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Speaker 1: From Hollywood to you.

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Speaker 2: Thank you for listening to us on.

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Speaker 1: Air with Ryan Seacrest.

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Speaker 2: Ryan Seacrest with you, thanks for having us on today.

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Speaker 2: We are gonna wrap up a Wednesday morning and a

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Speaker 2: few hours and in between now and then cover a

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Speaker 2: lot of ground and bases.

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Speaker 3: Here.

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Speaker 2: We got some Disneyland tickets to give away. I've got

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Speaker 2: a morning Hack in just a little bit, The Morning Hack.

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Speaker 2: Do you do you have a ceiling?

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Speaker 3: What?

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Speaker 2: It's a funny laugh?

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Speaker 1: Oh?

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Speaker 2: Wow, it's uh, what's your real laugh? Marxist? Right there?

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Speaker 2: What's your there's yours? Okay, we'll all try and get

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Speaker 2: each other a real laugh this morning, won't we Yeah?

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Speaker 1: Eventually, I mean I feel like we're doing on the spot.

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Speaker 2: Well, sometimes we get into a place where we really

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Speaker 2: laugh and then really laugh again at what we were

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Speaker 2: laughing about. Which is the best laugh. It's the second laugh.

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Speaker 2: It's always the best. Tubbs, you even laugh? Oh do

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Speaker 2: you know what Tubbs's laugh sounds like? Our engineer? Yeah,

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Speaker 2: give me a tubs laugh? Tany okay, Sysney, what's your

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Speaker 2: tubs laugh?

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Speaker 4: There we go?

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Speaker 2: That was a real laughs. See we did it already.

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Speaker 2: Tubbs came here tickle him watching him, what's your real laugh?

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Speaker 2: I told you, but that wasn't real. If you did

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Speaker 2: it was not real it my father, Oh, Santa, I

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Speaker 2: get that. Laugh is like menacing. Yeah, that's all we

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Speaker 2: need to do. Let's just laugh happy. Do you should

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Speaker 2: watch Jury Duty? We have talking to Ryan and I

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Speaker 2: also interviewed James Marsden from Jury Duty. I know, well, then,

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Speaker 2: why'd you tell me I should watch it?

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Speaker 5: Because you haven't watched it, and I think it would

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Speaker 5: make you laugh a lot. I think you would really

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Speaker 5: laugh a lot watching it.

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Speaker 2: I think you're right, right, Yeah, Well good news. Tony's

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Speaker 2: having chai.

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Speaker 1: This morning again, back on the chat, back on it.

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Speaker 2: So what's in the chai?

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Speaker 5: I don't know what it is. I actually don't know

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Speaker 5: what a chai is. It's like a mixture of spices.

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Speaker 5: But Sisney was getting coffee this morning and I was like,

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Speaker 5: you know what, I need a little extra, So you

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Speaker 5: added almond milk. Heres, Yeah, that's good.

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Speaker 2: I'm way into almond milk. I saw this almond milk

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Speaker 2: that has chocolate.

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Speaker 3: Minute.

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Speaker 2: Have you had chocolate almond milk?

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Speaker 6: No?

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Speaker 5: How do you make that?

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Speaker 2: They just make it. It's in the store, it's already

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Speaker 2: made a carton.

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Speaker 5: I can actually probably make it because you just add

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Speaker 5: dark chocolate chips and you can still strain it.

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Speaker 2: I don't know.

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Speaker 5: That's a fun activity.

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Speaker 2: When nothing but time, I'm grinding my beans. Let's grind

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Speaker 2: our beans. Every morning this happens. It's the beans. It's

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Speaker 2: a very soothing way to wake up. It's me going

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Speaker 2: up and grind.

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Speaker 1: I can picture Georgia up in her paws over her ears,

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Speaker 1: like why.

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Speaker 2: Do you have to wake up? Ever? Honestly, okay, we

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Speaker 2: found you're we're talking about laughing, like I think we're

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Speaker 2: the best way to start the morning is just a

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Speaker 2: real laugh. And we found Sistine's real laugh. I mean

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Speaker 2: you had a real life for earlier, but this is

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Speaker 2: the one we where do we find it? We have

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Speaker 2: this ready to go at all time?

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Speaker 7: Wow?

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Speaker 2: See when you get when you do the wheezy laugh

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Speaker 2: right there? Yeah, here's another. Oh that's is that real?

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Speaker 8: No?

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Speaker 2: I don't know the science of laughter and making other

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Speaker 2: people laugh at your laugh is just good Tony, I

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Speaker 2: think we have a laugh of yours. Are you ready?

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Speaker 5: Yeah?

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Speaker 2: That's definitely legit, Yeah, definitely legit. Oh man, right, it's

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Speaker 2: the way we should start every day. Maybe we just

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Speaker 2: start the day playing that. That's pretty darn good. What

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Speaker 2: in the world were we talking about?

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Speaker 5: What were we talking about?

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Speaker 2: Well, we're capable of making each other laugh, that's for sure.

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Speaker 1: Where's yours?

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Speaker 2: I don't know where's my mark?

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Speaker 1: I can get one of yours. Sure, we're still powering audience.

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Speaker 2: It's kind of once a year.

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Speaker 1: You usually make us laugh.

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Speaker 2: Thank you back pedal? Uh, all right? What is your

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Speaker 2: alarm when you wake up in the morning? What's your

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Speaker 2: alarm sound? I have the chimes in the morning.

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Speaker 1: I have a bunch of different ones.

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Speaker 2: They change or you change, like.

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Speaker 1: I have like three alarms that I set, and I

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Speaker 1: think they sound different. They're like the tunes that are

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Speaker 1: on the iPhone.

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Speaker 2: I don't know, the generic stuff like that. They program like.

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Speaker 1: There's more I don't know, harpy sounding.

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Speaker 2: Yeah yeah, yeah, but yeah yeah. And the phone's next

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Speaker 2: to you, right, which is also one of these.

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Speaker 1: I think by by the sea side one of those

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Speaker 1: might be it.

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Speaker 2: Well, they they looked, I guess which sounds do the

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Speaker 2: best job of stimulating your obviously, your rearticular activating system,

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Speaker 2: your are a s obviously. Then they say the perfect

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Speaker 2: alarm should be a melody you can sing or home

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Speaker 2: along to a a like a dominant freaque and see.

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Speaker 2: So here are the top three based on the research

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Speaker 2: of the alarms that will stimulate your reticular activating system. Okay,

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Speaker 2: whatever that is is good. Here it is number three.

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Speaker 5: Oh yeah, that's nice.

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Speaker 1: I have that one.

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Speaker 2: I would get annoyed after a couple of days. Okay,

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Speaker 2: there's another one. Yeah, it sounds like a clown car.

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Speaker 2: I have that as one of them, a carnival or something.

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Speaker 2: All right, here's another one.

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Speaker 1: No, I don't have that one.

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Speaker 2: I find them all highly aggravating.

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Speaker 1: I don't know if I have any of those.

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Speaker 2: I just mine's harpy. I think. I use the same

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Speaker 2: one you do. It's called chimes, I think, but it's harpy.

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Speaker 1: I'll tell you.

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Speaker 2: Mine's just the alarm that like, how's it going?

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Speaker 1: Mine is called ripples.

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Speaker 2: Ripples. Oh, no, I don't like that one either.

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Speaker 3: I don't know.

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Speaker 2: I don't like it.

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Speaker 5: I don't even know how to do that.

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Speaker 2: No, that's horrible, right, it sounds like an emergency.

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Speaker 1: Hang on, I have other ones too, that I curie.

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Speaker 2: What about you? Oh?

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Speaker 1: I also have silk. So this is like that's my

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Speaker 1: first alarm, and then if I don't wake up to

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Speaker 1: that one, then this is my next one twenty minutes.

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Speaker 2: Later, twenty minutes. What are you doing the twenty minutes

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Speaker 2: wake up window? Oh yeah, that's nice, that's nice. That

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Speaker 2: would make me want to stay in bed though.

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Speaker 1: This is why I snooze for like an hour.

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Speaker 2: Guys, gotta lights some incense to that you snooze for

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Speaker 2: an hour? That feels like such torture.

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Speaker 1: Yeah, it's a process. Like the first alarm kind of

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Speaker 1: like wakes me up and then I look and I'm like, oh,

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Speaker 1: I have like twenty more minutes, and then I go

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Speaker 1: back to bed.

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Speaker 2: So wonder we all get here. If you have a

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Speaker 2: ceiling fan, this is just like a home fact and

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Speaker 2: hack for you. It's not fun to dust the ceiling fan.

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Speaker 2: So what they do is say, rub a dryer sheet

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Speaker 2: on the fan blades. So a dryer sheet on the

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Speaker 2: fan blades, it leaves a coating behind that he'll keep

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Speaker 2: the dust from sticking. So you want the dust it

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Speaker 2: so much, and it's about us. Every time you turn

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Speaker 2: on the fan, it smells like the laundry. I like

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Speaker 2: that dryer sheet, like you know, from the machine. Yeah,

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Speaker 2: that's not exactly dry sheet, but a dryer sheet. All right,

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Speaker 2: there you go.

