1 00:00:00,360 --> 00:00:01,840 Speaker 1: Hi, I'm Naima Raza. 2 00:00:02,320 --> 00:00:04,240 Speaker 2: Like all of you, I have been living for Curse 3 00:00:04,280 --> 00:00:06,920 Speaker 2: of America's Next Top Model. So to help with your 4 00:00:07,000 --> 00:00:09,560 Speaker 2: and my withdrawal from season one, Bridget invited me to 5 00:00:09,600 --> 00:00:11,920 Speaker 2: share a little bit about my weekly show, which is 6 00:00:11,960 --> 00:00:15,200 Speaker 2: called Smart Girl Dumb Questions. We'll play you a taste 7 00:00:15,200 --> 00:00:17,159 Speaker 2: of a recent episode I did with Astair Perrell, the 8 00:00:17,239 --> 00:00:21,400 Speaker 2: renowned psychotherapist and relationship expert, as we unpack why love 9 00:00:21,480 --> 00:00:24,720 Speaker 2: feels so hard these days. Have a listen, and if 10 00:00:24,720 --> 00:00:26,760 Speaker 2: you like it, you can get the full conversation by 11 00:00:26,760 --> 00:00:30,000 Speaker 2: searching for Smart Girl Dumb Questions wherever you get your podcasts, 12 00:00:30,320 --> 00:00:32,080 Speaker 2: and you can follow or subscribe to the show for 13 00:00:32,200 --> 00:00:37,599 Speaker 2: new episodes every Tuesday. Astaire Parrell, thank you so much 14 00:00:37,600 --> 00:00:38,160 Speaker 2: for being here. 15 00:00:38,280 --> 00:00:39,200 Speaker 3: Pleasure to be here. 16 00:00:39,400 --> 00:00:41,319 Speaker 2: For those of you not familiar with Ustair's work, She's 17 00:00:41,320 --> 00:00:44,280 Speaker 2: written two international bestsellers. She's given ted talks that have 18 00:00:44,320 --> 00:00:47,360 Speaker 2: been viewed over fifty million times. She's a keen observer 19 00:00:47,440 --> 00:00:49,360 Speaker 2: of what's happening in our relationships, not just in our 20 00:00:49,400 --> 00:00:51,600 Speaker 2: love lives, but at work in all the ways that 21 00:00:51,640 --> 00:00:53,559 Speaker 2: we relate to one another. I think you're really an 22 00:00:53,600 --> 00:00:55,120 Speaker 2: expert on humans on. 23 00:00:55,160 --> 00:00:59,480 Speaker 3: What humans do to eat, children, experience sweety children, and 24 00:00:59,840 --> 00:01:01,560 Speaker 3: long from each other and. 25 00:01:01,600 --> 00:01:03,200 Speaker 2: Long from each other. I want to know what you 26 00:01:03,280 --> 00:01:05,479 Speaker 2: long for. We're going to get there. I have questions 27 00:01:05,480 --> 00:01:07,160 Speaker 2: for you about why is it harder to fall in 28 00:01:07,240 --> 00:01:09,960 Speaker 2: love as time goes on. I can't tell if it's age, 29 00:01:10,000 --> 00:01:12,360 Speaker 2: or if it's this modern life, or if there's something 30 00:01:12,400 --> 00:01:16,160 Speaker 2: about me. And I also want to start, though, with 31 00:01:16,240 --> 00:01:19,160 Speaker 2: something a little bit nostalgic, which is the first time 32 00:01:19,160 --> 00:01:21,640 Speaker 2: we met, because we're also friends Estherah and I. 33 00:01:21,640 --> 00:01:23,399 Speaker 3: I have an image of us walking out of a 34 00:01:23,440 --> 00:01:26,880 Speaker 3: building on the street. But what were we doing in 35 00:01:26,920 --> 00:01:27,520 Speaker 3: that building? 36 00:01:27,640 --> 00:01:28,760 Speaker 2: Was that the Spotify building? 37 00:01:29,360 --> 00:01:30,720 Speaker 1: Yes? But what were we doing this? 38 00:01:30,959 --> 00:01:33,680 Speaker 2: We were chatting, and we were chatting off the record, 39 00:01:34,160 --> 00:01:36,640 Speaker 2: and yet I wanted to buy some tape from it today. 40 00:01:36,920 --> 00:01:37,520 Speaker 2: Is that okay? 41 00:01:38,080 --> 00:01:39,760 Speaker 3: Of the records that you recorded me? 42 00:01:40,560 --> 00:01:42,240 Speaker 2: Well, I remember, I asked you for your permission, but 43 00:01:42,280 --> 00:01:43,720 Speaker 2: it was for my own notes. It was for my 44 00:01:43,760 --> 00:01:46,720 Speaker 2: own notes, and I kept it and if it's okay, 45 00:01:46,800 --> 00:01:48,200 Speaker 2: I'll play it for you or if you don't like 46 00:01:48,360 --> 00:01:51,280 Speaker 2: curiosity is odd? I know that this is the whole 47 00:01:51,360 --> 00:01:55,680 Speaker 2: point of the show, Smart Girl, Dumb questions. 