying 119 00:05:38,640 --> 00:05:40,680 Speaker 1: it for a while that he was waiting for his daughter, 120 00:05:40,760 --> 00:05:43,120 Speaker 1: his last daughter, to go to high school or go 121 00:05:43,240 --> 00:05:44,640 Speaker 1: to college, and then he was going to get back 122 00:05:44,640 --> 00:05:46,159 Speaker 1: to music, but I didn't think it was ever really 123 00:05:46,160 --> 00:05:48,640 Speaker 1: gonna happen. He retired in two thousand to raise his daughters. 124 00:05:48,640 --> 00:05:50,800 Speaker 1: And you know what, he didn't come back as a 125 00:05:50,920 --> 00:05:54,240 Speaker 1: legacy act. At first, people are like, oh, call Garth's back. 126 00:05:54,279 --> 00:05:57,640 Speaker 1: But he came back retouring huge places, putting out new music, 127 00:05:58,279 --> 00:06:01,920 Speaker 1: had number ones. It was. It's so hard too, because 128 00:06:01,920 --> 00:06:05,120 Speaker 1: I've heard people like Rascal Flast talk about it where 129 00:06:05,120 --> 00:06:06,640 Speaker 1: they go, you know what, we don't have to just 130 00:06:06,680 --> 00:06:08,920 Speaker 1: make good music. We have to make songs that are 131 00:06:08,920 --> 00:06:11,000 Speaker 1: better than our biggest songs ever. But if you're gonna 132 00:06:11,000 --> 00:06:12,760 Speaker 1: pick a song to play, why would you not play 133 00:06:12,800 --> 00:06:14,560 Speaker 1: God Bless the Broken Road instead of a new Rascal 134 00:06:14,600 --> 00:06:19,360 Speaker 1: Flats ballot. So with Garth, he had to make songs 135 00:06:19,560 --> 00:06:22,120 Speaker 1: at least somewhat near as good as his old stuff. 136 00:06:22,440 --> 00:06:25,680 Speaker 1: Did he come back with this song? I think he 137 00:06:25,680 --> 00:06:28,000 Speaker 1: had a couple before this. His first one was because 138 00:06:28,000 --> 00:06:29,599 Speaker 1: he put out a record that wasn't a big hit 139 00:06:29,640 --> 00:06:32,960 Speaker 1: at first, when he had that little necklace thing. That's right, 140 00:06:32,600 --> 00:06:37,279 Speaker 1: that machine, Uh yeah, that's number seven, number six of 141 00:06:37,279 --> 00:06:42,240 Speaker 1: the decade. Joey of Joey and Rory Battle stage four 142 00:06:42,320 --> 00:06:45,320 Speaker 1: cancer she was diagnosed with several cancer and died two 143 00:06:45,360 --> 00:06:48,360 Speaker 1: years later at age forty. That was a bit as 144 00:06:48,360 --> 00:06:50,840 Speaker 1: far as like us getting here, I didn't know them. 145 00:06:50,240 --> 00:06:53,640 Speaker 1: I think she died. Um, I don't know when she 146 00:06:53,880 --> 00:06:55,960 Speaker 1: but yeah, I didn't know them because we got here. 147 00:06:56,800 --> 00:06:58,760 Speaker 1: We learned about them after all that. But now I 148 00:06:58,760 --> 00:07:01,640 Speaker 1: didn't know him before that. Number five is Troy Gentry 149 00:07:01,720 --> 00:07:05,560 Speaker 1: dies in a helicopter crash. Crazy. Was it the same 150 00:07:05,640 --> 00:07:08,360 Speaker 1: day that Don Williams died. I don't know the same day, 151 00:07:08,400 --> 00:07:12,560 Speaker 1: but this was September when he accepted that helicopter ride. 152 00:07:12,560 --> 00:07:17,880 Speaker 1: And yeah, that was a bad one from Montgomery Gentry. 153 00:07:18,480 --> 00:07:23,000 Speaker 1: Number four Taylor Swift leads country music. So that's one 154 00:07:23,000 --> 00:07:25,280 Speaker 1: of the biggest country music of the decade. You know 155 00:07:25,320 --> 00:07:28,760 Speaker 1: Taylor to me, I knew her from country music before 156 00:07:28,760 --> 00:07:32,520 Speaker 1: I got here. She came into a couple appearances here. Yeah, 157 00:07:32,680 --> 00:07:34,840 Speaker 1: we had our brief friendship. She was available and then 158 00:07:34,880 --> 00:07:38,240 Speaker 1: she then she fell out if she was like, it's 159 00:07:38,280 --> 00:07:40,480 Speaker 1: weird when we when we moved to Nashville, she was here. 160 00:07:40,640 --> 00:07:42,640 Speaker 1: I remember our first week we went to that we 161 00:07:42,640 --> 00:07:44,559 Speaker 1: were here in Nashville. I went