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Speaker 1: I don't know, Wait a minute, now, how we reach

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Speaker 1: that up there?

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Speaker 2: I don't know you did. I'm too short. Get broad

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Speaker 2: extensions reports. Get the rods in my legs can't reach.

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Speaker 2: That's about a five on a had.

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Speaker 1: You're still thinking about the leg lengthing, aren't you.

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Speaker 6: Oh?

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Speaker 7: Yeah, yeah, okay, Well today's quote take a lot of chances,

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Speaker 7: because no matter where you end up and with whom

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Speaker 7: it's always ends up the way it should be.

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Speaker 2: Everything is worth it.

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Speaker 1: FM headlines, well, we are starting to see the effects

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Speaker 1: of this writer's strike. Saturday Night Live has canceled it's

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Speaker 1: upcoming May sixth the show due to the Writer's Guild

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Speaker 1: of America strike. Now the show would have marked s

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Speaker 1: and alum Pete Davidson's hosting debut, with lil Uzivert scheduled

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Speaker 1: as the musical guest. Other late night TV shows like

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Speaker 1: The Late Show with Stephen Colbert, Jimmy Kimmel, Alive, Late

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Speaker 1: Night with Seth Meyers, The Tonight Show starring Jimmy Fallon,

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Speaker 1: and The Daily Show have also shut down production. Parents

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Speaker 1: Now have a new tool to monitor their students if

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Speaker 1: they attend LAUSD the District unveiled and upgraded to the

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Speaker 1: existing app LAUSD Mobile App three point zero. Now it'll

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Speaker 1: provide instant live access to student attendance grades, assignments to

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Speaker 1: graduation progress, and individuals education plans. There's also a messaging

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Speaker 1: tool on the app that will allow students, parents and

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Speaker 1: guardians to communicate directly to one another. And Lebron James

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Speaker 1: and Anthony Davis led the Lakers to a thrilling one

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Speaker 1: seventeen to one to twelve victory in Game one over

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Speaker 1: the Warriors in an intense back and forth match that

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Speaker 1: lived up to the hype last night.

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Speaker 2: That game was so good.

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Speaker 1: Now Game two we'll tip off tomorrow night at six

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Speaker 1: pm before the series shifts to Los Angeles here on Saturday.

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Speaker 1: The Leaguers are seeking a record breaking eighteenth NBA title

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Speaker 1: and the Warriors are looking for their fifth in nine years.

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Speaker 2: On air with a Ryan Seacrest, so we're just saying,

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Speaker 2: you know, it's so great to start the day with

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Speaker 2: a real laugh. If we could do it to ourselves,

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Speaker 2: or we could do it for you, and if we

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Speaker 2: can't do it, we found some from other shows. Here's

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Speaker 2: one I think that's a real siciny laugh. Yeah, and

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Speaker 2: here's a real Tanya laugh. That's a winner right there.

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Speaker 5: That one wins, a deep one that's like an unexpected cackle.

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Speaker 2: Okay, and then you found one. We didn't find one

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Speaker 2: until now of mine. No, I don't know. It's so real.

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Speaker 2: Is that real? It's real, but it's not as good as.

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Speaker 5: But I think that's like you're you're you think it's funny,

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Speaker 5: but it's not coming to you naturally, so you're like

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Speaker 5: doing it.

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Speaker 2: I just like yours better, Ruby as one is. Ruby's

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Speaker 2: the back part of that. The last part of that

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Speaker 2: was more real than the first part. So you started

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Speaker 2: with the courtesy laugh, then you got into laughing. The

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Speaker 2: judging of the laughing. Well, okay, let's listen to this one,

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Speaker 2: and that takes it. Who's that you don't recognize that laugh?

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Speaker 5: I thought that was you Sisney with Michael Michael.

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Speaker 2: Michael, to me, it's no one. We know it's random.

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Speaker 2: We googled it. My god, let's say it could ask

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Speaker 2: for Michael. I thought, that's not like Michael. Yeah, kind

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Speaker 2: of all right, Like Rubie, we're just laughing with you.

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Speaker 2: Let's actually get into it now. I don't know if

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Speaker 2: this is all laughing matter or not. So we've all

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Speaker 2: had like, you know, sleeping chats with our significant others

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Speaker 2: or you know, hey you're too close, could you move over?

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Speaker 2: Or hey you're snoring all this stuff? Yes, or like

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Speaker 2: if you're sick and coughing, go sleep somewhere else, like

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Speaker 2: go you kind of it's like a nice thing to do.

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Speaker 2: Uh well, I don't know what's going on with you,

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Speaker 2: but you said you have a sleep issue with your

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Speaker 2: boyfriend right now.

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Speaker 9: Yeah, so it's been going on for like a little

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Speaker 9: over almost like two weeks.

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Speaker 2: Okay.

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Speaker 9: I'll just wake up in the middle of the night

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Speaker 9: to him like grabbing me. But it's not like a caress,

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Speaker 9: seeing like a sweet caress. It's like he rolls over

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Speaker 9: and he just like grabs my butt or my boobs,

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Speaker 9: and he's just like and I'm like, what is going on?

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Speaker 9: And then I like gently try to like push him off,

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Speaker 9: And in the morning I'll ask him like do you remember,

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Speaker 9: and he's like I don't remember. He's like it must

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Speaker 9: be like a demon or something weird.

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Speaker 2: He's like possessed the middle of the night.

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Speaker 9: Yeah, is it enjoyable because it has to be up

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Speaker 9: in like three hours.

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Speaker 2: So I'm just like a waking up like that bros.

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Speaker 2: And then what's he about that? It's like making him

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Speaker 2: do all of that right to be inside his head?

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Speaker 9: Right, So I'm like, what does that mean?

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Speaker 2: If someone were to do that to me, I would

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Speaker 2: leap out of bed on the back.

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Speaker 1: He just I would punge Michael in the face.

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Speaker 2: I do not if I am sleeping. This is a blessing.

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Speaker 2: Please do not rattle the cage.

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Speaker 9: Yeah, it's awkward.

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Speaker 1: Although if it was reversed, I feel like guys wouldn't

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Speaker 1: mind being groped in the middle of the night.

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Speaker 2: No, it's still would from me. I would think there's

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Speaker 2: an intruding Yeah.

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Speaker 1: But then you'd be like, all right, let's keep it going.

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Speaker 2: The middle of the night.

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Speaker 1: I would not refuse on Tuesday, not a weekday.

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Speaker 2: I'm a different person in the UK for sure. Eppen

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Speaker 2: to you.

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Speaker 5: No, No, I would not like even.

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Speaker 2: The soft caressing has ever happened either, That's how it's sweet.

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Speaker 8: Yeah.

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Speaker 5: I don't even like like hearing anybody get up to

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Speaker 5: like get out of bed to go to the bathroom.

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Speaker 5: That wakes me up. So if he like launched into me,

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Speaker 5: I would really not enjoy that.

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Speaker 1: But what is that? Why is that happening?

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Speaker 2: And it's just.

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Speaker 9: No, so it happened before, but then it stopped, so

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Speaker 9: it's like back and I'm like, what is going on

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Speaker 9: in your brain when you sleep that you just like

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Speaker 9: roll over and just like yeah.

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Speaker 2: Right, I want you put a pillow divider between you guys.

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Speaker 1: Yeah that helps me that, Just do it or least

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Speaker 1: say I.

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Speaker 2: Can't wait wait till Friday, Wait till Friday. Uh well,

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Speaker 2: I think, I mean, of all the things in the world,

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Speaker 2: not so bad, but keep it supposed to him, be careful,

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Speaker 2: so important.

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Speaker 3: I know.

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Speaker 2: It's like when someone's in a deep sleep, it's kind

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Speaker 2: of a violation, like you can't rattle that.

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Speaker 5: But also when he's in such a deep sleep, like

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Speaker 5: how he can't control it obviously or is.

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Speaker 2: He playing games? We don't know. Oh, is brecy A

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Speaker 2: Lopez on the line? Okay, so bricy A Lopez ha

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Speaker 2: been on the line. I have to tell you, I

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Speaker 2: just had this thought last night that I need to

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Speaker 2: go cookbook shopping because I'm not necessarily going to cook

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Speaker 2: the actual things from the pages. I need them as

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Speaker 2: inspiration for the things that I might cook. Like I

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Speaker 2: don't follow the recipe, but I look at the picture

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Speaker 2: and then I do my own version and well, here

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Speaker 2: you go. But this is perfect, Tonya. Why the look

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Speaker 2: of confusion?

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Speaker 5: That's so because you can do that like on Pinterest or.

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Speaker 2: I like to take the book I like. I mean,

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Speaker 2: Brecy's got a new book out called Asada, The Art

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Speaker 2: of Mexican Style Grilling. Do you remember Brian, of course,

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Speaker 2: Miguela Hi, Ryan, Hi, bric So Colin in Koreatown, Hawka,

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Speaker 2: So I can say I love it. Uh, you know

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Speaker 2: a lot of.

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Speaker 4: Hawk I will welcome you with open arms anytime. I'm Ryan,

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Speaker 4: I've been there, will give you the case to the

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Speaker 4: city I did it.

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Speaker 2: Can you where's that restaurant? B Linda? Where's that with

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Speaker 2: that restaurant I went to right from the airport?