48 00:01:56,280 --> 00:01:59,040 Speaker 4: We are wanting something that is at the opposite of 49 00:01:59,080 --> 00:02:03,280 Speaker 4: where we are living. When you live in Pakistan, when 50 00:02:03,280 --> 00:02:06,600 Speaker 4: your mother lives in Pakistan, because you're already the generation 51 00:02:07,280 --> 00:02:11,400 Speaker 4: moving and so you are super rich and fascinating and 52 00:02:11,440 --> 00:02:16,960 Speaker 4: fucked up because you are constantly negotiating. It makes you 53 00:02:17,040 --> 00:02:21,440 Speaker 4: the most pertinent global citizen and an amazing journalist, but 54 00:02:21,560 --> 00:02:25,560 Speaker 4: you are constantly translating between different value systems. Well as 55 00:02:25,600 --> 00:02:28,359 Speaker 4: your mother, she knew what was expected from her as 56 00:02:28,400 --> 00:02:32,359 Speaker 4: a wife, as a mother, as a woman, as a daughter, 57 00:02:32,720 --> 00:02:34,080 Speaker 4: and as a pious press. 58 00:02:34,440 --> 00:02:38,440 Speaker 1: The rules were clear. The rules weren't clear. The norms 59 00:02:38,480 --> 00:02:41,560 Speaker 1: are clear, the expectations are clear. There's a lot of 60 00:02:41,600 --> 00:02:45,720 Speaker 1: certainty here, very little freedom. There's a lot of freedom 61 00:02:45,800 --> 00:02:49,359 Speaker 1: here and very good consurdity because everything now has to 62 00:02:49,400 --> 00:02:53,680 Speaker 1: be negotiated. Everything that was a rule has become a conversation. 63 00:02:54,480 --> 00:02:57,240 Speaker 2: Everything that was a rule has become a conversation. What 64 00:02:57,280 --> 00:03:01,040 Speaker 2: do you think hearing that, I still like that. 65 00:03:01,320 --> 00:03:05,799 Speaker 3: I think that one of the most interesting shifts that 66 00:03:05,880 --> 00:03:09,960 Speaker 3: has taken place in the realm of relationships is the 67 00:03:10,000 --> 00:03:15,120 Speaker 3: shift from relationships that are defined by duty and obligation, 68 00:03:15,919 --> 00:03:21,839 Speaker 3: by loyalty and community, to relationships that became defined by 69 00:03:22,040 --> 00:03:28,680 Speaker 3: feelings rather than values, and by personal authenticity rather than loyalty. 70 00:03:29,320 --> 00:03:32,320 Speaker 3: And I think that the majority of the world is 71 00:03:32,320 --> 00:03:35,720 Speaker 3: still living with the very first model. But there are 72 00:03:35,880 --> 00:03:38,280 Speaker 3: so many people on this planet. You are one of 73 00:03:38,320 --> 00:03:42,120 Speaker 3: them who are constantly straddling both. And the reason I 74 00:03:42,160 --> 00:03:44,320 Speaker 3: said to you all of this, it's all coming back. 75 00:03:44,200 --> 00:03:45,520 Speaker 2: The reason you told me unfact. 76 00:03:46,800 --> 00:03:50,440 Speaker 3: I said, I mean confused, it is probably better. It's rich, 77 00:03:50,600 --> 00:03:54,360 Speaker 3: it's very layered, it's it's you know, it's because that 78 00:03:54,560 --> 00:03:57,600 Speaker 3: same weekend you were going to Washington to visit your father, 79 00:03:58,640 --> 00:04:01,680 Speaker 3: and I said, how much do you live between these 80 00:04:01,720 --> 00:04:05,320 Speaker 3: two worlds? You know, the world where you had very 81 00:04:05,320 --> 00:04:08,800 Speaker 3: little freedom, with a lot of clarity and certainty, and 82 00:04:08,840 --> 00:04:11,640 Speaker 3: the world where you have a ton of freedom. But 83 00:04:11,720 --> 00:04:15,400 Speaker 3: you are often written with self doubt and with uncertainty, 84 00:04:15,560 --> 00:04:19,080 Speaker 3: as we are today here in the way, especially when 85 00:04:19,160 --> 00:04:22,760 Speaker 3: it comes to our romantic relationships. So I don't know 86 00:04:22,800 --> 00:04:24,200 Speaker 3: that one is better than the other. 