to go see Florida 162 00:07:44,600 --> 00:07:46,880 Speaker 1: Georgia line downtown and she popped up on stage and 163 00:07:46,920 --> 00:07:48,920 Speaker 1: in cruise with him. It was like that, and I guess, 164 00:07:48,960 --> 00:07:51,320 Speaker 1: oh that was the norm. Like we're in Nashville, Taylor's 165 00:07:51,320 --> 00:07:53,560 Speaker 1: always here and this is what she does. Then after 166 00:07:53,640 --> 00:07:56,800 Speaker 1: that gone gone, then you see her driving in the car, 167 00:07:56,840 --> 00:07:59,440 Speaker 1: apparently driving like you make fun of me, but I did. 168 00:07:59,480 --> 00:08:01,160 Speaker 1: I saw her. He was in my rear view mirror, 169 00:08:01,200 --> 00:08:03,920 Speaker 1: and I saw her what kind of car driving something 170 00:08:04,000 --> 00:08:06,480 Speaker 1: like because that's what Taylor drives by herself, driving a 171 00:08:06,520 --> 00:08:13,280 Speaker 1: Toyota is not Number three. Randy Travis gets arrested, suffers 172 00:08:13,280 --> 00:08:16,520 Speaker 1: a stroke, and continues to recover. Randy had big troubles 173 00:08:16,560 --> 00:08:18,200 Speaker 1: in two thousand and twelve when he was arrested twice 174 00:08:18,200 --> 00:08:20,120 Speaker 1: for alcohol related incidents. The next year, he had a 175 00:08:20,160 --> 00:08:23,600 Speaker 1: stroke that left him partially paralyzed. He still continued to recover. 176 00:08:24,080 --> 00:08:25,960 Speaker 1: But Randy Travis and number three, we weren't really in 177 00:08:26,000 --> 00:08:28,400 Speaker 1: this story because we had her two thirteen, two thousand 178 00:08:28,440 --> 00:08:30,880 Speaker 1: twelves and it happened. But that being said, I'm it 179 00:08:31,040 --> 00:08:36,040 Speaker 1: was a huge Randy Travis fan. Tomato Gate and if 180 00:08:36,040 --> 00:08:38,560 Speaker 1: you're not familiar, A consultant tried to explain the lack 181 00:08:38,600 --> 00:08:40,960 Speaker 1: of female country artists in the chart by saying they're 182 00:08:40,960 --> 00:08:45,400 Speaker 1: the tomato in the salad, with males the lettuce. At 183 00:08:45,400 --> 00:08:47,560 Speaker 1: the very least I ignited a conversation. I feel like 184 00:08:47,559 --> 00:08:50,560 Speaker 1: people that held onto that tomato thing, we're a little lame. 185 00:08:50,880 --> 00:08:52,600 Speaker 1: You had to remind me of what that was because 186 00:08:52,640 --> 00:08:54,920 Speaker 1: I don't remember the tomato thing because there obviously is 187 00:08:54,920 --> 00:08:58,559 Speaker 1: an issue, but the tomato thing years are there still 188 00:08:58,559 --> 00:09:00,959 Speaker 1: going like, let's get tomato fest. That's I'm like, yeah, 189 00:09:00,960 --> 00:09:02,560 Speaker 1: I just dropped stewo po tomato thing, Like, no one 190 00:09:02,600 --> 00:09:04,800 Speaker 1: gonna think you seriously if if you keep bringing up 191 00:09:04,840 --> 00:09:08,439 Speaker 1: some dumb consultant who wrote something kind of ingest because 192 00:09:08,480 --> 00:09:13,160 Speaker 1: I agreed not with him, but with everyone else that 193 00:09:13,320 --> 00:09:16,120 Speaker 1: was going, hey, okay, if it seems like this, there's 194 00:09:16,120 --> 00:09:20,680 Speaker 1: a problem. I think his analogy was probably accurate, but 195 00:09:20,760 --> 00:09:24,600 Speaker 1: it was just how dope the analogy was and how 196 00:09:24,600 --> 00:09:27,080 Speaker 1: everyone ran with it. And number one was the root 197 00:09:27,160 --> 00:09:30,280 Speaker 1: Nighty one mask Her Boy. That was a rough one 198 00:09:30,480 --> 00:09:33,960 Speaker 1: for everyone. That was a rough one. I mean, the 199 00:09:34,000 --> 00:09:35,800 Speaker 1: hardest thing we've had to do on the show. I 200 00:09:35,840 --> 00:09:38,360 Speaker 1: mean we came back Eddie and I played that festival 201 00:09:38,400 --> 00:09:41,080 Speaker 1: this weekend. The night before this happened, and it happened 202 00:09:41,080 --> 00:09:42,839 Speaker 1: on Sunday, and then we came back and I got 203 00:09:42,880 --> 00:09:44,520 Speaker 1: in bed, and then that's when everybody sort of texting me, 204 00:09:44,520 --> 00:09:46,640 Speaker 1: going are you here? And then we just came on 205 00:09:46,720 --> 00:09:49,240 Speaker 1: the show, and we didn't know what was happening. We 206 00:09:49,320 --> 00:09:51,240 Speaker 1: just jumped on live. As all this stuff is still 207 00:09:51,320 --> 00:09:54,760 Speaker 1: pretty much coming to an end. People are still running 208 00:09:54,760 --> 00:09:58,040 Speaker 1: around Vegas. Put us on live at three in the morning. 