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Speaker 1: And oh did you go.

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Speaker 4: To La the little one like that right off the

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Speaker 4: airport that you got out and then you win someone's house? Yes, yes, yeah,

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Speaker 4: I was taking on the.

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Speaker 2: Fire outside and making the tortillas in a different place

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Speaker 2: in this like in a courtyard.

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Speaker 6: Yes, And that's that's that's the essence of will Hawk

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Speaker 6: and cooking. It's coming in someone's home. It's like not

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Speaker 6: even having many of like the fancy fixings. Is the

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Speaker 6: wa hawkas essence, it's about going somewhere and watching someone

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Speaker 6: make you one of the best.

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Speaker 4: Bites to ever have in your life with just fire

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Speaker 4: and whatever they grow, I'll.

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Speaker 2: See that that's the one. Yes, yes, oh my god.

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Speaker 2: So guys, you don't understand because Ricie and I understand it.

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Speaker 2: But when you land in the wahawkan airport twelve minutes away,

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Speaker 2: is the best food you've ever had, right, I mean

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Speaker 2: it was. It's so cool. It's like you have to

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Speaker 2: pass it to get to town.

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Speaker 4: Yeah, it's I think it's the essence of Wahoka, like

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Speaker 4: it is going to someone home welcome you into their

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Speaker 4: home and you eat like you would eat if you

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Speaker 4: were going to my grandma's house or and and I

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Speaker 4: think that's the essence stuff Alsponsina. I love them so

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Speaker 4: much because and they're able to recreate that experience for anyone.

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Speaker 4: People laugh, and the people always say that it's like

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Speaker 4: we call it like customs. It's like Latwana.

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Speaker 6: Basically you have to go through.

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Speaker 4: There either on your way at the airport, or you

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Speaker 4: have to actually do it like when you land side.

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Speaker 2: That's so good, all right, So tell me about the

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Speaker 2: new I'm literally going to go cookbook shopping or order

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Speaker 2: this because I use them all the time as inspiration,

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Speaker 2: you know, even if I don't follow the exact recipe.

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Speaker 2: But tell me about a side of the art in

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Speaker 2: Mexican style thrilling your new book.

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Speaker 6: Yeah.

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Speaker 4: So, uh, Wahaka was my love letter to obviously Wahaka

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Speaker 4: and the essence and I started the second book is

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Speaker 4: really just a love letter to La I was born.

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Speaker 4: I was born in Wahaka. I moved to La when

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Speaker 4: I was ten years and I fell in love with

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00:18:01,800 --> 00:18:04,440
Speaker 4: everything that was sad in culture. I mean, anyone that

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Speaker 4: lives in the city understands that on the weekends and

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Speaker 4: the parks there are families just grilling incredible smelling meat, salsas, beans, right,

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Speaker 4: all the fix things that really I think encompass the

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Speaker 4: essence and beauty.

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Speaker 6: Of La Mexican culture.

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Speaker 4: And this is what the book is about. This book

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00:18:21,480 --> 00:18:24,000
Speaker 4: is just all about kind of grilling the art of

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Speaker 4: hosting one at your house or in your backyard or

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Speaker 4: in the park, with everything and that comes around it,

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Speaker 4: with the beaches with rice, red rice.

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Speaker 6: Green rice, beans like black beans, andaloss with pork and

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Speaker 6: bacon and all the goodness. So this book is just

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Speaker 6: really a celebration of grilling and also the first book

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Speaker 6: you're written on asada, and also I think the second

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Speaker 6: grilling book written by a woman and the first really

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Speaker 6: book to be written by a woman of color, soome.

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Speaker 2: Yeah, yeah, you're a bad person if you don't go

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Speaker 2: get this book. This book is so good, eat much much.

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00:19:03,240 --> 00:19:05,199
Speaker 2: That's amazing that all of those things had never been

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00:19:05,280 --> 00:19:08,879
Speaker 2: done before and you're so perfect for it. We just

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00:19:09,320 --> 00:19:11,440
Speaker 2: we love it. When you come on is like like,

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Speaker 2: that's it been around for thirty years now?

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00:19:14,000 --> 00:19:15,320
Speaker 6: Oh almost.

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00:19:15,440 --> 00:19:18,400
Speaker 4: Boy, it'll be thirty years next year, which is crazy. Yeah,

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00:19:18,560 --> 00:19:21,240
Speaker 4: I think it's like in restaurant years is over one hundred.

381
00:19:21,240 --> 00:19:23,240
Speaker 4: But yeah, we will be turning thirty next year, which

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00:19:23,320 --> 00:19:27,880
Speaker 4: is wild, wild, wild wild. Two cookbooks later. But it's honestly,

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00:19:28,040 --> 00:19:29,960
Speaker 4: it's a liver of love. I think that anyone that

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Speaker 4: works in the food industry.

385
00:19:31,560 --> 00:19:33,600
Speaker 6: Does the does it out of love.

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Speaker 4: And the people that cook are the best people. So

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Speaker 4: y'all get a book, Get on grilling. It's a perfect

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Speaker 4: book for the summer.

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Speaker 2: I just they're going to show you what I just did.

390
00:19:41,920 --> 00:19:44,000
Speaker 2: I just folded the piece of paper that has your

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00:19:44,080 --> 00:19:45,399
Speaker 2: name on it with the picture of you in the

392
00:19:45,440 --> 00:19:48,160
Speaker 2: book for me too. Maybe you send it to the station,

393
00:19:48,280 --> 00:19:51,280
Speaker 2: but I'm going to actually order it, and as soon

394
00:19:51,320 --> 00:19:53,679
Speaker 2: as I do, I will post what I make up

395
00:19:53,720 --> 00:19:56,600
Speaker 2: on Instagram because this is way my vibe. And I

396
00:19:56,720 --> 00:19:58,639
Speaker 2: also love the fact that it brings your friends and

397
00:19:58,720 --> 00:20:01,760
Speaker 2: family together for you exactly. For me, it's about that too.

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Speaker 6: That's where is Ryan.

399
00:20:04,560 --> 00:20:08,040
Speaker 4: You know, you're invited to anytime you're you know you

400
00:20:08,160 --> 00:20:11,800
Speaker 4: pretty much Mexican low Ki kind of hate exactly.

401
00:20:13,640 --> 00:20:16,320
Speaker 2: I will definitely send you I'll post what I make

402
00:20:16,400 --> 00:20:18,240
Speaker 2: from it. I'm gonna it's the books on Amazon? Can

403
00:20:18,280 --> 00:20:19,119
Speaker 2: I get the book on Amazon?

404
00:20:19,600 --> 00:20:22,880
Speaker 4: Yes, anywhere books are sold anywhere books are sold Amazon

405
00:20:23,000 --> 00:20:26,280
Speaker 4: and in a small bookshop. Bye five copy for all

406
00:20:26,280 --> 00:20:26,720
Speaker 4: your friends.

407
00:20:27,200 --> 00:20:29,080
Speaker 2: All right, thank you for coming on?

408
00:20:30,400 --> 00:20:33,359
Speaker 10: Yeah, thank you too.

409
00:20:33,520 --> 00:20:36,440
Speaker 2: Bye bye. A staple in La author and co owner

410
00:20:36,440 --> 00:20:39,080
Speaker 2: of ZA makes me want to go for our staff party.

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00:20:40,359 --> 00:20:42,600
Speaker 1: We've had a few there, all right.

412
00:20:43,040 --> 00:20:46,000
Speaker 2: Lynette is in Inglewood. So Lynette, your daughter is using

413
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Speaker 2: chat GPT to write her essay.

414
00:20:49,359 --> 00:20:51,399
Speaker 6: She is yes, and she is.

415
00:20:51,800 --> 00:20:53,720
Speaker 2: What are the rules on that with the schools?

416
00:20:55,359 --> 00:20:58,200
Speaker 8: You know, I'm not exactly sure, and I'm too nervous

417
00:20:58,240 --> 00:20:59,680
Speaker 8: to call her teacher to find out because then I

418
00:20:59,680 --> 00:21:00,880
Speaker 8: will be basically reading.

419
00:21:00,680 --> 00:21:05,440
Speaker 2: Now my kids, Right, what does your gut tell you

420
00:21:05,560 --> 00:21:06,000
Speaker 2: to do here?

421
00:21:07,600 --> 00:21:11,840
Speaker 8: My gut is saying no, she's so smart, she's in

422
00:21:11,920 --> 00:21:14,720
Speaker 8: the top ten percent of her class. I mean, it's like,

423
00:21:14,960 --> 00:21:16,639
Speaker 8: I don't get it. I don't understand it.

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Speaker 1: How much of the chat GBT is she actually using?

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00:21:22,440 --> 00:21:25,800
Speaker 1: When when you compare what she's getting from chat GBT

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00:21:26,000 --> 00:21:28,000
Speaker 1: to the when she actually writes her essay, is she

427
00:21:28,080 --> 00:21:30,200
Speaker 1: copying pasting or is she making it her own?

