WEBVTT - Spice World with Amanda Meadows

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<v Speaker 1>On the bel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? The patriarchy and best

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<v Speaker 1>start changing it with the Beckdel Cast. Hello and welcome

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<v Speaker 1>to the Bechtel Cast. I'm Caitlin, I'm Jamie, and we're

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<v Speaker 1>here to talk about movies, specifically what women. Yeah, the

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<v Speaker 1>portrayal of women. The portrayal of women. What are they like?

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<v Speaker 1>What are they like? Do they get? Oh? Here's the test.

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<v Speaker 1>Are there two women in the movie who are speaking

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<v Speaker 1>to each other about something other than a man? Do

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<v Speaker 1>they have names? We want to know Ideally they do?

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<v Speaker 1>Ideally yes, And that, my friends, is the Bechtel Test

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<v Speaker 1>created Bye Joey Bechtel, Bobby Bechtel, the second Mr Bobby Beckdel. Yeah,

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<v Speaker 1>so that's what this podcast is about. And we're going

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<v Speaker 1>to talk about a movie as we do every single time.

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<v Speaker 1>We're so excited for this episode. Yeah, I'm pretty excited. Um,

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<v Speaker 1>let's just jump right in and introduce our guests. She

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<v Speaker 1>is the best. She's so funny. She is a best

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<v Speaker 1>selling author and she co runs Devastating or Press on

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<v Speaker 1>a Los Angeles it man meadows. Oh my god, that

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<v Speaker 1>was a great intro. No information about me, but like,

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<v Speaker 1>I know I've been to your home. You know what.

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<v Speaker 1>That's right, You've a lovely home. By the way, Well,

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<v Speaker 1>thank you, Amanda. Fun fact about Amanda, She's got a

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<v Speaker 1>Charlie Brown poster in her bathroom. Yes, and it's from

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<v Speaker 1>the movie everyone forgets about. I'd never heard of it.

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<v Speaker 1>I had to look it up. After Charlie Brown. They

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<v Speaker 1>go to France, they stay in the countryside, there's great stuff.

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<v Speaker 1>A house is on fire. Whose idea plane? It's great?

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<v Speaker 1>Is the French Tourism board responsible for the absolutely let's

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<v Speaker 1>bring beloved American characters, you know, just to rants, just

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<v Speaker 1>to like make it an appealing to to the younger set.

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<v Speaker 1>My dad has a weird amount of spite for France. Really,

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<v Speaker 1>he calls everything that he thinks rich people do French.

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<v Speaker 1>One time he called me and he was like where

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<v Speaker 1>are you And I was like, I'm in a Starbucks

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<v Speaker 1>and he was like, what are you French? Wait? Was

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<v Speaker 1>he one of those people who like, like, instead of

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<v Speaker 1>calling them French fries, he'd call them freedom fries. No.

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<v Speaker 1>I think he just like decided that French was a

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<v Speaker 1>synonym for bougie, which does, which does? Which makes sense

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<v Speaker 1>if you view French people as like bread carrying cartoon characters. Right.

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<v Speaker 1>I had an idea for a sketch that I wanted

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<v Speaker 1>to perform once where it would just be like a

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<v Speaker 1>quick blackout sketch, but it would be Jack from Titanic

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<v Speaker 1>and Rose or some woman. And the woman would say, Jack,

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<v Speaker 1>I want you to draw me like one of your

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<v Speaker 1>French girls. And she takes off a robe and it's

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<v Speaker 1>just like her, with like a beret and like a

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<v Speaker 1>striped shirt, with like a little red hand, like smoking

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<v Speaker 1>a cigarette and holding a bag a t great, I

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<v Speaker 1>love it, I'm in give me. Can it also be

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<v Speaker 1>the caffee Baits character? Oh yeah, Molly sinkable Molly Branch, Yes,

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<v Speaker 1>like so very unsinkable. Hey, what movie we're talking about today?

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<v Speaker 1>I don't know. I said that we're talking about We

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<v Speaker 1>just talk about Titanic. Ackat, No, we're not talking man.

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<v Speaker 1>Well if I know that, that's what we always want

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<v Speaker 1>to do. Okay, this is the same eraboh true, same

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<v Speaker 1>year because the movie we're talking about is Spice World.

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<v Speaker 1>That's a yas queen. Yeah, this is kind of a

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<v Speaker 1>yas Queen kind of movie. It's super is excuse my shouting.

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<v Speaker 1>I have a Mike's Hard lemonade. It's a harder. I

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<v Speaker 1>has a lightning bowl over the r we. Yeah, it's

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<v Speaker 1>wild serious. If you want to get crazy, you're gonna

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<v Speaker 1>want to funk with this lemonade. Does that mean it's

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<v Speaker 1>a higher alcohol content than a regular mix hard? Yeah,

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<v Speaker 1>it's it's actually kind of ridiculous. Yeah. It says warning

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<v Speaker 1>next to it too, it says warning contains alcohol. Yeah,

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<v Speaker 1>I'm not ready. Just in case I'm not ready, because

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<v Speaker 1>it looks like a kind of like juice, which is

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<v Speaker 1>essentially where it is just like riddled with alcohol. Also,

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<v Speaker 1>when you smell it, it's it smells like the love

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<v Speaker 1>Spell body spray from Victorious. Remember this candy sticky sweet? Yeah,

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<v Speaker 1>it's like it's it's I wouldn't say it's good, but

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<v Speaker 1>I would say that I have it a lot, that

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<v Speaker 1>it is peak drinkable, consumable. Love it. Yeah, and all

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<v Speaker 1>the bliss points. Give some snack food lingo, some inside

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<v Speaker 1>snack food business lingo. Do you know someone in the biz?

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<v Speaker 1>I just read an except an excerpt from that book

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<v Speaker 1>about bliss points, about like, how like Freedola like designs

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<v Speaker 1>tastes to be like peak salt, peak sugar. That sounds

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<v Speaker 1>really good. Yeah, I bet the Mike's Harder people develop

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<v Speaker 1>their product using sheer intuition. They're like, we know, like,

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<v Speaker 1>but how does it feel? How does a Mike's Hard

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<v Speaker 1>lemonade of twelve year olds? Yeah? I have this kid's

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<v Speaker 1>how does it feel? I want to be a part

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<v Speaker 1>of them's hard focus group? Like what would it be? Like?

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<v Speaker 1>There's there's a bad sketch that I could write Mike's

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<v Speaker 1>Hard focus group. It's a little bit harder than your

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<v Speaker 1>regular bug. I'd buy it. I'll pay you a bunch

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<v Speaker 1>of money. Do you want to buy my sketch? Let's

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<v Speaker 1>do it. Let's go back in time, spitch it to

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<v Speaker 1>funnier name in two thousand nine. Yeah, I'd be like,

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<v Speaker 1>give me a give me a be selep any b

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<v Speaker 1>selep be in my sketch? That is bad? Whoa sick? Ross? Jamie?

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<v Speaker 1>So we're talking about spice World and said that, well,

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<v Speaker 1>yeah we did, but that we immediately got off topic.

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<v Speaker 1>And I prepared for such an eventuality. I brought us

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<v Speaker 1>all physical totems to remind us that we're talking about

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<v Speaker 1>Spice World. Yeah, so I actually really really no. Lie

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<v Speaker 1>bought these two two and a half years ago at

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<v Speaker 1>a ninine cent story. I have these three inch mini

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<v Speaker 1>figurines of four of the Spice Girls. Let's see. We've

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<v Speaker 1>got baby here, we got sporty, We've got your posh

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<v Speaker 1>she's in some kind of bikini, doesn't look that posh?

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<v Speaker 1>And scary Spice who's in some kind of cow themed

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<v Speaker 1>get ups. Animal prints. Yeah, she loves her animal prints.

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<v Speaker 1>That's what makes her scary, not that she's black. How

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<v Speaker 1>do we feel one? I mean, are we addressing was

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<v Speaker 1>problematic in this movie? Or was problematic about the Spice

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<v Speaker 1>Girls as an entity? I think it's an entity because,

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<v Speaker 1>like the movie is actually not that offensive, it's just

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<v Speaker 1>kind of bad. Yeah, so tell us about, like, when

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<v Speaker 1>when did you first see this? What's your history with

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<v Speaker 1>this movie? Let's see, so I like, I immediately love

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<v Speaker 1>the Spice Girls. I was the right age. I think

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<v Speaker 1>I was like in fifth grade when I Wannabe came

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<v Speaker 1>out and yeah, it was just like me and the

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<v Speaker 1>girls at school just figuring out which Spice Girl we're

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<v Speaker 1>going to be. It was pretty obvious for me, but

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<v Speaker 1>I got to sit and watch everyone else argue about

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<v Speaker 1>whether they were baby or posh, so that was fun. Um,

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<v Speaker 1>and I loved the first album. Um. I never got

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<v Speaker 1>to see them live, but I did see Spice World

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<v Speaker 1>in theaters and I hadn't seen it since uh last night,

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<v Speaker 1>and today I watched a bunch of clips in random order,

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<v Speaker 1>which is kind of like watching them anyway. Yeah, it

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<v Speaker 1>was probably closer to real order than I think. But yeah,

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<v Speaker 1>it's just a crazy, mad cap like Monkey's style adventure

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<v Speaker 1>and and uh, you know, it did seem kind of

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<v Speaker 1>feminist when I was a kid. Now it's like it

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<v Speaker 1>almost feels like it was before it's time, because it

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<v Speaker 1>was like kind of ironically feminist. Um, I feel like

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<v Speaker 1>they weren't trying, but it somehow ended up still. It

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<v Speaker 1>was like weird corporate feminist. It's a very like neoliberal capitalist. Yeah,

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<v Speaker 1>girl power, they say, wonder if they were getting money

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<v Speaker 1>for so much like girl power because this is something

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<v Speaker 1>we can put on an eardescent sticker. The little girls

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<v Speaker 1>will die. So many shirts that girl power. When I

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<v Speaker 1>was little and they were all pink. Yeah yeah, like

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<v Speaker 1>I I there was the little like crop top with

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<v Speaker 1>the with the shoulder like the caps leave that said

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<v Speaker 1>boys lie and there's like an eardescent print. Like there

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<v Speaker 1>was this girl who wore it like every other day

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<v Speaker 1>at school. It was like its like a spice girl.

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<v Speaker 1>Let's stop like graphic t stories. I had my fifth

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<v Speaker 1>grade school picture. Um um, I have braces. And I

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<v Speaker 1>used to love getting corn rows, which is like weird.

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<v Speaker 1>And I used to love getting corn rows. That was, yeah,

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<v Speaker 1>what you do the butterfly clips? I did the butterfly clips,

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<v Speaker 1>and in this particular is a specific genre of corn row, right,

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<v Speaker 1>I mean it was. It still looked a little bit off,

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<v Speaker 1>but I was wearing a yeah it was. It was.

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<v Speaker 1>It was very poor neighborhood and Massa jees, we all

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<v Speaker 1>had corn rows. It was a different time. Anyways, I'm

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<v Speaker 1>wearing a T shirt that says too young for Ashton's.

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<v Speaker 1>Oh I remember those shirts. Yeah, you get him a

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<v Speaker 1>Macy's and my aunt got it for me. I didn't

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<v Speaker 1>need to too young for Ashton isn't like yeah, because

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<v Speaker 1>he was on show. He was on first name basis,

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<v Speaker 1>like fame in the early ots like do Where's My Car? Show? Yeah,

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<v Speaker 1>I remember that I was a little too old from

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<v Speaker 1>at that point, and it said too young for Ashton,

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<v Speaker 1>as if to say, but I recognize I'm too young. Yeah.

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<v Speaker 1>It was actually a very progressive shirt or a warning

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<v Speaker 1>to Ashton, say he's like, hey, what a cute little

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<v Speaker 1>Oh no, she's too young baby, like knee socks lead

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<v Speaker 1>my shirt and too young for you? Too young for you,

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<v Speaker 1>but I think you're very handsome. Oh my god. Should

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<v Speaker 1>I'll do the recap of this. I don't know, let's

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<v Speaker 1>do it. I mean, how do you even recap a

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<v Speaker 1>movie without a plot? I don't series of I'm winded.

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<v Speaker 1>It's not even sketches skits. Yeah, it's not sophisticated enough

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<v Speaker 1>to have a sketching sketch. It is ski decidedly skin room.

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<v Speaker 1>The story focuses on the Spice girls. They all play themselves.

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<v Speaker 1>They're already like famous in the movie. They have like

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<v Speaker 1>I guess a manager named Clifford. I'm not entirely sure

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<v Speaker 1>what his job is. And then he has like a

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<v Speaker 1>another person who helps named Debrah. They're kind of like

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<v Speaker 1>keeping the girls on track because they're about to do

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<v Speaker 1>a live show in a few days or some amount

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<v Speaker 1>of time minutes. The concept of time. It's very Meanwhile,

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<v Speaker 1>there is this guy who runs a tabloid magazine and

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<v Speaker 1>he's like, I hate these Spice Girls. People like him

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<v Speaker 1>too much. I want different headlines. So he hires this

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<v Speaker 1>like he's so sweaty and everything. He's like, I made

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<v Speaker 1>them again a stroidem and he just covered in flop sweat.

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<v Speaker 1>It's like, what is he so stranged? He's it's like

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<v Speaker 1>almost like a j Jonah Jamison, like all I think

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<v Speaker 1>about his Spider Man where he's like, oh, I think

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<v Speaker 1>about is as Spice Girls. He's like a strung out

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<v Speaker 1>just like with way lower steaks. So yeah, he hires

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<v Speaker 1>a guy like a photographer to like kind of go

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<v Speaker 1>undercover and like try to dig up some dirt on

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<v Speaker 1>the Spice Girl so that he can start running different headlines.