209 00:09:58,800 --> 00:10:00,400 Speaker 1: They just turned the satellite and will we're taking to 210 00:10:00,400 --> 00:10:03,640 Speaker 1: take the East Coast feed. A lot of artists came 211 00:10:03,640 --> 00:10:05,880 Speaker 1: by all week, a lot of tears in the studio 212 00:10:05,960 --> 00:10:10,120 Speaker 1: that week. One of the coolest things that happened recently 213 00:10:10,360 --> 00:10:13,760 Speaker 1: was the day after when we brought all these artists in. 214 00:10:13,920 --> 00:10:16,480 Speaker 1: And I've never talked about this before, but I just 215 00:10:16,559 --> 00:10:19,760 Speaker 1: kept thinking of us playing that stage, and I remember 216 00:10:19,800 --> 00:10:21,720 Speaker 1: when we play, I look at the crowd and I 217 00:10:21,760 --> 00:10:24,520 Speaker 1: just remember people, certain people that are in the crowd, 218 00:10:24,720 --> 00:10:26,520 Speaker 1: and I remember a little girl sitting on top of 219 00:10:26,559 --> 00:10:30,080 Speaker 1: someone's that maybe her mom's shoulders, and I just kept 220 00:10:30,120 --> 00:10:32,680 Speaker 1: thinking like, oh my gosh, like what if she was there, 221 00:10:32,720 --> 00:10:34,520 Speaker 1: what if she was one of the injured, And you know, 222 00:10:34,600 --> 00:10:36,040 Speaker 1: it's just that kind of thing that just brought it 223 00:10:36,080 --> 00:10:38,400 Speaker 1: home to me, and I always thought about her, this 224 00:10:38,440 --> 00:10:42,880 Speaker 1: little girl. Well, when we were playing in Vegas not 225 00:10:43,240 --> 00:10:45,240 Speaker 1: too long ago, I guess about a month ago, she 226 00:10:45,240 --> 00:10:47,319 Speaker 1: showed up to the meeting great and she said I'm 227 00:10:47,360 --> 00:10:49,080 Speaker 1: the little girl with a sign on, which I was like, 228 00:10:49,120 --> 00:10:51,520 Speaker 1: oh my gosh, I just brought it full circle. And 229 00:10:51,559 --> 00:10:53,320 Speaker 1: I'm kind of getting chucked up just thinking about It's 230 00:10:53,320 --> 00:10:55,679 Speaker 1: like I thought about you all the time and hoping 231 00:10:55,720 --> 00:10:58,800 Speaker 1: that you were okay. Just one little person that I 232 00:10:58,840 --> 00:11:01,840 Speaker 1: remember from that from that show. But man, that was hard. Yeah, 233 00:11:01,840 --> 00:11:04,880 Speaker 1: hard for a lot of us. And it was in comparison, 234 00:11:04,920 --> 00:11:06,400 Speaker 1: not the hard for us. It was really hard for 235 00:11:06,480 --> 00:11:10,640 Speaker 1: us for the people who are actually dealing with it firsthand. Um. 236 00:11:10,679 --> 00:11:13,240 Speaker 1: I remember seeing in the newspaper there was a kid 237 00:11:13,320 --> 00:11:16,240 Speaker 1: who went and in his obituary listed that he went 238 00:11:16,280 --> 00:11:18,520 Speaker 1: because he's going to watch the raging idiots. So I 239 00:11:18,520 --> 00:11:20,240 Speaker 1: reached out to the family and had that was a 240 00:11:20,320 --> 00:11:24,200 Speaker 1: tough one. And I remember two brothers Osborne talking about 241 00:11:24,400 --> 00:11:27,480 Speaker 1: just using the word family a lot in them describing 242 00:11:27,520 --> 00:11:30,079 Speaker 1: like truntry music as a family and when you mess 243 00:11:30,120 --> 00:11:34,320 Speaker 1: with a family member like what happened that night, everyone 244 00:11:34,360 --> 00:11:37,040 Speaker 1: gets really emotionally, even people that weren't even there. It's 245 00:11:37,040 --> 00:11:39,280 Speaker 1: pretty amazing. And when the just the days that follow 246 00:11:39,320 --> 00:11:41,440 Speaker 