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00:21:31,880 --> 00:21:35,960
Speaker 8: Well, she claims that she's not copying and pasting. She's

429
00:21:35,960 --> 00:21:38,520
Speaker 8: saying that she's just using it kind of like to

430
00:21:38,640 --> 00:21:41,520
Speaker 8: help her get additional support on the paragraph she needs.

431
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Speaker 8: But it just doesn't feel right, and it's beyond my

432
00:21:44,359 --> 00:21:47,600
Speaker 8: comprehension to be completely honest, I just don't get it

433
00:21:47,720 --> 00:21:48,920
Speaker 8: and I don't understand it.

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Speaker 2: Well, I mean, the right thing to do is probably

435
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Speaker 2: not use chat GPT, I.

436
00:21:55,680 --> 00:21:58,080
Speaker 1: Agree, but then what then she's gonna google and then

437
00:21:58,119 --> 00:22:00,600
Speaker 1: she's gonna find essays at her ay been written on

438
00:22:00,720 --> 00:22:04,280
Speaker 1: Google and then essentially that's that's almost the same thing.

439
00:22:06,680 --> 00:22:10,680
Speaker 8: Yeah, I don't know. I mean, I I would prefer

440
00:22:10,800 --> 00:22:12,960
Speaker 8: for her not to but I can't even get my

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00:22:13,080 --> 00:22:15,760
Speaker 8: husband to be on my side here. He's like, it

442
00:22:15,840 --> 00:22:18,560
Speaker 8: just creates as get it together.

443
00:22:19,800 --> 00:22:24,000
Speaker 2: You know, I was not great at all at writing papers.

444
00:22:24,200 --> 00:22:26,840
Speaker 2: Would you consider yourself as any more street smarter? BookSmart?

445
00:22:27,160 --> 00:22:28,280
Speaker 1: Definitely street smart?

446
00:22:28,400 --> 00:22:30,040
Speaker 2: So me too. So that would be my argument to

447
00:22:30,119 --> 00:22:32,600
Speaker 2: my parents. I feel like I'm street smart, not BookSmart.

448
00:22:32,800 --> 00:22:37,440
Speaker 2: So can I look this up? Help?

449
00:22:39,200 --> 00:22:42,679
Speaker 1: I think eventually the school is going to get involved regardless.

450
00:22:42,840 --> 00:22:44,920
Speaker 2: And Lenette here's she's gonna do what she's gonna do,

451
00:22:45,680 --> 00:22:49,679
Speaker 2: so you should encourage her to use her best own ideas.

452
00:22:50,800 --> 00:22:52,919
Speaker 2: But if she does it, if she does it, she's

453
00:22:52,960 --> 00:22:54,600
Speaker 2: gonna do it on her own. She's either gonna get

454
00:22:54,640 --> 00:22:56,720
Speaker 2: through or she's gonna not get through based on what's

455
00:22:56,760 --> 00:22:57,119
Speaker 2: meant to be.

456
00:22:57,400 --> 00:22:58,800
Speaker 1: Yeah, and I think you just remind her of the

457
00:22:58,880 --> 00:23:04,000
Speaker 1: consequences that may come if she were to copy exactly.

458
00:23:04,040 --> 00:23:07,400
Speaker 2: Doesn't happen today, it might happen tomorrow. But you make

459
00:23:07,520 --> 00:23:10,320
Speaker 2: your choice, daughter, You make your choice.

460
00:23:10,480 --> 00:23:11,280
Speaker 1: Yeah, put it like that.

461
00:23:12,880 --> 00:23:15,960
Speaker 2: Yeah, I mean, I live by your choice daughter, what's

462
00:23:16,000 --> 00:23:18,960
Speaker 2: her name? Because we don't want to get it up there.

463
00:23:19,080 --> 00:23:22,320
Speaker 2: But no, no, all right, pull, It's.

464
00:23:22,560 --> 00:23:24,919
Speaker 1: Probably a huge issue with a lot of teenagers.

465
00:23:25,440 --> 00:23:27,480
Speaker 2: It's here to stay the same. It's not going anywhere,

466
00:23:27,680 --> 00:23:31,280
Speaker 2: that's true. It's going to become issue after issue. All right. Well,

467
00:23:31,280 --> 00:23:35,160
Speaker 2: thank you very much, Lynette, and good luck. Another parenting conundrum,

468
00:23:35,240 --> 00:23:36,200
Speaker 2: Sysney coming your way.

469
00:23:36,280 --> 00:23:38,200
Speaker 1: Oh, I can't imagine by the time twins are writing

470
00:23:38,200 --> 00:23:39,320
Speaker 1: an essays at the time of me, like you can

471
00:23:39,359 --> 00:23:43,160
Speaker 1: run them with your brain. Like it's just like when

472
00:23:43,200 --> 00:23:46,159
Speaker 1: you're shooting onto a paper on.

473
00:23:47,280 --> 00:23:54,480
Speaker 2: Air with Ryan Seacrets, honing in when you listen to

474
00:23:54,600 --> 00:23:57,159
Speaker 2: Kiss FM on your way to school or at school.

475
00:23:57,560 --> 00:24:00,800
Speaker 2: We're thinking about you right now. It's specific. We're gonna

476
00:24:00,800 --> 00:24:04,719
Speaker 2: go to Ranch Kookamonga. I mean, Siiciny, you would Tanya too.

477
00:24:04,800 --> 00:24:06,840
Speaker 2: But you guys could probably fill me in on how

478
00:24:06,880 --> 00:24:11,199
Speaker 2: spectacular it is what they did and are doing at

479
00:24:11,240 --> 00:24:16,680
Speaker 2: Los Oso's High School and Rancho Cucamonga. They basically, from

480
00:24:16,720 --> 00:24:20,400
Speaker 2: what I saw posted, they basically took the Rihanna halftime

481
00:24:20,440 --> 00:24:22,919
Speaker 2: show and recreated it at their school.

482
00:24:23,280 --> 00:24:25,840
Speaker 1: And it looks incredible as if you saw this in

483
00:24:25,920 --> 00:24:26,480
Speaker 1: a movie.

484
00:24:27,520 --> 00:24:30,320
Speaker 2: It's got to I guess it's got what millions and

485
00:24:30,359 --> 00:24:34,159
Speaker 2: millions of views, and the NFL saw it too. But

486
00:24:34,240 --> 00:24:39,280
Speaker 2: it's high school students putting together the performance that you

487
00:24:39,440 --> 00:24:42,879
Speaker 2: could put in the middle of an NFL halftime spectacular.

488
00:24:43,040 --> 00:24:45,119
Speaker 5: Our assemblies did not look like this when I was

489
00:24:45,240 --> 00:24:46,879
Speaker 5: running them back in high school.

490
00:24:48,160 --> 00:24:50,399
Speaker 1: I mean, you know what, as a cheerleader for the

491
00:24:50,480 --> 00:24:52,040
Speaker 1: high school that we went to, we we gave it

492
00:24:52,119 --> 00:24:52,400
Speaker 1: are all.

493
00:24:52,640 --> 00:24:54,639
Speaker 5: Yeah, no there, they were great, but it.

494
00:24:54,760 --> 00:24:55,320
Speaker 6: Was not like this.

495
00:24:55,960 --> 00:24:59,800
Speaker 2: Well you should look at it's at l o hs

496
00:25:00,000 --> 00:25:02,520
Speaker 2: our City Dance on Instagram and TikTok. If you are

497
00:25:02,640 --> 00:25:07,480
Speaker 2: into dance and moving and movement, check this out. Germany

498
00:25:07,560 --> 00:25:10,399
Speaker 2: Peers and Rachel Muago of so High School on the

499
00:25:10,440 --> 00:25:13,720
Speaker 2: line with right now, you two are geniuses. Congratulations in good.

500
00:25:13,600 --> 00:25:18,760
Speaker 3: Morning, Congratulations, good morning.

501
00:25:19,680 --> 00:25:22,600
Speaker 2: Yeah, you should keep saying it. I just watched it again.

502
00:25:22,920 --> 00:25:28,800
Speaker 2: It's as if I was watching the halftime show. Rachel,

503
00:25:28,880 --> 00:25:29,560
Speaker 2: what's your role?

504
00:25:31,480 --> 00:25:33,359
Speaker 3: I'm the dance director and choreographer.

505
00:25:33,760 --> 00:25:38,480
Speaker 2: Okay, in Germany, I was the Rihanna in the performance.

506
00:25:38,800 --> 00:25:42,320
Speaker 1: Oh well, okay, wow, So was that an audition?

507
00:25:44,440 --> 00:25:47,399
Speaker 3: No, we did an audition. I just kind of picked

508
00:25:47,560 --> 00:25:51,560
Speaker 3: two students and then I was actually the third Rihanna okay.

509
00:25:51,680 --> 00:25:53,720
Speaker 1: Okoy nice I like to have a little rotation.

510
00:25:55,000 --> 00:26:00,720
Speaker 2: Yeah, so you've taken something that you would be doing

511
00:26:01,200 --> 00:26:04,960
Speaker 2: well and now you've turned it into something that's become

512
00:26:05,320 --> 00:26:08,000
Speaker 2: global by the people who have seen it. Where'd the

513
00:26:08,119 --> 00:26:11,120
Speaker 2: idea come from? And how hard was it to get

514
00:26:11,240 --> 00:26:11,720
Speaker 2: this down?