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<v Speaker 1>He got the he got the foggy toe sucking picture. Meanwhile,

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<v Speaker 1>there are these two other like Hollywood guys who want

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<v Speaker 1>to make a movie about the Spice Girls, so they

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<v Speaker 1>like keep pitching stories to Clifford. So those are like

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<v Speaker 1>some of the subplots. I guess. The main plot is

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<v Speaker 1>just the Spice Girls preparing for this concert, Like they

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<v Speaker 1>go to dance camp or something like and they have

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<v Speaker 1>a friend named Nicola. They have a pregnant and they're

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<v Speaker 1>like trying to support her and her pregnancy, and it's

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<v Speaker 1>just about them having a friendship and being in a

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<v Speaker 1>girl band together. It's such a confusing movie, Like every

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<v Speaker 1>part of it, I'm like, do they hate mothers? Do

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<v Speaker 1>they like mothers? Do they? Because they they're like, we're

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<v Speaker 1>so happy for you, and then right, and then they're

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<v Speaker 1>like if we were mothers, we'd be fat and boring.

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<v Speaker 1>And then you see that long, admittedly great skit about babies,

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<v Speaker 1>like how many babies do I have? Again? Right, this

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<v Speaker 1>movie is there's like all these like dream sequence slash

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<v Speaker 1>weird flash forward type things sprinkled throughout, and then at

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<v Speaker 1>the end it's revealed it's been a movie the whole time.

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<v Speaker 1>This movie is so met Yeah, it's crazy. It has

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<v Speaker 1>a thinker thinker. There's like this it's a mad, mad,

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<v Speaker 1>mad mad world feeling where there's like all of these

0:14:07.040 --> 0:14:09.800
<v Speaker 1>different camps and people going after the Spice girls, but

0:14:09.800 --> 0:14:12.360
<v Speaker 1>they don't give you enough time to understand what they're like.

0:14:12.440 --> 0:14:16.160
<v Speaker 1>Angles aren't necessarily There's also the two screenwriters who are

0:14:16.200 --> 0:14:20.480
<v Speaker 1>like trying to like pitch a movie and then there's

0:14:20.520 --> 0:14:23.640
<v Speaker 1>like Alan Cummings in it forgot about Oh my god,

0:14:23.800 --> 0:14:29.280
<v Speaker 1>and I forget Yeah, he's trying to make a documentary

0:14:29.280 --> 0:14:31.480
<v Speaker 1>about them. First of all, let me say, why are

0:14:31.520 --> 0:14:36.240
<v Speaker 1>so many antagonists? But none of them are even like

0:14:36.280 --> 0:14:40.960
<v Speaker 1>all that bad. They're just like comically, Yeah, they do

0:14:41.040 --> 0:14:43.920
<v Speaker 1>the concert. Everyone loves them. First of all, let me say,

0:14:44.880 --> 0:14:47.280
<v Speaker 1>I would totally have sex with Alan Cumming. Oh my god,

0:14:48.000 --> 0:14:51.280
<v Speaker 1>he's such as a hard note for me. Yeah, I'm

0:14:51.320 --> 0:14:53.920
<v Speaker 1>super surprised we do not have the same taste in men.

0:14:54.200 --> 0:14:57.000
<v Speaker 1>We That's like the best part of like a solid

0:14:57.040 --> 0:14:59.200
<v Speaker 1>friendship is like there's never going to be a clash.

0:15:00.000 --> 0:15:02.200
<v Speaker 1>I'm going to take Alfred Molina every time. You're gonna

0:15:02.240 --> 0:15:06.680
<v Speaker 1>take Alan Comming every time. Well, I'll go home happy, Okay,

0:15:06.760 --> 0:15:12.440
<v Speaker 1>I'll still take Alfred. Mollie and I had. Paul likes

0:15:12.520 --> 0:15:15.440
<v Speaker 1>like my high end, like queer. He knows a lot.

0:15:15.880 --> 0:15:19.120
<v Speaker 1>I can learn a few things. I don't like to

0:15:19.120 --> 0:15:23.280
<v Speaker 1>be taught. I'm like, I'm going to show you how

0:15:23.280 --> 0:15:31.800
<v Speaker 1>it's done. I'm Blench devereauh she was, that's our Jamie.

0:15:32.360 --> 0:15:34.520
<v Speaker 1>I'm a real blanch. I wish I was a real blanch.

0:15:34.600 --> 0:15:37.560
<v Speaker 1>I'm more of a Dorothy. I think, yeah, me too,

0:15:37.720 --> 0:15:40.440
<v Speaker 1>but I want to be a Sophia. She's so funny.

0:15:40.560 --> 0:15:42.480
<v Speaker 1>I'm not familiar enough with the show, so I'm just

0:15:42.520 --> 0:15:45.400
<v Speaker 1>gonna call my home. I'm like, really a Raphael from

0:15:45.400 --> 0:15:49.560
<v Speaker 1>the Ninja Turtle. There was crude dude with an attitude.

0:15:50.640 --> 0:15:54.840
<v Speaker 1>There's actually a Spice Girls Ninja Turtles connection. I read

0:15:55.120 --> 0:16:00.320
<v Speaker 1>the because I vaguely remembered that Roger Ebert particularly really

0:16:00.320 --> 0:16:04.600
<v Speaker 1>really really hated this movie and like wrote a really

0:16:04.640 --> 0:16:08.160
<v Speaker 1>fun bad review of it where he says, the Spice

0:16:08.160 --> 0:16:11.640
<v Speaker 1>Girls are in paraphrasing, but like they're as easy to

0:16:11.760 --> 0:16:16.680
<v Speaker 1>distinguish as the Ninja Turtles, but it doesn't matter because

0:16:17.120 --> 0:16:20.960
<v Speaker 1>none of them have any personality. Like they look very different,

0:16:21.840 --> 0:16:25.400
<v Speaker 1>but they're all the same person It was like interesting

0:16:25.600 --> 0:16:30.480
<v Speaker 1>parallel Saker would disagree. I would too, but I just

0:16:30.520 --> 0:16:34.600
<v Speaker 1>thought it was interesting that he felt so like really

0:16:34.880 --> 0:16:39.040
<v Speaker 1>revisited this movie a number of times in specials in books,

0:16:39.080 --> 0:16:42.240
<v Speaker 1>like he for someone who disliked this movie, he really

0:16:42.520 --> 0:16:45.120
<v Speaker 1>put some hours into really thinking about it, because it's

0:16:45.160 --> 0:16:48.400
<v Speaker 1>a really interesting failure. Like there's a lot to dissects.

0:16:48.480 --> 0:16:51.320
<v Speaker 1>It's like a time capsule. It's like what other point

0:16:51.360 --> 0:16:57.360
<v Speaker 1>in time would this be allowed, right, Yeah, just pretty much.

0:16:57.680 --> 0:17:01.840
<v Speaker 1>I remember this exact day. This movie is super popular

0:17:01.880 --> 0:17:03.760
<v Speaker 1>when it came out, but it like not that it

0:17:03.800 --> 0:17:07.119
<v Speaker 1>hasn't aged well because I just watched it and I

0:17:07.240 --> 0:17:10.440
<v Speaker 1>enjoyed it, not because it's a good movie. Mostly it's

0:17:10.520 --> 0:17:13.240
<v Speaker 1>just it has great jokes. This is a very funny movie.

0:17:13.280 --> 0:17:15.840
<v Speaker 1>I totally forgot. There are a lot of funny moments.

0:17:16.600 --> 0:17:18.760
<v Speaker 1>I was telling Jamie before we started recording that, like,

0:17:18.880 --> 0:17:21.120
<v Speaker 1>I probably saw this movie for the first time. I

0:17:21.240 --> 0:17:23.320
<v Speaker 1>might have been around when it came out, if not,

0:17:23.359 --> 0:17:27.520
<v Speaker 1>maybe a few years later, but I was still you know, young, uh,

0:17:27.560 --> 0:17:30.520
<v Speaker 1>you know, early teenager kind of thing, and I totally

0:17:30.560 --> 0:17:33.000
<v Speaker 1>dismissed it as a movie that, like I probably have

0:17:33.119 --> 0:17:34.800
<v Speaker 1>paid attention to it. I was like, oh, I don't

0:17:34.800 --> 0:17:37.399
<v Speaker 1>want I don't I don't really care about the Spice Girls.

0:17:37.440 --> 0:17:43.000
<v Speaker 1>I was more into Backstreet Boys. I was your favor.

0:17:43.560 --> 0:17:46.200
<v Speaker 1>Brian me too. He had a hard condition, which would

0:17:46.200 --> 0:17:49.040
<v Speaker 1>be Brian he did. He was the hot one. No,

0:17:49.200 --> 0:17:51.720
<v Speaker 1>Nick Carter was a hot one, but Brian was the

0:17:51.720 --> 0:17:55.000
<v Speaker 1>one who brought a certain something to the table. Brian

0:17:55.040 --> 0:17:57.560
<v Speaker 1>had a really nice jaw line, and that was what

0:17:57.640 --> 0:17:59.879
<v Speaker 1>I liked about he was Kevin's cousin. Kee was the

0:18:00.000 --> 0:18:02.679
<v Speaker 1>old one that was the more square faced dude with

0:18:02.720 --> 0:18:05.719
<v Speaker 1>like the ash brown hair. Right, it's like always just

0:18:05.760 --> 0:18:09.600
<v Speaker 1>like a regular dude with the spiky hair. Yeah. And

0:18:09.600 --> 0:18:11.680
<v Speaker 1>then I remember my mom had a big crush on Kevin,

0:18:11.760 --> 0:18:13.639
<v Speaker 1>even the time that he wore the kilt. I know,

0:18:13.760 --> 0:18:19.120
<v Speaker 1>Keny was killed. And then Howie was the worst of all.

0:18:19.359 --> 0:18:23.760
<v Speaker 1>He's saying that song Spanish Eyes. How he super gross.

0:18:23.840 --> 0:18:28.600
<v Speaker 1>But a j Vanity came god and he was troubled.

0:18:28.720 --> 0:18:32.520
<v Speaker 1>He went to rehab, but he was like, oh about it.

0:18:33.000 --> 0:18:36.480
<v Speaker 1>I saw I've told Caitlin this story before. I'm pretty sure,

0:18:36.520 --> 0:18:39.320
<v Speaker 1>but I saw my first back story my first and

0:18:39.400 --> 0:18:45.119
<v Speaker 1>last back Street Boys concert the night before nine eleven. Alright,

0:18:45.119 --> 0:18:49.080
<v Speaker 1>and your mom September ten was part of a simpler

0:18:49.119 --> 0:18:52.440
<v Speaker 1>time because she wanted to see who wasn't Cisco Cisco

0:18:52.760 --> 0:18:56.600
<v Speaker 1>Cisco opened Wow. She I missed part of the concert

0:18:56.640 --> 0:19:00.240
<v Speaker 1>because she wanted to get in line and meet Cisco.

0:19:00.920 --> 0:19:03.600
<v Speaker 1>She thought he was a babe. And then and then

0:19:04.000 --> 0:19:06.600
<v Speaker 1>Nick and I had a sign that was like I

0:19:06.640 --> 0:19:10.679
<v Speaker 1>love you Brian anyway. Anyway, So yeah, I saw this

0:19:11.680 --> 0:19:14.399
<v Speaker 1>and not long after I came out, and then I

0:19:14.440 --> 0:19:16.560
<v Speaker 1>like dismissed it as something. I was like, why would

0:19:16.560 --> 0:19:18.640
<v Speaker 1>I want to watch this this this is a dumb

0:19:18.680 --> 0:19:22.400
<v Speaker 1>girl movie. I want to watch Indiana Jones instead, and like, yeah,

0:19:22.400 --> 0:19:25.280
<v Speaker 1>I went through cool girls syndrome too. Yeah, I mean,

0:19:25.320 --> 0:19:30.879
<v Speaker 1>I'm still there. But then but so I rewatched it

0:19:30.920 --> 0:19:33.240
<v Speaker 1>for this episode and then I was like, holy crap.

0:19:34.720 --> 0:19:37.280
<v Speaker 1>It was kind of like how I experienced clueless. Like

0:19:37.320 --> 0:19:39.399
<v Speaker 1>the first time, I was like, you know, it's just

0:19:39.600 --> 0:19:42.680
<v Speaker 1>it's just dumb Beverly Hills girls. And then and then

0:19:42.720 --> 0:19:44.880
<v Speaker 1>I forgot that it was like riddled with jokes. There's

0:19:44.920 --> 0:19:48.480
<v Speaker 1>so much comedy in it and clothes and in Spice World.

0:19:48.960 --> 0:19:52.040
<v Speaker 1>I saw this movie a little bit. I probably saw

0:19:52.080 --> 0:19:54.359
<v Speaker 1>it like more early two because I was I was

0:19:54.400 --> 0:19:56.800
<v Speaker 1>too young for it when it came out, and so

0:19:57.440 --> 0:20:00.080
<v Speaker 1>I became more acquainted with the Spice Girls kind of

0:20:00.560 --> 0:20:04.280
<v Speaker 1>after they had already sort of gone away. I came

0:20:04.320 --> 0:20:10.680
<v Speaker 1>in around S Club seven. My sweet spot is S Club.

0:20:11.680 --> 0:20:16.920
<v Speaker 1>There ain't nobody like an S Club party. That's about

0:20:16.960 --> 0:20:19.600
<v Speaker 1>where I was at. But I I have seen this

0:20:19.640 --> 0:20:22.760
<v Speaker 1>movie a ton of times, and for some reason, I

0:20:22.760 --> 0:20:25.919
<v Speaker 1>remember being so scandalized by it at the time and

0:20:26.000 --> 0:20:29.080
<v Speaker 1>thinking like, oh my, like I shouldn't be watching this,

0:20:29.240 --> 0:20:31.800
<v Speaker 1>like their skirts are so short and they say bra

0:20:34.400 --> 0:20:37.280
<v Speaker 1>But I loved this movie and I still now like

0:20:37.320 --> 0:20:39.200
<v Speaker 1>watch I hadn't seen it in at least ten years,

0:20:39.359 --> 0:20:43.359
<v Speaker 1>and it's so much it's even more fun to watch now.