87 00:04:24,520 --> 00:04:26,000 Speaker 2: I love that, and I love that you still think 88 00:04:26,040 --> 00:04:28,080 Speaker 2: this way. Because this was seven years ago. I was like, 89 00:04:28,120 --> 00:04:31,200 Speaker 2: here's esther prow this. You know, you were really on 90 00:04:31,440 --> 00:04:33,520 Speaker 2: up at that time as well. I think your career 91 00:04:33,640 --> 00:04:35,599 Speaker 2: was like you still are, but that was like you 92 00:04:35,600 --> 00:04:37,279 Speaker 2: were taking off in a way, and that was the 93 00:04:37,320 --> 00:04:40,479 Speaker 2: first year. Yeah, the first year of that takeoff, and 94 00:04:40,640 --> 00:04:42,080 Speaker 2: I thought, I really appreciate it. Was like, oh, she 95 00:04:42,160 --> 00:04:45,479 Speaker 2: basically diagnosed me, But she also diagnosed a lot of 96 00:04:45,520 --> 00:04:49,120 Speaker 2: our society. Because it isn't just about international and cultural 97 00:04:49,480 --> 00:04:51,039 Speaker 2: it's about the way in which the role of a 98 00:04:51,080 --> 00:04:56,800 Speaker 2: woman has changed tremendously between a generation. And I guess 99 00:04:57,040 --> 00:05:01,320 Speaker 2: my first question for you is, has feminism fucked us? 100 00:05:02,120 --> 00:05:05,800 Speaker 2: Has this idea of this changing role of women in 101 00:05:05,880 --> 00:05:10,600 Speaker 2: some way put us an extension between what this old 102 00:05:10,640 --> 00:05:13,120 Speaker 2: world and this new world and in this constant sense 103 00:05:13,160 --> 00:05:14,760 Speaker 2: of negotiation and self doubt. 104 00:05:15,240 --> 00:05:18,360 Speaker 3: I absolutely wouldn't say that it has sucked us up. 105 00:05:18,720 --> 00:05:20,560 Speaker 3: I think that that's not a way I think. I 106 00:05:20,600 --> 00:05:26,520 Speaker 3: think it's an extremely important movement in the history of 107 00:05:26,600 --> 00:05:31,599 Speaker 3: people of humankind, for men and women and everybody included. So, 108 00:05:32,560 --> 00:05:37,720 Speaker 3: but I do think that change happens in multiple phases. 109 00:05:38,080 --> 00:05:41,359 Speaker 3: You can make a declaration, you can change the law, 110 00:05:41,800 --> 00:05:45,400 Speaker 3: you can open doors, but what follows in terms of 111 00:05:45,440 --> 00:05:49,440 Speaker 3: the intricacies of the experience takes more than one generation. 112 00:05:50,320 --> 00:05:54,200 Speaker 3: You know, every time I want to be critical of feminism, 113 00:05:54,360 --> 00:05:57,760 Speaker 3: I only have to think about the places where women 114 00:05:57,800 --> 00:06:02,800 Speaker 3: have zero voice or power or protection. I have to 115 00:06:02,839 --> 00:06:06,679 Speaker 3: think about my own grandmother, who you know, the gap 116 00:06:06,720 --> 00:06:09,680 Speaker 3: between where she was and where I am. I have 117 00:06:09,800 --> 00:06:12,200 Speaker 3: to think even with my mother and how she was 118 00:06:12,200 --> 00:06:15,520 Speaker 3: a full time working person. We lived above the store, 119 00:06:15,600 --> 00:06:18,400 Speaker 3: so I saw her working morning and night. The store 120 00:06:18,480 --> 00:06:21,239 Speaker 3: was opened some days till nine o'clock. She came upstairs. 121 00:06:21,279 --> 00:06:25,600 Speaker 3: She cooked her two meals made from scratch, and there 122 00:06:25,680 --> 00:06:32,719 Speaker 3: was no complaint. But her aspiration inside was that is 123 00:06:32,720 --> 00:06:34,919 Speaker 3: there a different way? Is there a way that she 124 00:06:37,040 --> 00:06:39,279 Speaker 3: didn't have to carry some of the burdens that she 125 00:06:39,440 --> 00:06:43,839 Speaker 3: was carrying. And then came the next generation, which began 126 00:06:43,920 --> 00:06:46,479 Speaker 3: to say, if I do all these things, you partner, 127 00:06:46,800 --> 00:06:50,800 Speaker 3: she should do those things too. And then came my generation, 128 00:06:51,440 --> 00:06:55,800 Speaker 3: which is basically the designer generation. I get to design 129 00:06:55,880 --> 00:06:59,719 Speaker 3: my relationship, but that demands that I know what I want. 130 00:07:00,200 --> 00:07:03,200 Speaker 3: You know, authenticity and to be true to ourselves is 131 00:07:03,240 --> 00:07:05,400 Speaker 3: not an easy thing to come by, and certainly not 132 00:07:05,440 --> 00:07:09,560 Speaker 3: in your twenties. So when you say what's changed, you 133 00:07:09,600 --> 00:07:13,240 Speaker 3: know in the sixties, eighty percent of people in their 134 00:07:13,280 --> 00:07:18,560 Speaker 3: twenties in the United States were married. Today in twenty 135 00:07:18,640 --> 00:07:21,400 Speaker 3: percent of people in their twenties are marriage. 