515
00:26:14,400 --> 00:26:17,240
Speaker 3: Well, we were just so inspired by the super Bowl

516
00:26:17,280 --> 00:26:19,320
Speaker 3: when we saw it. I mean I remember getting so

517
00:26:19,440 --> 00:26:22,879
Speaker 3: emotional just seeing how many dancers were involved in that.

518
00:26:24,200 --> 00:26:26,119
Speaker 3: You know, it's so hard for us dancers, so you know,

519
00:26:26,280 --> 00:26:28,040
Speaker 3: to get out there, and I think to see that

520
00:26:28,200 --> 00:26:32,200
Speaker 3: many involved in that performance was just so amazing for

521
00:26:32,280 --> 00:26:36,159
Speaker 3: the dance industry. But Germany, you know, how did you?

522
00:26:37,320 --> 00:26:40,600
Speaker 10: I feel like I was just inspired by to this,

523
00:26:40,840 --> 00:26:44,520
Speaker 10: So it was like amazing to even like recreate it

524
00:26:44,760 --> 00:26:47,680
Speaker 10: and then also have an amazing director to create the

525
00:26:47,760 --> 00:26:50,359
Speaker 10: piece for us. So it was just an amazing operate

526
00:26:50,440 --> 00:26:54,600
Speaker 10: actility and I just loved everything about the before dance.

527
00:26:55,000 --> 00:26:57,160
Speaker 2: So have y'all gotten any job offers? Have the students

528
00:26:57,200 --> 00:27:01,159
Speaker 2: been offered to dance somewhere professionally, go on tour? Anybody yet? Rachel?

529
00:27:02,359 --> 00:27:06,879
Speaker 3: No, not yet. We're praying that that opportunity comes up,

530
00:27:07,000 --> 00:27:08,040
Speaker 3: but not quite.

531
00:27:08,320 --> 00:27:11,080
Speaker 2: How what was the I'm always curious, you know, you

532
00:27:11,160 --> 00:27:14,440
Speaker 2: look at the teams at schools and they go to

533
00:27:14,520 --> 00:27:16,679
Speaker 2: the class and they go to practice, they get up early.

534
00:27:17,520 --> 00:27:21,399
Speaker 2: This is probably more intense in terms of preparation. What

535
00:27:21,600 --> 00:27:23,520
Speaker 2: was the prep for this? Rachel?

536
00:27:23,760 --> 00:27:27,320
Speaker 3: Oh, the press was really intense because we actually had

537
00:27:27,359 --> 00:27:29,600
Speaker 3: our dance, our spring dance, so that we were preparing

538
00:27:29,680 --> 00:27:34,680
Speaker 3: for on April fourteenth, and so we started it like

539
00:27:34,760 --> 00:27:36,680
Speaker 3: the beginning of March, so we only had a month

540
00:27:36,680 --> 00:27:39,920
Speaker 3: and a half to get it done. And I teach

541
00:27:40,000 --> 00:27:42,679
Speaker 3: five different periods, so I just taught it to all

542
00:27:42,720 --> 00:27:46,000
Speaker 3: of my different classes and then we would meet after school.

543
00:27:46,280 --> 00:27:50,159
Speaker 3: We only met probably twice, two or three times all together.

544
00:27:50,720 --> 00:27:52,639
Speaker 3: And then we just put it all together. So it

545
00:27:52,840 --> 00:27:54,080
Speaker 3: was a lot. It was a lot.

546
00:27:54,280 --> 00:27:56,800
Speaker 1: But how did it move really to place it all together?

547
00:27:57,440 --> 00:28:00,560
Speaker 2: How did you get the budget for smoke machine light?

548
00:28:00,960 --> 00:28:01,880
Speaker 2: Where's that coming from?

549
00:28:02,960 --> 00:28:03,280
Speaker 6: You know what?

550
00:28:03,359 --> 00:28:07,439
Speaker 3: It's funny because it's actually we didn't go too crazy

551
00:28:07,520 --> 00:28:10,360
Speaker 3: with a budget. And I mean, if anything, we spent

552
00:28:10,440 --> 00:28:12,960
Speaker 3: a lot of money on the wood for the platforms

553
00:28:13,600 --> 00:28:15,560
Speaker 3: and then but we recycled some of that from our

554
00:28:15,600 --> 00:28:18,880
Speaker 3: old props that we had before, and then the smoke

555
00:28:18,920 --> 00:28:22,000
Speaker 3: machines we borrowed from our theater tech crew, and the

556
00:28:22,040 --> 00:28:28,040
Speaker 3: scaffolding we borrowed from my mom's dance studio, and then

557
00:28:28,160 --> 00:28:31,480
Speaker 3: even the camera, like the camera that was all iPhones,

558
00:28:31,520 --> 00:28:34,639
Speaker 3: and then I edited it on iMovie and everything was

559
00:28:34,680 --> 00:28:36,639
Speaker 3: pretty low budget. So it's just so funny.

560
00:28:37,000 --> 00:28:40,360
Speaker 2: Okay, to all the high schools in southern California, go

561
00:28:40,480 --> 00:28:43,920
Speaker 2: look at this at l oh As Varsity Dance on Instagram.

562
00:28:44,040 --> 00:28:45,960
Speaker 2: Have you heard from other schools around that they're going

563
00:28:46,040 --> 00:28:46,560
Speaker 2: to compete with you?

564
00:28:46,640 --> 00:28:51,360
Speaker 3: Now? I mean, we've heard of other schools that are

565
00:28:51,400 --> 00:28:54,440
Speaker 3: also doing Rihanna and I mean, which is so common

566
00:28:54,480 --> 00:28:58,520
Speaker 3: because everyone's so inspired by my Rihanna andres Global.

567
00:28:58,760 --> 00:29:00,680
Speaker 2: You know, well, we love it. The bar has been

568
00:29:00,800 --> 00:29:04,960
Speaker 2: raised sky high by Jeremany Rachel and their team there.

569
00:29:05,000 --> 00:29:06,480
Speaker 2: Thank you for coming on and it was so cool

570
00:29:06,480 --> 00:29:07,320
Speaker 2: to see the NFL.

571
00:29:11,440 --> 00:29:14,480
Speaker 3: Thank you, Thank you for having us raise.

572
00:29:14,280 --> 00:29:20,880
Speaker 2: Your glass to overachievers this morning. Cheers, bye guys, Thank you. Yeah.

573
00:29:20,960 --> 00:29:24,560
Speaker 2: Check that out on Instagram and TikTok local school there.

574
00:29:25,320 --> 00:29:28,360
Speaker 2: Tanya has a trending report. Before we get into those

575
00:29:28,480 --> 00:29:31,760
Speaker 2: Dodger tickets and then Jake Jillenhall is going to join up.

576
00:29:31,760 --> 00:29:34,120
Speaker 2: You know the thing about Jake Jillenhall, He's in this

577
00:29:34,240 --> 00:29:39,920
Speaker 2: new movie, The Covenant, and I feel like he he

578
00:29:40,400 --> 00:29:48,640
Speaker 2: only takes roles that he has to physically, mentally and

579
00:29:48,760 --> 00:29:54,480
Speaker 2: whatever's in between thrust himself into submerge, like submerge. Yeah,

580
00:29:54,720 --> 00:29:58,040
Speaker 2: It's like everything I feel like he's chosen is so

581
00:29:58,560 --> 00:30:01,360
Speaker 2: intense and rewarding to he back, because you can tell

582
00:30:02,280 --> 00:30:05,400
Speaker 2: it's like, I mean, it's physically and mental. It's not

583
00:30:05,600 --> 00:30:06,080
Speaker 2: just acting.

584
00:30:06,880 --> 00:30:09,000
Speaker 1: No, it totally is that. I don't even know who

585
00:30:09,640 --> 00:30:15,960
Speaker 1: Jake Gillenhall is that he has played in these movies, right, I.

586
00:30:16,080 --> 00:30:18,880
Speaker 2: Know, because it's it's like you walk out of a

587
00:30:19,000 --> 00:30:23,680
Speaker 2: movie and you feel like that's him. Right, we'll get

588
00:30:23,720 --> 00:30:26,800
Speaker 2: to him. He's coming, He's coming, He's coming. Jake Jillenhall

589
00:30:28,200 --> 00:30:32,360
Speaker 2: kind of a legend, kind of a legend, Academy Award winner,

590
00:30:33,680 --> 00:30:36,520
Speaker 2: a nice guy from everything I've heard him on our

591
00:30:36,560 --> 00:30:40,840
Speaker 2: show talk about. All Right, Tanya, tell me you're grinning.

592
00:30:40,920 --> 00:30:45,120
Speaker 2: Are you excited? I am excited, That's all I did.

593
00:30:45,320 --> 00:30:47,880
Speaker 2: Are you excited? So I speak to Flora? Are you excited?

594
00:30:48,840 --> 00:30:50,840
Speaker 2: My little niece? Okay, tell me training report. Let's get

595
00:30:50,880 --> 00:30:51,880
Speaker 2: He's to speak to Georgia.

596
00:30:52,200 --> 00:30:53,600
Speaker 1: Now you just speak to Flora.