0:20:43.880 --> 0:20:46.159
<v Speaker 1>It's so good. Yeah, it is a fun movie to

0:20:46.200 --> 0:20:49.520
<v Speaker 1>watch again. I mean, if you're like a budding screenwriter,

0:20:49.680 --> 0:20:52.520
<v Speaker 1>don't take any hints or cues from it on how

0:20:52.560 --> 0:20:54.840
<v Speaker 1>to write a screenplay, because it doesn't do a good

0:20:54.880 --> 0:20:58.080
<v Speaker 1>job with that in terms of like story structure, but

0:20:58.280 --> 0:21:01.520
<v Speaker 1>as far as just like lovable cares and funny jokes,

0:21:01.800 --> 0:21:04.040
<v Speaker 1>it's an enjoyable movie to watch and kind of a

0:21:04.080 --> 0:21:07.160
<v Speaker 1>British tradition two of like there were the Beatles movies

0:21:07.440 --> 0:21:12.160
<v Speaker 1>and the in the sixties, and then the were the Monkeys.

0:21:12.440 --> 0:21:15.320
<v Speaker 1>They were like they were like making fun of the Beatles,

0:21:15.400 --> 0:21:18.960
<v Speaker 1>right right right yeah, and then there's that like kind

0:21:18.960 --> 0:21:22.560
<v Speaker 1>of Benny Hill quality too. There's just like this whole

0:21:22.600 --> 0:21:26.320
<v Speaker 1>like tradition of like British camp. Yeah, and it doesn't

0:21:26.320 --> 0:21:28.480
<v Speaker 1>take it so like literally. My one of my favorite

0:21:28.480 --> 0:21:31.880
<v Speaker 1>parts about the movie is the tagline, which is they

0:21:31.960 --> 0:21:37.959
<v Speaker 1>don't just saying that's like I had taglines for the movie.

0:21:38.160 --> 0:21:40.560
<v Speaker 1>There's another one that's like, so you want a revolution,

0:21:40.720 --> 0:21:47.840
<v Speaker 1>do you? It's like, how does that relution? What happened?

0:21:49.680 --> 0:21:52.879
<v Speaker 1>A bus blows up? I wonder what you mean? I

0:21:52.920 --> 0:21:55.359
<v Speaker 1>wonder like I do wonder, like would this movie be

0:21:55.560 --> 0:21:59.440
<v Speaker 1>incredibly not just confusing, but like not fun to watch

0:21:59.480 --> 0:22:03.119
<v Speaker 1>for someone who had not even been sort of alive

0:22:03.240 --> 0:22:06.399
<v Speaker 1>in I count myself as sort of being alive in

0:22:07.400 --> 0:22:09.560
<v Speaker 1>in it. I existed, but I didn't know what things were.

0:22:09.840 --> 0:22:13.639
<v Speaker 1>I feel like this is a good window, like timing wise,

0:22:13.720 --> 0:22:18.400
<v Speaker 1>like there's a really good double dutch opening for like nostalgia.

0:22:18.760 --> 0:22:20.800
<v Speaker 1>So like if you just go down a tumbler hole

0:22:20.840 --> 0:22:23.520
<v Speaker 1>long enough, you'll, like you'll piece it together from the

0:22:23.560 --> 0:22:27.560
<v Speaker 1>banana clips to the glitter and then the platform shoes,

0:22:27.600 --> 0:22:29.800
<v Speaker 1>and then you'll eventually make it to the Spice girls

0:22:29.960 --> 0:22:32.400
<v Speaker 1>get there and then you and then you'll figure out

0:22:32.440 --> 0:22:34.440
<v Speaker 1>what was going on, and then you'll watch Spice World

0:22:34.440 --> 0:22:39.280
<v Speaker 1>and you'll really appreciate it. But it won't be the same, right, Yeah,

0:22:39.280 --> 0:22:44.719
<v Speaker 1>because it is. It is like peak very specific time

0:22:44.800 --> 0:22:49.520
<v Speaker 1>and place. Um, but that's why it's so great. I

0:22:49.560 --> 0:22:52.360
<v Speaker 1>don't know that's why it's fine. Nineties cancer will remember.

0:22:53.760 --> 0:22:56.240
<v Speaker 1>I mean I was eleven when the movie came out.

0:22:56.400 --> 0:22:59.720
<v Speaker 1>I was like, it's the peak demographic for the Spice

0:22:59.760 --> 0:23:03.200
<v Speaker 1>Girl and this movie. Even so, I was like too busy,

0:23:03.640 --> 0:23:07.639
<v Speaker 1>Like Bank to the Future is my favorite movie. It

0:23:08.080 --> 0:23:12.919
<v Speaker 1>still I say that was you also yesterday. I have

0:23:13.080 --> 0:23:17.480
<v Speaker 1>not grown much as a person, but have a series

0:23:17.520 --> 0:23:23.960
<v Speaker 1>of unfortunate events tattoo and I love it. So no regrets,

0:23:24.080 --> 0:23:27.280
<v Speaker 1>no need to grow. As far as the characters, we

0:23:27.320 --> 0:23:30.400
<v Speaker 1>already kind of went through them. But we've got baby

0:23:30.400 --> 0:23:34.040
<v Speaker 1>and sporty and ginger and posh and scary Spice. I

0:23:34.080 --> 0:23:37.240
<v Speaker 1>was gonna ask, how do we feel about the one

0:23:37.320 --> 0:23:40.920
<v Speaker 1>spice girl of color being named scary? I mean, we

0:23:40.960 --> 0:23:43.320
<v Speaker 1>don't feel good about it. It's very on the nose.

0:23:44.400 --> 0:23:47.439
<v Speaker 1>It's like because it wasn't it a tabloid that named

0:23:47.520 --> 0:23:50.240
<v Speaker 1>them those names. It wasn't an official thing. It was

0:23:50.280 --> 0:23:53.800
<v Speaker 1>like they came out and then like I think maybe

0:23:53.800 --> 0:23:55.720
<v Speaker 1>it was the Daily Mail or some ship that was

0:23:55.800 --> 0:24:00.919
<v Speaker 1>like reviewing them and called them like blank spice, blank spice. Yeah,

0:24:00.960 --> 0:24:04.879
<v Speaker 1>like that was that was like the media's immediate take

0:24:05.480 --> 0:24:07.600
<v Speaker 1>on the format of the Spice Girls and so it

0:24:07.640 --> 0:24:12.200
<v Speaker 1>was just like she's scary. She's just scary, and that stuck. Yeah,

0:24:12.240 --> 0:24:15.160
<v Speaker 1>oh my god. Yeah. So they're basically like, oh, this

0:24:15.200 --> 0:24:18.240
<v Speaker 1>one has red hair, so she's ginger, right, this one

0:24:18.520 --> 0:24:22.560
<v Speaker 1>acts like a baby baby, which is like that's true. Yeah,

0:24:22.600 --> 0:24:25.320
<v Speaker 1>it's like some of them, it's pretty easy to pinpoint.

0:24:25.560 --> 0:24:29.200
<v Speaker 1>There's not seen in this movie where Baby is not

0:24:29.400 --> 0:24:33.960
<v Speaker 1>actively licking a lollipop through any bit of dialogue. Real

0:24:34.160 --> 0:24:38.520
<v Speaker 1>gross dis and like even her like her give like

0:24:38.600 --> 0:24:41.159
<v Speaker 1>they all kind of borrow things, like the baby Spice

0:24:41.160 --> 0:24:43.879
<v Speaker 1>is just so obviously like a harrow Juko girl, Like

0:24:44.200 --> 0:24:47.720
<v Speaker 1>she steals so much from Japanese culture. She literally in

0:24:47.800 --> 0:24:50.639
<v Speaker 1>that scene where they're like, you know, you're gonna say

0:24:50.680 --> 0:24:53.639
<v Speaker 1>hello to the whole world, and she immediately it's like,

0:24:53.720 --> 0:24:56.720
<v Speaker 1>I'm going to take Japan, like right, she says, they're

0:24:56.840 --> 0:25:00.680
<v Speaker 1>very it just like come on, baby. I like how

0:25:00.960 --> 0:25:03.280
<v Speaker 1>they are asked, oh, how many countries are you is

0:25:03.320 --> 0:25:06.600
<v Speaker 1>it going to reach? And they're like millions, maybe mole yeah,

0:25:06.920 --> 0:25:14.879
<v Speaker 1>and then aliens come back seeds crazy alien let's start.

0:25:15.119 --> 0:25:18.600
<v Speaker 1>That's a pretty good representation of what this movie is.

0:25:18.600 --> 0:25:21.080
<v Speaker 1>The story of this movie is the Spice girls are

0:25:21.160 --> 0:25:26.360
<v Speaker 1>very famous so that the same ship from Independence date

0:25:26.480 --> 0:25:30.359
<v Speaker 1>comes down with like millions of lights. But like like

0:25:30.560 --> 0:25:37.040
<v Speaker 1>Mars attacks style aliens probably very campy, wet wet they

0:25:37.119 --> 0:25:39.560
<v Speaker 1>one of them they're covered in goop. Yeah. Their hands

0:25:39.560 --> 0:25:44.320
<v Speaker 1>are just knuckles, like a three knuckle cluster. One of

0:25:44.359 --> 0:25:52.800
<v Speaker 1>them knuckle cluster, knuckle, rageous bar of hand. One of

0:25:52.840 --> 0:25:58.520
<v Speaker 1>them grabs scary spices breast and sexually assaulter. Yeah, and

0:25:58.560 --> 0:26:00.800
<v Speaker 1>then the other aliens, Like I told shake her hand.

0:26:01.000 --> 0:26:03.240
<v Speaker 1>He was like I thought that was her hand, Like,

0:26:03.640 --> 0:26:08.240
<v Speaker 1>oh boy, a little bit more research. Can you only

0:26:08.320 --> 0:26:12.440
<v Speaker 1>punch if your hand is only knuckles, you may have

0:26:12.880 --> 0:26:16.520
<v Speaker 1>gently punched. Yeah, And then like later they asked Ginger

0:26:16.560 --> 0:26:19.080
<v Speaker 1>for a kiss, So it's like, okay, well if you ask,

0:26:19.240 --> 0:26:20.960
<v Speaker 1>if you know what a kiss is, then you should

0:26:21.000 --> 0:26:23.240
<v Speaker 1>know what a hand is. So you just wanted to

0:26:23.320 --> 0:26:29.360
<v Speaker 1>legit go for Melboe. That was the UM. I love

0:26:29.400 --> 0:26:32.000
<v Speaker 1>that the Spice girls can speak the language that they're speaking,

0:26:32.960 --> 0:26:35.119
<v Speaker 1>or at least understand it. Yeah, And it's like does

0:26:35.200 --> 0:26:43.320
<v Speaker 1>that have three ksus it's purple. The Spice girls are

0:26:43.359 --> 0:26:47.560
<v Speaker 1>totally They just conform to whatever is needed for the

0:26:47.680 --> 0:26:50.520
<v Speaker 1>skit they are appearing in. Yes, which is like, oh,

0:26:50.560 --> 0:26:54.879
<v Speaker 1>there's aliens. Well they speak alien and they're so willing

0:26:54.920 --> 0:26:59.560
<v Speaker 1>to like absorb anything into spice cannon, which is like

0:27:00.080 --> 0:27:02.840
<v Speaker 1>so great. And that's like kind of the core idea

0:27:02.880 --> 0:27:06.360
<v Speaker 1>of a pop group too. It's like, you know, like

0:27:06.840 --> 0:27:10.400
<v Speaker 1>it's a shape shifting parasite, like you like this, we're

0:27:10.440 --> 0:27:13.600
<v Speaker 1>this like right, I mean, I guess that is close

0:27:13.640 --> 0:27:15.919
<v Speaker 1>to like a modern day equivalent would be like Katy

0:27:15.960 --> 0:27:20.480
<v Speaker 1>Perry of like whatever. Katy Perry doesn't have a personality,

0:27:20.520 --> 0:27:23.000
<v Speaker 1>she's doing whatever the fuck you're supposed to be doing

0:27:23.080 --> 0:27:27.000
<v Speaker 1>as Yeah, where it's like, oh, we like aliens right now,

0:27:27.160 --> 0:27:32.520
<v Speaker 1>et let's do it. We're the eighties are green lipstick

0:27:32.520 --> 0:27:35.400
<v Speaker 1>while I do it right, like the eighties are back.

0:27:35.480 --> 0:27:37.840
<v Speaker 1>We're doing t G I f like she does not.

0:27:38.200 --> 0:27:40.480
<v Speaker 1>She's like, you want me to shoot cream out of

0:27:40.520 --> 0:27:43.119
<v Speaker 1>my titties, I'll do it. What do you want? And

0:27:43.240 --> 0:27:46.320
<v Speaker 1>that's how girl groups and and guide groups to an

0:27:46.320 --> 0:27:51.080
<v Speaker 1>extent worked. Yeah, it's true, still work. They're just they're

0:27:51.160 --> 0:27:56.040
<v Speaker 1>just they're just avatars and we're just projecting ourselves onto them.

0:27:56.720 --> 0:28:00.280
<v Speaker 1>I'm kidding. That's thank you so much. I'm doing a

0:28:00.320 --> 0:28:05.560
<v Speaker 1>real deep die. Let me just continue on with that

0:28:05.600 --> 0:28:08.080
<v Speaker 1>because I have a few scenes I want to discuss.

0:28:08.440 --> 0:28:12.240
<v Speaker 1>The scene when they're in Milan and the backup dancers

0:28:12.440 --> 0:28:16.200
<v Speaker 1>come in, Oh yeah, and everyone's like, oh, what's what's

0:28:16.240 --> 0:28:19.479
<v Speaker 1>this because they're like these chiseled muscle guys with like

0:28:19.600 --> 0:28:22.560
<v Speaker 1>only like shiny underwear on or like tidy Whitey's or

0:28:22.600 --> 0:28:29.399
<v Speaker 1>something objectification but like it's fine, and everyone's like, we

0:28:29.440 --> 0:28:31.320
<v Speaker 1>don't want them this, this is not what we wanted.