136 00:07:21,440 --> 00:07:22,960 Speaker 2: I don't even think eighty percent of people in their 137 00:07:22,960 --> 00:07:23,840 Speaker 2: thirties are married. 138 00:07:23,920 --> 00:07:27,920 Speaker 3: But that means that, you know, our parents' generation saw 139 00:07:28,120 --> 00:07:32,480 Speaker 3: marriage as a cornerstone experience. I meet you, and together 140 00:07:32,600 --> 00:07:36,640 Speaker 3: we build the foundation of our life. We have developed 141 00:07:36,640 --> 00:07:40,520 Speaker 3: the capstone experience of marriage, marriage or committed relationships, it 142 00:07:40,520 --> 00:07:43,880 Speaker 3: doesn't matter. But the capstone thing means I've already developed. 143 00:07:44,160 --> 00:07:46,920 Speaker 3: I've already built myself. I'm already on a certain track. 144 00:07:47,000 --> 00:07:48,760 Speaker 3: I have an idea of what I want where I 145 00:07:48,800 --> 00:07:51,680 Speaker 3: stand in the world, and you come as a confirmation 146 00:07:52,400 --> 00:07:54,920 Speaker 3: of who I am. You come to help me preserve 147 00:07:55,280 --> 00:07:57,239 Speaker 3: my hard one identity. 148 00:07:57,400 --> 00:07:59,440 Speaker 2: And so much of our culture is like self help, 149 00:07:59,560 --> 00:08:00,880 Speaker 2: self life, self. 150 00:08:01,120 --> 00:08:03,040 Speaker 3: Too much self in front of every word. 151 00:08:03,000 --> 00:08:06,120 Speaker 2: Yes, yes, what word would you put there instead of self? 152 00:08:06,680 --> 00:08:06,960 Speaker 3: Other? 153 00:08:07,360 --> 00:08:08,440 Speaker 2: Other others? 154 00:08:08,840 --> 00:08:13,240 Speaker 3: You know, I think that the the over index, the 155 00:08:13,400 --> 00:08:17,640 Speaker 3: over emphasis on the self at a detriment of our 156 00:08:17,680 --> 00:08:22,720 Speaker 3: ability to actually think about others, is not necessarily helping 157 00:08:22,840 --> 00:08:23,960 Speaker 3: us at this point, right. 158 00:08:24,480 --> 00:08:26,840 Speaker 2: I see the shift you're talking about from the other 159 00:08:26,920 --> 00:08:28,880 Speaker 2: to ourself, and I think about it a lot, especially 160 00:08:28,920 --> 00:08:30,760 Speaker 2: because of my cultural words. As you said, I want 161 00:08:30,800 --> 00:08:33,480 Speaker 2: to visit my father, and after my father passed away, 162 00:08:33,520 --> 00:08:36,920 Speaker 2: I wrote a whole piece about how obligation gives doesn't 163 00:08:37,000 --> 00:08:39,920 Speaker 2: just take. It gives a lot. But I also think 164 00:08:39,960 --> 00:08:41,319 Speaker 2: that there's this realness story. 165 00:08:41,080 --> 00:08:44,800 Speaker 3: And I think that we need more people in that sense, 166 00:08:44,920 --> 00:08:47,800 Speaker 3: like you, you know you, it's very natural for you 167 00:08:47,920 --> 00:08:50,560 Speaker 3: to write that piece, but in fact it's not a 168 00:08:50,640 --> 00:08:54,000 Speaker 3: natural piece for others who know you to read, and 169 00:08:54,040 --> 00:08:57,440 Speaker 3: it puts them in front of another dimension. You know, 170 00:08:58,080 --> 00:09:02,120 Speaker 3: Obligation is not hot at this moment, it's not popular. 171 00:09:03,720 --> 00:09:09,719 Speaker 3: Authenticity and personal truth and honesty is much more, you know, 172 00:09:10,000 --> 00:09:13,320 Speaker 3: and we will forego our relationships at this moment in 173 00:09:13,440 --> 00:09:17,040 Speaker 3: order to preserve this authenticity. And what you're saying is 174 00:09:17,080 --> 00:09:21,520 Speaker 3: a relational model, which I think we could really use 175 00:09:21,920 --> 00:09:25,680 Speaker 3: hearing a lot more about because it directly connects to 176 00:09:25,800 --> 00:09:30,120 Speaker 3: everything else people want to discuss about loneliness xcept these 177 00:09:30,160 --> 00:09:32,160 Speaker 3: things are connected, except. 