597
00:30:53,440 --> 00:30:55,400
Speaker 2: That that way. I speak to Georgia and Floyd the same.

598
00:30:55,600 --> 00:30:59,360
Speaker 2: Thank you. Both are the youngsters in my life. Off

599
00:30:59,440 --> 00:31:02,440
Speaker 2: a little bit little girls, all right, let's go.

600
00:31:02,960 --> 00:31:06,560
Speaker 5: Liv Houston plays the teenage version of Van Palmer on

601
00:31:06,640 --> 00:31:10,000
Speaker 5: the popular showed Yellow Jackets. It's on showtime, and is

602
00:31:10,120 --> 00:31:14,120
Speaker 5: currently not planning to submit their performance for Emmy consideration

603
00:31:14,480 --> 00:31:18,160
Speaker 5: because they are non binaries. So Liv said, there's not

604
00:31:18,280 --> 00:31:21,080
Speaker 5: a place for me in the acting categories. It would

605
00:31:21,120 --> 00:31:24,320
Speaker 5: be inaccurate for me to submit myself as an actress.

606
00:31:24,920 --> 00:31:27,000
Speaker 5: It neither makes sense for me to be lumped in

607
00:31:27,080 --> 00:31:27,760
Speaker 5: with the boys.

608
00:31:28,240 --> 00:31:29,560
Speaker 1: And so I do get it.

609
00:31:29,800 --> 00:31:33,520
Speaker 5: Why do we have a best actor and a best actress?

610
00:31:33,760 --> 00:31:36,840
Speaker 5: Why isn't it just best actor and then double the

611
00:31:36,880 --> 00:31:39,480
Speaker 5: amount of nominees. But then I was thinking about it,

612
00:31:39,480 --> 00:31:41,720
Speaker 5: and then it would be half half of the people

613
00:31:41,760 --> 00:31:43,480
Speaker 5: would be winning, Like there would be just a winner.

614
00:31:43,600 --> 00:31:46,000
Speaker 1: You know, why don't we just create a non binary category?

615
00:31:47,120 --> 00:31:51,600
Speaker 5: So add on best category, best actress, best non binary

616
00:31:51,760 --> 00:31:55,600
Speaker 5: act Why not? That's not a bad idea.

617
00:31:55,960 --> 00:31:58,640
Speaker 2: I think this is something that all of war shows

618
00:31:58,680 --> 00:32:01,240
Speaker 2: are probably talking about, Sure, what's the best way to

619
00:32:01,320 --> 00:32:05,880
Speaker 2: move forward? Because it's a celebration of work. I mean,

620
00:32:05,920 --> 00:32:08,200
Speaker 2: no matter what format, right, no matter if it's music

621
00:32:08,320 --> 00:32:11,200
Speaker 2: or movies or TV, it's a celebration of work. And

622
00:32:12,160 --> 00:32:15,080
Speaker 2: in this case, if you don't identify with either, do

623
00:32:15,200 --> 00:32:18,680
Speaker 2: you not get celebrated for your work, or or if

624
00:32:18,720 --> 00:32:22,680
Speaker 2: you feel the way they do, you don't submit and

625
00:32:22,840 --> 00:32:26,000
Speaker 2: so therefore you don't get the celebration you would deserve.

626
00:32:26,040 --> 00:32:27,200
Speaker 2: But the work's still great.

627
00:32:27,000 --> 00:32:29,080
Speaker 1: Right right for to not submit. So it's like they

628
00:32:29,080 --> 00:32:31,240
Speaker 1: should just create a separate category for people.

629
00:32:31,360 --> 00:32:33,280
Speaker 2: So I'm just googling which awards semon is moving to

630
00:32:33,720 --> 00:32:37,880
Speaker 2: neutral acting categories. The Spirit Awards moved to gender neutral categories.

631
00:32:38,200 --> 00:32:40,080
Speaker 2: I follow in the footsteps of other award shows like

632
00:32:40,160 --> 00:32:43,840
Speaker 2: the goth Awards and MTV Movie and TV Awards. Which

633
00:32:43,920 --> 00:32:47,120
Speaker 2: did it? So? Okay? Are the Oscars? I wish you

634
00:32:47,120 --> 00:32:48,520
Speaker 2: would have told me earlier. I could have done all

635
00:32:48,560 --> 00:32:51,840
Speaker 2: this for the show. Turns out the Oscar Awards for

636
00:32:51,960 --> 00:32:55,240
Speaker 2: non acting jobs are gender neutral, and our.

637
00:32:56,240 --> 00:32:58,719
Speaker 5: Best director is just best director.

638
00:32:58,800 --> 00:32:59,680
Speaker 1: There's always been that way.

639
00:32:59,680 --> 00:33:02,920
Speaker 2: I feel, m hm, well, I think this is a

640
00:33:02,960 --> 00:33:03,480
Speaker 2: good point.

641
00:33:04,520 --> 00:33:04,640
Speaker 3: Uh.

642
00:33:05,560 --> 00:33:09,640
Speaker 2: Whoever wants to be celebrated for their work, should be

643
00:33:09,720 --> 00:33:12,480
Speaker 2: able to submit based on how they identify themselves. Right,

644
00:33:12,520 --> 00:33:15,840
Speaker 2: So I think you'll see this this conversation more.

645
00:33:15,760 --> 00:33:17,120
Speaker 5: And more continue to develop.

646
00:33:17,200 --> 00:33:20,920
Speaker 2: And yeah, and some development in it too. Speaking of

647
00:33:21,000 --> 00:33:24,600
Speaker 2: award shows, this guy has been at them all. I've

648
00:33:24,600 --> 00:33:29,200
Speaker 2: talked to him on the red carpet for several Jake Jollaha, Yah,

649
00:33:29,440 --> 00:33:32,480
Speaker 2: were you there when he won his Academy award? No,

650
00:33:32,920 --> 00:33:36,080
Speaker 2: it was. I just seem like the right thing to ask.

651
00:33:36,720 --> 00:33:38,719
Speaker 2: The show is coming out of Hollywood here, right, were

652
00:33:38,800 --> 00:33:41,160
Speaker 2: you there for it? I was there on the screen.

653
00:33:41,200 --> 00:33:43,760
Speaker 2: I watched it, watched, watched it. I'm going to bring

654
00:33:43,840 --> 00:33:47,920
Speaker 2: in Jake Jillenhall here. Hey, hey, there you are.

655
00:33:48,880 --> 00:33:49,160
Speaker 4: Sorry.

656
00:33:50,760 --> 00:33:52,560
Speaker 11: I've been like I've been like, I've been sitting here

657
00:33:52,600 --> 00:33:53,960
Speaker 11: and I'm like, how does this work?

658
00:33:56,720 --> 00:33:58,840
Speaker 2: No problem? Are you mobile?

659
00:34:00,080 --> 00:34:00,280
Speaker 3: I am.

660
00:34:00,680 --> 00:34:02,440
Speaker 11: I am sitting in a car, So let me just

661
00:34:02,520 --> 00:34:03,240
Speaker 11: turn off the air.

662
00:34:03,400 --> 00:34:06,320
Speaker 2: So you guys, are you are you actually driving yourself somewhere?

663
00:34:07,000 --> 00:34:07,200
Speaker 3: Yeah?

664
00:34:07,360 --> 00:34:08,640
Speaker 2: No, it's weird.

665
00:34:09,040 --> 00:34:11,279
Speaker 11: I'm on my way to work. I'm at work, but

666
00:34:11,320 --> 00:34:12,080
Speaker 11: I'm sitting in the car.

667
00:34:12,640 --> 00:34:16,160
Speaker 2: This is this is perfect because this is how we

668
00:34:16,280 --> 00:34:18,000
Speaker 2: like to think of people listening to the show. So, Jake,

669
00:34:18,000 --> 00:34:20,719
Speaker 2: you're playing the role of a listener right now, which

670
00:34:20,840 --> 00:34:22,719
Speaker 2: is the role you've never taken on before. I think,

671
00:34:22,800 --> 00:34:27,799
Speaker 2: Jake Jillenhall with us, it's a pleasure to be here. Hey,

672
00:34:27,880 --> 00:34:31,320
Speaker 2: thanks for coming on. We were just talking about you earlier,

673
00:34:31,960 --> 00:34:34,320
Speaker 2: and you know, with the roles that you take on.

674
00:34:34,440 --> 00:34:36,919
Speaker 2: Sysney actually said something very funny, which was, I don't

675
00:34:36,960 --> 00:34:40,080
Speaker 2: even know if I know who Jake Jillenhall is, because

676
00:34:40,120 --> 00:34:41,960
Speaker 2: every time he takes on a role, it's like so

677
00:34:42,280 --> 00:34:45,840
Speaker 2: mental and physical, you know exactly, Like that's a compliment.

678
00:34:46,040 --> 00:34:46,920
Speaker 11: That is a complement.

679
00:34:47,000 --> 00:34:47,200
Speaker 3: Thank you.

680
00:34:47,280 --> 00:34:47,680
Speaker 2: That's sweet.

681
00:34:47,719 --> 00:34:49,320
Speaker 11: I mean, I think that's the role of the actor,

682
00:34:49,400 --> 00:34:49,680
Speaker 11: isn't it.