1: that on our show was pretty amazing. By the way, 247 00:11:41,440 --> 00:11:43,000 Speaker 1: this is this whole list I'm reading here is from 248 00:11:43,040 --> 00:11:46,040 Speaker 1: the Boot the ten most unforgettable country music moments of 249 00:11:46,800 --> 00:11:50,760 Speaker 1: the tens, and the Root ninety one tragedy was number one. 250 00:11:51,200 --> 00:11:52,800 Speaker 1: But you know what, nothing was ever done about it? 251 00:11:54,440 --> 00:11:56,440 Speaker 1: You know. But in that what did you do feel 252 00:11:56,480 --> 00:11:59,520 Speaker 1: like that was a good thing? With guns? Oh? No, no, no, not. 253 00:11:59,640 --> 00:12:02,080 Speaker 1: I meant I meant moving on from it. You know. 254 00:12:02,120 --> 00:12:03,560 Speaker 1: I feel like a lot of times we kind of 255 00:12:03,559 --> 00:12:06,400 Speaker 1: do the whole let's not forget kind of thing, but 256 00:12:06,520 --> 00:12:08,079 Speaker 1: not the not the gun thing. I mean that. That's 257 00:12:08,280 --> 00:12:11,240 Speaker 1: that's my point. That was the biggest massacre and nothing 258 00:12:11,320 --> 00:12:16,360 Speaker 1: was done. Nothing's ever done. Rent repeat, Rent repeat, And 259 00:12:16,400 --> 00:12:18,160 Speaker 1: I have guns, and I'm like, we gotta chill with 260 00:12:18,200 --> 00:12:22,839 Speaker 1: the fan guns. What's happening here? Uh? So that yeah, 261 00:12:23,040 --> 00:12:25,320 Speaker 1: when you asked are they all good? On like half 262 00:12:25,320 --> 00:12:27,360 Speaker 1: of them were good. It was just the biggest And 263 00:12:27,360 --> 00:12:29,120 Speaker 1: shout out to the Boot again for putting that list up. 264 00:12:36,080 --> 00:12:39,800 Speaker 1: Um here this as we end the year here, I 265 00:12:39,840 --> 00:12:42,880 Speaker 1: can give you some music news, Takashi six nine was 266 00:12:42,880 --> 00:12:44,760 Speaker 1: only sentenced to two years in prison. He's to do 267 00:12:44,800 --> 00:12:46,520 Speaker 1: with sixty nine tattoo on his face? You use the 268 00:12:46,559 --> 00:12:48,839 Speaker 1: word only, yeah, because they were like, he's gonna be 269 00:12:48,840 --> 00:12:50,079 Speaker 1: in jail the rest of his life, right, Mike, for 270 00:12:50,120 --> 00:12:51,840 Speaker 1: a lot of that, at least like ten twelve years 271 00:12:52,679 --> 00:12:56,600 Speaker 1: because he was snitched on everybody and so he got far, far, 272 00:12:56,679 --> 00:12:59,559 Speaker 1: far far or less time. Wow. He was sentenced to 273 00:12:59,600 --> 00:13:02,200 Speaker 1: two years prison after plading guilty and nine felonies. Do 274 00:13:02,200 --> 00:13:04,080 Speaker 1: you have any of his music? I mean you can't 275 00:13:04,120 --> 00:13:07,760 Speaker 1: really playing it so hard? Yeah, it's like hardcore rock craft. 276 00:13:07,920 --> 00:13:10,800 Speaker 1: What it sounds like like to me? It sounds like 277 00:13:10,800 --> 00:13:12,480 Speaker 1: what he looks like. He'll also get a credit for 278 00:13:12,559 --> 00:13:15,120 Speaker 1: thirteen month serves. That means on track he's not trying 279 00:13:15,120 --> 00:13:17,200 Speaker 1: to be released sometime late next year, so he already 280 00:13:17,240 --> 00:13:20,280 Speaker 1: gets a year. He has eleven months basically to do. 281 00:13:20,440 --> 00:13:24,200 Speaker 1: He snitches, get stitches though, like he says, he's not right, Mike, 282 00:13:24,440 --> 00:13:26,120 Speaker 1: it's hard to put that guy in wait for the location. 