178 00:09:31,920 --> 00:09:34,040 Speaker 2: I think, like you said, like you diagnosed the first 179 00:09:34,080 --> 00:09:36,440 Speaker 2: time I met. It's extremely challenging because I have this 180 00:09:36,800 --> 00:09:40,360 Speaker 2: other orientation. I want to be, you know, dutiful, and 181 00:09:40,400 --> 00:09:43,120 Speaker 2: I want to in many ways model parts of what 182 00:09:43,120 --> 00:09:45,240 Speaker 2: my mother has done. But I also have this real 183 00:09:45,320 --> 00:09:50,640 Speaker 2: tension and expectation and experience of being a highly independent, individualized, 184 00:09:51,120 --> 00:09:54,640 Speaker 2: you know, person in this world with a lot of freedom, 185 00:09:54,679 --> 00:09:56,439 Speaker 2: a lot of choice. So that's why I ask the 186 00:09:56,520 --> 00:09:59,400 Speaker 2: question that feminism fuck us. I ask it partly rhetorically, 187 00:10:00,000 --> 00:10:02,880 Speaker 2: but I also think there's a changing role of women 188 00:10:02,920 --> 00:10:08,000 Speaker 2: that is objectively good and yet hasn't been captured and 189 00:10:08,640 --> 00:10:11,080 Speaker 2: really dealt with as a society. For what you're saying, 190 00:10:11,120 --> 00:10:13,400 Speaker 2: it's it's going to be multi generational for it to 191 00:10:13,440 --> 00:10:14,480 Speaker 2: be absorbed. 192 00:10:14,040 --> 00:10:17,120 Speaker 3: Correct, it needs to metabolize. But I think if you're 193 00:10:17,320 --> 00:10:22,920 Speaker 3: asking about the foundations of changing the dynamic between the roles, 194 00:10:23,160 --> 00:10:26,440 Speaker 3: you know, I mean you. I came to hear you 195 00:10:26,520 --> 00:10:31,559 Speaker 3: do a leader dialogue or a debate recently about masculinity. 196 00:10:32,600 --> 00:10:37,520 Speaker 3: You know what was at a comedy seller, right, And 197 00:10:37,320 --> 00:10:40,080 Speaker 3: the interesting thing is that the person started to talk 198 00:10:40,120 --> 00:10:44,320 Speaker 3: by talking about the Women's Revolution and that that revolution 199 00:10:44,520 --> 00:10:47,000 Speaker 3: actually hadn't just changed the life of women, but it 200 00:10:47,040 --> 00:10:50,480 Speaker 3: had actually changed the lives of men, and it gave 201 00:10:50,559 --> 00:10:53,800 Speaker 3: birth to a very very important development, which is the 202 00:10:54,520 --> 00:10:58,440 Speaker 3: making of modern fatherhood, which is a huge but we 203 00:10:58,520 --> 00:11:01,679 Speaker 3: don't talk about that in of the revolution. You know, 204 00:11:01,880 --> 00:11:05,400 Speaker 3: the men's movement we just we've decided that the women 205 00:11:05,440 --> 00:11:07,560 Speaker 3: had a revolution and the men have not had it yet, 206 00:11:08,000 --> 00:11:08,640 Speaker 3: but we do know. 207 00:11:08,880 --> 00:11:10,400 Speaker 2: Do you think they've had it? Have men had a 208 00:11:10,440 --> 00:11:12,240 Speaker 2: revolution yet? Like a feminist revolution? 209 00:11:12,320 --> 00:11:14,319 Speaker 3: But from me, I think that women have had about 210 00:11:14,360 --> 00:11:18,880 Speaker 3: fifty sixty years of examining their lives and their position 211 00:11:19,000 --> 00:11:23,040 Speaker 3: in this world, and their aspirations and rights and narratives, 212 00:11:23,440 --> 00:11:25,520 Speaker 3: and I think that men have not had it in 213 00:11:25,559 --> 00:11:29,240 Speaker 3: a systematic a way. There are pockets, but they have not, 214 00:11:29,480 --> 00:11:34,720 Speaker 3: And I think that in that sense, the restrictions are 215 00:11:34,800 --> 00:11:36,400 Speaker 3: much stronger on the men. 216 00:11:36,800 --> 00:11:39,040 Speaker 2: Does there need to be a masculinity revolution? 217 00:11:39,840 --> 00:11:42,000 Speaker 3: I don't think if it as a revolution, I think 218 00:11:42,040 --> 00:11:50,559 Speaker 3: that that everybody stands to gain from revisiting taboos, rigidities, 219 00:11:51,400 --> 00:11:58,880 Speaker 3: set norms, and constraining and constricting narratives and roles. What's wrong? 220 00:11:59,160 --> 00:12:01,160 Speaker 3: I mean, that's kind of an obvious thing. Why would 221 00:12:01,160 --> 00:12:04,600 Speaker 3: why Why wouldn't we? And I think that it would 222 00:12:04,720 --> 00:12:08,600 Speaker 3: change the lives of many. But that's the point of view, 223 00:12:08,720 --> 00:12:12,280 Speaker 3: right right? Is status quo something that must be preserved 224 00:12:12,640 --> 00:12:17,160 Speaker 3: or is there something inherently good in revisiting social norms? 