0:28:31.680 --> 0:28:34.480
<v Speaker 1>And then you see a few of the girls talking

0:28:34.480 --> 0:28:37.760
<v Speaker 1>to like a different one of these guys, and these

0:28:37.800 --> 0:28:40.360
<v Speaker 1>scenes are so funny because Scary like looks at the

0:28:40.400 --> 0:28:42.920
<v Speaker 1>one guy they're like talking about their junk and they're like,

0:28:42.920 --> 0:28:44.520
<v Speaker 1>what do you think this is real? And she's like no,

0:28:44.680 --> 0:28:47.800
<v Speaker 1>I think it's just a rolled up pair of socks. Uh,

0:28:48.080 --> 0:28:50.120
<v Speaker 1>And she's like making fun of his muscles. And then

0:28:50.640 --> 0:28:52.840
<v Speaker 1>Baby is talking to a different one and she's explaining

0:28:52.840 --> 0:28:54.600
<v Speaker 1>to him why there's not enough room in her bed

0:28:54.640 --> 0:28:57.800
<v Speaker 1>for him because of all her stuffed animals and dolls,

0:28:58.080 --> 0:29:00.840
<v Speaker 1>and then Sporty, I think, is talking to a different

0:29:00.840 --> 0:29:04.200
<v Speaker 1>one and I think they're talking about Milan's soccer team

0:29:04.440 --> 0:29:10.360
<v Speaker 1>and how they suck, which is like who gives off fun.

0:29:11.880 --> 0:29:14.520
<v Speaker 1>It could have been like these girls like oggling over

0:29:14.600 --> 0:29:16.960
<v Speaker 1>these hot men and they were just like, oh, you

0:29:17.000 --> 0:29:19.080
<v Speaker 1>guys are dumb, get out of here. We don't want

0:29:19.120 --> 0:29:22.760
<v Speaker 1>you here, which these movies all about. It's like there's

0:29:22.800 --> 0:29:25.440
<v Speaker 1>no love interest. It's just them a celebration of their

0:29:25.440 --> 0:29:31.080
<v Speaker 1>friendship and they're like girl power. Well, okay, I'm gonna

0:29:31.920 --> 0:29:34.440
<v Speaker 1>usually I'm the one to be like in defense of

0:29:34.480 --> 0:29:38.720
<v Speaker 1>the movie. But there are so many male antagonists and

0:29:38.760 --> 0:29:43.440
<v Speaker 1>they're all ineffectual like olymptics idiots, and it's very clearly portrayed.

0:29:43.600 --> 0:29:46.160
<v Speaker 1>But also the Spice Girls are portrayed. It's almost everyone

0:29:46.200 --> 0:29:48.000
<v Speaker 1>in this movie is made out to be like a

0:29:48.000 --> 0:29:52.960
<v Speaker 1>completely stupid um, which is an interesting choice creatively. It's

0:29:53.000 --> 0:29:59.080
<v Speaker 1>like stupid world where everyone's everyone's fucking dumb. But but

0:29:59.240 --> 0:30:04.080
<v Speaker 1>still they're lives are almost completely dictated by the decision

0:30:04.240 --> 0:30:07.720
<v Speaker 1>or like there are men trying to actively manipulate them all.

0:30:08.040 --> 0:30:11.760
<v Speaker 1>Forty five of the villains in this movie are stalking

0:30:11.840 --> 0:30:15.440
<v Speaker 1>them and like throwing obstacles in their way to the

0:30:15.560 --> 0:30:20.560
<v Speaker 1>demands of them, right, And it's like this is not satire,

0:30:20.840 --> 0:30:23.680
<v Speaker 1>but you know, you could see where people would be

0:30:23.680 --> 0:30:25.760
<v Speaker 1>like hey, maybe, like maybe there was one person who

0:30:25.760 --> 0:30:28.080
<v Speaker 1>did a draft of this movie that very likely went

0:30:28.120 --> 0:30:34.960
<v Speaker 1>through four thousand drafts. Sixth of the world contributed to

0:30:35.040 --> 0:30:39.000
<v Speaker 1>the script, and it's based on an idea by the

0:30:39.120 --> 0:30:42.600
<v Speaker 1>Spice Girls. Though, so what if we went on tour

0:30:44.440 --> 0:30:48.400
<v Speaker 1>and we're very famous and they're like, we've got it, girls,

0:30:49.000 --> 0:30:53.360
<v Speaker 1>just give us like six years. Um. But there's just

0:30:53.400 --> 0:30:55.920
<v Speaker 1>like there's all these men trying to manipulate them, and

0:30:56.120 --> 0:30:58.600
<v Speaker 1>arguably it kind of works, but also what kind of

0:30:58.600 --> 0:31:02.040
<v Speaker 1>doesn't because like really nothing changes from the beginning to

0:31:02.080 --> 0:31:04.360
<v Speaker 1>the end of the movie. They start pretty famous, then

0:31:05.040 --> 0:31:10.120
<v Speaker 1>even more famous. Yeah, what does right? They don't like

0:31:10.320 --> 0:31:14.680
<v Speaker 1>demolish the system that created this problem where they're surrounded

0:31:14.680 --> 0:31:19.400
<v Speaker 1>by horrible dudes. It's not an important movie. Will say

0:31:20.000 --> 0:31:22.640
<v Speaker 1>I'm gonna go out on a limb here and say

0:31:22.840 --> 0:31:27.400
<v Speaker 1>this movie didn't change the world. It was like, I know,

0:31:27.560 --> 0:31:31.040
<v Speaker 1>I know, it's a very profound. It was like, at

0:31:31.120 --> 0:31:34.600
<v Speaker 1>times really well observed. There were lots of like really

0:31:34.640 --> 0:31:38.240
<v Speaker 1>funny parodic elements where you're like, oh, yeah, that's true,

0:31:38.560 --> 0:31:41.800
<v Speaker 1>but there's nothing on top of that. There's no like counterpoint,

0:31:42.000 --> 0:31:46.600
<v Speaker 1>there's no razor to it. I mean there's no there's

0:31:46.680 --> 0:31:50.880
<v Speaker 1>no really anything that happened, Like you could watch any

0:31:51.000 --> 0:31:54.760
<v Speaker 1>five minutes of this movie and have no idea where

0:31:54.800 --> 0:31:58.320
<v Speaker 1>it takes place in the story because nothing happened, like

0:31:58.400 --> 0:32:02.840
<v Speaker 1>many happens. But it's beautiful. In a few times that

0:32:03.000 --> 0:32:08.760
<v Speaker 1>like feminism is mentioned, it's almost as a joke or

0:32:08.920 --> 0:32:13.960
<v Speaker 1>as like right, nothing, you know, no, one's like there's

0:32:14.000 --> 0:32:16.680
<v Speaker 1>no feminist agenda that this moment. But it doesn't seem

0:32:16.760 --> 0:32:20.000
<v Speaker 1>like a joke when you're the appropriate age to be

0:32:20.040 --> 0:32:23.080
<v Speaker 1>watching it like this, when it doesn't feel that way

0:32:23.200 --> 0:32:26.360
<v Speaker 1>when you're like twelve, Yeah, when it's like because that's

0:32:26.360 --> 0:32:29.040
<v Speaker 1>like when they say it's totally empty and almost poking

0:32:29.200 --> 0:32:32.680
<v Speaker 1>fun at like you know whatever feminism as a selling

0:32:32.760 --> 0:32:37.040
<v Speaker 1>point as as just a veneer. But yeah, they don't

0:32:37.160 --> 0:32:43.440
<v Speaker 1>really demolish that in any way. Yeah, where there. And

0:32:43.520 --> 0:32:46.720
<v Speaker 1>but if you're eleven and you're like power, you're like, yeah,

0:32:46.960 --> 0:32:50.160
<v Speaker 1>I should be like these girls who are actively selling

0:32:50.160 --> 0:32:54.400
<v Speaker 1>me wonder brass girl power to use my credit card

0:32:54.640 --> 0:32:58.440
<v Speaker 1>at North Stops. Yeah, I do love this humor that

0:32:58.680 --> 0:33:01.120
<v Speaker 1>we're I think it's like is this dress too short?

0:33:01.440 --> 0:33:04.920
<v Speaker 1>Or should I have this dress? Or this dress? Dress? Yeah,

0:33:05.600 --> 0:33:08.360
<v Speaker 1>dress and then the little Gucci dress, and then Baby says,

0:33:08.520 --> 0:33:11.240
<v Speaker 1>I think you should have the little Gucci dress. And

0:33:11.280 --> 0:33:18.200
<v Speaker 1>then they're like, yeay, Baby, you fucking idiot. Oh man,

0:33:18.240 --> 0:33:20.000
<v Speaker 1>that seems so funny that that's when they're talking about

0:33:20.000 --> 0:33:23.160
<v Speaker 1>the horoscopes and she's like, you're an aquarius, so you

0:33:23.160 --> 0:33:25.320
<v Speaker 1>don't believe in anything. She's like, well, I don't believe

0:33:25.360 --> 0:33:33.600
<v Speaker 1>that either, what you say about capiticorns. But the two times.

0:33:33.960 --> 0:33:37.720
<v Speaker 1>There's one scene where remembering the photo shoot, when they're

0:33:37.800 --> 0:33:40.640
<v Speaker 1>dressing up as each other, that was really fun. Yeah.

0:33:40.640 --> 0:33:43.040
<v Speaker 1>I was just thinking about that. I think it's is

0:33:43.040 --> 0:33:47.040
<v Speaker 1>it Melby who dresses up as Ginger Spice and she's

0:33:47.080 --> 0:33:51.680
<v Speaker 1>like a good feminism whatever, because I guess Jerry slash

0:33:51.800 --> 0:33:55.680
<v Speaker 1>Ginger was she like quite outspoken aboutism, and I don't

0:33:55.680 --> 0:33:58.320
<v Speaker 1>remember that she was the most outspoken about it, but

0:33:58.400 --> 0:34:01.719
<v Speaker 1>it was it was still various surface level. She's usually

0:34:01.760 --> 0:34:07.760
<v Speaker 1>the one that says yeah. And then whenever the writers

0:34:07.800 --> 0:34:11.000
<v Speaker 1>who were trying to pitch movies to Clifford, they're like

0:34:11.080 --> 0:34:15.800
<v Speaker 1>Spice four five, where Ginger is like the master disguise

0:34:15.920 --> 0:34:18.440
<v Speaker 1>and so she runs into this little phone booth and

0:34:18.440 --> 0:34:21.840
<v Speaker 1>then twirls around and then Bob Hoskins comes out, it's amazing,

0:34:22.520 --> 0:34:27.200
<v Speaker 1>and then he's like feminism, equality between the sexes or whatever.

0:34:28.160 --> 0:34:31.319
<v Speaker 1>So like both times, like any time that, like like

0:34:31.360 --> 0:34:34.480
<v Speaker 1>I said, like feminism or girl power is mentioned, it's

0:34:34.520 --> 0:34:36.839
<v Speaker 1>like usually at the bed of a joke like that,

0:34:37.200 --> 0:34:41.640
<v Speaker 1>it's yeah, it's totally throw away feminism for the sake

0:34:41.719 --> 0:34:45.680
<v Speaker 1>of like this is starting to be marketable, but not

0:34:45.840 --> 0:34:49.680
<v Speaker 1>even quite marketable enough to not be endorsing bras constantly.

0:34:49.719 --> 0:34:53.319
<v Speaker 1>So ye, I would like to draw attention to how

0:34:53.320 --> 0:34:56.920
<v Speaker 1>many very British sounding names through are in this movie.

0:34:57.320 --> 0:35:02.440
<v Speaker 1>Peek Alan Cumming plays a character named Pays Cuthberts and smithe,

0:35:02.680 --> 0:35:06.640
<v Speaker 1>oh yeah, it's great. Mark McKinny is great and great

0:35:06.719 --> 0:35:15.720
<v Speaker 1>and yes at Martin Bonfield and uh, Kevin mcmxvott, it's

0:35:15.760 --> 0:35:20.799
<v Speaker 1>just it's uh, it's this movie is so British. There

0:35:20.840 --> 0:35:23.640
<v Speaker 1>there's a barnaby. You can't it's law, you can't have

0:35:23.680 --> 0:35:27.719
<v Speaker 1>a British one without a barnaby. Yes, And then the

0:35:28.080 --> 0:35:32.360
<v Speaker 1>came is we've got Elton John, We've got Elvis Costeller,

0:35:32.600 --> 0:35:35.919
<v Speaker 1>we've got meat Love as the bus Drive, We've got

0:35:36.239 --> 0:35:40.080
<v Speaker 1>Stephen Fry, we've got Hugh Laurie back when they were

0:35:40.080 --> 0:35:45.879
<v Speaker 1>still I think Jennifer Saunders at peak abbab. Yeah, as

0:35:46.040 --> 0:35:52.000
<v Speaker 1>it says Jennifer Saunders as fashionable woman. There's so many

0:35:52.320 --> 0:35:56.319
<v Speaker 1>that would have been, like the Americans would have just

0:35:56.320 --> 0:36:01.520
<v Speaker 1>been called fashionable women. CBS Money Days, Well, wasn't there.

0:36:01.560 --> 0:36:05.560
<v Speaker 1>There's basically a show that there was designing one designing Women. Yeah,

0:36:06.080 --> 0:36:08.120
<v Speaker 1>I hear, that's a good show. Yeah, you know, I

0:36:08.160 --> 0:36:09.799
<v Speaker 1>haven't really seen it since I was a kid. It's

0:36:09.800 --> 0:36:12.520
<v Speaker 1>like kind of a haze. I just remember that's Delta Burke, right,

0:36:13.480 --> 0:36:15.520
<v Speaker 1>I think so? Yeah, I don't know. I remember I

0:36:15.640 --> 0:36:17.600
<v Speaker 1>had like a line of clothing at Kmart and I

0:36:17.600 --> 0:36:21.040
<v Speaker 1>thought that was like peak fashion. I still actively wear

0:36:21.160 --> 0:36:23.880
<v Speaker 1>a lot of Like I got really into the Miley

0:36:24.000 --> 0:36:27.600
<v Speaker 1>Cyrus Walmart line in high school because it was like

0:36:27.719 --> 0:36:32.239
<v Speaker 1>trendy but also affordable. And I still have a lot

0:36:32.280 --> 0:36:35.480
<v Speaker 1>of Miley tanks. How many pieces do you have? I

0:36:35.560 --> 0:36:39.800
<v Speaker 1>have like from the Miley collection and saying I still

0:36:40.880 --> 0:36:46.600
<v Speaker 1>rotate out three or four just basic tanks. Wait, it's

0:36:46.640 --> 0:36:52.120
<v Speaker 1>like that, whatever Camies, what happened to all the Camees?