283 00:13:26,120 --> 00:13:34,120 Speaker 1: He got sixty nine tatched Alliver space, Clint all over him. Uh. 284 00:13:34,200 --> 00:13:38,520 Speaker 1: Selena Gomez once soiled herself at a net sharing concerts 285 00:13:38,760 --> 00:13:45,679 Speaker 1: really Selena gomezat she soiled herself at an edt Sharing 286 00:13:45,679 --> 00:13:47,880 Speaker 1: concert because she didn't want to leave. She just covered 287 00:13:47,880 --> 00:13:49,280 Speaker 1: herself with a sweater and made it the rest of 288 00:13:49,280 --> 00:13:51,640 Speaker 1: the show. As someone who wants pooped on himself before, 289 00:13:51,679 --> 00:13:53,880 Speaker 1: it doesn't. You can't do that. It smells really bad. 290 00:13:54,640 --> 00:13:58,480 Speaker 1: So I don't know if that's completely super at maybe 291 00:13:58,480 --> 00:13:59,880 Speaker 1: it was like a little one. Well, I know people 292 00:14:00,040 --> 00:14:02,000 Speaker 1: people that go to festivals do that. I think it 293 00:14:02,040 --> 00:14:04,520 Speaker 1: was a hybrid. Oh yeah, okay, well that I can 294 00:14:04,600 --> 00:14:06,360 Speaker 1: understand trying to hang around for a little bit. It's 295 00:14:06,360 --> 00:14:11,320 Speaker 1: a hybrid hybrid that's disgusting. Garth Brooks has the top 296 00:14:11,360 --> 00:14:14,960 Speaker 1: country tour of according to Paul Star As we talked 297 00:14:14,960 --> 00:14:19,240 Speaker 1: about Garth and not being a legacy act. Number ten, 298 00:14:19,840 --> 00:14:24,080 Speaker 1: Luke Combs, Wow, Luke Homs already in top ten, number nine, 299 00:14:24,160 --> 00:14:29,040 Speaker 1: Chris Stapleton, George Straight at eight, This the Vegas Shows, 300 00:14:30,520 --> 00:14:35,680 Speaker 1: Luke Bryant at seven, Zach Brown at six, Thomas Read 301 00:14:35,720 --> 00:14:40,360 Speaker 1: at five, Carry Underwood at four, Florida Georgia Line at three, 302 00:14:41,760 --> 00:14:44,800 Speaker 1: Eric Church at two. And the number one tour was 303 00:14:44,840 --> 00:14:49,200 Speaker 1: Garth Brooks. Best concert you went to in nineteen That 304 00:14:49,280 --> 00:14:51,400 Speaker 1: might be cheating on this one. But I would say 305 00:14:51,480 --> 00:14:53,720 Speaker 1: the c m A Awards cheating. That doesn't count because 306 00:14:53,720 --> 00:14:55,320 Speaker 1: I mean that is the best. It doesn't count. That 307 00:14:55,360 --> 00:14:57,360 Speaker 1: doesn't count. I would say that Raging Idiots million dollar 308 00:14:57,400 --> 00:14:59,680 Speaker 1: show there because it was even more fun. I mean 309 00:14:59,760 --> 00:15:01,520 Speaker 1: we didn't stopping at the end. Look Brian and Gavin, 310 00:15:01,520 --> 00:15:04,800 Speaker 1: a girl and us and we're all singing, sting Caroline 311 00:15:04,800 --> 00:15:07,480 Speaker 1: and stand by me. Okay, let's do that one. Then? 312 00:15:07,920 --> 00:15:09,640 Speaker 1: Is that your favorite? No, we have to actually think 313 00:15:09,680 --> 00:15:12,320 Speaker 1: of one. Concerts are tough because I don't get to 314 00:15:12,320 --> 00:15:14,480 Speaker 1: go to many of them because we're on the road 315 00:15:14,480 --> 00:15:17,120 Speaker 1: a lot on the weekends, and if it's here in town, 316 00:15:17,800 --> 00:15:19,800 Speaker 1: you're kind of like I see music all the time. 317 00:15:19,960 --> 00:15:21,960 Speaker 1: Unless somebody really good, it's hard. Like the other day, 318 00:15:21,960 --> 00:15:23,280 Speaker 1: I want to go see Ryan Heard and I was 319 00:15:23,320 --> 00:15:24,920 Speaker 1: like told him, like, dude, this, that's the first time 320 00:15:24,920 --> 00:15:26,680 Speaker 1: I've ever seen your live and we've known Ryan for 321 00:15:26,720 --> 00:15:28,960 Speaker 1: a few years. He's like, what to like you had that? 322 00:15:29,000 --> 00:15:31,800 Speaker 1: We don't get out to see shows A lot to 323 00:15:31,880 --> 00:15:35,680 Speaker 1: think about that one? Bones? What concerts about? Even been 324 00:15:35,760 --> 00:15:40,640 Speaker 1: to this year where I got a ticket and Jesse 325 00:15:40,800 --> 00:15:45,920 Speaker 1: when enjoyed it. Yeah, we went to the Eagles. That 326 00:15:46,000 --> 00:15:49,480 Speaker 1: was pretty cool, pretty good. What else have we seen? 327 00:15:50,400 --> 00:15:52,160 Speaker 1: Were you just going like, I'm making a night of it, 328 00:15:52,240 --> 00:15:56,080 Speaker 1: let's go to a show. I feel like I went 329 00:15:56,120 --> 00:15:58,160 Speaker 1: to the Rhyman for a show. Recently, I went to 330 00:15:58,200 --> 00:16:03,000 Speaker 1: the Rhyman and saw Sweepy amos Lee. He was sick. 331 00:16:03,200 --> 00:16:04,680 Speaker 1: He was sick, he was trying to sing it up, 332 00:16:04,680 --> 00:16:08,080 Speaker 1: blown out voice. I saw Casey Muskrat as the Rheman. Well, 333 00:16:08,080 --> 00:16:11,840 Speaker 1: that hadn't been cool. It was really good. Man Bones, 334 00:16:11,840 --> 00:16:14,120 Speaker 1: I can't think of mine. Might be Casey musgro to 335 00:16:14,160 --> 00:16:19,600 Speaker 1: the Rieman like like just just like I said, just recently, 336 00:16:19,640 --> 00:16:21,800 Speaker 1: I saw the Ryan Herd thing, but I got to 337 00:16:21,840 --> 00:16:24,440 Speaker 1: see Michael Ray, I got to see um Blanco Brown. 