225 00:12:17,240 --> 00:12:18,800 Speaker 2: Well, right now it seems like we're in a moment 226 00:12:18,800 --> 00:12:21,160 Speaker 2: of reckoning with social norms, because I mean, I'm sure 227 00:12:21,160 --> 00:12:23,960 Speaker 2: you've read a lot about the tradwife revolution or the 228 00:12:24,240 --> 00:12:27,800 Speaker 2: kind of interesting it's not a revolution, yes, okay, the 229 00:12:27,880 --> 00:12:32,040 Speaker 2: trade wife trend, yes, the tradwife trend, yes, the kind 230 00:12:32,040 --> 00:12:34,760 Speaker 2: of women looking for a guy and finance sex five, 231 00:12:34,840 --> 00:12:38,040 Speaker 2: et cetera trend. Do you see any of these as like, 232 00:12:38,120 --> 00:12:41,200 Speaker 2: are these extremely nostalgic or they reactions to our time? 233 00:12:41,280 --> 00:12:46,240 Speaker 2: How do you make sense of these gender role like reassertions? 234 00:12:47,200 --> 00:12:51,360 Speaker 3: Every time you go to see an exhibit on the generate. 235 00:12:51,280 --> 00:12:55,520 Speaker 2: Art every every Tuesday for me, yes, I. 236 00:12:55,480 --> 00:12:58,760 Speaker 3: Mean there have been amazing exhibits of that. You get 237 00:12:58,760 --> 00:13:01,960 Speaker 3: a sense as to what was considered degenerate. And one 238 00:13:02,040 --> 00:13:04,880 Speaker 3: of the first things that was considered degenerate is gender 239 00:13:04,960 --> 00:13:09,880 Speaker 3: roles that become more fluid, And what was considered degenerate 240 00:13:10,160 --> 00:13:13,440 Speaker 3: was kind of a blurring between fiction and reality and 241 00:13:13,480 --> 00:13:16,320 Speaker 3: what was considered more fluid, you know it. So the 242 00:13:16,360 --> 00:13:18,480 Speaker 3: opposite of that is that you then't look at what 243 00:13:18,640 --> 00:13:21,640 Speaker 3: was the art that was actually revered, and it was 244 00:13:21,679 --> 00:13:25,840 Speaker 3: a table of people around, you know, all impeccably dressed 245 00:13:25,840 --> 00:13:28,520 Speaker 3: with the woman who is serving the whole clan of 246 00:13:28,559 --> 00:13:32,760 Speaker 3: the family and who finds meaning in that subservience, and 247 00:13:33,120 --> 00:13:36,880 Speaker 3: there is order, there is clarity of roles, there is 248 00:13:37,080 --> 00:13:43,000 Speaker 3: hierarchy of gender, and that is extremely comforting. So I 249 00:13:43,000 --> 00:13:45,520 Speaker 3: don't know that I would call it just nostalgic. I 250 00:13:45,559 --> 00:13:50,040 Speaker 3: think that wherever you have rises of authoritarianism and where 251 00:13:50,040 --> 00:13:55,120 Speaker 3: in the world, it is accompanied with a redefinition of 252 00:13:55,280 --> 00:14:01,040 Speaker 3: rigid gender roles, traditional gender roles. If you redefine the 253 00:14:01,160 --> 00:14:04,240 Speaker 3: role of the woman, you redefine the role of the men. Right, 254 00:14:04,360 --> 00:14:07,920 Speaker 3: they are interdependent. The trad wife does not exist without 255 00:14:07,920 --> 00:14:11,160 Speaker 3: a counterpart. She's always accompanied by. 256 00:14:11,480 --> 00:14:13,160 Speaker 2: That makes it sound like it's something that's happening, But 257 00:14:13,200 --> 00:14:15,520 Speaker 2: I think women are lasting for something. I think there's 258 00:14:15,520 --> 00:14:17,559 Speaker 2: a sense of like, I kind of think. 259 00:14:17,559 --> 00:14:21,040 Speaker 3: They may participate in this the same you know, it's 260 00:14:21,040 --> 00:14:23,560 Speaker 3: not that it is imposed on them, but it is 261 00:14:23,640 --> 00:14:28,320 Speaker 3: related to a recreation of a certain social order that 262 00:14:28,480 --> 00:14:32,040 Speaker 3: is broader than just gender, and it comes with authoritarianism 263 00:14:32,120 --> 00:14:36,200 Speaker 3: autocratic regimes. The same thing happens around sexuality. 