0:36:52.200 --> 0:36:58.560
<v Speaker 1>Where did they go? We need we need a Camey cameo,

0:36:59.040 --> 0:37:03.160
<v Speaker 1>oh no, what a horrible joke. Okay, um, remember that

0:37:03.160 --> 0:37:05.960
<v Speaker 1>scene where Posh is talking to a person who I

0:37:06.000 --> 0:37:08.239
<v Speaker 1>don't know who it is, and she's like, what do

0:37:08.280 --> 0:37:10.640
<v Speaker 1>you how do you feel about ment to raise? And

0:37:10.719 --> 0:37:14.040
<v Speaker 1>she is like, I think he's great. I'm wearing it

0:37:14.400 --> 0:37:19.919
<v Speaker 1>mental ray shoes right now. Some of my other favorite jokes,

0:37:19.960 --> 0:37:21.440
<v Speaker 1>because I just had to write them down and I

0:37:21.520 --> 0:37:25.360
<v Speaker 1>must share them with you now is Deborah and Clifford

0:37:25.440 --> 0:37:28.040
<v Speaker 1>or in a bar and Deborah is like, famous, such

0:37:28.080 --> 0:37:30.680
<v Speaker 1>a fickle thing. And then she orders a drink from

0:37:30.680 --> 0:37:33.920
<v Speaker 1>the bartender and he turns around and it's Elvis Costello

0:37:34.040 --> 0:37:36.399
<v Speaker 1>and then she goes, just a minute, can you make

0:37:36.400 --> 0:37:43.120
<v Speaker 1>that a double? This avie is so funny, It's really funny.

0:37:43.200 --> 0:37:48.680
<v Speaker 1>It was nominated for literally every Razzie possible, but I

0:37:48.719 --> 0:37:51.520
<v Speaker 1>don't even win. I don't think that they Yeah, what

0:37:51.560 --> 0:37:54.080
<v Speaker 1>move didn't win for being the worst? It didn't even

0:37:54.160 --> 0:37:57.280
<v Speaker 1>it didn't even win for being um Ebert's least favorite.

0:37:57.400 --> 0:38:02.640
<v Speaker 1>That distinction ended up going to Armageddon. Oh that's he

0:38:02.719 --> 0:38:05.920
<v Speaker 1>does suck, So yeah, my mom was so horny for

0:38:06.000 --> 0:38:09.920
<v Speaker 1>that movie for sure. My dad kind of low key crying.

0:38:10.960 --> 0:38:14.040
<v Speaker 1>He cried during Like, there's two movies where I remember

0:38:14.120 --> 0:38:17.360
<v Speaker 1>as a kid my dad cried. One is Arming Adam

0:38:17.520 --> 0:38:21.160
<v Speaker 1>and the other is Adam Sandler's big Daddy in the

0:38:21.200 --> 0:38:25.640
<v Speaker 1>courtroom scene that is kind of a sad scene. My

0:38:25.680 --> 0:38:30.000
<v Speaker 1>mom gave me romantic advice ones based off of Adam

0:38:30.040 --> 0:38:35.319
<v Speaker 1>Sandler's Click for real. I was going through a dark

0:38:35.360 --> 0:38:38.120
<v Speaker 1>hour of the soul. I forget which one, but it

0:38:38.200 --> 0:38:40.759
<v Speaker 1>was a couple of years ago, and she was just like,

0:38:41.080 --> 0:38:44.560
<v Speaker 1>maybe it's kind of like and I saw this movie

0:38:44.640 --> 0:38:46.560
<v Speaker 1>recently called Click, because she said it like I didn't

0:38:46.600 --> 0:38:50.040
<v Speaker 1>know what it was. I saw this movie recently called Click,

0:38:50.560 --> 0:38:53.480
<v Speaker 1>and there's a part at the end where he's talking

0:38:53.480 --> 0:38:56.239
<v Speaker 1>to his father and like he wishes there were so

0:38:56.280 --> 0:38:59.160
<v Speaker 1>many things that he had said and then he didn't

0:38:59.200 --> 0:39:02.960
<v Speaker 1>and then he lives, Like you can't really go back.

0:39:03.560 --> 0:39:08.520
<v Speaker 1>You can't really just rewind as like, Mom, thank you

0:39:08.920 --> 0:39:15.440
<v Speaker 1>so much. There's not really a remote control on your life.

0:39:16.640 --> 0:39:19.680
<v Speaker 1>That's a good point that Jamie. I never thought of

0:39:19.719 --> 0:39:24.040
<v Speaker 1>that before. I didn't realize. My mom had a similar

0:39:24.040 --> 0:39:30.120
<v Speaker 1>epiphany with Queen Latifa's last holiday. She was like, you

0:39:30.200 --> 0:39:33.960
<v Speaker 1>gotta live in the now. You're so worried all the time, honey,

0:39:34.360 --> 0:39:36.640
<v Speaker 1>is that the one where she thinks she's dying she

0:39:36.680 --> 0:39:40.440
<v Speaker 1>gets like a weird cat scan or am I travels

0:39:40.440 --> 0:39:43.600
<v Speaker 1>the world or something? Is Steve Martin and that one

0:39:43.640 --> 0:39:48.120
<v Speaker 1>there's there's that down the house. God, there's such a

0:39:48.160 --> 0:39:51.640
<v Speaker 1>weird stretch of Steve Martin movies and the odds where

0:39:52.600 --> 0:39:55.240
<v Speaker 1>like I'll be in a movie with anybody, a bunch

0:39:55.280 --> 0:40:00.480
<v Speaker 1>of dogs, a bunch of babies, anything, ones, I could

0:40:00.480 --> 0:40:06.400
<v Speaker 1>bring my banjo on set. Steve. Okay, Steve Martin, he

0:40:06.440 --> 0:40:08.520
<v Speaker 1>should have been in this movie. Needs to stop playing

0:40:08.560 --> 0:40:13.279
<v Speaker 1>the banjo. I'm calling him out and saying he's in

0:40:13.480 --> 0:40:17.319
<v Speaker 1>a classy way. I'm like, so over. I saw him

0:40:17.320 --> 0:40:20.479
<v Speaker 1>play the banjo on Accident a couple of years ago,

0:40:20.920 --> 0:40:23.759
<v Speaker 1>and I was just like, yeah, I was well. I

0:40:23.800 --> 0:40:25.839
<v Speaker 1>was working in radio at the time, and he and

0:40:25.920 --> 0:40:28.640
<v Speaker 1>they were like, we have a surprise guest. I'm like, oh, cool,

0:40:28.760 --> 0:40:33.000
<v Speaker 1>maybe it'll be someone that I like, and and then

0:40:33.000 --> 0:40:34.920
<v Speaker 1>it was like Steve Martin. I was like, I love

0:40:35.000 --> 0:40:38.759
<v Speaker 1>Steve Martin's comedy. And then they're like, but tonight he's

0:40:38.840 --> 0:40:41.200
<v Speaker 1>just playing in the banjo. I was like, fuck off,

0:40:41.480 --> 0:40:44.600
<v Speaker 1>Like what are you? How did some monkeys pot scenario.

0:40:44.680 --> 0:40:48.160
<v Speaker 1>They're like, hey, guys, great news. We have Steve Martin.

0:40:48.480 --> 0:40:50.759
<v Speaker 1>You know that I'm really good at this. Watch me

0:40:50.840 --> 0:40:53.600
<v Speaker 1>do something else, and like how just hold hold up?

0:40:54.480 --> 0:40:56.680
<v Speaker 1>His rep says he'll only come if he does the band.

0:40:56.960 --> 0:41:01.960
<v Speaker 1>He would only goddamnit, we need him that he'll only

0:41:02.000 --> 0:41:04.960
<v Speaker 1>play with I think he released an album with Paula

0:41:05.080 --> 0:41:09.640
<v Speaker 1>McCartney's ex wife. Steve Martin, you're unnoticed. They were in

0:41:09.719 --> 0:41:13.520
<v Speaker 1>the Hams. In the conversation struck up and you do

0:41:13.640 --> 0:41:16.480
<v Speaker 1>funny things only you make me laugh, you little monkey.

0:41:17.120 --> 0:41:20.200
<v Speaker 1>Put down the banjo. I don't want to read your novels.

0:41:20.800 --> 0:41:22.160
<v Speaker 1>I don't want to read your not I didn't read

0:41:22.239 --> 0:41:24.880
<v Speaker 1>shop Girl, though shop Girl is good. Then he wrote

0:41:24.880 --> 0:41:26.759
<v Speaker 1>that one about the art world. That's like sitting on

0:41:26.800 --> 0:41:30.000
<v Speaker 1>my shelf. I'm never going to read it. I'm never

0:41:30.000 --> 0:41:32.800
<v Speaker 1>going to read an object of beauty. I don't know

0:41:32.840 --> 0:41:35.360
<v Speaker 1>why I'm so mad at him for doing things that

0:41:35.480 --> 0:41:37.840
<v Speaker 1>aren't what I want him to do. Now you've awoken

0:41:38.040 --> 0:41:40.319
<v Speaker 1>something in me too. I've been really mad at him

0:41:40.320 --> 0:41:43.440
<v Speaker 1>for some time. I realized, and I hated this episode

0:41:43.440 --> 0:41:47.239
<v Speaker 1>of Spice World. He stuck about he had a he

0:41:47.320 --> 0:41:51.439
<v Speaker 1>had a really good memoir. But even that, now I'm

0:41:51.480 --> 0:41:54.640
<v Speaker 1>just like, well then do that, Like, yeah, Born Standing

0:41:54.680 --> 0:41:57.319
<v Speaker 1>Up is amazing. It's a great book. But it's also like,

0:41:57.560 --> 0:42:00.960
<v Speaker 1>why are you just go just are a joke man?

0:42:01.160 --> 0:42:04.120
<v Speaker 1>Why are you speaking in jokes? Can I share a

0:42:04.120 --> 0:42:13.200
<v Speaker 1>few more of mine? Spice? Thank you? I love I

0:42:13.320 --> 0:42:15.560
<v Speaker 1>like that Roger Moore. Every time you see him in

0:42:15.560 --> 0:42:19.600
<v Speaker 1>a scene, he's holding a different baby, animal or just

0:42:19.719 --> 0:42:22.759
<v Speaker 1>animal in general. There's the scene where I think you

0:42:22.840 --> 0:42:26.040
<v Speaker 1>see the Spice girls like rehearsing for the concert is

0:42:26.120 --> 0:42:30.040
<v Speaker 1>kind of early on, and someone goes, that's absolutely perfect

0:42:30.120 --> 0:42:34.279
<v Speaker 1>without it actually being any good, an amazing line. I

0:42:34.320 --> 0:42:37.560
<v Speaker 1>wish I had written that that's a great summation of

0:42:37.600 --> 0:42:42.160
<v Speaker 1>the Spice without being good at all. Clifford at one

0:42:42.160 --> 0:42:44.680
<v Speaker 1>point says, oh, it's when they want to go and

0:42:44.719 --> 0:42:46.879
<v Speaker 1>like play around on the boat, and he's like, if

0:42:46.880 --> 0:42:49.000
<v Speaker 1>they wanted to be spontaneous, they need to clear it

0:42:49.040 --> 0:42:53.920
<v Speaker 1>with me. First funny line. Funny, it's great and the

0:42:54.080 --> 0:42:58.360
<v Speaker 1>movie is full of these. It's a fucking funny movie

0:42:58.719 --> 0:43:01.880
<v Speaker 1>out don't tell me otherwise. And if you like this movie,

0:43:02.120 --> 0:43:04.840
<v Speaker 1>or if you don't, I still recommend a similar movie

0:43:04.880 --> 0:43:09.840
<v Speaker 1>called Josie and the Pussycat. The Pussycats is amazing good. Yeah,

0:43:09.880 --> 0:43:21.160
<v Speaker 1>sorry for that voice, I think, Yeah, I think you're

0:43:21.160 --> 0:43:25.400
<v Speaker 1>really talking about the cheeseburst. Let the listener overdose in

0:43:25.440 --> 0:43:30.040
<v Speaker 1>the bathroom. I can't, I can't do this. Jamie just

0:43:30.120 --> 0:43:33.439
<v Speaker 1>pulled a half eaten cheeseburger out of some spoil from

0:43:33.520 --> 0:43:39.880
<v Speaker 1>like full two and a half hours. Oh man, alright,

0:43:41.239 --> 0:43:43.719
<v Speaker 1>choking on that. I'm going to say a few other

0:43:43.800 --> 0:43:48.359
<v Speaker 1>things that I wanted to mention. I liked it. None

0:43:48.400 --> 0:43:53.400
<v Speaker 1>of the drama in this movie derives from issues between

0:43:53.560 --> 0:43:56.560
<v Speaker 1>the band or like with the girls themselves, because like

0:43:56.600 --> 0:44:00.280
<v Speaker 1>a very common like trope or just an easy direction.

0:44:00.320 --> 0:44:02.319
<v Speaker 1>They could have taken this in as, oh, they're not

0:44:02.400 --> 0:44:05.040
<v Speaker 1>getting along, they're mad at each other, but they're never

0:44:05.160 --> 0:44:08.000
<v Speaker 1>like They're always like on the same page. They're always

0:44:08.040 --> 0:44:11.080
<v Speaker 1>getting along, which hey, maybe that doesn't make for a

0:44:11.120 --> 0:44:14.279
<v Speaker 1>great movie with a central conflict. I don't know, but

0:44:14.320 --> 0:44:16.480
<v Speaker 1>I just like that because often if you have like

0:44:16.480 --> 0:44:19.240
<v Speaker 1>a group of women, you see them on the screen

0:44:19.680 --> 0:44:22.680
<v Speaker 1>portrayed as being they're in competition with each other, and

0:44:24.239 --> 0:44:28.200
<v Speaker 1>Caddy and Petty towards each other very is so noncompetitive

0:44:28.280 --> 0:44:30.880
<v Speaker 1>to the point where it's just like they're all the

0:44:30.920 --> 0:44:35.239
<v Speaker 1>same person, Like they're all the same dumb person to

0:44:35.320 --> 0:44:37.399
<v Speaker 1>the point where it's like, oh yeah, even though these

0:44:37.440 --> 0:44:41.200
<v Speaker 1>male antagonists are I mean, that's the only reason they exist.