338 00:16:24,600 --> 00:16:27,000 Speaker 1: It was it was a radio station cause and literally 339 00:16:27,040 --> 00:16:29,840 Speaker 1: I was right in the front row because I never 340 00:16:29,880 --> 00:16:32,240 Speaker 1: get to do that, enjoy it with everyone. The whole 341 00:16:32,240 --> 00:16:34,080 Speaker 1: bat team was there. We were having fun. So I 342 00:16:34,120 --> 00:16:36,120 Speaker 1: guess that was it. I mean, because yeah, you're right, 343 00:16:36,160 --> 00:16:38,720 Speaker 1: we don't get to do this stuff very much. I'm 344 00:16:38,760 --> 00:16:42,880 Speaker 1: looking at the list that yeah, I'm gonna go must 345 00:16:42,920 --> 00:16:45,000 Speaker 1: Casey must Grabs as the Rheman. Mike can't think any 346 00:16:45,040 --> 00:16:46,600 Speaker 1: of the concerts I've been to. I mean you just 347 00:16:46,640 --> 00:16:49,360 Speaker 1: went to bred Aldridge. Oh the Christmas show that was 348 00:16:49,360 --> 00:16:51,520 Speaker 1: real good. Yeah, you didn't really talk about that. Was 349 00:16:51,520 --> 00:16:55,040 Speaker 1: it really awesome? He thinks all the Christmas songs had 350 00:16:55,040 --> 00:16:59,240 Speaker 1: the whole orchestra thing there, big band, stylish and he 351 00:16:59,280 --> 00:17:02,080 Speaker 1: had the boxes. You know how that like Brian SAIDs orchestra. 352 00:17:02,080 --> 00:17:04,520 Speaker 1: They all said, like the play the horns. Just hear 353 00:17:04,560 --> 00:17:06,719 Speaker 1: you went to Vegas to see Brooks and Dunne. I 354 00:17:06,800 --> 00:17:09,520 Speaker 1: did go see Brooks and dun and Reba. That's a 355 00:17:09,600 --> 00:17:13,600 Speaker 1: great one because it was all hits. That's a good one. Bang, 356 00:17:13,720 --> 00:17:16,560 Speaker 1: that's a good one. Yeah, Casey Brooks and Dunne Reba 357 00:17:16,640 --> 00:17:20,120 Speaker 1: was good. We have and we have so much in here. 358 00:17:21,080 --> 00:17:24,159 Speaker 1: Um so yeah, we did this other uh and I 359 00:17:24,280 --> 00:17:27,439 Speaker 1: encouraged to go check out the songwriter demos that we've 360 00:17:27,440 --> 00:17:29,000 Speaker 1: done this podcast. I just wanted to kind of leave 361 00:17:29,040 --> 00:17:31,520 Speaker 1: with this because people love when we bring these demos 362 00:17:31,560 --> 00:17:35,520 Speaker 1: to the to this music podcast, and so go back 363 00:17:35,640 --> 00:17:38,000 Speaker 1: and listen to the songwriters sing the demos for the 364 00:17:38,040 --> 00:17:40,679 Speaker 1: famous songs. It's a couple of episodes back. But what 365 00:17:40,760 --> 00:17:43,240 Speaker 1: we have is some major pop songs. I wanted to 366 00:17:43,280 --> 00:17:45,119 Speaker 1: put them in this episode here. Some of these were 367 00:17:45,119 --> 00:17:47,360 Speaker 1: saying by other artist some of acoustic rough demos. One 368 00:17:47,359 --> 00:17:48,679 Speaker 1: of those, one of the biggest songs of all time 369 00:17:48,720 --> 00:17:51,680 Speaker 1: had an entirely different name. Really, we'll do this one. 370 00:17:51,960 --> 00:17:55,320 Speaker 1: So there's a song called Starlight back in the day. 371 00:17:55,440 --> 00:17:58,960 Speaker 1: Do you know about Starlight by Michael Jackson. It later 372 00:17:59,080 --> 00:18:08,760 Speaker 1: was Thriller. What it was called Starlight? Here's the demo, 373 00:18:13,840 --> 00:18:16,720 Speaker 1: give Me the Starlight. That is awesome. Give me the 374 00:18:16,760 --> 00:18:19,520 Speaker 1: Starlight and you know why. It would have been a 375 00:18:19,520 --> 00:18:21,240 Speaker 1: great song. But it would have died a long time 376 00:18:21,280 --> 00:18:24,560 Speaker 1: ago if it wasn't for the title change. Thriller. We 377 00:18:24,640 --> 00:18:26,520 Speaker 1: play that every year because it's Halloween. Well because the 378 00:18:26,600 --> 00:18:29,680 Speaker 1: music video was the Monsters and Zombies, right, But I 379 00:18:29,720 --> 00:18:32,920 Speaker 1: wonder Starlight it would have just fallen like Billy Jean 380 00:18:33,200 --> 00:18:38,040 Speaker 1: unless it had been like National Astronomy Day. Yeah, possibly, 381 00:18:42,359 --> 00:18:44,960 Speaker 1: that's interesting. Here's another one from Michael Jackson. This is 382 00:18:45,359 --> 00:18:47,879 Speaker 1: beat It. But this is by Michael Jackson and he 383 00:18:47,920 --> 00:18:53,080 Speaker 1: did it before he had the lyrics. This is a melody. 384 00:18:57,520 --> 00:19:14,480 Speaker 1: This is It's interesting. The melody sounds like Panatonics. I 385 00:19:14,480 --> 00:19:16,840 Speaker 1: have friends that are melody writers, like Michael Jackson, and 386 00:19:16,880 --> 00:19:20,960 Speaker 1: they'll they'll do the whole song and they'll they'll go 387 00:19:21,560 --> 00:19:24,879 Speaker 1: zab pooda do. They'll put it over music and then 388 00:19:24,920 --> 00:19:26,800 Speaker 1: it's okay, well, let's not find the words that fit 389 00:19:26,920 --> 00:19:31,320 Speaker 1: with zab about due I went down to a dog store, 390 00:19:31,400 --> 00:19:34,920 Speaker 1: met you, and they'll insert it after that. Michael Jackson, 391 00:19:35,000 --> 00:19:37,199 Speaker 1: did I do? I do like that because melody, like 392 00:19:37,240 --> 00:19:39,560 Speaker 1: we've talked about this, melody to me is first when 393 00:19:39,600 --> 00:19:42,199 Speaker 1: I listen to music like, that's good, good melody, and 394 00:19:42,200 --> 00:19:44,120 Speaker 1: then I'll be like, what's the song about? Oh, didn't 395 00:19:44,160 --> 00:19:48,000 Speaker 1: even realize Beyonce Halo, which was Biden this is the 396 00:19:48,040 --> 00:19:52,320 Speaker 1: song Halo. But Ryan Teer of One Republic wrote it. Yeah, 397 00:19:52,480 --> 00:20:02,679 Speaker 1: this is his version the demo. It sounds like a 398 00:20:02,680 --> 00:20:07,480 Speaker 1: One Republic song, doesn't it? Pretty close? Yeah, jesse J 399 00:20:08,440 --> 00:20:13,639 Speaker 1: wrote Party in the USA. She did which she just 400 00:20:13,640 --> 00:20:17,680 Speaker 1: broke up with Chantetom Hunt saw that, So jesse J. 401 00:20:18,119 --> 00:20:19,840 Speaker 1: And then here is jesse J though she did the 402 00:20:19,880 --> 00:20:29,920 Speaker 1: demo Jesus and the Jesus Almazon and the Jesus Alaza. 403 00:20:28,119 --> 00:20:33,280 Speaker 1: But do you know she wrote it for Miley? No? 404 00:20:33,320 --> 00:20:35,240 Speaker 1: I don't think so, because I mean it's just perfectly 405 00:20:35,280 --> 00:20:38,639 Speaker 1: a story for Miley. There probably some little changes in it, 406 00:20:38,840 --> 00:20:41,320 Speaker 1: just like a Nashville party. That stuff is mile. I 407 00:20:41,359 --> 00:20:44,440 Speaker 1: think that's anybody's story going to l A though. Yeah, 408 00:20:44,480 --> 00:20:46,520 Speaker 1: but it was specific to her because she was an 409 00:20:46,680 --> 00:20:52,159 Speaker 1: l A actress, but Nashville roots, but could have been 410 00:20:52,200 --> 00:20:55,520 Speaker 1: anyone if you just party, if you put to Peka party, 411 00:20:55,920 --> 00:20:57,919 Speaker 1: even it wasn't party and it was like in the 412 00:20:58,480 --> 00:21:13,440 Speaker 1: which says, oh, I think I'm gonna like So it's 413 00:21:13,440 --> 00:21:16,040 Speaker 1: about her because she's from the UK. I think I'm 414 00:21:16,040 --> 00:21:19,680 Speaker 1: gonna like the US A good one, Mike d good 415 00:21:19,720 --> 00:21:23,960 Speaker 1: cats there, Queen under Pressure, which you may know this 416 00:21:24,359 --> 00:21:31,680 Speaker 1: Bowie queen. All right, So, but it originally was called 417 00:21:31,760 --> 00:21:38,920 Speaker 1: feel