264 00:14:36,560 --> 00:14:36,760 Speaker 1: You know. 265 00:14:36,920 --> 00:14:40,360 Speaker 3: I had a conversation with you. Never forget the first 266 00:14:40,480 --> 00:14:44,440 Speaker 3: question he asked me is why does every authoritarian regime 267 00:14:44,840 --> 00:14:50,360 Speaker 3: come with an instant repression around sexuality. It's messy, and 268 00:14:50,800 --> 00:14:55,360 Speaker 3: authoritarianism doesn't like messy blurred lines, blurred roles. 269 00:14:55,000 --> 00:14:55,560 Speaker 1: And all of that. 270 00:14:55,720 --> 00:14:59,120 Speaker 3: Trad Wives is very clear. You know, you've defined it 271 00:14:59,120 --> 00:15:02,680 Speaker 3: to me. The way she dresses, she cooks, she bakes, she's, 272 00:15:03,080 --> 00:15:06,920 Speaker 3: she's she can mean, you know, the whole, and that 273 00:15:07,200 --> 00:15:09,800 Speaker 3: art exists. I mean, it's very interesting to look at 274 00:15:09,800 --> 00:15:15,600 Speaker 3: it historically because it brought a sense of structure order. 275 00:15:16,400 --> 00:15:18,800 Speaker 3: Everyone knows their place, isn't it. 276 00:15:18,840 --> 00:15:21,480 Speaker 2: Also, like about what you said, what is considered degenerate 277 00:15:21,520 --> 00:15:24,000 Speaker 2: at the time is like an opposition to whatever. 278 00:15:24,280 --> 00:15:27,840 Speaker 3: The generate is always considered the same thing. The blurring 279 00:15:28,000 --> 00:15:31,360 Speaker 3: is considered degenerate. The blurring of genders is the general. 280 00:15:31,440 --> 00:15:33,040 Speaker 3: The blurring of higher chides the general. 281 00:15:33,120 --> 00:15:34,800 Speaker 2: So it's not like it's not like child wives are 282 00:15:34,800 --> 00:15:38,720 Speaker 2: degenerate because they're pushing against the current. It's always know, what. 283 00:15:38,840 --> 00:15:42,280 Speaker 3: Is considered not okay is kids who think that they 284 00:15:42,320 --> 00:15:45,120 Speaker 3: have too much importance, rather than there are little ones 285 00:15:45,160 --> 00:15:47,880 Speaker 3: that are very nicely, obedient and dressed and stand by 286 00:15:47,920 --> 00:15:51,200 Speaker 3: you like this. You know, I wish everybody else wishes 287 00:15:51,200 --> 00:15:53,840 Speaker 3: their kids would stand like that, nice nicely next to them. 288 00:15:54,120 --> 00:15:58,120 Speaker 3: Everybody is in their place, which makes it easier for 289 00:15:58,200 --> 00:15:59,400 Speaker 3: others to move them. 290 00:15:59,560 --> 00:16:02,800 Speaker 2: Right, to control the system. So there's also this other 291 00:16:03,160 --> 00:16:06,440 Speaker 2: narrative right now that men are being commoditized. Did you 292 00:16:06,440 --> 00:16:09,280 Speaker 2: watch them? You watch the movie Materialists? Yes, okay, what 293 00:16:09,320 --> 00:16:13,600 Speaker 2: did you think of the Materialists as a concept the relationship, 294 00:16:13,680 --> 00:16:15,440 Speaker 2: not the film, but the idea for this. 295 00:16:15,760 --> 00:16:16,600 Speaker 3: It's all in the math. 296 00:16:16,760 --> 00:16:17,920 Speaker 2: Yeah, it's all a transaction. 297 00:16:18,080 --> 00:16:19,120 Speaker 3: It's all in the math. 298 00:16:19,680 --> 00:16:22,200 Speaker 2: Yes, you agree that that's how our culture looks at it. 299 00:16:22,280 --> 00:16:25,360 Speaker 3: I think that there is something about that in our culture. Yes, 300 00:16:25,760 --> 00:16:34,120 Speaker 3: I think this is consumerism marrying romanticism becoming romantic consumerism. Yeah, 301 00:16:34,600 --> 00:16:37,800 Speaker 3: that's it's it's you know, it's emotional capitalism. 302 00:16:37,840 --> 00:16:39,640 Speaker 2: So the idea, I mean, the way the film for 303 00:16:39,680 --> 00:16:41,560 Speaker 2: people who haven't seen it came out. 304 00:16:41,480 --> 00:16:44,320 Speaker 3: He's a ten, he's a ten, he's a unicorn, she's 305 00:16:44,320 --> 00:16:45,840 Speaker 3: a six, Yeah exactly. 