0:44:41.280 --> 0:44:44.680
<v Speaker 1>And that's also unfortunately true in real life where that

0:44:44.760 --> 0:44:48.040
<v Speaker 1>guy named Simon who's not Simon Cowell but no Simon

0:44:48.120 --> 0:44:53.200
<v Speaker 1>Cowell that created the X factor, uh like created the

0:44:53.239 --> 0:44:57.640
<v Speaker 1>Spice Girls and his weird sex lab or whatever, and

0:44:58.200 --> 0:44:59.759
<v Speaker 1>you know, and I think it is funny that, like

0:44:59.800 --> 0:45:02.320
<v Speaker 1>we are to believe in the mythology of this movie

0:45:02.480 --> 0:45:05.000
<v Speaker 1>that the Spice Girls have known each other since childhood

0:45:05.400 --> 0:45:07.120
<v Speaker 1>and they used to hang out in the cafe when

0:45:07.120 --> 0:45:11.719
<v Speaker 1>they were waiting full record deal different ages and like

0:45:12.239 --> 0:45:16.320
<v Speaker 1>creations of science basically like did you know the Spice

0:45:16.320 --> 0:45:19.680
<v Speaker 1>Girls literally had to go to like camp to become

0:45:19.719 --> 0:45:22.080
<v Speaker 1>the Spice Girls, Like there was a there was a

0:45:22.239 --> 0:45:25.920
<v Speaker 1>re education camp. It was like a definite full brainwash,

0:45:26.160 --> 0:45:28.719
<v Speaker 1>like they're not I mean, not that dramatic, but they

0:45:28.719 --> 0:45:32.800
<v Speaker 1>went to fucking camp to become popster, which also happens

0:45:32.800 --> 0:45:35.120
<v Speaker 1>in Korea. And it's really interesting and there's a really

0:45:35.120 --> 0:45:37.319
<v Speaker 1>good show about it on Netflix. I'll tell you about

0:45:37.320 --> 0:45:40.479
<v Speaker 1>Oh yeah, it is really good. It's really good. Yeah,

0:45:40.640 --> 0:45:43.560
<v Speaker 1>that's that was like a nineties thing that's like still happening.

0:45:44.560 --> 0:45:47.359
<v Speaker 1>It's still happening in Korea, and it's they rotate them

0:45:47.360 --> 0:45:50.560
<v Speaker 1>out by your It's very weird, but also like what

0:45:50.600 --> 0:45:55.520
<v Speaker 1>an amazing gift. Yeah, but like I agree, Citland, I

0:45:55.600 --> 0:45:58.480
<v Speaker 1>like I kind of like that they weren't in competition

0:45:58.520 --> 0:46:00.480
<v Speaker 1>with each other and that there wasn't like every other

0:46:00.560 --> 0:46:02.920
<v Speaker 1>Muppets movie where they all have to break up and

0:46:02.960 --> 0:46:05.759
<v Speaker 1>come together. That part is always really sad. I hate

0:46:05.800 --> 0:46:07.440
<v Speaker 1>when the Muppets break up and I have to come

0:46:07.480 --> 0:46:11.839
<v Speaker 1>back together. There's a lot. It takes up a lot

0:46:11.840 --> 0:46:15.640
<v Speaker 1>of the end of the second age the Cheetah Girls too,

0:46:16.360 --> 0:46:18.520
<v Speaker 1>not the Cheetah Girls to the one where they go

0:46:18.560 --> 0:46:23.360
<v Speaker 1>to Barcelona, the Cheetah Girls as well. Right, Yeah, I

0:46:23.360 --> 0:46:25.840
<v Speaker 1>mean in this movie, they don't really break up, but

0:46:25.880 --> 0:46:27.960
<v Speaker 1>they all kind of like go off and separate, but

0:46:28.040 --> 0:46:30.720
<v Speaker 1>not because they're having like an internal conflict, but because

0:46:31.200 --> 0:46:34.600
<v Speaker 1>they're at the mercy of other people demanding this schedule

0:46:34.640 --> 0:46:35.800
<v Speaker 1>of them, and they're like, I don't know if I

0:46:35.840 --> 0:46:37.799
<v Speaker 1>want to do that. We just want all we want

0:46:37.880 --> 0:46:40.680
<v Speaker 1>is to just be able to respect ourselves and and

0:46:40.760 --> 0:46:43.200
<v Speaker 1>hang out with our friends, especially when they're about to

0:46:43.200 --> 0:46:46.120
<v Speaker 1>have a baby. Yeah, I like that they take her.

0:46:46.280 --> 0:46:50.400
<v Speaker 1>They take Nicola, the pregnant friend to the discotheque. And

0:46:50.480 --> 0:46:52.879
<v Speaker 1>also I guess it's a gay bar. It's like it's

0:46:52.880 --> 0:46:56.080
<v Speaker 1>like there's a lot of drag queens there and they're

0:46:56.120 --> 0:46:59.920
<v Speaker 1>just like also just mess shirts and like go go stop,

0:47:00.680 --> 0:47:05.359
<v Speaker 1>bring backsh already. I love Mesh. We're ready. Like it's

0:47:05.400 --> 0:47:07.759
<v Speaker 1>hard to find sometimes, I thought like it would be

0:47:07.800 --> 0:47:11.520
<v Speaker 1>cool to own more Mesh. Let's go to eBay where

0:47:11.400 --> 0:47:13.200
<v Speaker 1>we gonna find it. Yeah, it's hard to get those

0:47:13.360 --> 0:47:16.439
<v Speaker 1>laundry bags and just cut some holes. Good idea. We're

0:47:16.520 --> 0:47:21.800
<v Speaker 1>just like bast just where I bought a basketball penny

0:47:21.840 --> 0:47:25.840
<v Speaker 1>once to wear under overalls. So just like maybe the

0:47:25.880 --> 0:47:29.080
<v Speaker 1>most the poorest fashion choices I've ever made. But I

0:47:29.120 --> 0:47:31.480
<v Speaker 1>was like, I'm at Bonnaroo, I'm going to get a

0:47:31.600 --> 0:47:37.759
<v Speaker 1>Mesh shirt. And overall George's that is very There's some

0:47:38.200 --> 0:47:40.560
<v Speaker 1>there's some great pictures of me in front of mushroom

0:47:40.640 --> 0:47:45.440
<v Speaker 1>fountains wearing this brilliant outfit created at the Walmart across

0:47:45.480 --> 0:47:50.520
<v Speaker 1>the street from Bonaroo. Please tell me I'd read the

0:47:50.560 --> 0:47:53.799
<v Speaker 1>novel of Walmart across the street from Bao. What is

0:47:53.840 --> 0:47:59.479
<v Speaker 1>it like working there for one week out of the year, Well,

0:48:00.680 --> 0:48:06.000
<v Speaker 1>Spice World. Does anyone have any other thoughts about the movie?

0:48:06.440 --> 0:48:09.919
<v Speaker 1>I still love it that scene where they like flashback

0:48:10.000 --> 0:48:12.080
<v Speaker 1>to like their early days, would want to be there,

0:48:12.120 --> 0:48:15.040
<v Speaker 1>like singing along to their own song in that cafe.

0:48:16.000 --> 0:48:19.680
<v Speaker 1>I got legitmate nostal check about it. I'm kind of

0:48:19.719 --> 0:48:22.959
<v Speaker 1>missing about it right now. And then I was like, oh, ship, yeah,

0:48:23.000 --> 0:48:25.319
<v Speaker 1>I do have a connection to this movie. It's not

0:48:25.440 --> 0:48:27.800
<v Speaker 1>just like a weird memory I have. What was I

0:48:27.800 --> 0:48:30.400
<v Speaker 1>gonna say about Spice Cross. Oh yeah, they're a product

0:48:30.560 --> 0:48:35.359
<v Speaker 1>of men, but they pretend to be empowered and they

0:48:35.480 --> 0:48:37.640
<v Speaker 1>sort of are. But are they just too stupid? Like

0:48:37.680 --> 0:48:41.040
<v Speaker 1>we don't there are a bunch of real science creations

0:48:41.560 --> 0:48:46.880
<v Speaker 1>they do. Women in stem created them? Who knows that?

0:48:47.760 --> 0:48:52.000
<v Speaker 1>But guy Simon created them? Yeah, I guess it's a

0:48:52.200 --> 0:48:54.919
<v Speaker 1>I mean it's this movie is so much fucking fun

0:48:55.120 --> 0:48:58.400
<v Speaker 1>and it could not have existed in like this other

0:48:58.440 --> 0:49:02.800
<v Speaker 1>than this span of ten days. Would it have made sense?

0:49:03.040 --> 0:49:06.160
<v Speaker 1>I love that when the bus makes the jump and

0:49:06.200 --> 0:49:09.560
<v Speaker 1>it clearly just switched just to like a miniature toy

0:49:09.680 --> 0:49:12.719
<v Speaker 1>set of a bus jumping from like it's so I

0:49:12.760 --> 0:49:15.600
<v Speaker 1>love those things. I still geek out over like the

0:49:15.640 --> 0:49:20.120
<v Speaker 1>practical effect gag. It's like and it's like surprisingly a

0:49:20.480 --> 0:49:25.760
<v Speaker 1>self aware movie. It is it realizes there's a problem,

0:49:25.800 --> 0:49:27.919
<v Speaker 1>but they have no intention to fix it. So here's

0:49:27.960 --> 0:49:32.880
<v Speaker 1>some goofs right right, there's Spice Girls songs, Like, here's

0:49:32.920 --> 0:49:36.400
<v Speaker 1>a lot of like Spice Girls B side songs. And

0:49:36.440 --> 0:49:39.120
<v Speaker 1>also I wanted to say that that there's such a

0:49:39.400 --> 0:49:42.600
<v Speaker 1>seventies vibe to this whole movie, especially in the opening

0:49:42.920 --> 0:49:45.879
<v Speaker 1>segment where it's like, you know but and I guess

0:49:45.920 --> 0:49:48.720
<v Speaker 1>the reason that is or like part of the reason

0:49:48.760 --> 0:49:52.560
<v Speaker 1>that was sort of amped up in post production was

0:49:52.600 --> 0:49:55.279
<v Speaker 1>because this is the same year that Austin Powers came out.

0:49:55.440 --> 0:50:00.520
<v Speaker 1>That's right. So the seventies were hot and a mess.

0:50:00.840 --> 0:50:04.000
<v Speaker 1>It was like seventies should never be in fashion, and

0:50:04.120 --> 0:50:07.200
<v Speaker 1>there it was a gross decade. I thought I was there.

0:50:08.920 --> 0:50:11.880
<v Speaker 1>I should know. First of all, I just want to

0:50:12.400 --> 0:50:17.000
<v Speaker 1>apologize to our listeners for our bad attempts at British accents.

0:50:17.320 --> 0:50:22.759
<v Speaker 1>Number one, sorry, number two, sorry number two. I want

0:50:22.760 --> 0:50:25.719
<v Speaker 1>to shout out my good friend British Martha, whom I

0:50:25.760 --> 0:50:28.840
<v Speaker 1>call it British Martha to her face, Sorry Marsha, Martha,

0:50:28.960 --> 0:50:33.200
<v Speaker 1>what not the whatly? We're so sorry, so so sorry,

0:50:33.440 --> 0:50:40.560
<v Speaker 1>so sorry. And three were good feel like an east

0:50:40.680 --> 0:50:47.120
<v Speaker 1>End there's sporty spice she has like a Oh. Speaking

0:50:47.160 --> 0:50:52.560
<v Speaker 1>of British, Caitlin Durante went at a bar will order

0:50:52.760 --> 0:50:58.080
<v Speaker 1>a drink as if she were all over twist. The

0:50:58.200 --> 0:51:01.360
<v Speaker 1>other night we were in a par together. Thank you

0:51:01.600 --> 0:51:06.360
<v Speaker 1>said excuse me? Could I trouble you for a glass

0:51:06.360 --> 0:51:09.080
<v Speaker 1>of wine? And the bar the bartender or maybe it

0:51:09.120 --> 0:51:11.480
<v Speaker 1>was water water? Can I trouble you for some water?

0:51:14.080 --> 0:51:16.680
<v Speaker 1>It was Lisa, may I have some water? Like she

0:51:16.800 --> 0:51:19.719
<v Speaker 1>was asking for gruel. It was amazing. I always the

0:51:19.760 --> 0:51:23.799
<v Speaker 1>same thing, though, because these bartenders are super intimidating out here.

0:51:24.080 --> 0:51:28.520
<v Speaker 1>I just inhale, I go, well, can you please get

0:51:29.160 --> 0:51:31.160
<v Speaker 1>I always phrase it like that when I'm asking for

0:51:31.239 --> 0:51:33.960
<v Speaker 1>water because I'm not giving them any money. I'm probably

0:51:33.960 --> 0:51:36.680
<v Speaker 1>not even going to take them for a water. Maybe

0:51:36.680 --> 0:51:39.120
<v Speaker 1>I'm a bad person. I don't know, but I always

0:51:39.120 --> 0:51:41.640
<v Speaker 1>say can I trouble you for some water? Because I

0:51:41.680 --> 0:51:43.360
<v Speaker 1>know it's like an annoying thing and they're not going

0:51:43.440 --> 0:51:45.520
<v Speaker 1>to make any money off it. If I'm ordering an

0:51:45.560 --> 0:51:49.840
<v Speaker 1>actual drink, I say pizza. I want gin and tonic

0:51:50.840 --> 0:51:57.200
<v Speaker 1>and bloody blading. My father died of consumption and I

0:51:57.680 --> 0:52:01.480
<v Speaker 1>got full pen to give me some Jimmie Dodges. I

0:52:01.520 --> 0:52:05.960
<v Speaker 1>won't currently Wally. Oh, my uncle killed themselves after the

0:52:06.040 --> 0:52:12.560
<v Speaker 1>business went bused. There's a rubbish. There's a rubbish. There

0:52:12.680 --> 0:52:15.920
<v Speaker 1>is a rubbish. Cheese bacon has got off and you

0:52:16.040 --> 0:52:22.799
<v Speaker 1>gotta chuck it in the bin is what I need

0:52:22.840 --> 0:52:26.880
<v Speaker 1>to do apologize for. Yes, British Martha, I love you

0:52:26.920 --> 0:52:29.560
<v Speaker 1>so much. I miss you every day. She's still alive.