Like Here's the Queen demo, You're Not Fun. I 418 00:21:38,960 --> 00:21:40,199 Speaker 1: got to Kim in our show the other day on 419 00:21:40,200 --> 00:21:42,479 Speaker 1: the Bibe Bone Show and saying like Mark Martin Mercury, 420 00:21:42,560 --> 00:21:54,960 Speaker 1: Yeah real good, huh so good, you give me you 421 00:21:55,000 --> 00:22:03,600 Speaker 1: know what, t um me one hit wonder. This was 422 00:22:03,600 --> 00:22:16,680 Speaker 1: originally called the Juicy Fruit Song. Yeah, there you go happy, 423 00:22:17,119 --> 00:22:27,720 Speaker 1: that's to be every rays okayaf I ain't no bad. 424 00:22:27,760 --> 00:22:36,840 Speaker 1: It should be saved so a bit different, yeah, yeah, 425 00:22:36,960 --> 00:22:41,520 Speaker 1: especially that chorus. Charlie xc X actually did the demo 426 00:22:41,600 --> 00:22:45,120 Speaker 1: for Selena go mess same. All of this is Selena. 427 00:22:45,800 --> 00:22:54,760 Speaker 1: Here's Charlie xc X very similar. You know Taylor Swift 428 00:22:54,800 --> 00:22:59,920 Speaker 1: Ti McGraw, Yes song, Tim McGraw. Here's the acoustic demo 429 00:23:00,040 --> 00:23:04,000 Speaker 1: of that song. When you think Tim McGall, I hope 430 00:23:04,040 --> 00:23:08,080 Speaker 1: you think my favorite song when we'd add to on 431 00:23:08,119 --> 00:23:12,040 Speaker 1: the Long the Moon like a spy lad on the leg. 432 00:23:12,600 --> 00:23:17,720 Speaker 1: When you think happiness, I hope you think that little blagress. 433 00:23:18,520 --> 00:23:22,840 Speaker 1: Think my head on your chest and my old faded 434 00:23:22,880 --> 00:23:27,679 Speaker 1: blue jeans. When you think Tim mcgral, I hope you 435 00:23:27,720 --> 00:23:31,400 Speaker 1: think me. That's awesome. A little different. They're really cool 436 00:23:31,400 --> 00:23:34,000 Speaker 1: into the tag. But yeah, finally I'll do one more 437 00:23:34,000 --> 00:23:39,520 Speaker 1: Weezer sweater song if you want to destroy my sweater. 438 00:23:41,560 --> 00:23:45,240 Speaker 1: Here's the demo by Wheezer, recorded in the Kitchen Tape 439 00:23:45,240 --> 00:23:47,600 Speaker 1: Demo session, which was named after the place to get 440 00:23:47,640 --> 00:23:50,080 Speaker 1: the best sound for the drum kid during recording, and 441 00:23:50,240 --> 00:24:09,360 Speaker 1: night Work's where the band rehearsed to you go there 442 00:24:09,400 --> 00:24:11,560 Speaker 1: you have it. These are cool, man. I kind of 443 00:24:11,560 --> 00:24:14,080 Speaker 1: geek out of that stuff too. I love hearing songs 444 00:24:14,160 --> 00:24:17,040 Speaker 1: grow and how they started. Check out Eddie on the 445 00:24:17,160 --> 00:24:21,119 Speaker 1: Sore Losers podcast. Yeah Sports Podcast, Yeah yeah, yeah, you're 446 00:24:21,160 --> 00:24:23,920 Speaker 1: talking a lot of Bowl games right now and uh 447 00:24:24,119 --> 00:24:26,040 Speaker 1: or just a guy talk whatever. You should check out 448 00:24:26,080 --> 00:24:27,960 Speaker 1: that show and thanks for listening to the Bobby Cast. 449 00:24:28,000 --> 00:24:30,280 Speaker 1: We will have another new one um that we're doing 450 00:24:30,320 --> 00:24:34,280 Speaker 1: with Russell Dickerson and his wife Kayleie Dickerson and we 451 00:24:34,080 --> 00:24:36,280 Speaker 1: were also got sick, but we should that should be 452 00:24:36,320 --> 00:24:39,280 Speaker 1: coming up after this one, so that's be a good one. Yeah, 453 00:24:39,320 --> 00:24:41,560 Speaker 1: I think so right because they worked together. He's the artist, 454 00:24:41,600 --> 00:24:47,400 Speaker 1: she's the man manager slash business and wife creative. Yeah yeah, yeah, yeah, 455 00:24:47,400 --> 00:24:49,040 Speaker 1: thank you guys. Well see you next time with the 456 00:24:49,040 --> 00:24:51,320 Speaker 1: Bobby Cast. Eddie, thank you very much. Thanks and we'll 457 00:24:51,359 --> 00:24:54,119 Speaker 1: see you guys and follow us on Instagram at the 458 00:24:54,160 --> 00:24:57,399 Speaker 1: boy Cast, the Bobby Cast, at the Bobby Cast. All right, 459 00:24:57,400 --> 00:25:02,359 Speaker 1: by everybody, It is just the star