306 00:16:45,840 --> 00:16:48,440 Speaker 2: I mean, it's just amazing everyone has a number. And 307 00:16:48,480 --> 00:16:51,040 Speaker 2: then to promote the film, they put a stock price 308 00:16:51,080 --> 00:16:54,120 Speaker 2: ticker literally at the you know, the New York Stock Exchange, 309 00:16:54,160 --> 00:16:57,760 Speaker 2: that had men and their height and their salaries, and 310 00:16:57,760 --> 00:16:59,480 Speaker 2: they were running them up and down as if it 311 00:16:59,600 --> 00:17:04,159 Speaker 2: was a exchange. It is terrible do you think, do 312 00:17:04,200 --> 00:17:08,199 Speaker 2: you think that sex has become commoditized these days? Or 313 00:17:08,280 --> 00:17:13,560 Speaker 2: not sex the act of sex, but relationship has become commoritized, consumerized, 314 00:17:13,560 --> 00:17:15,600 Speaker 2: you say, And then yes I do. And who is 315 00:17:15,640 --> 00:17:20,080 Speaker 2: the commodity the days is that people? Men is more women, everybody. 316 00:17:19,720 --> 00:17:23,119 Speaker 3: Everybody, people are the commodity. I mean, you know, the 317 00:17:23,160 --> 00:17:27,119 Speaker 3: concept of emotional capitalism is an interesting crossover, right because 318 00:17:27,160 --> 00:17:29,439 Speaker 3: what happens is that on the one hand, you have 319 00:17:29,480 --> 00:17:32,359 Speaker 3: all these psychological terms that have entered the business world, 320 00:17:32,560 --> 00:17:35,200 Speaker 3: and we talk about psychological safety, and we talk about 321 00:17:35,240 --> 00:17:38,439 Speaker 3: authenticity and we talk about vulnerability. But on the other end, 322 00:17:38,480 --> 00:17:42,840 Speaker 3: you have an entire business mentality that has entered romantic love, 323 00:17:43,320 --> 00:17:44,919 Speaker 3: you know, And we're going to hedge our bets and 324 00:17:44,920 --> 00:17:49,600 Speaker 3: we're going to negotiate the best deals, and it's in 325 00:17:49,640 --> 00:17:51,760 Speaker 3: the midst of that we're going to somehow find love. 326 00:17:52,040 --> 00:17:56,760 Speaker 3: But we are bringing in an enormously transactional what will 327 00:17:56,840 --> 00:18:00,760 Speaker 3: satisfy me? What is on my list? What am I 328 00:18:00,840 --> 00:18:04,000 Speaker 3: looking for? And when I don't like it, I dump 329 00:18:04,280 --> 00:18:07,120 Speaker 3: a ghost, I photo, I go on to the next 330 00:18:07,320 --> 00:18:12,359 Speaker 3: and I swipe. And disembodied experiences make you forget that 331 00:18:12,400 --> 00:18:15,040 Speaker 3: there's actually a human being on the other side. 332 00:18:14,880 --> 00:18:16,560 Speaker 2: And as soon maybe there won't be a human being. 333 00:18:16,560 --> 00:18:20,120 Speaker 2: People are having romantic relationships with their ais now they 334 00:18:20,160 --> 00:18:23,480 Speaker 2: may yes, would you all things equal? Rather date in 335 00:18:23,600 --> 00:18:30,520 Speaker 2: nineteen eighty five or twenty twenty five? Oh all right, 336 00:18:30,640 --> 00:18:33,480 Speaker 2: Chris of ANTM Family, a little cliffhanger there for you. 337 00:18:34,080 --> 00:18:36,600 Speaker 2: Estair's answer, by the way, really surprise me. So if 338 00:18:36,600 --> 00:18:38,600 Speaker 2: you want to hear it, search for Smart Girl Dumb 339 00:18:38,680 --> 00:18:41,640 Speaker 2: Questions wherever you get your podcasts and you can start 340 00:18:41,640 --> 00:18:43,280 Speaker 2: listening around minute nineteen so you don't feel like you 341 00:18:43,359 --> 00:18:45,160 Speaker 2: have to start and listen to the whole thing. Oliver again, 342 00:18:45,560 --> 00:18:47,720 Speaker 2: and by the way, please follow the Smart Girl Dumb Questions. 343 00:18:47,800 --> 00:18:50,560 Speaker 2: New episodes of the show drop every Tuesday. And you 344 00:18:50,640 --> 00:18:53,040 Speaker 2: may love my conversation with Brooke Devard when I ask 345 00:18:53,080 --> 00:18:56,120 Speaker 2: her is beauty just capitalism? Or with Tamson Fidel when 346 00:18:56,160 --> 00:18:58,760 Speaker 2: I ask her what's a woman's prime? Or with therapist 347 00:18:58,840 --> 00:19:01,960 Speaker 2: Ellen Bora because we talk talk about if everyone has anxiety? 348 00:19:02,040 --> 00:19:05,040 Speaker 2: Does anyone have anxiety? And if you have dumb questions 349 00:19:05,040 --> 00:19:07,760 Speaker 2: you want answered, please email me. I'm Meema Raza one 350 00:19:07,800 --> 00:19:10,600 Speaker 2: oh one at gmail dot com. Great to meet you, guys, 351 00:19:10,600 --> 00:19:12,840 Speaker 2: and hope to see you on Smart Girl, Dumb Questions,