683
00:34:49,800 --> 00:34:53,040
Speaker 2: I mean, in a way, So who are you you

684
00:34:53,080 --> 00:34:54,120
Speaker 2: would like to get to know, Jake.

685
00:34:57,080 --> 00:35:02,200
Speaker 11: I am I'm an actor and I play different roles,

686
00:35:02,600 --> 00:35:06,080
Speaker 11: but as a person, my name is Jake Gillenhoal and

687
00:35:06,840 --> 00:35:07,879
Speaker 11: I've been doing it for a while.

688
00:35:08,320 --> 00:35:09,640
Speaker 2: And do you is this true?

689
00:35:09,680 --> 00:35:09,799
Speaker 11: Then?

690
00:35:09,880 --> 00:35:12,120
Speaker 2: Do you bake sourdough bread? Is that something that Jake

691
00:35:12,160 --> 00:35:12,799
Speaker 2: Gillenhoal does.

692
00:35:13,840 --> 00:35:16,120
Speaker 11: Yes, I have been known to bake sourdough bread, which

693
00:35:16,200 --> 00:35:18,879
Speaker 11: is not a common occurrence amongst those of us who

694
00:35:19,360 --> 00:35:22,200
Speaker 11: have been through this period of time. I think sourdough

695
00:35:22,480 --> 00:35:25,720
Speaker 11: bread baking has become popular, but I have continued through.

696
00:35:25,840 --> 00:35:28,640
Speaker 2: Fermanted foods are a whole category of love for me.

697
00:35:29,680 --> 00:35:33,800
Speaker 11: Oh yes, the smell, you know, the early stages of

698
00:35:33,880 --> 00:35:36,120
Speaker 11: the smelling of a of a starter. There's nothing like it.

699
00:35:39,080 --> 00:35:42,160
Speaker 2: So Jake is here, he Scott Guy Richie's The Covenant

700
00:35:42,320 --> 00:35:46,480
Speaker 2: in theaters and thinking about this role and other roles

701
00:35:46,520 --> 00:35:47,840
Speaker 2: that we were talking about a second ago that you

702
00:35:47,920 --> 00:35:50,920
Speaker 2: take on. These are these are not things where I

703
00:35:51,160 --> 00:35:54,160
Speaker 2: would imagine you just kind of you show up and

704
00:35:54,400 --> 00:35:56,279
Speaker 2: you do your work and then you can put it down.

705
00:35:56,400 --> 00:36:00,360
Speaker 2: It seems very physically and mentally demanding for this and

706
00:36:00,480 --> 00:36:02,120
Speaker 2: a lot of the roles that you're well known for.

707
00:36:02,680 --> 00:36:05,799
Speaker 2: Before you jump into something like this, what goes through

708
00:36:05,840 --> 00:36:07,799
Speaker 2: your mind? Is there like a is there a last

709
00:36:07,880 --> 00:36:11,680
Speaker 2: weekend of reality before something like this role sets in?

710
00:36:13,120 --> 00:36:13,800
Speaker 2: You know, it's funny.

711
00:36:13,880 --> 00:36:17,320
Speaker 11: This movie was a blast to make, so you know,

712
00:36:17,520 --> 00:36:19,520
Speaker 11: I there are moments where I'm being sort of dragged

713
00:36:19,600 --> 00:36:22,719
Speaker 11: across the desert by the guy who plays my interpreter

714
00:36:23,400 --> 00:36:26,920
Speaker 11: because I get my carriage gets pretty injured. But you know,

715
00:36:27,040 --> 00:36:29,520
Speaker 11: I shot that basically just you know, sitting in a cart,

716
00:36:29,600 --> 00:36:32,400
Speaker 11: So that wasn't that difficult or laying there. But like

717
00:36:32,480 --> 00:36:37,120
Speaker 11: we know, Guy Ritchie who directed the movie, he barbecues

718
00:36:37,160 --> 00:36:40,920
Speaker 11: every day, so he has a barbecue on set, and

719
00:36:41,040 --> 00:36:44,240
Speaker 11: so basically like we and we only had sixty pages

720
00:36:44,239 --> 00:36:46,280
Speaker 11: of a script. We didn't have a full written script.

721
00:36:46,360 --> 00:36:48,480
Speaker 11: So he would write as the days went on and

722
00:36:48,560 --> 00:36:50,279
Speaker 11: we would all eat in the morning, like he'd make

723
00:36:50,320 --> 00:36:52,799
Speaker 11: coffee at the barbecue in the morning, we talk about

724
00:36:52,840 --> 00:36:54,600
Speaker 11: the scenes we're gonna do, and then he would like

725
00:36:54,880 --> 00:36:57,719
Speaker 11: cook throughout the day. So it wasn't really that tough.

726
00:36:58,200 --> 00:37:01,520
Speaker 2: So you're playing army sergeant John Kinley and there's there's

727
00:37:01,600 --> 00:37:05,560
Speaker 2: blood rolling down your forehead and you're smelling the aroma

728
00:37:05,680 --> 00:37:06,240
Speaker 2: of hickory.

729
00:37:07,400 --> 00:37:12,000
Speaker 11: I mean, yes, that's a perfectly put Yes, there is

730
00:37:12,040 --> 00:37:13,680
Speaker 11: a scene. Yes, there's a scene where I get hit

731
00:37:13,920 --> 00:37:15,680
Speaker 11: by the butt of a goud that I do bleed,

732
00:37:15,719 --> 00:37:17,439
Speaker 11: and I am bleeding in some of it. But yeah,

733
00:37:17,600 --> 00:37:20,560
Speaker 11: off screen when we finished, there was a lot of fun.

734
00:37:20,640 --> 00:37:22,719
Speaker 11: I mean, Guy Richie's you know the Guy Richie. We

735
00:37:22,880 --> 00:37:26,840
Speaker 11: know he's blast, He's hilarious and and uh and I

736
00:37:26,960 --> 00:37:29,520
Speaker 11: think that's the thing some people, and over the years

737
00:37:29,600 --> 00:37:31,319
Speaker 11: I've learned has taken me a long time to learn.

738
00:37:31,520 --> 00:37:34,640
Speaker 11: I think acting is somewhat of a ridiculous thing but

739
00:37:34,719 --> 00:37:36,759
Speaker 11: also pretty incredible at the same time. You have to

740
00:37:36,800 --> 00:37:39,680
Speaker 11: have an imagination to do it. Sometimes I've taken roles

741
00:37:39,680 --> 00:37:42,719
Speaker 11: I played very seriously and dug in really deep and

742
00:37:43,080 --> 00:37:44,880
Speaker 11: lived the life of the character and all that. But

743
00:37:44,960 --> 00:37:48,359
Speaker 11: I've discovered that the person who I am, the person

744
00:37:48,400 --> 00:37:49,799
Speaker 11: who I what I really love to do is use

745
00:37:49,840 --> 00:37:52,759
Speaker 11: my imagination. So I love doing a scene and then

746
00:37:52,840 --> 00:37:54,520
Speaker 11: being able to break from it and then have a

747
00:37:54,560 --> 00:37:57,400
Speaker 11: good time after it. I mean, there are moments that you,

748
00:37:58,280 --> 00:37:58,520
Speaker 11: you know.

749
00:37:59,680 --> 00:38:00,800
Speaker 6: Something very emotional.

750
00:38:01,320 --> 00:38:06,040
Speaker 2: Yeah, but generally yes, it should be fun. But tell

751
00:38:06,120 --> 00:38:10,080
Speaker 2: us about this guy, because he's carrying a serious burden.

752
00:38:11,120 --> 00:38:14,719
Speaker 11: Yeah, yeah, I play. His name is John Kinley. He's

753
00:38:14,719 --> 00:38:20,360
Speaker 11: a special Operations sergeant and his group is soldiers is

754
00:38:20,400 --> 00:38:24,560
Speaker 11: tasked with finding munitions in Afghanistan, and they struggle to

755
00:38:24,680 --> 00:38:27,200
Speaker 11: doing that, and early on in the movie, they lose

756
00:38:27,239 --> 00:38:29,640
Speaker 11: their interpreter and he's assigned a new one, one he

757
00:38:29,680 --> 00:38:32,799
Speaker 11: doesn't really like very much, and then they get into

758
00:38:32,880 --> 00:38:34,520
Speaker 11: some trouble and then the two of them are left

759
00:38:34,520 --> 00:38:37,239
Speaker 11: together and they have to sort of survive, and the

760
00:38:37,880 --> 00:38:41,080
Speaker 11: interpreter ends up saving his life and in short, basically,

761
00:38:41,120 --> 00:38:44,400
Speaker 11: after a very long journey of getting him John My

762
00:38:44,560 --> 00:38:48,560
Speaker 11: character back to the States, he realizes his interpreter is

763
00:38:48,640 --> 00:38:51,600
Speaker 11: still there, and so he goes back because of the

764
00:38:51,680 --> 00:38:55,320
Speaker 11: burden that he feels for having his life saved and

765
00:38:55,440 --> 00:38:57,560
Speaker 11: not being not feeling like he can really live his

766
00:38:57,640 --> 00:38:58,759
Speaker 11: own life if he doesn't.