0:52:32.360 --> 0:52:36.480
<v Speaker 1>I don't know anyone British. Yeah, A moment of silence,

0:52:37.920 --> 0:52:41.200
<v Speaker 1>My British. The British people are normally acquaintances, so I

0:52:41.200 --> 0:52:44.880
<v Speaker 1>feel weird addressing, though I understand we count all the

0:52:45.360 --> 0:52:49.080
<v Speaker 1>uncle enough to have a British like a friend, like

0:52:49.120 --> 0:52:54.400
<v Speaker 1>a British friend, you know. Man. Anyway, let's talk about

0:52:54.680 --> 0:52:57.880
<v Speaker 1>whether or not the movie passes the Bechdel test. But

0:52:58.360 --> 0:53:01.360
<v Speaker 1>guess what it does, Like super does. I feel like

0:53:01.400 --> 0:53:05.080
<v Speaker 1>it's aggressively proving to you that it does, and every

0:53:05.160 --> 0:53:08.080
<v Speaker 1>second without saying it, because I don't think I think

0:53:08.080 --> 0:53:10.120
<v Speaker 1>this predates the beck they'll test by like a couple

0:53:10.120 --> 0:53:13.080
<v Speaker 1>of years. I think late nineties. I don't know exactly

0:53:13.440 --> 0:53:19.480
<v Speaker 1>the same. Yeah, I'm not sure when I brought Yeah.

0:53:19.840 --> 0:53:22.360
<v Speaker 1>In most scenes, I would say that at least the

0:53:22.840 --> 0:53:25.720
<v Speaker 1>girls are in they are talking to each other about

0:53:25.920 --> 0:53:29.360
<v Speaker 1>not a man. In fact, there's a scene where Alan Cumming,

0:53:29.400 --> 0:53:31.759
<v Speaker 1>who is making the documentary about them, is sort of

0:53:31.880 --> 0:53:35.560
<v Speaker 1>interviewing them and he's like, do you have any time

0:53:35.719 --> 0:53:39.799
<v Speaker 1>for boys? And Sporty goes boys doesn't ring a bell,

0:53:40.719 --> 0:53:44.080
<v Speaker 1>and then Scary says, with boys, you should just be

0:53:44.120 --> 0:53:46.560
<v Speaker 1>able to wheel them in. And then they're there and

0:53:46.600 --> 0:53:49.239
<v Speaker 1>that's it. And then Baby says yeah, and order them

0:53:49.239 --> 0:53:51.840
<v Speaker 1>like a pizza, and Posh is like, yeah, I'll have

0:53:51.880 --> 0:53:54.839
<v Speaker 1>a deep pen six foot green eye paralleaf It like

0:53:55.360 --> 0:53:58.919
<v Speaker 1>there there's an opportunity for them to be talking about men,

0:53:58.960 --> 0:54:02.120
<v Speaker 1>and they're just making of it. They're like boys growth

0:54:02.239 --> 0:54:05.279
<v Speaker 1>and there's no and like and and this sort of

0:54:05.280 --> 0:54:08.600
<v Speaker 1>factors into like the weird portrayal of motherhood in this movie,

0:54:08.600 --> 0:54:11.480
<v Speaker 1>where they're so happy for their friend, but then they

0:54:11.840 --> 0:54:14.440
<v Speaker 1>picture motherhood is being kind of gross and unappealing and

0:54:14.840 --> 0:54:17.399
<v Speaker 1>like as a robbery of their independence. And I think

0:54:17.440 --> 0:54:20.359
<v Speaker 1>that that sort of extends to their attitude towards men

0:54:20.840 --> 0:54:24.480
<v Speaker 1>of like they view relationships and men is sort of

0:54:24.520 --> 0:54:28.080
<v Speaker 1>a way of robbing their independence, which is interesting for

0:54:28.280 --> 0:54:36.400
<v Speaker 1>scientific aliens created by name Simon. It's complicated also that

0:54:36.440 --> 0:54:39.160
<v Speaker 1>the Betel test was first introduced in eighty five, but

0:54:39.239 --> 0:54:44.319
<v Speaker 1>it wasn't like popularly referenced until maybe early two thousands, right,

0:54:45.600 --> 0:54:48.640
<v Speaker 1>that was that was thirty years or more ago. Yeah,

0:54:48.640 --> 0:54:50.440
<v Speaker 1>if you haven't read it, dikes to watch out for.

0:54:50.680 --> 0:54:53.840
<v Speaker 1>It's very good comic and there they are collected and

0:54:53.960 --> 0:54:57.160
<v Speaker 1>you should read them. Yeah, oh my god, it's just

0:54:57.239 --> 0:55:00.360
<v Speaker 1>like so filtered through the male gaze at there's so

0:55:00.360 --> 0:55:03.520
<v Speaker 1>many opportunities that they create to talk about it and said,

0:55:03.600 --> 0:55:06.560
<v Speaker 1>it's just like they talk about looks again, and they

0:55:06.600 --> 0:55:10.960
<v Speaker 1>don't really talk about like the system itself. So it's frustrating.

0:55:11.000 --> 0:55:13.920
<v Speaker 1>It's like, yeah, it's a lot of girls just being

0:55:14.000 --> 0:55:17.440
<v Speaker 1>girls and there's fluffy fun happening, but there's a lot

0:55:17.480 --> 0:55:19.840
<v Speaker 1>of like real stuff that they could talk about the

0:55:19.960 --> 0:55:23.600
<v Speaker 1>very ignoring So as an adult, that's very unsatisfying. It's

0:55:23.800 --> 0:55:28.400
<v Speaker 1>very like watered down quote unquote feminism absolutely like the

0:55:28.440 --> 0:55:32.399
<v Speaker 1>most water done. It could be very sexy, like yeah,

0:55:32.400 --> 0:55:34.520
<v Speaker 1>and there's that scene where I think it's posh is

0:55:34.560 --> 0:55:37.399
<v Speaker 1>like I had I had a nightmare that I had

0:55:37.440 --> 0:55:40.160
<v Speaker 1>a head but there was no makeup on it, and

0:55:40.200 --> 0:55:46.640
<v Speaker 1>everyone's like disgust, like yeah, and that her I like

0:55:46.800 --> 0:55:48.719
<v Speaker 1>legitimately felt bad when I want and I was like,

0:55:48.760 --> 0:55:54.879
<v Speaker 1>oh no, I should go my lip glass. Don't fall

0:55:54.960 --> 0:55:57.200
<v Speaker 1>into their trap. That's what they want you to do.

0:55:57.360 --> 0:56:02.640
<v Speaker 1>Here's the thing. I bought a lip glass. Sorry, it

0:56:02.760 --> 0:56:07.640
<v Speaker 1>was a wet and wild. It was a wet wild,

0:56:07.680 --> 0:56:11.080
<v Speaker 1>a false alarm. It was a wet wild. That's my

0:56:11.160 --> 0:56:17.799
<v Speaker 1>nickname from my vagina. Min'd still the sand lot mine.

0:56:17.840 --> 0:56:20.240
<v Speaker 1>I was going to say in our sand lat episode

0:56:21.000 --> 0:56:26.160
<v Speaker 1>was the cave from Aladdin. That's the don't touch anything

0:56:27.080 --> 0:56:31.479
<v Speaker 1>it laps and then you'll be trapped inside and you'll

0:56:31.480 --> 0:56:35.359
<v Speaker 1>have to wish your way out. That's exactly how it were.

0:56:35.400 --> 0:56:37.640
<v Speaker 1>Do you have a genie living in your uters? Because

0:56:37.760 --> 0:56:39.560
<v Speaker 1>that one. Yeah, but it doesn't work for me. It

0:56:39.640 --> 0:56:42.800
<v Speaker 1>works for whoever's trapped in there, right, But at the

0:56:42.880 --> 0:56:44.920
<v Speaker 1>end you have to wish him free. And then I

0:56:44.960 --> 0:56:49.279
<v Speaker 1>clim X when you wish the genie free, Only then

0:56:49.480 --> 0:56:54.840
<v Speaker 1>can I come a true act of altruism where I

0:56:54.960 --> 0:57:13.239
<v Speaker 1>killed myself is oh anyway, yeah, the movie again, you know,

0:57:13.360 --> 0:57:18.080
<v Speaker 1>they're talking to each other, oftentimes about fashion or scopes

0:57:18.640 --> 0:57:23.800
<v Speaker 1>or other not important things. There's no grade level here.

0:57:23.920 --> 0:57:28.360
<v Speaker 1>It's past fail because it's like a D like honestly,

0:57:29.560 --> 0:57:33.560
<v Speaker 1>but past fail, so it passes. Hey, speaking of grades,

0:57:34.240 --> 0:57:37.960
<v Speaker 1>we rate the movie based on its portrayal of the

0:57:38.040 --> 0:57:41.160
<v Speaker 1>women in the movie. We have a nipple scale zero

0:57:41.200 --> 0:57:44.360
<v Speaker 1>to five nipples. We can describe those nipples if we

0:57:44.400 --> 0:57:47.840
<v Speaker 1>so choose. I'm really thinking about this, Um, I think

0:57:47.880 --> 0:57:49.400
<v Speaker 1>I'm going to give it like a two and a

0:57:49.440 --> 0:57:53.600
<v Speaker 1>half nipples. Okay, yeah, for a moment I thought three,

0:57:53.680 --> 0:57:56.720
<v Speaker 1>but it's like a little too high. The movie doesn't

0:57:56.760 --> 0:58:01.439
<v Speaker 1>make sense, let's be honest. But okay, So, like one

0:58:01.480 --> 0:58:04.280
<v Speaker 1>of them is like a little baby nipple, like really

0:58:05.960 --> 0:58:08.120
<v Speaker 1>it's like a very like it's like the size of

0:58:08.120 --> 0:58:10.760
<v Speaker 1>a quarter and it's really pink. And then the other

0:58:10.960 --> 0:58:14.440
<v Speaker 1>is like like a classic nipple, like a little brown

0:58:14.960 --> 0:58:19.400
<v Speaker 1>protrudes a little bit. Yeah, and the half nipple is

0:58:19.440 --> 0:58:22.880
<v Speaker 1>like one with a really like large areola. Good good, Yeah,

0:58:23.720 --> 0:58:25.919
<v Speaker 1>I'll give it two and a half as well. I think, yeah,

0:58:26.080 --> 0:58:29.520
<v Speaker 1>it's a I wouldn't even say that this movie's heart

0:58:29.680 --> 0:58:32.520
<v Speaker 1>is in the right place, because I don't think it

0:58:32.560 --> 0:58:37.760
<v Speaker 1>has a hard Is it in the right place? Um?

0:58:37.800 --> 0:58:41.040
<v Speaker 1>But I you know, I think it made little girls

0:58:41.120 --> 0:58:44.560
<v Speaker 1>feel good even when they didn't realize it was probably

0:58:44.640 --> 0:58:47.960
<v Speaker 1>hurting them a little bit. So it's a it's a

0:58:47.960 --> 0:58:51.840
<v Speaker 1>tricky gray area where it's like I'm never gonna discredit

0:58:52.000 --> 0:58:56.920
<v Speaker 1>like go palette, like that's a great phrase. But also

0:58:57.000 --> 0:59:00.840
<v Speaker 1>when you're being pedaled merch the whole time time, it's like, well,

0:59:01.160 --> 0:59:04.240
<v Speaker 1>that said, the movie has been forgotten and doesn't make

0:59:04.280 --> 0:59:08.640
<v Speaker 1>any sense. So at the end of the day, who

0:59:08.800 --> 0:59:10.640
<v Speaker 1>you know who am I? I am just a cyborg

0:59:10.720 --> 0:59:15.080
<v Speaker 1>created by a man named Simon, So I don't really

0:59:15.080 --> 0:59:17.200
<v Speaker 1>know what I'm saying at all. You are about a hologram.

0:59:17.400 --> 0:59:24.600
<v Speaker 1>I am a hologram. I'm a hologram some some never mind,

0:59:25.200 --> 0:59:29.440
<v Speaker 1>please buy my sound chat. Yeah, I'm gonna give it.

0:59:30.760 --> 0:59:32.600
<v Speaker 1>I guess two nipples. Two and a half of my

0:59:32.680 --> 0:59:37.120
<v Speaker 1>nipples are Alan Cummings. You know, Alan Cumming has like

0:59:37.440 --> 0:59:43.400
<v Speaker 1>an extra an extra half pocket. It's in my pocket. Yeah,

0:59:43.480 --> 0:59:46.040
<v Speaker 1>I would give it to nipples. Although a thing I

0:59:46.080 --> 0:59:48.800
<v Speaker 1>wanted to say that I did before is that oftentimes

0:59:48.880 --> 0:59:53.200
<v Speaker 1>in a comedy movie, a lot of the funny lines

0:59:53.360 --> 0:59:57.800
<v Speaker 1>are being delivered by not women. So I like that

0:59:58.480 --> 1:00:01.000
<v Speaker 1>the women in this movie have a bunch of funny

1:00:01.040 --> 1:00:03.720
<v Speaker 1>scenes and lines and jokes. At some point, I agree,

1:00:03.760 --> 1:00:07.040
<v Speaker 1>even if they didn't write them themselves, right, who knows

1:00:07.280 --> 1:00:11.200
<v Speaker 1>trues it to deliver a joke. Movie was written by

1:00:11.360 --> 1:00:18.240
<v Speaker 1>a woman named Kim Fuller, plus two other people who

1:00:18.320 --> 1:00:22.320
<v Speaker 1>have received three cents and royalties every time the movie

1:00:22.360 --> 1:00:26.400
<v Speaker 1>airs on free Form, which is a legal stream. That

1:00:26.480 --> 1:00:29.800
<v Speaker 1>I found was something that had been aired on free form,

1:00:29.880 --> 1:00:32.200
<v Speaker 1>So shout out to my free form heads out there.

1:00:32.880 --> 1:00:37.360
<v Speaker 1>I've never watched freeform. Right, you can take this part out.

1:00:37.400 --> 1:00:40.240
<v Speaker 1>This is bad. This is about networking. I'm going to

1:00:40.360 --> 1:00:45.880
<v Speaker 1>get blackall industry between like actually and Mary Kate movie.

1:00:46.760 --> 1:00:49.360
<v Speaker 1>I don't want to. I don't want to start freeform beef.

1:00:50.320 --> 1:00:58.840
<v Speaker 1>I can't afform more beef in my life. That's a

1:00:58.960 --> 1:01:02.560
<v Speaker 1>thick slab off. I don't have any more room, all right, good,

1:01:02.760 --> 1:01:09.240
<v Speaker 1>good good. That's where I keep all my conflict and

1:01:09.360 --> 1:01:20.400
<v Speaker 1>also my beef. Men. Yeah, two nipples. I'll give it again.

1:01:20.840 --> 1:01:24.400
<v Speaker 1>Any mention of like feminism and girl power and stuff

1:01:24.440 --> 1:01:28.200
<v Speaker 1>like that is very watered down. It's not really substantiated

1:01:28.240 --> 1:01:32.000
<v Speaker 1>by anything. Even so, it's a it's a fun movie.

1:01:32.320 --> 1:01:35.360
<v Speaker 1>Um it's like we said, doesn't make any sense. I

1:01:35.400 --> 1:01:38.840
<v Speaker 1>don't really mind that, even though I do have a

1:01:38.840 --> 1:01:40.960
<v Speaker 1>master's degree in screenwriting, which I hate to bring up,

1:01:41.040 --> 1:01:47.480
<v Speaker 1>but um, that does it. It's still it's a it's

1:01:47.480 --> 1:01:49.960
<v Speaker 1>a fun watch. I'd recommend it if you just want

1:01:50.040 --> 1:01:52.840
<v Speaker 1>like some kind of mindless fun. That and again, Josie

1:01:52.880 --> 1:01:56.800
<v Speaker 1>and the Pussycats love that movie. I like Josie a lot.

1:01:56.920 --> 1:02:01.520
<v Speaker 1>That's a really good movie. The nipples belong to that.

1:02:02.200 --> 1:02:08.440
<v Speaker 1>That that's a good one. He loves snips, love snips

1:02:08.960 --> 1:02:14.400
<v Speaker 1>at the bast rally her beef. You have your beef?

1:02:15.160 --> 1:02:21.600
<v Speaker 1>Are you gonna get your beef? Girl? No one has

1:02:21.640 --> 1:02:25.200
<v Speaker 1>ever specified weather meat loafs made of beef or like

1:02:25.560 --> 1:02:28.680
<v Speaker 1>some other meat processed. Yeah. I feel like he's a

1:02:28.720 --> 1:02:31.360
<v Speaker 1>combo of something. He's like a bunch of hand sandwich

1:02:31.400 --> 1:02:38.680
<v Speaker 1>is putting a blender. Oh man, that's a really good album.

1:02:39.560 --> 1:02:40.760
<v Speaker 1>Me and my dad used to listen to it in

1:02:40.800 --> 1:02:43.080
<v Speaker 1>the car. There's a song about making out at the movies,

1:02:43.240 --> 1:02:47.919
<v Speaker 1>and then my dad and I would make you would

1:02:47.960 --> 1:02:51.520
<v Speaker 1>like I like that. Mike's her lemonade. I like the

1:02:51.560 --> 1:02:53.720
<v Speaker 1>meat Loaf in the movie says I would do anything

1:02:53.800 --> 1:02:57.080
<v Speaker 1>for those girls, but I won't do that talking about

1:02:57.200 --> 1:03:02.160
<v Speaker 1>fixing the bathrooms, and I did not trees it's so healthy.

1:03:02.720 --> 1:03:04.280
<v Speaker 1>I did not know that that was meat Loaf until

1:03:04.280 --> 1:03:08.240
<v Speaker 1>I was watching the credits. Meat Loaf as Benny the

1:03:08.240 --> 1:03:12.920
<v Speaker 1>Best Driver, such a talented act. Like I know that

1:03:12.920 --> 1:03:15.760
<v Speaker 1>that sounds like a hilarious joke, but he's really good

1:03:15.800 --> 1:03:20.439
<v Speaker 1>and rocky horror. He does his best with what he's

1:03:20.520 --> 1:03:23.560
<v Speaker 1>given in Spice World, and he's really good in Fight Club.

1:03:24.040 --> 1:03:28.240
<v Speaker 1>Beat Loaf is a great actor. Don't remembering he's in

1:03:28.280 --> 1:03:31.120
<v Speaker 1>the support group. He's like the bigger he's the beefcake.

1:03:31.880 --> 1:03:34.280
<v Speaker 1>Oh my god. I also he brings the beef in

1:03:34.320 --> 1:03:36.240
<v Speaker 1>Fight Club. He should have been in the Wrestler. He

1:03:36.240 --> 1:03:37.760
<v Speaker 1>should have been one of the like down and out

1:03:37.800 --> 1:03:40.600
<v Speaker 1>wrestlers in that. Yeah, Mickey work didn't deserve a comeback.

1:03:40.760 --> 1:03:45.480
<v Speaker 1>Give meat Loaf back revisionist history. If he had gotten

1:03:45.480 --> 1:03:48.000
<v Speaker 1>into the wrestler, that could have been like a whole resurgence.

1:03:48.000 --> 1:03:51.080
<v Speaker 1>He wouldn't have to be on the Celebrity Apprentice's I

1:03:51.120 --> 1:03:54.120
<v Speaker 1>need to find him. I could fix him. I could

1:03:54.120 --> 1:04:00.120
<v Speaker 1>Fix Me Podcast? Where's he a? Let me at him?

1:04:00.160 --> 1:04:07.360
<v Speaker 1>Missing neat loof mydcast. He's old. Oh it might be

1:04:07.360 --> 1:04:11.200
<v Speaker 1>too late to fix him. He's sixty nine. Oh shit,

1:04:11.520 --> 1:04:14.640
<v Speaker 1>perfect age. It's true. It's way older than I thought

1:04:14.280 --> 1:04:17.000
<v Speaker 1>he was. Like I was ten years off. I know.

1:04:17.080 --> 1:04:20.560
<v Speaker 1>I was like, he's the horny age baby. Hey, Amanda,

1:04:20.680 --> 1:04:24.400
<v Speaker 1>where can people find online? I forgot what you're doing

1:04:24.440 --> 1:04:29.960
<v Speaker 1>a podcast? I think we all Yeah, okay, great, I

1:04:30.040 --> 1:04:32.640
<v Speaker 1>had these totems and everything. I'm looking at these dolls.

1:04:32.960 --> 1:04:39.280
<v Speaker 1>I'm forgetting where I am like, Yeah, this is I'm

1:04:39.320 --> 1:04:42.240
<v Speaker 1>spinning my sporty spy still new and box still im back?

1:04:42.400 --> 1:04:46.000
<v Speaker 1>Oh no, it is it going to tip over or not?

1:04:48.280 --> 1:04:53.320
<v Speaker 1>And then Juno's in it too black those credits we

1:04:53.360 --> 1:04:56.200
<v Speaker 1>don't see whether it's lands or not. What a film?

1:04:56.280 --> 1:05:03.880
<v Speaker 1>Just kidding. It's fine. You can find I'm at a

1:05:03.960 --> 1:05:07.880
<v Speaker 1>Mandonium on Twitter. You can follow my all comedy book

1:05:07.920 --> 1:05:12.120
<v Speaker 1>publishing company, The Devastator at Devastator Press. It's on all

1:05:12.160 --> 1:05:15.920
<v Speaker 1>the social media's and my book we don't think You're racist.

1:05:16.240 --> 1:05:19.720
<v Speaker 1>Soothing affirmations from people of color is a bailable everywhere

1:05:19.720 --> 1:05:22.040
<v Speaker 1>books are sold, and it's actually turning one years old,

1:05:22.160 --> 1:05:26.800
<v Speaker 1>like this week baby bouncing baby books, your old eyes,

1:05:27.800 --> 1:05:30.920
<v Speaker 1>your books, growing teeth. Now it has little baby teeth.

1:05:31.440 --> 1:05:34.440
<v Speaker 1>I'm gonna buy it. Yeah, it's a good it's a

1:05:34.440 --> 1:05:36.600
<v Speaker 1>good one. You can get it on Amazon, you can

1:05:36.640 --> 1:05:39.120
<v Speaker 1>get it on devastator press dot com, and you can

1:05:39.120 --> 1:05:42.960
<v Speaker 1>get it just anywhere books are sold. Perfect. Hey Jamie,

1:05:43.040 --> 1:05:45.120
<v Speaker 1>what do you want to plug anything? I'd like to plug.

1:05:45.680 --> 1:05:47.600
<v Speaker 1>I'm working on a project right now, and it's like

1:05:47.600 --> 1:05:49.440
<v Speaker 1>I still can't really talk about it that much, but

1:05:49.520 --> 1:05:52.720
<v Speaker 1>it is in relation to Meet Love's come back, so

1:05:53.680 --> 1:05:55.920
<v Speaker 1>I'm also involved in this. I can't like. Yeah, we

1:05:56.000 --> 1:05:58.479
<v Speaker 1>are all very and like Aristotle's kind of in charge

1:05:58.480 --> 1:06:02.360
<v Speaker 1>of it. But anyways, you know, as we know Bat

1:06:02.360 --> 1:06:04.480
<v Speaker 1>out of Hell, Bad at of Hell, to Back to Hell,

1:06:05.040 --> 1:06:09.480
<v Speaker 1>which is also an album, and also apparently Bad out

1:06:09.520 --> 1:06:12.400
<v Speaker 1>of Hell three, the monster is loose. So right now

1:06:12.400 --> 1:06:15.440
<v Speaker 1>we're we're going on Bad at Hell four, back to

1:06:15.840 --> 1:06:19.440
<v Speaker 1>back into Hell, and we're calling back to bat Hell

1:06:19.520 --> 1:06:21.120
<v Speaker 1>too because that was our favorite bat at of Hell.

1:06:21.200 --> 1:06:24.280
<v Speaker 1>But if it's there and back again, a back to

1:06:24.400 --> 1:06:27.040
<v Speaker 1>Hell story, back to Hell story of the Bat out

1:06:27.040 --> 1:06:30.040
<v Speaker 1>of Hell right and we're doing him in time for

1:06:30.160 --> 1:06:33.800
<v Speaker 1>meat Loaf's seventieth birthday this year, we're gonna We're gonna

1:06:34.000 --> 1:06:36.439
<v Speaker 1>do a rush order and then I'm going to write

1:06:36.480 --> 1:06:39.720
<v Speaker 1>him an indie sleeper um that people won't see but

1:06:39.760 --> 1:06:41.000
<v Speaker 1>when he dies, so I'll be like, hey, that was

1:06:41.000 --> 1:06:43.840
<v Speaker 1>pretty good. Yeah. I'm also I'm producing the motion comic

1:06:43.920 --> 1:06:51.680
<v Speaker 1>that ties into the movie. Anyway, if you want to

1:06:51.680 --> 1:06:55.200
<v Speaker 1>follow me old Caitlin here, oh Caitlin okay and hit

1:06:56.320 --> 1:07:02.920
<v Speaker 1>you can follow me at Caitlin Durante okay. Um. Hey. Also,

1:07:03.040 --> 1:07:05.600
<v Speaker 1>if you're on the Los Angeles area, you can come

1:07:05.640 --> 1:07:08.280
<v Speaker 1>to my monthly live show called Luck of the Track

1:07:08.400 --> 1:07:12.400
<v Speaker 1>at Nerd Melts first Friday of the month. Also, we

1:07:12.480 --> 1:07:14.040
<v Speaker 1>just want to thank you so much for being here.

1:07:14.120 --> 1:07:17.000
<v Speaker 1>It's been a blast. What a fun episode. I had

1:07:17.040 --> 1:07:19.200
<v Speaker 1>a lot of fun here, you guys. This was one

1:07:19.240 --> 1:07:22.400
<v Speaker 1>of our wilder episodes. I love when we just get

1:07:22.440 --> 1:07:27.120
<v Speaker 1>loose and celebrate. Up. Pala girl, Pala. Sorry I messed

1:07:27.200 --> 1:07:29.720
<v Speaker 1>up the inflection. We all have done a very bad

1:07:29.800 --> 1:07:34.000
<v Speaker 1>job with the British act. At the end of this podcast,

1:07:34.040 --> 1:07:35.440
<v Speaker 1>we're all going to go out and shop for a

1:07:35.480 --> 1:07:38.000
<v Speaker 1>lip shaped couch and we're gonna get on it together

1:07:38.080 --> 1:07:40.120
<v Speaker 1>and talk about astrology. I'm going to get a swing

1:07:40.200 --> 1:07:45.200
<v Speaker 1>to put in my bus. I love on the doors

1:07:45.280 --> 1:07:48.800
<v Speaker 1>to their bus it said max capacity five girls. I

1:07:48.840 --> 1:07:52.200
<v Speaker 1>love that. Oh my god, it's very Do you think

1:07:52.200 --> 1:07:55.760
<v Speaker 1>that Aristotle will get a presidential Medal of Honor someday

1:07:55.880 --> 1:08:00.440
<v Speaker 1>for sitting? Yes? I think he's going to get like

1:08:00.440 --> 1:08:03.440
<v Speaker 1>a purple heart too, just because like it's the emotional

1:08:03.600 --> 1:08:07.880
<v Speaker 1>damage that we're inflicting upon him, is it's like combat's

1:08:07.960 --> 1:08:13.560
<v Speaker 1>enduring him, if not worse. Alright, well, it's been great.

1:08:13.640 --> 1:08:21.759
<v Speaker 1>It's been a groovy baby. That was Austin Powers until

1:08:21.800 --> 1:08:27.519
<v Speaker 1>next time. Goodbye bye, goodbye, bye bye bye bye. Could

1:08:27.560 --> 1:08:28.719
<v Speaker 1>I trouble you? FISTI water