767
00:38:58,480 --> 00:39:00,560
Speaker 2: Save the other person who saved him life. So he

768
00:39:00,680 --> 00:39:02,600
Speaker 2: goes back and he he goes.

769
00:39:02,440 --> 00:39:05,400
Speaker 11: Through the journey of saving Bahmed, his interpreter, and his

770
00:39:05,520 --> 00:39:08,000
Speaker 11: family to bring them back to the to America and

771
00:39:08,080 --> 00:39:10,640
Speaker 11: fulfill the promise of getting him the visa that all

772
00:39:10,719 --> 00:39:12,080
Speaker 11: the interpreters.

773
00:39:11,600 --> 00:39:15,480
Speaker 2: Were promised, right and then promise, you know, not fulfilled.

774
00:39:15,480 --> 00:39:17,120
Speaker 2: And it got me to thinking about you look at

775
00:39:17,160 --> 00:39:22,040
Speaker 2: the news and I'm watching these drones getting citizens out

776
00:39:22,080 --> 00:39:25,759
Speaker 2: of Sudan in convoys, and you just are wondering what's

777
00:39:25,880 --> 00:39:28,799
Speaker 2: really going on or what promises are made that are

778
00:39:28,920 --> 00:39:29,680
Speaker 2: not fulfilled.

779
00:39:30,000 --> 00:39:31,839
Speaker 11: Yeah, we have an ethos. I think of no one

780
00:39:31,920 --> 00:39:34,239
Speaker 11: left behind, you know, that is our ethos. And I

781
00:39:34,320 --> 00:39:37,400
Speaker 11: think you know the relationship between interpreters all over the

782
00:39:37,440 --> 00:39:39,520
Speaker 11: world and the soldiers who you know, my one of

783
00:39:39,560 --> 00:39:42,200
Speaker 11: my favorite lines in the movie is I say, uh,

784
00:39:42,719 --> 00:39:44,799
Speaker 11: so you're going to tell me? I say to him,

785
00:39:44,880 --> 00:39:47,000
Speaker 11: like he helps me with some things, that you're going

786
00:39:47,080 --> 00:39:48,359
Speaker 11: to tell me how to speak English? And I said,

787
00:39:48,400 --> 00:39:50,160
Speaker 11: what are you here? You're here to translate? And he says,

788
00:39:50,200 --> 00:39:53,200
Speaker 11: I'm not here to translate, I'm here to interpret. And

789
00:39:53,320 --> 00:39:56,719
Speaker 11: I think it's it's about interpreting behavior, cultural behavior and

790
00:39:56,800 --> 00:39:59,360
Speaker 11: helping and saving lives. You know, my good friend is

791
00:39:59,440 --> 00:40:02,040
Speaker 11: a marine, he thought in Fallujah, and his interpreter, he says,

792
00:40:02,080 --> 00:40:06,239
Speaker 11: he owes his life to. He's since brought his interpreter's

793
00:40:06,320 --> 00:40:09,480
Speaker 11: daughters to the States and they now work for New

794
00:40:09,560 --> 00:40:12,480
Speaker 11: York City. And you know, I think there's this exchange

795
00:40:12,520 --> 00:40:16,600
Speaker 11: between cultures. We all share a common humanity, you know,

796
00:40:17,080 --> 00:40:20,360
Speaker 11: And I think it's it's hard to see that, but

797
00:40:20,640 --> 00:40:22,720
Speaker 11: it is true. And that's what this movie is about,

798
00:40:22,880 --> 00:40:27,080
Speaker 11: is the shared humanity two men from two completely different places,

799
00:40:27,719 --> 00:40:29,839
Speaker 11: and the ethos that we have as a country, which

800
00:40:29,920 --> 00:40:31,000
Speaker 11: is no one left behind.

801
00:40:31,719 --> 00:40:34,520
Speaker 2: Guy Richie's The Covenant in theaters. Now go see it, right,

802
00:40:34,600 --> 00:40:36,000
Speaker 2: go go see it on the vig screen.

803
00:40:36,840 --> 00:40:39,160
Speaker 11: It's also really entertaining. I mean, it is like an

804
00:40:39,200 --> 00:40:42,319
Speaker 11: action movie, so I mean a lot. Yeah, I mean

805
00:40:42,560 --> 00:40:44,600
Speaker 11: we like to call it an action parable because it's

806
00:40:44,640 --> 00:40:47,279
Speaker 11: not like this like heavy. It's pretty, it's emotional because

807
00:40:47,280 --> 00:40:49,680
Speaker 11: I think it leaves you feeling like the goodness in

808
00:40:49,760 --> 00:40:50,279
Speaker 11: your own heart.

809
00:40:50,360 --> 00:40:50,520
Speaker 8: You know.

810
00:40:50,920 --> 00:40:55,040
Speaker 11: I believe like as Americans, you know, we are. We're

811
00:40:55,120 --> 00:40:57,520
Speaker 11: country made of heroes, you know, we really are, and

812
00:40:58,200 --> 00:41:01,000
Speaker 11: and I think that is oftentimes luckt in heroes, but

813
00:41:01,239 --> 00:41:03,960
Speaker 11: heroes nonetheless, you know. And it's a movie that reminds

814
00:41:04,000 --> 00:41:06,400
Speaker 11: you of the good that America can do and can be.

815
00:41:06,640 --> 00:41:09,040
Speaker 11: And that's inspiring. And at the same time, you know,

816
00:41:09,239 --> 00:41:10,760
Speaker 11: you'll pay for your seat, but you'll only.

817
00:41:10,640 --> 00:41:10,920
Speaker 6: Need be.

818
00:41:13,400 --> 00:41:13,520
Speaker 3: Well.

819
00:41:13,560 --> 00:41:14,960
Speaker 2: Thanks for calling, man, I know you said you're on

820
00:41:15,000 --> 00:41:16,879
Speaker 2: your way to work. Are you doing another film?

821
00:41:16,960 --> 00:41:17,080
Speaker 3: Now?

822
00:41:18,000 --> 00:41:20,560
Speaker 11: I'm doing a show. I'm doing this Apple series, uh

823
00:41:21,400 --> 00:41:24,719
Speaker 11: called Presumed Innocent, which is an incredible cast and incredible

824
00:41:24,719 --> 00:41:27,160
Speaker 11: group of people. So yeah, we're doing that right now.

825
00:41:27,280 --> 00:41:29,840
Speaker 11: So I turned off my the I turned off the

826
00:41:29,840 --> 00:41:30,600
Speaker 11: air in my car.

827
00:41:30,520 --> 00:41:36,440
Speaker 2: So yes, great, Yeah you're listening now. Thanks for calling, buddy,

828
00:41:36,480 --> 00:41:37,960
Speaker 2: have a great day at work. Take care, Thank you.

829
00:41:38,040 --> 00:41:39,560
Speaker 11: Guys, Thank you, thank you.

830
00:41:40,400 --> 00:41:43,439
Speaker 2: Bye. A nice guy.

831
00:41:44,120 --> 00:41:45,480
Speaker 1: Now I feel like I know him.

832
00:41:45,760 --> 00:41:47,719
Speaker 2: I'm in love with him, I know, you know what

833
00:41:47,760 --> 00:41:50,880
Speaker 2: I mean, Like that's a that kind of yeah right,

834
00:41:51,640 --> 00:41:54,040
Speaker 2: so down to earth, so down to earth.

835
00:41:54,160 --> 00:41:55,880
Speaker 5: He also just seems like happy, go lucky.

836
00:41:56,320 --> 00:41:57,280
Speaker 1: Yeah, you know those.

837
00:41:57,120 --> 00:41:59,600
Speaker 2: People just like I like hearing how he's like, yeah,

838
00:41:59,600 --> 00:42:01,319
Speaker 2: I can do serious thing, but then I can turn

839
00:42:01,360 --> 00:42:02,960
Speaker 2: it off and how you're going to be a go

840
00:42:03,400 --> 00:42:05,719
Speaker 2: because that I don't know. We well, first of all,

841
00:42:05,719 --> 00:42:07,479
Speaker 2: we can do any of that, but like, if something

842
00:42:07,560 --> 00:42:09,960
Speaker 2: happens emotionally, I can't just like flip the switch off,

843
00:42:10,600 --> 00:42:13,200
Speaker 2: even if it's us talking about Ryan Roses, I'm like

844
00:42:13,400 --> 00:42:18,000
Speaker 2: beat for two hours, all right, So I gotta see

845
00:42:18,040 --> 00:42:20,319
Speaker 2: that at the theater right now. Of course you're talking

846
00:42:20,320 --> 00:42:22,360
Speaker 2: about baking salurdough bread. It's all I'm thinking about. What

847
00:42:22,400 --> 00:42:23,960
Speaker 2: are you gonna put on it? I'm gonna put honey

848
00:42:24,080 --> 00:42:26,719
Speaker 2: on it. That's what I'm gonna put on it, freshne money. Yeah,

849
00:42:26,960 --> 00:42:30,560
Speaker 2: that's it. Well I could no, that's it right now,

850
00:42:30,680 --> 00:42:32,000
Speaker 2: So I'm gonna put on it, Okay,